{"meta":{"query_hash":"9c9f97b3c3dc","filters":{"topic":"Aesthetic Perception and Analysis"},"cohort_total":429,"direct_labels_cover":2,"predictions_cover":429,"exported":429,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/9c9f97b3c3dc","api":"https://metacan.xera.ac/api/v1/cohort?topic=Aesthetic+Perception+and+Analysis"},"results":[{"id":"W1485544528","doi":"10.1162/leon_a_01296","title":"<i>On Computational Ecosystems in Media Arts</i>","year":2016,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Icon; Citation; Download; World Wide Web; Computer science; The arts; Section (typography); Multimedia; Information retrieval; Library science; Visual arts; Art","score_opus":0.0327750561515412,"score_gpt":0.266118845290914,"score_spread":0.23334378913937281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485544528","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9732732,0.000006726454,0.0033720334,0.01407473,0.00018956958,0.00006788902,0.000022054264,0.00004798074,0.008945782],"genre_scores_gemma":[0.9976927,0.000010760701,0.000044896773,0.0016039879,0.000040249302,0.0000065811955,0.0000014859726,0.0000058224446,0.00059352163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922156,0.00006172538,0.00014019129,0.00021351253,0.00023282539,0.00013016666],"domain_scores_gemma":[0.99965626,0.00013861337,0.000033209162,0.00011047772,0.0000098383625,0.000051584393],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000090940106,0.000065836524,0.00009417765,0.00009002997,0.000035079003,0.000012188046,0.00010392758,0.000029144781,0.0011000052],"category_scores_gemma":[0.00013343642,0.000042535576,0.000046302386,0.0001453344,0.00004557882,0.000054670323,0.000013835363,0.000042840897,0.002166796],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118553,0.00057934783,0.009807371,0.000014454612,0.000004221374,0.0002619451,0.0016230196,0.003614031,0.30674928,0.40482548,0.013093289,0.259309],"study_design_scores_gemma":[0.01743297,0.00079437776,0.10687697,0.0013095743,0.000061324645,0.0005434948,0.0020549207,0.07368962,0.054354616,0.23181486,0.5074296,0.0036376591],"about_ca_topic_score_codex":0.000004941345,"about_ca_topic_score_gemma":0.00003309913,"teacher_disagreement_score":0.49433634,"about_ca_system_score_codex":0.000030496634,"about_ca_system_score_gemma":0.00001346226,"threshold_uncertainty_score":0.99981314},"labels":[],"label_agreement":null},{"id":"W1508283024","doi":"","title":"Daston, Lorraine, ed. 2004. Things That Talk: Object Lessons from Art and Science","year":2006,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Object (grammar); Aesthetics; Visual arts; Art; Philosophy; Linguistics","score_opus":0.014812240580893104,"score_gpt":0.270522740897063,"score_spread":0.25571050031616993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508283024","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28194788,0.07942337,0.0046338956,0.029201437,0.0028502974,0.0040007355,0.0015222746,0.0019263821,0.59449375],"genre_scores_gemma":[0.90186673,0.05269935,0.005126029,0.0116013745,0.0014393961,0.00013690007,0.00034351228,0.00008963792,0.026697045],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744695,0.000316053,0.00042520775,0.0008731931,0.0004377513,0.0005008621],"domain_scores_gemma":[0.9988628,0.00002555436,0.00033348743,0.00049529335,0.00008269396,0.00020019052],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006322294,0.00040497852,0.0006275493,0.000063418156,0.00056377833,0.0005768484,0.0005764376,0.00021109635,0.0013105781],"category_scores_gemma":[0.00034281184,0.0002862811,0.00019654281,0.0006082792,0.0006587279,0.00048632748,0.00019561546,0.00031262529,0.00023895405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021090102,0.00011667984,0.00006928864,0.00057370175,0.0000056585072,0.00010460076,0.0013841876,0.000013020621,0.8547152,0.014677811,0.12662986,0.0016888838],"study_design_scores_gemma":[0.0003662755,0.000045210658,0.00080247317,0.0016177582,0.00018770991,0.0007523187,0.00028022513,0.00010519402,0.032614388,0.001319348,0.96127516,0.0006339433],"about_ca_topic_score_codex":0.00028353126,"about_ca_topic_score_gemma":0.000031996038,"teacher_disagreement_score":0.83464533,"about_ca_system_score_codex":0.000080721155,"about_ca_system_score_gemma":0.00005568095,"threshold_uncertainty_score":0.99995893},"labels":[],"label_agreement":null},{"id":"W1522529425","doi":"10.21083/csieci.v9i2.2731","title":"\"An Invitation for Disaster\"—Embracing the 'Double Failure' of Improvisation","year":2014,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Improvisation; Judgement; Generative grammar; Psychology; Aesthetics; Epistemology; Computer science; Art; Visual arts; Philosophy; Artificial intelligence","score_opus":0.10540603138671763,"score_gpt":0.43087554270709516,"score_spread":0.32546951132037755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522529425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7840052,0.0000549739,0.19694285,0.015184862,0.000641948,0.0020760575,0.00004839088,0.00030058812,0.00074507087],"genre_scores_gemma":[0.992224,0.00006134392,0.004128177,0.0024392675,0.00033513262,0.0006701084,0.00005442167,0.000051231615,0.000036351827],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9959463,0.0007975708,0.0011611832,0.00082351133,0.0006111594,0.0006602642],"domain_scores_gemma":[0.9966174,0.0017831448,0.0003188912,0.0005523998,0.00057786383,0.00015029588],"candidate_categories":["metaresearch","metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0024930025,0.00037339132,0.00052314805,0.00032608872,0.0005280446,0.00019473388,0.00043396812,0.00020962126,0.000025375568],"category_scores_gemma":[0.008977436,0.00030449356,0.00019815382,0.0005061798,0.000879606,0.0014033454,0.00010349792,0.00029267074,0.0000083985715],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022159085,0.00038237733,0.00028411,0.0006054434,0.000014262334,7.173415e-7,0.01806712,0.0005335901,0.537344,0.384508,0.000118207165,0.05792059],"study_design_scores_gemma":[0.0071379575,0.0043089893,0.00577035,0.0005449419,0.00060194917,0.000037744314,0.08063336,0.40646774,0.3299013,0.15857017,0.0038586175,0.0021668626],"about_ca_topic_score_codex":0.00012553523,"about_ca_topic_score_gemma":0.00036173215,"teacher_disagreement_score":0.40593415,"about_ca_system_score_codex":0.0004009947,"about_ca_system_score_gemma":0.000101183854,"threshold_uncertainty_score":0.9999407},"labels":[],"label_agreement":null},{"id":"W1523255073","doi":"","title":"Impacto del contorno en los juicios estéticos y en las decisiones de acercamiento-rechazo en arquitectura","year":2013,"lang":"es","type":"article","venue":"Ludus vitalis: revista de filosofía de las ciencias de la vida = journal of philosophy of life sciences = revue de philosophie des sciences de la vie","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital","funders":"","keywords":"Beauty; Psychology; Social psychology; Cognitive psychology; Humanities; Art; Aesthetics","score_opus":0.044770448924525585,"score_gpt":0.33751681671523787,"score_spread":0.2927463677907123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523255073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95137876,0.0071793874,0.012417613,0.015099135,0.00040698537,0.0010500152,0.00026019666,0.00014762893,0.012060276],"genre_scores_gemma":[0.96436626,0.004972921,0.022209221,0.0056681805,0.002494887,0.00006731344,0.000004056787,0.00013174888,0.00008542661],"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.97814494,0.008823442,0.0036246292,0.0020997708,0.003803237,0.003504003],"domain_scores_gemma":[0.9839504,0.006860785,0.003751165,0.0013446214,0.0009526501,0.0031404293],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","open_science","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.02513596,0.0016129402,0.0026341246,0.0028733246,0.0023978564,0.003157436,0.008206855,0.001296446,0.0006551333],"category_scores_gemma":[0.023370951,0.0013949205,0.0019475169,0.0063639577,0.016830444,0.0036382289,0.000947428,0.002607752,0.00013637946],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00086480594,0.0038037358,0.11402461,0.002311192,0.00045849537,0.0021074624,0.022704102,0.033439197,0.5180612,0.28494102,0.0025886113,0.014695537],"study_design_scores_gemma":[0.0042265984,0.007103559,0.049493622,0.009619992,0.002114101,0.021395002,0.004138592,0.07761732,0.017963363,0.7936529,0.008157864,0.004517081],"about_ca_topic_score_codex":0.0003062017,"about_ca_topic_score_gemma":0.00001837152,"teacher_disagreement_score":0.5087119,"about_ca_system_score_codex":0.002890913,"about_ca_system_score_gemma":0.005554372,"threshold_uncertainty_score":0.99993783},"labels":[],"label_agreement":null},{"id":"W1577501047","doi":"10.1111/jaac.12170","title":"Aesthetic Experts, Guides to Value","year":2015,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pleasure; Aesthetic value; Aesthetics; Empiricism; Value (mathematics); Aesthetic theory; Aesthetic experience; Psychology; Epistemology; Philosophy; Computer science","score_opus":0.06321272911538957,"score_gpt":0.3195566921215692,"score_spread":0.2563439630061796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1577501047","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9639805,0.00025071698,0.003238236,0.02574598,0.0003095799,0.00007809122,0.0000028158015,0.00002300822,0.006371074],"genre_scores_gemma":[0.9865146,0.00021457796,0.002654479,0.008296887,0.000095374926,0.0000018017224,1.9219569e-7,0.000021157071,0.0022009055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841064,0.000119739525,0.0004973321,0.00019338039,0.00052311755,0.00025581775],"domain_scores_gemma":[0.998839,0.000017046665,0.00013106022,0.00019498022,0.00021291981,0.00060499704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049073773,0.00015591618,0.0002998723,0.00022469173,0.00010798518,0.00012496344,0.00024733137,0.000053969852,0.00005687983],"category_scores_gemma":[0.00034602592,0.00012155681,0.00013198401,0.00019494908,0.00016912071,0.00015456945,0.00006490956,0.0001412493,0.00011137428],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046086806,0.0023660383,0.0010248646,0.00006120917,0.000016958185,0.0029599378,0.030455394,0.0026144353,0.25287813,0.18013296,0.30184737,0.22518185],"study_design_scores_gemma":[0.0013003107,0.0015747638,0.00006977359,0.00015080845,0.00007866622,0.008234364,0.0028074076,0.0014659835,0.008013547,0.018857587,0.95698285,0.00046395577],"about_ca_topic_score_codex":0.0000016682549,"about_ca_topic_score_gemma":7.6491506e-7,"teacher_disagreement_score":0.65513545,"about_ca_system_score_codex":0.000032264732,"about_ca_system_score_gemma":0.000067322166,"threshold_uncertainty_score":0.4956943},"labels":[],"label_agreement":null},{"id":"W1583982418","doi":"10.21083/partnership.v2i1.193","title":"Confidence, Visual Research, and the Aesthetic Function","year":2007,"lang":"en","type":"article","venue":"Partnership The Canadian Journal of Library and Information Practice and Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Royal College of Physicians and Surgeons of Canada; Mount Royal University; McMaster University; University of Alberta","funders":"","keywords":"Realm; Visualization; Object (grammar); Context (archaeology); Function (biology); Quality (philosophy); Preference; Computer science; Human–computer interaction; Interface (matter); Psychology; Artificial intelligence; Epistemology; Mathematics","score_opus":0.10192911306957539,"score_gpt":0.3924173803604902,"score_spread":0.2904882672909148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583982418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51569396,0.0018664282,0.0003780192,0.33743632,0.0001572099,0.0005217351,0.0000031405664,0.000014315248,0.14392886],"genre_scores_gemma":[0.99145824,0.0022457875,0.00001570725,0.005223677,0.00008266667,0.0000024450019,8.427642e-7,0.0000040817486,0.0009665265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737877,0.0012290232,0.0003412804,0.00008362589,0.00063037494,0.00033694998],"domain_scores_gemma":[0.99746275,0.001595935,0.00016209223,0.0001140172,0.0002209101,0.00044430597],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.010578108,0.00006665954,0.000101119615,0.0006063952,0.0017723914,0.001121428,0.00020748883,0.000064634805,0.00010306714],"category_scores_gemma":[0.0019091279,0.000034934423,0.000027889002,0.00076526473,0.0022008573,0.00875478,0.000052257918,0.0009661302,0.000025016701],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011384451,0.000016364878,0.00039046546,0.000018790844,0.000007899226,0.0000323574,0.009041769,0.0000050722324,0.00008127142,0.9545046,0.004487244,0.030275686],"study_design_scores_gemma":[0.0011135791,0.00058256416,0.0025309585,0.000055073433,0.000028651979,0.0019724823,0.039931703,0.0007136232,0.0003719759,0.023954656,0.92863834,0.000106416766],"about_ca_topic_score_codex":0.0002617438,"about_ca_topic_score_gemma":0.00013025032,"teacher_disagreement_score":0.93055,"about_ca_system_score_codex":0.000013894536,"about_ca_system_score_gemma":0.000464319,"threshold_uncertainty_score":0.9999155},"labels":[],"label_agreement":null},{"id":"W1774364330","doi":"","title":"An Analysis on the Function of Self-Communication of Traditional Chinese Painting","year":2015,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Calligraphy; Painting; Chinese painting; Emptiness; Harmony (color); Taoism; Aesthetics; Chinese art; Style (visual arts); Function (biology); Simplicity; China; Buddhism; Visual arts; Art; History; Philosophy; Epistemology","score_opus":0.07584257927804268,"score_gpt":0.34887501466527004,"score_spread":0.2730324353872274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1774364330","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99554986,0.000041512136,0.00026734686,0.00090334524,0.00001850893,0.00010819819,0.000015016546,0.00007013953,0.003026071],"genre_scores_gemma":[0.99895597,0.0000779946,0.00043754448,0.00024393834,0.000017161525,0.00001849291,0.0001643004,0.0000072843027,0.00007734485],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99809915,0.0007870631,0.0004292061,0.00018708844,0.00039408935,0.00010343093],"domain_scores_gemma":[0.9974988,0.0002438137,0.00045090143,0.0012898351,0.00045604183,0.00006062704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010091277,0.000120725184,0.00020810333,0.00012546482,0.00038899604,0.000108414795,0.0008238685,0.00006426985,0.000111262256],"category_scores_gemma":[0.00070523785,0.00007615517,0.00019812373,0.0010701498,0.00048822726,0.00058243016,0.00007097726,0.00019027625,0.000017019902],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005686251,0.004003358,0.108539104,0.000055247256,0.00032928254,5.604445e-7,0.03445495,0.044947114,0.5601993,0.22255872,0.00089838647,0.023445332],"study_design_scores_gemma":[0.0016568326,0.00074620184,0.72750694,0.00008821456,0.00096181204,0.000010472141,0.010751686,0.21009628,0.028098082,0.017221922,0.0021767267,0.00068484544],"about_ca_topic_score_codex":0.00008351076,"about_ca_topic_score_gemma":0.000034580862,"teacher_disagreement_score":0.61896783,"about_ca_system_score_codex":0.00006168984,"about_ca_system_score_gemma":0.000024968305,"threshold_uncertainty_score":0.31055176},"labels":[],"label_agreement":null},{"id":"W183821130","doi":"","title":"Structure and aesthetics in non-photorealistic images","year":2013,"lang":"en","type":"article","venue":"Graphics Interface","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Stylized fact; Rendering (computer graphics); Computer science; Image quality; Artificial intelligence; Similarity (geometry); Computer vision; Quality (philosophy); Perceived quality; Psychology; Image (mathematics); Advertising; Economics","score_opus":0.015865450018747073,"score_gpt":0.2714858923942892,"score_spread":0.25562044237554216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W183821130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99678403,0.000048371636,0.0013066927,0.00077808194,0.000054267886,0.00012331063,0.000016131942,0.000030412682,0.00085868046],"genre_scores_gemma":[0.99847436,0.00027071408,0.0001497,0.00076330407,0.000008483406,0.000007616015,0.0000011966375,0.000011644304,0.0003129574],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99915624,0.0000553502,0.00016673109,0.00028847108,0.00014366594,0.00018956985],"domain_scores_gemma":[0.9996124,0.000024755727,0.000046284345,0.00021156241,0.000027077269,0.00007793714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000058883903,0.00012512073,0.00013812538,0.00016530235,0.00006126749,0.00009112119,0.0001778382,0.000067917324,0.0003908928],"category_scores_gemma":[0.000084727035,0.00010518418,0.000037607773,0.0003183216,0.000246827,0.0001096095,0.00006368572,0.00022247116,0.0000508823],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016419926,0.000120016724,0.010833798,0.000041293613,0.000003730947,0.00003051085,0.0022765978,0.00017684008,0.9515482,0.00671886,0.0029033723,0.025330363],"study_design_scores_gemma":[0.0032252064,0.0007221714,0.23628457,0.00044580057,0.00011928745,0.00067288557,0.0026224167,0.120376825,0.49125782,0.13246517,0.00919015,0.002617706],"about_ca_topic_score_codex":0.00021883509,"about_ca_topic_score_gemma":0.000045861812,"teacher_disagreement_score":0.46029037,"about_ca_system_score_codex":0.0000124067265,"about_ca_system_score_gemma":0.000006785669,"threshold_uncertainty_score":0.42892864},"labels":[],"label_agreement":null},{"id":"W1879964572","doi":"10.29173/cmplct8816","title":"Consciousness and Complexity in “Waking Life”","year":2009,"lang":"en","type":"article","venue":"Complicity An International Journal of Complexity and Education","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Perspective (graphical); Animation; Consciousness; Variety (cybernetics); Cult; Content (measure theory); Aesthetics; Psychology; Sociology; Stream of consciousness (narrative mode); Epistemology; Art; Visual arts; Computer science; Literature; Philosophy; Artificial intelligence; Mathematics","score_opus":0.14676902747545245,"score_gpt":0.37771358045120046,"score_spread":0.230944552975748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1879964572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9917178,0.000047550246,0.0016701352,0.0051717847,0.00023645908,0.00005289119,0.000005481529,0.00001109411,0.0010867621],"genre_scores_gemma":[0.9948159,0.00015636999,0.0011781171,0.0036444424,0.0001681665,7.3762806e-7,0.000005122457,0.0000034278598,0.00002773338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9988932,0.00014601604,0.00038594293,0.00017839222,0.00028332486,0.000113110684],"domain_scores_gemma":[0.99924964,0.000038669117,0.0002610998,0.00009302514,0.00019276289,0.00016479833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028698568,0.00010039461,0.0002045423,0.0002868935,0.00012842132,0.00015503896,0.00028773438,0.000037701673,0.00009477845],"category_scores_gemma":[0.00020510759,0.000097432385,0.000045344943,0.00012928703,0.00029010884,0.00053929223,0.00003527609,0.00019570932,0.0000030046342],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005289787,0.0031478147,0.057571884,0.00002689372,0.000020303922,0.000022695509,0.0063905176,0.00017334438,0.06747103,0.672224,0.00044295564,0.19197959],"study_design_scores_gemma":[0.00082766055,0.00020474035,0.8148371,0.00009923668,0.000015622341,0.00055654434,0.0009676641,0.0058553326,0.00080653,0.17435485,0.0012548959,0.0002198001],"about_ca_topic_score_codex":0.00007982948,"about_ca_topic_score_gemma":0.00005592779,"teacher_disagreement_score":0.7572652,"about_ca_system_score_codex":0.00005642904,"about_ca_system_score_gemma":0.000105639665,"threshold_uncertainty_score":0.39731774},"labels":[],"label_agreement":null},{"id":"W1922737287","doi":"10.21083/csieci.v8i2.2123","title":"The Act of Improvisation within the work of Tacita Dean","year":2013,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Exhibition; Serendipity; Visual arts; Creativity; Hindsight bias; Sociology; Aside; Aesthetics; Epistemology; Psychology; Art; Philosophy; Social psychology; Literature","score_opus":0.07636748273799196,"score_gpt":0.3774275977747397,"score_spread":0.3010601150367478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1922737287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97902155,0.00025238816,0.0027452286,0.015021913,0.00055002654,0.0013813056,0.000016301421,0.00012204567,0.0008892598],"genre_scores_gemma":[0.99721247,0.00043242172,0.0007077193,0.0009869906,0.0001324585,0.0003948993,0.000007574207,0.00003431056,0.000091185284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9956025,0.0009514319,0.0014754034,0.00057215255,0.0008017754,0.00059675815],"domain_scores_gemma":[0.9955234,0.0025260842,0.00047267438,0.00062997855,0.00072926225,0.00011863512],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0021660835,0.00034156372,0.0004908075,0.00020362785,0.0005494853,0.00016863953,0.0006156871,0.00017798597,0.000058195623],"category_scores_gemma":[0.0154710915,0.0002174234,0.00021118,0.0008418617,0.0022728792,0.0008460643,0.00022865146,0.000423205,0.000021056694],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018576464,0.0005472613,0.0041902876,0.0005372491,0.000056644094,0.0000032359192,0.021219479,0.00018342584,0.3584589,0.46495244,0.00055301987,0.14911228],"study_design_scores_gemma":[0.0041541206,0.003040603,0.111594476,0.001153434,0.00075521413,0.000060555914,0.14018191,0.046553288,0.5046089,0.18229961,0.002898383,0.0026994462],"about_ca_topic_score_codex":0.00043551697,"about_ca_topic_score_gemma":0.00019315587,"teacher_disagreement_score":0.28265283,"about_ca_system_score_codex":0.0004224619,"about_ca_system_score_gemma":0.00017845984,"threshold_uncertainty_score":0.992822},"labels":[],"label_agreement":null},{"id":"W1966350602","doi":"10.1111/j.1540-594x.2006.00225.x","title":"The Conflicted Character of Picture Perception","year":2006,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Character (mathematics); Perception; Art; Psychology; Aesthetics; Communication; Mathematics; Neuroscience; Geometry","score_opus":0.011061584169108584,"score_gpt":0.2467497989481629,"score_spread":0.23568821477905433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966350602","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9910229,0.000068241214,0.00046542115,0.0065832613,0.000108935164,0.000035647565,0.000003904175,0.000005382086,0.0017063404],"genre_scores_gemma":[0.9965993,0.00047059616,0.000121352816,0.0007886697,0.00010157068,4.7774205e-7,5.29856e-7,0.000007610256,0.0019098708],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901664,0.000074266936,0.0004120928,0.00008710387,0.00027731928,0.00013257368],"domain_scores_gemma":[0.99942106,0.000042190324,0.00021892034,0.000110336245,0.00015033978,0.0000571246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022719277,0.00008633258,0.00017358865,0.00007155369,0.00016711821,0.00006412689,0.00012882844,0.000046580306,0.00007615647],"category_scores_gemma":[0.000059718568,0.0000521221,0.00012209767,0.000088880275,0.00028452883,0.00008354286,0.000017959417,0.00016430594,0.000010704082],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006845031,0.00027162646,0.00072787394,0.000017272405,0.000005128456,0.000049552382,0.0009560847,0.000033698776,0.9483748,0.025933864,0.0039996635,0.019561974],"study_design_scores_gemma":[0.002004541,0.0009946403,0.046926863,0.00018624708,0.0002284565,0.0029031138,0.0016293003,0.0028748317,0.028639317,0.017857235,0.8952812,0.0004742731],"about_ca_topic_score_codex":0.0000013715935,"about_ca_topic_score_gemma":0.0000014689209,"teacher_disagreement_score":0.9197355,"about_ca_system_score_codex":0.00000867175,"about_ca_system_score_gemma":0.00001638377,"threshold_uncertainty_score":0.21254775},"labels":[],"label_agreement":null},{"id":"W1968227980","doi":"10.1016/j.jenvp.2014.11.006","title":"Architectural design and the brain: Effects of ceiling height and perceived enclosure on beauty judgments and approach-avoidance decisions","year":2014,"lang":"en","type":"article","venue":"Journal of Environmental Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":262,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"Ministerio de Ciencia e Innovación","keywords":"Functional magnetic resonance imaging; Ceiling (cloud); Enclosure; Psychology; Cognitive psychology; Anterior cingulate cortex; Neural correlates of consciousness; Social psychology; Cognition; Computer science; Neuroscience; Engineering","score_opus":0.020054196823776366,"score_gpt":0.26601085532487617,"score_spread":0.2459566585010998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968227980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9888066,0.0001859467,0.009262822,0.0014068712,0.00005915183,0.00012243827,0.0000013148028,0.0000021747517,0.00015270275],"genre_scores_gemma":[0.99537593,0.0008258815,0.0014960329,0.002221331,0.00003198275,0.0000019676859,1.7616594e-7,0.000007493591,0.000039193954],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99859065,0.0005942711,0.00026445382,0.00022105392,0.00019558845,0.00013397788],"domain_scores_gemma":[0.99889946,0.000643969,0.00022010485,0.0001372319,0.0000025655406,0.00009666896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005073166,0.0001174676,0.0002632526,0.00008066143,0.00012993546,0.000014417269,0.00013051409,0.000053026404,0.000016250053],"category_scores_gemma":[0.00023147164,0.00006964415,0.000066795226,0.00004284395,0.00082756014,0.00005250873,0.000044632765,0.00023679894,0.0000017761149],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077469106,0.0003227987,0.0027124346,0.00001332921,0.00002260053,0.000014058834,0.0023951232,0.0003290043,0.92609084,0.00018908682,0.000106572574,0.06702946],"study_design_scores_gemma":[0.0110778855,0.0025119379,0.9647588,0.00012927882,0.00018091145,0.0027257106,0.00039048863,0.0058961986,0.0068868864,0.0044778124,0.00064691674,0.00031718527],"about_ca_topic_score_codex":5.7823985e-7,"about_ca_topic_score_gemma":1.6384378e-7,"teacher_disagreement_score":0.9620463,"about_ca_system_score_codex":0.000010718356,"about_ca_system_score_gemma":0.0000024859153,"threshold_uncertainty_score":0.304918},"labels":[],"label_agreement":null},{"id":"W1972416486","doi":"10.1109/psivt.2010.85","title":"What Makes Motion Meaningful? Affective Properties of Abstract Motion","year":2010,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Animation; Motion (physics); Computer science; Perception; Human–computer interaction; Interpretation (philosophy); Visualization; Computer animation; Modality (human–computer interaction); Computer graphics; Affect (linguistics); Computer vision; Artificial intelligence; Multimedia; Computer graphics (images); Psychology; Communication","score_opus":0.04041544748501791,"score_gpt":0.2656739741567582,"score_spread":0.2252585266717403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972416486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9934771,0.0000048609722,0.00092697336,0.000446153,0.00023173874,0.00008935506,6.8715065e-7,0.00006654474,0.0047565834],"genre_scores_gemma":[0.9983459,0.000034813234,0.000072139344,0.00014849483,0.000029410836,0.000005296965,6.655727e-7,0.000006814236,0.0013564646],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9993035,0.00003704154,0.0001412736,0.00020637581,0.00020668519,0.0001051211],"domain_scores_gemma":[0.99966365,0.000009720774,0.0000755619,0.00016130079,0.000051244493,0.000038544607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014083393,0.00007976971,0.00010432853,0.00007997907,0.00007234999,0.00006687945,0.00009706791,0.000052176176,0.00090642134],"category_scores_gemma":[0.00016325428,0.000056258817,0.00007636764,0.00013798974,0.00012827499,0.0005399129,0.000018771387,0.000121536206,0.00014207071],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053599397,0.00006912867,0.00014486426,0.0000062745717,7.4498007e-7,5.289541e-7,0.0005018032,0.000022175818,0.96358466,0.0008370549,0.000016103393,0.034811288],"study_design_scores_gemma":[0.00012813759,0.000031359807,0.0094422875,0.000020803924,0.000011814023,0.000009708693,0.0010869851,0.0023170854,0.9864361,0.0002983597,0.00012482412,0.00009250699],"about_ca_topic_score_codex":0.00003620964,"about_ca_topic_score_gemma":0.00006257978,"teacher_disagreement_score":0.03471878,"about_ca_system_score_codex":0.000009304744,"about_ca_system_score_gemma":0.000007906498,"threshold_uncertainty_score":0.9924678},"labels":[],"label_agreement":null},{"id":"W1972776659","doi":"10.1167/8.6.321","title":"The role of meaning in visual search","year":2010,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Salience (neuroscience); Visual search; Psychology; Cognitive psychology; Set (abstract data type); Communication; Artificial intelligence; Pattern recognition (psychology); Computer science","score_opus":0.017295593537656563,"score_gpt":0.34867363450256533,"score_spread":0.33137804096490875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972776659","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978895,0.00001572065,0.00004183763,0.00045568924,0.000064978434,0.000012398179,1.1751354e-7,0.00000135795,0.0015183705],"genre_scores_gemma":[0.9996822,0.000080114,0.000090483285,0.00004199856,0.000037364513,6.834601e-8,1.6876346e-8,0.0000026859636,0.00006506794],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9992486,0.00007701971,0.0002271377,0.000047620095,0.0003228989,0.0000766841],"domain_scores_gemma":[0.9996664,0.000060116676,0.00012226078,0.00006397546,0.00005079742,0.00003646454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006721952,0.000030238338,0.00007934924,0.00009728001,0.00006146557,0.000023034101,0.00016062013,0.000023186483,0.00008027067],"category_scores_gemma":[0.00023956521,0.00001704898,0.0000649103,0.000173505,0.000059251375,0.00008616612,0.00002774982,0.00027393398,0.000010040464],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019200861,0.000041127256,0.0010752021,4.5222328e-7,2.7783182e-7,0.0000035686505,0.00028964411,0.00002884873,0.93342304,0.0005161182,0.000013259536,0.06458926],"study_design_scores_gemma":[0.0015533671,0.0012327853,0.13138464,0.00017079695,0.000027547565,0.00039914766,0.0046545006,0.06834653,0.75938463,0.007467908,0.025157481,0.0002206607],"about_ca_topic_score_codex":0.000005507331,"about_ca_topic_score_gemma":0.0000123141,"teacher_disagreement_score":0.17403841,"about_ca_system_score_codex":0.000007351576,"about_ca_system_score_gemma":0.000025130734,"threshold_uncertainty_score":0.11901221},"labels":[],"label_agreement":null},{"id":"W1973184433","doi":"10.2190/em.26.1.d","title":"Relationship of Personal Cognitive Schemas to the Labeling of a Profound Emotional Experience as Religious-Mystical or Aesthetic","year":2008,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Nipissing University","funders":"","keywords":"Mysticism; Psychology; Schema (genetic algorithms); Cognition; Religious experience; Social psychology; Aesthetics; Epistemology; Art; Literature; Philosophy","score_opus":0.2652409763929702,"score_gpt":0.422367967575147,"score_spread":0.15712699118217682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973184433","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9887147,0.000135229,0.00021083636,0.010264408,0.000054243686,0.00019992325,0.000007330987,0.000011388156,0.00040192218],"genre_scores_gemma":[0.9978378,0.00006562783,0.0002840503,0.0011932262,0.000020412152,0.00002148208,2.5274508e-7,0.0000067074543,0.00057047233],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99840844,0.00017606329,0.00037868053,0.00024475917,0.0006242666,0.0001677992],"domain_scores_gemma":[0.99884826,0.00051922497,0.00016859002,0.00019577048,0.00021116868,0.00005699698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002130734,0.00011371249,0.00026289545,0.00004663849,0.0004083267,0.0000038874578,0.00024480151,0.000034980978,0.00007114012],"category_scores_gemma":[0.0053378567,0.00005783396,0.00016105874,0.0005704833,0.001339511,0.000043430147,0.00021873857,0.0001332173,0.000042528165],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002047107,0.0030430453,0.45733106,0.0002259087,0.00015138462,0.00007849302,0.4697174,0.0010055719,0.033962935,0.008262108,0.020506492,0.003668477],"study_design_scores_gemma":[0.005711428,0.0045414106,0.69068545,0.0029278146,0.0009888491,0.0027917114,0.12580793,0.0047811116,0.13485464,0.01207104,0.012795127,0.0020435073],"about_ca_topic_score_codex":0.000010920356,"about_ca_topic_score_gemma":0.000007717415,"teacher_disagreement_score":0.34390947,"about_ca_system_score_codex":0.000027049964,"about_ca_system_score_gemma":0.00007285281,"threshold_uncertainty_score":0.63902986},"labels":[],"label_agreement":null},{"id":"W1983457802","doi":"10.1016/j.cognition.2015.01.002","title":"The role of similarity, sound and awareness in the appreciation of visual artwork via motor simulation","year":2015,"lang":"en","type":"article","venue":"Cognition","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Ontario College of Art and Design","funders":"","keywords":"Psychology; Covert; Action (physics); Cognitive psychology; Similarity (geometry); Style (visual arts); Painting; Social psychology; Linguistics; Visual arts; Image (mathematics); Art; Artificial intelligence","score_opus":0.05746293801591455,"score_gpt":0.3328393965384221,"score_spread":0.27537645852250753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983457802","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9922221,0.000033458193,0.0070415055,0.00008550445,0.000023985787,0.00011390707,0.000003974315,0.0000062204253,0.0004693536],"genre_scores_gemma":[0.9998502,0.000020135963,0.000009722378,0.00007399126,0.000023827672,0.000005416939,0.000006757384,0.000002695762,0.000007234539],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99931276,0.00018285227,0.00015047914,0.00009046568,0.00020472212,0.000058742447],"domain_scores_gemma":[0.9995886,0.00015182116,0.00010188415,0.00007042953,0.000071194954,0.000016042377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036564865,0.000041941108,0.000065244356,0.00004033088,0.00007543104,0.00002044893,0.00006075388,0.000031642187,0.0000047388903],"category_scores_gemma":[0.00027897276,0.000027340457,0.000023397597,0.00019645802,0.00009112311,0.00008622088,0.000016479782,0.00004539418,0.0000032389341],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006603008,0.0012676086,0.07489546,0.00005959309,0.000012826668,0.000002602169,0.016870268,0.023364028,0.49440014,0.002605748,0.00005265429,0.3858088],"study_design_scores_gemma":[0.0007938289,0.00019474435,0.039204095,0.000031468946,0.00006404843,0.0000044997846,0.0033073241,0.84067404,0.026300255,0.088905685,0.00038931303,0.00013067789],"about_ca_topic_score_codex":0.00000875142,"about_ca_topic_score_gemma":0.00003211367,"teacher_disagreement_score":0.81731004,"about_ca_system_score_codex":0.000008609414,"about_ca_system_score_gemma":0.000011386589,"threshold_uncertainty_score":0.11149114},"labels":[],"label_agreement":null},{"id":"W1983867686","doi":"10.1007/s11098-005-4941-2","title":"On Visual Experience of Objects: Comments on John Campbell’sReference and Consciousness","year":2005,"lang":"en","type":"article","venue":"Philosophical Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Consciousness; Philosophy of mind; Epistemology; Metaphysics; Philosophy of language; Cognitive science; Philosophy; Psychology; Aesthetics","score_opus":0.10448177765524949,"score_gpt":0.3782370469179944,"score_spread":0.27375526926274496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983867686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98447514,0.00011347555,0.000015385755,0.012522027,0.000061861676,0.00009315219,0.0000065557933,0.000037648057,0.0026747538],"genre_scores_gemma":[0.9948167,0.00060529285,0.000020851912,0.0044013457,0.00006711264,0.000021627013,4.400408e-7,0.0000075208072,0.000059102476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986857,0.000103684266,0.00024805128,0.000389738,0.00037774388,0.00019506762],"domain_scores_gemma":[0.9993236,0.00028801025,0.00008949275,0.00016481474,0.00004464899,0.00008940874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008477075,0.00016761833,0.00031002227,0.000076088836,0.00024040301,0.000015369485,0.00015353774,0.000043664175,0.00006477757],"category_scores_gemma":[0.0006642709,0.00012323873,0.000054547625,0.00019111428,0.000745596,0.00006363161,0.00012279567,0.0001509037,0.00007259024],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019462109,0.009495414,0.016169935,0.0003141782,0.00021367498,0.0001519121,0.06776727,0.000628733,0.2308699,0.53414243,0.0023063621,0.13599397],"study_design_scores_gemma":[0.01723644,0.014178722,0.040731147,0.0025133677,0.00062016497,0.00018475595,0.020903988,0.010566539,0.42198983,0.44647014,0.018206162,0.006398742],"about_ca_topic_score_codex":0.000005115507,"about_ca_topic_score_gemma":0.000009892031,"teacher_disagreement_score":0.19111994,"about_ca_system_score_codex":0.000035005534,"about_ca_system_score_gemma":0.000007040577,"threshold_uncertainty_score":0.502553},"labels":[],"label_agreement":null},{"id":"W1986833787","doi":"10.1167/13.9.94","title":"Adaptation aftereffect from faces using the bubbles technique","year":2013,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Percept; Adaptation (eye); Facial expression; Psychology; Perception; Expression (computer science); Face (sociological concept); Cognitive psychology; Orientation (vector space); Perspective (graphical); Communication; Artificial intelligence; Computer science; Mathematics; Neuroscience; Geometry","score_opus":0.04258485560768239,"score_gpt":0.3221759677955426,"score_spread":0.2795911121878602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986833787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9479334,0.00004972039,0.051010795,0.0007886574,0.00006249369,0.00007573851,8.140386e-7,0.0000072367357,0.000071176015],"genre_scores_gemma":[0.99667895,0.0000849233,0.0028410684,0.0002861063,0.00006243214,0.0000016041344,1.4231999e-7,0.0000047478566,0.000040004048],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99922675,0.00017262914,0.00020643215,0.00007371303,0.0002533464,0.000067159555],"domain_scores_gemma":[0.9995272,0.000060878065,0.00022647358,0.00009126746,0.00005725648,0.00003688493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021290743,0.000056111763,0.00009868282,0.00007165415,0.00010052416,0.00008472173,0.0001516111,0.000031069816,0.00036635654],"category_scores_gemma":[0.00011064845,0.000029353167,0.000090626854,0.00012581902,0.00004164449,0.00029316705,0.000021650465,0.00011864534,0.000038200415],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067258457,0.000019408206,0.000091629336,7.883639e-7,9.583903e-7,0.0000027261558,0.00021294318,0.00037587786,0.97476137,0.0000071771565,0.00018244766,0.024337966],"study_design_scores_gemma":[0.0013207236,0.0012260355,0.07867898,0.000811071,0.00022886539,0.0005552188,0.0039980784,0.2960801,0.5938151,0.012772699,0.0099482015,0.0005649284],"about_ca_topic_score_codex":0.00007306498,"about_ca_topic_score_gemma":0.000002193281,"teacher_disagreement_score":0.38094628,"about_ca_system_score_codex":0.000022990656,"about_ca_system_score_gemma":0.0000150119195,"threshold_uncertainty_score":0.40113473},"labels":[],"label_agreement":null},{"id":"W1988504285","doi":"10.1162/leon.2010.43.3.250","title":"The Crystal Interface in Contemporary Art: Metaphors of the Organic and Inorganic","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Metaphor; Context (archaeology); Transparency (behavior); Crystal (programming language); Aesthetics; Art; Sociology; Philosophy; History; Computer science; Political science; Linguistics; Archaeology; Law","score_opus":0.02017979548854483,"score_gpt":0.2562150858304424,"score_spread":0.23603529034189757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1988504285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.992516,0.00006393677,0.000027015782,0.0055130636,0.000118465054,0.00007870284,0.0000028312884,0.000011746428,0.0016682664],"genre_scores_gemma":[0.9978734,0.000040544215,0.0000071340305,0.00035331628,0.000009776608,0.0000023216994,1.461472e-7,0.000007093727,0.0017062431],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9993017,0.00010922566,0.00017329023,0.00016037578,0.0001496541,0.00010579932],"domain_scores_gemma":[0.99954623,0.000058847367,0.000072793955,0.00027799947,0.000013004614,0.0000311011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020544257,0.00007261253,0.00010642142,0.000031095627,0.000107461674,0.000027031645,0.00028362335,0.000038760067,0.00020461684],"category_scores_gemma":[0.00022673952,0.00003880627,0.00005049821,0.00028111236,0.00031775443,0.0000561935,0.000114531875,0.00024316758,0.000034863424],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067320057,0.000019853247,0.005584934,0.0000018205453,0.0000012384984,0.0000012369618,0.00053171115,8.253284e-7,0.9918815,0.00072919065,0.00024792703,0.0009930276],"study_design_scores_gemma":[0.0013693601,0.00013930979,0.10463136,0.000049961287,0.000050321658,0.00017561065,0.0070608323,0.0013250211,0.7520361,0.0024031294,0.13027892,0.0004800685],"about_ca_topic_score_codex":0.000013474594,"about_ca_topic_score_gemma":0.00031013656,"teacher_disagreement_score":0.23984538,"about_ca_system_score_codex":0.000006143588,"about_ca_system_score_gemma":0.00003575285,"threshold_uncertainty_score":0.22404109},"labels":[],"label_agreement":null},{"id":"W1995163057","doi":"10.1167/14.10.178","title":"Symbolic object representation in visual cortex","year":2014,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Representation (politics); Visual cortex; Object (grammar); Computer science; Artificial intelligence; Neuroscience; Cognitive science; Psychology; Communication; Political science","score_opus":0.023409746384899326,"score_gpt":0.36171551434922633,"score_spread":0.338305767964327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995163057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9966602,0.000007474561,0.0014074419,0.00045987568,0.0001068569,0.000021128202,1.2317432e-7,0.000005554591,0.0013313426],"genre_scores_gemma":[0.9991743,0.0000826159,0.00009177001,0.00039538016,0.000081359896,2.183319e-7,1.8975776e-7,0.000004515252,0.00016965493],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99901056,0.00018602512,0.00030969537,0.00010090196,0.00030759306,0.00008523136],"domain_scores_gemma":[0.99957645,0.00004374373,0.00021151737,0.00007715355,0.000036882328,0.000054266085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036776034,0.00004968491,0.00014203571,0.00022449692,0.00003744686,0.000030791034,0.00010087137,0.000029638471,0.0001425571],"category_scores_gemma":[0.00040353258,0.000037641625,0.00008838571,0.00028587523,0.00002729328,0.00017962622,0.00001690387,0.00012675539,0.000056708897],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004423721,0.00013492421,0.0036516518,0.0000022367744,6.2363245e-7,0.000020215195,0.00033094364,0.00020469818,0.93497247,0.00014245867,0.00031954303,0.060176026],"study_design_scores_gemma":[0.0019240787,0.0010597019,0.9096109,0.00016018767,0.00003154122,0.0003672817,0.00043429135,0.054573793,0.02557898,0.0018359323,0.0042172023,0.0002061118],"about_ca_topic_score_codex":0.000006670529,"about_ca_topic_score_gemma":0.0000032755377,"teacher_disagreement_score":0.9093935,"about_ca_system_score_codex":0.000025714871,"about_ca_system_score_gemma":0.000015099642,"threshold_uncertainty_score":0.15609002},"labels":[],"label_agreement":null},{"id":"W1995509285","doi":"10.1162/leon.2010.43.2.145","title":"Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science","year":2010,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; Simon Fraser University","funders":"","keywords":"Observer (physics); Agency (philosophy); Perspective (graphical); Vision science; Gaze; Visual arts; Presentation (obstetrics); Art; Aesthetics; Computer science; Artificial intelligence; Epistemology; Philosophy","score_opus":0.01722195368490143,"score_gpt":0.30944192223236733,"score_spread":0.2922199685474659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995509285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.982473,0.000010053444,0.000031538817,0.004183408,0.00008969735,0.00007729634,0.0000028403454,0.000039101487,0.013093061],"genre_scores_gemma":[0.99765295,0.000017477429,0.00012559647,0.00077861256,0.00003355531,0.000005908448,4.3551583e-7,0.000005719799,0.0013797355],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99889725,0.000032654294,0.00011384381,0.00044420137,0.0002762079,0.0002358337],"domain_scores_gemma":[0.99965245,0.0000184814,0.00003223658,0.00015243054,0.000038518338,0.000105901774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002107508,0.00009312393,0.000115270064,0.0001917005,0.00017882239,0.00009974539,0.0001970889,0.000039634677,0.0005690434],"category_scores_gemma":[0.00038534275,0.00007859014,0.00003976747,0.00061281386,0.00058368145,0.00028843092,0.00007048894,0.00022814544,0.00019020238],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014365653,0.00004873166,0.0018928505,0.0000014941479,3.1514637e-7,0.000025017622,0.0022004945,0.0000019202419,0.9806366,0.008320604,0.000060475864,0.00679716],"study_design_scores_gemma":[0.0032336314,0.0003587855,0.8431139,0.00006805597,0.000042407682,0.000636054,0.010772729,0.038118545,0.07667495,0.010111601,0.015458454,0.0014108839],"about_ca_topic_score_codex":0.00004188468,"about_ca_topic_score_gemma":0.00013795683,"teacher_disagreement_score":0.9039616,"about_ca_system_score_codex":0.00003327382,"about_ca_system_score_gemma":0.00006835841,"threshold_uncertainty_score":0.62306255},"labels":[],"label_agreement":null},{"id":"W1996215347","doi":"10.1016/j.bandc.2014.03.004","title":"Neural correlates of viewing paintings: Evidence from a quantitative meta-analysis of functional magnetic resonance imaging data","year":2014,"lang":"en","type":"review","venue":"Brain and Cognition","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":152,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; The Scarborough Hospital","funders":"","keywords":"Functional magnetic resonance imaging; Psychology; Parahippocampal gyrus; Fusiform gyrus; Posterior cingulate; Cognitive psychology; Neural correlates of consciousness; Perception; Insula; Temporal lobe; Neuroscience; Angular gyrus; Functional imaging; Cognition","score_opus":0.34640064956729744,"score_gpt":0.3936657819645026,"score_spread":0.047265132397205145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996215347","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025843547,0.9944121,0.0041964087,0.0001354614,0.00003610817,0.00019243204,0.00068755593,0.00001955569,0.000061921106],"genre_scores_gemma":[0.023762435,0.9747801,0.00030655283,0.00040219174,0.000023101687,0.000030209003,0.0005583045,0.000019857614,0.00011725157],"study_design_codex":"design_other","study_design_gemma":"meta_analysis","domain_scores_codex":[0.99680907,0.001015147,0.00083704357,0.0007862231,0.00040340913,0.000149115],"domain_scores_gemma":[0.9963099,0.0021657986,0.0008509983,0.0005049487,0.00011585425,0.00005254709],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008941687,0.00027439685,0.0020923961,0.0004129322,0.00009367553,0.000047899026,0.00033513937,0.00008016623,0.0007845503],"category_scores_gemma":[0.0025749593,0.00021313767,0.00097631785,0.0010779243,0.00030072164,0.00025787205,0.00018173091,0.00019265912,0.00001543376],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016738022,0.00005636951,0.00003529288,0.0010355237,0.001682,0.000004647733,0.00026656574,0.000010703383,0.00035728354,0.00014741343,0.00018066214,0.9962068],"study_design_scores_gemma":[0.00035533644,0.00015284985,0.00072628143,0.006114983,0.7508189,0.000032596778,0.00037980019,0.14816898,0.000017252123,0.00055759895,0.091775306,0.00090012915],"about_ca_topic_score_codex":0.000059494254,"about_ca_topic_score_gemma":0.000012941659,"teacher_disagreement_score":0.9953067,"about_ca_system_score_codex":0.000008970543,"about_ca_system_score_gemma":0.000043274133,"threshold_uncertainty_score":0.86915016},"labels":[],"label_agreement":null},{"id":"W1997847719","doi":"10.1353/cjp.0.0030","title":"Modality, Individuation, and the Ontology of Art","year":2008,"lang":"en","type":"article","venue":"Canadian Journal of Philosophy","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Generative grammar; Object (grammar); Product (mathematics); Individuation; Modality (human–computer interaction); Contrast (vision); Sound (geography); Musical; Computer science; Psychology; Cognitive science; Linguistics; Visual arts; Art; Philosophy; Artificial intelligence; Mathematics; Psychoanalysis; Acoustics","score_opus":0.05976143593382885,"score_gpt":0.24799015714363537,"score_spread":0.18822872120980652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997847719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9380099,0.00014986546,0.00023982777,0.04983353,0.000102018865,0.00004971576,0.000010258601,0.0000020475347,0.011602831],"genre_scores_gemma":[0.9977728,0.00006643315,0.0000419168,0.0019278341,0.00007083234,3.9611388e-7,2.5465704e-7,0.0000031743818,0.00011636442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99933505,0.000129572,0.00024110718,0.0000654856,0.00013646318,0.00009230779],"domain_scores_gemma":[0.99942344,0.00003598045,0.0001842372,0.00009434213,0.000071713366,0.00019026505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002211043,0.00004964271,0.00016206379,0.00016903541,0.00014356016,0.00000877918,0.00017083874,0.00002886835,0.00016187731],"category_scores_gemma":[0.00025738814,0.000033181906,0.00007845367,0.00015130868,0.0007973258,0.00007119338,0.0000068561044,0.00011284596,0.000011289752],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021429479,0.0001372082,0.0736162,0.000039536935,0.00008137317,0.0008045301,0.022416195,0.00044530508,0.010155272,0.8696236,0.015381343,0.007085148],"study_design_scores_gemma":[0.006832863,0.0004914935,0.12658729,0.00010123411,0.000257695,0.008971804,0.00040318133,0.0009193308,0.0022562284,0.8191969,0.033500027,0.00048196682],"about_ca_topic_score_codex":0.00033395088,"about_ca_topic_score_gemma":0.00086378516,"teacher_disagreement_score":0.059762888,"about_ca_system_score_codex":0.000017240254,"about_ca_system_score_gemma":0.0002570473,"threshold_uncertainty_score":0.293778},"labels":[],"label_agreement":null},{"id":"W1998584038","doi":"10.1103/physreve.72.046101","title":"Multifractal structure in nonrepresentational art","year":2005,"lang":"en","type":"article","venue":"Physical Review E","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":46,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Multifractal system; Movement (music); Fractal; Artificial intelligence; Fractal analysis; Computer vision; Luminance; Signature (topology); Computer science; Pattern recognition (psychology); Fractal dimension; Mathematics; Geometry; Art; Mathematical analysis; Aesthetics","score_opus":0.03388347916626797,"score_gpt":0.3739918234421794,"score_spread":0.3401083442759114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998584038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9852336,0.00044378958,0.000075737786,0.0066034365,0.000021847492,0.0001551689,0.000007909577,0.000029086605,0.0074294424],"genre_scores_gemma":[0.9923173,0.0015717457,0.00008026255,0.00558703,0.00011800694,0.000008186735,0.0000061008523,0.000004676385,0.0003067002],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992732,0.00007173834,0.00013110685,0.00020418515,0.00021116875,0.000108600034],"domain_scores_gemma":[0.9997436,0.00003334221,0.000036750003,0.00012649817,0.000009991035,0.0000498505],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003865711,0.00007043984,0.000156478,0.000022695798,0.000023833205,0.00001033163,0.00010527225,0.000009708121,0.0012497153],"category_scores_gemma":[0.00020199797,0.0000544989,0.00009454326,0.00022549694,0.00004067818,0.000115856135,0.00002297578,0.00011184169,0.0014292666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000099378285,0.0006631867,0.00054453843,0.00014872805,0.000002119846,0.000015948384,0.0002642587,0.00039908048,0.38220453,0.012658388,0.0057655727,0.5973237],"study_design_scores_gemma":[0.0018970864,0.00009591457,0.032563787,0.001434637,0.00014517456,0.000094129915,0.00005086323,0.16256082,0.04622305,0.019414594,0.7342055,0.0013144588],"about_ca_topic_score_codex":0.0000018922127,"about_ca_topic_score_gemma":0.000006178887,"teacher_disagreement_score":0.7284399,"about_ca_system_score_codex":0.00001841541,"about_ca_system_score_gemma":0.000009979877,"threshold_uncertainty_score":0.9996633},"labels":[],"label_agreement":null},{"id":"W1998848034","doi":"10.1016/j.paid.2010.09.021","title":"Interactive effects of personality and frequency of exposure on liking for music","year":2010,"lang":"en","type":"article","venue":"Personality and Individual Differences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":55,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Openness to experience; Psychology; Personality; Big Five personality traits; Stimulus (psychology); Social psychology; Developmental psychology; Audiology; Cognitive psychology","score_opus":0.06279434807215535,"score_gpt":0.2956665161496015,"score_spread":0.23287216807744615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998848034","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99887884,0.000048641043,0.00006256588,0.00019937963,0.00009391327,0.00015718886,0.00013947241,0.000011381411,0.00040860855],"genre_scores_gemma":[0.99945,0.000027640457,0.00017988158,0.00024029438,0.000039645503,0.000016712154,0.0000045221996,0.0000048008123,0.00003648209],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9989093,0.00012901997,0.00020682857,0.00033126122,0.00027692012,0.00014665323],"domain_scores_gemma":[0.9990894,0.0005060268,0.0001727088,0.00010971606,0.000046117617,0.00007598417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002450703,0.0001399992,0.00029603514,0.000075541866,0.00014571722,0.00003593248,0.00014431828,0.000082514336,0.00014160959],"category_scores_gemma":[0.00055067916,0.00010702662,0.00009702047,0.00010165887,0.0005346232,0.0001269627,0.000043535183,0.00019370226,6.5671026e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001412552,0.000679404,0.26722267,0.0007426434,0.000052934232,0.0000017317701,0.04418609,2.9331179e-7,0.6162307,0.023843013,0.000030998846,0.046868205],"study_design_scores_gemma":[0.00051592675,0.000497115,0.9651567,0.000089191984,0.00008490697,0.000005570261,0.0013001781,0.000105487874,0.027661419,0.0044097747,0.0000182226,0.00015551999],"about_ca_topic_score_codex":0.00016804741,"about_ca_topic_score_gemma":0.000101124955,"teacher_disagreement_score":0.69793403,"about_ca_system_score_codex":0.000004221193,"about_ca_system_score_gemma":0.00001720907,"threshold_uncertainty_score":0.4364419},"labels":[],"label_agreement":null},{"id":"W1999247342","doi":"10.1162/jocn.2008.21180","title":"ERP Evidence for Rapid Hedonic Evaluation of Logos","year":2008,"lang":"en","type":"article","venue":"Journal of Cognitive Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":83,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; University of British Columbia","funders":"","keywords":"Psychology; Logos Bible Software; Novelty; Cognitive psychology; Stimulus (psychology); Normative; Neurocognitive; Set (abstract data type); Context (archaeology); Cognition; Social psychology; Neuroscience; Computer science","score_opus":0.41365019894362215,"score_gpt":0.4379426643146778,"score_spread":0.02429246537105567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999247342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9840937,0.00016438175,0.014325323,0.00043679343,0.00033516728,0.0002619733,0.0000089369105,0.000007896292,0.0003657993],"genre_scores_gemma":[0.9976853,0.0007675626,0.00012495008,0.0012256781,0.00006844998,0.000008211939,1.4899813e-7,0.00000799133,0.0001117165],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9970842,0.0004143486,0.00055270223,0.00028557685,0.001445204,0.00021794264],"domain_scores_gemma":[0.9971099,0.00061010034,0.0007692211,0.00013080167,0.0012586319,0.00012135532],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0017187517,0.00011846099,0.00026779936,0.00027339772,0.00022729009,0.000023669763,0.0003964104,0.00003502684,0.00011508492],"category_scores_gemma":[0.01886338,0.00009549364,0.00025357315,0.00069397205,0.0006892904,0.0006597991,0.000037428435,0.00015910018,0.000008474596],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017605013,0.00020643993,0.00084354996,0.00000903043,0.00000134935,0.00001999489,0.0005107295,0.0003055434,0.97360885,0.000067732486,0.00016557291,0.024085168],"study_design_scores_gemma":[0.0053038313,0.0047029695,0.12430684,0.0009823652,0.00065031863,0.003274102,0.00066121947,0.054809663,0.8021579,0.0014964509,0.0010641022,0.0005902343],"about_ca_topic_score_codex":0.0000010969093,"about_ca_topic_score_gemma":4.761697e-7,"teacher_disagreement_score":0.17145094,"about_ca_system_score_codex":0.000042998196,"about_ca_system_score_gemma":0.000475134,"threshold_uncertainty_score":0.98940116},"labels":[],"label_agreement":null},{"id":"W2000381713","doi":"10.1017/s0140525x12001835","title":"Extended artistic appreciation","year":2013,"lang":"en","type":"letter","venue":"Behavioral and Brain Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"Directorate for Biological Sciences","keywords":"Aesthetics; Cognition; Psychology; Cognitive psychology; Aesthetic experience; Cognitive science; Art; Neuroscience","score_opus":0.1012682361651283,"score_gpt":0.34012314061891796,"score_spread":0.23885490445378965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000381713","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2821696,0.000052718147,0.00018643166,0.713777,0.00036771482,0.00027784673,0.000038904254,0.00013311472,0.0029966533],"genre_scores_gemma":[0.25187096,0.00006264014,0.00035044755,0.7183324,0.0007959928,0.000060854924,0.000028353938,0.000018472978,0.028479889],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980843,0.00014593592,0.00021816835,0.0006531424,0.0005721334,0.00032633162],"domain_scores_gemma":[0.9995496,0.00006182539,0.00014130781,0.00015896803,0.000023361426,0.00006489226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019706268,0.00019364363,0.00021606566,0.00017101623,0.00039966247,0.00035676066,0.00033687722,0.00022009242,0.0010256631],"category_scores_gemma":[0.00009329182,0.00014000658,0.00008284135,0.00035793372,0.0008328048,0.00023304687,0.00007217334,0.0003782881,0.00031257718],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.356529e-7,0.00005273993,0.000241243,0.000011371487,4.615813e-7,0.000055628636,0.00017818084,8.307324e-7,0.017945217,0.00021270421,0.91198766,0.06931304],"study_design_scores_gemma":[0.00026092012,0.0003986254,0.0061479886,0.00007066927,0.00010345842,0.00016686226,0.00021785703,0.0016427806,0.0010103674,0.0044245794,0.98458004,0.00097582315],"about_ca_topic_score_codex":0.00008114259,"about_ca_topic_score_gemma":0.000004635415,"teacher_disagreement_score":0.07259243,"about_ca_system_score_codex":0.000017838358,"about_ca_system_score_gemma":0.00004113111,"threshold_uncertainty_score":0.9998875},"labels":[],"label_agreement":null},{"id":"W2000487833","doi":"10.1163/15691624-12341272","title":"Book review: Consciousness and Perceptual Experience: An Ecological and Phenomenological Approach, written by Thomas Natsoulas","year":2014,"lang":"en","type":"article","venue":"Journal of Phenomenological Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Consciousness; Perception; Cognitive science; Psychology; Phenomenology (philosophy); Sociology; Epistemology; Philosophy","score_opus":0.04029681274520922,"score_gpt":0.3383785532811087,"score_spread":0.2980817405358995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000487833","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93468934,0.03390699,0.0048095547,0.012969808,0.00021422714,0.0003358047,0.00001042993,0.000097169905,0.012966685],"genre_scores_gemma":[0.87732255,0.033455428,0.0010705068,0.087193325,0.0001778957,0.000022890952,0.0000035411622,0.000019110264,0.0007347423],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99608564,0.0012378138,0.00090885,0.0008444971,0.00037957408,0.00054362946],"domain_scores_gemma":[0.9983999,0.00018505262,0.0004939677,0.000337367,0.00008885758,0.00049483625],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009028218,0.00035178172,0.0009937042,0.00015795504,0.00027240103,0.00008919401,0.0006338951,0.00036817926,0.0019280933],"category_scores_gemma":[0.00070826465,0.00022754876,0.00014177713,0.00025348223,0.0020339212,0.0003991243,0.00018400478,0.00078104564,0.000022488908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020346171,0.020181423,0.007913437,0.00044013234,0.00017307079,0.00071329414,0.014994001,0.000045486657,0.40591055,0.050554235,0.34660032,0.15043943],"study_design_scores_gemma":[0.0048279488,0.011580792,0.012554428,0.0000965205,0.00023351777,0.006878194,0.0033892805,0.00062041386,0.00008061391,0.011040229,0.94739485,0.0013032298],"about_ca_topic_score_codex":8.6735696e-7,"about_ca_topic_score_gemma":2.306766e-7,"teacher_disagreement_score":0.6007945,"about_ca_system_score_codex":0.000048639453,"about_ca_system_score_gemma":0.000015675294,"threshold_uncertainty_score":0.9989843},"labels":[],"label_agreement":null},{"id":"W2003420827","doi":"10.1111/j.1540-594x.2004.00169.x","title":"New Formalism and the Aesthetic Appreciation of Nature","year":2004,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":48,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta; Wilfrid Laurier University","funders":"","keywords":"Formalism (music); Aesthetics; Cognitivism (psychology); Philosophy; Epistemology; Art; Literature; Psychology; Cognition","score_opus":0.00849083651491102,"score_gpt":0.253411053586702,"score_spread":0.24492021707179099,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003420827","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9572413,0.0008335266,0.0054350705,0.034867443,0.0001492906,0.000092332615,0.0000032511264,0.000007165994,0.0013706533],"genre_scores_gemma":[0.9954379,0.0015167374,0.00092425203,0.0017367208,0.000048660888,4.9078085e-7,1.9862651e-7,0.000008365374,0.0003266801],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99898815,0.00006699182,0.0003926487,0.00010459714,0.00031702503,0.00013059877],"domain_scores_gemma":[0.9994011,0.00003437774,0.00024238616,0.00011718657,0.000089924564,0.000115061426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003770472,0.00010241284,0.00025047536,0.000104718056,0.00011749187,0.0000590603,0.0001425195,0.000081156555,0.000019982597],"category_scores_gemma":[0.000117326585,0.0000625863,0.00012056466,0.00012519037,0.00032150454,0.00014931704,0.00003343904,0.00029885178,0.0000027881526],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034693143,0.00030253315,0.00015854032,0.00005539742,0.000013893556,0.00008664268,0.009187243,0.0005098765,0.024224356,0.8493991,0.0017431094,0.113972366],"study_design_scores_gemma":[0.023769295,0.0020627605,0.0020497816,0.0007827505,0.0007451386,0.01966133,0.00303929,0.00268529,0.037625633,0.7310789,0.17557086,0.0009289379],"about_ca_topic_score_codex":0.000003308903,"about_ca_topic_score_gemma":0.000001853011,"teacher_disagreement_score":0.17382775,"about_ca_system_score_codex":0.000010661612,"about_ca_system_score_gemma":0.00004818872,"threshold_uncertainty_score":0.25521955},"labels":[],"label_agreement":null},{"id":"W2005512025","doi":"10.1503/cmaj.081435","title":"Zen and the art of painting","year":2009,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Painting; Sister; Visual arts; Art; Computer science; Art history; Sociology","score_opus":0.008559771571680854,"score_gpt":0.2325245476904342,"score_spread":0.22396477611875334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005512025","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54002607,0.00006955718,0.0006126194,0.42560518,0.00020090713,0.00007215807,0.0000043279097,0.000013820683,0.033395328],"genre_scores_gemma":[0.9714018,0.00011632992,0.000023184013,0.027527336,0.00015958719,2.4457975e-7,1.8475902e-7,0.0000017115792,0.00076963415],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988068,0.00022045008,0.00019726793,0.00006154966,0.0005627368,0.00015123186],"domain_scores_gemma":[0.99930775,0.0000905159,0.00013114764,0.000040812844,0.000054761145,0.00037499654],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015980031,0.00003688671,0.00010077764,0.00006048284,0.0001907155,0.000043592292,0.00011486683,0.00006768406,0.0013646984],"category_scores_gemma":[0.0036833992,0.00002380447,0.000055948058,0.00013909083,0.000073559524,0.000044260807,0.0000042024603,0.00028637884,0.000038663926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002185206,0.000047538237,0.016649777,0.0000034395957,0.000018945924,0.00016817386,0.0029332326,0.00001565174,0.0018551621,0.026154011,0.17710234,0.7750299],"study_design_scores_gemma":[0.004820028,0.000120549514,0.07496899,0.000113817136,0.00009125501,0.0012598278,0.002112223,0.014133053,0.0003712094,0.012697616,0.8889617,0.00034974265],"about_ca_topic_score_codex":0.00013037065,"about_ca_topic_score_gemma":0.0007389102,"teacher_disagreement_score":0.77468014,"about_ca_system_score_codex":0.00007241787,"about_ca_system_score_gemma":0.0002455374,"threshold_uncertainty_score":0.9995482},"labels":[],"label_agreement":null},{"id":"W2005880396","doi":"10.1016/j.jcps.2010.06.006","title":"Gender differences in the meanings consumers infer from music and other aesthetic stimuli","year":2010,"lang":"en","type":"article","venue":"Journal of Consumer Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":136,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Embodied cognition; Meaning (existential); Affect (linguistics); Psychology; Perception; Cognition; Product (mathematics); Aesthetics; Cognitive psychology; Social psychology; Communication; Art; Epistemology","score_opus":0.10804044683544554,"score_gpt":0.34828281018408674,"score_spread":0.24024236334864119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005880396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9949787,0.00015916539,0.00021850318,0.002478786,0.00033777658,0.000053676533,0.0000033320414,0.0000062887234,0.0017637264],"genre_scores_gemma":[0.9882245,0.00015972074,0.00019751588,0.011348894,0.000033335513,0.000002021604,1.3271382e-7,0.000009135094,0.000024720895],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986425,0.00033458235,0.00039251547,0.00020768806,0.00023694482,0.00018574049],"domain_scores_gemma":[0.99923176,0.00016530744,0.00026385946,0.00021935746,0.00003793427,0.00008175627],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042117812,0.00012928674,0.00026888863,0.00019295697,0.000069799506,0.000061614126,0.00035772473,0.00010482528,0.001387852],"category_scores_gemma":[0.00015696997,0.00007833297,0.0000839251,0.00017691938,0.00063537265,0.000104085666,0.000020204958,0.0005008334,0.00005610693],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019653393,0.00053392764,0.6279288,0.000004850578,0.000032149142,0.00022985922,0.013725312,0.0000015621289,0.27930504,0.0021589512,0.0031335677,0.07274943],"study_design_scores_gemma":[0.0046956465,0.0003077639,0.86672235,0.00003968043,0.00024929462,0.0045338795,0.0022883874,0.0002673186,0.00047541937,0.014496742,0.105390295,0.00053324545],"about_ca_topic_score_codex":0.000034679495,"about_ca_topic_score_gemma":0.000080371414,"teacher_disagreement_score":0.27882963,"about_ca_system_score_codex":0.0000042919314,"about_ca_system_score_gemma":0.000031343603,"threshold_uncertainty_score":0.999525},"labels":[],"label_agreement":null},{"id":"W2010629401","doi":"10.1097/00001756-200404090-00032","title":"Neuroanatomical correlates of aesthetic preference for paintings","year":2004,"lang":"en","type":"article","venue":"Neuroreport","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":463,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Psychology; Preference; Valence (chemistry); Neuroscience; Caudate nucleus; Cognitive psychology; Chemistry","score_opus":0.057802949352784655,"score_gpt":0.28242575371831113,"score_spread":0.22462280436552648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010629401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9952148,0.0000041121452,0.0021641555,0.0007472356,0.0001136394,0.00018930202,0.0000044087064,0.000090674206,0.0014716659],"genre_scores_gemma":[0.9985132,0.000017366618,0.0002912839,0.0008212519,0.000013314788,0.000019410834,0.0000020679386,0.000019576082,0.00030252206],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99867517,0.0000371879,0.0004049482,0.0004133354,0.00025415816,0.00021520794],"domain_scores_gemma":[0.9992905,0.00003382699,0.00022666088,0.0003071665,0.000054824457,0.00008702465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013854736,0.00012597545,0.00020844305,0.000085232656,0.00007842037,0.000018943498,0.00021255344,0.000051701005,0.000057322377],"category_scores_gemma":[0.00058121537,0.000110454595,0.00017540857,0.00023632405,0.00018631745,0.000078457284,0.00004275191,0.00012199574,0.000030807572],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001554291,0.0009503341,0.019527018,0.00007635644,0.0000045123393,0.00030523216,0.0009912426,0.0018049199,0.89911425,0.044288144,0.00053701055,0.032245543],"study_design_scores_gemma":[0.006207435,0.0024435488,0.06768518,0.000210516,0.00037352508,0.005687995,0.00029949093,0.01571977,0.7954548,0.071902275,0.032152854,0.0018625933],"about_ca_topic_score_codex":0.000010138651,"about_ca_topic_score_gemma":0.0000010920318,"teacher_disagreement_score":0.10365945,"about_ca_system_score_codex":0.000013398825,"about_ca_system_score_gemma":0.00006736819,"threshold_uncertainty_score":0.45042077},"labels":[],"label_agreement":null},{"id":"W2012027725","doi":"10.1016/j.neuroimage.2014.10.018","title":"A voxel-wise encoding model for early visual areas decodes mental images of remembered scenes","year":2014,"lang":"en","type":"article","venue":"NeuroImage","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":383,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Biomedical Imaging and Bioengineering; National Institute of Neurological Disorders and Stroke; National Eye Institute; Canadian HIV Trials Network, Canadian Institutes of Health Research; Kyungnam University","keywords":"Voxel; Visual cortex; Artificial intelligence; Mental image; Encoding (memory); Perception; Computer vision; Computer science; Visual perception; Pattern recognition (psychology); Brain activity and meditation; Decoding methods; Psychology; Cognition; Neuroscience; Electroencephalography","score_opus":0.04941807920679459,"score_gpt":0.32056349334438733,"score_spread":0.27114541413759274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012027725","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9727266,0.0000057246307,0.02376969,0.0002946353,0.00007183768,0.00018106344,0.000041788702,0.00008290627,0.0028257514],"genre_scores_gemma":[0.99662584,0.000031755113,0.0012948773,0.000542406,0.000041857602,0.000016835313,0.0000037783127,0.000028551509,0.0014140753],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99860245,0.00010680516,0.00028741808,0.00045032927,0.00028045126,0.00027253586],"domain_scores_gemma":[0.9993632,0.000077953926,0.00013887032,0.0002657478,0.000052517145,0.00010174808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018615462,0.00016523499,0.00024590836,0.00012614451,0.00016954559,0.00006525679,0.00024995054,0.000041098334,0.000071729635],"category_scores_gemma":[0.00043412764,0.00015257757,0.00019715256,0.00017217507,0.00017474839,0.00022576819,0.00007571271,0.000083270555,0.000030056612],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000490464,0.00010883455,0.0008611168,0.000019105311,0.0000013207942,0.0000022890479,0.00030554266,0.00019951722,0.9921351,0.00021553416,0.0003765241,0.005726086],"study_design_scores_gemma":[0.0008392088,0.00020855464,0.0033400094,0.000026718717,0.000046044697,0.000014999412,0.000054836823,0.6886263,0.30564502,0.0005731256,0.00038233105,0.00024287442],"about_ca_topic_score_codex":0.000013343176,"about_ca_topic_score_gemma":0.0000055658784,"teacher_disagreement_score":0.68842673,"about_ca_system_score_codex":0.000014787294,"about_ca_system_score_gemma":0.000020296999,"threshold_uncertainty_score":0.6221933},"labels":[],"label_agreement":null},{"id":"W2013559969","doi":"10.1017/s0140525x12001744","title":"Distinguishing intention and function in art appreciation","year":2013,"lang":"en","type":"letter","venue":"Behavioral and Brain Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta; Toronto Metropolitan University","funders":"","keywords":"Function (biology); Coherence (philosophical gambling strategy); Order (exchange); Psychology; Aesthetics; Cognitive science; Epistemology; Cognitive psychology; Art; Philosophy; Mathematics; Economics","score_opus":0.09018016892352465,"score_gpt":0.318514875635716,"score_spread":0.22833470671219136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013559969","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82560384,0.000029797677,0.00013804871,0.17275581,0.00023414109,0.00015680245,0.000006001829,0.000041190648,0.0010343574],"genre_scores_gemma":[0.79173756,0.00007969975,0.00017500877,0.19771309,0.00034004243,0.000043942247,0.00004273872,0.000013377146,0.009854553],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986068,0.00012431001,0.00020620949,0.00052617135,0.00032828824,0.00020820269],"domain_scores_gemma":[0.9997003,0.000044338693,0.00012600263,0.00007512442,0.000019137362,0.000035081845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033846748,0.00013920899,0.00016270041,0.00022762205,0.00023716879,0.00037813865,0.00012421045,0.00017091018,0.00013599302],"category_scores_gemma":[0.00014047741,0.00010812308,0.00003873416,0.00033368336,0.00041215203,0.0003685253,0.00006275786,0.00035606825,0.000034575252],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000102370705,0.0001421552,0.046814807,0.00007319119,0.0000012579687,0.00006413581,0.0012710954,0.0000054794996,0.04086008,0.0003789265,0.58330035,0.32707828],"study_design_scores_gemma":[0.00083955924,0.0008168045,0.15011959,0.00049440784,0.00014662958,0.00015788089,0.0015495581,0.008908231,0.00031610756,0.0059510344,0.82914066,0.0015595177],"about_ca_topic_score_codex":0.00019195575,"about_ca_topic_score_gemma":0.000056229306,"teacher_disagreement_score":0.3255188,"about_ca_system_score_codex":0.000020712921,"about_ca_system_score_gemma":0.000015152849,"threshold_uncertainty_score":0.44091314},"labels":[],"label_agreement":null},{"id":"W2013661598","doi":"10.1145/2677199.2680567","title":"Simply Spinning","year":2015,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Kinesthetic learning; Empathy; Dance; Narrative; Motion (physics); Movement (music); Psychology; Computer science; Aesthetics; Human–computer interaction; Visual arts; Social psychology; Artificial intelligence; Art; Mathematics education","score_opus":0.1966000645779647,"score_gpt":0.3394548574718993,"score_spread":0.1428547928939346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013661598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6663054,0.0000022778192,0.0073483423,0.0028785502,0.000054365973,0.000020651136,2.8762872e-7,0.0001373326,0.3232528],"genre_scores_gemma":[0.98279494,0.000002494763,0.00030616744,0.005240208,0.00001980907,7.7333414e-7,1.5019307e-7,0.0000026094108,0.011632834],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964285,0.000018384668,0.000051120125,0.00009922313,0.000112783375,0.0000756472],"domain_scores_gemma":[0.999812,0.0000029211171,0.0000107652,0.0000844745,0.000010218998,0.000079620026],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000058026762,0.000029838267,0.000038071583,0.00002610452,0.000028210292,0.000019755116,0.00006857141,0.0000107859705,0.00066035555],"category_scores_gemma":[0.000113239956,0.000022413085,0.00002279286,0.00012412368,0.000026126865,0.000052935142,0.00001915814,0.00002633885,0.0016076812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002048476,0.00019589557,0.00508232,0.0000035342248,0.0000016429653,0.00007762774,0.0033524765,0.0006372074,0.64629525,0.07451049,0.13452624,0.1352968],"study_design_scores_gemma":[0.0011318418,0.00018328246,0.0021687418,0.000008271537,0.000021052927,0.00012041151,0.003222006,0.037332438,0.09032822,0.006376297,0.8585647,0.00054277864],"about_ca_topic_score_codex":0.000018641662,"about_ca_topic_score_gemma":0.0000023102177,"teacher_disagreement_score":0.7240384,"about_ca_system_score_codex":0.000008233399,"about_ca_system_score_gemma":0.000011209354,"threshold_uncertainty_score":0.9991697},"labels":[],"label_agreement":null},{"id":"W2016274102","doi":"10.7202/005699ar","title":"Form in Coleridge, and in Perception and Art More Generally","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perception; Relation (database); Orderliness; Formality; Aesthetics; Beauty; Epistemology; Philosophy; Psychology; Linguistics; Computer science; Social psychology","score_opus":0.022515123459481007,"score_gpt":0.2566830133692264,"score_spread":0.23416788990974538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016274102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99396294,0.000008354458,0.00003822747,0.0018176021,0.000021460513,0.00010757275,0.0000013740492,0.000011265302,0.0040311874],"genre_scores_gemma":[0.99550104,0.00021532284,0.0000528383,0.0030021644,0.000007720022,0.00000840202,7.780246e-7,0.0000065632644,0.001205189],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9992838,0.00009947083,0.0001317313,0.00021231991,0.00012163348,0.00015108053],"domain_scores_gemma":[0.9997767,0.000028993301,0.000027323073,0.00012694208,0.00000415499,0.00003584769],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002031025,0.00008560967,0.00010992045,0.00009428221,0.00006331902,0.000036398167,0.000063563966,0.000037944938,0.00017183018],"category_scores_gemma":[0.000073563606,0.00006007618,0.000018985516,0.00018033232,0.00009535414,0.00005828328,0.000018058732,0.00010581799,0.000041730214],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014864557,0.00061807595,0.04151046,0.000032124182,0.0000044431276,0.0001569059,0.011229733,0.0007015913,0.8845077,0.03664516,0.0065679224,0.01787722],"study_design_scores_gemma":[0.0019351242,0.00024043268,0.9195983,0.00011048754,0.000024699022,0.00016101182,0.0016235746,0.053160314,0.0044474634,0.0050133895,0.013154075,0.00053113303],"about_ca_topic_score_codex":0.000012469722,"about_ca_topic_score_gemma":0.000064432024,"teacher_disagreement_score":0.88006026,"about_ca_system_score_codex":0.000016155629,"about_ca_system_score_gemma":0.000006862028,"threshold_uncertainty_score":0.24498355},"labels":[],"label_agreement":null},{"id":"W2018886929","doi":"10.1167/14.10.1269","title":"Betty White versus Scarlett Johansson: Examining Consensus in Attractiveness Judgments for Young and Older Adult Faces","year":2014,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Attractiveness; White (mutation); Psychology; Social psychology; Psychoanalysis; Biology; Genetics","score_opus":0.048419957041233065,"score_gpt":0.3316118565275772,"score_spread":0.2831918994863441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018886929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9970761,0.000023676841,0.0015303667,0.00080013805,0.00025518076,0.00006516106,0.0000025199356,0.000004942898,0.00024193706],"genre_scores_gemma":[0.99898016,0.000077685,0.0005888238,0.00021428647,0.000060656912,0.0000013237947,3.3605153e-7,0.000007839957,0.000068867506],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99897176,0.00014036878,0.0003065479,0.00016642679,0.00027233144,0.00014255224],"domain_scores_gemma":[0.99930876,0.00016355758,0.0002787091,0.000077226614,0.00009528036,0.00007645913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047971692,0.00009157166,0.00021356126,0.00015464712,0.000097501514,0.00005885965,0.00009718251,0.000052370873,0.000023418826],"category_scores_gemma":[0.00042237283,0.000072202434,0.00006302498,0.00012733912,0.00005923095,0.00016247027,0.000023615668,0.00013668719,0.000003015972],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014033585,0.00032975894,0.058056835,0.00005341344,0.0000141006185,0.000049775783,0.00246892,0.00069002673,0.8129066,0.00012423075,0.0005753744,0.12332755],"study_design_scores_gemma":[0.01472869,0.0025043704,0.93010503,0.0008890596,0.0001575028,0.0003178533,0.0034562694,0.026555851,0.018163156,0.00025771084,0.002343837,0.00052068545],"about_ca_topic_score_codex":0.0000042698443,"about_ca_topic_score_gemma":0.000009986345,"teacher_disagreement_score":0.8720482,"about_ca_system_score_codex":0.00003505122,"about_ca_system_score_gemma":0.0000147244655,"threshold_uncertainty_score":0.294433},"labels":[],"label_agreement":null},{"id":"W2020959440","doi":"10.4245/sponge.v4i1.14185","title":"Conceptual Sea Changes","year":2010,"lang":"en","type":"article","venue":"Spontaneous Generations A Journal for the History and Philosophy of Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Curiosity; The arts; Conceptual framework; Conceptual change; Epistemology; Computer science; Sociology; Engineering ethics; Management science; Cognitive science; Psychology; Philosophy; Engineering; Art; Visual arts; Social psychology","score_opus":0.06227183604278923,"score_gpt":0.27587858269054977,"score_spread":0.21360674664776053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020959440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98277265,0.00062667415,0.0020117373,0.0077741654,0.00328648,0.00021564984,0.000032444008,0.000021258797,0.0032589298],"genre_scores_gemma":[0.99636716,0.00013687767,0.00071592996,0.0009525108,0.00033465808,0.000007012809,3.6015172e-7,0.0000049747723,0.0014805421],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917203,0.000031333497,0.00015844946,0.00018911358,0.0002935128,0.00015557659],"domain_scores_gemma":[0.99935967,0.00008040042,0.00013301392,0.00017519768,0.00013083113,0.0001208603],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0005685451,0.00008183576,0.00010237162,0.00014328214,0.0017162987,0.000041453924,0.00037925766,0.000029024055,0.00024291895],"category_scores_gemma":[0.00024491202,0.000055041153,0.00006619146,0.00017564978,0.0040933997,0.00014524914,0.000026325954,0.00020186766,0.000004078636],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001962678,0.00002672696,0.000004594424,0.0000016297852,0.0000011605325,0.000013217281,0.0016161974,0.000066365195,0.875045,0.11990525,0.0004971846,0.002803029],"study_design_scores_gemma":[0.0013311575,0.0012611937,0.00015123816,0.00003848308,0.00022401218,0.034478948,0.0015802004,0.029739087,0.068688326,0.06215014,0.7995319,0.0008253427],"about_ca_topic_score_codex":0.000004590785,"about_ca_topic_score_gemma":0.00004544541,"teacher_disagreement_score":0.80635667,"about_ca_system_score_codex":0.00004593313,"about_ca_system_score_gemma":0.00018154626,"threshold_uncertainty_score":0.9995833},"labels":[],"label_agreement":null},{"id":"W2028113937","doi":"10.1038/nbt1010-1017","title":"More sizzle than fizzle","year":2010,"lang":"en","type":"letter","venue":"Nature Biotechnology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canada Research Chairs; National Institutes of Health; Canadian Institutes of Health Research; Genome Canada; Ontario Genomics; Ontario Genomics Institute","keywords":"Business; Computational biology; Biology","score_opus":0.01202402929583905,"score_gpt":0.27278296303999955,"score_spread":0.2607589337441605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028113937","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069317333,0.00015357134,0.00006919664,0.9884684,0.0011105143,0.00016633807,0.00009169525,0.00080442615,0.0022041055],"genre_scores_gemma":[0.04289305,0.00023720098,0.0003875132,0.93808913,0.0015254827,0.000022820077,0.00008837932,0.00007585335,0.016680574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975596,0.0000737697,0.00025813133,0.0010853681,0.000440715,0.0005823937],"domain_scores_gemma":[0.99838674,0.000045742658,0.00020695502,0.0012712629,0.000038472965,0.000050838058],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.000079258825,0.00041593314,0.00048256855,0.00060065725,0.0001792,0.000048377133,0.0013476851,0.024178013,0.0010843948],"category_scores_gemma":[0.00057522964,0.00034661443,0.00030163245,0.00066120666,0.00077291735,0.0000487367,0.00025459926,0.02546722,0.0009456678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027082065,0.00002054731,0.000005134087,0.000012787982,0.0000033283072,0.00040145768,0.000017911576,1.2338424e-7,0.14171645,0.0006115356,0.85269046,0.0045175543],"study_design_scores_gemma":[0.00011957952,0.00003497951,0.0000131785855,0.0000131184715,0.00003619216,0.00024323983,0.000011760159,0.00003826996,0.054072272,0.00065903226,0.9444041,0.00035425738],"about_ca_topic_score_codex":0.000013434689,"about_ca_topic_score_gemma":0.000017622478,"teacher_disagreement_score":0.09171365,"about_ca_system_score_codex":0.000049910595,"about_ca_system_score_gemma":0.00006121363,"threshold_uncertainty_score":0.9998986},"labels":[],"label_agreement":null},{"id":"W2028673523","doi":"10.7202/024879ar","title":"L’importance des processus cognitifs et de la recherche empirique en études cinématographiques","year":2007,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.15879923584348,"score_gpt":0.4069448129485878,"score_spread":0.24814557710510782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028673523","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7530691,0.007961997,0.014421829,0.00716091,0.00038544726,0.0012250547,0.00013401863,0.0015511733,0.21409047],"genre_scores_gemma":[0.9024012,0.058955025,0.026229894,0.007308575,0.00056544284,0.00019746495,0.00005817616,0.000330353,0.0039538774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9853583,0.006817169,0.0021772422,0.0022535026,0.00094516744,0.00244864],"domain_scores_gemma":[0.9911634,0.0043312376,0.0010344078,0.0014321607,0.0007732605,0.0012655663],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.015460467,0.0015530924,0.0016273896,0.0019371042,0.0007726928,0.0007754704,0.0017515111,0.0021150275,0.000639306],"category_scores_gemma":[0.0056752567,0.001667532,0.0013691203,0.0055257976,0.0042540673,0.0014635795,0.00039896206,0.0033891872,0.0001181587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046090694,0.0034497436,0.22247961,0.0032935622,0.00038106894,0.0026929223,0.023036106,0.0000912335,0.056202814,0.6304193,0.0030190612,0.054473683],"study_design_scores_gemma":[0.0019753033,0.0010288415,0.15132591,0.0051747956,0.0011710041,0.005161795,0.0067943754,0.0005916641,0.040790156,0.025385827,0.75668454,0.0039157975],"about_ca_topic_score_codex":0.0004972561,"about_ca_topic_score_gemma":0.003740737,"teacher_disagreement_score":0.75366545,"about_ca_system_score_codex":0.0008231453,"about_ca_system_score_gemma":0.0009553706,"threshold_uncertainty_score":0.99972177},"labels":[],"label_agreement":null},{"id":"W2029276321","doi":"10.1037/0096-3445.132.2.253","title":"Leonardo's constraint: Two opaque objects cannot be seen in the same direction.","year":2003,"lang":"en","type":"article","venue":"Journal of Experimental Psychology General","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Constraint (computer-aided design); Object (grammar); Opacity; Perception; Computer vision; Monocular; Artificial intelligence; Computer science; Psychology; Mathematics; Optics; Geometry; Physics","score_opus":0.060014280594947025,"score_gpt":0.38676093781811116,"score_spread":0.32674665722316415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029276321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9673009,0.00028775842,0.00008789507,0.0035472328,0.0006474567,0.00008050927,0.000003258158,0.000008691854,0.028036276],"genre_scores_gemma":[0.98252565,0.00007503812,0.00043600355,0.016361289,0.00014923536,0.000005991286,5.914321e-7,0.00001019066,0.00043599305],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99795127,0.0008463555,0.00043208245,0.00023137886,0.0002844676,0.00025446247],"domain_scores_gemma":[0.9994438,0.000035912486,0.00021366712,0.00018826417,0.00002711763,0.000091208036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005653597,0.00014639153,0.00023861475,0.0001814694,0.00014489707,0.000036474397,0.00029601954,0.00006568281,0.00074382627],"category_scores_gemma":[0.000089421344,0.0001026906,0.00017760922,0.00029905,0.00029561121,0.00012564019,0.000013287554,0.0004109975,0.000021405458],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054510743,0.0004603028,0.0011199983,5.0827754e-7,0.0000067238443,0.00021915529,0.002594051,0.000098244294,0.9883806,0.003015216,0.0033947916,0.0006558787],"study_design_scores_gemma":[0.015756581,0.0027142423,0.023441093,0.00006486892,0.00010923375,0.04280526,0.03243529,0.00041513247,0.7704229,0.0026809345,0.10785869,0.0012958245],"about_ca_topic_score_codex":0.000031023137,"about_ca_topic_score_gemma":0.000023046156,"teacher_disagreement_score":0.21795776,"about_ca_system_score_codex":0.00007237942,"about_ca_system_score_gemma":0.0000546297,"threshold_uncertainty_score":0.81443757},"labels":[],"label_agreement":null},{"id":"W2030106884","doi":"10.5555/2328888.2328895","title":"The aMotion toolkit: painting with affective motion textures","year":2012,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Palette (painting); Motion (physics); Painting; Computer science; Visual arts; Human–computer interaction; Affect (linguistics); Computer graphics (images); Artificial intelligence; Art; Psychology; Communication","score_opus":0.019525754910193878,"score_gpt":0.2558122739653648,"score_spread":0.23628651905517095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030106884","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9221994,0.000012505296,0.050947446,0.0010824123,0.000074884636,0.00010823414,4.395412e-7,0.000112047506,0.025462622],"genre_scores_gemma":[0.9969672,0.000011815384,0.00009214152,0.00051421084,0.00007049421,0.0000070429473,4.3556514e-7,0.0000053969547,0.0023312746],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99933684,0.00013661663,0.00006491407,0.000116675845,0.00016141747,0.00018353804],"domain_scores_gemma":[0.9997219,0.00005617868,0.000040957857,0.00011931572,0.000016942964,0.000044739703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028100066,0.000062361156,0.00004767252,0.000024863444,0.0003565307,0.000058234637,0.00007187237,0.000020884232,0.00014925773],"category_scores_gemma":[0.00015461972,0.000030565505,0.00003723341,0.0001702347,0.00008422834,0.00019705002,0.000016898812,0.0000699819,0.00014575882],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042052932,0.00027036495,0.03267635,0.0000066400635,0.000007439914,0.0000021744713,0.0026096255,0.00021045735,0.22146314,0.06801022,0.0014563734,0.67324513],"study_design_scores_gemma":[0.001348692,0.00044285847,0.7066038,0.000057938414,0.00016946819,0.0002194072,0.010818792,0.026567074,0.20994718,0.0021767325,0.0405448,0.0011032124],"about_ca_topic_score_codex":0.000015336198,"about_ca_topic_score_gemma":0.00001842588,"teacher_disagreement_score":0.6739275,"about_ca_system_score_codex":0.00002074432,"about_ca_system_score_gemma":0.0000037387915,"threshold_uncertainty_score":0.2742182},"labels":[],"label_agreement":null},{"id":"W2031291297","doi":"10.1109/mcg.2007.162","title":"Visualizing and Analyzing the Mona Lisa","year":2007,"lang":"en","type":"review","venue":"IEEE Computer Graphics and Applications","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Research Council Canada","funders":"","keywords":"Computer science; Visualization; Data visualization; Computer graphics; Computer graphics (images); Data science; Human–computer interaction; Data mining","score_opus":0.12678644184685522,"score_gpt":0.39273829720733744,"score_spread":0.2659518553604822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031291297","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000305427,0.8654962,0.13364205,0.00009408551,0.00004552993,0.00041960343,0.000018164164,0.0000573236,0.0001964977],"genre_scores_gemma":[0.00028331092,0.99854535,0.00019884166,0.0005199872,0.0002473854,0.00010577312,0.000008149227,0.000020441594,0.00007078974],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987354,0.000093638286,0.00034158843,0.0005048991,0.00014089333,0.00018354121],"domain_scores_gemma":[0.99914557,0.00018247962,0.00018132658,0.00036288777,0.000024671748,0.00010304353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002471089,0.00023259535,0.0004519638,0.00024000293,0.00056545646,0.00020527584,0.00028743787,0.00011913326,0.000008048658],"category_scores_gemma":[0.000003883126,0.00015458376,0.00021160081,0.0007495716,0.00029152696,0.00004218429,0.00009833091,0.00030829894,0.000016795191],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.2264124e-7,0.000018512583,0.0000026448613,0.0002337176,0.000007000797,8.8643753e-7,0.000036149348,5.62688e-7,0.0000039488136,0.030585967,0.00017595784,0.96893454],"study_design_scores_gemma":[0.00003257043,0.000007345122,0.000007103422,0.00025810394,0.0002126951,0.000049666858,0.0000049526534,0.0016826306,9.61523e-7,0.00048574168,0.9970775,0.00018070407],"about_ca_topic_score_codex":0.000008182799,"about_ca_topic_score_gemma":0.0000031690568,"teacher_disagreement_score":0.9969016,"about_ca_system_score_codex":0.000008677173,"about_ca_system_score_gemma":0.000020298874,"threshold_uncertainty_score":0.63037425},"labels":[],"label_agreement":null},{"id":"W2032912402","doi":"10.1167/12.9.408","title":"The Death of of General Wolfe: Investigating the influence of artistic compositional techniques on eye movement control and interpretation of paintings","year":2012,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Painting; Gaze; Salience (neuroscience); Fixation (population genetics); Art; Salient; Depiction; Cognitive psychology; Perception; Psychology; Visual arts; Aesthetics; Artificial intelligence; Computer science; Psychoanalysis; Medicine","score_opus":0.012924918272342666,"score_gpt":0.30461177515913446,"score_spread":0.2916868568867918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032912402","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99616086,0.00003877414,0.0031500058,0.00051811355,0.000014573897,0.00005832064,0.0000036451986,0.0000015591801,0.000054124972],"genre_scores_gemma":[0.99866277,0.000046564906,0.00090806873,0.00035598283,0.000017143344,7.9510835e-7,1.5524489e-7,0.0000027290882,0.0000057905922],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9988195,0.00018630641,0.00052780093,0.000046927908,0.0003538131,0.00006568265],"domain_scores_gemma":[0.9985267,0.00022530527,0.0009769896,0.00007720918,0.00016185109,0.000031958403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090091984,0.00005227107,0.00016116917,0.00006620037,0.000059021982,0.0000075389066,0.000114579445,0.000020006864,0.0000045594597],"category_scores_gemma":[0.000450993,0.00002795354,0.00007044844,0.000076648954,0.00023402552,0.00010576505,0.000023996614,0.000092133516,1.2186123e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000545367,0.00006434781,0.008962015,0.000012606275,0.000004517621,1.4387705e-7,0.000438484,0.0007848359,0.98102856,0.0037319495,0.000010741185,0.004907247],"study_design_scores_gemma":[0.00046469294,0.0009942402,0.4833721,0.0006890692,0.00008178626,0.000013888348,0.00025997087,0.027716612,0.48349425,0.0028132254,0.000033752425,0.00006641271],"about_ca_topic_score_codex":0.000009734738,"about_ca_topic_score_gemma":2.6263731e-7,"teacher_disagreement_score":0.4975343,"about_ca_system_score_codex":0.0000133365675,"about_ca_system_score_gemma":0.000016152293,"threshold_uncertainty_score":0.11399122},"labels":[],"label_agreement":null},{"id":"W2035409825","doi":"10.1016/j.concog.2015.03.005","title":"The two-visual-systems hypothesis and the perspectival features of visual experience","year":2015,"lang":"en","type":"article","venue":"Consciousness and Cognition","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":67,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; Western University","funders":"","keywords":"Action (physics); Perception; Argument (complex analysis); Psychology; Cognitive science; Cognitive psychology; Vision for perception and vision for action; Visual perception; Dorsum; Frame (networking); Frame of reference; Point (geometry); Communication; Computer science; Neuroscience","score_opus":0.034430445973331614,"score_gpt":0.2997775020253339,"score_spread":0.26534705605200226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035409825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99589133,0.00056903483,0.00024185813,0.0007303083,0.00008289585,0.00015310946,0.000003733371,0.000021674856,0.0023060387],"genre_scores_gemma":[0.99908125,0.0003614824,0.000004223025,0.00017307546,0.000045151814,0.000040506657,4.500854e-7,0.000005606699,0.00028825967],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9990847,0.0002376119,0.00013851168,0.00019675535,0.00022643189,0.000116001946],"domain_scores_gemma":[0.99941945,0.00023774304,0.00008973284,0.000092288894,0.00009588633,0.0000648897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028949056,0.00008847808,0.00014133878,0.000032811895,0.0003828375,0.00014366196,0.00008429118,0.000028049442,0.000007892287],"category_scores_gemma":[0.00041880654,0.00004620061,0.000038838978,0.00013659631,0.0011893886,0.000082377446,0.000043727792,0.00006698479,0.0000044018243],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0028610865,0.00078350323,0.004884123,0.00010772802,0.000072521674,0.00004148602,0.078477696,0.00005786853,0.26691246,0.13905233,0.0012282808,0.5055209],"study_design_scores_gemma":[0.02875844,0.0013608261,0.033965737,0.0005877651,0.0009544734,0.0017956225,0.7302943,0.062024076,0.08597575,0.04547936,0.0066088466,0.0021947895],"about_ca_topic_score_codex":0.00007775514,"about_ca_topic_score_gemma":0.000020204023,"teacher_disagreement_score":0.6518166,"about_ca_system_score_codex":0.000007732956,"about_ca_system_score_gemma":0.0000233811,"threshold_uncertainty_score":0.4382352},"labels":[],"label_agreement":null},{"id":"W2036678419","doi":"10.1525/ctx.2010.9.3.62","title":"Csi: The Scenes Behind the Look","year":2010,"lang":"en","type":"article","venue":"Contexts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Office of the Chief Medical Examiner","funders":"","keywords":"History; Sociology","score_opus":0.023294104704903004,"score_gpt":0.27969714396060247,"score_spread":0.25640303925569946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036678419","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97136354,0.000045397454,0.0001043266,0.014214843,0.00031500726,0.00009638076,0.0000026104076,0.00004219605,0.013815696],"genre_scores_gemma":[0.9825893,0.000019055506,0.0000057768616,0.005995308,0.000113802584,0.000008111736,2.5657405e-7,0.0000058232113,0.011262584],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993998,0.000071131166,0.00008813749,0.00015651583,0.00015416103,0.00013024562],"domain_scores_gemma":[0.9994652,0.000057921367,0.00003733273,0.00038185625,0.000019381,0.00003828578],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016868085,0.0000663334,0.000061809274,0.000015675281,0.00035523032,0.00008237875,0.0004064058,0.00003015444,0.0010779393],"category_scores_gemma":[0.00021211419,0.000029952198,0.00007559247,0.00007786731,0.00034713608,0.000051258034,0.00005061816,0.00020550386,0.000896761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007916559,0.000055682725,0.0013264983,0.0000014636546,0.0000022624342,0.000008368875,0.0020574222,0.0000033629028,0.7198999,0.012677382,0.008727823,0.25523195],"study_design_scores_gemma":[0.0005493977,0.00004559952,0.03333454,0.000011868436,0.0000588731,0.000115400115,0.0005812887,0.002212339,0.066262044,0.004017602,0.8924897,0.00032136327],"about_ca_topic_score_codex":0.0000141136115,"about_ca_topic_score_gemma":0.00014821369,"teacher_disagreement_score":0.8837619,"about_ca_system_score_codex":0.0000030501253,"about_ca_system_score_gemma":0.000017064602,"threshold_uncertainty_score":0.99988115},"labels":[],"label_agreement":null},{"id":"W2039441108","doi":"10.1007/s11466-006-0019-2","title":"Art, authenticity and appropriation","year":2006,"lang":"en","type":"article","venue":"Frontiers of Philosophy in China","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"Renmin University of China; Beijing Normal University","keywords":"Appropriation; Aesthetics; Value (mathematics); Cultural appropriation; Aesthetic value; Context (archaeology); Content (measure theory); Sociology; Epistemology; Art; History; Philosophy; Computer science","score_opus":0.012076728150712073,"score_gpt":0.22597581240047424,"score_spread":0.21389908424976217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039441108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9744051,0.000059430462,0.005131486,0.0016304078,0.000100661906,0.00008279406,0.0000073071733,0.000023927489,0.018558893],"genre_scores_gemma":[0.9985603,0.000022487482,0.0008682701,0.00008370157,0.000049224964,0.0000028524898,0.0000032098221,0.0000055197766,0.0004043998],"study_design_codex":"observational","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99932456,0.000050212348,0.00018006454,0.00019425034,0.00015231526,0.00009862345],"domain_scores_gemma":[0.9997626,0.0000046512596,0.00008207016,0.00011796723,0.000007379145,0.00002532405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000089887166,0.00007350998,0.0001399171,0.00014058614,0.000039918592,0.000011370522,0.000086513144,0.000039034054,0.000023370183],"category_scores_gemma":[0.000041936888,0.0000679784,0.000045986322,0.00018402247,0.00013025399,0.00009710405,0.000021065262,0.00007193748,0.000010077519],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027742848,0.0022639032,0.34374836,0.00017801224,0.000014958087,0.000049311013,0.0041574454,0.0018331566,0.3390909,0.25204673,0.038542964,0.017796822],"study_design_scores_gemma":[0.0016876856,0.0001369197,0.2846383,0.000043194654,0.00005113442,0.000012922869,0.00010305959,0.03676137,0.01611735,0.6570824,0.0028978281,0.0004678586],"about_ca_topic_score_codex":0.000028210961,"about_ca_topic_score_gemma":0.0000038080786,"teacher_disagreement_score":0.40503564,"about_ca_system_score_codex":0.000016140135,"about_ca_system_score_gemma":0.000006193339,"threshold_uncertainty_score":0.27720785},"labels":[],"label_agreement":null},{"id":"W2039917030","doi":"10.1017/s0012217300003966","title":"Artworks and Representational Properties","year":2004,"lang":"en","type":"article","venue":"Dialogue","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Object (grammar); Identity (music); Subject (documents); Aesthetics; Criticism; Epistemology; Psychology; Art; Philosophy; Computer science; Linguistics; Literature","score_opus":0.05824386025745236,"score_gpt":0.26634203213112484,"score_spread":0.20809817187367247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039917030","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9936986,0.000023474071,0.00091605884,0.0020836222,0.000043795037,0.00004124891,0.000002567179,0.000039200397,0.003151434],"genre_scores_gemma":[0.99816847,0.00004641975,0.000096790565,0.0012586797,0.00004049878,0.0000062904614,0.0000026181028,0.0000032560836,0.00037697065],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9996077,0.00002147078,0.00006315191,0.00014394171,0.00009039926,0.00007335676],"domain_scores_gemma":[0.9998631,0.000005673929,0.000015165559,0.00007230857,0.000007902545,0.000035857713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000033728575,0.000039002425,0.00004773092,0.000025429586,0.00008078714,0.000028387247,0.000042620188,0.000018789842,0.00006370787],"category_scores_gemma":[0.00008907592,0.000030356998,0.000021457172,0.00007729928,0.000107658336,0.000065126624,0.00001914749,0.000040372797,0.000114128125],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004780887,0.0002556892,0.0051160725,0.000013720155,0.0000046531923,0.00006607979,0.006089107,0.003967541,0.8803325,0.07315054,0.0010483239,0.029907923],"study_design_scores_gemma":[0.009159236,0.00051942247,0.24755569,0.0002605907,0.00017276747,0.00089720974,0.002723152,0.009638233,0.48384845,0.19033068,0.052326545,0.0025680268],"about_ca_topic_score_codex":0.000032664804,"about_ca_topic_score_gemma":0.000011732139,"teacher_disagreement_score":0.3964841,"about_ca_system_score_codex":0.000007407019,"about_ca_system_score_gemma":0.000012227018,"threshold_uncertainty_score":0.14669243},"labels":[],"label_agreement":null},{"id":"W2043630098","doi":"10.1145/1413634.1413668","title":"Biometric tendency recognition and classification system","year":2008,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Biometrics; Computer science; Relation (database); Context (archaeology); Biometric data; Software; Contextual image classification; Statistical classification; Artificial intelligence; Computer security; Pattern recognition (psychology); Image (mathematics); Data mining","score_opus":0.19278844719154828,"score_gpt":0.2843481124252893,"score_spread":0.09155966523374101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043630098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95169514,0.000010499727,0.0030385077,0.00021679339,0.000033013708,0.000050594896,0.0000030907042,0.00013559722,0.04481676],"genre_scores_gemma":[0.99765086,0.00019638066,0.00019992572,0.00017003962,0.000014900113,0.0000051803945,0.000002688796,0.0000033163863,0.0017567002],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9994772,0.00004198173,0.00010272262,0.00018032044,0.00012698174,0.000070795875],"domain_scores_gemma":[0.9998021,0.000012297829,0.000034286844,0.00008465874,0.000020340003,0.000046284542],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005671043,0.00004403605,0.000056972774,0.0002605511,0.00013297197,0.000014104802,0.000040574483,0.000027886965,0.00019033796],"category_scores_gemma":[0.00006674421,0.000034752393,0.000023469407,0.00074989494,0.00006312458,0.00008965766,0.00000919173,0.000030292837,0.00096288323],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007683254,0.00011207503,0.003389933,0.00002462921,0.00000135896,0.000015642754,0.00032406946,4.3821427e-7,0.85180885,0.0038233942,0.0010275693,0.13946436],"study_design_scores_gemma":[0.003906547,0.000719063,0.6472688,0.0001602077,0.00023954839,0.0076019247,0.011707296,0.111022905,0.19112408,0.0022376545,0.021582713,0.0024293168],"about_ca_topic_score_codex":0.000009614585,"about_ca_topic_score_gemma":5.258822e-7,"teacher_disagreement_score":0.66068476,"about_ca_system_score_codex":0.000019554527,"about_ca_system_score_gemma":0.000006851554,"threshold_uncertainty_score":0.999815},"labels":[],"label_agreement":null},{"id":"W2047198532","doi":"10.1007/s10710-013-9187-8","title":"Aesthetic 3D model evolution","year":2013,"lang":"en","type":"article","venue":"Genetic Programming and Evolvable Machines","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":31,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Computer science; Realm; Artificial intelligence; Entropy (arrow of time); Genetic programming; Evolutionary algorithm; Normality; Machine learning; Mathematics; Statistics","score_opus":0.015754413383491803,"score_gpt":0.23855049604235087,"score_spread":0.22279608265885908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047198532","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95230985,0.00054001104,0.04419189,0.00080184924,0.00006158528,0.00029331495,0.0000020056973,0.00023956888,0.0015599291],"genre_scores_gemma":[0.9735293,0.00010182365,0.023315335,0.00032664282,0.000032058848,0.00009949755,0.0000020406503,0.000020740048,0.0025725898],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9986758,0.00006446587,0.00022022268,0.000431888,0.00022307744,0.00038452758],"domain_scores_gemma":[0.9994687,0.0000069580856,0.00006312722,0.000258415,0.00004241266,0.0001604222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009611022,0.00018574856,0.00017341257,0.000110558576,0.00031360597,0.00018582123,0.00016372751,0.00006588779,0.00021002424],"category_scores_gemma":[0.000045322144,0.00015124312,0.000067900866,0.00025239936,0.00017115539,0.0001329578,0.00007402694,0.00011194559,0.00029647554],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061725473,0.00012369764,0.0051054433,0.000025791427,0.0000015914462,0.00000369044,0.00036103756,0.005719602,0.024872476,0.0005990272,0.00047344266,0.96270806],"study_design_scores_gemma":[0.00026302916,0.000072363924,0.0024815039,0.000015166498,0.000030808784,0.0001123105,0.00006814913,0.9890103,0.000111775866,0.0057114335,0.0018612631,0.00026192897],"about_ca_topic_score_codex":0.00029861744,"about_ca_topic_score_gemma":0.000009451838,"teacher_disagreement_score":0.9832907,"about_ca_system_score_codex":0.000024106244,"about_ca_system_score_gemma":0.000024053865,"threshold_uncertainty_score":0.61675155},"labels":[],"label_agreement":null},{"id":"W2049700461","doi":"10.1002/wcs.1185","title":"The cognitive science of fiction","year":2012,"lang":"en","type":"article","venue":"Wiley Interdisciplinary Reviews Cognitive Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":75,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Empathy; Persuasion; Reading (process); Fiction theory; Quality (philosophy); Psychology; Narrative; Literary fiction; Cognitive psychology; Cognition; Inference; Literary criticism; Social psychology; Literature; Art; Linguistics; Epistemology; Philosophy","score_opus":0.06708105370015696,"score_gpt":0.38721915032752885,"score_spread":0.3201380966273719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049700461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9101865,0.0039597596,0.005686471,0.0007097623,0.0013395841,0.0013080144,0.00004827087,0.000092212395,0.07666938],"genre_scores_gemma":[0.9961417,0.0028095006,0.0000641426,0.0003447298,0.000105186155,0.00008348139,0.0000016080793,0.0000111359905,0.00043854298],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9963416,0.00031860184,0.00065606483,0.0007257344,0.0010969922,0.0008610026],"domain_scores_gemma":[0.9979083,0.00032691532,0.00049200736,0.00040849234,0.0005128523,0.00035144656],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004713785,0.0002518053,0.00035964517,0.00036161448,0.0027281672,0.00016565894,0.0011370686,0.000036735382,0.00023083133],"category_scores_gemma":[0.004071745,0.00015621682,0.00023051711,0.0039459667,0.011369877,0.0018166188,0.0012395106,0.000267823,0.00065920356],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011217195,0.0004852395,0.0018791958,0.00004365227,0.0000043205373,0.0000036940783,0.008614824,0.0000015094829,0.5224733,0.0032665655,0.00063899125,0.46247655],"study_design_scores_gemma":[0.0020481327,0.0017573019,0.06321045,0.0073678116,0.0006266084,0.00079470273,0.045168675,0.00554748,0.85012007,0.003634452,0.01718965,0.0025346887],"about_ca_topic_score_codex":0.0000021752148,"about_ca_topic_score_gemma":0.0000016757866,"teacher_disagreement_score":0.45994186,"about_ca_system_score_codex":0.000119369965,"about_ca_system_score_gemma":0.00021833694,"threshold_uncertainty_score":0.99857014},"labels":[],"label_agreement":null},{"id":"W2053085515","doi":"10.1163/15697312-00901010","title":"Book Review: Where Heaven and Earth Meet: The Spiritual in the Art of Kandinsky, Rothko, Warhol, and Kiefer, written by Wessel Stoker","year":2015,"lang":"en","type":"article","venue":"Journal of Reformed Theology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute for Christian Studies","funders":"","keywords":"Heaven; History of religions; Philosophy; Earth (classical element); Art history; Art; Religious studies; Theology; Physics; Mathematical physics","score_opus":0.02027757937974317,"score_gpt":0.27929494721540976,"score_spread":0.2590173678356666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053085515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6804321,0.16069828,0.00018145851,0.14903088,0.00017496991,0.00046730653,0.000013102758,0.000010871065,0.00899104],"genre_scores_gemma":[0.8406561,0.115887284,0.00005195822,0.039601058,0.000085124266,0.000007051965,8.8536694e-7,0.000013992979,0.00369657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984816,0.00048633863,0.0004410013,0.00012567217,0.00029042672,0.00017500228],"domain_scores_gemma":[0.999246,0.000090483234,0.00032952684,0.00018376495,0.00006296203,0.00008724837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013595608,0.00011035839,0.00035675074,0.000083120845,0.00006447106,0.00001653784,0.00029239652,0.00006318174,0.00015912858],"category_scores_gemma":[0.00023461318,0.000048586015,0.0000759512,0.00015651216,0.00049606716,0.00018034465,0.00005884083,0.0002810379,0.000008294867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004682912,0.00040272612,0.004843198,0.00016524676,0.000045740875,0.00012194488,0.0057988004,0.0000120666355,0.02210463,0.0059851897,0.9457941,0.014258051],"study_design_scores_gemma":[0.0015278129,0.0007270956,0.0015684997,0.00025915753,0.000094236384,0.0023153545,0.001004022,0.000100183555,0.000813927,0.00205051,0.98940456,0.00013464481],"about_ca_topic_score_codex":0.000010306226,"about_ca_topic_score_gemma":0.0000326607,"teacher_disagreement_score":0.16022399,"about_ca_system_score_codex":0.000015893786,"about_ca_system_score_gemma":0.0000542213,"threshold_uncertainty_score":0.19812801},"labels":[],"label_agreement":null},{"id":"W2055578583","doi":"10.7202/007208ar","title":"\"That Eternal Language,\" or Why Coleridge was Right about Imaging and Meaning","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Argument (complex analysis); Philosophy; Syllogism; Natural (archaeology); Epistemology; Dimension (graph theory); Linguistics; Aesthetics; History; Mathematics","score_opus":0.02877149581211608,"score_gpt":0.271627585066416,"score_spread":0.2428560892542999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055578583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97130316,0.000053617947,0.00062751095,0.0018369474,0.00013111948,0.00010581529,0.0000049405185,0.00007145274,0.025865404],"genre_scores_gemma":[0.98765874,0.000070378,0.00008611449,0.008843609,0.0000371792,0.000005155536,6.540951e-7,0.000016907217,0.0032812539],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99882674,0.00019951777,0.00014087064,0.00029902,0.0002752119,0.00025865436],"domain_scores_gemma":[0.9994717,0.00010065565,0.000073964395,0.00026610628,0.000009261227,0.00007831596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023431475,0.00014520562,0.00015472966,0.0000670119,0.0002969144,0.0001423898,0.00019914164,0.000027608952,0.0015094699],"category_scores_gemma":[0.00015597799,0.00008438659,0.00006132058,0.00015848271,0.00013677594,0.00008526187,0.00003744045,0.0001563182,0.00015062331],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021597306,0.0004366465,0.0063646394,0.00004978179,0.000036843023,0.0018402584,0.015628187,0.00018351978,0.75439906,0.16329429,0.03866577,0.018885026],"study_design_scores_gemma":[0.005348089,0.0005887968,0.019411048,0.00086450134,0.0004978467,0.0033743642,0.0076735173,0.07746606,0.5271982,0.0092564635,0.34553424,0.0027868485],"about_ca_topic_score_codex":0.000027713451,"about_ca_topic_score_gemma":0.000011996764,"teacher_disagreement_score":0.30686846,"about_ca_system_score_codex":0.000014659293,"about_ca_system_score_gemma":0.000011435355,"threshold_uncertainty_score":0.9994033},"labels":[],"label_agreement":null},{"id":"W2058969081","doi":"10.1016/j.paid.2005.09.022","title":"A psychometric evaluation of the Highly Sensitive Person Scale: The components of sensory-processing sensitivity and their relation to the BIS/BAS and “Big Five”","year":2006,"lang":"en","type":"article","venue":"Personality and Individual Differences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":395,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Psychology; Neuroticism; Association (psychology); Contrast (vision); Scale (ratio); Sensory system; Sensory processing; Construct (python library); Audiology; Personality; Cognitive psychology; Social psychology; Artificial intelligence","score_opus":0.13713005151351534,"score_gpt":0.29814877027031195,"score_spread":0.1610187187567966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058969081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99549794,0.00014213152,0.000114054805,0.003386195,0.000032356576,0.00023580597,0.00015390235,0.000006782394,0.00043082758],"genre_scores_gemma":[0.9993992,0.000035504476,0.000016336122,0.00045211083,0.000037554324,0.000005072245,0.000005914099,0.000003474455,0.000044851295],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9975017,0.0011868814,0.00018573462,0.00029096723,0.0007075873,0.00012713838],"domain_scores_gemma":[0.99924624,0.00027492482,0.00019491819,0.00013878691,0.00011215108,0.000032999033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00159046,0.00013643396,0.00019846833,0.00011802492,0.00053047773,0.00009184786,0.00011170761,0.000053745796,0.000005000391],"category_scores_gemma":[0.00020789471,0.00006355792,0.000058229467,0.00065621024,0.0006188404,0.00009525173,0.000053798005,0.00013873015,3.8445174e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013594535,0.0004988954,0.44053888,0.00014415207,0.000046561356,5.7850764e-7,0.13728681,0.00010773993,0.22551149,0.0015962844,0.0001223158,0.19401035],"study_design_scores_gemma":[0.00023075401,0.00004565775,0.98073334,0.000044546985,0.00011824416,0.000019625591,0.008191102,0.008927844,0.0013424848,0.0002396564,0.000023675484,0.00008308988],"about_ca_topic_score_codex":0.0006230233,"about_ca_topic_score_gemma":0.00023441279,"teacher_disagreement_score":0.54019445,"about_ca_system_score_codex":0.000010276601,"about_ca_system_score_gemma":0.000023012743,"threshold_uncertainty_score":0.40800595},"labels":[],"label_agreement":null},{"id":"W2064723547","doi":"10.1145/2766929","title":"Elements of style","year":2015,"lang":"en","type":"article","venue":"ACM Transactions on Graphics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":91,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Similarity (geometry); Salient; Computer science; Context (archaeology); Consistency (knowledge bases); Artificial intelligence; Matching (statistics); Similarity measure; Measure (data warehouse); Style (visual arts); Perception; Range (aeronautics); Pattern recognition (psychology); Mathematics; Data mining; Statistics; Psychology; Image (mathematics)","score_opus":0.08664182901158185,"score_gpt":0.3153371207410397,"score_spread":0.22869529172945785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064723547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8790719,0.000012705772,0.11457133,0.0022282724,0.00022705259,0.00013718796,0.00005163493,0.00012620926,0.003573718],"genre_scores_gemma":[0.99790967,0.00008782901,0.00071160577,0.0008022157,0.000005661429,0.0000061999963,9.69657e-7,0.000007227758,0.0004685977],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99921775,0.000055742843,0.00016929793,0.00015983131,0.00028954298,0.00010783215],"domain_scores_gemma":[0.9994271,0.00002308984,0.00004987464,0.00036653443,0.000042179967,0.000091214584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000118297015,0.00006925268,0.00009369102,0.00017721234,0.00007432064,0.000009231307,0.00022310794,0.00003868206,0.00022651773],"category_scores_gemma":[0.000071378294,0.00006277923,0.00010061275,0.0005432286,0.00010226299,0.000070666814,0.0000028006675,0.00010914425,0.00007637743],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061498216,0.008559919,0.0082631735,0.0000943352,0.00012228686,0.000054787226,0.010235842,0.0054559624,0.4602999,0.034709968,0.005521295,0.46606752],"study_design_scores_gemma":[0.011910343,0.0035166035,0.009178162,0.00019327505,0.00090143335,0.00014456607,0.008137217,0.025176687,0.6756951,0.092506506,0.17005408,0.0025859969],"about_ca_topic_score_codex":0.000014260313,"about_ca_topic_score_gemma":0.000012454715,"teacher_disagreement_score":0.46348155,"about_ca_system_score_codex":0.000011158249,"about_ca_system_score_gemma":0.00002321361,"threshold_uncertainty_score":0.2560063},"labels":[],"label_agreement":null},{"id":"W2066177322","doi":"10.1162/leon.2002.35.1.105a","title":"<i>Structure in Science and Art</i> edited by Wendy Pullan and Harshad Bhadeshia. Cambridge Univ. Press, Cambridge, U.K., 2000. 