{"meta":{"query_hash":"620a8cd1622a","filters":{"topic":"Art, Politics, and Modernism"},"cohort_total":1256,"direct_labels_cover":2,"predictions_cover":1256,"exported":1256,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/620a8cd1622a","api":"https://metacan.xera.ac/api/v1/cohort?topic=Art%2C+Politics%2C+and+Modernism"},"results":[{"id":"W100399056","doi":"","title":"Susan Kealey : Ordinary Marvel","year":2003,"lang":"fr","type":"article","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vitality; Exhibition; Art history; Art; Visual arts; History; Philosophy","score_opus":0.0350132555623768,"score_gpt":0.25409101188062494,"score_spread":0.21907775631824813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W100399056","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01724815,0.024880689,0.0007331291,0.0065980414,0.010256735,0.0008152786,0.00070564164,0.00034602688,0.9384163],"genre_scores_gemma":[0.25364292,0.0018954756,0.0004245272,0.0029478844,0.0032507326,0.000052595988,0.000102040874,0.00019936357,0.73748446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941249,0.0006014211,0.0011328458,0.0011516978,0.0006875789,0.0023015381],"domain_scores_gemma":[0.99677837,0.00029863403,0.00035881376,0.0013242783,0.0003515109,0.0008883699],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00084531156,0.001022751,0.00097101973,0.0002868282,0.0021364023,0.00068701897,0.0005873007,0.00048932445,0.056508463],"category_scores_gemma":[0.00013816614,0.001096947,0.0006478847,0.000026443637,0.0019000809,0.0010550526,0.00017548403,0.000929535,0.013809806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003955844,0.0006831194,0.00017664659,0.0002442102,0.00020163984,0.00022224034,0.027288614,0.000015203135,0.00004165965,0.5237558,0.4343312,0.013000117],"study_design_scores_gemma":[0.0014331993,0.00049532024,0.0010113008,0.0002758399,0.00028195555,0.00016550987,0.0036393867,0.0002465344,0.0001405851,0.040352073,0.95068276,0.0012755299],"about_ca_topic_score_codex":0.002621279,"about_ca_topic_score_gemma":0.005267687,"teacher_disagreement_score":0.5163515,"about_ca_system_score_codex":0.00029645415,"about_ca_system_score_gemma":0.00046257206,"threshold_uncertainty_score":0.9991627},"labels":[],"label_agreement":null},{"id":"W1007340053","doi":"","title":"2000 Words : Musings on the Medium","year":2000,"lang":"en","type":"book","venue":"Gallery TPW eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Theme (computing); Studio; Art; Visual arts; Immigration; Art history; History; Literature; Archaeology; Computer science","score_opus":0.05233735318390065,"score_gpt":0.2245510767523599,"score_spread":0.17221372356845926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1007340053","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000658338,0.00014089451,0.000002073043,0.0007866411,0.0014253063,0.0003949166,0.00017730294,0.0001947951,0.9968122],"genre_scores_gemma":[0.00240703,0.000051301125,0.000004700128,0.010323518,0.007152231,0.00004854698,0.00008418482,0.00013952215,0.97978896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795216,0.00006171239,0.0004215866,0.00044286822,0.0005105715,0.0006111037],"domain_scores_gemma":[0.9986718,0.00018416301,0.00017956988,0.00074036454,0.00007754506,0.0001465287],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019483316,0.0005297494,0.00045303907,0.00014932775,0.00075182423,0.0002749898,0.0005141945,0.00027591345,0.019337114],"category_scores_gemma":[0.000010875384,0.0003709109,0.00031949516,4.6538025e-7,0.0009220367,0.000046023895,0.000084838626,0.0007869186,0.0021614402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025532354,0.000021146241,1.01248915e-7,0.00003060533,0.00010779516,0.000027017923,0.11483977,6.0982603e-7,5.5806373e-7,0.10849925,0.7731813,0.0032662891],"study_design_scores_gemma":[0.00016349713,0.00007867988,0.0000020130472,0.00022270058,0.00007364559,0.0000047314184,0.0003525022,0.0000049332225,0.00000843442,0.05462607,0.94402766,0.00043513876],"about_ca_topic_score_codex":0.00019694265,"about_ca_topic_score_gemma":0.0029032703,"teacher_disagreement_score":0.17084633,"about_ca_system_score_codex":0.00019606273,"about_ca_system_score_gemma":0.00079745246,"threshold_uncertainty_score":0.9998743},"labels":[],"label_agreement":null},{"id":"W1008492950","doi":"","title":"Szklane schody w Toronto","year":2010,"lang":"pl","type":"article","venue":"Świat Szkła","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.028544760883087102,"score_gpt":0.26641381683601595,"score_spread":0.23786905595292884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1008492950","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07446198,0.0023097736,0.000041501582,0.0019495749,0.010823781,0.00037454272,0.0005225003,0.0002566344,0.9092597],"genre_scores_gemma":[0.64492315,0.00024489485,0.0001227847,0.0014820701,0.009903254,0.000014552672,0.00008317863,0.00006643339,0.3431597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772507,0.000059610116,0.00046525564,0.00048718505,0.00036471174,0.0008981393],"domain_scores_gemma":[0.99839467,0.00009852846,0.00015383112,0.0007932527,0.00016682263,0.00039289758],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025793188,0.00041479262,0.00042152978,0.000051915784,0.00085405173,0.0005102686,0.00043286782,0.00027694623,0.043500014],"category_scores_gemma":[0.00007589416,0.00039130583,0.00023259727,0.0000018987339,0.00052292127,0.0005682728,0.00015981507,0.000625647,0.0034261073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048001108,0.00035252963,0.00080550957,0.0001587993,0.0002000083,0.000051829746,0.15984899,0.0000011740943,0.0010332003,0.64820683,0.17981428,0.009478855],"study_design_scores_gemma":[0.0005687829,0.00015009989,0.0008935686,0.00003732643,0.00011193736,0.000012188941,0.0027958078,0.00013742861,0.00025609968,0.005074148,0.9894318,0.00053082797],"about_ca_topic_score_codex":0.019543216,"about_ca_topic_score_gemma":0.29079166,"teacher_disagreement_score":0.8096175,"about_ca_system_score_codex":0.00009967594,"about_ca_system_score_gemma":0.0001586917,"threshold_uncertainty_score":0.9998539},"labels":[],"label_agreement":null},{"id":"W1009400209","doi":"","title":"LibGuides: Canadian Art: Art Theory/Documents","year":2011,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Computer science; History","score_opus":0.0520277863594597,"score_gpt":0.24968918727154393,"score_spread":0.19766140091208423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1009400209","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000078825715,0.0004998152,0.000030976535,0.00063679885,0.004760611,0.00034240563,0.0011043921,0.00023182243,0.99238527],"genre_scores_gemma":[0.0013564213,0.0003774449,0.000070390684,0.0152215,0.005173428,0.000047477995,0.0012492704,0.00016030371,0.97634375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750435,0.00008798645,0.0005634582,0.00051376317,0.00030018415,0.0010302261],"domain_scores_gemma":[0.9982311,0.000085270076,0.00017470052,0.0007072784,0.00018775539,0.0006138663],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028142918,0.0005591787,0.00054869003,0.00041475336,0.0005880704,0.00044422768,0.0006204704,0.0003296931,0.13877764],"category_scores_gemma":[0.000058961115,0.00047191107,0.00027903428,0.0000020834664,0.00055361463,0.0003113333,0.000100573925,0.0004503505,0.021517482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002567436,0.000013687412,0.0000058941328,0.000037590205,0.00010424432,0.000018414905,0.015679786,4.8345303e-8,3.4267636e-8,0.38648376,0.5972971,0.0003569197],"study_design_scores_gemma":[0.00014509447,0.000058080135,0.000005824381,0.00010488498,0.00011277478,0.0000043233904,0.0008934484,0.000002504799,0.000006484526,0.09500466,0.9030934,0.0005685277],"about_ca_topic_score_codex":0.29084283,"about_ca_topic_score_gemma":0.945471,"teacher_disagreement_score":0.65462816,"about_ca_system_score_codex":0.00018912353,"about_ca_system_score_gemma":0.00080674567,"threshold_uncertainty_score":0.99977326},"labels":[],"label_agreement":null},{"id":"W1013965278","doi":"","title":"Flux/Reflux : Lorsque le lieu se réfléchit comme paysageChantal duPont (Montréal) et Madelon Hooykaas/Elsa Stansfield (Amsterdam), After Image / After Language, Parc La Fontaine et Galerie La Centrale, Montréal, 01 au 17 septembre 2006Chantal duPont (Montréal) et Madelon Hooykaas/Elsa Stansfield (Amsterdam), After Image / After Language, Parc La Fontaine et Galerie La Centrale, Montréal, 01 au 17 septembre 2006","year":2007,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Flux (metallurgy); Materials science","score_opus":0.012239756344367171,"score_gpt":0.26220141075769,"score_spread":0.24996165441332283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1013965278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5092513,0.12353718,0.008526337,0.034548048,0.0039526555,0.0074898675,0.036540225,0.0018288109,0.27432555],"genre_scores_gemma":[0.7713622,0.006569501,0.0013686472,0.018994262,0.0025970733,0.0012919044,0.0023408337,0.0010438039,0.19443177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.979591,0.0041129636,0.00383997,0.0034275257,0.0025429176,0.0064855916],"domain_scores_gemma":[0.99040675,0.0019823099,0.0012680109,0.0031403168,0.0006469481,0.0025556607],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0046323147,0.0042610546,0.0035207984,0.0010139913,0.0012735913,0.002721099,0.0015558018,0.0026084452,0.011882574],"category_scores_gemma":[0.00024642967,0.0042276713,0.0022953872,0.00022250444,0.0022737144,0.0041598026,0.0017923197,0.0055072373,0.0006569249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.018012509,0.006781922,0.006170019,0.0035456417,0.0024257987,0.08255428,0.2974954,0.0001529119,0.0020025203,0.0065662377,0.57010275,0.0041899886],"study_design_scores_gemma":[0.012618803,0.0017138433,0.032944743,0.0035716067,0.001526872,0.0017634225,0.046078593,0.000539261,0.001867371,0.0011622811,0.8899175,0.0062957355],"about_ca_topic_score_codex":0.15041748,"about_ca_topic_score_gemma":0.746082,"teacher_disagreement_score":0.59566456,"about_ca_system_score_codex":0.0014688518,"about_ca_system_score_gemma":0.0015387767,"threshold_uncertainty_score":0.9986864},"labels":[],"label_agreement":null},{"id":"W1024375374","doi":"","title":"Les espaces dévastés d’Anne Bertoin. Anne Bertoin Peintures Galerie Art en majuscule 950 rue d’Ottawa Montréal Du 27 octobre au 13 novembre 2004Anne Bertoin Peintures Galerie Art en majuscule 950 rue d’Ottawa Montréal Du 27 octobre au 13 novembre 2004","year":2004,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts; Humanities","score_opus":0.014240646991805005,"score_gpt":0.22923651338333126,"score_spread":0.21499586639152626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1024375374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2397371,0.27851686,0.0037936994,0.06936259,0.020286867,0.0071249725,0.011427625,0.0024628267,0.36728746],"genre_scores_gemma":[0.58989024,0.008329527,0.0014375813,0.005620586,0.015457917,0.00047160618,0.0024005552,0.0010658939,0.37532613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9838629,0.0009986919,0.0035861563,0.0034660737,0.0022983863,0.0057877973],"domain_scores_gemma":[0.99099344,0.001005527,0.0015317199,0.0028749665,0.0011965153,0.0023978262],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0014478257,0.004034093,0.003662168,0.0011054057,0.0049252976,0.0019827601,0.0020869665,0.0020614706,0.009283789],"category_scores_gemma":[0.00083511195,0.0039388333,0.0024405157,0.00022584977,0.0044588433,0.0030559166,0.0010607558,0.0026959807,0.0040318826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007951786,0.0040539983,0.0025990906,0.0020719555,0.0021081895,0.0022343528,0.06596888,0.012899945,0.00072329526,0.04497118,0.8532192,0.008354757],"study_design_scores_gemma":[0.0068318658,0.001930371,0.005749846,0.0021606348,0.001298971,0.0009850473,0.009005823,0.0013801531,0.0015018333,0.0092215575,0.95552325,0.0044106417],"about_ca_topic_score_codex":0.18035696,"about_ca_topic_score_gemma":0.652836,"teacher_disagreement_score":0.47247905,"about_ca_system_score_codex":0.0025124084,"about_ca_system_score_gemma":0.0016836588,"threshold_uncertainty_score":0.9996048},"labels":[],"label_agreement":null},{"id":"W1041949670","doi":"","title":"Trevor Gould : Palm Grove / Cathy Busby : How...","year":2001,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Palm; Art; Art history; Physics; Astronomy","score_opus":0.04161109804199585,"score_gpt":0.2427142337875665,"score_spread":0.20110313574557065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1041949670","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016035781,0.012854323,0.0004911057,0.008712635,0.010954273,0.0018287272,0.0032455646,0.0006228026,0.959687],"genre_scores_gemma":[0.028612847,0.0047624754,0.00014190344,0.0052312487,0.018598467,0.00019775274,0.0014814724,0.00065561355,0.9403182],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902114,0.0005001628,0.0018836142,0.0024660297,0.001452373,0.0034863933],"domain_scores_gemma":[0.9934343,0.0006315999,0.0011991957,0.0025692496,0.0007224371,0.0014431796],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.00074235816,0.002650049,0.0026196486,0.0006591744,0.0032335897,0.0014916995,0.0015630102,0.001711854,0.030713888],"category_scores_gemma":[0.0001587295,0.002741827,0.0018829821,0.000028766422,0.0039342837,0.0011233639,0.000495671,0.0025846926,0.020418612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008524277,0.00071718043,0.000062366555,0.00067531463,0.00071943295,0.0006956391,0.053511884,0.000008831514,0.00003206126,0.31742448,0.59979266,0.026274906],"study_design_scores_gemma":[0.0018330634,0.0007659688,0.00046828878,0.0009223419,0.0010851999,0.00022852456,0.0023930965,0.0002586209,0.00003404688,0.040234834,0.9488325,0.0029435074],"about_ca_topic_score_codex":0.0037996846,"about_ca_topic_score_gemma":0.024456246,"teacher_disagreement_score":0.34903985,"about_ca_system_score_codex":0.0010817404,"about_ca_system_score_gemma":0.0012475475,"threshold_uncertainty_score":0.9997164},"labels":[],"label_agreement":null},{"id":"W108288344","doi":"10.47761/494a02f6.b2544b15","title":"Heads or Tails: The Emergence of a New Cultural Series, from the Phenakisticope to the Cinematograph","year":2004,"lang":"en","type":"article","venue":"InVisible Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Series (stratigraphy); History; Sociology; Geology; Paleontology","score_opus":0.08062520210397162,"score_gpt":0.2930422439641652,"score_spread":0.2124170418601936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W108288344","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16428639,0.033302,0.0023592368,0.44800287,0.0094605265,0.0065218466,0.0048090145,0.0008636979,0.3303944],"genre_scores_gemma":[0.91138244,0.00053376023,0.00033911227,0.014865148,0.0037319583,0.0000574589,0.0000739954,0.000035570047,0.06898054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988268,0.000051861396,0.00029772118,0.00021743705,0.00028276895,0.0003233925],"domain_scores_gemma":[0.9990424,0.000045056877,0.0001065013,0.00052826427,0.00017390357,0.00010390035],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111114074,0.00021778449,0.00020571353,0.000015925258,0.0008191919,0.00021995282,0.0006920371,0.00005575847,0.0015939897],"category_scores_gemma":[0.00009764437,0.000075813936,0.0001399658,0.000025893167,0.00042031665,0.00019837647,0.00011337224,0.00023293229,0.00011098586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033801476,0.000029182924,0.00003630348,0.000011164722,0.00006602305,0.000002333669,0.419086,0.00009409472,0.00009850363,0.1218371,0.4584457,0.00025977415],"study_design_scores_gemma":[0.00025287087,0.00009932918,0.00013541669,0.00008019486,0.00006395934,0.000006316555,0.06766603,0.000005892571,0.00035001035,0.018966375,0.9122244,0.00014919767],"about_ca_topic_score_codex":0.011257169,"about_ca_topic_score_gemma":0.08326325,"teacher_disagreement_score":0.74709606,"about_ca_system_score_codex":0.000013245175,"about_ca_system_score_gemma":0.00011105496,"threshold_uncertainty_score":0.99931866},"labels":[],"label_agreement":null},{"id":"W1132796832","doi":"","title":"Painting as Taboo. Harlan Johnson, Galerie McClure, Centre des arts visuels, Montréal. 30 May — 21 June, 2008Harlan Johnson, Galerie McClure, Centre des arts visuels, Montréal. 30 May — 21 June, 2008","year":2009,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Painting; The arts; Taboo; Visual arts; Art history; Sociology","score_opus":0.028586870610409744,"score_gpt":0.24527403305508633,"score_spread":0.2166871624446766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1132796832","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15061693,0.11064842,0.0012338352,0.016809387,0.008924286,0.0050635217,0.0022454427,0.004148492,0.7003097],"genre_scores_gemma":[0.5492293,0.011293659,0.0017241024,0.008261726,0.0072139627,0.00009682431,0.00092665775,0.0005948199,0.42065895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99101794,0.00044176404,0.0018616295,0.0018085007,0.0013665872,0.0035035564],"domain_scores_gemma":[0.99499017,0.00026551622,0.0008479556,0.001529946,0.0009623519,0.0014040726],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00081900967,0.0017754388,0.0016315565,0.0005379111,0.00307979,0.001381064,0.00096278044,0.0005905046,0.021727657],"category_scores_gemma":[0.00041560916,0.0017106226,0.00076430105,0.00009334771,0.0013562443,0.001535956,0.0003233698,0.0011641653,0.00317317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015483804,0.0009592391,0.0019190996,0.00027402345,0.00040376795,0.00082395895,0.03940375,0.00008564091,0.0001990601,0.012113761,0.9294311,0.014231787],"study_design_scores_gemma":[0.0019373157,0.00024283807,0.0043129404,0.00058656273,0.00032565318,0.00009687538,0.0075827795,0.0003099002,0.0011683988,0.0074648615,0.9739599,0.0020119355],"about_ca_topic_score_codex":0.015442719,"about_ca_topic_score_gemma":0.06958466,"teacher_disagreement_score":0.39861235,"about_ca_system_score_codex":0.00046892915,"about_ca_system_score_gemma":0.00035129936,"threshold_uncertainty_score":0.9996556},"labels":[],"label_agreement":null},{"id":"W1138861950","doi":"","title":"Okanagan Thompson International Sculpture Symposium","year":2002,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Visual arts; Art","score_opus":0.030672753627010333,"score_gpt":0.2247747835438003,"score_spread":0.19410202991678996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1138861950","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023472582,0.0006135824,0.00015104348,0.041556425,0.0036963015,0.00022411262,0.00013169287,0.0003261043,0.9509535],"genre_scores_gemma":[0.58317167,0.00008409885,0.00010084498,0.0032651303,0.003391105,0.000011005148,0.000047033496,0.000035589743,0.40989354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986232,0.000044353434,0.00019166275,0.00034432652,0.00037592615,0.00042052308],"domain_scores_gemma":[0.999235,0.000022137916,0.00008741715,0.00036031802,0.0001394849,0.00015566598],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008649421,0.00025845505,0.00020871534,0.00011384727,0.00039577455,0.00031463173,0.00036620907,0.00012925542,0.010033878],"category_scores_gemma":[0.000022608745,0.00021428235,0.00019089837,0.0000050781036,0.00021978877,0.0003420672,0.000084030806,0.00034417774,0.0008771682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013061861,0.00014770457,0.0002193863,0.00003267304,0.00014130856,0.00003330646,0.32028836,0.000065243556,0.00012735683,0.34880656,0.3292053,0.0009197232],"study_design_scores_gemma":[0.0003542004,0.00003666728,0.00018096501,0.00003204595,0.000036489724,0.00000983579,0.0030373647,0.0008594627,0.000069548914,0.00086594216,0.9942226,0.00029488406],"about_ca_topic_score_codex":0.000082771345,"about_ca_topic_score_gemma":0.0025697222,"teacher_disagreement_score":0.6650173,"about_ca_system_score_codex":0.00006840994,"about_ca_system_score_gemma":0.000014790349,"threshold_uncertainty_score":0.99990076},"labels":[],"label_agreement":null},{"id":"W114796735","doi":"","title":"Post Script from York U","year":2010,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Political science; Sociology","score_opus":0.041311901970688875,"score_gpt":0.2351749359154904,"score_spread":0.19386303394480153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W114796735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79648006,0.0004338435,3.588659e-7,0.0011664616,0.0035697438,0.00011064688,0.0009590627,0.000073861396,0.19720598],"genre_scores_gemma":[0.9194358,0.000015216886,0.000022804195,0.00821363,0.0019922664,0.00003639304,0.000029705481,0.000024904606,0.0702293],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988783,0.000013752064,0.00015677359,0.00021667588,0.00010433567,0.0006301906],"domain_scores_gemma":[0.9990636,0.00005300848,0.000037494487,0.00025421733,0.00016048847,0.00043119636],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000071341674,0.00017053893,0.00022632953,0.00011770961,0.0008305942,0.00012770899,0.00017428782,0.00004525504,0.0030432043],"category_scores_gemma":[0.00008821199,0.00015406321,0.00004985537,0.0000023929645,0.0005856335,0.00010770674,0.00003778413,0.00019921607,0.00050501915],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042027696,0.000016132235,0.00038443782,0.00001578027,0.00024586706,0.000031710006,0.7378017,1.5225349e-7,0.00009379119,0.22159955,0.03928473,0.00052200037],"study_design_scores_gemma":[0.00013394582,0.000033527,0.00019466583,0.000008053252,0.000017108829,7.1966684e-7,0.14201306,0.0000020424009,0.000020618976,0.02650629,0.8308698,0.00020019145],"about_ca_topic_score_codex":0.06639209,"about_ca_topic_score_gemma":0.9425281,"teacher_disagreement_score":0.876136,"about_ca_system_score_codex":0.00016746366,"about_ca_system_score_gemma":0.00022292172,"threshold_uncertainty_score":0.9978681},"labels":[],"label_agreement":null},{"id":"W1151607146","doi":"","title":"Lee Friedlander, America by Car, Whitney Museum of American Art, New York, du 4 septembre au 28 novembre 2010Lee Friedlander, America by Car, Whitney Museum of American Art, New York, du 4 septembre au 28 novembre 2010","year":2011,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual art of the United States; Art; Humanities; Art history; Performance art","score_opus":0.035694541215148166,"score_gpt":0.23152059020486795,"score_spread":0.19582604898971978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1151607146","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039270762,0.01565117,0.0057640886,0.0032940349,0.007499021,0.003198548,0.015246275,0.00083259813,0.9445872],"genre_scores_gemma":[0.06471374,0.0055417255,0.0035527102,0.037938356,0.0066316067,0.00032834173,0.0053850943,0.0010705994,0.8748378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9847286,0.0009029428,0.0038848931,0.0034486072,0.0020918143,0.004943188],"domain_scores_gemma":[0.98600453,0.00054048793,0.0047938665,0.0036739928,0.0012711039,0.0037159987],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.00074572186,0.0036453216,0.0054866276,0.00068731833,0.00164396,0.0006426415,0.0030146576,0.0014409004,0.037099726],"category_scores_gemma":[0.00036406147,0.0035914374,0.0019334838,0.0005983607,0.0076436917,0.0015569313,0.0009135814,0.0031384134,0.0013615895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059482804,0.0025269482,0.0019289682,0.0007772375,0.0021487812,0.00006716031,0.050000764,0.00022091699,0.0036383504,0.002563522,0.9341666,0.0013658894],"study_design_scores_gemma":[0.004665843,0.0024212936,0.00031763225,0.00083557394,0.0020018127,0.0001340527,0.02881476,0.0007673117,0.0016458821,0.00037235874,0.9542573,0.0037661484],"about_ca_topic_score_codex":0.29260483,"about_ca_topic_score_gemma":0.012087327,"teacher_disagreement_score":0.2805175,"about_ca_system_score_codex":0.0010068846,"about_ca_system_score_gemma":0.005639252,"threshold_uncertainty_score":0.99999785},"labels":[],"label_agreement":null},{"id":"W1152535024","doi":"10.71781/9271","title":"The sculpture of Irma Stern (1922-1955)","year":2013,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"St. George's, University of London","keywords":"Stern; Sculpture; Art; Art history; Visual arts; Cartography; History; Geography; Ancient history","score_opus":0.006094232638566055,"score_gpt":0.1505725511114302,"score_spread":0.14447831847286413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1152535024","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036420308,0.0011855178,0.0000017976002,0.0011854946,0.0014336533,0.00025208702,0.0007124782,0.000009052913,0.9587996],"genre_scores_gemma":[0.55487174,0.0003339268,0.000016735876,0.0006080492,0.0003170463,0.00001132611,0.000096165764,0.00002920195,0.4437158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978411,0.000044198772,0.00037918158,0.00019302173,0.0012373815,0.00030509487],"domain_scores_gemma":[0.99905914,0.00019834131,0.00033386948,0.00024817162,0.0000023785428,0.00015812575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000086257905,0.00024435797,0.00030991642,0.000019474435,0.0004260688,0.00006727603,0.00031216987,0.000043450906,0.00018991638],"category_scores_gemma":[0.000002784392,0.00018065235,0.000060548926,0.0000023462837,0.00018916793,0.00023202076,0.000057169877,0.00019085985,1.0914703e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026985517,0.00003431805,0.00053804135,0.00084703113,0.000316806,0.000017961447,0.018484449,0.0000051437664,0.00068561855,0.942646,0.027278597,0.008876181],"study_design_scores_gemma":[0.00022277357,0.000064306776,0.004507003,0.00023164634,0.00006872089,9.987792e-7,0.037235208,0.00013053631,0.007801417,0.0055098026,0.94390815,0.00031942147],"about_ca_topic_score_codex":0.02468215,"about_ca_topic_score_gemma":0.713188,"teacher_disagreement_score":0.9371362,"about_ca_system_score_codex":0.000005178665,"about_ca_system_score_gemma":0.0014913228,"threshold_uncertainty_score":0.9818126},"labels":[],"label_agreement":null},{"id":"W1155659749","doi":"","title":"Research Guides: Fine Arts - Canadian Painting: Books to Get You Started","year":2008,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Painting; Fine art; Art; The arts; Art history","score_opus":0.20441725878886213,"score_gpt":0.3368250115958731,"score_spread":0.13240775280701095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1155659749","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035273356,0.0004915328,0.000016269641,0.008155918,0.0016748459,0.0006923035,0.0014681987,0.00021950572,0.9869287],"genre_scores_gemma":[0.008293617,0.00016827373,0.00020672109,0.010984575,0.008322326,0.000076225784,0.0011167027,0.00016073373,0.9706708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99571264,0.00016077577,0.0007125356,0.00071775046,0.00082688464,0.0018694234],"domain_scores_gemma":[0.99673796,0.00023006833,0.00009640594,0.0008821081,0.0009646618,0.001088804],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00086948916,0.00049503386,0.0006024347,0.0012432634,0.0017349914,0.0005419126,0.00069658906,0.0003303419,0.013284659],"category_scores_gemma":[0.00035363334,0.00044993282,0.00019893449,0.000008818074,0.00070801575,0.00014459215,0.00020234236,0.00093704765,0.0016528032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000469163,0.000021954225,0.000008468322,0.000063549924,0.00006800664,0.00011937155,0.05343224,0.0000021892658,6.4388865e-7,0.047768198,0.89761716,0.00089352415],"study_design_scores_gemma":[0.00015458887,0.00016412816,0.000011905174,0.00015691425,0.000022391338,0.000007541323,0.004621627,0.000034067143,0.000018949982,0.0033444366,0.990888,0.00057543506],"about_ca_topic_score_codex":0.8504648,"about_ca_topic_score_gemma":0.9891452,"teacher_disagreement_score":0.13868037,"about_ca_system_score_codex":0.0004294569,"about_ca_system_score_gemma":0.001988365,"threshold_uncertainty_score":0.99979526},"labels":[],"label_agreement":null},{"id":"W1161097048","doi":"","title":"LibGuides: Contemporary Toronto Artists: Artists A-D","year":2013,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Art history","score_opus":0.06989351525528045,"score_gpt":0.2702871027795258,"score_spread":0.20039358752424533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1161097048","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000039987695,0.010970692,0.00007256683,0.00090443576,0.0050455304,0.00065011845,0.00089613267,0.0006477256,0.9807728],"genre_scores_gemma":[0.014929284,0.0010535681,0.00017341496,0.007710588,0.011686358,0.00012397372,0.0012423036,0.00020029307,0.9628802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99690604,0.00009013583,0.0010250099,0.0006880051,0.0004928931,0.00079791085],"domain_scores_gemma":[0.9979077,0.00014956709,0.00037267624,0.0008805225,0.00033573495,0.00035382167],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017257218,0.0007180254,0.0008901934,0.000095888616,0.00051650015,0.0007964896,0.00058744306,0.0003890722,0.06030247],"category_scores_gemma":[0.00005126238,0.0005985848,0.00037659917,0.0000013036273,0.0006899485,0.0009584193,0.00015415653,0.00039216588,0.0038460412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005116297,0.00006526099,0.0000056452113,0.00016311787,0.00013168562,0.000022590606,0.025646428,8.487086e-8,0.0000010153668,0.17767836,0.79549116,0.0007895273],"study_design_scores_gemma":[0.00029449884,0.00013022246,0.000010851746,0.00020730692,0.000057972462,0.0000065613476,0.0038876478,0.00003158869,0.00002227541,0.00966399,0.9848772,0.0008098855],"about_ca_topic_score_codex":0.1193483,"about_ca_topic_score_gemma":0.27583495,"teacher_disagreement_score":0.18938604,"about_ca_system_score_codex":0.00026905836,"about_ca_system_score_gemma":0.0005193274,"threshold_uncertainty_score":0.99964654},"labels":[],"label_agreement":null},{"id":"W1189550485","doi":"","title":"Les transferts esthétiques. Mario Côté, For Feldman : Symétrie inachevée, Galerie Trois Points, Montréal. 15 février, 15 mars 2008Mario Côté, For Feldman : Symétrie inachevée, Galerie Trois Points, Montréal. 15 février, 15 mars 2008","year":2008,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Humanities; Art; Philosophy; Physics; Astrobiology","score_opus":0.042209529403152514,"score_gpt":0.24940363001228372,"score_spread":0.2071941006091312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1189550485","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20219637,0.41266343,0.037585974,0.06966422,0.020949136,0.028719544,0.036971446,0.003943646,0.18730624],"genre_scores_gemma":[0.15853882,0.047183722,0.010884088,0.009980073,0.010550305,0.002084026,0.00539101,0.002124196,0.7532638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.983109,0.0010212348,0.0044683325,0.0036564304,0.0019923905,0.005752628],"domain_scores_gemma":[0.9896463,0.0015956498,0.0014464965,0.0030168914,0.0018130804,0.0024815944],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0022856633,0.0037183377,0.0042594415,0.0012346584,0.005579644,0.0010860314,0.0021779535,0.00243427,0.010131979],"category_scores_gemma":[0.0009339073,0.0040630396,0.003132858,0.00020050057,0.004127861,0.0024540871,0.00057551474,0.0026689114,0.0005435125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032330134,0.0028820266,0.0021048079,0.0021125746,0.0018133967,0.0010804401,0.031236727,0.00009045748,0.00004287056,0.0339418,0.8969147,0.024547167],"study_design_scores_gemma":[0.010659575,0.002813433,0.0031104593,0.00082147605,0.0018174762,0.00052848976,0.0046973405,0.0009898185,0.00074685697,0.02571256,0.9437476,0.004354963],"about_ca_topic_score_codex":0.12100232,"about_ca_topic_score_gemma":0.17384204,"teacher_disagreement_score":0.56595755,"about_ca_system_score_codex":0.0020763115,"about_ca_system_score_gemma":0.001967262,"threshold_uncertainty_score":0.99995095},"labels":[],"label_agreement":null},{"id":"W1219644436","doi":"","title":"Library: Art & Art History: Canadian Art Files","year":2009,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Computer science; Art; Art history","score_opus":0.03798878216109042,"score_gpt":0.19667940627143243,"score_spread":0.15869062411034202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1219644436","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004281964,0.00015071112,0.00001069508,0.008241166,0.00063384,0.000073519484,0.00007750097,0.000221367,0.990163],"genre_scores_gemma":[0.11634441,0.00002407118,0.00007958553,0.026947642,0.0009873695,0.000004556649,0.00018864771,0.000020830785,0.8554029],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902767,0.000017916971,0.00017272164,0.00020106895,0.000117759555,0.00046284538],"domain_scores_gemma":[0.99930894,0.00001728209,0.000033605582,0.00025297745,0.00002699164,0.00036019634],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004004861,0.00016234805,0.00016718017,0.00013865743,0.00022606886,0.00012633037,0.00015774385,0.000052972933,0.08315982],"category_scores_gemma":[0.000008348744,0.00014632243,0.00008711446,0.0000014993559,0.00016672937,0.00044047274,0.000013395567,0.00011364755,0.008486623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015239366,0.000016320631,0.000022268217,0.0000021482017,0.000006281895,0.000009312478,0.0072490196,3.6361277e-7,0.0000014458319,0.31347144,0.67882913,0.0003907374],"study_design_scores_gemma":[0.00010810726,0.000065597975,0.00020033788,0.000009599915,0.000011657914,0.0000025216955,0.0003364841,0.000052138395,0.000015022071,0.0071712383,0.9918086,0.00021869599],"about_ca_topic_score_codex":0.013213874,"about_ca_topic_score_gemma":0.5498959,"teacher_disagreement_score":0.536682,"about_ca_system_score_codex":0.00013180745,"about_ca_system_score_gemma":0.00031082396,"threshold_uncertainty_score":0.99335724},"labels":[],"label_agreement":null},{"id":"W123023420","doi":"","title":"Victor Romão : Reliquary","year":2009,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Printmaking; Context (archaeology); Visual arts; Perception; Sculpture; Order (exchange); History; Art; Literature; Psychology; Archaeology","score_opus":0.02970156096668455,"score_gpt":0.23587456102558046,"score_spread":0.2061730000588959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W123023420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000087226515,0.003547472,0.000077927754,0.0012921988,0.0025947697,0.0007331101,0.00047118505,0.00068097713,0.9905151],"genre_scores_gemma":[0.0029624498,0.00053439627,0.000091202965,0.0066441293,0.010809916,0.000048398517,0.000867228,0.00029669714,0.9777456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953613,0.00013041544,0.0011168455,0.0011769984,0.0008544571,0.0013599356],"domain_scores_gemma":[0.9969355,0.0001882819,0.00053080823,0.0014713947,0.00033214767,0.00054185634],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034557126,0.0011848601,0.0012720679,0.0003890684,0.0010239194,0.0005223785,0.00083911687,0.00069523096,0.021177726],"category_scores_gemma":[0.00004687212,0.0011580375,0.0007855388,0.0000058116234,0.00082461635,0.00052138726,0.00017364147,0.0012865079,0.016058503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027342607,0.00013543665,8.3541033e-7,0.0001128997,0.00014327657,0.00010347095,0.034337174,0.0000016571222,0.0000038831035,0.15618896,0.8018391,0.007105971],"study_design_scores_gemma":[0.0006066911,0.00035948594,0.00005277484,0.00037034953,0.00024281029,0.000023134,0.0002767775,0.00003719449,0.00001014511,0.097956076,0.89881235,0.0012522079],"about_ca_topic_score_codex":0.00022815024,"about_ca_topic_score_gemma":0.00682555,"teacher_disagreement_score":0.09697326,"about_ca_system_score_codex":0.0003751672,"about_ca_system_score_gemma":0.00076795695,"threshold_uncertainty_score":0.999087},"labels":[],"label_agreement":null},{"id":"W1257623262","doi":"","title":"Ai-je le droit de déambuler dans cet espace? Lani Maestro, Cradle, Galerie de l'UQÀM, Montréal. 19 octobre - 24 novembre 2001Lani Maestro, Cradle, Galerie de l'UQÀM, Montréal. 19 octobre - 24 novembre 2001","year":2002,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03176153704646166,"score_gpt":0.2326356128555785,"score_spread":0.20087407580911681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1257623262","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08800173,0.25514075,0.01232391,0.06573583,0.011583505,0.0043158922,0.01643909,0.0027693796,0.5436899],"genre_scores_gemma":[0.115193844,0.010317792,0.0031694516,0.054579537,0.009006814,0.000317734,0.0008344106,0.0008768417,0.8057036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98840356,0.0006254019,0.0019481875,0.0021134315,0.0013459715,0.0055634757],"domain_scores_gemma":[0.99309653,0.00043058462,0.00085962744,0.0023950965,0.00049983215,0.0027183562],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.00095521,0.0022616356,0.0020574771,0.0005658753,0.0025575983,0.0015101032,0.0016943947,0.0014971921,0.016329963],"category_scores_gemma":[0.00033420586,0.002571959,0.0011992607,0.00013685634,0.001929241,0.001534811,0.00061316736,0.002780639,0.0022333628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026962088,0.0019432683,0.0027011747,0.0007253204,0.0006381011,0.0020223677,0.029549846,0.0017214671,0.00041491893,0.0469965,0.91172343,0.0012940044],"study_design_scores_gemma":[0.004221671,0.0007352004,0.0029617448,0.00057364954,0.0007027471,0.0011216361,0.008192108,0.011565094,0.0003175905,0.0073611606,0.95955527,0.0026921576],"about_ca_topic_score_codex":0.3014439,"about_ca_topic_score_gemma":0.23676626,"teacher_disagreement_score":0.26201364,"about_ca_system_score_codex":0.0019852568,"about_ca_system_score_gemma":0.0017314381,"threshold_uncertainty_score":0.9997991},"labels":[],"label_agreement":null},{"id":"W1274050744","doi":"","title":"Trames coïncidentes. Les caprices cristallins de Numa, Galerie Clark, Montréal, 3 avril 2002 Les caprices cristallins de Numa, Galerie Clark, Montréal, 3 avril 2002","year":2002,"lang":"fr","type":"article","venue":"Spirale : Arts • Lettres • Sciences humaines","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Physics","score_opus":0.06486574556245932,"score_gpt":0.2649627243118498,"score_spread":0.20009697874939048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1274050744","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18665104,0.4241063,0.0014524516,0.018802969,0.0037722066,0.001579541,0.0025124478,0.000898709,0.36022434],"genre_scores_gemma":[0.43765345,0.03683372,0.002138629,0.0091425935,0.008746362,0.00028798723,0.000116896554,0.00037761847,0.50470275],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98757225,0.00062534,0.0024506745,0.0024829232,0.0021799305,0.0046888716],"domain_scores_gemma":[0.99409735,0.00080570806,0.001402967,0.0014845824,0.0007953909,0.0014139835],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0016443628,0.0020953163,0.0018764031,0.0009100662,0.0103827575,0.004098461,0.0026162846,0.0008963148,0.04716218],"category_scores_gemma":[0.00053846434,0.0020352732,0.0011685223,0.00018836388,0.012747773,0.0032707492,0.00054782094,0.0015549351,0.0012210206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075147735,0.0015521684,0.0038100374,0.00080346316,0.0003385734,0.00069489755,0.046038337,0.0024414414,0.0004958165,0.044105187,0.89624345,0.0034014857],"study_design_scores_gemma":[0.001369308,0.00095793087,0.0011070959,0.00064382417,0.0005000163,0.0001582105,0.025190972,0.009724868,0.00043154502,0.005007694,0.9524507,0.0024578483],"about_ca_topic_score_codex":0.15189397,"about_ca_topic_score_gemma":0.33705893,"teacher_disagreement_score":0.3872726,"about_ca_system_score_codex":0.00070375827,"about_ca_system_score_gemma":0.00054337183,"threshold_uncertainty_score":0.99955666},"labels":[],"label_agreement":null},{"id":"W135756883","doi":"","title":"No \"Gestures of return\"? : querying queer aesthetics in North American art","year":2009,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Queer theory; The arts; Aesthetics; Art; Exhibition; Gender studies; Sociology; Visual arts","score_opus":0.03170472013747435,"score_gpt":0.2717004319971666,"score_spread":0.23999571185969223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W135756883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5076389,0.00006809102,8.903608e-7,0.00009160984,0.00040956732,0.00024837838,0.00002208643,0.000042442116,0.49147806],"genre_scores_gemma":[0.6608253,0.0002339247,0.0000072638745,0.00001885367,0.00048216945,0.0000016823061,0.00013352098,0.00003644132,0.33826083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710625,0.0003934632,0.00041231897,0.0005527925,0.0007323312,0.0008028563],"domain_scores_gemma":[0.99822104,0.00014469711,0.00033191897,0.00055829366,0.000517722,0.0002263524],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00026967,0.00033242162,0.00060598465,0.0014247921,0.00052117894,0.00014222234,0.00063257664,0.00015795155,0.000072489594],"category_scores_gemma":[0.000063819054,0.00036620116,0.00023709497,0.00007476442,0.0009168543,0.00024316173,0.000075495656,0.0012609303,0.000050978113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056038434,0.002362991,0.302617,0.0024253626,0.0012297723,0.008440137,0.4157285,0.00011467481,0.0019367782,0.16613506,0.08423784,0.009168025],"study_design_scores_gemma":[0.0005963993,0.0010878241,0.11459664,0.00028433074,0.00009084156,0.000007426673,0.018482322,0.00004767855,0.0017032974,0.0008812327,0.8614823,0.00073967205],"about_ca_topic_score_codex":0.07927314,"about_ca_topic_score_gemma":0.85139275,"teacher_disagreement_score":0.7772445,"about_ca_system_score_codex":0.0004999209,"about_ca_system_score_gemma":0.0008018894,"threshold_uncertainty_score":0.999879},"labels":[],"label_agreement":null},{"id":"W1416717942","doi":"","title":"Fouilles relationnelles. Massimo Guerrera, Porus (et quelques espaces-temps partageables), Galerie Joyce Yahouda, Montréal, 7 février - 27 mars 2004Massimo Guerrera, Porus (et quelques espaces-temps partageables), Galerie Joyce Yahouda, Montréal, 7 février - 27 mars 2004","year":2004,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Art history; Art; Physics; Astrobiology","score_opus":0.025345017659795837,"score_gpt":0.2567559263092741,"score_spread":0.23141090864947825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1416717942","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03414529,0.39937577,0.004974228,0.09023121,0.023022782,0.006943735,0.011838543,0.0030925963,0.42637584],"genre_scores_gemma":[0.2469004,0.05535352,0.0039568515,0.013200601,0.0053135133,0.0006043198,0.0027521206,0.0014061094,0.67051256],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9804868,0.002242983,0.0040926104,0.0040971553,0.0031169096,0.0059635243],"domain_scores_gemma":[0.98764884,0.0012344428,0.002864182,0.0040799775,0.001433924,0.0027386337],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003092525,0.004361551,0.0039880187,0.0012825903,0.004322071,0.0036248057,0.002115287,0.002320809,0.020602291],"category_scores_gemma":[0.00088553206,0.0045331,0.0020538976,0.00030107016,0.0042978274,0.005690152,0.0010504579,0.0037188136,0.003884455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007083812,0.0014306589,0.003158681,0.0009719788,0.0013958364,0.0017740559,0.036715873,0.010571112,0.00008174694,0.16125317,0.78034097,0.0015975509],"study_design_scores_gemma":[0.0057877013,0.0010278065,0.0011794615,0.0019599136,0.0012318976,0.00019338135,0.014612356,0.0009138929,0.0007014066,0.029617563,0.9378103,0.004964312],"about_ca_topic_score_codex":0.15849224,"about_ca_topic_score_gemma":0.25072125,"teacher_disagreement_score":0.34402224,"about_ca_system_score_codex":0.0019638774,"about_ca_system_score_gemma":0.0027357303,"threshold_uncertainty_score":0.9989744},"labels":[],"label_agreement":null},{"id":"W141882513","doi":"","title":"Oh, Canada : Contemporary Art from North North America","year":2012,"lang":"de","type":"book","venue":"MIT Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History; Archaeology","score_opus":0.06334374924049657,"score_gpt":0.2149687927430967,"score_spread":0.15162504350260012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W141882513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066744484,0.008233259,0.000035725938,0.000058480186,0.003447979,0.0008325817,0.024620714,0.00014709722,0.96195674],"genre_scores_gemma":[0.0725323,0.00014957596,0.000020074767,0.0035038122,0.009495951,0.000106002946,0.008948037,0.00021604894,0.90502816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957557,0.0001833677,0.0010643316,0.00088419585,0.0008184447,0.0012939936],"domain_scores_gemma":[0.99666655,0.00026674636,0.00075864256,0.001264438,0.0002548571,0.0007887406],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000060835802,0.0011174722,0.0013121209,0.000103779304,0.0008776567,0.00036173663,0.0008409483,0.0003103299,0.0014317218],"category_scores_gemma":[0.000016755583,0.001107139,0.00038998513,7.040247e-7,0.0011033365,0.00017866229,0.0003993874,0.001057615,0.0005729905],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103846694,0.00013354662,0.00097371574,0.0003480908,0.0019190336,0.00033091256,0.07461773,0.0000050943613,7.599855e-7,0.012955896,0.9041756,0.0044357902],"study_design_scores_gemma":[0.0005442538,0.00008194026,0.00048317784,0.000183087,0.0006160264,0.0000018072595,0.0002175749,0.000023241617,0.000013522806,0.00029452908,0.9962511,0.0012897236],"about_ca_topic_score_codex":0.9415403,"about_ca_topic_score_gemma":0.99062496,"teacher_disagreement_score":0.092075534,"about_ca_system_score_codex":0.00038484694,"about_ca_system_score_gemma":0.003425482,"threshold_uncertainty_score":0.9994811},"labels":[],"label_agreement":null},{"id":"W1440941882","doi":"","title":"Terrance Houle, GIVN'R, Art Gallery of York University, Toronto, September 15 to December 5, 2010Terrance Houle, GIVN'R, Art Gallery of York University, Toronto, September 15 to December 5, 2010","year":2011,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Art history; Sociology","score_opus":0.04232736009301536,"score_gpt":0.2338806657300205,"score_spread":0.19155330563700515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1440941882","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009275211,0.0008883086,0.0010209872,0.00006129154,0.0023795783,0.0013359725,0.0010688138,0.0002965203,0.98367333],"genre_scores_gemma":[0.042241316,0.00027676535,0.004268004,0.0072626104,0.0008781403,0.000029619616,0.00022458348,0.00019005155,0.9446289],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99466693,0.0002909516,0.0010523702,0.0014405961,0.0009419736,0.001607177],"domain_scores_gemma":[0.9955183,0.00013073946,0.0006637571,0.0017451007,0.0008701899,0.0010718632],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051719556,0.0011345668,0.0015111099,0.00021102624,0.0006720606,0.00015221632,0.0015096617,0.0007353433,0.20493987],"category_scores_gemma":[0.000050820126,0.0011715245,0.0006789441,0.00009996982,0.00070891366,0.0016202744,0.00073361944,0.0006438266,0.0019738658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005214482,0.00074376044,0.0005948798,0.00023357332,0.0005091503,0.000041426643,0.047818232,0.00016813113,0.0008974763,0.0038098386,0.9445524,0.00010964798],"study_design_scores_gemma":[0.001799731,0.0003662788,0.00097388687,0.00049195293,0.00036474835,0.000025834755,0.010181731,0.00009854312,0.0010218029,0.0002423558,0.9830405,0.001392603],"about_ca_topic_score_codex":0.00955347,"about_ca_topic_score_gemma":0.08010089,"teacher_disagreement_score":0.202966,"about_ca_system_score_codex":0.00082123623,"about_ca_system_score_gemma":0.0006502747,"threshold_uncertainty_score":0.99907345},"labels":[],"label_agreement":null},{"id":"W146468755","doi":"","title":"La nécessité de la radicalité / The Need to be Radical. Espace Sculpture, no. 98, 2011-2012","year":2012,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Visual arts","score_opus":0.01979294551788216,"score_gpt":0.2643702690583889,"score_spread":0.24457732354050674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W146468755","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011888424,0.087153874,0.002737266,0.27431664,0.010139959,0.0017152275,0.00088972115,0.0005465789,0.6106123],"genre_scores_gemma":[0.23089413,0.001119175,0.0009173664,0.026351372,0.013120413,0.000098160446,0.00006104754,0.00021411458,0.72722423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938564,0.0018458696,0.00053795375,0.00065659697,0.00078614225,0.0023170533],"domain_scores_gemma":[0.9957889,0.00092054,0.0002586289,0.0011896489,0.00024448594,0.0015978275],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0022924072,0.0008993839,0.00078276155,0.00018656765,0.0017010486,0.0008385218,0.00097107474,0.0011003417,0.0066394154],"category_scores_gemma":[0.0005062376,0.0006594516,0.00062919926,0.000034866516,0.0028383657,0.00083923584,0.00039606556,0.0021183337,0.003205513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000749277,0.00032345892,0.0002490981,0.00013868888,0.00021109721,0.000027020993,0.18653646,0.000034679466,0.000044124277,0.3538272,0.45771754,0.00081570196],"study_design_scores_gemma":[0.00088468776,0.00010979445,0.0020239744,0.00020811612,0.00044767294,0.00010185936,0.011017538,0.00015336795,0.00011053127,0.0013909773,0.9826402,0.0009112739],"about_ca_topic_score_codex":0.0024117364,"about_ca_topic_score_gemma":0.002967497,"teacher_disagreement_score":0.52492267,"about_ca_system_score_codex":0.00029450425,"about_ca_system_score_gemma":0.0003597686,"threshold_uncertainty_score":0.99987537},"labels":[],"label_agreement":null},{"id":"W1484263605","doi":"10.11606/d.8.2009.tde-08022010-150757","title":"Através do espelho: a constituição da pintura inicial de Andy Warhol (1956-1968)","year":2009,"lang":"pt","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Impact","funders":"","keywords":"Art; Appropriation; Painting; Interpretation (philosophy); Art history; Visual arts; Performance art; Cliché; Humanities; Literature; Philosophy","score_opus":0.051476878165808086,"score_gpt":0.3122399034886471,"score_spread":0.260763025322839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484263605","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050384838,0.0016067729,0.00077121856,0.00069634034,0.004726592,0.0011774852,0.0007176556,0.0003720878,0.939547],"genre_scores_gemma":[0.67965585,0.0005245747,0.00010172528,0.0035770899,0.0032548022,0.000029795592,0.0016408219,0.00009635427,0.311119],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959975,0.0001469143,0.0011259136,0.00088364125,0.00056462584,0.001281426],"domain_scores_gemma":[0.99785286,0.00016224508,0.00046697626,0.00061327626,0.00043787606,0.00046678085],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030370796,0.0009610572,0.0010395997,0.00035973388,0.0012794967,0.0012231225,0.00052978285,0.0007585967,0.011493326],"category_scores_gemma":[0.00009603481,0.000908143,0.0005513979,0.000009393536,0.0006608706,0.0003815587,0.000058016372,0.0009458636,0.0010794111],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002847337,0.0005561956,0.000114713584,0.00039265378,0.00039288934,0.00012173394,0.30674988,0.000012731694,0.000077457895,0.6289592,0.044775646,0.017562171],"study_design_scores_gemma":[0.0022172048,0.00084474916,0.0007683127,0.00070730393,0.0009356566,0.000047006248,0.06266336,0.00062678923,0.00051664014,0.029643927,0.8987331,0.0022959828],"about_ca_topic_score_codex":0.006640185,"about_ca_topic_score_gemma":0.045289766,"teacher_disagreement_score":0.8539574,"about_ca_system_score_codex":0.00017943692,"about_ca_system_score_gemma":0.0011460548,"threshold_uncertainty_score":0.99997467},"labels":[],"label_agreement":null},{"id":"W1484396574","doi":"","title":"Edgardo Aragón: Ley Fuga, Deluge Contemporary Art, Victoria, March 28–May 24, 2014Edgardo Aragón: Ley Fuga, Deluge Contemporary Art, Victoria, March 28–May 24, 2014","year":2014,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Art history; Cartography; Geography","score_opus":0.06786980458773845,"score_gpt":0.28315944138533483,"score_spread":0.21528963679759638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484396574","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008252786,0.0075994185,0.0037688515,0.041806966,0.047653735,0.004813662,0.004679143,0.0022701884,0.8791553],"genre_scores_gemma":[0.77799493,0.000832329,0.0002407283,0.0045323824,0.01656682,0.00067259476,0.0047344184,0.00054067903,0.19388509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.987887,0.0012445613,0.003017704,0.002690063,0.0019168017,0.0032438168],"domain_scores_gemma":[0.9906297,0.0015758041,0.001200219,0.0034677396,0.0011611034,0.0019654885],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.002365427,0.0021693686,0.0026009264,0.001068516,0.0031081527,0.0014531884,0.0021215326,0.0009088602,0.005640844],"category_scores_gemma":[0.00042857308,0.0021613466,0.0012023664,0.0001007207,0.0023594697,0.0023944601,0.0010275787,0.0021819333,0.009737468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025670082,0.000788816,0.0011840414,0.0003203893,0.0004473706,0.000114703056,0.009639551,0.000023380957,0.00012934335,0.32134786,0.66555506,0.00019276989],"study_design_scores_gemma":[0.0039463,0.00069276744,0.00070312497,0.0005932012,0.00018598975,0.00006723091,0.0017118311,0.0004295214,0.0004055984,0.011167892,0.9774993,0.00259721],"about_ca_topic_score_codex":0.0018670986,"about_ca_topic_score_gemma":0.005141776,"teacher_disagreement_score":0.7697422,"about_ca_system_score_codex":0.00038082566,"about_ca_system_score_gemma":0.0016878038,"threshold_uncertainty_score":0.9995834},"labels":[],"label_agreement":null},{"id":"W1486826160","doi":"","title":"Black Velvet Art","year":2012,"lang":"en","type":"article","venue":"Journal of Folklore Research Reviews","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Velvet; Cover (algebra); Art history; Art; Media studies; Sociology; Geology; Engineering; Oceanography","score_opus":0.3906483954350932,"score_gpt":0.43408234140829816,"score_spread":0.043433945973204935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486826160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011943532,0.110025175,0.00017657624,0.004300934,0.0019882696,0.00072873844,0.000024262457,0.000024808109,0.8707877],"genre_scores_gemma":[0.5495617,0.09494579,0.0009081728,0.0019153942,0.031246865,0.000029009205,0.000013183765,0.00010321443,0.3212767],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725014,0.0004910478,0.0007355966,0.00009207084,0.00071882096,0.0007123271],"domain_scores_gemma":[0.9982864,0.00018087687,0.00029360913,0.00026858284,0.0005423149,0.00042821077],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0058373087,0.00013523035,0.00046933335,0.00024642836,0.00026584073,0.00014361166,0.00035372854,0.000045701127,0.002754988],"category_scores_gemma":[0.00060665567,0.00008800474,0.00032893824,0.000008596959,0.000508169,0.0006405327,0.00007649441,0.00067289756,0.0025073586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019603362,0.00017765081,0.0002125102,0.00018339512,0.000048073256,0.000013022558,0.045339465,2.1608082e-7,0.000052145802,0.044081293,0.8934009,0.01647171],"study_design_scores_gemma":[0.00018705166,0.0001852016,0.00012105459,0.00024272551,0.00002567899,0.00003165043,0.0009982976,0.0000046840537,0.000050935723,0.0028171218,0.9952372,0.00009845277],"about_ca_topic_score_codex":0.000025263862,"about_ca_topic_score_gemma":0.00018047706,"teacher_disagreement_score":0.549511,"about_ca_system_score_codex":0.00010080567,"about_ca_system_score_gemma":0.00011758377,"threshold_uncertainty_score":0.9982693},"labels":[],"label_agreement":null},{"id":"W1488903021","doi":"","title":"Mike Nelson. Amnesiac Hide. The Power Plant Contemporary, Toronto, 1er Février – 19 Mai 2014The Power Plant Contemporary, Toronto, 1er Février – 19 Mai 2014","year":2014,"lang":"fr","type":"article","venue":"Espace : Art actuel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Media studies; Sociology","score_opus":0.026949844720257358,"score_gpt":0.24505473856857934,"score_spread":0.218104893848322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488903021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034848526,0.059771653,0.0010036937,0.038042326,0.01756356,0.0025516434,0.005804848,0.0005247996,0.87125266],"genre_scores_gemma":[0.46118322,0.0010971922,0.00008046532,0.014538165,0.0036984629,0.00013407851,0.0006211087,0.00030594968,0.51834136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99067533,0.0012491101,0.0018234109,0.0018636947,0.0015728804,0.0028155553],"domain_scores_gemma":[0.9927269,0.0011680976,0.0011288329,0.002817624,0.00045871906,0.0016998223],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.002180708,0.0020714977,0.0019830866,0.00015186545,0.0025229352,0.0013390786,0.0016297698,0.0009605983,0.053300105],"category_scores_gemma":[0.00027123844,0.001584229,0.0011207322,0.000019099965,0.0030096956,0.002753321,0.00070924143,0.0012146992,0.004836997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006074206,0.00053245935,0.00089657557,0.00014983237,0.00060286693,0.00015590161,0.07788585,0.0000057246484,0.000043905122,0.15738101,0.7616051,0.00013334828],"study_design_scores_gemma":[0.0030249015,0.0008670179,0.0012825978,0.00034390434,0.00027824758,0.0001737288,0.01790411,0.00038374163,0.00007714921,0.0021316996,0.97137606,0.002156814],"about_ca_topic_score_codex":0.05958923,"about_ca_topic_score_gemma":0.1426561,"teacher_disagreement_score":0.45769837,"about_ca_system_score_codex":0.0010274879,"about_ca_system_score_gemma":0.0011260959,"threshold_uncertainty_score":0.9997035},"labels":[],"label_agreement":null},{"id":"W1489698592","doi":"","title":"The Decline of the Modernist Museum","year":2003,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"History; Archaeology; Art","score_opus":0.013849100296489577,"score_gpt":0.1659607975689599,"score_spread":0.15211169727247031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1489698592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18288268,0.0145179825,0.00058027805,0.06495629,0.0016386408,0.00057430094,0.000204546,0.00016204928,0.73448324],"genre_scores_gemma":[0.7840584,0.0005463977,0.000027597238,0.0006027905,0.000100939986,0.0000017536408,0.0000024585088,0.000014548236,0.2146451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992533,0.000065873144,0.00012403283,0.00011939501,0.00017359034,0.0002638643],"domain_scores_gemma":[0.9993063,0.000085543776,0.00010508923,0.00036523116,0.00007640774,0.00006139563],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00013325886,0.00010756527,0.000116356015,0.000025562298,0.0014797499,0.000027086578,0.00030736014,0.00003771625,0.00016177603],"category_scores_gemma":[0.00003291458,0.00006919847,0.00013730463,0.0000047207736,0.00037778757,0.00006833158,0.00013538703,0.0001047628,0.000031449963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019110197,0.000037907037,0.00011111581,0.000008186358,0.000054368138,0.000016478074,0.01663226,0.00005530227,0.000051264535,0.9114095,0.07040686,0.0011976495],"study_design_scores_gemma":[0.00028075595,0.00002161471,0.00011067919,0.0000072441594,0.00004504113,0.000014116067,0.0026426618,0.00030059734,0.0002559358,0.015028552,0.981203,0.00008979482],"about_ca_topic_score_codex":0.005402218,"about_ca_topic_score_gemma":0.45322213,"teacher_disagreement_score":0.91079617,"about_ca_system_score_codex":0.00050616235,"about_ca_system_score_gemma":0.000040050934,"threshold_uncertainty_score":0.9998202},"labels":[],"label_agreement":null},{"id":"W1491709372","doi":"","title":"Betty Goodwin: Work Notes. ART GALLERY OF ONTARIO, TORONTO","year":2011,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Art; Art history; Visual arts; Sociology; Media studies; Engineering; Mechanical engineering","score_opus":0.03899230065184132,"score_gpt":0.20803317875954402,"score_spread":0.1690408781077027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491709372","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016021136,0.000019250716,0.0001174956,0.000489213,0.0005071011,0.00021837177,0.0003689421,0.00003246241,0.982226],"genre_scores_gemma":[0.91353005,0.000020830263,0.0013466342,0.00073632837,0.0003265822,0.000013994381,0.00013750231,0.000035604106,0.08385247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981346,0.000108050575,0.0005716476,0.0002506584,0.00033662518,0.00059841294],"domain_scores_gemma":[0.9984713,0.0002367198,0.0003982035,0.00036956606,0.0001351123,0.00038907514],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003435974,0.00020722546,0.00038620815,0.0002975858,0.00022537129,0.00003448226,0.00031869713,0.000058940044,0.0035803118],"category_scores_gemma":[0.0001317616,0.0002256214,0.00020827791,0.0000106438465,0.00022234156,0.00021223005,0.00004879983,0.00020028546,0.00009465573],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043589043,0.00012497236,0.023308557,0.000036770827,0.00028031386,0.0000050194467,0.4615244,0.000002320752,0.00001844641,0.47479865,0.03822317,0.0016338077],"study_design_scores_gemma":[0.0003935995,0.00010117123,0.22825211,0.00005584044,0.000072123,5.2631816e-7,0.00030038858,0.0000093294075,0.000071046816,0.04376597,0.7266951,0.00028278597],"about_ca_topic_score_codex":0.93019694,"about_ca_topic_score_gemma":0.99812984,"teacher_disagreement_score":0.89837354,"about_ca_system_score_codex":0.00091181963,"about_ca_system_score_gemma":0.0014320777,"threshold_uncertainty_score":0.99733055},"labels":[],"label_agreement":null},{"id":"W1491878607","doi":"","title":"New Brunswick’s Mural Legacy: Some Reflections","year":2014,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Allison University","funders":"","keywords":"Mural; History; Political science; Art history","score_opus":0.018293173242796036,"score_gpt":0.19311213212169615,"score_spread":0.17481895887890012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491878607","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081840105,0.0057924925,0.0054411013,0.047148425,0.0022508067,0.00035912168,0.000046280646,0.00094056386,0.8561811],"genre_scores_gemma":[0.3866213,0.00021064722,0.00026095816,0.0012952716,0.0015775133,9.742563e-7,0.000021846934,0.000028854996,0.6099826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990827,0.00003831021,0.00011710258,0.00021918787,0.00014616728,0.00039655267],"domain_scores_gemma":[0.9993273,0.000040092236,0.00006940109,0.00027629008,0.000053032258,0.00023390634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006621752,0.00016032573,0.00017429584,0.0001257826,0.0010663733,0.00007418572,0.0001934482,0.00006568584,0.00087278284],"category_scores_gemma":[0.000012799007,0.00017018899,0.0001343444,0.0000056726026,0.000119187716,0.00049351656,0.000101856574,0.00014666328,0.00050143525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017523447,0.000021784568,0.000031029227,0.000006261877,0.000042461128,0.00003312227,0.015060653,0.00002881146,0.000056170727,0.8021828,0.17758581,0.0049335756],"study_design_scores_gemma":[0.0005034952,0.0000797753,0.00017943703,0.00000864816,0.00006534848,0.000032446464,0.0017081581,0.00036423517,0.00006621806,0.015071467,0.98170805,0.00021269321],"about_ca_topic_score_codex":0.085985884,"about_ca_topic_score_gemma":0.7941749,"teacher_disagreement_score":0.80412227,"about_ca_system_score_codex":0.0011550053,"about_ca_system_score_gemma":0.000102132115,"threshold_uncertainty_score":0.955636},"labels":[],"label_agreement":null},{"id":"W1495207423","doi":"","title":"An Invitation to An Infiltration","year":2010,"lang":"en","type":"book","venue":"Contemporary Art Gallery eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Olympiad; Art history; Art; Visual arts; Contemporary art; Art gallery; Infiltration (HVAC); Performance art; History; Geography; Archaeology","score_opus":0.08050206881625337,"score_gpt":0.273304645936172,"score_spread":0.1928025771199186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495207423","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066900277,0.000022081878,0.00015646037,0.00021966967,0.0015805813,0.0007869775,0.00024038281,0.00032475902,0.9960001],"genre_scores_gemma":[0.080543384,0.0000019314841,0.000101070866,0.0059894,0.004617419,0.00008340233,0.0024558848,0.00012503564,0.90608245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808306,0.000105905936,0.00058235804,0.0005659318,0.00033150148,0.00033123823],"domain_scores_gemma":[0.9981979,0.00005487782,0.0002649379,0.0007980411,0.00026743047,0.0004167845],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00028139382,0.00045767133,0.00044434646,0.00029205318,0.0004878893,0.0004337476,0.00036678818,0.00036848153,0.00065846863],"category_scores_gemma":[0.000018767701,0.00047297982,0.00014119774,6.5370875e-7,0.0003271109,0.00073305966,0.000051496136,0.00059736735,0.00071112707],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000714189,0.00008940272,0.000009449756,0.000074186246,0.00007052357,0.000027048183,0.1704076,0.0000019241174,0.00037285508,0.08534211,0.7410006,0.0025328738],"study_design_scores_gemma":[0.00023586459,0.00050936954,0.00001647842,0.00008435804,0.000025188057,0.0000029353173,0.0005867857,0.0000432584,0.000078164834,0.02782359,0.9700165,0.00057750585],"about_ca_topic_score_codex":0.00008967546,"about_ca_topic_score_gemma":0.017056605,"teacher_disagreement_score":0.22901589,"about_ca_system_score_codex":0.00006788523,"about_ca_system_score_gemma":0.0008009775,"threshold_uncertainty_score":0.9997722},"labels":[],"label_agreement":null},{"id":"W1497813961","doi":"","title":"Poems from Self-portrait without Breasts","year":2010,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Poetry; Art; Literature; Aesthetics; Art history","score_opus":0.03382158670796207,"score_gpt":0.24561670297554186,"score_spread":0.2117951162675798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1497813961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8178286,0.00019416047,6.717536e-7,0.0006206389,0.0020446314,0.00014925678,0.0006405356,0.00014360556,0.17837791],"genre_scores_gemma":[0.956497,0.00002218066,0.00005892581,0.0031731355,0.0020959023,0.000056110428,0.000030322906,0.00003548584,0.03803091],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986197,0.000016542926,0.00020369283,0.00027750657,0.00014077009,0.0007418102],"domain_scores_gemma":[0.99889916,0.000047449834,0.000059569942,0.00028221266,0.00015678859,0.00055479293],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000100977835,0.00022238541,0.00030427065,0.0001245534,0.0007289962,0.000121555015,0.0001775701,0.00005870802,0.0019706814],"category_scores_gemma":[0.000043723354,0.0002009635,0.00005957496,0.0000031703094,0.0004646689,0.00014763714,0.00003959113,0.00023243061,0.00031566518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055036617,0.000042380598,0.0039989767,0.000031181462,0.0006283333,0.00006373626,0.8172483,3.1267638e-7,0.00003857143,0.1582163,0.019003253,0.00072317774],"study_design_scores_gemma":[0.00026311667,0.000038446604,0.0011121341,0.000012804266,0.000041286454,0.000003967194,0.059321996,0.000007909832,0.000010102934,0.029299986,0.9095635,0.00032474828],"about_ca_topic_score_codex":0.03441575,"about_ca_topic_score_gemma":0.8947088,"teacher_disagreement_score":0.89056027,"about_ca_system_score_codex":0.00020664776,"about_ca_system_score_gemma":0.00033953515,"threshold_uncertainty_score":0.99894166},"labels":[],"label_agreement":null},{"id":"W1498013278","doi":"","title":"Art Mûr, Scope, New York, March 6 – March 10, 2013Art Mûr, Scope, New York, March 6 – March 10, 2013","year":2013,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scope (computer science); Gerontology; Library science; Medicine; Computer science","score_opus":0.1133278991715482,"score_gpt":0.29537039644795404,"score_spread":0.18204249727640584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498013278","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017003245,0.009914506,0.0008933181,0.14098927,0.008257347,0.0051368126,0.001213234,0.0011904474,0.83070475],"genre_scores_gemma":[0.026902689,0.0015563081,0.0013348793,0.0030172535,0.008618417,0.00055545964,0.0019805825,0.00041693263,0.9556175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914503,0.00040218435,0.0016869896,0.0018264557,0.0015081947,0.00312586],"domain_scores_gemma":[0.9935036,0.0007434143,0.00041235154,0.002495826,0.00079761376,0.002047223],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00077261066,0.0013249763,0.0013623242,0.00088999345,0.0020488244,0.001836773,0.0018898717,0.00047682898,0.13567048],"category_scores_gemma":[0.00019685157,0.0012923128,0.0005993726,0.00012339524,0.0014178576,0.001657072,0.0010517238,0.0013318487,0.06056199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085949665,0.0004555367,0.00007854308,0.00021141821,0.00020266576,0.000023207225,0.006888339,0.000024500398,0.00008600144,0.11251051,0.8771377,0.0022956273],"study_design_scores_gemma":[0.0019055327,0.0004136388,0.00077446783,0.00057669677,0.00012183988,0.00003907746,0.0015972282,0.00029177437,0.00016325216,0.0094863335,0.98307854,0.0015516119],"about_ca_topic_score_codex":0.023740241,"about_ca_topic_score_gemma":0.021397684,"teacher_disagreement_score":0.13797203,"about_ca_system_score_codex":0.00023563714,"about_ca_system_score_gemma":0.0018505484,"threshold_uncertainty_score":0.9999502},"labels":[],"label_agreement":null},{"id":"W1504824242","doi":"10.21083/csieci.v4i2.965","title":"Listening to/at/with Marilyn Lerner’s \"They’re All in Families\"","year":2008,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Active listening; Psychology; Composition (language); Communication; Art; Literature","score_opus":0.18593417311921914,"score_gpt":0.3786091678529462,"score_spread":0.19267499473372704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504824242","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90789247,0.0006858679,0.0013025661,0.011776733,0.0015224458,0.0022012463,0.0001686424,0.00064009754,0.07380994],"genre_scores_gemma":[0.9898749,0.0003425674,0.0013685286,0.0045378665,0.0007829354,0.0004584259,0.00008546536,0.00007839551,0.0024709275],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964179,0.00026115438,0.00094601413,0.0007651622,0.00056067534,0.0010490937],"domain_scores_gemma":[0.9978898,0.00091542426,0.000107195505,0.00037277857,0.00047623794,0.00023852526],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006941669,0.000483397,0.00062110357,0.00047194,0.00061683956,0.00014870035,0.00027309527,0.00017424568,0.0001289515],"category_scores_gemma":[0.0016014096,0.00044292532,0.00010524615,0.00002907931,0.0011397895,0.00094126415,0.0002786737,0.00041987788,0.00004081837],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018706196,0.0004958723,0.0053617894,0.00066690915,0.000102301674,0.00012932708,0.7254935,0.00012992162,0.00076516066,0.2561326,0.0033018054,0.007233738],"study_design_scores_gemma":[0.009850295,0.006761305,0.0793004,0.0020639105,0.00049102283,0.0002165231,0.38100296,0.006713998,0.0038517823,0.043814927,0.45938596,0.006546905],"about_ca_topic_score_codex":0.005029239,"about_ca_topic_score_gemma":0.08998421,"teacher_disagreement_score":0.45608416,"about_ca_system_score_codex":0.0014217919,"about_ca_system_score_gemma":0.0001913137,"threshold_uncertainty_score":0.99980223},"labels":[],"label_agreement":null},{"id":"W1507324348","doi":"","title":"LibGuides: Canadian Art: Intro: Start Here","year":2011,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06844335138081725,"score_gpt":0.24034160759902815,"score_spread":0.1718982562182109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507324348","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021069158,0.0008380872,0.000013095505,0.0015587129,0.0044908933,0.00030254424,0.0017699132,0.0002560373,0.99074966],"genre_scores_gemma":[0.0025187307,0.0003949599,0.00011668894,0.013906829,0.00914234,0.00003506398,0.0012911092,0.00015694836,0.9724373],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768436,0.000046760364,0.00054297375,0.00047753254,0.00025849833,0.0009898813],"domain_scores_gemma":[0.9982797,0.00005030144,0.00014833845,0.00065513013,0.00023852357,0.00062800944],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013977273,0.0005204827,0.00056506856,0.000352254,0.0005411402,0.000383483,0.00053492066,0.00035308144,0.08640426],"category_scores_gemma":[0.00004162913,0.0004488647,0.00024767226,0.0000018728425,0.00050018233,0.00024556555,0.000091924034,0.00052526477,0.00741252],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022131169,0.000016425072,0.000010950091,0.00007357159,0.00009281074,0.000029780716,0.027283326,1.07621425e-7,5.4078342e-8,0.17303662,0.79890865,0.0005455105],"study_design_scores_gemma":[0.00013303496,0.00007820028,0.0000049942614,0.000098478224,0.00008488224,0.0000046544665,0.002960279,0.0000073441365,0.0000055054197,0.014343987,0.98167545,0.00060319656],"about_ca_topic_score_codex":0.7209056,"about_ca_topic_score_gemma":0.99198836,"teacher_disagreement_score":0.27108276,"about_ca_system_score_codex":0.000209635,"about_ca_system_score_gemma":0.0011793495,"threshold_uncertainty_score":0.99979633},"labels":[],"label_agreement":null},{"id":"W1512981763","doi":"","title":"New Brunswick’s Mural Legacy: A Roundtable Forum","year":2014,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Royal University","funders":"","keywords":"Mural; Political science; History; Environmental ethics; Archaeology; Art history; Philosophy","score_opus":0.013319550840554974,"score_gpt":0.17259836318674376,"score_spread":0.1592788123461888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512981763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10689145,0.009391073,0.020313075,0.076924436,0.0020293456,0.00053492707,0.000056390993,0.0008875599,0.78297174],"genre_scores_gemma":[0.33598852,0.000111367226,0.0002579941,0.0012711604,0.00065173535,8.517119e-7,0.000020607893,0.000027313501,0.66167045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885285,0.000034445497,0.000129397,0.00024321639,0.00017689272,0.0005631941],"domain_scores_gemma":[0.999245,0.000045425913,0.00008169957,0.00030975894,0.00005842417,0.00025970515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007902719,0.0001900806,0.00021824127,0.000103334336,0.0008963951,0.00017283164,0.00024835128,0.00006886634,0.0008117521],"category_scores_gemma":[0.000012865933,0.0001981762,0.00014434673,0.0000055425594,0.000085099266,0.00089205854,0.0001504819,0.00013408922,0.00035021943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025886366,0.000020839088,0.0001508173,0.00000845744,0.000041327417,0.00004770574,0.009839761,0.000017920216,0.000021385915,0.69859946,0.28366113,0.007565333],"study_design_scores_gemma":[0.00072723004,0.00008617168,0.00011997788,0.0000124128765,0.00006076384,0.000036074765,0.0030913996,0.00064191985,0.000056955538,0.012425349,0.98248714,0.00025459996],"about_ca_topic_score_codex":0.18602544,"about_ca_topic_score_gemma":0.8894963,"teacher_disagreement_score":0.7034709,"about_ca_system_score_codex":0.0017613303,"about_ca_system_score_gemma":0.00011363277,"threshold_uncertainty_score":0.88881165},"labels":[],"label_agreement":null},{"id":"W1515711125","doi":"10.3138/tric.25.1_2.116","title":"<i>Life Without Instruction:</i> Artemisia, and the Lessons of Perspective","year":2004,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; Humanities; Ethnology; History","score_opus":0.0924991981904204,"score_gpt":0.33974495721541975,"score_spread":0.24724575902499935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515711125","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08256611,0.023342896,0.000008801155,0.19602545,0.0007417759,0.00061669276,0.00048658642,0.000009469143,0.6962022],"genre_scores_gemma":[0.9923874,0.0024627342,0.000013498819,0.000437414,0.00068125315,0.000013516847,0.0000026101682,0.000021938517,0.0039796378],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771476,0.0004018976,0.000303307,0.00025691147,0.000662899,0.00066021655],"domain_scores_gemma":[0.99866617,0.00040556074,0.00006170838,0.0003290589,0.00023564494,0.00030188603],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009119803,0.00015586543,0.00032906307,0.00011715966,0.00059883215,0.00007669319,0.00023042482,0.00005682403,0.00015939132],"category_scores_gemma":[0.00004933234,0.00011786432,0.000051052673,0.000019018174,0.003773088,0.00012577584,0.00011333,0.000674175,0.0000049393866],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014107735,0.000053742213,0.0003664235,0.00014523717,0.00008937869,0.000038562594,0.061037343,0.00019653756,0.000002691845,0.92760307,0.0033127093,0.0070132106],"study_design_scores_gemma":[0.004055991,0.00010604676,0.0001806464,0.0004101724,0.000040003382,0.000052951335,0.20171449,0.00020040921,0.00010675616,0.27400035,0.518909,0.00022319598],"about_ca_topic_score_codex":0.9984395,"about_ca_topic_score_gemma":0.99885935,"teacher_disagreement_score":0.9098213,"about_ca_system_score_codex":0.0016103287,"about_ca_system_score_gemma":0.00880634,"threshold_uncertainty_score":0.9989381},"labels":[],"label_agreement":null},{"id":"W1518114071","doi":"","title":"Panel 5: Written on the Body: Physical Subjectivity","year":2009,"lang":"en","type":"article","venue":"HELIN Digital Commons","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Epistemology; Philosophy","score_opus":0.07655419837146761,"score_gpt":0.2616335497117432,"score_spread":0.1850793513402756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518114071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33886966,0.000018205752,0.000015275662,0.005062979,0.00012305671,0.00012610067,0.0002179853,0.00012954263,0.6554372],"genre_scores_gemma":[0.97398245,0.0000022153195,8.897223e-7,0.0025913198,0.0010113313,0.0000073084393,0.000026775186,0.000014874553,0.022362832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918646,0.00003193621,0.00012585525,0.0001706148,0.00018043828,0.0003046919],"domain_scores_gemma":[0.999259,0.0002356385,0.000037665675,0.0003431725,0.000043924487,0.0000806019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000060448165,0.00015619252,0.00016147245,0.000029282244,0.00042184023,0.00040649273,0.00020617191,0.000027562779,0.00010964882],"category_scores_gemma":[0.000054081953,0.00010340881,0.00013959948,0.000002784176,0.00025694072,0.00024451435,0.000044866312,0.00021828483,0.000568071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002639902,0.0006660256,0.00013019494,0.0000045629363,0.000025368921,0.000010240962,0.022559118,0.000002884048,0.000032699398,0.9384534,0.03248329,0.005605825],"study_design_scores_gemma":[0.00026609097,0.00046665713,0.0030689482,0.00003075823,0.000022836737,0.0000048924435,0.0012528278,0.00038090427,0.00036285093,0.17802732,0.8157736,0.00034233657],"about_ca_topic_score_codex":0.00008674722,"about_ca_topic_score_gemma":0.0007130229,"teacher_disagreement_score":0.78329027,"about_ca_system_score_codex":0.000024706482,"about_ca_system_score_gemma":0.000022736343,"threshold_uncertainty_score":0.7301592},"labels":[],"label_agreement":null},{"id":"W1518891057","doi":"","title":"Haute Culture: General Idea. A Retrospective, 1969-1994. Haute Culture: General Idea. A Retrospective, 1969-1994, Art Gallery of Ontario, Toronto, July 30, 2011 – January 1, 2012Haute Culture: General Idea. A Retrospective, 1969-1994, Art Gallery of Ontario, Toronto, July 30, 2011 – January 1, 2012","year":2012,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Retrospective cohort study; Medicine","score_opus":0.016150110809899056,"score_gpt":0.23630580642350116,"score_spread":0.2201556956136021,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518891057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10542318,0.058193136,0.0010075971,0.0013154892,0.022044688,0.008633811,0.0076152403,0.0019809385,0.7937859],"genre_scores_gemma":[0.10813778,0.0046100165,0.007216438,0.0032771975,0.01350325,0.00057914894,0.0021471146,0.0007368282,0.85979223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.981663,0.00091062824,0.0038802337,0.00403619,0.0040913294,0.0054186163],"domain_scores_gemma":[0.98847276,0.000094247385,0.003263,0.0040220623,0.0017795387,0.002368364],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0019061319,0.004289235,0.0054785945,0.0005321935,0.002302797,0.00084782555,0.002657814,0.0026482975,0.022532513],"category_scores_gemma":[0.00016581143,0.0038297696,0.003342758,0.00016031803,0.0022522782,0.0068282043,0.0013010491,0.0044286577,0.0015175584],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006831384,0.0019418995,0.019526646,0.00032630493,0.0029831983,0.00013042045,0.16956536,0.000115641116,0.002771242,0.030823566,0.7710754,0.00005715412],"study_design_scores_gemma":[0.0047231764,0.001600939,0.12801409,0.0004690781,0.0016166681,0.00019674738,0.0012169363,0.00010563331,0.0009923072,0.002162728,0.85473436,0.004167348],"about_ca_topic_score_codex":0.32668564,"about_ca_topic_score_gemma":0.74328405,"teacher_disagreement_score":0.4165984,"about_ca_system_score_codex":0.011620178,"about_ca_system_score_gemma":0.0028187437,"threshold_uncertainty_score":0.9992599},"labels":[],"label_agreement":null},{"id":"W1521250903","doi":"","title":"Rafael Lozano-Hemmer: Obra Sonora. Rafael Lozano-Hemmer: Obra Sonora, Carroll/Fletcher Gallery, London, September 26—November 1, 2014Rafael Lozano-Hemmer: Obra Sonora, Carroll/Fletcher Gallery, London, September 26—November 1, 2014","year":2015,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine; Art","score_opus":0.06269813734252952,"score_gpt":0.283296933224024,"score_spread":0.22059879588149447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521250903","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12868778,0.020122463,0.0020500529,0.061218295,0.034699164,0.011106012,0.005146618,0.0072193868,0.7297502],"genre_scores_gemma":[0.6383611,0.0011277935,0.0005250167,0.017948547,0.012051569,0.0012222899,0.002319855,0.0023654755,0.32407838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97884226,0.0012110661,0.0049034706,0.005125964,0.0032063718,0.0067108693],"domain_scores_gemma":[0.9834386,0.0011763966,0.0024494878,0.0056804847,0.0030591963,0.0041958136],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0022677546,0.004746743,0.004843463,0.0014255234,0.0031692788,0.0029193982,0.0032232024,0.002107686,0.025028009],"category_scores_gemma":[0.00039890734,0.004731531,0.0027697154,0.00031366516,0.0037150711,0.0043132952,0.0019276198,0.0034910622,0.02593062],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005632727,0.0022703563,0.0064897346,0.0005571317,0.0019805566,0.00030986549,0.023522204,0.00071792025,0.00067813054,0.03366063,0.9285479,0.00070226856],"study_design_scores_gemma":[0.010769502,0.00055399816,0.0010366013,0.0005685138,0.0009933597,0.00026359916,0.0056796037,0.0012321998,0.002533726,0.005304655,0.965401,0.005663267],"about_ca_topic_score_codex":0.012424259,"about_ca_topic_score_gemma":0.0546416,"teacher_disagreement_score":0.5096733,"about_ca_system_score_codex":0.0011112829,"about_ca_system_score_gemma":0.004115897,"threshold_uncertainty_score":0.99918777},"labels":[],"label_agreement":null},{"id":"W1523551749","doi":"","title":"Beyond the Margins: Re-Framing Canadian Art History","year":2000,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Framing (construction); History; Political science; Media studies; Environmental ethics; Aesthetics; Sociology; Art; Archaeology; Philosophy","score_opus":0.011789329462727795,"score_gpt":0.14614210123102753,"score_spread":0.13435277176829974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523551749","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019956926,0.007523117,0.0000049955524,0.017073682,0.00038219514,0.000097244854,0.00007333902,0.00007926427,0.95480925],"genre_scores_gemma":[0.14845383,0.0007134471,0.000021000835,0.0050326507,0.00042663352,0.0000029734622,0.00003250783,0.000023678263,0.8452933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908435,0.000036729703,0.00009982932,0.00018530981,0.00013844555,0.00045530693],"domain_scores_gemma":[0.9993394,0.000034645636,0.000040553867,0.00031363015,0.000038824368,0.00023293782],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009035436,0.00014330965,0.00013075749,0.00010019778,0.0011150899,0.00002822538,0.00025768016,0.000060473496,0.014092151],"category_scores_gemma":[0.00000513992,0.00013092355,0.00009900396,0.0000039523006,0.00025318636,0.00016473596,0.000036001482,0.00016182059,0.0010995576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011134209,0.000012268618,0.000024413737,0.000005297174,0.00003663972,0.00025964106,0.053074844,0.000017505005,0.000003202552,0.11374399,0.8230356,0.009775481],"study_design_scores_gemma":[0.00021085887,0.000022983722,0.00016556401,0.000007474471,0.000046914847,0.00002392251,0.003717854,0.00020248692,0.0000022134486,0.0017578639,0.99366766,0.00017422189],"about_ca_topic_score_codex":0.49258664,"about_ca_topic_score_gemma":0.9938733,"teacher_disagreement_score":0.5012867,"about_ca_system_score_codex":0.006255267,"about_ca_system_score_gemma":0.00013114527,"threshold_uncertainty_score":0.9996782},"labels":[],"label_agreement":null},{"id":"W1524571256","doi":"10.3968/j.css.1923669720110703.005","title":"When Individuality Becomes a Plight in Richard Wright’s Black Boy and Albert Camus’ The Stranger","year":2011,"lang":"en","type":"article","venue":"Canadian social science","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Absurdity; Humanities; Wright; Honesty; Philosophy; Sociology; Meaning (existential); Ethnology; Psychoanalysis; Art; Art history; Theology; Epistemology; Psychology","score_opus":0.0816707819099192,"score_gpt":0.2485505617878505,"score_spread":0.16687977987793132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524571256","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27998048,0.0000793209,0.000002024733,0.0046696425,0.0003084646,0.00019667103,0.00010903855,0.000015685768,0.7146387],"genre_scores_gemma":[0.9841243,0.000006530276,0.000009397038,0.002224725,0.00028561437,0.000007247408,0.000001810545,0.0000061622027,0.013334208],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894285,0.000035206125,0.00012765061,0.0002084648,0.00017835673,0.0005074828],"domain_scores_gemma":[0.9995136,0.000020393214,0.000036573092,0.00011932136,0.000050764273,0.00025931638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039338454,0.000094538846,0.00011037621,0.00010248146,0.00096805877,0.00018410479,0.0003297459,0.000038950562,0.0006929982],"category_scores_gemma":[0.000023664841,0.00006983259,0.000028468829,0.00001148357,0.0021720857,0.0002692242,0.000039084516,0.000115983275,0.000037912203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.3251344e-7,0.000008194447,0.0065208143,0.000004110807,0.000004668706,0.0000048894394,0.70479125,7.731329e-9,0.00000211433,0.27795082,0.009999811,0.0007124013],"study_design_scores_gemma":[0.00014313655,0.00001567856,0.064013645,0.000007136189,0.00001260614,9.1506695e-7,0.027173957,0.000010121835,0.000021133017,0.026982073,0.8814051,0.00021445846],"about_ca_topic_score_codex":0.3410762,"about_ca_topic_score_gemma":0.93835765,"teacher_disagreement_score":0.8714053,"about_ca_system_score_codex":0.00015002767,"about_ca_system_score_gemma":0.0004090299,"threshold_uncertainty_score":0.800314},"labels":[],"label_agreement":null},{"id":"W1526083894","doi":"","title":"Ghost Dance: Activism. Resistance. Art., Ryerson Image Centre, Toronto, 18 September to 15 December 2013Ghost Dance: Activism. Resistance. Art., Ryerson Image Centre, Toronto, 18 September to 15 December 2013","year":2014,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Resistance (ecology); Art history; Art; Visual arts; Media studies; Sociology","score_opus":0.02130918482935142,"score_gpt":0.2586787527263219,"score_spread":0.23736956789697047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526083894","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028773467,0.002649319,0.0018956488,0.0005140551,0.0036369606,0.002907199,0.0020941307,0.00076989445,0.98265547],"genre_scores_gemma":[0.007935488,0.0004801832,0.0070103547,0.02048154,0.0043188864,0.0005055865,0.0011786157,0.0005611588,0.9575282],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98858327,0.0006636721,0.0017954713,0.0031616234,0.0018734082,0.003922573],"domain_scores_gemma":[0.99192727,0.00040682545,0.0009674969,0.0029722904,0.0014741486,0.0022519655],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001086563,0.0023597465,0.0022439403,0.00020779944,0.0018793085,0.0018472398,0.0015336795,0.000942359,0.40853286],"category_scores_gemma":[0.00037013047,0.00225906,0.0008570726,0.00012832567,0.000761941,0.0044845277,0.00062452815,0.0012889878,0.011529717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00080042705,0.00076354685,0.00010382296,0.00043964127,0.00044747783,0.00006206427,0.016271953,0.000051949064,0.0062316763,0.0077070957,0.9669443,0.00017606592],"study_design_scores_gemma":[0.0028497034,0.00019021433,0.00021734867,0.00093070563,0.00046417018,0.000017117289,0.00853068,0.00025072365,0.004287954,0.00086574233,0.9784906,0.0029050382],"about_ca_topic_score_codex":0.0030406257,"about_ca_topic_score_gemma":0.11067678,"teacher_disagreement_score":0.39700314,"about_ca_system_score_codex":0.002065683,"about_ca_system_score_gemma":0.00049162825,"threshold_uncertainty_score":0.9994201},"labels":[],"label_agreement":null},{"id":"W1527677462","doi":"","title":"\"The Solemn Geography of Human Limits\": Some Notes on Art, Space and Gender","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Heterotopia (medicine); Sociology; Space (punctuation); Aesthetics; Installation art; Contemporary art; Michel foucault; Epistemology; Politics; Art; Philosophy; Art history; Law; Performance art","score_opus":0.20928911393880953,"score_gpt":0.3599830337634632,"score_spread":0.15069391982465366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527677462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41986567,0.0031500887,0.0000054513703,0.0029896728,0.00015196635,0.00074862986,0.00021500773,0.000070521186,0.572803],"genre_scores_gemma":[0.9447879,0.00022867777,0.000015242577,0.00016772108,0.0007882633,0.00005598515,0.000008071745,0.00003467443,0.053913422],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981198,0.00010578427,0.0002633806,0.0002896752,0.00053190836,0.00068945537],"domain_scores_gemma":[0.9978938,0.001326695,0.000075226475,0.00038262695,0.00017053456,0.00015108634],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00080533174,0.00015943554,0.00020822033,0.00022427409,0.0021308982,0.00031740384,0.00030387036,0.000068516776,0.00020529306],"category_scores_gemma":[0.00014869258,0.00011238796,0.0001384796,0.000008441783,0.0021162292,0.00006480241,0.0000915229,0.00028949493,0.000053086605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010757279,0.00025759745,0.0010903171,0.00025572372,0.00013557181,0.0000070385618,0.12004854,0.0000017441678,0.00028227206,0.80091095,0.07438966,0.0025130427],"study_design_scores_gemma":[0.00035842083,0.000781672,0.00031762893,0.00003229746,0.000016245685,0.0000022022161,0.0039302986,0.00014603959,0.00052555697,0.028219659,0.96551955,0.00015041049],"about_ca_topic_score_codex":0.00014522615,"about_ca_topic_score_gemma":0.00052779826,"teacher_disagreement_score":0.8911299,"about_ca_system_score_codex":0.000019506919,"about_ca_system_score_gemma":0.000012421416,"threshold_uncertainty_score":0.9991682},"labels":[],"label_agreement":null},{"id":"W1529600238","doi":"","title":"From N. E. Thing Co. to Gold, Silver & Lead. Iain Baxter, N.E. Thing Co., Art Gallery of Ontario, Toronto. Jed Lind, Gold, Silver and Lead, Toronto Sculpture GardenIain Baxter, N.E. Thing Co., Art Gallery of Ontario, TorontoJed Lind, Gold, Silver and Lead, Toronto Sculpture Garden","year":2013,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Art gallery; Art history; Visual arts; Exhibition","score_opus":0.018588670241136942,"score_gpt":0.24243708319947266,"score_spread":0.2238484129583357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529600238","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51442885,0.022217514,0.00024185967,0.0020265721,0.0061865607,0.006396222,0.0011615168,0.0009001357,0.4464408],"genre_scores_gemma":[0.45092008,0.0007983048,0.0029708045,0.00459082,0.0044200346,0.00022680733,0.00072614447,0.0004968132,0.5348502],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98880124,0.00071876246,0.0024632942,0.0028746827,0.0024118242,0.0027301814],"domain_scores_gemma":[0.9927576,0.00056823157,0.0013357112,0.0025639334,0.0014053234,0.0013692086],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015147041,0.0025711039,0.0033661744,0.0002198797,0.0009945314,0.0014799279,0.0016192857,0.0018389967,0.016041184],"category_scores_gemma":[0.00040171517,0.0023449247,0.0012413528,0.00003467021,0.0010658697,0.004692536,0.00082072034,0.0021661315,0.0003121409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008594637,0.00051973824,0.002998155,0.00048068046,0.0013444246,0.00006822833,0.6046152,0.00014840781,0.005665696,0.00064710784,0.3816527,0.0010001819],"study_design_scores_gemma":[0.0059954594,0.0008848035,0.009528696,0.001664559,0.00077991595,0.000042624633,0.08171277,0.0002785927,0.0009610209,0.0003701706,0.8945091,0.0032723357],"about_ca_topic_score_codex":0.6638924,"about_ca_topic_score_gemma":0.9860592,"teacher_disagreement_score":0.5229024,"about_ca_system_score_codex":0.0060991454,"about_ca_system_score_gemma":0.0013263233,"threshold_uncertainty_score":0.99955666},"labels":[],"label_agreement":null},{"id":"W153124041","doi":"","title":"La société du spectacle / The Society of the Spectacle. Espace Sculpture, no. 105, 2013","year":2013,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Sculpture; Art; Political science; Visual arts; Law","score_opus":0.012741512162576246,"score_gpt":0.22529697134523125,"score_spread":0.212555459182655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W153124041","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024975978,0.029211018,0.00033695265,0.36874622,0.011622826,0.002775605,0.00071435585,0.00029502658,0.56132203],"genre_scores_gemma":[0.32492453,0.002286796,0.0002374699,0.005773856,0.0076068947,0.000055676985,0.00001687816,0.00013077239,0.65896714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962116,0.0005776936,0.00055324595,0.00064624386,0.00083446567,0.0011767356],"domain_scores_gemma":[0.996635,0.00039487134,0.0006138264,0.0013987296,0.00068409403,0.0002734611],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00057394564,0.000746923,0.0006731196,0.000047431324,0.0021555184,0.00066722883,0.0011785899,0.0006031303,0.007886699],"category_scores_gemma":[0.00017462827,0.00044855883,0.0017057837,0.0000363367,0.0033434143,0.0005839438,0.00054670515,0.0015963454,0.0018797857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000138667865,0.00019083866,0.00022480263,0.00020022517,0.00037497436,0.0000026196735,0.19042079,0.00006214068,0.00009168723,0.18131234,0.62658656,0.0005191527],"study_design_scores_gemma":[0.00072321174,0.00008480615,0.004004173,0.00023106208,0.0003056454,0.000023780814,0.04459947,0.000722561,0.00021788442,0.0039734426,0.94454485,0.00056913804],"about_ca_topic_score_codex":0.0073672775,"about_ca_topic_score_gemma":0.011292528,"teacher_disagreement_score":0.36297235,"about_ca_system_score_codex":0.00022653783,"about_ca_system_score_gemma":0.0003191316,"threshold_uncertainty_score":0.9997966},"labels":[],"label_agreement":null},{"id":"W1532140855","doi":"10.22230/cjc.2009v34n1a2197","title":"In Memoriam: Paul Attallah, 1954-2009","year":2009,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Philosophy","score_opus":0.04583791551497051,"score_gpt":0.26045100046741987,"score_spread":0.21461308495244935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532140855","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15007305,0.010086715,0.000112956026,0.07087105,0.0028146296,0.0002881624,0.00008178802,0.000024432025,0.76564723],"genre_scores_gemma":[0.99224013,0.00013797768,0.000113987,0.0024673434,0.0006668676,5.58024e-7,0.000009015832,0.000006804822,0.004357344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992978,0.00007352576,0.00031173465,0.00004292851,0.00008305041,0.00019093518],"domain_scores_gemma":[0.999153,0.00003339785,0.00015364948,0.00028502883,0.00015437501,0.00022052371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026858127,0.00007017841,0.00013483604,0.00021709771,0.00019991305,0.00009536285,0.0003602627,0.00003510391,0.00045752228],"category_scores_gemma":[0.000043220767,0.000068349436,0.00005313456,0.0000042409188,0.00012107999,0.00033269572,0.0000060586945,0.00022089406,0.000024827514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022004086,0.00009020472,0.0005863249,0.000009841187,0.000038770864,0.000084823354,0.258422,0.0000990536,0.00002920968,0.39118227,0.33792004,0.011515473],"study_design_scores_gemma":[0.0002570318,0.00007038945,0.0020326753,0.000048473583,0.000010469331,0.000023550689,0.0012821018,0.00003831877,0.00001799759,0.04194428,0.95418805,0.000086633256],"about_ca_topic_score_codex":0.011391353,"about_ca_topic_score_gemma":0.5627959,"teacher_disagreement_score":0.8421671,"about_ca_system_score_codex":0.00013458828,"about_ca_system_score_gemma":0.00038556696,"threshold_uncertainty_score":0.9951919},"labels":[],"label_agreement":null},{"id":"W1533204739","doi":"","title":"Réal Patry : Propriétés privées (Private Properties). Réal PATRY, Propriétés privées, Chantier Art 3 Event, Ateliers Jean Brillant, Montréal Spring 2012Réal PATRY, Propriétés privées, Chantier Art 3 Event, Ateliers Jean Brillant, Montréal Spring 2012","year":2013,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Spring (device); Event (particle physics); Art; Physics","score_opus":0.017961592238425826,"score_gpt":0.22557936859871186,"score_spread":0.20761777636028603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533204739","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6018316,0.22532679,0.009442621,0.06743377,0.04128695,0.02992759,0.0029793854,0.004147657,0.017623626],"genre_scores_gemma":[0.6827079,0.025281807,0.0019207848,0.0018733904,0.015110466,0.0010634061,0.00065662584,0.0015549244,0.26983067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9767401,0.0014729031,0.0045825085,0.004840973,0.004088741,0.008274727],"domain_scores_gemma":[0.98774683,0.00021692379,0.0029117716,0.0042797043,0.00160233,0.0032424491],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0025236774,0.0050096866,0.004571815,0.0013878878,0.004498895,0.0028893775,0.0024028448,0.0028754103,0.0032889268],"category_scores_gemma":[0.0006413739,0.0044330363,0.0028043776,0.00029142248,0.0030406166,0.0041230675,0.002869277,0.005044836,0.0073330845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006156054,0.009023821,0.06745659,0.01984181,0.014870149,0.0036348742,0.19079652,0.008056027,0.024791153,0.046969924,0.54058,0.06782309],"study_design_scores_gemma":[0.005759551,0.0013153045,0.0059190583,0.0040742885,0.0013352102,0.00037602405,0.006376377,0.0060786204,0.006275272,0.0010515618,0.95507574,0.0063629816],"about_ca_topic_score_codex":0.040890265,"about_ca_topic_score_gemma":0.047111228,"teacher_disagreement_score":0.41449577,"about_ca_system_score_codex":0.0016112193,"about_ca_system_score_gemma":0.0016171455,"threshold_uncertainty_score":0.99967253},"labels":[],"label_agreement":null},{"id":"W1537402724","doi":"10.3366/film.2002.0027","title":"Avant-Garde Meat","year":2002,"lang":"en","type":"article","venue":"Film-Philosophy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Avant garde; Food science; Art; Art history; Chemistry","score_opus":0.09613499330507906,"score_gpt":0.23788733702337347,"score_spread":0.14175234371829443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537402724","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017970154,0.00040831935,0.000021672586,0.0037435659,0.0013841203,0.00014580524,0.00019787309,0.00023052274,0.9920711],"genre_scores_gemma":[0.69922054,0.0000542512,0.000052867184,0.0030268652,0.003700819,0.0000119648275,0.00004166171,0.000038519625,0.29385254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987868,0.000032575157,0.0002461988,0.00027591301,0.00023970606,0.00041880342],"domain_scores_gemma":[0.999286,0.000038272174,0.00006573317,0.00037311512,0.00008622912,0.00015062564],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004878885,0.00021548024,0.00022516021,0.000094621,0.00042681728,0.00011313979,0.0002213006,0.00006796613,0.022202576],"category_scores_gemma":[0.00002650147,0.0001936312,0.00015359822,9.403926e-7,0.0003045936,0.00020726287,0.00006254546,0.0001772579,0.010046053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008305486,0.0001642951,0.000088424305,0.00005832962,0.00006304178,0.00003450593,0.13477373,0.0000056423005,0.000013076019,0.49461108,0.36961305,0.00056651497],"study_design_scores_gemma":[0.00029844674,0.000075252916,0.000036440655,0.000029932797,0.000025570429,0.0000051210204,0.00015448948,0.00035842863,0.00005552706,0.087880865,0.9108202,0.00025974854],"about_ca_topic_score_codex":0.00008877945,"about_ca_topic_score_gemma":0.0009852158,"teacher_disagreement_score":0.6982186,"about_ca_system_score_codex":0.000024858817,"about_ca_system_score_gemma":0.000009964289,"threshold_uncertainty_score":0.99072474},"labels":[],"label_agreement":null},{"id":"W15376243","doi":"10.1002/bem.20026","title":"Barbara McGill Balfour: Soft spots","year":2001,"lang":"en","type":"book","venue":"Bioelectromagnetics","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art; Printmaking; Minimalism (technical communication); Art history; Relation (database); Representation (politics); Melancholia; Visual arts; Abstraction; Glossary; Sculpture; Painting; Philosophy; Computer science; Linguistics; Psychology; Epistemology","score_opus":0.034490900696651665,"score_gpt":0.2251764644093977,"score_spread":0.19068556371274603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W15376243","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000060744005,0.0022633418,0.000021765027,0.000356567,0.0011530801,0.0003545,0.00083897734,0.00031863005,0.9946324],"genre_scores_gemma":[0.001785697,0.0010264971,0.00011459895,0.0021005445,0.0051593627,0.000019400193,0.0005197186,0.000199281,0.9890749],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997367,0.00004125642,0.00053831894,0.00058627734,0.00046409175,0.0010030341],"domain_scores_gemma":[0.9985312,0.00008788423,0.00023953659,0.000653733,0.00022468841,0.0002629542],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010419671,0.00066375965,0.00061561953,0.0002287127,0.0005454499,0.000175726,0.0004914363,0.000445374,0.0073010903],"category_scores_gemma":[0.000028855207,0.00066681026,0.00032379772,0.0000029867208,0.00062895234,0.000093411574,0.000114727976,0.0006351472,0.0014837387],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016202272,0.000084136365,0.0000010734046,0.00010159598,0.00011688634,0.000088814224,0.0030714949,6.1021905e-7,0.00006098095,0.2331475,0.75545865,0.007852031],"study_design_scores_gemma":[0.00029392657,0.0014777636,0.0000034841573,0.000063294305,0.00026949274,0.000031423187,0.00004282806,0.000055676675,0.000028429227,0.049155638,0.9478039,0.0007741259],"about_ca_topic_score_codex":0.00020913134,"about_ca_topic_score_gemma":0.003086029,"teacher_disagreement_score":0.19234525,"about_ca_system_score_codex":0.00024696655,"about_ca_system_score_gemma":0.0003838483,"threshold_uncertainty_score":0.9995783},"labels":[],"label_agreement":null},{"id":"W1539274690","doi":"10.25071/1916-4467.36272","title":"\"Art in Times of Conflict\"","year":2012,"lang":"en","type":"article","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University; York University","funders":"","keywords":"Sociology; Political science; History","score_opus":0.05496936539669309,"score_gpt":0.28671972629097797,"score_spread":0.23175036089428488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539274690","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3574704,0.018128732,0.000009129148,0.05802584,0.023808835,0.0015604646,0.001045662,0.000030537445,0.5399204],"genre_scores_gemma":[0.9593442,0.000062746345,0.000015111717,0.00048754597,0.00077073934,0.000003517872,0.0000012634256,0.000006514616,0.039308358],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991855,0.000042993583,0.0003227338,0.000031969797,0.00016829476,0.00024853327],"domain_scores_gemma":[0.9987463,0.000104666564,0.0005326728,0.000051998108,0.00048071588,0.00008368927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006168523,0.00006599447,0.00021959966,0.000115308554,0.00023013254,0.000021397667,0.00010507396,0.000033345517,0.000070156966],"category_scores_gemma":[0.0005752184,0.000044229666,0.00014884536,0.0000053357962,0.00007144813,0.00016481707,0.00001359274,0.00009628099,0.000006599642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030181761,0.000064136686,0.13931093,0.00003566235,0.00040951106,5.050018e-7,0.15923662,0.000011811684,0.000002119538,0.12690602,0.57393974,0.00007993629],"study_design_scores_gemma":[0.00031462422,0.00003157744,0.0066407933,0.000048071983,0.00008084988,0.0000015203867,0.008282036,0.000010293415,0.000023290813,0.003116658,0.9813816,0.00006867494],"about_ca_topic_score_codex":0.007958621,"about_ca_topic_score_gemma":0.59661716,"teacher_disagreement_score":0.6018738,"about_ca_system_score_codex":0.0006901866,"about_ca_system_score_gemma":0.00013562737,"threshold_uncertainty_score":0.99864745},"labels":[],"label_agreement":null},{"id":"W154035455","doi":"","title":"Yoko Ono: Fly. Center for Contemporary Art, September 18 - October 26, 2008Center for Contemporary Art, September 18 - October 26, 2008","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Center (category theory); History; Art history; Art","score_opus":0.12942707667697656,"score_gpt":0.3043278800406667,"score_spread":0.17490080336369013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W154035455","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006552086,0.0026962042,0.0015546845,0.0016058568,0.0026570798,0.003472094,0.0029330764,0.00079140323,0.9777375],"genre_scores_gemma":[0.41972858,0.000064732645,0.0006145254,0.016793134,0.0031033698,0.00040112203,0.0012608662,0.00031742698,0.55771625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99560314,0.00012608572,0.0012898021,0.001044797,0.00045636282,0.0014798027],"domain_scores_gemma":[0.99746114,0.0002534875,0.00044683044,0.00087735534,0.00045730628,0.0005038988],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043844906,0.0009237732,0.0010596201,0.00029070888,0.0010389999,0.0005331,0.00042107416,0.0002903647,0.0063750795],"category_scores_gemma":[0.000052347354,0.00083426124,0.0009315033,0.0000176926,0.0007496346,0.0013579031,0.00011639583,0.00034445603,0.0025443325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003729442,0.0007535797,0.0007516303,0.00019093574,0.00027851202,0.00004803558,0.007899602,0.0000047538792,0.00004841023,0.006966518,0.98190564,0.0007794397],"study_design_scores_gemma":[0.0039095143,0.0005607287,0.0002602321,0.00027329777,0.00010894787,0.000033226712,0.00058024656,0.0002951556,0.00031912807,0.0073243547,0.98529834,0.00103681],"about_ca_topic_score_codex":0.00011605968,"about_ca_topic_score_gemma":0.0019386492,"teacher_disagreement_score":0.42002127,"about_ca_system_score_codex":0.00014071638,"about_ca_system_score_gemma":0.0002648304,"threshold_uncertainty_score":0.9994108},"labels":[],"label_agreement":null},{"id":"W1541040218","doi":"","title":"Robert Heinecken: Object Matter, Museum of Modern Art, New York, March 15 – June 22, 2014Robert Heinecken: Object Matter, Museum of Modern Art, New York, March 15 – June 22, 2014","year":2014,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Object (grammar); Art history; Art; History; Visual arts; Computer science; Artificial intelligence","score_opus":0.040186731968467365,"score_gpt":0.2636793494054577,"score_spread":0.2234926174369903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1541040218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009222103,0.01847995,0.04908087,0.18152311,0.026301974,0.0076400004,0.0043660332,0.0020865921,0.70129937],"genre_scores_gemma":[0.50050485,0.0005418776,0.0013242478,0.0043594385,0.0045086113,0.00019298145,0.0018903048,0.00059753185,0.48608017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911303,0.0004995589,0.0025749072,0.0018612377,0.0014744499,0.0024595652],"domain_scores_gemma":[0.9933028,0.0006889442,0.0011053676,0.003114211,0.0005326319,0.0012560285],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00088391424,0.0015943843,0.0023992558,0.0010240949,0.0008478015,0.00048143795,0.0017173017,0.0005387301,0.016270459],"category_scores_gemma":[0.00011866046,0.0015763985,0.0010197635,0.00010317316,0.0011613534,0.0010481813,0.00080869155,0.0011239109,0.0045432546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020846221,0.001075554,0.00042420148,0.0006990351,0.00046259735,0.000016831555,0.016014017,0.00069467694,0.0006692719,0.03177742,0.94730127,0.00065664045],"study_design_scores_gemma":[0.0034992704,0.00042645456,0.0006351304,0.00088382687,0.0003342667,0.00007630663,0.00073257514,0.0049904454,0.0009947356,0.02326921,0.9623848,0.0017729336],"about_ca_topic_score_codex":0.0071052494,"about_ca_topic_score_gemma":0.020796126,"teacher_disagreement_score":0.49128276,"about_ca_system_score_codex":0.00015746213,"about_ca_system_score_gemma":0.0008930366,"threshold_uncertainty_score":0.9996804},"labels":[],"label_agreement":null},{"id":"W1547215680","doi":"10.25071/1718-4657.36736","title":"A NECESSARY VIOLENCE: DECONSTRUCTING ANN HAMILTON’S TROPOS","year":2008,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia, Okanagan Campus","funders":"","keywords":"Relation (database); Event (particle physics); Repetition (rhetorical device); Hickey; Deconstruction (building); Gesture; Point (geometry); Art; Epistemology; Sociology; Computer science; Art history; Philosophy; Artificial intelligence; Linguistics; Engineering; Mathematics","score_opus":0.07719029140936236,"score_gpt":0.27002156922452286,"score_spread":0.19283127781516052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1547215680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8251673,0.00010758422,0.006997173,0.00036792306,0.003856939,0.00009532365,0.00003599386,0.00011947815,0.1632523],"genre_scores_gemma":[0.98760605,0.0002930644,0.00023101129,0.00041346747,0.0018367644,0.000007325673,0.0000035645178,0.000017594515,0.009591186],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879366,0.00006507743,0.00040146036,0.00017812455,0.00019066439,0.00037099308],"domain_scores_gemma":[0.9990548,0.000046554935,0.00018188669,0.00015721546,0.0003782847,0.00018125848],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000113125,0.00017055652,0.00019763915,0.00022472758,0.0017121872,0.00028555535,0.00022489512,0.00005475091,0.004138236],"category_scores_gemma":[0.000045201286,0.00015238034,0.00016214889,0.0000048258676,0.0006719046,0.00058290415,0.000033295633,0.0005774758,0.00014050683],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009403718,0.00036370198,0.013124624,0.000038422582,0.00042123825,0.0004469966,0.8550637,0.00005986166,0.0005696184,0.07133623,0.033060253,0.025421323],"study_design_scores_gemma":[0.0028618674,0.0011037678,0.0051029553,0.0012723528,0.00023469553,0.028227545,0.29289398,0.0057076346,0.0013885278,0.07378475,0.58560574,0.0018161641],"about_ca_topic_score_codex":0.0007557544,"about_ca_topic_score_gemma":0.0052772835,"teacher_disagreement_score":0.5621697,"about_ca_system_score_codex":0.000104296574,"about_ca_system_score_gemma":0.00024055185,"threshold_uncertainty_score":0.9995875},"labels":[],"label_agreement":null},{"id":"W154743696","doi":"","title":"Cyber / Espace / Public. Ciel variable : Art, photo, médias, culture, no. 95, 2013","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Public space; Visual arts; Art; Variable (mathematics); Art history; Geography; Computer graphics (images); Computer science; Architectural engineering; Engineering; Mathematics","score_opus":0.03440470762939398,"score_gpt":0.24463452370881217,"score_spread":0.21022981607941818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W154743696","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034144448,0.023288297,0.0011269186,0.0009969218,0.0103344,0.0031874937,0.0030142358,0.0008607563,0.9568495],"genre_scores_gemma":[0.00064224284,0.0060256748,0.0041835112,0.0732607,0.008723696,0.0010480324,0.0019312893,0.00046133256,0.90372354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9880193,0.00070110185,0.0021457982,0.0027064139,0.0015847314,0.004842693],"domain_scores_gemma":[0.99022204,0.00034929227,0.0011428685,0.002805362,0.0030544093,0.002426014],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0012253398,0.0025980233,0.0022937048,0.0003857658,0.003117234,0.0043449937,0.0021157074,0.0023289649,0.6650368],"category_scores_gemma":[0.0006894972,0.0024056956,0.0010622821,0.00018511178,0.0020288187,0.00450847,0.000905396,0.0030817466,0.03655677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053426873,0.0012615762,0.00008543347,0.00053854875,0.00071987516,0.00004935104,0.005198909,0.00014223685,0.0012213992,0.24032958,0.7502472,0.00015248958],"study_design_scores_gemma":[0.002685489,0.0004640526,0.000037280624,0.000649564,0.0007307287,0.00015068839,0.004688996,0.0038301987,0.0005600466,0.009015012,0.97411513,0.0030728187],"about_ca_topic_score_codex":0.013345111,"about_ca_topic_score_gemma":0.00040305417,"teacher_disagreement_score":0.62848,"about_ca_system_score_codex":0.00073949405,"about_ca_system_score_gemma":0.0013851837,"threshold_uncertainty_score":0.99921817},"labels":[],"label_agreement":null},{"id":"W1549374497","doi":"","title":"Condé and Beveridge : Class Works","year":2008,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Articulation (sociology); Perspective (graphical); Class (philosophy); Art; Art history; Sociology; Visual arts; Law; Philosophy; Political science; Epistemology","score_opus":0.05626517238404267,"score_gpt":0.2238792863483305,"score_spread":0.16761411396428783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549374497","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027725706,0.0011744143,0.000025359686,0.00020185013,0.00052931183,0.00013038472,0.0001197398,0.00010721149,0.997684],"genre_scores_gemma":[0.0014167727,0.0010027194,0.00001885381,0.0027907335,0.0022656217,0.000006070124,0.00015067929,0.00004625664,0.9923023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991807,0.000009705972,0.00019365389,0.00023128698,0.00013090612,0.0002537752],"domain_scores_gemma":[0.99951345,0.000050158134,0.00006813175,0.00020138088,0.000061810046,0.00010506278],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000029903977,0.00023576885,0.00029643087,0.00006372422,0.00028622654,0.00013356889,0.00009808129,0.00018319694,0.0032665627],"category_scores_gemma":[0.000004156278,0.00020109094,0.00008516751,2.043207e-7,0.0006726491,0.000110822635,0.00006965712,0.00022602627,0.00024058453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019491672,0.0000061031515,8.895559e-7,0.000021732329,0.000028807151,0.000011228204,0.015173166,4.4708283e-8,4.189196e-8,0.4148647,0.5691764,0.0007149663],"study_design_scores_gemma":[0.00016930203,0.000030950243,0.0000039011743,0.0000628484,0.000034046025,0.000009328841,0.00025682282,0.000014094667,9.820986e-7,0.015398598,0.9837448,0.00027433623],"about_ca_topic_score_codex":0.00019425242,"about_ca_topic_score_gemma":0.006366604,"teacher_disagreement_score":0.4145684,"about_ca_system_score_codex":0.000045995166,"about_ca_system_score_gemma":0.00016071039,"threshold_uncertainty_score":0.9976446},"labels":[],"label_agreement":null},{"id":"W1549948154","doi":"10.4000/cei.1997","title":"The Pleasures and Perils of Curating an Exhibition: Miró at the George R. Gardiner Museum of Ceramic Art in Toronto","year":2014,"lang":"en","type":"article","venue":"Cahiers d’études italiennes","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Royal Alberta Museum; Royal Ontario Museum; Toronto Public Health","funders":"","keywords":"Exhibition; Catalan; George (robot); Sculpture; Painting; Art; Irish; Visual arts; Art history; Humanities; Philosophy","score_opus":0.017868153513340364,"score_gpt":0.24098176802740673,"score_spread":0.22311361451406636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549948154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9035776,0.0010377914,0.00000954884,0.0003821763,0.0002230756,0.00016990384,0.000043711618,0.000020805264,0.09453534],"genre_scores_gemma":[0.9931449,0.000107578235,0.000011085474,0.00017571988,0.00025763237,0.00001599951,0.000015659583,0.000018395927,0.0062529906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989974,0.00011483121,0.0003039455,0.00017158846,0.00015873458,0.00025349847],"domain_scores_gemma":[0.9992308,0.00021334924,0.00013464742,0.00027937326,0.000088732195,0.0000530967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040699323,0.00014211937,0.0002075689,0.000024144527,0.0004986418,0.000073213734,0.00015487862,0.00005371708,0.00016361586],"category_scores_gemma":[0.00009420853,0.00008559886,0.000069697824,0.0000030607669,0.0013898633,0.0002481075,0.000056076744,0.00008870933,0.0000026301282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000385568,0.000071238086,0.00064689456,0.0000888628,0.00004920788,0.0000012347774,0.20361869,0.000015620502,0.0013018223,0.790811,0.0024509092,0.00090597686],"study_design_scores_gemma":[0.000975738,0.00046544868,0.004915574,0.00015515689,0.00009094356,0.00001810272,0.20139296,0.0008657096,0.0019734732,0.008034562,0.7805933,0.0005190352],"about_ca_topic_score_codex":0.00117358,"about_ca_topic_score_gemma":0.17259663,"teacher_disagreement_score":0.7827764,"about_ca_system_score_codex":0.000071293165,"about_ca_system_score_gemma":0.000017962879,"threshold_uncertainty_score":0.84250134},"labels":[],"label_agreement":null},{"id":"W1551940164","doi":"","title":"The visual arts in Canada : the twentieth century","year":2010,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Sculpture; Art history; Modern art; Modernism (music); Art; Postmodernism; Carr; Visual culture; Art world; Contemporary art; Framing (construction); History; Visual art of the United States; History of art; Visual arts; Performance art; Architecture; Literature; Archaeology","score_opus":0.02461653370650034,"score_gpt":0.22559453726327758,"score_spread":0.20097800355677725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551940164","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010205344,0.0005360493,0.0000011192142,0.0012709997,0.0042008767,0.00022265592,0.00006897138,0.000019974294,0.9935773],"genre_scores_gemma":[0.011062028,0.00024538633,9.537473e-7,0.0029099386,0.0021589554,0.000013862223,0.000051390845,0.000032974,0.9835245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886346,0.000026529304,0.00025557168,0.0001727931,0.00028448546,0.00039715975],"domain_scores_gemma":[0.9992592,0.00019529769,0.000097319244,0.00032539852,0.00005770385,0.000065096465],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013773389,0.00021057048,0.00018284419,0.00002651882,0.0006315301,0.00019304125,0.0003368273,0.000085767126,0.0022685686],"category_scores_gemma":[0.000011462977,0.00010401421,0.00008005936,5.134842e-7,0.0003681851,0.000042639098,0.00009380894,0.0006970943,0.00006885233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020093466,0.0000057029215,0.0000047374774,0.000008312378,0.000021078176,0.000005933457,0.0099451225,1.7756454e-7,7.312976e-8,0.38143945,0.6067613,0.0018061295],"study_design_scores_gemma":[0.00006828304,0.000008911288,0.000022508715,0.000016678463,0.000017095565,0.0000010545065,0.0023924594,0.00002204798,0.000001409557,0.013651439,0.98363626,0.00016182342],"about_ca_topic_score_codex":0.8965102,"about_ca_topic_score_gemma":0.99985427,"teacher_disagreement_score":0.376875,"about_ca_system_score_codex":0.000257077,"about_ca_system_score_gemma":0.0026070494,"threshold_uncertainty_score":0.9986435},"labels":[],"label_agreement":null},{"id":"W1552850405","doi":"10.1080/14714780903300064","title":"<i>J.W. Waterhouse: The Modern Pre-Raphaelite</i>, Royal Academy of Arts, London, 27 June–13 September 2009<i>J.W. Waterhouse: The Modern Pre-Raphaelite,</i>exhibition catalogue with essays by Elizabeth Prettejohn, Peter Trippi, Robert Upstone and Patty Wageman","year":2009,"lang":"en","type":"article","venue":"Visual Culture in Britain","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art; Art history; The arts; Visual arts","score_opus":0.012875281964758628,"score_gpt":0.2528042890593595,"score_spread":0.23992900709460085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552850405","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9332507,0.022533376,0.002849466,0.008091642,0.00069049443,0.00539077,0.0023867234,0.0007466324,0.024060195],"genre_scores_gemma":[0.9541744,0.0005963673,0.00007729214,0.005201556,0.0006876868,0.000144263,0.0005183959,0.00013481683,0.038465235],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99530333,0.00046287413,0.0010881791,0.0009874238,0.0009624753,0.001195696],"domain_scores_gemma":[0.9983271,0.00014361336,0.00040827345,0.00059307826,0.0002775494,0.00025039556],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00095803855,0.00085875427,0.0008250091,0.00015508107,0.0007140488,0.00046624808,0.00064805604,0.00039902743,0.00009755582],"category_scores_gemma":[0.000036694128,0.00048802933,0.00024773873,0.000047024627,0.0011889176,0.00075711124,0.0001708687,0.0010530276,0.000015012165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001253796,0.0017549347,0.001581997,0.0005450869,0.00048971234,0.000062341234,0.5688961,0.0016320912,0.003401628,0.006716031,0.40855652,0.0051097237],"study_design_scores_gemma":[0.0077574505,0.0018547059,0.004019554,0.0011553544,0.00079444493,0.00022797048,0.002837329,0.016351288,0.008384486,0.057286352,0.8963479,0.0029831964],"about_ca_topic_score_codex":0.00223751,"about_ca_topic_score_gemma":0.010810061,"teacher_disagreement_score":0.5660588,"about_ca_system_score_codex":0.00010241489,"about_ca_system_score_gemma":0.00005609242,"threshold_uncertainty_score":0.9997571},"labels":[],"label_agreement":null},{"id":"W1552987761","doi":"","title":"In the modern age","year":2014,"lang":"en","type":"book","venue":"Bloomsbury eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Beauty; Ideal (ethics); Art; History; Media studies; Sociology; Law; Political science; Aesthetics","score_opus":0.04923656511809141,"score_gpt":0.2386970783785078,"score_spread":0.18946051326041638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552987761","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037250426,0.00049673894,0.000021654298,0.00015132937,0.00069413456,0.00036790178,0.00008135785,0.0000741266,0.9980755],"genre_scores_gemma":[0.0036889925,0.000015215783,0.000008478659,0.007734078,0.0048213503,0.000055855537,0.000071540184,0.000083364415,0.9835211],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843746,0.00008621826,0.00036652113,0.00033443322,0.0003302311,0.00044510464],"domain_scores_gemma":[0.99898756,0.00012625624,0.00012427766,0.00065340544,0.000041880445,0.00006664112],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00026869387,0.00036558358,0.00041086547,0.00013490567,0.00025637436,0.00020603172,0.0005602594,0.00021441831,0.0005420538],"category_scores_gemma":[0.000009203927,0.00026442745,0.00021053571,2.500641e-7,0.0005895085,0.000049292772,0.00008476079,0.00058181974,0.0003829194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048952834,0.000023472296,3.6256176e-7,0.00006523568,0.00002700909,0.00011062859,0.13739671,3.463796e-7,0.0000011289682,0.46476504,0.3946424,0.0029627662],"study_design_scores_gemma":[0.00017691118,0.000033251472,0.0000011263843,0.000057674777,0.000048428752,0.000005894116,0.00009084373,0.000020588768,0.0000021110427,0.32349533,0.67583424,0.00023360152],"about_ca_topic_score_codex":0.00025590372,"about_ca_topic_score_gemma":0.012637516,"teacher_disagreement_score":0.28119186,"about_ca_system_score_codex":0.00006129846,"about_ca_system_score_gemma":0.00016261768,"threshold_uncertainty_score":0.9999808},"labels":[],"label_agreement":null},{"id":"W1554235032","doi":"10.3138/topia.21.224","title":"Painting the Valley","year":2009,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Art; Visual arts","score_opus":0.10359252592580294,"score_gpt":0.2869945201171478,"score_spread":0.1834019941913449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554235032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48853946,0.025110546,0.0000124950475,0.094737284,0.0034504333,0.0002250373,0.00002461821,0.000034580025,0.38786554],"genre_scores_gemma":[0.96942294,0.00015581811,0.000023375433,0.0031090872,0.0019675374,4.6009805e-7,4.884278e-7,0.0000036001768,0.02531671],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993271,0.000032688207,0.00022843343,0.000050103004,0.000105190455,0.0002564545],"domain_scores_gemma":[0.999317,0.00003764784,0.0001169093,0.00006207629,0.00032405372,0.00014233675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017806118,0.00009202721,0.00016726412,0.000037705722,0.0008327925,0.00013701283,0.00015756158,0.000014929168,0.00017013795],"category_scores_gemma":[0.000120441575,0.000047190235,0.000105566454,0.0000021474918,0.00027098454,0.00016877944,0.000006514987,0.00014384474,0.000012364547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038370044,0.000006385466,0.00025360694,0.000008031327,0.0001961509,0.00005392421,0.6450131,0.000014629552,0.0000064399724,0.20460497,0.14070685,0.009132066],"study_design_scores_gemma":[0.00011228372,0.00008831169,0.0013247291,0.00003835043,0.000037820562,0.000029095554,0.048788194,0.0000027980896,0.000011396707,0.010324067,0.93915623,0.00008671625],"about_ca_topic_score_codex":0.0065372665,"about_ca_topic_score_gemma":0.3411968,"teacher_disagreement_score":0.7984494,"about_ca_system_score_codex":0.000070845,"about_ca_system_score_gemma":0.000105358595,"threshold_uncertainty_score":0.9882435},"labels":[],"label_agreement":null},{"id":"W1556536425","doi":"10.26181/29397950","title":"Surrealism and Dream: Chris Van Allsburg's Picturebooks","year":2003,"lang":"en","type":"article","venue":"Open MIND","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dream; Art; Art history; Psychoanalysis; Psychology; Psychotherapist","score_opus":0.08498962739703468,"score_gpt":0.29024772810264704,"score_spread":0.20525810070561235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556536425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064138696,0.00015164727,0.00002449123,0.00016172152,0.00026549833,0.00022016013,0.00006722626,0.000003803925,0.93496674],"genre_scores_gemma":[0.7575729,0.000019148116,0.00024797983,0.00046221886,0.0002699821,0.000007673141,0.00002059644,0.000017366503,0.24138212],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992292,0.000042986267,0.00015449194,0.00022369262,0.00009399867,0.00025561708],"domain_scores_gemma":[0.99955034,0.000034460398,0.00004831417,0.00020811957,0.0000405782,0.00011815945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001649496,0.00013416605,0.00016934387,0.000033883272,0.0003063629,0.00041357597,0.00016267305,0.000044573866,0.0098106805],"category_scores_gemma":[0.000018580304,0.000114677045,0.000034594654,8.9452305e-7,0.0002119547,0.00017843435,0.000069931884,0.000090868154,0.00024029745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026262742,0.00018398967,0.00044692564,0.000024607272,0.00014824788,0.000055615837,0.5775933,0.0000024214714,0.00015878203,0.30320624,0.042670146,0.07548341],"study_design_scores_gemma":[0.0003407378,0.00004005263,0.00007711694,0.000011591258,0.000025887219,0.000007756437,0.0020508121,0.000007283322,0.0006023983,0.00952859,0.9871365,0.00017129074],"about_ca_topic_score_codex":0.0010112721,"about_ca_topic_score_gemma":0.0072976155,"teacher_disagreement_score":0.94446635,"about_ca_system_score_codex":0.00001297025,"about_ca_system_score_gemma":0.00004987341,"threshold_uncertainty_score":0.99109447},"labels":[],"label_agreement":null},{"id":"W1560139566","doi":"","title":"« La danse infidèle des vagues ». BLOW UP, Exposition des oeuvres récentes de Fabrizio Perozzi, Galerie Joyce Yahouda, Montréal, du 15 novembre 2012 au 15 janvier 2013BLOW UP, Exposition des oeuvres récentes de Fabrizio Perozzi, Galerie Joyce Yahouda, Montréal, du 15 novembre 2012 au 15 janvier 2013","year":2013,"lang":"fr","type":"article","venue":"Spirale : arts • lettres • sciences humaines","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Art; Humanities; Literature","score_opus":0.03459770894677508,"score_gpt":0.24443506510760546,"score_spread":0.20983735616083038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560139566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8168557,0.12925449,0.0019491197,0.009776878,0.0037066983,0.0023238321,0.0017338538,0.00042464896,0.033974763],"genre_scores_gemma":[0.8257735,0.012383509,0.0032331734,0.006429172,0.0093689235,0.0009928013,0.000604428,0.00049436674,0.14072014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98561716,0.0012655448,0.0026731724,0.002705824,0.0021530874,0.0055852314],"domain_scores_gemma":[0.9921262,0.0011216525,0.001434391,0.0016937045,0.0016710352,0.0019529945],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.002274826,0.0027548769,0.0021151425,0.0011589207,0.0121577075,0.0045568217,0.002255337,0.0010086736,0.019834606],"category_scores_gemma":[0.0006095029,0.002596141,0.0012814794,0.00028276525,0.020259682,0.012234252,0.0009537794,0.001285265,0.0012603083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042024895,0.0029328077,0.05424014,0.0014453223,0.0007324521,0.0002516858,0.13356791,0.0017100371,0.013276335,0.019522248,0.75385326,0.018047567],"study_design_scores_gemma":[0.0046090297,0.0030414138,0.038879644,0.004558442,0.0011543614,0.000708868,0.05514241,0.0068991305,0.009439808,0.022010393,0.84780157,0.0057549584],"about_ca_topic_score_codex":0.2347046,"about_ca_topic_score_gemma":0.29952595,"teacher_disagreement_score":0.116870984,"about_ca_system_score_codex":0.0013058156,"about_ca_system_score_gemma":0.0014163842,"threshold_uncertainty_score":0.9995173},"labels":[],"label_agreement":null},{"id":"W1566547956","doi":"","title":"Lorna Bauer, Grey is a Colour, Gray is a Color, Galerie Nicholas Robert, Montreal, 24 November 2012 to 19 January 2013Lorna Bauer, Grey is a Colour, Gray is a Color, Galerie Nicholas Robert, Montreal, 24 November 2012 to 19 January 2013","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gray (unit); Art history; Cartography; Art; Geography; Medicine","score_opus":0.02613091198494332,"score_gpt":0.24518358385029296,"score_spread":0.21905267186534963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566547956","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030555407,0.01329203,0.00040632332,0.006887969,0.006980026,0.011370345,0.01125675,0.0011420905,0.91810906],"genre_scores_gemma":[0.0041937986,0.0023973582,0.0018582671,0.25371677,0.0025212856,0.0034927118,0.00089023774,0.0005580555,0.73037153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.984396,0.0006254849,0.0031728938,0.004146718,0.002287738,0.0053712144],"domain_scores_gemma":[0.9864735,0.0005892098,0.0014496555,0.0038145226,0.0027372034,0.0049358904],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0012089784,0.003582711,0.0035910069,0.00096350315,0.002974411,0.0029638698,0.00280044,0.002110309,0.3236284],"category_scores_gemma":[0.00044502888,0.0032742282,0.0016034537,0.00044800385,0.0012057382,0.0054649594,0.0015212814,0.0029000142,0.016887944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084642094,0.0023556019,0.0006180486,0.00037790442,0.0014042585,0.00013631319,0.038155437,0.00017450494,0.0019656927,0.0016787848,0.9520702,0.00021683359],"study_design_scores_gemma":[0.0056733377,0.0014690742,0.000793346,0.00055605883,0.0010955397,0.00018936725,0.0036248493,0.0014200544,0.0011369304,0.0027492922,0.97728926,0.004002888],"about_ca_topic_score_codex":0.09848074,"about_ca_topic_score_gemma":0.033605028,"teacher_disagreement_score":0.30674046,"about_ca_system_score_codex":0.0010693027,"about_ca_system_score_gemma":0.001393971,"threshold_uncertainty_score":0.9994003},"labels":[],"label_agreement":null},{"id":"W1566701388","doi":"","title":"Andrea Carvalho, Made to Measure: and more ideas on space. Andrea CARVALHO, Made to Measure: and more ideas on space, The Latcham Gallery, Stouffville, Ontario, November 3 – December 8, 2012, Curated by Chai DuncanAndrea CARVALHO, Made to Measure: and more ideas on space, The Latcham Gallery, Stouffville, Ontario, November 3 – December 8, 2012, Curated by Chai Duncan","year":2013,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Measure (data warehouse); Space (punctuation); Art history; Art; Computer science; Data mining","score_opus":0.020099829737877734,"score_gpt":0.2306067263277381,"score_spread":0.21050689658986035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566701388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8116539,0.0074249655,0.00020128235,0.107965924,0.0029384736,0.012129188,0.0025707106,0.0008372388,0.054278288],"genre_scores_gemma":[0.69635224,0.0004998484,0.00016656471,0.020143025,0.00156622,0.0010988313,0.000498363,0.0008159738,0.27885893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.984654,0.0009807106,0.0017982076,0.004050213,0.004324935,0.0041919146],"domain_scores_gemma":[0.9893186,0.00063160656,0.0009625485,0.0034574196,0.0019969654,0.0036328267],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0018733449,0.0039596315,0.0031811977,0.00087734783,0.0031856054,0.0022691446,0.0015126817,0.0016127428,0.0028381587],"category_scores_gemma":[0.000524807,0.0028458713,0.0007844527,0.00046932118,0.0016610526,0.001564834,0.000994927,0.0038062998,0.00055791135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021879189,0.0006922814,0.004189565,0.00015718151,0.0015970588,0.00012300222,0.13022053,0.00090430415,0.0019501946,0.00492964,0.85238427,0.000664077],"study_design_scores_gemma":[0.007014931,0.001607614,0.036103107,0.0012556573,0.00106849,0.0002544955,0.015818287,0.00033649267,0.0010654557,0.00061482884,0.93010545,0.0047552176],"about_ca_topic_score_codex":0.27888298,"about_ca_topic_score_gemma":0.8847681,"teacher_disagreement_score":0.60588515,"about_ca_system_score_codex":0.0017701599,"about_ca_system_score_gemma":0.0012095585,"threshold_uncertainty_score":0.9996834},"labels":[],"label_agreement":null},{"id":"W1570600878","doi":"","title":"Is Feminism Dead? Where Do We Go From Here","year":2008,"lang":"en","type":"article","venue":"Thirdspace","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feminism; Framing (construction); Consciousness; Sociology; Gender studies; History; Epistemology; Philosophy","score_opus":0.06856111931446776,"score_gpt":0.2616764554414049,"score_spread":0.19311533612693713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570600878","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11240963,0.010004626,0.00012731779,0.011273479,0.001137464,0.00021298083,0.00040727414,0.00038760665,0.8640396],"genre_scores_gemma":[0.63997704,0.0012408021,0.00016042378,0.0013844972,0.001506925,0.000008097939,0.000010478185,0.00003989208,0.35567182],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881715,0.000035975532,0.00019169913,0.00029720127,0.0002498818,0.00040809315],"domain_scores_gemma":[0.9991967,0.000072513794,0.0000794312,0.00042420445,0.00007415013,0.0001529984],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000054654167,0.00022137002,0.0002504093,0.000041660565,0.0005483807,0.00010344686,0.0002272011,0.000098513294,0.0061022015],"category_scores_gemma":[0.000009332945,0.0001983961,0.00012482637,0.0000025751629,0.00038287262,0.00018733801,0.00007688522,0.00022173567,0.0027453566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011901093,0.000060255777,0.00056292134,0.000021414242,0.00005619114,0.000044488363,0.48395228,9.5083e-7,0.000039225353,0.05175268,0.46270204,0.0007956798],"study_design_scores_gemma":[0.00033517132,0.000046994493,0.00018077064,0.00005903258,0.00002885417,0.000007990717,0.010303765,0.000034243654,0.00032221634,0.017672691,0.9707301,0.0002781582],"about_ca_topic_score_codex":0.0035154487,"about_ca_topic_score_gemma":0.0072456743,"teacher_disagreement_score":0.52756745,"about_ca_system_score_codex":0.000039418843,"about_ca_system_score_gemma":0.00007405673,"threshold_uncertainty_score":0.99803114},"labels":[],"label_agreement":null},{"id":"W1572360589","doi":"10.15210/interfaces.v6i1.6920","title":"CRUZAMENTOS E TENSÕES: MESTIÇAGENS NA ARTE CONTEMPORÂNEA NO BRASIL E NO CANADÁ.","year":2012,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.043031941393646675,"score_gpt":0.2576436325611764,"score_spread":0.2146116911675297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1572360589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020678677,0.0033945437,0.00076348294,0.012005195,0.012570371,0.0017008159,0.001481662,0.0007379843,0.94666725],"genre_scores_gemma":[0.919308,0.0002997748,0.00035468698,0.0019198089,0.0078038573,0.00025169976,0.0005076002,0.00019807927,0.069356464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921335,0.0007121954,0.0016769257,0.0012214893,0.0015096018,0.002746315],"domain_scores_gemma":[0.9936312,0.00043707583,0.000914795,0.0013022205,0.0015995317,0.0021152173],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010430608,0.0012826183,0.001222132,0.00062216254,0.0028293715,0.00092149264,0.0010285272,0.0009043647,0.0014164975],"category_scores_gemma":[0.0009164025,0.0012676273,0.00068125944,0.00006717857,0.00019228135,0.0014704057,0.00045249218,0.0013400476,0.0011533884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027338325,0.0015536288,0.0012161604,0.0003975556,0.00076666207,0.00021728268,0.056122236,0.000010356841,0.0007798651,0.8772406,0.061023857,0.0003984072],"study_design_scores_gemma":[0.0017771279,0.00022742999,0.002302306,0.00037139692,0.00039485382,0.0006126591,0.0035271575,0.00052862463,0.00022996259,0.00017897278,0.98840994,0.001439571],"about_ca_topic_score_codex":0.00014418857,"about_ca_topic_score_gemma":0.0076692253,"teacher_disagreement_score":0.9273861,"about_ca_system_score_codex":0.0015866698,"about_ca_system_score_gemma":0.0016331039,"threshold_uncertainty_score":0.99999255},"labels":[],"label_agreement":null},{"id":"W1575373295","doi":"10.1057/fr.2010.7","title":"Book Review: Radical Gestures: Feminism and Performance Art in North America","year":2010,"lang":"en","type":"article","venue":"Feminist Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill-Queen's University Press","funders":"","keywords":"Feminism; Cultural studies; Gesture; Gender studies; Human sexuality; Sociology; Art; Anthropology; Philosophy; Linguistics","score_opus":0.020620733759153805,"score_gpt":0.2593451281633868,"score_spread":0.238724394404233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575373295","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005695703,0.7703012,0.0000014079361,0.00393424,0.0003577343,0.0006185926,0.000045635963,0.000056177494,0.22411539],"genre_scores_gemma":[0.004461927,0.8133678,0.00006183425,0.13411479,0.00052394124,0.000102374666,0.00007653508,0.000026620168,0.047264166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852437,0.000050748735,0.00053377426,0.00031996056,0.00020291346,0.00036822728],"domain_scores_gemma":[0.999126,0.00007233742,0.00015790424,0.00042505603,0.000041623858,0.00017707184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002588002,0.00024451487,0.00060737325,0.00004196247,0.00020781261,0.000054343236,0.00022628075,0.000049983446,0.0037533857],"category_scores_gemma":[0.0000977023,0.00019418071,0.000102932856,0.000008413647,0.0006763082,0.00013971595,0.000074374715,0.0004869367,0.00057030254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028824034,0.000055086122,0.00039210753,0.0069167456,0.000010050569,0.000016421565,0.0066200225,1.0528937e-8,6.1934355e-7,0.0014410267,0.96608484,0.018460194],"study_design_scores_gemma":[0.00012701635,0.00007539007,0.00035479525,0.004430023,0.00006597345,0.00003679453,0.00004212889,0.0000067136393,0.0000011916776,0.000024619429,0.99458593,0.0002494284],"about_ca_topic_score_codex":0.000029416273,"about_ca_topic_score_gemma":0.00087859336,"teacher_disagreement_score":0.17685123,"about_ca_system_score_codex":0.000015137541,"about_ca_system_score_gemma":0.00007329238,"threshold_uncertainty_score":0.99715734},"labels":[],"label_agreement":null},{"id":"W1575481471","doi":"10.7202/1009296ar","title":"William Moylan. 2007. Understanding and Crafting the Mix : The Art of Recording. 2 éd. Burlington, MA : Focal Press, 2007. xxviii, 396 pp. ISBN 978-0-240-80755-3 (couverture souple)","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Media studies; Sociology","score_opus":0.04169551099757427,"score_gpt":0.23112958204924547,"score_spread":0.1894340710516712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575481471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31622386,0.07097606,0.02208548,0.14554879,0.16810061,0.002389334,0.0027351493,0.00012329586,0.27181742],"genre_scores_gemma":[0.9478007,0.0007166969,0.0001173968,0.0016365153,0.007246828,0.0000060178563,0.000005747855,0.000068435336,0.04240167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765486,0.00015412463,0.00086771505,0.00025568646,0.00029317988,0.00077442866],"domain_scores_gemma":[0.99761456,0.00038180425,0.0006079388,0.0003867852,0.0004270392,0.00058186543],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00080626976,0.00035251406,0.0004186528,0.00026725142,0.0021802476,0.00044411552,0.00046317317,0.00024168903,0.003334613],"category_scores_gemma":[0.000273694,0.00025475578,0.00035840186,0.000026310876,0.0020699876,0.00045021792,0.000057975303,0.0017862921,0.000016899798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003841299,0.00005122488,0.0008135685,0.000078917976,0.0004231879,0.00007074638,0.09222496,0.0001884377,0.000052042364,0.02951175,0.8749304,0.0016163506],"study_design_scores_gemma":[0.00041443706,0.00023834892,0.00025730746,0.0004298389,0.00035118026,0.00065961713,0.042735625,0.0013856849,0.000025193987,0.0051463326,0.9480777,0.0002787559],"about_ca_topic_score_codex":0.11192624,"about_ca_topic_score_gemma":0.82532144,"teacher_disagreement_score":0.7133952,"about_ca_system_score_codex":0.00036493916,"about_ca_system_score_gemma":0.00083089963,"threshold_uncertainty_score":0.99999046},"labels":[],"label_agreement":null},{"id":"W1575924840","doi":"","title":"The English Pug and the French Poodle","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sculpture; Art history; Visual arts","score_opus":0.021514178459897157,"score_gpt":0.19854358159635313,"score_spread":0.177029403136456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575924840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024141373,0.00034663762,0.000016052461,0.0032508038,0.0004661139,0.00017446367,0.0000043066234,0.000051320094,0.9715489],"genre_scores_gemma":[0.71850944,0.000052157076,0.0000054450206,0.0014932143,0.000748104,0.000021974223,9.85935e-7,0.0000049457735,0.27916375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956316,0.00002799508,0.000091031856,0.00007200108,0.00007481404,0.0001710289],"domain_scores_gemma":[0.9995163,0.00017969905,0.000020061547,0.00016625493,0.00008206961,0.000035614747],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011910506,0.00006159078,0.0000631501,0.0000073439505,0.0006844202,0.0004098017,0.00011010052,0.000014189914,0.0019171084],"category_scores_gemma":[0.000036930083,0.000024989096,0.000031230713,4.6138223e-7,0.0006608117,0.00011602939,0.000048727074,0.0000663157,0.00015239522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.7183354e-7,0.0000048465367,0.00004454784,0.0000014790088,0.000013674341,7.209065e-8,0.102653444,5.6424426e-8,2.7684428e-7,0.7786201,0.1175152,0.0011456925],"study_design_scores_gemma":[0.0002320563,0.000010429938,0.00047553107,0.0000014253934,0.000009639483,3.0507127e-7,0.009063388,0.00014520924,0.00000811968,0.08896555,0.9010374,0.00005094608],"about_ca_topic_score_codex":0.007851072,"about_ca_topic_score_gemma":0.020876065,"teacher_disagreement_score":0.7835222,"about_ca_system_score_codex":0.0000036511185,"about_ca_system_score_gemma":0.000009391162,"threshold_uncertainty_score":0.9989953},"labels":[],"label_agreement":null},{"id":"W1585044311","doi":"","title":"Cut & Paste: 21st-Century Collage","year":2011,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Humanities; Art; History","score_opus":0.03259780585138431,"score_gpt":0.24536403206064564,"score_spread":0.21276622620926133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585044311","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003066434,0.003812651,0.000030084313,0.00082181965,0.0041603413,0.0001998054,0.00008519563,0.00010568115,0.9904778],"genre_scores_gemma":[0.0078508435,0.003169544,0.000010719405,0.0076818983,0.0025231028,0.00003196945,0.00029023312,0.000051662155,0.97839004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787676,0.00017741976,0.00048085532,0.00052387995,0.00026706583,0.00067399984],"domain_scores_gemma":[0.99873656,0.0002623204,0.00017956748,0.000313679,0.00008521728,0.00042267394],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030762237,0.00038529903,0.00077111594,0.00018104567,0.00028375143,0.000022724018,0.00035295397,0.001301144,0.035805132],"category_scores_gemma":[0.00011603277,0.00032552707,0.00013801585,0.0000013492174,0.004086785,0.000047833128,0.0002739591,0.00089197815,0.0007729727],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037653685,0.000087080734,0.000045883156,0.000096774216,0.00016749419,0.00047613727,0.023759924,5.497798e-9,1.7665255e-7,0.897562,0.0717662,0.0060006296],"study_design_scores_gemma":[0.00053287245,0.0002835487,0.000021322456,0.000048551723,0.0001323538,0.00026026202,0.000269244,0.0000045555494,0.0000012812068,0.13738623,0.8607747,0.0002850639],"about_ca_topic_score_codex":0.0006573445,"about_ca_topic_score_gemma":0.013495085,"teacher_disagreement_score":0.7890085,"about_ca_system_score_codex":0.000050087398,"about_ca_system_score_gemma":0.0005279418,"threshold_uncertainty_score":0.99999535},"labels":[],"label_agreement":null},{"id":"W1588459025","doi":"","title":"Marcel van Eeden, The Garden, Clint Roenisch Gallery, Toronto, October 17 – November 23, 2013Marcel van Eeden, The Garden, Clint Roenisch Gallery, Toronto, October 17 – November 23, 2013","year":2014,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.039256825253173554,"score_gpt":0.2822759063182544,"score_spread":0.24301908106508083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588459025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015964244,0.00380255,0.00086309883,0.0569366,0.0068495832,0.002560898,0.0006050877,0.0007298143,0.92605597],"genre_scores_gemma":[0.45437905,0.0022986233,0.00027904808,0.012962056,0.012007414,0.00063800527,0.0009373608,0.0005226513,0.5159758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9894119,0.0008254862,0.0025052156,0.002129648,0.0019482573,0.003179492],"domain_scores_gemma":[0.9911954,0.0012404539,0.0010610814,0.004118073,0.0012396944,0.0011452892],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0019518643,0.0019451093,0.0017241428,0.00016255272,0.0044277734,0.0020654895,0.00270559,0.00063211547,0.048091646],"category_scores_gemma":[0.00028675568,0.0013607648,0.0013817624,0.000037982503,0.002133938,0.001629442,0.0015332893,0.0015189729,0.004854161],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013154847,0.00095078174,0.00021259362,0.00010385951,0.00057045347,0.000019822075,0.024535773,0.0002294148,0.00007877972,0.14606602,0.8267552,0.00034573686],"study_design_scores_gemma":[0.002234069,0.00039253186,0.001973129,0.00028918235,0.0004139839,0.00008243899,0.015424842,0.0013898688,0.00008808111,0.0030484009,0.9728021,0.0018613588],"about_ca_topic_score_codex":0.00955901,"about_ca_topic_score_gemma":0.3834826,"teacher_disagreement_score":0.45278263,"about_ca_system_score_codex":0.0005661864,"about_ca_system_score_gemma":0.00048366317,"threshold_uncertainty_score":0.9993292},"labels":[],"label_agreement":null},{"id":"W1597735225","doi":"","title":"Site Surfeit: Office for Soft Architecture Makes the City Confess","year":2016,"lang":"en","type":"article","venue":"Chicago Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Architecture; Plot (graphics); Poetry; Sincerity; Paragraph; History; Object (grammar); Literature; Sociology; Visual arts; Art history; Law; Linguistics; Art; Philosophy; Archaeology","score_opus":0.07648905783083075,"score_gpt":0.2880886180981357,"score_spread":0.21159956026730492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597735225","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075298813,0.34553802,0.020637983,0.19074,0.0035343852,0.0071678734,0.0036596395,0.0007467097,0.4204455],"genre_scores_gemma":[0.5072689,0.063661516,0.00022695366,0.081399396,0.0068917526,0.0005455883,0.00015650212,0.00016055632,0.33968884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990024,0.00007829672,0.0002654875,0.00021795282,0.00012695277,0.0003088999],"domain_scores_gemma":[0.99888,0.0003996254,0.00011442989,0.00040934636,0.000121630736,0.00007492056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034296126,0.00017299954,0.00032151354,0.00001660705,0.00037989597,0.00005947758,0.00024901974,0.00003639556,0.0014793003],"category_scores_gemma":[0.00019184497,0.000078208664,0.00021999805,0.0000022480967,0.00039402835,0.00006370218,0.00004956543,0.00010974539,0.00017887965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000404838,0.000115559036,0.0001125796,0.0053845164,0.00016727905,0.000003763356,0.030977903,4.4518293e-7,0.00007296627,0.5079764,0.24849828,0.20664981],"study_design_scores_gemma":[0.0001859631,0.000029392862,0.00006790821,0.001159726,0.000090755806,0.000004254174,0.000035988967,0.0000022283339,0.000022542627,0.006420467,0.991828,0.00015274095],"about_ca_topic_score_codex":0.000052088144,"about_ca_topic_score_gemma":0.0023990278,"teacher_disagreement_score":0.74332976,"about_ca_system_score_codex":0.00001355916,"about_ca_system_score_gemma":0.00004766672,"threshold_uncertainty_score":0.99943346},"labels":[],"label_agreement":null},{"id":"W1600133119","doi":"","title":"'Bill Brandt: A Snicket, Halifax, 1937'","year":2005,"lang":"en","type":"book-chapter","venue":"Open Research Online (The Open University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Art history; Performance art; History; Art; Archaeology","score_opus":0.3056883621747789,"score_gpt":0.3706235778214913,"score_spread":0.0649352156467124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600133119","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020397292,0.000137941,0.000003961577,0.010768758,0.00020210596,0.00227281,0.0017585886,0.000037959373,0.9847975],"genre_scores_gemma":[0.0008454381,0.0012297053,0.000116309486,0.0010048113,0.0017638793,0.0000050682593,0.00073179,0.000115731666,0.9941873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99675536,0.00028778546,0.0003670973,0.00084626325,0.0008427881,0.0009007152],"domain_scores_gemma":[0.99690336,0.0003605455,0.00021104043,0.0013766342,0.00076300965,0.00038539548],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012626925,0.00046144417,0.00069421914,0.0005501427,0.0025217887,0.002013225,0.0073128445,0.00026351257,0.028216496],"category_scores_gemma":[0.00005839674,0.0003374825,0.00025804783,0.000012567535,0.0018520434,0.0011028869,0.0071759336,0.0016481507,0.0021432382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019196878,0.00014082999,0.0000014839378,0.000022220294,0.00022081698,0.00019262198,0.0077460594,0.0000021578437,9.645989e-7,0.81282157,0.17209746,0.0065618246],"study_design_scores_gemma":[0.0011124265,0.00019547777,0.000003447081,0.00023186448,0.00009334614,0.000006670796,0.0024604283,0.000032666663,0.0000033165948,0.023692477,0.9716697,0.00049822516],"about_ca_topic_score_codex":0.028001271,"about_ca_topic_score_gemma":0.23483884,"teacher_disagreement_score":0.79957217,"about_ca_system_score_codex":0.00041888046,"about_ca_system_score_gemma":0.0011075018,"threshold_uncertainty_score":0.99990773},"labels":[],"label_agreement":null},{"id":"W1600493553","doi":"10.2752/204191213x13693260150506","title":"<i>Eileen Gray and the Design of Sapphic Modernity: Staying In</i>, by Jasmine Rault","year":2013,"lang":"en","type":"article","venue":"Interiors Design Architecture and Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Modernity; Gray (unit); Art; Art history; Aesthetics; Political science; Law; Medicine","score_opus":0.020863032174735115,"score_gpt":0.2103219819035018,"score_spread":0.18945894972876667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600493553","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30193996,0.023491127,0.6191046,0.012936341,0.00085294584,0.007874299,0.00040331107,0.00038617093,0.03301122],"genre_scores_gemma":[0.9904313,0.00024305526,0.00080204004,0.0015474148,0.00014557129,0.00008557643,0.000011084873,0.000026800857,0.0067071356],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987078,0.00025964284,0.00031390975,0.0002580483,0.00015209292,0.00030852473],"domain_scores_gemma":[0.9993828,0.00015502877,0.00011222454,0.00018815817,0.00007227423,0.000089514884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024692784,0.00026329095,0.00037325497,0.00006997382,0.00022493131,0.00018341506,0.0001887544,0.00009289964,0.00015492951],"category_scores_gemma":[0.000041016978,0.00014740568,0.00006435162,0.0000067077217,0.00088441256,0.00015449079,0.00007920835,0.0003474098,0.000005469343],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003905546,0.00009113347,0.00010691918,0.00015763912,0.00016637579,0.0000074907794,0.9376604,0.00028188757,0.012372947,0.005281391,0.02581027,0.017673021],"study_design_scores_gemma":[0.011844193,0.0017892857,0.0003459668,0.0010358412,0.00042129346,0.00021732089,0.038275074,0.01610757,0.008274427,0.53121364,0.38815677,0.0023185872],"about_ca_topic_score_codex":0.00076188537,"about_ca_topic_score_gemma":0.000610207,"teacher_disagreement_score":0.8993853,"about_ca_system_score_codex":0.000011787721,"about_ca_system_score_gemma":0.000019620273,"threshold_uncertainty_score":0.6011029},"labels":[],"label_agreement":null},{"id":"W1602072535","doi":"10.4995/thesis/10251/8496","title":"Extensiones corporales en el contexto del Body Art. Revolución del deseo","year":2010,"lang":"es","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Generalitat Valenciana; York University; University of Minnesota; Styrelsen för Internationellt Utvecklingssamarbete","keywords":"Humanities; Geography; Art","score_opus":0.05814852060717142,"score_gpt":0.3309001818584919,"score_spread":0.2727516612513205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602072535","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51324475,0.0040427,0.0009280213,0.0010322958,0.008569329,0.0016937634,0.001102666,0.0006296286,0.46875682],"genre_scores_gemma":[0.46006137,0.0009079204,0.00031539513,0.0010745728,0.0020283244,0.00005824048,0.0026170914,0.00013207528,0.532805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965548,0.00013834226,0.001044539,0.0008535578,0.0005530085,0.0008557873],"domain_scores_gemma":[0.9968312,0.00035204788,0.0006095818,0.0008013988,0.0010365802,0.0003691965],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031222834,0.0008885987,0.0010055453,0.00033490188,0.0012228809,0.0005209356,0.00049624743,0.00082610844,0.0060735727],"category_scores_gemma":[0.00020965513,0.00077788776,0.0004934982,0.000004502554,0.00060211966,0.00045775232,0.00010099581,0.00093768066,0.0032901021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001756751,0.000427738,0.0011628246,0.00058639434,0.00030755808,0.000066933906,0.05790994,0.000002291719,0.0019203486,0.77946955,0.15632895,0.001641793],"study_design_scores_gemma":[0.0008622354,0.00027130524,0.0110140005,0.0005995444,0.0005764094,0.000026137242,0.019306997,0.0007750529,0.00077986193,0.032952797,0.9312637,0.0015719953],"about_ca_topic_score_codex":0.009281991,"about_ca_topic_score_gemma":0.0766088,"teacher_disagreement_score":0.7749347,"about_ca_system_score_codex":0.000066387904,"about_ca_system_score_gemma":0.00034183712,"threshold_uncertainty_score":0.9994672},"labels":[],"label_agreement":null},{"id":"W1602672753","doi":"","title":"Veronika Horlik : BURN BABY BURN. BURN BABY BURN, Les céramiques sculpturales de Veronika Horlik, Galerie d’art d’Outremont, 7 février – 3 mars 2013BURN BABY BURN, Les céramiques sculpturales de Veronika Horlik, Galerie d’art d’Outremont, 7 février – 3 mars 2013","year":2013,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Burn out; Medicine","score_opus":0.019578347179454225,"score_gpt":0.2383916309899466,"score_spread":0.21881328381049236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602672753","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30626333,0.31439403,0.0057676323,0.09439619,0.014503526,0.012737145,0.008199673,0.0054218336,0.23831666],"genre_scores_gemma":[0.31108683,0.044874694,0.003639191,0.0054334076,0.010870094,0.0010304631,0.0024944977,0.0016237503,0.6189471],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9743686,0.0032766268,0.004234507,0.0051465924,0.0034834088,0.009490316],"domain_scores_gemma":[0.9843852,0.0011552307,0.0025444196,0.0047608158,0.0029469377,0.004207378],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0026717174,0.0064099045,0.0052482467,0.0015653257,0.006012337,0.00590827,0.004298597,0.004512314,0.038096674],"category_scores_gemma":[0.0007502186,0.006103649,0.0038407035,0.00037666637,0.008241005,0.0064337696,0.0017557256,0.0066961013,0.0046320874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007658649,0.0015128087,0.005084667,0.0021840234,0.0029329981,0.00091036386,0.055660967,0.0008478708,0.0023212798,0.027353566,0.8904498,0.009975796],"study_design_scores_gemma":[0.00424681,0.0014842662,0.0068814354,0.0035661059,0.0022715332,0.00047346085,0.023817467,0.0025318116,0.00139589,0.0060128965,0.9401855,0.0071328552],"about_ca_topic_score_codex":0.030683143,"about_ca_topic_score_gemma":0.05939108,"teacher_disagreement_score":0.3806304,"about_ca_system_score_codex":0.0034547418,"about_ca_system_score_gemma":0.0019162955,"threshold_uncertainty_score":0.99678004},"labels":[],"label_agreement":null},{"id":"W1604037690","doi":"10.2218/ed.9781836450153","title":"Metis : On the Surface","year":2024,"lang":"en","type":"article","venue":"University of Edinburgh eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metis; Geography; Computer science; World Wide Web","score_opus":0.04978914893903142,"score_gpt":0.20840205491339303,"score_spread":0.15861290597436162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604037690","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052781045,0.00005672255,0.00006850921,0.0012316109,0.000509267,0.000077126526,0.00004817972,0.000073822994,0.9451537],"genre_scores_gemma":[0.58963674,0.000005051168,0.000009914528,0.00013074084,0.00015300894,3.1536764e-8,0.0000012887864,0.000003628675,0.4100596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995838,0.00001430878,0.000052016483,0.00010862617,0.00011532293,0.00012596775],"domain_scores_gemma":[0.99963593,0.00013399727,0.000018926477,0.0001370053,0.00003846042,0.00003568006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009492844,0.00006868883,0.000080787686,0.000039749626,0.00026730087,0.00003699381,0.00014928129,0.00002413561,0.0048249075],"category_scores_gemma":[0.000005607085,0.000053339885,0.00008584495,7.492581e-7,0.00038071288,0.000041902047,0.000044194458,0.00010153758,0.00003912918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010691561,0.000012792914,0.000006565016,0.000010004976,0.00006694848,0.00002231353,0.1989217,0.000005091391,0.000067426445,0.56207466,0.23773721,0.0010645833],"study_design_scores_gemma":[0.000060529645,0.000046502868,0.000004381272,0.00003977252,0.00003486627,5.186093e-7,0.008621851,0.00020897268,0.000265551,0.008284062,0.98236525,0.0000677131],"about_ca_topic_score_codex":0.0009213936,"about_ca_topic_score_gemma":0.0013612803,"teacher_disagreement_score":0.7446281,"about_ca_system_score_codex":0.00002235328,"about_ca_system_score_gemma":0.00003759805,"threshold_uncertainty_score":0.9960848},"labels":[],"label_agreement":null},{"id":"W1606448725","doi":"","title":"On Determination: Josh Thorpe’s Ambivalent Flag. Josh THORPE’s Ambivalent Flag, Justina M. Barnicke Gallery, Toronto, Autumn 2010Josh THORPE’s Ambivalent Flag, Justina M. Barnicke Gallery, Toronto, Autumn 2010","year":2012,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flag (linear algebra); Ambivalence; Art; Sociology; Psychology; Psychoanalysis; Mathematics","score_opus":0.0321909911403913,"score_gpt":0.27335676786934393,"score_spread":0.24116577672895262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606448725","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.092124306,0.03487339,0.0025964906,0.021865949,0.06392213,0.0099234115,0.0024653997,0.0049075163,0.7673214],"genre_scores_gemma":[0.60571015,0.003125016,0.0010929342,0.0034100201,0.014783722,0.0005425677,0.00061904895,0.0005273472,0.3701892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98525256,0.0013138058,0.002405797,0.0028304514,0.0033786788,0.0048187226],"domain_scores_gemma":[0.9906706,0.00053675915,0.001529371,0.0036248574,0.0011884939,0.0024498862],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.002480395,0.002975455,0.002431617,0.0003932581,0.0031703762,0.0013310784,0.0023929446,0.0015144869,0.024174908],"category_scores_gemma":[0.0005918155,0.0027259605,0.0018669184,0.00006468213,0.001327233,0.0032628593,0.0012046659,0.0025360305,0.0026188733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006149712,0.0025072107,0.00093527406,0.0011454938,0.0007141473,0.00019170114,0.13900273,0.0001736783,0.0006222892,0.07130195,0.7745682,0.008222362],"study_design_scores_gemma":[0.002841201,0.0011135781,0.018623417,0.0009354349,0.0011532527,0.00015627226,0.017481986,0.0010554258,0.0006996491,0.00086393923,0.9514062,0.00366964],"about_ca_topic_score_codex":0.009383865,"about_ca_topic_score_gemma":0.14909886,"teacher_disagreement_score":0.51358587,"about_ca_system_score_codex":0.0032431465,"about_ca_system_score_gemma":0.0006985379,"threshold_uncertainty_score":0.9997817},"labels":[],"label_agreement":null},{"id":"W1606781554","doi":"","title":"Déclic 70, Galerie sas, Montréal, du 25 août au 15 octobre 2011Déclic 70, Galerie sas, Montréal, du 25 août au 15 octobre 2011","year":2012,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Physics; Humanities","score_opus":0.02997161934443817,"score_gpt":0.23339378966636645,"score_spread":0.20342217032192828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606781554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008246332,0.13603005,0.0006226639,0.0016761676,0.014274748,0.002587545,0.0051548025,0.0008887427,0.83051896],"genre_scores_gemma":[0.055474978,0.020273576,0.0007563352,0.0375745,0.027608939,0.00068649976,0.0023148055,0.00076168316,0.8545487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98628706,0.00087761704,0.0027005773,0.0024485704,0.0016576436,0.0060285097],"domain_scores_gemma":[0.99070597,0.0004514796,0.0014652893,0.0030585448,0.0012125425,0.003106154],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0017054675,0.0030537648,0.0028699425,0.0004890234,0.004821483,0.0013940779,0.001968684,0.0023495168,0.22507876],"category_scores_gemma":[0.0004882664,0.0029341776,0.0014949829,0.00013390907,0.0025160026,0.0037524286,0.0010282984,0.002751079,0.009674497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020954816,0.002344515,0.0034817702,0.0008782123,0.0010057978,0.00018796684,0.02629933,0.00013700394,0.0006202695,0.065028325,0.89929867,0.0005085866],"study_design_scores_gemma":[0.0035539211,0.00058216427,0.0017209423,0.0007599197,0.0015370125,0.0003587746,0.010114215,0.00081502425,0.0005526555,0.0022816183,0.974259,0.0034647482],"about_ca_topic_score_codex":0.08296412,"about_ca_topic_score_gemma":0.01117424,"teacher_disagreement_score":0.21540427,"about_ca_system_score_codex":0.0015499601,"about_ca_system_score_gemma":0.0017975707,"threshold_uncertainty_score":0.99964255},"labels":[],"label_agreement":null},{"id":"W1607669815","doi":"","title":"Picturing the Public Good","year":2010,"lang":"en","type":"article","venue":"Antistasis","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Computer science","score_opus":0.04724138305727504,"score_gpt":0.24928052372701115,"score_spread":0.2020391406697361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607669815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2776162,0.00009726528,0.00008512486,0.0069619394,0.0022711665,0.000113706345,0.00007964888,0.00014672684,0.71262825],"genre_scores_gemma":[0.96282744,0.000013492949,0.000037489066,0.0011562727,0.0012073619,0.0000058528744,0.0000086282635,0.00001374257,0.034729738],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994203,0.000014479147,0.00010486552,0.00011070642,0.0001043588,0.00024532806],"domain_scores_gemma":[0.99955976,0.000043824293,0.000034641114,0.00026476363,0.000044895412,0.000052118754],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010042147,0.00008060212,0.0000746367,0.000029555282,0.00059798744,0.00028981167,0.00018731975,0.000026720954,0.0019766446],"category_scores_gemma":[0.000026915632,0.000052724907,0.00005977339,0.0000012979151,0.0002821758,0.00015508951,0.00004566606,0.00017075041,0.00027602204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.0127163e-7,0.000024582545,0.00046339422,0.000006324828,0.000022843256,0.000005051087,0.0202783,3.7555708e-8,0.00008213162,0.9537011,0.017862028,0.0075535337],"study_design_scores_gemma":[0.00007179273,0.000010005378,0.0008153622,0.000002008295,0.000012501706,0.0000064147353,0.00079470547,0.000013514923,0.0004177816,0.0056308685,0.99213994,0.000085102954],"about_ca_topic_score_codex":0.00045412482,"about_ca_topic_score_gemma":0.023095975,"teacher_disagreement_score":0.9742779,"about_ca_system_score_codex":0.000005060058,"about_ca_system_score_gemma":0.000022534607,"threshold_uncertainty_score":0.9989357},"labels":[],"label_agreement":null},{"id":"W162085478","doi":"10.3138/jcs.38.1.46","title":"P.K. Page and Surrealism","year":2004,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Unconscious mind; Poetry; Articulation (sociology); Dream; Psychic; Representation (politics); Politics; Art; Style (visual arts); Reverence; Aesthetics; Literature; Psychoanalysis; Art history; Philosophy; Psychology; Law","score_opus":0.10787040548857192,"score_gpt":0.27629068310657784,"score_spread":0.16842027761800593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W162085478","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5259415,0.041933637,0.000015438412,0.037876587,0.0036917094,0.00017364463,0.00019746214,0.00002588042,0.39014417],"genre_scores_gemma":[0.9905644,0.0019087036,0.00004555411,0.0015410866,0.0010523002,5.382374e-7,4.870507e-7,0.000007917567,0.004879029],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994713,0.000010538914,0.00018762193,0.000046568184,0.000095606716,0.00018836957],"domain_scores_gemma":[0.9994411,0.000026233407,0.00008447758,0.000047456244,0.00019206855,0.00020865945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012345135,0.00007251948,0.00018071358,0.00028856064,0.0002678753,0.000050258703,0.000052633484,0.000015763679,0.00004166937],"category_scores_gemma":[0.00004798404,0.000055621324,0.000046039273,0.000002419188,0.00025394006,0.00013074704,0.000010502426,0.00009001482,0.0000053793246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008146361,0.000019665358,0.00034476584,0.00004396814,0.00043913312,0.0003416094,0.51528037,0.00000898536,0.000008861282,0.37280348,0.10843787,0.002263153],"study_design_scores_gemma":[0.0003275398,0.00008073963,0.0006340064,0.000045457095,0.000043249485,0.000052196803,0.017211271,2.916743e-7,0.000013824921,0.026401125,0.95510876,0.00008152982],"about_ca_topic_score_codex":0.08753491,"about_ca_topic_score_gemma":0.9130937,"teacher_disagreement_score":0.84667087,"about_ca_system_score_codex":0.000092966286,"about_ca_system_score_gemma":0.00018638886,"threshold_uncertainty_score":0.91854125},"labels":[],"label_agreement":null},{"id":"W1632090978","doi":"","title":"Introduction: Art and the Third Stage of Meaning","year":2011,"lang":"en","type":"article","venue":"The Journal of Macrodynamic Analysis (Memorial University of Newfoundland)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Meaning (existential); Epistemology; Aesthetics; Philosophy","score_opus":0.02196308350573336,"score_gpt":0.2035982723080157,"score_spread":0.18163518880228233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1632090978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8299487,0.0003507349,0.009686646,0.003991914,0.0017727155,0.00022821578,0.000081726816,0.000021014415,0.1539183],"genre_scores_gemma":[0.9653391,0.00034692898,0.00013388046,0.000038053633,0.0014627257,1.8728139e-8,0.00000333013,0.0000055383025,0.03267038],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989675,0.00021116195,0.00033913273,0.00008498478,0.00026572292,0.00013146024],"domain_scores_gemma":[0.9985263,0.00014949881,0.00073869707,0.00023087667,0.0003053372,0.000049311115],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010311011,0.00010575279,0.00045321527,0.00018884253,0.00033086914,0.000020258338,0.0003659983,0.000033022752,0.0013121961],"category_scores_gemma":[0.000034935983,0.000065168504,0.00030415432,0.000021812066,0.0012231753,0.00021968145,0.000084590596,0.00019108308,0.0000050218678],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005392343,0.00021862188,0.002135424,0.000067320645,0.008530088,0.000019905601,0.61781657,0.0020314986,0.00016015602,0.35630956,0.0064326148,0.00088591676],"study_design_scores_gemma":[0.016315594,0.0012702602,0.010329051,0.00010100961,0.034517758,0.00013090868,0.23331098,0.021648059,0.0000817882,0.036136616,0.64526033,0.0008976587],"about_ca_topic_score_codex":0.0055802865,"about_ca_topic_score_gemma":0.052579064,"teacher_disagreement_score":0.6388277,"about_ca_system_score_codex":0.000045749024,"about_ca_system_score_gemma":0.000052091058,"threshold_uncertainty_score":0.99960077},"labels":[],"label_agreement":null},{"id":"W1636456673","doi":"","title":"Queering Desire / Querying Consumption: Rereading Visual Images of 'Lesbian' Desire in Lisa Cholodenko's High Art","year":2006,"lang":"en","type":"article","venue":"Thirdspace","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pleasure; Heteronormativity; Aesthetics; Lesbian; Representation (politics); Identity (music); Politics; Consumption (sociology); Art; Sociology; Queer; Gender studies; Visual arts; Psychology; Political science","score_opus":0.04031068976586298,"score_gpt":0.26910669858279723,"score_spread":0.22879600881693424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1636456673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8717251,0.0007700588,0.00083466957,0.00042951983,0.0004522028,0.00025782417,0.000047262307,0.00022802924,0.12525533],"genre_scores_gemma":[0.9547534,0.00007124192,0.0004183593,0.00013727901,0.0005736024,0.00001311074,0.00002708917,0.000038852388,0.043967046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998647,0.000070649,0.00037092966,0.0002678276,0.00021306463,0.00043054658],"domain_scores_gemma":[0.9993798,0.0001079223,0.00014966862,0.00021843448,0.000080347745,0.0000638272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026140912,0.00021371817,0.00032619332,0.00017044037,0.00023091903,0.00012073743,0.00014112274,0.00008484388,0.00046346235],"category_scores_gemma":[0.00003233757,0.00021919515,0.000079804195,0.00000719796,0.00035786917,0.0003596569,0.0000641421,0.00020748754,0.000107360924],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102466984,0.00041628428,0.016286436,0.0006259909,0.000081227445,0.00013958813,0.06869819,0.0006348438,0.0045548654,0.887695,0.018898057,0.0018670387],"study_design_scores_gemma":[0.013253451,0.00126972,0.17632656,0.0079723,0.0007465293,0.00024185124,0.058928005,0.0076226937,0.17107226,0.13354279,0.4210687,0.007955132],"about_ca_topic_score_codex":0.004094135,"about_ca_topic_score_gemma":0.008317655,"teacher_disagreement_score":0.75415224,"about_ca_system_score_codex":0.000102764636,"about_ca_system_score_gemma":0.0000485531,"threshold_uncertainty_score":0.8938519},"labels":[],"label_agreement":null},{"id":"W1672690583","doi":"10.21083/surg.v4i1.1204","title":"A strip-tease act conducted in pink limelight: Salvador Dali, George Orwell, and the construction of a surreal/ist self","year":2010,"lang":"en","type":"article","venue":"SURG Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Persona; Limelight; George (robot); Identity (music); Entertainment; Biography; Painting; Sociology; Art; Focus (optics); Aesthetics; Art history; Visual arts; Humanities","score_opus":0.01888493598988893,"score_gpt":0.2340604980061289,"score_spread":0.21517556201623997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1672690583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98238695,0.00019243396,0.00000834332,0.0010448087,0.0013153362,0.00014287066,0.00006779036,0.000024078561,0.014817393],"genre_scores_gemma":[0.9972547,0.0002566419,0.0000702019,0.00016105025,0.0009775291,0.0000027926137,0.000008042322,0.000015050678,0.0012539368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988713,0.00015073885,0.0004125096,0.00012039979,0.000181464,0.00026354907],"domain_scores_gemma":[0.9991423,0.00016988062,0.00024545344,0.0001530176,0.00016619582,0.00012313877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068470754,0.000135051,0.00026876907,0.00012994347,0.00035110087,0.00016200164,0.000117454125,0.00006227638,0.00074218446],"category_scores_gemma":[0.00007231435,0.00008854231,0.00009248568,0.0000062764957,0.000864051,0.00022852766,0.000032313492,0.0005577998,0.0000064216733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009573093,0.00073013647,0.03378486,0.00018955041,0.0005389509,0.00015564807,0.270404,0.000003033785,0.0026022645,0.6615071,0.0153187625,0.013808355],"study_design_scores_gemma":[0.009750308,0.00018946352,0.0073873326,0.00014125674,0.0002316842,0.0009549014,0.011052215,0.0005112203,0.0013595219,0.046532083,0.9213334,0.00055663625],"about_ca_topic_score_codex":0.0012746236,"about_ca_topic_score_gemma":0.0071949926,"teacher_disagreement_score":0.9060146,"about_ca_system_score_codex":0.00002029721,"about_ca_system_score_gemma":0.00018047317,"threshold_uncertainty_score":0.81263995},"labels":[],"label_agreement":null},{"id":"W1694317052","doi":"10.1515/9780773574397","title":"Precarious Visualities: New Perspectives on Identification in Contemporary Art and Visual Culture","year":2008,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Visual culture; Aesthetics; Sociology; Art; Visual arts; Biology","score_opus":0.07608094642858752,"score_gpt":0.3016725164654845,"score_spread":0.22559157003689695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1694317052","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017372158,0.0036787451,0.00003605544,0.00019808568,0.00032555978,0.0004235566,0.000106863175,0.00011945702,0.99493796],"genre_scores_gemma":[0.03251172,0.0009885448,0.000006907608,0.0005989909,0.0017194544,0.000015879352,0.00036999283,0.000050969786,0.96373755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986165,0.000045112683,0.00039633218,0.00046698356,0.0002483775,0.00022666878],"domain_scores_gemma":[0.9993953,0.000052156927,0.00016332837,0.00017826268,0.000097547534,0.000113374765],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000077092256,0.00033463282,0.00039342116,0.00021214041,0.00021374015,0.00021673563,0.00010297489,0.00022521355,0.0005257776],"category_scores_gemma":[0.000021848708,0.00029186025,0.00010319177,0.0000014021222,0.0004485392,0.00024274712,0.000040547566,0.00034487824,0.00021946472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000136582585,0.000046024965,0.0000029181358,0.000026528107,0.000030286727,0.000007210837,0.33316132,1.055583e-7,8.1514037e-7,0.28017703,0.38643947,0.000094643314],"study_design_scores_gemma":[0.00037129017,0.00017939707,0.000028844688,0.0001340648,0.000018102792,0.000004398366,0.025524765,0.000014035978,0.000007699625,0.0112449145,0.96211725,0.0003552126],"about_ca_topic_score_codex":0.00090437743,"about_ca_topic_score_gemma":0.0050981534,"teacher_disagreement_score":0.5756778,"about_ca_system_score_codex":0.0001870051,"about_ca_system_score_gemma":0.0004805242,"threshold_uncertainty_score":0.9999533},"labels":[],"label_agreement":null},{"id":"W1701336840","doi":"","title":"Material Traces: Time and the Gesture in Contemporary Art, Leonard & Bina Ellen Art Gallery, Montreal, February 16 – April 13, 2013Material Traces: Time and the Gesture in Contemporary Art, Leonard & Bina Ellen Art Gallery, Montreal, February 16 – April 13, 2013","year":2013,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gesture; Contemporary art; Art; Art history; Visual arts; Performance art; Computer science; Artificial intelligence","score_opus":0.028061838896682147,"score_gpt":0.23148209282229354,"score_spread":0.2034202539256114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1701336840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40741765,0.016335564,0.00001971363,0.20079507,0.005169027,0.011175306,0.0032735125,0.001018751,0.3547954],"genre_scores_gemma":[0.8778535,0.007683627,0.000026189371,0.0029903122,0.00300612,0.00107191,0.002948463,0.0003028349,0.10411703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99263495,0.0012774571,0.0020494258,0.0015848832,0.0008530449,0.0016002114],"domain_scores_gemma":[0.9957817,0.0010729318,0.00080558955,0.0014794075,0.00026075932,0.00059960264],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0014726876,0.0015394246,0.002246541,0.0005047183,0.0013988257,0.0015710733,0.0010229715,0.00070067926,0.003740091],"category_scores_gemma":[0.00009984204,0.0010564363,0.00046911233,0.000069138514,0.0032930044,0.0021806532,0.00059282506,0.0011415032,0.0022524518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016504815,0.0008090895,0.00040629442,0.00019156141,0.00038323086,0.000109986875,0.033484854,0.00004950435,0.00012803846,0.0041284845,0.9584299,0.00022861878],"study_design_scores_gemma":[0.01805219,0.00055462867,0.017138174,0.0009660763,0.00019983278,0.00015329396,0.008574717,0.0014743455,0.00006945448,0.010940975,0.9398217,0.0020545886],"about_ca_topic_score_codex":0.041338135,"about_ca_topic_score_gemma":0.067136884,"teacher_disagreement_score":0.47043586,"about_ca_system_score_codex":0.00014568862,"about_ca_system_score_gemma":0.0004980157,"threshold_uncertainty_score":0.99990124},"labels":[],"label_agreement":null},{"id":"W1719327193","doi":"","title":"ANTI Contemporary Art Festival 2007 - 2013","year":2007,"lang":"en","type":"other","venue":"Falmouth University Research Repository (FURR) (Falmouth University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Jury; Art world; Art; The arts; Contemporary art; Performing arts; Art history; Performance art; Political science; Law","score_opus":0.10755118626844513,"score_gpt":0.277957148646094,"score_spread":0.17040596237764888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1719327193","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00058910024,0.0006277871,0.00013932028,0.00026875525,0.0023261579,0.0011360024,0.0014170245,0.0008789481,0.9926169],"genre_scores_gemma":[0.041009825,0.00026420093,0.00007991648,0.000085746295,0.0031492894,5.8380164e-7,0.00048932247,0.00045253112,0.9544686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99304897,0.0010393338,0.00048820762,0.0016026365,0.0017950957,0.002025781],"domain_scores_gemma":[0.9955625,0.00029163843,0.0005363504,0.0014728551,0.0009237844,0.0012128684],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0008712779,0.0009583936,0.001159088,0.005325707,0.0025184765,0.000352627,0.0020858445,0.0009760729,0.005706858],"category_scores_gemma":[0.00006237917,0.0011345762,0.00061390694,0.00015918695,0.005551528,0.00076265814,0.0011091987,0.0022881012,0.0032280365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030395933,0.00034159544,0.0006437409,0.00025935727,0.0005176032,0.0068624457,0.011943561,0.0000023137234,0.00001786472,0.04414074,0.93488073,0.000086102635],"study_design_scores_gemma":[0.0016432948,0.00027297542,0.00011009408,0.00045351867,0.00019462731,0.000032519194,0.027364397,0.000025315914,0.000031477102,0.000053689993,0.9686715,0.0011465906],"about_ca_topic_score_codex":0.026539207,"about_ca_topic_score_gemma":0.0062874495,"teacher_disagreement_score":0.044087052,"about_ca_system_score_codex":0.0011174723,"about_ca_system_score_gemma":0.0015037274,"threshold_uncertainty_score":0.99911046},"labels":[],"label_agreement":null},{"id":"W1747021967","doi":"10.22230/cjc.2011v36n2a2362","title":"Technical Reason and Political Reason: Spaces/Times Not Considered","year":2011,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Political science; Epistemology; Sociology; Philosophy; Law","score_opus":0.09228899548485235,"score_gpt":0.2571650382198379,"score_spread":0.16487604273498552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1747021967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054249432,0.0041228402,0.00014511874,0.016591331,0.00032988598,0.00019613022,0.00007699524,0.00003579657,0.92425245],"genre_scores_gemma":[0.99578285,0.00010325033,0.0010977896,0.0008783693,0.00017452265,0.0000016092129,0.000006043677,0.000013749204,0.001941802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915797,0.000111069785,0.00029580964,0.00006895019,0.00009442604,0.00027176933],"domain_scores_gemma":[0.99857837,0.00010425708,0.00015787822,0.00034494154,0.00024708515,0.0005674631],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029204786,0.00009444284,0.0001797279,0.00013781256,0.00033164222,0.0001133495,0.00026272063,0.00006527626,0.0006961678],"category_scores_gemma":[0.00017717005,0.00008665241,0.00005705522,0.0000028829359,0.00080672745,0.00022778366,0.000025998856,0.00026320486,0.000013374147],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001287138,0.000016227983,0.00061796204,0.0000054749416,0.000018396551,0.000014118175,0.024278726,8.752533e-8,0.000008712277,0.96593904,0.008098321,0.000990078],"study_design_scores_gemma":[0.0006490721,0.00025026963,0.009467308,0.00020225794,0.00012594942,0.0004899277,0.0083621815,0.000053083688,0.00029893915,0.13595611,0.8438405,0.00030439693],"about_ca_topic_score_codex":0.026585283,"about_ca_topic_score_gemma":0.27924517,"teacher_disagreement_score":0.94153345,"about_ca_system_score_codex":0.00008992055,"about_ca_system_score_gemma":0.0004586877,"threshold_uncertainty_score":0.9798968},"labels":[],"label_agreement":null},{"id":"W1751437537","doi":"","title":"Post Script 13 : Untitled (The Artist at Work)","year":2004,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Work (physics); Art history; Engineering; Mechanical engineering","score_opus":0.025686096680903468,"score_gpt":0.21786732438215836,"score_spread":0.1921812277012549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1751437537","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029818848,0.0029635685,0.000044821547,0.002242342,0.0037865834,0.000870551,0.00068119145,0.00036772157,0.98874503],"genre_scores_gemma":[0.0138206035,0.00016143302,0.000021943584,0.0063645756,0.0060975705,0.00007352464,0.0008436935,0.00028421424,0.9723324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995905,0.00011620282,0.0009271799,0.00096903095,0.00080846524,0.001274168],"domain_scores_gemma":[0.9971042,0.00016620618,0.00049131416,0.001495666,0.00035486362,0.00038772298],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003309499,0.0010046784,0.00094798487,0.0002329988,0.0015903362,0.0006605517,0.00087762345,0.00045673444,0.06757792],"category_scores_gemma":[0.000049034763,0.00081271457,0.0007219999,0.00000990756,0.0018860355,0.00029307936,0.00036230308,0.0010599811,0.039991774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051450555,0.00011471502,0.000005297901,0.00011258359,0.00021423337,0.00008940667,0.050833326,0.000008721392,0.000007122627,0.16937523,0.77696645,0.002221476],"study_design_scores_gemma":[0.0007244167,0.00013511152,0.000078839235,0.00040161965,0.00029503927,0.000025439293,0.00035282376,0.000011468527,0.000011958287,0.040212035,0.9567758,0.0009754761],"about_ca_topic_score_codex":0.0007703911,"about_ca_topic_score_gemma":0.040256865,"teacher_disagreement_score":0.17980933,"about_ca_system_score_codex":0.001030536,"about_ca_system_score_gemma":0.0010079116,"threshold_uncertainty_score":0.9997095},"labels":[],"label_agreement":null},{"id":"W1755568262","doi":"","title":"Anna Frlan: Interbellum III. Anna Frlan: Interbellum III, Ottawa School of Art Gallery, January 10 – February 22, 2013Anna Frlan: Interbellum III, Ottawa School of Art Gallery, January 10 – February 22, 2013","year":2014,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Art; Visual arts; Art history; History; Exhibition","score_opus":0.01382731166209166,"score_gpt":0.23439597670094858,"score_spread":0.22056866503885691,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1755568262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05886678,0.0065638223,0.0027861549,0.015167241,0.010153884,0.004635751,0.0015176221,0.0015161122,0.8987926],"genre_scores_gemma":[0.50429267,0.0005884897,0.00048650405,0.0043353713,0.0051526846,0.00019878599,0.001079855,0.00038322917,0.4834824],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9880624,0.0009541362,0.0034422323,0.0025606009,0.0020202068,0.0029604232],"domain_scores_gemma":[0.9904307,0.00043676147,0.002115998,0.003602596,0.0015467335,0.0018671795],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.001930221,0.0025137241,0.0034016331,0.001451984,0.0010194283,0.0006375509,0.002896417,0.0014767143,0.041723553],"category_scores_gemma":[0.0005158342,0.0023470223,0.0019406654,0.00015958048,0.002341696,0.002136217,0.0015472628,0.003174735,0.00799025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009219222,0.0011937676,0.0014836093,0.0007007353,0.0012066961,0.00010113503,0.022602651,0.00012126649,0.0009795645,0.0016991327,0.9686723,0.00031723263],"study_design_scores_gemma":[0.005368204,0.001830112,0.0048517343,0.0021120799,0.0004971135,0.00009634663,0.01014303,0.0017586424,0.0016127568,0.0016871333,0.9672181,0.002824741],"about_ca_topic_score_codex":0.0067302226,"about_ca_topic_score_gemma":0.02722203,"teacher_disagreement_score":0.4454259,"about_ca_system_score_codex":0.00037772921,"about_ca_system_score_gemma":0.00069251907,"threshold_uncertainty_score":0.99988407},"labels":[],"label_agreement":null},{"id":"W1774344035","doi":"","title":"Harun Farocki, One Image Doesn't Take the Place of the Previous One, Leonard and Bina Ellen Art Gallery, Montreal. October 19 - December 1, 2007Harun Farocki, One Image Doesn't Take the Place of the Previous One, Leonard and Bina Ellen Art Gallery, Montreal. October 19 - December 1, 2007","year":2008,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Image (mathematics); Computer graphics (images); Visual arts; Art history; Art; Cartography; Media studies; Computer science; Artificial intelligence; Sociology; Geography","score_opus":0.025381289844364625,"score_gpt":0.22833824468852323,"score_spread":0.2029569548441586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1774344035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050280116,0.01148195,0.00016644414,0.0026323812,0.001012485,0.0061543146,0.0021506331,0.00029427305,0.9258274],"genre_scores_gemma":[0.057241615,0.024529837,0.0010158434,0.0175954,0.0017542421,0.0008118994,0.00037903214,0.00046102586,0.8962111],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9916622,0.00093685795,0.0019384247,0.0017292032,0.0017308325,0.0020024816],"domain_scores_gemma":[0.99317414,0.00083443656,0.0014425345,0.0029371695,0.000924581,0.000687154],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011404718,0.0016384044,0.0019664997,0.00020020636,0.0028460575,0.0005642023,0.0019288211,0.0007481806,0.017297706],"category_scores_gemma":[0.0004898536,0.0009552883,0.0008122764,0.00017647739,0.0032898404,0.0009248939,0.0011653706,0.0018500632,0.00022499864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006071531,0.0015675226,0.00088453176,0.0005540244,0.0012283205,0.00003650173,0.024105692,0.00024470722,0.0016374798,0.0016511601,0.9672641,0.00021880337],"study_design_scores_gemma":[0.0042939084,0.0003067481,0.0065063676,0.0007451241,0.0013870691,0.00029665814,0.0042782454,0.00052562327,0.0014569116,0.0019339958,0.9767915,0.0014778384],"about_ca_topic_score_codex":0.0055072005,"about_ca_topic_score_gemma":0.010126696,"teacher_disagreement_score":0.029616296,"about_ca_system_score_codex":0.00022930463,"about_ca_system_score_gemma":0.00077317556,"threshold_uncertainty_score":0.99963635},"labels":[],"label_agreement":null},{"id":"W1778130377","doi":"10.3138/topia.23-24.434","title":"Dada’s Last Dada and the Communism to Come","year":2010,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Communism; Political science; Law; Politics","score_opus":0.06397781108239893,"score_gpt":0.2776283926326729,"score_spread":0.213650581550274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1778130377","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88651544,0.002812719,0.00000183466,0.03832585,0.0022866295,0.00016078643,0.00004590189,0.000009524003,0.06984129],"genre_scores_gemma":[0.9783405,0.000115185634,0.00004667837,0.0023765257,0.0010298734,0.0000020934044,0.0000010015171,0.0000064939445,0.01808165],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993399,0.00004094878,0.00022356346,0.00005557436,0.00010507823,0.0002349526],"domain_scores_gemma":[0.9991554,0.0000866142,0.000088598645,0.00011172352,0.0002897825,0.00026789965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020888007,0.00011032909,0.0002491304,0.00004945017,0.0010259694,0.00018982914,0.00021634094,0.000021336502,0.00014466565],"category_scores_gemma":[0.00011707666,0.000057907764,0.0000654448,0.0000024907433,0.0009957497,0.00015899669,0.000040253515,0.00029715526,0.000011460131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014828786,0.0000051404522,0.0005611396,0.000012472461,0.00020146082,0.000022043017,0.5649205,0.0000017429587,0.000020464635,0.3693139,0.063749455,0.0011768742],"study_design_scores_gemma":[0.00046632742,0.00005541705,0.0013320264,0.000025783635,0.00004260134,0.000053930202,0.03734949,0.0000015402562,0.000015732658,0.0045379093,0.95601743,0.00010181977],"about_ca_topic_score_codex":0.0384691,"about_ca_topic_score_gemma":0.9360278,"teacher_disagreement_score":0.89755875,"about_ca_system_score_codex":0.00003253361,"about_ca_system_score_gemma":0.00010644881,"threshold_uncertainty_score":0.96793383},"labels":[],"label_agreement":null},{"id":"W1801397995","doi":"10.3138/topia.14.37","title":"Toward a Theory of Critical Modernity: The Post-Architecture of Claude Parent and Paul Virilio","year":2005,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Architecture; Oblique case; Subject (documents); Critical theory; Sociology; Function (biology); Art history; Philosophy; Epistemology; Art; Visual arts; Computer science; Linguistics","score_opus":0.09691545757154421,"score_gpt":0.2989716138025597,"score_spread":0.2020561562310155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1801397995","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9263189,0.030118126,0.000040698804,0.032723006,0.0004567493,0.00014450005,0.0002083333,0.0000067355772,0.009982975],"genre_scores_gemma":[0.9964687,0.00025259552,0.000054050473,0.0008502315,0.0006439151,0.0000013749735,0.0000010697773,0.0000062901977,0.0017217228],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991178,0.00008160039,0.00034623744,0.00007062568,0.00015531923,0.00022840459],"domain_scores_gemma":[0.9989271,0.00015571108,0.00013253101,0.00008108498,0.0005361558,0.00016741354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001978703,0.000121834586,0.0003074507,0.000063005464,0.00028397623,0.00003928613,0.0001459362,0.000029201385,0.00015586767],"category_scores_gemma":[0.00024217309,0.00006461985,0.000115374976,0.0000032237076,0.0013483227,0.00012799837,0.000026789821,0.00018951469,0.0000012207169],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005040648,0.000029128525,0.00031109233,0.0001363708,0.00037547454,0.000020687574,0.78208745,0.000043878983,0.00003860617,0.20255676,0.0049647605,0.00938536],"study_design_scores_gemma":[0.00090794556,0.0008784087,0.006397951,0.00037487678,0.0005668298,0.00027410718,0.25776494,0.000030766143,0.0004971161,0.11864991,0.6132168,0.00044030958],"about_ca_topic_score_codex":0.0033456173,"about_ca_topic_score_gemma":0.23374805,"teacher_disagreement_score":0.6082521,"about_ca_system_score_codex":0.000044491113,"about_ca_system_score_gemma":0.00014287209,"threshold_uncertainty_score":0.78023404},"labels":[],"label_agreement":null},{"id":"W1809151972","doi":"","title":"Vera Frenkel: Cartographie d’une pratique / Mapping a Practice. SBC GALLERY OF CONTEMPORARY ART, MONTREAL","year":2011,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.04237290824159014,"score_gpt":0.2190170090159364,"score_spread":0.17664410077434628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1809151972","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007468712,0.000039752456,0.00023768841,0.0025651602,0.0003455109,0.0003899703,0.0007708269,0.000053100655,0.98812926],"genre_scores_gemma":[0.98246145,0.000088756235,0.0015372307,0.001389313,0.00033320396,0.000030193185,0.00021811968,0.000045890527,0.013895864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976708,0.0003365719,0.000758016,0.00029650985,0.0003811084,0.0005569632],"domain_scores_gemma":[0.997583,0.0005706001,0.0008011197,0.00037719338,0.000274564,0.0003935228],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000564445,0.00024382639,0.00046032155,0.00108063,0.00029171695,0.000051890544,0.00028849544,0.000073679985,0.00024739048],"category_scores_gemma":[0.00039159338,0.00026630168,0.00022994517,0.00003605292,0.00034713108,0.00039904338,0.000046618712,0.00030802077,0.00003830046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006682645,0.00019003077,0.0029995856,0.00008364731,0.00052761514,0.000028689432,0.4100075,0.0000025046243,0.00009604274,0.5061556,0.079074256,0.00076772395],"study_design_scores_gemma":[0.00093724637,0.00020913719,0.06117743,0.00011595103,0.00009810226,0.000003988422,0.0040378897,0.00012320091,0.000085590575,0.07427243,0.85852766,0.00041137755],"about_ca_topic_score_codex":0.59208554,"about_ca_topic_score_gemma":0.8114532,"teacher_disagreement_score":0.9749927,"about_ca_system_score_codex":0.00013358676,"about_ca_system_score_gemma":0.0012241744,"threshold_uncertainty_score":0.9999789},"labels":[],"label_agreement":null},{"id":"W1812819783","doi":"","title":"Harshav, Benjamin — Marc Chagall and his Times: A Documentary Narrative; Marc Chagall on Art and Culture","year":2005,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Narrative; Literature","score_opus":0.01920728824569611,"score_gpt":0.22793105507448624,"score_spread":0.20872376682879012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1812819783","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0955295,0.006116503,0.000013396783,0.027172066,0.0011748233,0.00078352215,0.00051449,0.00029958392,0.8683961],"genre_scores_gemma":[0.35765925,0.0002601951,0.00012296662,0.004235855,0.0015393087,0.000028675307,0.000106470194,0.000037528112,0.63600975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998803,0.000051674404,0.0002248683,0.00034653503,0.0002123002,0.00036159653],"domain_scores_gemma":[0.9995051,0.000032525517,0.000097391756,0.00015972796,0.00006165497,0.00014360213],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000100280144,0.00025852333,0.00028319223,0.0000699696,0.0012783341,0.00013037611,0.000101060126,0.00010511886,0.0030458835],"category_scores_gemma":[0.000014422331,0.00024061027,0.00008054877,0.0000034695677,0.00084811257,0.00032160393,0.00006560731,0.00021594315,0.0001478247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026237358,0.00011683927,0.000037640515,0.000044836386,0.00004913746,0.000010074085,0.4015397,2.342286e-7,0.00007148233,0.03358175,0.55635697,0.008165066],"study_design_scores_gemma":[0.0005813128,0.0001493921,0.00011801034,0.000045954854,0.00003957583,0.000005098397,0.0069013634,0.00003225493,0.000037952817,0.004425027,0.98736715,0.00029688183],"about_ca_topic_score_codex":0.0005644001,"about_ca_topic_score_gemma":0.017607482,"teacher_disagreement_score":0.4310102,"about_ca_system_score_codex":0.00023078649,"about_ca_system_score_gemma":0.000055626482,"threshold_uncertainty_score":0.99786544},"labels":[],"label_agreement":null},{"id":"W1817644469","doi":"","title":"Molly Landreth, Embodiment: A Portrait of Queer Life in America, IPS gallery, Montreal, November 1 - December 20, 2008Molly Landreth, Embodiment: A Portrait of Queer Life in America, IPS gallery, Montreal, November 1 - December 20, 2008","year":2009,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Queer; Art history; Art; History; Gender studies; Sociology","score_opus":0.02372599044206524,"score_gpt":0.24480389281813456,"score_spread":0.2210779023760693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1817644469","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04689722,0.003971259,0.00025449088,0.00045075186,0.0006734879,0.0022194118,0.002620238,0.00025615917,0.942657],"genre_scores_gemma":[0.5695399,0.0027972949,0.0035601228,0.06075461,0.0022468595,0.0008127141,0.0034837103,0.00067616923,0.3561286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99083215,0.00041667122,0.0031182934,0.0017581703,0.0015079865,0.0023667205],"domain_scores_gemma":[0.99453473,0.00026397448,0.001582914,0.001576903,0.00087953464,0.001161923],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0007525462,0.001632505,0.0029478162,0.0007217612,0.0003890934,0.00027813864,0.0010060514,0.00092774,0.055481117],"category_scores_gemma":[0.00032672982,0.0014987052,0.0007540302,0.0002776504,0.0009635506,0.0011015595,0.00026630508,0.0014905247,0.00027533455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007690885,0.0031821053,0.0056221616,0.00026526544,0.0007564383,0.00025651697,0.02876235,0.0033470404,0.0012212112,0.0035625978,0.9520014,0.00025383072],"study_design_scores_gemma":[0.009950489,0.000937821,0.008688157,0.00095969584,0.0006656545,0.000105568,0.0063562333,0.0032250402,0.000471406,0.0039241617,0.96170944,0.0030063377],"about_ca_topic_score_codex":0.03434608,"about_ca_topic_score_gemma":0.027527325,"teacher_disagreement_score":0.58652836,"about_ca_system_score_codex":0.00029773326,"about_ca_system_score_gemma":0.0014558509,"threshold_uncertainty_score":0.99964225},"labels":[],"label_agreement":null},{"id":"W1818756572","doi":"","title":"You Have Been There, Marian Goodman Gallery, New York, du 13 décembre 2011 au 21 janvier 2012You Have Been There, Marian Goodman Gallery, New York, du 13 décembre 2011 au 21 janvier 2012","year":2012,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.07611069755721513,"score_gpt":0.2648716276499119,"score_spread":0.1887609300926968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1818756572","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035304984,0.04031145,0.000871015,0.123951785,0.02220711,0.0035079236,0.002955336,0.00036251417,0.80230236],"genre_scores_gemma":[0.20025852,0.0041634454,0.00032178537,0.0019213842,0.03882607,0.00025659346,0.0023115885,0.0008108032,0.7511298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98500353,0.0011985846,0.0031060793,0.0026311593,0.0016351304,0.0064255446],"domain_scores_gemma":[0.9879982,0.00073206576,0.0016873729,0.0039235186,0.00062236446,0.0050365077],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0017901675,0.0032630526,0.0028398912,0.0008783828,0.0048129233,0.0017031877,0.0026897918,0.0019407452,0.07607816],"category_scores_gemma":[0.0001609777,0.0032365255,0.0018573335,0.00008449539,0.0025489228,0.0041131973,0.0016180607,0.0026324645,0.025362661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021319411,0.0020251279,0.00869983,0.0002741871,0.0016415584,0.00009128333,0.08806135,0.000039559025,0.000012118693,0.17401081,0.7166387,0.008292308],"study_design_scores_gemma":[0.003881564,0.00055942684,0.03244594,0.00096937496,0.0013231817,0.00019556924,0.016836742,0.000238859,0.00006667697,0.009004155,0.9308097,0.0036688515],"about_ca_topic_score_codex":0.22931579,"about_ca_topic_score_gemma":0.27069578,"teacher_disagreement_score":0.21417098,"about_ca_system_score_codex":0.00087611185,"about_ca_system_score_gemma":0.004980156,"threshold_uncertainty_score":0.9996685},"labels":[],"label_agreement":null},{"id":"W1827383980","doi":"","title":"Annie MacDonell, Originality and the Avant Garde (On Art and Repetition), Mercer Union, Toronto, January 20 – March 10, 2012Annie MacDonell, Originality and the Avant Garde (On Art and Repetition), Mercer Union, Toronto, January 20 – March 10, 2012","year":2012,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Originality; Repetition (rhetorical device); Art; Art history; Avant garde; Philosophy; Political science; Law; Linguistics; Creativity","score_opus":0.036580513429606255,"score_gpt":0.28824399074308954,"score_spread":0.25166347731348326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1827383980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02568549,0.027311288,0.00040721858,0.118962,0.0060176495,0.005269316,0.0034485152,0.0005548972,0.81234366],"genre_scores_gemma":[0.3900809,0.03480644,0.00022283121,0.006179804,0.006341603,0.000755926,0.0024113457,0.00026151937,0.55893964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935343,0.0016224806,0.0011708727,0.0012876112,0.00092305004,0.0014616391],"domain_scores_gemma":[0.99554235,0.0011400634,0.00046803962,0.001571616,0.00046468867,0.0008132204],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.003811607,0.0010008123,0.0011238088,0.00013412433,0.0028606516,0.0006606468,0.00043499676,0.00029213843,0.011886046],"category_scores_gemma":[0.00015954862,0.0006874629,0.00026948343,0.000014888727,0.0040237606,0.0018490521,0.00047741644,0.0007540463,0.0005162476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011398483,0.0005598654,0.00066529395,0.00027237897,0.0003584829,0.00001758017,0.025383068,0.000006190648,0.00002757257,0.32394344,0.64711905,0.00050722016],"study_design_scores_gemma":[0.0037377458,0.0002778639,0.009541978,0.00029710424,0.00038347841,0.00012816589,0.0026018596,0.00014744091,0.00005182691,0.008781066,0.97313476,0.0009167192],"about_ca_topic_score_codex":0.0043999124,"about_ca_topic_score_gemma":0.027980767,"teacher_disagreement_score":0.3643954,"about_ca_system_score_codex":0.0002725116,"about_ca_system_score_gemma":0.00019164386,"threshold_uncertainty_score":0.9995577},"labels":[],"label_agreement":null},{"id":"W1837126020","doi":"10.21083/csieci.v1i2.21","title":"Appel, Ellington and the Modernist Canon","year":2005,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"PICASSO; Art history; Art","score_opus":0.09082224659214863,"score_gpt":0.36116118648286183,"score_spread":0.2703389398907132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1837126020","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35400414,0.022041805,0.031930868,0.30496302,0.0077098063,0.009552772,0.0005977153,0.0025536376,0.26664624],"genre_scores_gemma":[0.9900093,0.0010047612,0.0006014818,0.0042285216,0.0019463847,0.00027585335,0.00003384825,0.000045857174,0.0018539698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732804,0.00032056365,0.0007650958,0.0005125818,0.0003802012,0.00069350406],"domain_scores_gemma":[0.99771583,0.00132688,0.00010743445,0.0002971723,0.00041538724,0.00013728795],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001303377,0.00035152174,0.00046329686,0.00015188368,0.000825726,0.00036993588,0.0002105382,0.00012870193,0.000080342186],"category_scores_gemma":[0.0018270463,0.00027041303,0.000102688704,0.000010771464,0.0031221835,0.0009115879,0.0001623064,0.00038511786,0.00002108929],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009237409,0.000108544016,0.000059264938,0.00025704142,0.00004548358,0.0000023669957,0.16325086,0.000032242096,0.00009366796,0.80960304,0.0009509554,0.025504164],"study_design_scores_gemma":[0.006714413,0.0007708817,0.00060852873,0.0004391698,0.00046998434,0.00003504924,0.08439993,0.08880411,0.0020515092,0.36791635,0.4458985,0.0018915905],"about_ca_topic_score_codex":0.0016258298,"about_ca_topic_score_gemma":0.021446163,"teacher_disagreement_score":0.63600516,"about_ca_system_score_codex":0.0004900859,"about_ca_system_score_gemma":0.000104082625,"threshold_uncertainty_score":0.9999748},"labels":[],"label_agreement":null},{"id":"W1878667886","doi":"","title":"Interdisciplinarity and the Body. Romanticism and Victorianism on the Net :, no. 49, 2008","year":2008,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; History; Philosophy; Art; Art history","score_opus":0.028854777058578515,"score_gpt":0.2281515101033603,"score_spread":0.1992967330447818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1878667886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73420036,0.0016195243,0.00012396743,0.028694991,0.008579174,0.0021159335,0.00029976337,0.00030036134,0.22406591],"genre_scores_gemma":[0.9721328,0.0011287583,0.000015951366,0.0058083497,0.004149321,0.00005331621,0.00001851817,0.00006921726,0.01662379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971862,0.00035043265,0.0005471155,0.00063655287,0.000529926,0.0007497999],"domain_scores_gemma":[0.9972436,0.0013200818,0.00023523437,0.0008534467,0.00012537617,0.000222299],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008283715,0.0005955095,0.00061060605,0.000091913644,0.0035756864,0.00055078923,0.00053267163,0.00018217199,0.0003981818],"category_scores_gemma":[0.00015247498,0.00029654356,0.00015729172,0.000015376661,0.0025194432,0.00023414147,0.00044084108,0.0006974533,0.00018706197],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023331137,0.00013109627,0.00009995867,0.000030448296,0.000159557,0.000036863024,0.104883745,9.793787e-7,0.0000882954,0.8342336,0.060017325,0.00008484087],"study_design_scores_gemma":[0.0030196412,0.00080411986,0.005429991,0.00018229708,0.00027624815,0.00012640038,0.0033839424,0.0016140147,0.0002114092,0.109093755,0.8750532,0.0008049491],"about_ca_topic_score_codex":0.0006720872,"about_ca_topic_score_gemma":0.0007417927,"teacher_disagreement_score":0.8150359,"about_ca_system_score_codex":0.00003152564,"about_ca_system_score_gemma":0.00005085209,"threshold_uncertainty_score":0.9999487},"labels":[],"label_agreement":null},{"id":"W1888984463","doi":"","title":"Panmorphic Painting Paradise: The Art of Michael Merrill. Michael Merrill, Panmorphic Painting, Outremont Art Gallery, Montreal. Nov. 24 – Dec. 18, 2011Michael Merrill, Panmorphic Painting, Outremont Art Gallery, Montreal. Nov. 24 – Dec. 18, 2011","year":2012,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Paradise; Art history; Art; Performance art; Visual arts","score_opus":0.057592688408867394,"score_gpt":0.25405187478534336,"score_spread":0.19645918637647597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1888984463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19561806,0.035226885,0.0060152547,0.024808817,0.02495281,0.011151415,0.0031467886,0.004067193,0.69501275],"genre_scores_gemma":[0.7842117,0.002354048,0.0007299935,0.0043478794,0.00788204,0.0004900219,0.00089497596,0.00085658306,0.19823274],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9827566,0.0017498374,0.0044738543,0.0027178016,0.0027159424,0.005585938],"domain_scores_gemma":[0.988031,0.0015990296,0.0032774962,0.0039560376,0.0013031026,0.0018332851],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0057756384,0.0030960345,0.0035580597,0.0011298724,0.0027047251,0.00075815106,0.0026464385,0.0010915397,0.010961187],"category_scores_gemma":[0.0011272165,0.002575998,0.0022852847,0.00014275826,0.0025303557,0.0017134467,0.0012995088,0.0019772411,0.0038371226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031491052,0.001639808,0.0068676057,0.00047352584,0.0017503065,0.0001353606,0.05581029,0.00022334777,0.0009157662,0.0039310968,0.9236649,0.0042730276],"study_design_scores_gemma":[0.0033557252,0.00047808146,0.009181219,0.0008598959,0.001195717,0.00020573863,0.012106436,0.007216166,0.0005410823,0.004345021,0.9569882,0.0035267074],"about_ca_topic_score_codex":0.015694182,"about_ca_topic_score_gemma":0.091618925,"teacher_disagreement_score":0.58859366,"about_ca_system_score_codex":0.00048526307,"about_ca_system_score_gemma":0.00057177985,"threshold_uncertainty_score":0.9985936},"labels":[],"label_agreement":null},{"id":"W1891369408","doi":"10.3138/cjfs.19.2.66","title":"Film Workshops as Polyvocal Public Spheres: Minor Cinemas in Sweden","year":2010,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Publics; Art history; Political science","score_opus":0.08297297344472218,"score_gpt":0.29932334988231557,"score_spread":0.2163503764375934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1891369408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48132783,0.20174287,0.000015038338,0.08225057,0.025984861,0.00040483702,0.0005598992,0.000021823265,0.20769227],"genre_scores_gemma":[0.8166927,0.0015991451,0.000120525074,0.00197103,0.0049907845,0.0000058826977,0.000005465039,0.000048764923,0.17456572],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973231,0.00010739317,0.00087980664,0.000241421,0.00027789947,0.0011703853],"domain_scores_gemma":[0.9971871,0.00026723245,0.00036073162,0.0002750204,0.00066175306,0.0012481937],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037804607,0.00037809004,0.0007218527,0.00051787193,0.0008334482,0.0003979227,0.00045001105,0.00022726344,0.0078023802],"category_scores_gemma":[0.0010111828,0.00034986695,0.00027901994,0.000020708989,0.0019286671,0.0005416883,0.00005407597,0.0012218996,0.00018527609],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028017597,0.00011780728,0.014696043,0.00018941384,0.00080050237,0.0020282662,0.20080654,0.00002940451,0.000010624754,0.13986233,0.6280135,0.0134175625],"study_design_scores_gemma":[0.0006515651,0.00021757271,0.0025314752,0.00037961442,0.00011589115,0.00024670764,0.10562563,0.000031188483,0.0000132375435,0.005939207,0.88389486,0.00035305746],"about_ca_topic_score_codex":0.10759622,"about_ca_topic_score_gemma":0.98467904,"teacher_disagreement_score":0.8770829,"about_ca_system_score_codex":0.00029925082,"about_ca_system_score_gemma":0.0026628927,"threshold_uncertainty_score":0.99989533},"labels":[],"label_agreement":null},{"id":"W1906962046","doi":"","title":"La Boutique de forge, Canada, 2012, 15 minutesLa Boutique de forge, Canada, 2012, 15 minutes","year":2013,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Forge; Political science; Engineering; Forging","score_opus":0.0159079202554621,"score_gpt":0.22363285078260983,"score_spread":0.20772493052714774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1906962046","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13946427,0.07712781,0.0012306654,0.266177,0.0059208246,0.0023366078,0.0052967076,0.00030805098,0.5021381],"genre_scores_gemma":[0.45146957,0.0013529517,0.0009183043,0.0066374443,0.002735836,0.0002250638,0.00012221323,0.00013826699,0.5364003],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942286,0.00071544666,0.001016052,0.0008116353,0.0004978336,0.0027304508],"domain_scores_gemma":[0.99594086,0.0010486443,0.00047216105,0.0008141351,0.00045520425,0.0012690079],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091548555,0.0008714888,0.0009111109,0.00016789442,0.0010985929,0.00052886724,0.0009792633,0.00068859383,0.0037289152],"category_scores_gemma":[0.0003163837,0.0009260956,0.00030385057,0.000032401662,0.0012289878,0.00094530865,0.00019228457,0.0010948072,0.00007966617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016360926,0.00011895321,0.003624374,0.0006609949,0.00020457587,0.00054827996,0.018092752,0.000075076845,0.00008570475,0.12768845,0.84619325,0.0026912407],"study_design_scores_gemma":[0.00050494046,0.000119283126,0.009287179,0.00064268446,0.00022181157,0.0004912919,0.0046954374,0.0013046486,0.00065861276,0.018739795,0.9622168,0.0011175384],"about_ca_topic_score_codex":0.9980959,"about_ca_topic_score_gemma":0.99987155,"teacher_disagreement_score":0.3120053,"about_ca_system_score_codex":0.0017567195,"about_ca_system_score_gemma":0.009886376,"threshold_uncertainty_score":0.99931896},"labels":[],"label_agreement":null},{"id":"W1907689323","doi":"10.5840/envirophil201551421","title":"The Role of Poetic Image in Gaston Bachelard’s Contribution to Architecture","year":2015,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Applied philosophy; Architecture; Art; Philosophy; Aesthetics; Visual arts; Literature; Epistemology","score_opus":0.016105081280772985,"score_gpt":0.20900017640738777,"score_spread":0.1928950951266148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1907689323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72013617,0.001573479,0.00016658904,0.0053798896,0.0004498295,0.0008308369,0.00042648544,0.00004811555,0.27098858],"genre_scores_gemma":[0.9981151,0.000009330856,0.000035564688,0.00035660554,0.0003814867,0.000015981846,0.000031834716,0.000014255302,0.0010397923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924016,0.000047670736,0.00017780157,0.00013412838,0.00018538961,0.00021486385],"domain_scores_gemma":[0.9996368,0.000026624288,0.000047992246,0.00017922404,0.000006412992,0.00010291989],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012584265,0.0001083524,0.000118888645,0.00004214394,0.00011308777,0.000025281792,0.00012692294,0.000026957896,0.00010202129],"category_scores_gemma":[0.000016745294,0.00008216876,0.000051691517,0.0000018419282,0.0003429415,0.00007083853,0.00007430055,0.00011343935,0.00017653026],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005385319,0.0009864406,0.005682252,0.000028049297,0.00010440081,0.00002366194,0.3312844,0.00021974281,0.015610976,0.6344697,0.0020305878,0.009021288],"study_design_scores_gemma":[0.00080429396,0.0003160799,0.0020238922,0.000022139811,0.000018824601,0.0000039520355,0.0032650884,0.00006169923,0.0037367372,0.42263135,0.5668976,0.00021838484],"about_ca_topic_score_codex":0.00012218786,"about_ca_topic_score_gemma":0.00027408986,"teacher_disagreement_score":0.56486696,"about_ca_system_score_codex":0.00009405571,"about_ca_system_score_gemma":0.000008994005,"threshold_uncertainty_score":0.33507445},"labels":[],"label_agreement":null},{"id":"W1910146015","doi":"10.3138/topia.26.173","title":"Theory That Matters: Feminism, Porous Boundaries and the New Materialisms","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feminism; Sociology; Gender studies","score_opus":0.10009364039347012,"score_gpt":0.2565637893223134,"score_spread":0.15647014892884326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1910146015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6263169,0.049911853,0.000036724323,0.072267115,0.0129551,0.00057409797,0.00016496703,0.00005979217,0.23771347],"genre_scores_gemma":[0.95532805,0.00029846086,0.000049872473,0.0042552557,0.0011506375,0.000001779262,0.0000010584413,0.000009798362,0.038905073],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926895,0.00006583345,0.00023496873,0.00007207323,0.0000997476,0.00025844495],"domain_scores_gemma":[0.99937975,0.00004316702,0.00015878947,0.00008036713,0.00013903945,0.00019887275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023009487,0.00013780553,0.00028024605,0.000042289987,0.00097047206,0.0004620217,0.00015886017,0.00002434656,0.0006920586],"category_scores_gemma":[0.00003897779,0.00006985811,0.00007428239,0.0000016327001,0.0023673302,0.00028324276,0.000025030207,0.00010285088,0.000009794515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033713815,0.0000015408996,0.00005520221,0.000008927961,0.00016926906,0.00002435297,0.5916496,3.3132103e-8,0.000001086666,0.35820583,0.049402356,0.00044810938],"study_design_scores_gemma":[0.0005418163,0.00006367375,0.0004001528,0.000045934023,0.000115474744,0.00010988022,0.11828913,8.5818236e-8,0.00007906759,0.10957738,0.7706546,0.00012280047],"about_ca_topic_score_codex":0.040050857,"about_ca_topic_score_gemma":0.2888072,"teacher_disagreement_score":0.72125226,"about_ca_system_score_codex":0.00004368794,"about_ca_system_score_gemma":0.00019324673,"threshold_uncertainty_score":0.96634156},"labels":[],"label_agreement":null},{"id":"W1919015367","doi":"","title":"Signals in the Dark, La pratique artistique à l’ombre de la guerre, Galerie Leonard et Bina Ellen, Université Concordia, 29 août au 11 octobre 2008Signals in the Dark, La pratique artistique à l’ombre de la guerre, Galerie Leonard et Bina Ellen, Université Concordia, 29 août au 11 octobre 2008","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020260883562591724,"score_gpt":0.26194647637515955,"score_spread":0.24168559281256782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1919015367","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032164432,0.0058283275,0.0028916665,0.0072649755,0.0006427091,0.0033556912,0.003566295,0.00031060603,0.94397527],"genre_scores_gemma":[0.75155133,0.013513597,0.0009656927,0.0590814,0.0016599545,0.00045292618,0.0015327487,0.0003755981,0.17086673],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97896737,0.012935998,0.0018834476,0.0019547597,0.0011895625,0.0030688578],"domain_scores_gemma":[0.99057454,0.004640324,0.0012387824,0.0018292947,0.0007450081,0.0009720685],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0075234245,0.002194614,0.002110735,0.0005912227,0.0018075134,0.0014599396,0.0024483018,0.0027833295,0.00809907],"category_scores_gemma":[0.0009612879,0.001925591,0.00082219805,0.00042769342,0.0034720162,0.0018967099,0.0004640587,0.005170204,0.00009710893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035775654,0.001654066,0.0026575758,0.00039314237,0.00028933142,0.003216879,0.079485945,0.0027991168,0.0013794737,0.34670058,0.5605974,0.00046869958],"study_design_scores_gemma":[0.004073495,0.0007986837,0.0056263073,0.0013430141,0.0005793363,0.0010832357,0.06342406,0.0008773826,0.0006892977,0.012778842,0.90658396,0.0021423982],"about_ca_topic_score_codex":0.032628667,"about_ca_topic_score_gemma":0.024393406,"teacher_disagreement_score":0.7731086,"about_ca_system_score_codex":0.0016358949,"about_ca_system_score_gemma":0.00930808,"threshold_uncertainty_score":0.9995766},"labels":[],"label_agreement":null},{"id":"W1927444482","doi":"","title":"Transformations of the Canadian Cultural Mosaic","year":2012,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mosaic; Linguistics; History; Geography; Archaeology; Philosophy","score_opus":0.06511996827418251,"score_gpt":0.24631353855086188,"score_spread":0.18119357027667937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1927444482","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020732783,0.0000427278,0.0000115699895,0.0014083283,0.00033697553,0.00006630378,0.000091442525,0.000012417709,0.9772974],"genre_scores_gemma":[0.93773794,0.0000019520594,0.000009607699,0.0008073198,0.00019771773,0.0000022991298,0.00000849273,0.0000025726245,0.061232068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996886,0.000007715634,0.000073687654,0.00001914017,0.0000519235,0.00015892064],"domain_scores_gemma":[0.99980927,0.0000049479186,0.00001223153,0.00006851312,0.000032577664,0.00007249031],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003128554,0.000034333174,0.000036950372,0.000015623564,0.00032640403,0.00002190583,0.000059961258,0.000012968223,0.0016613594],"category_scores_gemma":[0.000002999759,0.00001883024,0.000039534134,7.024381e-7,0.00012722924,0.00019367255,0.0000036691922,0.00003436801,0.00005086359],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.4435028e-7,0.000007277359,0.0002969225,0.0000038634353,0.0000059117187,1.0716199e-8,0.24652353,7.862766e-7,0.000003036415,0.72723436,0.025794866,0.00012927226],"study_design_scores_gemma":[0.000041460753,0.0000031199445,0.0008582447,0.0000022065585,0.000009234511,6.2133523e-7,0.0043871524,0.00003069386,0.00019397837,0.0013068422,0.99312764,0.000038815455],"about_ca_topic_score_codex":0.3156952,"about_ca_topic_score_gemma":0.9641829,"teacher_disagreement_score":0.9673328,"about_ca_system_score_codex":0.000023021561,"about_ca_system_score_gemma":0.00004495471,"threshold_uncertainty_score":0.99925125},"labels":[],"label_agreement":null},{"id":"W1941106838","doi":"","title":"Ben Reeves - Detail – Laurel Street","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.044166226129764986,"score_gpt":0.22422320332688828,"score_spread":0.1800569771971233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1941106838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06332403,0.00006790189,0.00008918803,0.0010517134,0.0002772093,0.00013300452,0.000016488779,0.00016135881,0.9348791],"genre_scores_gemma":[0.6435347,0.000006060599,0.00012712907,0.0011876666,0.0004910504,0.000011655294,0.000011752167,0.000011088903,0.3546189],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937785,0.000012818567,0.0001360396,0.00012504491,0.000101727055,0.00024653744],"domain_scores_gemma":[0.99960744,0.000025146612,0.000027341204,0.00018423816,0.00006832034,0.00008750518],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003353197,0.00009816591,0.00010164829,0.000032589305,0.0001979432,0.00014563612,0.000114375354,0.000030189038,0.020686641],"category_scores_gemma":[0.000010220259,0.0000735941,0.000051754032,5.4713394e-7,0.00015890446,0.0002731972,0.00003912913,0.00006355375,0.0017766455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.726168e-7,0.000044227676,0.0008668276,0.000009616437,0.000025322732,0.0000016490261,0.032313433,7.696049e-7,0.000019173443,0.5904421,0.3743202,0.00195578],"study_design_scores_gemma":[0.00014990545,0.000042686985,0.0010730583,0.0000055487326,0.000012739543,7.036747e-7,0.0048080836,0.00015733807,0.00011616648,0.032881908,0.96058625,0.0001656026],"about_ca_topic_score_codex":0.0064373496,"about_ca_topic_score_gemma":0.059603374,"teacher_disagreement_score":0.58626604,"about_ca_system_score_codex":0.000009721467,"about_ca_system_score_gemma":0.000017280498,"threshold_uncertainty_score":0.9990006},"labels":[],"label_agreement":null},{"id":"W1943157731","doi":"","title":"Damage Done, Materializing the Photographic Image, Prefix Institute of Contemporary Art, Toronto May 5-June 11, 2005 Damage Done, Materializing the Photographic Image, Prefix Institute of Contemporary Art, Toronto May 5-June 11, 2005","year":2005,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Prefix; Visual arts; Art; Art history; History","score_opus":0.03577570122764992,"score_gpt":0.26120155113235427,"score_spread":0.22542584990470435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1943157731","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028343543,0.0079517765,0.00041794722,0.0013614197,0.009464917,0.005301322,0.006571028,0.0007802848,0.9398078],"genre_scores_gemma":[0.34991914,0.0036962593,0.0040283487,0.019533327,0.0064350334,0.0016155327,0.006017496,0.0007004628,0.6080544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911178,0.0007548507,0.002996121,0.0016678781,0.0013110412,0.0021523414],"domain_scores_gemma":[0.99325705,0.00015543295,0.0019975759,0.0028761402,0.0010301139,0.0006836975],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0022947306,0.001833977,0.0022452408,0.00031400964,0.0018476107,0.0014151027,0.0023115424,0.0007402906,0.025251005],"category_scores_gemma":[0.00017038234,0.0013322334,0.00095943396,0.00012701793,0.0038579954,0.0067047607,0.0008188316,0.00083091704,0.00013415146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005243696,0.00093016983,0.00014868546,0.0008047718,0.0007867493,0.000065267544,0.012814223,0.00005232346,0.08310884,0.03481623,0.8659287,0.000019641946],"study_design_scores_gemma":[0.003554446,0.00012820329,0.00011631078,0.0007164109,0.00049332547,0.000055154167,0.007403652,0.00020290447,0.024254763,0.00051938824,0.9610369,0.0015185447],"about_ca_topic_score_codex":0.024857279,"about_ca_topic_score_gemma":0.080155775,"teacher_disagreement_score":0.33175334,"about_ca_system_score_codex":0.0003533618,"about_ca_system_score_gemma":0.0008885105,"threshold_uncertainty_score":0.9996215},"labels":[],"label_agreement":null},{"id":"W1943607274","doi":"10.1111/j.1467-8365.2008.00649.x","title":"FAIRE DE SON HISTOIRE UNE BOUCLE (NOIRE): WAYS OF LOOKING AT TRISTAN TZARA","year":2009,"lang":"en","type":"article","venue":"Art History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Portrait; Nationalism; Power (physics); Art history; Politics; Cliché; Depiction; Literature; Law","score_opus":0.043055137916609684,"score_gpt":0.21263997630443301,"score_spread":0.16958483838782334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1943607274","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040417887,0.0028102067,0.00012319002,0.004152723,0.0007791745,0.0001021518,0.0000184554,0.00019593522,0.9514003],"genre_scores_gemma":[0.6902416,0.000014972126,0.00004686865,0.0062564574,0.00041093893,0.0000032638739,0.000016604949,0.000020690588,0.30298862],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892586,0.000029721943,0.00027974992,0.00020833971,0.00018680668,0.00036953192],"domain_scores_gemma":[0.9993783,0.000027798978,0.0001384578,0.00029732165,0.000060452378,0.000097645025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011130658,0.00015811264,0.00023782587,0.00008604862,0.00047235214,0.0000105581075,0.00015178125,0.00007079578,0.0011296074],"category_scores_gemma":[0.000014638761,0.00016638037,0.00014123182,0.0000024583514,0.00053202576,0.00015523372,0.000025672925,0.00014905568,0.00016977248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003087155,0.00010944377,0.0000663483,0.000038565737,0.000017244505,0.000035412086,0.14000191,0.0000045376487,0.001044897,0.1390992,0.7158293,0.0037222588],"study_design_scores_gemma":[0.00031485385,0.00012699039,0.0002442873,0.000028396475,0.000034066965,0.0000043326127,0.0005133313,0.00007541055,0.00024860818,0.0060291514,0.9921848,0.00019575683],"about_ca_topic_score_codex":0.0006988266,"about_ca_topic_score_gemma":0.0034459364,"teacher_disagreement_score":0.6498237,"about_ca_system_score_codex":0.0011868213,"about_ca_system_score_gemma":0.00012402335,"threshold_uncertainty_score":0.9997835},"labels":[],"label_agreement":null},{"id":"W1952010874","doi":"10.3138/topia.29.163","title":"Allyson Mitchell’s Lesbian Cultural Activism in Politicized Urban Space","year":2013,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eviction; Lesbian; Gender studies; Sociology; Queer; Politics; Ideology; Right to the city; Neighbourhood (mathematics); Power (physics); Urban politics; Political science; Law","score_opus":0.0829116691349109,"score_gpt":0.2844172109151756,"score_spread":0.2015055417802647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1952010874","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91254103,0.0040760613,0.0000011145688,0.013789686,0.0010764372,0.00021575882,0.000023105365,0.000016770404,0.068260044],"genre_scores_gemma":[0.9355548,0.00017471693,0.000054239157,0.0009363244,0.0014307273,0.000007251893,0.0000033572114,0.000014822024,0.06182374],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984787,0.00007147971,0.00046197145,0.0001415009,0.00019391478,0.0006524345],"domain_scores_gemma":[0.9985798,0.00005300201,0.00020710494,0.00010856823,0.0005892322,0.00046227968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001222669,0.00024030665,0.00047602272,0.00016247126,0.00041475263,0.00027981497,0.00022464822,0.00005703829,0.0006783356],"category_scores_gemma":[0.00013828179,0.00016168135,0.0001746236,0.000007764492,0.0005109909,0.0007953053,0.000022436732,0.00031129297,0.000076149736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000129802875,0.000029674977,0.0034679987,0.000049115082,0.00036429867,0.00010435956,0.75356954,0.000008768657,0.00013666619,0.07878976,0.16247565,0.0009911661],"study_design_scores_gemma":[0.00090138946,0.00015396824,0.009210093,0.00017430927,0.000072237686,0.00005267456,0.14821857,0.000009771414,0.00018634576,0.0058120554,0.8348103,0.00039826214],"about_ca_topic_score_codex":0.15076979,"about_ca_topic_score_gemma":0.68355197,"teacher_disagreement_score":0.6723347,"about_ca_system_score_codex":0.00037680293,"about_ca_system_score_gemma":0.00024152208,"threshold_uncertainty_score":0.8548853},"labels":[],"label_agreement":null},{"id":"W1953314151","doi":"10.26522/br.v11i2.313","title":"Designing Preservation: Waterways in the Works and Patterns of William Morris","year":2011,"lang":"en","type":"article","venue":"The Brock Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Environmentalism; Ideology; Environmental ethics; Romance; Morris water navigation task; Sociology; Aesthetics; History; Law; Art; Psychology; Philosophy; Political science; Literature; Politics","score_opus":0.15196936072042477,"score_gpt":0.2647825628823544,"score_spread":0.11281320216192964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1953314151","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1659117,0.53101146,0.0048015034,0.0061447485,0.0007825755,0.005145891,0.00009901389,0.00016415025,0.28593895],"genre_scores_gemma":[0.93947667,0.048723523,0.00006206604,0.0041219066,0.00023222985,0.00006108375,0.000007060091,0.000014992525,0.0073004975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993706,0.000116521674,0.00021743673,0.00007841766,0.000088517285,0.00012852998],"domain_scores_gemma":[0.99958456,0.00006366503,0.000077239,0.00022637713,0.00003197545,0.00001621185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022065766,0.00007874662,0.00015979318,0.000012847459,0.000121198034,0.000026188147,0.00020583357,0.00001514261,0.00027862814],"category_scores_gemma":[0.000017790422,0.0000381178,0.000039851446,0.0000021630744,0.000077185054,0.00014359712,0.00004674462,0.00008733648,0.000011565187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001792795,0.00015637094,0.0070542367,0.005034428,0.000078802914,0.0000060941893,0.8775719,0.0000023735076,0.000023028548,0.051663287,0.02658247,0.031809084],"study_design_scores_gemma":[0.0002706722,0.00010618067,0.0053601777,0.006855798,0.00018745857,0.000010048907,0.0041565057,0.000024745581,0.0001443628,0.01541518,0.96722656,0.0002423101],"about_ca_topic_score_codex":0.0005835966,"about_ca_topic_score_gemma":0.001642931,"teacher_disagreement_score":0.9406441,"about_ca_system_score_codex":0.000003900041,"about_ca_system_score_gemma":0.000006772289,"threshold_uncertainty_score":0.30507827},"labels":[],"label_agreement":null},{"id":"W1960669287","doi":"","title":"Tammi Campbell - Studies (series), de la série Works in Progress","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); History; Geology","score_opus":0.04370769270706286,"score_gpt":0.28922469213756713,"score_spread":0.24551699943050426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1960669287","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21376476,0.0025408673,0.000040684678,0.0029828106,0.00045732065,0.0004931135,0.000008164801,0.00021535129,0.7794969],"genre_scores_gemma":[0.85581535,0.0001901379,0.00025283452,0.0008211285,0.00039598378,0.000107682106,0.0000036029044,0.000016880264,0.14239642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991932,0.00005638932,0.00017407593,0.00013951311,0.00008653093,0.00035030112],"domain_scores_gemma":[0.99960434,0.00008207744,0.000034177425,0.0001413049,0.00007241613,0.0000656837],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013426751,0.0001234668,0.00016524598,0.000051960487,0.00016825653,0.0002055794,0.00010238202,0.00004980568,0.0019525525],"category_scores_gemma":[0.000028013459,0.00009258261,0.000038563976,0.000001990602,0.000702522,0.00035939706,0.00006340663,0.00012873422,0.0001939677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010000084,0.00016215304,0.0045469883,0.00007090166,0.00007591327,0.000022170292,0.391467,0.0000045397396,0.0000059634913,0.46914962,0.12742692,0.007057796],"study_design_scores_gemma":[0.00038854976,0.00007408642,0.0013644786,0.000072342045,0.000015014101,0.0000045578345,0.05378653,0.00010330719,0.00011072816,0.07641878,0.8673852,0.00027643182],"about_ca_topic_score_codex":0.0018309499,"about_ca_topic_score_gemma":0.017803786,"teacher_disagreement_score":0.7399583,"about_ca_system_score_codex":0.000041969928,"about_ca_system_score_gemma":0.000033118675,"threshold_uncertainty_score":0.9989598},"labels":[],"label_agreement":null},{"id":"W1965695136","doi":"10.1111/j.1467-8365.2009.00715.x","title":"MORNING CLEANING: JEFF WALL AND <i>THE LARGE GLASS</i>","year":2009,"lang":"en","type":"article","venue":"Art History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Pavilion; Morning; Art; Sculpture; Art history; Visual arts; BLISS; Painting; Performance art; Architecture; History; Archaeology; Computer science","score_opus":0.026802927552663763,"score_gpt":0.20486043372790178,"score_spread":0.17805750617523802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965695136","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010333712,0.002607936,0.000053640975,0.002124285,0.0007000246,0.000087232744,0.000005702495,0.0001368592,0.9839506],"genre_scores_gemma":[0.7186578,0.00004554984,0.000019545816,0.013418166,0.0005336044,0.000003818628,0.0000069458265,0.000012526072,0.26730207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992931,0.000042983596,0.00014421894,0.00015039726,0.0001105444,0.00025879516],"domain_scores_gemma":[0.9996173,0.000053779197,0.000051550076,0.00017882988,0.000031454387,0.00006711541],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021899822,0.00010761022,0.0001493054,0.00003492741,0.00040931592,0.0000310339,0.00009424427,0.000028114411,0.00054777326],"category_scores_gemma":[0.000022604532,0.000082859464,0.00006395065,7.6788655e-7,0.00038179263,0.00013145413,0.000024276545,0.0001381812,0.0002523896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019040275,0.000032240852,0.000028977107,0.00000556203,0.000010018216,0.0000050608955,0.1545622,6.384021e-7,0.000017259397,0.49792233,0.34677312,0.00062353647],"study_design_scores_gemma":[0.0007037107,0.000040952415,0.000105591804,0.000009214582,0.000023205781,0.000003365902,0.00059768977,0.0002288294,0.000004661022,0.0040382626,0.99412674,0.00011780602],"about_ca_topic_score_codex":0.00008403836,"about_ca_topic_score_gemma":0.001137332,"teacher_disagreement_score":0.7166485,"about_ca_system_score_codex":0.00008842845,"about_ca_system_score_gemma":0.00002923622,"threshold_uncertainty_score":0.5997733},"labels":[],"label_agreement":null},{"id":"W1966019844","doi":"10.7202/044411ar","title":"Night-clubs et discothèques : visions d’architecture","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Vision; Art; Sociology","score_opus":0.031836039010960236,"score_gpt":0.30262848981076423,"score_spread":0.270792450799804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966019844","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036882117,0.0077653313,0.011092919,0.021459412,0.005067726,0.0013314843,0.0022372648,0.0025211396,0.9116426],"genre_scores_gemma":[0.58457613,0.002591731,0.012915672,0.008820845,0.002664065,0.0003469389,0.00033689174,0.00043568015,0.38731205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99396527,0.0007508369,0.0014380016,0.0013144473,0.0007220426,0.0018093846],"domain_scores_gemma":[0.9956548,0.00079914456,0.00052377756,0.0015891953,0.0007263458,0.00070668553],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012356804,0.0014442427,0.001191005,0.0006565217,0.003175121,0.0019736565,0.0012898381,0.00078889786,0.0026793545],"category_scores_gemma":[0.00059398956,0.0013357187,0.0009641409,0.000040103045,0.011850243,0.0022377826,0.00071121386,0.0027161094,0.00012571138],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011327775,0.0007285743,0.00023854415,0.0005625628,0.00021996365,0.00027696337,0.099757664,0.0000044235176,0.003180321,0.7147673,0.044101477,0.13604896],"study_design_scores_gemma":[0.0002942272,0.000659001,0.00021799875,0.0014864772,0.00020744675,0.0002553167,0.0010463013,0.000026559777,0.0062062126,0.1937462,0.79458904,0.0012652427],"about_ca_topic_score_codex":0.014159865,"about_ca_topic_score_gemma":0.15647125,"teacher_disagreement_score":0.75048757,"about_ca_system_score_codex":0.0006238464,"about_ca_system_score_gemma":0.00045172955,"threshold_uncertainty_score":0.9998307},"labels":[],"label_agreement":null},{"id":"W1967467839","doi":"10.7202/1005519ar","title":"No Sex Last Night: The Look of the Other","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Construct (python library); Photography; Feeling; Visual arts; Art; Aesthetics; Psychology; Computer science; Social psychology","score_opus":0.058828093935547034,"score_gpt":0.27377572055952126,"score_spread":0.21494762662397424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967467839","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01866247,0.0003772385,0.0008055287,0.0005548642,0.00068462413,0.00053209945,0.00017417528,0.00049777987,0.9777112],"genre_scores_gemma":[0.79901284,0.000072731986,0.00077292445,0.0039306493,0.0004799025,0.00012290936,0.000008925934,0.000104512874,0.19549458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977407,0.0003521952,0.0006312428,0.00038757405,0.0003338174,0.0005544581],"domain_scores_gemma":[0.998119,0.00019408997,0.00031483115,0.0008960652,0.00037590018,0.000100103054],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000567376,0.0004383289,0.00041635285,0.0001273198,0.0011151758,0.00018266322,0.00095730287,0.00013405179,0.0010454332],"category_scores_gemma":[0.00014442705,0.0002652995,0.00039807003,0.000014815048,0.0062826327,0.00048659972,0.00031357186,0.00040713133,0.00004514802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084722196,0.00033717332,0.0012804692,0.00020411507,0.00017157575,0.000020096923,0.267752,4.6475074e-7,0.0010024386,0.67250925,0.027165197,0.029472519],"study_design_scores_gemma":[0.00013480091,0.00023768969,0.00028520686,0.00036010615,0.00007388102,0.000022914734,0.0016427957,0.0000064469505,0.018833933,0.060477372,0.91755897,0.00036585782],"about_ca_topic_score_codex":0.0058774026,"about_ca_topic_score_gemma":0.027787767,"teacher_disagreement_score":0.8903938,"about_ca_system_score_codex":0.000184466,"about_ca_system_score_gemma":0.00009226116,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W1970428398","doi":"10.7202/1009072ar","title":"Breton’s Wall, Carrington’s Kitchen: Surrealism and the Archive","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Studio; Politics; Painting; Power (physics); Art; Art history; History; Visual arts; Political science; Law","score_opus":0.043983809997092116,"score_gpt":0.28533600743391807,"score_spread":0.24135219743682595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970428398","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067873135,0.0044285483,0.0030903271,0.0044011986,0.0012397103,0.0011361364,0.00047559716,0.0015794727,0.9157759],"genre_scores_gemma":[0.95471764,0.00061875314,0.0012747588,0.005848472,0.0010584346,0.0002817922,0.00008799007,0.00013053192,0.035981636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970174,0.0005043701,0.00065397733,0.00047429546,0.00035314824,0.0009968097],"domain_scores_gemma":[0.997894,0.0006276953,0.0002484545,0.00067539146,0.00023966338,0.0003148217],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0011718816,0.000589036,0.00061696547,0.00021866578,0.0015768895,0.000553005,0.0005341378,0.00014861189,0.00022313943],"category_scores_gemma":[0.00024308583,0.0004344274,0.00032836563,0.000011470283,0.007591784,0.0011453985,0.00036451398,0.0005653471,0.000019943967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013138125,0.000121102064,0.0007418399,0.00015412093,0.00012015614,0.00001906883,0.26888877,2.9755415e-7,0.00017556775,0.67874396,0.013487089,0.037416667],"study_design_scores_gemma":[0.00048080334,0.00014660713,0.00050414464,0.00030553073,0.0001303331,0.0000993809,0.0024505714,0.00001982552,0.001557704,0.10675179,0.8869573,0.00059602613],"about_ca_topic_score_codex":0.01175883,"about_ca_topic_score_gemma":0.019430546,"teacher_disagreement_score":0.8868445,"about_ca_system_score_codex":0.00033225858,"about_ca_system_score_gemma":0.00007282656,"threshold_uncertainty_score":0.99981076},"labels":[],"label_agreement":null},{"id":"W1971961683","doi":"10.1353/scr.2005.0050","title":"Baroness Elsa: Gender, Dada, and Everyday Modernity--A Cultural Biography (review)","year":2005,"lang":"en","type":"article","venue":"South Central Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Biography; Art history; Art; Sculpture; Vision; Mythology; Literature; Philosophy; Sociology; Anthropology","score_opus":0.07259110907010952,"score_gpt":0.28085895446129877,"score_spread":0.20826784539118925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1971961683","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026282645,0.9668754,0.000058483765,0.001856767,0.00042526843,0.00078723585,0.00026504337,0.00012499736,0.026978543],"genre_scores_gemma":[0.15010858,0.8260935,0.000113982846,0.015843477,0.0010145463,0.000041176067,0.00011611531,0.00003664488,0.0066319588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980457,0.000118714815,0.0004990137,0.00037009388,0.0002816698,0.00068484526],"domain_scores_gemma":[0.99907804,0.000023772736,0.00015369216,0.00032742982,0.000116955365,0.00030013052],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024318628,0.00032954087,0.00058993296,0.00004664307,0.00034772838,0.00008097608,0.0002094139,0.00004893018,0.0015650569],"category_scores_gemma":[0.00003609175,0.00024404953,0.00031910383,0.000009073772,0.00031489987,0.00034923115,0.000056792025,0.00021840018,0.00023586291],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023762886,0.00043140884,0.0023738681,0.049818277,0.0006040195,0.000028682105,0.19235821,0.0000047126705,0.000011669826,0.08778277,0.5305177,0.1360449],"study_design_scores_gemma":[0.00022146101,0.000019511217,0.0003922155,0.0032006726,0.0003301529,0.000008966994,0.00033490558,0.00002962425,0.0000048579986,0.00046806294,0.99461913,0.00037046516],"about_ca_topic_score_codex":0.000093219875,"about_ca_topic_score_gemma":0.00036907068,"teacher_disagreement_score":0.4641014,"about_ca_system_score_codex":0.000036106747,"about_ca_system_score_gemma":0.000040528812,"threshold_uncertainty_score":0.9993476},"labels":[],"label_agreement":null},{"id":"W1972620262","doi":"10.1111/1468-2303.00251","title":"The Verificationist in Spite of Himself","year":2003,"lang":"en","type":"article","venue":"History and Theory","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Reflexive pronoun; Epistemology; History; Philosophy","score_opus":0.03146210630232882,"score_gpt":0.20260680878086987,"score_spread":0.17114470247854105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972620262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023694478,0.006094813,0.00004499653,0.00005833167,0.00054146454,0.00006256937,0.00000522834,0.000013428063,0.9694847],"genre_scores_gemma":[0.9103126,0.00010125039,0.000007149754,0.00016798447,0.00005120878,0.000005144078,0.0000011077253,0.000004898794,0.08934867],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996288,0.00007962889,0.00010430944,0.00006453772,0.00003837914,0.00008437107],"domain_scores_gemma":[0.9997302,0.00007568943,0.000038396734,0.00011794911,0.000018409317,0.000019339528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029644484,0.00004381698,0.00005953667,0.000021764197,0.00018941885,0.000009838882,0.00004497926,0.000014723493,0.0003074926],"category_scores_gemma":[0.000027915752,0.00003258733,0.000019861518,6.303202e-7,0.00062738406,0.000043231033,0.0000049113874,0.000047801317,0.000011116898],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007885875,0.000016909575,0.00003275087,0.00000792768,0.0000035017842,4.7795504e-7,0.05098433,1.7513054e-7,0.000017040315,0.9468693,0.0016301611,0.0004295082],"study_design_scores_gemma":[0.00008776392,0.000012481957,0.0001522056,0.000004436046,0.000004379156,5.716924e-7,0.0018291113,0.0000023759922,0.000035182205,0.11846818,0.8793642,0.000039107235],"about_ca_topic_score_codex":0.00006372959,"about_ca_topic_score_gemma":0.00088700064,"teacher_disagreement_score":0.88661814,"about_ca_system_score_codex":0.000038017643,"about_ca_system_score_gemma":0.00003262856,"threshold_uncertainty_score":0.33668283},"labels":[],"label_agreement":null},{"id":"W1974067765","doi":"10.1111/1467-6443.00110","title":"Modernism and the Machine Farmer","year":2000,"lang":"en","type":"article","venue":"Journal of Historical Sociology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Modernism (music); Modernity; Context (archaeology); Phenomenon; Character (mathematics); Space (punctuation); Sociology; Aesthetics; History; Political science; Archaeology; Art; Law; Philosophy; Epistemology","score_opus":0.03320795901046338,"score_gpt":0.23612026245675033,"score_spread":0.20291230344628694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974067765","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2835121,0.05964341,0.0022690766,0.09801721,0.006430064,0.00034944096,0.00003829825,0.0000781142,0.5496623],"genre_scores_gemma":[0.9171438,0.0006637444,0.0000617355,0.0030117738,0.0017397985,0.0000014102527,7.3402987e-7,0.000009552171,0.077367455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925715,0.00012292285,0.00029179966,0.000066316796,0.00009904349,0.00016277276],"domain_scores_gemma":[0.9995063,0.00016804827,0.00012744465,0.000069650705,0.00005857305,0.00006998664],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002638567,0.00008054364,0.00027072147,0.00002746524,0.00029389732,0.000014867688,0.00011687292,0.000056978035,0.0019297242],"category_scores_gemma":[0.000031802287,0.00004412751,0.00012817369,6.2990006e-7,0.00086407916,0.000063039995,0.000013809492,0.00030143242,0.000026564263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045190688,0.00016448459,0.00019681544,0.000013311354,0.0002006586,0.000037053036,0.43190512,0.00001811484,0.00001886985,0.44138435,0.10635504,0.019254291],"study_design_scores_gemma":[0.0008157893,0.0001159409,0.00006695592,0.0000019164563,0.000043520802,0.000049232796,0.00023492675,0.0001221502,5.9540525e-7,0.080527775,0.9179658,0.00005535476],"about_ca_topic_score_codex":0.0003836013,"about_ca_topic_score_gemma":0.00013856331,"teacher_disagreement_score":0.8116108,"about_ca_system_score_codex":0.00014282716,"about_ca_system_score_gemma":0.000026235874,"threshold_uncertainty_score":0.99898267},"labels":[],"label_agreement":null},{"id":"W1974286156","doi":"10.1353/crv.2006.0035","title":"Between Avant-Garde and Kitsch: Pragmatic Liberalism, Public Arts Funding, and the Cold War in the United States","year":2004,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kitsch; Isolationism; Liberalism; Economic history; Political science; History; Law; Art history; Politics; Foreign policy","score_opus":0.0881586594079337,"score_gpt":0.3023471677684392,"score_spread":0.21418850836050546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974286156","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21612468,0.49148118,0.000009195289,0.25782308,0.0002700183,0.0027287991,0.0006953297,0.00005754495,0.03081017],"genre_scores_gemma":[0.750531,0.2164402,0.000041365114,0.03148578,0.00018027186,0.000083984596,0.00004334721,0.000021226706,0.0011728343],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886245,0.0001723461,0.0003380659,0.00014954407,0.00013113138,0.00034645345],"domain_scores_gemma":[0.9989896,0.00036779526,0.00018395306,0.00020446948,0.000116069496,0.00013810612],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000584839,0.00016333244,0.00055781985,0.00014320001,0.00039023708,0.000061308936,0.0001575455,0.000011419346,0.000023692519],"category_scores_gemma":[0.00024050246,0.00009026496,0.000048551163,0.00001412228,0.002797224,0.00008217927,0.000042875447,0.00012614891,0.0000046154437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003854874,0.000022635637,0.0017074307,0.0030967663,0.00045563432,0.000021030988,0.78886145,0.0000018583327,1.4621385e-7,0.16682611,0.03444024,0.0045628604],"study_design_scores_gemma":[0.00032787645,0.00006164634,0.0011597989,0.0011320522,0.0001280081,0.0000046046816,0.03664387,0.000002046432,3.508062e-7,0.0021557403,0.9582535,0.00013051838],"about_ca_topic_score_codex":0.12557133,"about_ca_topic_score_gemma":0.5776202,"teacher_disagreement_score":0.9238132,"about_ca_system_score_codex":0.000059735856,"about_ca_system_score_gemma":0.00012386932,"threshold_uncertainty_score":0.9999166},"labels":[],"label_agreement":null},{"id":"W1984765046","doi":"10.1353/mfs.2007.0061","title":"Passionate Collaborations: Learning to Live with Gertrude Stein (review)","year":2007,"lang":"en","type":"article","venue":"Modern fiction studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"PICASSO; Portrait; Modernism (music); Art history; Scholarship; Politics; Art; History; Sociology; Painting; Law; Political science","score_opus":0.08537484009798267,"score_gpt":0.31314738185386926,"score_spread":0.22777254175588657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984765046","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23048617,0.21740192,0.045723177,0.021730531,0.005223762,0.004961377,0.00030162468,0.0026434127,0.47152802],"genre_scores_gemma":[0.8799467,0.006121065,0.0003391906,0.0035672176,0.0007354986,0.0001182896,0.000024611432,0.00003998263,0.109107405],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889344,0.00004052953,0.00027736882,0.0002412366,0.00025404274,0.00029336984],"domain_scores_gemma":[0.99901515,0.000095303796,0.000095299896,0.000143008,0.00056679535,0.00008441435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026793923,0.00017210553,0.00025642425,0.00009753928,0.00090798916,0.000047841666,0.00006252696,0.000026274478,0.00015074127],"category_scores_gemma":[0.00008450212,0.00012967782,0.00004303988,0.000010171101,0.00014139635,0.00017803063,0.0000527188,0.00013327874,0.00015924739],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010624976,0.00013439925,0.0004224409,0.00033872103,0.0004310331,0.000021002652,0.830578,0.00081821164,0.00009425713,0.012247605,0.14145826,0.013349792],"study_design_scores_gemma":[0.0002327212,0.00020762192,0.0003476301,0.00039758807,0.00007380863,0.0000025997174,0.049621776,0.00017844896,0.00006705037,0.00055313687,0.9480809,0.00023671008],"about_ca_topic_score_codex":0.00010829047,"about_ca_topic_score_gemma":0.0074607534,"teacher_disagreement_score":0.8066226,"about_ca_system_score_codex":0.000094471536,"about_ca_system_score_gemma":0.00003289866,"threshold_uncertainty_score":0.69836104},"labels":[],"label_agreement":null},{"id":"W1987485323","doi":"10.1353/esc.2007.0001","title":"Surface Interiorities: Representing the Quebec Convent","year":2005,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"SAINT; Interior design; Soul; Mysticism; Art history; Making-of; Architecture; Art; Theology; Philosophy; Visual arts","score_opus":0.06882324404384799,"score_gpt":0.2809387776415424,"score_spread":0.21211553359769442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987485323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67944545,0.006942467,0.000002969336,0.004561572,0.0070370203,0.0003076815,0.00008872046,0.00008031715,0.30153382],"genre_scores_gemma":[0.94739616,0.00016630466,0.000010877959,0.0015733714,0.0019639973,0.0000129235395,0.0000032704236,0.000012962723,0.048860118],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998952,0.000052849246,0.0002805319,0.00017237205,0.00019592834,0.00034632348],"domain_scores_gemma":[0.9992464,0.00026543884,0.00006251471,0.00023231609,0.00015444275,0.000038891718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018524968,0.00012961714,0.00020044588,0.000017228329,0.00036688792,0.000060675156,0.0001926035,0.000013291381,0.00027320243],"category_scores_gemma":[0.00023013302,0.00009619278,0.000038701284,0.0000029142577,0.0003839364,0.00012856517,0.00015049535,0.00017619034,0.0000042758566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036338652,0.000011807736,0.0013655763,0.000037543832,0.00008767401,0.000017378066,0.67078173,0.00022122046,4.6651098e-7,0.014393188,0.31219357,0.0008862149],"study_design_scores_gemma":[0.000117058065,0.000004515632,0.00008682244,0.000030847452,0.0000071323134,4.3079052e-7,0.24996248,0.000089435984,0.000025024863,0.00014566934,0.74943227,0.00009833885],"about_ca_topic_score_codex":0.9870266,"about_ca_topic_score_gemma":0.999943,"teacher_disagreement_score":0.43723866,"about_ca_system_score_codex":0.000836712,"about_ca_system_score_gemma":0.00039047265,"threshold_uncertainty_score":0.3922628},"labels":[],"label_agreement":null},{"id":"W1987709822","doi":"10.1215/02705346-15-3_45-1","title":"Martha Wilson: Not Taking It at Face Value","year":2001,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Face value; Value (mathematics); Art; Aesthetics; Sociology; History; Mathematics; Statistics; Social science; Archaeology","score_opus":0.10824392646571264,"score_gpt":0.30803106518287776,"score_spread":0.19978713871716514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987709822","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2521261,0.06009235,0.000050743038,0.014480856,0.005850413,0.0009122666,0.0003800226,0.00050078775,0.6656065],"genre_scores_gemma":[0.8255702,0.014598712,0.000082014616,0.0065617394,0.0026297448,0.000053297248,0.000058898433,0.00003397841,0.15041137],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982396,0.000045715195,0.0003550329,0.00044919172,0.00031440466,0.00059608783],"domain_scores_gemma":[0.99898046,0.00020358984,0.00018729432,0.0002495243,0.00017529752,0.00020383131],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00014284914,0.0003969204,0.00054089335,0.000056254114,0.0011066305,0.00012007162,0.0001531302,0.00011096461,0.00029408114],"category_scores_gemma":[0.00018264606,0.0002863508,0.00013726119,0.0000071700933,0.00096416747,0.00024197527,0.00020774361,0.00025114088,0.00010871013],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025370144,0.00003516365,0.00027966505,0.00006958897,0.00022848103,0.00007324624,0.856572,0.0000012755452,0.0000947817,0.029319264,0.109724395,0.003576806],"study_design_scores_gemma":[0.00049514166,0.000082084305,0.00022936137,0.00008525411,0.00014226155,0.00004161445,0.13394172,0.000014195607,0.00020567286,0.0010927044,0.86329544,0.00037453565],"about_ca_topic_score_codex":0.0000830565,"about_ca_topic_score_gemma":0.002086141,"teacher_disagreement_score":0.75357103,"about_ca_system_score_codex":0.00006717975,"about_ca_system_score_gemma":0.00002680755,"threshold_uncertainty_score":0.9999589},"labels":[],"label_agreement":null},{"id":"W1989139689","doi":"10.1017/s0307883312000089","title":"Being and Becoming Visible: Women, Performance, and Visual Culture","year":2012,"lang":"en","type":"article","venue":"Theatre Research International","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Media studies; Sociology; Art history; History","score_opus":0.08617657903367901,"score_gpt":0.3714407587163322,"score_spread":0.28526417968265316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989139689","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62210226,0.00019216769,0.000009708553,0.00040334242,0.00026178532,0.000090655,0.000015623098,0.000023362833,0.37690112],"genre_scores_gemma":[0.97099745,0.0003009093,0.000030274106,0.0001537274,0.0020096267,0.000023584402,0.00001302459,0.000012395232,0.026459033],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989273,0.000046726913,0.00011206415,0.00012197903,0.00034488706,0.00044707253],"domain_scores_gemma":[0.9995728,0.000077160636,0.000017924516,0.00005551293,0.00011225433,0.00016432705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006060466,0.000083874125,0.00008538848,0.000156632,0.0004524771,0.00020017564,0.00009393917,0.00003100446,0.0008070674],"category_scores_gemma":[0.000017312123,0.00006656028,0.000015494932,0.0000031637119,0.00034390937,0.00050354877,0.00016424309,0.000225143,0.000041149815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000114532566,0.00023396447,0.03998915,0.0001281971,0.00018398167,0.000004732801,0.6047003,7.795724e-7,0.0003470283,0.2386738,0.013056296,0.10256719],"study_design_scores_gemma":[0.00040039836,0.00012413572,0.0026508328,0.000048811802,0.0000046023233,0.000016134958,0.010640206,0.0010803952,0.00015825348,0.0051667956,0.9795743,0.0001351091],"about_ca_topic_score_codex":0.00012912648,"about_ca_topic_score_gemma":0.00010896109,"teacher_disagreement_score":0.96651804,"about_ca_system_score_codex":0.00007616891,"about_ca_system_score_gemma":0.000023748345,"threshold_uncertainty_score":0.8836822},"labels":[],"label_agreement":null},{"id":"W1995767602","doi":"10.1080/10848770.2012.729204","title":"Please Touch: Dada and Surrealist Objects after the Readymade. By Janine Mileaf","year":2013,"lang":"en","type":"article","venue":"The European Legacy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.020545736943233472,"score_gpt":0.20098394612575093,"score_spread":0.18043820918251746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995767602","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19649026,0.0012363482,0.000013476458,0.00502553,0.000442372,0.00036994927,0.00013237886,0.00011096676,0.7961787],"genre_scores_gemma":[0.8712027,0.00006148749,0.0000045336087,0.0046245493,0.0014485824,0.000014159701,0.000029218694,0.000044836317,0.122569904],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988138,0.0003058562,0.00019803835,0.00020305681,0.00014859087,0.00033064393],"domain_scores_gemma":[0.99917364,0.00011227779,0.00006567933,0.00048346445,0.000059754653,0.00010518652],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002452529,0.00018632392,0.00012919575,0.000021124975,0.00055615,0.0006972576,0.00030411637,0.00001373555,0.0012029641],"category_scores_gemma":[0.000037551854,0.00009813012,0.00005323886,0.0000030121037,0.00063156156,0.00037151083,0.00015901384,0.00019296116,0.00096733135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030657295,0.00006749471,0.00006919402,0.000025698728,0.00005306421,0.00002829805,0.17404686,7.489825e-7,0.00013203516,0.023176236,0.796827,0.005542663],"study_design_scores_gemma":[0.00027981354,0.00005723047,0.0013471167,0.000019141851,0.000040598996,0.000012692169,0.0047731153,0.000039369,0.00005172867,0.0014561514,0.9917234,0.00019964745],"about_ca_topic_score_codex":0.005488764,"about_ca_topic_score_gemma":0.0021484334,"teacher_disagreement_score":0.6747125,"about_ca_system_score_codex":0.000011343999,"about_ca_system_score_gemma":0.000014327347,"threshold_uncertainty_score":0.9998105},"labels":[],"label_agreement":null},{"id":"W1997969643","doi":"10.1016/j.nuclphysbps.2004.11.037","title":"Status of the Picasso project","year":2004,"lang":"en","type":"article","venue":"Nuclear Physics B - Proceedings Supplements","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; Université de Montréal","funders":"","keywords":"PICASSO; Art; Visual arts","score_opus":0.0578733918253559,"score_gpt":0.2748258114325894,"score_spread":0.2169524196072335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997969643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63210833,0.00001999394,0.000011445723,0.0007365013,0.00060715276,0.0009174722,0.00064098113,0.00015132382,0.3648068],"genre_scores_gemma":[0.99665886,0.000021054397,0.00015641603,0.00042606785,0.00056165486,0.0000116214105,0.000016627297,0.000046079185,0.002101621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987211,0.000004590535,0.00024045352,0.00019602479,0.00034643995,0.0004913397],"domain_scores_gemma":[0.99943596,0.0000060125344,0.00017134557,0.00014096934,0.00018250204,0.000063184234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000566233,0.00015907781,0.0001665922,0.0000316225,0.0003722625,0.00011260867,0.00027167116,0.000025744612,0.00031179265],"category_scores_gemma":[0.000016814038,0.00011894143,0.00011639752,0.00000807618,0.00028651988,0.0003154034,0.00016120159,0.00014473131,0.000054717595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016893993,0.00025619473,0.0008296513,0.0000934627,0.00007158132,3.4134223e-7,0.18795852,0.0000021862818,0.0009261972,0.7865621,0.02255025,0.00073260814],"study_design_scores_gemma":[0.0009731703,0.00013008768,0.0003641538,0.00005757045,0.00005660762,9.543394e-7,0.0065922677,0.000028965647,0.0032418147,0.04821861,0.94011873,0.00021709414],"about_ca_topic_score_codex":0.0015884606,"about_ca_topic_score_gemma":0.00019840045,"teacher_disagreement_score":0.91756845,"about_ca_system_score_codex":0.00008912686,"about_ca_system_score_gemma":0.00008640119,"threshold_uncertainty_score":0.4850291},"labels":[],"label_agreement":null},{"id":"W1998254149","doi":"10.1353/utq.2010.0021","title":"Peter Flinsch: The Body in Question (review)","year":2010,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Masculinity; Narrative; Politics; Officer; Art history; History; Art; Sociology; Law; Gender studies; Literature; Political science","score_opus":0.015134069807938905,"score_gpt":0.22031432235008783,"score_spread":0.20518025254214892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998254149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19022228,0.0030280838,0.0001664216,0.002561562,0.0014918532,0.0005485846,0.00009560635,0.00009738211,0.8017882],"genre_scores_gemma":[0.97907615,0.00043509752,0.00006012917,0.0003329239,0.00021240582,2.7516785e-7,0.000011293331,0.000005640449,0.01986607],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999542,0.00004328351,0.000093268696,0.00010112774,0.00009094718,0.00012939736],"domain_scores_gemma":[0.9996201,0.000026107442,0.000057387955,0.00019926358,0.000060452963,0.000036680012],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013976227,0.000069834336,0.00011478498,0.0000132470595,0.000133873,0.0000114011855,0.00018378995,0.0000301973,0.002768538],"category_scores_gemma":[0.000005236147,0.00005919418,0.00006738076,6.07471e-7,0.00021205653,0.00026742724,0.000011808578,0.00010582597,0.000050351457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042505588,0.0002454918,0.00047697683,0.00021753217,0.000049264814,0.000023357481,0.5258553,4.008933e-7,0.00039827407,0.40728524,0.04940662,0.015999002],"study_design_scores_gemma":[0.00027563676,0.00017181913,0.0054104286,0.00008679286,0.00003500356,0.0000013793591,0.008050245,0.00006761021,0.0000046911127,0.0010392162,0.98474205,0.0001151204],"about_ca_topic_score_codex":0.05296826,"about_ca_topic_score_gemma":0.6780674,"teacher_disagreement_score":0.93533546,"about_ca_system_score_codex":0.000033908495,"about_ca_system_score_gemma":0.000023952121,"threshold_uncertainty_score":0.9981431},"labels":[],"label_agreement":null},{"id":"W2000061053","doi":"10.1177/1206331204273885","title":"Occupying E.1027","year":2005,"lang":"en","type":"article","venue":"Space and Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Gray (unit); Architecture; Covert; Unconscious mind; Art; Aesthetics; Art history; Sociology; Visual arts; Psychoanalysis; Philosophy; Psychology","score_opus":0.02991948075984796,"score_gpt":0.24241365431830295,"score_spread":0.21249417355845499,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000061053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017403344,0.0020948006,0.00004014824,0.007695894,0.0003017204,0.00009013131,0.000042933396,0.00012016769,0.9722109],"genre_scores_gemma":[0.633789,0.00008726562,0.00010465846,0.0015182731,0.0019115254,0.0000026050398,0.000008916342,0.0000074712802,0.36257026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999609,0.0000065817508,0.00005664964,0.00010442682,0.00006304483,0.0001602918],"domain_scores_gemma":[0.9998226,0.0000034052237,0.000019007188,0.000076945296,0.000019852403,0.000058145364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000025306617,0.00008123249,0.00007533906,0.000012731814,0.00027049307,0.00009670923,0.000040650426,0.0000346777,0.0007228856],"category_scores_gemma":[0.0000031779987,0.00005865689,0.000031625164,4.981097e-7,0.00009782728,0.00014058471,0.00001849367,0.00007833905,0.00018771828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033101903,0.000014400994,0.00010279239,0.000011988977,0.000014861771,0.0000021816977,0.33823106,0.0000024765632,0.000068621455,0.3588271,0.30045292,0.0022682755],"study_design_scores_gemma":[0.00012251102,0.000019044877,0.000026895988,0.000009052104,0.000012681758,0.0000030274769,0.0066598933,0.00003435103,0.000114731156,0.003338867,0.98956084,0.00009808422],"about_ca_topic_score_codex":0.00013237634,"about_ca_topic_score_gemma":0.006393467,"teacher_disagreement_score":0.68910795,"about_ca_system_score_codex":0.000010840024,"about_ca_system_score_gemma":0.000009523594,"threshold_uncertainty_score":0.79150903},"labels":[],"label_agreement":null},{"id":"W2005203988","doi":"10.1353/esc.2007.0000","title":"Domestic Terror and Poe's Arabesque Interior","year":2005,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Taste; Hegelianism; Literature; American philosophy; Art history; Philosophy; Art; Aesthetics; Psychology; Epistemology; Modern philosophy","score_opus":0.043744630074722145,"score_gpt":0.27372059187676073,"score_spread":0.22997596180203858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005203988","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82447743,0.0065739783,0.0000032112105,0.0019916827,0.004527248,0.00025543064,0.00013185322,0.000071296476,0.16196786],"genre_scores_gemma":[0.9879627,0.000172452,0.000034327906,0.0017319871,0.0012713933,0.000021399475,0.0000027577184,0.000012970873,0.008790015],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920845,0.000021040578,0.00020392302,0.00016780445,0.000112442394,0.0002863456],"domain_scores_gemma":[0.99960065,0.00009635387,0.00003615204,0.000119860415,0.00008155712,0.00006542449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000068279514,0.00013243976,0.0002214817,0.000043422315,0.00017043937,0.000032740278,0.000085737374,0.000015158545,0.00015815337],"category_scores_gemma":[0.00016720236,0.000116421026,0.000018190714,0.0000020579632,0.0002742038,0.00011619646,0.00008372115,0.000121381185,0.000002945541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125442575,0.000029029057,0.0021093353,0.00012306236,0.00013977723,0.00010806553,0.81825167,0.000026687581,0.0000017627078,0.014122663,0.15887344,0.0062019597],"study_design_scores_gemma":[0.00028332951,0.000025364385,0.00047655427,0.000054744276,0.000013490878,0.000002923068,0.0618338,0.000052648596,0.000011140363,0.00035760255,0.9367172,0.00017119912],"about_ca_topic_score_codex":0.6643277,"about_ca_topic_score_gemma":0.9990343,"teacher_disagreement_score":0.7778438,"about_ca_system_score_codex":0.00045767674,"about_ca_system_score_gemma":0.00021221917,"threshold_uncertainty_score":0.47475117},"labels":[],"label_agreement":null},{"id":"W2005886594","doi":"10.7202/1028515ar","title":"The Spectator and Everyday Aesthetics","year":2015,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Everyday life; Art; Psychology; Philosophy; Epistemology","score_opus":0.05280405135308712,"score_gpt":0.25038712228959176,"score_spread":0.19758307093650462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005886594","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6136653,0.22449224,0.000017654655,0.07605669,0.008259709,0.005830076,0.0031691098,0.00080276607,0.06770651],"genre_scores_gemma":[0.96221787,0.01522559,0.00040506042,0.0059660603,0.0035528797,0.00028105156,0.0001111664,0.000118759745,0.012121559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981917,0.000021199454,0.0002933684,0.0003599212,0.00030204759,0.0008317436],"domain_scores_gemma":[0.9979835,0.00027824374,0.00014907883,0.00015758106,0.0010351893,0.0003963718],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00044774573,0.00031579746,0.00029761146,0.00002559596,0.0037590289,0.00061406917,0.00036486122,0.00009332822,0.000015596464],"category_scores_gemma":[0.00023288574,0.00019361559,0.000189744,0.000020891051,0.0012495783,0.00021371152,0.00008989117,0.00026251323,0.000013510199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020788515,0.000011816538,0.0008221677,0.000016572616,0.00062778936,4.526956e-7,0.28350997,7.6253656e-8,0.0000042230777,0.051128946,0.66342854,0.00042866546],"study_design_scores_gemma":[0.0005100481,0.00010197053,0.0001884875,0.000025920035,0.00017346977,0.0000025620106,0.09337399,0.00009492644,0.00003167514,0.009232313,0.89599746,0.00026718498],"about_ca_topic_score_codex":0.023181628,"about_ca_topic_score_gemma":0.35718024,"teacher_disagreement_score":0.3485526,"about_ca_system_score_codex":0.0005180228,"about_ca_system_score_gemma":0.0004234814,"threshold_uncertainty_score":0.997538},"labels":[],"label_agreement":null},{"id":"W2007765217","doi":"10.1353/mdr.2006.0079","title":"Rainer Werner Fassbinder and the German Theatre (review)","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Art history; Art; Performance art; Visual arts; History","score_opus":0.02086064683571061,"score_gpt":0.24087563273662907,"score_spread":0.22001498590091845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007765217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024311377,0.030862106,0.0009472904,0.01536194,0.00042492634,0.0006776243,0.000068485075,0.000196412,0.92714983],"genre_scores_gemma":[0.81414634,0.0008998716,0.000012473796,0.006953841,0.0010074502,0.00003232936,0.000022949534,0.000029985007,0.17689474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990164,0.00006675608,0.00022461155,0.00020722281,0.00018109562,0.0003039007],"domain_scores_gemma":[0.9994786,0.000058148333,0.00006218194,0.00029851557,0.000052724467,0.000049837246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018251939,0.00017700932,0.00023790613,0.000027515991,0.00038200675,0.00012448596,0.0001292666,0.000039557635,0.00064112747],"category_scores_gemma":[0.000006137196,0.00010269125,0.000113465074,0.0000015773988,0.0006163313,0.000119024895,0.000065754604,0.00013783724,0.000107236956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029674646,0.00010047587,0.0001891214,0.00022599207,0.000075710195,0.0000117460195,0.07560752,0.000016454616,0.000013733242,0.64759386,0.2631022,0.013033542],"study_design_scores_gemma":[0.0007445866,0.000010130299,0.00019705496,0.00006480338,0.00006607142,0.000006685741,0.0000829015,0.0022328477,0.000008558429,0.12035373,0.87605685,0.0001758015],"about_ca_topic_score_codex":0.0022806118,"about_ca_topic_score_gemma":0.0043296935,"teacher_disagreement_score":0.789835,"about_ca_system_score_codex":0.000015730882,"about_ca_system_score_gemma":0.000019195599,"threshold_uncertainty_score":0.7019896},"labels":[],"label_agreement":null},{"id":"W2009011373","doi":"10.1080/00233609.2010.490304","title":"The Art of Display","year":2010,"lang":"no","type":"article","venue":"Konsthistorisk tidskrift/Journal of Art History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Commercialism; Art history; Modernism (music); Period (music); Politics; Art; Hegemony; Media studies; Counterculture; Visual arts; History; Sociology; Political science; Law; Aesthetics","score_opus":0.020149869312133566,"score_gpt":0.22415841433290148,"score_spread":0.20400854502076793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009011373","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018131262,0.050711166,0.00017674522,0.0039341324,0.081131004,0.00036581227,0.00021708275,0.00006660607,0.84526616],"genre_scores_gemma":[0.31513622,0.0033160318,0.00034028865,0.0005973063,0.007947155,0.0000070230944,0.000013089593,0.0001357064,0.67250717],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99544686,0.00022328594,0.0020362462,0.0003507402,0.0011460966,0.00079674495],"domain_scores_gemma":[0.99432087,0.0005465233,0.0024670712,0.0010060241,0.001141647,0.0005178641],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019408142,0.00055289426,0.0009877838,0.00038438244,0.0011669027,0.000089566776,0.0011036332,0.00034078292,0.0028990058],"category_scores_gemma":[0.000380488,0.00042940598,0.00095015956,0.000010227777,0.0042578354,0.00059069344,0.0001326593,0.0022568752,0.0007278665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020977219,0.000372682,0.00025266685,0.00009099297,0.0002608967,0.00006762367,0.07517852,0.0000033530985,0.00086048956,0.10388645,0.81702024,0.0017963046],"study_design_scores_gemma":[0.0008521355,0.0005814747,0.00018052537,0.00015478567,0.00043751547,0.00017170806,0.0013021806,0.000031261105,0.00010006149,0.001036294,0.9946919,0.00046014812],"about_ca_topic_score_codex":0.00026646248,"about_ca_topic_score_gemma":0.006025849,"teacher_disagreement_score":0.29700497,"about_ca_system_score_codex":0.0009892142,"about_ca_system_score_gemma":0.0016006591,"threshold_uncertainty_score":0.99981576},"labels":[],"label_agreement":null},{"id":"W2009208609","doi":"10.1177/0270467606295970","title":"The Aesthetic Calculus: Sex Appeal, Circuitry, and Invisibility","year":2007,"lang":"en","type":"article","venue":"Bulletin of Science Technology & Society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Invisibility; Beauty; Mores; Aesthetics; Phenomenon; Amusement; Appeal; Matrix (chemical analysis); Calculus (dental); Epistemology; Sociology; Psychology; Computer science; Social psychology; Art; Philosophy; Artificial intelligence; Law; Politics","score_opus":0.021145102184217997,"score_gpt":0.2553883688370861,"score_spread":0.2342432666528681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009208609","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91456103,0.0013928292,0.0004527957,0.023244316,0.00032178574,0.00035485104,0.000012419872,0.00030240216,0.05935755],"genre_scores_gemma":[0.99440783,0.00016083695,0.00023075478,0.0008899412,0.000058561523,0.000005819989,4.2617117e-7,0.000008128182,0.00423767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856544,0.000012398526,0.00027833375,0.00033062522,0.000269592,0.00054359325],"domain_scores_gemma":[0.9991462,0.00008071268,0.00011516334,0.0004208897,0.00016143806,0.00007556077],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0019698718,0.00011969182,0.00015609071,0.000070503076,0.0017208316,0.00006743827,0.00054429815,0.00010657863,0.00007032071],"category_scores_gemma":[0.0001001983,0.000084981606,0.000080009355,0.000024828472,0.027955694,0.000039009872,0.00024144462,0.0002417183,0.000019732686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071371337,0.00017705334,0.0025980072,0.000048242855,0.000025313147,0.0000035531416,0.14643006,9.175001e-7,0.0014719807,0.765131,0.03842963,0.045677084],"study_design_scores_gemma":[0.00018320724,0.00009550059,0.00045287868,0.000014198045,0.000011822786,0.000016701035,0.055188194,0.000054807275,0.001844891,0.02442807,0.9175642,0.00014549137],"about_ca_topic_score_codex":0.0003375366,"about_ca_topic_score_gemma":0.00043550206,"teacher_disagreement_score":0.8791346,"about_ca_system_score_codex":0.000057539208,"about_ca_system_score_gemma":0.00008792726,"threshold_uncertainty_score":0.9995788},"labels":[],"label_agreement":null},{"id":"W2011012938","doi":"10.1353/mos.2012.0047","title":"John Dos Passos in the 1920s: The Development of a Modernist Style","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Art; Literature; Visual arts; Art history","score_opus":0.07238083872777108,"score_gpt":0.2650179191533965,"score_spread":0.19263708042562544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011012938","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6150459,0.00095768267,0.00050051627,0.0024933112,0.0007310058,0.00072276464,0.00009779842,0.00006349699,0.37938753],"genre_scores_gemma":[0.9902387,0.000005924025,0.00006799615,0.0008595317,0.00035050744,0.000047607467,0.000014059523,0.00001103215,0.008404596],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999138,0.0000654676,0.00022780574,0.000079417696,0.00018909975,0.00030022755],"domain_scores_gemma":[0.9995769,0.00007534377,0.000063426436,0.00022665581,0.000025164423,0.000032462187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038355502,0.00009727257,0.0001106698,0.000029875266,0.00030198361,0.000049163915,0.00022702028,0.00002441179,0.0002794341],"category_scores_gemma":[0.000013947271,0.00005175953,0.000043500015,0.0000027785345,0.00017767595,0.00010062237,0.000046633104,0.000110816865,0.00008216163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057175052,0.00016012395,0.0009903274,0.000022299999,0.000023386032,6.040966e-7,0.9213528,0.000004041307,0.000023194394,0.065545216,0.009722093,0.0021502145],"study_design_scores_gemma":[0.00018396854,0.000014551817,0.0025366403,0.000014305567,0.000013556634,0.0000012098533,0.013734159,0.0001537749,0.00022065986,0.0019008025,0.9811231,0.000103276674],"about_ca_topic_score_codex":0.0005105521,"about_ca_topic_score_gemma":0.010446495,"teacher_disagreement_score":0.971401,"about_ca_system_score_codex":0.000032104843,"about_ca_system_score_gemma":0.00004725352,"threshold_uncertainty_score":0.58293897},"labels":[],"label_agreement":null},{"id":"W2011132260","doi":"10.5840/symposium20141816","title":"Mariátegui's Avant-Garde and Surrealism as Discipline","year":2014,"lang":"en","type":"article","venue":"Symposium","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Avant garde; Discipline; Aesthetics; Art; Art history; Sociology; Social science","score_opus":0.019754326926634546,"score_gpt":0.2424921851234458,"score_spread":0.22273785819681127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011132260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03425343,0.000084089545,0.00009946472,0.0043721804,0.0012914197,0.00013643967,0.00006964374,0.00013402985,0.9595593],"genre_scores_gemma":[0.76072687,0.000033684373,0.000026177799,0.0010249756,0.0015276592,0.000007766262,0.000040549894,0.000023437678,0.23658888],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991165,0.000041661893,0.00017448893,0.00022254373,0.00013675612,0.0003080807],"domain_scores_gemma":[0.99946713,0.000057178244,0.0000490987,0.00023841567,0.000052863932,0.00013533495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015252367,0.00015109606,0.00017674087,0.000048981507,0.00033780816,0.00015884095,0.0001093441,0.000045578203,0.0008126721],"category_scores_gemma":[0.000018455492,0.00012456438,0.000052522388,4.165498e-7,0.00030578853,0.00012221187,0.00009651746,0.00009726869,0.00034327153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023245162,0.00008778121,0.000624129,0.00007865842,0.000047443442,0.0000071191607,0.22347349,0.0000038029941,0.00042091717,0.7319053,0.04168504,0.0016430996],"study_design_scores_gemma":[0.00032248828,0.00008972865,0.00045657155,0.000015713427,0.000031108873,0.0000072646085,0.00051412237,0.00024022436,0.00015307021,0.034199584,0.96376824,0.00020185314],"about_ca_topic_score_codex":0.0013167035,"about_ca_topic_score_gemma":0.010848206,"teacher_disagreement_score":0.92208326,"about_ca_system_score_codex":0.000014341664,"about_ca_system_score_gemma":0.0000202246,"threshold_uncertainty_score":0.8898189},"labels":[],"label_agreement":null},{"id":"W2012019961","doi":"10.4000/critiquedart.828","title":"Jean-François Chevrier and Jeff Wall: A Critical Stance","year":2007,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Institution; Complement (music); Movement (music); Performance art; Classics; Law; Aesthetics; Political science","score_opus":0.0256873072443461,"score_gpt":0.3029570813862211,"score_spread":0.27726977414187504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012019961","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015166288,0.04524716,0.009406444,0.096662104,0.00497399,0.0006254597,0.000981742,0.00033588952,0.8266009],"genre_scores_gemma":[0.23948145,0.002642739,0.00049447536,0.011854732,0.0035123301,0.000022589209,0.000054272914,0.00010834711,0.74182904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719906,0.00010101793,0.00058469875,0.00054510665,0.00032499922,0.0012450896],"domain_scores_gemma":[0.9978523,0.00075396564,0.000058240897,0.0004104755,0.00035140887,0.00057359337],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007036833,0.00042057945,0.00045414615,0.00011608194,0.0007792707,0.00037719024,0.00019473943,0.00028000528,0.0039029114],"category_scores_gemma":[0.000446108,0.0004648076,0.00016772146,0.0000066826096,0.002651714,0.00059250556,0.00009479733,0.00056206144,0.0009097051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043837146,0.00021703665,0.00009154654,0.0005266753,0.000046150908,0.00024136587,0.033786286,3.1648685e-7,0.000050157272,0.71391225,0.24713123,0.003953176],"study_design_scores_gemma":[0.00048391506,0.00019596543,0.00036904754,0.000309859,0.000114706156,0.00005268713,0.0028961373,0.00017550695,0.00047939218,0.027564984,0.9667975,0.0005603389],"about_ca_topic_score_codex":0.0008633626,"about_ca_topic_score_gemma":0.018290091,"teacher_disagreement_score":0.71966624,"about_ca_system_score_codex":0.00011316352,"about_ca_system_score_gemma":0.0001111152,"threshold_uncertainty_score":0.9998682},"labels":[],"label_agreement":null},{"id":"W2016191184","doi":"10.3828/bjcs.2013.1","title":"‘Beauty which we had not previously known’: Walter Abell and the dynamics of modern art in Canada","year":2013,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Subject (documents); Aesthetics; Politics; Field (mathematics); Beauty; Reading (process); History; Literature; Sociology; Art; Philosophy; Epistemology; Law; Political science; Linguistics","score_opus":0.028403320038593215,"score_gpt":0.211575616705776,"score_spread":0.18317229666718277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016191184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80446374,0.0776822,0.000017619026,0.032166045,0.0016311138,0.0007539649,0.0005137542,0.000008748167,0.08276284],"genre_scores_gemma":[0.97843444,0.010188499,0.000020999463,0.0012822592,0.00023629803,0.000007184322,0.0000021744884,0.000015092314,0.009813061],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872565,0.00005647699,0.0005142576,0.00009904019,0.00021097918,0.0003936157],"domain_scores_gemma":[0.9987892,0.000118471646,0.00020389544,0.00009326814,0.0005801746,0.00021499056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027284017,0.00012209201,0.0004401,0.00015991421,0.00024286161,0.000102313956,0.00016115261,0.000025056208,0.00011714225],"category_scores_gemma":[0.000109537825,0.000100851525,0.000055583296,0.0000098387,0.00040000357,0.00019404659,0.00003514053,0.00023064461,0.000002552519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000725105,0.00007951793,0.0064130723,0.000513725,0.0013476328,0.00073679147,0.26719603,0.00021191126,0.0000027368505,0.06519701,0.5579835,0.10024551],"study_design_scores_gemma":[0.006816083,0.0002966901,0.032730818,0.0028860522,0.00045460742,0.0017978142,0.083278425,0.0064214948,0.000019706531,0.07858361,0.7855178,0.0011968679],"about_ca_topic_score_codex":0.9928535,"about_ca_topic_score_gemma":0.9999898,"teacher_disagreement_score":0.22753428,"about_ca_system_score_codex":0.00039987525,"about_ca_system_score_gemma":0.0010938348,"threshold_uncertainty_score":0.41126058},"labels":[],"label_agreement":null},{"id":"W2018781526","doi":"10.1017/s0963926814000376","title":"Rubble and ruin: Walter Benjamin, post-war urban renewal and the residue of everyday life on LeBreton Flats, Ottawa, Canada (1944–1970)","year":2014,"lang":"en","type":"article","venue":"Urban History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Trent University","funders":"","keywords":"Spell; Craft; Narrative; Realm; Neighbourhood (mathematics); Everyday life; Expropriation; Sociology; Economic shortage; History; Government (linguistics); Political science; Law; Art; Archaeology; Literature; Anthropology","score_opus":0.013627369796250928,"score_gpt":0.16787729181692337,"score_spread":0.15424992202067245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018781526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5233565,0.018031333,0.000008872076,0.0034219413,0.0034370923,0.0005870265,0.0002734616,0.00010237917,0.4507814],"genre_scores_gemma":[0.8988747,0.000047090547,0.000009764139,0.0051601855,0.0009732585,0.000009391282,0.000023217972,0.00003476541,0.09486764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986486,0.00013490488,0.0003300318,0.00029385363,0.0002759799,0.00031667412],"domain_scores_gemma":[0.99891853,0.00022398726,0.00016192377,0.0004058123,0.00011048563,0.00017926905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002874301,0.00022186185,0.00034372584,0.00008187359,0.0003378912,0.000022649265,0.00016687889,0.0000692198,0.00032304146],"category_scores_gemma":[0.000112251146,0.0001681925,0.00006141326,0.0000024182048,0.00090631243,0.000103865284,0.000056709858,0.00018871187,0.000008216905],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120974924,0.000029071352,0.0006789826,0.00008532541,0.000049453523,0.000004106969,0.10768138,0.0000021886688,0.00005837707,0.0716882,0.81942356,0.00017837281],"study_design_scores_gemma":[0.00087921246,0.0001936208,0.0009260116,0.00003978105,0.000060179897,0.000002208753,0.0008521793,0.00007840589,0.000093081544,0.00073663524,0.99590874,0.00022994464],"about_ca_topic_score_codex":0.46028987,"about_ca_topic_score_gemma":0.7784522,"teacher_disagreement_score":0.3755182,"about_ca_system_score_codex":0.00024613782,"about_ca_system_score_gemma":0.00034748623,"threshold_uncertainty_score":0.6858691},"labels":[],"label_agreement":null},{"id":"W2020517825","doi":"10.7771/1481-4374.1261","title":"Dust and the Avant-Garde","year":2005,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Bourgeoisie; Modernity; Modernism (music); Art; Politics; Aesthetics; Avant garde; Apotheosis; Liminality; Art history; Queer; Reactionary; Sociology; Literature; Law; Gender studies; Political science","score_opus":0.03801366878493523,"score_gpt":0.2662257254716943,"score_spread":0.2282120566867591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020517825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031319086,0.051436704,0.000044616834,0.015215047,0.0005938017,0.00061381084,0.0002925142,0.00013265134,0.90035176],"genre_scores_gemma":[0.7621595,0.0002882714,0.000054310512,0.0046167895,0.0017580626,0.000014886292,0.000048429032,0.000007703569,0.23105203],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921566,0.00007925963,0.00016053046,0.00022468681,0.00010404807,0.00021578514],"domain_scores_gemma":[0.9995435,0.00004043296,0.000057744226,0.00014914751,0.00012140744,0.000087808534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000083012514,0.00020904404,0.00026911372,0.000024366873,0.0006455007,0.00058321387,0.00009750943,0.00007615352,0.00023609605],"category_scores_gemma":[0.0000071674426,0.00010803973,0.0000630047,0.0000016975431,0.00084516866,0.0002712607,0.00003685196,0.000331627,0.000039747694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003936146,0.000018159666,0.00001471386,0.000012006821,0.000035675846,0.0000018982713,0.66066456,6.507369e-7,0.0000151456325,0.18544602,0.15344547,0.00030631118],"study_design_scores_gemma":[0.00090697396,0.000041078572,0.00007672613,0.000049117218,0.00004043303,0.000020423726,0.0067239776,0.00015920238,0.000056797366,0.011262422,0.9804937,0.00016912803],"about_ca_topic_score_codex":0.000010334878,"about_ca_topic_score_gemma":0.0021800543,"teacher_disagreement_score":0.82704824,"about_ca_system_score_codex":0.000008204394,"about_ca_system_score_gemma":0.000011062277,"threshold_uncertainty_score":0.5623945},"labels":[],"label_agreement":null},{"id":"W2023319699","doi":"10.1162/pajj_a_00025","title":"Ruffling Feathers Around the World","year":2010,"lang":"en","type":"article","venue":"PAJ A Journal of Performance and Art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Icon; Art history; The arts; Contemporary art; Visual arts; Art; Fine art; Art world; Performance art; History","score_opus":0.030771984962640827,"score_gpt":0.24635225469196123,"score_spread":0.2155802697293204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023319699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85157216,0.000158282,0.000021192549,0.0013051425,0.0008687034,0.000036731344,0.0000023063371,0.000006215989,0.14602925],"genre_scores_gemma":[0.9527158,0.00014798304,0.000045713117,0.0008293077,0.0023391442,9.0461805e-7,4.7240508e-7,0.00000767888,0.043912973],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994598,0.000009445516,0.00019319242,0.000049816063,0.00012345261,0.00016428519],"domain_scores_gemma":[0.9996172,0.000043939424,0.00012080908,0.000085541906,0.00006981639,0.00006267133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002862392,0.00007738016,0.000110147,0.00006310989,0.00041301333,0.00014440763,0.00011177144,0.000015011787,0.00043364748],"category_scores_gemma":[0.000009508354,0.000044402143,0.000056755023,0.0000022112658,0.00025696878,0.0003272472,0.000017852213,0.00031938194,0.000043389333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022932142,0.00032658136,0.04925962,0.00019913651,0.00040716742,0.000047005014,0.5112994,0.000084243955,0.0024093734,0.2437214,0.12336454,0.068652235],"study_design_scores_gemma":[0.00020099577,0.00006797904,0.0007727888,0.00003094363,0.00002459558,0.00004726185,0.0018696008,0.00035062144,0.00016085884,0.001062776,0.9953379,0.000073701754],"about_ca_topic_score_codex":0.000008766476,"about_ca_topic_score_gemma":0.0014079406,"teacher_disagreement_score":0.87197334,"about_ca_system_score_codex":0.000005465537,"about_ca_system_score_gemma":0.000029500809,"threshold_uncertainty_score":0.47481358},"labels":[],"label_agreement":null},{"id":"W2025517498","doi":"10.3138/ctr.162.006","title":"Body As Subject, Body As Object: Percival P. Puppet, in Conversation","year":2015,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Subject (documents); Object (grammar); Visual arts; Puppetry; Art; Aesthetics; Art history; Sociology; Computer science; Communication; Artificial intelligence; World Wide Web","score_opus":0.04509545848401412,"score_gpt":0.2694111932454429,"score_spread":0.22431573476142877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025517498","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048936545,0.07028283,0.0000011975015,0.0071103494,0.0007267099,0.0007641357,0.00011028651,0.00006058998,0.91605026],"genre_scores_gemma":[0.9395951,0.015015637,0.000006598019,0.014515479,0.0009124299,0.000052948137,0.00017144774,0.000052765918,0.029677613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985605,0.00013383344,0.00032995705,0.00026024185,0.00018971859,0.0005257592],"domain_scores_gemma":[0.99876535,0.00003440796,0.00006989493,0.0003401724,0.000111833426,0.00067836326],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039339095,0.00021060754,0.00038718054,0.00016223722,0.00015423959,0.0000950158,0.00020003653,0.000062668325,0.003048255],"category_scores_gemma":[0.0000940185,0.00019358633,0.0001168303,0.000010503754,0.00015850019,0.00021710731,0.000019663668,0.00018221381,0.0021518504],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027633332,0.00012641729,0.002297913,0.0028644335,0.00015386441,0.00061194727,0.19422066,0.0000022653064,0.0000069077087,0.37552536,0.38417155,0.039991036],"study_design_scores_gemma":[0.00025627107,0.00007566012,0.00009593147,0.0007884724,0.00006682777,0.000033534277,0.0019359367,0.00001792178,0.0000062069885,0.0048285937,0.9916467,0.00024794482],"about_ca_topic_score_codex":0.47606647,"about_ca_topic_score_gemma":0.8273509,"teacher_disagreement_score":0.93470144,"about_ca_system_score_codex":0.00047795172,"about_ca_system_score_gemma":0.001501384,"threshold_uncertainty_score":0.9986251},"labels":[],"label_agreement":null},{"id":"W2026144694","doi":"10.1111/j.0141-6790.2003.02605004.x","title":"Phallic Victories? Niki de Saint‐Phalle's <i>Tirs</i>","year":2003,"lang":"en","type":"article","venue":"Art History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Phallic stage; SAINT; Fetishism; Art; Masculinity; Painting; Sculpture; Femininity; Androgyny; Aesthetics; Art history; Literature; Sociology; Psychoanalysis; Gender studies; Psychology; Anthropology","score_opus":0.04149184746266964,"score_gpt":0.2146559082281805,"score_spread":0.17316406076551089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026144694","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069977017,0.0029855242,0.0001332127,0.00027082357,0.0021640994,0.00007573859,0.0000114114055,0.00018259851,0.98717886],"genre_scores_gemma":[0.39852095,0.00008099378,0.00011267453,0.0048587373,0.00079691183,0.000020731883,0.000014526685,0.000041232714,0.5955532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888647,0.00007033791,0.00020606353,0.0002272036,0.0001649328,0.00044497906],"domain_scores_gemma":[0.99934345,0.000045531127,0.00006784879,0.0003046875,0.00007101146,0.00016744575],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017795218,0.00017427695,0.00018036578,0.00006420992,0.00029721163,0.000027652046,0.00014273619,0.000057850277,0.005573247],"category_scores_gemma":[0.000038651677,0.00018013403,0.00010871726,0.0000015217249,0.000400367,0.00017625612,0.000020218853,0.0001562581,0.0015673657],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044216567,0.00007798586,0.00011478069,0.00001618229,0.00002197559,0.000014812948,0.073500395,0.0000013156573,0.000082459905,0.47776943,0.44822055,0.0001756925],"study_design_scores_gemma":[0.00027827648,0.000046194,0.00002469532,0.000008839868,0.000024529458,0.000010039079,0.00058487285,0.000008571616,0.00009117649,0.004783164,0.9939129,0.00022674493],"about_ca_topic_score_codex":0.00030659334,"about_ca_topic_score_gemma":0.007250603,"teacher_disagreement_score":0.5456923,"about_ca_system_score_codex":0.0008044091,"about_ca_system_score_gemma":0.00020854268,"threshold_uncertainty_score":0.99921},"labels":[],"label_agreement":null},{"id":"W2029721289","doi":"10.3138/ctr.145.60","title":"Edna's Archive: Performing Absence in a Troubled Home of Memory","year":2011,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Downtown; Context (archaeology); Visual arts; Animation; Art; TRACE (psycholinguistics); Performance art; History; Value (mathematics); Art history; Archaeology; Computer science","score_opus":0.05982492068645196,"score_gpt":0.24155870638426521,"score_spread":0.18173378569781326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029721289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005874941,0.057570253,0.0000038717294,0.00036966323,0.0002445622,0.00044012026,0.00012347712,0.000018897163,0.93535423],"genre_scores_gemma":[0.96927196,0.021100987,0.000096672054,0.0024501744,0.00026270823,0.000036110276,0.000021687516,0.000031263247,0.0067284615],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991093,0.000047032794,0.00028906486,0.00014246737,0.000072212875,0.00033986743],"domain_scores_gemma":[0.99939835,0.00002369295,0.00006529242,0.0002562686,0.000031717183,0.00022469502],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001926268,0.000120460085,0.00032657196,0.00013285293,0.0000918476,0.0000102243885,0.00018758966,0.000022863893,0.0025274013],"category_scores_gemma":[0.000011782838,0.00010285781,0.00009648438,0.0000051500106,0.00018193113,0.000101742466,0.000014954293,0.00010894391,0.00007982529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017531733,0.000120702345,0.0024030083,0.010492526,0.000113113565,0.000196328,0.36129132,7.8518394e-7,0.000015355077,0.2974996,0.021202918,0.30664682],"study_design_scores_gemma":[0.00020578901,0.00005219249,0.00058298325,0.0035627359,0.000057214536,0.000012377318,0.0012573085,0.000018202332,0.000017876497,0.0068161404,0.98715854,0.00025864507],"about_ca_topic_score_codex":0.23479219,"about_ca_topic_score_gemma":0.8404559,"teacher_disagreement_score":0.9659556,"about_ca_system_score_codex":0.00006799679,"about_ca_system_score_gemma":0.0003218979,"threshold_uncertainty_score":0.9983844},"labels":[],"label_agreement":null},{"id":"W2031848925","doi":"10.1353/esc.0.0102","title":"“New Skin, a New Land!”: Dalí’s American Metamorphosis","year":2008,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metamorphosis; History; Art; Biology; Ecology","score_opus":0.06929754163707895,"score_gpt":0.25681884081862283,"score_spread":0.18752129918154387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031848925","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4620334,0.01464,0.00006369615,0.003206522,0.013484969,0.0006463752,0.0003584545,0.00029187353,0.5052747],"genre_scores_gemma":[0.9397147,0.0008169425,0.00018895355,0.0023016331,0.002773448,0.0000143340285,0.000009828165,0.000027585027,0.05415256],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987158,0.000033741966,0.00027727796,0.00024957757,0.00028754104,0.00043602768],"domain_scores_gemma":[0.99921393,0.0001504861,0.000085786596,0.00023760904,0.00012569824,0.00018649605],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000059626258,0.00020458475,0.0004266699,0.00006681251,0.00032406603,0.000022690374,0.00019249092,0.000015070945,0.0003900543],"category_scores_gemma":[0.00017693882,0.00018252226,0.00006172209,0.000010234862,0.00034429066,0.000110702094,0.000095715965,0.00016797968,0.000008385341],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058076766,0.000010948234,0.00613919,0.000011747456,0.0001485347,0.00008039563,0.21523379,0.00001758627,1.04781684e-7,0.0022596263,0.77455854,0.0015337404],"study_design_scores_gemma":[0.00037018373,0.000035563527,0.0017743141,0.000018526178,0.000029198085,0.0000029353303,0.034087364,0.0000062011727,0.000020976422,0.00038526615,0.9630223,0.00024718803],"about_ca_topic_score_codex":0.9938916,"about_ca_topic_score_gemma":0.99960583,"teacher_disagreement_score":0.47768134,"about_ca_system_score_codex":0.0005377531,"about_ca_system_score_gemma":0.0014334858,"threshold_uncertainty_score":0.7443042},"labels":[],"label_agreement":null},{"id":"W2032043038","doi":"10.1001/jama.2013.279376","title":"Ninth Avenue Elevated","year":2014,"lang":"en","type":"article","venue":"JAMA","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine; Ninth","score_opus":0.033536391887527606,"score_gpt":0.23638162004639307,"score_spread":0.20284522815886546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032043038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10978543,0.000039535364,0.0003036395,0.0030635896,0.000677853,0.000068546586,0.00003948381,0.00014291392,0.885879],"genre_scores_gemma":[0.87386847,0.000002361151,0.000020888969,0.0027894853,0.0019432658,0.0000039322335,0.000016036902,0.000012300002,0.121343255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954695,0.0000239589,0.00007981841,0.00009414941,0.00007779821,0.00017730774],"domain_scores_gemma":[0.9996891,0.000030005269,0.000030781892,0.00014003515,0.000058970098,0.00005110757],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008291819,0.00006582528,0.000082567254,0.000026644622,0.00015645596,0.000096632386,0.00008019447,0.000029415094,0.0011707303],"category_scores_gemma":[0.000042794676,0.000057374404,0.00003727957,6.293044e-7,0.00010819178,0.00008933915,0.000020361156,0.00007820953,0.00080745446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007975538,0.000037008238,0.00011122893,0.000018059389,0.000019008201,0.000002772778,0.075672604,0.0000021086744,0.0001289781,0.62451726,0.28678653,0.012696475],"study_design_scores_gemma":[0.0002537869,0.00003341077,0.000425247,0.000007121779,0.0000074366194,6.9599423e-7,0.00029075856,0.0002379913,0.00027073614,0.0096411975,0.98874646,0.0000851767],"about_ca_topic_score_codex":0.0002880703,"about_ca_topic_score_gemma":0.0015335311,"teacher_disagreement_score":0.7645357,"about_ca_system_score_codex":0.000011051155,"about_ca_system_score_gemma":0.000010327574,"threshold_uncertainty_score":0.99997056},"labels":[],"label_agreement":null},{"id":"W2036514882","doi":"10.1007/s10746-006-9019-4","title":"Femininity and Masculinity in City-Form: Philosophical Urbanism as a History of Consciousness","year":2006,"lang":"en","type":"article","venue":"Human Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Contemplation; Mythology; Premise; Aesthetics; Urbanism; Ideal (ethics); Modernity; Sociology; Femininity; Alienation; Consciousness; Philosophy; History; Literature; Epistemology; Gender studies; Law; Art; Theology; Archaeology","score_opus":0.1279569291225636,"score_gpt":0.3025104745469964,"score_spread":0.17455354542443283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036514882","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73384356,0.0037247313,0.0000012009526,0.00035849115,0.00029373987,0.00012898611,0.000021503614,0.000046236462,0.26158154],"genre_scores_gemma":[0.9735175,0.00011440626,0.000012999379,0.0002964399,0.00052338385,0.000018422714,0.000006902625,0.000013222178,0.025496718],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989765,0.000048475405,0.00036374183,0.00021189365,0.00016173744,0.00023763144],"domain_scores_gemma":[0.9994601,0.00010482918,0.00011299762,0.00016092743,0.0001197509,0.00004137976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020827042,0.00016795009,0.0004175845,0.00010123527,0.00024648337,0.000015529093,0.00008535938,0.00005174964,0.00019282833],"category_scores_gemma":[0.00004585465,0.00015065758,0.00006703231,0.0000021564838,0.0019589842,0.00010152409,0.00011143792,0.00016247352,0.00001042875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016552727,0.00020773066,0.0049121855,0.00014028646,0.00007180376,0.000019889581,0.2637943,3.110369e-7,0.00002324449,0.71749324,0.013259932,0.000060513477],"study_design_scores_gemma":[0.001400253,0.00024100124,0.015829002,0.00010471475,0.00009664577,0.0000066018656,0.0158848,0.0000073469373,0.000038163897,0.74272585,0.22324453,0.0004211189],"about_ca_topic_score_codex":0.003266019,"about_ca_topic_score_gemma":0.030248782,"teacher_disagreement_score":0.24790952,"about_ca_system_score_codex":0.00014415102,"about_ca_system_score_gemma":0.00005841507,"threshold_uncertainty_score":0.98744667},"labels":[],"label_agreement":null},{"id":"W2038623640","doi":"10.2979/vic.2001.44.1.135","title":"BOOK REVIEW: Edited By Rafael Cardoso Denis and ColinTrodd.<b>ART AND THE ACADEMY IN THE NINETEENTH CENTURY</b>. New Brunswick, NJ: Rutgers University Press, 2000.","year":2001,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Media studies; Sociology","score_opus":0.024137225948362005,"score_gpt":0.24600294481781604,"score_spread":0.22186571886945403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038623640","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004646016,0.90155834,0.000005220946,0.03225821,0.00082534173,0.0008629332,0.00006778147,0.00005707689,0.06390049],"genre_scores_gemma":[0.0069111683,0.85867614,0.0000054705743,0.0149169285,0.0026588114,0.000008438886,0.000016133918,0.000019858933,0.116787046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987517,0.00019262316,0.00022831796,0.00025882278,0.0002253756,0.00034318288],"domain_scores_gemma":[0.99930274,0.00027694262,0.000099801815,0.0001739681,0.000065080116,0.000081452694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029229256,0.00022033842,0.0003898316,0.000037244165,0.00062064,0.00008650315,0.00020144624,0.000054037388,0.000078052915],"category_scores_gemma":[0.00006940684,0.00013392574,0.00006645934,0.000011435767,0.00095112534,0.00020751038,0.00012821687,0.00024139791,0.000008763392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053832882,0.000016725642,0.0001981669,0.000072054325,0.00013334575,0.0000052691353,0.06813918,2.775626e-7,0.0000011322876,0.007720618,0.92353195,0.00012743665],"study_design_scores_gemma":[0.0013047577,0.000036856716,0.00012200609,0.00014033895,0.0002045554,0.0000040455348,0.0029754303,0.000007303164,0.0000041612047,0.00011701946,0.99492025,0.00016325849],"about_ca_topic_score_codex":0.0012314818,"about_ca_topic_score_gemma":0.0014478072,"teacher_disagreement_score":0.071388304,"about_ca_system_score_codex":0.000054014512,"about_ca_system_score_gemma":0.00006362642,"threshold_uncertainty_score":0.54613334},"labels":[],"label_agreement":null},{"id":"W2039679828","doi":"10.1093/oxartj/kci021","title":"Hubert Damisch and Stephen Bann: A Conversation","year":2005,"lang":"de","type":"article","venue":"Oxford Art Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Media studies; Library science; Sociology; Art; Computer science","score_opus":0.028948127250258027,"score_gpt":0.24526321223215922,"score_spread":0.2163150849819012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039679828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08336843,0.01792724,0.002024189,0.060431357,0.008138238,0.000688908,0.0002901184,0.00016661624,0.8269649],"genre_scores_gemma":[0.7662958,0.008642778,0.00048330845,0.004795993,0.020028137,0.000005023567,0.00005187919,0.00006870228,0.19962837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982302,0.000093664064,0.000525886,0.00024100963,0.0003383286,0.0005708967],"domain_scores_gemma":[0.9989409,0.000061811144,0.00025645562,0.00018937445,0.00017527044,0.00037622728],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038576903,0.00027674713,0.00030347603,0.00013811143,0.0011504744,0.00087709335,0.00015856532,0.00011267895,0.00489137],"category_scores_gemma":[0.000030865674,0.00025107924,0.00014696871,0.0000027041795,0.00036299357,0.0007528808,0.00007871391,0.00052261224,0.000605693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018351733,0.0004124218,0.0019836815,0.00013961218,0.0007904261,0.000095441515,0.38206652,0.000045085388,0.000060614235,0.098153606,0.41395077,0.102118306],"study_design_scores_gemma":[0.0011595117,0.00019834974,0.000693714,0.00009544985,0.00019587933,0.00012904734,0.0028879622,0.0014151298,0.00003116862,0.004014068,0.98886275,0.0003169433],"about_ca_topic_score_codex":0.000032963984,"about_ca_topic_score_gemma":0.0008062746,"teacher_disagreement_score":0.68292737,"about_ca_system_score_codex":0.00011258641,"about_ca_system_score_gemma":0.00016835777,"threshold_uncertainty_score":0.99999416},"labels":[],"label_agreement":null},{"id":"W2040065000","doi":"10.7202/030608ar","title":"Le corps selon Duchamp","year":2005,"lang":"fr","type":"article","venue":"Protée","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03542739464249565,"score_gpt":0.24835245206846798,"score_spread":0.21292505742597234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040065000","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008592823,0.009469592,0.0003523357,0.039832175,0.001915018,0.0007602153,0.00020290761,0.0001695348,0.9387054],"genre_scores_gemma":[0.39253584,0.00023588477,0.0002618216,0.0018476436,0.0056114187,0.00005605076,0.000019785959,0.000036842004,0.59939474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986834,0.000054970536,0.00027507928,0.0002591751,0.00016822126,0.00055917015],"domain_scores_gemma":[0.99935603,0.000031053416,0.00008717061,0.00026379645,0.00010030082,0.0001616686],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014977402,0.0002044181,0.00020672656,0.0000525555,0.0007838876,0.00018087457,0.00015507899,0.00010580757,0.003124881],"category_scores_gemma":[0.000019652429,0.00021701827,0.00011644691,0.0000018855943,0.0005202762,0.00033634529,0.00006762595,0.00022607973,0.002714642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112290945,0.0002688582,0.000060786668,0.000118285425,0.0000412377,0.000010691919,0.07164526,0.000011928722,0.000027524518,0.8597758,0.046525247,0.021503141],"study_design_scores_gemma":[0.00039855184,0.000088143155,0.000059690075,0.00006693602,0.00003034092,0.00001722737,0.0012419899,0.00049617706,0.0007840513,0.01467139,0.9818642,0.00028126323],"about_ca_topic_score_codex":0.0033589767,"about_ca_topic_score_gemma":0.012666916,"teacher_disagreement_score":0.935339,"about_ca_system_score_codex":0.00006769232,"about_ca_system_score_gemma":0.00021247385,"threshold_uncertainty_score":0.99806184},"labels":[],"label_agreement":null},{"id":"W2041565081","doi":"10.1007/s10767-013-9169-0","title":"Boundary Forms: Calligraphy and the City at the 2010 Shanghai World Expo","year":2013,"lang":"en","type":"article","venue":"International Journal of Politics Culture and Society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Exhibition; Ideology; Calligraphy; Rationality; Politics; Beijing; Aesthetics; Architecture; Painting; Visual arts; State (computer science); Sociology; Boundary line; Art; Epistemology; Law; Political science; Philosophy; Engineering; Computer science","score_opus":0.02346713493844961,"score_gpt":0.2544748256452304,"score_spread":0.2310076907067808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041565081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7362797,0.008960267,0.00033735525,0.078009464,0.004035892,0.0005254791,0.00036821814,0.000037661765,0.17144594],"genre_scores_gemma":[0.8947839,0.0009637361,0.00007232912,0.0125861745,0.0024982553,0.000005713545,0.000009384914,0.000009306942,0.0890712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911785,0.000032179363,0.00027298255,0.00007888735,0.00031221943,0.00018585955],"domain_scores_gemma":[0.9990882,0.00012239361,0.00018074406,0.00008057879,0.00043462327,0.00009343877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022591975,0.00011518705,0.0001448413,0.000024949466,0.00060523563,0.00045238232,0.00022821545,0.00004203649,0.00035585053],"category_scores_gemma":[0.000023150333,0.000053194486,0.00024469293,0.0000026977384,0.0013075373,0.00029304787,0.000104004066,0.00028138052,0.0000055088294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012860515,0.000032312437,0.0007151938,0.000008783157,0.00042319915,0.0000023413709,0.23847966,4.9626027e-7,0.000022042808,0.5158884,0.24407923,0.0003354532],"study_design_scores_gemma":[0.0008477111,0.000031824275,0.0024292788,0.000027900012,0.00006544488,0.0000681272,0.018068736,0.00006676758,0.000043613072,0.14178674,0.8364612,0.00010267586],"about_ca_topic_score_codex":0.00071288116,"about_ca_topic_score_gemma":0.0018075858,"teacher_disagreement_score":0.59238195,"about_ca_system_score_codex":0.00004856461,"about_ca_system_score_gemma":0.000037357167,"threshold_uncertainty_score":0.48176757},"labels":[],"label_agreement":null},{"id":"W2043216055","doi":"10.1162/leon_a_00120","title":"The <i>Fotoformas</i> of Geraldo de Barros: Photographic Experimentalism and the Abstract Art Debate in Brazil","year":2011,"lang":"en","type":"article","venue":"Leonardo","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Exhibition; Amateur; Photography; Art; Autograph; Interpretation (philosophy); Club; Indexicality; Movie theater; Visual arts; Experimentalism; Art history; History; Philosophy; Epistemology; Archaeology","score_opus":0.0304899782295009,"score_gpt":0.23635882444155262,"score_spread":0.20586884621205173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043216055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69540656,0.0017015319,0.0000053546773,0.0017466751,0.00032208776,0.00036329217,0.000042507818,0.000038586957,0.30037344],"genre_scores_gemma":[0.99342483,0.00037595085,0.000011694044,0.0020570746,0.00008681416,0.00004156589,0.0000036955041,0.000013470786,0.0039848774],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922186,0.000041442083,0.00023992342,0.00010816764,0.00010925548,0.0002793605],"domain_scores_gemma":[0.9995432,0.00011057148,0.000076601405,0.00019935462,0.000023507975,0.000046754478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029651262,0.00011254763,0.00015294491,0.00004452663,0.000310275,0.00006018241,0.00016517229,0.000032750268,0.00043471646],"category_scores_gemma":[0.000011917308,0.00006375624,0.00008215715,0.0000031868426,0.0010638128,0.000102707665,0.00004333081,0.000118286975,0.00001433575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016632659,0.00008633121,0.0010545494,0.00002152153,0.00007456849,0.000009855387,0.5011139,8.7603615e-7,0.00026430338,0.48969886,0.0062087215,0.0013001753],"study_design_scores_gemma":[0.0018864603,0.00009297835,0.013538047,0.00007316288,0.000058137863,0.000017515607,0.040387124,0.00017731996,0.004034212,0.02838341,0.91103935,0.0003122662],"about_ca_topic_score_codex":0.0027572508,"about_ca_topic_score_gemma":0.008568153,"teacher_disagreement_score":0.90483063,"about_ca_system_score_codex":0.000011385091,"about_ca_system_score_gemma":0.000018843522,"threshold_uncertainty_score":0.478123},"labels":[],"label_agreement":null},{"id":"W2044705873","doi":"10.7202/1005541ar","title":"Modernity and the Face","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Face (sociological concept); Aesthetics; Identity (music); Value (mathematics); Sociology; Psychoanalysis; Art; Psychology; Philosophy; Epistemology; Computer science; Social science","score_opus":0.07666955068491296,"score_gpt":0.28636044448558035,"score_spread":0.20969089380066738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044705873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044126693,0.00131091,0.008756768,0.0010678805,0.00041343784,0.0006701053,0.00015111243,0.001130863,0.9423722],"genre_scores_gemma":[0.9324192,0.00043612145,0.0017958015,0.003574918,0.00029179486,0.00018660612,0.000022987158,0.000090692825,0.061181907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977347,0.00036554146,0.00054748193,0.0004811581,0.00026335407,0.00060773175],"domain_scores_gemma":[0.998461,0.0002698438,0.00020481058,0.0006231718,0.00026639568,0.00017475302],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00076172274,0.00047732866,0.0004935648,0.00016089386,0.0014893136,0.00039690264,0.00051916554,0.00013504861,0.00038664968],"category_scores_gemma":[0.00019581114,0.00034550074,0.00025259392,0.000008853097,0.008652909,0.0008452267,0.0003037071,0.00044904332,0.000022184155],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019233991,0.00013470907,0.00020374662,0.000114392664,0.000088640656,0.000035426714,0.3016173,3.2014262e-7,0.00008229822,0.6373075,0.004431594,0.05579172],"study_design_scores_gemma":[0.0005612467,0.00028024506,0.0002764629,0.0002781026,0.00012014191,0.0000742364,0.0042550745,0.00006947382,0.0032484892,0.35477063,0.6354292,0.00063667644],"about_ca_topic_score_codex":0.007751189,"about_ca_topic_score_gemma":0.018591052,"teacher_disagreement_score":0.8882925,"about_ca_system_score_codex":0.0001822299,"about_ca_system_score_gemma":0.00005890483,"threshold_uncertainty_score":0.9998997},"labels":[],"label_agreement":null},{"id":"W2048204844","doi":"10.1162/0961121043067415","title":"David Tudor's <i>Rainforest</i>: An Evolving Exploration of Resonance","year":2004,"lang":"en","type":"article","venue":"Leonardo Music Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kingston Process Metallurgy (Canada)","funders":"","keywords":"Rainforest; History; Geography; Tropical rainforest; Ecology; Biology","score_opus":0.08788970215812317,"score_gpt":0.26586821857832954,"score_spread":0.17797851642020637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048204844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6618845,0.0045930166,0.016200269,0.009138001,0.006634898,0.0007070585,0.00017195403,0.00031454273,0.3003558],"genre_scores_gemma":[0.9922874,0.000087542256,0.0006104,0.00107191,0.0026703097,0.0000043028504,0.000012237117,0.000024783692,0.0032310917],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875915,0.00003939612,0.0004066712,0.00013979072,0.00033576082,0.00031921337],"domain_scores_gemma":[0.9991271,0.000023097791,0.00021998736,0.00020718116,0.00028092638,0.00014171064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027682207,0.00014333113,0.00019406274,0.00010695192,0.0005009632,0.0001985243,0.00020057765,0.000044376677,0.0006180538],"category_scores_gemma":[0.00004886051,0.0001266657,0.000107071006,0.00000442604,0.00024064707,0.0018243247,0.00003051161,0.00025791186,0.000030360145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044517317,0.00020949478,0.00029824002,0.000037418995,0.000043370863,0.00006221784,0.59038,0.00083668414,0.0002715935,0.38842657,0.0059241904,0.013465672],"study_design_scores_gemma":[0.0017423258,0.0005783176,0.0023694676,0.0002729789,0.000058587048,0.00014275261,0.02529105,0.00028099213,0.0004213294,0.17700773,0.79139864,0.0004357966],"about_ca_topic_score_codex":0.00032347767,"about_ca_topic_score_gemma":0.004099924,"teacher_disagreement_score":0.7854745,"about_ca_system_score_codex":0.00007017114,"about_ca_system_score_gemma":0.00017592992,"threshold_uncertainty_score":0.6767255},"labels":[],"label_agreement":null},{"id":"W2055361021","doi":"10.1080/13621020801900069","title":"Designing safe citizens","year":2008,"lang":"en","type":"article","venue":"Citizenship Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":45,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"British Academy; Leverhulme Trust; York University; Arizona State University","keywords":"Citizenship; Notice; State (computer science); Law; Sociology; Good citizenship; Invisibility; Political science; Politics; Computer science","score_opus":0.2414369724186338,"score_gpt":0.3103567012485956,"score_spread":0.06891972882996181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055361021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12290035,0.0064305644,0.00030199837,0.0016326958,0.0017748076,0.0003060565,0.000083548504,0.00053420966,0.86603576],"genre_scores_gemma":[0.89416414,0.00064415875,0.0003178847,0.0018107418,0.0016850651,0.00003291101,0.000009361708,0.000037648766,0.10129807],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855685,0.00006752316,0.000309181,0.00028916207,0.00023336787,0.0005438908],"domain_scores_gemma":[0.9990134,0.00029606748,0.000084733234,0.00024572577,0.00025123148,0.00010879717],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00016038044,0.00024927818,0.0003859024,0.000099174445,0.0015913215,0.000051405113,0.00015361332,0.000044356322,0.00045534066],"category_scores_gemma":[0.00022291904,0.00021817537,0.00013870488,0.000003605801,0.0013360854,0.000084591804,0.000102094535,0.00016841985,0.00042516735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021227792,0.00003352782,0.0013937522,0.000081270824,0.00043454382,0.00015870914,0.5517464,0.0000052251485,0.00011350061,0.14632572,0.2993205,0.00036559685],"study_design_scores_gemma":[0.0020415226,0.00037475055,0.0024468726,0.00025643528,0.0002781332,0.00015672366,0.08257904,0.000038490747,0.0031320187,0.20616665,0.70080453,0.0017248187],"about_ca_topic_score_codex":0.00005672032,"about_ca_topic_score_gemma":0.0005097771,"teacher_disagreement_score":0.77126384,"about_ca_system_score_codex":0.00006169671,"about_ca_system_score_gemma":0.000043596483,"threshold_uncertainty_score":0.9997085},"labels":[],"label_agreement":null},{"id":"W2055998134","doi":"10.1503/cmaj.081140","title":"An act of remembering","year":2008,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Head (geology); Visual arts; Art; Computer science; Art history; Biology","score_opus":0.03367426178143323,"score_gpt":0.24267724719793582,"score_spread":0.20900298541650258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055998134","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66108304,0.00012817852,0.00007812719,0.008819985,0.0021504627,0.000071143564,0.000070209215,0.000034327906,0.3275645],"genre_scores_gemma":[0.98711425,0.000053867774,0.000026553462,0.0034169345,0.003170005,6.204024e-7,0.000005199874,0.000009087271,0.0062035075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987916,0.00005732888,0.00025217776,0.000059931335,0.00055983814,0.00027911938],"domain_scores_gemma":[0.99866515,0.000038794504,0.00012813452,0.00006320693,0.00024080666,0.00086391694],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004536334,0.000056959954,0.000120945406,0.000088779794,0.00043714582,0.00003759834,0.00013374451,0.00009146355,0.009002134],"category_scores_gemma":[0.00028263134,0.000052851716,0.000057486366,0.0000023684413,0.000094685216,0.00017427398,0.000004287063,0.00030722455,0.000049962895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010073291,0.00014413538,0.07106178,0.000025098012,0.0002698166,0.000802723,0.32339838,0.000020048603,0.00003827832,0.051260795,0.5281831,0.024785774],"study_design_scores_gemma":[0.0002265991,0.000038865583,0.0049880566,0.00001697172,0.000008058203,0.00009624324,0.0012035479,0.0001696051,0.000016512093,0.00062625384,0.9925296,0.000079727855],"about_ca_topic_score_codex":0.013700817,"about_ca_topic_score_gemma":0.3888702,"teacher_disagreement_score":0.46434644,"about_ca_system_score_codex":0.00025277116,"about_ca_system_score_gemma":0.0013130485,"threshold_uncertainty_score":0.99286705},"labels":[],"label_agreement":null},{"id":"W2063835057","doi":"10.1353/utq.2010.0000","title":"Editing the Image: Strategies in the Production and Reception of the Visual (review)","year":2010,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Computer science; Subject (documents); Interpretation (philosophy); Plural; Image (mathematics); Art; Linguistics; Literature; Visual arts; Artificial intelligence; Philosophy; World Wide Web; Programming language","score_opus":0.014507918391156241,"score_gpt":0.22921498671800303,"score_spread":0.21470706832684677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063835057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92539567,0.0009463518,0.00003353927,0.004939256,0.00085964374,0.0004748727,0.000021552822,0.000017087616,0.067312],"genre_scores_gemma":[0.99803126,0.00017289934,0.000019818117,0.000057479097,0.0002684948,2.534522e-7,0.000001626295,0.0000021908797,0.001445952],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99960726,0.00007186113,0.000079434176,0.00007185804,0.00009643258,0.00007316616],"domain_scores_gemma":[0.9996646,0.000029869407,0.00009298997,0.0001356471,0.00006822552,0.0000086682785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022455219,0.00004858838,0.00007265324,0.0000065797153,0.00022341985,0.00001781779,0.00014614938,0.000017389379,0.00024842605],"category_scores_gemma":[0.0000150047,0.000028153576,0.000037411966,0.0000013510581,0.00045232687,0.0003515366,0.0000121017,0.000092658374,0.0000013155665],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014418723,0.00008392887,0.0001621816,0.00020067093,0.00001793062,6.6674335e-7,0.9142951,4.1078366e-7,0.0014993014,0.057050705,0.013411105,0.013263601],"study_design_scores_gemma":[0.00023744242,0.0003242235,0.018883513,0.00028796378,0.00010514254,0.0000060691004,0.81406885,0.00008540854,0.00007331774,0.002517758,0.16327111,0.00013920294],"about_ca_topic_score_codex":0.017176239,"about_ca_topic_score_gemma":0.39990565,"teacher_disagreement_score":0.3827294,"about_ca_system_score_codex":0.000012295341,"about_ca_system_score_gemma":0.000021339847,"threshold_uncertainty_score":0.9893685},"labels":[],"label_agreement":null},{"id":"W2065029976","doi":"10.1017/s0008938900002570","title":"Art and the German Bourgeoisie: Alfred Lichtwark and Modern Painting in Hamburg, 1886–1914. By Carolyn Kay. Toronto: University of Toronto Press. 