{"meta":{"query_hash":"c9a3b7532282","filters":{"topic":"Comics and Graphic Narratives"},"cohort_total":937,"direct_labels_cover":0,"predictions_cover":937,"exported":937,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c9a3b7532282","api":"https://metacan.xera.ac/api/v1/cohort?topic=Comics+and+Graphic+Narratives"},"results":[{"id":"W100910362","doi":"10.4000/belphegor.488","title":"Fabio Gadducci, Leonardo Gori, Sergio Lama, Eccetto Topolino : Lo scontro culturale tra Fascismo e Fumetti","year":2014,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.016338402041879713,"score_gpt":0.22578400195709636,"score_spread":0.20944559991521663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W100910362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5629212,0.056807186,0.0003984359,0.11874068,0.01751549,0.0018834652,0.0013009335,0.00045676623,0.2399758],"genre_scores_gemma":[0.779571,0.0007784783,0.00023879792,0.0016931508,0.00545935,0.00005931394,0.000083358704,0.00008104939,0.21203548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656224,0.00028076133,0.0007995919,0.00081537594,0.00045441694,0.0010876037],"domain_scores_gemma":[0.99799454,0.00026222976,0.00030689637,0.0007265018,0.00032766073,0.00038218443],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055538095,0.00069743855,0.0008407841,0.00022379209,0.0013825091,0.0009794097,0.000614005,0.00030470174,0.008039698],"category_scores_gemma":[0.00009740327,0.0006171854,0.000657041,0.00018383298,0.0009243189,0.00058012694,0.0001590871,0.0005754186,0.000752523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008896958,0.0003853901,0.0004155411,0.00016174583,0.00022486274,0.000019470863,0.015875349,0.000014360048,0.00028259444,0.8294941,0.1268235,0.026214113],"study_design_scores_gemma":[0.001643776,0.00038991834,0.0012593705,0.00015922735,0.00019527286,0.0000250537,0.0092219645,0.00059247797,0.00029228113,0.018056134,0.9672699,0.0008945968],"about_ca_topic_score_codex":0.0019105613,"about_ca_topic_score_gemma":0.0032714987,"teacher_disagreement_score":0.8404464,"about_ca_system_score_codex":0.000111478956,"about_ca_system_score_gemma":0.00010892212,"threshold_uncertainty_score":0.99991757},"labels":[],"label_agreement":null},{"id":"W1020534512","doi":"10.24385/lincoln.25163102","title":"Goof proof [Images 33: the best of contemporary illustration - exhibition]","year":2024,"lang":"en","type":"article","venue":"Lincoln Repository (University of Lincoln)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Subject (documents); Sociology; Visual arts; Guardian; Computer science; Art; Library science; Law; Political science","score_opus":0.029600046743472035,"score_gpt":0.2054132907390942,"score_spread":0.17581324399562218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1020534512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66230804,0.004533543,0.0006415892,0.0041807997,0.0022610542,0.0012198123,0.0003515288,0.00016833947,0.3243353],"genre_scores_gemma":[0.9687229,0.000042391923,0.000081013255,0.000020325171,0.00036106052,0.0000016060662,0.00001720452,0.000011128116,0.030742373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990673,0.00009888276,0.00026082463,0.00023197514,0.00023032917,0.00011068933],"domain_scores_gemma":[0.99909025,0.00017046645,0.00020898889,0.00024806763,0.0002366188,0.00004562305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002253531,0.00013087629,0.00023001448,0.00013617285,0.0005338703,0.00009495679,0.0002466856,0.0000712281,0.0001741814],"category_scores_gemma":[0.000008712447,0.00011045551,0.00021072647,0.0001223887,0.00078946276,0.00043414,0.00007782673,0.00018983765,0.0000099957915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005251162,0.001139451,0.0020951102,0.0014177135,0.00091833994,0.00039649868,0.17840672,0.00016356666,0.012087227,0.7392985,0.05459061,0.008961125],"study_design_scores_gemma":[0.0012771492,0.0013129668,0.0016263427,0.0012146625,0.0003640259,0.00003636791,0.15721956,0.0035965203,0.007768329,0.009598526,0.8153087,0.00067683635],"about_ca_topic_score_codex":0.0009932664,"about_ca_topic_score_gemma":0.00062849425,"teacher_disagreement_score":0.7607181,"about_ca_system_score_codex":0.000033180888,"about_ca_system_score_gemma":0.00021424684,"threshold_uncertainty_score":0.45042452},"labels":[],"label_agreement":null},{"id":"W105036800","doi":"","title":"La vengeance est amère. True Grit de Joel et Ethan Coen, États-Unis, 2010, 110 minTrue Grit de Joel et Ethan Coen, États-Unis, 2010, 110 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Grit; Humanities; Art; Political science; Psychology","score_opus":0.043002875671461674,"score_gpt":0.2651043535399588,"score_spread":0.22210147786849715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W105036800","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3466705,0.60457736,0.00037581087,0.018265363,0.006931992,0.0014783524,0.0025316593,0.00041617747,0.01875281],"genre_scores_gemma":[0.5489847,0.37199652,0.004509881,0.0046088416,0.0033572626,0.00044636638,0.00053829653,0.00066080265,0.064897336],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935471,0.0015242833,0.0013286183,0.0012272431,0.00058061484,0.0017921814],"domain_scores_gemma":[0.99556255,0.001180372,0.0007448417,0.0012906214,0.00043518073,0.0007864441],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0022771817,0.0012878514,0.001519445,0.00053200696,0.0021089495,0.0008916927,0.0013147063,0.00089146383,0.002864375],"category_scores_gemma":[0.00034039255,0.0013077428,0.0007422175,0.00029292156,0.0037980052,0.0005971918,0.00036493375,0.0022449505,0.00055741955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033059542,0.0014744537,0.0011434099,0.001064668,0.0006811839,0.0005216869,0.15755142,0.00001452636,0.00048576936,0.5054362,0.32134494,0.0099511305],"study_design_scores_gemma":[0.0019202553,0.00059624284,0.0046737767,0.0018803914,0.00046956012,0.00026112364,0.020231845,0.00022269851,0.0007479762,0.0284065,0.93895984,0.0016297932],"about_ca_topic_score_codex":0.013479293,"about_ca_topic_score_gemma":0.031554136,"teacher_disagreement_score":0.61761487,"about_ca_system_score_codex":0.00019333788,"about_ca_system_score_gemma":0.0008298054,"threshold_uncertainty_score":0.9999873},"labels":[],"label_agreement":null},{"id":"W13128061","doi":"","title":"Humour & National Identity in Canadian Contemporary Art: Diana Thorneycroft, Simon Hughes & BGL","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Uncanny; Identity (music); Aesthetics; Theme (computing); Context (archaeology); Art; Contemporary art; Folklore; Negotiation; Sociology; Visual arts; Literature; History; Performance art; Art history; Social science","score_opus":0.032545683820010225,"score_gpt":0.2777047597658827,"score_spread":0.2451590759458725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W13128061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104371384,0.0005990534,0.0000010970894,0.0004899347,0.0011767332,0.00028686164,0.00017060395,0.000033198383,0.89287114],"genre_scores_gemma":[0.80561835,0.000032283082,0.0000033274382,0.000437235,0.00046164283,0.000033282377,0.002139753,0.000025476716,0.19124867],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859476,0.000056884026,0.00040535364,0.00032862416,0.00031807358,0.0002963077],"domain_scores_gemma":[0.99920833,0.00008052699,0.00016182185,0.00014706352,0.00023318967,0.00016907306],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037683683,0.00026871718,0.0003543315,0.00073921646,0.000318015,0.00041582805,0.00025307955,0.00016431579,0.004243341],"category_scores_gemma":[0.000064858315,0.00025483785,0.00014993465,0.00008130944,0.000080424776,0.00037756885,0.000011910573,0.0003264084,0.00017613095],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018194416,0.000034878954,0.002116003,0.000048365142,0.00004499821,0.000007902551,0.011108821,7.0302195e-7,0.0000041028397,0.83799654,0.14844003,0.0001794486],"study_design_scores_gemma":[0.0003162559,0.000040011946,0.0118965665,0.0001343825,0.00001373162,2.2761215e-7,0.013804065,0.00010017517,0.000017601342,0.05481672,0.9183364,0.00052385044],"about_ca_topic_score_codex":0.46940002,"about_ca_topic_score_gemma":0.99889725,"teacher_disagreement_score":0.7831798,"about_ca_system_score_codex":0.00011775016,"about_ca_system_score_gemma":0.00081356836,"threshold_uncertainty_score":0.9999904},"labels":[],"label_agreement":null},{"id":"W1442977001","doi":"","title":"New Hacktivists and the Old Concept of Levée En Masse","year":2014,"lang":"fr","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Humanities; Economics; Philosophy","score_opus":0.011824314742955184,"score_gpt":0.19277933202295724,"score_spread":0.18095501728000207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1442977001","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9606584,0.005241744,0.00020644075,0.016409427,0.0006371535,0.0003548011,0.00016473245,0.000023433271,0.016303878],"genre_scores_gemma":[0.887281,0.00030647463,0.00025261389,0.0001334986,0.00030908917,1.999346e-7,0.000012134485,0.000021380885,0.11168361],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978744,0.0006942938,0.00029899288,0.000401358,0.00037062113,0.00036032865],"domain_scores_gemma":[0.99783504,0.000799266,0.0004351685,0.00050589413,0.00021005291,0.00021455174],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011793899,0.0002998647,0.000647202,0.00020122886,0.00090698374,0.00010739847,0.0006222074,0.00022889905,0.0022574877],"category_scores_gemma":[0.00014366793,0.00028587962,0.0003502122,0.00015557719,0.00307165,0.00060537073,0.00041521556,0.0005530966,0.000035477926],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067680114,0.000101196754,0.014515091,0.00016877132,0.00034460297,0.000008206788,0.097604506,0.000008605736,0.0003328704,0.8764529,0.0031958835,0.0065905196],"study_design_scores_gemma":[0.015662624,0.0008124648,0.18119726,0.00092962,0.0009597458,0.00003024046,0.04298775,0.00046045295,0.0013069254,0.08042381,0.6741271,0.0011019935],"about_ca_topic_score_codex":0.0025403963,"about_ca_topic_score_gemma":0.0029760299,"teacher_disagreement_score":0.79602915,"about_ca_system_score_codex":0.000046980564,"about_ca_system_score_gemma":0.000099959994,"threshold_uncertainty_score":0.99995935},"labels":[],"label_agreement":null},{"id":"W1482122981","doi":"","title":"The Poetics of Pain and Cancer and the Question of Genre in Two Catastrophe Narratives","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Narrative; Literature; Psychoanalysis; Art; Sociology; Psychology; Poetry","score_opus":0.026757525865436102,"score_gpt":0.28443882990793484,"score_spread":0.2576813040424987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1482122981","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19440962,0.79683983,0.0000037304123,0.0025310349,0.00009667392,0.00064464775,0.000374839,0.0000017480509,0.005097892],"genre_scores_gemma":[0.96529573,0.03402068,0.000048629692,0.0002754016,0.000031261396,0.000026874151,0.000011037008,0.000003879794,0.00028652418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990409,0.0003908503,0.0003100803,0.00009461716,0.00006507433,0.00009849983],"domain_scores_gemma":[0.9991993,0.00016138646,0.00021094753,0.0001389393,0.00023941968,0.000050026683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006134035,0.00010670463,0.00035967623,0.00006493648,0.000113731025,0.00002649319,0.000113041424,0.000016267355,0.000053231743],"category_scores_gemma":[0.000034047305,0.000054820706,0.000045218567,0.00009374488,0.0010322062,0.000064823835,0.0000139097165,0.00013134339,6.288582e-8],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036576148,0.000007813611,0.0010202909,0.0006491844,0.000040234605,7.3389697e-7,0.19637842,1.9288444e-7,0.000009597008,0.79895526,0.0008903799,0.0020113268],"study_design_scores_gemma":[0.0032551482,0.00067948346,0.03125321,0.04615464,0.00020270447,0.000011469418,0.087920435,0.00027196834,0.00026687566,0.06766463,0.7615963,0.00072308956],"about_ca_topic_score_codex":0.008349456,"about_ca_topic_score_gemma":0.24972235,"teacher_disagreement_score":0.77088606,"about_ca_system_score_codex":0.000009628913,"about_ca_system_score_gemma":0.0000914414,"threshold_uncertainty_score":0.998254},"labels":[],"label_agreement":null},{"id":"W1485092968","doi":"","title":"\"There Are No Rules. And Here They Are\": Scott McCloud's Making Comics as a Multimodal Rhetoric","year":2015,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Comics; Rhetoric; Sociology; Linguistics; Literature; Art; Philosophy","score_opus":0.04158914577241768,"score_gpt":0.2294669135724548,"score_spread":0.18787776780003712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485092968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9607679,0.00073388906,0.000005778229,0.00077556324,0.00038110706,0.0002475223,0.00016720235,0.000119309814,0.036801696],"genre_scores_gemma":[0.9852484,0.00006264475,0.00028656307,0.0001356651,0.00022724726,6.0012627e-7,0.00001603492,0.00005392516,0.013968942],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9984156,0.00016009006,0.00019470655,0.00045797616,0.00039584324,0.00037576797],"domain_scores_gemma":[0.9984922,0.00008269963,0.00041990212,0.00041110307,0.00032924823,0.00026484017],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004292744,0.000307784,0.0004710587,0.0002837,0.0007329048,0.00016671004,0.0004862728,0.00018679744,0.00061571127],"category_scores_gemma":[0.00008998628,0.0003380785,0.00017885666,0.0000944295,0.0005359051,0.00060003833,0.00036052227,0.0004427218,0.00020989476],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002022445,0.0007598091,0.67017186,0.00039565726,0.00081382133,0.00044839774,0.18059354,0.000029929153,0.00057881646,0.1289961,0.013488848,0.0017007774],"study_design_scores_gemma":[0.013105163,0.0010751192,0.21109228,0.0017232776,0.00046179153,0.00010553302,0.36980328,0.0007175104,0.00011586085,0.040289298,0.35857847,0.002932386],"about_ca_topic_score_codex":0.0009332233,"about_ca_topic_score_gemma":0.010249546,"teacher_disagreement_score":0.45907956,"about_ca_system_score_codex":0.00011133305,"about_ca_system_score_gemma":0.00008648781,"threshold_uncertainty_score":0.99990714},"labels":[],"label_agreement":null},{"id":"W148759985","doi":"","title":"L’expérience fantastique en bande dessinée","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Sainte Foy","funders":"","keywords":"Art","score_opus":0.0055839635283080205,"score_gpt":0.1668264977596644,"score_spread":0.16124253423135637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W148759985","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58138686,0.1806284,0.00061877625,0.1624164,0.0011103364,0.00033847493,0.00031781243,0.00014642205,0.07303652],"genre_scores_gemma":[0.6426823,0.018536642,0.00049160555,0.00056133454,0.0010635772,0.000005044849,0.00001899736,0.000034748427,0.33660573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985363,0.00012675853,0.00021109525,0.0003739573,0.00020554665,0.0005463767],"domain_scores_gemma":[0.99906087,0.00015708775,0.0001446497,0.0003065352,0.00009188487,0.0002389509],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020322135,0.00029713375,0.0002887171,0.00017909665,0.0014756202,0.000105987616,0.00035878734,0.00017055543,0.0025333043],"category_scores_gemma":[0.00001662945,0.0003296457,0.00021475725,0.000111127745,0.00046977392,0.00048079964,0.00022513002,0.00033238163,0.00028061224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000888518,0.00015371921,0.00023176034,0.000035217035,0.00011707564,0.0006231256,0.03857764,0.00016405125,0.00019955443,0.80169445,0.10111192,0.05700262],"study_design_scores_gemma":[0.0006832444,0.000118789234,0.0005281422,0.00010066723,0.0000999477,0.00021833989,0.008303627,0.0016806575,0.00015379561,0.0034607989,0.98425484,0.00039713134],"about_ca_topic_score_codex":0.007852084,"about_ca_topic_score_gemma":0.26717827,"teacher_disagreement_score":0.88314295,"about_ca_system_score_codex":0.0028769926,"about_ca_system_score_gemma":0.0000713427,"threshold_uncertainty_score":0.99991554},"labels":[],"label_agreement":null},{"id":"W1499001640","doi":"","title":"Unpopular Culture: Transforming the European Comic Book in the 1990s","year":2008,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Scholarship; Popular culture; Media studies; Comic strip; Art; Art history; History; Literature; Sociology; Humanities; Classics; Law; Political science","score_opus":0.03396982011217933,"score_gpt":0.20344108705429662,"score_spread":0.16947126694211728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499001640","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22201857,0.0014293563,0.000037055488,0.0032590798,0.00038039652,0.0003909369,0.000020702546,0.00008005198,0.77238387],"genre_scores_gemma":[0.97497153,0.00039057952,0.000008778145,0.0038526661,0.00067711435,0.0000047815606,0.000023524399,0.000044934422,0.020026093],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979026,0.0010291509,0.00036118535,0.00023534392,0.00018818468,0.00028356176],"domain_scores_gemma":[0.9993358,0.00008958579,0.00008723621,0.00042041502,0.000025940339,0.00004097673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009405978,0.0002158974,0.00017706415,0.00006821721,0.0010759146,0.00015358326,0.0006974996,0.000012664169,0.00035557535],"category_scores_gemma":[0.000015918922,0.00011843981,0.00015839716,0.00006528525,0.0004996437,0.00016058022,0.00006903938,0.0004326746,0.0006616304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003374008,0.00013269385,0.00065301196,0.000011977374,0.00005414004,0.0003122328,0.3685329,0.000020007565,0.00025454,0.10852463,0.5194421,0.0020280099],"study_design_scores_gemma":[0.0004719522,0.000053609223,0.0022323993,0.000027938871,0.000013851844,0.000050219187,0.0075763892,0.000038985832,0.000011463638,0.0005230158,0.98880714,0.0001930559],"about_ca_topic_score_codex":0.000045808938,"about_ca_topic_score_gemma":0.000593003,"teacher_disagreement_score":0.75295293,"about_ca_system_score_codex":0.000016683456,"about_ca_system_score_gemma":0.000014723723,"threshold_uncertainty_score":0.8504141},"labels":[],"label_agreement":null},{"id":"W149904224","doi":"","title":"Hunting the Dark Knight: Books on the Batman","year":2013,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Knight; Art; Astronomy; Physics","score_opus":0.02357171708102417,"score_gpt":0.18290595518195962,"score_spread":0.15933423810093544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W149904224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82147294,0.00007575605,0.00005043769,0.004628235,0.00020564464,0.00022276858,0.000013259273,0.000034313693,0.17329665],"genre_scores_gemma":[0.9733615,0.000011252363,0.000013147497,0.00039121913,0.00016953108,9.951343e-7,0.0000046827804,0.000010510024,0.026037194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991633,0.00009431993,0.00011366626,0.00018742458,0.00021736436,0.00022388643],"domain_scores_gemma":[0.99900705,0.00029245717,0.0001473167,0.00037257397,0.00013407542,0.000046501835],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025607867,0.00014034241,0.00016110469,0.00008269338,0.0019405289,0.00024864287,0.00050719624,0.000037940186,0.00393977],"category_scores_gemma":[0.000029056579,0.000092945345,0.00018317862,0.00006162597,0.00085310463,0.000257292,0.00012402008,0.00022794401,0.00026884594],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008668731,0.000025670397,0.0003381341,0.000006134152,0.00006860532,0.0000010984742,0.038033564,0.0000030007427,0.000004919717,0.94804174,0.013410536,0.00005794694],"study_design_scores_gemma":[0.0001644888,0.000054706346,0.0012658838,0.000014973137,0.00002487189,6.831217e-7,0.07489126,0.000090963746,5.0028865e-7,0.8784606,0.04491413,0.00011693678],"about_ca_topic_score_codex":0.0018568775,"about_ca_topic_score_gemma":0.0052986755,"teacher_disagreement_score":0.15188853,"about_ca_system_score_codex":0.000023128618,"about_ca_system_score_gemma":0.000024843413,"threshold_uncertainty_score":0.99935883},"labels":[],"label_agreement":null},{"id":"W1503756576","doi":"10.3983/twc.2013.0476","title":"Toward a feminist superhero: An interview with Will Brooker, Sarah Zaidan, and Suze Shore","year":2013,"lang":"en","type":"article","venue":"Transformative Works and Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Red Deer Polytechnic","funders":"","keywords":"Identity (music); Sociology; Visual arts; Shore; Aesthetics; Art; Media studies; Gender studies","score_opus":0.025542530810354985,"score_gpt":0.2248123702773846,"score_spread":0.1992698394670296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503756576","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9567043,0.009113826,0.00021626521,0.0041744225,0.00008608165,0.0007089517,0.00006509984,0.000089421635,0.028841628],"genre_scores_gemma":[0.9969159,0.0011166652,0.000065721215,0.000752364,0.00008464572,0.0000560252,0.00002922366,0.000014817657,0.0009646732],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992222,0.00005291625,0.00020652861,0.00020456259,0.000098457436,0.00021530307],"domain_scores_gemma":[0.99961686,0.00002430579,0.00004156546,0.00009641528,0.00009105753,0.00012979469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000896149,0.00024137307,0.00026870845,0.000043350174,0.0003706875,0.00067666726,0.00010188417,0.00005509291,0.00082499866],"category_scores_gemma":[0.0000016317421,0.00013971775,0.00005150406,0.000032410553,0.00055695296,0.0009974036,0.000015604506,0.00021028935,0.0000052890027],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007631269,0.000101612095,0.00028014288,0.0001662688,0.00015055586,0.0000031854918,0.7747305,9.257514e-7,0.00006600545,0.18125543,0.0030936215,0.04007544],"study_design_scores_gemma":[0.0019599039,0.0014445285,0.0034075927,0.00088610937,0.000113847826,0.00005110837,0.41871375,0.00027005508,0.00015089958,0.013531569,0.5585358,0.00093478896],"about_ca_topic_score_codex":0.00013444063,"about_ca_topic_score_gemma":0.0028200508,"teacher_disagreement_score":0.5554422,"about_ca_system_score_codex":0.0000059137506,"about_ca_system_score_gemma":0.000008656593,"threshold_uncertainty_score":0.90331566},"labels":[],"label_agreement":null},{"id":"W1505480894","doi":"","title":"Empty Photographic Frames. Punctuating the Narrative","year":2014,"lang":"en","type":"article","venue":"Image & narrative","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Narrative; Reading (process); Punctuation; Storytelling; Subconscious; Humanities; Art; Passer; Frame (networking); Visual arts; Literature; Psychology; Art history; Linguistics; Philosophy; Computer science","score_opus":0.014171848308871249,"score_gpt":0.2344338990870443,"score_spread":0.22026205077817304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505480894","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7513688,0.0004791965,0.0013967502,0.010267111,0.0015891073,0.0011298595,0.000059521077,0.00030029353,0.23340936],"genre_scores_gemma":[0.99210835,0.000018208211,0.00023698159,0.001448349,0.0008813665,0.00013335104,0.00001942593,0.000039829683,0.0051141502],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978991,0.0003930905,0.0004264662,0.00047040742,0.00036172962,0.00044917502],"domain_scores_gemma":[0.9981074,0.0005751518,0.00028896783,0.00048790858,0.00043515099,0.00010544861],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007014312,0.00039114294,0.00039766286,0.00017421396,0.0022492828,0.0006218116,0.0004501563,0.000070010785,0.0030566035],"category_scores_gemma":[0.0003517117,0.00024059023,0.00028103555,0.00021907077,0.0015675119,0.0004905686,0.00010414928,0.0005730841,0.00008004372],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037813836,0.0000702955,0.000104071114,0.00001006955,0.00012474826,0.0000033582296,0.80732495,0.0000031235563,0.00087940076,0.17441215,0.013936491,0.0030935681],"study_design_scores_gemma":[0.001036391,0.00047764933,0.00066636124,0.00008912597,0.000059603943,0.0000074856616,0.5907913,0.0015583487,0.00097437797,0.08363622,0.3199406,0.00076254504],"about_ca_topic_score_codex":0.00030879525,"about_ca_topic_score_gemma":0.0024039508,"teacher_disagreement_score":0.3060041,"about_ca_system_score_codex":0.000026881378,"about_ca_system_score_gemma":0.000059548478,"threshold_uncertainty_score":0.99904966},"labels":[],"label_agreement":null},{"id":"W1518522683","doi":"10.22230/cjc.2013v38n4a2781","title":"Comics Versus Art","year":2013,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Comics; Art; Literature","score_opus":0.039302814266010844,"score_gpt":0.21662375252970728,"score_spread":0.17732093826369644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518522683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1948475,0.002402795,0.000042907643,0.014316004,0.00095689547,0.00015499443,0.000012278604,0.000014898922,0.7872517],"genre_scores_gemma":[0.9957398,0.00007426074,0.00015652695,0.0001437551,0.00008768111,0.0000014772687,0.0000045902366,0.000009264127,0.0037826085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996741,0.000035746893,0.000149045,0.000022227603,0.000041213585,0.00007770148],"domain_scores_gemma":[0.9993208,0.00005070752,0.00012838564,0.00019236364,0.00016777516,0.00013997684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000099557496,0.000040738254,0.000072681665,0.00015009718,0.00017627249,0.0001452818,0.00025494897,0.00001559134,0.0018038595],"category_scores_gemma":[0.000026032936,0.000036753565,0.000040342456,0.000022272592,0.00015973901,0.00017462355,0.0000067848655,0.00011274621,0.000057310684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006771043,0.000008199385,0.0003012474,0.0000016163284,0.000038507795,9.3641506e-7,0.010512748,0.000003429265,0.000011591524,0.5739147,0.4119874,0.0032128638],"study_design_scores_gemma":[0.0003090199,0.000051752446,0.0005227439,0.000021401664,0.000007786135,0.0000032351677,0.0031305875,0.00004902436,0.000005865794,0.0104952045,0.9853466,0.000056752695],"about_ca_topic_score_codex":0.008633049,"about_ca_topic_score_gemma":0.23496056,"teacher_disagreement_score":0.80089235,"about_ca_system_score_codex":0.000026679465,"about_ca_system_score_gemma":0.000134838,"threshold_uncertainty_score":0.9991086},"labels":[],"label_agreement":null},{"id":"W1518950219","doi":"10.22230/cjc.2008v33n3a2062","title":"Calling Dick Tracy! or, Cellphone Use, Progress, and a Racial Paradigm","year":2008,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Comics; Evocation; White (mutation); HERO; Sociology; Media studies; Art; Aesthetics; Literature","score_opus":0.07413944656508807,"score_gpt":0.23660234430859725,"score_spread":0.1624628977435092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518950219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98534274,0.008938854,0.000024438095,0.0034482272,0.00015398982,0.000096858974,0.000011409801,0.0000052465743,0.001978261],"genre_scores_gemma":[0.99772036,0.0013030276,0.00024097525,0.00011334316,0.0001322701,0.0000018388471,0.000004680003,0.0000081280405,0.00047538098],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994457,0.00006714793,0.00025097682,0.00004695285,0.000071722876,0.00011753614],"domain_scores_gemma":[0.9992332,0.000089137546,0.00018451054,0.00016974527,0.00012816105,0.00019525009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015790257,0.00006962344,0.00013574651,0.000157283,0.00066768046,0.00016089538,0.00019101397,0.000027708253,0.00014723379],"category_scores_gemma":[0.00003650399,0.000056242403,0.000042288528,0.000041692554,0.00051657757,0.00033192785,0.000009126746,0.00019991251,0.0000014940306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024034022,0.00012800972,0.03887115,0.000031733907,0.00021655417,0.00022986635,0.5097319,0.000024586116,0.00004088954,0.40200844,0.020852167,0.027624343],"study_design_scores_gemma":[0.0006460453,0.00017388322,0.02360028,0.00012769391,0.000029905983,0.00021350758,0.0025702892,0.00012506817,0.000024791532,0.0071185213,0.965185,0.00018502293],"about_ca_topic_score_codex":0.004089673,"about_ca_topic_score_gemma":0.26601955,"teacher_disagreement_score":0.94433284,"about_ca_system_score_codex":0.000028196526,"about_ca_system_score_gemma":0.00038824437,"threshold_uncertainty_score":0.74737364},"labels":[],"label_agreement":null},{"id":"W1526307117","doi":"","title":"La bande dessinée et l'enseignement du français : développement d'une séquence didactique en quatrième secondaire","year":2012,"lang":"fr","type":"article","venue":"Sémaphore (Université du Québec à Rimouski)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Philosophy","score_opus":0.010110535436422631,"score_gpt":0.20475967232685754,"score_spread":0.19464913689043492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526307117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7269148,0.023746016,0.00066805765,0.08466806,0.0017629609,0.0006667078,0.00028588946,0.00018238182,0.16110507],"genre_scores_gemma":[0.98396176,0.004187234,0.00025252215,0.00092056295,0.0008386887,0.00002191489,0.000056681187,0.00008624958,0.009674387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680465,0.0005961129,0.00050618104,0.0006214721,0.00048774245,0.0009838144],"domain_scores_gemma":[0.99780315,0.0005613641,0.0003663491,0.0005460748,0.00025166912,0.00047139946],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009558386,0.00069664494,0.00065449264,0.00040524034,0.0018460603,0.00030927153,0.0005983287,0.00035521106,0.012756097],"category_scores_gemma":[0.00004830507,0.00072937773,0.00050122006,0.00027813754,0.0011401052,0.0011040831,0.000375172,0.00082131603,0.0003383351],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119142016,0.0006170325,0.008400341,0.000139949,0.0004126548,0.000070860835,0.44162917,0.000009878622,0.00013910192,0.49610484,0.041405912,0.010951117],"study_design_scores_gemma":[0.0015005114,0.00025417825,0.078236006,0.00022687872,0.00030963556,0.0000746378,0.08974565,0.00008076283,0.00016891916,0.0009840556,0.82750946,0.00090931193],"about_ca_topic_score_codex":0.11159025,"about_ca_topic_score_gemma":0.47843778,"teacher_disagreement_score":0.78610355,"about_ca_system_score_codex":0.00084631064,"about_ca_system_score_gemma":0.0010112774,"threshold_uncertainty_score":0.9995157},"labels":[],"label_agreement":null},{"id":"W1529840663","doi":"","title":"De 'Fraise et chocolat' à 'Buzz-moi' d’aurélia aurita [sic]. D’un journal érographique à la mise en scène d’une mise à nu dans le contexte du « tout dire »","year":2013,"lang":"fr","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Humanities; Marketing buzz; Comics; Aurelia aurita; Art history; Ethnology; Sociology; Literature","score_opus":0.010317637226015974,"score_gpt":0.22221313847541896,"score_spread":0.21189550124940298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529840663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6549557,0.008108417,0.00048557762,0.07157094,0.0014595217,0.0012743009,0.00017338058,0.00016633313,0.26180586],"genre_scores_gemma":[0.8557922,0.00503643,0.0006041568,0.0021889482,0.0017317134,0.00016336229,0.000028113987,0.00012635479,0.13432872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956055,0.001079559,0.0010590208,0.0006521909,0.00043994855,0.0011637652],"domain_scores_gemma":[0.9966891,0.00087358896,0.00043187104,0.0006236736,0.0005541382,0.00082765834],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014629524,0.00080464437,0.0008483055,0.00040734137,0.0025232623,0.002708674,0.00079103245,0.00043072764,0.011326264],"category_scores_gemma":[0.00016280006,0.00071459636,0.0008534359,0.00026049116,0.001927837,0.001301887,0.00022464013,0.0013907254,0.00017419315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010628112,0.0013342286,0.00451885,0.00011959051,0.0006613739,0.00027414173,0.12672387,0.00001765268,0.0009916194,0.7251865,0.12639743,0.013668472],"study_design_scores_gemma":[0.0031231276,0.00038731855,0.010636703,0.00044140624,0.00016485022,0.00036484897,0.043371074,0.00091188,0.00020941654,0.058904983,0.8804681,0.001016314],"about_ca_topic_score_codex":0.01771544,"about_ca_topic_score_gemma":0.010811439,"teacher_disagreement_score":0.75407064,"about_ca_system_score_codex":0.00013548424,"about_ca_system_score_gemma":0.00050457596,"threshold_uncertainty_score":0.9995305},"labels":[],"label_agreement":null},{"id":"W1532195895","doi":"","title":"Dark Stories: Poet-Audience Relations and the Journey Underground in Margaret Atwood’s The Door and Other Works","year":2009,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Consciousness; Poetry; Depiction; Unconscious mind; Aesthetics; Literature; Art; Normative; Psychoanalysis; Visual arts; Sociology; History; Philosophy; Psychology; Epistemology","score_opus":0.02586995530343227,"score_gpt":0.26755629126685926,"score_spread":0.24168633596342698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532195895","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3609905,0.30969715,0.0000018735996,0.20704047,0.0017419653,0.0009810622,0.00026180517,0.000023841145,0.11926134],"genre_scores_gemma":[0.9928598,0.0015185232,0.000008893907,0.0029787216,0.00020268293,0.0000148527815,0.0000018912424,0.0000058670234,0.0024088074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992604,0.00009623135,0.00016200825,0.00016568741,0.000071875336,0.0002437998],"domain_scores_gemma":[0.9993217,0.00037859447,0.00004382885,0.00014895716,0.000054125925,0.000052811552],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037657772,0.00012880609,0.00016775203,0.00013232908,0.0007572179,0.00042125382,0.0001133628,0.000045854144,0.000028533186],"category_scores_gemma":[0.00016474632,0.000069729846,0.000024755716,0.00017292226,0.0008511165,0.00016520417,0.000025027124,0.0003876568,4.1315053e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015328793,0.0000037924078,0.0025393248,0.0000046628675,0.00002574783,0.000009154618,0.3913776,0.0000020805257,8.3796095e-8,0.59113246,0.0145188635,0.00037087884],"study_design_scores_gemma":[0.0007382943,0.0000508167,0.0129768755,0.0005410674,0.00001586437,0.00001136462,0.14648171,0.000041014635,4.145768e-8,0.20161305,0.6373259,0.00020402989],"about_ca_topic_score_codex":0.017740825,"about_ca_topic_score_gemma":0.9332351,"teacher_disagreement_score":0.91549426,"about_ca_system_score_codex":0.00008057402,"about_ca_system_score_gemma":0.000060722752,"threshold_uncertainty_score":0.9888001},"labels":[],"label_agreement":null},{"id":"W1533538270","doi":"10.7202/1062102ar","title":"Kashmir Pending: Narrative and Ideology in a Graphic Novel","year":2019,"lang":"en","type":"article","venue":"Narrative Works","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Militant; Ideology; Mainstream; Narrative; Insurgency; Political science; Political economy; Sociology; Gender studies; Media studies; Religious studies; History; Law; Politics; Literature; Philosophy; Art","score_opus":0.0169758176084305,"score_gpt":0.23225761003703546,"score_spread":0.21528179242860496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533538270","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95668554,0.0007617647,0.000031503314,0.0018343091,0.0006394412,0.00047630863,0.000010283028,0.000042215754,0.03951863],"genre_scores_gemma":[0.9953995,0.00005890935,0.000051275656,0.00033972325,0.00015271733,0.00005130052,0.000012872793,0.000022238897,0.0039114626],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986128,0.000100832585,0.00032609556,0.0004610947,0.0001497781,0.00034935816],"domain_scores_gemma":[0.99924576,0.00022148859,0.00014311877,0.00020401554,0.000107251806,0.00007834109],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027756701,0.00026690005,0.00041881562,0.0004160733,0.000318371,0.00015555513,0.00016575283,0.00012049138,0.0030248659],"category_scores_gemma":[0.00003054807,0.00022889972,0.000086346634,0.00019355347,0.00054592395,0.0003886659,0.00008370178,0.00050863734,0.00002649442],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101190504,0.00009984729,0.008702069,0.000013383784,0.00005661771,0.000006290625,0.54098946,0.000010570484,0.00058354466,0.44820842,0.0005780885,0.0006505038],"study_design_scores_gemma":[0.004562162,0.00081317854,0.020406656,0.00043073896,0.000023619688,0.000021935275,0.90198076,0.0008344858,0.00011840173,0.032003243,0.03773266,0.0010721548],"about_ca_topic_score_codex":0.00013333207,"about_ca_topic_score_gemma":0.004554134,"teacher_disagreement_score":0.41620517,"about_ca_system_score_codex":0.000032305994,"about_ca_system_score_gemma":0.000041103318,"threshold_uncertainty_score":0.9978865},"labels":[],"label_agreement":null},{"id":"W1534639877","doi":"","title":"Maurice Rickards, The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian","year":2001,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Ephemera; Encyclopedia; Everyday life; Aesthetics; Visual arts; Art; World Wide Web; History; Art history; Literature; Computer science; Library science; Philosophy; Epistemology","score_opus":0.009771965929505152,"score_gpt":0.24645833176085094,"score_spread":0.23668636583134578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534639877","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028888084,0.5228219,0.0004945935,0.06875839,0.0094840275,0.015941503,0.0029342491,0.00014279723,0.35053447],"genre_scores_gemma":[0.19105738,0.6321387,0.0021243072,0.021171732,0.012448106,0.00279173,0.0003266524,0.00017051295,0.13777082],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863124,0.00023389024,0.00052845135,0.00021894286,0.00017835488,0.00020913046],"domain_scores_gemma":[0.9988681,0.00017647402,0.00030735778,0.00037381417,0.0002051539,0.00006907814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006765958,0.00024175135,0.0004596775,0.00002107546,0.0005462487,0.00012246023,0.0004515351,0.00006958341,0.0006769514],"category_scores_gemma":[0.00018199903,0.00010462187,0.00019103514,0.00014927718,0.00020635799,0.00008492179,0.00011365396,0.00013769495,0.0000031112445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011525654,0.000060422855,0.000044053482,0.0011344914,0.00018646794,0.0000020236869,0.040917315,0.0000033372028,0.00050513505,0.059775557,0.89649457,0.00076138205],"study_design_scores_gemma":[0.00025896623,0.00009730061,0.00010502574,0.0005238255,0.00021598066,0.00001607562,0.0025343653,0.000004117571,0.00007104254,0.0005255433,0.9954995,0.0001482508],"about_ca_topic_score_codex":0.0006318158,"about_ca_topic_score_gemma":0.00074126996,"teacher_disagreement_score":0.21276365,"about_ca_system_score_codex":0.0000310024,"about_ca_system_score_gemma":0.000044879893,"threshold_uncertainty_score":0.7412143},"labels":[],"label_agreement":null},{"id":"W1535637186","doi":"","title":"The Artist and the Witness: Jane Urquhart’s The Underpainter and The Stone Carvers","year":2003,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Witness; Postmodernism; Combatant; Persona; Event (particle physics); History; Art history; Literature; Art; Law; Humanities; Archaeology; Political science","score_opus":0.015107893799600024,"score_gpt":0.23440158000223862,"score_spread":0.2192936862026386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535637186","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12901552,0.45662597,0.0000010498468,0.3024812,0.0029719488,0.0017112829,0.0002317504,0.000021344473,0.10693993],"genre_scores_gemma":[0.9834365,0.0037548533,0.0000012732729,0.003209909,0.00017872424,0.000059419504,0.0000019224992,0.000008676751,0.009348678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989662,0.00033170526,0.00015733048,0.00015974652,0.000092834955,0.00029214058],"domain_scores_gemma":[0.99865603,0.0009028452,0.00004760189,0.00025383648,0.0000826063,0.000057067795],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00097110594,0.00015361489,0.00018599354,0.000046104895,0.0021894996,0.0006178248,0.00016852573,0.00003019394,0.00002386852],"category_scores_gemma":[0.00021539845,0.000053327494,0.000052549563,0.00009223768,0.0054345336,0.00006928101,0.000042197527,0.0003504385,8.4542046e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003457555,0.0000015380225,0.00020674172,0.000007003415,0.000094958414,0.0000057345387,0.20958471,4.7822806e-7,6.7978085e-8,0.7725531,0.017350065,0.00016105748],"study_design_scores_gemma":[0.0009818053,0.0000142504705,0.00034664827,0.000058449146,0.000025177784,0.000012813154,0.113230824,0.000018824878,2.858439e-7,0.08040375,0.80481476,0.00009243074],"about_ca_topic_score_codex":0.018770924,"about_ca_topic_score_gemma":0.903003,"teacher_disagreement_score":0.8842321,"about_ca_system_score_codex":0.00004060445,"about_ca_system_score_gemma":0.00006247063,"threshold_uncertainty_score":0.9991095},"labels":[],"label_agreement":null},{"id":"W1538831892","doi":"","title":"Pour une lecture postcoloniale de la bande dessinée Ile Bourbon 1730 (2006) de Appollo et Lewis Trondheim.","year":2011,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Art history; Nous","score_opus":0.183718112934116,"score_gpt":0.48325819177315593,"score_spread":0.29954007883903994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538831892","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7043464,0.14060575,0.0009184236,0.004808772,0.0018892543,0.00074480777,0.0005597026,0.00007197202,0.1460549],"genre_scores_gemma":[0.95917404,0.024683617,0.00058332586,0.0014026788,0.00092372805,0.000054849887,0.000020305299,0.00013643916,0.013021009],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954225,0.0013715029,0.0010436936,0.00059954793,0.0005197547,0.0010430209],"domain_scores_gemma":[0.996619,0.00081255764,0.0010897246,0.0005634239,0.00038182316,0.0005334784],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026464004,0.00067796325,0.0011470736,0.0008525608,0.0011372477,0.003377314,0.0023308753,0.00039356013,0.045838013],"category_scores_gemma":[0.00027220257,0.00063858274,0.00053808664,0.00049460883,0.0011172367,0.0020385126,0.0006368821,0.0012642808,0.000028907982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017466317,0.0036694568,0.27390596,0.0005478912,0.0021430864,0.0006300488,0.063312516,0.00027594244,0.03293021,0.14080112,0.44273242,0.037304714],"study_design_scores_gemma":[0.0018245612,0.00010119589,0.2806333,0.0011698036,0.00051117694,0.00013803865,0.0019776248,0.00018798445,0.009940679,0.23923035,0.46309423,0.0011910447],"about_ca_topic_score_codex":0.025551055,"about_ca_topic_score_gemma":0.0056868945,"teacher_disagreement_score":0.25482762,"about_ca_system_score_codex":0.00026632738,"about_ca_system_score_gemma":0.0011429009,"threshold_uncertainty_score":0.99960655},"labels":[],"label_agreement":null},{"id":"W1539493746","doi":"10.26522/ti.v1i1.637","title":"_The