203 pp., illus. Trade. ISBN: 0-521-78258-9.","year":2002,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Icon; Citation; Art history; Art; Download; Library science; Computer science; World Wide Web","score_opus":0.015788758980338255,"score_gpt":0.22261945934545194,"score_spread":0.2068307003651137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066177322","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9508349,0.0039409995,0.000043879965,0.02907108,0.00040930437,0.00054541056,0.0004809715,0.00021341935,0.014460063],"genre_scores_gemma":[0.9819302,0.003211739,0.000063653984,0.0040990813,0.000116386094,0.000009641435,0.00001650064,0.000033090422,0.010519716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99679387,0.00015547503,0.0003917651,0.0011290363,0.00082177465,0.00070808124],"domain_scores_gemma":[0.99889255,0.000050489023,0.0001416671,0.0004945569,0.00003872896,0.0003819964],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002919891,0.00036734767,0.00040597297,0.00020890734,0.0003758899,0.00028626004,0.00049736706,0.00017311484,0.0002696263],"category_scores_gemma":[0.00019002061,0.000334992,0.00006245619,0.0011775905,0.001377652,0.00055566145,0.00015148477,0.00048606028,0.000055708635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004766715,0.00028854373,0.0031662453,0.00006361273,0.000008090432,0.00019706965,0.0016103464,0.000043199132,0.47874326,0.002947304,0.49076343,0.022121228],"study_design_scores_gemma":[0.0019044454,0.00017089464,0.018228771,0.0000784273,0.00006590949,0.00061334035,0.00046183146,0.017054087,0.017713832,0.00004044519,0.9426294,0.0010386301],"about_ca_topic_score_codex":0.00017280932,"about_ca_topic_score_gemma":0.000047405265,"teacher_disagreement_score":0.46102944,"about_ca_system_score_codex":0.00010807699,"about_ca_system_score_gemma":0.000060737726,"threshold_uncertainty_score":0.99991024},"labels":[],"label_agreement":null},{"id":"W2066945536","doi":"10.1167/11.11.607","title":"The contribution of texture and shape to face aftereffects for identity versus age","year":2011,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Texture (cosmology); Perception; Adaptation (eye); Face (sociological concept); Identity (music); Artificial intelligence; Psychology; Computer science; Image (mathematics); Art; Aesthetics; Sociology","score_opus":0.042884770747781735,"score_gpt":0.34381989296367,"score_spread":0.30093512221588825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066945536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9897527,0.00006484808,0.009515703,0.00036611877,0.0001479151,0.00008282043,0.0000020308887,0.0000023133375,0.000065559485],"genre_scores_gemma":[0.99948406,0.00012780716,0.00022080084,0.000104550214,0.000024763574,7.188487e-7,1.1057787e-7,0.000002473964,0.00003473831],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9994653,0.00005666298,0.00016813699,0.00006406646,0.00017357005,0.000072257084],"domain_scores_gemma":[0.9995537,0.00007808251,0.00016629942,0.00006530871,0.00007888553,0.000057759804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036902315,0.000042307853,0.00010378363,0.000044811866,0.00009441605,0.000027961798,0.000114572715,0.000026828648,0.00002220071],"category_scores_gemma":[0.0005545108,0.000024393006,0.00007922524,0.00009185613,0.000041736796,0.00015484264,0.000028155619,0.00005968887,0.000003862128],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016656081,0.000098140874,0.00026475353,0.000008472961,0.000006576922,0.000013866593,0.0010522472,0.000006852963,0.9275897,0.0018633292,0.0004994959,0.06693095],"study_design_scores_gemma":[0.016025813,0.018265035,0.641139,0.0008670677,0.0006375848,0.0002666563,0.0024376798,0.011193986,0.2640786,0.013093713,0.03126343,0.0007314539],"about_ca_topic_score_codex":0.0000018602778,"about_ca_topic_score_gemma":0.000009100254,"teacher_disagreement_score":0.6635111,"about_ca_system_score_codex":0.00001518598,"about_ca_system_score_gemma":0.000008697749,"threshold_uncertainty_score":0.09947179},"labels":[],"label_agreement":null},{"id":"W2068515001","doi":"10.3389/fnhum.2014.00465","title":"Brain and art","year":2014,"lang":"en","type":"article","venue":"Frontiers in Human Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Montreal Neurological Institute and Hospital","funders":"","keywords":"Hum; Neuroscience; Cognitive neuroscience; Psychology; Cognition; Cognitive science; History; Art history; Performance art","score_opus":0.022206093368433145,"score_gpt":0.2692406863698542,"score_spread":0.24703459300142105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068515001","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8989804,0.000011834925,0.08277939,0.0026291388,0.0006468271,0.00012984975,0.0000019906786,0.00010675279,0.01471385],"genre_scores_gemma":[0.98689735,0.000020502108,0.0003830164,0.007517448,0.00002257356,0.0000055625037,2.702889e-7,0.000008107593,0.005145169],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986491,0.00015460531,0.00016348364,0.00053031015,0.00023873404,0.00026376094],"domain_scores_gemma":[0.99958295,0.000019849895,0.00004876612,0.00023872573,0.0000059537524,0.00010373404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028953486,0.00010444253,0.000142758,0.00021428369,0.00023197409,0.00008952802,0.0003151857,0.000030611063,0.00003037213],"category_scores_gemma":[0.00053568865,0.00009836673,0.00003244359,0.00044237694,0.00058260956,0.00019120229,0.00007670862,0.00013340227,0.000008661119],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000082983715,0.00011682652,0.03828056,0.000011264458,1.5460297e-7,0.000026465115,0.000524196,0.0004521787,0.88815236,0.01312632,0.039861023,0.019440323],"study_design_scores_gemma":[0.0018495888,0.00053799775,0.13177049,0.000060522645,0.00001565235,0.00013239177,0.00026662688,0.2945938,0.018736297,0.02608529,0.5247265,0.0012247916],"about_ca_topic_score_codex":0.0000024267408,"about_ca_topic_score_gemma":0.0000030804008,"teacher_disagreement_score":0.8694161,"about_ca_system_score_codex":0.000015907115,"about_ca_system_score_gemma":0.000007827705,"threshold_uncertainty_score":0.40112785},"labels":[],"label_agreement":null},{"id":"W2074444412","doi":"10.1258/jmb.2008.008042","title":"Kaethe Kollwitz (1867-1945): the artist who may have suffered from Alice in Wonderland Syndrome","year":2009,"lang":"en","type":"article","venue":"Journal of Medical Biography","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Alice (programming language); Feeling; Style (visual arts); German; Naturalism; Art; Art history; Perception; Politics; Psychology; Psychoanalysis; Visual arts; History; Philosophy; Social psychology","score_opus":0.02411197538994884,"score_gpt":0.29751827760235866,"score_spread":0.2734063022124098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074444412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9439205,0.000289594,0.00041630026,0.0542021,0.00016651522,0.000071079885,0.000011194282,0.000014542236,0.0009081765],"genre_scores_gemma":[0.98917395,0.0011669429,0.000069915164,0.009333429,0.00013448096,0.0000011744537,0.000001286599,0.000007699424,0.00011114563],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9967485,0.00042300374,0.0006749744,0.00023883235,0.0016173171,0.00029735433],"domain_scores_gemma":[0.99882257,0.00019922474,0.0003106839,0.00026253832,0.000042123294,0.00036285326],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010600596,0.00016811943,0.00041039407,0.000489845,0.00012224879,0.00009631057,0.0008155945,0.00017637403,0.0010071394],"category_scores_gemma":[0.00043231706,0.00009440099,0.00045623493,0.0010099387,0.00036865807,0.00012078679,0.000036827405,0.00076673797,0.000024997278],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015203999,0.006769943,0.33600956,0.000049003494,0.0003687407,0.018142452,0.015768558,0.000101346595,0.13084905,0.0063247536,0.12947199,0.3546242],"study_design_scores_gemma":[0.00622041,0.0015177754,0.8621812,0.00086672493,0.00032525303,0.0032455358,0.0024581277,0.0023433373,0.002710418,0.014713185,0.10259202,0.00082604383],"about_ca_topic_score_codex":0.00011559957,"about_ca_topic_score_gemma":0.000079478064,"teacher_disagreement_score":0.5261716,"about_ca_system_score_codex":0.000020443395,"about_ca_system_score_gemma":0.000059357593,"threshold_uncertainty_score":0.99990606},"labels":[],"label_agreement":null},{"id":"W2075209511","doi":"10.1167/13.9.421","title":"Photographic Clarity and Blur Influences Person Perception","year":2013,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"CLARITY; Perception; Cognitive psychology; Psychology; Neuroscience; Biology","score_opus":0.028057566032332035,"score_gpt":0.2972644955055742,"score_spread":0.26920692947324215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075209511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9980627,0.000039863688,0.0001319018,0.0013375201,0.000059077192,0.000041051248,3.7749834e-7,0.000008460943,0.00031908794],"genre_scores_gemma":[0.99836326,0.00051701145,0.00032627126,0.0006459568,0.000049593076,6.2862e-7,1.0491354e-7,0.0000038867715,0.00009328013],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99918306,0.00009961691,0.00020416755,0.00011457745,0.0003016288,0.000096961485],"domain_scores_gemma":[0.9995431,0.0000188982,0.00018249454,0.00007216734,0.00007997591,0.000103384016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002197049,0.000069853784,0.00013067086,0.00018901857,0.00012100089,0.00010215073,0.00010467091,0.000052772564,0.00077694794],"category_scores_gemma":[0.00009888009,0.000047997506,0.00010333412,0.00019401443,0.000108263834,0.0004978911,0.000016067814,0.00018591169,0.0000605972],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009621638,0.00005054462,0.006098032,0.00000397312,0.0000011072897,0.000004211757,0.0005719699,0.000005807204,0.9566009,0.00001704644,0.00046342725,0.036173377],"study_design_scores_gemma":[0.00037693788,0.0004303847,0.9914478,0.00006200204,0.0000286924,0.00025441966,0.0015625079,0.00321299,0.0009781519,0.00058380474,0.0009531046,0.00010921944],"about_ca_topic_score_codex":0.000036387344,"about_ca_topic_score_gemma":0.0000020021464,"teacher_disagreement_score":0.9853498,"about_ca_system_score_codex":0.000013848823,"about_ca_system_score_gemma":0.00001094509,"threshold_uncertainty_score":0.85070354},"labels":[],"label_agreement":null},{"id":"W2075970457","doi":"10.1016/j.bandc.2009.01.003","title":"Viewing artworks: Contributions of cognitive control and perceptual facilitation to aesthetic experience","year":2009,"lang":"en","type":"article","venue":"Brain and Cognition","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":409,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Western Hospital; The Scarborough Hospital; York University; University of Toronto","funders":"","keywords":"Psychology; Facilitation; Perception; Cognitive psychology; Insula; Cognition; Visual perception; Emotion perception; Neuroscience","score_opus":0.022543241101360766,"score_gpt":0.30247253047206657,"score_spread":0.2799292893707058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075970457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9691839,0.000054829903,0.026891192,0.003033958,0.000014434244,0.00023414636,0.00006402003,0.000031915824,0.0004915927],"genre_scores_gemma":[0.9937397,0.000055120756,0.000047134185,0.0060399184,0.000013366335,0.00002318376,0.000011960213,0.0000031863772,0.00006642065],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991351,0.00013486178,0.00018505758,0.0002545371,0.00014893674,0.00014155393],"domain_scores_gemma":[0.9995723,0.00012105713,0.00005250444,0.000054833952,0.00009275987,0.00010657214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013609369,0.00009512982,0.00015214384,0.000092104805,0.00016987248,0.000035190464,0.000033580545,0.00004322204,0.00005944437],"category_scores_gemma":[0.00077123364,0.00009051987,0.000038643484,0.00019793195,0.00017509083,0.00014223646,0.000009166682,0.00006133169,0.000019093919],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016675226,0.00018391569,0.00013800086,0.00000781879,0.0000027524077,0.000005914973,0.024572045,0.000010606552,0.6293481,0.0026253036,0.00012758005,0.3428112],"study_design_scores_gemma":[0.04624846,0.013620028,0.44264907,0.004805595,0.001610033,0.0019016232,0.20399481,0.058903225,0.14604557,0.0636398,0.010647748,0.0059340647],"about_ca_topic_score_codex":0.0000040998657,"about_ca_topic_score_gemma":0.0000016498219,"teacher_disagreement_score":0.48330256,"about_ca_system_score_codex":0.000009118331,"about_ca_system_score_gemma":0.000010239095,"threshold_uncertainty_score":0.36912933},"labels":[],"label_agreement":null},{"id":"W2079290394","doi":"10.1073/pnas.0401427101","title":"Activation of the prefrontal cortex in the human visual aesthetic perception","year":2004,"lang":"en","type":"article","venue":"Proceedings of the National Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":319,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Prefrontal cortex; Magnetoencephalography; Perception; Cognitive psychology; Psychology; Trait; Visual perception; Cognition; Neuroscience; Computer science; Electroencephalography","score_opus":0.053511638562229145,"score_gpt":0.33903755116514067,"score_spread":0.28552591260291155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079290394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9917324,0.0000029702014,0.000002103517,0.0054616076,0.0000084784215,0.00017269871,0.000002477127,0.0000051276947,0.002612143],"genre_scores_gemma":[0.99921274,0.000008073187,0.00005414211,0.0006263443,0.000019292986,0.0000075722533,6.431503e-8,0.0000025474753,0.00006922783],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9979843,0.000026473019,0.00031397128,0.00020648185,0.0013563982,0.00011240324],"domain_scores_gemma":[0.9994476,0.000025509175,0.00041592607,0.000013917022,0.00008368195,0.000013387578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009124388,0.000077847624,0.0001077517,0.00012962866,0.00030305653,0.000021776934,0.0009830497,0.00005455731,0.000022506263],"category_scores_gemma":[0.00026225028,0.00003821915,0.00010741343,0.0010770253,0.0012757353,0.0003523508,0.00008401229,0.00017618512,0.0000016426499],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004065063,0.000100042686,0.0022788635,0.000007690085,4.5551042e-7,1.7709363e-9,0.001257392,0.00021452556,0.9730239,0.022722896,0.000018605107,0.0003715434],"study_design_scores_gemma":[0.00026510895,0.00006930768,0.71771234,0.00009960414,0.000010908556,0.000015833655,0.0018502838,0.00079134706,0.24314927,0.035934143,0.000030180121,0.000071682036],"about_ca_topic_score_codex":0.000025100231,"about_ca_topic_score_gemma":5.174388e-7,"teacher_disagreement_score":0.7298747,"about_ca_system_score_codex":0.0000569832,"about_ca_system_score_gemma":0.00003122567,"threshold_uncertainty_score":0.47005},"labels":[],"label_agreement":null},{"id":"W2080801541","doi":"10.1353/mdr.0.0094","title":"The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)","year":2009,"lang":"en","type":"article","venue":"Modern Drama","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Cognitive neuroscience; Cognition; Cognitive science; Psychology; Neuroscience; Cognitive psychology; Physics","score_opus":0.051878696177612316,"score_gpt":0.3317253604644412,"score_spread":0.27984666428682886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080801541","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96913576,0.002163523,0.007963828,0.015182705,0.00010383293,0.0002678291,0.0000051046636,0.00011807262,0.0050593703],"genre_scores_gemma":[0.98413026,0.0075195194,0.00002846718,0.007459131,0.00002289573,0.000003842333,2.363777e-7,0.0000047695967,0.0008308708],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99911004,0.00008506549,0.00011508043,0.00031895575,0.00018958662,0.00018128873],"domain_scores_gemma":[0.9996294,0.000069547896,0.00006489621,0.00012649657,0.00002696195,0.00008269844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001490418,0.000097782686,0.000104168466,0.000023924687,0.00056070316,0.00015180184,0.00011172362,0.000021936668,0.000018476068],"category_scores_gemma":[0.000473322,0.000066291286,0.000033568216,0.00015854427,0.00025454178,0.0002351826,0.000042737756,0.0001343026,0.000012070595],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009234078,0.000024360257,0.000060992792,0.000010127501,4.2086958e-7,0.000008340555,0.0002631183,7.628516e-7,0.204253,0.00013401538,0.00017661598,0.795059],"study_design_scores_gemma":[0.0054226913,0.0018373233,0.26335785,0.0023978213,0.00095098565,0.0029648768,0.0037607136,0.36292917,0.12380511,0.02644529,0.20198426,0.004143912],"about_ca_topic_score_codex":0.0000026941664,"about_ca_topic_score_gemma":0.000002211823,"teacher_disagreement_score":0.7909151,"about_ca_system_score_codex":0.0000069124835,"about_ca_system_score_gemma":0.000011603678,"threshold_uncertainty_score":0.4312532},"labels":[],"label_agreement":null},{"id":"W2082471854","doi":"10.1111/j.1540-6245.2010.01403_8.x","title":"Neuroaesthetics edited by skov, martin and oshin vartanian","year":2010,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Philosophy","score_opus":0.009668160017240503,"score_gpt":0.24957785041152467,"score_spread":0.23990969039428417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082471854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98221827,0.00006966537,0.00033003517,0.015737744,0.00033804105,0.00005273706,0.000010307982,0.000017483788,0.001225737],"genre_scores_gemma":[0.994217,0.00061811454,0.0006654877,0.0032009266,0.00012969133,9.153823e-7,7.703017e-7,0.000024886396,0.0011422086],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985113,0.00009668934,0.0005036628,0.00023347122,0.00038035272,0.0002744824],"domain_scores_gemma":[0.9990736,0.000049116697,0.00020985048,0.00018925942,0.000117718664,0.0003604422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038979866,0.00018526352,0.00029816022,0.00015256675,0.00020740299,0.00018853165,0.00019418549,0.0001024605,0.00014689408],"category_scores_gemma":[0.00025866053,0.00015261027,0.0001021808,0.00015339268,0.00044520936,0.00018216776,0.000056813245,0.0005777903,0.00002267507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058932164,0.00056669815,0.0014261057,0.000027188746,0.0000062698555,0.00046055118,0.0010969726,0.000005185506,0.91892827,0.015374335,0.026722861,0.035326637],"study_design_scores_gemma":[0.0018145414,0.0011619584,0.0010492674,0.000076148266,0.00016946583,0.010973353,0.0003803638,0.0045539844,0.01754537,0.011011359,0.9506227,0.0006415198],"about_ca_topic_score_codex":0.0000013070681,"about_ca_topic_score_gemma":0.0000029732225,"teacher_disagreement_score":0.9238998,"about_ca_system_score_codex":0.000005891027,"about_ca_system_score_gemma":0.000026055433,"threshold_uncertainty_score":0.6223267},"labels":[],"label_agreement":null},{"id":"W2083288000","doi":"10.1093/mind/fzq024","title":"Antithetical Arts: On the Ancient Quarrel Between Literature and Music, by Peter Kivy.","year":2010,"lang":"en","type":"article","venue":"Mind","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"CLARITY; Jargon; Argument (complex analysis); Philosophy; Aesthetics; Variety (cybernetics); The arts; Face (sociological concept); Literature; Epistemology; Art; Linguistics; Visual arts; Computer science","score_opus":0.030488020227062033,"score_gpt":0.268915490761054,"score_spread":0.23842747053399194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083288000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9926147,0.000015192463,0.00007440047,0.0038321398,0.00008005547,0.00005765729,0.000032697717,0.000010197206,0.0032829633],"genre_scores_gemma":[0.99602914,0.000008332162,0.000046578305,0.002585689,0.00008200258,0.0000033068138,0.000003429976,0.0000066672587,0.001234831],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992207,0.00004711023,0.000097135366,0.00027467535,0.00019658367,0.0001637759],"domain_scores_gemma":[0.9995724,0.000056824723,0.000027236665,0.00024136306,0.000012903627,0.000089285895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013552001,0.00009593983,0.00009235588,0.00003683564,0.00015216517,0.00013148545,0.00013612628,0.000065859924,0.00072452857],"category_scores_gemma":[0.00010624832,0.00005546385,0.000050806644,0.00014383442,0.00021968507,0.000044953114,0.000032033517,0.00029520245,0.00025244826],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000139091335,0.00016503097,0.0030836023,0.000004739479,0.0000032615428,0.000022815018,0.0037347674,6.3642625e-7,0.92706764,0.0031814508,0.023668636,0.039053485],"study_design_scores_gemma":[0.0004695138,0.00019613976,0.028263833,0.000045149525,0.000048725837,0.00006637719,0.00016606029,0.0008787369,0.0654891,0.00047452078,0.90350276,0.0003990553],"about_ca_topic_score_codex":0.0000013339491,"about_ca_topic_score_gemma":0.0000035437254,"teacher_disagreement_score":0.8798342,"about_ca_system_score_codex":0.0000037437485,"about_ca_system_score_gemma":0.0000061459364,"threshold_uncertainty_score":0.79330796},"labels":[],"label_agreement":null},{"id":"W2085095825","doi":"10.1179/030801810x12628670445383","title":"How Edvard Munch and August Strindberg Contracted Protoplasmania: Memory, Synesthesia, and the Vibratory Organism in Fin-de-Siècle Europe","year":2010,"lang":"en","type":"article","venue":"Interdisciplinary Science Reviews","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Object (grammar); Painting; Modernism (music); Synesthesia; Protoplasm; Art; Aesthetics; Visual arts; Philosophy; Epistemology; Biology","score_opus":0.018129800255661143,"score_gpt":0.28437722078850947,"score_spread":0.26624742053284833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085095825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98820776,0.00031396386,0.00017768744,0.0074294936,0.00017526132,0.001200644,0.0000032007176,0.000044659202,0.0024473248],"genre_scores_gemma":[0.9966983,0.0010154223,0.000349926,0.000746948,0.00006740902,0.00012049932,5.058382e-7,0.000016379045,0.0009846195],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977474,0.00040810613,0.00040840206,0.00070549396,0.0003007414,0.00042985653],"domain_scores_gemma":[0.9988736,0.00009908442,0.00021477396,0.00054729683,0.000052747102,0.00021247834],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0024423217,0.00023999282,0.00045507983,0.0001906873,0.0006810653,0.00048526772,0.0007709312,0.000071863346,0.00010590597],"category_scores_gemma":[0.00097096997,0.0001447156,0.000074330535,0.0010145514,0.0030431969,0.00060734747,0.00073004985,0.0005753568,0.000056347046],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005573612,0.00015360679,0.001577034,0.00006941704,0.0000015003698,0.00010606064,0.0039096936,0.0000019743436,0.86715215,0.0032877417,0.00031104486,0.123374015],"study_design_scores_gemma":[0.015525688,0.0018153243,0.33016434,0.002281968,0.00048678828,0.01168555,0.011295685,0.032206,0.14614372,0.011071732,0.431964,0.0053591738],"about_ca_topic_score_codex":0.000014521733,"about_ca_topic_score_gemma":0.000108749184,"teacher_disagreement_score":0.7210085,"about_ca_system_score_codex":0.000034111537,"about_ca_system_score_gemma":0.00015403851,"threshold_uncertainty_score":0.99966997},"labels":[],"label_agreement":null},{"id":"W2090815784","doi":"10.1167/13.9.45","title":"Edge-based versus region-based texture perception: does the task matter?","year":2013,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Texture (cosmology); Sine wave; Perception; Luminance; Modulation (music); Artificial intelligence; Waveform; Amplitude; Spatial frequency; Mathematics; Pattern recognition (psychology); Computer vision; Optics; Physics; Computer science; Psychology; Acoustics; Image (mathematics); Telecommunications","score_opus":0.02084846004193176,"score_gpt":0.2856678038509239,"score_spread":0.26481934380899214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090815784","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.935615,0.000026121013,0.006548909,0.055909164,0.00075826875,0.00013171729,0.0000019057088,0.000023829329,0.0009851026],"genre_scores_gemma":[0.9930073,0.00002853051,0.00020564428,0.0058014835,0.00023493273,0.0000025364616,6.7619817e-7,0.000011650557,0.00070725527],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9986316,0.000213159,0.0003346518,0.00016273675,0.00049837306,0.00015949915],"domain_scores_gemma":[0.9990275,0.000121366684,0.00031925144,0.00027571953,0.00014307871,0.00011306988],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020445658,0.00012471624,0.00016887435,0.00013749079,0.00024061256,0.00015225213,0.00036333132,0.00006838539,0.004251131],"category_scores_gemma":[0.0001233734,0.00005861987,0.00027365657,0.00024963095,0.00014877919,0.00022818941,0.000021078324,0.0002867238,0.0007779915],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005336073,0.0004885042,0.002232662,0.00002479246,0.000009062216,0.00007861607,0.00061563094,0.001914826,0.7156083,0.000042439882,0.17348114,0.10497041],"study_design_scores_gemma":[0.01813051,0.00474884,0.501254,0.0011440513,0.00064876163,0.00079334533,0.005422817,0.17555678,0.015793744,0.0018130423,0.2728694,0.001824662],"about_ca_topic_score_codex":0.000009551105,"about_ca_topic_score_gemma":0.0000017290164,"teacher_disagreement_score":0.69981456,"about_ca_system_score_codex":0.000061422405,"about_ca_system_score_gemma":0.000058201214,"threshold_uncertainty_score":0.99997663},"labels":[],"label_agreement":null},{"id":"W2094140046","doi":"10.1093/scan/nsu123","title":"Is moral beauty different from facial beauty? Evidence from an fMRI study","year":2014,"lang":"en","type":"article","venue":"Social Cognitive and Affective Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":101,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Major State Basic Research Development Program of China; China Scholarship Council; National Natural Science Foundation of China","keywords":"Beauty; Psychology; Functional magnetic resonance imaging; Orbitofrontal cortex; Perception; Cognitive psychology; Aesthetics; Cognition; Neuroscience; Prefrontal cortex; Art","score_opus":0.09235377269110336,"score_gpt":0.3564504721380862,"score_spread":0.2640966994469829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094140046","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9953076,0.000011975309,0.0025924493,0.00054359995,0.00035001998,0.00049331086,0.00027368419,0.00011293593,0.0003144122],"genre_scores_gemma":[0.99497086,0.000036335772,0.0000072418675,0.004402192,0.00042126127,0.00005011146,0.000006814931,0.000022010285,0.00008314465],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9954188,0.001372545,0.0002591017,0.001596561,0.0008044797,0.0005485398],"domain_scores_gemma":[0.99873924,0.00045436094,0.00017983135,0.00021657348,0.0000995834,0.00031042902],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003219463,0.00037396187,0.00045884962,0.000113838025,0.0013511942,0.00033790318,0.00042728044,0.00009564068,0.00015979275],"category_scores_gemma":[0.0013099546,0.00032202943,0.00016310225,0.00051028584,0.0010525993,0.0007925512,0.0002616079,0.0003737878,0.000053971493],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023617357,0.001334909,0.28149804,0.000004576494,0.000009652345,0.000034333236,0.027806304,0.0000014432522,0.6296582,0.00014758536,0.000073872485,0.059194874],"study_design_scores_gemma":[0.000933996,0.0010499619,0.9683656,0.00003500708,0.00014901471,0.000001364597,0.0024930404,0.0022236083,0.022171745,0.0020915184,0.00004514961,0.00043998123],"about_ca_topic_score_codex":0.00070370175,"about_ca_topic_score_gemma":0.00019411127,"teacher_disagreement_score":0.6868676,"about_ca_system_score_codex":0.000048954033,"about_ca_system_score_gemma":0.000042375308,"threshold_uncertainty_score":0.9999489},"labels":[],"label_agreement":null},{"id":"W2100025750","doi":"10.1111/1540-6245.00090","title":"Rock Art Aesthetics and Cultural Appropriation","year":2003,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":40,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Appropriation; Aesthetics; Art; Cultural appropriation; Philosophy; Epistemology","score_opus":0.02507633652056327,"score_gpt":0.27663896421963746,"score_spread":0.25156262769907417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100025750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9838797,0.000266226,0.004037229,0.005631948,0.00019397399,0.00007933078,0.0000032137227,0.000016868076,0.0058914963],"genre_scores_gemma":[0.9932489,0.0016265276,0.0011597452,0.0014646364,0.000046253685,0.0000010336722,6.0531653e-7,0.000015130287,0.0024372009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986558,0.0001377389,0.0004417423,0.00019201006,0.0003538235,0.00021890887],"domain_scores_gemma":[0.99928325,0.000027411572,0.00019647114,0.00012674679,0.00015138955,0.00021475327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003370618,0.00015999706,0.00026834942,0.00012747363,0.0002044818,0.00016331063,0.00010098981,0.00007618968,0.00008457412],"category_scores_gemma":[0.00023619537,0.00012222704,0.00010854485,0.00013684886,0.00015733,0.00022072923,0.000023404502,0.00024178361,0.000049880167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023429396,0.00241889,0.0038530023,0.00021957251,0.00005195447,0.0009347566,0.013565238,0.00093430054,0.39504147,0.45563623,0.03666745,0.09044283],"study_design_scores_gemma":[0.002744656,0.0013596712,0.0007333931,0.00019027904,0.0002788916,0.013361058,0.0025942212,0.0058996356,0.016832545,0.030395886,0.9247724,0.00083740597],"about_ca_topic_score_codex":2.5498076e-7,"about_ca_topic_score_gemma":6.1461316e-7,"teacher_disagreement_score":0.8881049,"about_ca_system_score_codex":0.000016855445,"about_ca_system_score_gemma":0.000029112274,"threshold_uncertainty_score":0.4984274},"labels":[],"label_agreement":null},{"id":"W2103860785","doi":"10.1109/icip.2009.5414102","title":"Characterizing elegance of curves computationally for distinguishing Morrisseau paintings and the imitations","year":2009,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Elegance; Painting; Art; Computer science; Focus (optics); Visual arts; Artificial intelligence; Aesthetics; Physics","score_opus":0.03186503625588789,"score_gpt":0.29586686526829437,"score_spread":0.2640018290124065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103860785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8305706,0.00008644679,0.10091804,0.06324672,0.000039659117,0.00037327563,0.000013978346,0.00007885949,0.004672462],"genre_scores_gemma":[0.9899706,0.00005904821,0.0023673875,0.0073437802,0.000019116636,0.000006113417,0.0000035496143,0.0000027974497,0.00022759169],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9994652,0.00004809971,0.00016992852,0.0001282175,0.00010752567,0.000081011625],"domain_scores_gemma":[0.99947375,0.00027339303,0.00010762999,0.00006452228,0.00005923883,0.000021436683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029258608,0.00005005656,0.000107229724,0.000025556874,0.0001518881,0.00003839856,0.00008780487,0.000010128753,0.000014233958],"category_scores_gemma":[0.0012602956,0.00003306046,0.000053344622,0.000119056436,0.000116698255,0.00009033061,0.000009972037,0.000036674584,0.0000011196189],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009464059,0.00017602918,0.0012491721,0.00013969606,0.000007918704,0.0000015879425,0.008506962,0.00023051683,0.5154035,0.3985491,0.0011610322,0.07447982],"study_design_scores_gemma":[0.00549334,0.00032473906,0.23989472,0.0008398475,0.00026287194,0.00007044682,0.0043383655,0.62138367,0.03133542,0.08921911,0.005870589,0.0009668542],"about_ca_topic_score_codex":0.000006707423,"about_ca_topic_score_gemma":0.0000017164949,"teacher_disagreement_score":0.6211532,"about_ca_system_score_codex":0.000003417514,"about_ca_system_score_gemma":0.000009396853,"threshold_uncertainty_score":0.15087827},"labels":[],"label_agreement":null},{"id":"W2105257511","doi":"10.7202/1030180ar","title":"Les sources du plaisir de l’art contemporain","year":2015,"lang":"fr","type":"article","venue":"Éducation et francophonie","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Population; Philosophy; Sociology","score_opus":0.07007509041836811,"score_gpt":0.3231517030150717,"score_spread":0.25307661259670355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2105257511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6876494,0.0022079411,0.013489127,0.112805665,0.005526792,0.00029132134,0.00005705555,0.00020524579,0.17776744],"genre_scores_gemma":[0.8739153,0.00038989674,0.00039327034,0.0060270354,0.00047110658,0.000027986785,0.00002301855,0.000032518456,0.11871984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756885,0.0007239863,0.00039882195,0.0004753451,0.00042807168,0.00040492523],"domain_scores_gemma":[0.9986899,0.00010536603,0.0002248181,0.00039215514,0.0001629646,0.00042482413],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012539325,0.00024531374,0.00027634384,0.00015535293,0.00023947605,0.00017523013,0.00032575033,0.00019233424,0.0034606105],"category_scores_gemma":[0.00092690677,0.0002575187,0.00016554457,0.0005755335,0.00038423238,0.00033977337,0.0000496038,0.0002967196,0.0057289954],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007762168,0.0014319562,0.015728317,0.00008372217,0.000021500367,0.00006525998,0.08150594,0.0020566802,0.00913427,0.015255445,0.8307953,0.04384401],"study_design_scores_gemma":[0.0007663413,0.00009709105,0.0041425605,0.000069667556,0.000035654637,0.000111408604,0.0072564916,0.0036336111,0.0011566771,0.0011043758,0.9813048,0.00032130376],"about_ca_topic_score_codex":0.0017075245,"about_ca_topic_score_gemma":0.0005223045,"teacher_disagreement_score":0.18626592,"about_ca_system_score_codex":0.0003805535,"about_ca_system_score_gemma":0.00082487473,"threshold_uncertainty_score":0.9999877},"labels":[],"label_agreement":null},{"id":"W2107411810","doi":"10.1111/j.1747-9991.2009.00226.x","title":"Aesthetics and Cognitive Science","year":2009,"lang":"en","type":"article","venue":"Philosophy Compass","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cognition; Relation (database); Action (physics); Perception; Psychology; Rational analysis; Representation (politics); Cognitive science; Cognitive neuroscience; Aesthetics; Sociology; Epistemology; Cognitive psychology; Philosophy; Computer science","score_opus":0.05019531117742584,"score_gpt":0.3068983617813256,"score_spread":0.2567030506038998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107411810","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8245,0.000046354657,0.0016291162,0.014861873,0.00006194499,0.00013816632,0.000007777235,0.00015444699,0.15860029],"genre_scores_gemma":[0.9938281,0.00003610368,0.000085748536,0.0059504253,0.000040406518,0.0000018362261,4.8744397e-7,0.000004388117,0.000052503525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989508,0.000036878544,0.000120778626,0.0003591177,0.0003216367,0.00021082145],"domain_scores_gemma":[0.9995867,0.000018906014,0.000045975114,0.0001505778,0.00004878007,0.00014905368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011888218,0.000105260355,0.00012707524,0.00014511017,0.0003532422,0.00008550125,0.00020228162,0.000020835847,0.00004350455],"category_scores_gemma":[0.00010148493,0.0000927699,0.00003995504,0.0005018041,0.0006948169,0.00017172693,0.00004182772,0.00010157744,0.00013384485],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007334232,0.00066615036,0.0010265678,0.0000093809,0.0000026015891,0.000077833625,0.0016795291,0.000031913547,0.23974714,0.5783413,0.00024119976,0.17810303],"study_design_scores_gemma":[0.0031175832,0.0013381009,0.04531299,0.00019914738,0.00018206515,0.00058511156,0.00042320398,0.032341737,0.090962514,0.8125554,0.011257415,0.0017247832],"about_ca_topic_score_codex":0.0000011568765,"about_ca_topic_score_gemma":1.472968e-7,"teacher_disagreement_score":0.23421402,"about_ca_system_score_codex":0.0000141559085,"about_ca_system_score_gemma":0.00002442747,"threshold_uncertainty_score":0.3783047},"labels":[],"label_agreement":null},{"id":"W2120122666","doi":"10.5840/envirophil20153319","title":"Nature, Disorder, and Tragedy","year":2015,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Normative; Evolutionary theory; Epistemology; Philosophy; Natural selection; Cognitivism (psychology); Evolutionary psychology; Natural (archaeology); Tragedy (event); Darwin (ADL); Sociology; Psychology; Social science; Cognition","score_opus":0.02793442450958376,"score_gpt":0.243435919972261,"score_spread":0.21550149546267724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120122666","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9791785,0.00023776594,0.000056225817,0.0018115236,0.00005900184,0.00006328848,0.000012574057,0.000037466292,0.018543663],"genre_scores_gemma":[0.9971379,0.00012272556,0.00006042578,0.0020348246,0.00006190226,0.0000043353975,0.000004645011,0.000010801329,0.00056244864],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928504,0.00004546286,0.00008580396,0.00025796736,0.000214282,0.00011142449],"domain_scores_gemma":[0.99968094,0.000006368236,0.000025903157,0.0001409544,5.8455436e-7,0.00014523185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004962386,0.00009611449,0.000084487096,0.00003660226,0.000078327816,0.000017728462,0.000092455186,0.000056373075,0.00022698936],"category_scores_gemma":[0.000019609362,0.000084370055,0.0000393224,0.00005566784,0.0001971421,0.00010915604,0.000059927566,0.00016114883,0.00037967204],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002540777,0.0031009617,0.05593311,0.000029777204,0.00002260011,0.00028932368,0.003966645,0.00022465925,0.7770274,0.06044413,0.005198502,0.09350878],"study_design_scores_gemma":[0.011730283,0.0016891703,0.08195709,0.000053764306,0.00022552123,0.0007249894,0.0028726954,0.005935505,0.059204027,0.3665295,0.4656786,0.0033988592],"about_ca_topic_score_codex":0.0000018842276,"about_ca_topic_score_gemma":2.7517774e-7,"teacher_disagreement_score":0.7178234,"about_ca_system_score_codex":0.000022836883,"about_ca_system_score_gemma":0.0000026025411,"threshold_uncertainty_score":0.48800427},"labels":[],"label_agreement":null},{"id":"W2121724197","doi":"10.1016/j.cortex.2011.09.010","title":"The role of skin texture and facial shape in representations of age and identity","year":2011,"lang":"en","type":"article","venue":"Cortex","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":43,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Natural Sciences and Engineering Research Council of Canada; Canada Research Chairs","keywords":"Texture (cosmology); Psychology; Perception; Adaptation (eye); Face (sociological concept); Identity (music); Artificial intelligence; Representation (politics); Communication; Cognitive psychology; Developmental psychology; Computer science; Image (mathematics); Aesthetics; Art; Neuroscience; Linguistics","score_opus":0.029918664402412518,"score_gpt":0.29624168279592583,"score_spread":0.2663230183935133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121724197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99593234,0.000050315863,0.00002848796,0.000025120238,0.000009204166,0.000035175704,0.000003894275,0.0000028326442,0.003912653],"genre_scores_gemma":[0.99960667,0.00016047459,0.000016202655,0.000026893698,0.0000030213055,0.0000014465215,2.58589e-7,0.0000014973497,0.0001835346],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996572,0.0000323485,0.00010036752,0.00009441295,0.000070949114,0.00004469023],"domain_scores_gemma":[0.9998258,0.000014340951,0.000044929235,0.00008856052,0.000009197205,0.000017195658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005898338,0.00002760837,0.000060669423,0.000030297924,0.00004326818,0.000008216148,0.00006649803,0.00001677294,0.00010143367],"category_scores_gemma":[0.00006832172,0.000019959993,0.000017962619,0.00011233636,0.00019322468,0.00006338047,0.00003660737,0.00003501085,0.0000017454523],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030613784,0.00011944491,0.14231518,0.000009321075,0.0000029224395,0.000013267101,0.010033794,9.160568e-7,0.67421424,0.0143452585,0.00004072539,0.15887429],"study_design_scores_gemma":[0.00011360775,0.000015694446,0.9883985,0.0000039580677,0.0000080191285,0.000003395087,0.0011141893,0.00083374506,0.0043661976,0.0048094406,0.00030341442,0.000029856441],"about_ca_topic_score_codex":0.00015246609,"about_ca_topic_score_gemma":0.00035081044,"teacher_disagreement_score":0.8460833,"about_ca_system_score_codex":0.0000015843211,"about_ca_system_score_gemma":0.0000047689773,"threshold_uncertainty_score":0.11106275},"labels":[],"label_agreement":null},{"id":"W2121999722","doi":"10.1177/0306312712475256","title":"Legitimate judgment in art, the scientific world reversed? Maintaining critical distance in evaluation","year":2013,"lang":"en","type":"article","venue":"Social Studies of Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":87,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Objectivity (philosophy); Subjectivity; Relativism; Epistemology; Sociology; Epistemic virtue; Virtue; Field (mathematics); Newspaper; Foundation (evidence); Aesthetics; Philosophy; Law; Political science; Media studies","score_opus":0.13051180676949706,"score_gpt":0.408905627896859,"score_spread":0.278393821127362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121999722","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9787135,0.00008016484,0.00007960742,0.010714384,0.00028512266,0.00032873562,0.0000022496356,0.000012591075,0.009783651],"genre_scores_gemma":[0.9989096,0.00002127352,0.000077803496,0.00037806173,0.00001714579,0.000067840665,1.752861e-7,0.0000026376945,0.0005254958],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99783945,0.00016037648,0.0002833348,0.00037780547,0.0009950119,0.00034399587],"domain_scores_gemma":[0.99942636,0.00012628807,0.00007896415,0.00014289653,0.00019194173,0.000033532273],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0029429365,0.000078798774,0.00015945263,0.00021772356,0.0010423474,0.00012133996,0.0003778206,0.00001309287,0.00017485618],"category_scores_gemma":[0.002082624,0.000057456542,0.00004362186,0.002507551,0.008440291,0.00041646295,0.00015945724,0.00011383818,0.00007539655],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053509208,0.000914121,0.02311165,0.00010034548,0.000008603517,0.000021348904,0.15064025,0.002050412,0.41337287,0.30371025,0.01549086,0.0905258],"study_design_scores_gemma":[0.0028182296,0.00020099193,0.38182503,0.0008294042,0.00010636395,0.000006964274,0.30488598,0.10797974,0.015447894,0.17587695,0.008552528,0.0014699277],"about_ca_topic_score_codex":0.000040040908,"about_ca_topic_score_gemma":0.00044784168,"teacher_disagreement_score":0.39792496,"about_ca_system_score_codex":0.00027548283,"about_ca_system_score_gemma":0.000098684824,"threshold_uncertainty_score":0.99425817},"labels":[{"model":"gemma","categories":["sts"],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"high"},{"model":"gpt","categories":["metaresearch","sts"],"domain":"evaluation","study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"high"}],"label_agreement":"split"},{"id":"W2139885436","doi":"10.1068/p7463","title":"Following the Masters: Portrait Viewing and Appreciation is Guided by Selective Detail","year":2013,"lang":"en","type":"article","venue":"Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; Simon Fraser University","funders":"","keywords":"Portrait; Gaze; Style (visual arts); Visual arts; Art; Meaning (existential); Psychology; Cognitive psychology; Aesthetics; Computer science; Computer vision","score_opus":0.02942411647992738,"score_gpt":0.2661798823547221,"score_spread":0.23675576587479474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2139885436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99164635,0.00002295426,0.0032862374,0.002476606,0.000055133303,0.00021724655,0.0000025254403,0.000060267732,0.002232662],"genre_scores_gemma":[0.99452555,0.000099021316,0.00016856728,0.0032961552,0.000043668333,0.000043453172,0.0000057212037,0.000011906446,0.0018059668],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99891585,0.00013043956,0.00019817252,0.00031672188,0.00025460552,0.00018420217],"domain_scores_gemma":[0.99966407,0.000024035113,0.00007784673,0.00014534232,0.000032508877,0.000056175817],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019573675,0.00011686866,0.00012225898,0.000052594947,0.00030804836,0.00014877092,0.000103991915,0.000055154644,0.0011096132],"category_scores_gemma":[0.00008506891,0.00008476601,0.00010011074,0.00022590107,0.00005632764,0.00042775355,0.000030056752,0.00010920363,0.00044075897],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021092787,0.000026891914,0.0033397009,0.000004077046,0.000003936082,3.9327324e-7,0.0073396787,0.0000072498256,0.9102,0.000017567858,0.0117373215,0.06732109],"study_design_scores_gemma":[0.0035734735,0.00047296932,0.6812995,0.00022560178,0.00076471403,0.0002546163,0.033179007,0.17938462,0.038653716,0.0057426826,0.053780295,0.0026687873],"about_ca_topic_score_codex":0.00010276524,"about_ca_topic_score_gemma":0.00000409552,"teacher_disagreement_score":0.87154627,"about_ca_system_score_codex":0.00005489596,"about_ca_system_score_gemma":0.000008966066,"threshold_uncertainty_score":0.9998035},"labels":[],"label_agreement":null},{"id":"W2140959160","doi":"10.1016/j.neuroimage.2011.06.012","title":"Naturalizing aesthetics: Brain areas for aesthetic appraisal across sensory modalities","year":2011,"lang":"en","type":"review","venue":"NeuroImage","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":376,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University; McMaster University","funders":"Natural Sciences and Engineering Research Council of Canada; National Institute of Mental Health; Deutsche Forschungsgemeinschaft; GRAMMY Foundation","keywords":"Disgust; Modalities; Insula; Stimulus modality; Perception; Valence (chemistry); Psychology; Cognitive psychology; Neuroimaging; Emotional valence; Aesthetics; Sensory system; Cognition; Social psychology; Neuroscience; Art; Sociology","score_opus":0.1692891395117429,"score_gpt":0.41391727763414693,"score_spread":0.24462813812240403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140959160","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053836365,0.9889936,0.00062331505,0.0006157299,0.0011762682,0.001658651,0.0008412123,0.0007092915,0.0048435857],"genre_scores_gemma":[0.00039653323,0.987181,0.00027446388,0.0015628465,0.000196357,0.0002449339,0.000069387905,0.00026707302,0.0098073855],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952588,0.0007785722,0.00096335757,0.0015290502,0.00044878223,0.0010214547],"domain_scores_gemma":[0.9974194,0.0004172204,0.0006109913,0.0011982329,0.00008388913,0.0002702737],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00045032246,0.0009238185,0.0018661802,0.0002780962,0.00051238,0.00031104207,0.0010936278,0.00043755452,0.00017953449],"category_scores_gemma":[0.0009305977,0.0007755295,0.0017197953,0.00046539263,0.000645337,0.00023046538,0.00025489632,0.00085297436,0.0006419802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000122741,0.00010088249,4.983747e-7,0.002240099,0.000005846713,0.00009126534,0.00059425767,0.0000012650914,0.00012248421,0.0024199756,0.0018444222,0.9925667],"study_design_scores_gemma":[0.00027615175,0.00011386572,0.0000011868254,0.0010554906,0.00027632978,0.0011238343,0.00009437688,0.00011686842,0.000026907688,0.00024626625,0.9958918,0.0007768938],"about_ca_topic_score_codex":0.000016472264,"about_ca_topic_score_gemma":0.0000042601655,"teacher_disagreement_score":0.9940474,"about_ca_system_score_codex":0.00007090637,"about_ca_system_score_gemma":0.00013833736,"threshold_uncertainty_score":0.9994696},"labels":[],"label_agreement":null},{"id":"W2142237970","doi":"10.2190/em.26.2.d","title":"The Perception and Evaluation of Visual Art","year":2008,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Perception; Stimulus (psychology); Visual perception; Extant taxon; Cognition; Psychology; Cognitive psychology; Affect (linguistics); Visual angle; Cognitive science; Computer science; Artificial intelligence; Communication; Neuroscience","score_opus":0.22988370640427735,"score_gpt":0.4361696885304752,"score_spread":0.20628598212619786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2142237970","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928839,0.00015174995,0.000011486268,0.005675195,0.000056305624,0.00008440786,6.264898e-7,0.0000060668685,0.001130244],"genre_scores_gemma":[0.99845743,0.00062502996,0.000011099348,0.00037725366,0.000019577574,0.0000054380753,9.2295494e-8,0.0000023628659,0.0005017292],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99898094,0.00020833022,0.00016343423,0.00011392666,0.00045655074,0.00007680794],"domain_scores_gemma":[0.9995624,0.000103051854,0.000087787615,0.00013351548,0.00009613085,0.000017136432],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004232592,0.00005165712,0.000109641755,0.000015007506,0.0004020492,0.000003724895,0.00009545711,0.000015071365,0.00003178564],"category_scores_gemma":[0.00078412273,0.000024821838,0.00007038104,0.00014060299,0.00069839077,0.000033345048,0.00010403045,0.00004325032,0.000016405767],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023624628,0.0011718535,0.1371668,0.000055562778,0.00012832429,0.000003259918,0.047000237,0.0010321072,0.46392524,0.00092327007,0.15279259,0.19556451],"study_design_scores_gemma":[0.000900938,0.0002912028,0.9454719,0.00004378761,0.00023698194,0.000043106855,0.004677144,0.012654502,0.012343403,0.0031306942,0.020004788,0.00020158789],"about_ca_topic_score_codex":0.0000024228582,"about_ca_topic_score_gemma":0.000007988072,"teacher_disagreement_score":0.8083051,"about_ca_system_score_codex":0.000019878924,"about_ca_system_score_gemma":0.0000126334035,"threshold_uncertainty_score":0.3092278},"labels":[],"label_agreement":null},{"id":"W2143628316","doi":"10.1177/2158244013500677","title":"Neuroaesthetics and Philosophy","year":2013,"lang":"en","type":"article","venue":"SAGE Open","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Skepticism; Epistemology; Argument (complex analysis); Warrant; Value (mathematics); Perspective (graphical); Philosophy; Philosophy of mind; Psychology; Computer science; Metaphysics","score_opus":0.04889906249325998,"score_gpt":0.28756519471078384,"score_spread":0.23866613221752386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143628316","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8392274,0.000021765205,0.00015984957,0.010440402,0.000045687422,0.00034447102,0.0000029978069,0.00004679574,0.14971067],"genre_scores_gemma":[0.98948747,0.00009973187,0.00020419597,0.005536634,0.000017262495,0.000016526144,4.7625716e-7,0.00000854392,0.0046291724],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994409,0.000054903074,0.00008497038,0.00021498455,0.00009253834,0.000111720896],"domain_scores_gemma":[0.99968314,0.000008460199,0.00002715627,0.00019117324,0.000008465955,0.00008160572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000048835172,0.0000653873,0.00008627485,0.000028962282,0.00010794939,0.00023044596,0.00029909328,0.000020525888,0.0019767866],"category_scores_gemma":[0.000039235303,0.000052997384,0.00002252211,0.00011747103,0.00009165538,0.00023000865,0.0002161212,0.000061035455,0.0011409526],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016383476,0.0002792007,0.0036065918,0.000015577141,0.0000030829463,0.0000957593,0.0013020177,0.000011440484,0.25613177,0.027293073,0.0073268167,0.7039183],"study_design_scores_gemma":[0.0052722367,0.0010310423,0.058928385,0.00019194584,0.00013889186,0.00096543133,0.0010203833,0.015621841,0.02826139,0.3960809,0.48977876,0.0027087808],"about_ca_topic_score_codex":0.000041067353,"about_ca_topic_score_gemma":0.0000020502866,"teacher_disagreement_score":0.7012095,"about_ca_system_score_codex":0.0000038363555,"about_ca_system_score_gemma":0.000006313938,"threshold_uncertainty_score":0.99963677},"labels":[],"label_agreement":null},{"id":"W2143742505","doi":"10.1073/pnas.1301227110","title":"Impact of contour on aesthetic judgments and approach-avoidance decisions in architecture","year":2013,"lang":"en","type":"article","venue":"Proceedings of the National Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":402,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; York University; University of Toronto","funders":"","keywords":"Psychology; Beauty; Cognitive psychology; Salience (neuroscience); Functional magnetic resonance imaging; Valence (chemistry); Affect (linguistics); Anterior cingulate cortex; Social psychology; Preference; Intuition; Cognition; Aesthetics; Communication; Cognitive science; Mathematics; Art; Neuroscience","score_opus":0.06134724499898622,"score_gpt":0.3311625760368719,"score_spread":0.2698153310378857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143742505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99439263,0.000016222413,0.0000033175836,0.0013700514,0.0000028375766,0.0001455504,0.0000059387557,0.0000036997592,0.0040597213],"genre_scores_gemma":[0.9990895,0.000042377796,0.0005353014,0.00023462965,0.0000058910387,0.000008279331,2.244014e-8,0.000002299075,0.00008173562],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9985588,0.000013445309,0.0002617081,0.00023238183,0.0008131396,0.0001205234],"domain_scores_gemma":[0.9995244,0.000070502596,0.000279894,0.000010109507,0.00007627224,0.000038794584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046379454,0.00008066715,0.00015568073,0.00024297627,0.00009018185,0.000018701508,0.0005082878,0.00004549279,0.000020309175],"category_scores_gemma":[0.0006558814,0.000045528403,0.00008348926,0.00075048173,0.000879944,0.0002054391,0.00007430954,0.00014206466,0.0000017878539],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018432424,0.00021165841,0.02037718,0.000012209394,0.0000020835403,5.2181934e-9,0.00058843516,0.0014652151,0.95758784,0.011774157,0.0001917953,0.0077709774],"study_design_scores_gemma":[0.00052561326,0.0002273115,0.83334756,0.00020674053,0.000009411274,0.000029383767,0.00031886806,0.011352028,0.07380008,0.08000756,0.000022781287,0.0001526815],"about_ca_topic_score_codex":0.00001984975,"about_ca_topic_score_gemma":5.846013e-8,"teacher_disagreement_score":0.88378775,"about_ca_system_score_codex":0.000022212591,"about_ca_system_score_gemma":0.000017986491,"threshold_uncertainty_score":0.32421902},"labels":[],"label_agreement":null},{"id":"W2149051641","doi":"10.1177/1354067x02008002437","title":"The Evolution of Psychical Distance As an Aesthetic Concept","year":2002,"lang":"en","type":"article","venue":"Culture & Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":122,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Witness; Object (grammar); Aesthetics; Pleasure; Viewpoints; Enlightenment; Event (particle physics); Sublime; Drama; Epistemology; Psychology; Philosophy; Art; Literature; Visual arts","score_opus":0.03219078285684294,"score_gpt":0.33723477869657303,"score_spread":0.3050439958397301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149051641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83662206,0.0022770832,0.011344539,0.023965072,0.0010967338,0.0003720485,0.000020297945,0.00021969032,0.124082446],"genre_scores_gemma":[0.9930395,0.0003059801,0.000069797745,0.0021881405,0.000053591466,0.0000102032745,0.0000014241092,0.000008697882,0.0043226858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987155,0.00025347463,0.00023714811,0.0003773857,0.00019203471,0.0002244156],"domain_scores_gemma":[0.9992449,0.000011608148,0.000111893256,0.00050182786,0.000041478717,0.00008827534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000905028,0.00011534121,0.00014982873,0.000028856863,0.00023843857,0.000021754584,0.00042028382,0.00012183371,0.0007272722],"category_scores_gemma":[0.00007806782,0.00007154115,0.00010363259,0.00031634452,0.0008022417,0.000069965405,0.00001472627,0.00020704637,0.0003908963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015566498,0.0014239637,0.0007119509,0.0000067379783,0.0000068771137,0.000028838951,0.009608639,0.000038202023,0.2432959,0.56444865,0.06511715,0.115157455],"study_design_scores_gemma":[0.0019736346,0.0014340357,0.004276372,0.000032410164,0.00006949176,0.0011004589,0.0023304,0.0026746057,0.0016084637,0.0496734,0.93422836,0.0005983652],"about_ca_topic_score_codex":0.0000052929045,"about_ca_topic_score_gemma":0.000013617869,"teacher_disagreement_score":0.8691112,"about_ca_system_score_codex":0.00002542662,"about_ca_system_score_gemma":0.0000060954676,"threshold_uncertainty_score":0.7963121},"labels":[],"label_agreement":null},{"id":"W2152660677","doi":"10.1017/s0140525x12001823","title":"Psychological and neural responses to art embody viewer and artwork histories","year":2013,"lang":"en","type":"letter","venue":"Behavioral and Brain Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Perception; Psychology; Aesthetics; Underwriting; Cognitive psychology; Art","score_opus":0.13880350298055433,"score_gpt":0.38347161439073635,"score_spread":0.24466811141018202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2152660677","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6517709,0.0001224924,0.00000689137,0.34741005,0.00019430771,0.0001384982,0.000013846842,0.000038231432,0.00030480546],"genre_scores_gemma":[0.31679124,0.00016940112,0.0003918303,0.6488197,0.00043978522,0.00005437997,0.0000055327846,0.00001534972,0.033312783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772036,0.00025107613,0.0002407975,0.0009645907,0.0004434011,0.00037975813],"domain_scores_gemma":[0.99940467,0.00012217496,0.00008899525,0.00018403938,0.000027338632,0.00017280191],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032152835,0.00027108358,0.0003427309,0.00019645589,0.00054258876,0.0004589949,0.00027541522,0.00022552612,0.00033718022],"category_scores_gemma":[0.00015776197,0.00018014088,0.00005864601,0.00035913335,0.0020086926,0.00022414168,0.00016850162,0.00040795654,0.00004673872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016475045,0.00004745433,0.0036058226,0.000009504908,5.4305656e-7,0.000113393835,0.00053983805,1.866431e-7,0.00749647,0.00007361962,0.9639175,0.024179175],"study_design_scores_gemma":[0.00015957307,0.00080329506,0.015834665,0.00003865136,0.000041069772,0.00032565594,0.0001784413,0.000055192057,0.000035011137,0.00036629822,0.9816088,0.0005533131],"about_ca_topic_score_codex":0.00002895057,"about_ca_topic_score_gemma":0.000008486058,"teacher_disagreement_score":0.33497962,"about_ca_system_score_codex":0.000012251464,"about_ca_system_score_gemma":0.000016076887,"threshold_uncertainty_score":0.7401112},"labels":[],"label_agreement":null},{"id":"W2153885026","doi":"10.2466/pms.104.4.1139-1168","title":"Aesthetic Properties of Everyday Objects","year":2007,"lang":"en","type":"article","venue":"Perceptual and Motor Skills","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Object (grammar); Painting; German; Psychology; Set (abstract data type); Class (philosophy); Construct (python library); Everyday life; Sample (material); Cognitive psychology; Social psychology; Aesthetics; Computer science; Visual arts; Artificial intelligence; Linguistics; Epistemology; Art","score_opus":0.023860087687325778,"score_gpt":0.24981531330496465,"score_spread":0.22595522561763887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2153885026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99668044,0.00010707249,0.00013164783,0.00012642781,0.00006537624,0.00011080462,0.0000044197063,0.000046256402,0.0027275784],"genre_scores_gemma":[0.9942611,0.00022346248,0.00012656447,0.0006342505,0.000032395106,0.000003917695,5.481433e-7,0.000011743074,0.004706048],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9989475,0.000047882244,0.00023640567,0.00027432686,0.00024961395,0.0002442942],"domain_scores_gemma":[0.99960077,0.000012510351,0.000059550464,0.00016826743,0.000034607372,0.00012430582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019335348,0.00012952108,0.00019307286,0.00011329492,0.00010422987,0.00001895636,0.00012538796,0.00005886094,0.00031638786],"category_scores_gemma":[0.00011393268,0.00009431669,0.000087674234,0.00016339593,0.0003738761,0.000093038354,0.00005024512,0.00008319319,0.00009390447],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002516729,0.00015394457,0.00048763698,0.000013064696,7.538141e-7,0.000006442431,0.005749787,0.0000014172077,0.9602884,0.00019759031,0.000063089035,0.03301273],"study_design_scores_gemma":[0.0034426427,0.0018467567,0.1476187,0.00050536945,0.0002145409,0.0009832316,0.017891299,0.0010229829,0.78681105,0.00082927116,0.036716383,0.0021177498],"about_ca_topic_score_codex":0.000031678253,"about_ca_topic_score_gemma":0.000011884815,"teacher_disagreement_score":0.1734773,"about_ca_system_score_codex":0.000014421811,"about_ca_system_score_gemma":0.000017526523,"threshold_uncertainty_score":0.3846123},"labels":[],"label_agreement":null},{"id":"W2154264690","doi":"10.1162/002409404772828139","title":"Multifractal Fingerprints in the Visual Arts","year":2004,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Multifractal system; Painting; Similarity (geometry); Fractal; Style (visual arts); Luminance; Artificial intelligence; Computer science; Art; Computer vision; Pattern recognition (psychology); Visual arts; Mathematics; Image (mathematics); Mathematical analysis","score_opus":0.040187451224597735,"score_gpt":0.3212670562954984,"score_spread":0.2810796050709007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154264690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9859407,0.000004532878,0.00031261053,0.010169627,0.000043014195,0.000055974575,6.392931e-7,0.000027308093,0.003445578],"genre_scores_gemma":[0.99578875,0.000014766462,0.00004146534,0.0039431807,0.000032801436,0.00000738886,6.6896877e-7,0.000004707002,0.00016625703],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99929106,0.000051734212,0.00010652143,0.00018761087,0.00021180649,0.00015127835],"domain_scores_gemma":[0.9997774,0.000022985505,0.000025370668,0.00014057502,0.0000052970836,0.00002842237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000120073586,0.00006659653,0.000070051065,0.000051585088,0.00007962617,0.0000327294,0.00017978606,0.000029165316,0.00019021351],"category_scores_gemma":[0.00010448818,0.000045411925,0.000059489055,0.00021706519,0.00006565099,0.0000653236,0.000024027142,0.00012566238,0.00078303856],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006590403,0.0017637335,0.0069500194,0.000012344731,0.0000034219552,0.00090126815,0.01969892,0.0034777247,0.579747,0.027414413,0.00037400538,0.35959125],"study_design_scores_gemma":[0.010866021,0.00080323895,0.5715232,0.00028709334,0.000106072366,0.001476969,0.027709598,0.023344252,0.17055428,0.025071546,0.16536942,0.00288831],"about_ca_topic_score_codex":0.00004798453,"about_ca_topic_score_gemma":0.000051602095,"teacher_disagreement_score":0.56457317,"about_ca_system_score_codex":0.000023460714,"about_ca_system_score_gemma":0.000014782678,"threshold_uncertainty_score":0.999995},"labels":[],"label_agreement":null},{"id":"W2155725814","doi":"10.1145/1640233.1640309","title":"In search of a perceptual basis for interacting with parametric images","year":2009,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"Natural Sciences and Engineering Research Council of Canada; Innovation Saskatchewan","keywords":"Basis (linear algebra); Fractal; Perception; Parametric statistics; Space (punctuation); Computer science; Parameter space; Artificial intelligence; Parametric model; Computer vision; Mathematics; Psychology; Mathematical analysis; Geometry; Statistics","score_opus":0.05304640961372941,"score_gpt":0.3454001797499864,"score_spread":0.29235377013625696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2155725814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9894332,0.000002017394,0.0051160147,0.001224943,0.000008046142,0.000088389046,0.000002152127,0.000014591647,0.0041105966],"genre_scores_gemma":[0.9948203,0.000010182863,0.0030489706,0.000701442,0.0000075601333,0.0000035463686,2.7544317e-7,0.0000035668506,0.0014041582],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9993641,0.000040798463,0.0001343537,0.00017863221,0.00014416323,0.00013798417],"domain_scores_gemma":[0.99967355,0.0001400616,0.000029518309,0.00009692224,0.000028620145,0.000031326206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013248727,0.000055868735,0.000118872136,0.0002700116,0.000029771876,0.000017804743,0.00009812032,0.000017317028,0.0005372508],"category_scores_gemma":[0.00037497812,0.00003937272,0.00004889733,0.00067214004,0.000048285616,0.00013162945,0.00000990637,0.00006556047,0.000014377808],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022825856,0.0006121472,0.0043883123,0.000018843055,0.0000023420698,0.0000158173,0.0036297746,0.0006805904,0.8841041,0.0014728518,0.00077423785,0.10407275],"study_design_scores_gemma":[0.0034186617,0.0032562665,0.08386255,0.00020651148,0.000069936155,0.00013762512,0.025963362,0.08229273,0.79799646,0.00052198506,0.0014049421,0.00086898264],"about_ca_topic_score_codex":0.00004099419,"about_ca_topic_score_gemma":0.000008452989,"teacher_disagreement_score":0.103203766,"about_ca_system_score_codex":0.000017720864,"about_ca_system_score_gemma":0.000015407339,"threshold_uncertainty_score":0.58825195},"labels":[],"label_agreement":null},{"id":"W216094317","doi":"10.1177/070674371506000206","title":"On Delusion Formation","year":2015,"lang":"en","type":"article","venue":"The Canadian Journal of Psychiatry","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Delusion; Psychology; Perception; Stimulus (psychology); Cognitive psychology; Interpersonal communication; Delusional disorder; Context (archaeology); Cognition; Psychoanalysis; Social psychology; Psychiatry; Psychosis; Neuroscience; History","score_opus":0.04768840975667995,"score_gpt":0.27327152246462216,"score_spread":0.2255831127079422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W216094317","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9211717,0.000088171924,0.00084384694,0.062881336,0.0014678837,0.000045957906,0.00000338261,0.0000064144274,0.013491308],"genre_scores_gemma":[0.9944205,0.0000048391917,0.00020891585,0.0049560145,0.00014700429,2.0937736e-7,2.0044862e-7,0.0000042946003,0.00025801378],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99938464,0.000087019165,0.00016697502,0.00004435491,0.00020503948,0.00011196217],"domain_scores_gemma":[0.9993564,0.000007934999,0.00013423902,0.00011160418,0.000053391628,0.0003364641],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003298771,0.00004716339,0.00006188514,0.00014074503,0.00021050825,0.000047715614,0.00022254814,0.000025282403,0.00014222793],"category_scores_gemma":[0.00013442579,0.000028593602,0.00006599383,0.00016738276,0.000055307442,0.00011035098,0.0000036283536,0.00015065442,0.00016092874],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017796202,0.000120389115,0.0053610066,0.000011515015,0.000010594664,0.000092858514,0.008694052,0.006095062,0.0024535356,0.44378787,0.5047838,0.028411344],"study_design_scores_gemma":[0.0036806883,0.0017696294,0.007817595,0.00030766468,0.0001966958,0.004261251,0.006594557,0.008106736,0.002066971,0.8091997,0.15526488,0.0007336084],"about_ca_topic_score_codex":0.0007074707,"about_ca_topic_score_gemma":0.051249914,"teacher_disagreement_score":0.36541185,"about_ca_system_score_codex":0.00008751235,"about_ca_system_score_gemma":0.00076516217,"threshold_uncertainty_score":0.9660623},"labels":[],"label_agreement":null},{"id":"W2160960909","doi":"10.1109/mcg.2008.35","title":"Measuring Stipple Aesthetics in Hand-Drawn and Computer-Generated Images","year":2008,"lang":"en","type":"article","venue":"IEEE Computer Graphics and Applications","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Purdue University","keywords":"Computer science; Artificial intelligence; Computer graphics; Computer vision; Texture (cosmology); Computer graphics (images); Image processing; Object (grammar); Image (mathematics); Human–computer interaction","score_opus":0.05632906817543982,"score_gpt":0.2549388462479555,"score_spread":0.19860977807251567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160960909","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7193818,0.000078229314,0.27997905,0.00027800113,0.000031069674,0.00015370145,0.000011536535,0.00004930837,0.000037276663],"genre_scores_gemma":[0.9954806,0.0010371325,0.0026061786,0.0006863587,0.00009231225,0.00004490464,0.000005006027,0.000011889849,0.00003561355],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9989884,0.000054031574,0.00023177444,0.00040807697,0.00014133743,0.00017640315],"domain_scores_gemma":[0.9995422,0.000029779041,0.0000603951,0.00021127518,0.000045124434,0.00011126255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009123148,0.00013724827,0.0001694797,0.00019046025,0.0005905028,0.00014407931,0.00013904263,0.000053387408,0.0000042153642],"category_scores_gemma":[0.0000020601576,0.00013126365,0.000041308376,0.00046697393,0.00052231445,0.000074347736,0.000056900524,0.0001413776,0.000009259582],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050456307,0.0027457115,0.070989646,0.00018604571,0.0000456394,0.00028540893,0.007843611,0.008387544,0.2839183,0.18632981,0.0064469585,0.43277088],"study_design_scores_gemma":[0.0020637691,0.0001999689,0.05636409,0.00007016648,0.00005415758,0.0010400842,0.000038546084,0.8666804,0.017830739,0.0052450676,0.049285643,0.0011274037],"about_ca_topic_score_codex":0.000032055716,"about_ca_topic_score_gemma":0.000018851119,"teacher_disagreement_score":0.8582928,"about_ca_system_score_codex":0.000007676239,"about_ca_system_score_gemma":0.000021395761,"threshold_uncertainty_score":0.5352776},"labels":[],"label_agreement":null},{"id":"W2161349122","doi":"10.1145/1518701.1518703","title":"Correlating low-level image statistics with users - rapid aesthetic and affective judgments of web pages","year":2009,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":89,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Entropy (arrow of time); Computer science; Web page; Descriptive statistics; Image (mathematics); Pixel; Information retrieval; Mathematics; Statistics; Artificial intelligence; World Wide Web","score_opus":0.026360878495641102,"score_gpt":0.26043167045138327,"score_spread":0.23407079195574215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161349122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.974255,0.000009755169,0.019563062,0.00031579027,0.000016287946,0.00012612726,0.000031435,0.000042788106,0.005639716],"genre_scores_gemma":[0.9916026,0.00011890766,0.0070897057,0.00053146016,0.000003350419,0.0000016930977,0.0000020789787,0.000007925978,0.0006422698],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991567,0.000063925014,0.00015530667,0.00024485216,0.0002230616,0.0001561317],"domain_scores_gemma":[0.99962056,0.0000349329,0.00009955855,0.00013632284,0.000035466343,0.00007317606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000086892425,0.00011770015,0.00017040307,0.00007696441,0.00009025686,0.000031405198,0.000075852644,0.00002822227,0.00017983934],"category_scores_gemma":[0.000057274123,0.000086357126,0.000027663356,0.00018798954,0.00019901444,0.00011436056,0.000017447268,0.000085780564,0.000020664564],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012546439,0.00052180904,0.006479602,0.000036019217,0.000009285031,0.00008113578,0.002037964,0.00016067842,0.64780295,0.0041703316,0.0018565726,0.33671817],"study_design_scores_gemma":[0.016886676,0.010218955,0.40263358,0.0009414137,0.0009198766,0.0009939244,0.011223725,0.26320785,0.28009716,0.007983356,0.0010590642,0.0038343999],"about_ca_topic_score_codex":0.000008349921,"about_ca_topic_score_gemma":0.000008473917,"teacher_disagreement_score":0.396154,"about_ca_system_score_codex":0.000014151515,"about_ca_system_score_gemma":0.000021534695,"threshold_uncertainty_score":0.35215417},"labels":[],"label_agreement":null},{"id":"W2172340172","doi":"10.3390/brainsci5040521","title":"Objectifying “Pain” in the Modern Neurosciences: A Historical Account of the Visualization Technologies Used in the Development of an “Algesiogenic Pathology”, 1850 to 2000","year":2015,"lang":"en","type":"review","venue":"Brain Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Visualization; Cognitive science; Pathology; Psychology; Neuroscience; Medicine; Computer science; Artificial intelligence","score_opus":0.21944576528874185,"score_gpt":0.4078254055647431,"score_spread":0.18837964027600126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2172340172","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3823,0.59024155,0.005778223,0.009559169,0.0018031477,0.008251573,0.000042822012,0.00031338993,0.0017101037],"genre_scores_gemma":[0.6887605,0.30370998,0.002079501,0.0039624507,0.000067890476,0.00085516745,0.0000052792634,0.00005835232,0.0005008792],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99431044,0.0023074045,0.00083615026,0.0006848935,0.0015278432,0.00033327847],"domain_scores_gemma":[0.9983425,0.0004855681,0.00050718326,0.00058863225,0.00004752727,0.000028570485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009743514,0.00023631152,0.00062489376,0.00062828074,0.00034092483,0.00009552672,0.0036992196,0.0001493379,0.000005209338],"category_scores_gemma":[0.0036135686,0.00010370324,0.00016036537,0.006474251,0.00089818705,0.00017904956,0.0002397543,0.00026429238,0.0000030219448],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000241931,0.00022476123,0.00010229324,0.00017849189,6.1678816e-7,0.000005795337,0.021716978,0.0001560007,0.0010268047,0.00026953133,0.00009285928,0.97622347],"study_design_scores_gemma":[0.0006411822,0.0012833631,0.001687018,0.0052342224,0.0002031324,0.00033442889,0.04551367,0.011245528,0.00044988925,0.004882264,0.9267007,0.0018245868],"about_ca_topic_score_codex":0.000029680896,"about_ca_topic_score_gemma":0.00024394484,"teacher_disagreement_score":0.97439885,"about_ca_system_score_codex":0.00025240774,"about_ca_system_score_gemma":0.0011843591,"threshold_uncertainty_score":0.68741316},"labels":[],"label_agreement":null},{"id":"W2173758622","doi":"10.71781/3183","title":"Analyse de l'influence des paramètres esthétiques sur l’attrait du sourire tel que perçu par des non-experts : étude transversale exploratoire","year":2011,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","score_opus":0.012582901734445685,"score_gpt":0.19886766611369153,"score_spread":0.18628476437924585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2173758622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98483354,0.006540672,0.0020129045,0.00019902749,0.00026400646,0.00038754463,0.000095159805,0.00023625557,0.005430913],"genre_scores_gemma":[0.97497934,0.0084364815,0.0016360158,0.00026106983,0.00012573229,0.00007516098,0.00016365861,0.00007878975,0.014243761],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99520606,0.00055294833,0.0007898289,0.0014137545,0.0009427547,0.0010946387],"domain_scores_gemma":[0.99704397,0.00011352652,0.0005900871,0.00068680634,0.00061805453,0.00094753725],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00033998783,0.00098788,0.00089023286,0.00062152307,0.012304929,0.00022114564,0.0011103268,0.0007644421,0.000316102],"category_scores_gemma":[0.00021658928,0.0010898475,0.0010139708,0.0009676907,0.0024276364,0.0016117888,0.000142852,0.0006233215,0.00013024284],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001344965,0.0017069501,0.31070405,0.00053451414,0.00041266452,0.010176666,0.33870223,0.019485038,0.2965808,0.0035288965,0.0003110594,0.016512176],"study_design_scores_gemma":[0.0024230585,0.00056971674,0.665028,0.002123152,0.002360124,0.002923176,0.17330933,0.014443938,0.12269942,0.0006973238,0.0104733575,0.0029494537],"about_ca_topic_score_codex":0.10895411,"about_ca_topic_score_gemma":0.06607355,"teacher_disagreement_score":0.35432392,"about_ca_system_score_codex":0.0032425201,"about_ca_system_score_gemma":0.0022932184,"threshold_uncertainty_score":0.99915516},"labels":[],"label_agreement":null},{"id":"W2293788796","doi":"10.14236/ewic/eva2015.13","title":"A Creative Artificial Intelligence System to Investigate User Experience, Affect, Emotion and Creativity","year":2015,"lang":"en","type":"article","venue":"Electronic workshops in computing","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Creativity; Affect (linguistics); Painting; Computer science; Mood; Visualization; Computational creativity; Affective computing; Human–computer interaction; Emotional intelligence; Psychology; Multimedia; Visual arts; Artificial intelligence; Art; Social psychology; Communication","score_opus":0.06434348812863216,"score_gpt":0.3298787514772809,"score_spread":0.26553526334864874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293788796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89700305,0.00003536937,0.10113945,0.0003263773,0.00007894898,0.00021846719,4.9122673e-7,0.00011564279,0.0010821967],"genre_scores_gemma":[0.9987674,0.000007456898,0.0007079577,0.00027528795,0.00007919204,0.000014629303,8.5356373e-7,0.000014393744,0.00013284847],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.997864,0.0004090776,0.0003246836,0.0005818682,0.00028297957,0.00053735817],"domain_scores_gemma":[0.9993156,0.000121767946,0.000101074336,0.00020416379,0.00004113401,0.00021621744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072692236,0.00018630663,0.00026348385,0.00020996976,0.00017697253,0.00012204031,0.0002048711,0.000069526766,0.00001460905],"category_scores_gemma":[0.0006917501,0.0001780557,0.00004239075,0.0011830128,0.00015462398,0.00015218671,0.00014553893,0.0003221403,0.00004587659],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036546646,0.00056614826,0.020263482,0.00008433483,0.00001749965,0.00014216821,0.12793708,0.10901633,0.04690964,0.17478962,0.00028459894,0.51962364],"study_design_scores_gemma":[0.0004218965,0.00052891986,0.005018968,0.0007465541,0.00003363008,0.0001850685,0.033620957,0.91815394,0.034562614,0.0051715546,0.0005668224,0.0009890806],"about_ca_topic_score_codex":0.0000740106,"about_ca_topic_score_gemma":0.00006481242,"teacher_disagreement_score":0.8091376,"about_ca_system_score_codex":0.00037877224,"about_ca_system_score_gemma":0.00010142307,"threshold_uncertainty_score":0.72609013},"labels":[],"label_agreement":null},{"id":"W2294622024","doi":"10.1109/mcg.2008.26","title":"Computational Aesthetics","year":2008,"lang":"en","type":"article","venue":"IEEE Computer Graphics and Applications","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science; Aesthetics; Computer graphics (images); Computational model; Human–computer interaction; Cognitive science; Artificial intelligence; Art; Psychology","score_opus":0.038983065365932865,"score_gpt":0.2694924131815674,"score_spread":0.23050934781563454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2294622024","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2783747,0.000024092948,0.7198763,0.0008121285,0.000039260973,0.00014344878,0.000012601532,0.000106941065,0.0006105457],"genre_scores_gemma":[0.9940109,0.00033622843,0.0030120334,0.0023832954,0.000094449264,0.00003891838,0.000005916047,0.000008364859,0.000109896384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9992962,0.000025795065,0.00014376138,0.00026684854,0.00015420093,0.00011323318],"domain_scores_gemma":[0.99963075,0.000029585439,0.000044301592,0.00016351027,0.000039642728,0.00009222716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000037909478,0.000087262095,0.00009224221,0.000096626114,0.0004445934,0.000030481844,0.00013011885,0.00003519294,0.000018504354],"category_scores_gemma":[0.0000015260464,0.000082729166,0.00005873321,0.00029615295,0.0002935203,0.00004538432,0.000025689173,0.00009020409,0.00007706059],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004379063,0.00044599516,0.0022478772,0.000011881769,0.000006265399,0.000016391357,0.00056089024,0.005091201,0.0027562524,0.93484855,0.0050594993,0.04895082],"study_design_scores_gemma":[0.00083990174,0.00011384714,0.013205249,0.000012269883,0.000039674884,0.0010522455,0.000022651828,0.6378904,0.0007384394,0.0714496,0.27394238,0.0006933399],"about_ca_topic_score_codex":0.000003089241,"about_ca_topic_score_gemma":6.370659e-7,"teacher_disagreement_score":0.86339897,"about_ca_system_score_codex":0.0000044487433,"about_ca_system_score_gemma":0.000016146683,"threshold_uncertainty_score":0.3419498},"labels":[],"label_agreement":null},{"id":"W2298710496","doi":"","title":"Gary Iseminger , The Aesthetic Function of Art . Reviewed by","year":2005,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Philosophy; Function (biology); Aesthetics; Art; Biology; Evolutionary biology","score_opus":0.019106452343506965,"score_gpt":0.2530045023545269,"score_spread":0.2338980500110199,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298710496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6204475,0.0015573364,0.011459681,0.06234169,0.00022810583,0.0005230461,0.000008964034,0.00027242448,0.30316126],"genre_scores_gemma":[0.9455553,0.00065660913,0.00006290957,0.007702654,0.000022216156,0.0000063965385,0.0000014558425,0.000005992484,0.045986444],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993121,0.00007694086,0.0001785803,0.00015313693,0.00018080398,0.00009846128],"domain_scores_gemma":[0.9996435,0.000012863874,0.00006205655,0.00023272932,0.000016834736,0.000032031006],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016107372,0.000065300825,0.00010034444,0.00002585085,0.00006998197,0.00001204079,0.00012837462,0.000022933853,0.004302437],"category_scores_gemma":[0.000038822916,0.000037284943,0.000093426424,0.00019275214,0.00009641175,0.000065284665,0.00001838272,0.00006149764,0.0012303796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010882454,0.00013001962,0.00006617099,0.000006360175,0.0000011386633,4.0616456e-7,0.00014000297,0.000023777298,0.39643985,0.0014237203,0.38052008,0.2212376],"study_design_scores_gemma":[0.00011048216,0.00003582711,0.0001198717,0.00001272131,0.000030066978,0.000013394591,0.000049276867,0.0011262675,0.015001035,0.00007168073,0.9833517,0.000077642166],"about_ca_topic_score_codex":0.0000020363582,"about_ca_topic_score_gemma":0.0000019810557,"teacher_disagreement_score":0.60283166,"about_ca_system_score_codex":0.00000898874,"about_ca_system_score_gemma":0.000006694819,"threshold_uncertainty_score":0.9995473},"labels":[],"label_agreement":null},{"id":"W2301217169","doi":"10.1177/1745691615621274","title":"Neuroaesthetics","year":2016,"lang":"en","type":"article","venue":"Perspectives on Psychological Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":242,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Cognitive neuroscience; Cognition; Psychology; Context (archaeology); Cognitive science; Field (mathematics); Object (grammar); Popularity; Scope (computer science); Social neuroscience; Beauty; Cultural neuroscience; Cognitive psychology; Epistemology; Neuroscience; Social cognition; Social psychology; Computer science; Philosophy","score_opus":0.05894039839701248,"score_gpt":0.3790848454609031,"score_spread":0.3201444470638906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301217169","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9099295,0.000006354368,0.0018312385,0.010168742,0.00017606754,0.00007473298,0.0000030910294,0.00016555749,0.07764468],"genre_scores_gemma":[0.9953499,0.00018163776,0.00020706299,0.0026562992,0.000037109497,0.000006973187,1.9149425e-8,0.000005657009,0.0015553485],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9976913,0.0000941778,0.00013245741,0.0011034537,0.0005817987,0.00039682846],"domain_scores_gemma":[0.99912834,0.000064886415,0.000052134452,0.0004929904,0.000049945455,0.00021169698],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033520683,0.00012821381,0.00011297124,0.00014869327,0.0003217908,0.00006713663,0.0007663889,0.000038251652,0.0014409706],"category_scores_gemma":[0.0013214516,0.00006382187,0.0000869682,0.0010271996,0.0025535384,0.00018062937,0.00006725253,0.00010914327,0.0017599622],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032684813,0.0004464427,0.00016216283,1.8369059e-7,1.9028872e-7,0.000025970892,0.00044270125,0.0000026074467,0.8071036,0.114059016,0.0002618981,0.07746258],"study_design_scores_gemma":[0.008208789,0.01347391,0.45060784,0.00021856301,0.000060300903,0.00199108,0.011152284,0.0013210773,0.22573985,0.15933032,0.122775055,0.0051209196],"about_ca_topic_score_codex":6.8005335e-7,"about_ca_topic_score_gemma":1.3802813e-7,"teacher_disagreement_score":0.58136374,"about_ca_system_score_codex":0.00007991856,"about_ca_system_score_gemma":0.0000133163685,"threshold_uncertainty_score":0.99947184},"labels":[],"label_agreement":null},{"id":"W2305874681","doi":"","title":"Painters don’t talk about Vermeer","year":2004,"lang":"en","type":"article","venue":"University of Huddersfield Repository (University of Huddersfield)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pollock; Art history; Painting; Cultural studies; Sociology; Cultural history; Art; Media studies; Anthropology","score_opus":0.011443186034903796,"score_gpt":0.18165737917887367,"score_spread":0.17021419314396988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2305874681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32352406,0.000117779186,0.021471469,0.0031049948,0.00043123506,0.00030140494,0.000018701858,0.00020848586,0.65082186],"genre_scores_gemma":[0.9926433,0.00024598057,0.00097219733,0.00020168949,0.00002570468,2.8161734e-8,0.0000028155976,0.000011524102,0.005896738],"study_design_codex":"bench_or_experimental","study_design_gemma":"qualitative","domain_scores_codex":[0.99833095,0.00013834823,0.0002044153,0.0005433078,0.00044724514,0.00033575573],"domain_scores_gemma":[0.9987745,0.00006892879,0.00031586,0.00052583625,0.000117431504,0.00019740865],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011946897,0.00022424971,0.00041315253,0.0002676666,0.00057742617,0.000017175877,0.0008047257,0.0002734947,0.026227634],"category_scores_gemma":[0.000042718377,0.00029224672,0.00050748425,0.00036189918,0.00087173405,0.00040464176,0.0002044835,0.00032714792,0.000044079767],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010541937,0.0013280046,0.0016658221,0.00027542037,0.0002472266,0.0027934697,0.033425707,0.0035081408,0.56706566,0.007688036,0.37524286,0.0057054893],"study_design_scores_gemma":[0.002964463,0.00038855153,0.00017449,0.00016821647,0.00028436066,0.00010846646,0.9603868,0.00036095825,0.0321179,0.00041250742,0.002081451,0.00055181386],"about_ca_topic_score_codex":0.0019879204,"about_ca_topic_score_gemma":0.0003429803,"teacher_disagreement_score":0.9269611,"about_ca_system_score_codex":0.000004132003,"about_ca_system_score_gemma":0.00013872715,"threshold_uncertainty_score":0.999953},"labels":[],"label_agreement":null},{"id":"W2322701695","doi":"10.3138/ecf.2016.28.3.583","title":"<i>Feeling Beauty: The Neuroscience of Aesthetic Experience</i> by G. Gabrielle Starr","year":2016,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Feeling; Aesthetics; Psychology; Psychoanalysis; Art; Neuroscience; Cognitive science; Social psychology","score_opus":0.02164293237671043,"score_gpt":0.2504041565129376,"score_spread":0.22876122413622718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322701695","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98181283,0.00052793935,0.008105899,0.005624257,0.00088679127,0.00025616353,0.000036102956,0.000139514,0.0026105195],"genre_scores_gemma":[0.990975,0.006872157,0.000018733017,0.0013727499,0.0000457934,0.000023059376,0.000001942569,0.000017105358,0.00067342],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979081,0.00018362122,0.00037792296,0.0005397693,0.0006095556,0.00038103768],"domain_scores_gemma":[0.99908626,0.000044120115,0.00021706543,0.00048865593,0.00004596497,0.000117933094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022110726,0.00018292264,0.00017346894,0.0000780631,0.00042402357,0.00005219926,0.00047514896,0.000059939834,0.00045740776],"category_scores_gemma":[0.00012317892,0.00010186841,0.0001504784,0.0005249246,0.0005391433,0.00033059504,0.000081427956,0.000116628304,0.000077803474],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027536777,0.0001601936,0.00055205985,0.000002941138,5.1204637e-7,0.0000023438274,0.0008543872,0.000023871125,0.9643662,0.0010641129,0.015977731,0.016968086],"study_design_scores_gemma":[0.0006701708,0.00018590027,0.0005186389,0.0000573506,0.00003131982,0.00006147468,0.0006077407,0.0015028783,0.24702947,0.00007775687,0.7489243,0.00033297448],"about_ca_topic_score_codex":0.000020169713,"about_ca_topic_score_gemma":0.0000011003685,"teacher_disagreement_score":0.7329466,"about_ca_system_score_codex":0.000053033258,"about_ca_system_score_gemma":0.000030460385,"threshold_uncertainty_score":0.5008294},"labels":[],"label_agreement":null},{"id":"W2325937025","doi":"10.1111/nyas.13035","title":"Neuroscience of aesthetics","year":2016,"lang":"en","type":"review","venue":"Annals of the New York Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":342,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Psychology; Valuation (finance); Meaning (existential); Context (archaeology); Aesthetics; Cognitive psychology; Aesthetic experience; Sensory system; Field (mathematics); Cognitive science; Art; History; Psychotherapist","score_opus":0.2968595248054539,"score_gpt":0.4283872466149716,"score_spread":0.13152772180951766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325937025","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039351723,0.9880708,0.00003569023,0.008780232,0.00020824271,0.00034273235,0.00006244037,0.000021727543,0.0020846068],"genre_scores_gemma":[0.005010963,0.9914962,0.000060984185,0.0012598078,0.00004963536,0.0000029555845,7.444203e-8,0.000013378712,0.002106012],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961444,0.00039271463,0.0010975271,0.0006442069,0.0013199713,0.00040116534],"domain_scores_gemma":[0.99723953,0.00020478191,0.0020498438,0.00032576677,0.000036596117,0.00014347893],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011637758,0.0003076542,0.0012621133,0.00035259945,0.00020871572,0.00002396012,0.004238594,0.00021888127,0.00007902104],"category_scores_gemma":[0.00075308536,0.00015321653,0.001015307,0.002481609,0.0047412,0.00017110923,0.00040474613,0.00029282505,0.000026241089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002417746,0.00005728231,0.000005955454,0.000600651,0.000002683961,1.6034191e-7,0.000089464935,0.000013034673,0.002809888,0.0071879923,0.0054501025,0.9837804],"study_design_scores_gemma":[0.000048589285,0.00009122152,0.000015146567,0.005383267,0.00008565497,0.000022314816,0.000014450585,0.000017769364,0.0085179545,0.0031147117,0.98249215,0.0001967539],"about_ca_topic_score_codex":0.000012052662,"about_ca_topic_score_gemma":2.2741428e-7,"teacher_disagreement_score":0.9835836,"about_ca_system_score_codex":0.0000070129668,"about_ca_system_score_gemma":0.00035948996,"threshold_uncertainty_score":0.9979673},"labels":[],"label_agreement":null},{"id":"W2330178984","doi":"10.1068/p7175","title":"Perceptual and Cognitive Characteristics of Common Playing Cards","year":2012,"lang":"en","type":"article","venue":"Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; Simon Fraser University","funders":"","keywords":"Perception; Visibility; Psychology; MAGIC (telescope); Cognition; Cognitive psychology; Visual perception; Geography","score_opus":0.04067812916662275,"score_gpt":0.3040930258525976,"score_spread":0.26341489668597484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330178984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99707127,0.000014781036,0.0006676241,0.000056318822,0.00007625763,0.000072960494,0.000031129603,0.000034216166,0.0019754402],"genre_scores_gemma":[0.9991759,0.000121526966,0.00008380389,0.00031324103,0.00010657623,0.0000058858245,0.0000156274,0.000010916183,0.00016652737],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991404,0.00011450794,0.00019311928,0.00016392418,0.00019717678,0.00019086349],"domain_scores_gemma":[0.9996597,0.000034084638,0.00008293581,0.000092502676,0.000031644944,0.00009912274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016426301,0.00010193878,0.00018328549,0.00008256555,0.00013049584,0.000017237104,0.000054187087,0.00006044897,0.0008242625],"category_scores_gemma":[0.00010875561,0.00009427712,0.00005973993,0.0001132787,0.00020233408,0.0002125587,0.000041615836,0.00010321756,0.00012800306],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029288976,0.00016274127,0.13203485,0.000020573947,0.0000027050428,9.023821e-7,0.011202065,3.140461e-7,0.74739015,0.00019034186,0.000040701565,0.108925335],"study_design_scores_gemma":[0.00022511891,0.000054698892,0.9934156,0.000029311554,0.00007509435,0.00003753203,0.0038411377,0.000761192,0.0012132599,0.000016215872,0.00018319525,0.00014767022],"about_ca_topic_score_codex":0.000028356937,"about_ca_topic_score_gemma":0.000002017033,"teacher_disagreement_score":0.8613807,"about_ca_system_score_codex":0.000021493428,"about_ca_system_score_gemma":0.00000667145,"threshold_uncertainty_score":0.9025096},"labels":[],"label_agreement":null},{"id":"W2330293175","doi":"10.1037/a0034942","title":"Context effects on beauty ratings of photos: Building contrast effects that erode but cannot be knocked down.","year":2014,"lang":"en","type":"article","venue":"Psychology of Aesthetics Creativity and the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Beauty; Context (archaeology); Contrast (vision); Set (abstract data type); Aesthetics; Art; Psychology; Visual arts; Computer science; History; Artificial intelligence; Archaeology","score_opus":0.026939909177915458,"score_gpt":0.2993127151608178,"score_spread":0.27237280598290237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330293175","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9876224,0.000062800405,0.0023352394,0.006286238,0.00012895638,0.00038353587,0.000010030948,0.00003416373,0.0031366602],"genre_scores_gemma":[0.99324346,0.00015227527,0.00013488118,0.006300809,0.000023754194,0.000027691707,0.0000014528052,0.000017154432,0.00009851705],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9976064,0.0010218191,0.00031556035,0.0004614331,0.00028086416,0.00031391383],"domain_scores_gemma":[0.99767226,0.001282404,0.00037519186,0.0005150001,0.00004600517,0.00010915198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009837904,0.0002478213,0.00066733133,0.00011751215,0.00023552027,0.000023114844,0.00027775808,0.00012581109,0.000021165504],"category_scores_gemma":[0.00076558325,0.00017009357,0.00017661825,0.00016304362,0.0016946385,0.00006623967,0.00005868123,0.0002515952,0.000007366384],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014761594,0.0008461083,0.005243671,0.00015744667,0.00004861397,0.000016508295,0.0055421023,0.000032901804,0.8348841,0.05441144,0.00059588504,0.09674503],"study_design_scores_gemma":[0.0094290655,0.001811801,0.01637653,0.00033169615,0.0002512965,0.00013583653,0.00020946472,0.0017762135,0.95498025,0.010616337,0.0036456436,0.00043584977],"about_ca_topic_score_codex":0.000109454806,"about_ca_topic_score_gemma":0.000031106083,"teacher_disagreement_score":0.120096125,"about_ca_system_score_codex":0.000010217834,"about_ca_system_score_gemma":0.000010349039,"threshold_uncertainty_score":0.69362146},"labels":[],"label_agreement":null},{"id":"W2335889904","doi":"10.5539/jedp.v6n1p233","title":"The Culture of Taste and Appreciation and Its Relation to Aesthetic Sensation among the Students of Al-Hussein Bin Talal University","year":2016,"lang":"en","type":"article","venue":"Journal of Educational and Developmental Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Taste; Psychology; Bin; Sensation seeking; Significant difference; Social psychology; Mathematics; Statistics","score_opus":0.020956071962459924,"score_gpt":0.30881713866023774,"score_spread":0.28786106669777783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335889904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98868394,0.00006238815,0.00012686315,0.010775813,0.00007164798,0.000060608043,0.000002605133,7.279169e-7,0.00021542973],"genre_scores_gemma":[0.99833727,0.0005630235,0.00016747661,0.00027589913,0.0000116918045,3.5649379e-7,5.325349e-7,0.0000017971349,0.00064197497],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99940884,0.00009333122,0.00018817837,0.00009232772,0.00016553659,0.000051788385],"domain_scores_gemma":[0.9995321,0.00008146041,0.00023510247,0.000033409342,0.00007473179,0.000043218974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025648755,0.000046886646,0.0000762874,0.00006335384,0.00013515673,0.000009488162,0.00008139052,0.000028160886,0.000030185232],"category_scores_gemma":[0.00010047278,0.000024809617,0.00001873365,0.00010795795,0.00014828412,0.000105048464,0.000026709487,0.00004800014,0.0000028500158],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005003638,0.0004146892,0.4222205,0.000014508626,0.000044137505,0.0000022838644,0.026019827,0.000015666703,0.4617614,0.004335435,0.00611625,0.078554966],"study_design_scores_gemma":[0.00042902108,0.000081822305,0.99425334,0.000033486398,0.000013631059,0.00015329043,0.0019036948,0.000013649688,0.00045730342,0.0009781502,0.001640099,0.00004249863],"about_ca_topic_score_codex":0.0000025171332,"about_ca_topic_score_gemma":0.0000060908505,"teacher_disagreement_score":0.57203287,"about_ca_system_score_codex":0.000019611382,"about_ca_system_score_gemma":0.000033071276,"threshold_uncertainty_score":0.103953},"labels":[],"label_agreement":null},{"id":"W2338290633","doi":"10.1068/p4306rvw","title":"Review: Visual Attention and Consciousness, Nystagmus in Infancy and Childhood, Edgar Rubin and Psychology in Denmark: Figure and Ground, Cognitive Search: Evolution, Algorithms, and the Brain, the Psychology of Visual Art: Eye, Brain and Art","year":2014,"lang":"en","type":"article","venue":"Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; Hospital for Sick Children","funders":"","keywords":"Consciousness; Psychology; Cognition; Figure–ground; Cognitive psychology; Nystagmus; Cognitive science; Perception; Neuroscience; Psychiatry","score_opus":0.016829876320990436,"score_gpt":0.34185706060501114,"score_spread":0.3250271842840207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338290633","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9815286,0.0028593356,0.0006640727,0.014156204,0.000032247408,0.0005651076,0.000011221221,0.000011846845,0.00017139412],"genre_scores_gemma":[0.96420085,0.026993018,0.00002475272,0.008536836,0.000034492507,0.00003868455,0.000015235597,0.000013395268,0.00014275007],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9973548,0.0011683982,0.0004141883,0.000633696,0.00017547252,0.00025343683],"domain_scores_gemma":[0.9992568,0.00030469458,0.00014317756,0.00014593687,0.000061150764,0.000088229666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016414581,0.00021134807,0.00040745753,0.00021802312,0.00023273607,0.00006363375,0.000070375565,0.00014558536,0.00005655758],"category_scores_gemma":[0.0005428913,0.0001502935,0.000032723514,0.00032403535,0.0019864095,0.00021523482,0.00010428665,0.00031975174,0.000010481041],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009044815,0.0007305423,0.566808,0.0006944939,0.0000384663,0.000013367996,0.013132881,0.000001782753,0.056121282,0.001505213,0.0066106413,0.35343885],"study_design_scores_gemma":[0.003306527,0.00022931908,0.9903263,0.00028871887,0.00005132611,0.00023534625,0.001042772,0.0025477987,0.0000036474394,0.0008339147,0.0009597922,0.00017454052],"about_ca_topic_score_codex":0.00006077195,"about_ca_topic_score_gemma":0.00029954087,"teacher_disagreement_score":0.4235183,"about_ca_system_score_codex":0.000013322666,"about_ca_system_score_gemma":0.000014653095,"threshold_uncertainty_score":0.7319009},"labels":[],"label_agreement":null},{"id":"W2341395840","doi":"10.1177/0276237416637958","title":"The Impact of Depth of Aesthetic Processing and Visual-Feature Transformations on Recognition Memory for Artworks and Constructed Design Patterns","year":2016,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Perception; Psychology; Cognitive psychology; Stimulus (psychology); Visual perception; Visual processing; Cognition; Recognition memory; Salient; Semantic memory; Communication; Computer science; Artificial intelligence","score_opus":0.12206666109671745,"score_gpt":0.3877593943621016,"score_spread":0.2656927332653842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2341395840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9888178,0.0000821834,0.005884381,0.004869731,0.000014627091,0.0002616006,0.000019439185,0.0000062206855,0.00004399976],"genre_scores_gemma":[0.99945724,0.00024890897,0.00010621568,0.00014682458,0.000005219397,0.000013910111,1.7304828e-7,0.000004098936,0.000017435379],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9994072,0.00009464072,0.00017634848,0.000108704,0.00011512334,0.00009801512],"domain_scores_gemma":[0.9994626,0.00023219574,0.00012048612,0.00007522293,0.00007835044,0.00003112862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001638509,0.00007484767,0.0001628994,0.000032423053,0.00021053894,0.00000771909,0.00006304782,0.00002463129,0.000002778417],"category_scores_gemma":[0.00031001132,0.000030097932,0.00007813927,0.00012404878,0.00037098947,0.00004358753,0.00002565719,0.000036396206,3.751841e-7],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034276882,0.00014230091,0.0044059404,0.000063084255,0.000028265622,2.6154393e-7,0.00503467,0.00009313445,0.053154908,0.000020982357,0.0013086908,0.935405],"study_design_scores_gemma":[0.008847625,0.008213998,0.47059837,0.005098238,0.0009966294,0.00020526283,0.01400618,0.01620819,0.44872123,0.025094494,0.0006675078,0.0013422656],"about_ca_topic_score_codex":0.0000023964374,"about_ca_topic_score_gemma":0.000008190098,"teacher_disagreement_score":0.9340627,"about_ca_system_score_codex":0.000012379559,"about_ca_system_score_gemma":0.000013387898,"threshold_uncertainty_score":0.16193166},"labels":[],"label_agreement":null},{"id":"W2398718182","doi":"10.14236/ewic/eva2013.5","title":"Interactively Exploring Picasso’s Multi-dimensional Creative Process in Producing Guernica","year":2013,"lang":"en","type":"article","venue":"Electronic workshops in computing","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"PICASSO; Creativity; Visual arts; Rubric; Computer science; Subject (documents); Art; Psychology; Mathematics education; World Wide Web","score_opus":0.06181755964121593,"score_gpt":0.31996571039885746,"score_spread":0.2581481507576415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2398718182","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9965073,0.000045732482,0.0019443065,0.0005914785,0.00010472365,0.00031356514,2.527711e-7,0.00008558975,0.00040704475],"genre_scores_gemma":[0.99861634,0.000019184023,0.0007403761,0.00024201759,0.000065026,0.00007453084,0.0000015789575,0.000025633191,0.00021528988],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9973956,0.00026270063,0.00047182583,0.00078083854,0.0002880915,0.00080094725],"domain_scores_gemma":[0.9992683,0.0002151391,0.00016573264,0.00022364773,0.000056804605,0.00007035471],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045852788,0.0002218714,0.00030229494,0.00030915806,0.00015539308,0.00008331609,0.0003200365,0.00006276105,0.00022628531],"category_scores_gemma":[0.00082869455,0.00021270022,0.000072319664,0.0010447826,0.00007387347,0.00046622517,0.00014767158,0.00091524504,0.000110003806],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019071369,0.002485611,0.05106043,0.00008352534,0.000029555595,0.00013330315,0.05250264,0.28250515,0.1997621,0.0011132918,0.00015792584,0.40997574],"study_design_scores_gemma":[0.0021084389,0.00011940804,0.10177228,0.0010392345,0.000015443544,0.00008470189,0.0046787816,0.86689043,0.020968197,0.0012351117,0.0001199266,0.0009680495],"about_ca_topic_score_codex":0.00012159426,"about_ca_topic_score_gemma":0.00009265173,"teacher_disagreement_score":0.5843853,"about_ca_system_score_codex":0.0004330162,"about_ca_system_score_gemma":0.000122038546,"threshold_uncertainty_score":0.8673663},"labels":[],"label_agreement":null},{"id":"W2418636340","doi":"10.1111/jpr.12114","title":"A Background Layer in Aesthetic Experience: Cross‐cultural Affective Symbolism","year":2016,"lang":"en","type":"article","venue":"Japanese Psychological Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Perception; Feeling; Cognitive psychology; Mood; Salience (neuroscience); Affective science; Social psychology; Emotion classification","score_opus":0.30529274444121507,"score_gpt":0.5264586368198267,"score_spread":0.22116589237861167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2418636340","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97481185,0.000028197306,0.0000136758645,0.0030033707,0.00009548731,0.00027712298,0.000004383425,0.00007971578,0.021686208],"genre_scores_gemma":[0.99098516,0.00017513664,0.000020420903,0.00060510315,0.00006749971,0.00020608112,5.816058e-7,0.00001593751,0.007924078],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9952258,0.0012892017,0.00033031928,0.0010796863,0.0011074437,0.0009675436],"domain_scores_gemma":[0.9985618,0.00036669313,0.000044953413,0.0005547506,0.00017238372,0.00029944043],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012265545,0.00020916354,0.00028481637,0.0002969294,0.00028314898,0.00021560657,0.00077463104,0.000229379,0.0032273668],"category_scores_gemma":[0.0016607046,0.00010849637,0.00015326536,0.0013727978,0.0019024739,0.0003668643,0.00020241088,0.0005755951,0.00347553],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004686953,0.0011992245,0.0074034296,0.00000671814,0.0000014944089,0.0004038976,0.0076617417,0.0000041989797,0.93223464,0.004356752,0.0010737045,0.0451855],"study_design_scores_gemma":[0.010531055,0.0027492254,0.88530904,0.00037660287,0.000012002395,0.0015455356,0.018033419,0.0003751407,0.03147021,0.023764426,0.02364196,0.0021913734],"about_ca_topic_score_codex":0.00006508198,"about_ca_topic_score_gemma":0.000013953328,"teacher_disagreement_score":0.9007644,"about_ca_system_score_codex":0.00016675537,"about_ca_system_score_gemma":0.000018043602,"threshold_uncertainty_score":0.9976838},"labels":[],"label_agreement":null},{"id":"W2464774062","doi":"10.1162/leon_a_01330","title":"Faces in Motion: Embodiment, Emotion and Interaction","year":2016,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Embodied cognition; Motion (physics); Facial expression; Action (physics); Movement (music); Cognition; Motion capture; Face (sociological concept); Human–computer interaction; Computer science; Dynamics (music); Gesture; Cognitive science; Psychology; Cognitive psychology; Artificial intelligence; Aesthetics; Neuroscience; Art; Sociology","score_opus":0.035236970504147085,"score_gpt":0.2866652050254267,"score_spread":0.2514282345212796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2464774062","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9871596,0.000008741719,0.0025031813,0.008396528,0.00007389756,0.000039891343,0.0000015793603,0.000031820342,0.0017847265],"genre_scores_gemma":[0.99835205,0.00011449969,0.000020647354,0.0003595053,0.000019960957,0.0000037054713,3.720923e-7,0.0000032232315,0.0011260342],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99949646,0.000057897425,0.00009312852,0.0001815628,0.00008848958,0.00008248001],"domain_scores_gemma":[0.9998442,0.000014523416,0.000030567426,0.000075435106,0.000006344787,0.000028956629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006163049,0.00005027824,0.00005992418,0.00007733672,0.000039233255,0.000017689548,0.00003909364,0.000024472214,0.0004625472],"category_scores_gemma":[0.000044990607,0.000033924345,0.000021402435,0.00009401665,0.000043021533,0.00018739361,0.000017300676,0.000034291632,0.00019498084],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018859933,0.00007828913,0.013324354,0.000004745291,9.047822e-7,0.0000124378475,0.00069135963,0.000016464794,0.5099853,0.0037955714,0.00017849998,0.47189316],"study_design_scores_gemma":[0.0065989504,0.00056663173,0.6394411,0.00059932907,0.00007094074,0.00063945825,0.010633794,0.010668744,0.2118908,0.019072125,0.09820594,0.0016122381],"about_ca_topic_score_codex":0.000009862826,"about_ca_topic_score_gemma":0.000009727637,"teacher_disagreement_score":0.6261167,"about_ca_system_score_codex":0.000027643864,"about_ca_system_score_gemma":0.0000027378028,"threshold_uncertainty_score":0.5064568},"labels":[],"label_agreement":null},{"id":"W2467089707","doi":"","title":"Lifeworks: Still motion","year":2002,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Wonder; Aesthetics; Motion (physics); Meditation; Rest (music); Visual arts; Subject (documents); Realm; Art; Computer science; Artificial intelligence; Psychology; Philosophy; History; Acoustics; Physics","score_opus":0.019760214719944318,"score_gpt":0.2372125946867803,"score_spread":0.21745237996683597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2467089707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6295142,0.00022221211,0.0043396745,0.28061604,0.0027839155,0.00017220448,0.000035953824,0.00016530041,0.08215048],"genre_scores_gemma":[0.9642592,0.00027400217,0.00003350141,0.030664358,0.0008294231,0.0000014964343,7.91363e-7,0.000008353623,0.0039288914],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978528,0.00021823491,0.00026657898,0.00014480122,0.0011644029,0.00035320627],"domain_scores_gemma":[0.99824554,0.000048002774,0.00013160407,0.00007699344,0.00009764678,0.0014002421],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006161907,0.00007722697,0.000114939394,0.00016985543,0.0002795994,0.000120983124,0.0002080163,0.00022406466,0.051538378],"category_scores_gemma":[0.0035007433,0.00006990389,0.000102000864,0.00033146568,0.000035927933,0.00014362145,0.0000075492653,0.0006465278,0.0025786953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000199522,0.00010405663,0.01634113,0.0000026961804,0.000013218925,0.0007017848,0.0012738107,0.000060970688,0.00044645363,0.0013063295,0.4628244,0.5169231],"study_design_scores_gemma":[0.00057153904,0.000029802137,0.006270466,0.00002915227,0.000020928599,0.00066626637,0.00024685691,0.019989701,0.000050196264,0.00031810065,0.9715922,0.00021479261],"about_ca_topic_score_codex":0.00022119303,"about_ca_topic_score_gemma":0.0020480342,"teacher_disagreement_score":0.5167084,"about_ca_system_score_codex":0.0005159565,"about_ca_system_score_gemma":0.00017847557,"threshold_uncertainty_score":0.9981979},"labels":[],"label_agreement":null},{"id":"W2472543602","doi":"10.14236/ewic/eva2016.32","title":"Using