2002. Pp. x + 166. $45.00. ISBN 0-8020-00922-0.","year":2004,"lang":"en","type":"article","venue":"Central European History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Bourgeoisie; Painting; Art history; Art; Media studies; Sociology; Political science; History; Law; Archaeology; Politics","score_opus":0.014670742250453884,"score_gpt":0.18542966419041174,"score_spread":0.17075892193995784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065029976","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107596315,0.20695812,0.00014661925,0.0004158969,0.0010600367,0.0006773295,0.00023758174,0.00018717602,0.68272096],"genre_scores_gemma":[0.9152637,0.008025976,0.000038347815,0.00069225027,0.00036063167,0.0000012450377,0.00003690784,0.000062734136,0.07551817],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983724,0.00026669126,0.0003085476,0.00035588146,0.00018593168,0.0005105555],"domain_scores_gemma":[0.99916136,0.00005236346,0.00017486942,0.00030990576,0.000064344094,0.00023713725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035183068,0.00024412187,0.00033171606,0.000010504055,0.00030038593,0.000043254466,0.00023237466,0.00005097119,0.0006863852],"category_scores_gemma":[0.0000390027,0.00022728133,0.00008984282,0.0000016187794,0.0009751519,0.00043795558,0.00013671278,0.00017943948,0.0000103729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021499892,0.00021478102,0.0002512209,0.0001328845,0.00010865991,0.00008265913,0.49504584,0.000034425262,0.00025947302,0.02696483,0.47398883,0.0027014115],"study_design_scores_gemma":[0.0019487926,0.00005076319,0.0013090877,0.00005954538,0.000058443315,0.000004862141,0.0018171588,0.00025596144,0.000013614972,0.00014602781,0.99406576,0.00027000796],"about_ca_topic_score_codex":0.08092242,"about_ca_topic_score_gemma":0.084585905,"teacher_disagreement_score":0.80766743,"about_ca_system_score_codex":0.0007531309,"about_ca_system_score_gemma":0.00007918627,"threshold_uncertainty_score":0.932118},"labels":[],"label_agreement":null},{"id":"W2066764809","doi":"10.15353/cjds.v2i4.114","title":"Interview with Katherine Araniello","year":2013,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Sociology; Media studies","score_opus":0.1058264300279155,"score_gpt":0.26721001950233897,"score_spread":0.16138358947442347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066764809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8881355,0.009372781,0.00004498141,0.032327387,0.0013555057,0.0004064786,0.00007002705,0.00002352671,0.06826381],"genre_scores_gemma":[0.9930223,0.00006557465,0.000045965036,0.0012156767,0.0005231717,0.000006050956,7.412958e-7,0.000011848478,0.005108634],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918485,0.00004919024,0.0003088876,0.000092178496,0.00009738086,0.00026752852],"domain_scores_gemma":[0.9989463,0.00006231543,0.00011121694,0.00015413253,0.00042347246,0.00030257917],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001871873,0.0001256729,0.0002984504,0.000040403786,0.0002524154,0.000093443945,0.00015033376,0.00001636388,0.0015039131],"category_scores_gemma":[0.00009049152,0.00008128811,0.00009637488,0.000002719234,0.0015239755,0.0002512714,0.000013113601,0.00012866454,0.000048146103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019769035,0.00018612586,0.040033937,0.0004928342,0.0014742754,0.000061779014,0.74401754,0.000015100932,0.0000053606227,0.038546722,0.15158202,0.023564555],"study_design_scores_gemma":[0.00035077028,0.000417267,0.0086684795,0.00018044696,0.00009303554,0.000029267598,0.07809435,0.0000051462243,0.00001238765,0.014623692,0.8973078,0.00021732344],"about_ca_topic_score_codex":0.015092905,"about_ca_topic_score_gemma":0.6953242,"teacher_disagreement_score":0.7457258,"about_ca_system_score_codex":0.00018015492,"about_ca_system_score_gemma":0.00015810142,"threshold_uncertainty_score":0.99940884},"labels":[],"label_agreement":null},{"id":"W2075858550","doi":"10.1007/s10508-011-9775-8","title":"Frederick L. Whitam (1933–2009)","year":2011,"lang":"en","type":"article","venue":"Archives of Sexual Behavior","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University; University of Lethbridge","funders":"","keywords":"Public health; Sexual behavior; Psychology; Clinical psychology; Medicine; Nursing","score_opus":0.1179782623977015,"score_gpt":0.26595327697156607,"score_spread":0.14797501457386458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075858550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5614895,0.00011486692,0.000092935275,0.000036542708,0.00047576922,0.00020611996,0.00022708293,0.000095693664,0.43726146],"genre_scores_gemma":[0.94622487,0.000009614805,0.000786467,0.00013377046,0.00029236093,0.000028160754,0.000029978954,0.000028187673,0.052466605],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904704,0.000027664126,0.00026934643,0.00021004352,0.00013358233,0.000312307],"domain_scores_gemma":[0.99942833,0.000043504842,0.00009193755,0.000293343,0.00003051897,0.0001123573],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000036930825,0.00015499337,0.00019953228,0.00009633371,0.00017101217,0.000024613852,0.00023684389,0.000028891045,0.0016354905],"category_scores_gemma":[0.000009600545,0.00013944415,0.000061425286,0.0000016754713,0.0006983003,0.00015013707,0.00008552646,0.00011133466,0.000102626924],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006042939,0.0011618981,0.011850517,0.0000801192,0.000065819506,0.000036765403,0.8102613,3.2879626e-7,0.0041307453,0.12875164,0.003699439,0.039900985],"study_design_scores_gemma":[0.0025719453,0.0041425666,0.2923149,0.00012270643,0.0010021785,0.00004114162,0.07389605,0.000074708296,0.018959781,0.043855507,0.5609187,0.0020998514],"about_ca_topic_score_codex":0.0021151463,"about_ca_topic_score_gemma":0.0026028838,"teacher_disagreement_score":0.73636526,"about_ca_system_score_codex":0.0000048706816,"about_ca_system_score_gemma":0.00003053787,"threshold_uncertainty_score":0.9992772},"labels":[],"label_agreement":null},{"id":"W2080710986","doi":"10.12789/geocanj.2013.40.003","title":"The Tooth of Time: Henno Martin","year":2013,"lang":"en","type":"article","venue":"Geoscience Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Orthodontics; Medicine","score_opus":0.012759059694910181,"score_gpt":0.17931369622856272,"score_spread":0.16655463653365254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080710986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51920605,0.00022232415,0.000052582487,0.0068696802,0.0016915727,0.0003199182,0.000107590124,0.00003668099,0.47149357],"genre_scores_gemma":[0.76163626,0.0000050128506,0.000013356517,0.0012309015,0.00013133358,0.00000793523,0.0000016123133,0.0000039623196,0.2369696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992748,0.000013522268,0.00012884029,0.00009429467,0.00020920024,0.00027936406],"domain_scores_gemma":[0.9995615,0.000050733153,0.000049878905,0.00017714527,0.000087431166,0.00007334509],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009784825,0.000056106634,0.00006563413,0.000011703631,0.0004625411,0.00008332597,0.00023697127,0.0000083057985,0.0014175823],"category_scores_gemma":[0.000037782156,0.000035856,0.000018674486,0.0000026234889,0.0004948593,0.00011377131,0.000036070804,0.000040368075,0.000058226018],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021285314,0.000020060634,0.00064088195,0.000014317087,0.000010057214,0.0000031225652,0.01948878,0.000009339014,0.00028170386,0.13283916,0.8365552,0.010135288],"study_design_scores_gemma":[0.00003581454,0.000015732618,0.0008928504,0.0000036625736,0.000002289582,6.7769616e-7,0.0012051307,0.0006605314,0.000100056,0.0028419646,0.99417514,0.00006613964],"about_ca_topic_score_codex":0.92206395,"about_ca_topic_score_gemma":0.9755776,"teacher_disagreement_score":0.24243021,"about_ca_system_score_codex":0.00003817791,"about_ca_system_score_gemma":0.00043909764,"threshold_uncertainty_score":0.99949527},"labels":[],"label_agreement":null},{"id":"W2082624548","doi":"10.1353/bio.2011.0066","title":"Andy Warhol’s Deaths and the Assembly-Line Autobiography","year":2011,"lang":"en","type":"article","venue":"Biography","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Memoir; Biography; Context (archaeology); Relation (database); Subject (documents); Assembly line; History; Literature; Line (geometry); Art history; Art; Archaeology; Computer science; Library science; Engineering","score_opus":0.07005249102237195,"score_gpt":0.22677206536844147,"score_spread":0.15671957434606953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082624548","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24624135,0.0062824087,0.00040778003,0.0012469663,0.0015802726,0.0008725163,0.00028189208,0.0005317493,0.7425551],"genre_scores_gemma":[0.9951747,0.00046204636,0.00017596016,0.0013622678,0.00046372952,0.000032556713,0.00001445157,0.000022132723,0.0022921597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990378,0.000060717208,0.00021248843,0.00023233204,0.0001300911,0.0003265564],"domain_scores_gemma":[0.9993976,0.00005608518,0.0000744717,0.00029670954,0.0000706018,0.0001045434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022184834,0.00018891144,0.00020312097,0.0003071526,0.00049656944,0.00012198231,0.00018476965,0.00005484387,0.00029514052],"category_scores_gemma":[0.000007682797,0.00011607012,0.0002911408,0.000013949026,0.0013918495,0.00014175943,0.000059148377,0.000115949224,0.000025986517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104020815,0.00016282535,0.009124739,0.000026436155,0.00027423204,0.000006819173,0.12344382,4.3558348e-8,0.00002131909,0.84980154,0.0147258695,0.0023083529],"study_design_scores_gemma":[0.0019042088,0.00020975393,0.014186693,0.000024747014,0.00021362613,0.000006974814,0.0029128208,0.000055969504,0.00026340166,0.06533719,0.91447,0.0004145848],"about_ca_topic_score_codex":0.0024682435,"about_ca_topic_score_gemma":0.0023437943,"teacher_disagreement_score":0.89974415,"about_ca_system_score_codex":0.0000027196845,"about_ca_system_score_gemma":0.00001107218,"threshold_uncertainty_score":0.51283276},"labels":[],"label_agreement":null},{"id":"W2084486214","doi":"10.1353/lac.2012.0023","title":"Index to Volume 47","year":2012,"lang":"en","type":"article","venue":"Information & Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Library science; State (computer science); SAINT; Art history; History; Sociology; Computer science; World Wide Web; Algorithm","score_opus":0.0290389637268874,"score_gpt":0.24053026235445,"score_spread":0.2114912986275626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084486214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008217699,0.000049554146,0.00166636,0.0010946331,0.0010738285,0.00020047379,0.000104502076,0.00015896604,0.98743397],"genre_scores_gemma":[0.90145916,0.0000023660825,0.00007399318,0.008326714,0.0011500088,0.000013991648,0.00009560472,0.0000047925973,0.08887338],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994314,0.00000659404,0.00016627023,0.00003253088,0.00013685247,0.0002263798],"domain_scores_gemma":[0.9996067,0.0000025262473,0.000050319133,0.000103904575,0.000112939255,0.00012359227],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006161093,0.00008144015,0.000069258196,0.00004647377,0.00021169234,0.00015070554,0.00007834311,0.000045761823,0.0017263215],"category_scores_gemma":[0.000019484152,0.000063007596,0.000036987673,0.00000217806,0.00003718752,0.0019693424,0.000026850397,0.000081783124,0.004274047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026772275,0.000010387975,0.0003379814,0.0000113987835,0.0000067265023,4.4924693e-8,0.56032395,0.000011101333,0.0000017601816,0.08254035,0.35506243,0.0016911674],"study_design_scores_gemma":[0.00009667351,0.000015768752,0.0009643763,0.0000059464173,0.0000052863866,0.0000015986658,0.008945195,0.0000803124,0.000018412497,0.00034629364,0.9894153,0.00010487272],"about_ca_topic_score_codex":0.00011595679,"about_ca_topic_score_gemma":0.0002542511,"teacher_disagreement_score":0.8985606,"about_ca_system_score_codex":0.000028788494,"about_ca_system_score_gemma":0.000012291694,"threshold_uncertainty_score":0.9991862},"labels":[],"label_agreement":null},{"id":"W208554210","doi":"","title":"Art for Politics: Reflections on the Whitney Biennial","year":2006,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Postmodernism; Politics; Tragedy (event); Art history; Sociology; Painting; Art; Media studies; Literature; Law; Political science","score_opus":0.10965109320089902,"score_gpt":0.3197823756741701,"score_spread":0.2101312824732711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W208554210","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34854978,0.0003916425,0.028225273,0.026698392,0.00068609393,0.0012871226,0.00065059407,0.00076109456,0.59275],"genre_scores_gemma":[0.9782237,0.000021362785,0.00011594935,0.0013853366,0.00041252794,0.00011915636,0.000022997909,0.000011201535,0.01968776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992817,0.000019142186,0.00015427136,0.00019493003,0.00006168359,0.00028827527],"domain_scores_gemma":[0.9996057,0.00011637862,0.000012754699,0.00014827462,0.00009005994,0.000026800233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000073559946,0.00014287088,0.0001842432,0.000043432043,0.0011822939,0.00005327995,0.00010810656,0.0001024668,0.00008824713],"category_scores_gemma":[0.0000034697814,0.00009948736,0.00014005858,0.000006662141,0.0014702843,0.00005094011,0.000010870016,0.00020954157,0.000020753781],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046272626,0.00006224855,0.000024934483,0.0000063256557,0.000042264226,1.1731853e-7,0.043852307,0.0000016788504,0.00014016408,0.90980166,0.04604388,0.000019777995],"study_design_scores_gemma":[0.0004263161,0.00021491545,0.00010474,0.000008961476,0.000043287262,0.0000019923373,0.013922578,0.00016215927,0.0015272917,0.20401308,0.7794217,0.00015299374],"about_ca_topic_score_codex":0.00005665819,"about_ca_topic_score_gemma":0.0017383059,"teacher_disagreement_score":0.7333778,"about_ca_system_score_codex":0.000026012603,"about_ca_system_score_gemma":0.000026868378,"threshold_uncertainty_score":0.9093368},"labels":[],"label_agreement":null},{"id":"W208679859","doi":"","title":"Isabelle Hémard : A love story // Nick Shick : Alone Together","year":2005,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Art","score_opus":0.03267912711022735,"score_gpt":0.24737948072396568,"score_spread":0.21470035361373832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W208679859","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015650007,0.023976883,0.00030207465,0.009368554,0.006686496,0.001607752,0.0017549286,0.00040431903,0.954334],"genre_scores_gemma":[0.015570745,0.0023510712,0.00031069547,0.007994461,0.019577596,0.00007503361,0.00055901904,0.00068910123,0.9528723],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907096,0.0007517952,0.0018590224,0.0021872988,0.0014584762,0.0030338096],"domain_scores_gemma":[0.994043,0.00073797867,0.0010103042,0.0024107278,0.0005954189,0.0012025735],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.001159451,0.0023222186,0.0024192953,0.00052430516,0.002248692,0.0007003723,0.0013970893,0.0015937615,0.09639859],"category_scores_gemma":[0.00012079329,0.0024835966,0.0015942272,0.000018194716,0.004281699,0.0009983078,0.0005854002,0.0031020984,0.09297714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011426764,0.0007801584,0.00002307213,0.00047353495,0.0008219456,0.00016470859,0.11022582,0.000039686664,0.0000270199,0.17440565,0.6925361,0.020388052],"study_design_scores_gemma":[0.0021746638,0.0006219653,0.00015237102,0.0008923805,0.00088269624,0.000075704265,0.003016409,0.00032316885,0.000043603577,0.016502585,0.9725612,0.0027532615],"about_ca_topic_score_codex":0.0016749599,"about_ca_topic_score_gemma":0.026299601,"teacher_disagreement_score":0.2800251,"about_ca_system_score_codex":0.0014205398,"about_ca_system_score_gemma":0.0015600675,"threshold_uncertainty_score":0.9997024},"labels":[],"label_agreement":null},{"id":"W2093303635","doi":"10.7202/1005443ar","title":"Sens(a)ble Intermediality and Interesse","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Dialectic; German; Mediation; Philosophy; Ontology; Perspective (graphical); Hermeneutics; Epistemology; Aesthetics; Art history; Art; Sociology; Social science; Linguistics","score_opus":0.08047899224454254,"score_gpt":0.29637633283267806,"score_spread":0.21589734058813553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093303635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2205883,0.00079185213,0.0045591868,0.00042339545,0.0011209444,0.000665985,0.0003408499,0.0015722312,0.7699373],"genre_scores_gemma":[0.959388,0.0002829516,0.0047800485,0.0023714018,0.0005987883,0.00010946508,0.00005186014,0.00013530607,0.03228214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971398,0.00032080035,0.00078673876,0.0006875331,0.0002741716,0.0007909386],"domain_scores_gemma":[0.99816746,0.00017717981,0.00027397214,0.00068589457,0.00038741704,0.00030808288],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006346699,0.0006194915,0.0006278799,0.00032585903,0.00091258413,0.00039805146,0.0005097937,0.00019821314,0.00079261465],"category_scores_gemma":[0.00021833612,0.0005686123,0.00025740257,0.000012496716,0.0061277687,0.0011825449,0.00044129582,0.0004915606,0.000024960536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002924323,0.0005424682,0.0017092869,0.00056618144,0.00023692755,0.00027680167,0.38848442,1.952568e-7,0.0017307183,0.49010321,0.011099148,0.104958236],"study_design_scores_gemma":[0.00047339947,0.0008301509,0.0005916696,0.0010003481,0.00018319246,0.0002155129,0.0049040513,0.000048831367,0.01821482,0.19189946,0.7803591,0.001279495],"about_ca_topic_score_codex":0.007833916,"about_ca_topic_score_gemma":0.024981977,"teacher_disagreement_score":0.7692599,"about_ca_system_score_codex":0.00035055153,"about_ca_system_score_gemma":0.00008728221,"threshold_uncertainty_score":0.9996765},"labels":[],"label_agreement":null},{"id":"W2094963047","doi":"10.1353/utq.2006.0272","title":"Presence, Deixis, and the Making of Meaning in Gertrude Stein's Tender Buttons","year":2006,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deixis; Meaning (existential); Art; Linguistics; Philosophy; Epistemology","score_opus":0.014648769811760729,"score_gpt":0.19895175434414578,"score_spread":0.18430298453238506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094963047","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21112977,0.0008631823,0.000499942,0.000524179,0.00015511135,0.000258176,0.000057769394,0.00003281189,0.78647906],"genre_scores_gemma":[0.98991215,0.000009322741,0.00012786266,0.000030419078,0.000061378814,1.2780977e-7,0.0000025179056,0.0000044228427,0.00985181],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99947923,0.00005050513,0.00011774734,0.00010397009,0.000104700855,0.00014381777],"domain_scores_gemma":[0.9996629,0.000056466193,0.000091205766,0.00012558397,0.00005022581,0.000013618036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010008632,0.00007159301,0.0001604907,0.000027340073,0.00014647256,0.000017301989,0.00012968849,0.000027315731,0.00021993717],"category_scores_gemma":[0.0000029901353,0.00006198956,0.000050300696,0.0000011658242,0.00053216104,0.00025088058,0.000023474122,0.000046654648,0.00000114408],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007533272,0.0000516329,0.00086785277,0.000034580484,0.000028506338,0.0000061840824,0.51128995,0.000008599797,0.000040135354,0.48412305,0.0019830638,0.0014910944],"study_design_scores_gemma":[0.006318271,0.0006071417,0.01950909,0.0002672644,0.00020512688,0.000006689451,0.5278213,0.0028770452,0.00004720633,0.03818552,0.40359724,0.0005581268],"about_ca_topic_score_codex":0.12975456,"about_ca_topic_score_gemma":0.57809955,"teacher_disagreement_score":0.77878237,"about_ca_system_score_codex":0.000039426293,"about_ca_system_score_gemma":0.000019816533,"threshold_uncertainty_score":0.87604046},"labels":[],"label_agreement":null},{"id":"W2099626817","doi":"10.1080/0950236x.2014.955813","title":"Richard Wright's search for a counter-hegemonic genre: the anamorphic and matrixial potential of haiku","year":2014,"lang":"en","type":"article","venue":"Textual Practice","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Haiku; Wright; Poetics; Hegemony; Poetry; Literature; Aesthetics; Art; Politics; Art history; Philosophy; Sociology; Law","score_opus":0.04139090280181308,"score_gpt":0.28744086770613764,"score_spread":0.24604996490432457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2099626817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5423507,0.0029711747,0.03303092,0.03357573,0.0028990908,0.0032402512,0.0010002666,0.00034183456,0.38059005],"genre_scores_gemma":[0.9856245,0.000059743208,0.0002092766,0.0012678824,0.0014489524,0.000017342898,0.000016065795,0.000024224495,0.011332013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988077,0.00016626668,0.0002503154,0.00020416891,0.00026038577,0.0003111117],"domain_scores_gemma":[0.9984884,0.00077776203,0.0001518699,0.0002541081,0.0002577139,0.00007012616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082346675,0.00013498108,0.0001880664,0.000051892188,0.00049771974,0.00017381486,0.00018626767,0.00005179155,0.00029102172],"category_scores_gemma":[0.00021613903,0.00009438622,0.00007626158,0.000003587265,0.0004864669,0.00040863475,0.00008123785,0.00019075075,0.00006108057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006573985,0.0003002326,0.00003347268,0.00022403139,0.0002731003,0.0000077584,0.089061916,0.000026268915,0.00067758566,0.8660138,0.03420845,0.008515939],"study_design_scores_gemma":[0.0008305488,0.00040471723,0.00014662545,0.000012868462,0.00022649241,0.00003330452,0.007807921,0.0034963186,0.00015158165,0.003221489,0.9834945,0.00017358972],"about_ca_topic_score_codex":0.0012994588,"about_ca_topic_score_gemma":0.0007593134,"teacher_disagreement_score":0.9492861,"about_ca_system_score_codex":0.000018471905,"about_ca_system_score_gemma":0.00006276925,"threshold_uncertainty_score":0.38489583},"labels":[],"label_agreement":null},{"id":"W2103374","doi":"10.22329/p.v7i1.3614","title":"Archaeologizing Art History: An Encounter with &lt;i&gt;Foucault’s Philosophy of Art: A Genealogy of Modernity&lt;/i&gt;, Joseph Tanke","year":2012,"lang":"en","type":"article","venue":"PhaenEx","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Art history; Philosophy; Michel foucault; Art; Humanities; Epistemology; Law; Politics; Political science","score_opus":0.07021859938253983,"score_gpt":0.2505484325148777,"score_spread":0.18032983313233786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32327688,0.0032539566,0.0012965892,0.000448426,0.0012863678,0.00036647666,0.00024279492,0.00015342962,0.66967505],"genre_scores_gemma":[0.97492325,0.00006267601,0.0004424725,0.0007088787,0.0014391261,0.000034434575,0.00008276618,0.00006156751,0.0222448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980617,0.00012012762,0.00048142695,0.00031996367,0.0003583108,0.00065845344],"domain_scores_gemma":[0.9985579,0.0000765342,0.00032890635,0.000549914,0.00024591837,0.00024077613],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028985462,0.0003169947,0.00054946885,0.00020994536,0.00015424026,0.000013658264,0.000312917,0.00010336775,0.0016055836],"category_scores_gemma":[0.000024720986,0.00027210396,0.00014773048,0.0000058945907,0.0015684459,0.00053258176,0.000110839515,0.00017529957,0.000135071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024710305,0.0010730673,0.0016451882,0.000332554,0.00029808393,0.000020745736,0.29769707,0.00006483104,0.00679188,0.6710525,0.019991228,0.0007857552],"study_design_scores_gemma":[0.0007753868,0.0005021248,0.00026517533,0.00006357502,0.00013789574,0.000025078256,0.0002910629,0.00069484906,0.0007836075,0.012430412,0.9836134,0.00041743417],"about_ca_topic_score_codex":0.00011717348,"about_ca_topic_score_gemma":0.004284253,"teacher_disagreement_score":0.96362215,"about_ca_system_score_codex":0.00014096916,"about_ca_system_score_gemma":0.00013758884,"threshold_uncertainty_score":0.9999731},"labels":[],"label_agreement":null},{"id":"W2103422633","doi":"10.1111/j.1548-7458.2009.01037.x","title":"Contemporary Native Artists and International Biennial Culture","year":2009,"lang":"en","type":"article","venue":"Visual Anthropology Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sovereignty; Identity (music); Citizenship; Colonialism; Treaty; Political science; Visual arts; Art; Media studies; History; Sociology; Law; Aesthetics; Politics","score_opus":0.08499484890651694,"score_gpt":0.38622149814052076,"score_spread":0.30122664923400383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103422633","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009340801,0.35994396,0.00023846014,0.055353936,0.0035354914,0.00094755925,0.0002492906,0.00027394993,0.5701165],"genre_scores_gemma":[0.89880395,0.057454225,0.00003536308,0.019483816,0.0012106925,0.000010588013,0.0000877627,0.000011087853,0.02290253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922353,0.0000670904,0.0002466151,0.00020555008,0.00008179821,0.00017542628],"domain_scores_gemma":[0.9996316,0.000021380712,0.00009734175,0.00007830897,0.000101058155,0.00007033878],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009608112,0.00014117674,0.0002897326,0.000039563925,0.00024235559,0.000035673365,0.0000973679,0.000047659032,0.0018419673],"category_scores_gemma":[0.00004396234,0.000105007704,0.00006459595,0.0000026650553,0.0010948981,0.0001661155,0.000035813733,0.00012476361,0.00007528056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033758784,0.0004346887,0.00026557522,0.00039064407,0.00014404727,0.000059844515,0.052210942,2.6266486e-8,0.00004342188,0.44832465,0.44065064,0.05744174],"study_design_scores_gemma":[0.0002458168,0.0003313107,0.0001276447,0.00031758333,0.00002644539,0.000029534816,0.0010262405,0.000014025925,0.000019734247,0.004786529,0.99292624,0.00014891662],"about_ca_topic_score_codex":0.00012609718,"about_ca_topic_score_gemma":0.0002572428,"teacher_disagreement_score":0.8894631,"about_ca_system_score_codex":0.000016518696,"about_ca_system_score_gemma":0.0000331905,"threshold_uncertainty_score":0.99907047},"labels":[],"label_agreement":null},{"id":"W2104104570","doi":"","title":"Materiality and \"l'art intégré\": Charles Daudelin's Art in the Urban Context","year":2013,"lang":"fr","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Public space; The arts; Visual arts; Context (archaeology); Contemporary art; Art; Public art; Materiality (auditing); Art methodology; Installation art; Aesthetics; Sociology; Visual arts education; Art history; History; Performance art; Studio art; Engineering; Archaeology","score_opus":0.044962296746206803,"score_gpt":0.272745931498197,"score_spread":0.22778363475199018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2104104570","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6798183,0.00072170876,0.0000047445365,0.0017577502,0.0015431761,0.00095316116,0.0001276288,0.000045853438,0.3150277],"genre_scores_gemma":[0.6018498,0.00074645417,0.000001800918,0.00007414994,0.0012756579,0.0000121757175,0.00023178977,0.000038011724,0.3957702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948425,0.0016845177,0.00055574335,0.0008790134,0.0008028664,0.0012353215],"domain_scores_gemma":[0.99772227,0.00047246963,0.00026147944,0.0007653192,0.00042103103,0.0003574368],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010600996,0.0005210105,0.00064975116,0.00086373667,0.002415219,0.0012366517,0.00097349496,0.00043635647,0.0007462988],"category_scores_gemma":[0.000083365674,0.00048260644,0.00022215772,0.00004506401,0.0023860864,0.0007292563,0.0002635704,0.0015154848,0.0005577649],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008253915,0.0006193097,0.026835391,0.0011109569,0.00041968105,0.0017966131,0.22148176,0.000002170472,0.0014507365,0.6541959,0.09036456,0.0008975328],"study_design_scores_gemma":[0.0007424778,0.00040559893,0.028913356,0.00028711613,0.00009831562,0.0000281154,0.07912906,0.00008916823,0.0011094039,0.0019084861,0.88675547,0.00053345284],"about_ca_topic_score_codex":0.15853444,"about_ca_topic_score_gemma":0.3584656,"teacher_disagreement_score":0.7963909,"about_ca_system_score_codex":0.0006003645,"about_ca_system_score_gemma":0.0006932306,"threshold_uncertainty_score":0.99980015},"labels":[],"label_agreement":null},{"id":"W2106585078","doi":"10.26522/br.v11i2.151","title":"From Pathways to Portals: Getting to the Root of a Public Housing Community","year":2011,"lang":"en","type":"article","venue":"The Brock Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Demolition; Public housing; Natural (archaeology); Sociology; Painting; Public administration; Political science; Economic growth; Geography; Law; Archaeology; Visual arts; Art; Economics","score_opus":0.2998260769400353,"score_gpt":0.29880683145890813,"score_spread":0.0010192454811271956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106585078","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3618921,0.11664472,0.0013409067,0.010634744,0.000905062,0.0032321655,0.0005063935,0.00031383923,0.5045301],"genre_scores_gemma":[0.9855258,0.000831619,0.00009512992,0.010241858,0.0005262338,0.000039658473,0.0000121660605,0.000026684953,0.0027008613],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879116,0.00037579815,0.0003479916,0.00009639074,0.00014576585,0.00024287142],"domain_scores_gemma":[0.99880797,0.00013931503,0.0001437045,0.0007132632,0.000110152505,0.00008558383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006066567,0.00012445218,0.000283156,0.00002249616,0.000653669,0.00005259073,0.00059115264,0.000016603877,0.0008362903],"category_scores_gemma":[0.00020963856,0.00006680724,0.0001116402,0.0000071538025,0.000093713286,0.00008567195,0.00026089302,0.00019565212,0.00029525993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006866513,0.00018120304,0.00015450377,0.00092231564,0.0001291274,0.000001897074,0.78876776,0.0000011298445,0.000061249426,0.041868933,0.09557951,0.0723255],"study_design_scores_gemma":[0.000043267755,0.000048140868,0.0003303335,0.0012455714,0.00008576465,0.0000013614908,0.006003845,0.0000025312963,0.00007172505,0.005705687,0.9863348,0.00012697125],"about_ca_topic_score_codex":0.0062198183,"about_ca_topic_score_gemma":0.027761683,"teacher_disagreement_score":0.8907553,"about_ca_system_score_codex":0.000015053229,"about_ca_system_score_gemma":0.000033856955,"threshold_uncertainty_score":0.98997915},"labels":[],"label_agreement":null},{"id":"W2107741529","doi":"10.1162/105420402753555868","title":"Saint Orlan: Ritual As Violent Spectacle and Cultural Criticism","year":2002,"lang":"en","type":"article","venue":"TDR/The Drama Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Atlantic School of Theology","funders":"","keywords":"Spectacle; Criticism; Beauty; SAINT; Aesthetics; Art; History; Law; Political science; Literature; Art history","score_opus":0.06879470334901928,"score_gpt":0.2852150313914951,"score_spread":0.21642032804247585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107741529","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029310698,0.46692675,0.000015095427,0.03179273,0.0008687635,0.0011532853,0.00009153739,0.00020914426,0.469632],"genre_scores_gemma":[0.6782013,0.12919843,0.00004554904,0.031933248,0.0021435714,0.0000699027,0.000023907938,0.000048867107,0.15833522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988143,0.00009193923,0.00031826788,0.00022507808,0.00019572277,0.00035468492],"domain_scores_gemma":[0.9993408,0.0000675765,0.000069181224,0.00031059716,0.00008853085,0.00012336053],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018066225,0.00020220935,0.00033682375,0.00002027967,0.00044443124,0.00018910228,0.00018867088,0.000031420343,0.0076911603],"category_scores_gemma":[0.00008056292,0.0001244203,0.00013201631,0.000003629647,0.00043117665,0.00014500381,0.00007671078,0.00018366886,0.0018196489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034135624,0.00012986784,0.000017029408,0.0012115618,0.00005910779,0.000038524824,0.05148878,1.7141431e-7,0.000007712361,0.7571023,0.15443133,0.035510205],"study_design_scores_gemma":[0.0001822308,0.00006664301,0.000029901215,0.000816472,0.00009624666,0.000060451912,0.0008785844,0.000060920334,0.000011215579,0.005284342,0.9923107,0.00020231881],"about_ca_topic_score_codex":0.0005652468,"about_ca_topic_score_gemma":0.00063751586,"teacher_disagreement_score":0.83787936,"about_ca_system_score_codex":0.00004456445,"about_ca_system_score_gemma":0.000009478345,"threshold_uncertainty_score":0.9989576},"labels":[],"label_agreement":null},{"id":"W2112960981","doi":"10.1111/1467-8365.00293","title":"Beware of Domestic Objects: Vocation and equivocation in 1936","year":2001,"lang":"en","type":"article","venue":"Art History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Automatism (medicine); Paranoia; Criticism; Equivocation; Object (grammar); Relation (database); Art; Modernism (music); Painting; Art criticism; Aesthetics; Psychoanalysis; Art history; Performance art; Psychology; Literature; Philosophy; Epistemology; Computer science; Linguistics","score_opus":0.04944085855395731,"score_gpt":0.2449963110130953,"score_spread":0.195555452459138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2112960981","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3674836,0.003412234,0.00015547473,0.0003358205,0.00084827485,0.00015382451,0.000008439257,0.00006558517,0.6275368],"genre_scores_gemma":[0.9442912,0.00009357391,0.000021177908,0.00028764823,0.00013975914,0.000008394935,0.00001984503,0.000007696532,0.055130757],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956065,0.000019305891,0.00014777672,0.00009705706,0.00006958813,0.00010559508],"domain_scores_gemma":[0.99974096,0.000031047097,0.00005253119,0.00010590194,0.00004035072,0.000029195673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008097289,0.000057210844,0.0000888238,0.000094763804,0.000050889183,0.0000050675008,0.000037619266,0.000022657532,0.0003060728],"category_scores_gemma":[0.00002761267,0.000059746566,0.000016549384,0.0000016750015,0.00020109113,0.00014049414,0.000011749945,0.000043565233,0.00004831043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034956236,0.0002445232,0.0037581595,0.00016189137,0.000018300112,0.000014813545,0.80716497,0.000017414648,0.00052120804,0.14685191,0.03437922,0.006832626],"study_design_scores_gemma":[0.00025273988,0.00005301703,0.0025973509,0.00003086938,0.0000115025605,0.0000042067572,0.0018327483,0.00014064029,0.000017230477,0.0030189056,0.99194926,0.000091553724],"about_ca_topic_score_codex":0.0006571721,"about_ca_topic_score_gemma":0.012829766,"teacher_disagreement_score":0.95757,"about_ca_system_score_codex":0.00014484483,"about_ca_system_score_gemma":0.00005151505,"threshold_uncertainty_score":0.71593106},"labels":[],"label_agreement":null},{"id":"W2116401069","doi":"10.1162/desi_a_00208","title":"The Memory of May ′68: The Ironic Interruption and Democratic Commitment of the Atelier Populaire","year":2013,"lang":"en","type":"article","venue":"Design Issues","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Illinois at Urbana-Champaign; McGill University","keywords":"Icon; Politics; Democracy; Citation; Action (physics); Field (mathematics); Sociology; Space (punctuation); Media studies; Law; Computer science; Political science","score_opus":0.07987449867218605,"score_gpt":0.28035362840609024,"score_spread":0.2004791297339042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116401069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91927826,0.013331822,0.0005308586,0.020139601,0.0012425983,0.0024724754,0.000029146058,0.00006833487,0.0429069],"genre_scores_gemma":[0.9633448,0.00020596365,0.00003145403,0.00024951866,0.00013092614,0.000029905697,0.0000013133853,0.000009635519,0.03599646],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992836,0.00016403201,0.00020748109,0.000076891956,0.00012822144,0.00013975144],"domain_scores_gemma":[0.99940246,0.00012963533,0.000108894106,0.0002797513,0.000059862774,0.000019369281],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021225798,0.00008932036,0.000118517186,0.000013527465,0.00043847822,0.000060977294,0.00019939068,0.00002244663,0.00021245227],"category_scores_gemma":[0.000020390056,0.00003811271,0.000051278446,0.0000020083082,0.000703049,0.00007695569,0.000063300904,0.00006979771,0.00002072375],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003662867,0.00015667641,0.0010119831,0.00016318848,0.00024220964,7.503945e-7,0.66232085,0.000043713906,0.00085997855,0.20325,0.106974505,0.024939526],"study_design_scores_gemma":[0.00097217265,0.000671538,0.014700606,0.00038565745,0.00034968348,0.000010043986,0.08885372,0.0042467914,0.015358229,0.24109896,0.63282317,0.0005294477],"about_ca_topic_score_codex":0.001900358,"about_ca_topic_score_gemma":0.0013439007,"teacher_disagreement_score":0.57346714,"about_ca_system_score_codex":0.000014897482,"about_ca_system_score_gemma":0.000014642806,"threshold_uncertainty_score":0.33724645},"labels":[],"label_agreement":null},{"id":"W2123494850","doi":"10.7202/1005632ar","title":"Seeing through the Car : The Automobile as Cosmopolitical Proposition in The Fifth Element","year":2011,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Movie theater; Representation (politics); Element (criminal law); Proposition; Aesthetics; Sign (mathematics); Composition (language); Reading (process); Field (mathematics); Function (biology); Politics; Consumption (sociology); Perception; Sociology; Visual arts; Epistemology; Art; Literature; Philosophy; Linguistics; Law; Mathematics; Political science","score_opus":0.07850381717670385,"score_gpt":0.27577249309491425,"score_spread":0.1972686759182104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2123494850","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23073311,0.0009476859,0.0001671061,0.007933679,0.00055081624,0.0021839633,0.000065868444,0.00032042048,0.75709736],"genre_scores_gemma":[0.99121,0.00023857004,0.00008280823,0.005957891,0.00074543845,0.0004235458,0.000032369524,0.000045015502,0.0012643992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977027,0.0004013799,0.0005374614,0.00036411127,0.00032258517,0.00067175954],"domain_scores_gemma":[0.9986275,0.00024181195,0.00015688881,0.00076680793,0.00013832358,0.000068695605],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064328033,0.00032755226,0.0002935953,0.000102547165,0.0009857322,0.00025019466,0.00077562936,0.00008848204,0.0005041891],"category_scores_gemma":[0.000041982188,0.00016611289,0.00025462324,0.000029449211,0.0011960343,0.00032737257,0.00012091975,0.00048085398,0.000063419844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011850298,0.00014181698,0.0005871155,0.000044422846,0.000044298744,0.000018210447,0.27611172,0.0000012882266,0.0000067321275,0.7200619,0.0028821267,0.00008851377],"study_design_scores_gemma":[0.00026103732,0.0002841567,0.0023912839,0.00014168258,0.00012549653,0.000059641254,0.04152522,0.00008453367,0.0003568677,0.072421014,0.88202554,0.00032352016],"about_ca_topic_score_codex":0.0044858963,"about_ca_topic_score_gemma":0.014031151,"teacher_disagreement_score":0.8791434,"about_ca_system_score_codex":0.00005942882,"about_ca_system_score_gemma":0.00007091404,"threshold_uncertainty_score":0.78297114},"labels":[],"label_agreement":null},{"id":"W2125355465","doi":"10.1503/cmaj.071115","title":"Borders and boundaries","year":2007,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Situated; Presentation (obstetrics); Computer science; World Wide Web; Visual arts; Media studies; Multimedia; Sociology; Library science; Medicine; Art; Artificial intelligence","score_opus":0.01401543648359078,"score_gpt":0.24268020035179425,"score_spread":0.22866476386820347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125355465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10972479,0.0012831278,0.0005949362,0.10692821,0.0065438855,0.00013985936,0.00009731335,0.00006899979,0.77461886],"genre_scores_gemma":[0.9440215,0.00008582035,0.000035325695,0.027791928,0.005349201,6.6616093e-7,0.0000061902433,0.000012988194,0.022696357],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882156,0.000027894735,0.00020777385,0.000065433676,0.00047642482,0.0004009337],"domain_scores_gemma":[0.998582,0.00007940273,0.00007693494,0.000034816545,0.00018080958,0.0010460546],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001093556,0.00006333621,0.000093097246,0.00009878686,0.0010611769,0.00044541512,0.00007146175,0.00010754308,0.00500167],"category_scores_gemma":[0.0005092628,0.00005787809,0.000033660224,0.0000020704088,0.0002595344,0.00013244491,0.0000066687144,0.00037065122,0.000057446465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005307767,0.000017411994,0.010836984,0.000008291841,0.000116235315,0.00027539412,0.11982054,1.414342e-7,9.034577e-7,0.20337397,0.5875437,0.07800112],"study_design_scores_gemma":[0.0002081418,0.000016678814,0.0021274325,0.000009061679,0.0000083749355,0.000043755146,0.0038479813,0.000013976033,0.0000014109086,0.0038721575,0.98977727,0.00007374809],"about_ca_topic_score_codex":0.018239837,"about_ca_topic_score_gemma":0.8418376,"teacher_disagreement_score":0.83429676,"about_ca_system_score_codex":0.00029174247,"about_ca_system_score_gemma":0.0014255738,"threshold_uncertainty_score":0.9959079},"labels":[],"label_agreement":null},{"id":"W2128306710","doi":"","title":"Harun Farocki, One Image Doesn't Take the Place of the Previous One, Leonard and Bina Ellen Art Gallery, Montreal. October 19 - December 1, 2007","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art history; Cartography; Media studies; Art; Computer graphics (images); Geography; Sociology; Computer science","score_opus":0.01586086701003942,"score_gpt":0.16775370914893764,"score_spread":0.15189284213889823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2128306710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46459258,0.015821666,0.0001365281,0.02726842,0.0004473322,0.0011171805,0.0003770567,0.0001760053,0.49006325],"genre_scores_gemma":[0.3465677,0.009510357,0.00011531166,0.0012427692,0.00032482052,0.000009769751,0.000022100705,0.000047731814,0.64215946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985821,0.000098996454,0.00022957478,0.0003050145,0.00033144618,0.00045286032],"domain_scores_gemma":[0.9988329,0.00013366641,0.00019703775,0.00054226443,0.0001300309,0.00016411782],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00011857188,0.00025542153,0.000326443,0.00007664921,0.0014314647,0.000033576835,0.0003768033,0.00009479978,0.00080708857],"category_scores_gemma":[0.000027214255,0.00018420862,0.00018704444,0.000014219411,0.00075545954,0.00021053404,0.00031124227,0.00023392236,0.00010462333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002098471,0.00027709818,0.0007284752,0.000073032905,0.00035191173,0.00021160294,0.06114088,0.00005267212,0.0001379752,0.01527846,0.919924,0.0016140133],"study_design_scores_gemma":[0.0009943005,0.00007270293,0.0050790515,0.00004354102,0.0001927233,0.00013480696,0.002580927,0.00017292118,0.000108038446,0.0012889843,0.98907256,0.0002594258],"about_ca_topic_score_codex":0.013794806,"about_ca_topic_score_gemma":0.3310503,"teacher_disagreement_score":0.3172555,"about_ca_system_score_codex":0.00047841683,"about_ca_system_score_gemma":0.00007269002,"threshold_uncertainty_score":0.9998685},"labels":[],"label_agreement":null},{"id":"W2138899785","doi":"","title":"Television and Objecthood","year":2002,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.11062056658613235,"score_gpt":0.2706582870867355,"score_spread":0.16003772050060316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2138899785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7483914,0.060414042,0.0000027932833,0.010524543,0.0018119736,0.00012536152,0.00003789554,0.000018841562,0.17867313],"genre_scores_gemma":[0.96579576,0.0010837961,0.00003471869,0.0005516238,0.00096954056,5.488845e-7,3.9047484e-7,0.0000050990484,0.031558517],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999439,0.000018564502,0.00019456641,0.000059368995,0.000085979394,0.00020252053],"domain_scores_gemma":[0.9994127,0.000023408275,0.000082071194,0.000043776356,0.00022601864,0.00021199942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006182692,0.00009058567,0.00018646588,0.000060966926,0.00046125177,0.000103551414,0.00006758008,0.00001815732,0.0005270664],"category_scores_gemma":[0.00007202488,0.000058299778,0.00005592862,0.0000018142846,0.0002961434,0.00021922926,0.000009952076,0.00010039461,0.00001725243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003422545,0.000011193205,0.0010098624,0.00003707476,0.00023851762,0.000105732935,0.7795128,0.000001990597,0.000009786925,0.046893597,0.15549096,0.016685035],"study_design_scores_gemma":[0.00020549315,0.000117450865,0.00080415537,0.000053599313,0.00003932429,0.00007018955,0.0247728,0.0000056965646,0.00001571203,0.0021002104,0.9717075,0.00010784037],"about_ca_topic_score_codex":0.0044539156,"about_ca_topic_score_gemma":0.2516413,"teacher_disagreement_score":0.8162166,"about_ca_system_score_codex":0.000051829946,"about_ca_system_score_gemma":0.000028641452,"threshold_uncertainty_score":0.76201427},"labels":[],"label_agreement":null},{"id":"W2146418457","doi":"","title":"Library Guides: RGU Vancouver referencing guide: Art - Illustration of a work of art taken from a catalogue of an exhibition by a single artist","year":2015,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Visual arts; Art; Art history","score_opus":0.07316691942446737,"score_gpt":0.24647601011073056,"score_spread":0.17330909068626318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146418457","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0092698615,0.0007857931,0.00058628403,0.0002183359,0.0016668644,0.00065378123,0.016914299,0.00020291714,0.9697019],"genre_scores_gemma":[0.10788833,0.00011999013,0.0032001534,0.0007093025,0.0024201164,0.000036021076,0.05128898,0.00016432961,0.8341728],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705654,0.000114334856,0.0015323947,0.00044335664,0.00052707363,0.00032631576],"domain_scores_gemma":[0.9975508,0.00013777081,0.0010770469,0.0006434748,0.00043809673,0.00015282237],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021877023,0.00040188548,0.0008915983,0.00021794955,0.000093090785,0.00009887247,0.00031391144,0.00034721295,0.0033840253],"category_scores_gemma":[0.00010750192,0.00036633344,0.0001941986,0.000012627391,0.00055775006,0.0010151643,0.00010468304,0.0002258867,0.000038449096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004864945,0.0002670499,0.000010121561,0.0002255372,0.00010597191,0.0000037261545,0.019598693,0.000007528694,0.0003478858,0.002611838,0.9764342,0.0003388037],"study_design_scores_gemma":[0.00044110883,0.00040369853,0.000008901677,0.0008499972,0.00016496456,0.0000010587636,0.00462786,0.000054378674,0.004417432,0.0076306076,0.9810066,0.00039335422],"about_ca_topic_score_codex":0.010879844,"about_ca_topic_score_gemma":0.09213722,"teacher_disagreement_score":0.13552909,"about_ca_system_score_codex":0.000076753466,"about_ca_system_score_gemma":0.00046996007,"threshold_uncertainty_score":0.9998789},"labels":[],"label_agreement":null},{"id":"W2149995973","doi":"","title":"Mike Bayne - Liquor","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.043955594156249014,"score_gpt":0.22356638141438087,"score_spread":0.17961078725813184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149995973","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021322228,0.00004149258,0.00010368352,0.0017925502,0.0003550285,0.00010288072,0.000007579899,0.00012514356,0.97614944],"genre_scores_gemma":[0.52229774,0.0000043777814,0.000079238016,0.0026592573,0.00055132835,0.000010948267,0.0000046027267,0.000007747104,0.47438475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995212,0.0000082267425,0.0001028326,0.000094134724,0.00007040986,0.0002032117],"domain_scores_gemma":[0.99969697,0.000019928284,0.000016897078,0.00013543335,0.000057711808,0.00007307912],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025740665,0.000072263276,0.00007732612,0.000026016665,0.00015242501,0.00012360672,0.00007643235,0.000020218076,0.05981047],"category_scores_gemma":[0.0000069389403,0.000053426833,0.000042627198,3.304377e-7,0.0001240472,0.00018692033,0.000025999865,0.000046357516,0.0053632534],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.1544306e-7,0.000038030423,0.000044929286,0.000008157951,0.0000131861125,9.291173e-7,0.037261575,2.0542555e-7,0.00003807291,0.5831635,0.37716022,0.0022703863],"study_design_scores_gemma":[0.00009268499,0.00003059317,0.00015537775,0.000002888946,0.000005085826,6.7868893e-7,0.0013518761,0.00012147579,0.0001559549,0.019780902,0.9782057,0.00009677823],"about_ca_topic_score_codex":0.003882234,"about_ca_topic_score_gemma":0.0053422754,"teacher_disagreement_score":0.6010455,"about_ca_system_score_codex":0.000008428385,"about_ca_system_score_gemma":0.000012461252,"threshold_uncertainty_score":0.99541116},"labels":[],"label_agreement":null},{"id":"W2153941534","doi":"10.3138/ctr.162.012","title":"Performance Art, Pornography, and the Mis-spectator: The Ethics of Documenting Participatory Performance","year":2015,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Documentation; Pornography; Citizen journalism; Sociology; Power (physics); Dialogical self; Aesthetics; Agency (philosophy); Object (grammar); Visual arts; Art; Psychology; Law; Social psychology; Political science; Computer science; Social science; Artificial intelligence","score_opus":0.10692466825645508,"score_gpt":0.2866141141343213,"score_spread":0.17968944587786623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2153941534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041202236,0.28434387,0.0000018688902,0.019999944,0.0005639006,0.0009815703,0.000063336185,0.000040666437,0.6528026],"genre_scores_gemma":[0.94627666,0.043634858,0.0000063534567,0.006624836,0.00027580594,0.000042244425,0.000006642851,0.000017877377,0.0031147222],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878556,0.00019983115,0.00032109968,0.0001348959,0.0001922712,0.00036633518],"domain_scores_gemma":[0.99899584,0.00012573264,0.00012438104,0.00037239547,0.00012380534,0.00025785365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015821999,0.00014732184,0.0002880753,0.000045796856,0.000551246,0.000061130086,0.00023671321,0.000036745514,0.00017681671],"category_scores_gemma":[0.000052349602,0.000079583464,0.00009774492,0.000009920093,0.0011074689,0.00014543465,0.000024431467,0.00029258223,0.00005084089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004036732,0.00004018691,0.011043686,0.008314103,0.00034508604,0.00000966217,0.49526054,0.000009340856,7.3087335e-7,0.24156596,0.16007902,0.083291315],"study_design_scores_gemma":[0.0002215615,0.000030194533,0.00014872139,0.0009137934,0.00013649449,0.00000893384,0.0017316294,0.00016023543,0.0000040697337,0.00044505816,0.9960824,0.00011686958],"about_ca_topic_score_codex":0.0107950745,"about_ca_topic_score_gemma":0.1391373,"teacher_disagreement_score":0.9050744,"about_ca_system_score_codex":0.000043373333,"about_ca_system_score_gemma":0.0004368768,"threshold_uncertainty_score":0.99579215},"labels":[],"label_agreement":null},{"id":"W2156898575","doi":"10.5539/res.v2n1p91","title":"Reactions against Historicism of German Bauhaus and the Reaction against “Passeism” of Italian Futurism","year":2010,"lang":"en","type":"article","venue":"Review of European Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historicism; Ideology; German; Architecture; Art history; Modernization theory; Nazism; Style (visual arts); Modern art; Art; Aestheticism; Law; Visual arts; Politics; History; Literature; Political science; Archaeology; Performance art","score_opus":0.049778071200663486,"score_gpt":0.2983544781096694,"score_spread":0.24857640690900593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156898575","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060467087,0.17614299,0.000005567807,0.0021593624,0.0018683678,0.0005742569,0.00008014406,0.000048025315,0.7586542],"genre_scores_gemma":[0.6833169,0.30484673,0.000041522253,0.000733791,0.00072548643,0.000008477344,0.00001123982,0.000027554348,0.010288302],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987316,0.00018361706,0.00064798107,0.00014416581,0.00016185042,0.00013076364],"domain_scores_gemma":[0.9985704,0.00014358136,0.00057389756,0.00035029743,0.0003266256,0.000035209585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007735805,0.0001488684,0.00053476775,0.00005809856,0.00022520234,0.000008078541,0.00013158162,0.000016270751,0.0000159255],"category_scores_gemma":[0.00023210038,0.00009437281,0.000165947,0.00000693519,0.0010763198,0.00011506204,0.00009254612,0.00016971843,0.000009481779],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054686832,0.00039118272,0.000052516025,0.02376946,0.0013340228,0.000015791496,0.23499839,6.518665e-7,0.0076740514,0.51838887,0.12948832,0.083832026],"study_design_scores_gemma":[0.00027179022,0.0000348369,0.00036122915,0.0014940061,0.0001832202,0.0000025078325,0.0015655359,0.0000019536014,0.00009695017,0.00039057073,0.9954968,0.000100582496],"about_ca_topic_score_codex":0.00010668271,"about_ca_topic_score_gemma":0.00024199096,"teacher_disagreement_score":0.8660085,"about_ca_system_score_codex":0.00001551843,"about_ca_system_score_gemma":0.000015961397,"threshold_uncertainty_score":0.39657453},"labels":[],"label_agreement":null},{"id":"W2160030346","doi":"","title":"Le Film sur l’art, Gilles Marsolais, Montréal : Triptyque, 2005, 202 pages Le Film sur l’art, Gilles Marsolais, Montréal : Triptyque, 2005, 202 pages","year":2005,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.017806579424507998,"score_gpt":0.21314032742661776,"score_spread":0.19533374800210976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160030346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045644375,0.23554577,0.00032184392,0.2376873,0.0034543274,0.0016994225,0.004550582,0.0006766739,0.51149964],"genre_scores_gemma":[0.0924158,0.1256495,0.0010177171,0.0022968794,0.0060233483,0.00024402156,0.0005971854,0.0003327258,0.7714228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98905367,0.0013388818,0.002462581,0.0020725913,0.0010512143,0.0040210737],"domain_scores_gemma":[0.993933,0.0013057769,0.0011191111,0.0016895409,0.000579407,0.0013731304],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0019304412,0.0019274153,0.0022461067,0.0006641574,0.002643454,0.0008616882,0.0015121147,0.0011983343,0.010974225],"category_scores_gemma":[0.00057186664,0.002039842,0.0013010111,0.00009179119,0.002327143,0.002246034,0.0005113377,0.0017825152,0.0017444704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002863626,0.001091664,0.0004263001,0.0008154171,0.00052150845,0.001262407,0.009052431,0.0014890361,0.00015590149,0.06948247,0.90666217,0.008754338],"study_design_scores_gemma":[0.0033419903,0.00036776694,0.002033327,0.000966977,0.0005372403,0.0006405969,0.005356893,0.0055724606,0.0006983547,0.0024687245,0.975681,0.0023346392],"about_ca_topic_score_codex":0.05632332,"about_ca_topic_score_gemma":0.66711515,"teacher_disagreement_score":0.6107918,"about_ca_system_score_codex":0.00050395826,"about_ca_system_score_gemma":0.0014486732,"threshold_uncertainty_score":0.999347},"labels":[],"label_agreement":null},{"id":"W2162977145","doi":"10.5539/ach.v3n1p31","title":"The Po-Mo Artistic Movement in Thailand: Overlapping Tactics and Practices","year":2011,"lang":"en","type":"article","venue":"Asian Culture and History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Politics; Sociology; Hybridity; Contemplation; Materiality (auditing); Identity (music); Meaning (existential); Symbol (formal); Negotiation; Art; Law; Epistemology; Social science; Anthropology; Philosophy; Political science","score_opus":0.06288867626091628,"score_gpt":0.24538482751662924,"score_spread":0.18249615125571295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162977145","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005194973,0.010519145,0.000015316615,0.00048744213,0.0005374784,0.00016310152,0.00001176977,0.000034247205,0.9830365],"genre_scores_gemma":[0.89804494,0.0009816091,0.00006129917,0.001692004,0.00046809422,0.000015030318,0.0000050200515,0.000014171905,0.098717846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994153,0.00003185414,0.00013838787,0.0001475198,0.00008407026,0.00018289036],"domain_scores_gemma":[0.99964046,0.000029920251,0.00014185054,0.000100181736,0.000026481353,0.000061084946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011186288,0.00010445779,0.00010564821,0.00002914094,0.00033232642,0.000056097342,0.00005971198,0.000039174436,0.00010786868],"category_scores_gemma":[0.000036031328,0.000070644484,0.000020765758,0.0000011744515,0.00030078946,0.00020149331,0.000027780632,0.00014753694,0.000009946684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023145092,0.000057277706,0.0008389875,0.00003697148,0.00003598452,0.000017061697,0.64709264,3.2483847e-8,0.00003341309,0.31768152,0.030703906,0.0034790332],"study_design_scores_gemma":[0.00016972648,0.00005987174,0.0026510397,0.000019347463,0.00003085829,0.000004109303,0.018150328,0.000009906999,0.000005555171,0.0074907257,0.97129613,0.000112408954],"about_ca_topic_score_codex":0.0012742472,"about_ca_topic_score_gemma":0.03195645,"teacher_disagreement_score":0.9405922,"about_ca_system_score_codex":0.00006571189,"about_ca_system_score_gemma":0.000028428458,"threshold_uncertainty_score":0.9857078},"labels":[],"label_agreement":null},{"id":"W2163423998","doi":"","title":"Greg Girard. New Works, Monte Clark Gallery, Toronto. September 20 - November 18, 2007Greg Girard. New Works, Monte Clark Gallery, Toronto. September 20 - November 18, 2007","year":2008,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Cartography; Geography; History","score_opus":0.04681867520691087,"score_gpt":0.2581050977575577,"score_spread":0.21128642255064684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163423998","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010172693,0.030316735,0.0010322259,0.00022577691,0.0061447104,0.0021608016,0.00069975294,0.0010587866,0.95734394],"genre_scores_gemma":[0.0034266666,0.003233165,0.0029401572,0.030705377,0.013391395,0.00023813859,0.00095775235,0.0006268443,0.9444805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98817384,0.00042013693,0.0025095206,0.00284634,0.0020473683,0.004002813],"domain_scores_gemma":[0.9918806,0.00020768846,0.0011359131,0.0030406523,0.0010232864,0.0027118614],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.00081103126,0.002741522,0.0026091505,0.00018968746,0.0021354544,0.0016217869,0.0019224776,0.002012672,0.5660553],"category_scores_gemma":[0.00016453977,0.0025268623,0.0015704597,0.00010416703,0.0009933054,0.0052355193,0.0007504352,0.0023703808,0.0048075966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003339612,0.00081569795,0.00043476105,0.00014951616,0.0011925552,0.00027117683,0.011069091,0.0007963757,0.000184659,0.00213751,0.9820529,0.0005617711],"study_design_scores_gemma":[0.0049744043,0.0002687796,0.00039801135,0.0009277852,0.0005909414,0.00024666238,0.003091566,0.0009288377,0.00012055366,0.00084023096,0.98443735,0.0031748686],"about_ca_topic_score_codex":0.02395407,"about_ca_topic_score_gemma":0.056279253,"teacher_disagreement_score":0.5612477,"about_ca_system_score_codex":0.0013891743,"about_ca_system_score_gemma":0.0015881814,"threshold_uncertainty_score":0.9999312},"labels":[],"label_agreement":null},{"id":"W2188956539","doi":"","title":"Attention, le Mascaret ne siffle pas. [10 au 22 août 1999, Symposium international d’art actuel de Moncton] [10 au 22 août 1999, Symposium international d’art actuel de Moncton]","year":2000,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.017057659671087175,"score_gpt":0.2490791714403962,"score_spread":0.23202151176930902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2188956539","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08712922,0.000708645,0.002273381,0.049070805,0.013978866,0.0011643799,0.0029553375,0.0006382595,0.8420811],"genre_scores_gemma":[0.46666104,0.000711773,0.00018851575,0.0051174867,0.0065114237,0.00018136797,0.0017918715,0.00024541168,0.5185911],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99112046,0.00046341063,0.002152575,0.0018137322,0.0016101493,0.0028396843],"domain_scores_gemma":[0.99525666,0.00039331787,0.0007557646,0.0014261366,0.0009644473,0.0012036982],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009859586,0.001662026,0.0012479123,0.000758939,0.0015462979,0.0017936322,0.0023347156,0.0008593532,0.09024814],"category_scores_gemma":[0.00013757109,0.001728038,0.0014316037,0.000055064735,0.001992326,0.002758132,0.0008530617,0.0015036111,0.012587227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010041903,0.0029385795,0.0060378825,0.00036184935,0.0027241013,0.00039479745,0.059650566,0.000530183,0.0025071194,0.026646705,0.89007795,0.007126067],"study_design_scores_gemma":[0.0031699599,0.0004472158,0.0020185097,0.00066244876,0.0004759777,0.0003491966,0.002140735,0.0058562285,0.0017623487,0.0038509995,0.9774905,0.0017759145],"about_ca_topic_score_codex":0.009922885,"about_ca_topic_score_gemma":0.017159523,"teacher_disagreement_score":0.37953183,"about_ca_system_score_codex":0.0033637048,"about_ca_system_score_gemma":0.0016570146,"threshold_uncertainty_score":0.99975353},"labels":[],"label_agreement":null},{"id":"W2190334809","doi":"","title":"Brouillage et hypothèses. Martin Boisseau, Image, image - mouvement, mouvement, Galerie Graff, Montréal. 7 février - 3 mars 2002Martin Boisseau, Image, image - mouvement, mouvement, Galerie Graff, Montréal. 7 février - 3 mars 2002","year":2002,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02656749830440134,"score_gpt":0.2465758931764174,"score_spread":0.22000839487201607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2190334809","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043745965,0.07774197,0.003073543,0.03514143,0.012451867,0.010936059,0.021731393,0.0027447909,0.79243296],"genre_scores_gemma":[0.012807737,0.021698568,0.008017217,0.014860886,0.004683125,0.0014691192,0.0020156591,0.0016328683,0.93281484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97517294,0.0018093049,0.0059344135,0.004937329,0.0038256808,0.008320318],"domain_scores_gemma":[0.98592466,0.000631893,0.0030883814,0.005084976,0.0019158454,0.003354267],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0028140252,0.0050823633,0.0038607388,0.0015506502,0.0045381277,0.0049920795,0.0030554396,0.0013455201,0.23964609],"category_scores_gemma":[0.00068853423,0.005606526,0.0025379355,0.00035608202,0.0057304604,0.0070452336,0.0024620767,0.0033079432,0.014035021],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042926148,0.00491946,0.00059877965,0.0013699705,0.0017788284,0.0018164305,0.018389935,0.00006697349,0.0119812125,0.006061327,0.94843936,0.004148444],"study_design_scores_gemma":[0.008467443,0.0012451464,0.0011386519,0.0007414754,0.0017338711,0.00010282427,0.011506573,0.0029071735,0.006790442,0.0042525106,0.95558894,0.0055249278],"about_ca_topic_score_codex":0.06896252,"about_ca_topic_score_gemma":0.052107345,"teacher_disagreement_score":0.22561108,"about_ca_system_score_codex":0.0020156289,"about_ca_system_score_gemma":0.00055126566,"threshold_uncertainty_score":0.99995095},"labels":[],"label_agreement":null},{"id":"W2193383855","doi":"","title":"Alone. Curated by Penny Cousineau-Levine. Gallery 44 and Gallery TPW, Toronto. September 14 – October 28, 2006 Alone. Curated by Penny Cousineau-Levine. Gallery 44 and Gallery TPW, Toronto. September 14 – October 28, 2006","year":2006,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Penny; Art gallery; Art history; History; Archaeology; Exhibition","score_opus":0.01976336471846899,"score_gpt":0.23527422335992598,"score_spread":0.215510858641457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2193383855","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020996753,0.03699631,0.00023804666,0.0002606216,0.002979707,0.0028189733,0.00404412,0.0009950873,0.9306704],"genre_scores_gemma":[0.0502374,0.006102304,0.00067744317,0.016674958,0.0043647047,0.0003861465,0.009213579,0.00077951275,0.91156393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98794085,0.0006113486,0.0028315454,0.0031931356,0.0017504046,0.0036727404],"domain_scores_gemma":[0.9928456,0.00037970577,0.0013223251,0.0020470107,0.0018733529,0.0015320253],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011345384,0.0030720576,0.0029937017,0.0002326019,0.0023511117,0.002202976,0.0011231528,0.001786041,0.16590044],"category_scores_gemma":[0.00016587079,0.0028221004,0.0007185832,0.00013522775,0.0017277842,0.0033865832,0.00068502926,0.0016628486,0.00064750604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003533968,0.0014080127,0.0007858837,0.0006209874,0.00088594935,0.00014971777,0.003323316,0.00010447555,0.009387232,0.0005615574,0.9823228,0.00009666075],"study_design_scores_gemma":[0.0055777007,0.00033039006,0.0008656994,0.00062383706,0.0007211766,0.00026226777,0.0019851716,0.001915631,0.00057919644,0.00041001433,0.9830383,0.0036906207],"about_ca_topic_score_codex":0.022602033,"about_ca_topic_score_gemma":0.04520495,"teacher_disagreement_score":0.16525292,"about_ca_system_score_codex":0.0009632373,"about_ca_system_score_gemma":0.0006972357,"threshold_uncertainty_score":0.9995099},"labels":[],"label_agreement":null},{"id":"W2193726073","doi":"","title":"An Exceptional Vantage Point : Remarks on Nestor’s Kruger Untitled \"Room\" at the Contemporary Art Gallery in Vancouver","year":2004,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Art history; Point (geometry); Geography; Mathematics; Geometry","score_opus":0.014042625316631897,"score_gpt":0.18353931849701602,"score_spread":0.16949669318038413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2193726073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49786016,0.0011577917,0.00021367017,0.012927821,0.0011664905,0.0005500369,0.00019760577,0.0001938028,0.48573261],"genre_scores_gemma":[0.7501101,0.00012264175,0.00002623309,0.0018949811,0.0003465022,0.000005471295,0.0000774692,0.000027242113,0.24738938],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989017,0.00006551399,0.00017172411,0.0002839131,0.00024819086,0.00032892407],"domain_scores_gemma":[0.99931246,0.0000545176,0.00009533328,0.00035999977,0.000049712246,0.00012797337],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000157537,0.00019707986,0.00019694686,0.00012880603,0.00066309306,0.000031243908,0.00020893142,0.00008177669,0.0035195313],"category_scores_gemma":[0.000007668346,0.00016676108,0.0001257004,0.00000803613,0.00020078305,0.00028064672,0.0001023988,0.00020163739,0.0006213857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036648486,0.00032723037,0.0005262962,0.000018002986,0.000067294655,0.0010325102,0.03526427,0.00070675835,0.00016648039,0.099912256,0.86117625,0.00043617227],"study_design_scores_gemma":[0.001310494,0.00012500068,0.0014647347,0.000037688027,0.000019952131,0.000018694243,0.003839389,0.000097348966,0.000046035213,0.0054698847,0.9873304,0.00024040283],"about_ca_topic_score_codex":0.0069541293,"about_ca_topic_score_gemma":0.7510906,"teacher_disagreement_score":0.74413645,"about_ca_system_score_codex":0.0029402147,"about_ca_system_score_gemma":0.00007991376,"threshold_uncertainty_score":0.99965864},"labels":[],"label_agreement":null},{"id":"W2194316883","doi":"","title":"Marie-Jeanne Musiol. Corps de lumière / Bodies of Light. Axe Néo-7 art contemporain, Hull, 2002, 89 p. (41 ill. n. et b.) Marie-Jeanne Musiol. Corps de lumière / Bodies of Light. Axe Néo-7 art contemporain, Hull, 2002, 89 p. (41 ill. n. et b.)","year":2002,"lang":"fr","type":"article","venue":"CV Photo","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03413854687096206,"score_gpt":0.24805925043919577,"score_spread":0.21392070356823373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194316883","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049295552,0.1510309,0.0006018917,0.036174405,0.009371146,0.006623676,0.012766964,0.0010924086,0.7330431],"genre_scores_gemma":[0.23629177,0.028395066,0.0008445255,0.01617348,0.0029242563,0.0005254468,0.0009967581,0.000690017,0.71315867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9847476,0.0017201862,0.0048204022,0.002576833,0.001980362,0.004154651],"domain_scores_gemma":[0.9861972,0.0020528631,0.003239419,0.0029071611,0.003814417,0.0017889915],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0031943915,0.0030276359,0.004801695,0.0010523745,0.0021597475,0.00086689834,0.0019936978,0.0017375308,0.024047624],"category_scores_gemma":[0.002755073,0.0030425077,0.002109342,0.00014066706,0.0056916014,0.0018587298,0.0013040185,0.0024544343,0.0019091201],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001009003,0.003055042,0.0007208432,0.0021832103,0.001846656,0.0008175791,0.08118021,0.00006833693,0.0043094037,0.052176274,0.85185206,0.0007813981],"study_design_scores_gemma":[0.0064195204,0.0020057815,0.00034154856,0.0025855645,0.0010817378,0.0001987632,0.0136858765,0.0014714209,0.007962013,0.005260526,0.95585924,0.0031279908],"about_ca_topic_score_codex":0.010264846,"about_ca_topic_score_gemma":0.026137576,"teacher_disagreement_score":0.18699622,"about_ca_system_score_codex":0.0006868803,"about_ca_system_score_gemma":0.0011412072,"threshold_uncertainty_score":0.99984694},"labels":[],"label_agreement":null},{"id":"W2199765077","doi":"","title":"Jennifer Long, Doubt, La Centrale Galerie Powerhouse, Montreal, 20 January-26 February 2006 Jennifer Long, Doubt, La Centrale Galerie Powerhouse, Montreal, 20 January-26 February 2006","year":2006,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cartography; Political science; Geography","score_opus":0.017057881053295997,"score_gpt":0.22618579462601998,"score_spread":0.20912791357272398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2199765077","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021866873,0.011841917,0.00051293505,0.00031095737,0.002832971,0.0028104025,0.0052940175,0.0023349088,0.95219505],"genre_scores_gemma":[0.10678454,0.0030886927,0.000733538,0.017423403,0.0077545764,0.0006436076,0.004679722,0.0012198808,0.85767204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879818,0.0007943595,0.0023797206,0.0027446896,0.0016591058,0.0044403304],"domain_scores_gemma":[0.9936043,0.0004028342,0.0010361187,0.0025267303,0.00081781624,0.0016122271],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.00093997637,0.0026417396,0.0022853967,0.00053507363,0.0020362472,0.002048037,0.0018071502,0.0016946788,0.0686277],"category_scores_gemma":[0.00011336944,0.0024969468,0.0012318469,0.00017819427,0.001862567,0.0024377233,0.0005601724,0.0023894801,0.0018404812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004045788,0.0025721663,0.0096295355,0.00036157988,0.00058914383,0.0012609886,0.005394804,0.0009061564,0.00064405083,0.00826511,0.9698363,0.00013559962],"study_design_scores_gemma":[0.005105415,0.0003826345,0.027265744,0.00045874034,0.00077998894,0.000321118,0.0017878823,0.000356041,0.0010979506,0.0033234674,0.9558887,0.0032323217],"about_ca_topic_score_codex":0.05498303,"about_ca_topic_score_gemma":0.02886945,"teacher_disagreement_score":0.094522975,"about_ca_system_score_codex":0.00050325907,"about_ca_system_score_gemma":0.0009234874,"threshold_uncertainty_score":0.999912},"labels":[],"label_agreement":null},{"id":"W2200676362","doi":"","title":"The Opposite Forces. David Hall, Série Marine, Galerie Lilian Rodriguez, Montréal, September 25 - October 23, 1999David Hall, Série Marine, Galerie Lilian Rodriguez, Montréal, September 25 - October 23, 1999","year":2000,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Art history; History","score_opus":0.01881901494713693,"score_gpt":0.22781210963844956,"score_spread":0.20899309469131264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2200676362","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033378165,0.006619101,0.000041667343,0.0038439173,0.0027585437,0.002028765,0.000818323,0.0010236155,0.9494879],"genre_scores_gemma":[0.1646698,0.0031247823,0.00034084608,0.006765875,0.004244195,0.00042372875,0.0015775777,0.00054663833,0.81830657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99001056,0.00046973678,0.0022744478,0.0021766848,0.0016997901,0.0033687642],"domain_scores_gemma":[0.9934884,0.000511486,0.0007083521,0.0033111428,0.0005762499,0.001404408],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00085605326,0.002104434,0.0017158642,0.00033988833,0.0036575135,0.0020776675,0.001904194,0.00078229513,0.08178239],"category_scores_gemma":[0.000113385184,0.0017179177,0.0012643599,0.00009681258,0.0018714868,0.0021807065,0.0011017069,0.0017238912,0.01029996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034845268,0.0007414614,0.0024300502,0.00019249646,0.0007857056,0.00034960939,0.013561044,0.00015433299,0.000049831757,0.009781858,0.96070886,0.010896301],"study_design_scores_gemma":[0.0024800599,0.0003592359,0.005149905,0.0001860255,0.0005003015,0.00009180783,0.0014534865,0.0008792171,0.00017839379,0.005427855,0.98111266,0.0021810234],"about_ca_topic_score_codex":0.050033383,"about_ca_topic_score_gemma":0.30877903,"teacher_disagreement_score":0.25874564,"about_ca_system_score_codex":0.00041413342,"about_ca_system_score_gemma":0.00037069534,"threshold_uncertainty_score":0.9991697},"labels":[],"label_agreement":null},{"id":"W2201211463","doi":"","title":"Altogether. Each in its Own Place : Artefact Urban Sculpture in Montreal, 2007Artefact, Ile Sainte-Hélène, Montreal. Curator: Gilles Daigneault, co-curator: Nicolas Mavrikakis. June 27 - September 30, 2007Artefact, Ile Sainte-Hélène, Montreal. Curator: Gilles Daigneault, co-curator: Nicolas Mavrikakis. June 27 - September 30, 2007","year":2008,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Sculpture; Art; Art history; Humanities; Visual arts","score_opus":0.026892328107499003,"score_gpt":0.2697489904601562,"score_spread":0.2428566623526572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2201211463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26222587,0.024345651,0.00008034604,0.0018749835,0.0076713893,0.008002504,0.013692261,0.0021646724,0.6799423],"genre_scores_gemma":[0.6435988,0.0027318762,0.00019393972,0.0033184935,0.004039089,0.0007962973,0.0023974471,0.001067812,0.34185627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9796856,0.0018136697,0.0051292265,0.0043018474,0.003054291,0.0060153794],"domain_scores_gemma":[0.98894095,0.0014035443,0.002243288,0.0035820575,0.0013036471,0.0025265338],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0019217082,0.004307629,0.0048432653,0.0017561662,0.002660359,0.00095728284,0.0026118937,0.0021302516,0.03396806],"category_scores_gemma":[0.00041279537,0.00409806,0.0016922723,0.00035996505,0.0024726791,0.0037076157,0.0006596581,0.0041363174,0.0126065435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00071915815,0.002726063,0.0066857617,0.00038695522,0.0007983958,0.0012555141,0.04831729,0.0006110218,0.00039610648,0.0018230273,0.93552834,0.00075234124],"study_design_scores_gemma":[0.0088005625,0.00066870404,0.004507571,0.0007311702,0.00033883352,0.0002578972,0.011824665,0.0020771145,0.0015727045,0.0006248882,0.96397203,0.004623879],"about_ca_topic_score_codex":0.024151083,"about_ca_topic_score_gemma":0.3413301,"teacher_disagreement_score":0.3813729,"about_ca_system_score_codex":0.0023858966,"about_ca_system_score_gemma":0.0015362591,"threshold_uncertainty_score":0.9991652},"labels":[],"label_agreement":null},{"id":"W2203883239","doi":"","title":"Snakes and Objects: New Work by Dennis Gill","year":2001,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Computer science; Engineering; Mechanical engineering","score_opus":0.02087364822705129,"score_gpt":0.21938113348096905,"score_spread":0.19850748525391776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203883239","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07275097,0.015022001,0.00062970334,0.02617683,0.0017268121,0.0005384447,0.00012969768,0.00057056354,0.882455],"genre_scores_gemma":[0.4898425,0.00024306451,0.00011493223,0.0027315798,0.0012628337,0.0000043430687,0.000020589747,0.000027449314,0.5057527],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991193,0.000025752943,0.0001147706,0.00023852846,0.00014890284,0.0003527805],"domain_scores_gemma":[0.9994793,0.000027960476,0.000046031124,0.00021010354,0.00003971998,0.00019689139],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000055286793,0.00018472342,0.00017431502,0.000041859534,0.0003367431,0.00020752726,0.00010974782,0.00008583086,0.0013934725],"category_scores_gemma":[0.000024465624,0.00014971258,0.00006473282,0.000004847611,0.00018709226,0.0001821828,0.00004057546,0.00017498259,0.00011871597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026442962,0.000036229416,0.0009523099,0.000016851163,0.00004990084,0.000015990316,0.2515755,0.0000037109546,0.00003042489,0.035707917,0.7091076,0.0024771516],"study_design_scores_gemma":[0.00029536313,0.000038526337,0.0003013171,0.000028761124,0.00002854015,0.000006795672,0.0050929263,0.000006536578,0.000043417294,0.0021044114,0.9918367,0.00021667471],"about_ca_topic_score_codex":0.0005992917,"about_ca_topic_score_gemma":0.008387604,"teacher_disagreement_score":0.41709152,"about_ca_system_score_codex":0.000021379246,"about_ca_system_score_gemma":0.00003190711,"threshold_uncertainty_score":0.9995194},"labels":[],"label_agreement":null},{"id":"W2204753456","doi":"","title":"Douglas Gordon. Timeline. Museum of Modern Art, New York, du 11 juin au 4 septembre 2006Douglas Gordon. Timeline. Museum of Modern Art, New York, du 11 juin au 4 septembre 2006","year":2006,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Timeline; Art; Art history; History; Humanities; Archaeology","score_opus":0.03247318435798559,"score_gpt":0.22970227977538693,"score_spread":0.19722909541740136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2204753456","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028299873,0.033855703,0.0122053195,0.0022118897,0.0086723985,0.0031278885,0.007139391,0.00080271054,0.9291547],"genre_scores_gemma":[0.019881316,0.0010713325,0.0034784896,0.008159273,0.020358777,0.00016463568,0.0034510812,0.00074255996,0.9426925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9856435,0.0007392396,0.0045261327,0.0028382908,0.0020049312,0.004247873],"domain_scores_gemma":[0.99035245,0.00047523668,0.0025835452,0.0031888057,0.001443799,0.0019561613],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0013743863,0.0031563924,0.00386976,0.0007499903,0.0015990672,0.00082157936,0.0023363384,0.0023842214,0.06734754],"category_scores_gemma":[0.00025410985,0.0031800533,0.0020242368,0.0002748155,0.001971673,0.0017796622,0.00079271983,0.0021772985,0.0026113351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033095633,0.0023410604,0.00085186947,0.001324202,0.00081772567,0.00010414213,0.013450057,0.022741526,0.0012599219,0.029634474,0.9265462,0.0005978494],"study_design_scores_gemma":[0.0059042466,0.0005657419,0.00014667837,0.0016858568,0.001843746,0.00017050277,0.0017196871,0.039963774,0.001550983,0.008238955,0.93518,0.0030298058],"about_ca_topic_score_codex":0.079396345,"about_ca_topic_score_gemma":0.036413737,"teacher_disagreement_score":0.0647362,"about_ca_system_score_codex":0.0010327928,"about_ca_system_score_gemma":0.004935905,"threshold_uncertainty_score":0.9997007},"labels":[],"label_agreement":null},{"id":"W2206591987","doi":"","title":"Richard Mosse, The Enclave , DHC/ART, Montreal, October 16, 2014, to February 8, 2015Richard Mosse, The Enclave , DHC/ART, Montreal, October 16, 2014, to February 8, 2015","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Political science; Sociology","score_opus":0.03480134776572127,"score_gpt":0.26055477218344536,"score_spread":0.22575342441772409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2206591987","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005284211,0.007729148,0.0010548306,0.003714974,0.00451631,0.004143967,0.0024299754,0.0007672016,0.9703594],"genre_scores_gemma":[0.0408559,0.0013447796,0.0005577793,0.11120018,0.007934637,0.001636717,0.0014174237,0.00047487297,0.8345777],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99014884,0.00090711477,0.0017297707,0.002185471,0.0019326294,0.0030961998],"domain_scores_gemma":[0.9914786,0.000518017,0.0007245731,0.00338296,0.0016717962,0.0022240295],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0022974429,0.001957419,0.0017280908,0.00039168133,0.0024570597,0.0016285911,0.0026549017,0.00093861413,0.046243656],"category_scores_gemma":[0.0005468265,0.001301434,0.0007813508,0.00017025022,0.0009792824,0.0014711523,0.0011758495,0.0021918314,0.016926285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026332142,0.00058620697,0.00023941627,0.00007774674,0.0005042971,0.000075692864,0.04061412,0.0005408711,0.00021237011,0.00811479,0.948348,0.00042319225],"study_design_scores_gemma":[0.0018553268,0.00054686086,0.0008149478,0.00017726979,0.0005759302,0.000105207255,0.01564349,0.0003543081,0.00037901782,0.0075496174,0.97014725,0.0018507569],"about_ca_topic_score_codex":0.04473806,"about_ca_topic_score_gemma":0.030653464,"teacher_disagreement_score":0.13578168,"about_ca_system_score_codex":0.0008731007,"about_ca_system_score_gemma":0.000933828,"threshold_uncertainty_score":0.9994078},"labels":[],"label_agreement":null},{"id":"W2208591510","doi":"","title":"Lace and satin. Harlan Johnson, Festoon, Galerie Trois Points, Montréal. September 9 - October 7, 2000Harlan Johnson, Festoon, Galerie Trois Points, Montréal. September 9 - October 7, 2000","year":2001,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Geography","score_opus":0.023415230846229623,"score_gpt":0.22979118294706483,"score_spread":0.2063759521008352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2208591510","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26492152,0.026396295,0.00020328087,0.006063683,0.0022922268,0.0017852621,0.0010847352,0.0011629849,0.69609004],"genre_scores_gemma":[0.17461967,0.003510276,0.0008643278,0.011339058,0.004305414,0.0002639472,0.0005121657,0.000554802,0.80403036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992955,0.00043565553,0.0016194106,0.0016377214,0.0010917576,0.0022604538],"domain_scores_gemma":[0.9958219,0.00029131616,0.0006329357,0.0015874985,0.00055737235,0.0011089845],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0007620097,0.0014669813,0.0014814417,0.00044268838,0.0014607485,0.0009210752,0.00065258116,0.0005139219,0.044928305],"category_scores_gemma":[0.00014849994,0.0013720752,0.00058679463,0.00006176991,0.0010281196,0.0013762255,0.00033415834,0.001076437,0.0041623195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024726492,0.00042923822,0.008484452,0.0001195776,0.00033406634,0.0003086948,0.020826174,0.000022939124,0.000067457746,0.0017533707,0.96560454,0.0018022489],"study_design_scores_gemma":[0.0028070975,0.00026341027,0.017902745,0.0001864251,0.00034296347,0.00025139787,0.0018783129,0.00021009767,0.0001317906,0.0025987444,0.97172695,0.0017000642],"about_ca_topic_score_codex":0.032470297,"about_ca_topic_score_gemma":0.11918855,"teacher_disagreement_score":0.10794031,"about_ca_system_score_codex":0.00042079602,"about_ca_system_score_gemma":0.00031632534,"threshold_uncertainty_score":0.9998392},"labels":[],"label_agreement":null},{"id":"W2217974304","doi":"","title":"Vera Frenkel, Cartographie d’une pratique/Mapping a Practice, SBC Gallery of Contemporary Art, Montreal, October 2 to December 4, 2010Vera Frenkel, Cartographie d’une pratique/Mapping a Practice, SBC Gallery of Contemporary Art, Montreal, October 2 to December 4, 2010","year":2011,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Cartography; Geography","score_opus":0.048887106613129255,"score_gpt":0.2598797817094803,"score_spread":0.21099267509635103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2217974304","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014578872,0.003198644,0.0011321723,0.0012012079,0.0020773897,0.004893155,0.0014063274,0.0005876499,0.97092456],"genre_scores_gemma":[0.44442734,0.004243806,0.031374767,0.10096301,0.004810046,0.004137439,0.0035117879,0.0014694838,0.40506232],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98871595,0.0010957196,0.0036903245,0.0024249384,0.0017788745,0.002294201],"domain_scores_gemma":[0.988056,0.001120397,0.0028822483,0.0027849164,0.0034444751,0.0017119416],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0018956716,0.002158225,0.0030260168,0.0015634528,0.0011949831,0.00066701404,0.0013438415,0.001311722,0.012763093],"category_scores_gemma":[0.0013779575,0.002038104,0.0011395196,0.00060884457,0.0013189659,0.004883357,0.00067660626,0.0021387665,0.0004987811],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010853165,0.0026329092,0.000697954,0.00049206405,0.0022158183,0.00033878576,0.09313796,0.00008825467,0.0035485867,0.005942223,0.8896888,0.000131354],"study_design_scores_gemma":[0.0034691007,0.0010417197,0.0009868828,0.0011700481,0.0006697764,0.00015793144,0.030195322,0.00015719209,0.001105128,0.0013034168,0.9575294,0.0022140543],"about_ca_topic_score_codex":0.05590401,"about_ca_topic_score_gemma":0.026131077,"teacher_disagreement_score":0.56586224,"about_ca_system_score_codex":0.00021887082,"about_ca_system_score_gemma":0.0020006902,"threshold_uncertainty_score":0.9999848},"labels":[],"label_agreement":null},{"id":"W2220534032","doi":"","title":"Boris Mikhailov, Museum of Modern Art, New York, 26 May to 5 September 2011Boris Mikhailov, Museum of Modern Art, New York, 26 May to 5 September 2011","year":2012,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modern art; Art history; Art; Performance art","score_opus":0.059786412174856376,"score_gpt":0.26114941739520925,"score_spread":0.2013630052203529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2220534032","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030046452,0.0040319026,0.007462606,0.0006819708,0.0037022482,0.0023615032,0.0014520901,0.00068976945,0.9766133],"genre_scores_gemma":[0.057843708,0.000107496904,0.0063514207,0.016855989,0.004657864,0.0002078035,0.00033973932,0.00053002377,0.91310596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99200654,0.00029033292,0.0020132046,0.0015724323,0.0013605069,0.0027570012],"domain_scores_gemma":[0.99338233,0.00019290368,0.00088620774,0.0023240244,0.00070240494,0.002512106],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00082514744,0.0015995726,0.0020785877,0.00053532707,0.0005492154,0.0003694834,0.00137101,0.0009275321,0.13050686],"category_scores_gemma":[0.000122926,0.0014789624,0.00089406257,0.00011523984,0.0004338071,0.0013345995,0.00054745504,0.0010917897,0.010107873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021236124,0.00078857946,0.00040313049,0.00030070718,0.0005385677,0.000011289828,0.04119614,0.00081692863,0.0034880012,0.010255313,0.9416243,0.0003646874],"study_design_scores_gemma":[0.0017990338,0.00037541887,0.00010856158,0.00038508978,0.0006401098,0.000030409632,0.0021617662,0.0006196464,0.0043080193,0.0030071142,0.98480785,0.0017569937],"about_ca_topic_score_codex":0.0034749918,"about_ca_topic_score_gemma":0.0014304718,"teacher_disagreement_score":0.12039898,"about_ca_system_score_codex":0.0002871476,"about_ca_system_score_gemma":0.0007710863,"threshold_uncertainty_score":0.9996752},"labels":[],"label_agreement":null},{"id":"W2221222997","doi":"","title":"Peter MacCallum, Material World, YYZ Books and Museum London, 2004Peter MacCallum, Material World, YYZ Books and Museum London, 2004","year":2005,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History","score_opus":0.021258899482590993,"score_gpt":0.2282608652048159,"score_spread":0.2070019657222249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2221222997","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052828822,0.0017294096,0.00010422621,0.0004860963,0.0044716843,0.0030101526,0.0031592848,0.0008182613,0.93339205],"genre_scores_gemma":[0.13143696,0.00027510972,0.0014154494,0.037736263,0.009206149,0.00069737795,0.0010766162,0.00040320586,0.8177529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99464166,0.0002125224,0.0012488445,0.0014310211,0.0006131269,0.0018528138],"domain_scores_gemma":[0.99734056,0.00010297466,0.0004342358,0.0010232419,0.00030827822,0.0007907007],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048090107,0.001216804,0.001186234,0.0004176502,0.0010807358,0.0019782104,0.000636903,0.00044796168,0.096580565],"category_scores_gemma":[0.00006404167,0.0010879305,0.00027723768,0.000032596487,0.0011082668,0.0011735545,0.00050076324,0.00079437066,0.00034087134],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005069061,0.0003789953,0.00020057529,0.00033206143,0.00036112752,0.000126567,0.009582529,0.000021066862,0.007363834,0.040969495,0.9396765,0.0004803431],"study_design_scores_gemma":[0.0028095336,0.00016935951,0.00020921507,0.00037079817,0.00028785295,0.00010250259,0.00033392716,0.0001933414,0.0038970874,0.0026023635,0.98758906,0.0014349621],"about_ca_topic_score_codex":0.0005749754,"about_ca_topic_score_gemma":0.0026800244,"teacher_disagreement_score":0.11563919,"about_ca_system_score_codex":0.0001919051,"about_ca_system_score_gemma":0.00019830145,"threshold_uncertainty_score":0.9991571},"labels":[],"label_agreement":null},{"id":"W2225291481","doi":"10.17077/0084-9537.1300","title":"Bucharest, Capital of Automatism: The 1940s Surrealist Group","year":2015,"lang":"en","type":"article","venue":"Dada/Surrealism","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Automatism (medicine); Capital (architecture); Group (periodic table); Art; Art history; Visual arts; Psychology; Physics","score_opus":0.08408899562026076,"score_gpt":0.2622244254544196,"score_spread":0.17813542983415884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225291481","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2461276,0.002327604,0.00042161092,0.004822486,0.0062294183,0.0011036529,0.006293741,0.00076851033,0.73190534],"genre_scores_gemma":[0.9853506,0.00003285496,0.00004393306,0.00083856913,0.0014455373,0.00003101437,0.00045136482,0.000048465594,0.011757649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998145,0.00013925727,0.0004649972,0.00026861703,0.0005033843,0.000478761],"domain_scores_gemma":[0.99859077,0.00014204554,0.00021693217,0.0005976821,0.00023116454,0.00022143761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046985538,0.00026193785,0.00035413404,0.00008564437,0.00034824747,0.00016154302,0.00045589244,0.00007980864,0.00031755734],"category_scores_gemma":[0.000076622964,0.00018675734,0.00014930315,0.000006811592,0.00079413794,0.0002507426,0.00012939116,0.00020612596,0.00012496274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014241366,0.00012059885,0.00015383858,0.00004267965,0.000063690764,0.000017656255,0.18926069,0.000008663126,0.000013085094,0.60001445,0.20894738,0.0013430321],"study_design_scores_gemma":[0.0008127672,0.00016114101,0.0013058615,0.000049688184,0.000087030334,0.000027644863,0.009564214,0.00050783803,0.000062502615,0.038475398,0.9485536,0.00039230636],"about_ca_topic_score_codex":0.04286562,"about_ca_topic_score_gemma":0.042154863,"teacher_disagreement_score":0.73960626,"about_ca_system_score_codex":0.000059447004,"about_ca_system_score_gemma":0.00012420576,"threshold_uncertainty_score":0.9753233},"labels":[],"label_agreement":null},{"id":"W2225432926","doi":"","title":"David Goldblatt, Structures of Dominion and Democracy, Marian Goodman Gallery, Paris, 6 September to 18 October 2014David Goldblatt, Structures of Dominion and Democracy, Marian Goodman Gallery, Paris, 6 September to 18 October 2014","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dominion; Democracy; Art; Art history; Law; Political science; Politics","score_opus":0.037069487853106445,"score_gpt":0.2731593898168318,"score_spread":0.23608990196372537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225432926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096329026,0.0028925033,0.00050139666,0.0006254104,0.0029860195,0.0036058219,0.0022772015,0.00033859038,0.89044404],"genre_scores_gemma":[0.6752206,0.001102582,0.011515796,0.025152901,0.0047654384,0.0003358493,0.0018086093,0.00070008315,0.2793981],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928088,0.0005413899,0.001977081,0.001830841,0.001134307,0.0017075373],"domain_scores_gemma":[0.9944215,0.00029815303,0.0010300237,0.0016426722,0.00089739606,0.0017102597],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011405696,0.0015308469,0.002084312,0.00048396015,0.00085645163,0.0006751858,0.00088304793,0.0009837336,0.036654424],"category_scores_gemma":[0.00021554284,0.0013272598,0.00041474795,0.000097308366,0.0008941808,0.001074323,0.0009934889,0.0010261011,0.00018659439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055914256,0.0002724788,0.00614146,0.00044827408,0.00057517295,0.000023826444,0.013672356,0.0002351991,0.001902095,0.014326309,0.9615525,0.00029117323],"study_design_scores_gemma":[0.003562163,0.00063921773,0.008461841,0.0003419925,0.0005887102,0.000117128155,0.0031655529,0.00022855707,0.0021163076,0.017541358,0.9615277,0.0017094684],"about_ca_topic_score_codex":0.0037226095,"about_ca_topic_score_gemma":0.0024462277,"teacher_disagreement_score":0.6110459,"about_ca_system_score_codex":0.00021457905,"about_ca_system_score_gemma":0.00046926993,"threshold_uncertainty_score":0.999744},"labels":[],"label_agreement":null},{"id":"W2225833303","doi":"","title":"Thinking Liminality : Karilee Fuglem. Between the Visible and the Invisible. Karilee Fuglem, Connective Tissue, Galerie Pierre-François Ouellette art contemporain, Montreal","year":2005,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liminality; Art; Visual arts; Art history; Aesthetics","score_opus":0.01470332166108476,"score_gpt":0.1883722281418625,"score_spread":0.17366890648077773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225833303","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18529473,0.037761815,0.0014394268,0.23282352,0.0008406703,0.002570649,0.0008297659,0.0006254913,0.53781396],"genre_scores_gemma":[0.8471789,0.001357964,0.000080318714,0.0054931277,0.0018253226,0.000026223013,0.00008805337,0.00006495524,0.14388517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748105,0.0003355782,0.0004108136,0.00053708296,0.00049750105,0.00073794724],"domain_scores_gemma":[0.9977592,0.00077887916,0.0003327697,0.00068662356,0.00019975344,0.00024273868],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008878108,0.00044553203,0.0006030909,0.0001363977,0.003147056,0.0002627446,0.0006616393,0.00016431398,0.0006813946],"category_scores_gemma":[0.00007596457,0.00032040835,0.00023250068,0.00002621637,0.0013300481,0.00051193766,0.00049658073,0.0004981139,0.00016909835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047412555,0.000098581564,0.0009596812,0.000048640908,0.00068814034,0.00017726811,0.18126792,0.00005483932,0.000017865785,0.24309559,0.55407524,0.019042142],"study_design_scores_gemma":[0.002477699,0.00013342204,0.0020947685,0.00003981858,0.0003882909,0.000039709634,0.008444105,0.0004742061,0.0000684824,0.018664157,0.96676075,0.00041460752],"about_ca_topic_score_codex":0.025821427,"about_ca_topic_score_gemma":0.40099266,"teacher_disagreement_score":0.6618841,"about_ca_system_score_codex":0.0008942689,"about_ca_system_score_gemma":0.00006901141,"threshold_uncertainty_score":0.9999248},"labels":[],"label_agreement":null},{"id":"W2227225367","doi":"","title":"Bettina Hoffmann, Spoilsport / Trouble-fête, Galerie Liane et Danny Taran, Montréal du 15 juillet au 26 septembre 2004Bettina Hoffmann, Spoilsport / Trouble-fête, Galerie Liane et Danny Taran, Montréal du 15 juillet au 26 septembre 2004","year":2005,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.018791493454208153,"score_gpt":0.23245268010908143,"score_spread":0.21366118665487327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227225367","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01852784,0.05547091,0.0010098873,0.008154557,0.008812417,0.0050911703,0.009612489,0.002314204,0.8910065],"genre_scores_gemma":[0.036632758,0.0064807073,0.0026554086,0.057347443,0.019654864,0.0010323109,0.0066656694,0.0016241594,0.8679067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9783144,0.0011734801,0.005082054,0.004865694,0.0031168563,0.0074474947],"domain_scores_gemma":[0.9864379,0.00044392858,0.0028095017,0.004257334,0.00237366,0.0036776513],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0036931431,0.0052232672,0.005186844,0.0008931591,0.004864846,0.0022324782,0.0030206286,0.0033309895,0.09262239],"category_scores_gemma":[0.00048357327,0.00526749,0.002625592,0.0004028563,0.002976773,0.0053654155,0.0011082116,0.005196358,0.004846747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015400548,0.0036595124,0.0024026423,0.0015741333,0.0018076333,0.0021738424,0.02015151,0.0058650724,0.00039159306,0.031279396,0.92821574,0.000938893],"study_design_scores_gemma":[0.011126359,0.00133818,0.002233248,0.0018571176,0.0022026584,0.0015117704,0.0077683856,0.0020157334,0.00065482536,0.0011449393,0.96232814,0.005818638],"about_ca_topic_score_codex":0.036239706,"about_ca_topic_score_gemma":0.027441632,"teacher_disagreement_score":0.08777565,"about_ca_system_score_codex":0.0025863897,"about_ca_system_score_gemma":0.00478048,"threshold_uncertainty_score":0.99973655},"labels":[],"label_agreement":null},{"id":"W2230280186","doi":"","title":"Scott Chandler, Fordlândia, Galerie Les Territoires, Montreal, September 1 to 20 September 2011","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.01775414831983518,"score_gpt":0.1885325700299042,"score_spread":0.17077842171006902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2230280186","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069645464,0.19798811,0.00045186954,0.018710816,0.0036747667,0.00088122295,0.0019634136,0.00029887137,0.70638543],"genre_scores_gemma":[0.057592902,0.0032891098,0.00030280574,0.0013682644,0.003514669,0.000025392334,0.00016692528,0.00013776116,0.93360215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99653864,0.00016130673,0.00040551447,0.00057047734,0.00043200137,0.0018920812],"domain_scores_gemma":[0.9975583,0.000114748946,0.0002283465,0.000701316,0.0001757756,0.0012214901],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023529901,0.00066508754,0.0006320557,0.00029888275,0.0021560842,0.000117712734,0.00044116587,0.00040703948,0.018064246],"category_scores_gemma":[0.000012703784,0.0007566069,0.0004524808,0.000017607019,0.00052851916,0.0009310728,0.0004982517,0.00040352278,0.0058266064],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010743877,0.00037593592,0.0015519843,0.00013302389,0.00033534886,0.00032329842,0.025767075,0.000042477906,0.000043332588,0.032852896,0.92596287,0.012504312],"study_design_scores_gemma":[0.0010448745,0.00020657606,0.0015700134,0.00016381645,0.00046086774,0.00016439027,0.003330643,0.00018805439,0.0001326004,0.0007513087,0.99109614,0.0008907397],"about_ca_topic_score_codex":0.1394803,"about_ca_topic_score_gemma":0.8010879,"teacher_disagreement_score":0.6616076,"about_ca_system_score_codex":0.0039891475,"about_ca_system_score_gemma":0.0000873129,"threshold_uncertainty_score":0.99983436},"labels":[],"label_agreement":null},{"id":"W223281783","doi":"","title":"Adrian Göllner : Modern U","year":2006,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.028624112749420758,"score_gpt":0.2246838668647806,"score_spread":0.19605975411535984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W223281783","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006839908,0.0019555371,0.00046899627,0.0006296273,0.0031950916,0.0007104525,0.0010947385,0.0005954573,0.9912817],"genre_scores_gemma":[0.00845748,0.000095039,0.000073971,0.0029027115,0.011651489,0.00008001575,0.0014088809,0.0004129469,0.9749175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99512887,0.00011815899,0.0011146012,0.0012478485,0.0009061873,0.0014843578],"domain_scores_gemma":[0.9970728,0.00014567733,0.0005258167,0.0014555868,0.00033729387,0.00046280588],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003006243,0.0012381703,0.0012501363,0.00039544108,0.0011519669,0.0006607169,0.00082787644,0.0006899897,0.016873188],"category_scores_gemma":[0.000026280028,0.0012096163,0.0007975635,0.0000051414668,0.001094536,0.000532815,0.00023411619,0.0011571784,0.011068695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022452921,0.00013816256,0.0000016402535,0.00013797055,0.00016348461,0.00008384453,0.027353887,0.00001216095,0.00000433645,0.15388136,0.8097835,0.008417185],"study_design_scores_gemma":[0.0006496627,0.00015189726,0.00002716232,0.00023010334,0.00025721814,0.000016163887,0.00015265692,0.0003298232,0.000005949193,0.15567079,0.84125316,0.0012553865],"about_ca_topic_score_codex":0.0008065983,"about_ca_topic_score_gemma":0.024521435,"teacher_disagreement_score":0.031469673,"about_ca_system_score_codex":0.00036385012,"about_ca_system_score_gemma":0.00064535945,"threshold_uncertainty_score":0.99903536},"labels":[],"label_agreement":null},{"id":"W2236607578","doi":"","title":"Maryse Larivière, Wild is the Wind, Galerie Clark, Montreal, March 9 - April 22, 2006 Maryse Larivière, Wild is the Wind, Galerie Clark, Montreal, March 9 - April 22, 2006","year":2006,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Meteorology","score_opus":0.023918043086089538,"score_gpt":0.23355598028805594,"score_spread":0.20963793720196638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236607578","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058847526,0.0065939664,0.00033622558,0.0024987971,0.0016020724,0.0032017743,0.0074964827,0.000550817,0.97183514],"genre_scores_gemma":[0.045348205,0.0017465993,0.0004103277,0.096042134,0.0070618386,0.0005439282,0.0021190199,0.0005257944,0.84620214],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9895117,0.0008386116,0.0019266728,0.0022717018,0.0020035005,0.0034477885],"domain_scores_gemma":[0.99334645,0.0005893269,0.0008919263,0.0035376612,0.0008522515,0.00078239816],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0015548208,0.002062384,0.0017030016,0.0003473185,0.0038335363,0.0019545737,0.0026949022,0.0013204723,0.11926377],"category_scores_gemma":[0.00016618904,0.001468068,0.0011164316,0.00020254907,0.002376614,0.001525012,0.0009927816,0.0031282674,0.0012427282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030700097,0.0010611145,0.0009852217,0.00024351494,0.0006096452,0.000109459754,0.0066651604,0.00030413867,0.00044455708,0.01196511,0.97691447,0.00039058377],"study_design_scores_gemma":[0.0029713896,0.00025874173,0.003468776,0.00024336734,0.0008032233,0.000062701205,0.0037095065,0.0008185875,0.0004718881,0.0164926,0.9687942,0.0019050213],"about_ca_topic_score_codex":0.05093997,"about_ca_topic_score_gemma":0.008332428,"teacher_disagreement_score":0.12563296,"about_ca_system_score_codex":0.00038059038,"about_ca_system_score_gemma":0.00073341536,"threshold_uncertainty_score":0.99997604},"labels":[],"label_agreement":null},{"id":"W2245931496","doi":"","title":"Paul-Antoine Pichard, Trash Mines, Galerie d'art du Centre Culturel, Université de Sherbrooke, January 12 to February 22, 2009","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006971380376467425,"score_gpt":0.159720147930435,"score_spread":0.1527487675539676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2245931496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15691757,0.13143839,0.0005173915,0.17963725,0.0019207541,0.0012433244,0.0027031933,0.0005705927,0.52505153],"genre_scores_gemma":[0.03055975,0.0138832815,0.00040832904,0.0061801085,0.0018027904,0.0000025367037,0.00039870973,0.00007889949,0.9466856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99657816,0.00016616828,0.00040095675,0.0007880389,0.00047076863,0.0015959135],"domain_scores_gemma":[0.9977471,0.00008004721,0.00021647477,0.0006324645,0.0002168971,0.0011069872],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018176725,0.00074796355,0.00069015304,0.00029307764,0.002175708,0.00011130226,0.0006232519,0.00043354696,0.0053817537],"category_scores_gemma":[0.000024045625,0.0008758915,0.00049147796,0.000042453026,0.00035111164,0.00059244526,0.00035236156,0.00040118027,0.0010873333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003649122,0.00044494096,0.00075180357,0.00009262708,0.00025625975,0.004559728,0.022824574,0.00019796279,0.00037080012,0.04875223,0.91482884,0.0065553146],"study_design_scores_gemma":[0.0019715053,0.00046966373,0.0051198415,0.00022670842,0.00059203606,0.00039811098,0.0050958116,0.0003341475,0.00027128423,0.0013007575,0.9832347,0.0009854162],"about_ca_topic_score_codex":0.016137388,"about_ca_topic_score_gemma":0.36715242,"teacher_disagreement_score":0.42163405,"about_ca_system_score_codex":0.00817803,"about_ca_system_score_gemma":0.00014549498,"threshold_uncertainty_score":0.9996904},"labels":[],"label_agreement":null},{"id":"W2248109633","doi":"","title":"The Venice Biennale, 51st International Art Exhibition, Venice, Italy June 12 - November 6, 2005 The Venice Biennale, 51st International Art Exhibition, Venice, Italy June 12 - November 6, 2005","year":2005,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Visual arts","score_opus":0.025218468556557364,"score_gpt":0.2453554343302352,"score_spread":0.22013696577367786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2248109633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015263796,0.00208932,0.00049358123,0.008566038,0.008234583,0.0012505609,0.0022718336,0.00039447748,0.97517323],"genre_scores_gemma":[0.021758221,0.0009445986,0.0004042526,0.034780905,0.011585901,0.00051422283,0.0031808696,0.000232144,0.9265989],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99299717,0.0002614889,0.0017543004,0.0014215241,0.0016534774,0.0019120402],"domain_scores_gemma":[0.99525285,0.00045675493,0.0010095759,0.001495614,0.0011839665,0.0006012399],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014644193,0.0011513078,0.0008244494,0.00033481914,0.0023686236,0.0016317519,0.00197718,0.00053198874,0.07804038],"category_scores_gemma":[0.0003484636,0.0008923517,0.00075468863,0.00010357811,0.0012762233,0.002428217,0.0005622918,0.0015918437,0.0059516616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002057147,0.0008419004,0.00006510533,0.000048024736,0.0007486853,0.000028720808,0.0048547327,0.0005047633,0.0010038095,0.09163373,0.8999294,0.00013542926],"study_design_scores_gemma":[0.0022310724,0.00008329995,0.00022270987,0.00028055997,0.00039660683,0.00020743273,0.0015436753,0.0018098344,0.0003915467,0.0033624656,0.9883278,0.0011429983],"about_ca_topic_score_codex":0.00019667679,"about_ca_topic_score_gemma":0.008174977,"teacher_disagreement_score":0.08839841,"about_ca_system_score_codex":0.000614517,"about_ca_system_score_gemma":0.00053684745,"threshold_uncertainty_score":0.99940467},"labels":[],"label_agreement":null},{"id":"W2253785512","doi":"10.5840/envirophil2011811","title":"From Artwork to Place","year":2011,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Applied philosophy; Contemporary philosophy; General interest; Art; Visual arts; Epistemology; Philosophy","score_opus":0.06373837736931143,"score_gpt":0.20450218103480045,"score_spread":0.14076380366548902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253785512","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21984862,0.00011353414,0.00006119483,0.0005980492,0.0007122601,0.00019139834,0.00037306699,0.0000869261,0.77801496],"genre_scores_gemma":[0.9769819,0.000007077393,0.00025810406,0.003112316,0.0026703763,0.000016121769,0.000056766927,0.000030808344,0.016866548],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921834,0.000018560506,0.00014669883,0.00023983102,0.00014275895,0.000233808],"domain_scores_gemma":[0.99953204,0.000016045122,0.00003418587,0.0002570818,0.0000016765031,0.00015896079],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000029006584,0.00015059524,0.00012277321,0.000033577573,0.0001934478,0.000026158668,0.00015512048,0.000032451248,0.010957918],"category_scores_gemma":[0.0000021293129,0.00014502196,0.000067996196,7.90358e-7,0.00022044976,0.00013420144,0.000095289535,0.00008950157,0.0051972023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013848166,0.0007592063,0.0015470061,0.000009559194,0.00015069795,0.00004983441,0.7442115,0.00001092311,0.00043048235,0.20491745,0.04606323,0.0017116464],"study_design_scores_gemma":[0.00028616973,0.00014790407,0.0015336642,0.000015184447,0.000027095197,9.0394354e-7,0.0016449688,0.000011037888,0.00062392245,0.19586654,0.7995145,0.000328109],"about_ca_topic_score_codex":0.00048399915,"about_ca_topic_score_gemma":0.00019297881,"teacher_disagreement_score":0.7611484,"about_ca_system_score_codex":0.00004575504,"about_ca_system_score_gemma":0.0000036414299,"threshold_uncertainty_score":0.9955774},"labels":[],"label_agreement":null},{"id":"W2257819244","doi":"10.1080/00393541.2012.11518882","title":"Materialist Nonrepresentational Thought","year":2012,"lang":"en","type":"article","venue":"Studies in Art Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Materialism; Epistemology; Philosophy","score_opus":0.151615728102683,"score_gpt":0.39815868127810355,"score_spread":0.24654295317542055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2257819244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1724039,0.0018544702,0.00001610613,0.0018930348,0.020342385,0.00024490897,0.000033436467,0.000057852278,0.8031539],"genre_scores_gemma":[0.87834924,0.00008945273,0.00014102909,0.00074402854,0.0045524724,0.00007901267,0.00006314427,0.000008842937,0.115972765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994452,0.000033567932,0.00015305125,0.00008838235,0.00008887187,0.00019090237],"domain_scores_gemma":[0.9997042,0.000040510367,0.000042002794,0.00010277871,0.00007723163,0.000033308064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013263566,0.000073059,0.00009102201,0.00005494663,0.00019059252,0.000032391115,0.00004743941,0.000013812634,0.00080582005],"category_scores_gemma":[0.0000531488,0.000065739834,0.000022347711,0.0000020631294,0.00023490954,0.0002785824,0.000034496996,0.000037093698,0.0004496899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047188664,0.00019188196,0.0038950478,0.00003303822,0.000023783778,1.3031219e-7,0.30237004,6.276472e-7,0.000014245752,0.49516347,0.19782314,0.0004798894],"study_design_scores_gemma":[0.000085955886,0.000007722532,0.006040991,0.00002133532,0.000010647266,0.0000014739721,0.037543446,0.0000016111608,0.00008392276,0.012576507,0.9435288,0.0000975969],"about_ca_topic_score_codex":0.00014613013,"about_ca_topic_score_gemma":0.0011355912,"teacher_disagreement_score":0.74570566,"about_ca_system_score_codex":0.00007032099,"about_ca_system_score_gemma":0.000044853074,"threshold_uncertainty_score":0.88231647},"labels":[],"label_agreement":null},{"id":"W2260119639","doi":"","title":"Dubious Views. Subversive Souvenirs, online exhibition by Gallery TPW, Toronto, ongoingDubious Views. Subversive Souvenirs, online exhibition by Gallery TPW, Toronto, ongoing","year":2007,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Media studies; Visual arts; Art; Advertising; Sociology; Business","score_opus":0.030683254871489422,"score_gpt":0.2577001280049845,"score_spread":0.22701687313349506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2260119639","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028750641,0.028401902,0.0031716023,0.0003518163,0.0045796297,0.003501878,0.0100910105,0.0010906295,0.9200609],"genre_scores_gemma":[0.16130555,0.01466358,0.004530899,0.07813275,0.014931314,0.00043688418,0.06758712,0.0010170626,0.6573948],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99217373,0.00033268417,0.0018912387,0.0018870067,0.0012295165,0.002485831],"domain_scores_gemma":[0.9954111,0.0002733056,0.0011394187,0.0012417494,0.0009036523,0.0010307713],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0009948718,0.0015951316,0.0016070475,0.00016811685,0.0018607535,0.0005386495,0.00092897704,0.0010405439,0.08038413],"category_scores_gemma":[0.00020391376,0.0015854116,0.00082692754,0.000057928664,0.0007515122,0.0018323436,0.00037076275,0.0011711965,0.00019812153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028028537,0.0019494182,0.000055886532,0.00037564646,0.00040687228,0.00009285185,0.02319792,0.000037021982,0.01419808,0.0039756675,0.9548258,0.00060450844],"study_design_scores_gemma":[0.0030766588,0.0005651572,0.00007253777,0.00065936724,0.00037696012,0.0000798407,0.0250671,0.0003335651,0.003047355,0.0007822853,0.96401095,0.0019281976],"about_ca_topic_score_codex":0.01612144,"about_ca_topic_score_gemma":0.07595318,"teacher_disagreement_score":0.26266605,"about_ca_system_score_codex":0.0023838312,"about_ca_system_score_gemma":0.00043343165,"threshold_uncertainty_score":0.9996796},"labels":[],"label_agreement":null},{"id":"W2263326183","doi":"10.21991/c96h2r","title":"THE MEECH LAKE ACCORD: THE END OF THE BEGINNING--OR THE BEGINNING OF THE END?","year":2011,"lang":"en","type":"article","venue":"Constitutional Forum / Forum constitutionnel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"End-to-end principle; Dead end; End of history; Geography; Computer science; Political science; Psychology; Law; Computer security","score_opus":0.060998031478656754,"score_gpt":0.24247234674091703,"score_spread":0.18147431526226027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263326183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019808896,0.0026736637,0.0066155763,0.072364196,0.015730074,0.0034162318,0.00279747,0.00022638086,0.8763675],"genre_scores_gemma":[0.9870994,0.000072590374,0.00004694174,0.0024884264,0.00045096184,0.000107456806,0.000018420867,0.00001794489,0.0096978545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701864,0.00021071799,0.0008400575,0.00034980816,0.0007717925,0.0008089829],"domain_scores_gemma":[0.9968313,0.00076801854,0.00063158525,0.0011829217,0.0004976713,0.000088507935],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0008214918,0.00039333655,0.00035201377,0.00007009365,0.0074221166,0.00015342652,0.0018001198,0.0001298056,0.0008796265],"category_scores_gemma":[0.00055595505,0.00014184364,0.0005432242,0.00005360995,0.04254189,0.00037990985,0.0006795675,0.0005860202,0.000040585157],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006149797,0.00007897001,0.0039182203,0.000018286359,0.00018963347,0.0000019973816,0.0083303815,0.000098856755,0.000029608162,0.9757137,0.010898354,0.00066053116],"study_design_scores_gemma":[0.00063045055,0.00005462809,0.0016887838,0.00019473617,0.00021543844,0.00012274014,0.015849547,0.00021933719,0.00088594906,0.072008625,0.9078432,0.00028659272],"about_ca_topic_score_codex":0.00093387376,"about_ca_topic_score_gemma":0.02278853,"teacher_disagreement_score":0.9672905,"about_ca_system_score_codex":0.00008305855,"about_ca_system_score_gemma":0.0018225749,"threshold_uncertainty_score":0.99504304},"labels":[],"label_agreement":null},{"id":"W2267904981","doi":"10.1080/14680777.2015.1075278","title":"Femininity, Time and Feminist Art","year":2015,"lang":"en","type":"article","venue":"Feminist Media Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Femininity; Gender studies; Art; Sociology; Aesthetics","score_opus":0.14460665418751395,"score_gpt":0.30630432965709076,"score_spread":0.1616976754695768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2267904981","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023680208,0.0031688742,0.0000016616751,0.0017619315,0.0022091751,0.00020812658,0.00032093952,0.00024417846,0.9684049],"genre_scores_gemma":[0.8170317,0.00031132586,0.0001653207,0.0028644875,0.0034032585,0.000053174375,0.000071960516,0.000053666543,0.1760451],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998445,0.000048981157,0.00035627157,0.00034358416,0.00034539608,0.0004607938],"domain_scores_gemma":[0.9986704,0.00042529078,0.00011889697,0.0002772182,0.00018875382,0.00031942068],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038698508,0.0002942017,0.00049119955,0.000082643564,0.0004986358,0.00015350322,0.00017704978,0.00006520745,0.00024793408],"category_scores_gemma":[0.0005563584,0.00024650386,0.00006816618,0.0000044397207,0.0018824962,0.00010823151,0.00028175046,0.0001694005,0.0013789089],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020064368,0.00005958421,0.00063367723,0.00003248482,0.00012253746,0.00002818409,0.48611704,1.0290277e-7,0.0000026888488,0.019433705,0.49309233,0.0004575988],"study_design_scores_gemma":[0.0005175645,0.00017018575,0.00008639333,0.000047479098,0.00008649413,0.000020155243,0.05749026,0.000016670252,0.00003426542,0.006743488,0.93447405,0.00031301475],"about_ca_topic_score_codex":0.000052478328,"about_ca_topic_score_gemma":0.0014922626,"teacher_disagreement_score":0.79335153,"about_ca_system_score_codex":0.000055712146,"about_ca_system_score_gemma":0.000095910764,"threshold_uncertainty_score":0.99999875},"labels":[],"label_agreement":null},{"id":"W2274356951","doi":"","title":"Crafty Entanglements: Knitting and Hard Distinctions in Aesthetics and Political Theory","year":2013,"lang":"en","type":"article","venue":"Digital Commons - RISD (Rhode Island School of Design)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Aesthetics; Politics; Epistemology; Sociology; Environmental ethics; Philosophy; Political science; Law","score_opus":0.0416127892478564,"score_gpt":0.2484412662129103,"score_spread":0.2068284769650539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274356951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6871811,0.00046828267,0.0075100344,0.00089368597,0.00016636362,0.0007485752,0.0006023764,0.00009987533,0.30232966],"genre_scores_gemma":[0.99297667,0.000014352478,0.00024001182,0.00019552157,0.000107979096,0.000030397732,0.00003141697,0.000024481338,0.00637918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986844,0.0001144346,0.0004075101,0.00022202525,0.00015042986,0.00042118848],"domain_scores_gemma":[0.9990055,0.0003869347,0.00008350296,0.000208423,0.000082618964,0.00023303427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020428961,0.000200519,0.00028216705,0.00012727294,0.00022957513,0.00041646117,0.0001185735,0.000058090398,0.00054249604],"category_scores_gemma":[0.00017624113,0.00017132565,0.000053679472,0.0000064643314,0.0006826963,0.0006271226,0.000108231216,0.00021205614,0.000054103897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015679984,0.0009865953,0.19020534,0.00018077015,0.00022316884,0.00003567687,0.041437272,0.000015578895,0.00007587092,0.7374411,0.013527814,0.01571397],"study_design_scores_gemma":[0.0030480546,0.0008578131,0.045786805,0.00029102428,0.00016337929,0.000069195936,0.021760795,0.0016430531,0.00014503792,0.8703944,0.054741368,0.0010990367],"about_ca_topic_score_codex":0.00040835977,"about_ca_topic_score_gemma":0.00096020126,"teacher_disagreement_score":0.30579552,"about_ca_system_score_codex":0.000035877216,"about_ca_system_score_gemma":0.00003844227,"threshold_uncertainty_score":0.6986458},"labels":[],"label_agreement":null},{"id":"W2274388240","doi":"10.7202/1069487ar","title":"Robert J. Coady’s The Soil and Marcel Duchamp’s Fountain: Taste, Nationalism, Capitalism, and New York Dada","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"University of Victoria","keywords":"Art; Humanities; Art history","score_opus":0.04624772955243155,"score_gpt":0.2100072605993357,"score_spread":0.16375953104690413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274388240","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36440915,0.06024785,0.0001505438,0.46528324,0.0045801257,0.0013337637,0.0033257364,0.00015526422,0.10051433],"genre_scores_gemma":[0.5151771,0.0015388604,0.00008763151,0.019788383,0.007355114,0.000024604153,0.00025764084,0.00009639951,0.4556743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978924,0.00011084486,0.00043021454,0.00054643996,0.00018443975,0.00083571003],"domain_scores_gemma":[0.99815357,0.00021621259,0.00016549225,0.00031270977,0.00012715392,0.001024892],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024569398,0.0003884334,0.00041546405,0.00006659865,0.0010709905,0.00039130557,0.00024361082,0.00014282881,0.00096799416],"category_scores_gemma":[0.000119852564,0.00036030673,0.000109169254,0.000013255694,0.0008739149,0.00030539266,0.00016376599,0.000385885,0.00010075776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018240691,0.000021637241,0.00012273411,0.0002283408,0.00012085218,0.00007181899,0.17640999,0.000039373845,0.000009985953,0.6007311,0.21684876,0.005377181],"study_design_scores_gemma":[0.0005636323,0.00014593659,0.00029258698,0.00012616206,0.00015239768,0.00014923522,0.009917648,0.0019056724,0.000010535853,0.0063586114,0.97994757,0.00042999655],"about_ca_topic_score_codex":0.139582,"about_ca_topic_score_gemma":0.626653,"teacher_disagreement_score":0.76309884,"about_ca_system_score_codex":0.00017175997,"about_ca_system_score_gemma":0.00031787125,"threshold_uncertainty_score":0.9999453},"labels":[],"label_agreement":null},{"id":"W2274478584","doi":"","title":"IAN YOUNG, Out in Paperback: A Visual History of Gay Pulps","year":2010,"lang":"en","type":"article","venue":"Archivaria","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.043459039323415764,"score_gpt":0.2641512140837244,"score_spread":0.2206921747603086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274478584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058311097,0.0000526861,0.000028366825,0.00020287167,0.0020438721,0.000106763146,0.00002907019,0.00003867862,0.9391866],"genre_scores_gemma":[0.9014656,0.0000071519808,0.00013839864,0.00032341303,0.00059369515,0.0000085808115,0.000018784567,0.000019993948,0.09742439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991409,0.000038568593,0.00024843172,0.00016896344,0.00012422235,0.00027890634],"domain_scores_gemma":[0.99955267,0.000045319204,0.000067928384,0.00022597365,0.000028660728,0.00007945241],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013310411,0.00011676041,0.00017819798,0.000070971495,0.00005725373,0.000018521163,0.0001614117,0.000037761714,0.0024447152],"category_scores_gemma":[0.000038465125,0.00010875846,0.00007137416,8.4804736e-7,0.0004190481,0.00010566659,0.000055032695,0.00025945995,0.00012938552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014911158,0.00012388415,0.001050213,0.000020794943,0.000016247504,0.0000064818487,0.28121793,2.0745487e-7,0.0033711893,0.70438564,0.009024371,0.0007681327],"study_design_scores_gemma":[0.0004089276,0.00007858815,0.004866138,0.000018113236,0.000017705648,0.0000031116024,0.0007862137,0.00023596248,0.00010131326,0.0596051,0.9336897,0.0001890959],"about_ca_topic_score_codex":0.0028295629,"about_ca_topic_score_gemma":0.053251307,"teacher_disagreement_score":0.92466533,"about_ca_system_score_codex":0.000040481755,"about_ca_system_score_gemma":0.00014874585,"threshold_uncertainty_score":0.9984672},"labels":[],"label_agreement":null},{"id":"W2277379300","doi":"","title":"Paul Virilio , The Futurism of the Instant: Stop-Eject , tr. Julie Rose. Reviewed by","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Providence University College and Theological Seminary","funders":"","keywords":"Instant; Rose (mathematics); Art; Philosophy; Aesthetics; Chemistry; Horticulture; Biology; Food science","score_opus":0.026105037884897785,"score_gpt":0.21466340736630413,"score_spread":0.18855836948140633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2277379300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026594901,0.003674602,0.00004870229,0.012725504,0.00095989986,0.0008979908,0.00012320474,0.000091334805,0.9548839],"genre_scores_gemma":[0.7134828,0.00054076564,0.00001240379,0.0067282403,0.00047183954,0.000035266512,0.000007847218,0.000020998203,0.27869985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886954,0.00010994511,0.0003451858,0.00016552929,0.0002277482,0.00028204516],"domain_scores_gemma":[0.9990468,0.00008455265,0.00013790943,0.000562738,0.000114615556,0.000053370237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020349318,0.00016283526,0.00022900205,0.000020329846,0.000487174,0.00010810235,0.00038661703,0.00004691163,0.004486806],"category_scores_gemma":[0.000037366848,0.00007334053,0.00016660149,0.000004423171,0.000505223,0.0002233462,0.00010116389,0.00017492665,0.00029609146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030288877,0.00004799525,0.000012670313,0.000038044414,0.00003172814,2.819078e-7,0.034371927,3.1747498e-7,0.000120658726,0.12763518,0.8351789,0.002559266],"study_design_scores_gemma":[0.00016998139,0.00003869947,0.00016713674,0.000030230287,0.00003106732,0.0000012547623,0.0023906697,0.000032746793,0.0005213711,0.009864037,0.9866316,0.00012125554],"about_ca_topic_score_codex":0.0022806707,"about_ca_topic_score_gemma":0.0032050286,"teacher_disagreement_score":0.68688786,"about_ca_system_score_codex":0.000021557786,"about_ca_system_score_gemma":0.000041584477,"threshold_uncertainty_score":0.99642324},"labels":[],"label_agreement":null},{"id":"W2278526454","doi":"","title":"Performing landscape : notes on site-specific work and artistic research (texts 2001-2011)","year":2012,"lang":"en","type":"article","venue":"Työväentutkimus Vuosikirja","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Visual arts; Geography; Aesthetics; History; Art; Engineering","score_opus":0.1592436600770226,"score_gpt":0.3175145985467638,"score_spread":0.1582709384697412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2278526454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7026128,0.0040142,0.000047667985,0.0012715876,0.0013193731,0.00046612654,0.0000991244,0.00020134894,0.28996772],"genre_scores_gemma":[0.96584934,0.0002821731,0.000062157735,0.0005384891,0.003210138,0.000032299326,0.00005228177,0.000060810995,0.029912308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99727964,0.00013695219,0.00033397804,0.0003837324,0.0005357813,0.0013299352],"domain_scores_gemma":[0.9982775,0.0006275003,0.00007541404,0.0004491014,0.00014979308,0.00042071013],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00086256553,0.00029874794,0.00030541114,0.00027732638,0.001174625,0.0002881007,0.00019850332,0.00010941012,0.006901363],"category_scores_gemma":[0.00009328054,0.00025124068,0.0000837019,0.000011188046,0.0005563977,0.00031208518,0.00015135854,0.00051509327,0.003186268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002801014,0.0008035793,0.028156964,0.00016378467,0.00008970997,0.00003433796,0.213659,0.000019443449,0.00014917937,0.37851614,0.3530298,0.025097968],"study_design_scores_gemma":[0.00048628135,0.00019960135,0.0055970377,0.00006980765,0.00002831321,0.000006954516,0.0012506453,0.000072476985,0.00017152891,0.0020722689,0.98965013,0.00039495397],"about_ca_topic_score_codex":0.00018895335,"about_ca_topic_score_gemma":0.0005983416,"teacher_disagreement_score":0.63662034,"about_ca_system_score_codex":0.00007878377,"about_ca_system_score_gemma":0.00003482471,"threshold_uncertainty_score":0.999994},"labels":[],"label_agreement":null},{"id":"W2279175710","doi":"","title":"Shary Boyle / Laurie Steelink","year":2001,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.042314254233143375,"score_gpt":0.2398150500390705,"score_spread":0.1975007958059271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279175710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016033209,0.0038710565,0.000068387126,0.0008663377,0.0037507236,0.00073844707,0.0010128563,0.0006229609,0.9889089],"genre_scores_gemma":[0.0024989161,0.0007723508,0.00004733712,0.005116768,0.013266957,0.00007440765,0.0014489713,0.00037344635,0.97640085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952209,0.00011827192,0.0011229805,0.0012050164,0.0008683459,0.0014644677],"domain_scores_gemma":[0.9969063,0.00018589436,0.00051516155,0.0014746513,0.00036133113,0.00055667775],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037720767,0.0011696483,0.0012478048,0.00036958273,0.0011397976,0.0005171055,0.0008971616,0.00069106347,0.055305656],"category_scores_gemma":[0.000038620135,0.0011620984,0.00074874,0.000007064019,0.0009994935,0.0005838113,0.00029928112,0.0013394232,0.024216786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026943524,0.000150736,0.0000069321504,0.00016946407,0.00022619494,0.00016141681,0.03125314,0.0000019471026,0.000003708622,0.11157444,0.8516739,0.0047511733],"study_design_scores_gemma":[0.00074757484,0.00021100797,0.000038605704,0.00034039537,0.00027785805,0.000031098552,0.00062886486,0.000047388123,0.000009187022,0.048510987,0.9478558,0.001301275],"about_ca_topic_score_codex":0.0004175942,"about_ca_topic_score_gemma":0.008065926,"teacher_disagreement_score":0.096181855,"about_ca_system_score_codex":0.00032521016,"about_ca_system_score_gemma":0.00073234487,"threshold_uncertainty_score":0.9990829},"labels":[],"label_agreement":null},{"id":"W227997248","doi":"","title":"Michel De Broin","year":2006,"lang":"fr","type":"book","venue":"Musée national des beaux-arts du Québec eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; The arts; Terrorism; Michel foucault; Visual arts; Performance art; Perspective (graphical); Humanities; Sociology; Political science; Law; Politics","score_opus":0.046006877370313594,"score_gpt":0.24565232213662755,"score_spread":0.19964544476631396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W227997248","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017576617,0.003752611,0.0005795075,0.0015274285,0.0010580169,0.00056395045,0.0016860253,0.0002349454,0.98883986],"genre_scores_gemma":[0.050184347,0.00003189645,0.0004616776,0.011320144,0.009843625,0.00012335303,0.00076927285,0.0002254664,0.9270402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99569017,0.00016788539,0.0010775486,0.0007989985,0.0011219832,0.0011434461],"domain_scores_gemma":[0.996786,0.00075251993,0.0004800636,0.0004019218,0.0011800621,0.0003994348],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00058515964,0.00093512965,0.0007469148,0.00045432977,0.0021449835,0.0005530903,0.0005939454,0.00059766433,0.0023685903],"category_scores_gemma":[0.00020138091,0.0010255149,0.00066510413,0.0000026634993,0.0041731196,0.00025869496,0.00020331123,0.0008159573,0.0015077852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026835674,0.00019491253,0.0001972054,0.00031049593,0.0002234285,0.00006060127,0.019539589,0.000060274568,0.000021068001,0.6270626,0.3503044,0.0019985728],"study_design_scores_gemma":[0.00068768277,0.00012356491,0.0006273571,0.00032399516,0.00023634502,0.0000996564,0.00015519693,0.00033901574,0.00006107822,0.09694749,0.8994317,0.0009669067],"about_ca_topic_score_codex":0.19818571,"about_ca_topic_score_gemma":0.7310298,"teacher_disagreement_score":0.5491273,"about_ca_system_score_codex":0.0034170672,"about_ca_system_score_gemma":0.007473295,"threshold_uncertainty_score":0.99926966},"labels":[],"label_agreement":null},{"id":"W2280938957","doi":"","title":"Fragmentos de Renzo Piano: Mostra Fragmentos, Galeria Gagosian, Nova York","year":2013,"lang":"pt","type":"article","venue":"Projeto: revista mensal de arquitetura","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Nova (rocket); Art; Nova scotia; Geography; Archaeology; Art history; Engineering","score_opus":0.055722084011077866,"score_gpt":0.2832781049241353,"score_spread":0.22755602091305743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280938957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57098573,0.030446919,0.0022944142,0.015889822,0.0068228934,0.012103045,0.002839079,0.0018906045,0.3567275],"genre_scores_gemma":[0.7863498,0.0008115886,0.00083153654,0.0052115396,0.004341416,0.0003503183,0.00034118016,0.00028742632,0.20147523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992588,0.00051361526,0.0016472725,0.0013182395,0.0009286259,0.003004244],"domain_scores_gemma":[0.9960174,0.00024130403,0.00073601416,0.0014387134,0.00050247565,0.0010640922],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00095561385,0.0012755523,0.0012280273,0.00032010235,0.0012388824,0.0034113324,0.0010817469,0.00053394196,0.021788789],"category_scores_gemma":[0.00020152725,0.0012080984,0.00057165255,0.00004561278,0.0008351022,0.00089659565,0.00041213274,0.0011790742,0.0035685298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024753305,0.0011435464,0.0032449781,0.003807732,0.0013016752,0.00031046558,0.3105088,0.000020705771,0.0075315707,0.1118192,0.5453904,0.014673379],"study_design_scores_gemma":[0.0015766576,0.00059763016,0.001722749,0.0011304269,0.000537419,0.00010470512,0.011063584,0.0014478251,0.00093456695,0.0026836118,0.976389,0.0018118386],"about_ca_topic_score_codex":0.0040781144,"about_ca_topic_score_gemma":0.00088840764,"teacher_disagreement_score":0.43099856,"about_ca_system_score_codex":0.000785318,"about_ca_system_score_gemma":0.0006713249,"threshold_uncertainty_score":0.99999964},"labels":[],"label_agreement":null},{"id":"W2282996505","doi":"","title":"Review of Umberto Mariani, Living Masks: The Achievement of Pirandello (Toronto, University of Toronto, 2008)","year":2010,"lang":"en","type":"article","venue":"ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.01901025803757236,"score_gpt":0.2286650116142744,"score_spread":0.20965475357670205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282996505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49993235,0.1253713,0.0009308386,0.002866383,0.004381325,0.0018528993,0.0005073043,0.00022003392,0.3639376],"genre_scores_gemma":[0.97137964,0.020085648,0.00055013894,0.0005613751,0.00053718337,0.0000017886545,0.000015058298,0.00003970381,0.006829456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820364,0.00017932369,0.000673398,0.0002509952,0.00033920532,0.00035345176],"domain_scores_gemma":[0.9980949,0.000286586,0.0006033937,0.00056404475,0.00035092482,0.00010014876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010657817,0.00024135158,0.0005306595,0.000028406736,0.00038643877,0.000029248358,0.0005820842,0.00008433728,0.0020832089],"category_scores_gemma":[0.00013329177,0.00019015555,0.00032203842,0.0000067926285,0.00048967625,0.0002785361,0.00016138979,0.00029575967,0.000007260613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002790424,0.0019847485,0.0032625867,0.009007081,0.0019040658,0.000035983096,0.62689173,0.000022134023,0.03132616,0.24565904,0.05495431,0.024673108],"study_design_scores_gemma":[0.0009774572,0.000498536,0.0014376143,0.008123258,0.0008212406,0.000023317047,0.01593318,0.00031724595,0.002750367,0.0012624713,0.96716416,0.0006911636],"about_ca_topic_score_codex":0.019233147,"about_ca_topic_score_gemma":0.10062258,"teacher_disagreement_score":0.91220987,"about_ca_system_score_codex":0.00007180963,"about_ca_system_score_gemma":0.00014659775,"threshold_uncertainty_score":0.998829},"labels":[],"label_agreement":null},{"id":"W2283086579","doi":"10.3138/cras-s034-03-05","title":"Between Avant-Garde and Kitsch: Pragmatic Liberalism, Public Arts Funding, and the Cold War in the United States*","year":2004,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kitsch; Bourgeoisie; Avant garde; Liberalism; Aesthetics; History; Political science; Art history; Sociology; Art; Law; Politics","score_opus":0.08973941138949387,"score_gpt":0.30298117595659885,"score_spread":0.21324176456710497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283086579","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20674242,0.4710893,0.0000119327005,0.27853698,0.00031791555,0.0031515684,0.00078567176,0.000063788546,0.03930042],"genre_scores_gemma":[0.7512281,0.209701,0.000042876556,0.03727266,0.00019709556,0.000090978865,0.000047136753,0.00002360326,0.0013965458],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881667,0.00018010018,0.0003500921,0.00015491623,0.00013777793,0.0003604612],"domain_scores_gemma":[0.99898595,0.00033876888,0.00018999596,0.00021785653,0.00011936836,0.0001480548],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00061732775,0.00016709098,0.00057035685,0.0001460917,0.00039334135,0.000060262155,0.00016287752,0.000011978271,0.000025446336],"category_scores_gemma":[0.00023358743,0.00009323432,0.000050128154,0.000014894,0.002738658,0.00008204264,0.00004439229,0.0001352781,0.0000052437126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041373246,0.000023924538,0.0014298968,0.0030990806,0.00045628697,0.000024816889,0.78002834,0.0000019780966,1.3430292e-7,0.17174365,0.03831717,0.0048705684],"study_design_scores_gemma":[0.0003494153,0.00006198211,0.001067653,0.0010910055,0.00012764866,0.000004990325,0.03182136,0.0000021181545,2.814741e-7,0.0018790371,0.9634631,0.00013137107],"about_ca_topic_score_codex":0.12582411,"about_ca_topic_score_gemma":0.5743589,"teacher_disagreement_score":0.925146,"about_ca_system_score_codex":0.00006693286,"about_ca_system_score_gemma":0.00013525074,"threshold_uncertainty_score":0.9999753},"labels":[],"label_agreement":null},{"id":"W2284525358","doi":"","title":"Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven ed. by Irene Gammel and Susan Zelazo (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; Philosophy; Psychoanalysis; Psychology","score_opus":0.010877636515029583,"score_gpt":0.19434839345862764,"score_spread":0.18347075694359807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284525358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5628282,0.07198096,0.00023711873,0.0052795126,0.0006074201,0.0016721103,0.00084112893,0.00017649378,0.35637707],"genre_scores_gemma":[0.96259356,0.007860972,0.00009756154,0.0003454724,0.0001707611,0.0000011686818,0.00003537951,0.000016528174,0.028878583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991678,0.000056052126,0.00019278965,0.00018124185,0.00016444626,0.00023765182],"domain_scores_gemma":[0.9992354,0.00006082151,0.00018314016,0.00025549735,0.0001747414,0.00009038006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000109178916,0.00014382895,0.00028589324,0.000015501104,0.00024126265,0.000024860132,0.0002515126,0.000044077442,0.0023548016],"category_scores_gemma":[0.0000063113,0.00012614662,0.00010048623,0.0000015076378,0.00050032226,0.00044899463,0.00003510605,0.000074855525,0.000020730862],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050055885,0.00025040927,0.00046624534,0.00078636734,0.0002569254,0.0000064996652,0.2470765,2.9100832e-7,0.001581249,0.034898672,0.682689,0.03193776],"study_design_scores_gemma":[0.0008429242,0.0007656095,0.0023176642,0.00040269876,0.00019490965,0.0000024964688,0.051324442,0.00010582755,0.00011512202,0.00088538165,0.94272524,0.00031767625],"about_ca_topic_score_codex":0.10950106,"about_ca_topic_score_gemma":0.023832263,"teacher_disagreement_score":0.39976537,"about_ca_system_score_codex":0.000055849538,"about_ca_system_score_gemma":0.000022192782,"threshold_uncertainty_score":0.9985572},"labels":[],"label_agreement":null},{"id":"W2284664629","doi":"10.1386/jcs.3.2-3.401_5","title":"Book Reviews","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; York University","funders":"","keywords":"Art history; The arts; Art; German; Media studies; History; Sociology; Visual arts","score_opus":0.11971424696792093,"score_gpt":0.3321028951211078,"score_spread":0.21238864815318687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284664629","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004574586,0.5901228,0.0005092334,0.008679978,0.08797553,0.00048186668,0.000021620763,0.000080380574,0.307554],"genre_scores_gemma":[0.36547136,0.10419329,0.00049312547,0.026354585,0.35802564,0.00002269529,0.0000026708344,0.00010409007,0.14533253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990063,0.00008500828,0.0005035344,0.000061146675,0.00018719514,0.000156841],"domain_scores_gemma":[0.9989901,0.00010763653,0.00039057282,0.00008742422,0.00035894875,0.0000652694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005064873,0.00010819371,0.00042902658,0.000041291616,0.00025549857,0.00005598768,0.000111971916,0.000020696145,0.00024846755],"category_scores_gemma":[0.0004757494,0.0000692461,0.00016037172,0.0000012763754,0.00019120311,0.000273751,0.000030996456,0.00012655731,0.00006458243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017250743,0.000021987918,0.00001548088,0.000032129446,0.00010131827,0.0000022741933,0.046276066,5.616438e-7,0.000011707718,0.053050764,0.8991258,0.0013446197],"study_design_scores_gemma":[0.0003202126,0.00018937529,0.000006093237,0.00007410979,0.0000676624,0.000003932543,0.000932636,0.0000014083481,0.00004081128,0.008911547,0.9893681,0.00008412225],"about_ca_topic_score_codex":0.000010824387,"about_ca_topic_score_gemma":0.00017157722,"teacher_disagreement_score":0.48592952,"about_ca_system_score_codex":0.00003389462,"about_ca_system_score_gemma":0.000025626594,"threshold_uncertainty_score":0.28237742},"labels":[],"label_agreement":null},{"id":"W2284928884","doi":"10.14288/1.0102517","title":"Designing Edmonton: a visual chronology of Edmonton's suburban form","year":2016,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chronology; Geography; Archaeology; Cartography; History","score_opus":0.018158081569439415,"score_gpt":0.18756867266824812,"score_spread":0.1694105910988087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284928884","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96685356,0.00017886811,0.0016275347,0.00018214433,0.00021138774,0.00017412935,0.00020712765,0.00007725025,0.030488009],"genre_scores_gemma":[0.9778393,0.00008638804,0.00014327088,0.00005223821,0.00016444715,5.604697e-7,0.000008847903,0.000016783273,0.021688152],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99900585,0.000039950475,0.00016497532,0.0002712136,0.0001697906,0.00034820888],"domain_scores_gemma":[0.9992304,0.00006555344,0.00017181724,0.0002051929,0.00021846543,0.0001085624],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012375128,0.00005735284,0.00031793793,0.000056560675,0.00029885498,0.000045645305,0.00026001837,0.00009238014,0.0010426916],"category_scores_gemma":[0.000021248332,0.00014610449,0.000149304,0.00000587724,0.0010400962,0.00044112076,0.00011016324,0.00007066677,0.000030904583],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070945185,0.0005508787,0.010918132,0.00026881217,0.00031645002,0.00020870146,0.056888096,8.1216604e-7,0.0046572043,0.0014348462,0.033115078,0.89157003],"study_design_scores_gemma":[0.003705354,0.00088480464,0.9001199,0.0005139281,0.00017247697,0.000049192302,0.015304457,0.000078623125,0.0000887309,0.0068457737,0.07158574,0.0006510103],"about_ca_topic_score_codex":0.15339346,"about_ca_topic_score_gemma":0.82047725,"teacher_disagreement_score":0.890919,"about_ca_system_score_codex":0.0000825128,"about_ca_system_score_gemma":0.00010106437,"threshold_uncertainty_score":0.9998705},"labels":[],"label_agreement":null},{"id":"W2285472900","doi":"","title":"Covering the Real, Art and the Press Picture from Warhol to Tillmans, Kunstmuseum Basel, DuMont Literatur und Kunst Verlag, 2005 Covering the Real, Art and the Press Picture from Warhol to Tillmans, Kunstmuseum Basel, DuMont Literatur und Kunst Verlag, 2005","year":2006,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.01684440152049497,"score_gpt":0.23032555740309954,"score_spread":0.21348115588260458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2285472900","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08479804,0.03900654,0.0011422175,0.0070434157,0.0063182856,0.011117467,0.01814115,0.0009311258,0.8315018],"genre_scores_gemma":[0.32681492,0.017170181,0.0010439964,0.108491205,0.02367356,0.0028102922,0.005202943,0.00096311595,0.51382977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99242467,0.00089993,0.0014223475,0.0018929397,0.0011983857,0.0021617033],"domain_scores_gemma":[0.99440855,0.0012028526,0.00061861676,0.0026250337,0.00040458233,0.00074037624],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001464617,0.0016887691,0.0015142553,0.00013782435,0.0035549463,0.0041143326,0.0017728007,0.0007126864,0.0024506438],"category_scores_gemma":[0.0002136834,0.0009084892,0.00047933645,0.00009095315,0.0015419703,0.0011840711,0.0008696271,0.0019922839,0.00012415151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001175246,0.00027662556,0.00018823586,0.00017329566,0.0009314664,0.00006671745,0.082570404,0.0028510124,0.00094382156,0.04154843,0.8691275,0.00014722298],"study_design_scores_gemma":[0.0039496026,0.00012770183,0.0008107671,0.0006422938,0.0010643618,0.000024798597,0.004133849,0.0024315703,0.00050115114,0.0016796315,0.9833408,0.0012934768],"about_ca_topic_score_codex":0.024396092,"about_ca_topic_score_gemma":0.018490493,"teacher_disagreement_score":0.31767198,"about_ca_system_score_codex":0.0003884094,"about_ca_system_score_gemma":0.00036241784,"threshold_uncertainty_score":0.99958587},"labels":[],"label_agreement":null},{"id":"W2287350521","doi":"","title":"Place à la Peinture = Just Painting","year":2002,"lang":"fr","type":"book","venue":"Galerie d'art Stewart Hall, Centre culturel de Pointe-Claire eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Exhibition; Art; Visual arts; Art history; Cover (algebra); Relevance (law); Engineering; Political science","score_opus":0.030108976924257253,"score_gpt":0.2285466281573448,"score_spread":0.19843765123308754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287350521","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004231773,0.0030291323,0.00024661527,0.0035130398,0.003922759,0.0015771398,0.0020216592,0.00092660397,0.9843399],"genre_scores_gemma":[0.013141907,0.0006290606,0.00038579368,0.0045423214,0.008984462,0.000089391295,0.0014734537,0.00063397427,0.97011966],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98990107,0.001031834,0.0020458223,0.0021645685,0.0013111178,0.0035456042],"domain_scores_gemma":[0.9941436,0.0006415124,0.0012242793,0.0015963835,0.0008992919,0.0014949242],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.00089202577,0.0027711275,0.0022049092,0.0003415601,0.0034258212,0.0014323487,0.0013825061,0.002097692,0.018824263],"category_scores_gemma":[0.00033972075,0.0026951507,0.0018952357,0.00000880834,0.003502806,0.00051719026,0.00073713384,0.004032388,0.0046519423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009258057,0.00031005687,0.000057984733,0.001317559,0.00069920265,0.00087666727,0.11458655,0.00001818814,0.000033746142,0.18277623,0.6973412,0.0018900564],"study_design_scores_gemma":[0.0017445743,0.00023473361,0.00003355528,0.0033615201,0.0010929456,0.0005713521,0.0105007645,0.0005098186,0.00015053977,0.0034368336,0.97556496,0.002798388],"about_ca_topic_score_codex":0.0006780178,"about_ca_topic_score_gemma":0.010771165,"teacher_disagreement_score":0.27822378,"about_ca_system_score_codex":0.0014608147,"about_ca_system_score_gemma":0.0010452698,"threshold_uncertainty_score":0.9996043},"labels":[],"label_agreement":null},{"id":"W2290979223","doi":"","title":"Lorna Bauer, Grey is a Colour, Gray is a Color, Galerie Nicholas Robert, Montreal, 24 November 2012 to 19 January 2013","year":2013,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gray (unit); Art; Art history; Visual arts; Cartography; Geography; Medicine","score_opus":0.013230311810764478,"score_gpt":0.17813649559184538,"score_spread":0.1649061837810809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2290979223","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4008392,0.019297563,0.00030347737,0.10446348,0.001964584,0.0025050351,0.001321071,0.0006197133,0.46868587],"genre_scores_gemma":[0.09189535,0.0019262278,0.00028946972,0.019731548,0.0006019095,0.000066795306,0.00006651765,0.00008908131,0.8853331],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975594,0.00007056132,0.00033377527,0.0006167868,0.00039515473,0.0010243143],"domain_scores_gemma":[0.9978851,0.000098881246,0.00019119364,0.00067706616,0.00032863792,0.00081909524],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001183973,0.00048027988,0.0005092404,0.0002725702,0.0011945812,0.0001875913,0.0005105618,0.00020847881,0.01637989],"category_scores_gemma":[0.000020709535,0.00048844074,0.00030312937,0.000027714608,0.00026892938,0.000986077,0.0003965905,0.0003144487,0.00555206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088894965,0.00016600524,0.00018934254,0.00002763311,0.00018537947,0.00015877989,0.03688694,0.000020829248,0.00010176335,0.0071649677,0.9534428,0.0015666451],"study_design_scores_gemma":[0.0011783391,0.0002409682,0.00079274684,0.000036451907,0.00015755449,0.000053756365,0.0030477333,0.00058980944,0.00009147638,0.0027127608,0.9904971,0.0006012995],"about_ca_topic_score_codex":0.2165754,"about_ca_topic_score_gemma":0.65505546,"teacher_disagreement_score":0.43848005,"about_ca_system_score_codex":0.0017344945,"about_ca_system_score_gemma":0.00008868465,"threshold_uncertainty_score":0.99975675},"labels":[],"label_agreement":null},{"id":"W2291043982","doi":"10.1515/9780773567177-027","title":"…It’s still privileged art","year":2000,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.033976450024662166,"score_gpt":0.2047721306528773,"score_spread":0.17079568062821515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2291043982","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000018217519,0.000002274534,0.000012719012,0.00027741562,0.0005131175,0.00048091955,0.0025503456,0.00035797025,0.9958034],"genre_scores_gemma":[0.0017355619,0.00020935087,0.00002999496,0.0012667909,0.0007041449,0.0000017898441,0.00021319557,0.00012137889,0.99571776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786824,0.00005546104,0.0003437654,0.0006829928,0.00043803532,0.00061148533],"domain_scores_gemma":[0.99842405,0.00007688457,0.00026147894,0.00074047764,0.00019059081,0.00030648895],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007562504,0.00064582576,0.0006381943,0.00027609075,0.00082627544,0.00010759128,0.0005780748,0.0004089085,0.0027688267],"category_scores_gemma":[0.000004740628,0.0007198609,0.00040548676,3.9217517e-7,0.0007487655,0.0001995434,0.0003094685,0.00067689415,0.00043936254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065837085,0.00002424058,2.0470533e-7,0.00006605164,0.00021117303,0.00019992673,0.008713154,0.0000030812066,3.0191117e-7,0.90415984,0.08602823,0.0005279367],"study_design_scores_gemma":[0.00060019136,0.00009301172,9.408505e-7,0.00019149364,0.00033403095,0.0000027980295,0.00017092626,0.00000724485,0.000020685162,0.0059904456,0.99178743,0.00080077624],"about_ca_topic_score_codex":0.0012986476,"about_ca_topic_score_gemma":0.00012925634,"teacher_disagreement_score":0.9057592,"about_ca_system_score_codex":0.0002460459,"about_ca_system_score_gemma":0.000082749626,"threshold_uncertainty_score":0.99952525},"labels":[],"label_agreement":null},{"id":"W2291703586","doi":"","title":"Post Script 1 : Here You Should Read (That Something is Awry)","year":2002,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.10590625051257134,"score_gpt":0.2667174897118329,"score_spread":0.16081123919926155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2291703586","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019092167,0.006855796,0.00008900575,0.002889534,0.0051571303,0.0008681434,0.0017765195,0.0006859385,0.98148704],"genre_scores_gemma":[0.00444022,0.0008406506,0.00010492444,0.015953358,0.0074404916,0.00006381999,0.00067985937,0.0005022604,0.9699744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937819,0.0001774114,0.0012173047,0.0016146307,0.0013626186,0.0018461369],"domain_scores_gemma":[0.9959832,0.00022823266,0.0007145282,0.0018642405,0.0005426782,0.0006671135],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00052761874,0.0015538699,0.0016064506,0.0006196966,0.0017735114,0.0011351478,0.001134637,0.0010661468,0.06906101],"category_scores_gemma":[0.000077490884,0.0015405397,0.0010460803,0.000011165142,0.0012572686,0.0010430294,0.00036584947,0.0021559356,0.01575279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002957039,0.00016666733,0.0000054201173,0.00031621614,0.00034065067,0.00015201433,0.124569766,9.749075e-7,0.000011636232,0.058290455,0.8029822,0.013134415],"study_design_scores_gemma":[0.00074489065,0.00025881908,0.000022211456,0.0006754598,0.00042351862,0.000042176063,0.0028984759,0.00007965498,0.000032672604,0.025701795,0.9673748,0.0017455188],"about_ca_topic_score_codex":0.0011600399,"about_ca_topic_score_gemma":0.0056559336,"teacher_disagreement_score":0.16439259,"about_ca_system_score_codex":0.00048134252,"about_ca_system_score_gemma":0.0004784961,"threshold_uncertainty_score":0.9999018},"labels":[],"label_agreement":null},{"id":"W2291761705","doi":"","title":"Atlas Sighed: The 2014 Calgary Biennial","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Atlas (anatomy); Citizen journalism; Cartography; Public space; Geography; Art history; History; Visual arts; Political science; Art; Engineering; Architectural engineering; Biology; Law","score_opus":0.02423438954579146,"score_gpt":0.22465600153016949,"score_spread":0.20042161198437802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2291761705","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013120568,0.002258358,0.0002797293,0.0014764172,0.0056695268,0.0008521613,0.00037898033,0.00039575217,0.9885579],"genre_scores_gemma":[0.0044285967,0.00027902838,0.000031493157,0.005908408,0.017020369,0.00009250124,0.0005876879,0.00029956936,0.97135234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99535495,0.00026402474,0.0010161909,0.0010839499,0.00091045146,0.0013704145],"domain_scores_gemma":[0.99645954,0.0005054642,0.00057036715,0.001723786,0.000305388,0.00043544135],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00063469005,0.001123134,0.0011328086,0.0002532998,0.0017476646,0.00064767414,0.0012081988,0.00060745934,0.021092199],"category_scores_gemma":[0.0000534345,0.00083167077,0.0008040041,0.000005215067,0.0019703244,0.00032936857,0.0003386371,0.0013950467,0.028628701],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023321456,0.000061002604,0.0000017204037,0.00008928502,0.00015208012,0.00002680462,0.02287094,0.0000027317526,0.000004231284,0.23260915,0.740028,0.004130692],"study_design_scores_gemma":[0.0006288316,0.00023225385,0.00003720738,0.00017996946,0.00031528928,0.000022617944,0.00021214664,0.00019458139,0.0000083520235,0.05025081,0.9468623,0.0010556544],"about_ca_topic_score_codex":0.00080861384,"about_ca_topic_score_gemma":0.013207876,"teacher_disagreement_score":0.20683426,"about_ca_system_score_codex":0.00022864036,"about_ca_system_score_gemma":0.00058574136,"threshold_uncertainty_score":0.99955195},"labels":[],"label_agreement":null},{"id":"W2292042876","doi":"","title":"Suzy Lake, University of Toronto Art Centre, April 30 to June 25, 2011","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Meteorology","score_opus":0.01319918420542371,"score_gpt":0.1602464415097898,"score_spread":0.1470472573043661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2292042876","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12343085,0.009190331,0.00053005875,0.008229295,0.0014541141,0.0004716648,0.00064365397,0.0002638935,0.85578614],"genre_scores_gemma":[0.3286145,0.0007447396,0.00016420466,0.00031179507,0.00034526925,2.4403087e-7,0.000041632495,0.000021548844,0.66975605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989739,0.00003967883,0.00010967101,0.00018621261,0.0001804022,0.000510121],"domain_scores_gemma":[0.9991179,0.000032560354,0.00009078417,0.0003017319,0.00010600132,0.00035099493],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000972174,0.0001655387,0.00023234934,0.000052780175,0.00047164792,0.0000101935575,0.0002357709,0.00007193486,0.013003027],"category_scores_gemma":[0.0000063774937,0.0001928277,0.00013171592,0.0000038608227,0.00014051674,0.00039345352,0.00021020675,0.00007573301,0.0014177467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006615629,0.00014480206,0.0005156691,0.00002354442,0.00009423585,0.000056616867,0.071205914,0.0000070967844,0.000079236066,0.15983884,0.7660504,0.0019174787],"study_design_scores_gemma":[0.00047185805,0.000041730487,0.0009721071,0.000013545239,0.00009282847,0.0000055202227,0.00800734,0.000023876515,0.000068956746,0.00018622565,0.989896,0.00021998725],"about_ca_topic_score_codex":0.036431957,"about_ca_topic_score_gemma":0.8865433,"teacher_disagreement_score":0.85011137,"about_ca_system_score_codex":0.0013519156,"about_ca_system_score_gemma":0.000026182943,"threshold_uncertainty_score":0.9993598},"labels":[],"label_agreement":null},{"id":"W2296815360","doi":"","title":"Le trou à l’intérieur de l’espace à l’intérieur du trou du cul de Yves Klein . [William Pope. L, performance installation. Galerie VAV, Université Concordia, Montréal]","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"INT; Art; Humanities; Computer science","score_opus":0.006152129555457264,"score_gpt":0.1536146517870606,"score_spread":0.14746252223160333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2296815360","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71269256,0.03308709,0.0007452182,0.03951603,0.0007243322,0.00060983293,0.0007332854,0.00039508368,0.21149658],"genre_scores_gemma":[0.5385524,0.04697774,0.00022952014,0.0010696029,0.0010718581,0.0000072405996,0.00008093621,0.000111082896,0.4118996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959946,0.00032294358,0.00053558295,0.00081930717,0.000503389,0.001824143],"domain_scores_gemma":[0.99747664,0.00018696096,0.00037273904,0.0007485627,0.00032039604,0.000894732],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003545412,0.00082035747,0.0008009794,0.0003162482,0.004024767,0.00024116276,0.0007749931,0.0004888092,0.003715712],"category_scores_gemma":[0.000043431264,0.0010268366,0.00053604966,0.00006599241,0.001108889,0.0015086486,0.00034094852,0.0006784757,0.0005108845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016144618,0.0008567663,0.00985764,0.00043032542,0.0010435809,0.0044454834,0.118673295,0.012572213,0.00029683817,0.35950482,0.46273053,0.027974056],"study_design_scores_gemma":[0.003313935,0.00047397515,0.0062220283,0.00014491368,0.000484041,0.0005177997,0.011990628,0.010932028,0.00023620411,0.0006723427,0.9639216,0.0010904686],"about_ca_topic_score_codex":0.1052397,"about_ca_topic_score_gemma":0.3268662,"teacher_disagreement_score":0.5011911,"about_ca_system_score_codex":0.006289015,"about_ca_system_score_gemma":0.000634296,"threshold_uncertainty_score":0.9992182},"labels":[],"label_agreement":null},{"id":"W2297419024","doi":"10.14288/1.0092614","title":"The aesthetics of trespass : the art and practice of urban exploration in the postmodern metropolis","year":2010,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Trespass; Postmodernism; Aesthetics; Art; Sociology; Political science; Law; Literature","score_opus":0.0213390686899421,"score_gpt":0.2040498447845955,"score_spread":0.18271077609465342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297419024","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96566015,0.00018593538,0.00007956648,0.0037414236,0.00014500953,0.00024069681,0.000120641824,0.0000095095875,0.029817058],"genre_scores_gemma":[0.99734485,0.00021908143,0.00004463587,0.0001312538,0.000054912718,5.7131246e-7,0.0000055779597,0.0000061972655,0.0021929217],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992986,0.0001407223,0.00012480938,0.00010679786,0.00020018817,0.00012888722],"domain_scores_gemma":[0.99897075,0.00035389073,0.00018046795,0.00025929642,0.00021070993,0.000024872581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045108606,0.000032096963,0.00012397565,0.0000218057,0.0004120684,0.00010568344,0.00028319453,0.000038906805,0.000028889965],"category_scores_gemma":[0.00011331226,0.0000503233,0.000054951,0.000010112756,0.001303538,0.00034567327,0.00005954547,0.0001564595,0.0000019810661],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001217561,0.00069859694,0.003477708,0.00011791343,0.00015114956,0.0000396736,0.6369799,0.000008163231,0.000310019,0.027912734,0.052435704,0.2777467],"study_design_scores_gemma":[0.0009960288,0.00029965458,0.22527814,0.00006200314,0.00017802614,0.000057376703,0.24324988,0.00047311693,0.0000055609535,0.0132212965,0.5159779,0.000200969],"about_ca_topic_score_codex":0.082983345,"about_ca_topic_score_gemma":0.84468925,"teacher_disagreement_score":0.76170594,"about_ca_system_score_codex":0.000008948426,"about_ca_system_score_gemma":0.000039695522,"threshold_uncertainty_score":0.9231231},"labels":[],"label_agreement":null},{"id":"W2297504607","doi":"","title":"Tonia Di Risio, Parts and Labour, Toronto, Red Head Gallery","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Head (geology); Art; Geology; Geomorphology","score_opus":0.013904299541909268,"score_gpt":0.1802393448911625,"score_spread":0.16633504534925322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297504607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66989726,0.020030083,0.00030161854,0.034941316,0.000871794,0.00038176746,0.0003960883,0.0004281328,0.27275196],"genre_scores_gemma":[0.67678994,0.0032303943,0.000037552985,0.00041673143,0.00033507208,0.0000028430995,0.0000065064874,0.00002193148,0.31915903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901843,0.000039147708,0.0001248339,0.0002601447,0.0001483999,0.0004090601],"domain_scores_gemma":[0.99931806,0.00006386973,0.000072625575,0.0002670084,0.000067954206,0.00021047906],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008048036,0.0001725674,0.0002000277,0.000040730294,0.0006525108,0.000036131052,0.0001377514,0.00007141116,0.0017624884],"category_scores_gemma":[0.00001347437,0.00013945419,0.00007734803,0.0000022843988,0.00020733719,0.00035821248,0.00015285039,0.000057783753,0.00009169372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002140814,0.00013080641,0.0015922755,0.00004815945,0.00020988517,0.00059643725,0.04047422,0.0000029498217,0.000737059,0.4839266,0.4246107,0.04745684],"study_design_scores_gemma":[0.0008161028,0.00008763239,0.002753472,0.000036742662,0.00003875143,0.000028792227,0.001349811,0.000026612182,0.0000649134,0.0031727625,0.99140173,0.0002226609],"about_ca_topic_score_codex":0.022216922,"about_ca_topic_score_gemma":0.7167897,"teacher_disagreement_score":0.6945728,"about_ca_system_score_codex":0.0013206184,"about_ca_system_score_gemma":0.000022763683,"threshold_uncertainty_score":0.99915004},"labels":[],"label_agreement":null},{"id":"W2300256321","doi":"","title":"Kent Monkman - Montcalm’s Haircut","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04536548102012563,"score_gpt":0.2201269036266813,"score_spread":0.17476142260655567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2300256321","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032650184,0.000065245804,0.00020492748,0.0016768359,0.00042822515,0.00016924978,0.000009052864,0.00019070767,0.96460557],"genre_scores_gemma":[0.6198836,0.000007261365,0.00005500364,0.0019023372,0.0004911213,0.000019372565,0.000006206146,0.0000111687905,0.37762392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931914,0.000011413358,0.00014835416,0.00013541807,0.000113227405,0.00027246325],"domain_scores_gemma":[0.99959147,0.000016017857,0.000025074767,0.00019274317,0.00006571561,0.00010898263],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000030133431,0.000103825434,0.00010589446,0.000035691228,0.00020901949,0.0001629855,0.000104873776,0.000026716552,0.022825373],"category_scores_gemma":[0.000005743093,0.00007854305,0.00006332171,4.6190414e-7,0.00014899462,0.00023811281,0.000039112314,0.00006445278,0.0036123835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.798357e-7,0.000065533735,0.00015224959,0.000009245219,0.000020835394,0.00000205364,0.04672594,0.0000017069792,0.000025624351,0.5570546,0.39362493,0.0023163296],"study_design_scores_gemma":[0.0001305079,0.000038985563,0.0005268154,0.000004384343,0.000008311804,0.0000010739318,0.0022173757,0.00067023525,0.00012463711,0.030809108,0.96531737,0.00015121518],"about_ca_topic_score_codex":0.011199751,"about_ca_topic_score_gemma":0.009501166,"teacher_disagreement_score":0.5872334,"about_ca_system_score_codex":0.000018947592,"about_ca_system_score_gemma":0.000013238546,"threshold_uncertainty_score":0.9971634},"labels":[],"label_agreement":null},{"id":"W2302656370","doi":"","title":"Jennifer Long, Doubt, La Centrale Galerie Powerhouse, Montreal, 20 January-26 February 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Geography","score_opus":0.007194715722232622,"score_gpt":0.16387203133754474,"score_spread":0.15667731561531212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302656370","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09248654,0.21989831,0.00045211334,0.02515179,0.0020732172,0.00070866913,0.0023246286,0.0006478781,0.65625685],"genre_scores_gemma":[0.13600247,0.011790913,0.00012217608,0.00085981004,0.0022607343,0.000008461758,0.00026902434,0.00016801243,0.84851843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650663,0.00021966625,0.00047716332,0.0007229888,0.00046708182,0.0016064794],"domain_scores_gemma":[0.99813336,0.00015858984,0.0002917418,0.00069993763,0.000188324,0.00052805303],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019872902,0.00069309474,0.00062287424,0.00026495563,0.001829978,0.00021299599,0.00050268765,0.00047098566,0.0035158303],"category_scores_gemma":[0.000010562701,0.0008235388,0.0005077212,0.000026066431,0.0010197903,0.00069335697,0.00031299106,0.0005335499,0.0011743363],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014397572,0.0005618547,0.0022043362,0.00011355666,0.00021958814,0.005213786,0.0060597914,0.00034582673,0.00003412665,0.121084355,0.8614115,0.0026072755],"study_design_scores_gemma":[0.0018838776,0.00016748474,0.015152293,0.00012797362,0.00046008974,0.0003681575,0.0015338452,0.00039419575,0.00009371061,0.00523606,0.9736886,0.00089370436],"about_ca_topic_score_codex":0.42899248,"about_ca_topic_score_gemma":0.85741335,"teacher_disagreement_score":0.42842087,"about_ca_system_score_codex":0.0034436388,"about_ca_system_score_gemma":0.00016019105,"threshold_uncertainty_score":0.9996034},"labels":[],"label_agreement":null},{"id":"W2304024564","doi":"","title":"Lynda Osbourne: Ornamenta","year":2009,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02505333588138345,"score_gpt":0.24892491978623815,"score_spread":0.2238715839048547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304024564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023576543,0.00079072925,0.00023576002,0.03143832,0.0017475656,0.00030222777,0.000081491584,0.00039805408,0.9414293],"genre_scores_gemma":[0.7090092,0.000019616584,0.00009220833,0.006796307,0.0014119033,0.0000027121864,0.000018742445,0.000014500901,0.28263482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908733,0.000027032836,0.00012881884,0.00020266432,0.00019601274,0.00035811198],"domain_scores_gemma":[0.999478,0.000010875775,0.000053257256,0.0002700157,0.000058120473,0.00012974822],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007740578,0.00016793504,0.00016144828,0.00005325936,0.00034194047,0.00018975545,0.00016733327,0.00006363426,0.00232625],"category_scores_gemma":[0.0000169352,0.00013545815,0.00011113938,0.0000024227284,0.00012050436,0.00018954682,0.00002358615,0.00020106448,0.00040809868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018727986,0.0001039219,0.00008493659,0.000012586826,0.000036187153,0.000023973847,0.22419044,0.000011676257,0.000101643396,0.52472657,0.24805185,0.0026374932],"study_design_scores_gemma":[0.0002829259,0.00008271397,0.00055511703,0.000018920779,0.000022283768,0.000005217509,0.0029756397,0.000029924124,0.000115689174,0.007517089,0.98819554,0.00019895838],"about_ca_topic_score_codex":0.0001217854,"about_ca_topic_score_gemma":0.002540964,"teacher_disagreement_score":0.74014366,"about_ca_system_score_codex":0.000049769795,"about_ca_system_score_gemma":0.00003982847,"threshold_uncertainty_score":0.99858576},"labels":[],"label_agreement":null},{"id":"W2306022629","doi":"","title":"Antonia Hirsch, Negative Space, Toronto, Gallery TPW","year":2016,"lang":"es","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Space (punctuation); Computer science; Operating system","score_opus":0.01025307167720218,"score_gpt":0.17709163860293597,"score_spread":0.1668385669257338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2306022629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21154203,0.048640706,0.000579192,0.05516949,0.002005674,0.00085990684,0.0018570885,0.0005696013,0.6787763],"genre_scores_gemma":[0.482832,0.01632672,0.000109897665,0.0005884408,0.0010211729,0.0000049386094,0.000015073096,0.000067477056,0.49903426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767226,0.00012735536,0.00028051148,0.00056951493,0.00037160126,0.0009787601],"domain_scores_gemma":[0.99825346,0.00022836293,0.0002685376,0.00059056305,0.00021575177,0.00044330626],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013901477,0.0004892342,0.0005069785,0.00012190045,0.0014676469,0.0001395847,0.00041946917,0.00024312045,0.005408419],"category_scores_gemma":[0.000041598818,0.0004151618,0.0003298148,0.0000063017596,0.00062459975,0.0007980924,0.0003867392,0.000174399,0.0009504714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026751476,0.00018903363,0.0006271465,0.00007533312,0.00051514845,0.0008668689,0.039295148,0.000003273053,0.0007449659,0.5582945,0.3839657,0.015155366],"study_design_scores_gemma":[0.0016558637,0.00024366136,0.0017051541,0.00020865144,0.00023635475,0.000051171304,0.005130981,0.00007328734,0.00033875823,0.0030766155,0.98664266,0.00063683704],"about_ca_topic_score_codex":0.05788896,"about_ca_topic_score_gemma":0.6176931,"teacher_disagreement_score":0.6026769,"about_ca_system_score_codex":0.0075682392,"about_ca_system_score_gemma":0.00012284298,"threshold_uncertainty_score":0.99983233},"labels":[],"label_agreement":null},{"id":"W2307811503","doi":"10.14288/1.0054897","title":"Freezing \"The perfect moment\"","year":2009,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Moment (physics); Computer science; Mathematics; Physics","score_opus":0.01879458170694604,"score_gpt":0.17872279831428498,"score_spread":0.15992821660733894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2307811503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87867147,0.00019073703,0.00017330072,0.00069042336,0.00021907364,0.00014997234,0.00012290584,0.00008527582,0.11969687],"genre_scores_gemma":[0.9641312,0.00004797017,0.000029755454,0.000416317,0.00019183318,1.4292154e-7,0.0000103389375,0.0000070662227,0.035165425],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9993066,0.000031979198,0.00008121551,0.00018174548,0.00016021763,0.00023822625],"domain_scores_gemma":[0.99953943,0.000024095982,0.000064979446,0.00020857232,0.00009286583,0.00007006328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000107863,0.00003563822,0.00014771023,0.000022763124,0.0007350446,0.00017527734,0.0002605832,0.000036097445,0.0006867948],"category_scores_gemma":[0.0000072124217,0.00010259105,0.000116948875,0.000004615927,0.0004236246,0.00024845998,0.000045836452,0.00010580042,0.000050405364],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010188821,0.0002687913,0.0013299917,0.00005109931,0.000092131406,0.0001359934,0.074295394,0.000007875243,0.00012955078,0.0019163659,0.12132278,0.80043983],"study_design_scores_gemma":[0.00091462577,0.00023281391,0.65132934,0.000106780535,0.00009010845,0.000031354695,0.015763093,0.00022768174,0.0000015405501,0.0077887815,0.32318133,0.00033253952],"about_ca_topic_score_codex":0.123326756,"about_ca_topic_score_gemma":0.6659057,"teacher_disagreement_score":0.8001073,"about_ca_system_score_codex":0.000038766106,"about_ca_system_score_gemma":0.00003357109,"threshold_uncertainty_score":0.8825111},"labels":[],"label_agreement":null},{"id":"W2312990886","doi":"10.1386/csfb.5.2.295_1","title":"Bernhard Willhelm: The contemporary and sartorial remembrance","year":2014,"lang":"en","type":"article","venue":"Critical Studies in Fashion and Beauty","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Articulation (sociology); German; Reading (process); Narrative; Politics; Art; Literature; Art history; Aesthetics; Sociology; Philosophy; Linguistics; Law","score_opus":0.15992610459775713,"score_gpt":0.34674917479169437,"score_spread":0.18682307019393724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312990886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60146755,0.0123672355,0.00018395435,0.030888634,0.008798277,0.0005894374,0.00008048605,0.00018819382,0.34543622],"genre_scores_gemma":[0.9932392,0.00046147252,0.0000148548725,0.0026603162,0.0017427775,0.000014999445,0.000002028631,0.0000087693525,0.0018555537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991103,0.000093566596,0.00020732293,0.00020748423,0.0001271975,0.0002541192],"domain_scores_gemma":[0.9991658,0.00054690155,0.000020902555,0.00012026981,0.000070240916,0.00007590991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035493542,0.00012732943,0.00022935338,0.000021297883,0.00052622636,0.00008553512,0.00007056842,0.00003991229,0.000031740903],"category_scores_gemma":[0.00060453825,0.00008137881,0.00003083029,0.0000023455723,0.0021022663,0.00012660628,0.000117659765,0.00015625908,0.000009272359],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024675284,0.000045208588,0.0015032134,0.00010646059,0.00002570449,0.0000047229023,0.051163767,1.0818122e-7,0.0000149661355,0.92835027,0.0164621,0.0022987968],"study_design_scores_gemma":[0.00067271705,0.00013828828,0.0016817088,0.00008543471,0.000025857105,0.0000038836615,0.015425708,0.0001087223,0.000017544546,0.042340696,0.9392848,0.00021466531],"about_ca_topic_score_codex":0.00006738726,"about_ca_topic_score_gemma":0.0016305259,"teacher_disagreement_score":0.92282265,"about_ca_system_score_codex":0.000015816375,"about_ca_system_score_gemma":0.0000105575555,"threshold_uncertainty_score":0.77458876},"labels":[],"label_agreement":null},{"id":"W2314114291","doi":"10.17742/image.tgvc.5-2.8","title":"SHOOTING HISTORY: AN INTERVIEW WITH SWISS ARTIST CHRISTOPH DRAEGER ABOUT THE REENACTMENT OF TERRORISM IN HIS VIDEO INSTALLATION BLACK SEPTEMBER (2002)","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Terrorism; Media studies; Art; Visual arts; History; Sociology; Archaeology","score_opus":0.0806830782105003,"score_gpt":0.3621141099011077,"score_spread":0.2814310316906074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314114291","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58496064,0.011926015,0.0014346177,0.013725902,0.001521176,0.0006560046,0.000057150308,0.00006542138,0.3856531],"genre_scores_gemma":[0.98839325,0.00013952774,0.0004782842,0.00040247547,0.00046574496,0.000009248217,0.0000062527165,0.000020037043,0.010085195],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983571,0.00015071926,0.00074787595,0.00016260795,0.00033208553,0.00024958997],"domain_scores_gemma":[0.99477816,0.00009394733,0.00072029175,0.00019422897,0.0041534957,0.000059897306],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00064179744,0.00021622062,0.0004065132,0.00013513264,0.0003603914,0.00043830334,0.0002175592,0.000024839603,0.00022544539],"category_scores_gemma":[0.00027544363,0.00012504688,0.00012967683,0.000012145638,0.004229409,0.0044931523,0.000061201936,0.00025985067,0.000014778746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115180526,0.00060267834,0.004553011,0.0004461015,0.00069738633,0.000040965308,0.8288564,0.00036712876,0.0014514202,0.08338897,0.069790825,0.0096899215],"study_design_scores_gemma":[0.0016112082,0.00041780615,0.024667045,0.000550834,0.00021219587,0.00005490119,0.021817144,0.00058882806,0.0003579052,0.0060136565,0.94332266,0.00038583405],"about_ca_topic_score_codex":0.00017908847,"about_ca_topic_score_gemma":0.0036444631,"teacher_disagreement_score":0.8735318,"about_ca_system_score_codex":0.000384696,"about_ca_system_score_gemma":0.00005685765,"threshold_uncertainty_score":0.9984805},"labels":[],"label_agreement":null},{"id":"W2314360686","doi":"","title":"Gerhard Richter and Antoni Tàpies: Matter and Identity","year":2012,"lang":"en","type":"other","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Painting; Identity (music); Representation (politics); Similarity (geometry); Art; Layering; Collective memory; Aesthetics; Visual arts; Art history; Computer science; Artificial intelligence; Philosophy; Image (mathematics); Law","score_opus":0.0861231958783763,"score_gpt":0.2994357449401997,"score_spread":0.2133125490618234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314360686","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022063062,0.00039026476,0.000038616967,0.0003189631,0.00038954915,0.0006395516,0.00020402092,0.00009702487,0.9957157],"genre_scores_gemma":[0.0149293775,0.0007717218,0.000074300806,0.00012219531,0.00058295135,4.3333662e-7,0.000034111476,0.00013486396,0.98335004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729466,0.00050337776,0.00015226244,0.0007234329,0.0005230283,0.0008032101],"domain_scores_gemma":[0.99842507,0.000084580985,0.00017172401,0.0005838189,0.00021985208,0.00051497],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00041178806,0.00037299743,0.0005007205,0.00090692885,0.0017982146,0.0007581589,0.0010615035,0.0003556639,0.00036069634],"category_scores_gemma":[0.000009231935,0.00042044494,0.00010806169,0.000029343468,0.0023112718,0.0016444592,0.001334918,0.000732703,0.00028789203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007399183,0.00007924671,0.002030185,0.00013285305,0.0002291973,0.00030235972,0.009719815,4.7425715e-8,0.000013441784,0.818368,0.16892938,0.000121487865],"study_design_scores_gemma":[0.0007810111,0.000081634134,0.0009412878,0.00017358089,0.00016828696,0.000019299527,0.005690778,0.00000524896,0.000007758475,0.00018125793,0.9914717,0.0004781262],"about_ca_topic_score_codex":0.020989282,"about_ca_topic_score_gemma":0.013064264,"teacher_disagreement_score":0.82254237,"about_ca_system_score_codex":0.00031969522,"about_ca_system_score_gemma":0.00020917832,"threshold_uncertainty_score":0.99982476},"labels":[],"label_agreement":null},{"id":"W2315491529","doi":"10.1386/ffc.1.3.289_1","title":"Bill Cunningham New York and the political potentiality of the fashion documentary","year":2012,"lang":"en","type":"article","venue":"Film Fashion & Consumption","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Elitism; Politics; Modernity; Value (mathematics); Democracy; Sociology; Charge (physics); Aesthetics; Film theory; Art; Literature; Visual arts; Law; Political science; Movie theater; Computer science","score_opus":0.07074132029327983,"score_gpt":0.26806312478140726,"score_spread":0.19732180448812742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315491529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9738455,0.00049522583,0.0004133643,0.006838639,0.0020128915,0.00053079374,0.00009884836,0.00007620738,0.015688526],"genre_scores_gemma":[0.98762757,0.00003593992,0.00003309475,0.0016246823,0.00088771654,0.000009392188,0.000028253437,0.000013433581,0.009739908],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872255,0.00019971946,0.000299477,0.00015030708,0.00024394071,0.0003839872],"domain_scores_gemma":[0.9992424,0.000133654,0.00013671232,0.00029641076,0.000047281854,0.00014349271],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003195076,0.00014566498,0.000181449,0.000038081165,0.0004209653,0.0000817948,0.00014788016,0.00006462833,0.0009932056],"category_scores_gemma":[0.0000500897,0.000075909906,0.00012398695,0.0000038864086,0.00089936244,0.00026278629,0.000104205305,0.00017507898,0.00007322921],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049114373,0.00007294943,0.03472795,0.000048001268,0.000049830953,1.9361894e-7,0.03951346,0.0000012882562,0.00011622752,0.910573,0.01390691,0.0009410387],"study_design_scores_gemma":[0.006386376,0.00015583249,0.30235338,0.00025752434,0.00089718343,0.000055405148,0.030644204,0.0004788986,0.0009803156,0.04020118,0.61662877,0.0009608965],"about_ca_topic_score_codex":0.002008907,"about_ca_topic_score_gemma":0.0013311188,"teacher_disagreement_score":0.8703719,"about_ca_system_score_codex":0.00004041423,"about_ca_system_score_gemma":0.000037284113,"threshold_uncertainty_score":0.99992},"labels":[],"label_agreement":null},{"id":"W2317367972","doi":"10.5840/symposium200610236","title":"Artistic Truth","year":2006,"lang":"en","type":"article","venue":"Symposium","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epistemology; Philosophy","score_opus":0.02101331732013919,"score_gpt":0.21950266198165325,"score_spread":0.19848934466151405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317367972","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010203174,0.00007191507,0.00020178608,0.00062829244,0.0010782433,0.00006882017,0.00005665431,0.00013404209,0.98755705],"genre_scores_gemma":[0.8046389,0.0000029771754,0.000024436427,0.00032099357,0.0019434957,0.0000069480293,0.000028453127,0.00001479521,0.19301896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993591,0.0000142080235,0.00014308013,0.00013255164,0.00010110029,0.00025000746],"domain_scores_gemma":[0.99970156,0.00003222241,0.00003293734,0.00015206564,0.000036739948,0.000044493267],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000040429615,0.0000937283,0.00009754403,0.00003673446,0.00021133634,0.0000968681,0.00007702291,0.000024230676,0.0011952894],"category_scores_gemma":[0.000005211413,0.000082988816,0.00005250431,7.8342765e-7,0.00016830889,0.00008533898,0.000018950392,0.000055517776,0.00077663525],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032840128,0.00004769023,0.00008485957,0.000012822686,0.000006922415,0.0000070504816,0.0083578015,0.000010197862,0.0001990453,0.9506672,0.040523242,0.00007987821],"study_design_scores_gemma":[0.00017646074,0.000035556244,0.00022505195,0.0000068985505,0.00002107114,0.0000028748948,0.00023931389,0.00012605649,0.00038375275,0.052526597,0.94611055,0.00014581998],"about_ca_topic_score_codex":0.0011693854,"about_ca_topic_score_gemma":0.0026960461,"teacher_disagreement_score":0.9055873,"about_ca_system_score_codex":0.000021725535,"about_ca_system_score_gemma":0.000020110265,"threshold_uncertainty_score":0.9997178},"labels":[],"label_agreement":null},{"id":"W2319453609","doi":"10.1386/cc.1.2.171_1","title":"Clothing the lived fat body","year":2014,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Clothing; Relation (database); Lived experience; Aesthetics; Psychology; Art; Geography; Computer science; Psychoanalysis; Archaeology","score_opus":0.04566259285564063,"score_gpt":0.27379010789512964,"score_spread":0.22812751503948903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319453609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06419069,0.0010938512,0.0011371732,0.005889432,0.0031238452,0.00038507258,0.00002489441,0.0007350582,0.92342],"genre_scores_gemma":[0.9227948,0.000021921194,0.00008033476,0.0070410157,0.004003486,0.000012502046,0.00001341382,0.000030954106,0.06600154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989271,0.00009771312,0.00020564016,0.00021762721,0.0002024811,0.00034941942],"domain_scores_gemma":[0.99931014,0.00013220131,0.00008963603,0.00031016438,0.00008172042,0.00007614865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002554919,0.00017913591,0.00016632485,0.000028152093,0.0012761282,0.00048271753,0.0003279229,0.00006191083,0.00036714322],"category_scores_gemma":[0.00014761528,0.00010564848,0.00011882486,0.0000018602218,0.00035748593,0.00020292692,0.0000769564,0.00027715857,0.00021267185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041811286,0.000024303814,0.000036046422,0.00002067868,0.000032617398,0.0000015272426,0.4502066,0.000018445719,0.00033921222,0.47464356,0.074059136,0.0006136871],"study_design_scores_gemma":[0.00016202459,0.000035178284,0.0001324898,0.000035102366,0.00003322612,0.0000029970945,0.0070895357,0.0005205029,0.00037865978,0.019115428,0.97230685,0.00018801918],"about_ca_topic_score_codex":0.0011179735,"about_ca_topic_score_gemma":0.0016340609,"teacher_disagreement_score":0.8982477,"about_ca_system_score_codex":0.000024164145,"about_ca_system_score_gemma":0.000012660311,"threshold_uncertainty_score":0.9815076},"labels":[],"label_agreement":null},{"id":"W2321009697","doi":"10.17742/image.stealimage.3-1.11","title":"(E)MERGING DISCOURSES: ARCHITECTURE AND CULTURAL STUDIES","year":2012,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architecture; Sociology; Computer science; History; Archaeology","score_opus":0.07971935416723316,"score_gpt":0.43007079387746927,"score_spread":0.3503514397102361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321009697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.709452,0.1513607,0.00022003232,0.023558173,0.0046299812,0.00035245685,0.00017734485,0.00011991496,0.11012944],"genre_scores_gemma":[0.98318326,0.0025996156,0.0014727415,0.00031471864,0.0026572957,0.000009047231,0.000005215415,0.000020239653,0.009737863],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984503,0.00006344677,0.0005395538,0.0001462158,0.00032107544,0.00047942155],"domain_scores_gemma":[0.9923477,0.00016693337,0.0003839684,0.00011306568,0.0068487264,0.00013956735],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00031918567,0.0002930317,0.00048136228,0.00014583765,0.0013792039,0.0014953178,0.00016924109,0.000024718945,0.00004772571],"category_scores_gemma":[0.0011135533,0.00017431912,0.00018697606,0.000010321771,0.008879881,0.011533971,0.00014817642,0.0003197237,0.000012122534],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024639718,0.00013085979,0.0026683665,0.00016585962,0.0012628544,0.000022663628,0.76980346,0.000012042974,0.0010042338,0.19831184,0.02293131,0.0036618712],"study_design_scores_gemma":[0.0013632841,0.00016259981,0.0045167934,0.00029159823,0.00056736387,0.00053523324,0.28330025,0.000010419234,0.0010820935,0.043579567,0.66393805,0.0006527583],"about_ca_topic_score_codex":0.000027346792,"about_ca_topic_score_gemma":0.00015651456,"teacher_disagreement_score":0.6410067,"about_ca_system_score_codex":0.000099229655,"about_ca_system_score_gemma":0.000025275034,"threshold_uncertainty_score":0.99992085},"labels":[],"label_agreement":null},{"id":"W2321852785","doi":"10.1386/sfs.5.2.149_1","title":"Mimicking and mocking the aesthetics and philosophy of abstraction: The Perfect Human","year":2015,"lang":"en","type":"article","venue":"Short Film Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Abstraction; Perfection; Aesthetics; Class (philosophy); Epistemology; Philosophy; Psychology","score_opus":0.2216673660360256,"score_gpt":0.3312947661125977,"score_spread":0.10962740007657212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321852785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86842215,0.010793276,0.0000033215454,0.002795095,0.00042479276,0.00020666364,0.000017031982,0.000036846264,0.11730084],"genre_scores_gemma":[0.9974626,0.00046514368,0.0000062460254,0.00024192299,0.00047820335,0.000008859646,0.0000014055954,0.00001003961,0.0013256052],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944884,0.000029689749,0.00015308993,0.00011071907,0.0001252479,0.00013242273],"domain_scores_gemma":[0.9995907,0.00008170556,0.000050198352,0.0001380059,0.000112085974,0.000027333026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023221644,0.00010510649,0.00015342623,0.000022060965,0.00091441965,0.000055590142,0.00006895903,0.000017747087,0.00000850624],"category_scores_gemma":[0.000026895405,0.00005648051,0.000032792574,0.000001825745,0.0010316311,0.000074142044,0.00009861218,0.00010475878,0.0000012380218],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010661644,0.000037541184,0.005369402,0.000086176304,0.00027880157,0.000003940605,0.8050056,0.000026943118,0.000028412354,0.17912458,0.007920472,0.0021074652],"study_design_scores_gemma":[0.00050517905,0.00048302652,0.006152453,0.00019297788,0.00043881347,0.000049013284,0.2724988,0.00027176796,0.00035499237,0.16700292,0.55155164,0.0004984518],"about_ca_topic_score_codex":0.00015118922,"about_ca_topic_score_gemma":0.0013931937,"teacher_disagreement_score":0.54363114,"about_ca_system_score_codex":0.000010715713,"about_ca_system_score_gemma":0.000010113493,"threshold_uncertainty_score":0.7033069},"labels":[],"label_agreement":null},{"id":"W2324225667","doi":"10.5840/chesterton2006321/258","title":"Barrie as an Artist","year":2006,"lang":"en","type":"article","venue":"The Chesterton Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Aesthetics","score_opus":0.05089511325128286,"score_gpt":0.280649237805101,"score_spread":0.2297541245538181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324225667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010874329,0.078354426,0.000019668809,0.010211868,0.00044094215,0.0005837193,0.00002956452,0.0001837636,0.8993017],"genre_scores_gemma":[0.6660431,0.014561476,0.000023326704,0.04162206,0.0029573487,0.0000841987,0.00009558834,0.000061903185,0.274551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999195,0.00007651178,0.00024118721,0.0001426984,0.00012305134,0.00022159732],"domain_scores_gemma":[0.9993868,0.000030173154,0.000073261464,0.00040744335,0.000042039726,0.00006027833],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020867065,0.0001300885,0.00020541828,0.000011569617,0.0002727676,0.00009786522,0.00021502622,0.000018790737,0.0024732621],"category_scores_gemma":[0.000013975868,0.00007836119,0.000093447845,0.0000017514033,0.00023115057,0.00014675506,0.0000314935,0.0000856779,0.0010287508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055116484,0.00012533358,0.000047236386,0.0014552973,0.000026943255,0.000015605317,0.01858148,6.159343e-7,0.00002827706,0.8421746,0.123594075,0.013945009],"study_design_scores_gemma":[0.00006266876,0.000032868105,0.000084454274,0.00039601623,0.00006002859,0.000010124138,0.00009665313,0.0000063275343,0.00006911009,0.016380452,0.98267907,0.00012222565],"about_ca_topic_score_codex":0.0008177383,"about_ca_topic_score_gemma":0.00324781,"teacher_disagreement_score":0.85908496,"about_ca_system_score_codex":0.000015746253,"about_ca_system_score_gemma":0.000025051855,"threshold_uncertainty_score":0.99974906},"labels":[],"label_agreement":null},{"id":"W2328878762","doi":"10.1386/public.25.50.189_5","title":"Coming to Terms, Justina M. Barnicke Gallery, Toronto","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sociology; Media studies","score_opus":0.05854380319881641,"score_gpt":0.25557258040642694,"score_spread":0.19702877720761053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328878762","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013990563,0.000066900626,0.0004754546,0.0046832166,0.000922682,0.00013719952,0.000024134115,0.00019139439,0.97950846],"genre_scores_gemma":[0.91903234,0.000006159267,0.00010670867,0.00475859,0.0019907022,0.00002228692,0.000022871793,0.00002109675,0.07403925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989981,0.000038785573,0.00017845914,0.0002000438,0.00015223878,0.00043235713],"domain_scores_gemma":[0.99931264,0.00005236188,0.0000431672,0.0002849538,0.00007855896,0.00022831226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020254563,0.00012959172,0.00015579577,0.000042495943,0.00035756896,0.00032906057,0.0002251603,0.000033020784,0.0030491774],"category_scores_gemma":[0.000111023124,0.00011619691,0.000059807197,0.0000012908284,0.000087196684,0.00034192266,0.00009992982,0.000071703085,0.00053173327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042022684,0.000064549655,0.00035465552,0.000030133056,0.000022495311,0.0000012481509,0.0656642,0.0000013200812,0.00002744768,0.72762865,0.19299755,0.013203537],"study_design_scores_gemma":[0.00015608592,0.00005516012,0.0006003113,0.000009621987,0.000009560454,0.0000015616101,0.0011857011,0.00018703722,0.000016142232,0.0021184385,0.9954874,0.0001729893],"about_ca_topic_score_codex":0.0024471672,"about_ca_topic_score_gemma":0.0682327,"teacher_disagreement_score":0.9054692,"about_ca_system_score_codex":0.00007563055,"about_ca_system_score_gemma":0.000026793343,"threshold_uncertainty_score":0.99786216},"labels":[],"label_agreement":null},{"id":"W2330635098","doi":"10.1386/public.24.48.163_5","title":"Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Politics; Citizen journalism; Art; Sociology; Environmental ethics; Aesthetics; Political science; Art history; Law; Philosophy","score_opus":0.09507953856080416,"score_gpt":0.2558120646099438,"score_spread":0.16073252604913968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330635098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76080555,0.0009959156,0.00006334861,0.01839509,0.0006326753,0.00048031402,0.00012702965,0.00011360245,0.21838649],"genre_scores_gemma":[0.9667806,0.000017778635,0.00000594128,0.0016327356,0.0006496689,0.000040333307,0.000015620122,0.00001823132,0.030839087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890363,0.00009170597,0.00028796485,0.00014493546,0.00017057965,0.0004011954],"domain_scores_gemma":[0.9992679,0.0001468816,0.00008938941,0.00022567171,0.000121224955,0.0001489352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023198962,0.00012167992,0.00019256922,0.000054752873,0.000321357,0.00025179485,0.00013868246,0.00004210981,0.0015955442],"category_scores_gemma":[0.00010072782,0.00008326059,0.000065227476,0.000003873504,0.0013720485,0.0002609795,0.000050946728,0.00011628233,0.00023571066],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036971458,0.000062313055,0.00053695723,0.000022904427,0.000031134266,3.2669368e-7,0.03770868,8.38242e-8,0.000020212841,0.8598874,0.101140134,0.00058615406],"study_design_scores_gemma":[0.0003323835,0.000046798745,0.0003162363,0.000009319834,0.00003815043,0.0000017148241,0.006560871,0.00035087956,0.0005283287,0.11920051,0.87243354,0.00018125739],"about_ca_topic_score_codex":0.0008148354,"about_ca_topic_score_gemma":0.0015197023,"teacher_disagreement_score":0.7712934,"about_ca_system_score_codex":0.000017740862,"about_ca_system_score_gemma":0.00005320502,"threshold_uncertainty_score":0.9993171},"labels":[],"label_agreement":null},{"id":"W2330987415","doi":"10.3828/qs.2014.3","title":"<i>Nietzsche</i> de Hubert Aquin: transcription et présentation","year":2014,"lang":"en","type":"article","venue":"Quebec Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Cegep Edouard Montpetit","funders":"","keywords":"Psychology; History; Art","score_opus":0.07569466810552791,"score_gpt":0.3149910240887383,"score_spread":0.2392963559832104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330987415","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34615496,0.0057126097,0.006524555,0.025185296,0.0069276183,0.00083246524,0.00009264768,0.00093120796,0.60763866],"genre_scores_gemma":[0.92139953,0.00030306116,0.00012560972,0.0036852283,0.0011858741,0.000039708517,0.000021292493,0.00001934658,0.07322037],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923503,0.000083078325,0.00017456163,0.00015262859,0.00011726045,0.00023742396],"domain_scores_gemma":[0.999617,0.00008121482,0.000049642254,0.00011361535,0.00009644157,0.00004212641],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021082639,0.00012745052,0.00017194723,0.00003843591,0.00031849992,0.00007707797,0.0000604301,0.00002875094,0.000112222195],"category_scores_gemma":[0.000046898567,0.00010929224,0.00007252082,0.0000015869716,0.00023728148,0.00022499987,0.000017153498,0.00007903389,0.00008996665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000140466955,0.000059984126,0.00029957693,0.000110086134,0.000119864366,0.0000011669058,0.57441366,0.0000107034275,0.0003684674,0.30948192,0.1116521,0.003468445],"study_design_scores_gemma":[0.00038834877,0.00008909212,0.0008594158,0.000043299555,0.00007208235,0.00000148414,0.020501947,0.00012586534,0.000678486,0.01968887,0.957346,0.00020506159],"about_ca_topic_score_codex":0.009499591,"about_ca_topic_score_gemma":0.28564528,"teacher_disagreement_score":0.84569395,"about_ca_system_score_codex":0.00006230596,"about_ca_system_score_gemma":0.000028541905,"threshold_uncertainty_score":0.99709624},"labels":[],"label_agreement":null},{"id":"W2332382103","doi":"10.1386/scene.1.3.331_1","title":"Staging hyperrealism: Tracing the influence of the televisual in Thomas Ostermeier’s Woyzeck","year":2013,"lang":"en","type":"article","venue":"Scene","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Iconicity; Scenography; Sign (mathematics); Aesthetics; Art; Object (grammar); Visual arts; Philosophy; Linguistics","score_opus":0.03527532418565026,"score_gpt":0.2512283829742646,"score_spread":0.21595305878861432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332382103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95961934,0.00007894412,0.0000047322533,0.0012201448,0.00018347862,0.00021274544,0.00001300489,0.000018958968,0.03864865],"genre_scores_gemma":[0.9910894,0.000010207613,0.000011319401,0.0011293364,0.00024373556,0.000015202559,0.0000014127918,0.000012294291,0.007487076],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9991904,0.000063370666,0.00022368223,0.000115158946,0.00015312026,0.0002542982],"domain_scores_gemma":[0.999492,0.0000682853,0.00008052409,0.00026784246,0.00006048665,0.00003089004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015192895,0.00009771634,0.00012598971,0.000034554738,0.00022960993,0.00008311245,0.00025681037,0.000024796987,0.0001706972],"category_scores_gemma":[0.00003724997,0.00005362585,0.00005351229,0.0000047946605,0.0003633887,0.00020634053,0.00008076441,0.00014568216,0.00002643478],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013026702,0.00015778118,0.022856737,0.0001585992,0.000041920608,0.0000051297593,0.84994197,0.00066202716,0.002930935,0.1054069,0.0067667183,0.011058281],"study_design_scores_gemma":[0.0017867462,0.00017869321,0.6473811,0.00096902915,0.000094506606,0.000018152425,0.055048008,0.002745334,0.0075915875,0.058184847,0.22501627,0.0009856767],"about_ca_topic_score_codex":0.0046441313,"about_ca_topic_score_gemma":0.0050266385,"teacher_disagreement_score":0.7948939,"about_ca_system_score_codex":0.000021849,"about_ca_system_score_gemma":0.000038248658,"threshold_uncertainty_score":0.7020568},"labels":[],"label_agreement":null},{"id":"W2335121572","doi":"10.1386/tear.11.2.131_1","title":"‘Alien Qualities’: Hanne Darboven – constructing time","year":2013,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Temporality; Infinity; Function (biology); Sociology; Computer science; Epistemology; World Wide Web; Mathematics; Philosophy; Biology","score_opus":0.03891645823556308,"score_gpt":0.2394775226646189,"score_spread":0.20056106442905583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335121572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1638076,0.00010823043,0.00018482204,0.0018926194,0.0005070763,0.00046403348,0.000055583667,0.0009039894,0.832076],"genre_scores_gemma":[0.8886994,0.0000034097318,0.0005268444,0.0008849473,0.00079297554,0.00005359456,0.00001906719,0.00003928621,0.10898043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998666,0.000022334916,0.00033394058,0.00025647634,0.00022098677,0.0005002508],"domain_scores_gemma":[0.9991856,0.00007998235,0.00011118225,0.00039297977,0.00011280768,0.000117412244],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014248467,0.00020327061,0.000251145,0.00010711652,0.0003785341,0.00020873215,0.00022857114,0.00007664698,0.0077412836],"category_scores_gemma":[0.00006312835,0.00018631059,0.00008008856,0.0000035092362,0.00076806115,0.00027557166,0.000112032765,0.00016573722,0.003827347],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003875553,0.00009078974,0.000102308935,0.000064341846,0.00006105984,0.000011406574,0.09970109,0.0000020771192,0.00072533515,0.8010892,0.08786681,0.010281678],"study_design_scores_gemma":[0.00037355887,0.000096875345,0.000026086836,0.0000818108,0.0000391618,0.000026612335,0.015727147,0.0006102561,0.0016365986,0.13912486,0.841725,0.0005320363],"about_ca_topic_score_codex":0.0011480108,"about_ca_topic_score_gemma":0.00030733025,"teacher_disagreement_score":0.7538582,"about_ca_system_score_codex":0.00004008145,"about_ca_system_score_gemma":0.00003723084,"threshold_uncertainty_score":0.9969483},"labels":[],"label_agreement":null},{"id":"W2335494201","doi":"10.1177/001458580503900221","title":"A Journey through European Modernism: A Few Observations on Somigli's <i>Legitimizing the Artist</i>","year":2005,"lang":"en","type":"article","venue":"Forum Italicum A Journal of Italian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Modernism (music); Art history; Art; Performance art","score_opus":0.18024590337137317,"score_gpt":0.31473990323198847,"score_spread":0.1344939998606153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335494201","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11356209,0.020770323,0.0019406707,0.24550761,0.0048537604,0.0009851165,0.00044431057,0.00027152264,0.6116646],"genre_scores_gemma":[0.95479244,0.00049459096,0.0006410795,0.015837217,0.0033071477,0.00001162706,0.0000053744157,0.00006983784,0.024840686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976063,0.00017511919,0.00090683164,0.00020789189,0.0005023867,0.0006015015],"domain_scores_gemma":[0.9981596,0.00020145073,0.000650725,0.0003267089,0.0005315083,0.00013002554],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00051119237,0.00034173604,0.0005000711,0.00011156202,0.0014932448,0.00037288765,0.00045022272,0.00003613955,0.000089084955],"category_scores_gemma":[0.00018716685,0.00021615125,0.00042692048,0.000011372768,0.0006639209,0.0010581124,0.00014511666,0.00041063497,0.00013651507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043702134,0.00024554846,0.000117084644,0.000032913482,0.00081788766,0.00006660075,0.35914627,0.0003734298,0.00004328801,0.17507415,0.4631928,0.00084634696],"study_design_scores_gemma":[0.00074890483,0.00037837875,0.00014190533,0.00026816208,0.0001802083,0.000103024206,0.070297845,0.000099746714,0.000101823854,0.013477258,0.9138999,0.00030285545],"about_ca_topic_score_codex":0.000047109163,"about_ca_topic_score_gemma":0.0019765033,"teacher_disagreement_score":0.84123033,"about_ca_system_score_codex":0.00013624212,"about_ca_system_score_gemma":0.00007070201,"threshold_uncertainty_score":0.9998067},"labels":[],"label_agreement":null},{"id":"W2337533096","doi":"10.14288/1.0102883","title":"Picasso -- and the Guernica of 1937","year":2010,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"PICASSO; Art; Art history","score_opus":0.012350433643914804,"score_gpt":0.16934178932378435,"score_spread":0.15699135567986955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337533096","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93246514,0.00007153966,0.000018140072,0.00034640115,0.00019145968,0.00011082509,0.00017101309,0.000022117774,0.06660338],"genre_scores_gemma":[0.9877652,0.000065908374,0.000046781297,0.00007780219,0.00009360943,1.860658e-7,0.0000050488916,0.0000065407585,0.011938957],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99949443,0.000027707818,0.000088257875,0.00013575584,0.00011799014,0.00013585648],"domain_scores_gemma":[0.9994604,0.000071532195,0.00009426085,0.00019876502,0.000118956865,0.000056077668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001458834,0.000026863116,0.00018086401,0.000016137468,0.00031897813,0.000069162284,0.00019696935,0.000044188942,0.00048260565],"category_scores_gemma":[0.000026871687,0.000066659144,0.00008237771,0.000002856486,0.0020897794,0.0001380296,0.00010043872,0.00013082194,0.000008884622],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014451056,0.0006813162,0.017188145,0.00047640284,0.00049142935,0.00013236167,0.20265558,0.0000011426099,0.0010321245,0.055964008,0.062794164,0.6584388],"study_design_scores_gemma":[0.0029699078,0.000073077346,0.79942197,0.00006398105,0.00013047387,0.000036434158,0.011186091,0.00014247523,0.0000022858108,0.013303637,0.1724364,0.00023329278],"about_ca_topic_score_codex":0.16487153,"about_ca_topic_score_gemma":0.875747,"teacher_disagreement_score":0.7822338,"about_ca_system_score_codex":0.0000051919096,"about_ca_system_score_gemma":0.000030919728,"threshold_uncertainty_score":0.84068966},"labels":[],"label_agreement":null},{"id":"W2345909453","doi":"10.29173/cais337","title":"“People Aren’t Afraid Anymore, But It’s Hard to Find Books\": Reading Practices That Inform the Personal and Social Identities of Self-Identified Lesbian and Queer Young Women","year":2013,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Lesbian; Reading (process); Queer; Presentation (obstetrics); Sociology; Human sexuality; The Internet; Gender studies; Humanities; Art; Philosophy; World Wide Web; Medicine; Computer science","score_opus":0.0482233375158404,"score_gpt":0.2557214588112025,"score_spread":0.2074981212953621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2345909453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.968103,0.0005308263,0.000002687536,0.013155229,0.0003825918,0.0006054706,0.00090182817,0.00002547547,0.01629291],"genre_scores_gemma":[0.9426642,0.0005425753,0.000054343313,0.000718158,0.00039453647,0.0000636901,0.000005377805,0.000033599626,0.05552351],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976481,0.000041435742,0.00063923356,0.0003514733,0.00062912295,0.00069063384],"domain_scores_gemma":[0.98449427,0.0002754943,0.0014959914,0.00015129817,0.013396249,0.0001867035],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00078919856,0.00039373394,0.00066280324,0.00017819989,0.0008002863,0.005440272,0.0008048729,0.00019357074,0.00020569304],"category_scores_gemma":[0.0030923162,0.00030087386,0.0001530818,0.000024478393,0.0017422952,0.011555666,0.0007104655,0.0003775278,0.0000055872038],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082021725,0.00008358789,0.028101284,0.0012333577,0.00031866957,5.6217334e-7,0.91608846,1.5160563e-7,0.0011402356,0.034849823,0.017213311,0.00088854216],"study_design_scores_gemma":[0.00076618674,0.00047029826,0.19089796,0.0006434702,0.0004589762,0.0000618845,0.60737646,0.00020653868,0.00405176,0.010140654,0.18430771,0.000618106],"about_ca_topic_score_codex":0.010439959,"about_ca_topic_score_gemma":0.0020110519,"teacher_disagreement_score":0.308712,"about_ca_system_score_codex":0.00009889439,"about_ca_system_score_gemma":0.0002664774,"threshold_uncertainty_score":0.9999443},"labels":[],"label_agreement":null},{"id":"W2348057775","doi":"10.1177/0090591715625877","title":"For a Pragmatics of the Useless, or the Value of the Infrathin","year":2016,"lang":"en","type":"article","venue":"Political Theory","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Pragmatics; Proposition; Value (mathematics); Expression (computer science); Politics; Epistemology; Key (lock); Linguistics; Sociology; Philosophy; Aesthetics; Computer science; Law; Political science; Programming language; Computer security","score_opus":0.053136839623748496,"score_gpt":0.2780976724256777,"score_spread":0.2249608328019292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2348057775","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22617027,0.00032471685,0.009433319,0.061731275,0.004006444,0.0037519971,0.0030343959,0.00015173742,0.6913958],"genre_scores_gemma":[0.9547639,0.000003401116,0.00003556059,0.0024174952,0.00045525737,0.000025969808,4.4478256e-7,0.000018100942,0.04227986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988048,0.00025273912,0.0003097045,0.00009381711,0.00018981972,0.00034909844],"domain_scores_gemma":[0.9970067,0.0021885599,0.00012015286,0.0005077285,0.00012503212,0.000051840467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005425869,0.00010818851,0.00017515186,0.000013810472,0.00026797783,0.000020568426,0.00047467742,0.000045445235,0.00029721457],"category_scores_gemma":[0.0011585653,0.00002998451,0.0001965801,0.0000034939328,0.0021706002,0.000053249943,0.00014146962,0.00008763484,0.000008369409],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026388963,0.000049462273,0.00004538629,0.000053893964,0.00003601974,5.8386135e-8,0.0155387465,4.801605e-7,0.000053102027,0.98245066,0.0015027317,0.00024304789],"study_design_scores_gemma":[0.00024427864,0.000042672324,0.00023383168,0.00008357529,0.00007012955,0.0000014410014,0.0021175507,0.000051105428,0.0031937303,0.8708959,0.123000786,0.000064966494],"about_ca_topic_score_codex":0.00009819401,"about_ca_topic_score_gemma":0.00024716996,"teacher_disagreement_score":0.72859365,"about_ca_system_score_codex":0.000024852954,"about_ca_system_score_gemma":0.0001540408,"threshold_uncertainty_score":0.7997667},"labels":[],"label_agreement":null},{"id":"W2353472765","doi":"10.5840/symposium201620110","title":"The Spatiality of Subjectivity","year":2016,"lang":"en","type":"article","venue":"Symposium","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Extension (predicate logic); Consciousness; Epistemology; Space (punctuation); Sociology; Spacetime; Philosophy; Computer science; Linguistics; Physics","score_opus":0.029272529860112247,"score_gpt":0.23882570757261518,"score_spread":0.20955317771250292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2353472765","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14338602,0.00009198339,0.00051168236,0.007328193,0.0017231957,0.00019379625,0.00015220662,0.00008169269,0.8465312],"genre_scores_gemma":[0.9421133,0.000030233452,0.0000030840947,0.00009515644,0.000492961,0.000005352767,8.052458e-7,0.000007097671,0.057252042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946207,0.000046381207,0.00012923952,0.000089195826,0.00010417758,0.0001689454],"domain_scores_gemma":[0.9994626,0.00014618928,0.000059399932,0.00022818251,0.00007122941,0.00003238563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017423539,0.000061919665,0.0000846422,0.000012354033,0.00025148634,0.000027649605,0.00011099133,0.000018570472,0.0002363925],"category_scores_gemma":[0.000025146182,0.000029703744,0.000059103575,6.290429e-7,0.0004655986,0.000082720406,0.00003544836,0.000030162711,0.000064274485],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029405495,0.000068649075,0.0019116544,0.000020334966,0.000039481853,7.893215e-7,0.03737169,2.392339e-7,0.0051803836,0.94235605,0.008888783,0.0041325423],"study_design_scores_gemma":[0.00021614131,0.00006167006,0.0014142157,0.00001441972,0.000014332974,5.79409e-7,0.00030154234,0.00000658205,0.010024104,0.033292633,0.95455927,0.00009453796],"about_ca_topic_score_codex":0.0013128759,"about_ca_topic_score_gemma":0.011656884,"teacher_disagreement_score":0.9456705,"about_ca_system_score_codex":0.000018619825,"about_ca_system_score_gemma":0.0000318375,"threshold_uncertainty_score":0.65048146},"labels":[],"label_agreement":null},{"id":"W236357903","doi":"","title":"Harvesting Surfaces: Handcrafted Film at the Changing of the Centuries Introduction, Notes, Acknowledgements","year":2002,"lang":"en","type":"article","venue":"Journal of Film and Video","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Nothing; Narrative; Movie theater; Feeling; Theme (computing); Visual arts; Art history; Art; History; Computer science; Literature; Psychology; Philosophy","score_opus":0.0406100442404512,"score_gpt":0.23423084658264995,"score_spread":0.19362080234219875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W236357903","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9582968,0.0087565705,0.000107291766,0.012205311,0.0057174843,0.00024420445,0.000077224046,0.000021356498,0.014573756],"genre_scores_gemma":[0.906026,0.0003234783,0.00002967451,0.00035491295,0.0026937232,0.0000010610229,0.000001463245,0.0000112697135,0.09055842],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917316,0.00005715761,0.00032343355,0.00007808583,0.00018040359,0.00018777631],"domain_scores_gemma":[0.9990755,0.000103718136,0.0003212522,0.00013368312,0.00032076793,0.00004511843],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029595866,0.00009631965,0.00016057263,0.00005864982,0.0006630822,0.0000956855,0.00013712652,0.000023972365,0.0019258563],"category_scores_gemma":[0.00031717485,0.000050801747,0.000088299545,0.0000080132595,0.0003165641,0.00022034225,0.00008524509,0.00013406861,0.000014583995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004355847,0.00014556202,0.004719901,0.0001597136,0.00025911815,0.000004085738,0.37809652,0.00026804933,0.00046270277,0.0032175065,0.6071605,0.0054627825],"study_design_scores_gemma":[0.00041687195,0.0000761337,0.0013194398,0.0001267062,0.00008634571,0.000019377092,0.004357683,0.0007139654,0.0016936504,0.0005763832,0.9905178,0.00009565156],"about_ca_topic_score_codex":0.00004905844,"about_ca_topic_score_gemma":0.0014507148,"teacher_disagreement_score":0.3833573,"about_ca_system_score_codex":0.000024486766,"about_ca_system_score_gemma":0.000014226515,"threshold_uncertainty_score":0.99898654},"labels":[],"label_agreement":null},{"id":"W2404157968","doi":"","title":"Paul-Antoine Pichard, Trash Mines, Galerie d'art du Centre Culturel, Université de Sherbrooke, January 12 to February 22, 2009Paul-Antoine Pichard, Trash Mines, Galerie d'art du Centre Culturel, Université de Sherbrooke, January 12 to February 22, 2009","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.012486563328157469,"score_gpt":0.20248462086197466,"score_spread":0.18999805753381718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2404157968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02543979,0.030826895,0.0006591825,0.0074766935,0.0037800835,0.004382552,0.009012895,0.0010939321,0.917328],"genre_scores_gemma":[0.0026590296,0.008279673,0.002582551,0.0546674,0.006482361,0.00008187851,0.0060688867,0.00040867325,0.91876954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9862628,0.00082918326,0.0022265844,0.0034377342,0.001802257,0.0054414556],"domain_scores_gemma":[0.99117786,0.00024903094,0.00088496675,0.0022486653,0.0011529739,0.004286496],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00092917995,0.0035228538,0.0029661872,0.0006912362,0.0037204328,0.0009505729,0.002417054,0.0023194433,0.12930517],"category_scores_gemma":[0.00025194127,0.0035927147,0.0015435967,0.00037386807,0.0009648689,0.0022059511,0.0010687213,0.0019718343,0.0026192092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014561232,0.002810943,0.004556493,0.00084711355,0.0011338383,0.0026425086,0.02034268,0.0012071523,0.01025908,0.00887232,0.9453543,0.0005174777],"study_design_scores_gemma":[0.00610162,0.0011370376,0.0066210185,0.0017533201,0.002030213,0.00080009474,0.00833344,0.00048228717,0.003461978,0.00056151487,0.9645504,0.0041670953],"about_ca_topic_score_codex":0.003750044,"about_ca_topic_score_gemma":0.009221899,"teacher_disagreement_score":0.12668596,"about_ca_system_score_codex":0.0039126584,"about_ca_system_score_gemma":0.001105938,"threshold_uncertainty_score":0.9999111},"labels":[],"label_agreement":null},{"id":"W2408935313","doi":"10.1163/18763324-04302003","title":"The Desirable Things of Ogoniok: The Material Face of a Soviet Illustrated Magazine from Stalin to Brezhnev","year":2016,"lang":"en","type":"article","venue":"The Soviet and Post-Soviet Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Commodity; Face (sociological concept); Representation (politics); Value (mathematics); Political science; Sociology; Aesthetics; Political economy; Economic history; Media studies; History; Social science; Law; Politics; Economics; Art; Market economy; Computer science","score_opus":0.038809523296409604,"score_gpt":0.2564048642629,"score_spread":0.21759534096649039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2408935313","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18337686,0.4036761,0.00035863984,0.19881989,0.0055849547,0.011186765,0.013050431,0.0003827662,0.1835636],"genre_scores_gemma":[0.78667146,0.13820387,0.0001062633,0.016006451,0.0016398187,0.00014816668,0.00013917132,0.000116317664,0.056968465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977528,0.00038257704,0.0007995602,0.00027926982,0.0003243236,0.00046146286],"domain_scores_gemma":[0.99791205,0.00047051001,0.0004106155,0.0007920135,0.00030111842,0.00011369403],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001234228,0.00032502192,0.00065316237,0.000025749698,0.000598866,0.00013274355,0.00068108947,0.00006695193,0.002776559],"category_scores_gemma":[0.0001605917,0.00012474794,0.00022646027,0.000016867132,0.00093695224,0.00022218926,0.00022455955,0.00015762096,0.00014834543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008348219,0.0002864269,0.000068062196,0.0043822853,0.0010633108,0.000008140162,0.1780922,0.0000022897839,0.013886896,0.19900584,0.4610908,0.14127892],"study_design_scores_gemma":[0.0004384034,0.00029254286,0.00013568398,0.0022009972,0.00040615443,0.000006971924,0.0027066446,0.0000076010097,0.0011166462,0.0060221665,0.9863791,0.00028709255],"about_ca_topic_score_codex":0.0018595966,"about_ca_topic_score_gemma":0.0018704501,"teacher_disagreement_score":0.6032946,"about_ca_system_score_codex":0.000010242158,"about_ca_system_score_gemma":0.00012602418,"threshold_uncertainty_score":0.99813503},"labels":[],"label_agreement":null},{"id":"W2416747595","doi":"10.14288/1.0102988","title":"Frank Scott: \"The politics of the imagination\"","year":2011,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Aesthetics; Political science; Sociology; Art; Law","score_opus":0.02448431819678761,"score_gpt":0.17495253339355427,"score_spread":0.15046821519676665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2416747595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8437333,0.00018637245,0.000094907926,0.00030936682,0.0003849606,0.00018152618,0.00037284137,0.000032693955,0.154704],"genre_scores_gemma":[0.9714992,0.000026596037,0.000046248806,0.0002011797,0.00008584875,2.1373779e-7,0.0000039569763,0.000008709009,0.028128034],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9993728,0.000041905827,0.00010230474,0.00012627614,0.0001748088,0.00018193437],"domain_scores_gemma":[0.99928415,0.000027492059,0.00011673389,0.00028062236,0.00024556575,0.000045455337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009398092,0.000031924304,0.00012853688,0.000018992849,0.00059088867,0.000047029014,0.00040846269,0.00002901684,0.00078123825],"category_scores_gemma":[0.0000170611,0.00006951818,0.00012536769,0.0000068124823,0.00151888,0.00019708436,0.00011024939,0.00009525503,0.000017979648],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001553545,0.000935867,0.030888485,0.00040373087,0.0003773161,0.000071337236,0.601808,0.0000029960872,0.000075542586,0.054436866,0.16492768,0.14605665],"study_design_scores_gemma":[0.0004485337,0.00004301513,0.91946596,0.00007531915,0.00008526144,0.000013976532,0.016691538,0.000057056204,0.0000060423145,0.01791767,0.045052957,0.00014265996],"about_ca_topic_score_codex":0.27987745,"about_ca_topic_score_gemma":0.59039336,"teacher_disagreement_score":0.88857746,"about_ca_system_score_codex":0.00002387183,"about_ca_system_score_gemma":0.000068152665,"threshold_uncertainty_score":0.85540116},"labels":[],"label_agreement":null},{"id":"W2418035647","doi":"","title":"Public Exposures : the activist-art of condé + beveridge (1976-2016)","year":2016,"lang":"en","type":"book","venue":"A. Space Gallery eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Grassroots; Exhibition; Miller; Art history; Sociology; Art; Visual arts; Media studies; Political science; Law; Politics","score_opus":0.08247738462342526,"score_gpt":0.23527469950515492,"score_spread":0.15279731488172965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2418035647","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013218774,0.00029655977,0.000040986222,0.0018144398,0.001283283,0.0005116895,0.0004580802,0.00013655299,0.9953262],"genre_scores_gemma":[0.03925933,0.00010342015,0.000008153408,0.00093707076,0.0026122115,0.00006272399,0.00006976235,0.00013364444,0.9568137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977238,0.000107710126,0.0005158533,0.00046364643,0.0005184025,0.0006705891],"domain_scores_gemma":[0.9975824,0.0003449702,0.0005566244,0.0010124862,0.00032843187,0.00017511703],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002919052,0.0005593633,0.00069207815,0.000180067,0.0004887225,0.0002179819,0.00065605255,0.00028326773,0.0020502624],"category_scores_gemma":[0.000050812196,0.00035481818,0.00041210046,8.1814045e-7,0.0018404542,0.00016761413,0.0002543937,0.0004628113,0.0006389968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020332256,0.000026642947,0.0000050967274,0.00009060907,0.00029814747,0.000010293602,0.03474602,3.9036273e-8,0.000030505858,0.227394,0.735737,0.0016412621],"study_design_scores_gemma":[0.0003504994,0.00012602627,0.000018868672,0.00023272911,0.0000970671,0.0000070238,0.0006738118,9.99098e-7,0.00012645015,0.022229316,0.9756729,0.00046432822],"about_ca_topic_score_codex":0.00022745164,"about_ca_topic_score_gemma":0.011863068,"teacher_disagreement_score":0.23993583,"about_ca_system_score_codex":0.00013071699,"about_ca_system_score_gemma":0.0011603729,"threshold_uncertainty_score":0.9998904},"labels":[],"label_agreement":null},{"id":"W2418144638","doi":"10.21083/csieci.v10i2.3325","title":"Letting the Moment Take You: A Conversation with Alexander Billet","year":2016,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Capitalism; The arts; Art; Art history; Visual arts; Sociology; Literature; Aesthetics; Law; Political science; Politics","score_opus":0.11947866497252684,"score_gpt":0.3519125019490699,"score_spread":0.23243383697654307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2418144638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43192372,0.002060297,0.087552756,0.38075307,0.006719895,0.008111919,0.0005954659,0.0021163293,0.08016654],"genre_scores_gemma":[0.99206775,0.00024302478,0.00039453848,0.003508859,0.0011889945,0.0004429816,0.000028262612,0.00005264292,0.0020729636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971241,0.00030691357,0.00072035764,0.0005624503,0.00053310755,0.00075312384],"domain_scores_gemma":[0.9973246,0.0013690297,0.00015414748,0.00036383577,0.00066591275,0.00012249766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010730138,0.00037412308,0.00037328948,0.00017781692,0.00066815317,0.00024223303,0.00022839963,0.00011233969,0.00027820977],"category_scores_gemma":[0.0014404561,0.00021364682,0.00009434579,0.000018398869,0.0019940627,0.0010503551,0.00012458573,0.00023955098,0.000026491462],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012655724,0.00022027167,0.00090882386,0.0003637862,0.00015263898,0.000011725884,0.22833312,0.00000901195,0.0014630253,0.7336409,0.0030089708,0.03176118],"study_design_scores_gemma":[0.008551303,0.003486573,0.006173285,0.0018770089,0.00070747803,0.000059982096,0.3289126,0.0034682127,0.008651494,0.098415546,0.5364854,0.0032111744],"about_ca_topic_score_codex":0.00063895155,"about_ca_topic_score_gemma":0.004918434,"teacher_disagreement_score":0.63522536,"about_ca_system_score_codex":0.0007509361,"about_ca_system_score_gemma":0.00013566969,"threshold_uncertainty_score":0.87122643},"labels":[],"label_agreement":null},{"id":"W2428820901","doi":"10.5840/cpsem200865","title":"Body-politic and the City as Postcolonial Spatial Practice","year":2008,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Body politic; Geography; Sociology; Political science; Politics; Law","score_opus":0.03354979007631295,"score_gpt":0.25478328074710593,"score_spread":0.22123349067079298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2428820901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016110565,0.00076680206,0.000022579341,0.004956616,0.0011818295,0.00037318224,0.00022176608,0.000071678136,0.9922444],"genre_scores_gemma":[0.101456605,0.0018152687,0.000039356975,0.008355894,0.005588361,0.0000036164831,0.000063619496,0.000077977544,0.8825993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985353,0.000057265093,0.0003690682,0.00029977402,0.00035175114,0.00038688062],"domain_scores_gemma":[0.9982687,0.0006691252,0.00027643566,0.00040370243,0.00024102264,0.00014097687],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00020736881,0.00035593705,0.00044602953,0.000057861387,0.00071265973,0.00017521337,0.00020719074,0.00024056787,0.000887123],"category_scores_gemma":[0.00031465534,0.00026408094,0.00016417139,4.739752e-7,0.0020600494,0.0001260715,0.00016546765,0.00062973145,0.00026789316],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007952864,0.00002088578,0.0000025215181,0.000032336367,0.00013838531,0.000064323525,0.040257033,4.071347e-7,1.1345149e-7,0.9388411,0.020326419,0.00023691202],"study_design_scores_gemma":[0.0006197566,0.00010432004,0.0000089474415,0.00005080432,0.00034550257,0.0001279142,0.00027041553,0.00004821037,0.000002858633,0.08305421,0.91506433,0.0003027026],"about_ca_topic_score_codex":0.0041139284,"about_ca_topic_score_gemma":0.005394849,"teacher_disagreement_score":0.89473796,"about_ca_system_score_codex":0.00007432685,"about_ca_system_score_gemma":0.00023095602,"threshold_uncertainty_score":0.99998116},"labels":[],"label_agreement":null},{"id":"W2460113929","doi":"10.1057/fr.2016.18","title":"Book Review: Feminist Aesthetics and the Politics of Modernism","year":2016,"lang":"en","type":"article","venue":"Feminist Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Cultural studies; Modernism (music); Feminism; Politics; Human sexuality; Gender studies; Aesthetics; Sociology; Art; Anthropology; Political science; Law","score_opus":0.03717933351493209,"score_gpt":0.2766264221691518,"score_spread":0.2394470886542197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460113929","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006345832,0.81221765,0.000041643514,0.019124985,0.00016747888,0.00059804047,0.00018764772,0.00003465265,0.16762155],"genre_scores_gemma":[0.003334527,0.7528818,0.00003099923,0.10788004,0.00031533826,0.000058835598,0.000008432809,0.00003229221,0.13545771],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982184,0.0001532648,0.0007477267,0.0002524109,0.00027224552,0.00035595606],"domain_scores_gemma":[0.998458,0.00026580397,0.00034718262,0.00066315284,0.0001330401,0.0001327988],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006058902,0.00025496114,0.0007695099,0.000024820853,0.00032758145,0.000040385316,0.00032189494,0.000044602508,0.0015631337],"category_scores_gemma":[0.00019348366,0.00012740464,0.00023845493,0.0000036198146,0.0021311853,0.000073844894,0.00012080645,0.000115860654,0.00013256453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004926146,0.000033641234,0.000008261911,0.0058790473,0.00003105938,0.0000026831226,0.005492841,3.5319396e-9,9.889645e-7,0.3785224,0.6051857,0.0048384853],"study_design_scores_gemma":[0.0004283387,0.00005438672,0.0000018905989,0.013538076,0.00029144756,0.000036228048,0.000076885575,0.0000028479596,0.0000145334725,0.004940687,0.98041993,0.00019473268],"about_ca_topic_score_codex":0.00004562111,"about_ca_topic_score_gemma":0.000033857472,"teacher_disagreement_score":0.37523428,"about_ca_system_score_codex":0.000024726365,"about_ca_system_score_gemma":0.00008652966,"threshold_uncertainty_score":0.9993496},"labels":[],"label_agreement":null},{"id":"W2468125687","doi":"10.1057/9781137557896_4","title":"Liquid Stages and Melting Frames: Objective De-Stabilization","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Existentialism; Pessimism; Interpretation (philosophy); The Symbolic; Constitution; Epistemology; Field (mathematics); Sociology; Politics; Psychoanalysis; Aesthetics; Social psychology; Psychology; Philosophy; Law; Political science; Linguistics","score_opus":0.032389361474720685,"score_gpt":0.24244001249309172,"score_spread":0.21005065101837103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2468125687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038891868,0.0008134598,0.00036159766,0.00005322854,0.00035177203,0.0004012761,0.00053239823,0.00015594227,0.9969414],"genre_scores_gemma":[0.8554396,0.00018580847,0.000052210555,0.00039429107,0.001394117,0.000020910598,0.000038553775,0.000115904484,0.14235859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983597,0.000039634302,0.0003910673,0.0004864342,0.00024423056,0.00047894722],"domain_scores_gemma":[0.9987978,0.00019237476,0.00026715925,0.0003577577,0.00020618402,0.00017874698],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017492524,0.00047804767,0.0004604986,0.00018264196,0.00042072957,0.00015018368,0.00015750751,0.0002673595,0.0011904723],"category_scores_gemma":[0.00004884747,0.0003928168,0.00015307462,3.050009e-7,0.0006990995,0.0000023432144,0.00013955787,0.00025507336,0.00007089951],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030207633,3.1009856e-7,0.000028135539,0.00009089062,0.00010857362,0.000012816998,0.06682566,1.2374493e-7,0.000039704955,0.9295535,0.000024553374,0.0032854928],"study_design_scores_gemma":[0.00029278238,0.00021423626,0.000018547391,0.00031783976,0.00011087976,0.0000066735815,0.0009598973,0.0000123245745,0.00019721675,0.93417335,0.06311811,0.0005781475],"about_ca_topic_score_codex":0.00016906521,"about_ca_topic_score_gemma":0.0034217136,"teacher_disagreement_score":0.8550507,"about_ca_system_score_codex":0.0001235586,"about_ca_system_score_gemma":0.00011448568,"threshold_uncertainty_score":0.99985236},"labels":[],"label_agreement":null},{"id":"W246851948","doi":"","title":"Carlo Cesta : Slow Down / Speed Freak","year":2001,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"FREAK; Computer science; Computer security","score_opus":0.03683736315134825,"score_gpt":0.2370714136025648,"score_spread":0.20023405045121656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W246851948","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004152834,0.0022718238,0.000048603197,0.00077588606,0.0043909946,0.0008854516,0.0012283021,0.0006225595,0.9893611],"genre_scores_gemma":[0.0062951273,0.0006564195,0.000049500326,0.0029030233,0.012386899,0.000039018596,0.00097646087,0.00037349138,0.9763201],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99456567,0.00014252575,0.0011949254,0.0013686848,0.0010226317,0.0017055664],"domain_scores_gemma":[0.9963383,0.00021585557,0.0005927817,0.0017579384,0.00042437477,0.00067071256],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00038073416,0.0013832106,0.001484297,0.00044554882,0.0012262351,0.00083022035,0.0010199982,0.0007424863,0.035541423],"category_scores_gemma":[0.000052988176,0.0013473773,0.0008586927,0.00000941546,0.0013297922,0.0006033306,0.00028084056,0.0013399568,0.013617383],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003021907,0.00015921319,0.0000064569335,0.00016797447,0.00027166065,0.00023638175,0.043438155,0.000006285049,0.00000874611,0.08896418,0.86069995,0.0060107694],"study_design_scores_gemma":[0.00090548623,0.00023824208,0.000043940254,0.00033109324,0.00036878418,0.00005251842,0.00077084213,0.00008564568,0.00001187538,0.041406706,0.9542514,0.0015334879],"about_ca_topic_score_codex":0.0016695957,"about_ca_topic_score_gemma":0.021976607,"teacher_disagreement_score":0.09355142,"about_ca_system_score_codex":0.00044086998,"about_ca_system_score_gemma":0.0008220993,"threshold_uncertainty_score":0.9998918},"labels":[],"label_agreement":null},{"id":"W2473169496","doi":"","title":"Lifeworks: Deep skin","year":2002,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); White (mutation); Shot (pellet); Art history; Period (music); Art; Aesthetics; Computer science; Biology","score_opus":0.02107075663233542,"score_gpt":0.21212409522194525,"score_spread":0.19105333858960982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2473169496","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009122124,0.0010409377,0.0003452517,0.07807316,0.005336752,0.00011597758,0.000067450455,0.00007085871,0.90582746],"genre_scores_gemma":[0.8400089,0.000229098,0.000048911083,0.052775428,0.017944789,0.000004131245,0.000008566906,0.000026559062,0.08895358],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832046,0.00008015602,0.00028447135,0.00009118919,0.00072462653,0.00049906777],"domain_scores_gemma":[0.9981128,0.00008794865,0.000116162824,0.00007042614,0.00021732465,0.0013953497],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049172796,0.00009058604,0.0001334366,0.000113937414,0.0006418206,0.000249347,0.00017652736,0.00017608731,0.08407163],"category_scores_gemma":[0.00058608886,0.00008309384,0.000093088776,0.0000036445906,0.000081162405,0.00016076307,0.000008187076,0.0006340177,0.0013745904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.1918195e-7,0.00002760735,0.0015858606,0.0000031145564,0.000073800045,0.00015243154,0.054118536,0.0000016219839,7.200245e-8,0.01882413,0.88957953,0.03563266],"study_design_scores_gemma":[0.0002445203,0.000017427124,0.00042931607,0.000016566833,0.000012257354,0.000045983616,0.001464559,0.00095451105,4.4551177e-7,0.0013264513,0.9953793,0.00010861613],"about_ca_topic_score_codex":0.0052489936,"about_ca_topic_score_gemma":0.5204942,"teacher_disagreement_score":0.83088684,"about_ca_system_score_codex":0.0004978643,"about_ca_system_score_gemma":0.00032715718,"threshold_uncertainty_score":0.99940294},"labels":[],"label_agreement":null},{"id":"W2476724164","doi":"10.1057/9780230286566_21","title":"Maus, Toys and Him: Contemporary Fine Art as a Reflection on the Reception of History","year":2006,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Art history; Art; The arts; Visual arts; Ideology; Architecture; History of art; Contemporary art; Fine art; Modern art; Performance art; Politics; Law; Political science","score_opus":0.08528042714115457,"score_gpt":0.24274268982972377,"score_spread":0.15746226268856922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2476724164","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022659711,0.0012995406,0.000008961719,0.00016440781,0.0006080545,0.0004273788,0.00016393086,0.000068108195,0.997033],"genre_scores_gemma":[0.58575106,0.00005647825,0.0000047381695,0.0004930865,0.00064151135,0.00001412755,0.00011313304,0.00004521616,0.41288066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869925,0.000044861375,0.00043666578,0.00033586656,0.00027278814,0.00021057356],"domain_scores_gemma":[0.998957,0.000098257326,0.00036101526,0.00039389884,0.000121773475,0.0000680476],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016951836,0.00036299566,0.00040035433,0.00017693485,0.00019782713,0.00003481812,0.000121573015,0.00019329622,0.0017179736],"category_scores_gemma":[0.000012737756,0.00027965018,0.00016757472,3.7041582e-7,0.00067384815,0.000001435193,0.00005045207,0.00030080104,0.00014946547],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006431832,0.0000010653913,0.0000044004423,0.00006027098,0.00006931475,0.000008447499,0.008384599,1.2681181e-7,0.000056695455,0.9681349,0.021827321,0.001388585],"study_design_scores_gemma":[0.00016554963,0.00020299139,0.000015811915,0.00012240096,0.0000431381,0.0000054516263,0.000069047754,0.0000039017123,0.000054307347,0.47114137,0.52797157,0.0002044464],"about_ca_topic_score_codex":0.00090072304,"about_ca_topic_score_gemma":0.004521331,"teacher_disagreement_score":0.58552444,"about_ca_system_score_codex":0.00016227512,"about_ca_system_score_gemma":0.00010184948,"threshold_uncertainty_score":0.99996555},"labels":[],"label_agreement":null},{"id":"W2483058053","doi":"10.1007/978-3-319-40409-7_8","title":"High Fives to the Avant-Garde","year":2016,"lang":"en","type":"book-chapter","venue":"Lecture notes in computer science","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta College of Art + Design","funders":"","keywords":"Computer science; Avant garde; Art history; Art","score_opus":0.03255110499581272,"score_gpt":0.23869837839485647,"score_spread":0.20614727339904376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483058053","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006125439,0.00033256563,0.7692852,0.009831206,0.0073455023,0.0004640935,0.00012192555,0.000115768285,0.21244247],"genre_scores_gemma":[0.43525696,0.00009069082,0.010885669,0.027985657,0.018462187,0.000023501914,0.000010225855,0.000113670736,0.50717145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832934,0.000014529191,0.00023329156,0.0005484514,0.00041248245,0.0004619119],"domain_scores_gemma":[0.99881804,0.00025215096,0.00008964042,0.0006037617,0.00012969736,0.00010673769],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024104452,0.00028520302,0.0002611459,0.0002048712,0.0005053383,0.00033789818,0.0010182974,0.00008850297,0.00068378914],"category_scores_gemma":[0.000039215567,0.00016145462,0.00008565699,0.0000014119718,0.0013010013,0.00012780307,0.00040293785,0.00028748246,0.00049557525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009462518,0.000017903516,0.0000052193527,0.000026992553,0.000024525012,0.00002905014,0.18318485,0.0012387772,0.000013227476,0.4229546,0.0037252794,0.3887701],"study_design_scores_gemma":[0.00008146277,0.000079267935,0.000014234713,0.00017099522,0.000008101789,0.0000049628293,0.0000014848152,0.00058546313,0.00010026062,0.24820419,0.75045156,0.00029804214],"about_ca_topic_score_codex":0.00013763545,"about_ca_topic_score_gemma":0.013580333,"teacher_disagreement_score":0.75839955,"about_ca_system_score_codex":0.000087451685,"about_ca_system_score_gemma":0.00015224537,"threshold_uncertainty_score":0.75781447},"labels":[],"label_agreement":null},{"id":"W2483525333","doi":"10.1017/s0307472200015753","title":"Contemporary glocal: positioning a national mandate within a global context","year":2009,"lang":"en","type":"article","venue":"Art Libraries Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glocalization; Mandate; Context (archaeology); Discipline; The arts; Representation (politics); Public relations; Relevance (law); Political science; Sociology; Media studies; Globalization; Social science; Geography; Politics; Law","score_opus":0.05893497231646332,"score_gpt":0.261773556556864,"score_spread":0.2028385842404007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483525333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012900167,0.0010472126,0.0028215214,0.013133851,0.001232868,0.00014416975,0.00019771115,0.00018981125,0.9683327],"genre_scores_gemma":[0.9658083,0.00001031924,0.00043391215,0.016703699,0.0019453067,0.0000020679438,0.000058552745,0.00001251803,0.015025324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986983,0.000064135675,0.0004197394,0.00015295991,0.0003677396,0.00029710736],"domain_scores_gemma":[0.99929315,0.000038316804,0.0001914696,0.00009194255,0.00018541784,0.00019971632],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020164462,0.00016911044,0.00019800314,0.00006516001,0.0010048512,0.0011900646,0.00018301758,0.00004846593,0.0010369428],"category_scores_gemma":[0.00004260561,0.0001467978,0.00011991127,0.000004992812,0.00034334592,0.001880274,0.000034973986,0.00025170523,0.0001953105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008684385,0.00006563592,0.00031083127,0.0000035574071,0.000056904948,0.00005625007,0.022857478,0.000010122482,0.0000055828095,0.6627704,0.3130382,0.0007381969],"study_design_scores_gemma":[0.00084030424,0.00023172288,0.0006310953,0.00006599507,0.0000150225715,0.00026599574,0.0018825537,0.00035063032,0.0000441321,0.29078087,0.70467633,0.00021536414],"about_ca_topic_score_codex":0.000029767558,"about_ca_topic_score_gemma":0.00015360965,"teacher_disagreement_score":0.9533074,"about_ca_system_score_codex":0.0000644436,"about_ca_system_score_gemma":0.00038793194,"threshold_uncertainty_score":0.99987626},"labels":[],"label_agreement":null},{"id":"W2484299863","doi":"10.1093/oxfordhb/9780199279456.003.0048","title":"Aesthetics and Cultural Studies","year":2009,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Marxist philosophy; Ideology; Postmodernism; Aesthetics; Cultural studies; Textuality; Sociology; Politics; Consumption (sociology); Style (visual arts); Pleasure; Social science; Media studies; Political science; Literature; Anthropology; Art; Psychology; Law","score_opus":0.07437250994420237,"score_gpt":0.2450627206580919,"score_spread":0.1706902107138895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484299863","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000075396274,0.00068791426,0.000005044729,0.000041476193,0.00017606748,0.00017454331,0.000117615906,0.00010664708,0.9986153],"genre_scores_gemma":[0.00032109141,0.0015148123,0.000030809777,0.00029232542,0.00044987752,3.2735383e-7,0.000037289163,0.000020778372,0.9973327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991951,0.000026606669,0.00012008525,0.00025786372,0.00014427697,0.00025609383],"domain_scores_gemma":[0.99939007,0.000030952007,0.00011447625,0.00020721208,0.00016046558,0.00009682653],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000035860325,0.00027353148,0.00034177233,0.00007249001,0.0005548327,0.00009367802,0.00019420206,0.00013744504,0.000016744643],"category_scores_gemma":[0.0000038361713,0.00025881932,0.00011021123,1.3030143e-7,0.0008893549,0.00010538239,0.00017794473,0.0002510174,0.0000011290324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015404525,0.000008674517,4.398967e-7,0.000074787895,0.00013145074,0.00005027959,0.084200755,5.121334e-7,1.01568254e-7,0.76521873,0.1476263,0.0026725626],"study_design_scores_gemma":[0.00027781964,0.00009250311,8.1234435e-7,0.00010053456,0.00023101957,0.000005221633,0.0026242023,0.000009384546,0.0000028060756,0.006563414,0.9897766,0.0003157],"about_ca_topic_score_codex":0.000065047425,"about_ca_topic_score_gemma":0.00085042417,"teacher_disagreement_score":0.8421503,"about_ca_system_score_codex":0.00011945499,"about_ca_system_score_gemma":0.00006676816,"threshold_uncertainty_score":0.9999864},"labels":[],"label_agreement":null},{"id":"W2484611488","doi":"","title":"Draw and Quarter, Final Presentation MFA Painting Frank Mohr Institute 2001","year":2001,"lang":"en","type":"article","venue":"Data Archiving and Networked Services (DANS)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Presentation (obstetrics); Painting; Visual arts; Art; History; Archaeology; Medicine","score_opus":0.07839813737861369,"score_gpt":0.27853085274715267,"score_spread":0.200132715368539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484611488","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.955826,0.0008590418,0.0036766601,0.00050121255,0.00060330227,0.00025080325,0.0003704837,0.00017261865,0.037739888],"genre_scores_gemma":[0.99131584,0.0010039893,0.0003809954,0.0007531237,0.0018621491,0.000009184184,0.0014796224,0.00002631034,0.0031688083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855274,0.00009446045,0.00028021293,0.00043502444,0.00015990889,0.0004776402],"domain_scores_gemma":[0.9991202,0.00013512821,0.00010715728,0.00045814042,0.00002763841,0.0001517538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003216176,0.00021329873,0.0002101584,0.00007164441,0.00088434987,0.00040406917,0.00038887534,0.00003962669,0.00006794687],"category_scores_gemma":[0.000008286899,0.000191136,0.00002726844,0.0000074307777,0.00031090554,0.0009589876,0.00032209925,0.00018131398,0.000012485117],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031061028,0.00037740957,0.10064563,0.0013172504,0.00043131155,0.00015772127,0.71588683,0.0008501027,0.00023777419,0.027922016,0.029827101,0.12203626],"study_design_scores_gemma":[0.00091023947,0.00010173466,0.023169098,0.0003741845,0.00012567143,0.000047195754,0.01161976,0.2878935,0.0000044538065,0.00491517,0.6703062,0.0005327427],"about_ca_topic_score_codex":0.007084329,"about_ca_topic_score_gemma":0.0680305,"teacher_disagreement_score":0.704267,"about_ca_system_score_codex":0.000008037165,"about_ca_system_score_gemma":0.000020643396,"threshold_uncertainty_score":0.9995276},"labels":[],"label_agreement":null},{"id":"W2488717029","doi":"10.5840/cpsem200825","title":"Toward a State of the Semiotics Art in 2008 North America","year":2008,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Semiotics; State (computer science); Art; Art history; Philosophy; Linguistics; Computer science","score_opus":0.052563875185603785,"score_gpt":0.2250850412906537,"score_spread":0.17252116610504992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2488717029","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006229933,0.0006496427,0.000052427487,0.0004452235,0.0010753572,0.00039924926,0.0015974371,0.000055976594,0.9951017],"genre_scores_gemma":[0.020419152,0.003584135,0.00009387387,0.0016331521,0.00068143615,0.000001973943,0.00016323024,0.00010655784,0.9733165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981787,0.000028692106,0.00066505227,0.00029184832,0.00040480265,0.0004308613],"domain_scores_gemma":[0.99859697,0.00010891139,0.00042190123,0.0006123935,0.00015971584,0.00010008214],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006318961,0.00039663073,0.00062505633,0.00013410149,0.00015696305,0.000032425112,0.00041154816,0.00013537814,0.00042068938],"category_scores_gemma":[0.00003796019,0.00031224953,0.00027602652,0.0000031876098,0.0011577025,0.000058421338,0.0001866822,0.0006282358,0.00018860193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034743007,0.00018611393,0.0005291634,0.00049425714,0.00032865044,0.00017188577,0.27136528,0.0011075477,0.0000012432156,0.06298164,0.6587035,0.0040959525],"study_design_scores_gemma":[0.00017403511,0.000058924776,0.00007345383,0.00019496743,0.000066547305,0.000009192609,0.00016729959,0.00015189864,0.000008275342,0.00800844,0.9907357,0.00035126312],"about_ca_topic_score_codex":0.0002526112,"about_ca_topic_score_gemma":0.016442668,"teacher_disagreement_score":0.33203217,"about_ca_system_score_codex":0.00010999766,"about_ca_system_score_gemma":0.0002540733,"threshold_uncertainty_score":0.99993294},"labels":[],"label_agreement":null},{"id":"W2495021195","doi":"10.17658/issn.2058-5462/issue-03/sstarling","title":"The Geography of Making or On Finding Moore Everywhere","year":2016,"lang":"en","type":"article","venue":"British Art Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Architecture; Work (physics); Geography; Sociology; Economic geography; Engineering; Archaeology","score_opus":0.10299318871535704,"score_gpt":0.30603658835505837,"score_spread":0.20304339963970133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2495021195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3699674,0.01753698,0.00010101941,0.006252541,0.003847083,0.0008036673,0.00064333086,0.0003718039,0.6004762],"genre_scores_gemma":[0.9349244,0.002155581,0.000016453889,0.00040976625,0.0004908598,0.000024638104,0.0000010664884,0.000016092828,0.061961133],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915665,0.000026464371,0.00021122569,0.00015304482,0.00016420029,0.00028842644],"domain_scores_gemma":[0.9993061,0.0003189824,0.00008372297,0.0001477966,0.000119253775,0.000024166102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011615856,0.000105277344,0.00018703213,0.000035853027,0.001007517,0.00007312288,0.00012272879,0.000020051255,0.00020784933],"category_scores_gemma":[0.00012887818,0.000061249455,0.00010173153,0.000002683022,0.00071122905,0.00009905601,0.00009279265,0.00004880523,0.00006152408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011393069,0.00014601838,0.010421751,0.00017439085,0.0008551412,0.00008307822,0.06457531,0.0000012861993,0.000015688354,0.12397656,0.67341393,0.12622291],"study_design_scores_gemma":[0.00032438405,0.00012855412,0.004754725,0.0006985713,0.000030095172,0.000008269162,0.0050717155,0.000001160793,0.00003800205,0.009830214,0.9789566,0.00015774196],"about_ca_topic_score_codex":0.000085250074,"about_ca_topic_score_gemma":0.013436767,"teacher_disagreement_score":0.564957,"about_ca_system_score_codex":0.00001859213,"about_ca_system_score_gemma":0.000013962458,"threshold_uncertainty_score":0.7749108},"labels":[],"label_agreement":null},{"id":"W2496182250","doi":"10.1017/s0307472200012645","title":"The event that got away and how to catch it (researching ephemeral art)","year":2002,"lang":"en","type":"article","venue":"Art Libraries Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University","funders":"","keywords":"Ephemeral key; Context (archaeology); Event (particle physics); Embodied cognition; Product (mathematics); Aesthetics; Meaning (existential); Promotion (chess); Function (biology); Visual arts; Art world; Art; History; Sociology; Political science; Epistemology; Art history; Computer science; Performance art; Law; Philosophy","score_opus":0.09651835637834177,"score_gpt":0.2626848178018648,"score_spread":0.16616646142352304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496182250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06139915,0.003170812,0.0011720785,0.43525898,0.0022238134,0.00043600355,0.0000691282,0.00012627894,0.49614373],"genre_scores_gemma":[0.6346962,0.00053715066,0.000120052835,0.0039762794,0.0018330051,0.0000068938402,0.0000032465166,0.000025022706,0.35880217],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870116,0.00009377363,0.00017558498,0.0001488964,0.00033427545,0.0005463408],"domain_scores_gemma":[0.99917686,0.00019522345,0.00007415516,0.00018581968,0.000052290805,0.0003156421],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027572134,0.00015014903,0.00014870084,0.00007073216,0.002352081,0.0025706782,0.00025529857,0.000028575289,0.0019576547],"category_scores_gemma":[0.00007407979,0.00009830745,0.00008441599,0.000004062717,0.00041690472,0.0010445933,0.00016182542,0.0003849793,0.00028209918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000131280185,0.000027515342,0.00030793747,0.00000602381,0.000046843026,0.000019892306,0.08739134,0.0000033646702,0.0000070310657,0.07677006,0.83261645,0.0027904434],"study_design_scores_gemma":[0.00020528943,0.0001136198,0.00020043363,0.000027251512,0.000010749614,0.00006041417,0.004935452,0.00024823143,0.00006281895,0.013531353,0.98046356,0.00014083784],"about_ca_topic_score_codex":0.00002008874,"about_ca_topic_score_gemma":0.0009854672,"teacher_disagreement_score":0.573297,"about_ca_system_score_codex":0.000022267997,"about_ca_system_score_gemma":0.000039021794,"threshold_uncertainty_score":0.9989547},"labels":[],"label_agreement":null},{"id":"W2497782568","doi":"10.18848/1835-2014/cgp/v02i02/44263","title":"Expo ‘67’s Documentary Monuments: Applying Benedict Anderson’s Concept of the Museum to Expo ‘67’s Pavilions","year":2009,"lang":"en","type":"article","venue":"The International Journal of the Inclusive Museum","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts; Archaeology; History","score_opus":0.02462017454701818,"score_gpt":0.27818701658241396,"score_spread":0.25356684203539576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2497782568","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5133851,0.000744032,0.00081693166,0.4401848,0.015015192,0.0014419175,0.0005121693,0.000055027744,0.027844816],"genre_scores_gemma":[0.9763598,0.000048602775,0.00004912365,0.01779963,0.0021813419,0.000010449123,0.0000045723,0.000020817615,0.0035256771],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975414,0.0001525332,0.0007048422,0.00015727976,0.0011457967,0.00029814083],"domain_scores_gemma":[0.99802715,0.0001866128,0.00071435655,0.0004001368,0.0005637393,0.00010800424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004384827,0.0002263633,0.00026416592,0.00014010556,0.00072548154,0.00016471247,0.0021830406,0.000044004115,0.0005059247],"category_scores_gemma":[0.00013067984,0.00011730005,0.00040104275,0.000014283005,0.0003361958,0.00039052693,0.00070418004,0.00039377547,0.000011565557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005175127,0.00088585727,0.0010729069,0.000020459647,0.0018086096,0.00005760499,0.6426017,0.0028994787,0.005410698,0.086326316,0.25097558,0.0074232416],"study_design_scores_gemma":[0.0027759296,0.0005838716,0.003296701,0.00088280655,0.0004026002,0.00023577927,0.05393157,0.0003286862,0.015201844,0.07038159,0.8513989,0.00057973614],"about_ca_topic_score_codex":0.00077599025,"about_ca_topic_score_gemma":0.001594981,"teacher_disagreement_score":0.6004233,"about_ca_system_score_codex":0.00041290384,"about_ca_system_score_gemma":0.0001715099,"threshold_uncertainty_score":0.5579891},"labels":[],"label_agreement":null},{"id":"W2505433733","doi":"","title":"Jan Swidzinski : Émiettement de la mémoireJan Swidzinski, Performance, Le Lieu, centre en art actuel, Québec, 10 novembre 2007Jan Swidzinski, Performance, Le Lieu, centre en art actuel, Québec, 10 novembre 2007","year":2008,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01273020429856702,"score_gpt":0.22195330079490527,"score_spread":0.20922309649633825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2505433733","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.324184,0.008322165,0.00038098203,0.034541495,0.006087899,0.002524636,0.0014870435,0.0010089793,0.6214628],"genre_scores_gemma":[0.459255,0.0029435141,0.00020340421,0.007163112,0.0040974147,0.000091263726,0.00060600525,0.00039868933,0.52524155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879598,0.00075735897,0.0027733922,0.0023366478,0.0016399166,0.0045328736],"domain_scores_gemma":[0.9929239,0.0008299909,0.001106943,0.0024365222,0.00090513035,0.001797523],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.001278761,0.0027816196,0.0022575548,0.0009503728,0.003399105,0.0010942155,0.0021326905,0.0013778617,0.03409635],"category_scores_gemma":[0.00024159106,0.0028145735,0.0014155868,0.000112807924,0.003016836,0.0033380627,0.0011921886,0.002871478,0.027750187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006839695,0.00323745,0.0051120846,0.000838466,0.0011287234,0.00030014382,0.08357863,0.0002187005,0.00032639076,0.0015594352,0.8954812,0.00753475],"study_design_scores_gemma":[0.0046050265,0.0008087,0.0033215464,0.0012717267,0.0005019739,0.00038872607,0.006580889,0.003222959,0.0033005676,0.00009951166,0.97288454,0.003013827],"about_ca_topic_score_codex":0.040129308,"about_ca_topic_score_gemma":0.2116481,"teacher_disagreement_score":0.17151879,"about_ca_system_score_codex":0.0029084315,"about_ca_system_score_gemma":0.006911856,"threshold_uncertainty_score":0.9999427},"labels":[],"label_agreement":null},{"id":"W2515541420","doi":"10.1086/524806","title":"<i>Inside the Mosaic</i>. Edited by Eric Fong. Toronto: University of Toronto Press, 2006. Pp. vii+260.","year":2007,"lang":"en","type":"article","venue":"American Journal of Sociology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mosaic; Library science; Download; Permission; Media studies; Sociology; Political science; History; Law; Computer science; Archaeology; World Wide Web","score_opus":0.01756838940067536,"score_gpt":0.23932700217059322,"score_spread":0.22175861276991785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515541420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48293227,0.09764819,0.0034869735,0.0072399173,0.0065029166,0.0006598147,0.0009318366,0.00013880951,0.40045926],"genre_scores_gemma":[0.9864543,0.005362471,0.00023452844,0.0017309841,0.0016325157,2.9033492e-7,0.000012506712,0.000020526033,0.004551887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988356,0.0001560513,0.00036463092,0.00011668979,0.00016793447,0.00035907063],"domain_scores_gemma":[0.9984881,0.00027886068,0.00068196707,0.00017261696,0.00025558707,0.00012284996],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00041090537,0.00013904646,0.00039918564,0.0000067662395,0.00026370696,0.0000114116665,0.0003371796,0.00005763848,0.00086457026],"category_scores_gemma":[0.000029215913,0.000105287734,0.00017631311,0.0000017934838,0.0027630378,0.00024790294,0.00005312812,0.00020667957,0.00000522294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002938002,0.00020796352,0.00052730663,0.000013723663,0.00046051532,0.000040211104,0.24991687,0.00000905577,0.00051435776,0.017268682,0.7193109,0.011436636],"study_design_scores_gemma":[0.00038006305,0.00064562255,0.000709011,0.000010266887,0.00008774171,0.000023588558,0.056074135,0.000008802136,0.00005190378,0.0006539063,0.9412303,0.00012467036],"about_ca_topic_score_codex":0.06962651,"about_ca_topic_score_gemma":0.042239886,"teacher_disagreement_score":0.50352204,"about_ca_system_score_codex":0.00020389822,"about_ca_system_score_gemma":0.00009317723,"threshold_uncertainty_score":0.9999509},"labels":[],"label_agreement":null},{"id":"W2520118824","doi":"10.1080/14790726.2016.1221434","title":"The (after)lives of Bruno and Boots: Gordon Korman in conversation","year":2016,"lang":"en","type":"article","venue":"New Writing","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; The Scarborough Hospital","funders":"University of Toronto Scarborough","keywords":"Conversation; Art; Psychoanalysis; Literature; Aesthetics; History; Epistemology; Sociology; Philosophy; Communication; Psychology","score_opus":0.026009254359482935,"score_gpt":0.23467228880544644,"score_spread":0.2086630344459635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520118824","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8987566,0.0006405074,0.00008101959,0.0021312677,0.00015510486,0.00011121913,0.000013914178,0.000027307431,0.09808304],"genre_scores_gemma":[0.9920142,0.00010598788,0.000016165508,0.00014790168,0.00032052415,0.000002677307,8.152488e-7,0.0000059896925,0.0073856846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995745,0.000018452818,0.0001497191,0.00006975533,0.00005900454,0.00012858615],"domain_scores_gemma":[0.99971324,0.00012114156,0.000049424296,0.00006668438,0.00002311252,0.000026386],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000106527965,0.000048218084,0.00006413245,0.00002506697,0.000095279785,0.000039268503,0.00003966446,0.000013762708,0.00009038487],"category_scores_gemma":[0.000027362561,0.000029716362,0.000016577364,8.7937104e-7,0.00015793474,0.00015012384,0.000022601704,0.00003129699,0.0000074636146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006638753,0.000034081047,0.034100953,0.00009733922,0.000030175544,0.0000062810145,0.5174498,4.6895622e-7,0.0012540211,0.3050674,0.002085013,0.13980809],"study_design_scores_gemma":[0.0042867237,0.0003443463,0.055116974,0.0011405032,0.00006529616,0.000011864991,0.119316794,0.00042475603,0.0049974397,0.08894013,0.7246531,0.0007020277],"about_ca_topic_score_codex":0.0009799941,"about_ca_topic_score_gemma":0.008699957,"teacher_disagreement_score":0.72256815,"about_ca_system_score_codex":0.000012596305,"about_ca_system_score_gemma":0.00001805511,"threshold_uncertainty_score":0.485478},"labels":[],"label_agreement":null},{"id":"W252076060","doi":"","title":"Mise En Abyme","year":2000,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Modernism (music); Mythology; Fantasy; Art; Illusion; Kitsch; Art history; Subjectivity; Visual arts; Aesthetics; Literature; Philosophy","score_opus":0.04816571192706239,"score_gpt":0.2728170468346929,"score_spread":0.22465133490763048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W252076060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76698697,0.0008627641,0.0005170532,0.0017726003,0.000089780355,0.00019386412,0.00007212999,0.00038223024,0.22912261],"genre_scores_gemma":[0.9732643,0.00038360598,0.00009686167,0.0007174453,0.00013330573,0.000022676122,0.00001053137,0.0000100625675,0.025361229],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928415,0.000023065648,0.00014880743,0.00021700648,0.00006576017,0.00026120717],"domain_scores_gemma":[0.99972516,0.00003456158,0.000006419838,0.00014379807,0.000038739836,0.00005131172],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000057059664,0.00015389196,0.00024165078,0.000031254884,0.00041838968,0.000037554033,0.00012755509,0.00012945173,0.001965807],"category_scores_gemma":[8.840385e-7,0.00013311545,0.0001071295,0.000004505477,0.0012982613,0.000100321304,0.000011134594,0.00024435896,0.00009019309],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012611507,0.000105274434,0.00016062558,0.000020031963,0.00013101236,0.0000032660644,0.6146573,0.0000016870788,0.00017629142,0.36968523,0.010791845,0.004254878],"study_design_scores_gemma":[0.00074846926,0.00013952931,0.00038381893,0.000014049485,0.000051361163,0.0000094511515,0.02397242,0.00025543722,0.0010116172,0.025002284,0.94813174,0.000279837],"about_ca_topic_score_codex":0.0000524685,"about_ca_topic_score_gemma":0.00043849484,"teacher_disagreement_score":0.9373399,"about_ca_system_score_codex":0.000016209735,"about_ca_system_score_gemma":0.0000190969,"threshold_uncertainty_score":0.99894655},"labels":[],"label_agreement":null},{"id":"W2521874981","doi":"10.82308/49220","title":"Modern art, media pedagogy and cultural citizenship : the Museum of Modern Art's television project, 1952-1955","year":2000,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Citizenship; Modern art; Art; Sociology; Visual arts; Visual arts education; Media studies; Art history; Political science; The arts; Performance art; Law; Politics","score_opus":0.048944337680605916,"score_gpt":0.26653911931461277,"score_spread":0.21759478163400686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521874981","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6641294,0.00050227856,0.0000010641747,0.00026489169,0.0003390342,0.00056922087,0.0010686133,0.00021156325,0.332914],"genre_scores_gemma":[0.96343553,0.0005290382,0.00009314949,0.0010886666,0.00033144883,0.000059592625,0.0001193926,0.00011376979,0.034229398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99634904,0.00037901703,0.00083597086,0.00077656726,0.000721871,0.0009375377],"domain_scores_gemma":[0.9979759,0.00038122974,0.00027363197,0.00076936284,0.0003073859,0.00029249053],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006420136,0.00060163083,0.00065605954,0.0001875091,0.0017096704,0.00022944303,0.0005651691,0.00023770057,0.001692238],"category_scores_gemma":[0.0002264175,0.00044352465,0.00029161765,0.000023293238,0.00089737616,0.0007931653,0.00021394697,0.0008394738,0.00033515473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004515595,0.00048402726,0.0000847903,0.0003670847,0.00046128075,0.00008613106,0.019877765,0.000108444336,0.0038595533,0.5612563,0.001831369,0.4111317],"study_design_scores_gemma":[0.0016665515,0.00025179045,0.00030677769,0.00017384531,0.00022151333,0.00008468495,0.0018104125,0.0012726795,0.0020436053,0.16297665,0.8282565,0.0009349653],"about_ca_topic_score_codex":0.0005305669,"about_ca_topic_score_gemma":0.00675743,"teacher_disagreement_score":0.82642514,"about_ca_system_score_codex":0.0001240116,"about_ca_system_score_gemma":0.00007160703,"threshold_uncertainty_score":0.99980164},"labels":[],"label_agreement":null},{"id":"W2524903111","doi":"","title":"The Big Picture: Recent Acquisition from the Collection of Alison & Alan Schwartz, Curated by Bruce Grenville and Melanie O'Brian, Vancouver Art Gallery, 15 March-1 September 2003 The Big Picture: Recent Acquisition from the Collection of Alison & Alan Schwartz, Curated by Bruce Grenville and Melanie O'Brian, Vancouver Art Gallery, 15 March-1 September 2003","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; History","score_opus":0.020385000662763685,"score_gpt":0.22574532357116348,"score_spread":0.20536032290839978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2524903111","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7391594,0.02865665,0.003056123,0.011437266,0.03263583,0.018671622,0.019037109,0.00085563946,0.14649032],"genre_scores_gemma":[0.8396455,0.014878678,0.00015530639,0.00798885,0.0023608804,0.00071415596,0.0042329533,0.0004594839,0.1295642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99321884,0.0017720305,0.0014787186,0.0012026747,0.001197759,0.0011299601],"domain_scores_gemma":[0.99512637,0.00077989243,0.0011242107,0.0012694779,0.0013666304,0.0003334233],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012104586,0.0010349194,0.0009973019,0.00019390613,0.0027119326,0.0005524338,0.0005809382,0.00052408467,0.005934045],"category_scores_gemma":[0.0002917983,0.0006452669,0.0002467528,0.00044196215,0.0014155542,0.00040966916,0.00021812734,0.0009074046,0.00008697307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007981368,0.00029103216,0.00083020004,0.000039984876,0.0006681742,0.000006407884,0.011093351,0.000042106385,0.0056941197,0.00013152196,0.9795493,0.00085567875],"study_design_scores_gemma":[0.0031043203,0.0003928411,0.002134055,0.00022363677,0.00048635332,0.000021803202,0.006480116,0.0009396429,0.009009658,0.0014091635,0.97498953,0.00080890174],"about_ca_topic_score_codex":0.0050612628,"about_ca_topic_score_gemma":0.12141937,"teacher_disagreement_score":0.11635811,"about_ca_system_score_codex":0.00038188527,"about_ca_system_score_gemma":0.00042767575,"threshold_uncertainty_score":0.9995999},"labels":[],"label_agreement":null},{"id":"W2525438488","doi":"","title":"Susan Meiselas, Intimate Strangers, Stephen Bulger Gallery, Toronto, March 29 - April 26, 2008Susan Meiselas, Intimate Strangers, Stephen Bulger Gallery, Toronto, March 29 - April 26, 2008","year":2009,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Sociology; History","score_opus":0.0298709801774994,"score_gpt":0.25660264572622626,"score_spread":0.22673166554872687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525438488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026389048,0.008454898,0.00061455165,0.0005288256,0.0029058037,0.0030478577,0.0016285853,0.0017179513,0.97846264],"genre_scores_gemma":[0.11205455,0.014101523,0.0108154835,0.028545523,0.012717838,0.0010415069,0.004387682,0.001705467,0.81463045],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9882811,0.00062921934,0.0023157506,0.0026173866,0.0020676686,0.004088879],"domain_scores_gemma":[0.99388295,0.00024559218,0.00088100915,0.0023150984,0.0010478279,0.0016275236],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0014922288,0.0023863702,0.0023812815,0.00026996082,0.0020846962,0.0017576043,0.002049819,0.001244902,0.27664194],"category_scores_gemma":[0.00011677725,0.002249525,0.0010221667,0.00008752058,0.001120012,0.002998278,0.0005318231,0.0018236842,0.0013469262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054009794,0.0012711793,0.00008824544,0.00049569993,0.0010120638,0.00016574866,0.017258175,0.00019026945,0.0032959897,0.017662605,0.95663553,0.0013844112],"study_design_scores_gemma":[0.0036645771,0.0007398754,0.0005395066,0.00044115525,0.0006945507,0.0000896803,0.008920118,0.0009730506,0.0006350541,0.0022876647,0.97814304,0.0028717557],"about_ca_topic_score_codex":0.011536025,"about_ca_topic_score_gemma":0.008012567,"teacher_disagreement_score":0.27529502,"about_ca_system_score_codex":0.0014438527,"about_ca_system_score_gemma":0.0009374181,"threshold_uncertainty_score":0.99943066},"labels":[],"label_agreement":null},{"id":"W2525851057","doi":"","title":"Neutralité matérielle, répétition gestuelle et appropriation du spectateur : Pile de Carl André. Carl André, Pile, 1977; Galerie Leonard et Bina Ellen, M 3x3 Flavin, Andre, Judd, Montréal. 14 janvier - 19 février 2005Carl André, Pile, 1977; Galerie Leonard et Bina Ellen, M 3x3 Flavin, Andre, Judd, Montréal. 