Next Day: A Graphic Novella_: Book Review","year":2012,"lang":"en","type":"article","venue":"ti<","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Novella; Art; Computer science; Computer graphics (images); Literature","score_opus":0.04904167143851818,"score_gpt":0.24375265782066183,"score_spread":0.19471098638214365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539493746","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073057036,0.64261824,0.0000103880475,0.005979912,0.0009814315,0.00036490022,0.000023356293,0.00010307482,0.34261298],"genre_scores_gemma":[0.7914945,0.058278117,0.00002826016,0.03577641,0.0024568962,0.000067310226,0.000029790663,0.000052752643,0.11181597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942285,0.000037207166,0.00013534914,0.00009568836,0.00009603834,0.000212855],"domain_scores_gemma":[0.9995876,0.000040340048,0.000058728885,0.00020805595,0.000035262132,0.00007002009],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025562794,0.00010521357,0.00017121014,0.000054764405,0.00018366793,0.00005724903,0.00011343973,0.000017943994,0.012415694],"category_scores_gemma":[0.0000146648445,0.00007831375,0.000109129476,0.000041229578,0.00012037941,0.00024719778,0.000034230907,0.00009375615,0.00041101436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002601855,0.00005440701,0.00007162563,0.00012402494,0.00003062052,9.419531e-7,0.008649378,1.4186571e-8,0.00003149443,0.54837644,0.4399518,0.0027066297],"study_design_scores_gemma":[0.00008413314,0.0000186028,0.000079836056,0.00019270436,0.000025496907,0.0000026622142,0.00032923362,0.000003117306,0.000011301739,0.0013127507,0.9978199,0.000120250545],"about_ca_topic_score_codex":0.000019509269,"about_ca_topic_score_gemma":0.00004513904,"teacher_disagreement_score":0.7841888,"about_ca_system_score_codex":0.000005410259,"about_ca_system_score_gemma":0.000010327759,"threshold_uncertainty_score":0.98848706},"labels":[],"label_agreement":null},{"id":"W1540464788","doi":"","title":"The Learner as Teacher: Using Student Authored Comics to “Teach” Mathematics Concepts","year":2009,"lang":"en","type":"article","venue":"EdMedia: World Conference on Educational Media and Technology","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Constructive; Literacy; Mathematics education; Representation (politics); Pedagogy; Computer science; Multimedia; Sociology; Process (computing); Psychology; Political science; Artificial intelligence","score_opus":0.05435421177306886,"score_gpt":0.32934958687898364,"score_spread":0.27499537510591476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540464788","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19102517,0.0004843104,0.000021626089,0.7765195,0.0016294577,0.00048449408,0.000014891702,0.00015965539,0.029660914],"genre_scores_gemma":[0.9847289,0.00009955077,0.00038363828,0.000572743,0.00053597114,0.000048660615,0.000010102063,0.000016938007,0.013603527],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99899113,0.00003352834,0.0002446327,0.0002548918,0.00021284648,0.00026296888],"domain_scores_gemma":[0.99906987,0.0003047619,0.0001121315,0.00025993367,0.0001379757,0.0001153405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017505344,0.00017999121,0.00021396465,0.00037368078,0.00046462167,0.0001625203,0.00032426591,0.000070930015,0.00048130366],"category_scores_gemma":[0.00021376807,0.00013079768,0.00003158558,0.00017104253,0.0006452151,0.000045364002,0.000054644246,0.00033722023,0.000035798468],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007150916,0.00016621719,0.00030712163,0.000002229053,0.000021846725,0.0000010668256,0.015736448,3.0476227e-7,0.00013153012,0.97396654,0.0069279484,0.0027316234],"study_design_scores_gemma":[0.00022023148,0.00013982729,0.0005983385,0.00005900031,0.000018236207,0.000005808765,0.0070451954,0.00012282237,0.00007732439,0.9660831,0.02543191,0.00019819844],"about_ca_topic_score_codex":0.00002367511,"about_ca_topic_score_gemma":0.0010535415,"teacher_disagreement_score":0.79370373,"about_ca_system_score_codex":0.00003239612,"about_ca_system_score_gemma":0.00017040948,"threshold_uncertainty_score":0.53337747},"labels":[],"label_agreement":null},{"id":"W1544500428","doi":"","title":"Rise of the Eco-Comics: The State, Environmental Education and Canadian Comic Books, 1971-1975","year":2013,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Comics; Environmentalism; State (computer science); Environmental education; Media studies; Political science; Period (music); Comic strip; Public administration; Sociology; History; Law; Aesthetics; Art; Politics","score_opus":0.006616259748935235,"score_gpt":0.1958144569088316,"score_spread":0.18919819715989636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544500428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47702754,0.1318112,0.000002981382,0.011114705,0.0026612873,0.0056170146,0.0018437462,0.000111391804,0.36981013],"genre_scores_gemma":[0.91545236,0.026426654,0.00010708247,0.0028953832,0.00076817936,0.00023197598,0.00012448405,0.000051298397,0.05394258],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910426,0.00020155731,0.0002662174,0.00016781296,0.00007597929,0.00018416828],"domain_scores_gemma":[0.9993944,0.000016535887,0.00018272229,0.00028624313,0.000029129074,0.00009092719],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001789053,0.00019120167,0.00026620453,0.00002314393,0.0003530834,0.00022501504,0.00026821106,0.0000666068,0.0014535221],"category_scores_gemma":[0.000014873665,0.00009842822,0.0001022441,0.00003437454,0.00036439588,0.000091641254,0.00006570883,0.00015799118,0.000018569457],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011554417,0.00011892145,0.00039438167,0.0015801274,0.00011381776,0.0000017348558,0.074452326,0.0000012115167,0.004584848,0.16622293,0.7490429,0.0034752414],"study_design_scores_gemma":[0.00010452528,0.000020013997,0.00071226823,0.0005614829,0.000054271222,0.000030548217,0.002741244,0.000004438252,0.00020701562,0.0026316193,0.9927798,0.00015279642],"about_ca_topic_score_codex":0.027373971,"about_ca_topic_score_gemma":0.036109705,"teacher_disagreement_score":0.43842483,"about_ca_system_score_codex":0.000034842913,"about_ca_system_score_gemma":0.000053426407,"threshold_uncertainty_score":0.99945927},"labels":[],"label_agreement":null},{"id":"W1549538169","doi":"","title":"THE LIBRARY OF CONGRESS, Enduring Outrage: Editorial Cartoons by Herb Block","year":2007,"lang":"en","type":"article","venue":"Archivaria","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Outrage; Block (permutation group theory); Political science; Law; Mathematics","score_opus":0.008558041113170697,"score_gpt":0.2060286670688295,"score_spread":0.19747062595565879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549538169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16477616,0.000945407,0.000038492362,0.0026309348,0.06547198,0.0003899903,0.00031062492,0.0001410716,0.7652953],"genre_scores_gemma":[0.97879606,0.000044323257,0.000026640299,0.00004505778,0.014329368,0.000003740661,0.0000125813895,0.000015092151,0.0067271474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927175,0.000035654055,0.00022290107,0.00011569088,0.00014553391,0.00020848488],"domain_scores_gemma":[0.99921775,0.0004393853,0.000080332655,0.00018838064,0.000023570163,0.000050605133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019714484,0.00009325326,0.000113870316,0.0000391366,0.00040152099,0.00012475302,0.00021665593,0.000023702072,0.0001324542],"category_scores_gemma":[0.00002384659,0.00006367354,0.00007380654,0.000026908587,0.0003363284,0.00011587115,0.00007415972,0.00017561168,0.0000053514195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004539739,0.000027212902,0.00020141958,0.000005439309,0.000036677084,0.0000016129077,0.006956672,3.307629e-7,0.0007615595,0.7438733,0.24767312,0.0004172409],"study_design_scores_gemma":[0.00026219725,0.000046473186,0.00028614033,0.0000137934485,0.000009687864,6.713073e-7,0.0010309459,0.000008328076,0.0014679966,0.045503046,0.9512804,0.00009031565],"about_ca_topic_score_codex":0.0001335297,"about_ca_topic_score_gemma":0.00017790007,"teacher_disagreement_score":0.81401986,"about_ca_system_score_codex":0.000002637753,"about_ca_system_score_gemma":0.000032390017,"threshold_uncertainty_score":0.30882153},"labels":[],"label_agreement":null},{"id":"W1549580315","doi":"","title":"Expressions of nationalism and national identity in Québécois bande dessinée","year":2012,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nationalism; French; National identity; Politics; Identity (music); Humanities; Ideology; Ethnology; Sociology; History; Political science; Art; Aesthetics; Law","score_opus":0.031262905135066583,"score_gpt":0.29284978142949786,"score_spread":0.2615868762944313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549580315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7538032,0.0016840332,0.0000031680092,0.00011085197,0.0005072242,0.0001251853,0.00009552633,0.000010716982,0.24366009],"genre_scores_gemma":[0.97533154,0.00007921052,0.000029829553,0.000032420594,0.00015989949,0.000021815198,0.00040003323,0.000009303105,0.023935962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999265,0.000024186125,0.0002497936,0.000119703756,0.00025821378,0.00008308845],"domain_scores_gemma":[0.99947083,0.00009400214,0.00014076396,0.000052752952,0.0002123325,0.000029329562],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015822942,0.000108124674,0.00016801576,0.0002946388,0.000115094634,0.00005635002,0.00007567362,0.0000736333,0.0024017845],"category_scores_gemma":[0.00003866844,0.00009174891,0.000050395185,0.000036158577,0.00007264799,0.00033538364,0.0000139044905,0.00011460362,0.0000025396334],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001225724,0.0000685504,0.00058978325,0.000055178338,0.000020815747,1.7082826e-7,0.039208993,2.7837999e-7,0.00021634316,0.9588514,0.00071636704,0.00025986286],"study_design_scores_gemma":[0.0011185633,0.00004699934,0.33446437,0.0006430675,0.00007058747,0.0000015811396,0.072247095,0.00007487219,0.00049173343,0.5065718,0.083514646,0.0007546308],"about_ca_topic_score_codex":0.002982388,"about_ca_topic_score_gemma":0.35391518,"teacher_disagreement_score":0.45227954,"about_ca_system_score_codex":0.000016108102,"about_ca_system_score_gemma":0.00011111203,"threshold_uncertainty_score":0.9985102},"labels":[],"label_agreement":null},{"id":"W1550162903","doi":"","title":"Learning by Communicating Concepts Through Comics","year":2007,"lang":"en","type":"article","venue":"Society for Information Technology & Teacher Education International Conference","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Computer science; Epistemology; Sociology; Artificial intelligence; Philosophy","score_opus":0.029868914058866852,"score_gpt":0.32541832018216565,"score_spread":0.29554940612329883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550162903","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08517655,0.0005190512,0.08988053,0.022923525,0.002560902,0.0011863504,0.00018548538,0.0014101489,0.7961575],"genre_scores_gemma":[0.9829397,0.00009687452,0.0055610132,0.0009096702,0.00013715951,0.00010705547,0.0006318378,0.000015677906,0.009600999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991754,0.000010572047,0.0003855013,0.000112679794,0.00013958295,0.00017620897],"domain_scores_gemma":[0.998803,0.00007098079,0.00037140583,0.00017008971,0.0005572943,0.000027188278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035126548,0.00012642365,0.0001157746,0.00012571488,0.0004400001,0.00017971951,0.00044236667,0.00013050565,0.00033474158],"category_scores_gemma":[0.000100185134,0.00013302933,0.00012479801,0.000086512126,0.00044150554,0.000758123,0.000072147894,0.00033759212,0.000018676483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000674513,0.000061929386,0.00083515875,0.000009516456,0.000056067456,4.9297837e-9,0.046650164,6.251795e-7,0.00009957368,0.87596416,0.057104673,0.019211367],"study_design_scores_gemma":[0.00028392253,0.000039425926,0.000022402712,0.00002337401,0.0000085988995,0.0000011808099,0.18793714,0.0005296504,0.00027872447,0.015701722,0.795035,0.00013884057],"about_ca_topic_score_codex":0.00010910505,"about_ca_topic_score_gemma":0.00006244263,"teacher_disagreement_score":0.89776313,"about_ca_system_score_codex":0.00008463806,"about_ca_system_score_gemma":0.00010821774,"threshold_uncertainty_score":0.54247785},"labels":[],"label_agreement":null},{"id":"W1551350170","doi":"10.2218/forum.13.675","title":"Rape and Revenge in Graphic Detail: Neil Gaiman's \"Calliope,\" in The Sandman Comic Series","year":2011,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Fantasy; Literature; Comics; Psyche; Depiction; Metanarrative; Subject (documents); Narrative; Psychoanalysis; Art; Psychology","score_opus":0.031254513321194374,"score_gpt":0.1952039380794749,"score_spread":0.1639494247582805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551350170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97922575,0.0011804936,0.000005079553,0.009670153,0.000214,0.0001806146,0.000012255472,0.0000045405936,0.009507112],"genre_scores_gemma":[0.99761736,0.0012334483,0.000038581864,0.00023103118,0.0000742943,1.8502709e-7,0.000001560043,0.0000052266123,0.0007983329],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99909455,0.00011139122,0.00028686645,0.00010696733,0.00019709308,0.00020316531],"domain_scores_gemma":[0.99923366,0.00006707391,0.00033467196,0.00015372848,0.00016382025,0.000047017587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059981697,0.00014766042,0.0002941837,0.00023099918,0.000315123,0.000047827525,0.00043977035,0.000045831966,0.00014971745],"category_scores_gemma":[0.000019911224,0.00008671078,0.00015888798,0.00013445482,0.0005880022,0.00049489795,0.00007306438,0.0003885373,3.8350092e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016218906,0.00040047147,0.022593845,0.000028884182,0.00022893828,0.00025415298,0.7849831,0.000009204841,0.00048214,0.13830794,0.050192766,0.000896651],"study_design_scores_gemma":[0.003333181,0.00199101,0.045922123,0.00045023527,0.00022415527,0.00025167025,0.52797425,0.000050444723,0.00011964355,0.11049667,0.30874768,0.0004389555],"about_ca_topic_score_codex":0.0003425256,"about_ca_topic_score_gemma":0.008724106,"teacher_disagreement_score":0.2585549,"about_ca_system_score_codex":0.000013394573,"about_ca_system_score_gemma":0.000026182544,"threshold_uncertainty_score":0.4868256},"labels":[],"label_agreement":null},{"id":"W1552179201","doi":"","title":"BOOK REVIEW ON YANN MARTEL’S “LIFE OF PI”","year":2013,"lang":"en","type":"article","venue":"LANTERN:Journal on English Language, Culture and Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Strengths and weaknesses; Fantasy; Face (sociological concept); Front cover; Cover (algebra); Reading (process); Aesthetics; Psychoanalysis; Front (military); Literature; Art; Psychology; History; Art history; Philosophy; Linguistics; Social psychology; Engineering","score_opus":0.0058523285542684145,"score_gpt":0.2154978265049901,"score_spread":0.20964549795072168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552179201","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0507582,0.8384825,0.0000015378512,0.0039178357,0.001453936,0.0004988495,0.00024834095,0.00006877072,0.104570046],"genre_scores_gemma":[0.37819558,0.16231687,0.000065122105,0.17949411,0.010965199,0.000052665746,0.0002785013,0.000099097895,0.26853287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989155,0.00009145742,0.00034147935,0.00020239016,0.00024108653,0.00020809357],"domain_scores_gemma":[0.999087,0.000047236117,0.0002175101,0.00019979152,0.00030840162,0.00014009699],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014132593,0.00025214438,0.00039473223,0.00010498616,0.00016810991,0.00048518294,0.00018886887,0.00009348255,0.004156265],"category_scores_gemma":[0.000094445626,0.00014507725,0.00018976427,0.00006137497,0.00008063558,0.0003503285,0.0000257785,0.00069247955,0.000020078542],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004246442,0.00008638691,0.000024355153,0.00032229826,0.00009298699,0.000076908735,0.12926547,2.0279737e-7,0.000057316447,0.01606622,0.85294676,0.0010186102],"study_design_scores_gemma":[0.00045592542,0.00034929006,0.00005554053,0.0041789296,0.000034404817,0.0000436432,0.005641127,0.0000022673023,0.00003555657,0.00019232905,0.9888156,0.00019535255],"about_ca_topic_score_codex":0.000009266699,"about_ca_topic_score_gemma":0.000012164102,"teacher_disagreement_score":0.6761656,"about_ca_system_score_codex":0.0000075005532,"about_ca_system_score_gemma":0.000011761804,"threshold_uncertainty_score":0.99675405},"labels":[],"label_agreement":null},{"id":"W1562595710","doi":"","title":"He Shaoji's Postural Way of Writing and Psychological Frustration and Adjustment: Case Study on Calligraphy Literature From a Psychological Approach","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Calligraphy; Frustration; Psychology; Dismissal; Compensation (psychology); Social psychology; Aesthetics; Cognitive psychology; Visual arts; Art; Law; Painting; Political science","score_opus":0.052764848577849084,"score_gpt":0.33516596592126485,"score_spread":0.2824011173434158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562595710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94938576,0.048190143,0.0000010455615,0.00015103648,0.00012633191,0.0002897637,0.00009605675,0.000017626466,0.0017422456],"genre_scores_gemma":[0.99831927,0.00075651734,0.00014298415,0.00027191231,0.00036516858,0.000028036757,0.000035537345,0.0000072406256,0.000073357754],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99886966,0.00017378757,0.0002641525,0.0004332247,0.00010213718,0.0001570311],"domain_scores_gemma":[0.99946356,0.00020067766,0.00007626115,0.00015665354,0.00005683413,0.000046032095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022340611,0.00022314338,0.0003558185,0.00013774808,0.00018877385,0.00016455413,0.000054819673,0.000095957395,0.000008549952],"category_scores_gemma":[0.000041762778,0.000138004,0.00004219242,0.00010365926,0.00034822166,0.000118632866,0.000058637186,0.00035622093,9.748679e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021114346,0.0007605271,0.007675511,0.00011562346,0.00018284484,0.0005218966,0.93423945,1.3123521e-7,0.00016464577,0.043005265,0.00047020422,0.012652779],"study_design_scores_gemma":[0.0050466107,0.0061295694,0.1559626,0.0010536581,0.00016622037,0.00063754915,0.81409776,0.000085372485,0.000011460271,0.014802134,0.0011710719,0.0008359641],"about_ca_topic_score_codex":0.000057204572,"about_ca_topic_score_gemma":0.000344237,"teacher_disagreement_score":0.14828709,"about_ca_system_score_codex":0.0000034821735,"about_ca_system_score_gemma":6.9710853e-7,"threshold_uncertainty_score":0.562764},"labels":[],"label_agreement":null},{"id":"W1567070831","doi":"10.7202/1047801ar","title":"INTÉGRER LA LECTURE MULTIMODALE ET CRITIQUE EN CLASSE D’HISTOIRE : ÉTUDE DE CAS EXPLORATOIRE","year":2018,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04315649208620472,"score_gpt":0.3110076513378163,"score_spread":0.2678511592516116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567070831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7207021,0.0573947,0.033122472,0.0955549,0.0038083876,0.003438332,0.0017857944,0.0010069226,0.0831864],"genre_scores_gemma":[0.89653456,0.010675122,0.026716055,0.0023113242,0.0060713794,0.00053765567,0.00014959663,0.0003577053,0.056646626],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902558,0.0058433004,0.0010668162,0.0011422338,0.00031568727,0.0013761761],"domain_scores_gemma":[0.99383193,0.0035141024,0.00043999607,0.00096794526,0.0006690088,0.0005770201],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0037651807,0.0009992786,0.0010923931,0.0003676344,0.0012125941,0.00089274347,0.00081747654,0.0019582896,0.00078134413],"category_scores_gemma":[0.0020766864,0.0011480611,0.00061139883,0.0003976289,0.0018021489,0.0008761996,0.00029287708,0.003038608,0.00011340103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030708982,0.0018848715,0.003467105,0.0017709965,0.0007125125,0.00048638709,0.60551965,0.0006218499,0.0040665674,0.24653883,0.008546597,0.12607755],"study_design_scores_gemma":[0.0031431138,0.0014413428,0.015352087,0.003596699,0.00048669244,0.0005536008,0.027849227,0.059827548,0.0055724704,0.050666608,0.8280649,0.0034456917],"about_ca_topic_score_codex":0.016208842,"about_ca_topic_score_gemma":0.04361524,"teacher_disagreement_score":0.8195183,"about_ca_system_score_codex":0.001935114,"about_ca_system_score_gemma":0.0018146147,"threshold_uncertainty_score":0.9993374},"labels":[],"label_agreement":null},{"id":"W1574452192","doi":"","title":"Thinking about Photography in Comics","year":2015,"lang":"en","type":"article","venue":"Image & narrative","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Comics; Art; Narrative; Photography; Humanities; Visual arts; Literature","score_opus":0.03496508988369924,"score_gpt":0.25964854023643047,"score_spread":0.22468345035273124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574452192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39487153,0.000779801,0.0001363692,0.0014098404,0.0007749952,0.0004575399,0.000050993178,0.000215418,0.6013035],"genre_scores_gemma":[0.99496996,0.00001876319,0.00046095366,0.00045201927,0.0002259603,0.000030254563,0.000013967474,0.000035360394,0.0037927537],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990655,0.000078369376,0.00021741416,0.0002145617,0.0001980254,0.00022611997],"domain_scores_gemma":[0.9994624,0.000047877555,0.00009866399,0.00017107953,0.00013300212,0.00008695745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003018968,0.00016555225,0.00022164143,0.00029474357,0.00018074519,0.0002564083,0.00020836212,0.000036447735,0.00033409917],"category_scores_gemma":[0.00004126778,0.00014467892,0.000081687554,0.00013550649,0.00040918693,0.00030599974,0.00005527389,0.00020241889,0.00002256245],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000497786,0.00010060184,0.0011289264,0.000006447078,0.00003464217,0.000025937014,0.73188525,0.0000022742577,0.00017660562,0.22732888,0.03887703,0.00038364888],"study_design_scores_gemma":[0.002654615,0.0002775144,0.0006825976,0.00013683499,0.000013285457,0.0000049922032,0.43388596,0.00036656437,0.000611201,0.17084491,0.38982773,0.0006938076],"about_ca_topic_score_codex":0.00087047706,"about_ca_topic_score_gemma":0.008104499,"teacher_disagreement_score":0.60009843,"about_ca_system_score_codex":0.000026264011,"about_ca_system_score_gemma":0.00004912991,"threshold_uncertainty_score":0.5899836},"labels":[],"label_agreement":null},{"id":"W1578953719","doi":"","title":"The Slow Demise of Modernism, Aleatory Keepsakes, ’70s Trauma and Looking through the Glass Darkly in Colum McCann’s Let the Great World Spin","year":2013,"lang":"en","type":"article","venue":"Image & narrative","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Art; Humanities; Art history; Dictatorship; Cartography; Ethnology; History; Geography; Politics; Political science; Law","score_opus":0.019110089236577588,"score_gpt":0.24340850076451861,"score_spread":0.22429841152794103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578953719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80573815,0.019911127,0.00014945761,0.04985393,0.00068109744,0.0030657502,0.00013467488,0.00006950863,0.12039628],"genre_scores_gemma":[0.9866237,0.0004408563,0.00004068314,0.0012179385,0.00018266129,0.00021221308,0.0000049974933,0.000025673411,0.011251259],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998378,0.0003115509,0.00042229067,0.0002857827,0.0002668311,0.00033559432],"domain_scores_gemma":[0.9984947,0.0005783494,0.00024258089,0.00041237968,0.00022954674,0.000042485855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000468361,0.00025507645,0.00031300334,0.000058582806,0.0012128247,0.00042118257,0.00043783296,0.00003741539,0.00041942988],"category_scores_gemma":[0.000077426565,0.0001284086,0.000117705065,0.0001211119,0.0020442167,0.0005170756,0.000108998276,0.00043705586,0.0000069325893],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105259496,0.00011223211,0.0007137834,0.00007948421,0.00023616602,0.000010368608,0.79210424,0.000012620683,0.000661858,0.10131624,0.0948758,0.009771911],"study_design_scores_gemma":[0.0024637596,0.00037230263,0.010488482,0.00089059025,0.00013443545,0.000016611317,0.46216896,0.0032987285,0.001069056,0.108913556,0.40926582,0.00091770635],"about_ca_topic_score_codex":0.0022361905,"about_ca_topic_score_gemma":0.036219675,"teacher_disagreement_score":0.3299353,"about_ca_system_score_codex":0.00003881647,"about_ca_system_score_gemma":0.00006539303,"threshold_uncertainty_score":0.9813668},"labels":[],"label_agreement":null},{"id":"W1580993203","doi":"10.22230/cjc.2004v29n3a1485","title":"Review Essay: Assessing Contemporary Comics Scholarship","year":2004,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Comics; Scholarship; Sociology; Aesthetics; Art; Literature; Political science; Law","score_opus":0.10713158449774955,"score_gpt":0.2959613845601156,"score_spread":0.18882980006236605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1580993203","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059915677,0.5832993,0.0002646505,0.05243706,0.0006747817,0.00037090984,0.00003224812,0.00003601487,0.30296937],"genre_scores_gemma":[0.99411017,0.003362502,0.00031328454,0.0019020387,0.0000762365,0.0000011539613,0.000009339589,0.000015609441,0.0002096979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993968,0.00010672696,0.00030000115,0.00003956239,0.00006584926,0.00009107899],"domain_scores_gemma":[0.9989573,0.00003999525,0.00032297143,0.00027682178,0.00022964932,0.00017327939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057249947,0.00006712657,0.00016268935,0.00017400643,0.00032839586,0.0002271237,0.00036648926,0.000023353712,0.00011571276],"category_scores_gemma":[0.00008747107,0.00006156283,0.000072620925,0.00005066857,0.00019756102,0.0004726567,0.000010655018,0.00026961954,0.000004181137],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005314178,0.000036323876,0.0014887047,0.00013014642,0.00008287866,0.000017727429,0.01394766,0.000010001275,0.000024994302,0.9373501,0.041650124,0.0052560596],"study_design_scores_gemma":[0.00045931755,0.00004227744,0.00063253206,0.0042727874,0.000025998223,0.000035103447,0.0018148322,0.0000024824749,0.000015820446,0.052621435,0.93994105,0.00013636464],"about_ca_topic_score_codex":0.0044764588,"about_ca_topic_score_gemma":0.06403385,"teacher_disagreement_score":0.93419445,"about_ca_system_score_codex":0.00009179667,"about_ca_system_score_gemma":0.0012604101,"threshold_uncertainty_score":0.95304507},"labels":[],"label_agreement":null},{"id":"W1585322900","doi":"10.26522/vp.v9i1.598","title":"L’innovation en autobiographie selon Jung : une exploration du média de la bande dessinée","year":2012,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; Humanities","score_opus":0.01842399366736307,"score_gpt":0.24304213648489964,"score_spread":0.22461814281753656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585322900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8757315,0.017402662,0.0024597044,0.0665717,0.0036142168,0.00046215407,0.00019158827,0.00020276655,0.03336369],"genre_scores_gemma":[0.97249645,0.0051581194,0.000421103,0.0002685229,0.0030899807,0.0000450139,0.00011413873,0.000049471022,0.018357182],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998198,0.00038358147,0.00045568912,0.00024603473,0.00019746205,0.0005192468],"domain_scores_gemma":[0.99884504,0.0004339863,0.00022236488,0.00022403176,0.00016031177,0.00011426564],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010439517,0.00030928085,0.00023104795,0.0005415483,0.0010916935,0.00043209887,0.00015717608,0.00025530925,0.0005960759],"category_scores_gemma":[0.00007911967,0.00030429143,0.00014847281,0.00055599515,0.00071145623,0.0010656967,0.00006224114,0.00032772252,0.000057836398],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036082947,0.0003279552,0.0057033515,0.00006603262,0.000117040196,0.0000050644285,0.10504768,0.00003269496,0.0005752095,0.84667337,0.033661615,0.007753915],"study_design_scores_gemma":[0.0005022441,0.0000814454,0.008240155,0.0001441902,0.000106997395,0.000011686562,0.010918228,0.0005344945,0.00082654523,0.029138755,0.94910264,0.000392596],"about_ca_topic_score_codex":0.0014782047,"about_ca_topic_score_gemma":0.00090713677,"teacher_disagreement_score":0.91544104,"about_ca_system_score_codex":0.000061122046,"about_ca_system_score_gemma":0.000104282684,"threshold_uncertainty_score":0.99994093},"labels":[],"label_agreement":null},{"id":"W1589819512","doi":"","title":"Gilles Laporte et Vincent Partel, Légendes d’un peuple. La bande dessinée, Québec, Septentrion, 2014, 64 pagesGilles Laporte et Vincent Partel, Légendes d’un peuple. La bande dessinée, Québec, Septentrion, 2014, 64 pages","year":2015,"lang":"fr","type":"article","venue":"Les cahiers de lecture de l'Action nationale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège Montmorency","funders":"","keywords":"Art; Humanities","score_opus":0.023412036366027726,"score_gpt":0.2570496543936962,"score_spread":0.23363761802766847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589819512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3643953,0.35444102,0.036053363,0.1956031,0.007280079,0.0042628013,0.0037472073,0.0015775512,0.032639585],"genre_scores_gemma":[0.9003624,0.0597213,0.0013794863,0.004366984,0.0018248869,0.00038128535,0.0014289366,0.00030365807,0.030231105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9901612,0.002847127,0.0018255387,0.0016745339,0.0017874481,0.0017041496],"domain_scores_gemma":[0.99244934,0.0025057918,0.0015449922,0.0009120741,0.0014931558,0.0010946436],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0035393438,0.0015964601,0.0013861264,0.0009465266,0.0030605248,0.0013955699,0.00083706086,0.0015208637,0.006684106],"category_scores_gemma":[0.00069343735,0.0015115133,0.0010067174,0.0004799514,0.002106045,0.0013623248,0.00021920032,0.002767164,0.0001840405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009892316,0.002656794,0.01934918,0.0004864581,0.0028470105,0.00043899097,0.05325261,0.0050758193,0.0006497534,0.19476557,0.6952944,0.02419418],"study_design_scores_gemma":[0.0032781898,0.00033678274,0.012141025,0.0003157394,0.0007454158,0.00050874695,0.011814756,0.0019542424,0.0009297252,0.012481435,0.95379996,0.001693974],"about_ca_topic_score_codex":0.014640807,"about_ca_topic_score_gemma":0.2532704,"teacher_disagreement_score":0.53596705,"about_ca_system_score_codex":0.0031843262,"about_ca_system_score_gemma":0.0037171585,"threshold_uncertainty_score":0.99977535},"labels":[],"label_agreement":null},{"id":"W1591125298","doi":"10.26522/vp.v9i2.670","title":"Les choix des créatrices de bande dessinée","year":2012,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03618353789766255,"score_gpt":0.2603035975745073,"score_spread":0.22412005967684473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1591125298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73994577,0.19500276,0.00039934425,0.011134263,0.0018991478,0.00019673006,0.00023554554,0.00009708767,0.051089335],"genre_scores_gemma":[0.88926077,0.006593656,0.00078232493,0.00017583815,0.0035558527,0.000021663687,0.000012494318,0.000050554394,0.099546865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813485,0.00017771772,0.00035136234,0.0002499325,0.00019268347,0.0008934364],"domain_scores_gemma":[0.9988334,0.00035256473,0.00015543759,0.0002562323,0.000104067534,0.00029830536],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046176705,0.0003472375,0.00027497407,0.00019243028,0.0016065876,0.00045406466,0.00026089317,0.00019069537,0.004057952],"category_scores_gemma":[0.00006371102,0.0003139177,0.00023922042,0.00011147865,0.001384591,0.0006106226,0.00010040372,0.00031841575,0.00016357056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038696533,0.0004187674,0.021567382,0.0001923605,0.00017714847,0.00000870423,0.13484986,0.000012145278,0.00009908596,0.79753715,0.015538444,0.029560244],"study_design_scores_gemma":[0.00033975227,0.000093107206,0.009540552,0.00018210377,0.00013835276,0.000018559016,0.011066179,0.00013015972,0.00050475675,0.01454804,0.96300757,0.00043089018],"about_ca_topic_score_codex":0.009673777,"about_ca_topic_score_gemma":0.004714104,"teacher_disagreement_score":0.9474691,"about_ca_system_score_codex":0.00007936083,"about_ca_system_score_gemma":0.00009183152,"threshold_uncertainty_score":0.9999313},"labels":[],"label_agreement":null},{"id":"W1594742187","doi":"","title":"Review of Di Liddo's Alan Moore: Comics as Performance, Fiction as Scalpel","year":2011,"lang":"en","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Comics; Art; Art history; Literature","score_opus":0.030301839458346493,"score_gpt":0.19088800012458138,"score_spread":0.16058616066623488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594742187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.554137,0.0023382436,0.00002683416,0.0003562995,0.0002338844,0.00027627585,0.000050874354,0.000057158213,0.44252342],"genre_scores_gemma":[0.9724063,0.012709782,0.00019881804,0.00020387348,0.0000673899,4.1063296e-7,0.000023094306,0.000015010034,0.014375269],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994452,0.0000296658,0.00013998782,0.00014415543,0.0001275937,0.000113376045],"domain_scores_gemma":[0.9993807,0.00002235943,0.00021351204,0.0002025709,0.00012399718,0.000056874393],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011535203,0.000101760445,0.00025491815,0.00015250064,0.00018915719,0.000008353151,0.00022007986,0.000047431346,0.0023335866],"category_scores_gemma":[0.000008703899,0.00011096716,0.00013250642,0.00009532383,0.0003099066,0.000208756,0.00008218402,0.00009645088,0.000031936626],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005402468,0.001004389,0.01696111,0.0055709733,0.0004546959,0.000025410041,0.10908246,0.0000027068866,0.00016470686,0.705646,0.1332649,0.027282437],"study_design_scores_gemma":[0.0016510386,0.0011566264,0.022759227,0.0043721846,0.00023735286,0.000011341682,0.023903001,0.0005147082,0.00022247707,0.0048906673,0.9397293,0.0005521212],"about_ca_topic_score_codex":0.001647842,"about_ca_topic_score_gemma":0.0006340675,"teacher_disagreement_score":0.8064644,"about_ca_system_score_codex":0.000012361885,"about_ca_system_score_gemma":0.000044033193,"threshold_uncertainty_score":0.9985784},"labels":[],"label_agreement":null},{"id":"W1596736415","doi":"","title":"Drawn to Change: Comics and Critical Consciousness","year":2014,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Cartoonist; Comics; Empire; Consciousness; Art history; Art; Performance art; History; Literature; Media studies; Sociology; Philosophy; Law; Political science; Ancient history; Politics; Epistemology","score_opus":0.03272816740780548,"score_gpt":0.23661916420914986,"score_spread":0.20389099680134437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596736415","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11373377,0.000003977206,0.00048217093,0.003183931,0.00043735583,0.00049982505,0.00007929605,0.00025778677,0.8813219],"genre_scores_gemma":[0.99571157,0.0027156551,0.00019535517,0.0008002081,0.00029827392,0.0000033248625,0.0000054453867,0.000028631337,0.00024154066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992656,0.00006949565,0.000082236824,0.00026021278,0.00009193634,0.00023051482],"domain_scores_gemma":[0.99946463,0.00012891534,0.000030263313,0.00018321806,0.00008303918,0.000109952416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000095201656,0.00014612112,0.00018498435,0.0037352943,0.00043180515,0.00019778105,0.0001657218,0.000044533503,0.00007946359],"category_scores_gemma":[0.000050198738,0.00014788221,0.000048198548,0.0006122349,0.00046011087,0.00019660559,0.00014711154,0.000104896266,0.000012211417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005123178,0.000075940705,0.0003515911,0.000037555517,0.000027305901,0.000017949464,0.07454745,1.4578539e-7,0.0000028267189,0.9130275,0.0019137227,0.009946743],"study_design_scores_gemma":[0.000409342,0.00014893882,0.000049844024,0.000029751984,0.00002753538,0.000002737103,0.0034691852,0.0001373461,0.000015049443,0.00005355512,0.99544156,0.00021514716],"about_ca_topic_score_codex":0.02282912,"about_ca_topic_score_gemma":0.08313783,"teacher_disagreement_score":0.9935278,"about_ca_system_score_codex":0.000021116535,"about_ca_system_score_gemma":0.00004544075,"threshold_uncertainty_score":0.9836779},"labels":[],"label_agreement":null},{"id":"W1598578353","doi":"10.4000/strenae.1337","title":"Nicolas Rouvière, Bande dessinée et enseignement des humanités","year":2014,"lang":"fr","type":"article","venue":"Strenae","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.028947586518479496,"score_gpt":0.25307596473250904,"score_spread":0.22412837821402953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1598578353","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30834585,0.019939996,0.0010980582,0.0047402843,0.0034321833,0.0003974798,0.0002664179,0.00013083531,0.66164887],"genre_scores_gemma":[0.9133498,0.00088401855,0.0005126955,0.0006814851,0.0012670461,0.000028951768,0.000046575762,0.000047536105,0.08318187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982104,0.00024609224,0.00039651478,0.00037983182,0.00023784439,0.0005293706],"domain_scores_gemma":[0.9990051,0.00018791374,0.00015272145,0.0003625592,0.00013583685,0.00015590314],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040507133,0.00034543467,0.0003348822,0.00014359769,0.0012058842,0.00060249737,0.00023933219,0.00011166591,0.005931833],"category_scores_gemma":[0.00004337143,0.00032159127,0.00021100194,0.00006286083,0.00094983034,0.0002709712,0.00011034695,0.00031485799,0.00017161811],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021520236,0.00025797752,0.0004739599,0.00011169573,0.000093708084,0.000006274687,0.023326159,0.000016446826,0.0000697542,0.91720814,0.023899717,0.034514662],"study_design_scores_gemma":[0.00075914967,0.00047871753,0.0027163974,0.00029601846,0.00008789806,0.000004112883,0.0049640895,0.00048578507,0.00020582162,0.11195733,0.87760574,0.00043893044],"about_ca_topic_score_codex":0.0018194985,"about_ca_topic_score_gemma":0.021603167,"teacher_disagreement_score":0.85370606,"about_ca_system_score_codex":0.00007711637,"about_ca_system_score_gemma":0.00008108756,"threshold_uncertainty_score":0.9999236},"labels":[],"label_agreement":null},{"id":"W1602700457","doi":"","title":"Establishing Relations. Photography in Wordless Comics","year":2015,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Comics; Art; Narrative; Humanities; Comic strip; Photography; Visual arts; Art history; Literature","score_opus":0.0714215184334529,"score_gpt":0.2285227725837491,"score_spread":0.1571012541502962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602700457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22088492,0.0001385053,0.00008310147,0.00050586514,0.00027865494,0.00009268155,0.0000059250433,0.000087195396,0.77792317],"genre_scores_gemma":[0.9852701,0.0000071004356,0.00022765013,0.00017331503,0.00008680945,0.000007393321,0.0000066618254,0.000013212008,0.014207793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995851,0.000019959569,0.00012205036,0.00009424016,0.0000755558,0.00010307653],"domain_scores_gemma":[0.999739,0.00004504105,0.000030569838,0.00010018116,0.000037015172,0.000048175756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016648303,0.000061441766,0.00008489213,0.00024531304,0.00006177729,0.00016740823,0.0000828059,0.000020018193,0.0004073274],"category_scores_gemma":[0.000022296404,0.000052823234,0.000031066025,0.00009552585,0.0000893341,0.00020322723,0.000023266462,0.00008576271,0.000013356503],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006742101,0.00003599593,0.012144049,0.0000014587517,0.00000587724,0.0000014897216,0.027532008,0.000007972146,0.0000025192355,0.9177967,0.042129245,0.00033596708],"study_design_scores_gemma":[0.0010352052,0.00004571836,0.0009775313,0.000033785058,0.0000062468903,9.734066e-7,0.058130395,0.0012664171,0.00001875583,0.14188534,0.79631066,0.00028895825],"about_ca_topic_score_codex":0.0021134773,"about_ca_topic_score_gemma":0.028640838,"teacher_disagreement_score":0.77591133,"about_ca_system_score_codex":0.000009537396,"about_ca_system_score_gemma":0.00001878431,"threshold_uncertainty_score":0.98908395},"labels":[],"label_agreement":null},{"id":"W1603674947","doi":"","title":"Femme d'escrime","year":2002,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06446401179859822,"score_gpt":0.22911680303920984,"score_spread":0.1646527912406116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603674947","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60900694,0.0031972327,1.396383e-7,0.0033412308,0.0010065316,0.00013175601,0.000069404006,0.000060118135,0.38318664],"genre_scores_gemma":[0.9321723,0.00015364573,0.0000044442068,0.0018450739,0.00037537186,0.000041859705,0.0000015138694,0.0000131122315,0.06539269],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918807,0.000016478949,0.00012766685,0.00016366922,0.0000760021,0.0004281187],"domain_scores_gemma":[0.99946886,0.000039221046,0.000028903556,0.00014631695,0.000091858674,0.00022485133],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006775663,0.00013171641,0.00019000671,0.00019341291,0.0006551879,0.00009986262,0.00011251996,0.000018467266,0.0049755005],"category_scores_gemma":[0.00003770949,0.00011433911,0.000047855563,0.000051912502,0.0003196029,0.00008926858,0.000022626553,0.00008347102,0.0002895987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016278439,0.000015529886,0.00016186839,0.000015205194,0.0002004376,0.000027781292,0.303312,2.9923694e-7,0.0000033162464,0.6177729,0.077392876,0.0010961678],"study_design_scores_gemma":[0.00014480202,0.00005852272,0.000041423318,0.000011345828,0.00000749971,0.0000011490899,0.16439216,0.000009906033,0.000002332982,0.023160191,0.8119861,0.00018454541],"about_ca_topic_score_codex":0.001062545,"about_ca_topic_score_gemma":0.15017462,"teacher_disagreement_score":0.7345932,"about_ca_system_score_codex":0.00020757366,"about_ca_system_score_gemma":0.00003147411,"threshold_uncertainty_score":0.99593407},"labels":[],"label_agreement":null},{"id":"W1603887037","doi":"","title":"Mira