Artificial Intelligence Techniques to Emulate the Creativity of a Portrait Painter","year":2016,"lang":"en","type":"article","venue":"Electronic workshops in computing","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Computational creativity; Creativity; Rendering (computer graphics); Computer science; Portrait; Artificial intelligence; Painting; Perception; Artificial neural network; Non-photorealistic rendering; Human–computer interaction; Computer graphics (images); Visual arts; Art; Animation; Psychology","score_opus":0.07585869150361031,"score_gpt":0.3544704855720921,"score_spread":0.2786117940684818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2472543602","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.540313,0.00000936816,0.45813245,0.0011241868,0.0000220237,0.00011128195,4.88036e-7,0.000040628285,0.0002465613],"genre_scores_gemma":[0.99801713,0.000010899686,0.0014144671,0.0004321472,0.000055889002,0.0000029054638,9.394583e-8,0.000011657103,0.000054833577],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9984101,0.00023922457,0.00038454295,0.0003307049,0.00019503917,0.0004404027],"domain_scores_gemma":[0.9993349,0.00021379685,0.00012844552,0.00025658787,0.000028245217,0.000038074948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009006922,0.00012202335,0.00018682769,0.00013407314,0.000110267756,0.000026538408,0.00032632667,0.00004808123,0.000103276456],"category_scores_gemma":[0.00041363208,0.00007426558,0.00009129254,0.0007059085,0.00013514252,0.000058087615,0.00012566516,0.00020769601,0.0000105147765],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023468772,0.000076058575,0.0003911933,0.0000029129903,0.0000026148148,0.0000047466006,0.00067363516,0.0018179838,0.30573592,0.019620428,0.000014855287,0.6716362],"study_design_scores_gemma":[0.00015744014,0.00030291302,0.0013292044,0.0010033611,0.000039374983,0.000084769694,0.00071603066,0.19781666,0.7451196,0.051681474,0.001020601,0.00072859396],"about_ca_topic_score_codex":0.000024037843,"about_ca_topic_score_gemma":0.000057237972,"teacher_disagreement_score":0.6709076,"about_ca_system_score_codex":0.00014564284,"about_ca_system_score_gemma":0.00006536043,"threshold_uncertainty_score":0.30284625},"labels":[],"label_agreement":null},{"id":"W2474520273","doi":"10.14236/ewic/eva2016.27","title":"Movement Awareness through Emotion Based Aesthetic Visualisation","year":2016,"lang":"en","type":"article","venue":"Electronic workshops in computing","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Movement (music); Computer science; Visualization; Dance; Human–computer interaction; TRACE (psycholinguistics); Depiction; Generative grammar; Casual; Multimedia; Artificial intelligence; Visual arts; Aesthetics; Art","score_opus":0.03448722044615296,"score_gpt":0.3146280334411502,"score_spread":0.28014081299499727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474520273","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68920124,0.000022023449,0.3077935,0.0023049265,0.00008314513,0.000109203844,4.3411376e-7,0.000106057916,0.0003794818],"genre_scores_gemma":[0.9977266,0.000040476774,0.00027809007,0.001631974,0.000058953803,0.000007937354,0.0000024430021,0.000020344854,0.00023317958],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99797654,0.0002869796,0.00034564018,0.0004952168,0.00032211366,0.0005735214],"domain_scores_gemma":[0.9994342,0.00009995552,0.00013526918,0.00026485513,0.000025625499,0.00004013005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046271438,0.00016649046,0.00018002847,0.00013032698,0.00018866421,0.000046501067,0.0002289439,0.00007267677,0.00021236241],"category_scores_gemma":[0.000121095436,0.00012864669,0.000086700406,0.0006326943,0.00007572986,0.00015674782,0.000048383816,0.00017476684,0.00007586517],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006147305,0.0005099323,0.008074467,0.000017962795,0.0000034922566,0.000018749295,0.0014438198,0.024850948,0.15968217,0.04284092,0.00018137303,0.7623147],"study_design_scores_gemma":[0.0062811202,0.0005044823,0.013359571,0.0013146716,0.000056497207,0.000059348804,0.00061430864,0.82006806,0.10677664,0.04141246,0.007774594,0.0017782461],"about_ca_topic_score_codex":0.000020386462,"about_ca_topic_score_gemma":0.000026887275,"teacher_disagreement_score":0.7952171,"about_ca_system_score_codex":0.00044139926,"about_ca_system_score_gemma":0.00011865224,"threshold_uncertainty_score":0.52460593},"labels":[],"label_agreement":null},{"id":"W2495580784","doi":"10.4018/978-1-60566-352-4.ch013","title":"Memory Association Machine","year":2009,"lang":"en","type":"book-chapter","venue":"IGI Global eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Association (psychology); Computer science; Perception; Cognition; Artificial intelligence; Creativity; Self-organizing map; Context (archaeology); Human–computer interaction; Psychology; Artificial neural network; Geography","score_opus":0.021660850989263927,"score_gpt":0.25938488264988735,"score_spread":0.23772403166062342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2495580784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018152857,0.00005025415,0.00004477464,0.00040033323,0.00017845974,0.00012354091,0.000117281714,0.00018905336,0.99871475],"genre_scores_gemma":[0.14957173,0.000020574818,0.000042108048,0.005302844,0.00018208903,0.0000025445358,0.0000042925817,0.000023038565,0.8448508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982916,0.00003842852,0.00030276598,0.0004882564,0.00061730423,0.0002616331],"domain_scores_gemma":[0.99916047,0.000014616923,0.00030501976,0.00034399412,0.000045919678,0.00012998111],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011550032,0.00030048526,0.00035996834,0.000065773915,0.00012642497,0.000073271316,0.000277278,0.00036012626,0.0006035656],"category_scores_gemma":[0.000075549164,0.00028894155,0.000328877,0.00002250454,0.000049646398,0.00003181652,0.000055421147,0.00029246623,0.00185165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016065527,0.000019805257,0.000007655593,0.0000061996748,0.000012161122,0.000084995714,0.000042737654,0.000006126227,0.0015015629,0.8719202,0.0080184,0.11836409],"study_design_scores_gemma":[0.00076565344,0.0001600536,0.00014642859,0.00012279951,0.0003588857,0.00008471196,0.000008687261,0.0002154256,0.0006402734,0.5066215,0.48970455,0.0011710674],"about_ca_topic_score_codex":0.000022773776,"about_ca_topic_score_gemma":0.000038534672,"teacher_disagreement_score":0.48168615,"about_ca_system_score_codex":0.00051505235,"about_ca_system_score_gemma":0.000067147026,"threshold_uncertainty_score":0.99995625},"labels":[],"label_agreement":null},{"id":"W2504429119","doi":"10.1007/978-0-387-38145-9","title":"Mathematics and Aesthetic","year":2007,"lang":"en","type":"book","venue":"CMS books in mathematics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; University of Alberta; Dalhousie University","funders":"College of Engineering, Michigan State University; Queen's University; Simon Fraser University; University of Alberta; Michigan State University","keywords":"Mathematics; Mathematics education","score_opus":0.04618734678990405,"score_gpt":0.2898012062665885,"score_spread":0.24361385947668446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504429119","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024551935,0.0001967656,0.0031577728,0.00013572998,0.00009850435,0.0004701536,0.00001533549,0.00015559353,0.9933149],"genre_scores_gemma":[0.0011859236,0.00047829712,0.014547049,0.0006243461,0.00007209568,0.000021310547,0.0000070367637,0.00014940463,0.9829145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99744546,0.000032366366,0.00089050166,0.0005630432,0.0006266802,0.00044193064],"domain_scores_gemma":[0.998507,0.00013376557,0.00041459996,0.00074115547,0.00003660018,0.00016683075],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00057213206,0.0004950212,0.0008062102,0.0004986016,0.00010469459,0.0001062988,0.00045600437,0.00044182464,0.0003712301],"category_scores_gemma":[0.00021057384,0.00044677325,0.00018938976,0.00014579152,0.0005494084,0.00006489044,0.00018138783,0.0006435365,0.00058436755],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011273308,0.00087557087,0.000010766741,0.0022594642,0.000013997215,0.00065403694,0.012795389,0.000019701953,0.0032707613,0.9313947,0.017688865,0.031005455],"study_design_scores_gemma":[0.0008152667,0.00012045486,0.000004433222,0.0020958765,0.00024642504,0.0011789267,0.00067222345,0.009765792,0.00054832385,0.8478905,0.13512318,0.0015386005],"about_ca_topic_score_codex":0.0000010814082,"about_ca_topic_score_gemma":0.000008099616,"teacher_disagreement_score":0.117434315,"about_ca_system_score_codex":0.00016652908,"about_ca_system_score_gemma":0.00011752718,"threshold_uncertainty_score":0.9997984},"labels":[],"label_agreement":null},{"id":"W2504986041","doi":"10.4018/978-1-4666-0942-6.ch009","title":"Nature Related Computerkunst","year":2012,"lang":"en","type":"book-chapter","venue":"IGI Global eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; The arts; Natural (archaeology); Ideal (ethics); Contemporary art; Visual arts; Quarter (Canadian coin); History of art; Art; Modern art; Fine art; Art history; History; Epistemology; Performance art; Architecture; Philosophy","score_opus":0.021061102093934275,"score_gpt":0.2610489909033941,"score_spread":0.23998788880945984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504986041","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004228721,0.00027060154,0.0000761557,0.00019164107,0.00057426415,0.00014222311,0.00009092078,0.0002636766,0.99796766],"genre_scores_gemma":[0.5904352,0.00002783001,0.00011649697,0.0042370595,0.00025447455,0.0000028700763,0.0000060160837,0.000046945213,0.4048731],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823093,0.000035443034,0.0003429205,0.00056882127,0.00046779527,0.00035409094],"domain_scores_gemma":[0.99896485,0.000012891023,0.0002185369,0.0005268584,0.00004150653,0.00023536259],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007100767,0.00039749098,0.00041194676,0.00007465003,0.00014284188,0.00006926275,0.0004439385,0.00092457136,0.00087557815],"category_scores_gemma":[0.000018564422,0.00035977288,0.00037810212,0.0000307808,0.00021029038,0.000045178745,0.00016175388,0.0008229867,0.003455487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062184845,0.000010126555,0.000004052196,0.000006231058,0.000008983037,0.00006196287,0.000033485332,0.0000012518291,0.00048240356,0.9824362,0.004273845,0.012675247],"study_design_scores_gemma":[0.00043038864,0.00005725282,0.000047651753,0.00016654628,0.00022158497,0.0004909579,0.000005626884,0.00012105796,0.00023118962,0.2822857,0.715023,0.00091906276],"about_ca_topic_score_codex":0.0000058458254,"about_ca_topic_score_gemma":0.000005337433,"teacher_disagreement_score":0.71074915,"about_ca_system_score_codex":0.00014195168,"about_ca_system_score_gemma":0.000058054717,"threshold_uncertainty_score":0.99988544},"labels":[],"label_agreement":null},{"id":"W2516776032","doi":"10.1080/09515089.2016.1219126","title":"Cognitive penetrability, context, and aesthetics: Nanay and Danto on the Gallery of Indiscernibles","year":2016,"lang":"en","type":"article","venue":"Philosophical Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Perception; Attribution; Context (archaeology); Meaning (existential); Observable; Epistemology; Philosophy; Counterexample; Cognition; Psychology; Relation (database); Value (mathematics); Character (mathematics); Aesthetics; Cognitive psychology; Cognitive science; Social psychology; Mathematics; Computer science; History; Physics; Geometry","score_opus":0.0999990746671919,"score_gpt":0.3537255824638552,"score_spread":0.2537265077966633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516776032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86809057,0.0000470628,0.00012007834,0.12314192,0.000031670697,0.00011200324,0.000019434776,0.000016142802,0.00842114],"genre_scores_gemma":[0.9925971,0.0005196974,0.000005149553,0.0067747855,0.000034307202,0.000009718258,2.8149043e-7,0.000009156791,0.000049819744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987186,0.0003167541,0.00021428223,0.00043055855,0.0001600072,0.00015980694],"domain_scores_gemma":[0.9991351,0.00043366893,0.00008326053,0.00022860922,0.00002950797,0.00008984886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023357033,0.00012276098,0.00020654994,0.00007505719,0.00009229805,0.000009861019,0.00015260272,0.00009100978,0.00030826541],"category_scores_gemma":[0.00046155616,0.000062142775,0.000054426586,0.000101202604,0.0018375734,0.000035730816,0.00006201903,0.00013892968,0.000053491724],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00093041034,0.0010500882,0.019265506,0.000024420166,0.000028321487,0.00004166476,0.0012363583,1.6923794e-7,0.22546479,0.5034548,0.000544294,0.24795918],"study_design_scores_gemma":[0.0024797872,0.001352077,0.08691447,0.00015428965,0.000066044224,0.00022154275,0.00020509475,0.000029665942,0.005691083,0.90088725,0.0016280924,0.00037062197],"about_ca_topic_score_codex":0.0000047782864,"about_ca_topic_score_gemma":0.000009710513,"teacher_disagreement_score":0.39743245,"about_ca_system_score_codex":0.000005784644,"about_ca_system_score_gemma":0.0000074507875,"threshold_uncertainty_score":0.67706156},"labels":[],"label_agreement":null},{"id":"W2519050922","doi":"10.1093/philmat/nkw019","title":"Beauty Is Not All There Is to Aesthetics in Mathematics","year":2016,"lang":"en","type":"article","venue":"Philosophia Mathematica","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Beauty; Aesthetics; Art; Mathematics","score_opus":0.10235148202162231,"score_gpt":0.32295739289636743,"score_spread":0.22060591087474513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519050922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66318005,0.000026129364,0.005142338,0.28662956,0.00011386123,0.0008558419,0.000110267516,0.00031292348,0.043629013],"genre_scores_gemma":[0.9771325,0.000088641515,0.0041103745,0.015613409,0.00006900478,0.000060184866,4.7209963e-7,0.00006145656,0.002863942],"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974505,0.00007587474,0.0006531487,0.00060987263,0.00066507567,0.0005455869],"domain_scores_gemma":[0.9984102,0.00014045813,0.00016565325,0.00095366506,0.00004532353,0.0002846594],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003571264,0.00032808702,0.00048193007,0.00025777295,0.00008789274,0.00006466261,0.00066493294,0.00011737396,0.0033509424],"category_scores_gemma":[0.00040355686,0.00021359402,0.00020956979,0.00045818507,0.00015850615,0.00015490987,0.00017258919,0.00013875299,0.008127867],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063995256,0.002580313,0.0002639033,0.00032237233,0.00002849154,0.00013776391,0.030859329,0.000006486535,0.49423796,0.44957224,0.010485293,0.011441841],"study_design_scores_gemma":[0.001083308,0.00022302305,0.00014275199,0.00055315957,0.00008444188,0.00011681209,0.00025661557,0.0015709084,0.0764113,0.90331125,0.015352709,0.00089371647],"about_ca_topic_score_codex":0.0000035334901,"about_ca_topic_score_gemma":0.0000024770316,"teacher_disagreement_score":0.45373902,"about_ca_system_score_codex":0.00009002399,"about_ca_system_score_gemma":0.00003132399,"threshold_uncertainty_score":0.99756014},"labels":[],"label_agreement":null},{"id":"W2520485192","doi":"","title":"The Horizon of Expectations of Paintings' Audiences in Picture-Reading Era","year":2016,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Admiration; Copying; Painting; Taste; Horizon; Reading (process); Aesthetics; Charm (quantum number); Ideology; Feature (linguistics); Art; Visual arts; Literature; Psychology; Political science; Philosophy; Law; Linguistics; Mathematics; Politics","score_opus":0.021774470982967947,"score_gpt":0.3248875664432028,"score_spread":0.3031130954602349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520485192","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9736086,0.00001661241,0.000063930325,0.0017193522,0.00023125249,0.00005562783,0.0000015884524,0.000006397449,0.024296604],"genre_scores_gemma":[0.99840623,0.000022825992,0.00009319973,0.00003226393,0.0000324021,0.000007949481,7.483996e-8,0.0000019639274,0.001403065],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9990332,0.000064781045,0.00025130072,0.00016444683,0.00035580687,0.00013044778],"domain_scores_gemma":[0.999361,0.00010991602,0.00026770597,0.00010463663,0.00012900512,0.000027748078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003831027,0.000046328103,0.00009423862,0.00012795313,0.00023307082,0.000012968401,0.00033675146,0.000020304988,0.00011276451],"category_scores_gemma":[0.00033702783,0.00002722677,0.000044451303,0.0011179518,0.0013727711,0.0001771596,0.000027356433,0.00003243485,0.000004345278],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026751554,0.000074010466,0.002273133,0.0000031575596,3.1190666e-7,1.9275229e-8,0.004915281,7.4606845e-7,0.72709835,0.2402916,0.00006382668,0.025276909],"study_design_scores_gemma":[0.0002815639,0.00016359946,0.6142303,0.00012736197,0.000015732505,9.821991e-7,0.01940732,0.000024227245,0.34879145,0.011396935,0.005350263,0.00021028424],"about_ca_topic_score_codex":0.000027127819,"about_ca_topic_score_gemma":0.0000026806658,"teacher_disagreement_score":0.61195713,"about_ca_system_score_codex":0.000044027576,"about_ca_system_score_gemma":0.00023589285,"threshold_uncertainty_score":0.5058032},"labels":[],"label_agreement":null},{"id":"W2525136255","doi":"10.15439/2016f004","title":"Maximal Nucleus Clusters in Pawlak Paintings. Nerves as approximating tools in Visual Arts","year":2016,"lang":"en","type":"article","venue":"Annals of Computer Science and Information Systems","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg; University of Manitoba","funders":"","keywords":"Painting; Perception; Entropy (arrow of time); Computer science; Style (visual arts); Artificial intelligence; Art; Visual arts; Physics; Psychology; Neuroscience","score_opus":0.06540511527669539,"score_gpt":0.3161859253865566,"score_spread":0.2507808101098612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525136255","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9788788,0.000005568532,0.018001236,0.00088486436,0.00010185499,0.00015500297,0.0000022883078,0.000023821436,0.0019465856],"genre_scores_gemma":[0.9981698,0.00003392088,0.00019364232,0.0015584514,0.00001953164,0.0000072775965,4.8961965e-7,0.0000022425484,0.0000146849625],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.998273,0.00007195325,0.00066631695,0.0001865623,0.0005356817,0.00026649467],"domain_scores_gemma":[0.99930197,0.00005303449,0.00029061807,0.00013229188,0.00014386662,0.00007820401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018186137,0.00009597282,0.00019911912,0.00052891794,0.00009577837,0.00030571694,0.00025450307,0.00003649191,0.000005888015],"category_scores_gemma":[0.00032340744,0.00006630066,0.000033755718,0.00080327736,0.00028163395,0.005506772,0.000117258634,0.000051198167,0.000039896484],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004203578,0.000113619775,0.006592045,0.00016021049,0.0000020775178,0.000006689551,0.011444689,0.0017940493,0.032714415,0.022623716,0.00029339953,0.92421305],"study_design_scores_gemma":[0.0012962032,0.00042196343,0.034442265,0.0010358861,0.000002806417,0.00009217793,0.0027939188,0.93622977,0.014319419,0.0002035156,0.008633386,0.0005286864],"about_ca_topic_score_codex":0.000046053836,"about_ca_topic_score_gemma":0.0000016519608,"teacher_disagreement_score":0.9344357,"about_ca_system_score_codex":0.000020622927,"about_ca_system_score_gemma":0.00006333898,"threshold_uncertainty_score":0.39922768},"labels":[],"label_agreement":null},{"id":"W2551461982","doi":"10.2307/45128630","title":"THE INVALIDITY OF THE ARGUMENT FROM ILLUSION","year":2018,"lang":"en","type":"article","venue":"American Philosophical Quarterly","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Glasgow; York University","keywords":"Argument (complex analysis); Argument map; Illusion; Criticism; Scrutiny; Epistemology; Philosophy; Psychology; Law; Political science; Cognitive psychology; Argumentation theory","score_opus":0.02770061794134436,"score_gpt":0.2761666624457313,"score_spread":0.24846604450438692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2551461982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9527045,0.000004960905,0.0001857464,0.04494741,0.00015936123,0.00009362883,0.000020657644,0.000030044499,0.0018537081],"genre_scores_gemma":[0.9957244,0.00001584715,0.000038358412,0.0038543795,0.0002732699,0.0000066675448,9.1844987e-7,0.000008897054,0.0000772794],"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984253,0.00034979233,0.000269812,0.0002978818,0.00046125698,0.00019592675],"domain_scores_gemma":[0.9988842,0.00014247265,0.00021533767,0.00062742404,0.00004648429,0.00008409542],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00014235663,0.000115677394,0.00017449765,0.000021340049,0.0004516599,0.00003398561,0.00060688885,0.000028353958,0.00018733784],"category_scores_gemma":[0.00012959284,0.000057981648,0.00016596317,0.00044089954,0.0028153157,0.0000466846,0.0000679281,0.00016092768,0.00021457722],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017640735,0.00047442617,0.0015080303,0.0000030802503,0.000019002207,0.000006217464,0.0046351384,0.0000024083686,0.6104654,0.04521252,0.0014032034,0.3360942],"study_design_scores_gemma":[0.0014532583,0.00566856,0.08103632,0.00009200171,0.00022478575,0.000031838972,0.0030408006,0.0049892073,0.060696643,0.77938277,0.06233744,0.0010463874],"about_ca_topic_score_codex":0.00025859443,"about_ca_topic_score_gemma":0.000038891543,"teacher_disagreement_score":0.73417026,"about_ca_system_score_codex":0.0000230071,"about_ca_system_score_gemma":0.000025452713,"threshold_uncertainty_score":0.99989843},"labels":[],"label_agreement":null},{"id":"W2560216520","doi":"10.1117/1.jei.26.1.011014","title":"Chromatic modulation in visual art: a computational perspective","year":2016,"lang":"en","type":"article","venue":"Journal of Electronic Imaging","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Hue; Palette (painting); Color space; Painting; Computer science; Perspective (graphical); Artificial intelligence; Computer vision; Chromatic scale; Color vision; Color image; Monochromatic color; Lightness; RGB color model; False color; Color balance; Focus (optics); Computer graphics (images); Art; Mathematics; Image processing; Image (mathematics); Visual arts; Optics","score_opus":0.009056364265145679,"score_gpt":0.29564997054319625,"score_spread":0.2865936062780506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560216520","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91555995,0.000059106198,0.0760991,0.007326856,0.000039565195,0.000040519237,3.5389954e-7,0.000010712014,0.00086385926],"genre_scores_gemma":[0.999265,0.000027903865,0.00014011371,0.0003101259,0.00005037542,6.768096e-7,1.15710954e-7,0.0000065685226,0.00019909615],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9990419,0.00009616039,0.00027665962,0.00011208249,0.00026838895,0.00020477171],"domain_scores_gemma":[0.9995801,0.000052672967,0.00020796331,0.000042176394,0.00008059043,0.000036523972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026574932,0.00006658886,0.00012836703,0.00026923558,0.000042777356,0.000023985802,0.00008948225,0.000011991405,0.0001868083],"category_scores_gemma":[0.00017327351,0.000045439672,0.000083401916,0.00023193465,0.00004969935,0.0003323246,0.0000105361505,0.00012771772,0.0000515649],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011490851,0.0004019397,0.0060327286,0.0000067467636,0.0000137069255,0.000104910636,0.0017089759,0.012303863,0.88928324,0.024234457,0.00051751884,0.065277],"study_design_scores_gemma":[0.005654659,0.00048008107,0.05149562,0.00038171845,0.00006984273,0.0024885715,0.0012012493,0.7588343,0.008214571,0.16910084,0.0015455394,0.0005330104],"about_ca_topic_score_codex":0.0000024372212,"about_ca_topic_score_gemma":0.0000034206855,"teacher_disagreement_score":0.88106865,"about_ca_system_score_codex":0.0004907893,"about_ca_system_score_gemma":0.00015200677,"threshold_uncertainty_score":0.204542},"labels":[],"label_agreement":null},{"id":"W2571474576","doi":"10.1167/16.12.336","title":"Where to Draw the Line: Effect of Artistic Expertise on Line Drawings of Natural Scenes","year":2016,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Curvature; Artificial intelligence; Orientation (vector space); Computer science; Computer vision; Line (geometry); Graphics; Categorization; Line drawings; Natural (archaeology); Computer graphics (images); Tracing; Geometry; Mathematics; Engineering drawing; Geography","score_opus":0.015739930262114774,"score_gpt":0.328103875182184,"score_spread":0.3123639449200692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2571474576","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9941367,0.00012796574,0.0011040958,0.0043438235,0.0001758571,0.000057065517,0.0000019748181,0.0000044438125,0.00004810048],"genre_scores_gemma":[0.9989499,0.00020269194,0.00006065222,0.0003079573,0.00009547727,5.294088e-7,4.8741974e-8,0.00000733423,0.00037539934],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9987296,0.00018331068,0.00040960597,0.000110394365,0.00046149606,0.00010558108],"domain_scores_gemma":[0.9990646,0.00023831941,0.00034515563,0.00017481574,0.00010247051,0.00007462915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040323884,0.00009287279,0.0002580031,0.00013102403,0.00005837368,0.000015309248,0.00024435803,0.000033588978,0.00012509308],"category_scores_gemma":[0.0009716762,0.000037815265,0.00019632575,0.00020361382,0.00009911577,0.00009841493,0.00003848218,0.00011025831,0.000029478133],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030428308,0.00005871278,0.0001607847,0.00001098297,0.0000022054298,0.000008706647,0.00018675119,0.00008089637,0.9176581,0.000024138963,0.00055228296,0.08095216],"study_design_scores_gemma":[0.001308882,0.005187918,0.007057914,0.0015930254,0.000064401895,0.000087728455,0.00005134358,0.0014198489,0.9815177,0.00008537039,0.0015028041,0.00012307026],"about_ca_topic_score_codex":0.0000033489919,"about_ca_topic_score_gemma":0.0000018679182,"teacher_disagreement_score":0.08082909,"about_ca_system_score_codex":0.00002662484,"about_ca_system_score_gemma":0.000017413993,"threshold_uncertainty_score":0.15420617},"labels":[],"label_agreement":null},{"id":"W2571482887","doi":"10.1101/045245","title":"Neural codes of seeing architectural styles","year":2016,"lang":"en","type":"preprint","venue":"bioRxiv (Cold Spring Harbor Laboratory)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Fusiform face area; Encoding (memory); Representation (politics); Perception; Face perception; Human visual system model; Face (sociological concept); Visual cortex","score_opus":0.023236365008128885,"score_gpt":0.24439585112041218,"score_spread":0.22115948611228328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2571482887","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99602556,0.00015287085,0.0020957547,0.00046540907,0.0004027781,0.00024582018,0.00024979928,0.00030476073,0.00005727423],"genre_scores_gemma":[0.99869895,0.0001350912,0.0005833176,0.00021561304,0.000226984,0.000038658625,6.690581e-8,0.000075823955,0.000025480704],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9970846,0.00029533438,0.0006108452,0.0009856506,0.00052416214,0.000499378],"domain_scores_gemma":[0.99789023,0.00006435562,0.00055351673,0.0010870527,0.00018232164,0.00022251239],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00031701784,0.00046852647,0.0006270621,0.00034036796,0.00015556539,0.000092780894,0.0007935764,0.00027033995,0.00021462582],"category_scores_gemma":[0.0004574222,0.00038620268,0.00033733086,0.00038796465,0.00034914183,0.00011351802,0.0005457515,0.0005132636,0.00008069908],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017109083,0.00005215908,0.0027899242,0.00010743745,0.000012371885,0.000022934659,0.000013653925,0.00008194636,0.9960255,0.0008172669,0.000043718384,0.000015952222],"study_design_scores_gemma":[0.00045101318,0.000054539232,0.048237637,0.00041863392,0.0001281994,9.679507e-8,0.0000059211498,0.0024109313,0.9463137,0.000018003437,0.0010608039,0.00090051664],"about_ca_topic_score_codex":0.000020197605,"about_ca_topic_score_gemma":0.0000014237582,"teacher_disagreement_score":0.04971182,"about_ca_system_score_codex":0.000094663716,"about_ca_system_score_gemma":0.00016104006,"threshold_uncertainty_score":0.999859},"labels":[],"label_agreement":null},{"id":"W2574374661","doi":"","title":"Reconciling Competing Accounts of Picture Perception from Art Theory and Perceptual Psychology via the Dual Route Hypothesis.","year":2011,"lang":"en","type":"article","venue":"Cognitive Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perception; Dual (grammatical number); Cognitive science; Visual perception; Psychology; Cognitive psychology; Experimental psychology; Cognition; Linguistics; Philosophy","score_opus":0.0863706973309928,"score_gpt":0.3087481233265034,"score_spread":0.22237742599551064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2574374661","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98363334,0.000015266109,0.00557958,0.00010723467,0.00011857087,0.0001169787,0.000032281136,0.00002965352,0.010367118],"genre_scores_gemma":[0.9964434,0.000056276636,0.00042641425,0.0028672123,0.000046083565,0.0000066524385,0.000001650778,0.000008477643,0.00014382953],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.998123,0.00039488467,0.00024300584,0.00060293847,0.000364108,0.0002720641],"domain_scores_gemma":[0.9990793,0.00030292745,0.0001581655,0.00022343696,0.00014981389,0.00008639268],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012475683,0.00014659186,0.0001856994,0.00012139043,0.00047718867,0.00004684641,0.00036109122,0.000059545244,0.0014818896],"category_scores_gemma":[0.0013894044,0.00010063836,0.00006685504,0.00044255052,0.003490014,0.00031837323,0.0001276052,0.0002026515,0.00020903289],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010265438,0.00007070486,0.004959324,0.0000023355485,0.0000033236852,0.000005019875,0.025886804,7.537266e-7,0.8809685,0.0004072871,0.000012820183,0.08758045],"study_design_scores_gemma":[0.000793394,0.00021027363,0.9109478,0.00010350555,0.00013281584,0.00012567567,0.045741774,0.0016173742,0.029646255,0.010084842,0.00013575291,0.00046056265],"about_ca_topic_score_codex":0.000017155398,"about_ca_topic_score_gemma":0.000010869173,"teacher_disagreement_score":0.90598845,"about_ca_system_score_codex":0.00002359693,"about_ca_system_score_gemma":0.0000522586,"threshold_uncertainty_score":0.9994309},"labels":[],"label_agreement":null},{"id":"W2587548566","doi":"10.29173/cais225","title":"A Study of Information-Seeking Behaviors and Processes in Subsets of Visual Arts Humanities Scholars: Toward a New Model in Image and Text Retrieval","year":2013,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The arts; Humanities; Sociology; Art; Visual arts","score_opus":0.044523302775684934,"score_gpt":0.2885340770968569,"score_spread":0.24401077432117196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587548566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978996,0.00022139103,0.000016866517,0.00067524513,0.000027653408,0.00062108296,0.000059491733,0.0000095441765,0.00046913017],"genre_scores_gemma":[0.99896824,0.0004914444,0.00020501537,0.00008430959,0.000010654437,0.000016966342,0.0000012109136,0.00001366021,0.0002085116],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9977092,0.00004398786,0.0010325002,0.00030369512,0.00057523855,0.00033535872],"domain_scores_gemma":[0.9865797,0.00008369851,0.0010716354,0.00012284401,0.01203056,0.0001115273],"candidate_categories":["metaresearch","metaepi_narrow","scholarly_communication"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.00055757794,0.00028195002,0.00068417325,0.0005535594,0.00007648873,0.0013792696,0.00066662935,0.00015144901,0.00003236658],"category_scores_gemma":[0.009910421,0.0002478056,0.0000725795,0.0008764012,0.00089824846,0.017356833,0.00048310249,0.00034995857,0.0000011015946],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025090162,0.001171454,0.38914648,0.0018627029,0.000023124538,0.0000020810476,0.50493294,0.0000368673,0.09402336,0.0012612771,0.0000811873,0.0072076423],"study_design_scores_gemma":[0.004709182,0.0025018945,0.6624279,0.0035682158,0.0003974458,0.0000844925,0.2468165,0.017161414,0.057671256,0.0033636861,0.00037389444,0.0009240935],"about_ca_topic_score_codex":0.0019074775,"about_ca_topic_score_gemma":0.00017437634,"teacher_disagreement_score":0.27328146,"about_ca_system_score_codex":0.000041846095,"about_ca_system_score_gemma":0.00036760102,"threshold_uncertainty_score":0.99999744},"labels":[],"label_agreement":null},{"id":"W2593796331","doi":"10.1163/15685373-12342191","title":"Transforming Celebrity Objects: Implications for an Account of Psychological Contagion","year":2017,"lang":"en","type":"article","venue":"Journal of Cognition and Culture","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Object (grammar); Phenomenon; Psychology; Value (mathematics); Social psychology; Emotional contagion; Philosophy of mind; Epistemology; Philosophy; Computer science; Metaphysics","score_opus":0.10775868879576897,"score_gpt":0.4041938608131677,"score_spread":0.2964351720173988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593796331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98990726,0.000035904424,0.00516076,0.0019136196,0.000048260237,0.00010637581,0.00003539295,0.0000059839153,0.002786463],"genre_scores_gemma":[0.99850404,0.00047632286,0.00025224854,0.0006224519,0.000062399005,0.0000030878082,0.0000025130992,0.000002515705,0.00007442117],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9995327,0.0000258865,0.0002029886,0.00008778286,0.00008822005,0.0000624032],"domain_scores_gemma":[0.99934465,0.0000092663195,0.00031251682,0.00008309047,0.00018591486,0.00006457953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013716506,0.000052218486,0.00013146766,0.000029836447,0.00027894112,0.000065170694,0.00011857941,0.00005750443,0.000031365198],"category_scores_gemma":[0.00013093994,0.00003533173,0.000102433405,0.000027309132,0.00009843657,0.00032944922,0.00000449305,0.0000923881,7.221208e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009364917,0.00019275823,0.00021701261,0.000010294266,0.000002985569,9.032268e-7,0.0008287671,5.642291e-7,0.9717638,0.00095841655,0.0004600039,0.02547085],"study_design_scores_gemma":[0.019369228,0.007754472,0.23144412,0.00066329184,0.0014063186,0.0038808386,0.011189125,0.0005091426,0.48136953,0.17116511,0.07002144,0.0012273747],"about_ca_topic_score_codex":8.5830374e-7,"about_ca_topic_score_gemma":0.000005307987,"teacher_disagreement_score":0.49039426,"about_ca_system_score_codex":0.0000048128063,"about_ca_system_score_gemma":0.00000872268,"threshold_uncertainty_score":0.2145418},"labels":[],"label_agreement":null},{"id":"W2593995024","doi":"10.32396/usurj.v3i1.262","title":"Artist's Statement","year":2017,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Emotive; Visual arts; Art; Statement (logic); Jungle; Aesthetics; Sociology; History; Epistemology; Philosophy","score_opus":0.08909625226318167,"score_gpt":0.34587413099546355,"score_spread":0.25677787873228186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593995024","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9301907,0.000024766321,0.0061187614,0.040725105,0.00013041863,0.0001568114,0.000021407861,0.000035248748,0.022596825],"genre_scores_gemma":[0.9809587,0.00094674923,0.00052519527,0.00003731212,0.000041822903,7.147812e-8,7.5297106e-7,0.000009327888,0.017480075],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731225,0.0005138622,0.00021500296,0.00028540278,0.0011807452,0.0004927362],"domain_scores_gemma":[0.99842,0.0000643927,0.0003184265,0.00053688255,0.00029679685,0.00036347355],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0015816706,0.00011075542,0.00021459785,0.00031080947,0.0030014857,0.00027888146,0.0011655372,0.00005605706,0.0005714552],"category_scores_gemma":[0.00030384134,0.00011062792,0.00018879304,0.00017711519,0.0012630862,0.00050731644,0.00032458777,0.0006393639,0.00023014608],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008951921,0.0016328761,0.013776114,0.00011882336,0.00015201555,0.0045725624,0.02791815,0.00042026112,0.69888115,0.010560213,0.03746626,0.20360638],"study_design_scores_gemma":[0.014725047,0.0024192908,0.04373825,0.00086953747,0.00029871782,0.0015895182,0.23022814,0.00711737,0.0948309,0.18682317,0.4150878,0.002272259],"about_ca_topic_score_codex":0.0007115057,"about_ca_topic_score_gemma":0.0007140681,"teacher_disagreement_score":0.6040503,"about_ca_system_score_codex":0.00018459959,"about_ca_system_score_gemma":0.00041474073,"threshold_uncertainty_score":0.9982965},"labels":[],"label_agreement":null},{"id":"W2604276119","doi":"10.1002/pa.1653","title":"Emotions and sentiment: An exploration of artist websites","year":2017,"lang":"en","type":"article","venue":"Journal of Public Affairs","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Disappointment; Sentiment analysis; Remorse; Set (abstract data type); Consumption (sociology); Psychology; Advertising; Computer science; Social psychology; Sociology; Business; Artificial intelligence; Social science","score_opus":0.1130814371744017,"score_gpt":0.33393697160247054,"score_spread":0.22085553442806885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604276119","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9717413,0.000017189299,0.012967069,0.0077029206,0.0000994798,0.00003598373,0.000005871641,0.0000090664535,0.0074211275],"genre_scores_gemma":[0.99875265,0.00010832288,0.0004536261,0.00003666144,0.00006076715,4.1756738e-7,5.1776317e-7,0.0000042916577,0.00058272964],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99925065,0.000084335756,0.0002548204,0.00008874461,0.0002338684,0.0000876089],"domain_scores_gemma":[0.9990154,0.000010648243,0.0005514357,0.00019532655,0.00010460462,0.00012261394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003418649,0.000053826476,0.00013025201,0.000146284,0.00026041974,0.00021529855,0.0002026642,0.00002579301,0.00029734586],"category_scores_gemma":[0.00034782567,0.0000432239,0.00006958676,0.000068011126,0.00018466094,0.0025334493,0.000035335215,0.00007616979,0.000013005638],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029856454,0.0009301537,0.011486811,0.000021468777,0.00002803795,0.00004870378,0.0031182026,0.00011205261,0.8834276,0.032789655,0.0020190103,0.06598844],"study_design_scores_gemma":[0.013365311,0.005649364,0.4345291,0.0006575826,0.0011335923,0.0027456833,0.0944786,0.060804565,0.20061713,0.070947856,0.112575464,0.002495771],"about_ca_topic_score_codex":0.000002264917,"about_ca_topic_score_gemma":0.000014220174,"teacher_disagreement_score":0.6828105,"about_ca_system_score_codex":0.0000124273165,"about_ca_system_score_gemma":0.00003199251,"threshold_uncertainty_score":0.32557288},"labels":[],"label_agreement":null},{"id":"W2604496543","doi":"10.1177/2041669517693023","title":"Curve Appeal: Exploring Individual Differences in Preference for Curved Versus Angular Objects","year":2017,"lang":"en","type":"article","venue":"i-Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":89,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Universitat de les Illes Balears","keywords":"Preference; Appeal; Psychology; Mathematics; Geometry; Statistics; Political science","score_opus":0.4166196162441463,"score_gpt":0.35459416511600644,"score_spread":0.06202545112813984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604496543","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99656254,0.0000072803527,0.0012135569,0.00028515962,0.00044571856,0.00029038763,0.00002337543,0.00008847097,0.0010835181],"genre_scores_gemma":[0.9988436,0.00016936172,0.00028935683,0.00009902863,0.00013964232,0.00019469556,0.0000147253495,0.000018657545,0.00023090006],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9983052,0.00013800686,0.00026483578,0.00056432677,0.00036138936,0.00036622502],"domain_scores_gemma":[0.9991342,0.00004817296,0.00017395476,0.0005108655,0.000035952395,0.00009688857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003213892,0.00019491525,0.00025172552,0.00017230623,0.000537646,0.00027905806,0.00060334976,0.00009722685,0.0001926597],"category_scores_gemma":[0.00061063137,0.00018012013,0.00012382744,0.00012668692,0.00018408921,0.0007227071,0.000113424336,0.00017411387,0.00012978507],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009057841,0.00074182585,0.139572,0.00012905839,0.000022736851,0.00002654772,0.023441982,0.00008851516,0.47597617,0.0016531626,0.00037778792,0.35706446],"study_design_scores_gemma":[0.0024868445,0.0002959612,0.9857163,0.000106020445,0.000052009254,0.0000035034616,0.003155038,0.0044189207,0.0021338868,0.0006666195,0.00050539937,0.00045952704],"about_ca_topic_score_codex":0.00014465688,"about_ca_topic_score_gemma":0.0003303174,"teacher_disagreement_score":0.84614426,"about_ca_system_score_codex":0.000076109536,"about_ca_system_score_gemma":0.000030367262,"threshold_uncertainty_score":0.7345085},"labels":[],"label_agreement":null},{"id":"W2611716406","doi":"10.1080/24740500.2017.1287034","title":"The Pleasure of Art","year":2017,"lang":"en","type":"article","venue":"Australasian Philosophical Review","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":87,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Pleasure; Aesthetics; Context (archaeology); Object (grammar); Psychology; Pleasure principle; Computer science; Art; History; Neuroscience","score_opus":0.09144592238287916,"score_gpt":0.3621787205560088,"score_spread":0.2707327981731297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611716406","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006112788,0.0035790761,0.000031244846,0.87719953,0.00016219569,0.0004637071,0.000013449883,0.000055422475,0.1123826],"genre_scores_gemma":[0.9565679,0.039429236,0.000016970216,0.0020374174,0.000074357245,0.000010940928,6.808478e-7,0.0000082745255,0.0018542664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998772,0.00012243257,0.00032931336,0.00023895413,0.0003464452,0.0001908364],"domain_scores_gemma":[0.9985544,0.000043338096,0.00026662604,0.0009824198,0.00003549095,0.00011769403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034029892,0.00011473451,0.0002770392,0.0000141547835,0.0005263706,0.000061286126,0.0008322131,0.0000489947,0.0004342147],"category_scores_gemma":[0.0018324848,0.00006725579,0.00024878382,0.00008945115,0.0006157906,0.00009594864,0.000078456986,0.00021279891,0.00075174985],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027927976,0.00026474093,0.0008354763,0.0010897223,0.000018924824,0.00007371309,0.000039806946,0.0000011998727,0.017283099,0.7196819,0.025198037,0.23548542],"study_design_scores_gemma":[0.00047181232,0.0001597765,0.009472739,0.0033128888,0.00026501314,0.00014043735,0.000009026847,0.00005293005,0.002395129,0.15230142,0.8309634,0.0004554732],"about_ca_topic_score_codex":0.0000011564938,"about_ca_topic_score_gemma":0.0000014676483,"teacher_disagreement_score":0.95045507,"about_ca_system_score_codex":0.000008222331,"about_ca_system_score_gemma":0.000023907445,"threshold_uncertainty_score":0.9662474},"labels":[],"label_agreement":null},{"id":"W2612559294","doi":"10.1162/jocn_a_01146","title":"Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience","year":2017,"lang":"en","type":"review","venue":"Journal of Cognitive Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":234,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Harvard University","keywords":"Extant taxon; Flourishing; Architecture; Cognitive science; Psychology; Neuroscience; Intersection (aeronautics); Field (mathematics); Perspective (graphical); Cognitive neuroscience; Computer science; Cognition; Social psychology; Artificial intelligence; Visual arts; Engineering","score_opus":0.1771031219294031,"score_gpt":0.4281115734993017,"score_spread":0.2510084515698986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612559294","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016721923,0.9734021,0.0028133027,0.0025049243,0.0021456934,0.0012865994,0.000094595234,0.000036932663,0.0009939614],"genre_scores_gemma":[0.10821359,0.8890548,0.000025817139,0.0022719284,0.00011893201,0.0000149529915,2.0469143e-7,0.000026133146,0.00027366527],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949241,0.0010263813,0.0013263632,0.0007893188,0.001406125,0.0005276995],"domain_scores_gemma":[0.9936252,0.0014159763,0.0038830016,0.00051800767,0.0002541452,0.00030367138],"candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0016236255,0.00048690595,0.0019016543,0.00054304005,0.00079026393,0.0004364708,0.0026522079,0.00011070421,0.000015749058],"category_scores_gemma":[0.024485392,0.0002706879,0.000901029,0.0009237101,0.008929052,0.00062245014,0.00057983893,0.0010030655,0.0000039904135],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007771455,0.000094038325,0.000014475982,0.00041277846,0.0000027218707,0.00016111291,0.0012537432,0.00000343813,0.0032013953,0.00077541714,0.000048690563,0.9939545],"study_design_scores_gemma":[0.0019030795,0.0008059116,0.00039745285,0.011412047,0.0007735843,0.014827236,0.00023437483,0.00035448707,0.0005991593,0.00040811903,0.9674904,0.000794159],"about_ca_topic_score_codex":0.000007889262,"about_ca_topic_score_gemma":9.796706e-7,"teacher_disagreement_score":0.9931603,"about_ca_system_score_codex":0.000039115723,"about_ca_system_score_gemma":0.0004851358,"threshold_uncertainty_score":0.99997455},"labels":[],"label_agreement":null},{"id":"W2613447386","doi":"10.26443/crae.v43i1.23","title":"Identifying a Conceptual Framework for the Study of Visitors’ Verbalizations of Self-Awareness while Exploring Contemporary Art in a Museum Context","year":2016,"lang":"en","type":"article","venue":"Canadian Review of Art Education Research and Issues / Revue canadienne de recherches et enjeux en éducation artistique","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Conscience; Context (archaeology); Humanities; Visitor pattern; Sociology; Art; Geography; Epistemology; Philosophy; Computer science; Archaeology","score_opus":0.4120423720598356,"score_gpt":0.46805684418410515,"score_spread":0.05601447212426952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613447386","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94760084,0.007309169,0.0020150752,0.0396876,0.00026397043,0.002433128,0.000091821326,0.00001770684,0.0005806777],"genre_scores_gemma":[0.9764359,0.020843484,0.00066392694,0.00041801765,0.000052321695,0.0007442757,0.000015937176,0.000019165707,0.00080699037],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969214,0.0016081765,0.0006262971,0.00034645753,0.00015138746,0.0003462681],"domain_scores_gemma":[0.99622315,0.001946613,0.00024889703,0.00046239162,0.000755891,0.00036305847],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0038984504,0.00013035412,0.00037064386,0.0004552918,0.00013696514,0.000025517358,0.0003378704,0.00008875676,0.00011799171],"category_scores_gemma":[0.010911879,0.00010543053,0.000063228916,0.0008518913,0.00025667757,0.00023333519,0.000031811018,0.00022504058,0.0000066467146],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009043597,0.002348476,0.028204923,0.0106995255,0.00011333101,0.000011248371,0.53871274,0.000027707358,0.011552978,0.33003983,0.03963879,0.038560014],"study_design_scores_gemma":[0.0017662586,0.00159575,0.05592329,0.047343183,0.00018983227,0.00007043742,0.39575773,0.00049016316,0.01079318,0.020481987,0.46454012,0.0010480533],"about_ca_topic_score_codex":0.028703747,"about_ca_topic_score_gemma":0.16835892,"teacher_disagreement_score":0.42490134,"about_ca_system_score_codex":0.0008290716,"about_ca_system_score_gemma":0.004692659,"threshold_uncertainty_score":0.99741966},"labels":[],"label_agreement":null},{"id":"W2625881266","doi":"10.3968/9585","title":"Art Regression: On Unconsciousness Trend of The Picture of Dorian Gray","year":2017,"lang":"en","type":"article","venue":"Canadian social science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gray (unit); Unconscious mind; Unconsciousness; Aestheticism; Personality; Psychoanalysis; Psychology; Personality psychology; Individuation; Aesthetics; Sociology; Art","score_opus":0.02789588433473533,"score_gpt":0.29665837627106845,"score_spread":0.2687624919363331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625881266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79311234,0.0000019830686,0.0000032293317,0.0032932071,0.00045869805,0.00006788775,0.000044182325,0.0000060559923,0.20301242],"genre_scores_gemma":[0.99691665,0.0000022602615,0.0000044094672,0.0007027199,0.000055841254,0.0000013440756,1.945739e-7,0.0000030168105,0.0023135906],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99896294,0.000046414356,0.00011705717,0.0002263007,0.00041822606,0.0002290897],"domain_scores_gemma":[0.9991279,0.000010476348,0.00019359805,0.00044277747,0.00004191869,0.00018331772],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00023050455,0.00007080989,0.00012421382,0.000094165356,0.0016164499,0.00006120103,0.0011768568,0.000047078145,0.00016149729],"category_scores_gemma":[0.00040927719,0.00004406612,0.00008928763,0.0004312766,0.0027253367,0.000106597996,0.000052376738,0.00009400749,0.000013271993],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029788465,0.00013042563,0.07580098,0.00002652204,0.000004834529,0.000040075767,0.014243465,0.000015416028,0.6259528,0.16610065,0.015878215,0.10177687],"study_design_scores_gemma":[0.0013994306,0.00020631011,0.4914055,0.00037292982,0.00009211171,0.000025646552,0.008472774,0.0003078625,0.22959338,0.0064718216,0.2605795,0.0010727305],"about_ca_topic_score_codex":0.0012739879,"about_ca_topic_score_gemma":0.023268951,"teacher_disagreement_score":0.4156045,"about_ca_system_score_codex":0.00008772821,"about_ca_system_score_gemma":0.0004089543,"threshold_uncertainty_score":0.9999887},"labels":[],"label_agreement":null},{"id":"W2635455626","doi":"10.1016/j.plrev.2017.06.015","title":"Conceptions of the temporal course of aesthetic engagement","year":2017,"lang":"en","type":"review","venue":"Physics of Life Reviews","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Course (navigation); Psychology; Cognitive science; Cognitive psychology; Computer science; Engineering","score_opus":0.4558460348087679,"score_gpt":0.4645992647228966,"score_spread":0.00875322991412869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2635455626","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00002741016,0.99752915,0.00011878851,0.000077270895,0.00011419026,0.0009186819,0.00011672792,0.0000070195942,0.0010907527],"genre_scores_gemma":[0.0024513195,0.9969234,0.00008026461,0.00006269686,0.00006021608,0.000062434214,0.000009087591,0.000024668007,0.00032593025],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965881,0.0011002044,0.0014486414,0.00032491732,0.00037942542,0.00015869903],"domain_scores_gemma":[0.9941461,0.00004888154,0.004017286,0.0016354871,0.000079227175,0.00007299092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000751535,0.00032251395,0.0028666435,0.00004504709,0.00013435762,0.000012674762,0.0012739337,0.00008308144,0.00010057895],"category_scores_gemma":[0.0003691836,0.00018350588,0.0021849242,0.00033575253,0.0007434038,0.000069468486,0.00021849721,0.00029764182,0.000067335925],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.0203715e-7,0.00020578642,0.000011138375,0.0064772004,0.000008650562,1.4396944e-7,0.00009768086,0.0000012304134,0.000029001018,0.0015823826,0.0005669492,0.9910193],"study_design_scores_gemma":[0.00007503175,0.000025205281,0.0000031559402,0.0097552305,0.000818362,0.000002506163,0.000013136435,0.000008599766,0.000016655082,0.0001509484,0.9889801,0.00015104772],"about_ca_topic_score_codex":0.000011818469,"about_ca_topic_score_gemma":0.0000013864641,"teacher_disagreement_score":0.9908683,"about_ca_system_score_codex":0.000020073718,"about_ca_system_score_gemma":0.00034696018,"threshold_uncertainty_score":0.7483153},"labels":[],"label_agreement":null},{"id":"W2664152692","doi":"10.26417/ejser.v3i1.p138-141","title":"“Discontinuity” as a Concept that affects today’s Art Practice","year":2015,"lang":"en","type":"article","venue":"European Journal of Social Sciences Education and Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Discontinuity (linguistics); Scope (computer science); Aesthetics; Epistemology; Period (music); Action (physics); Quarter (Canadian coin); Contemporary art; Sociology; Art; Philosophy; History; Computer science; Art history; Performance art; Physics","score_opus":0.1839739467039253,"score_gpt":0.470893760847255,"score_spread":0.2869198141433297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2664152692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.521628,0.00025403887,0.00008910227,0.046362627,0.0004741218,0.00009585704,7.055644e-7,0.000011187633,0.43108436],"genre_scores_gemma":[0.9856283,0.00012867647,0.00020306041,0.0015487883,0.00041753452,6.955542e-7,2.1417083e-7,0.0000059187905,0.012066823],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955572,0.0026647158,0.00016205637,0.00019115921,0.0011898739,0.00023502373],"domain_scores_gemma":[0.9989856,0.000148376,0.00021180644,0.00006379734,0.00032679795,0.00026361182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007271315,0.00006677555,0.0001137432,0.00024662082,0.00064438564,0.0003925213,0.00038498628,0.000017937227,0.00020093065],"category_scores_gemma":[0.0030331842,0.000047853824,0.00005538576,0.0007328063,0.0011851094,0.0005821869,0.00008843393,0.00033279043,0.0002339247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001551843,0.0012040572,0.0009766639,0.000013683751,0.0000124775715,0.00017502141,0.11849583,0.0000163788,0.022251422,0.03606601,0.5305934,0.29003987],"study_design_scores_gemma":[0.0005929492,0.0008777581,0.0031947223,0.00005444883,0.000021802882,0.0005951817,0.09825611,0.00003442372,0.0014410194,0.0010414197,0.89371777,0.00017241247],"about_ca_topic_score_codex":0.0000074050326,"about_ca_topic_score_gemma":0.0000013367181,"teacher_disagreement_score":0.46400028,"about_ca_system_score_codex":0.000056130044,"about_ca_system_score_gemma":0.0007856684,"threshold_uncertainty_score":0.49561587},"labels":[],"label_agreement":null},{"id":"W2735082393","doi":"10.1007/978-3-319-55188-3_4","title":"Forcing Insight with Sight and the Availability Heuristic","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Forcing (mathematics); Heuristic; Sight; Meaning (existential); Psychology; Cognitive psychology; Social psychology; Computer science; Epistemology; Artificial intelligence; Philosophy; Geology; Climatology; Psychotherapist; Physics; Optics","score_opus":0.03312046050996138,"score_gpt":0.24237512120035948,"score_spread":0.2092546606903981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735082393","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046334421,0.00006792611,0.00057421514,0.001173213,0.000037715516,0.00020288318,0.0000057714215,0.000048547285,0.9974264],"genre_scores_gemma":[0.27375185,0.0003031361,0.000032740903,0.00084344426,0.00003895389,0.0000046414834,0.0000012243241,0.000018553708,0.72500545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988767,0.00003961596,0.00018770773,0.00048602538,0.00027621843,0.0001337393],"domain_scores_gemma":[0.99887186,0.000101108264,0.00018696711,0.0007316315,0.000034544628,0.00007385945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017973235,0.00022783878,0.00033874682,0.000049036193,0.00048026087,0.00016015781,0.0002887384,0.00010286191,0.0022834826],"category_scores_gemma":[0.00013575083,0.00010750332,0.00010564672,0.000010064959,0.0013484779,0.000073656345,0.00010992624,0.00026553305,0.0002504548],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032704923,0.000038500693,0.000114185714,0.00008497624,0.000029741588,0.000114066075,0.0013074137,0.000005924953,0.0009435411,0.96565133,0.0021417195,0.029241541],"study_design_scores_gemma":[0.0020742272,0.00013135506,0.00019286457,0.00018971643,0.00044252284,0.0001911019,0.00003337123,0.0018139518,0.00031332494,0.047237027,0.94653046,0.0008500831],"about_ca_topic_score_codex":0.000027601962,"about_ca_topic_score_gemma":0.00009172291,"teacher_disagreement_score":0.94438875,"about_ca_system_score_codex":0.000018599952,"about_ca_system_score_gemma":0.00003590097,"threshold_uncertainty_score":0.99862856},"labels":[],"label_agreement":null},{"id":"W2735337629","doi":"10.1007/978-3-319-55188-3","title":"Alfred Hitchcock's Vertigo and the Hermeneutic Spiral","year":2017,"lang":"en","type":"book","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Vertigo; Order (exchange); Spiral (railway); Philosophy; Art; Psychoanalysis; Art history; Psychology; Medicine; Surgery; Mathematics; Mathematical analysis; Economics","score_opus":0.034565165623367276,"score_gpt":0.2699514445897338,"score_spread":0.23538627896636652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735337629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015740398,0.00007103488,0.000023687546,0.002390026,0.0001315399,0.00017312079,0.000012275287,0.000060394672,0.99556386],"genre_scores_gemma":[0.05358131,0.00044451238,0.000010654163,0.003994849,0.00010469603,0.000008915265,0.000005132995,0.000020170257,0.94182974],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988613,0.00008046091,0.00018270056,0.0004072661,0.0002782428,0.00019003847],"domain_scores_gemma":[0.99904907,0.000040867828,0.00014633845,0.0006666068,0.000015499589,0.00008159425],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013440066,0.00021116818,0.000324981,0.00005272723,0.00040415433,0.00018292836,0.00049657485,0.00014264765,0.0015977158],"category_scores_gemma":[0.00010922904,0.000119081276,0.00019135234,0.00002189762,0.00093376805,0.00006157917,0.00015935725,0.0002485683,0.0005466622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002644465,0.00011746615,0.00009912026,0.00010961319,0.000056219957,0.00019719228,0.0015373639,0.000007879538,0.007627674,0.25835684,0.5652981,0.1663281],"study_design_scores_gemma":[0.0013438291,0.00003719575,0.00011639402,0.000050017516,0.0002005261,0.00006728034,0.000023199687,0.0007651538,0.00025627337,0.021849627,0.9749117,0.00037879098],"about_ca_topic_score_codex":0.00002764579,"about_ca_topic_score_gemma":0.00003772515,"teacher_disagreement_score":0.40961364,"about_ca_system_score_codex":0.000032068507,"about_ca_system_score_gemma":0.0000936478,"threshold_uncertainty_score":0.99931496},"labels":[],"label_agreement":null},{"id":"W2735350211","doi":"10.1007/978-3-319-55188-3_9","title":"Vertigo, Etrog’s Spiral, The Shining and Traumatic Memory","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Subjectivity; Romanian; Psychology; Section (typography); Psychoanalysis; Epistemology; Philosophy; Linguistics; Computer science","score_opus":0.09633847600405993,"score_gpt":0.29455018917659515,"score_spread":0.19821171317253522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735350211","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034422996,0.000095180425,0.00008176472,0.0012277827,0.000094267816,0.00010880838,0.00000424537,0.00006515685,0.9948805],"genre_scores_gemma":[0.18831171,0.0003620395,0.00003964777,0.002458853,0.00006783287,0.0000033405902,0.0000011662886,0.000025044219,0.80873036],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989708,0.00002441732,0.00020137332,0.00036459623,0.0002854581,0.00015337608],"domain_scores_gemma":[0.99911946,0.000038667735,0.00015999131,0.000592301,0.000012623355,0.00007693381],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014484482,0.00021276968,0.00026154923,0.000067874375,0.0004537703,0.00019582466,0.00040749027,0.00012625614,0.003888659],"category_scores_gemma":[0.00008655815,0.00012724815,0.00015735997,0.000007985963,0.00041498351,0.00008976029,0.00010639469,0.00029186616,0.0005518335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029824976,0.000060836206,0.000051070998,0.00012603107,0.00005051366,0.00018312573,0.004602012,0.000011809558,0.010178041,0.4339553,0.022431865,0.52831954],"study_design_scores_gemma":[0.0010030715,0.00029408783,0.0006041063,0.0006320157,0.0007929906,0.00038988414,0.0007743346,0.004631451,0.0011871234,0.045120887,0.9425327,0.0020373063],"about_ca_topic_score_codex":0.000015187892,"about_ca_topic_score_gemma":0.000032440035,"teacher_disagreement_score":0.92010087,"about_ca_system_score_codex":0.000015313777,"about_ca_system_score_gemma":0.00002266276,"threshold_uncertainty_score":0.9970219},"labels":[],"label_agreement":null},{"id":"W2739644214","doi":"","title":"Pursuing Perceptual Images in the Absence of Central Vision","year":2017,"lang":"en","type":"article","venue":"Investigative Ophthalmology & Visual Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; Toronto Western Hospital; University of Ottawa","funders":"","keywords":"Perception; Optometry; Computer vision; Psychology; Artificial intelligence; Computer science; Medicine; Neuroscience","score_opus":0.07102448028520136,"score_gpt":0.3860941909124346,"score_spread":0.3150697106272332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739644214","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99254197,0.0000074728873,0.000006809162,0.0014677879,0.00012798939,0.00014112229,0.0000048187235,0.000012250098,0.005689802],"genre_scores_gemma":[0.9991973,0.000008693443,0.0002268569,0.00038925197,0.00002892682,0.000009789332,4.2687998e-7,0.000005842902,0.00013288422],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99748725,0.000362831,0.00030098401,0.00062827097,0.00068800955,0.000532669],"domain_scores_gemma":[0.9987923,0.00012711989,0.000309398,0.0005471403,0.00007674049,0.0001473019],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011919413,0.00016333097,0.0002281601,0.00017327005,0.0010753273,0.0001930581,0.002081382,0.00006236504,0.00019470984],"category_scores_gemma":[0.0029406506,0.00011161796,0.000076400065,0.00059219205,0.01633113,0.0008105998,0.00033064804,0.0002727996,0.000053339692],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006423449,0.00008419972,0.03647394,0.0000025207144,3.1949193e-7,0.00008633227,0.0030862528,0.000020506974,0.9589696,0.0005250323,0.000014183741,0.0007307046],"study_design_scores_gemma":[0.00016441644,0.0002293775,0.7113931,0.000037436683,0.000004030686,0.00017884503,0.0015373771,0.0010563026,0.2826437,0.0026010862,0.000016031498,0.00013829421],"about_ca_topic_score_codex":0.00020789861,"about_ca_topic_score_gemma":0.0000063295106,"teacher_disagreement_score":0.67632586,"about_ca_system_score_codex":0.00005231734,"about_ca_system_score_gemma":0.00017063748,"threshold_uncertainty_score":0.9863458},"labels":[],"label_agreement":null},{"id":"W2746424126","doi":"10.1163/22134913-00002066","title":"The Feeling of the Form: Style as Dynamic ‘Textured’ Expression","year":2017,"lang":"en","type":"article","venue":"Art & Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Expression (computer science); Feeling; Perception; Psychology; Gesture; Embodied cognition; Cognitive psychology; Style (visual arts); Aesthetics; Stimulus (psychology); Materiality (auditing); Emotional expression; Meaning (existential); Narrative; Linguistics; Social psychology; Art; Computer science; Visual arts","score_opus":0.020131938883842043,"score_gpt":0.30293008005000666,"score_spread":0.28279814116616464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746424126","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99019474,0.0000065327317,0.0004386909,0.0025948854,0.00019505853,0.00011689686,0.0000025384475,0.000027224703,0.0064234235],"genre_scores_gemma":[0.9897713,0.00020151304,0.000042631822,0.00037595566,0.000037758964,0.000009332657,0.0000014535582,0.0000097986685,0.0095502455],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9990052,0.00010034983,0.00018267584,0.00021910554,0.00032337054,0.00016928787],"domain_scores_gemma":[0.9988939,0.000023120745,0.00020783384,0.0008021144,0.000034008677,0.000038986615],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00022680564,0.0000952409,0.000095247706,0.00002401604,0.0018978941,0.00013702606,0.0005930738,0.000055268865,0.00041080423],"category_scores_gemma":[0.00025927852,0.00005032174,0.00015738489,0.00006117557,0.0003051456,0.00023521931,0.00015754913,0.00013739221,0.00055899523],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013156364,0.000025169093,0.00044483933,0.0000024022115,7.1839816e-7,3.2511255e-7,0.0012015041,0.000031303134,0.97168183,0.0001453912,0.000709509,0.02574382],"study_design_scores_gemma":[0.0018932244,0.00030874118,0.6617455,0.00043768523,0.00017512069,0.000121689394,0.010499291,0.07895209,0.11805092,0.010278401,0.11655899,0.0009783483],"about_ca_topic_score_codex":0.000027880391,"about_ca_topic_score_gemma":0.00006400824,"teacher_disagreement_score":0.85363096,"about_ca_system_score_codex":0.000033352033,"about_ca_system_score_gemma":0.000017114346,"threshold_uncertainty_score":0.9994015},"labels":[],"label_agreement":null},{"id":"W2751673659","doi":"10.26613/esic.1.1.41","title":"Ridley, Rosalind. 2016. Peter Pan and the Mind of J. M. Barrie: An Exploration of Cognition and Consciousness.","year":2017,"lang":"en","type":"article","venue":"Evolutionary Studies in Imaginative Culture","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Consciousness; Publishing; Cognitive science; Cognition; Philosophy; Art; Art history; Psychoanalysis; Psychology; Epistemology; Literature; Neuroscience","score_opus":0.0859041188659439,"score_gpt":0.3730086742169417,"score_spread":0.2871045553509978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751673659","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97643125,0.0059822733,0.0006511329,0.00927729,0.00025177406,0.0007239754,0.00024461505,0.000019571587,0.0064181364],"genre_scores_gemma":[0.9965414,0.0027690725,0.0002164461,0.000101186284,0.000026386424,0.00002535449,0.000006450233,0.00000413398,0.000309603],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9990434,0.00023472162,0.00020735864,0.0002446143,0.00017798899,0.000091919086],"domain_scores_gemma":[0.9992151,0.000067760215,0.0002562974,0.00017549301,0.00026055318,0.000024757866],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00024143931,0.000111768684,0.00023875084,0.00005635202,0.00042126593,0.000022616096,0.0001258007,0.000033544628,0.000015375761],"category_scores_gemma":[0.00089952233,0.00007017021,0.000036146776,0.00008115366,0.0050641885,0.00096924003,0.00011987971,0.00010395677,0.0000017095806],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022647714,0.0018670246,0.07074132,0.00061337295,0.00035377505,0.00007361449,0.49074736,0.00010971167,0.24570252,0.12115957,0.017504243,0.048862714],"study_design_scores_gemma":[0.019790178,0.0010199486,0.57401323,0.0011887508,0.00073816703,0.00018294241,0.16476285,0.010791011,0.02673129,0.19065021,0.008699864,0.001431541],"about_ca_topic_score_codex":0.000014849181,"about_ca_topic_score_gemma":0.000035022993,"teacher_disagreement_score":0.50327194,"about_ca_system_score_codex":0.000016748932,"about_ca_system_score_gemma":0.000016663058,"threshold_uncertainty_score":0.9976435},"labels":[],"label_agreement":null},{"id":"W2752548026","doi":"","title":"The loud bird doesn’t (always) get the worm: Why computational salience also needs brightness and tempo","year":2015,"lang":"en","type":"article","venue":"SMARTech Repository (Georgia Institute of Technology)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Brightness; Computer science; Salience (neuroscience); Artificial intelligence; Physics; Optics","score_opus":0.021038459398153866,"score_gpt":0.24886070403265648,"score_spread":0.22782224463450262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752548026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9768999,0.00032256712,0.0038197208,0.014045083,0.0009449487,0.00033403086,0.0000055142805,0.00054309005,0.0030851406],"genre_scores_gemma":[0.9973186,0.000072689436,0.00096137344,0.0005767831,0.00006511172,0.00004207032,0.0000012727073,0.000020903864,0.0009411795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805707,0.00009907991,0.0005003645,0.00044220794,0.0005598038,0.00034147035],"domain_scores_gemma":[0.99856573,0.00006052935,0.0003190054,0.00075710804,0.00018179341,0.000115810755],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00047353003,0.00023914376,0.0002793317,0.00032244183,0.0009776623,0.00013835549,0.0010212536,0.00022188357,0.0000050828226],"category_scores_gemma":[0.0003081082,0.00014090489,0.00009967162,0.0013213857,0.003655069,0.00031215485,0.00031418644,0.00040145614,0.000034546832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027539534,0.0006804975,0.03578441,0.00008147788,0.00011892345,0.00032442212,0.002859659,0.0055788546,0.39720073,0.48845133,0.012084149,0.05656014],"study_design_scores_gemma":[0.0027728607,0.0006660861,0.009485234,0.00023680057,0.00029509692,0.003303634,0.004932505,0.012221366,0.16361368,0.06503699,0.7360103,0.0014254203],"about_ca_topic_score_codex":0.00011875682,"about_ca_topic_score_gemma":0.000051437284,"teacher_disagreement_score":0.7239262,"about_ca_system_score_codex":0.00008081418,"about_ca_system_score_gemma":0.0002580123,"threshold_uncertainty_score":0.9990564},"labels":[],"label_agreement":null},{"id":"W2757027870","doi":"10.3389/fpsyg.2017.01620","title":"The Holistic Processing Account of Visual Expertise in Medical Image Perception: A Review","year":2017,"lang":"en","type":"review","venue":"Frontiers in Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":123,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"University at Albany; State University of New York","keywords":"Perspective (graphical); Perception; Field (mathematics); Image processing; Psychology; Process (computing); Domain (mathematical analysis); Image (mathematics); Visual processing; Data science; Cognitive science; Computer science; Cognitive psychology; Artificial intelligence; Neuroscience","score_opus":0.1353101709848199,"score_gpt":0.4967086740384063,"score_spread":0.3613985030535864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757027870","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006767761,0.993561,0.0023347607,0.00087589526,0.0008235148,0.00043987783,0.000005831346,0.000016030132,0.0019362912],"genre_scores_gemma":[0.00008161718,0.99771434,0.00026271987,0.0014059797,0.000097253745,0.00019083322,0.000007702559,0.00003129365,0.00020827109],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963024,0.00089952466,0.001182394,0.0007230642,0.0004898946,0.00040271317],"domain_scores_gemma":[0.998365,0.000047114732,0.00070067425,0.0007527044,0.000034899786,0.000099615434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012094023,0.00032405555,0.0018237435,0.00034431444,0.00015662954,0.000047975966,0.0013975167,0.00040226482,0.00035184936],"category_scores_gemma":[0.001547052,0.00021261668,0.00038014454,0.00052130385,0.0011555953,0.00010946624,0.000112287365,0.0007756545,0.00007411498],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070322085,0.00010147583,0.000010301281,0.003131318,0.0000024032693,0.000074990836,0.00007642149,8.2175315e-9,0.0000028687484,0.000004816352,0.010039613,0.9865487],"study_design_scores_gemma":[0.00025681293,0.000033957924,0.00004059131,0.02545716,0.00010873101,0.0002043014,0.000051205112,0.00019256501,7.045867e-8,0.00013106968,0.97329426,0.0002292538],"about_ca_topic_score_codex":0.000008332277,"about_ca_topic_score_gemma":0.00001146112,"teacher_disagreement_score":0.9863195,"about_ca_system_score_codex":0.00013068451,"about_ca_system_score_gemma":0.00027519578,"threshold_uncertainty_score":0.8670257},"labels":[],"label_agreement":null},{"id":"W2765430839","doi":"10.1093/cercor/bhx246","title":"Ventromedial Frontal Lobe Damage Alters how Specific Attributes are Weighed in Subjective Valuation","year":2017,"lang":"en","type":"article","venue":"Cerebral Cortex","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":56,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Montreal Neurological Institute and Hospital","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research","keywords":"Ventromedial prefrontal cortex; Psychology; Cognitive psychology; Concreteness; Perception; Frontal lobe; Valuation (finance); Cognition; Neuroscience; Prefrontal cortex","score_opus":0.061738040490211574,"score_gpt":0.28620378317780065,"score_spread":0.22446574268758906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765430839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.995797,0.000012683245,0.00046035706,0.00209361,0.00043998964,0.00017482345,0.000039199207,0.00004206291,0.00094030716],"genre_scores_gemma":[0.9985676,0.000034891116,0.0000533911,0.00021264023,0.00019888164,0.000012023102,0.000024795256,0.0000147377,0.00088104437],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99854624,0.0001391152,0.00017174701,0.0004812611,0.00035980024,0.00030182063],"domain_scores_gemma":[0.9991121,0.00002479057,0.00024752915,0.00047060862,0.000036903635,0.00010801023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016181693,0.00016144723,0.00024202779,0.00012235853,0.0003685856,0.00026286597,0.00042119905,0.000072936324,0.00055349444],"category_scores_gemma":[0.0002781106,0.00015164001,0.00012568806,0.00012640182,0.0002472495,0.0004569342,0.00009837315,0.00019439808,0.00028598285],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024126183,0.00043820773,0.43181464,0.000017617636,0.000011936485,0.00031754517,0.0019564426,0.000034131353,0.5411351,0.0019910336,0.0034471299,0.018594993],"study_design_scores_gemma":[0.001019167,0.00005914346,0.9896742,0.000021510701,0.000014072606,0.0000073072397,0.0004069058,0.0026349125,0.0044989055,0.0007544227,0.0007145991,0.00019487113],"about_ca_topic_score_codex":0.000047166017,"about_ca_topic_score_gemma":0.00019535134,"teacher_disagreement_score":0.55785954,"about_ca_system_score_codex":0.00014244304,"about_ca_system_score_gemma":0.000031581018,"threshold_uncertainty_score":0.61837},"labels":[],"label_agreement":null},{"id":"W2765630183","doi":"","title":"Effectiveness of Transcranial Direct Current Stimulation on Medial Prefrontal Cortex in Aesthetic Judgement - eScholarship","year":2014,"lang":"en","type":"article","venue":"Proceedings of the Annual Meeting of the Cognitive Science Society","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transcranial direct-current stimulation; Prefrontal cortex; Stimulation; Psychology; Neuroscience; Judgement; Self-reference effect; Audiology; Affect (linguistics); Cognition; Consumer neuroscience; Cognitive psychology; Medicine; Communication","score_opus":0.01883246883402719,"score_gpt":0.2854809922559441,"score_spread":0.2666485234219169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765630183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9977777,0.0000069021567,0.00002386783,0.00010476746,0.000200051,0.00045231474,0.000021586986,0.000012706331,0.0014001201],"genre_scores_gemma":[0.9998461,0.0000121942885,0.000036142497,0.000054745466,0.000019155596,0.000013892901,3.019191e-7,0.000009030538,0.000008431366],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99765563,0.00017906979,0.00038286037,0.00038794515,0.0011273059,0.00026721836],"domain_scores_gemma":[0.99860734,0.00021704106,0.00048543277,0.000116066585,0.0005222701,0.000051826028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035887153,0.00016003933,0.0002936744,0.000081865575,0.00028073989,0.000027220844,0.00085589034,0.000049066195,0.0000057080415],"category_scores_gemma":[0.0019594177,0.000100529025,0.0003443012,0.0011739727,0.0017946556,0.00030622058,0.000199805,0.0002587227,0.0000016306049],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016429453,0.00031082027,0.023685604,0.00013858265,0.0000027731796,1.6230299e-8,0.0065820655,0.0002100432,0.96367013,0.00044373746,0.0000034695834,0.0047884765],"study_design_scores_gemma":[0.0010829599,0.00028631644,0.4012762,0.0016621385,0.00007547705,0.0000015259327,0.0024841009,0.0034533888,0.58855987,0.00095760205,0.0000061231685,0.00015432677],"about_ca_topic_score_codex":0.000023961147,"about_ca_topic_score_gemma":0.000002345106,"teacher_disagreement_score":0.3775906,"about_ca_system_score_codex":0.00008406496,"about_ca_system_score_gemma":0.00007568663,"threshold_uncertainty_score":0.6612483},"labels":[],"label_agreement":null},{"id":"W2769502831","doi":"10.1037/aca0000146","title":"Context effects on beauty ratings of abstract paintings: Contrast, contrast, everywhere!","year":2017,"lang":"en","type":"article","venue":"Psychology of Aesthetics Creativity and the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Contrast (vision); Beauty; Context (archaeology); Painting; Aesthetics; Color contrast; Art; Psychology; Visual arts; Computer science; Artificial intelligence; Geography; Archaeology","score_opus":0.03506760539041782,"score_gpt":0.3240519603758025,"score_spread":0.28898435498538466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2769502831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9724164,0.00006358703,0.00037786207,0.010420439,0.00010090068,0.00026744232,0.000010613568,0.000020088355,0.016322693],"genre_scores_gemma":[0.9966791,0.0002173061,0.000052609987,0.0028044144,0.000027518092,0.000011574678,6.415284e-7,0.000012390783,0.00019442511],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9984706,0.0003211652,0.0003640328,0.00036465813,0.00022334397,0.00025620882],"domain_scores_gemma":[0.99780464,0.00063546863,0.00070835056,0.0007092889,0.000059220543,0.000083053856],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010663788,0.0001938629,0.00055934826,0.00006209409,0.00044116122,0.000046938443,0.00039796217,0.00010859649,0.000056784895],"category_scores_gemma":[0.0011151894,0.00013136081,0.00017954787,0.0000483374,0.0027965293,0.00010141001,0.0000585983,0.00023453671,0.000014925641],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003544719,0.0021559878,0.03185825,0.00016775363,0.00011078314,0.00007414764,0.008320724,0.00001942751,0.30852276,0.113788955,0.002500242,0.5289362],"study_design_scores_gemma":[0.029973865,0.003271056,0.5551045,0.000949065,0.0005591953,0.00034778405,0.00093628955,0.0016220673,0.33101302,0.062819876,0.012238419,0.0011648375],"about_ca_topic_score_codex":0.000071422095,"about_ca_topic_score_gemma":0.00002123141,"teacher_disagreement_score":0.5277714,"about_ca_system_score_codex":0.000005670163,"about_ca_system_score_gemma":0.0000119056795,"threshold_uncertainty_score":0.99991727},"labels":[],"label_agreement":null},{"id":"W2769941995","doi":"10.1017/s0140525x17001790","title":"Psychological models of art reception must be empirically grounded","year":2017,"lang":"en","type":"letter","venue":"Behavioral and Brain Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Grounded theory; Social psychology; Cognitive psychology; Sociology; Qualitative research; Social science","score_opus":0.33897109028631883,"score_gpt":0.43130706127840207,"score_spread":0.09233597099208324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2769941995","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37677068,0.000017071545,0.00026264274,0.61501485,0.00025734605,0.00018423045,0.00006967256,0.000059029077,0.00736446],"genre_scores_gemma":[0.5571269,0.00017222852,0.00077307486,0.42408374,0.00046312614,0.000028498014,0.000048254882,0.000018487059,0.017285718],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974092,0.00020429987,0.00035044257,0.0008951202,0.00079600036,0.00034492533],"domain_scores_gemma":[0.9991041,0.00005350359,0.00034360914,0.00037157693,0.000044878456,0.0000823628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046118995,0.00024483705,0.00039638087,0.00018734168,0.0005434823,0.00027155667,0.00081641966,0.00041925625,0.0006017104],"category_scores_gemma":[0.00009241623,0.00016915015,0.00018868594,0.00024930952,0.0026484088,0.0003797663,0.00013112844,0.0005323522,0.00003751201],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011298425,0.00021371017,0.00015775335,0.000015302274,9.629803e-7,0.00010160326,0.00027737158,0.000005958152,0.018488085,0.00021758307,0.9583946,0.022115784],"study_design_scores_gemma":[0.0010413963,0.0026571332,0.004876725,0.00024407308,0.00023950376,0.0005790026,0.0004025013,0.002205287,0.0006889283,0.016234111,0.9689279,0.0019033948],"about_ca_topic_score_codex":0.0000613585,"about_ca_topic_score_gemma":0.000011377417,"teacher_disagreement_score":0.19093113,"about_ca_system_score_codex":0.00001620009,"about_ca_system_score_gemma":0.000038788294,"threshold_uncertainty_score":0.9758172},"labels":[],"label_agreement":null},{"id":"W2770860702","doi":"10.3389/fnhum.2017.00581","title":"Modulation of Neural Activity during Guided Viewing of Visual Art","year":2017,"lang":"en","type":"article","venue":"Frontiers in Human Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":28,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Instituto Tecnológico y de Estudios Superiores de Monterrey; National Science Foundation","keywords":"Electroencephalography; Brain activity and meditation; Psychology; Painting; Audiology; Art; Visual arts; Neuroscience; Medicine","score_opus":0.06856861470343484,"score_gpt":0.3460707038824303,"score_spread":0.27750208917899544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2770860702","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99341434,0.0000026462112,0.005349814,0.00008722532,0.00040474974,0.00010162266,0.000002686441,0.000018261533,0.0006186735],"genre_scores_gemma":[0.99927413,0.000015589289,0.00014787358,0.00005617429,0.000015722926,0.0000034761665,2.1976084e-7,0.000008367993,0.00047846162],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99849355,0.00011251185,0.0003208785,0.00043645306,0.00040600216,0.00023057437],"domain_scores_gemma":[0.99897105,0.000007678431,0.00043859152,0.0004988819,0.000027174947,0.00005661315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023060983,0.00011635561,0.00026626477,0.00024609975,0.0004443176,0.000059257633,0.0006553722,0.000037389334,0.000015882168],"category_scores_gemma":[0.00054021063,0.000116457835,0.00009728568,0.00024562693,0.00074384414,0.0006182773,0.00016359774,0.00012626531,7.103465e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009372407,0.00007859179,0.048911583,0.000014829759,1.6506014e-7,0.000005664133,0.00014730093,0.0026362175,0.9468777,0.000035597044,0.00004068797,0.0012422698],"study_design_scores_gemma":[0.0003217093,0.00005892668,0.59590185,0.000030001569,0.000005535063,0.0000058146725,0.000021446853,0.18615806,0.21719012,0.00014664764,0.000035496156,0.00012440425],"about_ca_topic_score_codex":0.000019443314,"about_ca_topic_score_gemma":0.0000027290528,"teacher_disagreement_score":0.72968763,"about_ca_system_score_codex":0.000031517517,"about_ca_system_score_gemma":0.000017150376,"threshold_uncertainty_score":0.47490126},"labels":[],"label_agreement":null},{"id":"W2777073510","doi":"10.1016/j.culher.2017.11.008","title":"Predicting and grouping digitized paintings by style using unsupervised feature learning","year":2017,"lang":"en","type":"article","venue":"Journal of Cultural Heritage","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":54,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ontario Institute of Technology","funders":"National Institute of Mental Health; Natural Sciences and Engineering Research Council of Canada; National Institutes of Health","keywords":"Style (visual arts); Painting; Feature (linguistics); Artificial intelligence; Computer science; Pattern recognition (psychology); Art; Visual arts; Linguistics","score_opus":0.03598847124931009,"score_gpt":0.29528305410514916,"score_spread":0.25929458285583906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2777073510","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99814767,0.000119430566,0.00019062043,0.00076736277,0.0000715096,0.000037078415,0.0000021065975,0.000024937211,0.00063930894],"genre_scores_gemma":[0.99723977,0.00015613639,0.00083975383,0.00022482153,0.00013769287,2.8402658e-7,5.4112974e-7,0.000011757616,0.001389217],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99893713,0.00015562847,0.0002656862,0.00016196404,0.00028212456,0.00019745836],"domain_scores_gemma":[0.99905145,0.000041686257,0.0005870207,0.00010949202,0.00008361415,0.00012672879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043062374,0.00012722921,0.0002521975,0.00003884891,0.0009175082,0.00063702994,0.00025180835,0.00007760687,0.00004433945],"category_scores_gemma":[0.0012103829,0.00008996036,0.00013736181,0.000063933,0.00013956758,0.0010414283,0.000077439436,0.00050186925,0.0000019010239],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026901203,0.000019182587,0.013166146,0.000017394561,0.0000062612557,0.000047190566,0.0019659589,0.0000237536,0.9804678,0.000013234177,0.00018752564,0.0040586367],"study_design_scores_gemma":[0.029129732,0.002892135,0.14039235,0.0062453197,0.0015727363,0.015058215,0.16895771,0.35643303,0.17422508,0.0012353013,0.09821182,0.005646577],"about_ca_topic_score_codex":0.000022055934,"about_ca_topic_score_gemma":0.000001710822,"teacher_disagreement_score":0.80624276,"about_ca_system_score_codex":0.00003722835,"about_ca_system_score_gemma":0.000012510846,"threshold_uncertainty_score":0.7056824},"labels":[],"label_agreement":null},{"id":"W2784682903","doi":"10.3389/fpsyg.2017.02368","title":"Visual Complexity and Affect: Ratings Reflect More Than Meets the Eye","year":2018,"lang":"en","type":"article","venue":"Frontiers in Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":84,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Deutsche Forschungsgemeinschaft; Deutscher Akademischer Austauschdienst","keywords":"Psychology; Affect (linguistics); Cognitive psychology; Social psychology; Communication","score_opus":0.05364094147689271,"score_gpt":0.40038257218354273,"score_spread":0.34674163070665004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784682903","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9716803,0.000084481435,0.008630809,0.0098363245,0.0007925877,0.0001419119,0.0000031022614,0.000049958806,0.008780512],"genre_scores_gemma":[0.9896229,0.00008794961,0.0019555811,0.007874315,0.000094888564,0.000010332261,0.0000011729854,0.000010207499,0.0003426383],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987427,0.0003067717,0.0001592295,0.00041708272,0.00012156624,0.0002526209],"domain_scores_gemma":[0.99959004,0.000018688632,0.0000662662,0.0002573921,0.000014616944,0.000052999756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027212972,0.00011406555,0.00018494333,0.000116895564,0.0002050969,0.000025896754,0.00025037638,0.000080208985,0.0001345522],"category_scores_gemma":[0.00011251588,0.000080857666,0.00004561961,0.000352188,0.0014782321,0.000053396485,0.00005474497,0.0001788639,0.000041788495],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064466114,0.0006396035,0.2895991,0.000019666688,0.000027029302,0.00008671884,0.012024968,0.000002180085,0.25601882,0.00410308,0.1886615,0.2481727],"study_design_scores_gemma":[0.00416958,0.0017239401,0.7403118,0.000059497772,0.00008727233,0.00024816405,0.0031035515,0.020681325,0.007434588,0.045104206,0.17600834,0.0010677286],"about_ca_topic_score_codex":0.000016602082,"about_ca_topic_score_gemma":0.00003650639,"teacher_disagreement_score":0.4507127,"about_ca_system_score_codex":0.000015226848,"about_ca_system_score_gemma":0.0000078778885,"threshold_uncertainty_score":0.5446608},"labels":[],"label_agreement":null},{"id":"W2796344657","doi":"10.1093/oxfordhb/9780190464745.013.17","title":"Internal Orientation in Aesthetic Experience","year":2018,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Interoception; Feeling; Psychology; Insula; Cognitive psychology; Narrative; Orientation (vector space); Dissociation (chemistry); Default mode network; Cognitive science; Aesthetics; Social psychology; Cognition; Neuroscience; Art; Linguistics; Perception; Philosophy","score_opus":0.03437422851424635,"score_gpt":0.2541141002677863,"score_spread":0.21973987175353996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796344657","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020853976,0.000003574635,0.0006148781,0.000015073264,0.00014933667,0.00016358097,0.000018550369,0.00007400457,0.97810704],"genre_scores_gemma":[0.02577204,0.00009208444,0.00006600414,0.00016526142,0.00004164297,0.0000014120807,0.0000083861905,0.000019957173,0.9738332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855655,0.00011875577,0.00018504901,0.00057210115,0.00032313555,0.00024438225],"domain_scores_gemma":[0.9993082,0.00001529999,0.00017686657,0.00035407618,0.000041543855,0.00010396399],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000067174886,0.0002246666,0.00024154515,0.00027774335,0.00012963451,0.00004837363,0.000601243,0.0001916337,0.00019016124],"category_scores_gemma":[0.000018230954,0.00024945187,0.00013915477,0.00003930261,0.00043199878,0.00012641866,0.00021570123,0.00029089182,0.000013806372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015108753,0.00054942124,0.00043823337,0.00023288513,0.000031980042,0.00374528,0.051370054,0.00011664515,0.010027149,0.71563476,0.05762911,0.15871358],"study_design_scores_gemma":[0.00040377915,0.000058876565,0.000017796474,0.00010045161,0.000026613186,0.00003024405,0.00020366875,0.0003510581,0.0006024492,0.00024929637,0.9976896,0.00026614053],"about_ca_topic_score_codex":0.00004968843,"about_ca_topic_score_gemma":0.00003287342,"teacher_disagreement_score":0.9400605,"about_ca_system_score_codex":0.00030027167,"about_ca_system_score_gemma":0.000103510625,"threshold_uncertainty_score":0.99999577},"labels":[],"label_agreement":null},{"id":"W2796741371","doi":"10.1093/aesthj/ayy009","title":"Fake Views—or Why Concepts are Bad Guides to Art’s Ontology","year":2018,"lang":"en","type":"article","venue":"The British Journal of Aesthetics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Ontology; Aesthetics; Computer science; Epistemology; Art; Philosophy","score_opus":0.0685940073847533,"score_gpt":0.3428363650586468,"score_spread":0.2742423576738935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796741371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9593751,0.00035504132,0.004318258,0.027380405,0.0006677592,0.00018946914,0.000017930575,0.000044441855,0.007651634],"genre_scores_gemma":[0.9609228,0.001166733,0.0009628217,0.029228633,0.00039982557,0.0000029155697,4.33303e-7,0.000029065044,0.007286797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979372,0.00039135912,0.0006330729,0.00022041299,0.00047484325,0.00034309315],"domain_scores_gemma":[0.9986074,0.000060092523,0.00046231708,0.0003001033,0.00033482272,0.00023524836],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006493908,0.00015506224,0.00039039445,0.00008745323,0.000564262,0.0002998763,0.0008091617,0.00007601665,0.0010957184],"category_scores_gemma":[0.0007290869,0.000113113085,0.00021796423,0.0003737987,0.00070901704,0.0001245962,0.000088895074,0.0003184814,0.0005975892],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030949645,0.0004580559,0.00042494826,0.000011191685,0.000022063718,0.002108919,0.0029985805,0.000120923636,0.018505652,0.0009304042,0.5822801,0.39182964],"study_design_scores_gemma":[0.00066843466,0.001029122,0.0015305257,0.00030095645,0.000083818035,0.02973488,0.00079475774,0.00014395619,0.0032076528,0.0011307567,0.9611047,0.0002704528],"about_ca_topic_score_codex":0.000022841108,"about_ca_topic_score_gemma":0.0005648009,"teacher_disagreement_score":0.39155918,"about_ca_system_score_codex":0.00004231957,"about_ca_system_score_gemma":0.000074321586,"threshold_uncertainty_score":0.99981743},"labels":[],"label_agreement":null},{"id":"W2799135778","doi":"10.1145/3170427.3188574","title":"Chromotype","year":2018,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Tech University","funders":"","keywords":"Palette (painting); Computer science; Variety (cybernetics); Human–computer interaction; Generative grammar; Variation (astronomy); Multimedia; Computer graphics (images); Artificial intelligence","score_opus":0.04698088012115204,"score_gpt":0.30752277007924356,"score_spread":0.2605418899580915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799135778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57907724,0.0000011493286,0.0020918539,0.0009861903,0.000054675533,0.000012970588,2.5616532e-7,0.000090421614,0.4176852],"genre_scores_gemma":[0.97614866,0.0000043105824,0.00015809403,0.002685046,0.00007180826,1.9627232e-7,7.1971996e-8,0.0000019939293,0.020929817],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9997369,0.000011871226,0.000034678633,0.00009296484,0.00006182035,0.000061736835],"domain_scores_gemma":[0.9998662,0.0000023125351,0.0000068012955,0.000088934205,0.0000085871725,0.000027148342],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022322758,0.000023120245,0.00002592043,0.000018810717,0.000056124813,0.000010905709,0.00006197627,0.000009785267,0.014510238],"category_scores_gemma":[0.000035378816,0.000016718855,0.000029268427,0.00011570518,0.00008623466,0.000028284343,0.000013077513,0.000015020742,0.008673604],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029141895,0.000022907758,0.0002740208,4.7546493e-7,3.7486382e-7,0.000003373934,0.00018154125,4.879316e-7,0.9364879,0.020450583,0.005864646,0.036710743],"study_design_scores_gemma":[0.00024088041,0.00018427907,0.0032204993,0.0000032659725,0.000012064739,0.00004280114,0.000094120725,0.007253707,0.5422856,0.002551856,0.4438875,0.00022343553],"about_ca_topic_score_codex":0.0000043112946,"about_ca_topic_score_gemma":0.000004112059,"teacher_disagreement_score":0.43802285,"about_ca_system_score_codex":0.0000033007889,"about_ca_system_score_gemma":0.0000040700147,"threshold_uncertainty_score":0.9920983},"labels":[],"label_agreement":null},{"id":"W2801767670","doi":"10.3389/fsoc.2018.00009","title":"The Synthesis of the Arts: From Ceremonial Ritual to “Total Work of Art”","year":2018,"lang":"en","type":"article","venue":"Frontiers in Sociology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Ceremony; Spectacle; The arts; Aesthetics; Argument (complex analysis); Art; Visual arts; Performing arts; Sociology; History; Law; Archaeology; Political science","score_opus":0.017581472066272814,"score_gpt":0.2635341048849437,"score_spread":0.2459526328186709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801767670","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9924568,0.00003614537,0.0018382639,0.0031816675,0.0009170643,0.00008275902,0.000019378032,0.000008542286,0.0014593621],"genre_scores_gemma":[0.99803925,0.000029833716,0.00068384147,0.0004843074,0.00011015574,0.0000092443715,3.5164095e-7,0.0000061705564,0.0006368266],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99887484,0.00032958368,0.00024741344,0.00020560565,0.00013439056,0.00020814172],"domain_scores_gemma":[0.9993323,0.00018826286,0.00011425315,0.00031076366,0.000024687428,0.000029710487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023008295,0.000078093,0.00022648023,0.0000416581,0.00013564703,0.000004282508,0.0004102474,0.00009867863,0.00011897366],"category_scores_gemma":[0.0007593606,0.000046675887,0.0001196584,0.00022532941,0.0024299913,0.000019466155,0.000100469086,0.00013078505,0.00006132519],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011719089,0.0005529823,0.31668335,0.000011575925,0.00010883834,0.000007127283,0.05658969,0.00018704584,0.16236702,0.0074354527,0.3477984,0.10708659],"study_design_scores_gemma":[0.0025193894,0.00083784445,0.5743114,0.00026296361,0.0003640833,0.000016332366,0.05649896,0.0026860684,0.15258121,0.08031669,0.12831523,0.0012898551],"about_ca_topic_score_codex":0.000027117667,"about_ca_topic_score_gemma":0.000023412806,"teacher_disagreement_score":0.257628,"about_ca_system_score_codex":0.000033243905,"about_ca_system_score_gemma":0.000033093325,"threshold_uncertainty_score":0.89534044},"labels":[],"label_agreement":null},{"id":"W2801976050","doi":"","title":"A behaviour index for complex artworks: A conceptual tool for contemporary art conservation","year":2017,"lang":"en","type":"article","venue":"UvA-DARE (University of Amsterdam)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universiteit van Amsterdam; York University; University of the Arts London","keywords":"Index (typography); Accountability; Computer science; Digital art; Presentation (obstetrics); Variable (mathematics); Data collection; Visual arts; Art; Sociology; Mathematics; Social science; World Wide Web; Art history; Performance art; Political science","score_opus":0.1093677207560329,"score_gpt":0.2899924283089165,"score_spread":0.18062470755288357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801976050","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9003642,0.0000054148513,0.089759685,0.0054956162,0.00016139823,0.0008305335,0.0004890345,0.00007475935,0.0028193542],"genre_scores_gemma":[0.99108016,0.0000052736887,0.0012254544,0.00086849264,0.0000420087,0.000003265078,0.00007388113,0.000011537841,0.0066899383],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990537,0.00005107049,0.0001611976,0.00035098474,0.00018779606,0.00019525587],"domain_scores_gemma":[0.99888355,0.00007873168,0.00037476158,0.0004233918,0.00016021718,0.00007934437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015897841,0.00013167183,0.00029227132,0.0000908355,0.00085212465,0.00006694661,0.0004954655,0.00009600953,0.00026441592],"category_scores_gemma":[0.00014458914,0.00015736815,0.00025246877,0.00006478562,0.000659593,0.0004636146,0.00011609499,0.000075737946,0.000030945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004361986,0.0014307317,0.19875158,0.00033439885,0.00013503422,0.00012360438,0.016765945,0.00012445477,0.15188321,0.020710673,0.56916624,0.03621212],"study_design_scores_gemma":[0.01938757,0.0014351456,0.35322613,0.0003278573,0.00039903604,0.000035410045,0.024260404,0.0634403,0.001630769,0.0020189479,0.53229064,0.0015478113],"about_ca_topic_score_codex":0.0001133521,"about_ca_topic_score_gemma":0.00013515959,"teacher_disagreement_score":0.15447454,"about_ca_system_score_codex":0.000035665213,"about_ca_system_score_gemma":0.00008345898,"threshold_uncertainty_score":0.655394},"labels":[],"label_agreement":null},{"id":"W2802211069","doi":"10.1371/journal.pone.0196246","title":"Inducing preference reversals in aesthetic choices for paintings: Introducing the contrast paradigm","year":2018,"lang":"en","type":"article","venue":"PLoS ONE","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland; University of Calgary","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Painting; Beauty; Contrast (vision); Preference; Pairing; Psychology; Aesthetics; Cognitive psychology; Art; Computer science; Art history; Mathematics; Artificial intelligence; Statistics; Physics","score_opus":0.1215055780016618,"score_gpt":0.27747657271083137,"score_spread":0.15597099470916959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802211069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9929202,0.000022512064,0.0006262629,0.0052238717,0.00003325083,0.00037910286,0.0000044101175,0.000058611215,0.00073174835],"genre_scores_gemma":[0.996756,0.000045827885,0.00055739965,0.0018524852,0.00018023793,0.00007210103,0.0000011749898,0.000014727661,0.0005200321],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9985548,0.00016453865,0.00027013582,0.00043096498,0.0002598343,0.00031972656],"domain_scores_gemma":[0.9992689,0.00014035728,0.00013040655,0.00035319163,0.000053787204,0.000053373646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063547783,0.00012199892,0.00022250548,0.00010187935,0.00024727194,0.000088835535,0.00033950488,0.000049613704,0.00016040412],"category_scores_gemma":[0.0012471502,0.00008849876,0.00005350207,0.00037952678,0.00023903613,0.00014379816,0.000046712586,0.00016539462,0.00010068288],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078724006,0.0010646287,0.0068090823,0.00006907181,0.00001513031,0.0000031733339,0.007142002,0.000028091568,0.9611339,0.0038047296,0.00033836966,0.019513084],"study_design_scores_gemma":[0.0048787864,0.0015404299,0.02668481,0.0026098327,0.0006462433,0.0000496627,0.0025977578,0.089441985,0.8457676,0.014266376,0.009592066,0.0019244625],"about_ca_topic_score_codex":0.000058818856,"about_ca_topic_score_gemma":0.000090783986,"teacher_disagreement_score":0.115366325,"about_ca_system_score_codex":0.0000410227,"about_ca_system_score_gemma":0.000030536055,"threshold_uncertainty_score":0.36088747},"labels":[],"label_agreement":null},{"id":"W2808306068","doi":"10.1163/22134913-20181094","title":"Gericault’s Fake-Gallop Horse Judged Speedy but Unrealistic","year":2018,"lang":"en","type":"article","venue":"Art & Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Referent; Pony; Depiction; Movement (music); Meaning (existential); Horse; Aesthetics; Art; Extension (predicate logic); Psychology; Visual arts; Computer science; History; Philosophy; Linguistics","score_opus":0.045333167950127554,"score_gpt":0.3008196245900027,"score_spread":0.2554864566398752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808306068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9531734,0.0000021623857,0.009736692,0.0017980621,0.00029253704,0.00015971102,0.00001680371,0.00029471578,0.034525905],"genre_scores_gemma":[0.97391945,0.00007361768,0.00057640206,0.0034883015,0.00043179086,0.000013774744,0.000027775952,0.000027220292,0.021441657],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812907,0.0001787591,0.000302597,0.0005799754,0.00043097002,0.0003786043],"domain_scores_gemma":[0.9991549,0.000022169728,0.00009733058,0.0004495517,0.00009274252,0.00018325968],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021089177,0.00020808392,0.00021421826,0.00015566136,0.00040089383,0.00009876359,0.00025602852,0.00010024947,0.00995568],"category_scores_gemma":[0.00022285215,0.00018891199,0.00015363828,0.0004432729,0.0004455263,0.0002465642,0.000066203276,0.00016293828,0.027867466],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032780274,0.00013832336,0.00044258917,0.0000044100666,0.0000019342606,0.000012371081,0.0013742731,0.000005642199,0.9615597,0.00041508564,0.01677632,0.019236563],"study_design_scores_gemma":[0.0029016018,0.001741539,0.23720835,0.00012232811,0.00041538881,0.0005757216,0.0054058298,0.04041505,0.022898436,0.0036726366,0.68188024,0.0027628914],"about_ca_topic_score_codex":0.00008105071,"about_ca_topic_score_gemma":0.0000756487,"teacher_disagreement_score":0.9386613,"about_ca_system_score_codex":0.000095546435,"about_ca_system_score_gemma":0.000030168463,"threshold_uncertainty_score":0.99094933},"labels":[],"label_agreement":null},{"id":"W2809076135","doi":"","title":"The caves of Cantabria: non-figurative cave art in Northern Spain","year":2017,"lang":"en","type":"dissertation","venue":"Memorial University Research Repository (Memorial University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Memorial University of Newfoundland","keywords":"Literal and figurative language; Cave; Art; Construct (python library); Visual arts; Archaeology; Geography; Linguistics; Computer science; Philosophy","score_opus":0.03206564788924486,"score_gpt":0.2919927472443443,"score_spread":0.25992709935509944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809076135","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7153249,0.000015123443,0.000010984506,0.00013921113,0.005000103,0.00079312455,0.00006336922,0.000044872373,0.2786083],"genre_scores_gemma":[0.6560342,0.00043738767,0.000006555512,0.0000031691754,0.0010574885,7.2064705e-7,0.000060902858,0.000031545722,0.34236807],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938473,0.0022053432,0.00042552975,0.0010856978,0.0016143611,0.0008217596],"domain_scores_gemma":[0.99648345,0.000570039,0.00069801195,0.001150978,0.0007821352,0.00031536826],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0011745866,0.00043240917,0.0007713255,0.0013949921,0.0032039199,0.0002399213,0.0027610098,0.0005850654,0.00006241454],"category_scores_gemma":[0.000993624,0.00042503144,0.0004759496,0.0014301396,0.0012709439,0.00055463926,0.00031337872,0.0015782627,0.000104379964],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.045302372,0.0019503238,0.006401741,0.00061774196,0.000558982,0.03182996,0.029027449,0.00047202207,0.8287626,0.016909452,0.018132938,0.020034434],"study_design_scores_gemma":[0.0153202675,0.0018838168,0.015516854,0.001476744,0.0009707446,0.00009482792,0.14906885,0.0008567201,0.20387968,0.0005779445,0.6070471,0.0033064843],"about_ca_topic_score_codex":0.0073925583,"about_ca_topic_score_gemma":0.050648246,"teacher_disagreement_score":0.6248829,"about_ca_system_score_codex":0.0014112276,"about_ca_system_score_gemma":0.0019215877,"threshold_uncertainty_score":0.9998202},"labels":[],"label_agreement":null},{"id":"W2864639456","doi":"10.1371/journal.pone.0200431","title":"Prediction of beauty and liking ratings for abstract and representational paintings using subjective and objective measures","year":2018,"lang":"en","type":"article","venue":"PLoS ONE","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":50,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Beauty; Painting; Psychology; Social psychology; Aesthetics; Cognitive psychology; Art; Visual arts","score_opus":0.16041263832790226,"score_gpt":0.29749570690663985,"score_spread":0.1370830685787376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2864639456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9982118,0.000017903658,0.0012950887,0.000080947524,0.00000846831,0.0001664309,0.000021300173,0.000017845792,0.0001801999],"genre_scores_gemma":[0.9976412,0.00002712943,0.0021533018,0.00007470715,0.00006266167,0.000007499281,0.0000012035916,0.0000065269073,0.000025787027],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99929833,0.000036552698,0.00013976093,0.00025074856,0.00018193443,0.00009268728],"domain_scores_gemma":[0.99954486,0.00011970415,0.00011657471,0.000053971962,0.0001259311,0.000038954688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025190628,0.00006369611,0.00012484114,0.000065828055,0.00021714822,0.0000324859,0.000023584245,0.00003236468,0.000011077024],"category_scores_gemma":[0.00088900776,0.000060703154,0.000018116929,0.00008845618,0.00027705007,0.00015905431,0.000025581492,0.00004854307,2.4607246e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003941323,0.00007948708,0.025092205,0.000027599315,0.000012928913,1.9654362e-7,0.003240731,0.000001271589,0.97014123,0.0001305415,0.0000021432334,0.0012322548],"study_design_scores_gemma":[0.0008406175,0.0003319572,0.3280351,0.00021117563,0.00022800162,0.000016020547,0.0019546303,0.04366267,0.62224156,0.002309631,0.000009542065,0.00015911245],"about_ca_topic_score_codex":0.000068532136,"about_ca_topic_score_gemma":0.000009146869,"teacher_disagreement_score":0.34789968,"about_ca_system_score_codex":0.00001737477,"about_ca_system_score_gemma":0.000014580575,"threshold_uncertainty_score":0.24754028},"labels":[],"label_agreement":null},{"id":"W2886581869","doi":"10.1093/analys/any039","title":"Straight Thinking in Warped Environments","year":2018,"lang":"en","type":"article","venue":"Analysis","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Perception; Appeal; Rationality; Cognition; Perceptual psychology; Psychology; Cognitive psychology; Epistemology; Aesthetics; Cognitive science; Social psychology; Philosophy; Social cognition; Law","score_opus":0.026056815687048443,"score_gpt":0.2836949950335361,"score_spread":0.2576381793464877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886581869","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9750694,0.000005813335,0.009200644,0.0004859574,0.000024375502,0.000034204088,0.0000027236074,0.000030324318,0.015146578],"genre_scores_gemma":[0.99485534,0.000037634625,0.00025883142,0.0011124887,0.000035125093,0.0000029467835,0.0000035283285,0.0000056833596,0.0036883992],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9988917,0.00009356992,0.00019326548,0.0003389351,0.00028969915,0.00019281649],"domain_scores_gemma":[0.99958956,0.000013518338,0.000057916426,0.00027870387,0.000005020276,0.000055270128],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015949401,0.000088751454,0.00018201287,0.00039258902,0.0001401722,0.000036171234,0.0002240953,0.000040276474,0.005321328],"category_scores_gemma":[0.000046692217,0.000076699056,0.0001769019,0.0015384068,0.00012904382,0.000099865974,0.00004491325,0.00007382653,0.0008239156],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000466606,0.0008552938,0.16850716,0.000005686681,0.00028318175,0.00015517868,0.009153089,0.0027302632,0.762437,0.0060479306,0.0007786661,0.04899988],"study_design_scores_gemma":[0.0023967254,0.0003193288,0.46286327,0.000038430055,0.0044850484,0.000018735893,0.0017415131,0.29973185,0.15005334,0.009333845,0.06697962,0.0020382954],"about_ca_topic_score_codex":0.000061538805,"about_ca_topic_score_gemma":0.00022090464,"teacher_disagreement_score":0.61238366,"about_ca_system_score_codex":0.000033722412,"about_ca_system_score_gemma":0.000006044046,"threshold_uncertainty_score":0.99995404},"labels":[],"label_agreement":null},{"id":"W2886624995","doi":"10.1037/aca0000184","title":"Native reading direction modulates eye movements during aesthetic preference and brightness judgments.","year":2018,"lang":"en","type":"article","venue":"Psychology of Aesthetics Creativity and the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Preference; Brightness; Eye movement; Reading (process); Psychology; Communication; Cognitive psychology; Neuroscience; Computer science; Computer vision; Optometry; Optics; Physics; Mathematics; Linguistics; Medicine; Philosophy","score_opus":0.044718111762198844,"score_gpt":0.3181304359307259,"score_spread":0.273412324168527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886624995","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99008685,0.000049725437,0.000627246,0.0017659294,0.00007511445,0.00017981083,0.0000042828647,0.000035081055,0.007175946],"genre_scores_gemma":[0.9978825,0.0006950897,0.00012365374,0.0004063732,0.000016948035,0.000015024427,8.195339e-7,0.000011387628,0.0008482007],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99861467,0.0003076107,0.00024349624,0.0004369397,0.00018059544,0.00021667274],"domain_scores_gemma":[0.9993416,0.000047777463,0.00019134658,0.00029468554,0.000056190154,0.0000683915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036823231,0.00016790649,0.0002793616,0.00011369244,0.00044113866,0.00003477077,0.00015176777,0.00007242453,0.000050654176],"category_scores_gemma":[0.000071981805,0.00011854659,0.000053011212,0.00019441491,0.0023362364,0.00013624501,0.000088812754,0.00013393942,0.000012082034],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031416516,0.0021722666,0.06152912,0.00012186575,0.00010510057,0.000032373242,0.042135656,0.000058597263,0.6494907,0.08947339,0.00012451159,0.15161477],"study_design_scores_gemma":[0.01598398,0.0019406604,0.4204806,0.0005195294,0.00039229146,0.0010598354,0.0013229139,0.008587138,0.37965366,0.1631732,0.005362502,0.001523691],"about_ca_topic_score_codex":0.000032714375,"about_ca_topic_score_gemma":0.000010541195,"teacher_disagreement_score":0.35895148,"about_ca_system_score_codex":0.000010941982,"about_ca_system_score_gemma":0.0000055730234,"threshold_uncertainty_score":0.86079603},"labels":[],"label_agreement":null},{"id":"W2892848068","doi":"10.1167/18.10.874","title":"Association between pupil constriction and aesthetic preference/naturalness in art-paintings","year":2018,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Naturalness; Painting; Hue; Preference; Lightness; Pupil; Psychology; Art; Cognitive psychology; Aesthetics; Mathematics; Visual arts; Artificial intelligence; Computer science; Physics; Statistics","score_opus":0.030715891699665362,"score_gpt":0.2973622573315699,"score_spread":0.2666463656319045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892848068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.996743,0.000015938454,0.00036684048,0.0021247072,0.000109830005,0.000035447654,7.643328e-7,0.000008096478,0.0005953544],"genre_scores_gemma":[0.99904215,0.00013800648,0.00011675049,0.00020459863,0.00010785926,2.8855112e-7,3.7650847e-7,0.000004189547,0.00038576493],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.998935,0.00015415119,0.00033823078,0.00012025045,0.00033310102,0.00011926904],"domain_scores_gemma":[0.99928284,0.000050185805,0.0004270631,0.000058558828,0.000121501624,0.000059869933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006572127,0.00006750899,0.00016590767,0.000235045,0.000086234526,0.000061131774,0.00008735787,0.00007576513,0.00008718554],"category_scores_gemma":[0.00036770903,0.00005200147,0.000051337116,0.00029792043,0.0000662286,0.00027891106,0.00002348375,0.00021191845,0.000041551288],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115360875,0.0002578966,0.3198328,0.000017199649,0.000009579904,0.000026568952,0.0018575597,0.000015301368,0.23108436,0.00029237752,0.006521799,0.43996918],"study_design_scores_gemma":[0.0019434021,0.0011735217,0.96145535,0.00034958258,0.00011577662,0.0002394945,0.0003568759,0.0026829573,0.009725889,0.002497508,0.01917159,0.00028805475],"about_ca_topic_score_codex":0.0000040602486,"about_ca_topic_score_gemma":0.0000040200835,"teacher_disagreement_score":0.64162254,"about_ca_system_score_codex":0.00008915448,"about_ca_system_score_gemma":0.0000217357,"threshold_uncertainty_score":0.21205585},"labels":[],"label_agreement":null},{"id":"W2895320822","doi":"10.1177/0093650219838959","title":"Exploring the Effects of Violating the 180-Degree Rule on Film Viewing Preferences","year":2019,"lang":"en","type":"article","venue":"Communication Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Degree (music); Psychology; Social psychology; Cognitive psychology; Physics; Acoustics","score_opus":0.5183281391752729,"score_gpt":0.4241926066468921,"score_spread":0.09413553252838075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895320822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9779107,0.00011008366,0.00001597023,0.0017438512,0.000035827794,0.0002931838,6.746841e-7,0.000020131569,0.019869572],"genre_scores_gemma":[0.99746066,0.0013755216,0.000037491518,0.00015055646,0.000011491813,0.000098023585,0.0000011275146,0.0000073871392,0.0008577444],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9970114,0.0018702422,0.00017769403,0.00016582609,0.00058638246,0.00018840322],"domain_scores_gemma":[0.995634,0.0027892052,0.00007509876,0.001376686,0.00009650513,0.00002851295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017464237,0.0000638689,0.000101415,0.000094658455,0.0006536198,0.000076352284,0.0014396714,0.00002018558,0.00015273555],"category_scores_gemma":[0.0017549875,0.00003408963,0.000059701524,0.0006050701,0.0002364182,0.00013336791,0.0004191482,0.000524045,0.00042564998],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004096293,0.00020907335,0.003698053,0.00013007167,0.00001001518,7.1176265e-7,0.017288422,0.00038558472,0.45791718,0.015490052,0.00038674395,0.50444317],"study_design_scores_gemma":[0.0020288771,0.001291279,0.2994852,0.0034558289,0.00007124685,0.000012337392,0.029055864,0.10659623,0.49188426,0.0116447145,0.053562425,0.0009117355],"about_ca_topic_score_codex":0.00005905296,"about_ca_topic_score_gemma":0.000008455505,"teacher_disagreement_score":0.5035314,"about_ca_system_score_codex":0.000025001007,"about_ca_system_score_gemma":0.00002796441,"threshold_uncertainty_score":0.54710114},"labels":[],"label_agreement":null},{"id":"W2898414216","doi":"10.3389/fpsyg.2018.01938","title":"Toward