14 janvier - 19 février 2005","year":2005,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Pile; Humanities; Mathematics","score_opus":0.021062537160986543,"score_gpt":0.2442383671285045,"score_spread":0.22317582996751795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525851057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11902329,0.28208664,0.004822125,0.09422488,0.014172412,0.01065296,0.013010863,0.0012840396,0.4607228],"genre_scores_gemma":[0.3204206,0.16527146,0.0017777323,0.009114252,0.009600039,0.0009708217,0.004855831,0.001087993,0.48690128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9819438,0.0024943638,0.003961212,0.003749484,0.0026142069,0.0052369456],"domain_scores_gemma":[0.98999757,0.00084900454,0.0018718811,0.0029561485,0.0015152273,0.002810173],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0030582184,0.0035665506,0.0033986627,0.0012266749,0.0034724835,0.0020386768,0.0014789118,0.0021182501,0.018235415],"category_scores_gemma":[0.00048106298,0.0037796756,0.0016908722,0.00030874042,0.00236594,0.00411618,0.00088259147,0.0035034579,0.0028992628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016216799,0.0029697842,0.0033094622,0.00080493855,0.0010614021,0.0009229788,0.051029075,0.0045159864,0.00038627163,0.024136314,0.89742124,0.0118208965],"study_design_scores_gemma":[0.009167432,0.0014101267,0.005183584,0.0007591888,0.001254041,0.00067005056,0.007705924,0.0035750878,0.00064698484,0.0030811147,0.9622995,0.0042469343],"about_ca_topic_score_codex":0.035480853,"about_ca_topic_score_gemma":0.13473988,"teacher_disagreement_score":0.20139728,"about_ca_system_score_codex":0.0013745511,"about_ca_system_score_gemma":0.0018693965,"threshold_uncertainty_score":0.9991772},"labels":[],"label_agreement":null},{"id":"W2526272244","doi":"","title":"Kara Hamilton, Wane Awareless & Lifted, Toronto, G Gallery","year":2016,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.054665600867123694,"score_gpt":0.2753351127310867,"score_spread":0.220669511863963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2526272244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025182102,0.0022768818,0.0018456272,0.03897081,0.010672376,0.0009838035,0.0013245863,0.0013995644,0.9173443],"genre_scores_gemma":[0.89481854,0.0006729782,0.000053120984,0.0015544189,0.0033140597,0.000096243304,0.0001428788,0.000088994035,0.09925879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775726,0.00006938606,0.00050123554,0.00051216676,0.0003477009,0.00081225135],"domain_scores_gemma":[0.9982989,0.0002239096,0.00014928747,0.0007559528,0.00023668313,0.00033528928],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017010937,0.00037400896,0.0003971055,0.00008215189,0.0008560596,0.0002121398,0.00039739968,0.00012041643,0.006863617],"category_scores_gemma":[0.00005981943,0.00027462136,0.00020182527,0.000005099638,0.00055356656,0.00084163656,0.000126933,0.00015432507,0.0011216035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022681364,0.0002515307,0.00015868236,0.000045300832,0.000098172044,0.000021151802,0.041636232,0.0000015623149,0.00016563968,0.7969598,0.15917265,0.0014665609],"study_design_scores_gemma":[0.000714812,0.00009324467,0.00058983214,0.00018201733,0.00003322914,0.000010680434,0.002279364,0.000023478116,0.0003665251,0.0054609114,0.9897618,0.00048407368],"about_ca_topic_score_codex":0.0022736525,"about_ca_topic_score_gemma":0.033816148,"teacher_disagreement_score":0.8696364,"about_ca_system_score_codex":0.00013693314,"about_ca_system_score_gemma":0.00015234828,"threshold_uncertainty_score":0.9999706},"labels":[],"label_agreement":null},{"id":"W2527340276","doi":"","title":"Nicholas et Sheila Pye, Vanitas, Galerie Art Mûr, Montréal, du 15 août au 12 septembre 2009Nicholas et Sheila Pye, Vanitas, Galerie Art Mûr, Montréal, du 15 août au 12 septembre 2009","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.02057501554757525,"score_gpt":0.23720125136294984,"score_spread":0.2166262358153746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527340276","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038767576,0.034989536,0.000794042,0.0022974845,0.015523994,0.0032396284,0.0071105417,0.0011290831,0.9310389],"genre_scores_gemma":[0.012151855,0.008614643,0.0012774157,0.07126476,0.008480672,0.0007809068,0.0040120576,0.0009645697,0.89245313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98421776,0.0013325237,0.0035011366,0.0036621056,0.0019733317,0.00531312],"domain_scores_gemma":[0.98921084,0.00074764725,0.0016023997,0.004036378,0.0018775713,0.0025251713],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003218757,0.0038420837,0.0034536365,0.0007587746,0.004734853,0.0036120529,0.0026108178,0.003334657,0.15472928],"category_scores_gemma":[0.0010868736,0.003860492,0.0018288264,0.00025292923,0.0029318242,0.004737186,0.0012581325,0.006892803,0.00905594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004063292,0.0027679557,0.0011586974,0.00086324953,0.001610273,0.0004382643,0.008659022,0.0006357426,0.0027761054,0.081459835,0.89899915,0.00022536558],"study_design_scores_gemma":[0.005417393,0.0006904329,0.0013572713,0.0012130564,0.001955408,0.00040452488,0.0056973,0.0015849483,0.0005803632,0.0059767645,0.9711316,0.0039908905],"about_ca_topic_score_codex":0.009641767,"about_ca_topic_score_gemma":0.03963174,"teacher_disagreement_score":0.14567333,"about_ca_system_score_codex":0.0011804308,"about_ca_system_score_gemma":0.0036646032,"threshold_uncertainty_score":0.9997816},"labels":[],"label_agreement":null},{"id":"W2528394248","doi":"10.31542/j.muse.188","title":"A Future Without Spectacle: A Refuge from Cultural Hegemony in Contemporary Art and Neo-Humanism","year":2015,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Spectacle; Postmodernism; Humanism; Aesthetics; German; Hegemony; Postmodern theatre; Popular culture; Subject (documents); Contemporary art; Art; Sociology; Art history; Literature; History; Political science; Law; Performance art; Politics","score_opus":0.07262171619536495,"score_gpt":0.2722520003353684,"score_spread":0.19963028414000344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528394248","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87036407,0.00044816104,0.00003591401,0.0011822497,0.000569758,0.00017131963,0.00009726589,0.000057523466,0.12707373],"genre_scores_gemma":[0.9571145,0.00006422542,0.0000763318,0.0004777624,0.0012213172,3.030824e-7,0.000026734662,0.000014085423,0.041004714],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884915,0.000100547775,0.00018719648,0.0002544075,0.0003244228,0.0002842529],"domain_scores_gemma":[0.999339,0.0000151521435,0.00011497747,0.0001458939,0.00010651339,0.00027850378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014476998,0.00019819659,0.00027758235,0.00013423401,0.0003643277,0.00023309153,0.00024682717,0.00006213546,0.00029166538],"category_scores_gemma":[0.00000550451,0.0001822356,0.000070332004,0.0000057118496,0.00026054567,0.0004900781,0.00017993213,0.00035055433,0.000053592037],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043835217,0.00041390097,0.1503045,0.00001886104,0.0002968639,0.0014945907,0.69969356,0.000008437513,0.000038186867,0.07250219,0.074402615,0.0003879373],"study_design_scores_gemma":[0.0025501978,0.00012752436,0.021284673,0.00004012992,0.000040864958,0.000021678698,0.1039376,0.000047669175,0.0000069804805,0.0012054325,0.87047976,0.00025746124],"about_ca_topic_score_codex":0.0011381212,"about_ca_topic_score_gemma":0.016669966,"teacher_disagreement_score":0.7960772,"about_ca_system_score_codex":0.000195224,"about_ca_system_score_gemma":0.00009759195,"threshold_uncertainty_score":0.9302232},"labels":[],"label_agreement":null},{"id":"W2528400819","doi":"10.1386/jcs.5.2.186_1","title":"Space Matters: The Industrial Loft, Participatory Politics, and the Paula Cooper Gallery, circa 1968","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Exhibition; Art gallery; Citizen journalism; Ephemeral key; Visual arts; Politics; Dance; Media studies; Framing (construction); Sociology; Art; Musical; Space (punctuation); Art history; History; Law; Political science; Archaeology; Computer science","score_opus":0.166474227973767,"score_gpt":0.3106662040435145,"score_spread":0.1441919760697475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528400819","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35244575,0.032720014,0.00021253785,0.50366414,0.08509129,0.0014960906,0.0002572212,0.00011609169,0.023996884],"genre_scores_gemma":[0.9675716,0.0013447695,0.0000032288053,0.002516499,0.02497738,0.000008586475,1.7247974e-7,0.000019327901,0.0035584092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838394,0.00026851942,0.0005302131,0.000110416295,0.0003594032,0.00034751854],"domain_scores_gemma":[0.9979508,0.00093368726,0.00038958437,0.00017347612,0.00044886,0.00010357612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089030777,0.00018267974,0.00042476985,0.000039386992,0.0007373157,0.00016662461,0.0002143259,0.000051612107,0.000115802635],"category_scores_gemma":[0.0006457323,0.000069331676,0.00014240637,0.000003965478,0.0020919305,0.000257571,0.00011699814,0.00023760082,0.000018813042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003283015,0.000051603387,0.00028730795,0.000016739003,0.00092489575,0.000016816404,0.13694885,9.831283e-7,0.00003088935,0.29142424,0.56936854,0.0006008323],"study_design_scores_gemma":[0.0029945183,0.0001400571,0.00005240998,0.00010383747,0.0002188051,0.000015080328,0.011961041,0.000001299091,0.000083064646,0.015637279,0.9686606,0.00013202147],"about_ca_topic_score_codex":0.00014126013,"about_ca_topic_score_gemma":0.00060462824,"teacher_disagreement_score":0.6151259,"about_ca_system_score_codex":0.00006724841,"about_ca_system_score_gemma":0.00012409488,"threshold_uncertainty_score":0.7707805},"labels":[],"label_agreement":null},{"id":"W2529957856","doi":"","title":"Ways of Being Here: The Making of Immigrant Subjects","year":2016,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Multiculturalism; Immigration; Normative; Negotiation; Politics; Relation (database); Sociology; Aesthetics; Contemporary art; Gender studies; Media studies; Epistemology; Political science; Social science; Visual arts; Art; Law; Performance art; Pedagogy","score_opus":0.1096496045095292,"score_gpt":0.2969644817947691,"score_spread":0.18731487728523988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529957856","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06555725,0.000071204144,0.000022571085,0.0005584122,0.0003851382,0.0006608718,0.000100605204,0.00003177902,0.9326122],"genre_scores_gemma":[0.54477364,0.00007552253,0.000014802434,0.00004175824,0.00016874846,2.9692316e-7,0.00004625974,0.000025352367,0.4548536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970544,0.0006286409,0.00031056497,0.000526544,0.0008442947,0.00063557783],"domain_scores_gemma":[0.9971776,0.00029153907,0.00047912594,0.00074880995,0.0012025938,0.00010033942],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006266245,0.00029983566,0.00054686505,0.00068258645,0.0023530815,0.00015699869,0.002320885,0.00031282558,0.000017209855],"category_scores_gemma":[0.00004472622,0.00026113982,0.0003121651,0.000054182852,0.0013819046,0.0006917206,0.00038862412,0.0008598346,0.000017503198],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005379452,0.0000833097,0.00021757525,0.00025375828,0.00027783465,0.00032316704,0.06193942,0.000001199246,0.0010898641,0.9332783,0.0017100796,0.00028754154],"study_design_scores_gemma":[0.0010900873,0.000321231,0.0004612738,0.0010209321,0.00026421182,0.0000059239437,0.117542505,0.000015237117,0.004840354,0.0013126591,0.8726655,0.0004600725],"about_ca_topic_score_codex":0.012135826,"about_ca_topic_score_gemma":0.019380603,"teacher_disagreement_score":0.93196565,"about_ca_system_score_codex":0.0004332686,"about_ca_system_score_gemma":0.00090364565,"threshold_uncertainty_score":0.9999841},"labels":[],"label_agreement":null},{"id":"W2530760325","doi":"","title":"Douglas Coupland : Everywhere is Anywhere is Anything is Everything","year":2014,"lang":"en","type":"book","venue":"Vancouver Art Gallery eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art; Scale (ratio); Art history; History; Visual arts; Media studies; Geography; Sociology; Cartography","score_opus":0.02944373410875871,"score_gpt":0.22349243287715,"score_spread":0.19404869876839131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2530760325","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000120891826,0.00024447188,0.000101704325,0.00022332082,0.007938801,0.000626389,0.0010321151,0.00042403064,0.9892883],"genre_scores_gemma":[0.0024667417,0.000120722354,0.00006808666,0.02225848,0.008710097,0.00004492114,0.000118333715,0.00036366232,0.965849],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952624,0.00008037087,0.0010819248,0.0012547699,0.0010732299,0.0012473],"domain_scores_gemma":[0.9969439,0.0002020379,0.0006688985,0.0013672751,0.0004010953,0.00041679046],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003763094,0.0012563325,0.0013619371,0.00032298628,0.001312532,0.00063096016,0.0007594053,0.0007925633,0.013306957],"category_scores_gemma":[0.000015818456,0.0012181784,0.00076085544,0.0000019966728,0.00067564455,0.00040685417,0.00037937553,0.0014031918,0.0022789866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033139466,0.00002970842,0.00002331928,0.00037102037,0.000400473,0.000038406248,0.14412105,0.0000014162829,0.0000021559515,0.0007731692,0.8534371,0.00076898356],"study_design_scores_gemma":[0.00085685897,0.0001303702,0.0000033630986,0.0009482508,0.000288196,0.000013272017,0.00084857724,0.00026312738,0.0000397132,0.020159367,0.97494876,0.0015001453],"about_ca_topic_score_codex":0.00039593753,"about_ca_topic_score_gemma":0.037462443,"teacher_disagreement_score":0.14327247,"about_ca_system_score_codex":0.0004100057,"about_ca_system_score_gemma":0.0007653367,"threshold_uncertainty_score":0.9999876},"labels":[],"label_agreement":null},{"id":"W2531464858","doi":"","title":"Art et activisme. Un monde dans lequel plusieurs mondes s’inscrivent, Galerie d’art Foreman de l’Université Bishop, Sherbrooke, du 27 janvier au 20 mars 2010Un monde dans lequel plusieurs mondes s’inscrivent, Galerie d’art Foreman de l’Université Bishop, Sherbrooke, du 27 janvier au 20 mars 2010","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018863922433899283,"score_gpt":0.21938971741793126,"score_spread":0.20052579498403197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531464858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066882186,0.00382175,0.004958763,0.0019391559,0.008530949,0.0031249982,0.0041643027,0.00050892076,0.906069],"genre_scores_gemma":[0.0240831,0.010253216,0.0032701252,0.0075784517,0.003755303,0.00027239692,0.003144018,0.0008883297,0.94675505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9858644,0.0009562052,0.00216666,0.0033732853,0.0018916458,0.0057477816],"domain_scores_gemma":[0.9908302,0.00041021488,0.0014938253,0.003084508,0.0010280441,0.0031532012],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0016536466,0.0035527933,0.002815802,0.0010504033,0.0047450652,0.0015464518,0.003272027,0.0027992914,0.14109257],"category_scores_gemma":[0.00031283416,0.0038449133,0.0021217067,0.00033453354,0.0042453366,0.004841392,0.0016378574,0.004759145,0.0019034712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006460782,0.002086163,0.014223604,0.00072566164,0.0017586931,0.0009996057,0.04646766,0.0015734961,0.026380401,0.045323063,0.8592376,0.00057794026],"study_design_scores_gemma":[0.0053329594,0.000719224,0.005068842,0.001090214,0.002414642,0.0005940745,0.023066096,0.0045547937,0.0048300424,0.0121362,0.93616605,0.0040268833],"about_ca_topic_score_codex":0.006630763,"about_ca_topic_score_gemma":0.030574633,"teacher_disagreement_score":0.1391891,"about_ca_system_score_codex":0.0032339294,"about_ca_system_score_gemma":0.0026203415,"threshold_uncertainty_score":0.99998415},"labels":[],"label_agreement":null},{"id":"W2532164872","doi":"","title":"The Critique of Bourgeois Life: Rainer Werner Fassbinder’s Nora Helmer","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Bourgeoisie; Interpretation (philosophy); Context (archaeology); Art; Art history; Philosophy; Politics; History; Law; Political science; Archaeology","score_opus":0.07093136995006363,"score_gpt":0.2897126664169395,"score_spread":0.21878129646687586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532164872","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027575702,0.359521,0.000022987057,0.0047500613,0.0007834527,0.0008466496,0.0014117929,0.000022922442,0.6298835],"genre_scores_gemma":[0.92109114,0.010596399,0.00006835219,0.017011099,0.0005222531,0.000052808347,0.00012069425,0.000027898364,0.05050937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998644,0.00017381203,0.00049126387,0.00018054202,0.00015717192,0.00035321192],"domain_scores_gemma":[0.9982934,0.00008140023,0.0002143966,0.00039498374,0.00068309763,0.00033270253],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025053968,0.0002148199,0.0005321182,0.0000896563,0.0002680444,0.000067210945,0.00031223724,0.000064786684,0.0015040832],"category_scores_gemma":[0.000064114625,0.00013810242,0.00020481825,0.000013803695,0.0005656376,0.00017563705,0.000021414698,0.00025728004,0.000030766023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008015554,0.000023778643,0.00007171606,0.0011380413,0.00009455425,0.000006684552,0.12324055,8.5413745e-8,0.0000042894158,0.5534716,0.3217126,0.00022807809],"study_design_scores_gemma":[0.00010717156,0.000051327843,0.00021638325,0.002745802,0.000046124715,0.0000023666285,0.0010786057,0.0000056822487,0.0000956417,0.0031068483,0.992378,0.00016603833],"about_ca_topic_score_codex":0.010517242,"about_ca_topic_score_gemma":0.19822516,"teacher_disagreement_score":0.91833353,"about_ca_system_score_codex":0.000036230012,"about_ca_system_score_gemma":0.0004431165,"threshold_uncertainty_score":0.99940866},"labels":[],"label_agreement":null},{"id":"W2532307656","doi":"","title":"A \"Dangerous\" painting. Michel Daigneault, Michel Daigneault, Galerie Trois Point; Montréal. April 28 - May 26, 2007Michel Daigneault, Michel Daigneault, Galerie Trois Point; Montréal. April 28 - May 26, 2007","year":2008,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Michel foucault; Painting; Cartography; Point (geometry); Geography; Political science; Politics; Law; Mathematics","score_opus":0.029082999956186305,"score_gpt":0.23862074554846888,"score_spread":0.20953774559228258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532307656","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.201151,0.19357388,0.011533561,0.030711949,0.020795409,0.014430715,0.011670953,0.013612198,0.5025203],"genre_scores_gemma":[0.26347512,0.00868256,0.008718971,0.039232966,0.014604441,0.0012553646,0.0021734932,0.0027173234,0.65913975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98118097,0.0011321249,0.00451223,0.0042773015,0.0029135747,0.005983809],"domain_scores_gemma":[0.9880403,0.00118017,0.0021729497,0.0045074853,0.0016578143,0.002441272],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0024508245,0.0039537684,0.0039310944,0.0012953435,0.004291706,0.0013176206,0.0031683,0.001661602,0.009887739],"category_scores_gemma":[0.0011048169,0.003949083,0.002354878,0.00025038837,0.0035211316,0.0028310302,0.0012741613,0.0030041728,0.0060748523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000862638,0.001937795,0.0011386514,0.00050372694,0.0010820442,0.0011336132,0.059816305,0.00014685052,0.0040505514,0.0024965105,0.92416954,0.002661773],"study_design_scores_gemma":[0.007505947,0.0008545454,0.0011401939,0.00046295853,0.00092455663,0.00072387734,0.014166718,0.0014773941,0.0031906085,0.0024125688,0.9622145,0.0049261134],"about_ca_topic_score_codex":0.06586078,"about_ca_topic_score_gemma":0.027878622,"teacher_disagreement_score":0.18489131,"about_ca_system_score_codex":0.0012398794,"about_ca_system_score_gemma":0.0010469005,"threshold_uncertainty_score":0.9997191},"labels":[],"label_agreement":null},{"id":"W2533290319","doi":"","title":"The Wunderkammer from pre-Enlightenment to contemporary art","year":2015,"lang":"en","type":"other","venue":"Insight (University of Cumbria)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Enlightenment; Nike; History of art; Modern art; Painting; Contemporary art; Performance art; Visual arts; Philosophy; Theology","score_opus":0.06522594950603876,"score_gpt":0.22367191018708515,"score_spread":0.15844596068104638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2533290319","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014017819,0.0013060722,0.0001416274,0.0011600663,0.0011081218,0.00034484742,0.00073426135,0.000107094536,0.99495775],"genre_scores_gemma":[0.0071710716,0.00011453131,0.00008808155,0.0004548745,0.00095089874,7.08148e-7,0.0001917415,0.000108949476,0.9909192],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989464,0.00006300402,0.0001360669,0.0002748449,0.00035383922,0.00022579388],"domain_scores_gemma":[0.99896437,0.00005533647,0.0001957804,0.00047374805,0.00012873612,0.0001820493],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000083419116,0.00021503287,0.00035164616,0.00011928412,0.00028470592,0.00006115531,0.00044717998,0.00013948318,0.0039065736],"category_scores_gemma":[0.000010256636,0.00019434906,0.0001098149,0.000004578302,0.00046213108,0.00010649643,0.00018310836,0.00014869409,0.0010323747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037810045,0.000039284023,0.000005190125,0.000012625646,0.00020317775,0.000020603304,0.06109165,2.4635034e-7,0.000002970927,0.011788648,0.9264745,0.00032330165],"study_design_scores_gemma":[0.00041039163,0.000068653666,0.000022436485,0.00009990429,0.0000690315,4.0670557e-7,0.0059052375,0.000009963439,0.0000039874876,0.0020356898,0.99112767,0.0002466034],"about_ca_topic_score_codex":0.019936927,"about_ca_topic_score_gemma":0.109646104,"teacher_disagreement_score":0.08970918,"about_ca_system_score_codex":0.000067147535,"about_ca_system_score_gemma":0.00020768399,"threshold_uncertainty_score":0.9997454},"labels":[],"label_agreement":null},{"id":"W2538291313","doi":"","title":"Jeanie Riddle: Black Paintings. Jeanie Riddle, Galerie Thérèse Dion, Montreal. July 14 - August 25, 2007Jeanie Riddle, Galerie Thérèse Dion, Montreal. July 14 - August 25, 2007","year":2008,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Art history; Cartography; Geography","score_opus":0.03511374802356622,"score_gpt":0.2289583508111515,"score_spread":0.1938446027875853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2538291313","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028810147,0.0057964586,0.0005398201,0.0009986153,0.004975478,0.0021215854,0.002360544,0.0020185574,0.9523788],"genre_scores_gemma":[0.4004091,0.0028720016,0.00033251458,0.004409173,0.008973281,0.00019462805,0.0009141926,0.0005987209,0.5812964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98920494,0.0005327678,0.0025194385,0.0023207436,0.0018949906,0.003527088],"domain_scores_gemma":[0.99260247,0.00065076223,0.0012307197,0.0025565594,0.0013846761,0.0015747874],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0012293011,0.0021266886,0.002053397,0.0006524873,0.0029863594,0.00086553633,0.001693722,0.0008031011,0.0166916],"category_scores_gemma":[0.0008929943,0.0020354097,0.0011137218,0.000121447156,0.002841783,0.0019574962,0.0006668887,0.0018340896,0.0056149615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002608996,0.0011841139,0.0005744514,0.00028729968,0.0004699941,0.00082635524,0.02616522,0.0000900577,0.00002787592,0.010644586,0.9575477,0.0019214092],"study_design_scores_gemma":[0.0036666554,0.0005513819,0.009285819,0.00033401098,0.00048066836,0.000119061224,0.0018909734,0.00039226716,0.00021280747,0.0042557246,0.9763028,0.002507806],"about_ca_topic_score_codex":0.008122791,"about_ca_topic_score_gemma":0.021787621,"teacher_disagreement_score":0.37159896,"about_ca_system_score_codex":0.0004742523,"about_ca_system_score_gemma":0.00060314283,"threshold_uncertainty_score":0.9998719},"labels":[],"label_agreement":null},{"id":"W2542971928","doi":"","title":"Antoni Muntadas, Entre/Between, Vancouver Art Gallery, Vancouver, 9 November 2013 to 10 February 2014","year":2014,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Archaeology; Geography; History; Exhibition","score_opus":0.009629652283774631,"score_gpt":0.17148584272474893,"score_spread":0.1618561904409743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2542971928","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0729155,0.0018918301,0.003629126,0.011870349,0.005332452,0.000976296,0.0004978793,0.0008284813,0.90205806],"genre_scores_gemma":[0.19727756,0.00038995896,0.00030327943,0.0025620982,0.0016023314,0.000008600726,0.00006973448,0.00007925877,0.7977072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978674,0.00008227487,0.0002914211,0.0005284353,0.00039358292,0.00083688693],"domain_scores_gemma":[0.9984308,0.00013092814,0.00016212842,0.0006080858,0.00017813593,0.0004899546],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019148886,0.00039693282,0.00046693912,0.00022669147,0.00092261605,0.00006896401,0.00043179106,0.00015051563,0.007653193],"category_scores_gemma":[0.000020699774,0.0004144475,0.00023814941,0.0000135990085,0.00019301409,0.00040987766,0.0003358138,0.00023407665,0.0042984406],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058720816,0.00007888068,0.00041225998,0.000025990372,0.00011355145,0.00007905075,0.0071902443,0.00007688526,0.0000293891,0.0068685818,0.98245233,0.002614103],"study_design_scores_gemma":[0.0009370029,0.00016197922,0.00067077734,0.000036669906,0.00012419675,0.000006715467,0.0015017675,0.0002545263,0.000083553336,0.0015480265,0.9941324,0.00054236996],"about_ca_topic_score_codex":0.0291959,"about_ca_topic_score_gemma":0.91831994,"teacher_disagreement_score":0.88912404,"about_ca_system_score_codex":0.0016395793,"about_ca_system_score_gemma":0.000052702293,"threshold_uncertainty_score":0.9998307},"labels":[],"label_agreement":null},{"id":"W2558291724","doi":"10.1057/978-1-137-59569-0_4","title":"Mapping Modernism’s Z-axis: A Model for Spatial Analysis in Modernist Studies","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Geospatial analysis; Modernism (music); CONTEST; Reading (process); Politics; Aesthetics; Art; Art history; Literature; Cartography; Geography; Philosophy; Political science; Linguistics","score_opus":0.10598122434718557,"score_gpt":0.2857117834542677,"score_spread":0.1797305591070821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558291724","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000049643957,0.0014432033,0.052651305,0.00014266607,0.00043857875,0.0011038457,0.0031945722,0.00016848238,0.9408077],"genre_scores_gemma":[0.7345095,0.00017441013,0.00025867403,0.0003843253,0.0011166584,0.00019176675,0.00015275976,0.00015573789,0.26305616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9963625,0.000035391866,0.0011379336,0.0010373113,0.00049089367,0.0009359717],"domain_scores_gemma":[0.9978,0.00021231287,0.0005345162,0.000845238,0.0003992764,0.00020867866],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00030759868,0.0009604114,0.0016586868,0.0010827822,0.00051734474,0.00016647943,0.00047400247,0.0003597926,0.0002818534],"category_scores_gemma":[0.00003574165,0.00080793037,0.0010619408,0.0000015374102,0.0008658919,0.0000036476397,0.00026075408,0.0003380644,0.00007245161],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006286385,0.000001528099,0.00001199493,0.00020650073,0.002264996,0.000019729645,0.10291703,0.00015950804,0.000006445332,0.89020014,0.000059463397,0.0040898123],"study_design_scores_gemma":[0.0008001185,0.00006489681,0.0000051893503,0.0002837634,0.00082086993,0.0000018542186,0.0006468627,0.072270185,0.000007562149,0.914004,0.010077978,0.0010167017],"about_ca_topic_score_codex":0.0004252454,"about_ca_topic_score_gemma":0.07623064,"teacher_disagreement_score":0.7344599,"about_ca_system_score_codex":0.00032464432,"about_ca_system_score_gemma":0.00017441716,"threshold_uncertainty_score":0.99943715},"labels":[],"label_agreement":null},{"id":"W2559830087","doi":"","title":"Poems in Steel: National Socialism and the Politics of Inventing from Weimar to Bonn, by Kees Gispen","year":2016,"lang":"en","type":"article","venue":"Journal of History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Socialism; Weimar Republic; Political science; Nazism; Economic history; Political economy; Art; Sociology; Law; Economics; Communism","score_opus":0.0583932064730126,"score_gpt":0.25152577045723634,"score_spread":0.19313256398422374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559830087","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8573447,0.011529514,0.000095371535,0.016333843,0.0023064567,0.00019017541,0.00027967224,0.0000128693755,0.1119074],"genre_scores_gemma":[0.97095144,0.00007110587,0.000051578136,0.0022433004,0.0011532388,0.0000010950389,0.0000012017172,0.0000110518,0.025515983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917245,0.00006328891,0.00034834733,0.00005523731,0.00024268715,0.00011797151],"domain_scores_gemma":[0.99928296,0.00018680259,0.00026364945,0.00005015518,0.00016234125,0.000054106473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038247084,0.000062311956,0.00018479073,0.0000872084,0.0000863604,0.000012741457,0.00011073889,0.000025819938,0.00023463894],"category_scores_gemma":[0.0001253172,0.00003785857,0.00006667955,0.0000011870285,0.00041071526,0.00014016307,0.00002902487,0.00008660974,0.0000038361695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064950225,0.00007822752,0.0005936259,0.00001692117,0.00007931549,0.000005928428,0.23421933,7.236747e-7,0.0015550519,0.35122946,0.4115053,0.00065115886],"study_design_scores_gemma":[0.00094351795,0.00003304906,0.0006515133,0.00006658799,0.000018829567,0.0000025989987,0.0015854838,0.0000036749136,0.00008505017,0.04003528,0.9565124,0.000062020204],"about_ca_topic_score_codex":0.0011273556,"about_ca_topic_score_gemma":0.0017718939,"teacher_disagreement_score":0.5450071,"about_ca_system_score_codex":0.00027564808,"about_ca_system_score_gemma":0.00015461913,"threshold_uncertainty_score":0.2569132},"labels":[],"label_agreement":null},{"id":"W2560544562","doi":"","title":"MashUp: The Birth of Modern Culture (review)","year":2016,"lang":"en","type":"article","venue":"Archivaria","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mashup; Art; World Wide Web; Computer science; Web 2.0","score_opus":0.03700139388180923,"score_gpt":0.2469992395050289,"score_spread":0.20999784562321966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560544562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00072767487,0.003775119,0.0019624415,0.0047356933,0.00033526457,0.00025235742,0.00023813074,0.0000611162,0.9879122],"genre_scores_gemma":[0.8971586,0.001982669,0.00009066679,0.0023154416,0.0005023987,0.000013819437,0.000006628591,0.00001616824,0.09791359],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931437,0.000053533677,0.00018403048,0.00012235485,0.00012805357,0.00019767674],"domain_scores_gemma":[0.9994394,0.000080362355,0.00007169193,0.0003195229,0.00004380914,0.00004519857],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010660294,0.000099854034,0.00014809308,0.000018609217,0.00014823968,0.000012388276,0.00022924993,0.000014590315,0.0010432359],"category_scores_gemma":[0.000034297027,0.000043522672,0.000091247224,0.0000011978233,0.0003431181,0.00007229818,0.00006331145,0.00006457996,0.00013779577],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043774166,0.00002141126,0.00003175638,0.0000747537,0.00002689585,7.7523714e-7,0.033427294,1.9057899e-7,0.0002334585,0.91840166,0.038092863,0.009684541],"study_design_scores_gemma":[0.00012366592,0.000026405758,0.00015790612,0.00015698417,0.000021107373,0.0000016305307,0.00007471148,0.000019934312,0.00007542423,0.3224554,0.6768187,0.00006811463],"about_ca_topic_score_codex":0.00013594171,"about_ca_topic_score_gemma":0.00028439154,"teacher_disagreement_score":0.8964309,"about_ca_system_score_codex":0.0000062155814,"about_ca_system_score_gemma":0.000027728578,"threshold_uncertainty_score":0.99986994},"labels":[],"label_agreement":null},{"id":"W2560724134","doi":"10.1057/978-1-137-58431-1_6","title":"One Must Invent: Tactical Aesthetics and Imperfect Design","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Imperfect; Aesthetics; Movie theater; Rhetoric; Rhetorical question; Sociology; Political science; Art; Visual arts; Literature; Philosophy","score_opus":0.06868136809987488,"score_gpt":0.24409091335348038,"score_spread":0.1754095452536055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560724134","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000070026654,0.00062774145,0.00031748926,0.00013527453,0.00041200625,0.00052288955,0.00030537078,0.00014717065,0.99746203],"genre_scores_gemma":[0.6434797,0.0003366726,0.000125943,0.0010517121,0.0017822568,0.000023127424,0.000031968422,0.00018412147,0.35298446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99795604,0.00006095694,0.00046591167,0.0005571559,0.00035230882,0.0006076542],"domain_scores_gemma":[0.9985772,0.00018430775,0.00021563779,0.00054712076,0.00013186838,0.00034388094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001982475,0.00058853166,0.0006432319,0.00019081192,0.00038733493,0.00018401424,0.00022794156,0.0003387311,0.0012266409],"category_scores_gemma":[0.00001816214,0.00049477734,0.00022438166,2.7112037e-7,0.0012587064,0.000005094102,0.00016915171,0.00039798155,0.00035351733],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034679488,0.000002586476,0.0000045489865,0.00007658945,0.00015154333,0.00004746306,0.010927329,4.7648115e-8,0.000020185524,0.97096103,0.0002679855,0.01750601],"study_design_scores_gemma":[0.00040842165,0.0002497815,0.00000581757,0.00019741003,0.00020113491,0.000031037678,0.000042299587,0.000014073939,0.000088513574,0.651781,0.34639853,0.00058196846],"about_ca_topic_score_codex":0.00010280667,"about_ca_topic_score_gemma":0.00085548364,"teacher_disagreement_score":0.64447755,"about_ca_system_score_codex":0.00008096767,"about_ca_system_score_gemma":0.00010662778,"threshold_uncertainty_score":0.9997504},"labels":[],"label_agreement":null},{"id":"W2567888365","doi":"10.1080/00043079.2016.1215191","title":"Review of <i>Renew Marxist Art History</i>","year":2016,"lang":"he","type":"article","venue":"The Art Bulletin","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Marxist philosophy; Art history; Visual arts; Art; History; Political science; Law; Politics","score_opus":0.046015818627929236,"score_gpt":0.23137375597667462,"score_spread":0.1853579373487454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567888365","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009988098,0.13864942,0.000050972583,0.104720645,0.0011511198,0.00031318952,0.00017247439,0.000056021618,0.75478625],"genre_scores_gemma":[0.012502659,0.09078246,0.00003166517,0.031400416,0.001258589,0.000023783856,0.00001533008,0.000055258617,0.8639298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797577,0.00025170337,0.00065421,0.00030568082,0.00030331497,0.00050933065],"domain_scores_gemma":[0.99812037,0.00028388924,0.00037018905,0.0009064122,0.00018289039,0.00013623973],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007385337,0.0003046608,0.0005466626,0.000040993007,0.00027480352,0.000026945376,0.00048734984,0.00006835475,0.08363841],"category_scores_gemma":[0.00011087161,0.00017089416,0.0003158595,0.0000025691672,0.0011508953,0.00004921244,0.00017846742,0.00016103894,0.027545815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027735281,0.000079566555,0.000006661516,0.002100363,0.000038878134,0.000003624406,0.004518698,3.4672638e-8,0.000062448154,0.033592764,0.9584591,0.001110159],"study_design_scores_gemma":[0.0004205237,0.00014512557,0.000008901563,0.006321003,0.00017809439,0.0000061318324,0.0001094764,5.3439817e-7,0.00013858546,0.000978737,0.99142337,0.00026951171],"about_ca_topic_score_codex":0.00024776373,"about_ca_topic_score_gemma":0.0003209594,"teacher_disagreement_score":0.109143555,"about_ca_system_score_codex":0.000153441,"about_ca_system_score_gemma":0.0001431847,"threshold_uncertainty_score":0.97321135},"labels":[],"label_agreement":null},{"id":"W2570977030","doi":"","title":"Nebularity: The Continuing Proliferation of the Abject in Contemporary Art","year":2015,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Subjectivity; Interpretation (philosophy); Exhibition; Contemporary art; Art; Aesthetics; Order (exchange); Art history; Visual arts; Performance art; Philosophy; Epistemology","score_opus":0.15402203025592623,"score_gpt":0.32346886760889054,"score_spread":0.1694468373529643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2570977030","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13225278,0.000107915475,0.0000032774776,0.00032732228,0.0005278437,0.0013354208,0.000065471024,0.000024630808,0.8653553],"genre_scores_gemma":[0.48746258,0.00002512643,0.0000031809416,0.000018308627,0.0001179712,7.39116e-7,0.000106872845,0.000016124897,0.5122491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99653965,0.0013880392,0.00029219646,0.00047639626,0.00085365475,0.0004500604],"domain_scores_gemma":[0.9974859,0.00017169761,0.00035074158,0.00069701014,0.0011488348,0.00014583385],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011998946,0.00026181154,0.00043952084,0.0004768312,0.0013851121,0.00035830837,0.0020230922,0.00028082082,0.0000060135862],"category_scores_gemma":[0.00008480697,0.00021910017,0.00019526275,0.00007396573,0.0010029298,0.0009143635,0.00039381284,0.0012193999,0.00001893275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005725139,0.00012238146,0.0009419374,0.000088481494,0.000105218605,0.00014628336,0.08134098,0.000010300643,0.00009981364,0.90871143,0.0077071907,0.00015348647],"study_design_scores_gemma":[0.0011275825,0.00014336845,0.0013759431,0.0004041817,0.00007952018,0.0000033312758,0.073050685,0.000122822,0.00037391056,0.0007354436,0.9223028,0.00028041154],"about_ca_topic_score_codex":0.014470578,"about_ca_topic_score_gemma":0.09334067,"teacher_disagreement_score":0.9145956,"about_ca_system_score_codex":0.0006389411,"about_ca_system_score_gemma":0.0018656187,"threshold_uncertainty_score":0.99991494},"labels":[],"label_agreement":null},{"id":"W2575104018","doi":"10.12697/sv.2015.6.145-153","title":"Ühe peniku taasloomise lugu / Recreating a Penik (a Form of Head Decoration)","year":2015,"lang":"en","type":"article","venue":"Studia Vernacula","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Head (geology); Popularity; Quarter (Canadian coin); Order (exchange); Visual arts; Art; Art history; History; Archaeology; Law; Political science","score_opus":0.13009952938338845,"score_gpt":0.3116342359376739,"score_spread":0.18153470655428547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2575104018","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35724255,0.0005113847,0.00014903706,0.0004903108,0.0008314859,0.00036344505,0.00010264328,0.00009539419,0.6402137],"genre_scores_gemma":[0.97741264,0.00003191768,0.00031731566,0.00021295041,0.0008252074,0.000027283082,0.00003404895,0.000026765027,0.021111848],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881476,0.000038732727,0.00034002122,0.00020240986,0.0003047773,0.00029926747],"domain_scores_gemma":[0.99903953,0.000056611592,0.00017252172,0.00025311983,0.00032854333,0.0001496592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023082632,0.00016835028,0.000285939,0.000056666388,0.00026028455,0.000070102105,0.00016518714,0.00004065142,0.00037718518],"category_scores_gemma":[0.00015396353,0.00014689716,0.000111451314,0.0000047603785,0.0002126308,0.00028676895,0.00009488748,0.000103697195,0.00015927918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011580581,0.0003017044,0.005319872,0.000102268285,0.0002318232,0.000027815098,0.5172843,0.00001588863,0.00009556187,0.40593204,0.06822525,0.0023476954],"study_design_scores_gemma":[0.0027120686,0.00042151997,0.001743273,0.00010954769,0.00017678396,0.000010248753,0.031895336,0.00032784394,0.00051301887,0.029207725,0.9323625,0.00052013656],"about_ca_topic_score_codex":0.0034292727,"about_ca_topic_score_gemma":0.020766316,"teacher_disagreement_score":0.86413723,"about_ca_system_score_codex":0.00008636713,"about_ca_system_score_gemma":0.00022147542,"threshold_uncertainty_score":0.99710214},"labels":[],"label_agreement":null},{"id":"W2581330379","doi":"10.3138/jcs.2016.50.1.244","title":"Avant-Garde and Counter-Culture Made in Canada","year":2016,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; Art; Sociology; Art history; History","score_opus":0.048117072274453124,"score_gpt":0.23525929554248104,"score_spread":0.18714222326802793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581330379","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7188842,0.02688094,0.0000050231033,0.05117773,0.0053926986,0.00022382708,0.0006503356,0.000010786774,0.19677441],"genre_scores_gemma":[0.96299106,0.0021618707,0.000009948371,0.0017343946,0.00052273093,8.135077e-7,2.126266e-7,0.00000703472,0.032571953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933094,0.00001699438,0.00022576166,0.00005885351,0.0001254867,0.00024199339],"domain_scores_gemma":[0.99945265,0.00004346024,0.00009069263,0.000048599995,0.00017341439,0.00019118685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008830336,0.00008555189,0.00021233108,0.00018775272,0.00013254145,0.000025647178,0.00006787805,0.000015417216,0.00014286257],"category_scores_gemma":[0.000054429773,0.000050297673,0.000026309799,0.0000010649746,0.00014580502,0.00012021878,0.000011724203,0.00008208652,0.000003427116],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015536943,0.000007974163,0.008346829,0.000038427144,0.0002818032,0.0004543773,0.26945466,0.0000011038891,0.000029668176,0.0066712443,0.7106184,0.004079982],"study_design_scores_gemma":[0.00029856883,0.000037473037,0.0033357297,0.000112545466,0.000018268493,0.000030148633,0.017785562,5.2235396e-7,0.000012989928,0.0012231724,0.9770614,0.000083608364],"about_ca_topic_score_codex":0.9736207,"about_ca_topic_score_gemma":0.9999916,"teacher_disagreement_score":0.266443,"about_ca_system_score_codex":0.00053868577,"about_ca_system_score_gemma":0.0009674312,"threshold_uncertainty_score":0.20510796},"labels":[],"label_agreement":null},{"id":"W2587285617","doi":"","title":"The Visual Politics of the Female Form in 1920s Canada","year":2015,"lang":"en","type":"dissertation","venue":"YorkSpace (York University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Gender studies; Political science; Sociology; Law","score_opus":0.024483763447645353,"score_gpt":0.2223658000162036,"score_spread":0.19788203656855824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587285617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25907892,0.00037170234,0.0000016353306,0.00063445955,0.0025975031,0.00036878587,0.00021131709,0.00002875032,0.7367069],"genre_scores_gemma":[0.47942498,0.000033244836,0.00000216065,0.000066710505,0.00019914504,4.9978837e-7,0.00007058086,0.000016712476,0.52018595],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989089,0.000062113,0.00016693772,0.00016611419,0.00032468585,0.00037125646],"domain_scores_gemma":[0.9990916,0.00010193016,0.00023476272,0.00028699051,0.00019466726,0.00009003753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008678391,0.00019347173,0.00022869954,0.000116628275,0.0006486671,0.000055417997,0.00050878513,0.0001225694,0.00005459061],"category_scores_gemma":[0.00003858491,0.00014201473,0.00010320143,0.000017001,0.0002455388,0.00007819997,0.00006324334,0.0003199886,0.000004091653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007466331,0.00007521145,0.00085755065,0.00014164821,0.0001217897,0.000026967933,0.20612365,0.000031278094,0.0000022056242,0.71170807,0.080370784,0.00046617945],"study_design_scores_gemma":[0.0002193137,0.000023929084,0.00048400235,0.00008415898,0.000059244278,2.968647e-7,0.16310583,0.000028410052,0.00002773198,0.0016140107,0.83418655,0.00016651039],"about_ca_topic_score_codex":0.6608628,"about_ca_topic_score_gemma":0.9976993,"teacher_disagreement_score":0.75381577,"about_ca_system_score_codex":0.00047278192,"about_ca_system_score_gemma":0.001977541,"threshold_uncertainty_score":0.57911927},"labels":[],"label_agreement":null},{"id":"W2587632789","doi":"","title":"Enacting Politics through Art: Encounters between Queer and Trans of Color Organizers and the Canadian City.","year":2016,"lang":"en","type":"dissertation","venue":"Deep Blue (University of Michigan)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Politics; Gender studies; Art; Political science; Aesthetics; Sociology; Art history; Law","score_opus":0.01730949962114147,"score_gpt":0.20128483930550917,"score_spread":0.1839753396843677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587632789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9395728,0.00016189896,0.00009406994,0.00060298183,0.00018667607,0.00020554605,0.00061577925,0.000013581532,0.058546662],"genre_scores_gemma":[0.96741605,0.00015384624,0.000039270322,0.00013603918,0.00015144954,1.8730267e-7,0.00016366519,0.000020639645,0.031918857],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99921817,0.000045651843,0.00015205372,0.0001874401,0.00014214434,0.0002545358],"domain_scores_gemma":[0.9992318,0.00015152003,0.00020265249,0.00014219804,0.00015772313,0.00011411192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011087198,0.00017127744,0.0003768053,0.00012232877,0.00070989196,0.000031794145,0.00018143436,0.0001557949,0.00022945652],"category_scores_gemma":[0.000018333405,0.00015342441,0.00008541831,0.0000047507533,0.00096780417,0.00017244332,0.000018848556,0.00017518507,0.000005019003],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032113592,0.000006049568,0.00008439453,0.0001231896,0.0001919962,0.0000034434713,0.9658298,2.2264742e-7,0.000022052527,0.03348984,0.000095211275,0.00012171775],"study_design_scores_gemma":[0.0016678221,0.000071651084,0.0009280342,0.000217594,0.00073094683,0.0000025056213,0.871824,0.000024078226,0.0002283604,0.005001313,0.1189513,0.0003523772],"about_ca_topic_score_codex":0.18272816,"about_ca_topic_score_gemma":0.9900998,"teacher_disagreement_score":0.8073717,"about_ca_system_score_codex":0.00004999533,"about_ca_system_score_gemma":0.00021514134,"threshold_uncertainty_score":0.82271415},"labels":[],"label_agreement":null},{"id":"W2587953605","doi":"10.7916/d86m3721","title":"Barbara Hammer: Catalog of Works and Images","year":2016,"lang":"en","type":"article","venue":"Columbia Academic Commons (Columbia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hammer; Computer graphics (images); Visual arts; Art history; Computer science; Geology; Art; Artificial intelligence; Engineering","score_opus":0.02708826941208458,"score_gpt":0.20779033397034216,"score_spread":0.18070206455825757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587953605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7232538,0.00071580615,0.00025934514,0.0014050948,0.0005891994,0.0005766768,0.00089291995,0.00027995062,0.2720272],"genre_scores_gemma":[0.7529918,0.00044053642,0.000031269807,0.00013505154,0.00017523707,0.0000019460076,0.0000117882055,0.000025344787,0.24618705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984675,0.000109591485,0.00031551477,0.00040578673,0.0001935923,0.00050802645],"domain_scores_gemma":[0.99868333,0.00027435858,0.00020031512,0.00043005255,0.0001513639,0.00026060588],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017080798,0.00017391295,0.00039802384,0.0001686246,0.00061144866,0.00015109811,0.0005310387,0.00022883218,0.0013477082],"category_scores_gemma":[0.00006914836,0.00023909369,0.00013139048,0.000017156837,0.0017037024,0.0006425518,0.00039282397,0.00039823682,0.000039667564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014013796,0.0003421786,0.24750285,0.00024036992,0.0004812474,0.00014954782,0.043110523,0.0000015105471,0.0020461578,0.046122544,0.58484364,0.07501933],"study_design_scores_gemma":[0.0014925806,0.00012467454,0.020018494,0.00028788517,0.00017423515,0.000010326507,0.0024758258,0.00001611987,0.000079485086,0.005272373,0.96955985,0.00048816286],"about_ca_topic_score_codex":0.03835418,"about_ca_topic_score_gemma":0.42472205,"teacher_disagreement_score":0.38636786,"about_ca_system_score_codex":0.00012012027,"about_ca_system_score_gemma":0.00011751479,"threshold_uncertainty_score":0.9995652},"labels":[],"label_agreement":null},{"id":"W2589578317","doi":"","title":"Not at the beginning and not at the end: A Conversation among Deidre Logue, Allyson Mitchell and Helena Reckitt","year":2015,"lang":"en","type":"book-chapter","venue":"Goldsmiths (University of London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Conversation; Exhibition; Sociology; Gender studies; Invisibility; Art; Feminism; Queer theory; Contemporary art; Visual arts; Aesthetics; Art history; Performance art","score_opus":0.04776496636848617,"score_gpt":0.19797181090530594,"score_spread":0.15020684453681976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589578317","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15953803,0.0033019567,0.00009863236,0.008647269,0.0005337598,0.0009861739,0.0009823882,0.000106140564,0.82580566],"genre_scores_gemma":[0.23025122,0.00089849584,0.000021192942,0.0004835815,0.00022230645,4.7832526e-7,0.00008820321,0.000031940464,0.76800257],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987611,0.00005293474,0.00017308145,0.00038255565,0.0003542303,0.00027605682],"domain_scores_gemma":[0.99872386,0.0002049494,0.00036781112,0.0003843937,0.0001900473,0.00012892748],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029780073,0.00030519452,0.00039474588,0.00010307373,0.0008809474,0.00006337183,0.000258202,0.00021434641,0.0013078407],"category_scores_gemma":[0.000012837772,0.00024778384,0.00014211476,0.0000024047317,0.0024246266,0.00026381135,0.0004989976,0.00031107286,0.000091682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000732553,0.000038307317,0.0012450085,0.00042381044,0.0009400663,0.00013939796,0.579841,0.000018993043,0.000073768315,0.28546903,0.12053611,0.010541965],"study_design_scores_gemma":[0.00101863,0.00012155833,0.00092626613,0.00014271608,0.00044751572,0.000019573243,0.008411372,0.0002176986,0.000040400362,0.0039129397,0.9843346,0.00040676078],"about_ca_topic_score_codex":0.0038118982,"about_ca_topic_score_gemma":0.080331236,"teacher_disagreement_score":0.86379844,"about_ca_system_score_codex":0.00018147416,"about_ca_system_score_gemma":0.00007188735,"threshold_uncertainty_score":0.99999744},"labels":[],"label_agreement":null},{"id":"W2591028408","doi":"","title":"De la relation art et pouvoir / The Relation of Art and Power","year":2009,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relation (database); Power (physics); Art; Humanities; Computer science","score_opus":0.011951455108306969,"score_gpt":0.2506146407968236,"score_spread":0.23866318568851663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591028408","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018250566,0.006236483,0.0013633549,0.10378365,0.0005888763,0.00028145,0.00006874238,0.000052599757,0.8693743],"genre_scores_gemma":[0.6125279,0.00031374945,0.00015334263,0.0021778978,0.00031754436,0.0000017090413,0.00002131446,0.000013348423,0.3844732],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899596,0.0002599346,0.00018364393,0.00016143681,0.00016700037,0.00023202546],"domain_scores_gemma":[0.9993732,0.00014233337,0.00012932687,0.00021497965,0.00007111521,0.000069052636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004704689,0.00015759758,0.00015415433,0.000048309634,0.00031571108,0.00014327635,0.00006949688,0.00021739486,0.0005391354],"category_scores_gemma":[0.00008734149,0.00012093939,0.00008992545,0.0000056711665,0.00044005873,0.00027466431,0.000019946148,0.00039711694,0.000071676346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018079316,0.00005212107,0.00023234214,0.000018747833,0.000025924382,0.0000027963918,0.15253812,0.00016647983,0.000055357137,0.78689,0.059639957,0.00036009253],"study_design_scores_gemma":[0.00024348022,0.000107215856,0.060687866,0.00010532873,0.00007105549,0.0000149608,0.0020860208,0.0003162962,0.000019554005,0.028900921,0.907316,0.00013127584],"about_ca_topic_score_codex":0.000049180526,"about_ca_topic_score_gemma":0.0005040741,"teacher_disagreement_score":0.8476761,"about_ca_system_score_codex":0.00004330917,"about_ca_system_score_gemma":0.00006649161,"threshold_uncertainty_score":0.5903155},"labels":[],"label_agreement":null},{"id":"W2592298413","doi":"","title":"Face Value: Exploring the Inter-subjectivity of Mixed-Race Identity Through the Works of Jordan Clarke, Erika DeFreitas and Olivia McGilchrist","year":2014,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Subjectivity; Identity (music); Visual arts; Sociology; White (mutation); Art; Value (mathematics); Aesthetics; Gender studies; Computer science","score_opus":0.10954062575362838,"score_gpt":0.30671992969752504,"score_spread":0.19717930394389666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592298413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40507957,0.00022513543,0.00024314811,0.00013706728,0.00058566924,0.0007017391,0.00008279665,0.00002500142,0.5929199],"genre_scores_gemma":[0.7722444,0.00064646424,0.000028952385,0.000012390843,0.00014645366,0.0000013801202,0.00005019332,0.00003086925,0.22683893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959331,0.0017005561,0.00033179094,0.00062954635,0.0008329992,0.00057198846],"domain_scores_gemma":[0.9968559,0.0006534166,0.0005158989,0.000944739,0.0008659848,0.00016406467],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0012220818,0.00036106093,0.0006285067,0.0003469372,0.0034500912,0.00043399885,0.0024486934,0.0002465284,0.000006813757],"category_scores_gemma":[0.00011156715,0.00031262965,0.0002778614,0.00009080373,0.0023333656,0.0022950391,0.00089763233,0.0013884157,0.000007432089],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004890097,0.00012563387,0.00028913308,0.00027307868,0.000358652,0.00005267889,0.05260695,0.000027218943,0.00008906905,0.94411606,0.0010647342,0.000507757],"study_design_scores_gemma":[0.0012915931,0.0004538876,0.005690122,0.0011208964,0.00061637437,0.000010340818,0.26201668,0.00015105822,0.0022449887,0.0027155655,0.72300196,0.0006865363],"about_ca_topic_score_codex":0.042286724,"about_ca_topic_score_gemma":0.08278193,"teacher_disagreement_score":0.9414005,"about_ca_system_score_codex":0.0003707792,"about_ca_system_score_gemma":0.00043101198,"threshold_uncertainty_score":0.9999326},"labels":[],"label_agreement":null},{"id":"W2593677361","doi":"","title":"Feminist Duration Reading Group","year":2015,"lang":"en","type":"article","venue":"Goldsmiths (University of London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feminism; Duration (music); Context (archaeology); Politics; Gender studies; Sociology; Reading (process); Craft; Visual arts; History; Art; Literature; Law; Political science","score_opus":0.04811777485318049,"score_gpt":0.21277585076054403,"score_spread":0.16465807590736353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593677361","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1796389,0.00009766697,0.001671283,0.00091393455,0.00061484735,0.00017474515,0.0000972067,0.000159119,0.8166323],"genre_scores_gemma":[0.93440574,0.000014632107,0.0004174806,0.00017069772,0.00021914384,1.3782895e-7,0.000026175498,0.000009784297,0.06473621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937034,0.000030116928,0.00010420465,0.00014660801,0.00016885316,0.00017988085],"domain_scores_gemma":[0.9994725,0.000026491736,0.00010938748,0.00016813239,0.00010002388,0.00012349202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014368758,0.000089660825,0.0001529839,0.000088123335,0.00026234126,0.000034590186,0.0001616268,0.000043216976,0.0003733237],"category_scores_gemma":[0.000016603368,0.000105601226,0.00007085406,0.000003971062,0.00032404857,0.00029766647,0.000062922445,0.00007320021,0.00017262959],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009055506,0.00011626364,0.0018837673,0.000047326346,0.000060948634,0.000043161723,0.29421037,0.0000063763055,0.00007799096,0.6331483,0.06778175,0.0025331725],"study_design_scores_gemma":[0.000756185,0.00013436138,0.0005774082,0.00002441594,0.000047311656,0.000005245235,0.033295378,0.00033992075,0.00004330033,0.004608417,0.95999426,0.00017377906],"about_ca_topic_score_codex":0.00288695,"about_ca_topic_score_gemma":0.009697867,"teacher_disagreement_score":0.8922125,"about_ca_system_score_codex":0.00006523207,"about_ca_system_score_gemma":0.000049676302,"threshold_uncertainty_score":0.54116374},"labels":[],"label_agreement":null},{"id":"W2594043218","doi":"","title":"“I’m touching myself” An Investigation of Ann Hirsch’s Twelve","year":2014,"lang":"en","type":"other","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Scholarship; Social media; Digital media; Sociology; The Internet; Media studies; Identity (music); Object (grammar); New media; Visual arts; Cyberculture; Representation (politics); Art; Art history; Aesthetics; Computer science; World Wide Web; Political science; Artificial intelligence; Law","score_opus":0.1157207246502317,"score_gpt":0.29478475838449086,"score_spread":0.17906403373425916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594043218","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005606434,0.000049671715,0.000094977746,0.00011193501,0.00046235032,0.00074237864,0.00015678696,0.00017023594,0.9926052],"genre_scores_gemma":[0.047391485,0.00009423141,0.0001836332,0.000050775645,0.000711936,3.848849e-7,0.00015973441,0.00016275281,0.95124507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99625903,0.0012349292,0.00024999192,0.00079739746,0.0007735967,0.00068504305],"domain_scores_gemma":[0.9974302,0.00012501188,0.000408643,0.0009663024,0.00054756587,0.00052230025],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006720257,0.0003815305,0.00061158696,0.001365118,0.0015509289,0.00032703675,0.0021488632,0.00043288103,0.000100241174],"category_scores_gemma":[0.00002572729,0.000457271,0.00019432836,0.00005147383,0.0020931517,0.0010556784,0.00065679173,0.0008724953,0.000101605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001106354,0.00009091303,0.0002167306,0.00014920655,0.00019622208,0.0001838848,0.030993532,0.000004705942,0.000089930436,0.9003651,0.06746901,0.00013011142],"study_design_scores_gemma":[0.00087301276,0.00034391118,0.00009786319,0.00033190954,0.00013366177,0.0000044410885,0.016421694,0.00009523169,0.00015544312,0.00041112836,0.9806381,0.0004936045],"about_ca_topic_score_codex":0.031943634,"about_ca_topic_score_gemma":0.027951673,"teacher_disagreement_score":0.9131691,"about_ca_system_score_codex":0.0005162755,"about_ca_system_score_gemma":0.00077380147,"threshold_uncertainty_score":0.9997879},"labels":[],"label_agreement":null},{"id":"W2594379618","doi":"","title":"A \"Dangerous\" painting / Michel Daigneault, Michel Daigneault, Galerie Trois Point; Montréal. April 28 - May 26, 2007","year":2007,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Art history; Michel foucault; Visual arts; Political science; Law; Politics","score_opus":0.013027580412637362,"score_gpt":0.18701860170241486,"score_spread":0.1739910212897775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594379618","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3569301,0.086674504,0.0150722135,0.0283332,0.0039604185,0.0023363086,0.0010052165,0.003331072,0.50235695],"genre_scores_gemma":[0.32361472,0.0020138829,0.002676002,0.0073961425,0.0030584051,0.000019713447,0.00020905683,0.00032181293,0.6606903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963354,0.00011801162,0.0005982238,0.0007831344,0.0005559109,0.0016093549],"domain_scores_gemma":[0.9976411,0.00027272638,0.00039713195,0.0007897814,0.00029583616,0.00060343597],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078693696,0.0006454655,0.0006505639,0.0003963086,0.001855494,0.00014801875,0.0006260796,0.0002957349,0.0014122924],"category_scores_gemma":[0.00009593501,0.00069851434,0.00045801952,0.000035955134,0.00048255041,0.00060993555,0.00038963536,0.00050886115,0.0007343052],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033659907,0.00030786695,0.000545409,0.00010665372,0.00035487843,0.0020983503,0.051566213,0.000048887414,0.0012157933,0.030292133,0.89937556,0.01375166],"study_design_scores_gemma":[0.0016286415,0.00014697912,0.00036427542,0.000067111585,0.00023214909,0.00017096306,0.017650917,0.00042938645,0.00048117593,0.0012197765,0.97678167,0.00082698057],"about_ca_topic_score_codex":0.06388534,"about_ca_topic_score_gemma":0.38459456,"teacher_disagreement_score":0.32070923,"about_ca_system_score_codex":0.0029197142,"about_ca_system_score_gemma":0.00008249579,"threshold_uncertainty_score":0.9995466},"labels":[],"label_agreement":null},{"id":"W2597621872","doi":"","title":"Molly Landreth, Embodiment: A Portrait of Queer Life in America, IPS gallery, Montreal, November 1 - December 20, 2008","year":2009,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Queer; Art history; Art; Visual arts; History; Sociology; Gender studies","score_opus":0.012149473735990204,"score_gpt":0.18177309344230025,"score_spread":0.16962361970631004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597621872","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3533062,0.009984458,0.00028000274,0.014243427,0.0003001988,0.0005789205,0.00045671265,0.00020399905,0.62064606],"genre_scores_gemma":[0.8422345,0.00092286663,0.00017670653,0.0021751963,0.00022306967,0.0000044250646,0.0000791301,0.00003407242,0.15415005],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985,0.000050705345,0.00032362685,0.00031189824,0.0002815333,0.00053227384],"domain_scores_gemma":[0.9990494,0.00004809844,0.00020121192,0.00033302917,0.00012134981,0.00024686736],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009128521,0.00025845206,0.000440919,0.00022427134,0.00025964764,0.000024030654,0.00022955584,0.00011073237,0.0014394576],"category_scores_gemma":[0.000018714083,0.00026824937,0.00016695884,0.000020792779,0.00019763393,0.00024508362,0.00007713012,0.00018968538,0.00010254524],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038224156,0.00066304667,0.00168251,0.000042574986,0.00025928783,0.0011428517,0.0776996,0.00056620425,0.00025798727,0.04927829,0.86105657,0.006968832],"study_design_scores_gemma":[0.0016798564,0.00019668118,0.0046863984,0.000047216694,0.000096258955,0.000036003556,0.0030099715,0.0007803503,0.000047529324,0.003348802,0.98567325,0.00039771234],"about_ca_topic_score_codex":0.044412773,"about_ca_topic_score_gemma":0.5431688,"teacher_disagreement_score":0.498756,"about_ca_system_score_codex":0.00072965916,"about_ca_system_score_gemma":0.00009533047,"threshold_uncertainty_score":0.999977},"labels":[],"label_agreement":null},{"id":"W2600613763","doi":"","title":"Wednesday Lupypciw : Allies Honour You","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Declaration; Queer; Sculpture; Alliance; Public space; Art; Visual arts; Gender studies; Media studies; Sociology; Art history; Political science; Law; Engineering","score_opus":0.030691652197259313,"score_gpt":0.230070788394247,"score_spread":0.1993791361969877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2600613763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011256082,0.0026752525,0.00020111694,0.0011661962,0.010825022,0.0007271241,0.0007134678,0.0006461899,0.98293304],"genre_scores_gemma":[0.0044663353,0.0004231528,0.000060577528,0.0041094925,0.013726521,0.00009219241,0.0009227795,0.00040428428,0.9757947],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99479014,0.00018194324,0.0012036697,0.0013284044,0.0009209416,0.0015749272],"domain_scores_gemma":[0.9963679,0.00026076776,0.0006815236,0.0016905518,0.0004139928,0.0005852818],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005487547,0.00138351,0.0015746612,0.0004201063,0.0012908126,0.0007669293,0.00105817,0.00072028907,0.021789359],"category_scores_gemma":[0.00006867269,0.0013208332,0.0008990624,0.0000059522677,0.0014893288,0.00051207794,0.00031017498,0.0012192017,0.023107458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020083868,0.00009442223,0.000003500669,0.00020199946,0.00023942701,0.000037217178,0.041253,0.0000033441338,0.000004239648,0.22112674,0.73358035,0.0034356772],"study_design_scores_gemma":[0.00072038773,0.00024695246,0.000032785283,0.00034848633,0.00035454432,0.000021854219,0.00062985637,0.000082919825,0.000011260686,0.06693774,0.9291094,0.0015038116],"about_ca_topic_score_codex":0.00038039632,"about_ca_topic_score_gemma":0.010885788,"teacher_disagreement_score":0.19552906,"about_ca_system_score_codex":0.00030143867,"about_ca_system_score_gemma":0.00064053485,"threshold_uncertainty_score":0.9998915},"labels":[],"label_agreement":null},{"id":"W2601496057","doi":"10.3138/md.3053","title":"Museum, Furniture, Men: The Queer Ecology of <i>I Am My Own Wife</i>","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wife; Queer; Anthropocentrism; Ecology; Object (grammar); Lesbian; Sociology; Wright; Gender studies; Art history; History; Philosophy; Theology; Biology","score_opus":0.03983034474630249,"score_gpt":0.2581928418954853,"score_spread":0.21836249714918282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601496057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107979394,0.00032373663,0.00042825766,0.008989093,0.0013646462,0.0004049261,0.0001660469,0.000116113086,0.8802278],"genre_scores_gemma":[0.9279582,0.000038731367,0.00002947047,0.0019547075,0.0009616018,0.000023131923,0.000009803519,0.00003279287,0.06899158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988463,0.000055400415,0.00026933642,0.00023267792,0.00020054424,0.0003957719],"domain_scores_gemma":[0.99854517,0.00007557268,0.00024597032,0.00091923075,0.00013537996,0.000078647005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019018224,0.00018668013,0.00027474045,0.000037856298,0.0011329753,0.00025655192,0.0006385342,0.00009410964,0.0006026297],"category_scores_gemma":[0.000056773926,0.00012579568,0.00013777771,8.4261075e-7,0.0010472289,0.00023328402,0.00018799635,0.00021215552,0.0001261417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000626806,0.0002933842,0.0019343729,0.00008819172,0.00026977685,0.000025964639,0.32449496,0.00006913271,0.0003319118,0.5511632,0.11542368,0.005842781],"study_design_scores_gemma":[0.00060530315,0.00009678862,0.0020399482,0.000019051531,0.000072323564,0.000005832498,0.0014435378,0.0016739134,0.0005573936,0.07822795,0.9150095,0.00024848522],"about_ca_topic_score_codex":0.0015596693,"about_ca_topic_score_gemma":0.01204534,"teacher_disagreement_score":0.8199788,"about_ca_system_score_codex":0.000025249614,"about_ca_system_score_gemma":0.000065285065,"threshold_uncertainty_score":0.87140447},"labels":[],"label_agreement":null},{"id":"W2601691754","doi":"10.3138/cras.2016.017","title":"Going off the Gold Standard in Henry Miller's <i>Tropic of Cancer</i>","year":2017,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miller; Currency; Aesthetics; Sociology; Political science; Literature; Philosophy; Art","score_opus":0.05765654006136833,"score_gpt":0.3297316187412604,"score_spread":0.27207507867989206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601691754","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049716998,0.81406814,8.273167e-7,0.0132610975,0.00061265787,0.00055424887,0.0007309886,0.000011320566,0.12104371],"genre_scores_gemma":[0.62841153,0.36492783,0.000014233671,0.0038550182,0.00019472974,0.000033648168,0.0000018752165,0.00001275449,0.0025483973],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901986,0.000049349725,0.00036237462,0.00013906487,0.0001358537,0.000293482],"domain_scores_gemma":[0.9987732,0.00006763133,0.00041404032,0.00044821727,0.00020560241,0.00009130898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019335488,0.00013484502,0.00067082327,0.00006150308,0.00033282422,0.00002117281,0.00033051628,0.000009566941,0.00008350315],"category_scores_gemma":[0.00019902393,0.00009153178,0.0001073241,0.0000057390776,0.002332163,0.00007848266,0.00006048377,0.00009186508,0.0000038806393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026249993,0.000042336414,0.037258975,0.012384122,0.001184416,0.00005119933,0.16003719,0.000004530418,0.000007270847,0.069775954,0.28795397,0.43127382],"study_design_scores_gemma":[0.00010613032,0.00006352467,0.0031944138,0.0035693645,0.00007471577,4.3297715e-7,0.0061846394,0.0000015062451,0.000007435974,0.00015703433,0.9865277,0.000113122034],"about_ca_topic_score_codex":0.3446278,"about_ca_topic_score_gemma":0.93374366,"teacher_disagreement_score":0.6985737,"about_ca_system_score_codex":0.0001466167,"about_ca_system_score_gemma":0.00034973634,"threshold_uncertainty_score":0.85929525},"labels":[],"label_agreement":null},{"id":"W2602188835","doi":"10.22329/p.v11i2.4787","title":"Review of Patricia M. Locke and Rachel McCann, Eds. \"Merleau-Ponty: Space, Place, Architecture\"","year":2016,"lang":"en","type":"article","venue":"PhaenEx","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architecture; Space (punctuation); Art history; Sociology; Philosophy; Art; Visual arts; Linguistics","score_opus":0.027388102093183323,"score_gpt":0.25173311364043766,"score_spread":0.22434501154725434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602188835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022884969,0.43678948,0.0013816695,0.020299543,0.0014671762,0.001419319,0.0014203095,0.00032829127,0.51400924],"genre_scores_gemma":[0.7783558,0.101713,0.0003638055,0.010341982,0.0026306377,0.000055354845,0.000040832245,0.00010819362,0.10639039],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892896,0.000060749062,0.00029810998,0.00022993375,0.00016883085,0.00031338554],"domain_scores_gemma":[0.99921477,0.00012630373,0.00014671897,0.00028097144,0.00010730582,0.00012393137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002008201,0.00018560846,0.00035167777,0.00008414332,0.00013031455,0.000023404471,0.00013410595,0.000038666287,0.0007945798],"category_scores_gemma":[0.00009438666,0.00012016212,0.00009759082,0.0000043199575,0.0003551378,0.00010768415,0.00007296624,0.0000860728,0.00005934674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001244561,0.00032879828,0.0012412062,0.007554224,0.00028094673,0.000026648728,0.039797388,0.000001218933,0.0006306446,0.13080029,0.3640122,0.45520195],"study_design_scores_gemma":[0.00045449153,0.00007694577,0.000107981105,0.0012631445,0.000072774434,0.00000735361,0.0000872105,0.000004399641,0.00041505316,0.006111678,0.99120265,0.00019632195],"about_ca_topic_score_codex":0.0004818384,"about_ca_topic_score_gemma":0.0016493085,"teacher_disagreement_score":0.7554708,"about_ca_system_score_codex":0.000020906184,"about_ca_system_score_gemma":0.000054950702,"threshold_uncertainty_score":0.8700091},"labels":[],"label_agreement":null},{"id":"W2603483664","doi":"","title":"LibGuides: Art & Art History : eBooks","year":2013,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Art history; History","score_opus":0.07104281586771302,"score_gpt":0.2377125424344938,"score_spread":0.16666972656678078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603483664","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006046171,0.0014440021,0.000031737112,0.0005681264,0.007879338,0.00026911707,0.00017087164,0.0005457507,0.989085],"genre_scores_gemma":[0.00012759806,0.0001862309,0.00013332526,0.014614593,0.010536929,0.00010395714,0.00059603027,0.00017595387,0.9735254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766046,0.000053817548,0.00066504726,0.0005284349,0.00039468435,0.00069753575],"domain_scores_gemma":[0.99842733,0.000100489255,0.0002511126,0.0007351997,0.00024361027,0.00024227833],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013502374,0.00057191425,0.00065594446,0.0002462153,0.00026862294,0.00023777016,0.00048018372,0.00033107106,0.09501083],"category_scores_gemma":[0.00003435914,0.00048242364,0.00037210694,3.4438162e-7,0.00084789115,0.00020100131,0.0001529083,0.0005322893,0.021819707],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018442187,0.00002521634,5.6427075e-7,0.00011576174,0.00008221781,0.000008786479,0.026366934,5.882827e-8,9.767922e-7,0.14676526,0.8257679,0.00086451124],"study_design_scores_gemma":[0.00015554891,0.00007186671,0.0000012565403,0.00011844358,0.000100503436,0.0000044110975,0.0006995586,0.000016011289,0.000006318673,0.0065741646,0.9915993,0.00065261143],"about_ca_topic_score_codex":0.0019973456,"about_ca_topic_score_gemma":0.013623431,"teacher_disagreement_score":0.16583143,"about_ca_system_score_codex":0.00034818376,"about_ca_system_score_gemma":0.00045837677,"threshold_uncertainty_score":0.9997627},"labels":[],"label_agreement":null},{"id":"W2605290180","doi":"","title":"Toronto : Événement d’art public / Toronto : A Public Art Project","year":2000,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Public art; Public housing; Media studies; Public work; Sociology; Political science; Public administration; Visual arts; Art; Law","score_opus":0.03597312589192106,"score_gpt":0.26423816330862426,"score_spread":0.2282650374167032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605290180","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00072311924,0.034237996,0.00006435773,0.061858553,0.0031509667,0.0010594997,0.00045159765,0.00034407733,0.89810985],"genre_scores_gemma":[0.042557962,0.0048752497,0.00020642728,0.0049873884,0.006300703,0.00016793664,0.000288815,0.00013396666,0.94048154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953834,0.00031901058,0.00061632425,0.00091791333,0.00081624923,0.0019470917],"domain_scores_gemma":[0.99770427,0.000049844428,0.00018214667,0.0010882944,0.0003205306,0.00065494207],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049069617,0.0008007949,0.00065932446,0.00006762028,0.0013274082,0.0015844356,0.00061645935,0.0004604662,0.17214274],"category_scores_gemma":[0.000058298163,0.0007498062,0.000524038,0.000011623596,0.0006753428,0.002701706,0.00015678798,0.00048326593,0.0040656314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026206548,0.0005025552,0.000047512105,0.00013997704,0.00024743596,0.000018352366,0.114418596,0.0000020671514,0.0000031586903,0.26264277,0.60917324,0.012778144],"study_design_scores_gemma":[0.0008817621,0.00036903794,0.00021481505,0.00013866428,0.00015245882,0.000022377822,0.017835643,0.00015140999,0.000004895274,0.00049280975,0.9788352,0.0009009065],"about_ca_topic_score_codex":0.019184295,"about_ca_topic_score_gemma":0.7727294,"teacher_disagreement_score":0.7535451,"about_ca_system_score_codex":0.0016015496,"about_ca_system_score_gemma":0.00069574197,"threshold_uncertainty_score":0.9999727},"labels":[],"label_agreement":null},{"id":"W2605454518","doi":"","title":"Sculpture et vie privée. Autour de Giuseppe Penone / Sculpture and Private Life. Concerning Giuseppe Penone","year":2011,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Humanities; Art history","score_opus":0.05939234530753118,"score_gpt":0.25181763576684757,"score_spread":0.1924252904593164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605454518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30198082,0.018855529,0.005141179,0.033012815,0.0055410624,0.00421642,0.0010454168,0.003399978,0.62680674],"genre_scores_gemma":[0.9214874,0.000503091,0.002357723,0.009239133,0.0022903855,0.0000649369,0.000110954876,0.0002193537,0.06372704],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99609864,0.00032476732,0.00056873215,0.0009789482,0.00062526396,0.0014036366],"domain_scores_gemma":[0.99752796,0.00009381232,0.00038830587,0.00090847997,0.0002810712,0.0008003966],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067793817,0.0008570991,0.00085308385,0.00023169536,0.0011325579,0.00055075885,0.000651553,0.0005227662,0.0026943085],"category_scores_gemma":[0.00026309368,0.000727696,0.00033722917,0.000028047405,0.0008626086,0.00085279107,0.0004156286,0.0013958311,0.0003088646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017598823,0.000266985,0.003147572,0.00032530897,0.0004505284,0.0001451895,0.61120474,0.000043160657,0.0004159673,0.3433699,0.039916415,0.0005382441],"study_design_scores_gemma":[0.001754824,0.00028244779,0.010602125,0.00030888396,0.00030354763,0.000069990296,0.009152443,0.0002616531,0.00034777063,0.005489284,0.97020155,0.0012255039],"about_ca_topic_score_codex":0.00070572895,"about_ca_topic_score_gemma":0.0068836897,"teacher_disagreement_score":0.9302851,"about_ca_system_score_codex":0.00012232807,"about_ca_system_score_gemma":0.0003886357,"threshold_uncertainty_score":0.99951744},"labels":[],"label_agreement":null},{"id":"W2605539890","doi":"10.1386/jcs.3.1.117_7","title":"Exhibition Reviews","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; University of Toronto; York University","funders":"","keywords":"Exhibition; Art history; Art; Cartography; Style (visual arts); Performance art; Painting; Visual arts; Geography","score_opus":0.14762720944760271,"score_gpt":0.3355409096818839,"score_spread":0.18791370023428117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605539890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09974831,0.12945452,0.0026281695,0.012692687,0.18444717,0.0010800301,0.000057674068,0.00018822505,0.5697032],"genre_scores_gemma":[0.9126998,0.0060380357,0.00017107521,0.0011499965,0.074200824,0.0000049778664,0.0000011720714,0.00001914155,0.0057149474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906844,0.00008829906,0.00047272356,0.0000578311,0.00017852821,0.0001341821],"domain_scores_gemma":[0.9990155,0.000090038215,0.00038570008,0.00007253034,0.0003825089,0.00005370747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005606616,0.00009594972,0.00036003822,0.00004366061,0.00024663247,0.000054026994,0.00007826998,0.000020400992,0.0001023831],"category_scores_gemma":[0.00047708003,0.00006307009,0.00014055749,0.0000015059587,0.00015666956,0.00025029894,0.000022626735,0.00011062662,0.000048276517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048996786,0.000067162895,0.00005649895,0.00009200977,0.00017950653,0.000004737262,0.11974742,0.000002064845,0.00010383169,0.27756006,0.5958163,0.0063214255],"study_design_scores_gemma":[0.00032314242,0.00019089993,0.000012079072,0.00009145888,0.0000582487,0.000004104322,0.0014152237,0.0000019852314,0.000077871606,0.02667053,0.9710789,0.000075576536],"about_ca_topic_score_codex":0.000013249782,"about_ca_topic_score_gemma":0.00031708766,"teacher_disagreement_score":0.8129515,"about_ca_system_score_codex":0.000036326295,"about_ca_system_score_gemma":0.000019460842,"threshold_uncertainty_score":0.25719237},"labels":[],"label_agreement":null},{"id":"W2605753998","doi":"10.1386/public.28.55.187_5","title":"NOW I SIT ME DOWN: FROM KLISMOS TO PLASTIC CHAIR: A NATURAL HISTORY BY WITOLD RYBCZYNSKI","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Natural history; Natural (archaeology); Art; Art history; History; Medicine; Archaeology","score_opus":0.04935137456581349,"score_gpt":0.23021290097570263,"score_spread":0.18086152640988915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605753998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36426178,0.004285947,0.00031563023,0.032681353,0.022824492,0.0008056067,0.0014829218,0.0008412061,0.57250106],"genre_scores_gemma":[0.84036034,0.000008762098,0.000025706942,0.0028633967,0.0020968807,0.000034571854,0.000098127035,0.00003282489,0.15447937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861634,0.00002498925,0.00020872016,0.000349275,0.00027229934,0.0005283552],"domain_scores_gemma":[0.9987267,0.00008549608,0.00013291043,0.0006386512,0.00011967479,0.0002965212],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008547508,0.0002208029,0.00025241476,0.000091655995,0.0007625926,0.0005849824,0.0005974256,0.00006919835,0.002739966],"category_scores_gemma":[0.00021561125,0.00019920884,0.00010487033,0.0000012499376,0.0003379618,0.0006792972,0.00017859992,0.00022768418,0.001038651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016682476,0.00009316987,0.00039410987,0.000016289809,0.00007783601,0.000009644908,0.04451451,4.0889705e-7,0.00019574145,0.060029086,0.8936894,0.0009631467],"study_design_scores_gemma":[0.00036021092,0.000042410666,0.001120828,0.000016638409,0.000025460366,0.0000011367921,0.00034285596,0.0002284433,0.000042582826,0.0014186471,0.9961094,0.000291361],"about_ca_topic_score_codex":0.0035042996,"about_ca_topic_score_gemma":0.023099456,"teacher_disagreement_score":0.4760986,"about_ca_system_score_codex":0.00023003173,"about_ca_system_score_gemma":0.0001045759,"threshold_uncertainty_score":0.99973917},"labels":[],"label_agreement":null},{"id":"W2606242685","doi":"","title":"L’Année de la Sculpture Publique / The Year of Public Sculpture","year":2000,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Visual arts","score_opus":0.02075618663548846,"score_gpt":0.24795740443973993,"score_spread":0.22720121780425148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606242685","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03051165,0.03809255,0.0002874437,0.15163581,0.0022302016,0.0010381832,0.0011884124,0.00031591815,0.7746998],"genre_scores_gemma":[0.4601018,0.0022327143,0.00023419884,0.0041931025,0.0038540103,0.000037091133,0.00007794812,0.00012227024,0.52914685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99544495,0.0011748293,0.0005679727,0.0006423347,0.0007223274,0.0014475671],"domain_scores_gemma":[0.99734366,0.00028658594,0.0002709632,0.0011912787,0.00040711416,0.00050042674],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014163448,0.00069454825,0.0006659971,0.00017879144,0.0010097021,0.0009238106,0.0010240766,0.0010084419,0.012239654],"category_scores_gemma":[0.00025744885,0.00050836365,0.0007212637,0.000048720904,0.0029505028,0.0007558973,0.00015501006,0.0018481503,0.0004048133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040576975,0.00031257074,0.00058722036,0.00024991264,0.0003206093,0.000034207886,0.16900817,0.00016985732,0.000023832974,0.67363364,0.15181679,0.0038026467],"study_design_scores_gemma":[0.00076033344,0.00011963826,0.0024402952,0.00023086999,0.00023961025,0.000070663446,0.010638229,0.00016528663,0.00008611284,0.008181422,0.97647923,0.00058829895],"about_ca_topic_score_codex":0.0015933114,"about_ca_topic_score_gemma":0.0073392554,"teacher_disagreement_score":0.82466245,"about_ca_system_score_codex":0.0002016207,"about_ca_system_score_gemma":0.00076472654,"threshold_uncertainty_score":0.9997629},"labels":[],"label_agreement":null},{"id":"W2606688976","doi":"","title":"L’art public comme processus / Public Art as Process","year":2003,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Public art; Art; Process (computing); Political science; Aesthetics; Visual arts; Computer science","score_opus":0.06986547262604974,"score_gpt":0.27750191202238395,"score_spread":0.2076364393963342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606688976","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036200546,0.00052769016,0.00021845562,0.023594974,0.00079327653,0.00040861702,0.00004268697,0.00039234804,0.9704019],"genre_scores_gemma":[0.58982545,0.000016033098,0.000039295635,0.005045812,0.00058551115,0.00005426541,0.00006561866,0.000048048132,0.40431997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997876,0.00010186044,0.00025907886,0.0004434773,0.00046246324,0.0008571245],"domain_scores_gemma":[0.99854016,0.00003503401,0.00013675781,0.00046812836,0.000449039,0.00037088135],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028758447,0.00034601995,0.00031826392,0.00016357616,0.0007529402,0.00081672537,0.00036972086,0.00016010086,0.0048322235],"category_scores_gemma":[0.00028250675,0.00028984816,0.00014526627,0.000018808676,0.00038481696,0.0008372823,0.00004744244,0.00044430676,0.0023575851],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068397667,0.00017612547,0.00029832005,0.00010509707,0.000060867667,0.000012053863,0.072849795,0.0000018108254,0.0000044622634,0.6959911,0.23028958,0.00020395467],"study_design_scores_gemma":[0.00044632642,0.00007680072,0.000026999402,0.000024577725,0.00002887839,0.000024948664,0.008076383,0.000020652691,0.000097247816,0.0150954025,0.9756834,0.00039837175],"about_ca_topic_score_codex":0.000020230436,"about_ca_topic_score_gemma":0.0050533693,"teacher_disagreement_score":0.7453938,"about_ca_system_score_codex":0.00005934085,"about_ca_system_score_gemma":0.00035958522,"threshold_uncertainty_score":0.99995536},"labels":[],"label_agreement":null},{"id":"W2607042567","doi":"","title":"Yto Barrada, Beaux Gestes, Prefix Institute of Contemporary Art in partnership with A Space Gallery, Toronto, May–July, 2015","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"General partnership; Space (punctuation); Art; Prefix; Art history; Visual arts; Political science; Law; Philosophy; Linguistics","score_opus":0.024775443203729493,"score_gpt":0.19418042931714632,"score_spread":0.16940498611341684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607042567","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11366878,0.015777491,0.00032334818,0.030754058,0.0004689048,0.000828591,0.00030490023,0.00024639862,0.83762753],"genre_scores_gemma":[0.6983065,0.00051691686,0.00009905092,0.00019733328,0.00014914936,0.000007095151,0.000020012358,0.000026606082,0.30067736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873096,0.000058364563,0.00022081273,0.00030874115,0.0002533972,0.00042774662],"domain_scores_gemma":[0.99907833,0.000060016075,0.00017058483,0.0003790269,0.000104414634,0.00020760135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014317881,0.00024245417,0.0003530544,0.00010311296,0.00021855344,0.00002041667,0.00024583825,0.00009501174,0.0004005188],"category_scores_gemma":[0.00001532454,0.00018953937,0.00009404313,0.000007937138,0.00042212868,0.00073118904,0.00011968034,0.00010035609,0.00009103881],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061029603,0.0002124366,0.0029115118,0.00008809252,0.00020061166,0.0008441889,0.038678374,0.000019893145,0.0001527289,0.2617583,0.6931202,0.0014033782],"study_design_scores_gemma":[0.0017966852,0.00023342705,0.0007257809,0.00017152997,0.00004070591,0.000031956737,0.0026704161,0.000020331461,0.000118681826,0.0008425285,0.99305516,0.00029282013],"about_ca_topic_score_codex":0.03493827,"about_ca_topic_score_gemma":0.8499655,"teacher_disagreement_score":0.81502724,"about_ca_system_score_codex":0.001746889,"about_ca_system_score_gemma":0.00016844615,"threshold_uncertainty_score":0.9714882},"labels":[],"label_agreement":null},{"id":"W2607289119","doi":"","title":"La réciprocité : interface sociale et art public / Reciprocal Actions: The Social Interface & Public Art","year":2009,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interface (matter); Reciprocal; Sociology; Computer science; Linguistics; Philosophy","score_opus":0.06293567022545636,"score_gpt":0.3211917959117472,"score_spread":0.2582561256862908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607289119","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026704315,0.005347688,0.0035100882,0.53139204,0.0028642768,0.0005791601,0.00024340549,0.00033288548,0.45306],"genre_scores_gemma":[0.48693532,0.0003823705,0.00006536581,0.007402778,0.0033184446,0.000036617454,0.000052189593,0.00006328689,0.5017436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959819,0.0008601391,0.00053930865,0.00068682723,0.0006144319,0.0013173932],"domain_scores_gemma":[0.9981134,0.00021734007,0.00033263263,0.00055232545,0.000462438,0.00032186246],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010348803,0.0006611804,0.00056827604,0.0001715024,0.00268018,0.0023656832,0.0007533168,0.0006989785,0.0027889523],"category_scores_gemma":[0.00034078333,0.0005417765,0.0005440042,0.00004365637,0.0017281163,0.0014694051,0.00023455266,0.002225907,0.0020441026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028605622,0.0002924373,0.000008406203,0.000038805734,0.0001486399,0.000006195124,0.1537436,0.000006716057,0.000027204534,0.44377244,0.3931524,0.00877457],"study_design_scores_gemma":[0.0005477797,0.00019503674,0.00023156981,0.000115137525,0.00013052199,0.00003946517,0.03798056,0.00010285095,0.000059006972,0.008898907,0.9511053,0.0005938369],"about_ca_topic_score_codex":0.00013368785,"about_ca_topic_score_gemma":0.015942214,"teacher_disagreement_score":0.55795294,"about_ca_system_score_codex":0.0004360706,"about_ca_system_score_gemma":0.00064946886,"threshold_uncertainty_score":0.99970335},"labels":[],"label_agreement":null},{"id":"W2608002541","doi":"","title":"La Boutique de forge, Canada, 2012, 15 minutes","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Forge; Political science; History; Engineering; Forging","score_opus":0.007727885797670152,"score_gpt":0.1548220177545286,"score_spread":0.14709413195685847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608002541","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1493885,0.21216443,0.0005123188,0.15988271,0.0019153379,0.0006979721,0.0013234153,0.00019303594,0.47392225],"genre_scores_gemma":[0.14484124,0.004092773,0.00018257633,0.001840148,0.00070339965,0.000009117784,0.000043050997,0.000048854028,0.8482388],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981811,0.00013546585,0.00020187824,0.00029563857,0.00021966107,0.000966268],"domain_scores_gemma":[0.9987033,0.00017426934,0.00013135951,0.00033587834,0.00015390337,0.0005012991],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001288232,0.0003123487,0.00030294264,0.0000947971,0.0011653788,0.00009836399,0.0003122934,0.00023771236,0.0041896277],"category_scores_gemma":[0.000021334747,0.0003637044,0.00016324104,0.000007636573,0.00041560674,0.00046579062,0.00019251661,0.0003193173,0.00034552178],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001092221,0.000058865764,0.00018876343,0.00006859897,0.00012273066,0.0006464072,0.01094967,0.000022425796,0.000020103029,0.21414866,0.7666932,0.0070697046],"study_design_scores_gemma":[0.00050802284,0.000058395286,0.0011575113,0.000070683804,0.0001596574,0.00018778503,0.005484475,0.0008385323,0.00007707081,0.007008264,0.9840318,0.00041781558],"about_ca_topic_score_codex":0.98481554,"about_ca_topic_score_gemma":0.9992392,"teacher_disagreement_score":0.37431657,"about_ca_system_score_codex":0.0065366565,"about_ca_system_score_gemma":0.0005493169,"threshold_uncertainty_score":0.9998815},"labels":[],"label_agreement":null},{"id":"W2608549412","doi":"","title":"Material Traces: Time and the Gesture in Contemporary Art, Leonard & Bina Ellen Art Gallery, Montreal, February 16 – April 13, 2013","year":2013,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Gesture; Visual arts; Computer science; Artificial intelligence","score_opus":0.03425315417310879,"score_gpt":0.23473066107883817,"score_spread":0.20047750690572938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608549412","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.117644355,0.0028114317,0.00002201055,0.16350321,0.0031474768,0.0028537477,0.00078249926,0.00047539032,0.70875984],"genre_scores_gemma":[0.89369977,0.0008861879,0.0000151425265,0.0019621255,0.001579864,0.0002711831,0.00061155634,0.00007257665,0.100901596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997957,0.00018727081,0.00056090165,0.000459513,0.00025811957,0.0005772328],"domain_scores_gemma":[0.9987359,0.0002518029,0.00017221099,0.00052773254,0.000104172344,0.0002081712],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028564766,0.0003966657,0.00054259965,0.00014562391,0.00063061493,0.00052789156,0.00030905943,0.00014428902,0.004213701],"category_scores_gemma":[0.00002955639,0.00028169432,0.00013987199,0.000009898852,0.0009506771,0.0007785981,0.00016151521,0.00030664355,0.0019308437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007498081,0.00021974467,0.00013034449,0.000046934263,0.00007871276,0.00001359418,0.030918825,0.000008922615,0.00002826658,0.051383633,0.91691965,0.0001763649],"study_design_scores_gemma":[0.0020295947,0.000093483606,0.0037783692,0.0001320423,0.000029817342,0.000015922351,0.003282798,0.00036632127,0.000031612402,0.011872,0.9779357,0.00043239363],"about_ca_topic_score_codex":0.014259021,"about_ca_topic_score_gemma":0.024943266,"teacher_disagreement_score":0.7760554,"about_ca_system_score_codex":0.000034914992,"about_ca_system_score_gemma":0.00011445986,"threshold_uncertainty_score":0.9999635},"labels":[],"label_agreement":null},{"id":"W2608579122","doi":"","title":"Déviation esthétique / Bertrand Montréal. R . Pitt, Dérive, Galerie B-312, 7 septembre - 5 octobre 2002","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009927590461658451,"score_gpt":0.16953281160615752,"score_spread":0.15960522114449907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608579122","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03990885,0.35262465,0.001924216,0.028459782,0.002738327,0.0010619997,0.0011117886,0.00039261975,0.57177776],"genre_scores_gemma":[0.06327353,0.03375276,0.00039058275,0.0014722816,0.0008394083,0.000015778103,0.00012779556,0.00012584549,0.900002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99684453,0.000313112,0.00047517905,0.0006997433,0.00044348615,0.0012239495],"domain_scores_gemma":[0.9979677,0.00014759989,0.00033794568,0.00065089593,0.00029908464,0.00059677503],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002742686,0.0006594656,0.0006284451,0.00026011228,0.002263866,0.0001578802,0.0003432493,0.0004848886,0.005960454],"category_scores_gemma":[0.000049996124,0.00078649283,0.00046095622,0.00003084233,0.00057485205,0.0007791242,0.00013256776,0.00053602987,0.0011328248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009395633,0.0003070596,0.00017228507,0.00016202909,0.0003033701,0.0011694258,0.016405422,0.00028350158,0.000063244275,0.32569313,0.6497899,0.0055566444],"study_design_scores_gemma":[0.0020048514,0.00024649483,0.00037550047,0.00014692977,0.00047100562,0.00033727326,0.0036864523,0.00075723085,0.00022936163,0.005904783,0.98498505,0.0008550837],"about_ca_topic_score_codex":0.043605015,"about_ca_topic_score_gemma":0.49174717,"teacher_disagreement_score":0.44814214,"about_ca_system_score_codex":0.0039342693,"about_ca_system_score_gemma":0.00019750214,"threshold_uncertainty_score":0.99988943},"labels":[],"label_agreement":null},{"id":"W2608593216","doi":"","title":"The Contact Photography Festival, The Constructed Image, Toronto, May 1 - 31, 2007","year":2007,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Geography; Computer graphics (images); Art; Computer science","score_opus":0.00959514636355907,"score_gpt":0.18616952918517973,"score_spread":0.17657438282162066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608593216","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10283917,0.019047353,0.00044777244,0.008734175,0.0015889934,0.0006576456,0.00021186512,0.0003164815,0.8661565],"genre_scores_gemma":[0.7872448,0.002481258,0.00014018695,0.0016644436,0.0009765665,0.000006648063,0.00003373983,0.000047012505,0.20740536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986561,0.000056726178,0.00019393684,0.00022047837,0.0002419604,0.0006308003],"domain_scores_gemma":[0.99879086,0.00032692126,0.00014154708,0.00041363237,0.00015513209,0.0001718917],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033310207,0.00021740116,0.00018042728,0.000049124796,0.002786266,0.00011408175,0.0004070076,0.00007243692,0.0010533347],"category_scores_gemma":[0.000024640569,0.00014594344,0.00020076444,0.000009105852,0.0007766043,0.00024759135,0.00013206233,0.00019521687,0.000094723175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016425141,0.000045808658,0.0002563184,0.0000083252435,0.00021475305,0.0002737942,0.01927356,7.70008e-7,0.00025989118,0.41581273,0.557557,0.006132831],"study_design_scores_gemma":[0.00054742483,0.00006450837,0.0012422334,0.000010922182,0.00009092618,0.00006738834,0.019825034,0.000043865595,0.00016277362,0.0017016146,0.9760367,0.0002065725],"about_ca_topic_score_codex":0.05114771,"about_ca_topic_score_gemma":0.7002897,"teacher_disagreement_score":0.6844056,"about_ca_system_score_codex":0.0012967421,"about_ca_system_score_gemma":0.00004742747,"threshold_uncertainty_score":0.9998598},"labels":[],"label_agreement":null},{"id":"W2609423962","doi":"","title":"Du détail dans la peinture / Christiane Ainsley, Après. Galerie Trois Points, Montréal. 30 mars - 27 avril 2002","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mars Exploration Program; Physics; Astronomy","score_opus":0.011170804416158874,"score_gpt":0.1536964721733831,"score_spread":0.14252566775722422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609423962","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02673007,0.35114622,0.0007460203,0.080823526,0.00283481,0.00070062757,0.002440111,0.00051172375,0.5340669],"genre_scores_gemma":[0.046760958,0.067424454,0.00023342717,0.001730852,0.0021199773,0.000010828672,0.0001224194,0.00017217894,0.8814249],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961566,0.0003168978,0.0005325358,0.00086452527,0.0005970497,0.0015324128],"domain_scores_gemma":[0.9974856,0.00019657477,0.00036508698,0.0009104705,0.00024597577,0.000796287],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026540586,0.0008548517,0.00080866343,0.00028910328,0.0023620622,0.000220417,0.0006994976,0.0005805746,0.027075345],"category_scores_gemma":[0.00006134627,0.0009945723,0.0006170128,0.0000358301,0.0013552315,0.00062492775,0.00043463684,0.0007948226,0.0038245672],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075108255,0.00043644168,0.00016058143,0.00014808367,0.00038179912,0.0055970927,0.04090078,0.00014566683,0.000028747434,0.13408746,0.81143594,0.006602326],"study_design_scores_gemma":[0.0020510089,0.00025361637,0.00040812048,0.00015680122,0.0006375514,0.00077238696,0.010988254,0.004022998,0.00002739179,0.0018869989,0.9777453,0.0010495519],"about_ca_topic_score_codex":0.09095584,"about_ca_topic_score_gemma":0.377706,"teacher_disagreement_score":0.34735802,"about_ca_system_score_codex":0.0043681203,"about_ca_system_score_gemma":0.000069261856,"threshold_uncertainty_score":0.99945396},"labels":[],"label_agreement":null},{"id":"W2610714514","doi":"","title":"Recent collages / John A. Schweitzer, The Arcadian Suite, Galerie Chritiane Chassay, Montréal. June 17 - July 22 2000","year":2000,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Suite; Art; Art history; Visual arts; Archaeology; Geography","score_opus":0.01212610580272924,"score_gpt":0.17185193663584086,"score_spread":0.15972583083311162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610714514","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030106237,0.09799258,0.000026849686,0.06699831,0.0012150008,0.000989328,0.0009508154,0.0005422032,0.8011787],"genre_scores_gemma":[0.060396496,0.046005856,0.00005996356,0.0033533145,0.0012528521,0.000022918008,0.00012713185,0.00008055802,0.8887009],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977289,0.00012434642,0.00030505448,0.0004748749,0.00041729346,0.0009495587],"domain_scores_gemma":[0.9984698,0.00010754932,0.00014123088,0.00072908506,0.00015712208,0.00039515618],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022332786,0.00040489787,0.00039986576,0.00017506405,0.002335863,0.0001682524,0.00057959405,0.00015286692,0.016938519],"category_scores_gemma":[0.000018126777,0.000362623,0.0002300077,0.000031516025,0.0005609506,0.00035649177,0.00011581666,0.00035067447,0.0012555666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012609187,0.00016500783,0.000019040279,0.000017822807,0.00013783824,0.0006331357,0.018235859,0.000108473905,0.000026819265,0.01760729,0.923385,0.03953761],"study_design_scores_gemma":[0.0010095976,0.00013427359,0.00023707378,0.00004039571,0.00012965898,0.00011009209,0.0024549726,0.00024404173,0.000049832037,0.0010642823,0.99406487,0.00046091163],"about_ca_topic_score_codex":0.021132855,"about_ca_topic_score_gemma":0.50861824,"teacher_disagreement_score":0.48748538,"about_ca_system_score_codex":0.0018655366,"about_ca_system_score_gemma":0.00013360813,"threshold_uncertainty_score":0.9998826},"labels":[],"label_agreement":null},{"id":"W2610926084","doi":"","title":"From N. E. Thing Co. to Gold, Silver & Lead / Iain Baxter, N.E. Thing Co., Art Gallery of Ontario, Toronto / Jed Lind, Gold, Silver and Lead, Toronto Sculpture Garden","year":2012,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; The Thing; Art history; Lead (geology); Visual arts; Engineering; Geology","score_opus":0.025619209758679325,"score_gpt":0.2581515071002269,"score_spread":0.23253229734154757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610926084","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3100164,0.014683526,0.00024096479,0.0019251766,0.00531409,0.0017383756,0.0006429641,0.0004909542,0.66494757],"genre_scores_gemma":[0.6025287,0.00011867739,0.00092289905,0.0033699237,0.004600732,0.000035035715,0.00017830869,0.00012584335,0.3881199],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964442,0.00019107929,0.000620715,0.00076069206,0.00077917316,0.0012041124],"domain_scores_gemma":[0.997816,0.00015822845,0.00028839757,0.0008904489,0.00027245592,0.0005744403],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055380724,0.00074584084,0.0009168934,0.00007096713,0.00043495596,0.00038686738,0.0004967461,0.00047525554,0.005226823],"category_scores_gemma":[0.00011765014,0.0006521061,0.00038191065,0.0000073923143,0.0003016033,0.0017602209,0.00024020416,0.00065849343,0.0002636684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016575005,0.00017277952,0.001935364,0.00009141873,0.0003030438,0.000010572334,0.72938216,0.000024024825,0.0012457303,0.0032277114,0.26299772,0.00044372992],"study_design_scores_gemma":[0.0011470831,0.00014732544,0.0030841597,0.0002603415,0.0001857577,0.0000062961885,0.05362296,0.000034785648,0.0005061948,0.00021760225,0.9399215,0.00086598564],"about_ca_topic_score_codex":0.12912226,"about_ca_topic_score_gemma":0.82531464,"teacher_disagreement_score":0.6961924,"about_ca_system_score_codex":0.0010860905,"about_ca_system_score_gemma":0.00021668717,"threshold_uncertainty_score":0.999593},"labels":[],"label_agreement":null},{"id":"W2611831219","doi":"","title":"Marcel van Eeden, The Garden, Clint Roenisch Gallery, Toronto, October 17 – November 23, 2013","year":2014,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.012553846663150209,"score_gpt":0.17930077722664073,"score_spread":0.16674693056349052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611831219","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013357761,0.004761812,0.0004899836,0.026862288,0.0006815766,0.00034562685,0.000080483595,0.00022121437,0.95319927],"genre_scores_gemma":[0.3026965,0.0011136411,0.000092746945,0.0027575037,0.0011841052,0.0000073161746,0.000040990573,0.00004946325,0.6920577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983374,0.00010192273,0.00023004305,0.00036319823,0.00032324527,0.0006441902],"domain_scores_gemma":[0.9987228,0.0001154945,0.00014991009,0.000625775,0.00015249007,0.0002335671],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002353692,0.00029744365,0.0002959546,0.00004975938,0.0013542796,0.00010799752,0.000483552,0.000112258065,0.006471047],"category_scores_gemma":[0.00001781496,0.00024174864,0.00024956616,0.0000044017916,0.00031832262,0.0002778101,0.00031906762,0.00021336219,0.0010255084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045403438,0.00007119248,0.00006626055,0.000013989838,0.00010865281,0.000047931022,0.017377097,0.00005577785,0.00003157585,0.13033438,0.84994996,0.0018977894],"study_design_scores_gemma":[0.0006853714,0.00009515424,0.00035788075,0.00001815179,0.00011713967,0.000037065252,0.006063141,0.0010682495,0.000018799148,0.0021904514,0.9890195,0.00032907687],"about_ca_topic_score_codex":0.024502978,"about_ca_topic_score_gemma":0.8360866,"teacher_disagreement_score":0.8115836,"about_ca_system_score_codex":0.0013954302,"about_ca_system_score_gemma":0.000032324053,"threshold_uncertainty_score":0.9999458},"labels":[],"label_agreement":null},{"id":"W2612063385","doi":"","title":"Terrance Houle, GIVN'R, Art Gallery of York University, Toronto, September 15 to December 5, 2010","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Sociology","score_opus":0.024009087970586134,"score_gpt":0.17700699243741758,"score_spread":0.15299790446683145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612063385","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04247774,0.024403729,0.00065130764,0.0047042733,0.0021789176,0.0004513505,0.00069909793,0.00014063613,0.9242929],"genre_scores_gemma":[0.07299389,0.0032080484,0.00089323876,0.00068537873,0.0004350249,0.0000014578096,0.000029142722,0.00006294286,0.9216909],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979296,0.00011711319,0.00029410614,0.00050111674,0.00031808898,0.000840007],"domain_scores_gemma":[0.9982874,0.0000645061,0.00024030657,0.00064080127,0.00022230588,0.00054470304],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001491287,0.00041722434,0.0005186796,0.00015610999,0.0007923907,0.000026061392,0.0005472229,0.0002876771,0.013965391],"category_scores_gemma":[0.00000872891,0.0005214447,0.00035958,0.000020101543,0.00057618343,0.0005817806,0.00046004684,0.00023778164,0.0015316727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030140797,0.00032270385,0.00036180022,0.00010740508,0.0003282287,0.0005423829,0.0932069,0.00003112092,0.000047180834,0.063960835,0.8374173,0.0033727272],"study_design_scores_gemma":[0.00092282426,0.00025960512,0.0014868504,0.0001628221,0.00033118392,0.000067026,0.010004389,0.00010738397,0.00014803722,0.0006558048,0.98529077,0.0005633192],"about_ca_topic_score_codex":0.13653523,"about_ca_topic_score_gemma":0.8971049,"teacher_disagreement_score":0.7605697,"about_ca_system_score_codex":0.0044240137,"about_ca_system_score_gemma":0.00014651674,"threshold_uncertainty_score":0.99972373},"labels":[],"label_agreement":null},{"id":"W2612116349","doi":"","title":"Empathy / That's Amore: Max Dean at Projex-Mtl and nichola feldman-kiss's Galerie, Montréal. Love Machine/Machine love at Projex-Mtl Galerie, May 9 - June 17, 2007","year":2007,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Empathy; Art; Psychoanalysis; Art history; Psychology; Social psychology; Computer science","score_opus":0.013948714835194258,"score_gpt":0.18920331973012458,"score_spread":0.17525460489493033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612116349","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49032858,0.06526069,0.00043218906,0.011231463,0.0019213009,0.0024643068,0.0020340884,0.00063520187,0.42569217],"genre_scores_gemma":[0.29359338,0.0028900127,0.00030187168,0.0016870745,0.00078824244,0.000007936878,0.00031565723,0.00017215767,0.7002437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954653,0.00013477642,0.000655122,0.0011670755,0.0008270486,0.0017507137],"domain_scores_gemma":[0.9971095,0.00018128761,0.00055445835,0.0010234657,0.00024714725,0.00088419527],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000639659,0.0009791546,0.0009222897,0.00047155208,0.0015636791,0.00019947106,0.0006326074,0.00039684976,0.0049975147],"category_scores_gemma":[0.0000470401,0.0009688393,0.00041673883,0.000051402654,0.00086489925,0.0008601312,0.0010661196,0.0006937452,0.0010671569],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017431721,0.0005414106,0.010738722,0.0002604079,0.00059313094,0.004150388,0.08701625,0.000028693285,0.00033130334,0.014980922,0.87406677,0.0055488064],"study_design_scores_gemma":[0.00275696,0.00033757006,0.0045255413,0.00008276261,0.00035766765,0.00046806704,0.00646718,0.00056209444,0.00046685754,0.00093434064,0.98185897,0.0011820189],"about_ca_topic_score_codex":0.020801887,"about_ca_topic_score_gemma":0.66854,"teacher_disagreement_score":0.6477381,"about_ca_system_score_codex":0.003869192,"about_ca_system_score_gemma":0.00008674845,"threshold_uncertainty_score":0.99995476},"labels":[],"label_agreement":null},{"id":"W2612230088","doi":"","title":"Distance, Difference and Memory: the Sculpture of Robin Peck. Robin PECK, Distance, Diaz Contemporary, Toronto, November 25 - December 22, 2010","year":2011,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Peck (Imperial); Sculpture; Art; Art history; Mathematics; Geometry","score_opus":0.02076771425541595,"score_gpt":0.17419945941937837,"score_spread":0.1534317451639624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612230088","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16957478,0.03415214,0.0013880134,0.0021474434,0.00094503147,0.0007630936,0.000675521,0.0001779314,0.79017603],"genre_scores_gemma":[0.7574948,0.0008644901,0.00006379703,0.00026501485,0.00015945159,0.000008486235,0.00003211713,0.0000319214,0.24107993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860007,0.00007482553,0.00025834388,0.00037272123,0.0002512818,0.00044277616],"domain_scores_gemma":[0.9988198,0.00008043797,0.00023876142,0.0005315122,0.00013529588,0.00019418051],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012077488,0.00032275464,0.00040653418,0.00004883395,0.000738977,0.000044584784,0.0003842701,0.00011802501,0.0013089386],"category_scores_gemma":[0.0000130526605,0.0002512971,0.00016477652,0.00000937396,0.000716936,0.00038587896,0.00023050394,0.00021023185,0.00002057148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023054145,0.00020607415,0.0013810548,0.000078112695,0.0002040342,0.00013287223,0.090488076,0.0000028261243,0.00016727827,0.71472794,0.19118549,0.0011957332],"study_design_scores_gemma":[0.0012173872,0.00012319426,0.005482274,0.000069238085,0.00013984594,0.000022672797,0.009793272,0.00018207617,0.0001622444,0.004643726,0.9777339,0.0004301442],"about_ca_topic_score_codex":0.051196687,"about_ca_topic_score_gemma":0.71309704,"teacher_disagreement_score":0.78654844,"about_ca_system_score_codex":0.00069372886,"about_ca_system_score_gemma":0.00006348019,"threshold_uncertainty_score":0.9999939},"labels":[],"label_agreement":null},{"id":"W2612298632","doi":"","title":"Suzy Lake: Standing Her Ground","year":2017,"lang":"en","type":"book-chapter","venue":"Goldsmiths (University of London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Subjectivity; Identity (music); CONTEST; Realm; Aesthetics; Art; Sociology; Gender studies; Visual arts; History; Political science; Law; Archaeology","score_opus":0.05169821754682566,"score_gpt":0.2114623942512598,"score_spread":0.15976417670443413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612298632","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048311593,0.00034484826,0.00012688307,0.00027684035,0.0006437248,0.00018936943,0.00085045805,0.00008793289,0.9969968],"genre_scores_gemma":[0.030523138,0.0003534165,0.000070029666,0.000101359015,0.0006210336,1.1993161e-7,0.00008921002,0.000054612603,0.9681871],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987863,0.000014179753,0.0001711996,0.00036196754,0.00032901924,0.00033734477],"domain_scores_gemma":[0.99857765,0.000050159582,0.00043296439,0.000604362,0.00018956148,0.00014529763],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012027685,0.00032060017,0.00054767804,0.00020538051,0.0009223208,0.000110301226,0.00054865255,0.00023774362,0.011194859],"category_scores_gemma":[0.000007215579,0.00038492214,0.0003389975,5.2476906e-7,0.0011975043,0.0004396505,0.0002331275,0.00032892966,0.00049280934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050181243,0.000026682803,0.000034747616,0.00014929812,0.00027127264,0.00016266674,0.0395805,6.177626e-7,0.0000013488097,0.9108462,0.04651741,0.0023590785],"study_design_scores_gemma":[0.0005480931,0.00008173869,0.00008516064,0.00021716171,0.00021165711,0.0000048664724,0.001328558,0.00000894277,0.0000010983301,0.03202109,0.9650831,0.00040848262],"about_ca_topic_score_codex":0.0019267282,"about_ca_topic_score_gemma":0.117336236,"teacher_disagreement_score":0.91856575,"about_ca_system_score_codex":0.00010935364,"about_ca_system_score_gemma":0.0001242529,"threshold_uncertainty_score":0.9998603},"labels":[],"label_agreement":null},{"id":"W2612445496","doi":"","title":"Ghost Dance: Activism. Resistance. Art., Ryerson Image Centre, Toronto, 18 September to 15 December 2013","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Resistance (ecology); Image (mathematics); Media studies; Art; Political science; Visual arts; Art history; Sociology; Computer science; Artificial intelligence","score_opus":0.009281833973137194,"score_gpt":0.18784837509970753,"score_spread":0.17856654112657033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612445496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014680529,0.03603394,0.001383451,0.034978375,0.002094624,0.00055875763,0.0006311348,0.00021718438,0.909422],"genre_scores_gemma":[0.026665611,0.004163237,0.0009336517,0.0020265332,0.001746007,0.000008909297,0.000091913666,0.00011900906,0.96424514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683106,0.00021116615,0.00034927274,0.0007649063,0.0004696714,0.0013739187],"domain_scores_gemma":[0.9976978,0.00016933144,0.00025029187,0.00080599484,0.00027905588,0.00079758285],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024497678,0.0005954941,0.0005993017,0.00011654724,0.0015874337,0.0001826936,0.000447978,0.00028283233,0.018977227],"category_scores_gemma":[0.000036149828,0.0007031633,0.00035026664,0.000017693827,0.0004627106,0.0010069634,0.00034077937,0.00032315834,0.0054684132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020046912,0.00017076475,0.000048738664,0.0001243602,0.00017719647,0.0002564161,0.019025782,0.00003167189,0.0001239945,0.09577916,0.88026166,0.0037997905],"study_design_scores_gemma":[0.0012094636,0.00012589405,0.00027684693,0.00022768519,0.0003012325,0.000031104668,0.0053213392,0.0005194692,0.00019625977,0.0016104714,0.98935825,0.0008219643],"about_ca_topic_score_codex":0.042712603,"about_ca_topic_score_gemma":0.91781497,"teacher_disagreement_score":0.8751024,"about_ca_system_score_codex":0.0072019272,"about_ca_system_score_gemma":0.000079848796,"threshold_uncertainty_score":0.99971235},"labels":[],"label_agreement":null},{"id":"W2612585249","doi":"10.4000/polysemes.1794","title":"La vieille dame et la preneuse de son : (micro)-utopies d’un art de l’ordinaire","year":2017,"lang":"fr","type":"article","venue":"Polysèmes","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SAIT Polytechnic","funders":"","keywords":"Sound (geography); Art; Art history; Visual arts; Engineering; Acoustics; Physics","score_opus":0.02540948499216198,"score_gpt":0.2895324198428664,"score_spread":0.26412293485070437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612585249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31770512,0.007765237,0.00021866956,0.015739089,0.0011711405,0.00019677558,0.00042571808,0.00016283931,0.65661544],"genre_scores_gemma":[0.68029606,0.0019935563,0.0003080095,0.0010719054,0.0011781206,0.000021948714,0.000015975666,0.00005777989,0.31505662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980097,0.00032822028,0.00029091278,0.00033664764,0.00017116773,0.00086337206],"domain_scores_gemma":[0.99848187,0.00024318394,0.00022809666,0.0007371506,0.00006345063,0.00024622638],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005212997,0.00035217046,0.00037765977,0.00007615273,0.0017378872,0.001185048,0.0005389966,0.00026583602,0.0010476926],"category_scores_gemma":[0.0001769309,0.00035601173,0.00024643316,0.0000016960196,0.0016196697,0.000524472,0.00028857248,0.00041074655,0.0003244782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036394897,0.00042134765,0.014483356,0.00033573585,0.00029296541,0.00020852874,0.1956753,0.000008551556,0.00030019524,0.69332594,0.060186736,0.034724962],"study_design_scores_gemma":[0.00052528514,0.00007358527,0.013960298,0.00024982003,0.00016302831,0.00008207839,0.0021804466,0.00011299518,0.0014619275,0.033810724,0.94696075,0.00041905735],"about_ca_topic_score_codex":0.008376779,"about_ca_topic_score_gemma":0.008879823,"teacher_disagreement_score":0.886774,"about_ca_system_score_codex":0.00010308919,"about_ca_system_score_gemma":0.00029028245,"threshold_uncertainty_score":0.9998892},"labels":[],"label_agreement":null},{"id":"W2612651376","doi":"","title":"Travelling Talismans: An Exhibition of Drawing, painting and sculpture","year":2015,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Sculpture; Exhibition; Studio; Visual arts; Meaning (existential); Art; Identity (music); Painting; Poetry; Aesthetics; Literature; Psychology","score_opus":0.12805517247511206,"score_gpt":0.32433281192415025,"score_spread":0.1962776394490382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612651376","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2639478,0.00012951983,0.000015200954,0.00003768218,0.0002658851,0.0004926966,0.00008820987,0.000047376107,0.73497564],"genre_scores_gemma":[0.4526396,0.00017548286,0.00007879056,0.000012795426,0.00031733263,3.2568474e-7,0.0005376605,0.000038090497,0.5461999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99697965,0.00075121876,0.0002597962,0.00070474384,0.0007424214,0.0005621724],"domain_scores_gemma":[0.9973228,0.00009916402,0.00031463915,0.0004727726,0.0013873768,0.00040327513],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009373552,0.00032339725,0.00050438393,0.00082963664,0.0022638256,0.0004526638,0.0010352143,0.00040174698,0.000011661124],"category_scores_gemma":[0.000040064104,0.00039151448,0.00014788349,0.00004682886,0.00087081897,0.0016289513,0.00021498915,0.0009014364,0.000009723903],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033261985,0.00012581231,0.00006752406,0.00026779508,0.0001272148,0.00032586846,0.11146215,0.0000081848875,0.0004021406,0.88558227,0.000668541,0.00062987657],"study_design_scores_gemma":[0.0013462201,0.0004811457,0.00034369837,0.000727891,0.0002633352,0.000010831753,0.2861437,0.00030219092,0.00081238674,0.0013733291,0.7075371,0.00065813505],"about_ca_topic_score_codex":0.014057978,"about_ca_topic_score_gemma":0.029341392,"teacher_disagreement_score":0.8842089,"about_ca_system_score_codex":0.00043818253,"about_ca_system_score_gemma":0.0008027092,"threshold_uncertainty_score":0.9998537},"labels":[],"label_agreement":null},{"id":"W2612864604","doi":"","title":"Clint Neufeld: Pipe Dreams of Madame Récamier / Clint Neufeld: Pipe Dreams of Madame Récamier, Koffler Gallery Off-Site at General Hardware Contemporary, Toronto, January 10 – March 2, 2013","year":2013,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Engineering; Computer graphics (images); Computer science","score_opus":0.017367849282121456,"score_gpt":0.19534913788589797,"score_spread":0.17798128860377652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612864604","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8122008,0.023307715,0.0003015874,0.010124403,0.0019275224,0.0020406807,0.0012248419,0.00033672908,0.14853576],"genre_scores_gemma":[0.54039186,0.0043689134,0.00027313936,0.00109056,0.00097300723,0.000036920897,0.00040282955,0.00012964391,0.4523331],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957565,0.0002513702,0.0010841242,0.0009059808,0.00082637597,0.0011756263],"domain_scores_gemma":[0.9964427,0.00020306511,0.0007879887,0.0012541474,0.0007054924,0.00060664513],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036478954,0.0007626059,0.0012401878,0.00029449744,0.0007710076,0.00008914643,0.00084087125,0.00042704056,0.008454709],"category_scores_gemma":[0.000030708474,0.0007717944,0.00074338604,0.000029770239,0.0009024005,0.0010253765,0.0009594065,0.00045405774,0.0005450437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067528785,0.00059865916,0.0020023067,0.0002484007,0.00060450175,0.00033795822,0.02595859,0.00009043234,0.0024901887,0.010040025,0.95016116,0.00679246],"study_design_scores_gemma":[0.0024310395,0.00059818884,0.0046769,0.00013831347,0.00022639763,0.000057677757,0.0050793174,0.001601901,0.0006495963,0.0014941372,0.9821394,0.0009070964],"about_ca_topic_score_codex":0.17787966,"about_ca_topic_score_gemma":0.31354493,"teacher_disagreement_score":0.30379733,"about_ca_system_score_codex":0.0024917098,"about_ca_system_score_gemma":0.00021251215,"threshold_uncertainty_score":0.9994733},"labels":[],"label_agreement":null},{"id":"W2613218133","doi":"10.1057/978-1-137-59543-0","title":"Queer Experimental Literature","year":2017,"lang":"en","type":"book","venue":"Palgrave Macmillan US eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":55,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Manitoba","keywords":"Queer; Reading (process); Politics; Aesthetics; Art; Political science; Literature; Sociology; Gender studies; Law","score_opus":0.0367172443445256,"score_gpt":0.2624253132545193,"score_spread":0.22570806890999368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613218133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000085180225,0.0034274235,0.0000032700664,0.000032274587,0.0018551507,0.00042879526,0.0010655,0.00019003713,0.99291235],"genre_scores_gemma":[0.32344812,0.000038309678,0.000014272519,0.0008106663,0.0049436726,0.00003814515,0.0004499263,0.00012163063,0.67013526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792665,0.000043461354,0.00039668148,0.0005969582,0.00039694432,0.0006393144],"domain_scores_gemma":[0.9981349,0.000038534665,0.00032982693,0.0010834954,0.00016566968,0.0002475342],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000096008625,0.00069429685,0.00064173643,0.00017855833,0.00086520426,0.00082509103,0.0006288789,0.00040430116,0.0015466447],"category_scores_gemma":[0.000012732249,0.0006116945,0.00043457435,2.0030289e-7,0.0008677492,0.00000780847,0.0002264163,0.0005910631,0.0004950556],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023433735,0.0000037620694,0.000007235621,0.00013933357,0.00019715757,0.00019603455,0.1399146,4.898099e-8,0.000024566076,0.82329315,0.03538849,0.0008121942],"study_design_scores_gemma":[0.00031908957,0.000088442066,0.000009406564,0.00030109702,0.00006684489,0.000019822697,0.00017144,0.000003948175,0.00026126616,0.23799583,0.76013505,0.0006277709],"about_ca_topic_score_codex":0.00026577385,"about_ca_topic_score_gemma":0.0022506008,"teacher_disagreement_score":0.7247465,"about_ca_system_score_codex":0.00016674843,"about_ca_system_score_gemma":0.00024004561,"threshold_uncertainty_score":0.99963343},"labels":[],"label_agreement":null},{"id":"W2614073188","doi":"","title":"The Father of Canadian Art by Toni Graeme","year":2016,"lang":"en","type":"article","venue":"Island writer","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.026567395242051366,"score_gpt":0.21097700409583167,"score_spread":0.1844096088537803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614073188","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023330128,0.00025494877,0.000044363045,0.0077457554,0.0004528303,0.00010003943,0.0006491512,0.000018915185,0.9674039],"genre_scores_gemma":[0.6005459,0.00004360133,0.0000019729655,0.00074653566,0.00025486617,0.0000037518798,0.0000051891366,0.0000080796135,0.3983901],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950194,0.000014362208,0.000109881265,0.00007591879,0.000070349364,0.00022753699],"domain_scores_gemma":[0.99966407,0.000043539116,0.000025363846,0.00015941757,0.000039260627,0.000068342124],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006240002,0.000065274304,0.00007114296,0.000048510712,0.00018493662,0.00004995017,0.000101546975,0.000023572886,0.0018956498],"category_scores_gemma":[0.000006696679,0.000030777665,0.000041795472,0.0000012744658,0.00020497717,0.00006155765,0.000010391699,0.000030544772,0.00028414084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037440045,0.0000093038425,0.00052796846,0.0000030069398,0.000020992238,0.0000014177789,0.017862577,1.3111531e-8,0.00007867063,0.07148338,0.90765643,0.0023524861],"study_design_scores_gemma":[0.00014887135,0.000021959391,0.00012527395,0.000011407141,0.000005853295,6.7756594e-7,0.00021420399,0.0000017292242,0.000158604,0.0049893716,0.99425757,0.00006448129],"about_ca_topic_score_codex":0.032569755,"about_ca_topic_score_gemma":0.783753,"teacher_disagreement_score":0.7511832,"about_ca_system_score_codex":0.000012952514,"about_ca_system_score_gemma":0.000027831693,"threshold_uncertainty_score":0.99901676},"labels":[],"label_agreement":null},{"id":"W2614530604","doi":"","title":"Yoko Ono: Fly / Center for Contemporary Art, September 18 - October 26, 2008","year":2008,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Center (category theory); Geography","score_opus":0.16573090729812845,"score_gpt":0.2846178808039867,"score_spread":0.11888697350585825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614530604","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030396603,0.00084812817,0.00033545235,0.00038018043,0.0011145658,0.0005655678,0.0005312557,0.00026270022,0.96556556],"genre_scores_gemma":[0.6178712,0.0000668601,0.00021132594,0.0034634355,0.0013577304,0.00007065144,0.00016141596,0.000074710486,0.37672266],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869704,0.000029400917,0.00033533023,0.0002924993,0.00015931482,0.00048638936],"domain_scores_gemma":[0.99928844,0.00006403242,0.00009229374,0.00029093685,0.00011963463,0.00014464256],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008961224,0.00023805466,0.00028185186,0.00008436828,0.00071151037,0.00009322105,0.00013003233,0.00006354664,0.0024553193],"category_scores_gemma":[0.000016378935,0.00020944806,0.00021638638,0.000002861127,0.0005658551,0.0003832632,0.000048442515,0.00010229481,0.0012794186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033181648,0.00016441777,0.0007226722,0.000047855152,0.00006054401,0.000033444372,0.027508061,0.0000014237534,0.000011585935,0.011156796,0.9599182,0.00034184652],"study_design_scores_gemma":[0.0007590314,0.000105825005,0.00024200395,0.000040605515,0.000017607912,0.000028652317,0.00037307863,0.00007276137,0.00013453748,0.0031893374,0.99475634,0.00028021703],"about_ca_topic_score_codex":0.00019225135,"about_ca_topic_score_gemma":0.0025038929,"teacher_disagreement_score":0.58884287,"about_ca_system_score_codex":0.000035907142,"about_ca_system_score_gemma":0.00008579293,"threshold_uncertainty_score":0.9994982},"labels":[],"label_agreement":null},{"id":"W2614823923","doi":"","title":"The Journey Home: An Examination of Hybridity and Place in the work of Brian Jungen","year":2012,"lang":"en","type":"other","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hybridity; Sculpture; Exhibition; Identity (music); Indigenous; Art; Sociology; Politics; Visual arts; Art history; Aesthetics; Humanities; Anthropology; Political science; Law","score_opus":0.11694800103512625,"score_gpt":0.2914558129759721,"score_spread":0.17450781194084586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614823923","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022017911,0.00029670366,0.000007413116,0.0001594133,0.00018916906,0.0006388501,0.00008339528,0.00001734688,0.9765898],"genre_scores_gemma":[0.27172497,0.0004227446,0.000012532587,0.000007230708,0.0001931522,2.5065162e-7,0.000018100085,0.000037273894,0.72758377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99681515,0.0017209464,0.00017156167,0.00031147612,0.0005510082,0.00042987432],"domain_scores_gemma":[0.99839824,0.00030491763,0.00028466733,0.0006020863,0.00025318647,0.0001568884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015649982,0.00019112801,0.0003214081,0.0005444143,0.0011485699,0.0001837652,0.0016248715,0.00017878246,0.00001953786],"category_scores_gemma":[0.000026862237,0.00015877755,0.000078788544,0.000057607835,0.0019959616,0.0005229649,0.000423931,0.0005897319,0.0000054532397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016098209,0.00016151993,0.00049059745,0.0000714749,0.000107854954,0.00007571426,0.03148202,0.0000012544909,0.000007699198,0.95044273,0.015925236,0.0010729175],"study_design_scores_gemma":[0.00061525777,0.00014331678,0.004286242,0.00015528427,0.00007780235,0.0000042996503,0.025933707,0.000013142366,0.000020966878,0.00006829336,0.96849906,0.00018264719],"about_ca_topic_score_codex":0.015021728,"about_ca_topic_score_gemma":0.04672517,"teacher_disagreement_score":0.9525738,"about_ca_system_score_codex":0.00022074787,"about_ca_system_score_gemma":0.0002942204,"threshold_uncertainty_score":0.99153733},"labels":[],"label_agreement":null},{"id":"W2615149019","doi":"10.17742/image.gdr.8-1.4","title":"Adventures in Communism: Counterculture and Camp in East Berlin","year":2017,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Counterculture; Adventure; Humanities; Communism; Art history; Art; History; Sociology; Political science; Politics; Law","score_opus":0.08382609701552111,"score_gpt":0.41977324136535016,"score_spread":0.33594714434982903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615149019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87175125,0.00996865,0.0000089489195,0.013743978,0.00084400666,0.00019566371,0.00012420697,0.000016708229,0.10334658],"genre_scores_gemma":[0.993577,0.0011337337,0.00024508216,0.00022906458,0.00035679707,0.0000060508282,0.000005036636,0.000010491741,0.0044367216],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892867,0.000049919512,0.0004698185,0.00011631796,0.0001928099,0.00024247097],"domain_scores_gemma":[0.99624914,0.00005572708,0.00038297405,0.00018301065,0.0030768833,0.000052275624],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0003052025,0.00017769427,0.00035454083,0.00013315628,0.0011272733,0.0026260784,0.00031805283,0.00003155871,0.00004040751],"category_scores_gemma":[0.00069126015,0.00012218488,0.00008468416,0.0000038322855,0.005713105,0.0073291096,0.0001497,0.00038081245,0.000005327355],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006358057,0.00029525734,0.025515119,0.00013651227,0.00024905548,0.00022728568,0.83473206,0.000017196253,0.00084738684,0.12434611,0.010571327,0.0029991118],"study_design_scores_gemma":[0.0061402232,0.00023354801,0.21005541,0.0009820088,0.00015091129,0.00034362145,0.16908202,0.00013129965,0.0004991344,0.10157763,0.50996464,0.0008395298],"about_ca_topic_score_codex":0.0004481485,"about_ca_topic_score_gemma":0.015185919,"teacher_disagreement_score":0.66565,"about_ca_system_score_codex":0.00009240532,"about_ca_system_score_gemma":0.00003056866,"threshold_uncertainty_score":0.9984093},"labels":[],"label_agreement":null},{"id":"W2615813077","doi":"","title":"Cheryl Pagurek, Ephemera, Patrick Mikhail Gallery, Ottawa, January 9 - February 3, 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ephemera; Art; Art history; History","score_opus":0.01695853360770563,"score_gpt":0.1654382958920118,"score_spread":0.14847976228430618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615813077","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5220181,0.030884216,0.00025710848,0.016065504,0.0012412516,0.0006155007,0.00034509858,0.00069172855,0.42788154],"genre_scores_gemma":[0.48400173,0.005041065,0.00021997196,0.0019585104,0.0012074116,0.000009682602,0.00011322841,0.00006770848,0.50738066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808955,0.00007214801,0.00027999352,0.00043827397,0.00036440676,0.0007556224],"domain_scores_gemma":[0.998796,0.00007615179,0.00016483395,0.00048059656,0.00014417485,0.00033823535],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011217904,0.00035466914,0.00037748023,0.00020878795,0.0018222979,0.000033710105,0.00038156702,0.00015868201,0.0019169628],"category_scores_gemma":[0.00001720741,0.00037832657,0.00029738163,0.000016477457,0.0004150928,0.00038806838,0.00019826776,0.00029590898,0.00092456787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054505817,0.00016684616,0.0012360461,0.000026547032,0.00015060746,0.0020031875,0.038100645,0.00002420018,0.000061342515,0.012652194,0.9432558,0.0022680825],"study_design_scores_gemma":[0.000940746,0.00010901526,0.0033165398,0.000016832359,0.00008878015,0.0002449491,0.0020065014,0.00019218259,0.00007955615,0.0010623204,0.99145794,0.0004846632],"about_ca_topic_score_codex":0.046140675,"about_ca_topic_score_gemma":0.2851304,"teacher_disagreement_score":0.23898973,"about_ca_system_score_codex":0.0015197304,"about_ca_system_score_gemma":0.00009889714,"threshold_uncertainty_score":0.99986684},"labels":[],"label_agreement":null},{"id":"W2616167585","doi":"","title":"Damage Done, Materializing the Photographic Image, Prefix Institute of Contemporary Art, Toronto May 5-June 11, 2005","year":2005,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art history; Prefix; Art; History; Computer graphics (images); Computer science","score_opus":0.034909295729345556,"score_gpt":0.2582580408955482,"score_spread":0.22334874516620265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616167585","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002482243,0.02084824,0.00030301575,0.0015446902,0.006945965,0.0015445132,0.003487335,0.00024372875,0.9626003],"genre_scores_gemma":[0.019119699,0.0031129774,0.0017736293,0.01973454,0.0056614648,0.00022938392,0.0010941345,0.00018275173,0.94909143],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950593,0.00036318682,0.0014457704,0.00094523735,0.0006515012,0.0015350002],"domain_scores_gemma":[0.9966565,0.00009197495,0.0007727986,0.0014099621,0.0005630134,0.0005057551],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00097374665,0.0010222953,0.0011381059,0.00013239475,0.0013968394,0.0008631844,0.0010220127,0.00062220765,0.09460167],"category_scores_gemma":[0.000097961325,0.000823984,0.00055003224,0.000038119804,0.0023928788,0.0028843756,0.00036157088,0.00068468513,0.00043918632],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010085965,0.000608085,0.00004286057,0.0005003919,0.00036617328,0.0000319535,0.0110849645,0.000068165944,0.0062205354,0.16213281,0.8187832,0.000059990645],"study_design_scores_gemma":[0.0017420042,0.0001033151,0.00003958351,0.0005636098,0.00041289208,0.000049208826,0.00483667,0.00040305636,0.005190103,0.0010715037,0.98461294,0.00097512413],"about_ca_topic_score_codex":0.012041101,"about_ca_topic_score_gemma":0.013274082,"teacher_disagreement_score":0.16582973,"about_ca_system_score_codex":0.0002754152,"about_ca_system_score_gemma":0.0005707191,"threshold_uncertainty_score":0.9999032},"labels":[],"label_agreement":null},{"id":"W2616616203","doi":"10.4000/critiquedart.23468","title":"Krzysztof Wodiczko, Transformative Avant-Garde and Other Writings","year":2016,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transformative learning; Avant garde; Art; Aesthetics; Art history; Sociology; Philosophy; Psychoanalysis; Psychology; Pedagogy","score_opus":0.030177893863483473,"score_gpt":0.27135472454948734,"score_spread":0.24117683068600387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616616203","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00488637,0.0043141292,0.0039267577,0.038958658,0.0013313943,0.00043101798,0.0024617354,0.00016506924,0.9435249],"genre_scores_gemma":[0.17018427,0.0021275445,0.00013881369,0.009182055,0.0020138095,0.00004596863,0.00001858173,0.00009086707,0.8161981],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794537,0.00015252996,0.0004915593,0.00038572046,0.00021472509,0.0008101194],"domain_scores_gemma":[0.9989241,0.00024128212,0.000090676425,0.00026283436,0.00017635095,0.00030475852],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032087305,0.00037994204,0.00040976013,0.000101704645,0.00058735075,0.00024390676,0.0001640418,0.0002171934,0.0101987915],"category_scores_gemma":[0.00006389164,0.0003087923,0.00016860521,0.0000012857136,0.001982611,0.0006763885,0.000046875215,0.00025826704,0.0022421274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031783493,0.00013288054,0.0000947017,0.0003677503,0.00008735473,0.00003231578,0.1943431,7.942005e-8,0.00017703295,0.514111,0.27672094,0.013901064],"study_design_scores_gemma":[0.0009159164,0.00018405681,0.00006430434,0.0008145552,0.00009314754,0.000051408755,0.0052852356,0.000019349638,0.0010030239,0.020083502,0.97100085,0.0004846672],"about_ca_topic_score_codex":0.00042422925,"about_ca_topic_score_gemma":0.006543806,"teacher_disagreement_score":0.6942799,"about_ca_system_score_codex":0.00007690288,"about_ca_system_score_gemma":0.00008818784,"threshold_uncertainty_score":0.9999364},"labels":[],"label_agreement":null},{"id":"W2616723826","doi":"","title":"I am the Signal / House of no more, création de Jemma Nelson et de Caden Manson; mise en scène, scénographie et vidéo : Caden Manson; production Caden Manson / Big Art Group, à Usine C, Montréal. 16 - 18 février 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011457835871870811,"score_gpt":0.18961915932606163,"score_spread":0.17816132345419083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616723826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7831315,0.06667488,0.0052304417,0.08777485,0.0017777722,0.0026027814,0.0017865011,0.00067164766,0.050349645],"genre_scores_gemma":[0.57873553,0.0173692,0.0006842061,0.0016364751,0.0036315327,0.000054449083,0.00042872594,0.00027508257,0.39718482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995431,0.0007005411,0.0007340611,0.00088534784,0.0008168555,0.0014322102],"domain_scores_gemma":[0.9975147,0.00020672356,0.0006648846,0.00080346334,0.00043814405,0.00037205778],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009839104,0.00079632987,0.00071397447,0.00063698733,0.0016941782,0.0001990685,0.000661226,0.0005919531,0.0004677148],"category_scores_gemma":[0.000052014802,0.0008100367,0.00051921676,0.00012769015,0.0010414994,0.000988252,0.00026967755,0.0009014506,0.00016309106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010283975,0.0011512225,0.0046492275,0.000518616,0.0007251085,0.00090528035,0.04919917,0.009004124,0.0029380077,0.123904,0.7996083,0.006368588],"study_design_scores_gemma":[0.0018743925,0.00032620225,0.013213371,0.00031560712,0.0010599801,0.0003403735,0.007102603,0.0030265483,0.0010336931,0.00374526,0.96707106,0.00089089177],"about_ca_topic_score_codex":0.29344368,"about_ca_topic_score_gemma":0.52592593,"teacher_disagreement_score":0.34683517,"about_ca_system_score_codex":0.0042831707,"about_ca_system_score_gemma":0.0002286125,"threshold_uncertainty_score":0.9996055},"labels":[],"label_agreement":null},{"id":"W2617816221","doi":"","title":"Introducing Suzy Lake, Art Gallery of Ontario, Toronto, 5 November, 2014 to 22 March, 2015","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.016030562242648625,"score_gpt":0.19174543347736045,"score_spread":0.17571487123471183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617816221","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057022125,0.070125215,0.001128003,0.05871717,0.0060207136,0.00096513226,0.0013370161,0.00019778463,0.8044869],"genre_scores_gemma":[0.014034249,0.0018946052,0.0009579326,0.00091649813,0.0016290812,0.0000058796045,0.0001283375,0.00006903395,0.9803644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753726,0.0001060705,0.00040854258,0.0005403081,0.00048506068,0.00092276745],"domain_scores_gemma":[0.9977354,0.00008074741,0.0002351134,0.0006977087,0.00043478658,0.00081626535],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004199523,0.0004098319,0.00059594336,0.00015353906,0.0005334866,0.00005852194,0.0004306822,0.0002150386,0.009536378],"category_scores_gemma":[0.000046211524,0.0004909789,0.0002563948,0.000011362226,0.00036199787,0.0005815583,0.0005251482,0.00029755628,0.0011158279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023299379,0.00021759227,0.0003249029,0.000071745635,0.00021803631,0.00026003347,0.06319971,0.00043951266,0.00003645102,0.052356668,0.8803212,0.0023211262],"study_design_scores_gemma":[0.0011954544,0.0005276177,0.00040232728,0.00011815686,0.00022837282,0.00007769088,0.0053951023,0.00017792029,0.00004428648,0.0013086107,0.99001104,0.00051345123],"about_ca_topic_score_codex":0.75251627,"about_ca_topic_score_gemma":0.9986863,"teacher_disagreement_score":0.24617003,"about_ca_system_score_codex":0.014877999,"about_ca_system_score_gemma":0.0006042042,"threshold_uncertainty_score":0.9997542},"labels":[],"label_agreement":null},{"id":"W2618703871","doi":"","title":"Le spectacle de l’art / The Spectacle of Art","year":2013,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Art; Political science","score_opus":0.012216089064785541,"score_gpt":0.21537937590294626,"score_spread":0.2031632868381607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618703871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0102617545,0.0056095766,0.0002811941,0.110999994,0.0015724172,0.0005247028,0.00013743437,0.00008135706,0.87053156],"genre_scores_gemma":[0.3942167,0.00018836204,0.00013159325,0.0016261891,0.0020172799,0.000016128404,0.000012326549,0.00004056519,0.60175085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824244,0.00014696614,0.0002965449,0.00028969548,0.00028644752,0.0007378995],"domain_scores_gemma":[0.9987796,0.00008709869,0.00016211078,0.0005974168,0.00017708787,0.00019671138],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002206284,0.00029075175,0.00033184906,0.00005809046,0.00072987325,0.00026346627,0.0003667386,0.00017805223,0.009565371],"category_scores_gemma":[0.00005763031,0.00022533018,0.00029335753,0.000009597211,0.0010910298,0.00035004626,0.0001147792,0.00046803337,0.0043351925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006132006,0.00011757235,0.00010476938,0.000063500265,0.00007073693,0.0000050833355,0.08034832,0.000030065361,0.00012414368,0.47359833,0.44533446,0.00019688853],"study_design_scores_gemma":[0.00034462326,0.000099154815,0.0020153988,0.000089973626,0.000079154124,0.00001793753,0.014946927,0.0002914771,0.0007487364,0.013702987,0.967389,0.00027465934],"about_ca_topic_score_codex":0.003792745,"about_ca_topic_score_gemma":0.021219742,"teacher_disagreement_score":0.5220545,"about_ca_system_score_codex":0.00007336626,"about_ca_system_score_gemma":0.00026182755,"threshold_uncertainty_score":0.99664044},"labels":[],"label_agreement":null},{"id":"W2619363231","doi":"","title":"Greg Girard. New Works, Monte Clark Gallery, Toronto. September 20 - November 18, 2007","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; History","score_opus":0.021969993361460008,"score_gpt":0.18799648147985973,"score_spread":0.1660264881183997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619363231","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012644247,0.2797034,0.0004605721,0.015592181,0.0032478492,0.00044644176,0.00037971858,0.00026791936,0.68725765],"genre_scores_gemma":[0.016309265,0.036082365,0.00042682164,0.0021888022,0.00418669,0.0000048838,0.000091973205,0.00013540403,0.9405738],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659175,0.00013503002,0.0004738915,0.00074015395,0.00056004024,0.0014991631],"domain_scores_gemma":[0.9975766,0.00009610098,0.00030018223,0.0008232427,0.000228745,0.00097513123],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016071982,0.00070715725,0.00070449954,0.00012540177,0.0023585332,0.00012065974,0.0005454464,0.00052302086,0.030470004],"category_scores_gemma":[0.000017545242,0.00082910695,0.00061282894,0.000017508451,0.00077393453,0.0012838931,0.00041125453,0.0005535711,0.0027688816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014410359,0.00023462936,0.000266345,0.000055929264,0.00045536342,0.0029292032,0.02220934,0.00019602822,0.000009268496,0.026253529,0.94056916,0.0066770767],"study_design_scores_gemma":[0.002006432,0.00016805885,0.0007505738,0.00021031692,0.0003565408,0.00062136864,0.0031550846,0.0007093535,0.000016351365,0.0009876536,0.9900889,0.0009293739],"about_ca_topic_score_codex":0.19766909,"about_ca_topic_score_gemma":0.83832383,"teacher_disagreement_score":0.64065474,"about_ca_system_score_codex":0.0072692656,"about_ca_system_score_gemma":0.00028524743,"threshold_uncertainty_score":0.999416},"labels":[],"label_agreement":null},{"id":"W2619739909","doi":"10.17771/pucrio.ana.28079","title":"O PROBLEMA DA EXPERIÊNCIA ESTÉTICA COMO FUNDAMENTO DA DEFINIÇÃO DE ARTE EM NOEL CARROLL E A IDENTIFICAÇÃO NARRATIVA","year":2016,"lang":"pt","type":"article","venue":"Análogos","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de La Pocatiere","funders":"","keywords":"Humanities; Philosophy","score_opus":0.08785399210735013,"score_gpt":0.296141982129636,"score_spread":0.20828799002228587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619739909","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78020906,0.006345914,0.007247573,0.020865338,0.008874288,0.004235422,0.0036532914,0.0012132104,0.16735591],"genre_scores_gemma":[0.7769544,0.00017845018,0.00007547291,0.0017614143,0.0011561252,0.00016967203,0.000050659637,0.000119374025,0.21953443],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954168,0.00031076572,0.001024404,0.000953084,0.0005912402,0.0017037105],"domain_scores_gemma":[0.99730897,0.00025846236,0.00039030184,0.0011206862,0.00029715308,0.00062443665],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045660153,0.00074448925,0.00082536455,0.00020720651,0.001339423,0.0011080938,0.00064059376,0.0003262599,0.0050681112],"category_scores_gemma":[0.0001325187,0.0005843356,0.0004164764,0.000014339624,0.00097127986,0.0006158544,0.00028403327,0.0003626325,0.0023939488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017725876,0.00086688023,0.0016496583,0.00037239643,0.0005453032,0.00022550323,0.6816655,0.0000038557964,0.0037823927,0.14259918,0.16206472,0.006047386],"study_design_scores_gemma":[0.0030489767,0.0007944714,0.00075695245,0.0008228956,0.00034285395,0.00007192232,0.048753895,0.00035117625,0.0017967751,0.021772053,0.9198717,0.0016163441],"about_ca_topic_score_codex":0.0010890873,"about_ca_topic_score_gemma":0.011537513,"teacher_disagreement_score":0.75780696,"about_ca_system_score_codex":0.00033661776,"about_ca_system_score_gemma":0.0004538186,"threshold_uncertainty_score":0.9999607},"labels":[],"label_agreement":null},{"id":"W2620188426","doi":"","title":"Mount A Libraries: Fine Arts Subject Guide: Canadian Art","year":2014,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Mount; Visual arts; The arts; Computer science; Library science; Art","score_opus":0.04008742506436109,"score_gpt":0.22973642624872917,"score_spread":0.1896490011843681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620188426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027307314,0.000038076647,0.00029299755,0.0032601594,0.00050615944,0.00010147374,0.000051325947,0.000135265,0.9928838],"genre_scores_gemma":[0.50400835,0.0000032121386,0.00012595094,0.0071336846,0.0010759974,0.000008835954,0.00004942921,0.00002094771,0.48757362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900746,0.000021275939,0.00020903455,0.00018735122,0.000117796044,0.00045710843],"domain_scores_gemma":[0.9992704,0.000055156594,0.00003171685,0.00028387818,0.00006134247,0.0002975043],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011755009,0.00014606139,0.00016142221,0.00010826804,0.00037890757,0.00028130235,0.00014735766,0.000044286422,0.012496419],"category_scores_gemma":[0.00005336114,0.00012164236,0.000065677414,0.0000017437246,0.00019692325,0.00024944177,0.000028727605,0.00008400248,0.0017518797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010930551,0.000008142802,0.000058172955,0.0000057195098,0.000009574419,0.0000025540987,0.010594933,0.0000012888894,0.0000019355118,0.60739565,0.38149846,0.0004225009],"study_design_scores_gemma":[0.00014661884,0.000048957132,0.00011390275,0.000008387433,0.000010762407,0.0000023293467,0.0005955133,0.00036933756,0.00007600354,0.016704159,0.9817388,0.00018520655],"about_ca_topic_score_codex":0.28301877,"about_ca_topic_score_gemma":0.96116436,"teacher_disagreement_score":0.6781456,"about_ca_system_score_codex":0.000071646435,"about_ca_system_score_gemma":0.00020444019,"threshold_uncertainty_score":0.99902534},"labels":[],"label_agreement":null},{"id":"W2621011466","doi":"","title":"David Clerson et Sébastien Pesot (dir.), Post-Punk Art Now, Sherbrooke, Pesot organisme de création","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Punk; Art; Art history","score_opus":0.014221606919496404,"score_gpt":0.19613786463461633,"score_spread":0.18191625771511993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621011466","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17999575,0.061603032,0.002993781,0.22010155,0.004366714,0.001153253,0.0016820461,0.0005442982,0.5275596],"genre_scores_gemma":[0.23341574,0.0055127786,0.00035569226,0.0020119788,0.0013260623,0.0000060758334,0.0001913983,0.00010349888,0.7570768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973236,0.00016860683,0.00032582573,0.00061507145,0.0004264991,0.0011404428],"domain_scores_gemma":[0.99760264,0.000107942615,0.0004423916,0.00096683647,0.00034846648,0.0005317416],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036498503,0.0005244877,0.00048792336,0.00020786717,0.0044119214,0.00036906832,0.00076751807,0.00036898858,0.0028037569],"category_scores_gemma":[0.00010305206,0.00063460134,0.00032445646,0.00000927853,0.000743382,0.0012021302,0.00049079885,0.0005230072,0.0019953977],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026144812,0.00038931507,0.00069671305,0.00025461984,0.00034621768,0.0017854391,0.09010266,0.00014907696,0.0007323057,0.31076849,0.58318746,0.011326246],"study_design_scores_gemma":[0.0014357014,0.00034300698,0.0051798983,0.00020003485,0.0004495312,0.00021188484,0.005231452,0.0016865527,0.0002797025,0.0038636797,0.98041785,0.0007007187],"about_ca_topic_score_codex":0.042609807,"about_ca_topic_score_gemma":0.56315804,"teacher_disagreement_score":0.5205482,"about_ca_system_score_codex":0.0050189192,"about_ca_system_score_gemma":0.00026276044,"threshold_uncertainty_score":0.99961054},"labels":[],"label_agreement":null},{"id":"W2622451739","doi":"","title":"The Venice Biennale, 51st International Art Exhibition, Venice, Italy June 12 - November 6, 2005","year":2005,"lang":"en","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Visual arts","score_opus":0.02817261312672992,"score_gpt":0.24485749683597888,"score_spread":0.21668488370924896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622451739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005421088,0.0009747735,0.00020550175,0.0013639344,0.0026048243,0.00038802228,0.00047241338,0.00019900437,0.9932494],"genre_scores_gemma":[0.012404253,0.0003085383,0.0003308585,0.027967071,0.0058139665,0.00012971809,0.0005827401,0.00007262026,0.95239025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743557,0.0000732556,0.0005923237,0.0005337974,0.0005162337,0.00084880623],"domain_scores_gemma":[0.9983912,0.000113129936,0.00026146055,0.00060335454,0.00036494556,0.00026591693],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043661817,0.00041718915,0.00032652754,0.000091667745,0.0011588304,0.0006511254,0.0006333626,0.0001998254,0.08499039],"category_scores_gemma":[0.00010677261,0.00032185946,0.00024350219,0.000016682312,0.00046090956,0.00085646944,0.00015959857,0.0005416737,0.002871665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034419372,0.00020599796,0.000019934674,0.000016681393,0.00014970046,0.000006450546,0.004276616,0.00009437384,0.00035092278,0.15523738,0.83947223,0.00013528959],"study_design_scores_gemma":[0.00077959156,0.00003797592,0.00004105848,0.00006774893,0.00010035309,0.000034567893,0.0010656568,0.0007375388,0.00028272235,0.003055996,0.993351,0.00044582612],"about_ca_topic_score_codex":0.000104084036,"about_ca_topic_score_gemma":0.0018291395,"teacher_disagreement_score":0.15387872,"about_ca_system_score_codex":0.00017273237,"about_ca_system_score_gemma":0.0001760959,"threshold_uncertainty_score":0.99992335},"labels":[],"label_agreement":null},{"id":"W2623820298","doi":"10.1002/ace.20227","title":"Moments for Movement: Photostories from the 1980s Resonate Today","year":2017,"lang":"en","type":"article","venue":"New Directions for Adult and Continuing Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Etobicoke School of the Arts; Home and Community Care Support Services; York University","funders":"","keywords":"Movement (music); Sociology; Moment (physics); Reflection (computer programming); Social movement; Media studies; Pedagogy; Visual arts; Aesthetics; Epistemology; Political science; Art; Computer science","score_opus":0.02803123873747316,"score_gpt":0.2832684358532207,"score_spread":0.25523719711574755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623820298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.782378,0.0032049478,0.0029737882,0.031339154,0.025764288,0.004119685,0.0016797638,0.0003465551,0.14819378],"genre_scores_gemma":[0.7378751,0.00013160822,0.00026392756,0.0010731143,0.0034579337,0.00041039282,0.000121631165,0.000020101515,0.25664622],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949455,0.000008775172,0.00012761839,0.0001607692,0.000058271053,0.00015001054],"domain_scores_gemma":[0.99926424,0.00010158839,0.00012015967,0.00022511627,0.0002400648,0.00004880732],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000071183014,0.00009166102,0.000091076916,0.000023925599,0.0016932586,0.00046943474,0.00011183057,0.00002719327,0.00004682969],"category_scores_gemma":[0.00020111373,0.0000725787,0.000058867627,0.0000011156808,0.00010207353,0.0002447677,0.00001846613,0.000042233176,0.0000026473617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006326261,0.00011891883,0.0014175036,0.00002602507,0.000081146594,3.1212995e-8,0.2702877,2.7557454e-7,0.00018695123,0.10910751,0.19740145,0.42130923],"study_design_scores_gemma":[0.00042685872,0.00003533706,0.0023288135,0.00006926137,0.000064996886,1.1400875e-7,0.009486943,0.000078248224,0.0004912444,0.032940682,0.95397496,0.00010253575],"about_ca_topic_score_codex":0.010658977,"about_ca_topic_score_gemma":0.022836415,"teacher_disagreement_score":0.7565735,"about_ca_system_score_codex":0.000027294653,"about_ca_system_score_gemma":0.000046690824,"threshold_uncertainty_score":0.99960643},"labels":[],"label_agreement":null},{"id":"W2623901233","doi":"","title":"Art et activisme / Un monde dans lequel plusieurs mondes s’inscrivent, Galerie d’art Foreman de l’Université Bishop, Sherbrooke, du 27 janvier au 20 mars 2010","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010322578295843004,"score_gpt":0.17419692288782698,"score_spread":0.16387434459198397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623901233","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.392586,0.009325405,0.0022185473,0.050981272,0.0050264713,0.0008974251,0.0013864707,0.00029903755,0.53727937],"genre_scores_gemma":[0.1320081,0.009254661,0.00057924265,0.0010907948,0.0011355018,0.000009834111,0.00028138392,0.00017731193,0.85546315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99609697,0.00023037122,0.00043425462,0.0008960384,0.0005540977,0.0017882901],"domain_scores_gemma":[0.9972491,0.0001764448,0.0003846924,0.0009606819,0.00023584325,0.0009932276],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039075792,0.000870052,0.0007432838,0.00044117862,0.0026228707,0.0002027944,0.00089991314,0.0006416333,0.009465731],"category_scores_gemma":[0.00004264139,0.0010546823,0.00067804876,0.000045688437,0.0014505647,0.0013381977,0.00068944664,0.0012732178,0.0012230896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027600946,0.000542506,0.0033087397,0.00013119496,0.00061197893,0.0025121153,0.05702702,0.00019598473,0.0027962252,0.21784301,0.7089153,0.005839901],"study_design_scores_gemma":[0.0020124537,0.00026761886,0.004367257,0.00013916848,0.0007258858,0.00046037172,0.01022887,0.001764281,0.0006489287,0.009607559,0.96868473,0.0010928555],"about_ca_topic_score_codex":0.023395237,"about_ca_topic_score_gemma":0.68933195,"teacher_disagreement_score":0.6659367,"about_ca_system_score_codex":0.005172188,"about_ca_system_score_gemma":0.00038444714,"threshold_uncertainty_score":0.9995546},"labels":[],"label_agreement":null},{"id":"W2624329861","doi":"","title":"Making Visible Feminine Modernities: The Traditionalist Paintings and Modern Methods of Wu Shujuan","year":2012,"lang":"en","type":"article","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Alberta","keywords":"Painting; Art; Art history; Visual arts","score_opus":0.04977658379875393,"score_gpt":0.2654799931848488,"score_spread":0.21570340938609484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624329861","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037866535,0.0010741272,0.00963227,0.0010112064,0.0005292777,0.0002580907,0.00022918699,0.000108696506,0.9833705],"genre_scores_gemma":[0.98606366,0.0005498185,0.002223343,0.0069160582,0.0016576473,0.00002132218,0.0003461077,0.000022364191,0.0021996582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869615,0.00012732935,0.0005145669,0.00010644784,0.00014443077,0.00041106463],"domain_scores_gemma":[0.9992055,0.00021288155,0.00026184166,0.00017776142,0.00003170518,0.000110293404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038679384,0.00019823604,0.00023181843,0.00008233512,0.00051426765,0.00028292887,0.00014323421,0.00007022436,0.00056400284],"category_scores_gemma":[0.000010746002,0.00014784497,0.00007555609,0.000009528225,0.00036003935,0.007513101,0.00012595826,0.00019100514,0.0000045612737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027161177,0.000026670461,0.00027488056,0.00010805963,0.000040931493,1.0492089e-7,0.0657553,0.00007919134,0.0000011715343,0.9184835,0.00576509,0.009437919],"study_design_scores_gemma":[0.0003925709,0.000044693526,0.00092814537,0.0001414619,0.000034045577,0.000012292483,0.0008071119,0.02504074,0.000035581223,0.022632856,0.94970715,0.000223367],"about_ca_topic_score_codex":8.054302e-7,"about_ca_topic_score_gemma":0.0000037375069,"teacher_disagreement_score":0.98227704,"about_ca_system_score_codex":0.0000060820616,"about_ca_system_score_gemma":0.000022152688,"threshold_uncertainty_score":0.6175436},"labels":[],"label_agreement":null},{"id":"W2624330497","doi":"","title":"Sympathy for the Devil: Got No Live if You Want It! / Montreal Museum of Contemporary Art, www.macm.org, October 10, 2008 to January 11, 2009","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sympathy; Art; Art history; Visual arts; Media studies; History; Sociology; Psychology","score_opus":0.027135985651859935,"score_gpt":0.1896903588797168,"score_spread":0.16255437322785687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624330497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38438565,0.036779713,0.0010972493,0.080863595,0.0030386846,0.0053853034,0.0062454566,0.00069222145,0.48151213],"genre_scores_gemma":[0.50582904,0.0014111178,0.000111396366,0.002112564,0.0007183664,0.00003206732,0.00011896581,0.00005708715,0.48960942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982412,0.0000626942,0.00036322646,0.00040045855,0.0003168849,0.00061554415],"domain_scores_gemma":[0.9983082,0.00024399735,0.00022981,0.0005559667,0.00037369595,0.00028832015],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00015825384,0.0003502628,0.00047534792,0.00016769442,0.0012429084,0.000024990983,0.00046128329,0.00012414757,0.0007383736],"category_scores_gemma":[0.00004710826,0.00029532408,0.0003498054,0.000016380942,0.00039035783,0.0002794697,0.00023002982,0.0001588618,0.00076251227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030707725,0.00015453195,0.00021067448,0.00003547342,0.00021845683,0.00032361466,0.054516863,0.000062144325,0.000048679707,0.0072258404,0.9365178,0.0003788547],"study_design_scores_gemma":[0.0012023671,0.00032929625,0.00083933084,0.000050650964,0.00016618453,0.00005595511,0.008521501,0.0008315701,0.00007308275,0.00032714277,0.9872388,0.00036411665],"about_ca_topic_score_codex":0.028468896,"about_ca_topic_score_gemma":0.20479105,"teacher_disagreement_score":0.17632215,"about_ca_system_score_codex":0.0006351956,"about_ca_system_score_gemma":0.00015192053,"threshold_uncertainty_score":0.9999499},"labels":[],"label_agreement":null},{"id":"W2624847229","doi":"","title":"Urbancic, Anne. Reviewing Mario Pratesi. The Critical Press and its Influence. Toronto, Buffalo, London: University of Toronto Press, 2014.","year":2016,"lang":"en","type":"article","venue":"Spunti e ricerche","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Sociology; Art","score_opus":0.05649894975704808,"score_gpt":0.26297549927563385,"score_spread":0.20647654951858577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624847229","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018702656,0.5681328,0.00028975125,0.0027926874,0.0008935465,0.0010359635,0.00046769506,0.00017749125,0.40750742],"genre_scores_gemma":[0.85577637,0.038089532,0.00014680001,0.0005770893,0.0010723933,0.000010770722,0.000007935853,0.000046385678,0.10427272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986743,0.00017150049,0.00024931712,0.00029991768,0.00021539022,0.00038958146],"domain_scores_gemma":[0.9987299,0.00035557136,0.00010765277,0.00037029065,0.00030738075,0.00012920945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037869602,0.00019473847,0.000290544,0.000005869204,0.0004082375,0.000076588905,0.00032013014,0.00009367693,0.002034542],"category_scores_gemma":[0.00019704075,0.00012260635,0.00008974483,0.000001188052,0.00053154083,0.0010850552,0.00017887738,0.000110780486,0.00003377844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013515243,0.000212756,0.000590821,0.0008977022,0.0002066568,0.00002120873,0.11910286,0.0000017287288,0.0005293782,0.631265,0.23406966,0.012967089],"study_design_scores_gemma":[0.00031702506,0.00007736465,0.0019914669,0.00016772433,0.00012682618,0.0000038506596,0.0009364862,0.000044449236,0.00017762091,0.0009276532,0.99501914,0.00021041816],"about_ca_topic_score_codex":0.06549595,"about_ca_topic_score_gemma":0.09807709,"teacher_disagreement_score":0.8370737,"about_ca_system_score_codex":0.00015501464,"about_ca_system_score_gemma":0.00007397355,"threshold_uncertainty_score":0.9988777},"labels":[],"label_agreement":null},{"id":"W2625225137","doi":"","title":"49e Biennale de Venise, le Plateau de l’Humilité / The 49th Venice Biennial, Plateau of Humility","year":2001,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humility; Plateau (mathematics); Political science","score_opus":0.023167082649749253,"score_gpt":0.24985976852873454,"score_spread":0.22669268587898528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625225137","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74410236,0.0518749,0.00078575267,0.052101348,0.003255672,0.00100327,0.0011080274,0.00024182335,0.14552683],"genre_scores_gemma":[0.744392,0.0019004353,0.00015165936,0.0014538117,0.0021912986,0.000022691342,0.000034122895,0.00007227954,0.24978174],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968336,0.00041570785,0.0005258339,0.00051403797,0.0004005471,0.0013102499],"domain_scores_gemma":[0.9980091,0.00021685877,0.0002845054,0.0009140009,0.00022548733,0.00035003526],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009577985,0.0004815472,0.00054878386,0.000108060914,0.0013816206,0.0001800207,0.00063652446,0.000417932,0.00090360804],"category_scores_gemma":[0.00015680071,0.0003994109,0.00045891432,0.00003062391,0.0018192474,0.0003443404,0.00018131621,0.00089946325,0.0001506691],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046089463,0.00094798586,0.0028223759,0.0006034062,0.0005322701,0.0001605948,0.60287,0.0013565116,0.00092861487,0.32561335,0.061858486,0.001845517],"study_design_scores_gemma":[0.00082389155,0.00018339723,0.0041001034,0.0001919406,0.00024640662,0.00008237921,0.009014498,0.0009184456,0.00087163615,0.008983248,0.9741416,0.0004424588],"about_ca_topic_score_codex":0.016777726,"about_ca_topic_score_gemma":0.030857887,"teacher_disagreement_score":0.9122831,"about_ca_system_score_codex":0.00024314578,"about_ca_system_score_gemma":0.0007135684,"threshold_uncertainty_score":0.99991846},"labels":[],"label_agreement":null},{"id":"W2625320142","doi":"","title":"Dissensus as Social Contract in the Art of Ken Lum / Le dissensus comme contrat social dans l’art de Ken Lum","year":2013,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Social contract; Humanities; Sociology; Art; Political science; Law; Politics","score_opus":0.057728730343876024,"score_gpt":0.30471786047614174,"score_spread":0.24698913013226573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625320142","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.112909555,0.00063712616,0.00011869426,0.30682957,0.0031387857,0.0017007481,0.0017788145,0.00014601933,0.5727407],"genre_scores_gemma":[0.93542606,0.0001526562,0.000022972588,0.0015723406,0.003759964,0.00018538152,0.0005353957,0.00009997396,0.05824526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99580353,0.0006051062,0.0010628533,0.00052189286,0.00051318435,0.0014934014],"domain_scores_gemma":[0.9976779,0.00075384777,0.0004333442,0.0005317561,0.0003188486,0.00028428264],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061428134,0.0005994681,0.000896502,0.00014093432,0.0023059843,0.0005508211,0.0006439743,0.00037299312,0.0015167879],"category_scores_gemma":[0.00015872398,0.00054402504,0.00049092446,0.000031581498,0.002458182,0.0005694969,0.00015163941,0.00082348415,0.0006377049],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004348111,0.0011027408,0.0004859727,0.00011046518,0.00016337165,0.000050971434,0.11016138,0.0000044047433,0.0001889008,0.6613874,0.22604886,0.00025205343],"study_design_scores_gemma":[0.0017583817,0.00019336653,0.02273168,0.00017047666,0.00016936123,0.000050196333,0.06445059,0.00032017622,0.00019698816,0.03352999,0.8757543,0.0006744903],"about_ca_topic_score_codex":0.014860093,"about_ca_topic_score_gemma":0.03793351,"teacher_disagreement_score":0.8225165,"about_ca_system_score_codex":0.00016203964,"about_ca_system_score_gemma":0.00050441123,"threshold_uncertainty_score":0.99970114},"labels":[],"label_agreement":null},{"id":"W2625510670","doi":"","title":"Roger Ballen, Boarding House, OCAD Professional Gallery, Toronto, March 5-May 31, 2009","year":2009,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Media studies; History; Art; Art history; Sociology","score_opus":0.01601489892970304,"score_gpt":0.20107404420485514,"score_spread":0.1850591452751521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625510670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10480603,0.019277234,0.00024521095,0.045874078,0.0016022264,0.00070507004,0.00021810287,0.0009174814,0.82635456],"genre_scores_gemma":[0.5366564,0.0012451004,0.0001765927,0.0019230712,0.0008749702,0.000004955056,0.000033933145,0.000043683973,0.4590413],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998348,0.00006190439,0.00020837373,0.00035790223,0.00034697927,0.0006768165],"domain_scores_gemma":[0.9991228,0.00005214558,0.0001120623,0.00033253737,0.00011789685,0.0002625427],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015451408,0.00027206415,0.00029404322,0.00008943266,0.001210359,0.00005745259,0.00031728885,0.000134339,0.0010869647],"category_scores_gemma":[0.000012393291,0.00027119377,0.00020122658,0.0000061813066,0.0001405981,0.0004467446,0.00013989344,0.00022010486,0.00025081486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001148985,0.000164402,0.00007489604,0.000017425176,0.00009259765,0.0003243119,0.020047797,0.00002191821,0.00012413265,0.2794035,0.69161093,0.0080031855],"study_design_scores_gemma":[0.00072591635,0.0001304181,0.00085994124,0.000045855697,0.00006222046,0.00003812323,0.00471647,0.0002523677,0.000047409452,0.002496094,0.9902679,0.0003573238],"about_ca_topic_score_codex":0.008446369,"about_ca_topic_score_gemma":0.27584675,"teacher_disagreement_score":0.43185037,"about_ca_system_score_codex":0.0026538104,"about_ca_system_score_gemma":0.0000885116,"threshold_uncertainty_score":0.999974},"labels":[],"label_agreement":null},{"id":"W2625976798","doi":"","title":"Dark Thoughts: Jinny Yu Starts where Painting Ends / Là où la peinture s'arrête : les idées noires de Jinny Yu","year":2012,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Painting; Humanities; Art history","score_opus":0.04099186562205539,"score_gpt":0.2904180684345944,"score_spread":0.249426202812539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625976798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038660057,0.08319253,0.002306394,0.10207193,0.019920439,0.0014061163,0.0035173865,0.0012369767,0.7476882],"genre_scores_gemma":[0.8499639,0.0035020027,0.00056436355,0.0015517661,0.019475017,0.00012536897,0.00039665855,0.0002543741,0.12416657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939601,0.00070612004,0.0010601452,0.0008209593,0.00062658725,0.0028260762],"domain_scores_gemma":[0.9961785,0.0009484123,0.00048211243,0.0010638131,0.0003566735,0.00097047264],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012862409,0.0009951044,0.00087877875,0.00029970592,0.0038571076,0.0010914233,0.00066037104,0.00059341575,0.0027410558],"category_scores_gemma":[0.00035860392,0.0009760801,0.0005405832,0.000038547558,0.0019320922,0.0017738652,0.0004354899,0.0012327445,0.00041558288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024228448,0.00063076965,0.002556786,0.000561634,0.00027021187,0.00004783896,0.12759283,0.00003638354,0.00007480055,0.6603354,0.20445779,0.003411298],"study_design_scores_gemma":[0.0006650091,0.00013151435,0.0016216573,0.001147229,0.00027966508,0.000080536156,0.023369314,0.00019246494,0.0004541082,0.013903721,0.95700395,0.0011508076],"about_ca_topic_score_codex":0.0031083378,"about_ca_topic_score_gemma":0.011982323,"teacher_disagreement_score":0.81130385,"about_ca_system_score_codex":0.0002593522,"about_ca_system_score_gemma":0.00048950664,"threshold_uncertainty_score":0.9999455},"labels":[],"label_agreement":null},{"id":"W2625979615","doi":"","title":"L’atelier Duchamp / Duchamp's Studio","year":2001,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Studio; Art; Art history; Visual arts","score_opus":0.03727268717144247,"score_gpt":0.2539907060888115,"score_spread":0.21671801891736905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625979615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07859412,0.001576448,0.00038607355,0.015335714,0.0029518679,0.00046143687,0.00007978951,0.0005227015,0.9000918],"genre_scores_gemma":[0.6266585,0.00012469041,0.000049067574,0.0024026465,0.0022125086,0.000015288097,0.000021285405,0.00003595842,0.36848003],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985744,0.00005062305,0.00018969076,0.00033909208,0.000289554,0.0005566655],"domain_scores_gemma":[0.9991681,0.000027384976,0.0000730292,0.0004220865,0.00013464138,0.00017474813],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014712282,0.00026236757,0.00026218995,0.00008764562,0.00052047137,0.0001824759,0.00020996128,0.00010255161,0.0035744756],"category_scores_gemma":[0.000036943507,0.0002127918,0.00015883184,0.0000057016287,0.00025156527,0.00023648918,0.00007702985,0.0002874065,0.0009151416],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038697344,0.00017066923,0.00060823205,0.000030550877,0.0001374307,0.00009476139,0.56901294,0.000025525753,0.00006572801,0.24935131,0.17951046,0.0009536917],"study_design_scores_gemma":[0.0003657621,0.000055779317,0.00042860466,0.000020682948,0.000028922235,0.000015870964,0.00914605,0.000026686714,0.00005471501,0.002245134,0.98731136,0.00030045293],"about_ca_topic_score_codex":0.00027056158,"about_ca_topic_score_gemma":0.0095861005,"teacher_disagreement_score":0.8078009,"about_ca_system_score_codex":0.00005122594,"about_ca_system_score_gemma":0.00005229755,"threshold_uncertainty_score":0.9998628},"labels":[],"label_agreement":null},{"id":"W2626468293","doi":"","title":"The Passion of the Patenteux / Peter Alexander Pór, Tribute to the Cathars Persona Non Grata –The Veil of History Exhibition Bezpala Brown Gallery, Toronto February 5-25, 2011","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Tribute; Exhibition; Art; Persona; Art history; Humanities; Psychology","score_opus":0.01909269958269395,"score_gpt":0.170702554456485,"score_spread":0.15160985487379106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626468293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76556623,0.07622962,0.00042819243,0.08440678,0.0053457706,0.0021101553,0.0006971835,0.00012689792,0.065089196],"genre_scores_gemma":[0.8715633,0.0013399067,0.000006658848,0.00080040924,0.00039801022,0.000011755409,0.000020490887,0.000022699815,0.12583677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873394,0.00014609782,0.00020296074,0.0001686799,0.0003289259,0.0004194056],"domain_scores_gemma":[0.998836,0.00010909619,0.00021864747,0.000589219,0.00013544704,0.00011160983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003215778,0.00018631684,0.0001850834,0.000028775452,0.0011858732,0.000016606093,0.0005069762,0.000067518915,0.0005891885],"category_scores_gemma":[0.000014698435,0.00009685996,0.00025171367,0.000006310616,0.00037656064,0.00025718703,0.00027326628,0.00015528701,0.000035478497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011450737,0.00010306939,0.0004968564,0.000019291256,0.000101427475,0.000004763201,0.12035135,0.000008775563,0.00033899437,0.007374214,0.868982,0.0021047315],"study_design_scores_gemma":[0.0003628132,0.00008333234,0.015915262,0.000033798697,0.000098969205,0.000012103348,0.014214201,0.000067670575,0.0002159944,0.000120742,0.9687347,0.00014042595],"about_ca_topic_score_codex":0.050556827,"about_ca_topic_score_gemma":0.46974114,"teacher_disagreement_score":0.4191843,"about_ca_system_score_codex":0.0015301376,"about_ca_system_score_gemma":0.000053059808,"threshold_uncertainty_score":0.9557656},"labels":[],"label_agreement":null},{"id":"W2626607838","doi":"","title":"Richard Mosse, The Enclave , DHC/ART, Montreal, October 16, 2014, to February 8, 2015","year":2015,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Sociology","score_opus":0.020132110083047466,"score_gpt":0.19323871072409887,"score_spread":0.1731066006410514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626607838","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.110937946,0.02102855,0.0007961119,0.08127498,0.0018535581,0.0010440497,0.0005165065,0.0005524777,0.78199583],"genre_scores_gemma":[0.360755,0.00069097884,0.0000866584,0.0045145336,0.0011103925,0.000017065557,0.00007373191,0.000057631016,0.632694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831676,0.00010376999,0.00019927473,0.00035932485,0.0003806252,0.0006402371],"domain_scores_gemma":[0.99845123,0.000081869475,0.0001121065,0.0005895853,0.00023514545,0.0005300486],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000269571,0.00028855694,0.00028704508,0.0001416121,0.0009200698,0.00009022309,0.00047996288,0.00010625189,0.000920785],"category_scores_gemma":[0.00003439514,0.00023622025,0.00016434147,0.000013669251,0.00023633156,0.00030364812,0.0003432328,0.00024132576,0.0033056529],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007040682,0.00005783239,0.00010102387,0.0000064101273,0.00008010496,0.00018821437,0.049054738,0.000064830485,0.000009375482,0.026758743,0.92143244,0.0021759113],"study_design_scores_gemma":[0.0006584191,0.00013909,0.00041886017,0.000013323635,0.000107205175,0.0000512791,0.01129787,0.00016940862,0.00003280738,0.005204818,0.9815861,0.00032082773],"about_ca_topic_score_codex":0.0869974,"about_ca_topic_score_gemma":0.7378488,"teacher_disagreement_score":0.6508514,"about_ca_system_score_codex":0.002379227,"about_ca_system_score_gemma":0.00009034644,"threshold_uncertainty_score":0.9999925},"labels":[],"label_agreement":null},{"id":"W2644117377","doi":"","title":"Don Blanche House of yes","year":2011,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Desk; Premise; Miller; Haven; Visual arts; Style (visual arts); The arts; Art history; Management; Art; Sociology; Law; Political science; Philosophy; Economics","score_opus":0.23452175705429554,"score_gpt":0.2872657096229311,"score_spread":0.05274395256863554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2644117377","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14018121,0.000026024629,0.000052699244,0.000075937634,0.00019861513,0.00035300394,0.000056565677,0.0000883231,0.8589676],"genre_scores_gemma":[0.5689709,0.000063770356,0.00010512419,0.00001987715,0.00010048306,1.5318018e-7,0.0000054435177,0.000019661578,0.43071458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777836,0.00050055224,0.00018096683,0.00045594346,0.00048494982,0.00059925026],"domain_scores_gemma":[0.99819064,0.000105911706,0.000145572,0.000620976,0.0006255228,0.00031139058],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00046395682,0.00019722528,0.00032572297,0.0005484068,0.0015318888,0.00012907297,0.0016356662,0.00014167237,0.000055344262],"category_scores_gemma":[0.000024198844,0.00022152635,0.00015927966,0.00004387969,0.0018297723,0.0011546692,0.00063743995,0.00045552495,0.00008220736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036412492,0.00024990243,0.0015239071,0.000041262236,0.00012913745,0.00044120953,0.048960514,0.0000013646069,0.00030435974,0.94492286,0.002895117,0.00016623225],"study_design_scores_gemma":[0.0011560869,0.0004093511,0.0014667372,0.000071655246,0.0000822426,0.000007474624,0.033580586,0.00003386276,0.0033325,0.0007314326,0.9588056,0.00032246587],"about_ca_topic_score_codex":0.032222357,"about_ca_topic_score_gemma":0.014186669,"teacher_disagreement_score":0.9559105,"about_ca_system_score_codex":0.00031789954,"about_ca_system_score_gemma":0.00044753982,"threshold_uncertainty_score":0.99976796},"labels":[],"label_agreement":null},{"id":"W26479476","doi":"10.1371/journal.pone.0140448","title":"Bernard Smith's real choice: Surrealism or Abstraction 1930-1950","year":2013,"lang":"en","type":"article","venue":"Eyeline","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fogarty International Center; Canadian Institutes of Health Research","keywords":"Abstraction; Epistemology; Philosophy; Computer science","score_opus":0.06366977113404229,"score_gpt":0.2938868186456193,"score_spread":0.23021704751157698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26479476","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3829664,0.00025794617,0.00015196386,0.009507048,0.004761677,0.0006727889,0.00031025975,0.0006203416,0.6007516],"genre_scores_gemma":[0.709078,0.00027374344,0.00009683339,0.00094884343,0.0071611223,0.000033809956,0.000111274814,0.000037571386,0.2822588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988964,0.000026653803,0.0003100321,0.00021614644,0.00019986264,0.0003508905],"domain_scores_gemma":[0.99924093,0.00008980084,0.000105737636,0.0002553312,0.0001693894,0.00013881394],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010603725,0.00017020006,0.00018838451,0.00006350238,0.00029631716,0.00016466981,0.00013126583,0.00006819292,0.009096525],"category_scores_gemma":[0.00004030319,0.00013074896,0.00007907691,0.000002330836,0.00014632448,0.00036304316,0.000035508245,0.000176207,0.0016098558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052041087,0.00030751323,0.0014520943,0.000109109824,0.00011423442,0.000026679229,0.06584608,0.000024787767,0.00020478189,0.030498251,0.87776107,0.023603361],"study_design_scores_gemma":[0.0003943911,0.000070732305,0.009240987,0.000021058086,0.000026925449,0.0000046752225,0.0007770313,0.00032933324,0.00007452202,0.0019340988,0.98691577,0.00021050678],"about_ca_topic_score_codex":0.030434782,"about_ca_topic_score_gemma":0.032178316,"teacher_disagreement_score":0.32611158,"about_ca_system_score_codex":0.000046545552,"about_ca_system_score_gemma":0.000057726116,"threshold_uncertainty_score":0.9991675},"labels":[],"label_agreement":null},{"id":"W266739052","doi":"","title":"Aneco : New Public Art","year":2007,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06729857433074087,"score_gpt":0.2527289213975553,"score_spread":0.18543034706681444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W266739052","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033494227,0.00241244,0.00045224544,0.0018310645,0.004285567,0.00068035175,0.00036046517,0.00062640803,0.98931795],"genre_scores_gemma":[0.0013554273,0.00029564396,0.00010900707,0.0065911617,0.0144361565,0.000026077423,0.0011563826,0.00033889752,0.97569126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947725,0.00008811902,0.00117206,0.0011793886,0.0009784062,0.0018095347],"domain_scores_gemma":[0.9963369,0.00023258672,0.0005506862,0.0014633231,0.000371937,0.0010445793],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00054687297,0.0011643252,0.0012032033,0.0006393797,0.00095794554,0.0009570766,0.0009152354,0.00072745373,0.062442586],"category_scores_gemma":[0.00007638993,0.0011695084,0.0007424216,0.000009293416,0.0010542172,0.00074779126,0.00024434252,0.0013038743,0.04160542],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012817499,0.00008383415,0.0000018931964,0.00007807614,0.00014794483,0.000073307834,0.016275682,4.2573507e-7,0.0000014476952,0.26801342,0.7024085,0.012902685],"study_design_scores_gemma":[0.0006971508,0.00018838372,0.000027871492,0.00018560272,0.00017917133,0.000035161826,0.00031954158,0.000019338037,0.000006082925,0.08589926,0.911216,0.0012264284],"about_ca_topic_score_codex":0.00035412962,"about_ca_topic_score_gemma":0.020298094,"teacher_disagreement_score":0.20880753,"about_ca_system_score_codex":0.00040220722,"about_ca_system_score_gemma":0.0015085258,"threshold_uncertainty_score":0.9990755},"labels":[],"label_agreement":null},{"id":"W2676648946","doi":"","title":"David Hoffos, Scenes from the House Dream, National Gallery of Canada, Ottawa, November 6, 2009 to February 14, 2010","year":2010,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Geography; Visual arts; Art history; Cartography; Art; History; Psychology","score_opus":0.011167315604026742,"score_gpt":0.16597853906136983,"score_spread":0.1548112234573431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2676648946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8621967,0.0017538178,0.000058700178,0.050813243,0.0021506695,0.00038208254,0.0025476378,0.0001400986,0.07995708],"genre_scores_gemma":[0.8064555,0.000088024695,0.0002233375,0.0039317836,0.0010878642,0.0000047674107,0.00007019297,0.000044947643,0.18809359],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880743,0.000029790295,0.00017242265,0.00022797465,0.00041468203,0.00034771234],"domain_scores_gemma":[0.99897504,0.00013666422,0.00011392788,0.00032728736,0.00025522246,0.00019184622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012561162,0.00017652495,0.0001936688,0.00006980021,0.00073675835,0.0000315698,0.0003753022,0.000078819205,0.0012628739],"category_scores_gemma":[0.000044790442,0.00015437586,0.00009315904,0.000009233984,0.00017880213,0.0001540645,0.00014831916,0.00022857037,0.00006494036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030243646,0.000051508643,0.00065919885,0.00000485578,0.00008518091,0.000053792257,0.010528768,0.00003907532,0.0004405591,0.036062196,0.951466,0.0005786258],"study_design_scores_gemma":[0.00036512606,0.000024323059,0.019210683,0.000012884845,0.000044832934,0.00001028952,0.0013099342,0.000087412765,0.0002586725,0.0016363251,0.9768342,0.00020536254],"about_ca_topic_score_codex":0.9140325,"about_ca_topic_score_gemma":0.9994212,"teacher_disagreement_score":0.108136505,"about_ca_system_score_codex":0.00066283485,"about_ca_system_score_gemma":0.0003514198,"threshold_uncertainty_score":0.9996501},"labels":[],"label_agreement":null},{"id":"W2692651515","doi":"","title":"Nadia Belerique, Bed Island, Toronto, Daniel Faria Gallery","year":2016,"lang":"es","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Archaeology; History","score_opus":0.009770450615727833,"score_gpt":0.17350365950813107,"score_spread":0.16373320889240323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2692651515","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14713617,0.056640062,0.0010025512,0.04190185,0.002526869,0.0009848549,0.0032858327,0.0005940524,0.74592775],"genre_scores_gemma":[0.4487609,0.013855831,0.00005740691,0.0007743756,0.0011450519,0.000006537364,0.000045737597,0.000076054595,0.5352781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773335,0.00011187922,0.00031301336,0.0005478621,0.0003145131,0.000979378],"domain_scores_gemma":[0.9983905,0.00014970235,0.00022750112,0.00062511466,0.00016484976,0.00044234286],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014883692,0.00046886486,0.00048824857,0.00011426948,0.0013652697,0.00014774907,0.00047003521,0.00029201442,0.005775533],"category_scores_gemma":[0.000027837068,0.00040506726,0.0003229561,0.000005278023,0.00039452655,0.00063441566,0.0003382575,0.00017250903,0.0006393497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020848187,0.00015002096,0.0004284544,0.000067943874,0.00044207147,0.00068539043,0.02851115,0.0000015372949,0.00077134033,0.42606783,0.5275233,0.015142495],"study_design_scores_gemma":[0.0016878737,0.00021117023,0.0005452299,0.00014841455,0.00021354383,0.000062985535,0.002761243,0.000069790214,0.00014216162,0.0023159408,0.99121433,0.00062728184],"about_ca_topic_score_codex":0.07060504,"about_ca_topic_score_gemma":0.8793026,"teacher_disagreement_score":0.8086976,"about_ca_system_score_codex":0.005966742,"about_ca_system_score_gemma":0.00012602095,"threshold_uncertainty_score":0.9999348},"labels":[],"label_agreement":null},{"id":"W2693500717","doi":"","title":"The “Dance of Life” / Eva Brandi, Montreal Telegraph. May 31 - June 11 2000","year":2000,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Advertising; Computer science; Visual arts; Art; Business","score_opus":0.008562875540312504,"score_gpt":0.16020425417252526,"score_spread":0.15164137863221275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2693500717","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51208025,0.026142526,0.00003387483,0.017655293,0.0005899081,0.00043055022,0.00036166207,0.00020819146,0.44249776],"genre_scores_gemma":[0.41205484,0.0037442711,0.000024058634,0.0004242992,0.00029672653,0.0000037061293,0.000016231808,0.00002244877,0.5834134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987985,0.000052447125,0.00021557216,0.00022801959,0.00023215188,0.0004733044],"domain_scores_gemma":[0.99912846,0.00010441863,0.000116935975,0.00039229143,0.00007899502,0.0001788878],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000117919946,0.00019875569,0.00025960823,0.00007980258,0.0011923439,0.000039978262,0.00034416514,0.00007285134,0.0014030851],"category_scores_gemma":[0.000010475801,0.00016348033,0.0001967435,0.000012612727,0.0004941485,0.00019032022,0.00005881021,0.0001329774,0.00015613696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043308837,0.00017170278,0.0004360096,0.000037997608,0.00025780645,0.00018866193,0.053909034,0.00012658405,0.000038097263,0.16993654,0.7448788,0.029585663],"study_design_scores_gemma":[0.00081225537,0.0000499292,0.00075476797,0.000017483335,0.00007669792,0.000015149005,0.0017003854,0.0002467916,0.0000404336,0.0027368837,0.99335307,0.00019615964],"about_ca_topic_score_codex":0.04103354,"about_ca_topic_score_gemma":0.7085168,"teacher_disagreement_score":0.6674832,"about_ca_system_score_codex":0.0005347018,"about_ca_system_score_gemma":0.000079956786,"threshold_uncertainty_score":0.99950975},"labels":[],"label_agreement":null},{"id":"W2703761778","doi":"10.1386/drtp.2.2.227_1","title":"In-corporeal diagrams: Drawing from dance to architecture","year":2017,"lang":"en","type":"article","venue":"Drawing Research Theory Practice","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Dance; Architecture; Embodied cognition; Weaving; Aesthetics; Vitality; Gesture; Perception; Logos Bible Software; Materiality (auditing); Field (mathematics); Visual arts; Sociology; Art; Philosophy; Epistemology; Engineering; Linguistics","score_opus":0.12884084029768306,"score_gpt":0.40280165853232774,"score_spread":0.2739608182346447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2703761778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13152243,0.0002769302,0.0011597688,0.021806298,0.0013292709,0.00074374303,0.000132797,0.000121247416,0.8429075],"genre_scores_gemma":[0.96274763,0.0000424594,0.00061507185,0.002506675,0.002952048,0.00007158855,0.000016757884,0.000059326874,0.030988466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99628115,0.0010557339,0.0003185698,0.00058179,0.0007594574,0.0010033303],"domain_scores_gemma":[0.9935699,0.0043211305,0.00017616656,0.0013024062,0.00032650714,0.00030386064],"candidate_categories":["metaresearch","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0048107887,0.00022490817,0.0002846896,0.00027448047,0.002773484,0.0018078364,0.0011199595,0.000090818095,0.00068936386],"category_scores_gemma":[0.0116340695,0.0002046119,0.000087861285,0.000008771274,0.0010472483,0.0017987695,0.00060640514,0.0013002226,0.0006595751],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048207556,0.00019862635,0.00033775513,0.000032882086,0.000073980664,0.00038626516,0.30150017,0.000027647231,0.00047277613,0.67386013,0.005651837,0.016975855],"study_design_scores_gemma":[0.0003370035,0.00008491726,0.00072073436,0.000115738854,0.00001596099,0.000005408169,0.0073699886,0.000034766672,0.0003219252,0.33368623,0.65707797,0.00022936986],"about_ca_topic_score_codex":0.011984915,"about_ca_topic_score_gemma":0.017042523,"teacher_disagreement_score":0.83122516,"about_ca_system_score_codex":0.00014856436,"about_ca_system_score_gemma":0.00019073741,"threshold_uncertainty_score":0.99922836},"labels":[],"label_agreement":null},{"id":"W2709177278","doi":"","title":"Deon Venter: Missing & Flight — 182 / Buschlen Mowatt Gallery, www.buschlenmowatt.com, 1 May 2008 - 25 May 2008","year":2008,"lang":"de","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; World Wide Web","score_opus":0.07254757864123697,"score_gpt":0.2665768649174024,"score_spread":0.19402928627616545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2709177278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2284536,0.15348253,0.0021233791,0.02091201,0.024612043,0.003916224,0.0029237596,0.0019377342,0.5616387],"genre_scores_gemma":[0.67472357,0.017151138,0.000711324,0.0038969545,0.0077337474,0.00007407236,0.00052230956,0.0003775261,0.29480934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99386793,0.00028353435,0.0014081813,0.0012337484,0.00092485367,0.0022817228],"domain_scores_gemma":[0.99683017,0.00018515685,0.0005145709,0.0012679176,0.00041698478,0.00078518037],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038104947,0.0011905377,0.0012013132,0.00049393054,0.003923377,0.00068922376,0.0007613505,0.00043632073,0.0048457575],"category_scores_gemma":[0.000092818824,0.0011640263,0.0006687417,0.000035424353,0.0022531573,0.00094471633,0.00038120593,0.0008032875,0.006399561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020773406,0.0014106351,0.0020689336,0.000752809,0.00092093693,0.002106686,0.10584521,0.000057202044,0.0003054145,0.01176973,0.867664,0.0068907198],"study_design_scores_gemma":[0.0014713128,0.00033518104,0.0007778732,0.0007308365,0.00035593632,0.00027916115,0.00085438316,0.00067737745,0.0010068353,0.0016248696,0.99052215,0.0013640859],"about_ca_topic_score_codex":0.0024103504,"about_ca_topic_score_gemma":0.0030890175,"teacher_disagreement_score":0.44627,"about_ca_system_score_codex":0.00039604228,"about_ca_system_score_gemma":0.00057766953,"threshold_uncertainty_score":0.99908096},"labels":[],"label_agreement":null},{"id":"W2717873358","doi":"","title":"Patrick Altman et Vid Ingelevics, Codicologie(s), Gallery 44, Toronto, du 6 février au 8 mars 2003","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Mars Exploration Program; Art; Physics; Astrobiology","score_opus":0.013754813278796513,"score_gpt":0.18392112801638164,"score_spread":0.17016631473758512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2717873358","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029651137,0.24907345,0.0007103601,0.025012143,0.0054376717,0.0009267713,0.00091747736,0.00035058783,0.6879204],"genre_scores_gemma":[0.1673493,0.055415332,0.00046497837,0.0051666857,0.0012774261,0.000014698126,0.00011727458,0.00012972699,0.7700646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966912,0.00042890466,0.00042665037,0.0006433405,0.00040175792,0.0014081462],"domain_scores_gemma":[0.9979682,0.00017608781,0.0003172981,0.0006184502,0.00034277356,0.00057718944],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004986279,0.0005831275,0.0005925148,0.00014321394,0.002172058,0.00012984218,0.00043428596,0.00044093686,0.00579092],"category_scores_gemma":[0.00014776988,0.0006843668,0.0003173783,0.000025281202,0.0007417895,0.0007489425,0.0002603254,0.00045081586,0.0005231988],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061273415,0.00025697012,0.0006397708,0.000079330275,0.0002605742,0.00092347426,0.020972917,0.000050048828,0.0000077019195,0.46926296,0.50350803,0.0039769663],"study_design_scores_gemma":[0.0014251753,0.0003191686,0.0006386131,0.000072889175,0.00042538648,0.00018040216,0.008106003,0.00031594513,0.00003253904,0.0028447302,0.9848681,0.0007710216],"about_ca_topic_score_codex":0.13538022,"about_ca_topic_score_gemma":0.8095942,"teacher_disagreement_score":0.674214,"about_ca_system_score_codex":0.014235336,"about_ca_system_score_gemma":0.00054242666,"threshold_uncertainty_score":0.9995608},"labels":[],"label_agreement":null},{"id":"W2725565916","doi":"","title":"Fugacious notations / Antoniella Grassi, Babble (and other coded language), Galerie Lilian Rodriguez, Montreal. February 23 - March 2002","year":2002,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Notation; Gerontology; Linguistics; Medicine; Philosophy","score_opus":0.042133909121769814,"score_gpt":0.24909040000843685,"score_spread":0.20695649088666704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725565916","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060404323,0.0030679377,0.000085964304,0.0015294858,0.00046981458,0.00030458308,0.00040778506,0.00021648854,0.93351364],"genre_scores_gemma":[0.5804527,0.00010921982,0.00010645756,0.0016355776,0.0007078993,0.000023259083,0.000029143992,0.000041658568,0.41689414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989126,0.00004773904,0.00021429718,0.00025790164,0.00017000776,0.00039749595],"domain_scores_gemma":[0.99939436,0.000068897665,0.000059013048,0.00028160468,0.000047955145,0.00014819238],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007293091,0.00018556399,0.00019505828,0.000084795465,0.00044653812,0.0001598076,0.00012259549,0.000065501605,0.016038088],"category_scores_gemma":[0.000019672792,0.00016929029,0.00007078764,0.0000051521606,0.00031190753,0.000146574,0.000039119466,0.00015635793,0.0009658084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017998816,0.00035898716,0.0010689462,0.0000893943,0.00012892099,0.000084602914,0.4706985,0.000029314366,0.00022486721,0.026231548,0.49526876,0.0057981308],"study_design_scores_gemma":[0.00094301085,0.00012125132,0.004103459,0.000046470537,0.000067339875,0.000016975826,0.006395572,0.0020606697,0.00017739304,0.0029507254,0.9826228,0.00049432745],"about_ca_topic_score_codex":0.011388522,"about_ca_topic_score_gemma":0.06303818,"teacher_disagreement_score":0.5200483,"about_ca_system_score_codex":0.000030389474,"about_ca_system_score_gemma":0.000022527032,"threshold_uncertainty_score":0.99981207},"labels":[],"label_agreement":null},{"id":"W2726883858","doi":"","title":"WARNING! Mind The Gap: The Interstices Between Architecture and Experience","year":2017,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Liminality; Architecture; Hegemony; Aesthetics; Resistance (ecology); Performance studies; Embodied cognition; Institution; Mural; Visual arts; Art; Dirt; Space (punctuation); Sociology; Politics; Political science; Cartography; Epistemology; Anthropology; Social science; Geography; Law","score_opus":0.16478297850019996,"score_gpt":0.3444531526337206,"score_spread":0.17967017413352065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2726883858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15579863,0.00014285735,0.000015252725,0.0006649812,0.00043202948,0.00069694914,0.00008047396,0.00002516444,0.84214365],"genre_scores_gemma":[0.40153408,0.00012221686,0.000008202402,0.000018281258,0.0003645706,7.342907e-7,0.0000742199,0.00001883805,0.59785885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997025,0.0008124497,0.00017765845,0.0006852275,0.00066231616,0.00063731323],"domain_scores_gemma":[0.9974612,0.0005131559,0.00033980145,0.0009540745,0.00047938438,0.00025237465],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0006055449,0.0003424258,0.00038455197,0.0003461996,0.010530353,0.0015600598,0.0037425116,0.0002571799,0.0000196893],"category_scores_gemma":[0.00009141625,0.0002598217,0.00016390448,0.000023867618,0.003176304,0.00084855634,0.00063841464,0.0015886576,0.000028091219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027700086,0.000032059615,0.0004217241,0.00006581414,0.00021878906,0.00024239319,0.260515,0.0000019164138,0.00003416135,0.7333711,0.0014306054,0.003389483],"study_design_scores_gemma":[0.00036064518,0.000131615,0.0013637403,0.0001897496,0.00017720737,0.0000060111215,0.14759399,0.0000142768695,0.00013146883,0.00024638334,0.8494918,0.00029313593],"about_ca_topic_score_codex":0.013778856,"about_ca_topic_score_gemma":0.03999808,"teacher_disagreement_score":0.8480612,"about_ca_system_score_codex":0.00027606956,"about_ca_system_score_gemma":0.0005356141,"threshold_uncertainty_score":0.9999854},"labels":[],"label_agreement":null},{"id":"W2727320187","doi":"","title":"Dubious Views. Subversive Souvenirs, online exhibition by Gallery TPW, Toronto, ongoing","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Infographic; Media studies; Visual arts; Advertising; Art; Sociology; Computer science; Business","score_opus":0.013139081421058716,"score_gpt":0.19177008021526654,"score_spread":0.17863099879420782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2727320187","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17499995,0.5043993,0.0035627203,0.03763513,0.004309406,0.0010428018,0.0035673499,0.0004310568,0.27005225],"genre_scores_gemma":[0.13420582,0.03395352,0.00037760576,0.0021520988,0.0024106984,0.0000029086618,0.0009351828,0.00010706209,0.8258551],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729073,0.00010149995,0.00042899177,0.0005579071,0.00039779706,0.0012230997],"domain_scores_gemma":[0.9983593,0.00015700223,0.00032140434,0.00043013802,0.00020960557,0.0005225366],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003216324,0.0004896645,0.0004889699,0.00013010159,0.0018624567,0.00007288472,0.0003267758,0.00035609514,0.0036119607],"category_scores_gemma":[0.000022522057,0.00060876313,0.00038284116,0.000013033213,0.0005313463,0.0005861837,0.0002600202,0.00035935978,0.00021498834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002551148,0.00068454427,0.00008777467,0.00020715999,0.0003567676,0.0019444587,0.05279522,0.000031051644,0.0006091795,0.094554245,0.82479745,0.023677027],"study_design_scores_gemma":[0.0013341877,0.0002315736,0.00021334218,0.00019506576,0.00028167732,0.00016926047,0.019834714,0.0002879014,0.0002662803,0.001076461,0.97545904,0.0006504891],"about_ca_topic_score_codex":0.1498642,"about_ca_topic_score_gemma":0.9342337,"teacher_disagreement_score":0.7843695,"about_ca_system_score_codex":0.012778786,"about_ca_system_score_gemma":0.00008965593,"threshold_uncertainty_score":0.99963635},"labels":[],"label_agreement":null},{"id":"W2728266780","doi":"","title":"Les ruines de l’art public / The Ruins of Public Art","year":2006,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04974547351634273,"score_gpt":0.2534905981470613,"score_spread":0.2037451246307186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2728266780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011373407,0.01848282,0.0008759093,0.24328408,0.001913741,0.00039986143,0.00047825678,0.00015137764,0.7230406],"genre_scores_gemma":[0.43871927,0.00024459627,0.000081304606,0.0010044156,0.00300675,0.00001665791,0.00007716538,0.000043884156,0.55680597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975924,0.00027569637,0.00040254887,0.00032826318,0.00039621218,0.0010049008],"domain_scores_gemma":[0.99847835,0.0001320505,0.0002398958,0.000610209,0.00034363897,0.00019584343],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005351885,0.00037826973,0.00037900574,0.00014287012,0.0009772675,0.00059618504,0.00047157292,0.0002873326,0.0032328074],"category_scores_gemma":[0.0001256882,0.00027656328,0.0003679329,0.00001889274,0.0015460692,0.00046386366,0.00012423708,0.0005104336,0.00040177268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039617153,0.0001705857,0.001164712,0.00009019814,0.00007383235,0.000005914794,0.018705994,0.000019625886,0.000028329241,0.61774164,0.3611291,0.0008660844],"study_design_scores_gemma":[0.00032258657,0.00007220073,0.0033417873,0.00007025022,0.000105459796,0.00002155347,0.0051523307,0.0001608518,0.00008571833,0.008902963,0.98144644,0.00031784555],"about_ca_topic_score_codex":0.0031626942,"about_ca_topic_score_gemma":0.09071671,"teacher_disagreement_score":0.62031734,"about_ca_system_score_codex":0.00012349295,"about_ca_system_score_gemma":0.00026650904,"threshold_uncertainty_score":0.99996865},"labels":[],"label_agreement":null},{"id":"W2728397862","doi":"","title":"La réexposition de l’art contemporain : les jeux de l’immanence de l’oeuvre / Re-exhibiting Contemporary Art: The Plays of a Work’s Immanence","year":2005,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immanence; Exposition (narrative); Art; Philosophy; Humanities; Art history; Epistemology; Literature","score_opus":0.0345189173486657,"score_gpt":0.26043936876405366,"score_spread":0.22592045141538797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2728397862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11110843,0.036044694,0.0075612525,0.12660657,0.0007244268,0.001252406,0.00062987674,0.00029527585,0.71577704],"genre_scores_gemma":[0.76667875,0.000445158,0.00069988234,0.0025858597,0.0017024736,0.000039988794,0.000055340442,0.0000651349,0.22772743],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99672925,0.0007790543,0.0006172918,0.00047325945,0.00039406042,0.0010070874],"domain_scores_gemma":[0.9979524,0.00052473624,0.0004904246,0.00056170044,0.00018484834,0.00028588175],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0016293114,0.00049216783,0.00049875025,0.00010941075,0.00096892414,0.00030483946,0.00048824883,0.00047406406,0.0005693504],"category_scores_gemma":[0.000210905,0.00042696416,0.0003509533,0.00002478158,0.0015464622,0.00051097764,0.0001347924,0.0010871651,0.00015648894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023505006,0.00031100865,0.0020160752,0.00042645927,0.00018415788,0.00018472476,0.4710468,0.0009053283,0.0007202607,0.23054321,0.29142654,0.0020003673],"study_design_scores_gemma":[0.0007011238,0.00014828687,0.0010925697,0.0015177338,0.00011962185,0.00012367037,0.022257006,0.0013059354,0.0011225936,0.0018128025,0.9693025,0.0004961521],"about_ca_topic_score_codex":0.0009335136,"about_ca_topic_score_gemma":0.008183156,"teacher_disagreement_score":0.67787594,"about_ca_system_score_codex":0.00030631007,"about_ca_system_score_gemma":0.0005093758,"threshold_uncertainty_score":0.9998182},"labels":[],"label_agreement":null},{"id":"W2729748463","doi":"","title":"Anna Frlan: Interbellum III / Anna Frlan: Interbellum III, Ottawa School of Art Gallery, January 10 – February 22, 2013","year":2013,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.009699256667512595,"score_gpt":0.17127941519939952,"score_spread":0.16158015853188692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2729748463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3141131,0.008841976,0.0006046404,0.019016204,0.0018333864,0.0013831299,0.00037829104,0.00056777324,0.6532615],"genre_scores_gemma":[0.47565672,0.0008834623,0.00011186057,0.0011339709,0.00066567445,0.00001866843,0.00013825564,0.00006194743,0.52132946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974215,0.000108583656,0.00056856475,0.0005866244,0.00040819586,0.00090651267],"domain_scores_gemma":[0.9978468,0.000091566384,0.0003777592,0.000786353,0.000365998,0.0005315409],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019139437,0.0005133082,0.00067904225,0.0003959686,0.000722479,0.000104612605,0.00072648854,0.00024016027,0.02001061],"category_scores_gemma":[0.000026035108,0.00052998384,0.0004048001,0.000023734083,0.00054975617,0.00087051705,0.0005661264,0.00045455445,0.004072709],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011796571,0.00020881988,0.0002933568,0.00006485881,0.0002819881,0.00019089274,0.014677065,0.000018740771,0.00027380712,0.004825963,0.9778839,0.0011626891],"study_design_scores_gemma":[0.001616613,0.00034345983,0.0010899499,0.00014516068,0.00012905269,0.000059080176,0.00888482,0.0011496359,0.00025031387,0.0021439,0.98356026,0.0006277203],"about_ca_topic_score_codex":0.06153659,"about_ca_topic_score_gemma":0.22817218,"teacher_disagreement_score":0.1666356,"about_ca_system_score_codex":0.0010484648,"about_ca_system_score_gemma":0.000088431276,"threshold_uncertainty_score":0.99971515},"labels":[],"label_agreement":null},{"id":"W2731619244","doi":"","title":"Kees Van Dongen: Forever Fauve / Montreal Museum of Fine Arts, www.mmfa.qc.ca, January 22 to April 19, 2009","year":2009,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Visual arts; History; Art history; Art","score_opus":0.013188579525183946,"score_gpt":0.17988066585496176,"score_spread":0.1666920863297778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2731619244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27105054,0.014022584,0.001303403,0.041382972,0.0009839117,0.0013125241,0.0018437785,0.00048455215,0.6676157],"genre_scores_gemma":[0.62325096,0.0007138725,0.0004981475,0.0027603086,0.0008317261,0.0000065153645,0.00014585955,0.000043473356,0.37174913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827915,0.000042186017,0.00030387958,0.000398266,0.00032745546,0.0006490311],"domain_scores_gemma":[0.9987222,0.000059014717,0.00016793104,0.0005039804,0.000155452,0.00039142382],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000116733245,0.00033125674,0.0004504166,0.00027094377,0.00062230096,0.000038500188,0.00037395558,0.00012424956,0.0012145136],"category_scores_gemma":[0.000021932754,0.00034023754,0.00025434254,0.000019351517,0.00016290907,0.00030004393,0.00015686486,0.00017678375,0.00032692074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020310924,0.0002215809,0.000088467605,0.00003262273,0.00013741743,0.00041455808,0.02956738,0.00018506461,0.00018221972,0.06552759,0.8861978,0.017242175],"study_design_scores_gemma":[0.00093537616,0.000372853,0.0014460998,0.00003798009,0.00014083833,0.000025606076,0.0026573418,0.00036900933,0.00017718667,0.008791606,0.9846414,0.00040471408],"about_ca_topic_score_codex":0.02134556,"about_ca_topic_score_gemma":0.41911343,"teacher_disagreement_score":0.39776787,"about_ca_system_score_codex":0.0009790856,"about_ca_system_score_gemma":0.000057674955,"threshold_uncertainty_score":0.999905},"labels":[],"label_agreement":null},{"id":"W2732948528","doi":"","title":"Restaurations de sculptures publiques à Montréal : Entretien avec Snejanka Popova / Restoring Public Sculpture in Montreal: Interview with Snejanka Popova","year":2012,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Visual arts","score_opus":0.031165844173129873,"score_gpt":0.2534368195740421,"score_spread":0.22227097540091226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732948528","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07832409,0.3050436,0.0022501927,0.40180928,0.008056698,0.0035571693,0.0012666557,0.001176144,0.19851615],"genre_scores_gemma":[0.74174637,0.004728473,0.0012880712,0.00440695,0.0067735235,0.00021161749,0.00036382643,0.0002853063,0.24019586],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99238646,0.0011594659,0.0010487298,0.001080647,0.0010766452,0.0032480455],"domain_scores_gemma":[0.9958159,0.00019835157,0.00053722,0.0014450158,0.0006925548,0.0013109874],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0014685426,0.0012954333,0.0011780459,0.0007838233,0.0012778929,0.001552307,0.0008973859,0.00093610387,0.0014240687],"category_scores_gemma":[0.00045404496,0.0011084958,0.000568205,0.000121426456,0.0010956728,0.0035136698,0.00038329232,0.0021800515,0.00021051816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013386905,0.0009792572,0.009727766,0.0005909162,0.0004468749,0.00018751118,0.5211468,0.00021295114,0.000018689389,0.37088916,0.09162777,0.004038468],"study_design_scores_gemma":[0.00136344,0.00023764312,0.021847278,0.0012054053,0.0003449806,0.00016255397,0.03217628,0.00027489546,0.00004589895,0.0019908533,0.9390317,0.0013190449],"about_ca_topic_score_codex":0.03198181,"about_ca_topic_score_gemma":0.4021064,"teacher_disagreement_score":0.84740394,"about_ca_system_score_codex":0.0013508236,"about_ca_system_score_gemma":0.00066141813,"threshold_uncertainty_score":0.99997973},"labels":[],"label_agreement":null},{"id":"W2734888324","doi":"","title":"Annie MacDonell, Originality and the Avant Garde (On Art and Repetition), Mercer Union, Toronto, January 20 – March 10, 2012","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Originality; Repetition (rhetorical device); Art history; Art; Avant garde; Visual arts; Philosophy; Linguistics; Political science; Law; Creativity","score_opus":0.013768948045513887,"score_gpt":0.1886860328589554,"score_spread":0.17491708481344154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734888324","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106814936,0.040898886,0.00016669964,0.038912196,0.00087352865,0.0006960365,0.00037101438,0.00018000022,0.8110867],"genre_scores_gemma":[0.24912569,0.0065522925,0.000053532545,0.0011925641,0.000758253,0.000008033419,0.000066983834,0.000024475157,0.7422182],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887884,0.00015635863,0.00013526337,0.00022177,0.00018694403,0.00042084264],"domain_scores_gemma":[0.99923486,0.00010676711,0.00008162441,0.00029299673,0.00006863349,0.0002151462],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040625036,0.00018766694,0.00021605303,0.000040819967,0.0009654418,0.000045499888,0.00011405168,0.00006502834,0.0028829125],"category_scores_gemma":[0.000010780659,0.00014681867,0.000074655654,0.000002093369,0.0005377885,0.00046308243,0.00014102049,0.0001331069,0.00021032014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002734753,0.000081447455,0.0003096152,0.00003222744,0.00010509758,0.00003785186,0.032843694,0.000002046518,0.0000150546675,0.28593084,0.67831856,0.002050071],"study_design_scores_gemma":[0.00097259926,0.000057605837,0.0018323534,0.000017575285,0.000119284996,0.00005467122,0.002212625,0.00007024248,0.000012845795,0.0024954893,0.99195796,0.00019675301],"about_ca_topic_score_codex":0.008702526,"about_ca_topic_score_gemma":0.21590458,"teacher_disagreement_score":0.31363937,"about_ca_system_score_codex":0.00070313533,"about_ca_system_score_gemma":0.000016922852,"threshold_uncertainty_score":0.9980286},"labels":[],"label_agreement":null},{"id":"W2734967120","doi":"10.18733/c36q2x","title":"If I Had a Hammer","year":2017,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hammer; Narrative; Feudalism; Cabinet (room); Indigenous; History; Political science; Law; Engineering; Media studies; Sociology; Art; Archaeology; Literature; Mechanical engineering; Politics","score_opus":0.7877905649087174,"score_gpt":0.4753979977694477,"score_spread":0.31239256713926966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734967120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6138681,0.00052682444,0.00002421667,0.0036245529,0.0013836307,0.00012105677,0.00003865305,0.00009815629,0.38031477],"genre_scores_gemma":[0.826293,0.000112435955,0.00001815488,0.0011146339,0.003477908,0.0000070326178,0.000015050393,0.000006715445,0.16895509],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926543,0.00001727181,0.00013767357,0.00020510804,0.00010699629,0.00026753359],"domain_scores_gemma":[0.9994829,0.000019363162,0.00006594079,0.00021473292,0.00006771673,0.00014929881],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000057547066,0.00014221713,0.0001674495,0.000011985987,0.0014239032,0.0006032219,0.00017806464,0.000059924147,0.0014982704],"category_scores_gemma":[0.000041847437,0.000084255465,0.00007778957,3.547381e-7,0.0013862826,0.000395914,0.00012199379,0.00013382854,0.00020216317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002855145,0.000080596925,0.00095840415,0.00003648235,0.00004279548,0.000029330056,0.47571677,2.969444e-7,0.00011937197,0.43723828,0.0745599,0.01118924],"study_design_scores_gemma":[0.00024177937,0.0000616696,0.0033523508,0.000015361185,0.000019547268,0.0000073533106,0.010128173,0.00002631918,0.000030386998,0.006929795,0.97899467,0.00019261327],"about_ca_topic_score_codex":0.00055110257,"about_ca_topic_score_gemma":0.0007482262,"teacher_disagreement_score":0.90443474,"about_ca_system_score_codex":0.000007384242,"about_ca_system_score_gemma":0.000009196051,"threshold_uncertainty_score":0.9998761},"labels":[],"label_agreement":null},{"id":"W2736125702","doi":"","title":"Lace and satin / Harlan Johnson, Festoon, Galerie Trois Points, Montréal. September 9 - October 7, 2000","year":2001,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Geography","score_opus":0.011888169113008395,"score_gpt":0.16825942913562164,"score_spread":0.15637126002261326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736125702","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53659123,0.030552875,0.00017488822,0.016696634,0.0004472843,0.0004575717,0.00024274724,0.0004247291,0.41441205],"genre_scores_gemma":[0.21317571,0.0043102824,0.0002300973,0.0019941258,0.0005717736,0.000008412029,0.00006116695,0.00007077684,0.7795777],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841946,0.0000737092,0.0002273223,0.00040746699,0.00024639437,0.0006256232],"domain_scores_gemma":[0.9989838,0.00006634679,0.00013527369,0.00038087266,0.00011006288,0.0003236706],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013338619,0.00031895554,0.00033824786,0.00015286793,0.0009866357,0.0000925551,0.00019578254,0.000120114295,0.0038066173],"category_scores_gemma":[0.000015972553,0.0003295847,0.00014124966,0.000012781776,0.0002737796,0.00037218115,0.0001657438,0.00021325274,0.00048594904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014364143,0.00010637006,0.0022037234,0.000029993418,0.00014170905,0.0009313969,0.028115276,0.000019425312,0.000057315057,0.024371564,0.93848985,0.0053897193],"study_design_scores_gemma":[0.0010570881,0.00008229394,0.0024520357,0.000027743898,0.00011936176,0.00020176714,0.0027245062,0.000246982,0.000029657635,0.0017799783,0.99087423,0.0004043802],"about_ca_topic_score_codex":0.041055262,"about_ca_topic_score_gemma":0.5623764,"teacher_disagreement_score":0.5213211,"about_ca_system_score_codex":0.0013540407,"about_ca_system_score_gemma":0.0000470878,"threshold_uncertainty_score":0.9999156},"labels":[],"label_agreement":null},{"id":"W2736579211","doi":"","title":"Scenes from the House Dream : l’exposition comme scène onirique / Scenes from the House Dream: The Exhibition as Oneiric Scene","year":2015,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Exposition (narrative); Exhibition; Art; Art history; Visual arts; Psychology; Literature","score_opus":0.1427711323479395,"score_gpt":0.2973195617613671,"score_spread":0.15454842941342758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736579211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5415081,0.0058652675,0.0012587421,0.39586192,0.00846284,0.00323518,0.0036583606,0.002576321,0.03757328],"genre_scores_gemma":[0.97899675,0.0005581893,0.000060080063,0.011105944,0.006027536,0.00020038015,0.0008885076,0.00017926087,0.0019833362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968248,0.0005473168,0.0006308337,0.0006051756,0.00064934243,0.00074253225],"domain_scores_gemma":[0.9962852,0.0012074288,0.0003271355,0.0014910249,0.00039274417,0.0002964681],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058363663,0.0005346448,0.00044167097,0.00008078872,0.0030107393,0.0010406695,0.0009279135,0.00017163796,0.000522145],"category_scores_gemma":[0.00020740733,0.00030976214,0.00026567385,0.000034161905,0.0012435942,0.0007300998,0.00031925127,0.00059071154,0.0010036496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013587429,0.00088151544,0.0010320954,0.000019732643,0.00031649927,0.000023148888,0.25079224,0.000116670955,0.00021362789,0.39216605,0.35326812,0.0010344537],"study_design_scores_gemma":[0.0014009894,0.00020617004,0.0045546247,0.0003668507,0.00024588223,0.000018850571,0.023443894,0.0004822589,0.0018625328,0.06908407,0.89765686,0.0006770218],"about_ca_topic_score_codex":0.03420019,"about_ca_topic_score_gemma":0.046505805,"teacher_disagreement_score":0.5443888,"about_ca_system_score_codex":0.00014005844,"about_ca_system_score_gemma":0.0003116124,"threshold_uncertainty_score":0.99999636},"labels":[],"label_agreement":null},{"id":"W2736736041","doi":"10.17077/0084-9537.1335","title":"Stavrinaki, Maria. Dada Presentism","year":2017,"lang":"en","type":"article","venue":"Dada/Surrealism","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; Western University","funders":"","keywords":"Presentism; Art; Philosophy; Epistemology","score_opus":0.09512999525630188,"score_gpt":0.3020554101307977,"score_spread":0.20692541487449578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736736041","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035447136,0.00028209842,0.00013281523,0.0028431918,0.0045550903,0.00039804497,0.0011957834,0.00028722303,0.9548586],"genre_scores_gemma":[0.76155114,0.000072942355,0.000053408825,0.00070106704,0.0025452008,0.000024346746,0.00017572774,0.000053323456,0.23482282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817485,0.000057529138,0.0003314963,0.00040724897,0.00037655744,0.00065233785],"domain_scores_gemma":[0.9980217,0.000061070685,0.00024666346,0.0013152547,0.0001357838,0.00021948505],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022822883,0.0002855332,0.00032787205,0.00007757087,0.0019204852,0.0010544491,0.00076634495,0.00009825952,0.0018290916],"category_scores_gemma":[0.000091425296,0.00026327808,0.00015422165,0.000001233033,0.00067596126,0.0006018812,0.00033563314,0.00024596218,0.00043401495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021233596,0.00014345585,0.00051929726,0.00006545468,0.00010836684,0.00010787173,0.05332814,0.0000023393438,0.000032902575,0.6452587,0.29385713,0.006555048],"study_design_scores_gemma":[0.0005493468,0.00004444644,0.0026747712,0.00003139933,0.000050890914,0.000009497839,0.0007210671,0.00013262911,0.000098711775,0.02467817,0.97065073,0.00035835212],"about_ca_topic_score_codex":0.034079257,"about_ca_topic_score_gemma":0.03859124,"teacher_disagreement_score":0.726104,"about_ca_system_score_codex":0.00004519649,"about_ca_system_score_gemma":0.000084305815,"threshold_uncertainty_score":0.99998254},"labels":[],"label_agreement":null},{"id":"W2737519346","doi":"","title":"Le commentaire d’art à l’école de l’oeuvre de Louise Robert / Louise Robert Galerie Simon Biais 5420, boul. Saint-Laurent, bureau 100 Montréal Du 26 janvier au 5 mars 2005","year":2004,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities; Mars Exploration Program; Physics; Astronomy","score_opus":0.02160681378954429,"score_gpt":0.2464992231518685,"score_spread":0.2248924093623242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737519346","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13238063,0.10313585,0.0068361517,0.10912599,0.007483338,0.0034783643,0.0021090955,0.00084937864,0.6346012],"genre_scores_gemma":[0.6663272,0.0066958903,0.0011098445,0.012359739,0.0052538137,0.00018784683,0.00039091794,0.00041972825,0.30725503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947705,0.0002454862,0.000980891,0.00085116905,0.0005078272,0.0026440779],"domain_scores_gemma":[0.9972776,0.00013540387,0.00033412408,0.0008887962,0.0002010657,0.0011629679],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052135723,0.0009545154,0.0008628731,0.00024179027,0.0025225421,0.0006145644,0.00052779703,0.00045980263,0.0037756613],"category_scores_gemma":[0.00009530907,0.0010340664,0.0006075859,0.00002846004,0.0018039063,0.0008297932,0.0002942399,0.00065820984,0.0015057783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029725753,0.003637302,0.0069795717,0.0005566978,0.0006061834,0.00093288464,0.07491589,0.007976643,0.000121799705,0.31127164,0.57233715,0.020366991],"study_design_scores_gemma":[0.0024126398,0.00038966304,0.0011294334,0.00074266095,0.00035147337,0.00011841308,0.00270175,0.0011254472,0.0004196149,0.021134863,0.96834195,0.0011321176],"about_ca_topic_score_codex":0.16005114,"about_ca_topic_score_gemma":0.58149344,"teacher_disagreement_score":0.5339466,"about_ca_system_score_codex":0.001934688,"about_ca_system_score_gemma":0.00097069284,"threshold_uncertainty_score":0.9992717},"labels":[],"label_agreement":null},{"id":"W2739233336","doi":"","title":"Painting as Taboo / Harlan Johnson, Galerie McClure, Centre des arts visuels, Montréal. 30 May — 21 June, 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Painting; Taboo; Visual arts; The arts; Art history; Sociology","score_opus":0.018383890295213926,"score_gpt":0.17697887280206945,"score_spread":0.15859498250685553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739233336","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50735486,0.055201054,0.0005539704,0.015453477,0.0015396853,0.000907395,0.00041429454,0.0011903145,0.41738495],"genre_scores_gemma":[0.4006466,0.0083725415,0.00036498348,0.0013877817,0.0009781427,0.000006870136,0.00010659985,0.00010452294,0.58803195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976037,0.00009447847,0.00032822878,0.00052572123,0.0004071601,0.001040677],"domain_scores_gemma":[0.998502,0.00008706748,0.00022575108,0.00048532707,0.00024865402,0.00045121278],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015580574,0.0004447077,0.00045074293,0.00022093466,0.0028881147,0.0000843111,0.00035600373,0.00016132616,0.0037780178],"category_scores_gemma":[0.000053363277,0.00047423624,0.00027563883,0.00002123435,0.0006103598,0.0005056382,0.0002460155,0.00030239756,0.0010590431],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008286073,0.00019173905,0.0010967206,0.000058849964,0.00022505794,0.003492061,0.054857887,0.000057819627,0.00009159269,0.048675973,0.88583905,0.00533037],"study_design_scores_gemma":[0.00091208366,0.00007171882,0.0007085126,0.0000593585,0.00011368049,0.00028729325,0.007662592,0.0002864938,0.00021006254,0.0017636778,0.98736537,0.00055916735],"about_ca_topic_score_codex":0.044223174,"about_ca_topic_score_gemma":0.3710788,"teacher_disagreement_score":0.32685563,"about_ca_system_score_codex":0.0015831137,"about_ca_system_score_gemma":0.00009057609,"threshold_uncertainty_score":0.99977094},"labels":[],"label_agreement":null},{"id":"W2739245159","doi":"","title":"Claude Tousignant et la sculpture / Claude Tousignant and Sculpture","year":2008,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Visual arts","score_opus":0.02817599347324447,"score_gpt":0.24835364021631715,"score_spread":0.22017764674307266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739245159","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23950322,0.016786335,0.001395536,0.022564117,0.003478979,0.00259717,0.0009402538,0.0018245216,0.71090984],"genre_scores_gemma":[0.797369,0.0009120469,0.00055124913,0.008819008,0.0020891735,0.000056494566,0.00012466387,0.00013759767,0.18994075],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968003,0.00024162831,0.0004468003,0.0008542308,0.0006411748,0.0010158728],"domain_scores_gemma":[0.9982062,0.00013500074,0.00020973367,0.0007380225,0.00024246558,0.00046859146],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003889578,0.00072760176,0.0007002653,0.00020854844,0.0012835122,0.00037845483,0.00043362414,0.0004909949,0.0005337805],"category_scores_gemma":[0.000094354975,0.0005557565,0.00035004583,0.000021305652,0.0010129398,0.0005550368,0.00024264574,0.0011201064,0.0001716179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010368513,0.00028957738,0.0005123859,0.00018948702,0.00025106088,0.00050893344,0.45866516,0.00011014579,0.0008445166,0.29127064,0.24653374,0.00072067836],"study_design_scores_gemma":[0.0010609118,0.00015987692,0.0018571054,0.0001644197,0.00011333952,0.0002296426,0.005521362,0.00011224549,0.00022471667,0.0023944313,0.98731047,0.0008514938],"about_ca_topic_score_codex":0.0004719901,"about_ca_topic_score_gemma":0.0072806613,"teacher_disagreement_score":0.7407767,"about_ca_system_score_codex":0.00009009403,"about_ca_system_score_gemma":0.00033546373,"threshold_uncertainty_score":0.9996894},"labels":[],"label_agreement":null},{"id":"W2740414691","doi":"","title":"Eva Lapka: Caprices / \"STUDIO 21\" Gallery, www.studio21.ca, April 10 - May 6, 2009","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Studio; Visual arts; Computer graphics (images); Art; Computer science","score_opus":0.06351165126894974,"score_gpt":0.2734105914749068,"score_spread":0.20989894020595706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2740414691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06448254,0.0035638136,0.00005603089,0.0026027039,0.0009515279,0.0003677399,0.00012915954,0.00030119473,0.9275453],"genre_scores_gemma":[0.7759141,0.0004274395,0.00012722636,0.0026153242,0.0018378923,0.000019350337,0.000036664096,0.00003451311,0.21898754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799865,0.000052149535,0.0004120763,0.00043233993,0.00035270536,0.0007520844],"domain_scores_gemma":[0.9989676,0.0000635408,0.00013728369,0.00044928418,0.000168453,0.00021387325],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021838135,0.0003578739,0.00042267324,0.00012986698,0.0009442276,0.00026929323,0.00027939043,0.00008618867,0.005204794],"category_scores_gemma":[0.00004437976,0.00030714902,0.00019858028,0.000008667166,0.00044196876,0.00038056096,0.00007923271,0.00018768267,0.0030259467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053845702,0.0005873787,0.00021371734,0.00008624949,0.00018393685,0.0001119003,0.09903691,0.000022602806,0.00010253092,0.07343371,0.81150585,0.014661337],"study_design_scores_gemma":[0.00042961535,0.00025905477,0.0016406963,0.00006021758,0.00007244181,0.000010569387,0.0012467647,0.000059136903,0.00014498946,0.009938736,0.9857234,0.00041442146],"about_ca_topic_score_codex":0.00037505678,"about_ca_topic_score_gemma":0.0059653437,"teacher_disagreement_score":0.7114315,"about_ca_system_score_codex":0.00007363354,"about_ca_system_score_gemma":0.000055286382,"threshold_uncertainty_score":0.9999381},"labels":[],"label_agreement":null},{"id":"W2743894420","doi":"","title":"Neutralité matérielle, répétition gestuelle et appropriation du spectateur : Pile de Carl André / Carl André, Pile, 1977; Galerie Leonard et Bina Ellen, M 3x3 Flavin, Andre, Judd, Montréal. 14 janvier - 19 février 2005","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011612424247825963,"score_gpt":0.18715421308845226,"score_spread":0.1755417888406263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743894420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22573733,0.26653093,0.0041075386,0.21642144,0.0035751532,0.0028155153,0.0038414383,0.0006319408,0.27633873],"genre_scores_gemma":[0.3244872,0.108471975,0.00076242065,0.0026950464,0.0026464425,0.000048290556,0.0008545265,0.00021370967,0.55982035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951337,0.0005645385,0.00076593173,0.0010624466,0.00068913016,0.0017842287],"domain_scores_gemma":[0.99712527,0.00020540714,0.00053001894,0.0008344173,0.00038641365,0.00091844576],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00067011,0.00093985436,0.0008956895,0.00042420006,0.0022613532,0.00031162438,0.0004925395,0.00061148533,0.0036205605],"category_scores_gemma":[0.00005576094,0.0011018545,0.0005421771,0.00006483474,0.0006306372,0.0014497042,0.0003700758,0.00086872466,0.0008055657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055657973,0.0008175185,0.0009900103,0.00022563052,0.00042477265,0.0012900474,0.053571094,0.004335626,0.00015955517,0.14020354,0.78796077,0.009464843],"study_design_scores_gemma":[0.0034672136,0.00038750234,0.0020046632,0.00015986666,0.0005604181,0.000503232,0.009035189,0.004885118,0.00020366504,0.002259566,0.97533906,0.0011945382],"about_ca_topic_score_codex":0.0787336,"about_ca_topic_score_gemma":0.5760815,"teacher_disagreement_score":0.4973479,"about_ca_system_score_codex":0.004401299,"about_ca_system_score_gemma":0.00036870333,"threshold_uncertainty_score":0.9999724},"labels":[],"label_agreement":null},{"id":"W2744104633","doi":"","title":"Hennessy Youngman and the New Art Criticism / Hennessy Youngman et la nouvelle critique d’art","year":2014,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art criticism; Criticism; Philosophy; Art history; Literature; Performance art","score_opus":0.021617328732396825,"score_gpt":0.2864289443555677,"score_spread":0.2648116156231709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2744104633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015338543,0.0065172478,0.004749309,0.31701487,0.0076654386,0.0009973866,0.0007018076,0.0003489556,0.66047114],"genre_scores_gemma":[0.43239424,0.0035382437,0.00021410594,0.011615425,0.0063770353,0.00015667072,0.00045249314,0.0002130745,0.5450387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99523735,0.0009282551,0.0009754265,0.00093948934,0.00052315043,0.0013963495],"domain_scores_gemma":[0.99584794,0.0016526052,0.00025531193,0.0011602029,0.00034519288,0.00073872425],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.001358648,0.0008584729,0.0009698532,0.00021498944,0.002592894,0.0014322894,0.00061752234,0.0003882867,0.0025836383],"category_scores_gemma":[0.00037670147,0.00073735515,0.00041390987,0.000025662506,0.0034881525,0.0010649328,0.00042536837,0.0010078566,0.0011896692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039365972,0.00027720604,0.000034230896,0.00022905336,0.00011183218,0.000021133188,0.044497374,0.000009151547,0.0000071826153,0.679316,0.27495188,0.00050557463],"study_design_scores_gemma":[0.0024203914,0.00015736498,0.0002691078,0.00053345447,0.00024723372,0.00016473174,0.0067177196,0.0008240494,0.00005787034,0.11026972,0.87749183,0.0008465123],"about_ca_topic_score_codex":0.003980366,"about_ca_topic_score_gemma":0.019414974,"teacher_disagreement_score":0.60253996,"about_ca_system_score_codex":0.000060426926,"about_ca_system_score_gemma":0.0003962087,"threshold_uncertainty_score":0.99960434},"labels":[],"label_agreement":null},{"id":"W2744896155","doi":"","title":"Art public et communautés / Public Art and Communities","year":2009,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Public art; Political science; Sociology; Art; Visual arts","score_opus":0.06520003691908957,"score_gpt":0.2678607793326899,"score_spread":0.20266074241360035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2744896155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016191661,0.0011546928,0.0002061565,0.1325619,0.00048770953,0.00027532008,0.000102539874,0.00043592963,0.84858406],"genre_scores_gemma":[0.80874956,0.00016047276,0.00010532039,0.016402641,0.00036722363,0.000009411249,0.00018756269,0.00002552551,0.1739923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998671,0.00020543013,0.00019982166,0.00017063112,0.00023994685,0.00051314867],"domain_scores_gemma":[0.9989001,0.00007802915,0.000082228216,0.00057728484,0.00015315415,0.00020920853],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032248616,0.00026465754,0.00028516664,0.00015383595,0.00085383444,0.00095618743,0.0003203436,0.00011379387,0.0012680796],"category_scores_gemma":[0.000043931992,0.00022667501,0.0001026161,0.000006715235,0.0005178053,0.0007348696,0.00011824353,0.00055726833,0.00027361303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051544503,0.00009013138,0.0002152949,0.0000145991835,0.00003305808,0.000003136271,0.1589966,0.0000010701522,0.0000049737914,0.66674894,0.17312561,0.00076145947],"study_design_scores_gemma":[0.00035208315,0.000109342225,0.0012445501,0.000029019393,0.00001829453,0.000013450271,0.018292474,0.00009305288,0.0000057084153,0.0084853005,0.9710705,0.0002861711],"about_ca_topic_score_codex":0.000103045284,"about_ca_topic_score_gemma":0.026758293,"teacher_disagreement_score":0.79794496,"about_ca_system_score_codex":0.000032051466,"about_ca_system_score_gemma":0.00006624343,"threshold_uncertainty_score":0.9996449},"labels":[],"label_agreement":null},{"id":"W2745487910","doi":"","title":"Altogether. Each in its Own Place : Artefact Urban Sculpture in Montreal, 2007 / Artefact, Ile Sainte-Hélène, Montreal. Curator: Gilles Daigneault, co-curator: Nicolas Mavrikakis. June 27 - September 30, 2007","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Sculpture; Art; Visual arts; Art history; Humanities","score_opus":0.01441611882675154,"score_gpt":0.1967395731585089,"score_spread":0.18232345433175737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745487910","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54763484,0.029817304,0.0000411213,0.0034976988,0.0013882425,0.0016340852,0.0015954374,0.0005101717,0.4138811],"genre_scores_gemma":[0.58568823,0.003411423,0.000055424625,0.00097647955,0.00077224564,0.000033343727,0.0002760178,0.00014565652,0.4086412],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957873,0.00028177712,0.00073609594,0.00097386434,0.00064542796,0.0015755213],"domain_scores_gemma":[0.9977557,0.00022649342,0.00039441235,0.000800045,0.00022471168,0.0005986294],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003366317,0.0008408896,0.0010120397,0.00058322755,0.001140898,0.00008210792,0.0006401935,0.00045761617,0.004842018],"category_scores_gemma":[0.000045769968,0.0008635189,0.00037329952,0.00006288175,0.00047678928,0.0008987369,0.00021993484,0.0008725437,0.0016843224],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028196594,0.0005230884,0.003225603,0.000060822662,0.00017426308,0.0027062518,0.050109383,0.00044294368,0.00008172652,0.00425311,0.9374551,0.0006857105],"study_design_scores_gemma":[0.0031255425,0.00015726077,0.003984559,0.00011444603,0.00008221135,0.00015898376,0.008042191,0.0014423064,0.0001386686,0.00032089918,0.9814574,0.00097553915],"about_ca_topic_score_codex":0.04369249,"about_ca_topic_score_gemma":0.7996017,"teacher_disagreement_score":0.7559092,"about_ca_system_score_codex":0.0039084465,"about_ca_system_score_gemma":0.0002039409,"threshold_uncertainty_score":0.99991536},"labels":[],"label_agreement":null},{"id":"W2745564911","doi":"","title":"The body part in contemporary sculpture: A thematic consideration of fragmentation during the 1990s","year":2007,"lang":"en","type":"dissertation","venue":"Doctoral thesis, UCL (University College London).","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Materiality (auditing); Aesthetics; Subjectivity; Masculinity; Visual arts; Portrait; Gesture; Phenomenology (philosophy); Literature; Psychology; Psychoanalysis; Philosophy","score_opus":0.04887488339610866,"score_gpt":0.26279533915347586,"score_spread":0.2139204557573672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745564911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9272421,0.0011697272,0.0000108207,0.0006390363,0.0010388369,0.0013222623,0.00057333225,0.00006603207,0.06793788],"genre_scores_gemma":[0.8863253,0.00015253876,0.0000133347785,0.00013326488,0.00025897453,0.0000073950164,0.00034132946,0.000029461267,0.1127384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982165,0.00026436825,0.00046237314,0.00028987927,0.000434727,0.00033212753],"domain_scores_gemma":[0.9983492,0.00044979912,0.0005464929,0.0003757377,0.0002161958,0.00006256738],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00047763877,0.00030177805,0.00042325305,0.0002556112,0.0013589137,0.000105193845,0.00038039885,0.00017547207,0.00033730295],"category_scores_gemma":[0.000054251967,0.00022519534,0.00022758494,0.00002800629,0.0003700013,0.00038404544,0.00004728079,0.00035463268,0.000023273997],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001535139,0.0003821592,0.00079040666,0.0008724574,0.00061149703,0.00017099701,0.2876472,0.000026538344,0.00023278483,0.68751526,0.019747317,0.00046827953],"study_design_scores_gemma":[0.0048905616,0.00026661533,0.01466725,0.0011769823,0.0005752128,0.000011736052,0.5139378,0.0007854576,0.0018180446,0.013716091,0.44674343,0.0014108464],"about_ca_topic_score_codex":0.0021643164,"about_ca_topic_score_gemma":0.08206903,"teacher_disagreement_score":0.67379916,"about_ca_system_score_codex":0.00019055436,"about_ca_system_score_gemma":0.00023829831,"threshold_uncertainty_score":0.9999412},"labels":[],"label_agreement":null},{"id":"W2745670525","doi":"","title":"On Determination: Josh Thorpe’s Ambivalent Flag / Josh THORPE’s Ambivalent Flag, Justina M. Barnicke Gallery, Toronto, Autumn 2010","year":2011,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flag (linear algebra); Ambivalence; Art; Psychology; Mathematics; Psychoanalysis; Pure mathematics; Algebra over a field","score_opus":0.02877532877223118,"score_gpt":0.19143432156220158,"score_spread":0.1626589927899704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745670525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18675287,0.007334054,0.0008328964,0.0062812767,0.0049603297,0.0012859998,0.00041371392,0.0009498809,0.79118896],"genre_scores_gemma":[0.5452189,0.0021831484,0.00040056248,0.0009988816,0.0010768502,0.000027067648,0.00008326786,0.00009444947,0.44991687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704784,0.00016828904,0.00044049663,0.00072854746,0.00061201386,0.0010027977],"domain_scores_gemma":[0.9979488,0.00010728732,0.0003294794,0.0008539708,0.00026734956,0.0004931099],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003034827,0.00056984543,0.00051930296,0.00019074646,0.0015765748,0.000099939025,0.0006762141,0.0002451274,0.0072021307],"category_scores_gemma":[0.000041931387,0.00059160637,0.0004080912,0.000013422707,0.00038213958,0.0006254558,0.00038427068,0.00038827787,0.0008154901],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041783287,0.00072267966,0.00019736447,0.00016372168,0.00028628032,0.0014188947,0.10266467,0.000021683603,0.00016922446,0.31113607,0.55855334,0.02424824],"study_design_scores_gemma":[0.0012507861,0.0005532998,0.0028732028,0.00011580597,0.00031976632,0.000098861594,0.0066789603,0.0007107486,0.00037865803,0.004416082,0.9817635,0.0008403172],"about_ca_topic_score_codex":0.026921455,"about_ca_topic_score_gemma":0.5247829,"teacher_disagreement_score":0.49786144,"about_ca_system_score_codex":0.004058249,"about_ca_system_score_gemma":0.000097694756,"threshold_uncertainty_score":0.9999625},"labels":[],"label_agreement":null},{"id":"W2746086644","doi":"","title":"Rodney Graham, A Little Thought, March 30-June 27, 2004, Art Gallery of Ontario","year":2005,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.014915311927987568,"score_gpt":0.17501543754314944,"score_spread":0.16010012561516188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746086644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16389398,0.007223817,0.000372392,0.022857258,0.0011045124,0.00054043374,0.00031652034,0.00028133,0.80340976],"genre_scores_gemma":[0.11195184,0.0004100286,0.0003604281,0.0005511332,0.00058085483,0.0000032245812,0.000055997312,0.00003280066,0.8860537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986716,0.000038983973,0.00023282571,0.00028428764,0.00027023844,0.00050208607],"domain_scores_gemma":[0.9991056,0.000044162978,0.0001332771,0.0003911029,0.00012303119,0.00020286482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012891284,0.00022100595,0.000312836,0.0001595205,0.00046705923,0.000029642955,0.00027372382,0.000094447256,0.0054313676],"category_scores_gemma":[0.000009792075,0.00023264678,0.00020422136,0.000008962831,0.00023905441,0.0002674594,0.00016703487,0.00021506843,0.00078616577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093072966,0.0002097058,0.0002849702,0.00003547488,0.00015680862,0.00016172646,0.058575854,0.00009920431,0.00007295439,0.07424679,0.8636377,0.0024257284],"study_design_scores_gemma":[0.0007098194,0.00008017515,0.00029381062,0.000030800344,0.00008415431,0.000029108196,0.0012092078,0.00013145877,0.00013344099,0.0014434145,0.9955959,0.0002587303],"about_ca_topic_score_codex":0.068372086,"about_ca_topic_score_gemma":0.9618709,"teacher_disagreement_score":0.89349884,"about_ca_system_score_codex":0.0033109009,"about_ca_system_score_gemma":0.00018560991,"threshold_uncertainty_score":0.99999183},"labels":[],"label_agreement":null},{"id":"W2746149374","doi":"","title":"Milutin Gubash, Consolation, Galerie Joyce Yahouda, Montréal, du 23 août au 6 octobre 2012 / Milutin Gubash, Les faux-semblants, Musée d’art de Joliette, du 28 septembre au 30 décembre 2012","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Consolation; Art; Humanities; Art history; Literature","score_opus":0.01951922092288077,"score_gpt":0.2188149474623451,"score_spread":0.1992957265394643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746149374","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013737545,0.036365535,0.002357822,0.0050347983,0.0066319993,0.0032618172,0.0045738393,0.0008556314,0.927181],"genre_scores_gemma":[0.03838343,0.0049672653,0.0015189737,0.026311388,0.012786994,0.0006531715,0.0021881862,0.00051160343,0.91267896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98855466,0.0010060197,0.0024573638,0.0021627988,0.0012083761,0.004610755],"domain_scores_gemma":[0.99242854,0.000564286,0.0012955097,0.002084815,0.001615706,0.00201116],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0014200506,0.0024081047,0.002175233,0.0003967215,0.0047749868,0.0015311153,0.0015495778,0.0021020113,0.13173272],"category_scores_gemma":[0.00051344954,0.0023479012,0.0010436326,0.00013025077,0.0022921443,0.0034606503,0.00069202814,0.0023030178,0.012029983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010827593,0.001086652,0.002227314,0.0011568692,0.0007388133,0.00010982483,0.022945914,0.00039731085,0.0014664931,0.032758106,0.9365445,0.00045992635],"study_design_scores_gemma":[0.0030456518,0.00032164814,0.002287909,0.0010518912,0.00094552565,0.00028871748,0.008923931,0.0044755344,0.0005456945,0.0028581356,0.97248304,0.002772304],"about_ca_topic_score_codex":0.037886336,"about_ca_topic_score_gemma":0.012302995,"teacher_disagreement_score":0.11970274,"about_ca_system_score_codex":0.0012028553,"about_ca_system_score_gemma":0.0026562489,"threshold_uncertainty_score":0.9999987},"labels":[],"label_agreement":null},{"id":"W2746934937","doi":"","title":"Vincent Lafrance: Art Système, Magazine d’art et d’idées / Vincent Lafrance : art Système. Magazine d’art et d’idées","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.03173576232485255,"score_gpt":0.25945945120239583,"score_spread":0.2277236888775433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746934937","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00081701507,0.018461341,0.0021433947,0.0044470876,0.010706288,0.0027083282,0.0053779557,0.0008983409,0.95444024],"genre_scores_gemma":[0.012691679,0.0062907683,0.0014178896,0.053638764,0.0059326603,0.00060539565,0.0031412847,0.00045160393,0.91582996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9882059,0.0010389509,0.0025104706,0.0025320172,0.0021245982,0.0035880336],"domain_scores_gemma":[0.99225634,0.00033447606,0.0012316973,0.0024296995,0.0017653636,0.0019824293],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0024441697,0.0024415676,0.0026951095,0.0003836889,0.0014932867,0.0018450441,0.0015788676,0.0013915482,0.062131662],"category_scores_gemma":[0.000511995,0.0023207641,0.00092411356,0.0001701737,0.0018036059,0.0024898937,0.00078199815,0.002521637,0.034069892],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021582666,0.0013176138,0.00021795873,0.0012002735,0.00045402028,0.00022384616,0.009087988,0.0007712743,0.00050586957,0.31239712,0.6734977,0.00011053498],"study_design_scores_gemma":[0.004039042,0.0006907842,0.00028590675,0.0027081717,0.00075096585,0.00028719992,0.002662739,0.0023385917,0.00035729646,0.008495522,0.9746753,0.002708486],"about_ca_topic_score_codex":0.0006255819,"about_ca_topic_score_gemma":0.0014853096,"teacher_disagreement_score":0.30390158,"about_ca_system_score_codex":0.0025273305,"about_ca_system_score_gemma":0.001974882,"threshold_uncertainty_score":0.9999049},"labels":[],"label_agreement":null},{"id":"W2747207092","doi":"10.33137/pbsc.v41i1.18319","title":"&lt;i&gt;An Elegant Hand: The Golden Age of American Penmanship and Calligraphy&lt;/i&gt;, William E. Henning and ed. Paul Melzer [brief notice]","year":2003,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Calligraphy; Notice; Art; Art history; Political science; Law","score_opus":0.015166516463009346,"score_gpt":0.21069117650796046,"score_spread":0.19552466004495112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747207092","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97302794,0.0054104542,0.000019286439,0.002855481,0.00022090152,0.00037475175,0.00023884064,0.000020866803,0.01783147],"genre_scores_gemma":[0.9947336,0.0027435569,0.00013822586,0.0016268198,0.00008887622,0.000007728946,0.0000058847,0.000025602587,0.00062973326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805933,0.00016108912,0.0004216774,0.0002795314,0.00062022125,0.00045813818],"domain_scores_gemma":[0.9985681,0.00033502013,0.0003110684,0.00040746763,0.0001529325,0.0002253728],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00047836156,0.0002473637,0.00046306627,0.00025985012,0.0006516199,0.000087941065,0.0003654365,0.00007486818,0.00006233349],"category_scores_gemma":[0.000053881296,0.00015764256,0.0003684568,0.00023987048,0.004380873,0.00011570161,0.00008036214,0.00023719808,5.1692307e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022444405,0.00075649936,0.074854836,0.0016659938,0.0037744164,0.000019367277,0.16942362,0.000096146454,0.037850197,0.35962662,0.34875128,0.0029565853],"study_design_scores_gemma":[0.0008011857,0.0003148886,0.08712992,0.00012689603,0.00039647458,0.000007063598,0.00835698,0.0000939094,0.0009390904,0.0050841114,0.89624166,0.00050778803],"about_ca_topic_score_codex":0.11779352,"about_ca_topic_score_gemma":0.6433225,"teacher_disagreement_score":0.5474904,"about_ca_system_score_codex":0.000015707226,"about_ca_system_score_gemma":0.00017358556,"threshold_uncertainty_score":0.9983286},"labels":[],"label_agreement":null},{"id":"W2747589731","doi":"","title":"\"White Rabbit, Black Hole\" / David Altmejd, Patrice Duhamel, Michael A. Robinson and Ève K. Tremblay, L’écho des limbes, Leonard and Bina Ellen Gallery, Concordia University, Montreal; curator: Nathalie de Blois. October 14 - November 19, 2005","year":2006,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Art; Humanities; Art history; Chemistry","score_opus":0.00938529418685178,"score_gpt":0.16890364111495254,"score_spread":0.15951834692810077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747589731","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87750506,0.024411872,0.00019664128,0.007939729,0.0002010107,0.0005315397,0.0010037529,0.00029304277,0.08791736],"genre_scores_gemma":[0.73897666,0.014135762,0.00021783306,0.0007828407,0.0005074727,0.000002603634,0.00014822245,0.000085170264,0.24514346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757767,0.00014544863,0.00027473472,0.00066496345,0.00030304244,0.001034162],"domain_scores_gemma":[0.9984998,0.00015539702,0.00024304469,0.00039214705,0.00017290669,0.00053668563],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00019568048,0.00051267643,0.00052226864,0.00034473525,0.0014628335,0.00018573513,0.0003167177,0.00027807392,0.0002894243],"category_scores_gemma":[0.0000154072,0.0005746184,0.00018811956,0.000031133965,0.000988172,0.0007694131,0.0004373756,0.00035000133,0.00005890416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007838423,0.00053793174,0.016208554,0.00023231491,0.0005209238,0.003874031,0.059738528,0.00050326565,0.00029639175,0.047528133,0.8658299,0.003946173],"study_design_scores_gemma":[0.0030951297,0.00017365083,0.0067863814,0.000050230337,0.0003645555,0.00019066728,0.007946303,0.0011574883,0.000055012344,0.0015913331,0.97787046,0.00071880576],"about_ca_topic_score_codex":0.13179702,"about_ca_topic_score_gemma":0.79582405,"teacher_disagreement_score":0.66402704,"about_ca_system_score_codex":0.0021454417,"about_ca_system_score_gemma":0.00013206057,"threshold_uncertainty_score":0.9998371},"labels":[],"label_agreement":null},{"id":"W2747712440","doi":"","title":"The Sweetest Little Thing / Owens Art Gallery, 14 February 2009","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Computer science; Aesthetics","score_opus":0.04755123415383664,"score_gpt":0.25450608535669444,"score_spread":0.2069548512028578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747712440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021097146,0.0017089125,0.00012419345,0.0052167336,0.00098652,0.00021969163,0.00003542084,0.00024571762,0.97036564],"genre_scores_gemma":[0.8695338,0.00032665636,0.00008521654,0.0041399547,0.0015392256,0.000008381513,0.000020890837,0.000025051055,0.124320865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988093,0.00003652928,0.0002452047,0.00020574065,0.0001940708,0.0005091518],"domain_scores_gemma":[0.9992793,0.00010751969,0.00007232381,0.00034254076,0.000076875505,0.00012144555],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021476863,0.00017874391,0.00016219274,0.000044074222,0.0013741077,0.00040555903,0.00020271662,0.0000432816,0.0004599466],"category_scores_gemma":[0.000053795204,0.00012515453,0.00011646825,0.0000033774256,0.00035685877,0.00026637173,0.00003937428,0.00016669596,0.00084988127],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021314514,0.00018029436,0.0001827609,0.000023243396,0.0000567401,0.0000420239,0.11305564,0.000019862286,0.00009805881,0.24970901,0.60705274,0.029558334],"study_design_scores_gemma":[0.00013535214,0.00010764875,0.0017522364,0.000039924103,0.000017872691,0.000007882631,0.0009147202,0.00010441533,0.00008851363,0.04652768,0.95011884,0.00018492625],"about_ca_topic_score_codex":0.00018212097,"about_ca_topic_score_gemma":0.00647962,"teacher_disagreement_score":0.8484366,"about_ca_system_score_codex":0.000031772404,"about_ca_system_score_gemma":0.000036152123,"threshold_uncertainty_score":0.99992806},"labels":[],"label_agreement":null},{"id":"W2747869378","doi":"","title":"From anger to vulgarity: How some new art updates old issues","year":2003,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Vulgarity; Anger; Aesthetics; Art; Advertising; Sociology; Visual arts; Psychology; Social psychology; Business","score_opus":0.11996142325061784,"score_gpt":0.2989013120335712,"score_spread":0.17893988878295333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747869378","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04903602,0.00010211298,0.00011122511,0.0048420914,0.000521897,0.00067190104,0.00013432233,0.00013282623,0.9444476],"genre_scores_gemma":[0.11023293,0.00010278119,0.0004256869,0.00032077258,0.0006666882,3.9313468e-7,0.00005580334,0.00003376954,0.8881612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656755,0.00075324986,0.00015946223,0.00085447053,0.00071643817,0.0009488318],"domain_scores_gemma":[0.9975018,0.00016458846,0.00009595811,0.0008460443,0.0004940541,0.0008975627],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000459173,0.00032293945,0.00043499138,0.00064506143,0.0025209235,0.0010649405,0.0016663149,0.00019564616,0.000118757045],"category_scores_gemma":[0.00007393669,0.00037918036,0.00017263318,0.00006855608,0.000790362,0.0023772242,0.000651287,0.00065009954,0.0005852041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014990645,0.00012964153,0.0004184908,0.000011692617,0.0001470134,0.0005570432,0.019054724,0.000004033317,0.00034805268,0.8615543,0.11749833,0.00012674856],"study_design_scores_gemma":[0.001025192,0.00022380825,0.00021041458,0.000060063245,0.000072699964,0.0000043144287,0.019681899,0.000016356664,0.001687874,0.0030876314,0.97346514,0.00046461378],"about_ca_topic_score_codex":0.03115279,"about_ca_topic_score_gemma":0.014058945,"teacher_disagreement_score":0.8584667,"about_ca_system_score_codex":0.0006296896,"about_ca_system_score_gemma":0.00063333934,"threshold_uncertainty_score":0.99997205},"labels":[],"label_agreement":null},{"id":"W2748452025","doi":"","title":"Contingent Bodies : Brigitta Kocsis","year":2017,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Abstraction; Representation (politics); The Imaginary; Painting; Construct (python library); Art; Aesthetics; Displacement (psychology); Categorization; Anime; AKA; Sociology; Visual arts; Epistemology; Philosophy; Psychology; Psychoanalysis; Linguistics; Computer science; Politics","score_opus":0.05865471204780099,"score_gpt":0.26264729335597037,"score_spread":0.20399258130816939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748452025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001126194,0.005485554,0.00004366723,0.0010116093,0.0045340527,0.0007061154,0.0009920503,0.0004328224,0.9866815],"genre_scores_gemma":[0.009414693,0.00077150686,0.000041526117,0.0020116526,0.009314336,0.00007580477,0.00053250726,0.00027722915,0.97756076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99562347,0.000090974434,0.0009961292,0.0011422612,0.0007927777,0.0013543894],"domain_scores_gemma":[0.9960076,0.00018438276,0.0009387924,0.0019667686,0.00045084834,0.00045160778],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041084795,0.0011298916,0.0014294056,0.0002904534,0.002363201,0.0014674236,0.0011647821,0.0005116381,0.0131789055],"category_scores_gemma":[0.000114039394,0.0010933246,0.0008441883,0.0000015350994,0.0018639986,0.0006113339,0.0004005841,0.0009249757,0.010429727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002049539,0.00009103703,0.000007508998,0.00019995513,0.00036379218,0.0000795826,0.055585235,4.944604e-7,0.0000029620617,0.11346614,0.8180861,0.012096709],"study_design_scores_gemma":[0.0006616465,0.00014819021,0.00007603476,0.00051258306,0.00038645224,0.0000142736,0.00039374578,0.000025836289,0.000017033291,0.051698737,0.944825,0.0012404465],"about_ca_topic_score_codex":0.0009588306,"about_ca_topic_score_gemma":0.02136911,"teacher_disagreement_score":0.12673894,"about_ca_system_score_codex":0.00027888682,"about_ca_system_score_gemma":0.00062327547,"threshold_uncertainty_score":0.9995692},"labels":[],"label_agreement":null},{"id":"W274972240","doi":"","title":"Traffic : Conceptual Art in Canada 1965-1980","year":2012,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0328777069033284,"score_gpt":0.21249355372468584,"score_spread":0.17961584682135745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W274972240","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002216143,0.003136472,0.00000861037,0.00038560876,0.004773038,0.0007201082,0.0009960459,0.0001698225,0.9875941],"genre_scores_gemma":[0.09906237,0.00013264235,0.000012930919,0.0029270104,0.0048998203,0.00006563604,0.0007709055,0.00020751164,0.89192116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99539715,0.00014402285,0.0010910633,0.0008484714,0.000838929,0.0016803757],"domain_scores_gemma":[0.9976609,0.000248551,0.0004121958,0.0009074515,0.00017139784,0.00059950247],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031022326,0.0009893125,0.001226857,0.00027591802,0.00049706164,0.00019579666,0.0006457329,0.00038893256,0.024585154],"category_scores_gemma":[0.000031234526,0.0010110205,0.0003458413,0.0000071711847,0.0010410595,0.0004210993,0.00014019676,0.0012172015,0.0067625297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019200821,0.00009568907,0.000012503134,0.00009872795,0.00011457436,0.00012322783,0.058173537,0.000022072923,9.2777833e-7,0.14152467,0.79524976,0.004565104],"study_design_scores_gemma":[0.000802609,0.000086860106,0.000098935794,0.00023978404,0.00013601058,0.000020393984,0.00230186,0.000077549186,0.0000030608094,0.0024825272,0.9925662,0.0011841696],"about_ca_topic_score_codex":0.24384595,"about_ca_topic_score_gemma":0.98918974,"teacher_disagreement_score":0.7453438,"about_ca_system_score_codex":0.0013673375,"about_ca_system_score_gemma":0.0052744173,"threshold_uncertainty_score":0.999234},"labels":[],"label_agreement":null},{"id":"W2750338106","doi":"","title":"Fouilles relationnelles / Massimo Guerrera, Porus (et quelques espaces-temps partageables), Galerie Joyce Yahouda, Montréal, 7 février - 27 mars 2004","year":2004,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mars Exploration Program; Physics; Astrobiology","score_opus":0.02808372680105793,"score_gpt":0.2525636762740911,"score_spread":0.22447994947303318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750338106","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026151799,0.18892121,0.0026542258,0.07220049,0.0098770065,0.0012403057,0.0020816296,0.00064835773,0.696225],"genre_scores_gemma":[0.32442555,0.008586103,0.0011216437,0.004090953,0.0027384197,0.000051657873,0.00029374947,0.00018253001,0.65850943],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963121,0.00026753335,0.0008132003,0.0007666009,0.00057697285,0.0012635884],"domain_scores_gemma":[0.9978508,0.00022554716,0.00039864055,0.00079852296,0.0002575912,0.00046892383],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047364982,0.00074897864,0.0006908152,0.00020931891,0.0013610974,0.0006782608,0.0003725957,0.00042057736,0.008486055],"category_scores_gemma":[0.00014473284,0.00075615227,0.00040006885,0.000018933371,0.0012306224,0.0011294577,0.00016330944,0.0006702013,0.0019300404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055308108,0.00028810563,0.00059546914,0.00018600152,0.00020739736,0.00017918299,0.052707642,0.0023963852,0.000011608442,0.5467557,0.39572006,0.00089717656],"study_design_scores_gemma":[0.0012651278,0.00021854449,0.00051835715,0.00041221743,0.00019054486,0.000026913725,0.0075557465,0.0001677766,0.00018302555,0.07121169,0.91738266,0.0008673833],"about_ca_topic_score_codex":0.048587225,"about_ca_topic_score_gemma":0.099853896,"teacher_disagreement_score":0.5216626,"about_ca_system_score_codex":0.0003408777,"about_ca_system_score_gemma":0.0004623413,"threshold_uncertainty_score":0.999939},"labels":[],"label_agreement":null},{"id":"W2750381247","doi":"10.7202/1040847ar","title":"Patricia Allmer, ed., Intersections: Women Artists/Surrealism/Modernism, Manchester: Manchester University Press, 2016, 328pp. 72 colour illus., £ 75 cloth isbn 9780719096488","year":2017,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art; Art history; Media studies; Sociology","score_opus":0.0310681282632199,"score_gpt":0.2137783750801228,"score_spread":0.1827102468169029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750381247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75762224,0.0008535696,0.00065831514,0.004136587,0.006868235,0.0015727608,0.0023169226,0.0005391724,0.22543219],"genre_scores_gemma":[0.6594758,0.0005728933,0.00006735968,0.00094232423,0.0018351658,0.000035861984,0.00010803645,0.00008182521,0.3368807],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997009,0.00012752354,0.00047339214,0.0007438276,0.00019389862,0.0014523837],"domain_scores_gemma":[0.9972216,0.0001013398,0.000478793,0.0012901566,0.00023019723,0.0006779426],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003915789,0.00046805796,0.0005874424,0.00017983503,0.0021674144,0.00047508205,0.000831367,0.00019209713,0.000807001],"category_scores_gemma":[0.00008157078,0.0005121883,0.00024330086,0.0000065398417,0.00072107435,0.0009456256,0.00035169034,0.0004431605,0.00037349912],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024140712,0.00047341388,0.0019732935,0.000511116,0.0006931791,0.00081138813,0.3284566,0.000058252703,0.00006723183,0.18873823,0.46525088,0.012724994],"study_design_scores_gemma":[0.0008557792,0.00017773201,0.0019568743,0.00012671387,0.000117604126,0.00004624804,0.0059969197,0.0004357062,0.000022824417,0.00085731724,0.98884416,0.00056210096],"about_ca_topic_score_codex":0.04557898,"about_ca_topic_score_gemma":0.2369588,"teacher_disagreement_score":0.5235933,"about_ca_system_score_codex":0.000895625,"about_ca_system_score_gemma":0.00016799207,"threshold_uncertainty_score":0.999733},"labels":[],"label_agreement":null},{"id":"W2751203804","doi":"","title":"Les transferts esthétiques / Mario Côté, For Feldman : Symétrie inachevée, Galerie Trois Points, Montréal. 15 février, 15 mars 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Art; Cartography; Geology; Combinatorics; Geography; Physics; Astrobiology; Mathematics","score_opus":0.02119981793488334,"score_gpt":0.18644559111950645,"score_spread":0.1652457731846231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751203804","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30979756,0.45439303,0.0076414575,0.09137638,0.0030151214,0.0030847439,0.0052142497,0.00095816643,0.124519296],"genre_scores_gemma":[0.13985175,0.07300583,0.0015630826,0.001540347,0.0015816168,0.000042965425,0.0004432967,0.00024574233,0.78172535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959814,0.00023507148,0.00067843485,0.00092815794,0.00051785674,0.0016590816],"domain_scores_gemma":[0.9974956,0.00028386837,0.00029536174,0.00076557783,0.00040666712,0.0007529077],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031243582,0.00089676504,0.001008577,0.00039270328,0.0040321467,0.000114780596,0.000622422,0.0006236294,0.0023794873],"category_scores_gemma":[0.000056104065,0.0010581068,0.0008590801,0.000035539313,0.0013046956,0.00078069855,0.00021960902,0.0005985959,0.0001923258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085169636,0.0006643108,0.00058861455,0.00039562467,0.0007022935,0.0045653824,0.037271235,0.00007137881,0.000031181862,0.15573262,0.7720912,0.02703448],"study_design_scores_gemma":[0.0029088103,0.0006764856,0.0010939796,0.00017673547,0.0006452232,0.00083812024,0.0045183096,0.0006131139,0.00022502572,0.007644072,0.97951585,0.0011442471],"about_ca_topic_score_codex":0.20148629,"about_ca_topic_score_gemma":0.6350184,"teacher_disagreement_score":0.65720606,"about_ca_system_score_codex":0.004754951,"about_ca_system_score_gemma":0.00026224737,"threshold_uncertainty_score":0.99918693},"labels":[],"label_agreement":null},{"id":"W2751322153","doi":"","title":"Tim Clark, Reading the Limits. Works 1975-2003, Leonard and Bina Ellen, Art Gallery Concordia University, Montreal, October 23-November 29, 2008","year":2009,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Art history; Art; Media studies; Library science; Sociology; Computer science; Political science; Law","score_opus":0.015079113612954257,"score_gpt":0.17638805326676912,"score_spread":0.16130893965381488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751322153","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09893244,0.011241204,0.00031283512,0.04066371,0.0006756591,0.0006893259,0.00017485743,0.00040244107,0.8469075],"genre_scores_gemma":[0.38036776,0.009221486,0.00006892102,0.0018906019,0.00043720525,0.0000011025498,0.000063766674,0.000037370883,0.60791177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983895,0.00009569075,0.00018400114,0.0004206088,0.0002602556,0.0006499562],"domain_scores_gemma":[0.9988401,0.00011695689,0.00015196278,0.0004314448,0.00018673207,0.00027283296],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0001365808,0.00033311517,0.00034775486,0.00017999437,0.0015737504,0.00011120317,0.00033968457,0.00017604826,0.0005161072],"category_scores_gemma":[0.000019074663,0.00030982002,0.0001559605,0.000034026823,0.00036968174,0.00047612117,0.0001735676,0.00037672324,0.00023725013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017461368,0.000098940276,0.00023264193,0.000011841586,0.00015903043,0.0011716236,0.01711117,0.00004208803,0.000020842728,0.09803521,0.87344533,0.009496696],"study_design_scores_gemma":[0.0010036578,0.00012748562,0.001437536,0.000052278396,0.00019120572,0.0001323689,0.006666417,0.0006941761,0.000009378834,0.00146062,0.98783267,0.0003922002],"about_ca_topic_score_codex":0.006741269,"about_ca_topic_score_gemma":0.27634305,"teacher_disagreement_score":0.2814353,"about_ca_system_score_codex":0.0009846949,"about_ca_system_score_gemma":0.00007345008,"threshold_uncertainty_score":0.9999354},"labels":[],"label_agreement":null},{"id":"W275312017","doi":"","title":"Western sauce danoise. Dear Wendy de Thomas Vinterberg Dear Wendy de Thomas Vinterberg","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.02167656674664832,"score_gpt":0.250865781718865,"score_spread":0.22918921497221667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W275312017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2384837,0.10770554,0.0040002563,0.0075876936,0.0061889575,0.00080718443,0.0010210385,0.0006793227,0.6335263],"genre_scores_gemma":[0.52125376,0.0011369295,0.00072743313,0.0014248288,0.0066367355,0.000042304193,0.000080695594,0.00018598237,0.4685113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951372,0.00040804813,0.00095572567,0.0007974481,0.00046184554,0.0022396976],"domain_scores_gemma":[0.9976477,0.000325371,0.00036043618,0.0008899178,0.00019471302,0.00058186724],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005205852,0.0008682058,0.00078224216,0.00022973603,0.0011270511,0.00069631386,0.00076477544,0.00045113388,0.0025204],"category_scores_gemma":[0.000072363284,0.00090422883,0.00056551956,0.000014228459,0.0012445075,0.00046903227,0.00040342737,0.0007003005,0.0013297073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014956026,0.001346231,0.016996391,0.0007300422,0.00045988674,0.000488406,0.06184167,0.00019491071,0.0007854905,0.4841182,0.4310709,0.0018183218],"study_design_scores_gemma":[0.00088869047,0.00025291604,0.004896973,0.00057234283,0.0004173232,0.0002622045,0.0032297522,0.00046850578,0.0023205613,0.009376336,0.9763042,0.0010102242],"about_ca_topic_score_codex":0.0194254,"about_ca_topic_score_gemma":0.047741894,"teacher_disagreement_score":0.5452333,"about_ca_system_score_codex":0.0004839001,"about_ca_system_score_gemma":0.00032931307,"threshold_uncertainty_score":0.9994479},"labels":[],"label_agreement":null},{"id":"W2754450960","doi":"","title":"Prospect 13: The Encounter by Suzanne Caines / MSVU Art Gallery, October 25, 2008 - December 14, 2008","year":2008,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art gallery; Art history; Art; Visual arts; History; Exhibition","score_opus":0.04274483344989219,"score_gpt":0.24357025383000155,"score_spread":0.20082542038010937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754450960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1588824,0.0048402934,0.00017313198,0.003055781,0.0018881005,0.0009277568,0.00037023443,0.0003527025,0.8295096],"genre_scores_gemma":[0.56783646,0.0012115367,0.000044811637,0.003340549,0.0014490644,0.000079649115,0.00008196195,0.00006850809,0.42588744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980914,0.00005506312,0.0003899305,0.0003788867,0.00036283178,0.00072188035],"domain_scores_gemma":[0.99896634,0.00008880397,0.00011305206,0.0004917746,0.00019622542,0.00014382294],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015721426,0.00034812884,0.00031611833,0.00007567179,0.0013284853,0.00018873186,0.00027384295,0.00008124244,0.0036253894],"category_scores_gemma":[0.000042709296,0.00023674339,0.00016511422,0.000008925077,0.0012488766,0.00038784707,0.00008842364,0.00021374982,0.0014051375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015017795,0.00014588727,0.0008046968,0.000019866515,0.000058512192,0.000048766964,0.043427687,0.0000042854053,0.000044668475,0.002626231,0.9525225,0.00028183617],"study_design_scores_gemma":[0.00036248905,0.000091468035,0.0004758315,0.000044271826,0.000033198197,0.00009640995,0.00043940212,0.000051591054,0.00035380092,0.0022121565,0.9954887,0.0003506612],"about_ca_topic_score_codex":0.0011217808,"about_ca_topic_score_gemma":0.033817414,"teacher_disagreement_score":0.40895408,"about_ca_system_score_codex":0.0000546973,"about_ca_system_score_gemma":0.000082470826,"threshold_uncertainty_score":0.9999716},"labels":[],"label_agreement":null},{"id":"W2754929579","doi":"10.1525/fmh.2015.1.4.89","title":"Voicing Dissonance","year":2015,"lang":"en","type":"article","venue":"Feminist Media Histories","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognitive dissonance; Film director; Subjectivity; Aesthetics; Representation (politics); Dialectic; Politics; Sociology; Immediacy; Voice; Art; Visual arts; Psychology; Social psychology; Epistemology; Political science; Movie theater; Linguistics; Philosophy; Law","score_opus":0.09850446999717485,"score_gpt":0.2575834331848488,"score_spread":0.15907896318767392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754929579","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010523866,0.001442715,0.00007178017,0.0009113937,0.010951792,0.00010360045,0.00014894512,0.00026955982,0.97557634],"genre_scores_gemma":[0.863371,0.000009701219,0.00013104948,0.00060195755,0.0032270171,0.000016603484,0.000037749905,0.00002553593,0.13257939],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990352,0.000019815545,0.00020460764,0.00018418334,0.00025953696,0.00029668192],"domain_scores_gemma":[0.9992796,0.00008703017,0.00007798153,0.00022931163,0.00011779965,0.00020823284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013518699,0.00014570409,0.00019468168,0.000042712065,0.00030696357,0.000074787546,0.00016123481,0.00004072128,0.00026284813],"category_scores_gemma":[0.00025390694,0.00013302143,0.00005009075,0.0000021451135,0.0006591202,0.00015013416,0.000041349347,0.00011081869,0.00022960984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001041175,0.000022593538,0.0002372357,0.000012427518,0.0000064256765,0.000010972681,0.6524171,2.5220396e-7,0.0000029629568,0.19432047,0.15250008,0.00045906243],"study_design_scores_gemma":[0.00019100441,0.000042907915,0.000047524136,0.00001490382,0.00001663015,0.000003378849,0.01779683,0.000009792761,0.000039694998,0.0064941957,0.97516316,0.00017997538],"about_ca_topic_score_codex":0.00065100915,"about_ca_topic_score_gemma":0.008676083,"teacher_disagreement_score":0.8528471,"about_ca_system_score_codex":0.00018621347,"about_ca_system_score_gemma":0.0001502436,"threshold_uncertainty_score":0.54244566},"labels":[],"label_agreement":null},{"id":"W2756000558","doi":"10.5195/jffp.2017.813","title":"The Bearded Ones: Dwelling in a History of Radicalism, Authenticity, and Neoliberalism","year":2017,"lang":"en","type":"article","venue":"Journal of French and Francophone Philosophy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Existentialism; Philosophy; Aesthetics; Dilemma; State (computer science); Epistemology; Sociology","score_opus":0.04653761704384839,"score_gpt":0.238831147284196,"score_spread":0.19229353024034762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756000558","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8711855,0.036470443,0.000088073415,0.010289791,0.0050618188,0.00021059065,0.00003415832,0.00001163453,0.076648004],"genre_scores_gemma":[0.9938232,0.0012155919,0.000056531204,0.000374452,0.0013831313,0.0000010290889,5.147608e-7,0.000011222441,0.0031343373],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990151,0.00004019965,0.00045991447,0.00009820212,0.00020391495,0.00018267026],"domain_scores_gemma":[0.99897134,0.00009895254,0.0005082306,0.00020181629,0.0001026017,0.0001170708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003248913,0.000119211254,0.00032022578,0.00010222046,0.0003087157,0.00009007063,0.00021798472,0.000049778304,0.00006220788],"category_scores_gemma":[0.000058572157,0.00008194483,0.00009113114,0.0000018771019,0.0011481583,0.00022804976,0.00005326614,0.00025449746,0.00000198496],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031464786,0.00054095493,0.0038640145,0.0004428014,0.00039115254,0.00018785824,0.7596368,0.000012026614,0.0007655212,0.19342998,0.028426442,0.011987755],"study_design_scores_gemma":[0.0027841693,0.00037901814,0.0103863105,0.0003715903,0.000065923145,0.00005443665,0.000989345,0.00028852053,0.00007436475,0.5555628,0.42876706,0.00027647588],"about_ca_topic_score_codex":0.001264275,"about_ca_topic_score_gemma":0.0008457897,"teacher_disagreement_score":0.7586475,"about_ca_system_score_codex":0.000036206613,"about_ca_system_score_gemma":0.00008849596,"threshold_uncertainty_score":0.42304373},"labels":[],"label_agreement":null},{"id":"W2756330976","doi":"","title":"Marc Audette. Écran. Pierre-Francois Ouellette Art Contemporain, Montreal, 12 Jan.–16 Feb. 2002","year":2002,"lang":"fr","type":"article","venue":"CV Photo","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04251165552153771,"score_gpt":0.22798281174437027,"score_spread":0.18547115622283256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756330976","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032379767,0.039457392,0.00019898967,0.017208613,0.0047517866,0.00086483906,0.001251226,0.0002378321,0.93279135],"genre_scores_gemma":[0.11047837,0.005647268,0.000045301156,0.01284199,0.004311229,0.000081093356,0.00007310046,0.00016157386,0.86636007],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99597967,0.00017176327,0.00093557464,0.0008323678,0.0005572838,0.0015233713],"domain_scores_gemma":[0.99758863,0.0001955144,0.0003246428,0.0010301387,0.00022576695,0.0006353016],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030748808,0.0007962276,0.00087078207,0.00019673388,0.0011970908,0.00044924294,0.00052370597,0.00037678293,0.10445163],"category_scores_gemma":[0.000073091,0.00083411747,0.000555873,0.000011046314,0.0014997519,0.0005176883,0.00015387828,0.0006542118,0.016293252],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047239806,0.0004606453,0.00007317212,0.0001921966,0.00023815468,0.0002090931,0.034387223,0.0000061268056,0.00007293267,0.013986698,0.94275844,0.007568085],"study_design_scores_gemma":[0.0018370518,0.00026428528,0.00020391302,0.00025801375,0.00019252705,0.000042720945,0.0015743398,0.0012897237,0.00018352186,0.003363805,0.989814,0.00097614055],"about_ca_topic_score_codex":0.017907353,"about_ca_topic_score_gemma":0.044476002,"teacher_disagreement_score":0.1072404,"about_ca_system_score_codex":0.00023915026,"about_ca_system_score_gemma":0.000057617963,"threshold_uncertainty_score":0.999411},"labels":[],"label_agreement":null},{"id":"W2756504817","doi":"","title":"Dieter Appelt, Forth Bridge — Cinema. Metric Space, Canadian Centre for Architecture, March 9-May 22, 2005","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Architecture; Movie theater; Space (punctuation); Bridge (graph theory); Metric (unit); Computer science; Art history; Engineering; Visual arts; Art; Operations management; Operating system","score_opus":0.010155986991684145,"score_gpt":0.17406809190335867,"score_spread":0.16391210491167452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756504817","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022698786,0.18101458,0.006277689,0.28380725,0.0040048906,0.00340548,0.023270262,0.00037396216,0.4751471],"genre_scores_gemma":[0.14408836,0.0017961977,0.0004902555,0.0008714663,0.002624493,0.000010237414,0.0006729628,0.000107929525,0.8493381],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967903,0.000080613216,0.00031372576,0.0005827683,0.00030086873,0.0019317311],"domain_scores_gemma":[0.9982056,0.00017346066,0.00017447108,0.00048034595,0.00018224542,0.0007838888],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018108383,0.0005066226,0.0004980558,0.0007942526,0.00195921,0.0001213867,0.00038020537,0.00027222995,0.0013133526],"category_scores_gemma":[0.000022670378,0.0005816219,0.000465007,0.000037997448,0.0004029389,0.00021812491,0.00014819404,0.0003399021,0.00023847815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008267937,0.000097346085,0.0005874534,0.00016712115,0.00018620402,0.00048091455,0.0027338762,0.00041206487,0.0000030387096,0.23208594,0.7550696,0.0080937315],"study_design_scores_gemma":[0.0014977016,0.00012718303,0.0023709072,0.00007234296,0.00039572667,0.000088601526,0.0007645406,0.00092083024,0.000022074237,0.005784347,0.9872972,0.00065859174],"about_ca_topic_score_codex":0.83184105,"about_ca_topic_score_gemma":0.9971542,"teacher_disagreement_score":0.374191,"about_ca_system_score_codex":0.0057112332,"about_ca_system_score_gemma":0.0002843083,"threshold_uncertainty_score":0.99966353},"labels":[],"label_agreement":null},{"id":"W2756662394","doi":"","title":"Covering the Real, Art and the Press Picture from Warhol to Tillmans, Kunstmuseum Basel, DuMont Literatur und Kunst Verlag, 2005","year":2006,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Art history","score_opus":0.0069150524422268355,"score_gpt":0.16053824298326008,"score_spread":0.15362319054103324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756662394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5372463,0.050109103,0.00061245874,0.06826515,0.0014985257,0.0017303653,0.0019913057,0.00042345925,0.33812335],"genre_scores_gemma":[0.67258304,0.002624748,0.0000703903,0.0027057778,0.0017113668,0.000017378185,0.00013211361,0.000051276256,0.3201039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877787,0.00008610371,0.00016667218,0.00029943004,0.00021701887,0.00045289675],"domain_scores_gemma":[0.9991166,0.00016595988,0.0000908842,0.0004352948,0.000056904453,0.00013436165],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00014455717,0.0002393113,0.00023693658,0.000050653955,0.0013629149,0.00019233637,0.0003052673,0.00007886976,0.00013876524],"category_scores_gemma":[0.000009514768,0.0001593093,0.00010976367,0.000007160334,0.00032625618,0.00021403882,0.00021290642,0.00020551572,0.000060049686],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030094114,0.000061276216,0.00018858752,0.000022523593,0.00020276937,0.00020842002,0.084343836,0.00045346472,0.00007715905,0.28556985,0.6273808,0.0011904212],"study_design_scores_gemma":[0.00094612146,0.000029313376,0.00093182153,0.000032712196,0.00016580721,0.000010102582,0.0021750657,0.0006021896,0.000045131233,0.002016151,0.99282545,0.00022014906],"about_ca_topic_score_codex":0.08858384,"about_ca_topic_score_gemma":0.66864175,"teacher_disagreement_score":0.58005786,"about_ca_system_score_codex":0.00073717994,"about_ca_system_score_gemma":0.000030037134,"threshold_uncertainty_score":0.9999372},"labels":[],"label_agreement":null},{"id":"W2758255024","doi":"","title":"Panmorphic Painting Paradise: The Art of Michael Merrill / Michael Merrill, Panmorphic Painting, Outremont Art Gallery, Montreal. Nov. 24 – Dec. 18, 2011","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Paradise; Art; Art history; Performance art; Visual arts","score_opus":0.024517152315504144,"score_gpt":0.18565676222678906,"score_spread":0.16113960991128493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758255024","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4726288,0.06029664,0.0024783534,0.042772923,0.0048482385,0.0027169238,0.0010112533,0.001134807,0.41211206],"genre_scores_gemma":[0.7722974,0.0017915386,0.0002045613,0.0011045017,0.0013383519,0.000021532462,0.00012634479,0.00012367782,0.2229921],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963349,0.0003058321,0.0006684417,0.0005746407,0.0006131099,0.0015030529],"domain_scores_gemma":[0.9972496,0.00032139558,0.0006819007,0.0009799319,0.00026924978,0.0004978911],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00093105197,0.0006380037,0.00077500055,0.0002983087,0.0015168326,0.00007157024,0.00072523643,0.00023173724,0.0022662703],"category_scores_gemma":[0.00009222971,0.00054974126,0.00057548116,0.000028456745,0.00068655296,0.0005553829,0.0004557539,0.00042168374,0.0007537163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014774292,0.0003955424,0.002839875,0.00012030769,0.00066784944,0.00016977862,0.064535126,0.000103419625,0.00044555916,0.036406558,0.89016557,0.004002652],"study_design_scores_gemma":[0.0009812515,0.000105012914,0.0021126622,0.00009436625,0.0003870268,0.0001068738,0.010854131,0.001854868,0.00016042733,0.0017588872,0.9809086,0.0006759158],"about_ca_topic_score_codex":0.016135199,"about_ca_topic_score_gemma":0.24534804,"teacher_disagreement_score":0.29966858,"about_ca_system_score_codex":0.0009562775,"about_ca_system_score_gemma":0.00007914652,"threshold_uncertainty_score":0.99978304},"labels":[],"label_agreement":null},{"id":"W2759084135","doi":"10.1080/02697459.2017.1378975","title":"Embedding Artists within Planning: Calgary’s Watershed+ Initiative","year":2017,"lang":"en","type":"article","venue":"Planning Practice and Research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Watershed; Transferability; Public art; Public participation; Embedding; Public relations; Sociology; Environmental planning; Political science; Visual arts; Geography; Art; Computer science","score_opus":0.35266861941079747,"score_gpt":0.4715477421768457,"score_spread":0.11887912276604823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759084135","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13075899,0.00088117487,0.0001759604,0.00688525,0.0007197461,0.00033901306,0.000031019717,0.00010712767,0.8601017],"genre_scores_gemma":[0.96854025,0.000055416152,0.0003422737,0.0005970251,0.0010103463,0.000024383306,0.000023341998,0.00003045155,0.029376505],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795514,0.0002728056,0.00023997098,0.0003538275,0.00052933814,0.00064893335],"domain_scores_gemma":[0.9978867,0.00096802216,0.00019325467,0.000399333,0.00034093112,0.0002117452],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0018694549,0.00016435693,0.00020311872,0.0001739524,0.004239399,0.0017173326,0.00032004935,0.00008469565,0.000153253],"category_scores_gemma":[0.002120716,0.00013362902,0.000035351488,0.00000274571,0.0010266606,0.0014962079,0.0003047527,0.00085168774,0.00012874023],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026404698,0.00011198831,0.002414038,0.00011587851,0.00015384817,0.0007845643,0.9340741,0.000044967146,0.00009591547,0.03925094,0.021753542,0.0009361485],"study_design_scores_gemma":[0.0006458919,0.00030441623,0.0015092352,0.0003311878,0.000050316186,0.000074106974,0.060433935,0.0031922634,0.00046546085,0.0048839995,0.92774796,0.0003611981],"about_ca_topic_score_codex":0.0016770054,"about_ca_topic_score_gemma":0.00024372895,"teacher_disagreement_score":0.9059945,"about_ca_system_score_codex":0.000039572456,"about_ca_system_score_gemma":0.00011014209,"threshold_uncertainty_score":0.99931896},"labels":[],"label_agreement":null},{"id":"W275919678","doi":"","title":"Crossings: An Interview with Peggy Kamuf","year":2017,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Computer science","score_opus":0.07358886659084696,"score_gpt":0.2617556095258549,"score_spread":0.18816674293500796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W275919678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041407865,0.0000019870436,0.00025751756,0.00032239387,0.0002723835,0.00024754796,0.00006830261,0.00018769491,0.9572343],"genre_scores_gemma":[0.9824352,0.0049949554,0.00024073734,0.0005909828,0.0006445036,0.0000021711296,0.000029992452,0.00005074236,0.011010697],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988496,0.000072894756,0.00012413885,0.00037082811,0.0001663333,0.00041625925],"domain_scores_gemma":[0.99872535,0.00001967968,0.0001852221,0.00076848635,0.00017229778,0.00012896238],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000113750015,0.00023408221,0.00024580798,0.001840748,0.0018564372,0.00078988913,0.0006999473,0.00006162616,0.00029286768],"category_scores_gemma":[0.000018820603,0.00020742016,0.00010105849,0.000023506678,0.0008447966,0.0014460994,0.00021260182,0.00018416137,0.00006199164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000249361,0.0006381668,0.0008569705,0.00024263948,0.00029147408,0.00061248225,0.78490037,0.0000032397186,0.0000037515376,0.1555654,0.0027620622,0.05387407],"study_design_scores_gemma":[0.00079412083,0.00028949496,0.00015226318,0.00009125438,0.00009073017,0.000008778896,0.004962269,0.000084067586,0.000043990283,0.000014004263,0.993145,0.00032406583],"about_ca_topic_score_codex":0.12013454,"about_ca_topic_score_gemma":0.42078,"teacher_disagreement_score":0.9903829,"about_ca_system_score_codex":0.000099602745,"about_ca_system_score_gemma":0.00026853193,"threshold_uncertainty_score":0.999443},"labels":[],"label_agreement":null},{"id":"W2760029110","doi":"","title":"Tim Hawkinson : le corps comme lieu de la sculpture / Tim Hawkinson: The Body as a Place of Sculpture","year":2000,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Art history; Visual arts","score_opus":0.015918688352026724,"score_gpt":0.2555925756991685,"score_spread":0.23967388734714176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760029110","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052511774,0.05719812,0.00029212897,0.117759064,0.0026035493,0.001871664,0.0017335613,0.00048650676,0.76554364],"genre_scores_gemma":[0.46572793,0.0022295972,0.00025683903,0.00807963,0.0033369742,0.00004999474,0.00013258736,0.0001861071,0.52000034],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943061,0.001279884,0.00078776764,0.0009561747,0.00097042724,0.0016996708],"domain_scores_gemma":[0.9964983,0.0005189849,0.0004657918,0.0015832768,0.00035319736,0.0005804491],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0011153324,0.0011170635,0.001111254,0.00018211757,0.0021056233,0.0007683915,0.0012565906,0.0012882398,0.008331631],"category_scores_gemma":[0.00017322588,0.0008750821,0.00094230886,0.000062471205,0.0030988518,0.0005891358,0.00024039476,0.0024700698,0.0009766581],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032794452,0.00083807827,0.00018337004,0.0004481215,0.0005437895,0.0001890371,0.27083564,0.0013913113,0.00010256236,0.41599232,0.30634132,0.0028065238],"study_design_scores_gemma":[0.0018997836,0.0003755647,0.001180218,0.00067819713,0.00051024195,0.00029846156,0.013412117,0.0012505056,0.00036537074,0.0061174817,0.9728984,0.0010136187],"about_ca_topic_score_codex":0.008454791,"about_ca_topic_score_gemma":0.008370719,"teacher_disagreement_score":0.66655713,"about_ca_system_score_codex":0.00028455092,"about_ca_system_score_gemma":0.0009683132,"threshold_uncertainty_score":0.99983126},"labels":[],"label_agreement":null},{"id":"W2760362310","doi":"","title":"When We Are Welcomed Into the Fold Where Do We Keep What is Left Behind?","year":2017,"lang":"en","type":"article","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Creativity; Politics; Sociology; Media studies; Public relations; Political science; Law; Communication","score_opus":0.04070882914066811,"score_gpt":0.2655708212168318,"score_spread":0.22486199207616367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760362310","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075022176,0.09007857,0.0002980313,0.38255224,0.01721769,0.002766766,0.0004708125,0.0010433564,0.43055037],"genre_scores_gemma":[0.5965104,0.0076679713,0.000068770525,0.0039937054,0.00339795,0.000057768204,0.000016200487,0.00013229052,0.38815492],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965322,0.00015950235,0.0006587304,0.0008377328,0.0006964898,0.00111536],"domain_scores_gemma":[0.9961256,0.00018511646,0.0005758204,0.002469421,0.00026211198,0.00038194525],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004670017,0.0006598888,0.0006803607,0.00013356838,0.0045595877,0.0041931774,0.0016481814,0.00023824745,0.015820233],"category_scores_gemma":[0.000059635262,0.00049825653,0.0004656773,0.0000031171717,0.001423949,0.0024531602,0.00048207215,0.0006508554,0.0048516463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003610915,0.00017367506,0.0003446944,0.0001333275,0.00021597906,0.00004203614,0.61384547,0.0000017017231,0.00003101474,0.030730087,0.26648992,0.08795601],"study_design_scores_gemma":[0.0007630908,0.00010088313,0.0007038577,0.00046093896,0.00012038893,0.000010789399,0.022434335,0.00012122121,0.00011682573,0.10795474,0.8665958,0.0006170969],"about_ca_topic_score_codex":0.0020045291,"about_ca_topic_score_gemma":0.0703569,"teacher_disagreement_score":0.6001059,"about_ca_system_score_codex":0.000104284976,"about_ca_system_score_gemma":0.00010828761,"threshold_uncertainty_score":0.9997469},"labels":[],"label_agreement":null},{"id":"W2761057736","doi":"10.1386/public.27.53.105_7","title":"‘Public Art as Collective Practice’: ‘Collective Breath Poster’","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Spectacle; Ephemeral key; White (mutation); Public art; Work (physics); Media studies; Visual arts; Sociology; Political science; Public relations; Art; Law; Engineering; Computer science","score_opus":0.09231417234737564,"score_gpt":0.2723877556264845,"score_spread":0.18007358327910883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761057736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037438346,0.00010972119,0.00019598134,0.050902553,0.00075025955,0.00041147435,0.00015597165,0.00025107322,0.9434791],"genre_scores_gemma":[0.55322427,0.000021356564,0.000025389922,0.0042148037,0.00079267996,0.000083543186,0.000015483482,0.000036410638,0.44158608],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789286,0.00019174679,0.0003037771,0.00044984638,0.00038002853,0.0007817611],"domain_scores_gemma":[0.9976127,0.000552172,0.00019117403,0.00039914166,0.00092143554,0.00032337967],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033598888,0.0002719796,0.00028400464,0.0003252557,0.0008552572,0.00072999176,0.0002911705,0.0000940899,0.0055175233],"category_scores_gemma":[0.0012379248,0.0001916768,0.00014322333,0.00001924049,0.0004814393,0.0019107139,0.00013190415,0.00017065032,0.0029546833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000808582,0.00047099858,0.00038190864,0.0000118575745,0.0003369096,0.000027338074,0.1012207,4.152969e-8,0.000046212255,0.60257274,0.29046854,0.004381905],"study_design_scores_gemma":[0.00087737135,0.00030666942,0.00032169354,0.000017217031,0.00003987627,0.00004996873,0.0023442172,0.000005415658,0.00010748886,0.038890276,0.95672166,0.00031811898],"about_ca_topic_score_codex":0.00033170872,"about_ca_topic_score_gemma":0.0034292247,"teacher_disagreement_score":0.66625315,"about_ca_system_score_codex":0.0005829387,"about_ca_system_score_gemma":0.0011736879,"threshold_uncertainty_score":0.9978216},"labels":[],"label_agreement":null},{"id":"W2764283223","doi":"","title":"Un art radical ? / Radical Art?","year":2012,"lang":"es","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.021137666468551097,"score_gpt":0.24985063286213077,"score_spread":0.2287129663935797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2764283223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028426979,0.017695697,0.0011291269,0.060388073,0.009184014,0.0010501514,0.0006193309,0.00069197355,0.8808147],"genre_scores_gemma":[0.64651215,0.00033677276,0.00023079666,0.004993601,0.011675689,0.00001839156,0.00013789533,0.00009942386,0.33599526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967431,0.00024345817,0.00041897118,0.000466811,0.0006453075,0.0014823755],"domain_scores_gemma":[0.99806917,0.000110203124,0.00015942036,0.0006498554,0.00008772286,0.00092361483],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041011305,0.0005695008,0.0005886996,0.00013652837,0.00082709984,0.00055227696,0.00036347835,0.00049532176,0.009478492],"category_scores_gemma":[0.00011760766,0.0004813534,0.00044899943,0.0000075848584,0.001324962,0.0005143374,0.0001692971,0.0010008711,0.0084432475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039426366,0.00036142103,0.0010306966,0.00009475958,0.00017199788,0.000024430814,0.06646615,0.0000027118363,0.000023395456,0.53538775,0.39576656,0.00063069613],"study_design_scores_gemma":[0.00076889497,0.00010769403,0.0019648783,0.00012267966,0.00023287063,0.00004261178,0.0014789731,0.000074407384,0.00010972965,0.00089034176,0.9935604,0.0006465368],"about_ca_topic_score_codex":0.00003814789,"about_ca_topic_score_gemma":0.00020393358,"teacher_disagreement_score":0.6180852,"about_ca_system_score_codex":0.0001044585,"about_ca_system_score_gemma":0.00012715322,"threshold_uncertainty_score":0.9997638},"labels":[],"label_agreement":null},{"id":"W2764292136","doi":"","title":"La sculpture : itération et foisonnement / Sculpture: Repetition and Proliferation","year":2007,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Visual arts","score_opus":0.016544503078741238,"score_gpt":0.26687076222742795,"score_spread":0.2503262591486867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2764292136","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0715933,0.056330726,0.05137344,0.19949867,0.011135095,0.0050354335,0.0010815216,0.0010265245,0.6029253],"genre_scores_gemma":[0.78189945,0.0015675446,0.0011188511,0.0055714916,0.0049702534,0.000047775495,0.0004842321,0.00010774577,0.20423266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99692047,0.00038924054,0.0005565446,0.00071748346,0.00061135495,0.00080490997],"domain_scores_gemma":[0.99841565,0.0001255089,0.00029170746,0.00047060096,0.00035583126,0.00034067992],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015297513,0.0005695751,0.0004124549,0.0002114024,0.0011131888,0.0007607624,0.00015372397,0.0006927985,0.00059886806],"category_scores_gemma":[0.00014781303,0.00053674536,0.00021965,0.00002083615,0.0006106464,0.0009163677,0.00010227473,0.00093542755,0.000098174874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093057235,0.00025278004,0.00034097588,0.0003920592,0.00012633552,0.0000477234,0.2036214,0.000092969385,0.00020051806,0.7699911,0.020456664,0.0043844073],"study_design_scores_gemma":[0.0010437428,0.00024665816,0.004684879,0.00040996235,0.00023269525,0.000073184354,0.010387257,0.00040799164,0.00045126045,0.004600734,0.9768173,0.00064431585],"about_ca_topic_score_codex":0.00049767783,"about_ca_topic_score_gemma":0.041345637,"teacher_disagreement_score":0.95636064,"about_ca_system_score_codex":0.00023341445,"about_ca_system_score_gemma":0.00017150129,"threshold_uncertainty_score":0.9997084},"labels":[],"label_agreement":null},{"id":"W2765692772","doi":"10.1386/public.28.56.176_1","title":"Y for YOU SEE/ACCELERATE THE GAP","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Abstract art; Schema (genetic algorithms); Aesthetics; Modernity; Meaning (existential); Perception; Historicity (philosophy); Modern art; Art; Object (grammar); Epistemology; Visual arts; Philosophy; Painting; Art history; Computer science; Performance art; Linguistics; Law","score_opus":0.2741301586891968,"score_gpt":0.31452108296278275,"score_spread":0.040390924273585926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765692772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014656227,0.00011682258,0.00020410407,0.040687677,0.0013695619,0.0002844362,0.000108305074,0.000083730876,0.94248915],"genre_scores_gemma":[0.8030676,0.000009184077,0.000014301934,0.002116086,0.0017679663,0.00004911937,0.000012600889,0.000013433944,0.1929497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941874,0.000011312274,0.00009509942,0.00011295957,0.00007757338,0.0002843203],"domain_scores_gemma":[0.9993006,0.000034407425,0.00007435477,0.00042933386,0.00010409499,0.000057236917],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001711303,0.00007682485,0.00008115113,0.000021400474,0.0019832328,0.001341637,0.00037650985,0.000021612621,0.00077874394],"category_scores_gemma":[0.00009384701,0.00004904697,0.00006848748,3.2856525e-7,0.00028344084,0.00036120464,0.00006527082,0.0000609771,0.00016320185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024628328,0.000019314837,0.00015630217,0.000010535925,0.000020731748,3.725522e-7,0.021664623,1.3946357e-7,0.000003754507,0.865187,0.11014908,0.002785683],"study_design_scores_gemma":[0.00017425435,0.000018255767,0.00038878093,0.0000024494116,0.000009775019,5.621119e-7,0.0006245146,0.00020952034,0.000027473347,0.036720026,0.96174634,0.00007802818],"about_ca_topic_score_codex":0.0004373975,"about_ca_topic_score_gemma":0.0059934515,"teacher_disagreement_score":0.8515973,"about_ca_system_score_codex":0.000011768942,"about_ca_system_score_gemma":0.000037489874,"threshold_uncertainty_score":0.99969506},"labels":[],"label_agreement":null},{"id":"W2766260574","doi":"","title":"De glace éternelle / Sur la lune de nickel de François Jacob","year":2017,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Geology; Humanities","score_opus":0.03191962161890517,"score_gpt":0.27180610385498877,"score_spread":0.2398864822360836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766260574","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47343192,0.04642767,0.0010096692,0.023698304,0.0014149918,0.0002728744,0.00032192116,0.00013583028,0.45328683],"genre_scores_gemma":[0.40875435,0.0024614118,0.00030204476,0.0012692224,0.0016405206,0.000011572274,0.000008668969,0.000051247695,0.58550096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983343,0.00011034675,0.0002555028,0.00029999876,0.00014653603,0.00085335446],"domain_scores_gemma":[0.998566,0.00017678502,0.00016171328,0.0006660075,0.0001031335,0.00032639233],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003634581,0.0002813532,0.00033073357,0.000050870152,0.001490318,0.0007296195,0.00042658212,0.00024605435,0.0018400138],"category_scores_gemma":[0.00017316168,0.00029885894,0.0002315983,0.000001223492,0.0011126273,0.00021314071,0.0001755115,0.00032944902,0.00034094477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006780944,0.00044211536,0.012113739,0.00047597144,0.00023291251,0.00029847628,0.110339984,0.000045722565,0.0001891267,0.24580261,0.6264421,0.0035494345],"study_design_scores_gemma":[0.0007516385,0.00007974317,0.009993635,0.00022641958,0.00015067474,0.00009059266,0.0016188668,0.0012363326,0.00079317135,0.009426259,0.9752849,0.0003477642],"about_ca_topic_score_codex":0.03796357,"about_ca_topic_score_gemma":0.0148356315,"teacher_disagreement_score":0.3488428,"about_ca_system_score_codex":0.00013716002,"about_ca_system_score_gemma":0.00042328448,"threshold_uncertainty_score":0.99994636},"labels":[],"label_agreement":null},{"id":"W2767308077","doi":"10.1007/978-3-319-65894-0_2","title":"Carlos Reygadas, the Avant-Garde, and the Senses","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Avant garde; Art; Art history; Philosophy","score_opus":0.06529103666273013,"score_gpt":0.23776511040156265,"score_spread":0.1724740737388325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767308077","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000056902295,0.0011255102,0.000004347893,0.0029694145,0.00074900355,0.00030025892,0.0001350606,0.000051846855,0.9946589],"genre_scores_gemma":[0.011529913,0.0012016984,0.0000045892784,0.0026403132,0.0026674194,0.0000074029954,0.000013853705,0.000044508583,0.9818903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991524,0.000021665608,0.00019884687,0.00021744956,0.00019100095,0.00021858547],"domain_scores_gemma":[0.99879676,0.00019523181,0.00016289062,0.00070250296,0.00009221057,0.000050381634],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017750572,0.00026553223,0.00031161125,0.000026098855,0.0014411685,0.00045356166,0.00028639773,0.00010454494,0.0024629463],"category_scores_gemma":[0.000024447483,0.000117373194,0.00015786856,1.865336e-8,0.0025213303,0.000063517655,0.0001547501,0.0002969116,0.00025221394],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008462835,0.000001929259,3.9686935e-7,0.0000138984005,0.00007824802,0.0000058120377,0.059889197,2.5401885e-8,5.473294e-8,0.85037357,0.08817639,0.0014520305],"study_design_scores_gemma":[0.00023626513,0.000012467818,0.0000025870327,0.000040494248,0.00012107344,0.000009869493,0.0005488495,0.00001060995,0.0000012350871,0.1516258,0.8472217,0.00016907645],"about_ca_topic_score_codex":0.0016813603,"about_ca_topic_score_gemma":0.0656545,"teacher_disagreement_score":0.7590453,"about_ca_system_score_codex":0.000012468808,"about_ca_system_score_gemma":0.000046792087,"threshold_uncertainty_score":0.9998588},"labels":[],"label_agreement":null},{"id":"W2768124950","doi":"","title":"Research Guides: Canadian Art: Ebooks","year":2013,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Visual arts; Computer graphics (images); Art","score_opus":0.18647520901733247,"score_gpt":0.3331205520479193,"score_spread":0.14664534303058682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768124950","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016765889,0.0003296152,0.0000024201875,0.0022344668,0.0022160958,0.00045159512,0.0006044208,0.0001293798,0.9940152],"genre_scores_gemma":[0.0026212388,0.00009342218,0.000054116914,0.0060018464,0.009294836,0.000097730124,0.00049246714,0.000114355724,0.98122996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99713594,0.00011698766,0.0004397511,0.00044079253,0.0005489311,0.0013176061],"domain_scores_gemma":[0.9977331,0.00016192546,0.00006683987,0.0006834255,0.000713496,0.0006411679],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048680685,0.00033470275,0.000388487,0.0007449392,0.0010919821,0.00085244706,0.00062441226,0.00033040106,0.052753832],"category_scores_gemma":[0.00007435441,0.00027717272,0.00015745996,0.0000010945696,0.0009982326,0.000118506134,0.00013059653,0.00086055824,0.016534239],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.793751e-7,0.0000050031167,7.9276504e-7,0.000050229406,0.00003727723,0.00001365592,0.022151375,4.6062464e-8,1.3937422e-7,0.25505394,0.72184956,0.000837476],"study_design_scores_gemma":[0.000076709875,0.000051279505,0.000002407608,0.00009297699,0.00001866561,0.0000024268877,0.0038846314,0.000014036034,0.000007134568,0.026852712,0.9686403,0.0003566925],"about_ca_topic_score_codex":0.8706616,"about_ca_topic_score_gemma":0.99092555,"teacher_disagreement_score":0.24679075,"about_ca_system_score_codex":0.0002914812,"about_ca_system_score_gemma":0.0016962272,"threshold_uncertainty_score":0.99996805},"labels":[],"label_agreement":null},{"id":"W2772859671","doi":"10.1177/1206331213501128","title":"Book Review: <i>Jean-François Lyotard. Écrits sur l’art contemporain et les artistes/Writings on Contemporary Art and Artists</i>","year":2014,"lang":"fr","type":"article","venue":"Space and Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.02205910174105528,"score_gpt":0.24418700330423893,"score_spread":0.22212790156318366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772859671","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009649485,0.5396021,0.00006045336,0.16213918,0.00038780886,0.0004828939,0.0005439294,0.0000841178,0.29660302],"genre_scores_gemma":[0.005436472,0.110493354,0.000031246556,0.08554888,0.0011332157,0.00003083957,0.00022887,0.000057850935,0.7970393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757814,0.00033194298,0.00053336157,0.0006363377,0.0003247628,0.00059543527],"domain_scores_gemma":[0.99860656,0.00019155981,0.00026234717,0.00037314056,0.0001749637,0.00039142586],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00060434313,0.00058121793,0.00078852224,0.000050912615,0.0007368108,0.00038789428,0.00013504317,0.00030003025,0.0009029644],"category_scores_gemma":[0.00018042141,0.00049914484,0.00019385538,0.0000067012847,0.0009988494,0.00056914135,0.00009217049,0.0006010869,0.0004164972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034457466,0.00008802108,0.00011978429,0.00154652,0.0000681768,0.00003165111,0.015606054,3.5675464e-7,0.000042177533,0.11676826,0.8648248,0.0008697689],"study_design_scores_gemma":[0.0010087999,0.0005430074,0.000045301644,0.004666288,0.00013356685,0.000048352595,0.0014847447,0.000056763183,0.00008917253,0.0014434482,0.9898472,0.00063337723],"about_ca_topic_score_codex":0.0009048668,"about_ca_topic_score_gemma":0.00497478,"teacher_disagreement_score":0.50043625,"about_ca_system_score_codex":0.0000317407,"about_ca_system_score_gemma":0.000079180085,"threshold_uncertainty_score":0.999746},"labels":[],"label_agreement":null},{"id":"W2773402517","doi":"","title":"Spectacle, Communication, and the End of Art / Le spectacle, la communication et la fin de l’art","year":2014,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Art; Humanities; Political science","score_opus":0.02667780245996146,"score_gpt":0.28194216097892466,"score_spread":0.25526435851896323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773402517","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002618232,0.006314722,0.00078508834,0.18379533,0.00037843242,0.00039829468,0.00023409333,0.00008117967,0.80539465],"genre_scores_gemma":[0.92064166,0.009573435,0.0005806485,0.0014175433,0.00045892567,0.00006185459,0.00033707364,0.000061775805,0.06686709],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968123,0.0017078473,0.0005809141,0.0002650914,0.00021739952,0.00041646248],"domain_scores_gemma":[0.99520475,0.0026923004,0.00032897326,0.0014210041,0.0001983438,0.00015463868],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0018229171,0.000286,0.00043592168,0.0001002986,0.0013693137,0.00036172642,0.00060848583,0.00015499051,0.0005689764],"category_scores_gemma":[0.0002818878,0.00025819504,0.00015732915,0.000016680568,0.004712251,0.00042584402,0.0003797488,0.000552989,0.00014069477],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023520135,0.000309923,0.00013474817,0.00008620868,0.00007803667,8.2535655e-7,0.051609475,0.000022715754,0.000009247435,0.86823374,0.07915744,0.0003340888],"study_design_scores_gemma":[0.0013188693,0.000042651507,0.0022115957,0.00032187754,0.000087403736,0.00003180733,0.003002493,0.0009140851,0.00011448818,0.109579496,0.8821271,0.0002481435],"about_ca_topic_score_codex":0.0033445586,"about_ca_topic_score_gemma":0.014455845,"teacher_disagreement_score":0.9180234,"about_ca_system_score_codex":0.000036187517,"about_ca_system_score_gemma":0.00023922096,"threshold_uncertainty_score":0.999987},"labels":[],"label_agreement":null},{"id":"W2774600689","doi":"","title":"Alone. Curated by Penny Cousineau-Levine. Gallery 44 and Gallery TPW, Toronto. September 14 – October 28, 2006","year":2006,"lang":"en","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Penny; History; Archaeology","score_opus":0.023111873977872684,"score_gpt":0.23323093777584405,"score_spread":0.21011906379797138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774600689","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004986789,0.0059257625,0.00014570892,0.00007904785,0.001133458,0.00065401307,0.0008580817,0.00033997872,0.98587716],"genre_scores_gemma":[0.03323687,0.0005368432,0.0003561449,0.014651905,0.0025535312,0.000094965886,0.0017356236,0.00015476996,0.94667935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656934,0.00012290258,0.00075636967,0.00089100556,0.0004959685,0.0011644232],"domain_scores_gemma":[0.99813044,0.00008013551,0.00029401958,0.00066545233,0.0004528988,0.00037704044],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030247672,0.00077282626,0.0007672184,0.0000684725,0.00089248194,0.00066486467,0.00036385466,0.0004334382,0.14788662],"category_scores_gemma":[0.000042712352,0.0006738112,0.00021528376,0.00002006624,0.00052982103,0.0009097365,0.00016135575,0.00049797515,0.00040737673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004139353,0.00033995192,0.00018893562,0.00012480149,0.00013987128,0.000025911553,0.0026466935,0.000032030803,0.0025204737,0.0064850957,0.98741597,0.000038848004],"study_design_scores_gemma":[0.0013767099,0.000090081514,0.00018476955,0.000116086885,0.00015441897,0.000040566785,0.0010552868,0.0005311822,0.00039072,0.0012472844,0.9938697,0.00094318646],"about_ca_topic_score_codex":0.006734338,"about_ca_topic_score_gemma":0.0059701377,"teacher_disagreement_score":0.14747924,"about_ca_system_score_codex":0.00018911206,"about_ca_system_score_gemma":0.00017506696,"threshold_uncertainty_score":0.9998799},"labels":[],"label_agreement":null},{"id":"W2776039318","doi":"","title":"Faire jouir, faire faire : De l’incertain pouvoir de l’art / To Cause Pleasure, To Cause Action : On the Uncertain Power of Art","year":2009,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Pleasure; Power (physics); Art; Aesthetics; Humanities; Psychology","score_opus":0.04703156805415596,"score_gpt":0.2937971337135296,"score_spread":0.24676556565937366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2776039318","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15046468,0.002066362,0.0017699031,0.7029746,0.0029545063,0.002563277,0.0010003218,0.00039540438,0.13581096],"genre_scores_gemma":[0.626916,0.000120138226,0.00012679126,0.016969178,0.0011890559,0.000039304836,0.000030513635,0.00007494681,0.3545341],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996076,0.00047538616,0.0005333927,0.0007022347,0.0007375655,0.0014754452],"domain_scores_gemma":[0.99741215,0.00019338298,0.00023761271,0.00104552,0.00036188244,0.0007494377],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00071641925,0.0007260295,0.00062738016,0.00026107676,0.0011332048,0.00034247636,0.00056409027,0.00048063204,0.0013582673],"category_scores_gemma":[0.00040719012,0.0005845553,0.00042276012,0.00005934405,0.00038877808,0.0003500177,0.00010305957,0.0009642112,0.00073183316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028115278,0.00038645955,0.0002281258,0.00009818916,0.00023158146,0.000099366254,0.21029799,0.0028718782,0.00043938015,0.25167802,0.53186315,0.0015247149],"study_design_scores_gemma":[0.00051019713,0.0009999148,0.0035165239,0.000665547,0.00022943098,0.000038774146,0.030846233,0.00020385915,0.000904287,0.0055151084,0.95582515,0.00074500253],"about_ca_topic_score_codex":0.0011637844,"about_ca_topic_score_gemma":0.045516953,"teacher_disagreement_score":0.6860054,"about_ca_system_score_codex":0.0007932638,"about_ca_system_score_gemma":0.00057420065,"threshold_uncertainty_score":0.9996606},"labels":[],"label_agreement":null},{"id":"W2778180838","doi":"","title":"Derek Sullivan, On Filling In, Susan Hobbs Gallery, Toronto","year":2017,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sociology; Art history","score_opus":0.022837352990938493,"score_gpt":0.19654085815569497,"score_spread":0.17370350516475647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778180838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26428494,0.0032500331,0.000050468054,0.0089317635,0.0006864176,0.00024695965,0.00009203175,0.00013684113,0.72232056],"genre_scores_gemma":[0.80397123,0.0017572939,0.000048755115,0.0004403206,0.0004142983,0.0000029084893,0.000017631846,0.00002748687,0.1933201],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989386,0.000028727227,0.0001340222,0.0002702263,0.00017212208,0.00045627975],"domain_scores_gemma":[0.9990788,0.000049352377,0.00012991442,0.0005340269,0.000058594695,0.00014928647],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000098430115,0.00018761356,0.00021554902,0.0000630025,0.00159897,0.00010867161,0.00039718088,0.00007758867,0.0012655162],"category_scores_gemma":[0.000022520388,0.00019885358,0.00011026139,0.0000013171164,0.00018149435,0.00038825526,0.0001683285,0.00013494138,0.00016103694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002539827,0.0002588623,0.0016066557,0.000057880818,0.0001533665,0.0017428595,0.089626886,0.00012392222,0.00009645232,0.5532328,0.33599246,0.01685388],"study_design_scores_gemma":[0.00072313397,0.00009357335,0.0018738703,0.0000462458,0.000026537917,0.000010092373,0.004468519,0.0003292361,0.000061215105,0.002445604,0.989662,0.00025995623],"about_ca_topic_score_codex":0.09689199,"about_ca_topic_score_gemma":0.9321834,"teacher_disagreement_score":0.8352914,"about_ca_system_score_codex":0.0023298939,"about_ca_system_score_gemma":0.000027451511,"threshold_uncertainty_score":0.9997008},"labels":[],"label_agreement":null},{"id":"W2778476254","doi":"","title":"Jerome Andrews: Surreal Shorelines / Citadel Gallery, October 17 - November 17, 2008","year":2008,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shore; Art history; Archaeology; Art; History; Geography; Geology; Oceanography","score_opus":0.10152281017375538,"score_gpt":0.26968906699729933,"score_spread":0.16816625682354397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778476254","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32860005,0.0018816339,0.00016859628,0.0008531005,0.0012402127,0.00035620094,0.00031945642,0.00032317886,0.66625756],"genre_scores_gemma":[0.7336054,0.000572134,0.00017068,0.002127744,0.002407929,0.000027010112,0.00011904472,0.00006351288,0.26090655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828804,0.000030967396,0.00040111758,0.00035479473,0.00029080914,0.00063425273],"domain_scores_gemma":[0.9991346,0.00006619152,0.00009021919,0.0003613551,0.0001632728,0.00018438484],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011023273,0.00030352807,0.00034401656,0.00013298543,0.0008014773,0.00012091105,0.00018643853,0.0000917996,0.0034020804],"category_scores_gemma":[0.000027543261,0.00026174932,0.00018322309,0.00000673031,0.00085133716,0.00037463475,0.00008303572,0.00016906427,0.0004676181],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022510218,0.00025435167,0.0017068932,0.000037848575,0.00008073588,0.00011821872,0.07145823,0.000020938658,0.00004977074,0.012689948,0.9128643,0.0006962468],"study_design_scores_gemma":[0.00043027668,0.00008257608,0.0015761813,0.00003965952,0.00003069237,0.000076764794,0.00057960977,0.00015871323,0.000060022165,0.0026316962,0.9939531,0.00038071597],"about_ca_topic_score_codex":0.0013276675,"about_ca_topic_score_gemma":0.021159198,"teacher_disagreement_score":0.405351,"about_ca_system_score_codex":0.000039248403,"about_ca_system_score_gemma":0.00007827215,"threshold_uncertainty_score":0.9999835},"labels":[],"label_agreement":null},{"id":"W27788845","doi":"10.1016/j.jpeds.2016.05.012","title":"Metatheatre on Main Street","year":2002,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genealogy; Art; History","score_opus":0.06359130491936768,"score_gpt":0.2298808170773613,"score_spread":0.16628951215799362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W27788845","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025105009,0.00008051577,0.000002141578,0.002748246,0.00028247433,0.000098598204,0.00042310095,0.00007200373,0.9711879],"genre_scores_gemma":[0.9486696,0.000009131197,0.00002318488,0.006850062,0.0011782249,0.000006980496,0.000025041296,0.000037463957,0.043200273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988211,0.000040495772,0.00017968075,0.0002250981,0.00015956936,0.0005740717],"domain_scores_gemma":[0.9992371,0.00008386695,0.00003816782,0.00022522265,0.000038206697,0.00037741367],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011892671,0.00016215055,0.00015174187,0.00018475509,0.0006922894,0.00017161964,0.00014428733,0.0000472375,0.0055656773],"category_scores_gemma":[0.000038310784,0.00016248909,0.00006876856,0.0000036859049,0.00011219214,0.000092048176,0.000009258803,0.00019710728,0.0007130219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012492131,0.00003939203,0.00021350439,0.000015482707,0.000030628908,0.00014587662,0.026127696,0.000020139045,0.0000028277057,0.86843836,0.09212025,0.012844575],"study_design_scores_gemma":[0.0002976278,0.00011020488,0.0001438634,0.00009603575,0.000021732738,0.0000039256997,0.0071536163,0.00048526685,0.000047036418,0.004312146,0.9869659,0.00036265817],"about_ca_topic_score_codex":0.11586886,"about_ca_topic_score_gemma":0.8731095,"teacher_disagreement_score":0.92798764,"about_ca_system_score_codex":0.00016772337,"about_ca_system_score_gemma":0.00005283974,"threshold_uncertainty_score":0.9953434},"labels":[],"label_agreement":null},{"id":"W2779342855","doi":"","title":"\"Picasso in Canada\" and \"Picasso: man and beast\"","year":2017,"lang":"en","type":"article","venue":"Border crossings: a magazine for the arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"PICASSO; Art; Art history; Painting","score_opus":0.042258548085703646,"score_gpt":0.29300645105381445,"score_spread":0.2507479029681108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2779342855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94115674,0.00084197393,0.00008138869,0.013520607,0.0006078209,0.00058273465,0.00028115403,0.000039919592,0.042887658],"genre_scores_gemma":[0.9672641,0.000031574178,0.0000851022,0.0010600433,0.00034655762,0.000031513504,0.000007230889,0.000027721,0.031146115],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989753,0.00001136199,0.00021304008,0.00025254863,0.0001268339,0.00042091293],"domain_scores_gemma":[0.99917865,0.00010270308,0.00013302182,0.00041464446,0.00006978787,0.000101193524],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00016657343,0.00017594059,0.00020929983,0.000034146342,0.002078317,0.0011622999,0.00020666733,0.00003109349,0.00007183804],"category_scores_gemma":[0.00010651603,0.00012996393,0.000035951067,0.0000014155481,0.0007833099,0.00028040478,0.0001470009,0.00011090067,0.000005299548],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005286733,0.00036267014,0.11018763,0.0006561114,0.00040568117,0.00018213963,0.37769255,0.00001954758,0.00051270594,0.21668155,0.16821109,0.124559656],"study_design_scores_gemma":[0.00086549297,0.00002772879,0.07522106,0.000037110123,0.000032383923,0.0000120332115,0.00078572484,0.00071724993,0.000020118798,0.005793791,0.9162851,0.00020220337],"about_ca_topic_score_codex":0.49258313,"about_ca_topic_score_gemma":0.98884374,"teacher_disagreement_score":0.748074,"about_ca_system_score_codex":0.000055532604,"about_ca_system_score_gemma":0.00018767141,"threshold_uncertainty_score":0.9998746},"labels":[],"label_agreement":null},{"id":"W2779522892","doi":"","title":"Jacob Robert Whibley, dot-dot-dot, 8eleven Gallery, Toronto","year":2017,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quantum dot; Materials science; Nanotechnology","score_opus":0.01778203471375212,"score_gpt":0.1924361909140684,"score_spread":0.1746541562003163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2779522892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07113258,0.008133786,0.00011235708,0.013683556,0.0014298024,0.00040611887,0.00020575296,0.00032423565,0.90457183],"genre_scores_gemma":[0.51919323,0.00164607,0.000106198044,0.00058269664,0.00096209225,0.000006771562,0.000036984402,0.000049327653,0.47741666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982518,0.000047596437,0.0002166632,0.0004383108,0.0003122653,0.000733343],"domain_scores_gemma":[0.99827063,0.000046580586,0.00024882305,0.0009906883,0.0001155196,0.0003277608],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014687156,0.0003315861,0.0003732538,0.000074113734,0.0032591885,0.0002427147,0.0007980861,0.00013633861,0.0028501244],"category_scores_gemma":[0.00002799882,0.000347416,0.0002521514,0.0000025852191,0.00036609886,0.0009089343,0.0004818217,0.00018669428,0.00044297482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012991633,0.00017547235,0.0004895947,0.000049894574,0.00031451986,0.0007818055,0.054808863,0.000021509988,0.00025718074,0.18826543,0.74160933,0.013096476],"study_design_scores_gemma":[0.000951846,0.000098966484,0.0009868642,0.000040632047,0.00011282891,0.00004310678,0.0040907664,0.00024230854,0.00009155944,0.003305716,0.98958266,0.00045271838],"about_ca_topic_score_codex":0.14471397,"about_ca_topic_score_gemma":0.90071356,"teacher_disagreement_score":0.7559996,"about_ca_system_score_codex":0.002726477,"about_ca_system_score_gemma":0.0000661777,"threshold_uncertainty_score":0.9998978},"labels":[],"label_agreement":null},{"id":"W2780801823","doi":"","title":"Trans:it : Art et Territoire dans l’espace des relations / Trans:it: Art and Territory in Relational Spaces","year":2006,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.021242870514790707,"score_gpt":0.23749370386118626,"score_spread":0.21625083334639555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780801823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05960146,0.021208784,0.0069700675,0.32160515,0.0023034036,0.0011795034,0.001961099,0.00027287818,0.5848977],"genre_scores_gemma":[0.37189245,0.00060090836,0.0008711234,0.0011179678,0.001340145,0.000037247934,0.0003077608,0.00007639263,0.623756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970879,0.0003275232,0.0005861233,0.000664551,0.000501198,0.00083273253],"domain_scores_gemma":[0.9988987,0.00021213558,0.00015631507,0.0003707956,0.00011625156,0.00024583514],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040896225,0.0005907914,0.0005044287,0.0002842687,0.0010903953,0.00039180182,0.00018974155,0.00052365055,0.0012743245],"category_scores_gemma":[0.000038602728,0.00060789334,0.00027741393,0.000026893274,0.0017920736,0.0010671637,0.00003606797,0.0009900284,0.00011789553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006314751,0.00041457257,0.009307476,0.00026695293,0.0001030704,0.000071458395,0.36393204,0.0025738245,0.0001463772,0.3955532,0.22734423,0.00022366966],"study_design_scores_gemma":[0.0010871486,0.000118714444,0.029752132,0.000694433,0.00017065118,0.00004825533,0.015234453,0.0008553137,0.000026187296,0.010019301,0.9413259,0.0006675089],"about_ca_topic_score_codex":0.0036663502,"about_ca_topic_score_gemma":0.48079544,"teacher_disagreement_score":0.7139817,"about_ca_system_score_codex":0.0002798049,"about_ca_system_score_gemma":0.0002663,"threshold_uncertainty_score":0.9996386},"labels":[],"label_agreement":null},{"id":"W2781994437","doi":"","title":"Carlos and Jason Sanchez: The Cry / Maison des arts de Laval, 24 September to 24 November 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Humanities; Art history","score_opus":0.027011766000690003,"score_gpt":0.1858187143274532,"score_spread":0.1588069483267632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2781994437","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87699234,0.0074031814,0.00015557888,0.007535559,0.0002918534,0.00026558235,0.00008881103,0.0001228036,0.107144296],"genre_scores_gemma":[0.67703533,0.0016112053,0.000256301,0.0021190299,0.00048771946,0.000008543841,0.0000109059065,0.000041042644,0.31842995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988583,0.000046455625,0.00012588124,0.00026122032,0.00018672134,0.0005214682],"domain_scores_gemma":[0.99924916,0.000072221286,0.00006049394,0.00029017671,0.00008271288,0.00024520894],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00009526491,0.00020695377,0.00020896488,0.00008509137,0.0015471416,0.00004640605,0.00017567993,0.00008231191,0.0005042236],"category_scores_gemma":[0.000014856803,0.00018404266,0.00010503959,0.000010580811,0.00040657702,0.00020202756,0.00016471223,0.00017115688,0.00018662312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056243414,0.00006075966,0.0016111708,0.000025528709,0.00008825901,0.00045645636,0.10631424,0.00005619255,0.0002042082,0.014459136,0.8749575,0.0017103021],"study_design_scores_gemma":[0.00042702336,0.00007344094,0.0025033955,0.000025551888,0.000075773,0.0002561621,0.0042413916,0.00014924895,0.0002646925,0.0009654678,0.99076736,0.00025047653],"about_ca_topic_score_codex":0.015039835,"about_ca_topic_score_gemma":0.42244434,"teacher_disagreement_score":0.4074045,"about_ca_system_score_codex":0.0008708427,"about_ca_system_score_gemma":0.000053708216,"threshold_uncertainty_score":0.9997527},"labels":[],"label_agreement":null},{"id":"W2782049823","doi":"","title":"Frank Gehry in Toronto Transformation of the Art Gallery of Ontario","year":2009,"lang":"en","type":"article","venue":"Muzealnictwo","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transformation (genetics); Art; Visual arts; Chemistry","score_opus":0.029289754822819376,"score_gpt":0.2396084098406511,"score_spread":0.21031865501783173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2782049823","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2841478,0.00012009699,0.00003782372,0.00040602134,0.00025500904,0.00017349061,0.00001879134,0.000013886358,0.71482706],"genre_scores_gemma":[0.97802377,0.000022396629,0.00002117011,0.00042459826,0.000092552895,0.0000027432527,0.000007649243,0.0000049552505,0.021400189],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999302,0.000022189293,0.00030978586,0.00007226358,0.00014256283,0.00015116147],"domain_scores_gemma":[0.99966264,0.000014523023,0.0000784397,0.00018077536,0.000040620413,0.000023014074],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010878035,0.00007883728,0.0001570493,0.000023401048,0.0000654901,0.000010776224,0.00012517412,0.000029920902,0.0011304389],"category_scores_gemma":[0.000004344013,0.00005820139,0.00009171074,0.0000016943494,0.000088918816,0.00020547649,0.000008677038,0.00008074002,0.0000083763825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039288756,0.00022816924,0.00081367674,0.00004539381,0.000021132155,8.1823515e-7,0.85165703,0.000040431125,0.00014125039,0.13744935,0.006689225,0.00287425],"study_design_scores_gemma":[0.0009273183,0.00019646308,0.05806145,0.00011006234,0.00003173828,0.0000016126224,0.0046956814,0.00017979751,0.0010322556,0.009348192,0.92522156,0.0001938505],"about_ca_topic_score_codex":0.089353636,"about_ca_topic_score_gemma":0.9088541,"teacher_disagreement_score":0.9185324,"about_ca_system_score_codex":0.00017585691,"about_ca_system_score_gemma":0.000106078405,"threshold_uncertainty_score":0.9997827},"labels":[],"label_agreement":null},{"id":"W2782187389","doi":"","title":"Performance of You Who Tumble in the Shade of the Wood (Piano) (Music Gallery @ St. George the Martyr, Toronto)","year":2002,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Piano; Martyr; Art; Visual arts; Art history; History; Archaeology","score_opus":0.04841831199271732,"score_gpt":0.2114191295935362,"score_spread":0.1630008176008189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2782187389","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42309788,0.00033710015,0.0000012476669,0.0012165637,0.00020193863,0.00020776453,0.000031915282,0.000012187382,0.5748934],"genre_scores_gemma":[0.86807036,0.0001553654,0.000004212075,0.0014685788,0.00024881252,0.000014163002,0.0000018858891,0.00001160691,0.13002503],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893147,0.000079148216,0.00030951173,0.00012549492,0.00026570735,0.0002886459],"domain_scores_gemma":[0.9992241,0.000083295534,0.000108646746,0.00050858763,0.000053182655,0.000022167189],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026878997,0.00013102047,0.00017854234,0.00001885828,0.0002775999,0.000041757245,0.00051874365,0.00003737702,0.010450586],"category_scores_gemma":[0.00001377193,0.000058325877,0.00011199749,0.000005225468,0.00041156096,0.00021142841,0.000089753514,0.00013851016,0.000023494495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021213427,0.00039226864,0.0027797066,0.00012977,0.00006893687,0.0000014802982,0.626728,0.000026462381,0.000058413294,0.22803298,0.1390828,0.0026779901],"study_design_scores_gemma":[0.0007121241,0.00021262046,0.017426683,0.000105607294,0.000059818445,0.000006860776,0.036362708,0.005006083,0.0005004314,0.0019762975,0.9373462,0.00028452484],"about_ca_topic_score_codex":0.0048682787,"about_ca_topic_score_gemma":0.067221306,"teacher_disagreement_score":0.79826343,"about_ca_system_score_codex":0.000025989444,"about_ca_system_score_gemma":0.000021443062,"threshold_uncertainty_score":0.990454},"labels":[],"label_agreement":null},{"id":"W2784139571","doi":"","title":"untitled (after Robert Mapplethorpe catalogue)","year":2015,"lang":"en","type":"article","venue":"Goldsmiths (University of London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Censorship; Visual arts; Presentation (obstetrics); Art; State (computer science); Politics; Law; Event (particle physics); History; Political science","score_opus":0.034230251971647335,"score_gpt":0.20082320443228138,"score_spread":0.16659295246063405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784139571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4153768,0.000672925,0.0024773022,0.0023961945,0.0011334617,0.0004459782,0.0008039018,0.0002822139,0.5764112],"genre_scores_gemma":[0.84925574,0.000017984563,0.00054061087,0.0003155539,0.00021450256,4.14567e-7,0.000070157024,0.0000154123,0.1495696],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922943,0.000035684072,0.000102462815,0.00018788246,0.00019622997,0.0002483155],"domain_scores_gemma":[0.99930465,0.000023875164,0.000077116216,0.00026138974,0.00016465558,0.00016830074],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012254734,0.00012261127,0.00021059095,0.000106343155,0.00014133762,0.000026890832,0.00022738038,0.000059899186,0.003203536],"category_scores_gemma":[0.000011150454,0.0001368788,0.000108783555,0.0000049501014,0.00044454803,0.0002753629,0.00012143138,0.0001006109,0.0009753307],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003673548,0.00032878626,0.0051735924,0.00014083742,0.00020481173,0.00026442407,0.43487492,0.000020973575,0.000039819635,0.15556613,0.39982992,0.0031884434],"study_design_scores_gemma":[0.0008124673,0.00007586783,0.0008784016,0.00001924732,0.000058372996,0.0000044271023,0.008227112,0.00010379933,0.000030560597,0.0035481805,0.98604023,0.00020134487],"about_ca_topic_score_codex":0.011549872,"about_ca_topic_score_gemma":0.047949634,"teacher_disagreement_score":0.5862103,"about_ca_system_score_codex":0.000058054386,"about_ca_system_score_gemma":0.00008639467,"threshold_uncertainty_score":0.99980253},"labels":[],"label_agreement":null},{"id":"W2788461885","doi":"10.3138/seminar.54.1.117","title":"Rainer Rumold. <i>Archaeologies of Modernity: Avant-Garde Bildung</i>","year":2018,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Avant garde; Bildung; Modernity; Art history; Art; Aesthetics; Philosophy; Sociology; Humanities; Epistemology","score_opus":0.0946134720245427,"score_gpt":0.3249416116153962,"score_spread":0.2303281395908535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788461885","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8000493,0.050647404,0.0006070927,0.006444538,0.0072814594,0.0004901292,0.00018232201,0.00014287292,0.1341549],"genre_scores_gemma":[0.9623007,0.002876828,0.00016382955,0.0005612597,0.0023367596,0.0000026579396,0.0000012228379,0.00002579303,0.03173096],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836665,0.00007710408,0.00067558425,0.00014873325,0.00035637958,0.00037556767],"domain_scores_gemma":[0.9979251,0.00023949624,0.0005650279,0.00022486031,0.00096756883,0.00007794621],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048753837,0.00022133598,0.0006252561,0.00018840452,0.00034664237,0.00002601277,0.00030686366,0.000048360977,0.00027767976],"category_scores_gemma":[0.00021867319,0.00015783917,0.0002442212,0.0000026530283,0.0023055586,0.00022467072,0.00023783754,0.0002130965,0.000041589985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016325412,0.00015888906,0.00041793328,0.00017054111,0.0010487539,0.00007340406,0.8446212,0.000005551921,0.0008926821,0.0078015793,0.142413,0.0022331977],"study_design_scores_gemma":[0.0013797233,0.0021799128,0.00050443044,0.00063127937,0.0005108095,0.00026361734,0.055958115,0.00010246882,0.0068496964,0.04210637,0.8889967,0.000516834],"about_ca_topic_score_codex":0.00005063408,"about_ca_topic_score_gemma":0.0013344765,"teacher_disagreement_score":0.7886631,"about_ca_system_score_codex":0.00005129844,"about_ca_system_score_gemma":0.000085867316,"threshold_uncertainty_score":0.8494927},"labels":[],"label_agreement":null},{"id":"W2790716326","doi":"10.17742/image.ccn.6-2.13","title":"TIME-SAVERS: BERTRAM BROOKER AND THE POLITICS OF TIME AND MATERIAL CULTURE","year":2016,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Art; Political science; Law","score_opus":0.025488485525780497,"score_gpt":0.332083833223206,"score_spread":0.3065953476974255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790716326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8749083,0.007188243,0.000045696484,0.027658762,0.00090443523,0.00038579488,0.00097522925,0.00004617654,0.08788733],"genre_scores_gemma":[0.92784715,0.00093855156,0.0003784173,0.00025399524,0.0009103993,0.0000032284736,0.0000039531446,0.000012213801,0.06965211],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990478,0.000053819116,0.0004057787,0.000099669174,0.00019326108,0.00019966521],"domain_scores_gemma":[0.9953508,0.00016176658,0.00028854652,0.0000892434,0.004052612,0.00005704279],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021043756,0.00015925444,0.00033854405,0.000055361234,0.00059897196,0.00073931814,0.0001172319,0.000025403995,0.00016659376],"category_scores_gemma":[0.0005013154,0.00006956602,0.00009982062,0.000003973377,0.01453939,0.0030872023,0.00009005146,0.000089832516,0.000013633217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026563896,0.00014435608,0.00034063382,0.00013944281,0.0013836198,0.000025386189,0.32683814,0.0000015114019,0.023517774,0.5590002,0.08579182,0.0025515195],"study_design_scores_gemma":[0.007922025,0.00044944984,0.0017043323,0.000418932,0.000763606,0.00043499933,0.014145031,0.000049871138,0.009428531,0.17153665,0.7925567,0.00058986933],"about_ca_topic_score_codex":0.000038229628,"about_ca_topic_score_gemma":0.000035991805,"teacher_disagreement_score":0.7067649,"about_ca_system_score_codex":0.000033801825,"about_ca_system_score_gemma":0.000023349827,"threshold_uncertainty_score":0.9881425},"labels":[],"label_agreement":null},{"id":"W2790863101","doi":"","title":"Material Ecocriticism. Ed. Serenella Iovino and Serpil Oppermann. Bloomington: Indiana UP, 2014. 359 pp.","year":2018,"lang":"en","type":"article","venue":"The journal of ecocriticism","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ecocriticism; Philosophy; Environmental ethics","score_opus":0.024605373988552497,"score_gpt":0.25025612361703437,"score_spread":0.22565074962848186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790863101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91106,0.0031912138,0.00015888708,0.0036548062,0.01161516,0.00039589562,0.0004084956,0.00007904282,0.06943653],"genre_scores_gemma":[0.97428256,0.0006806995,0.000087953085,0.0033464262,0.009129122,0.0000035022395,0.000009895428,0.00006898143,0.012390835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757904,0.00017112456,0.0008540093,0.00025114935,0.00038809332,0.00075656397],"domain_scores_gemma":[0.9981682,0.00021941512,0.00028385376,0.0003922454,0.0005944814,0.00034184044],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006749586,0.0003595734,0.0005354671,0.00016062429,0.00083598477,0.00044472518,0.0005311586,0.00011866035,0.0033057553],"category_scores_gemma":[0.000050060997,0.00027293005,0.00017546817,0.0000062760087,0.0013182599,0.0004878793,0.00016574547,0.00037052843,0.00036139798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000627413,0.0004422149,0.00041479568,0.0003409536,0.0005992663,0.0003471703,0.17203043,0.000008517911,0.0013431836,0.075387456,0.7449293,0.0035292641],"study_design_scores_gemma":[0.0019696315,0.0013303967,0.00044066441,0.00025954263,0.00054064277,0.0011303291,0.00851705,0.0003330649,0.0028561633,0.03044656,0.9514133,0.00076270965],"about_ca_topic_score_codex":0.00043882866,"about_ca_topic_score_gemma":0.0031310087,"teacher_disagreement_score":0.20648392,"about_ca_system_score_codex":0.00005883592,"about_ca_system_score_gemma":0.00015480425,"threshold_uncertainty_score":0.9999723},"labels":[],"label_agreement":null},{"id":"W2791099301","doi":"10.1353/mos.2018.0012","title":"The Trial of Paul Gauguin","year":2018,"lang":"en","type":"article","venue":"Mosaic","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Criticism; Painting; Relation (database); Colonialism; Representation (politics); Object (grammar); Aesthetics; Art criticism; Sociology; Art; Art history; Epistemology; Philosophy; Literature; Law; Politics; Performance art; Political science; Linguistics; Computer science","score_opus":0.05194471021483984,"score_gpt":0.2696410462473857,"score_spread":0.21769633603254587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791099301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1134401,0.00021456488,0.000054657183,0.0015980599,0.0031114116,0.0002874103,0.00009782923,0.000063201245,0.8811328],"genre_scores_gemma":[0.894616,0.000013068767,0.00000758909,0.0002904952,0.002522998,0.0000066953453,0.0000059201843,0.000006630753,0.10253059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995189,0.000024832034,0.00013853493,0.00006764177,0.00009700901,0.0001531241],"domain_scores_gemma":[0.99962616,0.00005445745,0.00004732588,0.00018533273,0.000060326576,0.000026376018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012568977,0.00005315865,0.00007741599,0.000013059201,0.00030846367,0.000041001356,0.00011328377,0.000017695425,0.00065305596],"category_scores_gemma":[0.00003046671,0.00003296433,0.00004822449,8.075666e-7,0.0005145482,0.00003669306,0.000025143376,0.000039735954,0.00016302615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007575369,0.00007452819,0.000011224162,0.0000086481305,0.00003537927,0.0000011239189,0.07403375,8.82021e-8,0.000038111568,0.57198465,0.34734082,0.0057141692],"study_design_scores_gemma":[0.0021392868,0.0002277852,0.000010494854,0.0000039742126,0.000009721156,2.7481389e-7,0.00066810864,0.000024143776,0.00038598874,0.022456614,0.97402704,0.000046545152],"about_ca_topic_score_codex":0.00041106276,"about_ca_topic_score_gemma":0.006193554,"teacher_disagreement_score":0.7811759,"about_ca_system_score_codex":0.000007422194,"about_ca_system_score_gemma":0.000024318946,"threshold_uncertainty_score":0.7150505},"labels":[],"label_agreement":null},{"id":"W2791316192","doi":"","title":"Schliephake, Christopher. Urban Ecologies: City Space, Material Agency, and Environmental Politics in Contemporary Culture. Lanham, Maryland: Lexington Books, 2015.","year":2018,"lang":"en","type":"article","venue":"The journal of ecocriticism","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Politics; Environmental ethics; Space (punctuation); Sociology; Political science; Social science; Philosophy; Law","score_opus":0.04259051103798387,"score_gpt":0.2602299044303604,"score_spread":0.21763939339237656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791316192","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9279008,0.0021903433,0.00004607141,0.0010194264,0.0020364309,0.00026336557,0.000358103,0.000030972384,0.066154495],"genre_scores_gemma":[0.9809783,0.00024948208,0.00006267221,0.0013217637,0.0028684076,0.0000031182929,0.000019295507,0.000028624594,0.0144683225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998409,0.00013529649,0.0005932991,0.00016874533,0.00023630665,0.00045736003],"domain_scores_gemma":[0.9992165,0.00010108952,0.00024127793,0.00021125026,0.000069175476,0.00016069258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042153976,0.00024219108,0.0003815444,0.00010848214,0.00041897007,0.00014493741,0.00027989302,0.00009688708,0.0008815002],"category_scores_gemma":[0.000027915232,0.00017657074,0.00009354886,0.0000034375828,0.0012721334,0.0003270858,0.0001174098,0.00030286828,0.000030141768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006241504,0.0009114232,0.012788891,0.00019297279,0.00033493177,0.0005432579,0.29908532,0.0000031799123,0.0025576581,0.0477643,0.6348274,0.0003665427],"study_design_scores_gemma":[0.0019677226,0.0012274075,0.0058880206,0.00013133492,0.00010591347,0.00023243847,0.011007653,0.00008578281,0.0011625624,0.030310703,0.9473837,0.00049675326],"about_ca_topic_score_codex":0.00086597283,"about_ca_topic_score_gemma":0.0025936563,"teacher_disagreement_score":0.31255633,"about_ca_system_score_codex":0.00010266296,"about_ca_system_score_gemma":0.000094517796,"threshold_uncertainty_score":0.9651809},"labels":[],"label_agreement":null},{"id":"W2791494837","doi":"10.18740/ss27249","title":"Building on William Morris' News from Nowhere","year":2018,"lang":"en","type":"article","venue":"Socialist studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.1329118274708509,"score_gpt":0.352326248379198,"score_spread":0.21941442090834712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791494837","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.288263,0.0030695354,0.00010916846,0.0148569215,0.0086788805,0.00036228975,0.0006593408,0.0004843053,0.68351656],"genre_scores_gemma":[0.93652564,0.00022274534,0.00018369047,0.008884625,0.01579272,0.000021201013,0.000013443483,0.000036567617,0.038319364],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990464,0.00003870304,0.00018953958,0.00023353075,0.00017579786,0.0003160338],"domain_scores_gemma":[0.99938375,0.00013991419,0.00008311461,0.0001695057,0.0001730847,0.00005062386],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000066959285,0.00017636106,0.00027224672,0.000031573254,0.0014550412,0.00010341042,0.0001276086,0.00004424902,0.0004635164],"category_scores_gemma":[0.000110232046,0.00014952004,0.000102701415,0.0000022976644,0.0011239272,0.00010507267,0.00008990101,0.000100230034,0.00032394717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000129516375,0.00004545859,0.00048699387,0.000013544882,0.00027227445,0.0000038132569,0.34828445,3.5080902e-7,0.000015992753,0.3330133,0.3162693,0.0015815829],"study_design_scores_gemma":[0.0002098344,0.00008845816,0.00027715898,0.000042356485,0.000055460267,5.3772386e-8,0.02130484,0.000003182141,0.00010653241,0.11046806,0.8672407,0.00020335917],"about_ca_topic_score_codex":0.004292369,"about_ca_topic_score_gemma":0.047695078,"teacher_disagreement_score":0.6482627,"about_ca_system_score_codex":0.00008880562,"about_ca_system_score_gemma":0.000025796971,"threshold_uncertainty_score":0.9998449},"labels":[],"label_agreement":null},{"id":"W2791639558","doi":"10.11575/prism/30295","title":"Painting the Internet: A Different Kind of Warhol Worm","year":2006,"lang":"en","type":"article","venue":"PRISM (University of Calgary)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"The Internet; Painting; Art; Internet privacy; World Wide Web; Computer science; Visual arts; Art history","score_opus":0.01996883818527628,"score_gpt":0.182082090475234,"score_spread":0.1621132522899577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791639558","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7154494,0.00011866159,0.021963347,0.000597779,0.00014832173,0.00014681461,0.0000022431507,0.00003559028,0.26153785],"genre_scores_gemma":[0.9431846,0.000008217333,0.00023080157,0.000060418635,0.00006261693,1.3913196e-7,0.0000068351683,0.0000066192792,0.05643974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946326,0.000032542128,0.00011160504,0.00010245335,0.00013393204,0.00015621634],"domain_scores_gemma":[0.99959636,0.000052662966,0.0001223828,0.0001518069,0.000048009217,0.000028809314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000079122896,0.000082384904,0.00015310022,0.000056237353,0.00016268826,0.000013788109,0.0002138824,0.000032455402,0.0006115498],"category_scores_gemma":[0.0000052852906,0.00006787877,0.00011438393,0.0000020773393,0.00043020752,0.00008454943,0.00010698563,0.00009836751,0.000011958914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075232725,0.00039286335,0.0051162634,0.00015051698,0.00017439683,0.000022570825,0.35037506,0.0000012528806,0.00028107784,0.5426746,0.023489548,0.077246636],"study_design_scores_gemma":[0.0014408273,0.000196481,0.03890856,0.00015398882,0.00022509918,0.0000027313702,0.007963446,0.016735945,0.0010452524,0.028363734,0.9045262,0.00043775744],"about_ca_topic_score_codex":0.011412927,"about_ca_topic_score_gemma":0.0031802407,"teacher_disagreement_score":0.88103664,"about_ca_system_score_codex":0.000021463187,"about_ca_system_score_gemma":0.000014078424,"threshold_uncertainty_score":0.9951702},"labels":[],"label_agreement":null},{"id":"W2793417512","doi":"10.22215/etd/2013-09946","title":"While the Future Awaits: Essays on Anticipation, Duchamp and Contemporary Cuban Art","year":2013,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Anticipation (artificial intelligence); Postmodernism; Painting; Modern art; Aesthetics; Repetition (rhetorical device); Key (lock); Art; Contemporary art; Space (punctuation); Art history; Performance art; Philosophy; Literature","score_opus":0.04546211041620366,"score_gpt":0.2584609411557309,"score_spread":0.21299883073952727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793417512","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023938578,0.000775542,0.000005376899,0.0013857099,0.00211102,0.00045790113,0.00010556468,0.000107442975,0.97111285],"genre_scores_gemma":[0.47335404,0.00013586142,0.00000309645,0.0017439441,0.0021904027,0.000050157658,0.0014243162,0.00003272459,0.5210655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989917,0.00004582693,0.00027670895,0.00026521247,0.00020461086,0.00021590693],"domain_scores_gemma":[0.9992405,0.000062950945,0.00015789781,0.0002737953,0.00019140604,0.00007345989],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009352941,0.00026882297,0.00025312635,0.00007953742,0.0005652225,0.0003078691,0.00013520442,0.00014939497,0.0030905092],"category_scores_gemma":[0.0000103446955,0.00016662412,0.000073649295,0.0000017803836,0.00013499986,0.00019313161,0.0000139205085,0.00025816017,0.00040261273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011887327,0.000037013615,0.000029808938,0.00006527306,0.00004258294,0.0000011072242,0.08909212,1.6736412e-7,0.0000025955733,0.41133133,0.49892008,0.00046604755],"study_design_scores_gemma":[0.00017785637,0.00007187183,0.0006045005,0.00007274031,0.000033263346,6.6300424e-7,0.04474781,0.000037698992,0.00004142604,0.008625355,0.94532603,0.00026080743],"about_ca_topic_score_codex":0.00068401225,"about_ca_topic_score_gemma":0.017739901,"teacher_disagreement_score":0.4500474,"about_ca_system_score_codex":0.000013868335,"about_ca_system_score_gemma":0.00009056284,"threshold_uncertainty_score":0.9978208},"labels":[],"label_agreement":null},{"id":"W2794373763","doi":"10.11606/issn.2525-8354.v0i4p139-163","title":"Participação entre campos","year":2018,"lang":"pt","type":"article","venue":"Revista ARA","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.07627347621221654,"score_gpt":0.30296842198724977,"score_spread":0.22669494577503324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794373763","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17620414,0.009960559,0.000805504,0.0041212523,0.0044101398,0.001311897,0.0010170119,0.00044446212,0.80172503],"genre_scores_gemma":[0.7193484,0.00019770852,0.000012843038,0.0015359311,0.004400851,0.0000111572635,0.000029008357,0.00004462388,0.27441952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783057,0.00011637172,0.0005194742,0.0004279917,0.00027145504,0.0008341444],"domain_scores_gemma":[0.9986028,0.00007009591,0.0001817723,0.0006289293,0.0002131567,0.000303258],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020343799,0.000339356,0.00043333758,0.00007366093,0.00081568403,0.00059683237,0.00027461982,0.000109313856,0.013278484],"category_scores_gemma":[0.00006212099,0.00030883652,0.0002222988,0.0000044120698,0.0008455131,0.0001962669,0.00012189252,0.00021022544,0.0069690426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046861915,0.00027738485,0.00077485177,0.00043174363,0.00020468769,0.00004905809,0.27740517,6.8843264e-7,0.00005376371,0.48663795,0.23043406,0.0036837899],"study_design_scores_gemma":[0.00032975554,0.0002503375,0.00019646676,0.00022061492,0.00020481778,0.000006314756,0.0027329733,0.0004073137,0.00013477405,0.00095697946,0.9941541,0.00040554377],"about_ca_topic_score_codex":0.00042633386,"about_ca_topic_score_gemma":0.0018544706,"teacher_disagreement_score":0.76372004,"about_ca_system_score_codex":0.000086738386,"about_ca_system_score_gemma":0.00013808552,"threshold_uncertainty_score":0.9999364},"labels":[],"label_agreement":null},{"id":"W2797245907","doi":"","title":"Mathieu Cardin et Mélanie Myers, un prolongement critique et ludique de l’art conceptuel / Mathieu Cardin and Mélanie Myers, A Critical and Ludic Extension of Conceptual Art","year":2010,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Extension (predicate logic); Mathieu function; Humanities; Computer science; Mathematics; Mathematical analysis; Programming language","score_opus":0.017089895301877267,"score_gpt":0.2893399062062287,"score_spread":0.2722500109043514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2797245907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5073272,0.106311,0.00599185,0.24137293,0.008678623,0.004819661,0.0075277686,0.0007286435,0.11724235],"genre_scores_gemma":[0.9483983,0.0033011402,0.0016926884,0.0084296735,0.0012941404,0.000089751135,0.00013023402,0.000136639,0.036527444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959594,0.00075436215,0.00063762016,0.00092879724,0.00056422036,0.001155608],"domain_scores_gemma":[0.99752533,0.00045152096,0.00021142198,0.0006517664,0.0005117747,0.00064818235],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0014694139,0.00074402575,0.0010470453,0.0001615004,0.0006036424,0.00035007298,0.00024398141,0.0008228628,0.00063397107],"category_scores_gemma":[0.0004989261,0.0007192964,0.0003033133,0.000018915938,0.004963162,0.0005280237,0.00032580708,0.0018141554,0.00005083462],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013239103,0.00023031344,0.00070362946,0.000655119,0.0002533659,0.00020598424,0.13294677,0.000011061164,0.001451691,0.74940604,0.11367227,0.0003313853],"study_design_scores_gemma":[0.0016584261,0.000624438,0.0029803498,0.0005785141,0.00055289496,0.00038339067,0.02894823,0.00033410933,0.0008625968,0.0071975463,0.9549736,0.00090593746],"about_ca_topic_score_codex":0.0006258023,"about_ca_topic_score_gemma":0.0044343434,"teacher_disagreement_score":0.84130126,"about_ca_system_score_codex":0.00009063829,"about_ca_system_score_gemma":0.00045020456,"threshold_uncertainty_score":0.9995258},"labels":[],"label_agreement":null},{"id":"W2799406179","doi":"","title":"A Confusion of Marys","year":2018,"lang":"en","type":"article","venue":"Falmouth University Research Repository (FURR) (Falmouth University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Art; Painting; Realm; Visual arts; Poetry; Mythology; Art history; Confusion; Literature; History; Psychology; Archaeology; Psychoanalysis","score_opus":0.09663282581793209,"score_gpt":0.2720092863284516,"score_spread":0.17537646051051953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799406179","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2908203,0.00004222561,0.00011683792,0.00022755275,0.00063877687,0.000420628,0.000271901,0.00017363414,0.70728815],"genre_scores_gemma":[0.66678506,0.000025380576,0.00006285375,0.000028304263,0.00059330853,1.6308739e-7,0.000030221685,0.000025542477,0.33244917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962072,0.0007155119,0.00031993777,0.0007370419,0.0009921354,0.0010282116],"domain_scores_gemma":[0.9963616,0.0002065447,0.00023434099,0.00083939865,0.0018378204,0.00052027847],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0005842597,0.00033107548,0.0004684467,0.0014445783,0.0027272857,0.00012314276,0.0012077105,0.00022333438,0.0009761777],"category_scores_gemma":[0.00007320381,0.00037689594,0.00028995125,0.00011475159,0.0062399083,0.0007639626,0.00084248267,0.00065712485,0.00027122645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023265723,0.0009984822,0.005263249,0.00035904296,0.0005655364,0.002286185,0.30267468,0.000007741375,0.0051723616,0.6476411,0.031358313,0.0013467256],"study_design_scores_gemma":[0.0017690152,0.00076291454,0.0012881643,0.00014760061,0.00013853356,0.00002113744,0.0856613,0.00018561224,0.0025702768,0.00045087145,0.90647334,0.0005312471],"about_ca_topic_score_codex":0.01034808,"about_ca_topic_score_gemma":0.0042630993,"teacher_disagreement_score":0.87511504,"about_ca_system_score_codex":0.0005231262,"about_ca_system_score_gemma":0.00063288497,"threshold_uncertainty_score":0.99993706},"labels":[],"label_agreement":null},{"id":"W2799715987","doi":"10.2307/25564929","title":"Re-enactments, Judith Wilkinson, DHC/ ART, Montreal, February - May 2008","year":2008,"lang":"en","type":"article","venue":"Circa","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Art; History; Sociology","score_opus":0.05150115826956783,"score_gpt":0.24044273857703793,"score_spread":0.1889415803074701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799715987","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031559832,0.0012198215,0.00012394595,0.0013783599,0.0012887787,0.0002802085,0.000189658,0.00031085545,0.96364856],"genre_scores_gemma":[0.7632169,0.0004322661,0.000044221677,0.003705719,0.0017108942,0.000023743329,0.00011018116,0.000044816818,0.23071124],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858683,0.000040771825,0.00028341665,0.00031674324,0.0002497271,0.00052250875],"domain_scores_gemma":[0.99917096,0.000043388336,0.00009880237,0.00041787035,0.00008023766,0.00018875918],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007251098,0.00022774961,0.0002657447,0.000091038826,0.0007647161,0.00007583379,0.00019656477,0.00007177442,0.0033702021],"category_scores_gemma":[0.000019442505,0.00021055373,0.00012626383,0.0000036136803,0.0004383384,0.00029738699,0.00005245171,0.00017137271,0.0019133483],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010861506,0.00017065441,0.0010256127,0.000018579894,0.00006569299,0.0001008346,0.046294715,0.0000036139345,0.000008881449,0.015346273,0.9361606,0.00079365046],"study_design_scores_gemma":[0.00049668545,0.00008966798,0.007685852,0.000022816408,0.00003428014,0.000019453331,0.0011793168,0.000043847715,0.00009090337,0.0038190233,0.9862185,0.00029962562],"about_ca_topic_score_codex":0.0049622348,"about_ca_topic_score_gemma":0.013812478,"teacher_disagreement_score":0.73293734,"about_ca_system_score_codex":0.00007000603,"about_ca_system_score_gemma":0.0000914505,"threshold_uncertainty_score":0.99886376},"labels":[],"label_agreement":null},{"id":"W2799790531","doi":"10.1080/15240657.2018.1456019","title":"Under Erasure: William Kentridge, Derrida, and Post-Apartheid South Africa","year":2018,"lang":"en","type":"article","venue":"Studies in Gender and Sexuality","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"La Cité Collégiale","funders":"Krell Institute","keywords":"TRACE (psycholinguistics); Existentialism; Aesthetics; Politics; Witness; Animation; Impossibility; Identity (music); Art; History; Philosophy; Visual arts; Epistemology; Law; Political science","score_opus":0.20481533054596032,"score_gpt":0.34245566701035685,"score_spread":0.13764033646439652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799790531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7744527,0.028644001,0.0003121909,0.0011587172,0.0024454016,0.0005929194,0.0004525849,0.00018401722,0.19175746],"genre_scores_gemma":[0.9877533,0.00031317567,0.00003467355,0.0013158737,0.0009311683,0.000013273593,0.0000072583384,0.000016183609,0.009615142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866,0.00010006222,0.00028452126,0.0003645189,0.00016860449,0.00042226168],"domain_scores_gemma":[0.9993533,0.0000942647,0.000058790753,0.00021063793,0.00018708456,0.00009595177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032869622,0.00021560129,0.00031362064,0.000060426668,0.00063356245,0.00010192781,0.00007608925,0.000052004125,0.00006564935],"category_scores_gemma":[0.00006838529,0.00017184965,0.000033302502,0.0000052061055,0.0017606063,0.00014560993,0.00017293936,0.00012963687,0.000012543797],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031896147,0.00007856644,0.004628012,0.00010806018,0.00020195017,0.0000044544,0.94652796,4.1302354e-7,0.000010088857,0.04293539,0.0048984704,0.0005747457],"study_design_scores_gemma":[0.00137893,0.00036662843,0.041401837,0.000034129458,0.00011889027,0.00001011335,0.4053252,0.00003724198,0.000052273346,0.09739664,0.45315513,0.0007229643],"about_ca_topic_score_codex":0.00016613911,"about_ca_topic_score_gemma":0.0042699836,"teacher_disagreement_score":0.5412027,"about_ca_system_score_codex":0.000030456365,"about_ca_system_score_gemma":0.00002876072,"threshold_uncertainty_score":0.70078254},"labels":[],"label_agreement":null},{"id":"W2799841957","doi":"","title":"Andrea Carvalho, Made to Measure: and more ideas on space / Andrea CARVALHO, Made to Measure: and more ideas on space, The Latcham Gallery, Stouffville, Ontario, November 3 – December 8, 2012, Curated by Chai Duncan","year":2013,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Measure (data warehouse); Space (punctuation); Computer science; Data mining","score_opus":0.01390397990765843,"score_gpt":0.18197163131777516,"score_spread":0.16806765141011673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799841957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8864013,0.0042081885,0.00008686724,0.059417587,0.00045759225,0.0018526945,0.0004228302,0.00022310963,0.046929836],"genre_scores_gemma":[0.7143799,0.0004488627,0.00007184268,0.005005013,0.00036601143,0.000058606463,0.00007005368,0.00012899947,0.27947068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966118,0.00014914504,0.00033557686,0.0009343553,0.00085632846,0.0011128474],"domain_scores_gemma":[0.9974576,0.00014918184,0.0001979271,0.0008163699,0.0003945373,0.0009843315],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00029028158,0.00077211804,0.0007068209,0.00028128523,0.0014909197,0.00027620108,0.0003995139,0.00027334958,0.00081100466],"category_scores_gemma":[0.000056104636,0.00064995704,0.0001844367,0.00005802735,0.00040706136,0.00048701183,0.00035172972,0.00057387835,0.0002611622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005646457,0.00018696098,0.0012324151,0.00004168595,0.0004313728,0.00020615503,0.084227525,0.00019618029,0.00077501213,0.021648549,0.8884211,0.002068363],"study_design_scores_gemma":[0.0021130894,0.00046608824,0.009126364,0.00015927512,0.00026569876,0.00010612646,0.010020199,0.00025365208,0.00027481624,0.0008190668,0.9753909,0.0010047206],"about_ca_topic_score_codex":0.26741502,"about_ca_topic_score_gemma":0.87481743,"teacher_disagreement_score":0.60740244,"about_ca_system_score_codex":0.00203348,"about_ca_system_score_gemma":0.00013543104,"threshold_uncertainty_score":0.999809},"labels":[],"label_agreement":null},{"id":"W2800355032","doi":"10.55221/2572-7478.1944","title":"Wright's \"Exile: A conversation with N. T. Wright\" (book review)","year":2018,"lang":"en","type":"article","venue":"The Christian librarian:/The Christian librarian","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Horizon College and Seminary","funders":"","keywords":"Wright; Conversation; Philosophy; Psychoanalysis; Art; Sociology; Psychology; Art history; Linguistics","score_opus":0.022116942375740252,"score_gpt":0.21804288531805008,"score_spread":0.19592594294230983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800355032","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010387236,0.10127766,0.010170522,0.12891029,0.010069329,0.008989278,0.0026480872,0.0036791519,0.73321694],"genre_scores_gemma":[0.5809251,0.0031062346,0.0010159815,0.12974973,0.025693057,0.0006376078,0.0013705168,0.0008307638,0.256671],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926893,0.0008539927,0.0016095154,0.0015144957,0.0012197224,0.0021129453],"domain_scores_gemma":[0.99402285,0.0005919058,0.0010372862,0.0030206135,0.0004024238,0.00092491193],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.00092903763,0.001348186,0.0012163937,0.00035019676,0.003615602,0.0020606997,0.0026807487,0.0003900193,0.02501185],"category_scores_gemma":[0.000083827435,0.0008293429,0.0005239864,0.00012579278,0.005243922,0.0034055095,0.00049812446,0.0012530404,0.00365356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024057389,0.00017923098,0.00008248935,0.0003403958,0.00038193524,0.00008822089,0.04595289,0.000002096768,0.000009132425,0.11329614,0.8379245,0.00150242],"study_design_scores_gemma":[0.0015760398,0.00065970793,0.00039232482,0.00093804,0.00057336147,0.00012642893,0.004246554,0.0007869831,0.000116914685,0.007639367,0.9816176,0.0013266347],"about_ca_topic_score_codex":0.0026254545,"about_ca_topic_score_gemma":0.0051833675,"teacher_disagreement_score":0.5798864,"about_ca_system_score_codex":0.00014388344,"about_ca_system_score_gemma":0.0011528912,"threshold_uncertainty_score":0.9999269},"labels":[],"label_agreement":null},{"id":"W2800712357","doi":"","title":"Justin Wonnacott, Pictures of Art–Regard oblique sur les oeuvres d’art dans les espaces publics / Justin Wonnacott, Pictures of Art–An Oblique Gaze at Artworks in Public Spaces","year":2018,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Publics; Oblique case; Gaze; Art; Art history; Humanities; Psychology; Philosophy; Psychoanalysis","score_opus":0.045137020014698125,"score_gpt":0.2588093879273271,"score_spread":0.21367236791262897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800712357","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09236956,0.01559849,0.0019414164,0.003835273,0.004610182,0.0022225264,0.0029285199,0.0005021493,0.8759919],"genre_scores_gemma":[0.33581597,0.0035309587,0.0017897424,0.008369944,0.005156588,0.00028819326,0.0014545274,0.00036960636,0.6432245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905631,0.0011899356,0.0023875542,0.0018562808,0.001254474,0.0027486875],"domain_scores_gemma":[0.99261224,0.00064018904,0.0017159687,0.0018799357,0.0021566213,0.0009950135],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001686074,0.0018705403,0.002271745,0.00094109954,0.0016319235,0.0012466781,0.0017297209,0.0021512122,0.045283217],"category_scores_gemma":[0.0012923952,0.0016963026,0.0007454399,0.00023799246,0.004603081,0.0020532466,0.0007265098,0.002151702,0.00022641617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002781166,0.0013735434,0.0043805377,0.001255837,0.00045512742,0.000044344783,0.045655124,0.000865636,0.0038057347,0.20280969,0.7388355,0.000240825],"study_design_scores_gemma":[0.0018449341,0.00094940624,0.0009857994,0.0015116929,0.00048147998,0.00006927174,0.018479768,0.0017399936,0.007856579,0.004438003,0.9599112,0.0017318607],"about_ca_topic_score_codex":0.0052296184,"about_ca_topic_score_gemma":0.059227817,"teacher_disagreement_score":0.24344641,"about_ca_system_score_codex":0.00048259742,"about_ca_system_score_gemma":0.0011956977,"threshold_uncertainty_score":0.99979013},"labels":[],"label_agreement":null},{"id":"W2802556347","doi":"","title":"L’artiste, son atelier et moi / The Artist, The Studio and Me","year":2001,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Studio; Visual arts","score_opus":0.028486198654322593,"score_gpt":0.262664378645519,"score_spread":0.23417817999119642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802556347","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02681415,0.0837332,0.00038578885,0.43233293,0.0031160412,0.000870914,0.0002649501,0.00012943926,0.45235258],"genre_scores_gemma":[0.32865164,0.0043734047,0.000031958632,0.008808594,0.0024784503,0.000026456482,0.000011027278,0.000044723234,0.6555738],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980507,0.00031770053,0.0002528881,0.0003585228,0.00033638606,0.0006837849],"domain_scores_gemma":[0.99885947,0.00017193578,0.0001255233,0.0005733545,0.00011548669,0.00015424677],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051746855,0.00035494418,0.00028589234,0.00003339333,0.0017239281,0.0006184703,0.00028802096,0.0001641383,0.0009948796],"category_scores_gemma":[0.000060172024,0.00019840998,0.00016608564,0.000009921273,0.0013736298,0.00027433955,0.0001791318,0.00065540924,0.00026734214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026075732,0.000067201756,0.00038154374,0.000040401654,0.00015603779,0.000038208,0.28151897,0.000039435094,0.000008632714,0.5226338,0.19249,0.0025997155],"study_design_scores_gemma":[0.00036494678,0.00009290683,0.0045873625,0.00007346757,0.00018280027,0.00007733584,0.016663503,0.0002200522,0.000013965618,0.007179947,0.9702598,0.0002839479],"about_ca_topic_score_codex":0.0013820274,"about_ca_topic_score_gemma":0.04073507,"teacher_disagreement_score":0.77776974,"about_ca_system_score_codex":0.00005398277,"about_ca_system_score_gemma":0.00007246225,"threshold_uncertainty_score":0.99991834},"labels":[],"label_agreement":null},{"id":"W2802710617","doi":"","title":"Maryse Larivière, Wild is the Wind, Galerie Clark, Montreal, March 9 - April 22, 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meteorology; Art history; Art; Geography; History","score_opus":0.009859205936915813,"score_gpt":0.16837807689579531,"score_spread":0.1585188709588795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802710617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037054133,0.16577168,0.00036474608,0.13080718,0.0015929445,0.0008178879,0.0031238028,0.00022980673,0.66023785],"genre_scores_gemma":[0.09405107,0.009566764,0.000091007554,0.003951977,0.0025045886,0.00000793366,0.00017112184,0.00010407431,0.88955146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968634,0.00021456728,0.0004084692,0.0006288874,0.00053710263,0.0013475707],"domain_scores_gemma":[0.9981182,0.00020334011,0.00026538703,0.00090268254,0.0001970475,0.00031333312],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026976044,0.0005787631,0.00049849367,0.00019242121,0.0030231534,0.00020862625,0.00068524753,0.00037806854,0.0055772085],"category_scores_gemma":[0.000013165813,0.00055655546,0.00048200306,0.000028961853,0.0012321703,0.0004935529,0.00047403295,0.0006344046,0.0009257859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001072096,0.00026648448,0.00035481318,0.00007638876,0.0002120472,0.00081420253,0.0072007948,0.00014099179,0.00002170331,0.1566723,0.8288712,0.0052618976],"study_design_scores_gemma":[0.0012946044,0.00013299621,0.0034140965,0.00008158476,0.0004951796,0.00010931035,0.0030321728,0.00075623905,0.000049984912,0.017797092,0.97220516,0.0006315922],"about_ca_topic_score_codex":0.4249522,"about_ca_topic_score_gemma":0.71050596,"teacher_disagreement_score":0.28555372,"about_ca_system_score_codex":0.0029280148,"about_ca_system_score_gemma":0.00013283537,"threshold_uncertainty_score":0.9998521},"labels":[],"label_agreement":null},{"id":"W2803152001","doi":"","title":"Picturing Canada: Urbanization and the Changing Canadian","year":2014,"lang":"en","type":"article","venue":"QSpace (Queen's University Library)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Urbanization; Geography; Political science; Economic growth; Economics","score_opus":0.006884106405949378,"score_gpt":0.1401081996966263,"score_spread":0.13322409329067691,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803152001","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06954858,0.000055751334,0.0005203823,0.28873748,0.0007746694,0.00040031478,0.00012681802,0.00024451994,0.6395915],"genre_scores_gemma":[0.7549602,0.000016364465,0.000022880815,0.001722068,0.00023991996,1.7680934e-7,0.000018163057,0.000011795834,0.24300845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993843,0.00005931198,0.000051150426,0.00013367971,0.00008401793,0.00028757803],"domain_scores_gemma":[0.99958146,0.000056682467,0.000036404734,0.00013636636,0.000022154087,0.00016692844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003476459,0.000098217024,0.00010471107,0.00012437328,0.0008529525,0.000108078006,0.00014023353,0.000028616158,0.00028857792],"category_scores_gemma":[0.000012128095,0.00008495162,0.000024750547,0.0000073522574,0.00019164929,0.0004521508,0.000074190546,0.000092097776,0.0000059079484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011601114,0.0000034149098,0.0019160338,0.000017420167,0.000026644038,0.0000138225005,0.053009424,0.000024141662,4.992062e-8,0.78536576,0.15945654,0.00015514153],"study_design_scores_gemma":[0.00030024757,0.000008217996,0.00095613056,0.000011720799,0.00002094988,1.5782902e-7,0.005635177,0.00013441811,0.000023005568,0.0008833606,0.99190193,0.00012468264],"about_ca_topic_score_codex":0.98820835,"about_ca_topic_score_gemma":0.9914936,"teacher_disagreement_score":0.8324454,"about_ca_system_score_codex":0.00008312128,"about_ca_system_score_gemma":0.00027972416,"threshold_uncertainty_score":0.6560307},"labels":[],"label_agreement":null},{"id":"W2803359665","doi":"","title":"Entre réalité et désir de mémoire / Sophie Jodoin, Drawing Shadows: Portraits of my mother, Edward Day gallery, Toronto. 