FALARDEAU (2008), Histoire de la bande dessinée au Québec. Montréal, VLB éditeur","year":2011,"lang":"fr","type":"article","venue":"Communication. Information médias théories pratiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02241746701538707,"score_gpt":0.24424081857657182,"score_spread":0.22182335156118474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603887037","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044574764,0.22607303,0.0025040088,0.024889909,0.0016779888,0.0011209098,0.00045541578,0.00056011183,0.69814384],"genre_scores_gemma":[0.8557405,0.07474595,0.008375123,0.0034047016,0.00055937906,0.00049503904,0.00066839706,0.000101103615,0.055909794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970334,0.0008995659,0.0011194622,0.00018623403,0.00028346022,0.0004778702],"domain_scores_gemma":[0.99640274,0.00066237774,0.00080880406,0.0012475401,0.0006718379,0.00020670716],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011192517,0.00044699822,0.00042362392,0.00030923082,0.0031729904,0.00090847345,0.00092211587,0.0003440062,0.0020098947],"category_scores_gemma":[0.00036693545,0.00045280854,0.00021089315,0.00015797546,0.0026388133,0.0043052933,0.0003149765,0.0007229865,0.00016844485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060213224,0.000173156,0.0012727636,0.0001212968,0.000107384556,0.0000015200053,0.28785497,0.000010026301,0.000003828819,0.5934416,0.10211922,0.014833988],"study_design_scores_gemma":[0.00049718795,0.00014936664,0.0064132474,0.00023078012,0.00009047476,0.000021176389,0.048691534,0.0005419771,0.00011007052,0.01667118,0.92607516,0.0005078273],"about_ca_topic_score_codex":0.15162106,"about_ca_topic_score_gemma":0.08028746,"teacher_disagreement_score":0.82395595,"about_ca_system_score_codex":0.00055523805,"about_ca_system_score_gemma":0.0017352046,"threshold_uncertainty_score":0.99979234},"labels":[],"label_agreement":null},{"id":"W1625605527","doi":"10.7202/1007677ar","title":"Falardeau, M. (2008). Histoire de la bande dessinée au Québec. Montréal, Québec : VLB éditeur","year":2011,"lang":"fr","type":"article","venue":"Revue des sciences de l éducation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.1530155754127367,"score_gpt":0.30025673538411146,"score_spread":0.14724115997137477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1625605527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.729585,0.12857892,0.00075316057,0.00992443,0.0029905334,0.00024359598,0.00003293629,0.00007641672,0.12781504],"genre_scores_gemma":[0.9358557,0.0024759166,0.001318307,0.00024080173,0.00075708324,0.000038696835,0.0000052122246,0.000024550021,0.059283767],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812526,0.00037965947,0.0003518114,0.00040861458,0.00017407839,0.00056057627],"domain_scores_gemma":[0.9988743,0.00025984962,0.00023891043,0.00027385613,0.00015230392,0.00020075259],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012094656,0.00024429246,0.00023578975,0.00022845574,0.0035832487,0.000400121,0.00042752517,0.00013026573,0.001141869],"category_scores_gemma":[0.0002212451,0.00023801978,0.00015268353,0.00020292374,0.0058491775,0.0005754909,0.000052933072,0.00022788292,0.00007016496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024860785,0.00048205262,0.01597319,0.00022789383,0.000041002375,0.000018062898,0.65634346,0.00005767133,0.00016999271,0.2668773,0.022794701,0.03698983],"study_design_scores_gemma":[0.0003067939,0.00041525625,0.03864901,0.0005097261,0.00014571533,0.00021090564,0.05859457,0.003422647,0.00012239265,0.047352392,0.84962904,0.00064155814],"about_ca_topic_score_codex":0.86305326,"about_ca_topic_score_gemma":0.88656765,"teacher_disagreement_score":0.8268343,"about_ca_system_score_codex":0.0018263063,"about_ca_system_score_gemma":0.004191558,"threshold_uncertainty_score":0.99977124},"labels":[],"label_agreement":null},{"id":"W1762459488","doi":"10.21083/partnership.v3i1.438","title":"Book Review: Graphic Novels: A Genre Guide to Comic Books, Manga, and More","year":2008,"lang":"en","type":"article","venue":"Partnership The Canadian Journal of Library and Information Practice and Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Art; Literature; Computer science","score_opus":0.06724979032413148,"score_gpt":0.3261129037187369,"score_spread":0.25886311339460544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1762459488","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027050862,0.3040256,0.0000042069164,0.5404491,0.0001511945,0.0006394749,0.000038717833,0.0000101206715,0.12763076],"genre_scores_gemma":[0.28996453,0.39202353,0.00016220665,0.2818658,0.00079390494,0.000030449211,0.000025808133,0.000028111424,0.035105642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890596,0.0002239749,0.00035326465,0.00006358513,0.00023729388,0.00021593762],"domain_scores_gemma":[0.9986809,0.00042183802,0.00016107096,0.00010837877,0.00020194435,0.0004258497],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012118728,0.000087082175,0.00014541807,0.00045681393,0.0013428018,0.00055184326,0.00015740539,0.00003259039,0.00029754598],"category_scores_gemma":[0.0003057107,0.000055989327,0.000034042714,0.00012958227,0.0006074867,0.009002409,0.000042885793,0.00045666736,0.0000064914516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073936586,0.0000055800215,0.00017950089,0.00013015815,0.00004506611,0.00002573331,0.042174034,6.0573393e-7,9.995872e-7,0.12394393,0.8323174,0.0011030458],"study_design_scores_gemma":[0.00020263944,0.00015156747,0.0006020651,0.00020675037,0.000015993564,0.00037795497,0.011857884,0.00001530867,0.0000061217984,0.00035749393,0.9861294,0.00007679966],"about_ca_topic_score_codex":0.00029744624,"about_ca_topic_score_gemma":0.00044587447,"teacher_disagreement_score":0.26291367,"about_ca_system_score_codex":0.0000075989524,"about_ca_system_score_gemma":0.00045874447,"threshold_uncertainty_score":0.9999573},"labels":[],"label_agreement":null},{"id":"W179170061","doi":"","title":"Cartooning History: Canada ' s Stories in Graphic Novels","year":2012,"lang":"en","type":"article","venue":"The History Teacher","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Visual arts; Art","score_opus":0.06212211323310745,"score_gpt":0.19435748791527646,"score_spread":0.132235374682169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W179170061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68614703,0.03835336,0.0000022254094,0.0009787169,0.0101726735,0.00017598589,0.00000730201,0.00005907651,0.2641036],"genre_scores_gemma":[0.91205025,0.000011003921,0.0000042402903,0.0005129445,0.0005632932,0.00002066608,0.000002800438,0.000018928364,0.0868159],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991487,0.00010223565,0.00016597194,0.00012044844,0.00016820207,0.00029444057],"domain_scores_gemma":[0.99952406,0.00005406075,0.00008042698,0.00025001177,0.000030325813,0.00006109842],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038455133,0.000141138,0.00016054064,0.00009115587,0.00018011413,0.000010094882,0.00018565662,0.000028381002,0.0034349763],"category_scores_gemma":[0.00002307028,0.00010542223,0.000054468903,0.000025252792,0.0003512584,0.00016973815,0.000029632276,0.00028768284,0.000009376975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011797524,0.000059442198,0.0050763506,0.0000077511395,0.00002427072,0.000002176183,0.3929412,0.0000012764903,0.00004671328,0.20793259,0.3936333,0.00026312575],"study_design_scores_gemma":[0.00012613184,0.000009779589,0.0022474264,0.000008262627,0.0000117118,9.52078e-7,0.01143574,0.000010015845,0.0000014666628,0.0001940325,0.9857981,0.00015636461],"about_ca_topic_score_codex":0.4644703,"about_ca_topic_score_gemma":0.8857612,"teacher_disagreement_score":0.5921648,"about_ca_system_score_codex":0.0017618731,"about_ca_system_score_gemma":0.00031531262,"threshold_uncertainty_score":0.99747604},"labels":[],"label_agreement":null},{"id":"W1818366285","doi":"10.29173/af21262","title":"« Être auteure, ce n’est pas encore être » : La visibilité féminine à travers les BD de Judith Forest","year":2014,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Humanities","score_opus":0.014871367654248138,"score_gpt":0.23170175926090922,"score_spread":0.21683039160666107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1818366285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8337792,0.006013969,0.001452684,0.0038382532,0.0076116435,0.0005143208,0.0007257233,0.00011495563,0.14594921],"genre_scores_gemma":[0.94365925,0.0024888539,0.00038708834,0.0006761779,0.005693971,0.000059427184,0.000073801515,0.00010993693,0.046851505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99675447,0.00047276847,0.00066003314,0.00082987314,0.0004480624,0.0008347796],"domain_scores_gemma":[0.997131,0.0011466492,0.00041768304,0.000594242,0.00037930525,0.00033110904],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006361412,0.0006932044,0.00075858325,0.00026976477,0.0008570186,0.00032743544,0.0005913587,0.00025362332,0.0039221984],"category_scores_gemma":[0.00024692575,0.00065121823,0.0003976694,0.0002619928,0.0016217382,0.00036819742,0.00015412741,0.0007847712,0.00022406975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034538703,0.0011718969,0.018240675,0.0004156272,0.0008653015,0.00031390868,0.14315946,0.00060630543,0.00029788527,0.695973,0.04958171,0.08902885],"study_design_scores_gemma":[0.0029844414,0.001092028,0.03455995,0.00067364983,0.00011642726,0.000048767306,0.024170393,0.0055829934,0.0004592353,0.04964132,0.879647,0.0010237856],"about_ca_topic_score_codex":0.009520285,"about_ca_topic_score_gemma":0.022492068,"teacher_disagreement_score":0.8300653,"about_ca_system_score_codex":0.00012440413,"about_ca_system_score_gemma":0.00017320308,"threshold_uncertainty_score":0.9995939},"labels":[],"label_agreement":null},{"id":"W182214455","doi":"10.4000/transatlantica.5899","title":"Priscilla L. Walton, Bruce Tucker, American Culture Transformed: Dialing 9/11","year":2012,"lang":"en","type":"article","venue":"Transatlantica","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Period (music); Mass culture; Mass media; Art history; History; Media studies; Sociology; Art; Anthropology; Aesthetics; Law; Political science","score_opus":0.020820909665718215,"score_gpt":0.2339165896531518,"score_spread":0.21309567998743356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W182214455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9462904,0.00093832944,0.0007316478,0.0028313114,0.0008587967,0.00036816683,0.00007193074,0.00020376995,0.047705654],"genre_scores_gemma":[0.99608576,0.0003075192,0.00016763227,0.0003205706,0.0009475251,0.000014307362,0.000024294746,0.000028658402,0.0021037562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987434,0.00004682316,0.00027398454,0.000198937,0.00021464325,0.00052221277],"domain_scores_gemma":[0.9994698,0.00005450783,0.000061040424,0.00018204875,0.000054886474,0.00017767612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018020271,0.00022159774,0.00030472147,0.00008659852,0.0003688024,0.00012243923,0.00018034915,0.000041415886,0.0007563451],"category_scores_gemma":[0.0000073030665,0.0001661859,0.0001816183,0.000090278314,0.00045164413,0.00024045404,0.0000069857288,0.00018471664,0.00005535504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008147,0.00031643562,0.007355582,0.000094557,0.0001485171,0.0000056710655,0.4388006,0.0000015377708,0.0014662365,0.5360798,0.005629716,0.010019845],"study_design_scores_gemma":[0.0005076684,0.0001154194,0.0020376367,0.000039016497,0.0000892516,0.000008010009,0.009787021,0.00003670919,0.0006817294,0.0010202841,0.9852391,0.0004381763],"about_ca_topic_score_codex":0.0005410552,"about_ca_topic_score_gemma":0.002264976,"teacher_disagreement_score":0.9796094,"about_ca_system_score_codex":0.000012663112,"about_ca_system_score_gemma":0.000021867034,"threshold_uncertainty_score":0.8281449},"labels":[],"label_agreement":null},{"id":"W1831630796","doi":"","title":"Comic Art as a Field of Study: Profile Interview: John Lent, Editor, International Journal of Comic Art","year":2004,"lang":"en","type":"article","venue":"Research Online (University of Wollongong)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Newspaper; Movie theater; Media studies; China; History; Comic strip; Officer; Library science; Sociology; Political science; Art history; Law","score_opus":0.0607270697871387,"score_gpt":0.33975948301561765,"score_spread":0.27903241322847894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1831630796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98763895,0.00013962915,0.000058082693,0.0067011123,0.0010268735,0.00028461314,0.0001330048,0.0000087959215,0.004008951],"genre_scores_gemma":[0.9902858,0.00029135804,0.00017608199,0.000034294706,0.0009921885,3.7755632e-7,0.000030340934,0.000009375884,0.008180153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984302,0.00018829214,0.00030114033,0.00015832526,0.00072700786,0.00019503644],"domain_scores_gemma":[0.99797475,0.00018635785,0.00027728637,0.00021308409,0.0012563878,0.00009212333],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000935611,0.00010515077,0.00033658274,0.0007070125,0.000179927,0.000044979406,0.0008029068,0.00005107279,0.0019657696],"category_scores_gemma":[0.00013526858,0.000105785046,0.00025069277,0.00013927763,0.00048116164,0.00027550195,0.00032628243,0.00048344597,0.000034878645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003283666,0.012202005,0.008620929,0.000313151,0.0031297794,0.0004056134,0.19416377,0.000060275263,0.0030666222,0.04529835,0.7181778,0.011278037],"study_design_scores_gemma":[0.010274015,0.0078027556,0.009694246,0.0009965864,0.00013347712,0.00003385901,0.2727288,0.00017528709,0.00067574333,0.008711998,0.68833333,0.00043988886],"about_ca_topic_score_codex":0.0009268891,"about_ca_topic_score_gemma":0.0070456197,"teacher_disagreement_score":0.07856503,"about_ca_system_score_codex":0.00008412661,"about_ca_system_score_gemma":0.00030190358,"threshold_uncertainty_score":0.99894655},"labels":[],"label_agreement":null},{"id":"W1833272728","doi":"10.1007/s10912-015-9360-6","title":"Graphic Somatography: Life Writing, Comics, and the Ethics of Care","year":2015,"lang":"en","type":"article","venue":"Journal of Medical Humanities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Comics; Life writing; Psychology; Literature; Art; Sociology; Narrative","score_opus":0.08008860736583161,"score_gpt":0.29148270206347365,"score_spread":0.21139409469764203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1833272728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74172634,0.10361813,0.00010452593,0.03895811,0.0029129884,0.0003796201,0.00006298956,0.00007491556,0.11216237],"genre_scores_gemma":[0.99578935,0.00202885,0.000028970391,0.0010737348,0.0008376383,0.0000017422761,0.0000013063801,0.000018191487,0.00022019773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99801606,0.00023339292,0.00057293806,0.00006846904,0.0009793305,0.00012982915],"domain_scores_gemma":[0.99819356,0.00052673754,0.00045742097,0.00011102824,0.0005375013,0.00017372596],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002016397,0.00011825769,0.00040578132,0.0002516406,0.0002443424,0.00012714836,0.0003472469,0.00009290458,0.00020467518],"category_scores_gemma":[0.0006359468,0.00006936242,0.00018600794,0.00003755899,0.003380273,0.00011239615,0.000076614466,0.0007132435,4.419459e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008288131,0.000026329564,0.0005192595,0.00008260241,0.00010456064,0.000007556357,0.20900975,1.9805957e-7,2.6024833e-7,0.7826356,0.007325731,0.00020522822],"study_design_scores_gemma":[0.0044400883,0.00050007633,0.00015373596,0.0005710043,0.00012469289,0.00005813943,0.6386564,0.000045068475,0.000007701203,0.07566211,0.27960372,0.00017731516],"about_ca_topic_score_codex":0.00028164376,"about_ca_topic_score_gemma":0.001644957,"teacher_disagreement_score":0.70697355,"about_ca_system_score_codex":0.000005715805,"about_ca_system_score_gemma":0.00023773275,"threshold_uncertainty_score":0.99933195},"labels":[],"label_agreement":null},{"id":"W1853946933","doi":"10.21083/partnership.v3i2.829","title":"Book Review: The Librarian's Guide to Graphic Novels for Children and Tweens","year":2008,"lang":"en","type":"article","venue":"Partnership The Canadian Journal of Library and Information Practice and Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Computer science; Library science","score_opus":0.0602997155254294,"score_gpt":0.3169099648980254,"score_spread":0.256610249372596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1853946933","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070288037,0.14109264,0.000010999294,0.80229676,0.00012286333,0.00096845947,0.00006508078,0.0000066887665,0.048407722],"genre_scores_gemma":[0.25889754,0.31499112,0.0002258081,0.39794952,0.0017259693,0.00007037123,0.000058955407,0.000034272405,0.026046434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902457,0.00021526549,0.0003138822,0.000058119847,0.00018465593,0.00020348016],"domain_scores_gemma":[0.99833816,0.0009171088,0.00015648422,0.00010908261,0.00018037039,0.00029881194],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014859807,0.00007654993,0.000121247445,0.00029157515,0.0018571807,0.0007448226,0.00019324162,0.000028696155,0.00018985693],"category_scores_gemma":[0.0004978134,0.0000407365,0.000039274102,0.00013835977,0.00056651776,0.0095895715,0.000038696988,0.0003535191,0.0000030544143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005069182,0.0000032265534,0.00014863876,0.000038455837,0.000041780815,0.0000018701965,0.01611828,3.5116136e-7,2.260183e-7,0.1737815,0.8088604,0.0009545278],"study_design_scores_gemma":[0.00020798128,0.00018334405,0.0015205969,0.00011107725,0.000020047653,0.00016390852,0.003397438,0.0000069764615,0.000005802016,0.0010519071,0.99326926,0.00006168286],"about_ca_topic_score_codex":0.00020875347,"about_ca_topic_score_gemma":0.00022158289,"teacher_disagreement_score":0.4043472,"about_ca_system_score_codex":0.0000037202042,"about_ca_system_score_gemma":0.00042761833,"threshold_uncertainty_score":0.9994423},"labels":[],"label_agreement":null},{"id":"W1862487753","doi":"10.3138/topia.22.77","title":"Modernism, Memory and Desire: Queer Cultural Production in Alison Bechdel’s <i>Fun Home</i>","year":2010,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Memoir; Comics; Lesbian; Modernism (music); Art; Counterpoint; Psychoanalysis; Aesthetics; Sociology; Literature; Art history; Gender studies; Psychology","score_opus":0.055331238344823945,"score_gpt":0.2619048247742287,"score_spread":0.20657358642940477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1862487753","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9856221,0.004870028,2.3270518e-7,0.006022811,0.0015835875,0.00009848073,0.0000083591995,0.000005890051,0.0017885206],"genre_scores_gemma":[0.9951654,0.0005474398,0.00006593346,0.00016530186,0.00086929527,0.0000037015666,0.000001386662,0.0000069905645,0.0031745294],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992083,0.00003377674,0.0002941756,0.00012506756,0.00011682567,0.00022185316],"domain_scores_gemma":[0.9992275,0.000021934156,0.00013803708,0.00006896276,0.0003851946,0.00015833961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019981818,0.00014776939,0.00027499365,0.00013292332,0.0004113618,0.00017913667,0.0001059437,0.00003823175,0.00008220091],"category_scores_gemma":[0.0000953282,0.00009532028,0.000070072834,0.000044638018,0.00045556112,0.0005052714,0.000014343951,0.00033867842,0.0000016106844],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008469348,0.000047495465,0.013910032,0.00010277407,0.00049821567,0.00013341232,0.7602436,0.00004012443,0.002320303,0.16883852,0.039661698,0.014119172],"study_design_scores_gemma":[0.0023004338,0.0005560389,0.040341433,0.00044115656,0.00020795179,0.0005723646,0.3738544,0.000041045245,0.0015151973,0.050389815,0.5284459,0.0013342367],"about_ca_topic_score_codex":0.006192942,"about_ca_topic_score_gemma":0.5628526,"teacher_disagreement_score":0.5566597,"about_ca_system_score_codex":0.000051402832,"about_ca_system_score_gemma":0.00009330861,"threshold_uncertainty_score":0.93619174},"labels":[],"label_agreement":null},{"id":"W1889378785","doi":"10.1017/cbo9781139524834.011","title":"Comic book culture and second language learners","year":2004,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":76,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"YMCA of Greater Vancouver; University of British Columbia","funders":"","keywords":"Comics; Linguistics; Art; Sociology; Literature; Philosophy","score_opus":0.014789576521535468,"score_gpt":0.18047591350693754,"score_spread":0.16568633698540206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1889378785","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009442498,0.0021704051,0.000002081236,0.000029455156,0.00018264238,0.00024741128,0.00056541595,0.00008223692,0.9957761],"genre_scores_gemma":[0.0055353097,0.0002938532,0.000006713132,0.00022326631,0.00022269868,3.7638867e-7,0.00006696319,0.000035130684,0.9936157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992033,0.000016573225,0.0001220372,0.0003546495,0.00011834599,0.00018509408],"domain_scores_gemma":[0.99940723,0.000023456174,0.0001374873,0.00025594205,0.000062933585,0.00011297094],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003838858,0.0003144468,0.00032812834,0.0001417925,0.00035560955,0.00013097581,0.00021619986,0.0001854618,0.00027033142],"category_scores_gemma":[0.0000017172512,0.00032293916,0.00019869654,0.0000017155971,0.0006536067,0.0001034216,0.00017226476,0.0004630389,0.0000108098975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034433313,0.0000046682626,2.8155623e-7,0.0000715328,0.00016056599,0.00012686988,0.010048911,1.870301e-7,0.000021353111,0.93177074,0.057573263,0.0001871766],"study_design_scores_gemma":[0.0006213609,0.000059267793,0.0000016485137,0.00012237352,0.0001251654,0.0000070294004,0.0025804588,0.0000024713881,0.000028161805,0.00014749695,0.99591327,0.0003912729],"about_ca_topic_score_codex":0.0001898126,"about_ca_topic_score_gemma":0.00013270233,"teacher_disagreement_score":0.93834,"about_ca_system_score_codex":0.00007617158,"about_ca_system_score_gemma":0.00005934834,"threshold_uncertainty_score":0.9999223},"labels":[],"label_agreement":null},{"id":"W1901402790","doi":"10.63997/jct.v28i2.362","title":"Auto/Ethno/Graphic Bricolage as Embodied Inter/Culturalism: Dis/Locating Stories of Becoming in Encounters With the Other","year":2013,"lang":"en","type":"article","venue":"Journal of Curriculum Theorizing","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Culturalism; Bricolage; Embodied cognition; Aesthetics; Sociology; Visual arts; Epistemology; Art; Political science; Philosophy; Politics","score_opus":0.014222197309321715,"score_gpt":0.23873780382936494,"score_spread":0.2245156065200432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1901402790","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98912245,0.00052094314,0.00008893542,0.00211705,0.0004496375,0.00018729603,0.0000026948571,0.000010245894,0.007500727],"genre_scores_gemma":[0.99901086,0.00002172275,0.00009763619,0.00020258433,0.00033928346,0.000009657302,3.799834e-7,0.000017372831,0.00030047598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99868274,0.00015131655,0.0005552146,0.00011854684,0.00026669982,0.00022548561],"domain_scores_gemma":[0.9983958,0.00026745972,0.00078393106,0.00014527568,0.00035744673,0.0000500846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007147079,0.00018565379,0.00037031627,0.00023261759,0.00025005505,0.00025783025,0.00035207518,0.000034542834,0.00026560551],"category_scores_gemma":[0.00010291124,0.00009505457,0.00016904247,0.00016063293,0.00037204084,0.0006190154,0.000048592083,0.0003959418,0.0000025938143],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063502295,0.00016791024,0.008104297,0.000061323786,0.00024179349,0.000012305013,0.3789608,0.000040727256,0.0024498552,0.60649323,0.0010220885,0.0023821606],"study_design_scores_gemma":[0.001572875,0.0008232626,0.0020886005,0.0021581466,0.0001316687,0.000076229626,0.94034004,0.0005265885,0.0005103361,0.032501858,0.018709222,0.0005611961],"about_ca_topic_score_codex":0.0016878878,"about_ca_topic_score_gemma":0.0026899355,"teacher_disagreement_score":0.57399136,"about_ca_system_score_codex":0.000039118753,"about_ca_system_score_gemma":0.000044827208,"threshold_uncertainty_score":0.3876213},"labels":[],"label_agreement":null},{"id":"W1926031900","doi":"10.4000/hommesmigrations.2587","title":"La bande dessinée, alliée pédagogique de la transmission de l’histoire de l’immigration","year":2013,"lang":"fr","type":"article","venue":"Hommes & migrations","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013507833014232197,"score_gpt":0.24673117520412727,"score_spread":0.23322334218989507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1926031900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57847893,0.20380981,0.06674799,0.074266754,0.0006512423,0.0011189955,0.00029827724,0.00031789535,0.07431008],"genre_scores_gemma":[0.90854025,0.0056723705,0.0022465156,0.0006814331,0.00040824138,0.00019855575,0.00009314831,0.00004880094,0.08211068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780625,0.0008420873,0.00039695576,0.00029072617,0.00015108261,0.00051290955],"domain_scores_gemma":[0.99859554,0.00063436356,0.000137415,0.0002565143,0.00012222593,0.000253972],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005486004,0.0003133461,0.00025810834,0.00018415335,0.0015029554,0.0008320804,0.00020533093,0.00036380696,0.002128423],"category_scores_gemma":[0.000052647374,0.00030427138,0.00025625297,0.00011155482,0.0008100384,0.0005199323,0.000023421344,0.00054284127,0.000048922873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026521051,0.0007328792,0.002024978,0.00013300369,0.000121241734,0.000027197286,0.1434617,0.00017016451,0.0060741794,0.43887508,0.25624293,0.15211013],"study_design_scores_gemma":[0.0004356834,0.000107584056,0.0071752477,0.0002528026,0.000119199256,0.000061890554,0.017113123,0.007380992,0.0005038631,0.04330909,0.9231571,0.00038340833],"about_ca_topic_score_codex":0.0065374733,"about_ca_topic_score_gemma":0.008954739,"teacher_disagreement_score":0.66691417,"about_ca_system_score_codex":0.00022479033,"about_ca_system_score_gemma":0.00044172216,"threshold_uncertainty_score":0.99994093},"labels":[],"label_agreement":null},{"id":"W1929753638","doi":"10.4000/books.editionscnrs.19899","title":"« Si la BD n’existait pas, il faudrait l’inventer »","year":2014,"lang":"fr","type":"book-chapter","venue":"CNRS Éditions eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Geography; Humanities; Art","score_opus":0.03463899497857609,"score_gpt":0.22173705257537163,"score_spread":0.18709805759679554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1929753638","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013072202,0.00043084403,0.00035751314,0.0023582508,0.0015827555,0.0005333205,0.0028514792,0.00014625104,0.9904324],"genre_scores_gemma":[0.1531338,0.00026366214,0.00009574862,0.0013138775,0.0027363263,0.00011580112,0.0005156123,0.00016582137,0.84165937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99736774,0.00013869882,0.00082425575,0.00073401106,0.00036643294,0.00056883786],"domain_scores_gemma":[0.99774617,0.00040904828,0.0004467971,0.0007915237,0.00031989615,0.00028654927],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00027402214,0.0008349893,0.00077010156,0.00047703032,0.004496822,0.00060142856,0.00046265617,0.0004915007,0.0143983355],"category_scores_gemma":[0.000024810726,0.00084065826,0.0008833033,0.00001338118,0.007924176,0.000095696654,0.00018939927,0.000983856,0.0009308014],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019936198,0.00005834647,0.000003976451,0.0001338778,0.00033449632,0.000051891395,0.0030474456,0.0000016232274,0.00001651057,0.9547046,0.03483741,0.0067898855],"study_design_scores_gemma":[0.00039719036,0.00015192671,0.000013940573,0.00049589924,0.00019475339,0.00002684446,0.0005045965,0.000027001608,0.000012219028,0.32010373,0.6774258,0.0006460786],"about_ca_topic_score_codex":0.00014603506,"about_ca_topic_score_gemma":0.0007946111,"teacher_disagreement_score":0.6425884,"about_ca_system_score_codex":0.00009182008,"about_ca_system_score_gemma":0.0001276874,"threshold_uncertainty_score":0.9998471},"labels":[],"label_agreement":null},{"id":"W1933201150","doi":"10.7202/1014629ar","title":"Une étape méconnue de l’humour graphique : les bandes dessinées de La Presse et de La Patrie, 1904-1910. Perspectives de recherche pour l’histoire de l’art1","year":2013,"lang":"fr","type":"article","venue":"Globe Revue internationale d’études québécoises","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.053916779701260874,"score_gpt":0.31894618490346566,"score_spread":0.2650294052022048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1933201150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7350233,0.041695695,0.0022278074,0.022330463,0.00030751518,0.00050028076,0.00049060077,0.00020026533,0.19722405],"genre_scores_gemma":[0.9385373,0.024007812,0.0071292175,0.0008506678,0.0012663285,0.0003022303,0.00003851558,0.00011234418,0.02775561],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99443287,0.0030719938,0.000640818,0.0006420214,0.0002996414,0.00091268023],"domain_scores_gemma":[0.9925389,0.0056623328,0.00043397807,0.00038407088,0.00061022345,0.00037045346],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027311407,0.00061785476,0.0005690304,0.00039970412,0.0008483814,0.0011849542,0.00082544994,0.00066609203,0.0014012164],"category_scores_gemma":[0.0022551143,0.0006506751,0.0005245893,0.0002180644,0.0019759627,0.0006514787,0.00017071972,0.0013208494,0.000022884995],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010320096,0.0009953908,0.02661163,0.0003756096,0.00059316645,0.00013279842,0.05509253,0.00043660728,0.002250292,0.8933839,0.009949538,0.010075344],"study_design_scores_gemma":[0.0011007104,0.0002025792,0.05891387,0.0018107231,0.00029088766,0.00065953966,0.03986746,0.0019012897,0.00076841743,0.34785014,0.54561335,0.0010210224],"about_ca_topic_score_codex":0.1614562,"about_ca_topic_score_gemma":0.1538375,"teacher_disagreement_score":0.5455338,"about_ca_system_score_codex":0.0021012141,"about_ca_system_score_gemma":0.0023955132,"threshold_uncertainty_score":0.9998519},"labels":[],"label_agreement":null},{"id":"W1937684168","doi":"10.29173/af21227","title":"Visualizing Postcolonial Africa in La Vie de Pahé","year":2014,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; French","score_opus":0.015239289154621125,"score_gpt":0.2578123033384888,"score_spread":0.24257301418386767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1937684168","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73973805,0.014697174,0.0009571926,0.0072611547,0.01116767,0.00040601144,0.00019658607,0.000056441982,0.2255197],"genre_scores_gemma":[0.9827876,0.0012238958,0.00016711775,0.0005270481,0.004273601,0.00003702411,0.000008099586,0.000045489738,0.01093011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978738,0.00054696266,0.00040749917,0.0003799484,0.00021874157,0.000573049],"domain_scores_gemma":[0.99868387,0.0006572678,0.00018141762,0.00021257046,0.00013750476,0.00012738073],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007564716,0.0003047463,0.00042665395,0.00025444617,0.00030399373,0.00021368694,0.00027613807,0.00012628413,0.0013497749],"category_scores_gemma":[0.000161689,0.00031425917,0.00015552052,0.00020176858,0.0006151368,0.00022429832,0.00010425388,0.0004643591,0.00019673345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020084518,0.0006760284,0.0026983027,0.00011304407,0.00017862469,0.00013281447,0.19799042,0.00010163117,0.00097079127,0.75514555,0.015799342,0.025992604],"study_design_scores_gemma":[0.0017103616,0.00036880886,0.0046496755,0.00034378917,0.000016838872,0.000009116145,0.0046011573,0.0032036474,0.00040453608,0.04867007,0.93561196,0.0004100311],"about_ca_topic_score_codex":0.0058714966,"about_ca_topic_score_gemma":0.0050109844,"teacher_disagreement_score":0.9198126,"about_ca_system_score_codex":0.00010953027,"about_ca_system_score_gemma":0.00009239766,"threshold_uncertainty_score":0.999931},"labels":[],"label_agreement":null},{"id":"W1937946876","doi":"10.4000/belphegor.544","title":"Fabrice Leroy, Sfar So Far : Identity, History, Fantasy, and Mimesis in Joann Sfar’s Graphic","year":2015,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Fantasy; Identity (music); Art history; Aesthetics; Literature","score_opus":0.056284917846730335,"score_gpt":0.251865837192108,"score_spread":0.19558091934537764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1937946876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5106295,0.40744758,0.00009053527,0.015573237,0.007289144,0.00084528583,0.0003526999,0.0001264835,0.057645556],"genre_scores_gemma":[0.9339781,0.006691513,0.0001209046,0.00097146415,0.0009731459,0.000049855902,0.000032158787,0.00007983855,0.057103027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973974,0.00023798086,0.000627478,0.00063416525,0.00044533744,0.0006576124],"domain_scores_gemma":[0.9986357,0.00012948079,0.0002372327,0.00042815326,0.00021575415,0.0003536471],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077697134,0.00046376433,0.0006035687,0.0006468127,0.00046419908,0.00048447837,0.00039922143,0.00021674228,0.0010933857],"category_scores_gemma":[0.00008509655,0.00048961706,0.00021515564,0.00022472773,0.0014634449,0.00094044814,0.0002958397,0.0004671777,0.00013678508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090622954,0.00048379126,0.007287906,0.00023368381,0.00015507996,0.0001309098,0.055225942,0.000003894704,0.00008139697,0.80938566,0.11758991,0.009331174],"study_design_scores_gemma":[0.0013609906,0.00027041778,0.009585632,0.00012406663,0.00012308144,0.00002818405,0.008454721,0.00023009254,0.000009476321,0.022371726,0.9568223,0.00061936193],"about_ca_topic_score_codex":0.014813982,"about_ca_topic_score_gemma":0.051862054,"teacher_disagreement_score":0.8392323,"about_ca_system_score_codex":0.00028905235,"about_ca_system_score_gemma":0.00028001828,"threshold_uncertainty_score":0.99981976},"labels":[],"label_agreement":null},{"id":"W1960212019","doi":"10.18002/10612/4615","title":"La evolución del supervillano en el \"comic book\" norteamericano: de Superman a Watchmen","year":2015,"lang":"es","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Extendicare (Canada)","funders":"","keywords":"Comics; Superman; Art; Humanities; Art history; Literature","score_opus":0.011777553115920313,"score_gpt":0.27821843006424746,"score_spread":0.26644087694832713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1960212019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8024021,0.0031868792,0.000005104484,0.0005709609,0.00061990233,0.00044621513,0.00029487067,0.00013005376,0.19234392],"genre_scores_gemma":[0.915289,0.00267048,0.000060581136,0.00061448803,0.00092541106,0.00010565517,0.0015730594,0.00013341419,0.078627914],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970295,0.00037548607,0.0007178864,0.0006970601,0.00047517696,0.0007048998],"domain_scores_gemma":[0.99813366,0.00032026123,0.00023689271,0.0005584489,0.0004156482,0.00033506617],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00054032734,0.0007772438,0.0009183736,0.00042383646,0.000555435,0.0006410897,0.0006212301,0.00043899118,0.0035985073],"category_scores_gemma":[0.00004988219,0.00067486346,0.0004389794,0.00008659446,0.00036546032,0.00029605933,0.00010621214,0.00071762723,0.00021952965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038646342,0.00055420963,0.017338254,0.00052750844,0.0010986209,0.00008165185,0.40814212,0.000012136186,0.0012854995,0.45344576,0.11199072,0.0051370584],"study_design_scores_gemma":[0.0012267235,0.000432584,0.014845132,0.0002909194,0.00035277888,0.000027292168,0.14873442,0.000730991,0.00009243404,0.009145566,0.82261306,0.0015081117],"about_ca_topic_score_codex":0.018729191,"about_ca_topic_score_gemma":0.015572906,"teacher_disagreement_score":0.7106223,"about_ca_system_score_codex":0.0002048608,"about_ca_system_score_gemma":0.0006997362,"threshold_uncertainty_score":0.99957025},"labels":[],"label_agreement":null},{"id":"W1960595248","doi":"","title":"Graphic Novels: Leading the Way to Teen Literacy and Leadership","year":2007,"lang":"en","type":"article","venue":"IUScholarWorks (Indiana University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Appeal; Quarter (Canadian coin); Literacy; Population; Psychology; History; Media studies; Pedagogy; Sociology; Political science; Demography; Law","score_opus":0.056173603593598506,"score_gpt":0.2266716239383541,"score_spread":0.17049802034475559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1960595248","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9042834,0.0009923896,0.0006497353,0.0058040326,0.00048166953,0.00039368187,0.000025434534,0.00010607304,0.08726356],"genre_scores_gemma":[0.97816634,0.000038746315,0.000066276785,0.0009434083,0.00026927312,4.363405e-7,0.0000036779188,0.000015664762,0.020496167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989626,0.000055988137,0.0001402383,0.0002889018,0.00015302392,0.00039927915],"domain_scores_gemma":[0.99918246,0.00023963806,0.000065187116,0.0002464541,0.000078455654,0.00018777998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046376605,0.0001736314,0.00016112077,0.0006883144,0.0010867001,0.000453884,0.00035031058,0.000071566494,0.00019019276],"category_scores_gemma":[0.000032885266,0.00014448832,0.00009731242,0.00040715173,0.00029783623,0.0006382001,0.00009938938,0.00045983566,0.000033771605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011695371,0.00005723382,0.005808798,0.000025592768,0.00012960144,0.0001415434,0.12237164,0.0000054873285,0.00020888982,0.84829086,0.001979418,0.020863958],"study_design_scores_gemma":[0.00044487664,0.000088538596,0.010091801,0.00008882512,0.000043317094,0.0000056038994,0.042024735,0.0000123824875,0.00006653334,0.0014276726,0.94537777,0.00032792214],"about_ca_topic_score_codex":0.000110960595,"about_ca_topic_score_gemma":0.0036219566,"teacher_disagreement_score":0.94339836,"about_ca_system_score_codex":0.000038902013,"about_ca_system_score_gemma":0.000016203341,"threshold_uncertainty_score":0.83581287},"labels":[],"label_agreement":null},{"id":"W1967105763","doi":"10.1353/rpc.2012.0035","title":"Do the Gods Wear Capes? Spirituality, Fantasy and Superheroes (review)","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Spirituality; Mythology; Fantasy; Conversation; Superman; Literature; Art; Art history; Sociology; Religious studies; Philosophy","score_opus":0.025631151431761392,"score_gpt":0.27366406796657394,"score_spread":0.24803291653481255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967105763","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3975921,0.5927665,0.0000029689204,0.0064557623,0.00051194895,0.00011968421,0.00001152867,0.000006716402,0.002532788],"genre_scores_gemma":[0.54799217,0.44562885,0.00004149826,0.0028306711,0.0009442185,0.0000012088693,0.0000026485152,0.000008303156,0.0025504476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993257,0.00008304063,0.000252506,0.00006175253,0.00015302072,0.00012398644],"domain_scores_gemma":[0.9995542,0.000013106276,0.00016384671,0.00008444618,0.00008757663,0.000096795724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043524636,0.0001094747,0.00021241845,0.000032370684,0.0002461738,0.00012311306,0.00008606785,0.000039624545,0.00006196887],"category_scores_gemma":[0.000029368644,0.00005212678,0.00010704577,0.000026408074,0.00012497854,0.00021700589,0.000030512681,0.00024140778,0.0000024476421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022487318,0.00005566354,0.0044575273,0.00016740554,0.000095726784,0.0000060018333,0.049798552,5.8872594e-8,0.00013362752,0.47686258,0.4655931,0.0028072675],"study_design_scores_gemma":[0.00018819972,0.00007981067,0.0002683148,0.0002698174,0.000070529095,0.00016909598,0.002448626,5.1833416e-7,0.000008932306,0.002742578,0.99366903,0.000084531595],"about_ca_topic_score_codex":0.00002141929,"about_ca_topic_score_gemma":0.00009100614,"teacher_disagreement_score":0.52807593,"about_ca_system_score_codex":0.000004719093,"about_ca_system_score_gemma":0.0000068336885,"threshold_uncertainty_score":0.21256684},"labels":[],"label_agreement":null},{"id":"W1968866104","doi":"10.3138/jrpc.23.2.236","title":"“I Think You and I Are Destined to Do This Forever”: A Reading of the Batman/Joker Comic and Film Tradition through the Combat Myth","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Knight; Mythology; Literature; Monster; Theme (computing); Popularity; Reading (process); Art; Aesthetics; History; Psychology; Law; Political science; Social psychology; Computer science","score_opus":0.030386047694825582,"score_gpt":0.22677722844908038,"score_spread":0.1963911807542548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968866104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99003327,0.005216437,0.000022275337,0.0022741663,0.00021961714,0.00017508378,0.00002233092,0.000004939131,0.0020318646],"genre_scores_gemma":[0.99392295,0.003466409,0.00015238769,0.0009560844,0.0001326435,0.0000010262538,0.0000013360841,0.000007474868,0.0013596886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939096,0.00007681346,0.000241419,0.00008708962,0.00012351341,0.000080226084],"domain_scores_gemma":[0.9994333,0.000021113134,0.00029462695,0.00010035083,0.00010227878,0.000048344802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019714859,0.00011216866,0.00020163217,0.000035275287,0.00039962924,0.000101533944,0.000100180994,0.000049407958,0.000018324032],"category_scores_gemma":[0.000036301615,0.000051414077,0.00008449825,0.000040038583,0.0001575271,0.00015932773,0.00003258985,0.00024687368,2.8170857e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016285985,0.000048727466,0.0038523474,0.000058958383,0.0001079127,0.000008428659,0.42005277,0.0000011269955,0.00029742316,0.44368866,0.13129333,0.00042746135],"study_design_scores_gemma":[0.0017763912,0.0009503384,0.01157821,0.001211004,0.00035236633,0.0005440388,0.06013314,0.00007062179,0.0002752926,0.177853,0.7448682,0.000387394],"about_ca_topic_score_codex":0.00011561019,"about_ca_topic_score_gemma":0.00015730847,"teacher_disagreement_score":0.61357486,"about_ca_system_score_codex":0.0000063439106,"about_ca_system_score_gemma":0.0000076867045,"threshold_uncertainty_score":0.30736652},"labels":[],"label_agreement":null},{"id":"W1978213579","doi":"10.1598/jaal.54.8.5","title":"Adolescents