a Unification of the Arts","year":2018,"lang":"en","type":"article","venue":"Frontiers in Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Psychology; Unification; The arts; Cognitive psychology; Cognitive science; Visual arts; Computer science; Programming language; Art","score_opus":0.05538883319261743,"score_gpt":0.3392498574966926,"score_spread":0.28386102430407517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898414216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81866443,0.000048770202,0.10296891,0.011829828,0.0030789685,0.00016940567,0.0000041926296,0.000033425044,0.063202046],"genre_scores_gemma":[0.995941,0.000042170046,0.0012947095,0.0023788589,0.000028973225,0.0000037482123,2.3042257e-7,0.000003399236,0.00030691986],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994262,0.00009874363,0.00013117258,0.00017435294,0.00007421927,0.00009534018],"domain_scores_gemma":[0.999628,0.0000037351642,0.00006136093,0.00027717804,0.000014140099,0.00001557951],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009665889,0.000040377385,0.0000815034,0.000084951615,0.00003122844,0.000002793765,0.00024225267,0.000045213867,0.00013769594],"category_scores_gemma":[0.00007296142,0.00002890237,0.000039191276,0.00037429534,0.0004236801,0.000023272563,0.000017811339,0.000063088075,0.000040400955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013323524,0.00041941297,0.06746718,0.000008970051,0.000005133785,0.0000054203615,0.0049773753,0.0000056813046,0.44020733,0.009755993,0.16756102,0.30945322],"study_design_scores_gemma":[0.002413366,0.00040748867,0.376555,0.00005095815,0.000047204874,0.000095496005,0.0016968532,0.004294082,0.067420445,0.11275295,0.43377748,0.0004886747],"about_ca_topic_score_codex":0.000003273942,"about_ca_topic_score_gemma":0.000002912903,"teacher_disagreement_score":0.3727869,"about_ca_system_score_codex":0.00000940514,"about_ca_system_score_gemma":0.000008047248,"threshold_uncertainty_score":0.1561067},"labels":[],"label_agreement":null},{"id":"W2901144529","doi":"10.3917/nre.021.0085","title":"Étude en rouge : trois manières de tuer l’auteur","year":2018,"lang":"fr","type":"article","venue":"Nouvelle revue d’esthétique","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01983184410964758,"score_gpt":0.2751657613918469,"score_spread":0.25533391728219934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901144529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93559265,0.00074754324,0.009377136,0.035396643,0.0013197175,0.00043138547,0.00008736112,0.00026855804,0.016778987],"genre_scores_gemma":[0.87574756,0.006877632,0.0041485173,0.0038390313,0.0015955549,0.00004844897,0.0000123534155,0.00011044241,0.10762043],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587965,0.0008842399,0.0006636675,0.0010674447,0.00040410782,0.001100887],"domain_scores_gemma":[0.9980655,0.00012947434,0.00025091833,0.00093360606,0.00015674454,0.00046378165],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00074201747,0.0005240261,0.00059979054,0.00024874354,0.0004683104,0.00019417486,0.00090043107,0.00055599643,0.005866752],"category_scores_gemma":[0.00044513438,0.00055679824,0.0004711591,0.00086257124,0.0007177575,0.00034046502,0.0002653673,0.0007041515,0.0058127427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044055135,0.004010271,0.009088624,0.0008970031,0.00014239679,0.0032056633,0.06273449,0.0006718089,0.39119068,0.07409436,0.08657551,0.36694863],"study_design_scores_gemma":[0.0010506009,0.0011359262,0.009132185,0.00051046157,0.0003164391,0.0021792976,0.0019168467,0.023520263,0.026034897,0.0016911878,0.93113345,0.0013784586],"about_ca_topic_score_codex":0.00086487574,"about_ca_topic_score_gemma":0.000990198,"teacher_disagreement_score":0.84455794,"about_ca_system_score_codex":0.00036489908,"about_ca_system_score_gemma":0.00031761857,"threshold_uncertainty_score":0.9996883},"labels":[],"label_agreement":null},{"id":"W2901706626","doi":"10.5751/es-10495-230431","title":"Iconic images, symbols, and archetypes: their function in art and science","year":2018,"lang":"en","type":"article","venue":"Ecology and Society","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Archetype; Function (biology); Art; Visual arts; Art history; Literature; Biology; Evolutionary biology","score_opus":0.019577875772557696,"score_gpt":0.2642722596860866,"score_spread":0.24469438391352888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901706626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99727184,0.000049318125,0.000089377645,0.0007749385,0.000053866213,0.000046337336,0.0000014596228,0.00001624513,0.0016966229],"genre_scores_gemma":[0.9964999,0.00071537826,0.00007603155,0.0020613957,0.000024236228,0.0000037183524,3.9768076e-7,0.0000025386391,0.0006163871],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9993659,0.00004741075,0.00007777304,0.00029246602,0.00005077098,0.00016562484],"domain_scores_gemma":[0.9997938,0.000036627553,0.000023898485,0.000075163196,0.000016012315,0.000054458105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000375776,0.00006152538,0.000093681,0.000033809985,0.00035221112,0.00003192832,0.000051481427,0.000060444392,0.000088124325],"category_scores_gemma":[0.0000629928,0.00004967765,0.000020521107,0.00018537563,0.0019949875,0.00012467086,0.0000698353,0.0001081122,0.000019566749],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056833833,0.00022451479,0.2706104,0.000035804063,0.000011347985,0.0000069550993,0.019186541,0.0000021873013,0.6566683,0.011631361,0.0047574486,0.036808267],"study_design_scores_gemma":[0.00051126897,0.00022251747,0.9838211,0.0000067784345,0.000013570324,0.000048243444,0.002007167,0.0032282989,0.0026005283,0.003419665,0.003979916,0.00014095164],"about_ca_topic_score_codex":0.000004173509,"about_ca_topic_score_gemma":0.000030887186,"teacher_disagreement_score":0.7132107,"about_ca_system_score_codex":0.000015707095,"about_ca_system_score_gemma":0.000034207427,"threshold_uncertainty_score":0.73506147},"labels":[],"label_agreement":null},{"id":"W2907909781","doi":"","title":"The Relationship Between Digital Collage and Painting","year":2018,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Visual arts; Art; Computer graphics (images); Computer science; Aesthetics","score_opus":0.05162474046879056,"score_gpt":0.26234804189025174,"score_spread":0.21072330142146117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907909781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9870634,0.000010866887,0.004952915,0.0006762338,0.00003311772,0.00005841059,0.000016348997,0.000044592358,0.007144085],"genre_scores_gemma":[0.9958121,0.0000075963558,0.00007502057,0.000055601875,0.000051956566,5.886015e-8,0.0000032061785,0.0000056357235,0.003988821],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99922925,0.00008726208,0.0000961297,0.00021626377,0.00020132095,0.00016977936],"domain_scores_gemma":[0.9991678,0.00038012382,0.0001110531,0.0001966446,0.00006448915,0.000079907164],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002493021,0.00007741709,0.00011339398,0.00007063238,0.0013636717,0.00012712233,0.0002303344,0.000051045175,0.00006964423],"category_scores_gemma":[0.0007397726,0.000072896924,0.00006913621,0.00038938748,0.0010349387,0.0003118961,0.00012229643,0.000093146926,0.00014090697],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002196607,0.00002234358,0.4327661,0.000007856212,0.00000918685,0.0000053025306,0.0032778925,0.0000017530505,0.00016398064,0.56225324,0.0006314538,0.0008389475],"study_design_scores_gemma":[0.0002021948,0.00004394416,0.08606225,0.0000070378696,0.00002780648,0.0000049298837,0.0044573736,0.00013452949,0.000002475336,0.9076535,0.0013086546,0.00009530994],"about_ca_topic_score_codex":0.000031028274,"about_ca_topic_score_gemma":0.00009310215,"teacher_disagreement_score":0.34670386,"about_ca_system_score_codex":0.000027837561,"about_ca_system_score_gemma":0.000024136625,"threshold_uncertainty_score":0.9999364},"labels":[],"label_agreement":null},{"id":"W2909676653","doi":"10.2190/ttm6-d5bw-pptv-tj02","title":"Book Reviews: Stretching the Imagination: Representation and Transformation in Mental Imagery, Exacting Beauty: Theory, Assessment, and Treatment of Body Image Disturbance","year":2001,"lang":"en","type":"article","venue":"Imagination Cognition and Personality","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Beauty; Disturbance (geology); Representation (politics); Transformation (genetics); Image (mathematics); Mental image; Aesthetics; Psychology; Art; Computer vision; Computer science; Cognitive psychology; Artificial intelligence; Cognition; Chemistry; Neuroscience; Political science; Biology","score_opus":0.047722575180583315,"score_gpt":0.37406771494789187,"score_spread":0.32634513976730856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909676653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9706438,0.0027267125,0.0063011297,0.013925123,0.000056364657,0.00079479156,0.000067265595,0.00003944142,0.0054453267],"genre_scores_gemma":[0.9846347,0.0141388895,0.00013298863,0.0007887871,0.000025613555,0.00004847687,0.000063199834,0.000006384152,0.00016096943],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9985106,0.00050572783,0.000329035,0.00030968175,0.00021772206,0.0001272198],"domain_scores_gemma":[0.999462,0.00012819142,0.00019865269,0.00009682159,0.00006538807,0.000048952556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000633704,0.0001403265,0.00018924181,0.00010535224,0.0002621326,0.00014005015,0.00004065951,0.00002583622,0.00018207285],"category_scores_gemma":[0.00009496517,0.000108775035,0.000049942963,0.00022047313,0.0003144458,0.0011140088,0.000013049753,0.000086844244,0.000001942634],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018249259,0.0006447999,0.03883354,0.00014597572,0.00001929878,0.000013879701,0.031641874,0.0000018887375,0.15727852,0.0055908486,0.00032373404,0.76532316],"study_design_scores_gemma":[0.008238503,0.00034268515,0.8301734,0.00035758613,0.0004072704,0.0005504166,0.017579947,0.080614954,0.020322815,0.013454609,0.0270302,0.00092761917],"about_ca_topic_score_codex":0.00006788378,"about_ca_topic_score_gemma":0.000015690252,"teacher_disagreement_score":0.7913399,"about_ca_system_score_codex":0.000071447765,"about_ca_system_score_gemma":0.000016523207,"threshold_uncertainty_score":0.44357172},"labels":[],"label_agreement":null},{"id":"W2912466789","doi":"10.1145/2630099","title":"Proceedings of the Workshop on Computational Aesthetics","year":2014,"lang":"en","type":"paratext","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sketch; Animation; Rendering (computer graphics); Computer science; Computer animation; Human–computer interaction; Computer facial animation; The arts; Computer graphics (images); Multimedia; Artificial intelligence; Visual arts; Algorithm; Art","score_opus":0.03560184176919812,"score_gpt":0.29127160817925385,"score_spread":0.25566976641005573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912466789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035079304,0.000006695001,0.0004928437,0.0029366086,0.00044282107,0.00017274101,0.00001936149,0.000026777594,0.9608228],"genre_scores_gemma":[0.44244355,0.000066795845,0.00012738243,0.0042712702,0.000088925546,0.0000068361333,0.0000057065595,0.0000220622,0.5529675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872327,0.000028644028,0.00026100798,0.00032501706,0.0005213219,0.00014072875],"domain_scores_gemma":[0.9994185,0.00004420179,0.0002519408,0.00015490534,0.00008544838,0.000045024295],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008415237,0.0001754412,0.00024601835,0.000093922135,0.00011126038,0.00004620413,0.0004867812,0.0001503556,0.004146988],"category_scores_gemma":[0.00006515855,0.00010393743,0.0002181456,0.00032787595,0.00023996804,0.000021865595,0.000076802215,0.00028409567,0.0043922868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011753394,0.00017732922,0.000017406952,0.000037169306,0.0000035884482,2.0509854e-7,0.0002473463,0.006196875,0.0026924792,0.029721666,0.9554431,0.0054510795],"study_design_scores_gemma":[0.00040217442,0.00010427117,0.0002975921,0.0003963588,0.000071165465,0.00002703602,0.0001943416,0.009957491,0.0047181514,0.001473267,0.98181725,0.00054089236],"about_ca_topic_score_codex":0.0000015363491,"about_ca_topic_score_gemma":4.2917864e-7,"teacher_disagreement_score":0.40785536,"about_ca_system_score_codex":0.000023292145,"about_ca_system_score_gemma":0.000038611393,"threshold_uncertainty_score":0.99676335},"labels":[],"label_agreement":null},{"id":"W2917437569","doi":"10.1007/978-1-4939-7131-2_100186","title":"Computational Aesthetics","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science; Computer graphics (images); Aesthetics; Art","score_opus":0.0485295994291306,"score_gpt":0.27951323423335017,"score_spread":0.23098363480421957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917437569","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013578383,0.0000057990674,0.003264278,0.000551126,0.000078189194,0.00005148877,0.000015005803,0.000107778185,0.99579054],"genre_scores_gemma":[0.007217449,0.000052526862,0.0008076565,0.0035340418,0.00010334627,9.522959e-7,0.000014630338,0.00002903333,0.98824036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901,0.000010568852,0.00018792506,0.0003363977,0.00034384808,0.00011124093],"domain_scores_gemma":[0.99956596,0.000014048285,0.00008661542,0.0002072555,0.000050841187,0.00007531029],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000043123826,0.00016845703,0.00016820448,0.000104286446,0.000091978494,0.00003801909,0.000184289,0.0001352071,0.0564001],"category_scores_gemma":[0.000014386531,0.00014351656,0.00015556508,0.000022114513,0.00028802713,0.00002656326,0.00005116006,0.00013187247,0.016360601],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045523957,0.00002254872,0.0000010329045,0.000004504522,0.0000029292564,0.000024500616,0.000108320135,0.00009181095,0.00018800568,0.93101466,0.056314245,0.01222291],"study_design_scores_gemma":[0.00008408234,0.000042955122,0.0000018196085,0.000016070268,0.000024973162,0.000054208645,0.000004524593,0.002487507,0.0000523014,0.14215901,0.85483974,0.00023281167],"about_ca_topic_score_codex":7.1638243e-7,"about_ca_topic_score_gemma":0.0000014579837,"teacher_disagreement_score":0.7985255,"about_ca_system_score_codex":0.000024143714,"about_ca_system_score_gemma":0.000036244757,"threshold_uncertainty_score":0.9844053},"labels":[],"label_agreement":null},{"id":"W2921316687","doi":"10.1080/00048402.2018.1564152","title":"On the Varieties of Abstract Objects","year":2019,"lang":"en","type":"article","venue":"Australasian Journal of Philosophy","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Congruence (geometry); Equivalence relation; Abstraction; Relation (database); Equivalence (formal languages); Congruence relation; Natural (archaeology); Identity (music); Mathematics; Pure mathematics; Epistemology; Computer science; Geography; Aesthetics; Philosophy; Geometry; Data mining","score_opus":0.03674650570951188,"score_gpt":0.26673709542542046,"score_spread":0.22999058971590858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921316687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95213526,0.000006702799,0.00001243218,0.006209332,0.00016818888,0.000055517823,0.0000030723968,0.0000054794996,0.041404013],"genre_scores_gemma":[0.99872017,0.000017474717,0.000026079633,0.00067467464,0.00009693288,3.3897405e-7,1.1922288e-7,0.000008526997,0.00045569465],"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989033,0.00007310879,0.0003584063,0.00010934447,0.0004273638,0.00012847935],"domain_scores_gemma":[0.9991441,0.00009882569,0.00041414806,0.00021502304,0.00005816355,0.00006973647],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023965447,0.000102819715,0.00020717076,0.00012898848,0.00004909734,0.000024006784,0.00035539572,0.00004386877,0.0018381567],"category_scores_gemma":[0.0001420276,0.000061031616,0.00024270319,0.0002023758,0.00014682485,0.00012794868,0.000015229558,0.00030185384,0.0002444056],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025617966,0.00057498313,0.0019668967,0.00005915706,0.000045979414,0.00012052755,0.0025412322,0.0010408952,0.5495731,0.4387602,0.0026730238,0.002387829],"study_design_scores_gemma":[0.002743659,0.00412324,0.040465496,0.0006718135,0.0002267552,0.00088756555,0.0025392466,0.00016202852,0.25252253,0.69185925,0.0030493033,0.00074910827],"about_ca_topic_score_codex":0.0000010152511,"about_ca_topic_score_gemma":1.3257463e-7,"teacher_disagreement_score":0.29705057,"about_ca_system_score_codex":0.000014045705,"about_ca_system_score_gemma":0.000038412632,"threshold_uncertainty_score":0.9990743},"labels":[],"label_agreement":null},{"id":"W2924273135","doi":"10.22215/etd/2017-11835","title":"The Architecture of Emotional Drawings","year":2017,"lang":"en","type":"dissertation","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Happiness; Architecture; Unconscious mind; Affect (linguistics); Context (archaeology); Scope (computer science); Expression (computer science); Psychology; Aesthetics; Qualitative research; Social psychology; Visual arts; Sociology; Art; Computer science; Communication; Psychoanalysis; Social science; History","score_opus":0.02064831270686298,"score_gpt":0.30560307794467206,"score_spread":0.2849547652378091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924273135","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30559218,0.00004679111,0.00021342217,0.0016614555,0.00053385406,0.0001366888,0.00001632289,0.00004789921,0.6917514],"genre_scores_gemma":[0.6098525,0.00009520899,0.000025823254,0.00012339443,0.000042063857,0.0000036883775,0.00002779976,0.000008446564,0.3898211],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992322,0.000036123278,0.00015102873,0.00018352889,0.00030108864,0.00009603525],"domain_scores_gemma":[0.99937326,0.000032920885,0.00021557801,0.00031216125,0.000038341805,0.00002775379],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007535311,0.00009615903,0.00012403374,0.00004882826,0.000432781,0.00006499482,0.0004173641,0.00008175293,0.00092893513],"category_scores_gemma":[0.00026933744,0.00005475112,0.00016934346,0.000046778656,0.00011568874,0.000023922794,0.000009761954,0.0001624585,0.00007747816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008984107,0.000103608654,0.000073800365,0.00007886694,0.000014489605,0.000007142376,0.0022857292,0.000041972315,0.37623167,0.040063128,0.007677693,0.5733321],"study_design_scores_gemma":[0.0009912343,0.00020694658,0.045904554,0.0005624824,0.0003343392,0.00007146261,0.0036951785,0.0010681436,0.25014716,0.05511106,0.64044774,0.0014596827],"about_ca_topic_score_codex":0.000019988793,"about_ca_topic_score_gemma":0.000117564974,"teacher_disagreement_score":0.63277006,"about_ca_system_score_codex":0.000006130089,"about_ca_system_score_gemma":0.000053119566,"threshold_uncertainty_score":0.9999843},"labels":[],"label_agreement":null},{"id":"W2925077376","doi":"10.1163/18756735-000064","title":"Phantom Functions and the Evolutionary Theory of Artefact Proper Function","year":2019,"lang":"en","type":"article","venue":"Grazer Philosophische Studien","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Function (biology); Evolutionary theory; Imaging phantom; Epistemology; Philosophy; Physics; Evolutionary biology; Biology","score_opus":0.030882394260549444,"score_gpt":0.2399219891905527,"score_spread":0.20903959493000324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2925077376","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91393054,0.0006029375,0.0005473434,0.008114065,0.00035461257,0.0006530875,0.000022556342,0.00009065062,0.07568423],"genre_scores_gemma":[0.99463695,0.00012880328,0.000017023809,0.00072648,0.000098502285,0.000036779817,0.0000024476437,0.000012252036,0.0043407455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986615,0.00028383717,0.00023171991,0.00035351765,0.0002981217,0.00017127598],"domain_scores_gemma":[0.999345,0.00009560493,0.00011253882,0.00033648856,0.00006377122,0.00004659056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003995645,0.00014471172,0.00024222051,0.000096451215,0.0002865643,0.000015011535,0.00014968784,0.000043252374,0.0004656906],"category_scores_gemma":[0.00012845508,0.00008243338,0.00014272188,0.0003282875,0.00062709313,0.00015401744,0.00011704943,0.0001586494,0.00044222307],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024205763,0.00080531614,0.018925292,0.0000858946,0.00023516643,0.0000057399925,0.004456697,0.000182237,0.13286078,0.81730133,0.0042078244,0.018513156],"study_design_scores_gemma":[0.022091571,0.0020897991,0.25370407,0.00021004872,0.0023880482,0.00027930125,0.009876434,0.006060769,0.0033528625,0.60326236,0.094536155,0.0021485912],"about_ca_topic_score_codex":0.00000663939,"about_ca_topic_score_gemma":0.0000011457673,"teacher_disagreement_score":0.23477878,"about_ca_system_score_codex":0.000016291024,"about_ca_system_score_gemma":0.0000206208,"threshold_uncertainty_score":0.56840307},"labels":[],"label_agreement":null},{"id":"W2939103046","doi":"10.17605/osf.io/p3c5h","title":"Affective metadata for object experiences in the art museum","year":2018,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visitor pattern; Metadata; Documentation; Object (grammar); Affect (linguistics); Computer science; World Wide Web; Museum informatics; Visual arts; Museology; Art; Sociology; Artificial intelligence","score_opus":0.03216309131564311,"score_gpt":0.2978464069613776,"score_spread":0.2656833156457345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939103046","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8858006,0.00012708659,0.00093428855,0.0006552403,0.00032975603,0.00064536906,0.00005932782,0.00003963468,0.111408666],"genre_scores_gemma":[0.9610062,0.00023200849,0.00035183685,0.00007474974,0.000030827967,0.0000046684954,0.00009238047,0.000009064712,0.03819824],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99896055,0.00014667668,0.00007668223,0.0003730801,0.00027643473,0.0001665511],"domain_scores_gemma":[0.9993448,0.0000683373,0.00018698162,0.00031508278,0.000050945262,0.00003379806],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020899417,0.00014494517,0.00026582697,0.000061367886,0.00021922743,0.000029556537,0.0006581908,0.00011564959,0.006082917],"category_scores_gemma":[0.000099689925,0.00012975253,0.00019958102,0.000118262964,0.00015686285,0.00048060322,0.000029827861,0.000087379965,0.000030994546],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006314962,0.00034960327,0.00003611525,0.000116395866,0.000036198442,0.000023655988,0.92546415,0.0000035298597,0.01844969,0.0013740604,0.019660782,0.033854343],"study_design_scores_gemma":[0.00052634213,0.00029118816,0.01031753,0.00006338266,0.00017405333,0.0000027622823,0.96127903,0.00039535348,0.0013306345,0.00003921911,0.025278397,0.00030210332],"about_ca_topic_score_codex":0.013705393,"about_ca_topic_score_gemma":0.16855969,"teacher_disagreement_score":0.15485428,"about_ca_system_score_codex":0.00009103034,"about_ca_system_score_gemma":0.00006175921,"threshold_uncertainty_score":0.99482566},"labels":[],"label_agreement":null},{"id":"W2940143350","doi":"10.3758/s13414-019-01731-6","title":"On the roles of central and peripheral vision in the extraction of material and form from a scene","year":2019,"lang":"en","type":"article","venue":"Attention Perception & Psychophysics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University; Dalhousie University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Peripheral vision; Computer vision; Artificial intelligence; Computer science; Task (project management); Square (algebra); Communication; Psychology; Mathematics; Geometry","score_opus":0.01419056808277233,"score_gpt":0.2805894285268096,"score_spread":0.2663988604440373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940143350","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.998173,0.0000029561463,0.00036267558,0.00080048834,0.0001233862,0.00018327421,0.00001958572,0.000007685294,0.0003269347],"genre_scores_gemma":[0.9992941,0.0001607326,0.00003727485,0.00037876735,0.00004183717,0.000006239511,0.000011810821,0.0000067262363,0.00006249403],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9990308,0.00015557077,0.00022489476,0.00022542212,0.00025895773,0.000104328254],"domain_scores_gemma":[0.9995793,0.000043843625,0.00013888489,0.00019723296,0.000020664012,0.000020070394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014073592,0.00009565978,0.0001298094,0.00004419267,0.000068671754,0.000041444993,0.00009762794,0.000046571437,0.00052660174],"category_scores_gemma":[0.000010582896,0.00005941295,0.00007090696,0.00013809351,0.00012601247,0.00019455375,0.000016003083,0.00009680466,0.000014391822],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001306969,0.0001548808,0.002245734,0.000007981971,0.0000017047898,1.6730291e-7,0.0019405388,0.000025666373,0.97954315,0.0014452611,0.0000482258,0.014455976],"study_design_scores_gemma":[0.0010911401,0.0003221027,0.9730304,0.000106581465,0.000035486984,0.000006442665,0.005045268,0.0101968525,0.0025756885,0.0073223836,0.00011073489,0.00015690755],"about_ca_topic_score_codex":0.000050541963,"about_ca_topic_score_gemma":0.000016340819,"teacher_disagreement_score":0.97696745,"about_ca_system_score_codex":0.000015142803,"about_ca_system_score_gemma":0.0000047068766,"threshold_uncertainty_score":0.57659197},"labels":[],"label_agreement":null},{"id":"W2944719025","doi":"10.1162/leon_r_01760","title":"<i>Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis</i> by Luka Arsenjuk. University of Minnesota Press, Minneapolis, MN, 2018. 280 pp., illus. Paper. ISBN: 978-1517903206.","year":2019,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Movie theater; Download; Action (physics); Citation; State (computer science); Art history; Movement (music); Art; Media studies; Visual arts; Computer science; Sociology; Library science; World Wide Web; Aesthetics","score_opus":0.011525495761304452,"score_gpt":0.22444469004590983,"score_spread":0.21291919428460537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944719025","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9267821,0.0012647986,0.00026922912,0.058147147,0.00031717776,0.00084364275,0.00038195902,0.00010127821,0.011892717],"genre_scores_gemma":[0.97269845,0.007896959,0.00009318653,0.0034700593,0.000039408293,0.0000038750277,0.000023979776,0.00002557395,0.015748532],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981068,0.0002960847,0.00032108263,0.00057562435,0.00037472087,0.00032568935],"domain_scores_gemma":[0.9989681,0.000071698014,0.00022101476,0.0005817929,0.000053434887,0.00010395057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026877061,0.00023485994,0.00039830199,0.00006963271,0.00016083202,0.000044065513,0.00038231845,0.00011284796,0.00072725286],"category_scores_gemma":[0.00004414138,0.0001934672,0.00015765877,0.00036124664,0.00039529733,0.00044773336,0.00017168651,0.00023872592,0.0000931263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057540246,0.00044439986,0.0019710413,0.000120260884,0.000032018153,0.00006358634,0.002391192,0.00008332255,0.42607424,0.005107511,0.5606088,0.002528236],"study_design_scores_gemma":[0.008186671,0.0001672909,0.0037206647,0.00008861914,0.00019925777,0.000053488417,0.018077126,0.0026546298,0.03343536,0.0005466383,0.93206996,0.0008003264],"about_ca_topic_score_codex":0.0034924133,"about_ca_topic_score_gemma":0.00052912574,"teacher_disagreement_score":0.39263886,"about_ca_system_score_codex":0.000043157164,"about_ca_system_score_gemma":0.000031985714,"threshold_uncertainty_score":0.7962909},"labels":[],"label_agreement":null},{"id":"W2949892455","doi":"","title":"Unsupervised Learning of Artistic Styles with Archetypal Style Analysis","year":2018,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Computer science; Style analysis; Unsupervised learning; Artificial intelligence; Natural language processing; Visual arts; Art","score_opus":0.016963007921824345,"score_gpt":0.23836595430491567,"score_spread":0.22140294638309133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949892455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76181716,0.000024462372,0.20537296,0.00123755,0.000009031443,0.000079751066,0.000009080349,0.00009862635,0.031351402],"genre_scores_gemma":[0.986265,0.000054232158,0.0070378873,0.00008487886,0.0000078922985,0.000007441823,0.00002522558,0.0000155262,0.0065019],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9958108,0.0028332619,0.00029290273,0.0004412436,0.000389254,0.0002325032],"domain_scores_gemma":[0.99770397,0.0004315964,0.00022952056,0.0007623622,0.0007474437,0.0001251144],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015152321,0.0001432977,0.00026076927,0.00026925292,0.00034098013,0.0000914145,0.000465424,0.000052955398,0.0009133426],"category_scores_gemma":[0.0012531742,0.00012497815,0.00015020379,0.0015944333,0.0006551529,0.0001038575,0.00012843478,0.00017028948,0.000079921294],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012613203,0.0015473062,0.075665824,0.000071721246,0.00023188515,0.00001502044,0.032030042,0.0006863216,0.6506526,0.15077357,0.00018744217,0.08801213],"study_design_scores_gemma":[0.0016211126,0.000010189348,0.067371845,0.00042734007,0.0008069245,0.000025845233,0.0020222962,0.2961422,0.62166804,0.0006212495,0.00848887,0.00079412264],"about_ca_topic_score_codex":0.00030779542,"about_ca_topic_score_gemma":0.0008219739,"teacher_disagreement_score":0.29545587,"about_ca_system_score_codex":0.000025394707,"about_ca_system_score_gemma":0.000059309128,"threshold_uncertainty_score":0.99999994},"labels":[],"label_agreement":null},{"id":"W2953054324","doi":"","title":"A Learned Representation For Artistic Style","year":2016,"lang":"en","type":"preprint","venue":"arXiv (Cornell University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":171,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Painting; Style (visual arts); Representation (politics); Diversity (politics); Point (geometry); Space (punctuation); Vocabulary; Computer science; Embedding; Art; Artificial intelligence; Aesthetics; Visual arts; Linguistics; Mathematics; Sociology; Geometry","score_opus":0.20887152471318177,"score_gpt":0.25981450139446316,"score_spread":0.05094297668128139,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953054324","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49291167,0.0000051584257,0.49909374,0.0005397866,0.00023813617,0.00039763152,0.00009218793,0.00019116368,0.0065305266],"genre_scores_gemma":[0.97628057,0.0001151115,0.000077644414,0.00018951236,0.00007018073,0.0000030882522,0.000014384973,0.000018351868,0.023231165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9984912,0.00014072451,0.00014913025,0.0009165839,0.00007246035,0.00022988138],"domain_scores_gemma":[0.9989686,0.000096719006,0.00019478676,0.0005619602,0.00006781739,0.00011013644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010487239,0.00017394766,0.00022590003,0.00017061547,0.00016162252,0.000048202262,0.00038536504,0.00015238932,0.00039743315],"category_scores_gemma":[0.00031565453,0.00016877816,0.00026715134,0.00023940123,0.0001491158,0.000104886545,0.0002628943,0.00016746229,0.00034602074],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013527101,0.0009488776,0.0054542054,0.00039492018,0.0001257127,0.0007474885,0.0015571883,0.100373894,0.175557,0.6750162,0.010111073,0.028360683],"study_design_scores_gemma":[0.0034181152,0.00021276955,0.0015789579,0.00024524177,0.000696779,0.00001738248,0.0006110195,0.5343555,0.009682958,0.43623167,0.011381878,0.0015677061],"about_ca_topic_score_codex":0.000020934378,"about_ca_topic_score_gemma":0.000009979883,"teacher_disagreement_score":0.4990161,"about_ca_system_score_codex":0.00010483195,"about_ca_system_score_gemma":0.00006071423,"threshold_uncertainty_score":0.68825734},"labels":[],"label_agreement":null},{"id":"W2953277536","doi":"10.1007/s11229-019-02279-6","title":"Objects, seeing, and object-seeing","year":2019,"lang":"en","type":"article","venue":"Synthese","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Object (grammar); Philosophy of language; Philosophy of science; Subject (documents); Metaphysics; Epistemology; Field (mathematics); Computer science; Cognitive science; Philosophy; Aesthetics; Artificial intelligence; Psychology; Mathematics","score_opus":0.013432481103118933,"score_gpt":0.24063822793714995,"score_spread":0.22720574683403102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953277536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9416695,0.00005944012,0.00006398787,0.00024212044,0.00007911843,0.00007565646,0.0000021714443,0.000080852005,0.05772711],"genre_scores_gemma":[0.9917011,0.000082335646,0.000087301174,0.00068543595,0.000025696401,0.0000035439102,3.174767e-7,0.000012403564,0.007401853],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9991411,0.00007399657,0.00010874234,0.00031215412,0.00017181091,0.00019221671],"domain_scores_gemma":[0.9995791,0.00005764116,0.000040030223,0.0002385809,0.000009445568,0.000075205375],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013059423,0.000096459284,0.00013434698,0.00007928839,0.00008317688,0.000051944935,0.0001221358,0.00004059892,0.0015771901],"category_scores_gemma":[0.00021774607,0.00008036147,0.0000550867,0.00016494724,0.00007030636,0.00011031484,0.000059674898,0.00009281887,0.0014371048],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013017337,0.00005046564,0.007625093,0.00002452044,0.0000030576784,0.000024412408,0.0018246021,0.000017472115,0.9549496,0.0014449413,0.00025611813,0.03376669],"study_design_scores_gemma":[0.0029002842,0.00060374016,0.047112625,0.0006368229,0.00023575741,0.00077970134,0.013379232,0.07099863,0.59594,0.0044473386,0.25967598,0.003289875],"about_ca_topic_score_codex":0.000027363058,"about_ca_topic_score_gemma":0.000006725465,"teacher_disagreement_score":0.3590096,"about_ca_system_score_codex":0.000014719458,"about_ca_system_score_gemma":0.000014741751,"threshold_uncertainty_score":0.9993404},"labels":[],"label_agreement":null},{"id":"W2959241020","doi":"10.1007/978-3-030-25719-4_70","title":"Aesthetic Judgments, Movement Perception and the Neural Architecture of the Visual System","year":2019,"lang":"en","type":"book-chapter","venue":"Advances in intelligent systems and computing","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Perception; Creativity; Scope (computer science); Architecture; Movement (music); Computer science; Appeal; Cognitive science; Psychology; Cognitive psychology; Focus (optics); Reflexivity; Aesthetics; Art; Visual arts; Social psychology; Sociology; Neuroscience","score_opus":0.013552530824617255,"score_gpt":0.255236812597774,"score_spread":0.24168428177315673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959241020","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6683477,0.055350795,0.043516032,0.0018648945,0.00850268,0.009912836,0.0000802985,0.00029720712,0.21212752],"genre_scores_gemma":[0.98794657,0.001561886,0.000011677475,0.00021378392,0.00006570324,0.0000062966437,0.0000012583918,0.000022514652,0.01017031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99813205,0.00019730738,0.00063392485,0.00044974618,0.0003986443,0.00018835593],"domain_scores_gemma":[0.99904203,0.00008130266,0.0005167033,0.00029363585,0.00002969325,0.000036639496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003790383,0.00027555617,0.0004995167,0.00010228123,0.00018224951,0.00006485168,0.0002676923,0.000098447315,0.000010723256],"category_scores_gemma":[0.00001565005,0.0001509751,0.00015114744,0.000063311396,0.00033841975,0.00004798991,0.0002228542,0.00034532914,0.000007847224],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015537189,0.00006187236,0.0011455781,0.0018107481,0.000021098589,0.000012099916,0.0055043707,0.05422308,0.0010360122,0.57371616,0.000021330914,0.3622923],"study_design_scores_gemma":[0.0027749569,0.000493332,0.00054983475,0.01343641,0.0003775452,0.000875898,0.013049779,0.90550804,0.00022006838,0.0054277973,0.055625334,0.0016610052],"about_ca_topic_score_codex":0.00005140823,"about_ca_topic_score_gemma":0.0000120455425,"teacher_disagreement_score":0.851285,"about_ca_system_score_codex":0.00006966449,"about_ca_system_score_gemma":0.000015281255,"threshold_uncertainty_score":0.61565864},"labels":[],"label_agreement":null},{"id":"W2959689185","doi":"","title":"The \"trembling, delicate, and snail-horn perception of Beauty.\": An Exploration of Particularized Experience Through the Poetry of John Keats.","year":2019,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Romanticism; Poetry; Beauty; Feeling; Aesthetics; Sensation; Perception; Enlightenment; Empiricism; Expression (computer science); Romance; Psychology; Philosophy; Psychoanalysis; Art; Literature; Epistemology; Cognitive psychology","score_opus":0.22299448315415613,"score_gpt":0.4580347053799646,"score_spread":0.23504022222580848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959689185","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99668425,0.00005040144,0.00011476312,0.0008002786,0.000025138812,0.00052583613,0.0000016633552,0.000015096897,0.0017825633],"genre_scores_gemma":[0.9983664,0.0010244802,0.00007376385,0.00004534524,0.00002273629,0.00007402471,8.942506e-7,0.000010327807,0.0003819886],"study_design_codex":"bench_or_experimental","study_design_gemma":"qualitative","domain_scores_codex":[0.9974221,0.00014584865,0.0004183872,0.00036515068,0.0013361764,0.00031233052],"domain_scores_gemma":[0.9988101,0.00009490091,0.00020417021,0.00027480052,0.00055152416,0.000064483625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014873664,0.00010862766,0.00020699778,0.00010320519,0.00033419853,0.00009968334,0.0005891088,0.00005415753,0.00008372532],"category_scores_gemma":[0.0004297634,0.0000621349,0.00007357234,0.0007679681,0.00096058013,0.0007830743,0.00024487913,0.00022931007,0.0000110075525],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008565265,0.00017877309,0.0151252085,0.00004148237,0.000005541381,2.0074403e-7,0.050992418,0.000009096425,0.9267559,0.004835679,0.0000757493,0.0018943117],"study_design_scores_gemma":[0.0017678138,0.002103001,0.09358954,0.00022739585,0.00006548883,0.000013394422,0.6011958,0.0068289936,0.28565076,0.0052524107,0.0029136208,0.00039176297],"about_ca_topic_score_codex":0.000120523895,"about_ca_topic_score_gemma":0.000009023264,"teacher_disagreement_score":0.6411051,"about_ca_system_score_codex":0.00002662298,"about_ca_system_score_gemma":0.00003863871,"threshold_uncertainty_score":0.35392976},"labels":[],"label_agreement":null},{"id":"W2965624708","doi":"10.1111/cura.12318","title":"How Do We Listen To Museums?","year":2019,"lang":"en","type":"article","venue":"Curator The Museum Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visitor pattern; Interpretation (philosophy); Soundscape; Sound (geography); Enlightenment; Visual arts; Aesthetics; Museum informatics; Sociology; Art; Museology; History; Computer science; Epistemology; Acoustics","score_opus":0.038450705383966076,"score_gpt":0.2715245409038127,"score_spread":0.2330738355198466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2965624708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88080263,0.00013278495,0.0006739667,0.115199074,0.0009873854,0.00016295482,0.0000065786894,0.000058492373,0.0019761452],"genre_scores_gemma":[0.9896347,0.000342309,0.00007596611,0.003751618,0.00033644206,0.000004121733,1.428815e-7,0.000022345173,0.005832376],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847984,0.00021056735,0.00021251077,0.0002686814,0.00048513318,0.00034326513],"domain_scores_gemma":[0.9990285,0.000041021118,0.00014274869,0.00044812672,0.00006241069,0.0002771722],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003217627,0.00015999442,0.00019066142,0.0001390162,0.0003650619,0.00076792005,0.00071689556,0.00005004449,0.0011938678],"category_scores_gemma":[0.00021804761,0.000092995375,0.0002151105,0.00045616,0.00006654472,0.00029360785,0.00010089208,0.00040964657,0.001988403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007289145,0.00015805685,0.0018216652,0.000014771175,0.000019179462,0.00009761888,0.005748894,0.00024999384,0.9015858,0.0038896243,0.04744485,0.038896628],"study_design_scores_gemma":[0.00053749623,0.00015035112,0.00092656794,0.00007559125,0.000034196608,0.0009379523,0.0030979896,0.00054712465,0.005885115,0.00059076503,0.98688227,0.00033459542],"about_ca_topic_score_codex":0.0000015223956,"about_ca_topic_score_gemma":0.0000016039394,"teacher_disagreement_score":0.9394374,"about_ca_system_score_codex":0.00005563949,"about_ca_system_score_gemma":0.000051064795,"threshold_uncertainty_score":0.9997192},"labels":[],"label_agreement":null},{"id":"W2967689359","doi":"10.1177/0276237419868943","title":"Questions and Potential Answers About Ways Ownership and Art Matter for One Another","year":2019,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Affect (linguistics); Aesthetics; Property (philosophy); Psychology; Social psychology; Sociology; Epistemology; Art","score_opus":0.09749897413984228,"score_gpt":0.33556162530082717,"score_spread":0.2380626511609849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967689359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9704108,0.000119041804,0.0003549986,0.027506914,0.00008594339,0.00017357981,0.000007867229,0.000013216539,0.0013276237],"genre_scores_gemma":[0.99084514,0.00010829401,0.00015199604,0.005273689,0.000023054665,0.000008112575,2.1137792e-7,0.000006372339,0.003583107],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994059,0.000039303257,0.00011861419,0.00019255638,0.00012077144,0.00012281671],"domain_scores_gemma":[0.9996893,0.00006201144,0.000050712842,0.00014587899,0.000023746587,0.000028368415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009649409,0.000073390074,0.00015870998,0.00002357876,0.00015311882,0.000015938436,0.00007972723,0.000024219715,0.00011253411],"category_scores_gemma":[0.00010572856,0.000043581975,0.00006770283,0.00007039505,0.0003079658,0.000044764613,0.00009697752,0.0000459172,0.00006118288],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000370926,0.0008351922,0.35895005,0.00034760046,0.00022477054,0.000004054136,0.012197893,0.00025653825,0.3540575,0.005222137,0.25551182,0.01202155],"study_design_scores_gemma":[0.003031278,0.0005169791,0.75306106,0.00029054127,0.0004913768,0.000042981406,0.0023470686,0.0017168439,0.012950022,0.015023894,0.2096858,0.000842177],"about_ca_topic_score_codex":0.0000028532538,"about_ca_topic_score_gemma":0.0000048839916,"teacher_disagreement_score":0.39411098,"about_ca_system_score_codex":0.000008670993,"about_ca_system_score_gemma":0.0000038627577,"threshold_uncertainty_score":0.17772214},"labels":[],"label_agreement":null},{"id":"W2969761336","doi":"10.1177/0276237419868959","title":"Flying-Gallop and Foreshortening: Winner Circle","year":2019,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; University of Toronto","funders":"","keywords":"Psychology; Aesthetics; Art","score_opus":0.10840718760144016,"score_gpt":0.3625342253331007,"score_spread":0.25412703773166057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969761336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9889371,0.0001249209,0.000018149287,0.0075596035,0.000099126686,0.000080694605,9.804515e-7,0.000018235396,0.0031611822],"genre_scores_gemma":[0.99567735,0.00007067552,0.000031278985,0.002265083,0.000018203318,0.0000029493717,6.604657e-8,0.000005216003,0.0019291476],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992694,0.00004643583,0.00014221424,0.00020261458,0.00020484316,0.00013448647],"domain_scores_gemma":[0.999603,0.00006278565,0.000057487116,0.00021719914,0.000024835763,0.00003472478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001073992,0.000070189904,0.00017467511,0.000021553087,0.00020651458,0.000010290955,0.00015684133,0.000020794283,0.00007548827],"category_scores_gemma":[0.00027169494,0.00004279915,0.0000875372,0.00015711652,0.0002369615,0.000046395955,0.00025888236,0.00006729973,0.00006671825],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008741602,0.0003751532,0.6124407,0.000101185826,0.00009564946,0.0000118103,0.016127454,0.00024197855,0.276802,0.0019687028,0.044288613,0.047459327],"study_design_scores_gemma":[0.001805316,0.00047325244,0.7760269,0.00019994336,0.00021672534,0.000066453686,0.0057693063,0.004424821,0.03548766,0.010774147,0.16391766,0.0008378301],"about_ca_topic_score_codex":0.00000383787,"about_ca_topic_score_gemma":0.0000051017564,"teacher_disagreement_score":0.24131435,"about_ca_system_score_codex":0.0000110947685,"about_ca_system_score_gemma":0.000005340734,"threshold_uncertainty_score":0.17452988},"labels":[],"label_agreement":null},{"id":"W2970987761","doi":"10.1109/digitalheritage.2018.8810096","title":"Evaluating and documenting affect in the art museum","year":2018,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Documentation; Affect (linguistics); Context (archaeology); Metadata; Agency (philosophy); Set (abstract data type); Object (grammar); Computer science; Museology; Visual arts; Psychology; Multimedia; Human–computer interaction; World Wide Web; Art; Sociology; Artificial intelligence; Communication; History","score_opus":0.11016567167514851,"score_gpt":0.41523553349869424,"score_spread":0.30506986182354573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970987761","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9537528,0.000001600331,0.00023118375,0.0015117059,0.000018177396,0.00005025683,8.175611e-8,0.00001725171,0.044416912],"genre_scores_gemma":[0.9955297,0.000005599837,0.00023940657,0.0026074946,0.00003018383,0.0000037219613,1.0220939e-7,0.000002231176,0.001581552],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9993816,0.00015207136,0.00007486104,0.00014384979,0.00014626727,0.00010137791],"domain_scores_gemma":[0.99981046,0.000047824316,0.000019820456,0.00010125093,0.0000063939788,0.000014261097],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006022772,0.00003933491,0.000044347333,0.000036217843,0.000115353214,0.00006350814,0.00008247324,0.000011061302,0.00077367626],"category_scores_gemma":[0.00021013163,0.00002280634,0.000017564806,0.0001787267,0.000081301136,0.00006610316,0.000029048972,0.00004459942,0.0002856444],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008415468,0.000070271,0.009160079,0.000006076764,0.0000010251256,0.000007999059,0.0067507564,0.000007397232,0.90430856,0.005087748,0.0023193245,0.072272345],"study_design_scores_gemma":[0.004684503,0.0018879407,0.227569,0.0002118139,0.00017462547,0.00047157658,0.01856473,0.5285586,0.13390663,0.009577221,0.07274252,0.0016507991],"about_ca_topic_score_codex":0.000012514598,"about_ca_topic_score_gemma":0.000033946104,"teacher_disagreement_score":0.77040195,"about_ca_system_score_codex":0.0000043580076,"about_ca_system_score_gemma":0.0000040589066,"threshold_uncertainty_score":0.8471213},"labels":[],"label_agreement":null},{"id":"W2973739168","doi":"10.1167/19.10.16","title":"The size of objects in visual space compared to pictorial space","year":2019,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Object (grammar); Space (punctuation); Contrast (vision); Computer vision; Perception; Artificial intelligence; Computer science; Computer graphics (images); Mathematics; Psychology","score_opus":0.014251227205021108,"score_gpt":0.3230272944174372,"score_spread":0.3087760672124161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973739168","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99660647,0.00001403956,0.0000776343,0.0018218925,0.0005726635,0.000066245695,4.8630574e-7,0.0000030240385,0.00083754264],"genre_scores_gemma":[0.99898297,0.000051749335,0.00013238635,0.00015202859,0.00011452641,1.9233413e-7,3.4040905e-8,0.000005212373,0.000560916],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99882615,0.0001462602,0.00032873507,0.000100386584,0.0004734494,0.00012502592],"domain_scores_gemma":[0.99925077,0.00020759902,0.00026745236,0.0001254793,0.000071554336,0.000077130986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045274137,0.000066966124,0.00021007076,0.00010097613,0.000045250883,0.00003471601,0.00021583255,0.000031615717,0.00011884784],"category_scores_gemma":[0.0005979598,0.000040857016,0.00010952286,0.0003444151,0.000033222954,0.00009945079,0.000047473764,0.00015310105,0.00006877588],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003100582,0.00010972888,0.0018039808,0.0000032524224,0.0000013537873,0.000008325285,0.00079112494,0.00048916653,0.9940195,0.00015383872,0.000865871,0.0014437701],"study_design_scores_gemma":[0.011457341,0.0071506132,0.61758596,0.0011512307,0.000102930055,0.00024358607,0.008494377,0.014736166,0.25171596,0.0014272747,0.08508902,0.0008455512],"about_ca_topic_score_codex":0.000010961674,"about_ca_topic_score_gemma":0.000014213514,"teacher_disagreement_score":0.74230355,"about_ca_system_score_codex":0.000042679694,"about_ca_system_score_gemma":0.000045897843,"threshold_uncertainty_score":0.16661008},"labels":[],"label_agreement":null},{"id":"W2979836958","doi":"10.1162/leon_r_01814","title":"<i>Toward Fewer Images: The Work of Alexander Kluge, 1st Edition</i> by Philipp Ekardt. MIT Press, Cambridge, MA, U.S.A., 2018. 448 pp., illus. Trade. ISBN: 978-1517903206.","year":2019,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; State (computer science); Library science; Art history; Computer science; Art; World Wide Web; Algorithm","score_opus":0.02158775561700132,"score_gpt":0.23392380269427615,"score_spread":0.21233604707727483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2979836958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38407472,0.016145429,0.007856195,0.24231432,0.007676143,0.0051609944,0.003017347,0.0013991719,0.33235568],"genre_scores_gemma":[0.9420866,0.001914661,0.000079711994,0.008348397,0.00038713,0.000045886703,0.000051866722,0.00006712683,0.047018643],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965929,0.0002910351,0.0005924127,0.0008575279,0.0009926074,0.00067353854],"domain_scores_gemma":[0.9982329,0.0001440563,0.00030780217,0.0010356139,0.00006290213,0.00021672102],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003719977,0.0004118672,0.0005349804,0.00007377435,0.00022497213,0.00012295926,0.00090506667,0.00019984638,0.0027403394],"category_scores_gemma":[0.00009275692,0.00030040872,0.00046964287,0.0005880564,0.00064089056,0.00033728615,0.00015568407,0.0004721002,0.0011556966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008926081,0.00036521695,0.0011051379,0.000058159254,0.00003354809,0.000017248383,0.00043798093,0.00010878256,0.05094435,0.00080203015,0.9426558,0.003382457],"study_design_scores_gemma":[0.0012676,0.00013923411,0.0063782595,0.000106260166,0.00018083578,0.000061977495,0.0007828629,0.00026556457,0.01962162,0.00007548628,0.97045606,0.00066424167],"about_ca_topic_score_codex":0.00013383396,"about_ca_topic_score_gemma":0.0000035814187,"teacher_disagreement_score":0.5580119,"about_ca_system_score_codex":0.000058919606,"about_ca_system_score_gemma":0.00007094472,"threshold_uncertainty_score":0.9999448},"labels":[],"label_agreement":null},{"id":"W2980376180","doi":"10.1068/ic282","title":"Following the Eyes of the Masters: Looking and Liking are Linked","year":2011,"lang":"en","type":"article","venue":"i-Perception","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Portrait; Gaze; Visual arts; Art; Aesthetics; Computer science; Computer vision","score_opus":0.05667297259663117,"score_gpt":0.2603971161453027,"score_spread":0.20372414354867152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980376180","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99629045,0.000011666064,0.00077259296,0.00050502474,0.00013550851,0.00009417293,0.0000011679911,0.000030208841,0.002159221],"genre_scores_gemma":[0.998714,0.000036867397,0.00013920796,0.0007537425,0.00003993468,0.0000052610503,2.556919e-7,0.000009275927,0.00030143696],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991417,0.0001448579,0.00016854503,0.00020054505,0.00021478542,0.00012958635],"domain_scores_gemma":[0.99956757,0.000021779428,0.00011898385,0.0002505072,0.000014815178,0.000026345822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020114049,0.0000887671,0.00011158608,0.000044566445,0.00026747814,0.00003402637,0.0002092182,0.000045615845,0.00021830203],"category_scores_gemma":[0.000085772546,0.000049956565,0.00013416146,0.00019389475,0.00015564215,0.00013774903,0.00007938347,0.00011900412,0.000025336236],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014915165,0.000053262338,0.040479317,0.0000145224885,0.000005976012,0.000003339955,0.022596821,0.000015768766,0.88898766,0.0002521391,0.00005646891,0.047519818],"study_design_scores_gemma":[0.0005022416,0.000065598295,0.9599778,0.00026132076,0.0001628752,0.000034645494,0.02426356,0.004639617,0.007908302,0.0010816331,0.00080977957,0.0002926152],"about_ca_topic_score_codex":0.000042546675,"about_ca_topic_score_gemma":0.000015998776,"teacher_disagreement_score":0.9194985,"about_ca_system_score_codex":0.00001801837,"about_ca_system_score_gemma":0.0000066101843,"threshold_uncertainty_score":0.2390254},"labels":[],"label_agreement":null},{"id":"W2981668542","doi":"10.1017/s1930297500004861","title":"The glow of grime: Why cleaning an old object can wash away its value","year":2019,"lang":"en","type":"article","venue":"Judgment and Decision Making","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Object (grammar); Value (mathematics); Artificial intelligence; Computer science; Mathematics; Statistics","score_opus":0.03141405481658445,"score_gpt":0.30331343941876626,"score_spread":0.2718993846021818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981668542","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9958853,0.00006829344,0.00090408744,0.00023288612,0.00017951679,0.0001240504,0.0000027535432,0.000027538606,0.0025755784],"genre_scores_gemma":[0.9972565,0.00014397588,0.00042117512,0.0014576184,0.00003286677,0.0000023894725,5.402295e-7,0.000011283583,0.0006736063],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9985613,0.00008714702,0.00027802502,0.0003376653,0.00052858423,0.00020723052],"domain_scores_gemma":[0.9992581,0.00018428965,0.00013805293,0.00031860554,0.0000343656,0.000066589455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048834697,0.00011689429,0.00017412096,0.000090226145,0.00029198464,0.00014761691,0.00026514934,0.000046671743,0.0001830316],"category_scores_gemma":[0.00012445213,0.00007594702,0.000085444604,0.00025418052,0.000052256546,0.00013423587,0.00012988706,0.00010890845,0.000052749838],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021813561,0.00014136244,0.008050543,0.000021749145,0.000008833831,0.000013549424,0.0018075822,0.0018542483,0.41513067,0.021060437,0.0014033513,0.5502895],"study_design_scores_gemma":[0.0072057494,0.0021821412,0.10521151,0.0020688458,0.00034662307,0.0002097063,0.012509198,0.63030434,0.12226746,0.04720248,0.06772448,0.0027674607],"about_ca_topic_score_codex":0.000012548768,"about_ca_topic_score_gemma":0.00001783683,"teacher_disagreement_score":0.6284501,"about_ca_system_score_codex":0.000023902277,"about_ca_system_score_gemma":0.000017125225,"threshold_uncertainty_score":0.30970296},"labels":[],"label_agreement":null},{"id":"W2981696839","doi":"","title":"Art in the Age of Artificial Intelligence / L’art à l’ère de l’intelligence artificielle","year":2019,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.06735010998363815,"score_gpt":0.3278324631166056,"score_spread":0.2604823531329674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981696839","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3143793,0.0024306232,0.14674497,0.3280196,0.009417433,0.0036650677,0.0004294595,0.0003390907,0.19457443],"genre_scores_gemma":[0.9673989,0.001154674,0.0002862842,0.0022744122,0.00021356563,0.000051626557,0.000062995765,0.000043215223,0.028514337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99563193,0.0006428965,0.0011636112,0.0008721094,0.00073669455,0.00095273065],"domain_scores_gemma":[0.9976136,0.0004980033,0.00030780304,0.0012787045,0.00010661446,0.00019526176],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001388836,0.0004187277,0.0005692121,0.0003456109,0.00032261846,0.00021374694,0.0012159373,0.0002479477,0.006652451],"category_scores_gemma":[0.00044241443,0.00036786217,0.00039274863,0.001903226,0.0010096671,0.00036561285,0.00020019733,0.0007624789,0.009762217],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056564317,0.0022009723,0.00093393074,0.00015948956,0.00001520612,0.0002276739,0.009041461,0.013061638,0.03094615,0.9171327,0.011512154,0.0147120925],"study_design_scores_gemma":[0.0001236334,0.0003415214,0.0011058486,0.0006191842,0.00009271295,0.0002269703,0.012150582,0.06333492,0.027540036,0.0117078265,0.8819854,0.0007713425],"about_ca_topic_score_codex":0.000111057896,"about_ca_topic_score_gemma":0.00031676434,"teacher_disagreement_score":0.90542483,"about_ca_system_score_codex":0.000090432106,"about_ca_system_score_gemma":0.00023759168,"threshold_uncertainty_score":0.99987733},"labels":[],"label_agreement":null},{"id":"W2990861396","doi":"10.3390/joitmc5040093","title":"How Art Places Climate Change at the Heart of Technological Innovation","year":2019,"lang":"en","type":"article","venue":"Journal of Open Innovation Technology Market and Complexity","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut interdisciplinaire d'innovation technologique; Université de Sherbrooke","funders":"","keywords":"Sustainability; Climate change; Technological change; Sociology; Aesthetics; Meaning (existential); Process (computing); Tipping point (physics); Art; Psychology; Computer science; Engineering","score_opus":0.11779190151239552,"score_gpt":0.3301208457925722,"score_spread":0.2123289442801767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990861396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9424918,0.00002173179,0.00017853582,0.052328497,0.00006040144,0.00026555106,0.000008185303,0.000026946524,0.00461831],"genre_scores_gemma":[0.99698615,0.000106306274,0.00055652467,0.0011064066,0.0000139649,0.000010016414,0.000002351746,0.000005849295,0.0012124559],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987449,0.00010493871,0.0005525514,0.00019033132,0.00024959995,0.00015766782],"domain_scores_gemma":[0.9984417,0.000050052815,0.00088678475,0.0002619095,0.00034696693,0.000012577783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013465304,0.000112535454,0.00033020027,0.0007910656,0.00018342894,0.00009705918,0.0005868067,0.00014881016,0.0006012469],"category_scores_gemma":[0.00048220236,0.00007246128,0.000037981867,0.0032597785,0.0007679663,0.00042599894,0.0005196638,0.00033181597,0.000013523494],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031912146,0.00016243423,0.049059298,0.00002837997,0.000012346889,0.0000044376106,0.000050166695,5.564017e-7,0.3105807,0.5980786,0.0058205444,0.035883408],"study_design_scores_gemma":[0.0045436327,0.0019587732,0.18223193,0.00034522184,0.00009873949,0.002034959,0.0038778973,0.0014830184,0.19077139,0.22009142,0.39172137,0.000841656],"about_ca_topic_score_codex":0.0000013293662,"about_ca_topic_score_gemma":0.0000031082595,"teacher_disagreement_score":0.38590083,"about_ca_system_score_codex":0.000033287542,"about_ca_system_score_gemma":0.000021696707,"threshold_uncertainty_score":0.6583232},"labels":[],"label_agreement":null},{"id":"W2990875342","doi":"10.29311/mas.v17i3.3230","title":"Artifact Biography: A Variable Colour Mixer","year":2019,"lang":"en","type":"article","venue":"Museum and Society","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"German; Judgement; Artifact (error); Biography; Perception; Criticism; Period (music); German literature; Hostility; Psychology; Aesthetics; History; Art history; Art; Epistemology; Social psychology; Literature; Philosophy; Archaeology","score_opus":0.013523795591242877,"score_gpt":0.22754036697082175,"score_spread":0.21401657137957888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990875342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99377716,0.000015147155,0.00027870486,0.0007925108,0.000078773526,0.00006851779,0.0000061987303,0.000060512033,0.004922453],"genre_scores_gemma":[0.9932154,0.00018891464,0.00043632853,0.0035344644,0.000018738749,0.000003878924,0.0000013065728,0.0000068406252,0.0025941518],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933475,0.00003322756,0.00008884633,0.00024678183,0.0001240979,0.00017231246],"domain_scores_gemma":[0.9997257,0.00001739595,0.00002865364,0.0001473679,0.000011556716,0.000069322115],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000108994594,0.00007919658,0.00011540422,0.000022325248,0.00013011714,0.000053746924,0.00007463899,0.000059230017,0.0010007148],"category_scores_gemma":[0.000010764746,0.00006434047,0.00015367413,0.00028031244,0.00007768256,0.0000765849,0.000033808843,0.000084224586,0.00023259076],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013029381,0.00021713824,0.03032753,0.00003942162,0.000019541769,0.0000031238615,0.0063492893,0.000037172806,0.93782395,0.0073241717,0.015609826,0.0022357744],"study_design_scores_gemma":[0.0032232068,0.00041731723,0.08571835,0.00006945356,0.00018170773,0.000060510196,0.0074081807,0.0374937,0.017038502,0.0039678775,0.8429669,0.0014542722],"about_ca_topic_score_codex":0.000039593175,"about_ca_topic_score_gemma":8.8667275e-7,"teacher_disagreement_score":0.9207855,"about_ca_system_score_codex":0.000007876387,"about_ca_system_score_gemma":0.00001643154,"threshold_uncertainty_score":0.9999125},"labels":[],"label_agreement":null},{"id":"W2990955522","doi":"10.24908/iqurcp.9873","title":"8. Infrared Reflectography of Edward Hopper’s High Noon: Questions of Authentication","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Noon; Sketch; Visual arts; Oil painting; Globe; Painting; Wife; Art; Art history; Palm oil; History; Computer science; Law; Geology; Environmental science; Psychology; Political science","score_opus":0.13401396858048098,"score_gpt":0.4049515542812794,"score_spread":0.2709375857007984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990955522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96017003,0.00001754147,0.0051279985,0.013029268,0.00015918199,0.0005604275,0.000024392939,0.000170767,0.02074041],"genre_scores_gemma":[0.99631625,0.0005225197,0.0009029847,0.000088040004,0.00012024248,0.000056214743,0.000005659576,0.000025555812,0.001962502],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.996507,0.00020463727,0.0006472363,0.000659319,0.0014016596,0.00058018795],"domain_scores_gemma":[0.9962441,0.00011681821,0.0003195811,0.00038177276,0.002709955,0.00022782151],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011367257,0.00021269037,0.00039100286,0.0011140874,0.00032911194,0.00012654475,0.0007802009,0.00015305655,0.0002520558],"category_scores_gemma":[0.0014314235,0.00019518405,0.00015506418,0.002749248,0.0036707115,0.000478732,0.00023813041,0.000417639,0.00012137269],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001040831,0.00024834342,0.0013297399,0.00009865281,0.000014588337,0.0000012788701,0.004098038,5.846177e-7,0.66534996,0.32322448,0.0017002005,0.0038300212],"study_design_scores_gemma":[0.00097581325,0.0017228578,0.0053507457,0.00061343587,0.00008291275,0.000020356558,0.0040358133,0.0023262587,0.56403226,0.41498646,0.0052735927,0.00057950284],"about_ca_topic_score_codex":0.00023502285,"about_ca_topic_score_gemma":0.000010738629,"teacher_disagreement_score":0.10131775,"about_ca_system_score_codex":0.00007287628,"about_ca_system_score_gemma":0.0003141906,"threshold_uncertainty_score":0.9990407},"labels":[],"label_agreement":null},{"id":"W2995173298","doi":"10.3389/fpsyg.2019.02805","title":"The Representation of Body Size: Variations With Viewpoint and Sex","year":2019,"lang":"en","type":"article","venue":"Frontiers in Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Perception; Psychology; Representation (politics); Dimension (graph theory); Cognitive psychology; Viewpoints; Matching (statistics); Body shape; Illusion; Construct (python library); Social psychology; Artificial intelligence; Statistics; Computer science; Mathematics","score_opus":0.016101908940887207,"score_gpt":0.3164037499057636,"score_spread":0.3003018409648764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995173298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86454237,0.00016847013,0.10124593,0.009738203,0.000839602,0.00040989954,0.000004870217,0.000030371062,0.023020316],"genre_scores_gemma":[0.9954671,0.000460493,0.0022661276,0.0010028844,0.000007943396,0.000009170808,5.9929954e-7,0.000004652509,0.0007810011],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999356,0.00013644765,0.00013705631,0.00019952292,0.00007983608,0.00009115692],"domain_scores_gemma":[0.9996284,0.00004786875,0.00007170447,0.0002244525,0.000009631639,0.000017925273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012471814,0.00004495191,0.000111039415,0.000053231302,0.00004367333,0.000008386425,0.000097597855,0.000032316675,0.00006435819],"category_scores_gemma":[0.00007056017,0.000029694385,0.000019064473,0.00025581205,0.0001532283,0.000040736493,0.000013207576,0.00007134568,0.0000097728325],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033485965,0.0003193318,0.6079323,0.000016804488,0.000025969204,0.000012003685,0.003618192,0.00008143888,0.1269034,0.014397815,0.021536412,0.22482146],"study_design_scores_gemma":[0.007892078,0.0012061539,0.74231166,0.00006562245,0.00012608571,0.0002210072,0.0060326955,0.027347302,0.006907409,0.1252862,0.08187013,0.0007336202],"about_ca_topic_score_codex":0.0000068284103,"about_ca_topic_score_gemma":0.0000036693643,"teacher_disagreement_score":0.22408783,"about_ca_system_score_codex":0.000006603194,"about_ca_system_score_gemma":0.000007310239,"threshold_uncertainty_score":0.12109019},"labels":[],"label_agreement":null},{"id":"W2995997814","doi":"10.1111/phc3.12645","title":"Aesthetic hedonism and its critics","year":2019,"lang":"en","type":"article","venue":"Philosophy Compass","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":104,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Hedonism; Pleasure; Value (mathematics); Argument (complex analysis); Aesthetics; Epistemology; Aesthetic value; Philosophy; Sociology; Psychology; Computer science","score_opus":0.045455095967543706,"score_gpt":0.27523680066084755,"score_spread":0.22978170469330383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995997814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9299312,0.000091141235,0.00006939599,0.013139283,0.00012906894,0.00013512962,0.000007522572,0.000108295775,0.05638896],"genre_scores_gemma":[0.9959669,0.00008134129,0.000041999083,0.0032140661,0.000043395477,0.000004971771,0.0000011904993,0.0000143106045,0.0006318055],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99902964,0.00007052124,0.00014958423,0.00032702132,0.0002292998,0.00019391012],"domain_scores_gemma":[0.9995748,0.000015096453,0.000039633193,0.00023081522,0.000025589527,0.000114065435],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000062830964,0.00012546642,0.00018014407,0.00007968887,0.00010610869,0.000051929495,0.0001783148,0.00003944774,0.00034463865],"category_scores_gemma":[0.000023567349,0.000114535316,0.00006760383,0.00015410209,0.00007717845,0.0001087674,0.00006691356,0.00012338029,0.0018088366],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024536734,0.00027294137,0.00088905776,0.0000626758,0.000002349169,0.000040651008,0.00050637487,0.000075430245,0.15047275,0.8428381,0.00047439142,0.004340754],"study_design_scores_gemma":[0.0068644206,0.0012073569,0.009399166,0.0003384718,0.00024993275,0.0016186865,0.0003720633,0.12824266,0.049897596,0.6115851,0.18672046,0.0035041214],"about_ca_topic_score_codex":0.0000017951701,"about_ca_topic_score_gemma":2.2827768e-7,"teacher_disagreement_score":0.23125303,"about_ca_system_score_codex":0.000013759157,"about_ca_system_score_gemma":0.000010451068,"threshold_uncertainty_score":0.99896836},"labels":[],"label_agreement":null},{"id":"W3004112683","doi":"10.1016/j.cortex.2020.01.009","title":"Psychological and neural responses to architectural interiors","year":2020,"lang":"en","type":"article","venue":"Cortex","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":155,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Comisión Nacional de Investigación Científica y Tecnológica","keywords":"Psychology; Cognitive psychology; Perception; Neural correlates of consciousness; Social psychology; Cognition","score_opus":0.0819262683386707,"score_gpt":0.3447430697346067,"score_spread":0.262816801395936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004112683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98746914,0.0000069487714,0.00051334593,0.011386073,0.000036844987,0.000046447378,0.0000030204476,0.00006612739,0.00047207024],"genre_scores_gemma":[0.9767731,0.0000062109193,0.00010728993,0.0227356,0.00003145323,0.0000028294126,2.6218422e-7,0.000004279674,0.00033897843],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99936,0.00007339128,0.00008874764,0.00028197563,0.00008468444,0.000111158115],"domain_scores_gemma":[0.99969655,0.00001963378,0.000015456588,0.00008786681,0.0000051571374,0.00017531826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000026331187,0.00006519496,0.00008906998,0.00003195248,0.00004817608,0.000029740353,0.00012014953,0.000017967463,0.00034401874],"category_scores_gemma":[0.0003082522,0.000048899903,0.000037674887,0.00016361442,0.000088453744,0.000023879109,0.00006897314,0.00008317689,0.00015947103],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020566217,0.000016590275,0.0012491517,0.000001790905,4.5138444e-7,0.00005076035,0.0011695585,0.0000053874473,0.8692342,0.00008171532,0.0005453975,0.12743933],"study_design_scores_gemma":[0.0008975705,0.0019245762,0.9564106,0.00001709529,0.000028697357,0.0006185761,0.0005976283,0.015461835,0.0068629817,0.0002817665,0.016285768,0.0006129201],"about_ca_topic_score_codex":0.0000013753382,"about_ca_topic_score_gemma":8.277678e-7,"teacher_disagreement_score":0.95516145,"about_ca_system_score_codex":0.0000031584325,"about_ca_system_score_gemma":0.0000022775146,"threshold_uncertainty_score":0.3766764},"labels":[],"label_agreement":null},{"id":"W3013284398","doi":"10.22215/etd/2019-13793","title":"\"Evil Eyes Look Back: Exploring the Returned Gaze in Horror Cinema\"","year":2019,"lang":"en","type":"dissertation","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Monster; Gaze; Movie theater; Illusion; Phenomenon; Art; Aesthetics; Psychology; Visual arts; Psychoanalysis; Literature; Cognitive psychology; Philosophy; Epistemology","score_opus":0.07669719362247941,"score_gpt":0.304935245422641,"score_spread":0.2282380518001616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013284398","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8831493,0.000055171957,0.000026143962,0.0006790348,0.00059516204,0.00028013674,0.0000038222056,0.0000610761,0.11515012],"genre_scores_gemma":[0.73930144,0.0005585114,0.000029695142,0.00080424635,0.000055630248,0.000049296756,0.000047200694,0.000031877647,0.25912207],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9983011,0.00013760121,0.00036145392,0.00054058695,0.00038715382,0.00027214395],"domain_scores_gemma":[0.99920774,0.00006385755,0.0001366055,0.0005026681,0.00003532364,0.00005379109],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019574126,0.00025481824,0.00033003563,0.00021593583,0.00009538556,0.00009130314,0.00045806888,0.00012566586,0.004959523],"category_scores_gemma":[0.00018361071,0.0001625675,0.00019942678,0.00047852506,0.000041682142,0.00016867433,0.000031312233,0.0003886881,0.0029026214],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060681655,0.0007864859,0.0064819683,0.0008514514,0.00004067898,0.00014320812,0.041192606,0.0005176557,0.7759675,0.011914782,0.023048576,0.13844828],"study_design_scores_gemma":[0.008025877,0.00094179227,0.14713782,0.00520362,0.0010629377,0.00012608255,0.2829211,0.022712441,0.32067347,0.00291876,0.19861598,0.009660125],"about_ca_topic_score_codex":0.00008959895,"about_ca_topic_score_gemma":0.0005721064,"teacher_disagreement_score":0.455294,"about_ca_system_score_codex":0.00004198339,"about_ca_system_score_gemma":0.000063435175,"threshold_uncertainty_score":0.9978737},"labels":[],"label_agreement":null},{"id":"W3015528156","doi":"10.1162/leon_r_01871","title":"<i>The Film Photonovel: A Cultural History of Forgotten Adaptations</i> by Jan Baetens. University of Texas Press, Austin, TX, U.S.A., 2019. 200 pp., illus. Trade. ISBN: 978-1477318225.","year":2020,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Folklife; State (computer science); Art history; Library science; Art; History; Media studies; World Wide Web; Computer science; Sociology; Literature","score_opus":0.03141914572323964,"score_gpt":0.2147229781728736,"score_spread":0.18330383244963397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015528156","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5988467,0.024729446,0.0091733085,0.2500095,0.0020315798,0.0035720589,0.0039489386,0.0011549582,0.10653351],"genre_scores_gemma":[0.9571846,0.0029603173,0.00034933074,0.002696093,0.000051413306,0.0000022744248,0.00003665621,0.000027329448,0.036691986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985266,0.00013761256,0.00030233548,0.00039144576,0.00039492,0.0002471058],"domain_scores_gemma":[0.99912554,0.000069485315,0.00027343465,0.0003002113,0.000075973076,0.0001553325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000101975726,0.00017615357,0.00028891332,0.000026538508,0.00015401134,0.000014064019,0.00053432374,0.000089088964,0.00045369595],"category_scores_gemma":[0.00009991279,0.00014711409,0.00024079104,0.00024639184,0.00062150374,0.00018299323,0.00008172818,0.00020149334,0.000062354615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012464862,0.00010788376,0.00017601807,0.000024789018,0.000019117891,0.000010749171,0.0031801134,0.0002817652,0.17512366,0.00058135664,0.8175336,0.002836276],"study_design_scores_gemma":[0.0005926089,0.00010742284,0.0009668522,0.000014821622,0.00010411231,0.0000079448555,0.0023282785,0.007083809,0.0031381072,0.0000122350675,0.9854428,0.00020101843],"about_ca_topic_score_codex":0.0006391685,"about_ca_topic_score_gemma":0.00003532393,"teacher_disagreement_score":0.3583379,"about_ca_system_score_codex":0.00010410673,"about_ca_system_score_gemma":0.00012658999,"threshold_uncertainty_score":0.59991384},"labels":[],"label_agreement":null},{"id":"W3021983074","doi":"","title":"Neuropsychology of Art: Neurological, Cognitive and Evolutionary Perspectives, Dahlia W. Zaidel. Psychology Press (2005), $87.50/£49.95 (hbk) (288 pp.), ISBN: 1-84169-363-4","year":2006,"lang":"en","type":"review","venue":"Trends in Cognitive Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Neuropsychology; Psychology; Cognitive science; Cognition; Psychoanalysis; Cognitive neuroscience; Dahlia; Neuroscience","score_opus":0.25010285228919454,"score_gpt":0.4695720228962185,"score_spread":0.21946917060702398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3021983074","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019815804,0.9452396,0.000115297626,0.00066265534,0.0004548484,0.00064387795,0.000827262,0.00012171628,0.049953174],"genre_scores_gemma":[0.009118808,0.9869563,0.00013770886,0.000977112,0.00014811133,0.00014452683,0.0000915721,0.00004824627,0.0023775974],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99121225,0.0023717855,0.0013470029,0.0031244038,0.00083275366,0.0011117803],"domain_scores_gemma":[0.9968786,0.0011754312,0.0010552531,0.0004301003,0.00021007746,0.00025049163],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009517509,0.00090847077,0.0021505111,0.0012578795,0.00044769287,0.000109797824,0.0010665834,0.00056694984,0.0014029408],"category_scores_gemma":[0.0011723421,0.0007268873,0.0005792463,0.0028986214,0.008222265,0.0003785368,0.00038088867,0.001198832,0.00018361793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015485894,0.0015721776,0.0003373267,0.00031383176,0.000040017225,0.00032955626,0.00039117798,0.000008394295,0.00006213257,0.0007861629,0.014228231,0.9817761],"study_design_scores_gemma":[0.0022216947,0.0027194896,0.008552034,0.0028734356,0.0013408331,0.0016437845,0.0008074361,0.00036341237,0.000007808579,0.0012644986,0.9762496,0.001955999],"about_ca_topic_score_codex":0.000058255595,"about_ca_topic_score_gemma":0.000051662082,"teacher_disagreement_score":0.97982013,"about_ca_system_score_codex":0.00005147861,"about_ca_system_score_gemma":0.00019745357,"threshold_uncertainty_score":0.9995182},"labels":[],"label_agreement":null},{"id":"W3023642080","doi":"10.26443/crae.v46i2.69","title":"Theory of Mind, Aesthetic Judgment and Child Development Issues: A Narrative Review / Théorie de l’esprit, jugement esthétique et enjeux du développement de l’enfant : un compte rendu narratif","year":2019,"lang":"fr","type":"review","venue":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal; Université de Sherbrooke","funders":"","keywords":"Humanities; Empathy; Narrative; Meaning (existential); Philosophy; Psychology; Psychoanalysis; Epistemology; Social psychology; Linguistics","score_opus":0.03887754966103092,"score_gpt":0.32817090347494504,"score_spread":0.28929335381391413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023642080","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022622787,0.76026976,0.00015813624,0.22951314,0.0006915058,0.0044174395,0.00012553399,0.000014178465,0.0025480331],"genre_scores_gemma":[0.006789426,0.962753,0.0019779257,0.021139674,0.000108201,0.0013303,0.00054545695,0.0000874625,0.0052685332],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9901431,0.004380185,0.0028832082,0.0011390946,0.0004238433,0.0010305773],"domain_scores_gemma":[0.9932032,0.0002467253,0.0025863904,0.0015992037,0.00099235,0.0013721182],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0076651485,0.0009485736,0.0023389212,0.0005493247,0.00073433615,0.00008839795,0.0011253359,0.00027648828,0.0042509506],"category_scores_gemma":[0.0017775386,0.00083812064,0.00051391264,0.0011739532,0.00061895023,0.00018056855,0.00012398846,0.0008265605,0.00029258148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0000149478465,0.0008133466,0.000119170414,0.23246369,0.00023369158,0.000024960467,0.07000071,0.000018958255,0.000029342396,0.14436811,0.058679067,0.493234],"study_design_scores_gemma":[0.00013747136,0.00010402145,0.00028887918,0.20456736,0.0010144877,0.0009138446,0.0017302479,0.000018377612,0.00004753025,0.0009632724,0.7895798,0.0006346713],"about_ca_topic_score_codex":0.008479926,"about_ca_topic_score_gemma":0.14562277,"teacher_disagreement_score":0.73090076,"about_ca_system_score_codex":0.0060246293,"about_ca_system_score_gemma":0.023491088,"threshold_uncertainty_score":0.99940693},"labels":[],"label_agreement":null},{"id":"W3028859929","doi":"10.1177/0276237420951415","title":"Aesthetics of Graffiti: Comparison to Text-Based and Pictorial Artforms","year":2020,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"Fonds Wetenschappelijk Onderzoek; KU Leuven; Radboud Universiteit; Vlaamse regering; York University","keywords":"Graffiti; Attractiveness; Painting; Salient; Art; Value (mathematics); Visual arts; Space (punctuation); Aesthetics; Psychology; Artificial intelligence; Computer science; Mathematics; Statistics","score_opus":0.1890413869959305,"score_gpt":0.38864520597756624,"score_spread":0.19960381898163573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3028859929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9665092,0.000063328385,0.0003255607,0.032402106,0.00014223056,0.00011100249,0.0000059749696,0.000019915276,0.00042065655],"genre_scores_gemma":[0.99384123,0.000021723321,0.00013866286,0.0059068804,0.000053643078,0.0000028995103,1.3769754e-7,0.0000050870153,0.00002972041],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991068,0.00005557626,0.00025868585,0.00018200948,0.0002775058,0.00011937531],"domain_scores_gemma":[0.9995385,0.0000744608,0.00010101927,0.00015437629,0.00004266575,0.00008899345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007733159,0.000090000445,0.0002914169,0.000021014966,0.00012052711,0.000007377823,0.00018740412,0.000022708207,0.000022655055],"category_scores_gemma":[0.00067784963,0.000052873445,0.000102761886,0.0002619093,0.0003268705,0.000021114436,0.00018805779,0.00006943418,0.000017082164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001433982,0.0023343586,0.24423258,0.00040955862,0.00014280787,0.000017248105,0.076057084,0.017258916,0.19297676,0.0043535843,0.39914444,0.061638694],"study_design_scores_gemma":[0.0051728073,0.004616771,0.07079218,0.00031172702,0.0005231825,0.000011137348,0.008405415,0.02882528,0.2738252,0.003609126,0.60255504,0.00135216],"about_ca_topic_score_codex":0.0000031152872,"about_ca_topic_score_gemma":0.0000043885475,"teacher_disagreement_score":0.2034106,"about_ca_system_score_codex":0.0000102557515,"about_ca_system_score_gemma":0.000010560607,"threshold_uncertainty_score":0.21561165},"labels":[],"label_agreement":null},{"id":"W3035791970","doi":"10.7202/1069402ar","title":"On Being Difficult: The Pursuit of Wonder1","year":2020,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wonder; Legibility; Aesthetics; Narrative; Point (geometry); Taste; Psychology; Art; Sociology; History; Visual arts; Literature; Social psychology","score_opus":0.04200112276121327,"score_gpt":0.25917246345153977,"score_spread":0.2171713406903265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035791970","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9268423,0.0017679324,0.00003214558,0.068010546,0.00023753331,0.0011177137,0.00027744257,0.00014551503,0.0015688668],"genre_scores_gemma":[0.9790881,0.0022601953,0.00010737781,0.017999077,0.00023253,0.0000935524,0.000019764253,0.00003475906,0.0001646038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978775,0.000040494495,0.0003484404,0.00056212954,0.00059716497,0.00057430466],"domain_scores_gemma":[0.9986457,0.00032408483,0.00022952461,0.00015824063,0.00038882092,0.00025358397],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00027529398,0.0002975745,0.00038054545,0.000030315005,0.0016001434,0.00017936381,0.0009416228,0.0001086876,0.00006947721],"category_scores_gemma":[0.0011248928,0.00017558009,0.00043057487,0.0013208496,0.0004925183,0.00011455655,0.0001074395,0.0003467745,0.000021114523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015333833,0.00010904505,0.002486017,0.00010393346,0.00078207324,0.0000023233185,0.10533025,0.000016821843,0.08136272,0.034960203,0.77149594,0.0031973177],"study_design_scores_gemma":[0.0053537334,0.0014818914,0.009881012,0.00046091888,0.0022908875,0.000014724998,0.1453213,0.007279912,0.053303674,0.009537804,0.762512,0.0025620926],"about_ca_topic_score_codex":0.0011585136,"about_ca_topic_score_gemma":0.0028176834,"teacher_disagreement_score":0.052245837,"about_ca_system_score_codex":0.00026861043,"about_ca_system_score_gemma":0.00016441153,"threshold_uncertainty_score":0.99969965},"labels":[],"label_agreement":null},{"id":"W3037825416","doi":"10.7454/proust.v3i1.81","title":"Neuroscience, Wellbeing, and Urban Design: Our Universal Attraction to Vitality","year":2020,"lang":"en","type":"article","venue":"Psychological Research on Urban Society","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Vitality; Loneliness; Field (mathematics); Theme (computing); Power (physics); Psychology; Aesthetics; Affect (linguistics); Cognitive psychology; Sociology; Social psychology; Communication; Computer science; Art; Biology","score_opus":0.4458978472848213,"score_gpt":0.4813031604879051,"score_spread":0.03540531320308382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037825416","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9206417,0.000017227785,0.015527191,0.055055395,0.00014646411,0.0005971926,0.000014931546,0.00027174604,0.007728121],"genre_scores_gemma":[0.9786201,0.00012067603,0.00046526798,0.019147392,0.00014094882,0.000014895844,7.943426e-7,0.000012265339,0.0014776416],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962655,0.0008178892,0.00019030718,0.0011124095,0.001028821,0.00058508763],"domain_scores_gemma":[0.9986912,0.00014730402,0.0000433089,0.00028865752,0.00007120223,0.00075835024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011160079,0.00016357015,0.00019017915,0.000066372886,0.0005834382,0.00018379146,0.0004915449,0.00013325523,0.00012569496],"category_scores_gemma":[0.0012903815,0.00012998223,0.00016643417,0.0014977095,0.00039823639,0.00016128142,0.00018094742,0.00080500095,0.00036463205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025686252,0.00047311987,0.0016399832,0.000008143003,0.0000021827914,0.00004574002,0.0023881835,0.00007684633,0.5157088,0.0020917212,0.4728001,0.0045083086],"study_design_scores_gemma":[0.0042335135,0.015683334,0.23265399,0.00007995288,0.000055264714,0.00007554279,0.01979374,0.04191589,0.02066025,0.0018953197,0.66069937,0.002253845],"about_ca_topic_score_codex":0.000005053993,"about_ca_topic_score_gemma":1.7125161e-7,"teacher_disagreement_score":0.49504855,"about_ca_system_score_codex":0.00007916531,"about_ca_system_score_gemma":0.000024569206,"threshold_uncertainty_score":0.5300522},"labels":[],"label_agreement":null},{"id":"W3048417421","doi":"10.1093/oxfordhb/9780198824350.013.6","title":"Exploring the Landscape of Emotion in Aesthetic Experience","year":2020,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sadness; Happiness; Feeling; Pleasure; Aesthetics; Psychology; Aesthetic experience; Everyday life; Cognitive psychology; Social psychology; Art; Epistemology; Philosophy; Psychotherapist","score_opus":0.11253083531870281,"score_gpt":0.23313263887297886,"score_spread":0.12060180355427605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048417421","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050527986,0.0000067262604,0.0001202929,0.000111451656,0.00006112798,0.00016282714,0.000014548683,0.000046029996,0.94894904],"genre_scores_gemma":[0.61065376,0.0005372983,0.000019660692,0.000105734514,0.00001852599,0.0000013754304,0.0000024579633,0.000019088464,0.3886421],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903303,0.000054183573,0.00016646014,0.00034975057,0.00026308684,0.00013350755],"domain_scores_gemma":[0.9994298,0.000018767261,0.00015555842,0.00031193293,0.00002233321,0.000061557286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000048463608,0.00017123508,0.00023935243,0.00013378296,0.000101987134,0.000017041988,0.00048328223,0.00007490108,0.00005698491],"category_scores_gemma":[0.000011960458,0.00014990021,0.00015362997,0.000027822889,0.00023529431,0.00010008842,0.00019058817,0.00027345098,0.000002523919],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018135479,0.000039782444,0.00004322287,0.000066552995,0.000008418154,0.00028365006,0.013461102,0.00019760767,0.003404736,0.91864574,0.00015180802,0.06351604],"study_design_scores_gemma":[0.00039388755,0.000083068284,0.00006301486,0.00015296832,0.00006168482,0.000017950631,0.0010505483,0.00081187475,0.0012697907,0.0003037462,0.99548805,0.00030343735],"about_ca_topic_score_codex":0.000019892432,"about_ca_topic_score_gemma":0.0000075603766,"teacher_disagreement_score":0.99533623,"about_ca_system_score_codex":0.000037644622,"about_ca_system_score_gemma":0.000025180936,"threshold_uncertainty_score":0.6112753},"labels":[],"label_agreement":null},{"id":"W3049716056","doi":"10.1111/jaac.12740","title":"Art Forms Emerging: An Approach to Evaluative Diversity in Art","year":2020,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Commensurability (mathematics); Indeterminacy (philosophy); Aesthetics; Pleasure; Diversity (politics); String (physics); Epistemology; Art; Sociology; Philosophy; Psychology; Mathematics; Anthropology; Pure mathematics","score_opus":0.08497263154070671,"score_gpt":0.3237995195902801,"score_spread":0.23882688804957336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3049716056","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96666086,0.000017642134,0.0056223813,0.017109493,0.000053796113,0.00010181735,0.000005073952,0.000011925495,0.010417002],"genre_scores_gemma":[0.9901438,0.00009502344,0.0010535637,0.008078729,0.000048325728,0.0000011056644,9.570965e-7,0.000010212025,0.00056830986],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859214,0.00011634632,0.00036382378,0.00023390162,0.0004775747,0.00021622631],"domain_scores_gemma":[0.9992625,0.00001650447,0.000109209876,0.00010862323,0.00009948548,0.00040368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041603565,0.00013133879,0.0002879168,0.00016298256,0.00017431458,0.00006866104,0.00023558203,0.000044527318,0.00008700588],"category_scores_gemma":[0.00018037764,0.00010697949,0.00010693613,0.00028211818,0.00011091854,0.00026895764,0.00013966137,0.00025523792,0.000090591544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022351712,0.011919003,0.025420928,0.00037783253,0.00009646327,0.002472886,0.2666504,0.017858844,0.28230336,0.13669524,0.11769494,0.13627492],"study_design_scores_gemma":[0.011509811,0.011799671,0.01950663,0.0004966292,0.0006940517,0.0031913861,0.03249861,0.20341043,0.011617217,0.041274212,0.66081494,0.0031863889],"about_ca_topic_score_codex":6.0509393e-7,"about_ca_topic_score_gemma":0.00000150115,"teacher_disagreement_score":0.54312,"about_ca_system_score_codex":0.000023878238,"about_ca_system_score_gemma":0.000028311135,"threshold_uncertainty_score":0.4362497},"labels":[],"label_agreement":null},{"id":"W3086910899","doi":"10.33134/eeja.212","title":"Feeling the Aesthetic: A Pluralist Sentimentalist Theory of Aesthetic Experience","year":2020,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Feeling; Aesthetic experience; Aesthetics; Wonder; Aesthetic theory; Epistemology; Reductionism; Focus (optics); Psychology; Philosophy","score_opus":0.05826507285190017,"score_gpt":0.26823196514654035,"score_spread":0.2099668922946402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086910899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9596445,0.000499708,0.0038294012,0.029030418,0.00030022024,0.00023927969,0.000009204463,0.000051730738,0.006395562],"genre_scores_gemma":[0.9929884,0.00039156145,0.00032135978,0.0058327215,0.00013729003,0.0000016753669,6.1531665e-7,0.00007020098,0.00025618827],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936237,0.0033589678,0.0012669907,0.00034465655,0.0010092338,0.0003964622],"domain_scores_gemma":[0.9974844,0.000115087394,0.0012302274,0.0006972309,0.0001930006,0.00028004797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022826863,0.00034615278,0.00045521097,0.00009836267,0.00046507525,0.0001797437,0.0021765928,0.000036463935,0.00017802819],"category_scores_gemma":[0.00038037985,0.00018855209,0.0005688377,0.00068594114,0.0015824456,0.00018932557,0.00026978695,0.0006398346,0.00016571593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014379236,0.001670681,0.0014698757,0.000116025956,0.000079948826,0.0027329482,0.2381191,0.015365911,0.2405661,0.055567257,0.008222626,0.4346516],"study_design_scores_gemma":[0.011763427,0.00799929,0.0029714187,0.0015910215,0.002168026,0.047913253,0.117175765,0.012809471,0.13077861,0.008743201,0.6520293,0.004057232],"about_ca_topic_score_codex":0.0000021682908,"about_ca_topic_score_gemma":4.280219e-7,"teacher_disagreement_score":0.64380664,"about_ca_system_score_codex":0.000034019336,"about_ca_system_score_gemma":0.000067525936,"threshold_uncertainty_score":0.76889306},"labels":[],"label_agreement":null},{"id":"W3092555855","doi":"10.1101/2020.10.09.333708","title":"Scene wheels: Measuring perception and memory of real-world scenes with a continuous stimulus space","year":2020,"lang":"en","type":"preprint","venue":"bioRxiv (Cold Spring Harbor Laboratory)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Perception; Mnemonic; Artificial intelligence; Visual perception; Computer science; Stimulus (psychology); Computer vision; Visual memory; Psychology; Cognitive psychology; Cognition","score_opus":0.03263510076290953,"score_gpt":0.24103952312499988,"score_spread":0.20840442236209034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092555855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99613154,0.0001489398,0.0016944002,0.0007275339,0.00018258276,0.0005364688,0.000078363235,0.00039241096,0.00010778125],"genre_scores_gemma":[0.99455494,0.00083717034,0.003941741,0.00028094504,0.00017982336,0.00005589737,1.5863503e-7,0.00011318511,0.000036141377],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9965863,0.0003113042,0.0005652529,0.0013767494,0.0007035254,0.00045683625],"domain_scores_gemma":[0.9977426,0.000047550817,0.0005919577,0.0009211145,0.00031952944,0.00037728346],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00044770166,0.00057740667,0.0009134846,0.00041938087,0.00020049972,0.00019531822,0.00046850383,0.00024456816,0.000100706944],"category_scores_gemma":[0.00029506843,0.0005472099,0.00016561057,0.0008320489,0.00045084776,0.00018272673,0.0004313579,0.0006367891,0.000036847836],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090671885,0.00010424404,0.006251635,0.0003484451,0.000026246491,0.00006319379,0.000084133404,0.00015752879,0.9926181,0.00018899176,0.000037979946,0.000028870514],"study_design_scores_gemma":[0.002033627,0.000306571,0.27720305,0.0020251947,0.0007534801,3.1592813e-7,0.00011224812,0.010030709,0.704583,0.0000070867686,0.0008771446,0.002067595],"about_ca_topic_score_codex":0.00029026237,"about_ca_topic_score_gemma":0.000032234064,"teacher_disagreement_score":0.2880351,"about_ca_system_score_codex":0.00017413039,"about_ca_system_score_gemma":0.00032212122,"threshold_uncertainty_score":0.9996979},"labels":[],"label_agreement":null},{"id":"W3097485863","doi":"10.1167/jov.20.11.719","title":"Revisiting the Impact of Perception on Tasks of Emotionally-Enhanced Vividness","year":2020,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Stimulus (psychology); Perception; Cognitive psychology; Salient; Audiology; Artificial intelligence; Computer science","score_opus":0.04164541318533778,"score_gpt":0.35212006844824373,"score_spread":0.31047465526290596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097485863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9931132,0.000010474148,0.0034152668,0.0029188383,0.000033676475,0.000038543036,0.0000044772955,0.0000040905984,0.0004613894],"genre_scores_gemma":[0.99918056,0.00012504024,0.000107902146,0.0003919008,0.00016588831,1.4334768e-7,4.7343642e-7,0.000006138962,0.000021975346],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99864924,0.00019617354,0.00047523345,0.00010376877,0.0004947661,0.000080789774],"domain_scores_gemma":[0.9988954,0.000071453964,0.0006926357,0.00010651594,0.00016059662,0.0000733865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038212867,0.00007921267,0.00023441164,0.00008378263,0.00006817962,0.000016376738,0.00021510023,0.00003333541,0.00054251513],"category_scores_gemma":[0.0005854292,0.00004370959,0.00036577202,0.00031294598,0.00006862147,0.0001393921,0.000027248065,0.00018850483,0.00001681126],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010842899,0.00004921606,0.0001753371,0.000010208549,0.000003735444,0.0000019940883,0.00082704023,0.0028746529,0.9694992,0.000026476799,0.00020276566,0.026220994],"study_design_scores_gemma":[0.0024546913,0.0055131493,0.8004653,0.0015495697,0.00018658435,0.00016497394,0.002902842,0.04805306,0.13743043,0.000520619,0.0003846453,0.00037416373],"about_ca_topic_score_codex":0.0000036071283,"about_ca_topic_score_gemma":5.7098802e-8,"teacher_disagreement_score":0.83206874,"about_ca_system_score_codex":0.00003529287,"about_ca_system_score_gemma":0.000043895845,"threshold_uncertainty_score":0.594016},"labels":[],"label_agreement":null},{"id":"W3097821439","doi":"10.5951/mtms.12.8.0467","title":"Math Roots: Mathematics and Visual Arts: Exploring the Golden Ratio","year":2007,"lang":"en","type":"article","venue":"Mathematics Teaching in the Middle School","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Mathematics education; Golden ratio; The arts; Function (biology); Phenomenon; Integrated mathematics; Mathematics; Connected Mathematics; Everyday Mathematics; Reform mathematics; Visual arts; Epistemology; Geometry; Art","score_opus":0.10518344845944828,"score_gpt":0.3151487511422533,"score_spread":0.20996530268280506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097821439","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9561104,0.000034008863,0.035922334,0.00070614455,0.000084479325,0.0004171288,0.0000021722217,0.00009881556,0.0066245054],"genre_scores_gemma":[0.9917925,0.000039620143,0.0062793777,0.00096787803,0.0001298383,0.00008535709,0.0000011967134,0.000037214497,0.00066703133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9977686,0.00019461749,0.000634563,0.00032643555,0.00061442365,0.00046140695],"domain_scores_gemma":[0.9984398,0.0006930917,0.00020857666,0.00053425884,0.000014517694,0.00010977967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045274403,0.00025636068,0.0002840493,0.00017493601,0.00058155035,0.00037410163,0.0006240467,0.00006025043,0.000038884504],"category_scores_gemma":[0.001809316,0.00014506243,0.00010993019,0.000343457,0.00016355795,0.00028734884,0.00015599809,0.00074460765,0.00016046883],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000463193,0.0032914586,0.0014450317,0.0007150302,0.000046596197,0.00021169354,0.27884817,0.00044267022,0.12006631,0.5352604,0.000964619,0.058661714],"study_design_scores_gemma":[0.0031177716,0.00043465532,0.010014873,0.0019901406,0.0005881579,0.0023700877,0.48392087,0.34480745,0.012817649,0.12826267,0.008757007,0.002918647],"about_ca_topic_score_codex":0.000018179151,"about_ca_topic_score_gemma":0.00005732797,"teacher_disagreement_score":0.4069977,"about_ca_system_score_codex":0.00007097914,"about_ca_system_score_gemma":0.000016587128,"threshold_uncertainty_score":0.59154737},"labels":[],"label_agreement":null},{"id":"W3112355943","doi":"10.37558/gec.v18i1.848","title":"Overpaints and inpainting on the “Black flag” by Ljubo Babić","year":2020,"lang":"en","type":"article","venue":"Ge-conservacion","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inpainting; Painting; Dirt; Oil painting; Art; Visual arts; Process (computing); Flag (linear algebra); Computer science; Artificial intelligence; Image (mathematics); Cartography; Mathematics; Geography","score_opus":0.04933107043327067,"score_gpt":0.23989490951766215,"score_spread":0.19056383908439148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112355943","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9464357,0.000011284644,0.00029891497,0.050369952,0.000031396106,0.00011156194,0.000009290322,0.000082013736,0.0026498795],"genre_scores_gemma":[0.9557056,0.000055143566,0.000023918943,0.043605644,0.0000506131,0.000005129556,0.00000250183,0.000012839704,0.0005386011],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987572,0.000243888,0.00017260962,0.000378869,0.00023702218,0.00021044603],"domain_scores_gemma":[0.99945307,0.00012804012,0.00007453169,0.00020631935,0.000015369673,0.00012268248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002465861,0.0001354807,0.0001365138,0.000027210028,0.0002355523,0.00008640545,0.00019840703,0.00005536623,0.0005581804],"category_scores_gemma":[0.0006511031,0.000095918374,0.00007125368,0.00023967,0.00016550068,0.00008635851,0.00008660803,0.00019631228,0.0006519501],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093971925,0.00009386559,0.0052096047,0.000032374122,0.000007115191,0.00002426529,0.004770678,0.000041650743,0.8952671,0.005149082,0.07488577,0.01442451],"study_design_scores_gemma":[0.0031663782,0.0009222147,0.027711174,0.0002510307,0.00017444784,0.00007009517,0.006794905,0.21689196,0.18305282,0.0036494597,0.5553587,0.0019567823],"about_ca_topic_score_codex":0.000014897174,"about_ca_topic_score_gemma":0.000002715706,"teacher_disagreement_score":0.7122143,"about_ca_system_score_codex":0.000015942702,"about_ca_system_score_gemma":0.000015003732,"threshold_uncertainty_score":0.8379716},"labels":[],"label_agreement":null},{"id":"W3113213726","doi":"10.1371/journal.pone.0255109","title":"Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision","year":2021,"lang":"en","type":"preprint","venue":"PLoS ONE","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Science Foundation of Sri Lanka; Natural Sciences and Engineering Research Council of Canada; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; National Science Foundation","keywords":"Painting; Depiction; Stylized fact; Bounding overwatch; Computer science; Perception; Artificial intelligence; Visual arts; Visual perception; Minimum bounding box; Art; Computer graphics (images); Computer vision; Image (mathematics); Psychology","score_opus":0.08099348679479518,"score_gpt":0.3172335559395224,"score_spread":0.23624006914472723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113213726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99626625,0.000015915408,0.0013934777,0.000904475,0.00014898452,0.00029106336,0.0008873395,0.00004841621,0.00004409912],"genre_scores_gemma":[0.9809308,0.00018530012,0.008049948,0.0018688162,0.0002638008,0.00012421636,0.007768018,0.00004465801,0.00076443085],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9979216,0.00027831842,0.00041779084,0.0009167479,0.0002578249,0.00020772978],"domain_scores_gemma":[0.9991143,0.000032813998,0.00017101031,0.0005331114,0.00004853375,0.00010024826],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043782458,0.00022677008,0.0004966712,0.00019576687,0.00009473927,0.00016399265,0.00028274252,0.0001729602,0.0012874227],"category_scores_gemma":[0.00006837706,0.00022982554,0.000064930835,0.0000578069,0.00013889842,0.00019607095,0.0012982136,0.00023523129,0.000046910085],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008897801,0.0021557421,0.00013684278,0.0005812567,0.0000139323365,0.000036879977,0.0036843298,0.00001748912,0.9764168,0.000018327717,0.013200863,0.0036485246],"study_design_scores_gemma":[0.011088109,0.005915881,0.0859089,0.021767141,0.0033435295,0.00032222335,0.008807282,0.71241206,0.08285252,0.004845338,0.05147583,0.011261177],"about_ca_topic_score_codex":0.000022533319,"about_ca_topic_score_gemma":0.000038889637,"teacher_disagreement_score":0.8935643,"about_ca_system_score_codex":0.00017072758,"about_ca_system_score_gemma":0.000040698764,"threshold_uncertainty_score":0.99962556},"labels":[],"label_agreement":null},{"id":"W3119147959","doi":"10.29173/bsuj582","title":"'Alternate Perceptions'","year":2020,"lang":"en","type":"article","venue":"Behavioural Sciences Undergraduate Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mindfulness; Rumination; Perception; Aesthetics; Psychology; Perspective (graphical); Representation (politics); Gautama Buddha; Cognition; Sublime; Beauty; Metacognition; Social psychology; Cognitive psychology; Buddhism; Art; Visual arts; History; Political science; Psychotherapist","score_opus":0.1380410538705137,"score_gpt":0.3277997668189944,"score_spread":0.1897587129484807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119147959","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93217987,0.00001828341,0.0029628873,0.059028488,0.0002322361,0.000062357554,0.0000045325946,0.00010324932,0.0054080724],"genre_scores_gemma":[0.99318355,0.0002606717,0.0006963418,0.004947906,0.00017836633,0.0000019013916,5.4527857e-7,0.000010497286,0.0007202049],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9977826,0.00020157958,0.00035417135,0.00040555085,0.0008213003,0.00043483143],"domain_scores_gemma":[0.99913836,0.00001781684,0.00018719914,0.00009986029,0.000043584183,0.00051319966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029139017,0.00016995055,0.00017781855,0.00012563031,0.0011500015,0.0005068825,0.00070095813,0.000040523388,0.0018163001],"category_scores_gemma":[0.00015047517,0.00012554858,0.0002227473,0.00080916,0.0005101751,0.0006001013,0.00008724404,0.0003860653,0.0007402243],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005355367,0.00030865864,0.113064356,0.0000072637577,0.0000064797377,0.0005064318,0.002283506,0.0015113502,0.8078826,0.012312764,0.014165854,0.04789719],"study_design_scores_gemma":[0.01627062,0.011008666,0.32226753,0.0005071782,0.0014810531,0.05096687,0.02801686,0.2620317,0.085685894,0.1408537,0.06945036,0.0114595415],"about_ca_topic_score_codex":0.00002131463,"about_ca_topic_score_gemma":0.0000049627292,"teacher_disagreement_score":0.7221967,"about_ca_system_score_codex":0.000055860022,"about_ca_system_score_gemma":0.00008744519,"threshold_uncertainty_score":0.99909616},"labels":[],"label_agreement":null},{"id":"W3121497958","doi":"","title":"How Edvard Munch and August Strindberg Contracted Protoplasmania: Memory, Synesthesia, and the Vibratory Organism in Fin-De-Siècle Europe","year":2010,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; University of British Columbia Hospital","funders":"","keywords":"Object (grammar); Painting; Modernism (music); Art; Fin de siecle; Art history; Aesthetics; Philosophy","score_opus":0.006072471126519619,"score_gpt":0.20857299614746427,"score_spread":0.20250052502094465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3121497958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928946,0.00012723662,0.00027651165,0.005804819,0.00006260918,0.00029417835,0.0000013028265,0.000030044657,0.000508704],"genre_scores_gemma":[0.9960615,0.0014546703,0.000027895983,0.0005609498,0.00012559381,0.000015498788,3.9045887e-7,0.000025615613,0.0017278641],"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99780315,0.00036190698,0.000225897,0.0002890926,0.00024962993,0.0010702984],"domain_scores_gemma":[0.9993957,0.000084748586,0.00015396115,0.00019722257,0.000044178498,0.00012417424],"candidate_categories":["research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0014653042,0.000178802,0.00024227878,0.00011574315,0.00038397414,0.00029333515,0.00028925383,0.00010104984,0.00007074262],"category_scores_gemma":[0.00041624365,0.000121136785,0.000052123574,0.0002803382,0.0004246017,0.00025737906,0.000055870787,0.002497256,0.0000120065],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003455201,0.0002840678,0.0072944514,0.000015490665,0.000037926988,0.0001690362,0.0015185716,0.000010246611,0.7730613,0.15684015,0.00014336366,0.060279876],"study_design_scores_gemma":[0.078082986,0.0040318966,0.25385118,0.000298512,0.001276667,0.10762253,0.027873622,0.014933917,0.1329646,0.25805104,0.11506598,0.0059470804],"about_ca_topic_score_codex":0.000047681628,"about_ca_topic_score_gemma":0.00075401436,"teacher_disagreement_score":0.6400967,"about_ca_system_score_codex":0.00009018438,"about_ca_system_score_gemma":0.0007650097,"threshold_uncertainty_score":0.999804},"labels":[],"label_agreement":null},{"id":"W3138786147","doi":"10.1093/aesthj/ayaa052","title":"Supervenience and Realization: Aesthetic Objects and their Properties","year":2020,"lang":"en","type":"article","venue":"The British Journal of Aesthetics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Supervenience; Realization (probability); Object (grammar); Relation (database); Computer science; Epistemology; Representation (politics); Aesthetics; Philosophy; Linguistics; Mathematics; Metaphysics; Data mining; Political science; Law","score_opus":0.046098228028706376,"score_gpt":0.22457855840620794,"score_spread":0.17848033037750155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138786147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98685366,0.0023244286,0.0006385912,0.009784501,0.00003235826,0.00007609993,0.000003064127,0.000019315208,0.00026796726],"genre_scores_gemma":[0.98950267,0.0074268826,0.00007569335,0.0028542774,0.000045759858,9.700364e-7,1.7116375e-7,0.000014383321,0.00007918235],"study_design_codex":"design_other","study_design_gemma":"case_report","domain_scores_codex":[0.9989035,0.00021542393,0.00032140777,0.00016546813,0.0002385229,0.00015567176],"domain_scores_gemma":[0.9994533,0.000017945104,0.00017137587,0.00010058354,0.00008861494,0.00016814833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028460583,0.00011416855,0.00021651373,0.000028301007,0.00045596276,0.00039457288,0.00026990232,0.000037501966,0.00001958277],"category_scores_gemma":[0.00021601155,0.000077418794,0.00007249463,0.00022054162,0.0005563962,0.00017681926,0.000074080715,0.00023759197,0.000004695232],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021522341,0.00029500367,0.001340026,0.00011292575,0.000015496442,0.0008422788,0.044974133,0.00066933106,0.10789817,0.0028993716,0.002255514,0.83848256],"study_design_scores_gemma":[0.010807171,0.009158195,0.009860041,0.004068402,0.00086367235,0.5794461,0.0571792,0.07203045,0.10328009,0.02644248,0.122986026,0.0038782216],"about_ca_topic_score_codex":0.000013765957,"about_ca_topic_score_gemma":0.0000069323223,"teacher_disagreement_score":0.8346043,"about_ca_system_score_codex":0.000008143455,"about_ca_system_score_gemma":0.000039014747,"threshold_uncertainty_score":0.38048753},"labels":[],"label_agreement":null},{"id":"W3143043231","doi":"10.1101/2021.03.31.437827","title":"Differences in Regional Grey Matter Volume Predict the Extent to which Openness influences Judgments of Beauty and Pleasantness of Interior Architectural Spaces","year":2021,"lang":"en","type":"preprint","venue":"bioRxiv (Cold Spring Harbor Laboratory)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Universidad de La Laguna; American Psychological Association","keywords":"Openness to experience; Beauty; Grey matter; Ceiling (cloud); Psychology; Voxel-based morphometry; Dorsolateral prefrontal cortex; Social psychology; Cognitive psychology; Prefrontal cortex; Cognition; White matter; Geography; Aesthetics; Neuroscience; Medicine; Art","score_opus":0.027638856489485143,"score_gpt":0.24507299482621206,"score_spread":0.21743413833672692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3143043231","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9974042,0.00017734575,0.00020858311,0.0014356178,0.00022541304,0.00042783545,0.00009302144,0.000025490603,0.0000024867804],"genre_scores_gemma":[0.9989889,0.00018934663,0.0002772696,0.00036242462,0.000040777173,0.000108011074,1.6011526e-7,0.000025561843,0.0000075129465],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99725425,0.0003637457,0.00064070954,0.0008476352,0.00055491575,0.0003387512],"domain_scores_gemma":[0.9983998,0.00005981573,0.00044593937,0.00068528356,0.00025614785,0.00015300847],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00041983597,0.00035248892,0.00067247497,0.00029330608,0.00009310124,0.00020424547,0.0008381763,0.00015690552,0.00013596517],"category_scores_gemma":[0.00026198826,0.00026205796,0.0001146892,0.000735862,0.00042687124,0.00013804756,0.0008741097,0.00040777732,0.000007027439],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004710376,0.00007725189,0.3735163,0.00022509875,0.000021101812,0.000009687867,0.00032994786,0.00007868118,0.6256375,0.000028609715,0.000019104185,0.000009636447],"study_design_scores_gemma":[0.00021081373,0.000047528298,0.93522525,0.0009297164,0.000051495692,1.3936884e-7,0.00010915694,0.00071365346,0.062373452,0.0000014205893,0.000048169324,0.00028921827],"about_ca_topic_score_codex":0.00039711394,"about_ca_topic_score_gemma":0.00007646332,"teacher_disagreement_score":0.563264,"about_ca_system_score_codex":0.000065801774,"about_ca_system_score_gemma":0.00022228176,"threshold_uncertainty_score":0.9999832},"labels":[],"label_agreement":null},{"id":"W3154508173","doi":"10.24908/iqurcp.9585","title":"An Infrared Examination of Edward Hopper’s High Noon","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Noon; Sketch; Oil painting; Visual arts; Globe; Painting; Art; Wife; Art history; Palm oil; History; Computer science; Environmental science; Law; Geology; Psychology; Political science; Algorithm","score_opus":0.1370124564314898,"score_gpt":0.39502630766563024,"score_spread":0.25801385123414045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3154508173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97430795,0.000003638715,0.0025648475,0.0051207114,0.00011773494,0.00035642734,0.000009334938,0.00017126005,0.017348079],"genre_scores_gemma":[0.9964416,0.00027566898,0.00048220952,0.00018952925,0.000275003,0.000051394833,0.000008856241,0.000034025357,0.0022416804],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9958643,0.00032125617,0.0004981106,0.00086426054,0.0017200285,0.0007320972],"domain_scores_gemma":[0.996716,0.00008841371,0.00020832814,0.00037409796,0.002279195,0.00033395537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018489059,0.00024396229,0.00034680197,0.0008292109,0.0004560368,0.00034319182,0.0009434426,0.0001771179,0.0003912426],"category_scores_gemma":[0.0011834317,0.00022365662,0.00008507577,0.0016847297,0.002463036,0.0011139746,0.00022227278,0.00048465616,0.00032944852],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010666948,0.00032788308,0.0008286409,0.000070885275,0.0000075879207,0.000006084608,0.007935081,0.0000013011356,0.8023234,0.15286979,0.0015656706,0.03395701],"study_design_scores_gemma":[0.0017480785,0.00426218,0.017802233,0.00041507866,0.000055018838,0.000044269353,0.013083697,0.018565549,0.772181,0.1634139,0.007302478,0.0011265334],"about_ca_topic_score_codex":0.000187456,"about_ca_topic_score_gemma":0.00001252165,"teacher_disagreement_score":0.032830473,"about_ca_system_score_codex":0.00014146464,"about_ca_system_score_gemma":0.00026039276,"threshold_uncertainty_score":0.9120452},"labels":[],"label_agreement":null},{"id":"W3157067776","doi":"","title":"Six Years in Halifax: A Short History of the Henry Moore Studio, Dean Clough from 1986 to 1992.","year":2021,"lang":"en","type":"dissertation","venue":"University of Huddersfield Repository (University of Huddersfield)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Insider; Subject (documents); Art history; Performance art; Visual arts; Art; Law; Library science; Political