9-31 octobre 2004","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Portrait; Humanities; Art history","score_opus":0.010845377258240689,"score_gpt":0.19530346914879146,"score_spread":0.18445809189055076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803359665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07059548,0.2738715,0.0013071937,0.10426436,0.0016197974,0.0009145705,0.0019007999,0.00040798195,0.5451183],"genre_scores_gemma":[0.3198266,0.017991312,0.0008967542,0.0031210945,0.0022923623,0.000007350825,0.000120832054,0.00015181942,0.65559185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967433,0.00022915423,0.00059006125,0.0006297479,0.00049697654,0.0013107095],"domain_scores_gemma":[0.99795294,0.00015178004,0.00044322407,0.0006376166,0.00024631774,0.0005681055],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045479485,0.00063150283,0.0007374699,0.00016354342,0.0011495657,0.00009820832,0.0005798291,0.00041600765,0.00460434],"category_scores_gemma":[0.000036907277,0.00074189756,0.00056741096,0.000018469367,0.000637783,0.0009730106,0.00032293802,0.0004141461,0.00018430683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016009754,0.0006607152,0.00025837857,0.00032571077,0.00073057855,0.0009861524,0.15059435,0.0013337707,0.00026247982,0.37217426,0.43547806,0.03703546],"study_design_scores_gemma":[0.0015308433,0.00018836361,0.0005462382,0.00035388232,0.00041535764,0.0001818045,0.014229984,0.0013688819,0.00015543474,0.003059421,0.977248,0.0007217584],"about_ca_topic_score_codex":0.0798564,"about_ca_topic_score_gemma":0.6242755,"teacher_disagreement_score":0.5444191,"about_ca_system_score_codex":0.008410578,"about_ca_system_score_gemma":0.00046791625,"threshold_uncertainty_score":0.9995032},"labels":[],"label_agreement":null},{"id":"W2804110900","doi":"10.59962/9780774861588-025","title":"The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London","year":2019,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Lesbian; Temporalities; Visual arts; Art; Narrative; Art history; Space (punctuation); Documentation; History; Aesthetics; Sociology; Media studies; Gender studies; Literature","score_opus":0.042670302764282526,"score_gpt":0.1943034458616249,"score_spread":0.15163314309734238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804110900","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023415262,0.0004036548,0.000004000921,0.000008361206,0.00012105957,0.000284903,0.0008533992,0.000021099875,0.97488827],"genre_scores_gemma":[0.2886739,0.00031135025,0.000008402075,0.0000340662,0.00004433245,1.882182e-7,0.000013132824,0.000022042641,0.71089256],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999142,0.00007968069,0.00024160396,0.00015238753,0.0001797791,0.00020457756],"domain_scores_gemma":[0.9989913,0.00020442637,0.00026901218,0.00035998426,0.00009550586,0.000079731115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021701015,0.00012069767,0.00041560165,0.000038657425,0.00052510394,0.0001544456,0.00041267034,0.000115484974,0.00008083933],"category_scores_gemma":[0.000014149155,0.00021617483,0.000120804296,2.5605618e-7,0.0018140796,0.000041127245,0.00039466214,0.0004848315,0.0000011277835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017273385,0.00019421036,0.0012759999,0.002488373,0.00077602646,0.00014931962,0.48309702,0.00000434522,0.000014658817,0.37254766,0.044809066,0.09447061],"study_design_scores_gemma":[0.0005567909,0.000100527075,0.0012677322,0.0007607786,0.00007393471,0.0000074811896,0.0044383127,0.000015485577,0.0000010334358,0.0074070166,0.98512566,0.00024526185],"about_ca_topic_score_codex":0.38884374,"about_ca_topic_score_gemma":0.9184234,"teacher_disagreement_score":0.94031656,"about_ca_system_score_codex":0.000031578336,"about_ca_system_score_gemma":0.000110998524,"threshold_uncertainty_score":0.88153535},"labels":[],"label_agreement":null},{"id":"W2804133496","doi":"","title":"The Opposite Forces / David Hall, Série Marine, Galerie Lilian Rodriguez, Montréal, September 25 - October 23, 1999","year":2000,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cartography; Geography","score_opus":0.009800271102880344,"score_gpt":0.16886812793080938,"score_spread":0.15906785682792904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804133496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09585746,0.014165236,0.000029046802,0.011394689,0.00052161614,0.00047847806,0.0002166276,0.0003587636,0.8769781],"genre_scores_gemma":[0.14473611,0.0055609955,0.00007489928,0.001362854,0.00066430354,0.000014729094,0.00013111121,0.0000698275,0.84738517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978903,0.00008886018,0.00030702716,0.0004636598,0.00037147917,0.0008786928],"domain_scores_gemma":[0.9985608,0.00012626917,0.00014287261,0.00071226596,0.00011788082,0.00033993382],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015718876,0.00040718,0.00034651285,0.000097336815,0.0029093553,0.00022259851,0.0005607164,0.00014457136,0.00815994],"category_scores_gemma":[0.000010557265,0.00034183371,0.00030363322,0.000016354199,0.00047797372,0.0005398268,0.0002783228,0.00029236343,0.0014733581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018205284,0.00011406883,0.0002983406,0.000026906886,0.00027187355,0.0005015832,0.016988477,0.0000918856,0.000027491027,0.06464989,0.8906845,0.026162934],"study_design_scores_gemma":[0.0007798227,0.00010506747,0.00060272065,0.000025103742,0.00015934625,0.00006578326,0.002200681,0.0006075428,0.000044225337,0.00324551,0.99171805,0.00044612243],"about_ca_topic_score_codex":0.047386616,"about_ca_topic_score_gemma":0.71222156,"teacher_disagreement_score":0.6648349,"about_ca_system_score_codex":0.0010237956,"about_ca_system_score_gemma":0.000048464546,"threshold_uncertainty_score":0.9999034},"labels":[],"label_agreement":null},{"id":"W2804579426","doi":"","title":"Haute Culture: General Idea. A Retrospective, 1969-1994 / Haute Culture: General Idea. A Retrospective, 1969-1994, Art Gallery of Ontario, Toronto, July 30, 2011 – January 1, 2012","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Sociology","score_opus":0.010969435500521369,"score_gpt":0.18364752482007635,"score_spread":0.17267808931955497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804579426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32516,0.053547196,0.00059955416,0.0016904051,0.004847038,0.0017713099,0.0018729108,0.00078127166,0.6097303],"genre_scores_gemma":[0.20902461,0.0039886627,0.0013691126,0.0010919136,0.0030517837,0.000033549844,0.00034696836,0.0001379635,0.78095543],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955833,0.00016458695,0.0007080241,0.0009292384,0.000889848,0.0017250024],"domain_scores_gemma":[0.9972377,0.00003136811,0.0006401563,0.0009946147,0.0003331497,0.0007630241],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003685867,0.0009110194,0.0012015869,0.00020872007,0.0014947181,0.00012054024,0.0007237559,0.00047099544,0.0053375266],"category_scores_gemma":[0.000022101744,0.0009013068,0.0007557627,0.000032707474,0.0005899854,0.0020440014,0.00050039805,0.0007630908,0.00055224425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015439189,0.000451599,0.006971963,0.000057205412,0.00076271367,0.00019860992,0.07587931,0.00003331213,0.00078834634,0.11104321,0.80347055,0.00018876302],"study_design_scores_gemma":[0.0017901179,0.00036592275,0.030165423,0.00006219386,0.00051777816,0.00013184707,0.00094139355,0.00012356108,0.00027384493,0.0019374181,0.96261156,0.0010789373],"about_ca_topic_score_codex":0.24513914,"about_ca_topic_score_gemma":0.7658534,"teacher_disagreement_score":0.5207143,"about_ca_system_score_codex":0.012661326,"about_ca_system_score_gemma":0.00028040216,"threshold_uncertainty_score":0.9998052},"labels":[],"label_agreement":null},{"id":"W2806055966","doi":"10.24908/iqurcp.11672","title":"The Golden Age of Stealing: An Analysis of Queer Appropriation and Exploitation in 21st Century Popular Culture","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Appropriation; Aesthetics; Popular culture; Performative utterance; Sociology; Counterculture; Cultural appropriation; Ephemera; Gender studies; Media studies; Art; Visual arts; Art history","score_opus":0.1501841052520565,"score_gpt":0.36822376047945804,"score_spread":0.21803965522740154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806055966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98281854,0.00020540578,0.00036550546,0.0026739326,0.00016024493,0.0006684054,0.000038260056,0.000045875975,0.013023834],"genre_scores_gemma":[0.9967053,0.0012098346,0.00008693522,0.000026440835,0.00026344397,0.000034788955,0.000053826792,0.00001656914,0.0016028542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9979231,0.00012665083,0.00048217317,0.0003380098,0.0007022091,0.0004278585],"domain_scores_gemma":[0.9974429,0.000068001595,0.0002126908,0.00018168542,0.0019814083,0.000113293485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014281932,0.0001518664,0.00031664284,0.0005438349,0.0003930845,0.00032653759,0.0003090317,0.00009241773,0.000017594219],"category_scores_gemma":[0.0002742498,0.00011203408,0.0000632999,0.00008050759,0.001998194,0.0006375774,0.000111584624,0.00027621302,0.0000024443711],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050846702,0.000060316714,0.0029362333,0.000079239595,0.00012084467,6.3241055e-7,0.39115977,0.0000012134758,0.0011845314,0.6030561,0.00014776572,0.0012024911],"study_design_scores_gemma":[0.0009939565,0.0012659987,0.008302081,0.00031710442,0.00032875198,0.0000012248918,0.62110466,0.009645651,0.0022436841,0.3100532,0.045216344,0.0005273618],"about_ca_topic_score_codex":0.003571942,"about_ca_topic_score_gemma":0.011011403,"teacher_disagreement_score":0.2930029,"about_ca_system_score_codex":0.00008037718,"about_ca_system_score_gemma":0.00010938907,"threshold_uncertainty_score":0.73624295},"labels":[],"label_agreement":null},{"id":"W2807028747","doi":"","title":"Yan Giguère, Attractions, Galerie Optica, Montréal, du 12 septembre au 17 octobre 2009","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01121250143040637,"score_gpt":0.17507767800974436,"score_spread":0.163865176579338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807028747","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13030487,0.06834526,0.00034136995,0.08106012,0.007261039,0.0008270073,0.0024406803,0.0005185928,0.70890105],"genre_scores_gemma":[0.1173788,0.009293775,0.00039889768,0.0013904123,0.0039943345,0.00001267148,0.0001778501,0.00012000657,0.8672333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969095,0.00011383843,0.00045432648,0.00069167966,0.00044785297,0.001382815],"domain_scores_gemma":[0.9974553,0.00018314872,0.00033041066,0.000899464,0.00028861559,0.0008430901],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026058176,0.0006457637,0.0005997416,0.00027489112,0.003856339,0.00020620522,0.0005553921,0.0005532439,0.007810222],"category_scores_gemma":[0.00005161154,0.000762444,0.00050816825,0.000021252632,0.0010711574,0.0009482131,0.00033035316,0.0010573769,0.0016680392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000097471086,0.0004017386,0.0005427244,0.000091941314,0.00030020822,0.0013640645,0.010101912,0.00009158988,0.00023225305,0.19284905,0.78604513,0.007881915],"study_design_scores_gemma":[0.0012297785,0.000208796,0.0023206468,0.00008546549,0.000573578,0.0005945862,0.005120391,0.0010550503,0.00007310963,0.0016835089,0.9862209,0.00083420915],"about_ca_topic_score_codex":0.1434031,"about_ca_topic_score_gemma":0.863672,"teacher_disagreement_score":0.72026896,"about_ca_system_score_codex":0.003193196,"about_ca_system_score_gemma":0.00028504038,"threshold_uncertainty_score":0.99948263},"labels":[],"label_agreement":null},{"id":"W2807690655","doi":"","title":"Michelle Forsyth: Footnotes","year":2018,"lang":"en","type":"other","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Printmaking; Studio; Visual arts; Art history; Painting; Sculpture; Art; Narrative; Sociology; Literature","score_opus":0.1384116605238368,"score_gpt":0.30527182638275113,"score_spread":0.16686016585891433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807690655","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027853405,0.00011854016,0.00005960779,0.00026361083,0.0008118612,0.0009514,0.00026678303,0.00023116251,0.9970185],"genre_scores_gemma":[0.0019303054,0.00025076067,0.00018475024,0.0000612357,0.0014851114,5.9376674e-7,0.00010681579,0.00026009476,0.9957203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996253,0.0006939363,0.00020455632,0.001004942,0.00076171814,0.0010818335],"domain_scores_gemma":[0.99742275,0.0001514657,0.00025826145,0.0010875046,0.0005534926,0.0005265357],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00043880675,0.0004849589,0.0006076779,0.0013271089,0.0028135376,0.0005574474,0.0028622027,0.00053461397,0.0006795825],"category_scores_gemma":[0.000030594474,0.0005671959,0.0002858117,0.00005176065,0.0030481715,0.0006636043,0.0012670947,0.00081025885,0.0016605072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010333032,0.00010168308,0.00005110686,0.00005959166,0.00021826722,0.0003511776,0.0043616313,2.2941549e-7,0.000016591852,0.58969957,0.4049612,0.00007563953],"study_design_scores_gemma":[0.0010417849,0.00030839216,0.00001397462,0.00026853912,0.00014152676,0.000008417377,0.007426516,0.000020947018,0.00010262145,0.0002620262,0.9897584,0.0006468863],"about_ca_topic_score_codex":0.035382535,"about_ca_topic_score_gemma":0.057386685,"teacher_disagreement_score":0.58943754,"about_ca_system_score_codex":0.0007310793,"about_ca_system_score_gemma":0.00083783607,"threshold_uncertainty_score":0.99967796},"labels":[],"label_agreement":null},{"id":"W2808185714","doi":"10.1386/jcs.7.1.2_1","title":"Disobedient Objects: Towards a Museum Insurgency","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Exhibition; Expansive; Field (mathematics); Perspective (graphical); Visual arts; Social movement; Media studies; Sociology; Art; Political science; Law; Politics","score_opus":0.12056114764929603,"score_gpt":0.3416135727216902,"score_spread":0.22105242507239414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808185714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44992557,0.020595785,0.00017753104,0.0055823047,0.22606686,0.0004872943,0.00015094229,0.00015393033,0.2968598],"genre_scores_gemma":[0.94748515,0.00091459096,0.000049374234,0.00029732188,0.04933914,0.0000022727252,4.94214e-7,0.000015680882,0.0018959871],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986523,0.000049535567,0.0005537451,0.0001027414,0.00036902665,0.00027264745],"domain_scores_gemma":[0.9982164,0.000063041756,0.0003626552,0.0001093289,0.0011407674,0.000107795604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031721668,0.00015634278,0.00038692064,0.00009059592,0.00042049657,0.000080722355,0.00015870937,0.000033965123,0.00028566745],"category_scores_gemma":[0.00041342332,0.00010627867,0.00017347549,0.000004764563,0.00051999866,0.00032624215,0.00007934054,0.00015012272,0.000051962415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017978002,0.00021126804,0.00030831865,0.000055888748,0.00078996754,0.00003466748,0.6939271,7.2854726e-7,0.00006967422,0.05117918,0.25126323,0.001980189],"study_design_scores_gemma":[0.00053829077,0.0006925654,0.00013217395,0.000070888316,0.0000920757,0.000008278348,0.015726557,0.0000019839642,0.00026796854,0.01114099,0.9711771,0.00015112558],"about_ca_topic_score_codex":0.00010651024,"about_ca_topic_score_gemma":0.0018121763,"teacher_disagreement_score":0.71991384,"about_ca_system_score_codex":0.00008353792,"about_ca_system_score_gemma":0.00013182053,"threshold_uncertainty_score":0.4333918},"labels":[],"label_agreement":null},{"id":"W2810215679","doi":"","title":"Dora Maar: Contextualizing Picasso’s Muse","year":2017,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"PICASSO; Maar; Art; Painting; Art history; Judaism; History; Archaeology","score_opus":0.070229428420517,"score_gpt":0.3139490250489909,"score_spread":0.24371959662847392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810215679","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8954347,0.00021486658,0.000050560862,0.0017540129,0.0033949083,0.0002279408,0.00006732336,0.00006626343,0.09878944],"genre_scores_gemma":[0.9717296,0.00022279234,0.0002213807,0.00018332148,0.0032872641,0.000033038013,0.000007274034,0.000063085135,0.02425227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970244,0.00012457267,0.00078202685,0.00035719495,0.00042901497,0.0012827754],"domain_scores_gemma":[0.99777895,0.00011537488,0.00063082296,0.0007185526,0.00019354721,0.0005627279],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013359458,0.0003551056,0.00052794756,0.00033873523,0.0042624627,0.0017929111,0.0009906355,0.00011697038,0.001439966],"category_scores_gemma":[0.0002297342,0.00030679465,0.00020709264,0.0000037569357,0.0008408662,0.0014880439,0.0005020827,0.0009275177,0.00023968799],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021601714,0.0005267779,0.010658371,0.000058499914,0.000138969,0.0015832147,0.958292,0.000020622017,0.00021333243,0.017036667,0.0066564735,0.004599021],"study_design_scores_gemma":[0.009373337,0.00080826046,0.051725727,0.0006694652,0.0000908348,0.0013100542,0.17107907,0.0009580784,0.0001020166,0.10226051,0.65977955,0.0018431207],"about_ca_topic_score_codex":0.0004067838,"about_ca_topic_score_gemma":0.0033733647,"teacher_disagreement_score":0.78721297,"about_ca_system_score_codex":0.0004475237,"about_ca_system_score_gemma":0.00021388521,"threshold_uncertainty_score":0.9999384},"labels":[],"label_agreement":null},{"id":"W2811118496","doi":"","title":"Residue : The Persistence of the Real","year":2015,"lang":"en","type":"book","venue":"Black Dog Publishing eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Persistence (discontinuity); Visual arts; Impulse (physics); Art; Photography; Variety (cybernetics); Representation (politics); Aesthetics; Computer science; Artificial intelligence; Engineering; Political science; Law","score_opus":0.10422210346552283,"score_gpt":0.24504509132741772,"score_spread":0.1408229878618949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811118496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014630669,0.00013497953,0.0000016196515,0.0014263642,0.001265069,0.0003692174,0.00030970623,0.0000800944,0.99626666],"genre_scores_gemma":[0.02376511,0.000010005804,0.0000073275423,0.0011836753,0.0032622258,0.000012474018,0.000046484256,0.00006872212,0.971644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789095,0.00013528726,0.0004485444,0.0003320324,0.00077779655,0.00041539143],"domain_scores_gemma":[0.9975063,0.00020625876,0.00048628816,0.0011029852,0.0005846607,0.000113515074],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00081154064,0.00031486648,0.00037356533,0.00008104917,0.0005567807,0.0015051352,0.0016193338,0.00025813212,0.00018415929],"category_scores_gemma":[0.00025178315,0.00017761809,0.0003298,0.0000012660544,0.00215683,0.00038301357,0.0004930787,0.00087394647,0.000041516992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003927556,0.00000593294,0.000004190753,0.000055567973,0.000046802536,0.0000015029789,0.13565157,8.160463e-7,4.4357245e-7,0.30667567,0.55734354,0.00021004233],"study_design_scores_gemma":[0.00014890326,0.000030390262,0.0000242233,0.00018268,0.00011338093,0.0000021879575,0.0033833052,0.000011027934,0.000010398903,0.101786755,0.89409554,0.00021122915],"about_ca_topic_score_codex":0.0022817105,"about_ca_topic_score_gemma":0.02523831,"teacher_disagreement_score":0.336752,"about_ca_system_score_codex":0.00019203548,"about_ca_system_score_gemma":0.0014052304,"threshold_uncertainty_score":0.9995314},"labels":[],"label_agreement":null},{"id":"W2884857030","doi":"10.26522/ssj.v12i1.1745","title":"Theorizing Power, Difference and the Politics of Social Change: Problems and Possibilities in Assemblage Thinking (Introductory Essay)","year":2018,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"Brock University","keywords":"Assemblage (archaeology); Politics; Power (physics); Sociology; Social science; Epistemology; Political science; Geography; Philosophy; Archaeology; Law","score_opus":0.09910963000429412,"score_gpt":0.3356352779950918,"score_spread":0.23652564799079767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884857030","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95496124,0.004550215,0.000009212105,0.0016230058,0.0014312982,0.00039736836,0.000041978696,0.000031969663,0.03695369],"genre_scores_gemma":[0.99190336,0.0003491368,0.000016735185,0.00059175724,0.004153608,0.000030569205,0.0000011747023,0.000015047979,0.0029386107],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99870723,0.00020667369,0.00031857844,0.00021790311,0.00018617975,0.000363423],"domain_scores_gemma":[0.99909073,0.00049563724,0.00013033363,0.00009120372,0.0001717838,0.00002033412],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00071832264,0.00016448711,0.00039251157,0.000071121525,0.0012352838,0.000063184176,0.00013058254,0.00005854356,0.000012746974],"category_scores_gemma":[0.0003275224,0.00012083411,0.000037822978,0.00000961153,0.005629416,0.00013362824,0.00026310186,0.00020157495,7.3614535e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015608568,0.000017001461,0.00017470027,0.00020230946,0.000023862578,6.7565907e-7,0.54812706,1.86514e-8,0.0000057392676,0.45117822,0.0001366874,0.00011813269],"study_design_scores_gemma":[0.0010813595,0.00008621997,0.0046665347,0.00012998638,0.00014587569,0.0000010044022,0.5695228,0.000022611688,0.00001294164,0.4198503,0.0042653913,0.00021497949],"about_ca_topic_score_codex":0.0011740129,"about_ca_topic_score_gemma":0.01029943,"teacher_disagreement_score":0.0369421,"about_ca_system_score_codex":0.00007608279,"about_ca_system_score_gemma":0.000035773563,"threshold_uncertainty_score":0.9970767},"labels":[],"label_agreement":null},{"id":"W2886276263","doi":"10.7228/manchester/9781526101198.003.0006","title":"The 1970s and the gendered spaces of the counter tradition","year":2018,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Modernism (music); Period (music); Art history; Art; Sociology; History; Aesthetics; Literature","score_opus":0.05510602553866236,"score_gpt":0.1873830379698698,"score_spread":0.13227701243120743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886276263","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005230074,0.00016271304,0.00001798453,0.00030168274,0.00038856536,0.00034647048,0.00017756385,0.000020865271,0.9980611],"genre_scores_gemma":[0.06697996,0.00008303151,0.0000023994255,0.0002614996,0.00044188372,9.3433704e-7,0.000005270703,0.000018836654,0.9322062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992884,0.000058617363,0.00013427003,0.00017850936,0.00018553299,0.00015466925],"domain_scores_gemma":[0.9991225,0.00012005387,0.00021288633,0.0004234735,0.00008909875,0.00003199014],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001228151,0.00019054314,0.00019804132,0.000024776476,0.0008178016,0.00013988191,0.00038774198,0.000094470124,0.00007305559],"category_scores_gemma":[0.0000024650274,0.000101262565,0.00015668177,1.5890468e-7,0.0034267176,0.000064310334,0.00021123649,0.00020269895,0.0000040480613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073543415,0.0000030371775,0.0000010101194,0.000039028055,0.00013384997,0.0000017183518,0.101966195,8.348958e-8,4.959261e-7,0.8877813,0.009813521,0.00018621895],"study_design_scores_gemma":[0.00050963234,0.00002301054,0.000016215907,0.00007232579,0.0002234778,0.0000024445285,0.002502778,0.000019162606,0.000021293508,0.020740453,0.9757402,0.00012903004],"about_ca_topic_score_codex":0.00022686606,"about_ca_topic_score_gemma":0.001778058,"teacher_disagreement_score":0.96592665,"about_ca_system_score_codex":0.000031187647,"about_ca_system_score_gemma":0.00003244014,"threshold_uncertainty_score":0.9992854},"labels":[],"label_agreement":null},{"id":"W2886480045","doi":"10.1080/25723618.2011.12015402","title":"Textual Body in City Space: A Psychoanalytic Study of the Representation of Female Body in Contemporary Photography and Its Social Meaning","year":2011,"lang":"en","type":"article","venue":"Comparative Literature East & West","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Psychoanalytic theory; Meaning (existential); Representation (politics); Photography; Space (punctuation); Sociology; Social representation; Aesthetics; Psychoanalysis; Art; Psychology; Visual arts; Social science; Philosophy; Psychotherapist; Linguistics; Political science","score_opus":0.19057189916991119,"score_gpt":0.33508310347207626,"score_spread":0.14451120430216507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886480045","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9314599,0.00039795833,0.0000030178671,0.000037588943,0.00009626225,0.0005310766,0.00006424458,0.000008731569,0.067401245],"genre_scores_gemma":[0.9991023,0.00000256852,0.0000053676326,0.000049572107,0.00012056236,0.000022164146,0.00001547015,0.000008600765,0.0006734082],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9987527,0.0002598495,0.00040630487,0.00024413384,0.00017781925,0.00015915647],"domain_scores_gemma":[0.9993429,0.00004566237,0.00024973458,0.00016152952,0.00016463276,0.000035503755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014916933,0.00016615549,0.00041028127,0.0002021707,0.0001351733,0.000053141986,0.0001451582,0.000048329297,0.00006213853],"category_scores_gemma":[0.000015212649,0.0001263047,0.00007629473,0.000049497008,0.00027685327,0.000263563,0.00005850186,0.00025621415,0.0000010735088],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013881302,0.00065381697,0.18925217,0.000030811603,0.000053951473,0.0000045160255,0.77700126,0.000001055802,0.00017793861,0.032486584,0.00019370564,0.0000053902013],"study_design_scores_gemma":[0.0024865994,0.0004288462,0.7972371,0.00031500796,0.000048418773,0.0000022177335,0.19518422,0.00033268862,0.00061917776,0.0022380555,0.0008496936,0.00025798066],"about_ca_topic_score_codex":0.0008388856,"about_ca_topic_score_gemma":0.012870521,"teacher_disagreement_score":0.6079849,"about_ca_system_score_codex":0.000012410979,"about_ca_system_score_gemma":0.000031990458,"threshold_uncertainty_score":0.7182053},"labels":[],"label_agreement":null},{"id":"W2887251665","doi":"10.7228/manchester/9781526101198.003.0007","title":"Feminist theoretical and visual challenges to modernist representation","year":2018,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Sociology; Gender studies; Aesthetics; Psychology; Art; Political science; Law","score_opus":0.07872326315893655,"score_gpt":0.2549101058564882,"score_spread":0.17618684269755167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887251665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025508113,0.00006688153,0.00014458354,0.00017550742,0.00021719323,0.00030069178,0.00014190382,0.00010030014,0.99859786],"genre_scores_gemma":[0.059869748,0.00008617138,0.000041358315,0.0003999308,0.00087541516,0.0000014885317,0.00002544742,0.000050648006,0.9386498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988004,0.000032640088,0.00016545568,0.0005224008,0.00021265072,0.00026646006],"domain_scores_gemma":[0.9992466,0.000059985872,0.00010011379,0.00030406655,0.000093890834,0.00019537334],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000069671085,0.00030847787,0.0003166409,0.00011393219,0.0003557051,0.00015945315,0.00020394355,0.0001908784,0.00035728666],"category_scores_gemma":[0.000004525772,0.00033301153,0.00009953271,1.378654e-7,0.0014347774,0.000068675865,0.0003928663,0.00020357152,0.00005499014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007889304,0.000011496734,7.253587e-7,0.00007538308,0.00007501357,0.00003717163,0.111339934,9.106424e-8,0.0000010558856,0.8833266,0.0031245328,0.0019291023],"study_design_scores_gemma":[0.00025828095,0.00016065661,0.0000057074194,0.00010606778,0.00014895022,0.000005312838,0.0018200995,0.00005795622,0.000031443506,0.020105433,0.9769198,0.0003803002],"about_ca_topic_score_codex":0.000073490264,"about_ca_topic_score_gemma":0.00059482735,"teacher_disagreement_score":0.97379524,"about_ca_system_score_codex":0.000063790714,"about_ca_system_score_gemma":0.000026425356,"threshold_uncertainty_score":0.9999122},"labels":[],"label_agreement":null},{"id":"W2888490467","doi":"","title":"Giving it Time: Thoughts on the Feminist Duration Reading Group","year":2017,"lang":"en","type":"article","venue":"Goldsmiths (University of London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Politics; Sociology; Reading (process); Queer; Feminist movement; Feminism; Aesthetics; Media studies; Art; Law; Political science","score_opus":0.03799741278943105,"score_gpt":0.2194591732390949,"score_spread":0.18146176044966383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888490467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20657173,0.000019868554,0.00033071023,0.007321795,0.000500284,0.00024101863,0.00010070324,0.0000838985,0.78483],"genre_scores_gemma":[0.82892084,0.000019278239,0.00007038951,0.0003205969,0.0004501616,2.297667e-7,0.0000067296537,0.000010001092,0.17020175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993021,0.000042846936,0.00010065381,0.00017571416,0.00017771988,0.00020098136],"domain_scores_gemma":[0.99906707,0.000112783644,0.00023762486,0.0004679272,0.000060011596,0.000054569497],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021119806,0.00011196747,0.00015569912,0.00005444235,0.0024173378,0.00015997712,0.00044879675,0.000046049216,0.0007895652],"category_scores_gemma":[0.000045025725,0.000099562196,0.00010209342,0.0000019264821,0.0005830786,0.00039704578,0.00012074585,0.0001204386,0.0003077159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010417676,0.00014375147,0.0009295277,0.00006654011,0.00013027107,0.000052878182,0.21680477,0.000004466289,0.0003395449,0.66180617,0.115532234,0.0040856767],"study_design_scores_gemma":[0.00045497846,0.000115009585,0.0035343478,0.0001124978,0.000056442903,0.000003134279,0.011011755,0.0007728692,0.00017258835,0.004221127,0.97932506,0.00022016493],"about_ca_topic_score_codex":0.0011468724,"about_ca_topic_score_gemma":0.0068807136,"teacher_disagreement_score":0.86379284,"about_ca_system_score_codex":0.0000439972,"about_ca_system_score_gemma":0.000023786353,"threshold_uncertainty_score":0.9988814},"labels":[],"label_agreement":null},{"id":"W2892042792","doi":"10.1386/public.29.57.184_1","title":"“ABSENTEE INFORMATION”: Lucy R. Lippard’s MoMA Library Intervention—From Decision to Stance","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Mainstream; Conceptualism; Underpinning; Politics; Sociology; Intervention (counseling); Art history; Aesthetics; Art; Epistemology; Philosophy; Political science; Psychology; Engineering; Law","score_opus":0.036972920506247536,"score_gpt":0.24880505481877738,"score_spread":0.21183213431252984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892042792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3501488,0.00021438324,0.012511707,0.008977591,0.003938996,0.00040452156,0.0007476159,0.0005752989,0.6224811],"genre_scores_gemma":[0.95715225,0.000012168948,0.0005616647,0.0053427448,0.0020111406,0.00002514472,0.00018348623,0.000019324672,0.03469205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989819,0.000024409888,0.00033332754,0.000148899,0.00021619651,0.00029524628],"domain_scores_gemma":[0.9992229,0.000051245817,0.00008471303,0.00030268257,0.00016502195,0.00017349106],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008856892,0.00012304707,0.0001257673,0.00017243395,0.00032221538,0.0008541489,0.00028732987,0.000037742055,0.00860828],"category_scores_gemma":[0.00009552798,0.00011068569,0.000086280445,0.000007809802,0.00014871845,0.003068963,0.00017512587,0.00007861025,0.0033341413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003545204,0.00009262087,0.0009489105,0.000017368886,0.000041287163,0.0000012655541,0.07141987,7.4388356e-7,0.000002819997,0.3566522,0.514434,0.05635347],"study_design_scores_gemma":[0.00025885453,0.000082918974,0.0021772154,0.00003925714,0.000005668244,6.4102784e-7,0.0012802267,0.00016123673,0.00007610788,0.023796717,0.9719802,0.00014092332],"about_ca_topic_score_codex":0.00035450695,"about_ca_topic_score_gemma":0.0033870405,"teacher_disagreement_score":0.6070035,"about_ca_system_score_codex":0.000030778618,"about_ca_system_score_gemma":0.000046100777,"threshold_uncertainty_score":0.9974419},"labels":[],"label_agreement":null},{"id":"W2893077716","doi":"10.18733/cpi29387","title":"Port Rexton Aquarelle","year":2018,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Port (circuit theory); Geology; Computer science; Engineering; Electrical engineering","score_opus":0.7520124260331272,"score_gpt":0.46228332784326304,"score_spread":0.2897290981898642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893077716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.711159,0.00044858988,0.0000300822,0.0009341447,0.0010471822,0.000091989845,0.000019712797,0.00012003149,0.2861493],"genre_scores_gemma":[0.8616311,0.00008637626,0.000027400125,0.0015850391,0.0058002565,0.0000046961823,0.00003014585,0.000007788136,0.13082722],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992029,0.000022519558,0.00016903676,0.0002175039,0.000118020485,0.00027002976],"domain_scores_gemma":[0.99957526,0.0000211688,0.00003785605,0.000111769106,0.000111267735,0.00014269978],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000653916,0.0001385633,0.00015084981,0.000018333127,0.0005132881,0.00013699783,0.000086738124,0.00006257653,0.0040855324],"category_scores_gemma":[0.000018846562,0.000084094725,0.000060953087,0.0000016890142,0.0013263666,0.0002051773,0.000066284716,0.00010998483,0.00041691944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003429379,0.00007176545,0.00036547688,0.00002436796,0.00002626132,0.000013451548,0.60284853,1.0586097e-7,0.00018569407,0.26303232,0.12851836,0.0048793904],"study_design_scores_gemma":[0.0001662986,0.00020752677,0.00066132966,0.000012509182,0.00001586853,0.000009048392,0.015708173,0.000024717863,0.00011266369,0.005958772,0.9769392,0.00018387429],"about_ca_topic_score_codex":0.00031144943,"about_ca_topic_score_gemma":0.0011109553,"teacher_disagreement_score":0.84842086,"about_ca_system_score_codex":0.000009455196,"about_ca_system_score_gemma":0.000011160168,"threshold_uncertainty_score":0.99682486},"labels":[],"label_agreement":null},{"id":"W289484703","doi":"","title":"Live Art in LA: Performance in Southern California, 1970–1983 by Peggy Phelan (review)","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performance art; Art; Art history; Visual arts","score_opus":0.020287755606483857,"score_gpt":0.21978012974864652,"score_spread":0.19949237414216267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W289484703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70510805,0.009335334,0.00014465353,0.002050419,0.0002466437,0.0010069124,0.00049493305,0.00015377946,0.28145927],"genre_scores_gemma":[0.91579455,0.0010648888,0.000020705202,0.002318125,0.00021603328,0.00012477516,0.00008645071,0.000041719315,0.080332756],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985574,0.0000783417,0.00038633967,0.0002828127,0.00019364232,0.000501496],"domain_scores_gemma":[0.9994396,0.00004967679,0.000081318845,0.0002701652,0.000058468868,0.00010075679],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018857174,0.00022484091,0.0003234541,0.000079661404,0.0001095266,0.00008924683,0.00021414082,0.00007882808,0.0034512216],"category_scores_gemma":[0.000021067497,0.00019766952,0.00007349713,0.000004684464,0.00019271777,0.00021236889,0.000065182576,0.00028354456,0.007582434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003625164,0.0009242831,0.023992253,0.0014477763,0.00007594182,0.000053177042,0.6847954,0.0001400145,0.00008831727,0.004188641,0.23384437,0.050413612],"study_design_scores_gemma":[0.00079530646,0.00007118497,0.0007660748,0.0006049757,0.000021070022,0.0000068221734,0.0032709488,0.015467374,0.000016792366,0.0052350108,0.97320884,0.00053558545],"about_ca_topic_score_codex":0.004335096,"about_ca_topic_score_gemma":0.014806992,"teacher_disagreement_score":0.7393645,"about_ca_system_score_codex":0.000067131245,"about_ca_system_score_gemma":0.000041258823,"threshold_uncertainty_score":0.99745977},"labels":[],"label_agreement":null},{"id":"W2895009391","doi":"10.22456/2179-8001.43753","title":"Imagens em trânsito","year":2013,"lang":"pt","type":"article","venue":"PORTO ARTE Revista de Artes Visuais","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03504164924854127,"score_gpt":0.2753614946110996,"score_spread":0.24031984536255832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895009391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6361118,0.015703894,0.0020860094,0.00767566,0.0027313584,0.0037354643,0.0011408594,0.0012455535,0.32956943],"genre_scores_gemma":[0.82331187,0.0006799968,0.00010439142,0.0037165347,0.0026684185,0.00010655634,0.00012999008,0.00016103205,0.16912119],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99556154,0.00021578808,0.0011656698,0.0008300857,0.0005169339,0.0017100065],"domain_scores_gemma":[0.9969813,0.0001764994,0.00045508714,0.001079774,0.00046823826,0.0008390527],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044417792,0.00076956896,0.0009264365,0.00023230724,0.0011054532,0.0023288568,0.0004864773,0.0002155293,0.02142494],"category_scores_gemma":[0.0001273722,0.00075135037,0.00059688126,0.00001422772,0.00057494943,0.00089661323,0.00021412723,0.0004930821,0.013003554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002921998,0.00081124884,0.0036700086,0.00075283437,0.0006039715,0.00032070692,0.20183536,0.000003982788,0.00076094567,0.08332795,0.69144166,0.01644212],"study_design_scores_gemma":[0.0006472993,0.00032039476,0.0060533597,0.00028375807,0.00040868274,0.00007640607,0.010729481,0.0024028248,0.00017923753,0.0029232039,0.974839,0.0011363552],"about_ca_topic_score_codex":0.0016516611,"about_ca_topic_score_gemma":0.001137733,"teacher_disagreement_score":0.28339735,"about_ca_system_score_codex":0.0001985566,"about_ca_system_score_gemma":0.0002536929,"threshold_uncertainty_score":0.9994938},"labels":[],"label_agreement":null},{"id":"W2900124304","doi":"10.1177/0096144218797923","title":"The Suburbanity of Frank Lloyd Wright’s Broadacre City","year":2018,"lang":"en","type":"article","venue":"Journal of Urban History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Wright; Rhetoric; Privilege (computing); Sociology; Urban history; History; Political science; Law; Social science; Art history; Philosophy","score_opus":0.05609987228970004,"score_gpt":0.22716746655876047,"score_spread":0.17106759426906043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900124304","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27454016,0.025279352,0.00021273544,0.0010122036,0.011805144,0.00018597994,0.000049462407,0.000046431174,0.68686855],"genre_scores_gemma":[0.88901234,0.000115282055,0.000034610322,0.00055817125,0.0040470036,6.59314e-7,7.093924e-7,0.000016970422,0.106214285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988047,0.00007334097,0.0004961793,0.000082058155,0.00032577917,0.00021795416],"domain_scores_gemma":[0.9984656,0.00010410654,0.000527121,0.00023719083,0.0005582007,0.00010777353],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044261286,0.00011679799,0.00024698337,0.000081892395,0.00040631637,0.000023304481,0.0003183305,0.000048435162,0.0017794165],"category_scores_gemma":[0.00007540778,0.00007659655,0.00021277586,0.000001779354,0.0013637958,0.00020236525,0.000029688856,0.0002650928,0.000029382376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006832993,0.00008457183,0.00050819054,0.000015754202,0.00007292505,0.00000779679,0.08524225,1.4221045e-7,0.00012068112,0.033000425,0.880491,0.00038791468],"study_design_scores_gemma":[0.00027601724,0.00028719468,0.00080010644,0.000026542362,0.0000528906,0.000012153275,0.00052643794,0.000008497575,0.00018055028,0.002333593,0.995402,0.000094055315],"about_ca_topic_score_codex":0.00039517137,"about_ca_topic_score_gemma":0.0026331795,"teacher_disagreement_score":0.61447215,"about_ca_system_score_codex":0.00028973733,"about_ca_system_score_gemma":0.00023868379,"threshold_uncertainty_score":0.9991331},"labels":[],"label_agreement":null},{"id":"W2904818664","doi":"","title":"Modern History Volume 1","year":2015,"lang":"en","type":"other","venue":"CLOK (University of Central Lancashire)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Exhibition; Context (archaeology); Narrative; Modern art; Art; Visual arts; Subject (documents); Art history; Movie theater; History of art; Contemporary art; History; Literature; Architecture; Performance art; Archaeology; Computer science","score_opus":0.0432406816132454,"score_gpt":0.18482054404867823,"score_spread":0.14157986243543283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904818664","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000100150886,0.0021641646,0.000113004906,0.00012182454,0.0012669378,0.00013275737,0.0007057782,0.00020206734,0.9951933],"genre_scores_gemma":[0.006154291,0.00014295864,0.00008706828,0.00012916487,0.0010357578,1.0232801e-7,0.000247132,0.00013311344,0.99207044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990142,0.000035057335,0.00009581159,0.0002448509,0.00022309292,0.0003869777],"domain_scores_gemma":[0.9992175,0.0000067837987,0.0001873903,0.00030444897,0.000076765995,0.00020710439],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000046852052,0.00020710974,0.00038272675,0.00013219156,0.00008512808,0.000010785499,0.00031463665,0.00018163267,0.02648274],"category_scores_gemma":[0.0000048644824,0.0002499445,0.00014763398,0.0000015126725,0.0006328212,0.00009782333,0.000077232704,0.00017586557,0.00049150834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013758313,0.00004737484,0.000037162514,0.00009065171,0.000073342264,0.000036162415,0.049705036,4.7535477e-7,8.15572e-7,0.01282605,0.93674755,0.00042161642],"study_design_scores_gemma":[0.00037277956,0.000035372985,0.00005465836,0.000073944,0.000095819494,0.0000014669945,0.0013379034,0.00014533295,1.968501e-7,0.00074502826,0.99686235,0.00027511615],"about_ca_topic_score_codex":0.0063254205,"about_ca_topic_score_gemma":0.062428594,"teacher_disagreement_score":0.060114827,"about_ca_system_score_codex":0.00029277927,"about_ca_system_score_gemma":0.00025776683,"threshold_uncertainty_score":0.9999953},"labels":[],"label_agreement":null},{"id":"W2906542082","doi":"","title":"JASON DE HAAN.","year":2014,"lang":"nl","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Art; Art history; Art gallery; Visual arts; Contemporary art; Performance art","score_opus":0.017996938210872573,"score_gpt":0.2362962748470624,"score_spread":0.21829933663618983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906542082","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1081006,0.00045628968,0.0014771537,0.0014086572,0.0008385955,0.00019202975,0.00018526924,0.00018379775,0.8871576],"genre_scores_gemma":[0.8338922,0.0002633424,0.00020722869,0.0018178641,0.0021124412,0.0000036219603,0.000050565017,0.00006402877,0.16158868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997581,0.00046955937,0.0002295159,0.0004271269,0.00027794097,0.0010148796],"domain_scores_gemma":[0.9983393,0.00045163016,0.00016962604,0.0004969889,0.00010038149,0.00044204955],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005679617,0.0003670958,0.0004165905,0.00023565757,0.00077216525,0.00046937703,0.00045631715,0.00035302996,0.0033701346],"category_scores_gemma":[0.00010360275,0.0004278254,0.0002781468,0.000010040547,0.00089899264,0.00035178542,0.00015283823,0.0004793986,0.0013802483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005063952,0.00015301956,0.0008986734,0.00009232306,0.00012251365,0.00008409219,0.13336843,0.00003215985,0.00008182072,0.7986551,0.063089564,0.0033716478],"study_design_scores_gemma":[0.0011558731,0.00018720524,0.0028326637,0.00008435642,0.00022180741,0.000016789378,0.007843819,0.0031352798,0.000088246255,0.027345292,0.95654887,0.00053982367],"about_ca_topic_score_codex":0.00536695,"about_ca_topic_score_gemma":0.0076309424,"teacher_disagreement_score":0.89345926,"about_ca_system_score_codex":0.0003128301,"about_ca_system_score_gemma":0.00028913043,"threshold_uncertainty_score":0.9998174},"labels":[],"label_agreement":null},{"id":"W2907620928","doi":"10.30962/ec.1468","title":"A desconfiança como elemento de reflexividade no cinema de Christian Petzold","year":2018,"lang":"pt","type":"article","venue":"E-Compós","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Smiths Detection (Canada)","funders":"","keywords":"Movie theater; Philosophy; Humanities; Art; Art history","score_opus":0.05336522045552481,"score_gpt":0.3079717159803109,"score_spread":0.2546064955247861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907620928","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14266165,0.0019593097,0.0022455635,0.0040643928,0.0033210234,0.00082754,0.0007087183,0.00045878993,0.84375304],"genre_scores_gemma":[0.735909,0.00007329859,0.000415358,0.0053998264,0.0074076955,0.000026622161,0.000063936845,0.00009644949,0.25060785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99658203,0.000181303,0.00066155766,0.0005857982,0.0003712435,0.001618096],"domain_scores_gemma":[0.9980172,0.00009762868,0.00025043485,0.00076304766,0.00029671725,0.00057500077],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051225576,0.0005398869,0.00055185065,0.00017156289,0.0012989378,0.00056678575,0.0005903057,0.00020880498,0.022885798],"category_scores_gemma":[0.00008236722,0.00055476563,0.0002633263,0.000009321193,0.00095674576,0.00022173687,0.00020087227,0.00045509095,0.006089333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018134149,0.0005723711,0.0014586787,0.0003998218,0.0003872756,0.00012547667,0.34910896,0.0000020702446,0.00080555544,0.10702276,0.53868043,0.0012552214],"study_design_scores_gemma":[0.0011594233,0.00079028285,0.0016710969,0.0002961262,0.00018877703,0.00003342977,0.0053657405,0.001307918,0.0009634309,0.0031762295,0.9843478,0.0006997517],"about_ca_topic_score_codex":0.008428529,"about_ca_topic_score_gemma":0.024218751,"teacher_disagreement_score":0.59324735,"about_ca_system_score_codex":0.00030815363,"about_ca_system_score_gemma":0.00040525044,"threshold_uncertainty_score":0.9996904},"labels":[],"label_agreement":null},{"id":"W2916670012","doi":"","title":"LibGuides: ART 210 (Contemporary Art in Canada) Course Guide: Find Books & eBooks","year":2016,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Course (navigation); Visual arts; Art; History; Media studies; Sociology; Engineering","score_opus":0.05917481827651944,"score_gpt":0.25600054126400196,"score_spread":0.19682572298748252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916670012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006787552,0.0011516603,0.000019744393,0.0031913621,0.004045095,0.0006083435,0.0017260938,0.00018243291,0.9890074],"genre_scores_gemma":[0.012044317,0.0001316754,0.000039274302,0.013990283,0.0050632465,0.00009184846,0.00048300062,0.00020642833,0.9679499],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957271,0.000115987656,0.0014578543,0.0008077698,0.000781142,0.0011101459],"domain_scores_gemma":[0.99765885,0.00028608253,0.0004344189,0.0009768214,0.0002610378,0.00038281307],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034408225,0.00084575004,0.0010978209,0.00027920466,0.0003425081,0.00027601613,0.0007354449,0.00034978997,0.008623563],"category_scores_gemma":[0.00006570435,0.0006619432,0.00027865494,0.0000016926408,0.000618516,0.00024458562,0.00022366365,0.0006721788,0.0008480441],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012055733,0.000031578747,0.000089949564,0.00011538794,0.0001278916,0.00022830431,0.0051673385,2.4082635e-7,0.0000013705147,0.03285345,0.96034914,0.0010233168],"study_design_scores_gemma":[0.0006027372,0.00006505438,0.00004704888,0.0006099089,0.000057250498,0.000010011659,0.0016892987,0.000013604723,0.000036179787,0.0049241674,0.9909856,0.0009591617],"about_ca_topic_score_codex":0.76925784,"about_ca_topic_score_gemma":0.9956756,"teacher_disagreement_score":0.22641778,"about_ca_system_score_codex":0.0006575929,"about_ca_system_score_gemma":0.01092208,"threshold_uncertainty_score":0.9999299},"labels":[],"label_agreement":null},{"id":"W2918083146","doi":"10.3390/h8010032","title":"From Politics to Pope: An Account of the Group Aesthetic","year":2019,"lang":"en","type":"article","venue":"Humanities","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Mainstream; Politics; Aesthetics; Criticism; Sociology; Class (philosophy); Working class; Gender studies; Political science; Epistemology; Art; Law; Philosophy","score_opus":0.0565818200463756,"score_gpt":0.24433012726271527,"score_spread":0.18774830721633967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2918083146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8122583,0.00008711623,0.0000054956736,0.00023561738,0.0009897052,0.00022912373,0.00026861677,0.000055317894,0.1858707],"genre_scores_gemma":[0.9270352,0.0000041864114,0.000024858982,0.002826284,0.0009777304,0.000010701529,0.000028454255,0.00003285085,0.06905971],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895626,0.000049373513,0.0002461709,0.0001853518,0.0002527592,0.00031010155],"domain_scores_gemma":[0.99917495,0.00003446965,0.00008188748,0.0005403841,0.00010937847,0.00005892356],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007346725,0.00015721945,0.00020780784,0.000064015374,0.00031160607,0.00016895053,0.0003989353,0.000038014125,0.0027810975],"category_scores_gemma":[0.0000075730986,0.000118086595,0.000095501535,0.0000020654506,0.00036118287,0.00023856854,0.000115425595,0.00010817375,0.00032409947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047285203,0.000058746013,0.00023623813,0.00001892989,0.0000128052125,5.750359e-7,0.26100093,0.0000037175823,0.000054448476,0.7352826,0.0031812508,0.00014502463],"study_design_scores_gemma":[0.00024681594,0.0001999794,0.0017365519,0.00006303686,0.000038477425,0.0000018230276,0.04033819,0.000027658667,0.00025598012,0.06927161,0.8875643,0.00025556702],"about_ca_topic_score_codex":0.009924442,"about_ca_topic_score_gemma":0.01730467,"teacher_disagreement_score":0.8843831,"about_ca_system_score_codex":0.000042870237,"about_ca_system_score_gemma":0.000039508603,"threshold_uncertainty_score":0.9981305},"labels":[],"label_agreement":null},{"id":"W2919011003","doi":"","title":"The Patron Saint of Waterskiers and Other Entities","year":2008,"lang":"en","type":"article","venue":"Goldsmiths (University of London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Character (mathematics); SAINT; Patron saint; Space (punctuation); Visual arts; Agency (philosophy); Architecture; Sociology; Sociality; Art; Media studies; Aesthetics; Art history; Computer science; Social science","score_opus":0.02459802437297362,"score_gpt":0.17710701439184154,"score_spread":0.15250899001886792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2919011003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9541967,0.00031687706,0.00010139393,0.00042570542,0.00013766387,0.000088808556,0.000069760885,0.000023660274,0.044639435],"genre_scores_gemma":[0.9449644,0.0002346905,0.00006622129,0.0000786669,0.000046517132,9.9569995e-8,0.0000017097879,0.0000068525205,0.054600827],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995199,0.00002813005,0.000083147854,0.00009314418,0.00011719168,0.00015850649],"domain_scores_gemma":[0.9996299,0.000046793626,0.00008120595,0.00013983973,0.00005965969,0.000042606862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000072926014,0.00007320359,0.00013600588,0.000048891612,0.00047866473,0.000010641892,0.00013320858,0.00002657867,0.00023845819],"category_scores_gemma":[0.000004391992,0.00006153263,0.00007321927,0.0000020478728,0.0014407015,0.00012362152,0.0000628329,0.00005272431,0.000012140569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012315156,0.00008184323,0.012649277,0.00009332367,0.00019353109,0.000020788539,0.5652225,0.000007386149,0.00009555932,0.40457892,0.01467085,0.0022628568],"study_design_scores_gemma":[0.00068265066,0.00013666325,0.0050952863,0.000025674357,0.000052980846,0.000006533336,0.049686283,0.0000822118,0.00021599817,0.0035955822,0.94026965,0.00015048629],"about_ca_topic_score_codex":0.007797003,"about_ca_topic_score_gemma":0.009827453,"teacher_disagreement_score":0.9255988,"about_ca_system_score_codex":0.000022973105,"about_ca_system_score_gemma":0.000025558427,"threshold_uncertainty_score":0.9988102},"labels":[],"label_agreement":null},{"id":"W2920612115","doi":"10.55016/ojs/jet.v30i3.52448","title":"Finding Art's Place: Experiments in Contemporary Art and Culture","year":2018,"lang":"en","type":"article","venue":"Journal of educational thought.","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Aesthetics; Contemporary art; Visual arts education; Sociology; Art; Visual arts; Epistemology; Psychology; Art history; The arts; Philosophy; Performance art","score_opus":0.10752622100267556,"score_gpt":0.35347112646276524,"score_spread":0.24594490546008968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2920612115","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.342122,0.002204815,0.000025487256,0.008868819,0.0029599455,0.00013740135,0.000028094106,0.0000074242025,0.643646],"genre_scores_gemma":[0.7778191,0.000035202735,0.0005545994,0.0008907004,0.004330014,0.000002704718,0.000009844251,0.000009075005,0.21634875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930984,0.000033244403,0.0002935647,0.000081012804,0.00015808911,0.0001242216],"domain_scores_gemma":[0.9994375,0.0000740924,0.00018538165,0.000059907714,0.00015949302,0.000083634885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017180052,0.00008564321,0.00013817911,0.00010885356,0.00015034476,0.00008541212,0.000082119754,0.00003179825,0.001258981],"category_scores_gemma":[0.00006148319,0.00006809038,0.000042097316,0.000003513525,0.00019878706,0.00037033774,0.000017888375,0.00013157616,0.00008018328],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004351115,0.00018582212,0.002439448,0.000011920079,0.000035613393,0.0000035798607,0.12519754,7.304375e-7,0.00011186015,0.11033067,0.7615734,0.00006593549],"study_design_scores_gemma":[0.00037438757,0.00011052727,0.0013271347,0.000084837564,0.0000066390876,0.000030903786,0.003973167,0.0000090189915,0.00023031275,0.011777592,0.9819879,0.00008757802],"about_ca_topic_score_codex":0.000011921053,"about_ca_topic_score_gemma":0.0001880655,"teacher_disagreement_score":0.43569714,"about_ca_system_score_codex":0.000048919796,"about_ca_system_score_gemma":0.00021248954,"threshold_uncertainty_score":0.999654},"labels":[],"label_agreement":null},{"id":"W2924280280","doi":"10.1162/dram_r_00783","title":"<i>Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972; The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci</i>","year":2018,"lang":"en","type":"article","venue":"TDR/The Drama Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Dance; Art; Humanities; Visual arts","score_opus":0.0578638633662271,"score_gpt":0.268512068874052,"score_spread":0.2106482055078249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924280280","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08975376,0.726544,0.00022788005,0.099238105,0.0014000516,0.005112784,0.00053481915,0.0004390213,0.07674957],"genre_scores_gemma":[0.83729774,0.06822756,0.00013726203,0.06196194,0.0052184276,0.00019097114,0.0000785124,0.00014981318,0.026737774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971575,0.00026816103,0.0008495217,0.00055854593,0.000354677,0.000811592],"domain_scores_gemma":[0.99812436,0.00033817577,0.00026704688,0.0007834596,0.00015012929,0.00033684846],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011519524,0.0005001219,0.000902555,0.000075490716,0.000796769,0.00032720066,0.00047873156,0.00012946855,0.00058393256],"category_scores_gemma":[0.00036688574,0.00029574873,0.00019009659,0.000023473676,0.0021587238,0.00022862782,0.00029273296,0.0005010144,0.00019446327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017853589,0.000091624024,0.00100247,0.0031883155,0.00042028324,0.00007066124,0.09945225,0.000001396066,0.00017097969,0.10420413,0.7514422,0.039777175],"study_design_scores_gemma":[0.0009841397,0.00016366961,0.000119948,0.0012002129,0.00022437678,0.000044645418,0.00093557854,0.00024704312,0.000034812652,0.0036601014,0.99196154,0.00042391015],"about_ca_topic_score_codex":0.0034661505,"about_ca_topic_score_gemma":0.008866687,"teacher_disagreement_score":0.747544,"about_ca_system_score_codex":0.000048254264,"about_ca_system_score_gemma":0.00015739723,"threshold_uncertainty_score":0.99994946},"labels":[],"label_agreement":null},{"id":"W2929409531","doi":"","title":"Naked Demonstrations: Feminism and Visual Culture / Manifestations nues : féminisme et culture visuelle","year":2017,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feminism; Visual culture; Art; Sociology; Visual arts; Gender studies","score_opus":0.05463612505864109,"score_gpt":0.3524880786930029,"score_spread":0.29785195363436184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2929409531","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007282523,0.011913141,0.001279749,0.1851187,0.008676415,0.001558286,0.004718345,0.00042842262,0.7790244],"genre_scores_gemma":[0.71545,0.0065628956,0.00063887076,0.0019733033,0.0031735646,0.00013379051,0.0010903451,0.00010074926,0.27087647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99708354,0.00017525777,0.00070365565,0.0007624666,0.00039443767,0.00088063284],"domain_scores_gemma":[0.99762964,0.0001943534,0.0004998838,0.00078209885,0.00038438043,0.0005096571],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00028531,0.00065203774,0.0005464053,0.00013977328,0.007932502,0.0024183353,0.00045961997,0.00041409367,0.0008193957],"category_scores_gemma":[0.00020649223,0.00063184375,0.00024603918,0.000009507786,0.0023003835,0.001816979,0.00030486766,0.0007116339,0.00033622337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001065104,0.0004771922,0.00027273843,0.00017018095,0.00015320256,0.00006400282,0.12215071,0.000003117686,0.000047561218,0.779501,0.09658696,0.00056265213],"study_design_scores_gemma":[0.00090251904,0.00029858522,0.0024074863,0.00052070693,0.00024215766,0.00013718328,0.02611955,0.0005519332,0.000120149285,0.025670642,0.942258,0.0007710982],"about_ca_topic_score_codex":0.0013900218,"about_ca_topic_score_gemma":0.012256335,"teacher_disagreement_score":0.84567106,"about_ca_system_score_codex":0.00006292297,"about_ca_system_score_gemma":0.00033843628,"threshold_uncertainty_score":0.9996133},"labels":[],"label_agreement":null},{"id":"W2932372176","doi":"","title":"Democratic Art / Art démocratique","year":2018,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Democracy; Political science; Law; Politics","score_opus":0.04768266563030744,"score_gpt":0.29689196500884135,"score_spread":0.24920929937853392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2932372176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011695401,0.0023013346,0.0024664272,0.12498272,0.014087584,0.0007606974,0.0007475873,0.0003730704,0.853111],"genre_scores_gemma":[0.16985813,0.00081534934,0.0003437817,0.00627111,0.014730348,0.00012223708,0.0005933408,0.00016136876,0.80710435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960549,0.00023927732,0.0009579773,0.00081347005,0.00046770007,0.0014666804],"domain_scores_gemma":[0.99710315,0.0003230155,0.00030036198,0.0011095933,0.0005174561,0.0006464003],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00039700753,0.0007024976,0.00068313384,0.00024600964,0.0026333996,0.0006904904,0.00050510257,0.00033323708,0.015210212],"category_scores_gemma":[0.00017394217,0.00072729227,0.00034970787,0.00002255798,0.0028077157,0.0010246226,0.00023781447,0.0006185212,0.021255862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010532945,0.000309859,0.00004398371,0.0001088966,0.00010033894,0.000023790002,0.015863238,0.0000037576904,0.000019968984,0.51376617,0.46952033,0.00022911392],"study_design_scores_gemma":[0.0006115889,0.0004324353,0.00022979062,0.0005111621,0.00015859457,0.00005903959,0.0017487698,0.000776441,0.00053195824,0.05880016,0.935309,0.0008310694],"about_ca_topic_score_codex":0.00049555494,"about_ca_topic_score_gemma":0.014292701,"teacher_disagreement_score":0.46578866,"about_ca_system_score_codex":0.00015207751,"about_ca_system_score_gemma":0.00052570814,"threshold_uncertainty_score":0.99990606},"labels":[],"label_agreement":null},{"id":"W2936224054","doi":"","title":"\"Complicated Truths in Contemporary Art: Inventions, Interventions, and Hoaxes\"","year":2013,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hoax; Psychological intervention; Aesthetics; Art; Medicine; Alternative medicine; Nursing; Pathology","score_opus":0.1630380681001909,"score_gpt":0.32192184098979404,"score_spread":0.15888377288960315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936224054","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075146253,0.5929332,0.00016518038,0.008075165,0.00046299267,0.002875755,0.00019199411,0.00031235363,0.38746876],"genre_scores_gemma":[0.83599776,0.094882585,0.0001184719,0.009638784,0.00031784386,0.0005786508,0.00040017732,0.00006170383,0.058004014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988403,0.000109278466,0.0005348497,0.00021438832,0.000090822585,0.00021041352],"domain_scores_gemma":[0.9994027,0.000039315848,0.00012700481,0.00026791848,0.00006706141,0.00009597887],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002307976,0.00014965382,0.000363188,0.00008930363,0.00012662594,0.000109286484,0.00013069189,0.0000317571,0.0024981508],"category_scores_gemma":[0.000040872186,0.00012835,0.00015487225,0.0000066639295,0.00019223441,0.00028722305,0.00005739498,0.0001280092,0.0010780771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033183787,0.0003730893,0.0014609429,0.01028695,0.000098444856,0.00001475401,0.010518942,2.3810489e-7,0.000016543425,0.17543638,0.76685613,0.034934293],"study_design_scores_gemma":[0.00022620859,0.00003432741,0.0010783576,0.0038040723,0.000029967252,0.000005672475,0.00017490721,0.000038348004,0.0000022883478,0.005857739,0.98857677,0.00017135746],"about_ca_topic_score_codex":0.0007644202,"about_ca_topic_score_gemma":0.0013968061,"teacher_disagreement_score":0.82848316,"about_ca_system_score_codex":0.00002449939,"about_ca_system_score_gemma":0.000036856527,"threshold_uncertainty_score":0.9996997},"labels":[],"label_agreement":null},{"id":"W2941331214","doi":"","title":"A Expressão Distópica no Cinema de Denys Arcand","year":2014,"lang":"pt","type":"article","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pica (typography); Movie theater; Art; Art history; Visual arts","score_opus":0.09447754807955147,"score_gpt":0.3748478114630514,"score_spread":0.2803702633834999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941331214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20132661,0.012040691,0.0069247102,0.013169887,0.0026907618,0.006852531,0.0038885283,0.0010926104,0.7520137],"genre_scores_gemma":[0.8724324,0.00083926367,0.00050330884,0.00016129701,0.0008374474,0.00053145544,0.00011800116,0.00005177847,0.124525025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936668,0.00014408695,0.0006639517,0.0012735288,0.0018787704,0.002372847],"domain_scores_gemma":[0.9952189,0.000769813,0.00023563953,0.0005106948,0.0028055336,0.00045941933],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0066717598,0.00041965125,0.00047492204,0.0029711006,0.004403301,0.0006244011,0.0012985192,0.00037530594,0.0002105857],"category_scores_gemma":[0.0053961487,0.0003839155,0.00012480181,0.00027115268,0.0075284718,0.0007005537,0.0006344795,0.00089148286,0.00007154855],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012055591,0.00057348626,0.002908508,0.00041361674,0.00010513756,0.000013599747,0.009130958,9.1636264e-7,0.0043433527,0.8646081,0.10239144,0.015390292],"study_design_scores_gemma":[0.0014899843,0.0023286457,0.0007411698,0.0002820281,0.000045781795,0.00006134344,0.0025714277,0.009987256,0.002580822,0.19667502,0.78239936,0.0008371482],"about_ca_topic_score_codex":0.00054910145,"about_ca_topic_score_gemma":0.0005664057,"teacher_disagreement_score":0.68000793,"about_ca_system_score_codex":0.00037642437,"about_ca_system_score_gemma":0.002324053,"threshold_uncertainty_score":0.9998613},"labels":[],"label_agreement":null},{"id":"W2943133185","doi":"10.5325/aboriginal.2.2.0246","title":"Frederick Alexcee's Entangled Gazes","year":2018,"lang":"en","type":"article","venue":"ab-Original","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Identity (music); Style (visual arts); Ethnography; Perspective (graphical); Sociology; Chose; Gaze; Colonialism; Aesthetics; Media studies; History; Art; Visual arts; Anthropology; Law; Psychoanalysis; Political science; Psychology; Archaeology","score_opus":0.04488767204413893,"score_gpt":0.27281223218137696,"score_spread":0.22792456013723802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943133185","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.148892,0.00020149096,0.00032568874,0.0007411788,0.0023490526,0.0001465534,0.000059717226,0.00023980564,0.8470445],"genre_scores_gemma":[0.84075636,0.000025434787,0.00027097308,0.0015478142,0.0064738384,0.000011578891,0.000023368975,0.00002717776,0.15086344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998949,0.000024057963,0.00018339454,0.00022734143,0.00019375925,0.00042246783],"domain_scores_gemma":[0.99943614,0.000031987795,0.000059022866,0.00024148656,0.00010986538,0.00012152015],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007685387,0.00016761485,0.00016780417,0.00006089742,0.000472541,0.0001516876,0.0001804453,0.000041772066,0.010791092],"category_scores_gemma":[0.000012087961,0.00014700722,0.00008702125,0.000002636393,0.00059148995,0.00021960502,0.000037712438,0.00010377354,0.0030520204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036543992,0.00012931752,0.0015057557,0.000025409592,0.000082705476,0.000028463372,0.08073025,3.0299694e-7,0.00018943298,0.5708998,0.34439683,0.0019752407],"study_design_scores_gemma":[0.00030640574,0.0001776468,0.0003183441,0.000015049125,0.000029580915,0.0000093076,0.001039515,0.000056173834,0.00049759797,0.007906965,0.98943895,0.00020446867],"about_ca_topic_score_codex":0.0014867687,"about_ca_topic_score_gemma":0.006597555,"teacher_disagreement_score":0.69618106,"about_ca_system_score_codex":0.000042664647,"about_ca_system_score_gemma":0.00005966138,"threshold_uncertainty_score":0.99772424},"labels":[],"label_agreement":null},{"id":"W2944294150","doi":"10.22215/etd/2018-13201","title":"The Exhibition of Art in Montreal’s Department Stores, 1900–1945","year":2018,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University; National Museum of Fine Arts of Quebec","funders":"","keywords":"Exhibition; Context (archaeology); The arts; Visual arts; Art; Media studies; Fine art; Phenomenon; Art history; History; Sociology","score_opus":0.025350226040495943,"score_gpt":0.25628881350487465,"score_spread":0.2309385874643787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944294150","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039907683,0.00034356138,0.000007316941,0.00010299767,0.0011117478,0.00034025338,0.00011466093,0.0000312792,0.9580405],"genre_scores_gemma":[0.36004397,0.00021154438,0.000011065497,0.00011414385,0.0006081863,0.000053936183,0.0015898886,0.000022368054,0.6373449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990333,0.000032054035,0.00034367657,0.0001677346,0.00019906308,0.00022418196],"domain_scores_gemma":[0.99940175,0.000049115468,0.00016263268,0.0002201619,0.0001293342,0.000037001137],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012053082,0.0001646169,0.00020021388,0.00007666539,0.00021849021,0.00006287315,0.0001175526,0.00008626227,0.0016325284],"category_scores_gemma":[0.000014855844,0.00011111832,0.0000895043,0.00000134384,0.00014573714,0.00007058231,0.000011535426,0.00010373104,0.00021954445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013234606,0.00021754506,0.000043432676,0.00015434266,0.00009572144,0.000005929242,0.17206132,0.0000013106965,0.0000124399185,0.21738027,0.60467875,0.005216624],"study_design_scores_gemma":[0.00023145211,0.000101363774,0.0013431755,0.00008924717,0.00003800616,3.5186866e-7,0.009026911,0.00003324271,0.00040337644,0.016429635,0.97213304,0.00017017908],"about_ca_topic_score_codex":0.006317087,"about_ca_topic_score_gemma":0.8609164,"teacher_disagreement_score":0.8545993,"about_ca_system_score_codex":0.000054087217,"about_ca_system_score_gemma":0.00006157083,"threshold_uncertainty_score":0.9992801},"labels":[],"label_agreement":null},{"id":"W2944403816","doi":"10.3366/dlgs.2019.0356","title":"Hannah Stark (2016) <i>Feminist Theory After Deleuze</i>","year":2019,"lang":"en","type":"article","venue":"Deleuze and Guattari Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Feminist theory; Feminism; Psychoanalysis; Sociology; Gender studies; Psychology","score_opus":0.04142562260781915,"score_gpt":0.2666690318530603,"score_spread":0.22524340924524114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944403816","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62916523,0.029571522,0.000056145276,0.0014800605,0.0021371867,0.00056539656,0.00035033698,0.00023457708,0.33643952],"genre_scores_gemma":[0.8683455,0.0010117431,0.000049157396,0.0064553455,0.00072247867,0.000052159674,0.000015782143,0.00003540491,0.12331242],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849176,0.00006377965,0.0003218355,0.00039720742,0.00020434131,0.0005210595],"domain_scores_gemma":[0.9991051,0.00020525874,0.0000851387,0.00033184877,0.00016434539,0.00010832018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027573542,0.0003084144,0.00043157424,0.00007566393,0.0004728654,0.00014410968,0.00013688709,0.000060328897,0.0008043501],"category_scores_gemma":[0.00003781059,0.0002379201,0.00011288162,0.0000037099312,0.00075531594,0.00021624946,0.00019428224,0.00016303726,0.000516907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032167026,0.00019781018,0.011791909,0.00042487495,0.0011405209,0.00006143981,0.44713527,0.0000029780324,0.00004470115,0.38258955,0.15013617,0.0061531295],"study_design_scores_gemma":[0.000490297,0.0001841559,0.00065103645,0.000071421884,0.00011954968,0.000005729291,0.021182623,0.000014319796,0.000053291194,0.022010313,0.95482475,0.0003925235],"about_ca_topic_score_codex":0.00032584972,"about_ca_topic_score_gemma":0.00479976,"teacher_disagreement_score":0.8046886,"about_ca_system_score_codex":0.00003625814,"about_ca_system_score_gemma":0.00005194377,"threshold_uncertainty_score":0.97021},"labels":[],"label_agreement":null},{"id":"W2945477665","doi":"","title":"Stance : Design Against Fascism","year":2018,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Ideology; Radicalization; Politics; Sociology; Nationalism; Media studies; Context (archaeology); Aesthetics; White (mutation); Political science; Art; Visual arts; History; Law","score_opus":0.0621698972313708,"score_gpt":0.2437100953857106,"score_spread":0.1815401981543398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945477665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000063947075,0.0024737967,0.0034295747,0.00035848154,0.004731123,0.0009654293,0.0006946731,0.00055929134,0.98672366],"genre_scores_gemma":[0.0025912984,0.0005650813,0.00042054558,0.0042702733,0.011041693,0.00008516548,0.0003461119,0.00035170707,0.98032814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950932,0.00021508934,0.0010374062,0.0012679549,0.00091709103,0.0014692429],"domain_scores_gemma":[0.9965315,0.00029723675,0.0006014311,0.0015373325,0.0005290716,0.0005034177],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006576298,0.0011694157,0.0011839046,0.00033579362,0.0013433727,0.0006383701,0.0009857321,0.0005947991,0.012603861],"category_scores_gemma":[0.000071111564,0.0011453115,0.0005700273,0.0000066652697,0.0018614655,0.0005590737,0.0002226341,0.0009505455,0.017997539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003499447,0.00008814894,4.6362817e-7,0.00013018181,0.0001881167,0.00006933726,0.04445562,0.0000051103434,0.000010448522,0.10458843,0.8433409,0.007088263],"study_design_scores_gemma":[0.0006119349,0.00026675616,0.000007923228,0.00042838271,0.00016359048,0.000008281028,0.00040333092,0.00013600588,0.000029041059,0.10188749,0.8948182,0.0012390503],"about_ca_topic_score_codex":0.00008605868,"about_ca_topic_score_gemma":0.0033220411,"teacher_disagreement_score":0.05147733,"about_ca_system_score_codex":0.000425397,"about_ca_system_score_gemma":0.00092657213,"threshold_uncertainty_score":0.9999567},"labels":[],"label_agreement":null},{"id":"W2945507026","doi":"","title":"\"On Seeing Picasso's 'Woman in a Hat with Flowers'\"","year":2013,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"PICASSO; Art; Art history; Visual arts","score_opus":0.03143054214771502,"score_gpt":0.24703207350385348,"score_spread":0.21560153135613846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945507026","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057636805,0.07591249,0.00008891743,0.007214165,0.00056722,0.0026098592,0.000045822107,0.00035613216,0.8555686],"genre_scores_gemma":[0.8841296,0.034701407,0.00021122654,0.033961568,0.0008433399,0.0004004128,0.000062894134,0.00012736185,0.045562234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989387,0.00005389212,0.00026195642,0.00022375517,0.00017120093,0.00035052554],"domain_scores_gemma":[0.99940944,0.00005365524,0.00007571145,0.00031376886,0.00005710193,0.000090313835],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013762125,0.00018096027,0.00035442287,0.000061745835,0.00013310509,0.00009636824,0.00014331285,0.000027309887,0.0026910738],"category_scores_gemma":[0.000032617834,0.0001258128,0.0000735226,0.0000052342316,0.00011511247,0.00021112019,0.000034489974,0.00014982144,0.0011275804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031214684,0.00077672955,0.0010015182,0.011005657,0.00021121434,0.00028320914,0.14555454,0.000016166037,0.000022496304,0.4237288,0.27482083,0.14254762],"study_design_scores_gemma":[0.00024075752,0.00008664073,0.00018055608,0.0035821532,0.000036014328,0.0000072424014,0.0002106298,0.000049120492,0.0000043008017,0.0016050738,0.9937604,0.0002370943],"about_ca_topic_score_codex":0.00084177416,"about_ca_topic_score_gemma":0.0052907043,"teacher_disagreement_score":0.8264927,"about_ca_system_score_codex":0.00003833506,"about_ca_system_score_gemma":0.000032900392,"threshold_uncertainty_score":0.9996502},"labels":[],"label_agreement":null},{"id":"W2946302545","doi":"10.29173/cons29387","title":"'The Erotic Work of Art is Also Sacred'","year":2019,"lang":"en","type":"article","venue":"Constellations","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Pleasure; Painting; Art; Neurasthenia; Anxiety; Aesthetics; Psychoanalysis; Psychology; Art history; Psychotherapist; Psychiatry","score_opus":0.03709387774083424,"score_gpt":0.23876718492482552,"score_spread":0.2016733071839913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946302545","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03295212,0.00037980487,0.0000863334,0.001088752,0.0007008698,0.00023374536,0.000047600097,0.000037150105,0.9644736],"genre_scores_gemma":[0.8123763,0.000025807407,0.000019487645,0.00031575916,0.0001513359,0.000002174079,0.0000072355438,0.000007845296,0.18709402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994527,0.000019194098,0.000190396,0.00008947554,0.00009486931,0.0001533631],"domain_scores_gemma":[0.9993311,0.00022137449,0.00006776812,0.00025653775,0.000086070446,0.00003713481],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000067762994,0.00006694167,0.00010108558,0.000030845007,0.00029523423,0.00005936808,0.00009075434,0.00002393599,0.0038488463],"category_scores_gemma":[0.000015082205,0.00005115067,0.0000678824,0.0000031424902,0.00037455157,0.000057452562,0.000023963466,0.000058547797,0.0014408786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007788827,0.000039367795,0.008119329,0.000025028738,0.000085213345,4.3707016e-7,0.060787156,0.00005832058,0.000028287888,0.7143257,0.21448922,0.0020341082],"study_design_scores_gemma":[0.000109226086,0.000015138417,0.00035850608,0.00002126681,0.000020384052,6.299134e-7,0.0012602687,0.00012879174,0.00006547387,0.005812606,0.992136,0.00007171959],"about_ca_topic_score_codex":0.00003056988,"about_ca_topic_score_gemma":0.00033941207,"teacher_disagreement_score":0.7794242,"about_ca_system_score_codex":0.000010142322,"about_ca_system_score_gemma":0.00004664169,"threshold_uncertainty_score":0.9993366},"labels":[],"label_agreement":null},{"id":"W2946577605","doi":"","title":"Of Veils, Feminisms, and Contemporary Art / Des voiles, des féminismes et de l’art contemporain","year":2017,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Contemporary art; Humanities; Art history","score_opus":0.11882520636200816,"score_gpt":0.34016636609644024,"score_spread":0.22134115973443208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946577605","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025288247,0.018325998,0.00046351273,0.055944998,0.002800083,0.00077147066,0.003293925,0.00016672236,0.89294505],"genre_scores_gemma":[0.81775695,0.0028710808,0.00043985783,0.00092829566,0.0009128323,0.0000584388,0.00033774812,0.00009464326,0.17660013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970148,0.00029084305,0.00086954585,0.00059653947,0.00030555137,0.0009227237],"domain_scores_gemma":[0.9968612,0.0005566541,0.0006563374,0.0010668586,0.00030649063,0.0005524284],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00096509414,0.00057710375,0.00084498216,0.00016902298,0.0029385837,0.0008701568,0.00055882003,0.00027806306,0.0005409954],"category_scores_gemma":[0.00043624893,0.0005988468,0.00025932983,0.000007019929,0.007675817,0.0013871278,0.0003815816,0.00042639856,0.00014619729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047644717,0.00048110934,0.0037280936,0.0006071209,0.00020648832,0.00006230245,0.063188165,0.0000015398659,0.00008080418,0.74569184,0.18529311,0.00061176356],"study_design_scores_gemma":[0.0012638256,0.0003644962,0.0071513336,0.0012211405,0.00009897037,0.00005662565,0.008568728,0.00006916026,0.0008081027,0.051141225,0.9286495,0.0006069342],"about_ca_topic_score_codex":0.0033096017,"about_ca_topic_score_gemma":0.009067157,"teacher_disagreement_score":0.7924687,"about_ca_system_score_codex":0.00007897538,"about_ca_system_score_gemma":0.00081277813,"threshold_uncertainty_score":0.9996463},"labels":[],"label_agreement":null},{"id":"W2948118487","doi":"","title":"Creating the Canadian Mosaic","year":2019,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mosaic; Computer science; Geography","score_opus":0.03998474161538833,"score_gpt":0.22889189281115677,"score_spread":0.18890715119576845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948118487","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020601189,0.000022225842,0.0000030547524,0.0013816239,0.00028529688,0.00008036195,0.000015832995,0.000029266665,0.97758114],"genre_scores_gemma":[0.6175798,7.292963e-7,0.000007447451,0.0029386124,0.00026136465,0.0000018095129,0.00000525654,0.000004862515,0.37920013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996003,0.000009515596,0.00006321111,0.000066670356,0.00006139979,0.00019893871],"domain_scores_gemma":[0.9997268,0.000027795144,0.000012807155,0.00013862699,0.000027750537,0.00006626072],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000059648148,0.00004867817,0.000048110796,0.000020916956,0.00046844743,0.00013901092,0.00008687683,0.000014746141,0.011047736],"category_scores_gemma":[0.000006554043,0.000028940234,0.000026941241,4.3404643e-7,0.00007746598,0.00006246712,0.000011649404,0.000057701927,0.0014091656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.0064047e-7,0.000002566617,0.00062864344,0.0000028738957,0.0000074524255,5.8521124e-7,0.07833951,0.0000026730906,0.0000016299376,0.89409953,0.026603645,0.00031057437],"study_design_scores_gemma":[0.00004734715,0.000010467396,0.00020240727,0.0000029339521,0.000004028758,6.2907986e-7,0.0040300856,0.00035205024,0.000014527862,0.004627346,0.9906513,0.000056838482],"about_ca_topic_score_codex":0.73896104,"about_ca_topic_score_gemma":0.9895564,"teacher_disagreement_score":0.9640477,"about_ca_system_score_codex":0.000033780867,"about_ca_system_score_gemma":0.00008736062,"threshold_uncertainty_score":0.99936837},"labels":[],"label_agreement":null},{"id":"W2951334524","doi":"","title":"Research guides: ART: Art History: Canadian & International Museums / Websites","year":2009,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Media studies; Sociology","score_opus":0.1509986741878985,"score_gpt":0.3206700307258976,"score_spread":0.1696713565379991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2951334524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008273365,0.00105189,0.0000045637616,0.010479102,0.0061133313,0.00018180978,0.0007593701,0.00015524469,0.9812464],"genre_scores_gemma":[0.00083928497,0.0006169987,0.00012548143,0.011029549,0.01145233,0.000031188156,0.002430894,0.00008567017,0.9733886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99699783,0.00010239408,0.0005139677,0.00054718147,0.0008418904,0.0009967079],"domain_scores_gemma":[0.9979112,0.0001466987,0.0001130581,0.00055726955,0.00078289426,0.0004888634],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005872893,0.00037656038,0.0004058343,0.0012262266,0.0005108571,0.00041980724,0.0008938114,0.0003038263,0.12772292],"category_scores_gemma":[0.00015400081,0.00035181807,0.00021305247,0.0000036264978,0.00073553924,0.00028605646,0.00010306894,0.0008735774,0.0149490675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027035273,0.000025759557,0.0000049739538,0.000023540299,0.00006497242,0.000038573042,0.009538058,4.89603e-7,3.322749e-7,0.21273105,0.7772842,0.0002853414],"study_design_scores_gemma":[0.00013351295,0.00007232215,0.000013534582,0.000109767294,0.00002141716,0.0000056138215,0.0011353828,0.000030865092,0.0000014347588,0.0070515824,0.9910087,0.0004158894],"about_ca_topic_score_codex":0.34849262,"about_ca_topic_score_gemma":0.9674135,"teacher_disagreement_score":0.61892086,"about_ca_system_score_codex":0.0020343154,"about_ca_system_score_gemma":0.0025805437,"threshold_uncertainty_score":0.99989337},"labels":[],"label_agreement":null},{"id":"W2952287301","doi":"","title":"The Dissection of A ‘Grisly Work of Art'","year":2018,"lang":"en","type":"article","venue":"MacEwan University Student Research Proceedings","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Work (physics); Engineering; Mechanical engineering","score_opus":0.14147510681117106,"score_gpt":0.35610222460105784,"score_spread":0.21462711778988677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952287301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6445478,0.00002190073,0.000009777317,0.00065222,0.00011386185,0.00024802674,0.000009486034,0.000024815861,0.35437208],"genre_scores_gemma":[0.8805721,0.000047725232,0.000010230288,0.000010311432,0.00026427786,9.54192e-7,0.0000011488744,0.000006689253,0.11908661],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987588,0.00003106267,0.00013351123,0.00015913788,0.00058435317,0.00033311546],"domain_scores_gemma":[0.9985073,0.00007445815,0.00008266862,0.00010976365,0.0011534456,0.00007232231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066572847,0.00007623072,0.00011980755,0.00016451195,0.0010645472,0.00008225077,0.000426308,0.00003312639,0.00019642465],"category_scores_gemma":[0.000059431433,0.00005989785,0.00006264674,0.000025734771,0.0018925372,0.00016353067,0.0002766952,0.00019435608,0.000038701168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003625,0.00025842412,0.01913475,0.00010010866,0.0001545784,0.0000036478716,0.44553524,1.673803e-7,0.00063958653,0.42725626,0.10541165,0.001143068],"study_design_scores_gemma":[0.0003035843,0.00048404335,0.008786413,0.000062286796,0.000018891558,6.1681783e-7,0.100992285,0.000007748847,0.0012810355,0.0014687468,0.88650876,0.00008558845],"about_ca_topic_score_codex":0.0004575552,"about_ca_topic_score_gemma":0.0029375374,"teacher_disagreement_score":0.7810971,"about_ca_system_score_codex":0.00008169841,"about_ca_system_score_gemma":0.00005108086,"threshold_uncertainty_score":0.81877446},"labels":[],"label_agreement":null},{"id":"W2952446172","doi":"10.24908/iqurcp.9891","title":"14. Kehinde Wiley: An Alternate Reality","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Aesthetics; White (mutation); Art; Privilege (computing); Visual art of the United States; Power (physics); Art history; Performance art; Law","score_opus":0.2787675214664429,"score_gpt":0.40989237481186497,"score_spread":0.13112485334542207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952446172","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2066018,0.00007604435,0.0011374325,0.036274005,0.0016467505,0.0012548465,0.00013021896,0.00090906717,0.7519698],"genre_scores_gemma":[0.96086705,0.0003380663,0.00012913889,0.00086672715,0.0051308842,0.00009305719,0.000042527237,0.00007828203,0.032454286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99515903,0.00016885476,0.00057129835,0.00097292784,0.0014667708,0.0016610912],"domain_scores_gemma":[0.9943838,0.000100780686,0.00017835392,0.0004902533,0.0041585253,0.00068829604],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00215971,0.0004054109,0.00042666378,0.00045009286,0.0016451873,0.0017245575,0.0011020723,0.00016943458,0.0006061997],"category_scores_gemma":[0.00030702754,0.0003670183,0.000111172594,0.00002919544,0.005443309,0.0018002879,0.00044122824,0.0009256326,0.00079438457],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011126201,0.00018764073,0.0004263341,0.00010035047,0.00006989181,0.0000126504965,0.14485842,1.5261581e-7,0.0005336114,0.7922077,0.056953877,0.004538071],"study_design_scores_gemma":[0.0005156497,0.00087100925,0.00013813264,0.00017941897,0.000020782398,0.000010087921,0.0096456185,0.0011044961,0.0018372545,0.55107856,0.4340858,0.0005132065],"about_ca_topic_score_codex":0.0076780743,"about_ca_topic_score_gemma":0.006761133,"teacher_disagreement_score":0.75426525,"about_ca_system_score_codex":0.00024204413,"about_ca_system_score_gemma":0.00051209255,"threshold_uncertainty_score":0.9999836},"labels":[],"label_agreement":null},{"id":"W2953976820","doi":"","title":"Maggie: St. Mary’s County, MD","year":2019,"lang":"en","type":"other","venue":"SNHU Academic Archive (Southern New Hampshire University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Exhibition; Sculpture; Bachelor; Globe; Visual arts; Fine art; Art; Art history; The arts; Performance art; Art school; History; Visual arts education; Archaeology; Psychology","score_opus":0.02815755404414122,"score_gpt":0.2090617939068414,"score_spread":0.18090423986270018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953976820","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027381153,0.00082077546,0.00093778654,0.0005123197,0.0011946056,0.0006385855,0.008929378,0.00060532003,0.98633385],"genre_scores_gemma":[0.000168876,0.0015573147,0.00017370134,0.0011528922,0.004105391,0.0000010626911,0.0006849444,0.00062775466,0.99152803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99727273,0.00016116022,0.00031843997,0.00086165976,0.000486313,0.00089967187],"domain_scores_gemma":[0.9981838,0.00013419976,0.0004626205,0.0007326934,0.00005148292,0.0004352382],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000110203,0.0007253384,0.0007138468,0.0008515995,0.00033914484,0.000075454736,0.0013068198,0.000611645,0.013631787],"category_scores_gemma":[0.00002340503,0.0007540562,0.0003653194,0.000013322774,0.0008941433,0.00017585144,0.0005215088,0.0015345813,0.0053572343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004731248,0.000023126991,0.000073643845,0.00008444932,0.00023522017,0.000052383268,0.041704595,0.0000023143298,0.0000059797094,0.08925234,0.8673056,0.001213064],"study_design_scores_gemma":[0.00089088903,0.000056228568,0.0000031750778,0.0003874228,0.00023052162,0.0000053078315,0.008681529,0.000023088847,0.0000017213254,0.0060363594,0.9828257,0.00085804577],"about_ca_topic_score_codex":0.009246958,"about_ca_topic_score_gemma":0.019624423,"teacher_disagreement_score":0.11552014,"about_ca_system_score_codex":0.00019421731,"about_ca_system_score_gemma":0.00056025817,"threshold_uncertainty_score":0.99949104},"labels":[],"label_agreement":null},{"id":"W2954512268","doi":"","title":"Exhibition Review of Carol Sawyer: The Natalie Brettschneider Archive","year":2018,"lang":"en","type":"article","venue":"Summit (Simon Fraser University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Visual arts","score_opus":0.02727055940209571,"score_gpt":0.22238262407767337,"score_spread":0.19511206467557765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2954512268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019489123,0.0026712075,0.0006108001,0.0029105472,0.0007386942,0.00063373614,0.0007570762,0.00014536054,0.97204345],"genre_scores_gemma":[0.9515855,0.002157837,0.00004103003,0.004894899,0.0008394543,0.0000012937699,0.000113733426,0.00002413345,0.04034216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912095,0.00009566433,0.00016640218,0.00019596271,0.0001878225,0.00023317791],"domain_scores_gemma":[0.99918526,0.00007208008,0.00012192232,0.00034599603,0.00021276672,0.00006199621],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012199516,0.00013673838,0.00019330546,0.00011453348,0.00040317446,0.00002419403,0.0002993883,0.000037885544,0.0019359331],"category_scores_gemma":[0.000027010694,0.0001105435,0.00014314314,0.000013121568,0.00089497026,0.00023400415,0.000100683115,0.00013416326,0.00016581098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005188297,0.00009483649,0.0037259879,0.00081550115,0.00013210558,0.000033394703,0.0052020303,8.525142e-7,0.0000062153495,0.3077119,0.68084466,0.0013806296],"study_design_scores_gemma":[0.00025017338,0.00008358527,0.000046968737,0.0005164879,0.00010471778,1.2600816e-8,0.008929054,0.000019962026,0.00035878384,0.0021893966,0.98735917,0.00014168264],"about_ca_topic_score_codex":0.0010737367,"about_ca_topic_score_gemma":0.14349803,"teacher_disagreement_score":0.93209636,"about_ca_system_score_codex":0.000039511928,"about_ca_system_score_gemma":0.000062028965,"threshold_uncertainty_score":0.9989764},"labels":[],"label_agreement":null},{"id":"W2955481968","doi":"10.2307/j.ctvk8w02v.41","title":"The Brawls in Toronto","year":2019,"lang":"en","type":"book-chapter","venue":"University of Ottawa Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.038917985231270255,"score_gpt":0.21098821862473413,"score_spread":0.1720702333934639,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955481968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015256921,0.00048683875,0.0000070860847,0.000027506909,0.00031250017,0.00022201896,0.00013804408,0.000026135473,0.99876463],"genre_scores_gemma":[0.011868919,0.00013890708,0.000008311319,0.00005929337,0.00016400196,1.01265925e-7,0.000011401105,0.000021301152,0.98772776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929756,0.000016999924,0.00014971655,0.00018151844,0.00016060751,0.00019358915],"domain_scores_gemma":[0.99928534,0.00007853472,0.00016240943,0.00035117217,0.000077484816,0.00004508024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007905159,0.00016698381,0.00024710706,0.000031959884,0.00022297277,0.000033725173,0.00037933438,0.00012613459,0.000767781],"category_scores_gemma":[0.0000026387809,0.00015386434,0.00013695123,3.945047e-8,0.00054115884,0.00007429956,0.0001419256,0.00016936567,0.000034843368],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012446695,0.000005326995,0.0000018120267,0.000034416316,0.000052257354,0.000008778755,0.034392875,4.7702406e-7,5.219163e-7,0.9520572,0.012184042,0.0012498427],"study_design_scores_gemma":[0.00026098735,0.00003668643,0.000008227361,0.00008084902,0.000043770273,4.4902416e-7,0.0010800558,0.000010588727,0.0000063309694,0.0053833653,0.99291694,0.00017175515],"about_ca_topic_score_codex":0.030781731,"about_ca_topic_score_gemma":0.48034495,"teacher_disagreement_score":0.9807329,"about_ca_system_score_codex":0.00013259595,"about_ca_system_score_gemma":0.00008036392,"threshold_uncertainty_score":0.97567236},"labels":[],"label_agreement":null},{"id":"W2955908198","doi":"","title":"Untitled (Object) III","year":2019,"lang":"en","type":"other","venue":"SNHU Academic Archive (Southern New Hampshire University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Exhibition; Sculpture; Visual arts; Bachelor; Globe; Fine art; Art; The arts; Art history; History; Archaeology; Psychology","score_opus":0.025855938884123,"score_gpt":0.2086963629691071,"score_spread":0.1828404240849841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955908198","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000047497644,0.0003567961,0.0009311226,0.00027610597,0.0009125839,0.00054730056,0.0016976073,0.0005411835,0.9946898],"genre_scores_gemma":[0.0006547772,0.00042323672,0.00013023158,0.00067503797,0.0036728994,7.9553314e-7,0.0003081842,0.0005052935,0.9936295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978538,0.0001194795,0.000266137,0.00070047297,0.00034321917,0.00071686483],"domain_scores_gemma":[0.9985424,0.00010141588,0.00037962466,0.0005976001,0.00003673989,0.0003422182],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008004976,0.0005756429,0.0006275731,0.000829832,0.0002890259,0.000050728457,0.0009624685,0.0005043627,0.024472661],"category_scores_gemma":[0.000020441956,0.0005882285,0.00033637593,0.000011904095,0.00065573363,0.000107457134,0.0003634388,0.0012149105,0.011125337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045303717,0.000018691706,0.000045254154,0.00006349394,0.0002209733,0.00003588523,0.07898429,0.0000016420748,0.000010039284,0.10247121,0.81735104,0.00075216225],"study_design_scores_gemma":[0.001091723,0.00004273184,0.0000018762343,0.00031211387,0.0001892857,0.000002959157,0.009421239,0.000021847647,0.000003735277,0.003589107,0.98464394,0.000679419],"about_ca_topic_score_codex":0.01348024,"about_ca_topic_score_gemma":0.02906563,"teacher_disagreement_score":0.16729291,"about_ca_system_score_codex":0.00012776535,"about_ca_system_score_gemma":0.00043597393,"threshold_uncertainty_score":0.9996569},"labels":[],"label_agreement":null},{"id":"W2956089036","doi":"","title":"Blue Republic. Monochromes. Pekao Gallery. Toronto","year":2001,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ephemeral key; Exhibition; Art history; Visual arts; Politics; Art; History; Law; Political science","score_opus":0.12127900253219882,"score_gpt":0.3016733485016878,"score_spread":0.180394345969489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956089036","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06934031,0.000108136344,0.0000818889,0.0007127078,0.00041274307,0.0006265582,0.000049268467,0.00018207374,0.9284863],"genre_scores_gemma":[0.3225911,0.00037390168,0.00005742887,0.00008342074,0.0003822484,5.522223e-7,0.000027022475,0.000029918763,0.6764544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961726,0.00071031303,0.0002515887,0.0008841569,0.0008222477,0.0011591145],"domain_scores_gemma":[0.9970133,0.00016257887,0.00015403188,0.0010196413,0.0009572302,0.0006932619],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00071263395,0.00033965762,0.0004379722,0.0004690975,0.0040998817,0.0008311015,0.0023510533,0.00022680622,0.00022354258],"category_scores_gemma":[0.000043966793,0.00040126828,0.00023977396,0.000060755116,0.0014545745,0.0034191275,0.0010122444,0.0006677689,0.00020228248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003445684,0.00026560586,0.00050811254,0.000023810908,0.00017994351,0.001580455,0.022220792,0.000011704458,0.00009859587,0.9541479,0.02008442,0.00053410267],"study_design_scores_gemma":[0.0013196736,0.0002973299,0.0007903219,0.000052784744,0.000060109203,0.00003711729,0.036020666,0.00016440456,0.00013318792,0.00022096961,0.9604318,0.0004715895],"about_ca_topic_score_codex":0.06295174,"about_ca_topic_score_gemma":0.08869321,"teacher_disagreement_score":0.9539269,"about_ca_system_score_codex":0.0019137893,"about_ca_system_score_gemma":0.0007868733,"threshold_uncertainty_score":0.9998439},"labels":[],"label_agreement":null},{"id":"W2963021118","doi":"","title":"The conditions of creation and the haecceity of music material. Philosophical-aesthetic convergences between Helmut Lachenmann and Gilles Deleuze","year":2011,"lang":"en","type":"article","venue":"Filigrane Écoutes psychothérapiques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Philosophy; Epistemology; Psychology; Cognitive science; Art; Psychoanalysis","score_opus":0.06105364958285251,"score_gpt":0.26248810331686684,"score_spread":0.20143445373401433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963021118","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.912346,0.002123505,0.00006015142,0.0039684926,0.00045224096,0.0007067014,0.0009878279,0.000085386215,0.07926967],"genre_scores_gemma":[0.9962058,0.0013324539,0.0000626287,0.0001171313,0.00023318993,0.000038116188,0.000035972793,0.000014947879,0.0019597535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989315,0.00014380112,0.00041808313,0.00018330605,0.0001419084,0.00018136598],"domain_scores_gemma":[0.99907774,0.00021861777,0.00023538398,0.0002577931,0.00015537362,0.00005507952],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003281973,0.00016349182,0.00030722385,0.000054416418,0.00042032063,0.000044713568,0.00017715857,0.00006036003,0.00030600876],"category_scores_gemma":[0.000026505488,0.00009469644,0.00009655997,0.000005934014,0.0035543784,0.0001348775,0.000029292933,0.000083672065,0.0000028574523],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017111338,0.00008822254,0.0016936132,0.00012423546,0.00017238449,6.6238994e-7,0.118825115,1.5771504e-7,0.000085355015,0.8745521,0.0032509242,0.0010361595],"study_design_scores_gemma":[0.0016069786,0.00046349416,0.011622307,0.00018332581,0.0004221347,0.000010533492,0.0058170017,0.00008632121,0.0041413615,0.9224292,0.052833747,0.00038361707],"about_ca_topic_score_codex":0.0020833511,"about_ca_topic_score_gemma":0.0032489777,"teacher_disagreement_score":0.11300811,"about_ca_system_score_codex":0.0000039169445,"about_ca_system_score_gemma":0.00001819312,"threshold_uncertainty_score":0.99915737},"labels":[],"label_agreement":null},{"id":"W29632215","doi":"10.1530/joe-17-0683","title":"Fetishism and the stories of feminist art.","year":2008,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Feminism; Fetishism; Psychoanalytic theory; Object (grammar); Aesthetics; Sociology; Art; Gender studies; Psychoanalysis; Philosophy; Psychology; Anthropology","score_opus":0.05468450029164539,"score_gpt":0.2323014758362961,"score_spread":0.1776169755446507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W29632215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03932949,0.00021646653,0.00003632782,0.00085811876,0.00020227901,0.000065335866,0.00001664791,0.000026808086,0.95924854],"genre_scores_gemma":[0.723196,0.000064548694,0.000022347509,0.0006403581,0.00020396664,0.0000027085505,0.0000016286145,0.0000042272254,0.27586418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963695,0.00001570549,0.0001098664,0.00006280856,0.00007835858,0.000096320895],"domain_scores_gemma":[0.9997294,0.00007244825,0.000032710217,0.0001061128,0.000033464195,0.000025863916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006618572,0.000054657514,0.000108405264,0.000013078177,0.00031652662,0.000024084671,0.000055765115,0.000014237505,0.0006421875],"category_scores_gemma":[0.000015465701,0.000031834807,0.000031937005,4.974233e-7,0.0016486879,0.00005031981,0.000027092581,0.00004115287,0.000026320675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008806212,0.000009816335,0.00012454465,0.0000055042105,0.000009446581,0.0000010667571,0.22837134,6.5551355e-8,0.0000012317715,0.730673,0.040701717,0.00009342791],"study_design_scores_gemma":[0.00038682256,0.000025768095,0.00019598352,0.0000035155467,0.000010380816,0.00000847439,0.008481949,0.000016366477,0.00007944565,0.008396165,0.98233896,0.000056193017],"about_ca_topic_score_codex":0.0011496838,"about_ca_topic_score_gemma":0.0053933286,"teacher_disagreement_score":0.9416372,"about_ca_system_score_codex":0.0000036183712,"about_ca_system_score_gemma":0.000016711816,"threshold_uncertainty_score":0.7031503},"labels":[],"label_agreement":null},{"id":"W2964053648","doi":"10.1386/public.30.59.204_5","title":"Elvira Santamaria, Salt Cartographies II","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Salt lake; Salt (chemistry); Art; Geography; Chemistry; Geology; Geomorphology","score_opus":0.03686061266427908,"score_gpt":0.22192262414247238,"score_spread":0.1850620114781933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964053648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33724234,0.00030304122,0.000009577453,0.0021004775,0.0013347556,0.00015585865,0.000052771553,0.0001890948,0.6586121],"genre_scores_gemma":[0.8767922,0.000035272667,0.000014624581,0.0017504932,0.00082532514,0.000012171148,0.00003855629,0.000021740661,0.12050961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990341,0.000025124698,0.00016580785,0.00019583602,0.00017170206,0.00040744085],"domain_scores_gemma":[0.9994191,0.000033174263,0.000051666586,0.0002991955,0.00009001936,0.00010683034],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010820235,0.00013015667,0.00016239873,0.00017420163,0.00040339594,0.0002553346,0.00018711251,0.000042710704,0.0059545953],"category_scores_gemma":[0.000019353247,0.000113413334,0.00010466531,0.0000044818157,0.00021500236,0.00040681325,0.000101011756,0.00011625437,0.0008739531],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034947775,0.00006789021,0.0036806765,0.000023476103,0.00004677208,0.0000013384099,0.057178866,2.8055237e-7,0.000041431507,0.8863188,0.051141337,0.001495655],"study_design_scores_gemma":[0.00022244375,0.00006981901,0.00081050204,0.0000057819316,0.000011738115,0.0000015376356,0.001649237,0.000028782006,0.000037600505,0.009519923,0.98747617,0.00016644204],"about_ca_topic_score_codex":0.0010642566,"about_ca_topic_score_gemma":0.0059023886,"teacher_disagreement_score":0.93633485,"about_ca_system_score_codex":0.000017156348,"about_ca_system_score_gemma":0.000046320023,"threshold_uncertainty_score":0.999904},"labels":[],"label_agreement":null},{"id":"W2964443671","doi":"","title":"De como cadeiras se movem: uma experiência a/r/tográfica no Canadá","year":2012,"lang":"pt","type":"article","venue":"Anais ABRACE","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.062189603536012675,"score_gpt":0.2916248252127487,"score_spread":0.22943522167673602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964443671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39048275,0.015423094,0.00029871744,0.0027201925,0.0057921866,0.00070718554,0.0010444898,0.00034902504,0.58318233],"genre_scores_gemma":[0.7207808,0.0002911392,0.00005499076,0.0060286447,0.004056954,0.000026407479,0.00005369215,0.000092741524,0.26861465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966157,0.00016538164,0.00053969934,0.0004313266,0.0004098864,0.0018379702],"domain_scores_gemma":[0.9978115,0.00013871015,0.00022490694,0.00071282114,0.00020898851,0.00090305076],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035544496,0.00052844704,0.0005257321,0.00014302987,0.0011794689,0.00038131617,0.00042681844,0.00028037437,0.008757878],"category_scores_gemma":[0.00009679487,0.0005404251,0.00026018592,0.000010038336,0.00052465894,0.0006381517,0.00017698939,0.00049982383,0.0021995204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003358964,0.00039296813,0.006420271,0.00014855654,0.00018975479,0.000044529494,0.4309865,0.000005773141,0.00011688137,0.07691816,0.4830723,0.0016706862],"study_design_scores_gemma":[0.00044283422,0.00012614127,0.005446664,0.00008690213,0.00012672407,0.00001688775,0.014571673,0.00061898073,0.0003757772,0.00027366536,0.97716784,0.0007458859],"about_ca_topic_score_codex":0.10453843,"about_ca_topic_score_gemma":0.11320971,"teacher_disagreement_score":0.49409553,"about_ca_system_score_codex":0.00032188403,"about_ca_system_score_gemma":0.00031491235,"threshold_uncertainty_score":0.9997047},"labels":[],"label_agreement":null},{"id":"W2966449812","doi":"","title":"Archi-féministes : Art contemporain, théories féministes = Contemporary Art, Feminist Theories","year":2019,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Queer; Contemporary art; Field (mathematics); Resistance (ecology); Sociology; Visual arts; Art; Aesthetics; Media studies; Gender studies; Art history; Performance art","score_opus":0.041379070890990216,"score_gpt":0.24983070575303137,"score_spread":0.20845163486204116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966449812","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006675585,0.00133694,0.00006368967,0.0016836148,0.0033540495,0.001244237,0.003105241,0.0006531962,0.98855233],"genre_scores_gemma":[0.016148208,0.000112798065,0.00005936413,0.006396904,0.0045411102,0.00011148502,0.0033947807,0.00031206544,0.9689233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953161,0.00016674129,0.0015001427,0.0011704065,0.00083005155,0.0010165597],"domain_scores_gemma":[0.99558616,0.0012987062,0.0008704052,0.0014677695,0.00040081333,0.0003761651],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005468719,0.0013922091,0.0018762243,0.00033776893,0.00090528966,0.0011364721,0.0009368129,0.0005289478,0.007577508],"category_scores_gemma":[0.00013212486,0.00116487,0.0007889851,0.000003830994,0.0045029367,0.0004398008,0.00040787904,0.0009452571,0.007191177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061215134,0.000061561776,0.00003400844,0.00027817412,0.00023615407,0.000038543876,0.027767476,6.235788e-8,5.6817413e-7,0.50610894,0.46536538,0.00004791769],"study_design_scores_gemma":[0.00057531503,0.0004451965,0.000002148815,0.00037110876,0.00011729696,0.000017068021,0.0058417995,0.000004868726,0.000019436295,0.23093678,0.76051223,0.0011567652],"about_ca_topic_score_codex":0.00011809374,"about_ca_topic_score_gemma":0.0025452627,"teacher_disagreement_score":0.29514682,"about_ca_system_score_codex":0.00014927736,"about_ca_system_score_gemma":0.0020197316,"threshold_uncertainty_score":0.99990046},"labels":[],"label_agreement":null},{"id":"W2969176752","doi":"","title":"Susan Meiselas, Intimate Strangers, Stephen Bulger Gallery, Toronto, March 29 - April 26, 2008","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Media studies; Sociology","score_opus":0.01723884834085217,"score_gpt":0.18382889185763998,"score_spread":0.1665900435167878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969176752","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08402101,0.25828105,0.0005154277,0.03838977,0.003537154,0.001080535,0.0013590121,0.00071779883,0.6120983],"genre_scores_gemma":[0.09609852,0.07648684,0.0005133916,0.00069628644,0.0017529466,0.0000096610465,0.0001343701,0.00016288394,0.8241451],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966715,0.00018262105,0.00043572194,0.0006779906,0.00056172913,0.0014704629],"domain_scores_gemma":[0.99809355,0.000119146855,0.0002421105,0.00066027674,0.00023865812,0.000646264],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020953585,0.0006203526,0.0006525469,0.00015342407,0.0027742921,0.000091847796,0.0005377749,0.00036116556,0.013996614],"category_scores_gemma":[0.000012853618,0.0007383081,0.0004489861,0.000015325555,0.0011520246,0.00080899056,0.000393378,0.000448747,0.0011637845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021750251,0.00034968602,0.00020621481,0.00017264244,0.00053404114,0.0034498349,0.044167142,0.00008022948,0.00007151195,0.07521386,0.8698793,0.005658043],"study_design_scores_gemma":[0.0015417391,0.00024721658,0.0008624736,0.00010025485,0.00033278574,0.00050096295,0.006999103,0.00066208234,0.000057452897,0.0009428683,0.9869402,0.00081287],"about_ca_topic_score_codex":0.18544474,"about_ca_topic_score_gemma":0.6128133,"teacher_disagreement_score":0.42736852,"about_ca_system_score_codex":0.0071158204,"about_ca_system_score_gemma":0.00023995616,"threshold_uncertainty_score":0.99961394},"labels":[],"label_agreement":null},{"id":"W2969741294","doi":"","title":"Sculpture in Canada: A History by Maria Tippett (review)","year":2018,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; History; Genealogy; Art; Art history","score_opus":0.049897362255710814,"score_gpt":0.22366589055241595,"score_spread":0.17376852829670514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969741294","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010508148,0.83974755,7.173922e-7,0.0060292813,0.0029877445,0.00015064003,0.0003136575,0.000006477285,0.14025576],"genre_scores_gemma":[0.7513458,0.15475002,0.0000442559,0.044040386,0.0036879636,0.000010648795,0.000012766158,0.00005336658,0.04605476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883455,0.00005141767,0.00041425615,0.00010267554,0.00021755561,0.0003795684],"domain_scores_gemma":[0.999005,0.000029769863,0.00016200518,0.00007765157,0.00044713993,0.00027842063],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022446438,0.00011488503,0.00038297946,0.00018228935,0.00020357118,0.000022894374,0.00016893004,0.000022929882,0.0010560827],"category_scores_gemma":[0.00014173999,0.00012342367,0.00006768313,0.0000064698256,0.00033459227,0.00013814449,0.000018318515,0.00021994243,0.000009175275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019578358,0.000006200082,0.00013533217,0.00006624934,0.000087501605,0.00045189523,0.007752605,1.1169065e-7,4.2683374e-7,0.00072320114,0.9857536,0.0050209076],"study_design_scores_gemma":[0.00021322923,0.000039222145,0.001129347,0.0009813012,0.00004114495,0.00022458739,0.0030284028,9.368668e-7,0.0000012413028,0.0001945909,0.994004,0.00014197682],"about_ca_topic_score_codex":0.9970737,"about_ca_topic_score_gemma":0.99999326,"teacher_disagreement_score":0.7408377,"about_ca_system_score_codex":0.002110562,"about_ca_system_score_gemma":0.0032729013,"threshold_uncertainty_score":0.99985707},"labels":[],"label_agreement":null},{"id":"W2971350404","doi":"10.15353/kinema.vi.1245","title":"The Unbearable Duration of Andy Warhol’s Films","year":2011,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shot (pellet); Duration (music); Art; Visual arts; Art history; Girl; Character (mathematics); Focus (optics); Literature; Psychology; Optics; Mathematics; Physics","score_opus":0.08595580418116461,"score_gpt":0.2788107911577665,"score_spread":0.19285498697660192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971350404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8474872,0.0061353752,0.0026371172,0.0020914765,0.011168641,0.0011361825,0.0005363222,0.000111700814,0.12869596],"genre_scores_gemma":[0.9806611,0.0004813166,0.00026185828,0.00018111774,0.0011272185,0.000013470695,0.000011260757,0.000018995352,0.017243696],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909484,0.00003138674,0.000353321,0.000099076875,0.00015898205,0.00026240273],"domain_scores_gemma":[0.99921155,0.00018046614,0.00020540081,0.000096324846,0.00018882289,0.00011742785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035436673,0.00011464958,0.00017980987,0.000052902386,0.0007420625,0.00010277423,0.00011419794,0.0000401464,0.000498292],"category_scores_gemma":[0.00017805566,0.0000701251,0.000099762074,0.0000029096725,0.00031186512,0.00020094613,0.00002330119,0.00012575212,0.000007410737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000501577,0.0003039032,0.0006101877,0.00018961327,0.00030804786,0.000025549038,0.51474315,0.000004927712,0.00093838316,0.29503417,0.1728698,0.014470671],"study_design_scores_gemma":[0.0021839058,0.0011935513,0.0023532033,0.00016049527,0.00020208312,0.00015553439,0.020473003,0.0010555804,0.0043291794,0.06048466,0.9069999,0.00040891516],"about_ca_topic_score_codex":0.000088688925,"about_ca_topic_score_gemma":0.000854782,"teacher_disagreement_score":0.7341301,"about_ca_system_score_codex":0.0000072029698,"about_ca_system_score_gemma":0.00004957275,"threshold_uncertainty_score":0.57074195},"labels":[],"label_agreement":null},{"id":"W2971897686","doi":"10.33137/pbsc.v45i1.18510","title":"&lt;i&gt;Letterpress Printing: A Manual for Modern Fine Press Printers&lt;/i&gt;, by Paul Maravelas","year":2007,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.01473078006306841,"score_gpt":0.22252569954653645,"score_spread":0.20779491948346804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971897686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65235454,0.007649735,0.007861158,0.045657422,0.0038914322,0.0045784423,0.006080058,0.00031910607,0.27160808],"genre_scores_gemma":[0.9872364,0.00016053805,0.00033242023,0.0023454702,0.00028234892,0.000024674082,0.00002048147,0.0000397095,0.009557994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977024,0.000038072452,0.0005607364,0.00031747992,0.00070108054,0.0006801906],"domain_scores_gemma":[0.9985335,0.0003209732,0.00031868028,0.00041344482,0.00021526248,0.00019816273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046495307,0.00026177766,0.0003785137,0.00023446944,0.0003912808,0.000057151152,0.00065086817,0.00012520215,0.000117717806],"category_scores_gemma":[0.000041300777,0.00020177702,0.0007380333,0.00008556981,0.0009268668,0.00009114017,0.0001883233,0.00021029617,1.2333149e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117479496,0.00019068885,0.00064351724,0.00041183154,0.00063727685,0.0000012794424,0.010532033,0.000031446558,0.012430413,0.017067209,0.9566258,0.0013110334],"study_design_scores_gemma":[0.00065396365,0.00007834791,0.0021816199,0.00007328945,0.00011168292,0.0000016260515,0.00037369394,0.00058237504,0.0040150746,0.00214556,0.9894828,0.00029994408],"about_ca_topic_score_codex":0.04474124,"about_ca_topic_score_gemma":0.53847015,"teacher_disagreement_score":0.4937289,"about_ca_system_score_codex":0.000043401033,"about_ca_system_score_gemma":0.00013454756,"threshold_uncertainty_score":0.9616199},"labels":[],"label_agreement":null},{"id":"W2972687148","doi":"10.24908/iqurcp.8439","title":"Steeped in Modernism: The Teapot as Manifesto in Early 20th Century Art","year":2016,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Manifesto; Art; Politics; Popularity; Symbol (formal); Modernism (music); Art history; Aesthetics; Sculpture; Contemporary art; The arts; Visual arts; Period (music); Proclamation; Performance art; Political science; Philosophy; Law","score_opus":0.1429671920961686,"score_gpt":0.3508508246485296,"score_spread":0.20788363255236103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972687148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60953176,0.00015657186,0.00027326823,0.08007466,0.00057295855,0.0018424508,0.000045328452,0.00023238876,0.30727062],"genre_scores_gemma":[0.9363326,0.0010208241,0.000021241276,0.00037982245,0.0006235324,0.00023791756,0.0000061266956,0.000060856593,0.06131712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9955103,0.00020001453,0.0006453289,0.00077025034,0.0012517659,0.0016223391],"domain_scores_gemma":[0.9979742,0.00036253707,0.00013753603,0.00036409567,0.00087472046,0.0002868893],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018983629,0.0003770501,0.00041283364,0.00067956536,0.00051207724,0.0007854449,0.00096868846,0.00016199483,0.0003952151],"category_scores_gemma":[0.0004229602,0.00023902534,0.000098826196,0.000045934037,0.0022394052,0.0011799489,0.00041415036,0.00097025343,0.0010719086],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014489565,0.0001891192,0.004185045,0.00007472831,0.000031678363,0.000046029636,0.15790088,6.3563374e-7,0.0005815468,0.8252521,0.008749616,0.0028436834],"study_design_scores_gemma":[0.0018869931,0.00051405083,0.003656027,0.0007858385,0.0000133186395,0.000017534925,0.027848808,0.00032995493,0.0005192089,0.6872672,0.27644145,0.0007196336],"about_ca_topic_score_codex":0.005585692,"about_ca_topic_score_gemma":0.0106628705,"teacher_disagreement_score":0.32680082,"about_ca_system_score_codex":0.00040112535,"about_ca_system_score_gemma":0.00052486255,"threshold_uncertainty_score":0.99970585},"labels":[],"label_agreement":null},{"id":"W2973026767","doi":"","title":"Toronto: Tributes + Tributaries, 1971-1989","year":2018,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Painting; Visual arts; Period (music); Politics; Photography; Art; Art history; Media studies; History; Sociology; Political science; Aesthetics; Law","score_opus":0.04162469865964264,"score_gpt":0.2570626220073146,"score_spread":0.21543792334767198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973026767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000072471914,0.0068710353,0.00022252365,0.0005226559,0.00486271,0.0008555314,0.003367846,0.00064780365,0.98257744],"genre_scores_gemma":[0.003269668,0.0007942879,0.00008836222,0.0020321552,0.014431984,0.00009993983,0.0024850897,0.0003245701,0.9764739],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99461985,0.0002501739,0.0012645522,0.0012947225,0.0009259099,0.0016447697],"domain_scores_gemma":[0.9960475,0.0005365162,0.0006455417,0.0015414009,0.00062433723,0.00060472946],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000740687,0.0013461047,0.0015674223,0.00017116216,0.0014715497,0.0009648193,0.0010170763,0.00089325634,0.048797656],"category_scores_gemma":[0.00016344555,0.0012934264,0.00079754816,0.000005658797,0.0022691619,0.00089306943,0.0003285197,0.00094211026,0.009355655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004881014,0.00012784054,0.0000017823352,0.00012237104,0.00028469253,0.00004854029,0.036076803,3.0062301e-7,0.0000025443846,0.2277296,0.73113316,0.0044235587],"study_design_scores_gemma":[0.0010746527,0.00042161124,0.00001964048,0.00030151353,0.0003943915,0.000028109707,0.001039709,0.000032485746,0.000020334257,0.07518162,0.92007744,0.0014085139],"about_ca_topic_score_codex":0.0023292934,"about_ca_topic_score_gemma":0.055984296,"teacher_disagreement_score":0.18894427,"about_ca_system_score_codex":0.0008519639,"about_ca_system_score_gemma":0.0012794469,"threshold_uncertainty_score":0.999929},"labels":[],"label_agreement":null},{"id":"W29769860","doi":"10.14745/ccdr.v40i16a02","title":"‘Extended Painting’ at Victoria Miro","year":2004,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Visual arts; Art; Geography","score_opus":0.03657752373285561,"score_gpt":0.2412173069582336,"score_spread":0.20463978322537799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W29769860","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04889411,0.000052391297,0.00025539804,0.0010714742,0.0011152942,0.00009852721,0.000015921101,0.00024248398,0.9482544],"genre_scores_gemma":[0.7369406,0.0000055671517,0.00014128597,0.0016943415,0.0010834573,0.0000046182718,0.000011228547,0.000014902114,0.26010397],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992755,0.000011285448,0.0001493018,0.00015372992,0.0001213935,0.00028875784],"domain_scores_gemma":[0.9996362,0.000020988757,0.00003345361,0.00017397689,0.000050757357,0.0000846313],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007081142,0.00010960626,0.00010958065,0.00003320363,0.0003531379,0.00007645637,0.000092206225,0.000032214513,0.0053555523],"category_scores_gemma":[0.000016347416,0.00008806838,0.0000731549,7.3757377e-7,0.00015966114,0.00010160057,0.000053421383,0.00006026128,0.0009826797],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052915366,0.00005715608,0.000046044548,0.000010190469,0.000019789219,0.0000061138044,0.07905659,0.0000023092116,0.00008397534,0.90347815,0.016953083,0.00028130098],"study_design_scores_gemma":[0.0003712154,0.000039491602,0.00018207617,0.0000073786405,0.000011415776,0.0000022584268,0.0012439585,0.0000123393675,0.0008427407,0.057921108,0.9392142,0.00015180651],"about_ca_topic_score_codex":0.0011813306,"about_ca_topic_score_gemma":0.01581718,"teacher_disagreement_score":0.9222611,"about_ca_system_score_codex":0.00007675898,"about_ca_system_score_gemma":0.000028194647,"threshold_uncertainty_score":0.9997952},"labels":[],"label_agreement":null},{"id":"W2979480452","doi":"","title":"More than a Spasm, Less than a Sign: Queer Masculinity in American Visual Culture, 1915-1955","year":2019,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Government of Ontario","keywords":"Masculinity; Queer; Sign (mathematics); Visual culture; Gender studies; Psychology; Art; Sociology; Visual arts; Mathematics","score_opus":0.10241230091698092,"score_gpt":0.31751152205516586,"score_spread":0.21509922113818494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2979480452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9896609,0.000053696036,0.00006992511,0.0002707445,0.0004935185,0.00050383696,0.00012818015,0.00022360099,0.008595551],"genre_scores_gemma":[0.9195609,0.00004857599,0.000011932456,0.0008797807,0.0003886968,0.0000029975304,0.00006759995,0.00007182429,0.078967705],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9970811,0.0003240184,0.00037598138,0.00079133274,0.0005257984,0.00090177945],"domain_scores_gemma":[0.9984659,0.0000813831,0.00027496676,0.0006242321,0.00019102609,0.00036248492],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000295801,0.00052230095,0.00065434084,0.0005527539,0.00034708116,0.00047228523,0.00081217947,0.00018447608,0.00015421551],"category_scores_gemma":[0.000021579379,0.0005339704,0.00029770975,0.000048833335,0.0006322597,0.0017291015,0.0003987019,0.0008650449,0.0006340537],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013851725,0.00024873228,0.9330814,0.00007982673,0.00010030558,0.00021355064,0.06339491,0.000013226551,0.00008177241,0.0023429056,0.0000050638255,0.0002997744],"study_design_scores_gemma":[0.0025629338,0.0005939851,0.8874455,0.0002931847,0.0001389354,0.000019177156,0.034862373,0.0000044872977,0.000429184,0.0005160396,0.07195928,0.0011749248],"about_ca_topic_score_codex":0.0010536184,"about_ca_topic_score_gemma":0.15822804,"teacher_disagreement_score":0.15717442,"about_ca_system_score_codex":0.0002905152,"about_ca_system_score_gemma":0.00017071367,"threshold_uncertainty_score":0.99971116},"labels":[],"label_agreement":null},{"id":"W2980954484","doi":"10.1080/17458927.2019.1661715","title":"Lisa Hirmer: We Are Weather <b>Lisa Hirmer: We Are Weather</b> , Curated by Shauna McCabe, Art Gallery of Guelph, 17 January – 7 April 2019","year":2019,"lang":"en","type":"article","venue":"The Senses and Society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Meteorology; Environmental science; Geography","score_opus":0.0238112064804356,"score_gpt":0.22754259934636217,"score_spread":0.20373139286592656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980954484","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6883129,0.019719278,0.000039567927,0.028309278,0.0026415223,0.0017166132,0.0042526596,0.0003215164,0.25468665],"genre_scores_gemma":[0.52089787,0.006670685,0.00001884377,0.0040232986,0.0006581592,0.000009350952,0.000093401926,0.00006439683,0.467564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803627,0.000102310936,0.00044435193,0.00041492583,0.00041813572,0.00058399676],"domain_scores_gemma":[0.99856925,0.00019874131,0.00036166678,0.0005644505,0.00017631298,0.00012958857],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020124351,0.00041140142,0.00058578746,0.000018601539,0.00052823283,0.000119515265,0.00027547032,0.00014972508,0.0022684962],"category_scores_gemma":[0.000010406354,0.0002881428,0.0003235718,0.000010743852,0.0005247136,0.00018810217,0.00015199208,0.00033868547,0.00010395605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029605635,0.00012223778,0.000631141,0.00013946553,0.00023464524,0.0000029724056,0.053596612,0.000010696719,0.00040303866,0.0011167666,0.9434794,0.00023338426],"study_design_scores_gemma":[0.0007137786,0.00008887465,0.000985158,0.00019775651,0.00010992513,0.0000059724084,0.054562204,0.0004211057,0.00023053086,0.00057517143,0.9416662,0.000443353],"about_ca_topic_score_codex":0.06094508,"about_ca_topic_score_gemma":0.11616916,"teacher_disagreement_score":0.21287733,"about_ca_system_score_codex":0.000077774166,"about_ca_system_score_gemma":0.0001735334,"threshold_uncertainty_score":0.9999571},"labels":[],"label_agreement":null},{"id":"W2981447569","doi":"10.1007/978-3-030-11557-9_6","title":"‘After the revolution, who’s going to pick up the garbage on Monday morning?’ Cartoneros and Sanmen in the Age of Financial Crises","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Austerity; Context (archaeology); Financial crisis; Political science; History; Politics; Economics; Law","score_opus":0.04370684061113624,"score_gpt":0.23691965484625216,"score_spread":0.1932128142351159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981447569","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006547175,0.00063449005,0.000030636213,0.0011738033,0.00044313894,0.000770663,0.00021418351,0.000019796109,0.9901661],"genre_scores_gemma":[0.32062128,0.00009909558,0.0000033208223,0.0053145085,0.000592826,0.00002556519,0.000012739314,0.000027117132,0.67330354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987896,0.000056394198,0.00033717728,0.00026399028,0.00028563506,0.00026720032],"domain_scores_gemma":[0.9990345,0.00022540631,0.000117633586,0.0005291309,0.000063618696,0.000029708015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030533737,0.00027688252,0.0003185566,0.00007091794,0.00031829238,0.00012242408,0.00030230652,0.00010573608,0.0005778589],"category_scores_gemma":[0.000038095222,0.00013003913,0.00012230287,0.0000015596147,0.0004673006,0.00006329941,0.00012329126,0.00037481866,0.000104588944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043113498,0.000011146396,0.00005839896,0.000044798595,0.00002105751,0.0000065829677,0.23586921,0.000005094799,0.0000019804347,0.656826,0.1068369,0.00027567026],"study_design_scores_gemma":[0.00014844384,0.000114165436,0.0013282041,0.0001880821,0.000053917815,0.0000019885279,0.0010143528,0.000010256716,0.0000057344437,0.012840198,0.9840968,0.00019781571],"about_ca_topic_score_codex":0.00064084557,"about_ca_topic_score_gemma":0.0119383335,"teacher_disagreement_score":0.8772599,"about_ca_system_score_codex":0.000037921214,"about_ca_system_score_gemma":0.00006749086,"threshold_uncertainty_score":0.66618705},"labels":[],"label_agreement":null},{"id":"W2981553840","doi":"","title":"Kunstgriff: Art as Event, Not Commodity / Kunstgriff : l’art est un évènement, pas une marchandise","year":2015,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Event (particle physics); Commodity; Economics; Physics","score_opus":0.10883534582854792,"score_gpt":0.31370225635033416,"score_spread":0.20486691052178624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981553840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066199773,0.00460355,0.0013391979,0.2749823,0.01973062,0.0019596305,0.006930547,0.00057737384,0.6832568],"genre_scores_gemma":[0.5289067,0.0018601215,0.00017268232,0.0073979707,0.007450633,0.00026604065,0.0038490081,0.00024730657,0.44984952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936585,0.00046887208,0.0014236075,0.0011958699,0.0010927982,0.0021603717],"domain_scores_gemma":[0.9950015,0.00040240362,0.00056206516,0.0016794119,0.00061963627,0.0017349748],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00095093274,0.0011198497,0.0011180568,0.00035598743,0.002494809,0.00076572277,0.00091129757,0.00043585736,0.0074591553],"category_scores_gemma":[0.00022549288,0.0011713648,0.0006068846,0.00005633845,0.0023456176,0.0011577768,0.0006867814,0.0011104543,0.015189485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008541552,0.0013690785,0.00016747082,0.00017173517,0.00026244743,0.00009800956,0.024786452,0.000050193124,0.000009909016,0.55946714,0.41270638,0.0008257449],"study_design_scores_gemma":[0.002727298,0.0005887895,0.0004988723,0.0005222989,0.0003590992,0.00008671956,0.00560703,0.00055957795,0.00037328113,0.038362246,0.9489852,0.0013295705],"about_ca_topic_score_codex":0.0051412536,"about_ca_topic_score_gemma":0.025074981,"teacher_disagreement_score":0.53627884,"about_ca_system_score_codex":0.0003670744,"about_ca_system_score_gemma":0.00092992093,"threshold_uncertainty_score":0.9990736},"labels":[],"label_agreement":null},{"id":"W298640002","doi":"","title":"L’art du pastiche. The Artist de Michel Hazanavicius, France, 2011, 100 minThe Artist de Michel Hazanavicius, France, 2011, 100 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Michel foucault; Art; Art history; Humanities; Politics; Political science","score_opus":0.02569609918145023,"score_gpt":0.2356735570140622,"score_spread":0.20997745783261196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W298640002","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046790116,0.416436,0.008356484,0.06181099,0.010260594,0.0026150655,0.0043689455,0.0007549808,0.44860685],"genre_scores_gemma":[0.13724126,0.005248675,0.0015592924,0.015785547,0.005750621,0.00026441453,0.00019545823,0.0003316959,0.83362305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938396,0.00045518044,0.0013432461,0.0011421558,0.0006116629,0.0026081498],"domain_scores_gemma":[0.9961914,0.00051463576,0.0006000228,0.0015570091,0.0004270769,0.0007098518],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.000888417,0.0011964468,0.0011168936,0.00024573,0.002328559,0.0005282547,0.0013309892,0.00064265163,0.020361843],"category_scores_gemma":[0.00014280604,0.0010472318,0.00069046597,0.00002767497,0.003956595,0.00042820457,0.00031351985,0.0010978731,0.009830237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011273774,0.0009832851,0.004046945,0.0003360374,0.0004395176,0.00020833072,0.047115743,0.000020634929,0.00024583502,0.04870703,0.8952991,0.0024848313],"study_design_scores_gemma":[0.0012266923,0.00028579222,0.0082112765,0.00043685644,0.0007336807,0.00015899188,0.0048201084,0.0011852611,0.0013457026,0.010469253,0.9698418,0.0012845802],"about_ca_topic_score_codex":0.035347495,"about_ca_topic_score_gemma":0.020905357,"teacher_disagreement_score":0.41118732,"about_ca_system_score_codex":0.00019625622,"about_ca_system_score_gemma":0.0005502619,"threshold_uncertainty_score":0.9991978},"labels":[],"label_agreement":null},{"id":"W2991026757","doi":"","title":"Trois correspondances : Pablo Picasso et Jean Cocteau, Hélène Pelletier-Baillargeon et Pierre Vadeboncœur, Sigmund Freud et Romain Rolland","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; PICASSO; Humanities; Art history; Painting","score_opus":0.009800944496858841,"score_gpt":0.19082841687623495,"score_spread":0.1810274723793761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991026757","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5093674,0.13564731,0.000532683,0.14454032,0.0037340154,0.0012077821,0.0033772013,0.00035072392,0.20124258],"genre_scores_gemma":[0.37011892,0.020078886,0.00016990064,0.0029105525,0.0004542736,0.000006361049,0.0002887859,0.00010569984,0.6058666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99598527,0.00072227395,0.0004921546,0.00085164345,0.0006280835,0.0013205886],"domain_scores_gemma":[0.9972693,0.0007297516,0.00042870053,0.00083577924,0.00020749985,0.0005289947],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000656754,0.00073224003,0.0008895322,0.00031365224,0.0012722105,0.00028153157,0.0006009436,0.00045012624,0.004647314],"category_scores_gemma":[0.0000845795,0.00080804655,0.00047911896,0.00003434721,0.00052877987,0.0006690043,0.00047883403,0.00083294563,0.0011615569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074695615,0.0005538364,0.0020930602,0.00026843557,0.00062048243,0.0016430995,0.09653495,0.0009171812,0.00029996212,0.47818676,0.4139343,0.0042009936],"study_design_scores_gemma":[0.0030879087,0.0006184283,0.0016806661,0.00024862748,0.00033824952,0.00014604603,0.0117214555,0.0022572149,0.00005580744,0.0038985957,0.9749982,0.00094879477],"about_ca_topic_score_codex":0.06734214,"about_ca_topic_score_gemma":0.5936704,"teacher_disagreement_score":0.56106395,"about_ca_system_score_codex":0.0022623169,"about_ca_system_score_gemma":0.0002499708,"threshold_uncertainty_score":0.99961615},"labels":[],"label_agreement":null},{"id":"W2991741237","doi":"","title":"Rethinking Seriality in Minimalist Art Practices","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Minimalism (technical communication); Repetition (rhetorical device); Meaning (existential); Modernism (music); Aesthetics; Art; Literature; Linguistics; Philosophy; Epistemology; Computer science","score_opus":0.20715179347712107,"score_gpt":0.33170449212441727,"score_spread":0.1245526986472962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991741237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08040676,0.000020938127,0.0000010150795,0.0026876593,0.00084994134,0.00007222926,0.00003603834,0.000019512874,0.9159059],"genre_scores_gemma":[0.9859019,9.017826e-7,0.000028223745,0.0019456587,0.0010321772,0.0000038836088,0.0000038248936,0.000005182868,0.011078262],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989485,0.00004264856,0.00012463109,0.00018862075,0.00024708858,0.00044851695],"domain_scores_gemma":[0.9992553,0.000020398604,0.00009924743,0.00009454913,0.00013963511,0.00039089678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010031365,0.00006583459,0.000091119786,0.00010450045,0.00068681117,0.00037231972,0.00026425062,0.000035436926,0.0001874728],"category_scores_gemma":[0.000431914,0.00006806153,0.00001958667,0.000013150964,0.001267775,0.0006221631,0.000027766917,0.000108153865,0.00009072965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031916534,0.000009660488,0.002494813,0.0000044559974,0.0000016588027,0.000017810024,0.49750176,1.564246e-7,0.000012982382,0.47564456,0.023905214,0.00040373593],"study_design_scores_gemma":[0.000090083086,0.000012068964,0.0008706581,0.0000051941097,0.0000029788478,8.18532e-7,0.01539042,0.000022788237,0.000011297528,0.017424002,0.96605784,0.0001118436],"about_ca_topic_score_codex":0.2772653,"about_ca_topic_score_gemma":0.9453394,"teacher_disagreement_score":0.9421526,"about_ca_system_score_codex":0.0005135375,"about_ca_system_score_gemma":0.0017037824,"threshold_uncertainty_score":0.7275474},"labels":[],"label_agreement":null},{"id":"W2992651591","doi":"","title":"The Photographic Object, 1970","year":2014,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Modern art; Art history; Visitor pattern; Object (grammar); Visual arts; Photography; Art; Computer science; Performance art","score_opus":0.03959678840294318,"score_gpt":0.25851005955190814,"score_spread":0.21891327114896497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992651591","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73895764,0.0025857578,0.010192193,0.00444187,0.00058676675,0.0005403071,0.000054893688,0.0007812452,0.24185933],"genre_scores_gemma":[0.9958616,0.00034390663,0.00004049743,0.0006115821,0.0001311623,0.00004060611,0.0000044182707,0.000009268556,0.0029569976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992409,0.00003787713,0.00015293102,0.00019780204,0.00007801486,0.0002925008],"domain_scores_gemma":[0.99956495,0.00011030133,0.000013546417,0.00019869595,0.00006998177,0.000042512842],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00014983943,0.00014914843,0.00020826422,0.00003358811,0.0013284339,0.00007671048,0.00017693703,0.00009646061,0.00004770064],"category_scores_gemma":[0.000003933176,0.00009909743,0.0001320835,0.000007325354,0.0028093096,0.00006137701,0.000023669167,0.00027660385,0.000014606452],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048673464,0.000029459436,0.00030379597,0.000008996212,0.00009209154,1.8019858e-7,0.14510928,2.966703e-7,0.00013904243,0.84899485,0.004352125,0.0009649962],"study_design_scores_gemma":[0.0005195637,0.00016616962,0.0004892488,0.0000101897795,0.00004556746,0.0000032504536,0.022898298,0.0005419837,0.0012093439,0.07998371,0.89391625,0.00021641975],"about_ca_topic_score_codex":0.00006208675,"about_ca_topic_score_gemma":0.002650963,"teacher_disagreement_score":0.88956416,"about_ca_system_score_codex":0.000008272087,"about_ca_system_score_gemma":0.000015392707,"threshold_uncertainty_score":0.9999717},"labels":[],"label_agreement":null},{"id":"W2993224295","doi":"","title":"Body of Work","year":2007,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Transgender; Expansive; Viewpoints; Sociology; Subject (documents); Contemporary art; Visual arts; Gender studies; Art history; Art; Performance art","score_opus":0.05965586209324023,"score_gpt":0.2892351269271248,"score_spread":0.22957926483388455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993224295","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8986776,0.00081696117,0.01514701,0.000469153,0.00015030093,0.00016842871,0.0000290722,0.00018291289,0.08435859],"genre_scores_gemma":[0.9975056,0.000060793474,0.00021856994,0.00019182051,0.000074963464,0.0000046090004,0.0000036539027,0.0000067081974,0.001933283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993718,0.000008519279,0.00018713287,0.0001428819,0.00006534627,0.00022430196],"domain_scores_gemma":[0.9997061,0.00004766367,0.000015096468,0.00011712567,0.00007676484,0.00003727689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012212858,0.00010987316,0.00023630816,0.00004748388,0.00021326133,0.00001075063,0.00009475134,0.00010539384,0.000110863286],"category_scores_gemma":[0.000001736175,0.000094720264,0.00009349295,0.0000075075286,0.0016839708,0.000054530843,0.000016378643,0.00017926813,0.0000062156073],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016851565,0.00009402203,0.0018777748,0.000023734421,0.00011705596,0.0000011338091,0.3038679,2.8330442e-7,0.0006773361,0.68970364,0.0031378719,0.00048236502],"study_design_scores_gemma":[0.0027504242,0.0007551647,0.017778834,0.00010810014,0.00022931788,0.0000075542216,0.15256459,0.00010402462,0.057849467,0.08150407,0.6854088,0.0009396669],"about_ca_topic_score_codex":0.000024102603,"about_ca_topic_score_gemma":0.00029343442,"teacher_disagreement_score":0.68227094,"about_ca_system_score_codex":0.0000106733505,"about_ca_system_score_gemma":0.000013820985,"threshold_uncertainty_score":0.62046605},"labels":[],"label_agreement":null},{"id":"W2996316696","doi":"10.7202/1064839ar","title":"Ernst Behler's \"The Contemporary and the Posthumous\"","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanism; Environmental ethics; Sociology; Art history; Philosophy; History; Political science; Law","score_opus":0.03710465851387214,"score_gpt":0.22854532033182015,"score_spread":0.191440661817948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996316696","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5836937,0.0024078644,7.984356e-7,0.004664665,0.000477015,0.00023704607,0.000038388414,0.000039974475,0.40844056],"genre_scores_gemma":[0.8947183,0.000045038858,0.0000023867615,0.0017801317,0.00020387453,0.0000046702953,0.0000051508678,0.000011033531,0.10322944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944013,0.000063496,0.0001185233,0.00011387096,0.000110730376,0.0001532573],"domain_scores_gemma":[0.9995042,0.00017678838,0.000051000203,0.0002049265,0.00003457993,0.000028471604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002313509,0.000092899536,0.00012762382,0.000011562946,0.00035046114,0.00016899686,0.00014955277,0.00002044318,0.0005904189],"category_scores_gemma":[0.000009686476,0.000044286444,0.00004539174,9.2182967e-7,0.0007626535,0.00011962455,0.00005609644,0.00009485081,0.0002528452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000853528,0.000026942238,0.003597543,0.00003115729,0.0000893955,0.0000025188788,0.3108225,0.000008402665,0.000028299344,0.65241176,0.032461394,0.0004347495],"study_design_scores_gemma":[0.00061588053,0.00004195241,0.0007367763,0.000011950772,0.000014362071,0.00000219237,0.012257006,0.00017886657,0.000040548333,0.011693213,0.9742986,0.000108634114],"about_ca_topic_score_codex":0.0023269835,"about_ca_topic_score_gemma":0.0032140224,"teacher_disagreement_score":0.94183725,"about_ca_system_score_codex":0.000004891185,"about_ca_system_score_gemma":0.000028071325,"threshold_uncertainty_score":0.64646727},"labels":[],"label_agreement":null},{"id":"W2996494414","doi":"10.1386/jcca_00003_1","title":"Tradition and transmission: Shifting epistemological and (art-)historical grounds of contemporary art's relation to the past","year":2019,"lang":"en","type":"article","venue":"Journal of Contemporary Chinese Art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Relation (database); Contemporary art; Perspective (graphical); Epistemology; Art methodology; Sociology; History; Aesthetics; Philosophy; Art; Art history; Visual arts; Performance art; Computer science","score_opus":0.04835536698729369,"score_gpt":0.24652722283333744,"score_spread":0.19817185584604374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996494414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81973124,0.0023817972,0.0011081257,0.018090805,0.00082487316,0.000374971,0.000021868877,0.000024346562,0.15744196],"genre_scores_gemma":[0.98416865,0.000030883173,0.00008295402,0.0007816051,0.000886677,0.0000024849378,0.000014463165,0.00001644427,0.014015851],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848247,0.00016577574,0.0007600308,0.0001591765,0.00029648526,0.00013608627],"domain_scores_gemma":[0.99886066,0.00026497492,0.0004275027,0.00013917152,0.00013201914,0.00017569994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006959346,0.00017906753,0.00045421938,0.00012781034,0.00019439348,0.000082367784,0.00012023843,0.000071625946,0.00011517956],"category_scores_gemma":[0.000047764974,0.00010582616,0.00013823538,0.000010774858,0.00014872069,0.0006884033,0.000026981586,0.0002835791,0.00001933011],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025177584,0.000856709,0.16658711,0.0005587218,0.00046119676,0.00023804043,0.22635143,0.000046296253,0.0015675129,0.07604926,0.52132964,0.0034363223],"study_design_scores_gemma":[0.0015041337,0.0012400823,0.04119298,0.00020975068,0.000033576758,0.00015725176,0.0012249005,0.00026976893,0.0000105754325,0.008616288,0.9453165,0.00022418836],"about_ca_topic_score_codex":0.00002751171,"about_ca_topic_score_gemma":0.000026318967,"teacher_disagreement_score":0.42398685,"about_ca_system_score_codex":0.000044169403,"about_ca_system_score_gemma":0.00008554477,"threshold_uncertainty_score":0.43154657},"labels":[],"label_agreement":null},{"id":"W3002998074","doi":"10.1215/9781478090212","title":"Everything Man: The Form and Function of Paul Robeson","year":2020,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Center for the Study of Women, University of California, Los Angeles; Fordham University; University of Oxford; York University; University of Minnesota","keywords":"Function (biology); Art; History; Biology; Evolutionary biology","score_opus":0.04463092858303125,"score_gpt":0.20981987054909865,"score_spread":0.1651889419660674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002998074","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041018942,0.00051816,0.0001831072,0.0007589901,0.0003892873,0.00014355249,0.00005308945,0.00004407874,0.9978687],"genre_scores_gemma":[0.010113093,0.00012731744,0.000010095729,0.0019496622,0.001460559,0.0000038703024,0.000063046595,0.000024036433,0.9862483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999426,0.000009284711,0.00017778258,0.00013493806,0.00013121261,0.00012076753],"domain_scores_gemma":[0.99963474,0.000050190083,0.000098297445,0.00013303303,0.000047681497,0.00003607322],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000060775525,0.00013808225,0.00018901579,0.00002895035,0.00020127675,0.0000695756,0.000076949786,0.000074457785,0.0011708376],"category_scores_gemma":[0.000005540581,0.000086741115,0.00007720102,3.1916935e-7,0.00018317411,0.000095865194,0.000064576896,0.00017687037,0.00003803574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007914338,0.0000052083906,0.0000011481835,0.0001342483,0.000058327623,0.0000012007963,0.04753297,2.3477827e-7,6.955548e-7,0.59732443,0.35239565,0.0025379919],"study_design_scores_gemma":[0.00008063134,0.000062144114,0.000006784499,0.000041944088,0.00008928065,0.0000012210382,0.0011981678,0.000062902356,0.0000053984922,0.081329435,0.91701895,0.00010314164],"about_ca_topic_score_codex":0.00023007116,"about_ca_topic_score_gemma":0.0039164536,"teacher_disagreement_score":0.5646233,"about_ca_system_score_codex":0.000024036071,"about_ca_system_score_gemma":0.00006065108,"threshold_uncertainty_score":0.9997422},"labels":[],"label_agreement":null},{"id":"W3006911502","doi":"10.1177/2336825x1802602s03","title":"Surrealist Prague (this little mother has claws)<sup>1</sup>","year":2018,"lang":"en","type":"article","venue":"New Perspectives","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Claw; Art; Engineering; Mechanical engineering","score_opus":0.06586525321996888,"score_gpt":0.27651895114121505,"score_spread":0.21065369792124616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006911502","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020617148,0.0007807109,0.00024269421,0.0041286293,0.000454537,0.00022950846,0.000115483905,0.00028306825,0.9731482],"genre_scores_gemma":[0.6955019,0.000045334724,0.00014135205,0.0007533754,0.006885432,0.000008074813,0.000011881384,0.000048714577,0.29660392],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986604,0.000059703263,0.00020086371,0.00040475623,0.00022033589,0.0004539669],"domain_scores_gemma":[0.99905276,0.00007552676,0.00007128337,0.00038508535,0.00023114424,0.00018417371],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010564249,0.00023591344,0.00023843872,0.000097509976,0.0007184587,0.00034041377,0.00022381303,0.00008074239,0.017263725],"category_scores_gemma":[0.00008277596,0.00020831215,0.00013585508,0.0000055145138,0.0014512658,0.00030855057,0.00005977163,0.00016911929,0.0014113727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019772575,0.00009121295,0.000091800706,0.000008645673,0.00005482538,0.000003426734,0.4997436,0.0000016891881,0.000015381533,0.3011055,0.19827965,0.0005844851],"study_design_scores_gemma":[0.00043526242,0.00019238351,0.00023688492,0.000024418561,0.00003153206,0.0000047824014,0.04491594,0.00018503786,0.00015705942,0.013596879,0.9399377,0.0002820799],"about_ca_topic_score_codex":0.014111106,"about_ca_topic_score_gemma":0.016873889,"teacher_disagreement_score":0.7416581,"about_ca_system_score_codex":0.00011489086,"about_ca_system_score_gemma":0.00019738935,"threshold_uncertainty_score":0.99936616},"labels":[],"label_agreement":null},{"id":"W3009775721","doi":"10.18432/ari29527","title":"What Can Art Do? A Review of Bridging Communities through Socially Engaged Art Edited by Alice Wexler and Vida Sabbaghi","year":2020,"lang":"en","type":"review","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bridging (networking); Politics; Sociology; Reading (process); Contemporary art; Social justice; Visual arts; Pedagogy; Media studies; Political science; Social science; Performance art; Art; Art history; Law; Computer science","score_opus":0.23608420297330399,"score_gpt":0.4253202365583158,"score_spread":0.18923603358501181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009775721","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013871146,0.93793917,0.00011256882,0.018949509,0.0015963934,0.0007641944,0.0013723801,0.000040395465,0.039211508],"genre_scores_gemma":[0.00024672048,0.9706695,0.00007163759,0.0011084803,0.003579518,0.000095307856,0.0011922903,0.00010408133,0.02293245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929597,0.0025741635,0.001525023,0.00041769564,0.0017582941,0.00076516473],"domain_scores_gemma":[0.99624914,0.0014232035,0.00058523245,0.00033809498,0.0010237319,0.0003805902],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0035801164,0.00057565287,0.0016555365,0.00039765058,0.00223002,0.0012200773,0.0012398377,0.00017179828,0.0032738044],"category_scores_gemma":[0.00018944143,0.0004849221,0.00076742866,0.00003599821,0.0015174152,0.0013787105,0.000413137,0.004415878,0.00011914411],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005254297,0.00031577674,0.000001684785,0.021833861,0.0014864802,0.00014353286,0.33350074,6.5995977e-7,0.0000015624609,0.012382253,0.57672757,0.05355337],"study_design_scores_gemma":[0.00041752425,0.00021123004,7.6918536e-7,0.0655568,0.00030786297,0.00031114134,0.017591273,0.000026147758,8.535207e-7,0.004327564,0.9108459,0.0004029606],"about_ca_topic_score_codex":0.00006829453,"about_ca_topic_score_gemma":0.0017087292,"teacher_disagreement_score":0.33411834,"about_ca_system_score_codex":0.00029947094,"about_ca_system_score_gemma":0.0010259333,"threshold_uncertainty_score":0.9998168},"labels":[],"label_agreement":null},{"id":"W3009916329","doi":"10.25071/1916-4467.40445","title":"A Subdued Palette of Subversion","year":2020,"lang":"en","type":"article","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Subversion; Palette (painting); Exegesis; Art; Art history; Visual arts; Aesthetics; Literature; Political science; Law","score_opus":0.06748101852777712,"score_gpt":0.2622250344824164,"score_spread":0.1947440159546393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009916329","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53161246,0.0037632796,0.0000413864,0.41580206,0.008934878,0.0011067864,0.0012064887,0.00004013566,0.03749253],"genre_scores_gemma":[0.992241,0.000053825166,0.00002088669,0.0024356314,0.0009448562,0.0000017051673,0.0000016988133,0.0000076031924,0.0042927624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920106,0.00004267607,0.00030244378,0.00005180369,0.00022451402,0.00017748006],"domain_scores_gemma":[0.99832106,0.00008131688,0.00066494284,0.000047989946,0.00076965574,0.00011502232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027213013,0.000072384944,0.00023095458,0.000055822064,0.0004249315,0.000032115073,0.00014679121,0.000031555348,0.000027986007],"category_scores_gemma":[0.00081566925,0.00004874447,0.00023709906,0.0000064093674,0.00007067987,0.00010343823,0.000019467583,0.00010659665,0.0000036170272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011868549,0.000028652903,0.029712234,0.00008996345,0.00078094937,0.0000026468106,0.17565118,0.00002888914,0.000028834676,0.02470556,0.76886725,0.00009195847],"study_design_scores_gemma":[0.00074918923,0.00016603286,0.0026494875,0.00006947609,0.00028509396,0.0000012787959,0.015175352,0.00010600817,0.000120948076,0.004338555,0.97620517,0.00013339482],"about_ca_topic_score_codex":0.00639829,"about_ca_topic_score_gemma":0.43209246,"teacher_disagreement_score":0.46062857,"about_ca_system_score_codex":0.00047946954,"about_ca_system_score_gemma":0.000174061,"threshold_uncertainty_score":0.9672343},"labels":[],"label_agreement":null},{"id":"W3011688332","doi":"10.5206/mf.v5i1.10519","title":"Monumental Dust: The Architecture of Jane Urquhart","year":2020,"lang":"en","type":"article","venue":"Mouvances Francophones","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Architecture; History; Archaeology","score_opus":0.029670985836756588,"score_gpt":0.22302469736104985,"score_spread":0.19335371152429326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011688332","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5957687,0.023246158,0.0050263526,0.051715665,0.018154608,0.0020038523,0.0015666306,0.00073133083,0.3017867],"genre_scores_gemma":[0.9873737,0.00011356603,0.00007419499,0.002519298,0.001988108,0.000016590202,0.000008884982,0.000019989178,0.007885663],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914825,0.000030034123,0.00022099225,0.00017623091,0.00020003095,0.00022448995],"domain_scores_gemma":[0.9995006,0.00011317541,0.000093253606,0.0001764361,0.00004302842,0.000073513416],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005359695,0.00014931809,0.00021053343,0.00002204855,0.00031383746,0.00004407295,0.00024705435,0.000029936324,0.0024774699],"category_scores_gemma":[0.000025399062,0.00009623263,0.000108009895,0.0000055954483,0.00047339196,0.00010061416,0.00005547571,0.00017862907,0.00019363489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016376653,0.00013569667,0.0009940675,0.0002468157,0.00019957329,0.00001637856,0.89056194,0.0009200976,0.0018653631,0.018573206,0.06659419,0.019728908],"study_design_scores_gemma":[0.00035959895,0.000114809045,0.00039225217,0.000019135903,0.00002697139,0.0000019778568,0.011148228,0.00044434273,0.0031825353,0.0027064304,0.98143625,0.00016743658],"about_ca_topic_score_codex":0.0006243813,"about_ca_topic_score_gemma":0.0027500102,"teacher_disagreement_score":0.91484207,"about_ca_system_score_codex":0.0000072128296,"about_ca_system_score_gemma":0.000023072376,"threshold_uncertainty_score":0.9984344},"labels":[],"label_agreement":null},{"id":"W3011976056","doi":"10.3138/md.63.1.br3","title":"Joshua Chambers-Letson, <i>After the Party: A Manifesto for Queer of Color Life</i>","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Manifesto; Marxist philosophy; Criticism; Face (sociological concept); Aesthetics; Sociology; Art; Art history; Literature; Political science; Gender studies; Politics; Law; Social science","score_opus":0.05230609011893833,"score_gpt":0.2420489243396499,"score_spread":0.18974283422071156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011976056","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6775018,0.0030808004,0.026451023,0.1196027,0.0022980566,0.0044244155,0.0024783418,0.00070176926,0.16346106],"genre_scores_gemma":[0.96551704,0.000010048848,0.0001251016,0.019413399,0.0011810047,0.00015554643,0.000017926452,0.000047756526,0.013532197],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988209,0.000036375644,0.0003121974,0.00025894452,0.00020207233,0.00036949423],"domain_scores_gemma":[0.9992121,0.000094921226,0.00011046651,0.000280007,0.00014358146,0.00015893287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000116092306,0.00019062308,0.00027298514,0.000017872375,0.00029693422,0.00014090574,0.0002251067,0.000063061845,0.00048464115],"category_scores_gemma":[0.00005927366,0.00013639528,0.00018486138,0.0000028885895,0.0003912981,0.00013402867,0.0000816213,0.00012512637,0.0000870379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005221142,0.00015220071,0.00028750222,0.00028379774,0.00021387982,0.000015330103,0.7438288,0.0001153771,0.00012555851,0.11387262,0.13925919,0.0013236611],"study_design_scores_gemma":[0.00063903304,0.00019858692,0.00008693479,0.000019005765,0.000089364694,0.00000234616,0.0017864077,0.016453145,0.00015894326,0.010689523,0.969651,0.00022571726],"about_ca_topic_score_codex":0.0002993347,"about_ca_topic_score_gemma":0.0018712021,"teacher_disagreement_score":0.8303918,"about_ca_system_score_codex":0.000016726337,"about_ca_system_score_gemma":0.00008891442,"threshold_uncertainty_score":0.5562038},"labels":[],"label_agreement":null},{"id":"W3012549259","doi":"","title":"Confluence: Tradition in Contemporary Art, George Segal Gallery, Montclair State University, New Jersey, USA","year":2019,"lang":"en","type":"article","venue":"Discovery Research Portal (University of Dundee)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Confluence; State (computer science); Art history; State of art; Art; Computer science; Programming language; Data science","score_opus":0.11055321137483051,"score_gpt":0.283916705502319,"score_spread":0.1733634941274885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012549259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5861929,0.00004158307,0.00005534335,0.0003901286,0.00011635286,0.00032095352,0.00029226003,0.000024707058,0.4125658],"genre_scores_gemma":[0.67135936,0.00008675534,0.0000117509535,0.00003946251,0.000053416232,9.354273e-8,0.00013027876,0.000011878687,0.328307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800676,0.00018829624,0.00019101314,0.0004127115,0.0006549869,0.00054624147],"domain_scores_gemma":[0.9990085,0.00011671471,0.00012474717,0.00032814755,0.00017323227,0.000248666],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042348413,0.00017953567,0.0003411797,0.00048281185,0.00031228916,0.00009653602,0.00045058382,0.0000903551,0.003243273],"category_scores_gemma":[0.000012859756,0.00021984219,0.00017555803,0.000027691038,0.00094461616,0.002383982,0.00020646743,0.00045909136,0.00041264523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015441577,0.00096378615,0.03351797,0.0003454572,0.0003834386,0.002248672,0.21157408,0.0001752734,0.0006708312,0.49630213,0.25155824,0.000715966],"study_design_scores_gemma":[0.0056777503,0.0010374241,0.06255163,0.00033914502,0.000040160492,0.000014691125,0.29624566,0.0008109954,0.00009962537,0.021102397,0.6111599,0.00092061167],"about_ca_topic_score_codex":0.041347526,"about_ca_topic_score_gemma":0.07316326,"teacher_disagreement_score":0.47519973,"about_ca_system_score_codex":0.00011051004,"about_ca_system_score_gemma":0.001073276,"threshold_uncertainty_score":0.9976679},"labels":[],"label_agreement":null},{"id":"W3014535190","doi":"10.3138/ctr.182.010","title":"<i>Wood Mountain Walk</i> and the Possibilities of Decolonization through Relationships with People and Land in Solo Walking Performance","year":2020,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Decolonization; Geography; Political science; Law; Politics","score_opus":0.0348876648419712,"score_gpt":0.22025266883438238,"score_spread":0.18536500399241118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014535190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64563704,0.24241045,0.000050381834,0.035677135,0.00008706886,0.0019368719,0.00020401273,0.000041343115,0.07395572],"genre_scores_gemma":[0.97643006,0.020722732,0.000030984327,0.0024959038,0.000058505324,0.000015367725,0.000015820455,0.0000099610625,0.00022067183],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994026,0.00009330086,0.00018724446,0.00011343976,0.00005488896,0.00014854653],"domain_scores_gemma":[0.9996271,0.00010231533,0.00005714826,0.00009838641,0.000035889498,0.00007915302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021534038,0.000086258784,0.00022634173,0.0000226856,0.0002308802,0.000035933062,0.00005512527,0.000021143773,0.000048168742],"category_scores_gemma":[0.000039942315,0.00005457564,0.000017200777,0.000008617475,0.0002418895,0.00015628032,0.000012463896,0.00010154604,0.000002510695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004430742,0.000013729025,0.12108144,0.0065417103,0.0000505272,0.000003956199,0.72310853,0.000022446413,5.5183966e-7,0.136333,0.0015466426,0.011253128],"study_design_scores_gemma":[0.0040095947,0.00046828945,0.022741685,0.009184654,0.0005896241,0.00006189535,0.036555946,0.0037780383,0.000018904902,0.0162791,0.9052844,0.0010278808],"about_ca_topic_score_codex":0.0380981,"about_ca_topic_score_gemma":0.8121702,"teacher_disagreement_score":0.9037377,"about_ca_system_score_codex":0.000031128013,"about_ca_system_score_gemma":0.00013684378,"threshold_uncertainty_score":0.9683073},"labels":[],"label_agreement":null},{"id":"W3015061874","doi":"","title":"LibGuides: Vancouver Art and Artists: Databases","year":2017,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Database; Visual arts; Art; World Wide Web; Computer science","score_opus":0.08601353315341785,"score_gpt":0.29179486559245116,"score_spread":0.2057813324390333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015061874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018126,0.0013625752,0.0001000269,0.00041744483,0.0050714076,0.00021414529,0.0023984388,0.00021247953,0.99020535],"genre_scores_gemma":[0.00065773405,0.0017736505,0.000294889,0.0035605466,0.0076319664,0.000025046344,0.0009777712,0.00009299636,0.9849854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831635,0.000028715222,0.00040713468,0.0005030311,0.0002674857,0.0004772632],"domain_scores_gemma":[0.998404,0.00012183321,0.00026126736,0.00090436614,0.00013085583,0.00017766882],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013600077,0.0004219477,0.00053333235,0.00012382775,0.00082268403,0.00061243266,0.00034971256,0.00012747169,0.009265764],"category_scores_gemma":[0.00013067167,0.00034056607,0.0001257344,4.6305652e-7,0.0009949199,0.00055349024,0.00028318228,0.00030118236,0.00061419694],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039671763,0.000027626846,0.000013972749,0.0001725396,0.00007569946,0.000025417736,0.005642366,5.0801617e-8,2.629592e-7,0.059613753,0.9332197,0.0012046834],"study_design_scores_gemma":[0.00020048613,0.00004166941,0.000008998672,0.0002239513,0.00011059892,0.0000046811624,0.00091308216,0.000015639747,0.000012520055,0.005464052,0.99251866,0.00048566022],"about_ca_topic_score_codex":0.004480607,"about_ca_topic_score_gemma":0.2773796,"teacher_disagreement_score":0.272899,"about_ca_system_score_codex":0.000033731707,"about_ca_system_score_gemma":0.00015074763,"threshold_uncertainty_score":0.99990463},"labels":[],"label_agreement":null},{"id":"W3015280053","doi":"","title":"Sex Life: Homoeroticism in Drawing, SAW Gallery, Ottawa","year":2020,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.01861171755879371,"score_gpt":0.17269172908708327,"score_spread":0.15408001152828957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015280053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33921772,0.006752978,0.00052324723,0.101939246,0.00066556834,0.0006690475,0.00018647585,0.00064147444,0.5494042],"genre_scores_gemma":[0.89561117,0.00031440618,0.000082022576,0.0046634353,0.0006047659,0.0000036371716,0.000023389059,0.000036911424,0.09866027],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880487,0.000052062005,0.00019148849,0.00029791216,0.00019292545,0.00046076305],"domain_scores_gemma":[0.99928606,0.00004892454,0.000081495666,0.00021175509,0.00004371711,0.00032803867],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000082569124,0.00019831807,0.00027902704,0.00010827802,0.00047705154,0.000049415157,0.000268505,0.00008223347,0.0010982474],"category_scores_gemma":[0.000034251847,0.00022037156,0.00012208082,0.0000101064925,0.00016370919,0.00021006879,0.00017436994,0.00021715282,0.00036655331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007493554,0.00013518092,0.0012389114,0.000077332516,0.00013640917,0.0015507363,0.28605548,0.00023436332,0.000119216515,0.18634106,0.52099895,0.0030374324],"study_design_scores_gemma":[0.0008113914,0.00008419967,0.0003540713,0.000016830965,0.000039021343,0.000011329519,0.0069653504,0.0014607349,0.00005114587,0.0011225939,0.988815,0.0002683482],"about_ca_topic_score_codex":0.009569784,"about_ca_topic_score_gemma":0.26893035,"teacher_disagreement_score":0.55639344,"about_ca_system_score_codex":0.0008652635,"about_ca_system_score_gemma":0.000051643157,"threshold_uncertainty_score":0.99981487},"labels":[],"label_agreement":null},{"id":"W3015304873","doi":"10.7202/1068325ar","title":"Adad Hannah : reflets et réflexions de l’art « vivant »","year":2019,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.029651043071118443,"score_gpt":0.2525750018180215,"score_spread":0.22292395874690307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015304873","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13409224,0.002628365,0.00009074586,0.058570284,0.0065306807,0.00068068755,0.0017832505,0.0001485988,0.7954751],"genre_scores_gemma":[0.32004297,0.00048154505,0.000113280264,0.007090478,0.0019112974,0.00002262332,0.00019773633,0.000085908745,0.6700542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99677366,0.00018521611,0.0005363976,0.0005895467,0.00016740868,0.0017477497],"domain_scores_gemma":[0.99776876,0.00015799074,0.00019265516,0.00078706414,0.00017540617,0.0009181342],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005383617,0.00043697841,0.0005496733,0.00018536636,0.00062120514,0.00022186179,0.00035620586,0.00023028805,0.0074751517],"category_scores_gemma":[0.000093873445,0.0004953089,0.0002974548,0.0000105975605,0.00043386908,0.0004264678,0.00012823475,0.0005851665,0.007485243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000214318,0.00011224271,0.00010044981,0.00024672112,0.00010997624,0.00017701728,0.048156943,0.00008952198,0.00011996311,0.7835571,0.16501687,0.0022917716],"study_design_scores_gemma":[0.00047192725,0.00027321826,0.00022948737,0.00046321636,0.00013531174,0.00015261254,0.002064566,0.0010064347,0.000069349044,0.012425509,0.9821113,0.0005970969],"about_ca_topic_score_codex":0.033350468,"about_ca_topic_score_gemma":0.58366776,"teacher_disagreement_score":0.8170944,"about_ca_system_score_codex":0.0006660172,"about_ca_system_score_gemma":0.00046190413,"threshold_uncertainty_score":0.99974984},"labels":[],"label_agreement":null},{"id":"W3015488406","doi":"10.7202/1068314ar","title":"Introduction","year":2019,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01521280499512201,"score_gpt":0.19381921091559642,"score_spread":0.17860640592047441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015488406","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37336177,0.003643031,0.00003893181,0.06373906,0.031505466,0.00063536706,0.00068493525,0.00012382866,0.5262676],"genre_scores_gemma":[0.19274624,0.00023650547,0.000039706443,0.000930615,0.01792275,0.000008981207,0.00015098078,0.00005023022,0.787914],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998099,0.00006600596,0.00034479322,0.0004576575,0.00009707613,0.00093541865],"domain_scores_gemma":[0.9987735,0.000044657892,0.00012430351,0.0005389611,0.0001448649,0.00037370255],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024627577,0.00025631854,0.00033424288,0.00012474234,0.00038538635,0.00013369214,0.00017491508,0.00013447265,0.020154668],"category_scores_gemma":[0.000046638117,0.00029798225,0.00016142568,0.000005396668,0.00031728824,0.00036662424,0.000051428586,0.00031982406,0.0113263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010394935,0.00005372349,0.00013135641,0.00023348888,0.00006836953,0.000027694115,0.028697802,0.00006633616,0.0000458644,0.7203285,0.24074136,0.009595137],"study_design_scores_gemma":[0.00027141266,0.00016408494,0.00016450656,0.00009609326,0.00008291437,0.00007752394,0.0017864408,0.000570546,0.00004611968,0.003022242,0.9933584,0.00035972995],"about_ca_topic_score_codex":0.027033564,"about_ca_topic_score_gemma":0.3257394,"teacher_disagreement_score":0.75261706,"about_ca_system_score_codex":0.00043471297,"about_ca_system_score_gemma":0.00011775568,"threshold_uncertainty_score":0.99994725},"labels":[],"label_agreement":null},{"id":"W3019110009","doi":"","title":"\"From Laboratory to Vivarium.\" Review of Provisional Avant-Gardes: Little Magazine Communities from Dada to Digital, by Sophie Seita","year":2020,"lang":"en","type":"article","venue":"Canadian parliamentary review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Advertising; Business","score_opus":0.04536921267388221,"score_gpt":0.25444268983012186,"score_spread":0.20907347715623964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3019110009","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023524915,0.74573845,0.000034772926,0.0980091,0.0007479003,0.0027029274,0.11237101,0.00010112225,0.037942197],"genre_scores_gemma":[0.027300961,0.17637047,0.0003687665,0.7766301,0.0017645301,0.00019398463,0.010467794,0.00013850776,0.006764884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981255,0.000113669674,0.0006943375,0.00033331508,0.00030234864,0.000430847],"domain_scores_gemma":[0.9977817,0.00010626895,0.00013916906,0.00059698394,0.00019969016,0.0011762213],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013218993,0.00032354036,0.00079739274,0.0000587693,0.00019764574,0.0001266031,0.0005743904,0.000038577076,0.014732727],"category_scores_gemma":[0.00009498515,0.00030702306,0.00014486807,0.000016328642,0.0001813691,0.00030376474,0.00013517354,0.00019173176,0.0015776415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005083076,0.000029186433,0.00006970356,0.0041934107,0.00008941011,0.000012714645,0.011718318,2.74542e-7,0.000008958404,0.00022787627,0.97940403,0.0042410283],"study_design_scores_gemma":[0.00012097487,0.0001248653,0.000018689856,0.016212357,0.00012407654,4.01344e-7,0.0014247901,0.0000035875496,0.000015536123,0.00016721949,0.98144513,0.00034237586],"about_ca_topic_score_codex":0.19048785,"about_ca_topic_score_gemma":0.36196858,"teacher_disagreement_score":0.678621,"about_ca_system_score_codex":0.00016973061,"about_ca_system_score_gemma":0.00055176765,"threshold_uncertainty_score":0.9999382},"labels":[],"label_agreement":null},{"id":"W302149102","doi":"10.5070/t851012648","title":"Kookie Thoughts: Imagining the United States Pavilion at Expo 67 (or How I Learned to Stop Worrying and Love the Bubble)","year":2013,"lang":"en","type":"article","venue":"Journal of Transnational American Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; Architecture; Battle; Visual arts; Sociology; Art history; History; Law; Art; Political science; Archaeology","score_opus":0.08812456034940673,"score_gpt":0.30935831466335534,"score_spread":0.2212337543139486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W302149102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5782809,0.00141259,0.0008197506,0.41660216,0.00041904056,0.00031827227,0.000047742084,0.000021327305,0.0020781653],"genre_scores_gemma":[0.98333764,0.00068883004,0.00026224225,0.004514551,0.00063384656,0.000010827704,0.0000040638506,0.000016562217,0.010531413],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988856,0.000107075066,0.00029350887,0.000114292794,0.00037236963,0.00022718783],"domain_scores_gemma":[0.9981841,0.000778147,0.00026963805,0.00008626054,0.00060775765,0.00007410743],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000286311,0.00015534597,0.00026096634,0.00013324004,0.00061869406,0.00019626251,0.00016685453,0.000010081673,0.000114586954],"category_scores_gemma":[0.00008396821,0.000072473886,0.00008560546,0.000020442474,0.0010173913,0.00028053013,0.00004925325,0.0001895374,0.000007177072],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018450148,0.00007288538,0.00058277865,0.0000353353,0.0008355628,0.0000111615855,0.9277041,0.0007037049,0.00015363481,0.0333564,0.030434018,0.005925912],"study_design_scores_gemma":[0.00049462216,0.0003837246,0.003060434,0.000047728376,0.00013834711,0.00003713471,0.42112982,0.00037017534,0.00007721094,0.0072340234,0.56682247,0.000204321],"about_ca_topic_score_codex":0.0001607388,"about_ca_topic_score_gemma":0.000992218,"teacher_disagreement_score":0.53638846,"about_ca_system_score_codex":0.00007616065,"about_ca_system_score_gemma":0.00003740568,"threshold_uncertainty_score":0.47585568},"labels":[],"label_agreement":null},{"id":"W3024178296","doi":"","title":"Probing the Body Politic: Limits, Memory, and Anxiety in Art after Democracy Can no Longer be Assumed / Ausculter le corps politique : la situation de l’art à une époque où la démocratie n’est plus acquise","year":2018,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Body politic; Art; Democracy; Humanities; Political science; Politics; Sociology; Art history; Law","score_opus":0.023290572129084457,"score_gpt":0.27210203872991323,"score_spread":0.24881146660082878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024178296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16743326,0.0016284045,0.0006145865,0.40455988,0.0034083778,0.0026388187,0.0014479341,0.00031959964,0.41794914],"genre_scores_gemma":[0.9052076,0.0009341294,0.00011588621,0.004730363,0.0032294937,0.00031951806,0.00036502833,0.00012551347,0.08497248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958123,0.0007396777,0.0007922854,0.00074026413,0.00036387166,0.0015516223],"domain_scores_gemma":[0.99745375,0.00061586953,0.00021664542,0.0007474354,0.00043108227,0.00053523737],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008965539,0.0006392285,0.00056454417,0.00022020459,0.0015716207,0.0008427511,0.00033122592,0.0003806173,0.00069858704],"category_scores_gemma":[0.00022254266,0.0005716163,0.00019344693,0.00004094948,0.002453562,0.0009515091,0.0002292846,0.0007217014,0.00026530668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009520207,0.000566201,0.0013622964,0.00030451332,0.00015369008,0.00008405354,0.15026963,0.000024346044,0.00015089993,0.7746356,0.07214489,0.00020864421],"study_design_scores_gemma":[0.0014852852,0.00019759839,0.011956043,0.00070078415,0.0001680658,0.00014678207,0.007398228,0.0013300666,0.0006054766,0.01727358,0.95792156,0.0008165381],"about_ca_topic_score_codex":0.01185584,"about_ca_topic_score_gemma":0.09469121,"teacher_disagreement_score":0.88577664,"about_ca_system_score_codex":0.00034742968,"about_ca_system_score_gemma":0.001285317,"threshold_uncertainty_score":0.9997282},"labels":[],"label_agreement":null},{"id":"W3025013229","doi":"","title":"LibGuides: ART 210 (Contemporary Art in Canada) Course Guide: Home","year":2016,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Course (navigation); Visual arts; Art; Engineering","score_opus":0.05385152502069036,"score_gpt":0.25539884466156865,"score_spread":0.2015473196408783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3025013229","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007871163,0.002091783,0.000022392283,0.0064197555,0.0057062437,0.00045136668,0.0020726349,0.00019045241,0.98296666],"genre_scores_gemma":[0.013582852,0.00063699775,0.00003577523,0.012630828,0.0059709195,0.000066569955,0.00082454097,0.00018376551,0.96606773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99616784,0.00009898777,0.0012776548,0.00071596185,0.0007404327,0.0009991266],"domain_scores_gemma":[0.9979123,0.00025549714,0.00035929482,0.0008750676,0.0002523534,0.00034548808],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031698906,0.0007247413,0.001037399,0.00027393244,0.00025668502,0.00022492153,0.00069764396,0.000293376,0.016550062],"category_scores_gemma":[0.00006527158,0.00055587624,0.00023774884,0.0000043874916,0.00048017458,0.00041490808,0.00019157278,0.0005423614,0.0015486703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008340159,0.000047031353,0.00025277075,0.00011703338,0.00010578661,0.00020986752,0.0033329732,4.5998024e-7,4.2774866e-7,0.027131459,0.96834606,0.00044779517],"study_design_scores_gemma":[0.0005191117,0.000051956165,0.00009537622,0.0004739005,0.000042046955,0.000008406651,0.0019419627,0.000015074242,0.000007643845,0.004450581,0.9915101,0.000883876],"about_ca_topic_score_codex":0.8441953,"about_ca_topic_score_gemma":0.9968046,"teacher_disagreement_score":0.15260926,"about_ca_system_score_codex":0.00070641976,"about_ca_system_score_gemma":0.008867968,"threshold_uncertainty_score":0.9996893},"labels":[],"label_agreement":null},{"id":"W302662618","doi":"","title":"Ruthless Hedonism: The American Reception of Matisse by John O'Brian (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hedonism; Philosophy; Epistemology","score_opus":0.013536276741733822,"score_gpt":0.21163708947872997,"score_spread":0.19810081273699615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W302662618","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40799332,0.009318261,0.0002719757,0.0030663537,0.00032254128,0.0006553136,0.0007698575,0.000113098584,0.5774893],"genre_scores_gemma":[0.90900075,0.005110463,0.00009608601,0.0005015204,0.00013122047,4.1783812e-7,0.00005242502,0.0000127686735,0.08509432],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936545,0.00007837925,0.00014695308,0.00011940534,0.0001398343,0.00014996165],"domain_scores_gemma":[0.999446,0.000025485833,0.0001692838,0.00023900965,0.00006892041,0.000051337745],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000084738436,0.0000955454,0.00023504574,0.000010426492,0.00019775535,0.000010848612,0.00023438493,0.000018085646,0.013408396],"category_scores_gemma":[0.0000014583102,0.00008520598,0.000105043706,0.0000016977796,0.0005655208,0.00022603314,0.000008107756,0.00004624967,0.00005408422],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000852026,0.00017126267,0.000035856352,0.00019934193,0.00009734933,0.0000035142389,0.3668501,9.280506e-7,0.00010902651,0.00867505,0.32515115,0.2986212],"study_design_scores_gemma":[0.00026941785,0.00048356704,0.0011176226,0.00012562374,0.00008811838,0.0000013693158,0.032599006,0.000035568486,0.000014226787,0.00023303945,0.96489036,0.00014211009],"about_ca_topic_score_codex":0.087869376,"about_ca_topic_score_gemma":0.090914436,"teacher_disagreement_score":0.63973916,"about_ca_system_score_codex":0.000055093235,"about_ca_system_score_gemma":0.000020315245,"threshold_uncertainty_score":0.98749346},"labels":[],"label_agreement":null},{"id":"W3033062016","doi":"","title":"Research guides: Public Art in Toronto: Guidebooks","year":2015,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Visual arts; History; Political science; Art; Advertising; Art history; Sociology; Business","score_opus":0.31710218185726347,"score_gpt":0.4015868589384966,"score_spread":0.08448467708123314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033062016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014497482,0.003268284,0.0000068225927,0.002475932,0.0025128424,0.00048981316,0.00025358534,0.00020916008,0.9907691],"genre_scores_gemma":[0.0026795808,0.0005794794,0.00010573475,0.002660306,0.008055828,0.00012270258,0.0006399218,0.00013081457,0.98502564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99556065,0.00031036348,0.0009226161,0.0006495112,0.0011959309,0.0013609211],"domain_scores_gemma":[0.99693054,0.00025393206,0.00013110497,0.0009402197,0.0013612233,0.0003829605],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0024919203,0.00044294278,0.0006676452,0.00042448757,0.00038249904,0.0008628187,0.00094238267,0.00042389045,0.030870797],"category_scores_gemma":[0.00046170817,0.00037364897,0.00017581672,0.0000036956935,0.0009218749,0.00055081205,0.00045318334,0.0008459715,0.0023545236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037360987,0.00004738864,0.000003864932,0.00005988951,0.000030830677,0.00002224078,0.021518163,8.397248e-8,1.6474424e-7,0.2837222,0.69369024,0.0009012334],"study_design_scores_gemma":[0.00029969343,0.00011307134,0.0000026737846,0.00013213287,0.000012365551,0.0000039890147,0.015908865,0.000026691143,0.0000025676782,0.030740593,0.95231533,0.00044200555],"about_ca_topic_score_codex":0.121593036,"about_ca_topic_score_gemma":0.850269,"teacher_disagreement_score":0.728676,"about_ca_system_score_codex":0.0013687534,"about_ca_system_score_gemma":0.0013710003,"threshold_uncertainty_score":0.99987155},"labels":[],"label_agreement":null},{"id":"W3034421980","doi":"10.1344/jnmr.v1i1.30132","title":"New Materialist Becomings and Futurities: A Panel Intra-view","year":2020,"lang":"en","type":"article","venue":"Matter Journal of New Materialist Research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Materialism; Scholarship; Sociology; Action (physics); Affect (linguistics); Generative grammar; Economic Justice; Epistemology; Philosophy; Political science; Linguistics; Law; Communication","score_opus":0.2437161799826286,"score_gpt":0.3462373545420593,"score_spread":0.10252117455943069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034421980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77905416,0.0016312135,0.00032887334,0.17935,0.00607003,0.00073631614,0.0004213538,0.000102966325,0.03230507],"genre_scores_gemma":[0.8849658,0.00052592467,0.00088914577,0.013678188,0.030237623,0.000007908867,0.000031904103,0.00014732465,0.06951618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976445,0.00023032766,0.000717665,0.00023850758,0.0005799665,0.0005890691],"domain_scores_gemma":[0.9986064,0.00006391646,0.00020685437,0.00019502753,0.00026857408,0.0006592633],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006625927,0.00022854058,0.00051126734,0.00016946308,0.00035668418,0.0019997694,0.00046349855,0.000072552786,0.018145356],"category_scores_gemma":[0.000055697637,0.00018656655,0.00009758827,0.000008593299,0.0003904736,0.00050673774,0.0002437529,0.00034783417,0.00033248164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003351073,0.000032171512,0.000097504904,0.0005292607,0.00008285482,0.0001349601,0.14225912,1.9744063e-7,0.0061400873,0.008737794,0.84023094,0.0014200176],"study_design_scores_gemma":[0.00097629183,0.00029895466,0.00025954758,0.00018101651,0.00003403951,0.00014633471,0.003402584,0.0000027602225,0.0024346828,0.008919182,0.9831198,0.00022483498],"about_ca_topic_score_codex":0.004246348,"about_ca_topic_score_gemma":0.00039229114,"teacher_disagreement_score":0.16567181,"about_ca_system_score_codex":0.00006302408,"about_ca_system_score_gemma":0.0002709284,"threshold_uncertainty_score":0.99903625},"labels":[],"label_agreement":null},{"id":"W3035570944","doi":"10.1086/707800","title":"<i>Expuestas:</i>Laborious Expectations and the Plight of Feminist Art in Contemporary Mexico","year":2020,"lang":"en","type":"article","venue":"Signs","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Argument (complex analysis); Politics; Sociology; Contemporary art; Subject (documents); Normative; Aesthetics; Law; Political science; Art; Art history","score_opus":0.07469341681383278,"score_gpt":0.2603084081622792,"score_spread":0.1856149913484464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035570944","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036035594,0.0020690064,0.00013491428,0.015669543,0.00027251698,0.0005000172,0.0003168616,0.000076043354,0.9449255],"genre_scores_gemma":[0.99318683,0.000014195417,0.000014271427,0.002850507,0.0002109747,0.000019850604,0.00001739767,0.0000106781645,0.0036752648],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941915,0.000047958652,0.00021887603,0.00011286804,0.00008696543,0.00011416476],"domain_scores_gemma":[0.9996129,0.00012961561,0.00006459435,0.000100916994,0.000038448565,0.00005351674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006814992,0.00008023321,0.00017099311,0.000025944533,0.000120987585,0.00004239104,0.00007773008,0.00002019646,0.00013014843],"category_scores_gemma":[0.000046963072,0.00005689735,0.000034039294,0.0000044460858,0.0005235971,0.00006959344,0.00003091001,0.00007912752,0.000030080919],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040568782,0.000031005875,0.00019657782,0.000019243073,0.0000147570745,0.000009677135,0.62101185,0.0000011976838,0.00008180363,0.3438894,0.03466126,0.000042639796],"study_design_scores_gemma":[0.0015575889,0.00014052604,0.000041706688,0.000023932764,0.000019760457,0.0000019249562,0.07123418,0.00015248577,0.0007322192,0.008235886,0.9177019,0.00015791658],"about_ca_topic_score_codex":0.00020028827,"about_ca_topic_score_gemma":0.0013568341,"teacher_disagreement_score":0.9571513,"about_ca_system_score_codex":0.000005797839,"about_ca_system_score_gemma":0.000059555812,"threshold_uncertainty_score":0.23202065},"labels":[],"label_agreement":null},{"id":"W3035678780","doi":"10.21827/ejlw.9.36179","title":"Pablo Picasso and Gertrude Stein. Correspondence","year":2020,"lang":"en","type":"article","venue":"European Journal of Life Writing","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"PICASSO; Painting; Art; Art history; Visual arts; Literature","score_opus":0.08912253481247165,"score_gpt":0.241538679935773,"score_spread":0.15241614512330134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035678780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7964056,0.0018126903,0.0015668643,0.007672081,0.0005778702,0.0000799488,0.00002638892,0.00006742749,0.19179112],"genre_scores_gemma":[0.98921835,0.000057805344,0.00034324772,0.0048337174,0.0039101657,1.0332136e-7,6.7877363e-7,0.000028283066,0.0016076312],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987851,0.00023006815,0.00048129787,0.00010650196,0.00019721527,0.00019983885],"domain_scores_gemma":[0.99907285,0.000120286284,0.00029997653,0.00006786909,0.00013469269,0.00030433031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000555771,0.00010552952,0.00019372815,0.000045867455,0.00023103,0.00022826593,0.00016818852,0.000008923979,0.00027610286],"category_scores_gemma":[0.00040397275,0.00009104227,0.000068479596,0.0000026273904,0.00014939933,0.00025615818,0.000076290984,0.00025933958,0.00007002048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004820877,0.0001668213,0.009876378,0.0003765662,0.00034044046,0.0038905854,0.7860539,0.00007900127,0.0044443617,0.06434725,0.09345342,0.03648921],"study_design_scores_gemma":[0.0010815464,0.00048036093,0.0026505063,0.00022431344,0.000054591357,0.0001307191,0.01696819,0.0004221676,0.00007674112,0.00022476196,0.9774052,0.00028092985],"about_ca_topic_score_codex":0.000005731292,"about_ca_topic_score_gemma":0.000008761884,"teacher_disagreement_score":0.8839517,"about_ca_system_score_codex":0.000008611292,"about_ca_system_score_gemma":0.000042026593,"threshold_uncertainty_score":0.37125957},"labels":[],"label_agreement":null},{"id":"W3041382910","doi":"10.24908/iqurcp.14023","title":"Fashioning Enemies of the State: Investigating Sartorial Subversion in Soviet States","year":2020,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subversion; State (computer science); Politics; Government (linguistics); Interpretation (philosophy); Political science; Sociology; Political economy; History; Aesthetics; Law; Art; Philosophy","score_opus":0.18539446635650292,"score_gpt":0.34386002985363784,"score_spread":0.15846556349713492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041382910","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93190396,0.00006553254,0.000097391065,0.050061986,0.00046868602,0.0006864563,0.00005029956,0.000112107424,0.01655359],"genre_scores_gemma":[0.99719334,0.00022450826,0.00007069478,0.00031820536,0.00072481926,0.00002925203,0.000011488624,0.000031404685,0.0013962706],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.997117,0.00014273687,0.0005382907,0.0004297349,0.0010131438,0.0007590844],"domain_scores_gemma":[0.9981229,0.00022368201,0.0002036164,0.00014266711,0.0010713479,0.00023579781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000968401,0.00022465138,0.0003322359,0.00018735781,0.0005607857,0.00042207484,0.0006161938,0.000076289114,0.000104363746],"category_scores_gemma":[0.000923352,0.00017415013,0.00008530601,0.00005586981,0.0021835002,0.0006677183,0.00049151,0.00079692405,0.000026005087],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007584904,0.000056488665,0.0075304764,0.00043814562,0.00003632858,0.0000042160254,0.7269679,0.0000315643,0.0038009435,0.24834317,0.012013102,0.0007018682],"study_design_scores_gemma":[0.0017333104,0.0007172765,0.0006830529,0.0012812539,0.000030475401,0.000002429971,0.26514554,0.008582298,0.024648365,0.6551752,0.04122403,0.0007767557],"about_ca_topic_score_codex":0.0029277953,"about_ca_topic_score_gemma":0.0011970095,"teacher_disagreement_score":0.46182233,"about_ca_system_score_codex":0.00008724077,"about_ca_system_score_gemma":0.00049673545,"threshold_uncertainty_score":0.8045197},"labels":[],"label_agreement":null},{"id":"W3046809863","doi":"10.7771/1481-4374.3844","title":"Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art","year":2020,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Reproduction; Subject (documents); Capitalism; Biopower; Surplus value; Creativity; Reification (Marxism); Sociology; Aesthetics; Object (grammar); Political science; Art; Law; Philosophy; Linguistics; Computer science","score_opus":0.21497313779287996,"score_gpt":0.33795837919719135,"score_spread":0.12298524140431139,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3046809863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56801224,0.011231547,0.00008003552,0.15447055,0.0013707479,0.00466376,0.0031815195,0.000332098,0.2566575],"genre_scores_gemma":[0.9548418,0.00010187351,0.000044465287,0.0041627195,0.001320297,0.000036117024,0.00022663306,0.000013051637,0.039253063],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871695,0.00014243572,0.000391062,0.00041023345,0.00014719798,0.00019214726],"domain_scores_gemma":[0.9993005,0.00005496841,0.0001740334,0.00017688495,0.00019047575,0.000103180144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016284798,0.00021763382,0.00045077893,0.00004519641,0.0002819496,0.00019215173,0.0000891715,0.00011694618,0.000051883726],"category_scores_gemma":[0.00006969408,0.00011731181,0.000051490868,0.000024375684,0.00056904193,0.00027693718,0.00003612381,0.00036217115,0.0000043167934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016965776,0.000054394968,0.000032837062,0.000118640746,0.00005253738,0.000009774005,0.7349598,0.0000010529164,0.0005839975,0.06784208,0.19459514,0.000053200492],"study_design_scores_gemma":[0.0012761147,0.00030604412,0.0004034952,0.000107800486,0.00004165656,0.00001951891,0.034755338,0.00004814014,0.0010495633,0.0029968582,0.9587851,0.00021037708],"about_ca_topic_score_codex":0.00007297482,"about_ca_topic_score_gemma":0.00092677295,"teacher_disagreement_score":0.76418996,"about_ca_system_score_codex":0.00001838653,"about_ca_system_score_gemma":0.000059522128,"threshold_uncertainty_score":0.47838366},"labels":[],"label_agreement":null},{"id":"W3047755797","doi":"","title":"Le Luxe II af Henri Matisse","year":2012,"lang":"fr","type":"article","venue":"Ministry of Culture Research Portal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association of Thoracic Surgeons","funders":"","keywords":"Art; Humanities; Computer science","score_opus":0.0992534287080004,"score_gpt":0.37031750446248163,"score_spread":0.2710640757544812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047755797","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058584638,0.027044717,0.000018197585,0.006649814,0.0017614631,0.000434697,0.0019733438,0.000044024677,0.9034891],"genre_scores_gemma":[0.5485584,0.00014256012,0.00008308246,0.00008264482,0.0027768677,0.00002471053,0.00012559842,0.000027578186,0.44817853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962278,0.00030834146,0.00054980954,0.00030333278,0.0011322321,0.0014784872],"domain_scores_gemma":[0.9982458,0.000077129414,0.00017179122,0.0004620435,0.00048281727,0.0005604544],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011311214,0.00027814117,0.00040607527,0.00011215255,0.0022987856,0.00013100673,0.000430154,0.00023836253,0.004563968],"category_scores_gemma":[0.000098146855,0.00026878904,0.00024910303,0.00001279969,0.0026445228,0.00043283426,0.0004383163,0.0009801567,0.00022290496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026208676,0.0009125525,0.00017082828,0.00035169165,0.000104754414,0.000059222784,0.11564586,9.229466e-7,0.00030149292,0.4612096,0.42068815,0.00052869273],"study_design_scores_gemma":[0.00038819437,0.0004185959,0.00018648544,0.00012407167,0.000039752184,0.00012615726,0.05157133,0.000013810772,0.0013115436,0.003177643,0.9423626,0.00027978473],"about_ca_topic_score_codex":0.0022811648,"about_ca_topic_score_gemma":0.001204856,"teacher_disagreement_score":0.52167445,"about_ca_system_score_codex":0.00005022597,"about_ca_system_score_gemma":0.00059610064,"threshold_uncertainty_score":0.99997646},"labels":[],"label_agreement":null},{"id":"W3048509701","doi":"","title":"Pierre Bourgault : 064 28 40 - 064 23 40 : Archipel : Ene, ese, oso, ono","year":2006,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Laundry; Art; Cartography; Geography; Archaeology; Art history","score_opus":0.028391348202027163,"score_gpt":0.23884452027342473,"score_spread":0.21045317207139758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048509701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039880624,0.0041893795,0.00023786818,0.0010137736,0.0042239213,0.0011817144,0.0020687531,0.0007594363,0.98592633],"genre_scores_gemma":[0.009794058,0.00032139255,0.00013966195,0.0029147868,0.015120286,0.00014953388,0.002721962,0.0005519306,0.9682864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99223274,0.00025094772,0.0017793764,0.0018953503,0.00134908,0.0024924914],"domain_scores_gemma":[0.9952345,0.00040823463,0.00090319774,0.0021430363,0.00047930004,0.00083173026],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00056803273,0.0019144857,0.0019702914,0.0007072035,0.001857822,0.0009397833,0.0014197018,0.0009903196,0.012523872],"category_scores_gemma":[0.00008210607,0.0019139493,0.0012419045,0.000016903941,0.0019410405,0.00066962506,0.0004665469,0.0021312921,0.011098489],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008888431,0.000255111,0.000007780843,0.0002858273,0.00030995486,0.00018399904,0.026884837,0.000013779013,0.000008907082,0.11624681,0.84171677,0.013997323],"study_design_scores_gemma":[0.0011441334,0.00030077886,0.00032112742,0.00048534086,0.00040629468,0.000044165492,0.00050456927,0.00012407554,0.000018102563,0.09474315,0.89992285,0.0019854275],"about_ca_topic_score_codex":0.0018555988,"about_ca_topic_score_gemma":0.028818669,"teacher_disagreement_score":0.058206055,"about_ca_system_score_codex":0.0004857223,"about_ca_system_score_gemma":0.0012716487,"threshold_uncertainty_score":0.9994416},"labels":[],"label_agreement":null},{"id":"W306013908","doi":"","title":"Une nouvelle donne. Alain Paiement, Refaire surface, Galerie Clark. Montréal. Du 10 mai au 17 juin 2001 Alain Paiement, Refaire surface, Galerie Clark. Montréal. Du 10 mai au 17 juin 2001","year":2002,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Art","score_opus":0.03298033259398558,"score_gpt":0.2276663872808482,"score_spread":0.19468605468686262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W306013908","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0812842,0.047515087,0.00028787312,0.06421846,0.007238609,0.003862861,0.004729404,0.0011405299,0.789723],"genre_scores_gemma":[0.08046468,0.020188104,0.0007354975,0.0042913165,0.0057912436,0.00018270742,0.0011085231,0.00060557347,0.8866323],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9848919,0.0014443153,0.0032194802,0.0027712854,0.0017215911,0.005951413],"domain_scores_gemma":[0.99189675,0.0005798528,0.001475326,0.0029785994,0.0009127325,0.0021567347],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00293386,0.0027393303,0.0025452322,0.00045460486,0.0051186965,0.0010740652,0.001655082,0.0015300901,0.20475243],"category_scores_gemma":[0.00032506246,0.0028908767,0.0013651561,0.00019584301,0.0024300253,0.0016913866,0.00096528616,0.0020393569,0.0062505123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041146224,0.002572472,0.0048992024,0.00057261885,0.00097601535,0.0010278738,0.030233178,0.0012194652,0.00014467031,0.0042263134,0.95205224,0.0016645209],"study_design_scores_gemma":[0.005442581,0.0011949976,0.0017600358,0.0008440655,0.000732915,0.00007748441,0.0126818335,0.0066032,0.0002225056,0.0015269478,0.9657529,0.003160524],"about_ca_topic_score_codex":0.14729592,"about_ca_topic_score_gemma":0.62642896,"teacher_disagreement_score":0.47913304,"about_ca_system_score_codex":0.002499451,"about_ca_system_score_gemma":0.00084802834,"threshold_uncertainty_score":0.9999629},"labels":[],"label_agreement":null},{"id":"W3086884556","doi":"","title":"Research guides: Public Art in Toronto: What's Happening in Contemporary Canadian Art","year":2015,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Happening; Public art; Media studies; Visual arts; Political science; History; Sociology; Art; Art history; Performance art","score_opus":0.3350531903983316,"score_gpt":0.38120566221284713,"score_spread":0.04615247181451554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086884556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000086865686,0.008784036,0.0000011860411,0.007287429,0.0022089079,0.000630577,0.00020443682,0.00007889834,0.98071766],"genre_scores_gemma":[0.077972054,0.0010045011,0.000031847838,0.0042230324,0.0029046051,0.000117162155,0.0016875063,0.00011838604,0.91194093],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995627,0.0003772396,0.00094957685,0.00066176866,0.0008005903,0.0015838426],"domain_scores_gemma":[0.9975889,0.00022769209,0.00012001489,0.00066909665,0.00063447084,0.000759846],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0028862471,0.00043642914,0.00073874067,0.0011092541,0.00033573792,0.002214961,0.00076838356,0.00046010423,0.014913042],"category_scores_gemma":[0.0003095369,0.0004176906,0.00011647675,0.000012516306,0.0006226263,0.0027706062,0.00021351103,0.0011206941,0.0013839698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005570819,0.000036023048,0.000109801935,0.00006310446,0.0000242552,0.0001565385,0.034656923,3.8407111e-7,6.763284e-8,0.09234322,0.8720209,0.00058318547],"study_design_scores_gemma":[0.0003838883,0.000071929426,0.000022067168,0.0005112556,0.0000036528527,0.0000036154188,0.08754712,0.000055576118,6.27051e-7,0.0054374225,0.905518,0.00044486293],"about_ca_topic_score_codex":0.95532304,"about_ca_topic_score_gemma":0.99967974,"teacher_disagreement_score":0.08690579,"about_ca_system_score_codex":0.0027921433,"about_ca_system_score_gemma":0.0062611615,"threshold_uncertainty_score":0.9998275},"labels":[],"label_agreement":null},{"id":"W3088709609","doi":"","title":"Materiality and Perception in Contemporary Atlantic Art","year":2020,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Art; Perception; Indigenous; Contemporary art; Visual arts; Art history; Identity (music); Atlantic World; Aesthetics; Performance art; History; Psychology; Ancient history","score_opus":0.07396829880953779,"score_gpt":0.2515405477415311,"score_spread":0.17757224893199333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088709609","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0062804646,0.00062898186,0.000030683663,0.001272621,0.0017600626,0.00079330575,0.0004974488,0.0002449387,0.9884915],"genre_scores_gemma":[0.20258164,0.00022768558,0.000018653875,0.0022348792,0.0028386218,0.00003449921,0.0011552322,0.000113546506,0.7907952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973245,0.00016063478,0.0008057947,0.0007992526,0.00036269377,0.0005471221],"domain_scores_gemma":[0.9988091,0.00007392474,0.00028399104,0.00047367765,0.000089311165,0.00027000884],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030341986,0.00062266144,0.0009340168,0.0001885454,0.0003253421,0.00043258938,0.00025269788,0.00034680398,0.0074201734],"category_scores_gemma":[0.000025611054,0.0006222987,0.00020295115,0.000003697709,0.00071444083,0.0004089646,0.0001606205,0.0005730253,0.0040348964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100439334,0.00010272056,0.00009252442,0.0006140673,0.00009755052,0.0001421874,0.087186076,3.2844767e-7,0.000077618904,0.055794034,0.85458034,0.0012121389],"study_design_scores_gemma":[0.00074578985,0.0001530437,0.001003139,0.00033107918,0.000070724054,0.000013494128,0.0008174386,0.000059155875,0.0000029865316,0.023008794,0.97311324,0.0006811259],"about_ca_topic_score_codex":0.0008098147,"about_ca_topic_score_gemma":0.0056613884,"teacher_disagreement_score":0.19769625,"about_ca_system_score_codex":0.00018154042,"about_ca_system_score_gemma":0.00035833896,"threshold_uncertainty_score":0.9996228},"labels":[],"label_agreement":null},{"id":"W3088951644","doi":"10.7202/1069680ar","title":"Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926–1956. New Haven and London, Yale University Press, 2002, 357 pp., 10 black-and-white, 10 colour illus., $50 U.S.","year":2004,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Haven; White (mutation); Art history; Art; Communism; Movement (music); Political science; Law; Politics; Aesthetics; Mathematics","score_opus":0.01796181966221641,"score_gpt":0.18873822736080964,"score_spread":0.17077640769859323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088951644","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83157206,0.0013153722,0.000025924941,0.025421988,0.00023567247,0.0010609133,0.0005890288,0.00010305435,0.139676],"genre_scores_gemma":[0.7015934,0.0010036281,0.000031515323,0.0022600994,0.00029802692,0.0000045334755,0.000036682442,0.000031373416,0.29474074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860775,0.00011526323,0.00024294644,0.00035123454,0.00012193312,0.00056088733],"domain_scores_gemma":[0.9986921,0.00019477926,0.00018832722,0.0004952421,0.000066963046,0.00036258166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027431085,0.00027491196,0.00037874532,0.00004834008,0.001189098,0.0002078741,0.00026967927,0.000053266816,0.00051144493],"category_scores_gemma":[0.000052661264,0.0002103901,0.00007276326,0.000010819194,0.0024366907,0.00015434629,0.00019844586,0.00028769113,0.000036098023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039373632,0.00014698388,0.0007102703,0.00013211336,0.0002724948,0.00011450373,0.15239468,0.00007877749,0.000037522335,0.53533185,0.30502453,0.0053625545],"study_design_scores_gemma":[0.0013958366,0.00019856913,0.0016744385,0.00008796205,0.00009503589,0.00002789562,0.0047228415,0.00018846904,0.000029943405,0.0019133526,0.98938,0.00028563986],"about_ca_topic_score_codex":0.079594366,"about_ca_topic_score_gemma":0.56147987,"teacher_disagreement_score":0.6843555,"about_ca_system_score_codex":0.0001432125,"about_ca_system_score_gemma":0.00009280489,"threshold_uncertainty_score":0.9265347},"labels":[],"label_agreement":null},{"id":"W3088964826","doi":"10.7202/1069600ar","title":"Jayne Wark, Radical Gestures: Feminism and Performance Art in North America. Montreal and Kingston, McGill-Queen’s University Press, 2006, 304 pp., 78 illus., $32.95 paper, $80 cloth","year":2007,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Queen (butterfly); Art history; Feminism; Art; Media studies; Sociology; Gender studies; Biology","score_opus":0.011996203211266437,"score_gpt":0.18142801974252198,"score_spread":0.16943181653125555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088964826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91597587,0.0006896518,0.0000072537337,0.00075983326,0.0002975814,0.00034196157,0.0003840688,0.00007886566,0.08146491],"genre_scores_gemma":[0.93393433,0.0058804643,0.00008188689,0.0011109951,0.0005207893,0.000004970842,0.00011580089,0.00004320587,0.058307547],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981117,0.000049612423,0.0003330377,0.0004970979,0.0001359094,0.0008725889],"domain_scores_gemma":[0.9988585,0.00011107582,0.00013534202,0.00029589294,0.00006732877,0.0005318772],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00022370456,0.00030228004,0.00040916915,0.00008058314,0.00056773657,0.000049353042,0.00017761195,0.00011463642,0.000092541646],"category_scores_gemma":[0.000031791787,0.00031266126,0.00006362607,0.000016701895,0.0007294416,0.0003653575,0.00010600821,0.00037406175,0.000022733846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010466961,0.00075455103,0.037160717,0.0010231591,0.00047001915,0.0033778993,0.3486516,0.0002103313,0.000078336576,0.1963729,0.29950646,0.11134735],"study_design_scores_gemma":[0.00073476566,0.00015454752,0.031624477,0.00006211851,0.000052254207,0.0000440945,0.0022320854,0.00031080318,0.0000084266585,0.00007212999,0.96432817,0.00037610246],"about_ca_topic_score_codex":0.06919223,"about_ca_topic_score_gemma":0.51031256,"teacher_disagreement_score":0.66482174,"about_ca_system_score_codex":0.00022532744,"about_ca_system_score_gemma":0.000054234413,"threshold_uncertainty_score":0.9999325},"labels":[],"label_agreement":null},{"id":"W3094192956","doi":"","title":"Fina Miralles' Relacions: Kinesthetic Knowledge and Corporeal Agency","year":2018,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Concordia University","keywords":"Situated; Agency (philosophy); Context (archaeology); Aesthetics; Sociology; Embodied cognition; Kinesthetic learning; Epistemology; Art; Social science; History; Philosophy; Pedagogy","score_opus":0.058064073306609496,"score_gpt":0.2919307670020309,"score_spread":0.2338666936954214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094192956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37710556,0.0004867715,0.0000019485974,0.000098644836,0.0011680478,0.00035120163,0.000034332563,0.000098877535,0.6206546],"genre_scores_gemma":[0.50534785,0.0004018709,0.000005194972,0.0000071761374,0.0011449304,0.000004008656,0.00016369134,0.000046953868,0.49287832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972423,0.0003781934,0.00031225703,0.0007571128,0.00047072818,0.00083940825],"domain_scores_gemma":[0.99815154,0.00015752645,0.0001928394,0.0005882212,0.0005310976,0.00037878778],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00031781397,0.00038462674,0.00043796332,0.001066484,0.0019730008,0.0002768319,0.0005761333,0.00032417473,0.00042484928],"category_scores_gemma":[0.000050373343,0.00041245145,0.0002101375,0.000032847565,0.0013962392,0.00031320384,0.00017321711,0.00093499664,0.000239786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001241835,0.00078759005,0.0051933615,0.0012995068,0.00066330517,0.0029466448,0.30780426,4.0774606e-7,0.0005209567,0.592516,0.08307873,0.003947372],"study_design_scores_gemma":[0.0005854569,0.00064651814,0.013048644,0.0002781762,0.00013629402,0.00002962236,0.0070368075,0.00002461416,0.0004127133,0.010326495,0.9668957,0.00057896454],"about_ca_topic_score_codex":0.016975319,"about_ca_topic_score_gemma":0.2768643,"teacher_disagreement_score":0.88381696,"about_ca_system_score_codex":0.00037162332,"about_ca_system_score_gemma":0.00093520223,"threshold_uncertainty_score":0.99983275},"labels":[],"label_agreement":null},{"id":"W3094838534","doi":"","title":"Desire Change: Contemporary Feminist Art in Canada, edited by Heather Davis","year":2017,"lang":"en","type":"article","venue":"Border crossings: a magazine for the arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Sociology","score_opus":0.0959717285764655,"score_gpt":0.3123842698442821,"score_spread":0.21641254126781656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094838534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086651616,0.004024914,0.0003547984,0.03963222,0.0056994916,0.0034462637,0.0045428416,0.0002319063,0.85541594],"genre_scores_gemma":[0.8468279,0.000010518691,0.000026484984,0.0050453516,0.0011910674,0.00015710793,0.00009636068,0.00005511583,0.1465901],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859804,0.000019304827,0.00032706102,0.0003044327,0.00021033916,0.00054083735],"domain_scores_gemma":[0.9987753,0.00010388101,0.00022192419,0.00067751814,0.000107274085,0.00011407168],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00023068111,0.0002581331,0.00028867915,0.000040488725,0.00228909,0.0010197404,0.00045539535,0.00004977672,0.00027575446],"category_scores_gemma":[0.00008163967,0.00019526557,0.00008889163,0.0000029606854,0.0008570934,0.0004064063,0.00010583885,0.00015154741,0.000052622927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089100344,0.000098936536,0.0015995482,0.00005145528,0.000050934774,0.000025373836,0.038246572,6.865836e-7,0.000029483559,0.007527417,0.94837344,0.00390705],"study_design_scores_gemma":[0.0009656801,0.000044626388,0.0022608293,0.00006301239,0.000021446182,0.0000047363847,0.0012964071,0.00045538944,0.000054585926,0.0014241345,0.99313307,0.00027606243],"about_ca_topic_score_codex":0.46520585,"about_ca_topic_score_gemma":0.9166525,"teacher_disagreement_score":0.7601763,"about_ca_system_score_codex":0.00012267653,"about_ca_system_score_gemma":0.000469317,"threshold_uncertainty_score":0.9990098},"labels":[],"label_agreement":null},{"id":"W310053733","doi":"","title":"\"White Rabbit, Black Hole\". David Altmejd, Patrice Duhamel, Michael A. Robinson and Ève K. Tremblay, L’écho des limbes, Leonard and Bina Ellen Gallery, Concordia University, Montreal; curator: Nathalie de Blois. October 14 - November 19, 2005David Altmejd, Patrice Duhamel, Michael A. Robinson and Ève K. Tremblay, L’écho des limbes, Leonard and Bina Ellen Gallery, Concordia University, Montreal; curator: Nathalie de Blois. October 14 - November 19, 2005","year":2006,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Art; Humanities; Art history; Library science; Media studies; Sociology; Computer science","score_opus":0.016443498558346044,"score_gpt":0.218247814328901,"score_spread":0.20180431577055497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W310053733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91070914,0.032078065,0.00019019464,0.0026971227,0.0005458137,0.0020515088,0.004245697,0.0006004953,0.04688199],"genre_scores_gemma":[0.8766902,0.05262638,0.0006381088,0.0019601893,0.0014375347,0.000030364805,0.0006104354,0.00043330676,0.06557345],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99003005,0.00096290425,0.0014764405,0.0028202215,0.0011347614,0.0035756344],"domain_scores_gemma":[0.99336267,0.0011283596,0.0011249442,0.001294507,0.0008160307,0.0022734753],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0010589514,0.0023651216,0.0023320196,0.001273597,0.002911656,0.0012274423,0.0010270042,0.0013450528,0.00058052875],"category_scores_gemma":[0.00015386145,0.0025441,0.0006051771,0.00023994123,0.004291439,0.0026173368,0.0014770061,0.0016385993,0.000094019415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0049143615,0.003756153,0.147998,0.002018545,0.002838204,0.0054556867,0.11618012,0.0008079595,0.0017017225,0.0070614736,0.700711,0.006556743],"study_design_scores_gemma":[0.015576949,0.0012712617,0.040897634,0.0005087673,0.0020614848,0.0009766971,0.01887799,0.0021118908,0.00034996498,0.002122368,0.9110054,0.0042395904],"about_ca_topic_score_codex":0.1607568,"about_ca_topic_score_gemma":0.45245534,"teacher_disagreement_score":0.29169855,"about_ca_system_score_codex":0.0014785979,"about_ca_system_score_gemma":0.0010365394,"threshold_uncertainty_score":0.9999514},"labels":[],"label_agreement":null},{"id":"W3101000408","doi":"10.22215/etd/2014-10605","title":"Contemporary American Art at the National Gallery of Canada (1967-79): The Surprising Legacy of Brydon E. Smith","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"Canada Council for the Arts","keywords":"Exhibition; Context (archaeology); Agency (philosophy); Art; Art history; Pollock; Sociology; Visual arts; History; Social science; Archaeology","score_opus":0.042214555147653356,"score_gpt":0.254153270742602,"score_spread":0.21193871559494867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3101000408","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.068125136,0.00021481527,0.00000933861,0.0006781868,0.0007048495,0.00020598574,0.00016940101,0.000013780387,0.92987853],"genre_scores_gemma":[0.62666106,0.000015427455,0.000002944979,0.00077536533,0.0003189118,0.0000071917752,0.00031880985,0.000019104698,0.37188116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998499,0.00009013981,0.0004605544,0.00017114879,0.0005841317,0.00019506442],"domain_scores_gemma":[0.99837077,0.00034840306,0.0005883436,0.00022038056,0.00042941724,0.00004271231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027170422,0.00019802392,0.00034921253,0.000054698427,0.00039244344,0.000057268087,0.00025256735,0.00004213617,0.0007508633],"category_scores_gemma":[0.00005982881,0.00011322887,0.00012751504,0.00000406446,0.00049081165,0.00008921262,0.000028343831,0.00017013599,0.0000074089526],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060836453,0.00003500612,0.00017007795,0.00013306778,0.00019305486,8.300301e-7,0.034828216,0.00001371039,0.000019431933,0.04285863,0.92144406,0.00024305384],"study_design_scores_gemma":[0.00014441727,0.00004611734,0.002191091,0.00008033703,0.000037698865,9.1179226e-7,0.021208568,0.00004267172,0.0004619945,0.00070217706,0.9748938,0.0001902274],"about_ca_topic_score_codex":0.6255276,"about_ca_topic_score_gemma":0.98209757,"teacher_disagreement_score":0.55853593,"about_ca_system_score_codex":0.00009612223,"about_ca_system_score_gemma":0.0015386047,"threshold_uncertainty_score":0.8221426},"labels":[],"label_agreement":null},{"id":"W3107051272","doi":"10.24908/encounters.v21i0.14442","title":"Part I: Artwork","year":2020,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Computer graphics (images); Art; Computer science","score_opus":0.037578766348490084,"score_gpt":0.248634705961711,"score_spread":0.21105593961322092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107051272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09314959,0.0061648507,0.00013505646,0.00092698704,0.0056884354,0.00015051184,0.000013162653,0.000036278005,0.8937351],"genre_scores_gemma":[0.956922,0.000055650085,0.000018574598,0.0027920068,0.0006889512,0.000008343506,0.000008364358,0.0000066758193,0.039499428],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958897,0.000054952634,0.0001335082,0.000099003264,0.000047574296,0.00007599513],"domain_scores_gemma":[0.99975896,0.000051758012,0.00005598621,0.00006706609,0.00002370008,0.00004251141],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016879286,0.000056207737,0.00008727717,0.000041235486,0.000042452033,0.000007116686,0.000051463805,0.000018706714,0.0009931407],"category_scores_gemma":[0.000037237427,0.000057220346,0.000022057458,0.0000011527055,0.00032967364,0.00011058394,0.000008551366,0.000060389444,0.000013071452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034839868,0.000050725474,0.000106130465,0.00003731051,0.000004603679,2.0409043e-7,0.47444054,0.0000013063369,0.000016121914,0.45556128,0.06780464,0.0019422915],"study_design_scores_gemma":[0.00007385967,0.000040035113,0.000060750463,0.00003325393,0.000008499134,2.962e-7,0.014881952,0.000011610307,0.000008661649,0.02555435,0.95926225,0.000064481115],"about_ca_topic_score_codex":0.00009835684,"about_ca_topic_score_gemma":0.0003882201,"teacher_disagreement_score":0.8914576,"about_ca_system_score_codex":0.00008650925,"about_ca_system_score_gemma":0.00014089748,"threshold_uncertainty_score":0.99992007},"labels":[],"label_agreement":null},{"id":"W3109122057","doi":"10.1386/jcs_00024_7","title":"Sky Hopinka, Around the Edge of Encircling Lake","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Sky; Enhanced Data Rates for GSM Evolution; Geography; Astronomy; Cartography; Computer science; Meteorology; Physics; Artificial intelligence","score_opus":0.17175964898822074,"score_gpt":0.3183121868322435,"score_spread":0.14655253784402275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109122057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.732184,0.050931092,0.0006279908,0.042405736,0.075259,0.00074342627,0.00024772208,0.0001053864,0.09749569],"genre_scores_gemma":[0.96763754,0.0006683029,0.000021030044,0.0006872111,0.03059248,0.0000010733729,4.0287364e-7,0.000009789052,0.00038217913],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989467,0.00004995279,0.000502591,0.00006720155,0.00028149976,0.00015203128],"domain_scores_gemma":[0.998715,0.00020925583,0.00043243443,0.00007195915,0.0005082882,0.00006308849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024864406,0.00010433208,0.00035344574,0.000023801513,0.00030399626,0.000056126242,0.00018023424,0.000023399123,0.00006185933],"category_scores_gemma":[0.00038218652,0.0000615988,0.0001637646,0.0000040807354,0.00034481965,0.00018711698,0.000058422953,0.00019033132,0.000008375842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016754107,0.00008577056,0.00064978196,0.00015991344,0.0011303426,0.000023249117,0.76299006,0.000047718077,0.0002495008,0.122858904,0.11051316,0.001124064],"study_design_scores_gemma":[0.00047971483,0.00027176348,0.00005933653,0.000054993056,0.000121063,0.0000032658556,0.026422756,0.000010845508,0.00024503612,0.007969104,0.9642728,0.00008934111],"about_ca_topic_score_codex":0.000019314406,"about_ca_topic_score_gemma":0.0006871253,"teacher_disagreement_score":0.85375965,"about_ca_system_score_codex":0.000018460387,"about_ca_system_score_gemma":0.00007705217,"threshold_uncertainty_score":0.25119263},"labels":[],"label_agreement":null},{"id":"W3116635099","doi":"10.56105/cjsae.v31i2.5491","title":"Curatorial Dreams: Critics Imagine Exhibitions","year":2019,"lang":"en","type":"article","venue":"Canadian Journal for the Study of Adult Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"University of Alberta","keywords":"Exhibition; Art; Sociology; Aesthetics; Visual arts; Art history","score_opus":0.029166591420545843,"score_gpt":0.2860816622587587,"score_spread":0.25691507083821286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3116635099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9268989,0.00031542542,0.00010361399,0.0073968656,0.029608551,0.0014764536,0.00037834042,0.000015457494,0.033806372],"genre_scores_gemma":[0.9809862,0.0000075252765,0.000020641071,0.00048729772,0.0043040714,0.000024582701,0.00001611923,0.000015409994,0.014138183],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935263,0.000024734518,0.00022593587,0.000082824285,0.000100174184,0.00021371126],"domain_scores_gemma":[0.9986085,0.00007324101,0.000095051386,0.00016728004,0.0008633566,0.00019254054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011155038,0.00008298662,0.000105081184,0.000109221975,0.0008879967,0.00015548909,0.0001614992,0.00001755997,0.0005132578],"category_scores_gemma":[0.00011288654,0.00006399156,0.00006724112,0.00000389798,0.000120252225,0.00017948815,0.0000043198397,0.00012388494,0.000024785026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017755954,0.00039147434,0.0018437068,0.000041499923,0.00013189248,8.093391e-7,0.551112,0.000023411683,0.000014164165,0.26197332,0.18143304,0.00301696],"study_design_scores_gemma":[0.00080329063,0.00044428074,0.0007361231,0.000053151325,0.00015026217,0.000014944988,0.27461874,0.00006967025,0.000024625206,0.022753652,0.70017046,0.00016081792],"about_ca_topic_score_codex":0.03666166,"about_ca_topic_score_gemma":0.37676102,"teacher_disagreement_score":0.51873744,"about_ca_system_score_codex":0.00009977373,"about_ca_system_score_gemma":0.0013124809,"threshold_uncertainty_score":0.96975327},"labels":[],"label_agreement":null},{"id":"W3118223486","doi":"","title":"Masako Miyazaki, 木 – A tree. Galerie d’Este, Montréal. November 15–December 10, 2017","year":2018,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Geography","score_opus":0.016958167635327145,"score_gpt":0.1894798913670772,"score_spread":0.17252172373175007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118223486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03598914,0.08785366,0.00027769507,0.028817985,0.0032852003,0.0005875427,0.0009976052,0.00031648084,0.8418747],"genre_scores_gemma":[0.035142902,0.0071870796,0.0004091794,0.0018491821,0.004079143,0.000013377476,0.0001159157,0.0001494603,0.95105374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99612135,0.00016522667,0.000518737,0.00089999463,0.0006178632,0.0016768472],"domain_scores_gemma":[0.99696285,0.00014865687,0.00039852815,0.0011281779,0.0005791599,0.0007826556],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002583637,0.0007952707,0.0007662628,0.0003027445,0.0028333245,0.00021253209,0.0006602564,0.0005619002,0.026545001],"category_scores_gemma":[0.000049420425,0.0009054024,0.0005531847,0.00003195398,0.0018033525,0.00083765964,0.0005913951,0.0005039367,0.007349155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027383983,0.00032274978,0.0000925011,0.000096596814,0.00039715346,0.0020767725,0.015036191,0.000014716526,0.000059743597,0.10914556,0.86347234,0.009011808],"study_design_scores_gemma":[0.0020466833,0.0004806818,0.00049879734,0.00017743738,0.0005867708,0.0005095081,0.0033990915,0.0014551055,0.00014504568,0.0034006694,0.98626274,0.0010374933],"about_ca_topic_score_codex":0.11224253,"about_ca_topic_score_gemma":0.82607377,"teacher_disagreement_score":0.71383125,"about_ca_system_score_codex":0.003879359,"about_ca_system_score_gemma":0.00018673639,"threshold_uncertainty_score":0.99994457},"labels":[],"label_agreement":null},{"id":"W3118791915","doi":"","title":"Zoe Leonard, Survey, Whitney Museum of American Art & Gordon Matta-Clark, Anarchitect, The Bronx Museum of the Arts, New York","year":2018,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The arts; Art; Art history; Visual arts","score_opus":0.08359747187692197,"score_gpt":0.28702530863120684,"score_spread":0.20342783675428489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118791915","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18018253,0.0016538705,0.002366989,0.27601522,0.015891658,0.003942301,0.005502678,0.0007620912,0.51368266],"genre_scores_gemma":[0.98019993,0.00007390425,0.00008160714,0.0015324058,0.0016457308,0.000029315195,0.000116168754,0.00007770409,0.01624324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972535,0.00033551813,0.0007401792,0.00045144683,0.0005157352,0.000703638],"domain_scores_gemma":[0.9970421,0.00048683147,0.0005424754,0.0014075724,0.00029987615,0.00022113351],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005379678,0.00038928047,0.0005819385,0.00014980348,0.00093461946,0.00013548286,0.0009020949,0.000074112366,0.0012016786],"category_scores_gemma":[0.0001934601,0.00025785563,0.00031654563,0.000057127403,0.0032118896,0.00019442345,0.00029800506,0.0003662813,0.00019674936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008289686,0.00044517143,0.0028815395,0.00009274749,0.00027813384,0.0000021298856,0.10840026,0.000030982334,0.0001848656,0.35790235,0.5287702,0.0009287038],"study_design_scores_gemma":[0.00033376043,0.0002641579,0.02012095,0.00016303144,0.00007286784,0.000007884589,0.006322322,0.00006599725,0.0007570227,0.0023639894,0.9691883,0.0003397569],"about_ca_topic_score_codex":0.015126865,"about_ca_topic_score_gemma":0.11746294,"teacher_disagreement_score":0.8000174,"about_ca_system_score_codex":0.000042792573,"about_ca_system_score_gemma":0.00039790402,"threshold_uncertainty_score":0.99998736},"labels":[],"label_agreement":null},{"id":"W3125564419","doi":"10.7202/1072981ar","title":"MoMA’s Public Relations, Alfred Barr’s Public, and Matisse’s American Canonization","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.04237974087895242,"score_gpt":0.21227721277025935,"score_spread":0.16989747189130694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125564419","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19970022,0.008282792,0.0016567286,0.6094204,0.0029608726,0.0011557159,0.004314669,0.0003774956,0.1721311],"genre_scores_gemma":[0.79446465,0.00063582393,0.00026471316,0.004773238,0.0024226604,0.00003052178,0.0007736692,0.00009004694,0.19654468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99749285,0.00017179991,0.0005632133,0.00056069804,0.00015674354,0.0010546847],"domain_scores_gemma":[0.9975183,0.00009910077,0.0002947452,0.0003520358,0.0003037621,0.0014320258],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021157511,0.0003543755,0.0004760666,0.0001850201,0.0010407235,0.0005623958,0.00023178506,0.00012672864,0.002566054],"category_scores_gemma":[0.0004238877,0.0004269585,0.00010844086,0.0000363305,0.0009205949,0.0008271771,0.00010464137,0.00035267952,0.00041370472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000724446,0.00004873609,0.0027184654,0.00018675737,0.00013661984,0.0000628516,0.06254638,0.00002617919,0.000014328407,0.777672,0.13395643,0.02262404],"study_design_scores_gemma":[0.00034317633,0.00017481342,0.0014988028,0.00006138328,0.000107338616,0.000047621106,0.004779768,0.0067461533,0.0000050651656,0.0014531869,0.98431855,0.00046411075],"about_ca_topic_score_codex":0.060393866,"about_ca_topic_score_gemma":0.68683743,"teacher_disagreement_score":0.8503621,"about_ca_system_score_codex":0.0004018737,"about_ca_system_score_gemma":0.0004893571,"threshold_uncertainty_score":0.9998182},"labels":[],"label_agreement":null},{"id":"W3127029206","doi":"10.18733/cpi29561","title":"Dialogic Tropes:","year":2021,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Social injustice; Dialogic; Printmaking; Materiality (auditing); Embodied cognition; Aesthetics; Sociology; Capitalism; Injustice; Visual arts; Art; Epistemology; Psychology; Political science; Philosophy; Social psychology; Pedagogy; Politics; Law","score_opus":0.7836601727836451,"score_gpt":0.44999861438448036,"score_spread":0.3336615583991647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127029206","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6811382,0.003306125,0.000051536514,0.0025156129,0.0013659067,0.00009467622,0.000052964257,0.00015634594,0.3113186],"genre_scores_gemma":[0.8572132,0.00038703505,0.000039440172,0.002697867,0.003038401,0.00000683437,0.000070940005,0.000006999095,0.13653927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992295,0.000048610887,0.00015418569,0.0002202126,0.00010331727,0.00024416004],"domain_scores_gemma":[0.9996008,0.00003777816,0.000027122098,0.00009856263,0.000103805534,0.0001319309],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004331719,0.00013038887,0.00017147242,0.000011135141,0.00035529988,0.00021406483,0.00006499898,0.000053191758,0.0032920022],"category_scores_gemma":[0.000039162027,0.000078769786,0.000080886726,0.0000017916627,0.00057864416,0.00018074903,0.00007420425,0.00012532712,0.00016087784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015842023,0.00011234598,0.00021389393,0.000042680982,0.00003745582,0.0000980503,0.38905567,0.0000010360018,0.0004882958,0.5694389,0.034787692,0.005708162],"study_design_scores_gemma":[0.00020424098,0.00005777326,0.0005492895,0.000011361619,0.000021086109,0.000024160841,0.024713326,0.000012039807,0.000106047584,0.009874941,0.9642456,0.00018012022],"about_ca_topic_score_codex":0.00008210586,"about_ca_topic_score_gemma":0.0005554882,"teacher_disagreement_score":0.9294579,"about_ca_system_score_codex":0.000009271437,"about_ca_system_score_gemma":0.000017703584,"threshold_uncertainty_score":0.99761915},"labels":[],"label_agreement":null},{"id":"W3129752123","doi":"10.7202/1075072ar","title":"A Concrete Artistic Vision","year":2020,"lang":"en","type":"article","venue":"Journal of the Society for the Study of Architecture in Canada","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University; St. Thomas University; University of New Brunswick","funders":"","keywords":"Architecture; Art history; Art; Volume (thermodynamics); Visual arts; Sociology","score_opus":0.027995273561043147,"score_gpt":0.2372398951525676,"score_spread":0.20924462159152446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3129752123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96162117,0.0005988391,0.00037762042,0.034204856,0.0012605104,0.0008105257,0.00014773576,0.0000049158552,0.00097386143],"genre_scores_gemma":[0.9964045,0.000007566625,0.00005823934,0.0026512118,0.0005810637,0.000002721688,2.6593827e-7,0.000010842117,0.00028353985],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990313,0.00004675502,0.00035796093,0.00006916586,0.00033262873,0.00016217503],"domain_scores_gemma":[0.99905086,0.00036993038,0.0002995111,0.0001302301,0.00009265213,0.00005683128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002160149,0.000093968396,0.00022432792,0.000009244901,0.0002832269,0.000021505164,0.00040783634,0.000013659829,0.000032548578],"category_scores_gemma":[0.00009558428,0.000047075784,0.00038033313,0.0000060314096,0.00014649802,0.00002631229,0.00006540092,0.00030815523,1.1370643e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021601014,0.000050748895,0.00083235983,0.00012173012,0.00091667153,0.000007249882,0.8868786,0.00565149,0.00015025254,0.0011425845,0.101860344,0.0021719178],"study_design_scores_gemma":[0.0044002305,0.0022770609,0.004548478,0.00017158614,0.0007617828,0.000026598096,0.2367698,0.0031018343,0.00013127067,0.008266572,0.73919934,0.00034546445],"about_ca_topic_score_codex":0.2771962,"about_ca_topic_score_gemma":0.91845334,"teacher_disagreement_score":0.6501089,"about_ca_system_score_codex":0.00010280832,"about_ca_system_score_gemma":0.00046558832,"threshold_uncertainty_score":0.727617},"labels":[],"label_agreement":null},{"id":"W3138942125","doi":"10.3828/qs.2013.3","title":"<i>Monsieur Lazhar</i> : Exploring the dis/junctures between art and life in Québec","year":2013,"lang":"en","type":"article","venue":"Quebec Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"History","score_opus":0.13645413912365748,"score_gpt":0.2690745940542861,"score_spread":0.1326204549306286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138942125","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9550619,0.00805336,0.0000049701443,0.014531705,0.00046458223,0.00031851494,0.000023251261,0.000090321104,0.021451391],"genre_scores_gemma":[0.9076583,0.00040398352,0.000006982848,0.001696528,0.00088363135,0.00015666724,0.0000028682362,0.000017073306,0.08917401],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915713,0.000044482742,0.00022490458,0.00017810526,0.00011023752,0.0002851553],"domain_scores_gemma":[0.9993397,0.00032083713,0.00004801295,0.00016798143,0.000061173894,0.00006229069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009971619,0.0001677624,0.00026887434,0.000047142068,0.00044996035,0.00013172245,0.00010325289,0.000018068413,0.00016495031],"category_scores_gemma":[0.00012407776,0.00009958392,0.000045796925,0.0000028148384,0.00057215267,0.00027877788,0.00013872629,0.00013634418,0.00016489695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041072867,0.000026487587,0.021307262,0.00008640257,0.000205737,0.0000030131223,0.77528375,0.0000064221163,0.0000023545963,0.017329376,0.18163079,0.004114304],"study_design_scores_gemma":[0.0002367272,0.000032026117,0.044998594,0.000044835477,0.000036150388,3.1488202e-7,0.06163183,0.000010617123,0.00001670501,0.0042987247,0.88847256,0.00022093997],"about_ca_topic_score_codex":0.29710755,"about_ca_topic_score_gemma":0.90436363,"teacher_disagreement_score":0.7136519,"about_ca_system_score_codex":0.000040521212,"about_ca_system_score_gemma":0.000049821883,"threshold_uncertainty_score":0.70757306},"labels":[],"label_agreement":null},{"id":"W3144502825","doi":"10.82308/20092","title":"Sites unseen and scenes unsighted: histories of feminist and queer alternative art spaces, ca. 1970-2012","year":2013,"lang":"en","type":"article","venue":"Open MIND","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Gender studies; Sociology; Aesthetics; Art","score_opus":0.06552596304758601,"score_gpt":0.27721076433299097,"score_spread":0.21168480128540496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3144502825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5810801,0.0013027079,0.00001364679,0.0009877181,0.00024277372,0.0004350446,0.00021723805,0.0000038540047,0.41571692],"genre_scores_gemma":[0.7576843,0.000042964857,0.0003052141,0.00011702733,0.00019323094,0.000010855403,0.00002606885,0.000012596163,0.24160777],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999304,0.000028407143,0.0001799871,0.00020496725,0.000102286875,0.00018037029],"domain_scores_gemma":[0.99948895,0.00007109195,0.00010118315,0.00014385955,0.000099418976,0.0000955224],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000083895306,0.00013948331,0.00022878459,0.000048100326,0.00020599758,0.0003567019,0.00013156839,0.00003708779,0.0052563497],"category_scores_gemma":[0.000015325442,0.00011392302,0.000021567921,0.0000020957823,0.00067029014,0.0004831542,0.00013650574,0.000062679544,0.00013664033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048073227,0.00015274152,0.009373507,0.00009798582,0.00024585123,0.0000132031955,0.8137553,0.0000011857828,0.00052634743,0.068011105,0.094324164,0.01345053],"study_design_scores_gemma":[0.00026206326,0.00008276878,0.00044494582,0.000027312986,0.00003972295,0.0000037543196,0.0054795323,0.000041680443,0.0009401998,0.0022140236,0.99029607,0.00016791062],"about_ca_topic_score_codex":0.004607557,"about_ca_topic_score_gemma":0.016648298,"teacher_disagreement_score":0.8959719,"about_ca_system_score_codex":0.000017972186,"about_ca_system_score_gemma":0.000036710662,"threshold_uncertainty_score":0.995653},"labels":[],"label_agreement":null},{"id":"W3145323830","doi":"10.5840/jh201112120","title":"Matisse of Montreal","year":2011,"lang":"en","type":"article","venue":"Janus head","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.12174842923082888,"score_gpt":0.2620219414085602,"score_spread":0.14027351217773135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3145323830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13177899,0.00009312757,0.000038825267,0.000055928074,0.00023999253,0.00006206668,0.000042188785,0.0000367017,0.8676522],"genre_scores_gemma":[0.932015,0.00000819441,0.00013244955,0.00019589179,0.00020307576,0.0000036883969,0.0000048038173,0.000009220016,0.06742767],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954754,0.000012390563,0.00014418656,0.0000758614,0.00007021067,0.00014980546],"domain_scores_gemma":[0.9997054,0.000013764511,0.00004294725,0.00014709629,0.00004312805,0.000047702408],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004148427,0.00006394034,0.000112998496,0.000031631596,0.00007232169,0.000010297334,0.00007161472,0.000022599512,0.0020061713],"category_scores_gemma":[0.0000062093222,0.000053754884,0.00004625412,5.7497266e-7,0.00014126887,0.00007405861,0.000016233771,0.00004105903,0.00017755023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026544645,0.00019045488,0.0010279533,0.000058471687,0.00003611193,0.000013035234,0.56353045,2.218517e-7,0.000036020887,0.40854028,0.018789984,0.0077504558],"study_design_scores_gemma":[0.00070244976,0.00031027486,0.040004093,0.00005788157,0.000057225952,0.0000070309643,0.005606743,0.00012551312,0.0018145149,0.088586666,0.8624055,0.00032214157],"about_ca_topic_score_codex":0.015236737,"about_ca_topic_score_gemma":0.04392844,"teacher_disagreement_score":0.8436155,"about_ca_system_score_codex":0.000007220156,"about_ca_system_score_gemma":0.000016856997,"threshold_uncertainty_score":0.99890614},"labels":[],"label_agreement":null},{"id":"W3155672317","doi":"10.2478/stap-2020-0018","title":"‘Alimentary Assemblages’ at Intersections: Food, (Queer) Bodies, and Intersectionality in Marusya Bociurkiw’s<i>Comfort Food for Breakups: The Memoir of a Hungry Girl</i>(2007)","year":2020,"lang":"en","type":"article","venue":"Studia Anglica Posnaniensia","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Queer; Metaphor; Intersectionality; Subjectivity; Sociology; Aesthetics; Gender studies; Identity (music); Art; Literature; Epistemology; Philosophy; Linguistics","score_opus":0.05234137364160047,"score_gpt":0.2537575731686278,"score_spread":0.20141619952702733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3155672317","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9506053,0.0025752392,0.0001754832,0.009904519,0.0015090491,0.0019528184,0.0011993641,0.00016901537,0.031909253],"genre_scores_gemma":[0.9940199,0.00011469562,0.00007038719,0.003874964,0.0007259385,0.00014428815,0.000047408594,0.000040134568,0.0009622679],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982086,0.00010558704,0.0005681947,0.00044805213,0.00022733831,0.00044227124],"domain_scores_gemma":[0.9990095,0.00023853061,0.00019274872,0.00026917146,0.00015657752,0.0001334942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028807842,0.00028877633,0.00045183356,0.00009183756,0.0005207807,0.00006206314,0.00020587005,0.00007467177,0.00011705978],"category_scores_gemma":[0.00007023145,0.00023239768,0.0002168976,0.000012868763,0.0004861587,0.00019532448,0.00030109636,0.00022304659,0.0000065410436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085313036,0.0006112712,0.019154593,0.0005866709,0.0020833984,0.00001751724,0.7597612,0.000011368671,0.0005849059,0.070133455,0.14504695,0.0011555094],"study_design_scores_gemma":[0.0044746744,0.004689736,0.018972939,0.00023304309,0.0006159966,0.000055407527,0.122912936,0.0003082141,0.0017302491,0.013778242,0.83113325,0.001095302],"about_ca_topic_score_codex":0.0013788095,"about_ca_topic_score_gemma":0.065942205,"teacher_disagreement_score":0.6860863,"about_ca_system_score_codex":0.00014139219,"about_ca_system_score_gemma":0.000075096315,"threshold_uncertainty_score":0.9511019},"labels":[],"label_agreement":null},{"id":"W316017905","doi":"","title":"Canadian Painting - Timeline: 1961- today","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Timeline; Painting; Visual arts; Computer science; Art; History","score_opus":0.0274858868817455,"score_gpt":0.21343053391114258,"score_spread":0.1859446470293971,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W316017905","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014376883,0.00002777379,0.000050333052,0.0035935454,0.0003182728,0.00012977942,0.000014938424,0.000089771434,0.9813987],"genre_scores_gemma":[0.5993323,0.0000016230483,0.00007936569,0.0037830716,0.0006754549,0.000008491006,0.000011277432,0.000010381993,0.39609808],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993089,0.000013531211,0.00013237917,0.000111104644,0.000068865345,0.00036521547],"domain_scores_gemma":[0.99952257,0.000025354318,0.000019764117,0.00013698486,0.00008200889,0.00021331871],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000070178285,0.00008647496,0.000083615116,0.000061576626,0.0003141858,0.00018305924,0.00009224211,0.00002752284,0.0477739],"category_scores_gemma":[0.000020880643,0.00006996494,0.000041038482,7.2224e-7,0.000072963994,0.00016205775,0.0000173212,0.00006817657,0.00441536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.4123408e-7,0.000015202616,0.00036782882,0.000010359344,0.000021435164,0.0000035547284,0.05369492,0.0000018824645,0.00001822916,0.36450335,0.57209665,0.009266259],"study_design_scores_gemma":[0.00006416472,0.000015579608,0.000113116876,0.000005064707,0.000005045922,8.029214e-7,0.0023524344,0.0007918975,0.000038875067,0.0065162475,0.9899697,0.00012711852],"about_ca_topic_score_codex":0.8347951,"about_ca_topic_score_gemma":0.9306707,"teacher_disagreement_score":0.5853006,"about_ca_system_score_codex":0.000048887596,"about_ca_system_score_gemma":0.00009019928,"threshold_uncertainty_score":0.9963598},"labels":[],"label_agreement":null},{"id":"W3163181323","doi":"10.20415/rhiz/037.e03","title":"The Treachery of Materiality: On what it’s like to be a thing","year":2021,"lang":"en","type":"article","venue":"Rhizomes Cultural Studies in Emerging Knowledge","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Materiality (auditing); Art; Literature; Aesthetics; Art history","score_opus":0.21168743612448618,"score_gpt":0.3832115085517266,"score_spread":0.1715240724272404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163181323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7857843,0.03541402,0.0000027067715,0.02400891,0.013846676,0.0004680098,0.000052186595,0.00016098008,0.1402622],"genre_scores_gemma":[0.8902083,0.0059964233,0.000038488266,0.0021783987,0.001124335,0.00006177227,0.000014746576,0.000028643242,0.10034889],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985922,0.00013518978,0.0004144827,0.00027368494,0.00017826175,0.00040621057],"domain_scores_gemma":[0.99905485,0.00024843565,0.00008410729,0.00025944188,0.00029779805,0.00005534294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002917203,0.00022027074,0.0003766391,0.000052285,0.00069504185,0.00024046526,0.00020302467,0.000037690912,0.000101508],"category_scores_gemma":[0.00021490944,0.00013694822,0.00012703513,0.000015071313,0.0003708045,0.0002987965,0.00028540447,0.00013787452,0.00004508526],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002153351,0.000095914846,0.000039834227,0.00011081873,0.00018824208,0.000009129133,0.9138485,0.000009660748,0.00015553422,0.03295887,0.04771487,0.004847094],"study_design_scores_gemma":[0.00018098742,0.00004356699,0.000053141033,0.00031471957,0.000023472514,0.0000014999807,0.31578004,0.000017969767,0.0007252978,0.0006938535,0.6820056,0.00015986044],"about_ca_topic_score_codex":0.00019550083,"about_ca_topic_score_gemma":0.017499471,"teacher_disagreement_score":0.63429075,"about_ca_system_score_codex":0.0001359271,"about_ca_system_score_gemma":0.000032817563,"threshold_uncertainty_score":0.97651154},"labels":[],"label_agreement":null},{"id":"W3164598357","doi":"10.1177/01914537211017607","title":"Book Review: Public Art and the Fragility of Democracy: An Essay in Political Aesthetics","year":2021,"lang":"en","type":"article","venue":"Philosophy & Social Criticism","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Fragility; Democracy; Politics; Aesthetics; Sociology; Political science; Environmental ethics; Political economy; Epistemology; Philosophy; Law","score_opus":0.05813381458174299,"score_gpt":0.3002848854613129,"score_spread":0.24215107087956989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3164598357","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038019053,0.06608598,0.00005188769,0.4836789,0.0004265708,0.0005277054,0.00024383418,0.00008025078,0.44510296],"genre_scores_gemma":[0.9125872,0.0012980618,0.000019574853,0.08140775,0.0011618877,0.000025578158,0.000036561498,0.000026091282,0.0034372977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980373,0.00043481847,0.0004964537,0.00027026306,0.00029162606,0.00046958195],"domain_scores_gemma":[0.99895346,0.00020578102,0.00007069624,0.000286976,0.00033142796,0.00015164664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047967694,0.00017950799,0.0004940663,0.00004293962,0.00045490792,0.000094223324,0.00017572173,0.00007665532,0.000806215],"category_scores_gemma":[0.00028305812,0.00014705818,0.00016552539,0.000008494156,0.0022387172,0.00029086057,0.00010251747,0.00030275053,0.000017732436],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009704641,0.00018392602,0.000034197903,0.00030480843,0.00001542436,0.00001279592,0.018330585,1.3629602e-8,0.000001711236,0.97167844,0.009185825,0.00024254856],"study_design_scores_gemma":[0.00049384555,0.000025755602,0.000087791,0.00008975836,0.000057572353,0.000005817371,0.000661288,0.000017629776,0.000018431374,0.6356629,0.3627479,0.00013129057],"about_ca_topic_score_codex":0.000120042074,"about_ca_topic_score_gemma":0.0005285113,"teacher_disagreement_score":0.9087853,"about_ca_system_score_codex":0.000049680304,"about_ca_system_score_gemma":0.00017724744,"threshold_uncertainty_score":0.8827489},"labels":[],"label_agreement":null},{"id":"W3168971359","doi":"","title":"Indigenous Resistance at Expo 67: A Case Study on the Indians of Canada Pavilion","year":2018,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; Indigenous; Resistance (ecology); History; Medicine; Gerontology; Archaeology","score_opus":0.044127431354528075,"score_gpt":0.23320342605197786,"score_spread":0.1890759946974498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168971359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83468896,0.000045916673,4.1263096e-8,0.00005892873,0.00056204177,0.0006216956,0.0011405817,0.00006077585,0.16282105],"genre_scores_gemma":[0.96538764,0.0000069335983,0.0000087376575,0.0012223468,0.00019978668,0.00006313205,0.000010733248,0.000069079804,0.033031587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723583,0.00033749675,0.00056332257,0.0005032479,0.00063748774,0.00072263496],"domain_scores_gemma":[0.9979903,0.000299056,0.0002958107,0.00085806195,0.00032470317,0.00023205514],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006410129,0.00036236132,0.0003579421,0.00012545186,0.004103492,0.00006796574,0.00044400865,0.00009362695,0.00064399024],"category_scores_gemma":[0.00019920387,0.00028129492,0.000114461305,0.000020730982,0.0004287461,0.0002429865,0.00018365913,0.00043014804,0.000088104505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008005422,0.0031019829,0.0017204713,0.00031201003,0.0011324313,0.008762935,0.12801205,0.000012413064,0.0025291925,0.83973855,0.0024526336,0.011424796],"study_design_scores_gemma":[0.0012936525,0.001241052,0.0008393465,0.00013825545,0.00015678727,0.00020163861,0.04424062,0.0000041666885,0.014977818,0.0113824615,0.92458934,0.00093487505],"about_ca_topic_score_codex":0.33357024,"about_ca_topic_score_gemma":0.9898014,"teacher_disagreement_score":0.92213666,"about_ca_system_score_codex":0.0007273318,"about_ca_system_score_gemma":0.000154739,"threshold_uncertainty_score":0.99996394},"labels":[],"label_agreement":null},{"id":"W3171599444","doi":"10.5007/2175-8026.2021.e78659","title":"O relato de vida indígena e outros (sub)gêneros literários em A queda do céu: palavras de um xamã yanomami, Meu nome é Rigoberta Menchu e assim nasceu minha consciência e Bobbi Lee: Indian Rebel struggles of a Native Canadian woman","year":2021,"lang":"pt","type":"article","venue":"Ilha do Desterro A Journal of English Language Literatures in English and Cultural Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01499478388404798,"score_gpt":0.26882575062157504,"score_spread":0.2538309667375271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3171599444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83331174,0.15973149,0.0000014794915,0.0001538344,0.001690297,0.00039134917,0.0012576961,0.00003433874,0.0034277947],"genre_scores_gemma":[0.9882058,0.0035150805,0.00021666342,0.001395813,0.0032012253,0.0000299599,0.00009459595,0.00008422278,0.0032566602],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9942754,0.0008744209,0.0018319016,0.00074653164,0.0007176377,0.001554113],"domain_scores_gemma":[0.9932828,0.0005558261,0.0011073061,0.00048459912,0.0036234558,0.000946014],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010003663,0.0009989027,0.0017520005,0.00066734734,0.00081217877,0.0018921931,0.0006034366,0.00060766697,0.000135505],"category_scores_gemma":[0.004285375,0.00080981327,0.00054564787,0.00012350176,0.0009554313,0.0014095951,0.00028572933,0.0020661592,0.000001203504],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015521083,0.00024729245,0.009537919,0.0006265293,0.001345306,0.0027620473,0.975709,0.000016506416,0.00027629125,0.0016452376,0.0069127623,0.0007659017],"study_design_scores_gemma":[0.003423649,0.00067519286,0.004285871,0.0047661588,0.0005174774,0.00034939792,0.9363255,0.000016447131,0.0012990925,0.0007951378,0.04637661,0.0011694987],"about_ca_topic_score_codex":0.004814849,"about_ca_topic_score_gemma":0.33721158,"teacher_disagreement_score":0.33239675,"about_ca_system_score_codex":0.00085149606,"about_ca_system_score_gemma":0.0009906401,"threshold_uncertainty_score":0.99943525},"labels":[],"label_agreement":null},{"id":"W3177571656","doi":"10.1017/9781108773522.021","title":"The Blues in Print","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Alienation; Politics; Argument (complex analysis); Context (archaeology); Manifesto; Blueprint; Aesthetics; Blues; Warrant; Scholarship; Sociology; Art; Literature; History; Art history; Political science; Visual arts; Law","score_opus":0.04944603342930569,"score_gpt":0.2032242355673311,"score_spread":0.1537782021380254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177571656","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000078669305,0.00034854672,0.000012345241,0.000060531198,0.0004354298,0.00020167859,0.00018054595,0.00006049671,0.99862176],"genre_scores_gemma":[0.0020668665,0.00028358275,0.0000056335343,0.0001406954,0.00044065228,6.970532e-7,0.0000345482,0.000031659405,0.9969957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907464,0.000032175907,0.00016206857,0.00028706234,0.00016502014,0.00027902794],"domain_scores_gemma":[0.99918264,0.00008083047,0.00010833414,0.00042072267,0.0001255715,0.00008192154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007528436,0.00023284552,0.00024934713,0.000074136384,0.00046773016,0.00014175112,0.00034366723,0.00013057119,0.00002814908],"category_scores_gemma":[0.000006838591,0.00021239003,0.00016682343,1.3153426e-7,0.00063551177,0.000054530738,0.00031870138,0.00038937782,0.000018985593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014275936,0.0000059269073,6.391892e-7,0.000029197627,0.00006184408,0.00017998472,0.005494091,3.1128195e-7,8.413912e-7,0.9727641,0.020669961,0.0007788746],"study_design_scores_gemma":[0.00020915658,0.000016212207,0.0000064474716,0.00010617983,0.00005926752,0.0000027633705,0.00079133327,0.000017903421,0.00002922779,0.00021084554,0.9982996,0.00025105284],"about_ca_topic_score_codex":0.00088646146,"about_ca_topic_score_gemma":0.0028592665,"teacher_disagreement_score":0.97762966,"about_ca_system_score_codex":0.00014007647,"about_ca_system_score_gemma":0.00011835388,"threshold_uncertainty_score":0.8661014},"labels":[],"label_agreement":null},{"id":"W3177944800","doi":"10.1017/9781108773522.004","title":"Richard Wright’s Chicago","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Art history; Politics; Modernism (music); History; Art; Sociology; Political science; Law","score_opus":0.049647718710451205,"score_gpt":0.20071807336167202,"score_spread":0.15107035465122082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177944800","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000024344721,0.00037368032,0.000057544166,0.0000495675,0.00086524134,0.00022695259,0.0011307757,0.00019117203,0.99708074],"genre_scores_gemma":[0.00090566446,0.00017913409,0.000018571767,0.0004178769,0.0013141928,6.3952194e-7,0.00024337422,0.00007126189,0.9968493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859935,0.000031489013,0.00020383307,0.00051149674,0.00027193216,0.0003818731],"domain_scores_gemma":[0.99872583,0.000045962013,0.00017695573,0.0005835732,0.0002507593,0.0002169139],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000050610182,0.00041335536,0.0004735806,0.00014347375,0.0005441867,0.00014161972,0.00040563397,0.00022077296,0.00032733806],"category_scores_gemma":[0.0000047753283,0.00046309855,0.0003541085,1.7735158e-7,0.00064610137,0.000102338185,0.00034374054,0.0005166038,0.000115511706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001461979,0.000009891092,1.5607904e-7,0.000062998784,0.00016846335,0.0003896011,0.0031142985,1.3174218e-7,0.0000023081202,0.81812006,0.1778786,0.00023889709],"study_design_scores_gemma":[0.00034528715,0.00003415422,0.0000013148689,0.0001269979,0.00028815295,0.0000111911495,0.00025904796,0.000010825165,0.000058366408,0.00012681492,0.99819887,0.0005390086],"about_ca_topic_score_codex":0.00053905573,"about_ca_topic_score_gemma":0.00034926826,"teacher_disagreement_score":0.82032025,"about_ca_system_score_codex":0.00015028777,"about_ca_system_score_gemma":0.00016075773,"threshold_uncertainty_score":0.9997821},"labels":[],"label_agreement":null},{"id":"W3178331961","doi":"10.21428/51bee781.2d81fe0d","title":"Not Influencers, but Amplifiers: @aesthetic.resistance as Feminist IG Hack","year":2021,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Influencer marketing; Resistance (ecology); Aesthetics; Computer science; Art; Business; Biology; Ecology","score_opus":0.052741095472238486,"score_gpt":0.2654008611702508,"score_spread":0.21265976569801232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178331961","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030325342,0.00024391875,0.00015970548,0.0023545339,0.00044072725,0.000095950396,0.00010115199,0.00015675959,0.9661219],"genre_scores_gemma":[0.5307348,0.000030043815,0.00015270532,0.009207129,0.00032900734,0.0000092340115,0.000018624629,0.000019079986,0.4594994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872285,0.000034399578,0.00026840132,0.0003242036,0.00024108596,0.00040908673],"domain_scores_gemma":[0.9991505,0.00004653286,0.00006296482,0.00041296764,0.00016983508,0.00015716066],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008192298,0.00018305272,0.00020725143,0.00003636689,0.00046454024,0.000369107,0.00018262133,0.000059147875,0.0062448224],"category_scores_gemma":[0.00004395508,0.00016832573,0.00011404613,0.0000030358242,0.000507515,0.00016022414,0.00007396791,0.00013961652,0.0012562003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014902941,0.000055604407,0.00008372715,0.000027042852,0.000020629108,0.000061077015,0.035387523,0.0000018623118,0.00007834594,0.9124796,0.051420897,0.00036879673],"study_design_scores_gemma":[0.00025082767,0.0000294903,0.0000444238,0.000029254858,0.00002252891,0.000014553558,0.009981089,0.000008379045,0.0017358854,0.01888774,0.96873826,0.00025754186],"about_ca_topic_score_codex":0.0009414067,"about_ca_topic_score_gemma":0.015716253,"teacher_disagreement_score":0.9173174,"about_ca_system_score_codex":0.000049238064,"about_ca_system_score_gemma":0.00019043956,"threshold_uncertainty_score":0.99952143},"labels":[],"label_agreement":null},{"id":"W3178481437","doi":"10.1080/10457097.2021.1944762","title":"Introduction to Symposium on Barry Cooper’s <i>Paleolithic Politics: The Human Community in Early Art</i>","year":2021,"lang":"en","type":"article","venue":"Perspectives on Political Science","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Politics; Environmental ethics; History; Anthropology; Political science; Sociology; Philosophy; Law","score_opus":0.03718059048326718,"score_gpt":0.29361910195108876,"score_spread":0.2564385114678216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178481437","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52672136,0.000023022763,0.000016707165,0.054786403,0.00046605262,0.00021345589,0.00005534102,0.00007204779,0.41764563],"genre_scores_gemma":[0.97208464,0.00000441354,0.000016857397,0.007779328,0.0023859767,0.000027300612,0.000004745637,0.000019055136,0.0176777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968109,0.00039564556,0.00029445317,0.0005854713,0.00060334866,0.0013101914],"domain_scores_gemma":[0.997822,0.00032468786,0.0000393258,0.00085453124,0.00043600023,0.00052349415],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00095883606,0.00023211265,0.00023834579,0.00021668414,0.0021999103,0.00047970112,0.00061182375,0.000051634444,0.00044331796],"category_scores_gemma":[0.0008762298,0.00017698774,0.000086850385,0.000051817784,0.003550958,0.0002878188,0.00020516316,0.0008500567,0.0005138411],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071850222,0.00034931122,0.00013314148,0.000006680284,0.0000054137245,0.000005642824,0.13369106,0.000016307338,0.0005090607,0.8635792,0.001683514,0.000013472151],"study_design_scores_gemma":[0.0011009442,0.0020859488,0.060173847,0.00020922851,0.000057595742,0.000040425708,0.33187267,0.00018303319,0.011292928,0.2443153,0.34733993,0.0013281534],"about_ca_topic_score_codex":0.004518962,"about_ca_topic_score_gemma":0.0058708573,"teacher_disagreement_score":0.61926395,"about_ca_system_score_codex":0.00071275217,"about_ca_system_score_gemma":0.0002892678,"threshold_uncertainty_score":0.9991608},"labels":[],"label_agreement":null},{"id":"W3178533867","doi":"10.1017/9781108773522.030","title":"Modern Poetry and Haiku","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Haiku; Poetry; Wright; Art; Literature; Scholarship; Reading (process); Art history; Philosophy; Law; Political science; Linguistics","score_opus":0.04644142949835705,"score_gpt":0.19620929150208435,"score_spread":0.1497678620037273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178533867","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009740685,0.0007135416,0.00013007429,0.00002870808,0.0003652014,0.0001629781,0.000746416,0.00011909145,0.99763656],"genre_scores_gemma":[0.0039886255,0.00019839454,0.000019392719,0.0003037927,0.0006184736,3.2944868e-7,0.00010745177,0.00005477109,0.9947088],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894726,0.000020239964,0.00014360857,0.0004294645,0.00017992122,0.00027948813],"domain_scores_gemma":[0.999129,0.00003824051,0.000113652495,0.00038291115,0.00015618057,0.00018000769],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003731866,0.000321806,0.00036472682,0.00010797906,0.00041748027,0.00013611623,0.00020859537,0.00021491741,0.000058698544],"category_scores_gemma":[0.0000037514276,0.00037957754,0.00016434901,1.0649511e-7,0.0006504104,0.00010139142,0.00034430134,0.00035984785,0.000013760635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014821099,0.0000067088345,5.440956e-7,0.00009111694,0.00013013154,0.00024771006,0.0052494025,2.0615232e-7,0.0000038343105,0.9554907,0.037876125,0.0008886909],"study_design_scores_gemma":[0.0003196129,0.00002652656,0.0000023719583,0.00011831207,0.00021192471,0.000012486264,0.00033831317,0.00007479118,0.0000255576,0.00027011297,0.9981806,0.00041937953],"about_ca_topic_score_codex":0.0005125688,"about_ca_topic_score_gemma":0.0002682215,"teacher_disagreement_score":0.9603045,"about_ca_system_score_codex":0.000082092534,"about_ca_system_score_gemma":0.00009673923,"threshold_uncertainty_score":0.9998656},"labels":[],"label_agreement":null},{"id":"W3178541200","doi":"10.1017/9781108773522.003","title":"Richard Wright’s Triangulated South","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Subjectivity; Identity (music); Formative assessment; Sociology; Geography; Product (mathematics); Genealogy; History; Gender studies; Art history; Aesthetics; Art; Epistemology; Philosophy","score_opus":0.05649053735225921,"score_gpt":0.19898871452293504,"score_spread":0.14249817717067584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178541200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006042101,0.00032181508,0.00007101102,0.000024919047,0.0008420153,0.0002953043,0.0015342525,0.00023101053,0.9966192],"genre_scores_gemma":[0.0024246324,0.000057042693,0.000014164323,0.00026226282,0.0011147785,5.8724873e-7,0.0003347616,0.0000782483,0.99571353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985172,0.00004189707,0.00024227827,0.0005270696,0.0002728516,0.00039869515],"domain_scores_gemma":[0.9986373,0.000041740972,0.00022990197,0.00057214766,0.0002961746,0.00022273565],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006142185,0.00043918987,0.0005432773,0.00018191687,0.00051329884,0.00015156051,0.0003713046,0.0003083527,0.00035049225],"category_scores_gemma":[0.0000066558905,0.0004873389,0.0003987903,2.7996765e-7,0.0005511663,0.00009346141,0.00027621086,0.00047146616,0.00011494058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037748356,0.000009632251,1.8532857e-7,0.000060688046,0.00026010218,0.00042713506,0.009337619,3.027084e-7,0.0000030008375,0.89628595,0.093368694,0.00020896278],"study_design_scores_gemma":[0.0006996005,0.00003735526,0.0000014222412,0.00012803613,0.00041439146,0.0000063640773,0.00055099936,0.00002002767,0.000063699306,0.0000653234,0.9974457,0.0005670959],"about_ca_topic_score_codex":0.00046141227,"about_ca_topic_score_gemma":0.00016216857,"teacher_disagreement_score":0.904077,"about_ca_system_score_codex":0.00016123254,"about_ca_system_score_gemma":0.00017964702,"threshold_uncertainty_score":0.9997578},"labels":[],"label_agreement":null},{"id":"W3179056753","doi":"10.1017/9781108773522.034","title":"Wright’s Critical Reputation, 1960–2019","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Scholarship; Reputation; Politics; Context (archaeology); Sociology; Political science; History; Social science; Art history; Law","score_opus":0.0491335430140479,"score_gpt":0.22403145324595625,"score_spread":0.17489791023190834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3179056753","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012031885,0.00031138756,0.00026937103,0.00010870805,0.0009711553,0.00019041494,0.0011297553,0.00016756047,0.99683964],"genre_scores_gemma":[0.0012830219,0.00009014052,0.00004225659,0.00046556402,0.0011467622,5.9833474e-7,0.00032377956,0.00006284565,0.996585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855036,0.000040991366,0.00024148815,0.0005210433,0.00028592205,0.0003601993],"domain_scores_gemma":[0.99853873,0.00012433845,0.00012450472,0.00051224197,0.00048478867,0.00021541084],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0000629565,0.00035736148,0.0004136409,0.00013761812,0.0005716607,0.00018463148,0.00029926372,0.0002561286,0.00027857424],"category_scores_gemma":[0.000022867642,0.00041418744,0.00028718545,2.1858072e-7,0.0009306087,0.00015209403,0.00024202114,0.00043438273,0.00009863147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014787716,0.000011506205,1.2163528e-7,0.00007710743,0.00009512491,0.0003528523,0.0036485111,2.6972265e-7,0.0000014882065,0.81388986,0.18167871,0.00022963736],"study_design_scores_gemma":[0.0002710462,0.00003904579,0.0000016567833,0.00014712708,0.00029282857,0.000014542508,0.00034878793,0.00001894317,0.000052027444,0.00047408746,0.9978592,0.00048072333],"about_ca_topic_score_codex":0.00060724735,"about_ca_topic_score_gemma":0.00019641625,"teacher_disagreement_score":0.81618047,"about_ca_system_score_codex":0.00015305469,"about_ca_system_score_gemma":0.00020998003,"threshold_uncertainty_score":0.999831},"labels":[],"label_agreement":null},{"id":"W3181043644","doi":"10.1017/9781108773522.025","title":"Wright’s <i>Black Boy</i> in Context","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Narrative; Context (archaeology); History; Middle Passage; White (mutation); Art; Art history; Literature; Archaeology","score_opus":0.04892298353719054,"score_gpt":0.1995514057337486,"score_spread":0.15062842219655806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3181043644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011296322,0.000316522,0.000023599318,0.00005626225,0.00052068563,0.00027930763,0.0007509216,0.000096514064,0.9978432],"genre_scores_gemma":[0.009045,0.00016199215,0.0000059576323,0.00066903303,0.00059611374,6.1285425e-7,0.00015921053,0.00005948482,0.9893026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986205,0.00003891307,0.00024739336,0.00048575894,0.00021978862,0.00038765438],"domain_scores_gemma":[0.99896055,0.00004839171,0.00015935088,0.00048154264,0.0001867214,0.0001634163],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006138331,0.0003872797,0.0005145939,0.00017417627,0.00023955853,0.00011465219,0.00035468847,0.00026036846,0.00014470288],"category_scores_gemma":[0.000004912434,0.00045179285,0.00026253107,2.5257194e-7,0.0006695486,0.00011935928,0.00027621395,0.00052380183,0.000086634434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026029678,0.0000146295015,6.5998455e-7,0.00007658517,0.00008239793,0.00056557043,0.008886266,3.6070347e-7,0.0000017857753,0.8744519,0.11556247,0.00033136515],"study_design_scores_gemma":[0.0006316176,0.000032142554,0.000002048837,0.00023642619,0.00011896159,0.0000048052443,0.0016130798,0.000018418537,0.00005354711,0.0001224902,0.99666226,0.000504233],"about_ca_topic_score_codex":0.0017461886,"about_ca_topic_score_gemma":0.004305595,"teacher_disagreement_score":0.88109976,"about_ca_system_score_codex":0.00020601314,"about_ca_system_score_gemma":0.00017458553,"threshold_uncertainty_score":0.9997934},"labels":[],"label_agreement":null},{"id":"W3181111124","doi":"10.1017/9781108773522.016","title":"Wright and Religion","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Atheism; Scholarship; Context (archaeology); Secularism; White (mutation); Religious studies; Sociology; History; Epistemology; Philosophy; Art history; Political science; Law; Politics; Archaeology","score_opus":0.038085679955273115,"score_gpt":0.19199569552803228,"score_spread":0.15391001557275916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3181111124","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005529301,0.0006095026,0.00003142389,0.000035164652,0.0003536877,0.0001467812,0.00037651157,0.00009537408,0.99829626],"genre_scores_gemma":[0.0010027022,0.000564262,0.000013242534,0.00027418908,0.0005946047,2.584976e-7,0.00010375891,0.000038705628,0.9974083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991387,0.000017782935,0.00012661424,0.0003557451,0.00014482252,0.00021634584],"domain_scores_gemma":[0.9992695,0.000033143224,0.000104449864,0.00031305614,0.00014070177,0.00013914083],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000032978878,0.00025969945,0.00029414892,0.000094224604,0.00037643814,0.00010502616,0.00015522745,0.00017829103,0.000046480323],"category_scores_gemma":[0.0000028095462,0.00028984062,0.00013507596,8.6678995e-8,0.00052827277,0.0000769641,0.00023332983,0.00027565018,0.000017455046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012207772,0.0000043795226,2.076671e-7,0.0000616593,0.00007337672,0.00021135304,0.0027390462,3.9253962e-8,0.0000021837748,0.8922952,0.10432362,0.0002767271],"study_design_scores_gemma":[0.00025737166,0.00003056657,0.0000011585647,0.00012721421,0.00018485093,0.000010984156,0.0001549558,0.00000855924,0.000039643655,0.00020079849,0.9986489,0.00033501655],"about_ca_topic_score_codex":0.0006424876,"about_ca_topic_score_gemma":0.00028813365,"teacher_disagreement_score":0.89432526,"about_ca_system_score_codex":0.00007125482,"about_ca_system_score_gemma":0.00007043864,"threshold_uncertainty_score":0.99995536},"labels":[],"label_agreement":null},{"id":"W3181164691","doi":"10.1017/9781108773522.024","title":"Wright, Psychoanalysis, and Fredric Wertham’s Reading of <i>Hamlet</i>","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Psychoanalysis; Freudian slip; Psychoanalytic theory; Philosophy; HAMLET (protein complex); Literature; Art history; Art; Psychology","score_opus":0.03573146538804887,"score_gpt":0.20207331291671327,"score_spread":0.1663418475286644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3181164691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001577372,0.00091191515,0.00009703274,0.00002168703,0.00028878613,0.0001516979,0.00066958944,0.00005887155,0.9976427],"genre_scores_gemma":[0.006893737,0.0006213259,0.00003457116,0.00014472535,0.0003830685,2.788304e-7,0.00011589504,0.000043871325,0.9917625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987636,0.000032063876,0.00025943297,0.00045102747,0.0002295937,0.00026424264],"domain_scores_gemma":[0.9987865,0.000060022925,0.00027751678,0.0004819996,0.0002352468,0.0001586902],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000066050445,0.0003348483,0.0005827727,0.00022114677,0.00031193523,0.00007243556,0.00024929742,0.00019565251,0.00008625167],"category_scores_gemma":[0.0000044910657,0.00036929702,0.00028051928,4.9293584e-7,0.00069630204,0.000095843076,0.00021567041,0.00030699855,0.000006235582],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019190918,0.000010911725,0.0000023752261,0.00013702337,0.0003811064,0.00013625497,0.0037395242,3.236808e-7,0.000028266788,0.95232147,0.042904444,0.00031911995],"study_design_scores_gemma":[0.00029541194,0.000033407214,0.0000031872596,0.0002075166,0.0006461153,0.000010741856,0.000382769,0.000022168779,0.0001253991,0.00010225788,0.9977948,0.00037623214],"about_ca_topic_score_codex":0.0009775007,"about_ca_topic_score_gemma":0.0005848577,"teacher_disagreement_score":0.9548904,"about_ca_system_score_codex":0.0000668941,"about_ca_system_score_gemma":0.00007767905,"threshold_uncertainty_score":0.9998759},"labels":[],"label_agreement":null},{"id":"W3182422188","doi":"10.1017/9781108773522.029","title":"Wright and Postcolonial Thought","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Modernity; Relation (database); Context (archaeology); Art history; White (mutation); Decolonization; Sociology; Art; History; Aesthetics; Politics; Philosophy; Epistemology; Political science; Law","score_opus":0.03516898102600251,"score_gpt":0.20098104797813776,"score_spread":0.16581206695213524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182422188","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000101245976,0.00044597115,0.000018465274,0.00006470629,0.00053709705,0.00019917257,0.000845377,0.00010149125,0.99768645],"genre_scores_gemma":[0.0011868759,0.00020080149,0.000022775306,0.00031244138,0.0010805795,3.9055286e-7,0.000117100564,0.00003997667,0.9970391],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896777,0.000026266576,0.00014593705,0.00040704012,0.00017270644,0.00028030254],"domain_scores_gemma":[0.999173,0.000047028105,0.00011909356,0.00033093226,0.00016441691,0.00016555545],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004079089,0.00031488086,0.00036616737,0.00009774002,0.0004923943,0.00013911695,0.00020615314,0.00021830887,0.00009944726],"category_scores_gemma":[0.0000037430434,0.00034726926,0.00016587767,1.2625475e-7,0.0006990567,0.00009719706,0.0003134797,0.0003398673,0.000019070605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025087935,0.000007637843,3.6714962e-7,0.000060906266,0.00012285577,0.0003668672,0.0031279314,4.2083382e-8,0.0000034058837,0.942761,0.053181935,0.00034193657],"study_design_scores_gemma":[0.00037050055,0.000045992405,0.0000031958866,0.00009530037,0.0002474573,0.000016206624,0.00019375402,0.000007323134,0.000051282605,0.00007621425,0.9984917,0.0004010568],"about_ca_topic_score_codex":0.00046960954,"about_ca_topic_score_gemma":0.0004886483,"teacher_disagreement_score":0.94530976,"about_ca_system_score_codex":0.00008436643,"about_ca_system_score_gemma":0.00011352595,"threshold_uncertainty_score":0.99989796},"labels":[],"label_agreement":null},{"id":"W3182601243","doi":"10.1017/9781108773522.018","title":"Black Paris, Hard-Boiled Paranoia, and the Cultural Cold War","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Paranoia; Cold war; Modernity; Wright; Romance; Capital (architecture); History; Art history; Gender studies; Sociology; Art; Political science; Ancient history; Law; Literature; Psychology; Politics","score_opus":0.041918253692764765,"score_gpt":0.19918160286278927,"score_spread":0.1572633491700245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182601243","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003259821,0.0011340994,0.00001376124,0.00013913595,0.00037872035,0.00039908788,0.0006373591,0.00009156703,0.9968803],"genre_scores_gemma":[0.004563261,0.001275328,0.000009775731,0.00048285624,0.0007091508,0.0000012916098,0.000088053705,0.00004138363,0.9928289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987991,0.00006745219,0.00017777311,0.00041785606,0.0002195318,0.00031828947],"domain_scores_gemma":[0.9989076,0.00009956198,0.00017597695,0.00044511328,0.00022268298,0.00014902362],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008696463,0.00037458495,0.00051120896,0.000053559033,0.00068370486,0.00018890473,0.00031120933,0.00020284017,0.000068328045],"category_scores_gemma":[0.0000067676287,0.00030592145,0.0002793079,2.4066605e-7,0.0024301528,0.00011308075,0.00033603687,0.00045479447,0.000027556167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006409417,0.0000053629187,5.492817e-7,0.000064901775,0.00022509211,0.000093852446,0.014051753,2.708475e-7,0.0000026499529,0.8343335,0.15110193,0.000056064953],"study_design_scores_gemma":[0.0013627651,0.000023012595,0.000003483705,0.00011056899,0.000492198,0.0000063255334,0.0016181342,0.000043047767,0.000046136225,0.000072326824,0.9958201,0.000401924],"about_ca_topic_score_codex":0.00094922865,"about_ca_topic_score_gemma":0.00027786352,"teacher_disagreement_score":0.84471816,"about_ca_system_score_codex":0.00007378858,"about_ca_system_score_gemma":0.00007354211,"threshold_uncertainty_score":0.99993926},"labels":[],"label_agreement":null},{"id":"W3183393474","doi":"","title":"Too Hard: Gay Figurative Painting’s Gimmicks / Un peu too much : les stratagèmes de la peinture figurative gaie","year":2021,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literal and figurative language; Art; Painting; Literature; Humanities; Visual arts; Philosophy; Linguistics","score_opus":0.05636427348803031,"score_gpt":0.31239815379260566,"score_spread":0.25603388030457536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183393474","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019002696,0.02661369,0.0028220762,0.17737013,0.007219232,0.0011389408,0.0073264516,0.0005566836,0.7579501],"genre_scores_gemma":[0.679619,0.0021973953,0.0005109604,0.0025834267,0.0039910367,0.00012989812,0.0014671398,0.00014105477,0.3093601],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951308,0.0010382885,0.00088120997,0.0010081884,0.0004945075,0.0014470165],"domain_scores_gemma":[0.99607927,0.0013914716,0.00038955052,0.00083506986,0.00079582335,0.00050878996],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005637087,0.0008482848,0.000824293,0.00016762149,0.0029476262,0.0013130399,0.00047525298,0.00052855164,0.009544334],"category_scores_gemma":[0.00065467757,0.0008683968,0.00052353926,0.00003861509,0.0019741955,0.00096228084,0.00026261364,0.0012986455,0.00038498815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021158818,0.0005809958,0.00012439364,0.00021721976,0.00039095065,0.00028860362,0.13457009,0.000040445113,0.00024825925,0.6874223,0.17433535,0.0017602758],"study_design_scores_gemma":[0.0008005555,0.00017042439,0.0011571011,0.0005700724,0.00023100492,0.00010397472,0.066554144,0.0003224518,0.006600851,0.028553152,0.8939879,0.00094835606],"about_ca_topic_score_codex":0.0016359348,"about_ca_topic_score_gemma":0.0036909173,"teacher_disagreement_score":0.7196526,"about_ca_system_score_codex":0.00024961503,"about_ca_system_score_gemma":0.0012993752,"threshold_uncertainty_score":0.9997237},"labels":[],"label_agreement":null},{"id":"W3183928185","doi":"10.82308/18591","title":"Figurations of ethics, configurations of power : Michel Foucault, Attila Richard Lukacs, and the New Painting","year":2002,"lang":"en","type":"article","venue":"Open MIND","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Michel foucault; Painting; Power (physics); Art; Philosophy; Art history; Sociology; Epistemology; Law; Political science; Physics; Politics","score_opus":0.1437363574681463,"score_gpt":0.3171471375146747,"score_spread":0.1734107800465284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183928185","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03306737,0.00078497455,0.0004063028,0.019840011,0.00027269975,0.00070793903,0.00025993693,0.000004252099,0.9446565],"genre_scores_gemma":[0.8844185,0.000039623155,0.00046676386,0.0004543147,0.00012284149,0.000005479372,0.000012663269,0.000008852828,0.114470996],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921983,0.00008629183,0.00031376592,0.00012741191,0.00011986386,0.0001328102],"domain_scores_gemma":[0.99903655,0.00038120148,0.00016843792,0.00020244441,0.00016215391,0.000049188737],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035606182,0.00008878512,0.00019136537,0.00003306796,0.00033934356,0.00014297005,0.00019215012,0.000050605213,0.008990373],"category_scores_gemma":[0.00023464035,0.000064208194,0.000053827305,0.0000037523337,0.0005872412,0.00018770578,0.000066527704,0.0001590723,0.000055202923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016367658,0.000086266824,0.000055089902,0.000019179119,0.000093608374,8.2047063e-7,0.77721524,0.0000060379016,0.00035581918,0.16867787,0.046781883,0.006691805],"study_design_scores_gemma":[0.00091657485,0.000048104077,0.00013114761,0.00005492857,0.00007600011,0.000002110785,0.015277375,0.0005720634,0.0012656642,0.0035181358,0.97800756,0.00013034724],"about_ca_topic_score_codex":0.001341244,"about_ca_topic_score_gemma":0.0059972634,"teacher_disagreement_score":0.93122566,"about_ca_system_score_codex":0.0000059197773,"about_ca_system_score_gemma":0.00006105246,"threshold_uncertainty_score":0.9919155},"labels":[],"label_agreement":null},{"id":"W3186600316","doi":"10.33524/cjar.v21i3.565","title":"About the Artist and Artwork","year":2020,"lang":"en","type":"article","venue":"The Canadian Journal of Action Research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Visual arts; Art","score_opus":0.4442326262176817,"score_gpt":0.3853135262551698,"score_spread":0.058919099962511934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186600316","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24145757,0.0037099707,0.00007933186,0.4619613,0.0014155816,0.00038713406,0.000049601633,0.000015836877,0.29092366],"genre_scores_gemma":[0.9842254,0.00008532174,0.0000032394348,0.0025097942,0.0022179948,0.0000011989526,5.186593e-7,0.0000072951293,0.01094927],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999172,0.00016447714,0.00013253963,0.000048795246,0.00023334524,0.00024889538],"domain_scores_gemma":[0.9990108,0.00013720378,0.000049393577,0.00008567611,0.00025841087,0.00045848938],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007001755,0.000043252727,0.00006737861,0.00006515969,0.001564671,0.0003962977,0.00019052335,0.00001838462,0.0007366889],"category_scores_gemma":[0.00017524893,0.000023433327,0.00003485784,0.000006438435,0.00082083646,0.00010708347,0.000013259272,0.0005360513,0.00005106385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054038355,0.0000069031516,0.00045851874,0.00002074866,0.00007596523,0.000054270913,0.36206365,0.000025284213,0.000030900454,0.17763408,0.45077476,0.00880087],"study_design_scores_gemma":[0.00008118898,0.00009166177,0.00042503135,0.0000118914095,0.0000063580246,0.000025173897,0.010900598,0.000088799505,0.000025783651,0.005656346,0.9826567,0.000030435602],"about_ca_topic_score_codex":0.019496728,"about_ca_topic_score_gemma":0.5166318,"teacher_disagreement_score":0.7427678,"about_ca_system_score_codex":0.000056921966,"about_ca_system_score_gemma":0.0006377926,"threshold_uncertainty_score":0.9997352},"labels":[],"label_agreement":null},{"id":"W3192143757","doi":"","title":"Steve Giasson, Nouvelles Performances invisibles — The Artist’s Body, a Camera, and Various Performative Interactions / Steve Giasson, Nouvelles Performances invisibles — Le corps de l’artiste, une camera et diverses interactions performatives","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Art; Art history; Humanities; Aesthetics","score_opus":0.028372537789323506,"score_gpt":0.2654563425828719,"score_spread":0.23708380479354838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3192143757","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25546736,0.028042765,0.0016486383,0.00607438,0.0053613684,0.0018516188,0.005306647,0.00040599878,0.69584125],"genre_scores_gemma":[0.5756583,0.026961934,0.0020967138,0.015278172,0.0018800878,0.0003861228,0.0010362315,0.00018315836,0.37651926],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99352,0.0010790904,0.0016071881,0.0011488579,0.00078964105,0.0018551954],"domain_scores_gemma":[0.9949821,0.0010451576,0.0011332084,0.000931562,0.0012681615,0.00063977984],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0010624804,0.0013809975,0.0013110329,0.0003767042,0.0072807823,0.002360777,0.0007894617,0.00046446326,0.016450593],"category_scores_gemma":[0.00038354888,0.0011335331,0.0004995887,0.00019088213,0.002724544,0.005159257,0.00078225764,0.002757512,0.00030986237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022286086,0.0012615827,0.0022533992,0.001154336,0.0016161813,0.00008302407,0.43933135,0.0015636571,0.00084097224,0.061309543,0.48862952,0.0017335868],"study_design_scores_gemma":[0.0011321253,0.0003511631,0.0008461808,0.0010535781,0.0005664842,0.0005363496,0.30217266,0.017723039,0.0023112874,0.0007319866,0.671515,0.0010601472],"about_ca_topic_score_codex":0.007868138,"about_ca_topic_score_gemma":0.010149445,"teacher_disagreement_score":0.32019097,"about_ca_system_score_codex":0.00051918125,"about_ca_system_score_gemma":0.0022109307,"threshold_uncertainty_score":0.99998945},"labels":[],"label_agreement":null},{"id":"W3195047023","doi":"10.7202/1080273ar","title":"Looking Away from the Material Self: Collective Ethics in Neoliberal Environments","year":2021,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Sociology; Neoliberalism (international relations); Political science; Environmental ethics; Political economy; Philosophy","score_opus":0.04836952040275465,"score_gpt":0.2800316270844316,"score_spread":0.23166210668167692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195047023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7123647,0.03173602,0.0000015961649,0.025927776,0.012953757,0.000964842,0.007916981,0.000073926065,0.20806043],"genre_scores_gemma":[0.95608187,0.00046443313,0.000049316255,0.010954789,0.0018013522,0.000036167316,0.0001642533,0.000024645287,0.030423177],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876064,0.00018298051,0.00019718117,0.00025504883,0.00013589533,0.00046827827],"domain_scores_gemma":[0.999422,0.00019959855,0.000034239587,0.00019736138,0.00005169296,0.00009509139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016537965,0.00016524878,0.00021161568,0.00007409589,0.0004900067,0.00022602141,0.00013107249,0.00012470371,0.00025701645],"category_scores_gemma":[0.000103043705,0.0001318745,0.000042804175,0.000012940052,0.0002725033,0.00012246896,0.0000727575,0.0005935827,0.000009816204],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073461892,0.000016768947,0.0015006119,0.000017413382,0.0000897812,0.00030327722,0.97106516,0.0000053238887,0.0000052648275,0.01278011,0.014161587,0.000047325448],"study_design_scores_gemma":[0.00034509812,0.000015300071,0.002321747,0.0002265263,0.000017371885,0.0000037495722,0.023584912,0.000013693996,0.000044055698,0.020639772,0.9525934,0.00019441263],"about_ca_topic_score_codex":0.19363493,"about_ca_topic_score_gemma":0.9845867,"teacher_disagreement_score":0.94748026,"about_ca_system_score_codex":0.0007964914,"about_ca_system_score_gemma":0.0005218475,"threshold_uncertainty_score":0.81173474},"labels":[],"label_agreement":null},{"id":"W3195190208","doi":"","title":"Ralph McGill collection, 1957-1983","year":2008,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Data collection; Sociology; Social science","score_opus":0.0867055749465704,"score_gpt":0.24115401502111003,"score_spread":0.15444844007453962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195190208","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015511389,0.00003401685,0.00008242981,0.0006548688,0.00058993424,0.00008769593,0.000031658663,0.00019427568,0.9828137],"genre_scores_gemma":[0.5008168,0.000032117474,0.000052653224,0.0017112514,0.0004113966,0.0000055890146,0.0000058221904,0.000009569195,0.4969548],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999391,0.000014674032,0.00014070387,0.00013017941,0.000106296655,0.00021715506],"domain_scores_gemma":[0.99966174,0.000023807792,0.000026357206,0.00013269983,0.00008303187,0.00007235679],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000035602658,0.00009114321,0.000106454914,0.000054029235,0.0010088785,0.000023110033,0.000067838686,0.000027968717,0.006654083],"category_scores_gemma":[0.0000119032,0.000076355864,0.00006186037,0.0000016368654,0.00021906424,0.00012906652,0.000021657423,0.00006185363,0.00064791593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006278857,0.00006578015,0.0001652602,0.0000064805954,0.00002381141,0.000009510551,0.04066647,0.0000020866187,0.000011954111,0.39486453,0.5639994,0.00017839187],"study_design_scores_gemma":[0.0002142736,0.000042350548,0.00021061412,0.0000022798274,0.000007466672,0.000014863177,0.0007323179,0.0000763645,0.0002620524,0.004984808,0.9933285,0.00012408089],"about_ca_topic_score_codex":0.0027947417,"about_ca_topic_score_gemma":0.011989914,"teacher_disagreement_score":0.48585895,"about_ca_system_score_codex":0.000029463441,"about_ca_system_score_gemma":0.000029706685,"threshold_uncertainty_score":0.994254},"labels":[],"label_agreement":null},{"id":"W3196782326","doi":"10.1386/cc_00029_1","title":"Fracking, fashion and the environmental activism of Vivienne Westwood","year":2021,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmentalism; Politics; Icon; Political activism; Variety (cybernetics); Political science; Media studies; Law; Sociology","score_opus":0.019873585122705904,"score_gpt":0.2348577218320905,"score_spread":0.2149841367093846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196782326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9282322,0.0024684274,0.00011545978,0.0014463624,0.000459816,0.00014060948,0.00004940679,0.0000497197,0.067038015],"genre_scores_gemma":[0.98399585,0.00018909873,0.0000381886,0.0007842703,0.00037571543,0.000003955475,0.000013862672,0.000010821565,0.014588223],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994398,0.000056440458,0.00012658873,0.00013148923,0.0001119741,0.00013375394],"domain_scores_gemma":[0.9996826,0.00006556861,0.00006978064,0.0001345146,0.000016058726,0.00003147183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000096801545,0.000090739304,0.00013827032,0.000011298378,0.00032770057,0.000089447116,0.00007132877,0.000033414723,0.00028509824],"category_scores_gemma":[0.000033398286,0.000056337612,0.000061888095,9.755973e-7,0.00052552065,0.000121809586,0.000066539855,0.000120072546,0.000008248474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014165413,0.00008260928,0.00032119485,0.000036842073,0.000073197596,0.0000065193112,0.6264205,0.000005382056,0.0026509147,0.3661056,0.0028092435,0.0014738471],"study_design_scores_gemma":[0.0015027196,0.00005447513,0.0035963813,0.00007581671,0.00012246822,0.000025627622,0.047571458,0.00015645951,0.006433211,0.017841427,0.922334,0.00028595072],"about_ca_topic_score_codex":0.00010707587,"about_ca_topic_score_gemma":0.0006558214,"teacher_disagreement_score":0.9195248,"about_ca_system_score_codex":0.000010647696,"about_ca_system_score_gemma":0.000010077156,"threshold_uncertainty_score":0.31216258},"labels":[],"label_agreement":null},{"id":"W319681764","doi":"","title":"The Alcuin Society 2008 Awards for Excellence in Book Design in Canada = Prix de la Société Alcuin pour l'excellence de la conception graphique du livre au Canada, 2008","year":2009,"lang":"fr","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Excellence; Humanities; Art; Library science; Political science; Computer science; Law","score_opus":0.020882382121555076,"score_gpt":0.24707947677960165,"score_spread":0.22619709465804658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W319681764","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00608682,0.032246187,0.025357993,0.02489996,0.0027133087,0.007198116,0.0025490704,0.00019821897,0.8987503],"genre_scores_gemma":[0.14769515,0.035323307,0.0010726434,0.0123000955,0.00317963,0.0004503407,0.00013937101,0.00017497844,0.7996645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945206,0.0010795215,0.0010737963,0.00076525094,0.00060950516,0.0019513508],"domain_scores_gemma":[0.9930043,0.005398817,0.0004428176,0.0004805578,0.00026128057,0.0004121786],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002264461,0.0008647015,0.0008204836,0.00010198348,0.0017528079,0.00022223943,0.0008260765,0.00071484747,0.00063107314],"category_scores_gemma":[0.00021167684,0.0007935698,0.00039436988,0.000015830996,0.0022828986,0.00023187671,0.000095539675,0.0012689367,0.0000049879336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000050907398,0.00012414507,0.00088422926,0.00021327194,0.000099127865,0.00011305812,0.021993669,0.0012474807,0.000011439405,0.092243575,0.8811576,0.0018614917],"study_design_scores_gemma":[0.0011270383,0.00011464425,0.0011397836,0.00051703944,0.00008663997,0.000039142207,0.009219877,0.008209352,0.000080396996,0.014807517,0.96369785,0.00096072274],"about_ca_topic_score_codex":0.9986357,"about_ca_topic_score_gemma":0.99987036,"teacher_disagreement_score":0.14160834,"about_ca_system_score_codex":0.012707513,"about_ca_system_score_gemma":0.08421284,"threshold_uncertainty_score":0.99954677},"labels":[],"label_agreement":null},{"id":"W3198004853","doi":"10.1177/10778004211042355","title":"Critical Walking Methodologies and Oblique Agitations of Place","year":2021,"lang":"en","type":"editorial","venue":"Qualitative Inquiry","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Praxis; Sociology; Queer; Epistemology; Critical theory; Oblique case; Aesthetics; Gender studies; Philosophy; Linguistics","score_opus":0.29878967333539685,"score_gpt":0.4904905083526684,"score_spread":0.19170083501727153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198004853","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00047818598,0.0045294575,0.007359282,0.0011021575,0.9508574,0.0002609973,0.002640605,0.00013220099,0.03263972],"genre_scores_gemma":[0.004674899,0.0004754855,0.011721111,0.0003757137,0.95722705,0.00008796206,0.0008779264,0.000095120165,0.024464704],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996445,0.0018053926,0.000579061,0.00041169778,0.00043250422,0.00032631788],"domain_scores_gemma":[0.96724755,0.03079385,0.00023701691,0.0002540639,0.001380358,0.00008717325],"candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0014771107,0.000295272,0.00068969396,0.00016718608,0.0002813742,0.00017615642,0.00016776515,0.00035410916,0.0003255511],"category_scores_gemma":[0.02207889,0.0002791667,0.0001477985,0.000004814156,0.003149821,0.0002828118,0.00015107078,0.0005873426,0.000010456975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009631889,0.000017582575,9.9556274e-8,0.00027440934,0.00006386553,0.0000040559626,0.42193067,2.9746008e-7,0.000005285804,0.18116961,0.39638126,0.00014323814],"study_design_scores_gemma":[0.00014035353,0.0001130014,0.0000011485457,0.0002248314,0.000083350875,4.034074e-7,0.29621914,0.000002807794,0.0000407428,0.101609714,0.60133356,0.00023096266],"about_ca_topic_score_codex":0.0005331092,"about_ca_topic_score_gemma":0.0015456837,"teacher_disagreement_score":0.20495228,"about_ca_system_score_codex":0.000057171033,"about_ca_system_score_gemma":0.0003800088,"threshold_uncertainty_score":0.999966},"labels":[],"label_agreement":null},{"id":"W3199847074","doi":"10.19205/60.21.4","title":"Sticky Aesthetics, Sticky Affect: Connecting through Queer Art","year":2021,"lang":"en","type":"article","venue":"The Polish Journal of Aesthetics","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Queer; Aesthetics; Affect (linguistics); Art; Visual arts; Sociology; Gender studies; Communication","score_opus":0.05339254166599448,"score_gpt":0.28114864272837875,"score_spread":0.22775610106238428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199847074","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5193487,0.008036125,0.010032329,0.04775287,0.013749196,0.0006567676,0.000343917,0.00026772104,0.39981237],"genre_scores_gemma":[0.9758506,0.0004957142,0.0007105703,0.0041595227,0.0030802034,0.000001609396,0.0000097154025,0.00008206459,0.01561001],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978275,0.00022386509,0.0007002076,0.00017543239,0.0005083231,0.0005647001],"domain_scores_gemma":[0.99755335,0.00028183282,0.0005142443,0.00044724325,0.0010256838,0.00017764255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005810512,0.00027289012,0.00045358177,0.0000707586,0.00060535496,0.0004060133,0.0004593485,0.00008408814,0.00066948927],"category_scores_gemma":[0.000427309,0.00019490358,0.00031880126,0.000010410843,0.0006334509,0.00029329292,0.00011882394,0.000620556,0.00014345447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066953806,0.00038250998,0.00009856612,0.0000614623,0.00023023374,0.00037492928,0.29518604,0.000447828,0.00008663992,0.5895271,0.10982915,0.0037086324],"study_design_scores_gemma":[0.00065469026,0.0002944782,0.0000452291,0.00016973779,0.00028316933,0.0011890306,0.014123626,0.00012740689,0.0011510781,0.058555856,0.923103,0.0003027129],"about_ca_topic_score_codex":0.0001319319,"about_ca_topic_score_gemma":0.0009830398,"teacher_disagreement_score":0.81327385,"about_ca_system_score_codex":0.000078091434,"about_ca_system_score_gemma":0.0002646755,"threshold_uncertainty_score":0.7947937},"labels":[],"label_agreement":null},{"id":"W3202312092","doi":"","title":"The Art of The Relational Body: From Mirror-Touch to The Virtual Body","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Human–computer interaction; Computer graphics (images); Computer science; Visual arts; Communication; Psychology; Art","score_opus":0.2786823865117331,"score_gpt":0.48556097474772175,"score_spread":0.20687858823598865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202312092","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7988908,0.00582314,0.00048128646,0.021146819,0.005222127,0.0013853826,0.0012942967,0.00006064305,0.1656955],"genre_scores_gemma":[0.94811404,0.00088764104,0.000014926299,0.0013929105,0.00082873064,0.000034238023,0.000007216992,0.00003774414,0.04868256],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975276,0.00030844772,0.00073358027,0.00026972982,0.00079023116,0.0003704128],"domain_scores_gemma":[0.9970047,0.0011569696,0.00060974725,0.00071926555,0.00035971278,0.00014960911],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00084331725,0.00023753801,0.00037308835,0.00012740129,0.0012281474,0.0007930825,0.002743036,0.00006301841,0.013841937],"category_scores_gemma":[0.00037456743,0.000102410544,0.0002506618,0.000025161165,0.00068558205,0.00096934114,0.0008415387,0.0002772151,0.00015909977],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027397592,0.00024415337,0.0504371,0.000013457862,0.0005785777,0.00000529315,0.021655794,0.000019306752,0.017139133,0.13418192,0.76854634,0.0069049313],"study_design_scores_gemma":[0.00028135037,0.000012081098,0.1550275,0.00016822877,0.00006533797,0.0000015828547,0.00043962908,0.000015512627,0.003323494,0.034531944,0.80595106,0.00018229069],"about_ca_topic_score_codex":0.0024438032,"about_ca_topic_score_gemma":0.005252244,"teacher_disagreement_score":0.14922324,"about_ca_system_score_codex":0.00006497535,"about_ca_system_score_gemma":0.00017372699,"threshold_uncertainty_score":0.98705953},"labels":[],"label_agreement":null},{"id":"W320616374","doi":"","title":"Walter Jule : Lamps for the Limbo-stretch","year":2005,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0513161751991803,"score_gpt":0.25698099201961383,"score_spread":0.20566481682043353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W320616374","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007058545,0.0045664404,0.00031576309,0.0038983892,0.0036161558,0.0015457444,0.0013913434,0.00033079932,0.9842648],"genre_scores_gemma":[0.004285247,0.0005530032,0.0000940433,0.00592689,0.018019553,0.0002622144,0.0005862022,0.0002910707,0.9699818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99637616,0.00007282851,0.00085333525,0.0008802136,0.0005795327,0.0012379052],"domain_scores_gemma":[0.9970654,0.0005822096,0.00041405548,0.0013170297,0.00033722405,0.0002840821],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042817404,0.0009063081,0.000875154,0.00017581055,0.0014987639,0.00061688473,0.00090150326,0.00044719502,0.019335251],"category_scores_gemma":[0.000048555845,0.0006868553,0.00082928664,0.0000042520646,0.0009657669,0.00035180716,0.0001892368,0.0008421359,0.0053551616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003055906,0.00008986954,7.359548e-7,0.000119358614,0.00023520662,0.000008248802,0.038683314,0.0000047467843,0.0000015201688,0.1766674,0.7604209,0.023738129],"study_design_scores_gemma":[0.0007325139,0.00019698033,0.000014381294,0.00017310855,0.00039562516,0.000011228577,0.00060020783,0.00035738279,0.000013666081,0.045010153,0.95163786,0.00085689465],"about_ca_topic_score_codex":0.00015192622,"about_ca_topic_score_gemma":0.010086644,"teacher_disagreement_score":0.19121695,"about_ca_system_score_codex":0.00023874966,"about_ca_system_score_gemma":0.000499168,"threshold_uncertainty_score":0.99980116},"labels":[],"label_agreement":null},{"id":"W3206424969","doi":"10.4324/9780203094235-39","title":"“A Crisis in the Urban Landscape,” “The Origins and Theory of Type,” and “Legitimacy and Control”","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Legitimacy; Geography; Political science; Economic geography; Law","score_opus":0.03391289606878385,"score_gpt":0.2222328512492022,"score_spread":0.18831995518041833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206424969","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013906826,0.0029550546,0.00001259181,0.0009533342,0.000108043765,0.00034307042,0.000094710485,0.000014355374,0.99412817],"genre_scores_gemma":[0.54031456,0.00077730184,0.0000051576158,0.0023074155,0.00037648279,0.000008006046,0.000008965498,0.0000219047,0.4561802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932677,0.00003653078,0.00020215817,0.00017385007,0.000107900836,0.00015280764],"domain_scores_gemma":[0.99931276,0.000279736,0.00008258897,0.00020646233,0.000077594756,0.000040879448],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022401252,0.00019134267,0.00028039233,0.00006251396,0.00015591172,0.00013454101,0.00010311315,0.000079477075,0.0014245221],"category_scores_gemma":[0.000011852647,0.00009756107,0.000032977227,7.1574823e-7,0.00063074566,0.000080704536,0.000043792137,0.00018414244,0.0000147835635],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000119139495,0.0000064278615,0.0000626029,0.00003154964,0.000047370362,0.0000018367546,0.032305337,2.5879645e-8,3.1985053e-7,0.9410408,0.026032731,0.0004590817],"study_design_scores_gemma":[0.00038316817,0.000068817615,0.00011365169,0.000027378677,0.000100070705,0.000006813673,0.0032690102,0.000028273691,6.239616e-7,0.19074284,0.8051224,0.00013697612],"about_ca_topic_score_codex":0.00075267383,"about_ca_topic_score_gemma":0.002757572,"teacher_disagreement_score":0.7790896,"about_ca_system_score_codex":0.000005691527,"about_ca_system_score_gemma":0.000025014087,"threshold_uncertainty_score":0.9994883},"labels":[],"label_agreement":null},{"id":"W3206718708","doi":"","title":"Jen Aitken & Caroline Monnet, Architectonic Transmissions, Arsenal Contemporary Art Toronto","year":2021,"lang":"es","type":"article","venue":"Esse/Esse arts + opinions","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Visual arts; History","score_opus":0.05623587426159606,"score_gpt":0.29686747940028474,"score_spread":0.24063160513868867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206718708","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013592393,0.04704435,0.0007978254,0.07630015,0.006670348,0.0014665681,0.005227898,0.00077915675,0.8481213],"genre_scores_gemma":[0.8886066,0.003071064,0.00014580795,0.0024345564,0.004158355,0.000099152996,0.0024610297,0.00017539745,0.09884804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955431,0.00034047267,0.0011733815,0.0010575195,0.0006379363,0.0012475444],"domain_scores_gemma":[0.99689054,0.00037496325,0.0002897571,0.0012268616,0.00037527108,0.0008426022],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028926038,0.00081268593,0.0010120784,0.00014496647,0.0016395716,0.0008029156,0.0005124701,0.00029251687,0.007525549],"category_scores_gemma":[0.00009646758,0.0008000067,0.0006536536,0.000016189453,0.00070727494,0.0007477941,0.00026194815,0.0006816604,0.00060625706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001070606,0.0013984307,0.00038411593,0.00047728544,0.00063487684,0.00040043602,0.058490798,0.000056261382,0.00045817962,0.7190462,0.21747541,0.0010709927],"study_design_scores_gemma":[0.0015331001,0.00021415715,0.0008039857,0.00079442305,0.00018741188,0.0000820637,0.0059008556,0.00053025654,0.00091917714,0.0037548908,0.9843128,0.0009669205],"about_ca_topic_score_codex":0.0027005717,"about_ca_topic_score_gemma":0.017006688,"teacher_disagreement_score":0.8750142,"about_ca_system_score_codex":0.00017636178,"about_ca_system_score_gemma":0.0014412408,"threshold_uncertainty_score":0.99966013},"labels":[],"label_agreement":null},{"id":"W3208941734","doi":"10.31860/0236-2481-2020-34-283-287","title":"IN