and “Autographics”: Reading and Writing Coming‐of‐Age Graphic Novels","year":2011,"lang":"en","type":"article","venue":"Journal of Adolescent & Adult Literacy","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":58,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Tech University","funders":"","keywords":"Reading (process); Class (philosophy); Meaning (existential); Literacy; Mathematics education; Visual literacy; Pedagogy; Psychology; Visual arts; Linguistics; Computer science; Art; Artificial intelligence","score_opus":0.02979969264829045,"score_gpt":0.24654812318969868,"score_spread":0.21674843054140824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978213579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.996918,0.0014911193,0.00007198813,0.00010416219,0.00036589714,0.00012973078,0.00001791987,0.000012559967,0.00088858086],"genre_scores_gemma":[0.99779487,0.0009826027,0.00056146085,0.00027435887,0.0003117766,9.0494575e-7,0.0000013677248,0.00002232318,0.00005034871],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983691,0.000076536286,0.00086687674,0.0001893521,0.00025150026,0.00024661468],"domain_scores_gemma":[0.9982919,0.000064525266,0.0007502785,0.00014863968,0.00057632057,0.00016832942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040804906,0.00022334214,0.0004495766,0.00058067497,0.00022596537,0.0002128267,0.00017810822,0.000055508,0.000037422567],"category_scores_gemma":[0.00005320458,0.0001852666,0.00018343751,0.000110001034,0.00041642122,0.00063492026,0.00007619235,0.00042960324,4.598917e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007416803,0.0010293211,0.4987547,0.0012422312,0.00027950402,0.00017921305,0.19934776,2.5746655e-7,0.002329591,0.27539933,0.00028370047,0.020412695],"study_design_scores_gemma":[0.008405072,0.0018315123,0.8800217,0.02411513,0.0005280772,0.0005828691,0.034253944,0.00025880637,0.0012100281,0.033764794,0.013549145,0.0014789604],"about_ca_topic_score_codex":0.00003828439,"about_ca_topic_score_gemma":0.000034030134,"teacher_disagreement_score":0.38126695,"about_ca_system_score_codex":0.00000954872,"about_ca_system_score_gemma":0.000021151016,"threshold_uncertainty_score":0.7554953},"labels":[],"label_agreement":null},{"id":"W1979069105","doi":"10.1353/pmc.2011.0012","title":"How To Be a Theory Dinosaur","year":2011,"lang":"en","type":"article","venue":"Postmodern Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Superman; Newspaper; Animation; Highbrow; Object (grammar); The Internet; Literature; Visual arts; Art; Media studies; History; Sociology; Art history; Computer science; World Wide Web; Philosophy; Linguistics","score_opus":0.05500143467354534,"score_gpt":0.22229412161217627,"score_spread":0.16729268693863092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979069105","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3853012,0.0012260521,0.00082670397,0.017112771,0.0012441006,0.00070258963,0.00030065188,0.00032809938,0.5929578],"genre_scores_gemma":[0.9365825,0.000011503885,0.00015397782,0.0026762,0.00036869763,0.000018839373,0.000010332192,0.000014933751,0.060163002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994116,0.000030017161,0.000079226775,0.00019010226,0.00010556782,0.00018351142],"domain_scores_gemma":[0.9995912,0.000012672949,0.0000331184,0.00018436777,0.00009110468,0.00008757992],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000071206654,0.00013588725,0.00012209188,0.00004320108,0.00023438684,0.00019251919,0.00018132175,0.00004075201,0.0010257366],"category_scores_gemma":[0.000022687194,0.00009249458,0.00008656242,0.000027595062,0.00008825712,0.00015667861,0.0000506827,0.00011751448,0.000039524413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027471731,0.000036393852,0.000051225765,0.000004389075,0.000026629505,0.0000033280558,0.35794446,4.849838e-8,0.00025044984,0.62997705,0.010791163,0.0008873797],"study_design_scores_gemma":[0.00014188024,0.00012785659,0.00022427067,0.000010961335,0.000017595148,0.0000027574615,0.018982094,0.000007135366,0.00028025397,0.11835279,0.86164284,0.00020957527],"about_ca_topic_score_codex":0.000043144802,"about_ca_topic_score_gemma":0.001068037,"teacher_disagreement_score":0.85085166,"about_ca_system_score_codex":0.000006544793,"about_ca_system_score_gemma":0.000008724866,"threshold_uncertainty_score":0.99988747},"labels":[],"label_agreement":null},{"id":"W1979698527","doi":"10.7202/1027434ar","title":"Re-Visualizing the Map in Guy Delisle’s Pyongyang","year":2014,"lang":"en","type":"article","venue":"Arborescences Revue d études françaises","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Comics; Art history; Cartography; Art; Humanities; Geography; Literature","score_opus":0.03022750806574618,"score_gpt":0.24330291881627467,"score_spread":0.2130754107505285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979698527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7467922,0.00349141,0.000068153684,0.012581156,0.0019707605,0.0006641789,0.000025280919,0.00020667577,0.23420021],"genre_scores_gemma":[0.99774253,0.00010213221,0.00006109708,0.00071485667,0.000780537,0.000044202825,0.000006653459,0.000022243103,0.00052576844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998692,0.000114800954,0.00036635238,0.00030992253,0.00018643259,0.00033049865],"domain_scores_gemma":[0.9989978,0.0004069551,0.00012037004,0.00034535874,0.00007567617,0.00005382487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047096465,0.00020667158,0.0002644919,0.00014984258,0.00051379047,0.00027238278,0.0004888309,0.000046136316,0.0004590912],"category_scores_gemma":[0.00012360846,0.00013941381,0.00011824262,0.00011754971,0.000549757,0.00023289559,0.000085994514,0.00022580086,0.00004644193],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019759225,0.00007259446,0.01579742,0.000057364945,0.000023505869,0.0000053400513,0.03861817,0.000030599185,0.000056054196,0.9417084,0.001418552,0.0021922656],"study_design_scores_gemma":[0.0005473465,0.00018446638,0.010166782,0.00042811842,0.00003491321,0.0000016928681,0.02541257,0.0027568399,0.0001409501,0.018213661,0.9415484,0.00056427036],"about_ca_topic_score_codex":0.0014804809,"about_ca_topic_score_gemma":0.054534096,"teacher_disagreement_score":0.9401298,"about_ca_system_score_codex":0.0000145138665,"about_ca_system_score_gemma":0.00002395084,"threshold_uncertainty_score":0.9627182},"labels":[],"label_agreement":null},{"id":"W1995658032","doi":"10.4074/s0336150011011033","title":"Scénariographie","year":2011,"lang":"fr","type":"article","venue":"Communication & langages","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.10135378062359976,"score_gpt":0.24015644044583276,"score_spread":0.138802659822233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995658032","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04459213,0.17874153,0.00004233371,0.009988106,0.001035808,0.00028059116,0.0001830085,0.00014858133,0.7649879],"genre_scores_gemma":[0.90954185,0.023607638,0.0009281156,0.00040148525,0.00022269254,0.000029879047,0.00007924776,0.000030215802,0.06515889],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989219,0.00033970832,0.00026131584,0.00016119234,0.000098364784,0.00021751861],"domain_scores_gemma":[0.9985378,0.00016532541,0.00014248557,0.0009395912,0.00013832324,0.00007648537],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037422936,0.00016695407,0.00017544455,0.00018318844,0.0010528326,0.0001510129,0.0005917484,0.000087264205,0.006941257],"category_scores_gemma":[0.000031090025,0.00016613124,0.00015207374,0.00011895582,0.001162762,0.00025591732,0.00018192978,0.00039187292,0.00038327993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001561784,0.00021469069,0.0013305973,0.000026885113,0.00008458892,0.0000023530504,0.06406676,1.6015223e-7,0.000009589852,0.8814262,0.041743353,0.011079204],"study_design_scores_gemma":[0.00021395858,0.00007101576,0.012982057,0.00012911831,0.000055946646,0.0000037694317,0.010613513,0.000021126876,0.00004530728,0.03510218,0.9405336,0.00022839855],"about_ca_topic_score_codex":0.004219437,"about_ca_topic_score_gemma":0.004852343,"teacher_disagreement_score":0.89879024,"about_ca_system_score_codex":0.000015034633,"about_ca_system_score_gemma":0.000025280395,"threshold_uncertainty_score":0.9939665},"labels":[],"label_agreement":null},{"id":"W2001093005","doi":"10.7202/044533ar","title":"Hergé est un personnage","year":2010,"lang":"fr","type":"article","venue":"Études françaises","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01480926656487453,"score_gpt":0.21901190504892754,"score_spread":0.204202638484053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001093005","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51492614,0.01159924,0.000009064037,0.006951348,0.0055892225,0.00021540577,0.00019348411,0.00010363803,0.46041247],"genre_scores_gemma":[0.96104616,0.00067759026,0.0002257009,0.0005001938,0.0026594733,0.000020915308,0.000013617609,0.000051546085,0.034804832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985849,0.000037299396,0.00030269293,0.00037980956,0.00022725327,0.00046802463],"domain_scores_gemma":[0.9989995,0.00017615213,0.00010715552,0.00040625842,0.00013328511,0.00017765381],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019003447,0.00034461112,0.0003248391,0.00013355703,0.0012309598,0.0004654773,0.00034786292,0.00017462645,0.028478611],"category_scores_gemma":[0.00005429937,0.00032214183,0.0002740373,0.000090651825,0.0015053496,0.00031206312,0.00009195634,0.0006410552,0.0005110733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021063464,0.00033349404,0.00083149853,0.00008199891,0.00013125189,0.000038914848,0.025145298,0.0000012618409,0.0008319557,0.9573294,0.0038649275,0.011388964],"study_design_scores_gemma":[0.0004433248,0.00014054155,0.0015992245,0.00007091478,0.00008239102,0.000015006993,0.0063420497,0.00008542643,0.0003082906,0.0050744554,0.98540235,0.00043600597],"about_ca_topic_score_codex":0.0024743052,"about_ca_topic_score_gemma":0.025695944,"teacher_disagreement_score":0.98153746,"about_ca_system_score_codex":0.000011233379,"about_ca_system_score_gemma":0.000079999,"threshold_uncertainty_score":0.99992305},"labels":[],"label_agreement":null},{"id":"W2004666426","doi":"10.1386/stic.1.1.7/1","title":"The winding, pot-holed road of comic art scholarship","year":2010,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":57,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Scholarship; Discipline; Visual arts; Media studies; Comic strip; Art; History; Sociology; Political science; Literature; Social science; Law","score_opus":0.07687270518295662,"score_gpt":0.3277019336866744,"score_spread":0.25082922850371775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004666426","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9462467,0.0009672719,7.892188e-7,0.0009737374,0.0024488291,0.00016233065,0.000016482758,0.00003064446,0.049153216],"genre_scores_gemma":[0.99164426,0.00057026016,0.00004276999,0.00009098672,0.00020030294,0.000012763379,0.0000017183239,0.000018761617,0.0074181813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927765,0.000040724295,0.00026514797,0.00012754113,0.000105988955,0.00018293876],"domain_scores_gemma":[0.99922955,0.00026934198,0.00012685831,0.0002691339,0.000083556406,0.000021564092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005039983,0.00011670655,0.00022405716,0.00009166766,0.0004218669,0.00006353245,0.0002710302,0.000033515953,0.000045207085],"category_scores_gemma":[0.00018451837,0.000079945756,0.000069806265,0.00005166757,0.0011796639,0.00006229465,0.00013655762,0.00035068544,0.000009457106],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045374087,0.0000671646,0.013629235,0.00002436831,0.00016119237,0.0000025750142,0.034237187,9.702569e-7,0.00050237513,0.92395973,0.026006242,0.0013636054],"study_design_scores_gemma":[0.0015451752,0.0001548203,0.00808882,0.00013699316,0.000039391412,0.0000040363384,0.045529928,0.00008704873,0.00047671402,0.13148461,0.8120081,0.00044435926],"about_ca_topic_score_codex":0.00004562398,"about_ca_topic_score_gemma":0.018091796,"teacher_disagreement_score":0.7924751,"about_ca_system_score_codex":0.000012542675,"about_ca_system_score_gemma":0.00001803027,"threshold_uncertainty_score":0.9998255},"labels":[],"label_agreement":null},{"id":"W2004800485","doi":"10.3138/jrpc.25.3.333","title":"Interpretive Treatments of Genesis in Comics: R. Crumb &amp; Dave Sim","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exegesis; Comics; Context (archaeology); Storytelling; Art; Literature; Dimension (graph theory); History; Narrative; Archaeology","score_opus":0.01642516963309642,"score_gpt":0.24625858196480926,"score_spread":0.22983341233171284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004800485","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9898988,0.0056141396,0.000010938449,0.00027810765,0.00015395292,0.000104935076,0.00001306555,0.0000044528792,0.0039216266],"genre_scores_gemma":[0.98366874,0.007896696,0.00019253904,0.0001983504,0.000100250334,0.0000018900032,0.000003781807,0.000010717295,0.007927053],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944985,0.000038654038,0.00028149664,0.000065225744,0.00008999932,0.00007475532],"domain_scores_gemma":[0.9995162,0.000009935703,0.00025179697,0.00006410021,0.000108738226,0.00004924196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000061856226,0.00009273842,0.00022831059,0.00012992874,0.000040403163,0.000053263753,0.00006832704,0.00004051591,0.000075865675],"category_scores_gemma":[0.000018812972,0.00005956,0.00009801831,0.00003110586,0.0000714957,0.00012340324,0.000016616097,0.0001097139,0.0000026770872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028642945,0.0005188623,0.025243737,0.000102754966,0.00063258025,0.000033156757,0.3107013,0.000008520788,0.0051631834,0.22613962,0.4276457,0.0035241214],"study_design_scores_gemma":[0.0014861565,0.0005950758,0.0012926732,0.0005777083,0.00009843585,0.000054424545,0.012341365,0.000034649256,0.00016721341,0.02289307,0.960208,0.00025121565],"about_ca_topic_score_codex":0.0005301857,"about_ca_topic_score_gemma":0.0008265185,"teacher_disagreement_score":0.5325623,"about_ca_system_score_codex":0.000013092181,"about_ca_system_score_gemma":0.000008009485,"threshold_uncertainty_score":0.24287862},"labels":[],"label_agreement":null},{"id":"W2012024698","doi":"10.1353/vpr.2011.0007","title":"The Other Kaiser: Wilhelm I and British Cartoonists, 1861-1914","year":2011,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Redress; Comics; Politics; History; Art history; Art; Literature; Law; Political science","score_opus":0.03362064498053212,"score_gpt":0.2210937306669713,"score_spread":0.18747308568643917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012024698","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007889098,0.7788841,0.000006525892,0.0058367513,0.0017902459,0.00091462326,0.00012223552,0.000134435,0.20442198],"genre_scores_gemma":[0.35132128,0.61447036,0.00009588017,0.010058959,0.0026399721,0.00026202705,0.000015070815,0.00010141009,0.021035023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988867,0.00011205628,0.00034754703,0.00024129984,0.00016456167,0.00024785523],"domain_scores_gemma":[0.9993271,0.000060223676,0.000104451865,0.00030085593,0.000080000544,0.00012733297],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037991072,0.00016052468,0.00032110966,0.000019534587,0.00096187514,0.0004985693,0.00023309767,0.00003765197,0.0043841465],"category_scores_gemma":[0.00006870028,0.000112605114,0.00013292588,0.000049099926,0.00073122577,0.000106477855,0.00006229273,0.00014772957,0.000080721664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014809112,0.000097210526,0.0010369339,0.00091611716,0.00013281399,0.000024609479,0.03095251,1.9010704e-9,0.000008941791,0.80472136,0.07015212,0.09194255],"study_design_scores_gemma":[0.00012047644,0.00004832449,0.00040239617,0.00078517676,0.00003837369,0.000012110267,0.00022064876,8.1320906e-7,0.0000017396626,0.0024584641,0.9957414,0.00017004611],"about_ca_topic_score_codex":0.00053869747,"about_ca_topic_score_gemma":0.005958339,"teacher_disagreement_score":0.9255893,"about_ca_system_score_codex":0.000008607326,"about_ca_system_score_gemma":0.000039175466,"threshold_uncertainty_score":0.996526},"labels":[],"label_agreement":null},{"id":"W2012552307","doi":"10.1353/com.2011.0015","title":"Graphic Novels or Novel Graphics?: The Evolution of an Iconoclastic Genre","year":2011,"lang":"en","type":"article","venue":"The Comparatist/Comparatist","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Comics; Literature; Art; Period (music); Emperor; Popularity; History; Painting; Victory; Visual arts; Ancient history; Aesthetics","score_opus":0.09927642112916639,"score_gpt":0.2617030680693754,"score_spread":0.16242664694020897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012552307","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9291115,0.002311701,0.013163791,0.00049836404,0.0028633177,0.0021910132,0.001006983,0.00027436094,0.04857896],"genre_scores_gemma":[0.99546796,0.000024583176,0.00046145145,0.0002446929,0.0005373151,0.00013529128,0.000060642105,0.00005229537,0.0030157468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99676716,0.00029730078,0.0011306913,0.00065156823,0.0005309668,0.000622313],"domain_scores_gemma":[0.9970727,0.0004178606,0.00068250403,0.0012754453,0.000362772,0.00018874776],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006235474,0.0006059962,0.0008285439,0.00033926015,0.0016777426,0.00037705406,0.0013129943,0.00011396234,0.001776193],"category_scores_gemma":[0.000017569537,0.00035435826,0.0003252579,0.0004581165,0.0023452684,0.0005037741,0.00014833272,0.0005763322,0.00010401887],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003336783,0.0006765766,0.0010341072,0.00004305889,0.00026537405,0.000006755808,0.029946297,0.00004199485,0.0006583782,0.95982677,0.0068989275,0.00026805984],"study_design_scores_gemma":[0.010336929,0.0053908615,0.28972062,0.0005387175,0.0016070888,0.00049697654,0.083679825,0.08013549,0.0012361995,0.2232913,0.2981169,0.0054491023],"about_ca_topic_score_codex":0.0045526973,"about_ca_topic_score_gemma":0.0999045,"teacher_disagreement_score":0.7365355,"about_ca_system_score_codex":0.000065353095,"about_ca_system_score_gemma":0.00021625738,"threshold_uncertainty_score":0.99989086},"labels":[],"label_agreement":null},{"id":"W2019942902","doi":"10.7771/1481-4374.1436","title":"Authorship, Collaboration, and Art Geography","year":2010,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Object (grammar); Context (archaeology); Space (punctuation); Field (mathematics); Geography; Identity (music); History; Sociology; Aesthetics; Archaeology; Art; Linguistics; Literature","score_opus":0.012678616559873176,"score_gpt":0.24745530446493402,"score_spread":0.23477668790506084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019942902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8602949,0.008692164,0.000008970018,0.004624278,0.0010787261,0.00042320008,0.00026039736,0.00010293171,0.12451445],"genre_scores_gemma":[0.97860277,0.00013047644,0.00015769088,0.000647053,0.00063737255,0.00002377456,0.00013908866,0.000008388308,0.019653376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920136,0.00005307616,0.00016905354,0.00030525145,0.00010513795,0.00016612768],"domain_scores_gemma":[0.999281,0.000035315607,0.00007542276,0.00014826281,0.00033155477,0.0001284413],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0000995391,0.00022653659,0.00024939372,0.000102976424,0.00059003907,0.0011649235,0.00008389744,0.00012614582,0.00027996447],"category_scores_gemma":[0.000011333617,0.00015661996,0.000053048738,0.00015209602,0.0005014832,0.000395814,0.000025046957,0.00054778915,0.000009805586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026014119,0.00003286953,0.0007574127,0.00001631032,0.000041174426,0.0000028431855,0.2672503,5.972046e-8,0.0013367629,0.61735445,0.11306553,0.00011629371],"study_design_scores_gemma":[0.00029340727,0.00010204204,0.0012012735,0.000036921774,0.000020706992,0.000010606615,0.0054807574,0.00002155977,0.00014270027,0.06065139,0.9318087,0.00022991044],"about_ca_topic_score_codex":0.0000022746262,"about_ca_topic_score_gemma":0.0008829524,"teacher_disagreement_score":0.81874317,"about_ca_system_score_codex":0.0000018784932,"about_ca_system_score_gemma":0.000014998644,"threshold_uncertainty_score":0.99987197},"labels":[],"label_agreement":null},{"id":"W2020091075","doi":"10.1353/bio.0.0007","title":"Multimodal Constructions of Self: Autobiographical Comics and the Case of Joe Matt's Peepshow","year":2008,"lang":"en","type":"article","venue":"Biography","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Comics; History; Art; Art history; Literature","score_opus":0.015097753725389903,"score_gpt":0.2052209870315249,"score_spread":0.19012323330613498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020091075","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9930685,0.0006983977,0.000016938167,0.0003871973,0.0001645174,0.00020472555,0.00021490295,0.00005204927,0.0051927506],"genre_scores_gemma":[0.9988414,0.00046027298,0.0005365777,0.000033945777,0.000052060434,0.000008533544,0.0000039601878,0.000011944117,0.000051280178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938893,0.00005835931,0.00024364992,0.00012729515,0.00007130516,0.00011047834],"domain_scores_gemma":[0.99939954,0.00013851463,0.00013994411,0.00018772022,0.00009149738,0.000042782533],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001127408,0.00011189468,0.00024169791,0.00044289508,0.00032977035,0.000020235795,0.00008645235,0.00004262732,0.000073210125],"category_scores_gemma":[0.00000666375,0.000074753276,0.0002629284,0.0002167794,0.004111342,0.000045322442,0.000035144873,0.00009197226,2.6096177e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006834548,0.00014919722,0.02940109,0.000032820153,0.0002987754,0.000026117204,0.01863101,2.9247985e-7,0.000053682652,0.9480026,0.0030934755,0.00024262266],"study_design_scores_gemma":[0.052364398,0.0028209891,0.1526971,0.00051931594,0.0027372076,0.012216798,0.2422693,0.0062662913,0.0023674732,0.20143636,0.31989884,0.0044059227],"about_ca_topic_score_codex":0.0014198726,"about_ca_topic_score_gemma":0.00093483174,"teacher_disagreement_score":0.74656624,"about_ca_system_score_codex":0.0000010287622,"about_ca_system_score_gemma":0.000012465242,"threshold_uncertainty_score":0.9985989},"labels":[],"label_agreement":null},{"id":"W2028324918","doi":"10.3828/qs.40.1.65","title":"The Representation of Québec in Marvel Comics’ <i>Alpha Flight</i>","year":2005,"lang":"en","type":"article","venue":"Quebec Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Alpha (finance); Representation (politics); Computer science; Psychology; Political science; Artificial intelligence","score_opus":0.052799671913485134,"score_gpt":0.2919470678051939,"score_spread":0.23914739589170877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028324918","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8556537,0.025374921,0.0000058109263,0.03050385,0.00059745193,0.00040282292,0.000024421639,0.00007761512,0.0873594],"genre_scores_gemma":[0.95136774,0.0010980638,0.000020777223,0.0001000586,0.00016210905,0.000022251646,0.0000012243266,0.000010058213,0.047217734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994737,0.000034463974,0.00021757105,0.00009605028,0.000076336,0.00010189373],"domain_scores_gemma":[0.9994519,0.0002550789,0.00008899567,0.00013293423,0.00006090544,0.000010212715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011851106,0.0000737708,0.0001581488,0.00005705872,0.00020703941,0.00003205292,0.000089875735,0.000010986774,0.000047248188],"category_scores_gemma":[0.000048817106,0.000046711382,0.000050037506,0.00004119376,0.00038680967,0.000074446274,0.000044796612,0.00005001469,0.000006307412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047771668,0.000084005864,0.006329261,0.00002583825,0.00018811108,0.0000012321335,0.17890383,0.00000868426,0.00007945186,0.6571658,0.13894546,0.01822054],"study_design_scores_gemma":[0.00058130285,0.000043635417,0.0052963225,0.000053053776,0.000017639508,4.3794353e-7,0.08302639,0.0000731462,0.00050223083,0.0060632178,0.90418625,0.00015635419],"about_ca_topic_score_codex":0.11088262,"about_ca_topic_score_gemma":0.97318023,"teacher_disagreement_score":0.86229765,"about_ca_system_score_codex":0.00003209516,"about_ca_system_score_gemma":0.000028247963,"threshold_uncertainty_score":0.89503807},"labels":[],"label_agreement":null},{"id":"W2034871599","doi":"10.1353/crv.0.0021","title":"Marji: Popular Commix Heroine Breathing Life into the Writing of History","year":2008,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Representation (politics); Articulation (sociology); Meaning (existential); Perspective (graphical); Politics; Literature; Power (physics); Point (geometry); History; Aesthetics; Art; Visual arts; Philosophy; Epistemology; Law; Political science","score_opus":0.056795505679354395,"score_gpt":0.2629764975621627,"score_spread":0.20618099188280828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034871599","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10729274,0.8717547,4.9587595e-7,0.009935259,0.00017701507,0.00023353905,0.000026347954,0.000010805813,0.010569111],"genre_scores_gemma":[0.7579447,0.23432615,0.00008273672,0.006757316,0.00016540202,0.000021105247,0.0000049334935,0.000015756095,0.00068189343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908406,0.000091578935,0.00041050464,0.00012212351,0.00012449204,0.00016724106],"domain_scores_gemma":[0.9989961,0.00009454807,0.0003217572,0.00024536584,0.00024222206,0.000100020516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026031942,0.00012994657,0.00061386847,0.0001025327,0.00034933974,0.000004252534,0.00019059285,0.0000075282865,0.00018293274],"category_scores_gemma":[0.00014841474,0.000089749454,0.00014995466,0.00008881573,0.0020701522,0.0000453816,0.000039114006,0.00010294697,0.0000023857322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008424828,0.000047675043,0.006870821,0.0062353117,0.0011095183,0.00006820693,0.38510478,7.2678495e-7,0.000017605737,0.1480299,0.38524413,0.067262895],"study_design_scores_gemma":[0.00006455222,0.00008050014,0.0009981237,0.0016906151,0.00006306403,0.0000062707245,0.05747321,8.72077e-7,0.0000015855471,0.00012498561,0.93936557,0.00013064343],"about_ca_topic_score_codex":0.1990924,"about_ca_topic_score_gemma":0.2723709,"teacher_disagreement_score":0.65065193,"about_ca_system_score_codex":0.00012777737,"about_ca_system_score_gemma":0.00025855485,"threshold_uncertainty_score":0.8062409},"labels":[],"label_agreement":null},{"id":"W2037545054","doi":"10.1080/21604851.2013.779875","title":"<i>It Gets Fatter</i>: Graphic Fatness and Resilient Eating in Mariko and Jillian Tamaki's<i>Skim</i>","year":2013,"lang":"en","type":"article","venue":"Fat Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Shame; Representation (politics); Psychology; Queer; Narrative; Social psychology; Art; Psychoanalysis; Literature; Political science","score_opus":0.03252107998756021,"score_gpt":0.2527337166286277,"score_spread":0.2202126366410675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037545054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97686267,0.009604186,0.000001617839,0.0051872805,0.00025676982,0.00031721723,0.000013662908,0.00003078488,0.007725838],"genre_scores_gemma":[0.99371016,0.0033594763,0.00004079577,0.00096706906,0.00013946019,0.00009205621,0.0000028641223,0.000014476985,0.0016736336],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989875,0.000050103892,0.0002723574,0.00030288767,0.00011771495,0.00026942138],"domain_scores_gemma":[0.9994846,0.00016276688,0.000075629425,0.00013506167,0.00009077765,0.00005116741],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012759751,0.00020560804,0.00031888217,0.00016719411,0.0005078231,0.00019196548,0.000075734875,0.000032047887,0.000083663814],"category_scores_gemma":[0.000036082,0.00015974723,0.000038333492,0.00005088191,0.00055402744,0.00021446441,0.00019045944,0.00014035274,0.0000070613564],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003829093,0.00016449988,0.24302022,0.00067261944,0.0004065295,0.000035614496,0.62945914,0.000004341441,0.0005831304,0.07180816,0.040965237,0.012842192],"study_design_scores_gemma":[0.0032494676,0.00058132043,0.22213513,0.0017790919,0.000104779516,0.000012515881,0.41004062,0.00029710584,0.00021873557,0.07973251,0.28010044,0.0017482869],"about_ca_topic_score_codex":0.00055035885,"about_ca_topic_score_gemma":0.010849913,"teacher_disagreement_score":0.2391352,"about_ca_system_score_codex":0.000010512279,"about_ca_system_score_gemma":0.0000042068104,"threshold_uncertainty_score":0.65143025},"labels":[],"label_agreement":null},{"id":"W2038886273","doi":"10.7202/013998ar","title":"Frankenstein’s Singular Events: Inductive Reasoning, Narrative Technique, and Generic Classification","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Narrative; Ambiguity; Rhetorical question; Inductive reasoning; Character (mathematics); Epistemology; Philosophy; Rhetorical device; Literature; Relation (database); Cognitive science; Linguistics; Computer science; Psychology; Art; Mathematics","score_opus":0.02217716848154144,"score_gpt":0.2225123930503116,"score_spread":0.20033522456877015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038886273","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95944214,0.00028236062,0.00020588188,0.0023194468,0.00022645706,0.0005064257,0.000012891251,0.00007062723,0.03693378],"genre_scores_gemma":[0.9962756,0.000022908285,0.00014737542,0.0002515425,0.0003123946,0.00006888459,0.000011514997,0.000018408915,0.0028913775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991281,0.00010769889,0.00019318973,0.00024084473,0.00016058564,0.0001695846],"domain_scores_gemma":[0.99944156,0.00008769236,0.00014141481,0.00022867972,0.000075287884,0.000025354986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002059955,0.00016505078,0.00016047482,0.00009822582,0.00061261735,0.0001088366,0.00012769659,0.000051598046,0.00025060796],"category_scores_gemma":[0.000023501849,0.000109748085,0.00005245476,0.000067111556,0.00028030702,0.00010038439,0.000030963314,0.00017611956,0.000010642472],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022065055,0.00008324821,0.00017014223,0.0000046136265,0.000034817927,0.0000026295681,0.019355005,0.0000018804312,0.0026448937,0.97004044,0.006915792,0.0007244994],"study_design_scores_gemma":[0.001350037,0.0010329834,0.046891,0.00043989863,0.00016327816,0.00002766928,0.04649277,0.0027226578,0.0050491523,0.573966,0.32055405,0.0013105056],"about_ca_topic_score_codex":0.0003119589,"about_ca_topic_score_gemma":0.00019710402,"teacher_disagreement_score":0.3960744,"about_ca_system_score_codex":0.000020553174,"about_ca_system_score_gemma":0.0000141089595,"threshold_uncertainty_score":0.47118196},"labels":[],"label_agreement":null},{"id":"W2041024090","doi":"10.3828/extr.2005.46.3.8","title":"The Super Black Macho, One Baaad Mutha: Black Superhero Masculinity in 1970s Mainstream Comic Books","year":2005,"lang":"en","type":"article","venue":"Extrapolation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Comics; Masculinity; Mainstream; Art; Literature; Gender studies; Sociology; Philosophy; Theology","score_opus":0.032618828616407795,"score_gpt":0.23449724534086508,"score_spread":0.20187841672445728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041024090","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9263973,0.00038267995,0.000031451837,0.0034843786,0.00021791628,0.00033441317,0.000029595656,0.00005172714,0.069070525],"genre_scores_gemma":[0.99171484,0.000225135,0.00005594921,0.00021136888,0.0006898113,0.00001430733,0.00003994731,0.000018546898,0.0070300796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987533,0.000114823204,0.00038792822,0.00024078148,0.00020195387,0.0003011989],"domain_scores_gemma":[0.99935263,0.00016677206,0.00007605603,0.00028077562,0.00006405782,0.000059676164],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040557436,0.00018205606,0.00018412095,0.00012228821,0.00044473665,0.00026105964,0.0001808047,0.00007042469,0.0011298083],"category_scores_gemma":[0.000024060479,0.00014367358,0.00011982921,0.000061830055,0.00047366729,0.00031028598,0.000032615142,0.00028569665,0.00014934455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018593905,0.00042269588,0.0077302344,0.000027337208,0.00012366948,0.000003338873,0.14873907,0.00016266505,0.0013423237,0.81324995,0.007843584,0.020169212],"study_design_scores_gemma":[0.0032907128,0.00022146937,0.07555244,0.00011079172,0.00006440606,0.0000028856912,0.020822752,0.015916009,0.0005676503,0.037924144,0.84463435,0.0008923902],"about_ca_topic_score_codex":0.0003919517,"about_ca_topic_score_gemma":0.035580963,"teacher_disagreement_score":0.83679074,"about_ca_system_score_codex":0.00006563961,"about_ca_system_score_gemma":0.000036980626,"threshold_uncertainty_score":0.9997833},"labels":[],"label_agreement":null},{"id":"W2046366520","doi":"10.1503/cmaj.090168","title":"Medical manga comes to America","year":2009,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Goldilocks principle; HERO; Comics; Realm; Convention; Medical illustration; Computer science; History; Art; Literature; Visual arts; Law; Political science; Archaeology; Biology","score_opus":0.008419514006692429,"score_gpt":0.2203470858725916,"score_spread":0.21192757186589917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046366520","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07723805,0.00028360638,0.0001007918,0.77022433,0.00245827,0.0001319182,0.0000448261,0.000045467004,0.14947277],"genre_scores_gemma":[0.85297674,0.0001265751,0.000045448127,0.13615265,0.0049751564,0.0000029617104,0.000007818632,0.000010477012,0.0057021556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775845,0.00009969043,0.00031442693,0.00011199975,0.0013179386,0.0003975128],"domain_scores_gemma":[0.9972417,0.0001222978,0.00009994696,0.000070482296,0.00024047178,0.0022251145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008377311,0.000098885386,0.00019110937,0.00023040677,0.0005183528,0.0002453997,0.00028723676,0.00013490356,0.039358467],"category_scores_gemma":[0.0011968213,0.00008317873,0.000097807715,0.000094815085,0.00006030281,0.00009214257,0.000009720587,0.00065085385,0.0003233032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040332097,0.000029020941,0.001073717,9.44108e-7,0.000046689325,0.00022424229,0.009077096,5.1158037e-7,9.435893e-7,0.045140736,0.78904843,0.15535365],"study_design_scores_gemma":[0.0002508186,0.000088966306,0.0030400539,0.000030256066,0.000005557066,0.000039777726,0.0018435989,0.00006253208,6.8222914e-7,0.0022828942,0.9922399,0.00011499902],"about_ca_topic_score_codex":0.0022485522,"about_ca_topic_score_gemma":0.09623629,"teacher_disagreement_score":0.7757387,"about_ca_system_score_codex":0.0002621675,"about_ca_system_score_gemma":0.0011943767,"threshold_uncertainty_score":0.9615197},"labels":[],"label_agreement":null},{"id":"W2049384205","doi":"10.1353/mos.2014.0042","title":"(Not) Lost in the Margins: Gender and Identity in Graphic Texts","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Gender identity; Computer science; Gender studies; Sociology; Art; Aesthetics","score_opus":0.02849101386229576,"score_gpt":0.24830298323021058,"score_spread":0.2198119693679148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049384205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97647196,0.00046003098,0.0000064047517,0.00065439416,0.00010890563,0.000109180226,0.000008052775,0.000006347446,0.022174716],"genre_scores_gemma":[0.9986759,0.000068967594,0.0000034061006,0.0006905312,0.00008723792,0.0000086962455,0.000003867973,0.000005079407,0.00045630248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99944437,0.000085636646,0.00012201543,0.00012692726,0.000095052084,0.00012600693],"domain_scores_gemma":[0.99974585,0.00006974827,0.000025973628,0.0001313038,0.000011412869,0.000015706153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003791853,0.00007475735,0.0000979445,0.00013113994,0.000099471705,0.0001459439,0.00011991948,0.00002115648,0.0001956726],"category_scores_gemma":[0.000016516755,0.000051232208,0.000027227707,0.00007546089,0.0001394038,0.00015757736,0.000029801555,0.00012399384,0.000015567022],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007907816,0.00004983285,0.016512852,0.000017808075,0.0000058592814,0.0000042674733,0.049117632,0.000001126552,0.000026150794,0.93200994,0.0014019109,0.0008447351],"study_design_scores_gemma":[0.00091980456,0.00006814979,0.46346548,0.00003672931,0.000009929966,0.0000035805654,0.013917168,0.0004641122,0.000010077366,0.33424363,0.1866037,0.00025765275],"about_ca_topic_score_codex":0.000336907,"about_ca_topic_score_gemma":0.024858035,"teacher_disagreement_score":0.5977663,"about_ca_system_score_codex":0.000005418731,"about_ca_system_score_gemma":0.000005675694,"threshold_uncertainty_score":0.9929358},"labels":[],"label_agreement":null},{"id":"W2050740829","doi":"10.3917/riges.264.0007","title":"Gérer l'ambiguïté de la complexité après le 11 septembre : stratégies et structures pour neutraliser le terrorisme des Joker dans un monde sans Batman","year":2001,"lang":"fr","type":"article","venue":"Gestion","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chemistry; Humanities; Political science; Art","score_opus":0.03709656421246259,"score_gpt":0.2541326850716548,"score_spread":0.21703612085919222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050740829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94472164,0.0027140267,0.0013802351,0.025995215,0.0005324726,0.0002283437,0.00020497356,0.0001194896,0.024103599],"genre_scores_gemma":[0.9661992,0.00052225764,0.00060412067,0.00038700821,0.0004955308,0.0000216909,0.0000929963,0.00005530872,0.03162185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99791247,0.0006198802,0.00036539463,0.0003875295,0.00018897095,0.00052574574],"domain_scores_gemma":[0.99910194,0.00018922964,0.00014630966,0.0002923466,0.00012123059,0.00014893929],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038625253,0.0003878307,0.0003184745,0.00014535042,0.0012867445,0.0006255375,0.00022649276,0.00024795663,0.0013543506],"category_scores_gemma":[0.00003180019,0.00038414856,0.0002100869,0.00010383621,0.0010999475,0.00052010355,0.00006307949,0.0005236744,0.000015973987],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000422167,0.0002190659,0.006555879,0.00006888129,0.000108818764,0.00005447156,0.060830582,0.0011986833,0.002494409,0.9168479,0.0064298306,0.0051492844],"study_design_scores_gemma":[0.0010998384,0.00015442337,0.41528785,0.00014060189,0.00011770495,0.00011250082,0.052150585,0.0007156061,0.0011885858,0.29458186,0.23383966,0.000610788],"about_ca_topic_score_codex":0.018302632,"about_ca_topic_score_gemma":0.023091668,"teacher_disagreement_score":0.62226605,"about_ca_system_score_codex":0.00009865443,"about_ca_system_score_gemma":0.00023600903,"threshold_uncertainty_score":0.99986106},"labels":[],"label_agreement":null},{"id":"W2052111941","doi":"10.1080/21548455.2014.941040","title":"Are Science Comics a Good Medium for Science Communication? The Case for Public Learning of Nanotechnology","year":2014,"lang":"en","type":"article","venue":"International Journal of Science Education Part B","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":111,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Narrative; Perception; Psychology; Science communication; Science education; Sociology; Mathematics education; Art; Literature","score_opus":0.05516305667701642,"score_gpt":0.3328977571076341,"score_spread":0.27773470043061765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052111941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93629766,0.00014890707,0.0042238804,0.05016258,0.005232028,0.0003386807,0.000019544383,0.000018628098,0.003558081],"genre_scores_gemma":[0.9978571,0.000017547247,0.0011996434,0.0002394714,0.00030989823,0.000017651631,8.928496e-7,0.0000055477462,0.00035227253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988092,0.000024304887,0.00035249692,0.0001448027,0.0004958015,0.00017340337],"domain_scores_gemma":[0.99379253,0.0003320217,0.001038408,0.00020455828,0.0045612482,0.000071234484],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004283554,0.000063390136,0.00010857194,0.00085329503,0.0014560921,0.00044877373,0.0019201755,0.00001540976,0.000025403502],"category_scores_gemma":[0.0032059574,0.00004496149,0.000056871206,0.00037806696,0.009156612,0.0008707247,0.00012615901,0.00012328451,5.0574096e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000906851,0.00009650389,0.0005472313,0.0000036905963,0.000008239778,1.7141546e-7,0.0053286916,0.0000188597,0.0022649416,0.98685026,0.0011730482,0.0036993169],"study_design_scores_gemma":[0.0010855411,0.00048143236,0.0013907562,0.00023308309,0.000035248777,0.0005529942,0.13888846,0.009077235,0.013453361,0.121309645,0.7131948,0.000297437],"about_ca_topic_score_codex":0.00003314046,"about_ca_topic_score_gemma":0.00021792926,"teacher_disagreement_score":0.86554056,"about_ca_system_score_codex":0.00008723296,"about_ca_system_score_gemma":0.0019235351,"threshold_uncertainty_score":0.9998439},"labels":[],"label_agreement":null},{"id":"W2054310628","doi":"10.1080/21504857.2014.908402","title":"Reimagining GDR comics: <i>Kultur</i> , children’s literature and the socialist personality","year":2014,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; Personality; Psychology; Psychoanalysis; Literature; Art; Sociology; Gender studies; Visual