science","score_opus":0.017042887765033102,"score_gpt":0.20188610381115019,"score_spread":0.1848432160461171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157067776","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7313206,0.00046947057,0.00017338316,0.00048192905,0.0010131645,0.00039325785,0.00006461787,0.000042463776,0.26604107],"genre_scores_gemma":[0.9721214,0.00027496432,0.00029025055,0.00012324819,0.000032440323,1.16191e-7,0.000039435596,0.000019231953,0.027098922],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99761605,0.0002929545,0.00035880643,0.0007520763,0.00069524033,0.00028486032],"domain_scores_gemma":[0.99824876,0.00011487771,0.00048726168,0.000841306,0.00016323013,0.00014459377],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012245958,0.0003054432,0.00079711876,0.00038517738,0.00021320206,0.000009281291,0.0012619653,0.00055375847,0.010934097],"category_scores_gemma":[0.000068094414,0.0003825711,0.00072460086,0.00052568485,0.0004063908,0.00018020197,0.00028789052,0.0006387835,0.000008157371],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009601833,0.00085948565,0.0061455322,0.00033399512,0.0002804875,0.0011933312,0.10360026,0.00051801995,0.17159314,0.00039996151,0.71123356,0.0028820606],"study_design_scores_gemma":[0.0008284867,0.00013715796,0.0022857364,0.00051571167,0.00050275464,0.000008718895,0.9861518,0.00012414725,0.006837778,0.00004681918,0.0020827372,0.00047815393],"about_ca_topic_score_codex":0.014214995,"about_ca_topic_score_gemma":0.01412085,"teacher_disagreement_score":0.88255155,"about_ca_system_score_codex":0.000017621507,"about_ca_system_score_gemma":0.00052446633,"threshold_uncertainty_score":0.9998626},"labels":[],"label_agreement":null},{"id":"W3157441733","doi":"10.24908/iqurcp.7227","title":"The Activation of Scene Gist: Global Versus Local Features","year":2017,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scene statistics; Computer science; Computer vision; Artificial intelligence; GiST; Space (punctuation); Perception; Psychology","score_opus":0.19009704502791372,"score_gpt":0.4320648789005478,"score_spread":0.24196783387263407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157441733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7491519,0.000040552015,0.007628393,0.16513416,0.0005982407,0.0008686538,0.000020828451,0.00019635733,0.07636091],"genre_scores_gemma":[0.99764484,0.00063229154,0.00007153567,0.00006305998,0.00012096349,0.000035064895,0.0000016127599,0.000014130018,0.0014165047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9967529,0.00012678493,0.00031977345,0.00057426794,0.001557262,0.00066897523],"domain_scores_gemma":[0.99775577,0.00018855635,0.0003089,0.00051897665,0.0010211507,0.00020664238],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0011955291,0.00019680047,0.00023890806,0.000116987474,0.0022782495,0.0010702456,0.0016432492,0.00012978255,0.000029644714],"category_scores_gemma":[0.003650451,0.00014063196,0.000117852054,0.00044353982,0.00434399,0.00067043444,0.0004947742,0.00053570943,0.00006366804],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001307818,0.0001942126,0.0019929959,0.000077321216,0.000030595187,0.000010168997,0.0013565333,0.000011722599,0.07682217,0.73106027,0.009705603,0.1774306],"study_design_scores_gemma":[0.006948479,0.0021708119,0.045967367,0.00091606093,0.000119949545,0.00006983517,0.023315027,0.022412527,0.37750497,0.4805693,0.03828235,0.0017232933],"about_ca_topic_score_codex":0.00057359727,"about_ca_topic_score_gemma":0.00005366154,"teacher_disagreement_score":0.3006828,"about_ca_system_score_codex":0.00022611002,"about_ca_system_score_gemma":0.00032325773,"threshold_uncertainty_score":0.99996674},"labels":[],"label_agreement":null},{"id":"W3161887741","doi":"10.1017/cbo9781139169301","title":"The Aesthetics of Emotion","year":2016,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":52,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sadness; Disgust; Psychology; Happiness; Subject (documents); Action (physics); Style (visual arts); Aesthetics; Pleasure; Anger; Interpretation (philosophy); Laughter; Cognitive psychology; Social psychology; Art; Philosophy; Visual arts; Linguistics; Computer science","score_opus":0.026824025457187282,"score_gpt":0.218173172128506,"score_spread":0.19134914667131872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161887741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006740456,0.000021388247,0.0007090523,0.00008883349,0.00013036934,0.0001533014,0.00011408025,0.000059172235,0.99804974],"genre_scores_gemma":[0.0043230155,0.0005237061,0.000007861248,0.00006593605,0.000049390143,2.7692877e-7,0.000004115747,0.000019849054,0.99500585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988163,0.00014903709,0.00017669321,0.00032912256,0.0003274553,0.00020139718],"domain_scores_gemma":[0.9988964,0.00007312434,0.00029553322,0.00055791845,0.0000915108,0.000085486514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010739678,0.00018952193,0.00023640072,0.00009570064,0.0003273799,0.00002544951,0.00064802496,0.00018223276,0.0000054822517],"category_scores_gemma":[0.00003769676,0.000137142,0.00026243954,0.000017349132,0.00079079374,0.000040557203,0.00019993269,0.00020686079,0.00003717642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005045606,0.000016179067,8.12459e-7,0.000026103466,0.00001051104,0.000045367346,0.000058798127,0.0000012919071,0.0042200442,0.866139,0.112293445,0.017138004],"study_design_scores_gemma":[0.00023561234,0.000033968787,0.0000049760783,0.000080607715,0.00009286938,0.000012843944,0.000027047803,0.000049813054,0.002582266,0.00002182149,0.9966919,0.00016627209],"about_ca_topic_score_codex":0.00000836895,"about_ca_topic_score_gemma":4.1887319e-7,"teacher_disagreement_score":0.88439846,"about_ca_system_score_codex":0.00013895094,"about_ca_system_score_gemma":0.00014633962,"threshold_uncertainty_score":0.55924886},"labels":[],"label_agreement":null},{"id":"W3162544822","doi":"10.31234/osf.io/mydgw","title":"Empirical Aesthetics: An overview","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Aesthetics; Field (mathematics); Context (archaeology); Empirical research; Object (grammar); Key (lock); Empirical evidence; Epistemology; Sociology; Computer science; Art; History; Philosophy; Artificial intelligence","score_opus":0.23128182521347815,"score_gpt":0.41506012994060804,"score_spread":0.1837783047271299,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162544822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.961315,0.00048759664,0.003233912,0.005834854,0.00040304332,0.00017737581,0.000014414522,0.00041371485,0.028120091],"genre_scores_gemma":[0.97169423,0.0034366676,0.0017476103,0.016700039,0.00010567656,0.0000222219,0.000040440947,0.000036202287,0.0062169353],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780077,0.0003558745,0.00029907216,0.00089102355,0.00041957668,0.00023367492],"domain_scores_gemma":[0.9986879,0.000012666709,0.00008915417,0.000952726,0.000049890215,0.00020765727],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014686445,0.00024112346,0.00036660949,0.00009012451,0.00008984285,0.0002731281,0.00050602393,0.00023878351,0.008931396],"category_scores_gemma":[0.0000945969,0.00020299973,0.00033341863,0.0002018439,0.00011323844,0.00007823137,0.0006195982,0.0004908218,0.0004471209],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008293905,0.0099113,0.010122819,0.0011313678,0.00006836304,0.002957104,0.02004818,0.006560615,0.16275032,0.03994307,0.037147384,0.70927656],"study_design_scores_gemma":[0.0024440712,0.0008433602,0.019365327,0.001373444,0.0012306919,0.001586221,0.0070661646,0.18823652,0.05095058,0.03911949,0.6781798,0.009604336],"about_ca_topic_score_codex":0.00003945581,"about_ca_topic_score_gemma":0.000035194564,"teacher_disagreement_score":0.6996722,"about_ca_system_score_codex":0.000041983563,"about_ca_system_score_gemma":0.00014181792,"threshold_uncertainty_score":0.9919746},"labels":[],"label_agreement":null},{"id":"W3162981174","doi":"10.3389/frobt.2021.577770","title":"Exploring Co-creative Drawing Workflows","year":2021,"lang":"en","type":"article","venue":"Frontiers in Robotics and AI","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Engineering and Physical Sciences Research Council; King's College London; Canadian Institute for Advanced Research","keywords":"Workflow; Computer science; Creative work; Visual arts; Skepticism; Co-creation; Creativity; Psychology; World Wide Web; Art","score_opus":0.07759306626384528,"score_gpt":0.2929953897163632,"score_spread":0.21540232345251792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162981174","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6395727,0.00063895463,0.3310979,0.0053621824,0.0013987892,0.00015701793,0.000007571408,0.00010551711,0.021659402],"genre_scores_gemma":[0.9848327,0.0012863349,0.011270687,0.0011410789,0.000041848045,0.0000059647255,0.0000025183754,0.000010420969,0.0014084541],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9992547,0.00006312552,0.00013238541,0.00025784745,0.00012020805,0.0001717216],"domain_scores_gemma":[0.99976766,0.000010538192,0.000024839412,0.00011698964,0.000015077396,0.00006489623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000067597466,0.00008328922,0.00015963272,0.00008547326,0.00011326526,0.00007008887,0.00006446523,0.000027726986,0.00006397291],"category_scores_gemma":[0.00008399167,0.00008149396,0.000043805736,0.00029466863,0.000077140576,0.00015896242,0.00003710048,0.00013595445,0.000009056566],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008426057,0.000700403,0.19241726,0.000083323896,0.000041313968,0.0015808523,0.02020922,0.10916027,0.06693087,0.013730395,0.014116493,0.5809453],"study_design_scores_gemma":[0.005862956,0.00025956848,0.058015455,0.0010481633,0.00029441735,0.00022319761,0.04790248,0.6982196,0.0901418,0.020214865,0.074526004,0.0032915173],"about_ca_topic_score_codex":0.0000039848837,"about_ca_topic_score_gemma":0.0000023163038,"teacher_disagreement_score":0.5890593,"about_ca_system_score_codex":0.000025610832,"about_ca_system_score_gemma":0.000020742213,"threshold_uncertainty_score":0.33232272},"labels":[],"label_agreement":null},{"id":"W3162984841","doi":"10.31234/osf.io/3rymq","title":"Thin-Ideal Images and Affect: An Investigation Using Magazines and Minimizing Demand","year":2019,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Affect (linguistics); Ideal (ethics); Context (archaeology); Almost ideal demand system; Advertising; Psychology; On demand; Control (management); Social psychology; Multimedia; Computer science; Business; Political science; Communication; Artificial intelligence; Economics; History; Production (economics); Microeconomics","score_opus":0.0650817280480828,"score_gpt":0.3167794812351132,"score_spread":0.25169775318703036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162984841","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99561185,0.00012383176,0.0026403323,0.00045924418,0.0001008032,0.00018894041,0.000008792081,0.00008376739,0.0007824642],"genre_scores_gemma":[0.9925285,0.00038461332,0.0052738814,0.0008859477,0.000061007773,0.0000037209477,0.000008428412,0.000019688607,0.00083422335],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99854314,0.00019752349,0.00021260818,0.00068369386,0.0001957404,0.0001672835],"domain_scores_gemma":[0.9993705,0.000045965582,0.00014112754,0.0002740849,0.00002958898,0.0001387233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025214453,0.0002255054,0.0002878344,0.00016483104,0.00015243763,0.00032003786,0.00012399342,0.00015861352,0.000068086694],"category_scores_gemma":[0.00008978424,0.00019052034,0.000049424878,0.00008862494,0.0002458671,0.00024267404,0.00035778782,0.00023334438,0.000012536323],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011846196,0.000032319396,0.025299434,0.00025909298,0.000006596465,0.000013495059,0.002177334,0.0020456123,0.9641616,0.00042133738,0.00023683472,0.005334506],"study_design_scores_gemma":[0.0009691478,0.00014189669,0.08998882,0.00048164235,0.00039558296,0.00026816232,0.0012155568,0.8424777,0.053505536,0.008800875,0.00023013183,0.0015249845],"about_ca_topic_score_codex":0.00013730052,"about_ca_topic_score_gemma":0.00002176673,"teacher_disagreement_score":0.91065603,"about_ca_system_score_codex":0.000017545237,"about_ca_system_score_gemma":0.000043328855,"threshold_uncertainty_score":0.7769194},"labels":[],"label_agreement":null},{"id":"W3164070435","doi":"10.1080/17513472.2021.1922238","title":"Quantifying patterns in art and nature","year":2021,"lang":"en","type":"article","venue":"Journal of Mathematics and the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Fractal dimension; Pollock; Fractal; Natural (archaeology); Similarity (geometry); Art; Visual arts; Mathematics; Art history; Computer science; Geography; Archaeology; Artificial intelligence; Image (mathematics)","score_opus":0.047861011803604796,"score_gpt":0.31130379896961435,"score_spread":0.26344278716600955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3164070435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99470717,0.00018337074,0.0005944982,0.0038455955,0.000033877994,0.000016196345,4.7353782e-7,0.0000013186137,0.0006174805],"genre_scores_gemma":[0.99762547,0.000964826,0.00054,0.0006889463,0.000018147733,2.2573377e-7,4.328869e-8,0.0000028570942,0.00015946203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995468,0.000038415626,0.00018451615,0.00005139833,0.0001245416,0.000054319145],"domain_scores_gemma":[0.9996868,0.00008748679,0.00010985525,0.00006617074,0.000021481776,0.000028254932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035943257,0.00004022314,0.00013719367,0.00003750322,0.000044048993,0.000054640805,0.000047998452,0.000023567403,0.00004126899],"category_scores_gemma":[0.00023464194,0.000022107832,0.000041741074,0.00006454409,0.000045849512,0.00004979807,0.000029783723,0.00016846982,0.0000027874187],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016119178,0.0016444413,0.021972029,0.0005796183,0.000082083665,0.0025009592,0.04715092,0.00012222424,0.24594729,0.6317018,0.00219712,0.04594027],"study_design_scores_gemma":[0.027335102,0.0004887012,0.06895929,0.004646581,0.0009530132,0.047469273,0.057998173,0.13344868,0.0979097,0.50975925,0.049227305,0.0018049496],"about_ca_topic_score_codex":3.569088e-7,"about_ca_topic_score_gemma":0.0000080606505,"teacher_disagreement_score":0.1480376,"about_ca_system_score_codex":0.0000029277414,"about_ca_system_score_gemma":0.000008111505,"threshold_uncertainty_score":0.09015313},"labels":[],"label_agreement":null},{"id":"W3168117561","doi":"","title":"Thin for the Win: Aesthetic Bias and Body Image Dissatisfaction in Aesthetic Sports","year":2021,"lang":"en","type":"article","venue":"Revue phénEPS / PHEnex Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Humanities; Art; Athletes; Ethnology; Psychology; Sociology","score_opus":0.04560395157997988,"score_gpt":0.29140235529255776,"score_spread":0.24579840371257788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168117561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9800224,0.00064550736,0.0035651934,0.014549604,0.00031641018,0.00020756313,0.000006444267,0.00003119604,0.0006557197],"genre_scores_gemma":[0.9947264,0.0027195013,0.00065906683,0.0007729653,0.00012992547,0.000017395874,0.0000020269952,0.000029266017,0.0009434256],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9982295,0.00025395525,0.0004661261,0.00037912437,0.00032896566,0.0003422982],"domain_scores_gemma":[0.9991346,0.00008389476,0.00023256883,0.0003089228,0.000081255566,0.00015874307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006990881,0.00019218122,0.00027966336,0.00012964093,0.00045490026,0.00028605416,0.00020013713,0.000066603556,0.0003132691],"category_scores_gemma":[0.00026280878,0.00014258391,0.0002135491,0.00038868695,0.00015164545,0.00028195293,0.00005200587,0.0004150205,0.00001946539],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030655702,0.0009795092,0.025931152,0.00016917146,0.000022426653,0.0023298413,0.009506919,0.002184866,0.2937393,0.008028931,0.003027319,0.653774],"study_design_scores_gemma":[0.014627293,0.0011837536,0.2162834,0.0024538345,0.0014236006,0.2169496,0.019958086,0.23136742,0.042135198,0.10584449,0.14334923,0.004424115],"about_ca_topic_score_codex":0.000009768096,"about_ca_topic_score_gemma":0.000028355102,"teacher_disagreement_score":0.6493499,"about_ca_system_score_codex":0.00007366493,"about_ca_system_score_gemma":0.00008738234,"threshold_uncertainty_score":0.5814403},"labels":[],"label_agreement":null},{"id":"W3178744861","doi":"10.3758/s13428-021-01630-5","title":"Scene wheels: Measuring perception and memory of real-world scenes with a continuous stimulus space","year":2021,"lang":"en","type":"article","venue":"Behavior Research Methods","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":21,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Perception; Mnemonic; Computer science; Artificial intelligence; Visual perception; Computer vision; Stimulus (psychology); Visual memory; Psychology; Cognitive psychology; Cognition","score_opus":0.3031626478333489,"score_gpt":0.5148994585921086,"score_spread":0.21173681075875972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178744861","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9911627,0.000103557555,0.0044054403,0.0004111339,0.000036288613,0.00027921257,0.0000071720146,0.000057823618,0.00353667],"genre_scores_gemma":[0.9105543,0.000574291,0.08085829,0.000038169645,0.00003743106,0.00006774392,0.0000022443908,0.00003291538,0.007834619],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99429476,0.003341683,0.0002886295,0.0006418502,0.0009773033,0.00045574782],"domain_scores_gemma":[0.9984094,0.00029081135,0.000085383916,0.0005151936,0.00046112345,0.00023810798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034501886,0.00016224493,0.0003858377,0.00042645232,0.00029504503,0.0001096382,0.00021655235,0.00006788819,0.00058894913],"category_scores_gemma":[0.0010010151,0.00013581646,0.00009004561,0.0013285617,0.00067885814,0.00016109389,0.00020679683,0.00041075438,0.000013653694],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049102895,0.00016946965,0.0071868715,0.00002925363,0.0000023231582,0.000102905025,0.00061966345,0.00000748653,0.80396116,0.000104382525,0.000019320154,0.18774806],"study_design_scores_gemma":[0.0012562508,0.00034271003,0.19713336,0.00024708812,0.00013604239,0.00021281364,0.0060272687,0.0014990638,0.7915604,0.00013278068,0.00103825,0.0004139786],"about_ca_topic_score_codex":0.00056749955,"about_ca_topic_score_gemma":0.0002997324,"teacher_disagreement_score":0.18994649,"about_ca_system_score_codex":0.000092409384,"about_ca_system_score_gemma":0.00018020235,"threshold_uncertainty_score":0.644858},"labels":[],"label_agreement":null},{"id":"W3186490881","doi":"10.1177/17470218211037128","title":"In the hands of the beholder: Wearing a COVID-19 mask is associated with its attractiveness","year":2021,"lang":"en","type":"article","venue":"Quarterly Journal of Experimental Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Attractiveness; Psychology; Coronavirus disease 2019 (COVID-19); Social psychology; Disgust; Cognition; Social distance; Cognitive psychology; Medicine","score_opus":0.08694531704889577,"score_gpt":0.3892670475533195,"score_spread":0.3023217305044237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186490881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9922814,0.00013840705,0.00013828657,0.006196309,0.00014252678,0.00005975089,0.0000036381036,0.0000028449472,0.0010368408],"genre_scores_gemma":[0.9901997,0.000015963791,0.000013207726,0.009535029,0.000026070322,0.000002981403,3.038418e-7,0.0000075946714,0.00019916012],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9983036,0.00062965427,0.00036544647,0.00019068585,0.0003461398,0.0001645007],"domain_scores_gemma":[0.9991992,0.00008403795,0.00038300708,0.00022220361,0.000046472218,0.00006509362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035116417,0.000104726765,0.00023579944,0.000086256005,0.00010022427,0.000029830826,0.00039299935,0.00006231364,0.0006360504],"category_scores_gemma":[0.00006906749,0.000059730803,0.00015690608,0.00043577183,0.00019238217,0.00015590365,0.000014360288,0.00028071864,0.000007282551],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014919948,0.0009256258,0.0023561877,0.0000025922234,0.000017866232,0.00030952177,0.021990241,0.000014051822,0.9731696,0.0001790166,0.0005479074,0.00033815988],"study_design_scores_gemma":[0.018097915,0.007954821,0.08093815,0.00031331333,0.00020638166,0.013221768,0.09065221,0.00025177604,0.7812936,0.0013742404,0.004984745,0.00071111374],"about_ca_topic_score_codex":0.0000076901615,"about_ca_topic_score_gemma":0.000011410107,"teacher_disagreement_score":0.19187607,"about_ca_system_score_codex":0.000062087456,"about_ca_system_score_gemma":0.00008823502,"threshold_uncertainty_score":0.69643056},"labels":[],"label_agreement":null},{"id":"W3189039354","doi":"10.1111/meta.12508","title":"Two dogmas of aesthetic empiricism","year":2021,"lang":"en","type":"article","venue":"Metaphilosophy","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Hedonism; Pleasure; Appeal; Aesthetics; Aesthetic value; Philosophy; Empiricism; Value (mathematics); Epistemology; Psychology; Mathematics; Law","score_opus":0.06425636355701177,"score_gpt":0.3179274221905319,"score_spread":0.25367105863352013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3189039354","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9084632,0.00022262364,0.0005675941,0.0059435815,0.00015113872,0.00006345802,0.0000111362815,0.00007309371,0.08450419],"genre_scores_gemma":[0.99553704,0.000068232606,0.00061125145,0.002530827,0.000041181567,0.000004677239,0.0000025129639,0.000013754356,0.0011905386],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99871415,0.00018397183,0.00026416942,0.0003386848,0.00033602217,0.00016302764],"domain_scores_gemma":[0.9993052,0.000018955494,0.00009310513,0.00043858468,0.00006339777,0.00008077103],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011623605,0.00011837868,0.00025987488,0.000122902,0.00007454488,0.000019766228,0.00019377025,0.000034571385,0.0010397387],"category_scores_gemma":[0.00011130045,0.0001033636,0.00025274596,0.0007252235,0.00015913384,0.00007133737,0.000064184045,0.00010232907,0.00037334915],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015189366,0.00046360784,0.0005968995,0.000017989973,0.000008127313,0.00019192325,0.0005424695,0.00011327459,0.8730234,0.108543515,0.000350885,0.016132748],"study_design_scores_gemma":[0.0020340756,0.00017552776,0.00133765,0.000051224597,0.00030857997,0.0005678107,0.0002465685,0.0014082836,0.74849945,0.19338429,0.05123482,0.000751716],"about_ca_topic_score_codex":0.0000060457182,"about_ca_topic_score_gemma":0.0000019410359,"teacher_disagreement_score":0.124523915,"about_ca_system_score_codex":0.000010186066,"about_ca_system_score_gemma":0.000035919275,"threshold_uncertainty_score":0.99987346},"labels":[],"label_agreement":null},{"id":"W3195935978","doi":"10.1371/journal.pone.0255109","title":"Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision","year":2020,"lang":"en","type":"article","venue":"arXiv (Cornell University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Science Foundation of Sri Lanka; Natural Sciences and Engineering Research Council of Canada; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; National Science Foundation","keywords":"Painting; Depiction; Computer science; Stylized fact; Bounding overwatch; Perception; Artificial intelligence; Visual arts; Computer graphics (images); Computer vision; Art; Biology","score_opus":0.08956258765448703,"score_gpt":0.23858809559200864,"score_spread":0.14902550793752162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195935978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9794737,0.0000011070641,0.019561408,0.00055155996,0.000056124532,0.00009496251,0.0001330917,0.000040271585,0.00008777561],"genre_scores_gemma":[0.99740386,0.000017291639,0.00017473413,0.0018608256,0.00004652468,4.735709e-7,0.00017426632,0.00000914086,0.00031288146],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99904007,0.00012031926,0.00012702182,0.00053284824,0.000037107748,0.00014265308],"domain_scores_gemma":[0.9996119,0.000020983094,0.0000606062,0.00016742067,0.00001511655,0.00012395717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013791834,0.00010519924,0.00015164666,0.00009289173,0.000099642544,0.000028587247,0.00019466541,0.000046369263,0.00049221946],"category_scores_gemma":[0.000020476109,0.000111163994,0.000037059443,0.00014615535,0.00013034476,0.00036653285,0.0002215563,0.00006167999,0.00009617081],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014295025,0.00078014185,0.0038953996,0.00020370171,0.000012252639,0.0005801013,0.010936354,0.0040033762,0.82617813,0.010305139,0.13219163,0.00948426],"study_design_scores_gemma":[0.0025815335,0.0012144154,0.010749691,0.000064452375,0.00008710482,0.000028132627,0.0020223788,0.9063568,0.00080244575,0.0011277503,0.074194826,0.00077046565],"about_ca_topic_score_codex":0.000010406282,"about_ca_topic_score_gemma":0.000013700811,"teacher_disagreement_score":0.9023534,"about_ca_system_score_codex":0.00007418467,"about_ca_system_score_gemma":0.000011728746,"threshold_uncertainty_score":0.53894585},"labels":[],"label_agreement":null},{"id":"W3196592737","doi":"10.1167/jov.21.9.2027","title":"Scene wheels: Measuring perception and memory of real-world scenes with a continuous stimulus space","year":2021,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Perception; Stimulus (psychology); Computer science; Visual perception; Artificial intelligence; Computer vision; Visual space; Cognitive psychology; Psychology; Neuroscience","score_opus":0.029935334642100374,"score_gpt":0.29442161813555967,"score_spread":0.2644862834934593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196592737","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99688864,0.000115194416,0.0009342034,0.00083637296,0.000058514815,0.00003377032,0.0000010577181,0.000008681456,0.0011235573],"genre_scores_gemma":[0.9959007,0.0010301467,0.0020582448,0.0001138988,0.00005864291,2.4768286e-7,2.3122541e-7,0.000010153211,0.0008277689],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987336,0.00016890996,0.00033104225,0.00016628746,0.00048367277,0.00011648344],"domain_scores_gemma":[0.9991256,0.000038803028,0.0003471398,0.00013469199,0.00024953473,0.000104258455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037530204,0.00009615088,0.0002947843,0.00019372696,0.00008548733,0.000047520043,0.000085671185,0.00003183504,0.00016191785],"category_scores_gemma":[0.00016316753,0.00006903361,0.00009169729,0.00032629463,0.00010176592,0.0002234145,0.000038226364,0.00014803544,0.0000040779255],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012805924,0.00012075337,0.0028256585,0.000022603603,0.0000046583664,0.00010860124,0.00054361654,0.00024236228,0.9594496,0.000024738514,0.00007834491,0.036451012],"study_design_scores_gemma":[0.0061692293,0.0023825157,0.63235587,0.0031267358,0.00052472384,0.0031928052,0.0074025374,0.013599068,0.3282591,0.00034413332,0.0019370768,0.0007062093],"about_ca_topic_score_codex":0.000024821806,"about_ca_topic_score_gemma":0.000051145216,"teacher_disagreement_score":0.6311905,"about_ca_system_score_codex":0.000040410392,"about_ca_system_score_gemma":0.000067070745,"threshold_uncertainty_score":0.2815109},"labels":[],"label_agreement":null},{"id":"W3197782019","doi":"10.1167/jov.21.9.2285","title":"Deep Neural Network Selectivity for Global Shape","year":2021,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Coherence (philosophical gambling strategy); Artificial intelligence; Convolutional neural network; Computer science; Stylized fact; Pattern recognition (psychology); Deep learning; Object (grammar); Spatial coherence; Deep neural networks; Artificial neural network; Computer vision; Mathematics","score_opus":0.02807382374188205,"score_gpt":0.3325232087963844,"score_spread":0.30444938505450236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197782019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9645547,0.00013958898,0.03200928,0.0023446938,0.00038316395,0.00003637726,0.0000014974437,0.000010920805,0.0005197385],"genre_scores_gemma":[0.9968566,0.000056944216,0.0015211258,0.0011788843,0.00027900396,3.5112555e-7,3.4714424e-7,0.00000425843,0.00010250611],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99916214,0.00010764136,0.00022028896,0.000121651254,0.0002417058,0.0001465597],"domain_scores_gemma":[0.99948955,0.000044306173,0.00016947254,0.00007683057,0.00013537976,0.00008448077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021612251,0.00006165081,0.00015568355,0.000020129606,0.00012224012,0.000054116877,0.00010745624,0.00003537466,0.0001831835],"category_scores_gemma":[0.0003143634,0.00004801846,0.00021579118,0.0003290844,0.000023182773,0.00014899066,0.00002884002,0.00010133499,0.0000080437085],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003269493,0.0005339735,0.005409778,0.000016866443,0.00001210583,0.00025670024,0.00014204165,0.022180194,0.3572046,0.0013787774,0.009630785,0.60290724],"study_design_scores_gemma":[0.0019883884,0.0011468832,0.095482916,0.00008220343,0.00014912257,0.0024297547,0.00012324516,0.85912573,0.0054241396,0.0087934695,0.024933955,0.00032020657],"about_ca_topic_score_codex":3.9275162e-7,"about_ca_topic_score_gemma":0.000004996274,"teacher_disagreement_score":0.83694553,"about_ca_system_score_codex":0.00004472676,"about_ca_system_score_gemma":0.000040576593,"threshold_uncertainty_score":0.20057307},"labels":[],"label_agreement":null},{"id":"W3197817364","doi":"10.1111/nyas.14684","title":"Differences in regional gray matter volume predict the extent to which openness influences judgments of beauty and pleasantness of interior architectural spaces","year":2021,"lang":"en","type":"article","venue":"Annals of the New York Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Agenția Națională pentru Cercetare și Dezvoltare","keywords":"Openness to experience; Psychology; Beauty; Voxel-based morphometry; Voxel; Cognitive psychology; Dorsolateral prefrontal cortex; Sensory system; Prefrontal cortex; Gray (unit); White matter; Cognition; Social psychology; Neuroscience; Computer science; Aesthetics; Medicine; Artificial intelligence","score_opus":0.10972696283348429,"score_gpt":0.33838377292364985,"score_spread":0.22865681009016556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197817364","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95859253,0.0003121631,0.000014432529,0.04080757,0.0000454979,0.00013533862,0.0000150707865,0.0000029994792,0.00007439094],"genre_scores_gemma":[0.9978483,0.00020099628,0.00009488922,0.0015751614,0.000015937312,0.000004932339,1.2804212e-7,0.000003109931,0.00025658763],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9978513,0.00027220428,0.00051680655,0.00035833006,0.0007650289,0.00023634758],"domain_scores_gemma":[0.9991677,0.00013426896,0.00042368664,0.00013823052,0.00005749515,0.00007862736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006962311,0.00013289228,0.00037062512,0.0001487217,0.00012778932,0.00003795933,0.0012422883,0.00005055307,0.000091321795],"category_scores_gemma":[0.00027874825,0.000069419395,0.00011021287,0.001302123,0.0017654236,0.000169019,0.00037319542,0.00014796961,0.0000017043608],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101338126,0.000108087996,0.5488653,0.000094660056,0.00001784539,3.9531673e-7,0.008158749,0.0006315803,0.4329992,0.00073298847,0.0012726292,0.007017238],"study_design_scores_gemma":[0.00013540918,0.00009903906,0.8076407,0.00046787027,0.000017110635,0.0000125737115,0.0021661746,0.00042765393,0.18710534,0.0016523786,0.00017638376,0.00009938339],"about_ca_topic_score_codex":0.0003908582,"about_ca_topic_score_gemma":0.00007885497,"teacher_disagreement_score":0.25877538,"about_ca_system_score_codex":0.0000043315436,"about_ca_system_score_gemma":0.00008851997,"threshold_uncertainty_score":0.6504777},"labels":[],"label_agreement":null},{"id":"W3198792684","doi":"10.1007/s00426-021-01592-5","title":"The role of expertise in the aesthetic evaluation of mathematical equations","year":2021,"lang":"en","type":"article","venue":"Psychological Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Deutsche Forschungsgemeinschaft; Friedrich-Schiller-Universität Jena","keywords":"Variance (accounting); Domain (mathematical analysis); Meaning (existential); Mathematics; Psychology; Semantics (computer science); Mathematics education; Computer science; Cognitive psychology; Mathematical analysis","score_opus":0.46946506849270864,"score_gpt":0.5511294471416995,"score_spread":0.0816643786489909,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198792684","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9605679,0.00034619775,0.00043042752,0.0055464217,0.0000110720275,0.00020785024,0.0000013546635,0.000004741114,0.03288407],"genre_scores_gemma":[0.9994805,0.00013931957,0.000045271827,0.00010083341,0.0000066341286,0.00008238024,5.709165e-7,0.0000027423364,0.0001417557],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9948824,0.002858175,0.0002821436,0.0002093419,0.0015643754,0.00020355087],"domain_scores_gemma":[0.9984198,0.0007858481,0.00004171448,0.00044997403,0.0002697321,0.00003291138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005535099,0.00004547407,0.000099903315,0.0000644205,0.00014737569,0.000030026138,0.0004197045,0.000046379937,0.00088586897],"category_scores_gemma":[0.007407607,0.000022045313,0.0000742908,0.00094733725,0.00055080204,0.00002574331,0.0000543382,0.00024329986,0.000094383904],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003881663,0.0015202464,0.00021469055,0.000004246025,0.0000012235283,0.000007575816,0.0032571647,0.00007040929,0.28015983,0.17323655,0.00017167184,0.5413176],"study_design_scores_gemma":[0.0011030684,0.0004271259,0.014937572,0.00006725105,0.000029626855,0.00008398499,0.015983937,0.124339566,0.035230063,0.80571264,0.0019211654,0.00016400986],"about_ca_topic_score_codex":0.00000442822,"about_ca_topic_score_gemma":0.000006923477,"teacher_disagreement_score":0.6324761,"about_ca_system_score_codex":0.00002257297,"about_ca_system_score_gemma":0.000042851356,"threshold_uncertainty_score":0.96996444},"labels":[],"label_agreement":null},{"id":"W3202741124","doi":"10.18503/1992-0431-2021-2-72-232-261","title":"IS PREHISTORIC ART SOLELY ABOUT THE PAST? NEW LIVES OF ROCK ART IMAGES IN CONTEMPORARY ART (FROM SIBERIA TO CANADA)","year":2021,"lang":"en","type":"article","venue":"Journal of historical philological and cultural studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rock art; Prehistory; Archaeology; Contemporary art; History; Geography; Art history; Performance art","score_opus":0.12036825743323468,"score_gpt":0.3028187444189014,"score_spread":0.1824504869856667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202741124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8203491,0.04056084,0.0001516827,0.13037163,0.0012980278,0.0001757096,0.000021764883,0.000020322952,0.0070509515],"genre_scores_gemma":[0.97289205,0.0022964256,0.00007463409,0.003607209,0.00027692787,0.0000024041922,7.5297913e-7,0.000004082533,0.020845525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838305,0.00016404099,0.000588651,0.00024820172,0.00044727855,0.00016876923],"domain_scores_gemma":[0.99906516,0.00015037342,0.0002801325,0.00009973823,0.00023086478,0.00017373767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010745217,0.00016653354,0.0005944954,0.000036791447,0.00016484482,0.000023546176,0.0001968696,0.000044817312,0.00012663977],"category_scores_gemma":[0.0008294958,0.00008410866,0.00017255788,0.00029660045,0.00011068236,0.00010229561,0.000117600495,0.0002698617,0.000013962476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010405018,0.00015682854,0.0026739738,0.000009856853,0.000033095403,0.00021212532,0.0023249178,0.00003264376,0.029090337,0.000037369067,0.9640395,0.0012852751],"study_design_scores_gemma":[0.00062338484,0.0005268745,0.028377587,0.000094665535,0.000087956156,0.000103554776,0.0027555497,0.000008278476,0.0012281626,0.0015593817,0.964357,0.00027758023],"about_ca_topic_score_codex":0.0008184321,"about_ca_topic_score_gemma":0.0017824061,"teacher_disagreement_score":0.15254298,"about_ca_system_score_codex":0.00036015105,"about_ca_system_score_gemma":0.00011219529,"threshold_uncertainty_score":0.34298515},"labels":[],"label_agreement":null},{"id":"W3202787949","doi":"10.1038/s41598-021-99044-y","title":"Contour features predict valence and threat judgements in scenes","year":2021,"lang":"en","type":"article","venue":"Scientific Reports","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Computer science; Valence (chemistry); Artificial intelligence; Pattern recognition (psychology); Chemistry","score_opus":0.02496596657277418,"score_gpt":0.27810295974962923,"score_spread":0.25313699317685506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202787949","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9948387,0.00018750891,0.000039757884,0.00057646394,0.0013470685,0.000087875815,0.000002652593,0.000040273295,0.0028796787],"genre_scores_gemma":[0.97491723,0.00008286857,0.0001177502,0.00022878993,0.000018996592,0.000007185992,0.0000069004755,0.0000054603415,0.024614817],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99818444,0.00008056389,0.00026206826,0.00080268685,0.00044199597,0.0002282348],"domain_scores_gemma":[0.9992792,0.000013321147,0.00009623804,0.00045809607,0.000058559308,0.000094612864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051680254,0.00009477233,0.00014089896,0.00011896832,0.00024040682,0.00028401357,0.00008663876,0.000037642923,0.00034522498],"category_scores_gemma":[0.0004156661,0.000072489776,0.000051442923,0.0005735951,0.00027938772,0.00017458877,0.00009909551,0.00008113146,0.000020131381],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006582649,0.00019861855,0.1380772,0.0000276822,0.0000026917385,0.0038612285,0.0009144304,0.000049222064,0.8198338,0.00021528055,0.012649838,0.0241634],"study_design_scores_gemma":[0.00088858337,0.00005204574,0.27181727,0.0002966394,0.00007449127,0.0041181445,0.0014618785,0.001437913,0.6190938,0.020499136,0.07947264,0.0007875045],"about_ca_topic_score_codex":0.000017715642,"about_ca_topic_score_gemma":0.00006569292,"teacher_disagreement_score":0.20074005,"about_ca_system_score_codex":0.000020899539,"about_ca_system_score_gemma":0.00007233401,"threshold_uncertainty_score":0.37799716},"labels":[],"label_agreement":null},{"id":"W3202934487","doi":"","title":"Consciousness, Art, and the Limits of Abstraction in Art","year":2005,"lang":"en","type":"article","venue":"Opus: Research & Creativity (Indiana University – Purdue University Fort Wayne)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Abstraction; Epistemology; Consciousness; Aesthetics; Cognitive science; Psychology; Computer science; Philosophy","score_opus":0.054802892392629816,"score_gpt":0.30338073866289594,"score_spread":0.24857784627026613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202934487","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9156831,0.000013198586,0.0002826749,0.004336308,0.000018789095,0.00041586632,0.00005785358,0.000039902592,0.0791523],"genre_scores_gemma":[0.96897125,0.0010498125,0.00010147413,0.00005151983,0.000020390715,2.7680989e-7,0.000008763316,0.000008892067,0.02978763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99709046,0.0008682234,0.00017093794,0.00054037577,0.00081904506,0.0005109475],"domain_scores_gemma":[0.998516,0.0004905158,0.00013802852,0.00041451736,0.00020238444,0.00023854179],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001479434,0.00017769776,0.00035970422,0.0009360306,0.0007945154,0.0000522041,0.00057005463,0.00014885441,0.00044728242],"category_scores_gemma":[0.0004031966,0.00017337187,0.00017398284,0.0013581275,0.0021812078,0.00090428034,0.00027077078,0.0006487889,0.00020104353],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.015995495,0.0071588396,0.29655936,0.00058723433,0.00038985562,0.004341798,0.041695282,0.0038958213,0.121200286,0.31918854,0.043276846,0.14571066],"study_design_scores_gemma":[0.015604885,0.00050629675,0.14110908,0.00036129297,0.000291321,0.00014859477,0.044909615,0.010232325,0.01315054,0.0010444645,0.7714212,0.0012203623],"about_ca_topic_score_codex":0.0015898666,"about_ca_topic_score_gemma":0.0063235257,"teacher_disagreement_score":0.72814435,"about_ca_system_score_codex":0.0005351541,"about_ca_system_score_gemma":0.00029245424,"threshold_uncertainty_score":0.80367506},"labels":[],"label_agreement":null},{"id":"W3206193879","doi":"10.20350/digitalcsic/12660","title":"Challenge 8: Oceans of Big Data and Artificial Intelligence","year":2020,"lang":"en","type":"preprint","venue":"DIGITAL.CSIC (Spanish National Research Council (CSIC))","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Takuvik Joint International Laboratory; Université Laval","funders":"","keywords":"Big data; Computer science; Artificial intelligence; Data mining","score_opus":0.71501985745947,"score_gpt":0.43437489766863896,"score_spread":0.2806449597908311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206193879","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09661307,0.0035059764,0.035896044,0.080400206,0.0025182655,0.0049403827,0.039056685,0.0009879422,0.7360814],"genre_scores_gemma":[0.99483967,0.0026027071,0.00011473147,0.00045083475,0.0006094902,0.00004118276,0.00032736163,0.00005810629,0.0009559319],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9814811,0.00033295673,0.00093349745,0.002041153,0.014540135,0.0006711762],"domain_scores_gemma":[0.99002,0.0008651093,0.000333869,0.0012823292,0.006976195,0.000522523],"candidate_categories":["metaresearch","metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0056509404,0.00042962038,0.0006242196,0.0004079093,0.00033857772,0.0009655763,0.00259327,0.00031972543,0.00031001552],"category_scores_gemma":[0.053635117,0.00043069784,0.00019587683,0.0011061352,0.0014879208,0.00060620456,0.0045422465,0.0015577301,0.00039661603],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004655087,0.0024062025,0.00009878552,0.0008906612,0.00017156653,0.00026408143,0.004792757,0.00057335873,0.0093777925,0.18349728,0.07816052,0.7193015],"study_design_scores_gemma":[0.00041379625,0.0004976909,0.00022427183,0.0004983345,0.0000883765,0.0000481269,0.002226859,0.09615274,0.0015590526,0.52595526,0.37086213,0.0014733406],"about_ca_topic_score_codex":0.00007561488,"about_ca_topic_score_gemma":0.00014167349,"teacher_disagreement_score":0.89822656,"about_ca_system_score_codex":0.0012719999,"about_ca_system_score_gemma":0.008690094,"threshold_uncertainty_score":0.9998145},"labels":[],"label_agreement":null},{"id":"W3209259021","doi":"10.1109/mipr51284.2021.00073","title":"Exploring the Application of AI-generated Artworks for the Study of Aesthetic Processing","year":2021,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Computer science; Creativity; Palette (painting); Subject matter; Field (mathematics); Human–computer interaction; Computational creativity; Space (punctuation); Control (management); Cognitive science; Artificial intelligence; Aesthetics; Psychology; Art; Mathematics; Social psychology","score_opus":0.1531858496719687,"score_gpt":0.3319206804662729,"score_spread":0.1787348307943042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209259021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9189274,0.000024641053,0.079060294,0.0015117358,0.000021411599,0.00027524447,6.571201e-7,0.000016578104,0.0001620481],"genre_scores_gemma":[0.99913585,0.00002364302,0.000082109385,0.00032739554,0.000013091962,0.00015303264,6.1302876e-7,0.00000604742,0.0002582296],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9993335,0.00007142809,0.00019497854,0.0001606593,0.00016115059,0.00007828615],"domain_scores_gemma":[0.99949586,0.000033609747,0.000082299026,0.00026176416,0.000113243885,0.0000132171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017426709,0.000053163538,0.000096188436,0.000021205968,0.00017656284,0.00002275547,0.00016069178,0.000010603338,0.00002008084],"category_scores_gemma":[0.000049445196,0.00002721755,0.000051422547,0.00049682485,0.00006394704,0.0000616539,0.00002914996,0.00005740304,0.0000020849093],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024376355,0.00072682835,0.00066561584,0.00001991535,0.0000043349614,6.8515453e-7,0.0054351296,0.010862387,0.45595804,0.003005095,0.000067471345,0.52323014],"study_design_scores_gemma":[0.001134485,0.0002626129,0.004354502,0.000035704936,0.00025988356,0.000024886695,0.036381204,0.5954516,0.35718966,0.00063109293,0.00402711,0.00024726827],"about_ca_topic_score_codex":0.000018343182,"about_ca_topic_score_gemma":0.000039604784,"teacher_disagreement_score":0.5845892,"about_ca_system_score_codex":0.0000050811364,"about_ca_system_score_gemma":0.00002707121,"threshold_uncertainty_score":0.13579965},"labels":[],"label_agreement":null},{"id":"W3209653268","doi":"10.32598/bcn.2021.3257.2","title":"Personality and Aesthetic Preferences in Architecture: A Review of the Study Approaches and Assessment Methods","year":2021,"lang":"en","type":"review","venue":"Basic and Clinical Neuroscience Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Personality; Architecture; Psychology; Aesthetics; Computer science; Social psychology; Art; Visual arts","score_opus":0.40557202408330595,"score_gpt":0.5237220361024881,"score_spread":0.11815001201918218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209653268","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010480243,0.9874575,0.00018878504,0.0009443271,0.00017963933,0.00059809,0.0000063172592,0.000005070069,0.00014002384],"genre_scores_gemma":[0.00205617,0.9963458,0.00052949,0.0009560456,0.000027330001,0.000015198119,1.8644774e-7,0.000009773038,0.000059991406],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9896494,0.007375104,0.0013307866,0.0008406009,0.0005659374,0.00023817335],"domain_scores_gemma":[0.9980541,0.0005404743,0.00081100164,0.0003474359,0.00002982028,0.0002171867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056945146,0.00029361865,0.00166233,0.00010147092,0.00027253747,0.00016042998,0.0005189104,0.000105352,0.000027518345],"category_scores_gemma":[0.002135341,0.0001540947,0.00042165222,0.0007578371,0.001343055,0.00008891911,0.00042289137,0.0015172211,1.916676e-7],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011310277,0.00028263286,0.0012582775,0.0016408479,0.0000020391976,0.000010432245,0.00006422014,1.3886508e-7,0.0000017394609,0.00005207388,0.000007162806,0.9966793],"study_design_scores_gemma":[0.0020265144,0.0026031637,0.11759894,0.12726673,0.004854323,0.014332248,0.0017315185,0.0006629003,0.0000016913804,0.0016799346,0.7254358,0.0018062195],"about_ca_topic_score_codex":0.0000049538294,"about_ca_topic_score_gemma":0.0000063798675,"teacher_disagreement_score":0.9948731,"about_ca_system_score_codex":0.000017164166,"about_ca_system_score_gemma":0.00043345382,"threshold_uncertainty_score":0.6591655},"labels":[],"label_agreement":null},{"id":"W3211453469","doi":"","title":"Artsheets for Art Datasets","year":2021,"lang":"en","type":"article","venue":"Neural Information Processing Systems","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Computer science","score_opus":0.04697436033513219,"score_gpt":0.3059174410977153,"score_spread":0.2589430807625831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211453469","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4495731,0.0007564829,0.42500895,0.016076583,0.006057548,0.0032395653,0.0025883703,0.0025852718,0.0941141],"genre_scores_gemma":[0.99490166,0.000008418657,0.00011353595,0.0026949008,0.00006967505,0.000054504635,0.00043826058,0.0000067891738,0.0017122839],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989824,0.00004538472,0.0003840075,0.00015238934,0.00025664782,0.00017916226],"domain_scores_gemma":[0.99942166,0.000019177392,0.00018746892,0.00017833826,0.00012450408,0.00006886956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012834444,0.00009864111,0.0001368595,0.00007746584,0.0002650136,0.0005199583,0.00012062858,0.00004571379,0.00006271352],"category_scores_gemma":[0.00026296964,0.000086446664,0.000057472058,0.00028378988,0.00003395476,0.0017754285,0.000025569756,0.000066716035,0.00034928185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118761665,0.00028386092,0.00030084472,0.002752088,0.000011757906,0.000039196308,0.005645353,0.020283552,0.2072882,0.011082857,0.34039533,0.41179818],"study_design_scores_gemma":[0.00041285343,0.000023024835,0.00005923778,0.00006504088,0.000015933354,0.00022049683,0.0006147262,0.34533122,0.0077751847,0.000042236425,0.6452477,0.00019232769],"about_ca_topic_score_codex":0.000001584504,"about_ca_topic_score_gemma":7.8097315e-7,"teacher_disagreement_score":0.5453285,"about_ca_system_score_codex":0.000023854123,"about_ca_system_score_gemma":0.00006147362,"threshold_uncertainty_score":0.50139695},"labels":[],"label_agreement":null},{"id":"W3212672857","doi":"","title":"States of cognitive potentiality in art-making","year":2014,"lang":"en","type":"article","venue":"VUBIR (Vrije Universiteit Brussel)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Cognition; Cognitive psychology; Computer science; Psychology; Neuroscience","score_opus":0.015886558250693468,"score_gpt":0.25216670104134714,"score_spread":0.23628014279065368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212672857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9695288,0.000006751149,0.0045873257,0.00035241814,0.00004147787,0.00009096335,0.000022374732,0.000056326306,0.02531359],"genre_scores_gemma":[0.9981708,0.000034130586,0.00011462083,0.0005065158,0.000017393113,4.6960372e-7,0.0000090963085,0.0000098487135,0.0011371295],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987506,0.00023004068,0.00020428344,0.00034010442,0.00024364195,0.00023132414],"domain_scores_gemma":[0.99944335,0.000121403995,0.0001347118,0.00017849743,0.00005647429,0.00006558736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020434409,0.0001257155,0.00022403573,0.00030869397,0.00009353543,0.000021058415,0.0002122681,0.000056989917,0.0008676546],"category_scores_gemma":[0.00022572579,0.00012768994,0.00011084524,0.00060564757,0.00020311603,0.00020756184,0.00008517466,0.00012849912,0.00021003939],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013535712,0.002454294,0.062554255,0.00026777652,0.0000832284,0.00058652885,0.035588063,0.00546545,0.6322754,0.057003424,0.003155344,0.19921267],"study_design_scores_gemma":[0.023777874,0.0026664012,0.26202914,0.0029030445,0.0013692634,0.00022359245,0.083482064,0.22684424,0.24077797,0.0188268,0.13114515,0.005954466],"about_ca_topic_score_codex":0.000073438474,"about_ca_topic_score_gemma":0.00006622672,"teacher_disagreement_score":0.39149743,"about_ca_system_score_codex":0.000042198597,"about_ca_system_score_gemma":0.000023910341,"threshold_uncertainty_score":0.950021},"labels":[],"label_agreement":null},{"id":"W3216512256","doi":"10.1109/cw52790.2021.00050","title":"Multi-Modal Aesthetic System for Person Identification","year":2021,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Modal; Computer science; Preference; Biometrics; Identification (biology); Taste; Identity (music); Recommender system; Human–computer interaction; Domain (mathematical analysis); Artificial intelligence; Subject (documents); Computer vision; Information retrieval; Psychology; World Wide Web; Aesthetics; Mathematics","score_opus":0.07686026501904888,"score_gpt":0.307910745740648,"score_spread":0.2310504807215991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216512256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7244152,0.000033020067,0.26651126,0.0035612537,0.0003298519,0.0002728147,0.000018418326,0.00032768058,0.0045305314],"genre_scores_gemma":[0.9768262,0.0000061186347,0.0017377381,0.0003435676,0.00001762632,0.000030340156,0.0000061312503,0.000009056726,0.021023246],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9992322,0.00006010799,0.00013497268,0.00030852004,0.00013674895,0.00012747718],"domain_scores_gemma":[0.99962175,0.000010038395,0.000044210265,0.00021221818,0.000060095863,0.00005169092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010022158,0.00006616979,0.00009285033,0.000041113894,0.00015162438,0.000074876974,0.00009680177,0.000034048287,0.0001923152],"category_scores_gemma":[0.00007599544,0.000058167177,0.00011860801,0.00017884925,0.000032609365,0.00006934506,0.00001111155,0.000033489097,0.00037332484],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033402334,0.000068421665,0.000038848448,0.000018389597,5.713812e-7,0.000006043915,0.00026232825,0.000029496554,0.98715156,0.0045786183,0.00027928836,0.0075630816],"study_design_scores_gemma":[0.0014367902,0.00004862528,0.0017947917,0.000039754323,0.000089192414,0.00041171024,0.0107851755,0.32080677,0.6529773,0.00006479128,0.011114397,0.00043073035],"about_ca_topic_score_codex":0.0000066589837,"about_ca_topic_score_gemma":0.0000076918595,"teacher_disagreement_score":0.3341743,"about_ca_system_score_codex":0.000039004186,"about_ca_system_score_gemma":0.000024404968,"threshold_uncertainty_score":0.47984603},"labels":[],"label_agreement":null},{"id":"W407437789","doi":"","title":"Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer (review)","year":2014,"lang":"en","type":"article","venue":"Modern Drama","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Invisibility; Drama; Art; Dark matter; Visual arts; Literature; Art history; Aesthetics; History; Astronomy; Physics; Optics","score_opus":0.017016757988516946,"score_gpt":0.2547520260880089,"score_spread":0.23773526809949194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W407437789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9926115,0.00065410056,0.0010571037,0.0018678145,0.000026161451,0.00013589014,0.0000062912177,0.000035404846,0.0036057336],"genre_scores_gemma":[0.98711485,0.0021145819,0.000038126575,0.00939194,0.000011411793,0.000014265793,0.0000036331403,0.000012712279,0.0012984708],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99868536,0.00017197167,0.00024982195,0.000453843,0.00019757915,0.00024141115],"domain_scores_gemma":[0.99945116,0.000021867365,0.00005178009,0.00037431743,0.000012933127,0.00008796788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033438933,0.00014615165,0.00024832255,0.000049192873,0.00009028262,0.000044224675,0.00019132305,0.00005358573,0.00029890588],"category_scores_gemma":[0.000053012387,0.00011716803,0.00004891416,0.00014179849,0.00013519618,0.0001641545,0.00007734324,0.00015214541,0.000246759],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065632434,0.0004737908,0.25047314,0.00072185334,0.000004011256,0.000006599362,0.0020253926,0.00005503125,0.1112622,0.00008731813,0.02206634,0.6127587],"study_design_scores_gemma":[0.0050292164,0.00060947717,0.4644759,0.0019276018,0.00016394262,0.00017552426,0.00012029003,0.42877126,0.01877909,0.012468186,0.06479074,0.0026887537],"about_ca_topic_score_codex":0.00002693938,"about_ca_topic_score_gemma":0.0000084910025,"teacher_disagreement_score":0.61006993,"about_ca_system_score_codex":0.000022421436,"about_ca_system_score_gemma":0.000008127941,"threshold_uncertainty_score":0.47779736},"labels":[],"label_agreement":null},{"id":"W4200288193","doi":"10.1093/oso/9780198864875.001.0001","title":"The Unification of the Arts","year":2021,"lang":"en","type":"book","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"The arts; Dance; Visual arts; Creativity; Aesthetics; Art; Arts in education; Cognitive science; Psychology; Social psychology","score_opus":0.04171700283862094,"score_gpt":0.2718041043886365,"score_spread":0.23008710155001555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200288193","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019705812,0.00003600032,0.0001206836,0.0032041713,0.000108784545,0.000061182836,0.0000034148993,0.000012550411,0.9962562],"genre_scores_gemma":[0.0148302,0.0003146941,0.0000061593773,0.00072173885,0.00002584507,0.0000023446742,0.0000021944977,0.0000057196103,0.9840911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936336,0.000061360406,0.00013929758,0.00014476097,0.00023368941,0.00005752219],"domain_scores_gemma":[0.9993053,0.000043661374,0.00011895384,0.00048342752,0.000034653385,0.0000140011125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008352659,0.00006149238,0.00008016294,0.0000144058295,0.00015277528,0.000025991803,0.00030641304,0.00005287578,0.00066753523],"category_scores_gemma":[0.000099209305,0.000027533408,0.00014416837,0.00009257512,0.00019013189,0.000011164607,0.00005597581,0.00010982061,0.000087391934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027444023,0.000041473617,0.000007976031,0.000015240966,0.0000056513354,0.000002050937,0.00024180919,0.000016949369,0.062689655,0.6882066,0.2124756,0.036294244],"study_design_scores_gemma":[0.000022079988,0.0000030514445,0.000090163434,0.000017755923,0.000022328642,0.0000040211853,0.00004895157,0.00010497963,0.004418188,0.0024311915,0.99278677,0.000050509523],"about_ca_topic_score_codex":0.0000020837501,"about_ca_topic_score_gemma":0.000016024258,"teacher_disagreement_score":0.78031117,"about_ca_system_score_codex":0.000020564921,"about_ca_system_score_gemma":0.00012738834,"threshold_uncertainty_score":0.7309043},"labels":[],"label_agreement":null},{"id":"W4200412909","doi":"10.37693/pjos.2021.9.23480","title":"Right for the wrong reason; wrong for the right reason: Gibson and Arnheim on picture perception","year":2021,"lang":"en","type":"article","venue":"Public Journal of Semiotics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Semiotics; Naturalism; Philosophy; Epistemology; Lifeworld; Perception","score_opus":0.03953311018799141,"score_gpt":0.289847385932336,"score_spread":0.2503142757443446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200412909","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5158196,0.0035164154,0.1681718,0.30660072,0.002158969,0.001117705,0.000110260684,0.00007551552,0.0024290425],"genre_scores_gemma":[0.99123436,0.0022008605,0.0010512993,0.003118647,0.00071216957,0.000008199538,0.000004147466,0.000023716588,0.001646582],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983825,0.00016742549,0.0004103376,0.00025815872,0.0004611567,0.00032039144],"domain_scores_gemma":[0.99783015,0.00094642106,0.00037299993,0.0003357848,0.0003609524,0.00015366702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009314465,0.00017915093,0.00026738498,0.00008451895,0.00074305164,0.00035905055,0.0004048749,0.000108969645,0.0003154237],"category_scores_gemma":[0.0016935332,0.000089951405,0.00031227723,0.00028961943,0.0001850032,0.0002490874,0.00005076516,0.00040084159,0.000005653163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000975216,0.0018463403,0.006376982,0.0002937039,0.0005429567,0.00024238879,0.00883698,0.004125826,0.092974104,0.15242627,0.17345057,0.55790865],"study_design_scores_gemma":[0.0027671973,0.00063593435,0.013959083,0.00021446604,0.0009562201,0.0024444761,0.008307373,0.06744283,0.004335735,0.006293524,0.89209527,0.00054792134],"about_ca_topic_score_codex":0.0000016140958,"about_ca_topic_score_gemma":0.000014863888,"teacher_disagreement_score":0.7186447,"about_ca_system_score_codex":0.00008301177,"about_ca_system_score_gemma":0.00011410146,"threshold_uncertainty_score":0.57150275},"labels":[],"label_agreement":null},{"id":"W4205171404","doi":"10.22215/etd/2021-14685","title":"Simulating human visual imagination: Scaling and placement of objects in procedural generation of 3D scenes","year":2021,"lang":"en","type":"dissertation","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Perspective (graphical); Computer science; Artificial intelligence; Cognitive science; Mental image; Scaling; Cognition; Computer vision; Human–computer interaction; Psychology; Mathematics","score_opus":0.0437580969690719,"score_gpt":0.3618424226720944,"score_spread":0.3180843257030225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205171404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99798596,0.0000553506,0.000087225686,0.00002135447,0.000042539297,0.000116860116,0.000001601822,0.000009876479,0.0016792576],"genre_scores_gemma":[0.9980756,0.000036167163,0.00029972222,0.000050330567,0.000027343374,0.0000069355524,0.0001548537,0.000010001292,0.001339028],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9988548,0.00006639468,0.00042147597,0.00028363246,0.0002838416,0.00008982352],"domain_scores_gemma":[0.99952096,0.00001655184,0.0002500336,0.000071224895,0.00011936238,0.000021856087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011699037,0.000118391334,0.00024093318,0.0002173005,0.00006706023,0.00002975037,0.00004946655,0.00007004531,0.00018051712],"category_scores_gemma":[0.00013445523,0.00011477183,0.000042652366,0.00027425573,0.000034111858,0.0000980856,0.00001557896,0.00007808143,5.810981e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008186662,0.00008542817,0.0008214642,0.00019266209,0.0000018378995,0.000001488431,0.00231365,0.001783647,0.9901825,0.00019773871,0.000004231051,0.004407118],"study_design_scores_gemma":[0.00061740365,0.00007326793,0.0049647726,0.0003782496,0.00005019589,0.0000028460838,0.008625426,0.24247682,0.7425183,0.000038029906,0.00000390755,0.00025076154],"about_ca_topic_score_codex":0.00006477015,"about_ca_topic_score_gemma":0.00038060427,"teacher_disagreement_score":0.24766423,"about_ca_system_score_codex":0.000024107789,"about_ca_system_score_gemma":0.000058747344,"threshold_uncertainty_score":0.46802592},"labels":[],"label_agreement":null},{"id":"W4205176999","doi":"10.1007/s40806-021-00310-z","title":"Contrapposto Pose Influences Perceptions of Attractiveness, Masculinity, and Dynamicity of Male Statues from Antiquity","year":2022,"lang":"en","type":"article","venue":"Evolutionary Psychological Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Attractiveness; Perception; Masculinity; Psychology; Social psychology; Beauty; Affect (linguistics); Dominance (genetics); Aesthetics; Communication; Art","score_opus":0.04035176851016717,"score_gpt":0.34978708294681155,"score_spread":0.3094353144366444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205176999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9968539,0.000055205368,0.0006002595,0.0005056722,0.00010054258,0.000116567375,0.00026349266,0.000026958656,0.0014774327],"genre_scores_gemma":[0.99868405,0.0001660798,0.0007629164,0.00029041528,0.000010747184,0.000011449234,0.0000053588938,0.0000025889287,0.00006641273],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9978897,0.00030744882,0.00030450855,0.00057368475,0.0007046365,0.00022002935],"domain_scores_gemma":[0.9992568,0.000120243414,0.00018446651,0.00025033578,0.00007850386,0.00010965069],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004826983,0.00010327262,0.0002168202,0.0001309219,0.00064904074,0.0000152396915,0.000550887,0.00003701508,0.0028828324],"category_scores_gemma":[0.00026225537,0.00008628352,0.000087390385,0.0009630874,0.0032163113,0.00030829437,0.00032140146,0.00020438082,0.000008843926],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006895251,0.0008639611,0.15628815,0.00000338772,0.0000019413023,0.000006669222,0.00036264933,0.00051292795,0.8375999,0.002404913,0.00006506824,0.001821511],"study_design_scores_gemma":[0.000214059,0.00026009636,0.9919413,0.000005314812,0.000010895099,0.000046375942,0.00080711616,0.0021862853,0.00039304871,0.003918973,0.000109314424,0.00010727057],"about_ca_topic_score_codex":0.0001935637,"about_ca_topic_score_gemma":0.000004723689,"teacher_disagreement_score":0.83720684,"about_ca_system_score_codex":0.000054908847,"about_ca_system_score_gemma":0.000060788556,"threshold_uncertainty_score":0.99949634},"labels":[],"label_agreement":null},{"id":"W4205992639","doi":"10.1080/20004214.2021.2010912","title":"How to think about how to think about aesthetic value","year":2022,"lang":"en","type":"article","venue":"Journal of AESTHETICS & CULTURE","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Prudence; Value (mathematics); Aesthetics; The arts; Aesthetic value; Focus (optics); Epistemology; Sociology; Art; Visual arts; Philosophy; Computer science","score_opus":0.021767891882795962,"score_gpt":0.27188903579971807,"score_spread":0.2501211439169221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205992639","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77857685,0.0009449507,0.0037465447,0.21220838,0.0013023175,0.00063256116,0.00007316663,0.00015229675,0.0023629314],"genre_scores_gemma":[0.95053935,0.00048075122,0.00435254,0.02408978,0.0003124768,0.000016770397,0.000003964545,0.00008341495,0.020120967],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99547666,0.0005638267,0.00063603057,0.0006046163,0.0020457858,0.00067305437],"domain_scores_gemma":[0.99743104,0.00002312027,0.0006666966,0.00071700115,0.0003616636,0.00080048357],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000873201,0.0004627023,0.0006925063,0.00046234703,0.00087859127,0.00070726965,0.0016324373,0.00015902933,0.00035582436],"category_scores_gemma":[0.00037958645,0.00035586377,0.0006975058,0.0013579979,0.00014085473,0.0003493242,0.00036448363,0.0013620373,0.00012936199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042834165,0.0018263916,0.00034166698,0.000052556494,0.00005787018,0.0021580814,0.09573138,0.027486645,0.31898817,0.019723237,0.4662363,0.06696934],"study_design_scores_gemma":[0.0008628515,0.001870065,0.00022557865,0.00009584128,0.00016478825,0.0050738337,0.0068398854,0.0005085329,0.0034399019,0.0015878967,0.9786762,0.0006546099],"about_ca_topic_score_codex":0.000007659815,"about_ca_topic_score_gemma":0.000005089075,"teacher_disagreement_score":0.5124399,"about_ca_system_score_codex":0.00028635078,"about_ca_system_score_gemma":0.00017382749,"threshold_uncertainty_score":0.9998893},"labels":[],"label_agreement":null},{"id":"W4210489873","doi":"","title":"The invalidity of the argument from illusion","year":2018,"lang":"en","type":"article","venue":"ePrints Soton (University of Southampton)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Glasgow; York University","keywords":"Argument (complex analysis); Argument map; Illusion; Criticism; Scrutiny; Epistemology; Philosophy; Psychology; Law; Political science; Argumentation theory; Cognitive psychology","score_opus":0.027113770087650813,"score_gpt":0.21616677703115675,"score_spread":0.18905300694350594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210489873","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9938105,0.0000024104415,0.00089954736,0.0011670832,0.00012737207,0.00009786041,0.000026262576,0.000016224121,0.003852739],"genre_scores_gemma":[0.99733436,0.00003810462,0.00010558474,0.00011848641,0.000019634681,1.0199913e-7,9.1775814e-7,0.0000035286653,0.0023792824],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99907345,0.0001483028,0.0001069713,0.0002213581,0.00032773684,0.00012216442],"domain_scores_gemma":[0.99915653,0.00004771958,0.00018940907,0.0004992302,0.00006005296,0.000047040616],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020132048,0.000073360985,0.00011956184,0.0000308894,0.00057846203,0.000009510764,0.0006772559,0.000045066892,0.0024673697],"category_scores_gemma":[0.00008703784,0.00005102861,0.00016002312,0.00021792798,0.0010078409,0.00006344567,0.00045474645,0.000097739234,0.00031957167],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025708164,0.00044205817,0.039842617,0.000015281104,0.00003931351,0.0000069129096,0.040795,0.000037200676,0.87225294,0.0053610895,0.0021698421,0.038780637],"study_design_scores_gemma":[0.0020833889,0.00017803974,0.5006265,0.00015428592,0.00018679946,0.0000058165606,0.03353771,0.0041861506,0.32335377,0.009884526,0.12525474,0.0005482965],"about_ca_topic_score_codex":0.00066561886,"about_ca_topic_score_gemma":0.00020769489,"teacher_disagreement_score":0.5488992,"about_ca_system_score_codex":0.000029136721,"about_ca_system_score_gemma":0.000030166082,"threshold_uncertainty_score":0.9984445},"labels":[],"label_agreement":null},{"id":"W4210625687","doi":"10.1109/icbase53849.2021.00048","title":"Research on the classification of the paintings of 10 impressionist painters through deep learning","year":2021,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lambton College","funders":"","keywords":"Painting; Computer science; Artificial intelligence; Visual arts; Art","score_opus":0.1622450658461588,"score_gpt":0.38671705325863154,"score_spread":0.22447198741247273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210625687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92433554,0.0000066680973,0.0012720892,0.011612125,0.000028168566,0.000069174814,6.4716653e-7,0.000015277872,0.06266031],"genre_scores_gemma":[0.9866232,0.000031371415,0.000040838022,0.0005482557,0.00000892142,0.0000045641823,4.7436592e-7,0.0000051169927,0.012737233],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9978676,0.0011469144,0.0001863799,0.0001954238,0.00047549795,0.00012817662],"domain_scores_gemma":[0.99896264,0.00040633325,0.00010610602,0.00036367236,0.00014452692,0.000016729578],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00092325505,0.00004957121,0.000081982136,0.000028162429,0.00034301882,0.000030114774,0.00030170218,0.00003219479,0.0017991359],"category_scores_gemma":[0.0017955292,0.00002399615,0.000110897876,0.00061163784,0.0004188488,0.000035636775,0.0001193818,0.00025765138,0.000042280695],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008119903,0.00006037151,0.00027890067,0.0000058661185,0.0000014398123,4.5506377e-7,0.0011036595,0.00011780475,0.9663905,0.026322914,0.00090335915,0.004806601],"study_design_scores_gemma":[0.00014314435,0.00007080805,0.008830373,0.000090656344,0.000011599386,0.000003586505,0.028793037,0.020685174,0.9258002,0.001158284,0.01433352,0.00007962721],"about_ca_topic_score_codex":0.000031436302,"about_ca_topic_score_gemma":0.000011317933,"teacher_disagreement_score":0.062287685,"about_ca_system_score_codex":0.000017258459,"about_ca_system_score_gemma":0.00003168787,"threshold_uncertainty_score":0.9991134},"labels":[],"label_agreement":null},{"id":"W4210684605","doi":"10.1016/j.actpsy.2022.103506","title":"How poetry evokes emotions","year":2022,"lang":"en","type":"article","venue":"Acta Psychologica","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":80,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sadness; Anger; Poetry; Rhyme; Psychology; Happiness; Perception; Cognitive psychology; Emotion classification; Social psychology; Literature; Art","score_opus":0.07028259612257386,"score_gpt":0.30710637949750086,"score_spread":0.236823783374927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210684605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9208792,0.000014995775,0.00024978974,0.034778785,0.0002564046,0.00007513879,0.000023529445,0.00018113504,0.043541048],"genre_scores_gemma":[0.9777725,0.000041804746,0.00010320927,0.007508251,0.000035961035,0.000029643626,0.0000036388283,0.000007338764,0.014497651],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989276,0.0001877142,0.00009081086,0.0003597051,0.00024487698,0.00018931614],"domain_scores_gemma":[0.99952054,0.000020331661,0.00005738825,0.0003319503,0.000008268224,0.00006152137],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010324967,0.00008503226,0.000099310346,0.0000853908,0.0005598067,0.00006196908,0.0003778134,0.000027506007,0.0067586075],"category_scores_gemma":[0.00011242136,0.000070850954,0.00010500216,0.00046435234,0.00009032588,0.00007881111,0.0001051856,0.00021675836,0.00014551397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025584652,0.00075653545,0.0017766224,0.0000018968078,0.0000037984116,0.0000705212,0.0005440757,0.00002964749,0.8643778,0.0039169244,0.10426155,0.024235021],"study_design_scores_gemma":[0.0004917683,0.00035507223,0.04237603,0.0000019850693,0.000022918355,0.00028709468,0.0018652328,0.00022270557,0.0008541119,0.0025778064,0.9505882,0.00035705674],"about_ca_topic_score_codex":0.0000015448708,"about_ca_topic_score_gemma":3.6965474e-7,"teacher_disagreement_score":0.8635237,"about_ca_system_score_codex":0.000023884208,"about_ca_system_score_gemma":0.000006521444,"threshold_uncertainty_score":0.9941493},"labels":[],"label_agreement":null},{"id":"W4213169188","doi":"10.1093/oxfordhb/9780198824350.013.1","title":"Empirical Aesthetics","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Scope (computer science); Presentation (obstetrics); Aesthetics; Context (archaeology); Field (mathematics); Object (grammar); Empirical research; Key (lock); Epistemology; Sociology; Art; History; Computer science; Philosophy; Artificial intelligence; Mathematics","score_opus":0.06905423376834574,"score_gpt":0.25868748659477725,"score_spread":0.1896332528264315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213169188","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003232532,0.000008865167,0.00011637363,0.00015169379,0.00010210914,0.00014480841,0.00010872843,0.00017146397,0.9988727],"genre_scores_gemma":[0.0020952197,0.0004561345,0.000058789803,0.00068111805,0.000035391015,5.787927e-7,0.000014691278,0.000042251162,0.9966158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843574,0.000078725454,0.00016156612,0.00059211126,0.00048471228,0.00024717662],"domain_scores_gemma":[0.99908274,0.0000270219,0.0001689732,0.0005260229,0.000028986944,0.00016622538],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006280102,0.00028742483,0.00031548238,0.00019547457,0.00041678274,0.000036079142,0.00067106605,0.00021339038,0.0022253487],"category_scores_gemma":[0.000010320374,0.00032679466,0.00035626194,0.000015604553,0.00030313304,0.000055749624,0.000545698,0.00060529535,0.000013703033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066002256,0.000032051255,0.0000037287116,0.000013202484,0.000011569047,0.00059983117,0.00031211955,0.00002748713,0.00019116723,0.9809943,0.0062013473,0.011547222],"study_design_scores_gemma":[0.00024310207,0.00006711371,0.000001503379,0.000012174357,0.00012609737,0.000041929383,0.000031137133,0.000104854036,0.000065016924,0.00058849936,0.99837255,0.00034601855],"about_ca_topic_score_codex":0.000009346559,"about_ca_topic_score_gemma":0.000003074821,"teacher_disagreement_score":0.9921712,"about_ca_system_score_codex":0.00017413279,"about_ca_system_score_gemma":0.0000760982,"threshold_uncertainty_score":0.9999184},"labels":[],"label_agreement":null},{"id":"W4214574199","doi":"10.1016/j.cub.2022.02.039","title":"“Taste typicality” is a foundational and multi-modal dimension of ordinary aesthetic experience","year":2022,"lang":"en","type":"article","venue":"Current Biology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":32,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Baycrest Hospital; McMaster University","funders":"","keywords":"Biology; Taste; Dimension (graph theory); Modal; Aesthetics; Epistemology; Cognitive science; Communication; Pure mathematics; Food science; Mathematics; Psychology","score_opus":0.09830798676865497,"score_gpt":0.3715887018535805,"score_spread":0.2732807150849255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214574199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9979598,0.00016173204,0.0009102975,0.0006151357,0.00020044403,0.00006541291,0.000032383716,0.00001590409,0.000038916583],"genre_scores_gemma":[0.99929523,0.00006799864,0.00013912754,0.0003529,0.000009051872,0.000024101488,0.000013264007,0.0000037143345,0.000094605304],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990918,0.00019619532,0.00017466793,0.0003043304,0.00010680251,0.00012618465],"domain_scores_gemma":[0.9997007,0.000018017086,0.00007929363,0.00013752845,0.000017884156,0.000046539433],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000874045,0.00007504811,0.00013005502,0.00007109438,0.00018860259,0.000005184649,0.00013168014,0.000021110634,0.0010578841],"category_scores_gemma":[0.000039467388,0.00006519327,0.00004944311,0.00017073998,0.00034195278,0.000032655433,0.00022431723,0.000107732594,0.00001999023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017818963,0.0012250835,0.043599848,0.000025934534,0.000003745072,0.0000073992487,0.005624696,0.000061699546,0.6433609,0.015560126,0.0005303674,0.28982198],"study_design_scores_gemma":[0.008352493,0.0036670945,0.08505278,0.00009286125,0.0001727,0.0015420656,0.004555244,0.18391873,0.021261435,0.013664596,0.6754405,0.0022795105],"about_ca_topic_score_codex":0.000006935745,"about_ca_topic_score_gemma":4.7398123e-7,"teacher_disagreement_score":0.6749101,"about_ca_system_score_codex":0.00001850325,"about_ca_system_score_gemma":0.00002210826,"threshold_uncertainty_score":0.9998553},"labels":[],"label_agreement":null},{"id":"W4214660118","doi":"10.3389/fnins.2022.738865","title":"More Than Meets the Eye: Art Engages the Social Brain","year":2022,"lang":"en","type":"review","venue":"Frontiers in Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"Alzheimer's Society; Brain Research Trust; University College London Hospitals NHS Foundation Trust; Engineering and Physical Sciences Research Council; National Institute for Health and Care Research; UK Research and Innovation","keywords":"Cognitive science; Psychology; Computer science; Cognitive psychology; Art; Neuroscience","score_opus":0.09457659486866425,"score_gpt":0.37280530920904353,"score_spread":0.27822871434037927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214660118","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000111789544,0.9545498,0.00091523735,0.027689684,0.007912442,0.0021384812,0.00018489569,0.00027049045,0.0062271766],"genre_scores_gemma":[0.0002738172,0.9800934,0.000028380668,0.00745548,0.00014224584,0.00024830524,0.0000055069854,0.000048977083,0.011703854],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99387836,0.002602793,0.0005548771,0.0011711457,0.0011450293,0.0006477606],"domain_scores_gemma":[0.99836165,0.00030195818,0.00040489272,0.00083632907,0.00000950185,0.000085673644],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0014970683,0.0004542516,0.0008666082,0.00030701203,0.0023407098,0.00028056916,0.0036724312,0.00012421481,0.00018380157],"category_scores_gemma":[0.0016991438,0.0002515586,0.0006567655,0.0029348054,0.0018215984,0.00016962618,0.00065886625,0.0016380672,0.000046872756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041632875,0.00011683384,0.000040863328,0.00026269947,0.0000028045893,0.00010966894,0.0018002748,0.00002780628,0.00010447838,0.00065979717,0.13543275,0.86143786],"study_design_scores_gemma":[0.00005900623,0.000021890215,0.00007251443,0.00009985476,0.00007050244,0.00004065287,0.00047876086,0.00042599332,0.000001746257,0.000054795706,0.99839514,0.00027913885],"about_ca_topic_score_codex":0.0000052706564,"about_ca_topic_score_gemma":0.0000031875752,"teacher_disagreement_score":0.86296237,"about_ca_system_score_codex":0.0001550348,"about_ca_system_score_gemma":0.00024663503,"threshold_uncertainty_score":0.9999937},"labels":[],"label_agreement":null},{"id":"W4224271820","doi":"10.1101/2022.04.05.487021","title":"Architectural experience: clarifying its central components and their relation to core affect with a set of first-person-view videos","year":2022,"lang":"en","type":"preprint","venue":"bioRxiv (Cold Spring Harbor Laboratory)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"Irish Research Council; Leverhulme Trust","keywords":"Arousal; Valence (chemistry); Merge (version control); Affect (linguistics); Psychology; Coherence (philosophical gambling strategy); Cognitive psychology; Aesthetics; Computer science; Human–computer interaction; Social psychology; Communication; Art","score_opus":0.05751656892547577,"score_gpt":0.26412385738294747,"score_spread":0.2066072884574717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224271820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9971902,0.00016364687,0.00088871684,0.00037328462,0.00020887444,0.00078820565,0.00022783279,0.00015326997,0.0000060185666],"genre_scores_gemma":[0.99866927,0.00011670601,0.00057118613,0.00032568473,0.00006440657,0.0001847267,7.4705684e-7,0.000061545376,0.0000057469847],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9973493,0.00025588574,0.00037635557,0.0010436174,0.00050075987,0.0004740743],"domain_scores_gemma":[0.9984727,0.00007201201,0.00037087337,0.00068324007,0.000098055774,0.0003031221],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002720834,0.00046376526,0.0005870036,0.0002988256,0.0003768015,0.00011551036,0.00049493316,0.00018039692,0.00017359256],"category_scores_gemma":[0.0002140848,0.00039313387,0.00014417498,0.0007225798,0.00018006859,0.0001245226,0.00042062768,0.0007325541,0.000008462299],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010080013,0.00007081586,0.020015452,0.0003088532,0.000024275394,0.00003896547,0.0015991004,0.0012508807,0.9764636,0.00009647688,0.000016223437,0.000014551305],"study_design_scores_gemma":[0.001545714,0.0005624014,0.71839947,0.0018476467,0.00023070686,0.0000014872479,0.00040648325,0.023036864,0.24816036,0.0000020168984,0.0037345544,0.002072268],"about_ca_topic_score_codex":0.000056267134,"about_ca_topic_score_gemma":0.000005158493,"teacher_disagreement_score":0.72830325,"about_ca_system_score_codex":0.00018061051,"about_ca_system_score_gemma":0.00011719437,"threshold_uncertainty_score":0.99985206},"labels":[],"label_agreement":null},{"id":"W4226406380","doi":"10.1007/s13164-022-00634-0","title":"Perception in Practice","year":2022,"lang":"en","type":"article","venue":"Review of Philosophy and Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Temptation; Perception; Psychology; Compliance (psychology); Social psychology; Cognition; Philosophy of science; Cognitive psychology; Social perception; Philosophy of mind; Social cognition; Value (mathematics); Epistemology; Computer science","score_opus":0.06249633193843956,"score_gpt":0.3917097340519125,"score_spread":0.32921340211347294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226406380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14274117,0.07463838,0.0002993013,0.2646379,0.000543606,0.0009523977,0.00004941816,0.00007333592,0.5160645],"genre_scores_gemma":[0.8193229,0.12697102,0.00010773886,0.053505562,0.000021551032,0.000024428731,0.000002393453,0.000003945814,0.00004046411],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885255,0.0005281909,0.00021516086,0.00021033504,0.00011939216,0.00007437172],"domain_scores_gemma":[0.99967635,0.00003261482,0.000105305015,0.00015148245,0.000010375089,0.000023851379],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004092076,0.000053182248,0.0001706756,0.00008093838,0.000058570917,0.0000016152983,0.000101836,0.000016356209,0.0014612766],"category_scores_gemma":[0.00013790988,0.00004935863,0.00005121491,0.00031937344,0.000075586584,0.00005616196,0.00003908584,0.00014753184,0.000027817498],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003261444,0.0025911345,0.0016133777,0.0035833856,0.0000134690645,0.0001664029,0.0024791842,0.000016301728,0.1177061,0.2674742,0.009040037,0.59499025],"study_design_scores_gemma":[0.0013139332,0.0008774283,0.0055046906,0.00086828077,0.00013339236,0.0014012249,0.000407011,0.000097909884,0.000027435717,0.032436527,0.956536,0.00039614318],"about_ca_topic_score_codex":0.0000031422212,"about_ca_topic_score_gemma":1.2486359e-7,"teacher_disagreement_score":0.947496,"about_ca_system_score_codex":0.000009477977,"about_ca_system_score_gemma":0.0000064841893,"threshold_uncertainty_score":0.9994515},"labels":[],"label_agreement":null},{"id":"W4226466089","doi":"10.5281/zenodo.6413003","title":"Report from the First Workshop on Cyber Ethics in Platial Research","year":2022,"lang":"en","type":"paratext","venue":"University of Twente Research Information","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"National Science Foundation","keywords":"Computer science; Engineering ethics; Engineering","score_opus":0.23557619249643777,"score_gpt":0.4116581696013307,"score_spread":0.17608197710489296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226466089","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076307975,0.00008440335,0.00074634026,0.049608905,0.0011239718,0.0019179338,0.0010663741,0.00005406376,0.86909],"genre_scores_gemma":[0.5929011,0.014861273,0.00011104017,0.001845745,0.00039013216,0.000016537639,0.0033307625,0.000051728937,0.38649166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936351,0.0017018461,0.0003763922,0.00033093823,0.0035001177,0.00045559127],"domain_scores_gemma":[0.9965547,0.0019409423,0.0002616956,0.00072226604,0.00042816473,0.0000922364],"candidate_categories":["sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.005633198,0.00013565402,0.00023778561,0.0012164903,0.001561722,0.000118318494,0.0012927182,0.000336174,0.013615409],"category_scores_gemma":[0.0031020918,0.00012440958,0.00014382189,0.0017960711,0.0007552802,0.0005428049,0.00092464354,0.005174645,0.004887684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046858643,0.0001320683,0.0000904385,0.000058591628,0.000010289421,0.00010989301,0.017724505,0.0036927923,0.00006147486,0.00048794126,0.9699538,0.007209636],"study_design_scores_gemma":[0.00036812268,0.00005330467,0.00043019856,0.0001896584,0.0000049117843,0.0000045251863,0.009740767,0.00171,0.00004071073,0.000060539707,0.9872869,0.00011032218],"about_ca_topic_score_codex":0.005908574,"about_ca_topic_score_gemma":0.0011537914,"teacher_disagreement_score":0.51659316,"about_ca_system_score_codex":0.00070909166,"about_ca_system_score_gemma":0.0006649227,"threshold_uncertainty_score":0.9997381},"labels":[],"label_agreement":null},{"id":"W4230744119","doi":"10.2352/j.percept.imaging.2021.4.3.030501","title":"Artistic Style Meets Artificial Intelligence","year":2021,"lang":"en","type":"article","venue":"Journal of Perceptual Imaging","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Style (visual arts); Artificial intelligence; Computer science; Cognitive science; Psychology; Art; Visual arts","score_opus":0.06363326775001803,"score_gpt":0.3243815322207452,"score_spread":0.26074826447072713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230744119","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9096398,0.00020836179,0.07843907,0.0075942054,0.0006355374,0.00003969299,0.000005578196,0.000038189133,0.0033996014],"genre_scores_gemma":[0.99554837,0.00011315962,0.0020783555,0.0015527607,0.00026423784,4.569282e-7,5.375796e-7,0.000013308279,0.000428788],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99833494,0.00018174735,0.0005588934,0.00021522271,0.0004720687,0.00023712765],"domain_scores_gemma":[0.9991773,0.00006138903,0.0002275848,0.00016833872,0.0002039634,0.00016143335],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028799515,0.000120504046,0.00023871478,0.00015399493,0.0001501946,0.00015334223,0.00023116905,0.00002617958,0.003694976],"category_scores_gemma":[0.0009343472,0.0001058216,0.0002203059,0.00037526665,0.00018293149,0.00031584196,0.00006401362,0.0002896144,0.00031534984],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014915688,0.00015763775,0.00021272816,0.0000046863343,0.0000032459952,0.0007060843,0.0017257296,0.00023394293,0.86885226,0.0026965018,0.0005348236,0.12485746],"study_design_scores_gemma":[0.0010238863,0.00045203476,0.008466796,0.00057930173,0.0007081701,0.024405781,0.07205546,0.12475335,0.66847736,0.029787166,0.06718094,0.0021097686],"about_ca_topic_score_codex":0.000002637715,"about_ca_topic_score_gemma":0.0000025717982,"teacher_disagreement_score":0.20037489,"about_ca_system_score_codex":0.000059199647,"about_ca_system_score_gemma":0.000105403065,"threshold_uncertainty_score":0.9972158},"labels":[],"label_agreement":null},{"id":"W4233034513","doi":"10.21203/rs.3.rs-536728/v1","title":"Where to Draw The Line?","year":2021,"lang":"en","type":"preprint","venue":"Research Square","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Line drawings; Categorization; Computer science; Consistency (knowledge bases); Artificial intelligence; Visual arts; Line (geometry); Set (abstract data type); Computer vision; Task (project management); Art; Engineering drawing; Mathematics; Geometry","score_opus":0.16203891530726075,"score_gpt":0.4569921305590224,"score_spread":0.29495321525176166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233034513","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83671653,0.0015187669,0.0026062496,0.12111771,0.0005651648,0.0018714472,0.00012612983,0.00028082367,0.03519719],"genre_scores_gemma":[0.9828742,0.0012046658,0.000089011504,0.0010782395,0.00028245972,0.00017144006,0.000012884483,0.000030992887,0.01425609],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954592,0.00126745,0.00023114316,0.00084552326,0.0016358813,0.00056082156],"domain_scores_gemma":[0.9977962,0.0001907839,0.000041728606,0.0013453985,0.00035994325,0.00026599102],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011504634,0.0001815182,0.00024434805,0.00024699207,0.00052876933,0.0007093851,0.0011919517,0.0001846574,0.0033808597],"category_scores_gemma":[0.0016632909,0.00012229862,0.0002724772,0.0010509858,0.0002538634,0.000044495315,0.0023518985,0.0017902856,0.0016353969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022605865,0.001922294,0.0024043063,0.0029634458,0.000083552106,0.002162135,0.04112601,0.017322354,0.41837806,0.0123070935,0.2025882,0.29851648],"study_design_scores_gemma":[0.0008137374,0.0006569822,0.008047494,0.0039448775,0.000117411386,0.00011224382,0.027725734,0.020712692,0.046921726,0.0051405462,0.88369846,0.0021080703],"about_ca_topic_score_codex":0.00022342602,"about_ca_topic_score_gemma":0.00031098965,"teacher_disagreement_score":0.68111026,"about_ca_system_score_codex":0.00010950522,"about_ca_system_score_gemma":0.0003239335,"threshold_uncertainty_score":0.99914193},"labels":[],"label_agreement":null},{"id":"W4235288991","doi":"10.1093/obo/9780195399301-0064","title":"Hieronymus Bosch","year":2013,"lang":"en","type":"reference-entry","venue":"Renaissance and Reformation","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Painting; Creatures; Meaning (existential); Art; Art history; Literature; History; Philosophy; Natural (archaeology); Epistemology","score_opus":0.03389243481908601,"score_gpt":0.27063728810706394,"score_spread":0.23674485328797792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235288991","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032595254,0.0037698555,0.00067329546,0.0013776347,0.0007798166,0.00043509115,0.00006778717,0.00024728235,0.960054],"genre_scores_gemma":[0.46744365,0.3270265,0.00016703967,0.0014466335,0.0006229551,0.000085954,0.00029284784,0.000050236482,0.2028642],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865973,0.000076506585,0.00032921782,0.00033974208,0.0003451333,0.00024967964],"domain_scores_gemma":[0.99930096,0.000010388551,0.00026033472,0.00027756815,0.000040971612,0.000109801884],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000084526815,0.00023259703,0.0003017822,0.00017918437,0.00024667347,0.00012535682,0.00017359426,0.00029641137,0.0005724435],"category_scores_gemma":[0.00005265276,0.00015798162,0.00009143788,0.0002064125,0.00013440909,0.00043875846,0.000061147875,0.00034780867,0.0010192412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008209486,0.000042753967,0.0000206025,0.00030079187,0.0000051141833,0.0000039023475,0.00041139827,0.000003995907,0.0005563973,0.0009925534,0.43248418,0.5651701],"study_design_scores_gemma":[0.00022312284,0.000044051263,0.00025848256,0.0003497529,0.000037518897,0.000047249378,0.000086305066,0.0009295559,0.0005744866,0.00045132547,0.99666935,0.00032882276],"about_ca_topic_score_codex":0.000030889943,"about_ca_topic_score_gemma":0.0000030222745,"teacher_disagreement_score":0.75718975,"about_ca_system_score_codex":0.000063531246,"about_ca_system_score_gemma":0.00004085552,"threshold_uncertainty_score":0.9997586},"labels":[],"label_agreement":null},{"id":"W4235498886","doi":"10.31219/osf.io/vqn5a","title":"Exploring the Effects of Violating the 180-Degree Rule on Film Viewing Preferences","year":2019,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Degree (music); Psychology; Social psychology; The Imaginary; Cognitive psychology; Computer science; Physics; Acoustics; Psychoanalysis","score_opus":0.24070389627353678,"score_gpt":0.30857493401399116,"score_spread":0.06787103774045439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235498886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97190815,0.000042211817,0.00072595576,0.00042949594,0.0006448042,0.00040932433,0.000003966881,0.00006805172,0.025768036],"genre_scores_gemma":[0.99700487,0.0005086071,0.000063158914,0.00065207685,0.00008029887,0.00009409179,0.0000015238207,0.000016487878,0.0015789064],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99804825,0.00042070987,0.00032680557,0.000489133,0.0004933691,0.00022174932],"domain_scores_gemma":[0.998038,0.0007704475,0.00027342435,0.0008512001,0.000032277807,0.000034630073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041894102,0.00023564268,0.00032559238,0.000078941266,0.00025053843,0.00010755849,0.0009196984,0.00006886473,0.00020978502],"category_scores_gemma":[0.00077901635,0.000108376305,0.00027196406,0.00019250333,0.00012678104,0.00008235858,0.0006138165,0.0006263081,0.00017896913],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005761386,0.0003509353,0.0030176805,0.0015472863,0.00008167937,0.000012116924,0.027561847,0.027034737,0.21807346,0.0063103167,0.00070163986,0.7152507],"study_design_scores_gemma":[0.0019760737,0.0011856923,0.1303678,0.013433804,0.0013104455,0.000033892793,0.01346367,0.21286511,0.5993984,0.012933883,0.009153889,0.0038773678],"about_ca_topic_score_codex":0.000099652585,"about_ca_topic_score_gemma":0.0000063000407,"teacher_disagreement_score":0.7113733,"about_ca_system_score_codex":0.000023872213,"about_ca_system_score_gemma":0.000041459527,"threshold_uncertainty_score":0.44194573},"labels":[],"label_agreement":null},{"id":"W4237259393","doi":"10.31234/osf.io/yd3s6","title":"Questions and potential answers about ways ownership and art matter for one another","year":2019,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Affect (linguistics); Property (philosophy); Aesthetics; Sociology; Psychology; Social psychology; Art; Epistemology; Philosophy","score_opus":0.048629860248777655,"score_gpt":0.2783692680408404,"score_spread":0.22973940779206273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237259393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5061088,0.00010549028,0.4240605,0.024208795,0.0006464944,0.001541151,0.00026590007,0.0002752548,0.04278761],"genre_scores_gemma":[0.9484164,0.00024818158,0.0018839992,0.006010389,0.00007149324,0.000039533854,0.000017296554,0.00002796347,0.04328475],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988321,0.00004948941,0.00018164764,0.0005904594,0.0001511183,0.00019519404],"domain_scores_gemma":[0.9994891,0.000024200745,0.00008061363,0.00030167424,0.000028082302,0.00007632141],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012124765,0.00018268153,0.0002473549,0.000118966535,0.00010340913,0.00016950985,0.00012713415,0.00017334432,0.0016824137],"category_scores_gemma":[0.00003189395,0.00014808588,0.000108013046,0.00004595448,0.00018094324,0.00006146981,0.00015832255,0.00018749425,0.00032076435],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005313381,0.0014320163,0.028956685,0.0020965168,0.00021226086,0.00003263273,0.0052770325,0.003115843,0.67786264,0.038910896,0.19290051,0.048671644],"study_design_scores_gemma":[0.0122010745,0.00096127175,0.26404154,0.0021922025,0.0038898827,0.000495277,0.0021670975,0.18568145,0.0244621,0.072458565,0.4210031,0.010446431],"about_ca_topic_score_codex":0.000028972465,"about_ca_topic_score_gemma":0.000011158076,"teacher_disagreement_score":0.65340054,"about_ca_system_score_codex":0.00001557693,"about_ca_system_score_gemma":0.000025144804,"threshold_uncertainty_score":0.9992302},"labels":[],"label_agreement":null},{"id":"W4237728251","doi":"10.1016/j.tics.2014.03.003","title":"Neuroaesthetics","year":2014,"lang":"en","type":"review","venue":"Trends in Cognitive Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":527,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Psychology; Mainstream; Cognitive science; Cognition; Perception; Valuation (finance); Everyday life; Cognitive neuroscience; Cognitive psychology; Neuroscience; Epistemology","score_opus":0.4268392673207271,"score_gpt":0.5041347155468117,"score_spread":0.07729544822608458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237728251","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000065089975,0.88423336,0.000085672684,0.00012470358,0.0002643847,0.00015116105,0.00004045204,0.000094069524,0.11494109],"genre_scores_gemma":[0.0017397737,0.9945949,0.000037739283,0.0004628575,0.000063430656,0.00003659565,0.00000898225,0.000020705273,0.0030350417],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967625,0.00067454414,0.00052841875,0.0010489385,0.0005394682,0.00044610392],"domain_scores_gemma":[0.9990659,0.00030112892,0.000295857,0.00021056806,0.000023185752,0.00010338487],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000635194,0.000371409,0.0010911874,0.001313231,0.00023280809,0.0001394269,0.00076314295,0.0001462976,0.0011458109],"category_scores_gemma":[0.00053279905,0.000267173,0.00044112527,0.0035592176,0.0013587463,0.00011361403,0.00012848593,0.00039718728,0.0006269191],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.0349996e-7,0.00003954124,0.0000024991064,0.00009439016,5.9421956e-7,0.000023855348,0.000040315514,6.59717e-7,4.779659e-7,0.0004151678,0.000079363745,0.9993026],"study_design_scores_gemma":[0.00011711139,0.00011889733,0.000005917146,0.0026267648,0.00015454453,0.00012190266,0.000043100932,0.00016957564,0.0000027901137,0.00020420077,0.9960164,0.0004187942],"about_ca_topic_score_codex":0.0000064634496,"about_ca_topic_score_gemma":0.000013767569,"teacher_disagreement_score":0.99888384,"about_ca_system_score_codex":0.000033506312,"about_ca_system_score_gemma":0.00010156327,"threshold_uncertainty_score":0.99997807},"labels":[],"label_agreement":null},{"id":"W4240068616","doi":"10.5206/tba.v2i1.13444","title":"Between Artist and Curator: On the ‘Laws of Attraction’ in Edmund De Waal’s “Elective Affinities” Exhibition","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Affinities; Art; Attraction; Art history; Law; Philosophy; Biology; Political science","score_opus":0.0663189384674627,"score_gpt":0.31730838889947477,"score_spread":0.25098945043201204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240068616","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9929101,0.000057964633,0.00011211413,0.006454677,0.0000280704,0.000041840787,0.0000072318007,0.0000039604347,0.00038402405],"genre_scores_gemma":[0.9980753,0.00040820718,0.000019019675,0.0012625725,0.00018610992,8.711878e-7,0.0000011682946,0.0000043608,0.0000423845],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9992112,0.00015096886,0.00023118318,0.00009989378,0.000210142,0.0000965928],"domain_scores_gemma":[0.99952275,0.0001142142,0.00017783976,0.000028477007,0.0000452187,0.00011149512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017707734,0.00008090457,0.00018542664,0.000049737504,0.00008410618,0.000030885087,0.000055032895,0.000053008385,0.00007150877],"category_scores_gemma":[0.0003263843,0.000049049922,0.000052022293,0.00017074514,0.00013052726,0.00014896682,0.000013354117,0.00031858025,0.000006063713],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005498717,0.0004175009,0.024781736,0.000064441396,0.000037016725,0.00010027979,0.07618383,0.000032237505,0.86964095,0.0036093513,0.0155055635,0.009077193],"study_design_scores_gemma":[0.007930936,0.009394462,0.3675327,0.0011975279,0.00066647894,0.0011268343,0.07284939,0.0034185667,0.45923015,0.00921931,0.06604916,0.0013844918],"about_ca_topic_score_codex":0.0000020146515,"about_ca_topic_score_gemma":0.000007938294,"teacher_disagreement_score":0.41041082,"about_ca_system_score_codex":0.000018004162,"about_ca_system_score_gemma":0.000029199735,"threshold_uncertainty_score":0.20001978},"labels":[],"label_agreement":null},{"id":"W4240918211","doi":"10.1177/13567x02008002437","title":"The Evolution of Psychical Distance as an Aesthetic Concept","year":2002,"lang":"en","type":"article","venue":"Culture & Psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Aesthetics; Epistemology; Art; Philosophy","score_opus":0.03219078285684294,"score_gpt":0.33723477869657303,"score_spread":0.3050439958397301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240918211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83662206,0.0022770832,0.011344539,0.023965072,0.0010967338,0.0003720485,0.000020297945,0.00021969032,0.124082446],"genre_scores_gemma":[0.9930395,0.0003059801,0.000069797745,0.0021881405,0.000053591466,0.0000102032745,0.0000014241092,0.000008697882,0.0043226858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987155,0.00025347463,0.00023714811,0.0003773857,0.00019203471,0.0002244156],"domain_scores_gemma":[0.9992449,0.000011608148,0.000111893256,0.00050182786,0.000041478717,0.00008827534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000905028,0.00011534121,0.00014982873,0.000028856863,0.00023843857,0.000021754584,0.00042028382,0.00012183371,0.0007272722],"category_scores_gemma":[0.00007806782,0.00007154115,0.00010363259,0.00031634452,0.0008022417,0.000069965405,0.00001472627,0.00020704637,0.0003908963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015566498,0.0014239637,0.0007119509,0.0000067379783,0.0000068771137,0.000028838951,0.009608639,0.000038202023,0.2432959,0.56444865,0.06511715,0.115157455],"study_design_scores_gemma":[0.0019736346,0.0014340357,0.004276372,0.000032410164,0.00006949176,0.0011004589,0.0023304,0.0026746057,0.0016084637,0.0496734,0.93422836,0.0005983652],"about_ca_topic_score_codex":0.0000052929045,"about_ca_topic_score_gemma":0.000013617869,"teacher_disagreement_score":0.8691112,"about_ca_system_score_codex":0.00002542662,"about_ca_system_score_gemma":0.0000060954676,"threshold_uncertainty_score":0.7963121},"labels":[],"label_agreement":null},{"id":"W4240967958","doi":"10.1162/leon_a_00212","title":"Wait","year":2011,"lang":"fr","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Icon; Citation; Search engine optimization; Computer science; World Wide Web; Download; Information retrieval; Search engine","score_opus":0.08383568138900335,"score_gpt":0.2697291725129009,"score_spread":0.18589349112389755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240967958","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37829924,0.0024449588,0.004401403,0.049072728,0.003286731,0.00019968253,0.00004350921,0.0002458887,0.5620059],"genre_scores_gemma":[0.81974775,0.00053572113,0.000563338,0.0034101098,0.00012969984,0.0000038588755,9.0041044e-7,0.000015119494,0.17559351],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988151,0.00012218712,0.00018409542,0.00033672113,0.00021184879,0.00033004954],"domain_scores_gemma":[0.99942714,0.000009106796,0.000055860462,0.00032285327,0.000024367295,0.0001606738],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011600642,0.00013715703,0.00015196884,0.00006380959,0.00012875466,0.000026879636,0.00026501386,0.00010199562,0.040095303],"category_scores_gemma":[0.00005195563,0.00013537508,0.000173393,0.00028846844,0.0003219783,0.00013824353,0.000060145656,0.00016565148,0.015850952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046094807,0.0009746045,0.006205554,0.000054151053,0.000014534122,0.0007494427,0.011052624,0.0000128674465,0.024954546,0.34852532,0.021163093,0.5862472],"study_design_scores_gemma":[0.0003931902,0.00018489979,0.014104346,0.00006329925,0.00012872522,0.00028189775,0.0017471511,0.001906968,0.0075786673,0.0034834626,0.96963215,0.00049525703],"about_ca_topic_score_codex":0.0001921418,"about_ca_topic_score_gemma":0.00002262582,"teacher_disagreement_score":0.94846904,"about_ca_system_score_codex":0.000030473659,"about_ca_system_score_gemma":0.000028890861,"threshold_uncertainty_score":0.9849153},"labels":[],"label_agreement":null},{"id":"W4241103059","doi":"10.1093/obo/9780195399301-0393","title":"Art and Science","year":2018,"lang":"en","type":"reference-entry","venue":"Renaissance and Reformation","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genius; Astrology; Antique; Christianity; Humanism; Literature; History; Civilization; Philosophy; Classics; Art; Ancient history; Religious studies; Theology","score_opus":0.03382042521235297,"score_gpt":0.28752070033656296,"score_spread":0.25370027512421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241103059","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07766498,0.0015779719,0.0004719612,0.0008532179,0.00058569456,0.00025674154,0.00004229478,0.00013740877,0.9184097],"genre_scores_gemma":[0.6995629,0.20833352,0.00024341911,0.0011665518,0.0005346679,0.000021334568,0.00006648834,0.00002761643,0.09004346],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987176,0.000034032713,0.00022454701,0.00039511776,0.00040003977,0.0002286711],"domain_scores_gemma":[0.9994129,0.000007750907,0.00018112101,0.0002205554,0.000059736005,0.00011793717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022763004,0.00016721697,0.00020793467,0.00025773572,0.000490346,0.00016750894,0.00016495177,0.00013795936,0.00010349312],"category_scores_gemma":[0.00009690761,0.0001138892,0.00003389593,0.00037236867,0.0010150579,0.0005481046,0.0001011033,0.00018528182,0.00026026843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028576302,0.00006166352,0.00011883669,0.0005063981,0.000004915613,0.000006641887,0.0015537653,0.0000012632552,0.0045625973,0.0031230252,0.32188737,0.66814494],"study_design_scores_gemma":[0.00020629591,0.00007946673,0.00067173754,0.00045211747,0.000030743475,0.00011172853,0.00009457634,0.0011552722,0.0021470983,0.0005467076,0.9941918,0.0003124352],"about_ca_topic_score_codex":0.000004161723,"about_ca_topic_score_gemma":0.0000028034567,"teacher_disagreement_score":0.8283663,"about_ca_system_score_codex":0.000047995854,"about_ca_system_score_gemma":0.00008007264,"threshold_uncertainty_score":0.46442667},"labels":[],"label_agreement":null},{"id":"W4243914443","doi":"10.31234/osf.io/brgth","title":"The role of working memory capacity in evaluative judgments of liking and beauty","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Beauty; Working memory; Psychology; Cognition; Cognitive psychology; Task (project management); Social psychology; Aesthetics","score_opus":0.12434423155658111,"score_gpt":0.3079037442191931,"score_spread":0.18355951266261197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243914443","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9890436,0.0001884389,0.00013697246,0.0001022953,0.000060917435,0.00011971935,0.000002562284,0.0000069276257,0.010338544],"genre_scores_gemma":[0.9990877,0.00037501124,0.00024561657,0.00007521834,0.000008387956,0.000009357862,8.8189347e-7,0.0000052995947,0.00019256311],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.998542,0.00033320452,0.00032665808,0.00031868176,0.00035196013,0.00012746383],"domain_scores_gemma":[0.9993063,0.00009816017,0.00023866365,0.00028104364,0.000046535373,0.00002928953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006509301,0.000107987384,0.00026965735,0.000078185956,0.00006406716,0.000033261054,0.00020764141,0.000080410275,0.00010906038],"category_scores_gemma":[0.0002862329,0.00007709493,0.00009471811,0.00018038749,0.00022585246,0.00002830622,0.00045262696,0.00027694082,7.552681e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045784887,0.0003377023,0.046335876,0.00011644707,0.000038315386,0.0000062350787,0.029096764,0.0026677428,0.67153037,0.0016065543,0.000010888436,0.2482073],"study_design_scores_gemma":[0.0010084346,0.0000748056,0.07593098,0.0016210651,0.00022510975,0.0000110538585,0.036009956,0.11831177,0.74857634,0.017135609,0.0003664099,0.00072846236],"about_ca_topic_score_codex":0.0002710899,"about_ca_topic_score_gemma":0.00025961676,"teacher_disagreement_score":0.24747883,"about_ca_system_score_codex":0.000036627036,"about_ca_system_score_gemma":0.00006406188,"threshold_uncertainty_score":0.31438398},"labels":[],"label_agreement":null},{"id":"W4245836840","doi":"10.1037/e528942014-776","title":"Subjective Experiences of Recognizing and of Not Recognizing Paintings and Words","year":2014,"lang":"en","type":"dataset","venue":"PsycEXTRA Dataset","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Painting; Psychology; Visual arts; Art; Artificial intelligence; Aesthetics; Computer science","score_opus":0.047183798478533344,"score_gpt":0.30915382034476374,"score_spread":0.2619700218662304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245836840","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06235295,0.00007326425,0.000050469785,0.000059639373,0.00011338694,0.00014369597,0.9371718,0.000010465155,0.000024327526],"genre_scores_gemma":[0.047053363,0.001627939,0.0003498114,0.000582378,0.000064217806,0.0000274711,0.9502606,0.000017218315,0.00001702667],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976265,0.00028469448,0.0006175469,0.0008117384,0.00038518713,0.00027436917],"domain_scores_gemma":[0.99828756,0.00027740127,0.00066679105,0.0005951648,0.000042559786,0.00013051255],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00073153,0.00031145578,0.0006559096,0.00029902544,0.0001313984,0.000061351384,0.0004286917,0.00018804918,0.00042938412],"category_scores_gemma":[0.001023667,0.00027919037,0.00007705188,0.0003297691,0.0007280122,0.00019000088,0.00024559422,0.0002964535,0.000020090716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058514826,0.000076877965,0.00004392944,0.00025027833,0.000011839136,0.0000069348057,0.001639301,2.025649e-7,0.00702962,0.0000049565965,0.9788867,0.011990806],"study_design_scores_gemma":[0.0006051264,0.0002628396,0.00014889424,0.00050013646,0.00028853506,0.00009414502,0.006762106,0.00013405275,0.008972568,0.00008940551,0.9814469,0.0006952984],"about_ca_topic_score_codex":0.00029475443,"about_ca_topic_score_gemma":0.00007371725,"teacher_disagreement_score":0.015299588,"about_ca_system_score_codex":0.0000099234285,"about_ca_system_score_gemma":0.000030199317,"threshold_uncertainty_score":0.999966},"labels":[],"label_agreement":null},{"id":"W4247886848","doi":"10.29173/bsuj578","title":"'Alternate Perceptions'","year":2020,"lang":"en","type":"article","venue":"Behavioural Sciences Undergraduate Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mindfulness; Rumination; Aesthetics; Perception; Psychology; Perspective (graphical); Representation (politics); Cognition; Gautama Buddha; Sublime; Metacognition; Beauty; Cognitive psychology; Social psychology; Art; Buddhism; Visual arts; History; Political science; Psychotherapist","score_opus":0.1380410538705137,"score_gpt":0.3277997668189944,"score_spread":0.1897587129484807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247886848","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93217987,0.00001828341,0.0029628873,0.059028488,0.0002322361,0.000062357554,0.0000045325946,0.00010324932,0.0054080724],"genre_scores_gemma":[0.99318355,0.0002606717,0.0006963418,0.004947906,0.00017836633,0.0000019013916,5.4527857e-7,0.000010497286,0.0007202049],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9977826,0.00020157958,0.00035417135,0.00040555085,0.0008213003,0.00043483143],"domain_scores_gemma":[0.99913836,0.00001781684,0.00018719914,0.00009986029,0.000043584183,0.00051319966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029139017,0.00016995055,0.00017781855,0.00012563031,0.0011500015,0.0005068825,0.00070095813,0.000040523388,0.0018163001],"category_scores_gemma":[0.00015047517,0.00012554858,0.0002227473,0.00080916,0.0005101751,0.0006001013,0.00008724404,0.0003860653,0.0007402243],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005355367,0.00030865864,0.113064356,0.0000072637577,0.0000064797377,0.0005064318,0.002283506,0.0015113502,0.8078826,0.012312764,0.014165854,0.04789719],"study_design_scores_gemma":[0.01627062,0.011008666,0.32226753,0.0005071782,0.0014810531,0.05096687,0.02801686,0.2620317,0.085685894,0.1408537,0.06945036,0.0114595415],"about_ca_topic_score_codex":0.00002131463,"about_ca_topic_score_gemma":0.0000049627292,"teacher_disagreement_score":0.7221967,"about_ca_system_score_codex":0.000055860022,"about_ca_system_score_gemma":0.00008744519,"threshold_uncertainty_score":0.99909616},"labels":[],"label_agreement":null},{"id":"W4248620780","doi":"10.31234/osf.io/vnsy7","title":"A three-response task reveals how attention alters decision criteria but not appearance","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"York University","keywords":"Cued speech; Contrast (vision); Psychology; Task (project management); Cognitive psychology; Population; Social psychology; Computer science; Artificial intelligence; Medicine; Economics","score_opus":0.05471992722740981,"score_gpt":0.32355446977199925,"score_spread":0.26883454254458944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248620780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79320073,0.000054050666,0.19996448,0.005579639,0.0005778308,0.00025294782,0.00004351696,0.00015176911,0.00017501198],"genre_scores_gemma":[0.98795664,0.00028466329,0.003342349,0.0033485307,0.000099533514,0.000053744883,0.000020575475,0.00003845562,0.0048555126],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9963242,0.00058579433,0.0004709291,0.0014270779,0.0007991973,0.00039280741],"domain_scores_gemma":[0.99813956,0.00010159413,0.00027778043,0.0011753739,0.000112106,0.00019357092],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00083127955,0.00039957179,0.00056662905,0.00026584297,0.00021211909,0.0007210946,0.000650258,0.00030071952,0.0013233416],"category_scores_gemma":[0.0009403542,0.00035850643,0.0005865635,0.00030314483,0.00016939163,0.00019598384,0.00077457284,0.0005120303,0.00041793962],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000351817,0.00008273299,0.000098579716,0.000039624716,0.0000053099793,0.00008889776,0.0001271585,0.00007792278,0.98420805,0.000041380164,0.00158528,0.013293257],"study_design_scores_gemma":[0.008334806,0.0009312793,0.2821702,0.0099901045,0.0013831881,0.0012758853,0.0046336087,0.33690995,0.3099405,0.012306496,0.021080881,0.011043123],"about_ca_topic_score_codex":0.000079279394,"about_ca_topic_score_gemma":0.00005241251,"teacher_disagreement_score":0.67426753,"about_ca_system_score_codex":0.00010985622,"about_ca_system_score_gemma":0.000103194725,"threshold_uncertainty_score":0.9998867},"labels":[],"label_agreement":null},{"id":"W4252666514","doi":"10.32920/ryerson.14644449","title":"Tangible Cultural Analytics: The Adoption of Recommender Systems Within Cultural Research","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Dalhousie University","funders":"","keywords":"Recommender system; Computer science; Collaborative filtering; Analytics; Context (archaeology); Similarity (geometry); Object (grammar); World Wide Web; Human–computer interaction; Information retrieval; Data science; Multimedia; Artificial intelligence; Image (mathematics)","score_opus":0.3080797062044025,"score_gpt":0.4272026156603138,"score_spread":0.11912290945591131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252666514","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96471417,0.00030988205,0.0015190152,0.004847128,0.0009621539,0.0006159661,0.000034690132,0.00012086422,0.026876131],"genre_scores_gemma":[0.9820786,0.00078538316,0.0002706192,0.00024493175,0.00012487388,0.00004256859,0.000056449502,0.000015570422,0.016380962],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9961898,0.0012072911,0.00059393427,0.00065065135,0.0010331648,0.0003251731],"domain_scores_gemma":[0.9981044,0.00009400231,0.00027389795,0.00079375465,0.0006403167,0.00009362594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013263628,0.00022522293,0.00041000775,0.0001816863,0.000300974,0.00051614444,0.00072682346,0.00023366428,0.00062650914],"category_scores_gemma":[0.0004379353,0.00012284945,0.00032896694,0.0007820257,0.00039756857,0.00015397773,0.0007202723,0.0010867538,0.000109084765],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001693537,0.0013924894,0.0019151921,0.0015718649,0.0003380212,0.00010164696,0.05721746,0.13880531,0.59366333,0.059665397,0.13999408,0.005165836],"study_design_scores_gemma":[0.0011252481,0.00026573337,0.0015021097,0.0015949928,0.0005855548,0.00024975528,0.40126014,0.52612793,0.044860147,0.0013972787,0.019117892,0.001913219],"about_ca_topic_score_codex":0.0008145705,"about_ca_topic_score_gemma":0.0000959918,"teacher_disagreement_score":0.5488032,"about_ca_system_score_codex":0.00014894156,"about_ca_system_score_gemma":0.00012981845,"threshold_uncertainty_score":0.68598354},"labels":[],"label_agreement":null},{"id":"W4253347597","doi":"10.31234/osf.io/zx2gs","title":"How