MEMORY OF ANTONIA GLASSE","year":2020,"lang":"en","type":"article","venue":"Vremennik Pushkinskoi Komissii","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; University of Pittsburgh; Northwestern University; Northern Illinois University","keywords":"Art; Psychoanalysis; Psychology","score_opus":0.06942213156405068,"score_gpt":0.25503918105525086,"score_spread":0.18561704949120017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208941734","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.251243,0.000744096,0.00010102072,0.014006453,0.0011959155,0.00056768965,0.00016901318,0.00021280372,0.73176],"genre_scores_gemma":[0.978861,0.000049247363,0.00013364524,0.004101605,0.00089956674,0.000010680284,0.000012215299,0.000036151367,0.01589592],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859864,0.000047975405,0.00045167428,0.00028473424,0.0002389437,0.0003780536],"domain_scores_gemma":[0.9993116,0.00004045655,0.00013086534,0.00024350685,0.00007796601,0.00019559762],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014062632,0.00019409593,0.00033806748,0.00010707572,0.00010992215,0.00005101025,0.0002584835,0.000060493112,0.0028389671],"category_scores_gemma":[0.000056003482,0.00018268496,0.000105518906,0.00000833761,0.00025443328,0.00027231584,0.000079385725,0.00017455555,0.00017453571],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024430084,0.0005959649,0.0013921284,0.00052901654,0.00014564369,0.00013431297,0.5806189,0.000040497307,0.011876776,0.22716708,0.17319052,0.0040648114],"study_design_scores_gemma":[0.0011200825,0.00015860736,0.00045509543,0.000039582454,0.00002463404,0.0000017579756,0.002703162,0.0005911968,0.0047043627,0.0029863985,0.98693395,0.00028118768],"about_ca_topic_score_codex":0.0011335202,"about_ca_topic_score_gemma":0.002271304,"teacher_disagreement_score":0.8137434,"about_ca_system_score_codex":0.00003772603,"about_ca_system_score_gemma":0.0000988739,"threshold_uncertainty_score":0.99807256},"labels":[],"label_agreement":null},{"id":"W3209643566","doi":"","title":"Vai e Vem / Back and Forth","year":2021,"lang":"pt","type":"article","venue":"Revista Confluências Culturais","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Power (physics); Space (punctuation); Sociology; Visual arts; Aesthetics; Art; Philosophy; Linguistics","score_opus":0.058063904177523565,"score_gpt":0.27235778897273655,"score_spread":0.214293884795213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209643566","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.112682216,0.099694885,0.00023800376,0.0066963555,0.0025884542,0.0014187868,0.002822451,0.00031664807,0.7735422],"genre_scores_gemma":[0.29298273,0.0046883156,0.000062588995,0.0038603146,0.0018150769,0.0000144455635,0.00030312783,0.000077929166,0.6961955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973277,0.00015498973,0.00068802456,0.0007195939,0.00034410696,0.00076562003],"domain_scores_gemma":[0.99807936,0.00011821508,0.00023945965,0.00058109115,0.00057939393,0.00040249937],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018364769,0.0005289504,0.00075055176,0.000055596694,0.00084336166,0.0015329273,0.00021282444,0.00020042715,0.008607789],"category_scores_gemma":[0.00015508191,0.0004697607,0.00031567016,0.000010498317,0.000548242,0.00037517122,0.00023496227,0.0003715017,0.0010792782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038181024,0.00027552238,0.0010756085,0.0020147713,0.00064158806,0.00030211904,0.21879557,0.0000013602228,0.00036740472,0.50162214,0.2658897,0.008976035],"study_design_scores_gemma":[0.0007019881,0.00008746137,0.0012121302,0.00037983235,0.0002687966,0.00007744578,0.006936005,0.00007299178,0.00020352622,0.00028975864,0.98911494,0.0006551409],"about_ca_topic_score_codex":0.00036067268,"about_ca_topic_score_gemma":0.0028311824,"teacher_disagreement_score":0.72322524,"about_ca_system_score_codex":0.00008303154,"about_ca_system_score_gemma":0.00024859761,"threshold_uncertainty_score":0.9997754},"labels":[],"label_agreement":null},{"id":"W3210522424","doi":"10.32920/ryerson.14656308.v1","title":"Revolution as festival architecture","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spatialization; Expression (computer science); Architecture; Power (physics); Politics; Value (mathematics); Narrative; Action (physics); Space (punctuation); Sociology; Social science; Media studies; Political science; Aesthetics; Visual arts; Art; Computer science; Law; Anthropology","score_opus":0.051696117991292354,"score_gpt":0.26648960064018934,"score_spread":0.21479348264889697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210522424","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020751983,0.0005666275,0.0026995582,0.0020243335,0.0025394147,0.00021865836,0.00007906681,0.00025040508,0.97086996],"genre_scores_gemma":[0.5579324,0.000057860758,0.0005020484,0.0014572388,0.00313389,0.00001999535,0.00029860783,0.000030226303,0.43656778],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989443,0.00005275191,0.00020276831,0.00034822625,0.00018848709,0.00026349913],"domain_scores_gemma":[0.9992995,0.00002893545,0.00007425297,0.00038371357,0.00012462889,0.00008893885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006805179,0.00021794786,0.00024446976,0.00006398734,0.00021977228,0.00025997142,0.00016448903,0.00014847443,0.006874576],"category_scores_gemma":[0.000043836517,0.00018699116,0.00018619401,5.3369286e-7,0.0002056443,0.000046598776,0.00038684957,0.0005449143,0.00018866792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013030942,0.00013794762,0.00006343836,0.00040686142,0.00019175516,0.000063391984,0.29869094,0.00024708337,0.000020146545,0.627557,0.06836009,0.0042483234],"study_design_scores_gemma":[0.00010748404,0.000029579307,0.00013255517,0.00014343315,0.00006036242,0.0000113291,0.0027431138,0.00009336869,0.00008016248,0.093863174,0.90238637,0.00034904294],"about_ca_topic_score_codex":0.0053706137,"about_ca_topic_score_gemma":0.01901997,"teacher_disagreement_score":0.8340263,"about_ca_system_score_codex":0.000059823,"about_ca_system_score_gemma":0.00022079733,"threshold_uncertainty_score":0.9988804},"labels":[],"label_agreement":null},{"id":"W3210569204","doi":"","title":"In the modern age","year":2021,"lang":"en","type":"book","venue":"Bloomsbury Academic eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Art history; Performance studies; History; Sociology; Library science; Art; Media studies; Anthropology; Visual arts","score_opus":0.07387307297892051,"score_gpt":0.274282366246444,"score_spread":0.20040929326752346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210569204","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013116875,0.0047333804,0.000010633297,0.0004958742,0.00083924667,0.00042483796,0.0001511529,0.000083744366,0.99312997],"genre_scores_gemma":[0.0016531441,0.0003778142,0.000009159235,0.013629722,0.0064003663,0.000079811296,0.0001566819,0.00010054612,0.97759277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761915,0.0001434337,0.00062120456,0.0005107578,0.00048847,0.0006169883],"domain_scores_gemma":[0.99879974,0.00021516246,0.00020549804,0.0006248648,0.000057924954,0.00009680571],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00041626755,0.00047172018,0.0005492923,0.0001636971,0.000289981,0.00014161594,0.0008522278,0.0006843527,0.00073742535],"category_scores_gemma":[0.000028583896,0.0003690594,0.0002715211,7.791396e-7,0.00071666815,0.0000994541,0.00018563509,0.0027052697,0.0001843418],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056322665,0.000018784021,0.0000010408049,0.000112435984,0.000059858226,0.0004058347,0.20123656,6.6817336e-7,0.000012869211,0.38135666,0.41457555,0.002214113],"study_design_scores_gemma":[0.00019514211,0.000016747046,0.0000011063113,0.00017968849,0.00008226038,0.000023221846,0.0003726329,0.000012111843,0.000012176907,0.30162778,0.6971653,0.00031180968],"about_ca_topic_score_codex":0.0001414589,"about_ca_topic_score_gemma":0.0022586964,"teacher_disagreement_score":0.2825898,"about_ca_system_score_codex":0.000121205354,"about_ca_system_score_gemma":0.00045253753,"threshold_uncertainty_score":0.99987614},"labels":[],"label_agreement":null},{"id":"W3215089988","doi":"10.1177/22925503211064763","title":"The Cosmetic Vacuum","year":2021,"lang":"en","type":"editorial","venue":"Plastic Surgery","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; McGill University","funders":"","keywords":"Computer science; Business","score_opus":0.03982224076873079,"score_gpt":0.24098665156462926,"score_spread":0.20116441079589847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215089988","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006847288,0.0016209438,0.000025041181,0.00010030008,0.9817509,0.000051913346,0.0005029699,0.00008758899,0.01579184],"genre_scores_gemma":[0.0018484828,0.00065153424,0.0000016919037,0.000048773407,0.92106444,0.000038147857,0.0006105567,0.00007074675,0.07566562],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978598,0.00011980919,0.000451047,0.0003354522,0.0006496903,0.0005842393],"domain_scores_gemma":[0.9207453,0.07822037,0.0001881678,0.00040813853,0.00031944166,0.0001185956],"candidate_categories":["metaresearch","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038895346,0.00031594376,0.0005102431,0.00008891852,0.00079390843,0.00058373477,0.0002317283,0.00024653386,0.0011930206],"category_scores_gemma":[0.0097742835,0.00022505484,0.000321129,0.000002613402,0.00044333385,0.00006443836,0.000103542116,0.00058775244,0.00041469422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010340795,0.000026998297,0.0000046482696,0.0000725819,0.000112358415,0.000045795463,0.0030759217,4.3504713e-7,1.9046519e-7,0.0024149024,0.99392396,0.00031188587],"study_design_scores_gemma":[0.00006290922,0.000010867357,0.000004913632,0.00013997237,0.00012155387,9.558449e-7,0.0004338983,0.000019460647,0.0000022616455,0.00078689255,0.9981277,0.00028861163],"about_ca_topic_score_codex":0.00030772915,"about_ca_topic_score_gemma":0.00391242,"teacher_disagreement_score":0.07810056,"about_ca_system_score_codex":0.00007382341,"about_ca_system_score_gemma":0.0008084715,"threshold_uncertainty_score":0.99972004},"labels":[],"label_agreement":null},{"id":"W3215454241","doi":"10.32396/usurj.v7i2.605","title":"What Do Christina Rossetti and Emily Ratajkowski Have in Common?: Gendered Power Dynamics in the Relationship Between the Female Model and the Male Artist","year":2021,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Identity (music); Studio; Objectification; Power (physics); Poetry; Dynamics (music); Art; Aesthetics; Sociology; Gender studies; Visual arts; Literature; Philosophy","score_opus":0.09045272235028355,"score_gpt":0.3026795057561852,"score_spread":0.21222678340590162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215454241","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9476371,0.0015624601,0.00024270166,0.040806927,0.000056677665,0.00029782506,0.000089205336,0.0000063105495,0.009300804],"genre_scores_gemma":[0.9887722,0.0014941517,0.000047291953,0.00011711919,0.00007014869,6.5017184e-7,0.000018056651,0.000011724099,0.009468621],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9973252,0.001177713,0.0002854261,0.00021310688,0.00055473536,0.00044381377],"domain_scores_gemma":[0.99739146,0.0018135426,0.0001294205,0.00031314214,0.00024148359,0.00011091917],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002890018,0.00013980428,0.00026909861,0.00016414552,0.0017323785,0.0006871155,0.00041725373,0.000071037124,0.000030774172],"category_scores_gemma":[0.00012580537,0.000092695016,0.00008394302,0.000033297158,0.002580419,0.00051184255,0.0002540233,0.0012850006,0.0000025657139],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019689601,0.00012186104,0.15705031,0.000063036685,0.0000907942,0.0002969245,0.70868605,0.00024088279,0.0000038540534,0.13046919,0.0019803443,0.0007998508],"study_design_scores_gemma":[0.0017342811,0.000052797983,0.033720672,0.0001476241,0.000033787255,0.00010888133,0.75421995,0.004212681,0.0000024908002,0.20401952,0.0016137582,0.00013355381],"about_ca_topic_score_codex":0.0031036476,"about_ca_topic_score_gemma":0.2173744,"teacher_disagreement_score":0.21427076,"about_ca_system_score_codex":0.0001793403,"about_ca_system_score_gemma":0.00038862627,"threshold_uncertainty_score":0.9995672},"labels":[],"label_agreement":null},{"id":"W3216164171","doi":"","title":"A Mother's Touch: Harold Pinter and the Corporeality of Ethics","year":2022,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Art; Psychoanalysis; Sociology; Visual arts; Psychology","score_opus":0.08501158482935288,"score_gpt":0.2699515784076401,"score_spread":0.18493999357828722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216164171","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38661677,0.0013024043,0.0055290805,0.03389764,0.0014146052,0.0011789824,0.0013630791,0.00026083807,0.5684366],"genre_scores_gemma":[0.9681579,0.000015200503,0.000016007705,0.004068833,0.00017883307,0.00003366036,0.000011035683,0.000018928948,0.027499631],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990536,0.00017046336,0.00020178838,0.0001533383,0.00024367466,0.00017713352],"domain_scores_gemma":[0.9993579,0.00017192929,0.000101278594,0.0002693245,0.00006038512,0.00003921915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040761667,0.00010025184,0.0001841333,0.000029226665,0.00055244647,0.000063622385,0.00018110161,0.000030593466,0.00083210977],"category_scores_gemma":[0.000034115183,0.00007099186,0.000081573395,0.000001556155,0.00081517757,0.000058374946,0.00019025923,0.00034665217,0.000004375428],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008649761,0.00005928475,0.00010842306,0.000029747393,0.000046209076,0.0000021995854,0.42160797,0.00004090218,0.000014160697,0.5738538,0.0032372014,0.00091360416],"study_design_scores_gemma":[0.0013653489,0.00010553505,0.00016467477,0.0000118177,0.000055928424,0.000008313137,0.0063304827,0.0138089,0.00007081227,0.4322886,0.54560906,0.00018053572],"about_ca_topic_score_codex":0.0035313142,"about_ca_topic_score_gemma":0.0038695736,"teacher_disagreement_score":0.5815411,"about_ca_system_score_codex":0.000022040693,"about_ca_system_score_gemma":0.000045373527,"threshold_uncertainty_score":0.9111019},"labels":[],"label_agreement":null},{"id":"W3216418319","doi":"10.32920/ryerson.14645523.v1","title":"On Slowness And Inhabiting Time","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Slowness; Everyday life; Emotive; Aesthetics; Embodied cognition; Parallels; Architecture; Psychology; Distraction; Perception; Rhythm; Cognitive psychology; Sociology; Art; Visual arts; Philosophy; Engineering; Epistemology","score_opus":0.043892239617242805,"score_gpt":0.24341602596847534,"score_spread":0.19952378635123252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216418319","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14091238,0.00013689316,0.00009344093,0.00043078128,0.00059588155,0.000112244634,0.000048636277,0.00011505723,0.8575547],"genre_scores_gemma":[0.71784806,0.000022016287,0.00008028159,0.0015837235,0.0009440469,0.00001112339,0.00009535098,0.000024377006,0.27939102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992175,0.000028222645,0.00016430774,0.00028469774,0.00011249232,0.00019276589],"domain_scores_gemma":[0.99951833,0.000070869726,0.000055170476,0.00022151886,0.00007018369,0.000063928885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007613145,0.00017089314,0.00022741605,0.000049136375,0.00019439624,0.00039246632,0.00008184436,0.00008915878,0.0050607603],"category_scores_gemma":[0.000027340724,0.00014520662,0.0000693175,3.038337e-7,0.00014751001,0.00005047762,0.00034477306,0.0002707745,0.00012547571],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075583057,0.00010802039,0.00003142554,0.000377708,0.00012492879,0.00004455156,0.21993129,0.000025711835,0.000022248376,0.753362,0.0215272,0.004437378],"study_design_scores_gemma":[0.0008237226,0.0001661619,0.0002927499,0.0012705676,0.00020574145,0.000016025906,0.015441527,0.005274249,0.0007109141,0.2140751,0.7597102,0.0020130542],"about_ca_topic_score_codex":0.0009141483,"about_ca_topic_score_gemma":0.00223048,"teacher_disagreement_score":0.73818296,"about_ca_system_score_codex":0.00002064822,"about_ca_system_score_gemma":0.000053701417,"threshold_uncertainty_score":0.9958488},"labels":[],"label_agreement":null},{"id":"W326337646","doi":"","title":"Cal Lane : Dirt Lace","year":2005,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dirt; Computer graphics (images); Computer science; Geography; Cartography","score_opus":0.020061691276151053,"score_gpt":0.2482777078613136,"score_spread":0.22821601658516255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W326337646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057340786,0.035863787,0.0003878042,0.18644571,0.0044684764,0.00036167563,0.000673936,0.0002720923,0.7657924],"genre_scores_gemma":[0.20240945,0.0004801996,0.00035670112,0.0042352863,0.011460293,0.000007714454,0.000046376917,0.000054405937,0.7809496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818087,0.00010117292,0.0002416921,0.00037382738,0.00030840887,0.0007940188],"domain_scores_gemma":[0.9990204,0.00005005264,0.0000884673,0.00042855227,0.000109502864,0.00030301316],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016733428,0.00035646907,0.0003272012,0.00006819305,0.00061576953,0.00025492228,0.00023405426,0.00028526745,0.0067960713],"category_scores_gemma":[0.00003797817,0.0003293382,0.00022597011,0.000004461789,0.00055536267,0.0003278558,0.00009462875,0.0005799863,0.0029758],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000189942,0.00015255569,0.00013577778,0.00008744109,0.00007716744,0.000031990316,0.14279965,0.000095498224,0.00000764632,0.49758852,0.35511506,0.0038896974],"study_design_scores_gemma":[0.00046975288,0.000078343575,0.00038348275,0.00009824091,0.00011119386,0.000023858378,0.003196311,0.00030003194,0.00006470679,0.0010932785,0.9937477,0.00043307952],"about_ca_topic_score_codex":0.0017744439,"about_ca_topic_score_gemma":0.049434192,"teacher_disagreement_score":0.63863266,"about_ca_system_score_codex":0.0001524032,"about_ca_system_score_gemma":0.00011246387,"threshold_uncertainty_score":0.99991584},"labels":[],"label_agreement":null},{"id":"W332816546","doi":"","title":"Paul P. // Monica Tap : Over here, over there","year":2005,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029480316114802594,"score_gpt":0.2475967616105085,"score_spread":0.2181164454957059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W332816546","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005941426,0.009381961,0.000027444017,0.00057882903,0.0025662954,0.00091815105,0.0011895306,0.0004970062,0.9842466],"genre_scores_gemma":[0.015823046,0.001121776,0.000046151465,0.004952773,0.012395702,0.00011795971,0.0005630807,0.00043410272,0.9645454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994906,0.00013837228,0.0011316942,0.0012823694,0.0010054123,0.0015361322],"domain_scores_gemma":[0.99668163,0.00021770297,0.0006093648,0.0017171232,0.00024830617,0.0005258502],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00031107184,0.0013401185,0.0013171305,0.00027220693,0.00097219675,0.00065054157,0.0009233156,0.0008077172,0.08441864],"category_scores_gemma":[0.000030627598,0.0012483909,0.00093170366,0.00000696312,0.0010519953,0.0006537133,0.00031277657,0.0014254615,0.012900589],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031133466,0.0002123718,0.000009767535,0.00012981567,0.00032229006,0.000114595576,0.0150303,0.0000033478477,0.000004038521,0.1309984,0.8443125,0.0088314265],"study_design_scores_gemma":[0.0010166615,0.00017730698,0.00030158035,0.0003226719,0.0003447886,0.000020193835,0.00035195434,0.000075867436,0.0000064195337,0.03923601,0.95667326,0.0014732559],"about_ca_topic_score_codex":0.0005351372,"about_ca_topic_score_gemma":0.0128568355,"teacher_disagreement_score":0.11236078,"about_ca_system_score_codex":0.0004586152,"about_ca_system_score_gemma":0.0007108762,"threshold_uncertainty_score":0.999935},"labels":[],"label_agreement":null},{"id":"W345121396","doi":"","title":"Lisa Levitt : Swatches // Nicole Liao : you are Here","year":2004,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sociology","score_opus":0.04307053082042415,"score_gpt":0.23507506031468534,"score_spread":0.1920045294942612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W345121396","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022748983,0.0071256086,0.00006479142,0.0019104806,0.0034190037,0.0010013242,0.0011562792,0.0006544289,0.98444057],"genre_scores_gemma":[0.009392801,0.0004945998,0.00005680996,0.0035879782,0.009543203,0.00011352649,0.00064837077,0.0003989728,0.97576374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948151,0.000120649165,0.0011674328,0.0013802423,0.0009302047,0.0015863471],"domain_scores_gemma":[0.99645,0.0001623465,0.00077983044,0.0016122253,0.00039239068,0.0006032124],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0003548434,0.0013948069,0.001555012,0.00031322116,0.001326455,0.0008070259,0.0009825941,0.0008119175,0.029707676],"category_scores_gemma":[0.00005762025,0.0013693849,0.0009406521,0.000008793576,0.0013113238,0.0006443058,0.00031408484,0.0014121333,0.0104341945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036353456,0.00031355576,0.000017201473,0.00056907564,0.0004274426,0.00017983513,0.085092105,0.000019219118,0.0000045807637,0.0989487,0.8091743,0.0052176053],"study_design_scores_gemma":[0.00095811,0.00023492434,0.000055651704,0.0011097504,0.00039729485,0.000022857375,0.002394394,0.000020019696,0.00003120712,0.05359554,0.93964607,0.0015342074],"about_ca_topic_score_codex":0.000730995,"about_ca_topic_score_gemma":0.020001076,"teacher_disagreement_score":0.13047172,"about_ca_system_score_codex":0.0009615939,"about_ca_system_score_gemma":0.0017446262,"threshold_uncertainty_score":0.99997365},"labels":[],"label_agreement":null},{"id":"W34918110","doi":"10.21991/c9qt0r","title":"THE AMENDING FORMULA AND THE AGENDA FOR CHANGE","year":2011,"lang":"en","type":"article","venue":"Constitutional Forum / Forum constitutionnel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Public administration","score_opus":0.15160117121580427,"score_gpt":0.2773175479987673,"score_spread":0.12571637678296302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W34918110","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021626072,0.0072895554,0.10419976,0.026456412,0.011121944,0.0050402726,0.0020356807,0.00045080992,0.84124297],"genre_scores_gemma":[0.989893,0.00021355333,0.00024377013,0.0038921935,0.00074130454,0.00061833824,0.00006185027,0.000013548351,0.0043224026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827737,0.000045527075,0.00041923343,0.00030628694,0.00022275581,0.00072885206],"domain_scores_gemma":[0.9987245,0.00045689507,0.000164658,0.0002993227,0.00023355748,0.000121038815],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0004911869,0.00026915444,0.00024934183,0.000080349244,0.0063270573,0.00025534077,0.00031691694,0.00007647602,0.0001504891],"category_scores_gemma":[0.0002210931,0.00015911483,0.00022533964,0.0000073905376,0.01716623,0.0005982631,0.00015650931,0.00017644864,0.000054287677],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013498495,0.000029410447,0.00025356663,0.00001557472,0.00009473695,0.0000023562227,0.009899552,0.000001308203,0.0000020449995,0.98015696,0.007767842,0.00164169],"study_design_scores_gemma":[0.0016535992,0.000042575102,0.000041406136,0.000040624578,0.00007954662,0.000055467895,0.006235807,0.0006021349,0.00003486436,0.22018826,0.770801,0.0002246978],"about_ca_topic_score_codex":0.0005472581,"about_ca_topic_score_gemma":0.005283919,"teacher_disagreement_score":0.98773044,"about_ca_system_score_codex":0.00007210916,"about_ca_system_score_gemma":0.00026932365,"threshold_uncertainty_score":0.99496657},"labels":[],"label_agreement":null},{"id":"W360243666","doi":"","title":"Katie Bethune-Leamen: Mushroom Studio. Toronto Sculpture Garden, www.torontosculpturegarden.com, To April 15, 2009Toronto Sculpture Garden, www.torontosculpturegarden.com, To April 15, 2009","year":2008,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Studio; Art; Visual arts; Art history; Geography","score_opus":0.040730296415174984,"score_gpt":0.25994647312997693,"score_spread":0.21921617671480195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W360243666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037261233,0.05872608,0.0023006871,0.010637796,0.014297505,0.008281594,0.0022646957,0.0031725413,0.86305785],"genre_scores_gemma":[0.4813727,0.0017927849,0.0023864927,0.01911136,0.012758128,0.00072335795,0.0005438742,0.0008520326,0.48045927],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9864654,0.00058841513,0.002395935,0.0033182753,0.003004967,0.004227011],"domain_scores_gemma":[0.9909491,0.00026368388,0.00072108646,0.003584376,0.001488592,0.0029931532],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010569468,0.0028859805,0.0029815808,0.0004100451,0.0043664435,0.0012097771,0.0025809705,0.0011312483,0.0175092],"category_scores_gemma":[0.0004616728,0.0026253087,0.001662601,0.00006919486,0.0013571403,0.0017812124,0.0011851498,0.001343348,0.004973244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004150076,0.0010419947,0.00030108227,0.00031858994,0.0009426081,0.00034688428,0.20765437,0.0004376584,0.00027170408,0.004932384,0.7806801,0.002657596],"study_design_scores_gemma":[0.0024675943,0.0012777443,0.0020427273,0.0005167986,0.0005303598,0.00013125993,0.015722,0.00008701522,0.00036903901,0.0005790586,0.97298187,0.0032945443],"about_ca_topic_score_codex":0.010718815,"about_ca_topic_score_gemma":0.44612274,"teacher_disagreement_score":0.44411147,"about_ca_system_score_codex":0.0028566495,"about_ca_system_score_gemma":0.00058709114,"threshold_uncertainty_score":0.9998271},"labels":[],"label_agreement":null},{"id":"W372739235","doi":"","title":"An Iconic Artistic Life: Dale Davis and His Work","year":2014,"lang":"en","type":"article","venue":"The Journal of Pan-African Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reputation; Brother; Art history; Visual arts; Art; The arts; History; Sociology; Anthropology; Social science","score_opus":0.0700603729934582,"score_gpt":0.2914052094010838,"score_spread":0.2213448364076256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W372739235","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9440936,0.016552342,0.0005315013,0.004671239,0.0012096148,0.0001678915,0.000029313782,0.00005213195,0.0326924],"genre_scores_gemma":[0.9920217,0.00084139366,0.000052370826,0.000681767,0.0016162669,0.0000017511776,4.2191948e-7,0.000015550442,0.004768775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895674,0.00017474663,0.00034443208,0.00008534421,0.00019174647,0.00024701812],"domain_scores_gemma":[0.99879926,0.00041526678,0.0002818253,0.00018955338,0.0001971636,0.000116916286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063661265,0.00014001892,0.0003505057,0.00006307943,0.0005579653,0.000073712974,0.00019397063,0.000017710416,0.00007929891],"category_scores_gemma":[0.00021865251,0.00008143335,0.00005960131,0.0000048797233,0.0008313572,0.00015130108,0.00006270787,0.00017504154,0.000017774379],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017332556,0.00019149196,0.0020128288,0.000071588336,0.0009316912,0.000012490702,0.854826,0.000030798474,0.0001133183,0.0670531,0.063607015,0.01097637],"study_design_scores_gemma":[0.0012480387,0.0017428536,0.009931922,0.0001983306,0.0011239675,0.000060802777,0.14797156,0.00014008222,0.00006479596,0.04699775,0.7899971,0.0005228268],"about_ca_topic_score_codex":0.000095300304,"about_ca_topic_score_gemma":0.0008752206,"teacher_disagreement_score":0.72639006,"about_ca_system_score_codex":0.000030181354,"about_ca_system_score_gemma":0.00003334178,"threshold_uncertainty_score":0.42914742},"labels":[],"label_agreement":null},{"id":"W385194069","doi":"","title":"Michel Campeau: Lights on Darkrooms. Galerie Simon Blais, September 17 - October 11, 2008Galerie Simon Blais, September 17 - October 11, 2008","year":2008,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; Cartography","score_opus":0.051215125950688625,"score_gpt":0.2581091153879164,"score_spread":0.2068939894372278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W385194069","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2788016,0.0025030442,0.000056449153,0.0005098178,0.0018448802,0.0009525915,0.0005910255,0.00059122127,0.71414936],"genre_scores_gemma":[0.5084331,0.00045234433,0.0001734348,0.005272215,0.0027501313,0.000108367174,0.000406332,0.00025150337,0.48215258],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99439883,0.00020200349,0.0011819532,0.0013108669,0.0009949779,0.0019113848],"domain_scores_gemma":[0.9968054,0.0002473306,0.00044226908,0.0014300359,0.0003755456,0.0006993804],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029488408,0.001211882,0.0010996703,0.0003865398,0.002172406,0.00040694707,0.00059640413,0.00042408888,0.01932226],"category_scores_gemma":[0.00006302767,0.00108271,0.00064536836,0.00003959786,0.0018904197,0.001051044,0.0002493561,0.00059757935,0.0036012458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008188966,0.00064902584,0.003633179,0.00011585127,0.00019381056,0.00042955443,0.019848661,0.00009468554,0.00008768319,0.00307794,0.97151613,0.00027157165],"study_design_scores_gemma":[0.0012498007,0.0002531825,0.0012859985,0.00023229295,0.00017659317,0.00005152049,0.0007695028,0.00013474941,0.0018738734,0.001221233,0.99132526,0.0014259748],"about_ca_topic_score_codex":0.0021141898,"about_ca_topic_score_gemma":0.06690423,"teacher_disagreement_score":0.2319968,"about_ca_system_score_codex":0.00024241154,"about_ca_system_score_gemma":0.00026075618,"threshold_uncertainty_score":0.9991623},"labels":[],"label_agreement":null},{"id":"W386767149","doi":"","title":"Space Invaders : Contemporary Montreal Sculpture","year":2001,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Space (punctuation); Visual arts; Geography; Art; Aesthetics; Computer science","score_opus":0.045401165686468674,"score_gpt":0.23791627205694557,"score_spread":0.1925151063704769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W386767149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013012091,0.0023548885,0.00023403866,0.022722522,0.0013145999,0.0004776986,0.000107781896,0.0004945953,0.9592818],"genre_scores_gemma":[0.69286263,0.00007431508,0.00005960243,0.0037662724,0.001852263,0.000016496695,0.00006615961,0.000051884937,0.3012504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982166,0.00009118856,0.00024802613,0.00044994548,0.00037327138,0.00062093895],"domain_scores_gemma":[0.99887824,0.00004366831,0.00012470139,0.0005181706,0.00014380863,0.00029141092],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001530698,0.0003824272,0.00036753571,0.00012892709,0.00054712384,0.00026588177,0.00030927997,0.00019818149,0.0015739675],"category_scores_gemma":[0.000049494403,0.00031493977,0.00024718646,0.000009735853,0.0004252165,0.000459084,0.00008383675,0.00047219626,0.0004335479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094181865,0.00013747382,0.0011794171,0.000048554826,0.00014981734,0.00017447489,0.34753492,0.00004388908,0.00005371219,0.16346253,0.48651344,0.0006075837],"study_design_scores_gemma":[0.00072242686,0.0000639486,0.0010233456,0.000046785433,0.00003824804,0.000018355751,0.01678158,0.000095029485,0.000046744477,0.002735444,0.9780004,0.00042766062],"about_ca_topic_score_codex":0.0028833018,"about_ca_topic_score_gemma":0.040220253,"teacher_disagreement_score":0.6798505,"about_ca_system_score_codex":0.00006501779,"about_ca_system_score_gemma":0.0001367456,"threshold_uncertainty_score":0.99993026},"labels":[],"label_agreement":null},{"id":"W38979828","doi":"","title":"From the painted past to digital futures : (re)mediating the Canadian nation at Expo 2000","year":2004,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; Exhibition; Tourism; Theme (computing); History; Performative utterance; Aesthetics; Visual arts; Media studies; Sociology; Environmental ethics; Art; Art history; Archaeology","score_opus":0.04228345039932706,"score_gpt":0.25756018588347507,"score_spread":0.215276735484148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38979828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4190643,0.00015877366,0.0000029562577,0.0045489045,0.0021324968,0.00076104834,0.00048299102,0.00008225444,0.57276624],"genre_scores_gemma":[0.73038745,0.000014997667,9.91412e-7,0.00013080657,0.0046502724,0.000006939892,0.0008306893,0.00004124118,0.2639366],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971348,0.00031736688,0.0002579345,0.00053953455,0.0008572949,0.0008930789],"domain_scores_gemma":[0.99789554,0.0005019528,0.00014967029,0.00058060413,0.0004147103,0.00045751603],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0003316189,0.00030608603,0.00024970865,0.00054606586,0.0058889547,0.0010848048,0.0009843394,0.00021521116,0.000431461],"category_scores_gemma":[0.00015404355,0.00023335,0.00020264325,0.00004901511,0.00050242356,0.00032776708,0.00015028438,0.0010132297,0.00017804035],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045536584,0.0000935145,0.0047691027,0.00007881529,0.00059416814,0.0007978672,0.8523658,0.000062498184,0.00017563949,0.041494336,0.09687313,0.0022397544],"study_design_scores_gemma":[0.0002981776,0.00013559188,0.009712339,0.00011443397,0.00005964479,0.0000025653808,0.13555484,0.000022737288,0.00054045476,0.002215053,0.85096467,0.0003795016],"about_ca_topic_score_codex":0.88138175,"about_ca_topic_score_gemma":0.9976721,"teacher_disagreement_score":0.75409156,"about_ca_system_score_codex":0.0035508142,"about_ca_system_score_gemma":0.0028347876,"threshold_uncertainty_score":0.99995214},"labels":[],"label_agreement":null},{"id":"W392080882","doi":"","title":"Kees Van Dongen: Forever Fauve. Montreal Museum of Fine Arts, www.mmfa.qc.ca, January 22 to April 19, 2009Montreal Museum of Fine Arts, www.mmfa.qc.ca, January 22 to April 19, 2009","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Art history; Fine art; History; Visual arts; Media studies; Art; Meteorology; Sociology; Geography","score_opus":0.03527851604025456,"score_gpt":0.2551432784473904,"score_spread":0.21986476240713582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W392080882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3155976,0.011177554,0.002199367,0.01909357,0.004166985,0.0058939382,0.010018721,0.0009373957,0.63091487],"genre_scores_gemma":[0.85593796,0.000842468,0.0025618062,0.007817779,0.004213468,0.00020795615,0.0010496767,0.00024180053,0.12712711],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930971,0.0001789783,0.0020662895,0.0013917019,0.0011807954,0.00208513],"domain_scores_gemma":[0.99530596,0.0003016389,0.00067656074,0.0017721554,0.0005866373,0.0013570432],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006449142,0.0012924527,0.0018763412,0.0008887757,0.00090195506,0.00025639497,0.0009822955,0.00037388603,0.0036753442],"category_scores_gemma":[0.0002330796,0.0012107703,0.0007844476,0.00010327352,0.00076119526,0.0008305592,0.00040969596,0.000545885,0.0010677872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006001966,0.0014541114,0.0004498526,0.0003453599,0.0003503139,0.00021829423,0.032206837,0.0006714846,0.0007526553,0.010546157,0.930412,0.021992737],"study_design_scores_gemma":[0.0022488947,0.001843406,0.008116528,0.00045399755,0.00038259925,0.00003781214,0.0017316542,0.0005847306,0.0015907221,0.014245737,0.9672258,0.0015381562],"about_ca_topic_score_codex":0.01257563,"about_ca_topic_score_gemma":0.09653574,"teacher_disagreement_score":0.54034036,"about_ca_system_score_codex":0.00027294838,"about_ca_system_score_gemma":0.00033025668,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W393907062","doi":"","title":"\"A shift of modality:\" : postminimal Montreal sculpture in the 1970s","year":2005,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Exhibition; Art; Visual arts; Natural (archaeology); Revelation; Fine art; Painting; Art history; History; Literature; Archaeology","score_opus":0.04185451168195351,"score_gpt":0.28163927811751166,"score_spread":0.23978476643555816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W393907062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43213445,0.00015965063,5.181382e-7,0.000590472,0.00034725413,0.00034227007,0.00006720607,0.000026575342,0.5663316],"genre_scores_gemma":[0.80193514,0.00008722777,0.000001673604,0.000025109128,0.0011649269,0.000003731771,0.00016855363,0.000031266427,0.19658236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967641,0.00065725046,0.0003789294,0.00051646354,0.00091579184,0.0007674286],"domain_scores_gemma":[0.99847156,0.00027878184,0.00020922598,0.000642569,0.00024606116,0.00015180788],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005661995,0.00030854985,0.00045729533,0.000976841,0.0007588263,0.00018750268,0.0010545554,0.00029059759,0.00021171154],"category_scores_gemma":[0.000042043055,0.0002711513,0.00030315848,0.00004379615,0.00071869045,0.00031846264,0.000098982826,0.0013614557,0.000026340795],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013320426,0.00070175744,0.0056975926,0.00051945815,0.00034941317,0.0018255421,0.46349746,0.000016390937,0.00019655895,0.5193852,0.005548294,0.0009302636],"study_design_scores_gemma":[0.001622008,0.00092890114,0.19246693,0.0003517693,0.00024069367,0.000019837995,0.16778831,0.0000828352,0.0013850568,0.012019934,0.6221584,0.00093527936],"about_ca_topic_score_codex":0.16062726,"about_ca_topic_score_gemma":0.83024323,"teacher_disagreement_score":0.669616,"about_ca_system_score_codex":0.00033826887,"about_ca_system_score_gemma":0.0008360211,"threshold_uncertainty_score":0.9999741},"labels":[],"label_agreement":null},{"id":"W39694724","doi":"","title":"QC : Queer Commodity","year":2002,"lang":"en","type":"book","venue":"Mount Saint Vincent University Art Gallery eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hickey; Queer; Mainstream; Exhibition; Commodity; Art history; Lesbian; Cover (algebra); Art; Politics; Media studies; Performance art; Visual arts; Sociology; Engineering; Gender studies; Political science; Law","score_opus":0.036449468733365,"score_gpt":0.19297135120422174,"score_spread":0.15652188247085674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W39694724","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040908702,0.00003983437,0.00014139857,0.00036426785,0.0010820642,0.0004900572,0.00097582437,0.00033988588,0.9961576],"genre_scores_gemma":[0.013563503,0.00009488353,0.000026828724,0.0012006116,0.0014302619,0.0000016136121,0.00046856713,0.0000769072,0.98313683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975943,0.000116239746,0.000362946,0.0006445862,0.0005565121,0.00072542724],"domain_scores_gemma":[0.99829304,0.00009311491,0.00030003494,0.00076110224,0.00023582512,0.00031687878],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016319014,0.00062774046,0.0006635722,0.00028559615,0.0011542023,0.00016667442,0.00066895847,0.00036750291,0.005289469],"category_scores_gemma":[0.00000680548,0.00070483016,0.00047903624,0.0000010218008,0.001128762,0.00016741238,0.0004573631,0.0008469573,0.002432876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030617313,0.00006693423,0.0000066392913,0.00006976836,0.00016907661,0.0001641968,0.019806074,0.0000049976743,6.9953296e-7,0.5476229,0.43165627,0.0004017682],"study_design_scores_gemma":[0.00051986624,0.0000901072,0.000012918866,0.00017897249,0.0001687974,0.000007582298,0.00063174876,0.00014429908,0.000002626154,0.0048498465,0.9926077,0.00078553334],"about_ca_topic_score_codex":0.0023807625,"about_ca_topic_score_gemma":0.03271688,"teacher_disagreement_score":0.5609514,"about_ca_system_score_codex":0.013938225,"about_ca_system_score_gemma":0.0003411592,"threshold_uncertainty_score":0.99954027},"labels":[],"label_agreement":null},{"id":"W402883519","doi":"","title":"Zilon. Yves Laroche Galerie d’Art, www.yveslaroche.com, June 4 - 14, 2008Yves Laroche Galerie d’Art, www.yveslaroche.com, June 4 - 14, 2008","year":2008,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.048698110561007334,"score_gpt":0.25277843783042897,"score_spread":0.20408032726942163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W402883519","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011885296,0.12850997,0.006592607,0.014303974,0.020430293,0.0035324695,0.005413752,0.0020472996,0.80728436],"genre_scores_gemma":[0.012775233,0.025441509,0.0038112337,0.0060463403,0.007318142,0.000307826,0.0014908272,0.0007159789,0.9420929],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98565894,0.0008873033,0.0031828957,0.0028909612,0.0021920414,0.0051878714],"domain_scores_gemma":[0.99201304,0.0006602809,0.0013202084,0.0028713276,0.0011198549,0.002015269],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0012801072,0.0030656578,0.0030339202,0.0010312863,0.0059661767,0.0012538609,0.0018352586,0.0016356403,0.03680115],"category_scores_gemma":[0.00049212255,0.0032257254,0.0017948532,0.00018979625,0.009049429,0.0030366858,0.0010174846,0.0026980885,0.017104797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019553359,0.002033934,0.00016160958,0.00086641544,0.0009842984,0.001382564,0.024015946,0.00004283596,0.00087002036,0.014372698,0.950724,0.004350125],"study_design_scores_gemma":[0.0031894152,0.00075875386,0.00030064085,0.0010474024,0.00089858536,0.0010816667,0.002330612,0.0010070881,0.0035122766,0.008266227,0.9740392,0.0035681583],"about_ca_topic_score_codex":0.00097084825,"about_ca_topic_score_gemma":0.0056210007,"teacher_disagreement_score":0.13480857,"about_ca_system_score_codex":0.00055919314,"about_ca_system_score_gemma":0.0011292722,"threshold_uncertainty_score":0.9997829},"labels":[],"label_agreement":null},{"id":"W403869337","doi":"","title":"Ian Wallace : the first documenta, 1955 = Die erste documenta, 1955","year":2011,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Modernity; Art history; Art; Politics; Modernism (music); Humanities; History; Political science; Law","score_opus":0.033627509532763125,"score_gpt":0.23031648187671233,"score_spread":0.19668897234394922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W403869337","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013869784,0.005104937,0.000037166865,0.0046597174,0.0049120216,0.0015818543,0.000654145,0.00044527577,0.98246616],"genre_scores_gemma":[0.014650323,0.0011294188,0.000034351604,0.0074519445,0.006555709,0.00020750174,0.0005667107,0.00039041854,0.96901363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938389,0.0001927205,0.0013996916,0.0014978013,0.0011359007,0.001934988],"domain_scores_gemma":[0.9956796,0.0002718682,0.0008613587,0.0023260277,0.0002735127,0.0005876342],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00064344815,0.0016111265,0.0013660479,0.0003314487,0.0028138405,0.0011626609,0.0018166552,0.0005832681,0.056226555],"category_scores_gemma":[0.000030353642,0.0012788835,0.001056945,0.00001006169,0.0017016124,0.0009258406,0.0006290855,0.0014947181,0.02114548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006008569,0.0001584032,0.000008688497,0.00019464691,0.0005462131,0.00009214823,0.12473506,0.000001304611,0.000001572849,0.11433995,0.756126,0.0037359183],"study_design_scores_gemma":[0.0010675949,0.0003012358,0.000040741917,0.00039993308,0.000619454,0.000026267784,0.0021364235,0.000027321434,0.000020135827,0.05644036,0.9374111,0.0015094203],"about_ca_topic_score_codex":0.004021528,"about_ca_topic_score_gemma":0.09222977,"teacher_disagreement_score":0.1812851,"about_ca_system_score_codex":0.00091411173,"about_ca_system_score_gemma":0.0006873009,"threshold_uncertainty_score":0.99987423},"labels":[],"label_agreement":null},{"id":"W4200004073","doi":"10.24908/encounters.v22i0.15247","title":"Artwork: 1920 (Step 1)","year":2021,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Computer graphics (images); Computer science","score_opus":0.023849095452749762,"score_gpt":0.25511970239316073,"score_spread":0.23127060694041096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200004073","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08515601,0.010124826,0.00016313372,0.00019787072,0.006353932,0.00007442867,0.0000088921115,0.000018363344,0.89790255],"genre_scores_gemma":[0.79444826,0.000098536744,0.00005588251,0.0008498964,0.0003542141,0.000007689036,0.000014947432,0.0000068731106,0.20416373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950695,0.00008228649,0.00014626561,0.000114985385,0.000056067325,0.00009344691],"domain_scores_gemma":[0.9996628,0.00007537764,0.000057246507,0.00011841676,0.00005668556,0.000029471426],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002437673,0.000061739265,0.00009705883,0.000069694244,0.000057072924,0.000010741452,0.000044553693,0.000024821478,0.0012511116],"category_scores_gemma":[0.000039125956,0.00006539777,0.000028520592,0.000001512955,0.0003350794,0.00011929338,0.00001206409,0.000066336775,0.000008871445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019777783,0.00012630082,0.00014065769,0.000042889376,0.0000073029623,9.636971e-7,0.25812307,8.1038377e-7,0.000048395083,0.7045142,0.032862257,0.0041133594],"study_design_scores_gemma":[0.00009472143,0.000018687035,0.00018563669,0.00006019904,0.0000117043055,0.0000023943303,0.021761954,0.000008282831,0.00003191731,0.047630213,0.93011713,0.00007717956],"about_ca_topic_score_codex":0.00022316434,"about_ca_topic_score_gemma":0.0026942769,"teacher_disagreement_score":0.8972549,"about_ca_system_score_codex":0.00016624079,"about_ca_system_score_gemma":0.00032319722,"threshold_uncertainty_score":0.99966186},"labels":[],"label_agreement":null},{"id":"W4200008220","doi":"10.1386/public_00084_7","title":"Ongoing Conversations: Collaboration across positionality, time, and space","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Exhibition; Queer; The arts; Sociology; Context (archaeology); Space (punctuation); Social justice; White (mutation); Work (physics); Visual arts; Media studies; Aesthetics; Gender studies; Art; Social science; History; Engineering; Computer science","score_opus":0.04709707723402276,"score_gpt":0.28003143071393843,"score_spread":0.23293435347991567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200008220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.585402,0.00083938654,0.0003051961,0.06789916,0.00073555927,0.00025085444,0.0009399727,0.00023252178,0.34339535],"genre_scores_gemma":[0.9359219,0.000021772532,0.00009584556,0.0019166198,0.00043776652,0.000008623881,0.0002957047,0.000009358713,0.06129241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944466,0.00003684593,0.000104427105,0.00013266821,0.00011314545,0.00016824],"domain_scores_gemma":[0.9994122,0.000053940832,0.000037318463,0.00010176394,0.00032898446,0.00006583842],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000104379746,0.00006239942,0.000076309596,0.00002470033,0.00045783183,0.0006487755,0.000034968198,0.000025891177,0.0012731709],"category_scores_gemma":[0.00007764999,0.00006582679,0.00002072018,0.0000049579817,0.0001533357,0.0004695624,0.000046936293,0.000040408424,0.00011490666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020305556,0.000056228855,0.0006671771,0.000020646517,0.000035328027,0.0000046754662,0.08632099,0.0000019261013,0.00020394257,0.8932739,0.018999716,0.00041342058],"study_design_scores_gemma":[0.0002879373,0.000015286967,0.0012280951,0.000009654639,0.000012083862,0.0000078177645,0.00733303,0.0004676767,0.0002564439,0.011270015,0.97898036,0.00013157974],"about_ca_topic_score_codex":0.00014496065,"about_ca_topic_score_gemma":0.006697124,"teacher_disagreement_score":0.95998067,"about_ca_system_score_codex":0.00003350731,"about_ca_system_score_gemma":0.0001180501,"threshold_uncertainty_score":0.9996398},"labels":[],"label_agreement":null},{"id":"W4200339207","doi":"10.22215/cjcr.v8i1.2803","title":"Artist Biographies","year":2021,"lang":"en","type":"article","venue":"Canadian Journal of Children s Rights / Revue canadienne des droits des enfants","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.019021591541659076,"score_gpt":0.20612855005350558,"score_spread":0.1871069585118465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200339207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.946452,0.002770249,0.000029717492,0.00026102213,0.0013008689,0.00010893613,0.000592528,0.000019927871,0.04846474],"genre_scores_gemma":[0.9794189,0.00013464628,0.00021166491,0.00040528036,0.0016200216,0.0000023766943,0.00006241567,0.000049798695,0.018094905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997661,0.00009111429,0.0006701108,0.00029964623,0.00012599885,0.0011521416],"domain_scores_gemma":[0.99636006,0.00005573763,0.00029350887,0.0003752845,0.00081657374,0.0020988316],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023357075,0.00031834215,0.00051960855,0.0007634469,0.0013210357,0.00041331945,0.0004448602,0.00010524059,0.001694175],"category_scores_gemma":[0.000123578,0.0002917371,0.00033299645,0.000042157277,0.0018368567,0.00054470997,0.000020002539,0.00034933496,0.000037422902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003746339,0.00013012593,0.039806653,0.00018227124,0.0014369418,0.007073316,0.39264995,0.000045009183,0.00007734494,0.52273506,0.01900988,0.016815973],"study_design_scores_gemma":[0.00099665,0.000276316,0.03161516,0.00066823594,0.00030833582,0.005193458,0.001713858,0.000015412266,0.00081899285,0.1730968,0.7844128,0.0008839855],"about_ca_topic_score_codex":0.1888406,"about_ca_topic_score_gemma":0.9929494,"teacher_disagreement_score":0.8041088,"about_ca_system_score_codex":0.00039882297,"about_ca_system_score_gemma":0.0007972718,"threshold_uncertainty_score":0.99997914},"labels":[],"label_agreement":null},{"id":"W4200359095","doi":"10.32920/17122709","title":"Kazimir Malevich: Approaching The New System","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto; Centre for Social Innovation; University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Vanguard; Reductionism; Painting; Mysticism; Epistemology; Parallels; Aesthetics; The Imaginary; Space (punctuation); Philosophy; Abstract art; Art; Art history; Sociology; Literature; Psychoanalysis; Psychology; History","score_opus":0.11023153815916505,"score_gpt":0.2549357505504423,"score_spread":0.1447042123912773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200359095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013887025,0.0010633736,0.006324377,0.0019161523,0.002303586,0.00038550122,0.00004093855,0.00031530912,0.9862621],"genre_scores_gemma":[0.62402666,0.000025080863,0.0002988051,0.0012285665,0.0042358674,0.000030406754,0.00008719479,0.000039761126,0.3700277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861497,0.00010080372,0.0003263442,0.00038566114,0.00023786008,0.00033437915],"domain_scores_gemma":[0.99890757,0.00006475444,0.00013027906,0.00070515636,0.00008066331,0.000111601934],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021212437,0.00027929185,0.00033822996,0.000044348537,0.0004891539,0.0009776572,0.00044399066,0.00012929279,0.002038711],"category_scores_gemma":[0.000010290827,0.00017734313,0.00025899475,8.1704826e-7,0.00014458386,0.00008160937,0.00069950783,0.0006039469,0.00013408743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019386239,0.000022973933,0.0000109618595,0.0004900521,0.00014318191,0.000011437186,0.22345689,0.000094443625,6.823563e-7,0.7370151,0.037470568,0.0012817491],"study_design_scores_gemma":[0.00012270284,0.000009764669,0.000019631341,0.00029130687,0.00013851105,0.00001315054,0.054986566,0.002969898,0.000023046188,0.0037830095,0.9372539,0.0003885149],"about_ca_topic_score_codex":0.008207016,"about_ca_topic_score_gemma":0.01553999,"teacher_disagreement_score":0.8997833,"about_ca_system_score_codex":0.00007569858,"about_ca_system_score_gemma":0.00026561928,"threshold_uncertainty_score":0.99887353},"labels":[],"label_agreement":null},{"id":"W4200391790","doi":"10.32920/17122709.v1","title":"Kazimir Malevich: Approaching The New System","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto; Centre for Social Innovation; University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Vanguard; Reductionism; Painting; Mysticism; Epistemology; Parallels; Aesthetics; The Imaginary; Space (punctuation); Philosophy; Art; Art history; Literature; Psychoanalysis; Psychology; History","score_opus":0.11023153815916505,"score_gpt":0.2549357505504423,"score_spread":0.1447042123912773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200391790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013887025,0.0010633736,0.006324377,0.0019161523,0.002303586,0.00038550122,0.00004093855,0.00031530912,0.9862621],"genre_scores_gemma":[0.62402666,0.000025080863,0.0002988051,0.0012285665,0.0042358674,0.000030406754,0.00008719479,0.000039761126,0.3700277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861497,0.00010080372,0.0003263442,0.00038566114,0.00023786008,0.00033437915],"domain_scores_gemma":[0.99890757,0.00006475444,0.00013027906,0.00070515636,0.00008066331,0.000111601934],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021212437,0.00027929185,0.00033822996,0.000044348537,0.0004891539,0.0009776572,0.00044399066,0.00012929279,0.002038711],"category_scores_gemma":[0.000010290827,0.00017734313,0.00025899475,8.1704826e-7,0.00014458386,0.00008160937,0.00069950783,0.0006039469,0.00013408743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019386239,0.000022973933,0.0000109618595,0.0004900521,0.00014318191,0.000011437186,0.22345689,0.000094443625,6.823563e-7,0.7370151,0.037470568,0.0012817491],"study_design_scores_gemma":[0.00012270284,0.000009764669,0.000019631341,0.00029130687,0.00013851105,0.00001315054,0.054986566,0.002969898,0.000023046188,0.0037830095,0.9372539,0.0003885149],"about_ca_topic_score_codex":0.008207016,"about_ca_topic_score_gemma":0.01553999,"teacher_disagreement_score":0.8997833,"about_ca_system_score_codex":0.00007569858,"about_ca_system_score_gemma":0.00026561928,"threshold_uncertainty_score":0.99887353},"labels":[],"label_agreement":null},{"id":"W4200409535","doi":"10.4000/critiquedart.85267","title":"Susan Schuppli","year":2021,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Injustice; Colonialism; Power (physics); Creativity; Aesthetics; Contemporary art; Sociology; Representation (politics); Ethnography; History; Media studies; Art; Art history; Political science; Anthropology; Law; Archaeology; Performance art","score_opus":0.035629003873603286,"score_gpt":0.2899410816207337,"score_spread":0.2543120777471304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200409535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001902809,0.01293746,0.00039652534,0.04462711,0.004113967,0.00014673223,0.0006752491,0.00012633544,0.9350738],"genre_scores_gemma":[0.043351624,0.0026453605,0.00021218287,0.008517498,0.0047739553,0.000025528627,0.00030481562,0.00007197728,0.94009703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980191,0.00016025302,0.00038440753,0.00043872086,0.00022063543,0.0007768583],"domain_scores_gemma":[0.99866474,0.000115888346,0.000056939927,0.0004936817,0.00037362083,0.00029512792],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017408833,0.00029957463,0.00034646378,0.00006158426,0.0006721809,0.00047238977,0.00017677029,0.00021102282,0.038415655],"category_scores_gemma":[0.000082428756,0.0003580009,0.00024369814,0.0000044789344,0.000885392,0.00037192562,0.00011997104,0.00042372543,0.0059440685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032957662,0.0001353259,0.000028615694,0.00016315529,0.000034272885,0.00024362875,0.008441426,7.295703e-7,0.000035608573,0.5090832,0.48101228,0.0008184496],"study_design_scores_gemma":[0.00041077408,0.00006651219,0.00006147616,0.0002228007,0.000096011005,0.00008360027,0.004306313,0.00006343402,0.0016867224,0.031494316,0.96109295,0.00041506195],"about_ca_topic_score_codex":0.00041155086,"about_ca_topic_score_gemma":0.0073489575,"teacher_disagreement_score":0.4800807,"about_ca_system_score_codex":0.00009259332,"about_ca_system_score_gemma":0.0003325751,"threshold_uncertainty_score":0.99988717},"labels":[],"label_agreement":null},{"id":"W4205535272","doi":"10.1002/9780470692417.notes","title":"Notes","year":2007,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Illinois at Urbana-Champaign; Harvard University; Northwestern University; University of Pennsylvania; York University; Yale University","keywords":"Democratization; Originality; Democracy; The arts; Section (typography); Sociology; Political science; Art history; Art; Literature; Humanities; Visual arts; Social science; Law; Computer science; Politics","score_opus":0.07447836106166303,"score_gpt":0.27475284812395573,"score_spread":0.2002744870622927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205535272","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[3.0684478e-7,0.00027843012,0.00028687512,0.0000992721,0.0007257099,0.000061921346,0.000056335844,0.00028390987,0.9982072],"genre_scores_gemma":[0.00038279544,0.00003504889,0.0001050933,0.0017684929,0.004542491,0.0000017369036,0.000031570115,0.00022027812,0.9929125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995496,0.000003868115,0.000077903045,0.00010793487,0.00008115062,0.00017950985],"domain_scores_gemma":[0.9997441,0.000019242429,0.00003582294,0.00014542538,0.00001246713,0.000042916527],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027022405,0.000116832736,0.00012261723,0.0001361568,0.00005022904,0.00004242474,0.000073151416,0.00008169348,0.17753954],"category_scores_gemma":[0.0000048617444,0.000090561174,0.00005311441,2.0920884e-7,0.00015429626,0.000013613101,0.000017783388,0.00006843813,0.0033112732],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.2855441e-7,0.0000072162834,0.0000013418231,0.000011101766,0.0000131725465,0.0000017739173,0.0044223736,4.24339e-9,5.3683113e-8,0.3498686,0.6450136,0.00066057936],"study_design_scores_gemma":[0.00004909749,0.000009029869,6.3048145e-7,0.000020258558,0.000012240683,3.3848903e-7,0.00016984668,0.0000013748316,0.0000055571336,0.0018416675,0.997751,0.0001389358],"about_ca_topic_score_codex":0.0058560623,"about_ca_topic_score_gemma":0.09177759,"teacher_disagreement_score":0.35273746,"about_ca_system_score_codex":0.0000074394593,"about_ca_system_score_gemma":0.000014130565,"threshold_uncertainty_score":0.9974648},"labels":[],"label_agreement":null},{"id":"W4210304431","doi":"10.4000/hybrid.1335","title":"Creation no. 1","year":2015,"lang":"ru","type":"article","venue":"Hybrid","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business; Computer science","score_opus":0.0822398740175908,"score_gpt":0.27530661954058716,"score_spread":0.19306674552299635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210304431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02364271,0.00096022827,0.00020162888,0.00066472957,0.0032887615,0.00017082843,0.00026900656,0.00010682092,0.97069526],"genre_scores_gemma":[0.5962298,0.00006880858,0.00003484908,0.000985835,0.004189754,0.0000057909497,0.00009819024,0.000025821098,0.39836115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886304,0.000053759322,0.0002447808,0.00022157174,0.00024474043,0.00037209308],"domain_scores_gemma":[0.9990291,0.000031104773,0.00008732549,0.00028201996,0.00032177696,0.00024865827],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018240132,0.00017906057,0.00019747873,0.000058078065,0.00026600077,0.00024555603,0.00012687649,0.00003668738,0.0023462533],"category_scores_gemma":[0.00008988353,0.00017380489,0.00008985838,9.568402e-7,0.00026259528,0.00023321772,0.000056503148,0.00012818306,0.010284899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040260533,0.00016844811,0.00020973325,0.00005956173,0.00006029293,0.000042679796,0.07365718,0.000009744797,0.00000811408,0.10109977,0.82268625,0.0019579693],"study_design_scores_gemma":[0.00047477736,0.00015706243,0.0000802014,0.000036633446,0.00005819926,0.000008928735,0.0014027198,0.00095326285,0.00016750467,0.009206639,0.9872219,0.00023215145],"about_ca_topic_score_codex":0.0018553317,"about_ca_topic_score_gemma":0.00088678516,"teacher_disagreement_score":0.57258713,"about_ca_system_score_codex":0.000085158994,"about_ca_system_score_gemma":0.00014998257,"threshold_uncertainty_score":0.99856573},"labels":[],"label_agreement":null},{"id":"W4210328472","doi":"10.5206/tba.v1i1.8015","title":"The Parafiction as Counterpoint to the Gimmick","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Counterpoint; Object (grammar); Argument (complex analysis); Capitalism; Mimicry; Aesthetics; Boundary (topology); Phenomenon; Point (geometry); Sociology; Epistemology; Philosophy; Linguistics; Law; Political science; Mathematics; Geometry","score_opus":0.03788952169639278,"score_gpt":0.2851814884957264,"score_spread":0.2472919667993336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210328472","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5381291,0.008028008,0.0008693147,0.36399174,0.009104809,0.0008277475,0.000100167264,0.00010235645,0.07884675],"genre_scores_gemma":[0.9784451,0.00043338552,0.000008196019,0.009876002,0.005005191,0.0000019845634,0.000003409614,0.0000094734705,0.006217247],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992746,0.00004292382,0.00022831502,0.00007169922,0.00022880083,0.00015366047],"domain_scores_gemma":[0.99944425,0.00005712416,0.00011563601,0.000047657726,0.0001564031,0.00017890955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017507844,0.00009691656,0.00013091395,0.000013784005,0.0004978867,0.00020831145,0.00012357076,0.000029475887,0.00015818025],"category_scores_gemma":[0.00010148635,0.000042689546,0.000075239994,0.0000033150736,0.00014772751,0.00013285803,0.000029314751,0.00024551083,0.00013680142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001166984,0.000023691926,0.000029453175,0.000008394523,0.000056754525,0.000010417813,0.57103145,0.0000031327775,0.00017061795,0.0189609,0.4085235,0.0010649683],"study_design_scores_gemma":[0.00019424975,0.00043019027,0.0000813763,0.00002122,0.000038409664,0.00003783189,0.024499023,0.00007891341,0.00010290686,0.0009908993,0.97346026,0.000064730215],"about_ca_topic_score_codex":0.000013230157,"about_ca_topic_score_gemma":0.00053578883,"teacher_disagreement_score":0.56493676,"about_ca_system_score_codex":0.0000118167345,"about_ca_system_score_gemma":0.00003407905,"threshold_uncertainty_score":0.38293922},"labels":[],"label_agreement":null},{"id":"W4210591880","doi":"10.5325/georelioghlstud.73.2.92","title":"<i>Middlemarch</i>: A Grown-Up Novel","year":2021,"lang":"en","type":"article","venue":"George Eliot - George Henry Lewes Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Reading (process); Diagrammatic reasoning; Painting; Art history; Art; Politics; Aesthetics; Visual arts; Philosophy; Political science; Law","score_opus":0.12420469705719304,"score_gpt":0.3017169351528658,"score_spread":0.17751223809567274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210591880","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18468368,0.075269565,0.0007291953,0.025852675,0.023661675,0.001488252,0.002301978,0.0019871253,0.6840259],"genre_scores_gemma":[0.3769253,0.00411331,0.0005953495,0.008295558,0.005762058,0.0001730598,0.00023056945,0.00017305285,0.60373175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963146,0.0001263059,0.00077209173,0.00084169063,0.00060142245,0.0013438803],"domain_scores_gemma":[0.99750423,0.00037196025,0.00019858085,0.00076211646,0.00090461684,0.0002585202],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004235624,0.0006119738,0.00088143226,0.00020863621,0.0017283114,0.0002705143,0.00037092326,0.00012497854,0.0015919602],"category_scores_gemma":[0.00042604902,0.000555884,0.0003887598,0.000025127598,0.0011753252,0.00047344848,0.0007637393,0.00045436723,0.000724241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071120594,0.0006659914,0.0008515528,0.00061697135,0.0015044458,0.00022016732,0.29836896,0.000009921071,0.0015735578,0.54995286,0.14343558,0.002728886],"study_design_scores_gemma":[0.0010197798,0.00009689445,0.00034141078,0.00014745546,0.00018296609,0.000050818177,0.03245044,0.000030243484,0.0013033584,0.015490665,0.9481306,0.0007553811],"about_ca_topic_score_codex":0.0008609575,"about_ca_topic_score_gemma":0.015481748,"teacher_disagreement_score":0.804695,"about_ca_system_score_codex":0.00012601554,"about_ca_system_score_gemma":0.00023163192,"threshold_uncertainty_score":0.9996893},"labels":[],"label_agreement":null},{"id":"W4210691909","doi":"10.1353/mlr.2008.0143","title":"The Neo-Primitivist Turn: Critical Reflections on Alterity, Culture, and Modernity by Victor Li","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Argument (complex analysis); Postmodernism; Philosophy; Exhibition; Art history; Alterity; Art; Aesthetics; Epistemology","score_opus":0.09492599942314958,"score_gpt":0.35047154739688857,"score_spread":0.25554554797373896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210691909","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0085005835,0.5653938,0.0017970556,0.021315029,0.00073821854,0.0014188765,0.0006116531,0.0003980595,0.3998267],"genre_scores_gemma":[0.7849391,0.1268053,0.000037295664,0.014794586,0.001139021,0.000105949104,0.000044323235,0.00005724027,0.072077185],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986362,0.00022822015,0.0002699679,0.0002489943,0.00024855245,0.00036808098],"domain_scores_gemma":[0.9989891,0.00024393023,0.00006809788,0.0004960455,0.00008415053,0.00011864121],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00026913686,0.00022850935,0.00029662036,0.00001528071,0.0018766075,0.00014974907,0.00026491462,0.000041429783,0.00016804348],"category_scores_gemma":[0.00015059813,0.00011946498,0.000130871,0.0000049350324,0.0009072352,0.00011812721,0.000097416174,0.00034726664,0.000085247026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057503203,0.00050290447,0.00000879263,0.0018429109,0.00023757746,0.00009470456,0.46927002,0.0000027465926,0.00039385978,0.2240641,0.26384088,0.039684005],"study_design_scores_gemma":[0.0001373509,0.0000883256,0.000014902296,0.00043762187,0.00011470814,0.00010637847,0.0006035374,0.00033599485,0.000055603694,0.009631995,0.9882264,0.00024715916],"about_ca_topic_score_codex":0.00035991662,"about_ca_topic_score_gemma":0.0012587616,"teacher_disagreement_score":0.77643853,"about_ca_system_score_codex":0.000037002188,"about_ca_system_score_gemma":0.00003246769,"threshold_uncertainty_score":0.9994228},"labels":[],"label_agreement":null},{"id":"W4211133580","doi":"10.32920/ryerson.14661858","title":"Massive media: theories and practices of large-scale projections and public data visualizations","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; McMaster University; York University","funders":"","keywords":"Affordance; Architecture; Digital media; New media; Context (archaeology); Computer science; Movie theater; Public space; Visualization; Citizen journalism; Scale (ratio); Multimedia; Data science; World Wide Web; Visual arts; Human–computer interaction; Geography; Art; Engineering; Architectural engineering; Artificial intelligence; Cartography","score_opus":0.1469541443145159,"score_gpt":0.37238197407302503,"score_spread":0.22542782975850914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211133580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12102097,0.0113435155,0.03437147,0.02431598,0.00557733,0.0025710878,0.021899996,0.00064577884,0.77825385],"genre_scores_gemma":[0.9787581,0.0021888514,0.001101163,0.0003297975,0.0008624138,0.000047541584,0.002968076,0.00003063302,0.013713431],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998908,0.0000961787,0.00026265183,0.0003961859,0.00014961134,0.00018735927],"domain_scores_gemma":[0.99843735,0.00024576916,0.00036622782,0.0005402505,0.00033313123,0.00007728984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021520835,0.0001576075,0.0002629373,0.00011079506,0.00040401693,0.0006014532,0.00018975709,0.00008512242,0.0008460495],"category_scores_gemma":[0.0005189055,0.00013206502,0.000028817738,0.0000034717675,0.00059433334,0.0006241455,0.0014361652,0.00021425454,0.0000012490412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023707848,0.00015885997,0.001007198,0.0002689918,0.00015583033,0.0000016862036,0.21686253,6.522661e-7,0.000002253366,0.77799493,0.0034110553,0.00013366897],"study_design_scores_gemma":[0.00035636782,0.000038939143,0.00050104765,0.00013758965,0.00044846654,0.000009886672,0.39493245,0.0032543647,0.000052014573,0.0642624,0.5355447,0.0004617713],"about_ca_topic_score_codex":0.0023293665,"about_ca_topic_score_gemma":0.17467639,"teacher_disagreement_score":0.8577371,"about_ca_system_score_codex":0.000009109649,"about_ca_system_score_gemma":0.00027554424,"threshold_uncertainty_score":0.92636484},"labels":[],"label_agreement":null},{"id":"W4213013263","doi":"10.1162/artm_a_00301","title":"What is Radical?","year":2021,"lang":"en","type":"article","venue":"ARTMargins","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Political radicalism; Scholarship; Capitalism; Criticism; Social justice; Sociology; Social criticism; Aesthetics; Political science; Social science; Law; Art; Politics","score_opus":0.050160898420598524,"score_gpt":0.2579695513865557,"score_spread":0.20780865296595719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213013263","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045665666,0.00289612,0.00016361022,0.023221595,0.0042182147,0.00013089164,0.000102018515,0.00021467074,0.9233872],"genre_scores_gemma":[0.5663433,0.00060787296,0.00007481302,0.018286506,0.0013166757,0.0000072801404,0.000043763004,0.000023061242,0.4132967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923664,0.00002453193,0.00013589265,0.00018836571,0.00014072479,0.0002738693],"domain_scores_gemma":[0.9994949,0.000036605274,0.00002580953,0.00026196055,0.00007473822,0.00010597402],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004999665,0.00009849038,0.00012439696,0.000026932694,0.00026393755,0.0003131009,0.000086499,0.000030871794,0.012117866],"category_scores_gemma":[0.000013522843,0.00009114103,0.0000914024,0.0000016578696,0.0002201924,0.00040700013,0.000051265364,0.00009068941,0.0013030383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032939272,0.00012237758,0.00012078367,0.000021313263,0.000055580884,0.00007272089,0.21663922,6.9713343e-7,0.000076515884,0.5457738,0.23248367,0.0046300064],"study_design_scores_gemma":[0.00019042738,0.000015380543,0.00008875473,0.000019769512,0.000015617208,0.0000061608775,0.004820681,0.000047656482,0.0011056148,0.014904451,0.9786573,0.00012819297],"about_ca_topic_score_codex":0.000115968556,"about_ca_topic_score_gemma":0.0035012818,"teacher_disagreement_score":0.7461736,"about_ca_system_score_codex":0.000020999178,"about_ca_system_score_gemma":0.000065862965,"threshold_uncertainty_score":0.9994746},"labels":[],"label_agreement":null},{"id":"W4214632367","doi":"10.33137/cjal-rcbu.v1.26242","title":"About the Artist","year":2016,"lang":"en","type":"article","venue":"Canadian Journal of Academic Librarianship","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.08891635238599668,"score_gpt":0.24183402145389435,"score_spread":0.15291766906789767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214632367","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076111555,0.010071599,0.00065245945,0.17863892,0.0072306385,0.00030790365,0.00038258603,0.000059257687,0.7265451],"genre_scores_gemma":[0.9206547,0.00010537049,0.000015167884,0.007895711,0.0049097524,0.0000016033698,0.0000012837673,0.000024821218,0.06639156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988227,0.00008272653,0.0004122993,0.00009264162,0.00015061039,0.00043900983],"domain_scores_gemma":[0.99846035,0.0001993575,0.00021436045,0.00017426487,0.00008478806,0.00086686166],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003180827,0.00012086243,0.00016160906,0.00014880991,0.00040427508,0.00017901539,0.00060736184,0.000102538994,0.002250136],"category_scores_gemma":[0.00026578625,0.000062310035,0.000115593655,0.0000039942893,0.0007417306,0.0008726857,0.000013187343,0.00048514365,0.00014245382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009920069,0.0000022838476,0.0034986073,0.000006408927,0.00004067126,0.000043783657,0.060401145,3.5042797e-7,0.000021677612,0.6315329,0.29848826,0.005953989],"study_design_scores_gemma":[0.00023721097,0.000041890427,0.0009897493,0.00010686177,0.00002059123,0.000063034844,0.001575185,0.0000013613536,0.0000821134,0.06620586,0.9305697,0.00010642609],"about_ca_topic_score_codex":0.0014920813,"about_ca_topic_score_gemma":0.022833461,"teacher_disagreement_score":0.84454316,"about_ca_system_score_codex":0.00007324473,"about_ca_system_score_gemma":0.0017443883,"threshold_uncertainty_score":0.99866194},"labels":[],"label_agreement":null},{"id":"W4220867044","doi":"10.1163/24054992-07010003","title":"The Reception of Netsuke in the West since Japonisme","year":2022,"lang":"en","type":"article","venue":"Journal of Japonisme","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Ontario Museum","funders":"","keywords":"Historiography; Narrative; History; Literature; Art history; Classics; Art; Archaeology","score_opus":0.041667883721881085,"score_gpt":0.25517317510428134,"score_spread":0.21350529138240026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220867044","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7951288,0.0024150787,0.00009229401,0.047972873,0.004852614,0.00048470366,0.00011467364,0.00002429116,0.14891466],"genre_scores_gemma":[0.9935771,0.000108064465,0.000022614555,0.0010161852,0.0007550145,0.00000683144,0.0000029096032,0.000012401193,0.0044988836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984045,0.0002877228,0.0005431112,0.00007560418,0.0004602503,0.00022879429],"domain_scores_gemma":[0.9988808,0.0002959572,0.00047209152,0.0002000274,0.000113922775,0.00003720699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012903669,0.00009872418,0.0001842364,0.000088910165,0.0007767043,0.00011295923,0.00050325587,0.000021252423,0.00045892544],"category_scores_gemma":[0.000053710184,0.000057650625,0.00015002632,0.000008021654,0.0002822423,0.00017282755,0.00007186001,0.0004613891,0.000008959866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002495063,0.0004376106,0.00029100807,0.000028316806,0.00009087163,0.000054886008,0.44851086,0.00036336418,0.0007500017,0.51093066,0.029582493,0.008710438],"study_design_scores_gemma":[0.0004766096,0.00041339707,0.0020655552,0.000018819683,0.000032010175,0.000097414915,0.031386867,0.00013668055,0.00005625286,0.023194477,0.94202536,0.00009652373],"about_ca_topic_score_codex":0.00019292963,"about_ca_topic_score_gemma":0.001468844,"teacher_disagreement_score":0.9124429,"about_ca_system_score_codex":0.000083827996,"about_ca_system_score_gemma":0.00012957389,"threshold_uncertainty_score":0.597386},"labels":[],"label_agreement":null},{"id":"W4229077546","doi":"10.33137/ijournal.v7i2.38610","title":"Here and Queer in Toronto","year":2022,"lang":"en","type":"article","venue":"The iJournal Student Journal of the Faculty of Information","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Queer; Politics; Queer theory; Gender studies; Space (punctuation); Sociology; Aesthetics; Transgender; Lesbian; Art; Political science; Law","score_opus":0.028097409777094042,"score_gpt":0.2846006595640378,"score_spread":0.2565032497869438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229077546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9746317,0.00058421516,0.000047645037,0.0037783715,0.0006961492,0.00014428093,0.00004470371,0.0000031998131,0.020069683],"genre_scores_gemma":[0.9982514,0.00007161835,0.000013746768,0.00054811814,0.00015137024,0.0000013663999,0.0000013546951,0.0000029455489,0.00095808244],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99874777,0.00008262065,0.000518965,0.000020151212,0.0005229113,0.00010759634],"domain_scores_gemma":[0.9991059,0.000026983722,0.0006343782,0.000072905976,0.00012900868,0.000030856267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082305126,0.00006611534,0.00013032573,0.00003861475,0.0004704741,0.00008701034,0.00036612662,0.00001046681,0.0002820127],"category_scores_gemma":[0.000021021286,0.000034505956,0.00009195792,0.000003341946,0.000091911,0.0007758598,0.00014812993,0.00025784585,0.0000014124593],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013307725,0.00009983833,0.005077166,0.000024315492,0.00016169212,0.0000021440408,0.96035266,0.0021980272,0.000024089932,0.01926319,0.008454768,0.004209016],"study_design_scores_gemma":[0.0018118315,0.00040144473,0.059348512,0.0000954597,0.00009754528,0.00028518346,0.49144834,0.00027233956,0.00007121433,0.004554133,0.44145557,0.00015843529],"about_ca_topic_score_codex":0.0011205386,"about_ca_topic_score_gemma":0.0028061888,"teacher_disagreement_score":0.46890435,"about_ca_system_score_codex":0.00021874455,"about_ca_system_score_gemma":0.000041180374,"threshold_uncertainty_score":0.3618554},"labels":[],"label_agreement":null},{"id":"W4229611153","doi":"10.7202/012214ar","title":"Politique de la consommation : Questions nationales dans les récents écrits sur l’histoire de la consommation. BAUER, Arnold J., Goods, Power, History : Latin America’s Material Culture (Cambridge, Cambridge University Press, 2001), xx-245 p. COHEN, Lizabeth, A Consumers’ Republic : The Politics of Mass Consumption in Postwar America (New York, Knopf, Distributed by Random House, 2003), 480 p. GRONOW, Jukka, Caviar with Champagne : Common Luxury and the Ideals of the Good Life in Stalin’s Russia (Oxford/New York, Berg, 2003), xii-196 p. HILTON, Matthew, Consumerism in 20 Century Britain : The Search for a Historical Movement (Cambridge, Cambridge University Press, 2003), 396 p. KORINEK, Valerie J., Roughing it in the Suburbs : Reading Chatelaine Magazine in the Fifties and Sixties (Toronto, University of Toronto Press, 2000), 512 p. TIERSTEN, Lisa, Marianne in the Market : Envisioning Consumer Society in Fin-de-Siècle France (Berkeley, University of California Press, 2001), xiii-321 p.","year":2005,"lang":"fr","type":"article","venue":"Revue d histoire de l Amérique française","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Latin Americans; Art; Consumer Culture; Economic history; Power (physics); Consumption (sociology); Political science; History; Law; Advertising","score_opus":0.011331550305277747,"score_gpt":0.1955020917735204,"score_spread":0.18417054146824266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229611153","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32262912,0.6046281,0.0022961048,0.023240702,0.0005414539,0.010098001,0.025591973,0.000088659195,0.010885924],"genre_scores_gemma":[0.7960732,0.1624672,0.0006009326,0.00044414063,0.00010882234,0.000049864022,0.0006402484,0.00009330671,0.039522298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917333,0.0054920134,0.0009792614,0.00051409885,0.0004451259,0.0008361635],"domain_scores_gemma":[0.9957628,0.0021259408,0.0009841721,0.00061419595,0.00035132925,0.00016155814],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0029494213,0.0005190672,0.0009799649,0.00010463779,0.00076387986,0.00007276699,0.0008888756,0.00040576252,0.0000333712],"category_scores_gemma":[0.0005499391,0.0004087252,0.00015241242,0.00019757156,0.004466912,0.0005444375,0.00020496787,0.0010040948,1.4000672e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033235452,0.0015560314,0.11652875,0.0014508652,0.00025729134,0.00007494947,0.2461515,0.0014776775,0.00013068551,0.043513812,0.5850212,0.0005136865],"study_design_scores_gemma":[0.006919279,0.000098114775,0.08610654,0.0010807598,0.00022644395,0.000030745603,0.041623417,0.0064743855,0.000014212733,0.000015876956,0.85699517,0.00041505962],"about_ca_topic_score_codex":0.77023864,"about_ca_topic_score_gemma":0.27522102,"teacher_disagreement_score":0.49501765,"about_ca_system_score_codex":0.0043559256,"about_ca_system_score_gemma":0.0018052747,"threshold_uncertainty_score":0.99983644},"labels":[],"label_agreement":null},{"id":"W4229801289","doi":"10.1386/public.31.59.204_5","title":"Elvira Santamaria, Salt Cartographies II","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Geography","score_opus":0.03686061266427908,"score_gpt":0.22192262414247238,"score_spread":0.1850620114781933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229801289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33724234,0.00030304122,0.000009577453,0.0021004775,0.0013347556,0.00015585865,0.000052771553,0.0001890948,0.6586121],"genre_scores_gemma":[0.8767922,0.000035272667,0.000014624581,0.0017504932,0.00082532514,0.000012171148,0.00003855629,0.000021740661,0.12050961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990341,0.000025124698,0.00016580785,0.00019583602,0.00017170206,0.00040744085],"domain_scores_gemma":[0.9994191,0.000033174263,0.000051666586,0.0002991955,0.00009001936,0.00010683034],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010820235,0.00013015667,0.00016239873,0.00017420163,0.00040339594,0.0002553346,0.00018711251,0.000042710704,0.0059545953],"category_scores_gemma":[0.000019353247,0.000113413334,0.00010466531,0.0000044818157,0.00021500236,0.00040681325,0.000101011756,0.00011625437,0.0008739531],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034947775,0.00006789021,0.0036806765,0.000023476103,0.00004677208,0.0000013384099,0.057178866,2.8055237e-7,0.000041431507,0.8863188,0.051141337,0.001495655],"study_design_scores_gemma":[0.00022244375,0.00006981901,0.00081050204,0.0000057819316,0.000011738115,0.0000015376356,0.001649237,0.000028782006,0.000037600505,0.009519923,0.98747617,0.00016644204],"about_ca_topic_score_codex":0.0010642566,"about_ca_topic_score_gemma":0.0059023886,"teacher_disagreement_score":0.93633485,"about_ca_system_score_codex":0.000017156348,"about_ca_system_score_gemma":0.000046320023,"threshold_uncertainty_score":0.999904},"labels":[],"label_agreement":null},{"id":"W4230001406","doi":"10.5040/9780755604067.ch-001","title":"Mountains and Sea","year":2007,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Nova (rocket); Geography; Oceanography; Archaeology; Geology; Engineering; Aeronautics","score_opus":0.10625280929079808,"score_gpt":0.26475201551160965,"score_spread":0.15849920622081157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230001406","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011813308,0.00037534564,0.000056658984,0.0001127301,0.00026308701,0.00008929141,0.00011499571,0.00007955452,0.99889654],"genre_scores_gemma":[0.0029314742,0.00020716456,0.000031238207,0.002327603,0.0016691023,9.902622e-7,0.000051795207,0.000040851624,0.9927398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993746,0.0000017878441,0.0001488782,0.00016957136,0.000115947805,0.00018916128],"domain_scores_gemma":[0.9996437,0.000025154852,0.000043837947,0.0001474712,0.000053590757,0.00008623939],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000051384013,0.00018224085,0.00017889387,0.000078364894,0.00017129532,0.00008466506,0.000057301622,0.000113380134,0.00985001],"category_scores_gemma":[0.0000017897556,0.00015269742,0.00006164292,5.498032e-8,0.00033835764,0.000054025208,0.000045295375,0.00015320336,0.0003734683],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017969091,0.0000033327044,0.0000022453062,0.000019658659,0.00002856656,0.000009186653,0.009415611,1.8234404e-8,6.396068e-8,0.959053,0.030035311,0.0014312534],"study_design_scores_gemma":[0.00007253269,0.000026581281,0.000002479433,0.000018249877,0.000030314803,0.0000031641694,0.00019897218,0.0000071402615,0.0000015161694,0.09450959,0.90493757,0.00019192562],"about_ca_topic_score_codex":0.0006789037,"about_ca_topic_score_gemma":0.025599428,"teacher_disagreement_score":0.87490225,"about_ca_system_score_codex":0.000025251918,"about_ca_system_score_gemma":0.00002448688,"threshold_uncertainty_score":0.9921808},"labels":[],"label_agreement":null},{"id":"W4230003187","doi":"10.1007/978-3-476-05728-0_8240-1","title":"Clements, Marie","year":2020,"lang":"de","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sociology","score_opus":0.08848963610348871,"score_gpt":0.25609933701558096,"score_spread":0.16760970091209226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230003187","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016765132,0.0015129838,0.00013537669,0.0009223411,0.0032984759,0.0008266188,0.0013712796,0.00024709624,0.99166906],"genre_scores_gemma":[0.018371984,0.00024760337,0.00017306898,0.009380733,0.009115589,0.000045645756,0.0004495768,0.0003201733,0.96189564],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99606115,0.00007252401,0.0011223892,0.0010371233,0.0007774731,0.00092933566],"domain_scores_gemma":[0.99755436,0.00016343176,0.00053068454,0.0009294017,0.00023244793,0.00058964884],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000230475,0.0010849381,0.0011536503,0.00023325034,0.00095784164,0.0006776076,0.00062656327,0.00050712726,0.019429322],"category_scores_gemma":[0.00003621439,0.0010694703,0.00077548355,5.391995e-7,0.0010505076,0.000109534725,0.0005234828,0.0010740265,0.010133294],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053172702,0.000032759675,0.0000054193615,0.00022080504,0.000977599,0.00014322723,0.034843255,2.9141276e-7,0.000011859742,0.9257218,0.02853264,0.009457156],"study_design_scores_gemma":[0.0006637891,0.00023220987,0.0000040844834,0.00018903699,0.00087120925,0.0000027799172,0.00044782058,0.000034995162,0.00006989998,0.10784564,0.88858896,0.0010495489],"about_ca_topic_score_codex":0.00038164912,"about_ca_topic_score_gemma":0.0011900415,"teacher_disagreement_score":0.86005634,"about_ca_system_score_codex":0.00015034142,"about_ca_system_score_gemma":0.00025118428,"threshold_uncertainty_score":0.99917555},"labels":[],"label_agreement":null},{"id":"W4230394814","doi":"10.32920/ryerson.14653098.v1","title":"Images On The Street : Fashion, Personal Style, And The Sartorialist","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Tying; Style (visual arts); Semiotics; Reading (process); Modernity; Portrait; Dream; Meaning (existential); Aesthetics; Art; Variety (cybernetics); Visual arts; Sociology; Art history; Computer science; Philosophy; Epistemology; Linguistics","score_opus":0.05065891917647367,"score_gpt":0.24881310991586159,"score_spread":0.19815419073938792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230394814","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063600846,0.00065607,0.000102878104,0.027710691,0.004639508,0.0006481093,0.0005552832,0.00011884832,0.90196776],"genre_scores_gemma":[0.88161916,0.00020385384,0.000007839597,0.0036995627,0.0043279845,0.00003872652,0.000073052994,0.00002036293,0.11000946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988867,0.00014920396,0.00019527003,0.00029896112,0.00025255294,0.00021728569],"domain_scores_gemma":[0.9989982,0.0003543115,0.00008952866,0.00038072534,0.00012763224,0.000049607006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003091762,0.00023109259,0.00025267215,0.000023825505,0.0006855375,0.0009621267,0.00023216782,0.000079112346,0.0030539066],"category_scores_gemma":[0.0000761864,0.000108911736,0.000161563,7.5668754e-7,0.0010551111,0.000050248134,0.00040062246,0.00046438508,0.000020400525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016731707,0.000029540677,0.000031805004,0.000035066416,0.00010639934,0.0000036858976,0.1555256,8.481486e-7,9.216541e-7,0.72560316,0.11841891,0.00022731019],"study_design_scores_gemma":[0.00084395823,0.00004508246,0.00030339215,0.00010769325,0.0001790349,0.0000024626631,0.105202794,0.00023370126,0.000053728767,0.025174905,0.8673842,0.00046902933],"about_ca_topic_score_codex":0.003022254,"about_ca_topic_score_gemma":0.020482356,"teacher_disagreement_score":0.8180183,"about_ca_system_score_codex":0.000023039753,"about_ca_system_score_gemma":0.000091508504,"threshold_uncertainty_score":0.99785745},"labels":[],"label_agreement":null},{"id":"W4231176349","doi":"10.1163/9789042031791_017","title":"“At Last Lost in Paris”: A Canadian View on the Avant-Garde Paris of the 1920s","year":2010,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; Art history; History; Art","score_opus":0.0434929684553206,"score_gpt":0.21420961301142305,"score_spread":0.17071664455610244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231176349","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018237019,0.00017921391,3.6376946e-7,0.0027039752,0.00077148754,0.00036146984,0.0004237212,0.000012648449,0.9953647],"genre_scores_gemma":[0.053805564,0.00039589868,0.0000027019798,0.0051131663,0.00061170256,0.000008169615,0.000021564088,0.000050245562,0.939991],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880284,0.000027300388,0.00034953534,0.00023248621,0.0002254183,0.00036241193],"domain_scores_gemma":[0.99889594,0.00011983978,0.00015757681,0.0006310442,0.000069761336,0.00012581468],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015683168,0.00029427963,0.0003474518,0.00009745575,0.00038457458,0.000063458174,0.0003718073,0.00022464253,0.034315802],"category_scores_gemma":[0.000014479561,0.00015488233,0.00019613038,3.571068e-7,0.00057098555,0.000027946235,0.000106061016,0.00066138606,0.001162338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037157574,0.000013565498,0.00007281514,0.000036082733,0.00003974335,0.0000053410813,0.032148786,4.0042403e-7,8.7649903e-7,0.8838317,0.08365953,0.00018747906],"study_design_scores_gemma":[0.0000874204,0.000026225245,0.000075002354,0.00012695027,0.00004466165,0.0000015645745,0.00017982013,0.0000040709747,0.000022926473,0.020722708,0.9785023,0.00020637308],"about_ca_topic_score_codex":0.18730755,"about_ca_topic_score_gemma":0.99675244,"teacher_disagreement_score":0.89484274,"about_ca_system_score_codex":0.00010896326,"about_ca_system_score_gemma":0.0002698926,"threshold_uncertainty_score":0.9996154},"labels":[],"label_agreement":null},{"id":"W4231980197","doi":"10.26522/ti.v3i1.898","title":"Introduction and Credits","year":2014,"lang":"en","type":"article","venue":"ti<","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.026950862504369552,"score_gpt":0.2148738041769101,"score_spread":0.18792294167254053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231980197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14032292,0.00012461303,0.00044428778,0.006421133,0.0021629795,0.000080977334,0.000012083159,0.0001502022,0.8502808],"genre_scores_gemma":[0.8788161,0.000006891485,0.000024737152,0.00043426003,0.009056683,0.0000016559584,0.000006352601,0.000005598146,0.11164767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975395,0.000009204616,0.000046433826,0.00007129112,0.00003772074,0.00008141061],"domain_scores_gemma":[0.99985963,0.000009661987,0.000012835655,0.00007065905,0.000019739253,0.000027490603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000050556726,0.00003585773,0.00004480477,0.000016141275,0.000112980175,0.000038195027,0.000020946889,0.000011189008,0.0008776123],"category_scores_gemma":[0.000015842303,0.00003064585,0.000009476933,2.403361e-7,0.000094651885,0.000067472494,0.000011307939,0.000030248093,0.000173521],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029309663,0.000013117141,0.00005465779,0.000012619559,0.000006342969,2.2178361e-7,0.037908714,6.561268e-7,0.000044977813,0.7418115,0.2118615,0.008282747],"study_design_scores_gemma":[0.000070498194,0.000027276474,0.0002182212,0.0000015121364,0.00000560248,0.0000011575576,0.0002203555,0.00012905705,0.00007295725,0.010924914,0.9882855,0.000042990192],"about_ca_topic_score_codex":0.00013398222,"about_ca_topic_score_gemma":0.00059218577,"teacher_disagreement_score":0.77642393,"about_ca_system_score_codex":0.000003882704,"about_ca_system_score_gemma":0.0000030298988,"threshold_uncertainty_score":0.96092397},"labels":[],"label_agreement":null},{"id":"W4232095656","doi":"10.32920/ryerson.14661987.v1","title":"A Queer Assemblage","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Queer; Heteronormativity; Hegemony; Gender studies; Sociology; Architecture; Sociality; Ideology; Assemblage (archaeology); Normative; Silence; Social space; Aesthetics; Political science; History; Law; Art; Politics; Visual arts","score_opus":0.08692510830744637,"score_gpt":0.27929408331495936,"score_spread":0.192368975007513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232095656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010515655,0.00031242694,0.0010047681,0.00072874315,0.0020333335,0.00013081425,0.00005755122,0.00019102164,0.9850257],"genre_scores_gemma":[0.53606915,0.000047578284,0.00016423642,0.0019529236,0.0016391982,0.000019966295,0.00011386857,0.000026197884,0.45996687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990404,0.0000334062,0.00020571786,0.00030567867,0.00016221259,0.0002525765],"domain_scores_gemma":[0.99927115,0.000026230631,0.000060626608,0.000428433,0.00013343611,0.00008009638],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007566211,0.00019663635,0.00025589787,0.00005019741,0.00014291915,0.0005235116,0.00017856073,0.00012652102,0.014075715],"category_scores_gemma":[0.000016466829,0.00017131084,0.00019159784,2.8391594e-7,0.00012122963,0.00007237429,0.00045053376,0.00034190962,0.00023414957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023077255,0.000097560835,0.000033636887,0.00021901383,0.00016052123,0.00005750829,0.28719723,0.000013943172,0.000017379827,0.5904712,0.1210359,0.0006937978],"study_design_scores_gemma":[0.00008741746,0.0000138363885,0.000039179064,0.000066700464,0.000048849666,0.0000016064067,0.0053064437,0.00019390034,0.00014927427,0.017787268,0.975975,0.00033053072],"about_ca_topic_score_codex":0.0050239675,"about_ca_topic_score_gemma":0.046220608,"teacher_disagreement_score":0.8549391,"about_ca_system_score_codex":0.000037090453,"about_ca_system_score_gemma":0.0001537402,"threshold_uncertainty_score":0.9868255},"labels":[],"label_agreement":null},{"id":"W4235537244","doi":"10.32920/ryerson.14661858.v1","title":"Massive media: theories and practices of large-scale projections and public data visualizations","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; McMaster University; York University","funders":"","keywords":"Affordance; Architecture; Digital media; New media; Computer science; Context (archaeology); Movie theater; Public space; Citizen journalism; Visualization; Multimedia; Data science; World Wide Web; Human–computer interaction; Visual arts; Geography; Art; Engineering; Artificial intelligence; Architectural engineering","score_opus":0.1469541443145159,"score_gpt":0.37238197407302503,"score_spread":0.22542782975850914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235537244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12102097,0.0113435155,0.03437147,0.02431598,0.00557733,0.0025710878,0.021899996,0.00064577884,0.77825385],"genre_scores_gemma":[0.9787581,0.0021888514,0.001101163,0.0003297975,0.0008624138,0.000047541584,0.002968076,0.00003063302,0.013713431],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998908,0.0000961787,0.00026265183,0.0003961859,0.00014961134,0.00018735927],"domain_scores_gemma":[0.99843735,0.00024576916,0.00036622782,0.0005402505,0.00033313123,0.00007728984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021520835,0.0001576075,0.0002629373,0.00011079506,0.00040401693,0.0006014532,0.00018975709,0.00008512242,0.0008460495],"category_scores_gemma":[0.0005189055,0.00013206502,0.000028817738,0.0000034717675,0.00059433334,0.0006241455,0.0014361652,0.00021425454,0.0000012490412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023707848,0.00015885997,0.001007198,0.0002689918,0.00015583033,0.0000016862036,0.21686253,6.522661e-7,0.000002253366,0.77799493,0.0034110553,0.00013366897],"study_design_scores_gemma":[0.00035636782,0.000038939143,0.00050104765,0.00013758965,0.00044846654,0.000009886672,0.39493245,0.0032543647,0.000052014573,0.0642624,0.5355447,0.0004617713],"about_ca_topic_score_codex":0.0023293665,"about_ca_topic_score_gemma":0.17467639,"teacher_disagreement_score":0.8577371,"about_ca_system_score_codex":0.000009109649,"about_ca_system_score_gemma":0.00027554424,"threshold_uncertainty_score":0.92636484},"labels":[],"label_agreement":null},{"id":"W4235550917","doi":"10.32920/ryerson.14664876","title":"October culture : photographic theory and the beginnings of postmodernism","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Postmodernism; Criticism; Photography; Art history; Modernism (music); Aesthetics; Art; Object (grammar); History; Sociology; Philosophy; Literature; Visual arts","score_opus":0.02432325877491659,"score_gpt":0.24119977113429925,"score_spread":0.21687651235938266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235550917","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13327658,0.010403583,0.0009920517,0.0019495138,0.0013630738,0.000879157,0.00037263977,0.00016927153,0.8505941],"genre_scores_gemma":[0.89776367,0.00081306935,0.00007138432,0.0026574153,0.0004642993,0.00003509502,0.00008233579,0.000030822837,0.098081924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987005,0.00019861049,0.0003114323,0.00033911935,0.00021206567,0.0002382613],"domain_scores_gemma":[0.99887955,0.00015835055,0.0001899364,0.00048223158,0.00022723663,0.000062675266],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045252193,0.00028028103,0.0004661305,0.000068217254,0.0002723219,0.00026804834,0.0002604164,0.00017632524,0.0016331726],"category_scores_gemma":[0.000043953663,0.00016258114,0.0003004755,0.0000015317174,0.0021578434,0.000072889874,0.00055185956,0.0005382945,0.0000028861239],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034583947,0.00002781471,0.000025099425,0.00012084578,0.00017909685,0.0000024645894,0.36583498,0.0000017903341,0.000011989184,0.6314827,0.002041695,0.000236897],"study_design_scores_gemma":[0.0011188143,0.000041815492,0.00015441937,0.00024851263,0.0004312247,0.000011970596,0.03850735,0.00021596065,0.00025980777,0.63563025,0.32285345,0.00052645523],"about_ca_topic_score_codex":0.0029839869,"about_ca_topic_score_gemma":0.0042841504,"teacher_disagreement_score":0.7644871,"about_ca_system_score_codex":0.000008048455,"about_ca_system_score_gemma":0.00007530611,"threshold_uncertainty_score":0.9992795},"labels":[],"label_agreement":null},{"id":"W4235789113","doi":"10.26522/ti.v5i1.1340","title":"Hamartia","year":2016,"lang":"en","type":"article","venue":"ti<","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.057817946800484375,"score_gpt":0.23557266800011323,"score_spread":0.17775472119962885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235789113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028133746,0.00005938124,0.00021541919,0.0022603234,0.0004999603,0.00004440434,0.00003308121,0.00011247466,0.9686412],"genre_scores_gemma":[0.6530793,0.0000043990403,0.000009000793,0.00058821496,0.000623939,0.0000022898466,0.0000010407455,0.000006017561,0.34568584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996564,0.000007301164,0.00006521573,0.00007047918,0.000053265183,0.0001473756],"domain_scores_gemma":[0.9997874,0.000020294761,0.000015022908,0.00011397886,0.000022313046,0.0000410104],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003234794,0.00004642078,0.000051118303,0.00001641344,0.000098123055,0.000025597072,0.000053919448,0.000012708273,0.0071646813],"category_scores_gemma":[0.000009089403,0.000027514967,0.00002863425,2.0902782e-7,0.00012916424,0.00008387284,0.000016851398,0.000018363553,0.0026124679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004691247,0.000026732336,0.00021131343,0.0000056470844,0.000014240912,0.0000040334317,0.03919412,4.296022e-8,0.00028082976,0.77351964,0.17255947,0.014179246],"study_design_scores_gemma":[0.00012680773,0.000017923194,0.00016841663,0.00000786405,0.0000045509278,5.8845393e-7,0.00012385209,0.00000324695,0.00037050544,0.016525116,0.98259026,0.000060854913],"about_ca_topic_score_codex":0.00015000076,"about_ca_topic_score_gemma":0.0015743631,"teacher_disagreement_score":0.8100308,"about_ca_system_score_codex":0.000009993329,"about_ca_system_score_gemma":0.000011023911,"threshold_uncertainty_score":0.9981641},"labels":[],"label_agreement":null},{"id":"W4236365954","doi":"10.1386/jcs.2.3.411_5","title":"Book Reviews","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art history; History; Art; Media studies; Sociology","score_opus":0.12762277054731372,"score_gpt":0.3266639360803667,"score_spread":0.19904116553305298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236365954","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008935876,0.75939804,0.000069421345,0.010369447,0.056845665,0.000766477,0.000017235314,0.000060831182,0.16353704],"genre_scores_gemma":[0.27760994,0.17036735,0.00052418694,0.02708544,0.2546061,0.00008172474,0.0000027853714,0.000111821544,0.26961064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990013,0.000052768108,0.0005325546,0.00005896409,0.0001832441,0.00017115934],"domain_scores_gemma":[0.9988534,0.000072841656,0.0003734643,0.00008163717,0.00054486323,0.000073779716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002309167,0.000111717294,0.00040272184,0.000042257874,0.0002383724,0.00009094347,0.000112682166,0.000021164686,0.001261751],"category_scores_gemma":[0.00024338365,0.00006952286,0.00015817962,0.0000013877773,0.00019636568,0.0005373765,0.000034159813,0.000130767,0.0002479974],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061117057,0.000021079084,0.000015301473,0.00002330398,0.000107611035,0.0000028089498,0.04556894,2.0810923e-7,0.000018887758,0.011561908,0.94178766,0.0008861675],"study_design_scores_gemma":[0.0002554707,0.00013085404,0.000014380658,0.00006543783,0.000051421914,0.0000043358623,0.0023487853,6.6514724e-7,0.000038786635,0.008782561,0.9882228,0.000084511026],"about_ca_topic_score_codex":0.000047463454,"about_ca_topic_score_gemma":0.00013437122,"teacher_disagreement_score":0.5890307,"about_ca_system_score_codex":0.000040874045,"about_ca_system_score_gemma":0.000032870932,"threshold_uncertainty_score":0.99965125},"labels":[],"label_agreement":null},{"id":"W4236373729","doi":"10.3138/ctr.179.006","title":"Budapest Diary","year":2019,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.0334537679778424,"score_gpt":0.23628219309430565,"score_spread":0.20282842511646326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236373729","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017722487,0.08144085,7.563539e-7,0.0032097732,0.0005127323,0.0003309012,0.00011488429,0.000034291472,0.9141786],"genre_scores_gemma":[0.5637675,0.06881443,0.000022086568,0.078566514,0.0021469197,0.00005351043,0.00018544347,0.00009571601,0.28634793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919844,0.000046006848,0.00016588716,0.00015700184,0.00007730407,0.00035537474],"domain_scores_gemma":[0.99923587,0.000030607112,0.00003311705,0.0003225858,0.00003683089,0.0003410098],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014861966,0.00012455326,0.00024472846,0.00005401594,0.00013968423,0.000046797144,0.00016071461,0.000027541359,0.014342436],"category_scores_gemma":[0.00000905367,0.000103295846,0.00011010223,0.0000022947613,0.000080165664,0.000096344134,0.00001221824,0.00009494508,0.008015903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.970425e-7,0.000019521058,0.0005698015,0.0030686075,0.00006736861,0.0000405715,0.011417805,4.0150033e-7,0.0000014214542,0.38262182,0.45276344,0.14942825],"study_design_scores_gemma":[0.00004732119,0.000011791888,0.000028858656,0.0008203398,0.000036745285,0.0000055038345,0.000103746526,0.0000038736694,8.102956e-7,0.0009128619,0.99788123,0.00014690055],"about_ca_topic_score_codex":0.09321908,"about_ca_topic_score_gemma":0.69031566,"teacher_disagreement_score":0.6278307,"about_ca_system_score_codex":0.00008787246,"about_ca_system_score_gemma":0.00028113875,"threshold_uncertainty_score":0.9927565},"labels":[],"label_agreement":null},{"id":"W4236889027","doi":"10.3138/9781487511357-014","title":"12. When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and Canada’s Archived Avant-Garde","year":2017,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; Front (military); Left behind; Art history; New Left; History; Psychology; Political science; Geography; Meteorology; Law; Psychiatry","score_opus":0.046113066841767116,"score_gpt":0.20687718757955847,"score_spread":0.16076412073779137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236889027","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008961977,0.0010631504,0.00000838463,0.00005965296,0.00031323568,0.00030474458,0.00074022665,0.00002464666,0.997477],"genre_scores_gemma":[0.0068079988,0.000659461,0.000057182646,0.00006571831,0.0002062549,3.3770613e-7,0.000039100643,0.000032644242,0.9921313],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988318,0.000030391817,0.00020124626,0.0003622356,0.00024668244,0.00032764403],"domain_scores_gemma":[0.99896586,0.00004938444,0.00029401726,0.00046078805,0.00008267166,0.0001472816],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006406946,0.00033669948,0.0005468492,0.00004188709,0.00046659063,0.00007234909,0.00045100076,0.00015216516,0.0006412118],"category_scores_gemma":[0.000006244069,0.00036882638,0.00012093695,1.28605295e-11,0.0006207413,0.00014119377,0.00037500015,0.00023454035,0.0000032442401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007440857,0.000010391673,0.000020320325,0.0000920286,0.00020706041,0.00009104976,0.9843564,5.4049093e-7,0.0000013917407,0.0012799021,0.012522085,0.0013444223],"study_design_scores_gemma":[0.00057273795,0.00005205349,0.00008969828,0.00022564958,0.00014349817,0.0000012764707,0.0015019781,0.000021493337,0.0000057254983,0.0041694436,0.99283236,0.0003840911],"about_ca_topic_score_codex":0.99382406,"about_ca_topic_score_gemma":0.99999905,"teacher_disagreement_score":0.9828544,"about_ca_system_score_codex":0.00028111157,"about_ca_system_score_gemma":0.00032144535,"threshold_uncertainty_score":0.9998764},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"qualitative","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"low"}],"label_agreement":"split"},{"id":"W4238490631","doi":"10.17771/pucrio.acad.32543","title":"NO FIO DA BORDA: O CONCEITUALISMO DE DAN GRAHAM","year":2014,"lang":"pt","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Art; Art history; Period (music); History; Visual arts; Archaeology","score_opus":0.04253780844200956,"score_gpt":0.29180593252025083,"score_spread":0.24926812407824128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238490631","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019812994,0.0004475994,0.0005794639,0.00022954108,0.004598341,0.00045212338,0.00031834072,0.00021631426,0.9733453],"genre_scores_gemma":[0.39077568,0.000111859365,0.000042113057,0.0027397752,0.0023523949,0.000035158573,0.0026165245,0.00008446763,0.601242],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972179,0.00014253451,0.0007070214,0.0006050104,0.00039150854,0.0009360435],"domain_scores_gemma":[0.9980817,0.00016581068,0.00035355744,0.0005774983,0.0004804965,0.0003409496],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025142054,0.00066063524,0.00071388844,0.00014974634,0.0010040454,0.000647617,0.00043922925,0.0004543565,0.0071165026],"category_scores_gemma":[0.00009654667,0.0006156156,0.00036020362,0.000002642359,0.00042526028,0.00022260759,0.00005487433,0.000521748,0.0016675892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004597645,0.00013201158,0.00014080803,0.00044437463,0.00016659428,0.00001360669,0.19124365,0.0000030119986,0.0000318926,0.71780634,0.08904341,0.00092832634],"study_design_scores_gemma":[0.00057198555,0.00022810974,0.0002679516,0.00016843012,0.00026966364,0.0000035421635,0.015919097,0.00074127846,0.00020729109,0.003778556,0.97698903,0.0008550795],"about_ca_topic_score_codex":0.015520894,"about_ca_topic_score_gemma":0.043835685,"teacher_disagreement_score":0.8879456,"about_ca_system_score_codex":0.00011198201,"about_ca_system_score_gemma":0.00037549686,"threshold_uncertainty_score":0.9996295},"labels":[],"label_agreement":null},{"id":"W4239121872","doi":"10.1002/9781444324716.ch5","title":"Michel Foucault and the Point of Painting","year":2010,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Painting; Michel foucault; Point (geometry); Art; Art history; Epistemology; Philosophy; Mathematics; Political science; Geometry; Politics; Law","score_opus":0.022398053143372416,"score_gpt":0.2281048795092996,"score_spread":0.2057068263659272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239121872","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020500202,0.00035516507,0.0000672211,0.0005754401,0.0003120087,0.00012749086,0.00003011005,0.000048084727,0.998464],"genre_scores_gemma":[0.005880282,0.000051343235,0.00013307792,0.0012134409,0.001120539,0.0000042323513,0.0000056840595,0.00009603864,0.9914954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995735,0.000020558975,0.00012322728,0.000095826006,0.00006770438,0.00011918415],"domain_scores_gemma":[0.9996163,0.000063373394,0.00010415194,0.00016931571,0.000023501907,0.000023302991],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013969811,0.00010626085,0.00018942625,0.00004080822,0.00007128598,0.000039203653,0.000083429244,0.00007876005,0.009368565],"category_scores_gemma":[0.000024565159,0.000057934732,0.000059580772,2.6153353e-7,0.00070438394,0.000014255419,0.00004563118,0.00013951403,0.000028114455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018710629,0.000006668726,0.0000033371766,0.000043205706,0.000032691943,2.2773722e-7,0.023224145,3.92917e-9,0.0000017110706,0.48051906,0.49548048,0.0006866011],"study_design_scores_gemma":[0.00026569847,0.0000065368026,0.000001533884,0.000034488974,0.000030143732,7.574585e-7,0.0017851103,0.00001921941,0.000012454039,0.0086126765,0.9891481,0.000083305764],"about_ca_topic_score_codex":0.009678652,"about_ca_topic_score_gemma":0.05767068,"teacher_disagreement_score":0.4936676,"about_ca_system_score_codex":0.0000018425413,"about_ca_system_score_gemma":0.000013557746,"threshold_uncertainty_score":0.996916},"labels":[],"label_agreement":null},{"id":"W4239491004","doi":"10.32920/ryerson.14645523","title":"On Slowness And Inhabiting Time","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Slowness; Everyday life; Emotive; Aesthetics; Embodied cognition; Parallels; Architecture; Psychology; Distraction; Perception; Cognitive psychology; Sociology; Art; Visual arts; Philosophy; Engineering; Epistemology","score_opus":0.043892239617242805,"score_gpt":0.24341602596847534,"score_spread":0.19952378635123252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239491004","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14091238,0.00013689316,0.00009344093,0.00043078128,0.00059588155,0.000112244634,0.000048636277,0.00011505723,0.8575547],"genre_scores_gemma":[0.71784806,0.000022016287,0.00008028159,0.0015837235,0.0009440469,0.00001112339,0.00009535098,0.000024377006,0.27939102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992175,0.000028222645,0.00016430774,0.00028469774,0.00011249232,0.00019276589],"domain_scores_gemma":[0.99951833,0.000070869726,0.000055170476,0.00022151886,0.00007018369,0.000063928885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007613145,0.00017089314,0.00022741605,0.000049136375,0.00019439624,0.00039246632,0.00008184436,0.00008915878,0.0050607603],"category_scores_gemma":[0.000027340724,0.00014520662,0.0000693175,3.038337e-7,0.00014751001,0.00005047762,0.00034477306,0.0002707745,0.00012547571],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075583057,0.00010802039,0.00003142554,0.000377708,0.00012492879,0.00004455156,0.21993129,0.000025711835,0.000022248376,0.753362,0.0215272,0.004437378],"study_design_scores_gemma":[0.0008237226,0.0001661619,0.0002927499,0.0012705676,0.00020574145,0.000016025906,0.015441527,0.005274249,0.0007109141,0.2140751,0.7597102,0.0020130542],"about_ca_topic_score_codex":0.0009141483,"about_ca_topic_score_gemma":0.00223048,"teacher_disagreement_score":0.73818296,"about_ca_system_score_codex":0.00002064822,"about_ca_system_score_gemma":0.000053701417,"threshold_uncertainty_score":0.9958488},"labels":[],"label_agreement":null},{"id":"W4239759655","doi":"10.1057/978-1-349-95988-4_253","title":"Chandigarh University","year":2020,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Killam Trusts; Camargo Foundation; Government of Canada; Canadian Blood Services; Canada Council for the Arts; Alfred P. Sloan Foundation; Andrew W. Mellon Foundation","keywords":"Geography","score_opus":0.047819589157470234,"score_gpt":0.208932536829494,"score_spread":0.16111294767202378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239759655","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010084222,0.00020910066,0.000034788343,0.00015396238,0.0005931962,0.00029177623,0.0008770668,0.00020848318,0.99762154],"genre_scores_gemma":[0.59556466,0.000050910912,0.000012975231,0.00064215215,0.0014000005,0.0000010015166,0.00011185521,0.00006511463,0.40215132],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99860126,0.000018719498,0.00025151254,0.0004737647,0.00027059746,0.00038416326],"domain_scores_gemma":[0.9989866,0.000042775107,0.00018430137,0.00040665607,0.000105855266,0.00027382062],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000050766044,0.0004649768,0.0004953491,0.00015080991,0.00041016928,0.00008891172,0.00034064,0.00020838859,0.0034320313],"category_scores_gemma":[0.0000057442226,0.00047502888,0.00033132607,2.7248376e-7,0.0005620784,8.343052e-7,0.0001969433,0.00036429428,0.0010337329],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002200048,2.0885531e-7,0.0000027223282,0.000055551838,0.00014516446,0.00015215762,0.025604475,5.198409e-8,0.0000023626078,0.9721704,0.0005511447,0.0012937438],"study_design_scores_gemma":[0.00019123395,0.000057898313,0.0000032337205,0.000047419668,0.00009508515,0.0000036176841,0.00024899235,0.000006242462,0.000009998022,0.51057434,0.48841175,0.0003502022],"about_ca_topic_score_codex":0.00028155302,"about_ca_topic_score_gemma":0.0054268283,"teacher_disagreement_score":0.5955546,"about_ca_system_score_codex":0.00008767466,"about_ca_system_score_gemma":0.00010091963,"threshold_uncertainty_score":0.99977016},"labels":[],"label_agreement":null},{"id":"W4239832367","doi":"10.33137/caribbeanquilt.v3i1.22597","title":"\"YARA\"","year":2015,"lang":"en","type":"article","venue":"Caribbean Quilt","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.14475111575213911,"score_gpt":0.27533315469103303,"score_spread":0.13058203893889392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239832367","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031242108,0.0002814053,0.00012214288,0.00092271325,0.0015968677,0.000097581506,0.00007455157,0.00017594812,0.9654867],"genre_scores_gemma":[0.8826373,0.0000033723945,0.000045187404,0.0016036801,0.0019076033,0.0000059432505,0.00003056177,0.000021202082,0.11374515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926066,0.000022571136,0.00013775438,0.00014847514,0.00015504245,0.00027550373],"domain_scores_gemma":[0.9993586,0.000017679355,0.00003536555,0.00026575493,0.00012840398,0.00019417789],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011075411,0.0001090459,0.0001290831,0.000042443942,0.0001340406,0.00010322826,0.00015445388,0.000035427438,0.00055669434],"category_scores_gemma":[0.000044286262,0.00009647128,0.00006266895,0.0000010831061,0.00024274646,0.00014337567,0.00005488941,0.000091769085,0.0009292086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007093787,0.00003420848,0.0001928214,0.0000094536945,0.000022153321,0.0000132635105,0.16492042,0.0000035552264,0.000009636629,0.43231055,0.40156367,0.00091317506],"study_design_scores_gemma":[0.000258748,0.000054415916,0.000043046788,0.0000055118194,0.000016789541,0.0000030689841,0.005001127,0.00007206353,0.000092819064,0.020371553,0.9739346,0.00014624411],"about_ca_topic_score_codex":0.00094799546,"about_ca_topic_score_gemma":0.003759878,"teacher_disagreement_score":0.85174155,"about_ca_system_score_codex":0.00004601213,"about_ca_system_score_gemma":0.000077196935,"threshold_uncertainty_score":0.99984866},"labels":[],"label_agreement":null},{"id":"W4240316684","doi":"10.1525/9780520957411-151","title":"A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949)","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plea; History; Political science; Law","score_opus":0.043626165430256075,"score_gpt":0.20390542257481953,"score_spread":0.16027925714456345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240316684","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000015705834,0.00007055736,0.00006037807,0.00082662696,0.0009463717,0.00051667314,0.008734285,0.00002916418,0.98881435],"genre_scores_gemma":[0.0022494686,0.00001292181,0.000056176475,0.0067984685,0.0015145048,0.000016984379,0.0008010411,0.00007934513,0.9884711],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988815,0.0000038009202,0.00021877782,0.00027724475,0.00015070786,0.000467956],"domain_scores_gemma":[0.9991421,0.00009431968,0.00007824626,0.00029462157,0.00009617496,0.00029450958],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003523173,0.0002802909,0.0003215745,0.00012596163,0.00035012056,0.00008930002,0.00019013285,0.00010269867,0.013907322],"category_scores_gemma":[0.000008192739,0.00025418538,0.00016114651,1.2642e-7,0.00014444266,0.000041368996,0.000028398505,0.0001816187,0.00029971305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002361705,0.0000011575968,3.5502032e-7,0.00002937847,0.00004818546,0.0000044072035,0.004141027,4.911148e-7,2.8427245e-8,0.5757475,0.41986787,0.00015724968],"study_design_scores_gemma":[0.00014742918,0.000046679666,0.0000018778358,0.00004189134,0.00004902596,0.000001526611,0.00027992888,0.00010370415,5.6056876e-7,0.0842154,0.9147737,0.0003382504],"about_ca_topic_score_codex":0.9941956,"about_ca_topic_score_gemma":0.99999225,"teacher_disagreement_score":0.49490586,"about_ca_system_score_codex":0.00022648391,"about_ca_system_score_gemma":0.003307958,"threshold_uncertainty_score":0.99999106},"labels":[],"label_agreement":null},{"id":"W4240474060","doi":"10.1386/jfs.3.2.171_1","title":"Fannies and fanzines: Mail art and fan clubs in the 1970s","year":2015,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; Mainstream; Entertainment; Fandom; Media studies; Visual arts; Queer; Advertising; Sociology; The Internet; Art; Political science; World Wide Web; Gender studies; Computer science; Law","score_opus":0.17224702818307033,"score_gpt":0.32085794426670067,"score_spread":0.14861091608363033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240474060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8954151,0.04522092,0.000030921066,0.012240294,0.0006241721,0.00021739371,0.000014179631,0.0000120889135,0.046224874],"genre_scores_gemma":[0.9878415,0.005040647,0.000014915621,0.0010274851,0.00069255097,0.0000028674804,3.1047912e-7,0.0000072973903,0.0053724614],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912,0.00015493535,0.0002933117,0.000056202058,0.00020811072,0.00016746705],"domain_scores_gemma":[0.99910444,0.00042820134,0.00015325984,0.00009626123,0.00017271195,0.000045126413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011616506,0.00011933348,0.00028868983,0.000061515086,0.00030229555,0.00008717309,0.00013840698,0.000016208809,0.0000073348183],"category_scores_gemma":[0.00017994954,0.000052116487,0.00004013502,0.0000034274572,0.0007599626,0.00017426045,0.000074185795,0.00017087665,0.0000044664566],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018201383,0.000033143715,0.0011875713,0.00002530198,0.00018103866,0.000014418132,0.92361873,0.0000040581613,0.000006084359,0.009877479,0.064199865,0.00067026296],"study_design_scores_gemma":[0.00266087,0.00042468728,0.0022077055,0.00010330836,0.00019780433,0.0001716064,0.468663,0.000014455125,0.000019719651,0.041509304,0.4838741,0.00015341036],"about_ca_topic_score_codex":0.00010883875,"about_ca_topic_score_gemma":0.003990036,"teacher_disagreement_score":0.45495576,"about_ca_system_score_codex":0.000013835878,"about_ca_system_score_gemma":0.000023772953,"threshold_uncertainty_score":0.2800114},"labels":[],"label_agreement":null},{"id":"W4241386785","doi":"10.1386/jcs.4.2.238_1","title":"Curating Massive Media","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Spectacle; Digital media; Invocation; Space (punctuation); Architecture; Public space; New media; Identity (music); Media studies; Publics; Sociology; Visual arts; Public art; Aesthetics; Art; Political science; World Wide Web; Computer science; Architectural engineering; Engineering; Law; Anthropology","score_opus":0.2568015737024533,"score_gpt":0.3482125589823186,"score_spread":0.0914109852798653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241386785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3335958,0.052008104,0.00043211476,0.014618927,0.2689325,0.00057221885,0.00015334199,0.000212093,0.3294749],"genre_scores_gemma":[0.95436347,0.00023880607,0.00015479437,0.00024461705,0.043645855,0.0000018810675,8.263742e-7,0.000015075723,0.0013346903],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988417,0.00005498104,0.00046083765,0.00006803666,0.00038170858,0.00019274677],"domain_scores_gemma":[0.99796396,0.00018973277,0.00041562313,0.00006771736,0.0012210049,0.00014193609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036837874,0.000119451775,0.00033821046,0.000058649646,0.00022090887,0.00008662594,0.000120089164,0.000028137687,0.000046054593],"category_scores_gemma":[0.0011834952,0.00008189064,0.00010151652,0.0000025107145,0.00025227523,0.00040754597,0.000050126295,0.00016765698,0.000024646413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074782736,0.000046758985,0.0001585034,0.00001747871,0.00034185767,0.00005460331,0.6137587,0.000015674857,0.000022217382,0.113988854,0.27080542,0.00071517774],"study_design_scores_gemma":[0.0008778814,0.0002235091,0.000015114397,0.000059890357,0.00009001169,0.000010344995,0.07696255,0.000007640712,0.00012824943,0.04614717,0.8753402,0.0001373905],"about_ca_topic_score_codex":0.000036507667,"about_ca_topic_score_gemma":0.0006497273,"teacher_disagreement_score":0.62076765,"about_ca_system_score_codex":0.00008592374,"about_ca_system_score_gemma":0.00014374741,"threshold_uncertainty_score":0.33394033},"labels":[],"label_agreement":null},{"id":"W4241443076","doi":"10.1386/jcs.4.3.505_7","title":"Conference Review","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Paradise; Art gallery; Art history; Visual arts; Media studies; Sociology; Exhibition","score_opus":0.42417342272589975,"score_gpt":0.3918293350658187,"score_spread":0.03234408766008107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241443076","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0074632536,0.56756675,0.00014400092,0.017998572,0.07004872,0.00041310428,0.00004821192,0.00007289315,0.33624452],"genre_scores_gemma":[0.8345063,0.08208061,0.0002299262,0.0047922195,0.060940746,0.000007832703,0.000001931769,0.00003355906,0.017406918],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990807,0.00005068764,0.0003994467,0.000052529424,0.00028408074,0.00013255197],"domain_scores_gemma":[0.9980306,0.000053545464,0.00030467784,0.000071269635,0.0014332838,0.000106626576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042481738,0.00009212182,0.0003700273,0.000027119364,0.00011614845,0.000046419253,0.00011371995,0.000015669148,0.00009718487],"category_scores_gemma":[0.00055117655,0.000060369504,0.00009072039,0.0000017014456,0.00020104865,0.0002534484,0.000036597976,0.000115694,0.00003533364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026669719,0.000033378696,0.00002872001,0.00015180092,0.00019474319,0.000018106892,0.07909807,4.7672495e-7,0.0000032742505,0.11045237,0.80926603,0.0007263776],"study_design_scores_gemma":[0.00034765588,0.00018295494,0.0000028278118,0.00046982663,0.00009519755,0.000009887999,0.004821024,7.935471e-7,0.000014025987,0.019880597,0.97409844,0.00007677477],"about_ca_topic_score_codex":0.000023360259,"about_ca_topic_score_gemma":0.00027952093,"teacher_disagreement_score":0.827043,"about_ca_system_score_codex":0.00004705341,"about_ca_system_score_gemma":0.00014910311,"threshold_uncertainty_score":0.24617968},"labels":[],"label_agreement":null},{"id":"W4241869737","doi":"10.32920/ryerson.14661987","title":"A Queer Assemblage","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Queer; Heteronormativity; Hegemony; Gender studies; Sociology; Architecture; Assemblage (archaeology); Normative; Sociality; Silence; Ideology; Space (punctuation); Aesthetics; Political science; Art; Law; History; Politics; Visual arts","score_opus":0.08692510830744637,"score_gpt":0.27929408331495936,"score_spread":0.192368975007513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241869737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010515655,0.00031242694,0.0010047681,0.00072874315,0.0020333335,0.00013081425,0.00005755122,0.00019102164,0.9850257],"genre_scores_gemma":[0.53606915,0.000047578284,0.00016423642,0.0019529236,0.0016391982,0.000019966295,0.00011386857,0.000026197884,0.45996687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990404,0.0000334062,0.00020571786,0.00030567867,0.00016221259,0.0002525765],"domain_scores_gemma":[0.99927115,0.000026230631,0.000060626608,0.000428433,0.00013343611,0.00008009638],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007566211,0.00019663635,0.00025589787,0.00005019741,0.00014291915,0.0005235116,0.00017856073,0.00012652102,0.014075715],"category_scores_gemma":[0.000016466829,0.00017131084,0.00019159784,2.8391594e-7,0.00012122963,0.00007237429,0.00045053376,0.00034190962,0.00023414957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023077255,0.000097560835,0.000033636887,0.00021901383,0.00016052123,0.00005750829,0.28719723,0.000013943172,0.000017379827,0.5904712,0.1210359,0.0006937978],"study_design_scores_gemma":[0.00008741746,0.0000138363885,0.000039179064,0.000066700464,0.000048849666,0.0000016064067,0.0053064437,0.00019390034,0.00014927427,0.017787268,0.975975,0.00033053072],"about_ca_topic_score_codex":0.0050239675,"about_ca_topic_score_gemma":0.046220608,"teacher_disagreement_score":0.8549391,"about_ca_system_score_codex":0.000037090453,"about_ca_system_score_gemma":0.0001537402,"threshold_uncertainty_score":0.9868255},"labels":[],"label_agreement":null},{"id":"W4242418795","doi":"10.1353/mdr.0.0169","title":"Looking for the One Who Looks Like Some One: The Unmarked Subject(s) in Gertrude Stein's A Play Called Not and Now","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Art; Art history; Computer science; Library science","score_opus":0.03265022462588869,"score_gpt":0.2408706710402781,"score_spread":0.20822044641438942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242418795","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96894205,0.0006101596,0.0019832295,0.009840612,0.0010240744,0.0015898711,0.00015335841,0.00013092328,0.015725702],"genre_scores_gemma":[0.96530586,0.000050840925,0.00006572628,0.0037156274,0.001135044,0.00014154825,0.00000998169,0.000055154003,0.029520225],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985016,0.00005923742,0.00030817714,0.00033067985,0.00025312672,0.0005471662],"domain_scores_gemma":[0.9986266,0.00060533173,0.000103783415,0.00049032265,0.00008515073,0.00008880033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048056032,0.00023677747,0.00030380458,0.00007516963,0.0007933016,0.00042099398,0.00034943837,0.00011725607,0.00013508169],"category_scores_gemma":[0.00006357185,0.00015433335,0.000106889034,0.0000037058173,0.00054737483,0.00020952028,0.00013616659,0.00047993407,0.00001688589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005085651,0.0004204557,0.00048373433,0.00018996267,0.00037219416,0.00001489695,0.5410665,0.000081091115,0.0040254453,0.42747468,0.0042421934,0.021120263],"study_design_scores_gemma":[0.0062052915,0.00032348483,0.005098444,0.00020695146,0.00036150476,0.000015971602,0.0043526953,0.10736541,0.0022419093,0.18480368,0.68772054,0.0013041234],"about_ca_topic_score_codex":0.0014237836,"about_ca_topic_score_gemma":0.10597332,"teacher_disagreement_score":0.68347836,"about_ca_system_score_codex":0.000030886502,"about_ca_system_score_gemma":0.000075684286,"threshold_uncertainty_score":0.91034037},"labels":[],"label_agreement":null},{"id":"W4242739784","doi":"10.33137/q.i..v27i2.8624","title":"Legitimizing the Artist. Manifesto Writing and European Modernism 1885-1915","year":2006,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":100,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Manifesto; Modernism (music); Art; Art history; Political science; Law","score_opus":0.04088425213431818,"score_gpt":0.23912841485124625,"score_spread":0.19824416271692807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242739784","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010783078,0.0003978294,0.002839972,0.0016910834,0.00036147205,0.0002592316,0.00014599015,0.00027694003,0.9832444],"genre_scores_gemma":[0.92951065,0.000012924175,0.00033755187,0.0012675456,0.002491678,0.000015091982,0.000050437888,0.0000813221,0.06623278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980824,0.0001494494,0.00046354905,0.00040640417,0.00028576946,0.0006124098],"domain_scores_gemma":[0.99909407,0.00017629538,0.00013662766,0.00037674222,0.00008554698,0.00013072023],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033392958,0.00030048698,0.00024053415,0.000057076348,0.0014110811,0.0007910095,0.0002658359,0.00004818612,0.0012736934],"category_scores_gemma":[0.000051367264,0.00024094939,0.000099759156,0.0000033346187,0.0008568776,0.00023945274,0.00012759659,0.00026384037,0.0008162641],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008349584,0.000060806524,0.00016403572,0.000061809216,0.000034231078,0.000117200616,0.022325361,0.000017368957,0.00010438384,0.9608292,0.01495851,0.001318763],"study_design_scores_gemma":[0.0003827778,0.00009771671,0.0013178176,0.00008502086,0.0001270692,0.00011316659,0.006390603,0.003608313,0.0000790424,0.04188083,0.9452693,0.0006483305],"about_ca_topic_score_codex":0.0015100705,"about_ca_topic_score_gemma":0.0026340147,"teacher_disagreement_score":0.9303108,"about_ca_system_score_codex":0.000040509403,"about_ca_system_score_gemma":0.00003070376,"threshold_uncertainty_score":0.99996173},"labels":[],"label_agreement":null},{"id":"W4243773594","doi":"10.4324/9781135000356-rem437-1","title":"Guston, Philip (1913–1980)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art history; Iconography; Performance art; Art; Style (visual arts); Fresco; Politics; Pollock; The arts; Comic strip; Comics; Visual arts; History; Literature; Law","score_opus":0.08020144530708305,"score_gpt":0.24508542600519337,"score_spread":0.16488398069811033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243773594","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000070394667,0.00018984421,0.000035796857,0.00028838648,0.001479786,0.00016258837,0.00017546014,0.00020156692,0.99745953],"genre_scores_gemma":[0.0015064589,0.00009409205,0.00003639577,0.0030834784,0.008612213,0.000005172768,0.000114321105,0.000095636,0.9864522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876493,0.000006250798,0.0003084061,0.00035417834,0.00023130875,0.00033493165],"domain_scores_gemma":[0.999045,0.000031709926,0.00011880072,0.00048744216,0.00018842709,0.00012863324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008002325,0.00034931285,0.00034258424,0.00011230157,0.0003098979,0.00012407912,0.00023842101,0.00020758093,0.20825131],"category_scores_gemma":[0.000007236535,0.0002937375,0.00021121123,1.5030422e-7,0.00077452406,0.00010177357,0.00010151026,0.00022938123,0.019935993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023604591,0.0000065408412,2.7872116e-7,0.000018011691,0.000044683144,0.0000047030644,0.015081959,1.1235057e-8,2.7525198e-7,0.63817865,0.34632272,0.00033980372],"study_design_scores_gemma":[0.00009582103,0.00004940213,4.300164e-7,0.000040748393,0.00006275244,0.0000029582825,0.00017212382,0.0000044866833,0.000007759263,0.19729353,0.80194205,0.00032795063],"about_ca_topic_score_codex":0.00044836305,"about_ca_topic_score_gemma":0.015402438,"teacher_disagreement_score":0.4556193,"about_ca_system_score_codex":0.000049944625,"about_ca_system_score_gemma":0.0000715559,"threshold_uncertainty_score":0.9999515},"labels":[],"label_agreement":null},{"id":"W4244073573","doi":"10.1162/octo_a_00352","title":"D37","year":2019,"lang":"en","type":"article","venue":"October","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Community Based Research Centre","funders":"","keywords":"Exhibition; Art; Art history; Visual arts","score_opus":0.03223128971742886,"score_gpt":0.23056390919074335,"score_spread":0.1983326194733145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244073573","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118215136,0.0000643571,0.000008093948,0.0002642664,0.0007311932,0.000059646616,0.000010953973,0.00005386188,0.88059247],"genre_scores_gemma":[0.6022849,0.000002510547,0.000009271398,0.0011595034,0.0004299787,0.0000017289213,0.000004098192,0.000008138657,0.3960999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995845,0.0000075055464,0.000072160095,0.000095420655,0.00007524514,0.00016519158],"domain_scores_gemma":[0.99974996,0.000010661615,0.000017828577,0.00015644351,0.000026526095,0.000038596096],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000032377975,0.000060894712,0.00007385399,0.00002078792,0.000073227995,0.000052742602,0.000064251566,0.00001939017,0.013139752],"category_scores_gemma":[0.0000034930347,0.00005005972,0.000042423908,3.7635238e-7,0.000061718674,0.00009429621,0.00002211208,0.000051481693,0.0064357375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041481376,0.00004011985,0.0015314941,0.00002014768,0.0000203149,0.0000027852734,0.06621709,0.0000014439086,0.000074233125,0.86209255,0.06846003,0.0015356394],"study_design_scores_gemma":[0.00012506988,0.000019167654,0.00037480972,0.000006480866,0.000005372062,7.2782126e-7,0.0005143804,0.00002944028,0.0000747727,0.0055477144,0.99321806,0.00008398544],"about_ca_topic_score_codex":0.00035322053,"about_ca_topic_score_gemma":0.0012297105,"teacher_disagreement_score":0.924758,"about_ca_system_score_codex":0.00001010886,"about_ca_system_score_gemma":0.000012635619,"threshold_uncertainty_score":0.99433786},"labels":[],"label_agreement":null},{"id":"W4244131934","doi":"10.32920/ryerson.14653098","title":"Images On The Street : Fashion, Personal Style, And The Sartorialist","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Tying; Style (visual arts); Semiotics; Reading (process); Portrait; Dream; Modernity; Aesthetics; Meaning (existential); Variety (cybernetics); Art; Visual arts; Sociology; Computer science; Philosophy; Epistemology; Linguistics; Psychology","score_opus":0.05065891917647367,"score_gpt":0.24881310991586159,"score_spread":0.19815419073938792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244131934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063600846,0.00065607,0.000102878104,0.027710691,0.004639508,0.0006481093,0.0005552832,0.00011884832,0.90196776],"genre_scores_gemma":[0.88161916,0.00020385384,0.000007839597,0.0036995627,0.0043279845,0.00003872652,0.000073052994,0.00002036293,0.11000946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988867,0.00014920396,0.00019527003,0.00029896112,0.00025255294,0.00021728569],"domain_scores_gemma":[0.9989982,0.0003543115,0.00008952866,0.00038072534,0.00012763224,0.000049607006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003091762,0.00023109259,0.00025267215,0.000023825505,0.0006855375,0.0009621267,0.00023216782,0.000079112346,0.0030539066],"category_scores_gemma":[0.0000761864,0.000108911736,0.000161563,7.5668754e-7,0.0010551111,0.000050248134,0.00040062246,0.00046438508,0.000020400525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016731707,0.000029540677,0.000031805004,0.000035066416,0.00010639934,0.0000036858976,0.1555256,8.481486e-7,9.216541e-7,0.72560316,0.11841891,0.00022731019],"study_design_scores_gemma":[0.00084395823,0.00004508246,0.00030339215,0.00010769325,0.0001790349,0.0000024626631,0.105202794,0.00023370126,0.000053728767,0.025174905,0.8673842,0.00046902933],"about_ca_topic_score_codex":0.003022254,"about_ca_topic_score_gemma":0.020482356,"teacher_disagreement_score":0.8180183,"about_ca_system_score_codex":0.000023039753,"about_ca_system_score_gemma":0.000091508504,"threshold_uncertainty_score":0.99785745},"labels":[],"label_agreement":null},{"id":"W4244134083","doi":"10.1353/ces.2015.0042","title":"Framing Kurelek","year":2015,"lang":"en","type":"article","venue":"Canadian ethnic studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Painting; Passions; Framing (construction); Biography; Art history; Art; History; Media studies; Visual arts; Sociology; Literature","score_opus":0.4335603848789552,"score_gpt":0.3761553153176031,"score_spread":0.05740506956135211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244134083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012620268,0.16780266,0.000013656567,0.00488829,0.004140475,0.00023562425,0.0001410956,0.00015399272,0.81000394],"genre_scores_gemma":[0.8084791,0.0012236574,0.000049980874,0.007728733,0.002407937,0.000029866202,0.000013449518,0.000036994552,0.1800303],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991541,0.000023029634,0.00013412822,0.00014861958,0.00011090982,0.00042920207],"domain_scores_gemma":[0.9991613,0.000052946874,0.000029097544,0.00016054245,0.00019484074,0.00040127806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014112891,0.00011991471,0.00017424145,0.000100809295,0.00022878098,0.00001858476,0.00010940578,0.0000354816,0.00019016246],"category_scores_gemma":[0.000189957,0.000107751024,0.000044344983,0.0000026280343,0.00041951583,0.00009326743,0.00002908838,0.000116511685,0.0003273179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014822601,0.0000057041184,0.000043011372,0.000019012896,0.00011904046,0.00003155311,0.56674963,0.0000037251111,4.1800362e-7,0.103478484,0.30971384,0.019834073],"study_design_scores_gemma":[0.00015821824,0.000035698027,0.0006850127,0.000019536626,0.000027387272,0.0000020518592,0.05992949,0.000016790898,0.0000061959163,0.017391382,0.9215557,0.00017254164],"about_ca_topic_score_codex":0.16433121,"about_ca_topic_score_gemma":0.97434986,"teacher_disagreement_score":0.8100186,"about_ca_system_score_codex":0.00021886593,"about_ca_system_score_gemma":0.00033530404,"threshold_uncertainty_score":0.84123355},"labels":[],"label_agreement":null},{"id":"W4244505262","doi":"10.4000/monderusse.9592","title":"Picasso in thaw culture","year":2006,"lang":"fr","type":"article","venue":"Cahiers du monde russe","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"India Diabetes Research Foundation","keywords":"Humanities; PICASSO; Art; Art history; Painting","score_opus":0.01070707489171442,"score_gpt":0.21142825506035318,"score_spread":0.20072118016863877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244505262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09185026,0.03249313,0.00014734583,0.008480751,0.003089275,0.0003759926,0.0006503753,0.00013659323,0.8627763],"genre_scores_gemma":[0.5406747,0.0007740756,0.00008821002,0.00097427785,0.002839049,0.000015154996,0.00007278267,0.00004249787,0.45451924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808264,0.00009824354,0.00041659296,0.0003775602,0.00022196602,0.00080299185],"domain_scores_gemma":[0.9992402,0.000060552844,0.00010644438,0.000335653,0.00007877828,0.00017836939],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016603974,0.00034186282,0.00035117613,0.0001335821,0.0005564952,0.00023879623,0.00021763351,0.00038614147,0.0013765888],"category_scores_gemma":[0.000034574517,0.00033472007,0.00019249672,0.00000846624,0.0014652588,0.00033050505,0.000046128396,0.00060593017,0.0004889672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000135214705,0.00023297891,0.0011789686,0.00007025561,0.000026390408,0.0002123547,0.0841044,0.000036982383,0.00003234439,0.7396523,0.1741363,0.00030320225],"study_design_scores_gemma":[0.00068951567,0.000058467835,0.0017835909,0.000077978446,0.000065363194,0.000018426674,0.0046296776,0.00019927401,0.00012304194,0.071819164,0.92012614,0.0004093549],"about_ca_topic_score_codex":0.0073991935,"about_ca_topic_score_gemma":0.015759517,"teacher_disagreement_score":0.74598986,"about_ca_system_score_codex":0.00025029297,"about_ca_system_score_gemma":0.000089241985,"threshold_uncertainty_score":0.9999105},"labels":[],"label_agreement":null},{"id":"W4245408577","doi":"10.32920/ryerson.14664876.v1","title":"October culture : photographic theory and the beginnings of postmodernism","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Postmodernism; Criticism; Photography; Art history; Modernism (music); Art; Aesthetics; Sociology; History; Literature; Visual arts","score_opus":0.02432325877491659,"score_gpt":0.24119977113429925,"score_spread":0.21687651235938266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245408577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13327658,0.010403583,0.0009920517,0.0019495138,0.0013630738,0.000879157,0.00037263977,0.00016927153,0.8505941],"genre_scores_gemma":[0.89776367,0.00081306935,0.00007138432,0.0026574153,0.0004642993,0.00003509502,0.00008233579,0.000030822837,0.098081924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987005,0.00019861049,0.0003114323,0.00033911935,0.00021206567,0.0002382613],"domain_scores_gemma":[0.99887955,0.00015835055,0.0001899364,0.00048223158,0.00022723663,0.000062675266],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045252193,0.00028028103,0.0004661305,0.000068217254,0.0002723219,0.00026804834,0.0002604164,0.00017632524,0.0016331726],"category_scores_gemma":[0.000043953663,0.00016258114,0.0003004755,0.0000015317174,0.0021578434,0.000072889874,0.00055185956,0.0005382945,0.0000028861239],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034583947,0.00002781471,0.000025099425,0.00012084578,0.00017909685,0.0000024645894,0.36583498,0.0000017903341,0.000011989184,0.6314827,0.002041695,0.000236897],"study_design_scores_gemma":[0.0011188143,0.000041815492,0.00015441937,0.00024851263,0.0004312247,0.000011970596,0.03850735,0.00021596065,0.00025980777,0.63563025,0.32285345,0.00052645523],"about_ca_topic_score_codex":0.0029839869,"about_ca_topic_score_gemma":0.0042841504,"teacher_disagreement_score":0.7644871,"about_ca_system_score_codex":0.000008048455,"about_ca_system_score_gemma":0.00007530611,"threshold_uncertainty_score":0.9992795},"labels":[],"label_agreement":null},{"id":"W4246237119","doi":"10.1163/9789401209045_005","title":"I Am, Therefore I Think, Act, and Express both in Life and in Art","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Aesthetics; Sociology; Art","score_opus":0.04766708273702376,"score_gpt":0.22467348303553034,"score_spread":0.17700640029850656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246237119","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025315383,0.00058693567,0.00000343081,0.00034269955,0.00011240611,0.00022969661,0.000044298195,0.00003379312,0.9961152],"genre_scores_gemma":[0.07743029,0.00057313574,0.000017919696,0.0013867418,0.0004211577,0.000009323049,0.000013418571,0.00003994557,0.9201081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991715,0.000010025681,0.00024071756,0.00025113928,0.00010086502,0.00022578437],"domain_scores_gemma":[0.9995974,0.000047304253,0.00006298268,0.00017317868,0.000020599182,0.000098551915],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006472267,0.0002398132,0.00031207176,0.00012049548,0.00006578189,0.000119791875,0.00007757767,0.0001532727,0.0059936494],"category_scores_gemma":[0.000005492085,0.0001625845,0.000034043373,2.1336605e-7,0.0003187901,0.00017839354,0.00008767326,0.00020717004,0.00013446789],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008708594,0.000011459136,0.00014526157,0.000054136937,0.000020892392,0.000008554365,0.042543583,6.058887e-8,0.0000011866211,0.9377086,0.018389732,0.0011078282],"study_design_scores_gemma":[0.00032500122,0.000030437666,0.00020879049,0.00014228812,0.0000075811527,0.0000014903036,0.000652762,0.000014955812,0.0000014111057,0.11963322,0.8787297,0.00025233987],"about_ca_topic_score_codex":0.0007387753,"about_ca_topic_score_gemma":0.02963823,"teacher_disagreement_score":0.86034,"about_ca_system_score_codex":0.00002088151,"about_ca_system_score_gemma":0.000030189385,"threshold_uncertainty_score":0.994915},"labels":[],"label_agreement":null},{"id":"W4246414501","doi":"10.5406/visuartsrese.36.2.0015","title":"The Site/Sight/Cite of Jacques Lacan or Forget Slavoj Žižek? Implications for Art and Its Education","year":2010,"lang":"en","type":"article","venue":"Visual Arts Research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Appropriation; Psychoanalysis; Psychic; Joke; Structuralism (philosophy of science); The Imaginary; Order (exchange); Epistemology; Philosophy; Sociology; Aesthetics; Psychology; Linguistics","score_opus":0.22067954384646532,"score_gpt":0.4710969579950556,"score_spread":0.25041741414859026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246414501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84863746,0.00054205477,0.00008394831,0.01394809,0.0009239811,0.0018898868,0.0003988363,0.000079292346,0.13349643],"genre_scores_gemma":[0.84355843,0.00016200083,0.000055318582,0.00015343868,0.00090177945,0.00023420849,0.000055846118,0.00002150023,0.15485746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894613,0.000054201017,0.00021858761,0.00019643674,0.0002021362,0.00038251266],"domain_scores_gemma":[0.9983855,0.00048783858,0.000055500783,0.00022819085,0.000715745,0.00012721689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000595447,0.00009370585,0.00011820183,0.00013026962,0.0011898772,0.00022386058,0.00015638008,0.000046457222,0.00016814926],"category_scores_gemma":[0.00029570263,0.000060169117,0.000044938883,0.000009402747,0.00051100063,0.00019256142,0.00008262401,0.00020174503,0.000039539213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055893473,0.00019338791,0.00027352502,0.000082147955,0.000026628142,1.2915267e-7,0.022168456,5.3634093e-8,0.0051260893,0.8909292,0.06826474,0.012879701],"study_design_scores_gemma":[0.00013804868,0.00023946339,0.0013495698,0.000015764861,0.000009392261,0.0000018115979,0.0009259102,0.0001908987,0.0023893458,0.027990162,0.9666636,0.000086033426],"about_ca_topic_score_codex":0.00036106832,"about_ca_topic_score_gemma":0.03047704,"teacher_disagreement_score":0.8983989,"about_ca_system_score_codex":0.000016270367,"about_ca_system_score_gemma":0.00026796374,"threshold_uncertainty_score":0.9872142},"labels":[],"label_agreement":null},{"id":"W4246455487","doi":"10.1163/9789401200509","title":"Creating the National Mosaic","year":2011,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mosaic; Computer science; Art; Visual arts","score_opus":0.11692584892271696,"score_gpt":0.2611642237289915,"score_spread":0.14423837480627455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246455487","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.436152e-7,0.00010831053,0.000018945688,0.00013459726,0.00033727262,0.00009591946,0.00014613317,0.00006680872,0.99909115],"genre_scores_gemma":[0.0007307897,0.000015210889,0.000023736391,0.0031500605,0.004235521,0.000010893572,0.0001401127,0.00002776067,0.9916659],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993314,0.000011785111,0.000158673,0.00012804313,0.0002149622,0.00015513906],"domain_scores_gemma":[0.99955124,0.000085423046,0.00007963162,0.00010914325,0.00014317677,0.0000313764],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009774701,0.00013927495,0.000121021956,0.000035525223,0.00044140592,0.000099298835,0.00016767626,0.000067245295,0.019430079],"category_scores_gemma":[0.000016770533,0.000084303945,0.00009485771,1.526489e-7,0.00029147216,0.00006007146,0.000047725665,0.00017826639,0.0008863946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.9356348e-7,0.0000037895356,2.0821241e-7,0.000006277157,0.000020490053,2.6228628e-7,0.027021261,9.109063e-8,2.7629477e-8,0.5649013,0.40794924,0.00009667616],"study_design_scores_gemma":[0.000032834276,0.00000975011,0.00000104615,0.000015870984,0.000019283138,9.824234e-7,0.00022738757,0.000019559211,0.0000012281345,0.22134304,0.7782303,0.0000986863],"about_ca_topic_score_codex":0.00048834545,"about_ca_topic_score_gemma":0.0052612335,"teacher_disagreement_score":0.3702811,"about_ca_system_score_codex":0.000057795463,"about_ca_system_score_gemma":0.00021729791,"threshold_uncertainty_score":0.9998915},"labels":[],"label_agreement":null},{"id":"W4247049224","doi":"10.7551/mitpress/10057.001.0001","title":"Adjusted Margin","year":2016,"lang":"en","type":"book","venue":"The MIT Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Punk; Downtown; Visual arts; Media studies; The arts; Art; Sociology; Political science; History; Art history; Law","score_opus":0.09819176831240617,"score_gpt":0.2444658749446129,"score_spread":0.14627410663220672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247049224","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000035919159,0.0009397418,0.000020875079,0.00012881149,0.0009683592,0.00039909536,0.000493333,0.00016669801,0.9968795],"genre_scores_gemma":[0.0006235709,0.00004189351,0.000003536393,0.0009031129,0.0049619107,0.000053694817,0.000039073086,0.00009632463,0.9932769],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987292,0.00006480135,0.0002772862,0.00026674411,0.00024947262,0.00041244258],"domain_scores_gemma":[0.99879193,0.00013718374,0.00017366679,0.00071796955,0.00009493611,0.00008433096],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012292551,0.00033250556,0.00032729757,0.000048135942,0.00036705914,0.00014910821,0.0005630419,0.00016216896,0.0012222985],"category_scores_gemma":[0.000008328586,0.00018934872,0.00019500218,5.5938155e-8,0.0008154391,0.000041509364,0.00019558697,0.0003208203,0.0004578681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000108569075,0.000005027801,3.5588805e-8,0.000051441708,0.00011294848,0.000006071282,0.03652247,5.026059e-8,0.0000017557335,0.57778525,0.38183647,0.0036676377],"study_design_scores_gemma":[0.00022218794,0.000026374966,6.5074596e-7,0.0001810978,0.00017744323,0.0000028837155,0.00005326427,0.000003967004,0.000048927628,0.055737656,0.94325715,0.00028841142],"about_ca_topic_score_codex":0.0004722387,"about_ca_topic_score_gemma":0.002430836,"teacher_disagreement_score":0.5614207,"about_ca_system_score_codex":0.00006737284,"about_ca_system_score_gemma":0.00013916228,"threshold_uncertainty_score":0.9996907},"labels":[],"label_agreement":null},{"id":"W4247592578","doi":"10.26522/ti.v10i1.2748","title":"Soft Walls","year":2021,"lang":"en","type":"article","venue":"ti<","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; The arts; Visual arts; Art; Fine art; Art history","score_opus":0.06391384753094068,"score_gpt":0.2531000200383241,"score_spread":0.18918617250738343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247592578","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015461423,0.0002723309,0.000092390124,0.0010917777,0.00054539804,0.000028078592,0.000027462725,0.00007924191,0.9824019],"genre_scores_gemma":[0.52971625,0.00000962027,0.00002983237,0.0018526166,0.00075244746,0.0000018545854,0.000014550988,0.000007870624,0.46761498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962765,0.000009975211,0.0000699278,0.00008446544,0.000064534135,0.00014344098],"domain_scores_gemma":[0.9997569,0.000017728968,0.000013091739,0.00012377121,0.000048307626,0.000040216313],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025862104,0.000048625887,0.00006566406,0.000011322245,0.00012561737,0.00005994869,0.00004520512,0.000015553249,0.008065012],"category_scores_gemma":[0.000012893354,0.000044134926,0.000038730996,4.3274778e-7,0.0000704193,0.000056087774,0.000026609952,0.00004512057,0.001128771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002186359,0.000066564295,0.00007802812,0.00002194092,0.000028527771,0.00004560742,0.1256071,0.0000014395545,0.00012638586,0.73596174,0.13302192,0.0050385594],"study_design_scores_gemma":[0.00008369873,0.00000866594,0.00006641372,0.000005176135,0.000007928791,0.0000023588655,0.000824325,0.00003182985,0.00044078135,0.014227343,0.9842346,0.00006690762],"about_ca_topic_score_codex":0.00017490004,"about_ca_topic_score_gemma":0.0028937147,"teacher_disagreement_score":0.8512126,"about_ca_system_score_codex":0.000009120907,"about_ca_system_score_gemma":0.00003441716,"threshold_uncertainty_score":0.999649},"labels":[],"label_agreement":null},{"id":"W4248230480","doi":"10.1515/9781474457675","title":"Deleuze, Guattari and the Art of Multiplicity","year":2020,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deleuze and Guattari; Art history; The arts; Politics; Art; Contemporary art; Sociology; MAGIC (telescope); Humanities; Visual arts; Performance art; Aesthetics; Political science","score_opus":0.04470068601775721,"score_gpt":0.20081274246081923,"score_spread":0.15611205644306203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248230480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003024295,0.00012046412,0.00009457373,0.00017139725,0.0003698985,0.0003607359,0.00035363252,0.00006484787,0.9984342],"genre_scores_gemma":[0.003037428,0.000093330105,0.000021514685,0.00031737707,0.0010470961,9.3782756e-7,0.000043247484,0.000021483136,0.9954176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990134,0.00004789011,0.00019742742,0.00028593192,0.00023815662,0.0002171684],"domain_scores_gemma":[0.9990141,0.00020901815,0.00022591538,0.00029652411,0.00013965262,0.000114803144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011157775,0.00025228734,0.00046250556,0.00006471747,0.00035835407,0.00005321238,0.00036892685,0.0001515597,0.0002159009],"category_scores_gemma":[0.000018481305,0.00020933842,0.00019021376,3.2689067e-7,0.0019267647,0.00007308052,0.0003838269,0.00038263286,0.0000036518506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001234128,0.000009323507,0.0000010363665,0.000054788514,0.00017141378,0.00001533911,0.058887426,9.624691e-7,0.0000013488778,0.49763286,0.44286093,0.00024116824],"study_design_scores_gemma":[0.001111735,0.000037819515,0.0000010360745,0.000062854015,0.00029984207,0.000001310028,0.0006312329,0.00015125822,0.000021112732,0.0042005163,0.99326354,0.00021776678],"about_ca_topic_score_codex":0.0012260702,"about_ca_topic_score_gemma":0.0012033896,"teacher_disagreement_score":0.5504026,"about_ca_system_score_codex":0.00005759585,"about_ca_system_score_gemma":0.00014635437,"threshold_uncertainty_score":0.8536573},"labels":[],"label_agreement":null},{"id":"W4248291217","doi":"10.22215/etd/2011-07326","title":"\"Modern civic art; or, the city made beautiful\" : aesthetic progressivism and the allied arts in Canada, 1889-1939","year":2011,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"McMaster University","keywords":"Progressivism; The arts; Art history; Art; Visual arts; Humanities; Political science; Law; Politics","score_opus":0.04593975011035558,"score_gpt":0.2397512560915382,"score_spread":0.1938115059811826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248291217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16163161,0.0019088512,0.000017142258,0.0033260565,0.0016087452,0.0019963896,0.00009923337,0.000104986175,0.82930696],"genre_scores_gemma":[0.6179057,0.00014167503,0.00000487381,0.0012445612,0.00017260508,0.00014014787,0.00015561421,0.000042044514,0.38019282],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814415,0.00011339312,0.00046053427,0.0003817237,0.00036365987,0.00053656445],"domain_scores_gemma":[0.9989691,0.0001225411,0.00024421324,0.00046683507,0.00009248277,0.000104846404],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026046988,0.00040275205,0.00045418553,0.00007437877,0.0005730677,0.00022675369,0.0003816778,0.00012383718,0.0016167142],"category_scores_gemma":[0.000022068272,0.00018154024,0.00009458342,0.0000043130995,0.0005213734,0.00009917222,0.00005035034,0.0005020806,0.000029735082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000489694,0.00016127061,0.0003970146,0.00022446229,0.00017556694,0.0000684244,0.60251284,0.000001948057,0.0000013999386,0.32973844,0.033201814,0.03302715],"study_design_scores_gemma":[0.002485855,0.000111874906,0.007949405,0.000424431,0.00037393862,0.00003625298,0.037787687,0.00091783487,0.000077079545,0.11116527,0.83738804,0.0012823021],"about_ca_topic_score_codex":0.779555,"about_ca_topic_score_gemma":0.9993879,"teacher_disagreement_score":0.8041862,"about_ca_system_score_codex":0.00010275079,"about_ca_system_score_gemma":0.0010229327,"threshold_uncertainty_score":0.99929595},"labels":[],"label_agreement":null},{"id":"W4249507241","doi":"10.4000/communication.11771","title":"Zygmunt BAUMAN (2018), Sketches in the Theory of Culture","year":2020,"lang":"en","type":"article","venue":"Communication","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Epistemology; Philosophy","score_opus":0.12650597666306979,"score_gpt":0.27603986282137705,"score_spread":0.14953388615830726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249507241","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09102027,0.009919868,0.00031514032,0.02880027,0.00013667322,0.00055861584,0.00006374309,0.000105957726,0.8690795],"genre_scores_gemma":[0.9958011,0.00032843873,0.000055097218,0.0022481047,0.000099198136,0.000010269588,0.000038570797,0.000005717824,0.0014134943],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994773,0.00018615964,0.00013995513,0.000054323566,0.000068917194,0.00007332537],"domain_scores_gemma":[0.9993838,0.00009319198,0.00006058074,0.000411965,0.000033942477,0.000016489023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021873036,0.000052037183,0.00007683248,0.0000138212,0.00013865708,0.0000302473,0.0004321969,0.000022606142,0.00020557184],"category_scores_gemma":[0.000044896355,0.00003485564,0.00003295361,0.0000024116282,0.00023329328,0.00008484028,0.00006674339,0.00012609597,0.000025750975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005481022,0.00003188826,0.000082069724,0.000013220904,0.0000054413886,9.368678e-8,0.55332446,0.000001475761,0.000035572728,0.433036,0.0124837,0.0009806192],"study_design_scores_gemma":[0.00017335775,0.000048553815,0.00120619,0.000024681405,0.000015435278,3.2797863e-7,0.0498131,0.0001490832,0.00015190007,0.08236546,0.86597437,0.00007756513],"about_ca_topic_score_codex":0.00018967023,"about_ca_topic_score_gemma":0.0016352703,"teacher_disagreement_score":0.90478086,"about_ca_system_score_codex":0.000008677415,"about_ca_system_score_gemma":0.000011422276,"threshold_uncertainty_score":0.22508675},"labels":[],"label_agreement":null},{"id":"W4249903808","doi":"10.7765/9781526126733.00010","title":"The 1970s and the gendered spaces of the counter tradition","year":2018,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Modernism (music); Period (music); Art history; Art; Sociology; Aesthetics; Gender studies; Literature","score_opus":0.05510602553866236,"score_gpt":0.1873830379698698,"score_spread":0.13227701243120743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249903808","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005230074,0.00016271304,0.00001798453,0.00030168274,0.00038856536,0.00034647048,0.00017756385,0.000020865271,0.9980611],"genre_scores_gemma":[0.06697996,0.00008303151,0.0000023994255,0.0002614996,0.00044188372,9.3433704e-7,0.000005270703,0.000018836654,0.9322062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992884,0.000058617363,0.00013427003,0.00017850936,0.00018553299,0.00015466925],"domain_scores_gemma":[0.9991225,0.00012005387,0.00021288633,0.0004234735,0.00008909875,0.00003199014],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001228151,0.00019054314,0.00019804132,0.000024776476,0.0008178016,0.00013988191,0.00038774198,0.000094470124,0.00007305559],"category_scores_gemma":[0.0000024650274,0.000101262565,0.00015668177,1.5890468e-7,0.0034267176,0.000064310334,0.00021123649,0.00020269895,0.0000040480613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073543415,0.0000030371775,0.0000010101194,0.000039028055,0.00013384997,0.0000017183518,0.101966195,8.348958e-8,4.959261e-7,0.8877813,0.009813521,0.00018621895],"study_design_scores_gemma":[0.00050963234,0.00002301054,0.000016215907,0.00007232579,0.0002234778,0.0000024445285,0.002502778,0.000019162606,0.000021293508,0.020740453,0.9757402,0.00012903004],"about_ca_topic_score_codex":0.00022686606,"about_ca_topic_score_gemma":0.001778058,"teacher_disagreement_score":0.96592665,"about_ca_system_score_codex":0.000031187647,"about_ca_system_score_gemma":0.00003244014,"threshold_uncertainty_score":0.9992854},"labels":[],"label_agreement":null},{"id":"W4249974209","doi":"10.5325/georelioghlstud.73.2.0092","title":"<i>Middlemarch</i>: A Grown-Up Novel","year":2021,"lang":"en","type":"article","venue":"George Eliot - George Henry Lewes Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Reading (process); Diagrammatic reasoning; Painting; Art history; Politics; Art; Aesthetics; Visual arts; Philosophy; Political science; Law","score_opus":0.12420469705719304,"score_gpt":0.3017169351528658,"score_spread":0.17751223809567274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249974209","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18468368,0.075269565,0.0007291953,0.025852675,0.023661675,0.001488252,0.002301978,0.0019871253,0.6840259],"genre_scores_gemma":[0.3769253,0.00411331,0.0005953495,0.008295558,0.005762058,0.0001730598,0.00023056945,0.00017305285,0.60373175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963146,0.0001263059,0.00077209173,0.00084169063,0.00060142245,0.0013438803],"domain_scores_gemma":[0.99750423,0.00037196025,0.00019858085,0.00076211646,0.00090461684,0.0002585202],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004235624,0.0006119738,0.00088143226,0.00020863621,0.0017283114,0.0002705143,0.00037092326,0.00012497854,0.0015919602],"category_scores_gemma":[0.00042604902,0.000555884,0.0003887598,0.000025127598,0.0011753252,0.00047344848,0.0007637393,0.00045436723,0.000724241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071120594,0.0006659914,0.0008515528,0.00061697135,0.0015044458,0.00022016732,0.29836896,0.000009921071,0.0015735578,0.54995286,0.14343558,0.002728886],"study_design_scores_gemma":[0.0010197798,0.00009689445,0.00034141078,0.00014745546,0.00018296609,0.000050818177,0.03245044,0.000030243484,0.0013033584,0.015490665,0.9481306,0.0007553811],"about_ca_topic_score_codex":0.0008609575,"about_ca_topic_score_gemma":0.015481748,"teacher_disagreement_score":0.804695,"about_ca_system_score_codex":0.00012601554,"about_ca_system_score_gemma":0.00023163192,"threshold_uncertainty_score":0.9996893},"labels":[],"label_agreement":null},{"id":"W4251039755","doi":"10.3138/jrpc.24.2.296","title":"The Apotheosis of Frida and Ché: Secular Saints and Fetishized Commodities","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consumerism; Commodification; Hegemony; Apotheosis; Ideology; Capitalism; Sociology; Globalization; Aesthetics; Religious studies; Art history; Art; Law; Philosophy; Literature; Political science","score_opus":0.02261182306621675,"score_gpt":0.2422593671108125,"score_spread":0.21964754404459574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251039755","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9409075,0.05231102,0.00003328766,0.0012801224,0.00050613907,0.000109110006,0.00003140838,0.000009183408,0.0048122425],"genre_scores_gemma":[0.97442895,0.018998345,0.000069619484,0.00048619026,0.0005594251,7.6458025e-7,0.000002548438,0.000009428669,0.005444728],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933803,0.00006439425,0.0002471303,0.00005197737,0.00014711649,0.00015135748],"domain_scores_gemma":[0.9994695,0.000022296854,0.0002130397,0.000074883006,0.00010340234,0.0001168872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002720246,0.00010277267,0.00020938432,0.000033014454,0.0003324629,0.00011597725,0.000061256396,0.00005784655,0.000009452201],"category_scores_gemma":[0.000035892393,0.00005770527,0.00006683174,0.0000020639134,0.00023253323,0.00023844864,0.000031162093,0.00016162526,6.7706355e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012476213,0.0000717866,0.0038062423,0.00014665426,0.00022951937,0.000007870422,0.306691,3.5290418e-7,0.0004190276,0.57749087,0.10795967,0.0030522668],"study_design_scores_gemma":[0.0004641748,0.000120233184,0.00026602866,0.00007696948,0.00008366995,0.00013858106,0.005294481,0.00000663681,0.000099808356,0.011017825,0.98233956,0.000092006165],"about_ca_topic_score_codex":0.00014289268,"about_ca_topic_score_gemma":0.00032849016,"teacher_disagreement_score":0.87437993,"about_ca_system_score_codex":0.000007754292,"about_ca_system_score_gemma":0.000007956786,"threshold_uncertainty_score":0.25570694},"labels":[],"label_agreement":null},{"id":"W4251266069","doi":"10.4324/9781135000356-rem982-1","title":"Avant-garde","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Avant garde; Opposition (politics); Modernism (music); Criticism; Literature; Art history; Art; Postmodernism; Periodization; Dialectic; Aesthetics; History; Philosophy; Politics; Law; Political science; Epistemology; Ancient history","score_opus":0.07816159319372165,"score_gpt":0.24308428859376285,"score_spread":0.1649226954000412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251266069","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000015882135,0.00010336205,0.000035838653,0.00015731419,0.0016375582,0.0001007911,0.00013908741,0.00014959146,0.9976749],"genre_scores_gemma":[0.00045812048,0.00007516863,0.000037730082,0.0021550166,0.006147288,0.0000023069817,0.000066357476,0.000065623506,0.99099237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991805,0.0000033539245,0.00020085179,0.00022482051,0.000156762,0.00023372628],"domain_scores_gemma":[0.99940985,0.000019643923,0.0000739183,0.0003005194,0.000110811685,0.000085249645],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004272844,0.00023665717,0.0002386699,0.000066638524,0.00020934701,0.00010189582,0.00014538142,0.0001315283,0.29131854],"category_scores_gemma":[0.0000035313517,0.00019189213,0.00014935674,1.2891031e-8,0.0005050707,0.000054320197,0.00006522035,0.00015171144,0.021275913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001349794,0.000003266053,6.9630524e-8,0.000010696969,0.000032030606,0.0000036567842,0.03290713,7.0694344e-9,1.0204734e-7,0.57942456,0.38731393,0.0003031967],"study_design_scores_gemma":[0.000061579165,0.00004263296,1.9341888e-7,0.000029651206,0.000037629008,0.0000016459693,0.00010675505,0.0000032493126,0.000004069748,0.20542298,0.7940663,0.00022331809],"about_ca_topic_score_codex":0.00018649542,"about_ca_topic_score_gemma":0.03343069,"teacher_disagreement_score":0.40675235,"about_ca_system_score_codex":0.000026266549,"about_ca_system_score_gemma":0.000045237983,"threshold_uncertainty_score":0.9842067},"labels":[],"label_agreement":null},{"id":"W4251392350","doi":"10.4324/9781135000356-rem1491-1","title":"Tzara, Tristan (1896-1963)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Manifesto; Art; Poetry; Art history; Nothing; Adventure; Newspaper; Bourgeoisie; Literature; Philosophy; Politics; Law; Political science","score_opus":0.08119654504367808,"score_gpt":0.24810231542278768,"score_spread":0.16690577037910959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251392350","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008452385,0.00024138734,0.000063837484,0.00019354375,0.0012647357,0.00017407631,0.00025256586,0.0001900943,0.9976113],"genre_scores_gemma":[0.00195417,0.00008998961,0.000041170333,0.002077417,0.0066555887,0.000004845345,0.000120820936,0.00009409228,0.98896194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987515,0.0000069101675,0.00033666185,0.0003321511,0.00023769138,0.00033509356],"domain_scores_gemma":[0.9990966,0.000035554054,0.00013102169,0.00044036217,0.00016038069,0.00013609284],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007747834,0.00035004687,0.00037148903,0.00011016197,0.00032019307,0.00016859219,0.00021881494,0.00020205163,0.15121594],"category_scores_gemma":[0.000005935309,0.00029278328,0.00023039953,1.5829619e-7,0.00069173565,0.00009209952,0.00007699443,0.00023065678,0.00785806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004498429,0.0000070427245,1.8387539e-7,0.000018328534,0.000047832607,0.000006719273,0.016165607,8.338915e-9,1.6000666e-7,0.6700342,0.31326497,0.00045044252],"study_design_scores_gemma":[0.00013231463,0.00008113036,3.3366408e-7,0.0000372853,0.00006109413,0.0000019924594,0.0002674811,0.000004065407,0.0000052527307,0.20931332,0.789767,0.00032872695],"about_ca_topic_score_codex":0.0004445159,"about_ca_topic_score_gemma":0.018407514,"teacher_disagreement_score":0.47650206,"about_ca_system_score_codex":0.00006019621,"about_ca_system_score_gemma":0.00008329056,"threshold_uncertainty_score":0.99995244},"labels":[],"label_agreement":null},{"id":"W4251635170","doi":"10.32920/ryerson.14656308","title":"Revolution as festival architecture","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spatialization; Expression (computer science); Architecture; Power (physics); Politics; Value (mathematics); Narrative; Action (physics); Space (punctuation); Sociology; Social science; Political science; Media studies; Visual arts; Art; Computer science; Law; Anthropology","score_opus":0.051696117991292354,"score_gpt":0.26648960064018934,"score_spread":0.21479348264889697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251635170","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020751983,0.0005666275,0.0026995582,0.0020243335,0.0025394147,0.00021865836,0.00007906681,0.00025040508,0.97086996],"genre_scores_gemma":[0.5579324,0.000057860758,0.0005020484,0.0014572388,0.00313389,0.00001999535,0.00029860783,0.000030226303,0.43656778],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989443,0.00005275191,0.00020276831,0.00034822625,0.00018848709,0.00026349913],"domain_scores_gemma":[0.9992995,0.00002893545,0.00007425297,0.00038371357,0.00012462889,0.00008893885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006805179,0.00021794786,0.00024446976,0.00006398734,0.00021977228,0.00025997142,0.00016448903,0.00014847443,0.006874576],"category_scores_gemma":[0.000043836517,0.00018699116,0.00018619401,5.3369286e-7,0.0002056443,0.000046598776,0.00038684957,0.0005449143,0.00018866792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013030942,0.00013794762,0.00006343836,0.00040686142,0.00019175516,0.000063391984,0.29869094,0.00024708337,0.000020146545,0.627557,0.06836009,0.0042483234],"study_design_scores_gemma":[0.00010748404,0.000029579307,0.00013255517,0.00014343315,0.00006036242,0.0000113291,0.0027431138,0.00009336869,0.00008016248,0.093863174,0.90238637,0.00034904294],"about_ca_topic_score_codex":0.0053706137,"about_ca_topic_score_gemma":0.01901997,"teacher_disagreement_score":0.8340263,"about_ca_system_score_codex":0.000059823,"about_ca_system_score_gemma":0.00022079733,"threshold_uncertainty_score":0.9988804},"labels":[],"label_agreement":null},{"id":"W4252467946","doi":"10.22230/cjc2016v41n1a3087","title":"Painting Terrorism: The October Crisis Canvases of Dennis Tourbin and the Lessons of Art for Political Expression under Watchful Conditions","year":2016,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Terrorism; Painting; Politics; Expression (computer science); Watchful waiting; Art; Political science; Media studies; Visual arts; Art history; Medicine; Sociology; Law; Computer science; Internal medicine","score_opus":0.06730125446602216,"score_gpt":0.29020413492097435,"score_spread":0.2229028804549522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252467946","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47053346,0.003239271,0.008307763,0.48558518,0.00049286784,0.0008091772,0.001059037,0.000013513065,0.029959733],"genre_scores_gemma":[0.9980091,0.00006627808,0.00007716537,0.00070368074,0.00010470513,0.0000052446912,0.0000049370706,0.000008514033,0.0010204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991934,0.0001852971,0.00033215093,0.000041759038,0.0000803484,0.00016710286],"domain_scores_gemma":[0.99811405,0.00087781204,0.00026552193,0.00029117678,0.00032573726,0.00012569122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004893451,0.00006257658,0.00015534791,0.00006927668,0.00044156032,0.000036887046,0.00025993888,0.000029309698,0.00014685238],"category_scores_gemma":[0.00019741694,0.000031199394,0.000089083434,0.000003120641,0.000984759,0.00012962682,0.000022333734,0.00008808596,8.1302386e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017560891,0.000015896567,0.00022843118,0.000013128813,0.00005488723,3.118233e-7,0.037097063,0.0000038980916,0.00022871872,0.92913383,0.032918047,0.00028821238],"study_design_scores_gemma":[0.0025966815,0.00015165303,0.0029862896,0.0007829036,0.00038229578,0.00004660567,0.11874676,0.00012739834,0.005008258,0.3902748,0.47865456,0.00024181022],"about_ca_topic_score_codex":0.009834767,"about_ca_topic_score_gemma":0.119734354,"teacher_disagreement_score":0.53885907,"about_ca_system_score_codex":0.000045149318,"about_ca_system_score_gemma":0.00025032146,"threshold_uncertainty_score":0.9967588},"labels":[],"label_agreement":null},{"id":"W4252929629","doi":"10.3138/cras-s034-03-03","title":"Roy Lichtenstein’s Tears: Art vs. Pop in American Culture1","year":2004,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Copying; Feeling; Painting; French horn; Crying; Art; Tears; Visual arts; Work (physics); Psychology; Psychoanalysis; Art history; Social psychology; Medicine; Law; Pedagogy; Political science","score_opus":0.04155021651337548,"score_gpt":0.29528916974743274,"score_spread":0.25373895323405726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252929629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05852699,0.36217588,0.00001018078,0.07106158,0.0011827244,0.0021787055,0.0010491438,0.00019224077,0.50362253],"genre_scores_gemma":[0.7102867,0.19347437,0.0004199723,0.075973,0.00073393947,0.0001316401,0.000042385866,0.00007347717,0.018864525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839896,0.000063087246,0.0005008118,0.000285914,0.00018712763,0.0005641022],"domain_scores_gemma":[0.99882686,0.000040555973,0.00028085298,0.0003233813,0.00023893472,0.00028939891],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016586161,0.00025868125,0.0010055515,0.0001946141,0.00018017286,0.000024408899,0.00021577628,0.000014987674,0.00014540249],"category_scores_gemma":[0.00018566572,0.00021432604,0.0001634997,0.000034169447,0.0023374613,0.00012515606,0.000039099577,0.000162351,0.00014250957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020517993,0.00023419064,0.0030277993,0.006326311,0.0010893034,0.0003141645,0.25760943,0.000021297259,0.000008227196,0.1265984,0.5163066,0.08844378],"study_design_scores_gemma":[0.00015585426,0.00019999547,0.0016802835,0.0023518954,0.000071977156,0.000005365937,0.017749373,3.9658084e-7,0.0000042544652,0.00031439328,0.97721046,0.0002557606],"about_ca_topic_score_codex":0.3562906,"about_ca_topic_score_gemma":0.88041294,"teacher_disagreement_score":0.6517597,"about_ca_system_score_codex":0.00039931588,"about_ca_system_score_gemma":0.00038761596,"threshold_uncertainty_score":0.8739962},"labels":[],"label_agreement":null},{"id":"W4253027844","doi":"10.22215/etd/2015-11096","title":"Scaffolding Democracy: Democracy as the Impossible Project of Architecture?","year":2015,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Democracy; Austerity; Architecture; Context (archaeology); Politics; Citizenship; Dissent; Political science; Neoliberalism (international relations); Agonism; Agency (philosophy); Argument (complex analysis); Sociology; Public administration; Political economy; Law and economics; Law; Social science; Geography","score_opus":0.049293878472028485,"score_gpt":0.31440949037156724,"score_spread":0.26511561189953875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253027844","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07673269,0.0006067531,0.000017813623,0.0005630698,0.0012555047,0.0006550107,0.00007937421,0.00012345931,0.91996634],"genre_scores_gemma":[0.48434207,0.000057145324,0.000113013295,0.0004082162,0.0011717937,0.000029944464,0.00045305904,0.00007186024,0.5133529],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982687,0.000076182,0.00048609302,0.00030786265,0.0004440492,0.0004170802],"domain_scores_gemma":[0.9986421,0.00013128202,0.00035254308,0.00042978834,0.0003614184,0.000082870254],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028756997,0.0003488156,0.00042253375,0.00021304523,0.0006394562,0.00019676134,0.0004249646,0.00015357025,0.0011208402],"category_scores_gemma":[0.00009658903,0.00021573782,0.00023488338,0.000005676703,0.00022216428,0.00014386557,0.000047690228,0.00032043565,0.00010509253],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013796324,0.00013224623,0.000042513162,0.0005124878,0.000313275,0.000008114653,0.6077553,0.000012232324,0.0001568821,0.2746383,0.10447004,0.01182063],"study_design_scores_gemma":[0.00040505844,0.00020199208,0.00006945341,0.00023172307,0.00029846662,0.000011690617,0.03841319,0.00008630386,0.0018792093,0.42194828,0.5358786,0.00057600124],"about_ca_topic_score_codex":0.007046968,"about_ca_topic_score_gemma":0.045884777,"teacher_disagreement_score":0.56934214,"about_ca_system_score_codex":0.00004728611,"about_ca_system_score_gemma":0.00069745356,"threshold_uncertainty_score":0.9997923},"labels":[],"label_agreement":null},{"id":"W4253584581","doi":"10.26522/ti.v3i1.901","title":"Painting Trail in Installation","year":2014,"lang":"en","type":"article","venue":"ti<","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Visual arts; Art history","score_opus":0.05129296037459077,"score_gpt":0.23666253613278557,"score_spread":0.1853695757581948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253584581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20866902,0.000010844146,0.00022765067,0.00022706651,0.00013352267,0.0000360993,0.0000020510092,0.000040684597,0.79065305],"genre_scores_gemma":[0.9699423,0.0000011581293,0.00002961989,0.00051074504,0.0004848771,0.0000018815342,0.0000060463694,0.000006300132,0.029017128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996731,0.000018950052,0.00008752343,0.00006086654,0.00004618772,0.00011332876],"domain_scores_gemma":[0.99986583,0.000024149429,0.000019962195,0.00005894273,0.000012848562,0.000018280023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012353603,0.000039043065,0.000053287695,0.000032991917,0.00007017326,0.000032700133,0.00003164263,0.0000147124365,0.0004932514],"category_scores_gemma":[0.000022147968,0.000036167818,0.00001693176,5.939268e-7,0.000044000404,0.00007570073,0.000008812847,0.000041993437,0.00010633989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028374484,0.000028803472,0.0011493468,0.000020010071,0.000004036213,9.3423046e-7,0.2061833,0.000022721362,0.000049464703,0.75797576,0.0027640667,0.031798728],"study_design_scores_gemma":[0.00016660722,0.00001771952,0.002008732,0.000011701389,0.0000022989727,2.3594532e-7,0.0009771583,0.0024222613,0.000026425892,0.01709087,0.9772044,0.00007162589],"about_ca_topic_score_codex":0.00054636825,"about_ca_topic_score_gemma":0.01183421,"teacher_disagreement_score":0.9744403,"about_ca_system_score_codex":0.00001099928,"about_ca_system_score_gemma":0.000006346958,"threshold_uncertainty_score":0.66037667},"labels":[],"label_agreement":null},{"id":"W4254487693","doi":"10.1353/mdr.2002.0031","title":"The Aesthetics of Refusal: Pinter among the Radicals","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.046382116313162386,"score_gpt":0.2409035645676863,"score_spread":0.19452144825452392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254487693","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29879695,0.0029975828,0.0015510157,0.01942919,0.0012840856,0.0006167531,0.00007130761,0.00024251678,0.6750106],"genre_scores_gemma":[0.9009168,0.00012429085,0.000010286726,0.0008466369,0.00037447628,0.0000123029595,0.0000017649656,0.000026511107,0.097686894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900997,0.00006635484,0.00026539338,0.00013422317,0.00022289326,0.00030117022],"domain_scores_gemma":[0.9991891,0.00012000255,0.00009782003,0.00046384876,0.00007255307,0.000056686145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016866477,0.00012356121,0.00014096328,0.000021719949,0.0005428609,0.00016339154,0.00035774877,0.000042852953,0.00054195494],"category_scores_gemma":[0.000031137068,0.00006443439,0.00011891569,0.0000017033416,0.0012920307,0.00008161412,0.00006910082,0.00016708393,0.00010199166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015973636,0.00019428125,0.0003083699,0.000025392425,0.00010702845,0.000007674585,0.40207878,0.000039312374,0.000029946174,0.46326506,0.100037165,0.03389099],"study_design_scores_gemma":[0.00018150717,0.000055318407,0.00012609457,0.000018961584,0.000027954164,0.0000029268945,0.0010436398,0.013651233,0.00010764608,0.041312102,0.94335675,0.00011585059],"about_ca_topic_score_codex":0.00024428702,"about_ca_topic_score_gemma":0.0019900554,"teacher_disagreement_score":0.8433196,"about_ca_system_score_codex":0.000016399288,"about_ca_system_score_gemma":0.000008640256,"threshold_uncertainty_score":0.5934027},"labels":[],"label_agreement":null},{"id":"W4255222401","doi":"10.3138/ctr.164.003","title":"Hijacked Narratives","year":2015,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Sculpture; Jungle; Narrative; History; Arcadia; Mindset; Visual arts; Art; Archaeology; Art history","score_opus":0.10555099803576062,"score_gpt":0.2785558423341717,"score_spread":0.17300484429841106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255222401","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018860633,0.13223198,0.0000029295886,0.008795122,0.00041681834,0.0002455015,0.000088597815,0.00004015943,0.85799026],"genre_scores_gemma":[0.4970039,0.04409352,0.00021226879,0.11178406,0.006005233,0.00016796887,0.0003568467,0.00017575615,0.34020042],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923086,0.000061945764,0.0001677183,0.00013588127,0.00009113089,0.00031248922],"domain_scores_gemma":[0.9989821,0.000014932462,0.000036439465,0.00023864489,0.000085469335,0.0006424467],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016440502,0.00012284168,0.00023359728,0.000052997133,0.00016736766,0.00005082368,0.00014295237,0.000023865816,0.0021699595],"category_scores_gemma":[0.000028771316,0.00009826833,0.000078924386,0.000002646337,0.00017138405,0.00011023901,0.000010180289,0.00007828976,0.0009422612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.085581e-7,0.000009577351,0.00005084667,0.00045939258,0.00003254365,0.000024273928,0.084638126,1.02143034e-7,2.2853814e-7,0.19558205,0.6953929,0.023809018],"study_design_scores_gemma":[0.00007241848,0.000021923819,0.0000046340338,0.00059691287,0.000022931657,0.0000057586703,0.0018195661,0.0000012220702,6.692775e-7,0.008252664,0.9890676,0.00013365636],"about_ca_topic_score_codex":0.06514498,"about_ca_topic_score_gemma":0.7840518,"teacher_disagreement_score":0.7189068,"about_ca_system_score_codex":0.00013121188,"about_ca_system_score_gemma":0.00057380064,"threshold_uncertainty_score":0.9998356},"labels":[],"label_agreement":null},{"id":"W4255285019","doi":"10.18432/ari29583","title":"EDITORIAL","year":2020,"lang":"en","type":"editorial","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Library science; Political science; Computer science","score_opus":0.10238082354636019,"score_gpt":0.3875867853478269,"score_spread":0.28520596180146673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255285019","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016984772,0.00015335839,0.00007583844,0.008721888,0.8252116,0.00021937644,0.0015943936,0.00007719723,0.1639294],"genre_scores_gemma":[0.0009580982,0.000497406,0.000054123026,0.00010363769,0.8946916,0.000042463897,0.0010403793,0.00012035778,0.10249196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912153,0.00040300773,0.000935938,0.0006627104,0.0056909285,0.0010921261],"domain_scores_gemma":[0.9944049,0.0011563603,0.0002645455,0.00031452108,0.0031111804,0.00074846705],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020023708,0.0004950357,0.00056558236,0.00065235776,0.0018955264,0.0019258788,0.0020412467,0.00053603796,0.007977808],"category_scores_gemma":[0.00079202227,0.00043853399,0.00057499873,0.000011140253,0.0011284283,0.0008880319,0.00039981306,0.006565905,0.002530561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034334994,0.00021194818,0.0000010977069,0.000049870687,0.00036916102,0.00020522365,0.106041744,0.0000062305376,0.0000087229355,0.0042278906,0.88830936,0.00022537792],"study_design_scores_gemma":[0.0011498176,0.00057937385,0.0000012757339,0.00019806437,0.000053860196,0.00002433397,0.003133864,0.000096172385,0.000004695387,0.03125027,0.96307063,0.00043765246],"about_ca_topic_score_codex":0.00007203763,"about_ca_topic_score_gemma":0.0020983214,"teacher_disagreement_score":0.10290788,"about_ca_system_score_codex":0.0005072044,"about_ca_system_score_gemma":0.0016825014,"threshold_uncertainty_score":0.99980664},"labels":[],"label_agreement":null},{"id":"W4255440091","doi":"10.4324/9781135000356-rem766-1","title":"The Bay Area Figurative Movement","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Literal and figurative language; Bay; Subject matter; Art; Painting; Movement (music); Representation (politics); Style (visual arts); Visual arts; Subject (documents); History; Aesthetics; Linguistics; Psychology; Archaeology; Philosophy; Computer science","score_opus":0.07290355348515087,"score_gpt":0.24011574061650276,"score_spread":0.16721218713135189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255440091","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000033573924,0.00018110809,0.00005516179,0.0006680751,0.0007990771,0.00020136214,0.00015187786,0.00006119292,0.9978788],"genre_scores_gemma":[0.0010520936,0.00015694698,0.000008197595,0.003376063,0.0024369715,0.000012052762,0.000047615256,0.000037079168,0.99287295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991499,0.000006797065,0.00021980767,0.00019463725,0.00019462423,0.00023418815],"domain_scores_gemma":[0.99927837,0.00007714042,0.00010686726,0.00031685253,0.0001598438,0.0000609239],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007085804,0.00023520245,0.00017583757,0.000028729466,0.0006632564,0.00019505862,0.00018083309,0.00007796882,0.05310865],"category_scores_gemma":[0.000005738517,0.00013316357,0.00013123991,8.8245834e-8,0.00067374,0.000054776887,0.00007066524,0.0001483696,0.001872394],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025103411,0.0000034701168,1.0018154e-7,0.000003563535,0.00006513116,0.000001798885,0.024755029,2.7125491e-8,1.0024642e-7,0.7093736,0.26548076,0.0003139242],"study_design_scores_gemma":[0.00004649061,0.000052411153,3.5570145e-7,0.000021936883,0.00002203942,2.2544418e-7,0.00075822143,0.000008878234,0.000010043771,0.32060125,0.6783381,0.00014006058],"about_ca_topic_score_codex":0.000120770084,"about_ca_topic_score_gemma":0.031054119,"teacher_disagreement_score":0.41285732,"about_ca_system_score_codex":0.000048076432,"about_ca_system_score_gemma":0.000048633945,"threshold_uncertainty_score":0.99890476},"labels":[],"label_agreement":null},{"id":"W4255715999","doi":"10.5206/uwomj.v83i1.4461","title":"Cover art","year":2014,"lang":"en","type":"article","venue":"University of Western Ontario Medical Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Cover (algebra); Sister; Art; Art history; Daughter; Visual arts; Sociology; Engineering; Biology; Evolutionary biology; Anthropology","score_opus":0.02315310203255687,"score_gpt":0.19769157119584216,"score_spread":0.1745384691632853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255715999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29910713,0.000017059649,0.009978269,0.0025023376,0.00096878654,0.000049088165,0.000009228857,0.000031462485,0.6873366],"genre_scores_gemma":[0.6806184,0.000019273622,0.00008533375,0.0012594095,0.0007179592,1.217145e-8,0.0000056766116,0.000006496193,0.31728742],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991203,0.000045042947,0.00013688214,0.00008477158,0.0004229372,0.00019008317],"domain_scores_gemma":[0.9993701,0.000045552126,0.000100082114,0.00009529045,0.00008691155,0.0003020746],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024558653,0.00007637979,0.0001694557,0.000057646426,0.00026446013,0.000036034377,0.00025326424,0.00005763484,0.022067318],"category_scores_gemma":[0.000026766036,0.0000717223,0.000100586905,8.3595603e-7,0.00040184968,0.00017457682,0.000059460453,0.0003366758,0.0003966737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018057159,0.00045409976,0.050207924,0.000047871927,0.00030132974,0.0004236074,0.5433206,0.000013905576,0.000008235908,0.042090915,0.35015607,0.012794875],"study_design_scores_gemma":[0.0006806632,0.00010892859,0.0038566748,0.000053882144,0.000034913886,0.000055643344,0.0009259719,0.0000439028,0.0000023423408,0.0010079666,0.9931442,0.00008490163],"about_ca_topic_score_codex":0.015346996,"about_ca_topic_score_gemma":0.57091177,"teacher_disagreement_score":0.64298815,"about_ca_system_score_codex":0.000093489805,"about_ca_system_score_gemma":0.00025623967,"threshold_uncertainty_score":0.99120986},"labels":[],"label_agreement":null},{"id":"W4255883057","doi":"10.22215/etd/2012-07305","title":"Kazimir Glaz, the Centre for Contemporary Art and the printmakers at Open Studio as two aspects of printmaking practice in the 1970s in Toronto","year":2012,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Printmaking; Studio; Art; Art history; Visual arts; Humanities; Cartography; Geography","score_opus":0.0638169717700363,"score_gpt":0.3534903371191857,"score_spread":0.2896733653491494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255883057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016311888,0.0023219294,0.0000011778377,0.0037388117,0.0004651681,0.004007218,0.000024311814,0.000011718418,0.97311777],"genre_scores_gemma":[0.8839215,0.00016067406,0.000018923089,0.0019434303,0.00037568278,0.00035141493,0.000116136565,0.000029950606,0.11308227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984002,0.00032030817,0.00047529547,0.00025553475,0.00024798105,0.00030069516],"domain_scores_gemma":[0.9977254,0.0012950547,0.00043505427,0.00038014515,0.00013077591,0.00003352252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013672274,0.00024924445,0.00039636853,0.000030335295,0.00036009916,0.0002359612,0.00052304706,0.000073923824,0.00034858737],"category_scores_gemma":[0.00023328455,0.00011883223,0.0000972378,0.0000036795611,0.00025481856,0.0005967597,0.00016421112,0.00023675611,0.000012221062],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003884517,0.00009037347,0.000114794806,0.000063217456,0.00007507893,0.0000018153224,0.42000896,2.3062114e-7,8.7162863e-7,0.5753537,0.0034366956,0.0004658267],"study_design_scores_gemma":[0.0015932062,0.000044039665,0.0016335129,0.00012358575,0.00008610208,0.0000029465732,0.3092254,0.000012789478,0.000018237524,0.0058794655,0.68122613,0.00015456793],"about_ca_topic_score_codex":0.05384044,"about_ca_topic_score_gemma":0.7724351,"teacher_disagreement_score":0.8676096,"about_ca_system_score_codex":0.00013072122,"about_ca_system_score_gemma":0.00014809496,"threshold_uncertainty_score":0.9524601},"labels":[],"label_agreement":null},{"id":"W4256286197","doi":"10.1353/mdr.2007.0024","title":"Uncloseting Drama: Gertrude Stein and the Wooster Group","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Group (periodic table); Art; Literature; Chemistry","score_opus":0.02760170243463725,"score_gpt":0.2378895463274486,"score_spread":0.21028784389281135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256286197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5938635,0.0013992406,0.008574505,0.0031952672,0.00082075363,0.00053673866,0.000040141,0.00023993074,0.39132994],"genre_scores_gemma":[0.9532256,0.000015767058,0.0001001383,0.0028764857,0.0011498075,0.000010105903,0.000011886264,0.000036732414,0.042573452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986599,0.00005909286,0.00029284784,0.0002580666,0.00022704285,0.0005030241],"domain_scores_gemma":[0.99922186,0.00022900687,0.00008638193,0.00029481438,0.00006080852,0.000107102256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063011184,0.00019462289,0.00022079334,0.00005820176,0.0006483427,0.00034347246,0.00017542958,0.00006669813,0.0002227227],"category_scores_gemma":[0.000038370043,0.00013036732,0.00008920487,0.0000024318504,0.0007263586,0.0001929793,0.00013080338,0.00021281715,0.000082603074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017653144,0.0000854098,0.00038269698,0.00005316061,0.00008441784,0.000031363434,0.43707514,0.0000066946927,0.00013171321,0.5271615,0.0026812307,0.03213014],"study_design_scores_gemma":[0.0031452742,0.000094547504,0.00087275606,0.00005886132,0.00009357822,0.000023034314,0.0072022164,0.0051889666,0.00020723388,0.14547803,0.8370998,0.00053569244],"about_ca_topic_score_codex":0.0008052094,"about_ca_topic_score_gemma":0.006355588,"teacher_disagreement_score":0.8344186,"about_ca_system_score_codex":0.000032967793,"about_ca_system_score_gemma":0.000014941586,"threshold_uncertainty_score":0.5316225},"labels":[],"label_agreement":null},{"id":"W4280602529","doi":"10.18357/anthropologica64120221584","title":"The Call of the Great Indoors","year":2022,"lang":"en","type":"article","venue":"Anthropologica","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Exhibition; Visual arts; Solidarity; Private space; Painting; Politics; Art; Space (punctuation); Media studies; Sociology; Law; Political science","score_opus":0.05132872997391082,"score_gpt":0.26860334518370405,"score_spread":0.21727461520979324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4280602529","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13703105,0.0010907043,0.000010606103,0.019243965,0.0030665281,0.00032738174,0.00017825232,0.000081128936,0.83897036],"genre_scores_gemma":[0.93616754,0.00009164187,0.000002624732,0.0011000551,0.00017376362,0.000017605862,0.000002517737,0.000006129434,0.062438104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993305,0.00010253999,0.0001358978,0.00009410735,0.0001440937,0.00019283907],"domain_scores_gemma":[0.9995382,0.00009432962,0.000077771554,0.0002502997,0.000020550633,0.000018868008],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010007048,0.000067843845,0.00008871751,0.000011387995,0.004149895,0.000024609266,0.0003346933,0.000014374232,0.0052314918],"category_scores_gemma":[0.000021054948,0.00003176654,0.000087587265,0.000002513778,0.0022043197,0.00002436755,0.00025490226,0.00014483095,0.000011762649],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012858205,0.000059357713,0.0008523606,0.0000037198663,0.000029028904,0.000003173517,0.056054737,0.000006707528,0.00002052354,0.8558647,0.0857793,0.0013135117],"study_design_scores_gemma":[0.000082745275,0.00011563319,0.0004697645,0.0000013074164,0.000011931883,0.0000033807378,0.019775843,0.000016898954,0.00016263062,0.011510413,0.96779317,0.000056305857],"about_ca_topic_score_codex":0.0015178089,"about_ca_topic_score_gemma":0.0026847457,"teacher_disagreement_score":0.88201386,"about_ca_system_score_codex":0.000015480868,"about_ca_system_score_gemma":0.000025801817,"threshold_uncertainty_score":0.99714655},"labels":[],"label_agreement":null},{"id":"W4283583192","doi":"10.1386/public_00090_7","title":"Fervor Forever","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Conversation; Theme (computing); Art history; Art; Sociology; History; Communication; Computer science; World Wide Web","score_opus":0.10684746288505181,"score_gpt":0.2383048882228293,"score_spread":0.1314574253377775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283583192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031098593,0.00016026462,0.00004950594,0.008039402,0.0010769517,0.0001148512,0.00013057407,0.00015743135,0.9591724],"genre_scores_gemma":[0.7849227,0.0000015516601,0.000010092221,0.003565485,0.00048791568,0.000044894878,0.000035326742,0.000011500588,0.21092054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940246,0.000025882922,0.000088408866,0.00010308776,0.00014419676,0.00023597028],"domain_scores_gemma":[0.99972457,0.000015540647,0.000025959991,0.00014214449,0.00003191968,0.00005983997],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000100650985,0.000057901627,0.00006722829,0.000058019134,0.0006513839,0.00012183956,0.0001474861,0.000007689978,0.02081134],"category_scores_gemma":[0.000013032873,0.00005455677,0.00005137333,0.000001434986,0.000075833545,0.000163536,0.00012218855,0.0000945741,0.00017480373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014159859,0.00004660363,0.00018590357,0.0000046465584,0.000012449996,0.000002297276,0.033991586,0.0000012871951,0.0000013862534,0.8060385,0.15825287,0.0014610798],"study_design_scores_gemma":[0.000112042995,0.000028033297,0.00013048088,3.8156207e-7,0.0000045547577,0.0000023938294,0.0018533391,0.00009447267,0.0000029756843,0.019282226,0.9784099,0.00007921405],"about_ca_topic_score_codex":0.00033104062,"about_ca_topic_score_gemma":0.0017176777,"teacher_disagreement_score":0.82015705,"about_ca_system_score_codex":0.000041009742,"about_ca_system_score_gemma":0.00004164107,"threshold_uncertainty_score":0.98008376},"labels":[],"label_agreement":null},{"id":"W4283592504","doi":"10.1386/public_00098_7","title":"Alexander Wilson: Heart and Mind","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Queer; Body politic; Art history; Mind–body problem; Performance art; Art; Sociology; Psychoanalysis; History; Psychology; Gender studies; Philosophy; Politics; Epistemology; Law; Political science; Archaeology","score_opus":0.08963443994924959,"score_gpt":0.24664642247245738,"score_spread":0.1570119825232078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283592504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3517741,0.0011344716,0.000020488586,0.021758435,0.0009626403,0.00018925479,0.00012947708,0.000096797026,0.6239343],"genre_scores_gemma":[0.8852391,0.0000055148744,0.000015823836,0.0031804412,0.00041616414,0.000021941136,0.000018765222,0.000010157937,0.1110921],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994016,0.000030769246,0.0000855321,0.0001329856,0.00012913336,0.00021996422],"domain_scores_gemma":[0.9997384,0.000022537975,0.00002061879,0.00011407578,0.000024347548,0.00008000812],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011585143,0.00006553533,0.0000823261,0.000056479774,0.0006134788,0.00016587734,0.000069633184,0.000010420114,0.013704108],"category_scores_gemma":[0.000009846655,0.00006221149,0.00003012296,0.000001574926,0.00013599056,0.00015830976,0.00010489804,0.00009617144,0.000048762384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074006075,0.00015250818,0.0026176393,0.00001941479,0.000045681987,0.0000066331545,0.14476693,0.0000023349803,0.000028545204,0.46813133,0.38013828,0.004083317],"study_design_scores_gemma":[0.00015404969,0.00004217794,0.00051411724,7.013507e-7,0.0000054917464,0.000011272981,0.0021854807,0.0000955884,0.0000049914747,0.0021551603,0.994744,0.00008697606],"about_ca_topic_score_codex":0.00019830647,"about_ca_topic_score_gemma":0.0008917464,"teacher_disagreement_score":0.6146057,"about_ca_system_score_codex":0.000019843548,"about_ca_system_score_gemma":0.000033587712,"threshold_uncertainty_score":0.9871975},"labels":[],"label_agreement":null},{"id":"W4285542272","doi":"10.7202/1088881ar","title":"Artworks","year":2021,"lang":"en","type":"article","venue":"First Peoples Child & Family Review An Interdisciplinary Journal Honouring the Voices Perspectives and Knowledges of First Peoples","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Sociology; Psychoanalysis","score_opus":0.025687046300874563,"score_gpt":0.28933748779671387,"score_spread":0.2636504414958393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285542272","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2719947,0.6485808,0.00011715806,0.020836819,0.0015980537,0.000534446,0.00019495147,0.00012611982,0.05601695],"genre_scores_gemma":[0.7163659,0.2770162,0.00010483529,0.0002979116,0.0030120835,0.00002470108,0.000024626406,0.00006537846,0.0030883807],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970406,0.0002690406,0.0010110968,0.00065107824,0.00036256682,0.000665616],"domain_scores_gemma":[0.99691695,0.00069230545,0.00063719274,0.00073625176,0.00068536215,0.00033191868],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000666862,0.0005820429,0.0010309657,0.00019210993,0.0044298265,0.000563827,0.00082489545,0.00009679974,0.0006647654],"category_scores_gemma":[0.00020416186,0.00040461632,0.00065770437,0.00003734932,0.0010311726,0.00085114007,0.0010028045,0.0007939052,0.000035554254],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010533653,0.0010001746,0.0020979808,0.004811697,0.00061583123,0.0000682499,0.953804,0.000053320986,0.000010258988,0.019611001,0.01570781,0.0021143507],"study_design_scores_gemma":[0.001070972,0.00093260105,0.026806394,0.027310595,0.00091640773,0.0014496902,0.5444894,0.00030480154,0.000042534044,0.0048614684,0.39052114,0.0012939906],"about_ca_topic_score_codex":0.00013558271,"about_ca_topic_score_gemma":0.074539006,"teacher_disagreement_score":0.4443712,"about_ca_system_score_codex":0.000106763204,"about_ca_system_score_gemma":0.00019072877,"threshold_uncertainty_score":0.99984056},"labels":[],"label_agreement":null},{"id":"W4286354856","doi":"10.5399/uo/konturen.12.0.4919","title":"Lucy Reynolds, Women Artists, Feminism, and the Moving Image. Bloomsbury, 2019","year":2022,"lang":"en","type":"article","venue":"Konturen","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Feminism; Image (mathematics); Art; Gender studies; Visual arts; Sociology; Computer science; Artificial intelligence","score_opus":0.012121209331523893,"score_gpt":0.20891551395036226,"score_spread":0.19679430461883837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286354856","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22081678,0.0091030635,0.00008457886,0.010545074,0.0027291845,0.0010205454,0.00070700294,0.0004129034,0.75458086],"genre_scores_gemma":[0.8304781,0.000108004264,0.000029502982,0.0027849886,0.00081908517,0.00010481719,0.000029922727,0.000027910311,0.1656177],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988823,0.0001016326,0.00019404155,0.000222288,0.00021564771,0.0003841203],"domain_scores_gemma":[0.9994107,0.00009691059,0.000083094994,0.00029809139,0.00003008523,0.000081142294],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036700405,0.00014581451,0.00020281393,0.000046332138,0.001083466,0.00021471296,0.0002313507,0.000024633198,0.0022300156],"category_scores_gemma":[0.00002414349,0.000105561754,0.00006396379,0.000002949573,0.00047718955,0.00012534963,0.0002830856,0.000263709,0.00004339296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006806167,0.000054911015,0.00006169266,0.000020475736,0.00007769022,0.000017161146,0.47223195,0.0000040179484,0.000045341294,0.3487089,0.17533296,0.00337682],"study_design_scores_gemma":[0.00088246947,0.000059264916,0.00018890903,0.0000043206765,0.000028160488,0.00001394229,0.013203412,0.00011233218,0.000018375744,0.029564358,0.95575523,0.00016919074],"about_ca_topic_score_codex":0.0009560276,"about_ca_topic_score_gemma":0.0006621688,"teacher_disagreement_score":0.78042233,"about_ca_system_score_codex":0.00006376161,"about_ca_system_score_gemma":0.000042856347,"threshold_uncertainty_score":0.9986821},"labels":[],"label_agreement":null},{"id":"W4293056363","doi":"10.3138/ctr.191.015","title":"Editorial: Rules of Engagement","year":2022,"lang":"en","type":"editorial","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rules of engagement; Visual arts; Sociology; History; Art; Political science; Law","score_opus":0.0376965987316573,"score_gpt":0.269515191335512,"score_spread":0.23181859260385468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293056363","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[5.0046296e-8,0.10478583,1.2326059e-7,0.00023611657,0.6691323,0.00034786755,0.004255931,0.00002178199,0.22122003],"genre_scores_gemma":[0.0000034731702,0.105715156,0.0000046202413,0.0005356991,0.871187,0.00009550278,0.0018241544,0.00006856741,0.02056583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776816,0.00024212692,0.00055068283,0.00032597367,0.0006337771,0.0004792501],"domain_scores_gemma":[0.9983284,0.00026693795,0.00026357302,0.00061572436,0.00017184975,0.0003535356],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072950014,0.00032679175,0.0008340752,0.00016661914,0.00042792325,0.00006142851,0.0005533749,0.00018435302,0.013524841],"category_scores_gemma":[0.00020444514,0.0003012585,0.0003388273,0.0000031540512,0.00019183259,0.000063673026,0.00007928126,0.0007688261,0.0001768516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.78356e-7,0.000010743341,1.2431194e-7,0.0032526772,0.00008321778,0.0000061224955,0.003190461,5.511834e-8,1.6772765e-8,0.0053812256,0.9830384,0.005035928],"study_design_scores_gemma":[0.00008718691,0.00005174118,2.8011527e-8,0.0020210186,0.00034652525,2.738532e-7,0.00014574594,1.345888e-7,1.1361247e-7,0.000848432,0.9962046,0.00029418],"about_ca_topic_score_codex":0.23645754,"about_ca_topic_score_gemma":0.48504564,"teacher_disagreement_score":0.2485881,"about_ca_system_score_codex":0.000490038,"about_ca_system_score_gemma":0.0025278756,"threshold_uncertainty_score":0.999944},"labels":[],"label_agreement":null},{"id":"W4296949687","doi":"","title":"Picasso - Gertrude Stein : portraits et traductions","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Portrait; Art; PICASSO; Art history; Painting","score_opus":0.04460628450564951,"score_gpt":0.24584742866564577,"score_spread":0.20124114415999625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296949687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030186763,0.0027552757,0.029304327,0.036469843,0.0017051268,0.00074356963,0.0009314404,0.00043343293,0.89747024],"genre_scores_gemma":[0.5259448,0.0022134143,0.008121348,0.0004660541,0.00028619665,0.000104321975,0.000988325,0.000119029646,0.46175647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99170333,0.005005973,0.0009656242,0.0010411008,0.0004874103,0.00079655583],"domain_scores_gemma":[0.99339914,0.00091532414,0.00072720094,0.0023461818,0.002159422,0.0004527305],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0038412397,0.00062889536,0.00063058035,0.00024099782,0.0014895936,0.0007872168,0.0012190166,0.00042861275,0.0032284285],"category_scores_gemma":[0.0006078077,0.0006999664,0.0005085214,0.000021357147,0.0014446431,0.00037875754,0.0008481037,0.0011858225,0.00041059396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070022725,0.0008392952,0.00012462561,0.00012038249,0.00014910952,0.000007874871,0.17464732,0.000010655282,0.00016191436,0.8121264,0.004589115,0.0072163367],"study_design_scores_gemma":[0.00051655853,0.0000011411398,0.0032356582,0.0013909034,0.00021575051,0.00003533725,0.0013014098,0.0008987203,0.004112682,0.06437597,0.9230609,0.0008549995],"about_ca_topic_score_codex":0.022396358,"about_ca_topic_score_gemma":0.08151438,"teacher_disagreement_score":0.91847175,"about_ca_system_score_codex":0.0002020938,"about_ca_system_score_gemma":0.000603034,"threshold_uncertainty_score":0.99981034},"labels":[],"label_agreement":null},{"id":"W4297137152","doi":"10.1017/jbr.2022.59","title":"Sianne Ngai. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form. Cambridge: Belknap Press of Harvard University Press, 2020. Pp. 416. $35.00 (cloth).","year":2022,"lang":"en","type":"article","venue":"Journal of British Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University College of the North","funders":"","keywords":"History; Art history; Economic history","score_opus":0.029043237251419062,"score_gpt":0.21432577400471492,"score_spread":0.18528253675329587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297137152","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88366246,0.08257427,0.000014266549,0.001546906,0.0015060533,0.00046316814,0.0020535032,0.000020529413,0.028158857],"genre_scores_gemma":[0.95927656,0.012614018,0.000016724887,0.00020318077,0.00020572817,0.000002510772,0.0000022401669,0.000016652837,0.02766239],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867755,0.0001749147,0.0004351211,0.00012653548,0.00037339804,0.00021250773],"domain_scores_gemma":[0.99885345,0.0000965572,0.00054631784,0.00015494252,0.0002924756,0.00005625436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003920726,0.00012561437,0.00042984937,0.000024770701,0.0005629343,0.00003728841,0.00028708525,0.000021406759,0.000056758443],"category_scores_gemma":[0.000037949245,0.00011599932,0.00019590292,0.0000056000213,0.00092174986,0.00021695881,0.00041551748,0.00023156911,3.2064807e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027120564,0.0006386438,0.0006958835,0.0005147461,0.0013454598,0.00023206131,0.117264904,0.00014654503,0.000063478525,0.07525257,0.80086166,0.002712822],"study_design_scores_gemma":[0.0015173911,0.0006137201,0.004120157,0.00032385267,0.00045674085,0.00038813206,0.08018706,0.00002149795,0.00015805374,0.0030930105,0.90887076,0.0002496416],"about_ca_topic_score_codex":0.0017457843,"about_ca_topic_score_gemma":0.0011769797,"teacher_disagreement_score":0.10800906,"about_ca_system_score_codex":0.00008907553,"about_ca_system_score_gemma":0.00007016007,"threshold_uncertainty_score":0.4730315},"labels":[],"label_agreement":null},{"id":"W4297840946","doi":"10.51952/9781447330301.fm001","title":"Front Matter","year":2017,"lang":"en","type":"paratext","venue":"Policy Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Front (military); Geology; Oceanography","score_opus":0.11902405907471109,"score_gpt":0.3224333354816182,"score_spread":0.2034092764069071,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297840946","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000005668105,0.00058388367,0.0000136990275,0.00022000457,0.002776489,0.00029297103,0.0020504515,0.00005731824,0.99399954],"genre_scores_gemma":[0.0029649334,0.00006774805,0.000010039946,0.0047979206,0.021786505,0.00011414198,0.00013780518,0.0001200906,0.9700008],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823195,0.00005494319,0.00033163052,0.0004037799,0.00028942648,0.0006882923],"domain_scores_gemma":[0.9984814,0.00003027974,0.00031058746,0.0008623847,0.00013562287,0.00017972087],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000073145304,0.00044647357,0.00051967235,0.00015027425,0.00066659896,0.0007732371,0.0007156816,0.00024350914,0.013533407],"category_scores_gemma":[0.000017851351,0.0003943118,0.00023692539,5.111097e-8,0.0006825486,0.00009098901,0.0002832825,0.00040961488,0.053797293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006581751,0.000014091624,4.0153392e-7,0.00015751981,0.00009562632,0.0000029207904,0.053786438,4.9083417e-7,0.0000010573373,0.035101954,0.91043925,0.00039367535],"study_design_scores_gemma":[0.00020232802,0.000020232768,0.000003804958,0.00011223279,0.00005231922,0.0000030709987,0.00003507783,0.0000062004933,0.00009618095,0.0041470793,0.99485785,0.0004636049],"about_ca_topic_score_codex":0.058240674,"about_ca_topic_score_gemma":0.0053929114,"teacher_disagreement_score":0.084418625,"about_ca_system_score_codex":0.00009577563,"about_ca_system_score_gemma":0.00028791037,"threshold_uncertainty_score":0.99985087},"labels":[],"label_agreement":null},{"id":"W4297925326","doi":"10.5965/24471267412018157","title":"Revista Ateliê","year":2018,"lang":"pt","type":"article","venue":"Revista Apotheke","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.0646691613378157,"score_gpt":0.28960592351315034,"score_spread":0.22493676217533465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297925326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027145566,0.019186411,0.0020297428,0.0033933253,0.0037931714,0.0016568375,0.0016068611,0.0006375842,0.9405505],"genre_scores_gemma":[0.46564016,0.0007849646,0.000093176255,0.0032095115,0.008832773,0.000014609461,0.000057298483,0.00013683322,0.5212307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686754,0.00019564708,0.0008160639,0.0006924374,0.00042188063,0.0010064485],"domain_scores_gemma":[0.9975902,0.000116076844,0.00034014467,0.0012164816,0.00038328455,0.0003538016],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048536656,0.00055484794,0.0007218379,0.00014591718,0.0011793077,0.0013497768,0.00059541134,0.00018600044,0.01456907],"category_scores_gemma":[0.00013961292,0.0005116355,0.00038446687,0.0000093713115,0.0014641129,0.00026948994,0.0002200879,0.00034044185,0.00922888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043947697,0.00015409381,0.00015785712,0.0006289457,0.00014922429,0.00002544093,0.049822267,1.332904e-7,0.000052132706,0.7186726,0.22665289,0.003640478],"study_design_scores_gemma":[0.00042722322,0.00032099363,0.00010599557,0.0006138361,0.00020736078,0.000014351635,0.0011211471,0.00014561361,0.00007947997,0.002318011,0.99398714,0.0006588469],"about_ca_topic_score_codex":0.0004931613,"about_ca_topic_score_gemma":0.0008665048,"teacher_disagreement_score":0.7673342,"about_ca_system_score_codex":0.00014621468,"about_ca_system_score_gemma":0.00018329208,"threshold_uncertainty_score":0.9997335},"labels":[],"label_agreement":null},{"id":"W4299931127","doi":"10.1515/9781474421065","title":"Speculative Art Histories","year":2017,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Erasmus+; Art history; Contemporary art; History of art; Movie theater; Art; History; Architecture; Performance art; Visual arts; The Renaissance","score_opus":0.06562098775283966,"score_gpt":0.22271401724025106,"score_spread":0.15709302948741138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299931127","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000002475614,0.00009103688,0.000041028543,0.00004698608,0.0028712226,0.00025885942,0.00050624076,0.00016743466,0.9960147],"genre_scores_gemma":[0.0002632578,0.000033194065,0.000018158737,0.000091795286,0.0043783905,9.692853e-7,0.00015028457,0.000042564672,0.9950214],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986845,0.00002578563,0.00016632515,0.00042687994,0.00031835734,0.00037811833],"domain_scores_gemma":[0.99851555,0.00006264974,0.0003417657,0.0006714311,0.00023626818,0.00017233109],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073833704,0.00038525282,0.0004669707,0.00014062534,0.0011734295,0.00019464054,0.0006414747,0.00025188213,0.001254604],"category_scores_gemma":[0.000015393884,0.00043042187,0.00026966826,1.06370265e-7,0.0015537534,0.00022813748,0.00033061678,0.0004641626,0.00003713286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018131772,0.000007865108,3.1790242e-7,0.000018576886,0.0001057091,0.00008399062,0.04749007,1.9940707e-7,2.355039e-7,0.38999772,0.5621472,0.00013001163],"study_design_scores_gemma":[0.0003233143,0.000047985737,6.9458423e-7,0.000103103535,0.00024455704,0.0000018853716,0.0004735742,0.000006014565,0.0000088034085,0.0075932546,0.99071455,0.00048229078],"about_ca_topic_score_codex":0.000606909,"about_ca_topic_score_gemma":0.0017909437,"teacher_disagreement_score":0.42856735,"about_ca_system_score_codex":0.00052801083,"about_ca_system_score_gemma":0.00037046405,"threshold_uncertainty_score":0.99981475},"labels":[],"label_agreement":null},{"id":"W4300634938","doi":"10.4000/books.pupo.20857","title":"Manessier Venise 62","year":2015,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Paris Nanterre eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"History","score_opus":0.053604134762985346,"score_gpt":0.24376763115715924,"score_spread":0.1901634963941739,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300634938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002898025,0.0074688178,0.00037801106,0.0009938484,0.0015975019,0.0004707508,0.0014716455,0.00022300617,0.9871066],"genre_scores_gemma":[0.35716173,0.00055466656,0.00004354683,0.00017770735,0.0013768411,0.0000055557152,0.00017747402,0.00013386055,0.6403686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969907,0.00009495582,0.00056180323,0.000763478,0.00052731816,0.0010617566],"domain_scores_gemma":[0.99748707,0.0001868347,0.00047100915,0.0008021345,0.0004223062,0.0006306726],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017216316,0.00090507965,0.0008477396,0.0003447599,0.0011358066,0.00047654242,0.0008225216,0.00063800014,0.003962734],"category_scores_gemma":[0.000028249584,0.00097486813,0.0005197101,0.0000011643522,0.0020984071,0.00040201488,0.00066685723,0.0008202494,0.0009185158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027864575,0.00011222904,0.00023833386,0.00051851285,0.0008995479,0.0012692224,0.04677767,0.000020587566,0.000009891394,0.84457433,0.08640044,0.018900579],"study_design_scores_gemma":[0.0008400196,0.00021556889,0.000024706447,0.0008729989,0.0008595031,0.00007506575,0.0019818004,0.00021522297,0.000039656694,0.051677942,0.94218457,0.0010129733],"about_ca_topic_score_codex":0.0023579139,"about_ca_topic_score_gemma":0.002643403,"teacher_disagreement_score":0.8557841,"about_ca_system_score_codex":0.0005343563,"about_ca_system_score_gemma":0.0005070011,"threshold_uncertainty_score":0.9998594},"labels":[],"label_agreement":null},{"id":"W4303437100","doi":"10.7202/1091830ar","title":"Rachelle Dickenson, Greg A. Hill, Christine Lalonde, eds., Àbadakone/Continuous Fire/Feu continuel, Ottawa : National Gallery of Canada, 2020, 276 pp. colour illustrations $ 39.00 (paper) ISBN 9780888849977","year":2022,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; History; Art","score_opus":0.014946924132124336,"score_gpt":0.19873398907409207,"score_spread":0.18378706494196773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303437100","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42401075,0.073767796,0.00004927121,0.11141413,0.018783778,0.0032759774,0.06021371,0.00029086138,0.3081937],"genre_scores_gemma":[0.48060772,0.0007948868,0.00007214115,0.0025117379,0.0029157388,0.00013849557,0.0014074229,0.00011475308,0.5114371],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994326,0.00048559916,0.0016505785,0.00090770755,0.0008329027,0.001797203],"domain_scores_gemma":[0.99587494,0.00052407716,0.0009366012,0.00069767504,0.0010499391,0.0009167708],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012637455,0.0006994043,0.001106927,0.00018118414,0.0029557233,0.00014755371,0.0006856053,0.00022708913,0.015912695],"category_scores_gemma":[0.0005752871,0.0008816057,0.0003873526,0.000062847124,0.00093671115,0.00041655885,0.00029832765,0.0010691171,0.00007638986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055466826,0.00037759347,0.00025084525,0.00026960808,0.000399478,0.00042651143,0.012482105,0.0012345463,0.00012200446,0.08931692,0.8933683,0.0016966041],"study_design_scores_gemma":[0.0011439783,0.0003534564,0.0008238837,0.00015369405,0.00023944181,0.0003224567,0.0048985523,0.0031021961,0.000033985205,0.0012769827,0.9867549,0.0008964649],"about_ca_topic_score_codex":0.77836704,"about_ca_topic_score_gemma":0.9880282,"teacher_disagreement_score":0.20966116,"about_ca_system_score_codex":0.0019171234,"about_ca_system_score_gemma":0.004215312,"threshold_uncertainty_score":0.9993635},"labels":[],"label_agreement":null},{"id":"W4303437272","doi":"10.7202/1092049ar","title":"Joseph Weiss, \"The Dialectics of Music: Adorno, Benjamin, and Deleuze\"","year":2022,"lang":"en","type":"article","venue":"Philosophy in Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialectic; Philosophy; Psychoanalysis; Epistemology; Aesthetics; Psychology","score_opus":0.10302706017785797,"score_gpt":0.27469260880536883,"score_spread":0.17166554862751088,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303437272","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012593732,0.5708948,0.0000112353955,0.02290884,0.00116722,0.0015965004,0.00035544985,0.00007246503,0.39039975],"genre_scores_gemma":[0.95973176,0.029791676,0.00001877009,0.008430328,0.00063110306,0.00011091646,0.000020057594,0.000024114806,0.0012413057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895865,0.00014332107,0.00036241993,0.00016191427,0.00018976757,0.00018391258],"domain_scores_gemma":[0.9994037,0.000104086255,0.0001346772,0.00026670197,0.000048909234,0.000041896215],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034323015,0.00012507291,0.00031195296,0.000051106075,0.00029885792,0.000018258876,0.00020064529,0.000013631629,0.0011069117],"category_scores_gemma":[0.000053725456,0.000095818934,0.00009187329,0.000009310429,0.00026829133,0.00006881228,0.00015106998,0.00021256048,0.0000109789],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008151925,0.00016375395,0.00029637487,0.0027351477,0.000041986328,0.0000107940505,0.026117938,0.0000037511534,0.0000031278266,0.9384895,0.020501632,0.011627865],"study_design_scores_gemma":[0.00014143327,0.00008391225,0.000068249705,0.00030957448,0.0000729196,0.000007637252,0.00017452093,0.000018155475,0.0000019125775,0.080933645,0.918067,0.000121056255],"about_ca_topic_score_codex":0.00023757799,"about_ca_topic_score_gemma":0.0008532288,"teacher_disagreement_score":0.947138,"about_ca_system_score_codex":0.000028928755,"about_ca_system_score_gemma":0.000037254704,"threshold_uncertainty_score":0.9998062},"labels":[],"label_agreement":null},{"id":"W4309923233","doi":"10.4324/9781003142683-5","title":"From the Dawn of Modernism to the “Bursting Dam of the Sixties”","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); History; Bursting; Art history; Art; Psychology; Neuroscience","score_opus":0.0834035689307254,"score_gpt":0.23919978861792482,"score_spread":0.15579621968719942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309923233","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002234046,0.00042977603,0.00008440209,0.0037344687,0.0010102958,0.00042059898,0.0012467016,0.000029777855,0.99282056],"genre_scores_gemma":[0.11243428,0.000034256955,0.000022947397,0.003127072,0.0015837053,0.000015805534,0.000038310696,0.000054254153,0.88268936],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857455,0.000047633548,0.00043874167,0.00023601009,0.0004831645,0.00021987561],"domain_scores_gemma":[0.99819434,0.00040356122,0.00031096526,0.00094625575,0.000107839034,0.000037060185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021412739,0.00025475826,0.00033658175,0.000032184565,0.000730513,0.00006094791,0.00096240774,0.000071259965,0.012069696],"category_scores_gemma":[0.00003177716,0.00011650397,0.00030318275,0.0000010501983,0.0006038173,0.000050057955,0.00061481394,0.00040958155,0.000035791],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057612147,0.000009566321,0.000002499532,0.00001274139,0.00011066634,4.1881137e-7,0.1429609,0.0000525531,0.0000042780903,0.82076216,0.035515778,0.0005626441],"study_design_scores_gemma":[0.00007153184,0.00003404917,0.000008332633,0.000057001926,0.00011625749,5.1735697e-7,0.0047030034,0.000102082675,0.00003072912,0.10755086,0.88718134,0.0001443131],"about_ca_topic_score_codex":0.008573513,"about_ca_topic_score_gemma":0.016187005,"teacher_disagreement_score":0.85166556,"about_ca_system_score_codex":0.000034088232,"about_ca_system_score_gemma":0.00010328309,"threshold_uncertainty_score":0.99802846},"labels":[],"label_agreement":null},{"id":"W4311611895","doi":"10.18432/ari29720","title":"Art/Research Cover: Artwork","year":2022,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Visual arts; Art; Engineering","score_opus":0.23615801799285993,"score_gpt":0.4197833748868462,"score_spread":0.18362535689398626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311611895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062296644,0.000541343,0.0006012168,0.044748306,0.005125407,0.0006249055,0.0006591355,0.000118867916,0.8852842],"genre_scores_gemma":[0.6787938,0.00017252125,0.000078300574,0.00044475013,0.004341468,0.00014245015,0.0001415589,0.000057544843,0.3158276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918342,0.0012203848,0.000701976,0.0005286089,0.004223084,0.0014917171],"domain_scores_gemma":[0.99695086,0.000736685,0.0001159781,0.00038216432,0.0012682314,0.0005460904],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0065048593,0.00026153235,0.00029279044,0.0012114227,0.007536593,0.0010432581,0.0016864222,0.000058602305,0.0641933],"category_scores_gemma":[0.000120916644,0.0002475395,0.00033988146,0.00004753432,0.0014128201,0.00086752174,0.0008276954,0.0037497708,0.0035257917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004003372,0.0008927589,0.00019110518,0.00001684188,0.0002402911,0.00059826585,0.17716758,0.0008730276,0.000109494715,0.16135924,0.65711445,0.0010366315],"study_design_scores_gemma":[0.00090538757,0.0007029215,0.00018418214,0.00003941632,0.000011197974,0.0004690722,0.01947293,0.0018210704,0.000025031251,0.11237148,0.8637459,0.00025135977],"about_ca_topic_score_codex":0.00005051227,"about_ca_topic_score_gemma":0.0009287563,"teacher_disagreement_score":0.61649716,"about_ca_system_score_codex":0.00072309707,"about_ca_system_score_gemma":0.0006065216,"threshold_uncertainty_score":0.9999977},"labels":[],"label_agreement":null},{"id":"W4311612081","doi":"10.18432/ari29721","title":"Art/Research Editorial: Artwork","year":2022,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art","score_opus":0.21045233264045993,"score_gpt":0.4226074652105308,"score_spread":0.21215513257007085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311612081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029798014,0.0005291428,0.00041401997,0.054999687,0.101106636,0.0011271643,0.0007494904,0.00019177586,0.8110841],"genre_scores_gemma":[0.6088253,0.00017434839,0.00009535952,0.00034384234,0.11006408,0.00034733987,0.00018958088,0.00009000023,0.27987015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907383,0.0012798553,0.0007263753,0.00053454086,0.005224744,0.0014962114],"domain_scores_gemma":[0.996381,0.0008099396,0.000120232595,0.0003818714,0.0017420724,0.000564871],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.007994032,0.00026439867,0.00029620083,0.0012073052,0.0074921553,0.0011024224,0.0017532579,0.00007652305,0.032648895],"category_scores_gemma":[0.00016767018,0.0002491866,0.0003325539,0.000047732457,0.0013357528,0.00087453966,0.0008156282,0.004362624,0.0019494909],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000299125,0.00061106833,0.000070838476,0.000011082532,0.00015978125,0.00025098797,0.12458949,0.00030078483,0.000088372646,0.07908381,0.7939493,0.0005853521],"study_design_scores_gemma":[0.0008807287,0.0006753716,0.00007709276,0.00003610076,0.000010884966,0.00024134378,0.020068852,0.00064350263,0.000019776227,0.1135013,0.86360323,0.00024180868],"about_ca_topic_score_codex":0.000060436738,"about_ca_topic_score_gemma":0.0013076842,"teacher_disagreement_score":0.5790273,"about_ca_system_score_codex":0.0007177111,"about_ca_system_score_gemma":0.000670092,"threshold_uncertainty_score":0.99999607},"labels":[],"label_agreement":null},{"id":"W4311799209","doi":"10.18432/ari29724","title":"Art/Research Reviews: Artwork","year":2022,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.34705286919493494,"score_gpt":0.4509891913424344,"score_spread":0.10393632214749948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311799209","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025879724,0.003076193,0.0005981603,0.05535865,0.006064887,0.001157595,0.00046988172,0.00012460515,0.9072703],"genre_scores_gemma":[0.564274,0.0013824885,0.0001828204,0.00077276304,0.0071171285,0.0003688488,0.00018204786,0.000080077,0.42563984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917554,0.0018348269,0.00089502335,0.0005391915,0.0035264567,0.0014490731],"domain_scores_gemma":[0.9971696,0.0006112565,0.00014873985,0.00042495737,0.0011038434,0.0005415859],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.010222533,0.00027490445,0.00037475585,0.001174183,0.0071028653,0.0009034986,0.0017603672,0.000054331296,0.052886322],"category_scores_gemma":[0.00018939565,0.00024672537,0.00040898364,0.000052527335,0.0012885765,0.00082828203,0.0007724384,0.0037919935,0.003526505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022659554,0.000723663,0.00010450501,0.000028193812,0.00015225743,0.00037092398,0.16682172,0.00018169294,0.000083995794,0.10947999,0.7193593,0.002467209],"study_design_scores_gemma":[0.00067226624,0.00058970996,0.00011157332,0.0000833142,0.000012360211,0.00041245282,0.015667269,0.00073083426,0.000013390452,0.09441994,0.8870394,0.00024749094],"about_ca_topic_score_codex":0.00003812671,"about_ca_topic_score_gemma":0.0012669456,"teacher_disagreement_score":0.5383943,"about_ca_system_score_codex":0.0006491179,"about_ca_system_score_gemma":0.00044495147,"threshold_uncertainty_score":0.9999985},"labels":[],"label_agreement":null},{"id":"W4312315355","doi":"10.7202/1089334ar","title":"Materiality and Subject in Marxism, (Post-)Structuralism, and Material Semiotics de Johannes Beetz : Johannes BEETZ, Materiality and Subject in Marxism, (Post-)Structuralism, and Material Semiotics, Londres, Palgrave Macmillan, 2016, 140 p.","year":2022,"lang":"en","type":"article","venue":"Cygne noir","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Semiotics; Structuralism (philosophy of science); Subject (documents); Philosophy; Art; Art history; Epistemology; Aesthetics; Library science","score_opus":0.016825580349689433,"score_gpt":0.232167135445458,"score_spread":0.21534155509576858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312315355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98254526,0.0007785756,0.0000014803786,0.0012722549,0.0042610755,0.0011181103,0.009506256,0.00018282833,0.00033417647],"genre_scores_gemma":[0.9940999,0.00086117996,0.0002095525,0.001024175,0.0018057772,0.00008160578,0.0012601211,0.00016523986,0.0004924043],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9942288,0.00097548123,0.0014240295,0.0013404044,0.0004968578,0.0015344515],"domain_scores_gemma":[0.99803334,0.00020666052,0.0004659078,0.00065100094,0.00020329499,0.00043980006],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011912663,0.0010464448,0.0014433163,0.00046720065,0.0009976851,0.0013421532,0.00044797108,0.00039322767,0.0013131903],"category_scores_gemma":[0.00013954821,0.0010092857,0.000112606765,0.00003959259,0.0014836572,0.0003313952,0.0013342424,0.00049368764,0.0000045772786],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.017822959,0.00070828956,0.09921286,0.011238626,0.0011171417,0.0025988854,0.4302475,0.00012356626,0.31115365,0.11155556,0.0077730143,0.00644797],"study_design_scores_gemma":[0.019529635,0.0043629864,0.620718,0.0010041355,0.0010851021,0.0034477268,0.04038872,0.00082658464,0.086850315,0.16390295,0.048457284,0.009426548],"about_ca_topic_score_codex":0.02769233,"about_ca_topic_score_gemma":0.017030565,"teacher_disagreement_score":0.5215052,"about_ca_system_score_codex":0.00029431406,"about_ca_system_score_gemma":0.00016633263,"threshold_uncertainty_score":0.9996945},"labels":[],"label_agreement":null},{"id":"W4312412347","doi":"10.28995/2686-7249-2022-7-86-97","title":"SOVIET PROPAGANDA PORCELAIN: IDEOLOGY VS ART","year":2022,"lang":"en","type":"article","venue":"RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Communism; Ideology; Proletariat; Portrait; Exhibition; Popularity; Context (archaeology); Politics; Population; Object (grammar); China; Quarter (Canadian coin); Political science; Law; Sociology; Art; Visual arts; History","score_opus":0.03806125720379816,"score_gpt":0.26498591996382814,"score_spread":0.22692466276002998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312412347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01085775,0.02419529,0.000037199916,0.011905602,0.0170772,0.0012827262,0.0019260652,0.0011461434,0.931572],"genre_scores_gemma":[0.51386553,0.00066896086,0.00039117047,0.006681751,0.0070908456,0.00027419635,0.0005510314,0.00009467713,0.47038183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680233,0.0005237753,0.0007580996,0.0006206054,0.0004528507,0.000842345],"domain_scores_gemma":[0.99788964,0.00039568238,0.00030532788,0.00044466896,0.00080987846,0.00015478575],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006807724,0.0005671239,0.0007506549,0.000098530414,0.0035585333,0.0002639323,0.0004945717,0.00006928698,0.009942767],"category_scores_gemma":[0.0014286485,0.00045544104,0.00025867537,0.000012916549,0.0020367922,0.0001059752,0.00091200863,0.0005963706,0.0003958782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035512797,0.00008917954,0.000060129485,0.00011651944,0.000264501,0.000106023406,0.16729017,0.000014870026,0.0000046437913,0.5783721,0.25315166,0.00017504576],"study_design_scores_gemma":[0.00042529573,0.00055547745,0.000012199059,0.000038923703,0.00010774839,0.000052549953,0.039988577,0.0000053757594,0.000027807253,0.14722735,0.8110331,0.00052556663],"about_ca_topic_score_codex":0.000055087705,"about_ca_topic_score_gemma":0.00020265557,"teacher_disagreement_score":0.5578815,"about_ca_system_score_codex":0.00013125449,"about_ca_system_score_gemma":0.00006818246,"threshold_uncertainty_score":0.9997897},"labels":[],"label_agreement":null},{"id":"W4312440632","doi":"10.1353/ccr.2022.0060","title":"Ryan and Ghosts","year":2022,"lang":"en","type":"article","venue":"Cream city review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Art; Art history; Studio; The arts; Performance art; Pilgrimage; Visual arts; Media studies; Sociology; History; Gender studies; Archaeology","score_opus":0.09147008887684226,"score_gpt":0.2853944450214967,"score_spread":0.19392435614465442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312440632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009007063,0.26151106,0.000009825317,0.003736931,0.00048565256,0.000514848,0.00018499927,0.00012386999,0.72442573],"genre_scores_gemma":[0.63641506,0.0980676,0.000045129553,0.0426983,0.0010777005,0.00018853265,0.000118917385,0.000047323105,0.22134143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993854,0.00005936895,0.0001495252,0.00013760099,0.00011330683,0.00015480108],"domain_scores_gemma":[0.9996617,0.000024769728,0.00004814706,0.00017174704,0.000025664445,0.00006800667],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020258097,0.00008315573,0.00019611024,0.000017749424,0.0005092077,0.00003895662,0.000096047836,0.000007853117,0.006849102],"category_scores_gemma":[0.000025179705,0.000073912655,0.000060382277,0.0000016024662,0.00013182218,0.000063726715,0.0001259949,0.000111493595,0.0000630513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052549867,0.0002498052,0.00034135193,0.0027296455,0.000055173376,0.000018641991,0.041539155,2.3604827e-7,0.0000035591836,0.5021644,0.4063759,0.046516836],"study_design_scores_gemma":[0.00006631334,0.0000551687,0.00005884689,0.00014117025,0.000041080897,0.0000101858595,0.00022356625,0.0000042932547,0.0000015357717,0.002789838,0.996509,0.000099010074],"about_ca_topic_score_codex":0.0003081182,"about_ca_topic_score_gemma":0.00046767283,"teacher_disagreement_score":0.627408,"about_ca_system_score_codex":0.000021271946,"about_ca_system_score_gemma":0.000023071638,"threshold_uncertainty_score":0.9940588},"labels":[],"label_agreement":null},{"id":"W4312472259","doi":"10.37816/2073-9567-2022-65-315-324","title":"Formation and Evolvement of the Russian Avant-Garde during 1910–1930. Ideas of the Russian Textile Avant-Garde","year":2022,"lang":"en","type":"article","venue":"Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures]","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Russian Foundation for Basic Research","keywords":"Avant garde; Textile; Painting; Quarter (Canadian coin); Clothing; Art history; Aesthetics; Art; Sociology; History; Political science; Law; Archaeology","score_opus":0.015055186278917432,"score_gpt":0.21904038629716005,"score_spread":0.2039852000182426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312472259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5501482,0.0036540257,0.000028943696,0.026232164,0.0037850717,0.0036962316,0.0028777807,0.00021874098,0.4093589],"genre_scores_gemma":[0.93861383,0.0001182109,0.00008120497,0.00083480903,0.00026805216,0.00008017015,0.00005188048,0.000052114578,0.059899714],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678963,0.00028808447,0.0010074506,0.00042513388,0.0009148522,0.0005748217],"domain_scores_gemma":[0.9979559,0.00007333976,0.00088125386,0.0008466664,0.00009240073,0.00015044512],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040644043,0.00042227932,0.00057094754,0.00012440741,0.0013635212,0.000086158725,0.0008196537,0.0001080148,0.0037028713],"category_scores_gemma":[0.000057475994,0.000270897,0.00041837397,0.0000094379075,0.0009073451,0.00012547472,0.00061140355,0.0005136145,0.000022468204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002707894,0.0010076434,0.0013176852,0.0015233322,0.0005056252,0.000014640705,0.78850573,0.00060169585,0.005158991,0.1395803,0.06061023,0.00090331986],"study_design_scores_gemma":[0.0017038696,0.0002588549,0.0115341935,0.00036063817,0.00026473557,0.000046919606,0.0132942265,0.00010111447,0.0072989985,0.007765191,0.9568695,0.0005017463],"about_ca_topic_score_codex":0.001421327,"about_ca_topic_score_gemma":0.0036493258,"teacher_disagreement_score":0.8962593,"about_ca_system_score_codex":0.00013042956,"about_ca_system_score_gemma":0.00011552453,"threshold_uncertainty_score":0.9999743},"labels":[],"label_agreement":null},{"id":"W4312704430","doi":"10.7202/1088410ar","title":"Narrations curatoriales. Écritures de l’exposition, fictions et récits dans l’art contemporain","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Art; Humanities; Narrative; Storytelling; Literature","score_opus":0.03162802310300068,"score_gpt":0.2698727672895425,"score_spread":0.23824474418654185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312704430","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009881998,0.023601107,0.0019110981,0.055742238,0.018011859,0.00086954783,0.010851415,0.00038195352,0.8787488],"genre_scores_gemma":[0.562745,0.00016940723,0.000059813065,0.009229254,0.0039388617,0.00021203957,0.0008078978,0.000055169166,0.42278257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979165,0.00046807178,0.0004121398,0.0003441168,0.00031722788,0.00054191827],"domain_scores_gemma":[0.9989663,0.000160651,0.00014543094,0.00034301545,0.00016535452,0.00021929714],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034983447,0.00028688787,0.00025973705,0.00012841578,0.0033227922,0.00034832925,0.00024552568,0.0001179735,0.0042814603],"category_scores_gemma":[0.00009092747,0.00032729167,0.000220565,0.000010523493,0.00069105043,0.00033267887,0.000116770854,0.0006067658,0.00009256922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010923057,0.00014230284,0.00003786416,0.000021921329,0.000053245167,0.000022067723,0.13780275,0.00034866508,0.00012123942,0.4370368,0.42438656,0.000015659529],"study_design_scores_gemma":[0.0004019271,0.00018521365,0.00013477082,0.000034159813,0.00011000162,0.00006970623,0.033479877,0.00026037145,0.00010986237,0.03158349,0.9332864,0.00034416319],"about_ca_topic_score_codex":0.004829724,"about_ca_topic_score_gemma":0.026730202,"teacher_disagreement_score":0.552863,"about_ca_system_score_codex":0.00034742,"about_ca_system_score_gemma":0.0004971063,"threshold_uncertainty_score":0.9999179},"labels":[],"label_agreement":null},{"id":"W4312726423","doi":"10.5206/uwoja.v21i1.8937","title":"Art as Affordance","year":2013,"lang":"en","type":"article","venue":"The University of Western Ontario Journal of Anthropology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Affordance; Materiality (auditing); Action (physics); Property (philosophy); Aesthetics; Noun; Linguistics; Epistemology; Sociology; Art; Psychology; Philosophy; Cognitive psychology","score_opus":0.026418461378352093,"score_gpt":0.22370479736622473,"score_spread":0.19728633598787262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312726423","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9140648,0.00009370823,0.00050065515,0.006045209,0.000669298,0.00007466476,0.000004741142,0.000007629237,0.07853929],"genre_scores_gemma":[0.8768138,0.00008038319,0.00007263112,0.0003758428,0.0001803415,2.0832237e-8,9.3662277e-7,0.0000050042017,0.122471],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944234,0.000046116504,0.00016973796,0.00006098839,0.00011197305,0.00016885372],"domain_scores_gemma":[0.9992889,0.000046818594,0.00027819068,0.0001318084,0.00019303079,0.00006123537],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009591647,0.00007925644,0.00021810358,0.00006017645,0.0003020931,0.000017608387,0.00032496764,0.000034895642,0.014133072],"category_scores_gemma":[0.0000055102455,0.000059642625,0.000108077715,0.000001450458,0.0019373201,0.00026187729,0.00005979877,0.0001900597,0.00033172904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020781276,0.00027138245,0.017470203,0.00002513703,0.00037810983,0.00012501978,0.84451336,0.000025312786,0.00012170947,0.05559796,0.07963902,0.0016249592],"study_design_scores_gemma":[0.0005365001,0.00060315925,0.00556549,0.000028545106,0.00007789343,0.00014208084,0.031664487,0.0000041441394,0.00007956137,0.0062011615,0.95500505,0.00009194653],"about_ca_topic_score_codex":0.13665216,"about_ca_topic_score_gemma":0.6298696,"teacher_disagreement_score":0.87536603,"about_ca_system_score_codex":0.00007692398,"about_ca_system_score_gemma":0.00014596066,"threshold_uncertainty_score":0.9867681},"labels":[],"label_agreement":null},{"id":"W4313036983","doi":"10.4000/books.aaccademia.12095","title":"Under the Sign of Reenactment","year":2022,"lang":"en","type":"book-chapter","venue":"Accademia University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"Creative Europe; Arts and Humanities Research Council","keywords":"Sign (mathematics); Mathematics","score_opus":0.08254651335700379,"score_gpt":0.22144443187196644,"score_spread":0.13889791851496264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313036983","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00002446013,0.00015671097,0.00002176176,0.00016332338,0.00026066703,0.00029178208,0.00038635902,0.000056635065,0.9986383],"genre_scores_gemma":[0.010859058,0.000168552,0.0000056955005,0.00048755275,0.00031325032,0.0000010643977,0.000037002897,0.000036031113,0.98809177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989743,0.00004877962,0.00019014918,0.00025292207,0.00031247354,0.00022133194],"domain_scores_gemma":[0.99902755,0.00014065334,0.00026597406,0.00042750378,0.00007112802,0.0000671763],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011384052,0.00023440529,0.00027770316,0.000082467326,0.0005564305,0.000024199826,0.00060142024,0.00017688247,0.0017624001],"category_scores_gemma":[0.0000023268785,0.00020343316,0.00021209409,1.7154338e-7,0.00066684856,0.000076713535,0.00048482732,0.0006854043,0.000009385179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027141128,0.000007074641,2.1320938e-7,0.000026769383,0.0001935092,0.000012598326,0.020804754,0.000007233475,0.0000018743727,0.95573586,0.022782592,0.0004003587],"study_design_scores_gemma":[0.00023005981,0.000053424017,0.0000016243924,0.000030313404,0.00026107678,0.0000013706514,0.0016476004,0.0000054300604,0.000030266969,0.013155911,0.98436326,0.0002196495],"about_ca_topic_score_codex":0.001641365,"about_ca_topic_score_gemma":0.0006064993,"teacher_disagreement_score":0.9615807,"about_ca_system_score_codex":0.00016986627,"about_ca_system_score_gemma":0.00010592989,"threshold_uncertainty_score":0.9991501},"labels":[],"label_agreement":null},{"id":"W4313276925","doi":"10.1386/jcs_00074_5","title":"Contemporary Art and Feminism, Jacqueline Millner and Catriona Moore","year":2022,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Feminism; Art; Sociology; Gender studies","score_opus":0.10396359126545199,"score_gpt":0.3026050234124273,"score_spread":0.1986414321469753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313276925","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65088564,0.20234708,0.00002879477,0.014534237,0.035000805,0.0005597558,0.00049108313,0.00007378205,0.096078835],"genre_scores_gemma":[0.9863351,0.0013489185,0.000024347057,0.0005888553,0.006426667,0.000005124567,0.0000028336337,0.000012548541,0.005255585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990667,0.000065780885,0.00038609366,0.00009442415,0.00025547366,0.00013154183],"domain_scores_gemma":[0.99925023,0.00013308915,0.0002595021,0.00005639095,0.0002226417,0.00007814108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033262995,0.00011743497,0.00033228917,0.00006577666,0.0006982187,0.00005709013,0.0000665765,0.000017588824,0.00009893861],"category_scores_gemma":[0.00008085579,0.00008805875,0.00006237088,0.0000027734145,0.00030046926,0.0001836143,0.0001381497,0.00020150085,0.0000016745369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001886003,0.00008637594,0.0006026855,0.00004324432,0.00042156555,0.000074299,0.1963656,0.0000033384097,0.00003983171,0.030025523,0.77163225,0.00051667605],"study_design_scores_gemma":[0.00083799247,0.00040936845,0.00005034178,0.000015212,0.000057121346,0.000042042167,0.02960506,0.00000417635,0.000018487794,0.0065816296,0.9622691,0.0001094558],"about_ca_topic_score_codex":0.000040522744,"about_ca_topic_score_gemma":0.000112041664,"teacher_disagreement_score":0.3354495,"about_ca_system_score_codex":0.000036677575,"about_ca_system_score_gemma":0.00007875031,"threshold_uncertainty_score":0.53702044},"labels":[],"label_agreement":null},{"id":"W4313681510","doi":"10.5206/tba.v4i1.14898","title":"Morris Fox's 'Vestiges and Remains'","year":2023,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Ephemera; Exhibition; Queer; Expansive; Art; Visual arts; Framing (construction); Pleasure; Art history; Sociology; Archaeology; History; Gender studies","score_opus":0.04783547719567371,"score_gpt":0.2970630219234212,"score_spread":0.2492275447277475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313681510","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9750757,0.0030190675,0.000023933959,0.0031693988,0.0012472738,0.000095684656,0.00004371091,0.000063402884,0.017261826],"genre_scores_gemma":[0.96959966,0.0013576744,0.000042729076,0.00069219165,0.0022560253,0.0000012143872,0.000014589525,0.000016655742,0.026019264],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920696,0.00003299776,0.00024158864,0.000099280165,0.00020692061,0.00021226407],"domain_scores_gemma":[0.999464,0.000060442457,0.000118773656,0.000045837205,0.00012827624,0.00018269582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001977981,0.00012653557,0.00022992339,0.0000959097,0.00027190207,0.000119453776,0.000060539634,0.00005819619,0.00016379125],"category_scores_gemma":[0.00008859612,0.00008454456,0.000060367478,0.0000051202487,0.00029856377,0.0002467986,0.000036958532,0.00021167798,0.000044039647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005033449,0.00006555263,0.001523061,0.00009505001,0.00011276677,0.00015634524,0.5862813,0.0000010558203,0.00068544777,0.015799679,0.39270997,0.0025194525],"study_design_scores_gemma":[0.00055371225,0.00034409107,0.0029100718,0.00009917657,0.00007494467,0.00011532565,0.017457921,0.00007306234,0.00014906826,0.007532963,0.9705221,0.00016755084],"about_ca_topic_score_codex":0.000007729668,"about_ca_topic_score_gemma":0.0002930547,"teacher_disagreement_score":0.57781214,"about_ca_system_score_codex":0.000008028599,"about_ca_system_score_gemma":0.000029106119,"threshold_uncertainty_score":0.3447627},"labels":[],"label_agreement":null},{"id":"W4315644218","doi":"10.3366/film.2023.0219","title":"White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s <i>Sharp Objects</i>","year":2023,"lang":"en","type":"article","venue":"Film-Philosophy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"White supremacy; White (mutation); Object (grammar); Agency (philosophy); Art; Sociology; Art history; Gender studies; Philosophy; Racism; Social science; Linguistics","score_opus":0.03820294139917894,"score_gpt":0.2377176933861,"score_spread":0.19951475198692106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315644218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2006858,0.0008081626,0.000011868611,0.013095847,0.004080652,0.0013893616,0.0035250345,0.0015824686,0.7748208],"genre_scores_gemma":[0.9183528,0.00041856186,0.000059783553,0.00267147,0.002894951,0.00010573592,0.0007170392,0.00015084348,0.074628845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99713796,0.00013553115,0.0006408216,0.0007295637,0.00040651445,0.00094958174],"domain_scores_gemma":[0.9987217,0.000111830814,0.00016425454,0.00061878475,0.00010942551,0.00027398125],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032819324,0.00050834956,0.0005827028,0.0004884346,0.00043788174,0.00038901254,0.00038515351,0.00016927635,0.0026612238],"category_scores_gemma":[0.000062967476,0.00050338864,0.00015958688,0.000033166958,0.00042345483,0.0005598111,0.00036419858,0.0003495654,0.0011845853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039887152,0.0005796555,0.035049636,0.0021324947,0.00030919435,0.0006575122,0.38659582,0.00017920695,0.0003286338,0.16038406,0.41273037,0.00065455824],"study_design_scores_gemma":[0.002498507,0.00037741908,0.013497447,0.00071862445,0.0001202831,0.000023114946,0.0038956867,0.00089677935,0.000142,0.1618364,0.8141794,0.0018143405],"about_ca_topic_score_codex":0.00030262148,"about_ca_topic_score_gemma":0.004326845,"teacher_disagreement_score":0.717667,"about_ca_system_score_codex":0.000069862734,"about_ca_system_score_gemma":0.000078848585,"threshold_uncertainty_score":0.9997418},"labels":[],"label_agreement":null},{"id":"W4315864375","doi":"10.54632/22.7.impj11","title":"We Are in Record. The Temporality of Print/Making","year":2023,"lang":"en","type":"article","venue":"IMPACT Printmaking Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporality; Exhibition; Visual arts; Printmaking; Object (grammar); Art; Lyrics; Art history; History; Literature; Linguistics; Painting; Philosophy; Epistemology","score_opus":0.1447202349477746,"score_gpt":0.36452052417977143,"score_spread":0.21980028923199682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315864375","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96400964,0.00012972121,0.00013184213,0.0026556286,0.00086976524,0.00016115555,0.000023020806,0.00007606648,0.031943176],"genre_scores_gemma":[0.9965556,0.00006424963,0.000042379506,0.0001630136,0.0008262881,0.0000030984345,9.949563e-7,0.000023023082,0.0023213222],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851525,0.00014519277,0.0005053116,0.00012737303,0.00026938997,0.0004374962],"domain_scores_gemma":[0.9989878,0.0001417355,0.00044930307,0.000250013,0.00009855436,0.000072604395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010914091,0.00014803206,0.00025050298,0.00022561637,0.00036087757,0.00022610974,0.0003061471,0.00004230037,0.0006003073],"category_scores_gemma":[0.000189738,0.00009399631,0.00019648655,0.000014821049,0.00020063347,0.00023986104,0.0001151113,0.00049848005,0.00004514811],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013473495,0.00025027533,0.26807538,0.00021226202,0.00029852256,0.00026799727,0.6223224,0.00087751594,0.0002681843,0.05737743,0.013812215,0.036103103],"study_design_scores_gemma":[0.0010852779,0.0002143266,0.4063746,0.0015856905,0.00005727508,0.0002021249,0.03349848,0.0015588345,0.0002235344,0.10166549,0.45295265,0.0005817115],"about_ca_topic_score_codex":0.00047383542,"about_ca_topic_score_gemma":0.0033976308,"teacher_disagreement_score":0.5888239,"about_ca_system_score_codex":0.00012514032,"about_ca_system_score_gemma":0.00012291681,"threshold_uncertainty_score":0.6572944},"labels":[],"label_agreement":null},{"id":"W4317824705","doi":"10.18357/art4202220540","title":"Peter Bogner and Gerd Zillner, eds. Frederick Kiesler: Face to Face with the Avant-Garde: Essays on Network and Impact. Basel: Birkhauser, 2019. 360 pp. 151 b/w illus. $76.14 (hardcover) ISBN 978-3035615500","year":2022,"lang":"en","type":"article","venue":"ARTiculate","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Face (sociological concept); Avant garde; Philosophy; Humanities; Law and economics; Art; Art history; Sociology; Linguistics","score_opus":0.016452854373119087,"score_gpt":0.22441713312179784,"score_spread":0.20796427874867876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317824705","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93876624,0.006148864,0.00062278495,0.012260665,0.0016902017,0.0018391486,0.0006724729,0.0004365148,0.03756308],"genre_scores_gemma":[0.93365604,0.00042311533,0.00007257377,0.008676162,0.0005754225,0.000083364685,0.000037080896,0.00009639796,0.05637983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99746704,0.0001905873,0.0003274059,0.0006046536,0.00048253278,0.0009277505],"domain_scores_gemma":[0.9986637,0.00018507108,0.00014274745,0.00058558804,0.00008624021,0.0003366018],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038204525,0.0004538348,0.00041041398,0.00006968101,0.0017082372,0.00043961307,0.00024062842,0.00005632781,0.0014594162],"category_scores_gemma":[0.000021107837,0.00029580813,0.00012401224,0.000012476341,0.00041725513,0.0002760316,0.00039989615,0.00038460878,0.00018501327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034112853,0.00017655293,0.00058333384,0.00003627049,0.0003742965,0.0000835583,0.14634573,0.022866987,0.00011957302,0.007511087,0.8192148,0.0023466577],"study_design_scores_gemma":[0.0009006367,0.0006482474,0.0019579586,0.000029757926,0.00013817045,0.000047508922,0.0022850973,0.0018000487,0.000055665165,0.00082181854,0.9907314,0.0005836661],"about_ca_topic_score_codex":0.0013789138,"about_ca_topic_score_gemma":0.002926979,"teacher_disagreement_score":0.17151661,"about_ca_system_score_codex":0.00007292095,"about_ca_system_score_gemma":0.0000692465,"threshold_uncertainty_score":0.9999494},"labels":[],"label_agreement":null},{"id":"W4319345423","doi":"10.7765/9781526162397","title":"Taking place","year":2023,"lang":"en","type":"book","venue":"Manchester University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Mainstream; Gender studies; Narrative; Sociology; Aesthetics; Political science; Art; Literature; Law","score_opus":0.0960206912804813,"score_gpt":0.22281235389342605,"score_spread":0.12679166261294475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319345423","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026836935,0.00003227167,0.00004495319,0.000031897514,0.0008380409,0.00023525645,0.00029902149,0.00041306455,0.99807864],"genre_scores_gemma":[0.0004916431,0.000017108623,0.000013098859,0.00025176155,0.0013180393,0.0000012146402,0.000099159086,0.00008257047,0.9977254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879116,0.000040519488,0.00015695512,0.00039282613,0.00022673424,0.00039180546],"domain_scores_gemma":[0.99908155,0.00008170222,0.00022404302,0.00042229256,0.000078429664,0.000111956724],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006864148,0.00031688713,0.00033056084,0.00015813061,0.00041458794,0.00015671292,0.00043768677,0.00020921574,0.00022906465],"category_scores_gemma":[0.0000046901077,0.0003654065,0.00019367602,2.3706687e-7,0.00041628652,0.000115848336,0.0003983508,0.0003892673,0.00019391207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028981298,0.000012053038,0.0000013257254,0.00029152047,0.00019534663,0.00026679368,0.13467327,0.0000029839048,5.397216e-7,0.5635508,0.2999381,0.0010382835],"study_design_scores_gemma":[0.0002883543,0.000027070535,0.000005523403,0.00018354591,0.00016806877,0.0000017843524,0.0008017917,0.00002768919,0.000006650315,0.001559227,0.99652034,0.00040997713],"about_ca_topic_score_codex":0.00038501073,"about_ca_topic_score_gemma":0.0025705853,"teacher_disagreement_score":0.6965822,"about_ca_system_score_codex":0.00022883581,"about_ca_system_score_gemma":0.00014557214,"threshold_uncertainty_score":0.9998798},"labels":[],"label_agreement":null},{"id":"W4319345583","doi":"10.7765/9781526162397.00006","title":"Introduction","year":2023,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Space (punctuation); Sociology; Gender studies; Visual arts; Aesthetics; Art; Philosophy","score_opus":0.07391069116423295,"score_gpt":0.19919049979392786,"score_spread":0.1252798086296949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319345583","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000104797255,0.0000147411865,0.00003891393,0.00019090032,0.0012732197,0.00018417113,0.00014893783,0.0003250325,0.9978136],"genre_scores_gemma":[0.00035987172,0.00003210208,0.000011109132,0.0001423046,0.0041455813,6.3629335e-7,0.00008984361,0.0000663126,0.99515224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904776,0.000015318969,0.00013878835,0.00037480955,0.00017717345,0.00024615758],"domain_scores_gemma":[0.99928176,0.00002368107,0.00012018351,0.0003988333,0.0000916875,0.000083867955],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005132122,0.00026134533,0.0002538336,0.00014578865,0.00029739688,0.00012253491,0.00023714468,0.00016959083,0.00046406593],"category_scores_gemma":[0.0000021886087,0.0002991019,0.0001610584,1.11764834e-7,0.0003921217,0.00014242192,0.0002173569,0.00029846028,0.0003390512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016826427,0.0000044227527,1.5463227e-7,0.000069185095,0.000098861754,0.000048903887,0.0261395,6.9749393e-7,7.9020526e-7,0.88026154,0.09233886,0.0010202795],"study_design_scores_gemma":[0.00018166311,0.000031446965,0.0000019542774,0.000045657813,0.00015650313,0.0000020181324,0.0004214681,0.0000073602064,0.000014053211,0.0061577847,0.99266213,0.00031798583],"about_ca_topic_score_codex":0.0001947732,"about_ca_topic_score_gemma":0.0010352574,"teacher_disagreement_score":0.9003232,"about_ca_system_score_codex":0.00009670474,"about_ca_system_score_gemma":0.000031043277,"threshold_uncertainty_score":0.9999461},"labels":[],"label_agreement":null},{"id":"W4319828520","doi":"10.1080/14790726.2023.2165108","title":"The matter of form: an interview with Will Kostakis","year":2023,"lang":"en","type":"article","venue":"New Writing","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Psychology; History","score_opus":0.08467192903468844,"score_gpt":0.2827226330979735,"score_spread":0.19805070406328507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319828520","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4058319,0.00031474725,0.0002934877,0.008546824,0.0003798549,0.00028416875,0.000058298716,0.0002637977,0.58402693],"genre_scores_gemma":[0.9432757,0.000028811512,0.000045150355,0.0013398795,0.00068286335,0.0000053552153,0.000012106809,0.000022255417,0.054587882],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938846,0.000022874909,0.00016814283,0.000091473026,0.00010264879,0.00022638105],"domain_scores_gemma":[0.9996228,0.000059821603,0.000060917908,0.00016046323,0.000048239872,0.00004773021],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016538803,0.0000720958,0.00009587304,0.000028125518,0.0002883424,0.00010438561,0.00012085277,0.000014244567,0.00047691344],"category_scores_gemma":[0.0000070803812,0.000045135163,0.000036602803,0.0000029076075,0.00012537352,0.0002120501,0.000040088533,0.00006556158,0.000110802735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025892676,0.000048586604,0.0021101285,0.00030950524,0.000104899176,0.000015827456,0.41380838,0.0000070352844,0.00013394437,0.3617426,0.12178128,0.09991194],"study_design_scores_gemma":[0.00025298094,0.00011535769,0.00092137646,0.000182771,0.00002209334,0.0000048405823,0.022983005,0.00019252898,0.00020395785,0.01011129,0.96487284,0.0001369463],"about_ca_topic_score_codex":0.00057517196,"about_ca_topic_score_gemma":0.0059656077,"teacher_disagreement_score":0.84309155,"about_ca_system_score_codex":0.000007742708,"about_ca_system_score_gemma":0.00002292964,"threshold_uncertainty_score":0.52218676},"labels":[],"label_agreement":null},{"id":"W4319867910","doi":"10.14198/fem.2023.41.12","title":"The theater of motherhood","year":2023,"lang":"en","type":"article","venue":"Feminismo/s","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Scholarship; Ideal (ethics); Studio; Sociology; Subjectivity; Object (grammar); Aesthetics; Premise; Expression (computer science); Narrative; Value (mathematics); Gender studies; Art world; Politics; Visual arts; Art; Literature; Epistemology; Art history; Political science; Performance art; Law","score_opus":0.056241163270127736,"score_gpt":0.2601031799043551,"score_spread":0.20386201663422737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319867910","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052128203,0.000101296595,0.000011846694,0.0018200942,0.0008784878,0.000120120545,0.000075264805,0.00015014662,0.94471455],"genre_scores_gemma":[0.82473254,0.000038653212,0.0000044312756,0.00032051848,0.00039526328,0.000009693054,0.000006747574,0.000014423585,0.17447771],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994254,0.00001818074,0.00014353597,0.00008331851,0.000113140195,0.0002163937],"domain_scores_gemma":[0.9995771,0.00010498693,0.000040407198,0.00021526206,0.000032564494,0.000029696566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001400998,0.000068818685,0.000086733744,0.000028872551,0.00027973333,0.000046010155,0.00015210286,0.000021608983,0.00047204059],"category_scores_gemma":[0.000014471205,0.000041449115,0.000061185165,0.000001991121,0.00026746962,0.000036592322,0.000041604006,0.000052024465,0.00047354467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011436934,0.000029623934,0.000194742,0.000021125488,0.00005395906,0.0000040539203,0.33689022,0.000002611184,0.00009028409,0.53990763,0.11682042,0.005973919],"study_design_scores_gemma":[0.000110515,0.00003859371,0.00035386512,0.000008555963,0.0000092102355,5.661987e-7,0.0071253865,0.000077955745,0.00065991416,0.03128732,0.9602621,0.000066003566],"about_ca_topic_score_codex":0.00012174469,"about_ca_topic_score_gemma":0.00037991648,"teacher_disagreement_score":0.8434417,"about_ca_system_score_codex":0.000005304077,"about_ca_system_score_gemma":0.000018276965,"threshold_uncertainty_score":0.60866165},"labels":[],"label_agreement":null},{"id":"W4321515273","doi":"10.4324/9781135000356-rem1951-1","title":"Read, (Sir) Herbert Edward (1893–1968)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Idyll; Romance; Genealogy; Performance art; Sociology; Art; History; Art history; Literature","score_opus":0.06757598585914937,"score_gpt":0.24728632867910855,"score_spread":0.17971034281995918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321515273","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006968227,0.00025528876,0.00007218913,0.00039911133,0.0017967492,0.00021359314,0.00018361588,0.0002565204,0.996816],"genre_scores_gemma":[0.0007366226,0.00016909264,0.000092276125,0.003690396,0.008945789,0.00000768959,0.00014708324,0.000137042,0.98607403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984006,0.000010016112,0.00039927353,0.000443071,0.0003048229,0.00044221163],"domain_scores_gemma":[0.99881274,0.000045770004,0.00015001211,0.00059720594,0.0002193881,0.00017488388],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009565579,0.00045883554,0.0004662687,0.00012108253,0.0003468269,0.0001889634,0.00028386657,0.0002823583,0.16457635],"category_scores_gemma":[0.000008707754,0.00038151848,0.00027944185,2.50003e-7,0.0007879123,0.00012905298,0.00013075843,0.00029941506,0.011550795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005161826,0.000009709195,4.5768778e-7,0.0000282858,0.0000742605,0.000009351598,0.01432184,1.6261408e-8,2.6883225e-7,0.6269633,0.35759708,0.0009902671],"study_design_scores_gemma":[0.00012258533,0.00009679441,5.4985685e-7,0.00007972729,0.0000794862,0.0000037299196,0.00023479402,0.000004199553,0.0000073179385,0.17325886,0.8256665,0.0004454635],"about_ca_topic_score_codex":0.00089966244,"about_ca_topic_score_gemma":0.018483084,"teacher_disagreement_score":0.46806943,"about_ca_system_score_codex":0.00006907147,"about_ca_system_score_gemma":0.00009532935,"threshold_uncertainty_score":0.9998637},"labels":[],"label_agreement":null},{"id":"W4322751507","doi":"10.4000/ccm.9559","title":"Anna Bücheler, Ornament as Argument : Textile Pages and Textile Metaphors in Early Medieval Manuscripts","year":2022,"lang":"fr","type":"article","venue":"Cahiers de civilisation médiévale","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Textile; Argument (complex analysis); Art; Art history; History; Archaeology; Chemistry","score_opus":0.02814433540054023,"score_gpt":0.24143579524907877,"score_spread":0.21329145984853853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322751507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8519721,0.018873284,0.000052012852,0.0057942867,0.0027193506,0.00083916384,0.00060232653,0.0000919564,0.119055524],"genre_scores_gemma":[0.74261636,0.0018834629,0.00005025446,0.0019070524,0.0004908847,0.00021101985,0.00010699611,0.00005901215,0.25267497],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99660724,0.0006173526,0.00063359976,0.0006107668,0.000630317,0.0009007021],"domain_scores_gemma":[0.99873203,0.00018956748,0.00023657229,0.00038338944,0.00009471151,0.0003637233],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012134439,0.00040055657,0.0004505172,0.00036537557,0.0014018059,0.00027582727,0.00026486834,0.00016038537,0.0071972436],"category_scores_gemma":[0.00011230266,0.00047539786,0.00017613076,0.000025429157,0.0013419456,0.0004322452,0.00019218805,0.00083526183,0.00010708723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018452233,0.0010277844,0.0036775796,0.00044377067,0.00032895897,0.0002844426,0.6955305,0.000941683,0.0002980841,0.1897821,0.09556454,0.011936063],"study_design_scores_gemma":[0.0012897238,0.00049894484,0.0063376348,0.0000715811,0.00017712814,0.000047352998,0.04422947,0.0015784993,0.00032229756,0.014480608,0.93039453,0.00057220395],"about_ca_topic_score_codex":0.0029418198,"about_ca_topic_score_gemma":0.0030987514,"teacher_disagreement_score":0.83483005,"about_ca_system_score_codex":0.0012255786,"about_ca_system_score_gemma":0.00025913861,"threshold_uncertainty_score":0.99989825},"labels":[],"label_agreement":null},{"id":"W4323660747","doi":"10.33137/ic.v18i.40223","title":"Catholic Images: Contemporary Montreal Artists of Italian Descent","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Descent (aeronautics); Art; Art history; Visual arts; Geography; Meteorology","score_opus":0.06755263497113397,"score_gpt":0.250179803200343,"score_spread":0.18262716822920905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323660747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19677609,0.0009450778,0.000008417505,0.004195643,0.0014479542,0.0005204578,0.0041170595,0.00032343064,0.79166585],"genre_scores_gemma":[0.89717615,0.000012985518,0.00000795778,0.0006699338,0.00055077235,0.000016195918,0.00017404152,0.00003927382,0.10135268],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864477,0.000035665857,0.00033873031,0.00024886106,0.00020213537,0.0005298675],"domain_scores_gemma":[0.999023,0.000032352826,0.00009860901,0.00034890953,0.00009459827,0.0004025087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011433828,0.00018930023,0.00026672755,0.0002480609,0.00021412084,0.000091374284,0.00020712659,0.000054947872,0.0005046844],"category_scores_gemma":[0.000033563167,0.00019380519,0.00012832976,0.0000121290295,0.00041604583,0.00019989439,0.000032059514,0.00009488099,0.00044632558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013032336,0.00005141464,0.0015559053,0.00014437456,0.00012231838,0.0005365316,0.17705795,0.000008911113,0.00008317145,0.041545577,0.7740692,0.00481164],"study_design_scores_gemma":[0.00036361627,0.00006759288,0.008744643,0.00006303534,0.000028516128,0.000006613779,0.005086658,0.000096948424,0.00027693156,0.0029024556,0.9820298,0.0003331725],"about_ca_topic_score_codex":0.34453037,"about_ca_topic_score_gemma":0.7198172,"teacher_disagreement_score":0.70040005,"about_ca_system_score_codex":0.00012376295,"about_ca_system_score_gemma":0.000334682,"threshold_uncertainty_score":0.7903146},"labels":[],"label_agreement":null},{"id":"W4327507878","doi":"10.5040/9781350924383.27443","title":"Jessica Bradley Gallery","year":2022,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.04832063052725043,"score_gpt":0.2408501176710253,"score_spread":0.19252948714377488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327507878","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[6.582229e-7,0.00035375977,0.00000907468,0.0002620237,0.0011534451,0.000110716355,0.00019063115,0.00040655,0.9975131],"genre_scores_gemma":[0.00021466737,0.000094820505,0.000030521933,0.0025607785,0.003297304,0.00002320267,0.00014052396,0.00035795744,0.99328023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992681,0.000022422053,0.00011428872,0.00020209259,0.00016318451,0.00022991483],"domain_scores_gemma":[0.999572,0.00001646102,0.00006571582,0.00027653648,0.000009517614,0.000059761518],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000032232052,0.00017273302,0.00019847981,0.00010355457,0.00017800774,0.00007228994,0.00017867063,0.00006242786,0.76885563],"category_scores_gemma":[0.0000040302148,0.00014661516,0.00009991175,4.0140753e-7,0.00016165391,0.000018985535,0.00009871418,0.0001679253,0.0015846663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.568959e-7,0.000024493358,0.0000015889892,0.00002079181,0.000038864888,0.000005489212,0.007957006,3.9405116e-8,4.773365e-8,0.19749328,0.79418796,0.00026978645],"study_design_scores_gemma":[0.000090336616,0.000020020378,9.525928e-7,0.000012010486,0.000020149466,8.9651644e-7,0.0009656972,0.0000030753208,3.1059443e-7,0.0021032377,0.9965651,0.00021822905],"about_ca_topic_score_codex":0.0032908667,"about_ca_topic_score_gemma":0.045430116,"teacher_disagreement_score":0.767271,"about_ca_system_score_codex":0.000027036407,"about_ca_system_score_gemma":0.000045236207,"threshold_uncertainty_score":0.9991927},"labels":[],"label_agreement":null},{"id":"W4362712332","doi":"10.32891/jps.v7i3.1451","title":"Selflessness is the Highest Achievement","year":2022,"lang":"en","type":"article","venue":"The Journal of Public Space","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"Persona; Rhetorical question; Anonymity; Gesture; Cityscape; Identity (music); Aesthetics; Sociology; Space (punctuation); Narrative; Visual arts; Media studies; History; Gender studies; Art; Literature; Law; Political science; Linguistics","score_opus":0.07407051542146294,"score_gpt":0.2571076583161412,"score_spread":0.18303714289467826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362712332","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21984084,0.0017223071,0.00065899146,0.69881284,0.003605975,0.00028807626,0.00008187319,0.000044632277,0.07494446],"genre_scores_gemma":[0.9584404,0.000053484513,0.000009938115,0.0044412976,0.0011039962,0.0000039827023,0.0000011079335,0.000014348028,0.035931405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987954,0.00022064227,0.0002239739,0.00005344194,0.00046734116,0.00023921294],"domain_scores_gemma":[0.9991589,0.000116410556,0.000280926,0.00023101197,0.00014406123,0.00006866611],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014045484,0.00009138503,0.00012743725,0.00005996108,0.001219468,0.0001625186,0.00060592016,0.000010145686,0.0025364454],"category_scores_gemma":[0.000022308142,0.00004618293,0.00010102896,0.0000058725127,0.00022500753,0.00017484803,0.00018580978,0.0003597903,0.000020145848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021113194,0.0001630166,0.00012746891,0.000008131102,0.00015104102,0.0000069623584,0.39963678,0.000107061984,0.000025420813,0.43328723,0.16595222,0.0005135673],"study_design_scores_gemma":[0.00026249245,0.00013206045,0.00024627472,0.000004295224,0.000050757335,0.000038841517,0.047379594,0.000022272363,0.000038740636,0.0099228,0.94183606,0.00006581072],"about_ca_topic_score_codex":0.00044603122,"about_ca_topic_score_gemma":0.000995208,"teacher_disagreement_score":0.77588385,"about_ca_system_score_codex":0.00011474259,"about_ca_system_score_gemma":0.00016821851,"threshold_uncertainty_score":0.99837536},"labels":[],"label_agreement":null},{"id":"W4365807963","doi":"10.2979/victorianstudies.64.3.07","title":"Teaching William Morris, edited by Jason D. Martinek and Elizabeth Carolyn Miller","year":2022,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Miller; Politics; Art history; Sociology; Classics; Art; Law; Political science","score_opus":0.03367469427598012,"score_gpt":0.2679311119990503,"score_spread":0.23425641772307015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365807963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46473578,0.09887665,0.00006986112,0.01290615,0.033596,0.0014334625,0.0027831644,0.0012157193,0.38438323],"genre_scores_gemma":[0.8995236,0.00067014823,0.000039991264,0.0015469653,0.004641127,0.0001013744,0.00006983453,0.000051066563,0.09335586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998698,0.00011196353,0.00024492393,0.0002917139,0.0002743282,0.0003790794],"domain_scores_gemma":[0.99947,0.00010714536,0.000089798465,0.00017793459,0.00007136222,0.00008378381],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00023321195,0.0002132219,0.0002992589,0.00007480101,0.0019583802,0.000074792835,0.00011714857,0.000024191868,0.00025870616],"category_scores_gemma":[0.000053057287,0.00018955604,0.00005986606,0.000003989636,0.0002541757,0.00012960691,0.00028327975,0.00028225698,0.000012915579],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015073994,0.00006246797,0.0008275496,0.000050603565,0.00023877682,0.000006724461,0.41423905,0.0000025613538,0.00009372848,0.010041137,0.5738032,0.0006191327],"study_design_scores_gemma":[0.0003749919,0.00015547861,0.000072390154,0.000012531795,0.000061376704,0.0000019832873,0.029277598,0.000026429776,0.00002143028,0.00087392743,0.9688867,0.00023516416],"about_ca_topic_score_codex":0.0005749332,"about_ca_topic_score_gemma":0.0012585602,"teacher_disagreement_score":0.43478787,"about_ca_system_score_codex":0.00008228571,"about_ca_system_score_gemma":0.000016954838,"threshold_uncertainty_score":0.99934095},"labels":[],"label_agreement":null},{"id":"W4366809688","doi":"10.1353/rss.2013.0013","title":"Logic and Beauty","year":2013,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Competence (human resources); Sociology; Psychology; Law; Political science; Social psychology","score_opus":0.06640526661191387,"score_gpt":0.2722926568434415,"score_spread":0.20588739023152763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809688","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77771693,0.086105175,0.00020452305,0.019749664,0.0026275306,0.000664983,0.000022459086,0.00006963905,0.11283911],"genre_scores_gemma":[0.96422404,0.01745813,0.000076007134,0.0012544922,0.0011971156,0.0000034844763,5.2374827e-7,0.000019477951,0.015766747],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987177,0.00010384358,0.00049079675,0.000103191815,0.00023660324,0.0003478289],"domain_scores_gemma":[0.9987748,0.00039359,0.00027898175,0.00014963404,0.00028900796,0.000113982635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005485576,0.00020773466,0.00042037517,0.00007363226,0.0007082765,0.00011560709,0.00020651912,0.000040587056,0.00041749113],"category_scores_gemma":[0.000048621485,0.00010329487,0.00013038445,0.0000042235474,0.00082208397,0.00029765556,0.00005773814,0.00025768584,0.00007291854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014176896,0.00028731488,0.0006254137,0.00025197383,0.0018189336,0.000026708492,0.7321638,0.00003814479,0.00065006403,0.07078234,0.18870428,0.0045092427],"study_design_scores_gemma":[0.0017259809,0.00077716797,0.0022110892,0.00019659544,0.0008397755,0.00023962332,0.05502507,0.0000861866,0.0008443976,0.16315424,0.774364,0.0005358709],"about_ca_topic_score_codex":0.00031118057,"about_ca_topic_score_gemma":0.0008408862,"teacher_disagreement_score":0.67713875,"about_ca_system_score_codex":0.00002343915,"about_ca_system_score_gemma":0.000027331056,"threshold_uncertainty_score":0.5447562},"labels":[],"label_agreement":null},{"id":"W4367159395","doi":"10.7202/1078263ar","title":"Carol SHEEHAN, Pipes That Won’t Smoke; Coal That Won’t Burn, Haida Sculpture in Argillite, Calgary, Glenbow Museum, 1981","year":2021,"lang":"en","type":"article","venue":"Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Sculpture; Smoke; Art; Archaeology; Art history; History; Geography; Meteorology","score_opus":0.060115354959920396,"score_gpt":0.2529092365264041,"score_spread":0.19279388156648372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367159395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13666278,0.028687961,0.00020191641,0.010925643,0.005389608,0.0012620693,0.0011227634,0.00063083105,0.8151164],"genre_scores_gemma":[0.80584973,0.000535793,0.00008230982,0.0040677167,0.0015903482,0.000035712605,0.00043051265,0.00005951881,0.18734837],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747115,0.00013129525,0.00035774516,0.0006793087,0.0004965712,0.00086390245],"domain_scores_gemma":[0.99876267,0.000041809504,0.00013061489,0.00059355894,0.00020312077,0.00026821808],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013245887,0.0005171985,0.0005693888,0.00010213387,0.00044934356,0.00045890588,0.00037143732,0.0003646646,0.002306425],"category_scores_gemma":[0.00004443631,0.00041089015,0.0003072168,0.00001542552,0.00039171506,0.0005089364,0.00017107747,0.0007467242,0.00020191992],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064617314,0.0005433063,0.014385747,0.0004116625,0.0002792443,0.00075406826,0.6481026,0.00006651642,0.00035164654,0.10483164,0.22880702,0.0014019335],"study_design_scores_gemma":[0.0009234942,0.00005346485,0.0029060612,0.00017831133,0.0000817249,0.00003622902,0.024019938,0.00006284374,0.0011874156,0.0030267674,0.96691144,0.00061228906],"about_ca_topic_score_codex":0.0015935528,"about_ca_topic_score_gemma":0.042579632,"teacher_disagreement_score":0.73810446,"about_ca_system_score_codex":0.00015311719,"about_ca_system_score_gemma":0.00014555598,"threshold_uncertainty_score":0.9998343},"labels":[],"label_agreement":null},{"id":"W4377239733","doi":"10.1515/9780773570832-010","title":"Alan Jarvis as “the Billy Graham of Canadian Art”","year":2003,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Performance art; History; Art","score_opus":0.033484620213947706,"score_gpt":0.19290161171717468,"score_spread":0.15941699150322697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377239733","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000065306367,0.0000039605243,0.0000021353023,0.00051473035,0.00044244225,0.00040020933,0.0021597943,0.00007024342,0.99639994],"genre_scores_gemma":[0.003077775,0.00013355284,0.000013235322,0.001457289,0.00021017436,0.0000011506016,0.00009429288,0.00007271264,0.9949398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983996,0.00006133107,0.00028297046,0.0004134711,0.0003244645,0.0005181243],"domain_scores_gemma":[0.99836767,0.00006462556,0.00026958008,0.00067060353,0.00027017796,0.0003573607],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000098693985,0.00044105924,0.0004747525,0.0005901186,0.0009817691,0.00005932367,0.00054359494,0.0002941312,0.0008430391],"category_scores_gemma":[0.00000932912,0.0004029589,0.00031883718,0.0000012491104,0.00087971456,0.00009613131,0.00014591572,0.00045975333,0.000095148425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015051909,0.000008591732,7.1284103e-7,0.000044819222,0.00020404863,0.000100280675,0.006219583,0.0000015260571,3.9800167e-7,0.93105155,0.062173795,0.000179616],"study_design_scores_gemma":[0.0003037649,0.00007981888,0.0000015358273,0.000094736,0.0002701379,0.0000036539045,0.00046944158,0.0000017944814,0.000051443807,0.0067193676,0.9915469,0.00045738995],"about_ca_topic_score_codex":0.30714184,"about_ca_topic_score_gemma":0.03724346,"teacher_disagreement_score":0.92937315,"about_ca_system_score_codex":0.000219189,"about_ca_system_score_gemma":0.00018424152,"threshold_uncertainty_score":0.9998422},"labels":[],"label_agreement":null},{"id":"W4378386964","doi":"10.1515/9780773586826","title":"The Allied Arts","year":2012,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Visual arts; Art","score_opus":0.040808385027242475,"score_gpt":0.21271230590125442,"score_spread":0.17190392087401196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378386964","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000012095852,0.000010322149,0.000012722518,0.00018714344,0.0010210176,0.00041397836,0.0008728762,0.0002372231,0.9972435],"genre_scores_gemma":[0.0007816256,0.0001405937,0.0000132147,0.00043636226,0.0013612573,0.0000028231982,0.000114542876,0.00008056943,0.997069],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814636,0.00009376418,0.00025049306,0.0004007767,0.00037895783,0.00072967535],"domain_scores_gemma":[0.998353,0.00019115051,0.00027691762,0.0007265866,0.00019445324,0.00025786817],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00014143727,0.00046892712,0.0004105399,0.00011094035,0.0023389214,0.00015460046,0.00068735605,0.00029057078,0.00016536677],"category_scores_gemma":[0.000008836041,0.00040138763,0.0003145236,3.934752e-7,0.00091920275,0.00017056694,0.00045587774,0.000587855,0.00012961566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030614872,0.000017128295,2.3224754e-7,0.00004510446,0.00018388972,0.000030682746,0.0070665726,5.6719387e-7,1.9382122e-7,0.8122875,0.17980386,0.00053362985],"study_design_scores_gemma":[0.00034222397,0.000037825586,0.0000016640341,0.00006717817,0.00029841653,0.0000012410177,0.0004261199,0.0000030908166,0.000025560228,0.0038676758,0.9944271,0.0005019197],"about_ca_topic_score_codex":0.001463784,"about_ca_topic_score_gemma":0.00009991431,"teacher_disagreement_score":0.81462324,"about_ca_system_score_codex":0.00031780312,"about_ca_system_score_gemma":0.000119359036,"threshold_uncertainty_score":0.9998438},"labels":[],"label_agreement":null},{"id":"W4378436421","doi":"10.1515/9780773559950","title":"Art and Politics","year":2019,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Political science; Law","score_opus":0.027406685079738136,"score_gpt":0.20490233855810602,"score_spread":0.17749565347836788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378436421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000056612994,0.0000043824175,0.000012261892,0.000102233986,0.0005381346,0.00037551016,0.002270299,0.0001856456,0.99650586],"genre_scores_gemma":[0.0004515553,0.00010658647,0.000027417775,0.0006598182,0.00072237564,8.5444e-7,0.00018579465,0.00007687421,0.9977687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984048,0.00006156293,0.00021515979,0.00050306844,0.00027973307,0.0005356893],"domain_scores_gemma":[0.99876815,0.000096641896,0.00019155376,0.0005234584,0.00017740083,0.00024279897],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005970789,0.00044603425,0.00051536784,0.00020726089,0.0007183001,0.00010954122,0.00033592567,0.0003205983,0.0001793443],"category_scores_gemma":[0.0000067074575,0.00049555727,0.00019307861,3.381603e-7,0.0007005063,0.00015363563,0.00042604018,0.0004842759,0.00012759796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012611889,0.0000134124175,5.5241594e-7,0.00017192255,0.00013041726,0.00005467572,0.004697359,5.4915813e-7,1.5756164e-7,0.8302273,0.1645558,0.00013519784],"study_design_scores_gemma":[0.00051349326,0.00008137604,0.0000015726744,0.00013355953,0.00028654435,0.0000027014116,0.0002847821,0.0000096162075,0.000015897971,0.0046174373,0.99348587,0.0005671397],"about_ca_topic_score_codex":0.0012340357,"about_ca_topic_score_gemma":0.000022236301,"teacher_disagreement_score":0.8289301,"about_ca_system_score_codex":0.00027131828,"about_ca_system_score_gemma":0.0001462438,"threshold_uncertainty_score":0.9997496},"labels":[],"label_agreement":null},{"id":"W4379207664","doi":"10.4000/critiquedart.104385","title":"Zoe Leonard","year":2023,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","score_opus":0.05119955171270413,"score_gpt":0.3034358965781437,"score_spread":0.25223634486543955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379207664","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036593368,0.003250635,0.00018935144,0.065414764,0.006139332,0.0002640136,0.0009227094,0.00053619803,0.9196237],"genre_scores_gemma":[0.056402143,0.0021464305,0.000039878523,0.0054635243,0.0049854787,0.00004585018,0.00027327516,0.000081676524,0.9305617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979756,0.000117642674,0.0003716464,0.0003820369,0.00024542454,0.0009076637],"domain_scores_gemma":[0.99895215,0.0001591935,0.000053935193,0.0003977665,0.00017543891,0.00026153243],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002959753,0.00029578846,0.00031976134,0.00014896264,0.00070365675,0.00029890027,0.00023004098,0.00019890784,0.008615532],"category_scores_gemma":[0.00008710803,0.00033538014,0.0002344553,0.000007714795,0.0009166174,0.00035511696,0.000113784954,0.0003554477,0.033639383],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039715756,0.000049360093,0.000025520783,0.00015379806,0.000027328126,0.00010977886,0.019968433,0.000002690011,0.000010272122,0.43194625,0.54608613,0.0016164641],"study_design_scores_gemma":[0.00025654607,0.00010042636,0.00021706626,0.00017934188,0.000062531326,0.000019252058,0.0042660576,0.000307495,0.000118015705,0.039722443,0.95436233,0.00038847164],"about_ca_topic_score_codex":0.00056655606,"about_ca_topic_score_gemma":0.004522159,"teacher_disagreement_score":0.4082762,"about_ca_system_score_codex":0.00007564211,"about_ca_system_score_gemma":0.00013563996,"threshold_uncertainty_score":0.9999098},"labels":[],"label_agreement":null},{"id":"W4379416048","doi":"10.1353/thr.2011.a413102","title":"Fourteen Drawings","year":2011,"lang":"en","type":"article","venue":"The Hopkins review/Hopkins review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer graphics (images); Computer science; Resolution (logic); Art; Art history; Artificial intelligence","score_opus":0.0977583564258282,"score_gpt":0.2772048734480014,"score_spread":0.17944651702217318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379416048","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000022848639,0.4105572,0.00013001081,0.0030921544,0.00090989034,0.0019223738,0.0000857423,0.00024171254,0.58303803],"genre_scores_gemma":[0.00889887,0.90752965,0.00014370463,0.06063774,0.0014712203,0.00036097717,0.00007209065,0.00013185179,0.020753916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956568,0.00045279178,0.0015064995,0.00072268315,0.00064242264,0.0010188206],"domain_scores_gemma":[0.9967093,0.00013165867,0.00064456847,0.0018160351,0.0003688989,0.000329567],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001478988,0.0007300409,0.0015238952,0.00019412402,0.000836621,0.00014128677,0.0013343355,0.000105655716,0.013218908],"category_scores_gemma":[0.00014499138,0.000476015,0.0009963523,0.000054508535,0.00072187645,0.0004496239,0.00031865534,0.00059017394,0.0050995336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000110545425,0.00037789327,0.000052425545,0.028107679,0.00035124575,0.00006843361,0.031127114,1.1226951e-7,0.0000017355029,0.11038008,0.57445145,0.25507078],"study_design_scores_gemma":[0.00020815097,0.00009780045,0.00004301909,0.016182994,0.00082015095,0.0000632137,0.00008935919,0.000010257235,0.0000045191928,0.0010758785,0.9807672,0.00063748745],"about_ca_topic_score_codex":0.002698943,"about_ca_topic_score_gemma":0.0077899094,"teacher_disagreement_score":0.5622842,"about_ca_system_score_codex":0.00011833503,"about_ca_system_score_gemma":0.00020654994,"threshold_uncertainty_score":0.99976915},"labels":[],"label_agreement":null},{"id":"W4379741560","doi":"10.1353/mos.2017.a663687","title":"Bodybuilding","year":2017,"lang":"en","type":"article","venue":"Mosaic","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Object (grammar); Exhibition; Feeling; Sculpture; Space (punctuation); Field (mathematics); Aesthetics; Art; Visual arts; Epistemology; Philosophy; Linguistics; Mathematics","score_opus":0.08000116147659708,"score_gpt":0.2886652614019525,"score_spread":0.2086640999253554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379741560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07223172,0.00009649621,0.00007159961,0.0012224655,0.0011069814,0.000063219275,0.00004091779,0.000089998124,0.9250766],"genre_scores_gemma":[0.85323083,0.0000070017695,0.000031567237,0.00043140532,0.00107263,0.0000037314853,0.0000063739694,0.000010523524,0.14520593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956226,0.0000062196473,0.000074840464,0.00009938975,0.00007118755,0.00018611172],"domain_scores_gemma":[0.9995332,0.000009768971,0.00005014733,0.00033618772,0.000022860853,0.00004783246],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005457226,0.00006453141,0.0000764938,0.00001796937,0.0010787164,0.00031684546,0.00019390778,0.000018190254,0.0010557998],"category_scores_gemma":[0.00002674396,0.000056746074,0.000041865558,1.0590103e-7,0.00020593828,0.00018911989,0.000057471887,0.000056536308,0.0003458149],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049767687,0.000045935376,0.0013200197,0.000025069874,0.000034373355,0.000019692903,0.089199185,0.0000018244241,0.0001704889,0.7776812,0.12343964,0.008057618],"study_design_scores_gemma":[0.000115508796,0.000013482036,0.00043113143,0.000009098182,0.000008101424,8.606892e-7,0.0002741836,0.000102449536,0.00023661848,0.014745975,0.9839748,0.00008780395],"about_ca_topic_score_codex":0.0010943742,"about_ca_topic_score_gemma":0.0037061907,"teacher_disagreement_score":0.86053514,"about_ca_system_score_codex":0.0000127605545,"about_ca_system_score_gemma":0.000012812409,"threshold_uncertainty_score":0.99985737},"labels":[],"label_agreement":null},{"id":"W4379804935","doi":"10.1353/fro.2012.a483541","title":"Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women","year":2012,"lang":"en","type":"article","venue":"Frontiers A Journal of Women Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Feminism; Art; Art history; Visual arts; Performance art; Sociology; Gender studies","score_opus":0.07887656479850846,"score_gpt":0.2792951515372003,"score_spread":0.20041858673869184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379804935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9304203,0.054604813,0.00043809664,0.0066929366,0.0011523132,0.00052101054,0.00018693368,0.000036574453,0.005947037],"genre_scores_gemma":[0.96537673,0.0060163653,0.00010712503,0.0008697175,0.000807809,0.00022608174,0.000003550733,0.000031631625,0.026560992],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980316,0.00028877507,0.00038795834,0.00011963555,0.00022824986,0.00094377465],"domain_scores_gemma":[0.9984438,0.0003311367,0.00037211587,0.00019962307,0.00033358348,0.00031978113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016791329,0.00028093928,0.00073259894,0.000095534146,0.0012545264,0.00017326132,0.00022801314,0.00005592439,0.000043546726],"category_scores_gemma":[0.00020748377,0.00017937554,0.00008561341,0.000006194373,0.0010238013,0.00048093783,0.00010345188,0.00039125458,0.00000284017],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014561837,0.00016299642,0.0001240512,0.00007859627,0.0014255068,0.0000017563419,0.83915126,3.0356887e-7,0.000029976592,0.0016985271,0.15628609,0.0008953164],"study_design_scores_gemma":[0.00074615586,0.00066023896,0.000070850496,0.00003502805,0.000046017645,0.000012750288,0.5653567,0.0000037553166,0.000026590942,0.0036550458,0.4292454,0.00014149629],"about_ca_topic_score_codex":0.000007840041,"about_ca_topic_score_gemma":0.00005081364,"teacher_disagreement_score":0.2737946,"about_ca_system_score_codex":0.00055558165,"about_ca_system_score_gemma":0.00005222405,"threshold_uncertainty_score":0.96489304},"labels":[],"label_agreement":null},{"id":"W4380233477","doi":"10.1515/9780228013280-003","title":"Unsettling Canadian Art History","year":2022,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03836654642050325,"score_gpt":0.1862361051778119,"score_spread":0.14786955875730864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380233477","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[7.4035745e-7,0.000009037548,0.0000025725683,0.00018930118,0.0012559682,0.00022683787,0.0028594478,0.00020917394,0.99524695],"genre_scores_gemma":[0.0005531802,0.00008134346,0.000015021351,0.0012958134,0.00046172517,0.0000019535137,0.00033149862,0.00010848998,0.99715096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982577,0.000051001633,0.00023399704,0.0005409141,0.00033819742,0.0005781786],"domain_scores_gemma":[0.99860865,0.000051051553,0.0002051904,0.0005536091,0.00013795916,0.00044356755],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000087483946,0.0004534064,0.00043492735,0.0004625461,0.0013834403,0.000042609172,0.0005055573,0.00023194056,0.00681216],"category_scores_gemma":[0.0000048427414,0.000583483,0.00030233286,2.8588988e-7,0.00050687586,0.00015098834,0.00027812997,0.0007558416,0.000117573996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015542726,0.000006250759,2.0021142e-7,0.000043320175,0.0001315756,0.00035023957,0.007051018,0.00000437491,1.3761739e-7,0.8461395,0.14607105,0.00018681536],"study_design_scores_gemma":[0.0002756376,0.000050742,3.8490896e-7,0.00005627664,0.00022511568,0.0000024794876,0.00031711432,0.0000066604157,0.0000020428793,0.0013653532,0.9970502,0.00064796],"about_ca_topic_score_codex":0.25283432,"about_ca_topic_score_gemma":0.022121036,"teacher_disagreement_score":0.8509792,"about_ca_system_score_codex":0.0026200386,"about_ca_system_score_gemma":0.0003895177,"threshold_uncertainty_score":0.9999166},"labels":[],"label_agreement":null},{"id":"W4380233657","doi":"10.1515/9780228012313-001","title":"Acknowledgments","year":2022,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.040630663164682695,"score_gpt":0.21382055947880885,"score_spread":0.17318989631412615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380233657","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000015140915,0.0000035184423,0.0000054919524,0.00007772256,0.000991533,0.00036668754,0.0026489422,0.00026182362,0.9956428],"genre_scores_gemma":[0.0008456068,0.00011126304,0.000017208513,0.00038999095,0.0005244925,0.0000024854733,0.00019744963,0.000099281395,0.9978122],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998295,0.00005116787,0.00024185712,0.0005547523,0.00040268438,0.00045452724],"domain_scores_gemma":[0.9987523,0.0000530274,0.0002372768,0.0005795535,0.00017222273,0.00020561226],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000069886686,0.00047415556,0.00046041186,0.00024052149,0.001473963,0.00007014909,0.00057799433,0.0002051341,0.0055767572],"category_scores_gemma":[0.0000047495428,0.00055714604,0.0003351719,3.0251098e-7,0.0004587789,0.000168133,0.00081493735,0.00062851486,0.00015177432],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003759215,0.000024426672,2.819692e-7,0.00006889463,0.00023865458,0.0001570499,0.006518556,0.000001559408,3.2574903e-7,0.9557348,0.03677489,0.00044298286],"study_design_scores_gemma":[0.00049851445,0.000088131565,4.809661e-7,0.0000644298,0.0002757862,0.0000012406837,0.0003144742,0.000003864251,0.000018393761,0.004597729,0.99353886,0.00059808913],"about_ca_topic_score_codex":0.0020372255,"about_ca_topic_score_gemma":0.000046387344,"teacher_disagreement_score":0.956764,"about_ca_system_score_codex":0.00040042753,"about_ca_system_score_gemma":0.000064770684,"threshold_uncertainty_score":0.99982595},"labels":[],"label_agreement":null},{"id":"W4380237687","doi":"10.1515/9780773575837-014","title":"<i>“A Museum without Walls”</i>: The National Gallery of Canada, 1955–1956","year":2009,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Archaeology; Visual arts; Geography; History","score_opus":0.030435962993423056,"score_gpt":0.19971769870067776,"score_spread":0.16928173570725472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380237687","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000046333057,0.0000030747706,0.0000050093763,0.00057695387,0.00029199247,0.00031385524,0.00197719,0.00007058257,0.99675673],"genre_scores_gemma":[0.022920022,0.000048588292,0.00001756968,0.0013826109,0.00043460293,9.3934165e-7,0.00006849647,0.000049693066,0.97507745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808973,0.000052973694,0.00031362224,0.00038371683,0.00075349846,0.0004064454],"domain_scores_gemma":[0.9984957,0.00008853049,0.0003690258,0.0003823254,0.0005088192,0.00015558553],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000121217236,0.00041966728,0.00047400003,0.0001415964,0.0009212948,0.00004303278,0.0005808745,0.00020206773,0.00024692956],"category_scores_gemma":[0.000010465102,0.00037763716,0.0002451256,5.793097e-7,0.0005547849,0.000103009006,0.00021312443,0.0004840308,0.0000055870773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042632768,0.000016095857,5.93799e-7,0.00004742779,0.00023259612,0.00003078553,0.0032001196,0.0000124005965,0.0000010766155,0.9355172,0.060740944,0.00015813271],"study_design_scores_gemma":[0.0003685755,0.00004865604,0.000009592364,0.000103567,0.00018217329,0.0000019343122,0.0002100895,0.000014195017,0.000046196077,0.00402509,0.9945708,0.00041914417],"about_ca_topic_score_codex":0.21538462,"about_ca_topic_score_gemma":0.05909951,"teacher_disagreement_score":0.93382984,"about_ca_system_score_codex":0.00035633644,"about_ca_system_score_gemma":0.0005467472,"threshold_uncertainty_score":0.99986756},"labels":[],"label_agreement":null},{"id":"W4380237835","doi":"10.1515/9780773575837-013","title":"<i>“A Museum without Walls”</i>: The National Gallery of Canada, 1955–1956","year":2009,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Art history","score_opus":0.030435962993423056,"score_gpt":0.19971769870067776,"score_spread":0.16928173570725472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380237835","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000046333057,0.0000030747706,0.0000050093763,0.00057695387,0.00029199247,0.00031385524,0.00197719,0.00007058257,0.99675673],"genre_scores_gemma":[0.022920022,0.000048588292,0.00001756968,0.0013826109,0.00043460293,9.3934165e-7,0.00006849647,0.000049693066,0.97507745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808973,0.000052973694,0.00031362224,0.00038371683,0.00075349846,0.0004064454],"domain_scores_gemma":[0.9984957,0.00008853049,0.0003690258,0.0003823254,0.0005088192,0.00015558553],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000121217236,0.00041966728,0.00047400003,0.0001415964,0.0009212948,0.00004303278,0.0005808745,0.00020206773,0.00024692956],"category_scores_gemma":[0.000010465102,0.00037763716,0.0002451256,5.793097e-7,0.0005547849,0.000103009006,0.00021312443,0.0004840308,0.0000055870773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042632768,0.000016095857,5.93799e-7,0.00004742779,0.00023259612,0.00003078553,0.0032001196,0.0000124005965,0.0000010766155,0.9355172,0.060740944,0.00015813271],"study_design_scores_gemma":[0.0003685755,0.00004865604,0.000009592364,0.000103567,0.00018217329,0.0000019343122,0.0002100895,0.000014195017,0.000046196077,0.00402509,0.9945708,0.00041914417],"about_ca_topic_score_codex":0.21538462,"about_ca_topic_score_gemma":0.05909951,"teacher_disagreement_score":0.93382984,"about_ca_system_score_codex":0.00035633644,"about_ca_system_score_gemma":0.0005467472,"threshold_uncertainty_score":0.99986756},"labels":[],"label_agreement":null},{"id":"W4380269478","doi":"10.1515/9780228013310","title":"Expo 67 and Its World","year":2022,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.03721275624031841,"score_gpt":0.20932240805761168,"score_spread":0.17210965181729326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380269478","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000069748307,0.000011876502,0.0000022280572,0.00010869401,0.00054955186,0.00040551243,0.0024403273,0.00023877273,0.9962361],"genre_scores_gemma":[0.001196273,0.00011209024,0.000010454996,0.0005424758,0.0005226512,0.0000040304553,0.00017850976,0.00007965403,0.99735385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982553,0.0001047038,0.00022288895,0.0005764796,0.0003564131,0.00048417764],"domain_scores_gemma":[0.99891645,0.00010120572,0.00021654855,0.00041201623,0.00012296769,0.0002307849],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000084612046,0.00044693876,0.0004747313,0.00035430182,0.0015682935,0.00009562602,0.00044443758,0.00015443198,0.0014524834],"category_scores_gemma":[0.0000061181527,0.00052281376,0.00020381516,8.431669e-7,0.00037452285,0.00017975028,0.00083703495,0.00066158234,0.000025479505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003579631,0.000019992434,4.8797983e-7,0.00013175444,0.00014569792,0.0001638414,0.0092388755,0.0000013926028,3.8582598e-7,0.877093,0.112956345,0.0002124223],"study_design_scores_gemma":[0.000507297,0.00007097194,0.0000014487614,0.00007473634,0.00025095453,0.0000019800898,0.0006005483,0.000010221505,0.00002234177,0.002260991,0.9956115,0.0005870161],"about_ca_topic_score_codex":0.0013167765,"about_ca_topic_score_gemma":0.00012848698,"teacher_disagreement_score":0.88265514,"about_ca_system_score_codex":0.00036289325,"about_ca_system_score_gemma":0.000114940456,"threshold_uncertainty_score":0.99973154},"labels":[],"label_agreement":null},{"id":"W4380874194","doi":"10.3138/ctr.127.009","title":"<i>Body Degree Zero</i>: The Mediatized Body in an Interactive Performance","year":2006,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Variety (cybernetics); Poetry; Degree (music); Decomposition; Art; Product (mathematics); Visual arts; Computer science; Aesthetics; Computer graphics (images); Literature; History; Artificial intelligence; Mathematics; Geometry; Physics","score_opus":0.04031556676140243,"score_gpt":0.25623099205813477,"score_spread":0.21591542529673233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874194","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021627177,0.083456725,0.000006833934,0.007150533,0.0008576921,0.0014110764,0.00027657193,0.00008241919,0.88513094],"genre_scores_gemma":[0.976197,0.009494276,0.00000781433,0.0075894645,0.0008186015,0.00007408338,0.00012895525,0.000031423777,0.005658359],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987919,0.0001260715,0.00031835024,0.00019765568,0.00011849388,0.00044753702],"domain_scores_gemma":[0.9992193,0.00006445313,0.00007953106,0.00037309015,0.00006501276,0.0001985964],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026032527,0.00018318891,0.00030499845,0.00008979435,0.0002894074,0.00008528133,0.00029412,0.000035462446,0.0012059415],"category_scores_gemma":[0.000014602368,0.00012375161,0.00008728257,0.000008651147,0.0001900264,0.00026205505,0.000017158784,0.0002116405,0.00029624059],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043855176,0.00031509137,0.008408564,0.003926199,0.00017488489,0.00020934039,0.09991587,0.00001582236,0.000023806948,0.24041681,0.3362885,0.31026125],"study_design_scores_gemma":[0.00016257982,0.000038033628,0.00089254475,0.0007550068,0.00004827022,0.0000065705112,0.000235793,0.00010562956,0.000005480716,0.0013076303,0.9962584,0.00018408835],"about_ca_topic_score_codex":0.15971495,"about_ca_topic_score_gemma":0.9135958,"teacher_disagreement_score":0.9545698,"about_ca_system_score_codex":0.00018525364,"about_ca_system_score_gemma":0.00031424913,"threshold_uncertainty_score":0.9997071},"labels":[],"label_agreement":null},{"id":"W4380874440","doi":"10.3138/ctr.137.012","title":"Target Marketing","year":2009,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Ceiling (cloud); Performing arts; Collar; Aesthetics; Engineering","score_opus":0.034716799528205715,"score_gpt":0.24516880369883906,"score_spread":0.21045200417063334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036431073,0.12340801,0.000003021977,0.008934067,0.0001865953,0.00019063165,0.000065380285,0.000039700844,0.8671362],"genre_scores_gemma":[0.46605572,0.10488214,0.00037772272,0.24364235,0.005231725,0.000040045375,0.00023900905,0.00009954014,0.17943174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915147,0.000067165776,0.0001839634,0.00014104386,0.00007280093,0.0003835342],"domain_scores_gemma":[0.9993248,0.000024918883,0.000037034424,0.00022862454,0.000039582646,0.0003450693],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028690472,0.00012026088,0.00022000856,0.000053664586,0.00026273055,0.00005476789,0.00013737535,0.00002359211,0.0055841855],"category_scores_gemma":[0.000032041306,0.000102379105,0.00010161591,0.0000024725218,0.00006245153,0.000079706275,0.000005064322,0.00009002591,0.0004008264],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015763871,0.000014245147,0.0000478435,0.00082644157,0.000024427542,0.00004845173,0.006480578,2.8322623e-7,7.7597275e-7,0.101851456,0.5611621,0.3295418],"study_design_scores_gemma":[0.000035644054,0.00001359658,0.00005809618,0.0009367869,0.000028478762,0.0000060518328,0.00007980446,0.000005504771,8.2341e-7,0.0028476405,0.99585205,0.00013549443],"about_ca_topic_score_codex":0.02271408,"about_ca_topic_score_gemma":0.33783147,"teacher_disagreement_score":0.68770444,"about_ca_system_score_codex":0.00008617709,"about_ca_system_score_gemma":0.00020096476,"threshold_uncertainty_score":0.99532485},"labels":[],"label_agreement":null},{"id":"W4380926320","doi":"10.3138/ctr.126.fm","title":"Heterotopian Creation: Beyond the Utopia of Theatres and Galleries","year":2006,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Analogy; Relation (database); Space (punctuation); Art history; Art; Aesthetics; Philosophy; Epistemology; Computer science","score_opus":0.02161568610483666,"score_gpt":0.23271711270705941,"score_spread":0.21110142660222275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380926320","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00150646,0.12845488,0.0000027080418,0.009257992,0.00015116451,0.00049299834,0.00015733659,0.000020049483,0.8599564],"genre_scores_gemma":[0.834193,0.048109338,0.00004521574,0.014147133,0.0018562627,0.000115388146,0.00011691514,0.000056089793,0.101360664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931246,0.000050798662,0.00022374964,0.0001183015,0.000079752164,0.00021494483],"domain_scores_gemma":[0.9994998,0.000038974697,0.000058326066,0.00025082316,0.000048214977,0.00010387409],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010761714,0.00011895218,0.00022641846,0.000040555973,0.00029452072,0.00005684514,0.000120212375,0.000024080618,0.0010833149],"category_scores_gemma":[0.0000056234635,0.00007583932,0.00007754713,0.0000034963625,0.00043517028,0.00007520176,0.000013182473,0.000058871596,0.000017504852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016130487,0.000012144175,0.0006684841,0.0011282312,0.000039223312,0.000006037959,0.008394129,5.194202e-7,0.0000016810671,0.9018495,0.047241915,0.04065652],"study_design_scores_gemma":[0.00005468913,0.000019914025,0.00031008938,0.00037065241,0.00005419346,0.0000070839055,0.00017772103,0.0000024807791,0.000007770405,0.008517157,0.9903874,0.0000908553],"about_ca_topic_score_codex":0.15304025,"about_ca_topic_score_gemma":0.80315477,"teacher_disagreement_score":0.94314545,"about_ca_system_score_codex":0.000027970606,"about_ca_system_score_gemma":0.00011324886,"threshold_uncertainty_score":0.9998298},"labels":[],"label_agreement":null},{"id":"W4380928770","doi":"10.3138/ctr.126.004","title":"Admitting Where I’m At","year":2006,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Stairs; Visual arts; Public space; Architecture; Basement; Bar (unit); Space (punctuation); White (mutation); Art; Art history; Media studies; History; Sociology; Engineering; Geography; Archaeology; Computer science; Architectural engineering","score_opus":0.033387799894827354,"score_gpt":0.23609315608633397,"score_spread":0.20270535619150662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928770","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002267865,0.22892313,0.0000010012088,0.0036311036,0.0002132483,0.00018845318,0.000103295046,0.000040371146,0.7666726],"genre_scores_gemma":[0.2729552,0.055157445,0.00006838224,0.031976447,0.005646,0.0000729314,0.00026229623,0.00013098604,0.6337303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990935,0.000036353384,0.00021997376,0.00016006474,0.0000807606,0.0004094034],"domain_scores_gemma":[0.9993769,0.000021835747,0.00004978608,0.00024573432,0.00004229468,0.0002634607],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000111359266,0.00013421528,0.00022678167,0.00004582374,0.00040153976,0.00005085365,0.00012579729,0.000029466124,0.0070651164],"category_scores_gemma":[0.000007177776,0.000114941475,0.00011834351,0.0000024487358,0.00010252905,0.00007181774,0.000016005459,0.0000758773,0.0010323329],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.9104216e-7,0.000009138362,0.0003831627,0.0014209033,0.00001958864,0.000043015636,0.0027337489,4.1624097e-7,0.000001086059,0.11272018,0.84232336,0.040344905],"study_design_scores_gemma":[0.000047657395,0.0000078791345,0.000028563316,0.0009957037,0.000045888803,0.000010313474,0.000067274304,0.000003329354,0.0000023307343,0.001299027,0.9973417,0.00015034035],"about_ca_topic_score_codex":0.29237685,"about_ca_topic_score_gemma":0.9764683,"teacher_disagreement_score":0.68409145,"about_ca_system_score_codex":0.00020735168,"about_ca_system_score_gemma":0.0001911162,"threshold_uncertainty_score":0.9997455},"labels":[],"label_agreement":null},{"id":"W4380928813","doi":"10.3138/ctr.108.002","title":"Speaking from the Pre-symbolic: Morris Panych and Wendy Gorling’s <i>The Overcoat</i>","year":2001,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Predestination; Ostracism; Art; Aesthetics; Psychology; Theology; Psychoanalysis; Sociology; Social psychology; Philosophy","score_opus":0.04420142389419398,"score_gpt":0.2510333475001517,"score_spread":0.20683192360595773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928813","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064073955,0.44758382,0.000010451756,0.02459199,0.0007224273,0.00087976054,0.00043694966,0.00006186357,0.51930535],"genre_scores_gemma":[0.6705352,0.22374707,0.000019315652,0.08180469,0.0044840747,0.00007437271,0.0000793188,0.00008384357,0.019172097],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880886,0.00011531964,0.00026028193,0.00023250184,0.00012770409,0.0004553022],"domain_scores_gemma":[0.9989315,0.00015609653,0.00007679988,0.0005228604,0.000042151885,0.00027055453],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025996228,0.0001993667,0.0002871249,0.00002564895,0.00076994504,0.00019016833,0.0003265867,0.00003749557,0.0017703703],"category_scores_gemma":[0.000033530592,0.00011306234,0.00011681658,0.0000069290463,0.00028757635,0.000109271394,0.000038705726,0.00020963227,0.00011902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006089082,0.000029198434,0.0029283296,0.0005577741,0.00021477249,0.0000800141,0.12891613,0.0000017287401,0.0000022813535,0.07489382,0.33924,0.45312986],"study_design_scores_gemma":[0.00007422866,0.000010121357,0.0004170426,0.0007807389,0.0001528499,0.000020201207,0.0007189473,0.000020457801,7.2772804e-7,0.0023782442,0.9952632,0.0001632062],"about_ca_topic_score_codex":0.4614846,"about_ca_topic_score_gemma":0.93501645,"teacher_disagreement_score":0.6641278,"about_ca_system_score_codex":0.00008456057,"about_ca_system_score_gemma":0.0001792845,"threshold_uncertainty_score":0.99914217},"labels":[],"label_agreement":null},{"id":"W4381295315","doi":"10.3167/turba.2023.020102","title":"Re/Visiting","year":2023,"lang":"en","type":"article","venue":"TURBA","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Innocence; Power (physics); Aesthetics; Media studies; Sociology; Visual arts; Psychology; Art; Computer science; Psychoanalysis; World Wide Web","score_opus":0.09616485244187953,"score_gpt":0.27686096270829635,"score_spread":0.18069611026641683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381295315","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0588157,0.000052130992,0.000013870579,0.0013011651,0.0005731776,0.00005135521,0.000030930863,0.00042587135,0.9387358],"genre_scores_gemma":[0.6846473,0.0000052131218,0.000009398253,0.0006954546,0.0011973149,0.0000032060345,0.000018105395,0.000011180276,0.3134128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995017,0.000010364826,0.00008964145,0.00009562825,0.00008393556,0.0002187149],"domain_scores_gemma":[0.9997588,0.00003661617,0.000021531047,0.00011729151,0.00002449088,0.000041278072],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000078179786,0.000059611877,0.00006987538,0.000042059495,0.00023305435,0.00006457129,0.00006875525,0.000017059107,0.0017700841],"category_scores_gemma":[0.00001922983,0.000052740135,0.000039755956,0.000001485131,0.000076875076,0.00007406907,0.000035929203,0.000059516733,0.0022137796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028117186,0.000011565416,0.0001467011,0.000028440743,0.000017795835,0.00002374407,0.2624361,0.0000049432497,0.000024281324,0.40118125,0.33289838,0.0032239745],"study_design_scores_gemma":[0.000076838995,0.000012168373,0.00018447677,0.000008671637,0.0000050554013,3.7242114e-7,0.0056631365,0.00025213833,0.00005870078,0.01721284,0.9764424,0.00008319548],"about_ca_topic_score_codex":0.0003330733,"about_ca_topic_score_gemma":0.0015488709,"teacher_disagreement_score":0.643544,"about_ca_system_score_codex":0.000010313612,"about_ca_system_score_gemma":0.000011027865,"threshold_uncertainty_score":0.9991424},"labels":[],"label_agreement":null},{"id":"W4381743528","doi":"10.1162/artm_x_00359","title":"Contributors","year":2023,"lang":"en","type":"article","venue":"ARTMargins","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.05960972966842529,"score_gpt":0.2586237498328053,"score_spread":0.19901402016438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381743528","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14559667,0.00006312043,0.00006311174,0.003344567,0.001776118,0.00017011334,0.00025257177,0.0008558486,0.84787786],"genre_scores_gemma":[0.8091014,0.000017965807,0.000004825343,0.0010025342,0.00078617316,0.000010250601,0.00005951062,0.000014794689,0.18900253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993171,0.000015102397,0.00011373991,0.00012186824,0.00010834055,0.0003238533],"domain_scores_gemma":[0.99964684,0.000053088937,0.000024152794,0.00015695464,0.000042842206,0.00007609532],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009327789,0.00008218473,0.0001018817,0.000069850415,0.0002853346,0.00007094624,0.000089292895,0.000021577409,0.0015765209],"category_scores_gemma":[0.00002957845,0.00007280182,0.00006128257,0.0000025627837,0.00014908337,0.000109415094,0.000038160542,0.000060468596,0.00507347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030861638,0.000023459545,0.00045953348,0.00000797179,0.000024810533,0.00001759916,0.06437263,0.0000047063804,0.000025559877,0.66799974,0.26629865,0.0007622418],"study_design_scores_gemma":[0.00019063587,0.00002255068,0.0010649837,0.0000046441196,0.0000083493105,7.1087595e-7,0.0012464357,0.0001839649,0.00007654744,0.012263867,0.98483294,0.00010433885],"about_ca_topic_score_codex":0.00032152978,"about_ca_topic_score_gemma":0.004120073,"teacher_disagreement_score":0.7185343,"about_ca_system_score_codex":0.000018651084,"about_ca_system_score_gemma":0.000023074355,"threshold_uncertainty_score":0.9993362},"labels":[],"label_agreement":null},{"id":"W4382241527","doi":"10.1515/9780228006473","title":"The