arts","score_opus":0.009958047912020441,"score_gpt":0.20420996094948596,"score_spread":0.19425191303746553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054310628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85302514,0.009815135,0.0008264328,0.048255622,0.0029699893,0.0007033304,0.00037421047,0.00018819934,0.08384194],"genre_scores_gemma":[0.9941463,0.0008257331,0.00026739604,0.002023078,0.0015076465,0.0000020991297,0.0000056268627,0.000053544394,0.0011685927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875456,0.00018398251,0.0004538092,0.00015637145,0.00024862052,0.0002026489],"domain_scores_gemma":[0.99858683,0.0002740621,0.0006508741,0.00019861122,0.0001931253,0.00009649347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010867262,0.00021504665,0.00046121253,0.00020493299,0.0004807139,0.0005150356,0.0003205361,0.000069729256,0.0000355299],"category_scores_gemma":[0.00009905927,0.00012182011,0.00029383908,0.00010658799,0.0011868865,0.00019935715,0.00006365227,0.00065080175,5.100264e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016822705,0.00005234015,0.0040437244,0.000017764809,0.00022394242,0.0000023579992,0.027277144,6.148583e-7,0.000047587706,0.94366676,0.023977365,0.0005221719],"study_design_scores_gemma":[0.013433176,0.00036550505,0.010084896,0.0008848254,0.0005073656,0.0006246808,0.00805727,0.000670027,0.000033804426,0.3797068,0.58454967,0.0010819826],"about_ca_topic_score_codex":0.00027295822,"about_ca_topic_score_gemma":0.0006847969,"teacher_disagreement_score":0.56395996,"about_ca_system_score_codex":0.0000112929765,"about_ca_system_score_gemma":0.000032175572,"threshold_uncertainty_score":0.496768},"labels":[],"label_agreement":null},{"id":"W2055334850","doi":"10.1080/01587911003725055","title":"The satirical value of virtual worlds","year":2010,"lang":"en","type":"article","venue":"Distance Education","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athabasca University","funders":"","keywords":"Sophistication; Metaverse; Distance education; Value (mathematics); Focus (optics); Sociology; Graphics; The Imaginary; Virtual world; Media studies; Computer science; Aesthetics; Virtual reality; Social science; Art; Human–computer interaction; Pedagogy; Psychology; Computer graphics (images); Psychoanalysis; Physics","score_opus":0.008690680540819356,"score_gpt":0.24533294873282774,"score_spread":0.23664226819200837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055334850","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94067645,0.00020318863,0.00007453656,0.0034984846,0.003239246,0.000087006876,0.000009084204,0.000011420904,0.05220057],"genre_scores_gemma":[0.9909526,0.000012331013,0.000025994193,0.00008967545,0.00043626316,0.000014496896,0.0000064030564,0.0000037667594,0.00845844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996817,0.000013483517,0.00010646057,0.0000638459,0.00007280664,0.000061664345],"domain_scores_gemma":[0.99961805,0.000085109255,0.00005899617,0.00013873387,0.00008081632,0.00001829019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000093913804,0.00004126392,0.000045877543,0.000020582645,0.00023119869,0.000060508195,0.0000929237,0.000011485291,0.0001985302],"category_scores_gemma":[0.000040905546,0.000027191096,0.00003108734,0.00002988567,0.0002473051,0.000052972893,0.000006830723,0.00008700075,0.000006389025],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061314736,0.00004926872,0.00063372945,0.0000017399802,0.0000036962456,1.0314825e-8,0.010808203,1.594291e-7,0.00018652552,0.9659834,0.00941377,0.012913346],"study_design_scores_gemma":[0.000044821543,0.000019977204,0.008250555,0.0000053682165,0.0000040234727,1.3944089e-7,0.0062441793,0.00002984589,0.000116109724,0.049503867,0.9357284,0.000052754614],"about_ca_topic_score_codex":0.00004825951,"about_ca_topic_score_gemma":0.002570331,"teacher_disagreement_score":0.9263146,"about_ca_system_score_codex":0.000005329855,"about_ca_system_score_gemma":0.000075746175,"threshold_uncertainty_score":0.21737665},"labels":[],"label_agreement":null},{"id":"W2058738756","doi":"10.3138/jrpc.25.2.175","title":"Neil Gaiman’s Lucifer: Reconsidering Milton’s Satan","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Literature; Mythology; Art; Judaism; Poetry; Intertextuality; Allegory; Art history; Philosophy; Theology","score_opus":0.024860856090239563,"score_gpt":0.2260001618901612,"score_spread":0.20113930579992165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058738756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97557604,0.013854214,0.0000132822925,0.0030431037,0.00080294197,0.00011734567,0.0000054458533,0.000016852811,0.0065707914],"genre_scores_gemma":[0.9685674,0.013479014,0.0003491394,0.0013281534,0.00095756294,0.0000025058257,0.0000039670367,0.000016241542,0.015296048],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993245,0.00003080119,0.0003082015,0.0000883868,0.00012805934,0.000120039425],"domain_scores_gemma":[0.9993907,0.000008739359,0.00021635366,0.00008652338,0.00019243658,0.000105201754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011349884,0.00011646708,0.00020936855,0.00008984548,0.00019252257,0.00028477528,0.00008442357,0.000052152805,0.00019528484],"category_scores_gemma":[0.000025704552,0.000075740805,0.00012893342,0.000024101686,0.00006351063,0.00031714747,0.000020767133,0.00024327352,0.0000137289935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047681504,0.000056293957,0.0015762546,0.000044569133,0.00013035981,0.00003743212,0.053124055,0.0000029627956,0.0013611781,0.20501223,0.73264086,0.005966116],"study_design_scores_gemma":[0.00032061216,0.0001670112,0.00011308644,0.00007705234,0.000022684191,0.00014263403,0.0027615658,0.000019632507,0.000047430538,0.017700644,0.978508,0.00011962394],"about_ca_topic_score_codex":0.000079373494,"about_ca_topic_score_gemma":0.0002436639,"teacher_disagreement_score":0.24586716,"about_ca_system_score_codex":0.000011604205,"about_ca_system_score_gemma":0.000011706673,"threshold_uncertainty_score":0.30886206},"labels":[],"label_agreement":null},{"id":"W2060301473","doi":"10.1353/vcr.2012.0025","title":"Henry Heath’s The Caricaturist’s Scrap Book","year":2012,"lang":"en","type":"article","venue":"Victorian review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Art; Folio; Comic strip; Art history; Reprint; Visual arts; History; Literature","score_opus":0.029869825893808283,"score_gpt":0.247760478112187,"score_spread":0.2178906522183787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060301473","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015015033,0.8515708,0.000004570309,0.011038199,0.002592585,0.00040016376,0.000016630433,0.000048730646,0.1341782],"genre_scores_gemma":[0.42655155,0.4433213,0.000047861326,0.04394087,0.016532639,0.00029854962,0.00004705601,0.000081211925,0.06917898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999187,0.000084377,0.00022236332,0.00011711889,0.00014090924,0.00024823332],"domain_scores_gemma":[0.9993498,0.00006540325,0.00007970503,0.00036517315,0.000054956097,0.000085008294],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036543186,0.0001383133,0.00023470889,0.000027839213,0.00034906025,0.00008011372,0.00021204371,0.000021968617,0.003930244],"category_scores_gemma":[0.000024975883,0.000077002696,0.00016601117,0.000056421046,0.00012858244,0.0001792894,0.000042261458,0.00015517943,0.00021344142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013182114,0.000036575086,0.00012254469,0.00021988408,0.000036770005,5.030564e-7,0.009564054,5.195931e-9,0.00000323457,0.604812,0.38237262,0.0028304788],"study_design_scores_gemma":[0.00005175248,0.000015221923,0.000116212665,0.00033719244,0.000052764375,0.0000022536544,0.00015652807,2.730889e-7,0.000002498164,0.00082036393,0.99833673,0.000108193366],"about_ca_topic_score_codex":0.000035477256,"about_ca_topic_score_gemma":0.00006327331,"teacher_disagreement_score":0.6159641,"about_ca_system_score_codex":0.000017363278,"about_ca_system_score_gemma":0.000021852855,"threshold_uncertainty_score":0.9969803},"labels":[],"label_agreement":null},{"id":"W2060366129","doi":"10.7202/044532ar","title":"Tintin avant Tintin","year":2010,"lang":"fr","type":"article","venue":"Études françaises","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.01640955591961781,"score_gpt":0.23040978448187482,"score_spread":0.214000228562257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060366129","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45403373,0.004891675,0.000017019447,0.007508832,0.009187564,0.00027695074,0.00017570057,0.00012651831,0.523782],"genre_scores_gemma":[0.8942576,0.00037641692,0.000401634,0.0004314359,0.0030357675,0.00002199976,0.000015768115,0.000055190947,0.10140416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824256,0.00004607673,0.00045894302,0.00043347446,0.00026286385,0.0005560835],"domain_scores_gemma":[0.9987454,0.00024452814,0.00016913407,0.00046068488,0.00020033332,0.00017993082],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003240917,0.00037677464,0.00039135394,0.00016890706,0.0009873932,0.0004955373,0.000389007,0.0001893253,0.03721044],"category_scores_gemma":[0.00011237154,0.00034777197,0.00029388405,0.000067542525,0.0014336372,0.0002681242,0.00013818494,0.00077459245,0.0012816914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020563913,0.00033058337,0.0019523588,0.00009357671,0.00009612575,0.000022842356,0.010627318,0.0000011779283,0.0019893975,0.9466604,0.027782079,0.01042359],"study_design_scores_gemma":[0.0004017319,0.00012758473,0.002495299,0.00010867588,0.000072722134,0.000014015863,0.0017861421,0.000093032424,0.0007238617,0.004572326,0.98914224,0.00046236085],"about_ca_topic_score_codex":0.0017688326,"about_ca_topic_score_gemma":0.027666261,"teacher_disagreement_score":0.96136016,"about_ca_system_score_codex":0.000010619098,"about_ca_system_score_gemma":0.000103200655,"threshold_uncertainty_score":0.9998974},"labels":[],"label_agreement":null},{"id":"W2062533237","doi":"10.7202/501147ar","title":"La continuité temporelle et ses manifestations graphiques dans la bande dessinée historique","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Complexification; Physics","score_opus":0.018998113302568398,"score_gpt":0.251988064675717,"score_spread":0.2329899513731486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2062533237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44487366,0.036755115,0.00018831638,0.038688585,0.0009451929,0.00052542496,0.0008210097,0.0003584098,0.47684428],"genre_scores_gemma":[0.8986834,0.004865815,0.00068073836,0.0005868585,0.0012040433,0.000073852374,0.00006035831,0.00007222179,0.093772694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997635,0.0006252125,0.0005734236,0.00045745965,0.00026711213,0.00044177056],"domain_scores_gemma":[0.9982207,0.00082916947,0.00024362486,0.00035678627,0.00017777902,0.00017197405],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006336668,0.00044410033,0.00041313772,0.00026888307,0.0007674196,0.0006006392,0.00031929172,0.00023955877,0.0007197814],"category_scores_gemma":[0.00007140399,0.00042465006,0.00031835385,0.000112000176,0.0016425684,0.00060562947,0.00009954247,0.0005024441,0.000027146889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028704642,0.00047259164,0.001145845,0.00011379893,0.00016405447,0.00009195071,0.11364874,0.000016286382,0.000097730765,0.85423726,0.024113214,0.0058698375],"study_design_scores_gemma":[0.00047419223,0.00014488459,0.0048807487,0.00036818633,0.00009561699,0.00008871946,0.014356443,0.00009100978,0.00010934845,0.02163638,0.957247,0.0005074724],"about_ca_topic_score_codex":0.0034465177,"about_ca_topic_score_gemma":0.0954491,"teacher_disagreement_score":0.9331338,"about_ca_system_score_codex":0.00017961448,"about_ca_system_score_gemma":0.00025581152,"threshold_uncertainty_score":0.99982053},"labels":[],"label_agreement":null},{"id":"W2064335296","doi":"10.7202/1001764ar","title":"La bande dessinée en son miroir. Images et usages de l’album dans la bande dessinée française","year":2011,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022607986877657468,"score_gpt":0.24061592193791329,"score_spread":0.21800793506025581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064335296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61191523,0.031020783,0.00075854786,0.0059249667,0.0012421025,0.00040266526,0.00049691455,0.00021709286,0.3480217],"genre_scores_gemma":[0.9433236,0.0067490204,0.0008511185,0.00042801618,0.00090973964,0.00006420865,0.000033582022,0.00012419463,0.04751651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99635434,0.0012354078,0.0005662615,0.00063966756,0.0003296582,0.0008746444],"domain_scores_gemma":[0.99784034,0.00089599326,0.0002575525,0.0005527681,0.0001349673,0.00031840164],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011503662,0.00065905135,0.00060647377,0.00025715542,0.0012025847,0.0008888635,0.00061785936,0.00043832537,0.0035160265],"category_scores_gemma":[0.000117211785,0.0006038037,0.00040790325,0.00011341589,0.0020976912,0.0007259442,0.0002357989,0.0008279212,0.000091007816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026200037,0.0017768294,0.021188635,0.0004502203,0.00040570647,0.0007469812,0.33282316,0.0000124355865,0.0012683489,0.53836185,0.08733621,0.015367604],"study_design_scores_gemma":[0.001300705,0.00032545114,0.068913385,0.0007629252,0.00025943693,0.00014238541,0.019222418,0.00021775985,0.0015488164,0.016071772,0.89028597,0.0009489687],"about_ca_topic_score_codex":0.005506891,"about_ca_topic_score_gemma":0.008854685,"teacher_disagreement_score":0.8029498,"about_ca_system_score_codex":0.00011286928,"about_ca_system_score_gemma":0.00031395894,"threshold_uncertainty_score":0.99964136},"labels":[],"label_agreement":null},{"id":"W2065448849","doi":"10.1080/21504857.2014.889731","title":"‘Batman is all about contingency planning’: an interview with American comic-book writer Chuck Dixon","year":2014,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emmanuel Bible College","funders":"","keywords":"Comics; Knight; Art; Superman; Visual arts; Art history; Literature; Media studies; Sociology","score_opus":0.04113714862320241,"score_gpt":0.2692225574880807,"score_spread":0.2280854088648783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065448849","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9798624,0.0016865259,0.0021361755,0.0030131445,0.00066188135,0.00024145561,0.000054807704,0.00006767437,0.012275966],"genre_scores_gemma":[0.99159193,0.00042278657,0.0007250072,0.0056791655,0.0007198505,0.000003906209,0.0000056836916,0.00008160858,0.00077007286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816275,0.00012266425,0.00076800166,0.00025641057,0.00032960373,0.00036056817],"domain_scores_gemma":[0.9977362,0.00014078047,0.0012090512,0.0003800067,0.00030551408,0.00022845769],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006564706,0.0003392642,0.0007384891,0.0004817839,0.00023280515,0.00033452158,0.0005576302,0.00005590704,0.0002290048],"category_scores_gemma":[0.000022216358,0.00025117552,0.00028404387,0.00012470377,0.000674132,0.00043894132,0.000057620953,0.0005107412,0.0000032822802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001800315,0.002792627,0.06515499,0.00038050144,0.0036346756,0.000110097186,0.209587,0.000055515728,0.0035018718,0.5543019,0.12564299,0.033037525],"study_design_scores_gemma":[0.0023441503,0.00274773,0.010756324,0.00078193785,0.00024404365,0.00012866441,0.0043471344,0.0005668651,0.00008887566,0.0033815247,0.9739034,0.00070933154],"about_ca_topic_score_codex":0.0001172696,"about_ca_topic_score_gemma":0.00061131164,"teacher_disagreement_score":0.84826046,"about_ca_system_score_codex":0.000022072392,"about_ca_system_score_gemma":0.000041911062,"threshold_uncertainty_score":0.99999404},"labels":[],"label_agreement":null},{"id":"W2068203914","doi":"10.1558/bsor.v44i1.26860","title":"What is a Superhero?","year":2015,"lang":"en","type":"article","venue":"Bulletin for the Study of Religion","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Narrative; Reading (process); Sociology; Event (particle physics); Aesthetics; Crossover; Spanish Civil War; Literature; Epistemology; Art; Political science; Philosophy; Law; Computer science","score_opus":0.05091092063187096,"score_gpt":0.2614672792967506,"score_spread":0.21055635866487965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068203914","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96119255,0.00553702,0.000019451978,0.021071045,0.0017040957,0.0014141235,0.00001321588,0.0000384512,0.009010024],"genre_scores_gemma":[0.98856103,0.0004056753,0.000011300098,0.00033273522,0.00021732114,0.000057770936,0.0000015626042,0.000010673203,0.0104019055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947476,0.00002363949,0.00015292328,0.0001138152,0.00013980691,0.00009507218],"domain_scores_gemma":[0.9994533,0.00011252049,0.00006212833,0.00019412933,0.00015177563,0.000026140944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002601387,0.00007903268,0.00012432199,0.00003425607,0.00021026042,0.00012187159,0.00015766773,0.000014487007,0.00012723755],"category_scores_gemma":[0.000019922174,0.000047898862,0.00007646011,0.0000183439,0.000094174255,0.00003915512,0.000040999716,0.000045979443,0.00002260706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017392363,0.00031002113,0.000110903406,0.0000096501635,0.00010142861,4.3161518e-7,0.26193488,0.0000037625975,0.000004727098,0.058521397,0.6766525,0.002176374],"study_design_scores_gemma":[0.0007868698,0.00073703413,0.000016290709,0.000015582778,0.00003116626,3.9630766e-7,0.11846269,0.000018637282,0.000020643658,0.005493406,0.8743551,0.00006218889],"about_ca_topic_score_codex":0.00081508013,"about_ca_topic_score_gemma":0.00056455407,"teacher_disagreement_score":0.19770257,"about_ca_system_score_codex":0.0000054305824,"about_ca_system_score_gemma":0.00000871519,"threshold_uncertainty_score":0.1953259},"labels":[],"label_agreement":null},{"id":"W2068711667","doi":"10.7202/056693ar","title":"Le téléroman, art de nouveaux conteurs: formes et influences de récit téléromanesque","year":2005,"lang":"fr","type":"article","venue":"Recherches sociographiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.06697884012485159,"score_gpt":0.3219771864343983,"score_spread":0.25499834630954676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068711667","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74832654,0.047186993,0.00026683553,0.080249496,0.0004449185,0.0005557193,0.000167903,0.00042352287,0.12237808],"genre_scores_gemma":[0.92146665,0.043336082,0.004122185,0.0056081396,0.0015538911,0.00015481382,0.000049278457,0.00011409465,0.023594843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99612516,0.0011947943,0.00070269196,0.0005835097,0.0002879857,0.0011058601],"domain_scores_gemma":[0.997655,0.0009913432,0.00032720304,0.00042305875,0.00030555562,0.00029787899],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0023603076,0.0006138549,0.0006672522,0.0005172171,0.00088361185,0.0007502902,0.00056513515,0.0007183967,0.00033363962],"category_scores_gemma":[0.00021514573,0.0006395767,0.00083839503,0.00030274014,0.001908756,0.0011092246,0.00011653398,0.0012015125,0.000075970805],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055349454,0.0005170432,0.014979746,0.0001782771,0.00049173535,0.00001744242,0.12914437,0.00001213437,0.0005534331,0.80772775,0.041658167,0.0046645245],"study_design_scores_gemma":[0.00063307484,0.0003716152,0.01229001,0.0004888789,0.00014912107,0.000039049555,0.013584813,0.00017134465,0.0012931769,0.2140538,0.7560919,0.00083320733],"about_ca_topic_score_codex":0.038459733,"about_ca_topic_score_gemma":0.10337713,"teacher_disagreement_score":0.7144337,"about_ca_system_score_codex":0.00077520846,"about_ca_system_score_gemma":0.0009251974,"threshold_uncertainty_score":0.99960554},"labels":[],"label_agreement":null},{"id":"W2069209690","doi":"10.3138/cras.40.2.187","title":"Something Black in the American Psyche: Formal Innovation and Freudian Imagery in the Comics of Winsor McCay and Robert Crumb","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psyche; Freudian slip; Comics; Art; Literature; Psychoanalysis; Psychology","score_opus":0.03126878044679076,"score_gpt":0.29954367882356,"score_spread":0.2682748983767692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2069209690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96888226,0.015865346,7.6119886e-7,0.011246599,0.000047926595,0.00034036377,0.000040665444,0.000002867244,0.003573198],"genre_scores_gemma":[0.96462804,0.029910523,0.00011162594,0.0052349144,0.000050522824,0.000022211983,0.0000032611629,0.000009231785,0.000029652907],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991495,0.0001042673,0.00035418777,0.00012209437,0.00009174864,0.00017818916],"domain_scores_gemma":[0.9991216,0.00024547722,0.0003249349,0.00018542507,0.00009455874,0.000028019194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000866103,0.00011638591,0.00045546427,0.00029692304,0.0001694421,0.000024954421,0.00016068666,0.000009094292,0.000006982803],"category_scores_gemma":[0.00019492941,0.00007076982,0.00003376271,0.00048200163,0.0026275618,0.00009226469,0.000034003326,0.00020991049,1.5813063e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024470248,0.00009107767,0.048726458,0.0026988967,0.00022396671,0.00001470176,0.39244434,3.845079e-7,0.00012997435,0.3790028,0.025201976,0.15144093],"study_design_scores_gemma":[0.00057184463,0.0004732864,0.16678727,0.0028044512,0.00011639069,0.000016368786,0.4365864,0.000024868623,0.000010986981,0.005226525,0.3868373,0.00054428773],"about_ca_topic_score_codex":0.05259712,"about_ca_topic_score_gemma":0.61639273,"teacher_disagreement_score":0.5637956,"about_ca_system_score_codex":0.000010266222,"about_ca_system_score_gemma":0.000058549955,"threshold_uncertainty_score":0.96813613},"labels":[],"label_agreement":null},{"id":"W2070544011","doi":"10.3138/jrpc.21.3.003","title":"Of Catholics, Commies, and the Anti-Christ: Mapping American Social Borders Through Cold War Comic Books","year":2009,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Communism; Identity (music); Cold war; Sociology; Seekers; Political science; Art; History; Media studies; Literature; Aesthetics; Law; Politics","score_opus":0.015765284592401195,"score_gpt":0.2523612973507943,"score_spread":0.23659601275839312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070544011","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9653226,0.019718645,0.000026568165,0.012541506,0.00018617742,0.00013813275,0.000022761684,0.000007923812,0.0020356595],"genre_scores_gemma":[0.9768992,0.020413987,0.00009227198,0.0015410294,0.00025593225,3.6648683e-7,0.0000024077995,0.0000052906257,0.0007894787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931157,0.000072444695,0.00031487952,0.00006962648,0.0001333866,0.00009811475],"domain_scores_gemma":[0.9993143,0.000014861892,0.0004547339,0.00006200442,0.00012109123,0.000032991415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019214924,0.00011018185,0.00036529562,0.000048281003,0.00037660866,0.000083428786,0.00009370458,0.000036684276,0.0000026945238],"category_scores_gemma":[0.000014625162,0.000063420914,0.00012698227,0.000042588887,0.0005632101,0.00009587118,0.000016169675,0.00025489173,1.2147653e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011897121,0.000040056188,0.00028652127,0.000021166534,0.000085967135,0.000007278483,0.20492774,9.066778e-7,0.00040284652,0.67106634,0.12222547,0.00081671856],"study_design_scores_gemma":[0.0011269937,0.00017985843,0.0002741618,0.0000510828,0.00005129493,0.000035223457,0.01336067,0.000007681052,0.000027596067,0.01138615,0.97340095,0.000098346994],"about_ca_topic_score_codex":0.00023552169,"about_ca_topic_score_gemma":0.00026393443,"teacher_disagreement_score":0.8511755,"about_ca_system_score_codex":0.000006851526,"about_ca_system_score_gemma":0.0000145531285,"threshold_uncertainty_score":0.28966075},"labels":[],"label_agreement":null},{"id":"W2074999882","doi":"10.7202/044534ar","title":"Basil Zaharoff et la guerre du Chaco : la tintinisation de la géopolitique des années 1930","year":2010,"lang":"fr","type":"article","venue":"Études françaises","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01450983178016259,"score_gpt":0.26286326375253044,"score_spread":0.24835343197236784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074999882","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5673452,0.0015341704,0.000025869707,0.0023021882,0.00070988684,0.00015434335,0.00018951899,0.00009363678,0.4276452],"genre_scores_gemma":[0.9883281,0.0022138797,0.00033131175,0.0004640368,0.0015509758,0.000053057847,0.000031780593,0.00006864077,0.006958208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798924,0.00053281966,0.00038781346,0.00037657755,0.00021969482,0.0004938804],"domain_scores_gemma":[0.99744236,0.0016834768,0.00017256974,0.00031910563,0.00019900937,0.00018350306],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012409503,0.00039658518,0.00036088255,0.0001918619,0.0012106629,0.0008355242,0.00031778475,0.00036147874,0.0027927083],"category_scores_gemma":[0.00035321098,0.00038115986,0.00025401442,0.000093114824,0.0038648855,0.0004882349,0.00011697408,0.0008383996,0.000055204186],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033969878,0.00040334318,0.010981594,0.0001854762,0.00010053517,0.000036394988,0.052474797,0.0000060207794,0.0008001487,0.92102647,0.0028268532,0.011124407],"study_design_scores_gemma":[0.0005378314,0.00011345475,0.041360613,0.00023956675,0.00007922817,0.00006974468,0.007451191,0.0001636987,0.00048546802,0.03719388,0.9118632,0.00044210828],"about_ca_topic_score_codex":0.0071155746,"about_ca_topic_score_gemma":0.023652233,"teacher_disagreement_score":0.90903634,"about_ca_system_score_codex":0.000021827502,"about_ca_system_score_gemma":0.00027469,"threshold_uncertainty_score":0.99986404},"labels":[],"label_agreement":null},{"id":"W2075005601","doi":"10.1353/mos.2013.0004","title":"Shaking Hands with Other People's Pain: Joe Sacco's Palestine","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":73,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Palestine; Art; Visual arts; History; Ancient history","score_opus":0.014267882077198823,"score_gpt":0.18314524775490573,"score_spread":0.16887736567770692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075005601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95578045,0.00024848903,0.00018889796,0.002260806,0.00014871557,0.00026846756,0.000012828497,0.00011311396,0.040978245],"genre_scores_gemma":[0.98804736,0.0000047795497,0.000079514044,0.0007793158,0.00032748608,0.000049048656,0.0000112000835,0.00002262462,0.010678671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993817,0.000035180943,0.0001205997,0.00015865736,0.00010985239,0.00019399622],"domain_scores_gemma":[0.99959,0.00007122628,0.00005808002,0.00016300076,0.000070749535,0.000046987163],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013146838,0.00012729951,0.00014148984,0.000062412044,0.00023994011,0.0002614084,0.000100197954,0.000022474691,0.0063758795],"category_scores_gemma":[0.000014616244,0.00008676993,0.000041788582,0.000047770252,0.00010430979,0.00014577425,0.00002080849,0.00009008386,0.00009579842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008703139,0.0003552971,0.13480327,0.00016011963,0.0003097993,0.000015150984,0.192631,0.00003500981,0.0007338208,0.44816357,0.1678668,0.054839138],"study_design_scores_gemma":[0.0012121694,0.00054173096,0.01423283,0.00015401685,0.000033335033,0.000006223982,0.0073337364,0.0016915973,0.000068973124,0.012350474,0.9617698,0.0006050882],"about_ca_topic_score_codex":0.0010697471,"about_ca_topic_score_gemma":0.010885135,"teacher_disagreement_score":0.79390305,"about_ca_system_score_codex":0.000007920481,"about_ca_system_score_gemma":0.000013892727,"threshold_uncertainty_score":0.9945324},"labels":[],"label_agreement":null},{"id":"W2076779191","doi":"10.1503/cmaj.1050008","title":"Tintin in CMAJ","year":2005,"lang":"en","type":"letter","venue":"Canadian Medical Association Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; World Wide Web; Data science; Medicine","score_opus":0.010949853379971283,"score_gpt":0.20227572928421336,"score_spread":0.19132587590424208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076779191","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010390586,0.00025095217,6.528616e-7,0.92513686,0.0021700114,0.000063185624,0.00006595123,0.000009168578,0.07126416],"genre_scores_gemma":[0.003052577,0.0001410296,0.00000799709,0.9061525,0.053970795,0.00000546591,0.000052900625,0.000027319085,0.0365894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975448,0.0001913706,0.0005107628,0.00015689156,0.0010397455,0.0005564173],"domain_scores_gemma":[0.9987515,0.0001909307,0.00029059133,0.000084828,0.00024097878,0.00044114672],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010993122,0.0001717251,0.00030844708,0.00055721734,0.00029072782,0.00038998865,0.0003155082,0.0008060506,0.053465832],"category_scores_gemma":[0.00049282284,0.00015733048,0.00015798492,0.000062111765,0.00007035202,0.00010137467,0.000011943847,0.005053087,0.00031526797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.939655e-7,0.0000051009115,0.00085382885,0.0000043682007,0.0000418601,0.0007594259,0.0034862484,1.4863147e-7,1.6410436e-8,0.001614017,0.98603815,0.0071963174],"study_design_scores_gemma":[0.0002598235,0.000012713123,0.0002981374,0.00009184676,0.000009141855,0.00004109708,0.0005629031,0.000016896816,4.4990255e-8,0.00075925916,0.9977641,0.00018403094],"about_ca_topic_score_codex":0.011576837,"about_ca_topic_score_gemma":0.6724509,"teacher_disagreement_score":0.66087407,"about_ca_system_score_codex":0.00085950334,"about_ca_system_score_gemma":0.0021190732,"threshold_uncertainty_score":0.9972423},"labels":[],"label_agreement":null},{"id":"W2080288877","doi":"10.1353/aza.0.0044","title":"Excerpt from Guy Delisle's Pyongyang","year":2008,"lang":"en","type":"article","venue":"Azalea","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resolution (logic); Computer science; Computer graphics (images); Art history; Art; Artificial intelligence","score_opus":0.048928908233746425,"score_gpt":0.19178200225324182,"score_spread":0.1428530940194954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080288877","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8733513,0.0006735371,0.000022543818,0.0007608387,0.00051784486,0.00006297698,0.00004912631,0.00007339217,0.12448848],"genre_scores_gemma":[0.9845078,0.00013648535,0.00006206122,0.00051935465,0.0008135373,0.0000071675236,0.000025021736,0.0000137341485,0.013914845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994388,0.000018116307,0.00013205099,0.00015693957,0.00010598464,0.00014805915],"domain_scores_gemma":[0.9996212,0.000060316288,0.00003873909,0.00018430511,0.000048666585,0.00004673989],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000034424545,0.00009847032,0.00012374755,0.000051598516,0.00035663543,0.000054257453,0.00012680673,0.000025715704,0.0048158406],"category_scores_gemma":[0.000012133092,0.000083014835,0.00007872272,0.000024666182,0.0001989634,0.00012616278,0.000034199442,0.000090114045,0.0002776487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050843515,0.0001867382,0.008307984,0.000009518825,0.0001665434,0.000112067966,0.17616296,0.0000048242728,0.0006131305,0.54726756,0.25719273,0.009925089],"study_design_scores_gemma":[0.00032623846,0.00004123636,0.005448999,0.000012330079,0.000011365635,0.000003724893,0.0024147646,0.00006624206,0.0001469909,0.015156192,0.9761691,0.00020278446],"about_ca_topic_score_codex":0.0010572339,"about_ca_topic_score_gemma":0.0018176564,"teacher_disagreement_score":0.7189764,"about_ca_system_score_codex":0.000007811893,"about_ca_system_score_gemma":0.000017712357,"threshold_uncertainty_score":0.99609387},"labels":[],"label_agreement":null},{"id":"W2082013948","doi":"10.3138/utq.83.1.28","title":"Postcard Poem, Ekphrastic Delusion: On Margaret Atwood’s Poem “Postcard”","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Impossibility; Delusion; Object (grammar); Art; Nothing; Face (sociological concept); Literature; Psychoanalysis; Psychology; Philosophy; Law; Epistemology; Linguistics","score_opus":0.009063022325725053,"score_gpt":0.1757722244690538,"score_spread":0.16670920214332874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082013948","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4788852,0.0002361783,0.00034343483,0.0013085674,0.00087891833,0.00025738246,0.00014540531,0.00011391266,0.51783097],"genre_scores_gemma":[0.9892792,0.000019967181,0.00008138602,0.00014019341,0.00024007823,1.8491312e-7,0.000022882463,0.0000128431,0.010203275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990353,0.00009235454,0.00014894125,0.00026892452,0.00022855852,0.00022590229],"domain_scores_gemma":[0.9991946,0.000101897254,0.0001227022,0.00032070174,0.00015045493,0.00010961586],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013051789,0.0001812215,0.00028459597,0.00005924491,0.0004085305,0.000050938364,0.00030797537,0.00006180121,0.0037406313],"category_scores_gemma":[0.0000077965715,0.00018713331,0.00019618176,0.000015583868,0.00021657949,0.00026419802,0.000036766323,0.000097588374,0.00007228844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044576483,0.0002586351,0.00039869727,0.000048755926,0.00019060895,0.000021402215,0.17037316,0.000006594111,0.00025473084,0.7615307,0.034748368,0.03172257],"study_design_scores_gemma":[0.0016042797,0.004224515,0.007448487,0.00011335573,0.0001107522,0.0000035133494,0.060653538,0.00051012356,0.000015271838,0.0022954976,0.92250395,0.00051670603],"about_ca_topic_score_codex":0.010340907,"about_ca_topic_score_gemma":0.05630578,"teacher_disagreement_score":0.8877556,"about_ca_system_score_codex":0.000050519822,"about_ca_system_score_gemma":0.000027194801,"threshold_uncertainty_score":0.9971701},"labels":[],"label_agreement":null},{"id":"W2083987512","doi":"10.1503/cmaj.1050014","title":"Tintin in CMAJ","year":2005,"lang":"en","type":"letter","venue":"Canadian Medical Association Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Computer science; Medicine; Artificial intelligence","score_opus":0.010949853379971283,"score_gpt":0.20227572928421336,"score_spread":0.19132587590424208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083987512","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010390586,0.00025095217,6.528616e-7,0.92513686,0.0021700114,0.000063185624,0.00006595123,0.000009168578,0.07126416],"genre_scores_gemma":[0.003052577,0.0001410296,0.00000799709,0.9061525,0.053970795,0.00000546591,0.000052900625,0.000027319085,0.0365894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975448,0.0001913706,0.0005107628,0.00015689156,0.0010397455,0.0005564173],"domain_scores_gemma":[0.9987515,0.0001909307,0.00029059133,0.000084828,0.00024097878,0.00044114672],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010993122,0.0001717251,0.00030844708,0.00055721734,0.00029072782,0.00038998865,0.0003155082,0.0008060506,0.053465832],"category_scores_gemma":[0.00049282284,0.00015733048,0.00015798492,0.000062111765,0.00007035202,0.00010137467,0.000011943847,0.005053087,0.00031526797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.939655e-7,0.0000051009115,0.00085382885,0.0000043682007,0.0000418601,0.0007594259,0.0034862484,1.4863147e-7,1.6410436e-8,0.001614017,0.98603815,0.0071963174],"study_design_scores_gemma":[0.0002598235,0.000012713123,0.0002981374,0.00009184676,0.000009141855,0.00004109708,0.0005629031,0.000016896816,4.4990255e-8,0.00075925916,0.9977641,0.00018403094],"about_ca_topic_score_codex":0.011576837,"about_ca_topic_score_gemma":0.6724509,"teacher_disagreement_score":0.66087407,"about_ca_system_score_codex":0.00085950334,"about_ca_system_score_gemma":0.0021190732,"threshold_uncertainty_score":0.9972423},"labels":[],"label_agreement":null},{"id":"W2085346578","doi":"10.4000/erea.2014","title":"Où étiez-vous le 11 septembre 2001 ?","year":2011,"lang":"fr","type":"article","venue":"E-rea","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04889456416882462,"score_gpt":0.2222384421531489,"score_spread":0.17334387798432427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085346578","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12899159,0.011743173,0.000024653002,0.0033770523,0.0034413063,0.00021947338,0.0001968309,0.00007943634,0.8519265],"genre_scores_gemma":[0.48751807,0.00044201122,0.000111630776,0.0003870858,0.0010822025,0.000013995481,0.000016369762,0.000036940462,0.5103917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860406,0.000071666815,0.00030361878,0.00030672332,0.00014411805,0.00056979625],"domain_scores_gemma":[0.99919564,0.000043601445,0.00011818377,0.00035221525,0.00010966129,0.00018067712],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021177322,0.0002657282,0.0002885867,0.00011123943,0.00064022274,0.00016656553,0.00024845445,0.00011878458,0.023901267],"category_scores_gemma":[0.000016107644,0.000254925,0.00023289002,0.00006778194,0.00057005545,0.00025124318,0.00008616344,0.00022953739,0.0010409078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022697774,0.0003172114,0.00059499533,0.000046810655,0.0000870148,0.000044858447,0.03167466,4.333135e-7,0.000022550383,0.69997674,0.26408914,0.0031228575],"study_design_scores_gemma":[0.00045164468,0.00017454117,0.0016536217,0.00008711712,0.000049873855,0.000014183553,0.0065016234,0.000048402882,0.00015357714,0.02394387,0.9665707,0.00035087488],"about_ca_topic_score_codex":0.011451452,"about_ca_topic_score_gemma":0.014156573,"teacher_disagreement_score":0.7024815,"about_ca_system_score_codex":0.000027990094,"about_ca_system_score_gemma":0.00013661545,"threshold_uncertainty_score":0.9999903},"labels":[],"label_agreement":null},{"id":"W2091685233","doi":"10.3138/jrpc.26.1.36","title":"The Marvel of Islam: Reconciling Muslim Epistemologies through a New Islamic Origin Saga in Naif al-Mutawa’s <i>The 99</i>","year":2014,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Islam; Comics; Scrutiny; Subject (documents); Politics; Muslim world; History; Religious studies; Literature; Sociology; Art; Philosophy; Political science; Law; Archaeology; Computer science; Library science","score_opus":0.028708880366182125,"score_gpt":0.2557209953901738,"score_spread":0.22701211502399166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091685233","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9681249,0.013160697,0.00008043748,0.013422254,0.0010152805,0.00017398773,0.000006676188,0.000010201469,0.0040055537],"genre_scores_gemma":[0.96075004,0.029799296,0.00015309501,0.00154092,0.00053435843,0.0000015324305,0.0000022835627,0.000012317986,0.0072061303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888784,0.00015426076,0.0005125189,0.000105947816,0.00018343581,0.00015597622],"domain_scores_gemma":[0.9991242,0.000098818084,0.00046063913,0.00015623852,0.0001326332,0.000027463468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006873082,0.00014099742,0.00029147047,0.00005094488,0.0002895228,0.00015727033,0.00022860561,0.00006615419,0.000008919208],"category_scores_gemma":[0.0001332795,0.000066193905,0.00017212865,0.0000648225,0.00019409742,0.00015799832,0.000032427495,0.00038836003,0.0000011488745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010410713,0.00003316598,0.0006412861,0.000038228012,0.00008534273,0.000011314693,0.13568152,0.000017921411,0.00046013598,0.62501043,0.23350194,0.004414601],"study_design_scores_gemma":[0.00053428404,0.00019245209,0.00006417331,0.00016023101,0.00002493455,0.0000667736,0.010160858,0.00003383819,0.000047003763,0.091718145,0.8968984,0.00009890421],"about_ca_topic_score_codex":0.00034486855,"about_ca_topic_score_gemma":0.0039148782,"teacher_disagreement_score":0.6633965,"about_ca_system_score_codex":0.000016850989,"about_ca_system_score_gemma":0.00004447448,"threshold_uncertainty_score":0.26993093},"labels":[],"label_agreement":null},{"id":"W2093904362","doi":"10.7202/039371ar","title":"Autoreprésentation et hétérostigmatisation en bandes dessinées.","year":2010,"lang":"fr","type":"article","venue":"Ethnologies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.023737679354047417,"score_gpt":0.30224840199556907,"score_spread":0.27851072264152166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093904362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88284224,0.00581186,0.0003574492,0.06318687,0.010097607,0.00027640225,0.000106922336,0.00032739138,0.036993228],"genre_scores_gemma":[0.9756298,0.0013253713,0.0013876556,0.00027418745,0.00074582326,0.000028390425,0.000047727735,0.000022062763,0.02053896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988849,0.00015201353,0.00028329162,0.0002703306,0.00014393817,0.0002654821],"domain_scores_gemma":[0.9989074,0.0005013343,0.00015827572,0.00027304483,0.00011878256,0.000041147712],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000443098,0.00020930513,0.00019959643,0.00016292458,0.0005252501,0.0004758803,0.00019510306,0.00026540805,0.0020868063],"category_scores_gemma":[0.00044832838,0.00019034525,0.00009831705,0.000068394394,0.0012243995,0.0005366066,0.00008905059,0.0006599307,0.00013370428],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009506289,0.000064021646,0.0014041599,0.00004710412,0.000044734737,0.0000045088154,0.07328253,0.000011958493,0.0018793147,0.86636496,0.009937594,0.04694964],"study_design_scores_gemma":[0.0005602264,0.00015889597,0.048001964,0.00013912597,0.000066209504,0.000011771877,0.055059854,0.0005996258,0.0032082691,0.34960815,0.5420725,0.000513411],"about_ca_topic_score_codex":0.0013897411,"about_ca_topic_score_gemma":0.008448753,"teacher_disagreement_score":0.5321349,"about_ca_system_score_codex":0.00002452354,"about_ca_system_score_gemma":0.00008438648,"threshold_uncertainty_score":0.99882543},"labels":[],"label_agreement":null},{"id":"W2097949306","doi":"10.7202/016722ar","title":"Représentations de l’enseignant dans le roman africain francophone","year":2007,"lang":"fr","type":"article","venue":"Revue de l’Université de Moncton","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Sociology; Art; Political