low can you go? Detecting style in extremely low resolution images","year":2018,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Artificial intelligence; Computer science; Low resolution; Computer vision; Pixel; Context (archaeology); Pattern recognition (psychology); Resolution (logic); Coding (social sciences); Visual Objects; Psychology; High resolution; Mathematics; Perception; Geography","score_opus":0.04543143193455431,"score_gpt":0.27986443475273,"score_spread":0.23443300281817567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253347597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97255564,0.00004077131,0.0121718105,0.0040793284,0.00041717888,0.00034286623,0.000038683702,0.00030982145,0.010043906],"genre_scores_gemma":[0.9804408,0.00011869546,0.0008979073,0.0004903685,0.00016860702,0.000028567854,0.0000088860725,0.000030432817,0.017815752],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9975479,0.0002682502,0.00032994844,0.0009975197,0.00042448298,0.0004318733],"domain_scores_gemma":[0.99888825,0.000029034474,0.00022924847,0.0006616815,0.00007296135,0.00011881849],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00038324654,0.00030307978,0.00034660558,0.0003513665,0.00017206943,0.0003442086,0.00049343443,0.00025523893,0.0005309303],"category_scores_gemma":[0.0006356292,0.0002758138,0.00020377715,0.00037384592,0.00022362202,0.0001240163,0.0005209251,0.000594576,0.0001442323],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080279475,0.00044902347,0.0028087294,0.000270549,0.000011339669,0.000148564,0.0025159207,0.0013478454,0.8808575,0.00017768281,0.004248249,0.107084304],"study_design_scores_gemma":[0.0026401374,0.00037128435,0.022781841,0.0018532624,0.00022855889,0.00014943462,0.0053265677,0.34097636,0.6063526,0.004084026,0.010602524,0.0046333866],"about_ca_topic_score_codex":0.0006009305,"about_ca_topic_score_gemma":0.001313511,"teacher_disagreement_score":0.33962852,"about_ca_system_score_codex":0.00021029737,"about_ca_system_score_gemma":0.000093014605,"threshold_uncertainty_score":0.9999694},"labels":[],"label_agreement":null},{"id":"W4253862671","doi":"10.5703/1288284317184","title":"Reconsidering Literacy","year":2020,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Purdue Pharma (Canada)","funders":"","keywords":"Literacy; Numeracy; Presentation (obstetrics); Information literacy; Focus (optics); Session (web analytics); Media literacy; Computer science; Critical literacy; Multimedia; Mathematics education; Pedagogy; Sociology; Psychology; World Wide Web","score_opus":0.18111910709903065,"score_gpt":0.30573529991527365,"score_spread":0.124616192816243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253862671","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9018698,0.00000454133,0.006704019,0.022302244,0.000028326089,0.000027372329,7.091674e-7,0.000209118,0.0688539],"genre_scores_gemma":[0.97375196,0.000010168839,0.00056893105,0.024084333,0.000024401133,6.867288e-7,1.0603712e-7,0.0000026951077,0.001556726],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996879,0.000016061455,0.00006039897,0.00012383123,0.000053346932,0.00005844249],"domain_scores_gemma":[0.99986047,0.0000072548255,0.000010146283,0.000052263127,0.000004455521,0.000065423585],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000013451398,0.000029457837,0.000041169627,0.000011548109,0.000032888343,0.000031242627,0.00005284661,0.000007979651,0.0047033206],"category_scores_gemma":[0.000111614034,0.000023787228,0.000031905904,0.000115718954,0.00001461283,0.00007852175,0.000018529781,0.000032932323,0.0014366271],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003963229,0.000014150421,0.0003924274,0.0000033343813,3.8964615e-7,0.000022149416,0.0025331595,0.000029268283,0.8992217,0.001692691,0.0031791376,0.092907615],"study_design_scores_gemma":[0.0004954517,0.0000909584,0.0005898255,0.00001022487,0.000014973573,0.00006535966,0.0006507818,0.09558703,0.43000466,0.0011330339,0.4709284,0.00042930018],"about_ca_topic_score_codex":6.1441114e-7,"about_ca_topic_score_gemma":2.210652e-7,"teacher_disagreement_score":0.46921703,"about_ca_system_score_codex":0.0000020841233,"about_ca_system_score_gemma":0.0000036283113,"threshold_uncertainty_score":0.9993409},"labels":[],"label_agreement":null},{"id":"W4254362040","doi":"10.3410/f.1123801.793544303","title":"Faculty Opinions recommendation of Unsupervised natural experience rapidly alters invariant object representation in visual cortex.","year":2018,"lang":"en","type":"dataset","venue":"Faculty Opinions – Post-Publication Peer Review of the Biomedical Literature","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Montreal Neurological Institute and Hospital; McGill University","funders":"","keywords":"Visual cortex; Invariant (physics); Representation (politics); Computer science; Artificial intelligence; Cognitive neuroscience of visual object recognition; Object (grammar); Psychology; Computer vision; Information retrieval; Cognitive psychology; Pattern recognition (psychology); Mathematics; Neuroscience","score_opus":0.049692333174235825,"score_gpt":0.39330916162367585,"score_spread":0.34361682844944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254362040","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007368632,0.00016225337,0.00003888539,0.06514879,0.00091732334,0.0010827727,0.9325063,0.00003793418,0.000032038537],"genre_scores_gemma":[0.00089610345,0.0004842182,0.000226687,0.0070824265,0.00018220072,0.00021063956,0.9904714,0.000023098964,0.0004232145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99363935,0.0011732082,0.0019563662,0.0010779771,0.0017441671,0.00040894595],"domain_scores_gemma":[0.9944838,0.00014213129,0.0015625197,0.0013155261,0.00224584,0.0002501597],"candidate_categories":["metaresearch","metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010887902,0.0005246334,0.00096241914,0.0006660508,0.00025924583,0.00017478238,0.0017413232,0.00047843516,0.00088703056],"category_scores_gemma":[0.009919596,0.0003555861,0.0006301654,0.0039066765,0.0007487586,0.0006151926,0.00046831576,0.00093505945,0.000060504623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026106842,0.0003796206,0.000011870199,0.0010050758,0.000016689475,7.9256927e-7,0.0006116792,1.814312e-7,0.000227539,0.000053299816,0.9958153,0.0018518942],"study_design_scores_gemma":[0.000776983,0.00012804943,0.0032349702,0.004444989,0.00008246194,0.000043900152,0.00015736428,0.00021602277,0.0002544122,0.0000131234665,0.9902905,0.00035718683],"about_ca_topic_score_codex":0.00017265033,"about_ca_topic_score_gemma":0.000021767624,"teacher_disagreement_score":0.058066368,"about_ca_system_score_codex":0.00015460362,"about_ca_system_score_gemma":0.00037986913,"threshold_uncertainty_score":0.9998896},"labels":[],"label_agreement":null},{"id":"W4283162263","doi":"10.31234/osf.io/tw8v3","title":"How universal is preference for visual curvature? A systematic review and meta-analysis","year":2022,"lang":"en","type":"review","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Agencia Estatal de Investigación; European Regional Development Fund; Ministerio de Ciencia, Innovación y Universidades","keywords":"Curvature; Preference; Meta-analysis; Stimulus (psychology); Perception; Cognitive psychology; Psychology; Mathematics; Statistics; Neuroscience; Geometry; Medicine","score_opus":0.3452624149166524,"score_gpt":0.3987261279870661,"score_spread":0.0534637130704137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283162263","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.0423865e-8,0.9948314,0.0013235096,0.00072827545,0.000013236229,0.00240436,0.00030447257,0.000058687892,0.00033608393],"genre_scores_gemma":[0.000003596826,0.9447838,0.0001057872,0.0027849283,0.0000064749006,0.0009499293,0.000056133053,0.000028865636,0.05128045],"study_design_codex":"systematic_review","study_design_gemma":"meta_analysis","domain_scores_codex":[0.99657744,0.0009628742,0.0006862288,0.0010120174,0.00050063856,0.0002607979],"domain_scores_gemma":[0.99805635,0.0003082123,0.00076060364,0.0006903696,0.000046067467,0.00013837987],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055142574,0.00053010706,0.007922134,0.00042514785,0.00022892148,0.00020296642,0.00060486,0.0001314663,0.006410813],"category_scores_gemma":[0.00047503767,0.0003143511,0.0054084207,0.0020345403,0.00007855222,0.00013911663,0.00019649947,0.00028993236,0.000027977958],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.0999815e-7,0.000047460253,1.1193062e-8,0.96988577,0.023831386,0.0000047562007,0.00003693822,8.665002e-8,2.6058697e-7,0.00090908835,0.0011806854,0.0041029304],"study_design_scores_gemma":[0.000019332989,0.000019498779,2.1467883e-9,0.0014983845,0.574474,0.000014992708,0.000021209056,0.00003919772,1.16055084e-7,0.0000064463084,0.42369774,0.00020911363],"about_ca_topic_score_codex":0.000005635638,"about_ca_topic_score_gemma":0.0000054544726,"teacher_disagreement_score":0.9683874,"about_ca_system_score_codex":0.00006987609,"about_ca_system_score_gemma":0.00008722816,"threshold_uncertainty_score":0.99993086},"labels":[],"label_agreement":null},{"id":"W4285409315","doi":"10.1515/cogsem-2022-2008","title":"Tom Thomson’s <i>Islands, Canoe Lake</i> , 1916: a rock as the head of a bear","year":2022,"lang":"en","type":"article","venue":"Cognitive Semiotics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Ambiguity; Art; Geology; Art history; Philosophy; Linguistics","score_opus":0.03258557114470511,"score_gpt":0.2940610345422118,"score_spread":0.26147546339750666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285409315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9602961,0.00012334423,0.0016277166,0.002946177,0.000228074,0.00036878933,0.0006151053,0.00008356897,0.033711124],"genre_scores_gemma":[0.98690915,0.00009214409,0.00001778457,0.00766367,0.000050324583,0.000019196861,0.000019246654,0.000018397353,0.0052100634],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.998331,0.00036799058,0.00023902986,0.00031354313,0.0004924065,0.00025602043],"domain_scores_gemma":[0.9992443,0.00021682019,0.00014065571,0.00023286486,0.000085975254,0.00007938869],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024683407,0.00014046203,0.0002136889,0.00007183978,0.0004639348,0.000027718404,0.00032495617,0.000032874985,0.0017588508],"category_scores_gemma":[0.00055566424,0.000108166605,0.00015694433,0.000568858,0.00014958363,0.000044742883,0.00024469008,0.0003194488,0.00015658137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021839468,0.007151653,0.064441815,0.00031038554,0.00036354622,0.0014476065,0.13429734,0.006532146,0.5255952,0.0213152,0.0874216,0.14893956],"study_design_scores_gemma":[0.008457839,0.0034212624,0.015068969,0.0004175969,0.0015815379,0.0015779283,0.08703046,0.03644543,0.14615639,0.00707432,0.68993896,0.0028292788],"about_ca_topic_score_codex":0.000038688097,"about_ca_topic_score_gemma":0.000099688325,"teacher_disagreement_score":0.60251737,"about_ca_system_score_codex":0.00003194263,"about_ca_system_score_gemma":0.00011266286,"threshold_uncertainty_score":0.9991537},"labels":[],"label_agreement":null},{"id":"W4287556764","doi":"","title":"Behaviour Aesthetics of Reinforcement Learning in a Robotic Art Installation","year":2020,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Reinforcement learning; Computer science; Aesthetics; Reinforcement; Human–computer interaction; Artificial intelligence; Engineering; Art; Structural engineering","score_opus":0.03064845880727906,"score_gpt":0.257337147616125,"score_spread":0.2266886888088459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287556764","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5870111,0.00010378431,0.33032727,0.018076401,0.00013343926,0.0006822555,0.000011662992,0.00028313076,0.06337097],"genre_scores_gemma":[0.9882285,0.00048398747,0.0044584093,0.00014887695,0.000005921051,0.00002596709,0.00015002771,0.000030263525,0.006468048],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9947443,0.003136092,0.00070583774,0.0006478962,0.00052375364,0.00024210235],"domain_scores_gemma":[0.997696,0.00020084216,0.000632369,0.00089189055,0.00044878683,0.00013013839],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017587771,0.00024803096,0.00040295272,0.00027782388,0.00013630427,0.00012932504,0.0006918658,0.00019353931,0.0002481271],"category_scores_gemma":[0.0012304957,0.00027646398,0.00021562724,0.00055089284,0.00020119242,0.000088985405,0.00079061784,0.0007402688,0.000075956275],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105378196,0.0029070128,0.042983647,0.00081857626,0.000049195107,0.00007782645,0.07924116,0.33302155,0.23667693,0.20664372,0.0010192238,0.0964558],"study_design_scores_gemma":[0.0018137542,0.0000049778846,0.01717473,0.0039645103,0.00019523795,0.000028279228,0.0007746148,0.8423951,0.1153072,0.004493944,0.012483439,0.0013642034],"about_ca_topic_score_codex":0.00027353826,"about_ca_topic_score_gemma":0.00031896646,"teacher_disagreement_score":0.50937355,"about_ca_system_score_codex":0.00011480615,"about_ca_system_score_gemma":0.00018781204,"threshold_uncertainty_score":0.99996877},"labels":[],"label_agreement":null},{"id":"W4288107068","doi":"10.48550/arxiv.1909.06904","title":"Using an AI creativity system to explore how aesthetic experiences are\\n processed along the brains perceptual neural pathways","year":2019,"lang":"en","type":"preprint","venue":"arXiv (Cornell University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Creativity; Sophistication; Cognitive science; Computer science; Perception; Human visual system model; Human–computer interaction; Soar; Psychology; Artificial intelligence; Cognitive psychology; Aesthetics; Art; Social psychology; Image (mathematics); Neuroscience","score_opus":0.2881138375502841,"score_gpt":0.259927623689573,"score_spread":0.028186213860711073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288107068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9809526,0.000007708676,0.016667504,0.00075868936,0.00029003914,0.00062728085,0.00003115503,0.00028476512,0.00038025004],"genre_scores_gemma":[0.99799997,0.000015368933,0.000025348107,0.0008185842,0.000086946406,0.000009955341,0.000008768693,0.000040463696,0.0009946014],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99639815,0.00078542554,0.00024537154,0.0017105583,0.00031374177,0.0005467476],"domain_scores_gemma":[0.997767,0.000050159753,0.0003760074,0.001295333,0.00017626765,0.00033527426],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002747431,0.0005270512,0.0005742074,0.0003000049,0.00067910313,0.00044667796,0.0016060781,0.000257345,0.0000908175],"category_scores_gemma":[0.000100291276,0.00043529825,0.0003497185,0.0008827719,0.00048279983,0.00067111757,0.00077115576,0.00065226085,0.00009394795],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023233207,0.0007639641,0.009612114,0.00045136135,0.00002861469,0.0010849441,0.15179387,0.8075303,0.022328282,0.004809259,0.00021665903,0.0011483132],"study_design_scores_gemma":[0.00034926707,0.00015254131,0.0009174438,0.00024657746,0.00015384165,0.00008182131,0.22639303,0.7698271,0.000767844,0.000117847296,0.00016450991,0.0008281618],"about_ca_topic_score_codex":0.0004110507,"about_ca_topic_score_gemma":0.00015193934,"teacher_disagreement_score":0.07459916,"about_ca_system_score_codex":0.0003028609,"about_ca_system_score_gemma":0.00021899541,"threshold_uncertainty_score":0.99980986},"labels":[],"label_agreement":null},{"id":"W4293030558","doi":"10.3390/e24091175","title":"WikiArtVectors: Style and Color Representations of Artworks for Cultural Analysis via Information Theoretic Measures","year":2022,"lang":"en","type":"article","venue":"Entropy","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Style (visual arts); Computer science; Painting; Divergence (linguistics); Artificial intelligence; Art; Visual arts; Linguistics","score_opus":0.02022223388024226,"score_gpt":0.2898225800360488,"score_spread":0.2696003461558066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293030558","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9446146,0.000017610631,0.053933907,0.00066564407,0.00005149538,0.00022177822,0.00006431754,0.000033833036,0.00039685064],"genre_scores_gemma":[0.9991806,0.000019898285,0.0002557902,0.0002543367,0.000012616904,0.0000706109,0.000034954162,0.0000029545977,0.00016823264],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9992126,0.0001234663,0.0002012049,0.00012698876,0.00023350774,0.00010220492],"domain_scores_gemma":[0.99960196,0.000054120916,0.00012933547,0.0001305176,0.000046020443,0.00003806639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015361622,0.00006013986,0.00013433002,0.00015124725,0.00027483638,0.000035252557,0.00009253177,0.000015209433,0.00048536723],"category_scores_gemma":[0.0001686865,0.000050743405,0.00012821176,0.00056754873,0.000103882645,0.0001827227,0.000042840256,0.000059557402,0.0000044578583],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007228829,0.0005978278,0.021950213,0.000064008425,0.000379593,0.0000044602525,0.037772886,0.09407266,0.54942876,0.26477367,0.0070685786,0.023164429],"study_design_scores_gemma":[0.0029746185,0.0006713535,0.022458648,0.000009011974,0.0023120218,0.00003397733,0.018570807,0.8863451,0.027076084,0.007858059,0.03103015,0.0006601589],"about_ca_topic_score_codex":0.000023824827,"about_ca_topic_score_gemma":0.000005036924,"teacher_disagreement_score":0.79227245,"about_ca_system_score_codex":0.00002435839,"about_ca_system_score_gemma":0.000009731007,"threshold_uncertainty_score":0.53144306},"labels":[],"label_agreement":null},{"id":"W4295038044","doi":"10.1155/2022/2235542","title":"Application and Analysis of Improved Fuzzy Comprehensive Evaluation Method in Goodwill Evaluation and Intangible Asset Management","year":2022,"lang":"en","type":"article","venue":"Computational Intelligence and Neuroscience","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Goodwill; Intangible asset; Computer science; Fuzzy logic; Asset (computer security); Construct (python library); Convolutional neural network; Asset management; Feature (linguistics); Curse of dimensionality; Data mining; Artificial intelligence; Risk analysis (engineering); Business; Finance; Computer security","score_opus":0.09813954082350825,"score_gpt":0.40058466539775633,"score_spread":0.3024451245742481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295038044","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71403384,0.0001549454,0.28445768,0.00033693825,0.000055945144,0.00066564255,0.000028326982,0.000016499656,0.00025018046],"genre_scores_gemma":[0.9970697,0.00017780266,0.001980113,0.00060792424,0.0000029343687,0.0001183033,0.000022988728,0.0000043923483,0.000015810696],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9977072,0.00046562008,0.00033324622,0.0006381407,0.000722903,0.00013291859],"domain_scores_gemma":[0.9993314,0.00016740388,0.00017940813,0.00014109869,0.00012368169,0.00005699934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010704211,0.00011022497,0.00019497851,0.00066947873,0.00025864338,0.00004722497,0.00015265979,0.000019468556,0.000039489234],"category_scores_gemma":[0.00011505074,0.00011367239,0.00003891778,0.0021349257,0.00021181615,0.00018492591,0.0002116795,0.00010311586,6.5909325e-7],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022607031,0.00010605287,0.0028657708,0.000014348779,0.00000712232,0.0000013798883,0.000615653,0.77782255,0.047096837,0.009046182,0.0000035596304,0.16239794],"study_design_scores_gemma":[0.00013782427,0.00007393762,0.07069923,0.0000033888718,0.00017534028,0.000013927719,0.00055377214,0.9163015,0.0008710208,0.011020888,0.00005045726,0.00009869464],"about_ca_topic_score_codex":0.000035056655,"about_ca_topic_score_gemma":0.000008820649,"teacher_disagreement_score":0.2830359,"about_ca_system_score_codex":0.000056222707,"about_ca_system_score_gemma":0.000030461486,"threshold_uncertainty_score":0.46354252},"labels":[],"label_agreement":null},{"id":"W4296499966","doi":"10.1386/tear_00071_1","title":"What happened to the subject? Mediated anticipation in neural painting","year":2021,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Painting; Existentialism; Anticipation (artificial intelligence); Phenomenology (philosophy); Computer science; Natural (archaeology); The arts; Gesture; Cognitive science; Mediation; Subject (documents); Aesthetics; Realization (probability); Visual arts; Psychology; Artificial intelligence; Art; Sociology; Epistemology; History; Philosophy; Mathematics","score_opus":0.04894454385276926,"score_gpt":0.3061425874563493,"score_spread":0.25719804360358006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296499966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97395813,0.000029492772,0.00074780226,0.024476716,0.00013581362,0.00012864801,7.986489e-7,0.00012950337,0.0003931013],"genre_scores_gemma":[0.99498355,0.000051873198,0.000096573975,0.0044147717,0.00002671763,0.000021647129,0.0000030411836,0.000010085102,0.00039175528],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9988958,0.0001037287,0.00021032916,0.00030127208,0.00025439987,0.00023445564],"domain_scores_gemma":[0.99949086,0.00006377683,0.00004665569,0.00031734956,0.00003061831,0.0000507197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029136482,0.000092037895,0.000120649594,0.00011903316,0.00013139179,0.00012468972,0.0001890916,0.000044624798,0.00021316102],"category_scores_gemma":[0.0009836394,0.000070163806,0.000048548438,0.0010128566,0.00006138608,0.00015441366,0.00009929951,0.00013595389,0.00028864678],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015303336,0.00019143253,0.004367847,0.000012283512,0.0000019948282,0.00026882484,0.0052845124,0.00089556194,0.8109259,0.0015101967,0.00064976147,0.17587638],"study_design_scores_gemma":[0.0015950592,0.00020060707,0.059411082,0.0005083292,0.00008484452,0.0002981671,0.016119234,0.3744447,0.5091145,0.0030553443,0.033861645,0.0013065016],"about_ca_topic_score_codex":0.000015818905,"about_ca_topic_score_gemma":0.00022830014,"teacher_disagreement_score":0.3735491,"about_ca_system_score_codex":0.000025434108,"about_ca_system_score_gemma":0.000020771973,"threshold_uncertainty_score":0.37100667},"labels":[],"label_agreement":null},{"id":"W4297821735","doi":"10.32396/usurj.v8i1.650","title":"Digging Up the Past","year":2022,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Digging; Sculpture; Visual arts; Statement (logic); Art; Pillar; Coronavirus disease 2019 (COVID-19); Toll; Point (geometry); Relation (database); History; Art history; Computer science; Archaeology; Engineering; Philosophy; Linguistics","score_opus":0.06178869002084082,"score_gpt":0.3006905530157176,"score_spread":0.2389018629948768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297821735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9185342,0.00005972014,0.0028019727,0.07114725,0.00021329826,0.00017756414,0.00002435722,0.00004742582,0.006994219],"genre_scores_gemma":[0.9816848,0.00029292883,0.00006184843,0.00014515915,0.000050000715,2.4985007e-7,0.0000011855209,0.000010340777,0.017753473],"study_design_codex":"bench_or_experimental","study_design_gemma":"qualitative","domain_scores_codex":[0.99579525,0.0016716892,0.00017081173,0.00025261345,0.0016397752,0.00046984974],"domain_scores_gemma":[0.9990101,0.00019830467,0.00015116426,0.00028602593,0.00015695111,0.00019746239],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002145959,0.0000978393,0.00016325079,0.00039080117,0.0041485704,0.00008807493,0.0011150069,0.000025040463,0.0011748456],"category_scores_gemma":[0.000094321156,0.000083801635,0.00022268639,0.0011129119,0.00074301683,0.00018170217,0.00059208483,0.0013642791,0.00005917808],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016052909,0.0019199055,0.0142673105,0.000093919916,0.0002238237,0.0034679614,0.19358703,0.014428124,0.45813265,0.014154871,0.14825588,0.14986321],"study_design_scores_gemma":[0.002550726,0.0005981867,0.0018387587,0.00004611416,0.00008416567,0.0017336825,0.66130334,0.004465607,0.002028054,0.023885123,0.30096498,0.0005012617],"about_ca_topic_score_codex":0.00035518577,"about_ca_topic_score_gemma":0.00012539899,"teacher_disagreement_score":0.4677163,"about_ca_system_score_codex":0.0002657449,"about_ca_system_score_gemma":0.00038816498,"threshold_uncertainty_score":0.9997382},"labels":[],"label_agreement":null},{"id":"W4304889918","doi":"10.1075/ill.18.06har","title":"Chiastic iconicity","year":2022,"lang":"en","type":"book-chapter","venue":"Iconicity in language and literature","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Iconicity; Reciprocal; Parallelism (grammar); Linguistics; Rhetorical question; Computer science; Psychology; Philosophy","score_opus":0.012856103768191171,"score_gpt":0.24841856096315107,"score_spread":0.23556245719495988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304889918","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21888186,0.011491991,0.000012092251,0.0011113192,0.00037671218,0.00046887682,0.0008489957,0.00020362111,0.76660454],"genre_scores_gemma":[0.61508185,0.0017186614,0.000023210654,0.0038448747,0.00018468326,0.000014913047,0.00013171819,0.000050758597,0.37894934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841434,0.00007766901,0.00029607466,0.0006469091,0.00030244383,0.00026259074],"domain_scores_gemma":[0.9993051,0.000055369837,0.0001351751,0.0003852464,0.000014922938,0.00010414977],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001372888,0.00033594936,0.00042943328,0.00028151556,0.00015091192,0.00015231737,0.00026607703,0.00029982414,0.008729622],"category_scores_gemma":[0.000084091036,0.0003036435,0.00017853333,0.00012864007,0.0001385379,0.00013399553,0.00018071305,0.0012721966,0.0000598393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021890162,0.00036336615,0.00014875452,0.0005168684,0.000047845864,0.010934007,0.07458534,0.00008746596,0.03194031,0.81281894,0.0032808278,0.06505736],"study_design_scores_gemma":[0.0018417136,0.00029291268,0.00024298552,0.00093317754,0.00020584713,0.0011810587,0.0010174951,0.00075689435,0.0006724167,0.0103207445,0.9804486,0.0020861614],"about_ca_topic_score_codex":0.000033378565,"about_ca_topic_score_gemma":0.00005254596,"teacher_disagreement_score":0.9771678,"about_ca_system_score_codex":0.00006879773,"about_ca_system_score_gemma":0.000041613133,"threshold_uncertainty_score":0.9999416},"labels":[],"label_agreement":null},{"id":"W4307337528","doi":"10.1111/nyas.14919","title":"How universal is preference for visual curvature? A systematic review and meta‐analysis","year":2022,"lang":"en","type":"review","venue":"Annals of the New York Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":40,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Agencia Estatal de Investigación; Ministerio de Ciencia e Innovación; European Regional Development Fund; Ministerio de Ciencia, Innovación y Universidades","keywords":"Meta-analysis; Preference; Curvature; Psychology; Mathematics; Medicine; Geometry; Statistics; Internal medicine","score_opus":0.41857940045504566,"score_gpt":0.4322984774743031,"score_spread":0.013719077019257453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307337528","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000023901052,0.9872059,0.00003421257,0.0112351235,0.000016592317,0.0012650402,0.00015398054,0.000012492214,0.00007425524],"genre_scores_gemma":[0.00023419145,0.99152637,0.000083802835,0.0037150667,0.000012565365,0.00007787424,0.0000013432352,0.000010885809,0.0043378794],"study_design_codex":"systematic_review","study_design_gemma":"meta_analysis","domain_scores_codex":[0.9963526,0.0008143419,0.0008119848,0.0007469042,0.00097618304,0.00029796478],"domain_scores_gemma":[0.9970111,0.00051315693,0.0020592161,0.00026074442,0.000033174936,0.00012260787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017382448,0.00036720303,0.0042622057,0.00041695073,0.0003691754,0.00007990538,0.0022627932,0.00015226944,0.0002438596],"category_scores_gemma":[0.00069615437,0.0001940046,0.003199625,0.004130754,0.00083969085,0.00020992578,0.0003521963,0.00034114515,0.0000017692562],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006833019,0.000140876,8.282541e-7,0.9376103,0.018923918,3.8149258e-7,0.0005561329,0.000012330836,0.000029760295,0.006320504,0.014458418,0.021939667],"study_design_scores_gemma":[0.000047495003,0.000097931494,3.900334e-7,0.01381198,0.5718182,0.000012457143,0.00012641013,0.00007494024,0.00008996802,0.00066091126,0.41289914,0.00036017896],"about_ca_topic_score_codex":0.000015124613,"about_ca_topic_score_gemma":0.0000010764463,"teacher_disagreement_score":0.9237984,"about_ca_system_score_codex":0.000010981471,"about_ca_system_score_gemma":0.0001727393,"threshold_uncertainty_score":0.7911278},"labels":[],"label_agreement":null},{"id":"W4308099605","doi":"10.1371/journal.pone.0276840","title":"From art to science: A bibliometric analysis of architectural scholarly production from 1980 to 2015","year":2022,"lang":"en","type":"article","venue":"PLoS ONE","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Dalhousie University; Université de Montréal","funders":"Social Sciences and Humanities Research Council of Canada; Canada Research Chairs","keywords":"Directory; Architecture; Analytics; Bibliometrics; Computer science; Data science; Production (economics); World Wide Web; Sociology; Library science; History","score_opus":0.08053752262728595,"score_gpt":0.3034744203731033,"score_spread":0.22293689774581735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308099605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9948849,0.000018164515,0.0003075664,0.0040377774,0.000071116505,0.00020069581,0.00022603502,0.000057040917,0.00019672094],"genre_scores_gemma":[0.9955959,0.0000065573445,0.002004324,0.0010464115,0.000072156974,0.000050129638,0.000024321886,0.000009731567,0.0011905077],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9965372,0.00015518199,0.0002929194,0.0007703606,0.0019857457,0.0002585897],"domain_scores_gemma":[0.9988373,0.00004410442,0.00011081913,0.0005962056,0.00016671747,0.000244865],"candidate_categories":["bibliometrics","insufficient_payload"],"consensus_categories":["bibliometrics"],"category_scores_codex":[0.0005190385,0.00011417124,0.0003415915,0.060635928,0.00035158364,0.00017857303,0.00066989096,0.000017997318,0.0019558067],"category_scores_gemma":[0.0018635655,0.00011092686,0.00012699954,0.27529278,0.00011762794,0.00033902426,0.0003662451,0.0002152444,0.00028499376],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036574475,0.00059429306,0.005819281,0.000001242719,0.00005771382,0.0000017656808,0.0012426747,0.0016233188,0.9872579,0.000008809021,0.00025251458,0.003103888],"study_design_scores_gemma":[0.0003713829,0.0005482861,0.48290113,0.000032715,0.0022113984,0.0000021257995,0.00096014893,0.010315929,0.50044733,0.00034505574,0.0013013405,0.00056317484],"about_ca_topic_score_codex":0.0005820524,"about_ca_topic_score_gemma":0.000038336588,"teacher_disagreement_score":0.4868106,"about_ca_system_score_codex":0.00012848007,"about_ca_system_score_gemma":0.000069941525,"threshold_uncertainty_score":0.99895656},"labels":[],"label_agreement":null},{"id":"W4311608733","doi":"10.1167/jov.22.14.3308","title":"Scene Contour Junctions Influence Visual Aesthetics","year":2022,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Perception; Natural (archaeology); Object (grammar); Categorization; Illusory contours; Art; Psychology; Artificial intelligence; Computer science; Optical illusion; History","score_opus":0.021778596461566962,"score_gpt":0.3243335313566441,"score_spread":0.3025549348950771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311608733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9966542,0.000034682245,0.0007993302,0.0016835256,0.0003007128,0.000031286334,0.0000022772908,0.000013771413,0.00048019414],"genre_scores_gemma":[0.9974039,0.00009717123,0.00018284164,0.0014827631,0.000055716864,0.0000010941997,2.8842146e-7,0.000007914974,0.0007683097],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985975,0.00018978542,0.0003492979,0.00011677638,0.00062246807,0.0001241483],"domain_scores_gemma":[0.9993681,0.00002172465,0.00031064512,0.00010868496,0.00008948494,0.00010141276],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037598365,0.00007254034,0.00014539303,0.00020053475,0.0003862101,0.00004205926,0.00022917506,0.00002010558,0.0009311195],"category_scores_gemma":[0.00016674392,0.000059859725,0.00015616116,0.00038069824,0.00006150667,0.0001842369,0.00006356217,0.00031367815,0.000047273857],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010253308,0.00053876336,0.00074512983,0.000002611964,0.000002829159,0.00013257867,0.00044472268,0.0066316035,0.9559765,0.00039121386,0.0039591673,0.031072337],"study_design_scores_gemma":[0.0060619246,0.010633986,0.09789155,0.00017436947,0.00033642317,0.010415152,0.004776286,0.046805564,0.03547552,0.002964574,0.78332967,0.0011350071],"about_ca_topic_score_codex":0.000003854734,"about_ca_topic_score_gemma":8.105994e-7,"teacher_disagreement_score":0.920501,"about_ca_system_score_codex":0.00007805138,"about_ca_system_score_gemma":0.00006358338,"threshold_uncertainty_score":0.9999822},"labels":[],"label_agreement":null},{"id":"W4311734802","doi":"10.1167/jov.22.14.3605","title":"Categorization links Perceptual Fluency and Aesthetic Pleasure","year":2022,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Categorization; Pleasure; Fluency; Psychology; Cognitive psychology; Perception; Feeling; Stimulus (psychology); Processing fluency; Social psychology; Computer science; Artificial intelligence","score_opus":0.020996964999641144,"score_gpt":0.2817646221236101,"score_spread":0.26076765712396893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311734802","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9964663,0.00009746413,0.0007614146,0.0021979245,0.00014315458,0.000033424163,0.0000017801423,0.000009911645,0.0002886333],"genre_scores_gemma":[0.9986274,0.00019282495,0.000105651,0.00068552536,0.000042923395,7.620562e-7,7.084187e-7,0.000008143798,0.00033601339],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988127,0.00020648114,0.00026762497,0.00012437087,0.0004936641,0.0000952013],"domain_scores_gemma":[0.99956316,0.000011970537,0.00020540244,0.000086447755,0.000052118172,0.00008090795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033915756,0.00006815027,0.00012896092,0.00016849903,0.0003015226,0.000038920156,0.00014258524,0.00003864687,0.0007880559],"category_scores_gemma":[0.00007992246,0.00005497014,0.0000806372,0.00025110983,0.000051292373,0.00015833075,0.000060351947,0.00040186787,0.000014003851],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011811485,0.0003722574,0.0017064689,0.0000082212,0.0000023667274,0.0001160943,0.0048774937,0.0023416106,0.8375636,0.0009564632,0.002794172,0.14914317],"study_design_scores_gemma":[0.014581081,0.022617914,0.29459432,0.0003426282,0.00085926603,0.041967373,0.03400014,0.11511334,0.0111693535,0.019537356,0.44222757,0.0029896698],"about_ca_topic_score_codex":0.0000026381942,"about_ca_topic_score_gemma":3.934811e-7,"teacher_disagreement_score":0.8263942,"about_ca_system_score_codex":0.000046086832,"about_ca_system_score_gemma":0.000038201593,"threshold_uncertainty_score":0.8628659},"labels":[],"label_agreement":null},{"id":"W4311804690","doi":"10.1167/jov.22.14.4020","title":"How do perceptual grouping cues affect image memorability?","year":2022,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Perception; Artificial intelligence; Curvature; Symmetry (geometry); Image (mathematics); Computer science; Popularity; Psychology; Affect (linguistics); Computer vision; Local symmetry; Cognitive psychology; Mathematics; Pattern recognition (psychology); Communication; Social psychology; Physics; Geometry","score_opus":0.028008290721266628,"score_gpt":0.312066663357165,"score_spread":0.28405837263589834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311804690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9938129,0.000056349796,0.0011019525,0.004249484,0.00024572483,0.00004767327,0.000003293345,0.000017019904,0.00046558896],"genre_scores_gemma":[0.9982883,0.00007449321,0.0004768013,0.00046822074,0.00011960159,0.0000011405521,4.1323887e-7,0.000010496399,0.0005605574],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820864,0.00045246765,0.0002609071,0.00018561858,0.0007388262,0.00015356649],"domain_scores_gemma":[0.9993462,0.000059053946,0.00026963366,0.00017029882,0.000057024394,0.00009779382],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007814376,0.00009621307,0.00021645715,0.00020059444,0.00035666913,0.00016548678,0.00031053537,0.000021788655,0.0013861833],"category_scores_gemma":[0.00037258593,0.00007448931,0.00028548695,0.00032212466,0.00009220018,0.0004517745,0.00014522762,0.00036578524,0.000019324758],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054592445,0.0001801087,0.0003194952,0.0000057537673,0.0000018874509,0.0000877477,0.0010636585,0.00010002382,0.96975297,0.00006452841,0.001847584,0.026521659],"study_design_scores_gemma":[0.015158622,0.026314871,0.25948817,0.00070563215,0.0010143247,0.01856567,0.13240081,0.04346143,0.12072367,0.01198698,0.3659968,0.0041830037],"about_ca_topic_score_codex":0.0000017753312,"about_ca_topic_score_gemma":4.615287e-7,"teacher_disagreement_score":0.8490293,"about_ca_system_score_codex":0.00010997371,"about_ca_system_score_gemma":0.000029534278,"threshold_uncertainty_score":0.9995267},"labels":[],"label_agreement":null},{"id":"W4311947843","doi":"10.31234/osf.io/58w36","title":"Absorption relates to individual differences in visual face pareidolia","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Psychology; Openness to experience; Personality; Face perception; Extraversion and introversion; Categorization; Association (psychology); Absorption (acoustics); Cognitive psychology; Set (abstract data type); Face (sociological concept); Big Five personality traits; Perception; Social psychology; Mood; Developmental psychology; Artificial intelligence; Computer science; Optics","score_opus":0.08645703330459853,"score_gpt":0.3370738091153472,"score_spread":0.25061677581074865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311947843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99342775,0.000012984998,0.000710993,0.001450424,0.00026507807,0.0002615196,0.00004169891,0.0001311463,0.0036984184],"genre_scores_gemma":[0.9914818,0.000120292505,0.00012854674,0.0014445896,0.000034916557,0.000119193246,0.00003466657,0.000016072094,0.006619929],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9976291,0.000300229,0.00037353043,0.00081345096,0.00060523394,0.00027847834],"domain_scores_gemma":[0.9994122,0.0000451943,0.00011583046,0.00029571957,0.000012291385,0.000118792006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027261087,0.0002408451,0.0003379373,0.00041459932,0.00012139182,0.00014354111,0.00060081633,0.00015729775,0.008358963],"category_scores_gemma":[0.00016652663,0.0002142864,0.00013575502,0.00044886916,0.000057572313,0.0000599916,0.0012736428,0.0007335158,0.00043281977],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040337763,0.0045323097,0.5996702,0.00034111706,0.00008533257,0.0003872632,0.06526817,0.047805037,0.1304425,0.015512375,0.014400097,0.121152245],"study_design_scores_gemma":[0.001140318,0.00059189537,0.93015176,0.00025022906,0.00017591132,0.000027847515,0.012390149,0.030006543,0.0051545817,0.0080701085,0.009136138,0.0029045015],"about_ca_topic_score_codex":0.00023584682,"about_ca_topic_score_gemma":0.00008452969,"teacher_disagreement_score":0.3304816,"about_ca_system_score_codex":0.00009901335,"about_ca_system_score_gemma":0.00005802437,"threshold_uncertainty_score":0.9925475},"labels":[],"label_agreement":null},{"id":"W4312594365","doi":"10.1007/978-3-031-11420-5_6","title":"Locating Meaning in Contemporary Art: How Artists Conceptualize the Aesthetic Experience","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Meaning (existential); Aesthetics; Art; Aesthetic experience; Modalities; Visual arts; Contemporary art; Sociology; Epistemology; Performance art; Philosophy; Art history; Social science","score_opus":0.11325684499519682,"score_gpt":0.2942142942311764,"score_spread":0.18095744923597956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312594365","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013729777,0.00018865615,0.00024974023,0.0038479078,0.00013912273,0.00031141142,0.0000093136,0.0001305707,0.9937503],"genre_scores_gemma":[0.5610345,0.000078053126,0.00002478935,0.002956833,0.000020738806,0.000043930086,0.000006444341,0.000034588935,0.43580014],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976217,0.00017923355,0.00044301857,0.00075415266,0.00070254074,0.00029936587],"domain_scores_gemma":[0.9988613,0.00008487526,0.0003137794,0.0006195244,0.000026414858,0.00009410723],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028536576,0.0003542846,0.00041242052,0.00016242864,0.00034789843,0.00013834806,0.0006680168,0.00011656508,0.011476137],"category_scores_gemma":[0.00011954489,0.00026382724,0.00021028571,0.00015258751,0.000667421,0.00017316341,0.00026478642,0.000665207,0.000417983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024530613,0.000058374397,0.00007695141,0.000018398863,0.0000039567317,0.00047274408,0.017402666,0.00011595775,0.003657635,0.9520201,0.008571529,0.017577177],"study_design_scores_gemma":[0.00037359432,0.00008143521,0.00000845013,0.00009961019,0.000018098495,0.00022356809,0.0048361085,0.0016988904,0.00029006368,0.0034486845,0.9882451,0.00067635067],"about_ca_topic_score_codex":0.00003199089,"about_ca_topic_score_gemma":0.000043724427,"teacher_disagreement_score":0.9796736,"about_ca_system_score_codex":0.00011227435,"about_ca_system_score_gemma":0.000106627835,"threshold_uncertainty_score":0.9999814},"labels":[],"label_agreement":null},{"id":"W4313453806","doi":"10.1007/s12124-022-09748-7","title":"Art Value Creation and Destruction","year":2023,"lang":"en","type":"article","venue":"Integrative Psychological and Behavioral Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Value (mathematics); Valuation (finance); Epistemology; Probabilistic logic; Perception; State (computer science); Work of art; Scope (computer science); Painting; Psychology; Meaning (existential); Sociology; Social psychology; Cognitive science; Computer science; Aesthetics; Economics; Philosophy; Art; Visual arts","score_opus":0.11374896078378947,"score_gpt":0.43266103394218636,"score_spread":0.31891207315839687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313453806","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99534726,0.0000036907838,0.0004482519,0.0008092917,0.00008007596,0.00006946824,0.000003487029,0.00009922314,0.0031392341],"genre_scores_gemma":[0.9979847,0.00009988529,0.0002765623,0.0002875572,0.000013309398,0.000011353299,0.000001350597,0.0000021068695,0.0013231952],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99893457,0.000059009242,0.000110960114,0.00047646152,0.00023417,0.00018483914],"domain_scores_gemma":[0.9997093,0.000017709897,0.000035406138,0.00008620819,0.000033252818,0.000118108575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023156896,0.000092140195,0.00009430351,0.00012716472,0.00034132018,0.000113423856,0.00012120183,0.00004174952,0.00014304416],"category_scores_gemma":[0.0001181837,0.000055089524,0.000026100151,0.0010220967,0.0016018609,0.00024955982,0.00005351161,0.000112678485,0.00014368062],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012726784,0.00008857283,0.005716893,6.1183323e-7,1.3521735e-7,0.000010857243,0.0004552416,0.0000016752874,0.8208403,0.00991332,0.00016888116,0.16279079],"study_design_scores_gemma":[0.0005006888,0.0012068795,0.9363984,0.00003543737,0.000029738949,0.00028543838,0.0022413384,0.0038320243,0.028902184,0.023325898,0.002777976,0.00046400575],"about_ca_topic_score_codex":0.000013583141,"about_ca_topic_score_gemma":0.0000033545293,"teacher_disagreement_score":0.9306815,"about_ca_system_score_codex":0.000016802253,"about_ca_system_score_gemma":0.0000062444874,"threshold_uncertainty_score":0.5902123},"labels":[],"label_agreement":null},{"id":"W4318814584","doi":"10.18192/cjcs.vi10.6612","title":"The “New” in Science and Art","year":2023,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Positivism; Novelty; Epistemology; The arts; Pluralism (philosophy); Sociology; Creativity; Human science; Scientism; Aesthetics; Philosophy; Psychology; Law; Social psychology; Political science","score_opus":0.06768996361355752,"score_gpt":0.3387718574316746,"score_spread":0.2710818938181171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318814584","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9069058,0.00095491717,0.00021505106,0.089601666,0.0004533203,0.00011650655,0.0000011271493,0.000018924195,0.0017327127],"genre_scores_gemma":[0.9868489,0.009023586,0.000013716246,0.00038667073,0.0000338889,7.366017e-7,1.9010166e-8,0.0000024225048,0.0036900712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991739,0.000079599646,0.00019978663,0.00006697476,0.00035275603,0.00012700919],"domain_scores_gemma":[0.999254,0.00031990896,0.00011825948,0.00010930665,0.00015555779,0.000042975822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015028566,0.000047898026,0.00008930698,0.0001700786,0.00063188164,0.00004915908,0.0002511934,0.000008281433,0.000007682686],"category_scores_gemma":[0.0017026344,0.000023620258,0.000028084807,0.0011538697,0.0010337987,0.0001344026,0.00007158416,0.000104046034,0.000074948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016831185,0.00010812219,0.0091217505,0.000029440087,0.0001026903,0.000104294886,0.25798777,0.0020918187,0.20075008,0.022090863,0.3630001,0.14444476],"study_design_scores_gemma":[0.0023490652,0.0003310048,0.08215221,0.00019114488,0.0002841421,0.00043814912,0.32347304,0.008537273,0.017722493,0.020321958,0.54369366,0.0005058253],"about_ca_topic_score_codex":0.000001713112,"about_ca_topic_score_gemma":0.000029915565,"teacher_disagreement_score":0.1830276,"about_ca_system_score_codex":0.00004583628,"about_ca_system_score_gemma":0.00011825799,"threshold_uncertainty_score":0.48599866},"labels":[],"label_agreement":null},{"id":"W4319834544","doi":"10.1002/cb.2133","title":"The logo ‘visual thickness effect’: When and why it boosts brand personality","year":2023,"lang":"en","type":"article","venue":"Journal of Consumer Behaviour","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Logos Bible Software; Psychology; Perception; Salience (neuroscience); Logo (programming language); Personality; Cognitive psychology; Explanatory power; Visual perception; Stimulus (psychology); Social psychology; Advertising; Computer science; Business","score_opus":0.036492949278545246,"score_gpt":0.32880771308548534,"score_spread":0.2923147638069401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319834544","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99230736,0.00019699785,0.000113276,0.006933298,0.00022896798,0.00007520617,0.000005950733,0.000022814163,0.0001161301],"genre_scores_gemma":[0.997189,0.00061001413,0.000014084851,0.0010551546,0.00005755611,0.000002772719,5.632226e-7,0.000012302115,0.001058541],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99824846,0.00043908012,0.0003649815,0.0001758603,0.0005333896,0.00023824524],"domain_scores_gemma":[0.99902403,0.0003224439,0.0002510808,0.00014191089,0.00009858753,0.00016191941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012517626,0.00013632655,0.00025729687,0.00011657236,0.00040080413,0.00016699509,0.00024340497,0.000068946596,0.00018966032],"category_scores_gemma":[0.0004062237,0.00008292525,0.00018397806,0.00022743143,0.00032271416,0.00016701264,0.00006514042,0.00034373332,0.00007799972],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005595367,0.0002657289,0.67810726,0.00004693041,0.000061838335,0.00075767783,0.004822878,0.000009124879,0.13333477,0.0002013351,0.054280546,0.12755236],"study_design_scores_gemma":[0.005417703,0.0008724167,0.88572973,0.00024511566,0.001146015,0.00421961,0.0018360359,0.0011761679,0.011040151,0.001277213,0.08619446,0.0008454043],"about_ca_topic_score_codex":0.000026373364,"about_ca_topic_score_gemma":0.000026090464,"teacher_disagreement_score":0.20762242,"about_ca_system_score_codex":0.000022245818,"about_ca_system_score_gemma":0.00005560019,"threshold_uncertainty_score":0.33815935},"labels":[],"label_agreement":null},{"id":"W4321231549","doi":"10.1007/s10670-023-00663-w","title":"Are There “Aesthetic” Judgments?","year":2023,"lang":"en","type":"article","venue":"Erkenntnis","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Premise; Argument (complex analysis); Subject (documents); Epistemology; Aesthetics; Ontology; Philosophy; Psychology; Computer science","score_opus":0.07049591807797442,"score_gpt":0.30303153616032674,"score_spread":0.23253561808235232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321231549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9700076,0.000017623453,0.00012913937,0.005280036,0.00016965132,0.000083082654,0.000014493807,0.00052337575,0.023775019],"genre_scores_gemma":[0.96984327,0.00011897903,0.000024612533,0.0024655932,0.000040807307,0.000016182741,0.0000028791142,0.000020573236,0.027467098],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988708,0.00008386711,0.00014412458,0.00032717982,0.00029133155,0.0002827122],"domain_scores_gemma":[0.9994601,0.000014526447,0.00008989449,0.0003226994,0.000014924029,0.00009788121],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012466345,0.0001161705,0.00013445865,0.00011998196,0.00019656026,0.000055964018,0.0002501406,0.000048709575,0.00213647],"category_scores_gemma":[0.00009276617,0.00009771633,0.00011941214,0.00070320116,0.00009332096,0.000076667515,0.00007174618,0.00010466161,0.010400436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078201316,0.0007317913,0.033867907,0.00005804359,0.000017661763,0.0021022288,0.0032663455,0.00082164037,0.3212158,0.013886156,0.39637664,0.22757758],"study_design_scores_gemma":[0.0012678726,0.00012508343,0.07108584,0.0000889776,0.00006861874,0.00014153757,0.0028939159,0.010128529,0.021575665,0.005893732,0.8856954,0.0010347975],"about_ca_topic_score_codex":0.000007866227,"about_ca_topic_score_gemma":0.0000060421125,"teacher_disagreement_score":0.4893188,"about_ca_system_score_codex":0.000019666613,"about_ca_system_score_gemma":0.000009712053,"threshold_uncertainty_score":0.9987757},"labels":[],"label_agreement":null},{"id":"W4321239517","doi":"10.5539/nct.v8n1p1","title":"Analyzing Out-of-Domain Generalization Performance of Pre-Trained Segmentation Models","year":2023,"lang":"en","type":"article","venue":"Network and Communication Technologies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Artificial intelligence; Computer science; Object (grammar); Similarity (geometry); Computer vision; Generalization; Segmentation; Pattern recognition (psychology); Object detection; Image (mathematics); Pixel; Feature (linguistics); Cognitive neuroscience of visual object recognition; Artificial neural network; Mathematics","score_opus":0.043978845909332126,"score_gpt":0.29113546934710816,"score_spread":0.24715662343777603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321239517","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98337245,0.00023144434,0.014993953,0.0005525075,0.000016119016,0.00009797122,0.000002132931,0.00034624233,0.00038718616],"genre_scores_gemma":[0.98362154,0.012334027,0.0038929856,0.000021365846,0.000003618795,0.00002081707,0.00001789455,0.000005367152,0.000082415056],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99934614,0.000079732024,0.00024288688,0.00012343387,0.000106638596,0.00010115768],"domain_scores_gemma":[0.99934626,0.00003585652,0.00018612736,0.0003866523,0.000036159847,0.000008948507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000222331,0.00006583853,0.00012825287,0.00013595374,0.00016729668,0.000011662916,0.0002711787,0.000063286796,0.0000053899203],"category_scores_gemma":[0.000038409198,0.00006006832,0.000026776748,0.0007586144,0.00024181521,0.00014359916,0.00014838025,0.00006746635,0.0000022091],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006740022,0.00008889959,0.0115887,0.00009736055,0.000016622109,3.5507193e-7,0.004059984,0.1663713,0.3973341,0.061695464,0.0006346064,0.3580452],"study_design_scores_gemma":[0.00041616167,0.0001526224,0.0048105996,0.00013518664,0.00003931223,0.000001704083,0.0034596827,0.86778796,0.0716649,0.050957333,0.00034322555,0.00023131557],"about_ca_topic_score_codex":0.0000042028887,"about_ca_topic_score_gemma":0.0000054665043,"teacher_disagreement_score":0.7014167,"about_ca_system_score_codex":0.000009172826,"about_ca_system_score_gemma":0.000007314585,"threshold_uncertainty_score":0.2449515},"labels":[],"label_agreement":null},{"id":"W4321440520","doi":"10.1007/978-3-031-14724-1_1","title":"Brain Research and Art?—A Short History of Neurological Research and Creative Expression","year":2023,"lang":"en","type":"book-chapter","venue":"Current clinical neurology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Creativity; Psychology; Beauty; Expression (computer science); Perception; Perspective (graphical); Cognitive science; Aesthetics; Neuroscience; Visual arts; Art; Social psychology; Computer science","score_opus":0.5908773688732221,"score_gpt":0.52104502403465,"score_spread":0.06983234483857204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321440520","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43221664,0.0028442817,0.00005745893,0.023407752,0.005040572,0.0024361503,0.00021049372,0.00045472567,0.53333193],"genre_scores_gemma":[0.11598592,0.026895327,0.000019501618,0.0025338263,0.0007834264,0.00007638725,0.000046124165,0.00017053485,0.8534889],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99340874,0.0021598844,0.0010218194,0.0018078337,0.001013355,0.0005883918],"domain_scores_gemma":[0.992948,0.005512443,0.0001905492,0.0006682981,0.00028595424,0.00039473397],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.003588066,0.00031200846,0.0009101842,0.00069185335,0.00018336941,0.000022154893,0.00052968715,0.00078839425,0.00078700343],"category_scores_gemma":[0.005437805,0.00026110158,0.00019563075,0.00015181891,0.008378566,0.00005503415,0.0013525219,0.004770513,0.0003283271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0043264925,0.0022240363,0.008742786,0.0003724414,0.000034617842,0.001452053,0.00064841454,0.000003385585,0.012736542,0.19740818,0.6104299,0.16162115],"study_design_scores_gemma":[0.00051782833,0.006393286,0.0050455374,0.00010322732,0.000027874945,0.000052943557,0.000007485736,0.0003638865,0.00001907517,0.039831698,0.9473407,0.00029641925],"about_ca_topic_score_codex":0.0000019242593,"about_ca_topic_score_gemma":0.0000054953184,"teacher_disagreement_score":0.33691084,"about_ca_system_score_codex":0.000027474745,"about_ca_system_score_gemma":0.00015540571,"threshold_uncertainty_score":0.99998415},"labels":[],"label_agreement":null},{"id":"W4322216831","doi":"10.5539/ijps.v15n1p52","title":"Do Massed Presentations Make People Like Paintings More Than Spaced Presentations?","year":2023,"lang":"en","type":"article","venue":"International Journal of Psychological Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Set (abstract data type); Psychology; Object (grammar); Visual arts; Art; Artificial intelligence; Computer science","score_opus":0.15737407188358377,"score_gpt":0.4648932456407952,"score_spread":0.30751917375721144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322216831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9671832,0.00008125864,0.0010268895,0.028805088,0.0010774434,0.00008996483,0.000011738874,0.00007502701,0.0016494003],"genre_scores_gemma":[0.9944992,0.0012057374,0.00030815264,0.001271605,0.0002779054,0.000014536494,0.0000039176603,0.000009714709,0.0024092055],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979798,0.0001774407,0.00050036085,0.00026659167,0.0008717273,0.00020404102],"domain_scores_gemma":[0.99868727,0.0002938822,0.0003661887,0.00012673656,0.00043451873,0.000091428556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038888736,0.00013723639,0.0002497459,0.0003212745,0.00017654091,0.00012036176,0.000546056,0.000049664428,0.0003272728],"category_scores_gemma":[0.0014846781,0.00009719054,0.00027022525,0.00061067916,0.00020775494,0.00016519811,0.00014424624,0.00021730582,0.00018498824],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074861484,0.0023067608,0.4689707,0.00003446623,0.00079027156,0.001413286,0.028560577,0.0038714297,0.1238561,0.009312034,0.31991205,0.04022373],"study_design_scores_gemma":[0.0022337905,0.00033225102,0.9409268,0.00008125144,0.00011033137,0.0003892854,0.020120641,0.0007567659,0.0009536539,0.009875366,0.02383092,0.00038896102],"about_ca_topic_score_codex":0.000005618911,"about_ca_topic_score_gemma":0.0000161253,"teacher_disagreement_score":0.4719561,"about_ca_system_score_codex":0.0000317631,"about_ca_system_score_gemma":0.000011312685,"threshold_uncertainty_score":0.39633152},"labels":[],"label_agreement":null},{"id":"W4322630285","doi":"10.56397/as.2023.02.11","title":"The Impact of Authorship on Aesthetic Appreciation: A Study Comparing Human and AI-Generated Artworks","year":2023,"lang":"en","type":"article","venue":"Art and Society","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Creativity; Psychology; Cognition; Aesthetics; Intellectual property; Art; Computer science; Social psychology","score_opus":0.07603210906490776,"score_gpt":0.35834642021966,"score_spread":0.28231431115475225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322630285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9989282,0.000007735279,0.000017505852,0.00036506186,0.000014867816,0.00009436512,9.2645615e-7,0.00004137816,0.0005299972],"genre_scores_gemma":[0.99893725,0.000071557246,0.0000026272057,0.00011432323,0.000016217846,0.0000063848393,0.0000025945517,0.0000053165263,0.00084370765],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99932915,0.000111657035,0.00012560372,0.00016815153,0.00013385834,0.00013158422],"domain_scores_gemma":[0.999731,0.000032912278,0.00004597203,0.00012344032,0.00001645942,0.000050215654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037544643,0.00007425679,0.00011822833,0.000018589863,0.00056673295,0.00007124509,0.00006388991,0.00003265947,0.000011713164],"category_scores_gemma":[0.000018354784,0.000046931844,0.00009384263,0.00030238836,0.00012717924,0.00003563011,0.00003824576,0.000115968425,0.000015057759],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010140478,0.0012730884,0.65683967,0.000026085083,0.0001218141,0.000013767129,0.14275244,0.0066160625,0.088848464,0.009408695,0.06375473,0.030243754],"study_design_scores_gemma":[0.0014052447,0.00074404146,0.7893953,0.000026090931,0.00006465854,0.000010391977,0.007279699,0.19738133,0.00047513406,0.0021421462,0.0007660894,0.00030988746],"about_ca_topic_score_codex":0.000015860674,"about_ca_topic_score_gemma":0.00001294967,"teacher_disagreement_score":0.19076528,"about_ca_system_score_codex":0.000011326341,"about_ca_system_score_gemma":0.0000080310165,"threshold_uncertainty_score":0.4358909},"labels":[],"label_agreement":null},{"id":"W4323266732","doi":"10.31234/osf.io/f9upm","title":"Humans vs. AI: Whether and why we prefer human-created compared to AI-created artwork","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Sheridan College; University of Waterloo","funders":"National Science Foundation","keywords":"Psychology; Creativity; Painting; Beauty; Aesthetics; Skepticism; Social psychology; Cognitive psychology; Art; Visual arts; Epistemology","score_opus":0.12018294385338837,"score_gpt":0.3564035950776429,"score_spread":0.23622065122425454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323266732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92142326,0.000062998035,0.00637947,0.036745958,0.0005923084,0.0017961226,0.00017107406,0.002785529,0.030043304],"genre_scores_gemma":[0.8985855,0.00023402483,0.0001710652,0.013613071,0.00011843307,0.00012673152,0.00009274498,0.00010725174,0.08695116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963265,0.00035101135,0.0006204777,0.0015884717,0.0005570496,0.0005565132],"domain_scores_gemma":[0.99823594,0.0000451563,0.0001505386,0.001069739,0.00012764316,0.00037101004],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002638294,0.0005769122,0.0008210716,0.00048181423,0.00040459508,0.00043417964,0.00064703054,0.00036485665,0.0051425565],"category_scores_gemma":[0.000082214334,0.0004940311,0.00026436042,0.0006646983,0.00025471873,0.00009118514,0.0009758372,0.00080270774,0.0017589155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043192506,0.0010911756,0.014242621,0.00037760416,0.00023053578,0.0002242514,0.009521152,0.010525,0.2655839,0.006783678,0.68843573,0.0025523882],"study_design_scores_gemma":[0.007923036,0.001147806,0.10796881,0.0044165556,0.0023874317,0.00010543405,0.0027326474,0.055752855,0.035653803,0.038670015,0.7314012,0.011840414],"about_ca_topic_score_codex":0.00087636494,"about_ca_topic_score_gemma":0.0008714036,"teacher_disagreement_score":0.2299301,"about_ca_system_score_codex":0.0000834196,"about_ca_system_score_gemma":0.00004782332,"threshold_uncertainty_score":0.99975115},"labels":[],"label_agreement":null},{"id":"W4362522580","doi":"10.1167/jov.23.4.1","title":"Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists","year":2023,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Natural Sciences and Engineering Research Council of Canada; Shastri Indo-Canadian Institute","keywords":"Sadness; Anger; Disgust; Line drawings; Psychology; Feeling; Set (abstract data type); Inpainting; Connotation; Cognitive psychology; Art; Visual arts; Aesthetics; Social psychology; Artificial intelligence; Computer science; Linguistics; Image (mathematics)","score_opus":0.020415677253892886,"score_gpt":0.3384201498591916,"score_spread":0.31800447260529874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362522580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9951081,0.000018372832,0.0003523518,0.004089243,0.00016635619,0.00004276882,0.000009558555,0.000015742065,0.00019747173],"genre_scores_gemma":[0.9977668,0.00060743623,0.000034589935,0.00051059737,0.000063973675,9.1656216e-7,0.0000022018023,0.000010178947,0.0010033255],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987947,0.000055036602,0.0004064362,0.00019094758,0.00038764178,0.00016523612],"domain_scores_gemma":[0.99950004,0.000029841485,0.00021334016,0.00009682017,0.000040083218,0.00011986324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028213172,0.000097330994,0.00017922622,0.000310592,0.000115151015,0.00007505976,0.00008749939,0.00007118131,0.000463637],"category_scores_gemma":[0.000070886905,0.00008249875,0.00009509217,0.00045427374,0.000045870795,0.00033581833,0.00003178964,0.00020095253,0.0003057541],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053408556,0.00022221597,0.003812029,0.000012022343,0.0000036361723,0.00012645627,0.0011901645,0.000109206965,0.8380934,0.0000043928235,0.122531936,0.03384112],"study_design_scores_gemma":[0.0015354153,0.0005465505,0.91420627,0.00031052422,0.00004901009,0.0004204022,0.000649013,0.024423294,0.029652676,0.00028682253,0.027599912,0.00032012106],"about_ca_topic_score_codex":0.000009184059,"about_ca_topic_score_gemma":0.000009408715,"teacher_disagreement_score":0.91039425,"about_ca_system_score_codex":0.000054716238,"about_ca_system_score_gemma":0.000022970939,"threshold_uncertainty_score":0.50765},"labels":[],"label_agreement":null},{"id":"W4362589316","doi":"10.1162/leon_r_02389","title":"Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology","year":2023,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fields Institute for Research in Mathematical Sciences","funders":"","keywords":"Icon; Citation; Bricolage; Computer science; Download; Search engine optimization; World Wide Web; Information retrieval; Library science; Art; Search engine; Visual arts","score_opus":0.05256254912935752,"score_gpt":0.31153174851469956,"score_spread":0.258969199385342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362589316","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96431285,0.00036504833,0.00028591248,0.031430647,0.00008877374,0.00023035388,0.000039984498,0.0003150139,0.0029314277],"genre_scores_gemma":[0.98647636,0.00063900644,0.0009303177,0.0008719901,0.000022119355,0.000016381302,0.000007204913,0.000013823169,0.011022788],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890643,0.0000607236,0.00016383779,0.00048551778,0.00014537077,0.00023813329],"domain_scores_gemma":[0.99947673,0.000022737062,0.00002772563,0.00041530663,0.000011541043,0.000045970297],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020877997,0.00008862057,0.00013390966,0.00033967258,0.00009180012,0.000048138016,0.0002737574,0.00005289866,0.00022310569],"category_scores_gemma":[0.00032069482,0.00009031178,0.000019854318,0.0009985594,0.00013844353,0.00014994647,0.00035428375,0.000107859494,0.0010096104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004622543,0.00010729099,0.020986065,0.00008175273,0.0000016586063,0.0004885521,0.0011801888,0.000025026222,0.5570365,0.0032173635,0.054035705,0.36279365],"study_design_scores_gemma":[0.0015158716,0.00033452662,0.31188577,0.00034046665,0.000031481704,0.00016900017,0.004935515,0.04758534,0.0053779385,0.004661607,0.62222666,0.00093586306],"about_ca_topic_score_codex":0.000023477694,"about_ca_topic_score_gemma":0.00013316018,"teacher_disagreement_score":0.56819093,"about_ca_system_score_codex":0.000018605639,"about_ca_system_score_gemma":0.000009622816,"threshold_uncertainty_score":0.9997682},"labels":[],"label_agreement":null},{"id":"W4362718560","doi":"10.1016/j.foodqual.2023.104874","title":"What’s in the box? Preference for leftward plating of food in bentos","year":2023,"lang":"en","type":"article","venue":"Food Quality and Preference","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Reading (process); Psychology; Preference; Plating (geology); Order (exchange); Advertising; Aesthetics; Mathematics; Linguistics; Art; Business; Statistics; Physics","score_opus":0.44192741911862476,"score_gpt":0.3856692995858965,"score_spread":0.056258119532728246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362718560","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9979543,0.000050950137,0.00032647653,0.0008943023,0.000053424184,0.00030065724,0.000057408193,0.000029693347,0.00033279514],"genre_scores_gemma":[0.99904716,0.00030978053,0.00007828351,0.00038450427,0.000010760495,0.00007166046,0.000008549933,0.0000051844127,0.000084092404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9983433,0.00038921746,0.00042377846,0.00034180222,0.00026372782,0.0002381761],"domain_scores_gemma":[0.9990803,0.0004830153,0.00013073985,0.00024746385,0.000022644128,0.000035852194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010945485,0.00011177912,0.00022865798,0.00012832003,0.00008377727,0.00007155095,0.00030401142,0.00007089064,0.000023264329],"category_scores_gemma":[0.0006295116,0.000084666906,0.000057061152,0.0005789702,0.000103327795,0.0002696514,0.000073752584,0.00016555155,0.0000063713533],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009826384,0.001324504,0.06623066,0.0018940619,0.00003309708,0.0000076647175,0.26572323,0.0011791118,0.18570319,0.268236,0.00038432563,0.2083015],"study_design_scores_gemma":[0.0052716313,0.004675164,0.6345093,0.0013223505,0.00007307428,0.000013402469,0.049739216,0.01045261,0.07180825,0.21809082,0.002618492,0.0014256784],"about_ca_topic_score_codex":0.00004681895,"about_ca_topic_score_gemma":0.0009939873,"teacher_disagreement_score":0.5682787,"about_ca_system_score_codex":0.0000098394175,"about_ca_system_score_gemma":0.000030948355,"threshold_uncertainty_score":0.3452616},"labels":[],"label_agreement":null},{"id":"W4366992143","doi":"10.2224/sbp.12173","title":"Perception of emotion in the facial expressions and body language of athletes","year":2023,"lang":"en","type":"article","venue":"Social Behavior and Personality An International Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Women and Children’s Health Research Institute; University of Alberta","funders":"","keywords":"Psychology; Body language; Perception; Facial expression; Face (sociological concept); Emotion perception; Face perception; Context (archaeology); Arousal; Mood; Cognitive psychology; Emotional expression; Social psychology; Communication; Linguistics","score_opus":0.06804189287689398,"score_gpt":0.385869787741663,"score_spread":0.317827894864769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366992143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9989957,0.000004352118,0.000016628434,0.0006669777,0.000067539426,0.00004019454,0.00007004142,0.0000064934707,0.00013206733],"genre_scores_gemma":[0.9995429,0.00014881878,0.00001543379,0.000101478996,0.00012496946,0.0000032970856,0.00001010429,0.000002900593,0.000050085764],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9989632,0.0002110618,0.0001856814,0.000103569095,0.00046133966,0.00007516867],"domain_scores_gemma":[0.9997438,0.000026076543,0.00009930317,0.000034869074,0.00006594394,0.000029991532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047001915,0.00005338268,0.00009194073,0.00011699191,0.00015782898,0.000044360648,0.00014392333,0.000043479784,0.00022497174],"category_scores_gemma":[0.00008167267,0.000040393887,0.000069842776,0.00012228837,0.00018302153,0.00017799252,0.000026413316,0.00014269775,0.0000015619946],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045077002,0.00021664576,0.10070656,0.0000061992673,0.0000034806008,0.0000224881,0.08546544,0.0000016707611,0.7552379,0.0011236109,0.000043691947,0.05712725],"study_design_scores_gemma":[0.00029524093,0.000049552942,0.9621877,0.000016461949,0.000019818475,0.000050303097,0.036556866,0.00013639391,0.0003364386,0.0002482246,0.00005237775,0.00005061019],"about_ca_topic_score_codex":0.00015389286,"about_ca_topic_score_gemma":0.00002125939,"teacher_disagreement_score":0.86148113,"about_ca_system_score_codex":0.000018815577,"about_ca_system_score_gemma":0.000018261495,"threshold_uncertainty_score":0.24632828},"labels":[],"label_agreement":null},{"id":"W4378800411","doi":"10.1017/s0012217323000070","title":"The Perniciousness of Higher-Order Evidence on Aesthetic Appreciation","year":2023,"lang":"en","type":"article","venue":"Dialogue","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Pleasure; Object (grammar); Sign (mathematics); Aesthetics; Order (exchange); Position (finance); Epistemology; Psychology; Philosophy; Economics; Mathematics; Linguistics","score_opus":0.07854404439893865,"score_gpt":0.3251120799774258,"score_spread":0.24656803557848717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378800411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98989284,0.000039839266,0.00016458084,0.0066548157,0.0003587254,0.0001303003,0.0000074759027,0.0001326416,0.0026187762],"genre_scores_gemma":[0.9958915,0.00042425233,0.000004645151,0.00056523195,0.00003714926,0.000019584384,0.0000038366957,0.000009237777,0.0030445738],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989833,0.00017273836,0.00016641195,0.00020605103,0.00030575207,0.00016569898],"domain_scores_gemma":[0.99934745,0.00020315895,0.00008328169,0.0002937661,0.00003898109,0.000033356944],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027827104,0.00007581673,0.00010281519,0.000068178015,0.00019481409,0.000028629365,0.00026164905,0.000038461985,0.00007371367],"category_scores_gemma":[0.000477505,0.00005008158,0.00007289767,0.00068690954,0.0001459229,0.000054780056,0.000037331927,0.000080482,0.0010036093],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024017297,0.0004691764,0.0052668694,0.000056088367,0.000010702211,0.000046461482,0.0075467196,0.0070496164,0.38334677,0.087231435,0.026211863,0.48252413],"study_design_scores_gemma":[0.003581428,0.0019632697,0.31036502,0.0010021091,0.0003285769,0.00006515798,0.0029730615,0.06234583,0.14161716,0.04035589,0.43263197,0.0027705294],"about_ca_topic_score_codex":0.000024077177,"about_ca_topic_score_gemma":0.00001653438,"teacher_disagreement_score":0.47975358,"about_ca_system_score_codex":0.000018183737,"about_ca_system_score_gemma":0.000021155885,"threshold_uncertainty_score":0.9997742},"labels":[],"label_agreement":null},{"id":"W4378802086","doi":"10.3758/s13414-023-02733-1","title":"Imagined object files: Visual imagery produces partial repetition costs where perception does not","year":2023,"lang":"en","type":"article","venue":"Attention Perception & Psychophysics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Perception; Repetition (rhetorical device); Object (grammar); Psychology; Cognitive psychology; Visual perception; Mental image; Communication; Computer science; Computer vision; Artificial intelligence; Cognition; Linguistics","score_opus":0.02176955547345374,"score_gpt":0.31363948792809704,"score_spread":0.2918699324546433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378802086","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9883377,0.0000029828,0.0028693392,0.004422915,0.0012667577,0.00049632596,0.000091576665,0.0011543846,0.0013580045],"genre_scores_gemma":[0.98738647,0.0006788597,0.00022921436,0.0014261168,0.0013100064,0.00018458173,0.00045980565,0.000080133286,0.008244801],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99571097,0.00046453375,0.00072868576,0.0014083582,0.0010548899,0.00063253473],"domain_scores_gemma":[0.9985289,0.00004045471,0.00033505663,0.00066092244,0.0002274321,0.00020721492],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047595392,0.0004548167,0.0003931562,0.0004264604,0.00071390136,0.00035626415,0.00031512475,0.00018017282,0.0039004192],"category_scores_gemma":[0.00013313924,0.00039892195,0.0005435644,0.001543111,0.00035458096,0.0012254204,0.000086771106,0.00037977457,0.011215013],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104950144,0.0003001146,0.0006879129,0.000037564696,0.000007299857,0.000009567666,0.0006924382,0.00004864718,0.9203315,0.00009884475,0.006287629,0.07139358],"study_design_scores_gemma":[0.008170295,0.00133579,0.77450436,0.0010226765,0.0008549259,0.00019690821,0.02964015,0.097017735,0.051177,0.0043165516,0.025988484,0.005775103],"about_ca_topic_score_codex":0.00006679111,"about_ca_topic_score_gemma":0.000019377565,"teacher_disagreement_score":0.86915445,"about_ca_system_score_codex":0.00023552687,"about_ca_system_score_gemma":0.000049023623,"threshold_uncertainty_score":0.9998463},"labels":[],"label_agreement":null},{"id":"W4379163000","doi":"10.54254/2753-7064/3/20220368","title":"Understanding Intuition: Can Rapid Cognition Perform Better than Rational Thinking in Differentiating Artworks between Artist and Artistic Style Transfer","year":2023,"lang":"en","type":"article","venue":"Communications in Humanities Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canada Research Chairs; University of Toronto","funders":"","keywords":"Intuition; Painting; Cognition; Style (visual arts); Cognitive style; Psychology; Cognitive psychology; Cognitive science; Aesthetics; Art; Visual arts","score_opus":0.5634657549598926,"score_gpt":0.41933250448816534,"score_spread":0.14413325047172726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379163000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9802002,0.00006340333,0.0023587518,0.003246239,0.000024714142,0.0003384778,0.000046587895,0.00008746227,0.0136342095],"genre_scores_gemma":[0.9981674,0.0010618975,0.00007260959,0.000118517186,0.000046306177,0.00012255769,0.00020828721,0.000016896714,0.00018552285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9976491,0.000845479,0.0003703554,0.00027175178,0.00049838674,0.00036492434],"domain_scores_gemma":[0.998464,0.0009378184,0.000031028656,0.0004591603,0.00006111305,0.000046902587],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00124189,0.00010889073,0.00016396669,0.00092069467,0.0016918097,0.0003210861,0.00047542504,0.000069965805,0.00035700022],"category_scores_gemma":[0.00021928782,0.00011715071,0.000037107235,0.0009915708,0.0008118524,0.00023650893,0.0002490285,0.0008002138,0.00003413802],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006467333,0.0005285096,0.098802574,0.00024414647,0.000032330056,0.000042894917,0.11340235,0.00023671292,0.012533742,0.73330915,0.00042688256,0.040376052],"study_design_scores_gemma":[0.0032467598,0.00031891518,0.30665234,0.0016097024,0.000075664466,0.000027524206,0.082946435,0.22119795,0.0011811085,0.37931272,0.002198063,0.0012328271],"about_ca_topic_score_codex":0.00009045158,"about_ca_topic_score_gemma":0.003560199,"teacher_disagreement_score":0.3539964,"about_ca_system_score_codex":0.00024547815,"about_ca_system_score_gemma":0.000047579157,"threshold_uncertainty_score":0.99960786},"labels":[],"label_agreement":null},{"id":"W4379522362","doi":"10.21428/594757db.acad9d77","title":"From Development to Dissemination: Social and Ethical Issues with Text-to-Image AI-Generated Art","year":2023,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"Natural Sciences and Engineering Research Council of Canada; Concordia University","keywords":"Ethical issues; Image (mathematics); Psychology; Engineering ethics; Internet privacy; Sociology; Computer science; Artificial intelligence; Engineering","score_opus":0.038702865010639395,"score_gpt":0.35673230192353905,"score_spread":0.31802943691289964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379522362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.917034,7.2757024e-7,0.0046906895,0.07493391,0.000023674716,0.00008962463,0.000008534487,0.00018093674,0.0030379444],"genre_scores_gemma":[0.95897216,0.000004582779,0.0030513485,0.008443912,0.000064135405,0.000020463438,0.000021075246,0.00001018403,0.029412147],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990932,0.000049161587,0.00011751607,0.00031601085,0.0002775008,0.00014663847],"domain_scores_gemma":[0.9997281,0.000024089813,0.000013702385,0.00007343437,0.000039848874,0.000120843106],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000108952954,0.00008823511,0.00011164499,0.00009185159,0.00021008625,0.0001030204,0.00008434492,0.000060355298,0.0011975348],"category_scores_gemma":[0.00008954271,0.00006565541,0.000015179728,0.0006534353,0.000053439886,0.000037462894,0.00006552115,0.000106650135,0.0027014709],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035207995,0.00004202408,0.00032497346,0.0000035273833,0.000004718082,0.00004146332,0.012654352,0.000015587839,0.7939701,0.00085316144,0.17085288,0.021201998],"study_design_scores_gemma":[0.00082443777,0.00023903586,0.11236624,0.000086309105,0.00005323824,0.00001944885,0.0063213557,0.005592728,0.43462944,0.00038892677,0.43821144,0.0012673949],"about_ca_topic_score_codex":0.000015263284,"about_ca_topic_score_gemma":0.00006300549,"teacher_disagreement_score":0.35934064,"about_ca_system_score_codex":0.000017083312,"about_ca_system_score_gemma":0.000022917948,"threshold_uncertainty_score":0.9997155},"labels":[],"label_agreement":null},{"id":"W4383058345","doi":"10.1186/s41235-023-00499-6","title":"Humans versus AI: whether and why we prefer human-created compared to AI-created artwork","year":2023,"lang":"en","type":"article","venue":"Cognitive Research Principles and Implications","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":194,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Sheridan College; University of Waterloo","funders":"National Science Foundation","keywords":"Psychology; Creativity; Beauty; Painting; Aesthetics; Skepticism; Cognitive psychology; Social psychology; Art; Visual arts; Epistemology","score_opus":0.42064595093876567,"score_gpt":0.4955298922353342,"score_spread":0.07488394129656856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383058345","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97010386,0.00006558103,0.00055284,0.016411223,0.000018732373,0.0008555522,0.00016666282,0.00022523578,0.011600313],"genre_scores_gemma":[0.99317175,0.00076169503,0.00002152941,0.00081493624,0.000046312893,0.00037253276,0.00007461188,0.000028208477,0.0047084372],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9977267,0.0003981678,0.0002505511,0.000707173,0.00036861736,0.0005488096],"domain_scores_gemma":[0.9984226,0.00037788932,0.000039869916,0.0003399799,0.00044129827,0.00037833402],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00045389618,0.00016949335,0.00021477688,0.00047160362,0.0013449416,0.00025325955,0.00022751396,0.000074569914,0.00037156316],"category_scores_gemma":[0.00067388045,0.00015272142,0.00005454,0.0016789897,0.0005873907,0.00014904745,0.00038635588,0.00035144034,0.0005398744],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00069408305,0.0008993419,0.020986924,0.0001093269,0.0001238815,0.0000305568,0.0077516017,0.00008269814,0.832374,0.068231516,0.03503717,0.033678953],"study_design_scores_gemma":[0.004695294,0.0010403964,0.68540925,0.00049354375,0.00017024965,0.000026222613,0.0061857984,0.0036520085,0.012348727,0.007280466,0.27757293,0.0011251067],"about_ca_topic_score_codex":0.00008021642,"about_ca_topic_score_gemma":0.00018671191,"teacher_disagreement_score":0.8200252,"about_ca_system_score_codex":0.00004495184,"about_ca_system_score_gemma":0.000054293425,"threshold_uncertainty_score":0.9999552},"labels":[],"label_agreement":null},{"id":"W4383302255","doi":"10.1167/jov.23.7.6","title":"Beauty isn't special: Comparing the information capacity of beauty and other sensory judgments","year":2023,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Institutes of Health; National Eye Institute; York University","keywords":"Beauty; Perception; Psychology; Stimulus modality; Social psychology; Mutual information; Cognitive psychology; Loudness; Miller; Sensory system; Computer science; Artificial intelligence; Aesthetics; Computer vision; Art","score_opus":0.07248735587823381,"score_gpt":0.31624517729137575,"score_spread":0.24375782141314195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383302255","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99755055,0.0000043106274,0.00020412522,0.0006157078,0.00016094728,0.000035819787,0.0000034340255,0.000007920746,0.0014171761],"genre_scores_gemma":[0.9991623,0.000085625165,0.000055518867,0.00048985815,0.00011378138,1.638979e-7,2.1421715e-7,0.0000030531999,0.000089473426],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9990686,0.00008480011,0.0003364139,0.0000497843,0.00036502114,0.000095390984],"domain_scores_gemma":[0.99943525,0.00003640197,0.00034522367,0.000087884946,0.000046326677,0.000048934427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000591249,0.000053819316,0.00013771029,0.0001395205,0.00010491984,0.000036099336,0.00011113027,0.000026940885,0.00009439279],"category_scores_gemma":[0.00014945971,0.000032918073,0.00007422716,0.0002232064,0.00008601714,0.000300253,0.000040126037,0.0001283512,0.000036064306],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021549975,0.00021247359,0.045676023,0.000072631046,0.000022951166,0.000012539118,0.01587202,0.0028461542,0.86891836,0.0017280966,0.01691715,0.047506083],"study_design_scores_gemma":[0.0020176983,0.000441903,0.8157126,0.0003061627,0.00010759469,0.00021513145,0.0029222933,0.043914683,0.032376915,0.001259122,0.10044867,0.00027726992],"about_ca_topic_score_codex":0.0000117252375,"about_ca_topic_score_gemma":0.0000035036219,"teacher_disagreement_score":0.8365415,"about_ca_system_score_codex":0.000028092107,"about_ca_system_score_gemma":0.00001212274,"threshold_uncertainty_score":0.13423601},"labels":[],"label_agreement":null},{"id":"W4385072487","doi":"10.1093/micmic/ozad067.1066","title":"What Does a Microscopist Look Like? An Exploration of Vintage Ads and Brochures in Microscopy and Microanalysis","year":2023,"lang":"en","type":"article","venue":"Microscopy and Microanalysis","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Vintage; Microanalysis; Chemistry; History; Archaeology","score_opus":0.02671296892281064,"score_gpt":0.31423330590869436,"score_spread":0.2875203369858837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385072487","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99576825,0.0020840752,0.0006983929,0.0008114605,0.00012401685,0.00028119545,0.00010157429,0.00009822745,0.000032818665],"genre_scores_gemma":[0.9719277,0.023816448,0.0011715714,0.0008416832,0.000039128638,0.000037451253,0.000099983954,0.000056450583,0.0020095676],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99607545,0.0004298261,0.0009891127,0.0015293553,0.00031978553,0.00065649295],"domain_scores_gemma":[0.9984149,0.00012094506,0.0003836425,0.00068373035,0.00009766682,0.00029914576],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00071548985,0.00055729464,0.0010812352,0.0015380452,0.000447657,0.0007176018,0.00035883527,0.00025904298,0.0001746481],"category_scores_gemma":[0.00009788679,0.00047834156,0.0002484141,0.0022919169,0.0010113764,0.0020891943,0.0003166601,0.00030434818,0.000032992655],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108986125,0.00015795417,0.008495083,0.00011852716,0.000050072194,0.000024616838,0.005098431,0.000021779812,0.98050696,0.000040439554,0.00012275063,0.0052544237],"study_design_scores_gemma":[0.0017586456,0.00021969414,0.0061117164,0.00029664635,0.00087202416,0.00004994295,0.01700249,0.0020615973,0.9677962,0.0007141474,0.0021410263,0.0009758851],"about_ca_topic_score_codex":0.00056568725,"about_ca_topic_score_gemma":0.0018888467,"teacher_disagreement_score":0.023840522,"about_ca_system_score_codex":0.000061963336,"about_ca_system_score_gemma":0.000058752823,"threshold_uncertainty_score":0.9997668},"labels":[],"label_agreement":null},{"id":"W4385434163","doi":"10.1007/978-1-4842-9579-3_10","title":"Uncanny by Nature","year":2023,"lang":"en","type":"book-chapter","venue":"Design Thinking","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Generative grammar; Content (measure theory); Computer science; Artificial intelligence; Mathematics","score_opus":0.057978467340332206,"score_gpt":0.27245908273541286,"score_spread":0.21448061539508065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385434163","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021045857,0.00029597682,0.01836121,0.0015020842,0.0007590685,0.0003348682,0.00008066129,0.0010308757,0.9776142],"genre_scores_gemma":[0.0035492145,0.0004605847,0.00036903186,0.004850017,0.00018353086,0.0000065901922,0.000030219959,0.00011467547,0.99043614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982039,0.000060165385,0.00023352474,0.00060257514,0.0006468419,0.00025304648],"domain_scores_gemma":[0.9992469,0.000089815876,0.00017268975,0.0003731212,0.000028927541,0.00008854238],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000292294,0.00029904855,0.00030273068,0.00018792297,0.00026653367,0.00011986687,0.00050799415,0.0006191258,0.0010680113],"category_scores_gemma":[0.000115139424,0.00027333532,0.00021307022,0.00009706733,0.00010456991,0.00006593086,0.00009601382,0.0010253828,0.002691954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002222486,0.000022151273,0.000001572487,0.00003280813,0.000025558373,0.00042637173,0.00090893294,0.000093264534,0.037258133,0.5763187,0.3649384,0.01995187],"study_design_scores_gemma":[0.00018260644,0.000053800493,0.0000013315085,0.00025294285,0.00012612433,0.00003479488,0.000020295382,0.00088038226,0.0022915616,0.29769868,0.6976809,0.00077655487],"about_ca_topic_score_codex":0.0000028428458,"about_ca_topic_score_gemma":0.000001212974,"teacher_disagreement_score":0.3327425,"about_ca_system_score_codex":0.000063548665,"about_ca_system_score_gemma":0.000048221093,"threshold_uncertainty_score":0.99997187},"labels":[],"label_agreement":null},{"id":"W4386021992","doi":"10.1073/pnas.2302269120","title":"The fragility of artists’ reputations from 1795 to 2020","year":2023,"lang":"en","type":"article","venue":"Proceedings of the National Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"Harvard Business School","keywords":"Reputation; Taste; Fragility; Visibility; Construct (python library); Aesthetics; Painting; Period (music); Art; History; Sociology; Visual arts; Psychology; Social science; Geography","score_opus":0.07773529430659455,"score_gpt":0.354019093052533,"score_spread":0.27628379874593845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386021992","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97652584,0.000010668383,0.0000038665607,0.020154344,0.000017502587,0.000093663104,0.00003517519,0.000016499225,0.0031424235],"genre_scores_gemma":[0.9986058,0.00004434756,0.00026265642,0.00056852144,0.000027137472,0.000008084678,9.139756e-8,0.000001988292,0.00048138798],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9981447,0.000014224029,0.00032260842,0.00023538017,0.0011671352,0.000115987765],"domain_scores_gemma":[0.9992674,0.00023001753,0.00028768228,0.000013735689,0.00016475932,0.000036382866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011201669,0.000055848228,0.000105000814,0.000096109696,0.0003670538,0.00002603851,0.0008466156,0.00003313777,0.000037190268],"category_scores_gemma":[0.0029117835,0.000031967647,0.000087534936,0.002206144,0.0009800466,0.00017702913,0.00015662522,0.000092102455,0.00001720692],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008265337,0.000027971748,0.002947564,0.0000067393344,0.0000023962716,5.4647615e-9,0.0006370248,0.00037267487,0.96401393,0.027278109,0.0031974914,0.0015078067],"study_design_scores_gemma":[0.00010613836,0.00003911994,0.327239,0.00004858876,0.000015529702,0.0000021329665,0.0012281603,0.008664807,0.48774037,0.17302465,0.0017965242,0.00009496399],"about_ca_topic_score_codex":0.000013306556,"about_ca_topic_score_gemma":2.589217e-7,"teacher_disagreement_score":0.4762736,"about_ca_system_score_codex":0.000014414751,"about_ca_system_score_gemma":0.000024866953,"threshold_uncertainty_score":0.36110225},"labels":[],"label_agreement":null},{"id":"W4386242559","doi":"10.1167/jov.23.9.5958","title":"Processing of coarse and fine shape features by humans and deep networks: A shape frequency analysis","year":2023,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Artificial intelligence; Pattern recognition (psychology); Shape analysis (program analysis); Computer science; Fourier analysis; Sensitivity (control systems); Fourier transform; Mathematics; Mathematical analysis","score_opus":0.01840948187725721,"score_gpt":0.3079819018670117,"score_spread":0.28957241998975447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386242559","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9968967,0.0012188561,0.0011701304,0.0005938706,0.000021723068,0.000028042374,0.000003208356,0.000016624963,0.000050880328],"genre_scores_gemma":[0.99758977,0.0017522577,0.00035070072,0.00016579252,0.000033712353,3.7004233e-7,0.000001641913,0.000008920004,0.00009685106],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9989705,0.0000741404,0.000354429,0.00016597357,0.00030756384,0.00012739116],"domain_scores_gemma":[0.9993522,0.00004403234,0.00035048518,0.00008092425,0.0000770114,0.000095325435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003308273,0.000093905684,0.0002957577,0.0003690418,0.0001318999,0.00006798491,0.000114293114,0.000054268166,0.000105959545],"category_scores_gemma":[0.00012737515,0.00006824604,0.00011840393,0.0010759573,0.000112970985,0.00020885399,0.00004250656,0.00015640352,0.0000015265889],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008753113,0.00018023136,0.01192137,0.000053983716,0.00005557807,0.00009153634,0.0015751478,0.0016199551,0.52836686,0.000045461587,0.0023185068,0.45368385],"study_design_scores_gemma":[0.00092347496,0.00057168864,0.14594881,0.0002207569,0.0008227186,0.00012650118,0.00063006446,0.8488153,0.0008312161,0.0004710581,0.0003921696,0.00024623531],"about_ca_topic_score_codex":0.0000051672037,"about_ca_topic_score_gemma":0.000013298725,"teacher_disagreement_score":0.8471953,"about_ca_system_score_codex":0.000009868326,"about_ca_system_score_gemma":0.000013050026,"threshold_uncertainty_score":0.27829927},"labels":[],"label_agreement":null},{"id":"W4386249097","doi":"10.1167/jov.23.9.5532","title":"Are vividness judgments in mental imagery correlated with perceptual thresholds?","year":2023,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut Universitaire en Santé Mentale de Québec; Université de Montréal","funders":"","keywords":"Mental image; Psychology; Perception; Contrast (vision); Neuroimaging; Cognitive psychology; Visual perception; Set (abstract data type); Cognition; Artificial intelligence; Computer science; Neuroscience","score_opus":0.0389340926850884,"score_gpt":0.31744520422595157,"score_spread":0.27851111154086317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386249097","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99848765,0.000009549917,0.00005279278,0.0009239483,0.000181462,0.000045494828,0.0000030828837,0.000020138508,0.00027589645],"genre_scores_gemma":[0.99872446,0.00015147508,0.000032051186,0.0004508982,0.000031911342,6.535709e-7,0.0000012090413,0.000011508601,0.0005958206],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987306,0.00009170796,0.0003162952,0.00015207013,0.0005389816,0.00017032828],"domain_scores_gemma":[0.99942255,0.000022748103,0.00031898098,0.000100848716,0.000042342857,0.00009251714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028671214,0.00009653978,0.00019951392,0.00036284182,0.0000860776,0.000047726186,0.00016876764,0.000044649278,0.000351182],"category_scores_gemma":[0.00008411785,0.00006553176,0.0000883571,0.0007306413,0.00007466999,0.0003064066,0.000046841527,0.00024030621,0.00019330128],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006717931,0.0007681164,0.07469761,0.00001630278,0.000010825742,0.002483607,0.004564166,0.0018912222,0.883075,0.000015499618,0.016732931,0.015072949],"study_design_scores_gemma":[0.004110041,0.0008420863,0.9611444,0.00081539736,0.000056666642,0.0010366564,0.0086123515,0.016204199,0.004030446,0.00012968958,0.0026263753,0.0003916744],"about_ca_topic_score_codex":0.0000028776303,"about_ca_topic_score_gemma":0.000005059355,"teacher_disagreement_score":0.8864468,"about_ca_system_score_codex":0.00006421586,"about_ca_system_score_gemma":0.000024426477,"threshold_uncertainty_score":0.3845197},"labels":[],"label_agreement":null},{"id":"W4386438893","doi":"10.1177/09567976231190546","title":"Changing What You Like: Modifying Contour Properties Shifts Aesthetic Valuations of Scenes","year":2023,"lang":"en","type":"article","venue":"Psychological Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Pleasure; Beauty; Cognitive psychology; Phenomenon; Perception; Meaning (existential); Valuation (finance); Aesthetic value; Cognition; Aesthetics; Visual perception; Value (mathematics); Epistemology; Computer science; Art","score_opus":0.19622945709888875,"score_gpt":0.3874102825121456,"score_spread":0.19118082541325684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386438893","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99364,0.00005798584,0.0005965669,0.0025169526,0.0002705674,0.00014721832,0.0000012850434,0.00018417343,0.0025852325],"genre_scores_gemma":[0.9977275,0.0003408862,0.00013669234,0.0010192435,0.000019384805,0.000027950402,4.578677e-7,0.0000058168534,0.0007220808],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9978064,0.00011289857,0.00024928388,0.00060966273,0.00073153334,0.0004902315],"domain_scores_gemma":[0.9993373,0.000024575931,0.00009582898,0.00033180427,0.000076968616,0.0001335188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011226778,0.000118178454,0.00017038816,0.00036446718,0.0005369561,0.00020113947,0.00067738665,0.000046529367,0.00014277735],"category_scores_gemma":[0.0004449698,0.000079777135,0.00009009411,0.003440284,0.0012695723,0.0005818876,0.00014701733,0.00010601501,0.0003828791],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013237081,0.00024207329,0.00034925563,0.000008058856,5.895242e-7,0.000008488313,0.0034829655,0.00081762066,0.87887377,0.003210201,0.000082456776,0.11291128],"study_design_scores_gemma":[0.004360881,0.002078134,0.17841831,0.0015457404,0.00018323345,0.00047338184,0.05200387,0.49822155,0.21047372,0.040613547,0.007752738,0.0038749168],"about_ca_topic_score_codex":0.000004451497,"about_ca_topic_score_gemma":7.5967074e-7,"teacher_disagreement_score":0.66840005,"about_ca_system_score_codex":0.000025694982,"about_ca_system_score_gemma":0.000026549582,"threshold_uncertainty_score":0.4921264},"labels":[],"label_agreement":null},{"id":"W4386567529","doi":"10.1016/j.tics.2023.08.017","title":"Understanding memorability through artificial and artist intelligence","year":2023,"lang":"en","type":"review","venue":"Trends in Cognitive Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Brain Institute; University of Toronto","funders":"Office of Naval Research; National Science Foundation","keywords":"Intuition; Psychology; Painting; Cognitive science; Artificial intelligence; Visual arts; Art; Computer science","score_opus":0.867554343669015,"score_gpt":0.559860104041844,"score_spread":0.3076942396271709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386567529","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008294906,0.9204808,0.005929113,0.0007767593,0.0009499695,0.00085656345,0.00036192773,0.0004618949,0.06935349],"genre_scores_gemma":[0.018716179,0.98044956,0.000052514893,0.00009382259,0.000049473514,0.000035881116,0.0000074679624,0.000015784732,0.00057930336],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9969034,0.00045164168,0.0005941147,0.0011624534,0.0004807434,0.00040762348],"domain_scores_gemma":[0.99896103,0.0005630918,0.00023251041,0.0001491167,0.000018360424,0.00007590508],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009941596,0.00030719582,0.000834376,0.00067530375,0.00043556222,0.00022115055,0.0003711155,0.00012631809,0.0004939224],"category_scores_gemma":[0.0009282784,0.00023466957,0.00021111706,0.004501837,0.002795697,0.00025480383,0.00017598717,0.0003379441,0.00018044966],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018965809,0.000036850437,0.0000080643795,0.00021447874,0.0000021876533,0.000023199125,0.00036593695,0.0000014945049,0.00000333621,0.0052122306,0.000017768367,0.99411255],"study_design_scores_gemma":[0.0007706945,0.0018199629,0.00032716373,0.076911576,0.0034614927,0.00070795394,0.053997546,0.008518321,0.00057354703,0.58027005,0.26292077,0.009720919],"about_ca_topic_score_codex":0.000035130586,"about_ca_topic_score_gemma":0.00021428976,"teacher_disagreement_score":0.9843916,"about_ca_system_score_codex":0.00012666563,"about_ca_system_score_gemma":0.00010935821,"threshold_uncertainty_score":0.9999181},"labels":[],"label_agreement":null},{"id":"W4386747656","doi":"10.33134/eeja.343","title":"In Defence of Tourists","year":2023,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Luck; Tourism; Aesthetics; Product (mathematics); Identity (music); Psychology; Sociology; Advertising; Epistemology; Art; Business; Political science; Philosophy; Law; Mathematics","score_opus":0.04008656475982356,"score_gpt":0.28092331074298227,"score_spread":0.2408367459831587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386747656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9886845,0.00004660459,0.00024552955,0.003555859,0.00020946648,0.000043644046,0.000001781996,0.00001614057,0.0071965232],"genre_scores_gemma":[0.99800354,0.00049143616,0.00014403404,0.0005561283,0.000069319554,2.1419498e-7,1.119088e-7,0.00002106547,0.0007141401],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.997633,0.0010099862,0.0006152727,0.00012253501,0.00042422628,0.00019501224],"domain_scores_gemma":[0.99906814,0.00008222274,0.00042267703,0.0002834567,0.0000689201,0.000074590665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019112932,0.00010574668,0.00020304359,0.00024635685,0.000062170504,0.00002632972,0.0007123951,0.000015385891,0.000054280063],"category_scores_gemma":[0.0003885598,0.00006858997,0.00016858484,0.0008715009,0.0002480765,0.00009674587,0.000091004025,0.00026753367,0.0002683193],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039564766,0.0014550037,0.011272644,0.000119216165,0.000030633928,0.013651803,0.0417259,0.034624573,0.53745174,0.015158605,0.03958223,0.304532],"study_design_scores_gemma":[0.011656389,0.005525539,0.1873742,0.0021114154,0.00048626648,0.014562481,0.0138085475,0.010229927,0.13590369,0.02142041,0.5942339,0.0026872812],"about_ca_topic_score_codex":0.0000011621273,"about_ca_topic_score_gemma":8.9984974e-7,"teacher_disagreement_score":0.5546516,"about_ca_system_score_codex":0.000016004544,"about_ca_system_score_gemma":0.000033093267,"threshold_uncertainty_score":0.34487912},"labels":[],"label_agreement":null},{"id":"W4386910845","doi":"10.1037/xge0001470","title":"Testing the flexibility of ensemble coding: Limitations in cross-modal ensemble perception.","year":2023,"lang":"en","type":"article","venue":"Journal of Experimental Psychology General","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Coding (social sciences); Perception; Psychology; Stimulus modality; Cognition; Artificial intelligence; Cognitive psychology; Computer science; Pattern recognition (psychology); Visual perception; Sensory system; Communication; Statistics; Mathematics; Neuroscience","score_opus":0.2742675531373222,"score_gpt":0.4388627621110601,"score_spread":0.16459520897373792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386910845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9930606,0.000043818316,0.00018951896,0.0010019247,0.00034737226,0.00007542335,0.0000028996058,0.000018191267,0.0052602533],"genre_scores_gemma":[0.9975318,0.000043191354,0.00087594375,0.0008740384,0.00012404175,0.00000592288,0.0000010880888,0.000011375753,0.00053262245],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9982539,0.00033242695,0.0006520225,0.00023760076,0.00028319634,0.00024088609],"domain_scores_gemma":[0.99914515,0.0001561335,0.00031510674,0.00022880208,0.00008405596,0.00007073278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076102675,0.00011766087,0.00023899444,0.00024590033,0.00018865119,0.000031274078,0.0003237047,0.00007393623,0.00016080546],"category_scores_gemma":[0.00044481884,0.00008686378,0.00018091251,0.000735844,0.00036945238,0.00016444996,0.000054750384,0.00029605348,0.000057654077],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065899774,0.00023734696,0.0063527804,0.0000016481026,0.0000031083716,0.00002087143,0.0017214568,0.0012387041,0.98750633,0.00024381028,0.00073207,0.0018759716],"study_design_scores_gemma":[0.0032803898,0.001163426,0.64242816,0.000046693967,0.00002958382,0.000959732,0.0071042515,0.012915831,0.3273965,0.0034292182,0.0008811358,0.00036507752],"about_ca_topic_score_codex":0.000012491325,"about_ca_topic_score_gemma":0.0000050129825,"teacher_disagreement_score":0.6601098,"about_ca_system_score_codex":0.000061078565,"about_ca_system_score_gemma":0.000042682674,"threshold_uncertainty_score":0.3542202},"labels":[],"label_agreement":null},{"id":"W4387214888","doi":"10.1093/jaac/kpad044","title":"Nine Explananda in Search of an Explanans","year":2023,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Sketch; Ontology; Epistemology; Adjudication; Work of art; Computer science; Sociology; Philosophy; Aesthetics; Law; Algorithm; Political science","score_opus":0.04866177945638187,"score_gpt":0.32494284813759816,"score_spread":0.27628106868121627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387214888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9963694,0.000027594602,0.000116190415,0.0023655589,0.000057049416,0.000028152608,0.000006815596,0.000007760446,0.0010214788],"genre_scores_gemma":[0.9979116,0.00075419666,0.00017222714,0.00033655512,0.000028517783,5.9909917e-7,9.928153e-7,0.000009162906,0.0007861782],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99886435,0.00010117862,0.00040158606,0.00011906863,0.00033019105,0.00018359789],"domain_scores_gemma":[0.9995689,0.000038596125,0.00008410855,0.000114153685,0.000064532,0.00012971854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049750897,0.000079515296,0.00023545367,0.00038395636,0.000051403793,0.000028268001,0.00014890666,0.000038549075,0.0001525118],"category_scores_gemma":[0.00008094719,0.00006421587,0.000068657915,0.0003527789,0.00014103891,0.00014005868,0.00002881913,0.00016309957,0.000019038076],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003260132,0.0016522204,0.007589896,0.00016928413,0.000013739306,0.0041984455,0.015354104,0.0025408182,0.8239704,0.018578235,0.00936418,0.116242684],"study_design_scores_gemma":[0.020555567,0.014877162,0.07236536,0.0026239103,0.0004269924,0.01546109,0.046414435,0.14307834,0.4006162,0.050063133,0.23029338,0.0032244474],"about_ca_topic_score_codex":0.0000042345064,"about_ca_topic_score_gemma":0.0000070145193,"teacher_disagreement_score":0.42335418,"about_ca_system_score_codex":0.000008375017,"about_ca_system_score_gemma":0.000030360687,"threshold_uncertainty_score":0.26186472},"labels":[],"label_agreement":null},{"id":"W4387446694","doi":"10.1145/3610661.3616125","title":"Art creation as an emergent multimodal journey in Artificial Intelligence latent space","year":2023,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Space (punctuation); Computer science; Artificial intelligence; Data science","score_opus":0.10529539811066364,"score_gpt":0.367064337351714,"score_spread":0.2617689392410504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387446694","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9845717,8.7166705e-7,0.0051439316,0.004163764,0.000119876,0.00009672271,0.0000015515559,0.00015455775,0.005747053],"genre_scores_gemma":[0.98916173,0.000113161295,0.00015379101,0.00046542592,0.00003764482,0.000009323045,0.000007509093,0.000008910608,0.010042509],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9988189,0.00010651843,0.0002544531,0.00032335016,0.00027583865,0.00022098448],"domain_scores_gemma":[0.9996257,0.000015309697,0.00004243967,0.00017755984,0.000021958724,0.000117049094],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024532006,0.00009382096,0.00010537783,0.00024035378,0.00009222333,0.000054809516,0.00014140357,0.000044430817,0.003971942],"category_scores_gemma":[0.00018260935,0.00008104517,0.00006275201,0.0008297346,0.000052708325,0.00015658603,0.000037916172,0.000089444104,0.0058651334],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010284598,0.0009092148,0.0048364988,0.000008605019,0.0000035221196,0.00016536747,0.005261003,0.03541184,0.7521163,0.07317673,0.002621523,0.12538654],"study_design_scores_gemma":[0.00012806279,0.00017092343,0.01337148,0.000017695667,0.0000134350275,0.000016788315,0.0026476793,0.8747372,0.09414374,0.010391104,0.003996203,0.0003657013],"about_ca_topic_score_codex":0.00014123408,"about_ca_topic_score_gemma":0.0003880898,"teacher_disagreement_score":0.83932537,"about_ca_system_score_codex":0.00003530546,"about_ca_system_score_gemma":0.000022249978,"threshold_uncertainty_score":0.9969386},"labels":[],"label_agreement":null},{"id":"W4388573673","doi":"10.24434/j.scoms.2024.01.3888","title":"Digitally-assisted iconology: A method for the analysis of digital media","year":2023,"lang":"en","type":"article","venue":"Studies in Communication Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Presentational and representational acting; Computer science; Metadata; Social media; Iconology; Information retrieval; Data science; Multimedia; World Wide Web; Visual arts; Art; Aesthetics","score_opus":0.41872226016000985,"score_gpt":0.5085370646616204,"score_spread":0.08981480450161056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388573673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89664954,0.0029096208,0.02204665,0.060729805,0.00043415625,0.0009584626,0.00029427384,0.0003692181,0.015608284],"genre_scores_gemma":[0.9964012,0.001875195,0.0013004338,0.0001927312,0.0000040699783,0.00005961152,0.0000059678673,0.0000025595532,0.00015825429],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9988879,0.00016651516,0.0003203493,0.00023179443,0.00023954522,0.00015387885],"domain_scores_gemma":[0.99503064,0.0042206994,0.00016533327,0.00048644264,0.00008062393,0.000016279433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013757566,0.00007112017,0.00025676473,0.0004929205,0.0004273298,0.000060810795,0.0010150595,0.000022680237,0.000012893039],"category_scores_gemma":[0.00377551,0.000043961478,0.00014867121,0.0056295656,0.0019356887,0.00019029397,0.00035384612,0.000058826972,0.000009259022],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007452004,0.00057103403,0.048705507,0.000046727095,0.0009921159,0.0000034414122,0.08787758,0.028195111,0.015301537,0.09155217,0.0046202275,0.72206],"study_design_scores_gemma":[0.0011243416,0.00018425197,0.18676795,0.00008363761,0.0013069842,0.00000952655,0.19889598,0.5449749,0.0015489799,0.05089402,0.0135868,0.00062264124],"about_ca_topic_score_codex":0.000015009723,"about_ca_topic_score_gemma":0.00022928696,"teacher_disagreement_score":0.7214374,"about_ca_system_score_codex":0.00002019756,"about_ca_system_score_gemma":0.000026269972,"threshold_uncertainty_score":0.71321255},"labels":[],"label_agreement":null},{"id":"W4388574686","doi":"10.1016/j.yjoc.2023.100069","title":"Art and the artificial","year":2023,"lang":"en","type":"article","venue":"Journal of Creativity","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; University of British Columbia, Okanagan Campus; University of British Columbia; Simon Fraser University","funders":"","keywords":"Creativity; Interactivity; Embodied cognition; Affordance; Cognitive science; Cognition; Computational creativity; Computer science; Phenomenology (philosophy); Human–computer interaction; Process (computing); Psychology; Artificial intelligence; Epistemology; Multimedia; Social psychology","score_opus":0.05755001255726461,"score_gpt":0.32105629989023887,"score_spread":0.26350628733297426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388574686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98522484,0.000006180817,0.0007620509,0.008348692,0.000054191434,0.000021869128,9.4480936e-7,0.000010346068,0.0055709053],"genre_scores_gemma":[0.99726355,0.00013405981,0.000016474265,0.00035676788,0.00007379871,4.279614e-7,5.2889206e-8,0.0000022592442,0.002152635],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993838,0.00016885702,0.00014047397,0.0000521904,0.00018864789,0.000066050474],"domain_scores_gemma":[0.9996298,0.00013669221,0.0001134956,0.000060434733,0.000021803295,0.00003776965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000653887,0.00003602739,0.00011792724,0.00005993529,0.00009657507,0.000038025533,0.0000715943,0.00001373443,0.0001298715],"category_scores_gemma":[0.0005491385,0.000018857541,0.00007967423,0.00022445855,0.00020271995,0.00008134736,0.000020392157,0.00009897999,0.0001061323],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001293773,0.00036975634,0.00850275,0.000020017294,0.00003355195,0.0003877711,0.0066803577,0.0004518169,0.5115674,0.08595157,0.057192925,0.32754833],"study_design_scores_gemma":[0.0096456325,0.00091567205,0.23729514,0.00018154243,0.0006830611,0.002985141,0.004824404,0.05464816,0.14085986,0.21653488,0.33048114,0.00094538194],"about_ca_topic_score_codex":0.0000013079072,"about_ca_topic_score_gemma":0.0000019467716,"teacher_disagreement_score":0.37070754,"about_ca_system_score_codex":0.0000053758895,"about_ca_system_score_gemma":0.000014272603,"threshold_uncertainty_score":0.14220019},"labels":[],"label_agreement":null},{"id":"W4388996964","doi":"10.1016/j.plrev.2023.11.012","title":"Measures, constructs, and constructing measurement: Reply to comments on “Can we really ‘read’ art to see the changing brain?”","year":2023,"lang":"en","type":"review","venue":"Physics of Life Reviews","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Cognitive science; Computer science; Psychology; Cognitive psychology","score_opus":0.29859390321010904,"score_gpt":0.38200368773229604,"score_spread":0.083409784522187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388996964","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015495412,0.9824755,0.00059408625,0.009296777,0.00033980442,0.0040166127,0.00018350984,0.00012890354,0.0029493037],"genre_scores_gemma":[0.000038079153,0.9871937,0.00024640985,0.011649538,0.00023251635,0.00020690777,0.000011617451,0.00007906542,0.0003421692],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.994925,0.0011865876,0.0014229353,0.00090486096,0.0010539839,0.0005065873],"domain_scores_gemma":[0.9970025,0.00029009974,0.001108511,0.0011100809,0.0001321615,0.00035664576],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0026858894,0.0006068794,0.002637625,0.00029290537,0.00030545422,0.00011685199,0.0007494879,0.0000837641,0.000027574522],"category_scores_gemma":[0.003516727,0.00040797796,0.00064838195,0.0018311301,0.00019226245,0.00006266028,0.0003505962,0.0004339147,0.00058856944],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025876814,0.000030642095,0.0000025648503,0.003818135,0.000023741699,0.0000020849698,0.00038815392,0.0000013050148,0.000044502995,0.0013899133,0.006260197,0.98803616],"study_design_scores_gemma":[0.00010168858,0.000054414064,4.305484e-7,0.024068447,0.00037837098,0.000019692989,0.00011354319,0.0000042501847,0.0000086363425,0.00015804807,0.97472554,0.00036696118],"about_ca_topic_score_codex":0.000013643699,"about_ca_topic_score_gemma":0.000007734062,"teacher_disagreement_score":0.9876692,"about_ca_system_score_codex":0.0001267524,"about_ca_system_score_gemma":0.00021222216,"threshold_uncertainty_score":0.9998372},"labels":[],"label_agreement":null},{"id":"W4389410579","doi":"10.1016/j.cogsys.2023.101196","title":"Designing a wheel-based assessment tool to measure visual aesthetic emotions","year":2023,"lang":"en","type":"article","venue":"Cognitive Systems Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Feeling; Psychology; Valence (chemistry); Set (abstract data type); Cognitive psychology; Arousal; Emotion classification; Affect (linguistics); Affective science; Human–computer interaction; Computer science; Social