Productions of Time","year":2021,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02521579215070896,"score_gpt":0.20017535227710287,"score_spread":0.1749595601263939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382241527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000019899048,0.000007573279,0.0000053868666,0.00021966087,0.00049783045,0.00030095657,0.0012315206,0.00010128851,0.9976338],"genre_scores_gemma":[0.00013233713,0.0001271201,0.000016355827,0.00007464711,0.0006181813,0.0000015994037,0.00011933202,0.000042348634,0.9988681],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872845,0.00009676722,0.00022693789,0.00035783375,0.00027082188,0.00031919227],"domain_scores_gemma":[0.99849635,0.00011496265,0.00024929695,0.0006512134,0.00039434695,0.00009382812],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000089132,0.00027205853,0.00035947558,0.000097069526,0.0013730131,0.00006500445,0.00042213607,0.00015821756,0.00019721025],"category_scores_gemma":[0.000016937824,0.00024431618,0.00026790946,6.8724495e-7,0.00092517637,0.0000887185,0.00033229197,0.00036594193,0.000027948825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016197784,0.000022073837,8.6761546e-8,0.00007437175,0.00022391033,0.000023853652,0.005727069,0.000002401165,0.0000019313125,0.8398121,0.1538559,0.00024008343],"study_design_scores_gemma":[0.00018668488,0.000038916256,4.891485e-7,0.00009672058,0.0002591824,0.0000013970014,0.00051761355,0.000004229374,0.0001540127,0.002068063,0.99641013,0.00026258413],"about_ca_topic_score_codex":0.0012145839,"about_ca_topic_score_gemma":0.00004246041,"teacher_disagreement_score":0.8425542,"about_ca_system_score_codex":0.00016945937,"about_ca_system_score_gemma":0.00021819165,"threshold_uncertainty_score":0.99992704},"labels":[],"label_agreement":null},{"id":"W4382456696","doi":"10.1515/9780773550810","title":"Narratives Unfolding","year":2017,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Computer science; Art; Literature","score_opus":0.044622207573429926,"score_gpt":0.23077666642170253,"score_spread":0.18615445884827259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382456696","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000051246293,0.0000038898725,0.000018484228,0.0001232734,0.00083125074,0.00036190267,0.0015154476,0.0002615887,0.99687904],"genre_scores_gemma":[0.0016355271,0.00005275262,0.000039711125,0.00020164294,0.0010046016,0.0000018725473,0.00013570224,0.00008330014,0.9968449],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981854,0.000087596796,0.00024099776,0.0005866447,0.00034140327,0.0005579547],"domain_scores_gemma":[0.998181,0.00007177945,0.00044721423,0.00083213655,0.00023927887,0.00022863083],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00009023848,0.0005388796,0.0006069333,0.00022909942,0.0027466665,0.00024081784,0.0008554083,0.00033814867,0.000260431],"category_scores_gemma":[0.000013029434,0.00058545044,0.0003461047,2.5248968e-7,0.0010724845,0.0003354191,0.00052526133,0.0005853415,0.00006104714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029212544,0.000016911943,4.2460744e-7,0.00011768831,0.00022913194,0.00015281835,0.029096685,9.062694e-7,0.0000010004428,0.87031364,0.09976759,0.00027396381],"study_design_scores_gemma":[0.00047498618,0.000064826585,0.0000011231025,0.00026643067,0.00018880314,0.0000014426655,0.0013093118,0.0000035704973,0.000055668097,0.0066598905,0.9903007,0.0006732117],"about_ca_topic_score_codex":0.0022340366,"about_ca_topic_score_gemma":0.00007423756,"teacher_disagreement_score":0.89053315,"about_ca_system_score_codex":0.00036533736,"about_ca_system_score_gemma":0.00018833882,"threshold_uncertainty_score":0.9996597},"labels":[],"label_agreement":null},{"id":"W4382457530","doi":"10.1515/9780773550810-016","title":"Urban Art Histories (in Canada)","year":2017,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.030892286263676697,"score_gpt":0.1885702332140199,"score_spread":0.1576779469503432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382457530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000019979968,0.0000049097853,0.0000022268052,0.00015809087,0.0009820972,0.00025402126,0.0015170664,0.00008018695,0.9969994],"genre_scores_gemma":[0.007508884,0.00004633238,0.0000079936635,0.00025581027,0.00043371718,0.0000011446996,0.000077876015,0.00006561882,0.9916026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840915,0.000028460108,0.0002390568,0.00047311842,0.00037976506,0.00047042785],"domain_scores_gemma":[0.9985641,0.000047381163,0.000303095,0.00072612404,0.00015474719,0.00020450029],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000053808202,0.00044510388,0.00054026296,0.00016888614,0.0010602684,0.000072767514,0.0005886046,0.00020346108,0.00032638546],"category_scores_gemma":[0.000008090246,0.0005194975,0.00017151648,1.2845332e-7,0.00054215675,0.00016170004,0.00028467068,0.00049805513,0.000022726674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028072142,0.0000061732594,0.0000047957815,0.000058770813,0.00008007881,0.00035359533,0.005017571,7.022862e-7,1.0795678e-7,0.85593575,0.13836385,0.00015050151],"study_design_scores_gemma":[0.00036586897,0.000029515708,0.000006381719,0.0001260108,0.00012312894,0.0000010049627,0.00027680225,0.0000034313543,0.000010677276,0.0016827004,0.99679554,0.00057893735],"about_ca_topic_score_codex":0.80771995,"about_ca_topic_score_gemma":0.622508,"teacher_disagreement_score":0.8584317,"about_ca_system_score_codex":0.0015894782,"about_ca_system_score_gemma":0.0005660282,"threshold_uncertainty_score":0.99972564},"labels":[],"label_agreement":null},{"id":"W4382468994","doi":"10.1515/9780773550674-004","title":"Keen Propagandists for Canadian Art","year":2017,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Art history; History","score_opus":0.043080020169341246,"score_gpt":0.21600183662447472,"score_spread":0.1729218164551335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382468994","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[6.9758266e-7,0.0000016389339,0.000019360123,0.00025443107,0.00057539955,0.00085994543,0.0071844403,0.00012554642,0.99097854],"genre_scores_gemma":[0.0024523903,0.000029748835,0.00003111433,0.00035336264,0.00072166935,0.000004477496,0.00035254058,0.00009558075,0.9959591],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984342,0.000018520777,0.00020299491,0.0005208047,0.00021375944,0.0006097546],"domain_scores_gemma":[0.9982326,0.000042512882,0.00026847384,0.00071923574,0.00028085435,0.00045630272],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000077420475,0.000457386,0.0004824905,0.00025417565,0.0024302467,0.00017292654,0.0006104348,0.00033100788,0.00027437732],"category_scores_gemma":[0.000011302968,0.000503781,0.00032035113,1.0410542e-7,0.0006233283,0.00016628594,0.00017561388,0.00033731762,0.00008557269],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036611327,0.0000066944745,4.0178168e-7,0.00010998659,0.00017531311,0.00011751326,0.0036034726,3.532841e-7,1.5839043e-7,0.9295124,0.06595167,0.00048543038],"study_design_scores_gemma":[0.00054433616,0.00007924786,0.000001446121,0.00014400724,0.00027661523,0.0000016647226,0.000093822986,0.000006053,0.00001979404,0.0073267105,0.99088943,0.0006168698],"about_ca_topic_score_codex":0.10617739,"about_ca_topic_score_gemma":0.03970568,"teacher_disagreement_score":0.9249378,"about_ca_system_score_codex":0.00043391128,"about_ca_system_score_gemma":0.00025534222,"threshold_uncertainty_score":0.9997414},"labels":[],"label_agreement":null},{"id":"W4382654876","doi":"10.3138/chr-104-2-rev21","title":"<i>Len &amp; Cub: A Queer History</i>. Meredith J. Batt and Dusty Green","year":2023,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Queer; Art; Gender studies; Sociology","score_opus":0.11063544750050866,"score_gpt":0.2542536059936995,"score_spread":0.14361815849319085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382654876","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001273039,0.44930753,0.00001998721,0.05601408,0.004912923,0.00077774696,0.00027895314,0.00037932253,0.48818216],"genre_scores_gemma":[0.0038098842,0.050479162,0.000031914537,0.026291495,0.0020912956,0.00008920278,0.00010606319,0.00007485135,0.91702616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985977,0.00005956223,0.00030737926,0.0003159218,0.00019425349,0.0005251909],"domain_scores_gemma":[0.99857384,0.000058254285,0.00007049355,0.00034118007,0.00009601196,0.0008602416],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023597723,0.0001993142,0.00042066243,0.00014645871,0.00027307024,0.000024550662,0.00018020745,0.00006734823,0.0029570633],"category_scores_gemma":[0.00016476876,0.00018237115,0.00012010477,0.00001078053,0.00012743079,0.000115951145,0.000032640928,0.00019884498,0.0011904234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[6.2525794e-7,0.0000044823396,0.00003387324,0.0004916851,0.000013556518,0.000027351933,0.005778219,2.1288741e-8,3.003796e-7,0.014453441,0.973578,0.005618438],"study_design_scores_gemma":[0.000077358956,0.000017370297,0.000048997837,0.000275686,0.000075874734,0.0000058478417,0.000016821574,0.0000044938347,4.9738862e-8,0.00069013005,0.99854845,0.00023894488],"about_ca_topic_score_codex":0.5096098,"about_ca_topic_score_gemma":0.83947295,"teacher_disagreement_score":0.42884398,"about_ca_system_score_codex":0.004541373,"about_ca_system_score_gemma":0.00046267436,"threshold_uncertainty_score":0.99958724},"labels":[],"label_agreement":null},{"id":"W4382877952","doi":"10.1515/9780773569782-014","title":"Canadian Mural Painting, 19405 and 19505: The European-Based Mural Movement Lingers On","year":2002,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mural; Painting; Art; Visual arts","score_opus":0.029521697699018537,"score_gpt":0.18446538452940664,"score_spread":0.15494368683038812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382877952","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029012313,0.0000048836873,0.000003593591,0.000535707,0.00033160485,0.00041219295,0.0010456366,0.00012373955,0.99751365],"genre_scores_gemma":[0.04179021,0.000038504004,0.000011224852,0.0031284657,0.00048322405,0.0000010032378,0.00006458704,0.00008408922,0.9543987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998305,0.00012884777,0.00022559338,0.00048424146,0.0002916513,0.00056463154],"domain_scores_gemma":[0.99874455,0.00009519748,0.0002059693,0.00048337484,0.00012379921,0.00034711222],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00017012643,0.0004846234,0.00032585327,0.00024419525,0.0017044925,0.00015145459,0.00040713474,0.00014694425,0.00032899855],"category_scores_gemma":[0.000008053241,0.0004339395,0.00021507406,5.5411647e-7,0.00059704087,0.00006728626,0.0001544936,0.0005605083,0.000041531646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020676598,0.000013022122,0.0000031062464,0.000050409,0.00016540564,0.00023983441,0.0068739895,0.000022645263,2.8885742e-7,0.97570175,0.014326879,0.002581976],"study_design_scores_gemma":[0.00048896065,0.00010033015,0.000010584192,0.00015056247,0.000176455,5.3987725e-7,0.00042816065,0.00010177603,0.00001551039,0.0006267283,0.9973823,0.0005181255],"about_ca_topic_score_codex":0.15631521,"about_ca_topic_score_gemma":0.010467748,"teacher_disagreement_score":0.9830554,"about_ca_system_score_codex":0.00038027862,"about_ca_system_score_gemma":0.000063098625,"threshold_uncertainty_score":0.99981123},"labels":[],"label_agreement":null},{"id":"W4383890062","doi":"10.35483/acsa.am.111.56","title":"I miss the Americans: the disappearance of seasonal cottages, a cross-border community and the love ethic","year":2023,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Autoethnography; Context (archaeology); Typology; Sociology; History; Archaeology; Gender studies; Anthropology","score_opus":0.0701302181618137,"score_gpt":0.371603822544908,"score_spread":0.3014736043830943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383890062","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44807103,0.0014937915,0.00016055175,0.05167212,0.0003684448,0.00060740655,0.00026616984,0.00012077346,0.4972397],"genre_scores_gemma":[0.8770152,0.00018696811,0.00000345814,0.005177672,0.00016273768,0.000010360627,0.0000058619385,0.0000112894895,0.11742651],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989732,0.0003553375,0.00016552955,0.000085899635,0.00019584,0.00022422824],"domain_scores_gemma":[0.9982256,0.0011563023,0.00007437872,0.0004215231,0.00009101265,0.00003115362],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0008488909,0.000108093045,0.00015637581,0.000011969861,0.0011005057,0.00016880511,0.00031728583,0.000026318061,0.0006774982],"category_scores_gemma":[0.00011235167,0.00004321559,0.00007599078,0.000007810984,0.0058115236,0.00006412082,0.00016329314,0.00042721056,0.0000736028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050677107,0.000039798073,0.0007052971,0.000043889384,0.00008720896,6.3478967e-7,0.54686356,0.00002175421,0.0000059768286,0.43226048,0.018692255,0.001228453],"study_design_scores_gemma":[0.00077836995,0.00004921519,0.012650889,0.000029285336,0.000046459074,0.0000036459724,0.08741366,0.0017982805,0.000027072816,0.029301811,0.8677553,0.00014602834],"about_ca_topic_score_codex":0.010654732,"about_ca_topic_score_gemma":0.016925097,"teacher_disagreement_score":0.84906304,"about_ca_system_score_codex":0.000006063327,"about_ca_system_score_gemma":0.000036728252,"threshold_uncertainty_score":0.99689406},"labels":[],"label_agreement":null},{"id":"W4383890543","doi":"10.1007/978-3-031-26610-2","title":"Dada's Subject and Structure","year":2023,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Ottawa; University of Minnesota; Yale University","keywords":"Subject (documents); Commodity; Ideology; Sign (mathematics); Linguistics; Art; Literature; Philosophy; Computer science; Political science; Library science; Mathematics; Law; Politics; Business","score_opus":0.04334247563239995,"score_gpt":0.23571586517618606,"score_spread":0.1923733895437861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383890543","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004426064,0.00022297079,0.00000474187,0.0001339317,0.00084014435,0.0001128356,0.0006021699,0.00020033075,0.9978386],"genre_scores_gemma":[0.0015852607,0.000092535294,0.000009654934,0.00077384204,0.0027684413,0.0000022994661,0.0002862447,0.000064477645,0.99441725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992775,0.000008389408,0.00014237584,0.00022266331,0.0001328035,0.00021629622],"domain_scores_gemma":[0.99960005,0.000051044517,0.000049300874,0.0001881166,0.000042320476,0.00006915471],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003077574,0.00020678184,0.00023530934,0.00008043091,0.00020626892,0.00015694876,0.0000943161,0.00013596695,0.00436167],"category_scores_gemma":[0.000006740782,0.00016324478,0.000061564904,2.6483647e-7,0.0002755221,0.000050642968,0.00007639838,0.00021135212,0.0002148249],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011930389,0.0000014606481,0.0000012972979,0.0000588985,0.000038145303,0.000008080164,0.016690768,6.182018e-8,3.5128986e-7,0.5056207,0.47706082,0.00051819714],"study_design_scores_gemma":[0.0000690829,0.000021251153,0.0000064882406,0.000024957355,0.00003646266,0.0000021572291,0.0002579589,0.0000056843496,0.0000027684553,0.18266219,0.81672734,0.00018366598],"about_ca_topic_score_codex":0.00042982408,"about_ca_topic_score_gemma":0.04834968,"teacher_disagreement_score":0.33966652,"about_ca_system_score_codex":0.00003162313,"about_ca_system_score_gemma":0.000121329664,"threshold_uncertainty_score":0.9965485},"labels":[],"label_agreement":null},{"id":"W4384256070","doi":"10.1515/9780773569812-009","title":"The Art Gallery of Toronto 1927-1938","year":2002,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art gallery; Art; Visual arts; History; Exhibition","score_opus":0.033541639904786626,"score_gpt":0.20219650720855206,"score_spread":0.16865486730376544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384256070","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[9.603516e-7,0.000018170287,0.000007969963,0.000106634354,0.000513187,0.00032649646,0.000866424,0.00012126241,0.9980389],"genre_scores_gemma":[0.0012972532,0.0009477394,0.000015365038,0.00017968594,0.0004342667,0.0000012481531,0.000036332152,0.000066991335,0.99702114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984284,0.000048262787,0.00032140294,0.00038991173,0.0003849681,0.00042703128],"domain_scores_gemma":[0.9984156,0.00013224801,0.00033997357,0.0007097888,0.0002454368,0.00015697583],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009010979,0.00042491523,0.00047241326,0.00005772348,0.0010599616,0.00006551904,0.0005754572,0.00025577273,0.0011707972],"category_scores_gemma":[0.000006544413,0.0003783838,0.00037752636,1.8482537e-7,0.00088207657,0.00016016996,0.00034616678,0.00034119625,0.000060908107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039807823,0.00001727211,1.8475285e-7,0.00005687847,0.00024544072,0.000036441852,0.005388857,8.8748556e-7,4.8336307e-7,0.91786045,0.075770356,0.0005829283],"study_design_scores_gemma":[0.000342404,0.000082073144,0.0000012847838,0.00011317448,0.00021714225,0.0000011329482,0.0003951566,0.000008644255,0.000027302804,0.0028544264,0.99554217,0.00041510034],"about_ca_topic_score_codex":0.006813698,"about_ca_topic_score_gemma":0.00078849145,"teacher_disagreement_score":0.9197718,"about_ca_system_score_codex":0.0002503951,"about_ca_system_score_gemma":0.00003705844,"threshold_uncertainty_score":0.9998668},"labels":[],"label_agreement":null},{"id":"W4384827703","doi":"10.30965/23761202-bja10023","title":"Metro Girl: The Alliance of Art and Architecture in the Visual Aesthetics of the Modern Georgian City of the 1960s","year":2023,"lang":"en","type":"article","venue":"Caucasus Survey","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Georgian; Architecture; Aesthetics; Face (sociological concept); Cityscape; Girl; Visual arts; Art; Sociology; Social science; Philosophy; Psychology","score_opus":0.07867784489334073,"score_gpt":0.28198961877423934,"score_spread":0.2033117738808986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384827703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99116725,0.00020686313,0.00002995664,0.0017993688,0.00024243775,0.0003098077,0.0003014502,0.000010670952,0.0059322226],"genre_scores_gemma":[0.99412686,0.0000451906,0.0000033602498,0.0003656591,0.00007213412,0.000007813323,0.000008325615,0.000015744256,0.0053548934],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9983694,0.0006358603,0.00029959372,0.00014294578,0.0003091399,0.00024304888],"domain_scores_gemma":[0.9986327,0.0005290103,0.00018168594,0.00051728566,0.00011543636,0.000023844237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013271761,0.00013497486,0.00022584117,0.000033618046,0.00022331932,0.000028771667,0.00051266066,0.000047938047,0.000023904819],"category_scores_gemma":[0.00020354771,0.000058343237,0.00011497233,0.000031421892,0.0012219357,0.000028978042,0.00016025301,0.00025168515,0.0000022846539],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001444341,0.00041560884,0.23524974,0.0003108505,0.0001957302,0.000005388257,0.70513576,0.00070683577,0.000401932,0.04044772,0.011924093,0.005061884],"study_design_scores_gemma":[0.0005866606,0.00013256595,0.8935451,0.00011038597,0.00007204433,0.0000067769643,0.006147457,0.0010602629,0.0011290684,0.03015196,0.06681404,0.00024368944],"about_ca_topic_score_codex":0.002799084,"about_ca_topic_score_gemma":0.08766995,"teacher_disagreement_score":0.6989883,"about_ca_system_score_codex":0.0000122280035,"about_ca_system_score_gemma":0.00007466574,"threshold_uncertainty_score":0.92897767},"labels":[],"label_agreement":null},{"id":"W4385309486","doi":"10.1080/08865655.2023.2239254","title":"Borders. Journeys into Contemporary Art","year":2023,"lang":"en","type":"article","venue":"Journal of Borderlands Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; History; Political science; Sociology; Art","score_opus":0.10572409392943705,"score_gpt":0.3380333015158533,"score_spread":0.23230920758641627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385309486","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16212314,0.045638617,0.00026205275,0.06287397,0.012935514,0.0005253215,0.000104704886,0.00047473257,0.71506196],"genre_scores_gemma":[0.9368447,0.0027608473,0.000065170534,0.001114705,0.0024653268,0.000004605003,0.00000809258,0.000031864634,0.056704685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854064,0.00005878455,0.0006334038,0.00011992869,0.00035445494,0.00029278328],"domain_scores_gemma":[0.9985976,0.00018380096,0.0003817453,0.00013736826,0.0005864391,0.00011303879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056245085,0.00018740127,0.00050672435,0.000306607,0.000523368,0.00010920677,0.00018639286,0.00003999378,0.00013355343],"category_scores_gemma":[0.00022079346,0.00013544779,0.0002131777,0.000011212053,0.00037420314,0.00035939817,0.00008928869,0.00025647305,0.00016179142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004217235,0.00005515301,0.00096275366,0.00007009129,0.0005665906,0.0001340976,0.16927043,0.000012391865,0.0000109047805,0.0071122935,0.82085437,0.000908779],"study_design_scores_gemma":[0.00078322843,0.00033288857,0.00032289024,0.000102697224,0.000057489036,0.000020717818,0.04557278,0.00003410365,0.000021382682,0.02091678,0.9316649,0.0001701418],"about_ca_topic_score_codex":0.00007238168,"about_ca_topic_score_gemma":0.0015976994,"teacher_disagreement_score":0.77472156,"about_ca_system_score_codex":0.00004479341,"about_ca_system_score_gemma":0.0001587112,"threshold_uncertainty_score":0.5523401},"labels":[],"label_agreement":null},{"id":"W4385491072","doi":"10.7202/1102413ar","title":"Reorienting Intimacies: Felix Gonzalez-Torres’s First Canadian Solo Exhibition","year":2023,"lang":"en","type":"article","venue":"Performance Matters","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Queer; Conversation; Feeling; Grief; Politics; Sociology; Aesthetics; Choreography; Visual arts; Art; Media studies; History; Dance; Psychology; Gender studies; Law; Political science; Social psychology","score_opus":0.03594787438076653,"score_gpt":0.22516452113635463,"score_spread":0.1892166467555881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385491072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85419,0.00002764148,0.00002492311,0.0086105615,0.0027659878,0.00022481583,0.00012408163,0.00040524232,0.13362676],"genre_scores_gemma":[0.9558105,0.000051838542,0.00001646912,0.0051892623,0.00087264564,0.000033518783,0.00013498138,0.000032761043,0.037858028],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987467,0.000011711614,0.00022142382,0.00021619596,0.00015964784,0.00064431154],"domain_scores_gemma":[0.9994814,0.00002706409,0.000059607657,0.00021093602,0.000057646026,0.00016339355],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017027855,0.00015539925,0.0001360925,0.000262476,0.0010611805,0.00019672755,0.00015406916,0.000039683106,0.0013457596],"category_scores_gemma":[0.000013278779,0.00015509862,0.00006222832,0.000010606709,0.0002190051,0.00039510167,0.00004875571,0.00013520867,0.0025289368],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014322717,0.000023062921,0.0069878967,0.00037944628,0.000045246758,0.000023860171,0.2923426,0.00026818397,0.00003485991,0.007967356,0.6890359,0.0028772647],"study_design_scores_gemma":[0.00017604529,0.000030796964,0.0018884662,0.000089194014,0.000013454515,0.0000034454088,0.0041118357,0.0046754805,0.000099837336,0.0002198144,0.9884412,0.00025041698],"about_ca_topic_score_codex":0.035659976,"about_ca_topic_score_gemma":0.28025967,"teacher_disagreement_score":0.2994053,"about_ca_system_score_codex":0.00014034343,"about_ca_system_score_gemma":0.000067080575,"threshold_uncertainty_score":0.99956715},"labels":[],"label_agreement":null},{"id":"W4385531792","doi":"10.1515/9780773586833-012","title":"The Girls and the Grid Montreal Women Abstract Painters in the 1950s and Early 1960s","year":2012,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Grid; Art; Art history; Geography; Geodesy","score_opus":0.02106028328512987,"score_gpt":0.18810079680629482,"score_spread":0.16704051352116495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385531792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006402081,0.000046809168,8.7942544e-7,0.0005178506,0.00022009348,0.0005549189,0.000383209,0.000041044674,0.997595],"genre_scores_gemma":[0.19291987,0.00055902806,0.00000147474,0.00039838962,0.00037613738,0.000005218099,0.000007718162,0.00003220177,0.80569994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862576,0.00012412376,0.00022246542,0.0002909575,0.0002479099,0.0004887664],"domain_scores_gemma":[0.9986866,0.00050393376,0.00020012316,0.00042965976,0.000058624744,0.0001210333],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00043483678,0.00034809383,0.000343823,0.00008281983,0.0013929086,0.00022359782,0.000460066,0.00015211425,0.000036688743],"category_scores_gemma":[0.000008931869,0.00020036701,0.00012875254,4.8826433e-7,0.0018072175,0.00014537276,0.00028979767,0.00057314476,0.0000052702785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016188007,0.000009242878,0.0000065970826,0.000030222476,0.00014226348,0.000031919764,0.088615745,2.9938516e-7,8.982653e-8,0.9067734,0.002031337,0.0021969895],"study_design_scores_gemma":[0.00088123354,0.000046052945,0.00029569137,0.00005256927,0.00012545947,0.0000028132256,0.0043941983,0.0000033019398,0.0000010859934,0.006518548,0.98742,0.0002590157],"about_ca_topic_score_codex":0.014087876,"about_ca_topic_score_gemma":0.0006080232,"teacher_disagreement_score":0.9853887,"about_ca_system_score_codex":0.00009654231,"about_ca_system_score_gemma":0.000020357873,"threshold_uncertainty_score":0.99990714},"labels":[],"label_agreement":null},{"id":"W4385833060","doi":"10.1017/9781911116844.020","title":"Politics and Space/Time (1992)","year":2018,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":52,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Politics; Space (punctuation); Political science; Computer science; Law","score_opus":0.03451932419497597,"score_gpt":0.2405382378573744,"score_spread":0.20601891366239844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385833060","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010076695,0.00021064107,0.000022383598,0.0003033817,0.000422342,0.00010801207,0.00016856304,0.00024794138,0.99850667],"genre_scores_gemma":[0.00027155914,0.000065684406,0.00014662284,0.0010555368,0.004742598,0.0000029572266,0.000040215873,0.00026931104,0.9934055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992889,0.000012696546,0.00010581491,0.0001958839,0.00010120452,0.00029551084],"domain_scores_gemma":[0.9995444,0.00001598604,0.000080724145,0.00022423247,0.000023117651,0.0001115836],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000029968269,0.0002029443,0.00022243563,0.000106858395,0.0001222528,0.00010803399,0.00008515235,0.0001257119,0.09759204],"category_scores_gemma":[0.000008567156,0.0001642217,0.000046328318,3.8915496e-7,0.00061781233,0.000028110328,0.00005892193,0.00006575892,0.0050039575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.8038542e-7,0.00000844432,0.0000035069118,0.000024325622,0.000028079214,0.0000013991271,0.004504361,9.1881935e-10,2.3107377e-7,0.30560002,0.68979,0.000039315255],"study_design_scores_gemma":[0.00010523135,0.000040210878,0.0000018930998,0.000041851526,0.000038017406,0.0000020636903,0.00025487717,0.000010970555,0.00000425979,0.0076337527,0.9916334,0.00023348595],"about_ca_topic_score_codex":0.00603331,"about_ca_topic_score_gemma":0.017462889,"teacher_disagreement_score":0.30184335,"about_ca_system_score_codex":0.000013261187,"about_ca_system_score_gemma":0.000031771262,"threshold_uncertainty_score":0.99577075},"labels":[],"label_agreement":null},{"id":"W4385833086","doi":"10.1017/9781911116844.016","title":"Introduction: Spatializing Power: Doreen Massey on Space as Domination and Potential","year":2018,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Space (punctuation); Power (physics); Sociology; Computer science; Physics; Operating system; Thermodynamics","score_opus":0.014655376390522971,"score_gpt":0.23401476012053593,"score_spread":0.21935938373001296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385833086","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051985888,0.00006211443,0.0006024612,0.002554193,0.0024951461,0.00018711427,0.000039462357,0.0001640688,0.99384344],"genre_scores_gemma":[0.00858619,0.00006613476,0.0001776754,0.00042486543,0.019557822,0.0000037282525,0.00009004747,0.00016967393,0.97092384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991301,0.00003090299,0.0001346574,0.00031654013,0.00018961704,0.00019819112],"domain_scores_gemma":[0.9995276,0.000010163343,0.00011575958,0.0002270456,0.00005537661,0.000064051645],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007687843,0.00021316408,0.00019985804,0.00017873132,0.00018338389,0.00017946074,0.00007343088,0.00013176784,0.087934315],"category_scores_gemma":[0.000015379224,0.00018047624,0.000050950195,0.0000011628123,0.00029613957,0.000069699,0.00004235866,0.00009404664,0.0014720005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009788925,0.000017877192,9.2433305e-7,0.000019392719,0.000038149003,0.0000024506671,0.0052976976,1.536187e-7,0.000003091717,0.23611549,0.7580701,0.00042490364],"study_design_scores_gemma":[0.00022844842,0.00016069136,0.000003640436,0.000037982805,0.000043826443,0.0000049849796,0.0008396417,0.000017726721,0.000044505367,0.0031374535,0.9952513,0.00022982995],"about_ca_topic_score_codex":0.0037904226,"about_ca_topic_score_gemma":0.010524448,"teacher_disagreement_score":0.23718117,"about_ca_system_score_codex":0.000031196774,"about_ca_system_score_gemma":0.000025934716,"threshold_uncertainty_score":0.9993055},"labels":[],"label_agreement":null},{"id":"W4385932526","doi":"10.32920/23979060","title":"Sliding Into Visibility - The Visible for a Change: Contemporary Lesbian Artists, U.S.A. Project","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Lesbian; Queer; Exhibition; History of art; Institution; Homosexuality; Sociology; Visual arts; Art history; Art; Gender studies; Media studies; Architecture; Social science","score_opus":0.4406533105692082,"score_gpt":0.38566570547855306,"score_spread":0.054987605090655145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385932526","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024983568,0.0053639356,0.012655353,0.060689125,0.02354248,0.033211797,0.006405355,0.0058388957,0.8273095],"genre_scores_gemma":[0.84278226,0.00007736138,0.00029270636,0.0022541771,0.004897106,0.001956529,0.0005131141,0.00011709228,0.14710966],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978895,0.00011334285,0.00054398173,0.0006994008,0.00025586554,0.0004978943],"domain_scores_gemma":[0.9983041,0.0002852617,0.00022933517,0.00088165904,0.0002134876,0.0000860982],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008828576,0.00038827825,0.00048216197,0.0001506324,0.00085898454,0.00062352006,0.00052454177,0.00018635472,0.0002013884],"category_scores_gemma":[0.00012901957,0.00026533494,0.0003695356,0.000003978607,0.00031606609,0.00019967848,0.0007804294,0.0004516146,0.00010361194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005476379,0.00012183609,0.00017285219,0.0014385876,0.00022930196,0.0000072976563,0.53334486,0.0000028114302,0.0000064036153,0.27478608,0.18749359,0.0023416134],"study_design_scores_gemma":[0.00027687938,0.00009716578,0.00009008088,0.00017667159,0.00005741495,7.320721e-7,0.012234227,0.0017281243,0.00006851299,0.11011813,0.87471294,0.00043913486],"about_ca_topic_score_codex":0.036547445,"about_ca_topic_score_gemma":0.07803857,"teacher_disagreement_score":0.8177987,"about_ca_system_score_codex":0.000117631884,"about_ca_system_score_gemma":0.00040247221,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W4385932687","doi":"10.32920/23979060.v1","title":"Sliding Into Visibility - The Visible for a Change: Contemporary Lesbian Artists, U.S.A. Project","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Lesbian; Queer; Exhibition; History of art; Homosexuality; Institution; Contemporary art; Sociology; Art history; Visual arts; Art; Gender studies; Architecture; Performance art; Social science","score_opus":0.4406533105692082,"score_gpt":0.38566570547855306,"score_spread":0.054987605090655145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385932687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024983568,0.0053639356,0.012655353,0.060689125,0.02354248,0.033211797,0.006405355,0.0058388957,0.8273095],"genre_scores_gemma":[0.84278226,0.00007736138,0.00029270636,0.0022541771,0.004897106,0.001956529,0.0005131141,0.00011709228,0.14710966],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978895,0.00011334285,0.00054398173,0.0006994008,0.00025586554,0.0004978943],"domain_scores_gemma":[0.9983041,0.0002852617,0.00022933517,0.00088165904,0.0002134876,0.0000860982],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008828576,0.00038827825,0.00048216197,0.0001506324,0.00085898454,0.00062352006,0.00052454177,0.00018635472,0.0002013884],"category_scores_gemma":[0.00012901957,0.00026533494,0.0003695356,0.000003978607,0.00031606609,0.00019967848,0.0007804294,0.0004516146,0.00010361194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005476379,0.00012183609,0.00017285219,0.0014385876,0.00022930196,0.0000072976563,0.53334486,0.0000028114302,0.0000064036153,0.27478608,0.18749359,0.0023416134],"study_design_scores_gemma":[0.00027687938,0.00009716578,0.00009008088,0.00017667159,0.00005741495,7.320721e-7,0.012234227,0.0017281243,0.00006851299,0.11011813,0.87471294,0.00043913486],"about_ca_topic_score_codex":0.036547445,"about_ca_topic_score_gemma":0.07803857,"teacher_disagreement_score":0.8177987,"about_ca_system_score_codex":0.000117631884,"about_ca_system_score_gemma":0.00040247221,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W4386158335","doi":"10.18432/ari29770","title":"Art/Research Cover: Artwork","year":2023,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Visual arts; Art; Engineering","score_opus":0.30525766154714085,"score_gpt":0.44830685378964197,"score_spread":0.14304919224250112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386158335","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087988816,0.00024415893,0.00049499434,0.050904904,0.0046498505,0.0005664962,0.0003711954,0.00028835976,0.85449123],"genre_scores_gemma":[0.5989842,0.00058143906,0.000060978666,0.00024315786,0.0063236007,0.000067943925,0.0001699154,0.00006510589,0.3935037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930515,0.0006615242,0.00070388766,0.0005262577,0.0033026228,0.0017541659],"domain_scores_gemma":[0.99617565,0.0010004377,0.00009136728,0.000381978,0.0017146689,0.0006358915],"candidate_categories":["sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0061141434,0.0002776976,0.00030489013,0.0016489134,0.0035446761,0.0013616625,0.0013496339,0.00011372483,0.01616354],"category_scores_gemma":[0.00023337363,0.00024372179,0.00033265734,0.00007773728,0.0016968533,0.0010704016,0.00043094778,0.0024175385,0.02576824],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019758362,0.0003396236,0.00021190186,0.000026415057,0.0002176539,0.00062614976,0.13453998,0.00027938338,0.00013645302,0.11537282,0.74677885,0.0012732133],"study_design_scores_gemma":[0.0007961588,0.00036577025,0.0006533596,0.00013073173,0.000010324531,0.00017156954,0.010875411,0.0029500925,0.000050898223,0.14384812,0.8398945,0.00025307754],"about_ca_topic_score_codex":0.000035829806,"about_ca_topic_score_gemma":0.0013813017,"teacher_disagreement_score":0.5109953,"about_ca_system_score_codex":0.0003339703,"about_ca_system_score_gemma":0.0004509026,"threshold_uncertainty_score":0.99988395},"labels":[],"label_agreement":null},{"id":"W4387073957","doi":"10.1353/ijs.2023.a908032","title":"“The Problem of Woman” in Surrealism","year":2023,"lang":"en","type":"article","venue":"International Journal of Surrealism","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Fell; Object (grammar); Art; Literature; Adjective; Art history; History; Philosophy; Noun; Linguistics","score_opus":0.054702831420119565,"score_gpt":0.30153907718057404,"score_spread":0.2468362457604545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387073957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72776884,0.0010583838,0.00013568871,0.031609114,0.011595848,0.00039067413,0.0006524823,0.00010202269,0.22668694],"genre_scores_gemma":[0.988783,0.00048523725,0.000035597917,0.00025864688,0.0013574854,0.000003799506,0.000018700866,0.000016325737,0.009041188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841934,0.000060128736,0.0006721651,0.00007912516,0.0005575313,0.00021168767],"domain_scores_gemma":[0.9985658,0.00025960495,0.00039651504,0.00009503955,0.00062398857,0.00005906747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076418347,0.0000964547,0.0001851272,0.00030823183,0.000087345,0.0000991784,0.00049590523,0.00003237908,0.000099656245],"category_scores_gemma":[0.000059817787,0.00006871341,0.00013824026,0.000008633199,0.00024665328,0.00022367669,0.00006602564,0.00018496558,0.00002276472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016905682,0.000192928,0.0028312132,0.000034955592,0.00034827754,0.0002982579,0.14382319,0.00021294318,0.0001241555,0.70548433,0.124228194,0.022252476],"study_design_scores_gemma":[0.0007614397,0.00006319077,0.005677155,0.00014095765,0.000013722304,0.00004678154,0.0028012246,0.00014991034,0.0001115789,0.071934715,0.9181886,0.00011073489],"about_ca_topic_score_codex":0.0018088514,"about_ca_topic_score_gemma":0.0064455364,"teacher_disagreement_score":0.7939604,"about_ca_system_score_codex":0.00006521348,"about_ca_system_score_gemma":0.00010479963,"threshold_uncertainty_score":0.35967606},"labels":[],"label_agreement":null},{"id":"W4387092716","doi":"10.15210/pixo.v7i26.6914","title":"GLOSSÁRIO DA COLLAGE","year":2023,"lang":"pt","type":"article","venue":"PIXO - Revista de Arquitetura Cidade e Contemporaneidade","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Gloss (optics); Art; Humanities; Materials science","score_opus":0.07709217224093748,"score_gpt":0.2998969817676326,"score_spread":0.2228048095266951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387092716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49891585,0.040951107,0.00072665536,0.030405557,0.009123215,0.007265672,0.008296448,0.005564037,0.39875144],"genre_scores_gemma":[0.7260972,0.00066798856,0.000027230033,0.0034849741,0.0035099478,0.00011371636,0.000779197,0.00028133873,0.2650384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918003,0.0006824832,0.0020021524,0.0015566963,0.0011452215,0.0028131227],"domain_scores_gemma":[0.9948819,0.00079187576,0.00087355747,0.001819441,0.00049486593,0.0011383494],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001630611,0.001403891,0.0017644792,0.00071981776,0.0019145699,0.0042587607,0.0014363292,0.0006083228,0.0032805812],"category_scores_gemma":[0.0006248594,0.0014229261,0.0009702216,0.00010747181,0.0013179802,0.0008285109,0.00058625074,0.0011262548,0.005405773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043555902,0.0005312128,0.0068057654,0.0030469247,0.0012321217,0.0018596466,0.2551833,0.00004891641,0.0031536436,0.14185569,0.5822602,0.0035870052],"study_design_scores_gemma":[0.0021459467,0.0003399771,0.0016838866,0.00085161225,0.00045172966,0.00007776362,0.011367162,0.0009779378,0.00031842172,0.0012172679,0.9788232,0.001745132],"about_ca_topic_score_codex":0.0014703759,"about_ca_topic_score_gemma":0.0017131683,"teacher_disagreement_score":0.39656296,"about_ca_system_score_codex":0.0005573729,"about_ca_system_score_gemma":0.000816455,"threshold_uncertainty_score":0.99987113},"labels":[],"label_agreement":null},{"id":"W4387096730","doi":"10.7202/1106157ar","title":"Sherri Irvin, \"Immaterial: Rules in Contemporary Art\"","year":2023,"lang":"en","type":"article","venue":"Philosophy in Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art; Aesthetics","score_opus":0.24136106511098349,"score_gpt":0.3319034173443453,"score_spread":0.09054235223336182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387096730","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058844932,0.070356734,8.496187e-7,0.015125019,0.0011782445,0.0008940725,0.0001762539,0.00026729048,0.906117],"genre_scores_gemma":[0.92678237,0.049175315,0.000015500596,0.01124129,0.0017488624,0.00023812617,0.0003334058,0.000068621215,0.010396501],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986706,0.00011312079,0.000536494,0.00023819362,0.00014761633,0.00029400887],"domain_scores_gemma":[0.99948275,0.000053510954,0.00008883397,0.00028142592,0.00003234061,0.000061140825],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039089326,0.000180789,0.00046383048,0.00015490093,0.00006776751,0.000052252413,0.00019789093,0.00003889783,0.0009875074],"category_scores_gemma":[0.000053569518,0.00015813144,0.00010181432,0.000011259088,0.00014865126,0.00020915203,0.00007403635,0.00013103409,0.0029131675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017873523,0.00016879241,0.00074860593,0.0073628733,0.000031508953,0.0001982281,0.01812281,0.000001387065,0.0000138599535,0.771801,0.19964609,0.0018869558],"study_design_scores_gemma":[0.0002316732,0.000023963077,0.00022377862,0.0030195257,0.000008632553,0.0000013173548,0.00006238514,0.000011784821,0.0000037069794,0.106770486,0.88945454,0.00018818179],"about_ca_topic_score_codex":0.00023402998,"about_ca_topic_score_gemma":0.0008780369,"teacher_disagreement_score":0.9208979,"about_ca_system_score_codex":0.000032937216,"about_ca_system_score_gemma":0.00004464533,"threshold_uncertainty_score":0.99992573},"labels":[],"label_agreement":null},{"id":"W4387108634","doi":"10.7202/1101640ar","title":"Baas, Jacquelynn. Marcel Duchamp and the Art of Life","year":2023,"lang":"en","type":"article","venue":"Dalhousie French Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art; Art history","score_opus":0.07000026189886879,"score_gpt":0.27105746339356646,"score_spread":0.20105720149469766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387108634","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37282467,0.030550567,0.000034906065,0.021227658,0.0034413121,0.001073953,0.0007981591,0.0006939806,0.5693548],"genre_scores_gemma":[0.867487,0.0045905635,0.000018081451,0.0011859909,0.000816666,0.000055942717,0.000027374774,0.000022494736,0.12579587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990028,0.000055417393,0.00027592687,0.00018200398,0.00019399374,0.0002898587],"domain_scores_gemma":[0.9991422,0.00035627506,0.00009259516,0.00022946406,0.00012482498,0.000054600918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031887967,0.00015667622,0.00036377067,0.000079746416,0.00048115157,0.000044764012,0.00012799125,0.000026414344,0.0001711008],"category_scores_gemma":[0.00018358765,0.00009655356,0.00008188152,0.0000073154465,0.0017072222,0.00007394427,0.00022314666,0.00009208725,0.000114016955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012071526,0.000026161768,0.000592284,0.00013170228,0.00031449652,0.00000438773,0.44809133,0.0000045526467,0.000006813017,0.09074975,0.45943144,0.00063502847],"study_design_scores_gemma":[0.00078235724,0.00004916211,0.0027187956,0.00003622004,0.00006673501,9.900442e-7,0.017811863,0.000102723076,0.000016162021,0.026445432,0.9518039,0.00016565838],"about_ca_topic_score_codex":0.00082512473,"about_ca_topic_score_gemma":0.007164954,"teacher_disagreement_score":0.49466234,"about_ca_system_score_codex":0.000008590694,"about_ca_system_score_gemma":0.000030456282,"threshold_uncertainty_score":0.62903315},"labels":[],"label_agreement":null},{"id":"W4387208833","doi":"10.1177/15554120231204148","title":"Reflecting on <i>Celeste</i> : Abstracting Trans Representation","year":2023,"lang":"en","type":"article","venue":"Games and Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Representation (politics); Fandom; Interpretation (philosophy); Narrative; Transgender; Aesthetics; Abstraction; Art; Sociology; Epistemology; Literature; Gender studies; Linguistics; Philosophy; Politics","score_opus":0.13862002331806475,"score_gpt":0.35415741423116126,"score_spread":0.2155373909130965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387208833","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3282693,0.0002944076,0.000024854678,0.0032480457,0.0006221236,0.00019288753,0.000054864162,0.00043650836,0.666857],"genre_scores_gemma":[0.89690804,0.00014281468,0.000018503179,0.0006655366,0.00076015183,0.0000066778166,0.000028315268,0.0000121982175,0.10145773],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994509,0.000014126846,0.00010977043,0.00015891941,0.00008742524,0.00017882415],"domain_scores_gemma":[0.9997873,0.000025179423,0.000037383004,0.000078974794,0.000028915501,0.000042253116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000059857546,0.00008507586,0.00008726422,0.000026407133,0.00036252147,0.00012630897,0.000036694473,0.000037509042,0.00011890416],"category_scores_gemma":[0.000016211083,0.0000658018,0.00004312197,0.000003705438,0.000052309315,0.000110907975,0.00000949054,0.00012332827,0.000047458165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015142316,0.000028584149,0.00016444206,0.00005932429,0.000033734395,0.00001611936,0.86637634,0.00003785593,0.001098013,0.028109467,0.061464414,0.042596575],"study_design_scores_gemma":[0.00019770814,0.00005654376,0.00047222758,0.00004093959,0.000017612914,0.0000043084533,0.04240238,0.00008602807,0.00048781442,0.005342802,0.95076036,0.00013128668],"about_ca_topic_score_codex":0.00013429567,"about_ca_topic_score_gemma":0.0014350842,"teacher_disagreement_score":0.88929594,"about_ca_system_score_codex":0.000007118322,"about_ca_system_score_gemma":0.000005710596,"threshold_uncertainty_score":0.27882588},"labels":[],"label_agreement":null},{"id":"W4387223412","doi":"10.3138/md-66-3-rev04","title":"Shannon Jackson. <i>Back Stages: Essays across Art, Performance, and Public Life</i>","year":2023,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Public life; Performance art; History; Genealogy; Sociology; Art history; Political science; Law","score_opus":0.05605358751942252,"score_gpt":0.26057669023386815,"score_spread":0.20452310271444563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387223412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6998575,0.00026932068,0.0002804315,0.0018603171,0.0006749824,0.0002829286,0.00034802916,0.0005351043,0.2958914],"genre_scores_gemma":[0.7852332,0.00024074955,0.000016948903,0.001413644,0.0007299091,0.000028300696,0.00011831229,0.000053762375,0.21216518],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806637,0.000035989673,0.00030209805,0.00040087587,0.00029305046,0.00090164045],"domain_scores_gemma":[0.999077,0.000056045024,0.0000832755,0.00037705334,0.000118737815,0.00028787414],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024642417,0.00026379476,0.00028388557,0.00010534993,0.0007978685,0.000747111,0.00023535949,0.00009702756,0.0007904191],"category_scores_gemma":[0.00003408633,0.00024274955,0.000082882725,0.000010412735,0.00047447384,0.000675313,0.00023219774,0.00022016748,0.0024489148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058248675,0.00026135243,0.009724125,0.0005747337,0.00019628998,0.000041599225,0.4399787,0.00014360558,0.00008661763,0.06541112,0.4539972,0.029526416],"study_design_scores_gemma":[0.0006805486,0.00010003867,0.00073383737,0.00003675163,0.000016857155,0.000004711297,0.0037327441,0.0212255,0.0000330616,0.007215869,0.9658119,0.0004081841],"about_ca_topic_score_codex":0.00015008281,"about_ca_topic_score_gemma":0.0020821828,"teacher_disagreement_score":0.5118147,"about_ca_system_score_codex":0.000031239088,"about_ca_system_score_gemma":0.00006595351,"threshold_uncertainty_score":0.9983278},"labels":[],"label_agreement":null},{"id":"W4387478241","doi":"10.1515/9780887550690-001","title":"Preface","year":2023,"lang":"en","type":"book-chapter","venue":"University of Manitoba Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.11136498233582212,"score_gpt":0.2043732603584691,"score_spread":0.09300827802264697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387478241","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003426362,0.000059321963,0.000023068198,0.000020064825,0.00046949205,0.00022021253,0.00052668416,0.0002035008,0.99844337],"genre_scores_gemma":[0.0015732505,0.00009265646,0.000022864953,0.000048633832,0.00044125575,1.7694865e-7,0.000049065082,0.000054824483,0.99771726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999102,0.000013450328,0.00015123031,0.0002703028,0.00024027516,0.00022271805],"domain_scores_gemma":[0.9991611,0.000051138628,0.00019566665,0.00036130112,0.00014551604,0.00008523255],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005375931,0.00023867264,0.0003239484,0.00011861546,0.00028125645,0.00003434415,0.0003851176,0.0001723411,0.0004216468],"category_scores_gemma":[0.0000031882478,0.00028640323,0.00020303698,8.2394784e-8,0.00067422923,0.000058979294,0.00026948337,0.00024667164,0.0002491496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021507285,0.000008197347,5.421482e-7,0.00013171302,0.00016775716,0.000055148088,0.03503546,0.0000014472078,0.0000013309799,0.9290212,0.03424083,0.0013149112],"study_design_scores_gemma":[0.00022471565,0.000048175927,0.0000034204634,0.0001426594,0.00017836063,9.692614e-7,0.0014322909,0.000010274876,0.000017943781,0.01927727,0.97838795,0.00027594663],"about_ca_topic_score_codex":0.00724663,"about_ca_topic_score_gemma":0.09507377,"teacher_disagreement_score":0.94414717,"about_ca_system_score_codex":0.00005148864,"about_ca_system_score_gemma":0.00005432691,"threshold_uncertainty_score":0.9999588},"labels":[],"label_agreement":null},{"id":"W4387566075","doi":"10.1515/9780887555695-001","title":"Artist’s Preface","year":2019,"lang":"en","type":"book-chapter","venue":"University of Manitoba Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prairie Improvement Network","funders":"","keywords":"Art; History; Psychology; Art history","score_opus":0.07216587149643458,"score_gpt":0.1924716373802653,"score_spread":0.12030576588383071,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387566075","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000070013564,0.00014409694,0.00004523898,0.000018096956,0.00046586755,0.00030097112,0.00046138614,0.000088092835,0.99840623],"genre_scores_gemma":[0.005160991,0.000060542192,0.000035501773,0.000082384875,0.0003585868,1.0830678e-7,0.00004424944,0.00004188329,0.9942157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990522,0.000015541475,0.00016514235,0.00029569253,0.00024151124,0.0002298944],"domain_scores_gemma":[0.9990208,0.00004023996,0.00024781976,0.00044999344,0.00015694057,0.00008422092],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004663454,0.0002637154,0.00037681783,0.00009420949,0.00021586883,0.000038692982,0.00039065818,0.00018592975,0.00089636317],"category_scores_gemma":[0.0000021477183,0.00031219062,0.00021262805,5.8457015e-8,0.0006294386,0.0000780529,0.00023253507,0.00026378487,0.00026821016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003364872,0.000013078267,0.0000016054137,0.00016527018,0.0001599235,0.00002843896,0.027997479,0.0000018102816,0.000002794161,0.94174844,0.028578658,0.0012688509],"study_design_scores_gemma":[0.00030762615,0.00007122773,0.000005115371,0.00014683507,0.00019312733,0.0000017129859,0.00092325674,0.000012530599,0.000032041902,0.007507026,0.9904806,0.00031890668],"about_ca_topic_score_codex":0.0053840447,"about_ca_topic_score_gemma":0.06005566,"teacher_disagreement_score":0.96190196,"about_ca_system_score_codex":0.00006906483,"about_ca_system_score_gemma":0.00009005037,"threshold_uncertainty_score":0.999933},"labels":[],"label_agreement":null},{"id":"W4387593195","doi":"10.1515/9780887554834-010","title":"The Winnipeg School of Art and the Manitoba Society of Artists","year":2015,"lang":"en","type":"book-chapter","venue":"University of Manitoba Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Sociology; History; Art","score_opus":0.06534124584980654,"score_gpt":0.20389893276801727,"score_spread":0.13855768691821074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387593195","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030994744,0.00090933236,0.000030749165,0.00008992123,0.00018749612,0.00038541274,0.00027006626,0.000022543114,0.9977945],"genre_scores_gemma":[0.015376936,0.0005396331,0.000042705364,0.00007172229,0.00028889196,4.599419e-7,0.00001433295,0.00002765906,0.98363763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989362,0.00004840127,0.0002808347,0.00019415421,0.00035187165,0.00018856786],"domain_scores_gemma":[0.9983703,0.00017223554,0.0005035476,0.00046335938,0.00040739588,0.00008319942],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002801368,0.00022725774,0.00044407096,0.00003796192,0.00038850962,0.00003494477,0.00046496,0.00014315409,0.00008368343],"category_scores_gemma":[0.0000107286905,0.00016718486,0.0002836452,2.894819e-7,0.004191112,0.00006371619,0.00034018958,0.00028135092,0.000013640065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018251973,0.0000148833415,0.000008236652,0.00020001363,0.0004304547,0.0000037276793,0.02625949,0.0000011445355,0.000003756595,0.8730811,0.098763146,0.0010515532],"study_design_scores_gemma":[0.0009070974,0.00006170535,0.000018644869,0.00014904967,0.000309777,0.0000023210175,0.0067674117,0.000022863711,0.00003509624,0.02901905,0.9625435,0.00016350235],"about_ca_topic_score_codex":0.00560099,"about_ca_topic_score_gemma":0.055070058,"teacher_disagreement_score":0.8637803,"about_ca_system_score_codex":0.000046167697,"about_ca_system_score_gemma":0.0001041716,"threshold_uncertainty_score":0.9985189},"labels":[],"label_agreement":null},{"id":"W4388202502","doi":"10.1007/978-3-662-67131-3_8","title":"Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Liberal Cultural Institutions","year":2023,"lang":"en","type":"book-chapter","venue":"Ästhetiken X.0","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Authoritarianism; Political science; Political economy; Shame; Liberal democracy; Sociology; Law; Democracy; Politics","score_opus":0.14864498265396836,"score_gpt":0.2937724182900291,"score_spread":0.14512743563606073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388202502","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008216787,0.0005264457,0.00023406793,0.015423983,0.0028993187,0.0010244865,0.004418075,0.0003573656,0.96689945],"genre_scores_gemma":[0.041526124,0.000099075995,0.00011480912,0.0060799667,0.0022269015,0.000048298694,0.00015798764,0.000161641,0.9495852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984605,0.000026651795,0.00043866056,0.00033861218,0.0003410249,0.00039455367],"domain_scores_gemma":[0.9989078,0.0001016038,0.00011195418,0.0005533671,0.00016488081,0.00016037765],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011053416,0.00041662063,0.00049104524,0.00013498876,0.00047546808,0.00022162872,0.00053109374,0.0001516877,0.0016563863],"category_scores_gemma":[0.000019082663,0.00028654357,0.00027449333,0.0000038218573,0.0004890522,0.00014230286,0.0002556712,0.00032348666,0.00077416823],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021675336,0.000029973204,0.000032761123,0.00003264981,0.00019956594,0.0000072078246,0.21853815,0.000036527315,0.000029488006,0.7173721,0.063350946,0.00034891078],"study_design_scores_gemma":[0.00015996787,0.00009442367,0.000043119093,0.00031466354,0.00008775691,0.0000016573765,0.0023938771,0.000007824336,0.000022675556,0.030174647,0.9662975,0.0004018922],"about_ca_topic_score_codex":0.004101824,"about_ca_topic_score_gemma":0.034167707,"teacher_disagreement_score":0.90294653,"about_ca_system_score_codex":0.000076221564,"about_ca_system_score_gemma":0.00006199855,"threshold_uncertainty_score":0.9999587},"labels":[],"label_agreement":null},{"id":"W4388271603","doi":"10.1017/9781108878272.011","title":"Great Art, Small Art, and Modernist Cachet","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Modernism (music); Literature; Art; Argument (complex analysis); Context (archaeology); Philosophy; Art history; Aesthetics; History","score_opus":0.07675722132213238,"score_gpt":0.20299435330207782,"score_spread":0.12623713197994546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388271603","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000055412496,0.00007858491,0.00009097647,0.00004911128,0.00043420526,0.00032260158,0.0017180791,0.0003397533,0.9969113],"genre_scores_gemma":[0.0005767887,0.00018638208,0.0000150498945,0.00024516077,0.00063691643,0.0000013001206,0.00030400834,0.000108040666,0.99792635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856776,0.000027320259,0.0002076297,0.0005643605,0.00020617103,0.00042674594],"domain_scores_gemma":[0.99889386,0.00006914256,0.00016378694,0.00048043396,0.00013254708,0.0002602142],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00007225882,0.00046580276,0.00047876692,0.00019553072,0.0005725249,0.00017901887,0.00030482502,0.0002654716,0.000056996676],"category_scores_gemma":[0.0000054939715,0.00053405453,0.0002135976,2.383629e-7,0.0009453082,0.00009739573,0.00039791488,0.00044502591,0.00027294026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028343924,0.0000056419526,6.6640695e-7,0.000104616425,0.0001483324,0.00027857683,0.003909453,8.664492e-7,0.0000011467914,0.78642327,0.20885035,0.00024871982],"study_design_scores_gemma":[0.00043518815,0.00005396116,0.0000037630618,0.00012699071,0.00032111694,0.000012636692,0.000201912,0.00013961257,0.000010942663,0.00032729434,0.9977971,0.00056950725],"about_ca_topic_score_codex":0.0006577463,"about_ca_topic_score_gemma":0.0017848033,"teacher_disagreement_score":0.78894675,"about_ca_system_score_codex":0.00011513542,"about_ca_system_score_gemma":0.000078824734,"threshold_uncertainty_score":0.9997111},"labels":[],"label_agreement":null},{"id":"W4388546574","doi":"10.1515/9781552385470-018","title":"Canadian Art according to Emily Carr: The Search for Indigenous Expression (2005)","year":2013,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Carr; Indigenous; Expression (computer science); Art; Art history; History; Computer science; Biology; Programming language","score_opus":0.04330227107928843,"score_gpt":0.21279852039862146,"score_spread":0.16949624931933302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388546574","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023521257,0.00012545765,0.0003106816,0.00005190851,0.00028678606,0.0010271361,0.0004495516,0.000036057703,0.99747723],"genre_scores_gemma":[0.0032057525,0.000023986062,0.000114333634,0.00035410793,0.00033258717,0.0000024268559,0.0000759447,0.000043636555,0.9958472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882853,0.000021865217,0.0001549656,0.00027608234,0.00022118769,0.00049738004],"domain_scores_gemma":[0.9988605,0.00007915988,0.0000950657,0.00039584917,0.00021889209,0.0003505397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000111590685,0.00023459758,0.00030145101,0.00018210098,0.00089526444,0.00007139278,0.00051648624,0.00018855231,0.0006108614],"category_scores_gemma":[0.0000034909929,0.00021567948,0.00017953124,2.0562851e-7,0.0003063484,0.00007331496,0.00016843766,0.0002728833,0.00007265055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007957208,0.000010571848,0.000004791546,0.00017629228,0.00019702558,0.00003298685,0.23373267,0.000009566212,0.00003690778,0.66302526,0.09451325,0.008181093],"study_design_scores_gemma":[0.00018370493,0.0000637136,0.0000023106393,0.00014047005,0.000084631334,0.0000013242075,0.0016973645,0.000032115055,0.00012608837,0.0013728946,0.9960418,0.00025359433],"about_ca_topic_score_codex":0.26952994,"about_ca_topic_score_gemma":0.53333384,"teacher_disagreement_score":0.90152854,"about_ca_system_score_codex":0.0002104697,"about_ca_system_score_gemma":0.00042784677,"threshold_uncertainty_score":0.8795154},"labels":[],"label_agreement":null},{"id":"W4388546942","doi":"10.1515/9781552385357","title":"Cover and Uncover","year":2012,"lang":"en","type":"book","venue":"University of Calgary Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Engineering","score_opus":0.04260075274882476,"score_gpt":0.19211531925833222,"score_spread":0.14951456650950745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388546942","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003719512,0.0005242686,0.000100531164,0.0000036375982,0.00024304158,0.000154133,0.00018719678,0.000039569284,0.99871045],"genre_scores_gemma":[0.00049383665,0.000077475466,0.000037940477,0.00013043158,0.00034396484,1.1305111e-7,0.000054003023,0.00002292956,0.9988393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993141,0.000023541577,0.00010613203,0.00017787836,0.0001675614,0.00021075559],"domain_scores_gemma":[0.99941176,0.000040918796,0.0001314342,0.00022100417,0.0000770907,0.00011777384],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004692186,0.00018671429,0.00028996676,0.00006315857,0.00018832576,0.000024111307,0.00016473522,0.00016348125,0.0011069847],"category_scores_gemma":[0.0000020151203,0.00020767078,0.000110511006,7.236885e-8,0.00084409094,0.000105339626,0.00019214582,0.0001984704,0.000051586798],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044121927,0.000018776607,0.0000044902044,0.00021256594,0.00015821082,0.000018618106,0.064627714,2.1279018e-7,0.0000013292865,0.7963665,0.13679276,0.0017546967],"study_design_scores_gemma":[0.00033246746,0.000035840938,0.000009390125,0.000069042435,0.00022245353,0.0000018554799,0.00010837114,0.000019753777,0.000009087037,0.0030526458,0.99591285,0.00022623217],"about_ca_topic_score_codex":0.0019108237,"about_ca_topic_score_gemma":0.0016107678,"teacher_disagreement_score":0.8591201,"about_ca_system_score_codex":0.000050633356,"about_ca_system_score_gemma":0.000111659116,"threshold_uncertainty_score":0.99980617},"labels":[],"label_agreement":null},{"id":"W4388987092","doi":"10.1515/9781552384503","title":"Sights of Resistance","year":2001,"lang":"en","type":"book","venue":"University of Calgary Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sight; Resistance (ecology); Biology; Astronomy; Ecology; Physics","score_opus":0.043108852051263934,"score_gpt":0.19066663113432808,"score_spread":0.14755777908306414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388987092","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000019459712,0.00035205195,0.0001669475,0.000004709446,0.00015510422,0.00016686156,0.00019096208,0.00003895156,0.99890494],"genre_scores_gemma":[0.0003489761,0.00009920818,0.00008434762,0.0000360903,0.00019162566,1.1717797e-7,0.000053216398,0.000021019981,0.9991654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916136,0.0000317465,0.0001869636,0.0002048886,0.00023263716,0.00018242474],"domain_scores_gemma":[0.99907136,0.00005263994,0.00028079265,0.00033739104,0.00018372315,0.00007409431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000043279102,0.0001825969,0.0003979381,0.00009623862,0.00016325929,0.000010383024,0.00033805257,0.00015790352,0.0004761848],"category_scores_gemma":[0.0000027617973,0.00020777913,0.00019461986,1.7852093e-7,0.001017942,0.00005634125,0.000111319765,0.00018501295,0.0000076170304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008720839,0.000025346446,4.7354868e-7,0.00034097175,0.00013462029,0.000056097208,0.055109266,3.8906595e-7,0.0000034971322,0.86607784,0.0776397,0.0005245858],"study_design_scores_gemma":[0.00030962715,0.000040356856,0.0000019036358,0.00023963333,0.00015623387,5.854227e-7,0.00019992016,0.000008287353,0.00006426789,0.0121312495,0.9866505,0.00019740392],"about_ca_topic_score_codex":0.001825638,"about_ca_topic_score_gemma":0.024369054,"teacher_disagreement_score":0.9090108,"about_ca_system_score_codex":0.00005580911,"about_ca_system_score_gemma":0.00017883489,"threshold_uncertainty_score":0.99343365},"labels":[],"label_agreement":null},{"id":"W4389109423","doi":"10.1162/artm_x_00369","title":"Contributors","year":2023,"lang":"en","type":"article","venue":"ARTMargins","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05960972966842529,"score_gpt":0.2586237498328053,"score_spread":0.19901402016438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389109423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14559667,0.00006312043,0.00006311174,0.003344567,0.001776118,0.00017011334,0.00025257177,0.0008558486,0.84787786],"genre_scores_gemma":[0.8091014,0.000017965807,0.000004825343,0.0010025342,0.00078617316,0.000010250601,0.00005951062,0.000014794689,0.18900253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993171,0.000015102397,0.00011373991,0.00012186824,0.00010834055,0.0003238533],"domain_scores_gemma":[0.99964684,0.000053088937,0.000024152794,0.00015695464,0.000042842206,0.00007609532],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009327789,0.00008218473,0.0001018817,0.000069850415,0.0002853346,0.00007094624,0.000089292895,0.000021577409,0.0015765209],"category_scores_gemma":[0.00002957845,0.00007280182,0.00006128257,0.0000025627837,0.00014908337,0.000109415094,0.000038160542,0.000060468596,0.00507347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030861638,0.000023459545,0.00045953348,0.00000797179,0.000024810533,0.00001759916,0.06437263,0.0000047063804,0.000025559877,0.66799974,0.26629865,0.0007622418],"study_design_scores_gemma":[0.00019063587,0.00002255068,0.0010649837,0.0000046441196,0.0000083493105,7.1087595e-7,0.0012464357,0.0001839649,0.00007654744,0.012263867,0.98483294,0.00010433885],"about_ca_topic_score_codex":0.00032152978,"about_ca_topic_score_gemma":0.004120073,"teacher_disagreement_score":0.7185343,"about_ca_system_score_codex":0.000018651084,"about_ca_system_score_gemma":0.000023074355,"threshold_uncertainty_score":0.9993362},"labels":[],"label_agreement":null},{"id":"W4389120691","doi":"10.1215/10757163-10904188","title":"Denyse Thomasos","year":2023,"lang":"en","type":"article","venue":"Nka Journal of Contemporary African Art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Icon; Citation; Download; Maya; World Wide Web; Search engine optimization; Computer science; Library science; Art; Search engine; History; Archaeology","score_opus":0.09172935178693067,"score_gpt":0.27064110966656163,"score_spread":0.17891175787963096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389120691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025581248,0.0006690628,0.00010015383,0.004063129,0.0013672824,0.00012030076,0.00005173075,0.00011094244,0.96793616],"genre_scores_gemma":[0.86199546,0.00004433853,0.00003118564,0.00083074305,0.001488271,0.0000023842729,0.000007809857,0.000024166997,0.13557567],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864036,0.000087474364,0.0005365774,0.00011267304,0.00034238587,0.00028054605],"domain_scores_gemma":[0.99891824,0.00013630425,0.00034793056,0.00017819327,0.00021516788,0.00020416011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047499468,0.00014822847,0.000318187,0.0002664787,0.0002172957,0.00012060967,0.00026227089,0.00003543645,0.0007518288],"category_scores_gemma":[0.000071721275,0.000118360666,0.00021504553,0.000009388716,0.00026833138,0.0005094487,0.00004671698,0.00022895445,0.0006723145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008874235,0.00009735523,0.0007193066,0.000025483248,0.00015071251,0.00042966774,0.095661215,0.000006469689,0.00013275226,0.062333565,0.83917093,0.0011837664],"study_design_scores_gemma":[0.00047593142,0.00022364635,0.00028481308,0.000045602676,0.00002063292,0.0000364461,0.007100043,0.000040155017,0.00009976601,0.0070405686,0.9844872,0.00014522664],"about_ca_topic_score_codex":0.000027383763,"about_ca_topic_score_gemma":0.00015651566,"teacher_disagreement_score":0.8364142,"about_ca_system_score_codex":0.000028876386,"about_ca_system_score_gemma":0.00022908088,"threshold_uncertainty_score":0.8641467},"labels":[],"label_agreement":null},{"id":"W4389132829","doi":"10.1215/9781478027478","title":"Beyond the Sovereign Self","year":2023,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Autonomy; Resistance (ecology); Politics; Sovereignty; Indigenous; Contemporary art; Sociology; Aesthetics; Art history; Political science; Art; Law; Performance art","score_opus":0.0517200319683903,"score_gpt":0.23754832870421067,"score_spread":0.18582829673582035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389132829","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.6249827e-7,0.0001320616,0.000006345987,0.00050402305,0.0014178006,0.00018084024,0.00021173921,0.0004128331,0.9971335],"genre_scores_gemma":[0.00014125693,0.00009887033,0.000007462881,0.0044599455,0.005645154,0.00001429093,0.00014470957,0.000077578385,0.98941076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909407,0.00001600191,0.000189449,0.00019893459,0.000218437,0.00028312684],"domain_scores_gemma":[0.99931884,0.00013329912,0.000070949965,0.00035889453,0.00006417484,0.000053854845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000097574564,0.00021476946,0.00020481313,0.00005059093,0.00044086546,0.00019101294,0.0002681406,0.00011083852,0.010194732],"category_scores_gemma":[0.000006060596,0.00013020916,0.00016561369,3.6078882e-7,0.0002722769,0.0000559084,0.00010678444,0.00026713725,0.006001442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.8192903e-7,0.000003842856,5.7609157e-8,0.00001428967,0.000044080218,0.0000028073343,0.021995021,9.562094e-8,1.0135838e-8,0.502366,0.47548768,0.00008572836],"study_design_scores_gemma":[0.000038826918,0.000012993074,4.0370915e-7,0.000008727604,0.000042705527,6.5105274e-7,0.00044729654,0.000009391672,4.7602703e-7,0.42633128,0.5729907,0.00011651535],"about_ca_topic_score_codex":0.00018063514,"about_ca_topic_score_gemma":0.007333331,"teacher_disagreement_score":0.09750305,"about_ca_system_score_codex":0.00006198944,"about_ca_system_score_gemma":0.00022460826,"threshold_uncertainty_score":0.9947725},"labels":[],"label_agreement":null},{"id":"W4390024863","doi":"10.25071/2369-7326.40368","title":"\"Sketch\", \"What it takes to keep the mind going\" and \"Drag(a) de mama\"","year":2023,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Sketch; Harmony (color); Meaning (existential); Space (punctuation); White (mutation); Art; Aesthetics; Literature; Philosophy; Linguistics; Computer science; Epistemology; Visual arts","score_opus":0.08240898541441058,"score_gpt":0.35564250488980625,"score_spread":0.27323351947539565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390024863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8563185,0.028590186,0.000106344574,0.097635895,0.0024210503,0.0002677632,0.000041369432,0.000032673583,0.014586272],"genre_scores_gemma":[0.9559305,0.0066434727,0.0002054499,0.002160929,0.0026300654,0.000011954926,0.0000016333104,0.000030990297,0.03238503],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880046,0.000064301625,0.0004116973,0.00016834788,0.00018904998,0.00036617264],"domain_scores_gemma":[0.99904764,0.0003243929,0.00017498345,0.0001329736,0.0001749882,0.00014504131],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057279906,0.00019713411,0.0003650436,0.000120746496,0.0010066642,0.0003499091,0.00018525783,0.000031426065,0.000052708652],"category_scores_gemma":[0.00006686827,0.00011640337,0.00012467863,0.000012450434,0.0004987638,0.00039675375,0.0005484494,0.0002120406,0.000027116213],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014686822,0.000053003172,0.00032574046,0.00010097098,0.00049265235,0.00015984877,0.8752176,0.0000133491385,0.00003416194,0.0044074096,0.09838746,0.020660907],"study_design_scores_gemma":[0.0004627701,0.0008119885,0.0013685894,0.00067778287,0.00016017002,0.00023304521,0.46596524,0.00012658717,0.000054895372,0.020943113,0.50895417,0.00024164899],"about_ca_topic_score_codex":0.0000089042705,"about_ca_topic_score_gemma":0.001961453,"teacher_disagreement_score":0.4105667,"about_ca_system_score_codex":0.000038306716,"about_ca_system_score_gemma":0.000027311291,"threshold_uncertainty_score":0.7742549},"labels":[],"label_agreement":null},{"id":"W4390032436","doi":"10.25071/2369-7326.40360","title":"Poetic Space of Intimacy and Movement","year":2023,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Erasure; Movement (music); Space (punctuation); Art; Reading (process); White (mutation); Literature; Aesthetics; Philosophy; Computer science; Linguistics","score_opus":0.061744480523121266,"score_gpt":0.338631032448686,"score_spread":0.2768865519255647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390032436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94480133,0.01946451,0.00011771671,0.011793821,0.0014673637,0.00016737338,0.000038817092,0.000029741968,0.02211932],"genre_scores_gemma":[0.98369247,0.0035821432,0.00013344928,0.00014788458,0.0006352618,0.0000025786007,9.0470087e-7,0.000013758291,0.011791542],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990907,0.000030117968,0.00041898244,0.00011032636,0.00015531728,0.0001945919],"domain_scores_gemma":[0.9992746,0.000120551485,0.00024868772,0.0000856016,0.00019841564,0.00007215701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028397146,0.00013696952,0.00038026765,0.00015998248,0.00029637988,0.000039911687,0.00008675373,0.000018404578,0.000034814075],"category_scores_gemma":[0.000031675125,0.00009412717,0.00009559952,0.0000072541357,0.0004981709,0.00016498462,0.00056721986,0.00011829135,0.000003804052],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021481814,0.00014223535,0.0014595353,0.0007015062,0.001132038,0.00013743901,0.8563911,0.000014371966,0.00025151053,0.0856706,0.04638768,0.0074971784],"study_design_scores_gemma":[0.0027559688,0.0034107284,0.00981707,0.0019039001,0.0005723697,0.00016174593,0.49022892,0.0004651069,0.0007993015,0.30214408,0.18708408,0.000656745],"about_ca_topic_score_codex":0.000014652866,"about_ca_topic_score_gemma":0.00032124025,"teacher_disagreement_score":0.36616218,"about_ca_system_score_codex":0.000019118172,"about_ca_system_score_gemma":0.000014635429,"threshold_uncertainty_score":0.3838395},"labels":[],"label_agreement":null},{"id":"W4390088989","doi":"","title":"Editors introduction (Installation art as experience of self, in space and time)","year":2021,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Space (punctuation); Architectural engineering; Computer science; Art history; Visual arts; History; Art; Engineering; Operating system","score_opus":0.015000939547748325,"score_gpt":0.22469910830617856,"score_spread":0.20969816875843023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390088989","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5719645,0.00072571647,0.003208597,0.01242115,0.0022941986,0.0005596697,0.000053951153,0.00020142975,0.40857077],"genre_scores_gemma":[0.9441477,0.00038527802,0.0027289602,0.000047029258,0.0007047223,0.00002951328,0.00039904486,0.000026849604,0.0515309],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766576,0.0010653787,0.00037705692,0.00044985584,0.00025088532,0.00019106797],"domain_scores_gemma":[0.9976477,0.00024834808,0.00029323436,0.0007497379,0.0009847243,0.00007627992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011719269,0.00018386137,0.0002675955,0.00015050717,0.00017623513,0.000272276,0.00024764004,0.00013004085,0.0005613876],"category_scores_gemma":[0.00045017668,0.00020589623,0.000074639254,0.000012904827,0.00034787346,0.00021156605,0.00045689163,0.0002908801,0.000020902451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007904538,0.00036308286,0.00052787206,0.00019528458,0.00004032113,0.000002356988,0.7436169,0.000045945664,0.0011234882,0.24641228,0.005849004,0.0018155864],"study_design_scores_gemma":[0.0007358217,0.0000020718883,0.0020315023,0.001870219,0.00008049701,0.000011359341,0.011301238,0.0136468895,0.03691269,0.015297391,0.9172632,0.0008471225],"about_ca_topic_score_codex":0.0028968242,"about_ca_topic_score_gemma":0.0067332,"teacher_disagreement_score":0.9114142,"about_ca_system_score_codex":0.00008041062,"about_ca_system_score_gemma":0.0001662032,"threshold_uncertainty_score":0.8396205},"labels":[],"label_agreement":null},{"id":"W4390105021","doi":"10.33524/cjar.v22i3.635","title":"About the Artist and Artwork","year":2022,"lang":"en","type":"article","venue":"The Canadian Journal of Action Research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Action research; Sociology; Pedagogy","score_opus":0.3308829681749357,"score_gpt":0.37991499966995745,"score_spread":0.04903203149502178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390105021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48575747,0.004957909,0.00002379879,0.14496675,0.0034778495,0.00047085944,0.0001118761,0.000013871726,0.36021963],"genre_scores_gemma":[0.9492705,0.000045628658,0.0000016134347,0.00089663535,0.0010593061,0.0000049460646,9.1467575e-7,0.000007212819,0.048713252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988975,0.00032017313,0.0001295612,0.000046798126,0.00033656403,0.00026940808],"domain_scores_gemma":[0.99922687,0.00016121083,0.00005672784,0.0001194674,0.00019277177,0.00024294393],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015930426,0.00003943133,0.000059294223,0.00013917654,0.004646432,0.00030570672,0.0002312616,0.000010070212,0.0023335544],"category_scores_gemma":[0.00007673207,0.000023099441,0.000035748737,0.000007502109,0.0007248914,0.000082484315,0.000029862642,0.00073474325,0.000016014874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005069719,0.000015233066,0.0004524317,0.0000092835,0.0000712678,0.000064610205,0.25410432,0.00010634855,0.000014903507,0.26941606,0.46742308,0.008271762],"study_design_scores_gemma":[0.00007574248,0.000097233926,0.0004331325,0.000004760539,0.000005287899,0.000089250854,0.022387812,0.00004713519,0.000007124615,0.01293237,0.9638914,0.00002874717],"about_ca_topic_score_codex":0.04278751,"about_ca_topic_score_gemma":0.6275626,"teacher_disagreement_score":0.5847751,"about_ca_system_score_codex":0.00016812999,"about_ca_system_score_gemma":0.00084435183,"threshold_uncertainty_score":0.9985784},"labels":[],"label_agreement":null},{"id":"W4390819803","doi":"10.38055/fs050110","title":"Beauty and the Packaging Beast: Plastic in the Beauty Industry","year":2024,"lang":"en","type":"article","venue":"Fashion Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Aesthetics; Art","score_opus":0.09302617002969202,"score_gpt":0.31332818510206334,"score_spread":0.22030201507237132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390819803","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9048819,0.015451262,0.000045983594,0.019967519,0.002670721,0.00041632683,0.000075543845,0.00016407395,0.056326665],"genre_scores_gemma":[0.9915073,0.00035290793,0.0000024953285,0.0011763078,0.0009790772,0.000045662247,0.0000029408366,0.000011121726,0.0059221764],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991376,0.00009234283,0.00017451908,0.00016661336,0.0001627635,0.00026620473],"domain_scores_gemma":[0.9989736,0.00081432366,0.000026055597,0.00013064993,0.00003105245,0.000024305722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004975074,0.00013084934,0.00017420085,0.000053857108,0.0005207379,0.00023424327,0.00010805541,0.000041541567,0.00003818383],"category_scores_gemma":[0.00013871337,0.000062800784,0.00004789296,0.0000060541624,0.00082666526,0.0001218293,0.00010236752,0.00039833534,0.00003516061],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007041438,0.000013148144,0.0010344903,0.00006779992,0.000091816066,0.000013049787,0.56648505,0.0000031961597,9.2330794e-7,0.41813153,0.013460686,0.0006912837],"study_design_scores_gemma":[0.0007204085,0.000050136878,0.007014393,0.0002647936,0.00015714394,0.000012675085,0.3460857,0.0004913811,0.0000044389167,0.030399468,0.61454374,0.0002557151],"about_ca_topic_score_codex":0.00011380662,"about_ca_topic_score_gemma":0.0044848546,"teacher_disagreement_score":0.60108304,"about_ca_system_score_codex":0.00003406589,"about_ca_system_score_gemma":0.000022666305,"threshold_uncertainty_score":0.40051475},"labels":[],"label_agreement":null},{"id":"W4390983385","doi":"10.51644/9781771124850-005","title":"Two Embodying the Canadian Mosaic","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mosaic; Art; Visual arts","score_opus":0.07896964404301297,"score_gpt":0.24588818182062047,"score_spread":0.1669185377776075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390983385","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000020593286,0.0005484794,0.000003755732,0.0014951838,0.0008215622,0.00011312879,0.00019279438,0.000044915967,0.99677813],"genre_scores_gemma":[0.009538185,0.000051323248,0.000011896673,0.007568856,0.0026010314,0.000004809253,0.0001816037,0.000052469524,0.9799898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991388,0.000008565348,0.0001755263,0.00020151433,0.0001592574,0.00031634758],"domain_scores_gemma":[0.99930423,0.00003572992,0.00005048085,0.00034414817,0.00010475968,0.00016067368],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000067310175,0.00021168425,0.00019785906,0.000068335336,0.00091508526,0.0003383913,0.00018403147,0.00008961735,0.036237556],"category_scores_gemma":[0.0000053793815,0.00014678005,0.00014454228,1.9700646e-7,0.0003038919,0.00004784609,0.00004878757,0.00030798663,0.0007118529],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.1309795e-7,0.0000011662784,5.3844826e-7,0.000007480731,0.000048326194,0.00002238601,0.014092929,4.8463545e-7,5.2965696e-8,0.9137891,0.07150413,0.0005332253],"study_design_scores_gemma":[0.000050327864,0.0000060079437,4.4732218e-7,0.000033483444,0.00004642176,0.0000041979783,0.00065315113,0.000016602045,0.000001166759,0.07924346,0.9197444,0.00020036145],"about_ca_topic_score_codex":0.52161044,"about_ca_topic_score_gemma":0.997152,"teacher_disagreement_score":0.84824026,"about_ca_system_score_codex":0.00012911057,"about_ca_system_score_gemma":0.0004934585,"threshold_uncertainty_score":0.9646435},"labels":[],"label_agreement":null},{"id":"W4391252109","doi":"10.5206/tba.v5i1.16483","title":"If Not, Clouds","year":2024,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.03981560108170143,"score_gpt":0.3047596291088629,"score_spread":0.26494402802716144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391252109","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6374451,0.03419582,0.0006918367,0.024050737,0.026161736,0.00042519145,0.00032607667,0.00034376333,0.27635977],"genre_scores_gemma":[0.95249146,0.00057449576,0.000035038724,0.001206778,0.007842015,7.9220274e-7,0.000009372958,0.000016769585,0.037823282],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991945,0.000026193107,0.00026440946,0.000097037344,0.00022936176,0.00018848627],"domain_scores_gemma":[0.99954283,0.00004913465,0.000067828994,0.00004271288,0.00012275387,0.00017476245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016533151,0.00012729553,0.00020391676,0.00006855097,0.000155406,0.00022897605,0.000074640855,0.00005988478,0.0007615664],"category_scores_gemma":[0.00003459418,0.0000801352,0.00011796367,0.0000030716785,0.00019261912,0.0002891494,0.000023728477,0.00031742232,0.00010224396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004370116,0.00006336438,0.00003752187,0.000102562815,0.0001303796,0.00017195646,0.468131,5.199714e-7,0.0004958454,0.06991101,0.4577787,0.0031334253],"study_design_scores_gemma":[0.00021785717,0.00024613898,0.000058218942,0.00012770765,0.00008172729,0.00011348531,0.005800675,0.00008901479,0.00022949121,0.0037609148,0.9891574,0.0001173736],"about_ca_topic_score_codex":0.0000059539725,"about_ca_topic_score_gemma":0.000118470074,"teacher_disagreement_score":0.5313787,"about_ca_system_score_codex":0.000015740776,"about_ca_system_score_gemma":0.000054722248,"threshold_uncertainty_score":0.8338618},"labels":[],"label_agreement":null},{"id":"W4391290854","doi":"","title":"Introduction : On Recycling Virginia Woolf in Contemporary Art and Literature","year":2021,"lang":"en","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Art; Aesthetics; Art history; Environmental ethics; History; Visual arts; Philosophy","score_opus":0.030130541995659677,"score_gpt":0.22316790680446358,"score_spread":0.1930373648088039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391290854","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009611467,0.0030531178,0.00020656544,0.012215137,0.00043116702,0.00021850885,0.00010958762,0.00009065503,0.9827141],"genre_scores_gemma":[0.039004646,0.0012049899,0.00042851386,0.00040228842,0.00044817122,0.000012027898,0.0011205568,0.00005575981,0.957323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796534,0.0006364435,0.0004080898,0.00055927655,0.00022040584,0.00021043155],"domain_scores_gemma":[0.9976825,0.00042373338,0.0002452108,0.00081357453,0.00073223165,0.00010271492],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012645447,0.00028515072,0.00034013556,0.00022524928,0.00029836452,0.00048224186,0.00021583753,0.00020739583,0.00080387475],"category_scores_gemma":[0.00026036304,0.0002976499,0.00010901537,0.000006374624,0.00032249538,0.00019194343,0.00015288092,0.0006283554,0.00007994414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011258266,0.0000777937,0.000016700684,0.000069771246,0.00003233563,0.000018817054,0.060692683,7.4504084e-7,0.000035182224,0.91542923,0.018055728,0.0055597452],"study_design_scores_gemma":[0.0002818493,8.402831e-7,0.000036008558,0.0019650455,0.000016010683,0.000008198833,0.00024785023,0.000118357326,0.0003309977,0.0145708425,0.98213726,0.00028674176],"about_ca_topic_score_codex":0.0001861539,"about_ca_topic_score_gemma":0.0074877734,"teacher_disagreement_score":0.9640815,"about_ca_system_score_codex":0.00007134358,"about_ca_system_score_gemma":0.00011153719,"threshold_uncertainty_score":0.99994755},"labels":[],"label_agreement":null},{"id":"W4391347028","doi":"10.51644/9781771123532-002","title":"Time for the Avant-Garde in Canada","year":2019,"lang":"fr","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; History; Art history","score_opus":0.04287458337322322,"score_gpt":0.21521994927904275,"score_spread":0.17234536590581953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391347028","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000419707,0.0009166795,0.00005802609,0.003200496,0.002178639,0.00073121977,0.0012017896,0.000013847068,0.9916573],"genre_scores_gemma":[0.0124723995,0.00030299378,0.000019775192,0.0037990164,0.0014282074,0.0000142672625,0.00007368142,0.000065353095,0.9818243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866545,0.000012317745,0.00036815827,0.00026958593,0.00019350482,0.0004910044],"domain_scores_gemma":[0.99882716,0.0005217403,0.00010941135,0.00036736074,0.00009254487,0.00008177307],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011437569,0.00032637123,0.00038710923,0.000044562195,0.0003698452,0.00007257527,0.00026600037,0.00011981838,0.032344636],"category_scores_gemma":[0.000011715134,0.00022669965,0.00016537041,8.0939344e-8,0.00039861226,0.00005298643,0.000068208086,0.0002546618,0.001353837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001049659,0.0000074669306,0.0000100259385,0.00007507131,0.00009558851,0.0000061681812,0.00898618,0.00003307281,3.0321078e-7,0.91287476,0.076353684,0.0015471622],"study_design_scores_gemma":[0.00027204823,0.000043526074,0.000027624863,0.00008616407,0.000086541404,0.0000024999692,0.0007184888,0.0023363337,0.0000029825983,0.0101192165,0.9859646,0.00033995524],"about_ca_topic_score_codex":0.96930015,"about_ca_topic_score_gemma":0.99971116,"teacher_disagreement_score":0.9096109,"about_ca_system_score_codex":0.00040283415,"about_ca_system_score_gemma":0.0016693036,"threshold_uncertainty_score":0.99942374},"labels":[],"label_agreement":null},{"id":"W4391381377","doi":"10.7202/1109045ar","title":"Material Ways of Looking: A Methodological Proposal for Visual and Material Culture Studies","year":2023,"lang":"en","type":"article","venue":"Material Culture Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Visual culture; Epistemology; Sociology; Anthropology; Philosophy","score_opus":0.2984728131145332,"score_gpt":0.4075898547819357,"score_spread":0.10911704166740249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391381377","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6483514,0.10717511,0.0005633972,0.058998194,0.07496202,0.03537082,0.03392391,0.0059947805,0.03466042],"genre_scores_gemma":[0.46896625,0.2867155,0.026813298,0.046698645,0.10023519,0.0051808297,0.011863878,0.00065558706,0.052870814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981149,0.00023937855,0.0006232846,0.0003775341,0.00020447002,0.0004404565],"domain_scores_gemma":[0.9992312,0.00005033266,0.00024253926,0.0001680321,0.00023447302,0.00007342783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006670633,0.00034260357,0.0010355165,0.000040463772,0.00031614874,0.00018352723,0.00017048261,0.00015666331,0.0006755727],"category_scores_gemma":[0.00020053748,0.00020798724,0.00017387231,0.000008779116,0.00045024694,0.00015570478,0.00018674239,0.00009094731,0.00002768068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006807358,0.00016653897,0.00000707354,0.04864541,0.0006577147,0.000059022466,0.08084358,3.0939802e-7,0.05867384,0.32914272,0.4766404,0.0044826465],"study_design_scores_gemma":[0.0003720834,0.00049891847,0.000005274691,0.0012002778,0.00031926204,0.000017998616,0.0010696863,0.0000022268919,0.012359393,0.014641291,0.96918344,0.0003301466],"about_ca_topic_score_codex":0.00004065787,"about_ca_topic_score_gemma":0.000056747365,"teacher_disagreement_score":0.492543,"about_ca_system_score_codex":0.0000237215,"about_ca_system_score_gemma":0.000038631224,"threshold_uncertainty_score":0.84814733},"labels":[],"label_agreement":null},{"id":"W4391545664","doi":"10.1080/00168890.2023.2296936","title":"Dada Historiography; or, How to End One’s Work?","year":2024,"lang":"en","type":"article","venue":"The Germanic Review Literature Culture Theory","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Historiography; Work (physics); History; Engineering; Mechanical engineering; Archaeology","score_opus":0.03879618569090286,"score_gpt":0.26570950045814096,"score_spread":0.22691331476723808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391545664","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005688627,0.8302909,0.00014281733,0.013562245,0.0029014673,0.0010188415,0.0002026664,0.0003981801,0.151426],"genre_scores_gemma":[0.06099441,0.063172966,0.000098775716,0.037283685,0.0070378184,0.00021014147,0.00021981359,0.00011180293,0.83087057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998047,0.00036714922,0.00033606152,0.00044538945,0.0003297101,0.00047468822],"domain_scores_gemma":[0.99864185,0.00015779083,0.00008319244,0.0007912751,0.00015495032,0.00017092921],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008784203,0.00040999817,0.00047972763,0.00010053005,0.0004346846,0.00090753904,0.00060288666,0.00009826395,0.002292649],"category_scores_gemma":[0.00007021852,0.00020064911,0.0004153843,0.000055025896,0.00027253377,0.00034490385,0.000106566455,0.0006569509,0.00046641985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020333127,0.000018933362,9.706301e-8,0.001182294,0.00010616527,0.000027282638,0.13823415,4.806974e-8,0.000013588606,0.44505286,0.40777993,0.007564318],"study_design_scores_gemma":[0.00006381303,0.000057674246,0.0000019356232,0.0076080686,0.00029479433,0.00003254483,0.00039195185,6.432997e-7,0.000011449364,0.020943442,0.970271,0.0003226783],"about_ca_topic_score_codex":0.000007032491,"about_ca_topic_score_gemma":0.00015797469,"teacher_disagreement_score":0.7671179,"about_ca_system_score_codex":0.000074574826,"about_ca_system_score_gemma":0.00005689446,"threshold_uncertainty_score":0.9986194},"labels":[],"label_agreement":null},{"id":"W4391687630","doi":"10.51644/9781771120487-004","title":"The Threat of Black Art, or, On Being Unofficially Banned in Canada","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.07726841186569566,"score_gpt":0.23722310537140415,"score_spread":0.15995469350570848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391687630","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010426601,0.00009771895,0.0000021675526,0.00043389975,0.0004800188,0.00017585227,0.000093920135,0.000015652708,0.9985965],"genre_scores_gemma":[0.038039662,0.000106871295,0.0000028084307,0.00076546037,0.00050853787,0.0000020023106,0.00003021245,0.0000392821,0.9605052],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988789,0.000012342395,0.0003606326,0.00017251841,0.00031075504,0.00026483767],"domain_scores_gemma":[0.9992267,0.00015769558,0.0001271809,0.00028908387,0.00012774402,0.00007160768],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000117210584,0.00022763836,0.00031896197,0.000056929057,0.00013455003,0.000041835283,0.00019781746,0.000074618576,0.0022214386],"category_scores_gemma":[0.00001700376,0.00013598599,0.00006491489,4.4084425e-7,0.0002817372,0.0000326694,0.00004821579,0.00020635859,0.00012139321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000345184,0.000005971264,0.0000022722634,0.000014547709,0.00003506944,0.000016374415,0.0067604547,0.000012341499,6.5043885e-8,0.8786631,0.11386765,0.00058763707],"study_design_scores_gemma":[0.00014754392,0.00007689413,0.0000031623122,0.00009953342,0.00002104598,4.3650607e-7,0.00081705826,0.00004007116,0.0000039420993,0.09274777,0.90586746,0.00017509569],"about_ca_topic_score_codex":0.7085106,"about_ca_topic_score_gemma":0.9996255,"teacher_disagreement_score":0.7919998,"about_ca_system_score_codex":0.0002810427,"about_ca_system_score_gemma":0.0016866846,"threshold_uncertainty_score":0.99869066},"labels":[],"label_agreement":null},{"id":"W4391845452","doi":"10.4324/9781003371533-24","title":"Painting Back","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Visual arts","score_opus":0.08209804670826512,"score_gpt":0.23944554532417292,"score_spread":0.1573474986159078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391845452","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[6.11193e-7,0.0004475469,0.000020619247,0.00037742357,0.0011310788,0.000084435036,0.00007866447,0.00016764404,0.997692],"genre_scores_gemma":[0.00074500614,0.000055265016,0.00002978483,0.0014894675,0.004037107,0.0000016933844,0.000048545364,0.00007863924,0.9935145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992583,0.0000021491362,0.00020099798,0.00021956145,0.00011813406,0.00020088583],"domain_scores_gemma":[0.99963784,0.00003026231,0.000042691532,0.00018505343,0.0000471451,0.0000570112],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005850307,0.0002100265,0.00019570297,0.00007105852,0.000119921555,0.00020281109,0.000094251554,0.00010038888,0.078048706],"category_scores_gemma":[0.0000025473282,0.00016945279,0.00017122272,7.312258e-8,0.00019015385,0.000046141722,0.00007767008,0.00023453069,0.020918373],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.7930303e-7,0.0000016929844,9.4318175e-8,0.00007128678,0.000046014207,0.00000896551,0.011225836,5.7051395e-8,1.04227794e-7,0.8291837,0.1586923,0.0007695578],"study_design_scores_gemma":[0.00002052644,0.0000112858825,3.2997416e-8,0.00008705205,0.000035169807,0.0000011621028,0.00017374786,0.000020975,0.0000011081647,0.3156318,0.6838551,0.00016203387],"about_ca_topic_score_codex":0.00022285186,"about_ca_topic_score_gemma":0.0050188308,"teacher_disagreement_score":0.5251628,"about_ca_system_score_codex":0.000026966667,"about_ca_system_score_gemma":0.000028119997,"threshold_uncertainty_score":0.979844},"labels":[],"label_agreement":null},{"id":"W4391860889","doi":"10.1515/9781988111308-fm","title":"Frontmatter","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Materials science","score_opus":0.068458130907952,"score_gpt":0.23172283683072184,"score_spread":0.16326470592276984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391860889","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.6157235e-7,0.0003774791,0.00005263527,0.00061239646,0.00088795036,0.00006344177,0.000107729735,0.00008231234,0.9978152],"genre_scores_gemma":[0.0002251416,0.000021584994,0.000039652834,0.0072395476,0.0029687756,0.0000027515296,0.00015178438,0.00005510811,0.98929566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930614,0.0000035145813,0.00017674979,0.00020524654,0.00013151561,0.0001768337],"domain_scores_gemma":[0.9995276,0.000017236842,0.000050081893,0.0002642982,0.00007908932,0.00006172835],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022646298,0.00019905185,0.00023866499,0.000043066953,0.0001285484,0.000126249,0.00009217823,0.000105228064,0.4416652],"category_scores_gemma":[0.0000017130735,0.00016867307,0.0001630103,3.4923744e-8,0.00017530625,0.000053394375,0.0000621252,0.00017106633,0.010348242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.8952464e-7,0.0000027505323,1.4329304e-7,0.000011441457,0.000031798583,0.000011434362,0.005123356,1.5881435e-8,1.0620717e-7,0.5572762,0.437217,0.0003254068],"study_design_scores_gemma":[0.000060145732,0.000011638211,3.5840137e-7,0.000039809805,0.000040681633,0.0000021161964,0.00016097268,0.0000020527875,0.0000036686815,0.060466193,0.93898815,0.00022419666],"about_ca_topic_score_codex":0.00023742358,"about_ca_topic_score_gemma":0.011613921,"teacher_disagreement_score":0.50177115,"about_ca_system_score_codex":0.000025091831,"about_ca_system_score_gemma":0.000044229593,"threshold_uncertainty_score":0.9904223},"labels":[],"label_agreement":null},{"id":"W4391861321","doi":"10.1515/9781988111025-fm","title":"Frontmatter","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.07618657273988468,"score_gpt":0.22627477433789345,"score_spread":0.15008820159800879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391861321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.0582456e-7,0.00011604284,0.00007288253,0.002083325,0.0005964632,0.00009084552,0.00014459905,0.00014243943,0.9967532],"genre_scores_gemma":[0.0006596403,0.000008151032,0.00003334811,0.016426666,0.003663318,0.0000025259314,0.000088639725,0.000060274087,0.97905743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993431,0.0000025530987,0.00017509556,0.00020289248,0.00012700225,0.0001493773],"domain_scores_gemma":[0.99961907,0.000013817343,0.000054303982,0.00018371527,0.000039542603,0.000089524496],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00001514096,0.0002066679,0.00023470896,0.000034731846,0.000112304304,0.000092417635,0.000117492746,0.00008904931,0.23558356],"category_scores_gemma":[0.0000017137639,0.00017044305,0.00014373026,3.2460097e-8,0.00018217336,0.000053982658,0.000058781934,0.00018804765,0.030629741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.070575e-7,0.0000014009443,9.985578e-8,0.000011474268,0.000025230705,0.0000056664016,0.0073502352,1.209782e-8,7.773704e-8,0.52307975,0.46930662,0.0002185137],"study_design_scores_gemma":[0.00006042746,0.000023512817,2.1551169e-7,0.000017989227,0.000037435577,7.2759894e-7,0.00008165449,0.0000055464384,0.0000017056107,0.12798747,0.871576,0.00020727745],"about_ca_topic_score_codex":0.00016149138,"about_ca_topic_score_gemma":0.0036278297,"teacher_disagreement_score":0.4022694,"about_ca_system_score_codex":0.000019421059,"about_ca_system_score_gemma":0.000027637652,"threshold_uncertainty_score":0.970125},"labels":[],"label_agreement":null},{"id":"W4391873007","doi":"10.51644/9781554582778","title":"Will Gorlitz","year":2009,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04504225236004666,"score_gpt":0.23522242936997814,"score_spread":0.19018017700993148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391873007","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[5.0748463e-7,0.00034255846,0.00003720495,0.00035786367,0.0004490365,0.00011634606,0.00007112157,0.00018459286,0.99844074],"genre_scores_gemma":[0.0001671345,0.00007067701,0.000030355728,0.005360619,0.0054284227,0.0000030348058,0.00017918064,0.00003965076,0.98872095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991285,0.000008360315,0.00020902848,0.00021272672,0.00016614482,0.00027523798],"domain_scores_gemma":[0.9994651,0.000025870739,0.00006861098,0.0002788451,0.00007333763,0.00008825293],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000042970292,0.00023140844,0.0002650248,0.00007038581,0.00017950348,0.00012672224,0.00016265562,0.00013076131,0.018285599],"category_scores_gemma":[0.0000043692285,0.00019074658,0.00015764468,1.3016553e-7,0.00022842566,0.00016271477,0.000031785774,0.00020872473,0.0016852705],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.9091536e-7,0.0000072745793,4.34987e-8,0.000010379039,0.0000132598825,0.0000036364167,0.007444126,5.2493522e-8,1.9997884e-8,0.50475186,0.48672092,0.0010478564],"study_design_scores_gemma":[0.0000623061,0.00003724417,5.430396e-7,0.000025756908,0.000029240377,0.0000011458077,0.00007023616,0.0000034872412,7.0278895e-7,0.26137173,0.738195,0.00020260557],"about_ca_topic_score_codex":0.00019409854,"about_ca_topic_score_gemma":0.006433742,"teacher_disagreement_score":0.25147408,"about_ca_system_score_codex":0.000076116965,"about_ca_system_score_gemma":0.0001699514,"threshold_uncertainty_score":0.99909204},"labels":[],"label_agreement":null},{"id":"W4391938276","doi":"10.1007/978-3-031-42163-1_4","title":"Walking-with Public Art: Mapping ‘Re’ Encounters Underground","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Geography","score_opus":0.12006468628940033,"score_gpt":0.23349722210638246,"score_spread":0.11343253581698214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391938276","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000005278055,0.000062705476,0.00052573514,0.0014903714,0.0010750432,0.00021489189,0.00009757821,0.0005067059,0.9960217],"genre_scores_gemma":[0.0076041794,0.000120173674,0.000035267098,0.0024387217,0.001865688,0.000014710321,0.00023814011,0.0001744816,0.98750865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822104,0.000010471966,0.00035550582,0.00045615167,0.00041425828,0.0005425676],"domain_scores_gemma":[0.99897355,0.00010955942,0.00017481843,0.00042551852,0.0001568857,0.00015968285],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013444737,0.00044589266,0.00040897643,0.00032180425,0.0004585538,0.0006397863,0.00026352738,0.0001761848,0.01381738],"category_scores_gemma":[0.000008749747,0.00035307856,0.00018167535,0.0000011354174,0.0005126768,0.00028020632,0.00011620339,0.00037065562,0.004263351],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026649352,0.000008180215,0.0000016413615,0.000060923743,0.0001987162,0.000035095898,0.018427128,4.0483638e-7,1.4482994e-7,0.8648493,0.11588263,0.000533135],"study_design_scores_gemma":[0.00016348647,0.00005931011,0.0000018998779,0.00015793469,0.000050533148,0.0000049809073,0.0025386575,0.000021626276,3.3873525e-7,0.123267636,0.87326795,0.00046565497],"about_ca_topic_score_codex":0.00025622043,"about_ca_topic_score_gemma":0.06023693,"teacher_disagreement_score":0.7573853,"about_ca_system_score_codex":0.0001360595,"about_ca_system_score_gemma":0.00015302225,"threshold_uncertainty_score":0.9998921},"labels":[],"label_agreement":null},{"id":"W4392054825","doi":"10.1007/978-3-031-21155-3_62","title":"Repurposing Public Art as Education","year":2024,"lang":"en","type":"book-chapter","venue":"Springer international handbooks of education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Repurposing; Engineering","score_opus":0.05429363378888101,"score_gpt":0.2954416323919625,"score_spread":0.2411479986030815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392054825","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001637136,0.0028127881,0.00002089267,0.0012862852,0.014147864,0.0002732167,0.00009575389,0.000084880194,0.9811146],"genre_scores_gemma":[0.02970208,0.0003094281,0.00010856377,0.00070132036,0.0057030683,0.000050675942,0.00064251194,0.00008511588,0.9626972],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998425,0.0000064214396,0.0005469791,0.00040361274,0.00043614925,0.00018183063],"domain_scores_gemma":[0.9983551,0.00003529432,0.00037062407,0.000341964,0.00079095387,0.000106065956],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013089583,0.00028736598,0.00024104874,0.0005932135,0.00013430516,0.00035298688,0.0003246504,0.00014777423,0.0056346813],"category_scores_gemma":[0.00004164384,0.0003035371,0.00022212042,0.0000014166303,0.00026242953,0.00029889046,0.00009806881,0.0002946216,0.0012405618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007174637,0.00009565098,0.000007741111,0.000101665144,0.00015300247,5.933993e-7,0.008264443,2.2718697e-7,0.000020306705,0.9184759,0.054361198,0.018512074],"study_design_scores_gemma":[0.000044293924,0.000026910893,0.000004127566,0.0007730803,0.000072925955,0.000007551419,0.00034452084,0.000007283113,0.00013310155,0.2600034,0.73837596,0.00020681464],"about_ca_topic_score_codex":0.0003550224,"about_ca_topic_score_gemma":0.0009846224,"teacher_disagreement_score":0.6840148,"about_ca_system_score_codex":0.00032087025,"about_ca_system_score_gemma":0.0014259241,"threshold_uncertainty_score":0.99994165},"labels":[],"label_agreement":null},{"id":"W4392365044","doi":"10.24908/ss.v22i1.16548","title":"“The Pleasures in Being Seen”: An Interview with Dani Lessnau, Led by Drs. Stéfy McKnight and Julia Chan","year":2024,"lang":"en","type":"article","venue":"Surveillance & Society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; Carleton University","funders":"","keywords":"Art; Sociology","score_opus":0.023365319171471815,"score_gpt":0.25059544026603997,"score_spread":0.22723012109456817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392365044","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8775706,0.04568528,0.0005730567,0.010184261,0.0025554155,0.0010415958,0.0004873312,0.00080103095,0.06110138],"genre_scores_gemma":[0.98252344,0.0015889133,0.00001820055,0.000851885,0.00055799994,0.000026420681,0.000046100366,0.000042437896,0.014344613],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986626,0.00014291401,0.00023267511,0.00034536447,0.00019935452,0.00041710623],"domain_scores_gemma":[0.9994536,0.00011878257,0.00004651295,0.00023393104,0.000060347964,0.000086797794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073600217,0.00021140762,0.00025227293,0.000016850594,0.0005244817,0.0004980373,0.00017122575,0.00005692961,0.00008787635],"category_scores_gemma":[0.000010918374,0.00014094781,0.00009425854,0.00000938745,0.00046977797,0.00023814461,0.000061025698,0.00027273453,0.000012477871],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003614403,0.000111010326,0.008275323,0.00062134856,0.0003148419,0.000022180448,0.7734641,0.0000049417677,0.0001289398,0.05637342,0.14028172,0.020366024],"study_design_scores_gemma":[0.00030008002,0.000090928705,0.002570065,0.00013061588,0.000012374939,0.000003420295,0.011747961,0.00079865195,0.000030307221,0.0022621972,0.9817699,0.00028346266],"about_ca_topic_score_codex":0.0009267301,"about_ca_topic_score_gemma":0.06994008,"teacher_disagreement_score":0.84148824,"about_ca_system_score_codex":0.00006343384,"about_ca_system_score_gemma":0.000059272203,"threshold_uncertainty_score":0.9470311},"labels":[],"label_agreement":null},{"id":"W4392706927","doi":"10.1353/mos.2022.a921615","title":"A Q&amp;A with Jonas Staal","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Programming language; Operating system","score_opus":0.06102574405578069,"score_gpt":0.23940865152628055,"score_spread":0.17838290747049984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392706927","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28449404,0.00038820907,0.000315319,0.0022159303,0.0010063055,0.0003189574,0.0007560786,0.00032713378,0.710178],"genre_scores_gemma":[0.76030785,0.0000017136476,0.000045006364,0.0015127353,0.00033526556,0.00003671372,0.00008091503,0.000017742515,0.23766209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999357,0.000028220484,0.000084483574,0.00012737385,0.00018534987,0.00021760457],"domain_scores_gemma":[0.99972,0.000015449195,0.000029700415,0.00016197204,0.000022516513,0.00005036086],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006119067,0.00007998565,0.00008769424,0.000036247093,0.00060831505,0.000054466447,0.000103010236,0.000007911697,0.008495626],"category_scores_gemma":[0.000002962384,0.00006696784,0.00003282386,0.0000015692609,0.00012442133,0.00006239614,0.00006598038,0.00012135834,0.0001390258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059615908,0.00019660282,0.0004572942,0.000024344119,0.00007122659,0.00003814627,0.32825905,0.00012703492,0.000027180668,0.3861981,0.28310943,0.0014319934],"study_design_scores_gemma":[0.00022313683,0.000110387344,0.000045320423,0.0000020317789,0.00001259966,0.0000070753836,0.0027938823,0.000049664937,0.000008922387,0.003925941,0.9927082,0.000112819216],"about_ca_topic_score_codex":0.00096134,"about_ca_topic_score_gemma":0.008413149,"teacher_disagreement_score":0.7095988,"about_ca_system_score_codex":0.00004352766,"about_ca_system_score_gemma":0.000049599155,"threshold_uncertainty_score":0.9924107},"labels":[],"label_agreement":null},{"id":"W4392706944","doi":"10.1353/mos.2022.a921608","title":"Introduction","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.031386020222565,"score_gpt":0.22364931175748962,"score_spread":0.1922632915349246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392706944","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11734735,0.0005268993,0.00020653011,0.026778495,0.01063884,0.00033375,0.0003863803,0.0005405439,0.8432412],"genre_scores_gemma":[0.69877195,0.0000021608864,0.000010395391,0.0010634324,0.0032447432,0.000022589045,0.00007385456,0.0000093576355,0.2968015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959815,0.000022767443,0.000067487825,0.00009575331,0.00009550467,0.00012031721],"domain_scores_gemma":[0.9998266,0.0000057338016,0.000019452598,0.00011254204,0.000013600539,0.000022042357],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006287853,0.00004225701,0.00004809864,0.000029538907,0.00051673275,0.00002998859,0.00006007223,0.000005123641,0.017635401],"category_scores_gemma":[0.0000048161783,0.00004241411,0.00002764284,8.2838494e-7,0.000058512378,0.000056236535,0.00004660948,0.000081084625,0.00018947458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040685222,0.00003755156,0.000020063751,0.0000039082074,0.000008349122,0.0000021356927,0.060259596,0.0000427892,0.000035276928,0.2544418,0.68366945,0.0014750095],"study_design_scores_gemma":[0.00007066664,0.000039733222,0.000016083797,2.5263228e-7,0.00000570968,0.0000029537216,0.0020275523,0.000105835126,0.0000441318,0.0072375066,0.99039274,0.00005683515],"about_ca_topic_score_codex":0.0003232661,"about_ca_topic_score_gemma":0.0005836276,"teacher_disagreement_score":0.5814246,"about_ca_system_score_codex":0.000039176935,"about_ca_system_score_gemma":0.000013248736,"threshold_uncertainty_score":0.9832626},"labels":[],"label_agreement":null},{"id":"W4392850427","doi":"10.4324/9781003450535-8","title":"The Politics of Landscape Painting","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Politics; Landscape painting; Art; Visual arts; Political science; Law","score_opus":0.04561975399003268,"score_gpt":0.2350952844056923,"score_spread":0.18947553041565962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392850427","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006664784,0.0016264739,0.000008393409,0.0005097239,0.0007715186,0.000078334946,0.0001253894,0.00007331162,0.9968002],"genre_scores_gemma":[0.010214921,0.00017448,0.000007814876,0.00035629055,0.002309202,0.0000017906768,0.00002217731,0.000050248484,0.9868631],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992013,0.0000042214756,0.00028101416,0.00013443436,0.00015692042,0.00022213679],"domain_scores_gemma":[0.9993907,0.00014856164,0.00008520754,0.0002362212,0.00009584183,0.00004342352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011511599,0.00016954319,0.00019209752,0.00005264214,0.0002945532,0.00013196992,0.00014463099,0.00008062322,0.0028036837],"category_scores_gemma":[0.000009928141,0.00010219889,0.00017280126,1.6419865e-7,0.00038075369,0.000024737232,0.000084385996,0.00020675188,0.00034489034],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.6600487e-7,0.000002068274,6.345239e-7,0.000066989334,0.0000734567,0.0000026607727,0.011583942,1.0807491e-7,1.09924706e-7,0.93635535,0.05147046,0.0004436671],"study_design_scores_gemma":[0.000020001635,0.000014433155,1.4523778e-7,0.000057347395,0.000047100344,8.6280545e-7,0.0007610601,0.000036613812,0.0000026973446,0.36884576,0.63012874,0.00008520922],"about_ca_topic_score_codex":0.00019278847,"about_ca_topic_score_gemma":0.0033486902,"teacher_disagreement_score":0.5786583,"about_ca_system_score_codex":0.000014113772,"about_ca_system_score_gemma":0.000049832805,"threshold_uncertainty_score":0.9981079},"labels":[],"label_agreement":null},{"id":"W4392948476","doi":"10.4324/9781032690377-3","title":"Social Identities in the Modern Society of the Spectacle","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Sociology; Political science; Law","score_opus":0.0745583529753262,"score_gpt":0.25874875192031416,"score_spread":0.18419039894498795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392948476","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008823087,0.00038600614,0.0000057731468,0.0017762741,0.00042526476,0.00015577998,0.00013490557,0.000030238056,0.99699754],"genre_scores_gemma":[0.08747846,0.0000766409,0.00000230865,0.0012268036,0.0016646757,0.0000047315616,0.000008369793,0.000031612017,0.9095064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991588,0.00000987821,0.0002377035,0.00014796421,0.00028172525,0.00016393884],"domain_scores_gemma":[0.99963474,0.000036476486,0.00007507202,0.00020156919,0.0000416712,0.000010460067],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001095402,0.00017141423,0.00020066397,0.000027943739,0.0002850349,0.00013785489,0.0003127992,0.00010080988,0.0018856118],"category_scores_gemma":[0.0000012954047,0.000092084534,0.00044964868,5.7538796e-7,0.00067977986,0.00005863445,0.00012494763,0.00033189627,0.000082904975],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.055607e-7,0.0000058683686,5.297295e-7,0.000055384455,0.000039107264,7.219678e-7,0.23170838,2.3901904e-7,3.8552332e-7,0.6710674,0.09706113,0.000060210336],"study_design_scores_gemma":[0.000037777958,0.0000052899454,0.0000034939958,0.000029525252,0.000039292176,6.680795e-7,0.003595946,0.00004320691,0.0000025386241,0.55971205,0.43645498,0.000075224416],"about_ca_topic_score_codex":0.00066018675,"about_ca_topic_score_gemma":0.017530775,"teacher_disagreement_score":0.33939385,"about_ca_system_score_codex":0.00003867434,"about_ca_system_score_gemma":0.000056638233,"threshold_uncertainty_score":0.9990268},"labels":[],"label_agreement":null},{"id":"W4393059225","doi":"10.1163/25896377-00301001","title":"Enduring Ornaments","year":2023,"lang":"en","type":"article","venue":"Journal of Avant-Garde Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ornaments; Heap (data structure); Art; Art history; History; Sociology; Aesthetics; Visual arts; Style (visual arts); Computer science","score_opus":0.16101576764151188,"score_gpt":0.33634658715433907,"score_spread":0.1753308195128272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393059225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6391699,0.00874745,0.00004297275,0.006976126,0.016333705,0.0002783048,0.00008909692,0.00027667318,0.3280858],"genre_scores_gemma":[0.8681089,0.00303053,0.000056414232,0.00038339559,0.0027848468,0.0000022985053,0.0000011688891,0.000023242052,0.12560914],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886847,0.000030212876,0.00041417207,0.00008963074,0.0002966732,0.00030084682],"domain_scores_gemma":[0.9992021,0.00009535761,0.00024154094,0.00009752078,0.00029141773,0.00007210714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030043817,0.00012873638,0.0003264102,0.00018057013,0.00038927371,0.0000657426,0.00014247485,0.000020074105,0.00023665499],"category_scores_gemma":[0.00013553377,0.00009402307,0.0001570629,0.0000011477443,0.00021119881,0.00018429187,0.00010033672,0.00016280374,0.00025392987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003504377,0.00006622608,0.0007577383,0.00010640314,0.0010734345,0.000236379,0.7061532,0.000042392243,0.00012554672,0.0029833212,0.28600365,0.0024166575],"study_design_scores_gemma":[0.0005250329,0.00016869164,0.0010922465,0.00015252613,0.00009832416,0.000024138515,0.035780948,0.000015643893,0.00021652847,0.0079365615,0.953834,0.0001553602],"about_ca_topic_score_codex":0.000017882347,"about_ca_topic_score_gemma":0.0010524706,"teacher_disagreement_score":0.67037225,"about_ca_system_score_codex":0.000055192064,"about_ca_system_score_gemma":0.000034547207,"threshold_uncertainty_score":0.38341495},"labels":[],"label_agreement":null},{"id":"W4393371544","doi":"10.1525/aft.2024.51.1.96","title":"Exhibition Review: <i>Charlotte Zhang: Paradise Holds Itself Shut</i> in Los Angeles","year":2024,"lang":"en","type":"article","venue":"Afterimage","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Zhàng; Paradise; Art history; Art; Shut down; Visual arts; History; Archaeology; Computer science; Operating system","score_opus":0.034005690958488204,"score_gpt":0.27030145889510865,"score_spread":0.23629576793662044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393371544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09172316,0.21053983,0.00031847606,0.006269128,0.0030521704,0.001638179,0.0030320664,0.001158027,0.682269],"genre_scores_gemma":[0.93692285,0.0059523103,0.00006697642,0.011100058,0.0017529164,0.00016711274,0.00022051403,0.00007811628,0.04373915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887586,0.00005141237,0.0002875981,0.0002949386,0.00015349545,0.00033668344],"domain_scores_gemma":[0.99957955,0.000032432497,0.00003359731,0.0002393285,0.000032414293,0.00008265208],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001698205,0.00018604258,0.00022817744,0.00010573046,0.000092333634,0.0002025923,0.00011326162,0.00004020137,0.0019150687],"category_scores_gemma":[0.00001365298,0.0001663816,0.00011161455,0.000006967462,0.00016739288,0.00047896372,0.000048056274,0.0001462914,0.00039317567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018313664,0.00015114248,0.00008142182,0.0031452575,0.000035237506,0.00045185175,0.03592679,4.0959168e-7,0.0010463354,0.05161187,0.9003057,0.0072256844],"study_design_scores_gemma":[0.00013292315,0.000040435098,0.00018177135,0.0014460579,0.000041172898,0.000008246155,0.00020262873,0.0000729149,0.00030663298,0.0027533728,0.9945754,0.00023845585],"about_ca_topic_score_codex":0.00024905644,"about_ca_topic_score_gemma":0.0036431225,"teacher_disagreement_score":0.8451997,"about_ca_system_score_codex":0.000051833376,"about_ca_system_score_gemma":0.000033848188,"threshold_uncertainty_score":0.99899733},"labels":[],"label_agreement":null},{"id":"W4394833614","doi":"10.3828/blr.2008.21.1.27","title":"Exhibition: Citizen Milton (8 December 2007 – 26 April 2008)","year":2008,"lang":"en","type":"article","venue":"The Bodleian Library Record","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kellogg's (Canada)","funders":"","keywords":"Exhibition; Art; Art history; Media studies; History; Visual arts; Sociology","score_opus":0.05208506688257184,"score_gpt":0.22120908627748886,"score_spread":0.16912401939491703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394833614","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07548483,0.0007471801,0.000049554033,0.0037996583,0.0015969818,0.00029355154,0.00012285834,0.0006034296,0.91730195],"genre_scores_gemma":[0.30472732,0.0005326169,0.00028936195,0.009571854,0.00629158,0.000034330365,0.0000957928,0.00012672663,0.6783304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849147,0.00010198058,0.00035454772,0.00029481485,0.00022237207,0.00053484255],"domain_scores_gemma":[0.9990262,0.000107697466,0.00010952781,0.0005330942,0.00003538981,0.00018810744],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008429307,0.0002639562,0.0002600615,0.000083359846,0.0009579165,0.00015978787,0.00038977832,0.00008038836,0.021793911],"category_scores_gemma":[0.000010573432,0.00019482752,0.00018428112,0.000007508982,0.00067498337,0.0009851577,0.00013020166,0.00025454318,0.002780295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054635933,0.00006823588,0.0008523785,0.0000173897,0.000041224786,0.000050458646,0.02376791,0.0000011817242,0.000007171703,0.044093963,0.9293544,0.0016910018],"study_design_scores_gemma":[0.00035632876,0.000086124644,0.0008777791,0.000031955788,0.00002343466,0.000053486845,0.00079702097,0.000058025696,0.00018491395,0.020675832,0.97655326,0.00030183306],"about_ca_topic_score_codex":0.0002553867,"about_ca_topic_score_gemma":0.0006026298,"teacher_disagreement_score":0.23897152,"about_ca_system_score_codex":0.000018513516,"about_ca_system_score_gemma":0.00010590934,"threshold_uncertainty_score":0.99799615},"labels":[],"label_agreement":null},{"id":"W4394963938","doi":"10.25071/trnqf737","title":"The future of Canadian art history and visual culture at York University","year":2024,"lang":"en","type":"article","venue":"Canada Watch","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Visual culture; Art history; History; Art; Visual arts","score_opus":0.016132435681716507,"score_gpt":0.17337406655382467,"score_spread":0.15724163087210816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394963938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027787393,0.024387807,0.0000010928984,0.04234666,0.0060568964,0.00013509551,0.00063948723,0.000052872976,0.8985927],"genre_scores_gemma":[0.44385597,0.00020350474,0.0000011125519,0.00045603738,0.00049039075,2.6533874e-7,0.000016776197,0.0000060219763,0.5549699],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958575,0.000013270223,0.000054179036,0.00009246627,0.000085011474,0.00016932853],"domain_scores_gemma":[0.9997315,0.000017910488,0.000012876538,0.00006862613,0.000029281044,0.00013981875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000031322455,0.00006473984,0.0000649004,0.000029365217,0.00034203596,0.000020932388,0.000066910485,0.000028853621,0.00034544594],"category_scores_gemma":[0.0000016941738,0.000047348454,0.000022312626,0.0000029046016,0.00018885007,0.000030703202,0.000017551005,0.00008390394,0.0000055574146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018921717,9.2545844e-7,0.000025280693,0.000017702307,0.000017259215,0.00002493268,0.024365008,1.4667688e-7,0.0000028732668,0.042043574,0.933072,0.00042841962],"study_design_scores_gemma":[0.000033255586,0.000009620406,0.000043405365,0.000008983881,0.000016157031,0.0000024058188,0.007537798,0.000025839186,0.0000064078054,0.00009839232,0.9921523,0.00006544908],"about_ca_topic_score_codex":0.97548944,"about_ca_topic_score_gemma":0.99996245,"teacher_disagreement_score":0.41606855,"about_ca_system_score_codex":0.00072557136,"about_ca_system_score_gemma":0.0009416461,"threshold_uncertainty_score":0.3782391},"labels":[],"label_agreement":null},{"id":"W4396223018","doi":"10.1002/j.2831-865x.2014.tb00626.x","title":"The 1988 Show","year":2014,"lang":"en","type":"article","venue":"Popular Culture Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05800797700749411,"score_gpt":0.2808631924335423,"score_spread":0.2228552154260482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396223018","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025277837,0.4914834,0.00013799686,0.009082176,0.0008634162,0.0004580116,0.000021249944,0.00012809463,0.4978004],"genre_scores_gemma":[0.03917128,0.35976416,0.00015919317,0.036854584,0.0054678516,0.000115369556,0.00013183168,0.00006729505,0.5582684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991647,0.00009783368,0.00021170868,0.00013791003,0.00014981462,0.0002380387],"domain_scores_gemma":[0.9994415,0.000012584092,0.000074756135,0.0003297728,0.000071731425,0.0000696261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030395266,0.00013073551,0.00021658087,0.000006684396,0.0005813165,0.000118682605,0.00021346309,0.000026612379,0.00027698217],"category_scores_gemma":[0.000114776565,0.00006630807,0.00015884884,0.000001687247,0.00013143083,0.00007612729,0.00003359924,0.00012588121,0.00046459946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.0624045e-7,0.000010167107,0.000008700704,0.0004093724,0.000017227247,6.7832997e-7,0.006666788,4.037301e-8,0.0000010762242,0.73721045,0.2285246,0.02715047],"study_design_scores_gemma":[0.00004495958,0.000016969283,0.000004597232,0.00045419892,0.00006733796,0.0000039025094,0.00011046382,0.000007063312,0.0000018664166,0.006972282,0.9922039,0.00011246639],"about_ca_topic_score_codex":0.00006226835,"about_ca_topic_score_gemma":0.0020236094,"teacher_disagreement_score":0.76367927,"about_ca_system_score_codex":0.000012855291,"about_ca_system_score_gemma":0.000008475267,"threshold_uncertainty_score":0.5971641},"labels":[],"label_agreement":null},{"id":"W4399159546","doi":"10.1515/9781399524131","title":"Art's Realism in the Post-Truth Era","year":2024,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; Post truth; Art history; Art; Literature; Political science; Law; Politics","score_opus":0.03921923880455774,"score_gpt":0.21642073393565336,"score_spread":0.17720149513109562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399159546","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000314827,0.00017989986,0.0000041229528,0.00030387845,0.0019901674,0.0003476794,0.0007044457,0.00014666941,0.99629164],"genre_scores_gemma":[0.0011661851,0.0000628342,0.0000046174164,0.0007441972,0.0032612886,0.0000023307389,0.000249023,0.000041302927,0.9944682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985201,0.00006659818,0.00020881227,0.0004246361,0.0003685663,0.0004112834],"domain_scores_gemma":[0.9989861,0.00019780236,0.0001081701,0.0004971561,0.00011755845,0.0000932097],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001963291,0.00035077173,0.00033823127,0.00025561906,0.00034277732,0.00026045967,0.0006909809,0.00024642257,0.0005342008],"category_scores_gemma":[0.000011455088,0.000295822,0.00024211053,7.3248697e-7,0.0005908244,0.0001272645,0.00026447384,0.00096343394,0.000050336334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012685342,0.000009488167,8.504648e-8,0.000031886557,0.00004588963,0.00022732101,0.086479254,3.0313356e-7,1.4462128e-7,0.45961025,0.4534298,0.00015289168],"study_design_scores_gemma":[0.00023778444,0.000054323486,0.0000012256667,0.00018861624,0.00020969307,0.0000070466745,0.0027945375,0.000013221749,0.0000016898003,0.019078467,0.9770734,0.00034003504],"about_ca_topic_score_codex":0.0018013071,"about_ca_topic_score_gemma":0.004157731,"teacher_disagreement_score":0.52364355,"about_ca_system_score_codex":0.00021296293,"about_ca_system_score_gemma":0.0003113823,"threshold_uncertainty_score":0.9999494},"labels":[],"label_agreement":null},{"id":"W4399213346","doi":"10.2979/vic.00066","title":"Making Pictorial Print: Media Literacy and Mass Culture in British Magazines, 1885–1918 by Alison Hedley (review)","year":2023,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literacy; Media studies; Mass culture; Mass media; Media literacy; Print media; Sociology; Art; History; Political science; Anthropology; Law; Newspaper; Pedagogy","score_opus":0.06483540721927895,"score_gpt":0.3230376505981652,"score_spread":0.25820224337888625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399213346","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04670737,0.7655093,0.000026459935,0.0060335174,0.040530097,0.0022630566,0.0022409717,0.0014729497,0.13521627],"genre_scores_gemma":[0.6012435,0.31545478,0.00016588497,0.0025736408,0.02299152,0.0002750759,0.0004116515,0.00014812447,0.056735795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983381,0.00007459078,0.00043413983,0.00038859367,0.00027553077,0.0004890355],"domain_scores_gemma":[0.9993355,0.00012909665,0.00010802904,0.00018920464,0.00015724478,0.000080901584],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00023961153,0.0002546129,0.000520778,0.00008661876,0.00034412136,0.0002040541,0.00014986964,0.00007092942,0.00011359926],"category_scores_gemma":[0.0002248813,0.00024796595,0.00007741253,0.0000201408,0.00025436052,0.00029730634,0.00016995265,0.00019850062,0.00008442649],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014923048,0.000060782284,0.0026147075,0.0015901698,0.00021355742,0.00011563635,0.47378013,3.0740262e-7,0.000049926613,0.017816816,0.49848807,0.0052549816],"study_design_scores_gemma":[0.0004968875,0.000043123928,0.0008375849,0.0012391569,0.000051035273,0.000003459288,0.0038472526,0.0000068952886,0.0000060071197,0.00389952,0.98926795,0.00030110247],"about_ca_topic_score_codex":0.00019578074,"about_ca_topic_score_gemma":0.011478033,"teacher_disagreement_score":0.55453616,"about_ca_system_score_codex":0.00007042759,"about_ca_system_score_gemma":0.00002139836,"threshold_uncertainty_score":0.99999726},"labels":[],"label_agreement":null},{"id":"W4399405417","doi":"10.4000/11ryv","title":"La politique en embuscade : trois débats autour de l’œuvre autonome et ses effets","year":2024,"lang":"fr","type":"article","venue":"Perspective","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.022867424498882,"score_gpt":0.30493697923801966,"score_spread":0.28206955473913764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399405417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045158878,0.026604438,0.0008696089,0.113087475,0.0027136295,0.00051590026,0.0019412847,0.00077364955,0.8083351],"genre_scores_gemma":[0.77533853,0.001796172,0.00017640929,0.0012871065,0.0036917028,0.000051986757,0.000019414772,0.00010359202,0.21753508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735457,0.00054225913,0.00031039622,0.0006300044,0.00022234957,0.0009404042],"domain_scores_gemma":[0.9984381,0.00072355557,0.000065376415,0.0002936149,0.00017469331,0.00030462688],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047757715,0.000448413,0.00040938382,0.00024747883,0.00043253225,0.00068999955,0.00025042729,0.00031622336,0.0022400282],"category_scores_gemma":[0.00015388128,0.00045310592,0.00035561717,0.000011381397,0.0008443025,0.0005242341,0.00012434319,0.0007360534,0.0007490903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011582302,0.00012295,0.000025376383,0.00016665879,0.00022523053,0.00016349871,0.4306834,0.000015001112,0.000028728566,0.5611316,0.0069063106,0.0005196858],"study_design_scores_gemma":[0.00029295878,0.00019515709,0.0020308222,0.00043996927,0.00022586441,0.00014553485,0.064282626,0.0018215425,0.00028979362,0.18360344,0.7461576,0.00051471876],"about_ca_topic_score_codex":0.039921805,"about_ca_topic_score_gemma":0.012988341,"teacher_disagreement_score":0.73925126,"about_ca_system_score_codex":0.0018781746,"about_ca_system_score_gemma":0.0010266496,"threshold_uncertainty_score":0.99979204},"labels":[],"label_agreement":null},{"id":"W4399556459","doi":"10.1386/public_00193_1","title":"This Circle is a Mercle","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Transformative learning; Gesture; Grief; Reflexivity; Aesthetics; Meditation; Queer; Sociology; Repetition (rhetorical device); Accountability; Visual arts; Art; Gender studies; Psychology; History; Philosophy; Political science; Psychotherapist; Pedagogy; Archaeology; Anthropology; Law; Linguistics","score_opus":0.08110256232094325,"score_gpt":0.26589775141768807,"score_spread":0.1847951890967448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006271144,0.0012246227,0.000055916043,0.015226344,0.0011581345,0.00007148328,0.000085317006,0.00037791955,0.97552913],"genre_scores_gemma":[0.73206836,0.000021555998,0.00000936153,0.0031388404,0.00095812866,0.0000114483155,0.000011037326,0.000017801929,0.2637635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993043,0.0000134740085,0.00010963473,0.00017012925,0.00012723471,0.00027521348],"domain_scores_gemma":[0.9996538,0.000029341105,0.000011773034,0.0001707098,0.000046668712,0.00008768094],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000095804244,0.00007532872,0.00008268116,0.000088633475,0.00020573803,0.00061079534,0.000115815565,0.000027219992,0.023379037],"category_scores_gemma":[0.000016070377,0.00007081071,0.00007752869,0.0000030049619,0.00013064702,0.00036247025,0.0000406502,0.00009997717,0.0051950715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.881563e-7,0.000023640532,0.000016458836,0.000035421413,0.000033928347,0.000005750157,0.1106566,2.1583137e-8,0.000008928148,0.45372808,0.42161354,0.013877122],"study_design_scores_gemma":[0.00004779212,0.00001575413,0.000041255415,0.000010204144,0.000011578976,0.0000023951786,0.0004356757,0.00033614313,0.000048581558,0.0151166,0.98383343,0.000100561236],"about_ca_topic_score_codex":0.00065246626,"about_ca_topic_score_gemma":0.0011497008,"teacher_disagreement_score":0.72579724,"about_ca_system_score_codex":0.000027592663,"about_ca_system_score_gemma":0.00006351807,"threshold_uncertainty_score":0.9955795},"labels":[],"label_agreement":null},{"id":"W4399929807","doi":"10.36939/pawaatamihk/vol1no2/art61","title":"Exploring Métis Identity and Cultural Revival","year":2024,"lang":"en","type":"article","venue":"Pawaatamihk A Journal of Métis Thinkers","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Identity (music); Cultural identity; Sociology; Aesthetics; Art; Social science; Negotiation","score_opus":0.1936323363343852,"score_gpt":0.31536030825203554,"score_spread":0.12172797191765033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399929807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92275083,0.027512006,0.0014484647,0.0054447427,0.010829662,0.0002717686,0.00018119207,0.0002033906,0.03135792],"genre_scores_gemma":[0.98710907,0.0047185286,0.00029954786,0.00034186005,0.0024275146,0.0000036664894,0.000005895035,0.00003178222,0.0050621377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985087,0.00006950694,0.00048276442,0.00017348694,0.00039668856,0.00036884224],"domain_scores_gemma":[0.9992701,0.00010007331,0.00014881713,0.00012907789,0.0001643168,0.00018762154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065032585,0.00018477446,0.0003015433,0.00017835885,0.00037505524,0.0007860536,0.0002116901,0.000036849484,0.0003269088],"category_scores_gemma":[0.00009136974,0.0001406699,0.0001995764,0.000007454776,0.00030920637,0.0031805702,0.000100064804,0.0003991487,0.00005960109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003729376,0.00006585609,0.00051639194,0.00050877075,0.00056957535,0.0005538813,0.42248356,0.000011710262,0.00026700445,0.5070357,0.049632292,0.018317977],"study_design_scores_gemma":[0.00050605094,0.00022303658,0.0010207603,0.000764477,0.00026267185,0.00047162353,0.017174287,0.00021103035,0.00012303577,0.019272527,0.9596092,0.00036126265],"about_ca_topic_score_codex":0.0004034264,"about_ca_topic_score_gemma":0.0007593466,"teacher_disagreement_score":0.90997696,"about_ca_system_score_codex":0.00008065836,"about_ca_system_score_gemma":0.00006842714,"threshold_uncertainty_score":0.75799334},"labels":[],"label_agreement":null},{"id":"W4399969225","doi":"10.1007/978-3-658-43691-9","title":"Global Iconoclasm: Contesting “Official” Mnemonic Landscapes","year":2024,"lang":"de","type":"book","venue":"RaumFragen: Stadt - Region - Landschaft","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Brock University","keywords":"Iconoclasm; Mnemonic; Political science; Art; Linguistics; Art history; Philosophy","score_opus":0.05377220401893581,"score_gpt":0.2748339428553432,"score_spread":0.22106173883640737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399969225","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031308185,0.05880258,0.0015036481,0.002726083,0.012917569,0.0021097402,0.006279902,0.0018477789,0.9106819],"genre_scores_gemma":[0.16404898,0.003609123,0.000064063046,0.0016246017,0.020805156,0.00008804615,0.0029001571,0.0004491089,0.8064108],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99232656,0.00031076092,0.001918404,0.002063248,0.0010923346,0.0022886698],"domain_scores_gemma":[0.9956348,0.0005231909,0.0009774361,0.0015074477,0.0005153923,0.0008417213],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00057559006,0.0020191623,0.0022131128,0.00053840363,0.001670774,0.001880507,0.0011224507,0.0012566876,0.0021492203],"category_scores_gemma":[0.00017388377,0.0018779148,0.0013240088,0.000033114815,0.00090626074,0.00044865103,0.00067625835,0.0016609698,0.0060612992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023494125,0.0003289967,0.00028357946,0.001947487,0.001699008,0.0022706124,0.029364644,0.00014373833,0.0000024023423,0.25835547,0.70272326,0.0026458607],"study_design_scores_gemma":[0.001555421,0.00061946956,0.00002816799,0.002065655,0.0015061748,0.00027063736,0.0019397623,0.002897374,0.00000704174,0.019888194,0.9671258,0.0020963212],"about_ca_topic_score_codex":0.0017663512,"about_ca_topic_score_gemma":0.015965194,"teacher_disagreement_score":0.26440254,"about_ca_system_score_codex":0.0009715039,"about_ca_system_score_gemma":0.0018788272,"threshold_uncertainty_score":0.9996289},"labels":[],"label_agreement":null},{"id":"W4400275038","doi":"10.17742/image29703","title":"If One has the Floor, does One also need to Dance? Topology, Choreology, and the Structure of Digital Space","year":2024,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Subject (documents); Space (punctuation); Dance; Product (mathematics); Epistemology; Aesthetics; Topology (electrical circuits); Sociology; Computer science; Visual arts; Mathematics; Philosophy; Art; World Wide Web; Linguistics; Geometry","score_opus":0.043996112878933555,"score_gpt":0.35514464021748765,"score_spread":0.3111485273385541,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400275038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5270648,0.026092632,0.00048041937,0.41107273,0.0028797314,0.0006277769,0.0008632821,0.00007087025,0.030847754],"genre_scores_gemma":[0.9902829,0.0005208944,0.0003611747,0.0004229885,0.0011554639,0.0000042337915,0.0000046718787,0.000013078963,0.0072346167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988845,0.000056537097,0.00044550648,0.00014641495,0.00022808643,0.00023895905],"domain_scores_gemma":[0.9960601,0.00029979515,0.00019603383,0.0001485793,0.003243163,0.00005237208],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00022480023,0.00018487482,0.00039272176,0.00009815041,0.0009419231,0.0026435435,0.00025965384,0.000028303422,0.0000995248],"category_scores_gemma":[0.000826776,0.00007880732,0.00014506713,0.000017412796,0.018902592,0.0029562472,0.00017584211,0.00031367168,0.0000070614888],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082883496,0.00005618269,0.00031303003,0.000102454665,0.0011394438,0.000013857878,0.28363314,0.000014550957,0.0019622545,0.69585156,0.015250532,0.0015800919],"study_design_scores_gemma":[0.001880592,0.00024761757,0.0037632377,0.0002446051,0.00066361704,0.00016767497,0.083554044,0.00008111707,0.0036081271,0.53143966,0.37397534,0.00037437453],"about_ca_topic_score_codex":0.00013348588,"about_ca_topic_score_gemma":0.0009868213,"teacher_disagreement_score":0.46321806,"about_ca_system_score_codex":0.000040330768,"about_ca_system_score_gemma":0.00004756641,"threshold_uncertainty_score":0.9983918},"labels":[],"label_agreement":null},{"id":"W4400425774","doi":"10.29173/crossings251","title":"“A place of our own”: Club ‘70, Womonspace, and the Creation of Queer Social Spaces in Edmonton","year":2024,"lang":"en","type":"article","venue":"Crossings An Undergraduate Arts Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Club; Queer; Sociology; Gender studies; Media studies; Geology","score_opus":0.03826166526209638,"score_gpt":0.3027583056462452,"score_spread":0.2644966403841488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400425774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9089315,0.0019798214,0.00042163677,0.024527082,0.0007708725,0.00019114529,0.000037236565,0.00004282951,0.06309789],"genre_scores_gemma":[0.975459,0.00021125523,0.000045970508,0.00014266603,0.0007778115,0.0000024319033,0.0000033599945,0.000022716562,0.023334786],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880725,0.00010856961,0.0004160321,0.00015564838,0.00024919276,0.00026330363],"domain_scores_gemma":[0.999379,0.000080178994,0.00023384856,0.0000959935,0.00013658815,0.000074396485],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00065170886,0.00015212316,0.00027941205,0.000163377,0.0007066729,0.0011240076,0.00011072758,0.00005268685,0.00003179008],"category_scores_gemma":[0.00003847074,0.000101556776,0.000111632144,0.0000099549325,0.0011129607,0.0006017816,0.000034617373,0.00028783167,0.0000024175858],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022562833,0.000112145586,0.0005580592,0.00014493169,0.00010238217,0.0000247958,0.57580155,0.000053675143,0.00042534363,0.39884958,0.019775156,0.003926771],"study_design_scores_gemma":[0.0038833693,0.00035748663,0.0027212414,0.00071675197,0.00023040306,0.00016583435,0.07210906,0.0059538973,0.0008235891,0.31570935,0.5968034,0.0005255876],"about_ca_topic_score_codex":0.0011072123,"about_ca_topic_score_gemma":0.008485754,"teacher_disagreement_score":0.5770283,"about_ca_system_score_codex":0.000050574385,"about_ca_system_score_gemma":0.00015469783,"threshold_uncertainty_score":0.9999129},"labels":[],"label_agreement":null},{"id":"W4400514024","doi":"10.5117/9789463729895_ch05","title":"“Done!”: Kurt Richter's Perspectivai Set Design in Lubitsch's German Films","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"German; Materialism; Spectacle; Reflexivity; Metaphysics; Art history; Set (abstract data type); Semiotics; Art; Aesthetics; Visual arts; Philosophy; Sociology; Epistemology; Computer science; Linguistics; Anthropology; Political science","score_opus":0.07919745417669294,"score_gpt":0.2741089408398237,"score_spread":0.19491148666313074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400514024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020628584,0.0011621373,0.00014414857,0.00054667017,0.0011563143,0.00040929174,0.00027275836,0.00028747274,0.9960006],"genre_scores_gemma":[0.01447346,0.00020303507,0.000117815274,0.0012368456,0.0018346974,0.000025708647,0.00009968003,0.00016490862,0.9818438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981051,0.000022326865,0.0004554805,0.00059975754,0.0003161343,0.0005012151],"domain_scores_gemma":[0.9991325,0.00009686281,0.00009550814,0.00043503428,0.00009612463,0.00014397748],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017705673,0.00054569327,0.0005346873,0.00038342425,0.00019728152,0.00032573062,0.00027219247,0.00027901473,0.026716588],"category_scores_gemma":[0.0000075440785,0.0004700397,0.00026510295,0.000001258038,0.0003597276,0.00017430916,0.00014629698,0.00068253063,0.0039627007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008021656,0.000015885156,6.938384e-7,0.00005224314,0.00009887738,0.00011275634,0.06115065,0.0000028242707,0.0000015778742,0.7568236,0.18163994,0.00009294165],"study_design_scores_gemma":[0.00015865552,0.00007436242,0.0000016317031,0.00016238549,0.000087350716,0.0000099235895,0.0011522758,0.00014182,0.000011750979,0.20833388,0.78935546,0.00051053014],"about_ca_topic_score_codex":0.0011916471,"about_ca_topic_score_gemma":0.010844117,"teacher_disagreement_score":0.6077155,"about_ca_system_score_codex":0.00014620491,"about_ca_system_score_gemma":0.000120681834,"threshold_uncertainty_score":0.9997751},"labels":[],"label_agreement":null},{"id":"W4400526966","doi":"10.1515/9781785333743-013","title":"10 “WHAT THIS PICTURE OF A GIRL MEANS TO ME” The Place of Girlhood Images in the Art History University Classroom","year":2016,"lang":"en","type":"book-chapter","venue":"Berghahn Books","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Art history; Visual arts; Art; Psychology; Developmental psychology","score_opus":0.03202060594034428,"score_gpt":0.19625293024650062,"score_spread":0.16423232430615634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400526966","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036429807,0.0012496558,0.000021918844,0.0013213167,0.00034598706,0.00030165238,0.00032428466,0.00002475951,0.996374],"genre_scores_gemma":[0.005771343,0.00016127128,0.00001670074,0.0009170986,0.000412814,0.0000035256162,0.000014759455,0.000042336276,0.99266016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868494,0.0000780798,0.00032928318,0.0002842755,0.00036330402,0.00026008944],"domain_scores_gemma":[0.9985483,0.0002455092,0.00029125038,0.00068414066,0.00016680933,0.00006394461],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025160535,0.00031796447,0.0004386363,0.00016248056,0.00015421596,0.000030715215,0.00064358517,0.00018867588,0.006821447],"category_scores_gemma":[0.000017739068,0.00019060557,0.00027184706,0.0000012140828,0.0008997324,0.00015203054,0.00014339387,0.0003442118,0.0002332035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073505245,0.000025810219,0.0000015690658,0.00005451426,0.00008946618,0.000012417254,0.095317736,6.715698e-7,0.000012274333,0.5914465,0.31200317,0.0009623309],"study_design_scores_gemma":[0.00028088034,0.00013268576,0.0000060433613,0.00028900968,0.000130149,0.0000025057948,0.0030377551,0.0000010186523,0.000027846201,0.008691375,0.9871696,0.00023113308],"about_ca_topic_score_codex":0.00022554625,"about_ca_topic_score_gemma":0.010346932,"teacher_disagreement_score":0.6751664,"about_ca_system_score_codex":0.00024282974,"about_ca_system_score_gemma":0.00021688991,"threshold_uncertainty_score":0.99408644},"labels":[],"label_agreement":null},{"id":"W4400589404","doi":"10.1386/9781789389166_3","title":"Immanence and Being With Contemporary Art","year":2024,"lang":"en","type":"book-chapter","venue":"Artwork scholarship","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Immanence; Art; Philosophy; Epistemology","score_opus":0.06675746785486887,"score_gpt":0.23861792844338697,"score_spread":0.17186046058851812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400589404","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048702752,0.004833641,0.000007055497,0.00051962415,0.0005102704,0.00022195498,0.00006170296,0.00018675679,0.993172],"genre_scores_gemma":[0.2319108,0.00014052363,0.000036554717,0.0011422843,0.0013731879,0.00000880843,0.00006753443,0.00009559346,0.7652247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866706,0.000013909298,0.0002763009,0.00046677896,0.00026467018,0.00031130394],"domain_scores_gemma":[0.9992212,0.00007991488,0.00010489311,0.00034381918,0.00008486544,0.00016529115],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002238878,0.0003778529,0.00034546226,0.0001190228,0.0003666395,0.0005929177,0.00016159876,0.000160408,0.00073744514],"category_scores_gemma":[0.000009425652,0.00031243372,0.00009343198,0.000001013188,0.00056557136,0.0003948318,0.00010794082,0.00085091934,0.0013227486],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019941244,0.0000056178387,0.000084710344,0.0001034902,0.00011739847,0.00021855114,0.010101289,1.9888438e-7,4.4740565e-7,0.97673786,0.012190056,0.00042043286],"study_design_scores_gemma":[0.00009958862,0.000068595815,0.000015615988,0.000749989,0.0000691155,0.000020412912,0.00007299438,0.0000029635821,0.0000018012818,0.31762165,0.6809814,0.00029590674],"about_ca_topic_score_codex":0.000028811775,"about_ca_topic_score_gemma":0.0013782057,"teacher_disagreement_score":0.6687913,"about_ca_system_score_codex":0.00003317069,"about_ca_system_score_gemma":0.00008781763,"threshold_uncertainty_score":0.99993277},"labels":[],"label_agreement":null},{"id":"W4400589426","doi":"10.1386/9781789389166_16","title":"Researching and Reclaiming Edmonton's Queer History: Que(e)rying Curatorial and Archival Practice Through a Community-Based Public Art Exhibition","year":2024,"lang":"en","type":"book-chapter","venue":"Artwork scholarship","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"MacEwan University","funders":"","keywords":"Exhibition; Queer; Public history; Art; Art history; Visual arts; Public art; Sociology; Media studies; Gender studies","score_opus":0.2206993512316784,"score_gpt":0.32051510931617694,"score_spread":0.09981575808449855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400589426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061476836,0.0041050175,0.0001346362,0.004743668,0.0018877614,0.00045890186,0.00009868386,0.00027238025,0.9876842],"genre_scores_gemma":[0.24552526,0.0012509591,0.0017825122,0.009234962,0.01175016,0.0000959054,0.00073194236,0.0004934056,0.7291349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971664,0.0005548937,0.00048509383,0.00056588306,0.0006045146,0.0006232014],"domain_scores_gemma":[0.99726903,0.0013103543,0.00026875708,0.0006014778,0.00027021786,0.0002801462],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.002355423,0.00050416484,0.00047612772,0.00029240322,0.0019930708,0.0014609834,0.00026230703,0.00025944898,0.00021411748],"category_scores_gemma":[0.0005929223,0.00051713135,0.00014922248,0.0000039272086,0.0009688516,0.0018993082,0.00031655768,0.0041173953,0.000117464064],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000927088,0.000032374086,0.000009408677,0.000317567,0.00011939915,0.00007335919,0.041276135,8.487783e-7,0.000009016806,0.94089454,0.016260153,0.0009144568],"study_design_scores_gemma":[0.00028871113,0.000101999714,0.000003893146,0.0008673909,0.00013746816,0.00002078262,0.00041070284,0.000029368683,0.0000017026489,0.3002101,0.69754857,0.00037933548],"about_ca_topic_score_codex":0.0005954538,"about_ca_topic_score_gemma":0.0053658453,"teacher_disagreement_score":0.6812884,"about_ca_system_score_codex":0.0004251704,"about_ca_system_score_gemma":0.0003658129,"threshold_uncertainty_score":0.999728},"labels":[],"label_agreement":null},{"id":"W4400589778","doi":"10.1080/14702029.2024.2360787","title":"Responses to the essay ‘Integrated Foundation Studio and Art History at the School of the Art Institute of Chicago’","year":2024,"lang":"en","type":"article","venue":"Journal of Visual Art Practice","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Foundation (evidence); Visual arts; Art; Art history; History; Archaeology","score_opus":0.06172206832421861,"score_gpt":0.340615636332884,"score_spread":0.2788935680086654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400589778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5640633,0.0068225656,0.0012160176,0.14230436,0.011612965,0.0009355343,0.00007818023,0.00005388052,0.27291322],"genre_scores_gemma":[0.75507325,0.00031549484,0.00006344148,0.0028991627,0.0009552201,0.0000057213047,0.0000028122479,0.000018223855,0.24066666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850386,0.00037138004,0.0004776419,0.0001049171,0.0004132091,0.00012899227],"domain_scores_gemma":[0.99806875,0.0007941337,0.00045151945,0.00019231804,0.00042903415,0.00006425489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001609249,0.00011518849,0.0001918729,0.000088205255,0.0003306589,0.00011604647,0.00019823581,0.00003046717,0.00059998455],"category_scores_gemma":[0.001759473,0.00005321599,0.00011512493,0.000013680648,0.0005035,0.0008035187,0.000105726096,0.00040876903,0.00018277936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012446323,0.00040119435,0.0001711,0.0000983448,0.0006631333,0.00002656148,0.11598292,0.000055140106,0.0021464082,0.056376725,0.82051694,0.0023168968],"study_design_scores_gemma":[0.00016570209,0.00033632404,0.0005766802,0.0001468135,0.00024170765,0.00010544018,0.0032710123,0.00007064484,0.00022092946,0.00026291521,0.99453676,0.00006509538],"about_ca_topic_score_codex":0.00008736891,"about_ca_topic_score_gemma":0.0020562399,"teacher_disagreement_score":0.19100997,"about_ca_system_score_codex":0.00025553582,"about_ca_system_score_gemma":0.0005629748,"threshold_uncertainty_score":0.65694106},"labels":[],"label_agreement":null},{"id":"W4402055209","doi":"10.1386/jcs_00100_5","title":"Counter Revanchist Art in the Global City: Walls, Blockades and Barricades as Repertoires of Creative Action, Leah Modigliani","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Action (physics); Visual arts; Sociology; Art; Physics","score_opus":0.10047806587744243,"score_gpt":0.3623291745956291,"score_spread":0.2618511087181866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402055209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8095485,0.07858473,0.000030414101,0.011071052,0.013111265,0.00038447045,0.00018943922,0.000046219677,0.08703392],"genre_scores_gemma":[0.98890156,0.0036232944,0.000011681524,0.00023703776,0.004826257,0.0000036267513,5.7899916e-7,0.0000074746154,0.0023884901],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998899,0.000084625164,0.00045418463,0.00010978552,0.0003057495,0.000146655],"domain_scores_gemma":[0.9991851,0.00020707693,0.0001815468,0.00007512993,0.00031353798,0.000037594968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035500852,0.00013509089,0.00033772516,0.000058742222,0.00022265576,0.00015271614,0.00010836029,0.000035794168,0.000057185618],"category_scores_gemma":[0.00031171492,0.00007797401,0.000100268975,0.000010016501,0.00049065903,0.00033163506,0.000036411002,0.0001921648,0.00000432514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035755255,0.00017251895,0.0014626087,0.00031575168,0.001204108,0.00015559072,0.48024824,0.000008705306,0.000074107505,0.27065924,0.2439296,0.0014119853],"study_design_scores_gemma":[0.00033438375,0.000339643,0.0002972852,0.00033625314,0.00012951004,0.00005578872,0.042790443,0.0000086354285,0.00011084938,0.057638768,0.89784956,0.00010887973],"about_ca_topic_score_codex":0.00024247887,"about_ca_topic_score_gemma":0.0026021576,"teacher_disagreement_score":0.65391994,"about_ca_system_score_codex":0.0001100547,"about_ca_system_score_gemma":0.00008978052,"threshold_uncertainty_score":0.3179688},"labels":[],"label_agreement":null},{"id":"W4402178975","doi":"10.3138/seminar.60.3.1","title":"Green Dada: Avant-Garde Aesthetics and Ecocritical Theory","year":2024,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Ecocriticism; Art; Hegemony; Culpability; Philosophy; Sociology; Literature; Politics","score_opus":0.05630588386082835,"score_gpt":0.311037519607057,"score_spread":0.25473163574622865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402178975","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22977476,0.5666585,0.000485682,0.02356987,0.010273581,0.0004257689,0.0001992111,0.00024640118,0.16836622],"genre_scores_gemma":[0.928662,0.0071558924,0.000063711894,0.0006357395,0.0020975177,0.00000217257,9.76106e-7,0.000032010536,0.061349984],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895537,0.0000649665,0.0003754528,0.0001294492,0.00021085807,0.00026391467],"domain_scores_gemma":[0.999207,0.00033394256,0.000070859234,0.000101923404,0.0001937813,0.000092477836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046290073,0.00016295575,0.000333815,0.00011652526,0.0002597425,0.00011519772,0.00011627437,0.00003344081,0.00019325159],"category_scores_gemma":[0.000071511495,0.00011622047,0.00013296002,0.000001265554,0.0007041483,0.0001906818,0.00009707304,0.000257518,0.000046053072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045197303,0.000066907545,0.00002406764,0.00036059238,0.00074308296,0.00078918034,0.5885801,4.93826e-7,0.00005113788,0.32691696,0.067908935,0.014513394],"study_design_scores_gemma":[0.00027106228,0.00044121698,0.000067914465,0.0005780367,0.0004340042,0.0009799765,0.02798074,0.000067938876,0.00010842744,0.1269116,0.8419246,0.0002344654],"about_ca_topic_score_codex":0.0000113059805,"about_ca_topic_score_gemma":0.0003501105,"teacher_disagreement_score":0.77401567,"about_ca_system_score_codex":0.000047209465,"about_ca_system_score_gemma":0.000056091463,"threshold_uncertainty_score":0.4739333},"labels":[],"label_agreement":null},{"id":"W4402216853","doi":"10.18432/ari29821","title":"Art/Research Cover: Artwork","year":2024,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Visual arts; Art; Art history; Engineering","score_opus":0.23873418232824106,"score_gpt":0.44365109093742744,"score_spread":0.20491690860918638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402216853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023592947,0.0019035119,0.0017629013,0.04793634,0.0067872996,0.00047340718,0.0003567232,0.00022016297,0.9169667],"genre_scores_gemma":[0.63390607,0.00064417213,0.00009903651,0.00021481694,0.008626851,0.00005309912,0.000088288776,0.00006768185,0.35629997],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99374026,0.00057563756,0.0006886435,0.00058074907,0.0029739728,0.0014407132],"domain_scores_gemma":[0.9967008,0.00100282,0.00005006499,0.00032776958,0.0013306176,0.0005878866],"candidate_categories":["sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0050619487,0.0002891123,0.00027898286,0.0013830708,0.0025113076,0.0029284891,0.0011519572,0.000114124145,0.02526054],"category_scores_gemma":[0.00013134957,0.000241602,0.00037845882,0.000048116097,0.0016973121,0.0014305732,0.0003047472,0.0030579253,0.014377917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013990098,0.00031434663,0.00004462846,0.000056261764,0.00030246898,0.0009260216,0.13418709,0.00010066858,0.00011959632,0.27179703,0.589626,0.002385989],"study_design_scores_gemma":[0.00040004184,0.00035694905,0.000090421745,0.00031839416,0.000015794225,0.00039695724,0.00566269,0.004186453,0.000051156265,0.16265339,0.8256319,0.00023585057],"about_ca_topic_score_codex":0.0000347248,"about_ca_topic_score_gemma":0.001175131,"teacher_disagreement_score":0.6103131,"about_ca_system_score_codex":0.00045969745,"about_ca_system_score_gemma":0.00064725213,"threshold_uncertainty_score":0.99924207},"labels":[],"label_agreement":null},{"id":"W4402298432","doi":"10.1515/9781988111469-012","title":"VII. “Painters on the Prairie,” Canadian Broadcasting Corporation","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Corporation; Broadcasting (networking); Painting; History; Political science; Art history; Computer science; Law; Computer security","score_opus":0.14769005307101257,"score_gpt":0.23470362841983303,"score_spread":0.08701357534882045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402298432","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008409061,0.000009523435,0.00002241957,0.0045243553,0.0011242941,0.00023814553,0.00021284643,0.00014031457,0.9937197],"genre_scores_gemma":[0.024696589,0.0000070248743,0.0000048097268,0.0061026374,0.001530144,0.000008626888,0.00016744452,0.0000744964,0.96740824],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909514,0.000012505695,0.00021431307,0.00021550352,0.00017830302,0.00028423613],"domain_scores_gemma":[0.9992742,0.00013591454,0.00011772697,0.00024875757,0.00009357736,0.00012983051],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014749437,0.0002247908,0.00015917279,0.0001453761,0.0005738903,0.0002238163,0.00015115304,0.00010539856,0.0047721863],"category_scores_gemma":[0.00003460101,0.00015703376,0.000108044915,4.781089e-7,0.00025371698,0.00005975954,0.000027520342,0.00027735194,0.002508846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013302185,0.0000012184844,5.2039763e-7,0.000006897572,0.000028341123,0.000009925093,0.0100610675,0.0000023873565,9.57481e-8,0.7673614,0.22198048,0.0005463321],"study_design_scores_gemma":[0.000037514365,0.000044773376,0.0000018766706,0.000088993285,0.000023189334,0.0000010907042,0.0008725602,0.00016398854,0.0000012852788,0.06155836,0.93701196,0.00019444036],"about_ca_topic_score_codex":0.13085648,"about_ca_topic_score_gemma":0.9603484,"teacher_disagreement_score":0.829492,"about_ca_system_score_codex":0.00013428625,"about_ca_system_score_gemma":0.00021181793,"threshold_uncertainty_score":0.9982678},"labels":[],"label_agreement":null},{"id":"W4402299283","doi":"10.1515/9781988111469-011","title":"VI. Report on a Little Journey Around the Art World of Vancouver, 1944","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art history; Visual arts; Art","score_opus":0.10164794196227128,"score_gpt":0.2676209744226569,"score_spread":0.16597303246038564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402299283","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000054148186,0.000084911095,0.000017358485,0.0005505043,0.003188514,0.0002120797,0.00011755766,0.0001138145,0.99570984],"genre_scores_gemma":[0.0014758972,0.0001453681,0.000010422515,0.001407053,0.0029110836,0.000009098887,0.00005937808,0.000090912414,0.99389076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984489,0.000011921363,0.0005659148,0.00029105155,0.00041194886,0.00027026192],"domain_scores_gemma":[0.9985784,0.00017657632,0.00036249912,0.00065185805,0.0001509261,0.00007972554],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002398436,0.00029443036,0.00040688372,0.00017798525,0.00027358902,0.00009884621,0.00022444119,0.00008206166,0.00627017],"category_scores_gemma":[0.000026642796,0.00018909408,0.00030820092,0.0000011886657,0.00044856832,0.00006542952,0.0000893105,0.00039700512,0.001139382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053141725,0.000011946685,9.0745795e-7,0.000019603802,0.000082785315,0.000060737668,0.002990155,0.000001234212,8.716648e-8,0.5315946,0.4650769,0.00015579007],"study_design_scores_gemma":[0.000087134395,0.000053713622,0.0000019100216,0.00013583669,0.0000700116,0.0000056644913,0.0003841795,0.000007737554,0.000006265272,0.17604734,0.82300586,0.00019432667],"about_ca_topic_score_codex":0.00059247157,"about_ca_topic_score_gemma":0.16818267,"teacher_disagreement_score":0.357929,"about_ca_system_score_codex":0.000051233117,"about_ca_system_score_gemma":0.0001171431,"threshold_uncertainty_score":0.9996383},"labels":[],"label_agreement":null},{"id":"W4402585767","doi":"10.33524/cjar.v24i3.727","title":"About the Artist and Artwork","year":2024,"lang":"en","type":"article","venue":"The Canadian Journal of Action Research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Nipissing University","funders":"","keywords":"Visual arts; Art; Aesthetics; Sociology; Psychology","score_opus":0.3349238445727206,"score_gpt":0.4049255849263983,"score_spread":0.07000174035367768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402585767","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22260047,0.022978095,0.00008996787,0.19556603,0.005870055,0.00043645964,0.000073341536,0.000032631368,0.55235296],"genre_scores_gemma":[0.93543607,0.00017739399,0.0000020755583,0.00042100684,0.002199765,0.0000017542956,5.439377e-7,0.000008582554,0.061752792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999186,0.00014389312,0.00012693307,0.000051597188,0.00023218663,0.00025939365],"domain_scores_gemma":[0.999189,0.00022014524,0.000023484545,0.000101541955,0.00020318187,0.00026262066],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012157399,0.00004383611,0.000056359484,0.00015987303,0.0014600174,0.0009019132,0.00015462823,0.000020269548,0.0008157194],"category_scores_gemma":[0.00008282179,0.000022511638,0.000039974773,0.0000075851685,0.0008775203,0.0001371383,0.000010569376,0.0005949403,0.00007284352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014424355,0.0000043698888,0.00008355103,0.000028412669,0.00007817019,0.00008753475,0.16074438,0.000009513828,0.000013880704,0.43226442,0.39021066,0.016460666],"study_design_scores_gemma":[0.00003392744,0.000050520834,0.00021203802,0.00004560078,0.000008125453,0.00007983828,0.0064841756,0.00011815138,0.000016037897,0.022215629,0.97070754,0.00002839746],"about_ca_topic_score_codex":0.029012045,"about_ca_topic_score_gemma":0.6823788,"teacher_disagreement_score":0.7128356,"about_ca_system_score_codex":0.00010417174,"about_ca_system_score_gemma":0.0009010292,"threshold_uncertainty_score":0.99983996},"labels":[],"label_agreement":null},{"id":"W4403051474","doi":"10.3202/caa.reviews.2024.61","title":"Reilley Bishop-Stall. Review of \"Unsettling Canadian Art History\" .","year":2024,"lang":"en","type":"article","venue":"CAA Reviews","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stall (fluid mechanics); History; Art; Art history; Engineering; Aerospace engineering","score_opus":0.11140965555552156,"score_gpt":0.2787164118923053,"score_spread":0.1673067563367837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403051474","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000121588755,0.57530695,0.000009259173,0.0011000035,0.0011145013,0.00020828807,0.00006196564,0.000037163143,0.42214972],"genre_scores_gemma":[0.0017387698,0.5842433,0.00007784877,0.014247343,0.001213577,0.00006467189,0.00013844455,0.000053196087,0.39822283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867934,0.00007928549,0.0005767978,0.00023463856,0.00012476191,0.00030520296],"domain_scores_gemma":[0.99920547,0.000035038116,0.000096875585,0.00037308742,0.000084669555,0.00020487575],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00055267924,0.00017588628,0.0005006728,0.00011881934,0.000094205505,0.000038614882,0.00017101754,0.000038020597,0.00945476],"category_scores_gemma":[0.00013168587,0.00014104837,0.00027762266,0.000005214705,0.00017673342,0.00013559285,0.000020805428,0.00016196343,0.0016020228],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.8582985e-7,0.0000055124888,0.0000012777542,0.009651382,0.000016156599,0.000014252484,0.0076179844,4.3555083e-8,0.000004627177,0.05020462,0.9186866,0.013797147],"study_design_scores_gemma":[0.000027276412,0.000020377793,8.8399685e-7,0.0111537585,0.00008176508,0.000005689794,0.00005541938,0.0000181041,0.000002146894,0.00026797404,0.98820204,0.00016458519],"about_ca_topic_score_codex":0.011692193,"about_ca_topic_score_gemma":0.14868414,"teacher_disagreement_score":0.13699195,"about_ca_system_score_codex":0.00032017194,"about_ca_system_score_gemma":0.00039255878,"threshold_uncertainty_score":0.99917537},"labels":[],"label_agreement":null},{"id":"W4403173197","doi":"10.1525/aft.2024.51.3.3","title":"Trying to See What Isn’t There","year":2024,"lang":"en","type":"article","venue":"Afterimage","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04411869359357073,"score_gpt":0.2728360780527183,"score_spread":0.22871738445914758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403173197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15598507,0.0056201904,0.00088440266,0.0052956794,0.004038701,0.00030934685,0.000121396966,0.00061622617,0.827129],"genre_scores_gemma":[0.8009224,0.0000654456,0.000083343264,0.0034113145,0.0012811954,0.00002174464,0.000008835979,0.000033146825,0.19417259],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931383,0.000015012275,0.00011696069,0.00019649608,0.0001004363,0.0002572574],"domain_scores_gemma":[0.9996743,0.000025475956,0.000009597986,0.00018470942,0.000022980676,0.00008291663],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000062660976,0.00011571763,0.00010314302,0.00005438772,0.0001376845,0.0010441885,0.00010399916,0.000023240747,0.0060256803],"category_scores_gemma":[0.0000053194667,0.00009707835,0.000067953966,0.0000018774903,0.00008104861,0.0006191289,0.00006187486,0.00008222634,0.002665292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020919359,0.00005366091,0.000020889582,0.00025686904,0.00008215054,0.00024508417,0.6813916,0.0000024030655,0.0021733912,0.11032518,0.14942226,0.05600557],"study_design_scores_gemma":[0.000051491683,0.000039034338,0.00005046485,0.00012075524,0.0000146472075,0.0000030903798,0.0048256638,0.00006915444,0.0004371144,0.0027565071,0.9914826,0.0001494674],"about_ca_topic_score_codex":0.000272786,"about_ca_topic_score_gemma":0.0013508414,"teacher_disagreement_score":0.8420603,"about_ca_system_score_codex":0.00002956617,"about_ca_system_score_gemma":0.00002024093,"threshold_uncertainty_score":0.99999285},"labels":[],"label_agreement":null},{"id":"W4403911861","doi":"10.55016/ojs/muj.v2i2.79824","title":"An Aesthete Thinks About Herself for Too Long","year":2024,"lang":"en","type":"article","venue":"The Motley Undergraduate Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Aestheticism; Art; Aesthetics","score_opus":0.04975285462020492,"score_gpt":0.29565194920834115,"score_spread":0.24589909458813622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403911861","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19285801,0.020158084,0.10657026,0.23841655,0.030261438,0.0027742395,0.00064644753,0.0025496464,0.40576532],"genre_scores_gemma":[0.91948426,0.00039452896,0.0001513267,0.0022647877,0.0042012623,0.000012147769,0.00001521598,0.00007574446,0.07340074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985837,0.00010238026,0.00033229444,0.00020158818,0.00027595722,0.0005041222],"domain_scores_gemma":[0.9991959,0.00011970603,0.00009145649,0.00028268973,0.00012807352,0.00018217249],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006285854,0.00021628258,0.00019222441,0.00010001635,0.001297742,0.0015926841,0.00037828463,0.000054792203,0.0002482277],"category_scores_gemma":[0.000017318736,0.00013339658,0.00026246696,0.0000044013204,0.00030840383,0.0005392362,0.00003025008,0.00048900186,0.00014873184],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004777752,0.000098303695,0.000019819678,0.00007669366,0.00028296822,0.000083578285,0.14618428,0.00016902566,0.000071323346,0.6892155,0.13848291,0.02526781],"study_design_scores_gemma":[0.00025824638,0.00018923939,0.00003162002,0.000070885966,0.000113779795,0.0001978574,0.0017255235,0.0040802737,0.00004668893,0.33632725,0.6567663,0.0001923046],"about_ca_topic_score_codex":0.00015193832,"about_ca_topic_score_gemma":0.0017258223,"teacher_disagreement_score":0.7266262,"about_ca_system_score_codex":0.00008874943,"about_ca_system_score_gemma":0.0001495389,"threshold_uncertainty_score":0.99944377},"labels":[],"label_agreement":null},{"id":"W4403992197","doi":"10.5840/cpsem20232","title":"Not So Silent Language of “Pure” Abstract Art","year":2023,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; Art; Computer science; Philosophy","score_opus":0.0641447567769416,"score_gpt":0.2648921025957699,"score_spread":0.2007473458188283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403992197","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024697697,0.00018665567,0.0000063180614,0.00021361739,0.0012402764,0.00015579876,0.0011785283,0.00013408554,0.99663776],"genre_scores_gemma":[0.026973112,0.00025123157,0.000021904867,0.0007274351,0.0019449178,0.0000013843028,0.0002920904,0.000110965506,0.969677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875927,0.0000054297147,0.00041791424,0.00022628455,0.00031038755,0.00028069253],"domain_scores_gemma":[0.9990481,0.00011893242,0.0002377165,0.00040364443,0.000102998136,0.00008860758],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000114060495,0.00027726474,0.00041415356,0.00011132169,0.00012631914,0.000062439445,0.00019365347,0.000203956,0.0029190646],"category_scores_gemma":[0.000027780774,0.00026113153,0.00023422633,5.2894575e-7,0.00037569844,0.000040665185,0.00008650156,0.00034923034,0.0019853893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006997352,0.000026173391,0.0000015402685,0.00027867692,0.0001408707,0.00005791404,0.063287936,0.000009714132,0.000021908942,0.8211199,0.11425119,0.000797186],"study_design_scores_gemma":[0.00013108584,0.000049977985,0.000012984872,0.0002508621,0.00012089296,0.0000017165821,0.001020056,0.000019231338,0.00015215285,0.021723315,0.97620755,0.00031018397],"about_ca_topic_score_codex":0.00015436515,"about_ca_topic_score_gemma":0.0058195908,"teacher_disagreement_score":0.86195636,"about_ca_system_score_codex":0.000041355663,"about_ca_system_score_gemma":0.00009145748,"threshold_uncertainty_score":0.9999841},"labels":[],"label_agreement":null},{"id":"W4404158874","doi":"10.1515/9780773552692-049","title":"Interlude 5 Expo 67: The World Comes to Montreal","year":2018,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Visual arts","score_opus":0.03562274570774167,"score_gpt":0.21746556326005065,"score_spread":0.18184281755230897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404158874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00000919892,0.0000022948916,0.000030024914,0.0004482001,0.000688409,0.0005191144,0.0013639062,0.00021924956,0.9967196],"genre_scores_gemma":[0.0036041464,0.000022474656,0.00003805533,0.0015047177,0.0010377408,0.0000029781713,0.000050534345,0.00008468892,0.99365467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982907,0.000057925456,0.00027061056,0.00053258013,0.00033789364,0.00051028986],"domain_scores_gemma":[0.99838936,0.00012536108,0.0002086863,0.00077845296,0.00024185427,0.0002562856],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008873583,0.00051994703,0.0004786789,0.00029439898,0.001157524,0.00014398908,0.0008120889,0.0001756203,0.001444665],"category_scores_gemma":[0.000006130191,0.00044300634,0.00032141033,6.9763183e-7,0.00086538703,0.00012703784,0.00072028284,0.00046450947,0.00022409961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007095796,0.000013239446,4.7592707e-7,0.00002834485,0.00020800058,0.000059959853,0.02099514,8.806668e-7,2.6689477e-7,0.80353075,0.17455505,0.0005369161],"study_design_scores_gemma":[0.00034225234,0.00011462771,0.0000040549685,0.00016280008,0.00023928387,0.0000012566,0.0008944449,0.0000058801033,0.000039669714,0.0047966237,0.9928672,0.0005319141],"about_ca_topic_score_codex":0.0075344807,"about_ca_topic_score_gemma":0.0031681636,"teacher_disagreement_score":0.81831217,"about_ca_system_score_codex":0.00021806512,"about_ca_system_score_gemma":0.0000393646,"threshold_uncertainty_score":0.9998022},"labels":[],"label_agreement":null},{"id":"W4404637301","doi":"10.3138/ctr.198.002","title":"Inside <i>The Blacktor’s Studio</i>","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Art; Visual arts; Art history","score_opus":0.048271367491898205,"score_gpt":0.263962271900967,"score_spread":0.2156909044090688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404637301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003056618,0.41043678,0.0000020175028,0.016430855,0.0007907534,0.00027962957,0.00011629012,0.0000634648,0.57184964],"genre_scores_gemma":[0.46380803,0.19586603,0.000013709494,0.14150266,0.0070397058,0.00017170593,0.00009038816,0.00015370056,0.19135407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908704,0.000060013772,0.00020321042,0.00018331195,0.000105013634,0.00036140252],"domain_scores_gemma":[0.9992963,0.000060604867,0.000019017152,0.00032969518,0.00003818231,0.00025618714],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022889388,0.00014686966,0.00021541298,0.000056351317,0.00033492077,0.00017500872,0.00020272651,0.000024245723,0.0024016718],"category_scores_gemma":[0.000013930513,0.00009240652,0.0001503233,0.0000059622344,0.00021441815,0.00009506738,0.000018747118,0.00016502035,0.0016797703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.9367026e-7,0.0000034124303,0.0000041521844,0.0011412303,0.00005702271,0.000056605073,0.012735926,1.3217341e-7,1.6489001e-7,0.1825217,0.7238889,0.07959057],"study_design_scores_gemma":[0.00002110154,0.000012211115,0.000002678218,0.001588851,0.00011940798,0.000014139245,0.00024037492,0.000007286177,0.0000011046243,0.0032223773,0.9946422,0.00012826611],"about_ca_topic_score_codex":0.065552495,"about_ca_topic_score_gemma":0.7975287,"teacher_disagreement_score":0.7319762,"about_ca_system_score_codex":0.00013626179,"about_ca_system_score_gemma":0.00048635463,"threshold_uncertainty_score":0.9990975},"labels":[],"label_agreement":null},{"id":"W4404920806","doi":"10.7202/1114513ar","title":"From Forms to Form: Contemporary Art and the Practice of Bureaucratic Everyday Life","year":2024,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bureaucracy; Everyday life; Aesthetics; Sociology; Epistemology; Art; Philosophy; Political science; Politics; Law","score_opus":0.02858808476733152,"score_gpt":0.24434647520130479,"score_spread":0.21575839043397327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404920806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13356726,0.067170896,0.0005790578,0.20589924,0.008531797,0.002132537,0.0044666473,0.00013949235,0.5775131],"genre_scores_gemma":[0.6550183,0.0006559884,0.00009682081,0.005486691,0.0026040894,0.000046835088,0.00012543629,0.00005645562,0.33590934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805176,0.0001442685,0.00062763604,0.00040628866,0.0001598729,0.00061019714],"domain_scores_gemma":[0.99757606,0.0010782902,0.00016262794,0.0004579531,0.00016624198,0.000558849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007281267,0.00030467135,0.00054431846,0.00012506542,0.00039611533,0.00030635548,0.00021545877,0.00012192906,0.0005755346],"category_scores_gemma":[0.0006043575,0.00023251509,0.00018660075,0.000015057449,0.00077526167,0.0007657801,0.000115034345,0.0003546276,0.0004189087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010694984,0.000040383195,0.000013018788,0.00039650826,0.00036317168,0.00011272312,0.17468406,0.000008920264,0.0000071423615,0.61114365,0.21041653,0.0027069603],"study_design_scores_gemma":[0.00056538894,0.0001795655,0.000028739785,0.0007142847,0.00034806944,0.0000556873,0.011938234,0.0016655137,0.000014988027,0.025893841,0.9583099,0.0002857835],"about_ca_topic_score_codex":0.08419167,"about_ca_topic_score_gemma":0.18161823,"teacher_disagreement_score":0.7478934,"about_ca_system_score_codex":0.00014825832,"about_ca_system_score_gemma":0.00037868897,"threshold_uncertainty_score":0.948169},"labels":[],"label_agreement":null},{"id":"W4405200943","doi":"10.26522/vp.v21i2.4910","title":"Dyane Léger. Mayday","year":2024,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030361614018879584,"score_gpt":0.258936701457568,"score_spread":0.2285750874386884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405200943","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011009602,0.18520242,0.0006347047,0.14828688,0.021598425,0.00040644768,0.0026357195,0.0007249182,0.62950087],"genre_scores_gemma":[0.15891066,0.0035821926,0.00008307861,0.0010024825,0.007612997,0.000015192532,0.00006001479,0.000084789644,0.82864857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998077,0.00007371173,0.0003963722,0.00045553394,0.00026492006,0.00073247013],"domain_scores_gemma":[0.99906665,0.00022946684,0.0000460005,0.0003599137,0.000074333046,0.00022363006],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019392073,0.0003538129,0.00025889988,0.00015043505,0.00059461565,0.0007762332,0.00022263153,0.0001977161,0.010100827],"category_scores_gemma":[0.000029874607,0.0003341584,0.0002705655,0.000006172454,0.0009741163,0.00034494165,0.0001139434,0.00039424165,0.006619712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006119467,0.000069879905,0.000006434825,0.00032936095,0.00012783482,0.0001761028,0.11711779,0.000008188974,0.000015429769,0.62540543,0.24994816,0.0067892848],"study_design_scores_gemma":[0.00015047629,0.00010856369,0.000015813575,0.00041836032,0.00017341727,0.000033686636,0.0023416458,0.001645847,0.0003159304,0.030262394,0.9641159,0.00041795237],"about_ca_topic_score_codex":0.0049736314,"about_ca_topic_score_gemma":0.0056811003,"teacher_disagreement_score":0.7141678,"about_ca_system_score_codex":0.00008617057,"about_ca_system_score_gemma":0.00020360142,"threshold_uncertainty_score":0.99991107},"labels":[],"label_agreement":null},{"id":"W4405901527","doi":"","title":"(Dis)Abling Body and Consciousness","year":2019,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Heritage College","funders":"","keywords":"Consciousness; Psychology; Psychoanalysis; Neuroscience","score_opus":0.2776991101190193,"score_gpt":0.5147243366964827,"score_spread":0.23702522657746333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405901527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83681273,0.008975537,0.000057170346,0.00024633636,0.0015097681,0.00045741082,0.00010330106,0.000056488327,0.15178125],"genre_scores_gemma":[0.97881305,0.002816968,0.000024680878,0.0008445631,0.0006237052,0.000013224241,0.000013081375,0.000053300395,0.016797451],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980148,0.00011654798,0.00061553373,0.00037548502,0.00042043897,0.00045720144],"domain_scores_gemma":[0.9983758,0.0002462576,0.0004478304,0.00038958585,0.00028367256,0.00025687335],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006522582,0.00028426695,0.00065625086,0.00044380728,0.00049475,0.0022594864,0.0011579845,0.000076334836,0.026184445],"category_scores_gemma":[0.00008256486,0.00024915935,0.00013340077,0.000017146362,0.00040028855,0.002228157,0.00061751227,0.0003102907,0.00009792259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035481274,0.00070767297,0.6579837,0.0007870386,0.0008869111,0.000101527956,0.061692413,0.000084681655,0.024033166,0.08425917,0.15665807,0.012450827],"study_design_scores_gemma":[0.0015004324,0.00003563425,0.10320257,0.00065462274,0.00019080834,0.000027940361,0.002990007,0.00035517465,0.004363857,0.05558922,0.82999337,0.0010963567],"about_ca_topic_score_codex":0.0026923774,"about_ca_topic_score_gemma":0.001316684,"teacher_disagreement_score":0.6733353,"about_ca_system_score_codex":0.00004303761,"about_ca_system_score_gemma":0.00011233819,"threshold_uncertainty_score":0.99999607},"labels":[],"label_agreement":null},{"id":"W4406266589","doi":"10.25071/2816-8275.22","title":"Cover Art \"They Say We Can't Breathe Under Water\"","year":2024,"lang":"en","type":"article","venue":"IYARIC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Cover (algebra); Environmental science; Art; Engineering","score_opus":0.04227408299548373,"score_gpt":0.24500489727308453,"score_spread":0.2027308142776008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406266589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009134643,0.00087607914,0.0003111124,0.011398117,0.0024217828,0.00014935578,0.00014413225,0.00037083717,0.9751939],"genre_scores_gemma":[0.5586642,0.000042206473,0.0000041177123,0.0015565793,0.00078483025,0.0000070835795,0.000025330615,0.000022897548,0.43889272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915683,0.000022523544,0.000141257,0.00020035371,0.00014012141,0.0003388886],"domain_scores_gemma":[0.9996529,0.00004087794,0.000011398565,0.00019347729,0.000029004754,0.00007233989],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000063527244,0.00013949355,0.00012611678,0.00007777682,0.00020032816,0.00028787417,0.0001075359,0.000044969085,0.006856637],"category_scores_gemma":[0.0000023827045,0.00009083606,0.00009236959,0.0000016816396,0.000121014535,0.00012364902,0.000044823246,0.00013163622,0.007200765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003994253,0.000045889992,0.0000069765374,0.000069394264,0.00009203295,0.000039741415,0.17761588,0.000027794598,0.000099908015,0.42141163,0.39942718,0.00115957],"study_design_scores_gemma":[0.0000842521,0.000028017996,0.000022248416,0.000029810395,0.00004156314,0.000009530358,0.0006670385,0.00022205408,0.00015138555,0.07018826,0.92840445,0.00015136189],"about_ca_topic_score_codex":0.001265255,"about_ca_topic_score_gemma":0.006605621,"teacher_disagreement_score":0.54952955,"about_ca_system_score_codex":0.00006098466,"about_ca_system_score_gemma":0.000048963244,"threshold_uncertainty_score":0.9940512},"labels":[],"label_agreement":null},{"id":"W4406983804","doi":"10.7202/1115027ar","title":"The Intermedial Matrix of a Mexican Contemporary Artist: Tania Candiani","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Matrix (chemical analysis); Sociology; Art history; Anthropology; Materials science; Composite material","score_opus":0.042896661747858965,"score_gpt":0.3129261634110596,"score_spread":0.27002950166320067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983804","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011557498,0.11584581,0.006385497,0.013695313,0.008347531,0.0015686345,0.0037775694,0.0018443031,0.83697784],"genre_scores_gemma":[0.7412451,0.0036432834,0.0006728918,0.001122603,0.0016890492,0.00021727956,0.00011398831,0.0002147342,0.25108108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950543,0.00069359964,0.0016266203,0.00084333157,0.0005852071,0.0011969444],"domain_scores_gemma":[0.99656606,0.0011603724,0.00043007263,0.00092569686,0.0005280013,0.0003897869],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013375957,0.00092225755,0.0009514667,0.00042178467,0.0018706731,0.001446964,0.0009442223,0.00039011394,0.00046824187],"category_scores_gemma":[0.00037827014,0.00076367485,0.00081171957,0.00004392845,0.01508771,0.0012516133,0.00043176458,0.0010345887,0.000059843183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019131176,0.00020418351,0.000108968576,0.0012504305,0.00036700044,0.00053528685,0.06885082,6.2694943e-7,0.0005416936,0.7185505,0.072200984,0.13719818],"study_design_scores_gemma":[0.00021007269,0.0008518331,0.000063163505,0.0035120845,0.00020805157,0.00019314102,0.0024721094,0.00009063445,0.0040698,0.115879595,0.871728,0.0007215036],"about_ca_topic_score_codex":0.023748823,"about_ca_topic_score_gemma":0.052377574,"teacher_disagreement_score":0.79952705,"about_ca_system_score_codex":0.001344051,"about_ca_system_score_gemma":0.0007413503,"threshold_uncertainty_score":0.9995896},"labels":[],"label_agreement":null},{"id":"W4407127569","doi":"10.1007/978-3-031-48825-2_3","title":"Free Objects","year":2025,"lang":"en","type":"book-chapter","venue":"Synthesis lectures on mathematics and statistics","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science","score_opus":0.03416956525178458,"score_gpt":0.23921961120833096,"score_spread":0.20505004595654638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407127569","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000015677435,0.00050361454,0.0063737957,0.00017633711,0.00037682752,0.00027123344,0.0077740694,0.00008253368,0.98444],"genre_scores_gemma":[0.0008327863,0.0006205756,0.012457679,0.00092654594,0.00061233755,0.000022714028,0.0000853864,0.00010935983,0.9843326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985186,0.000014636333,0.000451542,0.00035215146,0.00034658553,0.00031652712],"domain_scores_gemma":[0.997322,0.0015727272,0.00024190695,0.0006151709,0.00013481273,0.0001133351],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012078229,0.00050326146,0.0006669237,0.00020444565,0.00040173245,0.00025829513,0.000276489,0.00022037856,0.0020776156],"category_scores_gemma":[0.00053379853,0.0004183547,0.00011879678,8.2754735e-7,0.00041940593,0.000025214282,0.000109009954,0.0003522813,0.000070489616],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006004487,0.00003130207,5.7992285e-8,0.0005878251,0.0001586863,0.000017264825,0.010453035,9.468102e-7,5.651642e-7,0.857278,0.1247546,0.0067117335],"study_design_scores_gemma":[0.0000690801,0.000050584058,2.859956e-7,0.0003951254,0.00023330322,0.0000021567425,0.000109499706,0.00024821685,0.000019990659,0.58151615,0.4170593,0.00029631448],"about_ca_topic_score_codex":0.000045834386,"about_ca_topic_score_gemma":0.0026651127,"teacher_disagreement_score":0.29230472,"about_ca_system_score_codex":0.000048142927,"about_ca_system_score_gemma":0.000106042615,"threshold_uncertainty_score":0.99982685},"labels":[],"label_agreement":null},{"id":"W4407154086","doi":"10.1162/leon_a_02658","title":"Gallery Artists","year":2025,"lang":"en","type":"article","venue":"Leonardo","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Computer science","score_opus":0.030427133940583485,"score_gpt":0.25781989827190216,"score_spread":0.22739276433131866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407154086","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007086285,0.00026346734,0.00026595875,0.0066640405,0.0010100617,0.000076792356,0.00002187106,0.00012794069,0.9844836],"genre_scores_gemma":[0.63500714,0.000013914345,0.000023722783,0.0036839666,0.00038789643,0.000007467882,0.0000071927875,0.0000062205986,0.36086246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946,0.00001440797,0.00012050043,0.00012618824,0.00007767301,0.00020122691],"domain_scores_gemma":[0.99970376,0.000028816217,0.000019755485,0.00017021183,0.000039897655,0.000037531747],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000045001732,0.00008047927,0.00010028359,0.00005223011,0.00020852168,0.00007097101,0.000094715535,0.000027326874,0.0014144552],"category_scores_gemma":[0.000013257253,0.00007346855,0.00005973927,0.0000011317974,0.0001439648,0.00007071774,0.000035462806,0.000072793875,0.00040571057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052633604,0.0000332969,0.00024006116,0.000021033598,0.000027066546,0.000007488452,0.01934447,0.0000017957077,0.0000142158915,0.83312124,0.14302422,0.0041598426],"study_design_scores_gemma":[0.00012986855,0.0000123802665,0.0006362772,0.000018352417,0.0000111513355,7.106819e-7,0.0013178581,0.000044596098,0.00007794699,0.025364622,0.972302,0.00008420773],"about_ca_topic_score_codex":0.00022928258,"about_ca_topic_score_gemma":0.003740368,"teacher_disagreement_score":0.8292778,"about_ca_system_score_codex":0.000020578096,"about_ca_system_score_gemma":0.000038027454,"threshold_uncertainty_score":0.99949837},"labels":[],"label_agreement":null},{"id":"W4407224383","doi":"10.17742/image29683","title":"Small Elegies for America","year":2025,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Geography; History","score_opus":0.1013179381531045,"score_gpt":0.4250258669540607,"score_spread":0.3237079288009562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407224383","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035171088,0.019795246,0.011867082,0.05022308,0.0056322734,0.0006995698,0.00043718988,0.00016435518,0.8760101],"genre_scores_gemma":[0.87190974,0.0009420264,0.008324214,0.001762947,0.0015131324,0.000041776617,0.000014418016,0.0000215063,0.11547022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896,0.000024217039,0.0004887501,0.00012335212,0.00013695727,0.0002667245],"domain_scores_gemma":[0.9867246,0.0002141595,0.00028686004,0.000107258704,0.012625482,0.00004161372],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00015259453,0.00017201481,0.0003419222,0.00016691451,0.0009821387,0.0017447731,0.00022106664,0.00001837642,0.00004502452],"category_scores_gemma":[0.0012255468,0.000119599055,0.00024773908,0.000009288449,0.0050423006,0.0037740867,0.000066316985,0.0001481004,0.000009460135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053403754,0.00014778542,0.00025452313,0.00018751022,0.00090324716,0.00001196349,0.10089394,0.000016956696,0.00082009623,0.7093468,0.1779507,0.009413084],"study_design_scores_gemma":[0.0006655782,0.00008281745,0.00038983408,0.00006755502,0.00014601203,0.000010813316,0.015467717,0.000028429016,0.00065265235,0.0907236,0.8916219,0.0001430795],"about_ca_topic_score_codex":0.000040983705,"about_ca_topic_score_gemma":0.00029087503,"teacher_disagreement_score":0.83673865,"about_ca_system_score_codex":0.00008822955,"about_ca_system_score_gemma":0.00007961764,"threshold_uncertainty_score":0.99929154},"labels":[],"label_agreement":null},{"id":"W4407250781","doi":"10.24908/encounters.v20i0.13894","title":"Part I: Artwork","year":2019,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Art; Visual arts; Computer graphics (images)","score_opus":0.019218766757590655,"score_gpt":0.24084468197204945,"score_spread":0.2216259152144588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407250781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27283433,0.0024357454,0.000013180501,0.00006019344,0.0065102954,0.0001010781,0.0000043076966,0.0000123125665,0.71802855],"genre_scores_gemma":[0.78360534,0.00003678498,0.000009572527,0.0005126504,0.00027038588,0.0000066509324,0.0000067296046,0.0000053750596,0.21554652],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958307,0.000052999887,0.00012970546,0.0000988083,0.000050523187,0.00008489529],"domain_scores_gemma":[0.9997106,0.00006610587,0.000060603466,0.00011325223,0.000026233616,0.000023162112],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027647216,0.00005690559,0.000090110756,0.00007723651,0.000031835953,0.000006969377,0.000050321127,0.0000218912,0.0020383329],"category_scores_gemma":[0.000014679209,0.000056643992,0.000022558293,9.3152397e-7,0.00025620277,0.00012926882,0.000007763861,0.00005666032,0.000038034756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030317933,0.000082405,0.0005701817,0.000042446074,0.0000052213536,9.338058e-8,0.28560868,0.000001481348,0.00002147281,0.6824174,0.029427983,0.0017923216],"study_design_scores_gemma":[0.00008696144,0.00003451239,0.0002137129,0.00006174777,0.000006427639,4.8731863e-7,0.012270046,0.000005586049,0.0000069498174,0.045813914,0.9414308,0.00006885383],"about_ca_topic_score_codex":0.00016991372,"about_ca_topic_score_gemma":0.00066517346,"teacher_disagreement_score":0.9120028,"about_ca_system_score_codex":0.00013784075,"about_ca_system_score_gemma":0.00014422118,"threshold_uncertainty_score":0.99887395},"labels":[],"label_agreement":null},{"id":"W4407332255","doi":"10.5771/9780739191583","title":"Marxism and Urban Culture","year":2014,"lang":"en","type":"book","venue":"Lexington Books","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Urban culture; Sociology; Political science; Law","score_opus":0.030306522266981908,"score_gpt":0.21955491943012376,"score_spread":0.18924839716314185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407332255","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014814064,0.0010306311,0.000031141528,0.00016612955,0.00074436405,0.00019099895,0.00010810297,0.0001757784,0.99753803],"genre_scores_gemma":[0.0015600229,0.000056514258,0.000034583714,0.0032390642,0.0063488726,0.0000114438,0.00015766197,0.00009349695,0.98849833],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875474,0.000024899951,0.00026959486,0.00038227215,0.00020554187,0.0003629596],"domain_scores_gemma":[0.9992304,0.00003597664,0.00016553604,0.00034644248,0.00007451281,0.0001471492],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008754036,0.00038034382,0.00041772047,0.00008495161,0.0003833232,0.00025351727,0.00018281997,0.0002930473,0.00069865654],"category_scores_gemma":[0.000008633437,0.00033131815,0.00014251148,2.5404512e-7,0.0005476344,0.00008170488,0.00010245915,0.00048448137,0.00025937738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028010384,0.0000043703967,0.0000023135788,0.00008500607,0.00003187986,0.0000047105536,0.034174692,3.667254e-8,0.0000010443895,0.48219436,0.4830014,0.0004973819],"study_design_scores_gemma":[0.00018149745,0.000074733485,0.0000015849351,0.00015320351,0.00007242684,0.000004471645,0.000100406876,0.0000102466265,0.0000075224134,0.096896976,0.9021083,0.0003886442],"about_ca_topic_score_codex":0.000104153936,"about_ca_topic_score_gemma":0.0011990096,"teacher_disagreement_score":0.41910687,"about_ca_system_score_codex":0.00006991942,"about_ca_system_score_gemma":0.00009136336,"threshold_uncertainty_score":0.9999139},"labels":[],"label_agreement":null},{"id":"W4407345279","doi":"10.17742/image.p70s.9.1.1.","title":"Fade of the Polaroid: Towards a Political Ontology of the 70s","year":2018,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Fade; Politics; Ontology; Computer science; Medicine; Political science; Philosophy; Epistemology; Law; Operating system","score_opus":0.08015255413633988,"score_gpt":0.4159146232080017,"score_spread":0.33576206907166184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407345279","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34954438,0.0016604542,0.0000902082,0.05214995,0.003795522,0.0012913788,0.0004017999,0.000029106848,0.5910372],"genre_scores_gemma":[0.9919698,0.000017005605,0.00019043456,0.0005339352,0.00086371985,0.0000133799285,5.3049155e-7,0.000009329139,0.006401815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985378,0.000097766235,0.00062207674,0.00009563946,0.00034648261,0.00030026629],"domain_scores_gemma":[0.989119,0.00009674021,0.0005209166,0.00021122437,0.010002967,0.000049174938],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00022671673,0.00015118587,0.0003427058,0.00006394766,0.00072934106,0.00025617424,0.0004589899,0.000029624352,0.00011519762],"category_scores_gemma":[0.0013687648,0.00007012582,0.00031437093,0.000013879083,0.020093692,0.0016570356,0.00019961323,0.00023183695,0.000004545935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002798654,0.00014662136,0.002122863,0.00006854007,0.0003742703,0.0000026849625,0.09361977,5.488899e-7,0.002952147,0.8896647,0.010173576,0.00084630115],"study_design_scores_gemma":[0.0025122848,0.00053400965,0.09202252,0.00030111754,0.00057808263,0.00034651597,0.04556131,0.000036972007,0.04725256,0.24213052,0.5682911,0.00043300694],"about_ca_topic_score_codex":0.00036320285,"about_ca_topic_score_gemma":0.0010945557,"teacher_disagreement_score":0.6475342,"about_ca_system_score_codex":0.00007766764,"about_ca_system_score_gemma":0.00013368143,"threshold_uncertainty_score":0.98257303},"labels":[],"label_agreement":null},{"id":"W4407565931","doi":"10.24908/encounters.v22i0.15267","title":"Part I: Artwork","year":2022,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Computer graphics (images); Computer science","score_opus":0.025290573069783794,"score_gpt":0.24510328294413308,"score_spread":0.21981270987434928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407565931","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14989708,0.006425083,0.00002893597,0.00019589764,0.011404522,0.00014230091,0.000024002044,0.000024170278,0.831858],"genre_scores_gemma":[0.84062946,0.00002561628,0.000008062175,0.00084157457,0.00028370155,0.00003412733,0.000013833939,0.0000059595804,0.15815768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995104,0.00011172579,0.00013032678,0.00009466342,0.00007025616,0.00008259997],"domain_scores_gemma":[0.99973947,0.000061323524,0.00006487142,0.00009547522,0.000017300616,0.000021565667],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040382578,0.000050925813,0.00007618879,0.000092513066,0.00013633512,0.000005392953,0.00006324348,0.000009833469,0.003325583],"category_scores_gemma":[0.000015325915,0.00005635316,0.000022649307,0.0000013560292,0.0002883021,0.000083323845,0.000020350304,0.0000845745,0.0000038129174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032431923,0.00011749656,0.0001039467,0.000015737947,0.0000042819775,2.4579103e-7,0.36133018,0.000006009534,0.000007386033,0.5657929,0.07079704,0.0017923249],"study_design_scores_gemma":[0.000066697576,0.000041465853,0.00006021719,0.000012236044,0.0000067912706,0.0000011194546,0.030775337,0.0000057325733,0.0000021505848,0.05847441,0.91049486,0.000058951366],"about_ca_topic_score_codex":0.00023342087,"about_ca_topic_score_gemma":0.0006313554,"teacher_disagreement_score":0.83969784,"about_ca_system_score_codex":0.00027463213,"about_ca_system_score_gemma":0.00019040986,"threshold_uncertainty_score":0.99758554},"labels":[],"label_agreement":null},{"id":"W4407895906","doi":"10.25071/2292-4736/40393","title":"Petrichor and After Hardeman’s ‘Petrichor’","year":2025,"lang":"en","type":"article","venue":"UnderCurrents Journal of Critical Environmental Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Computer science","score_opus":0.04349965903515051,"score_gpt":0.3199664913094545,"score_spread":0.27646683227430396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407895906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6869263,0.21920618,0.002046632,0.017642405,0.011527205,0.000612214,0.00039316816,0.00008166623,0.06156421],"genre_scores_gemma":[0.990738,0.002888621,0.00006442371,0.0009925916,0.00040759423,0.0000056579793,0.0000016595067,0.0000115892435,0.004889865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986961,0.00005581142,0.0004657069,0.00016873419,0.00031151014,0.00030212186],"domain_scores_gemma":[0.99932045,0.00032553144,0.000075638935,0.00009487155,0.000050192677,0.00013330721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016740395,0.00019177623,0.00036109204,0.00020595815,0.00031941084,0.00009339183,0.00011847099,0.00003950338,0.0003648255],"category_scores_gemma":[0.00025399332,0.00015101793,0.00012695006,0.0000047011567,0.0014672098,0.0002884517,0.0001710684,0.00025740653,0.00002149233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010524893,0.0087969825,0.07815496,0.003007496,0.005895721,0.00092245877,0.30798763,0.000025042533,0.00031564105,0.3669619,0.12810937,0.09877033],"study_design_scores_gemma":[0.0022192188,0.00065809855,0.023684055,0.0004895815,0.0010135398,0.000072609866,0.03556854,0.000051993607,0.00017985453,0.08343538,0.85198724,0.000639892],"about_ca_topic_score_codex":0.0000054503607,"about_ca_topic_score_gemma":0.000042842443,"teacher_disagreement_score":0.7238779,"about_ca_system_score_codex":0.00014817211,"about_ca_system_score_gemma":0.00001694775,"threshold_uncertainty_score":0.6158332},"labels":[],"label_agreement":null},{"id":"W4408065026","doi":"10.1177/00961442251319013","title":"The Medium Is the Message: Recent Interpretations of Jane Jacobs and Cities AkkermanAbraham (2020). The Urban Archetypes of Jane Jacobs and Ebenezer Howard: Contraction and Meaning in City Form. Toronto: University of Toronto Press. 226 + xii pp., bibliography, index, $84.00 (hardcover), $86.00 (ebook).LangGlenna (2021). Jane Jacobs’s First City: Learning from Scranton, Pennsylvania. New York: New Village Press. 403 pp., acknowledgments, notes, index, $39.95 (hardcover).","year":2025,"lang":"en","type":"article","venue":"Journal of Urban History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.025221439981084205,"score_gpt":0.2212223136914603,"score_spread":0.1960008737103761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408065026","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06014462,0.8970189,0.00076567946,0.0018680185,0.002119315,0.0011410685,0.0003096717,0.0000433557,0.036589373],"genre_scores_gemma":[0.7613467,0.23065059,0.0000462633,0.00020902006,0.00043943725,0.000003735049,0.000014634055,0.00003553295,0.0072541027],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972922,0.00034241372,0.0009472314,0.00037534657,0.00062627153,0.00041654336],"domain_scores_gemma":[0.99658406,0.0010860444,0.0012441113,0.00042494223,0.00045378527,0.00020707608],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00084502064,0.00039663538,0.000782571,0.00019624509,0.00063920574,0.00013869967,0.000538559,0.00018835661,0.00077522325],"category_scores_gemma":[0.0002221007,0.00029395524,0.00025344765,0.000049966227,0.0010662109,0.0009871338,0.0002894293,0.00068882987,5.1353186e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001412315,0.00021442304,0.020053247,0.0003234392,0.0014505635,0.000014417052,0.30085132,0.00006769556,0.00044881858,0.0023514782,0.6669736,0.0058387076],"study_design_scores_gemma":[0.0021860206,0.0003166186,0.017708816,0.0006015207,0.0005638382,0.0000079442925,0.012961937,0.00046433808,0.00019052753,0.0010464952,0.96364415,0.00030777644],"about_ca_topic_score_codex":0.084149234,"about_ca_topic_score_gemma":0.1537197,"teacher_disagreement_score":0.7012021,"about_ca_system_score_codex":0.0004755995,"about_ca_system_score_gemma":0.00046315926,"threshold_uncertainty_score":0.99995124},"labels":[],"label_agreement":null},{"id":"W4408764480","doi":"10.21083/ruralreview.v9i1.8296","title":"Cities According to the For You Page","year":2025,"lang":"en","type":"article","venue":"Rural Review Ontario Rural Planning Development and Policy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Geography; Computer science","score_opus":0.05885883065101206,"score_gpt":0.31663760390320717,"score_spread":0.2577787732521951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408764480","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.398382,0.090770915,0.0009081645,0.110929735,0.0040001553,0.0061335615,0.00019978324,0.00048590353,0.3881898],"genre_scores_gemma":[0.4293346,0.0023437324,0.0006866764,0.057080224,0.001771983,0.00044641647,0.00025857487,0.000039832034,0.5080379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885213,0.000023623079,0.0003871009,0.00015627696,0.00012545864,0.0004554204],"domain_scores_gemma":[0.99949497,0.0001046878,0.00007791308,0.00015939887,0.00006723231,0.0000958268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028607307,0.00023793415,0.00034890548,0.00012137609,0.0009978575,0.00023397179,0.00021820435,0.000033425218,0.00008959571],"category_scores_gemma":[0.00007912715,0.00015517525,0.00009222235,0.000010775711,0.00008597649,0.0001506209,0.00009553778,0.00014094304,0.000036153735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046196204,0.000020530937,0.0049236435,0.0014348335,0.0002078614,0.0000029044133,0.31486055,0.0000032874887,0.0000094673605,0.340155,0.2521088,0.08622691],"study_design_scores_gemma":[0.00016823424,0.000025712572,0.0016208997,0.0022810085,0.000051699753,0.0000025066395,0.00494452,0.0000031732166,0.000019962486,0.0020944136,0.9885665,0.00022134044],"about_ca_topic_score_codex":0.013456068,"about_ca_topic_score_gemma":0.059712302,"teacher_disagreement_score":0.7364577,"about_ca_system_score_codex":0.0001833953,"about_ca_system_score_gemma":0.0004272549,"threshold_uncertainty_score":0.9931134},"labels":[],"label_agreement":null},{"id":"W4409053556","doi":"10.11648/j.larp.20251001.11","title":"The Collages and Montages of James Corner, Ken Smith, and Adriaan Geuze","year":2025,"lang":"en","type":"article","venue":"Landscape Architecture and Regional Planning","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"History","score_opus":0.017677887927161583,"score_gpt":0.2414302328756608,"score_spread":0.22375234494849922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409053556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8687283,0.04674812,0.00017046684,0.008184378,0.00028629,0.00028052455,0.000072483694,0.00006487634,0.075464554],"genre_scores_gemma":[0.98356956,0.0009984857,0.00006521148,0.00067874504,0.00023319806,0.0000061541673,0.000009664598,0.0000084349795,0.01443056],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940264,0.000031344076,0.00014028493,0.00016337124,0.00008776337,0.00017458227],"domain_scores_gemma":[0.9993988,0.0003691865,0.000055927867,0.00009521447,0.000029715029,0.00005115272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000093849005,0.00012397645,0.00017163237,0.000069205154,0.0005749389,0.0001031637,0.00006796239,0.000041620664,0.0000065937493],"category_scores_gemma":[0.000018088456,0.000073296535,0.000028705133,0.0000038896237,0.0005083424,0.000039995724,0.000069399866,0.000118480326,2.2132859e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064147887,0.00007974296,0.11607327,0.00068978965,0.00069810014,0.000048080146,0.43447202,0.00015948167,0.00027351128,0.27381328,0.13436317,0.038688093],"study_design_scores_gemma":[0.00079259387,0.00012244449,0.023125648,0.00027462214,0.000080692575,0.00004486459,0.013518815,0.00029998113,0.0000631733,0.030497434,0.9309741,0.00020559394],"about_ca_topic_score_codex":0.0001452843,"about_ca_topic_score_gemma":0.00094345893,"teacher_disagreement_score":0.79661095,"about_ca_system_score_codex":0.000002210609,"about_ca_system_score_gemma":0.000026382166,"threshold_uncertainty_score":0.44220233},"labels":[],"label_agreement":null},{"id":"W4409233571","doi":"10.1386/jcs_00115_7","title":"Standing Ground III, Mighty and Real","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"MacEwan University","funders":"","keywords":"Geology; Geodesy","score_opus":0.12056450470210017,"score_gpt":0.3426835122784871,"score_spread":0.22211900757638692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409233571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6989127,0.10880979,0.00015217222,0.0032738885,0.07839164,0.00023614624,0.00008262487,0.00013842182,0.11000261],"genre_scores_gemma":[0.968587,0.0056197206,0.000023625618,0.000060651044,0.021684313,0.0000010820829,3.8193926e-7,0.000012336461,0.004010879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919575,0.000025607762,0.0003286038,0.00008244916,0.00021072481,0.00015684497],"domain_scores_gemma":[0.9994283,0.00015948403,0.00010448183,0.000042959462,0.0002013186,0.00006347567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002768062,0.00010602112,0.0002654891,0.00007203755,0.00032506938,0.00025317524,0.000053739754,0.000024759767,0.000057352707],"category_scores_gemma":[0.00005215221,0.0000707033,0.00008083044,0.0000026537307,0.0002453961,0.0003943557,0.000039370523,0.00014389608,0.0000039855454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106284344,0.000024314666,0.00008851789,0.00013418165,0.0007455755,0.00011726068,0.35827678,5.674623e-7,0.00007120994,0.5327053,0.10656202,0.0011679727],"study_design_scores_gemma":[0.00038333435,0.00020556233,0.00003871895,0.00018262821,0.00013916372,0.000021846432,0.016583433,0.000007686014,0.000044468183,0.044002663,0.93827754,0.00011293507],"about_ca_topic_score_codex":0.00013692449,"about_ca_topic_score_gemma":0.00092034764,"teacher_disagreement_score":0.8317155,"about_ca_system_score_codex":0.0000749601,"about_ca_system_score_gemma":0.00005333277,"threshold_uncertainty_score":0.28831968},"labels":[],"label_agreement":null},{"id":"W4409313430","doi":"10.3138/ecf.2023-0080","title":"Revolutionary Multiplicity and the Future of Form","year":2025,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Multiplicity (mathematics); Mathematics; Geometry","score_opus":0.0108854168957282,"score_gpt":0.2203711007985212,"score_spread":0.209485683902793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409313430","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.097321734,0.13257961,0.0014831254,0.006733872,0.010291004,0.0015226661,0.00032901525,0.0002800361,0.7494589],"genre_scores_gemma":[0.9777289,0.014490806,0.000038614875,0.000387046,0.0009919545,0.000019562574,0.000038452945,0.0000070908823,0.006297559],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993741,0.00004031781,0.00020424447,0.00013494916,0.000107187196,0.00013922773],"domain_scores_gemma":[0.99959046,0.000059733073,0.00007845907,0.00016509567,0.00008109587,0.000025182484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012148341,0.000097167926,0.00013823486,0.000060259765,0.000439394,0.000015882157,0.00007618761,0.00004924793,0.00014670324],"category_scores_gemma":[0.000009689961,0.000064325766,0.000080903555,0.000004258587,0.0003629497,0.0001432587,0.0000482588,0.00011240018,0.0000054897996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010762691,0.00007834126,0.00032061257,0.000060150007,0.000049568687,2.693498e-7,0.018634971,0.0000014189084,0.000014211338,0.88816893,0.0875243,0.005039589],"study_design_scores_gemma":[0.0009185695,0.000021626181,0.002441303,0.000029864274,0.00005127097,0.0000010845147,0.0022478192,0.0006578645,0.00005649439,0.007026782,0.9864761,0.000071179325],"about_ca_topic_score_codex":0.0002378669,"about_ca_topic_score_gemma":0.0005258139,"teacher_disagreement_score":0.8989518,"about_ca_system_score_codex":0.000035266512,"about_ca_system_score_gemma":0.000021420625,"threshold_uncertainty_score":0.33795077},"labels":[],"label_agreement":null},{"id":"W4409834976","doi":"10.29173/mruhr686","title":"Zeus's Beloved","year":2025,"lang":"en","type":"article","venue":"Mount Royal Undergraduate Humanities Review (MRUHR)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"ZEUS (particle detector); Physics; Optics","score_opus":0.0390158275193561,"score_gpt":0.26808445522559937,"score_spread":0.22906862770624326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409834976","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00051531586,0.06805481,0.00030087456,0.007689584,0.0018245993,0.00092012674,0.000148271,0.0004612357,0.9200852],"genre_scores_gemma":[0.14665991,0.021299606,0.000070834045,0.03000365,0.0011339412,0.000201413,0.00024560047,0.000093212075,0.80029184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969509,0.0001914577,0.00095146114,0.0005925467,0.0004502616,0.00086336565],"domain_scores_gemma":[0.9983427,0.00015356418,0.0002542133,0.0007748459,0.00034535103,0.00012934484],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035696963,0.00059110625,0.00088526256,0.00022493493,0.0012396076,0.00050990033,0.00060415105,0.000091946655,0.0030922934],"category_scores_gemma":[0.000096282994,0.0005294575,0.00043713147,0.000012647233,0.0008390389,0.00029243107,0.00023836062,0.0004125593,0.0009397396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075497305,0.000103727245,0.000014064054,0.0017320939,0.00012731139,0.000013787163,0.0049880557,0.000005347584,0.0000024882474,0.7721919,0.2172997,0.0035139623],"study_design_scores_gemma":[0.00041265998,0.00007781274,0.00005346678,0.001925655,0.000294947,0.0000030054089,0.00089540443,0.00011343533,0.000018224058,0.05361372,0.94205093,0.00054071896],"about_ca_topic_score_codex":0.0022417454,"about_ca_topic_score_gemma":0.01300138,"teacher_disagreement_score":0.72475123,"about_ca_system_score_codex":0.00037926374,"about_ca_system_score_gemma":0.00019845752,"threshold_uncertainty_score":0.9998382},"labels":[],"label_agreement":null},{"id":"W4410279956","doi":"10.1007/978-3-031-78315-9_4","title":"Plastic Nature from Cudworth to Shaftesbury and Germany","year":2025,"lang":"en","type":"book-chapter","venue":"Archives internationales d'histoire des idées","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Philosophy","score_opus":0.01615982642423701,"score_gpt":0.22950592389291039,"score_spread":0.2133460974686734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410279956","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000775109,0.0066157845,0.0003780779,0.0004987044,0.0017686851,0.00019576545,0.004205825,0.000115631694,0.9854464],"genre_scores_gemma":[0.07205775,0.00047301268,0.00046793075,0.001727222,0.0014102873,0.000020812344,0.0008256422,0.00005844504,0.9229589],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984704,0.000017025188,0.00042454517,0.00056061643,0.00027376457,0.0002536303],"domain_scores_gemma":[0.9984791,0.0008194255,0.00016539612,0.00030434993,0.00008520203,0.00014647598],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000031084317,0.00042101258,0.00037902323,0.00040324542,0.00051130215,0.00017452848,0.00041640323,0.00014671069,0.0007463149],"category_scores_gemma":[0.00010815107,0.00041067877,0.0001852711,0.0000011108467,0.0012811486,0.00012979159,0.00034268427,0.00051931647,0.00010413777],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068866066,0.00002603888,0.000026664624,0.00007799209,0.00029685523,0.00003554081,0.029102813,0.0000040635696,0.000006978303,0.93511677,0.019810388,0.015427014],"study_design_scores_gemma":[0.00015724974,0.000041443596,0.00029711975,0.00064594,0.00008012879,0.000003897555,0.00009010273,0.00009207908,0.000004745483,0.262479,0.7357924,0.0003159117],"about_ca_topic_score_codex":0.00028199647,"about_ca_topic_score_gemma":0.011302878,"teacher_disagreement_score":0.715982,"about_ca_system_score_codex":0.000090606954,"about_ca_system_score_gemma":0.00008684729,"threshold_uncertainty_score":0.9998345},"labels":[],"label_agreement":null},{"id":"W4410320990","doi":"10.4324/9781003519669-5","title":"Montreal's Quartier des Spectacles","year":2025,"lang":"fr","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04881312644879719,"score_gpt":0.24422818684270073,"score_spread":0.19541506039390355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410320990","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010981299,0.0041523976,0.00041565334,0.0010117159,0.0012787264,0.00027279966,0.0005557864,0.0001678398,0.99203527],"genre_scores_gemma":[0.019421587,0.0020610485,0.00027166106,0.001207494,0.0026740006,0.000009741354,0.00007883356,0.00006981857,0.9742058],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807787,0.000028106191,0.00054479094,0.00048563557,0.00023431922,0.0006292988],"domain_scores_gemma":[0.99881124,0.00015195797,0.00013596666,0.00047906715,0.00021342421,0.00020831068],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000090155256,0.0005865947,0.0005822579,0.00019021146,0.0010893543,0.0002840427,0.0002486158,0.0003056847,0.035156623],"category_scores_gemma":[0.000018659106,0.0005338233,0.00043053218,6.519765e-7,0.0022680871,0.0001844898,0.00012961366,0.000349553,0.0017662535],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013329877,0.000056509667,0.00003204938,0.0002078521,0.00024815873,0.00003351809,0.019689435,0.0000016978228,8.380419e-7,0.9265928,0.03415765,0.018966163],"study_design_scores_gemma":[0.00016816004,0.00008515411,0.000077383556,0.00026646035,0.00020759019,0.0000037134341,0.000884858,0.00007301842,0.000018136763,0.30559242,0.69220763,0.00041550363],"about_ca_topic_score_codex":0.03487942,"about_ca_topic_score_gemma":0.24272749,"teacher_disagreement_score":0.65804994,"about_ca_system_score_codex":0.00015383979,"about_ca_system_score_gemma":0.00014598273,"threshold_uncertainty_score":0.99971133},"labels":[],"label_agreement":null},{"id":"W4410370774","doi":"10.7202/1117627ar","title":"The Fear of Being Drawn In","year":2025,"lang":"en","type":"article","venue":"Ontario History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis","score_opus":0.025693620837439604,"score_gpt":0.2121769814227292,"score_spread":0.18648336058528958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410370774","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052462988,0.0008304473,0.0000079501315,0.0002490676,0.0011094427,0.000058184563,0.0000013545588,0.000013740629,0.94526684],"genre_scores_gemma":[0.47565958,0.000006055274,0.000012496872,0.000353056,0.000055339122,0.0000038874955,0.0000013278398,0.0000034782506,0.5239048],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995798,0.00001602328,0.00014036614,0.00007508834,0.00006165578,0.00012708936],"domain_scores_gemma":[0.9997387,0.000039845025,0.000033214605,0.00014750662,0.00002620298,0.00001456566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000101119134,0.00005236714,0.00008889009,0.000051961542,0.00021195515,0.000015293972,0.00010293133,0.000020068646,0.0004886516],"category_scores_gemma":[0.000010376738,0.00004199596,0.000041891777,7.365642e-7,0.00037955336,0.00004645152,0.000024678835,0.000110002184,0.000014415087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007941607,0.000024847815,0.000992069,0.000011231412,0.000011036174,0.0000018613756,0.40145448,0.0000010870898,0.00001375385,0.55061615,0.04607178,0.00079378736],"study_design_scores_gemma":[0.000113584196,0.000011059207,0.0017666745,0.000020633297,0.000007745599,8.864621e-8,0.00097106677,0.0000065805116,0.000012329967,0.00866094,0.9883862,0.000043111435],"about_ca_topic_score_codex":0.25676253,"about_ca_topic_score_gemma":0.9738299,"teacher_disagreement_score":0.9423144,"about_ca_system_score_codex":0.00074375496,"about_ca_system_score_gemma":0.0004308199,"threshold_uncertainty_score":0.74818677},"labels":[],"label_agreement":null},{"id":"W4410459381","doi":"10.56734/ijahss.v6n5a7","title":"Searching For Carle Hessay: The Immigrant Artist Who Shaped My Life","year":2025,"lang":"en","type":"article","venue":"International Journal of Arts Humanities & Social Science","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Immigration; Asian studies; Art; Art history; History; Archaeology","score_opus":0.06997861082858124,"score_gpt":0.33643472672106034,"score_spread":0.2664561158924791,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410459381","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2371099,0.00092980877,0.00343438,0.038040925,0.012838452,0.0006413277,0.0002586859,0.00008149494,0.70666504],"genre_scores_gemma":[0.9743124,0.00002002547,0.00004293942,0.0040564532,0.00345804,0.000008660943,0.0000019597646,0.000009032534,0.01809049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983065,0.000038134945,0.0004275506,0.00014032333,0.0007675067,0.00031996306],"domain_scores_gemma":[0.99815786,0.00021831403,0.00027440966,0.00008196518,0.0012046938,0.00006276257],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00089742366,0.00011677684,0.00018348229,0.00022462766,0.0020986327,0.0010465374,0.0009851014,0.000021986745,0.00020500462],"category_scores_gemma":[0.00024000887,0.00008452677,0.00019257466,0.000008866872,0.0021166736,0.0005289457,0.0001307916,0.00020475016,0.0000056999843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034246015,0.000037436643,0.000030127898,0.000007900268,0.00007157489,0.000004390217,0.18485393,0.0000073348324,0.00014930169,0.8069567,0.0060961437,0.00175089],"study_design_scores_gemma":[0.00046961734,0.0000723425,0.0009019544,0.00008911352,0.000040081148,0.000007020423,0.03691717,0.0005157791,0.00014191437,0.069939494,0.890763,0.00014253773],"about_ca_topic_score_codex":0.0006811504,"about_ca_topic_score_gemma":0.0033389567,"teacher_disagreement_score":0.88466686,"about_ca_system_score_codex":0.00018604117,"about_ca_system_score_gemma":0.00054344087,"threshold_uncertainty_score":0.99999046},"labels":[],"label_agreement":null},{"id":"W4410480692","doi":"10.47989/ir30colis52246","title":"Small acts to make safe space: a case study of the Queer Liberation Library as a queer space","year":2025,"lang":"en","type":"article","venue":"Information Research an international electronic journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Queer; Space (punctuation); Queer theory; Liberation; Gender studies; Art; Sociology; Computer science","score_opus":0.058210861935686246,"score_gpt":0.3487642317996109,"score_spread":0.29055336986392466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410480692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8205275,0.000041693216,0.0010737403,0.012132765,0.0006528991,0.00073229015,0.00003456337,0.000033811444,0.16477075],"genre_scores_gemma":[0.9467745,0.000052891046,0.000043155324,0.0012318135,0.0004255332,0.000033979853,0.000013600417,0.000010204114,0.05141436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783117,0.00025909772,0.00049402966,0.00011204387,0.0008009817,0.0005026716],"domain_scores_gemma":[0.99840784,0.00011110593,0.0001669615,0.00023882589,0.00093602244,0.00013926128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009675387,0.00012258708,0.00012213884,0.0006679938,0.000746916,0.00097923,0.00053528295,0.000047882782,0.00083941966],"category_scores_gemma":[0.0002772622,0.00009223533,0.000075601776,0.00003613551,0.000110469395,0.0021125658,0.00018454318,0.00084835966,0.0000680913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022032268,0.000263591,0.00060356775,0.000019338471,0.00020192772,0.000032965916,0.1607343,0.0005024059,0.000021092237,0.82254606,0.010971512,0.0038828908],"study_design_scores_gemma":[0.0011393505,0.0008961195,0.0008162328,0.000076529665,0.00001623807,0.0004372717,0.045327052,0.001797547,0.000363956,0.027673109,0.92130846,0.00014812485],"about_ca_topic_score_codex":0.002284643,"about_ca_topic_score_gemma":0.02002966,"teacher_disagreement_score":0.910337,"about_ca_system_score_codex":0.0003357957,"about_ca_system_score_gemma":0.0014584627,"threshold_uncertainty_score":0.99785227},"labels":[],"label_agreement":null},{"id":"W4410775385","doi":"10.3366/film.2025.0315","title":"Rizvana Bradley (2023). <i>Anteaesthetics: Black Aesthesis and the Critique of Form</i>","year":2025,"lang":"en","type":"article","venue":"Film-Philosophy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Philosophy","score_opus":0.022371011227032795,"score_gpt":0.24204908100730557,"score_spread":0.21967806978027277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410775385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015753511,0.0016984012,0.00016438392,0.022359995,0.00044353068,0.0005113182,0.0003158544,0.000095700634,0.9586573],"genre_scores_gemma":[0.9680331,0.0003781841,0.000055916218,0.0070246374,0.00036555532,0.000028093189,0.000023934019,0.000025658173,0.024064962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99880594,0.000092754315,0.00038809227,0.0002452582,0.00017107514,0.00029688253],"domain_scores_gemma":[0.99903774,0.00019242773,0.000111266156,0.00042204568,0.00016974517,0.000066755354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023950507,0.0002137125,0.000371656,0.00011840062,0.00034492055,0.000092135764,0.000275394,0.00007804394,0.00021756763],"category_scores_gemma":[0.00007328206,0.00015229752,0.00015227267,0.000009088849,0.0018669403,0.0001526557,0.000109373264,0.0001892707,0.000069421636],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055600893,0.000058370595,0.00005534452,0.00014759527,0.000053787677,0.0000033135366,0.025111223,0.0000019058372,0.0000027751714,0.9546731,0.019265324,0.0005716614],"study_design_scores_gemma":[0.00094373355,0.000082136954,0.00010847358,0.00015268424,0.000089556044,0.0000030504527,0.00074179977,0.00036617645,0.0001027254,0.5953623,0.40186965,0.00017770454],"about_ca_topic_score_codex":0.0007690634,"about_ca_topic_score_gemma":0.0011317419,"teacher_disagreement_score":0.95227957,"about_ca_system_score_codex":0.000016834661,"about_ca_system_score_gemma":0.00006801305,"threshold_uncertainty_score":0.68788195},"labels":[],"label_agreement":null},{"id":"W4410805429","doi":"10.54014/j3mc-cge0","title":"Pretty in pink : Jacqueline Kennedy and the politics of fashion","year":2012,"lang":"en","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Art history; Art; Political science; Law","score_opus":0.031133418468615736,"score_gpt":0.2615487716765731,"score_spread":0.23041535320795736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410805429","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25142804,0.00180905,0.000014310119,0.0003336849,0.0007959647,0.00041898104,0.000089266694,0.000031204527,0.7450795],"genre_scores_gemma":[0.71896446,0.00016212149,0.000010059532,0.00021938847,0.00053425255,0.000011689868,0.00027648002,0.000017140032,0.27980438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991444,0.000048962644,0.00033068284,0.00011808222,0.00012571532,0.00023216056],"domain_scores_gemma":[0.9994573,0.00009771319,0.00013354345,0.00016818693,0.00009839701,0.00004485688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017797387,0.00015593934,0.00027957067,0.00008265855,0.00012019625,0.0000368147,0.0000958337,0.00010813526,0.0007364564],"category_scores_gemma":[0.00003333781,0.00009883204,0.00006510478,0.0000012275087,0.0002512547,0.00008583898,0.000018171217,0.00016699916,0.000010216004],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025444384,0.00003818737,0.0001451682,0.00017029334,0.000021593536,2.5142575e-7,0.18262132,2.0200736e-7,0.000004394073,0.81535935,0.0012418147,0.00037200353],"study_design_scores_gemma":[0.004812705,0.00022109429,0.018668875,0.00053541764,0.00061874324,0.000004588359,0.1676713,0.0006308193,0.00056379783,0.16149317,0.64349514,0.0012843362],"about_ca_topic_score_codex":0.0033836798,"about_ca_topic_score_gemma":0.089787774,"teacher_disagreement_score":0.6538662,"about_ca_system_score_codex":0.000016758788,"about_ca_system_score_gemma":0.00004456825,"threshold_uncertainty_score":0.92682123},"labels":[],"label_agreement":null},{"id":"W4411040854","doi":"10.1080/01971360.2025.2501447","title":"The Artist’s Materials: Sidney Nolan","year":2025,"lang":"en","type":"article","venue":"Journal of the American Institute for Conservation","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nature Conservancy of Canada","funders":"","keywords":"Art; Visual arts; Art history","score_opus":0.03768903238683364,"score_gpt":0.2817841143916918,"score_spread":0.2440950820048582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411040854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8929378,0.00016046003,0.0042456035,0.075611435,0.009637435,0.00046932793,0.00017950984,0.000032184482,0.01672626],"genre_scores_gemma":[0.968699,0.0000661586,0.00023776841,0.009391498,0.0010286744,0.000012534888,0.000006853603,0.00000956871,0.020547953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992966,0.000046190282,0.0003556034,0.00005403399,0.00011194922,0.00013564668],"domain_scores_gemma":[0.99886143,0.00011906493,0.0005640359,0.00016230959,0.00026680576,0.00002633171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029935996,0.00007490598,0.00015752413,0.000045812627,0.0007086192,0.00018299936,0.0002669299,0.00001153283,0.000008805435],"category_scores_gemma":[0.00026587312,0.00004088751,0.00011159083,0.0000068917298,0.00072017085,0.00020147706,0.00003144187,0.00007836888,0.000002757174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003433698,0.000065971,0.0012201094,0.000046485064,0.0002787246,0.0000019857926,0.010061961,0.000044515607,0.002039811,0.61578435,0.36344475,0.0066679656],"study_design_scores_gemma":[0.0002275104,0.00006825522,0.0029990226,0.000048598253,0.000062228515,0.000005039542,0.0007649196,0.00007056912,0.00096999196,0.013539357,0.98119247,0.000052036885],"about_ca_topic_score_codex":0.001365307,"about_ca_topic_score_gemma":0.0085312985,"teacher_disagreement_score":0.6177477,"about_ca_system_score_codex":0.00005869856,"about_ca_system_score_gemma":0.00024462224,"threshold_uncertainty_score":0.54501975},"labels":[],"label_agreement":null},{"id":"W4411058822","doi":"10.1080/01971360.2025.2501459","title":"The Artist’s Materials: René Magritte","year":2025,"lang":"en","type":"article","venue":"Journal of the American Institute for Conservation","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nature Conservancy of Canada","funders":"","keywords":"Art; Visual arts; Polymer science; Materials science","score_opus":0.0372542748543827,"score_gpt":0.2806948681610746,"score_spread":0.24344059330669188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411058822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8464832,0.00025678915,0.005170952,0.11694047,0.011328966,0.0005365131,0.00017419842,0.000035425,0.019073514],"genre_scores_gemma":[0.94266367,0.00013120931,0.00040039374,0.010455997,0.0014630926,0.000017124035,0.0000078234925,0.000012395891,0.04484829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992602,0.000050698687,0.00037755744,0.000056748828,0.000116539406,0.00013828908],"domain_scores_gemma":[0.99881643,0.000121384284,0.0005884379,0.00016819754,0.00028306554,0.000022491702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003385491,0.000076287135,0.00016113555,0.00004558516,0.0007268815,0.0001865542,0.00026952737,0.000011764885,0.000009337905],"category_scores_gemma":[0.00021179426,0.00004152406,0.00011740142,0.0000073695724,0.000785109,0.0002141589,0.0000334846,0.000083028244,0.0000027256108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030086472,0.000049293332,0.0005697287,0.000039079827,0.00020837864,0.0000017854254,0.0062206117,0.00003430297,0.0014180364,0.6185013,0.36419228,0.008464328],"study_design_scores_gemma":[0.00022244618,0.00006408736,0.0027093054,0.00005212791,0.00006518956,0.0000056293866,0.0006439013,0.000064625,0.00085560663,0.018484028,0.97678065,0.00005238848],"about_ca_topic_score_codex":0.0012013839,"about_ca_topic_score_gemma":0.0076769227,"teacher_disagreement_score":0.6125884,"about_ca_system_score_codex":0.000058792262,"about_ca_system_score_gemma":0.00020188397,"threshold_uncertainty_score":0.5590658},"labels":[],"label_agreement":null},{"id":"W4411128953","doi":"10.1142/9789819812547_0005","title":"A STATE-OF-THE-ART REVIEW OF FMEA/FMECA","year":2025,"lang":"en","type":"review","venue":"Reliability Engineering","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Failure mode, effects, and criticality analysis; Failure mode and effects analysis; Reliability engineering; Computer science; Engineering","score_opus":0.03116313501723954,"score_gpt":0.27260873699435584,"score_spread":0.2414456019771163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411128953","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.991935e-7,0.9864357,0.00012690431,0.00003911271,0.0008268223,0.00078447314,0.00029080914,0.000052132105,0.011443164],"genre_scores_gemma":[0.000010957014,0.9858385,0.00008200709,0.000054799493,0.00014180665,0.00004144505,0.00003210635,0.000034353878,0.01376407],"study_design_codex":"systematic_review","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981735,0.00007261528,0.0010062058,0.00025993562,0.00022764973,0.0002601189],"domain_scores_gemma":[0.9983284,0.00032142183,0.00029125263,0.00084200356,0.00016460227,0.000052307783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004280888,0.0003206106,0.0015955834,0.00010118394,0.000051057108,0.000014404664,0.00040349778,0.00008027582,0.0001810517],"category_scores_gemma":[0.00057190756,0.00022806,0.00089671905,0.000014712373,0.00015057046,0.00005580636,0.00016280591,0.0003228216,0.000016938993],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.222807e-7,0.000042963875,7.806236e-7,0.88395816,0.000098374665,4.990913e-7,0.0012652976,0.000036947677,6.1900835e-8,0.0051291957,0.0050686584,0.10439854],"study_design_scores_gemma":[0.000025725467,0.0000110074,4.6489052e-7,0.16111335,0.0003437673,8.330469e-7,0.0000041493167,0.000026023878,0.000001801137,0.00016655771,0.83814865,0.00015768377],"about_ca_topic_score_codex":0.00005834258,"about_ca_topic_score_gemma":0.00006551905,"teacher_disagreement_score":0.83308,"about_ca_system_score_codex":0.000102525715,"about_ca_system_score_gemma":0.00030303333,"threshold_uncertainty_score":0.93000174},"labels":[],"label_agreement":null},{"id":"W4411181789","doi":"10.62754/ais.v1i2.25","title":"The Longhouse [2015-]","year":2020,"lang":"en","type":"article","venue":"Architecture Image Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Geography","score_opus":0.06752448215398164,"score_gpt":0.29981358687238435,"score_spread":0.2322891047184027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411181789","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016493334,0.02733169,0.0020861644,0.35442787,0.0026489361,0.0010443928,0.00026213648,0.0012690548,0.5944364],"genre_scores_gemma":[0.9621675,0.00057461055,0.000351157,0.011582602,0.0037243734,0.000035352463,0.000005371619,0.00004921773,0.021509822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907535,0.000049659593,0.00017657546,0.00019882132,0.00015965372,0.00033992634],"domain_scores_gemma":[0.99929607,0.00023488505,0.00005286491,0.00020373642,0.00012677984,0.00008567559],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008192776,0.00017290014,0.00018874717,0.000017501641,0.0011191976,0.00016588751,0.00021890122,0.000015284768,0.0001049144],"category_scores_gemma":[0.0002987281,0.00009793119,0.00010288898,0.0000022633812,0.0013079774,0.00008351976,0.00017620389,0.00020124324,0.00024433582],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003162217,0.00001707997,0.000026574717,0.000052762025,0.0002915436,0.000024210141,0.7532752,0.000008312416,0.00010152448,0.037587207,0.19892488,0.009659089],"study_design_scores_gemma":[0.00016805358,0.00007892605,0.00003654706,0.0000085338315,0.000037011683,0.0000023872842,0.011096544,0.00001826999,0.00019838985,0.0181402,0.9700684,0.00014672682],"about_ca_topic_score_codex":0.00006918626,"about_ca_topic_score_gemma":0.0039348714,"teacher_disagreement_score":0.9456742,"about_ca_system_score_codex":0.0000117291665,"about_ca_system_score_gemma":0.000019130774,"threshold_uncertainty_score":0.8608076},"labels":[],"label_agreement":null},{"id":"W4411249358","doi":"10.61608/9783775749923","title":"Ian Wallace","year":2023,"lang":"de","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.07653516920586179,"score_gpt":0.2637595806413583,"score_spread":0.1872244114354965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411249358","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000061668743,0.00071084267,0.000051373878,0.002350153,0.0048386245,0.00031791374,0.0005998359,0.0004980455,0.99062705],"genre_scores_gemma":[0.0005077353,0.0008711609,0.00002100904,0.0028965194,0.0117964335,0.00001747273,0.00074756955,0.00019999685,0.9829421],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976622,0.000045710083,0.00052431383,0.0005530714,0.00039392107,0.00082077103],"domain_scores_gemma":[0.9986658,0.00013049765,0.0001628255,0.0006146421,0.0001526362,0.00027359728],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016690535,0.0005510009,0.0005897322,0.00020336924,0.00075446547,0.00044264883,0.000389879,0.0003698032,0.03875146],"category_scores_gemma":[0.000026024829,0.0004975637,0.00039810967,0.0000010310241,0.00045772502,0.00010592248,0.000233096,0.0005122076,0.077162795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036721801,0.000021323465,0.0000012299283,0.0001254563,0.00015579509,0.000037174752,0.037276175,5.08441e-7,2.0909398e-7,0.39619768,0.5658557,0.00032511022],"study_design_scores_gemma":[0.00022017049,0.00009325762,0.000004662129,0.00015851705,0.00019951131,0.0000018831329,0.0016435289,0.00012902184,0.0000025787904,0.060142137,0.93677694,0.0006278225],"about_ca_topic_score_codex":0.0021072968,"about_ca_topic_score_gemma":0.045174405,"teacher_disagreement_score":0.37092125,"about_ca_system_score_codex":0.0003010804,"about_ca_system_score_gemma":0.00045816074,"threshold_uncertainty_score":0.9997476},"labels":[],"label_agreement":null},{"id":"W4411522239","doi":"10.36744/kf.4093","title":"Dystrybucja utopii. „Net art”, „web art”","year":2001,"lang":"pl","type":"article","venue":"Kwartalnik Filmowy","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec","funders":"","keywords":"Theology; Physics; Philosophy","score_opus":0.04273006553092405,"score_gpt":0.2532407673501498,"score_spread":0.2105107018192257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411522239","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066139035,0.0013820849,0.00010456551,0.0029708084,0.0042603407,0.00059792196,0.0010973543,0.00043342923,0.92301446],"genre_scores_gemma":[0.39124998,0.00072174065,0.000059292564,0.0023092902,0.0039881263,0.00003261805,0.00044624927,0.000109782064,0.6010829],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954325,0.00016212172,0.0010008042,0.00097440096,0.0007010944,0.0017290546],"domain_scores_gemma":[0.99741507,0.00017318269,0.00033333752,0.0012046335,0.00023874304,0.00063502206],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031256216,0.0008505598,0.00085127325,0.00026126072,0.001130677,0.00080628425,0.0006140854,0.00042300142,0.03719968],"category_scores_gemma":[0.000085950036,0.0008504324,0.00053306506,0.000017838895,0.00094454974,0.0006255267,0.00024055497,0.0007254592,0.030562108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073966134,0.0006167248,0.0012431041,0.00019913456,0.0003057385,0.0003928291,0.029488668,0.000028633629,0.00012572166,0.13640378,0.8288035,0.0023181923],"study_design_scores_gemma":[0.0011453694,0.0002834248,0.0007827851,0.00020194436,0.00021412974,0.0000946648,0.0015669139,0.0012267063,0.00012539478,0.0040763933,0.9892309,0.0010514084],"about_ca_topic_score_codex":0.0004898266,"about_ca_topic_score_gemma":0.009728734,"teacher_disagreement_score":0.32511094,"about_ca_system_score_codex":0.0001435913,"about_ca_system_score_gemma":0.00032766885,"threshold_uncertainty_score":0.99939466},"labels":[],"label_agreement":null},{"id":"W4411802827","doi":"10.1080/14748932.2025.2502104","title":"Rewilding <i>Jane Eyre</i>","year":2025,"lang":"sq","type":"article","venue":"Brontë Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The King's University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"History","score_opus":0.08801865031013843,"score_gpt":0.33873638289456437,"score_spread":0.2507177325844259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411802827","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008442241,0.16741344,0.0001288499,0.008195862,0.0074073332,0.000489103,0.00021343364,0.00025750222,0.80745226],"genre_scores_gemma":[0.42717785,0.009005272,0.000064842294,0.0037425004,0.0018717179,0.00003378961,0.000009954111,0.000031431573,0.5580626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784285,0.0000846785,0.00055998174,0.0004918792,0.00024121247,0.0007794266],"domain_scores_gemma":[0.99878997,0.0002579088,0.00014235212,0.0004424572,0.00028288603,0.000084449275],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00023721103,0.00042303922,0.000697198,0.0001495712,0.0017702217,0.0002367965,0.00026511008,0.00010408924,0.0002862744],"category_scores_gemma":[0.00018187253,0.00038478628,0.00023537724,0.0000067229107,0.0009885213,0.00021190217,0.00041232904,0.00026373303,0.00026737666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027417353,0.00013015265,0.00043330571,0.0005662108,0.0011800918,0.000019917032,0.14254059,0.0000054133443,0.000017713895,0.3504445,0.5000237,0.0046109743],"study_design_scores_gemma":[0.00059065723,0.000089904905,0.00038378837,0.0006039976,0.00039076817,0.0000017276352,0.03497445,0.000031682488,0.00012884627,0.01676634,0.94565314,0.0003847198],"about_ca_topic_score_codex":0.0011346425,"about_ca_topic_score_gemma":0.011221802,"teacher_disagreement_score":0.44562942,"about_ca_system_score_codex":0.00020639661,"about_ca_system_score_gemma":0.00011998769,"threshold_uncertainty_score":0.9998604},"labels":[],"label_agreement":null},{"id":"W4412544881","doi":"10.1093/obo/9780199791286-0386","title":"Media Materiality","year":2025,"lang":"en","type":"reference-entry","venue":"Cinema and Media Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Art; Aesthetics","score_opus":0.12283677411900297,"score_gpt":0.3118829624849854,"score_spread":0.18904618836598247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412544881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010104217,0.08557071,0.0000019764136,0.0015550674,0.019346127,0.00025098975,0.0018572728,0.00013040233,0.890277],"genre_scores_gemma":[0.0056644175,0.30266917,0.000021481059,0.0008526922,0.010846086,0.00007461051,0.00058656454,0.00003055794,0.6792544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984845,0.000057904053,0.00040356812,0.0003977313,0.00024130793,0.00041497275],"domain_scores_gemma":[0.99881595,0.0004678103,0.00013715826,0.000268809,0.00018867604,0.00012161684],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001436829,0.00040730467,0.0009848941,0.00014011418,0.00042615202,0.000108690765,0.00015147356,0.00017438341,0.0005556775],"category_scores_gemma":[0.00038514528,0.00030072802,0.000113221315,0.000002493396,0.0008873061,0.00006849048,0.0002683407,0.00025372978,0.000039871287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001023946,0.000023372939,0.000019126433,0.0013118787,0.00032198874,0.000012288619,0.15526149,5.4408833e-9,6.822582e-8,0.04328562,0.7926498,0.0071041244],"study_design_scores_gemma":[0.00032709804,0.000025028346,0.00009905409,0.0007702151,0.0003741395,0.000001459471,0.013182068,3.4273975e-7,0.000007270914,0.013966814,0.97094315,0.0003033441],"about_ca_topic_score_codex":0.00036479632,"about_ca_topic_score_gemma":0.012133907,"teacher_disagreement_score":0.21709847,"about_ca_system_score_codex":0.000043454562,"about_ca_system_score_gemma":0.00015046811,"threshold_uncertainty_score":0.9999445},"labels":[],"label_agreement":null},{"id":"W4412613107","doi":"10.1111/jpcu.70016","title":"The Last Word: The Prattling, Tattling Parrots of Popular Lore","year":2025,"lang":"en","type":"article","venue":"The Journal of Popular Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph-Humber","funders":"","keywords":"Word (group theory); History; Genealogy; Art; Linguistics; Philosophy","score_opus":0.030852861144534147,"score_gpt":0.2723624320163331,"score_spread":0.24150957087179895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412613107","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.655695,0.10287753,0.002812958,0.11777519,0.016075717,0.0024713923,0.00024902177,0.00018320864,0.10185994],"genre_scores_gemma":[0.94251215,0.0005275031,0.00004737931,0.0014144778,0.0015347321,0.0000027477174,0.0000044212798,0.000020554939,0.05393602],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984221,0.0002900061,0.00056634913,0.000081816695,0.00035526347,0.00028450086],"domain_scores_gemma":[0.99866384,0.000053997122,0.00052788726,0.00035045514,0.00035227762,0.000051553743],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011455585,0.00017381397,0.00026005562,0.00004291562,0.001431916,0.00016514862,0.0007095586,0.0000654624,0.00004774165],"category_scores_gemma":[0.00020688372,0.000067780755,0.00024303663,0.000012219191,0.0004760879,0.00014347267,0.000085571985,0.00071286305,0.000007766532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012509119,0.000112999915,0.0005384682,0.00008146788,0.00057085755,0.000015583837,0.5081668,0.00037648756,0.00044632863,0.31163737,0.17591795,0.0020106006],"study_design_scores_gemma":[0.0002815877,0.00006925653,0.00011124429,0.00018119068,0.00025137162,0.000027658658,0.059227217,0.000044716755,0.00013903556,0.019790998,0.91978186,0.00009383267],"about_ca_topic_score_codex":0.00007854092,"about_ca_topic_score_gemma":0.0031218003,"teacher_disagreement_score":0.74386394,"about_ca_system_score_codex":0.000032038624,"about_ca_system_score_gemma":0.00007527293,"threshold_uncertainty_score":0.9998681},"labels":[],"label_agreement":null},{"id":"W4412741603","doi":"10.1097/acm.0000000000006081","title":"Artist’s Statement: Silent Blooms, Silent Struggles","year":2025,"lang":"en","type":"article","venue":"Academic Medicine","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Statement (logic); MEDLINE; Art; History; Political science; Law","score_opus":0.06111410124911757,"score_gpt":0.3265497590424431,"score_spread":0.2654356577933255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412741603","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15056632,0.0167479,0.0018115139,0.05162643,0.0071547744,0.0011200691,0.00021386228,0.00056264637,0.7701965],"genre_scores_gemma":[0.78373665,0.0013986889,0.000010495379,0.007876655,0.0018452476,0.000032986856,0.00007081153,0.000017434568,0.20501104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982251,0.0000572694,0.0006296983,0.0002977393,0.00033087976,0.00045934037],"domain_scores_gemma":[0.9991951,0.00015199388,0.0001354793,0.00027859004,0.00008527963,0.00015358398],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003739336,0.00021696385,0.00032948147,0.00016157923,0.0002795015,0.000018780926,0.0002667539,0.00010254236,0.0028901624],"category_scores_gemma":[0.00012960225,0.00016598932,0.00004753213,0.000005815832,0.0006356452,0.00011841645,0.000091640955,0.00047595476,0.00014382768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015167376,0.000018523291,0.0004495149,0.00011300267,0.00008688974,0.000008099134,0.14327532,0.0000034994057,0.00019299307,0.44743615,0.40528223,0.0031186095],"study_design_scores_gemma":[0.0007800074,0.00009363791,0.00011516881,0.00031401296,0.00011284742,0.0000016543949,0.020995999,0.00013096025,0.00037863018,0.04157402,0.9353439,0.00015912527],"about_ca_topic_score_codex":0.00084180845,"about_ca_topic_score_gemma":0.0006988922,"teacher_disagreement_score":0.6331703,"about_ca_system_score_codex":0.00008852311,"about_ca_system_score_gemma":0.000086494896,"threshold_uncertainty_score":0.9980213},"labels":[],"label_agreement":null},{"id":"W4412921152","doi":"10.3390/books978-3-7258-2110-5","title":"Rethinking Artful Politics: Bodies of Difference Remaking Body Worlds","year":2024,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Sociology; Aesthetics; Art; Gender studies; Political science; Law","score_opus":0.06823873620436119,"score_gpt":0.2688977780143852,"score_spread":0.200659041810024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412921152","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006882408,0.002134712,0.00006986172,0.0002803872,0.0016345554,0.00018555865,0.00027414353,0.00027970492,0.99507225],"genre_scores_gemma":[0.03216996,0.00014574827,0.00008981459,0.00087438215,0.0038152141,0.000009532306,0.00011173507,0.00010606666,0.96267754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788135,0.00003259603,0.0006617198,0.00044833095,0.00043799452,0.00053800084],"domain_scores_gemma":[0.9987326,0.0002088503,0.00024133558,0.0005080715,0.0002043067,0.00010482517],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016356385,0.000455267,0.0006925664,0.00031738452,0.00030592838,0.0002788884,0.00032913897,0.00023471961,0.002586357],"category_scores_gemma":[0.000038376413,0.00037937562,0.0003189278,0.0000011214205,0.00085537776,0.00010003285,0.00025834824,0.0006602179,0.0002811519],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002018609,0.000013465865,0.0000028939098,0.00065301877,0.00013164201,0.000018679617,0.11895289,1.4274245e-7,0.0000024381143,0.7933051,0.08675106,0.00016666879],"study_design_scores_gemma":[0.000042600976,0.000035085715,0.0000021651763,0.00088846724,0.00013163856,0.0000026712328,0.00046682314,0.000039263025,0.000021325219,0.4706102,0.52750415,0.00025562447],"about_ca_topic_score_codex":0.0007745847,"about_ca_topic_score_gemma":0.010890074,"teacher_disagreement_score":0.44075307,"about_ca_system_score_codex":0.00017277774,"about_ca_system_score_gemma":0.0003825651,"threshold_uncertainty_score":0.99986583},"labels":[],"label_agreement":null},{"id":"W4413046324","doi":"10.7202/1118681ar","title":"Spatialities and Artistries of Crisis: Towards Reinvention in Sara Baume’s <i>A Line Made by Walking </i>(2017)","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Line (geometry); Sociology; Psychology; Psychoanalysis; Mathematics","score_opus":0.04184770144225082,"score_gpt":0.30078537793016025,"score_spread":0.25893767648790944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27012435,0.01273243,0.0183385,0.006582708,0.001351086,0.0014003845,0.0012707316,0.001490137,0.68670964],"genre_scores_gemma":[0.9514308,0.0012578327,0.0014544842,0.0018947189,0.00015737322,0.00013975111,0.00013174566,0.00005663843,0.04347663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974412,0.00029802465,0.00096463074,0.00050090253,0.00026267927,0.00053260196],"domain_scores_gemma":[0.9986792,0.00021350749,0.00028569612,0.00043466061,0.0002890411,0.0000978714],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006805959,0.00044593556,0.0006498365,0.00045965306,0.0005235872,0.00033263638,0.00031779375,0.00017907054,0.00010950127],"category_scores_gemma":[0.00029538284,0.00043988752,0.00019796022,0.000025751815,0.0027531155,0.0008235622,0.0002262523,0.00033940055,0.000002002835],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030907392,0.00047843673,0.0014370976,0.0020723038,0.00021032736,0.000073668074,0.14184187,0.0000028041654,0.004150923,0.6242314,0.059702583,0.16548952],"study_design_scores_gemma":[0.00053812715,0.00048355735,0.00049944624,0.0026481512,0.0001353112,0.000022363945,0.006595001,0.00003513248,0.06353516,0.23896205,0.68582463,0.00072103844],"about_ca_topic_score_codex":0.012590018,"about_ca_topic_score_gemma":0.029909294,"teacher_disagreement_score":0.6813065,"about_ca_system_score_codex":0.00031518945,"about_ca_system_score_gemma":0.00012937955,"threshold_uncertainty_score":0.99996084},"labels":[],"label_agreement":null},{"id":"W4413084693","doi":"10.54872/gta/4821-07","title":"Infrastructures of Friendship: Amerigo Marras and the Art &amp; Communication Group in Toronto","year":2025,"lang":"en","type":"book-chapter","venue":"gta Verlag eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Friendship; Group (periodic table); Sociology; Communication; Psychology; Social psychology; Physics; Quantum mechanics","score_opus":0.02069513755392499,"score_gpt":0.24044491965892245,"score_spread":0.21974978210499746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413084693","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018069732,0.0013509619,0.000020654436,0.00008792307,0.00021065255,0.00029106849,0.00016311996,0.000026676693,0.99766827],"genre_scores_gemma":[0.11369658,0.00031671816,0.00012378253,0.0006531766,0.00020192719,0.000021568007,0.00013636323,0.000029996656,0.88481987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990463,0.00005319665,0.0003797757,0.00019306884,0.00015691809,0.00017070954],"domain_scores_gemma":[0.99889815,0.00017143495,0.00020857425,0.0006225985,0.000062112915,0.000037103386],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016341395,0.00023743007,0.00040353823,0.00006585741,0.00019222268,0.0000720726,0.00029241072,0.00014088608,0.0012194503],"category_scores_gemma":[0.00001681542,0.00017982669,0.00010419002,2.696359e-7,0.0013339629,0.00006146943,0.00019211031,0.00028461355,0.000011083138],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005049251,0.0000042524407,0.0000072446614,0.00006178383,0.000052912837,5.1828175e-7,0.045220673,1.0150504e-7,0.0000021581088,0.94378114,0.007937025,0.0028816715],"study_design_scores_gemma":[0.00042524177,0.000018492354,0.00007372117,0.00014903229,0.00004628242,9.643147e-7,0.00067292765,0.0000042971633,0.0000023116388,0.22681716,0.7716461,0.00014349667],"about_ca_topic_score_codex":0.0068347743,"about_ca_topic_score_gemma":0.31773576,"teacher_disagreement_score":0.76370907,"about_ca_system_score_codex":0.000083189094,"about_ca_system_score_gemma":0.000050392642,"threshold_uncertainty_score":0.9997788},"labels":[],"label_agreement":null},{"id":"W4413376767","doi":"10.33137/ijournal.v10i3.45898","title":"Front Matter","year":2025,"lang":"en","type":"article","venue":"The iJournal Student Journal of the Faculty of Information","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Front (military); Geology; Oceanography","score_opus":0.02460322265723201,"score_gpt":0.283756953923491,"score_spread":0.25915373126625896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413376767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6212659,0.00042697488,0.0038307682,0.03206958,0.0047075287,0.000430332,0.00009905875,0.000014470556,0.3371554],"genre_scores_gemma":[0.98156863,0.000035611443,0.000052284777,0.0028057657,0.00032393806,8.754214e-7,0.0000020376187,0.000003390123,0.015207489],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861956,0.000053999254,0.000708616,0.00002206605,0.00046364486,0.00013209636],"domain_scores_gemma":[0.99857163,0.000036435664,0.00084035314,0.00012836617,0.0003919366,0.00003126729],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005894605,0.000089242116,0.00016820019,0.0000903881,0.00043207043,0.00017242519,0.0006089688,0.000022456727,0.00060120947],"category_scores_gemma":[0.000032633776,0.000041055548,0.00022138245,0.0000041068565,0.00016712089,0.0006880521,0.000098283126,0.00026361083,0.000090981455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016225142,0.00015110843,0.0061268853,0.000080160185,0.0007203514,0.0000011164599,0.5290587,0.0014440308,0.00005028651,0.024315836,0.43282697,0.0050623347],"study_design_scores_gemma":[0.0010542742,0.00009928022,0.06197756,0.00031621536,0.00021649316,0.000053623055,0.029680844,0.00010550905,0.0005305586,0.008294566,0.8975545,0.000116534095],"about_ca_topic_score_codex":0.00009478385,"about_ca_topic_score_gemma":0.0001350103,"teacher_disagreement_score":0.49937785,"about_ca_system_score_codex":0.00007621499,"about_ca_system_score_gemma":0.00006384484,"threshold_uncertainty_score":0.6582822},"labels":[],"label_agreement":null},{"id":"W4413395939","doi":"10.7202/1119109ar","title":"Afterword on <i>Geisterspiele</i>","year":2024,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.051893486915672055,"score_gpt":0.26455138194139416,"score_spread":0.2126578950257221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413395939","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043823157,0.0021634202,0.0001985014,0.0034600748,0.0023737939,0.00046867132,0.00015107577,0.0017759803,0.9455853],"genre_scores_gemma":[0.9604197,0.00050280796,0.000112501,0.003655524,0.0023725408,0.000100740705,0.000060899612,0.00011420993,0.03266105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803764,0.00006192557,0.00045765686,0.0006141511,0.00024440052,0.0005842223],"domain_scores_gemma":[0.99891376,0.00015512171,0.000069974674,0.0005497434,0.000105124986,0.00020625685],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002019805,0.00041554865,0.00039440853,0.0005017431,0.00030840276,0.0006331716,0.00033223626,0.00011647681,0.0008031547],"category_scores_gemma":[0.000022149803,0.00036889774,0.00040623033,0.000019226423,0.00046179743,0.00038534327,0.0000755851,0.0003726178,0.00046122857],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022542863,0.00010394314,0.00017908633,0.00035499022,0.0001355779,0.00011601991,0.028807346,0.000002649686,0.00005532165,0.936983,0.0304545,0.0027850273],"study_design_scores_gemma":[0.00014212406,0.0002485076,0.00014058132,0.0006079228,0.00007541628,0.000024132209,0.0007291956,0.00014569247,0.0003379489,0.006687893,0.99039644,0.0004641426],"about_ca_topic_score_codex":0.00020924567,"about_ca_topic_score_gemma":0.0033285571,"teacher_disagreement_score":0.9599419,"about_ca_system_score_codex":0.000059230748,"about_ca_system_score_gemma":0.000051742296,"threshold_uncertainty_score":0.9998763},"labels":[],"label_agreement":null},{"id":"W4413751668","doi":"10.3138/ecf.2023-0074","title":"Ecologies of the Page: Text and Textile in the “Papers” of <i>Pamela</i>","year":2025,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Textile; Polymer science; Art; History; Chemistry; Archaeology","score_opus":0.015041937031529345,"score_gpt":0.2241948151195687,"score_spread":0.20915287808803937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413751668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4264363,0.0042536356,0.00000927254,0.0013609296,0.001551915,0.00048171997,0.000080409365,0.000032368887,0.56579345],"genre_scores_gemma":[0.99453115,0.0017344576,0.0000050738395,0.00041024087,0.000094540235,0.000013689174,0.0000061742153,0.0000048496127,0.003199793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993148,0.000082761835,0.00022941962,0.00011822617,0.00011755164,0.00013725308],"domain_scores_gemma":[0.99951726,0.00012482684,0.000098417244,0.00021007915,0.000039130588,0.0000102885015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014368434,0.00008944092,0.00013220432,0.0000602353,0.00019745392,0.0000291298,0.00015685707,0.00004523087,0.00017148309],"category_scores_gemma":[0.000029685809,0.00005096132,0.00006737019,0.000009554927,0.00036582423,0.00008337968,0.000060402457,0.0001208318,0.000002287744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061904415,0.00050787046,0.007494376,0.00025197802,0.000083496314,0.000001323674,0.14076257,0.000021117998,0.0009314318,0.7621605,0.07926267,0.008460781],"study_design_scores_gemma":[0.00046258574,0.000075378615,0.025657251,0.000079070254,0.00005954529,0.0000010146892,0.01594948,0.00009402991,0.0009952039,0.0019854887,0.9545481,0.00009285052],"about_ca_topic_score_codex":0.00027001678,"about_ca_topic_score_gemma":0.0013952735,"teacher_disagreement_score":0.87528545,"about_ca_system_score_codex":0.000021819487,"about_ca_system_score_gemma":0.000027881388,"threshold_uncertainty_score":0.20781425},"labels":[],"label_agreement":null},{"id":"W4414100090","doi":"10.51678/2226-0072-2025-3-10-69","title":"The Organics of the St. Petersburg Avant-Garde: From Matyushin to Kotelnikov","year":2025,"lang":"en","type":"article","venue":"Art & Culture Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"St petersburg; Quarter (Canadian coin); Dream; Constructivism (international relations); Geist; Judgement","score_opus":0.0330893969776636,"score_gpt":0.27657777684857293,"score_spread":0.24348837987090932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414100090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0546404,0.019513449,0.00013452314,0.08932886,0.012797467,0.0015934245,0.0010897069,0.0003216449,0.82058054],"genre_scores_gemma":[0.56187207,0.00067446963,0.00004395603,0.005140709,0.0006137865,0.00002518588,0.000008726459,0.000016223421,0.4316049],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990595,0.00005535967,0.00025196266,0.00018908433,0.00018856343,0.00025551766],"domain_scores_gemma":[0.99913406,0.00014219672,0.00007595354,0.00037887855,0.00023586437,0.000033019376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000116555675,0.00016945477,0.00024298968,0.000018370669,0.0011979614,0.00009105844,0.00033941853,0.000033343014,0.00012790857],"category_scores_gemma":[0.00018854793,0.00008105951,0.00012063722,0.0000036844524,0.0004716281,0.00006121554,0.00033094524,0.00014537401,0.00010467802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007933312,0.000018349738,0.000089301524,0.000013646861,0.0002717567,6.3304793e-7,0.32830787,0.0000015543135,0.00008549749,0.052227795,0.6187306,0.00024502826],"study_design_scores_gemma":[0.00012690695,0.000025968944,0.00033792687,0.00006909789,0.00008625561,2.2477846e-7,0.05683833,0.000002862944,0.00047545222,0.018889902,0.92304873,0.00009836842],"about_ca_topic_score_codex":0.00015363209,"about_ca_topic_score_gemma":0.037711833,"teacher_disagreement_score":0.50723165,"about_ca_system_score_codex":0.00003756668,"about_ca_system_score_gemma":0.000035002176,"threshold_uncertainty_score":0.97984743},"labels":[],"label_agreement":null},{"id":"W4414123795","doi":"10.1201/9781003260585-52","title":"Turning Trash into Art: The ARTivism of Bordalo II","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Politics; Production (economics); Variety (cybernetics); Subject (documents); Transformation (genetics)","score_opus":0.03219817394755195,"score_gpt":0.23517831161678354,"score_spread":0.2029801376692316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414123795","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021230118,0.0003356743,0.00018866245,0.00097488303,0.00052916055,0.000173327,0.00006283939,0.00006726772,0.9976469],"genre_scores_gemma":[0.024436014,0.00008936473,0.000031304728,0.0015463592,0.0008292183,0.0000065046306,0.000043123146,0.000031314656,0.9729868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901754,0.000012787778,0.0003631548,0.00020899317,0.00019438092,0.00020314167],"domain_scores_gemma":[0.9992116,0.00012534353,0.0001589975,0.00034943386,0.00011053235,0.000044055887],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012300281,0.00024993878,0.0003545455,0.00009724383,0.00042827724,0.00006122003,0.00021844966,0.00011396564,0.007549932],"category_scores_gemma":[0.000016412418,0.00016318352,0.00022787435,4.4753654e-7,0.0005095382,0.00006412096,0.00013935172,0.00030975966,0.00019238442],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027278902,0.00000982852,4.5550868e-7,0.000049646565,0.00008279518,0.00000150782,0.045136098,5.324032e-7,0.000002567596,0.80213445,0.15044576,0.0021336556],"study_design_scores_gemma":[0.00007620771,0.000045204666,0.0000017215154,0.00012158948,0.00007544685,5.4720675e-7,0.00033274273,0.00002057957,0.000034188655,0.20154299,0.79759574,0.00015305298],"about_ca_topic_score_codex":0.00026530158,"about_ca_topic_score_gemma":0.009959309,"teacher_disagreement_score":0.64715,"about_ca_system_score_codex":0.000025573565,"about_ca_system_score_gemma":0.00009618317,"threshold_uncertainty_score":0.9933573},"labels":[],"label_agreement":null},{"id":"W4414486405","doi":"10.29173/css282","title":"The Iconoclast: Dumbing Down With Globalization: The Ideology of Inevitable Revolution","year":2001,"lang":"en","type":"article","venue":"Canadian Social Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Social studies; Critical theory; Higher education","score_opus":0.05804163733623687,"score_gpt":0.2615332623804392,"score_spread":0.20349162504420235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414486405","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06540174,0.015964348,0.00008070527,0.058364067,0.0015602171,0.00056574284,0.00014358417,0.000066590634,0.857853],"genre_scores_gemma":[0.9817624,0.00047027742,0.0000025711206,0.0013151931,0.0009227266,0.000011083795,0.0000046520327,0.0000073452534,0.015503768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939483,0.000041611045,0.00013131896,0.000080112506,0.0000746591,0.00027744178],"domain_scores_gemma":[0.9995379,0.000061026785,0.000068739006,0.00008339403,0.00020699631,0.000041939293],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00012175284,0.0000747512,0.00012824366,0.000019721007,0.0025142978,0.000039802562,0.00010162013,0.000023860139,0.00006581865],"category_scores_gemma":[0.000050989165,0.000043529006,0.000032181273,0.0000073765245,0.0012001657,0.00006334236,0.000021480973,0.00005385199,0.000008167644],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007094512,0.0000040728164,0.004245906,0.000010081634,0.00015522531,0.000003121662,0.12051793,0.000005631814,4.2593692e-7,0.7866055,0.08746187,0.0009831701],"study_design_scores_gemma":[0.00010332066,0.000025273648,0.0016272696,0.000009724115,0.000034652592,0.000002066643,0.038024478,0.000006958134,0.0000010661405,0.010555448,0.949545,0.00006471147],"about_ca_topic_score_codex":0.11191092,"about_ca_topic_score_gemma":0.95946336,"teacher_disagreement_score":0.9163606,"about_ca_system_score_codex":0.00015662154,"about_ca_system_score_gemma":0.00014146748,"threshold_uncertainty_score":0.9987843},"labels":[],"label_agreement":null},{"id":"W4414937311","doi":"10.32920/eb.v1i1.1871","title":"Materializing Trans/Fat Bodies","year":2023,"lang":"en","type":"article","venue":"Excessive Bodies A Journal of Artistic and Critical Fat Praxis and World Making","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Tech University","funders":"","keywords":"Embodied cognition; Narrative; Identity (music); Qualitative research; Participant observation; Materialism; Relation (database); Photo elicitation","score_opus":0.053154641250762816,"score_gpt":0.3150925111341215,"score_spread":0.2619378698833587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414937311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3910275,0.060539644,0.03974025,0.10932235,0.019256998,0.0014920149,0.0014856467,0.00093860505,0.37619698],"genre_scores_gemma":[0.99184155,0.0005593698,0.0003728206,0.0008799163,0.0016255545,0.000004789978,0.0000032215698,0.000023069782,0.0046897074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985294,0.00007017238,0.00053105835,0.00019014651,0.00023505294,0.00044420673],"domain_scores_gemma":[0.9989415,0.00042791292,0.00013812004,0.000084819025,0.00024022177,0.00016744237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024444755,0.00020506274,0.00041659074,0.00020673704,0.00078016997,0.0005046712,0.000097505545,0.000036393038,0.00036008295],"category_scores_gemma":[0.00032573275,0.00016095488,0.00009124639,0.000006043831,0.00091497396,0.0004071534,0.000088689645,0.0001999752,0.000009212188],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001573361,0.00006983573,0.00060213153,0.00056262343,0.00014618719,0.00051691465,0.08062257,0.0000039645756,0.0003874329,0.8871322,0.020287873,0.009510876],"study_design_scores_gemma":[0.0011512028,0.00053757074,0.001727316,0.0016228333,0.0004065985,0.00019916764,0.026679259,0.00066784327,0.00026679132,0.2891269,0.6769136,0.0007009238],"about_ca_topic_score_codex":0.00003257578,"about_ca_topic_score_gemma":0.0006843387,"teacher_disagreement_score":0.65662575,"about_ca_system_score_codex":0.000017527165,"about_ca_system_score_gemma":0.000019300027,"threshold_uncertainty_score":0.65635496},"labels":[],"label_agreement":null},{"id":"W4415576954","doi":"10.5040/9781350494626","title":"Jean-Luc Godard’s Unmade and Abandoned Projects","year":2025,"lang":"","type":"book","venue":"Bloomsbury Publishing Plc eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Globe; Film director; Documentary film; Key (lock); Studio","score_opus":0.04634530479268517,"score_gpt":0.24457000917809057,"score_spread":0.1982247043854054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415576954","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007415429,0.007648147,0.000092832466,0.0022522816,0.005253436,0.0026114115,0.001946852,0.00072379067,0.9787297],"genre_scores_gemma":[0.016957087,0.0010644641,0.000162517,0.0054519093,0.0075015067,0.0002443615,0.00084083294,0.00033867944,0.96743864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906218,0.0004701476,0.002223817,0.0025601953,0.0015290453,0.0025949609],"domain_scores_gemma":[0.99346256,0.00143871,0.0012154407,0.0018813903,0.0010167308,0.0009851934],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0016677979,0.0021746932,0.0024004304,0.001502423,0.0035604811,0.018287517,0.0018335399,0.0013334551,0.0009051989],"category_scores_gemma":[0.0012217667,0.002228694,0.00085938256,0.000009171229,0.0029277257,0.0029315408,0.0017299243,0.0037199443,0.00008512111],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021057428,0.0002713792,0.0000631573,0.003085002,0.0014852528,0.00035587727,0.096310064,0.000002738018,0.000017000628,0.4576519,0.41907075,0.021476304],"study_design_scores_gemma":[0.003068831,0.00032588877,0.000034359316,0.0025899685,0.0013243671,0.000059413305,0.0022058715,0.0001539771,0.000103175356,0.031879183,0.9560637,0.0021912637],"about_ca_topic_score_codex":0.00390591,"about_ca_topic_score_gemma":0.009692991,"teacher_disagreement_score":0.53699297,"about_ca_system_score_codex":0.0005276297,"about_ca_system_score_gemma":0.004232686,"threshold_uncertainty_score":0.99996305},"labels":[],"label_agreement":null},{"id":"W4415710160","doi":"10.22501/rc.3961975","title":"Nomadic Aesthetics — Travelling Installations as Moral Geography","year":2025,"lang":"","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Witness; Art criticism; Aside; Contemporary art","score_opus":0.03701909593342622,"score_gpt":0.266055599957291,"score_spread":0.22903650402386477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415710160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036832117,0.0016389161,0.003874981,0.0023572585,0.0015058974,0.00039352864,0.00010546269,0.00015263114,0.9531392],"genre_scores_gemma":[0.73195755,0.0005831007,0.00019735997,0.0029971374,0.0003992579,0.000010627424,0.000036816356,0.000028839131,0.2637893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781877,0.00006142134,0.00068614614,0.00044836776,0.00025335955,0.0007319506],"domain_scores_gemma":[0.9988901,0.00008394975,0.00011680042,0.00047560976,0.00022659979,0.00020691211],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014787079,0.00039399895,0.00038213443,0.0005158003,0.0016700716,0.0006413169,0.0002848474,0.0001804616,0.0056629977],"category_scores_gemma":[0.000015502523,0.00039690576,0.0004071254,0.000013574868,0.0010248233,0.00026341106,0.00010212927,0.00034325002,0.0003801487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012506742,0.000232277,0.001141263,0.000070408525,0.0001595486,0.000008166053,0.037780702,0.00011284394,0.0000042077413,0.9535316,0.0032478399,0.0036986063],"study_design_scores_gemma":[0.00059629354,0.0001611276,0.0008356143,0.0001162978,0.0002717351,0.0000041857006,0.0061939876,0.0044923685,0.00009887382,0.15929483,0.82746446,0.00047020908],"about_ca_topic_score_codex":0.0032921392,"about_ca_topic_score_gemma":0.006017267,"teacher_disagreement_score":0.82421666,"about_ca_system_score_codex":0.000055849552,"about_ca_system_score_gemma":0.00032994896,"threshold_uncertainty_score":0.9998483},"labels":[],"label_agreement":null},{"id":"W4415963659","doi":"10.4324/9781003497240-17","title":"The Power of Connection at the Vancouver Art Gallery","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Connection (principal bundle); Art gallery; Key (lock)","score_opus":0.029771933216642812,"score_gpt":0.22269105469418107,"score_spread":0.19291912147753826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415963659","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000049335654,0.00021551707,0.000029371166,0.00057394005,0.0025736734,0.00017453863,0.000067116714,0.00003509294,0.9963258],"genre_scores_gemma":[0.003471832,0.00024718532,0.0000014664366,0.0014583047,0.0004786934,0.00000623149,0.000016375749,0.000020523823,0.9942994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999277,0.000011699821,0.0002442044,0.00014461271,0.00016999822,0.00015247361],"domain_scores_gemma":[0.99912333,0.00022763784,0.00012535455,0.00036592616,0.000135103,0.000022627051],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000109756234,0.00016827157,0.00017822768,0.000033585267,0.0005663847,0.0000504779,0.0001457202,0.0000889613,0.01695388],"category_scores_gemma":[0.000011847849,0.0000837765,0.00018829449,2.6058368e-7,0.0005551055,0.00003601735,0.00010186709,0.00016346849,0.00030088105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059976787,0.0000026945843,2.1109308e-7,0.0000068381146,0.000057509715,3.1850266e-7,0.0032543442,2.4883772e-7,1.6853963e-7,0.48565018,0.5108568,0.00016467445],"study_design_scores_gemma":[0.00007089671,0.00002739668,0.0000011310394,0.00003435267,0.00004764436,4.477166e-7,0.0007563541,0.0000052923156,0.000011634332,0.06066609,0.93827516,0.00010357893],"about_ca_topic_score_codex":0.0001602166,"about_ca_topic_score_gemma":0.14401054,"teacher_disagreement_score":0.42741835,"about_ca_system_score_codex":0.000046279605,"about_ca_system_score_gemma":0.000057517216,"threshold_uncertainty_score":0.9839448},"labels":[],"label_agreement":null},{"id":"W4416159348","doi":"10.1515/iph-2025-0038","title":"Katarzyna Jagodzińska: <i>Participation and the Post-Museum</i>","year":2025,"lang":"en","type":"article","venue":"International Public History","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Identification (biology); Process (computing); Set (abstract data type); Relation (database); Component (thermodynamics)","score_opus":0.03645375675852672,"score_gpt":0.24901170696629435,"score_spread":0.21255795020776763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416159348","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010078316,0.0009841579,0.00022488122,0.043174237,0.003993774,0.00014141758,0.000041925312,0.00008723785,0.94127405],"genre_scores_gemma":[0.825267,0.000023991892,0.000010682865,0.010919044,0.0004571385,0.00003684045,0.000044839784,0.0000073803,0.16323307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992862,0.00004931913,0.0001967145,0.00014811446,0.00017372583,0.0001459416],"domain_scores_gemma":[0.9993345,0.00013974201,0.0000655307,0.00014852692,0.00026909896,0.000042595606],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021420654,0.000087052525,0.00009610074,0.00013319222,0.0002116987,0.000108640736,0.00022196746,0.000028063365,0.0013182824],"category_scores_gemma":[0.00020930484,0.00006572254,0.00005622685,0.0000018292733,0.0006969469,0.0003417114,0.000074180956,0.00010906929,0.00006340977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002124985,0.000034495224,0.00011196505,0.000005573482,0.000054373344,8.108327e-7,0.027477931,7.707176e-7,0.0000083234045,0.84696835,0.12389445,0.0014216693],"study_design_scores_gemma":[0.00059049507,0.000007973671,0.0005470321,0.00000747219,0.000018092269,8.390851e-7,0.0005337029,0.00046967197,0.0000042313263,0.0075652315,0.9901846,0.0000706346],"about_ca_topic_score_codex":0.0011645014,"about_ca_topic_score_gemma":0.0059988773,"teacher_disagreement_score":0.86629015,"about_ca_system_score_codex":0.00028202042,"about_ca_system_score_gemma":0.00014793438,"threshold_uncertainty_score":0.9995946},"labels":[],"label_agreement":null},{"id":"W4416747486","doi":"10.7202/1121941ar","title":"Rainaldi, Linda. Outsider Art of Canada","year":2025,"lang":"fr","type":"article","venue":"Dalhousie French Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"","score_opus":0.03524384553085383,"score_gpt":0.2793941614879179,"score_spread":0.24415031595706407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416747486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004125531,0.1421915,0.00014418634,0.02628549,0.010655305,0.00037152792,0.0016951514,0.00006271775,0.8144686],"genre_scores_gemma":[0.13008787,0.003048103,0.00007489967,0.0018486558,0.0011307242,0.000028040158,0.0000332757,0.000024325858,0.8637241],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978135,0.00008421144,0.0006657971,0.00035954642,0.00033606993,0.0007408257],"domain_scores_gemma":[0.9984151,0.0003289438,0.0001959899,0.00040241133,0.00054953457,0.00010798797],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00022726617,0.00037374612,0.00074106734,0.00012984333,0.0008730595,0.00005806724,0.00023667411,0.00009651514,0.0006012363],"category_scores_gemma":[0.00022192026,0.00035332792,0.00016408326,0.000012245177,0.0015119235,0.00011538122,0.00026000937,0.0002573583,0.000032142307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051136226,0.00011129505,0.0004363956,0.0007308836,0.0009724019,0.000033407396,0.09386865,0.00003242641,0.0000022967938,0.10853052,0.79254043,0.0027361987],"study_design_scores_gemma":[0.00040424528,0.00007522493,0.0008281036,0.00045990964,0.00029452235,0.0000018453519,0.01152261,0.00006415728,0.00013976409,0.012171341,0.97373205,0.00030624462],"about_ca_topic_score_codex":0.5854721,"about_ca_topic_score_gemma":0.9773438,"teacher_disagreement_score":0.39187172,"about_ca_system_score_codex":0.00025322553,"about_ca_system_score_gemma":0.0013089359,"threshold_uncertainty_score":0.9998919},"labels":[],"label_agreement":null},{"id":"W4416914682","doi":"10.7202/1121872ar","title":"Paul Andersen, Jayne Kelley et Paul Preissner, dir., American Framing: The Same Something for Everyone, Chicago, Park Books, 2023, 252 pp., 159 illus. coul, 70 illus. demi-teinte, 40$ US (Relié), ISBN 9783038601951","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); State (computer science)","score_opus":0.024986846529668535,"score_gpt":0.25198920136486797,"score_spread":0.22700235483519943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45178306,0.06557046,0.010401948,0.083863504,0.018300068,0.011236879,0.008515094,0.0020387438,0.34829023],"genre_scores_gemma":[0.58331436,0.0020240822,0.00027904834,0.015934136,0.0018583058,0.00029206293,0.00051519525,0.00016501037,0.3956178],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99569345,0.00025823433,0.0009544941,0.0010256951,0.00031495478,0.0017532039],"domain_scores_gemma":[0.9964452,0.0009950426,0.00048206042,0.0011417867,0.0003829814,0.00055294944],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010202007,0.00071210676,0.0010236268,0.0002853396,0.0016421856,0.00035633094,0.0007779586,0.00022052051,0.0003685283],"category_scores_gemma":[0.00052073447,0.0006113665,0.00048663898,0.000058688023,0.0012952603,0.00038323324,0.00026935144,0.0009451272,0.00009906347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016167578,0.00021226145,0.00019478609,0.00041250247,0.00073615985,0.00007944097,0.0659554,0.0002655715,0.00013398581,0.124782935,0.7977733,0.009291962],"study_design_scores_gemma":[0.0008099691,0.0002518143,0.00028382792,0.0002938416,0.0002933456,0.000024257022,0.009365798,0.0024787423,0.000084500396,0.006450411,0.978907,0.0007564836],"about_ca_topic_score_codex":0.04850353,"about_ca_topic_score_gemma":0.456434,"teacher_disagreement_score":0.4079305,"about_ca_system_score_codex":0.0004096453,"about_ca_system_score_gemma":0.00047043108,"threshold_uncertainty_score":0.9996575},"labels":[],"label_agreement":null},{"id":"W4416914684","doi":"10.7202/1121868ar","title":"Heather Igloliorte and Carla Taunton, eds., The Routledge Companion to Indigenous Art Histories in the United States and Canada, Routledge Art History and Visual Studies Companions, Routledge, Taylor &amp; Francis Group, 2023, 464 pp., 65 b/w Illustrations, $59.99 US (paper) ISBN 9781032291932, $280.00 (hardcover) ISBN 9780367856687, $59.99 (eBook) ISBN 9781003014256","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Visual culture; History of art; Oral history","score_opus":0.024896848524899744,"score_gpt":0.23676708067115798,"score_spread":0.21187023214625825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914684","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8888644,0.07592572,0.00013979163,0.010459471,0.004114343,0.002750927,0.0019699254,0.00018290496,0.0155925],"genre_scores_gemma":[0.85888404,0.007302998,0.00005801446,0.01364853,0.0016358327,0.00045550763,0.0012822794,0.00016565733,0.116567165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957891,0.0004773063,0.0010665173,0.00095950515,0.0003983044,0.001309281],"domain_scores_gemma":[0.9973395,0.00064995216,0.00030661735,0.00075877435,0.0004422405,0.00050291396],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00091771246,0.0008288903,0.001098983,0.00043547864,0.0019526504,0.00033474463,0.00047318533,0.00019493699,0.0002337287],"category_scores_gemma":[0.00020174767,0.0006778956,0.00013884326,0.0001048495,0.0013002713,0.00044084946,0.00026004447,0.0008224987,0.000048178474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013695817,0.00025305833,0.005112306,0.00039740422,0.00049604295,0.000093708295,0.29601154,0.00010508617,0.00005300388,0.030047698,0.6652649,0.0020282967],"study_design_scores_gemma":[0.00090656924,0.00020711632,0.0047898,0.00019526396,0.00025005377,0.000053756463,0.02070006,0.00046343374,0.000004225065,0.00052159996,0.9711656,0.0007425414],"about_ca_topic_score_codex":0.6184042,"about_ca_topic_score_gemma":0.991739,"teacher_disagreement_score":0.3733348,"about_ca_system_score_codex":0.001903425,"about_ca_system_score_gemma":0.00052318576,"threshold_uncertainty_score":0.9995672},"labels":[],"label_agreement":null},{"id":"W4416914692","doi":"10.7202/1121869ar","title":"Sarah Stanners, Jack Bush Paintings: A Catalogue Raisonné, 4 vols., 2168 pp., colour illus., Toronto: David Mirvish Books/Coach House Press, 2024, $1200.00 (hardcover) ISBN 978173895571","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Performance art; Line drawings","score_opus":0.023670355878796692,"score_gpt":0.22598416757941933,"score_spread":0.20231381170062263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914692","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19418786,0.03122521,0.0004330406,0.008555012,0.016131023,0.004941281,0.012815811,0.0022045923,0.72950613],"genre_scores_gemma":[0.37353638,0.0012366653,0.00014039078,0.0048622205,0.002765132,0.00019806671,0.0008997039,0.00022862104,0.6161328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99554956,0.00019517011,0.00095238356,0.0011051493,0.00031240785,0.0018853211],"domain_scores_gemma":[0.9970641,0.0002343769,0.00036523648,0.0012239122,0.00042760483,0.00068475853],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006558577,0.00072656764,0.00093333086,0.00013947871,0.001094236,0.00050849374,0.0008143346,0.00027746728,0.0017307079],"category_scores_gemma":[0.00029802948,0.00077865203,0.00040609506,0.000023065544,0.00061719556,0.0007566616,0.0002922108,0.00056099857,0.00027163973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081390855,0.00018350291,0.00016999112,0.00037085311,0.0003576011,0.00014563209,0.062231902,0.00003911988,0.00006512354,0.12611665,0.80830723,0.0019309958],"study_design_scores_gemma":[0.0010132836,0.00018073333,0.0001735536,0.00031302785,0.00022259608,0.000023546334,0.0065392917,0.0004737645,0.00008873821,0.0015478778,0.9885804,0.00084319274],"about_ca_topic_score_codex":0.28066334,"about_ca_topic_score_gemma":0.86038494,"teacher_disagreement_score":0.5797216,"about_ca_system_score_codex":0.001087293,"about_ca_system_score_gemma":0.0004953868,"threshold_uncertainty_score":0.9994664},"labels":[],"label_agreement":null},{"id":"W4416914693","doi":"10.7202/1121866ar","title":"Leah Modigliani, Counter Revanchist Art in the Global City: Walls, Blockades, and Barricades as Repertoires of Creative Action, Routledge, 2024, 202 pp., 46 b/w illus., 54.99 US (paper) ISBN 9781032195148","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contemporary art; Public art; Work (physics); Art and design","score_opus":0.0234001768821531,"score_gpt":0.24904329991698598,"score_spread":0.2256431230348329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914693","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52234167,0.0038107994,0.00002782934,0.00834134,0.0012767293,0.00075650023,0.0007719137,0.000067024084,0.4626062],"genre_scores_gemma":[0.77606297,0.0010870511,0.000028643353,0.0033253774,0.00062807667,0.00005565994,0.00007334819,0.000025797433,0.21871306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800175,0.00012483998,0.0005607978,0.0005174416,0.00018005744,0.00061508035],"domain_scores_gemma":[0.9987791,0.00012781651,0.00017521983,0.00052611146,0.00020508213,0.00018667735],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000331787,0.00033203088,0.0005095681,0.00013369048,0.0005098233,0.00015135527,0.0003229885,0.00012804774,0.00079332147],"category_scores_gemma":[0.00021561835,0.0002777915,0.00014188372,0.000039179413,0.0006704603,0.00030983018,0.00009653439,0.00034121133,0.000059266567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018692354,0.00034657464,0.0028065727,0.00041839623,0.0003915075,0.00020704849,0.12064345,0.000084841646,0.00010777501,0.55252486,0.31703418,0.0052478826],"study_design_scores_gemma":[0.0005347062,0.00013630117,0.0019619812,0.00027613208,0.00010580559,0.000050961804,0.007192862,0.00013237589,0.000053244054,0.010609731,0.97865736,0.00028852912],"about_ca_topic_score_codex":0.07459263,"about_ca_topic_score_gemma":0.73891747,"teacher_disagreement_score":0.6643248,"about_ca_system_score_codex":0.00045147192,"about_ca_system_score_gemma":0.00021480875,"threshold_uncertainty_score":0.9999674},"labels":[],"label_agreement":null},{"id":"W4416914994","doi":"10.7202/1121630ar","title":"Griselda Pollock with Adrian Rifkin and Rachel Dickson, Woman in Art: Helen Rosenau’s “Little Book” of 1944, New Haven &amp; London: Yale University Press; Paul Mellon Centre for Studies in British Art, 2023, 400 pp., 140 colour &amp; b/w illus. $61.95 (hardcover) ISBN 9781913107413","year":2024,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pollock; Haven; Performance art; STELLA (programming language)","score_opus":0.032078697851472056,"score_gpt":0.22560962972301946,"score_spread":0.1935309318715474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914994","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9081947,0.052320156,0.000098652636,0.008296359,0.0017030633,0.0031754235,0.0058175656,0.00024124092,0.02015282],"genre_scores_gemma":[0.2202333,0.006136126,0.00017934162,0.00043006573,0.00069354073,0.000022451788,0.00044233818,0.00009056018,0.77177227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976439,0.000107681975,0.0004982879,0.0006892441,0.00017342216,0.00088746316],"domain_scores_gemma":[0.9987364,0.00019543321,0.0001651221,0.00037555254,0.0001433579,0.00038413383],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00030143934,0.0003576244,0.00073493586,0.00018936615,0.0003020926,0.00017396956,0.00023103952,0.00013849248,0.00025050296],"category_scores_gemma":[0.00007457362,0.00040594066,0.00015099166,0.000036872843,0.0004920853,0.0004528499,0.00013339112,0.0003304791,0.000047662557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002091036,0.00014487538,0.0013421281,0.0009392531,0.00029318093,0.00041597543,0.0776822,0.00010468844,0.000025083902,0.008068824,0.9095593,0.001215376],"study_design_scores_gemma":[0.0014831364,0.0001753006,0.00040407447,0.00097472366,0.00013897635,0.000051484458,0.006398634,0.00017811994,0.000027615619,0.0005329307,0.98917264,0.0004623417],"about_ca_topic_score_codex":0.062808126,"about_ca_topic_score_gemma":0.9657937,"teacher_disagreement_score":0.90298563,"about_ca_system_score_codex":0.00040380968,"about_ca_system_score_gemma":0.00027543798,"threshold_uncertainty_score":0.99983925},"labels":[],"label_agreement":null},{"id":"W4417314549","doi":"10.1080/10598650.2025.2595711","title":"Pacing, Presence, and Connection: Workshops to Slow Down at the Montreal Museum of Fine Arts","year":2025,"lang":"en","type":"article","venue":"Journal of Museum Education","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fine art; Museum education; Visual arts education; Exhibition; Photography","score_opus":0.02498455476899174,"score_gpt":0.27652984644437056,"score_spread":0.2515452916753788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417314549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8332567,0.0016215385,0.00045046603,0.06528912,0.006115116,0.00036682372,0.000022606084,0.000018611081,0.09285899],"genre_scores_gemma":[0.95730436,0.000081538456,0.00005583393,0.00084830954,0.00088043336,0.000006466211,0.0000028862614,0.000006388259,0.040813804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928343,0.00003995665,0.00032654908,0.00008644161,0.00014094419,0.00012265665],"domain_scores_gemma":[0.99911904,0.00014476977,0.00022621374,0.00014836295,0.00029156604,0.00007006358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022268706,0.00008438381,0.00015775982,0.00015630425,0.00024118026,0.00007337181,0.00009288066,0.0000313577,0.00022110029],"category_scores_gemma":[0.00012814463,0.000057850157,0.00006180755,0.000009489142,0.00011664619,0.0001642997,0.000036276335,0.000117353105,0.0000040854725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120247256,0.00032361542,0.0011703939,0.00008642598,0.00011814194,0.0000013448524,0.14476109,0.000119556724,0.0002353016,0.028509773,0.8025997,0.021954417],"study_design_scores_gemma":[0.0003382737,0.00014167558,0.012069005,0.00026031813,0.00009804473,0.000025211106,0.012578052,0.00005519562,0.00063336606,0.005041089,0.9686587,0.000101075966],"about_ca_topic_score_codex":0.0007173401,"about_ca_topic_score_gemma":0.011096956,"teacher_disagreement_score":0.16605899,"about_ca_system_score_codex":0.000057728448,"about_ca_system_score_gemma":0.00019847653,"threshold_uncertainty_score":0.6192362},"labels":[],"label_agreement":null},{"id":"W4417316853","doi":"10.5194/ica-abs-10-199-2025","title":"The Matter of Maps. A public art experiment","year":2025,"lang":"en","type":"article","venue":"Abstracts of the ICA","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve; Université de Montréal","funders":"","keywords":"","score_opus":0.03116130648868127,"score_gpt":0.25227880127680413,"score_spread":0.22111749478812287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417316853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062289502,0.00026523785,0.0000032320024,0.017641528,0.0006669846,0.00014765929,0.000028252583,0.0000130205435,0.9189446],"genre_scores_gemma":[0.8615784,0.000010637055,0.000008085412,0.0009986253,0.000079483994,0.0000072835965,0.0000017174946,0.0000051589623,0.1373106],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993823,0.000020012689,0.00024087328,0.000072180555,0.00012478624,0.00015985795],"domain_scores_gemma":[0.99935406,0.00008999057,0.00011374033,0.00035611022,0.00006455959,0.000021538594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011781448,0.0000678591,0.0000995729,0.000023586232,0.00021654433,0.00005556673,0.00030173117,0.000021247806,0.00042166415],"category_scores_gemma":[0.000026972526,0.000036499605,0.000090695874,0.0000018938156,0.00040623685,0.00006149706,0.00009105787,0.00007054249,0.0000721664],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001546115,0.0001703191,0.00020567061,0.000050997674,0.00012253734,4.8263263e-7,0.022390967,0.0000053802223,0.0005707595,0.43725854,0.5384086,0.0008003123],"study_design_scores_gemma":[0.000101744736,0.000012117701,0.002635974,0.000028499227,0.000014802868,2.970441e-7,0.0012646158,0.0000025171746,0.008101652,0.0153215155,0.97247297,0.000043299933],"about_ca_topic_score_codex":0.00027534008,"about_ca_topic_score_gemma":0.0009109218,"teacher_disagreement_score":0.7992889,"about_ca_system_score_codex":0.000012445194,"about_ca_system_score_gemma":0.00004871218,"threshold_uncertainty_score":0.4616927},"labels":[],"label_agreement":null},{"id":"W4417477088","doi":"10.1080/13602365.2025.2583915","title":"Untold modernity: Kim Swoo-Geun's Korean Pavilion at Expo 67 and its neocolonial echo","year":2025,"lang":"en","type":"article","venue":"The Journal of Architecture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; Echo (communications protocol); Exhibition; Architecture","score_opus":0.021953264494815192,"score_gpt":0.24803304283009706,"score_spread":0.22607977833528187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417477088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9519262,0.0016369115,0.00057966064,0.008213081,0.00069892814,0.00026393874,0.000051948566,0.00003447177,0.03659487],"genre_scores_gemma":[0.97359496,0.00016655948,0.000038902745,0.0017266532,0.0010815429,0.0000020968425,0.0000025966478,0.000017912196,0.02336876],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989001,0.0001486399,0.00032201933,0.000109579836,0.00023685007,0.0002828178],"domain_scores_gemma":[0.9992017,0.00018377138,0.00020282848,0.00018542238,0.00012103324,0.00010523845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034914433,0.00018384442,0.00026171666,0.00015826045,0.0005856029,0.000085973516,0.00027938737,0.00006626522,0.00018023884],"category_scores_gemma":[0.000050421335,0.00011114094,0.00011774015,0.0000055576297,0.00024760154,0.00010666523,0.00014929622,0.00050519564,0.000009089697],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018911554,0.0003159545,0.00077083294,0.00033652433,0.0006841017,0.00010967919,0.86714613,0.0022025108,0.005933523,0.058962245,0.03643084,0.025216475],"study_design_scores_gemma":[0.0029011057,0.00087049225,0.0018925652,0.00046590168,0.0006480868,0.00050257775,0.0049214885,0.0016141314,0.006495209,0.18950574,0.7895995,0.0005832171],"about_ca_topic_score_codex":0.00012075884,"about_ca_topic_score_gemma":0.003521808,"teacher_disagreement_score":0.8622247,"about_ca_system_score_codex":0.00005626887,"about_ca_system_score_gemma":0.00008065315,"threshold_uncertainty_score":0.45321956},"labels":[],"label_agreement":null},{"id":"W4676795","doi":"10.1016/0020-7519(72)90073-2","title":"The poetics and politics of ivory collecting and display at the Milwaukee Public Museum","year":2012,"lang":"en","type":"article","venue":"International Journal for Parasitology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Politics; Ivory tower; Art; Art history; Media studies; Political science; Sociology; Literature; Law; Poetry","score_opus":0.07131943670131609,"score_gpt":0.35355358979514945,"score_spread":0.2822341530938334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4676795","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9670486,0.002368833,0.0003806565,0.018386045,0.004605199,0.00013795454,0.00009854934,0.000008656578,0.006965509],"genre_scores_gemma":[0.98726493,0.0002789718,0.00003771594,0.00053433044,0.0017351862,0.0000063074904,0.0000044252793,0.000009817183,0.010128287],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992296,0.00005626638,0.00023933039,0.00006290738,0.0001366252,0.00027528056],"domain_scores_gemma":[0.9987208,0.00072824943,0.00016780826,0.00006607821,0.00023482491,0.00008221395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030788427,0.00007884486,0.00010410501,0.000051616862,0.0010976086,0.00013339095,0.00016966934,0.000035312998,0.000039928476],"category_scores_gemma":[0.00019223389,0.000045948385,0.000052879943,0.0000015300606,0.00064133224,0.000121942656,0.00008382969,0.00012088156,0.0000023396894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047497695,0.000047751157,0.026840363,0.000009759574,0.00026803333,0.0000023703942,0.037824728,0.0000014162879,0.00007522874,0.92284185,0.011041067,0.0009999286],"study_design_scores_gemma":[0.00042876092,0.00007994538,0.0049854703,0.000010115185,0.000041860996,0.00065636943,0.0030555762,0.00018783177,0.00015529359,0.01904654,0.97126967,0.00008256976],"about_ca_topic_score_codex":0.00008255322,"about_ca_topic_score_gemma":0.002204807,"teacher_disagreement_score":0.9602286,"about_ca_system_score_codex":0.000045542918,"about_ca_system_score_gemma":0.000039305396,"threshold_uncertainty_score":0.8442029},"labels":[],"label_agreement":null},{"id":"W46900565","doi":"","title":"Ronald Boaks, Modernity & Beauty: New Still Life Photography. David Kaye Gallery, www.davidkayegallery.com, September 18 - October 12, 2008David Kaye Gallery, www.davidkayegallery.com, September 18 - October 12, 2008","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Art history; Art; Modernity; Photography; Cartography; Visual arts; Geography; Philosophy; Aesthetics","score_opus":0.07522589530221455,"score_gpt":0.27707997622302094,"score_spread":0.2018540809208064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W46900565","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0733891,0.007268681,0.0018921582,0.0040252167,0.0049835523,0.004096807,0.001706769,0.0026560002,0.89998174],"genre_scores_gemma":[0.45489752,0.0017458433,0.0013868496,0.016680157,0.005588312,0.00029689082,0.0010986136,0.0007299857,0.5175758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98532945,0.00062785513,0.0032040696,0.003183598,0.0027766228,0.0048784004],"domain_scores_gemma":[0.99102247,0.0004865555,0.0012830109,0.0032603925,0.0008773143,0.0030702527],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001160767,0.003119395,0.002967624,0.0012132574,0.00278521,0.001992042,0.0020781134,0.0011110398,0.04977364],"category_scores_gemma":[0.00022606665,0.0030316128,0.0023892368,0.00014781354,0.0021807116,0.002947859,0.0007696803,0.0022686508,0.0059319106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006609428,0.0022256612,0.0018463911,0.00023699053,0.0012434591,0.00032632734,0.021737669,0.0004197371,0.00023778054,0.0026013444,0.9656532,0.0028104873],"study_design_scores_gemma":[0.0039019766,0.0009726649,0.004266475,0.0005850818,0.00068654004,0.0001576777,0.0007120933,0.002073079,0.00025910832,0.009908485,0.9728808,0.0035960388],"about_ca_topic_score_codex":0.0066833394,"about_ca_topic_score_gemma":0.04466963,"teacher_disagreement_score":0.3824059,"about_ca_system_score_codex":0.0005835455,"about_ca_system_score_gemma":0.0013300892,"threshold_uncertainty_score":0.9999312},"labels":[],"label_agreement":null},{"id":"W529252","doi":"","title":"Faire écran : la surface de projection comme enjeu esthétique dans l'art contemporain","year":2007,"lang":"en","type":"dissertation","venue":"The Journal of Rheumatology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.043401174597037566,"score_gpt":0.3112663399831701,"score_spread":0.26786516538613253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W529252","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8386027,0.0005465666,0.00065500656,0.0010704153,0.0017444047,0.0002415256,0.000025235891,0.00004157491,0.15707253],"genre_scores_gemma":[0.8943632,0.0008410839,0.00008405636,0.0002827473,0.000120159115,0.0000024684482,0.00008562932,0.000057894093,0.10416273],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804467,0.0005729843,0.0007300374,0.00010482437,0.00020966325,0.00033782498],"domain_scores_gemma":[0.99792355,0.00050128024,0.000976859,0.00018839704,0.00032005238,0.00008987987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016008293,0.0002483319,0.0005656165,0.00015443808,0.00035728692,0.00006366249,0.0003452155,0.00028945328,0.00015373324],"category_scores_gemma":[0.000109055225,0.00017659132,0.00018879645,0.0000045113943,0.0003343334,0.0001341172,0.000015815662,0.0008651128,0.000027888302],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008550839,0.00020439067,0.002773463,0.0003722038,0.00047013556,0.00006243712,0.8014986,0.000021604917,0.0001365041,0.11634007,0.07655551,0.00070998404],"study_design_scores_gemma":[0.0019861357,0.0009729823,0.001030059,0.001250786,0.0005444724,0.008915201,0.14956361,0.00027803658,0.00052571873,0.053467467,0.7806593,0.00080620026],"about_ca_topic_score_codex":0.0030695053,"about_ca_topic_score_gemma":0.09272057,"teacher_disagreement_score":0.7041038,"about_ca_system_score_codex":0.00008860649,"about_ca_system_score_gemma":0.00044426264,"threshold_uncertainty_score":0.9238349},"labels":[],"label_agreement":null},{"id":"W568266483","doi":"","title":"Emily Carr : new perspectives on a Canadian icon","year":2006,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Carr; Icon; Narrative; Art history; Art; Beauty; Performance art; Literature; Aesthetics","score_opus":0.01839848575891164,"score_gpt":0.24488402584723948,"score_spread":0.22648554008832783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W568266483","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005262089,0.0021613725,0.000020513626,0.0049603893,0.0015191301,0.00014862552,0.00009969675,0.000059235277,0.9905048],"genre_scores_gemma":[0.01762984,0.00026230112,0.000005882048,0.0079717655,0.0035088116,0.000010921205,0.0002594622,0.000037862785,0.97031313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998203,0.00010346004,0.00030043165,0.00051145465,0.00021452366,0.000667122],"domain_scores_gemma":[0.99868554,0.00021389835,0.00008948889,0.0002312005,0.00006099972,0.0007188571],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016698193,0.00032891953,0.00057630276,0.00031456488,0.00029435594,0.000027566826,0.00023545338,0.0010210737,0.011645079],"category_scores_gemma":[0.00011998997,0.00028907863,0.00011147354,0.0000014095896,0.0021913373,0.000028489405,0.000058415302,0.0009019608,0.00031026313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013624562,0.000022974977,0.000037646856,0.000016970027,0.00007268536,0.00038370723,0.025543137,6.7820245e-8,3.7736033e-8,0.63657945,0.33552226,0.0018074295],"study_design_scores_gemma":[0.00044633241,0.00031681362,0.00009389328,0.000042908217,0.00007693378,0.00011706121,0.0005251798,0.000008347533,2.7474678e-7,0.116503894,0.8816083,0.00026007852],"about_ca_topic_score_codex":0.3496183,"about_ca_topic_score_gemma":0.8927082,"teacher_disagreement_score":0.546086,"about_ca_system_score_codex":0.00020837404,"about_ca_system_score_gemma":0.002156307,"threshold_uncertainty_score":0.99995613},"labels":[],"label_agreement":null},{"id":"W573014251","doi":"","title":"Matisse and the subject of modernism","year":2004,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Salon; Art history; Art; Subject (documents); Modernism (music); Humanities; Visual arts; Library science; Computer science","score_opus":0.03559805864410801,"score_gpt":0.2237837033758258,"score_spread":0.18818564473171778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W573014251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001751137,0.0010221576,0.00023655202,0.00031776348,0.00019357266,0.00023761779,0.00010726361,0.000039319006,0.99782825],"genre_scores_gemma":[0.014086084,0.00020189815,0.000039858533,0.0006618663,0.00059642916,0.0000077349005,0.000032922777,0.00003343819,0.9843398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992548,0.000020438247,0.00025411055,0.00014945552,0.00015886677,0.00016227913],"domain_scores_gemma":[0.9994159,0.000099261386,0.00012746488,0.00025237285,0.000064877655,0.00004016194],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111560024,0.00018894198,0.00035224683,0.000049972998,0.00016753701,0.00007066157,0.00013845676,0.00009180542,0.001560416],"category_scores_gemma":[0.0000082254455,0.00011089908,0.000117192154,1.9852727e-7,0.0013348418,0.000054703385,0.00006365538,0.00016622069,0.000038509857],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010207467,0.0000079584215,1.9189117e-7,0.000097592,0.00005519694,0.0000014634098,0.08712815,0.0000012518196,1.6416298e-7,0.8949667,0.01748444,0.0002466534],"study_design_scores_gemma":[0.00043242765,0.000018899613,9.5239244e-7,0.000054376702,0.000062939616,0.000002703446,0.00025615827,0.000040271785,0.000006283599,0.4216829,0.57733685,0.00010524225],"about_ca_topic_score_codex":0.0013135991,"about_ca_topic_score_gemma":0.008730431,"teacher_disagreement_score":0.5598524,"about_ca_system_score_codex":0.00004807041,"about_ca_system_score_gemma":0.0003336693,"threshold_uncertainty_score":0.9993523},"labels":[],"label_agreement":null},{"id":"W574202882","doi":"10.1353/mdr.2003.0071","title":"Pinter at 70: A Casebook ed. by Lois Gordon, and: The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice (review)","year":2003,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.019677422141046216,"score_gpt":0.2362298124581437,"score_spread":0.2165523903170975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W574202882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11652429,0.33724144,0.005291872,0.08588115,0.002509332,0.00703281,0.00063082407,0.00061238575,0.44427592],"genre_scores_gemma":[0.733019,0.0064775767,0.000011384061,0.030206203,0.00015157126,0.00019787256,0.00002976567,0.0000806731,0.22982599],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792886,0.00041997718,0.0004139405,0.00039855263,0.0003068261,0.0005318163],"domain_scores_gemma":[0.9987782,0.00019359807,0.00014512063,0.0006353223,0.00012315458,0.00012459434],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055010064,0.000336761,0.00037034848,0.000024268234,0.00079540786,0.00025057144,0.00037769583,0.00008034359,0.0022098427],"category_scores_gemma":[0.00008123538,0.00018713533,0.00018913824,0.0000033544225,0.0012117297,0.00014682,0.00016539595,0.0004011386,0.00042383038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057780548,0.00012928738,0.000022577637,0.00026378332,0.00011060887,0.000007199515,0.15860093,0.000002938018,0.00004061882,0.03901297,0.7986847,0.0030666194],"study_design_scores_gemma":[0.0008810615,0.0000615768,0.0000017826213,0.0002296121,0.00019666675,0.00006708808,0.0006916438,0.0009621714,0.00013549985,0.007952591,0.9885172,0.0003030796],"about_ca_topic_score_codex":0.00079579477,"about_ca_topic_score_gemma":0.002308215,"teacher_disagreement_score":0.6164947,"about_ca_system_score_codex":0.00008839774,"about_ca_system_score_gemma":0.000041798063,"threshold_uncertainty_score":0.9987023},"labels":[],"label_agreement":null},{"id":"W576091029","doi":"","title":"MoMA : highlights since 1980 : 250 works from The Museum of Modern Art New York","year":2007,"lang":"en","type":"book","venue":"Museum of Modern Art eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Expansive; Sculpture; Visual arts; Contemporary art; Art; Painting; Modern art; Photography; The arts; Architecture; Quarter (Canadian coin); Art history; Decorative arts; History; Performance art; Visual arts education; Archaeology","score_opus":0.05430824897607447,"score_gpt":0.22760214122355263,"score_spread":0.17329389224747815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W576091029","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029982245,0.0028559521,0.0058490667,0.0014623794,0.0016874537,0.00093082595,0.0009787563,0.0002714352,0.9856643],"genre_scores_gemma":[0.115864776,0.000107782165,0.00024580173,0.0016789729,0.0037603222,0.000025014422,0.00042303512,0.00027491225,0.8776194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950755,0.00011814804,0.0015708706,0.0009812241,0.0011968681,0.0010573537],"domain_scores_gemma":[0.9956801,0.0005575441,0.0011025057,0.0019515068,0.00030970268,0.0003986219],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003491603,0.0010698242,0.0015272216,0.00030485485,0.0005207039,0.00022815108,0.0013724874,0.00073602283,0.00054992095],"category_scores_gemma":[0.000027006612,0.00085783494,0.0008212307,0.000003939708,0.0015267801,0.00018860091,0.00039917917,0.0010340423,0.0003595177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000251407,0.00021124739,0.0000070512383,0.00022180405,0.0009075378,0.000046391455,0.21658796,0.00008721333,0.00013055,0.3083613,0.46238342,0.010804116],"study_design_scores_gemma":[0.0007498473,0.00012569175,0.000018036704,0.001047591,0.0003470027,0.00000405424,0.0001985097,0.0008529171,0.0002814935,0.17918788,0.8164242,0.0007627651],"about_ca_topic_score_codex":0.0015218292,"about_ca_topic_score_gemma":0.028723085,"teacher_disagreement_score":0.3540408,"about_ca_system_score_codex":0.0002008476,"about_ca_system_score_gemma":0.00095803756,"threshold_uncertainty_score":0.99938726},"labels":[],"label_agreement":null},{"id":"W58168998","doi":"","title":"Deon Venter: Missing & Flight — 182. Buschlen Mowatt Gallery, www.buschlenmowatt.com, 1 May 2008 - 25 May 2008Buschlen Mowatt Gallery, www.buschlenmowatt.com, 1 May 2008 - 25 May 2008","year":2009,"lang":"de","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Computer graphics (images); World Wide Web","score_opus":0.05083838189967706,"score_gpt":0.2721261433163009,"score_spread":0.22128776141662387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W58168998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10150335,0.20851202,0.005086797,0.11563866,0.043489415,0.015828786,0.011852171,0.006892133,0.49119666],"genre_scores_gemma":[0.52711034,0.033979453,0.002543708,0.01363537,0.014820102,0.0003821863,0.00313444,0.001521807,0.4028726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97616327,0.001465233,0.0055244626,0.0049354234,0.003642615,0.008268973],"domain_scores_gemma":[0.9868654,0.0007438635,0.0024384526,0.0049053016,0.0018078067,0.0032391853],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0021795055,0.005166405,0.0048195007,0.0023193844,0.0071399882,0.003899053,0.003761159,0.0022054214,0.014912355],"category_scores_gemma":[0.00044563448,0.005179124,0.0025837761,0.0003478502,0.0041255783,0.003707301,0.0013676913,0.0037298505,0.016527427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00094872265,0.0043092165,0.0018293719,0.0015331845,0.0023839911,0.0028837835,0.030188698,0.00036442492,0.0011835396,0.011738295,0.92495394,0.01768286],"study_design_scores_gemma":[0.005630134,0.0015963254,0.0021268039,0.0031422672,0.001718317,0.00061972626,0.0019691347,0.0023989175,0.0022375728,0.0038001984,0.9689722,0.005788392],"about_ca_topic_score_codex":0.004570462,"about_ca_topic_score_gemma":0.0056908913,"teacher_disagreement_score":0.425607,"about_ca_system_score_codex":0.0017857294,"about_ca_system_score_gemma":0.0019720471,"threshold_uncertainty_score":0.9990899},"labels":[],"label_agreement":null},{"id":"W583748803","doi":"","title":"Mid-century fashion and advertising photography","year":2014,"lang":"en","type":"book","venue":"Thames & Hudson eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Griffin; Art history; Art; Taste; Clothing; Performance art; George (robot); Hollywood; Shot (pellet); Visual arts; Advertising; History; Media studies; Sociology; Psychology; Classics","score_opus":0.022028538255981476,"score_gpt":0.21961390295062966,"score_spread":0.19758536469464819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W583748803","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001414379,0.0015485345,0.000045850928,0.00003450966,0.0011038696,0.0003611059,0.00012121915,0.0002437076,0.99512684],"genre_scores_gemma":[0.0668449,0.00019903087,0.00003425337,0.0013320378,0.0023223741,0.00001973942,0.00011085231,0.00012607744,0.92901075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821216,0.000058243346,0.00038848905,0.0004961636,0.00030925646,0.0005357164],"domain_scores_gemma":[0.9989384,0.00008504763,0.00025150515,0.00044515432,0.00008503059,0.0001948744],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00014142701,0.0005129483,0.0005803283,0.00025322972,0.00047070888,0.00024857896,0.00022084221,0.0002739801,0.0005030329],"category_scores_gemma":[0.0000069854,0.0004782658,0.0002723781,5.3141747e-7,0.00083526236,0.00008327478,0.0001266154,0.0004598495,0.00009910855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066799235,0.000052965326,0.000057278055,0.0009101234,0.00044556914,0.00004280994,0.27463606,3.0610306e-7,0.000102179096,0.5038547,0.14322092,0.07661032],"study_design_scores_gemma":[0.00035503213,0.000106634376,0.000015674479,0.00034442608,0.00016979132,0.000007925831,0.0006782917,0.000010513099,0.000050414616,0.02272562,0.9749686,0.0005670538],"about_ca_topic_score_codex":0.00016172502,"about_ca_topic_score_gemma":0.0026739356,"teacher_disagreement_score":0.8317477,"about_ca_system_score_codex":0.000057292644,"about_ca_system_score_gemma":0.00011700457,"threshold_uncertainty_score":0.9997669},"labels":[],"label_agreement":null},{"id":"W584312691","doi":"","title":"Sankofa : recovering Montreal's heterogeneous black print serials","year":2006,"lang":"en","type":"book","venue":"UMI eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Art history","score_opus":0.03725170989599569,"score_gpt":0.22153155838709226,"score_spread":0.18427984849109658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W584312691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006092544,0.00016104299,0.000027812164,0.000024172416,0.0011835936,0.00048903836,0.00050424243,0.00025938847,0.9967415],"genre_scores_gemma":[0.008694319,0.000019029705,0.00003012638,0.00054122164,0.0059977304,0.000032640837,0.00022815862,0.00016238511,0.9842944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980085,0.000042873136,0.00057964143,0.0005049256,0.0002770023,0.00058704294],"domain_scores_gemma":[0.99879336,0.000058793245,0.00030081806,0.00059892144,0.00010486163,0.0001432669],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011528924,0.0005284609,0.0006440807,0.00013087528,0.00031006493,0.00029842896,0.0002944241,0.00028589726,0.0009659885],"category_scores_gemma":[0.000009155417,0.0005147687,0.00034707418,2.3982594e-7,0.00044537487,0.000052562,0.00016122448,0.00031251227,0.0005498704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082080725,0.00010036929,0.0000032858466,0.00082508207,0.0006876526,0.0004084766,0.1291353,0.00018554312,0.00007652181,0.16058512,0.6885607,0.019349866],"study_design_scores_gemma":[0.00024082039,0.00007479653,0.0000030987212,0.00015817846,0.000111943904,0.000010240336,0.0000516357,0.000024422281,0.00020531616,0.051869266,0.9466972,0.0005531098],"about_ca_topic_score_codex":0.0022404627,"about_ca_topic_score_gemma":0.039045483,"teacher_disagreement_score":0.25813648,"about_ca_system_score_codex":0.0002525728,"about_ca_system_score_gemma":0.00024437977,"threshold_uncertainty_score":0.99994725},"labels":[],"label_agreement":null},{"id":"W584737609","doi":"","title":"Recent collages. John A. Schweitzer, The Arcadian Suite, Galerie Chritiane Chassay, Montréal. June 17 - July 22 2000John A. Schweitzer, The Arcadian Suite, Galerie Chritiane Chassay, Montréal. June 17 - July 22 2000","year":2001,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Suite; Art; Art history; Visual arts; Archaeology; History","score_opus":0.029020201930429833,"score_gpt":0.2372151662517981,"score_spread":0.20819496432136825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W584737609","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043988787,0.13204823,0.00014276309,0.063272335,0.009481336,0.0049411044,0.004128735,0.0013469994,0.7802396],"genre_scores_gemma":[0.12818673,0.06013386,0.00017890998,0.021216901,0.012105891,0.00092810596,0.001112531,0.0006419547,0.7754951],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9896371,0.0007155389,0.0020271656,0.0018616943,0.0019065278,0.0038520244],"domain_scores_gemma":[0.9927594,0.00068176095,0.00084130594,0.0033615006,0.0008400888,0.0015159353],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0018323115,0.0018276918,0.0016895646,0.00069114415,0.004644484,0.0019640825,0.0024613496,0.0006842541,0.02799066],"category_scores_gemma":[0.0003550188,0.001414912,0.00085708045,0.0002220913,0.0029861946,0.0012215889,0.00042365034,0.00230277,0.003391433],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002488519,0.00096864067,0.00010304024,0.00009946803,0.00040883452,0.0006722386,0.01837072,0.00013001193,0.00010770938,0.007900423,0.9608321,0.010157943],"study_design_scores_gemma":[0.0028576269,0.0004746728,0.0013374451,0.00033050164,0.00031871372,0.0002705124,0.0029852872,0.00038552165,0.0001625545,0.0020297114,0.98702055,0.0018269037],"about_ca_topic_score_codex":0.024232063,"about_ca_topic_score_gemma":0.20097244,"teacher_disagreement_score":0.17674036,"about_ca_system_score_codex":0.00058864575,"about_ca_system_score_gemma":0.0010085416,"threshold_uncertainty_score":0.999999},"labels":[],"label_agreement":null},{"id":"W585762847","doi":"","title":"Upturned Starry Sky : Solo Exhibition, Contact Gallery, Toronto","year":2012,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sky; Visual arts; Art; Geography; Meteorology","score_opus":0.053503307032658626,"score_gpt":0.26216381227273905,"score_spread":0.20866050524008042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W585762847","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023711002,0.0005750498,0.0002958541,0.0004584937,0.0011710847,0.00015448267,0.000040112365,0.00020495203,0.97338897],"genre_scores_gemma":[0.82116413,0.00003773322,0.000066524,0.002549629,0.0022562742,0.00001291599,0.0000335069,0.000020937054,0.17385834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894273,0.00003197986,0.00021935106,0.00014110783,0.00015546239,0.0005093807],"domain_scores_gemma":[0.99940485,0.000040100316,0.000051382693,0.00021851197,0.00008647177,0.00019871166],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013748294,0.0001571288,0.00016930749,0.00002092826,0.00030636098,0.00009908238,0.000097208314,0.00005092246,0.035002597],"category_scores_gemma":[0.000012702595,0.0001267172,0.00009308907,5.1898894e-7,0.00010677285,0.00075425697,0.000040746716,0.000071726405,0.0005779978],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015176515,0.00015831328,0.00033911303,0.000017021075,0.000047494053,0.0000014585576,0.16285436,1.482112e-7,0.00009000882,0.65111816,0.18488348,0.00047528808],"study_design_scores_gemma":[0.00032982498,0.00006672557,0.0010207164,0.0000091716565,0.00002209225,0.0000025587503,0.011608156,0.000016464895,0.00026104518,0.0033023602,0.98313206,0.00022883163],"about_ca_topic_score_codex":0.0075501227,"about_ca_topic_score_gemma":0.07065731,"teacher_disagreement_score":0.7995306,"about_ca_system_score_codex":0.00009548388,"about_ca_system_score_gemma":0.000032549644,"threshold_uncertainty_score":0.99905866},"labels":[],"label_agreement":null},{"id":"W592832783","doi":"","title":"The “Dance of Life”. Eva Brandi, Montreal Telegraph. May 31 - June 11 2000Eva Brandi, Montreal Telegraph. May 31 - June 11 2000","year":2001,"lang":"en","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.023205571366973238,"score_gpt":0.23934899149053088,"score_spread":0.21614342012355764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W592832783","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41229853,0.0134513285,0.00012959812,0.009438511,0.005108484,0.0015849018,0.0011756452,0.0005367389,0.55627626],"genre_scores_gemma":[0.5885672,0.001929718,0.000043073767,0.0011186231,0.0018728798,0.000058512807,0.000082809245,0.00008437995,0.40624282],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962019,0.0001704604,0.0009786983,0.0006539919,0.0006829658,0.0013120129],"domain_scores_gemma":[0.9975759,0.00036523285,0.00039776793,0.0009872507,0.00024919736,0.00042466953],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048934296,0.0006332149,0.0008188017,0.00027430264,0.0012403814,0.0002996125,0.0007249394,0.00022416568,0.0017573524],"category_scores_gemma":[0.00008143984,0.00046614927,0.00053596427,0.000048938873,0.001479829,0.00046527627,0.00010974491,0.00043739556,0.00023268272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056832423,0.0006538718,0.0056055095,0.000109680564,0.0004025326,0.00009871818,0.05795756,0.000045042987,0.000065619,0.04084031,0.88908976,0.0045630885],"study_design_scores_gemma":[0.0023813604,0.00012046797,0.008311072,0.00008464838,0.00016866394,0.000022707009,0.0017926587,0.00017679819,0.00014980457,0.0072677615,0.9789157,0.000608352],"about_ca_topic_score_codex":0.04405416,"about_ca_topic_score_gemma":0.43015066,"teacher_disagreement_score":0.38609648,"about_ca_system_score_codex":0.00007698039,"about_ca_system_score_gemma":0.00031892015,"threshold_uncertainty_score":0.99977905},"labels":[],"label_agreement":null},{"id":"W595750785","doi":"","title":"Du détail dans la peinture. Christiane Ainsley, Après. Galerie Trois Points, Montréal. 