science","score_opus":0.01031754116631549,"score_gpt":0.20750315963276642,"score_spread":0.1971856184664509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2097949306","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8138584,0.0053186524,0.004144493,0.0069503887,0.00068984745,0.00021620182,0.00013014597,0.00007195107,0.16861995],"genre_scores_gemma":[0.86224407,0.0013139428,0.00066096254,0.00021279721,0.00081564713,0.0000029939088,0.00003310206,0.000040538627,0.13467595],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998419,0.00014022348,0.00028258184,0.00034569355,0.00012514759,0.00068739435],"domain_scores_gemma":[0.9989213,0.00020624172,0.00017159627,0.00034076566,0.00008046605,0.00027966482],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046876408,0.0002399314,0.00027802298,0.00024007665,0.0014377007,0.00008763561,0.00024986395,0.00018237918,0.0013074668],"category_scores_gemma":[0.000027514696,0.00029541602,0.00026593838,0.00023184845,0.00037793547,0.00016496898,0.00011211316,0.0003154199,0.000055956516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014404555,0.00030794714,0.0044479617,0.000122082,0.0001738899,0.001289439,0.3776796,0.00018026463,0.010126261,0.58569366,0.01700712,0.0028277745],"study_design_scores_gemma":[0.0014357002,0.00026230284,0.091324925,0.00029131092,0.00018215747,0.00028485619,0.12922153,0.0018853152,0.0034989798,0.012948317,0.7580192,0.00064539834],"about_ca_topic_score_codex":0.008741251,"about_ca_topic_score_gemma":0.01788723,"teacher_disagreement_score":0.7410121,"about_ca_system_score_codex":0.00085200614,"about_ca_system_score_gemma":0.00017953644,"threshold_uncertainty_score":0.9999498},"labels":[],"label_agreement":null},{"id":"W2107221300","doi":"10.1353/rpc.2012.0028","title":"Vampires, Werewolves, and Other Assorted Creatures: The Apocryphal Bestiary of Chick Publications","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bestiary; Comics; Iconography; Literature; Fundamentalism; Faith; Legend; Popular culture; Protestantism; Art; History; Philosophy; Art history; Religious studies; Law; Theology","score_opus":0.024138960166994856,"score_gpt":0.25569459637765185,"score_spread":0.231555636210657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107221300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8151638,0.16317073,0.000037899346,0.007268348,0.0007274909,0.00024922536,0.00008157284,0.000019241108,0.013281706],"genre_scores_gemma":[0.9786234,0.012214458,0.00019752172,0.0010225564,0.00088299724,0.0000020178993,0.000008748524,0.000012759397,0.007035529],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941146,0.00005544402,0.00024135958,0.000055461427,0.0001358128,0.00010048748],"domain_scores_gemma":[0.99939746,0.000022386588,0.0002746956,0.00009446514,0.00012813798,0.00008283319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023713706,0.00009219233,0.00016063872,0.000073497904,0.00021219646,0.000100992904,0.000089190034,0.00005929678,0.00004147744],"category_scores_gemma":[0.00004413925,0.000047209294,0.00008442151,0.00004304926,0.00014918676,0.00019514831,0.000019750469,0.00023609784,5.1831745e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003717196,0.000105517116,0.009213113,0.000025858999,0.00014433687,8.50437e-7,0.03559789,3.171182e-7,0.00020210863,0.7509911,0.20296933,0.0007124086],"study_design_scores_gemma":[0.00024588977,0.000073457944,0.0013435639,0.00004770054,0.000063659456,0.00007958229,0.0015683098,0.0000030370754,0.00001804204,0.005184044,0.99130714,0.00006559653],"about_ca_topic_score_codex":0.00006735553,"about_ca_topic_score_gemma":0.00013278978,"teacher_disagreement_score":0.78833777,"about_ca_system_score_codex":0.000004017937,"about_ca_system_score_gemma":0.000013329089,"threshold_uncertainty_score":0.19251391},"labels":[],"label_agreement":null},{"id":"W2109648446","doi":"10.29173/af12250","title":"Tintin in the Arab World and Arabic in the World of Tintin","year":2012,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Arabic; Philosophy; Linguistics","score_opus":0.02347977638905271,"score_gpt":0.25520339074298604,"score_spread":0.23172361435393332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109648446","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89668375,0.025696876,0.000010209097,0.009667996,0.0030536195,0.000507072,0.00005793777,0.000005255082,0.064317286],"genre_scores_gemma":[0.9793068,0.0006822709,0.000045013137,0.0010269184,0.0020900976,0.00005342864,0.0000046985306,0.000018394263,0.016772386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979109,0.0005625993,0.00053104694,0.00023617619,0.0002943004,0.00046495153],"domain_scores_gemma":[0.9981836,0.0011145147,0.00026885312,0.00031084375,0.00007912148,0.000043057666],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015794375,0.00026412946,0.00038094094,0.00043817106,0.00019144341,0.00011154206,0.00043035008,0.000038631195,0.0010267632],"category_scores_gemma":[0.00006769715,0.00016551053,0.00010986532,0.0006701708,0.00086623785,0.0002704906,0.00007832654,0.00062438985,0.000044929457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009556183,0.0009794929,0.08391305,0.00011750133,0.00008438749,0.000024262616,0.3422532,0.0000113131955,0.00011699368,0.5409204,0.021224296,0.010259552],"study_design_scores_gemma":[0.001509647,0.0001338832,0.27309623,0.00052522466,0.000028497923,0.000009492843,0.043464344,0.00016187149,0.00035948018,0.020098941,0.66025144,0.00036093668],"about_ca_topic_score_codex":0.004780102,"about_ca_topic_score_gemma":0.058951568,"teacher_disagreement_score":0.6390271,"about_ca_system_score_codex":0.000023636818,"about_ca_system_score_gemma":0.000022078142,"threshold_uncertainty_score":0.99988645},"labels":[],"label_agreement":null},{"id":"W2113371166","doi":"10.1177/1097184x10368787","title":"‘‘Gay’’ Sidekicks: Queer Anxiety and the Narrative Straightening of the Superhero","year":2011,"lang":"en","type":"article","venue":"Men and Masculinities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Masculinity; Narrative; Queer; Heteronormativity; Human sexuality; Comics; HERO; Superman; Aesthetics; Character (mathematics); Gender studies; Identity (music); Sociology; Lesbian; Art; Literature; Art history","score_opus":0.034931161415712696,"score_gpt":0.2049862934193457,"score_spread":0.170055132003633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2113371166","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7799044,0.0016257053,0.0000058084165,0.00083780085,0.0001923934,0.00024047118,0.00002172849,0.000016824251,0.21715482],"genre_scores_gemma":[0.99415845,0.00067276246,0.000038401693,0.00015838763,0.00009040611,0.00001767184,9.2266316e-7,0.000007531497,0.00485545],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99938625,0.00010327231,0.00018001503,0.000118143835,0.00009888252,0.00011346215],"domain_scores_gemma":[0.99956936,0.00012938015,0.00007080824,0.00014088069,0.00006548668,0.000024068246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023523303,0.00011639509,0.00018562141,0.000027362357,0.0005093297,0.00007621262,0.00010992257,0.000025459902,0.00051437516],"category_scores_gemma":[0.00002486544,0.000054124543,0.0000879518,0.000020435986,0.00167053,0.00012279447,0.00007987543,0.00010986842,5.971426e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042726664,0.0000063259317,0.00023033671,0.000013399561,0.00006123128,2.3827442e-7,0.58703625,8.3277385e-8,0.000009837619,0.41195372,0.0003278592,0.00031798365],"study_design_scores_gemma":[0.0011148321,0.00008200653,0.0016903237,0.000055228968,0.00006733851,0.0000069977777,0.89401203,0.000047800564,0.00036253725,0.0884199,0.013985346,0.00015566146],"about_ca_topic_score_codex":0.0005677065,"about_ca_topic_score_gemma":0.0013117904,"teacher_disagreement_score":0.3235338,"about_ca_system_score_codex":0.0000038312164,"about_ca_system_score_gemma":0.000031568798,"threshold_uncertainty_score":0.61551374},"labels":[],"label_agreement":null},{"id":"W2114540247","doi":"10.1111/j.1741-4113.2010.00764.x","title":"Comics, Graphic Novels, Graphic Narrative: A Review","year":2011,"lang":"en","type":"review","venue":"Literature Compass","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Comics; Criticism; Amateur; Narrative; Scholarship; Popularity; Fandom; Literature; Literary criticism; Aesthetics; Art; Visual arts; Media studies; Psychology; History; Sociology; Law; Social psychology; Political science; Archaeology","score_opus":0.07032414465676308,"score_gpt":0.3050323655545521,"score_spread":0.23470822089778903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114540247","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.1527318e-7,0.9350393,0.0000046437904,0.0002178523,0.0017046051,0.0014439509,0.0007753202,0.00029786202,0.060516242],"genre_scores_gemma":[0.000014958089,0.983048,0.000049535756,0.0008148401,0.0010146515,0.0003167753,0.0010900995,0.0002185499,0.013432552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656737,0.000467283,0.0011836125,0.00092278543,0.00027910693,0.0005798205],"domain_scores_gemma":[0.99722683,0.00014753683,0.00094941875,0.0011698948,0.00027533865,0.00023097762],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038034213,0.0012116218,0.0034977852,0.00093730923,0.0005078472,0.0005853196,0.0010837263,0.00038230707,0.0013622934],"category_scores_gemma":[0.000033990073,0.00087941677,0.0017435133,0.0007109939,0.0005932855,0.00025623367,0.00018389462,0.0015340658,0.000080808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049362075,0.000129297,6.0632914e-7,0.04357193,0.0005074964,0.000027657257,0.012334463,2.1542998e-9,2.1040798e-8,0.60963607,0.29121286,0.04257467],"study_design_scores_gemma":[0.00017142144,0.00006627221,2.7580657e-7,0.12780164,0.00061192765,0.00004582264,0.00021031818,4.7593983e-7,1.7530848e-8,0.0026268312,0.86759514,0.00086987455],"about_ca_topic_score_codex":0.000032329746,"about_ca_topic_score_gemma":0.00038596397,"teacher_disagreement_score":0.60700923,"about_ca_system_score_codex":0.00003009648,"about_ca_system_score_gemma":0.00012410675,"threshold_uncertainty_score":0.9995506},"labels":[],"label_agreement":null},{"id":"W2122437905","doi":"10.1093/res/hgr017","title":"REINGARD M. NISCHIK. Engendering Genre: The Works of Margaret Atwood.","year":2011,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Comics; Cartoonist; Literature; Art; Narrative; Art history; History; Politics; Law; Political science","score_opus":0.10317651975974049,"score_gpt":0.2734006887840895,"score_spread":0.17022416902434903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2122437905","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013531634,0.8465322,0.0000025226338,0.0005971686,0.0008488657,0.00043234805,0.000014505569,0.000026150414,0.1380146],"genre_scores_gemma":[0.5525627,0.44618085,0.000029561606,0.00027193772,0.00042862404,0.00003650403,0.0000010716428,0.0000120003515,0.00047676632],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904567,0.0001420935,0.00040760814,0.00011538362,0.00015012309,0.00013912709],"domain_scores_gemma":[0.998532,0.00027237512,0.00026992138,0.00038551062,0.0005256316,0.000014545544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008876123,0.00014143172,0.00045103388,0.000025845857,0.0002836888,0.000013836224,0.00034284848,0.000014536372,0.00021971243],"category_scores_gemma":[0.0005519095,0.00006480896,0.00020476354,0.000064909225,0.00061503187,0.000069502006,0.0001855835,0.00015391261,0.0000017851838],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021759332,0.000060184866,0.00015367432,0.0042318073,0.0010815181,9.860529e-7,0.5612282,3.9981106e-7,0.000004955952,0.39134458,0.02818727,0.01368465],"study_design_scores_gemma":[0.00029507503,0.00020478053,0.0006528118,0.013845751,0.00059152424,0.0000010121847,0.14746907,0.0000030738372,0.00018881672,0.011284568,0.82512635,0.0003371451],"about_ca_topic_score_codex":0.000026658128,"about_ca_topic_score_gemma":0.00011152203,"teacher_disagreement_score":0.7969391,"about_ca_system_score_codex":0.0000053840704,"about_ca_system_score_gemma":0.000011782207,"threshold_uncertainty_score":0.26428327},"labels":[],"label_agreement":null},{"id":"W2123728825","doi":"10.7202/900550ar","title":"La bande dessinée et l’apprentissage de la mathématique au secondaire dans un enseignement par fiches","year":2009,"lang":"fr","type":"article","venue":"Revue des sciences de l éducation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.10155144626900893,"score_gpt":0.3318937349867562,"score_spread":0.23034228871774726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2123728825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8398617,0.0030419072,0.001835601,0.0036401292,0.0004193931,0.00015649783,0.000027021535,0.00003253111,0.1509852],"genre_scores_gemma":[0.9923057,0.00093471224,0.0025527687,0.00023004985,0.00025159016,0.00002207068,0.000017323431,0.000010589781,0.003675222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981119,0.00073428144,0.00029383152,0.00031407477,0.00014661872,0.0003993186],"domain_scores_gemma":[0.99915445,0.00030219904,0.00018265194,0.00018363471,0.00006094432,0.000116140014],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0022182558,0.0001952952,0.00018231636,0.00013311014,0.001667579,0.00085530034,0.00028269875,0.00012354727,0.00041076215],"category_scores_gemma":[0.000075812786,0.00019100572,0.00010790778,0.00016182494,0.0022069856,0.00046642957,0.000028194036,0.0002220864,0.000010355785],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037893735,0.00024406193,0.001540922,0.00013491236,0.000014881564,0.000007767778,0.45180586,0.00010712449,0.00055639824,0.52426535,0.0009099732,0.020408966],"study_design_scores_gemma":[0.0004714662,0.0005879662,0.18848385,0.001558806,0.00013906784,0.00034028015,0.17871344,0.0061789593,0.0024951175,0.5412311,0.079034775,0.0007651443],"about_ca_topic_score_codex":0.000498548,"about_ca_topic_score_gemma":0.0019307098,"teacher_disagreement_score":0.27309242,"about_ca_system_score_codex":0.00044576652,"about_ca_system_score_gemma":0.00070812064,"threshold_uncertainty_score":0.9996321},"labels":[],"label_agreement":null},{"id":"W2123868838","doi":"10.2304/gsch.2011.1.4.291","title":"The Visual Poetics of Play: Childhood in Three Canadian Graphic Novels","year":2011,"lang":"en","type":"article","venue":"Global Studies of Childhood","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Poetics; Narrative; Sociology; Liminality; Dialogic; Aesthetics; Commodification; Meaning (existential); Ideology; Performativity; Media studies; Literature; Visual arts; Art; Politics; Anthropology; Gender studies; Epistemology; Poetry; Philosophy","score_opus":0.03457770895040713,"score_gpt":0.24546725406686015,"score_spread":0.21088954511645303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2123868838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9458945,0.006925772,8.1666525e-7,0.0006183059,0.0004516278,0.00028632043,0.00022828754,0.000012930423,0.04558148],"genre_scores_gemma":[0.9990909,0.000659665,0.000019847044,0.00009689307,0.00009025265,0.000009904171,0.0000028720556,0.000008821411,0.000020836516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99879247,0.000031771877,0.000445876,0.00018257808,0.00019706172,0.0003502518],"domain_scores_gemma":[0.99927425,0.0000732592,0.00017828908,0.00021539084,0.00018189447,0.00007691087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002155338,0.00019044949,0.00036691932,0.000112213704,0.00039285948,0.00002337485,0.00032408212,0.000043361335,0.000052960182],"category_scores_gemma":[0.00008492909,0.00013158601,0.0001453301,0.00017087144,0.00082621526,0.00007094594,0.00010618707,0.00012543793,0.0000031170782],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027781281,0.00039890653,0.046355404,0.000016570511,0.0005837501,0.00000479461,0.08598306,0.0000013619965,0.000001584758,0.8620214,0.00077227695,0.0038330995],"study_design_scores_gemma":[0.0009326192,0.00045566977,0.8023751,0.00012074904,0.00005930401,0.0000033757171,0.035862762,0.0000030960803,0.00004182364,0.15403108,0.0058403793,0.0002740341],"about_ca_topic_score_codex":0.026826654,"about_ca_topic_score_gemma":0.82256186,"teacher_disagreement_score":0.79573524,"about_ca_system_score_codex":0.00003644031,"about_ca_system_score_gemma":0.00012510022,"threshold_uncertainty_score":0.9796538},"labels":[],"label_agreement":null},{"id":"W2125174045","doi":"10.7202/1032909ar","title":"L’image marquée par la culture : une réflexion sur des marqueurs culturels dans la bande dessinée","year":2015,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.043598631775712944,"score_gpt":0.2617178332066471,"score_spread":0.21811920143093416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125174045","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36408126,0.540809,0.0038889074,0.012477934,0.004382892,0.0005475075,0.0004142595,0.00016312237,0.07323517],"genre_scores_gemma":[0.5129642,0.29673418,0.011639048,0.0007673054,0.0060594305,0.00006670264,0.000110210116,0.00042909748,0.17122982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99518454,0.0017962797,0.0008985912,0.0005305112,0.00068239484,0.0009076548],"domain_scores_gemma":[0.99715406,0.00026879046,0.00051080005,0.00038353915,0.00082394265,0.0008588799],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0019636312,0.00081489584,0.0010100318,0.00027363838,0.0017956443,0.0025986629,0.00064734137,0.00033070892,0.0006927111],"category_scores_gemma":[0.00027310153,0.00059316447,0.000983656,0.00036688903,0.0043782275,0.0018072126,0.0000862684,0.0015484289,0.00004732915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006647351,0.0018313495,0.0024441401,0.00057111046,0.0060342,0.0023310445,0.20492171,0.000147945,0.004294614,0.5835274,0.13884898,0.0543828],"study_design_scores_gemma":[0.0013225918,0.00042523217,0.0032911096,0.0003364917,0.0019465662,0.0025914896,0.009741165,0.00005685136,0.00040267006,0.24757771,0.73163533,0.00067278114],"about_ca_topic_score_codex":0.0008438645,"about_ca_topic_score_gemma":0.0025337662,"teacher_disagreement_score":0.5927864,"about_ca_system_score_codex":0.00023923861,"about_ca_system_score_gemma":0.00039086796,"threshold_uncertainty_score":0.99965197},"labels":[],"label_agreement":null},{"id":"W2133570905","doi":"","title":"Digression and indirectness in Japanese writing: Implications for education in the Asian century","year":2013,"lang":"en","type":"article","venue":"ANU Open Research (Australian National University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Digression; Linguistics; Psychology; Literature; History; Pedagogy; Philosophy; Art","score_opus":0.15590163447309247,"score_gpt":0.38470784920611584,"score_spread":0.22880621473302337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133570905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81446064,0.000027219618,4.46254e-7,0.04011521,0.00004258333,0.0016226508,0.000062949024,0.000005424686,0.14366286],"genre_scores_gemma":[0.9776291,0.00004112753,0.0000313862,0.00007514355,0.00005992317,0.000048482292,0.00007364123,0.0000039564134,0.022037202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992023,0.00016632958,0.00010625648,0.00018179814,0.0001628848,0.00018044387],"domain_scores_gemma":[0.9991701,0.00028161288,0.000034409168,0.0000925452,0.0003755176,0.000045785975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062110636,0.000059942187,0.00007217742,0.00048975996,0.00044172246,0.0004323035,0.00042838565,0.00003342735,0.0002030292],"category_scores_gemma":[0.00006723598,0.00004992215,0.000019674611,0.00031334962,0.00019781002,0.00065688154,0.00009510222,0.00018011143,0.0000069912935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002396793,0.0002011188,0.007211355,0.000015005244,0.0000061767514,9.2015443e-7,0.013849456,6.2555995e-7,0.00005939821,0.9502136,0.02397358,0.004444787],"study_design_scores_gemma":[0.0008452777,0.000074070456,0.32399184,0.000102521066,0.000003172434,0.0000027568426,0.15911831,0.000020609925,0.000011726546,0.09761459,0.41804823,0.00016689883],"about_ca_topic_score_codex":0.0029360284,"about_ca_topic_score_gemma":0.005241246,"teacher_disagreement_score":0.852599,"about_ca_system_score_codex":0.000074586766,"about_ca_system_score_gemma":0.0002253804,"threshold_uncertainty_score":0.44384164},"labels":[],"label_agreement":null},{"id":"W2133692430","doi":"10.7202/501047ar","title":"Scénario de bande dessinée. La Différence par le média","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019765626099626236,"score_gpt":0.23604411441676024,"score_spread":0.216278488317134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133692430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4929234,0.119707346,0.00021278029,0.058487266,0.0012142297,0.0003906185,0.00030121466,0.00023930686,0.32652384],"genre_scores_gemma":[0.92195815,0.0023578587,0.00060898677,0.0009016004,0.0022312952,0.000029504667,0.000012998154,0.000045472058,0.07185417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811316,0.00021877397,0.00039552126,0.00040639273,0.0002262216,0.00063995586],"domain_scores_gemma":[0.9988815,0.0003220281,0.00014092984,0.00035000738,0.00008977686,0.0002157627],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004059511,0.00035526973,0.00038027816,0.00013149723,0.00096481823,0.0007009623,0.00038235643,0.00017737199,0.001277773],"category_scores_gemma":[0.00005539416,0.0003424696,0.00025327678,0.000084176085,0.0013867739,0.00046432109,0.0001295879,0.0003862774,0.00007901855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026982916,0.0004571362,0.0014820542,0.00006751951,0.00012334179,0.000027894208,0.020825855,0.00006252697,0.00013406026,0.90304774,0.031745367,0.041999534],"study_design_scores_gemma":[0.0005400773,0.000107832595,0.009304574,0.00031371435,0.000059756905,0.000027053102,0.0021237812,0.0006433432,0.00024932026,0.0116543155,0.9745257,0.00045052267],"about_ca_topic_score_codex":0.0035496522,"about_ca_topic_score_gemma":0.016476411,"teacher_disagreement_score":0.9427803,"about_ca_system_score_codex":0.00008913512,"about_ca_system_score_gemma":0.0004391991,"threshold_uncertainty_score":0.9999027},"labels":[],"label_agreement":null},{"id":"W2134978190","doi":"10.5334/cg.bi","title":"Unpacking Unflattening: A Conversation","year":2015,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Comics; Scholarship; Conversation; Unpacking; Sociology; Media studies; Columbia university; Visual arts; Art; Literature; Linguistics; Political science; Philosophy; Communication; Law","score_opus":0.15004533035842688,"score_gpt":0.26752755440722537,"score_spread":0.11748222404879849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134978190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95169586,0.001595625,0.0008006689,0.00949444,0.0037520775,0.00024451438,0.000019740375,0.00010667464,0.032290388],"genre_scores_gemma":[0.99644864,0.00007900422,0.00029328803,0.0005064016,0.0012999347,0.000001054705,0.0000028987654,0.00006894677,0.0012998529],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987673,0.0001904288,0.00043402746,0.00009312399,0.00032007307,0.00019503497],"domain_scores_gemma":[0.9984078,0.00017804427,0.0006614713,0.00024884788,0.00034638148,0.00015750194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018517447,0.00015506023,0.00026615907,0.0002555454,0.00019464506,0.00036966664,0.0005466233,0.000048108555,0.00004639171],"category_scores_gemma":[0.00019426392,0.00010918015,0.00014473271,0.000083729356,0.00029360942,0.00033824152,0.00007432581,0.0005454967,0.0000105565205],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003894561,0.00009933296,0.009283612,0.000015196685,0.00029288995,0.00002548164,0.0532349,0.00017015949,0.0003437015,0.84743303,0.087885715,0.0008265214],"study_design_scores_gemma":[0.006584916,0.000653744,0.00067748356,0.00034163432,0.000277683,0.00036813755,0.035783533,0.0015856192,0.0008309135,0.31382915,0.6382627,0.00080450065],"about_ca_topic_score_codex":0.000046051366,"about_ca_topic_score_gemma":0.00019858983,"teacher_disagreement_score":0.55037695,"about_ca_system_score_codex":0.000055448363,"about_ca_system_score_gemma":0.00011623224,"threshold_uncertainty_score":0.44522375},"labels":[],"label_agreement":null},{"id":"W2139457646","doi":"10.1177/0094306110367909ii","title":"Demanding Respect: The Evolution of the American Comic Book","year":2010,"lang":"en","type":"article","venue":"Contemporary Sociology A Journal of Reviews","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Comics; History; Art; Literature","score_opus":0.04808778036051468,"score_gpt":0.2839556867352009,"score_spread":0.23586790637468621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2139457646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64212096,0.33961245,0.000044592394,0.0099464115,0.0015541656,0.00033952287,0.000007175069,0.0000046958476,0.0063700434],"genre_scores_gemma":[0.9959273,0.0020241463,0.000018606894,0.00084662164,0.00047733504,0.0000036802824,3.3656647e-7,0.0000058551723,0.0006961191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986003,0.0005364307,0.00061535166,0.000071759416,0.00008060537,0.00009554095],"domain_scores_gemma":[0.99762636,0.0003144228,0.0016876081,0.00022081591,0.00012361394,0.00002715535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015343052,0.00009804683,0.00048639404,0.00006149327,0.00033654715,0.000016960836,0.00041054154,0.000031553987,0.00014764129],"category_scores_gemma":[0.00021669088,0.000043854994,0.00038341578,0.000041920677,0.0022602757,0.000119196906,0.000044742737,0.0006021502,0.000003862621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014698305,0.00007573634,0.028625162,0.000040456493,0.0002319927,0.0000047455637,0.13372965,4.626273e-7,0.0048004063,0.65582126,0.1732148,0.0033083418],"study_design_scores_gemma":[0.00019977473,0.00014129982,0.006004483,0.00007886395,0.000028585435,0.0000115136345,0.0020451813,0.000004240573,0.000017986913,0.014191779,0.9772185,0.000057777346],"about_ca_topic_score_codex":0.000042921496,"about_ca_topic_score_gemma":0.00015466812,"teacher_disagreement_score":0.8040037,"about_ca_system_score_codex":0.000020635014,"about_ca_system_score_gemma":0.00014682875,"threshold_uncertainty_score":0.832808},"labels":[],"label_agreement":null},{"id":"W2140029435","doi":"","title":"Red and white tights: representations of national identity in Canadian comic books","year":2006,"lang":"en","type":"dissertation","venue":"Summit (Simon Fraser University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; National identity; Scholarship; Adventure; White (mutation); Nationalism; Context (archaeology); Wilderness; Identity (music); Media studies; Art; Literature; History; Visual arts; Sociology; Art history; Political science; Aesthetics; Law; Politics; Archaeology","score_opus":0.01389114055218771,"score_gpt":0.22529198287062915,"score_spread":0.21140084231844145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140029435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66289204,0.0000880828,0.0000010556507,0.000138136,0.0002528625,0.00017842575,0.000400238,0.000012096533,0.33603704],"genre_scores_gemma":[0.9085259,0.0000579303,0.000009608353,0.000020166644,0.000056637437,9.932612e-7,0.0012532711,0.000011755543,0.09006373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999196,0.000045407865,0.00019441277,0.00023361646,0.00017199993,0.0001585585],"domain_scores_gemma":[0.9993934,0.000038559727,0.00015050231,0.00011398427,0.00022414215,0.00007942134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008048976,0.00014154584,0.00020909266,0.001305664,0.00024013878,0.0000717532,0.0001678035,0.000106691565,0.00038207136],"category_scores_gemma":[0.0000136795,0.00017015377,0.00007436497,0.00017396965,0.00012804093,0.00032517736,0.000016395516,0.00018251697,0.000002913855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011434063,0.00009495066,0.35217124,0.00013822046,0.00014218062,0.000069737536,0.0060304357,0.000040603965,0.00000581837,0.5750218,0.0660644,0.00010628773],"study_design_scores_gemma":[0.0016530519,0.000063420135,0.07159144,0.0002773985,0.00012173304,7.2740827e-9,0.18901682,0.00013796327,0.00007750147,0.02850097,0.7078553,0.00070441706],"about_ca_topic_score_codex":0.26461148,"about_ca_topic_score_gemma":0.99972004,"teacher_disagreement_score":0.73510855,"about_ca_system_score_codex":0.00013575537,"about_ca_system_score_gemma":0.00030880407,"threshold_uncertainty_score":0.7402855},"labels":[],"label_agreement":null},{"id":"W2140258333","doi":"10.18438/b83s44","title":"A Survey of Graphic Novel Collection and Use in American Public Libraries","year":2014,"lang":"en","type":"article","venue":"Evidence Based Library and Information Practice","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Outreach; Demographics; Audience measurement; Collection development; World Wide Web; Government (linguistics); Computer science; Library science; Publicity; Advertising; Sociology; Political science; Business","score_opus":0.042209005064221754,"score_gpt":0.2350866822179738,"score_spread":0.19287767715375204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140258333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9389934,0.0007431231,0.002027803,0.04893074,0.0002572792,0.00052090385,0.00009568123,0.00010926165,0.008321807],"genre_scores_gemma":[0.99285823,0.00064075517,0.0005311281,0.00583247,0.000018040828,0.0000100647485,0.000030727533,0.0000042234137,0.000074376345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9991645,0.00024428102,0.00030509714,0.000089303416,0.00010538567,0.00009140267],"domain_scores_gemma":[0.9961403,0.0033033625,0.00032592472,0.00010547201,0.000076161654,0.000048801034],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005516409,0.00008494876,0.00013853457,0.00039808993,0.00016006769,0.0008403158,0.00006568584,0.00002254964,0.000070513604],"category_scores_gemma":[0.002461124,0.00007542921,0.000015693642,0.00035504802,0.0003319336,0.14553171,0.000041736494,0.00011194575,8.7739454e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023921639,0.000044015705,0.044457395,0.00005017886,0.000010392534,1.0158675e-7,0.0030753498,0.0000051939132,0.000007865792,0.9481228,0.00047807538,0.0035094132],"study_design_scores_gemma":[0.0005006104,0.00043472362,0.620013,0.00018391105,0.000012619518,0.0000028470183,0.004337707,0.010668288,0.00006408675,0.0005247592,0.3630633,0.00019411232],"about_ca_topic_score_codex":0.0004943674,"about_ca_topic_score_gemma":0.00007547795,"teacher_disagreement_score":0.94759804,"about_ca_system_score_codex":0.0000018331566,"about_ca_system_score_gemma":0.00007805213,"threshold_uncertainty_score":0.8664193},"labels":[],"label_agreement":null},{"id":"W2140629595","doi":"","title":"'Comics versus Art.' Bart Beaty","year":2013,"lang":"en","type":"article","venue":"Image & narrative","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Comics; Art; Art history; Visual arts; Literature","score_opus":0.021011247711998603,"score_gpt":0.2347213359222031,"score_spread":0.21371008821020449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140629595","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13859527,0.00017609581,0.00012413687,0.0040918817,0.0013526215,0.0005827222,0.000060231923,0.00027180582,0.8547452],"genre_scores_gemma":[0.89388114,0.000024823497,0.00051483203,0.00040531866,0.00065016985,0.00010474365,0.000038330723,0.00005858751,0.10432203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907404,0.000053386408,0.00020298768,0.00025252346,0.00014526096,0.00027178257],"domain_scores_gemma":[0.9992777,0.00010054679,0.00009323964,0.0002470705,0.00018150762,0.00009990474],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007591238,0.00020443,0.00021711265,0.00011558498,0.00038137668,0.00034765247,0.00017518374,0.000039757673,0.012757118],"category_scores_gemma":[0.000043077664,0.000171416,0.00011304239,0.000058239264,0.00050089014,0.00050141796,0.00005570088,0.00017353767,0.0011062558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006490149,0.00009226128,0.000043405962,0.000007419581,0.000113451395,0.0000067060964,0.14267622,5.509219e-7,0.0009184194,0.19728427,0.6575331,0.0012593063],"study_design_scores_gemma":[0.0019477145,0.0003788837,0.00026513703,0.000028058581,0.000027486058,0.0000022457937,0.09749074,0.00025529723,0.00066841976,0.01872289,0.879647,0.0005660799],"about_ca_topic_score_codex":0.00030725097,"about_ca_topic_score_gemma":0.0012735366,"teacher_disagreement_score":0.75528586,"about_ca_system_score_codex":0.00002375064,"about_ca_system_score_gemma":0.000030248128,"threshold_uncertainty_score":0.9996715},"labels":[],"label_agreement":null},{"id":"W214291438","doi":"","title":"Vox populi — Festival BD de Montréal","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.008732207027189957,"score_gpt":0.16096413719078795,"score_spread":0.15223193016359798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W214291438","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52172416,0.3646074,0.00015109786,0.068587005,0.0023558822,0.00030867508,0.00034465073,0.00014276922,0.041778363],"genre_scores_gemma":[0.5785296,0.01649361,0.00036532246,0.00048271645,0.002052226,0.0000067758488,0.00004085124,0.0000667133,0.4019622],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779385,0.00018047217,0.00025698773,0.00033998,0.0002784807,0.0011502146],"domain_scores_gemma":[0.99857354,0.00013924195,0.00020068663,0.00039630948,0.00010758225,0.0005826489],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033106955,0.0004171286,0.0004143033,0.00023610503,0.0020448302,0.00009816993,0.0003425105,0.0002449988,0.001914136],"category_scores_gemma":[0.000030201618,0.0004655096,0.00036964408,0.0001504754,0.00043062033,0.0005705074,0.0003054043,0.00044169003,0.00039495685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016553827,0.00032917288,0.0040433444,0.000060780378,0.0002701622,0.0005404792,0.020407684,0.00003118791,0.000118898926,0.6903619,0.26648563,0.017185215],"study_design_scores_gemma":[0.0009362582,0.00016396237,0.0044959565,0.00008157407,0.0002740318,0.00032785814,0.010650512,0.00041862688,0.00005263343,0.004657054,0.97739786,0.00054366636],"about_ca_topic_score_codex":0.06917524,"about_ca_topic_score_gemma":0.16865753,"teacher_disagreement_score":0.7109122,"about_ca_system_score_codex":0.0040694955,"about_ca_system_score_gemma":0.00006735197,"threshold_uncertainty_score":0.99977964},"labels":[],"label_agreement":null},{"id":"W2149238475","doi":"","title":"Identity and form in alternative comics, 1967-2007","year":2009,"lang":"en","type":"dissertation","venue":"UCL Discovery (University College London)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Arts and Humanities Research Council; University College London","keywords":"Comics; Narrative; Identity (music); Representation (politics); Art; Visual arts; Aesthetics; Sociology; Literature; Psychology; Politics; Political science","score_opus":0.013048670061622957,"score_gpt":0.2131892719576371,"score_spread":0.20014060189601413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149238475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8033536,0.0004866753,0.000016509886,0.0001796636,0.0009468883,0.00047116098,0.0016394057,0.00004614207,0.19285996],"genre_scores_gemma":[0.6086471,0.0007134448,0.000021990882,0.00009098162,0.00017993362,0.0000012277466,0.00043729757,0.000034393106,0.38987365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988407,0.000051239174,0.00019069327,0.00042220182,0.00022646204,0.00026869183],"domain_scores_gemma":[0.99935395,0.0000572883,0.00023188385,0.00020510348,0.000074874784,0.00007689332],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010739561,0.00030780447,0.0004540556,0.00074064586,0.00039555106,0.00019363269,0.00032373687,0.00014656986,0.0003609738],"category_scores_gemma":[0.00001044727,0.00035754815,0.00015675739,0.00015129648,0.0001859019,0.0016323468,0.0000738658,0.00034348998,0.000017674785],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040037246,0.00014260499,0.0004297718,0.00007813867,0.000105284606,0.00016685804,0.019579303,0.000001155189,0.0000068756585,0.96412474,0.014639178,0.00032572055],"study_design_scores_gemma":[0.008848603,0.00065267086,0.04456396,0.001201603,0.00042875856,0.000012709716,0.34382465,0.00086619734,0.000058344674,0.16308528,0.43344042,0.0030167885],"about_ca_topic_score_codex":0.004703062,"about_ca_topic_score_gemma":0.33870137,"teacher_disagreement_score":0.80103946,"about_ca_system_score_codex":0.00013429698,"about_ca_system_score_gemma":0.000098093566,"threshold_uncertainty_score":0.99988765},"labels":[],"label_agreement":null},{"id":"W2152183951","doi":"10.1007/s10583-009-9098-8","title":"Dual Pathways to Expression and Understanding: Canadian Coming-of-Age Graphic Novels","year":2010,"lang":"en","type":"article","venue":"Children s Literature in Education","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ontario Institute of Technology","funders":"","keywords":"Narrative; Expression (computer science); Theme (computing); Meaning (existential); Dual (grammatical number); Literature; Linguistics; Psychology; Art; Computer science; Philosophy","score_opus":0.019685678305767697,"score_gpt":0.22809188233897745,"score_spread":0.20840620403320975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2152183951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928201,0.00032075748,0.0000037164057,0.0008497263,0.0009816305,0.00023600174,0.00008304412,0.000009244436,0.004695813],"genre_scores_gemma":[0.9989124,0.000012969805,0.00012608107,0.0002416705,0.0003627731,0.000013499161,0.00011889177,0.000009976401,0.0002017658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99942565,0.000019918969,0.00016226215,0.00018152235,0.00007045918,0.00014018004],"domain_scores_gemma":[0.99956745,0.000032932836,0.000051830015,0.00015510671,0.00006238219,0.00013031432],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001168517,0.00010984391,0.00011798843,0.00053102185,0.0001669868,0.0002372023,0.00007810561,0.00007073549,0.000057090594],"category_scores_gemma":[0.000033399312,0.000095950716,0.000027658041,0.00013623499,0.00009850985,0.0001679351,0.000016469576,0.00024906866,8.918726e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010075704,0.00008566666,0.014032334,0.0000147282935,0.0000069737457,0.0000011094353,0.1726198,2.7810228e-7,0.00560291,0.8039952,0.0028851002,0.00074584555],"study_design_scores_gemma":[0.0017662402,0.00035998574,0.502774,0.0019169333,0.000046169193,0.00006326587,0.042341664,0.000018543287,0.0035030958,0.28278935,0.16289353,0.0015272561],"about_ca_topic_score_codex":0.0024760189,"about_ca_topic_score_gemma":0.11302037,"teacher_disagreement_score":0.52120584,"about_ca_system_score_codex":0.000025115842,"about_ca_system_score_gemma":0.00013333505,"threshold_uncertainty_score":0.9031647},"labels":[],"label_agreement":null},{"id":"W2154349924","doi":"","title":"Une place pour la bande dessinée au collège","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Cégep Limoilou","funders":"","keywords":"Geography","score_opus":0.010336824240539347,"score_gpt":0.16416246570061935,"score_spread":0.15382564146008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154349924","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7123765,0.048990026,0.00011654549,0.10954365,0.00070365856,0.00021395876,0.00023013962,0.00009026398,0.1277353],"genre_scores_gemma":[0.4100489,0.0116911745,0.00016181341,0.0001861083,0.00043356555,0.0000031230202,0.000016508739,0.000033833014,0.57742494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850607,0.00017012816,0.00019897972,0.00035246756,0.0002220825,0.00055025244],"domain_scores_gemma":[0.998892,0.0002689474,0.0001645191,0.0003009673,0.0001177537,0.00025579246],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00017302878,0.00031688585,0.00035535602,0.0001931849,0.0027392525,0.00005848784,0.00028191603,0.00019579742,0.0008934855],"category_scores_gemma":[0.000016224592,0.0003560318,0.0002592804,0.00017789747,0.0008047131,0.00025789317,0.0001756989,0.00030909354,0.00021620165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020163639,0.00024284089,0.0009671273,0.00004719127,0.00022892962,0.0037341297,0.029117249,0.00009876938,0.00009088338,0.5983266,0.36173555,0.0052090846],"study_design_scores_gemma":[0.0015502406,0.0001083999,0.0021143134,0.000097754426,0.00012830569,0.0006668535,0.0074383565,0.0007905363,0.00005429017,0.004215241,0.9824183,0.00041740647],"about_ca_topic_score_codex":0.046018183,"about_ca_topic_score_gemma":0.37168404,"teacher_disagreement_score":0.6206827,"about_ca_system_score_codex":0.003027874,"about_ca_system_score_gemma":0.000250262,"threshold_uncertainty_score":0.9998892},"labels":[],"label_agreement":null},{"id":"W2156227079","doi":"10.29173/af21313","title":"Évolution de la bande dessinée en France depuis quinze ans","year":2014,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Humanities; Art","score_opus":0.008868370904749073,"score_gpt":0.23708782011101176,"score_spread":0.2282194492062627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156227079","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8065933,0.022594105,0.026589615,0.0048546847,0.018098855,0.00043011934,0.00031465315,0.00012175554,0.12040294],"genre_scores_gemma":[0.9533167,0.0024819863,0.00048627,0.00074137107,0.010282555,0.000046496843,0.000017346598,0.00005992646,0.032567363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974256,0.0008432557,0.00040113842,0.0004716892,0.00028754098,0.00057073677],"domain_scores_gemma":[0.9978167,0.001216993,0.00024083581,0.00033314188,0.00021441591,0.00017793124],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008214827,0.00038837857,0.00044221047,0.00017682748,0.00066658953,0.0002668288,0.0002926233,0.00019708481,0.00197208],"category_scores_gemma":[0.00022979562,0.00039210301,0.00022558401,0.00016104,0.00164479,0.00035342804,0.0000759919,0.00056463096,0.00027992122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013527086,0.0006695089,0.011594893,0.0002083067,0.00045220507,0.000065413326,0.088475265,0.00036724017,0.0022840057,0.79995054,0.021765532,0.074031815],"study_design_scores_gemma":[0.0017290246,0.00031000483,0.027107244,0.00037478632,0.00004914557,0.000021934811,0.002535929,0.0063003483,0.0015260176,0.07460258,0.8848718,0.0005712188],"about_ca_topic_score_codex":0.008264672,"about_ca_topic_score_gemma":0.0019841124,"teacher_disagreement_score":0.86310625,"about_ca_system_score_codex":0.0001441607,"about_ca_system_score_gemma":0.00010548207,"threshold_uncertainty_score":0.9998531},"labels":[],"label_agreement":null},{"id":"W2157085072","doi":"10.7202/1030273ar","title":"Parodier et satiriser l’histoire par la bande dessinée, la caricature et la chronique humoristique","year":2015,"lang":"fr","type":"article","venue":"Recherches sociographiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Bourgeoisie; Philosophy; Political