psychology; Communication","score_opus":0.22715961413543206,"score_gpt":0.46444391652394634,"score_spread":0.23728430238851428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389410579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8929806,0.000021454694,0.09249145,0.001958698,0.00021131725,0.0017962431,0.000052838117,0.00045721134,0.010030223],"genre_scores_gemma":[0.9945338,0.000009596595,0.00007525547,0.00024619707,0.000079562706,0.0005975256,0.000014894035,0.000040336785,0.00440283],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99388665,0.002349168,0.00034081502,0.00073832937,0.0018803907,0.0008046414],"domain_scores_gemma":[0.9981601,0.0003918938,0.00005202333,0.0002807084,0.0007968297,0.0003184145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003299017,0.00018302747,0.0002729561,0.0011328423,0.0008967146,0.00037166377,0.00032674664,0.0000922507,0.00022928373],"category_scores_gemma":[0.0019390277,0.00016649219,0.00013460324,0.0037664182,0.00024189342,0.00011764959,0.00014922998,0.00048269625,0.006256803],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012755475,0.00066498225,0.0021627059,0.00018364015,0.000018164394,0.0005719049,0.0022346687,0.0019786067,0.903263,0.0016064337,0.007393702,0.079794675],"study_design_scores_gemma":[0.010747857,0.005957978,0.06761468,0.008084133,0.00028553596,0.00045574596,0.083376996,0.6931034,0.09486963,0.000815603,0.030100452,0.004588017],"about_ca_topic_score_codex":0.000052683747,"about_ca_topic_score_gemma":0.0000078580115,"teacher_disagreement_score":0.80839336,"about_ca_system_score_codex":0.0002090423,"about_ca_system_score_gemma":0.00039831284,"threshold_uncertainty_score":0.99451697},"labels":[],"label_agreement":null},{"id":"W4389454697","doi":"10.1093/pq/pqad110","title":"A Phasalist Approach to Coincidence Puzzles","year":2023,"lang":"en","type":"article","venue":"The Philosophical Quarterly","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Coincidence; Statue; Theoretical physics; Computer science; Physics; Art history; Art","score_opus":0.09263951266982616,"score_gpt":0.31740319964807423,"score_spread":0.22476368697824806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389454697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7159427,0.000006990798,0.0035214114,0.25630084,0.00013315528,0.00035828073,0.000025712554,0.0006973018,0.023013635],"genre_scores_gemma":[0.9918407,0.0000057266866,0.00007475173,0.0068586166,0.0002376309,0.000060357193,0.00000381555,0.00001823921,0.0009001695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998292,0.0002011604,0.00022737838,0.00044683498,0.00048635894,0.00034621646],"domain_scores_gemma":[0.99912274,0.00009066024,0.000043614837,0.0005225333,0.00002406742,0.00019641074],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032893155,0.00015171738,0.00017975684,0.00011777824,0.00031903828,0.00010141364,0.0006820721,0.000051427483,0.00010356412],"category_scores_gemma":[0.00014603711,0.000098065364,0.00013369726,0.0012104817,0.00025982576,0.000092471026,0.000052388703,0.00020668314,0.0054769698],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013101965,0.0006058419,0.00004740072,0.000026205857,0.000011191209,0.00013736404,0.012986551,0.00036899478,0.29681036,0.6446273,0.008105598,0.03614222],"study_design_scores_gemma":[0.00097247196,0.0009483685,0.0030982418,0.000046422534,0.000095736745,0.00039254365,0.0018490868,0.03749667,0.0018503348,0.9407508,0.011463635,0.0010357372],"about_ca_topic_score_codex":0.000015963902,"about_ca_topic_score_gemma":0.0000024838444,"teacher_disagreement_score":0.2961235,"about_ca_system_score_codex":0.000019405003,"about_ca_system_score_gemma":0.000017023422,"threshold_uncertainty_score":0.9952974},"labels":[],"label_agreement":null},{"id":"W4389871285","doi":"10.1098/rstb.2022.0425","title":"Surfing uncertainty with screams: predictive processing, error dynamics and horror films","year":2023,"lang":"en","type":"article","venue":"Philosophical Transactions of the Royal Society B Biological Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Entertainment; Theme (computing); Content (measure theory); Dynamics (music); Psychology; Media content; Aesthetics; Social psychology; Cognitive psychology; Art; Computer science; Visual arts; Multimedia","score_opus":0.06457080727196444,"score_gpt":0.2943280412189336,"score_spread":0.22975723394696912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389871285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9657575,0.000028336171,0.0146936895,0.017938714,0.000052191306,0.00022551348,0.00008993435,0.00018987908,0.0010242333],"genre_scores_gemma":[0.9987639,0.00008896611,0.0005169635,0.00042126112,0.000021034053,0.00002010743,0.0000018493322,0.0000050270887,0.00016088663],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9984094,0.00014603758,0.00021109359,0.0004970115,0.00043270714,0.00030377854],"domain_scores_gemma":[0.9994662,0.0001436705,0.0001040522,0.0001354591,0.0000433652,0.000107290696],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00043722914,0.00015463222,0.00021546794,0.000030960582,0.001112478,0.000050252784,0.0004542603,0.00012304887,0.00011231218],"category_scores_gemma":[0.00011990305,0.00007492561,0.00022602473,0.0013934795,0.003826879,0.00009351482,0.000048204995,0.0002748605,0.0000053609606],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001038397,0.0035153723,0.09303387,0.0003933098,0.00021041719,0.000024377905,0.009799672,0.67430604,0.059139036,0.046589963,0.000572964,0.111376576],"study_design_scores_gemma":[0.0002568362,0.00054418464,0.008926768,0.000056048582,0.00005051979,0.000009227599,0.0017611516,0.97863215,0.0004757801,0.009043371,0.000030196732,0.00021374234],"about_ca_topic_score_codex":0.00005018914,"about_ca_topic_score_gemma":0.0000088197685,"teacher_disagreement_score":0.30432612,"about_ca_system_score_codex":0.000029720308,"about_ca_system_score_gemma":0.000052274234,"threshold_uncertainty_score":0.99888414},"labels":[],"label_agreement":null},{"id":"W4390443283","doi":"10.1007/978-3-031-49811-4_2","title":"“The Useful-Beautiful Couplet”: On the Aesthetic Appraisal of Designed Objects","year":2023,"lang":"en","type":"book-chapter","venue":"Springer series in design and innovation","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Couplet; Aesthetics; Art; History; Literature","score_opus":0.07446107149612773,"score_gpt":0.28223473970290136,"score_spread":0.20777366820677362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390443283","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28775796,0.000649818,0.031788923,0.035141923,0.00581015,0.008350538,0.000088574656,0.0014286553,0.62898344],"genre_scores_gemma":[0.7665698,0.0020441995,0.00029389584,0.0011536414,0.00009536951,0.00010396068,0.000011318469,0.00013443353,0.2295934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824965,0.0001207364,0.00056941505,0.00040179212,0.00043699666,0.00022139156],"domain_scores_gemma":[0.99870795,0.00033948003,0.0003656823,0.00045626398,0.00010749007,0.00002314375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010056971,0.0002686611,0.00028209214,0.0004533051,0.00028778118,0.00009518202,0.00032180198,0.00018400974,0.00007326203],"category_scores_gemma":[0.0005038703,0.00017521031,0.00006304965,0.0006733518,0.0006141351,0.000101825055,0.00008425933,0.00036699974,0.00006909114],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013127475,0.000016755377,0.000012409492,0.000018747034,0.0000053167346,0.000009730841,0.0004188689,0.00007602139,0.018495038,0.96906865,0.00064456934,0.011102651],"study_design_scores_gemma":[0.003349092,0.0040463586,0.002900199,0.0029111186,0.00034427858,0.00026127583,0.0021872388,0.0132208485,0.13261105,0.37385562,0.45976138,0.0045515383],"about_ca_topic_score_codex":0.0000035208343,"about_ca_topic_score_gemma":0.000007631178,"teacher_disagreement_score":0.595213,"about_ca_system_score_codex":0.000038972885,"about_ca_system_score_gemma":0.00007464876,"threshold_uncertainty_score":0.7144869},"labels":[],"label_agreement":null},{"id":"W4391170542","doi":"10.1017/s0012217324000015","title":"“Nothing I Could Teach Him”: Good Burns and Best Readings","year":2024,"lang":"en","type":"article","venue":"Dialogue","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Champion; Ambiguity; Interpretability; Nothing; Epistemology; Range (aeronautics); Yield (engineering); Aesthetics; Philosophy; Positive economics; Psychology; History; Economics; Engineering; Physics; Archaeology; Linguistics","score_opus":0.035692676992625245,"score_gpt":0.29566956620742013,"score_spread":0.2599768892147949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391170542","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9631313,0.00024089965,0.0024018781,0.005625971,0.00040031841,0.000103871505,0.000042419968,0.0003257333,0.027727615],"genre_scores_gemma":[0.9929749,0.00019974123,0.00006165425,0.0013482283,0.00010845954,0.000005745824,0.000006543988,0.000014281079,0.0052804826],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917996,0.00004006605,0.00012181273,0.00033404704,0.0001541455,0.0001699411],"domain_scores_gemma":[0.9997175,0.00004885525,0.000018635516,0.00012399278,0.0000084609455,0.00008258629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013587801,0.00009628422,0.00011928999,0.00009727855,0.00012591195,0.00017914228,0.000104631385,0.00006143316,0.00016320414],"category_scores_gemma":[0.00012660636,0.000081444705,0.000058105838,0.00022550095,0.00013121597,0.00013859857,0.00004480603,0.00019007569,0.0005279447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000085703905,0.00017264021,0.0014494236,0.00007114247,0.000010392916,0.00030447613,0.018725447,0.00001563768,0.81091434,0.09267874,0.005720832,0.06992833],"study_design_scores_gemma":[0.00056826853,0.00028255198,0.0008807764,0.0003054165,0.00023410727,0.00042655016,0.0017683986,0.022669962,0.02852304,0.005337435,0.93804574,0.0009577436],"about_ca_topic_score_codex":0.00006986807,"about_ca_topic_score_gemma":0.000010878426,"teacher_disagreement_score":0.93232495,"about_ca_system_score_codex":0.000021292642,"about_ca_system_score_gemma":0.000016848062,"threshold_uncertainty_score":0.67858374},"labels":[],"label_agreement":null},{"id":"W4391621621","doi":"10.5642/jhummath.andw3696","title":"Aesthetic Approaches to Symmetric Functions","year":2024,"lang":"en","type":"article","venue":"Journal of Humanistic Mathematics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Dalhousie University","funders":"","keywords":"Mathematics; Aesthetics; Psychology; Calculus (dental); Art; Medicine; Orthodontics","score_opus":0.2374615561456506,"score_gpt":0.30210057236005794,"score_spread":0.06463901621440735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391621621","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2258978,0.0006882473,0.681063,0.009604157,0.0015066896,0.00039215593,0.000021942478,0.00024382639,0.08058218],"genre_scores_gemma":[0.98898745,0.000026269943,0.00506126,0.00018689448,0.00012656648,0.0000032526282,2.8142856e-7,0.000022198092,0.0055858158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99868053,0.000045554043,0.00051238027,0.00014821313,0.00045425995,0.00015905334],"domain_scores_gemma":[0.9994115,0.00007781898,0.00013739399,0.00018685574,0.000040903204,0.00014551765],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003300664,0.000121617115,0.00024199544,0.00057815394,0.00012190637,0.00020756233,0.0002518684,0.000035549892,0.00076655636],"category_scores_gemma":[0.00041029148,0.00008781699,0.00020702137,0.00072231237,0.00006106443,0.00009304992,0.00003462892,0.00020903729,0.0008835841],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014840872,0.0009860853,0.000008618652,0.00045647327,0.000022324042,0.0006816812,0.0069801253,0.0007697764,0.013817584,0.9161619,0.021842966,0.038257644],"study_design_scores_gemma":[0.0013159132,0.0030034098,0.00015110828,0.0022556337,0.0024587533,0.038956776,0.009929052,0.23656467,0.0034490838,0.3537279,0.3461882,0.0019995081],"about_ca_topic_score_codex":4.0163852e-7,"about_ca_topic_score_gemma":5.6864667e-7,"teacher_disagreement_score":0.76308966,"about_ca_system_score_codex":0.00006380186,"about_ca_system_score_gemma":0.000056152483,"threshold_uncertainty_score":0.9998943},"labels":[],"label_agreement":null},{"id":"W4392033579","doi":"10.32920/25266748.v1","title":"Flair MRI Biomarkers of the Normal Appearing Brain Matter are Related to Cognition","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Fluid-attenuated inversion recovery; Cognition; Neuroscience; Medicine; Psychology; Magnetic resonance imaging; Radiology","score_opus":0.019795326129668774,"score_gpt":0.27278905769964445,"score_spread":0.2529937315699757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392033579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8722679,0.00001147691,0.0006277193,0.04043716,0.00052639114,0.00039558837,0.000056213157,0.00015680665,0.085520774],"genre_scores_gemma":[0.9770152,0.00000684565,0.000082998245,0.0045706374,0.000015826812,0.000017232222,0.000005770266,0.000021119962,0.01826438],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9985602,0.0001397563,0.00032472945,0.00049726776,0.00030956004,0.00016851128],"domain_scores_gemma":[0.99932986,0.000021722975,0.00012874833,0.00042417814,0.00003256586,0.00006294122],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019943365,0.00016997875,0.00019624065,0.00018766489,0.00007694711,0.00007254362,0.00036325585,0.00015452987,0.0023818868],"category_scores_gemma":[0.000080857426,0.00011579978,0.00028890977,0.0004520455,0.00010796956,0.000026450725,0.0011514262,0.00041627343,0.0019943449],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008941994,0.00026333175,0.007774939,0.00096063636,0.00015527678,0.000064910375,0.0045116534,0.004686385,0.831418,0.0017230628,0.13782413,0.010528272],"study_design_scores_gemma":[0.0026875222,0.00024482232,0.23079225,0.012854088,0.0025337809,0.00053109066,0.009144185,0.11861204,0.5273189,0.059617236,0.029673556,0.00599053],"about_ca_topic_score_codex":0.00005025706,"about_ca_topic_score_gemma":0.000021625528,"teacher_disagreement_score":0.3040991,"about_ca_system_score_codex":0.000035053745,"about_ca_system_score_gemma":0.000032839598,"threshold_uncertainty_score":0.9987827},"labels":[],"label_agreement":null},{"id":"W4392371972","doi":"10.3389/fpsyt.2024.1263351","title":"Prefrontal engagement predicts the effect of museum visit on psychological well-being: an fNIRS exploration","year":2024,"lang":"en","type":"article","venue":"Frontiers in Psychiatry","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Institut Universitaire de Gériatrie de Montréal; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Université de Montréal; Montreal Heart Institute","funders":"Fonds de recherche du Québec; Réseau Provincial de Recherche en Adaptation-Réadaptation; Institut de Cardiologie de Montréal; Mitacs; Réseau québécois de recherche sur le vieillissement","keywords":"Psychology; Cognitive psychology; Psychotherapist; Clinical psychology; Applied psychology","score_opus":0.019092722375028237,"score_gpt":0.304258089707782,"score_spread":0.28516536733275377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392371972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9698055,0.00014606697,0.009828076,0.0029706212,0.008529126,0.0004239475,0.0000066947596,0.00015136448,0.008138641],"genre_scores_gemma":[0.9981302,0.00011401108,0.0007080878,0.0005835463,0.00014882974,0.00005308154,0.0000073885462,0.000019094234,0.00023576818],"study_design_codex":"not_applicable","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99791044,0.0006514513,0.00029999856,0.0005470248,0.00037277295,0.00021832221],"domain_scores_gemma":[0.9994077,0.00003688586,0.000060497558,0.000422027,0.0000059371014,0.00006692703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006091205,0.00017859213,0.00020844972,0.00022581837,0.00012684609,0.00006663199,0.00035804577,0.00009625186,0.00014231063],"category_scores_gemma":[0.00005369092,0.00011258011,0.0001480378,0.00046836905,0.00014323764,0.00022952356,0.00003488078,0.00037866854,0.00006986972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002989711,0.0034825173,0.11174618,0.0006189405,0.00013546107,0.00013586634,0.024739012,0.008322515,0.031230044,0.027689474,0.535893,0.25301728],"study_design_scores_gemma":[0.014929226,0.042562187,0.19919497,0.0030973484,0.0014341904,0.00017260446,0.023414956,0.4615432,0.035260946,0.08511891,0.12881994,0.0044515016],"about_ca_topic_score_codex":0.00000467291,"about_ca_topic_score_gemma":0.00000622414,"teacher_disagreement_score":0.4532207,"about_ca_system_score_codex":0.000049415336,"about_ca_system_score_gemma":0.000016379212,"threshold_uncertainty_score":0.4590884},"labels":[],"label_agreement":null},{"id":"W4392423992","doi":"10.6000/1929-4409.2020.09.198","title":"Eye Movement Features in the Depth and Spatial Perspective Perception of Paintings and Other Static Scenes","year":2021,"lang":"en","type":"article","venue":"International Journal of Criminology and Sociology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Kazan Federal University","keywords":"Perspective (graphical); Perception; Movement (music); Computer vision; Painting; Artificial intelligence; Aesthetics; Cognitive psychology; Art; Psychology; Computer science; Visual arts; Neuroscience","score_opus":0.048543598692011226,"score_gpt":0.3497599571574384,"score_spread":0.30121635846542716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392423992","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98971504,0.00023258952,0.000498017,0.009253561,0.00007542391,0.000021083728,0.0000027363178,0.0000013276003,0.00020024378],"genre_scores_gemma":[0.994697,0.00057777914,0.00012632746,0.0045101927,0.000047723628,8.8615764e-7,4.1341912e-7,0.0000022223514,0.00003745166],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991887,0.00033444606,0.00018796168,0.00011081453,0.00010787212,0.00007016064],"domain_scores_gemma":[0.9995486,0.00013283135,0.00014674016,0.000032946242,0.00012213975,0.000016732394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002478673,0.000054798937,0.00014044842,0.0000944182,0.000040044717,0.000012245158,0.00008877799,0.00006335487,0.00007286376],"category_scores_gemma":[0.00030322178,0.00003767601,0.000035163335,0.0000104536675,0.00055480376,0.000043196276,0.0000351156,0.00016495894,4.6871997e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004256741,0.0004561356,0.194636,0.000027426302,0.00013285881,0.0003341916,0.16191907,0.000042804022,0.29386455,0.28156006,0.00020165114,0.066399574],"study_design_scores_gemma":[0.0009992869,0.00025506163,0.82888657,0.000025827232,0.00005513222,0.0007066981,0.036326274,0.00024337915,0.0013263378,0.13085553,0.0002388879,0.000081010905],"about_ca_topic_score_codex":0.00010907442,"about_ca_topic_score_gemma":0.000038207847,"teacher_disagreement_score":0.6342506,"about_ca_system_score_codex":0.000018758725,"about_ca_system_score_gemma":0.000026597665,"threshold_uncertainty_score":0.20441975},"labels":[],"label_agreement":null},{"id":"W4393061691","doi":"10.1093/oso/9780192848864.001.0001","title":"An Ontology of Multiple Artworks","year":2024,"lang":"en","type":"book","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Ontology; Computer science; Linguistics; Epistemology; Philosophy","score_opus":0.03926196843744144,"score_gpt":0.3020735050976294,"score_spread":0.26281153666018797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393061691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007468052,0.000050650742,0.001266808,0.00022952372,0.00019506099,0.00006851491,0.000021714308,0.00012541175,0.9972955],"genre_scores_gemma":[0.08772907,0.000073901625,0.000119354714,0.000812036,0.00007165856,0.000002851956,0.000014102242,0.000018964258,0.9111581],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991104,0.000043464628,0.00020943588,0.00036110933,0.00015809559,0.0001174961],"domain_scores_gemma":[0.999501,0.000030186979,0.000065444576,0.00032487075,0.000017257518,0.000061222316],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000056363708,0.00012867028,0.00026363134,0.00013404203,0.000023973455,0.000016153532,0.0002246944,0.00020927661,0.003748612],"category_scores_gemma":[0.00003320256,0.00010116172,0.00016250541,0.00006943959,0.00016181213,0.000029524292,0.000036142923,0.00022394714,0.0009979237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005258639,0.00047984775,0.00011102013,0.00025329491,0.00003431254,0.00030561944,0.001390918,0.00026271454,0.11039225,0.28069842,0.49097,0.11504901],"study_design_scores_gemma":[0.00019986724,0.00018658573,0.000029185761,0.00010390647,0.00015752717,0.000057637786,0.000058428726,0.020209318,0.0016358283,0.016001146,0.9609241,0.00043647748],"about_ca_topic_score_codex":0.000014087725,"about_ca_topic_score_gemma":0.00013007068,"teacher_disagreement_score":0.4699541,"about_ca_system_score_codex":0.00002648911,"about_ca_system_score_gemma":0.00008364642,"threshold_uncertainty_score":0.99977994},"labels":[],"label_agreement":null},{"id":"W4393103116","doi":"10.1007/978-3-031-54752-2_6","title":"AI-Generated Art","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Computer science","score_opus":0.044229213848224494,"score_gpt":0.2780881606189492,"score_spread":0.23385894677072472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393103116","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001273401,0.0000349837,0.0001797204,0.0028277957,0.00019963864,0.000048365295,0.000018103408,0.0002481797,0.99643046],"genre_scores_gemma":[0.0026215066,0.00023012506,0.000019537634,0.010282399,0.000116329866,0.0000021861083,0.00001645977,0.000038995713,0.98667246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990301,0.0000062564673,0.0001733387,0.00043785074,0.00023411808,0.00011834163],"domain_scores_gemma":[0.9996209,0.000005096789,0.000031197607,0.00024765622,0.000020321522,0.00007482743],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000035232686,0.0001888761,0.000185251,0.0001486991,0.000047733294,0.00008489354,0.00014192305,0.00015452212,0.046802666],"category_scores_gemma":[0.000007971787,0.00014496391,0.00019760465,0.000047611,0.00008323166,0.000029013136,0.000054490552,0.0002685805,0.07450853],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014352701,0.0000054878656,8.289334e-8,0.000006565908,0.0000036496133,0.000082412684,0.000014346162,0.0000046250752,0.012605351,0.773763,0.21083663,0.002676429],"study_design_scores_gemma":[0.00002849467,0.000012768447,1.1540192e-7,0.00002350892,0.000046299276,0.00002402825,0.0000015698839,0.00076206814,0.0009200692,0.019353876,0.9786419,0.00018528737],"about_ca_topic_score_codex":0.0000014205682,"about_ca_topic_score_gemma":0.0000071084833,"teacher_disagreement_score":0.7678053,"about_ca_system_score_codex":0.000025578855,"about_ca_system_score_gemma":0.000028443796,"threshold_uncertainty_score":0.95406866},"labels":[],"label_agreement":null},{"id":"W4393158423","doi":"10.1609/aaai.v38i2.27824","title":"DreamStyler: Paint by Style Inversion with Text-to-Image Diffusion Models","year":2024,"lang":"en","type":"article","venue":"Proceedings of the AAAI Conference on Artificial Intelligence","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kootenay Association for Science & Technology","funders":"","keywords":"Style (visual arts); Inversion (geology); Image (mathematics); Diffusion; Geology; Computer science; Computer graphics (images); Computer vision; Art; Visual arts; Physics; Geomorphology; Thermodynamics","score_opus":0.060899429566693204,"score_gpt":0.28595415333053903,"score_spread":0.22505472376384583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393158423","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9408216,0.000018652208,0.019157626,0.011922445,0.00017904614,0.0005689799,0.000032893244,0.0002518207,0.027046923],"genre_scores_gemma":[0.9968182,0.00011856978,0.00031884018,0.0009427238,0.00003297617,0.000024525452,9.0515096e-7,0.000025649693,0.0017176033],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9978793,0.000027893751,0.00038149382,0.0006887372,0.00068861194,0.00033394634],"domain_scores_gemma":[0.99923164,0.000049791077,0.00012972642,0.00021746034,0.00020829892,0.00016309493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000294583,0.0002544199,0.00024178899,0.00019078446,0.000244649,0.00032611427,0.0008035453,0.00007933437,0.00048847205],"category_scores_gemma":[0.00022018018,0.00016136153,0.00013255657,0.0010022258,0.00038417993,0.0003748294,0.00022207382,0.00031652697,0.00046565733],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009328736,0.00013719723,0.000010984657,0.000038304577,0.0000030574076,0.0000013855046,0.0015974684,0.00007825547,0.83143955,0.12624317,0.0014213612,0.038935944],"study_design_scores_gemma":[0.000024500387,0.00028892583,0.000006980883,0.00042882882,0.000029968693,0.0000063370294,0.0016990608,0.24347413,0.72756845,0.02529367,0.0009151829,0.00026396857],"about_ca_topic_score_codex":0.00005490781,"about_ca_topic_score_gemma":0.00000606633,"teacher_disagreement_score":0.24339588,"about_ca_system_score_codex":0.00006738685,"about_ca_system_score_gemma":0.000055027787,"threshold_uncertainty_score":0.6580132},"labels":[],"label_agreement":null},{"id":"W4393166358","doi":"10.1109/mcg.2024.3359128","title":"Art and Artificial Intelligence","year":2024,"lang":"en","type":"article","venue":"IEEE Computer Graphics and Applications","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science; Artificial intelligence; Artificial life; Artificial Intelligence System","score_opus":0.04931900230369907,"score_gpt":0.303001772623717,"score_spread":0.25368277032001796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393166358","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036480725,0.00012468168,0.9608679,0.0017518587,0.00007833863,0.000113855596,0.00000988988,0.00011765706,0.00045511744],"genre_scores_gemma":[0.99739474,0.0007780013,0.00060395396,0.00087744254,0.00015302909,0.00003995307,0.0000019185559,0.0000064591018,0.0001444882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99942803,0.000014648508,0.00011228793,0.0002884938,0.00007359283,0.00008294634],"domain_scores_gemma":[0.9997591,0.00003579542,0.000012683379,0.0001167708,0.000011247295,0.00006441227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005864236,0.0000663139,0.00006208661,0.00010014776,0.00015251471,0.00017974101,0.00007112411,0.000027893897,0.000020234873],"category_scores_gemma":[0.000001500114,0.000058408354,0.000033135755,0.00031109617,0.00017209683,0.00005034602,0.000026227328,0.00008835156,0.00010726003],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.0066158e-7,0.000020418573,0.000009482085,0.000008912724,0.0000012591322,0.0000021481692,0.000078918245,0.000012046335,0.0038976837,0.76689655,0.00044382949,0.22862835],"study_design_scores_gemma":[0.000023869425,0.00004009946,0.00020644945,0.000026052927,0.000034798537,0.00011128306,0.000029196384,0.5229556,0.002657524,0.20707488,0.26658523,0.00025503009],"about_ca_topic_score_codex":0.0000016720977,"about_ca_topic_score_gemma":0.0000025540958,"teacher_disagreement_score":0.960914,"about_ca_system_score_codex":0.0000023880204,"about_ca_system_score_gemma":0.000007048752,"threshold_uncertainty_score":0.23818235},"labels":[],"label_agreement":null},{"id":"W4393999588","doi":"10.1162/leon_r_02531","title":"Boundary Images","year":2024,"lang":"en","type":"article","venue":"Leonardo","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Table of contents; Download; Search engine optimization; Computer science; Boundary (topology); Information retrieval; World Wide Web; Search engine; Mathematics","score_opus":0.024011464403707786,"score_gpt":0.2939462990983053,"score_spread":0.2699348346945975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393999588","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66620713,0.0020148158,0.00781626,0.07441484,0.0013609295,0.00015678078,0.00005096304,0.0017177997,0.24626046],"genre_scores_gemma":[0.97322637,0.00008477081,0.000074121184,0.0016642995,0.000076340344,0.000003507493,9.895543e-7,0.000008375282,0.02486124],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994421,0.000028287692,0.00006911527,0.00020851858,0.0001402758,0.000111710695],"domain_scores_gemma":[0.9998156,0.000014295614,0.0000063081898,0.0001190334,0.000004774232,0.00003998825],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000051773266,0.00005556024,0.000055705103,0.000057879755,0.00007968501,0.00013285289,0.00009598881,0.000020421057,0.0019536996],"category_scores_gemma":[0.00003041133,0.000044642522,0.000077661796,0.00020190279,0.00008708108,0.00009316418,0.000023396204,0.00008087395,0.0034829958],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004053285,0.00003338716,0.00010684174,0.000021377658,0.0000023657085,0.0002983179,0.0004623401,0.000012106174,0.5883273,0.02171248,0.025641333,0.36337814],"study_design_scores_gemma":[0.00005997045,0.000029693052,0.00091497094,0.000023184284,0.0000163115,0.000110012865,0.00019205334,0.0020163946,0.01683981,0.002736667,0.97691095,0.00015000485],"about_ca_topic_score_codex":0.00000397493,"about_ca_topic_score_gemma":6.423484e-7,"teacher_disagreement_score":0.95126957,"about_ca_system_score_codex":0.000013259217,"about_ca_system_score_gemma":0.000021514465,"threshold_uncertainty_score":0.99895865},"labels":[],"label_agreement":null},{"id":"W4394782655","doi":"10.1007/s11227-024-06083-z","title":"Human–machine co-creation: a complementary cognitive approach to creative character design process using GANs","year":2024,"lang":"en","type":"article","venue":"The Journal of Supercomputing","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Advanced Micro Devices (Canada)","funders":"","keywords":"Computer science; Generative grammar; Process (computing); Character (mathematics); Animation; Human–computer interaction; Cognition; Context (archaeology); Engineering design process; Artificial intelligence; Engineering; Psychology","score_opus":0.11669932910017848,"score_gpt":0.39620487238372654,"score_spread":0.27950554328354804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394782655","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.764502,0.000052525385,0.23316379,0.00037153935,0.000052846997,0.00018156032,0.000014872619,0.000028772844,0.0016321193],"genre_scores_gemma":[0.9969448,0.000009941732,0.0016240493,0.0010584783,0.0002783964,0.0000013370366,0.0000039036413,0.000021008032,0.000058128957],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9982321,0.00047944344,0.0004507108,0.00019428841,0.000422927,0.00022053074],"domain_scores_gemma":[0.99940526,0.00015845089,0.00012238373,0.000087323,0.00012574963,0.00010083647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011308288,0.00016078552,0.00025101943,0.00023155948,0.0004922589,0.00014118648,0.00029265505,0.000026017085,0.00022813334],"category_scores_gemma":[0.00007385602,0.00010300429,0.00011802313,0.0005052033,0.00012109959,0.00029864992,0.000048319307,0.00034354752,0.00005249956],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003046121,0.0007114527,0.0014555289,0.00015525248,0.00018274039,0.00016969381,0.1597428,0.034793686,0.7789174,0.0005171269,0.00078200805,0.022267735],"study_design_scores_gemma":[0.0018942618,0.0009820707,0.0038530305,0.0021128599,0.0013192721,0.0054271496,0.06801194,0.84465736,0.06937789,0.0007889682,0.00062200136,0.00095317286],"about_ca_topic_score_codex":0.000017973782,"about_ca_topic_score_gemma":6.27851e-7,"teacher_disagreement_score":0.8098637,"about_ca_system_score_codex":0.00007634059,"about_ca_system_score_gemma":0.00006528688,"threshold_uncertainty_score":0.4200393},"labels":[],"label_agreement":null},{"id":"W4394844164","doi":"10.1167/jov.24.4.13","title":"Peripheral material perception","year":2024,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"Nederlandse Organisatie voor Wetenschappelijk Onderzoek; Technische Universiteit Delft; York University; Massachusetts Institute of Technology; National Science Foundation","keywords":"Texture (cosmology); Foveal; Artificial intelligence; Perception; Computer science; Smoothness; Set (abstract data type); Representation (politics); Image (mathematics); Pattern recognition (psychology); Computer vision; Identity (music); Mathematics; Psychology; Aesthetics; Biology","score_opus":0.02063728494407232,"score_gpt":0.32402721940246093,"score_spread":0.30338993445838863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394844164","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99532366,0.000028267128,0.0014826524,0.0013598836,0.0008361835,0.000016131287,0.0000018708821,0.000023235476,0.0009280934],"genre_scores_gemma":[0.9979959,0.00017585834,0.0002797024,0.00027025028,0.00040203752,1.882701e-7,3.5529396e-7,0.000007366941,0.00086831633],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992639,0.000066012304,0.00022297053,0.0000947821,0.00027334056,0.00007900529],"domain_scores_gemma":[0.999795,0.000008216393,0.000057586523,0.000057805337,0.000026510756,0.000054856777],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019262645,0.00005591118,0.00009665651,0.00012392952,0.00005248092,0.00015629762,0.000095167576,0.00003328994,0.003524838],"category_scores_gemma":[0.000036713463,0.00003775912,0.00014245705,0.00013955058,0.000033697128,0.00028397108,0.000015856578,0.00011504486,0.00017162351],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026196432,0.000024134479,0.0000104068,0.000005388059,7.807365e-7,0.00005893373,0.00029378117,0.000024495404,0.9439206,0.00011454107,0.0026244363,0.05289629],"study_design_scores_gemma":[0.0024290464,0.0050661704,0.06868617,0.0016921887,0.0003936918,0.01079949,0.0028429918,0.10952775,0.08114761,0.00687552,0.7092923,0.0012470887],"about_ca_topic_score_codex":0.0000012254916,"about_ca_topic_score_gemma":2.0608555e-7,"teacher_disagreement_score":0.862773,"about_ca_system_score_codex":0.000049824117,"about_ca_system_score_gemma":0.000023171317,"threshold_uncertainty_score":0.9973861},"labels":[],"label_agreement":null},{"id":"W4395460491","doi":"10.1515/9782763727011-004","title":"Connaitre les opérations mentales utilisées par les étudiants à la formation des maitres pour traiter les œuvres d’art contemporain","year":2016,"lang":"fr","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Psychology","score_opus":0.08955400926853918,"score_gpt":0.2964228676521552,"score_spread":0.20686885838361602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395460491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0810165,0.00086710136,0.014401014,0.01322502,0.00020493146,0.00080303475,0.0015671211,0.00034008903,0.8875752],"genre_scores_gemma":[0.67106926,0.0033498122,0.00076444546,0.00039913383,0.00013131206,0.000045485212,0.000108891676,0.000070403934,0.32406127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99622035,0.0004920013,0.0011317864,0.00092852523,0.00063522795,0.0005921366],"domain_scores_gemma":[0.9980643,0.0003274584,0.0005826378,0.00052310136,0.00019375687,0.00030876012],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00043402973,0.00087560114,0.0007967718,0.00048148248,0.0016778618,0.00039033024,0.0005778092,0.0006263111,0.024880195],"category_scores_gemma":[0.0001902313,0.00066839595,0.0006902877,0.00012000922,0.0037720928,0.0012853298,0.00016283142,0.00039662287,0.0019438384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006144099,0.0004162563,0.003937413,0.00022477162,0.00012572178,0.00009393702,0.0019035961,0.000012548667,0.059235524,0.737185,0.015882535,0.18092124],"study_design_scores_gemma":[0.0026337323,0.00033059242,0.0075210584,0.0026553983,0.0006980999,0.00050149387,0.007728223,0.001740414,0.015544178,0.015822532,0.94224423,0.0025800245],"about_ca_topic_score_codex":0.00015131214,"about_ca_topic_score_gemma":0.0032806022,"teacher_disagreement_score":0.92636174,"about_ca_system_score_codex":0.0001466191,"about_ca_system_score_gemma":0.000106882515,"threshold_uncertainty_score":0.9996218},"labels":[],"label_agreement":null},{"id":"W4396558963","doi":"10.3758/s13428-024-02412-5","title":"Measures of angularity in digital images","year":2024,"lang":"en","type":"article","venue":"Behavior Research Methods","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University","funders":"","keywords":"Computer science; Curvilinear coordinates; Discriminative model; Artificial intelligence; Scripting language; Computer vision; Pattern recognition (psychology); Mathematics","score_opus":0.5282680905636027,"score_gpt":0.6166722057195967,"score_spread":0.088404115155994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396558963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9847829,0.00032585638,0.008425989,0.0003195937,0.00006830466,0.00021294432,0.00003518064,0.00007385141,0.005755387],"genre_scores_gemma":[0.99194163,0.00007601548,0.0055469098,0.000011186068,0.000017493463,0.00004540631,0.0000012167119,0.000013240009,0.002346916],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9974779,0.0009815365,0.0002193797,0.00035394114,0.0006758105,0.00029146008],"domain_scores_gemma":[0.999247,0.00030110232,0.000014006472,0.0002699023,0.00007964769,0.00008833095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034580089,0.00007652488,0.00016207327,0.0005448875,0.00005761666,0.00017092077,0.00028600259,0.000054506323,0.00036007777],"category_scores_gemma":[0.0021808285,0.000062821986,0.0001156046,0.0013179078,0.00041068593,0.00022454986,0.00013232075,0.00042328896,0.00006400176],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005127013,0.000107562766,0.0020979976,0.000012818718,4.5130363e-7,0.000087315,0.0002200135,7.785326e-7,0.6210106,0.0006005415,0.00010295867,0.37575382],"study_design_scores_gemma":[0.00030250542,0.0001891886,0.05772328,0.00013488675,0.000026326416,0.00007163949,0.0009578917,0.0011368734,0.91540694,0.0062635057,0.017474158,0.0003128193],"about_ca_topic_score_codex":0.00009121929,"about_ca_topic_score_gemma":0.0000067758765,"teacher_disagreement_score":0.37544098,"about_ca_system_score_codex":0.00005532642,"about_ca_system_score_gemma":0.000095722055,"threshold_uncertainty_score":0.3942599},"labels":[],"label_agreement":null},{"id":"W4398245838","doi":"10.1086/728409","title":"The collideroscopic sensorium","year":2023,"lang":"en","type":"article","venue":"Hau Journal of Ethnographic Theory","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Audiology; Medicine","score_opus":0.04315933842356387,"score_gpt":0.3082459394768592,"score_spread":0.2650866010532953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398245838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9934647,0.00020267938,0.0007429959,0.0031130177,0.00060586556,0.000051302683,0.0000022845522,0.000060106075,0.0017570663],"genre_scores_gemma":[0.9946995,0.0013800062,0.000033549535,0.00073868566,0.0001158301,0.0000018684157,1.6788562e-7,0.0000128381735,0.0030176009],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.998281,0.00055044884,0.00037231125,0.00012226297,0.0004178889,0.00025611397],"domain_scores_gemma":[0.99879193,0.00051044626,0.0002671219,0.00023550764,0.000087476226,0.00010753145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019523348,0.00010016924,0.00016630079,0.00033301453,0.00061837665,0.00011169244,0.00041368732,0.000052472467,0.000098138364],"category_scores_gemma":[0.0005817243,0.00005914585,0.00029369048,0.0014226368,0.0006132869,0.00009876476,0.00004149538,0.00032674486,0.00012910379],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037368562,0.00017098343,0.002847131,0.000024231169,0.00006969712,0.0005510965,0.0075668646,0.00048901635,0.729301,0.18438423,0.020181496,0.054040603],"study_design_scores_gemma":[0.0030805112,0.00090755447,0.019576894,0.00029548904,0.0003920154,0.0013446977,0.027838824,0.0009365271,0.060602825,0.4148948,0.46921226,0.0009176195],"about_ca_topic_score_codex":9.897809e-7,"about_ca_topic_score_gemma":0.0000025307413,"teacher_disagreement_score":0.66869813,"about_ca_system_score_codex":0.000010128394,"about_ca_system_score_gemma":0.000052949155,"threshold_uncertainty_score":0.4756116},"labels":[],"label_agreement":null},{"id":"W4398717539","doi":"10.7910/dvn/ohwwnr/xw2pq0","title":"04 LionPhotopicLuminanceAdjusted-DSC039ZebraWoodlands_Sobel_thr0.15.png","year":2016,"lang":"en","type":"dataset","venue":"Harvard Dataverse","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Sobel operator; Computer science; Artificial intelligence; Image processing; Image (mathematics)","score_opus":0.027794767681038234,"score_gpt":0.2662185856018403,"score_spread":0.23842381792080208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398717539","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032833059,0.0000016595607,0.00009757246,0.00004369132,0.0007390034,0.00025024707,0.9975121,0.00014051514,0.0008868902],"genre_scores_gemma":[0.00047525155,0.0026810672,0.000041271334,0.0027551183,0.00050048454,0.000050117123,0.9866176,0.000045527926,0.006833512],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966606,0.00023703206,0.00054686837,0.001176514,0.0007320162,0.00064696075],"domain_scores_gemma":[0.9969461,0.00007711837,0.00038917575,0.002231929,0.000055438282,0.0003002694],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002216798,0.00054608786,0.00063144305,0.0003664875,0.00032008905,0.00016440055,0.0013963815,0.00042577754,0.11505265],"category_scores_gemma":[0.0005704224,0.00042521898,0.00033525907,0.00042341644,0.0003419409,0.0004288385,0.00057652546,0.0005093043,0.2991984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024750942,0.00010614771,0.0000063135612,0.00004708008,0.000007720958,0.0002261129,0.000017471793,5.213082e-7,0.0025874504,0.000055370157,0.99548054,0.0014405227],"study_design_scores_gemma":[0.0006613897,0.000050058727,0.000017202909,0.00017975677,0.00012355829,0.00009186828,0.000033667387,0.000017179122,0.0009368104,0.000051976065,0.99725664,0.00057987304],"about_ca_topic_score_codex":0.000117613665,"about_ca_topic_score_gemma":0.00007318403,"teacher_disagreement_score":0.18414573,"about_ca_system_score_codex":0.00012371442,"about_ca_system_score_gemma":0.00014554999,"threshold_uncertainty_score":0.99981993},"labels":[],"label_agreement":null},{"id":"W4399744612","doi":"10.31234/osf.io/qkmz2","title":"The Neurobiology of Processing Art","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Neuroscience; Psychology; Cognitive science; Computer science; Cognitive psychology","score_opus":0.04141117798470655,"score_gpt":0.3150350695978144,"score_spread":0.27362389161310785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399744612","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62995416,0.00048917567,0.0014170373,0.025057495,0.0014747164,0.00037004688,0.00002410307,0.0004411012,0.34077218],"genre_scores_gemma":[0.9716119,0.0002708693,0.000042533764,0.0006380858,0.000032054017,0.0000087770995,0.0000012690732,0.000008759662,0.027385753],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922794,0.000075415126,0.00019392063,0.00029780774,0.00009887245,0.0001060138],"domain_scores_gemma":[0.99960387,0.000027106542,0.000078842655,0.00024892148,0.000020451005,0.000020806325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000114575145,0.00009066821,0.00013260172,0.000047792055,0.00006991529,0.00006242631,0.00029814302,0.00007445924,0.00019445422],"category_scores_gemma":[0.00007394461,0.000048548256,0.00012362404,0.00011819936,0.00021979563,0.0000069734024,0.00056482956,0.00032746806,0.00036796328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036527275,0.00018678662,0.00010468205,0.0006677768,0.000016567961,0.000023901244,0.0016571626,0.0010821793,0.54311043,0.022017563,0.0883631,0.3427333],"study_design_scores_gemma":[0.00031959,0.00019441746,0.00081694516,0.0006023241,0.00044477085,0.00011602118,0.00077830517,0.104581736,0.15369599,0.0907008,0.6464401,0.0013090378],"about_ca_topic_score_codex":0.000003461661,"about_ca_topic_score_gemma":0.0000055424275,"teacher_disagreement_score":0.558077,"about_ca_system_score_codex":0.000006990025,"about_ca_system_score_gemma":0.00006518938,"threshold_uncertainty_score":0.47295463},"labels":[],"label_agreement":null},{"id":"W4399918897","doi":"10.1007/s10649-024-10326-4","title":"The sensory politics of mathematics: aestheticizing multiplication","year":2024,"lang":"en","type":"article","venue":"Educational Studies in Mathematics","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Multiplication (music); Mathematics education; Politics; Mathematics; Arithmetic; Political science; Law; Combinatorics","score_opus":0.1157447582819557,"score_gpt":0.40027869660006965,"score_spread":0.28453393831811397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399918897","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9631872,0.005083683,0.0016714786,0.01848695,0.0008760719,0.00053035404,0.000021496735,0.00012221329,0.010020525],"genre_scores_gemma":[0.98437595,0.0016741425,0.008062962,0.000116079646,0.00011537684,0.00007858897,0.0000014624425,0.00002188553,0.005553555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99869084,0.000052821044,0.00052305154,0.00020320159,0.00034036295,0.00018969178],"domain_scores_gemma":[0.99824744,0.0012248694,0.000118914366,0.00028789634,0.00008894054,0.000031931417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045923365,0.00012500981,0.00019340063,0.00012247304,0.00025162514,0.000046117395,0.00023082917,0.000033633463,0.0000423942],"category_scores_gemma":[0.0015469015,0.00008429805,0.00009247993,0.00040524307,0.00047345433,0.00006398475,0.00006583025,0.00012544727,0.00014788088],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.110999e-7,0.0004403248,0.000091166665,0.0004902902,0.000019611289,0.0000022270046,0.033540484,0.00011753777,0.01218894,0.94897264,0.0013356992,0.0028001931],"study_design_scores_gemma":[0.00020746855,0.000042069852,0.00031552496,0.0010249674,0.00010806506,0.00013705945,0.060375724,0.05264845,0.008799232,0.8621057,0.013830575,0.00040511537],"about_ca_topic_score_codex":0.0000036344086,"about_ca_topic_score_gemma":0.00000489779,"teacher_disagreement_score":0.08686687,"about_ca_system_score_codex":0.00011675371,"about_ca_system_score_gemma":0.00007443073,"threshold_uncertainty_score":0.34375748},"labels":[],"label_agreement":null},{"id":"W4400610284","doi":"10.1007/s11406-024-00761-1","title":"The Heaviest Metal","year":2024,"lang":"en","type":"article","venue":"Philosophia","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Philosophy of language; Philosophy of science; Philosophy of mind; Philosophy; Epistemology; Metaphysics","score_opus":0.06093857654552956,"score_gpt":0.31491737960917493,"score_spread":0.2539788030636454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400610284","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28772822,0.0041878726,0.0007091931,0.42032057,0.0025162364,0.00031741292,0.000032175427,0.0012980017,0.28289032],"genre_scores_gemma":[0.9956057,0.00025611356,0.000010881191,0.001278165,0.00024071554,0.000008903215,5.98044e-7,0.000009620396,0.0025892952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933755,0.00004910251,0.0001010691,0.00019997699,0.00018024494,0.00013208001],"domain_scores_gemma":[0.99969923,0.00004857738,0.000011032987,0.00018819034,0.000006976736,0.00004595919],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011475865,0.00006863799,0.000060778162,0.000036664576,0.00024913572,0.00013713955,0.0001792863,0.000017489067,0.0002807539],"category_scores_gemma":[0.000075242126,0.00003945338,0.00010470918,0.00026084017,0.00014343018,0.00007800503,0.000035868525,0.000106944535,0.0025929108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071330974,0.000036478188,0.000016664075,0.000009767716,0.000006447555,0.00007147442,0.00027100928,0.00000967799,0.11502757,0.84000397,0.0044091004,0.040130697],"study_design_scores_gemma":[0.00008028542,0.000040027193,0.00013358935,0.00001851243,0.000049760816,0.00010132678,0.00004362675,0.0055690557,0.00639021,0.19895452,0.78843087,0.00018821453],"about_ca_topic_score_codex":0.0000028312077,"about_ca_topic_score_gemma":0.0000015774917,"teacher_disagreement_score":0.78402174,"about_ca_system_score_codex":0.000012968016,"about_ca_system_score_gemma":0.000015326863,"threshold_uncertainty_score":0.99818367},"labels":[],"label_agreement":null},{"id":"W4400662130","doi":"10.1098/rstb.2023.0246","title":"The origins and development of aesthetics","year":2024,"lang":"en","type":"review","venue":"Philosophical Transactions of the Royal Society B Biological Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Pleasure; Feeling; Aesthetics; Psychology; Mechanism (biology); Notice; Cognitive psychology; Jungle; Animal cognition; Cognitive science; Social psychology; Neuroscience; Epistemology; Art; Biology; Ecology; Cognition","score_opus":0.18896294085457538,"score_gpt":0.36691562667970234,"score_spread":0.17795268582512697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400662130","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007630991,0.9914036,0.0017830557,0.0045773517,0.00032014825,0.0004773679,0.000068531364,0.000061277766,0.000545607],"genre_scores_gemma":[0.039641537,0.9595641,0.0005469095,0.00007423192,0.00003480533,0.000026981435,5.520046e-7,0.0000071733357,0.00010369499],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979422,0.0002650947,0.00062492874,0.00046993804,0.00045064694,0.00024715904],"domain_scores_gemma":[0.9991304,0.0003036362,0.00023170601,0.00023028308,0.000024851686,0.00007911619],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00069882034,0.0002485958,0.0006221496,0.000026936152,0.001083725,0.000055928627,0.0010061243,0.00024297758,0.00004929141],"category_scores_gemma":[0.00008549376,0.00009081343,0.0009822253,0.000786588,0.0045985957,0.000022330556,0.00010111071,0.00049781945,0.0000150654705],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025940662,0.00014345006,0.0000037109362,0.00066473783,0.000039672912,3.67185e-7,0.00023248904,0.000026753094,0.000038115726,0.014370274,0.000024736695,0.9844531],"study_design_scores_gemma":[0.00007932847,0.00019013332,0.000007872207,0.0013789011,0.00060343015,0.00002291525,0.00015513315,0.0010104377,0.00009623412,0.014552214,0.9815147,0.000388731],"about_ca_topic_score_codex":0.000004853799,"about_ca_topic_score_gemma":0.0000010650309,"teacher_disagreement_score":0.98406434,"about_ca_system_score_codex":0.000050192495,"about_ca_system_score_gemma":0.0002042319,"threshold_uncertainty_score":0.9981103},"labels":[],"label_agreement":null},{"id":"W4400988236","doi":"10.1042/bio_2024_139","title":"Art and science: not as different as you think","year":2024,"lang":"en","type":"article","venue":"The Biochemist","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute of Infection and Immunity","funders":"Medical Research Council; Rosetrees Trust; UK Research and Innovation","keywords":"Epistemology; Psychology; Mathematics education; Philosophy","score_opus":0.023250098713702056,"score_gpt":0.29613569174492843,"score_spread":0.2728855930312264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400988236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9612503,0.00009460181,0.00002081525,0.006631198,0.000090748516,0.000040826064,0.0000034882612,0.00008677048,0.031781252],"genre_scores_gemma":[0.96554,0.00012615148,0.0000039314946,0.001604109,0.000058618793,0.0000033841595,8.3549025e-7,0.0000060956627,0.032656904],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9991471,0.000016611702,0.000082423554,0.00032404135,0.000273501,0.00015631241],"domain_scores_gemma":[0.99961704,0.000021743928,0.000015231245,0.00025036588,0.000011285633,0.000084361134],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018113122,0.00009205778,0.00007180082,0.00004022042,0.0002771833,0.0002503463,0.00027899106,0.00002392331,0.00052315916],"category_scores_gemma":[0.00014657124,0.00005034754,0.00004897541,0.0002925501,0.000790615,0.000049370876,0.00010851031,0.00010353134,0.00095237535],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032876933,0.000011805984,0.0000045032593,0.0000054733155,7.242121e-7,0.000003946411,0.00055850804,1.8570162e-7,0.9926288,0.0028402475,0.0010089398,0.0029335585],"study_design_scores_gemma":[0.000052194227,0.000020418815,0.00010860837,0.000019759902,0.000015422142,0.00007669036,0.00023637341,0.0011029737,0.9807962,0.0013193582,0.016154235,0.00009777386],"about_ca_topic_score_codex":0.0000074527948,"about_ca_topic_score_gemma":3.7597223e-7,"teacher_disagreement_score":0.015145296,"about_ca_system_score_codex":0.000025057461,"about_ca_system_score_gemma":0.000045096338,"threshold_uncertainty_score":0.9998255},"labels":[],"label_agreement":null},{"id":"W4401193984","doi":"10.26689/jcer.v8i7.7759","title":"The Past and Future of Aesthetics in Mathematics","year":2024,"lang":"en","type":"article","venue":"Journal of Contemporary Educational Research","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Beauty; Aesthetics; The arts; Perception; Expression (computer science); Personalization; Function (biology); Visual arts; Mathematics education; Art; Mathematics; Epistemology; Computer science; Philosophy","score_opus":0.13087044125514494,"score_gpt":0.42013867300117,"score_spread":0.2892682317460251,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401193984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85112023,0.007862429,0.000022851973,0.12888432,0.00028468226,0.00010259985,0.000003898313,0.0000024802612,0.011716496],"genre_scores_gemma":[0.9941527,0.0027638045,0.000107434455,0.000050108927,0.00029636017,0.0000026162895,2.946902e-7,0.000006481531,0.0026201583],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998477,0.00023029698,0.00040387004,0.0000883039,0.00068823155,0.00011230019],"domain_scores_gemma":[0.9986082,0.0008978003,0.00009466205,0.00010723116,0.00021980009,0.00007236161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019108289,0.000050751478,0.00011645122,0.00033292896,0.000094629424,0.00009848994,0.00023520918,0.000031366417,0.000091230955],"category_scores_gemma":[0.00041863622,0.00003020972,0.00006263998,0.0005448413,0.0002967441,0.00014895407,0.00003325995,0.0003873456,0.000012862301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000221656,0.0013294478,0.011922334,0.00041133276,0.000032273314,0.00013000678,0.014914001,0.000019541954,0.05434493,0.6989606,0.099808045,0.117905825],"study_design_scores_gemma":[0.0005994968,0.0005100138,0.021762542,0.0006469639,0.00001675051,0.00093129626,0.016477173,0.0023967437,0.0015818467,0.13693707,0.817933,0.00020708637],"about_ca_topic_score_codex":0.0000037002503,"about_ca_topic_score_gemma":0.0000019552485,"teacher_disagreement_score":0.718125,"about_ca_system_score_codex":0.00003578671,"about_ca_system_score_gemma":0.0007316967,"threshold_uncertainty_score":0.16828454},"labels":[],"label_agreement":null},{"id":"W4402424057","doi":"10.1016/j.neubiorev.2024.105878","title":"Aesthetic processing in neurodiverse populations","year":2024,"lang":"en","type":"review","venue":"Neuroscience & Biobehavioral Reviews","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Anhedonia; Neuropsychology; Cognition; Perspective (graphical); Cognitive psychology; Anxiety; Perception; Cognitive neuropsychology; Schizophrenia (object-oriented programming); Neuroscience; Psychiatry","score_opus":0.5078900588711748,"score_gpt":0.4978521111590565,"score_spread":0.0100379477121183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402424057","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014262249,0.99723655,0.000023612487,0.000019089508,0.0007612075,0.0013069215,0.000040172617,0.00019082005,0.00027898248],"genre_scores_gemma":[0.0003776511,0.9975,0.00008396182,0.00067434646,0.000047840902,0.00028549772,0.000011929001,0.000080206,0.0009385389],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946991,0.00054663495,0.0015130494,0.0018361611,0.0006754201,0.0007296376],"domain_scores_gemma":[0.9982953,1.3582337e-7,0.00057253416,0.00083450036,0.000023158094,0.0002743829],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005733543,0.0008158787,0.0019220558,0.0009915503,0.00029928185,0.00048712635,0.001188886,0.00024866982,0.00016948463],"category_scores_gemma":[0.00031604982,0.00058258366,0.001062974,0.0041240603,0.0004962698,0.00044066334,0.00031922667,0.0010662192,0.0022094427],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.286715e-7,0.00011012216,0.0000067885608,0.0011347176,3.2552028e-10,0.0001566961,0.00004172883,7.3731064e-7,0.00014197643,0.000086194836,0.0004594869,0.99786115],"study_design_scores_gemma":[0.0000477457,0.00004992055,0.000009839607,0.005329288,0.00050305936,0.00037884465,0.000007800274,0.00012595973,7.9039005e-8,0.00002727088,0.99299467,0.0005255443],"about_ca_topic_score_codex":0.00002063773,"about_ca_topic_score_gemma":0.00001586399,"teacher_disagreement_score":0.99733555,"about_ca_system_score_codex":0.00019337557,"about_ca_system_score_gemma":0.00028636577,"threshold_uncertainty_score":0.9996626},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"review","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"design_other","genre":"review","about_ca_system":false,"about_ca_topic":false,"confidence":"high"}],"label_agreement":"split"},{"id":"W4402579840","doi":"10.4103/mjdrdypu.mjdrdypu_667_24","title":"How to Balance the lost Art and the Fragmented Science?","year":2024,"lang":"en","type":"article","venue":"Medical Journal of Dr D Y Patil Vidyapeeth","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Balance (ability); History; Political science; Epistemology; Psychology; Philosophy","score_opus":0.018834490550758365,"score_gpt":0.2912289956161888,"score_spread":0.27239450506543045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402579840","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36662635,0.00051132095,0.01714807,0.6102895,0.00078657194,0.00018946728,0.0000042277393,0.000028597791,0.004415878],"genre_scores_gemma":[0.9852727,0.00046190378,0.00006793108,0.011172135,0.00022075325,0.0000025660172,8.8600636e-8,0.0000071975705,0.0027947023],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972695,0.0002331714,0.00029568723,0.00020750827,0.0017695377,0.00022456172],"domain_scores_gemma":[0.9989643,0.0003364015,0.000098724246,0.00018517155,0.000084300766,0.00033109912],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024184485,0.00010376954,0.00019955401,0.00014829297,0.0002567343,0.0004085915,0.0007057051,0.000038150203,0.00048492834],"category_scores_gemma":[0.0031401291,0.000042402695,0.00011096268,0.0009093031,0.0016444185,0.00019563081,0.00012579853,0.0004893342,0.00010264008],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038726654,0.00036165377,0.0018389132,0.0000926294,0.000074510564,0.0011537769,0.013788777,0.000056913705,0.14217518,0.030090312,0.1626641,0.647316],"study_design_scores_gemma":[0.0027531497,0.0006222746,0.00453638,0.0009728044,0.00023873645,0.0027243174,0.002425683,0.06561605,0.0082404055,0.0047430936,0.9066958,0.00043131263],"about_ca_topic_score_codex":0.0000020734506,"about_ca_topic_score_gemma":0.000003143111,"teacher_disagreement_score":0.74403167,"about_ca_system_score_codex":0.000032706146,"about_ca_system_score_gemma":0.00023136982,"threshold_uncertainty_score":0.60589284},"labels":[],"label_agreement":null},{"id":"W4402875156","doi":"10.1007/978-3-031-64699-7_8","title":"Aesthetics of Architecture: Emerging Insights from the Brain","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Architecture; Aesthetics; Cognitive science; Neuroscience; Art; Psychology; Visual arts","score_opus":0.027566162461236006,"score_gpt":0.2577497909118588,"score_spread":0.2301836284506228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402875156","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008350357,0.0004708245,0.0016167361,0.010868086,0.00021492798,0.00013285562,0.000058724305,0.0001178044,0.985685],"genre_scores_gemma":[0.07987769,0.00038725877,0.00008893486,0.006120064,0.00014564685,0.0000024993976,0.000013204825,0.00005968718,0.913305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866956,0.000032204545,0.0003186412,0.0004413542,0.00041848962,0.000119734934],"domain_scores_gemma":[0.99915755,0.00011809988,0.00012258797,0.0005271865,0.00002055489,0.000054033066],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000518711,0.0002480426,0.00028291054,0.000120883225,0.00009300598,0.000045089102,0.0004307609,0.00014627994,0.0029369853],"category_scores_gemma":[0.00004044199,0.00014112025,0.00033701808,0.00007555001,0.00030001238,0.000017893502,0.00014436168,0.00043887424,0.00075373845],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008015459,0.000017377753,0.0000010541945,0.000015958516,0.000020565587,0.000050723807,0.0022305802,0.00012125142,0.01395385,0.9361632,0.010538796,0.036878657],"study_design_scores_gemma":[0.000054668508,0.000022336892,0.0000017159065,0.00010323942,0.0000918506,0.00001113367,0.00004788647,0.00055064517,0.0008025159,0.21691445,0.7812091,0.00019046999],"about_ca_topic_score_codex":0.000036549605,"about_ca_topic_score_gemma":0.000072717965,"teacher_disagreement_score":0.7706703,"about_ca_system_score_codex":0.000015640615,"about_ca_system_score_gemma":0.0000307978,"threshold_uncertainty_score":0.99797446},"labels":[],"label_agreement":null},{"id":"W4402904580","doi":"10.1167/jov.24.10.651","title":"Less is more: Aesthetic liking is inversely related to metabolic expense by the visual system","year":2024,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Vector Institute; University of Toronto","funders":"","keywords":"Psychology; Food science; Biology","score_opus":0.026755959667400367,"score_gpt":0.33518039121148857,"score_spread":0.3084244315440882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402904580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98558927,0.000843393,0.0005062514,0.012214439,0.0003970713,0.00007932577,0.0000037840935,0.000041807325,0.00032465256],"genre_scores_gemma":[0.99443513,0.0003009189,0.000034521134,0.003726463,0.00004900152,0.0000014697475,2.266943e-7,0.00002162858,0.0014306535],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981307,0.00021680816,0.0005144765,0.00023966507,0.0007092698,0.00018911772],"domain_scores_gemma":[0.99935067,0.00004109502,0.00018943289,0.00019104478,0.00006870838,0.00015907253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060666434,0.0001442669,0.00026101313,0.00025353176,0.00019057587,0.00018569565,0.00032175748,0.00006909482,0.00020018852],"category_scores_gemma":[0.000053314994,0.00008449088,0.00028410784,0.0007600392,0.00006820292,0.00024288065,0.00006529769,0.00033305175,0.00030401582],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009318536,0.00017305123,0.000072570525,0.00004684818,0.000027548296,0.00036381587,0.020169644,0.00017125263,0.68856514,0.0010248721,0.08761273,0.20167938],"study_design_scores_gemma":[0.002387666,0.0018445032,0.0021896106,0.0041291094,0.0010810721,0.013811776,0.03726639,0.20261382,0.13106145,0.0004721912,0.6017764,0.0013660241],"about_ca_topic_score_codex":0.000011376423,"about_ca_topic_score_gemma":3.6462228e-7,"teacher_disagreement_score":0.55750364,"about_ca_system_score_codex":0.00006904739,"about_ca_system_score_gemma":0.000046387926,"threshold_uncertainty_score":0.390761},"labels":[],"label_agreement":null},{"id":"W4402915703","doi":"10.1109/cvprw63382.2024.00742","title":"AI Art Neural Constellation: Revealing the Collective and Contrastive State of AI-Generated and Human Art","year":2024,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kootenay Association for Science & Technology","funders":"","keywords":"Constellation; Computer science; Cognitive science; Artificial intelligence; Natural language processing; Psychology; Physics; Astronomy","score_opus":0.028067554598022616,"score_gpt":0.29749213670108116,"score_spread":0.26942458210305853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402915703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9787025,0.0000741894,0.0022633392,0.004932526,0.000053690717,0.00018831284,0.000021866796,0.00005720071,0.013706359],"genre_scores_gemma":[0.985526,0.00003591985,0.000010121451,0.0021753367,0.000013554027,0.0000018742809,0.0000020479217,0.0000053865765,0.012229726],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9993044,0.00011188595,0.00016024882,0.00022040533,0.00011015943,0.00009287455],"domain_scores_gemma":[0.99973893,0.000080581296,0.00002920618,0.0000664548,0.000044571898,0.0000402308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012449906,0.00007920967,0.00012387968,0.00006137571,0.00017906365,0.00010805307,0.00003547907,0.000018117718,0.0002420815],"category_scores_gemma":[0.000026527785,0.000050631737,0.000028463754,0.0003022159,0.0003278346,0.00008505633,0.000023935116,0.00011066791,0.0000127235235],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053269585,0.000043620097,0.0014379369,0.00003235595,0.00003135302,0.000033311317,0.0032584425,0.0011881113,0.95404196,0.011027215,0.02174483,0.0071076257],"study_design_scores_gemma":[0.0015461498,0.00055567245,0.009220749,0.00016629265,0.00027249762,0.00031065787,0.0014586761,0.80189353,0.1555129,0.00811303,0.020273663,0.00067615655],"about_ca_topic_score_codex":0.000008661087,"about_ca_topic_score_gemma":0.000021884842,"teacher_disagreement_score":0.80070543,"about_ca_system_score_codex":0.000011923328,"about_ca_system_score_gemma":0.00003327076,"threshold_uncertainty_score":0.26506227},"labels":[],"label_agreement":null},{"id":"W4402946618","doi":"10.1167/jov.24.10.1070","title":"Bridging perspectives: a foundational dataset for the empirical aesthetics of bridge design","year":2024,"lang":"en","type":"article","venue":"Journal of Vision","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Bridging (networking); Bridge (graph theory); Aesthetics; Epistemology; Computer science; Philosophy; Medicine","score_opus":0.20132520952968508,"score_gpt":0.427695259900326,"score_spread":0.2263700503706409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402946618","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077312954,0.00045781655,0.9071033,0.014574857,0.00021645316,0.00012801653,0.0001680338,0.000009723049,0.000028835022],"genre_scores_gemma":[0.9973783,0.00032909497,0.0017100457,0.00035950338,0.00014449602,0.0000011849145,0.0000059614435,0.000008607697,0.00006283464],"study_design_codex":"not_applicable","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.999004,0.00010031437,0.00030587352,0.0001257096,0.00037425573,0.000089821755],"domain_scores_gemma":[0.99928707,0.00030723412,0.00014724233,0.000118218966,0.00009666118,0.00004357546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072695664,0.00006616366,0.00012765439,0.00012942108,0.00011269457,0.000092256014,0.00021029239,0.00002469846,0.00011293316],"category_scores_gemma":[0.00038419312,0.000038790662,0.00017345276,0.0002278223,0.00011938653,0.00018257767,0.0000270633,0.0001387209,0.000013976147],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006724667,0.0009015284,0.00012584953,0.00009621006,0.000068603185,0.00012442589,0.011905552,0.009998624,0.28951433,0.005590804,0.37155142,0.30945018],"study_design_scores_gemma":[0.0011333029,0.0016756615,0.0073454133,0.0004272235,0.00038885142,0.0016112615,0.0018849442,0.79214394,0.004985333,0.0038372187,0.18428163,0.00028521716],"about_ca_topic_score_codex":0.0000013278459,"about_ca_topic_score_gemma":2.5967722e-7,"teacher_disagreement_score":0.92006534,"about_ca_system_score_codex":0.00004207523,"about_ca_system_score_gemma":0.000108468055,"threshold_uncertainty_score":0.15818372},"labels":[],"label_agreement":null},{"id":"W4403107760","doi":"10.1007/s10670-024-00871-y","title":"The Myth of the Aesthetic","year":2024,"lang":"de","type":"article","venue":"Erkenntnis","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Mythology; Ontology; Aesthetics; Philosophy; Epistemology; Theology","score_opus":0.01536288790054545,"score_gpt":0.2624410588450333,"score_spread":0.24707817094448786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403107760","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38547006,0.07198521,0.0012015682,0.47049227,0.022092521,0.0013250832,0.00023948922,0.00051171146,0.046682097],"genre_scores_gemma":[0.95667094,0.004035151,0.000011520049,0.0025563687,0.00017764949,0.000009775791,7.524149e-7,0.000029590003,0.036508273],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979355,0.00036401392,0.00038187852,0.00039917286,0.0005736532,0.0003457955],"domain_scores_gemma":[0.99881274,0.000105217936,0.00010252531,0.00086193014,0.00003775644,0.00007982578],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004925039,0.00019286464,0.00018691142,0.000061622,0.000606916,0.0002829795,0.00087885285,0.0000836339,0.00053353363],"category_scores_gemma":[0.00013987995,0.00009505109,0.00049001555,0.000981651,0.0009639752,0.000067185414,0.00019754948,0.0003733586,0.0022956133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056068424,0.00036274173,0.0003462959,0.00020900775,0.00008512962,0.0001149044,0.011105614,0.00020107953,0.046100356,0.10114056,0.31687805,0.5234002],"study_design_scores_gemma":[0.00008271714,0.000049640475,0.00030348284,0.0001466333,0.00019762877,0.000039996376,0.00030631124,0.009315995,0.0019133581,0.0012180662,0.9862836,0.00014257128],"about_ca_topic_score_codex":0.00003213762,"about_ca_topic_score_gemma":0.000008398967,"teacher_disagreement_score":0.6694056,"about_ca_system_score_codex":0.0000435012,"about_ca_system_score_gemma":0.0001482504,"threshold_uncertainty_score":0.9984812},"labels":[],"label_agreement":null},{"id":"W4403253238","doi":"10.1038/s41598-024-73963-y","title":"Age-adapted painting descriptions change the viewing behavior of young visitors to the Rijksmuseum","year":2024,"lang":"en","type":"article","venue":"Scientific Reports","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"European Research Council","keywords":"Computer science; Painting; World Wide Web; Art; Visual arts","score_opus":0.09386297834294878,"score_gpt":0.3112199708084731,"score_spread":0.2173569924655243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403253238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9852254,0.00016697704,0.0010686549,0.0029062892,0.008734136,0.0005304872,0.000004925532,0.00015454376,0.0012086243],"genre_scores_gemma":[0.9946949,0.000009307136,0.00006524001,0.00024502384,0.00013577449,0.00010385212,0.0000036547005,0.000014637403,0.004727602],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784404,0.00015613923,0.0004409158,0.00062222785,0.00066301686,0.00027364446],"domain_scores_gemma":[0.9988676,0.00003644558,0.0001292747,0.0008177761,0.00006713261,0.00008181962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020960853,0.00011934029,0.00013527485,0.00021117611,0.00086900714,0.0006532287,0.00031145173,0.00003193153,0.000214045],"category_scores_gemma":[0.00037623782,0.0000662515,0.00020507496,0.0017906509,0.00030297454,0.00019544999,0.00014037557,0.00015651838,0.00009566438],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017146807,0.00009242544,0.0017247705,0.00002488522,0.000006550233,0.0007923265,0.022015754,0.00008734576,0.9130546,0.0006960178,0.011015997,0.050487597],"study_design_scores_gemma":[0.00007194637,0.000053902666,0.012717184,0.00041656796,0.00038667637,0.0013562924,0.005395485,0.008101358,0.046373684,0.000898108,0.9236856,0.0005431899],"about_ca_topic_score_codex":0.00009661854,"about_ca_topic_score_gemma":0.00007166883,"teacher_disagreement_score":0.9126696,"about_ca_system_score_codex":0.000038174294,"about_ca_system_score_gemma":0.00004558056,"threshold_uncertainty_score":0.6683788},"labels":[],"label_agreement":null},{"id":"W4403484251","doi":"10.4018/979-8-3693-3184-2.ch009","title":"Visual Arts Literacies and Neuroaesthetics","year":2024,"lang":"en","type":"book-chapter","venue":"Advances in educational technologies and instructional design book series","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University; Western University","funders":"","keywords":"The arts; Visual arts; Art","score_opus":0.02329355480465292,"score_gpt":0.28862137256936743,"score_spread":0.2653278177647145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403484251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014220538,0.2554233,0.0011006311,0.07481885,0.0043199332,0.0019082734,0.00039141698,0.0024317515,0.64538527],"genre_scores_gemma":[0.023389952,0.47415882,0.010787465,0.00088562374,0.00023059906,0.00014190968,0.00003958294,0.00009952697,0.49026653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985082,0.000014123712,0.00035247882,0.0006622727,0.0002731696,0.00018976901],"domain_scores_gemma":[0.99950534,0.00010447987,0.00013189873,0.00016831429,0.000049353395,0.00004064207],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006260062,0.00033584877,0.00029001542,0.00047156305,0.00019861967,0.0001328901,0.00016158643,0.00023611459,0.00018702369],"category_scores_gemma":[0.00011742101,0.00030630192,0.000060857263,0.000114191214,0.0015735651,0.00096428057,0.00015408712,0.00043255123,0.00003302761],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021758815,0.000014857478,0.00001189323,0.000048432234,0.0000032021528,0.000009814085,0.00006523576,0.00002819078,0.00044496995,0.9084432,0.00014101881,0.09076744],"study_design_scores_gemma":[0.00004729429,0.00008538032,0.000026056336,0.00012367113,0.000014530671,0.0005154193,0.00018199382,0.00006300675,0.00027149115,0.48678282,0.51166654,0.00022179887],"about_ca_topic_score_codex":8.0233e-7,"about_ca_topic_score_gemma":0.0000036267802,"teacher_disagreement_score":0.5115255,"about_ca_system_score_codex":0.000059538088,"about_ca_system_score_gemma":0.000085357904,"threshold_uncertainty_score":0.9999389},"labels":[],"label_agreement":null},{"id":"W4403736048","doi":"10.33735/phimisci.2024.11602","title":"Molyneux's question about perceptual knowledge","year":2024,"lang":"en","type":"article","venue":"Philosophy and the Mind Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Perception; Psychology; Cognitive psychology; Cognitive science; Neuroscience","score_opus":0.06414177775660786,"score_gpt":0.3311250718873076,"score_spread":0.26698329413069977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403736048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76907384,0.003718332,0.00032023562,0.016847739,0.0004927239,0.0001480778,0.000008582744,0.00009536394,0.20929512],"genre_scores_gemma":[0.99767476,0.00047093845,0.00004010758,0.0004688246,0.00020140206,0.000008845814,3.3184313e-7,0.0000040439018,0.0011307447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988949,0.00019324968,0.00013740774,0.00038406957,0.00022791426,0.00016251166],"domain_scores_gemma":[0.9996664,0.00013045188,0.000022198938,0.00011007953,0.000011410802,0.000059488488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006968915,0.00010222873,0.00011033714,0.00008984877,0.00060177286,0.0002840537,0.0002596867,0.000031091196,0.00026943936],"category_scores_gemma":[0.000107278414,0.000054598084,0.000084982305,0.00054203434,0.002303424,0.0002223437,0.00006252945,0.00011958081,0.00040928612],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016155589,0.0000386064,0.000034333363,0.0000133843,0.0000021457668,0.0000080836235,0.0059283553,0.000018194412,0.005662842,0.92440116,0.00018403571,0.06369271],"study_design_scores_gemma":[0.0010679517,0.00039714872,0.0007001421,0.00031939987,0.00015319229,0.00037767921,0.0018085791,0.14468902,0.0044025844,0.80067575,0.04468146,0.00072708656],"about_ca_topic_score_codex":0.000009440232,"about_ca_topic_score_gemma":0.000002999872,"teacher_disagreement_score":0.22860093,"about_ca_system_score_codex":0.000008345726,"about_ca_system_score_gemma":0.00003424899,"threshold_uncertainty_score":0.8487062},"labels":[],"label_agreement":null},{"id":"W4404011955","doi":"10.1038/s41598-024-76931-8","title":"Neural dissociation between computational and perceived measures of curvature","year":2024,"lang":"en","type":"article","venue":"Scientific Reports","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Agencia Estatal de Investigación; European Regional Development Fund; Social Sciences and Humanities Research Council of Canada","keywords":"Curvature; Beauty; Psychology; Context (archaeology); Visual cortex; Pleasure; Cognitive psychology; Social psychology; Mathematics; Neuroscience; Aesthetics; Geometry; Biology; Art","score_opus":0.04848993842855973,"score_gpt":0.3016436442225555,"score_spread":0.25315370579399576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404011955","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99741995,0.00008186689,0.00056725537,0.00059655186,0.00077599776,0.00006220065,0.00000734684,0.00005863768,0.0004301906],"genre_scores_gemma":[0.9983586,0.000003487141,0.00008695466,0.00003021825,0.00003470759,0.0000017321433,0.000023076274,0.0000052348796,0.001455967],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9986825,0.000059331935,0.00024825666,0.00042071813,0.00048855756,0.00010063367],"domain_scores_gemma":[0.9996224,0.000034433528,0.00008922581,0.0001409015,0.00005872815,0.00005433199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000462956,0.00006538345,0.0001096455,0.00013303648,0.0001701532,0.0002206885,0.000050464627,0.00003513534,0.00007887921],"category_scores_gemma":[0.00019940514,0.000052936026,0.00007009171,0.0004394224,0.00024643514,0.00015596407,0.000025983083,0.00007814739,0.000008699723],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005397792,0.00008000282,0.06749684,0.00009853148,0.00001960748,0.00024917998,0.0068598245,0.0018143657,0.83528376,0.0014825634,0.009903597,0.07670635],"study_design_scores_gemma":[0.00027942873,0.00008372102,0.7410271,0.00023255715,0.00031336123,0.0006177116,0.0006009542,0.10070653,0.01970905,0.091375954,0.04431339,0.0007402316],"about_ca_topic_score_codex":0.000005558104,"about_ca_topic_score_gemma":0.0000022812876,"teacher_disagreement_score":0.8155747,"about_ca_system_score_codex":0.000016367361,"about_ca_system_score_gemma":0.000042719825,"threshold_uncertainty_score":0.21586685},"labels":[],"label_agreement":null},{"id":"W4404440607","doi":"10.2139/ssrn.5023501","title":"Art Style Classification Via Self-Supervised Dual-Teacher Knowledge Distillation","year":2024,"lang":"en","type":"preprint","venue":"SSRN Electronic Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Dual (grammatical number); Distillation; Style (visual arts); Dual purpose; Artificial intelligence; Computer science; Machine learning; Chromatography; Engineering; Chemistry; Art; Visual arts; Literature; Mechanical engineering","score_opus":0.02767825028442273,"score_gpt":0.29392040330973807,"score_spread":0.26624215302531534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404440607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8782459,0.004238484,0.05893682,0.008039914,0.0022550225,0.0008323085,0.000031006653,0.0010609751,0.046359576],"genre_scores_gemma":[0.9692232,0.00506987,0.00008526981,0.00008568912,0.00077441207,0.000026025311,0.00003669503,0.00007294043,0.024625927],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99611074,0.0004662374,0.00061266206,0.00079168123,0.0005218587,0.001496828],"domain_scores_gemma":[0.9989004,0.000027478021,0.00032715002,0.00047235,0.00011079533,0.00016181097],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014056682,0.0003946759,0.0003749062,0.00038580145,0.00031087565,0.00033278076,0.00042749252,0.00034415803,0.0004991051],"category_scores_gemma":[0.00010655059,0.0003488249,0.00046874696,0.0004261877,0.000083703526,0.000115189825,0.0003029087,0.0053654336,0.0030579357],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020045786,0.0024686693,0.00093308353,0.00044564524,0.00058594206,0.00007456721,0.00906617,0.00088981196,0.18581654,0.21523133,0.0099207545,0.57436705],"study_design_scores_gemma":[0.0010446507,0.0003070188,0.0011020727,0.00026823106,0.001121067,0.0016531455,0.0018885267,0.453087,0.0005553743,0.4976405,0.039717134,0.0016152712],"about_ca_topic_score_codex":0.000009203683,"about_ca_topic_score_gemma":0.000121557154,"teacher_disagreement_score":0.57275176,"about_ca_system_score_codex":0.002010295,"about_ca_system_score_gemma":0.0020972919,"threshold_uncertainty_score":0.99989635},"labels":[],"label_agreement":null},{"id":"W4404989384","doi":"10.1017/9781009472043","title":"Landscapes of the Imagination","year":2024,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Imagination; Aesthetics; Art; Psychology; Cognitive psychology","score_opus":0.019023508968228922,"score_gpt":0.21525995316507,"score_spread":0.19623644419684105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404989384","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00070832775,0.000041206356,0.00007005676,0.00008075223,0.0001688365,0.0001222774,0.00015715619,0.00006318198,0.9985882],"genre_scores_gemma":[0.018509788,0.000054907418,0.0000045508277,0.000090407746,0.000041853364,2.4718992e-7,0.0000060689117,0.0000147431165,0.9812774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915624,0.00007594969,0.000104613864,0.00029303017,0.00026388853,0.00010628631],"domain_scores_gemma":[0.9994318,0.000020832307,0.00012445953,0.00033525852,0.000048283597,0.000039390372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000048180784,0.0001405624,0.00017509056,0.000117267264,0.000095686235,0.000026741685,0.00048012173,0.00011003728,0.000008234995],"category_scores_gemma":[0.000019089559,0.00011267862,0.00025301438,0.00003071084,0.0002192353,0.00003876236,0.00025588344,0.00026107722,0.000028910248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013948178,0.00001412503,0.0000018885939,0.00012507726,0.000013494576,0.00005097516,0.00014323129,0.000006750759,0.0052898047,0.734192,0.2584381,0.0017106113],"study_design_scores_gemma":[0.000120278535,0.000008585539,0.0000102245185,0.000109875014,0.00019637638,0.000010143,0.000024329604,0.00043515538,0.0035076118,0.00002331869,0.9954218,0.00013225393],"about_ca_topic_score_codex":0.000017452114,"about_ca_topic_score_gemma":9.1605784e-7,"teacher_disagreement_score":0.7369838,"about_ca_system_score_codex":0.000098325356,"about_ca_system_score_gemma":0.00013116849,"threshold_uncertainty_score":0.45949006},"labels":[],"label_agreement":null},{"id":"W4405673441","doi":"10.53555/sfs.v10i1.1886","title":"Measuring Impact Of AI Image Generators In Photography: A Pragmatic Study On Professional Photographers","year":2023,"lang":"en","type":"article","venue":"Journal of Survey in Fisheries Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Image (mathematics); Visual arts; Psychology; Computer science; Art; Artificial intelligence","score_opus":0.24368789276462144,"score_gpt":0.3665296824116678,"score_spread":0.12284178964704634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405673441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99929154,0.0000060019265,0.000006371036,0.00014668138,0.00019334792,0.00015841359,0.000009725861,0.000010032679,0.0001778744],"genre_scores_gemma":[0.9997956,0.000033508673,0.000055211025,0.00007395404,0.000010966404,0.000006474106,4.0724137e-7,0.0000068875656,0.000016946868],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9965374,0.0011864041,0.0007240972,0.0002430983,0.0010198108,0.00028921643],"domain_scores_gemma":[0.99900585,0.00026057192,0.00041283257,0.00012917315,0.00010612297,0.00008542268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005426322,0.00014554549,0.0003912379,0.0014766005,0.00012894179,0.000090435664,0.0004935564,0.00003751422,0.00016020499],"category_scores_gemma":[0.0011091345,0.00009742839,0.00021168985,0.0058088917,0.0005325061,0.00051623705,0.000048988866,0.0003098011,0.000004708947],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007627364,0.00038732582,0.9488633,0.0000054637403,0.0000046428163,0.000042355292,0.002435566,0.00088044954,0.046858057,0.0000015932707,0.00021206016,0.00023285812],"study_design_scores_gemma":[0.0005038527,0.0007924298,0.99165124,0.00009438912,0.0000049171463,0.000009278272,0.0040390245,0.00042636774,0.002241233,0.000126567,0.000003563339,0.00010712171],"about_ca_topic_score_codex":0.0007809671,"about_ca_topic_score_gemma":0.0009637061,"teacher_disagreement_score":0.044616826,"about_ca_system_score_codex":0.00005173147,"about_ca_system_score_gemma":0.00027104546,"threshold_uncertainty_score":0.39730147},"labels":[],"label_agreement":null},{"id":"W4405888141","doi":"10.26485/ai/2024/26/3","title":"Artificial intelligence and concerns about ‘true’ art. Remarks on why human art is overrated and AI-made art. unjustifiably undervalued","year":2024,"lang":"en","type":"article","venue":"Art Inqiuiry","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Capital Commission","funders":"","keywords":"Psychology; Philosophy","score_opus":0.09400717180752984,"score_gpt":0.3538667811318544,"score_spread":0.25985960932432456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405888141","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8810032,0.00037944436,0.018000038,0.0317967,0.0015176848,0.00080328085,0.000148099,0.00093824376,0.065413326],"genre_scores_gemma":[0.9562426,0.0003435051,0.00006456154,0.014936459,0.00020027577,0.000016972192,0.000033388213,0.00004382297,0.02811839],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741745,0.00018323188,0.00051465153,0.0009875025,0.0004592056,0.0004379806],"domain_scores_gemma":[0.9990454,0.00012765596,0.00008894943,0.00044512076,0.000046374145,0.0002465442],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003350181,0.00033497656,0.00034752552,0.0002615839,0.00041728202,0.00047570592,0.00020599178,0.00017394917,0.0024056828],"category_scores_gemma":[0.00015504872,0.00030625507,0.00012304154,0.0006006729,0.00069589546,0.00033641618,0.000118565506,0.00048820046,0.0033994848],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015076873,0.0003568193,0.00036427463,0.00016681437,0.000056131183,0.00030171216,0.0048545715,0.000293093,0.3157999,0.085499465,0.5617475,0.03040896],"study_design_scores_gemma":[0.0004012158,0.00090262125,0.0015248294,0.0008592318,0.00034282124,0.00021785608,0.0014730241,0.079600126,0.061858587,0.050823603,0.80033475,0.0016613393],"about_ca_topic_score_codex":0.000014299757,"about_ca_topic_score_gemma":0.000059071383,"teacher_disagreement_score":0.2539413,"about_ca_system_score_codex":0.00006291672,"about_ca_system_score_gemma":0.000060947026,"threshold_uncertainty_score":0.99993896},"labels":[],"label_agreement":null},{"id":"W4406025236","doi":"10.1142/9789811298639_0021","title":"Symmetric in the Striate but Asymmetric in the Extra-Striate Cortex When Processing Three-Quarter Faces: Neural Underpinnings for Aesthetic Appreciations","year":2025,"lang":"en","type":"book-chapter","venue":"Exploring complexity","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Striate cortex; Orientation column; Quarter (Canadian coin); Psychology; Neuroscience; Visual cortex; Geography","score_opus":0.2631698675673017,"score_gpt":0.31871692675627955,"score_spread":0.05554705918897784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406025236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18739577,0.003916574,0.09560648,0.058635414,0.0033528013,0.019537078,0.0014322466,0.0012202116,0.62890345],"genre_scores_gemma":[0.98589617,0.0002599482,0.00041274406,0.0021893475,0.00019930184,0.00052060594,0.000068161906,0.00006832837,0.0103853885],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9961576,0.00032553088,0.00096468645,0.0009906658,0.0009141697,0.00064733915],"domain_scores_gemma":[0.99783385,0.00066066993,0.00054780935,0.00079000473,0.000094342744,0.00007333074],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0013336877,0.0005696349,0.0007077214,0.0015981616,0.0005763253,0.00063499925,0.0016163479,0.00022854687,0.00006735016],"category_scores_gemma":[0.00049034675,0.0003995287,0.0004268702,0.0015144768,0.0003133115,0.00046967083,0.00013634734,0.0011978056,0.000053152165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002535732,0.0007614857,0.000710933,0.00045683704,0.00004124212,0.000110816254,0.018166274,0.0008058531,0.00019161054,0.47516894,0.0030940769,0.50023836],"study_design_scores_gemma":[0.007197715,0.0008725,0.02239373,0.0021915988,0.0008888869,0.00018683895,0.007940679,0.16403815,0.00006020311,0.68033725,0.11011475,0.003777674],"about_ca_topic_score_codex":0.00017730636,"about_ca_topic_score_gemma":0.00037105542,"teacher_disagreement_score":0.7985004,"about_ca_system_score_codex":0.0002363325,"about_ca_system_score_gemma":0.00015065102,"threshold_uncertainty_score":0.9998457},"labels":[],"label_agreement":null},{"id":"W4406614913","doi":"10.1093/jaac/kpae047","title":"Texts without authors: ascribing literary meaning in the case of AI","year":2025,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Meaning (existential); Linguistics; Literature; Philosophy; History; Epistemology; Art","score_opus":0.023756094647032724,"score_gpt":0.32377583919506464,"score_spread":0.30001974454803193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406614913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98476785,0.00024903638,0.00091852865,0.0107911825,0.00009379305,0.000049240163,0.000002201888,0.0000041646213,0.003123982],"genre_scores_gemma":[0.9954278,0.00013638433,0.00033242579,0.0036844236,0.000023539038,7.387314e-7,1.14952364e-7,0.0000055628643,0.00038905066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99885374,0.0002098329,0.00049060286,0.000119456934,0.0001816974,0.000144694],"domain_scores_gemma":[0.9995153,0.000074954754,0.00013059411,0.00014009807,0.00008525219,0.000053793476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071574096,0.00009519653,0.00023521978,0.00026715235,0.00011998402,0.00009279633,0.0001718034,0.000043707478,0.000021377957],"category_scores_gemma":[0.0002072303,0.00006337343,0.00010648708,0.00028549484,0.0001661617,0.00014845667,0.000036482295,0.0003431283,0.0000019962085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022775758,0.0018947355,0.00961131,0.00032917887,0.00003404947,0.019005243,0.06870206,0.00045311786,0.10290834,0.53083676,0.00699135,0.2590061],"study_design_scores_gemma":[0.00802971,0.002502418,0.0037400848,0.00612452,0.00097335107,0.115282886,0.031708963,0.06338954,0.028534029,0.5737957,0.16440588,0.0015129524],"about_ca_topic_score_codex":0.0000036399265,"about_ca_topic_score_gemma":0.0000066587536,"teacher_disagreement_score":0.25749317,"about_ca_system_score_codex":0.000010500719,"about_ca_system_score_gemma":0.000040989475,"threshold_uncertainty_score":0.25842935},"labels":[],"label_agreement":null},{"id":"W4406635079","doi":"10.1111/cogs.70034","title":"Sad Art Gives Voice to Our Own Sadness","year":2025,"lang":"en","type":"article","venue":"Cognitive Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sadness; Appropriation; Psychology; Social psychology; Expression (computer science); Cognitive psychology; Linguistics; Philosophy; Computer science; Anger","score_opus":0.036921112049403154,"score_gpt":0.3682561387397364,"score_spread":0.3313350266903332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406635079","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81641966,0.000013684769,0.028169917,0.007190018,0.000535482,0.00028103916,0.000023078144,0.0001415628,0.14722556],"genre_scores_gemma":[0.96698374,0.000011326084,0.00013289606,0.010303091,0.000025921936,0.000019901006,6.2026584e-7,0.0000042777933,0.022518244],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99824935,0.00007319878,0.00015427209,0.00070016016,0.00045303628,0.0003699578],"domain_scores_gemma":[0.99928516,0.000054795637,0.000042654687,0.00021540977,0.00021541162,0.00018659407],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003827505,0.0001242977,0.00014052246,0.00040254247,0.00054762186,0.00017879468,0.00056763244,0.000026402378,0.00013474254],"category_scores_gemma":[0.0027319617,0.00010668976,0.000063078245,0.003142733,0.00056849245,0.0003111319,0.00022791953,0.00011102383,0.0033418345],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031079202,0.0001568909,0.0013923661,0.000008739123,0.0000017469423,0.000020725607,0.0013027356,0.000018164557,0.8901953,0.0037272691,0.003710041,0.099434935],"study_design_scores_gemma":[0.0012692392,0.00026967953,0.11918389,0.00053586037,0.00010984001,0.00004113597,0.015686471,0.003250303,0.7763946,0.0036017539,0.078484096,0.0011731186],"about_ca_topic_score_codex":0.000005444833,"about_ca_topic_score_gemma":0.000007777602,"teacher_disagreement_score":0.15056407,"about_ca_system_score_codex":0.00004915771,"about_ca_system_score_gemma":0.00020999336,"threshold_uncertainty_score":0.9974342},"labels":[],"label_agreement":null},{"id":"W4407264732","doi":"","title":"Review Essay: What Might a Materialist Approach to Art Look Like?","year":2019,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Materialism; Epistemology; Cognitive science; Aesthetics; Art history; Environmental ethics; Art; Philosophy; Psychology","score_opus":0.2475213464114775,"score_gpt":0.5261679362321373,"score_spread":0.2786465898206598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407264732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7564009,0.09258947,0.0013502605,0.0059240814,0.003933109,0.0043737884,0.0001228899,0.00026895315,0.13503654],"genre_scores_gemma":[0.5569376,0.35079274,0.00060644076,0.053307746,0.00032767918,0.00021822222,0.000042027452,0.00017451384,0.037593085],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962711,0.0005701568,0.0009560063,0.00084801146,0.0008875299,0.00046723313],"domain_scores_gemma":[0.9977174,0.00006532707,0.0006622117,0.0009564799,0.00016783357,0.00043077985],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013057287,0.0003827826,0.0011033127,0.0005635384,0.00021204042,0.0029169184,0.0032810296,0.000096528056,0.05417788],"category_scores_gemma":[0.00023134731,0.00031310364,0.00034820172,0.0015013944,0.00013390982,0.0034338862,0.00097543356,0.00029573956,0.0023441194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012872627,0.00062614586,0.0058362107,0.00084424525,0.00004131611,0.000029120161,0.00030652786,0.000061205916,0.598843,0.00019839639,0.37921026,0.013874835],"study_design_scores_gemma":[0.0008466912,0.00002976515,0.015975757,0.007366432,0.00033163832,0.0001620352,0.00022825488,0.00019750261,0.033237193,0.0010908083,0.9391695,0.0013643784],"about_ca_topic_score_codex":0.00008300894,"about_ca_topic_score_gemma":0.0000045773654,"teacher_disagreement_score":0.5656058,"about_ca_system_score_codex":0.000095214615,"about_ca_system_score_gemma":0.000120238175,"threshold_uncertainty_score":0.9999321},"labels":[],"label_agreement":null},{"id":"W4407397455","doi":"10.2139/ssrn.5134279","title":"Breaking Art: Synthesizing Abstract Expressionism Through Image Rearrangement","year":2025,"lang":"en","type":"preprint","venue":"SSRN Electronic Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Art; Image (mathematics); Computer science; Computer vision","score_opus":0.030321418298459177,"score_gpt":0.31463603428473436,"score_spread":0.28431461598627517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407397455","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35420483,0.006101162,0.24944723,0.023035225,0.0038955265,0.0016123769,0.00013934281,0.0010343418,0.36053],"genre_scores_gemma":[0.9573638,0.020659693,0.00078235916,0.00095059775,0.00046081076,0.000029752913,0.000008566803,0.000048512204,0.019695899],"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9952927,0.00026717168,0.0006727739,0.00078187586,0.0007259805,0.0022594603],"domain_scores_gemma":[0.9985498,0.00007268237,0.0005989616,0.00059391995,0.0000784333,0.00010617376],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0013992079,0.00043627215,0.0005026519,0.00024914503,0.0006576599,0.00040655726,0.0009708239,0.00026649234,0.0006567704],"category_scores_gemma":[0.00028225445,0.00037962673,0.00058029755,0.0002105527,0.0001274495,0.00026716318,0.00048882293,0.005393321,0.00028185186],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018970326,0.000775974,0.00008106308,0.0002524951,0.0002823702,0.00024935394,0.0029488406,0.0017232369,0.70407766,0.08162885,0.005397025,0.20239341],"study_design_scores_gemma":[0.0018095043,0.00021924188,0.00027520212,0.0036823305,0.0009276009,0.0018641885,0.0058676363,0.0019122751,0.041577995,0.8471306,0.09215781,0.002575622],"about_ca_topic_score_codex":0.000061548824,"about_ca_topic_score_gemma":0.00006299951,"teacher_disagreement_score":0.76550174,"about_ca_system_score_codex":0.001180893,"about_ca_system_score_gemma":0.0020110046,"threshold_uncertainty_score":0.9998656},"labels":[],"label_agreement":null},{"id":"W4408324316","doi":"10.1002/nvsm.70016","title":"Reimagining Value Through Artification: A Conceptual and Theoretical Framework for Philanthropy and Marketing","year":2025,"lang":"en","type":"article","venue":"Journal of Philanthropy","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Athabasca University","funders":"","keywords":"Value (mathematics); Conceptual framework; Sociology; Marketing; Business; Mathematics; Social science; Statistics","score_opus":0.037463817427910454,"score_gpt":0.35636622205491697,"score_spread":0.31890240462700653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408324316","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34189388,0.0011773396,0.5248324,0.12756659,0.00087652757,0.0003462526,0.000025716357,0.00006212655,0.0032191211],"genre_scores_gemma":[0.97936124,0.0016005611,0.016753817,0.0019729123,0.00022776921,0.000004233676,5.721043e-7,0.000011707937,0.00006719151],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99860865,0.00022111254,0.00047624772,0.00026760195,0.00022372295,0.0002026932],"domain_scores_gemma":[0.99866706,0.00071824883,0.00027888545,0.00014987146,0.0001000683,0.00008585404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007173437,0.00014105602,0.00032010901,0.00010905758,0.00032088175,0.0001054135,0.0001565338,0.000087293985,0.00021000637],"category_scores_gemma":[0.0020176868,0.000100113204,0.00010741615,0.00021957126,0.0017446149,0.0001944324,0.0000556023,0.0003353396,0.0000025844702],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026229874,0.00007116096,0.0005391719,0.00003195297,0.000016181591,0.0000147483415,0.0012685681,0.000008151924,0.022193922,0.9667937,0.0010307478,0.007769383],"study_design_scores_gemma":[0.003300487,0.0006916334,0.0033624705,0.0015705673,0.0006068198,0.0011401441,0.012754248,0.014253674,0.032627355,0.8669929,0.061967615,0.0007320789],"about_ca_topic_score_codex":0.0000013410196,"about_ca_topic_score_gemma":1.917607e-7,"teacher_disagreement_score":0.6374673,"about_ca_system_score_codex":0.00002228848,"about_ca_system_score_gemma":0.00006104896,"threshold_uncertainty_score":0.64281064},"labels":[],"label_agreement":null},{"id":"W4408702335","doi":"10.1016/j.neuropsychologia.2025.109127","title":"Where creativity meets aesthetics: The Mirror Model of Art revisited with fMRI","year":2025,"lang":"en","type":"review","venue":"Neuropsychologia","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Templeton Religion Trust","keywords":"Creativity; Psychology; Mirror neuron; Aesthetics; Cognitive psychology; Cognitive science; Social psychology; Art","score_opus":0.08562079620257633,"score_gpt":0.36338013019158943,"score_spread":0.2777593339890131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408702335","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025051972,0.9457481,0.0010262382,0.0019826952,0.00017808111,0.0016567475,0.00024064047,0.00028231728,0.048634693],"genre_scores_gemma":[0.00037850614,0.988032,0.00024631937,0.0010960555,0.000012802344,0.00007123838,0.000008855958,0.00004800835,0.010106217],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99644,0.0011076139,0.00066617556,0.000996556,0.00045827075,0.0003313727],"domain_scores_gemma":[0.99745613,0.00020697295,0.00062409113,0.0015458527,0.00008185135,0.00008507831],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003132273,0.00053061167,0.0014660279,0.00023348938,0.00016364208,0.000060661834,0.001146711,0.00024314407,0.000252256],"category_scores_gemma":[0.0002853865,0.00028262645,0.00060949626,0.001277105,0.0005341907,0.000059805763,0.00014660359,0.00072002766,0.00026049817],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057827994,0.0005264182,0.000014417222,0.0061555277,0.00003355544,0.000093629445,0.00011665679,0.000044655022,0.0006023932,0.0018191941,0.014248721,0.976287],"study_design_scores_gemma":[0.00020988753,0.00017446959,0.00001225545,0.005576032,0.0007925101,0.00012487524,0.000008106709,0.00032003043,0.000010227309,0.00004959199,0.9923491,0.00037289655],"about_ca_topic_score_codex":0.000002345945,"about_ca_topic_score_gemma":0.000003456874,"teacher_disagreement_score":0.9781004,"about_ca_system_score_codex":0.00002648813,"about_ca_system_score_gemma":0.00014109173,"threshold_uncertainty_score":0.99996257},"labels":[],"label_agreement":null},{"id":"W4409203864","doi":"10.1016/j.jcbs.2025.100890","title":"Art in context: A multi-level analysis of art","year":2025,"lang":"en","type":"article","venue":"Journal of Contextual Behavioral Science","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University; University of Toronto","funders":"","keywords":"Context (archaeology); Psychology; Aesthetics; Social psychology; Art; History; Archaeology","score_opus":0.10952930074295238,"score_gpt":0.3952045723774797,"score_spread":0.28567527163452733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409203864","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9936207,0.00003754898,0.0046996814,0.0005247507,0.00015491711,0.00007762559,0.000013999705,0.0000070429587,0.0008637655],"genre_scores_gemma":[0.99631256,0.000028080329,0.0003611477,0.00057389325,0.0000066676616,0.0000018759598,4.4793487e-7,0.0000034006575,0.0027119336],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9975855,0.000120347984,0.0009169966,0.00029511726,0.00078992255,0.0002921527],"domain_scores_gemma":[0.9986798,0.00006058301,0.00050527696,0.00024909712,0.0003536064,0.00015163497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011782978,0.00013763824,0.00059143925,0.0020939675,0.00010654775,0.00007235855,0.000803671,0.00005511679,0.0003283102],"category_scores_gemma":[0.00054379966,0.00010959311,0.0003739714,0.00574534,0.0009821779,0.0005164488,0.000093267794,0.00026129239,0.000028651979],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000113849834,0.0012299665,0.052220598,0.00000479108,0.000020449559,0.000104062754,0.0014298167,0.00036738667,0.875162,0.0023716826,0.0004834424,0.066491954],"study_design_scores_gemma":[0.0047420003,0.00087140914,0.87583876,0.00037942655,0.0020000453,0.000113852584,0.006360672,0.018402359,0.08260311,0.00018097663,0.0078109475,0.0006964215],"about_ca_topic_score_codex":0.000045489196,"about_ca_topic_score_gemma":0.00048448678,"teacher_disagreement_score":0.8236182,"about_ca_system_score_codex":0.00014181956,"about_ca_system_score_gemma":0.00036163267,"threshold_uncertainty_score":0.4469077},"labels":[],"label_agreement":null},{"id":"W4409220070","doi":"10.1073/pnas.2413871122","title":"The Beholder’s Share: Bridging art and neuroscience to study individual differences in subjective experience","year":2025,"lang":"en","type":"article","venue":"Proceedings of the National Academy of Sciences","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Azrieli Foundation; National Institute on Drug Abuse; Dana Foundation","keywords":"Interpretation (philosophy); Subjectivity; Cognition; Psychology; Painting; Literal and figurative language; Cognitive psychology; Cognitive science; Perspective (graphical); Art; Neuroscience; Epistemology; Linguistics; Visual arts","score_opus":0.09595421576366679,"score_gpt":0.3526270756688907,"score_spread":0.25667285990522387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409220070","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9936188,0.000018420475,0.000003252359,0.0047960877,0.000021653632,0.0002558509,0.0000049447376,0.00000847119,0.0012725327],"genre_scores_gemma":[0.9984201,0.000026088474,0.00003974668,0.0012187305,0.000008806195,0.000032529853,7.1866966e-9,0.0000015637457,0.00025240533],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9978991,0.000028585137,0.00030344882,0.00043216068,0.0011501057,0.0001865941],"domain_scores_gemma":[0.999534,0.00015292692,0.00018449103,0.000014006073,0.00007837294,0.000036217032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012438314,0.00009487903,0.0001393762,0.00026238788,0.00065073447,0.00013562667,0.0013101235,0.000027518954,0.000004452082],"category_scores_gemma":[0.0020343321,0.000054572378,0.000036325502,0.0023813492,0.0014043086,0.00036866587,0.00041881407,0.00015690476,7.063639e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002540846,0.00024013703,0.46462232,0.00001198756,0.0000025734391,5.0162406e-8,0.008635385,0.000065793116,0.4972559,0.022707528,0.00020839949,0.0062245145],"study_design_scores_gemma":[0.00012301387,0.00004962466,0.93536687,0.000043840388,0.0000058746127,0.0000033445465,0.003268754,0.0011381642,0.0551529,0.0047271247,0.000052613923,0.000067906534],"about_ca_topic_score_codex":0.000008447333,"about_ca_topic_score_gemma":9.373082e-7,"teacher_disagreement_score":0.47074452,"about_ca_system_score_codex":0.0000221288,"about_ca_system_score_gemma":0.00003003927,"threshold_uncertainty_score":0.5174234},"labels":[],"label_agreement":null},{"id":"W4409403257","doi":"10.24972/ijts.2024.43.1-2.24","title":"The Role of Personality In Moving Encounters with Sacred Art","year":2024,"lang":"en","type":"article","venue":"International Journal of Transpersonal Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Personality; Psychology; Social psychology; Aesthetics; Art","score_opus":0.025942640351427734,"score_gpt":0.315973343370054,"score_spread":0.29003070301862627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409403257","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98542607,0.0054125474,0.00041161018,0.0064857197,0.0003564864,0.00004321561,0.000018391338,0.000010467688,0.0018354864],"genre_scores_gemma":[0.9968602,0.0026069419,0.00008230146,0.00014260279,0.000093283445,0.00000201039,2.8975563e-7,0.0000065191116,0.00020582891],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985693,0.00006973877,0.0003589402,0.00012922696,0.000758017,0.0001147869],"domain_scores_gemma":[0.99941874,0.00020687135,0.000116029296,0.00004521402,0.00018207978,0.000031046253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038150855,0.000096211326,0.00018125697,0.00014746941,0.00006463265,0.000057077497,0.00032548662,0.000018181603,0.00005014408],"category_scores_gemma":[0.00009580193,0.00005444511,0.0001857172,0.00018111565,0.00030372612,0.00019068307,0.000014930093,0.00019042622,0.000006900292],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004346555,0.00095661724,0.08489677,0.0001916187,0.0026906505,0.002460526,0.12293372,0.0035191837,0.54183835,0.038473163,0.0024709867,0.19522189],"study_design_scores_gemma":[0.00961371,0.0028918243,0.096258275,0.009814209,0.0013392285,0.006286204,0.24184059,0.033314433,0.111898325,0.028082674,0.4563737,0.0022868302],"about_ca_topic_score_codex":0.0000141633955,"about_ca_topic_score_gemma":0.00015836701,"teacher_disagreement_score":0.45390272,"about_ca_system_score_codex":0.00010747477,"about_ca_system_score_gemma":0.000063278465,"threshold_uncertainty_score":0.22202072},"labels":[],"label_agreement":null},{"id":"W4410005188","doi":"10.69564/able.en.25026.primatoscopy","title":"Primatoscopy-01","year":2023,"lang":"en","type":"article","venue":".able.","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Université du Québec à Chicoutimi","funders":"","keywords":"Computer science","score_opus":0.055389338614769905,"score_gpt":0.31083906546152207,"score_spread":0.25544972684675216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410005188","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9237713,0.000008823152,0.0005489683,0.0025617343,0.000200156,0.00007522563,0.0000066960283,0.0006098112,0.07221727],"genre_scores_gemma":[0.9617052,0.00008373497,0.00008499735,0.0016705877,0.000037903086,0.000008093757,0.000002880767,0.00001096339,0.03639566],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926525,0.000036333324,0.000097298645,0.00021173409,0.00018721436,0.00020218018],"domain_scores_gemma":[0.9996867,0.000015892076,0.000024539608,0.00020156425,0.0000074492723,0.0000638312],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000094625364,0.00006333155,0.00008571902,0.00008747599,0.00011779209,0.000037720547,0.00015250033,0.00002871578,0.0017317303],"category_scores_gemma":[0.00007050737,0.00005471766,0.000056176388,0.0006504565,0.000050185954,0.000067387606,0.00004808998,0.000062555744,0.011443997],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010722472,0.000086909626,0.0017324197,0.000018764296,0.000002380101,0.000092955364,0.00064949493,0.00022001844,0.8839596,0.007284511,0.08876672,0.017175544],"study_design_scores_gemma":[0.00081965147,0.000099965844,0.00987103,0.00004112098,0.00004239633,0.000059881568,0.00064603606,0.030935815,0.09933104,0.0057565924,0.85175616,0.00064031366],"about_ca_topic_score_codex":0.000009513145,"about_ca_topic_score_gemma":0.000003024251,"teacher_disagreement_score":0.7846285,"about_ca_system_score_codex":0.000012619012,"about_ca_system_score_gemma":0.000017547787,"threshold_uncertainty_score":0.9991808},"labels":[],"label_agreement":null},{"id":"W4410449636","doi":"10.1017/s1355771825000093","title":"Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise","year":2025,"lang":"en","type":"article","venue":"Organised Sound","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Université de Montréal","funders":"Social Sciences and Humanities Research Council of Canada; Centre for Interdisciplinary Research in Music Media and Technology","keywords":"Documentation; Sound (geography); Computer science; Visual arts; Sensory system; Human–computer interaction; Aesthetics; Multimedia; Acoustics; Psychology; Art; Cognitive psychology; Programming language","score_opus":0.03726024064180888,"score_gpt":0.3547589233304515,"score_spread":0.3174986826886426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410449636","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9869718,0.000031865,0.010407939,0.00015042919,0.000058325724,0.000076619035,0.000005106543,0.00001957615,0.002278359],"genre_scores_gemma":[0.99793375,0.00003903885,0.00016094964,0.0002949456,0.0000076247716,0.0000037933653,0.0000022673871,0.000004781156,0.0015528273],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9991644,0.00005494618,0.00029289286,0.00020566334,0.00017569309,0.00010639862],"domain_scores_gemma":[0.9995848,0.00004285583,0.000121911624,0.00017619529,0.000040913277,0.000033357268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000065022716,0.00008198015,0.00017874858,0.00005762591,0.00012505102,0.000042205258,0.000092724054,0.000055543267,0.00038507924],"category_scores_gemma":[0.00009168799,0.000079943115,0.000039516886,0.00028250847,0.00027150323,0.00015542586,0.00004906544,0.000055991066,0.000011856904],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055561195,0.00013564393,0.04369238,0.000044772212,0.000006172471,0.0000020055086,0.043901723,0.00013577545,0.9068748,0.0022166967,0.000205329,0.0027291416],"study_design_scores_gemma":[0.0022834067,0.00019739365,0.043242432,0.000087400396,0.000068917514,0.000016891043,0.0460377,0.0043673185,0.89443916,0.0072127506,0.001603771,0.0004428372],"about_ca_topic_score_codex":0.000020437335,"about_ca_topic_score_gemma":0.000032479184,"teacher_disagreement_score":0.012435613,"about_ca_system_score_codex":0.000021803691,"about_ca_system_score_gemma":0.000018693476,"threshold_uncertainty_score":0.42163476},"labels":[],"label_agreement":null},{"id":"W4410584422","doi":"10.1093/9780198945215.003.0120","title":"AI-Generated Literature","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Computer science","score_opus":0.023595901152987764,"score_gpt":0.26804797055717616,"score_spread":0.2444520694041884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410584422","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00000968325,0.00014510311,0.00035978985,0.002450466,0.00014545028,0.00006765534,0.000047725825,0.00015317109,0.99662095],"genre_scores_gemma":[0.0016821079,0.00069244095,0.00006654518,0.021061795,0.00008305784,0.0000022871152,0.000045817545,0.000017117824,0.9763488],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899954,0.000017856077,0.00018717324,0.00045784836,0.00020960894,0.0001279597],"domain_scores_gemma":[0.99947524,0.000009361898,0.00005274984,0.0003364105,0.000060475788,0.000065768],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000033042445,0.0002279263,0.00023547442,0.00021399716,0.000088952154,0.00012052717,0.00021170397,0.000291517,0.011657001],"category_scores_gemma":[0.00002768291,0.00017751705,0.00021004894,0.000101906626,0.00006496138,0.000045208497,0.000060531267,0.00037009254,0.0012184285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052840296,0.000012264436,3.7284647e-7,0.000015738513,0.000004913098,0.000075114134,0.000046367993,0.0000036113145,0.010573701,0.75884974,0.21106297,0.01934994],"study_design_scores_gemma":[0.00007450129,0.000011579276,3.781672e-7,0.00010163326,0.000036212354,0.000012424129,0.000001264997,0.00035265807,0.0015806011,0.0066344105,0.99097985,0.00021446164],"about_ca_topic_score_codex":0.0000014981312,"about_ca_topic_score_gemma":0.000003984921,"teacher_disagreement_score":0.7799169,"about_ca_system_score_codex":0.000025340276,"about_ca_system_score_gemma":0.00005365694,"threshold_uncertainty_score":0.9995592},"labels":[],"label_agreement":null},{"id":"W4411413301","doi":"10.1093/9780198945215.003.0118","title":"A Theory of Generative Art","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Generative grammar; Creativity; Generativity; Originality; Interactive art; Computer science; Expression (computer science); Computational creativity; Sociology; Aesthetics; Cognitive science; Epistemology; Artificial intelligence; Psychology; Art; Social psychology","score_opus":0.04142824310278259,"score_gpt":0.2725099789739758,"score_spread":0.23108173587119318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411413301","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013438558,0.00001748949,0.005597668,0.0002579327,0.00004038919,0.000052869982,0.000018207205,0.000027731036,0.99397427],"genre_scores_gemma":[0.002587136,0.00018460568,0.00016007612,0.00219802,0.000020002746,0.0000017663954,0.0000038584017,0.0000075355674,0.994837],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935436,0.000028617798,0.00016819756,0.00023583272,0.00015097554,0.00006199982],"domain_scores_gemma":[0.99961454,0.000032960794,0.00007958699,0.00021871417,0.000027788312,0.00002639028],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006656712,0.000118769334,0.00021429609,0.000121180325,0.00003161388,0.000007847708,0.000133391,0.00009277439,0.017942186],"category_scores_gemma":[0.00004108199,0.00009052018,0.00017694995,0.00002712248,0.0001551562,0.000016098707,0.000047958845,0.0001055906,0.0006478656],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004132837,0.0000068600475,1.7088982e-7,0.0000044471735,0.0000033712674,0.0000030501174,0.00003831136,0.000001217503,0.0053143078,0.97276986,0.012836518,0.009017782],"study_design_scores_gemma":[0.00013751109,0.000046807305,0.0000021112103,0.00008285181,0.000112287635,0.0000056279428,0.000031338615,0.00020174298,0.010828388,0.19073729,0.7975491,0.0002649266],"about_ca_topic_score_codex":5.358534e-7,"about_ca_topic_score_gemma":0.0000023630846,"teacher_disagreement_score":0.7847126,"about_ca_system_score_codex":0.000011860852,"about_ca_system_score_gemma":0.000044280383,"threshold_uncertainty_score":0.9829556},"labels":[],"label_agreement":null},{"id":"W4411464353","doi":"10.1007/978-3-031-86449-0_15","title":"The Emotional Impact of Aesthetic Appreciation on Individual and Collective