30 mars - 27 avril 2002Christiane Ainsley, Après. Galerie Trois Points, Montréal. 30 mars - 27 avril 2002","year":2003,"lang":"fr","type":"article","venue":"ETC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mars Exploration Program; Physics; Astronomy","score_opus":0.019989118230885197,"score_gpt":0.21192486457329635,"score_spread":0.19193574634241115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W595750785","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015831126,0.2806398,0.003627838,0.017391263,0.016857147,0.0030697593,0.008436582,0.0013129376,0.6528335],"genre_scores_gemma":[0.0681745,0.047449317,0.0020195723,0.009118055,0.008353595,0.00029862986,0.0010731544,0.0011466406,0.86236656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9859737,0.0017167267,0.0030488903,0.002777754,0.0020206412,0.0044622645],"domain_scores_gemma":[0.99199617,0.0007468769,0.0012961876,0.0029198914,0.0008633116,0.0021775921],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0019121857,0.00295462,0.0028653927,0.00068348914,0.0026739386,0.0014739091,0.0016196923,0.0015174627,0.094353616],"category_scores_gemma":[0.00095746474,0.0031595512,0.0016337229,0.00012589307,0.004132567,0.0013647182,0.0005494584,0.0026499876,0.009797773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025876876,0.0017127966,0.00083426223,0.0007097695,0.0009756562,0.0022950433,0.029573446,0.0002439546,0.000082276,0.07027947,0.89053214,0.0025024256],"study_design_scores_gemma":[0.00494506,0.00071544544,0.0017307454,0.0006136533,0.0011314151,0.00062154443,0.009584944,0.0009026348,0.00022098223,0.008129052,0.96804523,0.0033593157],"about_ca_topic_score_codex":0.07675368,"about_ca_topic_score_gemma":0.05200766,"teacher_disagreement_score":0.23319049,"about_ca_system_score_codex":0.001183559,"about_ca_system_score_gemma":0.0008912379,"threshold_uncertainty_score":0.99977875},"labels":[],"label_agreement":null},{"id":"W60511183","doi":"","title":"Chicago in Class, sculptures and installations by Judy Chicago","year":2008,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Class (philosophy); Art; Visual arts; Computer science; Artificial intelligence","score_opus":0.0244191474514215,"score_gpt":0.229632280070435,"score_spread":0.20521313261901353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W60511183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43423402,0.005178758,0.00013959191,0.021100609,0.0007751421,0.00078303664,0.0004081877,0.0003821856,0.53699845],"genre_scores_gemma":[0.9229735,0.0002731193,0.00007110815,0.00191737,0.00050595484,0.00001697537,0.000070830174,0.000031754305,0.0741394],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880385,0.000064734675,0.00020772195,0.00032168307,0.0002192352,0.00038275417],"domain_scores_gemma":[0.9994385,0.000036750527,0.00006420565,0.00026214565,0.000053059626,0.00014529988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000083277984,0.00022828655,0.00024799435,0.00011954956,0.0005578487,0.00009608143,0.00013370342,0.00013439244,0.0004172326],"category_scores_gemma":[0.000042534455,0.00019458882,0.00007679813,0.00000899017,0.0004938131,0.00027641028,0.0000630203,0.00039011182,0.000047338668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003437384,0.00025024096,0.0035226408,0.000057201032,0.00006540403,0.000049901002,0.49191862,0.00005326229,0.00033516917,0.24013016,0.26321667,0.00036634767],"study_design_scores_gemma":[0.0005635479,0.000043413653,0.0058585964,0.000026970627,0.000016135471,0.000018513228,0.0028333066,0.0001265064,0.000061085324,0.0013199615,0.9888522,0.00027975615],"about_ca_topic_score_codex":0.0005523614,"about_ca_topic_score_gemma":0.03420546,"teacher_disagreement_score":0.7256355,"about_ca_system_score_codex":0.00003859873,"about_ca_system_score_gemma":0.00005370554,"threshold_uncertainty_score":0.98341775},"labels":[],"label_agreement":null},{"id":"W605758437","doi":"","title":"Prospect 13: The Encounter by Suzanne Caines. MSVU Art Gallery, October 25, 2008 - December 14, 2008MSVU Art Gallery, October 25, 2008 - December 14, 2008","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art gallery; Visual arts; Art; Exhibition","score_opus":0.029645881409277174,"score_gpt":0.2513658528548153,"score_spread":0.2217199714455381,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W605758437","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034510218,0.007178974,0.00038820266,0.0075014755,0.0033745223,0.002396965,0.00078151654,0.00076429377,0.94310385],"genre_scores_gemma":[0.30511782,0.0032301664,0.0002043943,0.014563556,0.003478566,0.00023836723,0.00055029045,0.0002795476,0.6723373],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99347425,0.00021970866,0.0013708834,0.0013162711,0.0012338662,0.0023850026],"domain_scores_gemma":[0.9964319,0.00023936755,0.00045537335,0.0015502734,0.00071327307,0.0006098186],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00063714304,0.0012869562,0.0011097591,0.00029949582,0.001976769,0.0009190756,0.00086996274,0.00040420654,0.014912194],"category_scores_gemma":[0.00015038243,0.0009770925,0.0006179576,0.00006106968,0.0017055088,0.001190679,0.00023318219,0.0008693681,0.006207731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008486848,0.0006913731,0.0006002966,0.000047539485,0.00022361944,0.00013981096,0.01731611,0.000032458258,0.000115166484,0.002293157,0.9773353,0.0011203289],"study_design_scores_gemma":[0.0014111444,0.00032064316,0.0011575485,0.00020289847,0.00018307613,0.00019894619,0.00048909086,0.00016670175,0.00039995357,0.0047489656,0.989381,0.0013399968],"about_ca_topic_score_codex":0.00096831203,"about_ca_topic_score_gemma":0.057820544,"teacher_disagreement_score":0.27076653,"about_ca_system_score_codex":0.00026837908,"about_ca_system_score_gemma":0.00030092898,"threshold_uncertainty_score":0.9999882},"labels":[],"label_agreement":null},{"id":"W606357409","doi":"","title":"Picasso, érotique : Galerie nationale du Jeu de Paume, Paris 19 février - 20 mai 2001. Musée des Beaux-Arts, Montréal 14 juin - 16 septembre 2001. Museu Picasso, Barcelone 15 octobre 2001 - 27 janvier 2002","year":2001,"lang":"fr","type":"book","venue":"Réunion des musées nationaux eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"PICASSO; Art; The arts; Humanities; Visual arts; Painting","score_opus":0.04886233717580029,"score_gpt":0.25491068637842534,"score_spread":0.20604834920262505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W606357409","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026214917,0.013178428,0.0037143114,0.002855999,0.0023486025,0.0028072488,0.0057144617,0.0004592125,0.96630025],"genre_scores_gemma":[0.0060109776,0.010369411,0.0037433463,0.0048977216,0.007903807,0.0006526111,0.0054103504,0.00063459127,0.96037716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9875082,0.0012196638,0.0029042773,0.0021772482,0.0024386412,0.0037520202],"domain_scores_gemma":[0.99008954,0.001639516,0.0016532575,0.0015068587,0.003019529,0.0020912802],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.002232854,0.0025037434,0.0021136343,0.0015546617,0.0049327053,0.0011976166,0.0013814323,0.002116781,0.061269756],"category_scores_gemma":[0.00094435987,0.002738848,0.0013185688,0.00006662832,0.0050934306,0.0013077997,0.0006436826,0.002274482,0.0024609214],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018248205,0.0009334402,0.0013236107,0.0006607534,0.0010358408,0.0003537048,0.01438489,0.000381228,0.000051132592,0.15613884,0.81910646,0.005447629],"study_design_scores_gemma":[0.0027542503,0.00032530105,0.0021327508,0.0010350891,0.00075553975,0.00043847988,0.0015247784,0.0012736861,0.00006751953,0.050993223,0.9359998,0.0026995442],"about_ca_topic_score_codex":0.010783094,"about_ca_topic_score_gemma":0.1958821,"teacher_disagreement_score":0.185099,"about_ca_system_score_codex":0.004812038,"about_ca_system_score_gemma":0.0039410437,"threshold_uncertainty_score":0.99983925},"labels":[],"label_agreement":null},{"id":"W607688612","doi":"","title":"The Sweetest Little Thing. Owens Art Gallery, 14 February 2009Owens Art Gallery, 14 February 2009","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art gallery; Art history; Art; Media arts; Visual arts; Exhibition","score_opus":0.03903501570387716,"score_gpt":0.25261845013708434,"score_spread":0.21358343443320718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W607688612","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018741835,0.0031556368,0.00018616256,0.011106818,0.0025125975,0.00071839296,0.00017736109,0.0006488861,0.9627523],"genre_scores_gemma":[0.6619159,0.0017142865,0.00022368287,0.010337233,0.0036185773,0.00004504013,0.00017374713,0.00011642918,0.3218551],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656326,0.00013199549,0.00072278886,0.00063421397,0.000584383,0.0013633791],"domain_scores_gemma":[0.9978562,0.00026606355,0.00024540306,0.00096973183,0.0002573913,0.0004052116],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00055976276,0.0005798942,0.000517451,0.00015922502,0.0023357857,0.00082714704,0.0005733132,0.0001701756,0.0017609389],"category_scores_gemma":[0.00014305481,0.00044380384,0.00037625042,0.000017842445,0.000932488,0.0006133584,0.00013579993,0.00053429755,0.004134944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044843255,0.00030362443,0.0002378972,0.000030724168,0.00009439648,0.000082477854,0.027978769,0.00002675656,0.000063921856,0.021568011,0.9433978,0.00617073],"study_design_scores_gemma":[0.00046530756,0.00034721947,0.008507212,0.00012805274,0.00007004553,0.00004106079,0.0011124621,0.00018616844,0.000102573715,0.027621392,0.96080285,0.0006156259],"about_ca_topic_score_codex":0.00048178434,"about_ca_topic_score_gemma":0.018040195,"teacher_disagreement_score":0.6431741,"about_ca_system_score_codex":0.00010536496,"about_ca_system_score_gemma":0.00014625798,"threshold_uncertainty_score":0.999878},"labels":[],"label_agreement":null},{"id":"W609349941","doi":"","title":"Oeuvres de Michael Snow : Solo snow = Works of Michael Snow : Solo snow","year":2011,"lang":"fr","type":"book","venue":"Medical Entomology and Zoology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Snow; Art; Sculpture; Exhibition; Painting; Art history; Performance art; Visual arts; Framing (construction); History; Geography; Archaeology; Meteorology","score_opus":0.03336696109035975,"score_gpt":0.262701453407971,"score_spread":0.22933449231761127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W609349941","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058029994,0.06148797,0.017848942,0.03582297,0.028954787,0.0023003628,0.0013842044,0.0005472224,0.79362357],"genre_scores_gemma":[0.21476802,0.021917272,0.00078849646,0.025566418,0.008453797,0.00020707704,0.0011900779,0.00030681092,0.72680205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99254316,0.0011866898,0.001783734,0.0013983459,0.00059031945,0.0024977669],"domain_scores_gemma":[0.99401987,0.0026508837,0.0008732182,0.0008831779,0.0003483222,0.001224526],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0014950276,0.0012253606,0.002598192,0.0005959494,0.00087757123,0.000053260894,0.0012152168,0.004980355,0.01829038],"category_scores_gemma":[0.0017449742,0.00114383,0.0006143327,0.000014808649,0.019644987,0.00018354486,0.00089604454,0.003025356,0.00035998068],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059279404,0.0011534455,0.0030414122,0.0007432698,0.0016158639,0.0016347651,0.065522045,0.0000016880285,0.0000140636575,0.83629704,0.052778546,0.036605094],"study_design_scores_gemma":[0.0040039592,0.0026880975,0.0015324369,0.0024263521,0.001577373,0.0023188242,0.002919919,0.0009952686,0.00025985672,0.29697362,0.6824508,0.0018535601],"about_ca_topic_score_codex":0.011245009,"about_ca_topic_score_gemma":0.05244375,"teacher_disagreement_score":0.62967217,"about_ca_system_score_codex":0.00024069873,"about_ca_system_score_gemma":0.0011952807,"threshold_uncertainty_score":0.99927473},"labels":[],"label_agreement":null},{"id":"W610879667","doi":"10.21991/c9rh33","title":"CLASS ROOMS, COURT ROOMS, WAR ROOMS, CELLS: MADAM JUSTICE LOUISE ARBOUR, CANADA’S NEWEST COURT JUSTICE","year":2011,"lang":"en","type":"article","venue":"Constitutional Forum / Forum constitutionnel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Madam; Economic Justice; Law; Class (philosophy); Art; Political science; Computer science; Artificial intelligence","score_opus":0.0439238115492658,"score_gpt":0.231895329779609,"score_spread":0.1879715182303432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W610879667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027120954,0.0037070082,0.041967288,0.011395343,0.02767237,0.0018014332,0.0072924234,0.00089104613,0.902561],"genre_scores_gemma":[0.9710408,0.0003241122,0.001025291,0.009859059,0.002210568,0.00012311788,0.0007032483,0.000074030286,0.014639782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993723,0.00014277302,0.0014377384,0.0011790743,0.0012625962,0.0022548463],"domain_scores_gemma":[0.9959336,0.00032451912,0.00055577286,0.0009867331,0.0011545888,0.0010447815],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00047977167,0.0010528704,0.00090420333,0.00035606913,0.0047937054,0.00027180297,0.0010086437,0.00040280636,0.0023791515],"category_scores_gemma":[0.00034254367,0.0010589834,0.00040200245,0.000041960382,0.009195701,0.0012563412,0.00037835064,0.00097385334,0.00084051053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011282106,0.00026938348,0.00039936954,0.00016087883,0.00021500344,0.00021069638,0.0022929362,0.00062044186,0.000040705407,0.73122203,0.26430675,0.00014899427],"study_design_scores_gemma":[0.0018816611,0.00012894956,0.00016109798,0.00024663354,0.0012100303,0.0002990654,0.01419279,0.0025903136,0.00025803063,0.012689375,0.96490943,0.0014326277],"about_ca_topic_score_codex":0.15215977,"about_ca_topic_score_gemma":0.7300729,"teacher_disagreement_score":0.9683287,"about_ca_system_score_codex":0.0010777897,"about_ca_system_score_gemma":0.009770733,"threshold_uncertainty_score":0.9999375},"labels":[],"label_agreement":null},{"id":"W614164175","doi":"","title":"Scott Chandler, Fordlândia, Galerie Les Territoires, Montreal, September 1 to 20 September 2011Scott Chandler, Fordlândia, Galerie Les Territoires, Montreal, September 1 to 20 September 2011","year":2012,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Geography","score_opus":0.038023646980132296,"score_gpt":0.25254264503061413,"score_spread":0.21451899805048183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W614164175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011942935,0.007749172,0.00080576557,0.00023023716,0.0042725243,0.0037305485,0.004839631,0.0009667658,0.96546245],"genre_scores_gemma":[0.0166419,0.00028172878,0.0017335173,0.016388213,0.008540431,0.0019318446,0.002455501,0.00066266913,0.9513642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888169,0.00049155,0.0021152673,0.002415871,0.0015560134,0.00460439],"domain_scores_gemma":[0.9925478,0.00027420156,0.00080665736,0.0025068624,0.0008434024,0.0030210689],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009158825,0.002574396,0.002406728,0.00068916223,0.002658727,0.0012190867,0.0015757742,0.0013990541,0.2918945],"category_scores_gemma":[0.000112560294,0.0023384073,0.0011359336,0.00012849577,0.0008668096,0.0025987749,0.00093691604,0.0015620722,0.0089311795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026040204,0.001229666,0.0027237518,0.0004016786,0.00076639786,0.00006865324,0.013334576,0.00020600593,0.001200883,0.001657969,0.97725093,0.0008990884],"study_design_scores_gemma":[0.0025819475,0.00051875226,0.0009178094,0.0006522447,0.00066444266,0.00010077468,0.002725719,0.00029129616,0.0017544634,0.0006530289,0.9860814,0.0030581146],"about_ca_topic_score_codex":0.018774565,"about_ca_topic_score_gemma":0.055947535,"teacher_disagreement_score":0.2829633,"about_ca_system_score_codex":0.00067464565,"about_ca_system_score_gemma":0.0004949874,"threshold_uncertainty_score":0.99989736},"labels":[],"label_agreement":null},{"id":"W616719111","doi":"","title":"Sculpturesite & San Francisco : Celebrating Contemporary Sculpture, Public Art and Public Art Preservation","year":2005,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Public art; Art; Visual arts; Art history; History; Aesthetics","score_opus":0.04945744951620126,"score_gpt":0.24201399780207436,"score_spread":0.1925565482858731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W616719111","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051990427,0.0076464396,0.0021042135,0.08072011,0.0015117154,0.0016862634,0.00029755087,0.001166945,0.8528763],"genre_scores_gemma":[0.83637744,0.000046233512,0.000578504,0.007843561,0.0032536262,0.00006147141,0.00042542882,0.00008866446,0.15132508],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969848,0.00020193502,0.000535867,0.00071972195,0.0006446911,0.00091299874],"domain_scores_gemma":[0.99808556,0.00010481072,0.00028582654,0.00066893705,0.0003750297,0.00047982755],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004935742,0.0005380255,0.00050639565,0.0002929031,0.0011222907,0.0013422177,0.0003858472,0.0002920285,0.0017381527],"category_scores_gemma":[0.00031868578,0.00046219886,0.0001963641,0.000028604163,0.00048704023,0.0029679814,0.00018843907,0.0007136217,0.0004260746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034400142,0.00022621902,0.0032615054,0.00013323213,0.00019339289,0.00001464639,0.10004687,0.000040146995,0.00023887304,0.27952665,0.6141829,0.002101196],"study_design_scores_gemma":[0.0008461091,0.00008509978,0.0017776407,0.00007671793,0.00003512649,0.000010517938,0.0036504923,0.0011715898,0.000080952945,0.0012466884,0.9904379,0.0005811114],"about_ca_topic_score_codex":0.000116088886,"about_ca_topic_score_gemma":0.021409381,"teacher_disagreement_score":0.784387,"about_ca_system_score_codex":0.00008735283,"about_ca_system_score_gemma":0.00021857081,"threshold_uncertainty_score":0.999783},"labels":[],"label_agreement":null},{"id":"W617787401","doi":"","title":"The Chuck Davis History of Metropolitan Vancouver","year":2011,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metropolitan area; History; Art history; Archaeology","score_opus":0.0659282399603578,"score_gpt":0.22002030539042913,"score_spread":0.1540920654300713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W617787401","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[6.538247e-7,0.0026693663,0.000016402892,0.000021505532,0.0044102967,0.0001303878,0.00008473739,0.000057014462,0.9926096],"genre_scores_gemma":[0.00049437745,0.00020500635,0.000019095765,0.0005522418,0.0016204184,0.000007831569,0.000022722907,0.000055791115,0.9970225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891967,0.000024572024,0.000348096,0.00018948733,0.00022382583,0.00029436953],"domain_scores_gemma":[0.99891883,0.00009177902,0.0002294741,0.00051653304,0.00016776612,0.00007559822],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011275307,0.00023679652,0.00032785,0.00007793756,0.00017831186,0.0000195877,0.000340453,0.000118773954,0.01276099],"category_scores_gemma":[0.000012932033,0.00015003305,0.00024154184,2.5373885e-7,0.0013479622,0.00007388756,0.00007857497,0.00022190395,0.00022484452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002493629,0.000009045694,2.2652678e-7,0.000021591111,0.000050732695,6.889326e-7,0.015199708,3.021911e-9,8.254708e-8,0.47963646,0.5048717,0.00020720888],"study_design_scores_gemma":[0.00007679581,0.000054785167,6.523908e-7,0.000020371821,0.00008493619,2.4216976e-7,0.0012971684,0.0000015826053,0.0000030273645,0.08709873,0.91117865,0.00018304274],"about_ca_topic_score_codex":0.004726428,"about_ca_topic_score_gemma":0.12956047,"teacher_disagreement_score":0.40630692,"about_ca_system_score_codex":0.0011171136,"about_ca_system_score_gemma":0.00058604457,"threshold_uncertainty_score":0.9881415},"labels":[],"label_agreement":null},{"id":"W63529284","doi":"","title":"Mona Lisa Was a Feminist","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.06273842735816333,"score_gpt":0.26061612831476166,"score_spread":0.19787770095659835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W63529284","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24448356,0.0013005795,7.8599334e-7,0.001285759,0.0009697912,0.00015433933,0.00017835235,0.000087354565,0.75153947],"genre_scores_gemma":[0.7859364,0.00016691073,0.0000062687577,0.006313875,0.0010096468,0.000063135645,0.000007788209,0.00002207463,0.20647387],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987084,0.00001761921,0.00017917073,0.00021314376,0.000116059,0.0007655714],"domain_scores_gemma":[0.999182,0.000048299255,0.000039021063,0.00020782207,0.000101010926,0.00042188985],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000088678185,0.00018263479,0.0002506278,0.00013873706,0.0009448325,0.000109680666,0.00014332723,0.000032877626,0.0016460739],"category_scores_gemma":[0.00005362053,0.00016747061,0.000055621076,0.0000042822553,0.00054625655,0.000092367125,0.000039057708,0.00009765519,0.0003619439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006485638,0.000023151704,0.00067268143,0.000032976088,0.00023578371,0.00014938231,0.7010235,0.0000011403738,0.0000014030659,0.20577256,0.09144796,0.00063295965],"study_design_scores_gemma":[0.00013945301,0.000050914114,0.000047499376,0.000013285176,0.0000143558045,0.0000049591717,0.1650388,0.000004544797,0.0000024868027,0.011537632,0.82295895,0.00018715125],"about_ca_topic_score_codex":0.01304112,"about_ca_topic_score_gemma":0.6179705,"teacher_disagreement_score":0.73151094,"about_ca_system_score_codex":0.00046352076,"about_ca_system_score_gemma":0.00018991582,"threshold_uncertainty_score":0.99926656},"labels":[],"label_agreement":null},{"id":"W64133700","doi":"","title":"De quelques questions (et réponses !) sur la radicalité / A Few Questions (and Answers!) on Radicalness. Espace Sculpture, no. 99, 2012","year":2012,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; ESPACE; Humanities; Art; Visual arts","score_opus":0.02126826924328165,"score_gpt":0.27472505098774797,"score_spread":0.2534567817444663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W64133700","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01613334,0.3292251,0.0076253144,0.22413298,0.012188169,0.0025303182,0.0040362496,0.0017326033,0.4023959],"genre_scores_gemma":[0.31551322,0.010973615,0.0016650914,0.014635443,0.0074842824,0.0001552416,0.00017968247,0.00026104765,0.6491324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99457985,0.001663775,0.0005591668,0.00074378273,0.00063846464,0.0018149867],"domain_scores_gemma":[0.99609876,0.0009868948,0.00026976402,0.00083546067,0.00036396587,0.0014451455],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001305495,0.0009312139,0.0008204326,0.0003125914,0.001600384,0.00089621195,0.00038122438,0.0009148486,0.0014822413],"category_scores_gemma":[0.001099421,0.0008566452,0.00045797415,0.000037005655,0.0024706942,0.0015380405,0.00018102811,0.0017276143,0.0006363378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010204684,0.00079028413,0.0005314145,0.00028731863,0.00023306049,0.000037486232,0.075101614,0.00004964906,0.000027009817,0.7227898,0.1992383,0.0008119748],"study_design_scores_gemma":[0.00088470883,0.00024744053,0.005150005,0.0010828017,0.00048967416,0.00016238133,0.0023904357,0.00018584573,0.000047449495,0.0040137633,0.98431134,0.0010341778],"about_ca_topic_score_codex":0.0059161973,"about_ca_topic_score_gemma":0.010074052,"teacher_disagreement_score":0.78507304,"about_ca_system_score_codex":0.00031784683,"about_ca_system_score_gemma":0.0006229418,"threshold_uncertainty_score":0.9996994},"labels":[],"label_agreement":null},{"id":"W642200454","doi":"","title":"The social and the real : political art of the 1930s in the western hemisphere","year":2006,"lang":"en","type":"book","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; Politics; Social realism; Ideology; Art; Context (archaeology); Aesthetics; Art criticism; Sculpture; Contemporary art; The arts; Art history; History; Visual arts; Political science; Performance art; Law","score_opus":0.034370547202532464,"score_gpt":0.2560594422126698,"score_spread":0.22168889501013733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W642200454","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027695572,0.00014508146,0.0000017852285,0.010030926,0.00022849477,0.00034413117,0.00009214882,0.000015271567,0.9888652],"genre_scores_gemma":[0.06433215,0.000042012784,6.1185267e-7,0.0032897685,0.002506773,0.000020014688,0.000016566863,0.00002423411,0.92976785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985726,0.00017418675,0.00035641307,0.00016298683,0.00033693927,0.0003968915],"domain_scores_gemma":[0.99879277,0.00062495586,0.0001295228,0.00036792117,0.000057821522,0.000027038644],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003847282,0.00022026195,0.0002856235,0.000012450704,0.0008832041,0.00020793258,0.0005253645,0.00013594903,0.00015933353],"category_scores_gemma":[0.000017142731,0.00007686647,0.00020464872,0.000001427397,0.003416235,0.000035512294,0.00014792461,0.0004602902,0.000018577794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010329463,0.000011952468,0.000029934823,0.000017199667,0.000020123854,7.370699e-7,0.025060153,4.882329e-8,3.4936427e-8,0.7122069,0.2625681,0.00007451481],"study_design_scores_gemma":[0.00033478005,0.000012115569,0.00029062797,0.000025609108,0.00006222741,0.0000027626268,0.0033918659,0.0000062383115,8.031079e-7,0.14168641,0.8540844,0.000102172045],"about_ca_topic_score_codex":0.004940974,"about_ca_topic_score_gemma":0.12799059,"teacher_disagreement_score":0.5915163,"about_ca_system_score_codex":0.000048273752,"about_ca_system_score_gemma":0.00019603827,"threshold_uncertainty_score":0.9992959},"labels":[],"label_agreement":null},{"id":"W650690093","doi":"","title":"Le commentaire d’art à l’école de l’oeuvre de Louise Robert. Louise Robert Galerie Simon Biais 5420, boul. Saint-Laurent, bureau 100 Montréal Du 26 janvier au 5 mars 2005 Louise Robert Galerie Simon Biais 5420, boul. Saint-Laurent, bureau 100 Montréal Du 26 janvier au 5 mars 2005","year":2005,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; SAINT; Art history; Van Dyke beard; Philosophy","score_opus":0.01979528081172232,"score_gpt":0.24753973407869778,"score_spread":0.22774445326697546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W650690093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14357987,0.3051749,0.006513354,0.14981341,0.01672693,0.013525529,0.008407789,0.0025582085,0.35370004],"genre_scores_gemma":[0.48381263,0.03503852,0.0025718852,0.016601324,0.019301219,0.0010801808,0.002581414,0.0021615645,0.43685126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98065424,0.0013664152,0.0039871414,0.003325449,0.0021165647,0.008550192],"domain_scores_gemma":[0.98913574,0.0007278226,0.0017075817,0.003192594,0.00087045535,0.004365779],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0020729057,0.0039669946,0.0034345482,0.0011631479,0.0059207506,0.001995552,0.0020870382,0.001991014,0.01939908],"category_scores_gemma":[0.00052404415,0.004265307,0.0023835793,0.0002260536,0.004294306,0.0029562484,0.0012735779,0.0025638393,0.0045390637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001434113,0.0065893847,0.018399432,0.00073536806,0.0016388133,0.0013942315,0.02528089,0.015438699,0.00021730589,0.02409277,0.85090965,0.05386935],"study_design_scores_gemma":[0.0065194806,0.00096874265,0.0027849611,0.0017564424,0.001703855,0.00030772274,0.0038004646,0.016033636,0.00051685766,0.003580112,0.9576011,0.004426668],"about_ca_topic_score_codex":0.33888242,"about_ca_topic_score_gemma":0.83248395,"teacher_disagreement_score":0.49360153,"about_ca_system_score_codex":0.0075889556,"about_ca_system_score_gemma":0.0022255352,"threshold_uncertainty_score":0.99973726},"labels":[],"label_agreement":null},{"id":"W651199021","doi":"","title":"Helmut Schmid : Gestaltung ist Haltung","year":2007,"lang":"de","type":"book","venue":"Birkhäuser eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.06146932575806945,"score_gpt":0.26735202062375824,"score_spread":0.20588269486568878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W651199021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004053389,0.0043870662,0.00018939577,0.00019559592,0.005394982,0.0012232312,0.0010150047,0.0005786708,0.9866107],"genre_scores_gemma":[0.019358624,0.00043301313,0.00013569009,0.004133316,0.016371753,0.000066932604,0.00059785385,0.00054288586,0.95835996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993064,0.0001689568,0.0016829293,0.0014878834,0.0012013348,0.0023948918],"domain_scores_gemma":[0.9956651,0.0003336984,0.0008040919,0.0016809384,0.00057116983,0.0009450567],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00072683895,0.0016834612,0.001536599,0.00075391895,0.002102787,0.001091398,0.0010761144,0.0011967606,0.004217508],"category_scores_gemma":[0.00006110246,0.001696018,0.0009783763,0.0000026418948,0.0025969197,0.0002376267,0.00056174677,0.0018476028,0.009104731],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015932234,0.0002139502,0.00006406207,0.0012337948,0.0010598949,0.00081416854,0.11253251,0.0000014499589,0.00006364405,0.7019451,0.17287368,0.009038429],"study_design_scores_gemma":[0.0009786659,0.00027851883,0.000056025576,0.0009542996,0.0006897306,0.00003476227,0.0012650511,0.000033675442,0.00025115983,0.018146478,0.97539186,0.0019197395],"about_ca_topic_score_codex":0.0015269987,"about_ca_topic_score_gemma":0.012827083,"teacher_disagreement_score":0.80251825,"about_ca_system_score_codex":0.0007069191,"about_ca_system_score_gemma":0.0014322251,"threshold_uncertainty_score":0.9999456},"labels":[],"label_agreement":null},{"id":"W6886064648","doi":"10.14288/1.0436891","title":"Final Project : Parallels between Pottery and My Identity as a Second-Generation Chinese Growing Up in Canada","year":2023,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Credibility; Parallels; Identity (music); Representation (politics); Cultural identity","score_opus":0.03990676323696695,"score_gpt":0.2144211664398365,"score_spread":0.17451440320286954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6886064648","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99644935,0.000037141737,0.000008888539,0.000117966,0.00019764926,0.00015421056,0.0003377659,0.000033224933,0.002663825],"genre_scores_gemma":[0.9899364,0.000035644516,0.000008784918,0.00012489464,0.00016415656,7.4299203e-7,0.000096108815,0.000008855352,0.009624422],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99923205,0.00004162982,0.0001136293,0.00022011226,0.00016763365,0.00022496293],"domain_scores_gemma":[0.9996971,0.000030518153,0.000058298054,0.00009862417,0.000054556418,0.000060924696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012145004,0.00004306846,0.00019344533,0.00006471331,0.00033201018,0.00014627317,0.00012366663,0.000034720648,0.00021082301],"category_scores_gemma":[0.000014653002,0.00012822499,0.000042110165,0.000017001877,0.00013846642,0.00080552255,0.000095115654,0.00007953547,0.000008914652],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023996789,0.00010740375,0.6159436,0.00068284734,0.00025419606,0.001401579,0.12222254,0.000032065695,0.0002611606,0.00036016805,0.08984099,0.16886945],"study_design_scores_gemma":[0.00053727627,0.000025669478,0.98797774,0.00004449812,0.00001644869,0.0000083645,0.0067287493,0.00021153569,3.2464453e-7,0.0012989264,0.0030012052,0.00014923315],"about_ca_topic_score_codex":0.99466765,"about_ca_topic_score_gemma":0.99994415,"teacher_disagreement_score":0.37203416,"about_ca_system_score_codex":0.0001142718,"about_ca_system_score_gemma":0.00036083529,"threshold_uncertainty_score":0.52288634},"labels":[],"label_agreement":null},{"id":"W6906627539","doi":"10.17613/bvrvy-7ac40","title":"Allyson Mitchell: Artist, Utopianist, Lesbian Feminist","year":2024,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Lesbian; Agency (philosophy); Order (exchange); Narrative","score_opus":0.05707045670639614,"score_gpt":0.25397368093525063,"score_spread":0.19690322422885448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6906627539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013019644,0.0010615195,0.00038808136,0.0011337093,0.0014130333,0.00016821745,0.00023836644,0.00059595774,0.98198146],"genre_scores_gemma":[0.56578386,0.0000030774665,0.000008219146,0.00002282227,0.0005708525,0.0000010251313,0.00003979502,0.0000298287,0.43354052],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985903,0.00009632997,0.00022171592,0.00043148443,0.00014363711,0.0005165645],"domain_scores_gemma":[0.9990009,0.00014795049,0.000042868967,0.00044041357,0.00011161201,0.00025626773],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011373971,0.0002867866,0.00028641734,0.0003956659,0.0007812427,0.00037167096,0.00045699868,0.0001126712,0.0013523928],"category_scores_gemma":[0.000014338049,0.00030961382,0.0002459864,0.000026821977,0.0009034293,0.0002996957,0.00019894859,0.00035953365,0.0018431541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013584271,0.00014415306,0.0004227439,0.00011337424,0.000088200904,0.00024648578,0.059560176,6.174066e-7,0.000027158267,0.8726713,0.063242055,0.0034701223],"study_design_scores_gemma":[0.00028118788,0.0000829825,0.00015952521,0.00013811847,0.00012007989,0.000013439149,0.0023416313,0.00016945052,0.000096515134,0.0019288413,0.99428725,0.00038099365],"about_ca_topic_score_codex":0.0006204035,"about_ca_topic_score_gemma":0.59989685,"teacher_disagreement_score":0.9310452,"about_ca_system_score_codex":0.00023053947,"about_ca_system_score_gemma":0.00023586635,"threshold_uncertainty_score":0.99993557},"labels":[],"label_agreement":null},{"id":"W6922987093","doi":"10.1371/journal.pone.0101395.t002","title":"Rainfall recorded at green roof site.","year":2015,"lang":"en","type":"dataset","venue":"Figshare","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Green roof; Roof; Hydrology (agriculture); Erosion","score_opus":0.1487184720935341,"score_gpt":0.28070228237032696,"score_spread":0.13198381027679287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6922987093","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[7.4253126e-7,0.00037862812,6.5340644e-9,0.00009312435,0.000443148,0.00023851165,0.9446901,0.00009336028,0.05406239],"genre_scores_gemma":[0.0000019911924,0.000009965687,0.0000015288664,0.0013905939,0.0034859593,0.00009213498,0.8004145,0.000039744536,0.19456357],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984892,0.00004590986,0.00029567085,0.0003790707,0.00032868315,0.00046145072],"domain_scores_gemma":[0.9985123,0.000077283585,0.00022474711,0.00068319665,0.00027085526,0.00023157468],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000050349518,0.00036850251,0.00039427314,0.00011103258,0.00029695476,0.000174631,0.00046890552,0.00026078042,0.759447],"category_scores_gemma":[0.0002898687,0.00034004982,0.00016714368,0.0000018626872,0.000038317194,0.00013652814,0.00044482245,0.00034319347,0.081820995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000768767,0.000024385166,1.8524102e-7,0.0003251366,0.00003866263,0.00003770215,0.0047494406,2.448634e-7,2.9753615e-8,0.000008838459,0.9946788,0.00012891935],"study_design_scores_gemma":[0.0002344313,0.000061282124,0.000001552103,0.00057107175,0.000043054813,0.0000053272347,0.000060374543,0.00000772633,7.322629e-7,0.00021935588,0.998337,0.0004581112],"about_ca_topic_score_codex":0.0040838136,"about_ca_topic_score_gemma":0.18721947,"teacher_disagreement_score":0.67762595,"about_ca_system_score_codex":0.00015463983,"about_ca_system_score_gemma":0.0001713255,"threshold_uncertainty_score":0.99990517},"labels":[],"label_agreement":null},{"id":"W6924650665","doi":"10.15468/dl.kw293r","title":"Occurrence Download","year":2025,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Set (abstract data type)","score_opus":0.02840426545341852,"score_gpt":0.22756210891423492,"score_spread":0.1991578434608164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924650665","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023648907,0.00002162918,0.0000029299345,0.00019764865,0.0014170763,0.00023425494,0.98588926,0.00010067522,0.012112856],"genre_scores_gemma":[0.000015262316,0.0000537336,3.392359e-7,0.00191335,0.000009747941,0.000003251538,0.99798024,9.11662e-9,0.000024086758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876916,0.000039910617,0.00036392806,0.00018518166,0.00032688768,0.00031493412],"domain_scores_gemma":[0.9988874,0.000019692621,0.00020778946,0.00045117203,0.00031380288,0.00012013337],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013001046,0.00026819675,0.00027020572,0.00009655878,0.00063437317,0.00031571236,0.00045267574,0.00020303433,0.0047621825],"category_scores_gemma":[0.000082587205,0.0002690124,0.00016803425,0.0000062639797,0.00043952552,0.00086580246,0.0002992186,0.00024809552,0.042798016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018150142,0.000031035615,0.000044934317,0.00022889941,0.000039077073,0.0000010009184,0.0025644957,0.0000012019258,1.04685e-9,0.000014952727,0.9964427,0.00061358104],"study_design_scores_gemma":[0.00022642562,0.000022463844,0.0000042630704,0.000005046649,0.000075606134,6.5028695e-7,0.00075105636,1.3654105e-7,4.1345234e-7,0.000010799815,0.99864274,0.00026041458],"about_ca_topic_score_codex":0.0041602636,"about_ca_topic_score_gemma":0.0013863146,"teacher_disagreement_score":0.038035836,"about_ca_system_score_codex":0.0002443842,"about_ca_system_score_gemma":0.00022183414,"threshold_uncertainty_score":0.9999762},"labels":[],"label_agreement":null},{"id":"W6924936262","doi":"10.15468/dl.w52r5u","title":"Occurrence Download","year":2025,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Matching (statistics); Range (aeronautics); Set (abstract data type); Identification (biology); Download","score_opus":0.02840426545341852,"score_gpt":0.22756210891423492,"score_spread":0.1991578434608164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924936262","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023648907,0.00002162918,0.0000029299345,0.00019764865,0.0014170763,0.00023425494,0.98588926,0.00010067522,0.012112856],"genre_scores_gemma":[0.000015262316,0.0000537336,3.392359e-7,0.00191335,0.000009747941,0.000003251538,0.99798024,9.11662e-9,0.000024086758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876916,0.000039910617,0.00036392806,0.00018518166,0.00032688768,0.00031493412],"domain_scores_gemma":[0.9988874,0.000019692621,0.00020778946,0.00045117203,0.00031380288,0.00012013337],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013001046,0.00026819675,0.00027020572,0.00009655878,0.00063437317,0.00031571236,0.00045267574,0.00020303433,0.0047621825],"category_scores_gemma":[0.000082587205,0.0002690124,0.00016803425,0.0000062639797,0.00043952552,0.00086580246,0.0002992186,0.00024809552,0.042798016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018150142,0.000031035615,0.000044934317,0.00022889941,0.000039077073,0.0000010009184,0.0025644957,0.0000012019258,1.04685e-9,0.000014952727,0.9964427,0.00061358104],"study_design_scores_gemma":[0.00022642562,0.000022463844,0.0000042630704,0.000005046649,0.000075606134,6.5028695e-7,0.00075105636,1.3654105e-7,4.1345234e-7,0.000010799815,0.99864274,0.00026041458],"about_ca_topic_score_codex":0.0041602636,"about_ca_topic_score_gemma":0.0013863146,"teacher_disagreement_score":0.038035836,"about_ca_system_score_codex":0.0002443842,"about_ca_system_score_gemma":0.00022183414,"threshold_uncertainty_score":0.9999762},"labels":[],"label_agreement":null},{"id":"W6925180411","doi":"10.17605/osf.io/fr5yn","title":"Relationship satisfaction as a moderator of stress and physical health outcomes during the transition to parenthood","year":2022,"lang":"en","type":"other","venue":"Open Science Framework","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Moderation; Stressor; Association (psychology); Feeling; Affect (linguistics); Interpersonal relationship; Partner effects; Stress (linguistics); Physical health","score_opus":0.05175977748190892,"score_gpt":0.34278760285126464,"score_spread":0.29102782536935573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6925180411","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22864896,0.00036597188,0.0014099397,0.013332661,0.0020765075,0.004116658,0.0019705575,0.00018371918,0.747895],"genre_scores_gemma":[0.9257565,0.000010619667,0.00025462016,0.0008530745,0.00025869213,0.00006576524,0.000008841441,0.000049424576,0.07274246],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888104,0.00007196128,0.00015485579,0.00029961483,0.00037436327,0.00021817363],"domain_scores_gemma":[0.99930084,0.0000887101,0.00014539101,0.00033828363,0.000026804091,0.00009999719],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002394398,0.00012653827,0.00023168449,0.00011510887,0.0011134944,0.0003414922,0.00041318696,0.000037959977,0.0015749487],"category_scores_gemma":[0.000078318124,0.00009253312,0.000037112855,0.000016035397,0.00044793572,0.0001931835,0.00018761535,0.00025745246,0.000014459727],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017328046,0.0001039895,0.006631545,0.0001433649,0.000027439099,0.0000010623401,0.50141627,0.00009833654,0.0000026375176,0.482159,0.007910297,0.0014887286],"study_design_scores_gemma":[0.0011876759,0.0009587403,0.16990827,0.0019079025,0.0001951762,0.000009378636,0.1178481,0.00055466796,0.0000829416,0.23257363,0.47292268,0.001850825],"about_ca_topic_score_codex":0.0050339247,"about_ca_topic_score_gemma":0.008614511,"teacher_disagreement_score":0.69710755,"about_ca_system_score_codex":0.0000755587,"about_ca_system_score_gemma":0.00018863493,"threshold_uncertainty_score":0.99933773},"labels":[],"label_agreement":null},{"id":"W6925851839","doi":"10.18712/nsd-nsd2421-2-v2","title":"Travel and Holiday Survey, 2016, 2nd quarter","year":2019,"lang":"en","type":"dataset","venue":"NSD – Norsk senter for forskningsdata","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); The Internet; Purchasing; Norwegian; Work (physics)","score_opus":0.09083382904228954,"score_gpt":0.2906821669602169,"score_spread":0.1998483379179274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6925851839","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024588668,0.00021094103,0.00027204546,0.00024027776,0.0029269971,0.00091733417,0.99373573,0.000046665125,0.0014041497],"genre_scores_gemma":[0.0008608988,0.00014674973,0.000051410745,0.0014347535,0.0021548416,0.00006820696,0.9364498,0.00010589062,0.058727443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99688077,0.00010592679,0.0007036169,0.0009824437,0.0003681512,0.00095906487],"domain_scores_gemma":[0.99747443,0.00031767055,0.00042313657,0.0013321458,0.00019938238,0.0002532401],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060578383,0.0007479585,0.0009205063,0.0002907808,0.0004910146,0.0006533455,0.00082700374,0.00037257833,0.0014858544],"category_scores_gemma":[0.000090704794,0.0006605644,0.00027269678,0.0000044030685,0.00048031946,0.0006576072,0.00037711996,0.0004959782,0.00061590405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007540976,0.00010159459,0.00006484542,0.00044433045,0.00020125248,0.000005781986,0.0059778495,1.4721195e-7,0.0000012458211,0.00046746517,0.9925454,0.00011465393],"study_design_scores_gemma":[0.0011188309,0.00030941653,0.00015690508,0.00018804987,0.00025180558,0.000015419282,0.0006435333,0.00005909416,0.0000061647934,0.0006542515,0.995781,0.0008155124],"about_ca_topic_score_codex":0.010453462,"about_ca_topic_score_gemma":0.046742067,"teacher_disagreement_score":0.057323296,"about_ca_system_score_codex":0.000053979857,"about_ca_system_score_gemma":0.000116563926,"threshold_uncertainty_score":0.99958456},"labels":[],"label_agreement":null},{"id":"W6926138165","doi":"10.25316/ir-13734","title":"The Nanaimo Free Press [Wednesday, September 9, 1891]","year":2019,"lang":"en","type":"other","venue":"VIURRSpace (Vancouver Island University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gloom; Public access; Ridiculous","score_opus":0.01883604821703807,"score_gpt":0.20425207840725867,"score_spread":0.1854160301902206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6926138165","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[5.0054297e-7,0.00064757606,0.00007513506,0.00020943466,0.008204541,0.00044042408,0.0007873403,0.00026089043,0.98937416],"genre_scores_gemma":[0.00016194269,0.00056779606,0.000013478025,0.00018710445,0.0016072381,0.0000017563455,0.0000029652554,0.0002909831,0.99716675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834585,0.0001030384,0.00014057005,0.0004726367,0.00034331414,0.0005945896],"domain_scores_gemma":[0.9983207,0.00011280766,0.00026138657,0.0010728062,0.0000963931,0.0001359048],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007820504,0.0004492815,0.00041569423,0.00024353385,0.00058985443,0.00018708724,0.0008957077,0.0002696225,0.0021493314],"category_scores_gemma":[0.000015080434,0.00034511738,0.00024993022,0.000008793804,0.0005613331,0.00016686793,0.0003457042,0.00037155955,0.00069934025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002284679,0.00003365693,7.050186e-7,0.00006782507,0.0002195947,0.0000394033,0.0068413396,0.000003865661,2.3425834e-7,0.044707786,0.9479578,0.000104914834],"study_design_scores_gemma":[0.00087842916,0.000050934508,3.64565e-7,0.00011341794,0.00017949968,9.678445e-7,0.0030864067,0.000025151057,0.0000026449284,0.00037585624,0.9947811,0.00050524774],"about_ca_topic_score_codex":0.006247556,"about_ca_topic_score_gemma":0.26913935,"teacher_disagreement_score":0.2628918,"about_ca_system_score_codex":0.00011773604,"about_ca_system_score_gemma":0.00014939303,"threshold_uncertainty_score":0.9999001},"labels":[],"label_agreement":null},{"id":"W6944437014","doi":"10.17613/j1c5-2y35","title":"I'm Not Myself at All: Women, Art, and Subjectivity in Canada","year":2019,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Reflexive pronoun; Identity (music); Subject (documents); Architecture","score_opus":0.034371834318347165,"score_gpt":0.2085343429519434,"score_spread":0.17416250863359622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6944437014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62238824,0.000049666618,0.0000020866175,0.00015085543,0.00029210438,0.00011378925,0.000056161065,0.00002949679,0.37691757],"genre_scores_gemma":[0.7824658,0.0000023182217,8.608699e-7,0.000049699178,0.00005666953,0.0000010045482,0.000013519594,0.000013792966,0.21739632],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887174,0.000099579054,0.00013396796,0.00028932927,0.00010827181,0.0004971356],"domain_scores_gemma":[0.99923295,0.00015534314,0.00005001548,0.00029018387,0.00006717864,0.00020435033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009661791,0.00018503147,0.00028342276,0.00022581236,0.00025866006,0.000037475118,0.00020658589,0.00004969441,0.00069221866],"category_scores_gemma":[0.000010653786,0.00020699948,0.00004277947,0.000013568088,0.00018438493,0.0002291017,0.00024971913,0.00020194057,0.00021271137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022635747,0.00037172198,0.27276388,0.0001989292,0.00015393172,0.00021805965,0.403656,0.0000114208415,0.00009873452,0.27334937,0.047582965,0.0013685939],"study_design_scores_gemma":[0.0007903866,0.000052697796,0.01590397,0.000021034752,0.000015434247,0.0000032850637,0.0045756386,0.000098612916,0.00003849401,0.00021814804,0.9780119,0.0002703983],"about_ca_topic_score_codex":0.2552968,"about_ca_topic_score_gemma":0.999802,"teacher_disagreement_score":0.9304289,"about_ca_system_score_codex":0.0015633787,"about_ca_system_score_gemma":0.00049756764,"threshold_uncertainty_score":0.8441194},"labels":[],"label_agreement":null},{"id":"W6945524334","doi":"10.25316/ir-832","title":"Cowichan Campus Student Newsletter [September 24, 2009]","year":2009,"lang":"en","type":"other","venue":"VIUSpace (Vancouver Island University Library)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Happening; Student life; Key (lock)","score_opus":0.01187715838299509,"score_gpt":0.1946172190507192,"score_spread":0.1827400606677241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6945524334","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004833227,0.00037059272,0.000092647075,0.001198811,0.0027025545,0.00040936316,0.00078791816,0.00063031726,0.99375945],"genre_scores_gemma":[0.0005115507,0.00025354768,0.00011393633,0.0032129614,0.0028349904,0.000001018289,0.00010975111,0.0003329345,0.9926293],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981018,0.00009592951,0.00018887725,0.0005935872,0.00037088123,0.00064897275],"domain_scores_gemma":[0.9988427,0.00003259395,0.00025174743,0.0005857044,0.000030129802,0.00025711086],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000026983142,0.0005780789,0.000582451,0.00047065262,0.0003347547,0.00020457493,0.0005835337,0.00033875418,0.03078945],"category_scores_gemma":[0.0000021312073,0.0005544459,0.00027738954,0.000012726049,0.00033051366,0.00059112115,0.00023577508,0.00043895855,0.00089002645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002624129,0.00012690762,0.00004662465,0.000044367884,0.00020213828,0.0002262869,0.01307836,0.0000025602055,5.002075e-7,0.0035323228,0.98256725,0.00014646386],"study_design_scores_gemma":[0.0009920074,0.0000853891,0.000022962111,0.00013854839,0.00017632911,0.0000013049622,0.0024097338,0.0000059462095,0.000005976167,0.00027974136,0.9951474,0.00073467824],"about_ca_topic_score_codex":0.0017857085,"about_ca_topic_score_gemma":0.8082385,"teacher_disagreement_score":0.80645275,"about_ca_system_score_codex":0.000074665026,"about_ca_system_score_gemma":0.0001293398,"threshold_uncertainty_score":0.9998879},"labels":[],"label_agreement":null},{"id":"W6955616202","doi":"10.58079/t9qq","title":"Ibero-American art, identity and resistance session at UAAC-AAUC","year":2021,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Session (web analytics); Resistance (ecology); Class (philosophy)","score_opus":0.034536332856769686,"score_gpt":0.2661944431500333,"score_spread":0.23165811029326364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955616202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05939121,0.001055837,0.0012923969,0.042855695,0.0034462453,0.00059717166,0.0015903555,0.00032583467,0.88944525],"genre_scores_gemma":[0.5270637,0.0005780948,0.0007796785,0.035012025,0.0021277494,0.0001383346,0.0015951244,0.00006145716,0.4326438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978358,0.00016035585,0.00044825932,0.0005892808,0.000513869,0.00045240094],"domain_scores_gemma":[0.9985278,0.00012067806,0.00025665396,0.0004438648,0.0003819909,0.0002689837],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024496389,0.00028570706,0.00037544957,0.000097364915,0.0013567422,0.00059801096,0.00019927672,0.000073244184,0.01403725],"category_scores_gemma":[0.00009136481,0.00029157609,0.000119565295,0.00001910872,0.00072380184,0.007990689,0.00026411167,0.00019912065,0.0012432067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000634009,0.0001848715,0.00016381175,0.00009358195,0.000059551152,0.000106554166,0.003979119,0.0000051582497,0.00028284808,0.7573885,0.2370372,0.0006354351],"study_design_scores_gemma":[0.0006471863,0.00006712967,0.0057274313,0.00014105935,0.00006871063,0.000023776689,0.0013135602,0.00002571494,0.001370811,0.018016841,0.97216475,0.0004330006],"about_ca_topic_score_codex":0.00017932516,"about_ca_topic_score_gemma":0.10763804,"teacher_disagreement_score":0.7393716,"about_ca_system_score_codex":0.00016462746,"about_ca_system_score_gemma":0.00011103073,"threshold_uncertainty_score":0.9999536},"labels":[],"label_agreement":null},{"id":"W6962493815","doi":"10.17613/svzzt-b2z28","title":"The Reckoning: Women Artists of the New Millennium","year":2014,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Head (geology); Photography; Key (lock); Theme (computing)","score_opus":0.03658255307694027,"score_gpt":0.22087829050421606,"score_spread":0.18429573742727579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962493815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09237743,0.00033290708,0.00016159423,0.0016290029,0.000942492,0.00014321784,0.000019422867,0.000065071676,0.9043289],"genre_scores_gemma":[0.6735595,0.0000037640255,0.000002231122,0.000014663865,0.00027904884,5.5527977e-7,0.0000016573915,0.000010867031,0.32612774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899846,0.00018464333,0.00016401339,0.00016181158,0.00011365469,0.00037742723],"domain_scores_gemma":[0.9987767,0.00027358715,0.00010625997,0.00056183065,0.00013910834,0.00014252824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017516821,0.00014350149,0.00018416814,0.00009052418,0.0011621761,0.00006138473,0.0006702092,0.000051795087,0.00015589655],"category_scores_gemma":[0.00006630716,0.00009803399,0.00013119096,0.000017634062,0.0007582866,0.00010875999,0.00026016514,0.00019270854,0.00008360839],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024446144,0.000070989525,0.0012026171,0.000017657028,0.00004724985,0.0000010910389,0.097561635,0.0000021732321,0.0000213521,0.81270415,0.08447953,0.003867109],"study_design_scores_gemma":[0.00037550784,0.00006230183,0.0015837987,0.00003486767,0.000028624227,9.932025e-7,0.0021299804,0.0000392181,0.00011025092,0.0036055169,0.9918994,0.00012955208],"about_ca_topic_score_codex":0.00026378362,"about_ca_topic_score_gemma":0.36954412,"teacher_disagreement_score":0.90741986,"about_ca_system_score_codex":0.000117152806,"about_ca_system_score_gemma":0.00015460428,"threshold_uncertainty_score":0.8938636},"labels":[],"label_agreement":null},{"id":"W6962515178","doi":"10.15468/dl.tvwmeq","title":"Occurrence Download","year":2015,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Matching (statistics); Range (aeronautics); Set (abstract data type); Download; Identification (biology)","score_opus":0.04953492642711609,"score_gpt":0.2356836837440422,"score_spread":0.1861487573169261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962515178","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000053806718,0.000024673753,0.0000013054166,0.00013124803,0.0013267249,0.00022162295,0.98978037,0.000106044135,0.008354236],"genre_scores_gemma":[0.000024497142,0.000028676803,3.4925918e-7,0.0011381685,0.000016368756,0.0000026056523,0.9987797,2.0546468e-8,0.000009590189],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858844,0.000044566994,0.000360628,0.00017853535,0.00048968114,0.00033811634],"domain_scores_gemma":[0.9985544,0.000011541095,0.00025261208,0.00043143434,0.0005220382,0.0002279576],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021946224,0.00027786277,0.00027715322,0.00007456746,0.00047175086,0.00032077119,0.0004388019,0.00020582968,0.0054281414],"category_scores_gemma":[0.0000917044,0.0002710138,0.00013701503,0.0000048512125,0.0005143712,0.0011633857,0.00026536206,0.00024323029,0.25091693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002201117,0.00003178968,0.000044331962,0.0001076028,0.000029338864,0.0000013902543,0.0050278828,0.0000014752054,9.576384e-10,0.000005208137,0.9943312,0.000397771],"study_design_scores_gemma":[0.0002819236,0.00003984328,0.0000033154727,0.0000024293836,0.00006166551,0.0000017623081,0.001214422,1.477707e-7,2.1114909e-7,0.000017728917,0.99807507,0.00030147276],"about_ca_topic_score_codex":0.0045943684,"about_ca_topic_score_gemma":0.0016697774,"teacher_disagreement_score":0.24548878,"about_ca_system_score_codex":0.00032902454,"about_ca_system_score_gemma":0.00024467593,"threshold_uncertainty_score":0.9999742},"labels":[],"label_agreement":null},{"id":"W6962623720","doi":"10.17613/n09vq-js941","title":"Jessica Mace - OAH Twitter Debrief Keynote - text","year":2023,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Debriefing; Mace; Kaleidoscope","score_opus":0.07829190988040648,"score_gpt":0.25932353548927567,"score_spread":0.1810316256088692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962623720","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12818025,0.00013020998,0.00015204662,0.001708628,0.0008591985,0.00017522083,0.00011042634,0.0006183953,0.86806566],"genre_scores_gemma":[0.57891905,0.0000031832033,0.0000038065557,0.00004208402,0.0003969532,0.0000012335835,0.000052395884,0.000027844704,0.42055345],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854,0.000119991346,0.00018770683,0.00036880266,0.00015355888,0.00062996143],"domain_scores_gemma":[0.9988354,0.0001766469,0.00006825943,0.0005079656,0.00017006902,0.00024167499],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010785669,0.0002653692,0.00029408763,0.0005420846,0.0010224268,0.00013464414,0.0005181826,0.000103374354,0.0013601147],"category_scores_gemma":[0.00002548281,0.00028206527,0.00019232166,0.000046555826,0.00059650664,0.00032175847,0.0003641175,0.0002924663,0.0047073783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003508497,0.00023010865,0.0022032794,0.00007243503,0.000114102746,0.000164613,0.11776082,0.0000073913625,0.000046253797,0.40286252,0.47364464,0.0028587505],"study_design_scores_gemma":[0.0006326494,0.000059795348,0.00238359,0.000052050906,0.00006972819,0.0000030386407,0.0020562415,0.00012953702,0.00005497118,0.0018630883,0.9923309,0.000364395],"about_ca_topic_score_codex":0.00034890632,"about_ca_topic_score_gemma":0.26021215,"teacher_disagreement_score":0.51868623,"about_ca_system_score_codex":0.00013525183,"about_ca_system_score_gemma":0.00012646653,"threshold_uncertainty_score":0.99996316},"labels":[],"label_agreement":null},{"id":"W6962734838","doi":"10.17613/h24jz-5en06","title":"Jervis McEntee: Kingston's Artist of the Hudson River School","year":2015,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Photography","score_opus":0.07222595077211225,"score_gpt":0.24274093633005608,"score_spread":0.17051498555794384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962734838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15816398,0.00026854506,0.000111355286,0.0006460662,0.001141196,0.0001903443,0.000091903275,0.00009458514,0.83929205],"genre_scores_gemma":[0.78831,0.0000011718374,0.000007963539,0.000021767552,0.00024339517,5.6281954e-7,0.000009442179,0.000016255814,0.21138945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989565,0.00014578931,0.00017567744,0.00021310522,0.00018180901,0.0003271277],"domain_scores_gemma":[0.9986755,0.000058068945,0.00012284641,0.000516572,0.00037974655,0.00024721536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000116270996,0.00018271545,0.00024078171,0.00019390711,0.00049340416,0.00004816971,0.0005545332,0.00007091416,0.000357963],"category_scores_gemma":[0.00006398883,0.00015787651,0.00017933224,0.000025525178,0.00097065925,0.00027561776,0.0003627931,0.00023857401,0.00027361404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043282038,0.00041089114,0.027097972,0.000053748896,0.00009337071,0.000018603174,0.11564769,0.00000709376,0.000026568772,0.6981333,0.15744072,0.0010267907],"study_design_scores_gemma":[0.0007347366,0.0000620784,0.0045488807,0.000067030844,0.00008245305,0.0000022678717,0.002447283,0.000040880965,0.00014136582,0.0017939488,0.9898855,0.00019356997],"about_ca_topic_score_codex":0.0010154593,"about_ca_topic_score_gemma":0.3488292,"teacher_disagreement_score":0.8324448,"about_ca_system_score_codex":0.00019354132,"about_ca_system_score_gemma":0.00023991577,"threshold_uncertainty_score":0.663053},"labels":[],"label_agreement":null},{"id":"W6968089044","doi":"10.5281/zenodo.1313131","title":"У Тіні Образотворчого Мистецтва: Історіографія Графічного Дизайну Української Діаспори 1945–1989 Рр.","year":2018,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Diaspora; Exhibition; Newspaper; Painting; Sculpture","score_opus":0.07882726945716279,"score_gpt":0.25688875564002245,"score_spread":0.17806148618285966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968089044","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014691276,0.00011401188,0.0014791028,0.001546236,0.0008462098,0.00054009893,0.0006149891,0.0016940905,0.97847396],"genre_scores_gemma":[0.90547174,0.00008767029,0.00017191132,0.0015499212,0.0036087928,1.6634931e-7,0.0012838314,0.0019864368,0.08583953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99708813,0.00030801934,0.00046546958,0.00065624405,0.00057288987,0.0009092639],"domain_scores_gemma":[0.9975203,0.000039309372,0.00017624148,0.00076215086,0.001118343,0.00038361896],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000622568,0.000321462,0.00029394234,0.00032362572,0.0056187874,0.0016097744,0.0012335721,0.00010476346,0.08602431],"category_scores_gemma":[0.000396359,0.0003236782,0.00013629333,0.000040351973,0.0013749908,0.0005702704,0.0010927283,0.00039182883,0.04269946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008322798,0.0002674908,0.0000048885977,0.00007655145,0.00010716541,0.00002552581,0.07007809,0.0000056292347,0.00066377,0.13000222,0.7675092,0.031176237],"study_design_scores_gemma":[0.00060632656,0.00047217036,0.00010531637,0.000037819096,0.000035525612,0.0000503132,0.0021124505,0.00042947938,0.0004584059,0.002577449,0.99271303,0.00040171898],"about_ca_topic_score_codex":0.00029900123,"about_ca_topic_score_gemma":0.00009587902,"teacher_disagreement_score":0.89263445,"about_ca_system_score_codex":0.00017716,"about_ca_system_score_gemma":0.000014599205,"threshold_uncertainty_score":0.9999215},"labels":[],"label_agreement":null},{"id":"W6974366782","doi":"10.58079/mt9z","title":"Les aventuriers de l'art moderne: numéro de Synoptique","year":2018,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Set (abstract data type); Work (physics); Identification (biology)","score_opus":0.03470222826075685,"score_gpt":0.27329410740596444,"score_spread":0.23859187914520757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974366782","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009162392,0.0023432653,0.028770639,0.085559934,0.011605842,0.0010934697,0.0032600274,0.00039086453,0.85781354],"genre_scores_gemma":[0.52476203,0.001182473,0.001810496,0.04310442,0.019653706,0.00030835316,0.0013135144,0.00015924226,0.40770578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99589264,0.0004346858,0.0008117183,0.0007810339,0.000585993,0.0014938957],"domain_scores_gemma":[0.99733776,0.00020104453,0.00037194657,0.000670698,0.00066905987,0.0007494716],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00081632606,0.00064721727,0.0005554789,0.0002320721,0.0025369436,0.0009658165,0.0005990615,0.00052853965,0.04551178],"category_scores_gemma":[0.0001626943,0.0007375568,0.00035224954,0.00002004329,0.0023495578,0.008153343,0.00020363597,0.000630963,0.006681776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008391935,0.00036130447,0.00005242911,0.00015085195,0.00014805567,0.00006944788,0.011225303,0.00007955696,0.00007990977,0.7029221,0.282357,0.0024701203],"study_design_scores_gemma":[0.0010201731,0.0004973585,0.0010388545,0.00047242787,0.00022487715,0.00014540873,0.0020623032,0.0022666536,0.0026046608,0.051936876,0.93687594,0.00085446914],"about_ca_topic_score_codex":0.0033342163,"about_ca_topic_score_gemma":0.035890788,"teacher_disagreement_score":0.65451896,"about_ca_system_score_codex":0.00090875354,"about_ca_system_score_gemma":0.000652552,"threshold_uncertainty_score":0.99950755},"labels":[],"label_agreement":null},{"id":"W6977009078","doi":"10.6084/m9.figshare.28157836","title":"Additional file 20 of The influence of thermal and hypoxia induced habitat compression on walleye (Sander vitreus) movements in a temperate lake","year":2025,"lang":"en","type":"article","venue":"Figshare","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fisheries and Oceans Canada; Carleton University","funders":"","keywords":"Temperate climate; Hypoxia (environmental); Habitat; Ectotherm; Compression (physics)","score_opus":0.0383202194244692,"score_gpt":0.244596974235681,"score_spread":0.2062767548112118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977009078","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19621253,0.000012713858,4.5327893e-9,0.000051557457,0.000019436862,0.00012610873,0.782163,0.0000066752336,0.02140795],"genre_scores_gemma":[0.9253027,5.549e-7,0.0000026383898,0.0008891969,0.000042571024,0.00011925009,0.065890744,0.0000065205036,0.0077458373],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994804,0.000031083033,0.00015931505,0.00010540622,0.00011742558,0.000106363],"domain_scores_gemma":[0.9994811,0.00021933045,0.00007799786,0.00012417413,0.00007866239,0.000018744297],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000013097921,0.00008212666,0.00011153491,0.000047976017,0.00009939865,0.000017853054,0.00011354424,0.000036742145,0.5508995],"category_scores_gemma":[0.00017457888,0.000057311867,0.000033293712,0.000004711731,0.00003887041,0.00007954347,0.00010078495,0.000095329706,0.000032059666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016252436,0.0000768758,0.00009368859,0.00010045792,0.00001727732,7.032912e-7,0.0054294113,0.000064073654,0.0005602555,0.0002444628,0.9932537,0.00014285304],"study_design_scores_gemma":[0.000653009,0.000069826114,0.20070063,0.0060532265,0.000004759234,2.0699697e-7,0.00049525,0.00019723187,0.0015969081,0.00081148563,0.7892669,0.00015061013],"about_ca_topic_score_codex":0.00004211698,"about_ca_topic_score_gemma":0.003212387,"teacher_disagreement_score":0.72909015,"about_ca_system_score_codex":0.0000092263,"about_ca_system_score_gemma":0.000054258384,"threshold_uncertainty_score":0.44951102},"labels":[],"label_agreement":null},{"id":"W6977422707","doi":"10.6084/m9.figshare.26700949.v1","title":"Additional file 3 of Acceptability of automatic referrals to supportive and palliative care by patients living with advanced lung cancer: qualitative interviews and a co-design process","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; Alberta Health Services; University of Calgary","funders":"","keywords":"Palliative care; Qualitative research; Process (computing); Referral; MEDLINE; Advance care planning","score_opus":0.08729166639794382,"score_gpt":0.37252475758907605,"score_spread":0.2852330911911322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977422707","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032581785,0.0004667184,0.000003320514,0.000015813268,0.000010206805,0.00049907475,0.99300706,0.000028494791,0.002711106],"genre_scores_gemma":[0.66803867,0.000005015177,0.00018788372,0.00009433147,0.00003802795,0.0020626858,0.32834184,0.000024970846,0.0012065793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914324,0.000083290935,0.0002504438,0.00022758955,0.00015425541,0.00014120499],"domain_scores_gemma":[0.9981002,0.0012292789,0.00015434787,0.00007476218,0.00037411955,0.00006728665],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000030183295,0.00013824682,0.00024654611,0.00004822776,0.00007706532,0.000041924493,0.00006429024,0.000026727452,0.85679096],"category_scores_gemma":[0.0006296349,0.00010821383,0.000029810451,0.000007871738,0.000070975315,0.00024702967,0.000042896387,0.000069949216,0.000011758875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063753673,0.000019360736,0.0000099475965,0.0019231936,0.000034914203,2.2092802e-7,0.42302617,9.737884e-7,2.8383988e-7,0.000009647122,0.57293785,0.0020310672],"study_design_scores_gemma":[0.00062409457,0.0019967821,0.010610028,0.050964855,0.0001210524,5.688643e-7,0.3261939,0.0017445389,0.0004998918,0.00052880973,0.60579956,0.0009159188],"about_ca_topic_score_codex":0.000051652896,"about_ca_topic_score_gemma":0.0008348683,"teacher_disagreement_score":0.8567792,"about_ca_system_score_codex":0.000055245444,"about_ca_system_score_gemma":0.00013801997,"threshold_uncertainty_score":0.44128323},"labels":[],"label_agreement":null},{"id":"W6980001978","doi":"","title":"Arnaud Maggs: Les factures de Lupe. &#13;\\nSusan Hobbs Gallery. Toronto","year":2001,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Taste; Narrative; Colored","score_opus":0.11069588205538601,"score_gpt":0.30356919937494703,"score_spread":0.19287331731956103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980001978","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13339944,0.00014210171,0.00013358725,0.0005198092,0.00027044257,0.0004948615,0.000057090085,0.00014352464,0.86483914],"genre_scores_gemma":[0.4795227,0.0004954471,0.000059714042,0.00007131205,0.00031735748,3.577232e-7,0.000021168444,0.000025491589,0.5194864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963147,0.0008099906,0.00021690984,0.0007385344,0.00071995024,0.0011998928],"domain_scores_gemma":[0.99771184,0.00018695755,0.00014085906,0.0007495833,0.0005956354,0.0006151022],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00056918303,0.00035617995,0.00040747595,0.00038935087,0.004372303,0.00069183175,0.0021346444,0.0002599152,0.00018859592],"category_scores_gemma":[0.00003886037,0.00040490858,0.00023752754,0.000041802854,0.0014724958,0.0019805671,0.0007625155,0.0007522716,0.00009681122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049840607,0.00024553726,0.0035236403,0.00003595393,0.00019832003,0.0017384411,0.029552497,0.000022794622,0.0003181212,0.94755316,0.015525767,0.0007873495],"study_design_scores_gemma":[0.0011782064,0.00027581124,0.0029029578,0.000072202165,0.00007352063,0.00003808575,0.04713441,0.00009389019,0.00027295685,0.00046064987,0.94702053,0.00047675692],"about_ca_topic_score_codex":0.124239355,"about_ca_topic_score_gemma":0.20770514,"teacher_disagreement_score":0.94709253,"about_ca_system_score_codex":0.0017712606,"about_ca_system_score_gemma":0.00066928024,"threshold_uncertainty_score":0.99984026},"labels":[],"label_agreement":null},{"id":"W6980039071","doi":"","title":"Ascension (of Cicadas)#1","year":2024,"lang":"en","type":"dissertation","venue":"University of North Texas Digital Library (University of North Texas)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Culmination; Photography; Quarter (Canadian coin); Period (music)","score_opus":0.016778051257803253,"score_gpt":0.18288986992183,"score_spread":0.16611181866402674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980039071","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7847988,0.00024066889,0.0000151084705,0.00012727252,0.00046299282,0.0003133799,0.006070632,0.00018324642,0.20778787],"genre_scores_gemma":[0.6912892,0.0002995084,0.00008604951,0.000026210157,0.00011021753,1.2967741e-8,0.006270263,0.000049994753,0.30186856],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99809575,0.000043109845,0.00035100878,0.00058143074,0.0005326077,0.00039609056],"domain_scores_gemma":[0.9982424,0.00010155985,0.0006498273,0.00050329516,0.00026907152,0.0002338776],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000036785514,0.0004499872,0.0008468677,0.00070139224,0.00031931247,0.00007449508,0.0010038328,0.00022242017,0.0019151275],"category_scores_gemma":[0.000011812705,0.00058259757,0.000684432,0.000051539173,0.0008962871,0.0022103188,0.00040926412,0.00045540062,0.00032333535],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015310599,0.0012575899,0.7991388,0.0049926518,0.0018209699,0.0007360086,0.03316529,0.00008169099,4.8904e-7,0.025102455,0.11062147,0.021551542],"study_design_scores_gemma":[0.0006228908,0.0003153384,0.4245978,0.00049326726,0.0004923375,0.0000034017899,0.0022904163,0.000055918903,0.000012558211,0.00072905625,0.56973773,0.0006492952],"about_ca_topic_score_codex":0.0016317881,"about_ca_topic_score_gemma":0.036242772,"teacher_disagreement_score":0.45911628,"about_ca_system_score_codex":0.00005182059,"about_ca_system_score_gemma":0.00041317753,"threshold_uncertainty_score":0.9996625},"labels":[],"label_agreement":null},{"id":"W69801964","doi":"","title":"3 x 3 : Flavin, Andre, Judd","year":2003,"lang":"fr","type":"book","venue":"Musée des beaux-arts du Canada / National Gallery of Canada eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art history; Art; Visual arts","score_opus":0.03247528692281826,"score_gpt":0.20762338496142332,"score_spread":0.17514809803860507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69801964","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001199972,0.0022111756,0.000033549357,0.0012484777,0.0046792566,0.0006790104,0.0068381606,0.000037863734,0.9830725],"genre_scores_gemma":[0.088309035,0.00011940587,0.00014245111,0.011054456,0.0028642565,0.000068466965,0.0008125553,0.00020176676,0.89642763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921595,0.00019949683,0.0016554171,0.00089926965,0.0035966188,0.0014897302],"domain_scores_gemma":[0.9941709,0.0006487032,0.00088476867,0.00057996024,0.0027571945,0.00095847395],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005340749,0.0011430621,0.0012730717,0.0003582391,0.00210834,0.00021483508,0.0007499044,0.0004021233,0.0032818483],"category_scores_gemma":[0.00029143813,0.0013101314,0.00036611172,0.000007718278,0.0021731483,0.00019529132,0.0001461532,0.0007743968,0.0000073710007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000031789026,0.000052930318,0.000029303403,0.00045787857,0.0005146237,0.0002689634,0.0020783066,0.00015189806,0.000004028905,0.33009624,0.66553074,0.0007833112],"study_design_scores_gemma":[0.0007786314,0.00010106728,0.00023013822,0.00034512678,0.0001965808,0.00011993568,0.0004935259,0.00010238618,0.0000890551,0.014941669,0.9813289,0.0012729616],"about_ca_topic_score_codex":0.9891751,"about_ca_topic_score_gemma":0.9999535,"teacher_disagreement_score":0.3157982,"about_ca_system_score_codex":0.006399782,"about_ca_system_score_gemma":0.09621994,"threshold_uncertainty_score":0.9991908},"labels":[],"label_agreement":null},{"id":"W6981947265","doi":"","title":"Gal Pals Watch Trigger","year":2019,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Collectable; Assemblage (archaeology); Casual; Face (sociological concept)","score_opus":0.013538623831025023,"score_gpt":0.1923866332101365,"score_spread":0.17884800937911147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981947265","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000068126656,0.00024548365,1.9124799e-7,0.00033625937,0.00094543013,0.0004303181,0.0004744511,0.00019618441,0.9973649],"genre_scores_gemma":[0.00048161956,0.00019718391,0.00006406099,0.0008018318,0.0010406049,0.000012298483,0.0002510252,0.00016317003,0.9969882],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984255,0.000046776324,0.00058415526,0.0001870517,0.0003785919,0.00037792555],"domain_scores_gemma":[0.9988048,0.00007454693,0.00046549444,0.00040322758,0.00014574011,0.000106181986],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013945185,0.00034956675,0.000489342,0.00006272386,0.00009740743,0.00011171298,0.00028809783,0.00029221212,0.72173506],"category_scores_gemma":[0.000038972066,0.00031399433,0.00022099608,2.390745e-7,0.00026445635,2.5765826e-7,0.00007102868,0.00023986369,0.06549141],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024411893,0.000035318302,5.275555e-7,0.00043094857,0.00007729189,0.0000058166747,0.0055875625,0.000010674886,3.072395e-8,0.0013791807,0.99199945,0.00044879215],"study_design_scores_gemma":[0.00047405905,0.00009831522,6.140037e-7,0.00017699983,0.00006590558,0.00001192214,0.00040073373,0.0000063669677,0.0000028844547,0.000051899024,0.9983321,0.00037822273],"about_ca_topic_score_codex":0.014632215,"about_ca_topic_score_gemma":0.013616913,"teacher_disagreement_score":0.6562437,"about_ca_system_score_codex":0.000035698726,"about_ca_system_score_gemma":0.000041467232,"threshold_uncertainty_score":0.9999312},"labels":[],"label_agreement":null},{"id":"W6981949074","doi":"","title":"François-Xavier Anselme Trudel, L'Etendard et les élections provinciales de 1886","year":2018,"lang":"fr","type":"other","venue":"Corpus Université Laval (Université Laval)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Capital (architecture); Context (archaeology)","score_opus":0.01713852327281096,"score_gpt":0.20819131183608358,"score_spread":0.19105278856327262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981949074","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020210002,0.0044323606,0.0012225467,0.004207999,0.0023668208,0.0009258306,0.0026600326,0.0006621233,0.96331227],"genre_scores_gemma":[0.018504634,0.00736577,0.00035548222,0.0005894705,0.0025011858,0.0000046308414,0.00034256486,0.00043115215,0.96990514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956907,0.00050971657,0.00046234461,0.0012193416,0.0006573582,0.0014605137],"domain_scores_gemma":[0.9967904,0.00028371383,0.0006194093,0.00091679144,0.00065872533,0.00073092524],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031922956,0.001161302,0.0010731488,0.0009989771,0.0036115518,0.00032114392,0.0012128039,0.0011216968,0.012368456],"category_scores_gemma":[0.00007027716,0.0013677409,0.0008470571,0.00006606251,0.002304889,0.00064719527,0.0005628504,0.001104048,0.0008945322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044482131,0.000660918,0.0040791803,0.00047498316,0.0014532562,0.00093672954,0.23130478,0.000041569554,0.0010129587,0.57104117,0.17197396,0.016575646],"study_design_scores_gemma":[0.0017848648,0.00066049566,0.0016034116,0.00047541357,0.0015010197,0.00010137891,0.01088453,0.00014636233,0.0005702779,0.0015848198,0.97919875,0.0014886638],"about_ca_topic_score_codex":0.121461,"about_ca_topic_score_gemma":0.5536077,"teacher_disagreement_score":0.8072248,"about_ca_system_score_codex":0.0019993612,"about_ca_system_score_gemma":0.002080255,"threshold_uncertainty_score":0.9998834},"labels":[],"label_agreement":null},{"id":"W6982059107","doi":"","title":"Government of Canada investing in innovation at Cape Breton University","year":2016,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Cape; Public policy; Investment (military)","score_opus":0.028202600851710585,"score_gpt":0.19066638335224348,"score_spread":0.1624637825005329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982059107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011945206,0.000011399661,0.000010757398,0.00013189229,0.00019058854,0.00006387735,0.00019499523,0.000016071137,0.9981859],"genre_scores_gemma":[0.034375064,0.000008787926,0.000013362158,0.00025040275,0.00016967847,2.249234e-7,0.0000107080095,0.000036589143,0.96513516],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994834,0.000011460552,0.000108085565,0.00009071327,0.00018787137,0.000118440024],"domain_scores_gemma":[0.99973047,0.000014955375,0.00012578219,0.00008685851,0.00002280164,0.000019124229],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000036383026,0.00007972832,0.000114599694,0.000056458746,0.000040506606,0.0000035362302,0.00006034288,0.000040521398,0.01075156],"category_scores_gemma":[0.000008302373,0.00006747331,0.000010799482,0.0000016247329,0.00007797913,0.000021770245,0.000033006207,0.000037284542,0.000006087609],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026111095,0.00000629061,0.00030151827,0.000043318298,0.000011642315,0.0000036980762,0.003110543,1.4992811e-7,0.000013119895,0.25169694,0.74458915,0.00022102734],"study_design_scores_gemma":[0.00013368788,0.0000049916357,0.000056057776,0.00008510428,0.0000045311845,1.2301733e-7,0.0007509337,0.000004086017,0.000069171736,0.00022080165,0.9985797,0.000090800575],"about_ca_topic_score_codex":0.79092675,"about_ca_topic_score_gemma":0.9969555,"teacher_disagreement_score":0.25399056,"about_ca_system_score_codex":0.0004783562,"about_ca_system_score_gemma":0.00020778856,"threshold_uncertainty_score":0.9901527},"labels":[],"label_agreement":null},{"id":"W6982068331","doi":"","title":"Gormley - Reality Check - Wednesday, March 16, 2022","year":2022,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reality check; Parliament; Ukrainian; Government (linguistics); Begging","score_opus":0.0189524104096677,"score_gpt":0.21144038834518866,"score_spread":0.19248797793552097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982068331","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000004575623,0.00037562614,1.2903651e-7,0.0004434527,0.0015628601,0.00047877498,0.0018354005,0.00026300666,0.9950362],"genre_scores_gemma":[0.00026811805,0.00033789943,0.000035251694,0.0009499448,0.0009561935,0.000046093573,0.0014780421,0.00018384,0.99574465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978095,0.00012248864,0.00072037306,0.00026489786,0.0006190418,0.00046368458],"domain_scores_gemma":[0.9984823,0.00008169091,0.0005922013,0.0005667126,0.0001257687,0.00015132083],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003305733,0.0003989339,0.0005063262,0.000112704045,0.00030871123,0.00010983451,0.00047388996,0.00023113257,0.95069915],"category_scores_gemma":[0.00006580472,0.000405634,0.00025382443,6.895533e-7,0.0004127783,3.9308006e-7,0.0002520122,0.00047784302,0.011274683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042163676,0.00007040445,9.445372e-7,0.00048386003,0.00009115829,0.000012634885,0.005073706,0.000013951027,2.286659e-8,0.0021978142,0.9915212,0.0004921739],"study_design_scores_gemma":[0.00040219427,0.00013149634,0.0000017767826,0.000061769075,0.000071644856,0.00002290534,0.0014129068,0.000009193292,6.89993e-7,0.0001690102,0.99727535,0.00044106875],"about_ca_topic_score_codex":0.059415225,"about_ca_topic_score_gemma":0.07094169,"teacher_disagreement_score":0.9394245,"about_ca_system_score_codex":0.00015925808,"about_ca_system_score_gemma":0.0000736467,"threshold_uncertainty_score":0.99983954},"labels":[],"label_agreement":null},{"id":"W6982076140","doi":"","title":"Grand River Wilson's Flats Crossing, Inverhaugh ON Canada","year":2012,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shore; Hydrology (agriculture); Flooding (psychology); River flood; Ditch; Flood myth","score_opus":0.012521114303590437,"score_gpt":0.18380205837213942,"score_spread":0.171280944068549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982076140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044702552,0.00029049502,8.753946e-8,0.00016075683,0.0011344225,0.0002572393,0.00064073026,0.000108008455,0.99736357],"genre_scores_gemma":[0.0035309382,0.000062295454,0.000050645405,0.0016928735,0.0011270602,0.000007826022,0.0002454579,0.00012931986,0.9931536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847645,0.000039140254,0.0004388787,0.0001630294,0.00044165374,0.00044085283],"domain_scores_gemma":[0.9988903,0.00006025735,0.0004344113,0.00032397595,0.00011301603,0.00017808026],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000094301126,0.00036447778,0.00038597707,0.00005966061,0.00027737246,0.00014660937,0.00023680177,0.00021691494,0.43907222],"category_scores_gemma":[0.00003249285,0.0003366876,0.0001233495,3.0622456e-7,0.0005618077,4.2409394e-7,0.00005380009,0.0002547376,0.0045143147],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027596554,0.000029553796,0.0000014621581,0.000249204,0.000063643456,0.000010224585,0.0074285427,0.000015663625,1.0147186e-8,0.0008478017,0.99064505,0.00068124436],"study_design_scores_gemma":[0.00040054467,0.00006108644,0.000003750078,0.00019320502,0.000058645852,0.000010288598,0.00018922682,0.000004515966,0.0000029844039,0.00003236911,0.9986592,0.00038421023],"about_ca_topic_score_codex":0.8299535,"about_ca_topic_score_gemma":0.94275934,"teacher_disagreement_score":0.4345579,"about_ca_system_score_codex":0.00009868329,"about_ca_system_score_gemma":0.00015207757,"threshold_uncertainty_score":0.9999085},"labels":[],"label_agreement":null},{"id":"W6982171514","doi":"","title":"The health and habitat use of Glaucous-winged gulls wintering in the Salish Sea","year":2022,"lang":"en","type":"article","venue":"Western CEDAR (Western Washington University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wildlife; Habitat; Population; Stewardship (theology); Habitat destruction; Forage; Forage fish","score_opus":0.059972369550657316,"score_gpt":0.23862097136982965,"score_spread":0.17864860181917233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982171514","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99289817,0.00019829758,0.00005124668,0.0024746573,0.00037359525,0.00031753533,0.00013009942,0.000053302105,0.0035031023],"genre_scores_gemma":[0.9852371,0.000121518766,0.00000886235,0.001718772,0.00011552916,0.0000017964509,0.000020200345,0.000026455866,0.012749718],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833024,0.00040140195,0.00027499362,0.00026698143,0.00031542708,0.00041095354],"domain_scores_gemma":[0.9990104,0.00027683383,0.00020476207,0.00036747352,0.000044783774,0.000095733325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044200948,0.00018044148,0.0002459679,0.00018409167,0.0011715667,0.0003113189,0.0005624862,0.000027935137,0.000016795864],"category_scores_gemma":[0.000020985388,0.00014270924,0.000087306566,0.0000165243,0.0003852991,0.0005104092,0.00046817213,0.0003400423,0.0000033710146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029715872,0.00022758819,0.2994691,0.00019041637,0.00012293672,0.00017628903,0.6607539,0.000079038364,0.000038319457,0.034763712,0.0015265654,0.0023549348],"study_design_scores_gemma":[0.00063842617,0.00035334952,0.010187315,0.00007756721,0.000026089972,0.000017680373,0.057863925,0.00004186398,0.0000115358725,0.00018858451,0.93037575,0.0002178973],"about_ca_topic_score_codex":0.002597024,"about_ca_topic_score_gemma":0.11811781,"teacher_disagreement_score":0.9288492,"about_ca_system_score_codex":0.00015242193,"about_ca_system_score_gemma":0.00011208378,"threshold_uncertainty_score":0.9010862},"labels":[],"label_agreement":null},{"id":"W6982178768","doi":"","title":"Histoire de l'institutionnalisation des enjeux autochtones au sein de l'appareil gouvernemental québécois depuis 1960 et retour sur les expériences professionnelles des fonctionnaires","year":2023,"lang":"fr","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Public investment; Power sharing; Power (physics)","score_opus":0.09315222398359924,"score_gpt":0.2978718901567762,"score_spread":0.20471966617317694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982178768","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23175293,0.009264843,0.013958572,0.0035866175,0.0059747747,0.0013708151,0.0005566966,0.0020366998,0.73149806],"genre_scores_gemma":[0.43962505,0.0014699345,0.0006538777,0.00033592407,0.0016409617,0.00020282918,0.00008091715,0.00025364046,0.55573684],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965051,0.00043128798,0.0007004652,0.0007364268,0.0005031936,0.0011235675],"domain_scores_gemma":[0.99825895,0.00026037506,0.00044003935,0.0003822053,0.0003253615,0.00033305347],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000596727,0.0007578287,0.0005748303,0.00034551744,0.0048477966,0.00034102058,0.00041882353,0.0004885719,0.008853647],"category_scores_gemma":[0.000435974,0.00067753537,0.00036027466,0.000022712462,0.0045043686,0.00068429805,0.00017190304,0.00039737765,0.0002359119],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049251747,0.00039836962,0.019650953,0.001093591,0.00030535014,0.000040997726,0.4887755,0.00025314337,0.000101203776,0.43829742,0.03231044,0.018723782],"study_design_scores_gemma":[0.0007600651,0.00022886443,0.02297488,0.0031876978,0.00032678165,0.000043188116,0.16352719,0.001317352,0.0003511139,0.027297184,0.77878726,0.0011984268],"about_ca_topic_score_codex":0.66453224,"about_ca_topic_score_gemma":0.9727658,"teacher_disagreement_score":0.7464768,"about_ca_system_score_codex":0.0032281585,"about_ca_system_score_gemma":0.0030007758,"threshold_uncertainty_score":0.99956757},"labels":[],"label_agreement":null},{"id":"W6982367812","doi":"","title":"Îles Éparses – Juan de Nova","year":2020,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Work (physics); Nova scotia; Feature (linguistics)","score_opus":0.052570498271750726,"score_gpt":0.2623641262259081,"score_spread":0.20979362795415737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982367812","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012279296,0.001660238,0.0014345847,0.061770603,0.0071624937,0.0010253829,0.0059459377,0.00033536804,0.9205426],"genre_scores_gemma":[0.02794049,0.0014512973,0.0009694047,0.07870765,0.020888997,0.00028951175,0.005312458,0.0005244218,0.8639158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99547434,0.0003243318,0.0010328563,0.0011374848,0.00077308697,0.001257873],"domain_scores_gemma":[0.9971988,0.00024092534,0.0006976866,0.000737437,0.00033272587,0.0007924327],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031616492,0.0010648974,0.0010714607,0.00033604715,0.0014419266,0.0011309773,0.00086073315,0.0006522143,0.32251865],"category_scores_gemma":[0.0001810891,0.0011426171,0.0005265537,0.00002154631,0.0014315497,0.005048392,0.00030780886,0.0008094287,0.026987053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004034728,0.00027849938,0.00001930145,0.00030079772,0.00023369829,0.00011364656,0.003822783,0.000021372185,0.00003855359,0.6089928,0.3835901,0.0025480806],"study_design_scores_gemma":[0.0010866506,0.00034792852,0.0010839277,0.000790812,0.00044244647,0.000058452162,0.0013330072,0.00015535047,0.00039188605,0.011215554,0.9817651,0.0013288875],"about_ca_topic_score_codex":0.0031265449,"about_ca_topic_score_gemma":0.07567416,"teacher_disagreement_score":0.598175,"about_ca_system_score_codex":0.00044886614,"about_ca_system_score_gemma":0.0006119199,"threshold_uncertainty_score":0.99990594},"labels":[],"label_agreement":null},{"id":"W6982616121","doi":"","title":"Investigation of Thermal Buffer Zone Effectiveness in Real Buildings","year":2018,"lang":"en","type":"dissertation","venue":"MacSphere (McMaster University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Overheating (electricity); Renewable energy; Thermal; Global warming; Efficient energy use; Greenhouse gas; Climate zones; Passive house","score_opus":0.028034193799735877,"score_gpt":0.21915280473164003,"score_spread":0.19111861093190416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982616121","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45582697,0.000020033363,0.000020752474,0.0000076377455,0.0003539389,0.0001818382,0.000034485707,0.00003106622,0.5435233],"genre_scores_gemma":[0.39253256,0.000017719276,0.000051863964,0.000031375766,0.00027157832,0.000001509238,0.00023618918,0.000035519926,0.6068217],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988979,0.00013293061,0.00021614209,0.00031340978,0.00018134518,0.00025829003],"domain_scores_gemma":[0.99930406,0.000057729776,0.00021873428,0.00017324924,0.00017655546,0.00006969682],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011198951,0.00025178498,0.0003565046,0.00025005764,0.00013565113,0.000042063955,0.00024174369,0.00020295232,0.023863722],"category_scores_gemma":[0.000006618552,0.00027229387,0.000111333255,0.000014514202,0.00026746746,0.00027867002,0.000045428507,0.00020455147,0.000037000376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002109763,0.00023514609,0.0142903235,0.0032813244,0.00055184495,0.00013811831,0.66491127,0.00003209758,0.008083621,0.19848591,0.0020772235,0.105803356],"study_design_scores_gemma":[0.0028628637,0.0005073979,0.030197268,0.0016144915,0.000394325,0.0000012975622,0.036016613,0.00009436777,0.013047861,0.0028001384,0.9113017,0.0011617038],"about_ca_topic_score_codex":0.0066464487,"about_ca_topic_score_gemma":0.06350205,"teacher_disagreement_score":0.90922445,"about_ca_system_score_codex":0.00013951417,"about_ca_system_score_gemma":0.000108494336,"threshold_uncertainty_score":0.99997294},"labels":[],"label_agreement":null},{"id":"W6982968788","doi":"","title":"La représentation des enseignants débutants à l'égard de leur développement professionnel et les facteurs en jeu","year":2004,"lang":"fr","type":"other","venue":"Knowledge UdeS (Institutional Deposit of the University of Sherbrooke)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Occupational training; Peer evaluation; Continuing education","score_opus":0.062069250461395886,"score_gpt":0.2580922775381458,"score_spread":0.1960230270767499,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982968788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34709987,0.0095630335,0.02232913,0.0006771179,0.0015557769,0.0009786764,0.0003235258,0.00009127922,0.6173816],"genre_scores_gemma":[0.6350951,0.0028182496,0.0017635544,0.000041096067,0.00020536935,0.0000012452972,0.000035521432,0.00005055196,0.35998932],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799013,0.0004749793,0.00038888762,0.00038580722,0.0003760478,0.00038414597],"domain_scores_gemma":[0.9988819,0.00011310318,0.00029065134,0.00032372933,0.00022825622,0.00016241152],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00029840792,0.00039603302,0.00046103084,0.00020169944,0.0013493074,0.000038765716,0.0006260499,0.00040584317,0.001018981],"category_scores_gemma":[0.00008533343,0.00036263978,0.00037757447,0.000016442355,0.0028422046,0.00021370899,0.00035049926,0.0004332749,0.00008651282],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022574961,0.0014464655,0.0160132,0.008873837,0.00085459655,0.000069918126,0.73952776,0.0049190414,0.0038807795,0.2120937,0.0034995535,0.008595384],"study_design_scores_gemma":[0.0032765735,0.00025903678,0.15765342,0.035291005,0.0011372134,0.00009285129,0.024435736,0.0011559502,0.010161597,0.007019016,0.75841266,0.0011049196],"about_ca_topic_score_codex":0.016380113,"about_ca_topic_score_gemma":0.16420108,"teacher_disagreement_score":0.75491315,"about_ca_system_score_codex":0.0017464997,"about_ca_system_score_gemma":0.00086807006,"threshold_uncertainty_score":0.9999508},"labels":[],"label_agreement":null},{"id":"W6983116787","doi":"","title":"Les conditions liÃ©es Ã  lâintÃ©gration de lâapproche Ã©cologique dans la programmation de prÃ©vention-promotion offerte Ã  la clientÃ¨le aÃ®nÃ©e par des CSSS du QuÃ©bec : une Ã©tude de cas","year":2010,"lang":"fr","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Statistical analysis; Dimension (graph theory); Western europe","score_opus":0.007456334678714901,"score_gpt":0.17859664618335022,"score_spread":0.17114031150463532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983116787","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22572228,0.00021431969,0.0055461284,0.0038143238,0.00028624022,0.00072944217,0.0010305055,0.000062047766,0.7625947],"genre_scores_gemma":[0.86742914,0.00046140692,0.0018036768,0.00034422276,0.000405165,0.000121678655,0.00027067724,0.00009517635,0.12906884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747515,0.00046538562,0.00045861868,0.0003536081,0.0006559916,0.00059123023],"domain_scores_gemma":[0.99866605,0.00034858385,0.00040654553,0.00021744022,0.0000058056316,0.0003555944],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008280806,0.00039558622,0.00035818884,0.00006481647,0.0009986579,0.00019355804,0.0002473362,0.00022920685,0.00040126106],"category_scores_gemma":[0.000023546527,0.0004071346,0.00009998915,0.000012454484,0.001033439,0.00039969277,0.00008738075,0.00043284133,3.890816e-8],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009508075,0.00031146844,0.014064543,0.00074368296,0.00025256554,0.00008178806,0.015953828,0.000112087,0.005045305,0.9549065,0.0014319881,0.0070011267],"study_design_scores_gemma":[0.0008636379,0.00041799044,0.14735068,0.0007809523,0.00037515437,0.00010481117,0.019100074,0.0046486715,0.018414352,0.060617894,0.7464414,0.00088436034],"about_ca_topic_score_codex":0.10183214,"about_ca_topic_score_gemma":0.85564584,"teacher_disagreement_score":0.89428866,"about_ca_system_score_codex":0.00011148509,"about_ca_system_score_gemma":0.003126719,"threshold_uncertainty_score":0.99983805},"labels":[],"label_agreement":null},{"id":"W6983273325","doi":"","title":"Malevolent Eldritch Shrieking","year":2018,"lang":"en","type":"other","venue":"University of Brighton Repository (University of Brighton)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Exhibition; Performance art; Painting","score_opus":0.014311931586469791,"score_gpt":0.1700167750590452,"score_spread":0.1557048434725754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983273325","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005652317,0.00027079324,0.0005787059,0.0001206426,0.0010905558,0.0003167716,0.00028932118,0.00025294442,0.99142796],"genre_scores_gemma":[0.034659564,0.00020862347,0.0005906888,0.000029429708,0.0006709333,2.8005669e-8,0.00008896748,0.00013167762,0.96362007],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998022,0.00012155819,0.00024436368,0.00064412283,0.000514515,0.0004534289],"domain_scores_gemma":[0.99780494,0.00004852227,0.0008495266,0.00075621705,0.00030839044,0.00023240698],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010821159,0.00041277404,0.00081386697,0.0004918407,0.0008262499,0.00003291535,0.0009547648,0.0004169944,0.021594223],"category_scores_gemma":[0.0000032211592,0.00053446833,0.0005326822,0.000014639257,0.002870627,0.00028781872,0.00032220286,0.0002652154,0.00039457844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014777131,0.0002971444,0.00030673924,0.0004862221,0.0007751748,0.00043308086,0.046488628,0.0000018355946,0.00012601654,0.017264532,0.9332708,0.00040206796],"study_design_scores_gemma":[0.000862284,0.00016497672,0.00020674219,0.00056879065,0.0004660731,0.00001625098,0.0068934322,0.000070437236,0.00019360031,0.00020526432,0.9897865,0.00056562957],"about_ca_topic_score_codex":0.04341754,"about_ca_topic_score_gemma":0.045458168,"teacher_disagreement_score":0.05651573,"about_ca_system_score_codex":0.00016949807,"about_ca_system_score_gemma":0.00023150309,"threshold_uncertainty_score":0.999843},"labels":[],"label_agreement":null},{"id":"W6983439108","doi":"","title":"Michelle Bui, Mutable Materialism.\\nContemporary Art Gallery and Yaletown-Roundhouse Station, Vancouver\\n(1.04.2022 — 28.08.2022)","year":2023,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Photography; Relation (database); Painting","score_opus":0.01513268527466345,"score_gpt":0.174726120434331,"score_spread":0.15959343515966756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983439108","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8603361,0.006173634,0.00027743477,0.0123340525,0.0037890435,0.00094743836,0.0015851608,0.0016880315,0.11286906],"genre_scores_gemma":[0.20556557,0.0029300945,0.0000933301,0.0010649281,0.00060814916,0.000017855671,0.00035680295,0.00008835519,0.78927493],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983584,0.00008320057,0.0002628589,0.00042658902,0.0002912399,0.00057769],"domain_scores_gemma":[0.99907106,0.00008313984,0.0001574415,0.00034743943,0.0001156292,0.00022527782],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022614827,0.00028431095,0.0003367948,0.00026054934,0.0012320067,0.00012907875,0.00022389399,0.000109504974,0.0016192776],"category_scores_gemma":[0.00001423685,0.0003146453,0.000112064794,0.000025210755,0.0002452639,0.0005540953,0.00029124034,0.0001602521,0.000577914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087480825,0.00005435227,0.00013807544,0.00007089067,0.00012705263,0.0006166111,0.032603487,0.0000284062,0.00076661276,0.014789971,0.95014185,0.00057520287],"study_design_scores_gemma":[0.0009647144,0.000083676525,0.00012651859,0.000026895344,0.0000726492,0.000022769944,0.012362867,0.00037822817,0.00026757413,0.0052598,0.98006386,0.0003704259],"about_ca_topic_score_codex":0.010703748,"about_ca_topic_score_gemma":0.3231612,"teacher_disagreement_score":0.67640585,"about_ca_system_score_codex":0.00088372926,"about_ca_system_score_gemma":0.000077516925,"threshold_uncertainty_score":0.99993056},"labels":[],"label_agreement":null},{"id":"W6984422198","doi":"","title":"Liminaires","year":2020,"lang":"fr","type":"book-chapter","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.07801040318989103,"score_gpt":0.24367198297456258,"score_spread":0.16566157978467155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6984422198","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054098404,0.0008717256,0.000064910746,0.048610285,0.0015058265,0.0005790086,0.002315016,0.00032534983,0.9451869],"genre_scores_gemma":[0.10039859,0.0004889606,0.000103603124,0.0026988422,0.0056855045,0.0000073055185,0.0006235218,0.000178444,0.8898152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965562,0.00012402309,0.0006114308,0.0009855097,0.0006057313,0.0011170716],"domain_scores_gemma":[0.99726623,0.00024964398,0.0005689481,0.000593786,0.00036385385,0.0009575642],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015607309,0.0010770615,0.0010143586,0.00030571278,0.0016771685,0.0005529679,0.0009196101,0.0015717254,0.011600459],"category_scores_gemma":[0.00014586482,0.0011684762,0.00077228027,0.000009519349,0.0022634433,0.00067384465,0.0004017811,0.002173629,0.0026846156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000701737,0.00005697984,0.0000134913535,0.000112525944,0.0005238429,0.000729436,0.026896942,0.000016894222,0.0000472317,0.832871,0.13408718,0.004574307],"study_design_scores_gemma":[0.0011632433,0.00039524207,0.0006588833,0.00056264806,0.0008547806,0.00008911697,0.0079026865,0.00014025377,0.00010229903,0.0065035555,0.9802694,0.0013579342],"about_ca_topic_score_codex":0.0056974664,"about_ca_topic_score_gemma":0.0050322628,"teacher_disagreement_score":0.84618217,"about_ca_system_score_codex":0.00072083494,"about_ca_system_score_gemma":0.00054405263,"threshold_uncertainty_score":0.99972445},"labels":[],"label_agreement":null},{"id":"W6985107864","doi":"","title":"Site Seeing","year":2009,"lang":"no","type":"other","venue":"Duo Research Archive (University of Oslo)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; George (robot); Feature (linguistics); Quarter (Canadian coin)","score_opus":0.06516131000292973,"score_gpt":0.28022162738152023,"score_spread":0.2150603173785905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6985107864","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016932437,0.000742732,0.0011981147,0.0010033293,0.00019341534,0.00060507725,0.0019493789,0.000076532444,0.99253815],"genre_scores_gemma":[0.037962,0.0021531954,0.0008428369,0.00012204319,0.0011061497,4.6365258e-7,0.00039398548,0.00013481968,0.9572845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99575275,0.00074084615,0.0002469052,0.00075699,0.0011539396,0.0013485394],"domain_scores_gemma":[0.99755377,0.00049364,0.00024751035,0.00079935096,0.00039159466,0.00051415456],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0008126875,0.00041197386,0.00072349334,0.0014242291,0.0018226888,0.00014027687,0.0010835706,0.0002493839,0.02913656],"category_scores_gemma":[0.000095567615,0.000502782,0.00044145354,0.000020295842,0.0035906145,0.0002518375,0.0007454481,0.0014069094,0.0040386976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024816615,0.0004378051,0.00020872228,0.0005889706,0.00044670305,0.0005622968,0.2751096,0.000006073381,0.00032244335,0.12908193,0.5822124,0.010774901],"study_design_scores_gemma":[0.0008103745,0.0004958053,0.0016522823,0.0005866357,0.0000772872,0.000004217374,0.014356973,0.00046519522,0.000007131766,0.015863972,0.9652167,0.0004634404],"about_ca_topic_score_codex":0.020948619,"about_ca_topic_score_gemma":0.07511402,"teacher_disagreement_score":0.3830043,"about_ca_system_score_codex":0.00016869804,"about_ca_system_score_gemma":0.00047914582,"threshold_uncertainty_score":0.9997424},"labels":[],"label_agreement":null},{"id":"W6986319730","doi":"","title":"Paul Sietsema : Four Works","year":2013,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Ontario Arts Council; Canada Council for the Arts; Toronto Arts Council; Government of Ontario","keywords":"Work (physics); Subject (documents); Perspective (graphical); Context (archaeology); Set (abstract data type)","score_opus":0.04648853764310864,"score_gpt":0.23923992209380027,"score_spread":0.19275138445069162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986319730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012838045,0.014544958,0.000872502,0.0050853877,0.01005285,0.001880939,0.0011380664,0.00058205915,0.96455944],"genre_scores_gemma":[0.036805317,0.003036597,0.00030200026,0.005097583,0.017033625,0.00024328692,0.0007992763,0.0005824992,0.9360998],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99109226,0.00046131824,0.0020520375,0.00198285,0.001300411,0.003111118],"domain_scores_gemma":[0.9938152,0.0007302735,0.0010488871,0.0023049274,0.0007773039,0.0013234436],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.000707249,0.0022446245,0.0022076988,0.00048480547,0.0028943613,0.0019287772,0.0014224068,0.001694462,0.080784634],"category_scores_gemma":[0.00013078804,0.0022743852,0.0014982346,0.000015958442,0.0033370461,0.0014666067,0.00056528096,0.0025728988,0.068370685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003634191,0.0003401922,0.000013028133,0.00048413294,0.00053879793,0.00025252247,0.025935484,0.000016968683,0.000009777775,0.25142446,0.6792491,0.041699197],"study_design_scores_gemma":[0.0012570991,0.000455052,0.00030508594,0.0018013283,0.0006480487,0.00011297968,0.0014070563,0.000609843,0.000013733684,0.07798782,0.91301155,0.0023903865],"about_ca_topic_score_codex":0.0021532062,"about_ca_topic_score_gemma":0.008703369,"teacher_disagreement_score":0.23376246,"about_ca_system_score_codex":0.00069612445,"about_ca_system_score_gemma":0.0010003028,"threshold_uncertainty_score":0.9997282},"labels":[],"label_agreement":null},{"id":"W6986746935","doi":"","title":"Pussy Riot, Velvet Terrorism. The Polygon Gallery, North Vancouver (22.03.2024 — 09.06.2024)","year":2024,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Velvet; Polygon (computer graphics); Invisibility; Field (mathematics)","score_opus":0.012458030838546566,"score_gpt":0.1742325391361391,"score_spread":0.16177450829759252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986746935","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12161184,0.036165383,0.00058251724,0.037182875,0.015064563,0.0010539013,0.0011764106,0.0012564497,0.7859061],"genre_scores_gemma":[0.32246146,0.0011421109,0.000026181802,0.0009411005,0.0013400677,0.000009318482,0.000043650598,0.000059540278,0.6739766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982015,0.0000672926,0.00022911197,0.00046493803,0.00036005944,0.0006771319],"domain_scores_gemma":[0.9989976,0.0001185164,0.00007889698,0.00051131286,0.000079447156,0.00021419709],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012458565,0.00034438574,0.0002786429,0.00020632085,0.001256573,0.00019521116,0.00045227836,0.00010878405,0.0030477073],"category_scores_gemma":[0.000012688753,0.00027596386,0.00029299944,0.000025915117,0.00032837107,0.00035245327,0.00030699404,0.00043904802,0.0012600294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003055415,0.000046124238,0.000099374505,0.000057895606,0.00023274719,0.0008202352,0.04612511,0.000040106497,0.000013155826,0.04243981,0.90541553,0.004679364],"study_design_scores_gemma":[0.00032197646,0.00007874639,0.00020405835,0.000050764476,0.00020945852,0.00004963842,0.008197859,0.0013726027,0.000015424583,0.0028708077,0.9862645,0.0003641204],"about_ca_topic_score_codex":0.015104372,"about_ca_topic_score_gemma":0.72274905,"teacher_disagreement_score":0.7076447,"about_ca_system_score_codex":0.001763183,"about_ca_system_score_gemma":0.00010739562,"threshold_uncertainty_score":0.99996924},"labels":[],"label_agreement":null},{"id":"W6986935057","doi":"","title":"Rita McKeough: Works, EMMEDIA Gallery &amp; Production Society, M:ST Performative Art Festival, TRUCK Contemporary Art in Calgary","year":2020,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Contemporary art; Art gallery; Exhibition; The arts","score_opus":0.036162417362005345,"score_gpt":0.18766237017236734,"score_spread":0.151499952810362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986935057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43253544,0.014424024,0.00086818374,0.20150614,0.0022504663,0.0019057244,0.00042809386,0.00096352835,0.3451184],"genre_scores_gemma":[0.7158542,0.0027590212,0.00048559046,0.004161808,0.0018275749,0.00002284252,0.0006750994,0.00008082211,0.274133],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984873,0.00010122498,0.00027584305,0.00040568088,0.00027335,0.0004566219],"domain_scores_gemma":[0.99915797,0.00007384005,0.00015409826,0.0002518347,0.00010256603,0.00025971167],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00018002602,0.00027635132,0.00034573264,0.00009322274,0.0007456226,0.00006378525,0.00022424631,0.0001261923,0.00061082124],"category_scores_gemma":[0.00005587626,0.00029641553,0.00020145536,0.000023084605,0.00033532432,0.0008075315,0.00019664339,0.0004985758,0.0006274777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001435894,0.000085448504,0.0003453927,0.000060656603,0.00008866005,0.0001460227,0.12964298,0.000038495018,0.000031246393,0.0032469137,0.8649786,0.0011919809],"study_design_scores_gemma":[0.0008458027,0.00009444665,0.00034148156,0.000083906285,0.000040920007,0.0000325245,0.016395856,0.00086530537,0.000030086134,0.0007263152,0.98019874,0.00034459465],"about_ca_topic_score_codex":0.0013455414,"about_ca_topic_score_gemma":0.08651704,"teacher_disagreement_score":0.28331882,"about_ca_system_score_codex":0.0012585622,"about_ca_system_score_gemma":0.0001085805,"threshold_uncertainty_score":0.9999488},"labels":[],"label_agreement":null},{"id":"W6987361062","doi":"","title":"Standing In Between Two Mirrors: Queer Reflections in the Work of Geoffrey Farmer","year":2023,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Circumstantial evidence; Frame (networking); Agency (philosophy); Ridiculous; Work (physics)","score_opus":0.15328191274278008,"score_gpt":0.36277552215560743,"score_spread":0.20949360941282735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987361062","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.629671,0.00006172575,0.0000021551991,0.00019274223,0.00060998136,0.00039324956,0.000036696805,0.00004179997,0.36899066],"genre_scores_gemma":[0.77980655,0.00006640399,0.000002282035,0.000005982046,0.00039493214,0.0000069347784,0.00010910287,0.00003755136,0.21957028],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9970552,0.00069779315,0.00039252345,0.00044345605,0.0006617095,0.0007493159],"domain_scores_gemma":[0.99851674,0.0005751171,0.0001673976,0.0004490864,0.00019062818,0.000101010926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088487373,0.00023166774,0.00040692108,0.002123669,0.0007355082,0.00015467306,0.0006709628,0.00018141024,0.00009418349],"category_scores_gemma":[0.00006946952,0.0002207108,0.00018096468,0.00017780255,0.0004602766,0.00023234461,0.000089290705,0.0013648672,0.000035970836],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007439322,0.00033583678,0.24468973,0.00058315136,0.00046615006,0.0015310077,0.6012159,0.000030118279,0.00044754357,0.14371832,0.0057527437,0.0004855942],"study_design_scores_gemma":[0.0016514249,0.00046643647,0.33485636,0.0011378434,0.00017624938,0.0000034360444,0.32433054,0.000014931932,0.0013079906,0.016585877,0.31858975,0.0008791719],"about_ca_topic_score_codex":0.22149822,"about_ca_topic_score_gemma":0.82626516,"teacher_disagreement_score":0.6047669,"about_ca_system_score_codex":0.00065445324,"about_ca_system_score_gemma":0.0005714727,"threshold_uncertainty_score":0.9000325},"labels":[],"label_agreement":null},{"id":"W6987367221","doi":"","title":"Stickers and Glitter: The Politics of Being Bejeweled and Bedazzled and The Deep Gay Apparatus","year":2012,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Politics; Object (grammar); Heuristic; Period (music)","score_opus":0.056298368598142565,"score_gpt":0.28609857405240813,"score_spread":0.22980020545426555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987367221","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28310174,0.00074217375,0.000009678381,0.00035033427,0.00022625846,0.00082180277,0.000054692468,0.000018913159,0.7146744],"genre_scores_gemma":[0.6093398,0.0006157801,0.00001754061,0.000028667855,0.00018149051,6.3681244e-7,0.00005720429,0.000020234549,0.38973868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974146,0.000838462,0.00021596721,0.0004461793,0.00047911846,0.00060569186],"domain_scores_gemma":[0.99788135,0.0006358301,0.00023054067,0.00045440707,0.00050930155,0.00028857726],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00076739996,0.00029189134,0.00048233054,0.0003533059,0.0039641815,0.00040990612,0.00084634067,0.00022447247,0.000005361561],"category_scores_gemma":[0.00005577518,0.00023347868,0.00010391168,0.000032900734,0.003563564,0.0006304618,0.0004885521,0.000801778,0.000003211964],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006199935,0.000041337014,0.0004201318,0.00015957977,0.00026164114,0.00005337337,0.10065908,4.4379777e-7,0.000039076214,0.8971956,0.00032671413,0.00022302751],"study_design_scores_gemma":[0.0039452324,0.00028471206,0.004021988,0.00027778262,0.0009915575,0.000025272462,0.26063436,0.00020879331,0.00023620913,0.0028608835,0.7259034,0.00060980406],"about_ca_topic_score_codex":0.011865245,"about_ca_topic_score_gemma":0.015076121,"teacher_disagreement_score":0.89433473,"about_ca_system_score_codex":0.00018137768,"about_ca_system_score_gemma":0.0003115613,"threshold_uncertainty_score":0.9991482},"labels":[],"label_agreement":null},{"id":"W69874998","doi":"","title":"A newly discovered painting by Paulus Bor for the National Gallery of Canada, Ottawa","year":2007,"lang":"en","type":"article","venue":"Burlington magazine/The Burlington magazine","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Art history; Visual arts","score_opus":0.0274724650457726,"score_gpt":0.2538164598208868,"score_spread":0.2263439947751142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69874998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12917756,0.010680868,0.11725203,0.05414279,0.015729968,0.011689079,0.011498984,0.0012190489,0.6486097],"genre_scores_gemma":[0.8553977,0.000073059055,0.0006690512,0.005132628,0.0040835897,0.00009815037,0.00032938182,0.00017086152,0.13404556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99522674,0.00010509862,0.0014424678,0.00063789426,0.0012472749,0.0013405461],"domain_scores_gemma":[0.995194,0.0021161577,0.0007675943,0.0006219065,0.0010495969,0.00025075133],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002997301,0.0006072722,0.00062921445,0.00016859132,0.0013846087,0.00026597077,0.0009415596,0.00014979756,0.0004811668],"category_scores_gemma":[0.0007846579,0.00041470092,0.00039225252,0.000040731968,0.00075422996,0.0002812032,0.00018417243,0.0005077788,0.000045450783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000356759,0.0003280218,0.00045924913,0.00031932912,0.0005049908,0.000012569631,0.014605097,0.001293346,0.0048370603,0.04609566,0.92562324,0.0055646524],"study_design_scores_gemma":[0.0013736922,0.00014156365,0.000813531,0.000085276566,0.00015414185,0.000009668892,0.0013572518,0.0075983736,0.0011325496,0.0035735657,0.9831799,0.0005804617],"about_ca_topic_score_codex":0.03654082,"about_ca_topic_score_gemma":0.61664104,"teacher_disagreement_score":0.7262202,"about_ca_system_score_codex":0.00028627279,"about_ca_system_score_gemma":0.00080302445,"threshold_uncertainty_score":0.9999155},"labels":[],"label_agreement":null},{"id":"W6987588328","doi":"","title":"Suzy Lake : Performing an Archive","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Identity (music); Performative utterance","score_opus":0.059172728317711296,"score_gpt":0.25788823644910785,"score_spread":0.19871550813139655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987588328","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00047911113,0.00093462365,0.000100402365,0.00022315679,0.0026655798,0.0006310613,0.0017412914,0.00043241502,0.99279237],"genre_scores_gemma":[0.0058801607,0.00012434476,0.00012225404,0.0016100405,0.010396191,0.000056754547,0.0024414493,0.00030160917,0.9790672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957946,0.00014493143,0.0008653284,0.0010435656,0.0008641631,0.0012874124],"domain_scores_gemma":[0.9969488,0.00015309,0.00043772903,0.0012705858,0.00041036896,0.0007794737],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005683603,0.0010007329,0.0010678289,0.00036852868,0.001087689,0.000566935,0.0007953504,0.00041492155,0.015064981],"category_scores_gemma":[0.000051933766,0.0009651945,0.00046475316,0.0000042104994,0.0011380329,0.00080502976,0.00025344835,0.0011743414,0.007442143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037589085,0.0001423436,0.0000046864607,0.00015086796,0.00016031506,0.0000804591,0.15299268,0.00000469975,0.0000051300067,0.1838013,0.652671,0.009948948],"study_design_scores_gemma":[0.0005985888,0.00038060063,0.000020485191,0.0002386167,0.00020424344,0.000029459945,0.0013712761,0.0002058553,0.0000052514565,0.12696218,0.8689162,0.0010672032],"about_ca_topic_score_codex":0.00035326023,"about_ca_topic_score_gemma":0.07832787,"teacher_disagreement_score":0.21624523,"about_ca_system_score_codex":0.00023568766,"about_ca_system_score_gemma":0.0011043012,"threshold_uncertainty_score":0.99927986},"labels":[],"label_agreement":null},{"id":"W6987672272","doi":"","title":"Tracey Emin 20 years [... to accompany the exhibition \"Tracey Emin 20 years\", held at the Scottish National Gallery of Modern Art, Edinburgh, from 2 August to 9 November 2008 ; CAC Málaga, Centro de Arte Contemporáneo de Málaga, from 28 November 2008 to 22 February 2009 ; Kunstmuseum Bern, from 19 March to 21 June 2009]","year":2008,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Cover (algebra); Quarter (Canadian coin); Window (computing)","score_opus":0.03479336040317224,"score_gpt":0.24983694222929073,"score_spread":0.2150435818261185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987672272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90016174,0.0011147894,0.0030234414,0.017076313,0.001698491,0.0024085229,0.020886473,0.0002252811,0.053404972],"genre_scores_gemma":[0.6278502,0.0001335328,0.0023341184,0.03498836,0.004915393,0.00030265693,0.002112704,0.00022296158,0.32714012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942591,0.000232482,0.0012559987,0.0011914279,0.0015550425,0.0015059141],"domain_scores_gemma":[0.99619716,0.00081391644,0.0002979786,0.0010952009,0.0005001559,0.0010956133],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00062899356,0.00075504,0.000915153,0.00034481293,0.0008050583,0.00031103572,0.0009954254,0.00032699318,0.025104264],"category_scores_gemma":[0.00020243807,0.00065255334,0.0004254799,0.000085508414,0.0004537842,0.00048609995,0.0005191904,0.0006531116,0.0016026697],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044024954,0.00040848783,0.001240693,0.000006078771,0.0002838544,0.000076663186,0.048416756,0.0015118972,0.0043392666,0.0002400743,0.9425992,0.00043677285],"study_design_scores_gemma":[0.0020876375,0.00017913272,0.04545773,0.00024241385,0.0001796024,0.000035661622,0.0041503077,0.00091537816,0.002774775,0.0033607485,0.939278,0.0013385984],"about_ca_topic_score_codex":0.06688249,"about_ca_topic_score_gemma":0.3059572,"teacher_disagreement_score":0.27373514,"about_ca_system_score_codex":0.00061446795,"about_ca_system_score_gemma":0.0006895661,"threshold_uncertainty_score":0.99959254},"labels":[],"label_agreement":null},{"id":"W6987844499","doi":"","title":"Uncontrollable Beauty","year":2012,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"NSCAD University","keywords":"Nucleofection; Gestational period; Dysgeusia; TSG101; Liquation; Durvalumab; Emperipolesis; Fusible alloy; Diafiltration","score_opus":0.02176581065884669,"score_gpt":0.20066122060324412,"score_spread":0.17889540994439743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987844499","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77114725,0.0005197666,0.000002900397,0.00048064816,0.0018976661,0.00026893188,0.00026471764,0.00011083716,0.22530727],"genre_scores_gemma":[0.17288548,0.00004754846,0.00005065349,0.000034068606,0.00040230757,2.5835823e-7,0.0005988754,0.000024073353,0.82595676],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990575,0.000030363324,0.00010618886,0.00020428943,0.0002037539,0.00039794805],"domain_scores_gemma":[0.9992283,0.000020974681,0.00019660794,0.0002477756,0.00017943679,0.0001269027],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009125701,0.0002084927,0.0003769749,0.0001508407,0.00040251555,0.00003428866,0.00024777636,0.00016995698,0.004677014],"category_scores_gemma":[0.0000051635648,0.00022888083,0.00019279373,0.0000023390296,0.0001780337,0.00029233718,0.000032697077,0.0001791203,0.00039427736],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078266195,0.000072110604,0.00008729933,0.00019889446,0.0001437053,0.000007233369,0.9622309,0.0000020260466,0.00014110218,0.014951823,0.021427391,0.0006592183],"study_design_scores_gemma":[0.0007261967,0.000084615705,0.000775836,0.00009913896,0.00038189744,6.112303e-7,0.43943754,0.000030231871,0.00019999176,0.001474894,0.55637616,0.0004128921],"about_ca_topic_score_codex":0.17978002,"about_ca_topic_score_gemma":0.7722796,"teacher_disagreement_score":0.6006495,"about_ca_system_score_codex":0.000062143234,"about_ca_system_score_gemma":0.000082962455,"threshold_uncertainty_score":0.99623287},"labels":[],"label_agreement":null},{"id":"W6988981995","doi":"","title":"*************************","year":2014,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Exhibition; Space (punctuation); Work (physics); JADE (particle detector)","score_opus":0.06881220396435181,"score_gpt":0.2684499205765814,"score_spread":0.1996377166122296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988981995","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007896806,0.002341426,0.00056607235,0.019069837,0.004954343,0.0047526774,0.0055688843,0.00091690064,0.95393306],"genre_scores_gemma":[0.0569963,0.0015635386,0.00080657436,0.0005843679,0.0015694724,0.0000015695206,0.00026035964,0.0007689122,0.9374489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98872423,0.0019289934,0.0010584437,0.0020160219,0.0037552114,0.0025171093],"domain_scores_gemma":[0.98841655,0.000893433,0.0024905254,0.0057486137,0.0016215469,0.0008293062],"candidate_categories":["metaepi_narrow","sts","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0022071623,0.00150154,0.0024331373,0.0018924298,0.0036110994,0.00017225344,0.009735833,0.0011033531,0.01437766],"category_scores_gemma":[0.00054686895,0.0013345199,0.0025592027,0.0003068546,0.013144584,0.00064264156,0.005647761,0.0032323746,0.0010770423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003892737,0.0011966425,0.00044981422,0.0008765647,0.0009929398,0.0000767327,0.02014641,0.00014079703,0.00025519333,0.033593867,0.9393882,0.0024935342],"study_design_scores_gemma":[0.0030533315,0.00033468512,0.00070819573,0.0017766053,0.0007151121,0.000029843175,0.009589347,0.000570206,0.00017204494,0.002563593,0.9791707,0.0013163344],"about_ca_topic_score_codex":0.035958774,"about_ca_topic_score_gemma":0.22740129,"teacher_disagreement_score":0.19144252,"about_ca_system_score_codex":0.0006174266,"about_ca_system_score_gemma":0.001298157,"threshold_uncertainty_score":0.9997734},"labels":[],"label_agreement":null},{"id":"W6989077024","doi":"","title":"2013 Alberta Biennial of Contemporary Art : The News From Here","year":2013,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contemporary art; Exhibition; Photography; Contemporary society","score_opus":0.03955821735909544,"score_gpt":0.22529048750191263,"score_spread":0.18573227014281718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989077024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054350705,0.0043109986,0.00003203791,0.0030349463,0.003205776,0.0011384662,0.001222877,0.00012635547,0.98638505],"genre_scores_gemma":[0.013970049,0.00039380204,0.000025198062,0.003253306,0.0070979013,0.000093913615,0.0011808906,0.00022244213,0.9737625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961446,0.00020148013,0.0012630994,0.0008783534,0.000683848,0.0008286048],"domain_scores_gemma":[0.9961361,0.000652218,0.00087777135,0.0016661746,0.00033404218,0.00033366354],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022729702,0.000946557,0.0012974102,0.00017671906,0.0006337683,0.000396146,0.0010541956,0.00052357285,0.039290573],"category_scores_gemma":[0.000047609523,0.00070279924,0.0007230904,0.0000057904554,0.001660795,0.00055677415,0.00028900255,0.00092608266,0.023044772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003123957,0.00010166799,0.000010189494,0.00007142349,0.00031309907,0.000011604321,0.043413978,0.0000010776222,0.000007942925,0.052974377,0.9011854,0.0018780107],"study_design_scores_gemma":[0.00073165196,0.00017520878,0.00004384306,0.0003240721,0.0001961734,0.0000044370113,0.0013850568,0.000066202905,0.000010942294,0.0456272,0.9506597,0.0007755174],"about_ca_topic_score_codex":0.02809328,"about_ca_topic_score_gemma":0.089020334,"teacher_disagreement_score":0.060927052,"about_ca_system_score_codex":0.00010789619,"about_ca_system_score_gemma":0.00075510325,"threshold_uncertainty_score":0.9995423},"labels":[],"label_agreement":null},{"id":"W6989269474","doi":"","title":"Anna Hudson, Jocelyn Piirainen, Georgiana Uhlyarik, editors. Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak. Art Gallery of Ontario; Goose Lane Editions, 2018","year":2019,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Goose; Exhibition; Photography","score_opus":0.015617177158614605,"score_gpt":0.20351587069807153,"score_spread":0.18789869353945693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989269474","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12800133,0.00066038215,0.0013248208,0.010349236,0.002135232,0.00062336214,0.00039134367,0.00023959542,0.85627466],"genre_scores_gemma":[0.57026774,0.00016557387,0.0018995948,0.00048341005,0.00069402927,0.000021377025,0.0007284107,0.000056192464,0.42568368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976644,0.0006409403,0.0004798725,0.00043797135,0.00036575025,0.00041109792],"domain_scores_gemma":[0.9969812,0.00041375664,0.00029471758,0.0010149147,0.001087646,0.00020778726],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014407745,0.0002628143,0.00035572398,0.00017203775,0.00043432767,0.00024328745,0.00043707658,0.00012479017,0.0030807431],"category_scores_gemma":[0.00021518454,0.00026609987,0.0001330484,0.000020406362,0.00055472116,0.0003746006,0.00025622576,0.00029457972,0.00031117426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003351222,0.00093200983,0.006283825,0.00023799394,0.00018309928,0.0000073318065,0.23288006,0.000007200215,0.00087859336,0.27434063,0.48064673,0.0035690274],"study_design_scores_gemma":[0.0006093842,0.000003534282,0.00597856,0.00032962757,0.00004397242,0.000006890163,0.00071619655,0.00047858217,0.00078977086,0.003179683,0.9875385,0.00032527014],"about_ca_topic_score_codex":0.016968928,"about_ca_topic_score_gemma":0.14373215,"teacher_disagreement_score":0.5068918,"about_ca_system_score_codex":0.00011601792,"about_ca_system_score_gemma":0.00030192264,"threshold_uncertainty_score":0.99997914},"labels":[],"label_agreement":null},{"id":"W6990985663","doi":"","title":"Engendering a Counter-Tradition: Jeff Wall, Photo-conceptualism, and the Sexual Politics of the Defeatured Landscape","year":2012,"lang":"en","type":"dissertation","venue":"SUNY Digital Repository Support (State University of New York System)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vanguard; Negotiation; Trope (literature); Politics; Opposition (politics); Incarnation","score_opus":0.02333142226842997,"score_gpt":0.1916699112316152,"score_spread":0.16833848896318523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990985663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6157268,0.0013254071,0.000011023137,0.00004744537,0.0027632944,0.0007184917,0.0011854748,0.00008726216,0.3781348],"genre_scores_gemma":[0.7294088,0.00000884956,0.0000024127448,0.00002345877,0.00032911397,6.9436425e-7,0.00031159836,0.000025786096,0.26988927],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99846447,0.000081714854,0.00042160193,0.00027304175,0.00043356037,0.00032563522],"domain_scores_gemma":[0.99846214,0.0001089432,0.00065202557,0.00040625737,0.00020902278,0.00016163023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000098191405,0.0003083737,0.0005342668,0.00008522195,0.000590747,0.00015881163,0.00039177632,0.00015780306,0.00006726452],"category_scores_gemma":[0.000010426446,0.00023456854,0.0002582067,0.000008654714,0.0006969645,0.00037814668,0.00006698984,0.00025076448,0.000005709497],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048049295,0.000109764245,0.0012965197,0.0020678414,0.00087932555,0.00005267258,0.9366061,0.000006646576,0.00007960742,0.023243984,0.03480557,0.00037145085],"study_design_scores_gemma":[0.0021748934,0.00018125672,0.0017534224,0.0006228063,0.0007953455,0.00011487787,0.6065906,0.00004373061,0.00035114013,0.0003577237,0.38641396,0.00060023565],"about_ca_topic_score_codex":0.002982526,"about_ca_topic_score_gemma":0.002699429,"teacher_disagreement_score":0.35160837,"about_ca_system_score_codex":0.00010001319,"about_ca_system_score_gemma":0.00040067488,"threshold_uncertainty_score":0.95654273},"labels":[],"label_agreement":null},{"id":"W6991113488","doi":"","title":"Expo 67: Thinking Out Loud Podcast","year":2017,"lang":"en","type":"other","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Pavilion; Theme (computing); Modernism (music); Conversation; The arts; Identity (music); Key (lock)","score_opus":0.0853627151885918,"score_gpt":0.29269907390040556,"score_spread":0.20733635871181377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991113488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00056309893,0.00036426485,0.000036969737,0.00042844284,0.0030858656,0.00047342488,0.0001342017,0.00041471494,0.994499],"genre_scores_gemma":[0.07453742,0.0002750099,0.000009729969,0.000039973802,0.0072701606,0.0000024517728,0.00004076072,0.0003406278,0.91748387],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99641687,0.0003819602,0.00021159736,0.00082884886,0.00093391613,0.0012268004],"domain_scores_gemma":[0.99749774,0.00012422483,0.00032218147,0.0014482668,0.00017563258,0.00043197043],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040391253,0.00045225662,0.0005522403,0.0013391511,0.0027021961,0.00083207054,0.0017155517,0.0003750167,0.0027407536],"category_scores_gemma":[0.00005494032,0.00048076062,0.00032539412,0.00000960241,0.0022275916,0.00032948935,0.00071022427,0.0012821417,0.00079386286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000618082,0.00010496168,0.0011844833,0.00017800299,0.00037841825,0.0023315796,0.020206166,3.367563e-7,0.000030983232,0.10801482,0.8671731,0.00033536804],"study_design_scores_gemma":[0.00045141575,0.00016517102,0.00013817704,0.00032584756,0.00006752425,0.000012298425,0.0024535344,0.00000856519,0.00013216547,0.0019681011,0.9937537,0.00052355335],"about_ca_topic_score_codex":0.1086817,"about_ca_topic_score_gemma":0.47561023,"teacher_disagreement_score":0.36692852,"about_ca_system_score_codex":0.0005471964,"about_ca_system_score_gemma":0.00078064314,"threshold_uncertainty_score":0.99998415},"labels":[],"label_agreement":null},{"id":"W6991227130","doi":"","title":"Following Colin : A Colin Campbell Fantasy by Gerald Hannon : Drawings by Philip Jonlin Lee","year":2008,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fantasy; The arts; Work (physics); Sister","score_opus":0.020450160312064335,"score_gpt":0.2273748921016415,"score_spread":0.20692473178957715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991227130","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002077995,0.012781353,0.0002057025,0.0013386745,0.004529052,0.0022258803,0.005446695,0.00081877393,0.97057587],"genre_scores_gemma":[0.0125142755,0.0015745109,0.000063148495,0.0066737835,0.005040044,0.00018640172,0.003946741,0.00055764016,0.96944344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923685,0.00025575882,0.001800783,0.0018982943,0.0014270984,0.0022495436],"domain_scores_gemma":[0.9961244,0.00037437203,0.00087681523,0.0014696588,0.0003366166,0.0008181783],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006139113,0.001816131,0.0022098825,0.0004369848,0.0024025752,0.0007363392,0.0011880677,0.0010605198,0.0073787905],"category_scores_gemma":[0.00008093655,0.001935767,0.0013782064,0.000019268884,0.0013400393,0.00080392405,0.0003257154,0.0018718198,0.006786635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006026387,0.00031417888,0.0000044376584,0.00017484806,0.00043620673,0.00020788495,0.05038214,0.0000021256276,0.00016977746,0.010314369,0.9362526,0.0016811966],"study_design_scores_gemma":[0.0018750886,0.00029752863,0.000005208347,0.000546742,0.00043644026,0.000043940872,0.000540288,0.000121597186,0.00015813015,0.008802831,0.9850037,0.002168466],"about_ca_topic_score_codex":0.0017852589,"about_ca_topic_score_gemma":0.007167383,"teacher_disagreement_score":0.049841855,"about_ca_system_score_codex":0.0007070841,"about_ca_system_score_gemma":0.0011352239,"threshold_uncertainty_score":0.9994584},"labels":[],"label_agreement":null},{"id":"W6991520881","doi":"","title":"Home/Land - Souvenir : Wilma Needham","year":2013,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Spectacle; Narrative; Consciousness; Sublime; Mondrian; Drama; Biography; Representation (politics)","score_opus":0.027592068382929328,"score_gpt":0.21773682067597094,"score_spread":0.19014475229304162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991520881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00064444076,0.0026498372,0.00008317677,0.00085327495,0.00465608,0.0009791034,0.00077080145,0.00057552085,0.9887878],"genre_scores_gemma":[0.00822452,0.00037755456,0.000059972994,0.0030687393,0.010936542,0.00012939333,0.0008082135,0.00037878033,0.9760163],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952621,0.00011749117,0.0010924323,0.0011494476,0.00084352435,0.0015350358],"domain_scores_gemma":[0.99675095,0.00020431934,0.00057278207,0.0014572473,0.00038018177,0.0006345259],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002943649,0.001265047,0.0014058276,0.0004341127,0.0011476898,0.0008916812,0.0008838763,0.00069933274,0.042637937],"category_scores_gemma":[0.000034771932,0.0011864534,0.00074626715,0.0000067337596,0.0013051153,0.0007006113,0.00029769953,0.0012099963,0.029018976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017839251,0.00011660596,0.000010401275,0.0001960973,0.00024280223,0.000048868522,0.045974117,0.0000024615176,0.0000030244094,0.087539606,0.8605066,0.0053416016],"study_design_scores_gemma":[0.00084868463,0.00023102101,0.000085277155,0.0003064237,0.00025569022,0.00002552326,0.0006372631,0.000072435876,0.0000036100603,0.08483168,0.911315,0.0013873989],"about_ca_topic_score_codex":0.00093136664,"about_ca_topic_score_gemma":0.0073800273,"teacher_disagreement_score":0.05080842,"about_ca_system_score_codex":0.00029905906,"about_ca_system_score_gemma":0.0006890421,"threshold_uncertainty_score":0.99905854},"labels":[],"label_agreement":null},{"id":"W6991960234","doi":"","title":"Interview with Zachary Rosenthal","year":2021,"lang":"en","type":"article","venue":"Florida International University Digital Commons (Florida International University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"AKA; Work (physics); Qualitative research; Handicraft; Quarter (Canadian coin)","score_opus":0.03522551316895141,"score_gpt":0.2001772102774076,"score_spread":0.1649516971084562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991960234","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049540803,0.000033029803,0.0030610801,0.0050928425,0.0046945666,0.00016746494,0.002497873,0.00028010184,0.93463224],"genre_scores_gemma":[0.67440903,0.000067263514,0.00011414938,0.0004973921,0.0011107004,4.5901226e-7,0.0013042388,0.000034205557,0.32246256],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979342,0.000070451424,0.00026655677,0.0006143976,0.00070027256,0.00041412344],"domain_scores_gemma":[0.997887,0.00014512264,0.00019935095,0.0003856685,0.0011173713,0.00026548363],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000068716305,0.00036808563,0.00031619074,0.0006217721,0.0004835858,0.00057577185,0.001313701,0.000093956274,0.0029818593],"category_scores_gemma":[0.000052026095,0.00042191692,0.00033123372,0.000046633875,0.00052516005,0.0026498525,0.0007800455,0.0003950038,0.00039042387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067588355,0.0006566575,0.0071710125,0.000042209664,0.0019349817,0.0046378323,0.008353281,0.00024731463,0.000043745087,0.9332301,0.039592747,0.0034142372],"study_design_scores_gemma":[0.0014365771,0.00009556827,0.00084023783,0.000110584966,0.000081418264,0.00009829965,0.007989206,0.00035143655,0.00010677054,0.00062653737,0.98776895,0.00049440557],"about_ca_topic_score_codex":0.00029904465,"about_ca_topic_score_gemma":0.00485391,"teacher_disagreement_score":0.9481762,"about_ca_system_score_codex":0.00073626474,"about_ca_system_score_gemma":0.00026063138,"threshold_uncertainty_score":0.9998233},"labels":[],"label_agreement":null},{"id":"W6992556611","doi":"","title":"Manif d'art 9 : The Quebec City Biennial : Small Between the Stars","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Ninth; Stars; Politics; Face (sociological concept)","score_opus":0.05511172576260281,"score_gpt":0.23294129393534338,"score_spread":0.17782956817274057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992556611","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016039914,0.0008808877,0.00012003598,0.003485924,0.003801713,0.0016275954,0.001310222,0.0003032444,0.9868664],"genre_scores_gemma":[0.015163975,0.00013401642,0.000013270632,0.004153439,0.011333027,0.00007346534,0.0006489878,0.0002408563,0.96823895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99529797,0.00031546244,0.0010405187,0.0010393856,0.00089981436,0.0014068615],"domain_scores_gemma":[0.9958449,0.0007691567,0.0006388667,0.0021410284,0.0003077846,0.00029824142],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00092330354,0.0011058145,0.0011084259,0.00019027639,0.0019305989,0.00097112526,0.0018025741,0.0005262769,0.0152374515],"category_scores_gemma":[0.00005029843,0.0007010505,0.0008469609,0.000009240923,0.0019672231,0.00034113647,0.00049885386,0.001785505,0.016675409],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025644977,0.000058597336,0.000036273475,0.00010570253,0.0003733847,0.00001928256,0.057843804,0.0000027448382,0.0000014620548,0.123837344,0.8116058,0.0060899416],"study_design_scores_gemma":[0.0005313692,0.00016681977,0.00087603583,0.00017774059,0.0004955168,0.000008511733,0.0008620385,0.000024839383,0.000004715742,0.02516094,0.97075874,0.00093271496],"about_ca_topic_score_codex":0.0052466122,"about_ca_topic_score_gemma":0.20244418,"teacher_disagreement_score":0.19719757,"about_ca_system_score_codex":0.00036867574,"about_ca_system_score_gemma":0.0010619549,"threshold_uncertainty_score":0.9995441},"labels":[],"label_agreement":null},{"id":"W6992695108","doi":"","title":"Max Ernst and the Aesthetic of Commercial Tourism: Max Among Some of His Favorite Dolls","year":2019,"lang":"en","type":"other","venue":"Arizona State University Library Digital Repository (Arizona State University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Tourism; Portrait; Hopi; Indigenous; Emblem; Conceptualism; Painting","score_opus":0.0074065411214153725,"score_gpt":0.14868425604728877,"score_spread":0.1412777149258734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992695108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038767684,0.0002709706,0.00006612239,0.000196676,0.00067525054,0.00077470334,0.004365645,0.0002481807,0.9546348],"genre_scores_gemma":[0.11022155,0.0007593848,0.000037624417,0.00006974238,0.00015135673,2.1477715e-7,0.00020439357,0.00021055451,0.8883452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976161,0.00022991888,0.00045724725,0.00066104805,0.00046681648,0.00056886656],"domain_scores_gemma":[0.99775434,0.00020882832,0.00091862987,0.0007342223,0.000109755885,0.00027421655],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00006222078,0.0006173398,0.0010296133,0.0009000185,0.00043599855,0.0002506811,0.0009841545,0.0002393145,0.0002271551],"category_scores_gemma":[0.0000065649488,0.00059642596,0.00045365968,0.00004710979,0.004177138,0.0024949298,0.0008930506,0.00047587187,0.000032458574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0040850663,0.0011085386,0.010669228,0.0017797133,0.0029183687,0.0029053425,0.07864541,0.000060697475,0.000022523966,0.48047754,0.40764853,0.0096790325],"study_design_scores_gemma":[0.0029934905,0.0003308098,0.0003538702,0.00032057395,0.0003181369,0.000011392714,0.0046208696,0.000032872293,0.000053668395,0.0025298202,0.98771745,0.000717044],"about_ca_topic_score_codex":0.005764553,"about_ca_topic_score_gemma":0.0010833245,"teacher_disagreement_score":0.5800689,"about_ca_system_score_codex":0.0001100413,"about_ca_system_score_gemma":0.00036011304,"threshold_uncertainty_score":0.9996487},"labels":[],"label_agreement":null},{"id":"W6992782979","doi":"","title":"Meryl McMaster : Confluence","year":2016,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Confluence; Representation (politics); Identity (music); Research article","score_opus":0.039814092680257894,"score_gpt":0.2419354870140326,"score_spread":0.2021213943337747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992782979","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006882742,0.0018095031,0.000175851,0.0009840749,0.0030259222,0.0006238759,0.0009804043,0.0003793029,0.99195224],"genre_scores_gemma":[0.0047722384,0.00028556466,0.000033364016,0.0051173195,0.0074577313,0.00006954222,0.00018188512,0.00026724156,0.9818151],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957401,0.000105911444,0.0009631917,0.0011219496,0.0007658773,0.0013029699],"domain_scores_gemma":[0.9972135,0.00024815518,0.0005175663,0.0011563902,0.00039334138,0.0004710446],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032169768,0.0010326982,0.0010897648,0.0002732648,0.00081506406,0.00046962037,0.0008226789,0.0005088684,0.0669575],"category_scores_gemma":[0.000045224915,0.0008467799,0.0005801911,0.000003319014,0.0016708947,0.00061712647,0.00025064196,0.0007467216,0.030744927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026973918,0.00006301557,0.0000025483462,0.00013628988,0.00019903982,0.000052194802,0.031415954,3.5942116e-7,0.000026946575,0.2608906,0.6937642,0.013421875],"study_design_scores_gemma":[0.0006923528,0.00015257922,0.00002374719,0.00053700863,0.00018994627,0.00001931094,0.00022667198,0.00001121958,0.000033075677,0.0668242,0.93017566,0.0011142098],"about_ca_topic_score_codex":0.00018062379,"about_ca_topic_score_gemma":0.0024730603,"teacher_disagreement_score":0.23641148,"about_ca_system_score_codex":0.00025375464,"about_ca_system_score_gemma":0.00054397294,"threshold_uncertainty_score":0.9993983},"labels":[],"label_agreement":null},{"id":"W6992831080","doi":"","title":"\\n Alone. Curated by Penny Cousineau-Levine. Gallery 44 and Gallery TPW, Toronto. September 14 – October 28, 2006","year":2006,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art gallery; Feature (linguistics); Doors","score_opus":0.00891850832816733,"score_gpt":0.16732785529684702,"score_spread":0.1584093469686797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992831080","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21100366,0.044807967,0.00016665873,0.004562942,0.00073652616,0.00051349454,0.00061227824,0.00042228843,0.73717415],"genre_scores_gemma":[0.32479617,0.0019532912,0.00007588928,0.00081981916,0.0006510151,0.000004864487,0.00031915656,0.00006568714,0.6713141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982432,0.000060498136,0.0002775105,0.00045197151,0.00028801503,0.0006787971],"domain_scores_gemma":[0.9990094,0.00006239675,0.00016261313,0.00035300036,0.000177191,0.00023541594],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011029371,0.00037912314,0.00039536098,0.00007853785,0.00096515723,0.000112693466,0.00020971002,0.00016358694,0.004090284],"category_scores_gemma":[0.0000071349464,0.00039344144,0.00014901461,0.000009507233,0.00032862992,0.0004931722,0.00017379996,0.00017675162,0.00018991092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006276925,0.00012861918,0.00029166238,0.00003718548,0.00010486507,0.0002490597,0.003900886,0.00001808414,0.00038082854,0.006034364,0.9882122,0.0005794303],"study_design_scores_gemma":[0.0011702828,0.00006664135,0.00082899845,0.00003300312,0.00011501757,0.00007076186,0.0012219416,0.0004825007,0.000066923414,0.0007344689,0.99470705,0.000502412],"about_ca_topic_score_codex":0.08028462,"about_ca_topic_score_gemma":0.80757767,"teacher_disagreement_score":0.7272931,"about_ca_system_score_codex":0.001587074,"about_ca_system_score_gemma":0.000045386994,"threshold_uncertainty_score":0.99985176},"labels":[],"label_agreement":null},{"id":"W6994202249","doi":"","title":"Sculpture Toronto","year":2004,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Photography; Painting; Legibility","score_opus":0.010277715972667686,"score_gpt":0.1625718453488924,"score_spread":0.15229412937622472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994202249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09168251,0.01955917,0.000546262,0.019963702,0.0008503526,0.00028975226,0.00015215023,0.00047239728,0.8664837],"genre_scores_gemma":[0.6722726,0.00081946363,0.00017831818,0.0014172154,0.00066721765,0.0000026607088,0.000030213801,0.000027580545,0.32458472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992509,0.000013420804,0.0000843325,0.00018061977,0.00014152081,0.00032919936],"domain_scores_gemma":[0.9995172,0.000011350044,0.00004641253,0.00022423829,0.0000544244,0.00014637507],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000041807943,0.00013807665,0.00013704374,0.000032450665,0.00069389766,0.000030165987,0.00017008545,0.00006284184,0.0011935038],"category_scores_gemma":[0.000005112767,0.00013886647,0.00011284198,0.000001942747,0.000121546655,0.00027259678,0.00008806708,0.00008361198,0.00025609895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023911216,0.000059097274,0.000018695704,0.000012564338,0.00006044539,0.0002905662,0.07532884,0.00006793999,0.00006157093,0.8512081,0.07038312,0.002485157],"study_design_scores_gemma":[0.00062191533,0.000053164633,0.000100311045,0.000012771663,0.000044433717,0.00003239814,0.0054023806,0.000019203178,0.00007515071,0.008274037,0.9851818,0.00018243505],"about_ca_topic_score_codex":0.065400556,"about_ca_topic_score_gemma":0.8786874,"teacher_disagreement_score":0.9147987,"about_ca_system_score_codex":0.00408616,"about_ca_system_score_gemma":0.00003403199,"threshold_uncertainty_score":0.99973696},"labels":[],"label_agreement":null},{"id":"W6994236141","doi":"","title":"Esther Shalev-Gerz","year":2013,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Publishing; Work (physics); Art gallery","score_opus":0.03900104749543786,"score_gpt":0.22754716237944989,"score_spread":0.18854611488401202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994236141","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018377506,0.0025412438,0.00007049453,0.0007850997,0.0031288343,0.0008859425,0.0004537248,0.0005153935,0.99143547],"genre_scores_gemma":[0.003990424,0.00028138873,0.0000714827,0.0045974376,0.008805145,0.00013227726,0.0005472663,0.00039983075,0.98117477],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956625,0.00010951115,0.0009867527,0.0011004452,0.00078320334,0.0013575873],"domain_scores_gemma":[0.99698484,0.00016473445,0.00050472317,0.0014572714,0.00037204992,0.0005164005],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002953342,0.0011406391,0.0011745128,0.00032467756,0.0008931728,0.0007383111,0.0008565233,0.0006403354,0.09176035],"category_scores_gemma":[0.000033613458,0.0010630431,0.0007009395,0.0000044106123,0.0012066009,0.0005968604,0.0002317548,0.0010804231,0.060767516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009094411,0.000095905205,0.0000023695986,0.00011934752,0.00016789175,0.000045223453,0.031341262,9.906855e-7,0.0000035404362,0.22168525,0.7389414,0.0075877868],"study_design_scores_gemma":[0.00052281935,0.00016700827,0.000037053185,0.00026797602,0.0001987765,0.000022290258,0.0003859747,0.000060038405,0.000006941325,0.08517433,0.91196316,0.0011936318],"about_ca_topic_score_codex":0.00067665597,"about_ca_topic_score_gemma":0.004833432,"teacher_disagreement_score":0.17302182,"about_ca_system_score_codex":0.00027353805,"about_ca_system_score_gemma":0.0005291102,"threshold_uncertainty_score":0.999182},"labels":[],"label_agreement":null},{"id":"W6994282383","doi":"","title":"Future (Im)perfect","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Mandate; Indigenous; George (robot); Subject (documents); Context (archaeology)","score_opus":0.024808604659160582,"score_gpt":0.22716313782582695,"score_spread":0.20235453316666638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994282383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001585538,0.0042993017,0.000041057352,0.0009038666,0.010045968,0.0009304269,0.00089107966,0.00047909174,0.98225063],"genre_scores_gemma":[0.0046153683,0.00052904437,0.000034700468,0.0042633177,0.025072608,0.000053596537,0.00094297517,0.0003617075,0.9641267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99561673,0.00013432237,0.000880319,0.001205369,0.00083087286,0.0013323799],"domain_scores_gemma":[0.9970124,0.00014704952,0.00048602416,0.0016178343,0.00031802923,0.00041867464],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003547687,0.0012067126,0.001337349,0.00034141407,0.0009938038,0.0005804062,0.00085679267,0.000797795,0.033327647],"category_scores_gemma":[0.000025352494,0.0011163347,0.000886127,0.000005275707,0.0008416195,0.0004979609,0.00024183505,0.0014281664,0.035976432],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023761346,0.00008012979,0.0000027659214,0.00024844226,0.00021518083,0.000045623972,0.039031576,0.0000018332935,0.00000517891,0.20201392,0.75274426,0.0055873557],"study_design_scores_gemma":[0.0007507843,0.00027417688,0.000034193006,0.00030413005,0.00028502746,0.000024546427,0.000843406,0.000040976163,0.000008741593,0.026741445,0.96935004,0.0013425488],"about_ca_topic_score_codex":0.00019254789,"about_ca_topic_score_gemma":0.004538172,"teacher_disagreement_score":0.2166058,"about_ca_system_score_codex":0.0003299942,"about_ca_system_score_gemma":0.0007758056,"threshold_uncertainty_score":0.9991287},"labels":[],"label_agreement":null},{"id":"W6995279885","doi":"","title":"Joe Gallagher Art","year":2015,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); George (robot); Face (sociological concept); Photography; Exposition (narrative); Taste; Key (lock)","score_opus":0.07285948821558241,"score_gpt":0.2314323589428066,"score_spread":0.15857287072722417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995279885","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45266196,0.00013323662,0.0015137399,0.00050962163,0.00060351583,0.00011417904,0.000068633744,0.00012082473,0.5442743],"genre_scores_gemma":[0.7534663,0.000009226846,0.00015528494,0.00025605876,0.00036066343,1.666395e-7,0.000034852805,0.00001564466,0.2457018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989651,0.00004926167,0.00012927008,0.00022511094,0.0002987365,0.00033256336],"domain_scores_gemma":[0.9990549,0.000035429035,0.00011541166,0.00030012167,0.00025987023,0.00023428246],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019093312,0.00015439134,0.0002441456,0.00012014491,0.00039509317,0.000078932506,0.00028822292,0.00007472451,0.0025880972],"category_scores_gemma":[0.000028743718,0.00018005216,0.00015333951,0.000005855355,0.0007175054,0.0004527631,0.00011796896,0.00013089551,0.0014115537],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024712752,0.000060169226,0.0006160927,0.000018514218,0.00005876914,0.00001265838,0.08703788,0.000009377446,8.787296e-7,0.8208249,0.09132212,0.00001389783],"study_design_scores_gemma":[0.00041185145,0.00005855912,0.000114631235,0.0000066777825,0.00003918101,0.0000023837385,0.018848442,0.00004134655,2.474253e-7,0.60780555,0.37253222,0.00013892546],"about_ca_topic_score_codex":0.0016699777,"about_ca_topic_score_gemma":0.020599468,"teacher_disagreement_score":0.30080432,"about_ca_system_score_codex":0.00009728327,"about_ca_system_score_gemma":0.00011018318,"threshold_uncertainty_score":0.999366},"labels":[],"label_agreement":null},{"id":"W6995643547","doi":"","title":"On the Periphery: An Interview with Artist Kevin Cyr","year":2021,"lang":"en","type":"article","venue":"DigitalCommons (California Polytechnic State University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Meaning (existential); Object (grammar); Style (visual arts); Lens (geology)","score_opus":0.04117839659866801,"score_gpt":0.2168034291939556,"score_spread":0.17562503259528758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995643547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045548536,0.00009705571,0.0012495198,0.0034452956,0.00013052413,0.0002742595,0.0018437855,0.00039122388,0.9470198],"genre_scores_gemma":[0.9329781,0.000052075215,0.000038194572,0.0017850538,0.000076519296,0.0000030306626,0.00014911251,0.000038362403,0.064879544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869436,0.000121681165,0.00018521336,0.00034722075,0.00021468708,0.0004368231],"domain_scores_gemma":[0.9988071,0.00012149207,0.000094892646,0.00066685694,0.00013025105,0.00017945986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010133895,0.0002585496,0.00024471962,0.00014371454,0.0005643071,0.00033247814,0.00042319993,0.000043984433,0.0012599836],"category_scores_gemma":[0.00002465483,0.0001914314,0.00014347218,0.000027188264,0.00063223246,0.000294896,0.0001758167,0.000252613,0.00028114917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007502971,0.00041029137,0.00011903829,0.000031629963,0.00015172605,0.00042812582,0.0068871337,0.00002552898,0.000020624748,0.9665754,0.015497022,0.009778483],"study_design_scores_gemma":[0.00030455325,0.00021467371,0.000056879482,0.000090032096,0.00004713047,0.000019760377,0.0049790745,0.00009396263,0.00019890646,0.004118486,0.98957086,0.00030567666],"about_ca_topic_score_codex":0.00020390587,"about_ca_topic_score_gemma":0.01379509,"teacher_disagreement_score":0.9740738,"about_ca_system_score_codex":0.00012815147,"about_ca_system_score_gemma":0.00012758611,"threshold_uncertainty_score":0.999653},"labels":[],"label_agreement":null},{"id":"W6996229860","doi":"","title":"Review of He Held Radical Light: The Art of Faith and the Faith of Art","year":2019,"lang":"en","type":"article","venue":"Research Publications (Maastricht University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Law Foundation of Nova Scotia","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Durvalumab","score_opus":0.06972807976353522,"score_gpt":0.28806294030155144,"score_spread":0.2183348605380162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996229860","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004259386,0.0042378046,0.00021038958,0.056326274,0.00005767264,0.0012940692,0.00016249823,0.000027950358,0.93342394],"genre_scores_gemma":[0.5168775,0.0133446455,0.00006938849,0.00036276845,0.00012304998,0.0000084635,0.00004855158,0.000016421824,0.46914926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986403,0.000329741,0.00023158277,0.00015267188,0.0004194746,0.0002262237],"domain_scores_gemma":[0.99784195,0.0005692271,0.00015348716,0.00053746573,0.00081977295,0.00007809711],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010582852,0.00007604114,0.00023395474,0.00039349942,0.000267145,0.00003438777,0.0005501764,0.000034153367,0.0008357778],"category_scores_gemma":[0.00027834935,0.00004621544,0.00009620503,0.00011013105,0.0017119213,0.00022754945,0.00022292271,0.00024417136,0.000047596233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020969583,0.0000835807,0.000238454,0.0004553039,0.000076167074,2.3106271e-7,0.0037390047,5.0543457e-7,0.00002154667,0.84513575,0.14997764,0.00025085933],"study_design_scores_gemma":[0.0004233386,0.000074624775,0.00022238978,0.0002602869,0.00004409631,0.0000011667613,0.002418335,0.000040888688,0.00007914072,0.00082552637,0.99556327,0.000046944555],"about_ca_topic_score_codex":0.00019552297,"about_ca_topic_score_gemma":0.00025272198,"teacher_disagreement_score":0.84558564,"about_ca_system_score_codex":0.000029685945,"about_ca_system_score_gemma":0.00025111772,"threshold_uncertainty_score":0.9151181},"labels":[],"label_agreement":null},{"id":"W6996557027","doi":"","title":"Sculptures with Sit and Think and Courthouse Scene","year":2021,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Key (lock); Painting; Tribute","score_opus":0.03008369487996772,"score_gpt":0.20141090391495323,"score_spread":0.1713272090349855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996557027","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9723219,0.0010711583,0.0001812682,0.0010137847,0.000047327347,0.00008291366,0.00015812588,0.000052879775,0.02507062],"genre_scores_gemma":[0.9850608,0.00020920506,0.0008362473,0.00028086125,0.00005681336,9.062138e-8,0.00003888038,0.000013253084,0.013503809],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992546,0.000063263906,0.000080184844,0.00022594674,0.00018115941,0.00019483257],"domain_scores_gemma":[0.9992144,0.000059634443,0.00006913926,0.00026257138,0.00023929187,0.00015497983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008234795,0.00012958718,0.00021665957,0.00009208421,0.0008942859,0.00026501235,0.00014268528,0.00004497491,0.00016883276],"category_scores_gemma":[0.000016660284,0.00013374252,0.000042809337,0.000009008095,0.00064516993,0.0010041638,0.00017106462,0.00025399984,0.000007970005],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023641439,0.0005195937,0.45432106,0.00027424743,0.0009315567,0.0008058649,0.34027877,0.000023014622,0.000061915154,0.18224122,0.008666297,0.011640058],"study_design_scores_gemma":[0.0018174574,0.0002680566,0.47908872,0.000096248565,0.00040184858,0.000043906497,0.016539121,0.00018326678,0.000026858403,0.0016902009,0.49936572,0.0004786097],"about_ca_topic_score_codex":0.0014692688,"about_ca_topic_score_gemma":0.20021695,"teacher_disagreement_score":0.4906994,"about_ca_system_score_codex":0.000016842558,"about_ca_system_score_gemma":0.00008033256,"threshold_uncertainty_score":0.814377},"labels":[],"label_agreement":null},{"id":"W6996647330","doi":"","title":"Sophie Jodoin, Room(s) to move : je, tu, elle, Expression, Centre d’exposition de Saint-Hyacinthe, MacLaren Art Centre, Musée d’art contemporain des Laurentides, Saint-Hyacinthe, Barrie, Saint-Jérôme, 2021, 224 p.","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Power (physics); Exhibition; Context (archaeology)","score_opus":0.009136204433710536,"score_gpt":0.1761615407573812,"score_spread":0.16702533632367064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996647330","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39042088,0.15403639,0.0070506446,0.18166669,0.008775003,0.0069123204,0.024413826,0.0015937854,0.22513045],"genre_scores_gemma":[0.15488261,0.0047623958,0.0010212669,0.0044561103,0.0017498663,0.00006748548,0.0016012009,0.00031629493,0.8311428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924795,0.001190003,0.0010566807,0.0015395256,0.0011350063,0.0025992922],"domain_scores_gemma":[0.9954331,0.00041152618,0.00066369126,0.0012965645,0.0005368537,0.001658296],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009237904,0.0012336932,0.0011728549,0.00076496624,0.005599474,0.00035171938,0.0011419343,0.00044922967,0.026647901],"category_scores_gemma":[0.00019971115,0.0014963902,0.0008820987,0.00013723591,0.0007918988,0.0008303431,0.0016521394,0.0012156962,0.0017275802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007907709,0.000811783,0.00057258515,0.00024237573,0.0005417836,0.0026018394,0.037757393,0.0023588976,0.0009208158,0.17167276,0.7686372,0.01309178],"study_design_scores_gemma":[0.0025761626,0.0004123899,0.00025355385,0.0005718435,0.0005287323,0.0002603275,0.028025614,0.0016712651,0.0009617101,0.010280165,0.95294374,0.0015144983],"about_ca_topic_score_codex":0.042497464,"about_ca_topic_score_gemma":0.3662834,"teacher_disagreement_score":0.6060123,"about_ca_system_score_codex":0.023033874,"about_ca_system_score_gemma":0.0003692652,"threshold_uncertainty_score":0.99904966},"labels":[],"label_agreement":null},{"id":"W6997257162","doi":"","title":"Un lugar común no es mi lugar:: relaciones artísticas entre México y Estados Unidos en un Mondo globalizado","year":2016,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Recession; Investment (military); Consolidation (business); State (computer science)","score_opus":0.0114988432677809,"score_gpt":0.22237474316487027,"score_spread":0.21087589989708938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997257162","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33045456,0.0006651675,0.00281115,0.006124318,0.0016659754,0.00063962623,0.0008332027,0.00076903653,0.656037],"genre_scores_gemma":[0.94619673,0.00041524236,0.00033124667,0.0007676925,0.0007891958,0.000007810603,0.00005429858,0.000061661034,0.051376093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978886,0.0003364266,0.00027123792,0.00044582662,0.00032896677,0.0007289228],"domain_scores_gemma":[0.998286,0.0005407308,0.00015827385,0.00050456764,0.00017110158,0.00033933326],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002265855,0.0003654188,0.00037248307,0.00019939116,0.0005980967,0.00018588263,0.00046581298,0.00024130242,0.0051441],"category_scores_gemma":[0.00012514458,0.00031680946,0.00021760007,0.000016862376,0.0008110591,0.0004647979,0.00018783216,0.00022401623,0.0011580681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011069005,0.0002018741,0.0019357024,0.00004193619,0.00020238265,0.00025642195,0.043337986,0.0000057196985,0.00022181851,0.92180425,0.02285629,0.00902493],"study_design_scores_gemma":[0.0021344323,0.0001435498,0.0028794433,0.00011990999,0.00020745494,0.000025245914,0.0044864165,0.00017994443,0.00040756748,0.031670947,0.95714444,0.00060065516],"about_ca_topic_score_codex":0.00066509633,"about_ca_topic_score_gemma":0.0009933412,"teacher_disagreement_score":0.93428814,"about_ca_system_score_codex":0.00020931709,"about_ca_system_score_gemma":0.00013782534,"threshold_uncertainty_score":0.9999284},"labels":[],"label_agreement":null},{"id":"W6997446503","doi":"","title":"Vera Frenkel: Cartographie dâune pratique / Mapping a Practice. SBC GALLERY OF CONTEMPORARY ART, MONTREAL","year":2011,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Subject (documents); Perspective (graphical)","score_opus":0.04238878910883764,"score_gpt":0.22053573569894222,"score_spread":0.17814694659010458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997446503","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070281182,0.000049341677,0.00025624895,0.002088868,0.0003878842,0.0004081526,0.00084513024,0.00005487894,0.98888135],"genre_scores_gemma":[0.9806954,0.00010103539,0.0017248752,0.0013935837,0.00035942366,0.00003148408,0.00022993358,0.000047089954,0.015417176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976242,0.00036043473,0.0007651115,0.00029951773,0.00038488695,0.0005658077],"domain_scores_gemma":[0.9975523,0.0005772632,0.00080440426,0.00037802887,0.00028415426,0.0004038902],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006122035,0.0002454171,0.00046313144,0.0011191367,0.00028073663,0.00005300451,0.0002910761,0.00007479888,0.0003651793],"category_scores_gemma":[0.0004494508,0.00026803502,0.00023141081,0.000030524436,0.00033742376,0.00040440608,0.000049132588,0.00031156093,0.000050935658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007317445,0.00020891608,0.0033513336,0.00009186193,0.00057811395,0.000028762803,0.37209937,0.0000025706156,0.00011187439,0.53424156,0.08841199,0.0008005168],"study_design_scores_gemma":[0.0009349602,0.00020835224,0.05632171,0.000117364376,0.00009801852,0.0000037876355,0.0030733144,0.00011753257,0.000101701015,0.06396453,0.87464744,0.00041131442],"about_ca_topic_score_codex":0.47299692,"about_ca_topic_score_gemma":0.75259405,"teacher_disagreement_score":0.97366726,"about_ca_system_score_codex":0.00014086868,"about_ca_system_score_gemma":0.0012517729,"threshold_uncertainty_score":0.9999772},"labels":[],"label_agreement":null},{"id":"W6997447592","doi":"","title":"\"Why are we saving All these artist publications + Other Galleries stuffs?\" The Emergence of Artist-Run Culture in Halifax. DALHOUSIE ART GALLERY","year":2016,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Art world; Painting; Photography","score_opus":0.041539798619413607,"score_gpt":0.24694150259979275,"score_spread":0.20540170398037916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997447592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016865376,0.00014407892,0.0008350659,0.122903705,0.0006444326,0.00093659735,0.0048781727,0.00011492532,0.85267764],"genre_scores_gemma":[0.93835855,0.00031578733,0.00019834362,0.0029063066,0.00033201106,0.000070138594,0.0000857427,0.0000467729,0.057686348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764884,0.000294716,0.000684306,0.0003117857,0.00041933657,0.0006410356],"domain_scores_gemma":[0.9979658,0.00046812484,0.00060329196,0.0005156361,0.0001927775,0.0002543303],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005041928,0.00022832314,0.00035090375,0.00052463845,0.00027674792,0.000098558696,0.00050405564,0.000059328893,0.001021047],"category_scores_gemma":[0.00046692113,0.0001682298,0.00015324006,0.00004296338,0.0005094442,0.00027740392,0.00007068793,0.0002167501,0.00006205021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017789649,0.00011303866,0.012647087,0.000044401088,0.00018825693,0.0000027994754,0.21704449,0.000012857073,0.00042494995,0.50348055,0.265061,0.0009628029],"study_design_scores_gemma":[0.00028939452,0.00003378863,0.06962278,0.00011813904,0.000031607382,9.741001e-7,0.0014995227,0.00004063845,0.000042171818,0.04204869,0.88605744,0.00021489116],"about_ca_topic_score_codex":0.061543826,"about_ca_topic_score_gemma":0.9284043,"teacher_disagreement_score":0.9214932,"about_ca_system_score_codex":0.00014082745,"about_ca_system_score_gemma":0.00040026518,"threshold_uncertainty_score":0.9998922},"labels":[],"label_agreement":null},{"id":"W6998680035","doi":"","title":"Angle of Vision: The Frangenberg donation to Wolfson College, Cambridge: Artists' Edition [Exhibition catalogue]","year":2025,"lang":"en","type":"book","venue":"Figshare","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Brother; Donation; Quarter (Canadian coin); Set (abstract data type); Personality","score_opus":0.03772700436597823,"score_gpt":0.2542724732482024,"score_spread":0.21654546888222417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998680035","genre_codex":"dataset","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000002061061,0.00030590108,0.0000048289235,0.0005003718,0.00053143234,0.0004702613,0.5164314,0.000051656287,0.4817021],"genre_scores_gemma":[0.0015677452,0.000006227472,0.00000526369,0.0009645785,0.0023901626,0.0001775188,0.3634065,0.000027108708,0.6314549],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986899,0.00004029773,0.0003643959,0.00030146685,0.00036869786,0.00023525643],"domain_scores_gemma":[0.99866,0.00015947425,0.00023828213,0.0003784332,0.0004914464,0.00007231375],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006368415,0.0002546025,0.00029067384,0.00017603254,0.00037455658,0.00009394891,0.00024194636,0.00020253629,0.053670183],"category_scores_gemma":[0.00016775835,0.00021377872,0.00017018992,0.000007175877,0.000051360203,0.0001679651,0.00012190743,0.00024190894,0.0012986101],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009690898,0.000029265464,6.067762e-8,0.00037353023,0.000028790684,0.00000527349,0.004538203,0.0000034889756,0.0000013940214,0.024148796,0.97027814,0.0005833901],"study_design_scores_gemma":[0.00015137559,0.00009480321,0.000051466413,0.002500552,0.0000480116,0.0000018918504,0.00016987392,0.000028770453,0.00007926044,0.0021306574,0.9945179,0.00022538537],"about_ca_topic_score_codex":0.00017020376,"about_ca_topic_score_gemma":0.006492161,"teacher_disagreement_score":0.15302487,"about_ca_system_score_codex":0.00018699655,"about_ca_system_score_gemma":0.00033072603,"threshold_uncertainty_score":0.999479},"labels":[],"label_agreement":null},{"id":"W6999082748","doi":"","title":"Brothers in art ; Pre-Raphaelites on paper Compton; Ottawa and London","year":2016,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Feature (linguistics); Government (linguistics); Photography","score_opus":0.021370632384351267,"score_gpt":0.2308308597642388,"score_spread":0.20946022737988754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999082748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18445408,0.00013192513,0.0000570601,0.0026281457,0.00016002604,0.00017209377,0.000027147418,0.00007747145,0.81229204],"genre_scores_gemma":[0.76525235,0.000052415817,0.000024776149,0.003141643,0.00017502325,0.000009033145,0.0000022120041,0.000013038121,0.2313295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935794,0.000024926736,0.00014794827,0.00016332034,0.00008899432,0.00021689662],"domain_scores_gemma":[0.9996588,0.000101211706,0.00002380524,0.00013600505,0.000020222455,0.000059948048],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007649701,0.00010633291,0.000118239834,0.000064275744,0.00008061355,0.000050605166,0.000057242156,0.000029065697,0.0046484456],"category_scores_gemma":[0.000012217302,0.00006304123,0.00003100714,9.796927e-7,0.00024611963,0.00017720717,0.0000179454,0.00004347376,0.00023392477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038741804,0.00012311079,0.0061939573,0.000021580974,0.00002438646,0.0000044720764,0.040727325,7.9202425e-7,0.0005171739,0.87381476,0.0698364,0.008697282],"study_design_scores_gemma":[0.0006298748,0.00010220764,0.0039018705,0.00004958052,0.000004203578,8.497294e-7,0.00034487553,0.000015413078,0.00034663774,0.012769485,0.9816936,0.00014139974],"about_ca_topic_score_codex":0.00067797344,"about_ca_topic_score_gemma":0.02320376,"teacher_disagreement_score":0.9118572,"about_ca_system_score_codex":0.000017338509,"about_ca_system_score_gemma":0.000009880457,"threshold_uncertainty_score":0.9962614},"labels":[],"label_agreement":null},{"id":"W6999207538","doi":"","title":"Carol Sawyer: The Natalie Brettschneider Archive, Vancouver Art Gallery","year":2018,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Painting; Photography","score_opus":0.017277069906140478,"score_gpt":0.21085872015812718,"score_spread":0.1935816502519867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999207538","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00249033,0.000012139047,0.00035605396,0.005602574,0.0014703784,0.00036717983,0.0013196702,0.00006917598,0.9883125],"genre_scores_gemma":[0.86209303,0.00003385119,0.00043866492,0.008272188,0.0023955407,0.000034378543,0.00020630646,0.00006383226,0.12646219],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974472,0.00026492032,0.0005362008,0.00035345592,0.0005219755,0.00087623845],"domain_scores_gemma":[0.9979086,0.0006201819,0.00034686053,0.0005569823,0.00021250585,0.00035490384],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053888815,0.0002706199,0.00033046797,0.00059951644,0.0009769758,0.00015048863,0.0005517127,0.00005467304,0.0012580708],"category_scores_gemma":[0.00028602287,0.00023094466,0.00022420211,0.000023264603,0.00084026443,0.0002047204,0.00009283907,0.00036320204,0.0005865847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017304177,0.000029010058,0.0008764405,0.00001612247,0.00017320408,0.0000041660883,0.05960135,0.0000035566975,0.000034576915,0.29064897,0.6478464,0.00074888684],"study_design_scores_gemma":[0.00036258312,0.00007374438,0.009455531,0.000027560172,0.000055626853,0.0000017375365,0.00037013015,0.00026129698,0.000039455157,0.08670876,0.90238434,0.00025920625],"about_ca_topic_score_codex":0.11575641,"about_ca_topic_score_gemma":0.9535216,"teacher_disagreement_score":0.8618503,"about_ca_system_score_codex":0.00022958306,"about_ca_system_score_gemma":0.00078842527,"threshold_uncertainty_score":0.9996549},"labels":[],"label_agreement":null},{"id":"W6999440495","doi":"","title":"Corral, Wodiska y Ca. Cigar Factory : Records of Chris Corral : A Collection Guide","year":2013,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Factory (object-oriented programming); Work (physics); Data collection; Field (mathematics)","score_opus":0.031296080758750976,"score_gpt":0.18704552456467363,"score_spread":0.15574944380592265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999440495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8464744,0.000038150825,0.001373665,0.00014390878,0.00077552145,0.00041918937,0.0026006275,0.00012664725,0.1480479],"genre_scores_gemma":[0.9571107,0.00001999781,0.00014463313,0.000023138971,0.00016184767,1.9961956e-7,0.00018626398,0.000030309226,0.042322893],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99803954,0.000065051834,0.00037457567,0.00045577134,0.00053187954,0.00053315493],"domain_scores_gemma":[0.99760413,0.00011260692,0.0006227918,0.00058304245,0.0007581558,0.00031925965],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012148384,0.00037396577,0.0007715299,0.00052024995,0.00089851365,0.0000758814,0.0007758428,0.00020474898,0.0023451615],"category_scores_gemma":[0.000043102104,0.00048904674,0.0005215484,0.00006443699,0.0014874967,0.0014141919,0.00042391758,0.00034509055,0.0001963419],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010192508,0.0005359792,0.06416636,0.00047454427,0.0009989636,0.000069559326,0.8557779,0.00020816502,0.00009227061,0.008618001,0.06611313,0.0019258854],"study_design_scores_gemma":[0.005010777,0.0013527445,0.03444568,0.00036292846,0.0006710397,0.000008381308,0.76981723,0.0025067155,0.00012570874,0.0015772955,0.18252417,0.001597347],"about_ca_topic_score_codex":0.014793932,"about_ca_topic_score_gemma":0.00940602,"teacher_disagreement_score":0.116411045,"about_ca_system_score_codex":0.00018874591,"about_ca_system_score_gemma":0.00027559424,"threshold_uncertainty_score":0.9997561},"labels":[],"label_agreement":null},{"id":"W6999546510","doi":"","title":"The Dead Web – The End, Musée Ludwig, Musée d’art contemporain, Budapest &amp; Molior, Montréal","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Internet; Exposition (narrative); Web site; Key (lock)","score_opus":0.020198388986948812,"score_gpt":0.1783616815825599,"score_spread":0.1581632925956111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999546510","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015454334,0.16342023,0.00046791945,0.5740786,0.0021840653,0.0010027033,0.001293859,0.0003303893,0.24176787],"genre_scores_gemma":[0.23163244,0.029322147,0.000083263396,0.011857142,0.0030127647,0.00002505473,0.0001236105,0.00013493086,0.72380865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963627,0.00039355102,0.0005434368,0.000684363,0.0006401226,0.0013758455],"domain_scores_gemma":[0.9970882,0.0005917836,0.0004048141,0.00091401325,0.00028739916,0.00071381434],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043860273,0.0006809003,0.00059186656,0.00009682729,0.005803355,0.00035507348,0.0011186693,0.0003047443,0.0012335152],"category_scores_gemma":[0.00012414786,0.00053389027,0.000608604,0.000040526713,0.0019517698,0.00043738607,0.00067964586,0.0008417622,0.0035839742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018213087,0.00008754338,0.000041402945,0.000055155888,0.00033790426,0.00059875037,0.03534617,0.00007038937,0.000048742466,0.34331787,0.6141369,0.0057770503],"study_design_scores_gemma":[0.0014604097,0.00018702543,0.000074852076,0.00005994275,0.00044019104,0.0001652794,0.014479433,0.0020621486,0.000024662162,0.0018137769,0.9785951,0.0006371835],"about_ca_topic_score_codex":0.05571676,"about_ca_topic_score_gemma":0.7778056,"teacher_disagreement_score":0.7220889,"about_ca_system_score_codex":0.0020850478,"about_ca_system_score_gemma":0.00024535277,"threshold_uncertainty_score":0.9997113},"labels":[],"label_agreement":null},{"id":"W6999813539","doi":"","title":"DRAFTS 5 : DISAPORIC BODIES","year":2024,"lang":"en","type":"article","venue":"KTH Publication Database DiVA (KTH Royal Institute of Technology)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Event (particle physics); Space (punctuation); Focus (optics); Visual culture; Identification (biology)","score_opus":0.043631141983409734,"score_gpt":0.27894614428616565,"score_spread":0.23531500230275593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999813539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04505757,0.0065634563,0.008112746,0.06937874,0.0091036325,0.0015666215,0.00885958,0.0065503255,0.8448073],"genre_scores_gemma":[0.93491673,0.00018092358,0.001423347,0.00048763867,0.00065472943,0.00015092643,0.0022307362,0.00004209276,0.059912857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983487,0.000013823718,0.0004933493,0.0004818666,0.00026039616,0.0004018561],"domain_scores_gemma":[0.9985463,0.000028261122,0.00013943305,0.0008675197,0.000318742,0.00009972456],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020015014,0.00024310697,0.0002702597,0.00080740574,0.00034882315,0.00023843854,0.00059420237,0.0001396153,0.0009471956],"category_scores_gemma":[0.00030107392,0.0002163044,0.00010397123,0.00003678395,0.0011343844,0.0010663132,0.00035719355,0.0003224266,0.000339643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045220236,0.00011632695,0.00014041497,0.00016829908,0.00007668155,0.000010332054,0.0028204147,0.000004556562,0.000053892734,0.8360876,0.15066053,0.009856456],"study_design_scores_gemma":[0.00016041918,0.000052875752,0.000056676537,0.0001060207,0.00006191065,0.000004796429,0.0004745869,0.0010844691,0.00068519334,0.006093044,0.99097854,0.0002414549],"about_ca_topic_score_codex":0.00058038055,"about_ca_topic_score_gemma":0.0018570733,"teacher_disagreement_score":0.8898592,"about_ca_system_score_codex":0.000070733404,"about_ca_system_score_gemma":0.00018180869,"threshold_uncertainty_score":0.9999661},"labels":[],"label_agreement":null},{"id":"W7000134639","doi":"","title":"Emily Promise Allison, Dream Sequence, Untitled Art Society, Calgary","year":2019,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Arthritis Society","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.013384912450254726,"score_gpt":0.17500687660671777,"score_spread":0.16162196415646304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000134639","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34007385,0.0028022842,0.00011189442,0.006031833,0.00064889167,0.0006403563,0.00017809996,0.00038233638,0.64913046],"genre_scores_gemma":[0.18362775,0.0007054305,0.0002035171,0.0014858944,0.00031993288,0.0000055717637,0.000111339265,0.000039536928,0.813501],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887806,0.000026852847,0.0001423945,0.00029498828,0.00021348425,0.00044423336],"domain_scores_gemma":[0.9992874,0.00003374872,0.00009212323,0.0003312055,0.000092272574,0.0001632267],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009477195,0.00019738243,0.0002313979,0.000060242757,0.00050149136,0.000048394566,0.0002448378,0.00010016381,0.0045560943],"category_scores_gemma":[0.000005049272,0.00020177715,0.00021966228,0.0000071264026,0.00018498482,0.00023129866,0.00015684542,0.00017283742,0.003019918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004654316,0.00008826261,0.00055732677,0.00006065931,0.0001469112,0.00017422749,0.03294878,0.000018103878,0.0005450356,0.17370073,0.7905829,0.0011305372],"study_design_scores_gemma":[0.0007128012,0.00007185651,0.00010293548,0.000024838411,0.00006605504,0.000024967174,0.0019792914,0.0010989549,0.000088974,0.0023622517,0.9931956,0.00027145178],"about_ca_topic_score_codex":0.0066814763,"about_ca_topic_score_gemma":0.10028824,"teacher_disagreement_score":0.20261274,"about_ca_system_score_codex":0.0014176321,"about_ca_system_score_gemma":0.00007072797,"threshold_uncertainty_score":0.9999331},"labels":[],"label_agreement":null},{"id":"W7000585299","doi":"","title":"The fertile crescent gender, art, and society ; [in conjunction with the exhibition ...Mason Gross Galleries, New Brunswick, August 13 - September 9, 2012 ; Princeton University Art Museum, Princeton, New Jersey, August 18, 2012 - January 13, 2013 ; Bernstein Gallery, Princeton, New Jersey, August 20 - October 19, 2012 ; Mary H. Dana Women Artists Series Galleries, New Brunswick, New Jersey, August 29 - December 17, 2012 ; Arts Council of Princeton / Paul Robeson Center for the Arts, Princeton, New Jersey, October 4 - November 21, 2012]","year":2012,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conjunction (astronomy); Exhibition; Exposition (narrative); Painting","score_opus":0.04498124495826396,"score_gpt":0.23313097996174403,"score_spread":0.1881497350034801,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000585299","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07579149,0.044922493,0.030854722,0.04873038,0.015190954,0.03190534,0.0018995771,0.0031572669,0.7475478],"genre_scores_gemma":[0.009192064,0.0071541904,0.0019496913,0.0035763183,0.006556456,0.00012599023,0.001313561,0.0006301222,0.9695016],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.984386,0.0006626838,0.0031113909,0.0029489447,0.003286073,0.0056048734],"domain_scores_gemma":[0.9878132,0.0009206447,0.00246197,0.003516834,0.0010719036,0.00421548],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0026552733,0.0033211755,0.0027344134,0.0004222998,0.00325424,0.001692846,0.0021483006,0.0013476566,0.03672421],"category_scores_gemma":[0.00012140381,0.002442117,0.001265125,0.00034995054,0.003190275,0.011833168,0.0017969944,0.0024602634,0.00065784354],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036489323,0.0010423234,0.0058215293,0.0004310887,0.0015074702,0.00003242763,0.02407553,0.00034248395,0.000111266956,0.016709173,0.9449357,0.0013421018],"study_design_scores_gemma":[0.009813232,0.0006825392,0.023074862,0.000548324,0.00094138115,0.00022269638,0.010022951,0.00020083728,0.00021613379,0.00073789875,0.9505956,0.0029435032],"about_ca_topic_score_codex":0.06353917,"about_ca_topic_score_gemma":0.6231201,"teacher_disagreement_score":0.559581,"about_ca_system_score_codex":0.0034093375,"about_ca_system_score_gemma":0.014569469,"threshold_uncertainty_score":0.9999488},"labels":[],"label_agreement":null},{"id":"W7000832956","doi":"","title":"General Idea haute culture ; a retrospective, 1969 - 1994 ; ARC/Musée d'Art Moderne de la Ville de Paris [February 11 - April 30, 2011], Art Gallery of Ontario, Toronto [July 16, 2011 - January 1, 2012]","year":2011,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Photography; Painting; Visual culture","score_opus":0.01928484210765326,"score_gpt":0.22746152108676645,"score_spread":0.20817667897911318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000832956","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031915246,0.0039967434,0.0008994587,0.00005029088,0.00096204336,0.0006220231,0.0007713818,0.0003853908,0.9919935],"genre_scores_gemma":[0.0020349526,0.0024344467,0.0019786253,0.0013269195,0.0028271195,0.00010135227,0.0005102422,0.0005556567,0.9882307],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99635124,0.00020091973,0.0007782191,0.00091628596,0.0005396153,0.0012137189],"domain_scores_gemma":[0.9977607,0.00003969893,0.0005544716,0.0010599608,0.00012517054,0.0004599617],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036565468,0.0010118162,0.0013127398,0.00019616696,0.00030977573,0.0001540093,0.0006490512,0.0009539871,0.22427836],"category_scores_gemma":[0.000009026265,0.0008835598,0.0006125714,0.0000036072304,0.0008443453,0.00044492653,0.00026308515,0.0007654768,0.0018986234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004554111,0.00039422218,0.00094905734,0.00013128137,0.0005607538,0.000034048342,0.0437354,0.00000249329,0.000021682954,0.03743918,0.91663635,0.000049986746],"study_design_scores_gemma":[0.00081879966,0.00019432379,0.0015303396,0.00016676755,0.00031346196,0.000023023393,0.00048160972,0.000037454338,0.00006315411,0.0064000287,0.9888828,0.001088266],"about_ca_topic_score_codex":0.79387605,"about_ca_topic_score_gemma":0.92829823,"teacher_disagreement_score":0.22237973,"about_ca_system_score_codex":0.0011906638,"about_ca_system_score_gemma":0.0009088955,"threshold_uncertainty_score":0.9993615},"labels":[],"label_agreement":null},{"id":"W7001153830","doi":"","title":"Incredible Tretchikoff life of an artist and adventurer","year":2013,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Painting; Girl; Feature (linguistics); Alien","score_opus":0.027563529857198923,"score_gpt":0.23223237480729425,"score_spread":0.20466884495009532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001153830","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040168848,0.00069428247,0.000018522254,0.00007673883,0.00028494842,0.00014148805,0.00015912385,0.000097044925,0.99812615],"genre_scores_gemma":[0.007865973,0.00013303952,0.00014731241,0.0006497452,0.0015222409,0.000008264702,0.00006621844,0.00015410254,0.9894531],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994,0.000018333005,0.00015659496,0.00016238347,0.000099891884,0.00016274727],"domain_scores_gemma":[0.99951917,0.0000107648275,0.000099915094,0.00021847915,0.000023892499,0.00012776637],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000030365287,0.00015823994,0.00025567494,0.000098115175,0.00004928871,0.000054352127,0.000087017135,0.00010146005,0.0525914],"category_scores_gemma":[0.000006734952,0.00012089919,0.00004258879,5.289644e-7,0.0002928542,0.00006712547,0.000037526755,0.00007798643,0.0001793819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021829017,0.00003808792,0.000013837942,0.00007551549,0.000043270247,7.46993e-7,0.007918179,3.009298e-8,0.0000012030393,0.18223557,0.8091459,0.0005254711],"study_design_scores_gemma":[0.00016492138,0.00006217277,0.00002297497,0.000038284135,0.000032012907,7.076543e-7,0.00070277945,0.00004443739,0.000007694375,0.0020514268,0.99670696,0.00016564631],"about_ca_topic_score_codex":0.0170412,"about_ca_topic_score_gemma":0.03795205,"teacher_disagreement_score":0.18756104,"about_ca_system_score_codex":0.0000043641503,"about_ca_system_score_gemma":0.00002952478,"threshold_uncertainty_score":0.9895044},"labels":[],"label_agreement":null},{"id":"W7001330434","doi":"","title":"Italian drawings from the National Gallery of Canada [itinerary: University of Toronto Art Centre, 21 January - 29 March 2003 ...]","year":2003,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Line drawings; Photography; Exhibition; Art gallery","score_opus":0.017995531828781372,"score_gpt":0.19271151777415313,"score_spread":0.17471598594537174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001330434","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000028323271,0.0004398336,0.00000867034,0.0004675452,0.00043116751,0.00015845933,0.002785342,0.000018376186,0.9956623],"genre_scores_gemma":[0.0014814063,0.00011729919,0.00008190652,0.0010221038,0.00050411996,3.649381e-7,0.00037178365,0.000058606278,0.9963624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999016,0.000053913864,0.00016553352,0.00017941925,0.00037192274,0.00021323242],"domain_scores_gemma":[0.99936295,0.00005407184,0.00015659613,0.00017518138,0.00018382857,0.000067386565],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000061267885,0.00017005292,0.00025069615,0.00002216407,0.00012701812,0.000015093296,0.00022026998,0.00008076869,0.10412554],"category_scores_gemma":[0.00001509633,0.00014048419,0.00007170239,0.0000020380296,0.00026757302,0.000063557025,0.000043793436,0.00009097423,0.000020989752],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005158073,0.000029983472,0.000060003,0.000022210024,0.00013935404,0.000002773213,0.0050971294,3.8447683e-7,7.1216544e-7,0.04420669,0.9504141,0.000021461987],"study_design_scores_gemma":[0.00018783855,0.0000081979215,0.00012280016,0.00005811878,0.0000313971,2.4803754e-7,0.0039357217,0.000008029471,0.0000035779997,0.00045367758,0.99503344,0.000156944],"about_ca_topic_score_codex":0.9574496,"about_ca_topic_score_gemma":0.99733275,"teacher_disagreement_score":0.10410455,"about_ca_system_score_codex":0.00014600213,"about_ca_system_score_gemma":0.0009055579,"threshold_uncertainty_score":0.8966934},"labels":[],"label_agreement":null},{"id":"W7001455143","doi":"","title":"Kirsten Abrahamson BFA, MFA","year":2020,"lang":"en","type":"article","venue":"SOURCE Sheridan's Institutional Repository (Sheridan College)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Studio; Painting; Sculpture; Contemporary art","score_opus":0.032293817454405314,"score_gpt":0.21197834293328827,"score_spread":0.17968452547888294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001455143","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16564386,0.0005781571,0.0015123104,0.0035010162,0.0035729478,0.000717359,0.00032488164,0.00085391715,0.82329553],"genre_scores_gemma":[0.8885585,0.00001246621,0.00028307404,0.0042693,0.006417359,0.00007361368,0.00006306076,0.0000861214,0.1002365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99666655,0.00013997809,0.0007781169,0.0008204884,0.00082939107,0.0007655015],"domain_scores_gemma":[0.99820566,0.00009871852,0.00024857136,0.0005060005,0.00029808594,0.00064294593],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017605326,0.00055053225,0.00054629793,0.000112954855,0.0026048382,0.00040794222,0.0006130005,0.00019354717,0.0011862318],"category_scores_gemma":[0.000110676774,0.0005443117,0.00041337727,0.000025592484,0.0015479614,0.0006883487,0.00022553449,0.0005231079,0.00050101895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007694958,0.0007077692,0.0023500847,0.00054615556,0.0008074588,0.0014077546,0.1720526,0.0037954121,0.004516503,0.66378707,0.14674093,0.0025187265],"study_design_scores_gemma":[0.0008647801,0.00024308788,0.00036289246,0.000075575386,0.00008499351,0.00011179759,0.0044869347,0.0018861265,0.001066094,0.00066966587,0.9894466,0.00070147647],"about_ca_topic_score_codex":0.0008279551,"about_ca_topic_score_gemma":0.00056740164,"teacher_disagreement_score":0.84270567,"about_ca_system_score_codex":0.0003246417,"about_ca_system_score_gemma":0.0007044278,"threshold_uncertainty_score":0.99972683},"labels":[],"label_agreement":null},{"id":"W7001515703","doi":"","title":"Kara Hamilton, Wane Awareless &amp; Lifted, Toronto, G Gallery","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sequence (biology); Relation (database); Term (time); Closure (psychology)","score_opus":0.016544639732532493,"score_gpt":0.17813951870605094,"score_spread":0.16159487897351843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001515703","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42293453,0.01903852,0.0025972829,0.022409027,0.0020077748,0.00057677436,0.00070336746,0.0010060038,0.52872676],"genre_scores_gemma":[0.42561164,0.0030981854,0.00009558364,0.00069512136,0.00068714167,0.0000053391154,0.000030373682,0.0000425894,0.56973404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986473,0.0000474766,0.00017792759,0.00032382447,0.00023724041,0.0005662476],"domain_scores_gemma":[0.9989894,0.0000844676,0.00010617863,0.00044395882,0.00012944266,0.00024656352],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000094020674,0.00023912305,0.00025873684,0.00006737554,0.0007604466,0.000038640148,0.00030135742,0.00010594373,0.003574391],"category_scores_gemma":[0.000015100055,0.00019603745,0.00016483516,0.0000037065201,0.0002593773,0.000416431,0.00014360547,0.000089214016,0.00079306716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016663814,0.00015844678,0.00034570118,0.00004214114,0.0002472449,0.00044317893,0.07043618,0.000005910906,0.00079274626,0.24290715,0.6631933,0.021261347],"study_design_scores_gemma":[0.0007990793,0.00005538544,0.000262647,0.000043179003,0.000057886464,0.000040039053,0.0017976009,0.00002005356,0.00008044804,0.0018499121,0.9946707,0.00032309126],"about_ca_topic_score_codex":0.030338252,"about_ca_topic_score_gemma":0.83375126,"teacher_disagreement_score":0.80341303,"about_ca_system_score_codex":0.0031173138,"about_ca_system_score_gemma":0.00004351016,"threshold_uncertainty_score":0.9999849},"labels":[],"label_agreement":null},{"id":"W7001882822","doi":"","title":"Life and People : Mark DeLong, Barry Doupé &amp; Lorna Mills","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Representation (politics); Work (physics); Natural (archaeology)","score_opus":0.026656065868097673,"score_gpt":0.22678814087433502,"score_spread":0.20013207500623734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001882822","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013268332,0.0077648023,0.00040595382,0.0016611342,0.0032224183,0.00084010954,0.0006844746,0.00040423122,0.98369],"genre_scores_gemma":[0.012495346,0.0009053367,0.00012220629,0.0058782133,0.007882569,0.00006731385,0.000727437,0.00031665488,0.97160494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955164,0.00017557734,0.0010498577,0.0012327097,0.0007335466,0.001291896],"domain_scores_gemma":[0.99633044,0.0003705646,0.00052538473,0.0013386529,0.00030822866,0.0011267109],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052376627,0.0011618104,0.001451135,0.00034296315,0.0011691,0.00067485427,0.0006297183,0.0006338827,0.016422331],"category_scores_gemma":[0.00016806507,0.0011281114,0.0005168688,0.000006750194,0.0010558268,0.0004069776,0.0003275324,0.0009981457,0.009075061],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003695307,0.00007531494,0.000029651732,0.00034149602,0.00022982563,0.000018585408,0.04474135,0.0000023399498,0.0000040869536,0.064515635,0.8867189,0.0032858017],"study_design_scores_gemma":[0.00087234436,0.00014995656,0.00021640158,0.00028787495,0.0002757056,0.000028805005,0.0003371485,0.000067320834,0.0000019693964,0.029346915,0.96708614,0.0013294382],"about_ca_topic_score_codex":0.0005429113,"about_ca_topic_score_gemma":0.035954513,"teacher_disagreement_score":0.08036716,"about_ca_system_score_codex":0.00016739586,"about_ca_system_score_gemma":0.0006996936,"threshold_uncertainty_score":0.9991169},"labels":[],"label_agreement":null},{"id":"W7001907394","doi":"","title":"L'image cubiste et la question de l'autorÃ©fÃ©rence","year":2008,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Context (archaeology); Ambivalence; Function (biology); Sign (mathematics); Quality (philosophy); Code (set theory); Neglect","score_opus":0.006691948518867006,"score_gpt":0.16983832846244454,"score_spread":0.16314637994357753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001907394","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012896542,0.00043455075,0.00007534039,0.0010049789,0.00027249395,0.0001128334,0.00097463373,0.00003746806,0.99695873],"genre_scores_gemma":[0.031851016,0.0010540421,0.0007098508,0.002500838,0.0004037142,0.0000081591,0.000039662144,0.00013768073,0.96329504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983252,0.00013032886,0.00020024474,0.00022369143,0.0008171725,0.0003033461],"domain_scores_gemma":[0.99930835,0.00010806977,0.00018249497,0.00019212916,5.314985e-7,0.00020842018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000013371221,0.00024416426,0.00027260033,0.000033736967,0.00016573208,0.000048224007,0.00018588228,0.000047834295,0.0005575588],"category_scores_gemma":[0.0000027148672,0.00023895715,0.000037025755,0.000002021787,0.0003204229,0.00017503036,0.0000828813,0.00018405156,2.3212026e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036357986,0.000025965384,0.00038104877,0.00026719537,0.00007866171,0.00013984977,0.0022220968,0.0000016944144,0.00015122171,0.74047494,0.25512785,0.0010931053],"study_design_scores_gemma":[0.00015311388,0.000027753647,0.00066012645,0.00023055467,0.000022244338,0.000008951067,0.00079577387,0.00013035056,0.0004180001,0.0014925954,0.99579036,0.00027017822],"about_ca_topic_score_codex":0.053250443,"about_ca_topic_score_gemma":0.5191979,"teacher_disagreement_score":0.7406625,"about_ca_system_score_codex":0.000008514388,"about_ca_system_score_gemma":0.0016697638,"threshold_uncertainty_score":0.97443897},"labels":[],"label_agreement":null},{"id":"W7001970527","doi":"","title":"\"Life a user's manual\", de Michelle Teran (Canada), 2004","year":2005,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Context (archaeology); Power (physics); Work (physics); Term (time)","score_opus":0.019711221060233947,"score_gpt":0.22899750161832702,"score_spread":0.20928628055809306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001970527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000007782306,0.0010440958,0.00008515206,0.0011817059,0.00055709144,0.00015809179,0.00027397266,0.00019549731,0.9964966],"genre_scores_gemma":[0.00067276123,0.000081268794,0.00018684221,0.016122479,0.0051860926,0.000011784748,0.00006736459,0.00031785693,0.9773536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890274,0.000022009603,0.00018928178,0.00023264773,0.00019735767,0.00045595155],"domain_scores_gemma":[0.9993137,0.00001733188,0.00008326792,0.00029038853,0.00002245661,0.00027285184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000041467887,0.00027095334,0.00027667268,0.00009026987,0.0001375574,0.00008991271,0.0002086614,0.00012743301,0.1269375],"category_scores_gemma":[0.000011317697,0.00023675877,0.00008467176,7.201021e-7,0.00013944642,0.000039666444,0.00003728748,0.00015777149,0.00034959847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016908231,0.000026213735,0.000009026906,0.00003716836,0.000074484145,0.0000085445035,0.005505448,7.631763e-7,3.2975726e-7,0.04675949,0.9473151,0.0002617168],"study_design_scores_gemma":[0.00020440621,0.000012217169,0.0000042111647,0.00004551806,0.000040051546,0.0000019176023,0.0007786964,0.00001628409,0.0000064748524,0.00023631622,0.9983234,0.00033052257],"about_ca_topic_score_codex":0.7432015,"about_ca_topic_score_gemma":0.99467975,"teacher_disagreement_score":0.25147822,"about_ca_system_score_codex":0.00010461498,"about_ca_system_score_gemma":0.00074491877,"threshold_uncertainty_score":0.96547425},"labels":[],"label_agreement":null},{"id":"W7002109695","doi":"","title":"Michael Snow's \"Powers of Two\"","year":2017,"lang":"en","type":"article","venue":"Lund University Publications (Lund University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Exposition (narrative); Relation (database); George (robot)","score_opus":0.04665865431800098,"score_gpt":0.2348565140079066,"score_spread":0.18819785968990563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002109695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008954469,0.000011215394,0.0011399256,0.0033722739,0.00029218828,0.000166232,0.00030413226,0.000120379176,0.98563915],"genre_scores_gemma":[0.092415795,0.00004633348,0.0002373572,0.00012144855,0.00014680595,1.0858601e-7,0.000072444076,0.000013698693,0.906946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989867,0.00005339876,0.00013013504,0.0003222496,0.00017672671,0.00033076832],"domain_scores_gemma":[0.99804634,0.000073553965,0.00030374713,0.0009346904,0.00043603202,0.00020561871],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00009300712,0.0001674374,0.00021783476,0.00061842956,0.002743969,0.0001894828,0.001151413,0.000078285644,0.00077436934],"category_scores_gemma":[0.000051392115,0.00021015642,0.00017613893,0.000019900692,0.0012768453,0.0015139584,0.00034646955,0.00016425677,0.000059589194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018575634,0.0001251226,0.0005311634,0.000011811921,0.00009487822,0.000009675488,0.011185294,0.0000052959467,0.00002044055,0.9771524,0.010584634,0.00026071595],"study_design_scores_gemma":[0.00089068234,0.000037449412,0.00062310847,0.000016732854,0.00013205691,0.0000015106157,0.008696259,0.00010444376,0.00003149779,0.001604394,0.987634,0.00022786144],"about_ca_topic_score_codex":0.004622407,"about_ca_topic_score_gemma":0.020165153,"teacher_disagreement_score":0.97704935,"about_ca_system_score_codex":0.0001889612,"about_ca_system_score_gemma":0.00016848605,"threshold_uncertainty_score":0.99855435},"labels":[],"label_agreement":null},{"id":"W7002116778","doi":"","title":"Mary Filer Exhibition Pamphlet","year":2022,"lang":"en","type":"article","venue":"oURspace (University of Regina)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Subject (documents); Subject matter; Work (physics); Painting; Performance art","score_opus":0.026507170477642065,"score_gpt":0.1917144091167332,"score_spread":0.16520723863909115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002116778","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08071927,0.00013594807,0.0004535611,0.7814619,0.0004938042,0.00016431103,0.00034910635,0.0001236555,0.13609844],"genre_scores_gemma":[0.17613578,0.00003657538,0.000164899,0.0003006143,0.0001426265,4.6826875e-7,0.00006736191,0.000011205143,0.8231405],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994367,0.00005049646,0.000008342113,0.00014236021,0.00018524211,0.00017688447],"domain_scores_gemma":[0.9996189,0.000021477097,0.00008074516,0.00017445636,0.000049053997,0.000055389664],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000085460655,0.00007403858,0.00011911014,0.00007545565,0.0007363314,0.000013926301,0.00016024492,0.000020055586,0.0016201843],"category_scores_gemma":[0.000003377276,0.00009851782,0.00008940674,0.0000039981005,0.00024962454,0.00017768418,0.00014082821,0.0001191364,0.000053203858],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017564125,0.000023977538,0.000052089737,0.0000149917005,0.000017283099,0.00002575341,0.02379045,0.000020605252,0.000023545625,0.07234593,0.9032655,0.00040234975],"study_design_scores_gemma":[0.00028611603,0.00008934247,0.000102972444,0.000007756397,0.000026350524,0.0000044233147,0.043755665,0.00011128569,0.0000064467786,0.0003148947,0.95518386,0.00011087316],"about_ca_topic_score_codex":0.00014776696,"about_ca_topic_score_gemma":0.0022237308,"teacher_disagreement_score":0.7811613,"about_ca_system_score_codex":0.000072874616,"about_ca_system_score_gemma":0.000043322572,"threshold_uncertainty_score":0.9992925},"labels":[],"label_agreement":null},{"id":"W7002313162","doi":"","title":"Music Making in Elderly Community Program for Korean Immigrants in Canada","year":2023,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Immigration; Homeland; Identity (music); Meaning (existential); Quality of life (healthcare); Sense of community","score_opus":0.21306078038227586,"score_gpt":0.32750482690638866,"score_spread":0.1144440465241128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002313162","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9966396,0.000018340994,0.00001156904,0.00016979863,0.00036866998,0.0006745524,0.00016555839,0.00017607615,0.0017758103],"genre_scores_gemma":[0.99027395,0.000010250641,0.000008724077,0.00042468598,0.000115901814,0.000011547882,0.00010936526,0.000045123612,0.009000469],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99806005,0.00027956915,0.00030964406,0.00031933046,0.0002457031,0.00078570837],"domain_scores_gemma":[0.99902743,0.00020536997,0.00011988658,0.00041607677,0.00009476392,0.00013646643],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004267828,0.00026775585,0.0003434402,0.00060874235,0.00050257886,0.00022211278,0.00065044285,0.00009074343,0.000030936208],"category_scores_gemma":[0.000036354206,0.00031300713,0.0000955371,0.000052097308,0.000153468,0.0008117695,0.00023034039,0.00067591504,0.000034980872],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074969525,0.0001550891,0.9432679,0.00016267766,0.00003439672,0.00029448917,0.05084641,0.000032387645,0.000011707022,0.00086210144,0.000017110635,0.004240793],"study_design_scores_gemma":[0.0019079997,0.00021957875,0.92813945,0.0003746802,0.000037185084,0.0000044497283,0.025173783,0.00001066335,0.000057472982,0.0011898855,0.04232737,0.0005575065],"about_ca_topic_score_codex":0.31700101,"about_ca_topic_score_gemma":0.99966484,"teacher_disagreement_score":0.6826638,"about_ca_system_score_codex":0.00065407524,"about_ca_system_score_gemma":0.0004462187,"threshold_uncertainty_score":0.9999322},"labels":[],"label_agreement":null},{"id":"W7002403228","doi":"","title":"Montreal Museum of Fine Arts, formerly Art Association of Montreal: Spring Exhibitions 1880–1970","year":2023,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Spring (device); Association (psychology); Exposition (narrative); Painting","score_opus":0.03304540754365611,"score_gpt":0.22359345886580617,"score_spread":0.19054805132215005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002403228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07764582,0.0000018424842,0.00017712227,0.00045046344,0.00027511903,0.00038931973,0.0006741688,0.00028027716,0.9201059],"genre_scores_gemma":[0.98338974,0.007086463,0.00009541276,0.000055271696,0.00030554604,0.000004334938,0.00016314867,0.000041078605,0.008859012],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987064,0.000055257082,0.00029542082,0.00025100436,0.00027933394,0.00041260192],"domain_scores_gemma":[0.9989173,0.00013962052,0.00030692745,0.00027389074,0.0002905887,0.00007170916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015467235,0.00018761255,0.000328579,0.004230078,0.0002510551,0.00003381475,0.00019785734,0.00009304093,0.00011638792],"category_scores_gemma":[0.00006580778,0.00020586273,0.00021789735,0.00020759655,0.00013459042,0.00044816613,0.00010972973,0.00014342632,0.000061695544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000368684,0.0016140956,0.005283899,0.0008218012,0.0013559099,0.00022685538,0.6422453,0.0003196007,0.00019697858,0.26358917,0.062427457,0.021550262],"study_design_scores_gemma":[0.00090436474,0.00015093261,0.001484429,0.00007136738,0.000154115,6.056715e-7,0.0032259566,0.00050656317,0.0003273118,0.00006656942,0.9928948,0.00021298017],"about_ca_topic_score_codex":0.21966587,"about_ca_topic_score_gemma":0.65795004,"teacher_disagreement_score":0.93046737,"about_ca_system_score_codex":0.00020294086,"about_ca_system_score_gemma":0.00019426591,"threshold_uncertainty_score":0.83948386},"labels":[],"label_agreement":null},{"id":"W7003422636","doi":"","title":"Artist-Run Spaces","year":2012,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject matter; Subject (documents); Currency; Front (military); Transition (genetics)","score_opus":0.0435421270785076,"score_gpt":0.2421342863000882,"score_spread":0.1985921592215806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003422636","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015623723,0.005709177,0.0000931603,0.00076642755,0.0050022644,0.00063448725,0.00070674106,0.0004936419,0.98643786],"genre_scores_gemma":[0.01194248,0.00034893927,0.000073661104,0.0024479867,0.014264325,0.0000701619,0.00060873927,0.00030919598,0.9699345],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99567395,0.00012007721,0.0009023584,0.0009142415,0.0007993514,0.0015900176],"domain_scores_gemma":[0.997076,0.00019256503,0.00055268646,0.0012716154,0.00027413358,0.00063301297],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040396408,0.0010867763,0.0011535976,0.00031983273,0.0010577122,0.0006784411,0.0006819257,0.00056945777,0.038381994],"category_scores_gemma":[0.000042086926,0.0010410305,0.00064096146,0.000004712795,0.0012873708,0.00068740686,0.00024332629,0.0010273382,0.02897533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015381389,0.000117082505,0.00000615026,0.00015495377,0.00017814005,0.000034446075,0.04756444,7.3534727e-7,0.0000054130246,0.29377192,0.65308815,0.005063184],"study_design_scores_gemma":[0.00047461694,0.00014425164,0.000062703686,0.00024811542,0.0003287517,0.000023465083,0.00060248596,0.000018828652,0.000017716078,0.051979672,0.944887,0.0012123984],"about_ca_topic_score_codex":0.00040629416,"about_ca_topic_score_gemma":0.008043505,"teacher_disagreement_score":0.29179886,"about_ca_system_score_codex":0.00028237893,"about_ca_system_score_gemma":0.00047809992,"threshold_uncertainty_score":0.999204},"labels":[],"label_agreement":null},{"id":"W7003566479","doi":"","title":"Landed","year":2020,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Work (physics); Creativity; Creative work; Globalization; George (robot)","score_opus":0.05108543228164049,"score_gpt":0.234454719735013,"score_spread":0.1833692874533725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003566479","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033953864,0.0014352252,0.0000934402,0.0017148383,0.00276654,0.0005634062,0.0007590167,0.00056340586,0.9920702],"genre_scores_gemma":[0.0052239853,0.00023651698,0.000046214816,0.0065534827,0.010434359,0.00004630424,0.0009419278,0.00025870738,0.9762585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965801,0.000089834146,0.00077976164,0.0009393574,0.0006584875,0.0009524638],"domain_scores_gemma":[0.99788046,0.0001422423,0.00037158097,0.0008863498,0.00021150043,0.00050786906],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018783026,0.0008743564,0.0010592823,0.00019549056,0.00072927464,0.00047281585,0.0006589287,0.00043420808,0.025024079],"category_scores_gemma":[0.000046719157,0.0008405951,0.00058898627,0.000004062249,0.00073349354,0.00031105004,0.00021987462,0.0010134229,0.022545071],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022056334,0.000055536915,0.0000012196533,0.00015081976,0.0001762916,0.00008975884,0.051054563,7.839032e-7,0.0000039888114,0.18511459,0.7603625,0.0029679018],"study_design_scores_gemma":[0.0006465351,0.00018459967,0.000014031087,0.00018135691,0.00022369085,0.000012084743,0.00044427474,0.00006212648,0.000010362244,0.06932814,0.92795813,0.0009346906],"about_ca_topic_score_codex":0.00023862312,"about_ca_topic_score_gemma":0.0050597624,"teacher_disagreement_score":0.16759561,"about_ca_system_score_codex":0.00019542554,"about_ca_system_score_gemma":0.00058030756,"threshold_uncertainty_score":0.9994045},"labels":[],"label_agreement":null},{"id":"W7003705777","doi":"","title":"Michel De Broin","year":2006,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Michel foucault; Work (physics); The Imaginary; Contemporary art; Order (exchange); Power (physics)","score_opus":0.025850564527102587,"score_gpt":0.2331436384719802,"score_spread":0.20729307394487761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003705777","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013881589,0.0028141923,0.00024648002,0.00061735994,0.0018342878,0.00052320334,0.00079500047,0.00045079962,0.9925799],"genre_scores_gemma":[0.0022882514,0.00010877815,0.00014033231,0.0055147237,0.008983122,0.000052797863,0.00090519077,0.00030193903,0.9817049],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961421,0.00011174081,0.00087602687,0.0009000816,0.00059900974,0.0013710654],"domain_scores_gemma":[0.9977502,0.00016802218,0.00041977977,0.0010433921,0.00023251113,0.00038609127],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003445455,0.0009418712,0.0009660092,0.0003040208,0.0008217748,0.0004921503,0.00067108095,0.0005770357,0.010834511],"category_scores_gemma":[0.000032620563,0.00096876087,0.00063910364,0.0000041870503,0.000949912,0.00032659667,0.00016617129,0.0009895171,0.009594597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000133505355,0.00010817292,0.0000038056507,0.00014071235,0.000113347174,0.000071384326,0.019383498,0.000004045039,0.000012142876,0.12877999,0.84928817,0.0020814142],"study_design_scores_gemma":[0.0005796777,0.00011582818,0.000053125677,0.00023570519,0.00022355239,0.000030124487,0.00020769065,0.00007138414,0.000020672425,0.088747025,0.9086903,0.0010249518],"about_ca_topic_score_codex":0.0017201265,"about_ca_topic_score_gemma":0.017753942,"teacher_disagreement_score":0.059402123,"about_ca_system_score_codex":0.00044989723,"about_ca_system_score_gemma":0.00079227804,"threshold_uncertainty_score":0.9992763},"labels":[],"label_agreement":null},{"id":"W7005806143","doi":"","title":"Robert Houle, Red is Beautiful, Art Gallery of Ontario, Toronto","year":2022,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Photography; Painting; Feature (linguistics)","score_opus":0.011495870320467862,"score_gpt":0.16557765107602407,"score_spread":0.1540817807555562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7005806143","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14542559,0.00525772,0.000051545052,0.008361955,0.0008756766,0.00034986413,0.0004839726,0.0001562827,0.8390374],"genre_scores_gemma":[0.26029035,0.00021374499,0.00007195456,0.0009093193,0.000134846,0.000007774503,0.00007851091,0.000025624522,0.7382679],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988701,0.00004229099,0.00018304115,0.00024910702,0.00029945458,0.00035602727],"domain_scores_gemma":[0.9992967,0.00002554278,0.00013554412,0.00034895397,0.00006798963,0.00012521786],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010266358,0.00016742786,0.0002543998,0.00006823345,0.0009809822,0.000016371268,0.00027913635,0.000044441742,0.020483548],"category_scores_gemma":[0.000003592653,0.00019623319,0.00018813658,0.00000475598,0.00011835337,0.00021792614,0.00033849006,0.0001604702,0.000052079908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011339781,0.0001419186,0.00021988396,0.000016775122,0.00015304622,0.00016338106,0.14434935,0.000053785603,0.00008013134,0.041527726,0.8119696,0.0012110303],"study_design_scores_gemma":[0.0005507879,0.00016025796,0.00038426137,0.0000074323707,0.000079363774,0.00002719178,0.006248272,0.000097098666,0.00006295826,0.0014527041,0.99071145,0.00021820153],"about_ca_topic_score_codex":0.48839137,"about_ca_topic_score_gemma":0.9837162,"teacher_disagreement_score":0.49532482,"about_ca_system_score_codex":0.008414751,"about_ca_system_score_gemma":0.00014166282,"threshold_uncertainty_score":0.9953918},"labels":[],"label_agreement":null},{"id":"W7005821880","doi":"","title":"Seeing Life and Land through the Loudspeaker and the Tower : Essay by Nadia Kurd","year":2020,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Loudspeaker; Exhibition; Tower; Ivory tower","score_opus":0.023103878936691486,"score_gpt":0.21582183147865308,"score_spread":0.19271795254196158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7005821880","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003018504,0.021136373,0.00012704512,0.013339911,0.0011873107,0.0009087689,0.00053211884,0.00014926094,0.96231735],"genre_scores_gemma":[0.03802584,0.001616742,0.000015097759,0.018507686,0.0038102076,0.0000526918,0.00016209607,0.00014808442,0.9376615],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972926,0.00019815369,0.0005902538,0.00074515305,0.0004610897,0.0007127484],"domain_scores_gemma":[0.99800915,0.0005811869,0.0003058688,0.0006772442,0.00011590354,0.0003106579],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040213595,0.0007115175,0.0008383476,0.00004512387,0.0015497701,0.0009059016,0.000447763,0.0002804306,0.0031690372],"category_scores_gemma":[0.00009249358,0.00042646407,0.00024444883,0.000005761112,0.0025946149,0.00034199032,0.0002943279,0.0009658267,0.00046788537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049973067,0.000018883773,0.0000075352727,0.00007917265,0.00024234614,0.000016933971,0.1716199,8.312111e-7,0.0000011086114,0.13754478,0.6889267,0.0014918091],"study_design_scores_gemma":[0.0012864784,0.000073869895,0.000029795054,0.00011688949,0.0002746246,0.000018293136,0.001754218,0.00013093979,0.0000012255858,0.051084545,0.9446633,0.00056586345],"about_ca_topic_score_codex":0.0008224462,"about_ca_topic_score_gemma":0.004976813,"teacher_disagreement_score":0.25573653,"about_ca_system_score_codex":0.000065769935,"about_ca_system_score_gemma":0.0003362239,"threshold_uncertainty_score":0.99981874},"labels":[],"label_agreement":null},{"id":"W7006030394","doi":"","title":"Source Materials of the Contemporary Arts - Das Buch als Medium für neue Kunst: Kasper König und Benjamin Buchloh als Herausgeber am Nova Scotia College of Art and Design in den 1970er und 1980er Jahren","year":2018,"lang":"de","type":"other","venue":"Qucosa (Saxon State and University Library Dresden)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Decorative arts; Performative utterance; The arts","score_opus":0.03616455225736161,"score_gpt":0.24757920165484512,"score_spread":0.2114146493974835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006030394","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5627022,0.01092598,0.00026385463,0.0035360411,0.0031084246,0.005197358,0.020797461,0.00015849223,0.3933102],"genre_scores_gemma":[0.27960718,0.0017853337,0.00016220065,0.0007038416,0.00067378505,0.0000020139478,0.0003077502,0.00021848972,0.7165394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99621844,0.0007959207,0.0009347636,0.0008516431,0.00048381064,0.0007153994],"domain_scores_gemma":[0.997615,0.0003483712,0.000893481,0.0007232468,0.00010467393,0.00031522827],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041327527,0.00080356875,0.001445081,0.0006056728,0.00037306506,0.0001934996,0.0006534456,0.0005256448,0.007750267],"category_scores_gemma":[0.000017449362,0.00070380856,0.0002059012,0.00005568546,0.0026101687,0.0011908743,0.0007506345,0.0003639431,0.00021910506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021105965,0.00078208465,0.011078409,0.0015960978,0.0029331455,0.00026030323,0.059772342,0.000014602103,0.00076668285,0.023818498,0.89656085,0.00030641494],"study_design_scores_gemma":[0.002532458,0.00037969998,0.0031953235,0.0010984783,0.0005449139,0.0000062348454,0.0032873023,0.000016526275,0.004432247,0.0022167857,0.9814569,0.00083318056],"about_ca_topic_score_codex":0.004341584,"about_ca_topic_score_gemma":0.0146593815,"teacher_disagreement_score":0.3232292,"about_ca_system_score_codex":0.000052178213,"about_ca_system_score_gemma":0.000594251,"threshold_uncertainty_score":0.9995413},"labels":[],"label_agreement":null},{"id":"W7006077237","doi":"","title":"Supplement : Mr. Peanut Summit","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Summit; Conversation; Event (particle physics); Yesterday; Contemporary art","score_opus":0.03882219944044748,"score_gpt":0.24494887626612774,"score_spread":0.20612667682568026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006077237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000097600416,0.0018062383,0.00008129478,0.0012981036,0.0054315105,0.0012190398,0.0022188716,0.00037642993,0.9874709],"genre_scores_gemma":[0.0060525998,0.0003561224,0.00006458197,0.0033000412,0.0083906725,0.00008182247,0.0025784231,0.00031705742,0.97885865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949437,0.00012681133,0.0011409129,0.0012416629,0.0010139308,0.0015330003],"domain_scores_gemma":[0.9967945,0.0002043539,0.00054997497,0.0016560672,0.00033681677,0.00045828635],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044763033,0.0011825339,0.0012827636,0.00035860087,0.0008492147,0.0006039937,0.00092321,0.00047706693,0.075061075],"category_scores_gemma":[0.000028292963,0.001153684,0.00079672545,0.0000045172956,0.00077610556,0.00044389372,0.00035842575,0.0010552355,0.032406975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020218367,0.00010695707,0.0000071022805,0.00022532874,0.00021986269,0.000040973406,0.026447274,0.0000020176578,0.0000026532723,0.21465191,0.75641066,0.0018650378],"study_design_scores_gemma":[0.0009910061,0.0003057322,0.00002194594,0.00031124006,0.0003182833,0.0000072387747,0.0009892924,0.00004729926,0.000017161019,0.03273321,0.962917,0.0013406016],"about_ca_topic_score_codex":0.00048456123,"about_ca_topic_score_gemma":0.015412752,"teacher_disagreement_score":0.20650633,"about_ca_system_score_codex":0.00047207077,"about_ca_system_score_gemma":0.00078596757,"threshold_uncertainty_score":0.9990913},"labels":[],"label_agreement":null},{"id":"W7006328917","doi":"","title":"The Triangle Arts Trust: Contemporary - Art and Transnational Production","year":2016,"lang":"","type":"dissertation","venue":"TSpace","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; The arts; Metaphor; Grassroots; Contemporary art; Product (mathematics); Art world; Actor–network theory","score_opus":0.06736069226425419,"score_gpt":0.3159299857386793,"score_spread":0.24856929347442513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006328917","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08197908,0.007924406,0.00019756734,0.062874384,0.010624367,0.0023498035,0.0003091676,0.00016807625,0.83357316],"genre_scores_gemma":[0.44815344,0.00046574263,0.0000059396243,0.00011879571,0.0017754883,0.00006534245,0.0003194464,0.000041593845,0.5490542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979232,0.00012645559,0.00054859795,0.000543003,0.0004295124,0.0004292577],"domain_scores_gemma":[0.99854845,0.00024527495,0.00038644933,0.0003465351,0.00032358058,0.00014973972],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047469378,0.000428855,0.00041584275,0.00012336331,0.0023220263,0.0004204419,0.00016333912,0.00021511524,0.0009503411],"category_scores_gemma":[0.000102888356,0.0002894706,0.00019479459,0.000003872051,0.000690284,0.0003511461,0.000016295173,0.00029729135,0.00010863285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050399854,0.00012653295,0.0000331899,0.0002065333,0.00025037714,0.000005463914,0.35320437,7.6403904e-7,0.00023633086,0.5793534,0.06131771,0.0047613624],"study_design_scores_gemma":[0.00083961047,0.00014376742,0.00039182167,0.00012891866,0.00011178206,0.000007408319,0.0312829,0.000037064143,0.00067831104,0.013379906,0.9525842,0.000414325],"about_ca_topic_score_codex":0.00012400841,"about_ca_topic_score_gemma":0.0036438843,"teacher_disagreement_score":0.89126647,"about_ca_system_score_codex":0.00006370319,"about_ca_system_score_gemma":0.00040166566,"threshold_uncertainty_score":0.9999629},"labels":[],"label_agreement":null},{"id":"W7008089153","doi":"","title":"As a reflection of current tendency of contemporary western calligraphy: A Montreal urban art collective “garbage beauty”","year":2022,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Calligraphy; Mindset; Context (archaeology); Meaning (existential); Beauty; Variety (cybernetics); Garbage; Metaphor","score_opus":0.37317133453468804,"score_gpt":0.5228954913050804,"score_spread":0.14972415677039236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008089153","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65435416,0.030761529,0.00013261804,0.00015852632,0.002217125,0.0014107528,0.0011488858,0.0000725822,0.30974385],"genre_scores_gemma":[0.98319864,0.0012345214,0.00000756606,0.00017117968,0.00031443624,0.00010580425,0.00004583077,0.000049280796,0.014872711],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968104,0.00040969937,0.0011395426,0.0003963769,0.00086380227,0.00038019608],"domain_scores_gemma":[0.9973294,0.00019528993,0.0014002048,0.00039576297,0.0004742744,0.00020508231],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078457623,0.00031497545,0.0009134617,0.0009805716,0.0006179397,0.00030624916,0.0012325185,0.000054126962,0.0071004606],"category_scores_gemma":[0.00008396341,0.00030235574,0.00037460096,0.00008001863,0.00041661307,0.001173314,0.00063650095,0.00050976855,0.0000059854456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019040536,0.0034846568,0.35730183,0.00056382734,0.0014963689,0.000089312336,0.15248245,0.00012377417,0.008247478,0.007952268,0.4623966,0.0039573754],"study_design_scores_gemma":[0.0032426454,0.0005934994,0.21660702,0.0008932245,0.00050713395,0.000038936,0.0071002557,0.00014172058,0.009835875,0.09120584,0.66849643,0.0013373914],"about_ca_topic_score_codex":0.012674398,"about_ca_topic_score_gemma":0.0047816117,"teacher_disagreement_score":0.32884455,"about_ca_system_score_codex":0.00018668549,"about_ca_system_score_gemma":0.0006210591,"threshold_uncertainty_score":0.99994284},"labels":[],"label_agreement":null},{"id":"W7008115826","doi":"","title":"Arte como não lugar","year":2018,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Component (thermodynamics); Period (music); Qualitative research","score_opus":0.040232680158667426,"score_gpt":0.26093680307102324,"score_spread":0.2207041229123558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008115826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018033102,0.0013476855,0.0028674102,0.02853313,0.007894823,0.0010561192,0.00069302943,0.0008758399,0.9386989],"genre_scores_gemma":[0.9509884,0.00027297006,0.00037183688,0.0015090974,0.008851028,0.00012626586,0.00032118612,0.00016076835,0.037398458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99373925,0.00057738373,0.0013408572,0.0013004926,0.0011998905,0.0018421367],"domain_scores_gemma":[0.995418,0.00028680026,0.0006799562,0.0012617365,0.0012607303,0.0010927671],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007866235,0.0009975693,0.000941688,0.00061842863,0.0033542896,0.0010369971,0.0011095565,0.0008224296,0.0011660467],"category_scores_gemma":[0.00039697663,0.0009974265,0.0005566684,0.0000678703,0.00030225783,0.00086174865,0.0005071048,0.0011136073,0.00059557514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021508138,0.0008151319,0.00014320505,0.00017948778,0.00037405064,0.00017859958,0.053753953,0.0000057607003,0.000291994,0.9163468,0.026718337,0.0009776093],"study_design_scores_gemma":[0.0015718815,0.00035941825,0.0009318561,0.00028613085,0.00028306298,0.000616235,0.0029999583,0.00090547354,0.000599527,0.0024985163,0.98781097,0.001136969],"about_ca_topic_score_codex":0.000019207324,"about_ca_topic_score_gemma":0.006166743,"teacher_disagreement_score":0.96109265,"about_ca_system_score_codex":0.00085259817,"about_ca_system_score_gemma":0.0010641693,"threshold_uncertainty_score":0.99997866},"labels":[],"label_agreement":null},{"id":"W7008359755","doi":"","title":"Bibliography of Black Montréal Artists and Exhibitions : 1950-1995","year":2024,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.023995945605307253,"score_gpt":0.22988161818044356,"score_spread":0.2058856725751363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008359755","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053357193,0.013738466,0.000080596794,0.00084425067,0.0014521492,0.00061589427,0.0030825583,0.00030797123,0.97934455],"genre_scores_gemma":[0.024596319,0.0133679155,0.000060258022,0.000853457,0.0030043644,0.000053714193,0.0004935126,0.0002145389,0.9573559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968171,0.0000718274,0.0009296247,0.00085229694,0.000574473,0.00075467257],"domain_scores_gemma":[0.9980662,0.00017164313,0.00033959214,0.00077974086,0.0002815993,0.00036123168],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023990263,0.00075300166,0.0009484217,0.0076347487,0.00047927012,0.00045032424,0.0003042786,0.0003765337,0.0043675536],"category_scores_gemma":[0.000014010252,0.00072732975,0.00065975485,0.00011984051,0.002093246,0.00036131399,0.00021133917,0.0007313935,0.002341875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014548662,0.00009656458,0.0000055954256,0.0004778186,0.0002668817,0.000055049004,0.019657206,0.0000015601556,0.000012683219,0.15225376,0.826319,0.0008393541],"study_design_scores_gemma":[0.00038192538,0.00019757409,0.00010818068,0.0006036581,0.0004218748,0.000017734003,0.0004925698,0.00007349407,0.000014571523,0.16311634,0.83392996,0.0006420921],"about_ca_topic_score_codex":0.0011475569,"about_ca_topic_score_gemma":0.014058482,"teacher_disagreement_score":0.024062747,"about_ca_system_score_codex":0.000038176706,"about_ca_system_score_gemma":0.00018109918,"threshold_uncertainty_score":0.9995178},"labels":[],"label_agreement":null},{"id":"W7008476652","doi":"","title":"Cocteau catalogue de l'Exposition Jean Cocteau sur le Fil du Siècle, Centre Pompidou, Galerie 1, Paris, 25 septembre 2003 - 5 janvier 2004 ; Musée des Beaux-Arts de Montréal, 6 mai - 29 août 2004","year":2003,"lang":"fr","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Theme (computing)","score_opus":0.017820477174074607,"score_gpt":0.20568179810715945,"score_spread":0.18786132093308483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008476652","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007507784,0.04034633,0.0036176916,0.0027582177,0.0020785346,0.0015024372,0.005721561,0.0002845075,0.94293994],"genre_scores_gemma":[0.0041539124,0.008476533,0.0017022458,0.0055354764,0.0032092086,0.0001129807,0.0051578074,0.0007414055,0.97091043],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932913,0.0006363321,0.0013214945,0.0013215786,0.0006221616,0.0028070912],"domain_scores_gemma":[0.9961435,0.00020783047,0.00063996,0.0011310751,0.00072076404,0.0011568778],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005360702,0.0016631645,0.0014618569,0.00037427768,0.0024664006,0.000766854,0.00059433555,0.0012236306,0.14122324],"category_scores_gemma":[0.00018360435,0.0017222706,0.0006273755,0.00004210891,0.0022831438,0.0006884812,0.00017340212,0.0009676218,0.003454022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056174613,0.00131467,0.000980392,0.00050414604,0.0005738793,0.0002981385,0.014317627,0.00030869257,0.00005331232,0.08307842,0.89643127,0.0020832731],"study_design_scores_gemma":[0.0022106934,0.00022153667,0.00054426526,0.0007682823,0.0006068947,0.00013204067,0.0039741932,0.00050108635,0.0002642493,0.0030490272,0.98576534,0.0019624014],"about_ca_topic_score_codex":0.22225852,"about_ca_topic_score_gemma":0.5050238,"teacher_disagreement_score":0.28276527,"about_ca_system_score_codex":0.0014047329,"about_ca_system_score_gemma":0.0017178878,"threshold_uncertainty_score":0.99961156},"labels":[],"label_agreement":null},{"id":"W7008929164","doi":"","title":"Deconstructing the modern subject: negotiating identity in Pablo Picasso's « Kahnweiler» and Gertrude Stein's «Picasso»","year":2018,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"PICASSO; Portrait; Identity (music); Negotiation; Stylized fact; Object (grammar)","score_opus":0.02931337291663311,"score_gpt":0.25997826558295056,"score_spread":0.23066489266631746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008929164","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81543934,0.00052353914,5.924721e-7,0.000022358936,0.0021910386,0.00060824293,0.0010586582,0.00017505015,0.17998119],"genre_scores_gemma":[0.9840696,0.0002127707,0.00015107726,0.00031309138,0.00064455345,0.00010478217,0.00033739925,0.00021354221,0.013953216],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99506146,0.0004453447,0.0012352448,0.0011347049,0.000941159,0.0011821011],"domain_scores_gemma":[0.996876,0.0005253402,0.0008902109,0.00080294086,0.00061539025,0.00029010704],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0014598911,0.0008632362,0.0008923547,0.0004007255,0.0033060103,0.0009493271,0.0007690638,0.00057276816,0.0004703571],"category_scores_gemma":[0.0010638647,0.00077563757,0.00028693737,0.00003587667,0.00045972265,0.0018147164,0.0002783074,0.0018040978,0.00009575225],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021064999,0.0002984237,0.0009042992,0.00092463964,0.00059600186,0.00014414368,0.016539983,0.00002823802,0.0021631073,0.86186814,0.00004790879,0.116274476],"study_design_scores_gemma":[0.003621926,0.00033282512,0.0057164435,0.0020764868,0.0010517717,0.00017328841,0.038839366,0.0016515492,0.005317432,0.67983264,0.2565011,0.0048851464],"about_ca_topic_score_codex":0.0063111275,"about_ca_topic_score_gemma":0.23762257,"teacher_disagreement_score":0.25645322,"about_ca_system_score_codex":0.00052603945,"about_ca_system_score_gemma":0.00011604779,"threshold_uncertainty_score":0.99946946},"labels":[],"label_agreement":null},{"id":"W7009275007","doi":"","title":"The Distance Between (Installation)","year":2024,"lang":"en","type":"dissertation","venue":"University of North Texas Digital Library (University of North Texas)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Culmination; Art gallery; Quarter (Canadian coin)","score_opus":0.016878605803215426,"score_gpt":0.18292078503227202,"score_spread":0.1660421792290566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009275007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5917517,0.0003730214,0.00007008236,0.00032748,0.0005072376,0.00042173264,0.0090200985,0.00025134202,0.39727733],"genre_scores_gemma":[0.5845856,0.00025934895,0.000025900337,0.000015272233,0.00016262424,1.8606686e-8,0.0060717827,0.00003669741,0.40884277],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982791,0.00004193395,0.00029511124,0.0004996646,0.00047794214,0.00040626148],"domain_scores_gemma":[0.99842304,0.00018890905,0.0005150294,0.00048430669,0.00019113226,0.0001975788],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000040691182,0.00039574923,0.0005577355,0.00030181732,0.0009111939,0.00022244209,0.001169046,0.0001467095,0.0006895961],"category_scores_gemma":[0.000010674618,0.00043746424,0.0005086837,0.000044066273,0.0010530084,0.002350166,0.00032281724,0.00043957532,0.0003890434],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040228938,0.00018104562,0.87714255,0.0009534394,0.0010257881,0.00016348183,0.014636672,0.000030762054,1.230941e-8,0.027693227,0.053666864,0.02410389],"study_design_scores_gemma":[0.00021649922,0.00007835819,0.36558586,0.0001239441,0.00021045834,4.089095e-7,0.0011810501,0.000023782117,6.6395586e-7,0.0008879737,0.631377,0.00031398993],"about_ca_topic_score_codex":0.000805395,"about_ca_topic_score_gemma":0.09527691,"teacher_disagreement_score":0.57771015,"about_ca_system_score_codex":0.00006907561,"about_ca_system_score_gemma":0.0003522718,"threshold_uncertainty_score":0.9998077},"labels":[],"label_agreement":null},{"id":"W7009646304","doi":"","title":"Evan Penny, re figured [Katalog zu der Ausstellung \"Evan Penny. Re Figured\", Kunsthalle Tübingen, 2. Juni bis 4. September 2011 ; Museum der Moderne, Salzburg, 12. November 2011 bis 19. Februar 2012 ; MARCA, Catanzaro, 21. April bis 30. Juni 2012 ; Art Gallery of Ontario, Toronto, 19. September 2012 bis 6. Januar 2013]","year":2011,"lang":"de","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Exhibition","score_opus":0.057424185497190854,"score_gpt":0.2509246293213847,"score_spread":0.19350044382419385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009646304","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056798025,0.08095496,0.0010327757,0.0018346934,0.010991698,0.0047751707,0.004944088,0.000989929,0.88879687],"genre_scores_gemma":[0.10596825,0.0055334703,0.0020143292,0.0027993221,0.0031204538,0.00039905802,0.0035936667,0.0011908399,0.87538064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97889185,0.0011632305,0.0053700283,0.0045317304,0.0035966176,0.0064465236],"domain_scores_gemma":[0.98387474,0.0005697408,0.002850748,0.0063656643,0.0023536952,0.0039853975],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0023932536,0.0047884304,0.0047306153,0.0014037632,0.0026732837,0.00091853074,0.0033063495,0.0030820717,0.6198269],"category_scores_gemma":[0.00011292873,0.0046112044,0.0027931472,0.00009937501,0.0028569167,0.008343355,0.0021126808,0.0029813373,0.027173646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008029276,0.0027929596,0.0032020437,0.0012010515,0.004812294,0.00035858236,0.06836017,0.0000902159,0.00021570687,0.0024956453,0.9153847,0.00028369945],"study_design_scores_gemma":[0.00454585,0.0007955553,0.0040073334,0.0007151682,0.004355339,0.00014248805,0.0052502854,0.0006270267,0.0003175967,0.0006942541,0.97285664,0.0056924643],"about_ca_topic_score_codex":0.51421124,"about_ca_topic_score_gemma":0.9415984,"teacher_disagreement_score":0.5926532,"about_ca_system_score_codex":0.0031466032,"about_ca_system_score_gemma":0.0048954687,"threshold_uncertainty_score":0.9998567},"labels":[],"label_agreement":null},{"id":"W7009750556","doi":"","title":"Expanding Chinese Ink Painting in the 2014 Exhibition - &#13;\\nUnscrolled: Reframing Tradition in Chinese Contemporary Art","year":2018,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Cognitive reframing; Materiality (auditing); Totem; Contemporary art; Painting; Chinese art; Relation (database); Modernism (music)","score_opus":0.04244053285098043,"score_gpt":0.2909162157683474,"score_spread":0.248475682917367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009750556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6070091,0.0001184702,0.000005501295,0.00017969805,0.0007681879,0.00054928334,0.000023101096,0.00005192202,0.39129472],"genre_scores_gemma":[0.9226353,0.00008466224,0.0000032631222,0.000043254586,0.0023229525,0.000018276767,0.0007606123,0.000059467468,0.07407217],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958744,0.0012021343,0.00058008987,0.0007355032,0.0007888945,0.00081899285],"domain_scores_gemma":[0.99825275,0.00051897945,0.0003221469,0.0005452456,0.00021089292,0.00014997653],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0018046813,0.0004408005,0.00056240545,0.0021225954,0.0014251571,0.0004937252,0.00069070456,0.00031968122,0.00019929354],"category_scores_gemma":[0.0001720807,0.000380081,0.00025079015,0.00011659257,0.0005590918,0.00094878726,0.00008644484,0.001658727,0.00007733883],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034581062,0.0011734497,0.15082496,0.0014741519,0.00033960107,0.00508645,0.7687567,0.000018212659,0.002848801,0.027919821,0.037430193,0.00066953903],"study_design_scores_gemma":[0.0076492783,0.0020957254,0.28934312,0.0031800237,0.0001251619,0.00007153741,0.43423823,0.0011523298,0.0014190989,0.037761122,0.22009584,0.0028685327],"about_ca_topic_score_codex":0.039424963,"about_ca_topic_score_gemma":0.44542605,"teacher_disagreement_score":0.4060011,"about_ca_system_score_codex":0.00069231325,"about_ca_system_score_gemma":0.0006236116,"threshold_uncertainty_score":0.99987483},"labels":[],"label_agreement":null},{"id":"W7009970763","doi":"","title":"Gender Euphoria : an embodied practice of painting &amp; drag performance","year":2013,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; University of British Columbia","funders":"","keywords":"Subversion; Exhibition; Embodied cognition; Painting; Work (physics); Drag; Feminism; Foregrounding; Craft","score_opus":0.031525135523809984,"score_gpt":0.2020004747743137,"score_spread":0.17047533925050373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009970763","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8601384,0.00004852519,0.00012705578,0.000057089237,0.00018256548,0.00016791205,0.000054401484,0.00005401555,0.13917],"genre_scores_gemma":[0.98703295,0.00006352201,0.0007174368,0.00014441776,0.00015516051,6.052923e-7,0.000027011805,0.000015818274,0.011843068],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9990367,0.0000713702,0.00016136563,0.00023941338,0.00021445756,0.00027667187],"domain_scores_gemma":[0.99882996,0.00006398053,0.00021071298,0.00026959705,0.0005118249,0.00011394039],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022520318,0.000049711543,0.00022291802,0.000038790655,0.00045001326,0.00014990072,0.000246253,0.0000618409,0.0013433022],"category_scores_gemma":[0.000049973678,0.00015470498,0.00008560942,0.000006813336,0.0004965363,0.0013194685,0.00009266718,0.00012561202,0.000076577184],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036544345,0.0010401339,0.0140253445,0.0007865584,0.00035817962,0.000046615292,0.27321678,0.000029608123,0.00032564846,0.0019689973,0.043689907,0.6644757],"study_design_scores_gemma":[0.001223565,0.00023523568,0.7286615,0.0001569789,0.00016479661,0.000038854178,0.06780492,0.0011036271,0.0000024620135,0.0028223118,0.19725184,0.0005339273],"about_ca_topic_score_codex":0.22466916,"about_ca_topic_score_gemma":0.40141922,"teacher_disagreement_score":0.71463615,"about_ca_system_score_codex":0.000033762954,"about_ca_system_score_gemma":0.000064495645,"threshold_uncertainty_score":0.9995696},"labels":[],"label_agreement":null},{"id":"W7010259541","doi":"","title":"The Halifax Conference : Oct. 5 &amp; 6 1970","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dissenting opinion; Conversation; Resistance (ecology); Work (physics)","score_opus":0.0631137695443718,"score_gpt":0.2559445550602616,"score_spread":0.19283078551588978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010259541","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008394379,0.0025807463,0.00018722867,0.0015299963,0.0052563925,0.0008926545,0.000991224,0.00031556215,0.9881623],"genre_scores_gemma":[0.00683131,0.00078785873,0.000032485645,0.0027045398,0.005249615,0.000071373324,0.0007596319,0.00022341213,0.9833398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99565524,0.00017755928,0.00096065324,0.0009912014,0.00086980325,0.0013455385],"domain_scores_gemma":[0.99607956,0.00052140554,0.0005874031,0.001942426,0.00051047734,0.0003587484],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005444408,0.0010033804,0.0010071944,0.00016923275,0.0018103633,0.0011877524,0.0012342924,0.00049608975,0.016426088],"category_scores_gemma":[0.000077875906,0.00076949236,0.0006153017,0.000004767286,0.0017312918,0.00036766558,0.00031724104,0.0012362198,0.03735402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017299299,0.000038888233,0.0000015732338,0.000079676865,0.00013909588,0.000009542063,0.026921608,0.0000010249203,0.000002893327,0.39171493,0.57726425,0.0038092304],"study_design_scores_gemma":[0.00047682994,0.00011103544,0.000018403869,0.00026650343,0.0001796292,0.000014160281,0.00053924305,0.000043788423,0.0000044321882,0.09272159,0.9046981,0.0009263423],"about_ca_topic_score_codex":0.0006861679,"about_ca_topic_score_gemma":0.03773771,"teacher_disagreement_score":0.3274338,"about_ca_system_score_codex":0.00023647465,"about_ca_system_score_gemma":0.0010768087,"threshold_uncertainty_score":0.9998491},"labels":[],"label_agreement":null},{"id":"W7010706266","doi":"","title":"Ken Lum, Death and Furniture. Art Gallery of Ontario, Toronto (25.06.2022 — 02.01.2023)","year":2023,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Painting; Photography","score_opus":0.015915096807157022,"score_gpt":0.17615522370085607,"score_spread":0.16024012689369904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010706266","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5487358,0.0038018548,0.00003319233,0.003163317,0.0006107416,0.00035224046,0.0002807012,0.00032692935,0.44269526],"genre_scores_gemma":[0.29576367,0.0016520779,0.00004993087,0.00029752616,0.00026017582,0.000005249058,0.00012972948,0.000032732587,0.7018089],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988096,0.000035615605,0.00018375122,0.00028834582,0.0002413885,0.0004413377],"domain_scores_gemma":[0.9992757,0.000058147318,0.000111065594,0.00029365747,0.00007400806,0.00018744635],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013264055,0.00021002212,0.0002986947,0.00010962126,0.0005755881,0.000034553086,0.00019822893,0.00009469859,0.0024932295],"category_scores_gemma":[0.00001021677,0.00022269088,0.00013610254,0.000008406279,0.00015673962,0.00028534807,0.00025752824,0.00015050088,0.00020860959],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009359491,0.000099375946,0.0021806099,0.00008253488,0.00030878314,0.00055480126,0.12000946,0.000022538114,0.00018265353,0.075189665,0.7993458,0.001930215],"study_design_scores_gemma":[0.000585796,0.0001034169,0.0049486496,0.00002513527,0.00010304349,0.000025218847,0.0062842937,0.0001210534,0.000026321031,0.0024531612,0.9850772,0.0002466893],"about_ca_topic_score_codex":0.24944012,"about_ca_topic_score_gemma":0.9854155,"teacher_disagreement_score":0.7359754,"about_ca_system_score_codex":0.0026699838,"about_ca_system_score_gemma":0.00009368387,"threshold_uncertainty_score":0.9984186},"labels":[],"label_agreement":null},{"id":"W7010836968","doi":"","title":"Kevin Day, Nathan McNinch : A Scanner Ubiquity","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Obsolescence; Point (geometry); Embodied cognition; Scanner; Resistance (ecology); Simple (philosophy)","score_opus":0.033237897481061124,"score_gpt":0.24033193408978185,"score_spread":0.20709403660872072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010836968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026061002,0.001772841,0.00025773246,0.0008869525,0.004247997,0.00085845514,0.00086380256,0.00058239204,0.99026924],"genre_scores_gemma":[0.022809818,0.00017261843,0.00005074606,0.0044339956,0.011942467,0.000098524724,0.0008190891,0.0003712045,0.95930153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943542,0.00029938863,0.0011968502,0.001444655,0.0010523591,0.0016525519],"domain_scores_gemma":[0.99606353,0.0003054008,0.0006802114,0.0018057373,0.000467862,0.00067726534],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00097042223,0.0013521182,0.0015754413,0.0004357398,0.0013738367,0.0006915879,0.0011436281,0.00077695574,0.02174253],"category_scores_gemma":[0.00010239864,0.0012963748,0.0008678871,0.000007796773,0.0014970525,0.00049657765,0.00045042345,0.0014600874,0.014407042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019550374,0.00012645418,0.0000034736297,0.00022855109,0.00021073365,0.0000454129,0.036665663,0.0000021729122,0.000005556201,0.2106294,0.74397504,0.008087999],"study_design_scores_gemma":[0.0007214084,0.0002616422,0.000051975374,0.00045194122,0.00032068364,0.00002188728,0.00029250808,0.00013099534,0.000018172514,0.06552719,0.9307234,0.0014781603],"about_ca_topic_score_codex":0.00072614773,"about_ca_topic_score_gemma":0.02529506,"teacher_disagreement_score":0.1867484,"about_ca_system_score_codex":0.00044324805,"about_ca_system_score_gemma":0.0008150604,"threshold_uncertainty_score":0.9999262},"labels":[],"label_agreement":null},{"id":"W7010960764","doi":"","title":"Le commentaire d’art à l’école de l’oeuvre de Louise Robert. \\n Louise Robert Galerie Simon Biais 5420, boul. Saint-Laurent, bureau 100 Montréal Du 26 janvier au 5 mars 2005","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Staring; Order (exchange); Field (mathematics)","score_opus":0.009060850016308679,"score_gpt":0.18629369766965853,"score_spread":0.17723284765334985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010960764","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118262865,0.24425276,0.0060610175,0.36661944,0.0041341414,0.0028004907,0.0026220435,0.00089902163,0.25434825],"genre_scores_gemma":[0.2563881,0.019601936,0.0008611038,0.0072159995,0.0028997627,0.00004891605,0.0004668989,0.00037377843,0.7121435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467677,0.00029765765,0.00069760735,0.0009719179,0.000599162,0.002756878],"domain_scores_gemma":[0.9967248,0.00015327575,0.00045103597,0.0009980667,0.00024163476,0.0014312074],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004255009,0.0010377148,0.00095627963,0.000375135,0.0037845268,0.00026156177,0.0008248493,0.0006855512,0.002819304],"category_scores_gemma":[0.000057603636,0.0012710228,0.0007772126,0.000055117696,0.0011386233,0.0008813363,0.000604185,0.00085802376,0.001133025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047665794,0.001546303,0.0024551377,0.0001926823,0.0006632938,0.0038663037,0.026628919,0.009476446,0.0000776758,0.2688612,0.67669594,0.009059418],"study_design_scores_gemma":[0.0046531754,0.0003903971,0.00087544945,0.00039797628,0.0007577007,0.0003563137,0.00791701,0.0024896797,0.00016624024,0.0074437135,0.97323245,0.0013198798],"about_ca_topic_score_codex":0.60263544,"about_ca_topic_score_gemma":0.9430941,"teacher_disagreement_score":0.45779526,"about_ca_system_score_codex":0.019815933,"about_ca_system_score_gemma":0.0009165578,"threshold_uncertainty_score":0.9996447},"labels":[],"label_agreement":null},{"id":"W7011246311","doi":"","title":"Leaping Forward : The Montreal Museum of Fine Art’s New Photographic\\n Collecting Practices","year":2011,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.047220518581806384,"score_gpt":0.19567969460924012,"score_spread":0.14845917602743375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011246311","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2635099,0.0071808235,0.00071303843,0.014460785,0.00084177044,0.00071640627,0.000103259976,0.00030052176,0.71217346],"genre_scores_gemma":[0.8117471,0.0006780705,0.00030985498,0.0003417998,0.00031352253,0.000004173531,0.000010161639,0.000030072346,0.18656525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990267,0.000054185068,0.00018583452,0.00020196575,0.00017738205,0.0003539236],"domain_scores_gemma":[0.9988829,0.0001417591,0.00044325268,0.00028979243,0.000119295895,0.0001230094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016174348,0.00016426612,0.00021655158,0.00014529405,0.00089330174,0.00002909831,0.00027608193,0.00005016268,0.00072182907],"category_scores_gemma":[0.000058162837,0.00013802969,0.00016907453,0.000017398184,0.0002071222,0.00027686724,0.00013460741,0.00016419102,0.000037483376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004138865,0.00023072936,0.0010314335,0.000078834135,0.00063660875,0.0003220031,0.40916228,0.000027893613,0.00025616845,0.13998209,0.43835974,0.009498363],"study_design_scores_gemma":[0.00062713725,0.00013888405,0.00047286137,0.00003155733,0.00020560647,0.000041538922,0.015944812,0.00041513884,0.00035205198,0.0039417734,0.9776378,0.0001907834],"about_ca_topic_score_codex":0.14572102,"about_ca_topic_score_gemma":0.8485312,"teacher_disagreement_score":0.70281017,"about_ca_system_score_codex":0.00031601646,"about_ca_system_score_gemma":0.00006521045,"threshold_uncertainty_score":0.8599677},"labels":[],"label_agreement":null},{"id":"W7011247911","doi":"","title":"Les délégations de pouvoirs réglementaires au Canada de 1763 à 1866","year":2008,"lang":"fr","type":"article","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); German; Power (physics)","score_opus":0.017018021169994794,"score_gpt":0.1813304092661629,"score_spread":0.1643123880961681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011247911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5441423,0.016818635,0.0006346601,0.006326243,0.0017812222,0.00025834734,0.0007377652,0.00011140732,0.4291894],"genre_scores_gemma":[0.7396912,0.0005686201,0.00024966002,0.0006741073,0.0009726591,0.000010214032,0.000071047354,0.000022853716,0.25773963],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978503,0.00013939656,0.00032869697,0.00035128798,0.00048564322,0.0008446762],"domain_scores_gemma":[0.9986944,0.00012580217,0.00017540003,0.0002883115,0.00019233569,0.0005237518],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000129373,0.00031998038,0.0002565106,0.00013293455,0.020184314,0.0000639903,0.00032977003,0.00016739823,0.00036631976],"category_scores_gemma":[0.000038831295,0.00039464884,0.00020155516,0.000015841575,0.0013107283,0.0003776623,0.00020736901,0.00030576607,0.000029625005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000106847685,0.00030114022,0.041950244,0.00012204463,0.0004251724,0.0043763053,0.29581258,0.003944474,0.00030219698,0.59770113,0.05254226,0.0024155758],"study_design_scores_gemma":[0.00065965974,0.000059031965,0.028659869,0.00010559827,0.00021716197,0.0012426295,0.03836979,0.0010355607,0.0008752666,0.0012528866,0.92707604,0.00044651443],"about_ca_topic_score_codex":0.99488354,"about_ca_topic_score_gemma":0.9919947,"teacher_disagreement_score":0.8745338,"about_ca_system_score_codex":0.019337544,"about_ca_system_score_gemma":0.012412588,"threshold_uncertainty_score":0.9998505},"labels":[],"label_agreement":null},{"id":"W7011776661","doi":"","title":"\\n Damage Done, Materializing the Photographic Image, Prefix Institute of Contemporary Art, Toronto May 5-June 11, 2005","year":2005,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prefix; Photography; Exhibition","score_opus":0.01635943477695815,"score_gpt":0.18952868295058792,"score_spread":0.17316924817362978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011776661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3115591,0.022527825,0.00034770786,0.04395838,0.002511852,0.0012319902,0.0011317269,0.0005041325,0.61622727],"genre_scores_gemma":[0.6304797,0.0011574258,0.00026190688,0.00092626986,0.00066421245,0.000009456692,0.000112391346,0.000039450682,0.36634916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987728,0.000065064814,0.00027021466,0.00025011654,0.00021850211,0.00042328166],"domain_scores_gemma":[0.99906397,0.000030012638,0.00020613078,0.0004483432,0.00011243587,0.00013908555],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019015853,0.0002354214,0.00029530068,0.000088567176,0.0007413089,0.00006796652,0.00036382148,0.000076890734,0.0010956207],"category_scores_gemma":[0.000008638632,0.0002007736,0.00017834429,0.000007831219,0.0005602885,0.0008980508,0.00019284335,0.000101738646,0.0000776938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014857449,0.00015832568,0.0001019257,0.000067945344,0.00019577218,0.0001592818,0.03274353,0.000024349945,0.0023241267,0.1719437,0.7915609,0.0005715643],"study_design_scores_gemma":[0.0007836255,0.000028996568,0.00011437277,0.00003370783,0.00008120235,0.000020937952,0.0038584128,0.00012675098,0.0010912997,0.0003836544,0.9932417,0.00023531559],"about_ca_topic_score_codex":0.03891741,"about_ca_topic_score_gemma":0.86544997,"teacher_disagreement_score":0.82653254,"about_ca_system_score_codex":0.00080322626,"about_ca_system_score_gemma":0.000056453908,"threshold_uncertainty_score":0.9998175},"labels":[],"label_agreement":null},{"id":"W7012655526","doi":"","title":"Mael-e(s)t-France","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Sculpture","score_opus":0.35478297325528707,"score_gpt":0.5299172156601788,"score_spread":0.17513424240489173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7012655526","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41700915,0.022049239,0.001269419,0.0027852396,0.0049359184,0.0008877803,0.0006298249,0.00022681136,0.5502066],"genre_scores_gemma":[0.8983074,0.004934283,0.000048701007,0.0014229694,0.0014595632,0.000031064017,0.0000059372255,0.00006849073,0.09372158],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976588,0.000132532,0.0007259037,0.00038691654,0.0005386374,0.00055719475],"domain_scores_gemma":[0.99799985,0.00025928867,0.00054814277,0.00055842905,0.00034253654,0.00029175304],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059023575,0.0003129191,0.0006096771,0.00039721964,0.00050864724,0.0012539001,0.002178966,0.00007737384,0.06138615],"category_scores_gemma":[0.00015441581,0.00021671345,0.00022700569,0.000017088678,0.0005451184,0.002752288,0.0006034611,0.00020971846,0.00027020212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018182423,0.0005356126,0.11050447,0.00017650031,0.00047335858,0.00008330281,0.016544763,0.000007633524,0.025202194,0.049901407,0.72715545,0.06923346],"study_design_scores_gemma":[0.00057340856,0.000011352192,0.03972656,0.00035767598,0.0000525567,0.0000065123772,0.00016718968,0.000007200867,0.005706477,0.050595995,0.90236163,0.00043344713],"about_ca_topic_score_codex":0.0016213325,"about_ca_topic_score_gemma":0.0010865208,"teacher_disagreement_score":0.48129827,"about_ca_system_score_codex":0.000069145965,"about_ca_system_score_gemma":0.000115437346,"threshold_uncertainty_score":0.9997829},"labels":[],"label_agreement":null},{"id":"W7013061015","doi":"","title":"Rendering Time","year":2016,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rendering (computer graphics); Real-time rendering; 3D rendering; Event (particle physics); Alternate frame rendering; Image-based modeling and rendering; Visualization; Parallel rendering","score_opus":0.032887739332969956,"score_gpt":0.22559745055028532,"score_spread":0.19270971121731537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7013061015","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003646301,0.0013662744,0.0001416427,0.0006900881,0.0024724887,0.0004514624,0.0007017986,0.0005482295,0.99359155],"genre_scores_gemma":[0.001628094,0.00022694355,0.000043822078,0.0016648923,0.009872787,0.000044695305,0.0003098536,0.0003039167,0.985905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99629414,0.00008559317,0.00082172157,0.00096032297,0.00064950204,0.0011886999],"domain_scores_gemma":[0.9975662,0.00019408813,0.00042536482,0.0011857704,0.00022636108,0.00040216997],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031052038,0.0009114166,0.0009854353,0.00029128985,0.00084653124,0.00039793365,0.0006637117,0.00046491335,0.051010277],"category_scores_gemma":[0.000039935483,0.000782424,0.0005619354,0.0000028629038,0.0008979617,0.00047489334,0.0002517607,0.00066869904,0.048595876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016852291,0.000051673167,5.481934e-7,0.0001122434,0.00019585284,0.00005656893,0.023405517,4.779118e-7,0.00003082793,0.14237668,0.8228752,0.010877569],"study_design_scores_gemma":[0.00052772387,0.00012054604,0.0000075158387,0.0004773623,0.00015426845,0.000018282679,0.00011499544,0.000027182301,0.000022737624,0.074236654,0.92328614,0.001006596],"about_ca_topic_score_codex":0.000099156256,"about_ca_topic_score_gemma":0.0013635078,"teacher_disagreement_score":0.10041094,"about_ca_system_score_codex":0.00033735714,"about_ca_system_score_gemma":0.00048204442,"threshold_uncertainty_score":0.99946266},"labels":[],"label_agreement":null},{"id":"W7013838509","doi":"","title":"Andy Warhol","year":2010,"lang":"pt","type":"article","venue":"RACO (Revistes Catalanes amb Accés Obert) (Consorci de Serveis Universitaris de Catalunya)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Face (sociological concept); Set (abstract data type); Subject (documents); Perspective (graphical); Feature (linguistics)","score_opus":0.019322550886154442,"score_gpt":0.2412087167276396,"score_spread":0.22188616584148516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7013838509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8994148,0.007432323,0.00021607944,0.0046378067,0.003332786,0.0018080542,0.005918445,0.0008459607,0.07639375],"genre_scores_gemma":[0.81414807,0.0011614349,0.00020440634,0.0019186622,0.0019490899,0.000022239126,0.002638245,0.00024263294,0.17771521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938207,0.00032779772,0.0010878912,0.0015242547,0.0006881024,0.0025512453],"domain_scores_gemma":[0.99442977,0.0006300822,0.0007180245,0.002177015,0.000623178,0.0014219562],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0008125849,0.001388407,0.0013816225,0.00066607265,0.0021202432,0.0010013285,0.0020465974,0.00096568407,0.0057375384],"category_scores_gemma":[0.00027198426,0.0015407213,0.00091579487,0.00006582522,0.0016204849,0.0016798896,0.00088472787,0.0021039674,0.0015000381],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009842401,0.0027876168,0.085484594,0.004838719,0.0034780132,0.0038008068,0.36135358,0.00019414969,0.007105115,0.15170509,0.369076,0.009192097],"study_design_scores_gemma":[0.0025715998,0.00036279223,0.010515032,0.00037835268,0.0016150813,0.0005930583,0.02095315,0.0021196979,0.0014736789,0.0008099219,0.9561562,0.0024514482],"about_ca_topic_score_codex":0.018695597,"about_ca_topic_score_gemma":0.04210362,"teacher_disagreement_score":0.5870802,"about_ca_system_score_codex":0.000732309,"about_ca_system_score_gemma":0.0010677772,"threshold_uncertainty_score":0.99988663},"labels":[],"label_agreement":null},{"id":"W7013850462","doi":"","title":"Among the Ruins","year":2018,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Arcadia; Photography; Object (grammar); Painting; Window (computing)","score_opus":0.031977142176727466,"score_gpt":0.21706801424719177,"score_spread":0.18509087207046432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7013850462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29117027,0.00004417907,0.000093138704,0.0012702452,0.000699018,0.00016159455,0.000101077676,0.00016394298,0.70629656],"genre_scores_gemma":[0.81155723,0.000011358258,0.00003227349,0.00072432053,0.00070132816,7.22963e-7,0.000014282218,0.0000213974,0.18693711],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988318,0.00014505861,0.00013676556,0.00025111058,0.00020576369,0.00042948328],"domain_scores_gemma":[0.99888164,0.00007642084,0.000079267265,0.0005995346,0.00019908296,0.00016407746],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019548621,0.00018359891,0.00016192632,0.00020171153,0.0022328994,0.000274888,0.000686174,0.00006733451,0.0017214153],"category_scores_gemma":[0.000032572047,0.00015186348,0.00013712177,0.000017579905,0.0020320003,0.00076085515,0.00025387693,0.00040355156,0.00045621578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039115184,0.000108538705,0.008651398,0.00000799363,0.0001431029,0.00005790291,0.072075605,0.0000017400231,0.000021734668,0.85190374,0.06614555,0.00084358454],"study_design_scores_gemma":[0.0003257363,0.00007475981,0.002320299,0.000016558417,0.00007126718,0.0000023109562,0.005704694,0.00003738766,0.00012114809,0.0027910464,0.98831815,0.0002166693],"about_ca_topic_score_codex":0.0011890291,"about_ca_topic_score_gemma":0.065873794,"teacher_disagreement_score":0.9221726,"about_ca_system_score_codex":0.00007805838,"about_ca_system_score_gemma":0.00008377539,"threshold_uncertainty_score":0.99919116},"labels":[],"label_agreement":null},{"id":"W7014033416","doi":"","title":"Misanthrope","year":2016,"lang":"en","type":"article","venue":"ScholarWorks - UNO (University of New Orleans)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Apartment; Painting; Quarter (Canadian coin); Table (database); Window (computing); Architecture; Scale (ratio)","score_opus":0.04856799503635011,"score_gpt":0.21793318638335046,"score_spread":0.16936519134700034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014033416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12158732,0.0006992785,0.015815454,0.011008786,0.0015473212,0.00035180594,0.00025021823,0.0003976386,0.8483422],"genre_scores_gemma":[0.6842776,0.00015661582,0.00032904113,0.0002575111,0.0004074383,5.34484e-8,0.000006405267,0.000017059712,0.31454825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991043,0.000040611627,0.00011469149,0.00023771846,0.00019573176,0.0003069229],"domain_scores_gemma":[0.99924105,0.000052191554,0.00009624885,0.00032151412,0.00009751428,0.00019148138],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010965419,0.00013838524,0.00020090232,0.00010855854,0.00049517816,0.00004886882,0.00036384855,0.00008009488,0.009648302],"category_scores_gemma":[0.00002417051,0.000120257115,0.00014319322,0.000005836922,0.0006147287,0.00078557536,0.00010756241,0.00016045732,0.00059826474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017714084,0.00021770076,0.0008967339,0.000046670986,0.00026313518,0.000054131564,0.17635655,0.000006340239,0.0010320911,0.24390937,0.4363503,0.14068983],"study_design_scores_gemma":[0.0009284852,0.00007157031,0.00072015397,0.000094491705,0.000052672243,0.000002026502,0.0072098384,0.000011266513,0.0000926289,0.0043960353,0.9862169,0.0002039393],"about_ca_topic_score_codex":0.0021082761,"about_ca_topic_score_gemma":0.009725698,"teacher_disagreement_score":0.56269026,"about_ca_system_score_codex":0.000056007302,"about_ca_system_score_gemma":0.00009978012,"threshold_uncertainty_score":0.991257},"labels":[],"label_agreement":null},{"id":"W7014377999","doi":"","title":"POINT OF ORIGIN: THE GLOBAL POSITIONING OF RECENT VANCOUVER ART","year":2011,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Olympiad; The arts; Art world; Work (physics); Sensibility; Globalization; Contemporary art","score_opus":0.19940296697382437,"score_gpt":0.30692472270356874,"score_spread":0.10752175572974437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014377999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9169933,0.000036143723,0.00030436664,0.00009137936,0.0006716268,0.00019469098,0.00013201115,0.000058407666,0.08151805],"genre_scores_gemma":[0.9792798,0.000046283076,0.00003052627,0.00032996477,0.0001345914,6.12654e-7,0.000013375168,0.000018472307,0.020146359],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987176,0.0001352625,0.0002974976,0.00024729234,0.00027834965,0.0003240121],"domain_scores_gemma":[0.99883175,0.00004114247,0.00027704798,0.00042385218,0.0003084767,0.00011770344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021388476,0.0001985565,0.0002681641,0.00012358974,0.00026358606,0.000056983292,0.00051268365,0.0000769854,0.0006227452],"category_scores_gemma":[0.000015779011,0.00017120283,0.00015178265,0.000019568704,0.0005179958,0.00082217547,0.00019041053,0.00021499951,0.00008191819],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023685361,0.00033924566,0.8819203,0.000105003855,0.0002562876,0.0000721222,0.05136067,0.000006752314,0.0000617044,0.06513415,0.0000701755,0.0004367403],"study_design_scores_gemma":[0.0024568413,0.0007755836,0.52392966,0.00046389474,0.00060182903,0.00003066225,0.014934047,9.516369e-7,0.0049787336,0.01766757,0.4331891,0.0009711211],"about_ca_topic_score_codex":0.000091468944,"about_ca_topic_score_gemma":0.043702126,"teacher_disagreement_score":0.4331189,"about_ca_system_score_codex":0.00013436146,"about_ca_system_score_gemma":0.00009481915,"threshold_uncertainty_score":0.9737478},"labels":[],"label_agreement":null},{"id":"W7014902991","doi":"","title":"Ruhlmann : Un génie de l’art déco. \\n Ruhlmann : un génie de l’art déco Musée des beaux-arts de Montréal 1380 rue Sherbrooke Ouest Montréal Du 30 septembre au 12 décembre 2004","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Relation (database); Identity (music)","score_opus":0.010936077700903069,"score_gpt":0.1741803788840667,"score_spread":0.16324430118316363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014902991","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3821848,0.2785509,0.010941562,0.06739891,0.0033148325,0.002456215,0.002621529,0.0016981191,0.25083312],"genre_scores_gemma":[0.40119225,0.02761634,0.0036502746,0.00674809,0.0054930453,0.00011262932,0.00060577603,0.0006520983,0.5539295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906889,0.0005027934,0.0012377226,0.0017213625,0.0010261508,0.004823066],"domain_scores_gemma":[0.9943848,0.000342289,0.00069627544,0.0015967451,0.00050347135,0.0024763825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009872922,0.0019233393,0.0016524724,0.00067301275,0.0060920985,0.00047663526,0.0014918105,0.0012935988,0.0019454679],"category_scores_gemma":[0.00013780774,0.0023228268,0.0013453497,0.00011303736,0.0020804666,0.0016059809,0.00097603345,0.001587837,0.0029270637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008832199,0.0024794769,0.002451022,0.0010543201,0.0021960256,0.019047689,0.10859357,0.016599836,0.00067136565,0.16379386,0.6708581,0.011371535],"study_design_scores_gemma":[0.006102087,0.0008184479,0.0025165714,0.00077972456,0.0017442734,0.0021491793,0.01294463,0.0025570178,0.0010196031,0.03137174,0.93565077,0.002345934],"about_ca_topic_score_codex":0.23024233,"about_ca_topic_score_gemma":0.7458257,"teacher_disagreement_score":0.5155834,"about_ca_system_score_codex":0.024894048,"about_ca_system_score_gemma":0.0018298044,"threshold_uncertainty_score":0.999351},"labels":[],"label_agreement":null},{"id":"W7015087601","doi":"","title":"Running Figure and Other Sculptures","year":2021,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Key (lock); Tribute; Spanish Civil War; Painting; Craft","score_opus":0.048553585537936685,"score_gpt":0.22597975174075843,"score_spread":0.17742616620282176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015087601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8089769,0.00091283885,0.00015786871,0.0008987457,0.00012762862,0.00006754059,0.00020217101,0.000057006157,0.18859932],"genre_scores_gemma":[0.95533943,0.000030416746,0.00034294248,0.0005399545,0.000105783016,1.0203265e-7,0.000036679532,0.000012754695,0.043591958],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993041,0.000051000738,0.00008963419,0.000195192,0.00016154452,0.00019850077],"domain_scores_gemma":[0.99933237,0.000044568395,0.00006891246,0.00026366263,0.00017622308,0.00011426943],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007646389,0.000113288515,0.00018759505,0.00009445921,0.00081239117,0.00020646173,0.0001921805,0.000049926497,0.0010864399],"category_scores_gemma":[0.000020558893,0.00013220958,0.000086094755,0.000008295301,0.00037032826,0.00076421903,0.00015657188,0.00025997421,0.000040163242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005607989,0.00030838244,0.4308381,0.00014827953,0.00055904686,0.00027084025,0.2228043,0.000024197048,0.00007602157,0.3136506,0.024996106,0.006268029],"study_design_scores_gemma":[0.00039922274,0.00003643316,0.10694654,0.000034008157,0.00009125515,0.000004491011,0.004916949,0.000050254195,0.000011274319,0.0011026755,0.88623637,0.0001705534],"about_ca_topic_score_codex":0.0017601567,"about_ca_topic_score_gemma":0.118883796,"teacher_disagreement_score":0.8612402,"about_ca_system_score_codex":0.000019790019,"about_ca_system_score_gemma":0.00006434255,"threshold_uncertainty_score":0.9998267},"labels":[],"label_agreement":null},{"id":"W7015162599","doi":"","title":"Sandra Brewster, Lullaby of Birdlands. Olga Korper Gallery, Toronto (2.05.2024 — 8.06.2024)","year":2025,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); White (mutation); Theme (computing); George (robot)","score_opus":0.010371320229577426,"score_gpt":0.1824662323318394,"score_spread":0.17209491210226197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015162599","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037671484,0.02761592,0.00029898403,0.0062900707,0.002223042,0.00036979225,0.00031264345,0.0002209874,0.9249971],"genre_scores_gemma":[0.29782638,0.0020459692,0.00006182731,0.00084382645,0.00027600414,0.0000049965824,0.000030472183,0.000027864457,0.69888264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986918,0.00004729129,0.00025929607,0.00032541613,0.00022246288,0.0004537503],"domain_scores_gemma":[0.99910253,0.00007094525,0.000119268116,0.00042699804,0.00014000687,0.00014026786],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010454302,0.00025425042,0.00037593744,0.00015093911,0.00053800736,0.000049024176,0.00031874498,0.000118163625,0.0042435317],"category_scores_gemma":[0.000012758692,0.00025538978,0.00021485872,0.000012237807,0.00024383744,0.00027504814,0.00026394264,0.00014174993,0.000121031335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009871023,0.00011729512,0.00034719068,0.000117754185,0.000277584,0.00013177987,0.027696224,0.00001214669,0.00014489121,0.13997154,0.8268854,0.004199454],"study_design_scores_gemma":[0.0010052462,0.00008743631,0.00024523286,0.00007348756,0.00015877387,0.000016282269,0.00735875,0.00019514901,0.00013431933,0.0023066544,0.98815995,0.00025869123],"about_ca_topic_score_codex":0.04074679,"about_ca_topic_score_gemma":0.612496,"teacher_disagreement_score":0.57174927,"about_ca_system_score_codex":0.0016950453,"about_ca_system_score_gemma":0.00007883578,"threshold_uncertainty_score":0.9999898},"labels":[],"label_agreement":null},{"id":"W7015710352","doi":"","title":"[Turtle Creek Chorale: Bill Kotch at GALA Festival]","year":2004,"lang":"en","type":"other","venue":"The Portal to Texas History (University of North Texas)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"VEST; Photography; Front (military)","score_opus":0.03613374904173746,"score_gpt":0.20265984168329196,"score_spread":0.1665260926415545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015710352","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028263635,0.0005663387,0.000029157072,0.0006478546,0.0010755106,0.00047668893,0.0007450005,0.00022351962,0.9934096],"genre_scores_gemma":[0.022688743,0.000117363554,0.000070765025,0.0007291646,0.0006629186,5.4747335e-7,0.00018593746,0.00021702338,0.97532755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838597,0.000056911438,0.00021302569,0.0004713841,0.0004118794,0.00046084466],"domain_scores_gemma":[0.9984685,0.00003134214,0.00039691775,0.00075052347,0.000098084136,0.00025460983],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009988612,0.00038231083,0.000537565,0.00027673575,0.00039940674,0.000018411443,0.0008070246,0.0001580284,0.06199231],"category_scores_gemma":[0.000011844426,0.0003555173,0.00029669836,0.000009962001,0.0013430533,0.000108105756,0.00029321274,0.00031196474,0.002751189],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000262184,0.00009753512,0.0017828103,0.000081689715,0.00013956179,0.00009853158,0.012240308,0.0000062648755,2.1311828e-7,0.0014448505,0.9837068,0.00037525356],"study_design_scores_gemma":[0.0003506175,0.00010833312,0.010466689,0.00011441561,0.00020546118,0.0000075039698,0.0002989049,0.0000018234026,4.1236586e-7,0.00011741262,0.98785347,0.0004749662],"about_ca_topic_score_codex":0.059194963,"about_ca_topic_score_gemma":0.66296893,"teacher_disagreement_score":0.60377395,"about_ca_system_score_codex":0.00063510216,"about_ca_system_score_gemma":0.0003122415,"threshold_uncertainty_score":0.9998897},"labels":[],"label_agreement":null},{"id":"W7017045074","doi":"","title":"Ai Weiwei - according to what? [in conjunction with the Exhibition \"Ai Weiwei: According to What?\", organized by the Mori Art Museum, Tokyo, in association with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ; Hirshhorn Museum and Sculpture Garden, Washington, DC, October 7, 2012 - February 24, 2013 ; Indianapolis Museum of Art, Indianapolis, Indiana, April 5 - July 28, 2013 ; Art Gallery of Ontario, Toronto, Ontario, August 31 - October 27, 2013 ; Pérez Art Museum Miami, Miami, Florida, November 28, 2013 - March 16, 2014 ; Brooklyn Museum, Brooklyn, New York, April 18 - August 10, 2014]","year":2012,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conjunction (astronomy); Sculpture; Exhibition; Association (psychology); Painting","score_opus":0.014955753359399738,"score_gpt":0.21419344398791493,"score_spread":0.19923769062851518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017045074","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76204467,0.012083373,0.0013306962,0.16346055,0.012933982,0.016106712,0.0011732428,0.000912108,0.029954648],"genre_scores_gemma":[0.7613708,0.0047670603,0.00055234577,0.019744987,0.004016279,0.00087280956,0.0012676251,0.0008078478,0.20660025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9870444,0.0009816804,0.0029850705,0.0025176192,0.0026894007,0.003781839],"domain_scores_gemma":[0.99162716,0.00078951096,0.0020594653,0.0025179542,0.0013329998,0.0016729406],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0033798986,0.0026570954,0.0028248585,0.0013924526,0.0019565756,0.003522561,0.0017663074,0.0015639011,0.010107977],"category_scores_gemma":[0.00018886206,0.0018803725,0.0005962396,0.00042383367,0.0013004431,0.012325389,0.0010086007,0.0036275212,0.00084314647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008623763,0.0005683362,0.03970499,0.00022792272,0.00088447763,0.000015403923,0.08232639,0.00038319087,0.00016710853,0.00037117978,0.8743279,0.00016073734],"study_design_scores_gemma":[0.0050767194,0.0006715461,0.06260416,0.0014480121,0.00086254906,0.000096344185,0.04512725,0.00006235986,0.00031819002,0.00008968935,0.8811338,0.0025093644],"about_ca_topic_score_codex":0.58749604,"about_ca_topic_score_gemma":0.98001564,"teacher_disagreement_score":0.39251962,"about_ca_system_score_codex":0.0041113733,"about_ca_system_score_gemma":0.002333761,"threshold_uncertainty_score":0.9999348},"labels":[],"label_agreement":null},{"id":"W7017151622","doi":"","title":"5 arterial routes &amp;amp; 1000 commercial signs:Ruth Brolly. Exhibition as Part of the Cathedral Quarter Arts Festival. 30 April - 09 May 2015.","year":2015,"lang":"en","type":"other","venue":"Ulster University Research Portal (Ulster University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Quarter (Canadian coin); The arts; Exposition (narrative)","score_opus":0.11145123809563928,"score_gpt":0.2975687346413973,"score_spread":0.18611749654575804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017151622","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054734848,0.00004153871,0.00006427288,0.0011696888,0.0015424611,0.0009686738,0.002393211,0.00017251661,0.98817414],"genre_scores_gemma":[0.04118015,0.00004437296,0.000025817124,0.00019780094,0.0018240134,8.700537e-7,0.00066117925,0.00018096657,0.9558848],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955509,0.0008437372,0.0003630357,0.0008237537,0.0013358761,0.0010827242],"domain_scores_gemma":[0.9970605,0.00013667773,0.00043145817,0.0011827174,0.0006755344,0.00051315455],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047905272,0.000602406,0.0007544533,0.0012160036,0.0009087253,0.00021449877,0.0013316378,0.0005093304,0.025410002],"category_scores_gemma":[0.00003687474,0.0005701422,0.00045477657,0.00007675883,0.003005782,0.00062936376,0.0008945152,0.0009432992,0.0014258452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003346676,0.00029616215,0.00022465199,0.00010727423,0.00027873385,0.00020397837,0.022226272,0.0000014358667,0.000032984324,0.013028616,0.9631731,0.00009214223],"study_design_scores_gemma":[0.0017566916,0.00021544915,0.00005453434,0.0003111869,0.00021988906,0.000011065856,0.007897713,0.0000021404924,0.000021930417,0.0003013989,0.9885798,0.0006281695],"about_ca_topic_score_codex":0.008009173,"about_ca_topic_score_gemma":0.07565157,"teacher_disagreement_score":0.0676424,"about_ca_system_score_codex":0.00031884675,"about_ca_system_score_gemma":0.0007931986,"threshold_uncertainty_score":0.99970746},"labels":[],"label_agreement":null},{"id":"W7017752228","doi":"","title":"Carlos Ferrand Zavala, Resistencia. Peru, 1970–1975. SBC, galerie d’art contemporain, Montreal (4.09.2021 — 23.10.2021)","year":2022,"lang":"de","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Field (mathematics); Exhibition; Work (physics); Order (exchange)","score_opus":0.01697843527880757,"score_gpt":0.17722360695987066,"score_spread":0.1602451716810631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017752228","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05334284,0.15191357,0.000053143234,0.020576457,0.0044051744,0.0018870782,0.007246543,0.00035509607,0.7602201],"genre_scores_gemma":[0.16093412,0.005566017,0.00003696861,0.0010425819,0.0023306732,0.000058299924,0.0010763076,0.00016548722,0.82878953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944719,0.00061797886,0.0007772384,0.0012728358,0.0011858821,0.0016741751],"domain_scores_gemma":[0.99664825,0.00025919534,0.00060909253,0.0012736459,0.00039700253,0.0008128164],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000572063,0.0009391081,0.0011781924,0.00049130514,0.0062137684,0.0002608962,0.0009876146,0.00031298585,0.04128796],"category_scores_gemma":[0.00006779118,0.0011408592,0.00092084304,0.00005638607,0.0007666879,0.00048544095,0.0012587355,0.0009812134,0.002305178],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010319515,0.00047968648,0.00017575477,0.00012546171,0.0010113149,0.0056440933,0.049201064,0.00012394467,0.000093861345,0.016919369,0.9219811,0.0032123886],"study_design_scores_gemma":[0.003442799,0.0006957817,0.00028822303,0.00008158146,0.0009859015,0.000121810815,0.029399423,0.0008578308,0.000029963276,0.00084929017,0.96204275,0.0012046534],"about_ca_topic_score_codex":0.04721,"about_ca_topic_score_gemma":0.3919613,"teacher_disagreement_score":0.34475133,"about_ca_system_score_codex":0.00634184,"about_ca_system_score_gemma":0.0004905363,"threshold_uncertainty_score":0.99910414},"labels":[],"label_agreement":null},{"id":"W7017961680","doi":"","title":"Close Readings: Alex Janvier","year":2013,"lang":"fr","type":"review","venue":"Arca (British Columbia Electronic Library Network)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Relation (database); Interpretation (philosophy); Set (abstract data type); Exposition (narrative)","score_opus":0.019785154839189367,"score_gpt":0.22321732736072125,"score_spread":0.2034321725215319,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017961680","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001603687,0.53381604,0.0000015696185,0.00031445932,0.0018570836,0.0017551893,0.00051227026,0.00022611904,0.4615012],"genre_scores_gemma":[0.00234307,0.5223066,0.0000959378,0.0013890993,0.012320183,0.0005233479,0.0017198034,0.00041667416,0.45888525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98864126,0.0009065678,0.0022542619,0.0020068185,0.0007193814,0.0054717264],"domain_scores_gemma":[0.99585474,0.0005941685,0.0010468706,0.0013791797,0.00015648454,0.00096857117],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046482426,0.001262561,0.0031974975,0.00012292461,0.0027659826,0.008330071,0.0017700549,0.001114999,0.73004454],"category_scores_gemma":[0.000046795372,0.0021213773,0.001703653,0.00005985347,0.0017034282,0.0030924836,0.00083597,0.0029876048,0.005611748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003677378,0.00018603116,0.00003386177,0.0014123803,0.00047788201,0.00012110993,0.0005573951,0.0000016069949,4.2181636e-9,0.29892066,0.39773867,0.3005467],"study_design_scores_gemma":[0.00042391996,0.00043107703,0.0000032577368,0.0078103133,0.0007723352,0.0004570496,0.000055802702,0.0000832838,1.18184e-7,0.33546737,0.652979,0.0015164346],"about_ca_topic_score_codex":0.038685273,"about_ca_topic_score_gemma":0.23833738,"teacher_disagreement_score":0.72443277,"about_ca_system_score_codex":0.0005391473,"about_ca_system_score_gemma":0.0024194382,"threshold_uncertainty_score":0.9993125},"labels":[],"label_agreement":null},{"id":"W7018009966","doi":"","title":"Christine Swintak and Don Miller (Review)","year":2010,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Miller; George (robot); Exposition (narrative)","score_opus":0.08736435243980291,"score_gpt":0.296801729677175,"score_spread":0.2094373772373721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018009966","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061118264,0.00037161133,0.0000150944015,0.0011906549,0.00038998047,0.0006083578,0.000052636256,0.000074896736,0.9361785],"genre_scores_gemma":[0.27389026,0.0018975963,0.00010712624,0.00020383038,0.00034510362,4.636503e-7,0.000027943459,0.000023534276,0.7235041],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775475,0.00036980206,0.0001702696,0.00058950385,0.00047899236,0.0006366698],"domain_scores_gemma":[0.99808675,0.00014150885,0.00010579692,0.0006000245,0.0005898143,0.00047612874],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00063895853,0.00023503898,0.0003510281,0.00037153976,0.0026528444,0.00026124556,0.00119639,0.00014695538,0.000086656466],"category_scores_gemma":[0.000054487435,0.00025618478,0.00011723026,0.000039340764,0.0017290148,0.0009974224,0.0007521769,0.00097518426,0.000086283915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111884714,0.000107348416,0.00044455813,0.00012676348,0.000070761074,0.00042700535,0.0047792876,3.0731175e-7,0.00056931016,0.9742815,0.018509634,0.0005716704],"study_design_scores_gemma":[0.0009021431,0.00015458964,0.0007449418,0.00016817045,0.00007554323,0.000025258038,0.004389814,0.00004075217,0.00021379108,0.00017718581,0.99279034,0.00031749133],"about_ca_topic_score_codex":0.012075002,"about_ca_topic_score_gemma":0.019637471,"teacher_disagreement_score":0.97428066,"about_ca_system_score_codex":0.00018908126,"about_ca_system_score_gemma":0.0003418748,"threshold_uncertainty_score":0.99998903},"labels":[],"label_agreement":null},{"id":"W7018188238","doi":"","title":"Corbin Union // Christine Howard Sandoval // Nicole Kelly Westman","year":2021,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Vancouver Foundation; Canada Council for the Arts","keywords":"Nucleofection; Gestational period; TSG101; Liquation; Diafiltration; Dysgeusia; Fusible alloy; Hyporeflexia; Emperipolesis","score_opus":0.03421537287285369,"score_gpt":0.23578866412784943,"score_spread":0.20157329125499573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018188238","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004940502,0.0064576073,0.00022537449,0.0008886747,0.0049750656,0.00081310264,0.0010179941,0.0005265988,0.98460156],"genre_scores_gemma":[0.012521942,0.0007358589,0.00009551613,0.00246898,0.009911581,0.000072997915,0.002642784,0.00035447467,0.9711959],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947296,0.00030288036,0.0012102898,0.0013772901,0.0009860335,0.0013939097],"domain_scores_gemma":[0.9964868,0.00024805535,0.0006480865,0.0014849171,0.00055706996,0.00057510537],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00059273146,0.0012494916,0.0015559302,0.00035429167,0.0011650231,0.00073712005,0.0007846204,0.0006581976,0.027135255],"category_scores_gemma":[0.00008625378,0.0012785677,0.00082401343,0.000012216808,0.0011277624,0.00040697833,0.00037741175,0.0013829712,0.006117615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044689765,0.00024097045,0.0000092116825,0.00032217766,0.0002722735,0.00026472128,0.023802703,0.000004219897,0.000022223705,0.117024414,0.84824604,0.009746359],"study_design_scores_gemma":[0.0014465332,0.00032482142,0.00010282392,0.0006373371,0.00037602772,0.00005671519,0.00081524136,0.00008677409,0.000054555614,0.017499452,0.97716516,0.0014345679],"about_ca_topic_score_codex":0.0007351196,"about_ca_topic_score_gemma":0.01479167,"teacher_disagreement_score":0.12891911,"about_ca_system_score_codex":0.0004047747,"about_ca_system_score_gemma":0.0012136862,"threshold_uncertainty_score":0.9989664},"labels":[],"label_agreement":null},{"id":"W7019626061","doi":"","title":"Former West/Future Souths","year":2023,"lang":"en","type":"other","venue":"UNSWorks (University of New South Wales, Sydney, Australia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eurocentrism; Dialogical self; Globalization; Modernity; Contemporary art; Utopia; Exoticism; World history; Metis","score_opus":0.08000005677307402,"score_gpt":0.24618036163112866,"score_spread":0.16618030485805463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019626061","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011049656,0.00048871833,0.00046995006,0.00168672,0.0050636367,0.0008174319,0.0036204609,0.0017550593,0.98499304],"genre_scores_gemma":[0.010529049,0.00018217339,0.0002830937,0.0001366997,0.0047537745,4.939098e-7,0.00026030533,0.00055154465,0.9833029],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789846,0.000045677672,0.00025933477,0.00059611775,0.00045830105,0.00074210984],"domain_scores_gemma":[0.99833024,0.000034371984,0.0004707091,0.00066057284,0.00008627015,0.00041786215],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009323994,0.0005403869,0.00074156804,0.0005183155,0.00036565395,0.00008226843,0.00071105774,0.0007345936,0.026919767],"category_scores_gemma":[0.00001236386,0.0006282846,0.00049138704,0.00001962929,0.0007580002,0.00018375675,0.00017721887,0.0006280675,0.0029138883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021367021,0.00004108587,0.00012661012,0.00014617146,0.0002858292,0.00005379375,0.13028911,0.0000037510767,3.1072904e-7,0.013648691,0.8545187,0.0008645454],"study_design_scores_gemma":[0.0007773828,0.00006129749,0.00019218586,0.00041232424,0.0003501134,0.0000024870114,0.042977627,0.0000094312345,5.939596e-7,0.00080159947,0.95377153,0.00064343284],"about_ca_topic_score_codex":0.02341524,"about_ca_topic_score_gemma":0.1441507,"teacher_disagreement_score":0.12073546,"about_ca_system_score_codex":0.00009618418,"about_ca_system_score_gemma":0.00019007977,"threshold_uncertainty_score":0.99961686},"labels":[],"label_agreement":null},{"id":"W7019673984","doi":"","title":"Hank Bull: Connexion. BURNABY ART GALLERY","year":2017,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Closure (psychology); Photography; George (robot)","score_opus":0.03269826660028591,"score_gpt":0.23732204526350956,"score_spread":0.20462377866322365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019673984","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004470354,0.00001298704,0.00014421614,0.010415392,0.0008889751,0.00022004059,0.0007453557,0.0000485765,0.9830541],"genre_scores_gemma":[0.8271192,0.00006642104,0.0002843293,0.0017131494,0.0009857758,0.000015738462,0.00015241774,0.000038864782,0.1696241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980811,0.00011290942,0.0004450561,0.0002873173,0.000368849,0.0007047785],"domain_scores_gemma":[0.9978594,0.0002494757,0.0005748246,0.0006531766,0.00016078434,0.000502304],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004495128,0.00021469801,0.0003429706,0.0005302649,0.0015013779,0.00039039075,0.0005956406,0.00005560208,0.00091654394],"category_scores_gemma":[0.0005252407,0.00023094901,0.00018959038,0.000004256693,0.00042082972,0.0002911004,0.00008272642,0.00026180796,0.00050155213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000147422925,0.00005147658,0.0013253734,0.00002821663,0.0001520029,0.000015202916,0.037418634,0.000004501975,0.000037091242,0.7889755,0.17097405,0.0010032703],"study_design_scores_gemma":[0.0004688793,0.000057797984,0.022511927,0.000039903884,0.000040519848,0.0000020085336,0.00016158137,0.00016947436,0.000029178806,0.1083713,0.86789566,0.00025176085],"about_ca_topic_score_codex":0.14613709,"about_ca_topic_score_gemma":0.74319655,"teacher_disagreement_score":0.8226488,"about_ca_system_score_codex":0.00022313684,"about_ca_system_score_gemma":0.0006274832,"threshold_uncertainty_score":0.9999968},"labels":[],"label_agreement":null},{"id":"W7019888792","doi":"","title":"Joffre Truzzi. Dipinti, disegni, incisioni. 