science; Politics","score_opus":0.08918391902357661,"score_gpt":0.3424490537188923,"score_spread":0.25326513469531564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157085072","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120641336,0.14410686,0.0006739959,0.073997624,0.0013608761,0.0010119852,0.0005846389,0.0007056286,0.65691704],"genre_scores_gemma":[0.9279296,0.042291943,0.0029886449,0.0018714063,0.00084859884,0.0002153064,0.00014780904,0.00018125013,0.023525465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9901449,0.0074791205,0.0006182462,0.00072091154,0.0003834817,0.000653336],"domain_scores_gemma":[0.9956814,0.0024966488,0.00036748874,0.00056584383,0.00047779505,0.00041081363],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0053264527,0.00075013,0.0007944457,0.000433146,0.0006416721,0.00088065164,0.00045886828,0.0015041517,0.00012729446],"category_scores_gemma":[0.00037057637,0.0007016597,0.0007277026,0.00034941005,0.0034708898,0.0005376784,0.00017163472,0.0027748814,0.000015072828],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007629117,0.0005101193,0.008267367,0.0002109695,0.00043871917,0.00007286256,0.15771574,0.000003945409,0.000064051324,0.73626447,0.091570124,0.004805313],"study_design_scores_gemma":[0.0005203613,0.0002090501,0.007583381,0.0004524572,0.00018143798,0.00003181567,0.0059204474,0.000021644097,0.00015324072,0.25586924,0.7282832,0.0007736804],"about_ca_topic_score_codex":0.018741053,"about_ca_topic_score_gemma":0.016614806,"teacher_disagreement_score":0.8072882,"about_ca_system_score_codex":0.000684589,"about_ca_system_score_gemma":0.00091611804,"threshold_uncertainty_score":0.9997921},"labels":[],"label_agreement":null},{"id":"W2163924584","doi":"10.1111/j.1741-4113.2006.00334.x","title":"Mary Shelley Studies: From “Author of <i>Frankenstein</i> ” to “the Great Work of Life”","year":2006,"lang":"en","type":"article","venue":"Literature Compass","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Conviction; Wife; Criticism; Literature; Literary criticism; Perspective (graphical); Period (music); History; Philosophy; Psychoanalysis; Art; Psychology; Aesthetics; Law","score_opus":0.02619259225425575,"score_gpt":0.23340212019886106,"score_spread":0.20720952794460532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163924584","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91505617,0.05064128,0.00005016739,0.010789701,0.0023534177,0.00055021525,0.00093471265,0.000056530367,0.019567812],"genre_scores_gemma":[0.99128944,0.000039610833,0.00016811497,0.00061681186,0.0009971579,0.000016676224,0.000055834236,0.000014621388,0.0068017324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989503,0.000078790654,0.00041075685,0.00020778856,0.00019021543,0.0001621309],"domain_scores_gemma":[0.9989222,0.00025472793,0.00015002054,0.00037189818,0.000254102,0.000047032863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012309398,0.000181107,0.00042646404,0.000099171746,0.00016605864,0.000106082385,0.00027063733,0.000046562847,0.00022809378],"category_scores_gemma":[0.0000257864,0.00011435103,0.00016021384,0.00019844134,0.00021442826,0.0000735451,0.00008658261,0.00016760427,0.0000088574025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028850438,0.00015250583,0.0030165985,0.00010857601,0.00033047865,0.000008157773,0.119531974,0.00005735731,0.00029996887,0.2391103,0.6363157,0.0007798865],"study_design_scores_gemma":[0.0004564941,0.00010227067,0.0040394864,0.0005305556,0.000051374023,4.746351e-7,0.0036997532,0.000018233102,0.00019315352,0.013323662,0.97736424,0.00022031144],"about_ca_topic_score_codex":0.00017506254,"about_ca_topic_score_gemma":0.0008328591,"teacher_disagreement_score":0.34104854,"about_ca_system_score_codex":0.0000078466355,"about_ca_system_score_gemma":0.000015204646,"threshold_uncertainty_score":0.46630996},"labels":[],"label_agreement":null},{"id":"W2171971511","doi":"10.1353/crv.0.0020","title":"Drawn from Memory: Comics Artists and Intergenerational Auto/biography","year":2008,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Comics; Narrative; Masculinity; Politics; Art; Sociology; Art history; Gender studies; History; Aesthetics; Psychoanalysis; Literature; Psychology; Political science; Law","score_opus":0.03853908902776603,"score_gpt":0.2577348865309163,"score_spread":0.21919579750315027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171971511","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41306886,0.5593246,0.0000058440023,0.008495963,0.0004574136,0.0003972784,0.0010968102,0.000046504705,0.017106693],"genre_scores_gemma":[0.8055976,0.18919888,0.00022220134,0.0038223544,0.0001889572,0.000023003486,0.000042003827,0.000018821436,0.00088616693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939036,0.00003566324,0.00021862597,0.00014992789,0.00007663377,0.0001288046],"domain_scores_gemma":[0.9994616,0.000051789328,0.00013652453,0.00012818079,0.000111559755,0.00011038403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000057485326,0.00011874524,0.00041505642,0.00015225787,0.0003240953,0.000017449955,0.00007486195,0.00000761906,0.0002244354],"category_scores_gemma":[0.00003696639,0.000100048295,0.000072317554,0.00009436133,0.0022738392,0.00003867716,0.000023228442,0.000050258717,0.0000029147961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007806917,0.000036554437,0.006577093,0.0007783661,0.0011417933,0.00003820552,0.040361796,1.6776617e-7,0.00004325925,0.09952546,0.8336364,0.017853105],"study_design_scores_gemma":[0.0001422651,0.000095344294,0.0043559102,0.0011817463,0.00006930657,0.0000057934317,0.006923173,0.000004564188,0.000023026922,0.0006534414,0.9862842,0.00026122073],"about_ca_topic_score_codex":0.08216811,"about_ca_topic_score_gemma":0.3909401,"teacher_disagreement_score":0.39252874,"about_ca_system_score_codex":0.00001788273,"about_ca_system_score_gemma":0.00010499406,"threshold_uncertainty_score":0.9239438},"labels":[],"label_agreement":null},{"id":"W2173205365","doi":"","title":"Une approche multimodale pour accompagner la lecture littéraire au secondaire : créer des bandes-annonces à partir de BD","year":2015,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.08882951161443721,"score_gpt":0.30754676277594345,"score_spread":0.21871725116150625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2173205365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80375606,0.037490636,0.009233707,0.037377886,0.0013528834,0.0018714862,0.000599085,0.00044423112,0.10787405],"genre_scores_gemma":[0.85014343,0.002140535,0.02609282,0.00054933113,0.0061183837,0.0004606332,0.00015024173,0.0002775487,0.114067055],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917915,0.003773342,0.0011675174,0.0011360279,0.00039310538,0.0017385443],"domain_scores_gemma":[0.9944884,0.0023282645,0.0005532892,0.0009035787,0.0007132086,0.0010132486],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0041596657,0.00114737,0.0013059486,0.0003244347,0.0010962948,0.0010105142,0.0008762593,0.0016063777,0.0003997588],"category_scores_gemma":[0.0017591161,0.0011231563,0.0007095286,0.0005858258,0.002274988,0.0009049706,0.00024735043,0.0023857828,0.00010941047],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037680977,0.0018829212,0.019829202,0.0022709803,0.00084659917,0.00018345776,0.7633936,0.005168131,0.0011588148,0.04657185,0.0104472395,0.14787044],"study_design_scores_gemma":[0.0051293788,0.0009701731,0.01722099,0.0022171976,0.000664735,0.0003390134,0.07411675,0.097329915,0.0057422915,0.10253395,0.690398,0.0033375972],"about_ca_topic_score_codex":0.015744923,"about_ca_topic_score_gemma":0.011672269,"teacher_disagreement_score":0.6892768,"about_ca_system_score_codex":0.002226014,"about_ca_system_score_gemma":0.00409573,"threshold_uncertainty_score":0.9999158},"labels":[],"label_agreement":null},{"id":"W2174459570","doi":"10.1126/science.aad5288","title":"The picture of health <b>Things to Do in a Retirement Home Trailer Park … When You're 29 and Unemployed</b> <i>Aneurin Wright</i> Pennsylvania State University Press, 2015. 320 pp. <b>My Degeneration: A Journey Through Parkinson's</b> <i>Peter Dunlap-Shohl</i> Pennsylvania State University Press, 2015. 106 pp.","year":2015,"lang":"en","type":"article","venue":"Science","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Wright; Trailer; State (computer science); Gerontology; Sociology; Art; Art history; Medicine; Engineering; Computer science","score_opus":0.03447500052027124,"score_gpt":0.24092448272148753,"score_spread":0.20644948220121628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2174459570","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96539396,0.00879568,0.00034387264,0.014167072,0.0013204888,0.002191495,0.00078711787,0.00012879405,0.0068715466],"genre_scores_gemma":[0.9807964,0.005362978,0.0009043813,0.000929841,0.00015417252,0.000007226255,0.00001830371,0.0000400981,0.011786582],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967928,0.00038168873,0.00048184654,0.00079095596,0.0008297898,0.0007229251],"domain_scores_gemma":[0.99806565,0.00010413622,0.0004213896,0.00056483626,0.00046342495,0.00038056454],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001731102,0.00035713057,0.00045304294,0.00012033339,0.0013885098,0.0005528787,0.0009903207,0.000057104735,0.000048483347],"category_scores_gemma":[0.000039801584,0.00027852476,0.000085732274,0.00031370643,0.0014988462,0.0015927225,0.00046699325,0.00038024105,0.0000040634327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013181901,0.00047215328,0.006039624,0.00017944768,0.00010269105,0.00010622393,0.48566002,0.00077317463,0.0009262319,0.07073003,0.4320923,0.0015999108],"study_design_scores_gemma":[0.0011859264,0.00041065633,0.0017058722,0.00010053722,0.000022784778,0.0000037346938,0.011450288,0.00016471051,0.00029223802,0.0025626402,0.98169637,0.00040425162],"about_ca_topic_score_codex":0.0021751642,"about_ca_topic_score_gemma":0.009018109,"teacher_disagreement_score":0.54960406,"about_ca_system_score_codex":0.00022279774,"about_ca_system_score_gemma":0.0006223207,"threshold_uncertainty_score":0.9999667},"labels":[],"label_agreement":null},{"id":"W2201555745","doi":"","title":"Ursula Franklin, the Ursula Franklin Reader: Pacifism as a Map","year":2007,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art history; Art","score_opus":0.01137458156447049,"score_gpt":0.233471569250129,"score_spread":0.2220969876856585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2201555745","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8293322,0.05393082,0.0053478,0.02946678,0.004353466,0.00082821853,0.000029924606,0.00022147184,0.07648932],"genre_scores_gemma":[0.97407883,0.002220512,0.000013371922,0.0008111959,0.0026912563,0.000005713056,0.000006564697,0.000041625604,0.020130917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964926,0.000119545686,0.00047852026,0.00025216138,0.000442331,0.0022148383],"domain_scores_gemma":[0.99892944,0.00021319024,0.00023784983,0.00031045853,0.0001829883,0.00012607356],"candidate_categories":["sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0033020277,0.00027230172,0.00027036978,0.0001979833,0.0013128697,0.00034972536,0.00051889813,0.0000973731,0.0008158692],"category_scores_gemma":[0.00005519192,0.00017781113,0.00030918125,0.00010188078,0.0003768524,0.00020414141,0.000047152407,0.0025489447,0.00017088396],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010911591,0.000080205806,0.0002458906,0.0000041294934,0.00025911044,0.000015864889,0.022940084,0.0000018376628,0.000111764464,0.9660027,0.0027569502,0.0074723614],"study_design_scores_gemma":[0.0006868342,0.00034588322,0.00015367244,0.000025532934,0.000059198494,0.0002139577,0.052805334,0.00002980266,0.000063540676,0.585663,0.35969475,0.00025844958],"about_ca_topic_score_codex":0.00038874627,"about_ca_topic_score_gemma":0.009322244,"teacher_disagreement_score":0.38033965,"about_ca_system_score_codex":0.0001961244,"about_ca_system_score_gemma":0.0006658737,"threshold_uncertainty_score":0.9999873},"labels":[],"label_agreement":null},{"id":"W2212960095","doi":"10.24385/lincoln.25159244","title":"Never again! World War 1 in cartoon and comic art","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Exhibition; Comic strip; Spanish Civil War; Art history; Parliament; Politics; Front (military); World War II; Cartoonist; Face (sociological concept); Art; History; Visual arts; Media studies; Law; Literature; Sociology; Political science; Engineering","score_opus":0.042436553400556895,"score_gpt":0.2347669628362254,"score_spread":0.19233040943566848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2212960095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087017454,0.026304806,1.992679e-7,0.0064831274,0.0012339854,0.0008941435,0.26065263,0.00048891903,0.61692476],"genre_scores_gemma":[0.9447615,0.000021758919,0.000002889976,0.00056259695,0.0003553264,0.000060119062,0.009283707,0.000019868727,0.0449322],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995926,0.000012103192,0.000091986745,0.0001413945,0.000051132385,0.00011079004],"domain_scores_gemma":[0.99979717,0.00007388093,0.00001143536,0.00007436604,0.000015183108,0.000027969252],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000024777586,0.00007883934,0.00008708998,0.00014705278,0.00006327714,0.0001597129,0.000051287712,0.000017005072,0.1554854],"category_scores_gemma":[0.000019823357,0.00006677975,0.000034223624,0.000050871324,0.000014416188,0.00016549719,0.000039373608,0.00012402171,0.0009448116],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026217033,0.000007433467,0.000026359694,0.00008172956,0.00000913443,0.000024936126,0.007930886,7.816528e-7,0.0000067947176,0.015914138,0.97469515,0.00130004],"study_design_scores_gemma":[0.000078753015,0.000011650025,0.0005118224,0.00071519817,0.000002147278,0.000001033005,0.0003628295,0.00038057755,0.000010385787,0.0017504328,0.9960787,0.00009644406],"about_ca_topic_score_codex":0.000019480516,"about_ca_topic_score_gemma":0.0037578742,"teacher_disagreement_score":0.8577441,"about_ca_system_score_codex":0.000011323111,"about_ca_system_score_gemma":0.000016268676,"threshold_uncertainty_score":0.99983305},"labels":[],"label_agreement":null},{"id":"W2218656346","doi":"10.58079/m8ty","title":"Les narrations fantastiques et le monde naturel","year":2011,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04666990383491712,"score_gpt":0.259614989304861,"score_spread":0.21294508546994387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2218656346","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008256344,0.015070162,0.0025917639,0.20792115,0.009255402,0.0012777448,0.0039999876,0.00032061516,0.75130683],"genre_scores_gemma":[0.9181187,0.0025793428,0.0013562652,0.0140607525,0.0018485665,0.00035448608,0.0017618042,0.00009032025,0.05982977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971941,0.0003809337,0.0007566904,0.0006717526,0.00044343845,0.00055307057],"domain_scores_gemma":[0.99804217,0.00017759002,0.00040106187,0.0004992847,0.0006136914,0.00026620636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005239455,0.00054200983,0.00048121912,0.0003481036,0.0023212577,0.0007834069,0.00047970045,0.0003437198,0.025877973],"category_scores_gemma":[0.00008516932,0.00056887284,0.0003355455,0.00020475479,0.0010029968,0.012267256,0.00016629633,0.00075468054,0.0007101209],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007674732,0.0007545682,0.000033658485,0.00006458499,0.00015406018,0.000033850683,0.008419107,0.000010591255,0.00009200469,0.9256383,0.062302046,0.0024204375],"study_design_scores_gemma":[0.0011285536,0.00045813294,0.008320724,0.0004220773,0.0001338641,0.00004869198,0.010261721,0.00014975325,0.0011833977,0.084551364,0.89246184,0.0008798646],"about_ca_topic_score_codex":0.0041178474,"about_ca_topic_score_gemma":0.03211501,"teacher_disagreement_score":0.90986234,"about_ca_system_score_codex":0.000095119765,"about_ca_system_score_gemma":0.00027201138,"threshold_uncertainty_score":0.9996763},"labels":[],"label_agreement":null},{"id":"W2218880929","doi":"10.1017/cco9781107284333.016","title":"Comics, Graphic Narratives, and Lesbian Lives","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; Lesbian; Narrative; Art; Visual arts; Literature; Gender studies; Sociology","score_opus":0.052606636889100354,"score_gpt":0.1960857116307078,"score_spread":0.14347907474160743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2218880929","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003157948,0.0015352176,0.0000094049765,0.000056687633,0.00028153177,0.00031985057,0.0006478614,0.00016610634,0.99666756],"genre_scores_gemma":[0.005619271,0.00034634094,0.000024672641,0.00004775393,0.0002590848,6.3405724e-7,0.00006220408,0.00007945691,0.99356055],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989336,0.000040571704,0.00016833727,0.00045195085,0.00018322561,0.00022227988],"domain_scores_gemma":[0.999002,0.00003801758,0.00022194762,0.00035012874,0.0001742622,0.00021368772],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000091854075,0.00040397517,0.0004584985,0.00034480926,0.00039578858,0.00014502989,0.0003000021,0.00016221534,0.00003096074],"category_scores_gemma":[0.000003573508,0.00043811343,0.00015795244,0.0000037574357,0.001439992,0.0001042967,0.00026250034,0.0003939143,0.0000048048996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043926604,0.000007737824,0.0000016411356,0.000038866518,0.00017217122,0.0000664426,0.0064428803,4.674892e-8,0.000003062624,0.84548765,0.1475258,0.00020978748],"study_design_scores_gemma":[0.0005290036,0.00009537065,0.0000018044498,0.00013965942,0.00009094701,0.0000076678925,0.0051502967,0.00000685626,0.000002941619,0.0010018705,0.99247205,0.00050150324],"about_ca_topic_score_codex":0.00038211106,"about_ca_topic_score_gemma":0.0003671651,"teacher_disagreement_score":0.84494627,"about_ca_system_score_codex":0.000042373773,"about_ca_system_score_gemma":0.000070106034,"threshold_uncertainty_score":0.99980706},"labels":[],"label_agreement":null},{"id":"W2227639400","doi":"","title":"Illustrations, Fiction, and the Autobiographical: A Writerly Reading of That Scatterbrain Booky","year":2007,"lang":"en","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Humanities; Meaning (existential); Character (mathematics); Art; Art history; Biography; Literature; Philosophy; Linguistics; Epistemology","score_opus":0.006219795078255394,"score_gpt":0.18290643646594193,"score_spread":0.17668664138768653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227639400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79436946,0.02269674,0.00013172116,0.14594343,0.0017252531,0.0019890047,0.003103558,0.00019451306,0.029846327],"genre_scores_gemma":[0.99427,0.00017885494,0.00008416895,0.0018634573,0.0008252039,0.000024047176,0.00029159625,0.00004705645,0.0024155967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785763,0.00019124748,0.0004836395,0.0005140304,0.00016606538,0.00078739616],"domain_scores_gemma":[0.9977735,0.00038457668,0.00022527535,0.000526565,0.0003803029,0.00070977106],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011706392,0.0004202744,0.00044799788,0.000909806,0.00084449485,0.0007392999,0.00037332604,0.00029043935,0.0000784383],"category_scores_gemma":[0.00012789207,0.00030497595,0.0002291854,0.0005897598,0.0012053612,0.0003414538,0.00002982706,0.00079622626,0.0000013894033],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060980357,0.000019146273,0.002927076,0.000036475198,0.00014882893,0.00004606202,0.04867356,6.2720557e-7,0.00003476242,0.94053656,0.006399743,0.0011162102],"study_design_scores_gemma":[0.0027439508,0.000103228565,0.04247614,0.0006779084,0.00020801525,0.00044863104,0.014413396,0.000050001065,0.000093292314,0.029231919,0.90851784,0.0010356698],"about_ca_topic_score_codex":0.049022377,"about_ca_topic_score_gemma":0.8026204,"teacher_disagreement_score":0.9113046,"about_ca_system_score_codex":0.00007919789,"about_ca_system_score_gemma":0.00029499675,"threshold_uncertainty_score":0.9999402},"labels":[],"label_agreement":null},{"id":"W2228907413","doi":"","title":"Joe Sacco, Safe Area Goražde: The War in Eastern Bosnia 1992–95","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Bosnian; Cartoonist; Comics; Politics; Journalism; Palestine; History; Media studies; Ancient history; Law; Political science; Sociology; Linguistics","score_opus":0.2846704541065129,"score_gpt":0.48799436539200636,"score_spread":0.20332391128549343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2228907413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9319239,0.021185486,0.00004676887,0.002981188,0.00108065,0.00058307743,0.0001421714,0.000033296466,0.042023458],"genre_scores_gemma":[0.9848526,0.010330502,0.000010253635,0.0005052935,0.00047196547,0.00004229809,0.0000043268683,0.000045035038,0.0037377311],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974909,0.00028455415,0.00085616414,0.00039990348,0.00052024046,0.00044826893],"domain_scores_gemma":[0.99786854,0.0005422679,0.00063921313,0.00057584146,0.00021100078,0.00016312076],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011803365,0.00035040543,0.0006534724,0.00052875665,0.00050402345,0.0013902856,0.0025147023,0.00007375961,0.031547695],"category_scores_gemma":[0.00015090822,0.00019478257,0.00024195097,0.0002860681,0.00047411,0.0019002345,0.0007095573,0.00035852732,0.000062703446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060845533,0.0006166677,0.6154144,0.00007721854,0.0004888663,0.00009009484,0.017460084,0.000015673064,0.015096555,0.025435511,0.24224792,0.08244856],"study_design_scores_gemma":[0.001447957,0.000027988464,0.22676146,0.0008395561,0.000061861516,0.000009632337,0.0017703087,0.000054625827,0.0012661756,0.0494301,0.7176647,0.00066558906],"about_ca_topic_score_codex":0.0024725355,"about_ca_topic_score_gemma":0.0062793535,"teacher_disagreement_score":0.4754168,"about_ca_system_score_codex":0.000050632516,"about_ca_system_score_gemma":0.000098623714,"threshold_uncertainty_score":0.99964637},"labels":[],"label_agreement":null},{"id":"W2229458283","doi":"","title":"Generation why: 'Any questions for Ben?'","year":2012,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Spring (device); Psychology; Engineering; Archaeology","score_opus":0.06528925064930446,"score_gpt":0.29755646795079194,"score_spread":0.23226721730148747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2229458283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6664588,0.020128515,0.015753752,0.07015158,0.06634765,0.004981408,0.0010663936,0.0009602093,0.15415168],"genre_scores_gemma":[0.953345,0.00016271575,0.0056911297,0.0017038935,0.01568285,0.00068468443,0.001253904,0.00007226322,0.021403536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984031,0.000088143555,0.00045829575,0.00031014686,0.00026077873,0.000479537],"domain_scores_gemma":[0.99837446,0.00024018627,0.00019992168,0.00037869692,0.0005453873,0.00026133735],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00054967235,0.00027982748,0.00028999438,0.00045498117,0.0004737008,0.00023175863,0.00019124264,0.0000757932,0.003534528],"category_scores_gemma":[0.00047400338,0.00025680594,0.00016308174,0.00019243528,0.00017839258,0.00069226173,0.00003347631,0.00016737623,0.00053310825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016753687,0.0005178345,0.0019874978,0.000037616293,0.000044409397,1.04756865e-7,0.011107481,0.000003299931,0.0022903814,0.548661,0.426473,0.008860626],"study_design_scores_gemma":[0.00041572482,0.00007599923,0.008996004,0.000021433845,0.00010206228,0.000002380605,0.0016701471,0.00030277716,0.00021347159,0.008059713,0.9797957,0.00034457564],"about_ca_topic_score_codex":0.000037798727,"about_ca_topic_score_gemma":0.0020711492,"teacher_disagreement_score":0.55332273,"about_ca_system_score_codex":0.000093950905,"about_ca_system_score_gemma":0.0002491126,"threshold_uncertainty_score":0.99998844},"labels":[],"label_agreement":null},{"id":"W2231884871","doi":"10.20361/g28p4j","title":"Take What You Can Carry by C. K. Pyle","year":2012,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Compassion; Set (abstract data type); Meaning (existential); History; Sociology; Art history; Genealogy; Art; Literature; Law; Computer science; Philosophy; Political science; Epistemology","score_opus":0.009662338388661993,"score_gpt":0.22682898024403358,"score_spread":0.2171666418553716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2231884871","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099795945,0.88820857,7.855516e-7,0.006127684,0.0005356535,0.00050249655,0.00039473327,0.000026710433,0.004407408],"genre_scores_gemma":[0.8825956,0.105557494,0.000018490167,0.0070932684,0.0013811602,0.00003473745,0.000504757,0.00003301655,0.0027815038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894035,0.00013782106,0.000320609,0.00014574565,0.00020027714,0.00025518186],"domain_scores_gemma":[0.9991097,0.000049570597,0.00020575887,0.00044889434,0.00011515916,0.00007094668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042702392,0.00020691715,0.00036014026,0.000041121868,0.00020624783,0.000246915,0.0003419481,0.000046439614,0.0007240568],"category_scores_gemma":[0.000023257142,0.00011513073,0.00021892096,0.00011107245,0.00018970374,0.00040620434,0.00005528724,0.00027187238,0.000012239771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018210703,0.00018596386,0.0010959886,0.0018106038,0.00029863487,8.885835e-7,0.0749076,8.8048104e-8,0.00009343655,0.49538562,0.40800565,0.018197322],"study_design_scores_gemma":[0.0001314886,0.000027444506,0.0005695311,0.00543701,0.00008711895,0.000013065629,0.0003511482,3.2030246e-7,0.000094403775,0.0006634324,0.99243814,0.00018691685],"about_ca_topic_score_codex":0.00004975179,"about_ca_topic_score_gemma":0.00002658673,"teacher_disagreement_score":0.7827996,"about_ca_system_score_codex":0.000008206822,"about_ca_system_score_gemma":0.000014742265,"threshold_uncertainty_score":0.79279137},"labels":[],"label_agreement":null},{"id":"W2237344272","doi":"10.1353/scr.2015.0035","title":"Working it Through: Trauma and Autobiography in Phoebe Gloeckner’s A Child’s Life and The Diary of a Teenage Girl","year":2015,"lang":"en","type":"article","venue":"South Central Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":52,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Narrative; Comics; Biography; Representation (politics); Traumatic memories; Girl; Life writing; Agency (philosophy); Visual arts; Psychology; Psychoanalysis; Literature; Aesthetics; Sociology; Art; Politics; Cognitive psychology; Developmental psychology; Law","score_opus":0.05442622679587268,"score_gpt":0.24722699544954582,"score_spread":0.19280076865367313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237344272","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077530704,0.8865901,0.000007851646,0.0081791235,0.0003476593,0.0009888778,0.000037871363,0.000024651295,0.026293166],"genre_scores_gemma":[0.91926366,0.07875181,0.000023980972,0.0017114057,0.00010799521,0.000017874328,0.000004145234,0.000009432141,0.00010967313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989575,0.00017141868,0.00034467413,0.00018044437,0.00012472217,0.00022123226],"domain_scores_gemma":[0.99950016,0.00008550637,0.00013808184,0.00015887177,0.00002846491,0.00008892525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058480096,0.00014838876,0.0004349833,0.00005469683,0.000111713234,0.00006670813,0.00011044122,0.000025859674,0.00006702244],"category_scores_gemma":[0.00010037935,0.00008662166,0.00013154578,0.00011961079,0.000551935,0.00008598473,0.000055216682,0.0001544282,0.0000013815944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001802396,0.0001355639,0.018869802,0.0018108009,0.00021294359,0.000008765869,0.40278932,7.024849e-7,6.3363814e-7,0.53311235,0.0120307,0.030848162],"study_design_scores_gemma":[0.0033644242,0.0000898786,0.00597226,0.007094566,0.00019884866,0.0000068805516,0.020190414,0.00006687057,0.0000012664725,0.009439247,0.9531764,0.00039895353],"about_ca_topic_score_codex":0.00017150653,"about_ca_topic_score_gemma":0.0006795378,"teacher_disagreement_score":0.9411457,"about_ca_system_score_codex":0.000005540887,"about_ca_system_score_gemma":0.000025661755,"threshold_uncertainty_score":0.35323286},"labels":[],"label_agreement":null},{"id":"W2249051050","doi":"10.20361/g28g7m","title":"Touched by Fire by I. N. Watts","year":2014,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Grandparent; Aside; Witness; History; Persecution; Judaism; Genealogy; Art history; Art; Law; Literature; Politics; Political science; Archaeology","score_opus":0.005271029109903757,"score_gpt":0.21065022134306788,"score_spread":0.20537919223316412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2249051050","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.110091396,0.8493561,0.0000143445195,0.019250281,0.00038217637,0.000972908,0.0010132735,0.000071178845,0.018848345],"genre_scores_gemma":[0.94694525,0.037344903,0.00002530762,0.009296174,0.00063727406,0.00003307328,0.00082465133,0.00003319863,0.004860155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897075,0.00016850275,0.00032231357,0.00018865493,0.00018451357,0.0001652836],"domain_scores_gemma":[0.99913335,0.00008244056,0.00019761338,0.000435323,0.00010923813,0.000042039024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036537918,0.00019406507,0.00039080213,0.000020643078,0.00019228262,0.00013185437,0.00039914504,0.000045767592,0.00074794114],"category_scores_gemma":[0.00004752695,0.00010531543,0.00019140317,0.00008738444,0.00018185611,0.00009994954,0.000047843387,0.00024203307,0.000018288345],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069732064,0.000047626367,0.00004735564,0.0006274693,0.00006677952,1.4390054e-7,0.0030962324,2.5127395e-8,0.000067105844,0.16172425,0.82599384,0.008322217],"study_design_scores_gemma":[0.00017377644,0.000052613774,0.00007331766,0.003880929,0.000048214377,0.0000041709122,0.000017272016,0.0000049885643,0.00009487626,0.0019526202,0.9935414,0.00015578371],"about_ca_topic_score_codex":0.00002327537,"about_ca_topic_score_gemma":0.000008937575,"teacher_disagreement_score":0.83685386,"about_ca_system_score_codex":0.000004233989,"about_ca_system_score_gemma":0.000007725043,"threshold_uncertainty_score":0.8189431},"labels":[],"label_agreement":null},{"id":"W2254019830","doi":"","title":"L’esthétique de l’horreur dans l’installation Hell (1999-2000) : quelques réflexions sur l’art, le goût et la « panique morale »","year":2007,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01015589751781769,"score_gpt":0.24962420275260394,"score_spread":0.23946830523478624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254019830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23261508,0.018571094,0.009346966,0.07933544,0.002044333,0.0012361383,0.0005311683,0.0004956699,0.6558241],"genre_scores_gemma":[0.7443165,0.002584985,0.00068233575,0.0018278239,0.0009474927,0.000021820895,0.00013248014,0.00009890467,0.24938764],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972326,0.0005942509,0.00048458693,0.000557709,0.00031153057,0.0008193233],"domain_scores_gemma":[0.99834216,0.0003298224,0.00025808372,0.00049929094,0.00025559714,0.00031507917],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014360475,0.0005367363,0.00045685563,0.00026614536,0.00079255697,0.0005838861,0.00029649076,0.0005150076,0.0005806738],"category_scores_gemma":[0.00009417303,0.0005374117,0.0003768645,0.00024117538,0.00066599046,0.0006626029,0.00010777536,0.0010330315,0.000080291895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009268115,0.00037912795,0.00092365214,0.000105769526,0.00011602138,0.00012415307,0.08045492,0.00035839973,0.0013079863,0.8921401,0.02322583,0.0007713884],"study_design_scores_gemma":[0.00060698605,0.0001879973,0.004828422,0.00029759132,0.00007137065,0.00007202419,0.012406211,0.0004396026,0.00091422396,0.017238319,0.9622846,0.00065260177],"about_ca_topic_score_codex":0.0031609253,"about_ca_topic_score_gemma":0.10047666,"teacher_disagreement_score":0.93905884,"about_ca_system_score_codex":0.00019375188,"about_ca_system_score_gemma":0.000618308,"threshold_uncertainty_score":0.99970776},"labels":[],"label_agreement":null},{"id":"W2265655586","doi":"10.29173/af28212","title":"La Nouvelle Manga et le cinéma","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015206204489526186,"score_gpt":0.23426962905098317,"score_spread":0.21906342456145697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265655586","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36351877,0.021427194,0.0030307735,0.1225173,0.02337861,0.00052101264,0.0012583617,0.00011871711,0.46422926],"genre_scores_gemma":[0.7892938,0.003912692,0.00008469321,0.0007467229,0.0027414141,0.000029569535,0.000006464254,0.000050094266,0.2031345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828696,0.00030226586,0.0003375231,0.00042655075,0.00023994413,0.000406782],"domain_scores_gemma":[0.9985446,0.00058847293,0.00019100834,0.00031667453,0.00022938823,0.00012986416],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036903966,0.000325779,0.00035526234,0.00015684162,0.00040290368,0.00014300931,0.00029748792,0.00011114166,0.007142096],"category_scores_gemma":[0.0000630076,0.00024024722,0.00021428957,0.00010851683,0.0010738487,0.00039517492,0.00013710688,0.00027142424,0.0010550328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007757814,0.0003977888,0.00018922167,0.000040927738,0.0002729789,0.000089479814,0.035607092,0.000002511816,0.0013374157,0.82233655,0.071923114,0.06772532],"study_design_scores_gemma":[0.0022840914,0.00021546493,0.0018716188,0.00038456387,0.000014918837,0.000012087901,0.008739409,0.000034694753,0.0019961093,0.027049081,0.95699596,0.00040199034],"about_ca_topic_score_codex":0.0044295248,"about_ca_topic_score_gemma":0.004069069,"teacher_disagreement_score":0.8850729,"about_ca_system_score_codex":0.00004543912,"about_ca_system_score_gemma":0.00012890075,"threshold_uncertainty_score":0.9997228},"labels":[],"label_agreement":null},{"id":"W2267698625","doi":"10.4000/communication.5741","title":"Charles Swann en film, en BD et en manga","year":2015,"lang":"fr","type":"article","venue":"Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05508520904347425,"score_gpt":0.2899111594976555,"score_spread":0.23482595045418125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2267698625","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20867254,0.2525196,0.00018814277,0.20966291,0.0019624387,0.00079574494,0.00039220866,0.0001922061,0.3256142],"genre_scores_gemma":[0.9196737,0.026123568,0.00056427054,0.0005331662,0.0005164034,0.000047199646,0.00031055656,0.000033463453,0.05219768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814135,0.0010727781,0.00027978345,0.0001629138,0.00015243741,0.00019071644],"domain_scores_gemma":[0.9981116,0.00055284076,0.00014210994,0.0009206029,0.00017720615,0.00009561819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011171597,0.00017555134,0.0002018137,0.00010293006,0.0003851625,0.00027590102,0.00066334446,0.00012877837,0.00073219585],"category_scores_gemma":[0.00014530226,0.00017711075,0.00009413299,0.000055300447,0.00032377444,0.00037590705,0.0003642244,0.0004196472,0.0002679214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017542034,0.00014272759,0.00023373509,0.00002809423,0.00005372357,9.933926e-7,0.1652732,0.0000136495855,0.000024772295,0.74371076,0.081499375,0.009001401],"study_design_scores_gemma":[0.00037044054,0.000089350615,0.0019034325,0.00014465305,0.000037019618,0.000003536256,0.022911321,0.000749949,0.000037542937,0.04356437,0.92997867,0.0002096884],"about_ca_topic_score_codex":0.0014845737,"about_ca_topic_score_gemma":0.0029750213,"teacher_disagreement_score":0.84847933,"about_ca_system_score_codex":0.00009809911,"about_ca_system_score_gemma":0.00009915532,"threshold_uncertainty_score":0.80170316},"labels":[],"label_agreement":null},{"id":"W2275910783","doi":"10.29173/af27222","title":"Les filles sortent (de) leurs bulles : Pénélope Bagieu, Margaux Motin, Eva Rollin, Diglee… un nouveau genre de BD féminine.","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.034129480177213393,"score_gpt":0.253365984559613,"score_spread":0.2192365043823996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275910783","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89141595,0.054985855,0.0025983513,0.020347897,0.009396556,0.0007409899,0.0018034182,0.00015153627,0.018559417],"genre_scores_gemma":[0.88901526,0.02230531,0.0005588268,0.00090781506,0.0064062267,0.0001093142,0.000036200865,0.00016290219,0.08049814],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958991,0.00039659184,0.0009047232,0.0009486359,0.00055807567,0.0012928698],"domain_scores_gemma":[0.9969519,0.00077550847,0.0005531447,0.0006462897,0.0006450522,0.00042811848],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056655006,0.00085593096,0.00087800634,0.00034374415,0.001113624,0.00030919004,0.000796899,0.00027548303,0.012829495],"category_scores_gemma":[0.00021543348,0.00066159415,0.00054735434,0.00022785485,0.0014382447,0.00039523732,0.00028998032,0.0005425893,0.00052595173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010435097,0.0025177896,0.037877128,0.0004396511,0.0038205418,0.0009645772,0.14289936,0.0003118978,0.0069085914,0.2638641,0.14261663,0.3967362],"study_design_scores_gemma":[0.0062468154,0.0011894578,0.0343293,0.0015728297,0.00023275866,0.00006202497,0.028258419,0.0009825504,0.0075225485,0.04133712,0.8763151,0.0019510771],"about_ca_topic_score_codex":0.0100856135,"about_ca_topic_score_gemma":0.005206536,"teacher_disagreement_score":0.7336985,"about_ca_system_score_codex":0.00031926428,"about_ca_system_score_gemma":0.0002705335,"threshold_uncertainty_score":0.99958354},"labels":[],"label_agreement":null},{"id":"W2276883711","doi":"10.29173/af27188","title":"Préface au numéro spécial sur la BD au féminin","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Physics; Art","score_opus":0.019276675954236905,"score_gpt":0.24208455736150647,"score_spread":0.22280788140726956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276883711","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6810976,0.006508601,0.000946358,0.017097924,0.0684649,0.00058795203,0.0014234172,0.0000940026,0.22377925],"genre_scores_gemma":[0.72725505,0.0014716701,0.000055968772,0.00028266653,0.02982006,0.000045019926,0.000009216522,0.00007305794,0.24098727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728143,0.00031663527,0.0005482967,0.00063102384,0.00041951783,0.00080308685],"domain_scores_gemma":[0.99751043,0.001108146,0.0003334615,0.0004137136,0.00038455898,0.0002497091],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045866115,0.0005119496,0.00057788694,0.0002018542,0.0006524796,0.00018630248,0.00045669486,0.0001725059,0.010848413],"category_scores_gemma":[0.00022115972,0.00038847275,0.00031229778,0.00016663494,0.0017223718,0.00060304353,0.00017768072,0.0003317681,0.0013668753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042951404,0.0009445632,0.0056152903,0.00013842709,0.0008535037,0.00024666428,0.12215118,0.0000058590294,0.0024185642,0.44975683,0.31057608,0.10686351],"study_design_scores_gemma":[0.0027709224,0.00038007158,0.004528829,0.0005957818,0.000031489468,0.000013603137,0.0031007994,0.000042788968,0.0027226403,0.023822844,0.9613591,0.00063113717],"about_ca_topic_score_codex":0.015619407,"about_ca_topic_score_gemma":0.015596484,"teacher_disagreement_score":0.650783,"about_ca_system_score_codex":0.00031682578,"about_ca_system_score_gemma":0.000503123,"threshold_uncertainty_score":0.9998567},"labels":[],"label_agreement":null},{"id":"W2279132622","doi":"10.29173/af27211","title":"Défense et illustration de la chick BD","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017408482354674345,"score_gpt":0.25723378943448244,"score_spread":0.2398253070798081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279132622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82840365,0.00977899,0.00655485,0.030978352,0.0131926555,0.00039737564,0.0009225746,0.00008608947,0.109685436],"genre_scores_gemma":[0.92034996,0.0052271113,0.00016456642,0.00085595134,0.004277208,0.000028901442,0.000010263118,0.00004072576,0.06904534],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828005,0.0004836211,0.00031068327,0.00033736505,0.00021339157,0.00037487288],"domain_scores_gemma":[0.9985121,0.00072391215,0.00018999544,0.00023663101,0.00021076875,0.00012662873],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005751524,0.00027648392,0.00026644932,0.00012964914,0.00032941854,0.00019609566,0.000192084,0.00012064161,0.0047089886],"category_scores_gemma":[0.0001317908,0.00020703445,0.00016192967,0.00009226496,0.0009714611,0.0004094355,0.000057053534,0.00026855955,0.0003737864],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001253451,0.000310464,0.0005681332,0.00003904497,0.00024727004,0.00007450422,0.04420884,0.000018963612,0.003996475,0.87729716,0.035291217,0.037822604],"study_design_scores_gemma":[0.0018721586,0.00027513038,0.006453252,0.00041510127,0.000024932893,0.000022505392,0.0024531027,0.00018558864,0.0026052739,0.10858342,0.87670016,0.00040934896],"about_ca_topic_score_codex":0.0028383879,"about_ca_topic_score_gemma":0.002315566,"teacher_disagreement_score":0.84140897,"about_ca_system_score_codex":0.00009432796,"about_ca_system_score_gemma":0.00013432417,"threshold_uncertainty_score":0.99620086},"labels":[],"label_agreement":null},{"id":"W2279900589","doi":"","title":"Gilles Laporte et Vincent Partel, Légendes d’un peuple. La bande dessinée, Québec, Septentrion, 2014, 64 pages","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège Montmorency","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.015597726875756397,"score_gpt":0.183178204756781,"score_spread":0.16758047788102462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279900589","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23317023,0.54125786,0.00021911785,0.17401649,0.0015569327,0.00049700704,0.00053122826,0.00021606799,0.048535075],"genre_scores_gemma":[0.640674,0.13797894,0.00022021114,0.0007827458,0.00062617677,0.000013674057,0.00011941783,0.00008897407,0.21949585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975648,0.00041726348,0.0003642989,0.00054877566,0.00042295494,0.00068188936],"domain_scores_gemma":[0.99809325,0.00026707616,0.00033576865,0.0004731978,0.00029858932,0.00053213135],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060371746,0.00049519766,0.0005341413,0.00024726157,0.0014340624,0.00017391659,0.00040424385,0.0002609077,0.0020295077],"category_scores_gemma":[0.000041387757,0.0005018524,0.0003600268,0.00012232708,0.0006737975,0.00048303857,0.00034191433,0.00044724622,0.00026128045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016909088,0.00030678924,0.0016738664,0.0000439765,0.00039920295,0.0012437927,0.01731567,0.00008311033,0.000026704633,0.3963404,0.5705485,0.011848907],"study_design_scores_gemma":[0.0016566073,0.00023050174,0.0013817616,0.000113897215,0.00030854056,0.0002043593,0.020063631,0.00040612314,0.000049754686,0.0049601533,0.9700308,0.00059386145],"about_ca_topic_score_codex":0.059320174,"about_ca_topic_score_gemma":0.65443754,"teacher_disagreement_score":0.5951174,"about_ca_system_score_codex":0.0029251871,"about_ca_system_score_gemma":0.0003542612,"threshold_uncertainty_score":0.99986595},"labels":[],"label_agreement":null},{"id":"W2282457308","doi":"10.1353/jeu.2015.0021","title":"Art