Well-being","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Global Health Research","funders":"","keywords":"Psychology; Aesthetics; Social psychology; Cognitive psychology; Art","score_opus":0.02157719711464053,"score_gpt":0.27503185033564037,"score_spread":0.25345465322099986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411464353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069613536,0.00001826005,0.00015461982,0.0003951164,0.000050236285,0.0001815014,0.000029569825,0.00002385508,0.9921855],"genre_scores_gemma":[0.27697232,0.00028497374,0.000016994276,0.000256358,0.000021430988,0.000003912103,0.000009067512,0.000011495736,0.72242343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989193,0.000055006265,0.00023027007,0.00029869098,0.0003805726,0.00011612819],"domain_scores_gemma":[0.99940836,0.00014401623,0.00017547369,0.00017898141,0.000051536306,0.00004163311],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015756197,0.0001794844,0.00020987312,0.00020313724,0.00027011524,0.00005763563,0.00015699252,0.0001274191,0.0006556889],"category_scores_gemma":[0.00007058427,0.00011335897,0.00021178831,0.00008334567,0.00020017278,0.000031455576,0.00005957673,0.00020683324,0.000043041986],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012393248,0.00009550874,0.00018313664,0.000017782171,0.00007102371,0.00000518799,0.0009995459,0.00024029991,0.00057425775,0.8615334,0.01477202,0.12138391],"study_design_scores_gemma":[0.003932205,0.0036145598,0.024494234,0.001663143,0.0013652077,0.00025482703,0.00046465916,0.01654863,0.0024582706,0.8535816,0.08882618,0.002796493],"about_ca_topic_score_codex":0.0000073233555,"about_ca_topic_score_gemma":0.0000059882896,"teacher_disagreement_score":0.27001098,"about_ca_system_score_codex":0.00010916533,"about_ca_system_score_gemma":0.00015574807,"threshold_uncertainty_score":0.71793336},"labels":[],"label_agreement":null},{"id":"W4411686878","doi":"10.7202/1118424ar","title":"Maximizing Efficiency in Game Development Through Art Styles, AI Integration, and Creative Expression","year":2025,"lang":"en","type":"article","venue":"Loading","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Expression (computer science); Video game development; Computer science; Psychology; Human–computer interaction; Artificial intelligence; Game design; Programming language","score_opus":0.02782108793933106,"score_gpt":0.30302359728753575,"score_spread":0.27520250934820467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411686878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8394382,0.000067553374,0.12923014,0.00081468694,0.00004939492,0.00012223916,6.860824e-7,0.00005876681,0.030218324],"genre_scores_gemma":[0.994204,0.00005410279,0.0015219357,0.0010930548,0.0000052679234,0.000011834992,0.0000013939249,0.0000039446586,0.0031044716],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9992115,0.00006406929,0.00018956985,0.00027821428,0.000114690025,0.00014194497],"domain_scores_gemma":[0.9998009,0.000029069437,0.000038337,0.00008917283,0.000017665712,0.000024807681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001172537,0.00008843874,0.00011757219,0.0001371111,0.0001369339,0.000058546935,0.00008444164,0.00003494666,0.00010749351],"category_scores_gemma":[0.00019021811,0.00007400111,0.000020239113,0.00039558817,0.00005684168,0.00016989085,0.000058195896,0.00011316094,0.00003209687],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021773563,0.000120313736,0.0033196718,0.000019739755,0.000001682312,0.000012983225,0.014273352,0.0002537458,0.93912953,0.010570512,0.00085021596,0.031426508],"study_design_scores_gemma":[0.00097544346,0.00003465013,0.011586507,0.0011006941,0.000016648815,0.000010871018,0.0067678294,0.010784842,0.93619794,0.0027877772,0.029318143,0.00041864795],"about_ca_topic_score_codex":0.000010411771,"about_ca_topic_score_gemma":0.000012406782,"teacher_disagreement_score":0.15476578,"about_ca_system_score_codex":0.00006599752,"about_ca_system_score_gemma":0.000034307082,"threshold_uncertainty_score":0.30176777},"labels":[],"label_agreement":null},{"id":"W4412314729","doi":"","title":"Scientific Data and Aesthetic Complexity","year":2015,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"iNano Medical (Canada)","funders":"","keywords":"Data science; Computer science","score_opus":0.4399584653707148,"score_gpt":0.37340150308804215,"score_spread":0.06655696228267266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412314729","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96705437,0.000021669586,0.0022826395,0.0035992141,0.0001121731,0.00005473543,0.000023876488,0.00010294111,0.02674839],"genre_scores_gemma":[0.9923841,0.0000047497288,0.0007635235,0.0007197922,0.000007881784,5.797566e-7,0.0000100125135,0.0000034315792,0.006105959],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917513,0.000054194395,0.00008158367,0.0003681289,0.0002097516,0.00011120235],"domain_scores_gemma":[0.9992271,0.0000041614094,0.000019073086,0.000578428,0.000022339667,0.00014890629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030275134,0.00005113708,0.000068008085,0.000048983857,0.00013412896,0.00017540662,0.00034260258,0.000014098776,0.00029604358],"category_scores_gemma":[0.00012434169,0.000038831982,0.000011062916,0.00020681291,0.0005504491,0.0001807721,0.0002729862,0.00003934317,0.0004956242],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005624056,0.0009132848,0.0101181185,0.000020226416,0.0000030723477,0.000088161665,0.0048990455,0.00003717543,0.13841806,0.19073005,0.33369502,0.32102156],"study_design_scores_gemma":[0.0011604765,0.00009799333,0.0019351597,0.000010345034,0.000037634698,0.0004862833,0.0015205898,0.22766821,0.0029867003,0.026837792,0.7367387,0.0005201498],"about_ca_topic_score_codex":0.000019227971,"about_ca_topic_score_gemma":0.000026444068,"teacher_disagreement_score":0.40304363,"about_ca_system_score_codex":0.0000068013296,"about_ca_system_score_gemma":0.000027332322,"threshold_uncertainty_score":0.63704115},"labels":[],"label_agreement":null},{"id":"W4412536511","doi":"10.1109/access.2025.3590925","title":"Multi-Stage Image Aesthetic Assessment via Chain-of-Thought Reasoning","year":2025,"lang":"en","type":"article","venue":"IEEE Access","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fundamental Research Funds for the Central Universities; Federation for the Humanities and Social Sciences","keywords":"Computer science; Stage (stratigraphy); Image (mathematics); Chain (unit); Artificial intelligence; Computer vision; Geology","score_opus":0.06046837926598123,"score_gpt":0.40274626932325125,"score_spread":0.34227789005727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412536511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6717148,0.000028317601,0.3159534,0.00091221277,0.0003542427,0.00021073926,0.000010556909,0.00012518858,0.010690552],"genre_scores_gemma":[0.98754877,0.00006288011,0.004073987,0.0010654996,0.000018355404,0.000025536778,0.0000016992981,0.000014888899,0.007188359],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99856645,0.00016068794,0.00031601908,0.00042434956,0.0002738026,0.00025868125],"domain_scores_gemma":[0.9992331,0.00003201916,0.00015375993,0.00045302662,0.00005842824,0.00006962522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024050231,0.00015841107,0.0002533077,0.00021597145,0.00017610475,0.00012920346,0.0006628877,0.000060197475,0.00029819968],"category_scores_gemma":[0.00007375901,0.00014171467,0.00014539482,0.00074658956,0.00016794399,0.00029498924,0.00012490801,0.00017627138,0.00004723375],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017880524,0.00040908094,0.0041136704,0.00006176687,0.0000061946625,0.00005448093,0.0002313727,0.00042734316,0.9466573,0.0023540093,0.00064219115,0.04502473],"study_design_scores_gemma":[0.002973996,0.00011851861,0.03204232,0.00038147176,0.00019922515,0.0000463013,0.00039265398,0.2915566,0.6479271,0.00083691836,0.02250318,0.0010216892],"about_ca_topic_score_codex":0.00008507205,"about_ca_topic_score_gemma":0.000022024476,"teacher_disagreement_score":0.315834,"about_ca_system_score_codex":0.000052363146,"about_ca_system_score_gemma":0.00006788935,"threshold_uncertainty_score":0.57789564},"labels":[],"label_agreement":null},{"id":"W4412689094","doi":"10.1177/02762374251360129","title":"Comparative Designs Reveal Preferences for Human-Generated Rather Than AI-Generated art","year":2025,"lang":"en","type":"article","venue":"Empirical Studies of the Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Psychology; Cognitive psychology; Artificial intelligence; Social psychology; Computer science","score_opus":0.35828068165203447,"score_gpt":0.45523011136986546,"score_spread":0.09694942971783099,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412689094","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9852698,0.00018334789,0.0010301253,0.00872445,0.00018683646,0.00038493116,0.000017626895,0.000047415375,0.004155502],"genre_scores_gemma":[0.9825662,0.000030011543,0.00012621371,0.003451705,0.00003458056,0.000059590322,0.0000021837716,0.0000055063006,0.01372403],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99869937,0.00027119485,0.00031070152,0.00032139046,0.00019312811,0.0002042463],"domain_scores_gemma":[0.9992945,0.00013984668,0.000118843134,0.00024927966,0.00016192024,0.00003558335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018851168,0.00015654022,0.00039186134,0.00005454235,0.0005591619,0.000027919876,0.00031541605,0.0000435069,0.00005275103],"category_scores_gemma":[0.0002780049,0.00009101107,0.00017427321,0.0005104409,0.0004295329,0.000048903083,0.0001461966,0.00009909809,0.000026729796],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001211353,0.00043340476,0.0051264036,0.00003267357,0.0001539334,0.0000011583043,0.0031889738,0.00072969927,0.5517361,0.0030216554,0.43486136,0.0005935015],"study_design_scores_gemma":[0.0016741507,0.0005241934,0.019054068,0.00019084288,0.0003723575,0.000002618359,0.002240845,0.002264686,0.8829629,0.027137784,0.06299379,0.0005818024],"about_ca_topic_score_codex":0.0000066862017,"about_ca_topic_score_gemma":0.000090584996,"teacher_disagreement_score":0.37186757,"about_ca_system_score_codex":0.00003553894,"about_ca_system_score_gemma":0.00003767117,"threshold_uncertainty_score":0.43006775},"labels":[],"label_agreement":null},{"id":"W4413737609","doi":"10.1017/pds.2025.10319","title":"The influence of aesthetic taste on product choice: does mode of evaluation impact decision making?","year":2025,"lang":"en","type":"article","venue":"Proceedings of the Design Society","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Taste; Product (mathematics); Aesthetics; Mode (computer interface); Psychology; Computer science; Mathematics; Art; Human–computer interaction; Neuroscience","score_opus":0.023162118184959297,"score_gpt":0.3493836351280514,"score_spread":0.3262215169430921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413737609","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9981006,0.000034102806,0.00032747717,0.0007201999,0.000042117925,0.00048464158,0.00000479549,0.000014491955,0.0002716128],"genre_scores_gemma":[0.998924,0.00011327332,0.0005960014,0.0001860271,0.000008940799,0.000022900464,9.0563645e-8,0.000008119886,0.00014064915],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99829614,0.000058503367,0.00040013087,0.00028792451,0.0007886925,0.00016858485],"domain_scores_gemma":[0.99850655,0.00019721188,0.0005140365,0.0002566899,0.0005045805,0.000020916394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013328491,0.00013665248,0.00021369764,0.00004804829,0.0002443536,0.00003366753,0.00059235975,0.00005353852,0.000009481712],"category_scores_gemma":[0.0018022998,0.000064343796,0.00035130553,0.00082603295,0.00041693117,0.00013532005,0.00010676541,0.0001458731,0.0000013733355],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012270547,0.00012564844,0.003151636,0.00005905005,0.000013477482,1.5215745e-8,0.0017176578,0.012914268,0.96144044,0.00094924256,0.0014493129,0.018056555],"study_design_scores_gemma":[0.00087511045,0.00026464634,0.04826226,0.0011028124,0.0003330251,0.000006421549,0.0010387616,0.09800004,0.8192663,0.030400673,0.00019744369,0.00025245722],"about_ca_topic_score_codex":0.0000130602075,"about_ca_topic_score_gemma":5.037505e-7,"teacher_disagreement_score":0.14217408,"about_ca_system_score_codex":0.000082255865,"about_ca_system_score_gemma":0.000108262335,"threshold_uncertainty_score":0.26238638},"labels":[],"label_agreement":null},{"id":"W4414014551","doi":"10.3390/buildings15173212","title":"Generative AI for Architectural Façade Design: Measuring Perceptual Alignment Across Geographical, Objective, and Affective Descriptors","year":2025,"lang":"en","type":"article","venue":"Buildings","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Workplace Health, Safety and Compensation Commission","funders":"","keywords":"Perception; Generative grammar; Generative model; Generative Design; Computer science; Artificial intelligence; Pattern recognition (psychology); Engineering; Psychology; Metric (unit)","score_opus":0.042613591102200976,"score_gpt":0.3131460372711753,"score_spread":0.2705324461689743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414014551","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78649855,0.0000448103,0.21160948,0.0010543246,0.000096337964,0.00045115635,0.000019294572,0.00008313322,0.00014290858],"genre_scores_gemma":[0.99268323,0.000034955116,0.0040011946,0.002696172,0.000041560314,0.00015371827,0.0000014485756,0.000016792075,0.0003709388],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9982392,0.00021000614,0.00020493791,0.000680375,0.00023541081,0.00043003404],"domain_scores_gemma":[0.99944836,0.00015171527,0.00006251526,0.00016071361,0.00006427204,0.0001124354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033743004,0.00023605328,0.0002701863,0.00017809086,0.000690604,0.00018377724,0.00018872775,0.00008629254,0.000022736293],"category_scores_gemma":[0.00036745056,0.00020360042,0.00017920804,0.00042538895,0.0004286364,0.00013989062,0.00009626649,0.00018833249,0.0000037368607],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013941202,0.00008553171,0.0015970359,0.000019849682,0.000027339964,0.0000029870098,0.0072862105,0.000583613,0.9639093,0.0025423584,0.0005300143,0.023276292],"study_design_scores_gemma":[0.0032787165,0.0007046123,0.023811147,0.00019418102,0.00024272101,0.00007966096,0.006533171,0.018386707,0.93060035,0.007742547,0.007278924,0.0011472561],"about_ca_topic_score_codex":0.00007011343,"about_ca_topic_score_gemma":0.000021314923,"teacher_disagreement_score":0.20760828,"about_ca_system_score_codex":0.000076205695,"about_ca_system_score_gemma":0.000034923385,"threshold_uncertainty_score":0.83025837},"labels":[],"label_agreement":null},{"id":"W4414116266","doi":"10.29173/crossings384","title":"FUNDAY","year":2025,"lang":"en","type":"article","venue":"Crossings An Undergraduate Arts Journal","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Absurdity; Element (criminal law); Interpretation (philosophy); Key (lock); Duality (order theory); Balance (ability); Natural (archaeology)","score_opus":0.043075304504967195,"score_gpt":0.3398646378001299,"score_spread":0.29678933329516266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414116266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8316679,0.000059586917,0.025432346,0.019746184,0.00061627716,0.00005725181,0.0000023666216,0.0001381571,0.12227995],"genre_scores_gemma":[0.94379437,0.000086809305,0.0003506815,0.005647904,0.000098395074,0.0000011986278,7.116393e-7,0.000012225012,0.050007705],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986501,0.00010989325,0.00031379325,0.00030390813,0.00027546717,0.0003468578],"domain_scores_gemma":[0.9993253,0.000020533405,0.00013757266,0.00023254711,0.00007208481,0.0002120135],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00028831325,0.00014872213,0.00017056456,0.00022759575,0.0016478779,0.001631438,0.00030389416,0.000051122293,0.0003316872],"category_scores_gemma":[0.00014933666,0.00012302375,0.00015740884,0.00042248474,0.00042031548,0.0005308768,0.000046958,0.00032532748,0.00015605954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000798194,0.0005300299,0.0016037191,0.00001599433,0.0000150115475,0.0002674713,0.0021742992,0.0003099203,0.68594325,0.05581972,0.063417405,0.18982336],"study_design_scores_gemma":[0.0012534196,0.00012757922,0.002818751,0.00009863032,0.00006543245,0.00097389874,0.00053123274,0.004371256,0.01828692,0.09183108,0.8792177,0.00042413297],"about_ca_topic_score_codex":0.0000054939974,"about_ca_topic_score_gemma":0.000006822578,"teacher_disagreement_score":0.81580025,"about_ca_system_score_codex":0.000069137335,"about_ca_system_score_gemma":0.00015273166,"threshold_uncertainty_score":0.99965185},"labels":[],"label_agreement":null},{"id":"W4414914967","doi":"10.1007/s11229-025-05056-w","title":"From categories of art to categories of artifact","year":2025,"lang":"en","type":"article","venue":"Synthese","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"Fonds de Recherche du Québec-Société et Culture","keywords":"Artifact (error); Normative; Philosophy of language; Philosophy of science; Essentialism; Craft; Metaphysics","score_opus":0.02156714868237985,"score_gpt":0.2932778469080295,"score_spread":0.27171069822564964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414914967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9827683,0.000018071096,0.0020675492,0.0019401107,0.00010993613,0.000070822345,0.000037091828,0.000030885836,0.012957255],"genre_scores_gemma":[0.9946437,0.000016530848,0.00014448579,0.00026696405,0.000013673595,0.0000070364445,0.0000017684664,0.000005073984,0.004900762],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99920356,0.000064571075,0.00023811788,0.00020743525,0.00016782533,0.00011850369],"domain_scores_gemma":[0.9994281,0.00010234542,0.00006702559,0.00031698964,0.000040620445,0.00004495056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008575847,0.00008517933,0.00022694572,0.00013520545,0.000038335867,0.000012933963,0.00020588966,0.000035501453,0.0008206901],"category_scores_gemma":[0.0005945945,0.00007042399,0.000086678134,0.00042870728,0.00018210469,0.00005656727,0.00006022274,0.00004796456,0.0002150982],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004390982,0.00010588981,0.0019468046,0.000018873374,0.000008244118,0.0000030256972,0.002181844,0.00006342055,0.9764942,0.007953677,0.0017583458,0.00942176],"study_design_scores_gemma":[0.00007914384,0.000030722258,0.0030273832,0.00003904201,0.000037981084,5.714147e-7,0.0016352846,0.00014442447,0.97430754,0.006546643,0.014052129,0.0000991304],"about_ca_topic_score_codex":0.00037182803,"about_ca_topic_score_gemma":0.00005768065,"teacher_disagreement_score":0.012293784,"about_ca_system_score_codex":0.0000126898685,"about_ca_system_score_gemma":0.00004540907,"threshold_uncertainty_score":0.89859813},"labels":[],"label_agreement":null},{"id":"W4415076133","doi":"10.1016/j.actpsy.2025.105741","title":"Designing resilient cities: Greenery, rectilinearity, and sociality as key factors in aesthetic preferences","year":2025,"lang":"en","type":"article","venue":"Acta Psychologica","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Addiction and Mental Health","funders":"Agence Nationale de la Recherche","keywords":"Sociality; Preference; Key (lock); Semantics (computer science); Human factors and ergonomics","score_opus":0.07884952673179359,"score_gpt":0.3549830275094139,"score_spread":0.27613350077762033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415076133","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9678871,0.00003674681,0.000102770704,0.002752506,0.00010089762,0.00012818162,0.0000031431832,0.000076916775,0.028911734],"genre_scores_gemma":[0.99585754,0.00028716464,0.00013919408,0.0021759078,0.000008351653,0.000014765429,0.0000014227908,0.000004895377,0.0015107472],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998364,0.00039322875,0.00026190557,0.0005457364,0.00018425284,0.00025092033],"domain_scores_gemma":[0.99950224,0.00009458542,0.00007795724,0.00024367383,0.000019027184,0.00006254406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003224803,0.00015368384,0.00022633538,0.00017159515,0.00021282383,0.00008271663,0.00027032942,0.0001312348,0.00028015667],"category_scores_gemma":[0.0003578662,0.00011944222,0.00006544699,0.00050395343,0.0003309401,0.00008926151,0.000085195126,0.00023720195,0.000018519895],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003705087,0.0014378922,0.60719544,0.000056956276,0.000015526177,0.00007171121,0.012457993,0.000028622815,0.25458413,0.009250699,0.007919344,0.10661121],"study_design_scores_gemma":[0.0017352555,0.00067574624,0.86409086,0.00020689622,0.00007041569,0.00004978915,0.007475431,0.00026005143,0.022194412,0.08390394,0.018358974,0.0009782042],"about_ca_topic_score_codex":0.000179151,"about_ca_topic_score_gemma":0.00008348254,"teacher_disagreement_score":0.25689548,"about_ca_system_score_codex":0.00003447994,"about_ca_system_score_gemma":0.000033248765,"threshold_uncertainty_score":0.48707125},"labels":[],"label_agreement":null},{"id":"W4415102283","doi":"10.3846/cs.2025.20714","title":"Artificial intelligence in aesthetic situation management: new solutions supporting or substituting an art creator","year":2025,"lang":"en","type":"article","venue":"Creativity Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Aesthetic experience; Aesthetic theory; Applications of artificial intelligence; Component (thermodynamics)","score_opus":0.18789641402550486,"score_gpt":0.4156390674359604,"score_spread":0.22774265341045555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415102283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9112327,0.00013425291,0.06928888,0.004096477,0.0001669594,0.0004494659,0.000004128959,0.00021633203,0.014410781],"genre_scores_gemma":[0.99353194,0.00029242318,0.0006965475,0.00029705252,0.000024686351,0.000032824973,0.0000031057314,0.0000067308233,0.005114674],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984056,0.0001733277,0.0004192557,0.00047111273,0.00019342221,0.00033732332],"domain_scores_gemma":[0.99944353,0.00009791344,0.00011054768,0.00024745186,0.00003936579,0.0000611615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047509302,0.00016307324,0.00027044548,0.0003035178,0.0005227863,0.00007492614,0.00016854677,0.000039620092,0.000108463195],"category_scores_gemma":[0.00087481324,0.00014018088,0.0000692519,0.0010337073,0.0002505556,0.00027537215,0.00013481242,0.00012032767,0.000114914204],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010771774,0.0008352151,0.01115429,0.00009886487,0.00003300704,0.00011229299,0.010854702,0.0018582463,0.009101241,0.16541968,0.0010553885,0.79936934],"study_design_scores_gemma":[0.0023905397,0.0013617099,0.078840174,0.0036355434,0.0021129462,0.00016394239,0.31809425,0.16805111,0.06302193,0.33347666,0.023956094,0.0048951018],"about_ca_topic_score_codex":0.00004680331,"about_ca_topic_score_gemma":0.0013245523,"teacher_disagreement_score":0.79447424,"about_ca_system_score_codex":0.00011523818,"about_ca_system_score_gemma":0.00006504179,"threshold_uncertainty_score":0.571641},"labels":[],"label_agreement":null},{"id":"W4415315819","doi":"10.1016/j.concog.2025.103939","title":"Art Immersion: Evidence for attention restoration in museums","year":2025,"lang":"en","type":"article","venue":"Consciousness and Cognition","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"University of Windsor","keywords":"Attentional control; Urban environment; Control (management); Attentional bias; Urban regeneration; Cognition","score_opus":0.0641686465040301,"score_gpt":0.33730288168276207,"score_spread":0.273134235178732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415315819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96906424,0.00011234993,0.02580655,0.0031065587,0.00015815329,0.00029692345,0.0000052362675,0.000035490517,0.0014144739],"genre_scores_gemma":[0.9976112,0.00032402118,0.00003953524,0.0008843438,0.000015236081,0.00008081433,0.000012295323,0.0000030860692,0.0010294435],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9993747,0.00006112839,0.0001486151,0.0002428067,0.00007873133,0.00009404877],"domain_scores_gemma":[0.9997346,0.00007516052,0.000043658943,0.00007416612,0.000049527538,0.000022922142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016447916,0.00006279355,0.00008928059,0.00015064722,0.0001472867,0.000050858704,0.00004183807,0.00004497664,0.000042568183],"category_scores_gemma":[0.00020606694,0.00006105105,0.000037220005,0.0002704379,0.000077280136,0.00020431496,0.000015689777,0.000045123274,0.000029106393],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030779617,0.0001885408,0.008067616,0.00015041487,0.0000035588043,0.0000074629174,0.00031385088,0.000019394105,0.78589207,0.014059673,0.002636392,0.18835321],"study_design_scores_gemma":[0.024102798,0.0013466565,0.4455224,0.0102410875,0.0013867967,0.00014129466,0.016427986,0.16962242,0.141197,0.13558534,0.05082865,0.0035975634],"about_ca_topic_score_codex":0.0000057383295,"about_ca_topic_score_gemma":0.00003607996,"teacher_disagreement_score":0.6446951,"about_ca_system_score_codex":0.00002043076,"about_ca_system_score_gemma":0.000024726589,"threshold_uncertainty_score":0.24895893},"labels":[],"label_agreement":null},{"id":"W4415571505","doi":"10.1101/2025.10.26.684616","title":"Indoor Rewilding of Laboratory Mice Recalibrates Pulmonary Mucosal Immunity and Mechanics","year":2025,"lang":"","type":"preprint","venue":"bioRxiv (Cold Spring Harbor Laboratory)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval; Institut universitaire de cardiologie et de pneumologie de Québec; Centre hospitalier de l'Université Laval","funders":"Fonds de Recherche du Québec - Santé; Natural Sciences and Engineering Research Council of Canada; Canadian Institutes of Health Research; Institut universitaire de cardiologie et de pneumologie de Québec, Université Laval","keywords":"Immune system; Immunity; Respiratory system; Airway; Lung; Transferability; Respiratory tract; Microbiome","score_opus":0.017119070210807667,"score_gpt":0.23417437798723606,"score_spread":0.2170553077764284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415571505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9907921,0.002457203,0.0018370027,0.0006828918,0.0013301548,0.000971875,0.0015093541,0.00037812864,0.00004132027],"genre_scores_gemma":[0.98700637,0.008860501,0.0027571963,0.0008736401,0.00019580314,0.00011171615,6.9738525e-7,0.0001492369,0.000044862074],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99149674,0.0017004311,0.002038279,0.0025935774,0.0010166442,0.0011543367],"domain_scores_gemma":[0.9935398,0.00032773882,0.0017110825,0.002607937,0.0011164396,0.0006969906],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.002276733,0.0013893464,0.0018899492,0.0011594301,0.00085500005,0.00044192083,0.0018533485,0.0013599485,0.0002714412],"category_scores_gemma":[0.0015787596,0.0015877025,0.00048610303,0.003587626,0.0008037036,0.0007000982,0.0023601253,0.002301968,0.000053165128],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012924368,0.0005570857,0.0033092839,0.001113885,0.00009598544,0.00008475775,0.00005376882,0.00007227383,0.9920815,0.0024055373,0.00007331539,0.000023318982],"study_design_scores_gemma":[0.0009742504,0.00017145446,0.01424008,0.0022836346,0.00090523175,2.2172809e-7,0.00009793896,0.012979234,0.962319,0.000024478266,0.0038628073,0.0021416447],"about_ca_topic_score_codex":0.00016290283,"about_ca_topic_score_gemma":0.0000030478393,"teacher_disagreement_score":0.02976252,"about_ca_system_score_codex":0.00033898622,"about_ca_system_score_gemma":0.0018175666,"threshold_uncertainty_score":0.99999976},"labels":[],"label_agreement":null},{"id":"W4415994113","doi":"10.1177/01708406251397720","title":"Being Ranked in a Material World: The visual originality of an artwork and its effects on the artist’s canonization","year":2025,"lang":"en","type":"article","venue":"Organization Studies","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; New York University Abu Dhabi","keywords":"Originality; Novelty; Value (mathematics); Painting; Valuation (finance); Construct (python library)","score_opus":0.020604738914066965,"score_gpt":0.3233446509326043,"score_spread":0.30273991201853734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415994113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9967756,0.00002559022,0.00017309596,0.0025296235,0.00011103666,0.0001584585,0.0000012790493,0.000022302362,0.00020298769],"genre_scores_gemma":[0.9984844,0.000094735915,0.0000056629365,0.0009328134,0.000029190793,0.000008272757,0.0000021563528,0.0000056010053,0.00043718802],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99917173,0.00029758358,0.00015979682,0.00016228095,0.00012919412,0.00007940133],"domain_scores_gemma":[0.9996032,0.0001384459,0.00006330571,0.000098150274,0.00008594649,0.000010944379],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021667882,0.00007505265,0.00013039654,0.00008748149,0.0002751346,0.000038692124,0.00007626736,0.000016663536,0.00003349555],"category_scores_gemma":[0.00070871646,0.000043667034,0.00001035734,0.001449394,0.000084984385,0.000063008476,0.000048877846,0.000046122976,0.0000051553843],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019106924,0.00043510666,0.14073032,0.00023958196,0.00008087303,0.000013032102,0.017962402,0.000714395,0.57655704,0.25214797,0.000752421,0.010175768],"study_design_scores_gemma":[0.0009278449,0.00011533641,0.1810522,0.00027403454,0.00014176447,0.0000034496645,0.0017151149,0.0020475239,0.8096535,0.0026833026,0.0011335146,0.00025241598],"about_ca_topic_score_codex":0.00000694356,"about_ca_topic_score_gemma":0.000098920325,"teacher_disagreement_score":0.24946466,"about_ca_system_score_codex":0.00002872314,"about_ca_system_score_gemma":0.00001970118,"threshold_uncertainty_score":0.21161406},"labels":[],"label_agreement":null},{"id":"W4416913635","doi":"10.1093/pnasnexus/pgaf347","title":"Less is more: Aesthetic liking is inversely related to metabolic expense by the visual system","year":2025,"lang":"en","type":"article","venue":"PNAS Nexus","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Schwartz/Reisman Emergency Medicine Institute; Vector Institute; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Categorization; Human visual system model; Heuristic; Object (grammar); Visual perception; Visual processing; Functional magnetic resonance imaging; Cognitive neuroscience of visual object recognition","score_opus":0.024630234424973883,"score_gpt":0.30802766111670987,"score_spread":0.283397426691736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416913635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9747929,0.0002945859,0.00060514023,0.013094775,0.00029557117,0.0002864971,0.000012851629,0.00021295054,0.010404714],"genre_scores_gemma":[0.9620845,0.000043430933,0.000014433609,0.021785423,0.0000139567655,0.000041920903,0.0000016069836,0.000020530397,0.015994202],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813795,0.00024149574,0.0003438627,0.00053820986,0.00039191416,0.0003465478],"domain_scores_gemma":[0.9991951,0.0000406186,0.00009534262,0.00049673364,0.00004294663,0.00012923454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023405172,0.00021264136,0.0002915509,0.00016919212,0.00039826526,0.00011325382,0.00047229324,0.00009085258,0.0001900687],"category_scores_gemma":[0.000077707155,0.00015520552,0.00017520782,0.0012376592,0.00014594285,0.00009763356,0.00014143773,0.00021195639,0.00067710056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018553624,0.0007113846,0.0014497098,0.00014155125,0.00010063221,0.00017307731,0.0739554,0.00051990425,0.38913766,0.052783746,0.2167583,0.26408312],"study_design_scores_gemma":[0.00301027,0.00022505065,0.0017059857,0.0005612346,0.000844849,0.0005031359,0.051092632,0.10074076,0.19432321,0.0011297343,0.64401156,0.0018516085],"about_ca_topic_score_codex":0.0001609999,"about_ca_topic_score_gemma":0.0000049102855,"teacher_disagreement_score":0.42725325,"about_ca_system_score_codex":0.000064288455,"about_ca_system_score_gemma":0.000048564158,"threshold_uncertainty_score":0.8702984},"labels":[],"label_agreement":null},{"id":"W4417229704","doi":"10.1097/01.yco.0001175836.91904.33","title":"37 OBSERVATION ON THE AUDIENCE PSYCHOLOGY OF THE AI SPECIAL EXHIBITION IN NATURAL HISTORY MUSEUMS FROM THE PERSPECTIVE OF BEHAVIORAL AND COGNITIVE SCIENCE","year":2025,"lang":"en","type":"article","venue":"Current Opinion in Psychiatry","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Perspective (graphical); Exhibition; Natural history; Natural (archaeology); History of science; Cognition","score_opus":0.07906995228200983,"score_gpt":0.3893832485271381,"score_spread":0.31031329624512827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417229704","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9802468,0.00071636355,0.000054161206,0.009232117,0.00891018,0.00026067576,0.000018904531,0.0000054523125,0.0005553829],"genre_scores_gemma":[0.9986457,0.00022073965,0.000009904992,0.0009594099,0.00013077883,0.000016567876,0.0000017490066,0.0000027614406,0.000012337024],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99870354,0.0002463595,0.00027446545,0.00036413423,0.00028399634,0.00012752673],"domain_scores_gemma":[0.9993839,0.000103820894,0.00017764943,0.0002387961,0.00008129807,0.000014481209],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003065314,0.000096681455,0.00012295079,0.00013286453,0.00013420232,0.000011251095,0.00037058367,0.000037197555,0.000056131772],"category_scores_gemma":[0.00023021994,0.0000558486,0.00006401633,0.0009237631,0.0013752392,0.00011564192,0.00007952527,0.00036440828,0.0000019107522],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050434726,0.0024361676,0.53625894,0.0000563176,0.000006838888,2.2678826e-7,0.026871251,0.000039881656,0.026363831,0.3519161,0.012524205,0.043021917],"study_design_scores_gemma":[0.0005743682,0.000055741057,0.98361415,0.00053348485,0.000013311133,7.582681e-7,0.004134499,0.0005284776,0.00030988344,0.0096383225,0.0005153929,0.00008160438],"about_ca_topic_score_codex":0.000119593984,"about_ca_topic_score_gemma":0.00015602882,"teacher_disagreement_score":0.44735524,"about_ca_system_score_codex":0.00013156194,"about_ca_system_score_gemma":0.00019177145,"threshold_uncertainty_score":0.5067126},"labels":[],"label_agreement":null},{"id":"W4417524880","doi":"10.1371/journal.pone.0338493","title":"Empirical aesthetics of bridges","year":2025,"lang":"en","type":"article","venue":"PLoS ONE","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Bridge (graph theory); Appeal; Empirical research; Factorial analysis; Aesthetic value","score_opus":0.11175091821338265,"score_gpt":0.317363802276826,"score_spread":0.20561288406344333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417524880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9850157,0.000016278038,0.00035588373,0.00429994,0.000010231475,0.000040517716,0.0000034455873,0.000037736147,0.010220287],"genre_scores_gemma":[0.9927554,0.00009779409,0.00033440994,0.0016332193,0.0000077740215,0.0000028644286,5.270226e-7,0.0000035210142,0.0051644635],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99939156,0.000045851368,0.00013318217,0.00014323629,0.00019684498,0.00008935027],"domain_scores_gemma":[0.9997076,0.000021514525,0.00003173959,0.00018153992,0.000028409593,0.000029198694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000050013918,0.000048913815,0.00013754895,0.00007626797,0.000037926064,0.000009145643,0.00013253909,0.000029223247,0.00019265649],"category_scores_gemma":[0.00018069228,0.000043712953,0.000051074385,0.00027076734,0.00010743854,0.000022179136,0.000037164285,0.000060555838,0.00009455438],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016759635,0.0026039658,0.024676023,0.000050181938,0.0000105108975,0.000005169317,0.00027359946,0.00001182425,0.9626709,0.0036918984,0.0012363243,0.004752796],"study_design_scores_gemma":[0.00037120518,0.000098263736,0.016259741,0.00014332966,0.00017309278,0.0000021781555,0.00010475692,0.0051176036,0.9733561,0.0014324135,0.0027874294,0.00015385836],"about_ca_topic_score_codex":0.0000034803118,"about_ca_topic_score_gemma":0.0000011916277,"teacher_disagreement_score":0.010685181,"about_ca_system_score_codex":0.00001045401,"about_ca_system_score_gemma":0.000021467062,"threshold_uncertainty_score":0.21094535},"labels":[],"label_agreement":null},{"id":"W46992670","doi":"","title":"Preference for Abstract Art According to Thinking Styles and Personality","year":2013,"lang":"en","type":"article","venue":"North American journal of psychology","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Psychology; Popularity; Style (visual arts); Taste; Pollock; Relation (database); Preference; Personality; Aesthetics; Social psychology; Visual arts; Art; Art history","score_opus":0.07491143604613659,"score_gpt":0.350893788011974,"score_spread":0.2759823519658374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W46992670","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9869791,0.0000072112157,0.008189139,0.0038448004,0.000066794026,0.000086192675,0.0000040682726,0.00000907496,0.0008135872],"genre_scores_gemma":[0.9905995,0.00005124697,0.0031233737,0.0060699186,0.00007851912,0.0000061374385,3.4811066e-7,0.00000747368,0.00006346989],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9990752,0.00006722998,0.00028950098,0.00020798996,0.00016128247,0.00019881809],"domain_scores_gemma":[0.999208,0.0000800751,0.00032472992,0.00011569373,0.00009254529,0.00017899211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020933355,0.00009279603,0.00025119676,0.0001337493,0.00009803401,0.00004664611,0.00022829071,0.000018424746,0.00019992588],"category_scores_gemma":[0.00019194488,0.00007323169,0.00008695,0.000216833,0.00019706038,0.00014249483,0.000020698102,0.00016115377,0.000049204857],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018595437,0.00016377737,0.2525648,0.000010076085,0.00001755741,0.000013377655,0.0018323876,0.00006357626,0.04877172,0.00018500508,0.0035840843,0.6926077],"study_design_scores_gemma":[0.00039902792,0.0009361957,0.9910676,0.000017829861,0.000027424405,0.00028308018,0.0015379027,0.00007577284,0.00014412694,0.00054315757,0.004796923,0.00017098477],"about_ca_topic_score_codex":0.000014816023,"about_ca_topic_score_gemma":0.00002076387,"teacher_disagreement_score":0.7385028,"about_ca_system_score_codex":0.000012989081,"about_ca_system_score_gemma":0.000019905896,"threshold_uncertainty_score":0.29863015},"labels":[],"label_agreement":null},{"id":"W570937088","doi":"","title":"Between Literature and Science: Poe, Lem, and Explorations in Aesthetics, Cognitive Science, and Literary Knowledge by Peter Swirski (review)","year":2002,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Cognition; Epistemology; Sociology; Psychology; Cognitive science; Philosophy; Art; Literature; Art history","score_opus":0.018465918531174144,"score_gpt":0.2473662356533721,"score_spread":0.22890031712219794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W570937088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97767115,0.013377325,0.00006788467,0.00065299857,0.000023271266,0.00020194257,0.00007185394,0.000021724372,0.0079118665],"genre_scores_gemma":[0.99127686,0.0076014902,0.000099065655,0.00016819919,0.000007553805,3.5768795e-7,0.0000030359674,0.0000036704935,0.00083977415],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99887997,0.00007516143,0.00012903463,0.00045111513,0.00026356266,0.00020115427],"domain_scores_gemma":[0.9994313,0.000031867352,0.00006713054,0.00013321145,0.00015922499,0.0001772376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028938556,0.00011722465,0.00020153844,0.00016220211,0.00036716566,0.00008543044,0.00020140641,0.000040345945,0.00012895378],"category_scores_gemma":[0.000050703416,0.000118768614,0.000026200994,0.00040814278,0.0019002464,0.0014471025,0.000064421365,0.00009431752,0.000007320875],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026126967,0.0005402006,0.007997171,0.0002610127,0.000007639131,0.000053106753,0.24152708,7.2244895e-8,0.02915065,0.0012907651,0.0045798523,0.71456635],"study_design_scores_gemma":[0.023670586,0.0143423965,0.5498605,0.016336856,0.0016229772,0.0008456938,0.11859165,0.019173007,0.0047786473,0.004455465,0.23859313,0.0077291345],"about_ca_topic_score_codex":0.00010047924,"about_ca_topic_score_gemma":0.00018451555,"teacher_disagreement_score":0.7068372,"about_ca_system_score_codex":0.00006512047,"about_ca_system_score_gemma":0.000039026534,"threshold_uncertainty_score":0.7001537},"labels":[],"label_agreement":null},{"id":"W6887740620","doi":"10.17605/osf.io/kesbf","title":"Changing what you like: modifying contour properties shifts aesthetic valuations of scenes","year":2023,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Code (set theory); Perception; Feature (linguistics)","score_opus":0.060592606441299796,"score_gpt":0.29132586327409327,"score_spread":0.23073325683279347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6887740620","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014366465,0.000030932493,0.0014336264,0.0006779938,0.00089766656,0.0015120779,0.000035187917,0.0013052946,0.97974074],"genre_scores_gemma":[0.10202407,0.0022013502,0.0001729153,0.00022529367,0.0000843046,0.00027278086,0.00000782288,0.0005431905,0.89446825],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474996,0.0007674215,0.0007079025,0.002292644,0.0008803672,0.0006017188],"domain_scores_gemma":[0.9959611,0.00008978728,0.0006368841,0.0030094103,0.000105188155,0.00019760957],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0022414408,0.0005069297,0.0007612948,0.00093424006,0.00025521452,0.00026153956,0.0012912443,0.00038343784,0.20917901],"category_scores_gemma":[0.0015783597,0.0005000804,0.00043333333,0.0007439232,0.0004410561,0.00035482956,0.0010372569,0.0004363704,0.45539427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002719679,0.003292075,0.0024184955,0.002188762,0.0004791316,0.0001848967,0.049528558,0.01134247,0.1528468,0.00741105,0.19788928,0.57214653],"study_design_scores_gemma":[0.003534698,0.000011803335,0.0011691742,0.011968727,0.0015182918,0.000225423,0.012506697,0.030707924,0.045349754,0.0044551827,0.88369685,0.004855469],"about_ca_topic_score_codex":0.00029622472,"about_ca_topic_score_gemma":0.00013457771,"teacher_disagreement_score":0.6858076,"about_ca_system_score_codex":0.00015212668,"about_ca_system_score_gemma":0.00017066767,"threshold_uncertainty_score":0.9997451},"labels":[],"label_agreement":null},{"id":"W6887919577","doi":"10.17863/cam.59391","title":"Measurement of differential cross sections for single diffractive dissociation in s = 8 TeV pp collisions using the ATLAS ALFA spectrometer","year":2019,"lang":"en","type":"article","venue":"Apollo (University of Cambridge)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"European Social Fund; British Columbia Knowledge Development Fund; Fundação para a Ciência e a Tecnologia; Institut National de Physique Nucléaire et de Physique des Particules; Agencia Nacional de Promoción Científica y Tecnológica; Science and Technology Facilities Council; Natural Sciences and Engineering Research Council of Canada; Centre National pour la Recherche Scientifique et Technique; National Research Center \"Kurchatov Institute\"; Centre National de la Recherche Scientifique; Israel Science Foundation; Joint Institute for Nuclear Research; Japan Society for the Promotion of Science; Conselho Nacional de Desenvolvimento Científico e Tecnológico; Bundesministerium für Wissenschaft, Forschung und Wirtschaft; Austrian Science Fund; U.S. Department of Energy; National Natural Science Foundation of China; Fundação de Amparo à Pesquisa do Estado de São Paulo; Javna Agencija za Raziskovalno Dejavnost RS; Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; Ministry of Education, Culture, Sports, Science and Technology; Agence Nationale de la Recherche; Services Fédéraux des Affaires Scientifiques, Techniques et Culturelles; Generalitat de Catalunya; Department of Science and Technology, Ministry of Science and Technology, India; General Secretariat for Research and Technology; Leverhulme Trust; Max-Planck-Gesellschaft; Royal Society; National Science Foundation; Compute Canada; Alexander von Humboldt-Stiftung; TRIUMF; Türkiye Atom Enerjisi Kurumu; Deutsche Forschungsgemeinschaft; Departamento Administrativo de Ciencia, Tecnología e Innovación (COLCIENCIAS); European Regional Development Fund; Bundesministerium für Bildung und Forschung; Canarie; Centres de Recerca de Catalunya; Ministerstwo Edukacji i Nauki; CERN; Comisión Nacional de Investigación Científica y Tecnológica; Danmarks Grundforskningsfond; European Commission","keywords":"Nucleofection; Hyporeflexia; Gestational period; Dysgeusia; Proteogenomics; Fusible alloy","score_opus":0.0404130282142562,"score_gpt":0.26228152372227276,"score_spread":0.22186849550801657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6887919577","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98919857,0.000005922463,0.009356346,0.0003909877,0.0000915144,0.00025927322,0.000053465857,0.000009021367,0.00063489313],"genre_scores_gemma":[0.9990194,0.000012360428,0.00011518903,0.000027353397,0.000015019609,4.1519075e-7,0.0000030458505,0.000005834235,0.00080141274],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99910724,0.00009082828,0.00012696775,0.00020142556,0.00032664865,0.000146899],"domain_scores_gemma":[0.99941814,0.000049340117,0.00019927265,0.0001691804,0.00013250962,0.00003154706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001369651,0.00007881789,0.00018825759,0.00011245422,0.00021713477,0.000016365908,0.00014708434,0.000047385212,0.000075686534],"category_scores_gemma":[0.00009047513,0.00007368314,0.00019521228,0.00036467361,0.00013454228,0.00017059316,0.000053218493,0.00007938418,0.000006680351],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000846976,0.00025308554,0.004644991,0.000011016327,0.000014614659,8.732305e-7,0.00086653465,0.0004035551,0.99283653,0.00062285084,0.00006506981,0.00019616548],"study_design_scores_gemma":[0.0072580907,0.0008615257,0.51721823,0.00024389633,0.0006574214,0.000022712356,0.019648569,0.08823615,0.36173123,0.0002834888,0.0030129333,0.0008257378],"about_ca_topic_score_codex":0.00050865026,"about_ca_topic_score_gemma":0.00013101913,"teacher_disagreement_score":0.6311053,"about_ca_system_score_codex":0.00021115338,"about_ca_system_score_gemma":0.00004233672,"threshold_uncertainty_score":0.30047113},"labels":[],"label_agreement":null},{"id":"W6920817757","doi":"10.6084/m9.figshare.26601973.v1","title":"Additional file 1 of Humans versus AI: whether and why we prefer human-created compared to AI-created artwork","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"File format; Set (abstract data type); File sharing; Point (geometry); File system","score_opus":0.0978599759303518,"score_gpt":0.3248242021468326,"score_spread":0.22696422621648082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6920817757","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006676272,0.000029196277,0.0000015388285,0.00040440267,0.000023033386,0.00013232144,0.98820573,0.00015906809,0.010377099],"genre_scores_gemma":[0.16662607,0.000003767284,0.00007191606,0.0022030002,0.00013462201,0.00053298677,0.8130784,0.00004777834,0.017301476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988989,0.00006643059,0.00019171642,0.00040435014,0.00024701186,0.00019155677],"domain_scores_gemma":[0.9993017,0.00025967255,0.000040077794,0.00020595263,0.0000721007,0.00012054759],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000015112783,0.00015455717,0.00018647067,0.0001445448,0.00013854579,0.00010635213,0.00016277387,0.000070604154,0.99320567],"category_scores_gemma":[0.00047033463,0.00013906178,0.00009762881,0.00048087246,0.000032898937,0.000118086784,0.00008078485,0.0001582494,0.0060146446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021833112,0.000031195028,6.401655e-7,0.000031308187,0.0000077397,0.00001159433,0.00016155062,0.00002956744,0.0019728872,0.000023163228,0.99736273,0.00034577603],"study_design_scores_gemma":[0.00019575235,0.000068438436,0.00045813096,0.0016933535,0.000017233839,0.0000045090533,0.000042584496,0.0013806944,0.00050339947,0.0000486895,0.9954177,0.00016949221],"about_ca_topic_score_codex":0.000008713168,"about_ca_topic_score_gemma":0.000036918762,"teacher_disagreement_score":0.987191,"about_ca_system_score_codex":0.000027656397,"about_ca_system_score_gemma":0.000039856917,"threshold_uncertainty_score":0.99475926},"labels":[],"label_agreement":null},{"id":"W6924703246","doi":"10.15468/dl.tcdpqs","title":"Occurrence Download","year":2020,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); R package; Data set","score_opus":0.029890608652376614,"score_gpt":0.24119079454315628,"score_spread":0.21130018589077967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924703246","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002957404,0.0000019602687,0.000011579534,0.00061101414,0.00022427108,0.00016435381,0.9983839,0.00012544804,0.00018177803],"genre_scores_gemma":[0.00009813171,0.000108492844,6.868748e-7,0.004701402,0.0000014467355,0.0000019924476,0.9950877,1.0390211e-8,1.7830462e-7],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998372,0.00010823362,0.0003571689,0.0003209762,0.00059492886,0.00024670217],"domain_scores_gemma":[0.99899924,0.000009358937,0.00027302658,0.00039363233,0.000085434556,0.00023928509],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010455368,0.00025988856,0.00027960094,0.00007406133,0.00031270093,0.00017380169,0.0006351928,0.00023600462,0.0044121896],"category_scores_gemma":[0.0004145442,0.00025648857,0.0002248381,0.000518454,0.00023895982,0.0006987059,0.00031489035,0.00030475663,0.63885146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025710231,0.000025685998,0.000060682756,0.000046706387,0.0000025765282,0.000004224131,0.000045223107,0.0000059141344,0.0000021234737,1.3128503e-7,0.9982589,0.0015221318],"study_design_scores_gemma":[0.0002095341,0.000027408618,0.000013383945,0.0000012287056,0.000046130637,0.0000069753264,0.000090519374,9.4439537e-7,0.000017601464,7.1611566e-7,0.9993324,0.00025310842],"about_ca_topic_score_codex":0.000097403165,"about_ca_topic_score_gemma":0.0000028944012,"teacher_disagreement_score":0.63443923,"about_ca_system_score_codex":0.00017460731,"about_ca_system_score_gemma":0.00010204283,"threshold_uncertainty_score":0.99998873},"labels":[],"label_agreement":null},{"id":"W6926154503","doi":"10.25316/ir-10550","title":"Nanaimo Free Press [Saturday, July 11, 1896]","year":2019,"lang":"en","type":"other","venue":"VIURRSpace (Vancouver Island University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.014953166000731712,"score_gpt":0.21567832024734573,"score_spread":0.20072515424661402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6926154503","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008055286,0.000088609726,0.0007807714,0.00026657543,0.0011381094,0.00030729745,0.00036935246,0.00036957703,0.9966717],"genre_scores_gemma":[0.0010449989,0.0009334051,0.00011371681,0.00033616248,0.00020316866,8.495712e-7,8.5219284e-7,0.00023660043,0.9971303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977217,0.00017833879,0.00013693729,0.0009414237,0.0005361354,0.00048549636],"domain_scores_gemma":[0.9982437,0.000035678717,0.00029789723,0.0011926523,0.000037570448,0.00019253828],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000053310374,0.00047811258,0.0005473974,0.0007489438,0.00015811375,0.00006861969,0.0011581867,0.00046274098,0.0018722237],"category_scores_gemma":[0.00006129076,0.00046319357,0.0003285379,0.00065652275,0.000217376,0.00016232711,0.00037281177,0.00040063573,0.0012073491],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021931042,0.000067332694,0.0000012765486,0.000043545453,0.00001665455,0.00016756092,0.0001254415,0.000026871903,0.0002665548,0.0012761637,0.99768317,0.00030351526],"study_design_scores_gemma":[0.0011498868,0.00004270452,0.000001350883,0.00011800686,0.00016087666,0.0000055993405,0.0001974654,0.00009706218,0.0001300452,0.000023295164,0.99749714,0.0005765447],"about_ca_topic_score_codex":0.0007574304,"about_ca_topic_score_gemma":0.002792367,"teacher_disagreement_score":0.0020349366,"about_ca_system_score_codex":0.00012803446,"about_ca_system_score_gemma":0.00011217605,"threshold_uncertainty_score":0.99978197},"labels":[],"label_agreement":null},{"id":"W6930388014","doi":"10.5281/zenodo.12060799","title":"beginners lesson sda 2023 pdf","year":2024,"lang":"en","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); White (mutation); Work (physics); Order (exchange); Character (mathematics); Index (typography); Ninth","score_opus":0.05058435575857364,"score_gpt":0.27822822543340264,"score_spread":0.227643869674829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6930388014","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005093234,0.00010504367,0.0005426523,0.0012046807,0.00022362357,0.00023186915,0.0003088245,0.001369378,0.995963],"genre_scores_gemma":[0.0057249586,0.00046775528,0.000043681193,0.00043285108,0.0003100805,4.230551e-8,0.0005469174,0.006768308,0.98570544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977674,0.0003182882,0.00021791297,0.0007844471,0.0005286866,0.0003832654],"domain_scores_gemma":[0.99902916,0.000006291845,0.00012370404,0.0005688079,0.00007714002,0.00019487279],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028297433,0.00024333489,0.0002319916,0.00061138626,0.000668588,0.0008576025,0.0010960939,0.00016248021,0.44169497],"category_scores_gemma":[0.00037775442,0.00024122548,0.00013460562,0.0006735561,0.00027884936,0.00007639539,0.000828392,0.00044811828,0.58759236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005823182,0.00004588493,3.9602643e-8,0.00006718995,0.000010796211,0.000042053864,0.00016873844,0.0000035802773,0.003881538,0.003607027,0.9683525,0.023814855],"study_design_scores_gemma":[0.00015051589,0.00005722545,0.000001794697,0.00010826332,0.00003677628,0.00008078903,0.00011416847,0.00015333807,0.00012944464,0.00013624494,0.9987745,0.00025690865],"about_ca_topic_score_codex":0.000028442828,"about_ca_topic_score_gemma":7.848608e-7,"teacher_disagreement_score":0.14589739,"about_ca_system_score_codex":0.00011289192,"about_ca_system_score_gemma":0.00000379387,"threshold_uncertainty_score":0.98368895},"labels":[],"label_agreement":null},{"id":"W6930590398","doi":"10.5281/zenodo.14596929","title":"FIGURES 317, 318. Stethynium triclavatum Enock. 317 in Illustrated key to the genera and catalogue of Mymaridae (Hymenoptera) in the Neotropical region","year":2024,"lang":"en","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Natural Resources Canada","funders":"","keywords":"Key (lock); Taxonomy (biology); Single specimen; Taxonomic key","score_opus":0.050035252888601375,"score_gpt":0.26726447502244804,"score_spread":0.21722922213384666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6930590398","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03985314,0.0011604315,0.0010241154,0.016876861,0.00035160957,0.0024647282,0.0008112692,0.0009751646,0.93648267],"genre_scores_gemma":[0.82028973,0.001376062,0.000050014,0.0017582305,0.0002819392,6.2851825e-7,0.0005872366,0.0027075305,0.17294861],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975207,0.0008631329,0.00031937283,0.0005644746,0.0004298064,0.00030250268],"domain_scores_gemma":[0.99916756,0.000025993788,0.0001153892,0.0005430656,0.000060742714,0.000087226166],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043744204,0.00020328799,0.00023868542,0.00056868175,0.00029629047,0.00041619176,0.0010927458,0.00013222767,0.0020252299],"category_scores_gemma":[0.00042763594,0.00013872265,0.00005304911,0.0013248652,0.00026472518,0.000057065667,0.00057979854,0.0005436999,0.0019451146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041175972,0.00010265262,0.000003236718,0.00007923832,0.000008011914,0.0000676516,0.003881728,0.000058684986,0.003667295,0.0013577717,0.97815573,0.012576808],"study_design_scores_gemma":[0.0002635013,0.00014189101,0.0002829174,0.00010966748,0.000018695386,0.00009038962,0.0005135574,0.0003937256,0.00013495235,0.000047735793,0.9978447,0.00015827606],"about_ca_topic_score_codex":0.00031487396,"about_ca_topic_score_gemma":0.00004766744,"teacher_disagreement_score":0.78043664,"about_ca_system_score_codex":0.00007306379,"about_ca_system_score_gemma":0.00000767437,"threshold_uncertainty_score":0.99888706},"labels":[],"label_agreement":null},{"id":"W6930840555","doi":"10.5281/zenodo.13947909","title":"Improving workflows in digital art history: sharing annotations for patrimonial images segmentation and object detection","year":2024,"lang":"en","type":"preprint","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Workflow; Segmentation; Standardization; Object (grammar); Focus (optics); Interoperability; Interpretation (philosophy)","score_opus":0.0428010295175181,"score_gpt":0.2644884620987,"score_spread":0.22168743258118187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6930840555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8483044,0.0005325905,0.0949825,0.0017404291,0.0013311676,0.0031096698,0.0019572466,0.0032142163,0.044827793],"genre_scores_gemma":[0.99549836,0.00011195073,0.00027924794,0.00008192728,0.00014151775,9.782417e-7,0.0008149494,0.000706371,0.0023646902],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998231,0.000105098006,0.0003215397,0.0008088777,0.00026778685,0.00026573075],"domain_scores_gemma":[0.9992908,0.000022896285,0.00015044202,0.00027513475,0.00016195216,0.000098773904],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038770126,0.00019035365,0.00017992841,0.00056170294,0.00070689886,0.0014700044,0.00040396952,0.000106090076,0.0007545381],"category_scores_gemma":[0.0008472278,0.00021381573,0.00009541745,0.000346278,0.00013035738,0.000291742,0.0014836094,0.0004763325,0.00080418034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011994546,0.00014835197,0.000011627418,0.00045025774,0.00001699498,0.000022544855,0.004010411,0.00076710765,0.20131849,0.0004751378,0.011692936,0.78096616],"study_design_scores_gemma":[0.0026047314,0.0007115349,0.000818563,0.0005976988,0.0002844944,0.00027097817,0.0025770564,0.18876743,0.009644459,0.007281082,0.78462696,0.0018149888],"about_ca_topic_score_codex":0.00002420872,"about_ca_topic_score_gemma":0.0000025362667,"teacher_disagreement_score":0.7791512,"about_ca_system_score_codex":0.0005890831,"about_ca_system_score_gemma":0.000011162383,"threshold_uncertainty_score":0.99997383},"labels":[],"label_agreement":null},{"id":"W6958621539","doi":"10.6084/m9.figshare.26601973","title":"Additional file 1 of Humans versus AI: whether and why we prefer human-created compared to AI-created artwork","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"File format; Set (abstract data type); File sharing; Point (geometry); File system","score_opus":0.0978599759303518,"score_gpt":0.3248242021468326,"score_spread":0.22696422621648082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6958621539","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006676272,0.000029196277,0.0000015388285,0.00040440267,0.000023033386,0.00013232144,0.98820573,0.00015906809,0.010377099],"genre_scores_gemma":[0.16662607,0.000003767284,0.00007191606,0.0022030002,0.00013462201,0.00053298677,0.8130784,0.00004777834,0.017301476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988989,0.00006643059,0.00019171642,0.00040435014,0.00024701186,0.00019155677],"domain_scores_gemma":[0.9993017,0.00025967255,0.000040077794,0.00020595263,0.0000721007,0.00012054759],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000015112783,0.00015455717,0.00018647067,0.0001445448,0.00013854579,0.00010635213,0.00016277387,0.000070604154,0.99320567],"category_scores_gemma":[0.00047033463,0.00013906178,0.00009762881,0.00048087246,0.000032898937,0.000118086784,0.00008078485,0.0001582494,0.0060146446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021833112,0.000031195028,6.401655e-7,0.000031308187,0.0000077397,0.00001159433,0.00016155062,0.00002956744,0.0019728872,0.000023163228,0.99736273,0.00034577603],"study_design_scores_gemma":[0.00019575235,0.000068438436,0.00045813096,0.0016933535,0.000017233839,0.0000045090533,0.000042584496,0.0013806944,0.00050339947,0.0000486895,0.9954177,0.00016949221],"about_ca_topic_score_codex":0.000008713168,"about_ca_topic_score_gemma":0.000036918762,"teacher_disagreement_score":0.987191,"about_ca_system_score_codex":0.000027656397,"about_ca_system_score_gemma":0.000039856917,"threshold_uncertainty_score":0.99475926},"labels":[],"label_agreement":null},{"id":"W6962931181","doi":"10.17895/ices.pub.19259894.v1","title":"ICES Working Group on Grey Seals Report of the First Meeting","year":2023,"lang":"en","type":"report","venue":"Figshare","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stock (firearms); Fish stock; Fish <Actinopterygii>; Fishing; North sea; Group (periodic table)","score_opus":0.2902225088375199,"score_gpt":0.36845390141155254,"score_spread":0.07823139257403267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962931181","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008778423,0.0003594882,5.976883e-7,0.0020392227,0.0023806286,0.0012986228,0.1363424,0.00094310223,0.84785753],"genre_scores_gemma":[0.87399256,0.0004218864,0.000015242746,0.001596794,0.0016219488,0.00043502974,0.033225954,0.00028183233,0.08840874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694353,0.0000927279,0.0005950778,0.00064929004,0.0014437917,0.00027559785],"domain_scores_gemma":[0.99760085,0.0002001898,0.0011816187,0.00081428845,0.00014269014,0.00006036164],"candidate_categories":["metaresearch","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033378432,0.00025586787,0.0004118337,0.00015087225,0.0003056201,0.00008622419,0.00068816694,0.0002336199,0.030492242],"category_scores_gemma":[0.009945338,0.00017796208,0.0004897679,0.0006879545,0.00002424039,0.000043508764,0.00035008905,0.0004385218,0.0011470646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035777753,0.000048442664,0.00076425524,0.0005694439,0.000013965506,0.00061920873,0.00017338042,0.000117596486,0.00033081978,0.0000046791,0.99243665,0.004917976],"study_design_scores_gemma":[0.00004634144,0.00001645591,0.0053245593,0.012528707,0.000041540752,0.00018478627,0.00004201445,0.00007198433,0.00050774403,0.000012373599,0.9809802,0.0002432976],"about_ca_topic_score_codex":0.000062202766,"about_ca_topic_score_gemma":0.00017379588,"teacher_disagreement_score":0.86521417,"about_ca_system_score_codex":0.00010874866,"about_ca_system_score_gemma":0.00020664516,"threshold_uncertainty_score":0.99963063},"labels":[],"label_agreement":null},{"id":"W6977379807","doi":"10.7298/q1az-4008","title":"Fast Radio Burst Community Newsletter - Volume 3, Issue 07","year":2022,"lang":"en","type":"article","venue":"eCommons (Cornell University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Volume (thermodynamics); Foundation (evidence); Government (linguistics)","score_opus":0.046213217915791714,"score_gpt":0.21255985762239687,"score_spread":0.16634663970660515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977379807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94044423,0.0000048290194,0.001492764,0.0021979976,0.00020503647,0.00010972285,0.00007908778,0.00019356482,0.05527274],"genre_scores_gemma":[0.9259576,0.0000126156765,0.00003263566,0.0022569103,0.0000409342,9.834748e-7,0.000017198965,0.0000168582,0.07166424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806905,0.00097999,0.00013786803,0.00033782303,0.0001661732,0.00030907858],"domain_scores_gemma":[0.998995,0.00005029102,0.000093336035,0.0006887714,0.000017679984,0.00015490093],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020214167,0.00016229435,0.00020559622,0.00029469922,0.0016710671,0.000044598386,0.0009883743,0.00004271294,0.016628083],"category_scores_gemma":[0.00003022166,0.0001976985,0.00018962972,0.0009679518,0.00021458612,0.00019422216,0.00065900764,0.0007712315,0.001965648],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062691665,0.0064917454,0.12084186,0.00007172974,0.0001174627,0.003917911,0.016737556,0.13328926,0.065520935,0.019494299,0.61499757,0.017892744],"study_design_scores_gemma":[0.00092927867,0.0001947377,0.007130325,0.0000046209507,0.000083688676,0.0000955301,0.0058124703,0.013768652,0.00031179737,0.00033994525,0.9708043,0.0005246673],"about_ca_topic_score_codex":0.000455507,"about_ca_topic_score_gemma":0.00011218051,"teacher_disagreement_score":0.3558067,"about_ca_system_score_codex":0.00022915864,"about_ca_system_score_gemma":0.00003111778,"threshold_uncertainty_score":0.9996286},"labels":[],"label_agreement":null},{"id":"W6980914788","doi":"","title":"Day 535 - Ukrainian artist Ganna Kryvolap - День 535 - Українська художниця Ганна Криволап","year":2023,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Ukrainian; German; Contemporary art; National museum; Architecture","score_opus":0.012389240320086292,"score_gpt":0.21260341790530274,"score_spread":0.20021417758521645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980914788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001493468,0.00010443515,0.0000024703825,0.0007258034,0.0005401815,0.00042611823,0.00042567385,0.0010118225,0.99661416],"genre_scores_gemma":[0.0034081084,0.0010272078,0.0001846748,0.0015308278,0.00028936696,0.000031768,0.00012980594,0.0004102698,0.992988],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964669,0.00024549643,0.0010647642,0.00058757985,0.0009876221,0.0006476338],"domain_scores_gemma":[0.9976831,0.00016349168,0.0008907804,0.0008443251,0.00010604954,0.0003122468],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042624222,0.000622808,0.0007578386,0.00027970722,0.00021434629,0.00016161369,0.00076000456,0.0005735288,0.49094057],"category_scores_gemma":[0.00078769657,0.0006075155,0.00045574256,0.00005711746,0.0004505687,8.480242e-7,0.00018740218,0.00050924544,0.10409989],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029100596,0.00006958961,0.0000023477505,0.00014942583,0.00002199646,0.00008012954,0.00055823044,0.00013191035,0.000014927167,0.000045501547,0.9925939,0.006302973],"study_design_scores_gemma":[0.00049991504,0.00011900174,0.000016596816,0.0002472927,0.00009537576,0.00010425698,0.00013178961,0.00013431624,0.000041680833,0.000012003032,0.9979701,0.0006276866],"about_ca_topic_score_codex":0.002384055,"about_ca_topic_score_gemma":0.0022945148,"teacher_disagreement_score":0.38684067,"about_ca_system_score_codex":0.00009250162,"about_ca_system_score_gemma":0.000059238697,"threshold_uncertainty_score":0.9996376},"labels":[],"label_agreement":null},{"id":"W6983664521","doi":"","title":"\\nContent-Based Art Retrieval (C-BAR)","year":2005,"lang":"en","type":"other","venue":"Radboud Repository (Radboud University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Engineering and Physical Sciences Research Council; Social Sciences and Humanities Research Council of Canada; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; University of Regina; Andrew W. Mellon Foundation","keywords":"Feature (linguistics); Focus (optics); Photography; Quality (philosophy)","score_opus":0.015120877795792872,"score_gpt":0.20867447783899326,"score_spread":0.19355360004320038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983664521","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00081231183,0.00032138207,0.0015835002,0.00029540787,0.001240216,0.00038733872,0.000078332145,0.0010109516,0.99427056],"genre_scores_gemma":[0.011615607,0.0003521774,0.00016804229,0.0003748471,0.0007977954,9.569899e-7,0.000034534813,0.00034713902,0.9863089],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659777,0.00042712057,0.00035296075,0.001226209,0.00079148135,0.00060443557],"domain_scores_gemma":[0.99792844,0.000047152116,0.00051096926,0.0010402955,0.00006225817,0.0004108753],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000097586366,0.00060934096,0.00066815334,0.0012291931,0.0004368693,0.00019063693,0.0009540036,0.00066341687,0.0037036452],"category_scores_gemma":[0.000055679506,0.00065603916,0.00052253326,0.0009007686,0.00057786755,0.00013740915,0.00012749029,0.00061562244,0.0017576339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029450102,0.00072657125,0.00016283947,0.00009138316,0.00008999207,0.0037188549,0.000085832406,0.0013253712,0.03550883,0.009119138,0.9477246,0.0011521089],"study_design_scores_gemma":[0.0009539856,0.000078988225,0.000030146535,0.00012591392,0.00024629192,0.0000793641,0.00014183694,0.0019094186,0.0011918179,0.0000012128075,0.9945206,0.0007203965],"about_ca_topic_score_codex":0.000115766066,"about_ca_topic_score_gemma":0.000013368744,"teacher_disagreement_score":0.04679605,"about_ca_system_score_codex":0.00041073686,"about_ca_system_score_gemma":0.00029990234,"threshold_uncertainty_score":0.9995891},"labels":[],"label_agreement":null},{"id":"W6987570544","doi":"","title":"Tekoälykuvageneraattorien omaksuminen visuaalisten taiteilijoiden keskuudessa","year":2023,"lang":"fi","type":"dissertation","venue":"Jyväskylä University Digital Archive (University of Jyväskylä)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Work (physics); Ideal (ethics); Power (physics); Moral standards","score_opus":0.019229926174357675,"score_gpt":0.22352696524432608,"score_spread":0.2042970390699684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987570544","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8907512,0.00007897848,0.00451882,0.0007766415,0.0011249016,0.0012539848,0.007030474,0.0008093661,0.09365567],"genre_scores_gemma":[0.6155962,0.0011747591,0.00053687306,0.00010100098,0.00017857268,5.319264e-7,0.0042273705,0.00017394591,0.37801078],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928214,0.00061006926,0.0007693159,0.002538048,0.0018528237,0.0014083679],"domain_scores_gemma":[0.99488384,0.00047431403,0.0015533118,0.001463926,0.00059552555,0.0010291104],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00031877193,0.0013032127,0.002042587,0.0023799716,0.0017958161,0.0003195759,0.003433233,0.0008204468,0.0013777222],"category_scores_gemma":[0.0003980331,0.0017793467,0.002140191,0.0033308517,0.002022924,0.0017689139,0.00140935,0.0012171827,0.0035122586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.017077373,0.008446598,0.026006302,0.005805964,0.0039060223,0.022441963,0.15952404,0.0028563975,0.33138782,0.031125316,0.12389299,0.26752922],"study_design_scores_gemma":[0.015955305,0.0028909773,0.10318413,0.0031770559,0.0058725635,0.00023176227,0.3787414,0.016426953,0.001533968,0.005325606,0.4564887,0.010171566],"about_ca_topic_score_codex":0.0020921754,"about_ca_topic_score_gemma":0.0018893414,"teacher_disagreement_score":0.3325957,"about_ca_system_score_codex":0.000624256,"about_ca_system_score_gemma":0.00076789595,"threshold_uncertainty_score":0.9999719},"labels":[],"label_agreement":null},{"id":"W7010332974","doi":"","title":"‘I am Nature’: Science and Jackson Pollock","year":2007,"lang":"en","type":"article","venue":"Digital Commons - Trinity University (Trinity University)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Pollock; Painting; Natural (archaeology); Line (geometry)","score_opus":0.021068925254841653,"score_gpt":0.2350551966947067,"score_spread":0.21398627143986504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010332974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.752461,0.0000047414155,0.00070232374,0.00044687497,0.00008267865,0.00015451864,0.00010645585,0.00023222274,0.24580917],"genre_scores_gemma":[0.9913594,0.00005573539,0.00007096866,0.00025192834,0.000023404476,2.352364e-8,0.000009623891,0.000012215744,0.008216661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973544,0.00012091902,0.0001888475,0.0008379027,0.00079389085,0.00070404215],"domain_scores_gemma":[0.99800426,0.00025023782,0.00016306448,0.00057849754,0.00028980986,0.0007141361],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00053764204,0.0003048886,0.00034242743,0.0017527856,0.0016616482,0.0002573353,0.0012660018,0.0002413758,0.00006991625],"category_scores_gemma":[0.0005710628,0.0003681853,0.00019833221,0.0046225716,0.0021037648,0.002029606,0.0009925413,0.00083769596,0.00011231814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038208866,0.0051719244,0.21058668,0.00013125468,0.0001274715,0.008996368,0.004062105,0.000069328235,0.039675646,0.6359182,0.0031495262,0.08829061],"study_design_scores_gemma":[0.0062961257,0.0007286076,0.12445599,0.00007652952,0.00028742995,0.0003146261,0.018785534,0.00045203892,0.014297834,0.00076260115,0.8312686,0.002274085],"about_ca_topic_score_codex":0.00013292921,"about_ca_topic_score_gemma":0.00024075118,"teacher_disagreement_score":0.8281191,"about_ca_system_score_codex":0.00060796086,"about_ca_system_score_gemma":0.00028436581,"threshold_uncertainty_score":0.99987704},"labels":[],"label_agreement":null},{"id":"W7028873393","doi":"","title":"A History of Debates Over Trans Women’s Inclusion in Elite Sport and Trans Athlete Activism in Canada","year":2022,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Elite; Newspaper; Athletes; Mythology; Inclusion–exclusion principle; Binary opposition; Focus (optics)","score_opus":0.006055573508638289,"score_gpt":0.18394853690449411,"score_spread":0.17789296339585584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028873393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.992919,0.000041135256,0.0000030143278,0.0029149305,0.000104413426,0.00017008831,0.000061707964,0.00002892208,0.0037567876],"genre_scores_gemma":[0.9126024,0.0017051242,0.000013443116,0.00033137412,0.000004387374,0.0000023480895,0.00010842948,0.000026507661,0.08520595],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844795,0.00011283159,0.00021096734,0.00051583344,0.00043188484,0.00028051913],"domain_scores_gemma":[0.9994541,0.000028989965,0.0001761158,0.00020222695,0.000008246868,0.00013034622],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005301376,0.00024263986,0.0004496995,0.0007097432,0.00011041419,0.000007970492,0.00036542973,0.00012670102,0.0023209325],"category_scores_gemma":[0.000006529332,0.00029417453,0.00009852273,0.000593992,0.00006685801,0.00062046526,0.00016263736,0.00045664934,4.66864e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0094307205,0.002408532,0.24548596,0.002717249,0.00013672932,0.010243587,0.59804505,0.0017228256,0.051842418,0.0026610743,0.051099174,0.024206689],"study_design_scores_gemma":[0.002155453,0.00013944069,0.35266283,0.00034836298,0.00009778872,0.0000011889207,0.035174448,0.00020300035,0.0025410573,0.00015132577,0.6053757,0.0011493852],"about_ca_topic_score_codex":0.7176406,"about_ca_topic_score_gemma":0.44087207,"teacher_disagreement_score":0.5628706,"about_ca_system_score_codex":0.0022185768,"about_ca_system_score_gemma":0.0018037233,"threshold_uncertainty_score":0.99995106},"labels":[],"label_agreement":null},{"id":"W7031784258","doi":"","title":"Kapak-İçindekiler","year":2013,"lang":"tr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Technical university; Research method; Middle East; Statistical analysis","score_opus":0.33534570427715343,"score_gpt":0.5669855185383588,"score_spread":0.23163981426120533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7031784258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9546157,0.005781691,0.00037623342,0.0018321828,0.0012718223,0.000908981,0.000077383476,0.00008847596,0.035047516],"genre_scores_gemma":[0.96086955,0.020569732,0.00015242049,0.003278445,0.00036124702,0.00004839087,0.0000070835467,0.00011482076,0.014598335],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9932442,0.0007480128,0.0018557518,0.0012646628,0.0018341757,0.0010532094],"domain_scores_gemma":[0.9952348,0.00022486594,0.0017300552,0.0011660353,0.00064801046,0.0009962637],"candidate_categories":["metaepi_narrow","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013721256,0.0007697449,0.0015379222,0.0015455963,0.0007909103,0.0060215066,0.00692256,0.0003224961,0.33092797],"category_scores_gemma":[0.0007101048,0.0006877473,0.00078284147,0.0029052047,0.00072670117,0.005645161,0.0021895953,0.0010627613,0.0037525161],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008819857,0.00104703,0.20441289,0.0000999025,0.000115243885,0.00008136686,0.0005960489,0.00012667383,0.45917612,0.00036330367,0.28627127,0.047621943],"study_design_scores_gemma":[0.0012341157,0.00003731498,0.8812401,0.00081581075,0.0004313422,0.00010165948,0.0005433635,0.0018376915,0.029958043,0.0070720785,0.07508392,0.0016445481],"about_ca_topic_score_codex":0.0019851972,"about_ca_topic_score_gemma":0.000042840005,"teacher_disagreement_score":0.67682725,"about_ca_system_score_codex":0.00018116753,"about_ca_system_score_gemma":0.00024602166,"threshold_uncertainty_score":0.9995574},"labels":[],"label_agreement":null},{"id":"W7035021888","doi":"","title":"Xplor Canada Announces Student Mentor Program","year":2012,"lang":"en","type":"other","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.03233723511166455,"score_gpt":0.3113512319480982,"score_spread":0.2790139968364337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7035021888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022333318,0.00010663537,0.000014159414,0.0004691943,0.0003938778,0.00026480248,0.000029737725,0.00028175808,0.9982165],"genre_scores_gemma":[0.004643713,0.00015135374,0.00014470595,0.0013500463,0.00021236153,0.000060506125,0.00000878525,0.00009552397,0.993333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998734,0.000047253925,0.00012529675,0.0002923006,0.000532144,0.00026898284],"domain_scores_gemma":[0.99950916,0.0000044626872,0.00009063048,0.00024399531,0.0000080802465,0.00014368382],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000043074015,0.00017720732,0.00019537295,0.00007115949,0.00004725948,0.00004633984,0.00028801945,0.00006812406,0.030612662],"category_scores_gemma":[0.000011070437,0.00012564722,0.00006205619,0.00014308242,0.00005863809,0.00002454393,0.000049687525,0.00008411242,0.00052742107],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.4788853e-7,0.00013304512,0.00014888306,0.000006945647,0.000004881268,0.0000065453632,0.000044143144,1.4560175e-7,0.00017655715,0.0002210624,0.986061,0.013196238],"study_design_scores_gemma":[0.00006286365,0.00001711341,0.00007178428,0.000011753273,0.000027330543,0.0000024691417,0.00012471144,0.000008107698,0.00005045671,0.0000014240966,0.99945223,0.0001697281],"about_ca_topic_score_codex":0.19033633,"about_ca_topic_score_gemma":0.5501335,"teacher_disagreement_score":0.35979718,"about_ca_system_score_codex":0.00007421811,"about_ca_system_score_gemma":0.00012973775,"threshold_uncertainty_score":0.9702735},"labels":[],"label_agreement":null},{"id":"W7036244869","doi":"","title":"The Cambridge Companion to Canadian Literature Cambridge:Cambridge University Press ,2004 0-521-8913-10","year":2008,"lang":"en","type":"other","venue":"Data Archiving and Networked Services (DANS)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Canadian literature; Canadian studies; Danish; Subject (documents)","score_opus":0.01886226020343014,"score_gpt":0.23026860627388354,"score_spread":0.2114063460704534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036244869","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036523923,0.00399417,0.00077477726,0.0025354098,0.0013814857,0.0015765096,0.026168872,0.00090851274,0.9261363],"genre_scores_gemma":[0.05620246,0.014397009,0.00017459299,0.0024460708,0.0010725715,0.000008457237,0.0047865533,0.0003729227,0.9205394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99653834,0.00052518543,0.00029559445,0.0013398889,0.0004365917,0.00086440623],"domain_scores_gemma":[0.9968628,0.00011979862,0.00023113572,0.0019928722,0.000033742315,0.0007596195],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00027544552,0.00056998455,0.00050697813,0.00033144912,0.0012531772,0.0004057259,0.0028386628,0.00022639667,0.000035159086],"category_scores_gemma":[0.00002216084,0.0004585443,0.000117021336,0.0006849937,0.0002858992,0.00021155768,0.0009027589,0.000609292,0.00013312213],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005634438,0.000038377533,0.00038243108,0.00011706542,0.000036586167,0.00024500265,0.00061285915,0.00013001217,0.00020484504,0.0004900899,0.9934858,0.0042005484],"study_design_scores_gemma":[0.00024520617,0.000027774537,0.0025989525,0.0005998877,0.00008946342,0.00010694227,0.00023019695,0.016400766,0.0000057533957,4.2646812e-7,0.9791624,0.00053222285],"about_ca_topic_score_codex":0.11234346,"about_ca_topic_score_gemma":0.119465046,"teacher_disagreement_score":0.021382317,"about_ca_system_score_codex":0.00010709324,"about_ca_system_score_gemma":0.00015913564,"threshold_uncertainty_score":0.9997866},"labels":[],"label_agreement":null},{"id":"W7036927689","doi":"","title":"Darling Ingredients Inc. Reports Third Quarter 2023 Results","year":2023,"lang":"en","type":"other","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Government (linguistics); Work (physics)","score_opus":0.034790563842128364,"score_gpt":0.2930287744690527,"score_spread":0.2582382106269243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036927689","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022720077,0.000010590848,0.0001322121,0.00038762557,0.0009957551,0.00013231416,0.000060635364,0.0015948452,0.9964588],"genre_scores_gemma":[0.0061057266,0.00018923116,0.000103977975,0.0007585251,0.00026966172,0.000009053721,0.000031880303,0.00040728174,0.9921247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978189,0.00006961003,0.00046595858,0.0008305642,0.0005150026,0.0002999852],"domain_scores_gemma":[0.9988208,0.000024486044,0.00034643261,0.00067415665,0.000017905728,0.00011622708],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025158955,0.00024644536,0.00031048496,0.00039899547,0.000096913165,0.00007880321,0.00022334716,0.00025035717,0.0040686727],"category_scores_gemma":[0.00038948172,0.00020077334,0.00014359124,0.00044497705,0.00009038529,0.000051264607,0.00011322313,0.00023528763,0.0066369018],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040038535,0.000024333103,0.000022026687,0.0000061205606,0.000003736509,0.00030404073,0.00009162527,0.0000026136072,0.0003855955,0.00003654062,0.9974355,0.0016838816],"study_design_scores_gemma":[0.00018019181,0.000024389245,0.000051034534,0.00012853698,0.000029008113,0.000047627193,0.00012159463,0.00028045574,0.00008989511,0.000081403334,0.9986511,0.00031475766],"about_ca_topic_score_codex":0.0005336086,"about_ca_topic_score_gemma":0.0005794994,"teacher_disagreement_score":0.005878526,"about_ca_system_score_codex":0.00003333382,"about_ca_system_score_gemma":0.000025991201,"threshold_uncertainty_score":0.9968417},"labels":[],"label_agreement":null},{"id":"W7040786228","doi":"","title":"Fremont, Ohio","year":2009,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Miller; State (computer science); Quarter (Canadian coin); Economic Justice","score_opus":0.011688685719880531,"score_gpt":0.2138242612430205,"score_spread":0.20213557552314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040786228","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016594713,0.00027005593,0.0006990385,0.0010525335,0.00040577215,0.0002774064,0.0001268147,0.0006369847,0.9965148],"genre_scores_gemma":[0.0150275435,0.027567351,0.0013610822,0.06350117,0.002549829,0.00003326005,0.0015887727,0.0003428584,0.88802814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981512,0.0001378769,0.0005669637,0.00035692874,0.00029729362,0.0004897435],"domain_scores_gemma":[0.9988678,0.000019511763,0.00042701268,0.0004285863,0.000007325297,0.00024973918],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000074173586,0.00042836883,0.00043222887,0.00035555803,0.00018352353,0.0003369565,0.00039067672,0.0004005282,0.009998127],"category_scores_gemma":[0.000012348635,0.00037626462,0.00019159816,0.0004495453,0.00012014517,0.0036365665,0.00013808334,0.0004169693,0.0008140004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024018951,0.0000384744,0.000019182704,0.000042231677,0.0000077435325,0.00000532789,0.00008889064,0.000045542663,0.000008866984,0.19093065,0.7707379,0.038051184],"study_design_scores_gemma":[0.00050255936,0.000045918754,0.00015214458,0.00024521849,0.00002457854,0.000030491816,0.0000033445458,0.0014633164,0.000022028842,0.00035407252,0.99674624,0.00041007026],"about_ca_topic_score_codex":9.935372e-8,"about_ca_topic_score_gemma":9.945492e-7,"teacher_disagreement_score":0.22600837,"about_ca_system_score_codex":0.0000090242,"about_ca_system_score_gemma":0.000037033835,"threshold_uncertainty_score":0.999964},"labels":[],"label_agreement":null},{"id":"W7084584235","doi":"10.5281/zenodo.17264497","title":"QuadDarv1ne/cinema_bot: v1.0.0: Your Personal Movie Guide on Telegram (stable)","year":2025,"lang":"ru","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"QUAD Engineering (Canada)","funders":"","keywords":"Movie theater","score_opus":0.04722110171267445,"score_gpt":0.29004155556789224,"score_spread":0.24282045385521778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084584235","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001026525,0.00016299612,0.0026971172,0.0028013827,0.00036593922,0.00083499134,0.0015000226,0.0012229763,0.98938805],"genre_scores_gemma":[0.034784395,0.0014794254,0.00019473731,0.0026053924,0.0006243651,1.7682494e-7,0.0017495563,0.0057341037,0.9528279],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933616,0.0013423826,0.00082372344,0.0018739126,0.0015034517,0.0010949175],"domain_scores_gemma":[0.99689436,0.000052830314,0.00047714674,0.0013104266,0.00071106764,0.0005541661],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010299189,0.0007470235,0.0007408961,0.0012733123,0.003970986,0.0019768632,0.0027317517,0.0004125369,0.3896428],"category_scores_gemma":[0.0024984716,0.0007586253,0.0004280804,0.001981915,0.0006530605,0.00021437317,0.0016646236,0.001205748,0.14331475],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010674903,0.0006011911,0.0000020237746,0.00015977958,0.00006111574,0.00010682218,0.0010071932,0.00005923603,0.0042882506,0.0053517013,0.8014995,0.18675645],"study_design_scores_gemma":[0.00084196974,0.0004304328,0.00011264918,0.00040240338,0.00013269307,0.000118272386,0.0010510813,0.001301429,0.00020911262,0.000048902264,0.9946631,0.0006879137],"about_ca_topic_score_codex":0.0001941094,"about_ca_topic_score_gemma":0.0000031600116,"teacher_disagreement_score":0.24632806,"about_ca_system_score_codex":0.0005358761,"about_ca_system_score_gemma":0.000050916846,"threshold_uncertainty_score":0.99948645},"labels":[],"label_agreement":null},{"id":"W7092408414","doi":"10.48660/25100069","title":"Hertha Sponer, Maven of Quantum Spectroscopy","year":2025,"lang":"en","type":"other","venue":"PIRSA","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Perimeter Institute","funders":"","keywords":"","score_opus":0.021849213521468527,"score_gpt":0.28931206317966085,"score_spread":0.26746284965819234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7092408414","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043682157,0.00018091688,0.0027399478,0.00037260918,0.00023495957,0.000103563645,0.00007531702,0.00013639589,0.9957195],"genre_scores_gemma":[0.032572392,0.0007959124,0.00025007335,0.0005406263,0.000098989825,0.000004930876,0.000006427625,0.000098772776,0.9656319],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990019,0.00006994373,0.00018062994,0.00034322086,0.00023352406,0.00017076365],"domain_scores_gemma":[0.9993796,0.000014316272,0.00015477359,0.00039516145,0.000009721576,0.00004642832],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000056393183,0.00016749762,0.00033420432,0.0002592375,0.000025076733,0.000013115157,0.00029454686,0.00013284523,0.017636921],"category_scores_gemma":[0.00007048888,0.00014733181,0.000167247,0.0002717045,0.000114236966,0.000012940978,0.00005485376,0.00013370987,0.00089920074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027650827,0.00027305016,0.00016657228,0.00015885968,0.0000189304,0.00004875361,0.00013840065,0.0000055630558,0.13738689,0.022545483,0.8332762,0.00595363],"study_design_scores_gemma":[0.00019937841,0.000035679557,0.00006202757,0.00016409619,0.000053188945,0.000003803493,0.000026313934,0.00031242686,0.009813704,0.0005564877,0.9885632,0.00020971434],"about_ca_topic_score_codex":0.00023167371,"about_ca_topic_score_gemma":0.0000298892,"teacher_disagreement_score":0.15528695,"about_ca_system_score_codex":0.00002018419,"about_ca_system_score_gemma":0.00006188376,"threshold_uncertainty_score":0.9998787},"labels":[],"label_agreement":null},{"id":"W7097774012","doi":"","title":"EDMONTON,","year":2013,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.02560596584401655,"score_gpt":0.2487717892605347,"score_spread":0.22316582341651814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097774012","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6105722,0.000001425058,0.0014369321,0.0029636319,0.000020598323,0.000035638655,1.2445146e-7,0.000090287474,0.38487917],"genre_scores_gemma":[0.94931114,0.0000063259254,0.00015945997,0.0042063943,0.000010993132,0.0000047459666,8.188542e-8,0.0000019062361,0.046298947],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997209,0.00001251167,0.0000442528,0.00008765705,0.00006653286,0.00006818258],"domain_scores_gemma":[0.99985784,0.0000035002975,0.000007418304,0.000085523156,0.0000072531675,0.000038483373],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000013507927,0.000025904015,0.000029807747,0.000017758146,0.000033553883,0.000025393556,0.00006299112,0.000009839359,0.026369367],"category_scores_gemma":[0.000026934644,0.000017895849,0.00002520171,0.00007585341,0.00002435363,0.00007378775,0.00001145048,0.000019448644,0.012721888],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.8219003e-7,0.000028841549,0.00029883668,4.4043972e-7,1.6038311e-7,0.0000010859335,0.000076876604,0.0000027961605,0.9176516,0.009544996,0.02816352,0.044230588],"study_design_scores_gemma":[0.00092860457,0.00013271696,0.07840451,0.000008867791,0.000023858565,0.00008517358,0.0011060392,0.044830635,0.34722355,0.024793379,0.50151795,0.0009447203],"about_ca_topic_score_codex":0.00005577549,"about_ca_topic_score_gemma":0.0000024559615,"teacher_disagreement_score":0.570428,"about_ca_system_score_codex":0.0000032946896,"about_ca_system_score_gemma":0.0000023853459,"threshold_uncertainty_score":0.9880468},"labels":[],"label_agreement":null},{"id":"W7099115407","doi":"","title":"and Inuit Regional Health Surveys","year":2014,"lang":"en","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Newspaper; Public health; Population","score_opus":0.05847897456394079,"score_gpt":0.3056125433001993,"score_spread":0.24713356873625852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099115407","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94293594,0.000009837768,0.022737924,0.020565746,0.000033903558,0.00004969072,0.000001986332,0.00010031387,0.0135646295],"genre_scores_gemma":[0.9836786,0.00004689452,0.00015497954,0.010674409,0.00001550773,7.0685576e-7,4.2441573e-7,0.0000024660048,0.0054260185],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9993658,0.00024987562,0.00006714456,0.00013927098,0.00009367007,0.00008424948],"domain_scores_gemma":[0.9997986,0.000020801966,0.000020221474,0.000081664766,0.000005315657,0.00007342433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003963844,0.000034938945,0.00006244304,0.000028233388,0.000074002004,0.000017050592,0.000045320412,0.000011527557,0.000476959],"category_scores_gemma":[0.000052451927,0.000026481737,0.000017114817,0.000078981364,0.000057918383,0.000030260295,0.000015737833,0.000030874715,0.00011623035],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000452824,0.00010904294,0.008837678,0.0000130888875,0.0000011389759,0.000001605916,0.0018683474,0.000012611101,0.029533328,0.11306849,0.019765452,0.8267847],"study_design_scores_gemma":[0.0017182431,0.0006006302,0.5348989,0.000034437202,0.000013184838,0.00021997267,0.0006558253,0.04437983,0.0025741279,0.017109895,0.3969087,0.00088627083],"about_ca_topic_score_codex":0.0000971099,"about_ca_topic_score_gemma":0.00015827558,"teacher_disagreement_score":0.8258984,"about_ca_system_score_codex":0.000007570802,"about_ca_system_score_gemma":0.000013929627,"threshold_uncertainty_score":0.52223665},"labels":[],"label_agreement":null},{"id":"W7117787481","doi":"10.54254/2753-7048/2026.hz30975","title":"Understanding Public Responses to AI-generated Visual Art: A Topic and Emotion Analysis of Social Media Comments Data","year":2025,"lang":"","type":"article","venue":"Lecture Notes in Education Psychology and Public Media","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Social media; GRASP; Thematic analysis; Tone (literature); Identity (music); Public opinion; Process (computing)","score_opus":0.16050098999204893,"score_gpt":0.43098330231468496,"score_spread":0.27048231232263603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117787481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79268706,0.00056057173,0.06626706,0.13794151,0.001835789,0.00024873356,0.000114612514,0.000023293669,0.0003213473],"genre_scores_gemma":[0.97827864,0.00087551377,0.00019451509,0.019810662,0.00013547853,0.0000161223,0.0006091761,0.000010800636,0.00006906775],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99603945,0.00139194,0.0007532929,0.0010655044,0.00031346397,0.00043635556],"domain_scores_gemma":[0.9977489,0.00096214825,0.00026810088,0.00060716347,0.00016711347,0.00024656084],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011823049,0.00028541623,0.00062825315,0.0034651735,0.00037441132,0.00022882973,0.0005042389,0.00044486724,0.0010444457],"category_scores_gemma":[0.0064419284,0.00028780254,0.00007824284,0.0066055884,0.0006327749,0.00035530195,0.00022311234,0.00047962624,0.000007202909],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006733561,0.004318913,0.39431006,0.00014775466,0.0009367013,0.00000717845,0.05552171,0.000033415436,0.012124234,0.019163838,0.018072804,0.49469003],"study_design_scores_gemma":[0.0024015598,0.00019551135,0.94806886,0.0001152534,0.001955866,0.000020527701,0.0063278046,0.0112107815,0.00021899297,0.01019042,0.018466165,0.0008282508],"about_ca_topic_score_codex":0.000018723727,"about_ca_topic_score_gemma":0.0012844724,"teacher_disagreement_score":0.5537588,"about_ca_system_score_codex":0.00012540845,"about_ca_system_score_gemma":0.00054901675,"threshold_uncertainty_score":0.9999574},"labels":[],"label_agreement":null},{"id":"W7117872096","doi":"10.1093/jaac/kpaf044","title":"Rethinking Aesthetic Properties: An Argument for Aesthetic Particularism","year":2025,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital","funders":"","keywords":"Aesthetic value; Argument (complex analysis); Supervenience; Appeal; Value (mathematics); Metaphysics","score_opus":0.04720461465704501,"score_gpt":0.30413324569928024,"score_spread":0.25692863104223523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117872096","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96387714,0.0004987489,0.011231755,0.022916865,0.0003237509,0.0002933724,0.0000039066827,0.00003794401,0.0008165032],"genre_scores_gemma":[0.9910443,0.00046105118,0.0018961643,0.0048064142,0.00004354845,0.00001623119,8.0958586e-7,0.000026526974,0.0017049974],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978718,0.00019262917,0.0007877148,0.00034054482,0.00041488916,0.00039241803],"domain_scores_gemma":[0.9989042,0.000031296488,0.00024795526,0.0003175748,0.0002617535,0.00023718376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008029122,0.00024243841,0.00045222623,0.000297109,0.00039647048,0.0002451684,0.0003301675,0.00011898416,0.000033276392],"category_scores_gemma":[0.0001731155,0.00018739488,0.00026247645,0.00022385071,0.00036447105,0.00025908073,0.000057407648,0.00031278125,0.000011842548],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007935732,0.0043246057,0.0004674116,0.0004888053,0.000049052327,0.0005601466,0.02021916,0.0013824819,0.31308532,0.2902087,0.009123397,0.35929734],"study_design_scores_gemma":[0.007007949,0.0049192063,0.00018619241,0.0019954892,0.0010517653,0.007141633,0.0033017695,0.047391005,0.06128851,0.35617155,0.50794524,0.0015996656],"about_ca_topic_score_codex":0.000001221351,"about_ca_topic_score_gemma":0.000002140093,"teacher_disagreement_score":0.49882185,"about_ca_system_score_codex":0.000047245045,"about_ca_system_score_gemma":0.00011018468,"threshold_uncertainty_score":0.7641741},"labels":[],"label_agreement":null},{"id":"W7118018434","doi":"10.1007/979-8-8688-2148-6_5","title":"Shape","year":2025,"lang":"en","type":"book-chapter","venue":"Apress eBooks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Rockyview General Hospital","funders":"","keywords":"Representation (politics); Element (criminal law); Object (grammar); Visualization","score_opus":0.0478838461684077,"score_gpt":0.27080970378836866,"score_spread":0.22292585761996098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118018434","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006177914,0.000038648614,0.000095931406,0.00011860567,0.00014552262,0.00011138742,0.00003335357,0.0001393818,0.9992554],"genre_scores_gemma":[0.010728322,0.00006171033,0.000038252656,0.002800555,0.00008476682,0.000009978368,0.0000047314834,0.000028738768,0.98624295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881387,0.000019646557,0.00022223382,0.00049346127,0.00027562643,0.00017516088],"domain_scores_gemma":[0.9992898,0.000030752646,0.00010262139,0.000475042,0.000025631394,0.00007612602],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004239197,0.00024285907,0.00028132825,0.00015334331,0.00011966497,0.000052526317,0.00038273615,0.00021768024,0.002973766],"category_scores_gemma":[0.000030553467,0.00022517574,0.00024229712,0.0000094347615,0.00017687118,0.000018221812,0.00015635509,0.0002944439,0.0008229048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010573256,0.000009550409,5.0190914e-7,0.00003272892,0.000009342822,0.000058338803,0.0001137922,0.0000011749316,0.010222436,0.7574195,0.013957902,0.21816413],"study_design_scores_gemma":[0.00010449239,0.0000126792365,0.0000010202665,0.00010239089,0.00007617097,0.000007932363,0.0000024967833,0.00020649542,0.0017109415,0.013630252,0.98389095,0.00025418552],"about_ca_topic_score_codex":0.000005112854,"about_ca_topic_score_gemma":0.0000032627584,"teacher_disagreement_score":0.96993303,"about_ca_system_score_codex":0.000023589184,"about_ca_system_score_gemma":0.000047941685,"threshold_uncertainty_score":0.99995506},"labels":[],"label_agreement":null},{"id":"W7125693882","doi":"10.30816/iconn6/2023/43","title":"Art and plurality: The meaning assigned to works of art through naming","year":2024,"lang":"","type":"article","venue":"Proceedings of the ... International Conference on Onomastics \"Name and Naming\"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Abitibi-Témiscamingue","funders":"","keywords":"Painting; Meaning (existential); Creativity; Poetry; Beauty; Work of art; Romanian; Abstract art","score_opus":0.05267273788237021,"score_gpt":0.2995097455405025,"score_spread":0.24683700765813232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125693882","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8827861,0.00031974172,0.0032886558,0.030303579,0.0011785947,0.00055799837,0.00007966934,0.00005687315,0.08142882],"genre_scores_gemma":[0.99175465,0.0010173306,0.0005286838,0.0008929159,0.000121130215,0.000013904471,0.0000018934279,0.000025067558,0.0056444323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9974797,0.000030047577,0.0007022051,0.0006783732,0.00080649357,0.00030322335],"domain_scores_gemma":[0.99864775,0.00023941872,0.00039635508,0.00017100431,0.00043058762,0.000114884766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006240864,0.00033679447,0.0004099807,0.00021091237,0.00029985188,0.0007566143,0.00088371505,0.00012655863,0.00028227447],"category_scores_gemma":[0.0008048442,0.00022745947,0.00018107849,0.00047015434,0.0006821395,0.0004275209,0.00060996576,0.0004962234,0.000036587826],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002672612,0.00021221729,0.0021167735,0.00037368928,0.00017820648,0.000004618409,0.014115724,0.000095397125,0.17561136,0.7786622,0.0019730225,0.02638956],"study_design_scores_gemma":[0.002179384,0.002243156,0.009130282,0.024805153,0.0016925177,0.00036566038,0.03577109,0.7199913,0.08687918,0.066935666,0.047512446,0.002494164],"about_ca_topic_score_codex":0.00001460612,"about_ca_topic_score_gemma":0.0000055756577,"teacher_disagreement_score":0.7198959,"about_ca_system_score_codex":0.000084181724,"about_ca_system_score_gemma":0.00010353811,"threshold_uncertainty_score":0.9275528},"labels":[],"label_agreement":null},{"id":"W7126490774","doi":"","title":"Dimensiones factoriales de la experiencia estética","year":2003,"lang":"es","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Factor (programming language); Quarter (Canadian coin)","score_opus":0.020018683702046458,"score_gpt":0.31521993194796066,"score_spread":0.2952012482459142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126490774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92771757,0.00006788277,0.0018835155,0.00028513093,0.0003164256,0.00006217511,0.0000030666527,0.00009280995,0.06957141],"genre_scores_gemma":[0.9924593,0.00040816257,0.0007436022,0.00080747396,0.000066013,0.0000066055986,4.9731915e-7,0.000017014536,0.0054913075],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99809545,0.0006579988,0.00022487182,0.00038678726,0.0002978665,0.00033703924],"domain_scores_gemma":[0.9992597,0.00014005703,0.000059937185,0.00030687597,0.000030269148,0.00020313714],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002965759,0.00018886729,0.00020801871,0.00008733876,0.00025826713,0.00021716222,0.00017012516,0.00014181636,0.005972793],"category_scores_gemma":[0.00085899513,0.00015261795,0.00015067817,0.00030882042,0.00041934775,0.00011170024,0.000035454246,0.00014089834,0.0007262874],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000118892885,0.00041280276,0.008910728,0.000011993561,0.000005297658,0.000061279396,0.0031893249,0.000026956552,0.6706114,0.31215966,0.0021272819,0.0024714186],"study_design_scores_gemma":[0.00092308706,0.0001978209,0.012658988,0.000063302585,0.0001535123,0.0002265482,0.006049335,0.0015518595,0.2582604,0.0032603412,0.7156328,0.0010219748],"about_ca_topic_score_codex":0.00003288446,"about_ca_topic_score_gemma":0.0000017582742,"teacher_disagreement_score":0.71350557,"about_ca_system_score_codex":0.000046744248,"about_ca_system_score_gemma":0.00011258613,"threshold_uncertainty_score":0.99493587},"labels":[],"label_agreement":null},{"id":"W7127396081","doi":"10.1109/ccece64018.2025.11364418","title":"Agentic AI Workflow for End-to-End Prompt-Based Contextual Virtual Staging","year":2025,"lang":"","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Workflow; Flexibility (engineering); Reinforcement learning; Component (thermodynamics); Adaptation (eye); Quality (philosophy); Function (biology); Benchmark (surveying)","score_opus":0.03132086323843396,"score_gpt":0.32147248508557874,"score_spread":0.29015162184714477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127396081","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20904973,0.000044871907,0.7614475,0.021414185,0.0010955574,0.001666749,0.000119805736,0.00022768899,0.004933937],"genre_scores_gemma":[0.8710209,0.000015459309,0.001322629,0.03897342,0.00008365233,0.000119250355,0.000014829871,0.000035911497,0.08841395],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99565035,0.00029871514,0.0009130952,0.0014439833,0.00067361153,0.0010202561],"domain_scores_gemma":[0.99811935,0.0002841593,0.00015668898,0.000782447,0.00022134345,0.0004360279],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006825389,0.0005268592,0.0006774659,0.0007391163,0.0008559609,0.00059876416,0.0007617407,0.00017659248,0.0100408755],"category_scores_gemma":[0.00067357154,0.0005036492,0.0006398612,0.0017843302,0.0004634566,0.0002486744,0.00020295763,0.0003627467,0.000663579],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000947811,0.0021781249,0.0015030912,0.00026253585,0.00011092258,0.000065419474,0.0027346765,0.0053899745,0.24441934,0.040256474,0.032602973,0.66952866],"study_design_scores_gemma":[0.008606276,0.001830289,0.0023174747,0.00097282947,0.0012220275,0.000007666712,0.0057359133,0.6739427,0.10191181,0.00084847107,0.2002929,0.0023116411],"about_ca_topic_score_codex":0.000048849783,"about_ca_topic_score_gemma":0.00007412623,"teacher_disagreement_score":0.76012486,"about_ca_system_score_codex":0.00019560075,"about_ca_system_score_gemma":0.0006364256,"threshold_uncertainty_score":0.9997415},"labels":[],"label_agreement":null},{"id":"W7130528843","doi":"10.1109/ictc66702.2025.11388930","title":"Applications of Artificial Intelligence in Art and Design: A Comprehensive Review","year":2025,"lang":"","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Generative grammar; Adversarial system; Leverage (statistics); Deep learning; Perspective (graphical); Software deployment; Applications of artificial intelligence; Product (mathematics)","score_opus":0.07995201222803341,"score_gpt":0.36258364799338844,"score_spread":0.282631635765355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130528843","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008926077,0.010844496,0.9778141,0.004757015,0.00003630578,0.0011188005,0.0000053568106,0.000016467458,0.0045148893],"genre_scores_gemma":[0.66094524,0.31075728,0.0077218465,0.014001038,0.000017181132,0.00019215512,0.0000030027454,0.000012788972,0.0063494965],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9981987,0.00026606215,0.0007473255,0.0004531194,0.00016424304,0.00017055249],"domain_scores_gemma":[0.99921614,0.00014423665,0.00013365067,0.0003411312,0.00010442266,0.000060406546],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027083207,0.00014695141,0.0004215769,0.0002699904,0.00008296101,0.0000264024,0.00021988916,0.00005863353,0.0010378537],"category_scores_gemma":[0.00012540953,0.00013872508,0.00009004538,0.0020058795,0.00047772125,0.00006395761,0.000106471474,0.00014722203,0.00015832385],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024589255,0.00045725534,0.000070672475,0.0013878522,0.000005761821,0.0000033086617,0.00026303396,0.0001277234,0.020975964,0.045613952,0.0010915562,0.9299783],"study_design_scores_gemma":[0.00081561087,0.0008225291,0.003653391,0.023844672,0.00174428,0.000091300244,0.010290548,0.43073976,0.09763675,0.07266873,0.35507858,0.0026138278],"about_ca_topic_score_codex":0.000016834176,"about_ca_topic_score_gemma":0.000014481198,"teacher_disagreement_score":0.97009224,"about_ca_system_score_codex":0.000022445269,"about_ca_system_score_gemma":0.00009850175,"threshold_uncertainty_score":0.9998753},"labels":[],"label_agreement":null},{"id":"W7130675315","doi":"10.1109/isriti68345.2025.11393416","title":"Development of AI and Human Based Artwork Classification System for Vision Transformer","year":2025,"lang":"","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Generative grammar; Transformer; Machine vision; Human visual system model; Representation (politics); Deep learning","score_opus":0.04029122615221552,"score_gpt":0.3431977007261281,"score_spread":0.30290647457391257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130675315","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28265655,0.000020893553,0.7069147,0.0017970778,0.000121425895,0.00058934593,0.0000075491375,0.000040949228,0.007851453],"genre_scores_gemma":[0.99273205,0.000009100874,0.003550081,0.00052880705,0.000008434339,0.000036076184,0.000007902266,0.000007962923,0.003119588],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9983461,0.000073774514,0.00071102567,0.00045457657,0.00021789281,0.00019662223],"domain_scores_gemma":[0.9994441,0.00003355754,0.00012557796,0.00021960078,0.00010402723,0.000073103845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042434988,0.00016489187,0.0002898758,0.00024483562,0.00053149526,0.00006523036,0.00013545985,0.00010834828,0.00013025959],"category_scores_gemma":[0.000015601121,0.00014275886,0.00012803572,0.00047462512,0.00015556793,0.00009558716,0.000011462002,0.00008054016,0.000008828233],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007608031,0.00028007603,0.00040237236,0.0007737935,0.000009747796,1.6725872e-7,0.00068623875,0.000027221775,0.8713759,0.05218791,0.00030266333,0.07387779],"study_design_scores_gemma":[0.003954331,0.00034328215,0.026447102,0.0019072678,0.0004800034,0.0000022435047,0.006801303,0.26683387,0.6451196,0.00015444106,0.047258496,0.00069803896],"about_ca_topic_score_codex":0.000004806325,"about_ca_topic_score_gemma":0.000022598872,"teacher_disagreement_score":0.7100755,"about_ca_system_score_codex":0.00008170922,"about_ca_system_score_gemma":0.00022535972,"threshold_uncertainty_score":0.58215374},"labels":[],"label_agreement":null},{"id":"W7130710534","doi":"10.1109/computingcon64838.2025.11377465","title":"Preserving the Past with Deep Learning-Based Damage Detection in Ancient Manuscripts and Artworks","year":2025,"lang":"","type":"article","venue":"","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Artifact (error); Categorization; Deep learning; Automation; Architecture; Scalability; Cultural heritage; Data curation; Precision and recall","score_opus":0.012906697705369542,"score_gpt":0.23997682464656347,"score_spread":0.22707012694119394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130710534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90140194,0.00012246994,0.09002466,0.003152228,0.00010735238,0.00029692115,4.4094412e-7,0.000049360497,0.0048446064],"genre_scores_gemma":[0.98971325,0.00010270894,0.000054787502,0.0027334238,0.00001997873,0.00002271786,6.856061e-7,0.0000114511295,0.007340979],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99779546,0.0005195931,0.0003151122,0.0006423726,0.00032014938,0.00040732548],"domain_scores_gemma":[0.99925095,0.00009258787,0.00010973303,0.00040243467,0.00005460307,0.00008971922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005607094,0.00022935287,0.00021685447,0.00029783978,0.00069999037,0.00034199102,0.00028536742,0.000097254444,0.00038895648],"category_scores_gemma":[0.00013981444,0.00014972173,0.00006827294,0.001610526,0.00039483263,0.00017309698,0.00015806289,0.00059539743,0.000017109043],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084873976,0.0011153995,0.19278087,0.00032313573,0.000031610347,0.00015004471,0.0052693174,0.5215452,0.05382273,0.0009149411,0.0004462065,0.22275181],"study_design_scores_gemma":[0.00064953737,0.0001511658,0.20385249,0.000118864074,0.000057401066,0.00000556729,0.0019696779,0.7890332,0.0013289882,0.000028263847,0.0026334878,0.00017137112],"about_ca_topic_score_codex":0.00023753547,"about_ca_topic_score_gemma":0.003854181,"teacher_disagreement_score":0.26748797,"about_ca_system_score_codex":0.00007351051,"about_ca_system_score_gemma":0.000046901892,"threshold_uncertainty_score":0.6105475},"labels":[],"label_agreement":null},{"id":"W7143735199","doi":"10.71465/ajainn245","title":"AI and Neural Networks in Modern Art: Generating Creative Content","year":2021,"lang":"","type":"article","venue":"American Journal of Artificial Intelligence and Neural Networks","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Generative grammar; Artificial neural network; Realm; Adversarial system; Applications of artificial intelligence; Deep learning","score_opus":0.0675736843470109,"score_gpt":0.31206651491057136,"score_spread":0.24449283056356047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7143735199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7535641,0.0030098401,0.23955889,0.0031689128,0.0005275744,0.00012643289,0.0000039832926,0.000010197936,0.00003007458],"genre_scores_gemma":[0.98147506,0.009994987,0.0002692715,0.0073790587,0.00070597255,0.0000030075569,0.000002673246,0.00003709117,0.00013291054],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9948408,0.0010742459,0.0019267861,0.0008064721,0.00050296774,0.00084870815],"domain_scores_gemma":[0.99728006,0.0002938324,0.0011672155,0.0002800814,0.00040582416,0.0005729965],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00069614645,0.0005265725,0.00120664,0.00028378255,0.00044448004,0.00057075045,0.0003186068,0.00015147212,0.00019277493],"category_scores_gemma":[0.0002938135,0.0004755121,0.0003470216,0.0014002103,0.0017542696,0.00061676465,0.00021417408,0.0016351506,0.0000024124154],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026370754,0.00015454803,0.0012978002,0.0000043350296,0.000019410978,0.00055476004,0.0012741716,0.40948778,0.0030367067,0.00011418005,0.00003075748,0.5837618],"study_design_scores_gemma":[0.0001326572,0.0012011651,0.00061103917,0.00016600567,0.00014100946,0.0010834092,0.0089957,0.98588395,0.0010884277,0.00022596247,0.00002524192,0.0004454337],"about_ca_topic_score_codex":0.00008806077,"about_ca_topic_score_gemma":0.00022331321,"teacher_disagreement_score":0.5833164,"about_ca_system_score_codex":0.00006604184,"about_ca_system_score_gemma":0.000090821435,"threshold_uncertainty_score":0.9997696},"labels":[],"label_agreement":null},{"id":"W875364381","doi":"","title":"Introduction to The Oxford Handbook of Philosophy of Perception","year":2015,"lang":"en","type":"book-chapter","venue":"TSpace (University of Toronto)","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Canada Research Chairs; University of Toronto; University of Oxford","keywords":"Perception; Psychology; Sociology; Epistemology; Philosophy","score_opus":0.04022586586129529,"score_gpt":0.24998981720324512,"score_spread":0.20976395134194983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W875364381","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0078081223,0.0002985682,0.0028604586,0.010113244,0.00023561207,0.00038587544,0.0000818304,0.000042312273,0.978174],"genre_scores_gemma":[0.3947947,0.0019057825,0.0006562796,0.000085037405,0.0003119043,1.861428e-7,0.00001418681,0.00002200993,0.6022099],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900895,0.000043668177,0.00013566796,0.0002966688,0.0004180695,0.00009695229],"domain_scores_gemma":[0.9989352,0.0000101428095,0.00034584792,0.00045364647,0.00017831402,0.00007683517],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015014964,0.00014682536,0.00034968107,0.00008226526,0.000085286956,0.0000033248177,0.0003725915,0.00013265733,0.026964284],"category_scores_gemma":[0.000026109883,0.00014057173,0.00023100675,0.000035584006,0.00032609323,0.00014844775,0.00012853458,0.00010776542,0.000079946934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016017612,0.0004042994,0.00004330996,0.00042526025,0.00017392509,0.000016944825,0.07272596,0.0007736522,0.30231696,0.13383871,0.12203562,0.3656436],"study_design_scores_gemma":[0.0014388071,0.0015650105,0.0030432236,0.0005785246,0.0009896504,0.000024433944,0.011431345,0.0006670092,0.0010252205,0.0029248917,0.975369,0.0009429356],"about_ca_topic_score_codex":0.0031308767,"about_ca_topic_score_gemma":0.0022725677,"teacher_disagreement_score":0.85333335,"about_ca_system_score_codex":0.00018158795,"about_ca_system_score_gemma":0.000048602404,"threshold_uncertainty_score":0.9739252},"labels":[],"label_agreement":null}]}