60 anni di pittura da Balbo a Morlotti","year":2005,"lang":"it","type":"book","venue":"CINECA IRIS Institutial Research Information System (University of Genoa)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Work (physics); Context (archaeology)","score_opus":0.10169435219508478,"score_gpt":0.29305393661262896,"score_spread":0.1913595844175442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019888792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007375101,0.0005593753,0.007892201,0.0010779115,0.0019762288,0.0028827486,0.0045192083,0.00028239694,0.9734348],"genre_scores_gemma":[0.66821665,0.00095673016,0.00021645175,0.00021160067,0.0029577352,0.000010387351,0.0020057573,0.00007501996,0.3253497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922355,0.0005053075,0.0015654649,0.0007476252,0.0033635232,0.0015825796],"domain_scores_gemma":[0.99206513,0.00033119207,0.00127804,0.0015598334,0.003823593,0.0009422366],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0022572936,0.0008602068,0.001523734,0.0025121958,0.005215996,0.0009686751,0.0021864406,0.00093191443,0.0017919639],"category_scores_gemma":[0.0003419724,0.0009577789,0.0007405683,0.00009507026,0.0038671184,0.0050164005,0.0015401498,0.0018294179,0.0035462244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011219528,0.00026196497,0.00010467334,0.0076561933,0.0009881138,0.00029275933,0.2923725,0.00089841726,0.000019552503,0.38693583,0.289242,0.020106038],"study_design_scores_gemma":[0.002409026,0.00041926632,0.0006653718,0.0018861601,0.0002063201,0.00003752514,0.053133365,0.0050649904,0.000007801009,0.00014666494,0.9352273,0.0007962501],"about_ca_topic_score_codex":0.006511023,"about_ca_topic_score_gemma":0.0022090431,"teacher_disagreement_score":0.6608415,"about_ca_system_score_codex":0.0027755427,"about_ca_system_score_gemma":0.0038330841,"threshold_uncertainty_score":0.99928725},"labels":[],"label_agreement":null},{"id":"W7020043801","doi":"","title":"An Introduction to Michael Levine's Sketchbook Drawings for the Toronto <i>Ring</i>","year":2009,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Line drawings; Photography; Feature (linguistics); Clothing","score_opus":0.0256554980926834,"score_gpt":0.23697834845196777,"score_spread":0.2113228503592844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020043801","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01615957,0.0000137341995,0.00909256,0.011771418,0.0015833505,0.002197635,0.00014980965,0.0005845507,0.9584474],"genre_scores_gemma":[0.96574885,0.006234478,0.00089866656,0.006295199,0.009868208,0.000015140108,0.00007562504,0.00006879354,0.010795033],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988691,0.00004231944,0.00014224995,0.0003886643,0.00014514853,0.00041251836],"domain_scores_gemma":[0.99914557,0.00005178192,0.00007017453,0.00044337087,0.00018147561,0.00010760312],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014412968,0.00020795473,0.00018275851,0.0009693665,0.00075342617,0.0001641514,0.0003977343,0.000054557247,0.00012001008],"category_scores_gemma":[0.000025469206,0.00017980595,0.00012990057,0.000045781122,0.00011798452,0.00082180277,0.000052256175,0.00010414412,0.000016865768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035315144,0.00038270725,0.000015337435,0.00004288831,0.000118181095,0.000012912201,0.5008985,0.000064950196,0.000101433565,0.41385335,0.031227285,0.052929357],"study_design_scores_gemma":[0.00046045225,0.00047340945,0.000023285254,0.000009755913,0.00009620372,0.0000025042089,0.0068928828,0.00024988104,0.00022297293,0.000037488397,0.9912757,0.00025544068],"about_ca_topic_score_codex":0.06929965,"about_ca_topic_score_gemma":0.27778697,"teacher_disagreement_score":0.96004844,"about_ca_system_score_codex":0.00025505814,"about_ca_system_score_gemma":0.00012699763,"threshold_uncertainty_score":0.93689793},"labels":[],"label_agreement":null},{"id":"W7020326413","doi":"","title":"Les Cahiers : Contested Site","year":2012,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Parallels; Rhetorical question; Construct (python library); Reflexivity; Field (mathematics); Set (abstract data type); Narrative; Phenomenon","score_opus":0.05101439658797544,"score_gpt":0.24766367725204086,"score_spread":0.19664928066406542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020326413","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00059932854,0.0042648325,0.000115321105,0.00035141245,0.0031989198,0.0007157113,0.0011000463,0.00052326574,0.98913115],"genre_scores_gemma":[0.03073145,0.00017960812,0.000040450053,0.002429975,0.0073907496,0.00006136033,0.00109004,0.00030048643,0.9577759],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99602437,0.00014364805,0.0009088105,0.0008359755,0.00066568423,0.0014214908],"domain_scores_gemma":[0.99712807,0.00027969934,0.000535355,0.0010961491,0.00035947977,0.0006012744],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037417575,0.0010557885,0.0011451741,0.00033450054,0.0012774117,0.0004231017,0.00056387513,0.00073141046,0.02226554],"category_scores_gemma":[0.00005741734,0.0010197976,0.0006312699,0.0000049313276,0.0017724982,0.00053555507,0.00013610763,0.0013034313,0.012587215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027412543,0.00012202044,0.000014858017,0.00019123298,0.00026944777,0.00004398078,0.117666334,8.063091e-7,0.000015972873,0.3313056,0.54182005,0.0085223345],"study_design_scores_gemma":[0.0007171142,0.00014337072,0.00011373512,0.00027361946,0.00038448986,0.0000212967,0.00082107546,0.000020220275,0.0000152037,0.017184982,0.97910255,0.0012023199],"about_ca_topic_score_codex":0.0012547846,"about_ca_topic_score_gemma":0.015756363,"teacher_disagreement_score":0.43728256,"about_ca_system_score_codex":0.00046457016,"about_ca_system_score_gemma":0.0003880339,"threshold_uncertainty_score":0.99922526},"labels":[],"label_agreement":null},{"id":"W7020693394","doi":"","title":"Michael Merrill : espace = Outer Space","year":2011,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Space (punctuation); Outer space; Series (stratigraphy); Painting","score_opus":0.041603201140137235,"score_gpt":0.2327787317441057,"score_spread":0.19117553060396847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020693394","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000083163366,0.0028498657,0.00027496062,0.0011103518,0.0048900167,0.0007975349,0.0007201342,0.00052595336,0.988748],"genre_scores_gemma":[0.0036085993,0.00038419233,0.000176853,0.0031756572,0.0077376063,0.00006978124,0.0004010202,0.00042330447,0.984023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99533135,0.00013921583,0.0009227893,0.00131378,0.0007495453,0.0015433099],"domain_scores_gemma":[0.99653107,0.00014927311,0.00062834023,0.0016834437,0.00039524975,0.00061264203],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00035401163,0.0013471312,0.001363347,0.00041285192,0.0008960733,0.0004338931,0.0009225037,0.00071239914,0.030776247],"category_scores_gemma":[0.000040639356,0.0012923874,0.00082945894,0.000005680678,0.0013505833,0.0005566181,0.0003604197,0.0012002023,0.022150708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003515935,0.00009728459,0.0000017368344,0.00013341154,0.00024220625,0.00008553347,0.121590935,6.1947435e-7,0.000005657281,0.286755,0.5895024,0.0015500666],"study_design_scores_gemma":[0.00065931014,0.00022039915,0.00001764611,0.00030995655,0.00032427668,0.00003162455,0.0010814754,0.000029626712,0.00003395681,0.05668163,0.9391274,0.001482719],"about_ca_topic_score_codex":0.0008497699,"about_ca_topic_score_gemma":0.015543295,"teacher_disagreement_score":0.349625,"about_ca_system_score_codex":0.00028202403,"about_ca_system_score_gemma":0.0005716377,"threshold_uncertainty_score":0.999928},"labels":[],"label_agreement":null},{"id":"W7020739195","doi":"","title":"MashUp: The Birth of Modern Culture. VANCOUVER ART GALLERY","year":2016,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Modern art; Photography; Key (lock)","score_opus":0.017066731776869893,"score_gpt":0.20239378049286705,"score_spread":0.18532704871599714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020739195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044243243,0.000020529536,0.0009840506,0.004585573,0.00069248414,0.00027005936,0.0013348345,0.000037958387,0.9876502],"genre_scores_gemma":[0.792849,0.00006165682,0.0001610081,0.00095937925,0.00038775423,0.00001264327,0.000026268503,0.000026301921,0.20551598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983115,0.00015638677,0.00044268975,0.00020974195,0.00037513924,0.0005045233],"domain_scores_gemma":[0.998499,0.0003939786,0.00036117568,0.0003625074,0.00015123839,0.00023210325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034391924,0.00017353808,0.00027375494,0.00035087354,0.00028699453,0.00003703776,0.00034620802,0.00004131556,0.00051027106],"category_scores_gemma":[0.00019631766,0.00011143656,0.00017664423,0.0000119936585,0.00034786356,0.00015020433,0.000045199333,0.00013855434,0.00009288307],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020262933,0.000046144014,0.0016491371,0.000033173477,0.0002015835,0.0000020746263,0.090861596,0.000007530686,0.00033325583,0.56284314,0.33996618,0.0040359036],"study_design_scores_gemma":[0.00036463302,0.0000418556,0.006271102,0.000041638872,0.000029891042,3.8218204e-7,0.0001828037,0.000076238204,0.00007879401,0.19466127,0.79810417,0.00014722426],"about_ca_topic_score_codex":0.023853006,"about_ca_topic_score_gemma":0.8183325,"teacher_disagreement_score":0.7944795,"about_ca_system_score_codex":0.00017194985,"about_ca_system_score_gemma":0.00046180785,"threshold_uncertainty_score":0.98264724},"labels":[],"label_agreement":null},{"id":"W7021058125","doi":"","title":"Navigating Uncertainty","year":2015,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Relation (database); Focus (optics); Work (physics); Anxiety; Order (exchange)","score_opus":0.14605899097593647,"score_gpt":0.3606016609522559,"score_spread":0.2145426699763194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021058125","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07819552,0.000106927226,0.000004049264,0.00017422558,0.0010500097,0.0008299362,0.00019756395,0.00013670641,0.9193051],"genre_scores_gemma":[0.16171639,0.00010606213,0.00004220154,0.000033883814,0.0005981828,7.8182404e-7,0.00093689404,0.000059677255,0.83650595],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955119,0.0009382233,0.00029958918,0.000981627,0.0012280922,0.0010406014],"domain_scores_gemma":[0.9957627,0.00018666947,0.00033567403,0.0008296718,0.0022069006,0.000678372],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0009157227,0.0004772216,0.0006340557,0.000438395,0.0043445798,0.00084115175,0.0026475207,0.0004950936,0.000033412063],"category_scores_gemma":[0.000077398465,0.00057758234,0.00027709687,0.000061979306,0.0010883289,0.0014157669,0.00053526857,0.0023159436,0.00021080302],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005379271,0.00014301333,0.000051675794,0.00012494685,0.00021842885,0.0009801851,0.06617182,0.000021250682,0.00006360955,0.9195673,0.010903144,0.0012167305],"study_design_scores_gemma":[0.0010372112,0.00023746367,0.00006138781,0.00040652067,0.0001486007,0.0000065841045,0.116291255,0.000115577015,0.00011295067,0.0008924636,0.8800853,0.00060469034],"about_ca_topic_score_codex":0.050396994,"about_ca_topic_score_gemma":0.08651621,"teacher_disagreement_score":0.9186748,"about_ca_system_score_codex":0.0019267943,"about_ca_system_score_gemma":0.0022266502,"threshold_uncertainty_score":0.99998575},"labels":[],"label_agreement":null},{"id":"W7021343083","doi":"","title":"Seven Days","year":2001,"lang":"en","type":"article","venue":"Arca (British Columbia Electronic Library Network)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Photography; Exposition (narrative); Clothing","score_opus":0.012922595446357725,"score_gpt":0.18694673103417864,"score_spread":0.1740241355878209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021343083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075445804,0.0033174737,0.000009713909,0.00078596256,0.0008005423,0.00039883357,0.00007043148,0.0007286551,0.9863438],"genre_scores_gemma":[0.6753535,0.0012481568,0.000048738202,0.0036139612,0.004347128,0.00005142421,0.00021127604,0.000089565816,0.3150362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99688077,0.00011634163,0.00042443123,0.00052350323,0.00026912277,0.0017858236],"domain_scores_gemma":[0.9990758,0.00009200466,0.00011480618,0.0004271182,0.000040266397,0.00025004544],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013913619,0.00021282742,0.0003599833,0.000033316355,0.0009972524,0.0019508738,0.0004923516,0.000110700414,0.30438128],"category_scores_gemma":[0.000009987291,0.00037221375,0.00019820743,0.000018346405,0.00033830947,0.0014083746,0.0001846096,0.00048463765,0.0002457466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013508351,0.000118164855,0.0015191549,0.000012394769,0.00008303431,0.00010623628,0.0021792168,0.000019348197,1.2376748e-7,0.38054886,0.6035786,0.01182135],"study_design_scores_gemma":[0.00033697332,0.00014401025,0.000080977596,0.0000431061,0.0000240571,0.00008893862,0.000094124756,0.00023802997,7.4315335e-7,0.41907275,0.57958835,0.00028796482],"about_ca_topic_score_codex":0.011071132,"about_ca_topic_score_gemma":0.4541836,"teacher_disagreement_score":0.6713076,"about_ca_system_score_codex":0.00007400529,"about_ca_system_score_gemma":0.00032909488,"threshold_uncertainty_score":0.999873},"labels":[],"label_agreement":null},{"id":"W7022079878","doi":"","title":"Las Vegas Model","year":2021,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liquation; Subpoena; Ridiculous; Paraphernalia; TSG101","score_opus":0.06263872105201414,"score_gpt":0.22529615682648774,"score_spread":0.1626574357744736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7022079878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66384506,0.00030280402,0.0018164597,0.0013046461,0.00020677723,0.000087528904,0.00040893836,0.000096341166,0.33193144],"genre_scores_gemma":[0.9048376,0.000046409823,0.0007512807,0.00031493264,0.000092967355,1.4181508e-7,0.0001028501,0.000014810521,0.09383902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905086,0.00006516317,0.00012743416,0.00023601612,0.00024455486,0.00027597442],"domain_scores_gemma":[0.9988784,0.00005011977,0.00008762205,0.00044891023,0.000376261,0.0001586929],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008908802,0.00013641106,0.00023584487,0.00012205303,0.00085751683,0.00019049694,0.0003659667,0.000056149493,0.0008025686],"category_scores_gemma":[0.000028161972,0.0001731562,0.00016065239,0.00001122271,0.0003860871,0.0013256132,0.00023600552,0.00032613202,0.00015595467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009240185,0.00092233246,0.049859744,0.00014233218,0.00064877956,0.00044914364,0.17691551,0.00096263096,0.00009715886,0.7080579,0.055555437,0.0062966747],"study_design_scores_gemma":[0.0008823916,0.00007936516,0.025316447,0.00003768952,0.00021716874,0.0000064739947,0.0042476524,0.00426773,0.00003038635,0.008792131,0.9557258,0.0003967645],"about_ca_topic_score_codex":0.0012857348,"about_ca_topic_score_gemma":0.17885427,"teacher_disagreement_score":0.9001704,"about_ca_system_score_codex":0.000050898816,"about_ca_system_score_gemma":0.00019400909,"threshold_uncertainty_score":0.87875634},"labels":[],"label_agreement":null},{"id":"W7022402669","doi":"","title":"Extramale","year":2006,"lang":"it","type":"article","venue":"IRIS Research product catalog (Sapienza University of Rome)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Context (archaeology); Subject (documents)","score_opus":0.07865617626890575,"score_gpt":0.29965879497999354,"score_spread":0.22100261871108778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7022402669","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47463503,0.0092481915,0.0003588537,0.007853217,0.0013327239,0.002396282,0.003711052,0.00028845272,0.5001762],"genre_scores_gemma":[0.65966743,0.00041968,0.00015331976,0.000026594505,0.0012083466,8.0203006e-7,0.00030760095,0.000039156388,0.33817706],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99531734,0.0004658194,0.00042776804,0.000977376,0.0012984616,0.0015132593],"domain_scores_gemma":[0.9966268,0.00023132433,0.00022047269,0.001191311,0.0014004483,0.0003296424],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0015111171,0.00036559888,0.0005775186,0.0007702364,0.0020607025,0.00020491912,0.0011694818,0.00019202208,0.0035477006],"category_scores_gemma":[0.00015908806,0.00042837282,0.00028844748,0.00004999917,0.0049043936,0.0007232582,0.0007125951,0.00096932,0.0013601828],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003619121,0.0021897112,0.0019048118,0.00094081287,0.0003434146,0.0005460664,0.14450903,0.000080709964,0.002220696,0.104388386,0.73766595,0.004848496],"study_design_scores_gemma":[0.00093064085,0.00037587748,0.0038080437,0.00012924327,0.00006595978,0.000013133276,0.011841677,0.00006782257,0.0010092284,0.0043921843,0.976908,0.00045816388],"about_ca_topic_score_codex":0.07118849,"about_ca_topic_score_gemma":0.020711226,"teacher_disagreement_score":0.23924208,"about_ca_system_score_codex":0.00036057358,"about_ca_system_score_gemma":0.00069791905,"threshold_uncertainty_score":0.99981683},"labels":[],"label_agreement":null},{"id":"W7024306839","doi":"","title":"Sans invitation à la Vancouver Art Gallery : À qui appartient le canon de l’art moderne ?","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Representation (politics); Painting","score_opus":0.010553751909713612,"score_gpt":0.16843331958919666,"score_spread":0.15787956767948305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024306839","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099475175,0.028031146,0.0047951723,0.08463545,0.0042157313,0.0009349578,0.0016782528,0.00039783778,0.7758363],"genre_scores_gemma":[0.28626898,0.001593584,0.00012940296,0.0019755338,0.00039181963,0.000027985998,0.00014255002,0.000059757396,0.70941037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978057,0.00030519828,0.0002579438,0.0004150143,0.00040235042,0.0008137997],"domain_scores_gemma":[0.99894524,0.000112626505,0.00019024267,0.0003545797,0.00008925598,0.0003080824],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030831542,0.00030454033,0.00030726846,0.00019546213,0.0024998642,0.00006246272,0.00028015216,0.000125431,0.0022135894],"category_scores_gemma":[0.000013819937,0.00041056043,0.00024347195,0.00001810619,0.00033169458,0.0003660092,0.0003841215,0.00041988166,0.00021919674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011428491,0.0003320064,0.00007990701,0.00005932066,0.00014518529,0.0006273678,0.053044964,0.008437919,0.00007780823,0.13560103,0.7991737,0.0023065277],"study_design_scores_gemma":[0.0010235348,0.00020039227,0.0000713985,0.000032289958,0.00018503712,0.00009421282,0.02217828,0.009864508,0.00005772449,0.0073558325,0.9585073,0.0004295146],"about_ca_topic_score_codex":0.028242853,"about_ca_topic_score_gemma":0.73763305,"teacher_disagreement_score":0.7093902,"about_ca_system_score_codex":0.006994036,"about_ca_system_score_gemma":0.00033821646,"threshold_uncertainty_score":0.9998346},"labels":[],"label_agreement":null},{"id":"W7025155135","doi":"","title":"Unlocking The Groove: The Synaesthetics of Experimental Turntablism and Vinyl Sculpture (Part 1 of 4)","year":2005,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; The Imaginary; Event (particle physics); Craft; Performance art","score_opus":0.011406516923476842,"score_gpt":0.19252772089163228,"score_spread":0.18112120396815545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025155135","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021674282,0.0022111337,1.6492014e-7,0.00025965064,0.00026669048,0.00030583417,0.00023423684,0.000032085434,0.99647343],"genre_scores_gemma":[0.025608463,0.0003619209,0.00005242417,0.00039929993,0.0004713439,0.0000072694243,0.000041189905,0.000062371284,0.9729957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988032,0.000054694523,0.0005195086,0.0001062968,0.0003207258,0.00019557118],"domain_scores_gemma":[0.9988528,0.00008296961,0.00059482804,0.00032192733,0.000104082734,0.000043398053],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016507215,0.00023374194,0.00032181427,0.000041151096,0.0001409654,0.00005067821,0.00028423523,0.00015266363,0.13230437],"category_scores_gemma":[0.000024181008,0.00014688256,0.00012952561,5.7094604e-7,0.00081037433,4.3417018e-7,0.00009523437,0.00019799444,0.00018353114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001601347,0.000035825724,6.57935e-7,0.0001561397,0.00006211367,9.0187575e-7,0.020602632,0.000026621901,3.2081394e-7,0.0041641355,0.9743405,0.0005941455],"study_design_scores_gemma":[0.00025123893,0.00008981255,0.0000017620837,0.000188872,0.00006988632,0.000020906362,0.0033686236,0.000017021295,0.000050253446,0.000028205463,0.9957565,0.00015689884],"about_ca_topic_score_codex":0.004558941,"about_ca_topic_score_gemma":0.0053473497,"teacher_disagreement_score":0.13212083,"about_ca_system_score_codex":0.000016506465,"about_ca_system_score_gemma":0.000022126267,"threshold_uncertainty_score":0.86848885},"labels":[],"label_agreement":null},{"id":"W7026453040","doi":"","title":"Alternatives to timothy grown with alfalfa in eastern Canada.","year":2018,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Forage; Yield (engineering); Production (economics); Cultivar; Productivity","score_opus":0.026954723230236347,"score_gpt":0.23801588335789753,"score_spread":0.21106116012766118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026453040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55941135,0.00006551232,1.2043542e-7,0.000049235296,0.0014570623,0.00050259056,0.0018606556,0.000085195206,0.4365683],"genre_scores_gemma":[0.7704332,0.000024876641,0.00009892081,0.0014408784,0.00041547444,0.00011698728,0.0007698414,0.00020167665,0.22649814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996259,0.0001542997,0.00072972436,0.0009934661,0.00086936547,0.0009941785],"domain_scores_gemma":[0.99794096,0.000093303905,0.0003679826,0.00062997214,0.00050012785,0.00046764858],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028147144,0.00080531527,0.00074774236,0.0004415192,0.0010032024,0.00020593392,0.00071977405,0.00025364192,0.0012398413],"category_scores_gemma":[0.00013116778,0.0007486555,0.0001364835,0.000022946007,0.00015961703,0.0006024256,0.0001038292,0.0008545597,0.0003861507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016968758,0.0009379156,0.0005279211,0.0013976959,0.0013682453,0.0010026994,0.020523325,0.000052004336,0.0008598489,0.87967616,0.0017921784,0.09016513],"study_design_scores_gemma":[0.0008183439,0.00033615838,0.00073928956,0.0006809625,0.00010691869,0.0000081276685,0.0043684132,0.000016366323,0.003246782,0.008539489,0.97985524,0.0012838923],"about_ca_topic_score_codex":0.55058193,"about_ca_topic_score_gemma":0.9963535,"teacher_disagreement_score":0.9780631,"about_ca_system_score_codex":0.0009460863,"about_ca_system_score_gemma":0.00029832983,"threshold_uncertainty_score":0.9996732},"labels":[],"label_agreement":null},{"id":"W7026487236","doi":"","title":"Advanced composite tendon system","year":2002,"lang":"en","type":"article","venue":"DORA Empa (Swiss Federal Laboratories for Materials Science and Technology (Empa))","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Retrofitting; Flexural strength; Reinforcement; Fibre-reinforced plastic; Brittleness; Shear (geology); Ultimate tensile strength","score_opus":0.020104564404982827,"score_gpt":0.23623254156734788,"score_spread":0.21612797716236506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026487236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.989281,0.00051029533,0.000019632342,0.0024827037,0.0015918249,0.0006140997,0.0007065667,0.00072459335,0.004069261],"genre_scores_gemma":[0.99646246,0.00004599451,0.00027307932,0.0003721677,0.00043553123,0.00014914632,0.000029161953,0.000036441637,0.0021959858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9976543,0.000030114932,0.00048370898,0.0006206737,0.0003353758,0.00087580626],"domain_scores_gemma":[0.9982094,0.00003770124,0.00021785728,0.00043055214,0.00094168645,0.00016281348],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0003883533,0.00034695867,0.0005437963,0.00033125293,0.0025816918,0.00082070095,0.0005040629,0.00017310111,0.00014321155],"category_scores_gemma":[0.00012013671,0.00029344822,0.000036649508,0.00007282776,0.003182723,0.0009403454,0.00019071954,0.00012568673,0.00005293517],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006712153,0.00012218812,0.00047855507,0.0003014087,0.000044089258,0.000018945704,0.016405439,0.0000013972079,0.1787093,0.7999538,0.0023801452,0.0015175863],"study_design_scores_gemma":[0.0014946559,0.0007434919,0.00007299523,0.00016083353,0.00006394628,0.000041110274,0.018362228,0.00011561411,0.6639122,0.017865617,0.29621795,0.0009493977],"about_ca_topic_score_codex":0.0001666142,"about_ca_topic_score_gemma":0.00044143896,"teacher_disagreement_score":0.7820882,"about_ca_system_score_codex":0.00012573166,"about_ca_system_score_gemma":0.00010654758,"threshold_uncertainty_score":0.9999518},"labels":[],"label_agreement":null},{"id":"W7026531999","doi":"","title":"ACW Baseline Report: Manufacturing - Auto","year":2022,"lang":"en","type":"report","venue":"York University Digital Library (York University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Automotive industry; Context (archaeology); Government (linguistics); Auto industry; Baseline (sea); State (computer science); Value (mathematics)","score_opus":0.043289329325859126,"score_gpt":0.19264855555410126,"score_spread":0.14935922622824213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026531999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011519574,0.00018712592,0.00008492049,0.00036372984,0.0019684548,0.00039020667,0.010439912,0.001209959,0.98420376],"genre_scores_gemma":[0.03462575,0.00039060824,0.000075054326,0.00020906197,0.0015442149,2.7208011e-7,0.009619043,0.00014272751,0.9533933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996359,0.000143273,0.00045469715,0.0011559213,0.0010041076,0.0008830344],"domain_scores_gemma":[0.99740964,0.0002031959,0.0007033721,0.0010214298,0.000120764234,0.000541576],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013313803,0.0007604549,0.0008349681,0.001313814,0.001769853,0.00076266093,0.0014979079,0.00036240864,0.013330781],"category_scores_gemma":[0.00003927781,0.0009645667,0.00081499945,0.000050540286,0.0007207433,0.003532327,0.0018630037,0.0011062636,0.00026302913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022133745,0.00035748314,0.0004971055,0.00031117653,0.0007262093,0.021172756,0.007495155,0.00006652216,3.470735e-7,0.028846432,0.9366924,0.0036130373],"study_design_scores_gemma":[0.000503098,0.00010694028,0.00004019486,0.00011728185,0.0003122397,0.00013107984,0.012755451,0.0000139400145,0.000011719352,0.0003580329,0.9845855,0.0010645236],"about_ca_topic_score_codex":0.0013524264,"about_ca_topic_score_gemma":0.00089944253,"teacher_disagreement_score":0.047893062,"about_ca_system_score_codex":0.0009118722,"about_ca_system_score_gemma":0.0021707946,"threshold_uncertainty_score":0.9995297},"labels":[],"label_agreement":null},{"id":"W7026584315","doi":"","title":"Adaptation des milieux de travail aux effets des changements climatiques. Tome 1 : identification des travailleurs du Québec les plus à risque vis-à-vis des dangers prioritaires liés aux changements climatiques","year":2022,"lang":"fr","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Construction industry; Work safety; Transportation infrastructure","score_opus":0.08771454440809823,"score_gpt":0.3121078129298204,"score_spread":0.2243932685217222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026584315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93060386,0.03844652,0.009476441,0.001995423,0.0011299729,0.0020036334,0.0010593886,0.0006418054,0.014642939],"genre_scores_gemma":[0.9019012,0.02039626,0.003067242,0.00077863917,0.0009586652,0.0011582578,0.0005280485,0.0002336426,0.07097804],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99382466,0.0011171788,0.0013967097,0.0009920292,0.000904708,0.0017647016],"domain_scores_gemma":[0.99721366,0.00031987077,0.00061260705,0.0006221388,0.0007443157,0.00048740636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016044602,0.0009169705,0.0007883955,0.00061745336,0.007469261,0.0008547502,0.00076457165,0.0002459863,0.0051813866],"category_scores_gemma":[0.0002695008,0.0009968431,0.00041429122,0.00006750497,0.004311119,0.0018108165,0.00042295523,0.00049992785,0.00015287608],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022134342,0.0011939694,0.008779875,0.0026748313,0.0006305584,0.00004511358,0.7644138,0.0003855969,0.00038537465,0.013908337,0.011596092,0.19576511],"study_design_scores_gemma":[0.0044877785,0.0029282444,0.14454073,0.0015052476,0.001888847,0.000094990435,0.403559,0.041647095,0.0034403526,0.02288242,0.36969405,0.0033312545],"about_ca_topic_score_codex":0.40298533,"about_ca_topic_score_gemma":0.7353116,"teacher_disagreement_score":0.3608548,"about_ca_system_score_codex":0.0037540721,"about_ca_system_score_gemma":0.0010352778,"threshold_uncertainty_score":0.9992482},"labels":[],"label_agreement":null},{"id":"W7026957840","doi":"","title":"Antimodernism and artistic experience. Policing the boundaries of modernity","year":2001,"lang":"fr","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Narrative; Perspective (graphical); Subjectivity","score_opus":0.054514852496179475,"score_gpt":0.2834458815906999,"score_spread":0.2289310290945204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026957840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60104305,0.0072583845,0.0098117255,0.00835639,0.0014644695,0.00032421254,0.00018683415,0.00007608838,0.37147886],"genre_scores_gemma":[0.8109223,0.0011056021,0.00008248451,0.0010176023,0.00070481224,0.000007900834,0.00000440439,0.0000229905,0.18613186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983885,0.000089487345,0.0004343984,0.0002640861,0.00024842296,0.00057506294],"domain_scores_gemma":[0.9990622,0.00016414041,0.0001405046,0.00035771052,0.00013320638,0.00014228084],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00018303271,0.0002575653,0.00033027816,0.000061044346,0.0019820284,0.00058216363,0.00019296458,0.000093245544,0.0018334525],"category_scores_gemma":[0.000059307124,0.0001894059,0.00009631897,0.000003832907,0.0063773273,0.00035440386,0.00014178526,0.00020585029,0.00003771691],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001522477,0.00011078501,0.0012799748,0.00007570048,0.00004731375,0.000008855516,0.30310798,0.000019302272,0.000032114058,0.6894235,0.0021644353,0.0037148215],"study_design_scores_gemma":[0.00034608063,0.00013149096,0.0028538029,0.000099632736,0.0001175094,0.000074424344,0.0181208,0.01208077,0.00030908824,0.08294881,0.8825803,0.00033732364],"about_ca_topic_score_codex":0.06732554,"about_ca_topic_score_gemma":0.034542963,"teacher_disagreement_score":0.88041586,"about_ca_system_score_codex":0.000036666042,"about_ca_system_score_gemma":0.00013549646,"threshold_uncertainty_score":0.9993172},"labels":[],"label_agreement":null},{"id":"W7027085191","doi":"","title":"Body: New Art from the UK","year":2005,"lang":"en","type":"book","venue":"UCL Discovery (University College London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Principal (computer security); Art gallery; Focus (optics)","score_opus":0.020883297929158644,"score_gpt":0.185308629273701,"score_spread":0.16442533134454237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027085191","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043467147,0.00057353644,0.0002159244,0.002870233,0.001312423,0.00046216292,0.0144061055,0.00013386323,0.9795911],"genre_scores_gemma":[0.0036248914,0.00030378284,0.000041915486,0.0028522443,0.0058670137,7.337364e-7,0.001322375,0.00007068765,0.9859164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981458,0.0000690887,0.00023349436,0.000571673,0.0004506331,0.00052928476],"domain_scores_gemma":[0.9984003,0.00025591173,0.00024350757,0.00079164177,0.000087593915,0.00022107932],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007375918,0.0005012272,0.0005580583,0.00015664841,0.0011434095,0.00026281818,0.0009233648,0.00027436018,0.011551105],"category_scores_gemma":[0.000012288915,0.00045664323,0.00051128515,0.000005965663,0.0006649345,0.00088312454,0.00039831092,0.00060783065,0.0026973453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049489372,0.000024358194,0.0000076210404,0.000008079792,0.00016692867,0.00008106031,0.009784738,0.0000023207256,3.7547125e-7,0.38589156,0.6038808,0.000102654354],"study_design_scores_gemma":[0.0008396379,0.000053169417,0.00008718632,0.00011179107,0.00039461884,0.00000342397,0.002747212,0.00003869349,0.0000012397064,0.016507203,0.97864586,0.00056993554],"about_ca_topic_score_codex":0.00418745,"about_ca_topic_score_gemma":0.11353895,"teacher_disagreement_score":0.3747651,"about_ca_system_score_codex":0.00052058056,"about_ca_system_score_gemma":0.0012678121,"threshold_uncertainty_score":0.9997885},"labels":[],"label_agreement":null},{"id":"W7027195724","doi":"","title":"Being There - Retrospective Exhibition (Video Pool & Gunavich Fine Art Winnipeg Canada) - Lei Cox","year":2012,"lang":"en","type":"other","venue":"Edinburgh Napier Research Repository (Edinburgh Napier University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Fine art; Event (particle physics); Painting; Photography","score_opus":0.03414454256532943,"score_gpt":0.25087372101921024,"score_spread":0.21672917845388082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027195724","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010555761,0.0022734446,0.00007130607,0.00074759556,0.0057214187,0.0014039775,0.00047973153,0.0005318341,0.9877151],"genre_scores_gemma":[0.07340314,0.00035654576,0.00003621981,0.00016314216,0.015499069,0.000028506716,0.0003393103,0.0005471259,0.90962696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9910664,0.00047878418,0.0007695803,0.0016772718,0.0032763353,0.0027316262],"domain_scores_gemma":[0.99485075,0.00039199664,0.0006053077,0.001642717,0.0012895078,0.0012197403],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012190818,0.0011457602,0.0012725868,0.002255265,0.0025282637,0.0005371751,0.0014689908,0.00090542063,0.03986046],"category_scores_gemma":[0.0002245646,0.0012156871,0.00049014925,0.00015691451,0.0021359315,0.0008831627,0.0007425498,0.0028211817,0.000120653654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014407428,0.000257675,0.0010586698,0.0000940243,0.0007746485,0.0012622175,0.011046725,0.0000021411756,0.00011130609,0.012190877,0.97273046,0.00032718698],"study_design_scores_gemma":[0.0012380603,0.00026799622,0.00012250531,0.00073829864,0.00030858524,0.00003870573,0.0036379,0.000029223473,0.00028326738,0.00072891865,0.99131215,0.0012944164],"about_ca_topic_score_codex":0.3013965,"about_ca_topic_score_gemma":0.43513155,"teacher_disagreement_score":0.13373505,"about_ca_system_score_codex":0.003204062,"about_ca_system_score_gemma":0.0023552387,"threshold_uncertainty_score":0.99947935},"labels":[],"label_agreement":null},{"id":"W7027583874","doi":"","title":"Convoluted beauty in the company of Emily Carr ; [published to record the exhibition \"Convoluted Beauty: In the Company of Emily Carr\", presented from June 27 to September 14, 2014 at the Mendel Art Gallery, Saskatoon, Saskatchewan, Canada]","year":2014,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Beauty; Carr; Work (physics); Painting","score_opus":0.020320595480009664,"score_gpt":0.2340305941429644,"score_spread":0.21370999866295473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027583874","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8400758,0.0002546728,0.00024889875,0.029818248,0.0018438811,0.0030403486,0.0014215433,0.000086849956,0.1232098],"genre_scores_gemma":[0.9315179,0.00000773571,0.000050168925,0.012169567,0.0005049776,0.00014818436,0.0004120239,0.000055032237,0.055134434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99447584,0.0012625682,0.0014437069,0.00065938884,0.0011538198,0.0010046498],"domain_scores_gemma":[0.9955385,0.0015600922,0.00046057053,0.0016681693,0.00055100024,0.0002216651],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001965712,0.0005545593,0.0009279885,0.00018734462,0.0005314491,0.00023490259,0.0014599683,0.00016159224,0.0015344687],"category_scores_gemma":[0.00016102736,0.0002924506,0.00024748454,0.00008630987,0.0007081992,0.00027531743,0.00033187325,0.0006221198,0.0000789983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014431828,0.0001816704,0.0025398463,0.00003075426,0.00012697159,0.00000314301,0.14073609,0.0002355511,0.000316694,0.001930406,0.8536835,0.000071101604],"study_design_scores_gemma":[0.0017817458,0.00017426863,0.03811052,0.00014212634,0.0001473832,0.0000048100533,0.09131095,0.0019184672,0.0004416617,0.0019225047,0.86351717,0.0005284168],"about_ca_topic_score_codex":0.74949783,"about_ca_topic_score_gemma":0.9982119,"teacher_disagreement_score":0.2487141,"about_ca_system_score_codex":0.00031643832,"about_ca_system_score_gemma":0.0005952891,"threshold_uncertainty_score":0.99995273},"labels":[],"label_agreement":null},{"id":"W7027589345","doi":"","title":"The concept of unlearning in art histories and women’s art praxes : the case studies of Emily Carr (1871-1945) and Gabriele Münter (1877-1962)","year":2021,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Princeton University","keywords":"Narrativity; Painting; Perspective (graphical); Carr; ESPACE","score_opus":0.01020099308133195,"score_gpt":0.2004182473852479,"score_spread":0.19021725430391595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027589345","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8697368,0.10555343,0.0000064399737,0.00045609853,0.0009209322,0.00025435354,0.00012529606,0.000013263491,0.022933373],"genre_scores_gemma":[0.7923805,0.0032731455,0.000017638102,0.00005626288,0.00013608103,0.000022854703,0.000051270657,0.000015706766,0.20404652],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99830097,0.00022149378,0.00049276656,0.00034461997,0.00029330593,0.000346828],"domain_scores_gemma":[0.9981578,0.00056021253,0.00047259172,0.0002454053,0.00045146572,0.000112539965],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00028150756,0.00031168433,0.0005044745,0.00012331821,0.006623165,0.00006955113,0.00015080524,0.00015893174,0.000027984528],"category_scores_gemma":[0.00015832274,0.0002528864,0.00012676943,0.00001990892,0.0028476599,0.00026662461,0.00016512077,0.00035530594,0.0000014233158],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022081583,0.00006213295,0.0038921274,0.0002964201,0.0004647205,0.0013808728,0.8468609,0.0001433431,0.00021089082,0.1451148,0.00074653333,0.00060648273],"study_design_scores_gemma":[0.00048951874,0.0001271027,0.0022348408,0.00028470744,0.00021004882,0.00059220096,0.66930985,0.000121918165,0.000560501,0.0004018268,0.32544395,0.00022352641],"about_ca_topic_score_codex":0.034969255,"about_ca_topic_score_gemma":0.22442025,"teacher_disagreement_score":0.32469743,"about_ca_system_score_codex":0.0018971848,"about_ca_system_score_gemma":0.0009740249,"threshold_uncertainty_score":0.9999923},"labels":[],"label_agreement":null},{"id":"W7028479522","doi":"","title":"Examen du service d’accompagnement du Tribunal de la sécurité sociale : Accès à la justice administrative pour les communautés marginalisées","year":2022,"lang":"fr","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tribunal; Service (business); Economic Justice; Social assistance; Hospital ward","score_opus":0.05481989389662298,"score_gpt":0.26728484848461104,"score_spread":0.21246495458798806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028479522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8601447,0.0017593667,0.00008675633,0.021330578,0.00060874876,0.0004295776,0.0028036302,0.0001127109,0.11272394],"genre_scores_gemma":[0.9271616,0.00036049145,0.00044893436,0.0011090621,0.00084259,0.0000055881615,0.00023804147,0.00006677877,0.069766946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99458575,0.0027144891,0.0004203836,0.0005723212,0.0007925562,0.00091451016],"domain_scores_gemma":[0.9969247,0.0011712495,0.0005452384,0.00053183374,0.000444404,0.0003825665],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021023203,0.000516434,0.0006755754,0.00026844774,0.0070479233,0.00030536376,0.001441788,0.00033623684,0.018734507],"category_scores_gemma":[0.00010694752,0.00072995597,0.00042676268,0.000052359654,0.0017812245,0.0009824814,0.0015360765,0.0016072858,0.0001237923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001762346,0.004188358,0.05474996,0.0015184542,0.0014326784,0.0011412473,0.48730937,0.0004433444,0.0005245492,0.4050091,0.039060585,0.0028600274],"study_design_scores_gemma":[0.003267719,0.00039423458,0.061606046,0.0001528246,0.0011815322,0.00013999625,0.16836059,0.00037958226,0.00011203057,0.0055684564,0.7581008,0.00073619274],"about_ca_topic_score_codex":0.008635699,"about_ca_topic_score_gemma":0.013748393,"teacher_disagreement_score":0.7190402,"about_ca_system_score_codex":0.0007140278,"about_ca_system_score_gemma":0.0010294319,"threshold_uncertainty_score":0.9995152},"labels":[],"label_agreement":null},{"id":"W7028797475","doi":"","title":"Has Engagement Had Its Day – What’s Next and Does It Matter?","year":2017,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Government (linguistics); Set (abstract data type); Perspective (graphical); Work (physics)","score_opus":0.2771116842223019,"score_gpt":0.3265339777472721,"score_spread":0.049422293524970184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028797475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9845444,0.00019835342,0.000045782104,0.0032471854,0.0014802228,0.0003712097,0.00006925391,0.00011845518,0.009925156],"genre_scores_gemma":[0.82958466,0.00022466926,0.0000073874535,0.0016013578,0.00046918012,0.0000027175897,0.000018106548,0.00004372342,0.16804819],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802953,0.00020490204,0.0002529718,0.0005945112,0.00031305538,0.00060500833],"domain_scores_gemma":[0.998276,0.00008141978,0.0002760979,0.0008882338,0.0001582893,0.0003199368],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038493433,0.00037502227,0.00036275643,0.00025166632,0.002925964,0.007830496,0.00095481356,0.00013042323,0.00064825057],"category_scores_gemma":[0.000035299276,0.00034658817,0.00012873544,0.0000039485203,0.00074620906,0.009589975,0.00079516886,0.00047991864,0.0008345743],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013228382,0.00040752368,0.793312,0.00040259893,0.00046711173,0.00076816237,0.18700245,0.0000038271114,0.0006039261,0.01216159,0.00016612909,0.004572364],"study_design_scores_gemma":[0.0012108774,0.00012264382,0.31957966,0.000374519,0.0001807202,0.0000110050305,0.011889669,7.969062e-7,0.0006700907,0.00079402863,0.6644423,0.00072369224],"about_ca_topic_score_codex":0.00009166146,"about_ca_topic_score_gemma":0.039730765,"teacher_disagreement_score":0.6642762,"about_ca_system_score_codex":0.000102948325,"about_ca_system_score_gemma":0.000068031244,"threshold_uncertainty_score":0.9999434},"labels":[],"label_agreement":null},{"id":"W7028919326","doi":"","title":"Hoe handelen agenten bij conflicten tussen burgers?:Een onderzoek op basis van video-opnames","year":2024,"lang":"nl","type":"book","venue":"Digital Academic REpository of VU University Amsterdam (Vrije Universiteit Amsterdam)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"L'Alliance Boviteq","funders":"","keywords":"Corporation; Term (time); State (computer science)","score_opus":0.027541278490741387,"score_gpt":0.22103763957743355,"score_spread":0.19349636108669216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028919326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0335589,0.0023685924,0.00024504337,0.0012929592,0.003327338,0.0017524677,0.0077801226,0.0007781991,0.94889635],"genre_scores_gemma":[0.23806953,0.0012414892,0.000029000013,0.00046187593,0.0016185571,0.0000018463405,0.0015379757,0.00028832254,0.7567514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99028575,0.0004258014,0.0021170124,0.0029400678,0.0019831215,0.0022482565],"domain_scores_gemma":[0.99262404,0.0006757083,0.0022197596,0.0019068029,0.0010867406,0.0014869652],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.00041364765,0.002476233,0.0030354694,0.002721178,0.0021328358,0.0011700129,0.003474829,0.0024132365,0.0012363776],"category_scores_gemma":[0.00006354177,0.0028776492,0.0025864441,0.00011681445,0.0049442723,0.004681659,0.0023850794,0.00360371,0.0014512312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003789598,0.0015688962,0.002443416,0.007778462,0.017105045,0.014735358,0.2943046,0.00023655343,0.0015413462,0.0730787,0.5749854,0.008432654],"study_design_scores_gemma":[0.0026436446,0.000872441,0.00015666743,0.0033524525,0.0033772078,0.00023478456,0.03265993,0.0003485961,0.000561467,0.0017189542,0.95121443,0.0028594178],"about_ca_topic_score_codex":0.0016392167,"about_ca_topic_score_gemma":0.00023013647,"teacher_disagreement_score":0.37622908,"about_ca_system_score_codex":0.0026163466,"about_ca_system_score_gemma":0.0015738737,"threshold_uncertainty_score":0.99986684},"labels":[],"label_agreement":null},{"id":"W7029578542","doi":"","title":"Latest News in Black Art: Ingrid Pollard Wins Hasselblad Photography Award, New Gallery Representation for Alberta Wittle, Coco Fusco, and Julien Creuzet &amp;amp; More","year":2024,"lang":"en","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Photography; Coco; Art gallery","score_opus":0.06089916170044294,"score_gpt":0.3038218874828496,"score_spread":0.24292272578240667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029578542","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00049905316,0.00065614574,0.00033802103,0.0027626518,0.0009772257,0.0013842721,0.0004194827,0.0002375939,0.99272555],"genre_scores_gemma":[0.0011858003,0.00068625115,0.0005811592,0.0018118767,0.0023737054,0.00008967705,0.0009545053,0.0004943446,0.99182266],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792,0.00003831793,0.0005007476,0.0007530789,0.00024594198,0.0005419256],"domain_scores_gemma":[0.998894,0.00012985595,0.000197648,0.00049549603,0.00005758946,0.00022544968],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009822949,0.0005257934,0.0006296895,0.00060444593,0.00011176917,0.00049256766,0.00019574675,0.00037899223,0.005208697],"category_scores_gemma":[0.000052059557,0.00046852848,0.00025186903,0.000018837662,0.0004642453,0.0001612051,0.00010834242,0.00036071916,0.0010750559],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028976447,0.000060690447,0.00051707873,0.00027872494,0.00019399528,0.000003656669,0.04495196,0.0000029429968,0.000004475752,0.0060757375,0.94776475,0.000117018084],"study_design_scores_gemma":[0.00078201597,0.000047967806,0.00006189509,0.00032216328,0.0001482436,0.0000036826702,0.0019460125,0.000051322568,0.0000057456787,0.0048915045,0.9911726,0.00056682975],"about_ca_topic_score_codex":0.09285378,"about_ca_topic_score_gemma":0.8053542,"teacher_disagreement_score":0.7125004,"about_ca_system_score_codex":0.000038626207,"about_ca_system_score_gemma":0.00013448938,"threshold_uncertainty_score":0.99977666},"labels":[],"label_agreement":null},{"id":"W7030048413","doi":"","title":"Lyonel Feininger : [exposition], Musée des beaux-arts de Montréal, [Pavillon Michal et Renata Hornstein, 20 janvier-13 mai 2012], Whitney museum of American art, [New York, 30 juin-16 octobre 2011]","year":2011,"lang":"fr","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Object (grammar); Power (physics); Stage (stratigraphy)","score_opus":0.070175297124599,"score_gpt":0.2467704747365268,"score_spread":0.1765951776119278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030048413","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036626156,0.061076082,0.006062101,0.009982373,0.0025648216,0.0010731701,0.0019259038,0.00027115,0.88041824],"genre_scores_gemma":[0.4063264,0.006909589,0.0041622487,0.0053999107,0.0018373406,0.00005889814,0.00034430373,0.00023726656,0.574724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99507654,0.00035701002,0.0012956071,0.00092881394,0.0005780227,0.0017640097],"domain_scores_gemma":[0.99651533,0.00017852093,0.00074062217,0.0011261214,0.00041677905,0.0010226096],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000542589,0.00094210234,0.0011392904,0.00036518747,0.000808469,0.00025035706,0.0006343395,0.0003561967,0.036053084],"category_scores_gemma":[0.000051830233,0.00090902834,0.00054529216,0.00002417041,0.002904077,0.0011042218,0.0003245414,0.00063217874,0.0023763163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018987706,0.0011398544,0.0006879208,0.0002778118,0.0005420242,0.00008493458,0.17059118,0.000021274669,0.00021235683,0.08575626,0.729968,0.010528506],"study_design_scores_gemma":[0.0014251008,0.001429402,0.001981332,0.00059697346,0.0006398116,0.00010633873,0.021719411,0.00019021716,0.0013440023,0.010623177,0.95858645,0.0013577571],"about_ca_topic_score_codex":0.17559023,"about_ca_topic_score_gemma":0.32293653,"teacher_disagreement_score":0.36970025,"about_ca_system_score_codex":0.00028318595,"about_ca_system_score_gemma":0.00044621856,"threshold_uncertainty_score":0.99980944},"labels":[],"label_agreement":null},{"id":"W7030190721","doi":"","title":"MONUMENT TO DUST Ruin, Resurfacing, and Ethics of Care in Relation to Monument to Dawn","year":2024,"lang":"en","type":"dissertation","venue":"University Library (University of Saskatchewan)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Impermanence; Sculpture; Relation (database); Exhibition; National monument; Work (physics)","score_opus":0.017944457955284546,"score_gpt":0.21110660813595244,"score_spread":0.1931621501806679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030190721","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94817525,0.00017686527,0.000054255004,0.0025677318,0.00041054588,0.0006737294,0.0008633458,0.00008440663,0.046993855],"genre_scores_gemma":[0.7830969,0.000091687376,0.00081370975,0.00018957964,0.00005336429,1.5529815e-7,0.00058092136,0.000027829166,0.21514587],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99867564,0.000077254444,0.00019757343,0.0004678997,0.0003247035,0.0002569318],"domain_scores_gemma":[0.99913293,0.00006109083,0.00012753671,0.00027753122,0.0001411814,0.00025973315],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00009222394,0.00025258888,0.00042362246,0.0008524714,0.0002969335,0.000047240846,0.00034732698,0.00028519455,0.00040210426],"category_scores_gemma":[0.000009415555,0.00034868577,0.00012421267,0.00004832175,0.000105082,0.0006268254,0.00032097334,0.00045008867,0.000052545936],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046316555,0.000046544188,0.0004371835,0.00069864525,0.00007349138,0.000054586428,0.9885512,0.00021229021,0.00005106444,0.004552067,0.0043311836,0.0005285946],"study_design_scores_gemma":[0.0003271791,0.0003061007,0.002945753,0.00079955056,0.0001252089,2.3462097e-7,0.8078144,0.000022740673,0.00020761992,0.00048371183,0.1866437,0.00032375075],"about_ca_topic_score_codex":0.01433321,"about_ca_topic_score_gemma":0.22059356,"teacher_disagreement_score":0.20626035,"about_ca_system_score_codex":0.00020339341,"about_ca_system_score_gemma":0.0003728809,"threshold_uncertainty_score":0.9998965},"labels":[],"label_agreement":null},{"id":"W7030482239","doi":"","title":"In Your Face","year":2001,"lang":"en","type":"article","venue":"Arca (British Columbia Electronic Library Network)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Feature (linguistics); Facial recognition system; Photography; Clothing","score_opus":0.01695724254211795,"score_gpt":0.20562249103589322,"score_spread":0.18866524849377528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030482239","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029030873,0.0039559905,0.00000575615,0.0013812976,0.00076686946,0.00045256742,0.000044316235,0.00038985597,0.96397245],"genre_scores_gemma":[0.6980343,0.0016207492,0.000026967711,0.0038976835,0.0024996202,0.000050132112,0.00008463858,0.000067953006,0.29371798],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971151,0.00010827068,0.00042529078,0.0004732939,0.0002165202,0.0016615706],"domain_scores_gemma":[0.9993179,0.000068828034,0.000090548536,0.00032416164,0.00002293498,0.00017562437],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013215064,0.00018571918,0.00033931353,0.000045500274,0.00047893767,0.0013236455,0.00041165185,0.00010345301,0.21045327],"category_scores_gemma":[0.0000094524685,0.00033199735,0.00013612711,0.000023108247,0.0002431953,0.001660063,0.00014348853,0.00051278557,0.00016359272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020090536,0.00020008934,0.0053380653,0.000015588115,0.00004909484,0.00025585882,0.0044817454,0.0000812715,2.1532554e-7,0.39837167,0.58448106,0.006705235],"study_design_scores_gemma":[0.00042671082,0.00011305495,0.00020875972,0.00004634945,0.000009794576,0.000061830986,0.00016950106,0.00032904508,8.6368857e-7,0.39864513,0.5997278,0.00026116424],"about_ca_topic_score_codex":0.019916577,"about_ca_topic_score_gemma":0.62489605,"teacher_disagreement_score":0.67025447,"about_ca_system_score_codex":0.00008770053,"about_ca_system_score_gemma":0.00026522556,"threshold_uncertainty_score":0.9999132},"labels":[],"label_agreement":null},{"id":"W7031634598","doi":"","title":"Sculpting Cinema","year":2017,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Object (grammar); Selection (genetic algorithm); Cinematography; Identity (music); Creativity","score_opus":0.060935801068714435,"score_gpt":0.26700172975299,"score_spread":0.2060659286842756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7031634598","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000096663134,0.0019102459,0.0000803787,0.00068700395,0.004122307,0.00060871633,0.00044419614,0.00042696745,0.9916235],"genre_scores_gemma":[0.007077992,0.00023504563,0.00007424158,0.0017978088,0.013548276,0.000052052907,0.00048632917,0.00030307888,0.9764252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99589527,0.000086734435,0.0009143337,0.0010724565,0.000745811,0.0012853744],"domain_scores_gemma":[0.99626386,0.00016489519,0.00084150897,0.0019245826,0.0003670827,0.0004380775],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048255108,0.0010279374,0.0012115281,0.0002976967,0.0025076317,0.001092649,0.0011127634,0.00053130236,0.017550163],"category_scores_gemma":[0.000120413075,0.0009909996,0.00072934513,0.00000208497,0.0012642521,0.000610816,0.00034278588,0.0010898332,0.013490696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014476,0.00007159643,0.0000033941487,0.00024541933,0.00021791288,0.00010073603,0.040768277,0.0000016365334,0.000005485194,0.19578677,0.7515997,0.011184564],"study_design_scores_gemma":[0.0006479631,0.00013317159,0.00004189189,0.0006243486,0.0002616715,0.000022541873,0.00042431272,0.00006957337,0.000008897986,0.048248764,0.9483843,0.0011325872],"about_ca_topic_score_codex":0.0004810225,"about_ca_topic_score_gemma":0.008502374,"teacher_disagreement_score":0.19678456,"about_ca_system_score_codex":0.00023601203,"about_ca_system_score_gemma":0.0006453791,"threshold_uncertainty_score":0.9999443},"labels":[],"label_agreement":null},{"id":"W7031965080","doi":"","title":"Grove: a study","year":2020,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Depiction; Interpretation (philosophy); Sight; Materiality (auditing); Painting; Process (computing); Photography; Guitar","score_opus":0.03867827911499709,"score_gpt":0.22355966568027422,"score_spread":0.18488138656527714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7031965080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46479893,0.00013270853,0.000030196205,0.0007747831,0.0013115584,0.0006342248,0.00016001251,0.00017232275,0.5319853],"genre_scores_gemma":[0.86602926,0.000039731738,0.000038911443,0.00008529435,0.000443766,4.9810956e-7,0.00034728754,0.00003630451,0.13297896],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990696,0.00004719581,0.000102697486,0.00029215112,0.00028199732,0.000206407],"domain_scores_gemma":[0.9992859,0.000025556246,0.0002071551,0.00023245697,0.00015258933,0.00009638366],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000052928524,0.00020887596,0.00036488514,0.00013267192,0.00042254024,0.000047424932,0.0003409573,0.00009811202,0.00023044467],"category_scores_gemma":[0.000011334682,0.0002676102,0.00016619741,0.0000039982515,0.00012765902,0.00016642052,0.00006383516,0.00024678168,0.0002653548],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000289268,0.0007022713,0.0029768264,0.0005745652,0.0006292277,0.0002302971,0.85780114,0.0000024114247,0.0000351554,0.04232563,0.09330708,0.0011260965],"study_design_scores_gemma":[0.0004669698,0.00026286935,0.011272102,0.000043440894,0.000274348,3.2882824e-7,0.5670162,0.000037409358,0.000009589501,0.00043828375,0.41992152,0.00025695152],"about_ca_topic_score_codex":0.012978181,"about_ca_topic_score_gemma":0.9493666,"teacher_disagreement_score":0.9363885,"about_ca_system_score_codex":0.000057386864,"about_ca_system_score_gemma":0.000085122345,"threshold_uncertainty_score":0.9999776},"labels":[],"label_agreement":null},{"id":"W7033219553","doi":"","title":"Peinture en coupes. \\n François Lacasse, peintures 1992-2002. Réalisation : Réal Lussier, avec la collaboration de François Lacasse et Jean-Émile Verdier, Musée d’art contemporain de Montréal du 22 février au 28 avril 2002","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Context (archaeology); Feature (linguistics)","score_opus":0.008064822107346811,"score_gpt":0.1810382977540001,"score_spread":0.17297347564665327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033219553","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16062695,0.23596482,0.0051245387,0.30963853,0.0041921437,0.002773319,0.007353667,0.0010655585,0.27326044],"genre_scores_gemma":[0.3069961,0.02796562,0.0004100692,0.0039172247,0.0027999412,0.000052577514,0.000501567,0.00022261534,0.6571343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99440914,0.0012074272,0.00079325394,0.0009963568,0.0008867994,0.0017070131],"domain_scores_gemma":[0.9963596,0.0007699324,0.00061227445,0.00082393986,0.00050711585,0.0009271291],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011668169,0.0010336371,0.0009824274,0.00047515283,0.0027257095,0.00042942754,0.00062032806,0.0011657592,0.0069177183],"category_scores_gemma":[0.00036247837,0.0012036226,0.0005635834,0.0001123616,0.00088149065,0.001378783,0.00031454564,0.0012046149,0.0008112958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028784227,0.00047117827,0.00040865023,0.00015763415,0.00042104637,0.0019017088,0.18189937,0.0011270369,0.00011244779,0.06896937,0.7413647,0.002878978],"study_design_scores_gemma":[0.0036939601,0.0003717102,0.00083966716,0.00019008042,0.0006933104,0.0003036401,0.015191812,0.028442482,0.00008673602,0.0021264702,0.94686025,0.0011998591],"about_ca_topic_score_codex":0.17012425,"about_ca_topic_score_gemma":0.8462338,"teacher_disagreement_score":0.6761095,"about_ca_system_score_codex":0.009485555,"about_ca_system_score_gemma":0.00056339125,"threshold_uncertainty_score":0.9999667},"labels":[],"label_agreement":null},{"id":"W7034255180","doi":"","title":"Tiburones zorro y otros condrictios en el Círculo del Estrecho, un recurso marino infravalorado por la Arqueología","year":2017,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Table (database); Fish <Actinopterygii>; Salting; Quarter (Canadian coin); Identification (biology); Line (geometry); Sixth century; Archaeological evidence","score_opus":0.018784625251873896,"score_gpt":0.25989111343404303,"score_spread":0.24110648818216912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034255180","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25625047,0.00013081006,0.00054574077,0.0013807878,0.0009174367,0.0002891955,0.00019388838,0.00024387798,0.7400478],"genre_scores_gemma":[0.9422218,0.00020274505,0.00037967972,0.0006125285,0.0008502095,0.000010549375,0.000077244884,0.000053292555,0.05559193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983164,0.00025182884,0.00021592969,0.00039816153,0.00022971828,0.00058793416],"domain_scores_gemma":[0.9983282,0.0003254235,0.00026987924,0.0007173797,0.00011571687,0.00024338975],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031201635,0.00031480435,0.00036223695,0.00018656663,0.0013428786,0.00047846592,0.0006840296,0.00028778272,0.001295488],"category_scores_gemma":[0.00015698952,0.00033556795,0.00018313961,0.0000058658243,0.0011269895,0.00065189996,0.0002656477,0.00043847648,0.00024721373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076140954,0.00019310878,0.009759437,0.00005020232,0.00020959628,0.0004154531,0.09662248,0.000018646911,0.00015368506,0.85494846,0.025898341,0.011654438],"study_design_scores_gemma":[0.001583608,0.00012992724,0.040029034,0.000041259158,0.00019101876,0.00003764455,0.0052994797,0.00045315642,0.0001277531,0.040698975,0.910811,0.00059716514],"about_ca_topic_score_codex":0.0069846683,"about_ca_topic_score_gemma":0.0043523777,"teacher_disagreement_score":0.8849126,"about_ca_system_score_codex":0.00014077117,"about_ca_system_score_gemma":0.00018082213,"threshold_uncertainty_score":0.99995726},"labels":[],"label_agreement":null},{"id":"W7034472793","doi":"","title":"Tightrope Walker and Pelican Sculptures","year":2021,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; State (computer science); Tribute; World War II; Key (lock); Pelican","score_opus":0.03728410532105174,"score_gpt":0.2131046344811946,"score_spread":0.17582052916014285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034472793","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8412364,0.00071856845,0.00012392784,0.0015403595,0.00013582133,0.000076788405,0.00020089064,0.000054258977,0.15591297],"genre_scores_gemma":[0.9461812,0.00011497059,0.00030055488,0.0003213715,0.00010505057,1.09917664e-7,0.0000712161,0.000012058953,0.052893486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991699,0.00007972805,0.00010394,0.00023124286,0.00018964533,0.00022555451],"domain_scores_gemma":[0.99911165,0.000051630795,0.00007187829,0.00033132095,0.00027339868,0.000160094],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007505733,0.000126503,0.000217009,0.00010492629,0.0008236187,0.00021817851,0.00022786968,0.000045970704,0.0010189932],"category_scores_gemma":[0.00002431679,0.00014254503,0.00009797148,0.000009736241,0.00052113464,0.00089080265,0.00021633708,0.00027235752,0.000060034872],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010332084,0.0006721456,0.2409998,0.00019384713,0.0008459339,0.0005587276,0.20644577,0.000012376682,0.00017931077,0.47576708,0.058151685,0.01607001],"study_design_scores_gemma":[0.00041713097,0.000052290736,0.16979086,0.000019173152,0.00010965448,0.000005909127,0.0028061213,0.000038035705,0.000016541395,0.0010597225,0.82550126,0.00018331037],"about_ca_topic_score_codex":0.0020454414,"about_ca_topic_score_gemma":0.18185998,"teacher_disagreement_score":0.76734954,"about_ca_system_score_codex":0.000026693406,"about_ca_system_score_gemma":0.00008758286,"threshold_uncertainty_score":0.9998942},"labels":[],"label_agreement":null},{"id":"W7035815366","doi":"","title":"Angelika Hoerle, the comet of cologne dada [accompanies the Exhibition Angelika Hoerle: The Comet of Cologne Dada, Art Gallery of Ontario, 23 May - 30 August 2009 ; Museum Ludwig Cologne, 26 September 2009 - 17 January 2010]","year":2009,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comet; Exhibition; Art gallery; Utopia; Museology","score_opus":0.03837724180616515,"score_gpt":0.24626380539514145,"score_spread":0.2078865635889763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7035815366","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45553023,0.0020919333,0.00010644411,0.007985984,0.0018136093,0.0029843287,0.0021358677,0.00026134046,0.52709025],"genre_scores_gemma":[0.77110595,0.00023195296,0.00015438293,0.0052724043,0.00049102685,0.00007838566,0.00027163202,0.00005983137,0.22233446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953896,0.0005589409,0.0015822885,0.00058761664,0.00088291324,0.0009986679],"domain_scores_gemma":[0.99548507,0.001119676,0.0011068262,0.0013724519,0.0007431353,0.00017283042],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014001585,0.0007022148,0.0013001101,0.00027595236,0.0009902137,0.00016821094,0.0012017405,0.00033404285,0.01292305],"category_scores_gemma":[0.000094218274,0.00039943986,0.00050068134,0.00007711213,0.0030509937,0.00047887515,0.00030911676,0.0007893148,0.00017189329],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022667447,0.0009821866,0.0015199619,0.00007304154,0.0003603798,0.000011358063,0.025824443,0.00008249064,0.00031001001,0.013430478,0.9569317,0.0002472387],"study_design_scores_gemma":[0.0020645114,0.0019902994,0.09818787,0.00013949099,0.0006500285,0.00003798646,0.015866114,0.00020137003,0.0013970084,0.0039040968,0.8748028,0.0007584189],"about_ca_topic_score_codex":0.021043854,"about_ca_topic_score_gemma":0.3151757,"teacher_disagreement_score":0.3155757,"about_ca_system_score_codex":0.00020040739,"about_ca_system_score_gemma":0.00053102814,"threshold_uncertainty_score":0.99984574},"labels":[],"label_agreement":null},{"id":"W7036044800","doi":"","title":"Alicia Henry : Witnessing","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Power (physics); Art gallery; Swift","score_opus":0.038727591064847654,"score_gpt":0.24380167309272663,"score_spread":0.20507408202787897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036044800","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023739411,0.0026658091,0.00017010233,0.0005217085,0.005563701,0.00070972764,0.00045643302,0.00045266512,0.98922247],"genre_scores_gemma":[0.010655083,0.00016585572,0.000053782795,0.004224516,0.008794692,0.00003893441,0.0006469068,0.00035663287,0.9750636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957151,0.000120131626,0.00097033306,0.0010987119,0.0008013102,0.0012944028],"domain_scores_gemma":[0.9971441,0.00019677109,0.00058488455,0.0013916634,0.00031332052,0.00036924708],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036226283,0.0010739514,0.0012770364,0.0003518445,0.0010273107,0.0007101729,0.0007342084,0.00059107976,0.016346578],"category_scores_gemma":[0.000033217653,0.0010504874,0.0006514875,0.000005166817,0.0010499619,0.00060839823,0.00025456946,0.0010808767,0.018148638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022482047,0.00009551781,0.000004971544,0.00030087554,0.00021918923,0.00005512016,0.053045105,0.000004306196,0.000012338549,0.24752331,0.69146824,0.007248536],"study_design_scores_gemma":[0.00060954975,0.00014071872,0.000034463188,0.0005927668,0.0002651134,0.000020177698,0.00066572515,0.000095741736,0.000012218048,0.05510136,0.9412241,0.0012380829],"about_ca_topic_score_codex":0.0003938412,"about_ca_topic_score_gemma":0.004162599,"teacher_disagreement_score":0.24975583,"about_ca_system_score_codex":0.0003437867,"about_ca_system_score_gemma":0.00088928826,"threshold_uncertainty_score":0.99919456},"labels":[],"label_agreement":null},{"id":"W7037101877","doi":"","title":"Da Cranach a Monet : capolavori dalla collezione Pérez Simón : [mostra, Fondazione Memmo, Roma, 4 ottobre 2007-27 gennaio 2008, Museo Thyssen-Bornemisza, Madrid, 20 giugno-10 settembre 2006, Meadows museum, Dallas, 29 settembre-31 dicembre 2006, Musée national des beaux-arts du Québec, Québec, 31 maggio-3 settembre 2007]","year":2007,"lang":"it","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Feature (linguistics); Paraphernalia","score_opus":0.02831886673003996,"score_gpt":0.2465897622439946,"score_spread":0.21827089551395462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037101877","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059313502,0.075942986,0.0021535826,0.079670854,0.013051106,0.011030171,0.038767945,0.0033493328,0.7167205],"genre_scores_gemma":[0.22728446,0.003081782,0.0011847136,0.03066852,0.017855644,0.00047906116,0.0070443847,0.0013023639,0.7110991],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.975927,0.00080207,0.0062672743,0.0048777787,0.005057341,0.007068521],"domain_scores_gemma":[0.98336786,0.002207961,0.0026225722,0.0034888363,0.0045624296,0.003750314],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003663422,0.004940739,0.0042037424,0.002077832,0.006707381,0.0030809762,0.0034295106,0.0025302407,0.043651003],"category_scores_gemma":[0.00074507424,0.0050677084,0.0021587342,0.0003913167,0.004577825,0.0038009614,0.0013764576,0.0035502084,0.008605314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.001091042,0.0028577435,0.0019772204,0.0012216807,0.0023743801,0.0011972231,0.023856549,0.0010353061,0.00067760656,0.0034696867,0.9597389,0.00050263276],"study_design_scores_gemma":[0.007826996,0.00088119373,0.0022889073,0.0007996504,0.0016561588,0.000649464,0.0137893185,0.0031098947,0.0005952528,0.00088687916,0.9618213,0.005694968],"about_ca_topic_score_codex":0.52240837,"about_ca_topic_score_gemma":0.88822734,"teacher_disagreement_score":0.36581898,"about_ca_system_score_codex":0.0047380966,"about_ca_system_score_gemma":0.013349985,"threshold_uncertainty_score":0.99908257},"labels":[],"label_agreement":null},{"id":"W7037432979","doi":"","title":"Effect of cetane number on HCCI combustion efficiency and emissions","year":2009,"lang":"en","type":"other","venue":"NPARC","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Shell (Canada); National Research Council Canada","funders":"Government of Canada","keywords":"Combustion; Cetane number; Homogeneous charge compression ignition; Diesel fuel; Work (physics)","score_opus":0.016823933906539475,"score_gpt":0.2627622713733127,"score_spread":0.24593833746677324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037432979","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001274289,0.00008617967,0.000017006894,0.00006791591,0.00025136393,0.00017289726,0.000081260616,0.00007052739,0.99797857],"genre_scores_gemma":[0.1542786,0.00007072136,0.000018231418,0.00012802893,0.00053339824,0.0000037588545,0.000029591394,0.000076080345,0.84486157],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993918,0.00003801841,0.000119334065,0.00015667839,0.00013558364,0.0001586147],"domain_scores_gemma":[0.9995993,0.00006418057,0.00008976358,0.0001695225,0.000016001215,0.00006127479],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007883274,0.00016165544,0.00026042503,0.0000686534,0.0000900746,0.000019035158,0.0000668554,0.000101923295,0.010417339],"category_scores_gemma":[0.000021389333,0.00011991904,0.000057917914,0.000001262868,0.00018722829,0.000013466411,0.00001528649,0.00012087061,0.00011826944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024610397,0.000110854504,0.000024694607,0.000252095,0.000033123993,0.0000055751348,0.006823055,8.1594055e-7,0.00006619688,0.097857125,0.88650477,0.008297062],"study_design_scores_gemma":[0.00035792933,0.00038752548,0.00001053243,0.0003364081,0.000074977506,0.0000023686662,0.00004105438,0.000032023287,0.00020702003,0.0031877349,0.9951942,0.00016822711],"about_ca_topic_score_codex":0.00011320641,"about_ca_topic_score_gemma":0.00020831003,"teacher_disagreement_score":0.15311697,"about_ca_system_score_codex":0.000010695127,"about_ca_system_score_gemma":0.00001365613,"threshold_uncertainty_score":0.9904873},"labels":[],"label_agreement":null},{"id":"W7038755066","doi":"","title":"Jazzmusiikin opetteleminen kuulonvaraisen jäljittelemisen ja kielenomaisuuden näkökulmasta","year":2023,"lang":"fi","type":"dissertation","venue":"Jyväskylä University Digital Archive (University of Jyväskylä)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Context (archaeology); Proposition; Interpretation (philosophy)","score_opus":0.023034145632265732,"score_gpt":0.20220719729169973,"score_spread":0.17917305165943398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7038755066","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33307013,0.00020260515,0.0012646217,0.0011545501,0.0017853675,0.0020494505,0.024601905,0.0008572509,0.6350141],"genre_scores_gemma":[0.2872409,0.0010648301,0.00036715556,0.00016751833,0.0008290674,8.185542e-7,0.012582924,0.000271775,0.697475],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99338573,0.00032392368,0.0008811404,0.0020467613,0.0014308977,0.0019315684],"domain_scores_gemma":[0.9942302,0.00094388606,0.0015071302,0.0014296855,0.0008198046,0.0010692587],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0002901188,0.0015577561,0.00216706,0.0018045561,0.0025796623,0.00051129237,0.003067542,0.0007969443,0.002334974],"category_scores_gemma":[0.0001437463,0.0021611103,0.0017917489,0.00013456855,0.0028115027,0.003021329,0.0017017757,0.0014998377,0.0024998726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0071499716,0.003001401,0.002875211,0.0047345525,0.0071501825,0.005782505,0.66409814,0.00027980487,0.0019291564,0.10156345,0.16262387,0.038811743],"study_design_scores_gemma":[0.0036427523,0.0006154031,0.006182066,0.00090471,0.0011372931,0.0000228492,0.19860151,0.0004848753,0.000052288604,0.003875377,0.7822337,0.002247157],"about_ca_topic_score_codex":0.014880892,"about_ca_topic_score_gemma":0.037080847,"teacher_disagreement_score":0.61960983,"about_ca_system_score_codex":0.0006321249,"about_ca_system_score_gemma":0.0010504432,"threshold_uncertainty_score":0.99990225},"labels":[],"label_agreement":null},{"id":"W7039007748","doi":"","title":"Leontyne Price: The Woman of Action behind the Facade of Passive Artistry","year":2013,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.03883418608434236,"score_gpt":0.2294882023507176,"score_spread":0.19065401626637524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039007748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96660477,0.0000975675,0.0008552998,0.0012495744,0.00019699735,0.00024848504,0.00008497788,0.000021745931,0.030640582],"genre_scores_gemma":[0.9767718,0.000029791629,0.000034748526,0.00011113184,0.00015915581,8.426306e-7,0.000012248859,0.000009161224,0.022871125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999115,0.00007353894,0.00017948015,0.00014438022,0.00026291257,0.00022472074],"domain_scores_gemma":[0.9989039,0.00012840553,0.00035764222,0.00032037165,0.00023319486,0.000056488883],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012849532,0.00012165444,0.00021403526,0.00006205005,0.00061430945,0.00003964788,0.00037572053,0.00007294597,0.0014357301],"category_scores_gemma":[0.000027120537,0.00009197382,0.00016469709,0.000007588889,0.0013918662,0.00038380185,0.00010481931,0.00019264857,0.00005024393],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021483664,0.00008303755,0.0007347195,0.00007333635,0.00016227565,0.0000011801798,0.17049076,0.000018482284,0.000090057445,0.8208464,0.0073318416,0.00014644339],"study_design_scores_gemma":[0.000290161,0.00007816362,0.007468136,0.000017221488,0.00009222083,0.0000022199874,0.10897432,0.00008394229,0.000030347095,0.8649353,0.017920328,0.000107670014],"about_ca_topic_score_codex":0.0064173243,"about_ca_topic_score_gemma":0.012263039,"teacher_disagreement_score":0.06151644,"about_ca_system_score_codex":0.000044906297,"about_ca_system_score_gemma":0.0000566464,"threshold_uncertainty_score":0.9994771},"labels":[],"label_agreement":null},{"id":"W7039418280","doi":"","title":"Material Traces: Time and the Gesture in Contemporary Art, Leonard &amp; Bina Ellen Art Gallery, Montreal, February 16 – April 13, 2013","year":2013,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gesture; Painting; Photography; Performance art","score_opus":0.014015469818748837,"score_gpt":0.16516159029281166,"score_spread":0.1511461204740628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039418280","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6312712,0.0101984,0.000019505627,0.06761455,0.00049467676,0.0012237837,0.00029578054,0.00023723107,0.2886449],"genre_scores_gemma":[0.46706414,0.0034587851,0.000028653276,0.0011303357,0.00046234482,0.000025711674,0.00019296925,0.000045149493,0.5275919],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861616,0.0001444657,0.00024802,0.0003361825,0.00020277996,0.00045238034],"domain_scores_gemma":[0.99914646,0.00011706794,0.0001402635,0.00035715644,0.00006814352,0.00017089673],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018373669,0.0002932516,0.00040883358,0.00013716554,0.00059563864,0.00013630204,0.00026710282,0.00014071536,0.0024843423],"category_scores_gemma":[0.000009844785,0.00023050365,0.00012801302,0.000008617114,0.00053704175,0.0004695464,0.00019318762,0.00021243922,0.0015123613],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021468551,0.000074733085,0.00012306405,0.000022500428,0.000090369904,0.00009578486,0.023246752,0.000014620017,0.000049442337,0.004813133,0.970394,0.0008609291],"study_design_scores_gemma":[0.0022978096,0.00006143106,0.001889015,0.000038432194,0.000050287887,0.000046589517,0.0029239263,0.00035968167,0.000008036814,0.0045824,0.9874315,0.00031086095],"about_ca_topic_score_codex":0.121088795,"about_ca_topic_score_gemma":0.61675906,"teacher_disagreement_score":0.4956703,"about_ca_system_score_codex":0.00050273776,"about_ca_system_score_gemma":0.000042553274,"threshold_uncertainty_score":0.9992651},"labels":[],"label_agreement":null},{"id":"W7040973668","doi":"","title":"Interruption","year":2013,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Performative utterance; Indigenous; Exposition (narrative)","score_opus":0.2100508845592837,"score_gpt":0.3210106794552223,"score_spread":0.11095979489593863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040973668","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97170883,0.000033527966,0.00029053417,0.0004354088,0.00062415056,0.00027426815,0.00003252636,0.00027121633,0.02632953],"genre_scores_gemma":[0.82778275,0.00001644181,0.000009905976,0.00087543554,0.00044032052,0.000002075402,0.000031757285,0.000034157776,0.17080714],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99853545,0.000116955256,0.00022140298,0.00038158675,0.00024449566,0.0005001188],"domain_scores_gemma":[0.9989621,0.000044401528,0.00012377018,0.0004077425,0.00021033241,0.00025165032],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000118296724,0.00026219749,0.00023595207,0.00032135416,0.00043265693,0.00060215016,0.000502559,0.00011110224,0.0014027894],"category_scores_gemma":[0.000016025597,0.00027464697,0.00014541706,0.000008542837,0.00031522004,0.0026298882,0.00022263371,0.0003616027,0.0037721356],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006544214,0.0003358181,0.8886147,0.00012457275,0.00021708677,0.0001490717,0.084624894,0.000007827986,0.0006144754,0.021140747,0.00015164765,0.003953689],"study_design_scores_gemma":[0.0013681853,0.00026688437,0.51243705,0.00018370895,0.00013230748,0.000023894065,0.006119242,0.0000022130453,0.0007180144,0.004196272,0.4735742,0.0009780091],"about_ca_topic_score_codex":0.00011376096,"about_ca_topic_score_gemma":0.018995991,"teacher_disagreement_score":0.47342256,"about_ca_system_score_codex":0.00016220212,"about_ca_system_score_gemma":0.00004702572,"threshold_uncertainty_score":0.99997056},"labels":[],"label_agreement":null},{"id":"W7041084892","doi":"","title":"Timelength","year":2004,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transformative learning; Relation (database); Slowness; Duration (music); Pascal (unit)","score_opus":0.031485999921184504,"score_gpt":0.22964332676791055,"score_spread":0.19815732684672605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041084892","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000049775877,0.0023445906,0.00011841346,0.0006163053,0.0031117697,0.0006595652,0.0006858796,0.00055994315,0.9918538],"genre_scores_gemma":[0.0049848086,0.00027059496,0.00007599194,0.0031315812,0.00888445,0.00005363774,0.00077209994,0.0003290913,0.98149776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959248,0.00007895132,0.00091427,0.001039908,0.00077349285,0.0012686179],"domain_scores_gemma":[0.9974183,0.00013548197,0.00044302095,0.001243925,0.00029065213,0.00046864487],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028293347,0.0010567511,0.0011089221,0.00032362962,0.00096023636,0.000489149,0.0007390323,0.0005652558,0.034577303],"category_scores_gemma":[0.000036243782,0.0010371768,0.0006802155,0.000004244658,0.0011774508,0.0004404237,0.00019997742,0.0011278774,0.022459587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017053157,0.00013364424,5.539134e-7,0.000176309,0.00020778009,0.000086722124,0.05747787,0.0000064926826,0.0000024405044,0.36161667,0.57474726,0.0055271997],"study_design_scores_gemma":[0.0007287327,0.00019443834,0.000010743626,0.00035340467,0.00022590223,0.000020559417,0.00028064311,0.000028118226,0.000012968031,0.12975709,0.8673128,0.0010746379],"about_ca_topic_score_codex":0.00039691722,"about_ca_topic_score_gemma":0.0061873654,"teacher_disagreement_score":0.29256552,"about_ca_system_score_codex":0.00077158795,"about_ca_system_score_gemma":0.0018205433,"threshold_uncertainty_score":0.99920785},"labels":[],"label_agreement":null},{"id":"W7041113199","doi":"","title":"FutureLoss","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Speculation; Poetics; Work (physics); Connection (principal bundle); Deskilling","score_opus":0.05255682439134365,"score_gpt":0.2511007663318923,"score_spread":0.19854394194054867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041113199","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000054552635,0.004114371,0.00005411303,0.00081508385,0.006158833,0.00061429234,0.00089941797,0.00051143346,0.9867779],"genre_scores_gemma":[0.0022486905,0.00024051369,0.000054256805,0.0033725703,0.017745446,0.000056193396,0.0009288252,0.00031108,0.9750424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957804,0.00011128699,0.0008913577,0.0010078526,0.0009787297,0.0012303685],"domain_scores_gemma":[0.9968562,0.000120098244,0.00046784728,0.0013317489,0.0005717439,0.0006523356],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046048043,0.0010533363,0.0011550409,0.00030399841,0.0008478363,0.00055228075,0.000812266,0.00065584085,0.018354844],"category_scores_gemma":[0.000051499344,0.0009938147,0.00058843417,0.0000044319772,0.001104561,0.00046112124,0.00025078945,0.001159204,0.022239285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018226025,0.00007328804,7.835386e-7,0.00010138223,0.00014836718,0.0000627119,0.046938997,0.0000011977253,0.0000011704113,0.21040602,0.73836935,0.0038785073],"study_design_scores_gemma":[0.0006480193,0.00017987864,0.000009397242,0.0001945568,0.0002216562,0.000022999136,0.0006896688,0.000025817837,0.000004305751,0.13547297,0.8614743,0.001056472],"about_ca_topic_score_codex":0.00030766736,"about_ca_topic_score_gemma":0.00821383,"teacher_disagreement_score":0.12310491,"about_ca_system_score_codex":0.00042120495,"about_ca_system_score_gemma":0.0010944871,"threshold_uncertainty_score":0.99925125},"labels":[],"label_agreement":null},{"id":"W7041156360","doi":"","title":"Material Girls","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Counterpoint; Convention; Space (punctuation); White (mutation); Process (computing)","score_opus":0.05334641184447782,"score_gpt":0.24841089736831054,"score_spread":0.1950644855238327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041156360","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024814063,0.00088605983,0.000027922702,0.0004172817,0.009006962,0.00065282494,0.0020615417,0.0004858429,0.98621345],"genre_scores_gemma":[0.0046769,0.00010723928,0.000048814134,0.0020535854,0.018012332,0.00006306405,0.0014697964,0.00030332088,0.97326493],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99597704,0.00012049771,0.0009346963,0.0009320187,0.0008583919,0.0011773375],"domain_scores_gemma":[0.9972849,0.00008435343,0.00046205148,0.0011683578,0.00044299828,0.0005573244],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044334252,0.0009889753,0.0011561522,0.0002762898,0.00068184914,0.00073835434,0.0007295597,0.00058100274,0.038317602],"category_scores_gemma":[0.000041574123,0.0009472944,0.00046974045,0.0000032238133,0.0010369772,0.00046958722,0.0002671116,0.0007125536,0.021017477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040463958,0.00007532513,6.7550127e-7,0.00012465664,0.00013783407,0.0000631044,0.02981434,8.0969266e-7,0.000008261215,0.14085507,0.8266226,0.0022568358],"study_design_scores_gemma":[0.0006698908,0.00020932364,0.000008312413,0.00018653808,0.00021692402,0.000021510396,0.00026777093,0.000015586336,0.000024287428,0.09779387,0.8995581,0.0010278408],"about_ca_topic_score_codex":0.00039867725,"about_ca_topic_score_gemma":0.0043702303,"teacher_disagreement_score":0.07293552,"about_ca_system_score_codex":0.0003696324,"about_ca_system_score_gemma":0.0009386953,"threshold_uncertainty_score":0.99929774},"labels":[],"label_agreement":null},{"id":"W7041838943","doi":"","title":"Jaden Samuels","year":2021,"lang":"en","type":"article","venue":"SOURCE Sheridan's Institutional Repository (Sheridan College)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Reuse; Work (physics); Ground floor; Architecture; Order (exchange); The arts","score_opus":0.025782262191001035,"score_gpt":0.2238904591373604,"score_spread":0.19810819694635934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041838943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15763448,0.00091581664,0.0008738126,0.00090353604,0.0047953357,0.00033166565,0.00025301802,0.0004346747,0.83385766],"genre_scores_gemma":[0.6819106,0.000017353344,0.00034916805,0.0012970346,0.0036682326,0.00005559322,0.00007390097,0.000056742607,0.31257138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99687344,0.00017299292,0.00070075114,0.00074998755,0.0007763453,0.00072645803],"domain_scores_gemma":[0.9980902,0.00011827064,0.0001905829,0.0006877258,0.000539006,0.00037418187],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019893353,0.0004615345,0.00047629193,0.00011773226,0.0027986,0.00046552857,0.00042195828,0.0001860215,0.0018134449],"category_scores_gemma":[0.000114514805,0.00047452984,0.000386132,0.000022653358,0.001467695,0.0005842182,0.00022706001,0.00044376883,0.00033149344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001821223,0.0008068177,0.0015120377,0.00025431014,0.0006227797,0.0027569022,0.049193755,0.0013465853,0.0054381043,0.8737514,0.062284727,0.0018504857],"study_design_scores_gemma":[0.0007008465,0.00007597551,0.0005560679,0.00009717492,0.00008162174,0.0005138529,0.0045203427,0.00031370265,0.003982342,0.0023774484,0.9861651,0.0006154953],"about_ca_topic_score_codex":0.0006051422,"about_ca_topic_score_gemma":0.0015234194,"teacher_disagreement_score":0.9238804,"about_ca_system_score_codex":0.00040963976,"about_ca_system_score_gemma":0.0013708769,"threshold_uncertainty_score":0.99977064},"labels":[],"label_agreement":null},{"id":"W7042544160","doi":"","title":"Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita","year":2022,"lang":"en","type":"other","venue":"WestminsterResearch (University of Westminster)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Conversation; Performance art; Relevance (law); Dominance (genetics)","score_opus":0.03980953826064406,"score_gpt":0.23010655018128098,"score_spread":0.19029701192063692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042544160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028106853,0.0019951956,0.00013274477,0.0008177795,0.00056492,0.0017930701,0.0030740665,0.00036832702,0.96314704],"genre_scores_gemma":[0.052425977,0.0014660093,0.00026101744,0.00026187618,0.000683428,0.000017126213,0.0009297739,0.00045338366,0.9435014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963461,0.00023986131,0.00034606463,0.0009592154,0.0010891958,0.0010195521],"domain_scores_gemma":[0.9977559,0.00016530979,0.00053129764,0.00089562766,0.00016934428,0.0004825275],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000515511,0.00068557286,0.0009439048,0.0010034593,0.00082874345,0.00021779905,0.00086922396,0.0003451992,0.03785056],"category_scores_gemma":[0.00003259465,0.0007282815,0.00022365773,0.000036824207,0.0019992765,0.00063875894,0.0009337873,0.0008060748,0.00013827304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063623255,0.0005859974,0.0029102182,0.0027055,0.0010525092,0.00087168574,0.22572087,0.0000051373468,0.000036308087,0.009322251,0.74697834,0.0091749355],"study_design_scores_gemma":[0.0020755383,0.00085210346,0.0010209816,0.00053967495,0.00019197141,0.000049565282,0.035891946,0.00019797478,0.000005769531,0.00010287307,0.9582725,0.0007990996],"about_ca_topic_score_codex":0.011326568,"about_ca_topic_score_gemma":0.08708275,"teacher_disagreement_score":0.21129414,"about_ca_system_score_codex":0.0002394584,"about_ca_system_score_gemma":0.00039529218,"threshold_uncertainty_score":0.99951684},"labels":[],"label_agreement":null},{"id":"W7042577149","doi":"","title":"Pink Triangles, Blue Feelings: Depression in Queer Contemporary Art","year":2022,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Identity (music); Homosexuality; Queer theory; Order (exchange); Isolation (microbiology); Depression (economics)","score_opus":0.019344352247276916,"score_gpt":0.21002514638848555,"score_spread":0.19068079414120864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042577149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037024017,0.00046307017,0.000015294801,0.009701042,0.0019473565,0.0008718945,0.0006767975,0.0004896057,0.94881094],"genre_scores_gemma":[0.13664456,0.00029249003,0.00005041701,0.0005098869,0.00037305127,0.0000041651315,0.0043087834,0.00009229951,0.85772437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980519,0.00023120218,0.00030449397,0.0006086997,0.0003599597,0.00044378158],"domain_scores_gemma":[0.99891174,0.00010555259,0.0003167748,0.00042179407,0.000053034648,0.00019110146],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006675423,0.00043514592,0.00054254604,0.00068883784,0.00054538366,0.00017855529,0.000536892,0.00028879225,0.009035905],"category_scores_gemma":[0.000019838892,0.0004999685,0.00027130728,0.000022126735,0.00013653067,0.0014736784,0.00019922608,0.00081895787,0.00020247977],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045834002,0.00015476129,0.001140509,0.00017492824,0.0001040083,0.00036476005,0.08278152,0.000016108646,9.905472e-7,0.018201021,0.8964827,0.0001203567],"study_design_scores_gemma":[0.000895244,0.000077546676,0.0005668343,0.00019473815,0.000065448294,1.7254776e-7,0.042799596,0.000006312976,0.00010524191,0.00067396386,0.95406395,0.00055094576],"about_ca_topic_score_codex":0.016802005,"about_ca_topic_score_gemma":0.008940477,"teacher_disagreement_score":0.09962054,"about_ca_system_score_codex":0.0001654701,"about_ca_system_score_gemma":0.00059437024,"threshold_uncertainty_score":0.9997452},"labels":[],"label_agreement":null},{"id":"W7042634935","doi":"","title":"23.2 The Poetic Eye","year":2014,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Cover (algebra); Performance art; George (robot)","score_opus":0.03457728135737472,"score_gpt":0.21680804502308143,"score_spread":0.1822307636657067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042634935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7751589,0.0001078791,0.00014766012,0.0034478833,0.0004735402,0.00019869948,0.00007136303,0.000114385184,0.2202797],"genre_scores_gemma":[0.859628,0.000012385834,0.0000727688,0.0007004277,0.00038158,3.411349e-7,0.000025326335,0.000022747225,0.13915642],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848,0.00021154058,0.00017003644,0.00031264813,0.00037921575,0.00044651542],"domain_scores_gemma":[0.99876213,0.00014410535,0.00016756839,0.0005873587,0.00017159815,0.0001672401],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000573341,0.00020487126,0.0002720184,0.00013068205,0.0014945886,0.00008688692,0.0007313543,0.000111194,0.0025126652],"category_scores_gemma":[0.00008162432,0.00018706525,0.00023377076,0.000010169924,0.0010083788,0.00048552323,0.00025452403,0.00036682695,0.0010149245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030577678,0.00041580692,0.04303141,0.00021021935,0.00041065758,0.000035975154,0.49756998,0.00004911183,0.001417954,0.4288971,0.02278402,0.004871959],"study_design_scores_gemma":[0.0009183622,0.00014764072,0.04243503,0.00004793987,0.00014247322,0.000004277072,0.008770132,0.00013080136,0.00023165994,0.010646941,0.93616575,0.0003589628],"about_ca_topic_score_codex":0.00045625848,"about_ca_topic_score_gemma":0.007639268,"teacher_disagreement_score":0.91338176,"about_ca_system_score_codex":0.00006609531,"about_ca_system_score_gemma":0.00004891106,"threshold_uncertainty_score":0.99980533},"labels":[],"label_agreement":null},{"id":"W7042660535","doi":"","title":"Petra Mala Miller, Portraits in Light, The Southern Alberta Art Gallery, Lethbridge, September 25 to November 22, 2015","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.010835729172345114,"score_gpt":0.17863076330832375,"score_spread":0.16779503413597863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042660535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1370228,0.001073477,0.000109247245,0.072039396,0.00053754525,0.00044245995,0.00021529649,0.00010473904,0.78845507],"genre_scores_gemma":[0.24554119,0.00012191163,0.000022161386,0.001748043,0.00038782242,0.000009088202,0.000011759155,0.000043816606,0.75211424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836904,0.000066791676,0.00024038031,0.00038758278,0.00027957335,0.00065665884],"domain_scores_gemma":[0.99892956,0.00014004126,0.000104000246,0.0004763522,0.00009989873,0.0002501746],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017624322,0.00028814847,0.00028164,0.00016221832,0.00041241752,0.000046695775,0.00037693276,0.00010579377,0.0047953646],"category_scores_gemma":[0.000024346755,0.00019754654,0.00017928338,0.000014917429,0.0001716064,0.00020435694,0.00021610218,0.00016380323,0.0043945583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073330055,0.000087735614,0.00030972224,0.000009364782,0.00008515187,0.00021603137,0.037186332,0.000011951743,0.0001467257,0.02894311,0.9314581,0.001472446],"study_design_scores_gemma":[0.0008819971,0.000053940472,0.0007982562,0.000057775538,0.000044763754,0.00004609481,0.0029177447,0.000030434165,0.000048164155,0.00067046855,0.99411356,0.00033678356],"about_ca_topic_score_codex":0.014985382,"about_ca_topic_score_gemma":0.8149648,"teacher_disagreement_score":0.7999794,"about_ca_system_score_codex":0.00095518783,"about_ca_system_score_gemma":0.000049308328,"threshold_uncertainty_score":0.9963806},"labels":[],"label_agreement":null},{"id":"W7042880941","doi":"","title":"Pictura : Pleins de feux sur la peinture à Montréal : Painting in Montreal's Image","year":2020,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Event (particle physics); Adoration; Period (music)","score_opus":0.016186765527975464,"score_gpt":0.21005655475275797,"score_spread":0.1938697892247825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042880941","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016423494,0.002576149,0.00014501232,0.0019692818,0.0010309323,0.0007400468,0.0006395716,0.00043671104,0.99081993],"genre_scores_gemma":[0.055270568,0.00034918074,0.00012301742,0.0029165721,0.004788687,0.000069082584,0.0005009593,0.000291247,0.9356907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956168,0.00028745516,0.0010973812,0.0010623805,0.0005969199,0.0013390746],"domain_scores_gemma":[0.99749786,0.0004809888,0.0005113478,0.00079902465,0.00022394609,0.0004868234],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005197562,0.0010588443,0.0012436248,0.00031013731,0.00058772776,0.000706566,0.0006835706,0.0006267386,0.003635381],"category_scores_gemma":[0.00023673552,0.0010466011,0.0006106969,0.000011111171,0.0006344919,0.00051712303,0.00029309347,0.0018535089,0.0016711706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006157083,0.00016214492,0.000023367773,0.00036493037,0.0002085302,0.000900005,0.21906713,0.000034108903,0.000033902175,0.051643435,0.7174419,0.01005897],"study_design_scores_gemma":[0.0010344977,0.00013706106,0.00048671092,0.0004226657,0.00017563657,0.000030268147,0.0023640934,0.0011810068,0.000012613472,0.032920264,0.96014047,0.0010947316],"about_ca_topic_score_codex":0.008435242,"about_ca_topic_score_gemma":0.16937013,"teacher_disagreement_score":0.24269854,"about_ca_system_score_codex":0.00042347543,"about_ca_system_score_gemma":0.0006980846,"threshold_uncertainty_score":0.99919844},"labels":[],"label_agreement":null},{"id":"W7042914235","doi":"","title":"Rebecca Belmore: Rising to the Occasion\\n . Vancouver Art Gallery, www.vanartgallery.bc.ca, June 7 to October 5, 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.017373583034446714,"score_gpt":0.1796038160883375,"score_spread":0.16223023305389078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042914235","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22236001,0.0032971813,0.0029964598,0.1414923,0.007213245,0.0020952676,0.0005071019,0.0007764114,0.61926204],"genre_scores_gemma":[0.11375718,0.0006193606,0.00038323263,0.006173773,0.0012264707,0.000012522589,0.000033733948,0.00006778443,0.87772596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978638,0.00007381025,0.00028363982,0.0004946995,0.00047312814,0.0008109115],"domain_scores_gemma":[0.99840415,0.00009363125,0.00011436269,0.0007029085,0.00021442724,0.00047052946],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001817607,0.00035156883,0.00035949599,0.00022790028,0.0027155892,0.000060303246,0.0005019692,0.00011055253,0.0024286357],"category_scores_gemma":[0.000041636446,0.0003053068,0.00023137145,0.00003332469,0.0002412579,0.00029024362,0.0004057364,0.0002805831,0.004672796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008914389,0.00007543765,0.00007221592,0.000008218046,0.00007965892,0.00060774834,0.035045754,0.00040801006,0.000029484545,0.0039852243,0.9587288,0.0008703423],"study_design_scores_gemma":[0.00049611274,0.00010918947,0.00032563094,0.00003371424,0.000065060754,0.0000994551,0.003588018,0.00025029632,0.00004180627,0.00043293525,0.99413353,0.0004242272],"about_ca_topic_score_codex":0.011413502,"about_ca_topic_score_gemma":0.80213815,"teacher_disagreement_score":0.79072464,"about_ca_system_score_codex":0.0016456253,"about_ca_system_score_gemma":0.00008525542,"threshold_uncertainty_score":0.9999399},"labels":[],"label_agreement":null},{"id":"W7043239394","doi":"","title":"Royden Rabinowitch - Ghent","year":2014,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Space (punctuation); Public space; Period (music); Position (finance)","score_opus":0.039845507915421165,"score_gpt":0.22991597889209708,"score_spread":0.19007047097667593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043239394","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023903444,0.000022935777,0.00088477985,0.00070519175,0.0005153934,0.000058821443,0.000004999012,0.00013139751,0.97377306],"genre_scores_gemma":[0.7346277,0.0000027423555,0.00004633051,0.0021284155,0.0010180661,0.0000042464894,0.0000061657906,0.000009485932,0.26215684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945676,0.000017208486,0.00011129895,0.00011296,0.00009904045,0.00020270913],"domain_scores_gemma":[0.99969006,0.000025958736,0.000013560023,0.00016815771,0.00003353545,0.00006870897],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008143854,0.00007386597,0.00009235666,0.000027859129,0.00014332436,0.000085684565,0.00009425325,0.000019868587,0.005340542],"category_scores_gemma":[0.000011304969,0.00005928214,0.000049146336,3.4702978e-7,0.00010492278,0.00008572449,0.00003151626,0.00004912079,0.0009874802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016634838,0.000027615592,0.000092390444,0.0000058740775,0.000009941642,7.1613874e-7,0.04178379,0.0000013237812,0.000012227779,0.89450246,0.060846716,0.0027152635],"study_design_scores_gemma":[0.00015413937,0.000034212284,0.00024311365,0.0000031759773,0.000008485165,6.166193e-7,0.0006232847,0.00029648995,0.00010175283,0.02110814,0.9773242,0.00010240304],"about_ca_topic_score_codex":0.00095930364,"about_ca_topic_score_gemma":0.00531326,"teacher_disagreement_score":0.91647744,"about_ca_system_score_codex":0.000012009753,"about_ca_system_score_gemma":0.0000101917685,"threshold_uncertainty_score":0.9997904},"labels":[],"label_agreement":null},{"id":"W7043535505","doi":"","title":"Tearing Apart the 'Canadian Aesthetic': An Interview with Brian Solomon","year":2019,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Colonialism; Limiting; Tearing","score_opus":0.043658801272110706,"score_gpt":0.2172960719996477,"score_spread":0.17363727072753699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043535505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053356823,0.0000019281615,0.000030812756,0.0008145544,0.00021592354,0.00048798378,0.000032471926,0.00011694342,0.94494253],"genre_scores_gemma":[0.9928162,0.0012805777,0.00004251016,0.0013716741,0.0001898772,0.0000019665677,0.000024902982,0.00003700899,0.0042352523],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880236,0.00012715548,0.00011214629,0.00031070205,0.00016131093,0.00048633022],"domain_scores_gemma":[0.9991641,0.00001882811,0.00007022873,0.00047932027,0.00010229196,0.00016519739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016376632,0.00020185066,0.00019119072,0.002119583,0.0006729145,0.000248694,0.0004584527,0.000060579227,0.00038709797],"category_scores_gemma":[0.000003851292,0.00015232805,0.0000838131,0.00007071319,0.00028882042,0.00050790654,0.00008356855,0.00024206242,0.00021728441],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099746,0.00022009325,0.0012560608,0.00010347892,0.00017025725,0.0001969064,0.70924205,0.000028642842,0.0000015297852,0.25501558,0.0011067538,0.032558892],"study_design_scores_gemma":[0.00043829775,0.00025358537,0.000057903602,0.00005592993,0.000060114067,0.000015857851,0.007795948,0.00022052096,0.0000134123775,0.000010479997,0.9908254,0.0002525541],"about_ca_topic_score_codex":0.7633583,"about_ca_topic_score_gemma":0.98818386,"teacher_disagreement_score":0.9897186,"about_ca_system_score_codex":0.0001956274,"about_ca_system_score_gemma":0.0004714829,"threshold_uncertainty_score":0.62117577},"labels":[],"label_agreement":null},{"id":"W7043559622","doi":"","title":"Susan Dobson, Dislocation, The Department Gallery, Toronto, September 7 to 25, 2010","year":2011,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.02247528355086407,"score_gpt":0.17977411742115065,"score_spread":0.1572988338702866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043559622","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071889214,0.004127135,0.00052045076,0.011230236,0.0011969042,0.0006758727,0.0001369304,0.00023082076,0.90999246],"genre_scores_gemma":[0.5299779,0.00040001946,0.00013676967,0.0013854358,0.0003861649,0.000019261266,0.0000320834,0.000028255507,0.4676341],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998997,0.000046138353,0.00014382937,0.00023469674,0.00018153759,0.00039684924],"domain_scores_gemma":[0.9991626,0.000031048563,0.00007366427,0.00041875042,0.00011252823,0.00020140811],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000108709784,0.00017884726,0.00014956796,0.00003607068,0.00093596725,0.00003715065,0.0003050417,0.000052069885,0.0059115505],"category_scores_gemma":[0.000006148233,0.0001448801,0.00010874488,0.0000046803434,0.00014036176,0.0002325456,0.0001727882,0.000081716746,0.0006718028],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003424471,0.00007600601,0.00016826914,0.0000065842746,0.0000840358,0.00004757605,0.074851826,0.000004664094,0.00001238785,0.13666406,0.78561753,0.0024327817],"study_design_scores_gemma":[0.0002502143,0.000077412726,0.0023683885,0.000008244761,0.00007302915,0.000014553108,0.007471493,0.00004325145,0.00008008283,0.0015370324,0.9878726,0.00020369895],"about_ca_topic_score_codex":0.043973636,"about_ca_topic_score_gemma":0.8630026,"teacher_disagreement_score":0.819029,"about_ca_system_score_codex":0.0016672852,"about_ca_system_score_gemma":0.000029518109,"threshold_uncertainty_score":0.9949972},"labels":[],"label_agreement":null},{"id":"W7043613465","doi":"","title":"Tanya Mars : Video clips : An Annotated Bibliography in Real Time","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Hyporeflexia; Dysgeusia; Pretext; Diafiltration; Fusible alloy","score_opus":0.045967150140217336,"score_gpt":0.26518901004725576,"score_spread":0.2192218599070384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043613465","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017686421,0.0011580659,0.000010919757,0.00029878,0.0016988416,0.0009451309,0.0014933817,0.00064656977,0.99197966],"genre_scores_gemma":[0.0049045007,0.0014549311,0.00009954811,0.0012989347,0.0039461195,0.000085764084,0.0023629956,0.00037078856,0.98547643],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99425066,0.00033111297,0.0014766699,0.0013861479,0.0010097469,0.0015456949],"domain_scores_gemma":[0.9963153,0.00017291657,0.0006173057,0.0015032198,0.0005853667,0.00080588553],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010525817,0.001189006,0.001451294,0.00630205,0.0005571898,0.00068578444,0.0009225212,0.0007412338,0.010371977],"category_scores_gemma":[0.000037406455,0.0012068304,0.00058044324,0.00012956037,0.001237408,0.0010798699,0.00022234739,0.0011918459,0.006753511],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100931655,0.00028597788,0.00004098912,0.000099151264,0.00017910889,0.00018485704,0.0349326,0.00000532173,0.000014500293,0.022570968,0.9378491,0.0037365088],"study_design_scores_gemma":[0.001197875,0.0004968557,0.00030185992,0.00029958444,0.00017911279,0.0000139051135,0.00054223306,0.00022577727,0.0000029629907,0.07217859,0.9232137,0.0013475507],"about_ca_topic_score_codex":0.002318708,"about_ca_topic_score_gemma":0.022573112,"teacher_disagreement_score":0.04960762,"about_ca_system_score_codex":0.00023492277,"about_ca_system_score_gemma":0.0007210457,"threshold_uncertainty_score":0.99903816},"labels":[],"label_agreement":null},{"id":"W7044003018","doi":"","title":"Trans(formative) historiographies and speculative worlds: archival imaginaries in the work of contemporary transgender artists","year":2021,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Work (physics); Transgender; Identity (music); Transgender women; Ethnic group","score_opus":0.03880198636203097,"score_gpt":0.24536999086381042,"score_spread":0.20656800450177945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044003018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50721323,0.0037007115,7.146097e-7,0.000120518496,0.00088779983,0.0006466385,0.0017369987,0.000065422246,0.48562798],"genre_scores_gemma":[0.9820188,0.00038828616,0.000066919034,0.00024763957,0.000115705574,0.000083852006,0.000907978,0.00008273119,0.016088046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969992,0.0004906535,0.0009125611,0.0005475703,0.0005603268,0.00048967224],"domain_scores_gemma":[0.99849516,0.00032820101,0.0003995135,0.0004073596,0.0002457059,0.00012404234],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00048392286,0.0005970978,0.00082009396,0.00053595385,0.000908315,0.00015711389,0.00037584495,0.0001715706,0.00018769382],"category_scores_gemma":[0.000066059045,0.00050564215,0.00038687186,0.00005172809,0.00080797507,0.0007639941,0.000030554947,0.0010824747,0.000005017688],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046228667,0.00036393577,0.00017500178,0.0010924281,0.00053049,0.00014344287,0.14857392,0.000003970511,0.0005530898,0.8303492,0.00009874953,0.017653449],"study_design_scores_gemma":[0.0018554104,0.00026715823,0.01168697,0.0014677632,0.00039694842,0.000018752471,0.08516722,0.0000037053485,0.0025589494,0.18387352,0.7111335,0.0015701068],"about_ca_topic_score_codex":0.0013985052,"about_ca_topic_score_gemma":0.033463955,"teacher_disagreement_score":0.7110348,"about_ca_system_score_codex":0.000107305095,"about_ca_system_score_gemma":0.00007520307,"threshold_uncertainty_score":0.9997395},"labels":[],"label_agreement":null},{"id":"W7065699961","doi":"","title":"Evolutionarily labile dispersal behavior and discontinuous habitats enhance population differentiation in island versus continentally distributed swallows","year":2023,"lang":"en","type":"article","venue":"Unimas Institutional Repository (Universiti Malaysia Sarawak)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"Commonwealth Scientific and Industrial Research Organisation; California State Polytechnic University, Pomona","keywords":"Biological dispersal; Allopatric speciation; Population; Habitat; Divergence (linguistics); Introgression; Niche","score_opus":0.016666862449642696,"score_gpt":0.23093801770698985,"score_spread":0.21427115525734716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7065699961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98689634,0.000070407514,0.00040397714,0.00019970977,0.0010643791,0.00030345432,0.00047417099,0.00014501905,0.010442519],"genre_scores_gemma":[0.9909998,0.000014330926,0.000032043878,0.000024924931,0.0003210149,0.000022002807,0.0018437029,0.000016131511,0.0067260563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99860567,0.000074005584,0.00027740942,0.0003870248,0.00031313207,0.00034275104],"domain_scores_gemma":[0.9993915,0.000082639446,0.00013065331,0.00016823484,0.000118215365,0.00010878992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009326955,0.00021520603,0.00022240597,0.0002760687,0.00084497704,0.00013595297,0.00013680897,0.000093201226,0.0001067669],"category_scores_gemma":[0.000035895067,0.00023727378,0.00007934658,0.000030208814,0.00050467666,0.0008103365,0.00010506468,0.00016778195,0.000032498454],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010037712,0.000705519,0.24971008,0.00014262086,0.00029457093,0.000952124,0.04234535,0.006649383,0.0038966993,0.69098985,0.0025252737,0.0007847321],"study_design_scores_gemma":[0.004309053,0.00030822412,0.904601,0.00019544087,0.00029708742,0.000046206278,0.008883719,0.05726502,0.00012545974,0.0012237722,0.021784121,0.00096093037],"about_ca_topic_score_codex":0.0018112125,"about_ca_topic_score_gemma":0.0052527194,"teacher_disagreement_score":0.6897661,"about_ca_system_score_codex":0.0003761714,"about_ca_system_score_gemma":0.00009446418,"threshold_uncertainty_score":0.9675744},"labels":[],"label_agreement":null},{"id":"W7066654730","doi":"","title":"Impressions sur l'humain : la collection d'estampes Freda et Irwin Browns : [exposition, Musée des beaux-arts de Montréal, pavillon Jean-Noël Desmarais, 17 janvier - 22 avril 2007]","year":2007,"lang":"fr","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Data collection; Work (physics); Context (archaeology); Subject (documents)","score_opus":0.030270403137071092,"score_gpt":0.2639540552733973,"score_spread":0.23368365213632625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066654730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12154535,0.06083263,0.05339036,0.008515165,0.004406799,0.0015896881,0.0012630642,0.00055221963,0.7479047],"genre_scores_gemma":[0.3135738,0.009841049,0.0025330337,0.00413131,0.0024572555,0.000087137305,0.0003243217,0.00018660759,0.66686547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99564236,0.00048684445,0.0009958461,0.0007016963,0.00051213487,0.0016611186],"domain_scores_gemma":[0.99679446,0.0011309165,0.00029106374,0.0005736221,0.0005012297,0.00070873403],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013372175,0.0007065205,0.0005898265,0.0003796432,0.0031129608,0.0006286071,0.00029160347,0.0005556193,0.012631773],"category_scores_gemma":[0.00027491822,0.00069338904,0.00040132116,0.00003471561,0.0014120293,0.0010142891,0.00017066607,0.0006893353,0.00025360895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001914671,0.0015846177,0.0016176709,0.00019736441,0.0003385126,0.00021462754,0.110135525,0.00030820168,0.0010255481,0.15091191,0.7204153,0.013059229],"study_design_scores_gemma":[0.0013041366,0.00039244152,0.0064553823,0.00042082556,0.0002963503,0.000114008486,0.009643577,0.0007660873,0.0014087142,0.0133059565,0.96499044,0.00090207596],"about_ca_topic_score_codex":0.09915474,"about_ca_topic_score_gemma":0.52068204,"teacher_disagreement_score":0.4215273,"about_ca_system_score_codex":0.00059777545,"about_ca_system_score_gemma":0.0004224579,"threshold_uncertainty_score":0.9995517},"labels":[],"label_agreement":null},{"id":"W7066824848","doi":"","title":"Jan Wade : Soul Power","year":2022,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; TSG101; Hyporeflexia; Gestational period; Pretext; Liquation","score_opus":0.032092605943352455,"score_gpt":0.23297900832247553,"score_spread":0.20088640237912309,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066824848","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015473133,0.0024501816,0.000038958995,0.0009970271,0.0052458877,0.00070900517,0.001308528,0.00050182734,0.9885939],"genre_scores_gemma":[0.007057201,0.00020575992,0.000029354354,0.005119754,0.004942789,0.00011717239,0.0010169998,0.00037016548,0.9811408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99523336,0.00016656333,0.0009787236,0.0011818295,0.0010510547,0.0013884845],"domain_scores_gemma":[0.9971775,0.00019326532,0.0004961373,0.0014532534,0.00020738189,0.00047248072],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004191367,0.0010702257,0.0011237069,0.00040023163,0.0017464618,0.0005040303,0.0009723543,0.00042796787,0.18899064],"category_scores_gemma":[0.000041673837,0.0010935789,0.00082414853,0.00000642797,0.0009798789,0.00041293798,0.0004867542,0.0016272251,0.011706939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020962889,0.00012426484,0.0000015383764,0.00008157301,0.00019415599,0.00010091155,0.07362478,0.0000025710233,0.0000038527683,0.22653635,0.69733125,0.0019778148],"study_design_scores_gemma":[0.00059900427,0.0002954319,0.000022182257,0.00011337482,0.00021907108,0.000027091897,0.0017923319,0.000020174934,0.000005895623,0.06460042,0.9310746,0.001230412],"about_ca_topic_score_codex":0.00037292493,"about_ca_topic_score_gemma":0.0042509814,"teacher_disagreement_score":0.23374338,"about_ca_system_score_codex":0.00048329224,"about_ca_system_score_gemma":0.00079048943,"threshold_uncertainty_score":0.99955314},"labels":[],"label_agreement":null},{"id":"W7067191846","doi":"","title":"Lecture One: A Dialogue about “Rationalist Painting” between Gao Minglu and Cheng Xiaoyu","year":2017,"lang":"en","type":"other","venue":"University of Pittsburgh Digital Library","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Phenomenon; Beijing; Coffin; Chinese painting","score_opus":0.02478817388923018,"score_gpt":0.1844754910561757,"score_spread":0.1596873171669455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067191846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028661577,0.00071329466,0.0003821828,0.00030553015,0.00014372607,0.00017086868,0.0030877031,0.00018974613,0.99472034],"genre_scores_gemma":[0.07554737,0.00015891384,0.00005964475,0.00014050478,0.0017447256,2.0584812e-7,0.0013282897,0.00013693962,0.9208834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917406,0.000019199897,0.0001170987,0.00029064724,0.0001644926,0.00023448499],"domain_scores_gemma":[0.9992083,0.00006863335,0.00028305157,0.0002860397,0.000025028014,0.0001289542],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000028732933,0.00024103743,0.00038764675,0.00017521114,0.0003388856,0.00034975156,0.00033850138,0.00019613281,0.0019038283],"category_scores_gemma":[0.000021297721,0.00027083,0.00013786847,0.0000022632116,0.0009206869,0.0008349653,0.0002509609,0.00017736509,0.000022851144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016026708,0.000071556824,0.002900876,0.000289478,0.0003212548,0.000034509503,0.013320047,1.9375881e-7,6.638425e-7,0.036085665,0.94183147,0.005128233],"study_design_scores_gemma":[0.00026163846,0.00003521513,0.0005761835,0.00033233492,0.000077157034,7.471652e-7,0.00031149425,0.0000015396475,0.0000029418177,0.0109381825,0.9871648,0.00029775023],"about_ca_topic_score_codex":0.0007138226,"about_ca_topic_score_gemma":0.0005100821,"teacher_disagreement_score":0.07526075,"about_ca_system_score_codex":0.000012820588,"about_ca_system_score_gemma":0.00011069973,"threshold_uncertainty_score":0.99997437},"labels":[],"label_agreement":null},{"id":"W7067959035","doi":"","title":"Nathalie Quagliotto : Stuck","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Proposition; Work (physics); Period (music); Order (exchange); Point (geometry)","score_opus":0.06581783335573564,"score_gpt":0.2637437299021477,"score_spread":0.19792589654641207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067959035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010579353,0.0049720607,0.000052367097,0.0007358529,0.004905604,0.0007952058,0.0010320412,0.0005712544,0.9868298],"genre_scores_gemma":[0.0050268015,0.0002666339,0.000056890894,0.0032207395,0.010762172,0.00007640477,0.00082564616,0.00036857292,0.97939616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99488515,0.00015960587,0.0011051195,0.0011985359,0.001238884,0.001412727],"domain_scores_gemma":[0.9962362,0.00018906032,0.0005700811,0.0015470798,0.00070019765,0.0007573727],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006593223,0.0012171394,0.0013756125,0.0004354474,0.0008635936,0.00064585224,0.0009796994,0.0006752981,0.019093323],"category_scores_gemma":[0.000086794105,0.0011779537,0.00065186794,0.0000067735104,0.0011702335,0.0005547936,0.00032530006,0.0012380383,0.023192719],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023006129,0.00012223647,0.0000012052003,0.00012760265,0.00019462554,0.00009487728,0.054620516,0.0000017850338,0.0000018068273,0.20878102,0.7328714,0.0031599232],"study_design_scores_gemma":[0.00080102286,0.00026652095,0.000008305527,0.00025319553,0.00026488482,0.000026425656,0.001054953,0.000036498936,0.000006285413,0.117287695,0.8787361,0.0012581062],"about_ca_topic_score_codex":0.00055110094,"about_ca_topic_score_gemma":0.014256113,"teacher_disagreement_score":0.14586471,"about_ca_system_score_codex":0.00055543816,"about_ca_system_score_gemma":0.0013090455,"threshold_uncertainty_score":0.99906707},"labels":[],"label_agreement":null},{"id":"W7068030231","doi":"","title":"Natascha Niederstrass, The Vanishing Woman / Escamotage d’une femme — Galerie Patrick Mikhail, Montreal (19.11.2022 — 4.02.2023)","year":2023,"lang":"de","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); New Woman; Relation (database); Gender relations","score_opus":0.0183517956170213,"score_gpt":0.18395612576969442,"score_spread":0.16560433015267312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7068030231","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4783747,0.1371465,0.0004201571,0.17149788,0.009646956,0.0035040055,0.009621561,0.0031443075,0.18664394],"genre_scores_gemma":[0.5468672,0.020237487,0.000029831786,0.002442613,0.0031891766,0.000029765291,0.0009771489,0.00022795227,0.42599884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950633,0.00032672432,0.00062177447,0.0010418609,0.0009545902,0.0019917712],"domain_scores_gemma":[0.9969184,0.00048161115,0.00048735848,0.0012035869,0.00018528839,0.00072376285],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006307156,0.00085900916,0.00078680884,0.00047645852,0.0061252504,0.0005134998,0.0012674042,0.0004078533,0.002182714],"category_scores_gemma":[0.00008569979,0.00083027047,0.0007022363,0.00013665126,0.00079771,0.00067954813,0.0010788837,0.00091487216,0.0023625153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013390055,0.0001681711,0.00043225323,0.00015791079,0.0006836543,0.004976392,0.060242485,0.00016369935,0.000045554596,0.04791887,0.88107675,0.0040003764],"study_design_scores_gemma":[0.0015759734,0.00019080187,0.0017743269,0.00007605764,0.00074139045,0.000073209776,0.04960066,0.0022310906,0.000023706858,0.004042997,0.93876046,0.00090930285],"about_ca_topic_score_codex":0.18515138,"about_ca_topic_score_gemma":0.7323876,"teacher_disagreement_score":0.5472362,"about_ca_system_score_codex":0.0038016473,"about_ca_system_score_gemma":0.00020974183,"threshold_uncertainty_score":0.9994148},"labels":[],"label_agreement":null},{"id":"W7069270679","doi":"","title":"Cherokee 126590","year":2014,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cherokee; Period (music); Table (database); Indigenous","score_opus":0.01495339088431579,"score_gpt":0.19746071287165617,"score_spread":0.18250732198734038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7069270679","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000002109052,0.0005937433,0.0002866596,0.00046470828,0.0018580726,0.0003053166,0.00039271516,0.0005331435,0.9955635],"genre_scores_gemma":[0.0033738485,0.0027423196,0.00017730797,0.016495595,0.010733802,0.000029193317,0.0031198128,0.00025122045,0.9630769],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985195,0.000063703636,0.0005171855,0.00020468542,0.00017499008,0.0005199436],"domain_scores_gemma":[0.9990261,0.000035196514,0.00037928234,0.00034451127,0.000016741898,0.00019815138],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000080743805,0.00040104944,0.00040422849,0.00019923638,0.00025818797,0.0005185092,0.00025472904,0.0002931512,0.018765323],"category_scores_gemma":[0.000003995017,0.00035276936,0.0001307831,0.000005593496,0.00024302806,0.0034271413,0.00016310415,0.0003372621,0.00084589893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000796774,0.000009792954,0.000008358195,0.00010596608,0.000037053982,4.242327e-7,0.0022168248,0.00000356054,9.681878e-9,0.47844964,0.51727307,0.0018873151],"study_design_scores_gemma":[0.0005027146,0.000046852376,0.000025565429,0.00032498088,0.000029026174,0.0000036513675,0.000024729443,0.00040171517,0.0000010068445,0.001798377,0.99642384,0.00041751223],"about_ca_topic_score_codex":0.0000013550115,"about_ca_topic_score_gemma":0.00005987273,"teacher_disagreement_score":0.47915077,"about_ca_system_score_codex":0.000007271833,"about_ca_system_score_gemma":0.000038949263,"threshold_uncertainty_score":0.99993205},"labels":[],"label_agreement":null},{"id":"W7071229835","doi":"","title":"Ruban d’adieu. Exposition Atom Egoyan : Hors d’usage, Musée d’art contemporain de Montréal, du 29 août au 20 octobre 2002. \\n Atom Egoyan : Hors d’usage, de Louise Ismert, en collaboration avec Michael Tarantino, Musée d’art contemporain de Montréal, 60 p.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Context (archaeology); Atom (system on chip)","score_opus":0.007712630121814633,"score_gpt":0.18185990445886727,"score_spread":0.17414727433705263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071229835","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5575738,0.13115738,0.014867332,0.07987579,0.0032958896,0.005022315,0.00597877,0.0011980289,0.20103072],"genre_scores_gemma":[0.41795498,0.020853167,0.0018314905,0.0048684594,0.002016107,0.00015576364,0.0013028791,0.00050112995,0.550516],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.989276,0.0024813493,0.0017074205,0.0018699319,0.0011715577,0.00349375],"domain_scores_gemma":[0.99346006,0.0006623863,0.0013610753,0.0015631571,0.0009220549,0.0020312474],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0024321922,0.0019590575,0.0019423033,0.0009915079,0.0047443723,0.0006324813,0.0010908322,0.001455019,0.0017240918],"category_scores_gemma":[0.0002470419,0.0024155197,0.0010541623,0.00024646532,0.0014444551,0.0018529503,0.0004080923,0.0014919094,0.0008363374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010007613,0.0011722739,0.002165544,0.0003566165,0.0010978774,0.0078544235,0.12809463,0.00078913994,0.0011592386,0.08608454,0.76748884,0.00273613],"study_design_scores_gemma":[0.0063576265,0.00087670353,0.00072780426,0.0005540356,0.0011796319,0.0009466341,0.03586055,0.0055720303,0.0008564425,0.0026041104,0.9421324,0.002332036],"about_ca_topic_score_codex":0.18497747,"about_ca_topic_score_gemma":0.8567392,"teacher_disagreement_score":0.67176175,"about_ca_system_score_codex":0.013412007,"about_ca_system_score_gemma":0.0017083638,"threshold_uncertainty_score":0.99994165},"labels":[],"label_agreement":null},{"id":"W7071309771","doi":"","title":"Sculpture of a Running Figure","year":2021,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Key (lock); Tribute; Spanish Civil War","score_opus":0.044123587306975715,"score_gpt":0.2205769627396354,"score_spread":0.17645337543265968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071309771","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8135424,0.00060538854,0.00028974854,0.00084332464,0.0001776251,0.00008373222,0.0003218377,0.000049504393,0.1840864],"genre_scores_gemma":[0.9631812,0.000035075085,0.0004638088,0.00015374212,0.00008580688,9.4860845e-8,0.00010686983,0.000011480607,0.03596193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991476,0.000059494345,0.00014299697,0.00019200431,0.00024210576,0.00021581187],"domain_scores_gemma":[0.99886364,0.000051234587,0.00013820214,0.00038678688,0.00045043626,0.00010970816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009067633,0.00012235531,0.00027398948,0.00012936567,0.00057218183,0.00009256163,0.00032829927,0.00006437022,0.0013184494],"category_scores_gemma":[0.000032987315,0.00014732245,0.00018126843,0.000016140455,0.0003747749,0.0009164404,0.00018556687,0.00033179493,0.00004086786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011281089,0.0008625669,0.26042023,0.0004167991,0.0010267111,0.00044692503,0.33255953,0.000107888656,0.00030240568,0.36278835,0.03421682,0.006738959],"study_design_scores_gemma":[0.00070405484,0.00008758534,0.12844239,0.000092587914,0.00020094836,0.0000045906777,0.008982192,0.00008924929,0.0000654618,0.0013862879,0.8596948,0.00024987225],"about_ca_topic_score_codex":0.0013880546,"about_ca_topic_score_gemma":0.08436143,"teacher_disagreement_score":0.82547796,"about_ca_system_score_codex":0.000029865865,"about_ca_system_score_gemma":0.00014155298,"threshold_uncertainty_score":0.9995945},"labels":[],"label_agreement":null},{"id":"W7071496044","doi":"","title":"Should I Be Worried?","year":2017,"lang":"en","type":"other","venue":"Arca (British Columbia Electronic Library Network)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sustainability; Politics; Action (physics); Sign (mathematics); Urban planning; Frame (networking)","score_opus":0.029873957439138354,"score_gpt":0.2212328279967467,"score_spread":0.19135887055760836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071496044","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000039082092,0.01583172,0.0000019149252,0.00058902125,0.0022495117,0.0007374083,0.00070516695,0.0013719877,0.97850937],"genre_scores_gemma":[0.029356275,0.0076058256,0.00006137752,0.00571957,0.019499104,0.00014867638,0.0013313157,0.0014080722,0.93486977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957833,0.00013253358,0.000435723,0.0009390761,0.00043536074,0.0022739535],"domain_scores_gemma":[0.99787307,0.0000738031,0.0004758196,0.001213109,0.000030207824,0.0003339918],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013249788,0.0004975033,0.0008882092,0.00008080364,0.0012499596,0.0043375418,0.0012759439,0.0005167705,0.6598829],"category_scores_gemma":[0.000017139966,0.00086420047,0.00039326225,0.000007562858,0.0008818758,0.0007612243,0.00039784625,0.0011565544,0.00024430285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057719576,0.00007031702,0.00007760896,0.000061059545,0.00023929217,0.0000935183,0.00048312492,8.684817e-7,7.4010984e-9,0.20235056,0.7896494,0.00696844],"study_design_scores_gemma":[0.00042081592,0.00014561723,0.000004152448,0.0005652997,0.0001062342,0.00003131046,0.000024310491,0.000026874004,1.8549345e-7,0.2257864,0.7721053,0.00078355166],"about_ca_topic_score_codex":0.056825448,"about_ca_topic_score_gemma":0.8779014,"teacher_disagreement_score":0.8210759,"about_ca_system_score_codex":0.000089917194,"about_ca_system_score_gemma":0.00076884154,"threshold_uncertainty_score":0.9993809},"labels":[],"label_agreement":null},{"id":"W7071735526","doi":"","title":"Two Connected Houses","year":2010,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Newspaper; Downtown; The Imaginary","score_opus":0.036162902331071875,"score_gpt":0.25067514595843227,"score_spread":0.21451224362736038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071735526","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00062349543,0.0013274299,0.000060770893,0.00051328057,0.0056603584,0.00074822997,0.0010201999,0.0009051403,0.9891411],"genre_scores_gemma":[0.014839276,0.00018834048,0.000095151925,0.0035662905,0.0110536795,0.000071182185,0.00079220213,0.00039214588,0.9690017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958676,0.00011481302,0.0009492242,0.0010793386,0.00071267574,0.0012763169],"domain_scores_gemma":[0.99672914,0.0003289143,0.00054365897,0.0014310479,0.00046458576,0.0005026744],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030667678,0.0011058782,0.0012137446,0.0003654655,0.0011272731,0.0006505907,0.00082529784,0.0006588533,0.03395055],"category_scores_gemma":[0.000095301606,0.001066104,0.0006185001,0.0000052590426,0.0015632432,0.00043954313,0.00023011393,0.0017599951,0.013462581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002430452,0.0001235732,0.0000027466474,0.00011506846,0.00021227199,0.00007385989,0.03274359,0.0000010218691,0.00003692612,0.3465934,0.61664057,0.0034326252],"study_design_scores_gemma":[0.0009970246,0.00016677799,0.00002686671,0.0002095051,0.00028018476,0.000028347698,0.00038311566,0.000032705186,0.000049700313,0.07508019,0.92151165,0.0012339355],"about_ca_topic_score_codex":0.00080617546,"about_ca_topic_score_gemma":0.040482294,"teacher_disagreement_score":0.30487105,"about_ca_system_score_codex":0.00017687617,"about_ca_system_score_gemma":0.0007806457,"threshold_uncertainty_score":0.99917895},"labels":[],"label_agreement":null},{"id":"W7071738545","doi":"","title":"Ãvaluation de la rÃ©sistance Ã  l'usure par Ã©lectroÃ©rosion dans l'huile de diffÃ©rents pseudo-alliages et simulation de ce type d'usure avec un laser Nd:YAG pulsÃ©","year":2000,"lang":"fr","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Laser; Noise (video); Context (archaeology); Line (geometry)","score_opus":0.0054719762216565195,"score_gpt":0.18075822840012573,"score_spread":0.17528625217846922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071738545","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13101462,0.0013356617,0.0008655132,0.0015125072,0.00035155745,0.0003932274,0.0017306495,0.000043745615,0.8627525],"genre_scores_gemma":[0.6880915,0.001158339,0.000444715,0.0014857757,0.00035997623,0.000010790496,0.00012431345,0.000105482635,0.3082191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683523,0.0005075122,0.00040790535,0.00041096253,0.0011574529,0.0006809352],"domain_scores_gemma":[0.9985458,0.0004771746,0.0003110082,0.00028891643,0.000002846922,0.00037420721],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000056552966,0.00045348206,0.00040852875,0.000045162327,0.0005806158,0.00013069058,0.0002705426,0.00016505047,0.0015214619],"category_scores_gemma":[0.000012218824,0.00047104343,0.0000770322,0.000012374161,0.0003292026,0.00031094922,0.00006997392,0.00038173728,7.553926e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003065211,0.0010796128,0.1070161,0.0032590756,0.0015807169,0.00072555826,0.076230906,0.042672366,0.020961763,0.64684,0.06205589,0.034512825],"study_design_scores_gemma":[0.0008589706,0.00020379492,0.076896586,0.0007482961,0.00027030727,0.000012335292,0.0018372008,0.02788677,0.017483125,0.009746727,0.8632147,0.0008412287],"about_ca_topic_score_codex":0.008814632,"about_ca_topic_score_gemma":0.17819639,"teacher_disagreement_score":0.8011588,"about_ca_system_score_codex":0.000083603765,"about_ca_system_score_gemma":0.002555094,"threshold_uncertainty_score":0.9997741},"labels":[],"label_agreement":null},{"id":"W7071992043","doi":"","title":"Summer : Felix Gonzalez-Torres","year":2022,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Natural (archaeology); Beauty; Set (abstract data type); State (computer science); Period (music)","score_opus":0.053986074645541504,"score_gpt":0.25220215582065897,"score_spread":0.19821608117511746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071992043","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013275526,0.004915432,0.000036733218,0.00071389554,0.0069879103,0.0007686965,0.0016734094,0.000535825,0.98423535],"genre_scores_gemma":[0.00431299,0.00045900382,0.000031113053,0.004682454,0.009211599,0.00016500046,0.001491651,0.00038842738,0.97925776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99494946,0.00019438648,0.0010647898,0.0012693355,0.0010905326,0.0014314972],"domain_scores_gemma":[0.9969543,0.00027600897,0.0005472859,0.0014871986,0.00025829131,0.00047688247],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000436337,0.001158374,0.0012268568,0.00044054174,0.0018845865,0.0005695829,0.0010375741,0.00042555024,0.13568059],"category_scores_gemma":[0.00005341188,0.0011824286,0.00085698,0.000007688274,0.0010902585,0.0004724477,0.00050691736,0.0015627409,0.011206465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028984236,0.00012621724,0.0000041243593,0.00013509707,0.00022544536,0.00009087998,0.04433134,0.000003884899,0.0000033461658,0.16830584,0.7818994,0.004845422],"study_design_scores_gemma":[0.0006481714,0.0002499737,0.00002683415,0.00015360463,0.00030388366,0.000021443278,0.0013565212,0.000037732774,0.0000066510347,0.036848973,0.9589915,0.0013546672],"about_ca_topic_score_codex":0.00082393194,"about_ca_topic_score_gemma":0.009549962,"teacher_disagreement_score":0.17709212,"about_ca_system_score_codex":0.00052924507,"about_ca_system_score_gemma":0.0008388376,"threshold_uncertainty_score":0.9994148},"labels":[],"label_agreement":null},{"id":"W7072140337","doi":"","title":"A Word from the President / Mot de la présidente","year":2020,"lang":"en","type":"article","venue":"Érudit documents and data repository (Érudit Consortium, University of Montreal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Diafiltration; Liquation; Hyporeflexia; Dysgeusia; Fusible alloy; Emperipolesis","score_opus":0.026921959128808782,"score_gpt":0.2273538992558383,"score_spread":0.2004319401270295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072140337","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7651312,0.0071939034,0.0008397789,0.015446401,0.0011936902,0.0013453411,0.00601893,0.0003804486,0.2024503],"genre_scores_gemma":[0.9810605,0.0012128676,0.000107448155,0.00067806646,0.0006565476,9.579122e-7,0.00022929646,0.00001921054,0.016035115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850553,0.00021105714,0.0002585916,0.00047786307,0.00027227006,0.00027466312],"domain_scores_gemma":[0.99837124,0.00037625054,0.00025713159,0.00069450267,0.00007502327,0.000225822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001578389,0.00020113017,0.00028587485,0.000030297957,0.0007551723,0.00019197282,0.0007749874,0.000072641735,0.00025585457],"category_scores_gemma":[0.00007723832,0.00017692754,0.000080238206,0.00000566752,0.00084764074,0.0005668398,0.0006549801,0.00019629023,0.000016790298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005896477,0.00031562027,0.018907815,0.0001352054,0.0012584637,0.0010309712,0.08267314,0.00002994714,0.00045172783,0.016350556,0.87241447,0.005842451],"study_design_scores_gemma":[0.0010976288,0.000070713715,0.009937848,0.0000703273,0.000395068,0.000016586675,0.0061423113,0.00038089557,0.000087871274,0.0012599417,0.9802997,0.00024109188],"about_ca_topic_score_codex":0.08204551,"about_ca_topic_score_gemma":0.054939117,"teacher_disagreement_score":0.2159293,"about_ca_system_score_codex":0.00008275907,"about_ca_system_score_gemma":0.0001055206,"threshold_uncertainty_score":0.9623058},"labels":[],"label_agreement":null},{"id":"W7072377910","doi":"","title":"Without Trying To Be Moved... We Fall Like Light : 2020 Art &amp; Art History Graduating Exhibition, Part 1","year":2020,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art gallery; Class (philosophy); History of art; Contemporary art; Space (punctuation)","score_opus":0.07569330876612272,"score_gpt":0.24573814481173084,"score_spread":0.1700448360456081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072377910","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007698988,0.0031556631,0.00059570186,0.014632925,0.0061765546,0.001119429,0.00056916306,0.00092821877,0.97274536],"genre_scores_gemma":[0.00057547004,0.0005248829,0.00040863446,0.027548812,0.011657619,0.0002481692,0.0017917858,0.0005060348,0.9567386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931466,0.0002370879,0.0017471956,0.0019362266,0.0013131979,0.0016197064],"domain_scores_gemma":[0.9957863,0.00022179222,0.00085136335,0.0014701445,0.00047761688,0.0011927626],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005088573,0.0015742233,0.0017789861,0.00040189002,0.0011806417,0.00052803627,0.0008412886,0.0005774782,0.016430855],"category_scores_gemma":[0.00015498562,0.0016922966,0.00087874214,0.000018077377,0.0006548926,0.00067655736,0.00039775204,0.0016376096,0.02982873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046277077,0.000116103176,0.0000043212535,0.00031009247,0.00021320306,0.00007100613,0.101332135,0.0000067063643,0.00004961852,0.022376493,0.8742836,0.0011904092],"study_design_scores_gemma":[0.00072827353,0.000245957,0.00000642511,0.0010313985,0.00037276026,0.000028461152,0.00079459837,0.00007326762,0.000010316561,0.008422256,0.9863599,0.0019264085],"about_ca_topic_score_codex":0.00014810264,"about_ca_topic_score_gemma":0.015901998,"teacher_disagreement_score":0.112076245,"about_ca_system_score_codex":0.0011832442,"about_ca_system_score_gemma":0.0010706905,"threshold_uncertainty_score":0.9997006},"labels":[],"label_agreement":null},{"id":"W7072379597","doi":"","title":"Utstillingen som formidlingsverktøy : Landsforbundet Norsk Brukskunst 1945-1960","year":2013,"lang":"no","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agribusiness","score_opus":0.06452155477675421,"score_gpt":0.2864785603982436,"score_spread":0.2219570056214894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072379597","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35965794,0.0012791272,0.003650339,0.0017027725,0.0015945272,0.0033578253,0.007782647,0.0002342377,0.6207406],"genre_scores_gemma":[0.5341916,0.0063797166,0.0015369871,0.000121938174,0.0016405274,0.000009506382,0.008617631,0.00018985443,0.4473122],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943306,0.00053574605,0.00054923084,0.0010390035,0.001691991,0.0018534502],"domain_scores_gemma":[0.99535346,0.00091881066,0.0005192423,0.0008921948,0.0015354999,0.0007808058],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0010081507,0.0006476493,0.0010276783,0.0014912713,0.0036192823,0.00032462558,0.0016801019,0.0004330356,0.006593098],"category_scores_gemma":[0.00013500413,0.0007582044,0.00067037257,0.000038632672,0.002813464,0.0007917804,0.00063537556,0.0019432988,0.0020382963],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011128093,0.000814926,0.00066475244,0.0024076288,0.0011847188,0.00024008822,0.78947943,0.000043184617,0.0011510046,0.12252892,0.070676364,0.009696172],"study_design_scores_gemma":[0.002234082,0.0011540764,0.0028516173,0.0009336201,0.00031398493,0.000006239549,0.16877112,0.0052238046,0.00020313382,0.06327918,0.7538183,0.0012108494],"about_ca_topic_score_codex":0.064698264,"about_ca_topic_score_gemma":0.15547661,"teacher_disagreement_score":0.68314195,"about_ca_system_score_codex":0.00025766186,"about_ca_system_score_gemma":0.0010947958,"threshold_uncertainty_score":0.9999003},"labels":[],"label_agreement":null},{"id":"W7083096692","doi":"","title":"New Ink 7:Iconic Myth","year":2006,"lang":"en","type":"other","venue":"Huddersfield Research Portal (University of Huddersfield)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Printmaking; Mythology; Inkwell","score_opus":0.10063707394602571,"score_gpt":0.28920746268688835,"score_spread":0.18857038874086263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7083096692","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000016114843,0.0012916039,0.0008286154,0.0017183124,0.0006880262,0.0005034434,0.00015230157,0.00024285627,0.99457324],"genre_scores_gemma":[0.02644728,0.0005074373,0.00042211745,0.0002566965,0.001756748,0.0000010149743,0.00016651736,0.0002224683,0.97021973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969282,0.00015417271,0.00029698497,0.00065816886,0.0009677889,0.0009946963],"domain_scores_gemma":[0.99815226,0.00017440734,0.00027676305,0.00080261606,0.00022133753,0.00037261643],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003251021,0.00041071966,0.0006538484,0.0009751626,0.00055894366,0.000108168984,0.00093195826,0.0006811846,0.82008636],"category_scores_gemma":[0.000044142504,0.00047316132,0.0004066756,0.00002283883,0.0012721114,0.00021223965,0.0003432671,0.0012371587,0.00049451424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026413083,0.00009376244,0.000010056983,0.00018051315,0.00021786799,0.00023656098,0.013937568,8.851047e-7,0.000004841088,0.032949463,0.9507113,0.0016307596],"study_design_scores_gemma":[0.00052822573,0.0001470251,3.5344823e-7,0.00015879318,0.00006152036,0.000004181419,0.4490826,0.0000102307795,0.000010014857,0.002312012,0.54735017,0.00033488905],"about_ca_topic_score_codex":0.08801848,"about_ca_topic_score_gemma":0.24534947,"teacher_disagreement_score":0.8195919,"about_ca_system_score_codex":5.358257e-7,"about_ca_system_score_gemma":0.0006570279,"threshold_uncertainty_score":0.999772},"labels":[],"label_agreement":null},{"id":"W7093552259","doi":"","title":"2009.11_At Land: Bodyscape &amp; Cityscape (172.2009), Newsletter","year":2009,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cityscape; Exhibition; Thursday; Contextualization; Representation (politics); Variety (cybernetics); Symbol (formal); Legibility","score_opus":0.013173716913862694,"score_gpt":0.1944792664051334,"score_spread":0.18130554949127073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093552259","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000024579558,0.00057382236,0.0000010728006,0.0007270921,0.0007103527,0.0004275681,0.0007460476,0.0003431717,0.9964463],"genre_scores_gemma":[0.0002647853,0.0003544056,0.0002638406,0.004778568,0.0020785255,0.00001260798,0.0007042642,0.00018146526,0.99136156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977041,0.00007749644,0.0007999499,0.00029494314,0.00052323984,0.00060026796],"domain_scores_gemma":[0.99834806,0.00007328104,0.000621661,0.0005842403,0.00017373935,0.00019900686],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017761574,0.0005549203,0.0006327227,0.00015532032,0.00019764235,0.00020551105,0.00042971002,0.00042645217,0.7307406],"category_scores_gemma":[0.00005310889,0.000523121,0.00029492562,7.859065e-7,0.00032444327,7.8008503e-7,0.00008286865,0.00040757138,0.05193742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000347171,0.00008290467,0.0000019569738,0.00025150165,0.00008796592,0.000014078134,0.003792157,0.000028676313,8.8153634e-8,0.00033637034,0.9942489,0.00112063],"study_design_scores_gemma":[0.00053407415,0.000107270665,0.0000052210203,0.00020274369,0.000102371974,0.000033807788,0.000122007375,0.000007919632,0.0000014361891,0.0001162875,0.99817,0.00059681747],"about_ca_topic_score_codex":0.01812162,"about_ca_topic_score_gemma":0.06767729,"teacher_disagreement_score":0.67880315,"about_ca_system_score_codex":0.000047743782,"about_ca_system_score_gemma":0.00004304529,"threshold_uncertainty_score":0.99972206},"labels":[],"label_agreement":null},{"id":"W7094370420","doi":"","title":"172.2009 At Land: Bodyscape &amp; Cityscape, Exhibition Photos","year":2009,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Contextualization; Representation (politics); Variety (cybernetics); Field (mathematics); Photography; Context (archaeology)","score_opus":0.013008214396011533,"score_gpt":0.1928018143353687,"score_spread":0.17979359993935717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094370420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000080054684,0.0003399615,4.3662504e-7,0.00018582745,0.0004690612,0.00046839082,0.0007975461,0.00033083127,0.99732786],"genre_scores_gemma":[0.00088391587,0.00033885922,0.00015122311,0.001421932,0.0011148036,0.000016370177,0.0012376036,0.00014543672,0.9946899],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806243,0.000062722735,0.0006859115,0.0002571348,0.00046973204,0.00046209665],"domain_scores_gemma":[0.99854743,0.000059866958,0.0006115138,0.0004515335,0.00016436628,0.00016528272],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015119798,0.00045187143,0.0005170163,0.00013081604,0.00022562717,0.00012551116,0.000273829,0.00036713612,0.74951845],"category_scores_gemma":[0.00004442494,0.0004416426,0.00024726195,6.085281e-7,0.00026806296,5.9539315e-7,0.000080977516,0.00026960982,0.041949376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052734908,0.000066852546,0.0000011977421,0.00028061937,0.000057014826,0.000008914081,0.0042130784,0.000018650784,3.2096025e-7,0.0003107569,0.9944159,0.00057400874],"study_design_scores_gemma":[0.0005501053,0.00010879372,0.0000037728462,0.00023622674,0.00008424378,0.00003761993,0.00012605636,0.000007923478,0.000007470619,0.0001128194,0.99823123,0.0004937103],"about_ca_topic_score_codex":0.013092302,"about_ca_topic_score_gemma":0.10841021,"teacher_disagreement_score":0.70756906,"about_ca_system_score_codex":0.00008261155,"about_ca_system_score_gemma":0.000032620737,"threshold_uncertainty_score":0.99980354},"labels":[],"label_agreement":null},{"id":"W7094409826","doi":"","title":"Lonergan","year":2017,"lang":"en","type":"article","venue":"Proceedings of the Catholic Theological Society of America (Catholic Theological Society of America)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Michael's Hospital","funders":"","keywords":"Dialectic; Ecological crisis; Conversation; Value (mathematics); Encyclical; Action (physics)","score_opus":0.04166908790310464,"score_gpt":0.26062922906785496,"score_spread":0.21896014116475032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094409826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8685493,0.00076602923,0.00069616287,0.024940291,0.00050668383,0.0011069013,0.00034326233,0.00034579332,0.10274558],"genre_scores_gemma":[0.9725887,0.0015363813,0.012000583,0.004886466,0.000608883,0.000059363956,0.000009828471,0.00005867118,0.008251099],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958211,0.00008588467,0.001222619,0.00086342456,0.00089834037,0.0011085994],"domain_scores_gemma":[0.99454767,0.00041097787,0.0029991786,0.0009730913,0.00078418467,0.00028492336],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000871832,0.00070818304,0.0017613582,0.000036455214,0.0016985682,0.0001364144,0.0033306403,0.00044287718,0.0010173336],"category_scores_gemma":[0.00071375887,0.0004433493,0.0028983608,0.000049824434,0.028644796,0.00040476208,0.0018871613,0.00089388044,0.00002060943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000398335,0.0034207788,0.010077695,0.0011263267,0.0014543704,0.0000019249524,0.6245088,0.00005920827,0.040216073,0.22005224,0.07194779,0.02673642],"study_design_scores_gemma":[0.0024368297,0.0025375963,0.03375433,0.00037782104,0.00079193054,0.000048707152,0.054193415,0.0018903669,0.013104689,0.11540525,0.7733858,0.0020732626],"about_ca_topic_score_codex":0.0014885585,"about_ca_topic_score_gemma":0.0000076092033,"teacher_disagreement_score":0.701438,"about_ca_system_score_codex":0.00009080821,"about_ca_system_score_gemma":0.00009303559,"threshold_uncertainty_score":0.9998959},"labels":[],"label_agreement":null},{"id":"W7094659047","doi":"","title":"Thorstina Jackson Walters &amp; ?mile Walters Photograph Collection, 1920s-1930s","year":2008,"lang":"","type":"other","venue":"NDSU Repository (North Dakota State University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icelandic; Immigration; Work (physics); First world war; Order (exchange); World War II","score_opus":0.022983004655665253,"score_gpt":0.19605305460674513,"score_spread":0.17307004995107989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094659047","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042303007,0.0008017519,0.0004573146,0.00006714865,0.0075615793,0.0015684405,0.001183328,0.0006388129,0.9454186],"genre_scores_gemma":[0.03972391,0.0077713053,0.00013321271,0.00027378908,0.0020017968,0.000009864983,0.00063047226,0.00053580466,0.94891983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99288243,0.0007678445,0.0011608799,0.0021583016,0.0010547717,0.0019757461],"domain_scores_gemma":[0.994806,0.00022095063,0.0014561611,0.001701774,0.00072010956,0.0010950175],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00019444872,0.0017184421,0.0015256123,0.0027167392,0.005674882,0.0005492007,0.0012750557,0.0006305523,0.005613108],"category_scores_gemma":[0.000036422818,0.002012187,0.0011383882,0.00015954001,0.0027993475,0.0007292586,0.0004474695,0.0013600874,0.00066922733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013897768,0.0013026416,0.01726363,0.0010207724,0.0031528086,0.0037609248,0.13233407,0.0003646164,0.00007494402,0.001131161,0.83677346,0.0014312324],"study_design_scores_gemma":[0.0017917326,0.00042448833,0.0016893869,0.0004376677,0.00078347756,0.00016603041,0.002899389,0.00009513157,0.00006884047,0.000034664932,0.9894793,0.0021298844],"about_ca_topic_score_codex":0.016026879,"about_ca_topic_score_gemma":0.062667534,"teacher_disagreement_score":0.15270588,"about_ca_system_score_codex":0.001198414,"about_ca_system_score_gemma":0.001168527,"threshold_uncertainty_score":0.99991447},"labels":[],"label_agreement":null},{"id":"W7095318527","doi":"","title":"General Idea: Life &amp; Work","year":2016,"lang":"","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Period (music); George (robot); Subject (documents)","score_opus":0.08243425381338651,"score_gpt":0.2668578473546869,"score_spread":0.18442359354130036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095318527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07602301,0.0020321792,0.005591717,0.012314599,0.0047159446,0.00034343934,0.00019619372,0.00026604673,0.8985169],"genre_scores_gemma":[0.43936297,0.00047101232,0.00017184905,0.00457569,0.005651885,0.000009238613,0.000005907821,0.00004117939,0.5497103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744713,0.00008865426,0.00062088895,0.00050030515,0.00032709693,0.0010159475],"domain_scores_gemma":[0.9983129,0.00015103428,0.00013916538,0.00064430456,0.00017628998,0.00057633274],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019696761,0.00041031238,0.00041646406,0.00010399911,0.00078753853,0.00035940477,0.00031261973,0.00016442053,0.06600108],"category_scores_gemma":[0.000095158684,0.00025769707,0.0002973498,0.000002699801,0.0008771616,0.00036999033,0.00018994992,0.00015361594,0.01028064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036203906,0.0001205923,0.0006805119,0.000024027835,0.00014060142,0.0000048058955,0.031079713,0.0000010347819,0.000039448383,0.5802468,0.38138017,0.006246064],"study_design_scores_gemma":[0.0006945488,0.00006649814,0.00059373624,0.00009425805,0.00007503815,0.000001913185,0.00031583177,0.000008633492,0.00006507177,0.015737277,0.9818133,0.0005338949],"about_ca_topic_score_codex":0.0010992775,"about_ca_topic_score_gemma":0.0066857105,"teacher_disagreement_score":0.6004331,"about_ca_system_score_codex":0.000080171376,"about_ca_system_score_gemma":0.0002052999,"threshold_uncertainty_score":0.99998754},"labels":[],"label_agreement":null},{"id":"W7095432315","doi":"","title":"Sreshta Rit Premnath","year":2020,"lang":"","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contradiction; Exhibition; Visibility; Period (music); Line (geometry)","score_opus":0.11553250152291832,"score_gpt":0.25480640521540887,"score_spread":0.13927390369249054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095432315","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002575941,0.001280223,0.00078197126,0.014414327,0.00092050334,0.0003317138,0.0002402928,0.00022362955,0.9792314],"genre_scores_gemma":[0.68110603,0.00021965252,0.00009387936,0.019022074,0.0041910554,0.0000057981997,0.000018207304,0.000043669283,0.29529965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979578,0.00005685261,0.00048168094,0.00049528724,0.00031945223,0.00068892236],"domain_scores_gemma":[0.9988416,0.00004724295,0.00009921757,0.00032794377,0.00013080158,0.0005532148],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008479559,0.00034200473,0.00037622484,0.000042864904,0.0006770241,0.00050170807,0.00035227317,0.000116806346,0.04608081],"category_scores_gemma":[0.000053213254,0.00031162798,0.00023730678,0.00000211443,0.00051599275,0.00033380723,0.00022302066,0.00031494955,0.0036620235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025211248,0.000103265455,0.00006663545,0.00012126637,0.00009357897,0.000019399613,0.21487588,0.0000041052876,0.000012806478,0.5999457,0.18353666,0.0011955005],"study_design_scores_gemma":[0.00054448855,0.0003153499,0.000049270642,0.0000262248,0.00010158189,0.000001937152,0.0058411974,0.005206904,0.00022236456,0.0052800877,0.9819722,0.00043835083],"about_ca_topic_score_codex":0.0011355074,"about_ca_topic_score_gemma":0.0028173046,"teacher_disagreement_score":0.79843557,"about_ca_system_score_codex":0.00003375461,"about_ca_system_score_gemma":0.00013802692,"threshold_uncertainty_score":0.9999336},"labels":[],"label_agreement":null},{"id":"W7095592367","doi":"","title":"An Automatic Validation Model for Security Mechanisms","year":2008,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Field (mathematics); Key (lock); Automation","score_opus":0.10004215215989694,"score_gpt":0.28193026463840226,"score_spread":0.18188811247850534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095592367","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14059004,0.000011257792,0.71283424,0.00036564327,0.00040775977,0.0005813804,0.00015830544,0.0006290506,0.14442234],"genre_scores_gemma":[0.96128726,0.000003157994,0.004036001,0.0007675591,0.00023991728,0.000035120287,0.00006808085,0.000016594062,0.033546288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.999421,0.000012984926,0.00014543594,0.00013212889,0.0001013249,0.00018711419],"domain_scores_gemma":[0.9996368,0.000019395553,0.000035583915,0.00016223629,0.000078288394,0.000067675974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007994437,0.00008803473,0.00010335382,0.000036432928,0.0004319833,0.00005017477,0.000083230625,0.000031295345,0.0006448451],"category_scores_gemma":[0.0000078943385,0.00007582613,0.00005489683,5.770493e-7,0.000074415984,0.00030328045,0.000010171654,0.000033089218,0.000041249754],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021752428,0.00007190577,0.0000019276736,0.000018525283,0.000007846827,4.2089567e-7,0.12805927,0.000132758,0.00004944158,0.8669806,0.004527845,0.00014728234],"study_design_scores_gemma":[0.00016052912,0.00005385533,0.0000025379836,0.0000021351177,0.00001146723,0.0000015288574,0.0006796081,0.6462517,0.0007741586,0.34608862,0.00587597,0.0000979253],"about_ca_topic_score_codex":0.00019146876,"about_ca_topic_score_gemma":0.0014684168,"teacher_disagreement_score":0.82069725,"about_ca_system_score_codex":0.000018421519,"about_ca_system_score_gemma":0.000038677732,"threshold_uncertainty_score":0.7060601},"labels":[],"label_agreement":null},{"id":"W7096494686","doi":"","title":"Saskatoon","year":2015,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Copying; Permission; Work (physics); Head (geology); Situated","score_opus":0.16675848467901758,"score_gpt":0.2693290276934622,"score_spread":0.1025705430144446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096494686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006595072,0.000040261875,0.00010509489,0.00062751654,0.00040964436,0.000031011536,0.0000053994904,0.00009868626,0.9920873],"genre_scores_gemma":[0.55953515,6.504869e-7,0.00004445938,0.0013320375,0.0005207085,0.000001476624,0.000003550762,0.0000048850593,0.43855706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996634,0.0000073033016,0.00006439697,0.0000632163,0.00007601547,0.00012568264],"domain_scores_gemma":[0.99975216,0.0000069026546,0.000011029643,0.00009429714,0.00004811968,0.00008746748],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005112154,0.000045707497,0.000051958315,0.000018116903,0.00006514474,0.000059761634,0.000049428214,0.000012203457,0.001900442],"category_scores_gemma":[0.000006765286,0.000034756868,0.00002240231,2.0519286e-7,0.00009804595,0.00010791888,0.000017810462,0.000029018544,0.0011183564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001613317,0.000017202272,0.000041533694,0.0000017673709,0.0000043090895,0.0000013164996,0.089525126,4.6587408e-7,0.000001300687,0.6012436,0.30865917,0.00050260243],"study_design_scores_gemma":[0.00012424811,0.000035604913,0.000014569344,0.0000013173045,0.0000036500628,7.9734866e-7,0.004256746,0.000059190716,0.000047230285,0.025463482,0.9699326,0.000060517294],"about_ca_topic_score_codex":0.0009415134,"about_ca_topic_score_gemma":0.0155999055,"teacher_disagreement_score":0.6612735,"about_ca_system_score_codex":0.000012396949,"about_ca_system_score_gemma":0.00002817647,"threshold_uncertainty_score":0.99965936},"labels":[],"label_agreement":null},{"id":"W7096838823","doi":"","title":"Ken Lum: The Role and Purpose of Art","year":2023,"lang":"","type":"other","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Media arts; Contemporary art; Digital art","score_opus":0.027155076772034024,"score_gpt":0.23078448882659622,"score_spread":0.2036294120545622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096838823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000106971864,0.0010180884,0.00001965056,0.00054712436,0.00068487343,0.00040298447,0.00020750417,0.00010334103,0.99690944],"genre_scores_gemma":[0.02506646,0.0022081526,0.000009759529,0.00054924464,0.0015428968,0.000019033563,0.000010919917,0.00031146157,0.9702821],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986744,0.00005076531,0.0003706931,0.00030058506,0.00021880158,0.0003847405],"domain_scores_gemma":[0.99908596,0.00012572344,0.00018445711,0.000442992,0.00006410461,0.0000967564],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016424005,0.00031445385,0.0004296738,0.00010766785,0.00034262144,0.00016071033,0.00023264483,0.00016803981,0.037517354],"category_scores_gemma":[0.000018226454,0.00019981843,0.0001563521,0.0000019000993,0.0011500638,0.00006617492,0.00017544562,0.00020611304,0.001578207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011562064,0.00009447663,0.0001558094,0.00015765477,0.00036138346,0.000005403729,0.08424742,5.6666966e-7,0.000004628954,0.44221506,0.46390724,0.008838789],"study_design_scores_gemma":[0.00018924176,0.00008351213,0.00008591918,0.00010242965,0.00013157877,0.0000020394273,0.0070075537,0.00009649023,0.00002309959,0.01839528,0.97363406,0.00024881933],"about_ca_topic_score_codex":0.002491962,"about_ca_topic_score_gemma":0.06555756,"teacher_disagreement_score":0.50972676,"about_ca_system_score_codex":0.00001422328,"about_ca_system_score_gemma":0.00006566358,"threshold_uncertainty_score":0.99919915},"labels":[],"label_agreement":null},{"id":"W7097045220","doi":"","title":"CONTli:MPonAUY SSPJK RI~EF ART CONTEMPORARY SEPIK RIVER ART A STUDY OF STYLISTIC CHANGE","year":2016,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Acculturation; Contemporary art; Plastic arts","score_opus":0.1776027119479285,"score_gpt":0.2797146331343961,"score_spread":0.10211192118646759,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097045220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09679872,0.00013803146,0.00022762295,0.00065106695,0.00054918125,0.00090392836,0.00022042704,0.0001792827,0.90033174],"genre_scores_gemma":[0.7046397,0.0000108092545,0.000009535299,0.0009315825,0.00045748465,0.00005303416,0.000013785696,0.000025512843,0.29385856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853504,0.00009055405,0.00042933566,0.0003064597,0.00028498034,0.0003536105],"domain_scores_gemma":[0.99895614,0.00017358795,0.00015284358,0.00040237425,0.00017470898,0.00014031667],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018672428,0.00023383743,0.00040759673,0.000114787625,0.0001461364,0.000042581723,0.00019181024,0.000052942876,0.009008928],"category_scores_gemma":[0.00003603232,0.00014996709,0.000108999455,0.0000028680852,0.00050354906,0.00036167903,0.00009815515,0.00008084699,0.00129259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017458238,0.0021695907,0.005954677,0.00009356762,0.00041158256,0.000072283394,0.32115796,1.4588024e-7,0.00010966964,0.35563082,0.31149337,0.002731743],"study_design_scores_gemma":[0.002168403,0.00072210527,0.0020905978,0.00006464594,0.000056911053,0.0000020630557,0.007929301,0.000022694663,0.000046932106,0.003245981,0.98333836,0.00031199655],"about_ca_topic_score_codex":0.0018388511,"about_ca_topic_score_gemma":0.01068476,"teacher_disagreement_score":0.671845,"about_ca_system_score_codex":0.000034179582,"about_ca_system_score_gemma":0.000053549742,"threshold_uncertainty_score":0.999485},"labels":[],"label_agreement":null},{"id":"W7097453151","doi":"","title":"Author manuscript, published in &amp;quot;EGOS 2013 Sub-theme 09: (SWG) Identity in Art, Design and Organization, Montréal: Canada (2013)&amp;quot; EGOS 2013 Montreal","year":2013,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Dialogical self; Agency (philosophy); Cultural identity","score_opus":0.03366949657577305,"score_gpt":0.221713184141228,"score_spread":0.18804368756545498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097453151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8705378,0.0030560053,0.014562268,0.050171655,0.0038288706,0.005828818,0.00034711495,0.0008224133,0.05084503],"genre_scores_gemma":[0.58861166,0.0004904462,0.00087541994,0.0024988393,0.0005962557,0.00016776197,0.00034189844,0.00015052666,0.4062672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99637693,0.00024221436,0.0009903904,0.0007395778,0.00056757295,0.0010833247],"domain_scores_gemma":[0.9978187,0.00016246655,0.00023753937,0.00069174636,0.0006157713,0.0004737456],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049897603,0.0005422418,0.0006389767,0.00041056713,0.00045741687,0.0012117068,0.0004693478,0.00020874306,0.01168652],"category_scores_gemma":[0.0002228135,0.00049075106,0.00006549667,0.00005334776,0.0002858727,0.0027675324,0.00021107227,0.00040331317,0.0008308413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012338215,0.00016203019,0.00438837,0.000048517722,0.000044914417,0.000014086972,0.021452656,0.000119360775,0.00006493379,0.008860011,0.96464056,0.0001922211],"study_design_scores_gemma":[0.0022841888,0.00007868091,0.03260072,0.000079202015,0.000083413564,0.000026006906,0.006115986,0.0033662578,0.00014741524,0.03361401,0.92011935,0.0014847489],"about_ca_topic_score_codex":0.97444564,"about_ca_topic_score_gemma":0.99905723,"teacher_disagreement_score":0.35542217,"about_ca_system_score_codex":0.0003517986,"about_ca_system_score_gemma":0.0004292252,"threshold_uncertainty_score":0.99994713},"labels":[],"label_agreement":null},{"id":"W7097519388","doi":"","title":"University of Toronto From the SelectedWorks of Gustavo Saposnik","year":2010,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Field (mathematics); Exposition (narrative); Work (physics)","score_opus":0.018100489654877025,"score_gpt":0.1957636300879336,"score_spread":0.1776631404330566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097519388","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24570364,0.00009330432,0.0002017943,0.0002669507,0.00029751472,0.00007069469,0.00010413321,0.000030291747,0.7532317],"genre_scores_gemma":[0.95745194,0.000019555991,0.00013622722,0.0001335678,0.00021848953,6.8989074e-8,0.000009429885,0.0000043299337,0.04202639],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996869,0.000014515638,0.00007792223,0.00006598877,0.000060467788,0.00009419642],"domain_scores_gemma":[0.99957734,0.00007365823,0.000046786827,0.00018151713,0.000094270654,0.000026440952],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000041508643,0.000048881484,0.00008789612,0.000004072122,0.000116106385,0.0000096215535,0.00015372448,0.000033598568,0.013535141],"category_scores_gemma":[0.000008680001,0.0000343175,0.000046535817,5.0938957e-7,0.00027000712,0.000085067855,0.000036351492,0.00007504889,0.0000117470645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021228292,0.00007784575,0.00092847116,0.0000076071115,0.000071206225,5.333045e-7,0.23438062,8.0377225e-7,0.001130563,0.70486015,0.05677851,0.0017424708],"study_design_scores_gemma":[0.00022592826,0.00003951743,0.0031507437,0.0000068641243,0.00004278341,1.8809699e-7,0.018267445,0.00012833194,0.00073191867,0.0058234353,0.9714948,0.00008802338],"about_ca_topic_score_codex":0.16164333,"about_ca_topic_score_gemma":0.7158503,"teacher_disagreement_score":0.9147163,"about_ca_system_score_codex":0.000008516408,"about_ca_system_score_gemma":0.000032134398,"threshold_uncertainty_score":0.9873666},"labels":[],"label_agreement":null},{"id":"W7098322853","doi":"","title":"The Role of Women in Travel Services in British Columbia Prepared by","year":2009,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patience; Tourism; Hospitality; Clan; The arts; Gratitude; Web site","score_opus":0.008076042875938837,"score_gpt":0.19817473565622604,"score_spread":0.1900986927802872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7098322853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.780706,0.00023743424,3.0718402e-7,0.00006617305,0.00002707366,0.00009316841,0.000029558838,0.0000123866785,0.21882789],"genre_scores_gemma":[0.9342568,0.000047400725,0.0000033667686,0.00040426367,0.00004350485,0.00001079817,0.0000064572414,0.0000046554123,0.06522275],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992908,0.000021994996,0.00019859205,0.00009534428,0.00007999481,0.00031322349],"domain_scores_gemma":[0.99977815,0.00002493133,0.000033997287,0.00009837665,0.00002273083,0.000041835377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015120875,0.00004228914,0.00012271406,0.000013549457,0.000094244264,0.00020031977,0.00012228379,0.000023861461,0.00053419406],"category_scores_gemma":[0.000004522659,0.000049006594,0.000020991372,0.0000020092045,0.000079356614,0.00010016331,0.000013121864,0.000047642796,0.0000040709688],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024725972,0.00055941875,0.020547083,0.000044971228,0.000025271587,0.0000067282294,0.9062457,0.00000326479,0.00028511081,0.025563978,0.014450921,0.032242794],"study_design_scores_gemma":[0.00089188083,0.00018785265,0.070158385,0.000062129,0.0000046381288,0.0000018108823,0.14737202,0.0005944916,0.00016357402,0.1292251,0.6511035,0.00023463242],"about_ca_topic_score_codex":0.20618019,"about_ca_topic_score_gemma":0.9504401,"teacher_disagreement_score":0.7588737,"about_ca_system_score_codex":0.000048845806,"about_ca_system_score_gemma":0.000022034268,"threshold_uncertainty_score":0.79910594},"labels":[],"label_agreement":null},{"id":"W7098349193","doi":"","title":"River Reference","year":2007,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transit (satellite); Plan (archaeology); Sinkhole; Urban transit; Public transport","score_opus":0.10772882909226975,"score_gpt":0.2789422635370157,"score_spread":0.17121343444474593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7098349193","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017623369,0.000019507284,0.00087187503,0.00011632313,0.00020403716,0.00002859432,0.0000059968156,0.00007751895,0.98105276],"genre_scores_gemma":[0.6655547,0.0000031267818,0.0001063941,0.0011682115,0.00034111913,4.3383625e-7,0.0000034901395,0.000003939459,0.3328186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995925,0.0000035137664,0.00008289885,0.000074145755,0.00006825937,0.00017872402],"domain_scores_gemma":[0.9997794,0.000021632479,0.000013906803,0.0000952385,0.000039339277,0.000050499424],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007634087,0.000048727798,0.00004844027,0.000025746316,0.00012661246,0.000028819657,0.00005794359,0.00001715355,0.00542578],"category_scores_gemma":[0.0000050226618,0.000037481597,0.00002032567,2.9377796e-7,0.00016968168,0.000079916004,0.000017598233,0.000045868823,0.00081105356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022809359,0.00001430873,0.000085934036,0.0000023289665,0.000004204263,0.0000029127818,0.04615819,6.3136774e-8,0.000009243747,0.9337803,0.017912578,0.0020276548],"study_design_scores_gemma":[0.00006893318,0.000016890364,0.00066798145,0.00000191035,0.0000034960228,6.2318776e-7,0.0012204923,0.000007641504,0.00018599111,0.017193848,0.9805641,0.00006807277],"about_ca_topic_score_codex":0.0013186142,"about_ca_topic_score_gemma":0.01843303,"teacher_disagreement_score":0.96265155,"about_ca_system_score_codex":0.000010255777,"about_ca_system_score_gemma":0.000008837944,"threshold_uncertainty_score":0.9999669},"labels":[],"label_agreement":null},{"id":"W7098710942","doi":"","title":"A Pan-European and Canadian Prospective Survey to Evaluate Patient Satisfaction with the SoloSTAR Insulin Injection Device in","year":2016,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Insulin glargine; Insulin; Patient satisfaction; Diabetes mellitus; Insulin pen; Type 2 Diabetes Mellitus; Prospective cohort study; Hypoglycemia","score_opus":0.03967498369477762,"score_gpt":0.23810819408225678,"score_spread":0.19843321038747916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7098710942","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94467807,0.000015210388,0.000053376196,0.0010630905,0.000089052504,0.00038716558,0.000057667457,0.000023109127,0.053633235],"genre_scores_gemma":[0.99510306,0.0000066235316,0.00001023546,0.0010376076,0.000077854966,0.000019720213,0.0000029696305,0.000014276893,0.003727637],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9992227,0.00018685238,0.000110858964,0.00016987606,0.000097407785,0.00021230236],"domain_scores_gemma":[0.99958587,0.000058536833,0.000031198175,0.00010710237,0.00012227434,0.00009500922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003127698,0.00009356077,0.00007638712,0.00008494605,0.00024194166,0.000071115486,0.00003248022,0.0000141659775,0.00014012776],"category_scores_gemma":[0.00004114569,0.000046323985,0.000009017331,0.0000050879717,0.000096122785,0.00013677658,0.000019205068,0.00005707848,0.000070853675],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023584075,0.00005339769,0.38548863,0.000012967561,0.000072273826,0.000010741113,0.48606962,0.000023797671,0.00006121604,0.021730108,0.0043106647,0.10193074],"study_design_scores_gemma":[0.00035126484,0.00039105472,0.9731215,0.000023439821,0.000007948232,0.0000025904976,0.0034627286,0.000020400621,0.00003607218,0.0005382012,0.02190975,0.00013501773],"about_ca_topic_score_codex":0.74637806,"about_ca_topic_score_gemma":0.99880445,"teacher_disagreement_score":0.5876329,"about_ca_system_score_codex":0.00016004355,"about_ca_system_score_gemma":0.000086116226,"threshold_uncertainty_score":0.25531086},"labels":[],"label_agreement":null},{"id":"W7099752759","doi":"","title":"Seeing Double The Diptych in Art-Based Research","year":2014,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Face (sociological concept); The arts; Representation (politics)","score_opus":0.3147062476285947,"score_gpt":0.36184164760361887,"score_spread":0.04713539997502414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099752759","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021979356,0.000025352128,0.00024940947,0.0034610268,0.00017755992,0.00013560038,0.000002014609,0.000046916968,0.9739228],"genre_scores_gemma":[0.7792827,0.0000016045872,0.000019633631,0.0012250652,0.00043841734,0.000017265082,0.0000041160106,0.000009344046,0.21900186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990719,0.00009216469,0.00013077776,0.00013252726,0.00021533536,0.00035729585],"domain_scores_gemma":[0.99939096,0.00022485103,0.000014719261,0.00024985947,0.00007524981,0.00004436345],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008901875,0.00006655385,0.00008268526,0.000085771855,0.0004146508,0.00016446994,0.00017193008,0.000024613631,0.0021428764],"category_scores_gemma":[0.000028204398,0.000040814626,0.00003371102,0.0000030807155,0.00030761297,0.00007719318,0.000042828906,0.00020228229,0.0005501904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014370824,0.00004615943,0.000370751,0.000011304939,0.0000039581787,0.0000012940279,0.036466982,0.00002953219,0.000015832475,0.90233415,0.060052045,0.00065364403],"study_design_scores_gemma":[0.00039718676,0.0000367368,0.00013560496,0.000012205955,0.0000019055403,1.859854e-7,0.0018403807,0.0031307074,0.00025271723,0.015009583,0.9791108,0.00007198945],"about_ca_topic_score_codex":0.0029599403,"about_ca_topic_score_gemma":0.06183581,"teacher_disagreement_score":0.91905874,"about_ca_system_score_codex":0.00002569509,"about_ca_system_score_gemma":0.00003848712,"threshold_uncertainty_score":0.9987693},"labels":[],"label_agreement":null},{"id":"W7100422168","doi":"","title":"Issue Status: For Distribution to the BC EAO and Working Group Prepared by: Melanie Austin, Jasco Applied Sciences on behalf of NaiKun","year":2009,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Annoyance; Noise (video); Benchmark (surveying); Range (aeronautics); Distribution (mathematics); Environmental noise; Sound propagation; Field (mathematics)","score_opus":0.045395791648050916,"score_gpt":0.2757661030070091,"score_spread":0.2303703113589582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100422168","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3962759,0.00065971434,0.009960589,0.0069455598,0.0009712701,0.0031886026,0.00133327,0.00027429784,0.5803908],"genre_scores_gemma":[0.9917688,0.000013772263,0.00017323575,0.000977878,0.00030245032,0.000025957941,0.00007812523,0.000005719168,0.006654099],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991688,0.000012507297,0.00017257538,0.00020107668,0.0001525583,0.00029249635],"domain_scores_gemma":[0.9996305,0.00008659688,0.00006091431,0.00012013366,0.000037364447,0.00006446776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020038287,0.00010469691,0.0001304791,0.000026768355,0.0005384689,0.0001320185,0.00011226471,0.000026381978,0.00010748518],"category_scores_gemma":[0.00002318694,0.000067994006,0.000030667496,0.000004820368,0.00022506529,0.000066669156,0.000024705378,0.000041488485,0.000008789165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007772043,0.00012194321,0.00013010536,0.000019969892,0.000018766626,1.560011e-7,0.05847793,0.000020472968,0.0002415056,0.843774,0.08771714,0.009400269],"study_design_scores_gemma":[0.00028042032,0.0005240005,0.00030523958,0.000029236135,0.0000291609,2.4392637e-7,0.0058525763,0.0001842133,0.001113248,0.007702496,0.98383534,0.00014380895],"about_ca_topic_score_codex":0.0006411087,"about_ca_topic_score_gemma":0.0026756215,"teacher_disagreement_score":0.8961182,"about_ca_system_score_codex":0.000022971792,"about_ca_system_score_gemma":0.000017293863,"threshold_uncertainty_score":0.4141522},"labels":[],"label_agreement":null},{"id":"W7102404962","doi":"10.5281/zenodo.17478281","title":"Nomadic Aesthetics — Travelling Installations as Moral Geography","year":2025,"lang":"","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Art criticism; Exhibition; Contemporary art; Aside; Installation art","score_opus":0.054156866149335424,"score_gpt":0.2579300203006751,"score_spread":0.20377315415133965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7102404962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014915819,0.0007767604,0.0041780416,0.0022598475,0.0006094322,0.0007468363,0.00082405296,0.0007514723,0.97493774],"genre_scores_gemma":[0.94887245,0.000822626,0.00010154569,0.0009829447,0.0005173294,7.6606426e-8,0.0016241258,0.0014112843,0.045667645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970461,0.0003685196,0.00064037915,0.0006506378,0.00046107863,0.0008332806],"domain_scores_gemma":[0.9977668,0.00004162156,0.00018988876,0.0007005126,0.0009860336,0.00031516896],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005313305,0.00035494685,0.00032109607,0.0008063879,0.009764045,0.0030827366,0.0011054922,0.00015336674,0.031126503],"category_scores_gemma":[0.00021393877,0.0004134003,0.00022897188,0.00008017112,0.0012200174,0.0004182339,0.0009496645,0.0005822651,0.0073846015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009254027,0.0005960851,0.000019616655,0.00026591003,0.00030239607,0.000029418547,0.058943443,0.0002616415,0.0001316247,0.7676166,0.10328685,0.06845385],"study_design_scores_gemma":[0.0007106635,0.00032952378,0.00028293938,0.00013685797,0.00012566845,0.000033818265,0.003270098,0.001631035,0.00008333023,0.011357777,0.98165023,0.0003880586],"about_ca_topic_score_codex":0.00029376367,"about_ca_topic_score_gemma":0.000020052823,"teacher_disagreement_score":0.9339566,"about_ca_system_score_codex":0.00018746327,"about_ca_system_score_gemma":0.000028736822,"threshold_uncertainty_score":0.9998318},"labels":[],"label_agreement":null},{"id":"W7102420993","doi":"10.5281/zenodo.17478280","title":"Nomadic Aesthetics — Travelling Installations as Moral Geography","year":2025,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Art criticism; Exhibition; Contemporary art; Aside; Installation art","score_opus":0.02225360522783855,"score_gpt":0.22825994582969011,"score_spread":0.20600634060185158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7102420993","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.079268366,0.00048846414,0.021541687,0.007746277,0.00023423531,0.00020282084,0.000042935608,0.00020371978,0.8902715],"genre_scores_gemma":[0.89783335,0.00014313919,0.0021081583,0.00052704767,0.000032454187,0.00001594338,0.00011674277,0.000018549405,0.099204615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983506,0.00062539853,0.00029849223,0.00027300115,0.00017306354,0.0002794153],"domain_scores_gemma":[0.9980255,0.000322291,0.00011133073,0.0006605222,0.00078092277,0.00009946607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085630716,0.00015477672,0.000158763,0.00021358831,0.0008304026,0.00034689394,0.0003762096,0.00006346095,0.00045865905],"category_scores_gemma":[0.00015722644,0.00016340041,0.0001394888,0.000024212799,0.00048338244,0.00015531412,0.0001134983,0.0001805354,0.000074280055],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024145265,0.00016427701,0.0010999899,0.000018559589,0.000028563072,0.0000011632742,0.05420731,0.00001190914,0.000059709902,0.9359059,0.00090655714,0.007593678],"study_design_scores_gemma":[0.00056904694,8.628567e-7,0.0022757207,0.00038972043,0.00006718334,0.0000039474603,0.0015994925,0.0059540533,0.00407347,0.08819779,0.8965174,0.00035133582],"about_ca_topic_score_codex":0.0025099644,"about_ca_topic_score_gemma":0.013024953,"teacher_disagreement_score":0.8956108,"about_ca_system_score_codex":0.00003479204,"about_ca_system_score_gemma":0.00012946028,"threshold_uncertainty_score":0.726823},"labels":[],"label_agreement":null},{"id":"W7103474067","doi":"","title":"Parachute: The Anthology (1975-2000), vol. II : Performance &amp; Performativity","year":2014,"lang":"","type":"review","venue":"OpenEdition (OpenEdition)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performativity; Power (physics); Period (music); Field (mathematics)","score_opus":0.0634810003027628,"score_gpt":0.29242420570926164,"score_spread":0.22894320540649885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103474067","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020379208,0.42473167,0.0031857137,0.028426314,0.045931876,0.010939724,0.011810215,0.0008167216,0.47211984],"genre_scores_gemma":[0.036622103,0.704177,0.0001639213,0.03406251,0.019604899,0.0024134363,0.01238495,0.00031915167,0.19025204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.988663,0.0019559502,0.003465297,0.0018971156,0.0016454417,0.0023731804],"domain_scores_gemma":[0.9909619,0.0010156608,0.0028090929,0.002743493,0.0017376589,0.00073216297],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"category_scores_codex":[0.003388112,0.002287642,0.003701334,0.00058785756,0.012698804,0.0016773407,0.0024799728,0.0011673282,0.044789903],"category_scores_gemma":[0.00048325566,0.0017443126,0.0015324453,0.00006977394,0.0039096745,0.016370825,0.0012974384,0.0028201246,0.019894168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022253644,0.0018656356,0.000034055214,0.015024871,0.0012180237,0.00004338308,0.02473977,0.00009764249,0.0000022000618,0.4235642,0.3117237,0.221464],"study_design_scores_gemma":[0.0010804589,0.0008559458,0.00045619346,0.0037714038,0.0016070993,0.00031557682,0.00039523872,0.00052883197,0.000014003986,0.0014061669,0.9874105,0.0021586027],"about_ca_topic_score_codex":0.0003148026,"about_ca_topic_score_gemma":0.008314941,"teacher_disagreement_score":0.6756868,"about_ca_system_score_codex":0.0006857459,"about_ca_system_score_gemma":0.0014706509,"threshold_uncertainty_score":0.9994804},"labels":[],"label_agreement":null},{"id":"W7103580337","doi":"","title":"Experiential Learning Opportunities: Forest City Film Festival &amp; Forest City Gallery","year":2024,"lang":"","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Experiential learning; Film festival; Storytelling; Internship; Passions; Transformative learning; Filmmaking; TRIPS architecture","score_opus":0.26158286211294185,"score_gpt":0.33330315272833944,"score_spread":0.07172029061539759,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103580337","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9679211,0.00093146606,0.0026253837,0.000679369,0.005181115,0.0008172806,0.0007138049,0.0010123806,0.020118138],"genre_scores_gemma":[0.6510351,0.0005651518,0.000013225605,0.0003251609,0.0020341857,0.000006673274,0.00038135058,0.00019374864,0.34544542],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99220306,0.00089850096,0.0011591245,0.002054733,0.0013274822,0.0023571034],"domain_scores_gemma":[0.9956781,0.00054341496,0.00050852995,0.001268299,0.0005910544,0.0014105638],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00091213547,0.001536133,0.0012430125,0.0015152561,0.003334946,0.004908093,0.0016727953,0.0008434945,0.0032596083],"category_scores_gemma":[0.00016707147,0.0018039874,0.0010822575,0.00008110164,0.0021865729,0.0060041742,0.0016299172,0.0032331522,0.00094236515],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053578755,0.00063959917,0.83712715,0.0011715522,0.0011167674,0.003954598,0.14218722,0.00040250138,0.000045558485,0.011616854,0.00018768563,0.0010147268],"study_design_scores_gemma":[0.0016776664,0.00060203974,0.08306108,0.0017433679,0.0008491972,0.00015316556,0.022196496,0.00004272872,0.00008417181,0.0012762914,0.8859143,0.002399498],"about_ca_topic_score_codex":0.00023565741,"about_ca_topic_score_gemma":0.08934298,"teacher_disagreement_score":0.88572663,"about_ca_system_score_codex":0.00089436484,"about_ca_system_score_gemma":0.0011001247,"threshold_uncertainty_score":0.9998355},"labels":[],"label_agreement":null},{"id":"W7108667097","doi":"10.14288/ujah.vi9.201529","title":"Hybridity en Masse: Takashi Murakami at the Vancouver Art Gallery","year":2025,"lang":"en","type":"article","venue":"Open Collections","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Hybridity; Exhibition; Face (sociological concept); Scale (ratio)","score_opus":0.03374447164809457,"score_gpt":0.2681768253859075,"score_spread":0.2344323537378129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7108667097","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034104887,0.000024723338,0.00018363754,0.001817095,0.0024841963,0.0004801222,0.00014808851,0.000061376195,0.9944597],"genre_scores_gemma":[0.032124825,0.000036740483,0.000030446154,0.0019270345,0.00042822125,0.00016587901,0.000020051875,0.000014353618,0.96525246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991194,0.00009225465,0.00019415388,0.00022079471,0.00011712707,0.00025625492],"domain_scores_gemma":[0.99923503,0.00020454451,0.000049700637,0.00036137662,0.00009895334,0.00005040461],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018963288,0.00012921925,0.00015729954,0.00004740547,0.006167085,0.001136015,0.0003559638,0.000038355684,0.013641744],"category_scores_gemma":[0.000054175627,0.00009746315,0.00009483598,0.000016914415,0.00023508456,0.00021992346,0.00034875155,0.0001701491,0.00025710362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011977472,0.000062677056,0.000016589423,0.0000058762944,0.00006559778,0.0000019881031,0.0047450354,0.000015867854,0.0000035398118,0.0070792246,0.98788774,0.00010387296],"study_design_scores_gemma":[0.00027703066,0.000022922253,0.00007770643,0.00001493058,0.000047303463,0.0000021360556,0.0021658759,0.00012315092,0.000079817255,0.010204516,0.986862,0.00012259539],"about_ca_topic_score_codex":0.008990997,"about_ca_topic_score_gemma":0.621846,"teacher_disagreement_score":0.612855,"about_ca_system_score_codex":0.00019684296,"about_ca_system_score_gemma":0.00021256375,"threshold_uncertainty_score":0.9999009},"labels":[],"label_agreement":null},{"id":"W7110549204","doi":"","title":"Grove: a study","year":2020,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Depiction; Interpretation (philosophy); Sight; Materiality (auditing); Painting; Process (computing); Photography; Guitar","score_opus":0.03867827911499709,"score_gpt":0.22355966568027422,"score_spread":0.18488138656527714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110549204","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46479893,0.00013270853,0.000030196205,0.0007747831,0.0013115584,0.0006342248,0.00016001251,0.00017232275,0.5319853],"genre_scores_gemma":[0.86602926,0.000039731738,0.000038911443,0.00008529435,0.000443766,4.9810956e-7,0.00034728754,0.00003630451,0.13297896],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990696,0.00004719581,0.000102697486,0.00029215112,0.00028199732,0.000206407],"domain_scores_gemma":[0.9992859,0.000025556246,0.0002071551,0.00023245697,0.00015258933,0.00009638366],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000052928524,0.00020887596,0.00036488514,0.00013267192,0.00042254024,0.000047424932,0.0003409573,0.00009811202,0.00023044467],"category_scores_gemma":[0.000011334682,0.0002676102,0.00016619741,0.0000039982515,0.00012765902,0.00016642052,0.00006383516,0.00024678168,0.0002653548],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000289268,0.0007022713,0.0029768264,0.0005745652,0.0006292277,0.0002302971,0.85780114,0.0000024114247,0.0000351554,0.04232563,0.09330708,0.0011260965],"study_design_scores_gemma":[0.0004669698,0.00026286935,0.011272102,0.000043440894,0.000274348,3.2882824e-7,0.5670162,0.000037409358,0.000009589501,0.00043828375,0.41992152,0.00025695152],"about_ca_topic_score_codex":0.012978181,"about_ca_topic_score_gemma":0.9493666,"teacher_disagreement_score":0.9363885,"about_ca_system_score_codex":0.000057386864,"about_ca_system_score_gemma":0.000085122345,"threshold_uncertainty_score":0.9999776},"labels":[],"label_agreement":null},{"id":"W7111667888","doi":"","title":"Lawrence Weiner in Vancouver","year":2025,"lang":"en","type":"article","venue":"UWA Profiles and Research Repository (UWA)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Coffin; Cover (algebra); Art gallery","score_opus":0.061893217022081656,"score_gpt":0.33118285920081825,"score_spread":0.2692896421787366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111667888","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20924488,0.0015339068,0.000020248137,0.0008984936,0.0013259917,0.00046878948,0.0000221236,0.00007262374,0.78641295],"genre_scores_gemma":[0.64436567,0.00010465347,0.000031400294,0.00014537228,0.00046750947,0.00005825915,0.0000038444196,0.000010766894,0.35481253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832904,0.000173461,0.00026436272,0.0003477584,0.00035085366,0.0005345311],"domain_scores_gemma":[0.9991929,0.00015756444,0.000034778604,0.00028636743,0.00021696852,0.00011144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004635737,0.00013622903,0.00019531016,0.00026427596,0.00076121883,0.00024967355,0.00020501089,0.000083441795,0.00012883826],"category_scores_gemma":[0.00005899371,0.00010744894,0.00005103992,0.00001346976,0.00081634044,0.00020019925,0.00019409055,0.00041882694,0.000022770391],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108302294,0.00036880726,0.006616483,0.00068282895,0.00009300804,0.00021949853,0.0569429,0.000005975372,0.0048729354,0.59316397,0.33181888,0.005106438],"study_design_scores_gemma":[0.0004518434,0.0001074287,0.0019604005,0.00022744169,0.000009919099,0.0000030354895,0.005579905,0.00045928947,0.029097723,0.011785103,0.9501217,0.00019621664],"about_ca_topic_score_codex":0.0032948647,"about_ca_topic_score_gemma":0.00094231294,"teacher_disagreement_score":0.6183028,"about_ca_system_score_codex":0.000068018795,"about_ca_system_score_gemma":0.00018141879,"threshold_uncertainty_score":0.5854757},"labels":[],"label_agreement":null},{"id":"W7111829923","doi":"","title":"\"Deeper, Quicker\":'Hacking' a critical consciousness in the art gallery","year":2018,"lang":"en","type":"article","venue":"Huddersfield Research Portal (University of Huddersfield)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Art gallery; Consciousness; Exhibition; Art world; Critical theory; Critical consciousness","score_opus":0.14602514642427974,"score_gpt":0.34206491644515913,"score_spread":0.19603977002087938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111829923","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020481045,0.00010826384,0.00052428397,0.010052001,0.0004253891,0.00033553687,0.000024851557,0.0000504354,0.9864311],"genre_scores_gemma":[0.9837331,0.00008686046,0.00012370243,0.0010340351,0.00061307143,0.000002413077,0.0000147318,0.000017246599,0.014374802],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99729586,0.00034131683,0.00026832163,0.0004211163,0.0008196612,0.00085372286],"domain_scores_gemma":[0.99773246,0.00089123874,0.00007128407,0.0005676774,0.0005659606,0.00017135865],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011697593,0.00019454795,0.00031275212,0.00038046722,0.0011395303,0.00013254382,0.0008318394,0.00020111725,0.318874],"category_scores_gemma":[0.00033401878,0.00017996546,0.00018797517,0.000034955458,0.0044928757,0.00042881895,0.00022306273,0.0008371587,0.0003267173],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065061635,0.00017424067,0.00014648846,0.00005008479,0.000032706925,0.00021313985,0.124947295,4.2204846e-7,0.000018249404,0.08579202,0.7882719,0.0002883804],"study_design_scores_gemma":[0.00054203236,0.0003846138,0.000018819834,0.000073231764,0.000023017401,0.000017825716,0.95344454,0.000098397315,0.000042158055,0.011983854,0.033156052,0.00021547585],"about_ca_topic_score_codex":0.0035931615,"about_ca_topic_score_gemma":0.08341105,"teacher_disagreement_score":0.98168504,"about_ca_system_score_codex":4.339313e-7,"about_ca_system_score_gemma":0.00023589376,"threshold_uncertainty_score":0.99821633},"labels":[],"label_agreement":null},{"id":"W7112119264","doi":"","title":"‘Dada Angelika’ and Marta ‘La Paloma’ Hegemann","year":2009,"lang":"en","type":"book-chapter","venue":"Bristol Research (University of Bristol)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; German; Politics; Comet; Mosaic","score_opus":0.10881954738839321,"score_gpt":0.27358764387155193,"score_spread":0.1647680964831587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112119264","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007417334,0.002417268,0.00003747396,0.0009616227,0.000114097966,0.00038705076,0.0005355198,0.00007819906,0.994727],"genre_scores_gemma":[0.046104755,0.001706459,0.000111678266,0.00010084894,0.0003836144,3.8883914e-7,0.00013271901,0.00005846039,0.95140105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974427,0.00013858787,0.00025411334,0.00062408583,0.0009297735,0.00061073905],"domain_scores_gemma":[0.9979167,0.00023738171,0.00022294406,0.00061813527,0.0006411655,0.0003636829],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006510795,0.000346445,0.00065454916,0.0006223616,0.0010633591,0.00014235642,0.00064259465,0.00033613123,0.0019171856],"category_scores_gemma":[0.00004731156,0.00044295567,0.00025402097,0.000005494617,0.0033547066,0.00028890508,0.00043800284,0.00093011017,0.0003131458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014318597,0.00008559087,0.000015650974,0.00037473842,0.00019548036,0.0007822926,0.029254934,4.6947e-7,0.000008533303,0.52331156,0.40928105,0.036546536],"study_design_scores_gemma":[0.00046374186,0.00025415316,0.00009535891,0.00023945328,0.00008314229,0.00002336835,0.0027469667,0.000044303215,0.0000016671357,0.040498674,0.95514536,0.00040380188],"about_ca_topic_score_codex":0.008146443,"about_ca_topic_score_gemma":0.037305772,"teacher_disagreement_score":0.54586434,"about_ca_system_score_codex":0.0002905027,"about_ca_system_score_gemma":0.00038028814,"threshold_uncertainty_score":0.99980223},"labels":[],"label_agreement":null},{"id":"W7112295461","doi":"","title":"2013-2023 (and sometimes 2003) : Steve Kado","year":2025,"lang":"en","type":"article","venue":"Lund University Publications (Lund University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Work (physics); Exposition (narrative); Craft","score_opus":0.021748452436712373,"score_gpt":0.20238210962765787,"score_spread":0.1806336571909455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112295461","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018728442,0.00010722662,0.0013657137,0.006186596,0.0003139271,0.00024028431,0.00025812155,0.00021655795,0.9894387],"genre_scores_gemma":[0.00399766,0.00024607364,0.00020254678,0.00032259675,0.00009461174,2.857574e-7,0.00010150771,0.000010262721,0.99502444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890447,0.00008162401,0.00012299223,0.0003949432,0.00013296235,0.00036303958],"domain_scores_gemma":[0.9986806,0.000090931215,0.00009051947,0.0004186887,0.00052821427,0.00019103695],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008683631,0.00018805447,0.00020494692,0.001226287,0.0017526824,0.00020234083,0.0004740788,0.00010678265,0.0010569497],"category_scores_gemma":[0.000035140318,0.00023335523,0.000086766166,0.00013558305,0.00068130856,0.0010377351,0.000304129,0.00019899724,0.00010942201],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014341796,0.000090711495,0.00021022947,0.000017993078,0.00011502261,0.000006330641,0.005081462,0.0000034180953,0.0000039798183,0.88730925,0.10675475,0.00039253262],"study_design_scores_gemma":[0.00061253196,0.000026608068,0.00047034046,0.000017260536,0.00017453589,0.0000011470067,0.0129211,0.00016188448,0.0000053951903,0.001978701,0.98339564,0.00023483974],"about_ca_topic_score_codex":0.0026593627,"about_ca_topic_score_gemma":0.014864564,"teacher_disagreement_score":0.8853305,"about_ca_system_score_codex":0.00024026287,"about_ca_system_score_gemma":0.00032962998,"threshold_uncertainty_score":0.99985623},"labels":[],"label_agreement":null},{"id":"W7112698854","doi":"","title":"Barrie Jones","year":2021,"lang":"en","type":"book","venue":"cIRcle (University of British Columbia)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Contemporary art; History of art; Performance art; Exposition (narrative)","score_opus":0.02059100636211553,"score_gpt":0.170744526795272,"score_spread":0.15015352043315647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112698854","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051381476,0.001030578,0.000030388388,0.00007880998,0.00074925576,0.00017320541,0.0022116282,0.000105411396,0.99048257],"genre_scores_gemma":[0.04884437,0.00040186147,0.00003529209,0.00018272513,0.00067066116,2.825352e-7,0.00040950955,0.000042418254,0.9494129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987778,0.000035483517,0.00015937783,0.00042764694,0.0002907742,0.00030893294],"domain_scores_gemma":[0.99888897,0.000042671105,0.00018546544,0.0003677916,0.00035746745,0.00015764112],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007638439,0.00008584211,0.0004993318,0.000050937135,0.0005399781,0.00027292367,0.00035845855,0.00022053815,0.0068458486],"category_scores_gemma":[0.000013688734,0.00035551476,0.00032576206,0.000002433752,0.0009982436,0.00023093447,0.00020347412,0.00027381742,0.00015199375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003889559,0.0000952109,0.00004723239,0.00044926864,0.00026423958,0.00085473707,0.017934605,5.783635e-7,0.0000016965766,0.0015004475,0.8539585,0.124889605],"study_design_scores_gemma":[0.00040542425,0.000049120245,0.009721097,0.0004695794,0.00016523017,0.000028563147,0.0034653344,0.0000070404694,5.4988124e-8,0.008324734,0.97696215,0.00040165696],"about_ca_topic_score_codex":0.11356161,"about_ca_topic_score_gemma":0.9339156,"teacher_disagreement_score":0.820354,"about_ca_system_score_codex":0.0001270736,"about_ca_system_score_gemma":0.00053348904,"threshold_uncertainty_score":0.9998897},"labels":[],"label_agreement":null},{"id":"W7113230064","doi":"","title":"Gaining Equilibrium","year":2000,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Exposition (narrative); Key (lock)","score_opus":0.04449046181551069,"score_gpt":0.24599472130266165,"score_spread":0.20150425948715095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113230064","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022059352,0.0024570746,0.000035117835,0.00043893492,0.0027624096,0.00055953796,0.0006073498,0.0006222495,0.99229676],"genre_scores_gemma":[0.007215704,0.00025407117,0.000047605914,0.0037652182,0.010777653,0.000053551572,0.0008233071,0.0003656726,0.9766972],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954306,0.000118073454,0.0010466262,0.0011279801,0.00078137266,0.0014953413],"domain_scores_gemma":[0.9973882,0.00020502818,0.0004239965,0.001282815,0.00020586062,0.00049412216],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034142373,0.0010971344,0.0011860223,0.00036570622,0.0008086896,0.0006616554,0.0007886476,0.0005647987,0.059885465],"category_scores_gemma":[0.00003144705,0.001114593,0.00070239935,0.0000051308725,0.0011188424,0.0005736179,0.0002117709,0.0011376068,0.02128305],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003649174,0.00009474936,0.0000014706035,0.00015478111,0.00020911537,0.00010974943,0.060439307,0.000008286676,0.000007855642,0.1171631,0.81085324,0.0109218815],"study_design_scores_gemma":[0.00060173095,0.00019353832,0.000011789789,0.00038067452,0.00022194459,0.000025426132,0.00040702787,0.00012091658,0.000011240612,0.059406374,0.9373924,0.0012269133],"about_ca_topic_score_codex":0.00023450356,"about_ca_topic_score_gemma":0.0015422814,"teacher_disagreement_score":0.1265392,"about_ca_system_score_codex":0.0002727563,"about_ca_system_score_gemma":0.00071606564,"threshold_uncertainty_score":0.9991304},"labels":[],"label_agreement":null},{"id":"W7113342740","doi":"","title":"Erica Eyres Returns to Winnipeg in Art Review magazine","year":2024,"lang":"en","type":"article","venue":"Discovery Research Portal (University of Dundee)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Exhibition","score_opus":0.09432814188456684,"score_gpt":0.33062485526962,"score_spread":0.23629671338505315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113342740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045881055,0.0073739383,0.00008738004,0.008319259,0.00029363678,0.0006803115,0.0003882512,0.00008870286,0.93688744],"genre_scores_gemma":[0.6320979,0.0041240915,0.000036674443,0.0002925415,0.0001551005,0.0000012607408,0.00006671457,0.000017303237,0.36320838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983801,0.00010777799,0.00017927004,0.00033453832,0.00053079857,0.00046749605],"domain_scores_gemma":[0.999247,0.00012301237,0.000030921816,0.00029942495,0.00013622172,0.0001633985],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00057124806,0.00012674423,0.0002835672,0.00038246886,0.00018813057,0.00011632473,0.00033294837,0.00004192866,0.0037756653],"category_scores_gemma":[0.00007331639,0.0001305476,0.00015076011,0.000038626633,0.0005544541,0.0008329786,0.00024752328,0.0003500541,0.00080963003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006429363,0.00017300063,0.00023576102,0.0017330069,0.00008854896,0.0009386488,0.047903758,0.0000036528324,0.00014354059,0.14777592,0.7988353,0.0021046116],"study_design_scores_gemma":[0.00015693987,0.00019862078,0.0015390831,0.0017671876,0.000025977562,0.000005684776,0.0121969,0.00006735844,0.000010424607,0.005268884,0.97856236,0.00020058613],"about_ca_topic_score_codex":0.0022527995,"about_ca_topic_score_gemma":0.046312302,"teacher_disagreement_score":0.58621687,"about_ca_system_score_codex":0.000055038814,"about_ca_system_score_gemma":0.00027670673,"threshold_uncertainty_score":0.99996835},"labels":[],"label_agreement":null},{"id":"W7114782811","doi":"10.1080/00043249.2025.2566619","title":"Turning Toward Exhibition Environments in 1990s Installation Art: The Installation Spaces of Janet Cardiff and George Bures Miller","year":2025,"lang":"en","type":"article","venue":"Art Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Exhibition; Miller; Performance art","score_opus":0.024109106716629625,"score_gpt":0.23700901850991818,"score_spread":0.21289991179328854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7114782811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86260766,0.00065490976,0.0006022119,0.0015349251,0.00035786323,0.00015141688,0.0000145654485,0.000009096489,0.13406737],"genre_scores_gemma":[0.9877695,0.00034942516,0.000024714856,0.0002702909,0.00021383323,0.0000022712745,0.000020440535,0.0000065767067,0.011342966],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927706,0.00006741158,0.00026097198,0.00009174333,0.00015593857,0.00014690535],"domain_scores_gemma":[0.9997014,0.000047923626,0.00012525433,0.00007367436,0.000020682393,0.00003107625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002300691,0.00008949454,0.00012537424,0.0001251119,0.0002557604,0.000104032064,0.00004901662,0.0000358155,0.00019739353],"category_scores_gemma":[0.00002135069,0.000066662586,0.000043639266,0.000004218011,0.00015560325,0.00025676063,0.00003563572,0.00016505428,0.000013181549],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025141914,0.00033741412,0.07959939,0.00021074753,0.0004643294,0.000035428347,0.66895396,0.005441516,0.008240737,0.15075487,0.06553051,0.020179713],"study_design_scores_gemma":[0.0007569644,0.000060949988,0.050950915,0.00013962128,0.000042196458,0.000014687654,0.0051843324,0.0007006879,0.0003447272,0.012277762,0.9293953,0.00013185693],"about_ca_topic_score_codex":0.00006613878,"about_ca_topic_score_gemma":0.0011341799,"teacher_disagreement_score":0.8638648,"about_ca_system_score_codex":0.00004064118,"about_ca_system_score_gemma":0.000025344369,"threshold_uncertainty_score":0.27184215},"labels":[],"label_agreement":null},{"id":"W7115712665","doi":"10.26485/ai/2025/27/2","title":"“Plastic Arts” or “Visual Arts”? Imaginary de-coincidence and imitation in Polish art discourse after 1989","year":2025,"lang":"","type":"article","venue":"Art Inqiuiry","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Capital Commission","funders":"","keywords":"The Imaginary; Expression (computer science); Politics; Meaning (existential); Imitation; Popularity; The arts; Variety (cybernetics)","score_opus":0.03856533223033576,"score_gpt":0.3337369320870585,"score_spread":0.29517159985672276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115712665","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7997705,0.004793181,0.0032611797,0.010474997,0.005456353,0.001385587,0.00039320943,0.00022493507,0.17424005],"genre_scores_gemma":[0.878059,0.0007343673,0.00014605837,0.0044740536,0.0010080313,0.00013085244,0.00006341123,0.00005538176,0.11532884],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966419,0.00016487944,0.0008956033,0.0007898668,0.00034802637,0.0011597585],"domain_scores_gemma":[0.9981658,0.0007325062,0.0001860806,0.0004363045,0.00017044044,0.00030887575],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042956416,0.00055766065,0.00059420854,0.00069096533,0.00067099906,0.00085957255,0.00022825827,0.00019943967,0.001688724],"category_scores_gemma":[0.00034300226,0.00055143144,0.00015255836,0.000034770725,0.0019837685,0.0013309314,0.00029986666,0.000570911,0.00058602286],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030239695,0.0030028995,0.04280144,0.0021544707,0.00049480906,0.0026557161,0.40842405,0.00014569121,0.00023613276,0.22267933,0.29451576,0.019865721],"study_design_scores_gemma":[0.0031427105,0.0009170388,0.083155535,0.0027498675,0.00058268505,0.00015091801,0.023792394,0.008453888,0.00014261532,0.051329896,0.8238129,0.0017695272],"about_ca_topic_score_codex":0.00103812,"about_ca_topic_score_gemma":0.041800614,"teacher_disagreement_score":0.5292972,"about_ca_system_score_codex":0.00027592274,"about_ca_system_score_gemma":0.0007544182,"threshold_uncertainty_score":0.9996937},"labels":[],"label_agreement":null},{"id":"W7116439272","doi":"10.1017/9781009674522.009","title":"The Way of the Artists","year":2025,"lang":"","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Elite; Context (archaeology); Colonialism; Painting; Quarter (Canadian coin); Promotion (chess); Period (music)","score_opus":0.03189767127965917,"score_gpt":0.20014220566974483,"score_spread":0.16824453439008566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116439272","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015614685,0.0005307265,0.000075939686,0.0001819942,0.0017254755,0.0006840397,0.0014426061,0.000042857908,0.9951602],"genre_scores_gemma":[0.051912542,0.00056475645,0.000003523803,0.00022375435,0.0004091438,9.328937e-7,0.000012899377,0.000034313285,0.94683814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796915,0.00013442541,0.00045538647,0.00047961346,0.0004169633,0.000544442],"domain_scores_gemma":[0.9972225,0.00033016448,0.0005452482,0.0013153318,0.00044345297,0.00014329139],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00017603143,0.00051533425,0.00052747846,0.00010075268,0.0029470627,0.00017140496,0.0014256315,0.00029887952,0.000029717088],"category_scores_gemma":[0.00002709032,0.0003780126,0.00071639573,6.5855414e-7,0.003968402,0.000086777574,0.0011786302,0.00071597454,0.000012317473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082005274,0.000017189548,0.000002554354,0.00016085377,0.00037249623,0.000021910548,0.004530887,0.0000010500825,0.000006558194,0.9449344,0.048175294,0.0016947666],"study_design_scores_gemma":[0.00045844412,0.000050673545,0.000044837183,0.00042087736,0.0006412169,0.000003374925,0.0008114618,0.00007573015,0.0003855561,0.0002542363,0.9964692,0.00038436303],"about_ca_topic_score_codex":0.0016762951,"about_ca_topic_score_gemma":0.00070178317,"teacher_disagreement_score":0.9482939,"about_ca_system_score_codex":0.00017010953,"about_ca_system_score_gemma":0.00030755968,"threshold_uncertainty_score":0.9998672},"labels":[],"label_agreement":null},{"id":"W7117372894","doi":"10.1017/9781009652513.023","title":"Agathotopia or a Good Place","year":2025,"lang":"","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"European union; Government (linguistics); European commission","score_opus":0.045911885332309985,"score_gpt":0.2186646417364969,"score_spread":0.1727527564041869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117372894","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009729803,0.0002799098,0.0003248726,0.00007337869,0.0015611264,0.0011331905,0.004111118,0.00026096991,0.9921581],"genre_scores_gemma":[0.0029793747,0.00068284885,0.00005764619,0.00068349915,0.001130796,0.0000027553908,0.00014820663,0.00009816022,0.99421674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966372,0.00012204554,0.0005791784,0.0011869532,0.00048111778,0.0009934853],"domain_scores_gemma":[0.9970563,0.00028863508,0.00048137057,0.0012086277,0.0004649125,0.00050013006],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00015412718,0.0010917602,0.0011223193,0.00044213096,0.0018560226,0.000367839,0.0011082342,0.00074319105,0.00034617356],"category_scores_gemma":[0.000027120406,0.0011882873,0.0007249276,8.531665e-7,0.0017309199,0.00025187916,0.0010966256,0.0011091803,0.00009679463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050738786,0.000053858592,9.112495e-7,0.00056301604,0.0006168172,0.0008930428,0.009544148,0.0000012980728,0.0000041210983,0.91448855,0.07231501,0.0010118189],"study_design_scores_gemma":[0.0016841125,0.00024702752,0.0000047861895,0.0009013345,0.0012673279,0.000023523278,0.0011397592,0.0001946795,0.0000997521,0.00005017797,0.99311525,0.0012722737],"about_ca_topic_score_codex":0.0029519233,"about_ca_topic_score_gemma":0.001037343,"teacher_disagreement_score":0.92080027,"about_ca_system_score_codex":0.0004537072,"about_ca_system_score_gemma":0.0008305396,"threshold_uncertainty_score":0.9994434},"labels":[],"label_agreement":null},{"id":"W7117472683","doi":"10.1386/public_00279_4","title":"Tarralik Duffy: Klik My Heels","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Government (linguistics); Perspective (graphical); Work (physics); Subject (documents)","score_opus":0.06512358268218095,"score_gpt":0.26529754165851405,"score_spread":0.2001739589763331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117472683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011538279,0.00032073967,0.00019903693,0.0167809,0.0012954347,0.00011975652,0.000046014815,0.00021252115,0.9694873],"genre_scores_gemma":[0.70316243,0.000011502681,0.000019586416,0.0058936495,0.00056352664,0.000017849661,0.000024743846,0.00001004913,0.29029664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991591,0.000027409838,0.00016760804,0.0001740198,0.000114140195,0.00035770686],"domain_scores_gemma":[0.9994977,0.000037211663,0.000034259487,0.00024929678,0.000096530726,0.00008496329],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011058969,0.00011178087,0.00014307072,0.00013296299,0.00035106577,0.00033696953,0.00019320457,0.000038839673,0.0031120991],"category_scores_gemma":[0.00005141144,0.00009956972,0.00007754697,0.0000038408434,0.00020868266,0.00028226513,0.000071848975,0.00010632289,0.0003901181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019558775,0.00004100301,0.00021105452,0.000018690023,0.000031422038,0.0000015130224,0.01725791,3.0262672e-7,0.000005386586,0.81425625,0.16638401,0.0017904865],"study_design_scores_gemma":[0.00017076379,0.000012940056,0.00033182543,0.0000084269495,0.000012889766,5.18718e-7,0.0011681365,0.000053968586,0.00004292677,0.041245416,0.9568422,0.00010998106],"about_ca_topic_score_codex":0.000695283,"about_ca_topic_score_gemma":0.00473799,"teacher_disagreement_score":0.7904582,"about_ca_system_score_codex":0.00003722326,"about_ca_system_score_gemma":0.000100447636,"threshold_uncertainty_score":0.9977992},"labels":[],"label_agreement":null},{"id":"W7117482733","doi":"10.5354/0719-837x.2025.79200","title":"Susana Wald y la edición surrealista. Diseño y producción de El Huevo Filosófico","year":2025,"lang":"","type":"article","venue":"RChD creación y pensamiento","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Primer (cosmetics); Agrégation; SAGE","score_opus":0.02415957199080299,"score_gpt":0.317527510753809,"score_spread":0.293367938763006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117482733","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10529875,0.0076341387,0.0008449596,0.011134513,0.0058660507,0.0021805596,0.0027232652,0.00064921496,0.86366856],"genre_scores_gemma":[0.7303115,0.0011595418,0.00006932181,0.0025545824,0.0025880612,0.00013670596,0.0004829139,0.0001523559,0.262545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918675,0.0007342348,0.001682539,0.0018526395,0.0010834514,0.0027796412],"domain_scores_gemma":[0.9948593,0.00078472745,0.0004978404,0.00207942,0.00085223705,0.0009264849],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0016486538,0.0013155258,0.0014173487,0.00083383964,0.0022836803,0.0013844759,0.0013103597,0.0005700445,0.0046261884],"category_scores_gemma":[0.00070166646,0.0013432407,0.00071539974,0.00006940268,0.0024209167,0.0007006653,0.00069912255,0.0012769887,0.0005566185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042870335,0.0018496027,0.005731453,0.0012841494,0.00067405176,0.00020935768,0.06030713,0.00004289236,0.00018478485,0.6846759,0.2397598,0.004852206],"study_design_scores_gemma":[0.0019349928,0.0002907808,0.008863749,0.00089205627,0.00092015014,0.000030017936,0.006090298,0.0014113938,0.00048815942,0.031626113,0.9460492,0.0014030578],"about_ca_topic_score_codex":0.024593415,"about_ca_topic_score_gemma":0.023555256,"teacher_disagreement_score":0.7062894,"about_ca_system_score_codex":0.0008573378,"about_ca_system_score_gemma":0.0017144517,"threshold_uncertainty_score":0.9999596},"labels":[],"label_agreement":null},{"id":"W7119997377","doi":"10.4000/15h87","title":"Josef Albers","year":2025,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gloom; Quarter (Canadian coin); Exhibition","score_opus":0.02152511678821743,"score_gpt":0.2909324017924082,"score_spread":0.26940728500419076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7119997377","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00068841345,0.0073467167,0.0007588771,0.05333072,0.0055812416,0.00022856596,0.0003043716,0.00012007284,0.93164104],"genre_scores_gemma":[0.058127977,0.0010940226,0.00008688849,0.016533691,0.0018670908,0.000033250686,0.00008591084,0.000038917595,0.92213225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982847,0.000117924574,0.00038931356,0.0003654862,0.00015142054,0.00069117354],"domain_scores_gemma":[0.9990049,0.00016959156,0.00005090441,0.0004096253,0.000189617,0.0001753703],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019588011,0.00029155595,0.0003261772,0.00013868215,0.00066627096,0.0003280147,0.00023616212,0.00020953584,0.008862681],"category_scores_gemma":[0.00009892842,0.0003326357,0.00022374801,0.0000051333636,0.001088681,0.00031923846,0.00009800826,0.00037251366,0.0032357739],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051361194,0.00008380089,0.00002789916,0.0001882253,0.000046032226,0.00002130916,0.010732489,0.0000012104978,0.0000061811916,0.50711936,0.48029482,0.0014735456],"study_design_scores_gemma":[0.00033319052,0.00006056048,0.000103366365,0.00036533838,0.00012585541,0.00000711002,0.002674354,0.00012647577,0.00022598455,0.053253952,0.94241107,0.00031276385],"about_ca_topic_score_codex":0.0016454848,"about_ca_topic_score_gemma":0.011373384,"teacher_disagreement_score":0.4621162,"about_ca_system_score_codex":0.00012549842,"about_ca_system_score_gemma":0.00024342103,"threshold_uncertainty_score":0.99991256},"labels":[],"label_agreement":null},{"id":"W7125666193","doi":"","title":"Anonymous extras and figures archived in the painter's garden : getting space of a multiple painting and invention of territory","year":2019,"lang":"fr","type":"article","venue":"theses.fr (ABES)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; ESPACE; Space (punctuation); Contemporary art; Nous","score_opus":0.026808196851310234,"score_gpt":0.2352329886127463,"score_spread":0.20842479176143608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125666193","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89277005,0.0038640902,0.00004434869,0.0005464133,0.00023183646,0.00040128434,0.00008104316,0.000014578731,0.10204634],"genre_scores_gemma":[0.9950842,0.00035035107,0.00011792269,0.00013798036,0.000336972,0.000007841145,0.0000084192225,0.000025650817,0.0039306167],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983711,0.0004228095,0.00042356257,0.00023926137,0.0001838647,0.0003593624],"domain_scores_gemma":[0.9984951,0.0009018137,0.00025401416,0.00024843225,0.000046333185,0.000054323365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089660956,0.00019985187,0.000348413,0.00011476207,0.00014742253,0.00007543892,0.00016232417,0.00007765721,0.00016682898],"category_scores_gemma":[0.00017737098,0.00016238571,0.00009688195,0.0000035910793,0.00075888896,0.00014656234,0.00011502935,0.00023529767,0.0000054244015],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006685597,0.00027325487,0.04944686,0.0020378332,0.00011592335,0.000015052019,0.82536894,0.000030281108,0.0035597123,0.10971631,0.0002534237,0.009115526],"study_design_scores_gemma":[0.0036264756,0.0010602912,0.054126047,0.006380548,0.0003144015,0.00006067605,0.57160854,0.014046981,0.0032029152,0.03686447,0.30769417,0.0010144501],"about_ca_topic_score_codex":0.016397133,"about_ca_topic_score_gemma":0.017591517,"teacher_disagreement_score":0.30744076,"about_ca_system_score_codex":0.000020849668,"about_ca_system_score_gemma":0.000031005733,"threshold_uncertainty_score":0.9901528},"labels":[],"label_agreement":null},{"id":"W7128707662","doi":"10.1525/jrpc.8.1.006d","title":"Review: Impossible Images: Contemporary Art After the Holocaust, edited by Shelley Hornstein, Laura Levitt, and Laurence J. Silberstein","year":2004,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contemporary art; Subject (documents); Contemporary society; Power (physics)","score_opus":0.019390781186716933,"score_gpt":0.24630252819317996,"score_spread":0.22691174700646302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128707662","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013291948,0.95588404,0.00011520654,0.01739936,0.00078362983,0.0004398683,0.00013832244,0.00003872753,0.011908889],"genre_scores_gemma":[0.29732928,0.5446792,0.00015906307,0.0376763,0.0025383828,0.00001315572,0.00007690931,0.000052497446,0.11747519],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889374,0.00007300035,0.00045256753,0.00015421884,0.00022729316,0.00019917976],"domain_scores_gemma":[0.9991588,0.0000112143,0.00031005408,0.00015883458,0.00019798901,0.00016311105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028447123,0.0002062834,0.0003368322,0.000041815438,0.00031005073,0.0002627996,0.00013365269,0.0000893929,0.000031798907],"category_scores_gemma":[0.000041506082,0.000114284005,0.00013895465,0.000008449705,0.00028898404,0.0003940742,0.000037705104,0.00040548717,0.000010710326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048249265,0.000033413788,0.00006264137,0.00016531619,0.00004657792,0.00005226989,0.010768469,6.2591096e-7,0.000092636335,0.0015835005,0.98702896,0.00011736055],"study_design_scores_gemma":[0.00063307164,0.00022734777,0.000007349063,0.0011877688,0.00009646153,0.000278709,0.0008588127,0.0000014570924,0.000055712215,0.0018425258,0.994645,0.00016576536],"about_ca_topic_score_codex":0.00017765614,"about_ca_topic_score_gemma":0.00026690873,"teacher_disagreement_score":0.41120481,"about_ca_system_score_codex":0.000021547887,"about_ca_system_score_gemma":0.000044919932,"threshold_uncertainty_score":0.46603665},"labels":[],"label_agreement":null},{"id":"W7130800440","doi":"","title":"Channel 14","year":2004,"lang":"","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Subject (documents); Relation (database); Chose; Architecture; Channel (broadcasting); Set (abstract data type); Wainwright","score_opus":0.08295163131060455,"score_gpt":0.27584662782775893,"score_spread":0.19289499651715436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130800440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.846097,0.0012843071,0.0006568657,0.095467895,0.0021144894,0.0024755804,0.0027001684,0.00013958005,0.049064104],"genre_scores_gemma":[0.81818074,0.001532499,0.0002360148,0.00032026114,0.00035324186,9.439979e-8,0.000038120786,0.000050621773,0.17928842],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99428207,0.0007904314,0.00044448147,0.00089248765,0.0020500368,0.0015404968],"domain_scores_gemma":[0.9943562,0.00037405503,0.0007392256,0.0023538882,0.0016495923,0.00052703015],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013482573,0.00055169937,0.0008991212,0.00069166,0.0062180236,0.000104209204,0.00476635,0.0003372047,0.0018153026],"category_scores_gemma":[0.00022603213,0.0005172038,0.0013047996,0.00015209366,0.009677102,0.0010085414,0.0045937654,0.0017056604,0.00023278863],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037514812,0.008716494,0.0011994633,0.0016298393,0.002499961,0.00055104896,0.56303495,0.010289348,0.0018285477,0.26785797,0.13426436,0.00437652],"study_design_scores_gemma":[0.007092662,0.0007559948,0.005471955,0.0012483379,0.00059467467,0.000029922388,0.0880232,0.0014511042,0.0010765684,0.021966027,0.8714091,0.00088044285],"about_ca_topic_score_codex":0.033054385,"about_ca_topic_score_gemma":0.12579906,"teacher_disagreement_score":0.73714477,"about_ca_system_score_codex":0.0006657678,"about_ca_system_score_gemma":0.0011821003,"threshold_uncertainty_score":0.99972796},"labels":[],"label_agreement":null},{"id":"W7132581498","doi":"","title":"Painting for freedom","year":2011,"lang":"da","type":"article","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association of Thoracic Surgeons","funders":"","keywords":"","score_opus":0.21602591566531218,"score_gpt":0.2841660039358235,"score_spread":0.0681400882705113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132581498","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059679788,0.0061750025,0.0037937835,0.0008253857,0.0003714521,0.002175522,0.0013102321,0.000064978725,0.92560387],"genre_scores_gemma":[0.45149437,0.00035419993,0.0005436956,0.000028973907,0.00011827227,1.7496784e-7,0.00005720084,0.000030161382,0.54737294],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99580795,0.0009653962,0.00035871787,0.0006870274,0.0009433382,0.0012375597],"domain_scores_gemma":[0.99542403,0.0010318813,0.0005040481,0.001073436,0.0015416483,0.00042495684],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0028275645,0.00037484796,0.0007835408,0.00032548013,0.0050113043,0.000073901014,0.0024110046,0.00026799747,0.5888665],"category_scores_gemma":[0.0001776768,0.00042210342,0.00065224234,0.00006379539,0.0049683196,0.00077034684,0.0016688609,0.0005784806,0.04375457],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011924349,0.0002907566,0.0000041685676,0.00040722484,0.0005272835,0.00008536849,0.17466317,0.000011757345,0.0004255434,0.010902604,0.80978954,0.0017001578],"study_design_scores_gemma":[0.0018779158,0.0007280273,0.0007592233,0.00018980117,0.00034994347,0.0000033826775,0.11490471,0.000687847,0.00090164394,0.00016188873,0.8790534,0.00038221426],"about_ca_topic_score_codex":0.02058174,"about_ca_topic_score_gemma":0.03221428,"teacher_disagreement_score":0.5451119,"about_ca_system_score_codex":0.00040195574,"about_ca_system_score_gemma":0.0007080496,"threshold_uncertainty_score":0.9998231},"labels":[],"label_agreement":null},{"id":"W7132661980","doi":"","title":"Tal R: Liquefying Paint-A New Collaboration Between Museum and Artist’s Studio","year":2014,"lang":"en","type":"article","venue":"Ministry of Culture Research Portal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association of Thoracic Surgeons","funders":"","keywords":"Studio; Work (physics); Photography; Architecture","score_opus":0.1137870792900843,"score_gpt":0.37105373684512155,"score_spread":0.25726665755503725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132661980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58291185,0.00065955776,0.00040212137,0.005456681,0.0004114455,0.0007243071,0.00039419602,0.00012732459,0.4089125],"genre_scores_gemma":[0.94475615,0.00002859439,0.00012647227,0.00006821473,0.0020030355,0.000009375056,0.00009463337,0.000016306685,0.05289721],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984119,0.0001447894,0.00029981593,0.00024696856,0.00050864514,0.00038787143],"domain_scores_gemma":[0.99902344,0.00010656754,0.000091766764,0.00019650375,0.00034872198,0.00023299089],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000662797,0.00013701679,0.00024472448,0.000069923124,0.00042993185,0.00019172755,0.00013915666,0.00009646584,0.00030280196],"category_scores_gemma":[0.00023345057,0.000114862676,0.0000517208,0.00000875788,0.0006538754,0.00019627686,0.00008345759,0.00028942878,0.000017565138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061443294,0.00018324761,0.005926847,0.00039265442,0.00022421379,0.000043949727,0.363609,0.0000017775308,0.0019070784,0.1918707,0.42896628,0.0068128062],"study_design_scores_gemma":[0.00035773116,0.0004452743,0.0012480781,0.00006126364,0.000024856516,0.000005301476,0.020627052,0.000029943754,0.0014960013,0.0037144935,0.97180784,0.00018216038],"about_ca_topic_score_codex":0.00042461162,"about_ca_topic_score_gemma":0.0034226433,"teacher_disagreement_score":0.54284155,"about_ca_system_score_codex":0.000017822493,"about_ca_system_score_gemma":0.00018227252,"threshold_uncertainty_score":0.4683964},"labels":[],"label_agreement":null},{"id":"W7133055072","doi":"","title":"Gender, Migration, and Newcomer Artists","year":2020,"lang":"","type":"dissertation","venue":"TSpace","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Circumstantial evidence; Power (physics); Dialectic; Materialism; The arts; Intersection (aeronautics); Social relation; Intersectionality","score_opus":0.08448247411467982,"score_gpt":0.33266200719043243,"score_spread":0.2481795330757526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133055072","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18690799,0.013602292,0.000804405,0.007867194,0.0043097325,0.0012768455,0.00020690836,0.00029858114,0.784726],"genre_scores_gemma":[0.6700433,0.0013783384,0.00009831811,0.0014669308,0.0016303939,0.000025063835,0.00072184583,0.00007916703,0.32455668],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981011,0.000073042895,0.00045549747,0.0005806305,0.0003146826,0.00047502093],"domain_scores_gemma":[0.99887717,0.0000628892,0.00028721892,0.00028550552,0.0002115091,0.0002757055],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073073345,0.0005007769,0.0004966834,0.00011066552,0.00084248465,0.0005035876,0.00015262481,0.0002380956,0.0030214654],"category_scores_gemma":[0.000052037252,0.00052448746,0.00015275872,0.0000039668275,0.00027820352,0.00019260758,0.00004643982,0.00038646316,0.00045017494],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053705677,0.000055527118,0.0001726527,0.0004902813,0.00013987291,0.000015201047,0.8650516,0.0000017914,0.000098719865,0.10842571,0.024564108,0.00093078654],"study_design_scores_gemma":[0.00037913973,0.0001261019,0.0014122797,0.00010184956,0.00027903978,0.0000048163993,0.09245657,0.0007882774,0.00019403384,0.0046304483,0.8989923,0.0006351484],"about_ca_topic_score_codex":0.0033651285,"about_ca_topic_score_gemma":0.039909627,"teacher_disagreement_score":0.8744282,"about_ca_system_score_codex":0.000043459466,"about_ca_system_score_gemma":0.00021320286,"threshold_uncertainty_score":0.9997207},"labels":[],"label_agreement":null},{"id":"W7133174044","doi":"","title":"Joyce Wieland: À coeur battant; Joyce Wieland: Heart On. Musée des beaux-arts de Montréal and Art Gallery of Ontario. February 8 – May 4, 2025; June 21, 2025 – January 4, 2026. Curated by Anne Grace (Montreal Museum of Fine Art) and Georgiana Uhlyarik (Art Gallery of Ontario)","year":2025,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Painting; Photography; Portrait","score_opus":0.010482405547760257,"score_gpt":0.18479718990623006,"score_spread":0.1743147843584698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133174044","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9218123,0.014291448,0.0001381921,0.007470932,0.0004563188,0.0007736406,0.0008282325,0.000104480125,0.05412447],"genre_scores_gemma":[0.36630824,0.0034628927,0.00039528473,0.00083675835,0.00009812715,0.00001522003,0.0004214945,0.00006300564,0.62839895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972305,0.00014148513,0.00072570716,0.00067561044,0.00042759048,0.00079908414],"domain_scores_gemma":[0.99805516,0.0002949109,0.00041721392,0.0005888407,0.00028708906,0.0003568011],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003412496,0.00059029204,0.0011139156,0.00044381653,0.00066434883,0.000053032407,0.0003074199,0.0002922475,0.0006075709],"category_scores_gemma":[0.00004374528,0.0006169363,0.00026257092,0.000057888396,0.0008282199,0.0004666949,0.00032782505,0.0005145619,0.00002440595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015470649,0.0006408927,0.011001234,0.00030693228,0.00075684214,0.0003702408,0.03374665,0.00016074778,0.0006953847,0.0023320145,0.9473785,0.0010635024],"study_design_scores_gemma":[0.0040134145,0.0007754387,0.045522336,0.0005626044,0.00058464095,0.00010555036,0.0030053444,0.00039518595,0.0007245333,0.0016772718,0.94195384,0.0006798589],"about_ca_topic_score_codex":0.6584166,"about_ca_topic_score_gemma":0.9913543,"teacher_disagreement_score":0.5742745,"about_ca_system_score_codex":0.0018576777,"about_ca_system_score_gemma":0.00062784046,"threshold_uncertainty_score":0.9996282},"labels":[],"label_agreement":null},{"id":"W7133586675","doi":"","title":"Miguel Palma, A-Z","year":2018,"lang":"en","type":"book","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Encyclopedia; Selection (genetic algorithm); Quarter (Canadian coin); Complement (music)","score_opus":0.13193978823937805,"score_gpt":0.3799506524545104,"score_spread":0.24801086421513233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133586675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006121123,0.00330685,0.00007956133,0.0012205438,0.00091702223,0.0017576969,0.0018034866,0.00034863487,0.9899541],"genre_scores_gemma":[0.015967578,0.0009870488,0.00029864427,0.00012647528,0.0016034632,0.0004910835,0.0005638293,0.00007381086,0.9798881],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99419063,0.00004458453,0.00060179166,0.0012957635,0.0021910977,0.0016761044],"domain_scores_gemma":[0.99465555,0.0004406834,0.00026734936,0.00047871526,0.0038941156,0.00026360955],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004543992,0.00043806082,0.0004768317,0.0045262408,0.0034194016,0.00041840848,0.0013757482,0.0005336482,0.00036273483],"category_scores_gemma":[0.0018293331,0.00039266833,0.00013002871,0.00012317857,0.013239041,0.0005650727,0.0005978226,0.0010043466,0.00013722669],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015942376,0.0000827545,0.000032987457,0.00011231782,0.00005270383,0.000005295095,0.0021640465,1.5975312e-8,0.000072005256,0.5604931,0.43107495,0.0058938675],"study_design_scores_gemma":[0.00022340374,0.00053372653,0.000007984977,0.000094586314,0.000013846841,0.000011302394,0.00027539418,0.000083973246,0.0001437689,0.35723808,0.64106727,0.00030663447],"about_ca_topic_score_codex":0.00015351159,"about_ca_topic_score_gemma":0.0006399505,"teacher_disagreement_score":0.20999233,"about_ca_system_score_codex":0.0006923721,"about_ca_system_score_gemma":0.0051858695,"threshold_uncertainty_score":0.99985254},"labels":[],"label_agreement":null},{"id":"W7133906489","doi":"10.7202/1123765ar","title":"Joyce Wieland: À coeur battant; Joyce Wieland: Heart On. Musée des beaux-arts de Montréal and Art Gallery of Ontario. February 8 – May 4, 2025; June 21, 2025 – January 4, 2026. Curated by Anne Grace (Montreal Museum of Fine Art) and Georgiana Uhlyarik (Art Gallery of Ontario)","year":2025,"lang":"en","type":"article","venue":"Archivaria","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Performance art; Exhibition; Painting","score_opus":0.01694623722909395,"score_gpt":0.22985229984252936,"score_spread":0.21290606261343542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133906489","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7185947,0.0024522769,0.00036392966,0.0035620602,0.0008640524,0.0011217402,0.00121133,0.000111935,0.271718],"genre_scores_gemma":[0.7311033,0.00058140943,0.0008776525,0.0010676766,0.0001477681,0.00003975996,0.0005686896,0.00006367389,0.2655501],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968278,0.00019849959,0.0010775595,0.0006905376,0.00040734097,0.00079828664],"domain_scores_gemma":[0.9979594,0.0005343419,0.00036375292,0.00064171513,0.00019197488,0.0003088503],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00045766713,0.0005846369,0.0011331259,0.00036106448,0.00041390795,0.000092245056,0.00029107847,0.00018634446,0.0006875433],"category_scores_gemma":[0.00008686263,0.0005532719,0.00021782661,0.000034715813,0.0010928194,0.00036492926,0.00027033605,0.0006005073,0.000024385887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018576361,0.0012554966,0.02683102,0.0005677756,0.0009682128,0.00009258694,0.09423664,0.000118074706,0.0016214265,0.015580525,0.85592085,0.00094972213],"study_design_scores_gemma":[0.0059843687,0.0016031862,0.277667,0.0013704951,0.00068744284,0.00007877818,0.0017885696,0.0007287097,0.0015305701,0.032432515,0.6749457,0.0011826315],"about_ca_topic_score_codex":0.4769096,"about_ca_topic_score_gemma":0.88250315,"teacher_disagreement_score":0.4055935,"about_ca_system_score_codex":0.00018888466,"about_ca_system_score_gemma":0.0009874222,"threshold_uncertainty_score":0.9996919},"labels":[],"label_agreement":null},{"id":"W7134297075","doi":"","title":"Bowlegged Bride","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"World War II; State (computer science); Spanish Civil War; Tribute; Key (lock)","score_opus":0.04775799432552106,"score_gpt":0.22873407619582414,"score_spread":0.1809760818703031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134297075","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7453591,0.0034815217,0.0008107531,0.0030738409,0.0010504931,0.00027809633,0.0018960778,0.00011329522,0.24393678],"genre_scores_gemma":[0.8499211,0.0006851856,0.00037348244,0.0004512118,0.00035543888,2.1310554e-7,0.00026381263,0.000042639283,0.1479069],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99697524,0.00040291826,0.00044899937,0.0006970393,0.0006468562,0.00082893117],"domain_scores_gemma":[0.9964481,0.00021725358,0.00038362335,0.0012005598,0.0012123492,0.0005381436],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029220825,0.00044514966,0.00078039774,0.0003381282,0.0030862873,0.0008193268,0.00097447133,0.00021478409,0.0049626324],"category_scores_gemma":[0.00011815585,0.00063129363,0.00059884123,0.00004112597,0.0014382785,0.003027585,0.0008521848,0.0011584684,0.00058257056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005111173,0.0041364534,0.25507134,0.00094152335,0.0044791307,0.003849968,0.31574604,0.00010807786,0.0001833905,0.27443495,0.10926434,0.03127367],"study_design_scores_gemma":[0.0014222697,0.00018170923,0.16557996,0.00014003264,0.0007239094,0.000018853902,0.008165436,0.00020862534,0.00003770461,0.00133931,0.8215484,0.00063380954],"about_ca_topic_score_codex":0.006498225,"about_ca_topic_score_gemma":0.32630423,"teacher_disagreement_score":0.712284,"about_ca_system_score_codex":0.00018795795,"about_ca_system_score_gemma":0.00078907656,"threshold_uncertainty_score":0.9996138},"labels":[],"label_agreement":null},{"id":"W7134355524","doi":"","title":"Pelican Sculpture","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; Tribute; State (computer science); Spanish Civil War","score_opus":0.04330281337222821,"score_gpt":0.22674829001458174,"score_spread":0.18344547664235353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134355524","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.678536,0.004515073,0.0006649946,0.005520611,0.0010013568,0.00033184356,0.0025317904,0.00012581419,0.3067725],"genre_scores_gemma":[0.86088395,0.00067147246,0.00038264197,0.0005773854,0.00039170744,2.1253601e-7,0.00032056574,0.000041943462,0.1367301],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971088,0.00036375085,0.0003874264,0.0006981938,0.0006619358,0.0007799008],"domain_scores_gemma":[0.9964511,0.00015671874,0.00035296552,0.0012373759,0.0012417997,0.0005600702],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023977226,0.00044690326,0.00074833445,0.0003196994,0.0029169428,0.00077824463,0.0010109418,0.00024999067,0.0056531],"category_scores_gemma":[0.00008958012,0.00059888547,0.0006147345,0.000044767894,0.001472317,0.0025669252,0.00080194825,0.0012840207,0.00042221844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000308945,0.0030915097,0.1797583,0.00080818165,0.0034187727,0.0023539506,0.3551095,0.00009752083,0.00009787082,0.3432453,0.08620509,0.025505057],"study_design_scores_gemma":[0.00111327,0.000174484,0.14152063,0.00012807224,0.00069453183,0.000016618718,0.011516875,0.0001524325,0.0000157905,0.0011523623,0.84292555,0.00058940233],"about_ca_topic_score_codex":0.0045927805,"about_ca_topic_score_gemma":0.3277865,"teacher_disagreement_score":0.7567204,"about_ca_system_score_codex":0.00017333009,"about_ca_system_score_gemma":0.0007571197,"threshold_uncertainty_score":0.99964625},"labels":[],"label_agreement":null},{"id":"W7134368290","doi":"","title":"Row of Sculptures","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Tribute; Key (lock); Spanish Civil War","score_opus":0.04443760137117262,"score_gpt":0.22724683025351694,"score_spread":0.18280922888234433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134368290","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8136477,0.0050599603,0.00058083155,0.0017224952,0.00066725793,0.00023911637,0.0019673815,0.000053538966,0.17606172],"genre_scores_gemma":[0.93613535,0.00062914693,0.00045212288,0.00021047825,0.00019111921,1.4029125e-7,0.00017843273,0.000030252279,0.06217295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975705,0.00031922502,0.00043799842,0.0005000303,0.00061255525,0.0005596951],"domain_scores_gemma":[0.9967031,0.0001838287,0.0004667648,0.001021741,0.0012872466,0.0003373017],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024359465,0.0003508125,0.00077929016,0.00033319538,0.0015519316,0.0003165712,0.00086739263,0.00020291215,0.003325956],"category_scores_gemma":[0.00009938075,0.00046356022,0.00058635115,0.000039638657,0.0015876077,0.0020797793,0.0006545889,0.00079645927,0.0001006369],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003825464,0.0034216598,0.25013667,0.0013580786,0.003789627,0.0009624129,0.289904,0.00020345468,0.00026132067,0.39955086,0.03404639,0.015982987],"study_design_scores_gemma":[0.0014668992,0.00029025972,0.22313084,0.00023328034,0.0009337573,0.000010412119,0.012933836,0.00017986313,0.00013312328,0.0021123057,0.7579971,0.0005783194],"about_ca_topic_score_codex":0.005134047,"about_ca_topic_score_gemma":0.22179748,"teacher_disagreement_score":0.72395074,"about_ca_system_score_codex":0.00009298001,"about_ca_system_score_gemma":0.0006065722,"threshold_uncertainty_score":0.9997816},"labels":[],"label_agreement":null},{"id":"W7134444990","doi":"","title":"House and Yard","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Yard; World War II; Sculpture; State (computer science); Spanish Civil War; Tribute","score_opus":0.04573197363966715,"score_gpt":0.22088845687487327,"score_spread":0.1751564832352061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134444990","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9232246,0.0041769776,0.0003655364,0.00222755,0.00046816093,0.00019708474,0.0009968064,0.00010909968,0.06823416],"genre_scores_gemma":[0.93711823,0.0016201951,0.0003988569,0.00035519514,0.00020621659,1.5140532e-7,0.00007294608,0.00004603854,0.06018215],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.997892,0.0002614793,0.00029769138,0.0005588207,0.00041938032,0.0005705838],"domain_scores_gemma":[0.99764866,0.00017175924,0.00024781795,0.00079825945,0.00067730044,0.00045620752],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020614323,0.0003426827,0.00060190784,0.0002611455,0.0023437245,0.00073847856,0.00051650015,0.00017502757,0.0015353505],"category_scores_gemma":[0.000067717636,0.00046950649,0.00028237636,0.000025013162,0.0014759601,0.002458417,0.00076634844,0.0007977752,0.0001786257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003542395,0.0022654796,0.36894178,0.0008998827,0.002890783,0.002336831,0.36006021,0.00003595739,0.00012368202,0.19039759,0.038835872,0.03285766],"study_design_scores_gemma":[0.0013653745,0.0002168288,0.22115418,0.0001149144,0.00066949916,0.000021993044,0.009774696,0.0001567571,0.00002167352,0.0014974227,0.7644633,0.00054334063],"about_ca_topic_score_codex":0.0030041162,"about_ca_topic_score_gemma":0.22687544,"teacher_disagreement_score":0.7256274,"about_ca_system_score_codex":0.00008820645,"about_ca_system_score_gemma":0.00038480634,"threshold_uncertainty_score":0.99977565},"labels":[],"label_agreement":null},{"id":"W7134454990","doi":"","title":"Sculptures","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Tribute; Painting","score_opus":0.04653531351483106,"score_gpt":0.2289608414649379,"score_spread":0.18242552795010683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134454990","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6774892,0.0062177447,0.000724062,0.003390208,0.0011119946,0.00028227776,0.0018864712,0.0001142684,0.30878377],"genre_scores_gemma":[0.86282134,0.0007221322,0.000396057,0.00048755927,0.00034723585,1.8475717e-7,0.0002477645,0.000037119655,0.13494061],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972968,0.00035285964,0.00037372534,0.0006307147,0.0006239326,0.0007219732],"domain_scores_gemma":[0.99682665,0.00017724125,0.00032540105,0.0011028859,0.0011008283,0.0004670153],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023511094,0.00041139175,0.00069202273,0.0003183166,0.0028878967,0.00079389854,0.0009284778,0.00022178337,0.0053409166],"category_scores_gemma":[0.00009576222,0.00055131636,0.0005795406,0.00003521665,0.0014352739,0.00268619,0.0007516002,0.0010514489,0.00042608313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030932596,0.0030237439,0.15746374,0.0008049495,0.003650545,0.002432763,0.30089387,0.00013438553,0.000092042064,0.4229129,0.08565858,0.022623139],"study_design_scores_gemma":[0.0010978527,0.00016346668,0.15253304,0.00012763079,0.00067808403,0.000013791883,0.009160346,0.00014261535,0.000027977898,0.0017401808,0.8337498,0.00056524767],"about_ca_topic_score_codex":0.0045612664,"about_ca_topic_score_gemma":0.29836,"teacher_disagreement_score":0.74809116,"about_ca_system_score_codex":0.00014080638,"about_ca_system_score_gemma":0.00065105665,"threshold_uncertainty_score":0.9996938},"labels":[],"label_agreement":null},{"id":"W7134511539","doi":"","title":"Tenderness II","year":2024,"lang":"","type":"article","venue":"NSUWorks (Nova Southeastern University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Painting; Style (visual arts); Luck; Endowment; The arts","score_opus":0.055702205914643504,"score_gpt":0.23655774735140256,"score_spread":0.18085554143675905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134511539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035418846,0.0041115214,0.0094584795,0.0025672684,0.010453312,0.0006327934,0.0014715965,0.00091503083,0.93497115],"genre_scores_gemma":[0.5524329,0.00012695824,0.000015356007,0.00017499646,0.0017039467,3.8833582e-7,0.00003170458,0.000075510565,0.44543827],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966711,0.0001470691,0.00045806743,0.0010405928,0.00048842333,0.0011947559],"domain_scores_gemma":[0.99835837,0.00011883811,0.00013107412,0.0007185052,0.00022123133,0.0004519991],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021209386,0.00068767456,0.00057154096,0.0008766713,0.0016636333,0.0008740733,0.00078441505,0.00043147185,0.006514461],"category_scores_gemma":[0.000011919812,0.000738424,0.0005672726,0.000041558178,0.0011165298,0.00080699404,0.0007067882,0.0009872187,0.002353666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001561129,0.00034256454,0.0003243753,0.00058225647,0.00081889535,0.0012731117,0.34277934,0.00004928937,0.000017589025,0.6337574,0.0033264814,0.016572561],"study_design_scores_gemma":[0.00070435816,0.00021490527,0.000063718515,0.00082730124,0.00057583035,0.000028843375,0.043309566,0.002896741,0.000016537811,0.0029596447,0.9475077,0.000894868],"about_ca_topic_score_codex":0.0010366801,"about_ca_topic_score_gemma":0.004063827,"teacher_disagreement_score":0.9441812,"about_ca_system_score_codex":0.00021038363,"about_ca_system_score_gemma":0.00042315628,"threshold_uncertainty_score":0.99963605},"labels":[],"label_agreement":null},{"id":"W7134626965","doi":"","title":"Lucy Lippard's Feminism in four exhibitions (1966-1977)","year":2021,"lang":"fr","type":"article","venue":"theses.fr (ABES)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Abstraction; Exposition (narrative); Object (grammar); Portrait; Painting","score_opus":0.07744418088898666,"score_gpt":0.28162464529083125,"score_spread":0.2041804644018446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134626965","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036129747,0.008212047,0.00015092218,0.010338299,0.003519396,0.00033444611,0.001077384,0.00015417387,0.94008356],"genre_scores_gemma":[0.79558057,0.002133768,0.00019340639,0.0022740099,0.0038446046,0.000053261483,0.000092865645,0.000096210686,0.19573131],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966098,0.00032059388,0.0007478095,0.0006579765,0.00042116948,0.0012426726],"domain_scores_gemma":[0.9979467,0.0004312305,0.00016622689,0.00081965176,0.0002791065,0.00035712426],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039125074,0.0005075344,0.0006518698,0.000202221,0.0007604751,0.00044145196,0.0003504417,0.00030275865,0.012240813],"category_scores_gemma":[0.00020126514,0.00055387995,0.00036515732,0.000021867665,0.00093334034,0.00047408423,0.0002631831,0.0006866785,0.0025827342],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001126041,0.00052349543,0.00022744978,0.00018014193,0.00010373285,0.0005492983,0.16012199,0.000026677191,0.00009403827,0.8257499,0.009284899,0.0031271698],"study_design_scores_gemma":[0.00081871037,0.000089785586,0.00048296238,0.0005192612,0.00014474268,0.000098654666,0.02827369,0.00021063848,0.000863359,0.061993763,0.9058793,0.0006250834],"about_ca_topic_score_codex":0.011913367,"about_ca_topic_score_gemma":0.044251706,"teacher_disagreement_score":0.89659446,"about_ca_system_score_codex":0.00026121904,"about_ca_system_score_gemma":0.00045656125,"threshold_uncertainty_score":0.99969125},"labels":[],"label_agreement":null},{"id":"W7134675349","doi":"","title":"Red by John Logan","year":2017,"lang":"","type":"article","venue":"Digital Commons - Winthrop University (Winthrop University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Painting; Commission; Performance art; Work (physics)","score_opus":0.03716204945059278,"score_gpt":0.22331662263908253,"score_spread":0.18615457318848974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134675349","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03491323,0.00021262132,0.0014768621,0.007551883,0.0021671786,0.0007546371,0.0077804048,0.00049200904,0.9446512],"genre_scores_gemma":[0.6557929,0.0006395621,0.000030286928,0.00013014846,0.0004613489,1.2261859e-7,0.0003733103,0.00009430605,0.342478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474746,0.0002721262,0.0005869173,0.0016769824,0.000782687,0.0019337994],"domain_scores_gemma":[0.9935738,0.00024094961,0.0010289114,0.0031474787,0.0007411667,0.0012676814],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00018755547,0.00126808,0.0013191985,0.0009324614,0.014554209,0.0030379232,0.0041840915,0.0006688143,0.003881478],"category_scores_gemma":[0.00015088894,0.0016780802,0.0010867481,0.000051036906,0.013786977,0.0072006504,0.003363911,0.0012943809,0.0010545539],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016558246,0.0039481777,0.0072292155,0.00033915072,0.0029813305,0.005056772,0.053156428,0.0000339555,0.00010283724,0.4708484,0.4450153,0.009632595],"study_design_scores_gemma":[0.0033023097,0.00071597856,0.0006289434,0.00022796231,0.0006667987,0.000020779988,0.042279813,0.00016864583,0.00014165956,0.00076055253,0.94924974,0.0018368134],"about_ca_topic_score_codex":0.008928469,"about_ca_topic_score_gemma":0.015999064,"teacher_disagreement_score":0.62087965,"about_ca_system_score_codex":0.0014341271,"about_ca_system_score_gemma":0.0005840874,"threshold_uncertainty_score":0.99972326},"labels":[],"label_agreement":null},{"id":"W7134680474","doi":"","title":"Sculpture Closeup","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Painting; Tribute","score_opus":0.04294660285823076,"score_gpt":0.2264483330583179,"score_spread":0.18350173020008714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134680474","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6702046,0.0063870023,0.00075593975,0.0047860937,0.0013704676,0.00036248495,0.0026765636,0.00013498201,0.3133219],"genre_scores_gemma":[0.85076773,0.0008464667,0.00045188318,0.0005638909,0.0004305337,2.1801283e-7,0.0003460011,0.000044307686,0.146549],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996978,0.00040330013,0.0004120815,0.00071449,0.0006871391,0.0008049818],"domain_scores_gemma":[0.99643975,0.00017154025,0.0003676251,0.0012515804,0.0012395257,0.00052996736],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026176806,0.0004697459,0.00077617815,0.00032836234,0.0030393994,0.00081197225,0.0010214945,0.00029419365,0.0054295245],"category_scores_gemma":[0.00009102885,0.0006299851,0.0006580047,0.00004444563,0.0014056962,0.002983283,0.0008426669,0.0013630786,0.00052172627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032860498,0.0031563006,0.15454295,0.00088123826,0.0036460331,0.0027841325,0.3168263,0.00009686754,0.000091947775,0.40719613,0.08818669,0.022262774],"study_design_scores_gemma":[0.0012914266,0.00018523881,0.113809794,0.00015268117,0.0007830946,0.000017797103,0.009850895,0.00015202569,0.000020277337,0.0018684278,0.87122834,0.00064001634],"about_ca_topic_score_codex":0.0033370706,"about_ca_topic_score_gemma":0.25670293,"teacher_disagreement_score":0.78304166,"about_ca_system_score_codex":0.00017256803,"about_ca_system_score_gemma":0.0007282774,"threshold_uncertainty_score":0.99961513},"labels":[],"label_agreement":null},{"id":"W7134766158","doi":"","title":"Las Vegas Model","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"World War II; Las vegas; State (computer science); Sculpture; Spanish Civil War; Key (lock)","score_opus":0.06101995743859753,"score_gpt":0.23254260787195094,"score_spread":0.1715226504333534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134766158","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6646204,0.002943585,0.00372914,0.0029370107,0.00072244817,0.00028616443,0.0023446123,0.00012064026,0.32229602],"genre_scores_gemma":[0.83095515,0.00063643424,0.00087524543,0.00043638286,0.0002234554,2.3897732e-7,0.00022486875,0.00004329227,0.16660494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720955,0.00026535097,0.00040954116,0.0006788269,0.00064437476,0.0007923479],"domain_scores_gemma":[0.99667907,0.00014897215,0.0003359333,0.0011881193,0.0011298406,0.00051806815],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024567315,0.00044119125,0.00073172594,0.00032920006,0.0028041033,0.0007308189,0.0009680462,0.00023649824,0.0023776088],"category_scores_gemma":[0.000074327785,0.0006179147,0.0005541297,0.00003613082,0.0013049048,0.003215968,0.0008690087,0.0011171573,0.0003986707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003670145,0.0034067,0.066378295,0.00072584715,0.0028396652,0.0016647436,0.28548244,0.0030646748,0.00010285654,0.5638124,0.059843007,0.012312364],"study_design_scores_gemma":[0.0021326004,0.00026298276,0.037066642,0.00020042839,0.0011863218,0.000018938235,0.009423578,0.015814641,0.000034041765,0.008346318,0.92446434,0.0010491349],"about_ca_topic_score_codex":0.003000937,"about_ca_topic_score_gemma":0.23333767,"teacher_disagreement_score":0.86462134,"about_ca_system_score_codex":0.00018704485,"about_ca_system_score_gemma":0.00093466387,"threshold_uncertainty_score":0.99962723},"labels":[],"label_agreement":null},{"id":"W7135482259","doi":"","title":"Statue, location, relation - Bohemia in 80's of the 20th century","year":2016,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Relation (database); Context (archaeology); Destiny (ISS module); Subject (documents); Czech; Quarter (Canadian coin); Period (music)","score_opus":0.00947158712741008,"score_gpt":0.23111842790919748,"score_spread":0.2216468407817874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135482259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30498803,0.009709022,0.000029849309,0.00016178827,0.008568758,0.001379725,0.0018514703,0.000073371986,0.673238],"genre_scores_gemma":[0.82305557,0.000096485724,0.000012897462,0.00005845878,0.0013083669,0.00004097464,0.0013413453,0.00007610455,0.17400979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9943114,0.00023006421,0.0022967784,0.00079667347,0.0018745371,0.00049057935],"domain_scores_gemma":[0.99182785,0.00044259257,0.0023152025,0.00073930906,0.004508921,0.00016613436],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002505825,0.00068353245,0.00074002834,0.000517761,0.00077851705,0.00075985614,0.0006588891,0.0006701584,0.000021255713],"category_scores_gemma":[0.0005319838,0.00053105055,0.00055899174,0.00007236628,0.00080301304,0.0019662369,0.00010418139,0.0007079867,0.000009431235],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022855583,0.0037784514,0.13188875,0.0076686135,0.0017951309,0.00015876566,0.36403078,0.00054756727,0.024121465,0.4444297,0.016602112,0.0026930943],"study_design_scores_gemma":[0.0045151855,0.0008504609,0.51264095,0.028296305,0.00073966495,0.00028321502,0.007844649,0.0005100063,0.05879072,0.02850188,0.35336447,0.0036624642],"about_ca_topic_score_codex":0.00021862239,"about_ca_topic_score_gemma":0.00020013882,"teacher_disagreement_score":0.51806754,"about_ca_system_score_codex":0.0005970912,"about_ca_system_score_gemma":0.001589788,"threshold_uncertainty_score":0.9997141},"labels":[],"label_agreement":null},{"id":"W7135490346","doi":"","title":"Olga Karlíková and Her Artwork in State Institutions","year":2010,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Czech; Bachelor; Theme (computing); Quarter (Canadian coin); State (computer science); Architecture","score_opus":0.017921506302485877,"score_gpt":0.25760491578339717,"score_spread":0.2396834094809113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135490346","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50248855,0.005020732,0.000013162485,0.000066051296,0.0059300805,0.0006833511,0.0010662712,0.00008388919,0.4846479],"genre_scores_gemma":[0.78593624,0.00009108282,0.00005903213,0.00011108496,0.0014699964,0.00005968476,0.0018726003,0.000079576355,0.21032071],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99521154,0.00012347504,0.0017679265,0.0010056798,0.0012746695,0.0006166837],"domain_scores_gemma":[0.9956775,0.0003226159,0.0010174197,0.00050900545,0.0021301224,0.00034336967],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00021676271,0.0008317575,0.00085094705,0.000725714,0.0011608484,0.002782938,0.0003997268,0.0007554458,0.000019946348],"category_scores_gemma":[0.00027195297,0.00085074845,0.00040297437,0.000041727733,0.0011457218,0.0023315256,0.00010444864,0.0014465316,0.000014737897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019223734,0.004501235,0.047030117,0.0048661064,0.0018653853,0.0018670935,0.48455322,0.00052197935,0.009216818,0.43223038,0.007889316,0.0035359554],"study_design_scores_gemma":[0.0033282824,0.0008812991,0.09525335,0.0083942525,0.00046780732,0.0009589161,0.004279509,0.000658676,0.006940586,0.03161334,0.84325016,0.0039738193],"about_ca_topic_score_codex":0.0003947453,"about_ca_topic_score_gemma":0.0016468178,"teacher_disagreement_score":0.8353608,"about_ca_system_score_codex":0.00026825798,"about_ca_system_score_gemma":0.0012524871,"threshold_uncertainty_score":0.99939436},"labels":[],"label_agreement":null},{"id":"W7135591928","doi":"","title":"Miloslav Hejný, a contextual study in sculptural oeuvre 1956 - 1972.","year":2017,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Minimalism (technical communication); Period (music); Quarter (Canadian coin); Creative work; Craft","score_opus":0.028030231309722296,"score_gpt":0.28398381651748605,"score_spread":0.25595358520776373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135591928","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5208937,0.004157499,0.0000018016774,0.00006124851,0.006649362,0.0016569452,0.0013084468,0.000100972255,0.46517003],"genre_scores_gemma":[0.6655154,0.000020182322,0.000007958174,0.00008813415,0.0028237216,0.00010742966,0.0028042817,0.00011201059,0.32852083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917324,0.00033725228,0.0027472668,0.0016230672,0.0026302852,0.00092968397],"domain_scores_gemma":[0.99194986,0.00043893888,0.002380898,0.0011942262,0.0036247263,0.00041138308],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00038711927,0.0013852564,0.0016673411,0.00091041275,0.0021858166,0.0056851245,0.0012562053,0.0008464634,0.00003511914],"category_scores_gemma":[0.00060846336,0.001359719,0.0010112592,0.00003167606,0.001046204,0.0034803331,0.0001636973,0.001430697,0.000045647943],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036324086,0.010620378,0.05943476,0.0029824895,0.0033821557,0.0040956247,0.8509383,0.00008560944,0.0018087822,0.048918627,0.011864028,0.0022368033],"study_design_scores_gemma":[0.013576109,0.006520826,0.3085476,0.01588835,0.0016813772,0.0012313526,0.054013487,0.00066533085,0.0043467423,0.007963774,0.577125,0.008440049],"about_ca_topic_score_codex":0.0015265096,"about_ca_topic_score_gemma":0.0028407539,"teacher_disagreement_score":0.7969248,"about_ca_system_score_codex":0.00063131173,"about_ca_system_score_gemma":0.0014297568,"threshold_uncertainty_score":0.9998898},"labels":[],"label_agreement":null},{"id":"W7135605718","doi":"","title":"Performing the Transfacial Body:ORLAN's Harlequin Coat","year":2010,"lang":"en","type":"book-chapter","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Coat; Range (aeronautics); Art and design; Taste","score_opus":0.08531257100756234,"score_gpt":0.25345311093139167,"score_spread":0.16814053992382932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135605718","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040349336,0.0016979036,0.00020330482,0.0014710415,0.0002595867,0.0011233683,0.00091611804,0.000050195835,0.99024355],"genre_scores_gemma":[0.17029011,0.00055708917,0.000037050122,0.00006145454,0.00025043878,1.4855937e-7,0.00012913694,0.000052002277,0.8286226],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966436,0.00031817975,0.00029543976,0.0005857131,0.0013496774,0.00080736884],"domain_scores_gemma":[0.99675053,0.00056780357,0.00038052857,0.0011099828,0.0008952711,0.00029590473],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.001519563,0.000443008,0.00076909,0.00027295965,0.0051236684,0.00010034838,0.002609103,0.00041248076,0.67578465],"category_scores_gemma":[0.000036119105,0.00040047194,0.00063869666,0.000017443448,0.006392864,0.0005257732,0.0011108656,0.0016826035,0.0543571],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005104705,0.00005936749,3.1426933e-7,0.00017081165,0.00042402488,0.00015366946,0.07932031,0.000003914518,0.00063158985,0.047140993,0.8699615,0.0016230404],"study_design_scores_gemma":[0.0008603705,0.0002738791,0.000052213898,0.00014971511,0.00033096538,0.000008547858,0.013329351,0.000041673677,0.00040988604,0.00044327154,0.98369676,0.0004033605],"about_ca_topic_score_codex":0.0034740875,"about_ca_topic_score_gemma":0.06011503,"teacher_disagreement_score":0.62142754,"about_ca_system_score_codex":0.00030376745,"about_ca_system_score_gemma":0.0007173029,"threshold_uncertainty_score":0.99984473},"labels":[],"label_agreement":null},{"id":"W7135755896","doi":"","title":"\"A kind of critique that works by allegorizing...\":an interview with Patrick Wright","year":2010,"lang":"en","type":"article","venue":"Research Portal (King's College London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; Criticism; Perspective (graphical)","score_opus":0.07883660776244596,"score_gpt":0.33555534058949704,"score_spread":0.2567187328270511,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135755896","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4444069,0.0027407496,0.00037974145,0.0036950605,0.0014580655,0.0024476894,0.0014264871,0.0003151186,0.5431302],"genre_scores_gemma":[0.9594398,0.0003082585,0.00017701268,0.00040907916,0.00084773474,0.00009811399,0.00012894237,0.0000902739,0.038500763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996213,0.00033544164,0.0005453659,0.00058926624,0.0012001635,0.0011167377],"domain_scores_gemma":[0.997457,0.00031050362,0.00018783245,0.0007782375,0.00079243805,0.00047396123],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015403441,0.00034694662,0.0005444483,0.00038279765,0.0007070293,0.00033904362,0.0007364012,0.00020965905,0.00517997],"category_scores_gemma":[0.00010187537,0.00027561365,0.00017121655,0.000037548536,0.0014662851,0.0008753174,0.00021567193,0.0014063135,0.00006287988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040524878,0.0019727217,0.0027332064,0.0008570187,0.00046068148,0.0010023892,0.062883236,0.0000021726091,0.0015565364,0.6859167,0.23145624,0.010753828],"study_design_scores_gemma":[0.0012425293,0.0009370123,0.00023069064,0.00037368524,0.00004534157,0.000054300555,0.009768259,0.00014589424,0.0030513117,0.0061755655,0.9774138,0.0005616476],"about_ca_topic_score_codex":0.0030659698,"about_ca_topic_score_gemma":0.06807318,"teacher_disagreement_score":0.7459575,"about_ca_system_score_codex":0.00003752146,"about_ca_system_score_gemma":0.00037095306,"threshold_uncertainty_score":0.9999696},"labels":[],"label_agreement":null},{"id":"W7135886661","doi":"","title":"The Mass Production of Art Work:In Conversation with Christian Giroux and Daniel Young","year":2013,"lang":"en","type":"book","venue":"Research Explorer (The University of Manchester)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Production (economics); Christianity","score_opus":0.08051796316312343,"score_gpt":0.24134655277895936,"score_spread":0.16082858961583593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135886661","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1964132,0.0034957358,0.00057263765,0.026778795,0.0020246014,0.008919902,0.00015229583,0.00018627227,0.76145655],"genre_scores_gemma":[0.2368386,0.001283396,0.000039588474,0.0000149994,0.0003609328,0.000004570305,0.00005041724,0.000032005355,0.7613755],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866325,0.00015995771,0.00015997971,0.000249483,0.0004743514,0.00029295383],"domain_scores_gemma":[0.9988525,0.00018890857,0.00016089543,0.00039308955,0.00034851814,0.000056097037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006201329,0.00014264148,0.00022341461,0.00016760107,0.00045956345,0.000057789704,0.00031601,0.00008339181,0.00010614389],"category_scores_gemma":[0.000027061089,0.00009925074,0.00005112212,0.000007886806,0.0025387213,0.00023797211,0.00012930302,0.00043796998,0.00004564766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027697388,0.000043643682,0.0002816318,0.0003420071,0.00013186225,0.000009795222,0.7981057,0.000006467514,0.000012631425,0.0156572,0.18435012,0.00078198715],"study_design_scores_gemma":[0.00043604727,0.00020893873,0.0010649505,0.00046579549,0.000053397893,0.000002035028,0.14289485,0.000047950543,0.000029725858,0.0045726458,0.85005254,0.00017110555],"about_ca_topic_score_codex":0.00018957001,"about_ca_topic_score_gemma":0.0012119737,"teacher_disagreement_score":0.66570246,"about_ca_system_score_codex":0.00015766006,"about_ca_system_score_gemma":0.00017699276,"threshold_uncertainty_score":0.9354024},"labels":[],"label_agreement":null},{"id":"W7135927077","doi":"","title":"Open Social Scene","year":2013,"lang":"en","type":"book-chapter","venue":"Discovery Research Portal (University of Dundee)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Situated; Natural (archaeology); Institution; Work (physics); Code (set theory)","score_opus":0.21645824058236862,"score_gpt":0.3233454437700978,"score_spread":0.10688720318772915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135927077","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006982293,0.00013444592,0.000015487263,0.00054453354,0.00017471933,0.0005445283,0.0008490057,0.000028111272,0.99701095],"genre_scores_gemma":[0.08968376,0.00026937522,0.000021685475,0.00006544271,0.0005865296,6.5666467e-7,0.00036994845,0.00004738837,0.9089552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979285,0.000057707126,0.00020394499,0.00045505018,0.00081202935,0.00054274313],"domain_scores_gemma":[0.99868107,0.000074555224,0.00020712582,0.00039193174,0.00046750566,0.00017780565],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036907409,0.00025528437,0.00051703484,0.00029896063,0.0011313339,0.00039860708,0.0012822769,0.0002309904,0.03487732],"category_scores_gemma":[0.000012090291,0.00029050626,0.00030638033,0.000002422782,0.0023884925,0.0014031382,0.0014262088,0.00067465054,0.0010562533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042248153,0.000054622884,0.0000034981317,0.00007304601,0.00017612173,0.00009438606,0.021473905,9.435483e-8,0.0000036700555,0.7691045,0.20745659,0.0015173659],"study_design_scores_gemma":[0.000398255,0.00014640547,0.000086461056,0.00011350671,0.000053769596,0.000001970229,0.013453099,0.000008485613,0.000002547403,0.11543323,0.86997163,0.00033061786],"about_ca_topic_score_codex":0.014634279,"about_ca_topic_score_gemma":0.03426364,"teacher_disagreement_score":0.66251504,"about_ca_system_score_codex":0.00007369273,"about_ca_system_score_gemma":0.00063903845,"threshold_uncertainty_score":0.9999547},"labels":[],"label_agreement":null},{"id":"W7135947316","doi":"","title":"Paris as a haven of Czech artists after 1945","year":2019,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Czech; Karel; Emigration; Haven; Destiny (ISS module); Bureaucracy","score_opus":0.009992130434046013,"score_gpt":0.24308966939750085,"score_spread":0.23309753896345484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135947316","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3503916,0.006259457,0.000011314942,0.000045334305,0.0060400586,0.000918066,0.0021312756,0.0000804541,0.63412243],"genre_scores_gemma":[0.62933177,0.000045593686,0.00002478732,0.00008485182,0.0013648792,0.00005916636,0.0020566464,0.000097677395,0.36693466],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.993316,0.00016773415,0.0024002218,0.0011149106,0.0023563316,0.00064481556],"domain_scores_gemma":[0.9917654,0.00040350485,0.0021400717,0.00085327576,0.004516256,0.00032149523],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00019746968,0.000989672,0.0012866694,0.00062345737,0.0005925627,0.0017457879,0.0005965909,0.0008975193,0.0000945026],"category_scores_gemma":[0.0002516402,0.0009963746,0.0011222379,0.000034379816,0.0007622722,0.0018882629,0.00013112646,0.0008104305,0.000088977424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008719071,0.007105224,0.046228345,0.019260224,0.0070216614,0.0021406412,0.67874455,0.00020576802,0.019251699,0.17959112,0.029524338,0.0022073775],"study_design_scores_gemma":[0.004415296,0.004068446,0.0593203,0.019147536,0.0020488494,0.0013884698,0.011758953,0.00071500125,0.0926254,0.018388258,0.7797858,0.006337696],"about_ca_topic_score_codex":0.00035930471,"about_ca_topic_score_gemma":0.00010267792,"teacher_disagreement_score":0.7502614,"about_ca_system_score_codex":0.00032709417,"about_ca_system_score_gemma":0.0013582226,"threshold_uncertainty_score":0.99929047},"labels":[],"label_agreement":null},{"id":"W7135995153","doi":"","title":"VICTOR HAGEA AMAZING!","year":2008,"lang":"en","type":"book","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amazon rainforest; Work (physics); Quality (philosophy); Distribution (mathematics)","score_opus":0.10224191883379122,"score_gpt":0.2588900359790116,"score_spread":0.1566481171452204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135995153","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017017019,0.0053868014,0.00013520812,0.00053456717,0.0002416862,0.0010280868,0.0012287718,0.000081252554,0.98966193],"genre_scores_gemma":[0.02575347,0.0016634235,0.000094510404,0.00007056315,0.00027593743,1.5925184e-7,0.00039890013,0.000074718264,0.9716683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957183,0.000635286,0.0003396723,0.0007455172,0.0015845462,0.000976669],"domain_scores_gemma":[0.99576455,0.0006505913,0.0005553941,0.0012927753,0.0013130478,0.00042363204],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0010164789,0.0004910968,0.0010375606,0.00046548605,0.003877672,0.000068492474,0.0027279444,0.00040820916,0.6327748],"category_scores_gemma":[0.00006137403,0.00054439274,0.0006934536,0.000036135327,0.0061678877,0.0005830637,0.0018205383,0.0011035819,0.16489647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035037327,0.00010840104,2.3931912e-7,0.00026211253,0.00046387897,0.0004905526,0.07249388,0.000008146771,0.000061950384,0.0065848036,0.9186268,0.0005488943],"study_design_scores_gemma":[0.0010757316,0.00032579558,0.00009521206,0.00023931594,0.00024355474,0.000013976442,0.010679808,0.000051673687,0.00010292504,0.00010751102,0.986575,0.00048947736],"about_ca_topic_score_codex":0.0038917637,"about_ca_topic_score_gemma":0.03289618,"teacher_disagreement_score":0.4678783,"about_ca_system_score_codex":0.0009172227,"about_ca_system_score_gemma":0.001824049,"threshold_uncertainty_score":0.9997008},"labels":[],"label_agreement":null},{"id":"W7139603255","doi":"","title":"House and Yard","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Yard; World War II; Sculpture; State (computer science); Spanish Civil War; Tribute","score_opus":0.04573197363966715,"score_gpt":0.22088845687487327,"score_spread":0.1751564832352061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139603255","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9232246,0.0041769776,0.0003655364,0.00222755,0.00046816093,0.00019708474,0.0009968064,0.00010909968,0.06823416],"genre_scores_gemma":[0.93711823,0.0016201951,0.0003988569,0.00035519514,0.00020621659,1.5140532e-7,0.00007294608,0.00004603854,0.06018215],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.997892,0.0002614793,0.00029769138,0.0005588207,0.00041938032,0.0005705838],"domain_scores_gemma":[0.99764866,0.00017175924,0.00024781795,0.00079825945,0.00067730044,0.00045620752],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020614323,0.0003426827,0.00060190784,0.0002611455,0.0023437245,0.00073847856,0.00051650015,0.00017502757,0.0015353505],"category_scores_gemma":[0.000067717636,0.00046950649,0.00028237636,0.000025013162,0.0014759601,0.002458417,0.00076634844,0.0007977752,0.0001786257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003542395,0.0022654796,0.36894178,0.0008998827,0.002890783,0.002336831,0.36006021,0.00003595739,0.00012368202,0.19039759,0.038835872,0.03285766],"study_design_scores_gemma":[0.0013653745,0.0002168288,0.22115418,0.0001149144,0.00066949916,0.000021993044,0.009774696,0.0001567571,0.00002167352,0.0014974227,0.7644633,0.00054334063],"about_ca_topic_score_codex":0.0030041162,"about_ca_topic_score_gemma":0.22687544,"teacher_disagreement_score":0.7256274,"about_ca_system_score_codex":0.00008820645,"about_ca_system_score_gemma":0.00038480634,"threshold_uncertainty_score":0.99977565},"labels":[],"label_agreement":null},{"id":"W7139700767","doi":"","title":"Sculpture Signs","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; World War II; State (computer science); Spanish Civil War; Tribute","score_opus":0.048867399509023156,"score_gpt":0.2266411316070542,"score_spread":0.17777373209803105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139700767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6284181,0.006236031,0.0018664751,0.0052732555,0.0014530708,0.00044398612,0.0032657573,0.00016387124,0.35287946],"genre_scores_gemma":[0.85853773,0.00060495373,0.00040888542,0.00053507363,0.00038090075,2.1828842e-7,0.00032626514,0.00004284136,0.13916315],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970673,0.0003872914,0.00039447058,0.000694518,0.00066412386,0.00079231046],"domain_scores_gemma":[0.9965157,0.00018730201,0.00035185475,0.001185153,0.0012275624,0.0005324109],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002482558,0.00045941622,0.00075465674,0.00032309047,0.0030719142,0.0008069123,0.0009933581,0.00028108808,0.00621909],"category_scores_gemma":[0.000091493304,0.0006163391,0.0006347911,0.000044213484,0.0013859022,0.0029399563,0.0007928113,0.0012947201,0.0004865121],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032919744,0.0035555842,0.1421055,0.0009155964,0.003996202,0.0030038955,0.3864846,0.00019061811,0.00026242534,0.3542019,0.08782484,0.01712963],"study_design_scores_gemma":[0.0013037925,0.00027496836,0.07223366,0.00015573954,0.00084512215,0.000015979702,0.01243541,0.00016411669,0.00002915274,0.0016356076,0.91019386,0.0007125924],"about_ca_topic_score_codex":0.0032111376,"about_ca_topic_score_gemma":0.2555725,"teacher_disagreement_score":0.82236904,"about_ca_system_score_codex":0.00016963077,"about_ca_system_score_gemma":0.0007505286,"threshold_uncertainty_score":0.9996288},"labels":[],"label_agreement":null},{"id":"W7139783519","doi":"","title":"Open Social Scene","year":2013,"lang":"en","type":"book-chapter","venue":"Discovery Research Portal (University of Dundee)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Situated; Natural (archaeology); Institution; Work (physics); Code (set theory)","score_opus":0.21645824058236862,"score_gpt":0.3233454437700978,"score_spread":0.10688720318772915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139783519","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006982293,0.00013444592,0.000015487263,0.00054453354,0.00017471933,0.0005445283,0.0008490057,0.000028111272,0.99701095],"genre_scores_gemma":[0.08968376,0.00026937522,0.000021685475,0.00006544271,0.0005865296,6.5666467e-7,0.00036994845,0.00004738837,0.9089552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979285,0.000057707126,0.00020394499,0.00045505018,0.00081202935,0.00054274313],"domain_scores_gemma":[0.99868107,0.000074555224,0.00020712582,0.00039193174,0.00046750566,0.00017780565],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036907409,0.00025528437,0.00051703484,0.00029896063,0.0011313339,0.00039860708,0.0012822769,0.0002309904,0.03487732],"category_scores_gemma":[0.000012090291,0.00029050626,0.00030638033,0.000002422782,0.0023884925,0.0014031382,0.0014262088,0.00067465054,0.0010562533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042248153,0.000054622884,0.0000034981317,0.00007304601,0.00017612173,0.00009438606,0.021473905,9.435483e-8,0.0000036700555,0.7691045,0.20745659,0.0015173659],"study_design_scores_gemma":[0.000398255,0.00014640547,0.000086461056,0.00011350671,0.000053769596,0.000001970229,0.013453099,0.000008485613,0.000002547403,0.11543323,0.86997163,0.00033061786],"about_ca_topic_score_codex":0.014634279,"about_ca_topic_score_gemma":0.03426364,"teacher_disagreement_score":0.66251504,"about_ca_system_score_codex":0.00007369273,"about_ca_system_score_gemma":0.00063903845,"threshold_uncertainty_score":0.9999547},"labels":[],"label_agreement":null},{"id":"W7140284018","doi":"10.3138/jcs-2024-0034","title":"Applied Ethics of Public Art: Reflexivity, Social Support Structures, and Anti-Colonial Obligations","year":2025,"lang":"fr","type":"article","venue":"Journal of Canadian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Reflexivity; Acknowledgement; Meta-ethics; Information ethics; Applied ethics; Normative; Situated; Nursing ethics","score_opus":0.1665112008778128,"score_gpt":0.3722581291497521,"score_spread":0.2057469282719393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140284018","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12937696,0.036174737,0.000064273336,0.43088278,0.00855242,0.0004544575,0.0018015549,0.000018487379,0.39267433],"genre_scores_gemma":[0.9597279,0.004428525,0.00009275353,0.002405213,0.0016434962,0.0000022263328,0.0000067812953,0.0000145828635,0.03167853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983686,0.000117024356,0.00066260964,0.00012688781,0.0002830789,0.00044177822],"domain_scores_gemma":[0.9980645,0.000235512,0.00042479407,0.00009594795,0.0009277444,0.0002514852],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007683764,0.00018781635,0.000599008,0.00091564265,0.0013401501,0.00015493529,0.0001543517,0.00019645941,0.0001408736],"category_scores_gemma":[0.00027090075,0.00018096417,0.00013899637,0.000027736638,0.001955553,0.00019968083,0.000069421665,0.00067285093,0.0000034791888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007827063,0.000026402719,0.00035337842,0.00023852609,0.0007486345,0.000022345057,0.08981976,0.0000018900769,0.0000106623065,0.74934036,0.15773486,0.0016953804],"study_design_scores_gemma":[0.00044660506,0.0000883864,0.006338455,0.00008537988,0.0003316664,0.000018175813,0.011549986,0.0000013770795,0.00003195176,0.08698142,0.8939904,0.00013621914],"about_ca_topic_score_codex":0.023829093,"about_ca_topic_score_gemma":0.8246759,"teacher_disagreement_score":0.83035094,"about_ca_system_score_codex":0.000261305,"about_ca_system_score_gemma":0.0029103763,"threshold_uncertainty_score":0.99995995},"labels":[],"label_agreement":null},{"id":"W7140288390","doi":"10.3138/jcs-2025-1126","title":"What Ethics for Public Art in Canada? Reciprocities, Communities, and Counter-Practices","year":2025,"lang":"fr","type":"article","venue":"Journal of Canadian Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Public art; Information ethics; Context (archaeology)","score_opus":0.3175897927535728,"score_gpt":0.3693308070384762,"score_spread":0.05174101428490341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140288390","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018679732,0.47169524,0.00001271049,0.45039463,0.013228666,0.00034592286,0.0007431733,0.000004613177,0.04489532],"genre_scores_gemma":[0.4258483,0.36219585,0.000116810435,0.035454154,0.0015393619,0.000024353127,0.00001865712,0.0000384212,0.1747641],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980286,0.00024079412,0.00073335,0.00010965292,0.00025880488,0.0006288367],"domain_scores_gemma":[0.99537575,0.0022362506,0.000641184,0.00015870949,0.0012843144,0.00030377597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001319005,0.00023022592,0.00060473674,0.00087968225,0.0011348885,0.00064689654,0.0002451141,0.00012402356,0.00007232827],"category_scores_gemma":[0.0010163498,0.00022796793,0.0000813508,0.000020623926,0.0008814728,0.0012848611,0.00006066592,0.0009559143,9.846311e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038451515,0.00003019209,0.0018247708,0.00097254623,0.0010152154,0.00010258743,0.23920555,0.000005343476,1.7264435e-7,0.23035344,0.5222542,0.004197485],"study_design_scores_gemma":[0.0003651933,0.00008579664,0.00020259435,0.0011068571,0.000118453565,0.00002578181,0.35775036,0.000020943511,0.0000010595458,0.0056415573,0.63455385,0.00012755167],"about_ca_topic_score_codex":0.9957704,"about_ca_topic_score_gemma":0.9999971,"teacher_disagreement_score":0.41494048,"about_ca_system_score_codex":0.002395851,"about_ca_system_score_gemma":0.017012607,"threshold_uncertainty_score":0.98856},"labels":[],"label_agreement":null},{"id":"W7153176170","doi":"10.21220/220","title":"Shared Ideologies","year":2021,"lang":"en","type":"article","venue":"William & Mary School of Arts & Sciences","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Indigenous; Power (physics); Work (physics)","score_opus":0.07979058796327183,"score_gpt":0.2833776921907804,"score_spread":0.2035871042275086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153176170","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17870724,0.0028837714,0.000047509337,0.00390901,0.00185494,0.00015520373,0.00012444635,0.00016297308,0.8121549],"genre_scores_gemma":[0.9438136,0.00013843078,0.00084056566,0.0019762588,0.0005807012,0.0000072717944,0.000017068942,0.000009422299,0.05261669],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985419,0.000046022673,0.00031548186,0.00033959994,0.0003849386,0.0003720798],"domain_scores_gemma":[0.9991904,0.00010295408,0.00012149031,0.00026823094,0.00018401178,0.00013292569],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002854835,0.00014726627,0.00023696151,0.00009134098,0.000531305,0.0002632875,0.0003739811,0.000035129757,0.00534601],"category_scores_gemma":[0.00022196019,0.00011833957,0.00011284787,0.000011727405,0.0016459515,0.00084719155,0.00015727444,0.00010944173,0.0002507475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004045305,0.0004816037,0.06393509,0.00022186767,0.00015930748,0.00017326478,0.08216294,0.00020168663,0.0016325682,0.44729704,0.39559725,0.00809692],"study_design_scores_gemma":[0.00021585355,0.0001714002,0.020672277,0.00008396951,0.000028563292,0.000011454647,0.007825256,0.00007282662,0.0012959634,0.056714244,0.9125996,0.00030857426],"about_ca_topic_score_codex":0.00031051933,"about_ca_topic_score_gemma":0.0029747267,"teacher_disagreement_score":0.7651064,"about_ca_system_score_codex":0.000018758126,"about_ca_system_score_gemma":0.00029751263,"threshold_uncertainty_score":0.9955632},"labels":[],"label_agreement":null},{"id":"W7155155352","doi":"10.1515/9781988111926-009","title":"6 The SBC Gallery’s Shift Toward Latin American and Latinx Canadian Art as a Statement","year":2025,"lang":"","type":"book-chapter","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Latin Americans; Statement (logic)","score_opus":0.04115946428598876,"score_gpt":0.25544224609304805,"score_spread":0.21428278180705929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155155352","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018764324,0.00045267673,0.000041630406,0.016518062,0.0007914072,0.00082546525,0.0007657535,0.0000605879,0.98035675],"genre_scores_gemma":[0.13296211,0.003757142,0.00006671227,0.007789906,0.00067621557,0.000039537128,0.00010936015,0.00007244185,0.8545266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650645,0.00006506795,0.0010363981,0.0007427426,0.0004554785,0.0011938565],"domain_scores_gemma":[0.99760336,0.00032503883,0.00039130743,0.0006563053,0.00020531367,0.0008186666],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032001195,0.0008197722,0.00077150046,0.00028635436,0.0025527296,0.0011406097,0.0003831142,0.0001749354,0.0127446065],"category_scores_gemma":[0.000039063878,0.00061982294,0.00026253224,0.0000025676213,0.002382782,0.00012465713,0.00024475146,0.000624054,0.00067947875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021656084,0.000016542579,0.000054564956,0.00006423364,0.0003973867,0.000027700577,0.044618417,8.6050943e-7,6.109687e-8,0.8920356,0.053370643,0.009392315],"study_design_scores_gemma":[0.00028022603,0.00029938333,0.00024232655,0.00016139416,0.00018089116,0.0000016167377,0.0071200426,0.00010225109,0.0000011210293,0.058747903,0.9321622,0.0007005899],"about_ca_topic_score_codex":0.60673326,"about_ca_topic_score_gemma":0.9814215,"teacher_disagreement_score":0.87879163,"about_ca_system_score_codex":0.0003171081,"about_ca_system_score_gemma":0.0014919818,"threshold_uncertainty_score":0.9998963},"labels":[],"label_agreement":null},{"id":"W7155420575","doi":"10.3917/etr.0821.0121x","title":"Emmanuel Toniutti , Paul Tillich et l’art expressionniste , Sainte-Foy, Presses de l’Université Laval. 21 cm. 276 p. 2005. ISBN 2-7637-8246-9","year":2007,"lang":"fr","type":"article","venue":"Études théologiques et religieuses","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Context (archaeology); Exposition (narrative); Perspective (graphical)","score_opus":0.0323506765116702,"score_gpt":0.28617521559941533,"score_spread":0.25382453908774516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155420575","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05673331,0.06285353,0.0017070178,0.03016791,0.0022560817,0.0010375468,0.0009510852,0.0013037444,0.8429898],"genre_scores_gemma":[0.4208968,0.19522715,0.0025125332,0.010118793,0.0022421288,0.000054485256,0.0003641249,0.00026320512,0.3683208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99445075,0.0007310321,0.001034901,0.0010510755,0.0005770934,0.002155162],"domain_scores_gemma":[0.9958505,0.0014099986,0.0005386799,0.0010903223,0.0004730683,0.000637439],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019025212,0.0010067859,0.0009545216,0.00033701176,0.0009541867,0.00068995735,0.0011185859,0.00083455094,0.002232251],"category_scores_gemma":[0.0004728569,0.0009476446,0.00052156375,0.00002166646,0.0013251242,0.0010014377,0.00080501626,0.0012327941,0.0005336881],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021793689,0.0006228697,0.000761869,0.0003315753,0.00027153658,0.0005251174,0.025461223,0.00008991368,0.000546726,0.30267012,0.6678268,0.0006743507],"study_design_scores_gemma":[0.0006892551,0.00067088276,0.0010423701,0.0008616836,0.0002994611,0.00014104307,0.006350455,0.000026695987,0.012478667,0.01288135,0.9634836,0.0010745719],"about_ca_topic_score_codex":0.013413355,"about_ca_topic_score_gemma":0.08687071,"teacher_disagreement_score":0.47466898,"about_ca_system_score_codex":0.0005956993,"about_ca_system_score_gemma":0.0011404086,"threshold_uncertainty_score":0.9992974},"labels":[],"label_agreement":null},{"id":"W7160848646","doi":"10.1386/btwo_00117_1","title":"The Gallery","year":2025,"lang":"en","type":"article","venue":"Book 2 0","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Cape Breton University","funders":"","keywords":"Battle; Resentment; Sculpture; Downtown; Art gallery; Painting","score_opus":0.03141827269229668,"score_gpt":0.2468122582045897,"score_spread":0.21539398551229302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160848646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030362964,0.0009157624,0.000045756024,0.0024995215,0.00052967237,0.000050453906,0.000004372095,0.000045482895,0.99560535],"genre_scores_gemma":[0.120346166,0.00008179036,0.000003617294,0.004530151,0.00034972798,0.000007678073,0.0000014542321,0.000003990075,0.87467545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969506,0.000009726867,0.00007050528,0.000056237284,0.000043557953,0.00012488374],"domain_scores_gemma":[0.99976593,0.000051161784,0.000012247523,0.00013171636,0.000022786126,0.000016155493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000045976543,0.000041925847,0.000041410723,0.0000135856,0.00046015263,0.00008806404,0.00008494695,0.00001112871,0.00042358204],"category_scores_gemma":[0.000010483838,0.000026826132,0.00003487736,2.9870128e-7,0.00016728364,0.00004266432,0.000027001044,0.000043536085,0.0001833658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001574218,0.000004533847,0.000008722363,0.000002598815,0.000009481651,5.0280335e-7,0.007208949,1.4617052e-7,0.0000014457888,0.6309736,0.36050597,0.0012824845],"study_design_scores_gemma":[0.000056007902,0.0000053708304,0.00007930971,0.0000065142704,0.0000056553613,1.3637583e-7,0.00054552767,0.000020555404,0.000028658316,0.036210883,0.96300787,0.000033519926],"about_ca_topic_score_codex":0.00011840089,"about_ca_topic_score_gemma":0.0029794155,"teacher_disagreement_score":0.60250187,"about_ca_system_score_codex":0.000010275308,"about_ca_system_score_gemma":0.00003466059,"threshold_uncertainty_score":0.46379262},"labels":[],"label_agreement":null},{"id":"W7161966736","doi":"10.82308/39481","title":"Erika Mann et Pauline Julien : voix parallèles dans l'exil et l'engagement","year":2006,"lang":"de","type":"dissertation","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Parallels; Order (exchange); Work (physics); Point (geometry)","score_opus":0.047388747326726315,"score_gpt":0.3027576059820603,"score_spread":0.255368858655334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161966736","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036824595,0.002202513,0.0018824552,0.0034484519,0.0036782345,0.0012062362,0.0024711827,0.0004525725,0.9478338],"genre_scores_gemma":[0.20526527,0.0013565951,0.00044375003,0.0045136604,0.0018992135,0.00012889724,0.023286767,0.00016698551,0.76293886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960176,0.00036193398,0.0011221941,0.0008748023,0.0006775003,0.0009459862],"domain_scores_gemma":[0.9981471,0.00017069922,0.00047297636,0.00067649665,0.00029908575,0.00023366479],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00059316546,0.00094111275,0.00080880744,0.0002464135,0.0010884369,0.0007642072,0.00047685255,0.0003815707,0.005009187],"category_scores_gemma":[0.000037299855,0.0008500349,0.0004758451,0.000006053717,0.00029061778,0.00034638934,0.00012130777,0.0008316489,0.0018342928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007408599,0.00071604585,0.00017211022,0.00052427896,0.00047993523,0.00006354822,0.24241002,0.0002605551,0.000051522304,0.53877646,0.21587074,0.00060070585],"study_design_scores_gemma":[0.00073468464,0.00023271989,0.0027180514,0.00022250638,0.0005591862,0.0000022517706,0.0244384,0.00047353498,0.00018915422,0.008666301,0.9606694,0.0010938112],"about_ca_topic_score_codex":0.016460994,"about_ca_topic_score_gemma":0.293569,"teacher_disagreement_score":0.74479866,"about_ca_system_score_codex":0.00014021652,"about_ca_system_score_gemma":0.00035664087,"threshold_uncertainty_score":0.999395},"labels":[],"label_agreement":null},{"id":"W7162703108","doi":"","title":"Sculpture of the Holy Family","year":2025,"lang":"","type":"article","venue":"University of North Florida Digital Commons (University of North Florida)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Vision; Cove; Adoration; Ridiculous","score_opus":0.019097997155728515,"score_gpt":0.18028322161145025,"score_spread":0.16118522445572173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162703108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8783281,0.00034298666,0.00080554193,0.000936871,0.0015098989,0.0006151582,0.006058822,0.00007153088,0.11133112],"genre_scores_gemma":[0.9558138,0.00034924745,0.0000607396,0.00011353922,0.00016474385,6.666388e-8,0.00019826839,0.000031079875,0.043268517],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99675965,0.00015060458,0.00059611007,0.0007503193,0.0009362233,0.0008070992],"domain_scores_gemma":[0.99570304,0.00027959977,0.0009620574,0.0015432864,0.0011864826,0.00032551558],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0001473925,0.0006650117,0.0013034317,0.0007218191,0.002122652,0.000093358736,0.0027243588,0.00026788155,0.0002407554],"category_scores_gemma":[0.00005414383,0.0007841067,0.0014014288,0.00021350992,0.0047775647,0.0015198081,0.0019412951,0.00082007603,0.000039524253],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001814921,0.0015414731,0.7984137,0.0018152841,0.0031543223,0.00018608314,0.07893569,0.001347142,0.000024147379,0.045848876,0.051739655,0.015178723],"study_design_scores_gemma":[0.0018255442,0.00029484543,0.6767815,0.00038389573,0.0008622127,0.0000024154094,0.01399997,0.0002913902,0.000013554643,0.0003510728,0.30460647,0.0005871511],"about_ca_topic_score_codex":0.0063020918,"about_ca_topic_score_gemma":0.09392613,"teacher_disagreement_score":0.2528668,"about_ca_system_score_codex":0.00024124926,"about_ca_system_score_gemma":0.00091725204,"threshold_uncertainty_score":0.999461},"labels":[],"label_agreement":null},{"id":"W7164719416","doi":"","title":"Collective : Miranda Bellamy and Amanda Fauteux at the Art Gallery of Grande Prairie","year":2023,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Exhibition; Photography; Visibility","score_opus":0.035148535021652064,"score_gpt":0.24200595074163006,"score_spread":0.206857415719978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164719416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00095748366,0.0019044913,0.000046629306,0.0009556696,0.0017591859,0.001258391,0.0011774597,0.00023287283,0.9917078],"genre_scores_gemma":[0.005504761,0.0006759353,0.000012183242,0.00086718425,0.001465603,0.00011420898,0.00034476595,0.00021785819,0.9907975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99657345,0.00017299343,0.0008888275,0.0008554936,0.00066932815,0.0008398863],"domain_scores_gemma":[0.9973509,0.00061152107,0.0005701662,0.00086990045,0.00034489596,0.00025261918],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005190879,0.0008106414,0.0011391965,0.00027382252,0.0014886181,0.00020999557,0.00046128672,0.00038872502,0.0054077692],"category_scores_gemma":[0.0000696445,0.0006323291,0.00050469616,0.00001444261,0.0024384235,0.00020864708,0.00038856352,0.0006920901,0.0020027652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014823591,0.00007566362,0.000015231987,0.00023955232,0.00050719216,0.000035960595,0.12067004,0.0000018029139,0.0000072664616,0.020823557,0.8562308,0.0012447158],"study_design_scores_gemma":[0.0012070984,0.0002945464,0.00030425622,0.00032156773,0.00035629165,0.000018591378,0.0009067316,0.000024872257,0.00003275441,0.069268785,0.9265966,0.0006679086],"about_ca_topic_score_codex":0.00026768842,"about_ca_topic_score_gemma":0.05607134,"teacher_disagreement_score":0.119763315,"about_ca_system_score_codex":0.00031826054,"about_ca_system_score_gemma":0.0008909542,"threshold_uncertainty_score":0.9998113},"labels":[],"label_agreement":null},{"id":"W7164961590","doi":"10.1080/17153379.2012.12556775","title":"Contemporary Chinese Visual Culture: Tradition, Modernity and Globalization.","year":2012,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Modernity; Visual culture","score_opus":0.037335997016584355,"score_gpt":0.25747425516270056,"score_spread":0.2201382581461162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164961590","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006849731,0.001598022,0.0012846704,0.00013932056,0.00066470937,0.00016854868,0.0001920853,0.00016416416,0.98893875],"genre_scores_gemma":[0.98637617,0.000043611468,0.00003872296,0.0000862223,0.001325198,0.000013563372,0.000177491,0.000020818099,0.011918204],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915665,0.000050378447,0.00019495978,0.00016502947,0.00015789876,0.00027510378],"domain_scores_gemma":[0.99951005,0.000023703873,0.000068858186,0.00012919781,0.00007045252,0.00019773688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011944864,0.0001767418,0.00017290394,0.000041146563,0.00040721614,0.00011134119,0.00006295885,0.000056356435,0.00038539714],"category_scores_gemma":[0.0000253211,0.00014076458,0.000057384965,0.0000036839585,0.00033329026,0.0005958701,0.000025740392,0.00008960789,0.00008726519],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029679039,0.0003907286,0.01061093,0.00008147033,0.000086708846,0.0000035898524,0.5639286,0.0000030010358,0.000030655156,0.3054075,0.11904903,0.00037811243],"study_design_scores_gemma":[0.0010660329,0.00014291203,0.0028683,0.000034691588,0.000063015876,0.00002868291,0.3143614,0.0015435446,0.000055498433,0.029861309,0.64918846,0.00078614656],"about_ca_topic_score_codex":0.00012008406,"about_ca_topic_score_gemma":0.00011209447,"teacher_disagreement_score":0.97952646,"about_ca_system_score_codex":0.000028432958,"about_ca_system_score_gemma":0.000030211422,"threshold_uncertainty_score":0.5740213},"labels":[],"label_agreement":null},{"id":"W7165251552","doi":"","title":"Joyce Wieland: Life &amp; Work","year":2014,"lang":"","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Work (physics); Nationalism; Range (aeronautics)","score_opus":0.06312312262691555,"score_gpt":0.2519632663048861,"score_spread":0.18884014367797053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165251552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011991635,0.0007999806,0.0042367293,0.0029130843,0.002801542,0.00022967161,0.000038260314,0.00019228709,0.9767968],"genre_scores_gemma":[0.5335443,0.00012037364,0.00013015236,0.0069764215,0.004191178,0.0000065997206,0.000018950406,0.000038101734,0.4549739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755895,0.00013795368,0.0005884078,0.00047506925,0.00033936332,0.00090023683],"domain_scores_gemma":[0.9981934,0.0002307097,0.0001528723,0.00070505874,0.00015155207,0.0005664064],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035132244,0.0004114026,0.0004766714,0.000103986466,0.0010133267,0.0006150366,0.00033234933,0.00018189558,0.03161885],"category_scores_gemma":[0.00016311494,0.00035421373,0.00025605518,0.0000033405465,0.0006386157,0.00026809747,0.00015868183,0.00034037433,0.0076053264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004338858,0.00019339334,0.00071951473,0.00007774511,0.00012971391,0.0000015732165,0.122280635,0.000013298282,0.0000023845157,0.5225157,0.3499708,0.0040518623],"study_design_scores_gemma":[0.0005595449,0.00010794113,0.0004790188,0.000069656584,0.00010002724,0.0000017614108,0.0014162951,0.0001551308,0.0000099827175,0.016968764,0.97959507,0.00053681387],"about_ca_topic_score_codex":0.0017221924,"about_ca_topic_score_gemma":0.011056186,"teacher_disagreement_score":0.6296243,"about_ca_system_score_codex":0.000035279223,"about_ca_system_score_gemma":0.00011406358,"threshold_uncertainty_score":0.999891},"labels":[],"label_agreement":null},{"id":"W7165513008","doi":"","title":"Exhibiting the Exhibition and Other Contemporary Art Reconstruction Activities","year":2023,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Reflexivity; Performative utterance; Contemporary art; Theme (computing); Phenomenon","score_opus":0.06463976215157277,"score_gpt":0.2465456626287094,"score_spread":0.18190590047713662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165513008","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001275638,0.0011498281,0.00007009057,0.0008381916,0.00262604,0.00073968427,0.00066336006,0.0005296871,0.99210745],"genre_scores_gemma":[0.024765389,0.00018441647,0.000016656939,0.0020949326,0.0055247084,0.00009521505,0.00025807516,0.00023549961,0.9668251],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972884,0.00017802519,0.0007191814,0.00073231175,0.0004503738,0.0006316904],"domain_scores_gemma":[0.99815345,0.0004268276,0.0005411197,0.0005938256,0.00012024241,0.00016453462],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00054746796,0.00066237437,0.00067900564,0.00026532332,0.0013738143,0.0006291752,0.00023557481,0.00034303966,0.00314297],"category_scores_gemma":[0.00004409768,0.000549817,0.0003070753,0.000006593956,0.0015921559,0.00063353224,0.00014160562,0.0008013475,0.0020268986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042362903,0.00004193557,0.000014345736,0.00025658408,0.00024488335,0.00003019165,0.06259554,0.000001259313,0.000034073535,0.14228736,0.77822316,0.016228326],"study_design_scores_gemma":[0.00043974127,0.00010056508,0.000025252157,0.0006549883,0.00010500344,0.000060932944,0.0051051877,0.000075990196,0.0000332804,0.06720812,0.9255592,0.0006317459],"about_ca_topic_score_codex":0.00023355211,"about_ca_topic_score_gemma":0.004622585,"teacher_disagreement_score":0.14733605,"about_ca_system_score_codex":0.00015139312,"about_ca_system_score_gemma":0.00033933774,"threshold_uncertainty_score":0.99992627},"labels":[],"label_agreement":null},{"id":"W746471987","doi":"","title":"Ludmila Armata: Exit. Galerie D'Este, www.galeriedeste.com, May 7 - 24, 2009Galerie D'Este, www.galeriedeste.com, May 7 - 24, 2009","year":2009,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06934663680298506,"score_gpt":0.2810440199699293,"score_spread":0.21169738316694423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W746471987","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04512663,0.05613593,0.0010794275,0.023883823,0.019991335,0.003468917,0.0045567076,0.0019995263,0.8437577],"genre_scores_gemma":[0.211501,0.014598613,0.0012337955,0.011885017,0.007571519,0.00023799956,0.0008139578,0.00063324894,0.75152487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9866385,0.00074169255,0.003213161,0.0025897075,0.0018144569,0.005002504],"domain_scores_gemma":[0.9920603,0.00048403506,0.001298626,0.0030062995,0.0007777079,0.002373023],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0012325012,0.002898065,0.0027190133,0.001128302,0.0038685158,0.0025416254,0.001823248,0.0012627703,0.019673364],"category_scores_gemma":[0.0002730374,0.0030693791,0.0013359386,0.00019112964,0.0049733478,0.0037652245,0.0005721065,0.0021106328,0.006276234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038423555,0.0023465655,0.00092832005,0.0012823403,0.0005142263,0.0014414045,0.016225861,0.00018769751,0.00048206962,0.13041341,0.8319972,0.013796675],"study_design_scores_gemma":[0.0025094873,0.0014593033,0.0030722583,0.0016605526,0.00070724776,0.0005842011,0.0024445015,0.00041908567,0.001224986,0.013932946,0.968577,0.0034084322],"about_ca_topic_score_codex":0.0015310127,"about_ca_topic_score_gemma":0.0036708843,"teacher_disagreement_score":0.16637439,"about_ca_system_score_codex":0.0005817834,"about_ca_system_score_gemma":0.0007735977,"threshold_uncertainty_score":0.99849385},"labels":[],"label_agreement":null},{"id":"W76790758","doi":"","title":"Le trou à l’intérieur de l’espace à l’intérieur du trou du cul de Yves Klein. [William Pope. L, performance installation. Galerie VAV, Université Concordia, Montréal][William Pope. L, performance installation. Galerie VAV, Université Concordia, Montréal]","year":2000,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; INT; Humanities; Computer science","score_opus":0.008724224199168783,"score_gpt":0.18576824155818467,"score_spread":0.17704401735901587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W76790758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6737491,0.0043148985,0.0012136794,0.0076714237,0.0017476071,0.00094830943,0.0007878625,0.00042668986,0.30914044],"genre_scores_gemma":[0.7094622,0.014405831,0.0001957962,0.0023358273,0.0016783534,0.000028750625,0.00021634258,0.00020474159,0.27147213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99388224,0.0003896646,0.0013555734,0.0012746095,0.0008036596,0.0022942815],"domain_scores_gemma":[0.9959548,0.00028266036,0.00069580047,0.0011860023,0.0008474855,0.0010332471],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00050193444,0.0014283303,0.0013067,0.00048906816,0.0029787377,0.0008291823,0.0011518152,0.00065028825,0.009778241],"category_scores_gemma":[0.0000924138,0.0015913263,0.0007416709,0.00009939349,0.0019961586,0.0042620036,0.0005048149,0.0012277388,0.0011974673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033222577,0.0017673877,0.096802324,0.0010267213,0.0021241952,0.0009398778,0.20454024,0.01722398,0.00047490202,0.03671834,0.60106254,0.03399726],"study_design_scores_gemma":[0.004002654,0.00093652785,0.02608333,0.00041240713,0.0004346718,0.0002098364,0.008657258,0.015677562,0.00058614876,0.00026465236,0.9409992,0.0017357669],"about_ca_topic_score_codex":0.012823725,"about_ca_topic_score_gemma":0.033019405,"teacher_disagreement_score":0.33993667,"about_ca_system_score_codex":0.0015187806,"about_ca_system_score_gemma":0.0011318288,"threshold_uncertainty_score":0.99984664},"labels":[],"label_agreement":null},{"id":"W827446233","doi":"10.25071/1496-6778.8042","title":"Reluctance, Modernity's Curse: A Review of Ales Debeljak's \"Reluctant Modernity: The Institution of Art and its Historical Forms\"","year":2001,"lang":"en","type":"review","venue":"spacesofidentity net","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Institution; Curse; Aesthetics; Sociology; Philosophy; Epistemology; Social science; Anthropology","score_opus":0.09286065565801377,"score_gpt":0.30993615077195014,"score_spread":0.21707549511393637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W827446233","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000022478704,0.97235984,0.00017151677,0.0002825554,0.00063175854,0.0011045311,0.00040488775,0.000052633077,0.024969805],"genre_scores_gemma":[0.00023912959,0.97352916,0.000025593985,0.0001807741,0.0005025506,0.000077370416,0.0001576711,0.000055133463,0.025232607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969717,0.00021949798,0.00123012,0.00047758856,0.0006451202,0.0004559481],"domain_scores_gemma":[0.9974772,0.00012269433,0.0012161284,0.00068420713,0.00035504525,0.00014474362],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005991879,0.0005486097,0.002159034,0.00022207048,0.00039053382,0.00008766959,0.00054130505,0.00023266165,0.00031859474],"category_scores_gemma":[0.00022503325,0.00038183585,0.0006106708,0.000030612235,0.00066361605,0.0004783436,0.00024582673,0.00055132265,0.000059774415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030736162,0.0005196732,0.00002646092,0.3708476,0.0008400464,0.00003859746,0.008432839,0.0000045826055,7.3744604e-7,0.3847171,0.111243226,0.12329837],"study_design_scores_gemma":[0.00015486246,0.00006509358,0.000001966135,0.030169774,0.0015489433,0.000035833255,0.00006582209,0.00005094706,7.35798e-7,0.003711287,0.9638263,0.0003684332],"about_ca_topic_score_codex":0.0012503744,"about_ca_topic_score_gemma":0.010330903,"teacher_disagreement_score":0.85258305,"about_ca_system_score_codex":0.0003419378,"about_ca_system_score_gemma":0.00039437736,"threshold_uncertainty_score":0.9998633},"labels":[],"label_agreement":null},{"id":"W831789672","doi":"10.33137/q.i..v21i1.9419","title":"Avant-garde Literature and the Ecology of the Word","year":2000,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Avant garde; Word (group theory); Ecology; Art; Art history; History; Linguistics; Philosophy; Biology","score_opus":0.020408295564965286,"score_gpt":0.23087927250250842,"score_spread":0.21047097693754313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W831789672","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043057553,0.0007842928,0.000011810447,0.006597675,0.0008776417,0.00039696018,0.00031002625,0.000055908407,0.9479081],"genre_scores_gemma":[0.73617756,0.00006966852,0.000017686347,0.0014750554,0.00036716938,0.000008971219,0.0000065730064,0.000012991023,0.2618643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910754,0.00011508191,0.00022816882,0.00016515802,0.0001337363,0.0002503399],"domain_scores_gemma":[0.9993311,0.00018326532,0.00006637844,0.00031425426,0.00005423639,0.000050750557],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001324904,0.00013769254,0.00020722962,0.000018532226,0.00044434943,0.0001262029,0.0002334445,0.00006186647,0.0137980655],"category_scores_gemma":[0.000064643995,0.000071626084,0.00009921571,0.0000013604426,0.0016759518,0.000058587953,0.00004562594,0.00018529905,0.00027242638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103905426,0.00008151506,0.00016717649,0.00007338646,0.000088370994,0.000008666933,0.3780852,0.000002388316,0.000007203258,0.5876391,0.029800225,0.003942875],"study_design_scores_gemma":[0.00042632286,0.00004136785,0.0010264736,0.000038384176,0.00006821905,0.000015475118,0.0009806202,0.00013095084,0.000024264858,0.04721765,0.94991285,0.00011745472],"about_ca_topic_score_codex":0.00016871619,"about_ca_topic_score_gemma":0.003464538,"teacher_disagreement_score":0.9201126,"about_ca_system_score_codex":0.000010838885,"about_ca_system_score_gemma":0.00003045948,"threshold_uncertainty_score":0.98710346},"labels":[],"label_agreement":null},{"id":"W8362430","doi":"10.1161/01.str.24.9.1352","title":"Jerome Andrews: Surreal Shorelines. Citadel Gallery, October 17 - November 17, 2008Citadel Gallery, October 17 - November 17, 2008","year":2009,"lang":"en","type":"article","venue":"Vie des arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Heart, Lung, and Blood Institute","keywords":"Shore; Archaeology; Geography; Art history; History; Art; Geology; Oceanography","score_opus":0.06270256826949736,"score_gpt":0.2745555060820925,"score_spread":0.21185293781259515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W8362430","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0797002,0.0035309293,0.0004514393,0.0038451278,0.002038012,0.0011780916,0.0009913848,0.0007236277,0.9075412],"genre_scores_gemma":[0.4590926,0.00072936935,0.00051243743,0.013847496,0.005345852,0.00008002305,0.00060930225,0.00022848592,0.51955444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994481,0.00009650344,0.0013180767,0.0011779035,0.00093884225,0.0019876286],"domain_scores_gemma":[0.9971439,0.00017120215,0.0003619209,0.001158829,0.00051820686,0.00064592913],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043742143,0.0010830305,0.0010988688,0.0004287126,0.0011647105,0.0006907658,0.000634116,0.00041447152,0.012920515],"category_scores_gemma":[0.00007526718,0.0009810603,0.0006271075,0.00004280522,0.0010955547,0.0011377891,0.0002145275,0.00067137607,0.0010238368],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008484247,0.0007957479,0.0004649129,0.000052666273,0.00019249582,0.00014366872,0.02192653,0.00012720915,0.00017452514,0.008901167,0.96581936,0.0013169046],"study_design_scores_gemma":[0.0015734427,0.00029015375,0.003135872,0.00018185753,0.00016228187,0.00010429363,0.0007017157,0.0006053674,0.00008176787,0.0062059914,0.9856023,0.0013549075],"about_ca_topic_score_codex":0.0015991417,"about_ca_topic_score_gemma":0.032793615,"teacher_disagreement_score":0.38798675,"about_ca_system_score_codex":0.0001896025,"about_ca_system_score_gemma":0.0002335783,"threshold_uncertainty_score":0.99975395},"labels":[],"label_agreement":null},{"id":"W8458067","doi":"10.1525/aft.2008.36.1.22","title":"Art of Appropriation","year":2008,"lang":"en","type":"article","venue":"Afterimage","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Appropriation; Art; Visual arts; Art history; History; World Wide Web; Computer science","score_opus":0.049724567416995276,"score_gpt":0.2279482802207522,"score_spread":0.17822371280375693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W8458067","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2751296,0.000054568853,0.00066260155,0.00016749508,0.00028435976,0.00008839671,0.000040779163,0.000055940203,0.7235163],"genre_scores_gemma":[0.9194023,0.0000126698105,0.0001780781,0.00030276866,0.0003057059,0.0000052214004,0.000016195401,0.000008132662,0.079768926],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962366,0.000009978586,0.00011460426,0.0000715935,0.00007938719,0.00010079984],"domain_scores_gemma":[0.99976665,0.000008589023,0.00003975962,0.00011689184,0.00004343758,0.000024698993],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000031626798,0.000051372266,0.00008209672,0.000027394724,0.00008258305,0.000010706417,0.000047426573,0.0000143694415,0.0010514879],"category_scores_gemma":[0.000007563473,0.00004600248,0.0000377576,6.347839e-7,0.00019108881,0.000120139484,0.000016444043,0.00002938943,0.0002462179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059347123,0.00035517017,0.0015521186,0.00014006582,0.000064427724,0.000042603624,0.60876656,0.0000026816194,0.0068317032,0.21446785,0.16494477,0.0027727168],"study_design_scores_gemma":[0.00020374871,0.000058861082,0.0025319783,0.000007869655,0.000009494375,0.0000049063465,0.0004632339,0.000047687394,0.0028605838,0.0026371186,0.9910681,0.000106363965],"about_ca_topic_score_codex":0.00013256496,"about_ca_topic_score_gemma":0.00025351372,"teacher_disagreement_score":0.82612336,"about_ca_system_score_codex":0.0000074944996,"about_ca_system_score_gemma":0.00001516667,"threshold_uncertainty_score":0.99986166},"labels":[],"label_agreement":null},{"id":"W850117366","doi":"","title":"Films on art and/or art on film : Jacques Giraldeau's cinematic vision of the 1960s","year":2005,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Visual arts; Art history; Film director; Movie theater","score_opus":0.03932511664833143,"score_gpt":0.2880760670634319,"score_spread":0.24875095041510048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W850117366","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25101605,0.000057604975,6.456126e-7,0.0004444607,0.00077704457,0.00052286556,0.00005200056,0.00005110906,0.74707824],"genre_scores_gemma":[0.45672724,0.00012716837,0.0000026362425,0.00004562054,0.00046043016,0.00000275289,0.00006429524,0.000031195,0.54253864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730927,0.00039884658,0.00034155286,0.0005333885,0.00084987056,0.00056708994],"domain_scores_gemma":[0.9982143,0.00038955695,0.00026454375,0.0007079379,0.00023309873,0.00019054161],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002869872,0.00033775336,0.0004635333,0.0007599316,0.0011324384,0.0001868233,0.0005881063,0.00021521209,0.0010848747],"category_scores_gemma":[0.00008927087,0.0002525062,0.00025096477,0.000035380315,0.0007005236,0.0002207003,0.0001250804,0.0009164788,0.0001447593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004263251,0.0012881549,0.0012929011,0.0020835858,0.00072882854,0.00064464763,0.07049943,0.00006617366,0.0015001191,0.40765056,0.5084704,0.0015119134],"study_design_scores_gemma":[0.0008688484,0.0022359516,0.008459939,0.0015294487,0.00014271433,0.000008597984,0.01435768,0.00018703588,0.008459072,0.0014523212,0.9617508,0.0005476101],"about_ca_topic_score_codex":0.003199407,"about_ca_topic_score_gemma":0.115333274,"teacher_disagreement_score":0.45328033,"about_ca_system_score_codex":0.00023978842,"about_ca_system_score_gemma":0.0004651689,"threshold_uncertainty_score":0.9999927},"labels":[],"label_agreement":null},{"id":"W895068847","doi":"","title":"Micro-Strategies of Resistance (1). (Discussion Papers/Documents De Travail)","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Politics; Sociology; Context (archaeology); Power (physics); Resistance (ecology); Humanities; Architecture; Representation (politics); Political science; Law; History; Art; Philosophy; Visual arts; Linguistics","score_opus":0.09508168946742634,"score_gpt":0.3408177661072652,"score_spread":0.24573607663983887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W895068847","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.090599015,0.0014812028,0.000014420104,0.0009911857,0.00009561976,0.00045297848,0.00023712224,0.000055203935,0.9060733],"genre_scores_gemma":[0.653202,0.00011484426,0.00010900017,0.000053867618,0.00034635037,0.00004769163,0.000009818248,0.000026720198,0.34608972],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979348,0.00014754236,0.0003370339,0.00030166362,0.00051542145,0.0007635174],"domain_scores_gemma":[0.9989491,0.00026998832,0.000085951615,0.00035920972,0.00017746442,0.00015826811],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007827879,0.00015581383,0.00023658136,0.0001659048,0.0008204906,0.0002837381,0.0004187332,0.00008463741,0.0014525721],"category_scores_gemma":[0.000089721485,0.00011140548,0.00013822984,0.000009931052,0.0012759306,0.00011817393,0.0000818158,0.0002416092,0.0000584307],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029399758,0.00043709477,0.00034206826,0.00089533045,0.000111595546,0.000017175751,0.70756775,0.0000037915636,0.0071200705,0.108861595,0.1694095,0.0049400195],"study_design_scores_gemma":[0.00042400666,0.00019996909,0.00010182043,0.00010490293,0.000012527574,0.0000018065118,0.05500879,0.000051350977,0.0013616187,0.004692821,0.93790424,0.00013612899],"about_ca_topic_score_codex":0.0003371168,"about_ca_topic_score_gemma":0.0030003262,"teacher_disagreement_score":0.7684947,"about_ca_system_score_codex":0.00008408666,"about_ca_system_score_gemma":0.000058070535,"threshold_uncertainty_score":0.9994602},"labels":[],"label_agreement":null},{"id":"W92663361","doi":"","title":"La tridimensionnalité dans l’enseignement des arts plastiques à l’école : 1950-1980","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy","score_opus":0.017192083674748726,"score_gpt":0.19050900253704758,"score_spread":0.17331691886229886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W92663361","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5263786,0.070537895,0.001604002,0.018659586,0.0010272221,0.0004638339,0.00044930066,0.00031158596,0.38056803],"genre_scores_gemma":[0.3913988,0.015036556,0.00041229476,0.0010372379,0.0007771236,0.000009902209,0.00006288143,0.000072659954,0.59119254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976361,0.00021599446,0.00033484978,0.0004811206,0.0003534372,0.0009785045],"domain_scores_gemma":[0.99856824,0.00018224886,0.00018772687,0.0004249433,0.00017589539,0.00046092476],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026145644,0.000446426,0.000422024,0.00019979465,0.0024364346,0.00010534517,0.00027839516,0.0002605432,0.0012545412],"category_scores_gemma":[0.000026034251,0.00050417904,0.00030451157,0.000018945777,0.0010246354,0.00038133713,0.00027671573,0.00031841398,0.0003639352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022072076,0.00050263864,0.00037995708,0.00012837391,0.00032702796,0.006363331,0.10874755,0.00020570212,0.00020971963,0.7314985,0.1334939,0.01792262],"study_design_scores_gemma":[0.0011804037,0.00030753732,0.0011906328,0.0002179533,0.00035753776,0.0007173326,0.013719939,0.0007826503,0.00028232325,0.011445217,0.9692514,0.00054710143],"about_ca_topic_score_codex":0.05125701,"about_ca_topic_score_gemma":0.5846494,"teacher_disagreement_score":0.8357575,"about_ca_system_score_codex":0.0052113356,"about_ca_system_score_gemma":0.00011126866,"threshold_uncertainty_score":0.99974096},"labels":[],"label_agreement":null},{"id":"W941557834","doi":"","title":"LibGuides: Canadian Art: Artist Files & Archives","year":2011,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Art history; World Wide Web; Computer science","score_opus":0.058774541863167856,"score_gpt":0.23655769498043477,"score_spread":0.17778315311726692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W941557834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010068388,0.00086966314,0.000027414053,0.0009410014,0.0026118266,0.00024336677,0.0029704643,0.0002288667,0.9920973],"genre_scores_gemma":[0.0019604063,0.0006189922,0.00023667615,0.0065000234,0.006445412,0.000044049913,0.001805548,0.00013198431,0.9822569],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978542,0.000050541697,0.0005134413,0.00047069456,0.00019754708,0.0009135937],"domain_scores_gemma":[0.99851114,0.0001125339,0.0001504269,0.0005777896,0.00007555284,0.0005725565],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007213272,0.00049186905,0.0005128149,0.0004345287,0.0006255864,0.00037399383,0.0005225227,0.00020714628,0.06039891],"category_scores_gemma":[0.000045189667,0.00042303302,0.0002757747,0.0000015064228,0.00093383645,0.00017445967,0.00008663994,0.00042307758,0.00408852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020151135,0.00001706726,0.000007205777,0.000066801396,0.00007295956,0.000027816952,0.044600893,1.1539391e-7,1.773485e-7,0.21752529,0.7365324,0.0011472887],"study_design_scores_gemma":[0.00009084025,0.000055620858,0.000026320746,0.0001411207,0.000072697054,0.0000060564735,0.0014642727,0.000014280775,0.000013221176,0.032260727,0.9652877,0.0005671857],"about_ca_topic_score_codex":0.5065776,"about_ca_topic_score_gemma":0.9821326,"teacher_disagreement_score":0.475555,"about_ca_system_score_codex":0.00006117503,"about_ca_system_score_gemma":0.00080652704,"threshold_uncertainty_score":0.99982214},"labels":[],"label_agreement":null},{"id":"W94458218","doi":"","title":"Cal M. Logue, Ralph McGill collection, 1957-1983","year":2008,"lang":"en","type":"article","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.0881005440330758,"score_gpt":0.2443970605479562,"score_spread":0.1562965165148804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W94458218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018056009,0.00004714862,0.00015742895,0.00079639937,0.0008061008,0.00011729648,0.000067090725,0.00022258138,0.97972995],"genre_scores_gemma":[0.52283937,0.000034390854,0.00005681091,0.0020124246,0.00053682504,0.0000068796585,0.00001336434,0.0000122856245,0.47448763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992236,0.000021171787,0.00017808554,0.00016570027,0.00013144636,0.00028002338],"domain_scores_gemma":[0.9995866,0.0000322325,0.000031506344,0.00015243012,0.000099248915,0.00009797385],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004440248,0.00011668511,0.00013949742,0.00006427522,0.0010693027,0.00002669838,0.00008270008,0.000043083335,0.0057090768],"category_scores_gemma":[0.000016178554,0.00009789846,0.000076778415,0.0000023120435,0.00031159187,0.00013741288,0.000029631616,0.00009000353,0.0006764263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010032704,0.000087845096,0.00021835414,0.000008096845,0.000028968434,0.000018139124,0.029849699,0.0000035933745,0.00001044382,0.31970865,0.6499113,0.00014488386],"study_design_scores_gemma":[0.00028683819,0.00005962702,0.00030270644,0.0000028295613,0.0000105295985,0.000025632711,0.0007056874,0.000119717304,0.0002206394,0.004163872,0.9939442,0.00015768259],"about_ca_topic_score_codex":0.0049649947,"about_ca_topic_score_gemma":0.02437128,"teacher_disagreement_score":0.50524235,"about_ca_system_score_codex":0.00004191526,"about_ca_system_score_gemma":0.000042803742,"threshold_uncertainty_score":0.99519986},"labels":[],"label_agreement":null},{"id":"W947944619","doi":"","title":"Order/Disorder: a sculpture show","year":2008,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Order (exchange); Art; Computer science; Visual arts; Economics","score_opus":0.02935994995406408,"score_gpt":0.22515043120779965,"score_spread":0.19579048125373558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W947944619","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053753722,0.005383212,0.0015710179,0.023734411,0.0032564972,0.0009954517,0.00032532422,0.0012814497,0.9096989],"genre_scores_gemma":[0.63258725,0.00018401205,0.00033482732,0.0040051956,0.0021024074,0.00002712368,0.00007062628,0.00006714434,0.36062142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982711,0.000063901505,0.0002229742,0.00042042392,0.00038698013,0.0006346012],"domain_scores_gemma":[0.99892,0.000031452277,0.00008998744,0.0005169925,0.0002303598,0.0002112082],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000096862605,0.00035262792,0.00033686185,0.000114247356,0.0010654113,0.00012965509,0.00030748575,0.00017720307,0.0028419027],"category_scores_gemma":[0.000070342,0.00028692695,0.00021895517,0.000010944187,0.00053846295,0.00030831806,0.00008689314,0.00045474936,0.0006433268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035698227,0.00020445762,0.00094587903,0.000064496635,0.00012246324,0.000096263015,0.50591856,0.00009397349,0.000031927255,0.22061712,0.2710925,0.00077667506],"study_design_scores_gemma":[0.0005424847,0.000070376416,0.00053187937,0.000025902393,0.00003643766,0.000038036353,0.005380044,0.0001277545,0.000033392764,0.0012938614,0.9915017,0.00041816905],"about_ca_topic_score_codex":0.0005407348,"about_ca_topic_score_gemma":0.017953012,"teacher_disagreement_score":0.72040915,"about_ca_system_score_codex":0.00004498325,"about_ca_system_score_gemma":0.00013690381,"threshold_uncertainty_score":0.9999668},"labels":[],"label_agreement":null},{"id":"W951905031","doi":"10.1353/mdr.2003.0050","title":"Site-Specific Art: Performance, Place and Documentation by Nick Kaye (review)","year":2003,"lang":"en","type":"article","venue":"Modern Drama","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.023424631555968974,"score_gpt":0.23480760166583622,"score_spread":0.21138297010986726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W951905031","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32382885,0.03749786,0.0008735167,0.00076463283,0.0005643631,0.00060271786,0.00011529414,0.00017076192,0.63558203],"genre_scores_gemma":[0.7058665,0.013132991,0.00008650579,0.0024470955,0.00020393168,0.00003382008,0.00011958128,0.00003506869,0.2780745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990191,0.00004376463,0.0002290476,0.00024266231,0.00017388696,0.00029153944],"domain_scores_gemma":[0.99955,0.000030097535,0.0000705579,0.00020260506,0.000052876407,0.000093877425],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001352484,0.0001691519,0.0001876345,0.000036881356,0.000304926,0.00013841067,0.00007042559,0.000038361002,0.0020345922],"category_scores_gemma":[0.000008679862,0.00015493156,0.00004592708,0.0000023491843,0.00015574004,0.0003092637,0.000021185859,0.000111397494,0.0006039008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020434065,0.00013280704,0.0005236494,0.00044191294,0.00003614966,0.0000039941206,0.06761506,0.000026004636,0.00018643377,0.048130404,0.8725161,0.010367063],"study_design_scores_gemma":[0.00038045,0.000053429747,0.000044019,0.0000859337,0.000024031026,0.0000049671107,0.00021521597,0.00068973564,0.00017200533,0.0019963586,0.9961224,0.0002114137],"about_ca_topic_score_codex":0.00004243688,"about_ca_topic_score_gemma":0.00032363847,"teacher_disagreement_score":0.38203764,"about_ca_system_score_codex":0.00003723012,"about_ca_system_score_gemma":0.000019246918,"threshold_uncertainty_score":0.9988777},"labels":[],"label_agreement":null},{"id":"W95964899","doi":"10.29173/cjs20472","title":"Gerry Coulter, Jean Baudrillard: From the Ocean to the Desert, or the Poetics of Radicality","year":2013,"lang":"en","type":"article","venue":"The Canadian Journal of Sociology","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Desert (philosophy); Sociology; Philosophy; Art history; Art; Literature; Epistemology; Poetry","score_opus":0.07316264644116696,"score_gpt":0.26504987967539917,"score_spread":0.1918872332342322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W95964899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5969889,0.0013935555,0.00008623866,0.39251918,0.0016542316,0.0004158876,0.00027854714,0.000007592169,0.006655868],"genre_scores_gemma":[0.96960706,0.00008387596,0.000017717846,0.02371481,0.0017138582,0.0000022953243,0.0000031909692,0.000015037601,0.0048421565],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853796,0.0004585677,0.0003912906,0.00008145198,0.00015321065,0.0003775005],"domain_scores_gemma":[0.9975234,0.0013488502,0.0002472694,0.00037485466,0.0002629822,0.0002426156],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008840502,0.00012404977,0.00024017839,0.000028405755,0.0011716507,0.000099033576,0.0009480536,0.00007660467,0.002217091],"category_scores_gemma":[0.00041196254,0.00004047112,0.00014644189,0.000004617959,0.002867968,0.00005495255,0.000042060998,0.00045842127,0.00006070526],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023733364,0.000013274772,0.0013730327,0.0000044180165,0.00026696,0.000010811588,0.50019854,0.000047373087,0.000009569558,0.080513045,0.41649437,0.0010448863],"study_design_scores_gemma":[0.00019747458,0.00014095346,0.0057070414,0.000016863743,0.00009110691,0.000025011224,0.030413695,0.00007343349,0.000008643835,0.063051835,0.90018225,0.00009170185],"about_ca_topic_score_codex":0.11139934,"about_ca_topic_score_gemma":0.54654366,"teacher_disagreement_score":0.48368788,"about_ca_system_score_codex":0.00007218747,"about_ca_system_score_gemma":0.0006791766,"threshold_uncertainty_score":0.9998457},"labels":[],"label_agreement":null},{"id":"W96652040","doi":"","title":"City Limits: A Psychoanalysis of Urbanism and Everyday Life","year":2012,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Urbanism; Everyday life; Sociology; Psychoanalysis; Aesthetics; History; Art; Psychology; Epistemology; Philosophy; Archaeology; Architecture","score_opus":0.18852305857926088,"score_gpt":0.3143382770969091,"score_spread":0.1258152185176482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W96652040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99038064,0.00044824975,0.0002179015,0.00017934937,0.0003652741,0.00015487787,0.00010122288,0.00009651866,0.008055958],"genre_scores_gemma":[0.96023977,0.00009881915,0.00002396002,0.0006604788,0.00042394045,6.7319115e-7,0.000017670187,0.000032974855,0.038501706],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99829185,0.0001701423,0.00030887433,0.00034367133,0.00031912467,0.0005663631],"domain_scores_gemma":[0.9985446,0.00009863848,0.00023921713,0.00045203732,0.00017567408,0.00048986427],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00032188042,0.00029063824,0.00043025092,0.00041810836,0.00036746296,0.00016893607,0.00038524,0.0001358005,0.00024923467],"category_scores_gemma":[0.000047181886,0.00030320598,0.00018619961,0.000020974025,0.00045988488,0.0019537492,0.00017826853,0.00032100687,0.000083809515],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052655945,0.00019354113,0.96003294,0.00006888491,0.00023803633,0.000013488344,0.03322831,0.0000010173533,0.00011160328,0.005851393,0.000014535422,0.0001936059],"study_design_scores_gemma":[0.0012278782,0.00017676558,0.83206934,0.00013512914,0.0006786239,0.000020432688,0.004482291,6.786282e-7,0.0006801338,0.0008418637,0.15893193,0.0007549623],"about_ca_topic_score_codex":0.00006024931,"about_ca_topic_score_gemma":0.006203509,"teacher_disagreement_score":0.15891738,"about_ca_system_score_codex":0.00007143352,"about_ca_system_score_gemma":0.000060281887,"threshold_uncertainty_score":0.999942},"labels":[],"label_agreement":null},{"id":"W969143712","doi":"","title":"LibGuides: Canadian Art: Arch/FA Library","year":2011,"lang":"en","type":"libguides","venue":"","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arch; Art; Computer science; Geography; Archaeology","score_opus":0.06764923902836967,"score_gpt":0.23020815793194033,"score_spread":0.16255891890357066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W969143712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012734691,0.0010677134,0.000006705478,0.001800949,0.0037956864,0.0002896082,0.0021888758,0.0004419284,0.9903958],"genre_scores_gemma":[0.001241473,0.0007596025,0.00019192944,0.020766335,0.009570852,0.000035082347,0.0023234463,0.0002218792,0.9648894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976468,0.000053471886,0.00054194627,0.000503834,0.00024016411,0.0010137684],"domain_scores_gemma":[0.9982855,0.000074351534,0.00014216159,0.0006751676,0.00008248543,0.0007403404],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008593045,0.0005286472,0.0005385269,0.0005256973,0.00051458995,0.00047300625,0.0007057678,0.00034811813,0.10113857],"category_scores_gemma":[0.00002673062,0.00045590117,0.00028802024,0.0000024286048,0.0005954674,0.0005595189,0.00014791921,0.0005529928,0.0058205426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002052366,0.000016025511,0.000016719907,0.000080383696,0.0000711477,0.00004199435,0.026234796,5.7179253e-8,4.173065e-8,0.2471866,0.7257497,0.0006005125],"study_design_scores_gemma":[0.000104426304,0.000061129744,0.000014744904,0.00012585684,0.00006801455,0.000005844387,0.0009774977,0.000006954482,0.000009551456,0.02448397,0.9735179,0.0006241014],"about_ca_topic_score_codex":0.5271511,"about_ca_topic_score_gemma":0.939851,"teacher_disagreement_score":0.41269985,"about_ca_system_score_codex":0.0000728303,"about_ca_system_score_gemma":0.0014863434,"threshold_uncertainty_score":0.9997893},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":true,"confidence":"high"}],"label_agreement":"agree"},{"id":"W987170549","doi":"10.1515/9783839411858","title":"Rewind, Play, Fast Forward","year":2010,"lang":"en","type":"book","venue":"transcript Verlag eBooks","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Temporality; Visual arts; Art history; Art","score_opus":0.03731447353889542,"score_gpt":0.22572598541367822,"score_spread":0.1884115118747828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W987170549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007727091,0.00023760828,0.000110020206,0.00009401966,0.0037213508,0.00054512126,0.0012943988,0.0003487212,0.99357146],"genre_scores_gemma":[0.007724121,0.000020287609,0.000049983315,0.0015273779,0.0049475217,0.000048953563,0.00033647922,0.0002323711,0.9851129],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974568,0.000034222576,0.0005963989,0.0006090752,0.00050444825,0.000799067],"domain_scores_gemma":[0.9985364,0.000054290078,0.0001828652,0.0007658633,0.00016031336,0.00030027024],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014660321,0.000705448,0.00075462664,0.00021695437,0.0005990849,0.0002922058,0.0005948104,0.0006501957,0.004575241],"category_scores_gemma":[0.0000062771037,0.00067427236,0.0005979624,4.243202e-7,0.0010303007,0.00012782784,0.000043005744,0.0014268932,0.00095630257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005919288,0.000048908663,7.2732405e-7,0.00032401574,0.00026874838,0.00007334483,0.2226141,2.1889839e-7,0.0002229419,0.48004848,0.2913143,0.005025025],"study_design_scores_gemma":[0.0006529914,0.0001450999,0.0000020890418,0.00015491917,0.00030327012,0.000011478535,0.00036657436,0.000005241084,0.00017718037,0.042858597,0.9545679,0.00075463374],"about_ca_topic_score_codex":0.0003142926,"about_ca_topic_score_gemma":0.03020505,"teacher_disagreement_score":0.6632536,"about_ca_system_score_codex":0.00011640111,"about_ca_system_score_gemma":0.00051196496,"threshold_uncertainty_score":0.99982154},"labels":[],"label_agreement":null}]}