Spiegelman’s In the Shadow of No Towers as Board Book: From the Matter of Materiality to the Way That Materiality Matters","year":2015,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Narrative; Memoir; Shadow (psychology); Art; Visual arts; Aesthetics; Literature; Art history; Sociology; History; Psychoanalysis; Psychology","score_opus":0.024498514008306566,"score_gpt":0.24840828724007133,"score_spread":0.22390977323176475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282457308","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9569349,0.00026135953,0.0000018538653,0.030735215,0.0017889609,0.0006810328,0.00042364912,0.000021797712,0.009151195],"genre_scores_gemma":[0.989205,0.000025941341,0.000010155197,0.0063183107,0.0004399147,0.00009371751,0.0000632654,0.000019792345,0.0038239246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981901,0.00031025484,0.00047053638,0.00028972648,0.00046166562,0.00027768716],"domain_scores_gemma":[0.9986686,0.00012169724,0.00026109317,0.0007247938,0.00016779413,0.00005600277],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076300633,0.00026744127,0.00040995385,0.000045099485,0.00022617135,0.00041232692,0.0008375359,0.00006645622,0.0027348425],"category_scores_gemma":[0.000045863468,0.00011928117,0.00014703395,0.000085247004,0.00033707026,0.00021485378,0.0001719679,0.0001489086,0.00021448327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031122574,0.00013240367,0.017521176,0.00005460418,0.00008345122,0.0000026455716,0.33878747,0.000007186101,0.0016526907,0.02639027,0.6150367,0.00002016381],"study_design_scores_gemma":[0.00079527585,0.00012985953,0.23273048,0.00013792633,0.0000986871,0.0000067638753,0.09582919,0.000004902412,0.0025354992,0.0101933135,0.6571023,0.000435812],"about_ca_topic_score_codex":0.022809561,"about_ca_topic_score_gemma":0.045110095,"teacher_disagreement_score":0.24295826,"about_ca_system_score_codex":0.000025436895,"about_ca_system_score_gemma":0.000033525153,"threshold_uncertainty_score":0.9981768},"labels":[],"label_agreement":null},{"id":"W2283414874","doi":"","title":"Kevin Ei-Ichi Deforest : Works from Japan and Canada / Corine Lemieux : Of the Third Kind","year":2002,"lang":"en","type":"book","venue":"Galerie 101 Gallery eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Elite; Flexibility (engineering); Geography; Genealogy; Sociology; History; Cartography; Law; Political science; Mathematics","score_opus":0.01645322327370036,"score_gpt":0.1689477716326246,"score_spread":0.15249454835892423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283414874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04526147,0.0015719933,6.9770005e-7,0.00019872248,0.0013881996,0.0004797865,0.0006197843,0.000033334356,0.950446],"genre_scores_gemma":[0.1301877,0.0002382019,0.000010030753,0.0003121632,0.0011271284,0.000027401138,0.00007587665,0.000074156465,0.86794734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802697,0.000066395216,0.0006083055,0.00047661812,0.0004571177,0.00036458558],"domain_scores_gemma":[0.9982282,0.00027555783,0.0004950768,0.00072290335,0.00014219235,0.00013607349],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000107330474,0.00053552055,0.00073368533,0.000102094324,0.0004601669,0.00018472981,0.0005275691,0.00022761224,0.002783393],"category_scores_gemma":[0.000026796224,0.0003937729,0.0002361231,0.000014379402,0.0008534438,0.000053964326,0.0002864942,0.0007589665,0.0000043223854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010436442,0.000048876675,0.0015197062,0.00020369713,0.00078076206,0.00003304912,0.017398756,0.0000033365257,0.000021452157,0.03295292,0.9358598,0.011073281],"study_design_scores_gemma":[0.00042155283,0.00006186158,0.001328286,0.00076379103,0.00011470531,0.000003943672,0.0008281319,0.00001539375,0.000013564513,0.009194013,0.9867374,0.0005173781],"about_ca_topic_score_codex":0.14134802,"about_ca_topic_score_gemma":0.9464098,"teacher_disagreement_score":0.8050618,"about_ca_system_score_codex":0.00009869365,"about_ca_system_score_gemma":0.0007438502,"threshold_uncertainty_score":0.9998514},"labels":[],"label_agreement":null},{"id":"W2284745993","doi":"10.29173/af27279","title":"De Bécassine à Yoko Tsuno : entre stéréotypes, oublis et renaissance. Réflexions sur les personnages féminins et leurs auteur(e)s en bande dessinée","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; The Renaissance; Auteur theory; Art history","score_opus":0.05711372114738698,"score_gpt":0.2774306869411807,"score_spread":0.22031696579379376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284745993","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66862816,0.060707472,0.00759922,0.19348241,0.01587463,0.00092181604,0.0051027806,0.00033276193,0.047350723],"genre_scores_gemma":[0.8657288,0.013958694,0.00051429233,0.0018131562,0.003034397,0.000075229655,0.0000696806,0.00013073711,0.11467504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961703,0.00087150343,0.00064309716,0.00086288166,0.0005096771,0.00094256835],"domain_scores_gemma":[0.9967294,0.0013785186,0.00045428248,0.00055885775,0.0005441749,0.0003348074],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008577134,0.00073372846,0.000752835,0.00040096435,0.0008574887,0.0005770677,0.0006215379,0.0002445744,0.009552074],"category_scores_gemma":[0.00040715357,0.0005671356,0.00039474908,0.00026386697,0.0014464173,0.0011163274,0.00022995973,0.00068161386,0.00022924267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042241518,0.0010367216,0.007967812,0.00018264481,0.0010374711,0.0003050023,0.12834908,0.00004455792,0.0048584905,0.6317055,0.17022492,0.053865362],"study_design_scores_gemma":[0.0035078123,0.00058769697,0.018925278,0.001745613,0.00011143066,0.000036125377,0.0146091,0.00017676016,0.0013732295,0.016354937,0.9415437,0.0010283198],"about_ca_topic_score_codex":0.011127923,"about_ca_topic_score_gemma":0.021665126,"teacher_disagreement_score":0.7713188,"about_ca_system_score_codex":0.00024866464,"about_ca_system_score_gemma":0.00047294472,"threshold_uncertainty_score":0.999678},"labels":[],"label_agreement":null},{"id":"W2287288541","doi":"","title":"Outbreak: Lessons Learned from Developing a “History Game”","year":2009,"lang":"en","type":"article","venue":"Loading...","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Tragedy (event); Game Developer; Video game design; Public relations; Media studies; Game design; Advertising; Computer science; Multimedia; Sociology; History; Political science; Business; Social science","score_opus":0.12100922825622155,"score_gpt":0.2759696734129838,"score_spread":0.15496044515676222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287288541","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5525378,0.003272118,0.00028978943,0.02870221,0.0018637476,0.00021256485,0.000057508452,0.00035653834,0.41270775],"genre_scores_gemma":[0.9838285,0.000074768606,0.00018479417,0.0017984419,0.00045337825,0.00000420766,0.000016107875,0.000012115921,0.013627678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992474,0.000025208174,0.00017453347,0.00023295698,0.0001132384,0.00020669328],"domain_scores_gemma":[0.9995838,0.000052813015,0.00007459094,0.00018446759,0.00004996737,0.00005440106],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007853757,0.00013563532,0.00018466469,0.00010179871,0.00016954548,0.0000931487,0.00015913653,0.00003869932,0.0016437668],"category_scores_gemma":[0.000023951248,0.00012528017,0.00008705653,0.000026788823,0.000115929244,0.00012866962,0.000023791783,0.00013933402,0.00010836824],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018773902,0.000039706672,0.00006969359,0.000003345989,0.000033988166,0.000008649198,0.059242394,6.025946e-7,0.0012122914,0.9018968,0.016758932,0.020714832],"study_design_scores_gemma":[0.0002481436,0.00004093502,0.0012885438,0.000041802126,0.000012559988,6.384026e-7,0.0016764281,0.000038412287,0.00014858691,0.09634117,0.89994955,0.0002132249],"about_ca_topic_score_codex":0.00040214282,"about_ca_topic_score_gemma":0.0007674767,"teacher_disagreement_score":0.88319063,"about_ca_system_score_codex":0.00009943746,"about_ca_system_score_gemma":0.000068439585,"threshold_uncertainty_score":0.9992689},"labels":[],"label_agreement":null},{"id":"W2289002519","doi":"","title":"Through the Looking-Glass: Conceptualizing Narratives of Race as Mimetic Non-Narratives","year":2016,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Race (biology); Aesthetics; Sociology; Gender studies; Psychology; Art; Literature","score_opus":0.023218620831709624,"score_gpt":0.2319234570156519,"score_spread":0.20870483618394228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289002519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9543248,0.00065596186,0.002944861,0.004112497,0.00033668496,0.00028359762,0.000071064904,0.000040200943,0.03723036],"genre_scores_gemma":[0.9871461,0.0000872156,0.00026409913,0.000099013734,0.00013765806,0.0000010727796,0.000005511189,0.000018667044,0.012240662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99853855,0.00019948714,0.00027849176,0.00034343588,0.0003382095,0.0003018069],"domain_scores_gemma":[0.99837863,0.0003696229,0.00047170208,0.00038748412,0.00033494085,0.000057613626],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027733215,0.0002516646,0.0004624198,0.00013933115,0.0009892755,0.00007368323,0.0005692067,0.0000779517,0.0021458445],"category_scores_gemma":[0.00006200697,0.00017721206,0.0003046713,0.00014755671,0.0035586623,0.00074683654,0.00017266413,0.00015694286,0.000050715338],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060906423,0.00005099484,0.00031792946,0.000020491601,0.00016886329,0.000002813171,0.3584169,0.000001928635,0.00031755146,0.63918865,0.0014271452,0.000025830952],"study_design_scores_gemma":[0.00059754937,0.00016657544,0.00013244868,0.0000864271,0.000030722054,0.0000018891396,0.35802376,0.00000418114,0.00002145817,0.6204854,0.020284565,0.000164995],"about_ca_topic_score_codex":0.00049364025,"about_ca_topic_score_gemma":0.0023917325,"teacher_disagreement_score":0.032821327,"about_ca_system_score_codex":0.00004403325,"about_ca_system_score_gemma":0.000102998194,"threshold_uncertainty_score":0.9991531},"labels":[],"label_agreement":null},{"id":"W2290700006","doi":"10.14288/1.0071867","title":"“My face! give it back!” : interrogating mask metaphors and identification in Scott McCloud's Understanding Comics","year":2011,"lang":"en","type":"article","venue":"Open Collections","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Character (mathematics); Comics; Identification (biology); Context (archaeology); Metaphor; Aesthetics; Realm; Identity (music); Art; Face (sociological concept); Logos Bible Software; Literature; Visual arts; Sociology; Computer science; Philosophy; History; Linguistics","score_opus":0.16745661581408489,"score_gpt":0.2751793371684425,"score_spread":0.10772272135435762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2290700006","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018675176,0.000055354387,0.0008969309,0.00042958476,0.0004617922,0.0007083023,0.00005794094,0.00003471233,0.9786802],"genre_scores_gemma":[0.8598847,0.000044003667,0.00024350552,0.00005441648,0.00002677716,0.000045547866,0.0000066793273,0.000018697327,0.13967572],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99931794,0.000055351982,0.00023633377,0.00020398946,0.0000564489,0.00012992209],"domain_scores_gemma":[0.9996438,0.000054005086,0.00010607506,0.00012705963,0.00002937039,0.000039709543],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021627052,0.00009963942,0.0001487571,0.00017181254,0.0012976307,0.0011216571,0.00015693501,0.000025650716,0.002017174],"category_scores_gemma":[0.000021120328,0.00009977979,0.000034437122,0.00021754677,0.000163253,0.0002950305,0.00011468223,0.00011613894,0.000007061614],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081525744,0.00023040958,0.00071492116,0.000027905022,0.00018654062,0.0000044854546,0.49345002,0.0000077420445,0.00010898032,0.3721484,0.13282548,0.00021361098],"study_design_scores_gemma":[0.0013024225,0.00015478702,0.00020792062,0.00016895133,0.00006141958,0.000009256181,0.8561712,0.0022436029,0.00024500166,0.093732625,0.045255803,0.00044702072],"about_ca_topic_score_codex":0.011712707,"about_ca_topic_score_gemma":0.2439354,"teacher_disagreement_score":0.8412095,"about_ca_system_score_codex":0.00007014325,"about_ca_system_score_gemma":0.000028075105,"threshold_uncertainty_score":0.9999153},"labels":[],"label_agreement":null},{"id":"W2293621221","doi":"10.1353/mos.2016.0004","title":"Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Nazism; Comics; Identity (music); Art history; History; Genealogy; Art; Literature; Aesthetics; Archaeology","score_opus":0.014537736391628774,"score_gpt":0.22838689504746193,"score_spread":0.21384915865583315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293621221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9221178,0.0019721147,0.000016522734,0.0012854952,0.00054765126,0.00010066891,0.000026095913,0.00006625237,0.073867366],"genre_scores_gemma":[0.98690057,0.000050139515,0.000016261925,0.0002768516,0.00025597875,0.000010795965,0.0000046180303,0.000015082812,0.0124696875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993787,0.00008615705,0.00012460687,0.00014707395,0.000078323006,0.00018517752],"domain_scores_gemma":[0.9996779,0.00011143415,0.000036509133,0.00011211078,0.000020639922,0.000041419982],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021102348,0.00009474747,0.00012352828,0.00011218516,0.00008647288,0.000036623733,0.00009163843,0.000039955223,0.0018461475],"category_scores_gemma":[0.00002943851,0.00006841079,0.000059774844,0.000018238197,0.0002010652,0.00010698352,0.000029853865,0.00009184612,0.000033711356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015644253,0.00032348675,0.013316497,0.000055711356,0.000084286105,0.00019284488,0.158843,0.0000030763065,0.013962907,0.46916592,0.30835432,0.035541516],"study_design_scores_gemma":[0.0004719843,0.000059886454,0.0021503773,0.000068092486,0.0000056968747,0.0000031676686,0.0014680598,0.00002927056,0.00012891335,0.0067654466,0.98868984,0.00015926025],"about_ca_topic_score_codex":0.00024672193,"about_ca_topic_score_gemma":0.0009856964,"teacher_disagreement_score":0.6803355,"about_ca_system_score_codex":0.00016433212,"about_ca_system_score_gemma":0.00006641202,"threshold_uncertainty_score":0.9990663},"labels":[],"label_agreement":null},{"id":"W2296434189","doi":"10.1353/crc.2016.0007","title":"“Good Relationships Mean Good Lives”: Warrior-Survivor Identity/ies in David Alexander Robertson’s 7 Generations","year":2016,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Narrative; Indigenous; Identity (music); History; Comics; Order (exchange); Genealogy; Art history; Literature; Art; Aesthetics","score_opus":0.050516117055323315,"score_gpt":0.27224118141885645,"score_spread":0.22172506436353312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2296434189","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14868146,0.5702682,0.00020461828,0.025202964,0.0018960921,0.0031018401,0.0034358758,0.00009492563,0.24711403],"genre_scores_gemma":[0.9711519,0.008702656,0.00012090311,0.0010495189,0.0003474054,0.000090044225,0.00015701965,0.000020948122,0.018359588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980867,0.00042337942,0.0006286377,0.00033534967,0.00020802325,0.00031788961],"domain_scores_gemma":[0.99847203,0.00021639651,0.00022365476,0.00039684642,0.00044503692,0.00024601244],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044500333,0.0002823077,0.0006034298,0.00041359154,0.0003892309,0.00022627355,0.0003058054,0.00007526842,0.0024199649],"category_scores_gemma":[0.00007523716,0.00019637591,0.00018849464,0.00032083306,0.00026420978,0.00088378857,0.000028137501,0.00032560836,0.000034513687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005525625,0.00004068687,0.0031170617,0.0005003003,0.00007410864,0.000008604525,0.05917061,0.0000018023003,0.000049866147,0.9154519,0.021304756,0.00027481458],"study_design_scores_gemma":[0.000510127,0.00008163033,0.0053472626,0.012572263,0.0000617577,0.0000065059007,0.0022840123,0.000020269137,0.000046647972,0.01066389,0.9679141,0.00049150625],"about_ca_topic_score_codex":0.003300168,"about_ca_topic_score_gemma":0.757138,"teacher_disagreement_score":0.9466094,"about_ca_system_score_codex":0.00011118943,"about_ca_system_score_gemma":0.00027640804,"threshold_uncertainty_score":0.99849194},"labels":[],"label_agreement":null},{"id":"W2301556060","doi":"","title":"CFP: Exploring Canadian Identity/ies in Comics; A Collection of Essays edited by Gail de Vos and Chris Reyns-Chikuma","year":2012,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Superman; Identity (music); Art history; Art; Performance art; Media studies; Sociology; Literature; Aesthetics","score_opus":0.03522463865387887,"score_gpt":0.22872567305599448,"score_spread":0.1935010344021156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301556060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88557434,0.0015830304,0.00024212577,0.017729176,0.0035546937,0.0011181695,0.0012878587,0.00013847531,0.08877213],"genre_scores_gemma":[0.99477917,0.0005271947,0.00008620458,0.0015247507,0.0006339219,0.00023522979,0.00032339102,0.00003524308,0.0018549188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865276,0.00010836109,0.0003862195,0.00022986034,0.00022047506,0.0004023078],"domain_scores_gemma":[0.99918926,0.00008963106,0.00018122212,0.00017204676,0.00012773732,0.00024008389],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004890418,0.00019822641,0.00028605276,0.00057756895,0.0004954465,0.0002302716,0.00015246443,0.00008524202,0.0015518039],"category_scores_gemma":[0.000068956426,0.00021624206,0.00006005628,0.00022031117,0.00024895204,0.007925788,0.00005379969,0.00018262754,0.000021575199],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007567919,0.0002543084,0.008780589,0.00008932203,0.00007745669,0.000006363069,0.014497859,0.00000722173,0.0006969202,0.8330183,0.14184299,0.00065298367],"study_design_scores_gemma":[0.0046697194,0.0005019737,0.13767223,0.0007706389,0.00015073278,0.000048725287,0.027714392,0.0004829427,0.0042179497,0.025904376,0.79627115,0.0015951636],"about_ca_topic_score_codex":0.07077816,"about_ca_topic_score_gemma":0.6006525,"teacher_disagreement_score":0.80711395,"about_ca_system_score_codex":0.00014844505,"about_ca_system_score_gemma":0.00009541719,"threshold_uncertainty_score":0.9993609},"labels":[],"label_agreement":null},{"id":"W2302057729","doi":"","title":"Silent Witness [Book Review]","year":2010,"lang":"en","type":"article","venue":"Art monthly Australia","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; George (robot); Publishing; Art history; Project commissioning; Visual arts; Art; Media studies; History; Literature; Sociology; Law; Political science","score_opus":0.03360935488613937,"score_gpt":0.2671092782275959,"score_spread":0.23349992334145653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302057729","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24393564,0.013535697,0.000008428252,0.021385206,0.009215888,0.001687774,0.0002809015,0.0004011597,0.7095493],"genre_scores_gemma":[0.6339582,0.00042721888,0.00003369746,0.0035212422,0.0007389331,0.0000568381,0.000045226083,0.000019685283,0.36119893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991887,0.000029374727,0.00022348824,0.0001983477,0.00014121992,0.00021883928],"domain_scores_gemma":[0.9994257,0.000035597972,0.000068747686,0.00030472834,0.00007720905,0.00008798513],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020553614,0.00014749714,0.00019065946,0.000037957016,0.0002576106,0.00011069912,0.00017354835,0.00003718743,0.027713703],"category_scores_gemma":[0.000025945796,0.00011960798,0.00011603896,0.00002911449,0.00027020427,0.00020657407,0.00003087384,0.0002570626,0.0007150753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005994672,0.000042342876,0.00012311708,0.000054352062,0.000018736648,0.000005754202,0.001289993,4.3966878e-7,0.00013317472,0.20705542,0.79117584,0.00009485721],"study_design_scores_gemma":[0.00013850581,0.000040659994,0.0007277074,0.00010910752,0.000024274676,0.00000137928,0.000105941435,0.000007202357,0.000119701566,0.0042690383,0.9942802,0.00017624375],"about_ca_topic_score_codex":0.0002189348,"about_ca_topic_score_gemma":0.0031081073,"teacher_disagreement_score":0.39002258,"about_ca_system_score_codex":0.00000505991,"about_ca_system_score_gemma":0.000013202618,"threshold_uncertainty_score":0.9731751},"labels":[],"label_agreement":null},{"id":"W2302687810","doi":"","title":"Superheroes and Origin Stories: Tools to Discover and Claim One's Callings","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genealogy; History; Sociology","score_opus":0.1142959432901209,"score_gpt":0.24982233236175072,"score_spread":0.13552638907162984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302687810","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99240917,0.00030191164,0.00008819756,0.0020568462,0.0012648726,0.00005881497,0.00004197591,0.0000035874184,0.0037746164],"genre_scores_gemma":[0.99781686,0.000011611175,0.000050605824,0.0004060007,0.00050885556,0.0000018066792,7.709299e-7,0.000008215058,0.0011952611],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995167,0.000020300391,0.00017585848,0.00008181903,0.000073676194,0.00013160925],"domain_scores_gemma":[0.99918973,0.000037145128,0.000050751354,0.000059422408,0.00018680986,0.00047613043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013895884,0.00007859546,0.00013413378,0.00032414135,0.00021487677,0.00036012256,0.00006728751,0.000021321612,0.00029280756],"category_scores_gemma":[0.000065464075,0.000067144036,0.000036854653,0.000047918722,0.00017583965,0.0003304074,0.000009980109,0.00014707894,0.000002956405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007340633,0.000031874988,0.0060004736,0.000015366615,0.00022371253,0.000060782277,0.756948,0.000034696015,0.00010732425,0.18845011,0.043872245,0.0041820155],"study_design_scores_gemma":[0.00042215144,0.0005540005,0.0013163459,0.000108042324,0.000039220726,0.00010062439,0.13436949,0.000017630817,0.000012085475,0.0047157696,0.8581687,0.00017589523],"about_ca_topic_score_codex":0.03875188,"about_ca_topic_score_gemma":0.7857238,"teacher_disagreement_score":0.8142965,"about_ca_system_score_codex":0.00007638068,"about_ca_system_score_gemma":0.0002847542,"threshold_uncertainty_score":0.96764916},"labels":[],"label_agreement":null},{"id":"W2316387871","doi":"10.1386/stic.3.1.47_1","title":"Nouvelle manga and cinema","year":2012,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Movie theater; Comics; Narrative; Storytelling; Art; Literature; Aesthetics; Visual arts","score_opus":0.13033729910613087,"score_gpt":0.3203257142506067,"score_spread":0.18998841514447581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316387871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84453714,0.01274245,0.0000041445373,0.000857088,0.0012360939,0.00012874715,0.000013350966,0.000045349494,0.14043564],"genre_scores_gemma":[0.9925994,0.0012375356,0.000082437786,0.00017083615,0.00031770428,0.000008176694,8.462313e-7,0.000011131795,0.0055719065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965036,0.0000126394825,0.00009186222,0.00006764015,0.000036054742,0.00014146305],"domain_scores_gemma":[0.99979234,0.000070110626,0.000025302099,0.000073642776,0.000016261174,0.000022375423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011282571,0.00007022463,0.00012717108,0.0000618259,0.00013075606,0.000015208541,0.00003942463,0.000012537759,0.00005864154],"category_scores_gemma":[0.000019066969,0.000056859273,0.000016975773,0.000020160938,0.00029583316,0.000055679262,0.00008831917,0.000056063625,0.0000040716363],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008701839,0.00005065383,0.020092724,0.000034699675,0.000058907273,0.000001329741,0.19542284,2.3047707e-7,0.0000067087553,0.7373407,0.04591927,0.0010632138],"study_design_scores_gemma":[0.00070600107,0.000061575265,0.0027773236,0.00005991786,0.000018365814,0.0000036599988,0.21588317,0.000044487617,0.000022896878,0.01761479,0.762517,0.0002908526],"about_ca_topic_score_codex":0.00006441672,"about_ca_topic_score_gemma":0.0018398449,"teacher_disagreement_score":0.7197259,"about_ca_system_score_codex":0.000008482192,"about_ca_system_score_gemma":0.000002434193,"threshold_uncertainty_score":0.23186539},"labels":[],"label_agreement":null},{"id":"W2316404771","doi":"10.3406/colan.2000.3036","title":"La BD française est née au Canada en 1904","year":2000,"lang":"fr","type":"article","venue":"Communication & langages","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011922631981892124,"score_gpt":0.2190063987169877,"score_spread":0.2070837667350956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316404771","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27384287,0.054483064,0.0000014578037,0.028317766,0.00033167054,0.0001717602,0.00028937653,0.00004251824,0.64251953],"genre_scores_gemma":[0.90096605,0.011483925,0.000066439105,0.0004376286,0.00033711726,0.000022989683,0.00018321737,0.000023821945,0.08647883],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840057,0.0007704255,0.00027101027,0.00016314269,0.00015178,0.00024307822],"domain_scores_gemma":[0.9979894,0.0009021838,0.00008667741,0.0008571711,0.00007102652,0.00009354226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000416418,0.0001881303,0.0002081445,0.000050676168,0.0011804622,0.0001730034,0.0005983608,0.00009739832,0.020047888],"category_scores_gemma":[0.000046827823,0.0001875935,0.00008027319,0.00006688265,0.0005341087,0.0001618162,0.000094455194,0.0005556734,0.000108709115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002295646,0.0002066061,0.0011702243,0.00007978467,0.000116360396,0.000013829072,0.09748096,0.000042244523,0.000011738504,0.63277453,0.16667126,0.10140947],"study_design_scores_gemma":[0.00025614732,0.000023157303,0.0076888287,0.00014676762,0.000034887114,0.0000058680985,0.0083966125,0.000119302655,0.000013025362,0.0010852229,0.98200595,0.00022422579],"about_ca_topic_score_codex":0.8726366,"about_ca_topic_score_gemma":0.9813144,"teacher_disagreement_score":0.8153347,"about_ca_system_score_codex":0.00011930545,"about_ca_system_score_gemma":0.00045179072,"threshold_uncertainty_score":0.9808479},"labels":[],"label_agreement":null},{"id":"W2316722757","doi":"10.3138/jrpc.10.1.001","title":"Episode 712: <i>South Park</i>, Ridicule, and the Cultural Construction of Religious Rivalry","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rivalry; Ascription; Deviance (statistics); Sociology; Social psychology; Aesthetics; Psychology; Art; Epistemology; Philosophy","score_opus":0.009762397465732847,"score_gpt":0.21917993795791785,"score_spread":0.209417540492185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316722757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96950895,0.025595129,0.000009902368,0.0030755554,0.00031091503,0.00010579075,0.000013411377,0.000007972041,0.0013723711],"genre_scores_gemma":[0.959438,0.037987772,0.00039225188,0.00042058196,0.0006366062,0.0000010154556,0.0000031540285,0.0000068505688,0.0011137173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991606,0.000074819385,0.000400714,0.00009008243,0.00017551242,0.000098277626],"domain_scores_gemma":[0.999167,0.00001750901,0.00045364886,0.000082774626,0.00021422267,0.00006481004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024018886,0.0001263934,0.0002911187,0.000059977425,0.0002224551,0.0001177094,0.00008522438,0.000060488816,0.000009071366],"category_scores_gemma":[0.000038708757,0.000062551175,0.00015805244,0.000038467766,0.00050742255,0.000182733,0.000023192077,0.00025678432,8.4007365e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050292216,0.000045804405,0.002288825,0.000051638825,0.00021055665,0.000009949674,0.1221,0.000008806624,0.0003365891,0.74765956,0.12257209,0.0042132675],"study_design_scores_gemma":[0.001955905,0.0001721093,0.0000655961,0.00011242253,0.00012368208,0.00045554977,0.0065092375,0.000025516218,0.00014883786,0.015117043,0.975185,0.00012911146],"about_ca_topic_score_codex":0.00006227972,"about_ca_topic_score_gemma":0.00014829343,"teacher_disagreement_score":0.8526129,"about_ca_system_score_codex":0.000007698513,"about_ca_system_score_gemma":0.000008979195,"threshold_uncertainty_score":0.2550763},"labels":[],"label_agreement":null},{"id":"W2317021451","doi":"10.3167/ghs.2011.040106","title":"Hating Everything: A Coming-of-age Graphic Narrative","year":2011,"lang":"en","type":"article","venue":"Girlhood Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Academy of Finland","keywords":"Narrative; Representation (politics); Girl; Reading (process); Interdependence; Psychology; Visual arts; Sociology; Aesthetics; Gender studies; Art; Literature; Linguistics; Developmental psychology; Social science; Political science; Philosophy; Law; Politics","score_opus":0.18830562350104185,"score_gpt":0.2848711719144649,"score_spread":0.09656554841342307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317021451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.907663,0.004107061,0.000021613698,0.0003264967,0.00089898496,0.00026325716,0.000016498052,0.00009727827,0.086605795],"genre_scores_gemma":[0.99749124,0.00015105057,0.00025276918,0.00010026004,0.00013443195,0.000028277398,0.00000203841,0.000014851292,0.0018250536],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99902475,0.0000623341,0.00033652424,0.00021120234,0.00014966795,0.0002155126],"domain_scores_gemma":[0.9992291,0.00012430445,0.00020161795,0.00018090694,0.00022961333,0.00003448726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022983628,0.00018808182,0.0003904673,0.0001660877,0.0006012625,0.000035004112,0.00015896553,0.000027384818,0.00022408937],"category_scores_gemma":[0.000087734246,0.00014770549,0.0001335851,0.00008394164,0.0006268724,0.00016812823,0.000112063186,0.0001389691,0.000007870351],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000193198,0.00006519658,0.00091760023,0.00003811566,0.00034839072,0.000007690248,0.74261117,2.0112356e-7,0.00006610964,0.25429627,0.001241423,0.00038847936],"study_design_scores_gemma":[0.00066917896,0.00050273765,0.0017056382,0.00020909787,0.000090086614,0.0000026832265,0.8819487,0.000014325895,0.00061623746,0.102303214,0.01151777,0.0004203433],"about_ca_topic_score_codex":0.000110391484,"about_ca_topic_score_gemma":0.001200051,"teacher_disagreement_score":0.15199307,"about_ca_system_score_codex":0.000010155353,"about_ca_system_score_gemma":0.000017694852,"threshold_uncertainty_score":0.6023255},"labels":[],"label_agreement":null},{"id":"W2317323603","doi":"10.1093/fs/kns037","title":"Hergé reporter: Tintin en contexte <i>Hergé reporter: Tintin en contexte</i> . Edited by R <scp>ainier</scp> G <scp>rutman</scp> and M <scp>axime</scp> P <scp>révost</scp> . (Special issue of <i>Études françaises</i> , 46.2). Montreal: Presses de l'Université de Montréal, 2010. 184 pp. Pb CAD $12.00.","year":2012,"lang":"fr","type":"article","venue":"French Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; hERG; Humanities; Art history; Library science; Medicine; Computer science","score_opus":0.010948488325449422,"score_gpt":0.21759135149620373,"score_spread":0.2066428631707543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317323603","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5157925,0.39584848,0.00008322802,0.00093104906,0.0052337614,0.001918195,0.0021015804,0.00037342246,0.07771781],"genre_scores_gemma":[0.3416837,0.2236761,0.00092777284,0.001710175,0.023053728,0.00062727387,0.0008169775,0.0007210602,0.40678322],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9876197,0.0014480444,0.0034985621,0.0022611658,0.0015931234,0.0035793954],"domain_scores_gemma":[0.9785389,0.0130535,0.0037778053,0.0017583153,0.0016118182,0.001259698],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0035241928,0.0025054456,0.0038323663,0.0006251034,0.0034823695,0.0007206983,0.0013439611,0.0012282061,0.0003416429],"category_scores_gemma":[0.00779044,0.0024672665,0.0011923643,0.00061089,0.004040399,0.001294757,0.0017625445,0.0016059772,0.00012289015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021964363,0.0011997252,0.03569311,0.00075545016,0.003680845,0.00038443282,0.20897722,0.00002632887,0.0018546695,0.0014805371,0.74404484,0.0018808799],"study_design_scores_gemma":[0.0031924346,0.00082314597,0.017105626,0.0008628913,0.00148638,0.00025941167,0.09621709,0.00008268416,0.003980855,0.0013533912,0.8742661,0.00036998326],"about_ca_topic_score_codex":0.027204867,"about_ca_topic_score_gemma":0.040332053,"teacher_disagreement_score":0.3290654,"about_ca_system_score_codex":0.0005099793,"about_ca_system_score_gemma":0.00039372896,"threshold_uncertainty_score":0.99876815},"labels":[],"label_agreement":null},{"id":"W2319252559","doi":"10.3167/eca.2014.070205","title":"Interview with Guy Delisle","year":2014,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Animation; Art; Humanities; Art history; China; History; Visual arts; Literature; Archaeology","score_opus":0.02676555771255931,"score_gpt":0.18468675909822913,"score_spread":0.1579212013856698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319252559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06720793,0.00009632629,0.00075448566,0.0019612967,0.0002805596,0.00007920356,0.0000057959082,0.000092584116,0.9295218],"genre_scores_gemma":[0.9562655,0.00001548271,0.00007688777,0.002239932,0.00042921983,0.0000018735485,0.000009536032,0.00002804158,0.040933516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993312,0.00017735342,0.00014112107,0.000150765,0.0000695336,0.00013004847],"domain_scores_gemma":[0.99959946,0.00003685691,0.00005306485,0.00022378075,0.000041040574,0.00004578258],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031946893,0.00010662384,0.00012098212,0.00004396438,0.00018522433,0.00012534378,0.00017524841,0.0000054106304,0.0015181974],"category_scores_gemma":[0.000009898221,0.00007481854,0.00004839538,0.000017652754,0.00015317259,0.000072568386,0.000061447565,0.00009375333,0.001374533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028417093,0.0000734615,0.00024636902,0.000025977202,0.00006235633,0.00001269713,0.019085824,0.0000060533316,0.000060912014,0.5620962,0.3949526,0.023349172],"study_design_scores_gemma":[0.0002595781,0.00012229414,0.00038968975,0.000044896853,0.000008917056,0.000003419566,0.0004441848,0.0001296802,0.000009383237,0.0008267754,0.9976332,0.00012798763],"about_ca_topic_score_codex":0.000004556873,"about_ca_topic_score_gemma":0.00019993747,"teacher_disagreement_score":0.8890576,"about_ca_system_score_codex":0.000005323196,"about_ca_system_score_gemma":0.000005520772,"threshold_uncertainty_score":0.999403},"labels":[],"label_agreement":null},{"id":"W2319993058","doi":"10.1093/melus/32.3.297","title":"Louis Riel: A Comic-Strip Biography. Chester Brown. Montreal: Drawn &amp; Quarterly, 2003. 272 pages. $24.95 cloth, $17.95 paper.","year":2007,"lang":"en","type":"article","venue":"MELUS Multi-Ethnic Literature of the United States","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Biography; Art history; Comic strip; Art; History; Performance art; Media studies; Literature; Sociology","score_opus":0.03159628923548413,"score_gpt":0.25191755396265814,"score_spread":0.220321264727174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319993058","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8892922,0.08499752,0.00054040423,0.0055871466,0.0059661735,0.002974917,0.00436962,0.0006973298,0.0055747046],"genre_scores_gemma":[0.9392983,0.0068429643,0.0015177443,0.005478227,0.0014570558,0.00008853504,0.0029937655,0.00030195562,0.04202146],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967729,0.00033095552,0.0009908956,0.0006118307,0.00046107272,0.0008323401],"domain_scores_gemma":[0.9966411,0.00045780954,0.00056280696,0.0011246059,0.0009801177,0.00023354392],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007376269,0.0006956218,0.0007017588,0.00060569256,0.00077038445,0.00076943653,0.00087686314,0.00039148048,0.00035226552],"category_scores_gemma":[0.000112238486,0.0004627061,0.00054598454,0.0016836355,0.0012352832,0.00038956504,0.00013215582,0.0012094097,0.000014711062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00095467264,0.0020428996,0.0022323253,0.00036997476,0.0012867135,0.00005896711,0.6125673,0.000065517044,0.0035966295,0.016335065,0.3543015,0.006188384],"study_design_scores_gemma":[0.0029035897,0.0004031249,0.0057712174,0.00058719877,0.00018639343,0.00001485153,0.010580696,0.0005064149,0.0005006143,0.0031509977,0.9745462,0.00084872457],"about_ca_topic_score_codex":0.0030240254,"about_ca_topic_score_gemma":0.019800544,"teacher_disagreement_score":0.6202447,"about_ca_system_score_codex":0.00004760248,"about_ca_system_score_gemma":0.00006991047,"threshold_uncertainty_score":0.99978244},"labels":[],"label_agreement":null},{"id":"W2325854383","doi":"10.1386/stic.5.2.355_1","title":"Design, arthrology and transtextuality in Seagle’s and Kristiansen’s It’s a Bird","year":2014,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Comics; Reading (process); Meaning (existential); Narrative; Divergence (linguistics); Multimodality; Linguistics; Art; Computer science; Literature; Sociology; Visual arts; Aesthetics; Philosophy; Epistemology","score_opus":0.14600320977507228,"score_gpt":0.32026233986332564,"score_spread":0.17425913008825336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325854383","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97362363,0.0060840785,0.0008855103,0.0094379205,0.00062030193,0.0004933579,0.000017959379,0.000093604125,0.008743656],"genre_scores_gemma":[0.9964568,0.0023532289,0.00024165715,0.00061780843,0.00006576246,0.00001874548,4.588363e-7,0.00001630109,0.00022925752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992529,0.00014113226,0.00020765397,0.00019434124,0.00004322546,0.00016070926],"domain_scores_gemma":[0.999412,0.0004042285,0.000039710783,0.000097553406,0.000022262575,0.000024225568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045821452,0.00011677741,0.00028973856,0.000118555734,0.00011543156,0.000028864762,0.00005104907,0.000035583587,0.000011303811],"category_scores_gemma":[0.000059230773,0.00010221415,0.000016253907,0.00003165815,0.00090704253,0.00004099196,0.000053713407,0.00011836552,8.3334504e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017631521,0.000117792486,0.034442093,0.00016696926,0.00012611963,0.000014489887,0.4323283,0.000016426484,0.000027374568,0.5152467,0.007896951,0.009440466],"study_design_scores_gemma":[0.007862782,0.0011150152,0.015943898,0.00038361887,0.00007047427,0.00002468337,0.22072628,0.0051303525,0.000024249523,0.41936988,0.32805127,0.0012974966],"about_ca_topic_score_codex":0.00037522384,"about_ca_topic_score_gemma":0.081273966,"teacher_disagreement_score":0.3201543,"about_ca_system_score_codex":0.0000118934295,"about_ca_system_score_gemma":0.000007952678,"threshold_uncertainty_score":0.93549037},"labels":[],"label_agreement":null},{"id":"W2326010627","doi":"10.1386/public.25.49.110_1","title":"The sincerest form of irony: Fun and games in a post-September 11 world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Comics; Seriousness; Animation; Irony; Sensibility; World trade center; Art; Anime; Visual arts; Aesthetics; Literature; History; Philosophy; Linguistics; Terrorism; Epistemology","score_opus":0.021152877970823363,"score_gpt":0.20172847942634015,"score_spread":0.1805756014555168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326010627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9255382,0.0006461076,2.1453452e-7,0.008548499,0.00008773296,0.00013640909,0.0000075525104,0.000009232499,0.06502609],"genre_scores_gemma":[0.9879309,0.00003503748,0.000003888259,0.00019080745,0.000063291634,0.000030251385,0.000002632262,0.0000056499252,0.011737537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995503,0.000017636803,0.00013804657,0.00008226176,0.00006549159,0.00014630845],"domain_scores_gemma":[0.9996069,0.000116804425,0.00005070039,0.00011543158,0.00007805595,0.00003208482],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010859309,0.000063616244,0.00009122225,0.00011101022,0.00013669813,0.0002779282,0.00009404345,0.000011686367,0.0012872724],"category_scores_gemma":[0.000021787639,0.00003840672,0.000029674291,0.000049668066,0.00024242354,0.00025154802,0.00004751353,0.00006037094,0.000013221483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041635317,0.00004325471,0.021739092,0.000012083513,0.000016476291,2.827019e-7,0.014647873,4.2983054e-8,0.00002765218,0.93864185,0.010213528,0.014653731],"study_design_scores_gemma":[0.00025877508,0.000038418108,0.115837306,0.000013244359,0.0000033686072,5.1741694e-7,0.008083628,0.00008813786,0.000009468389,0.04085949,0.83470947,0.00009818222],"about_ca_topic_score_codex":0.00086582114,"about_ca_topic_score_gemma":0.12304105,"teacher_disagreement_score":0.8977823,"about_ca_system_score_codex":0.0000058909554,"about_ca_system_score_gemma":0.000018213383,"threshold_uncertainty_score":0.9996257},"labels":[],"label_agreement":null},{"id":"W2332554060","doi":"10.1386/host.2.2.265_1","title":"Abstract comics and the decomposition of horror","year":2011,"lang":"en","type":"article","venue":"Horror Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Comics; Art; Aesthetics; Literature; Visual arts","score_opus":0.10894591949329371,"score_gpt":0.28910727552451543,"score_spread":0.18016135603122171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332554060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90218145,0.0067077265,0.000005992777,0.00062721653,0.00029797826,0.00019907646,0.000025020552,0.00003711191,0.08991841],"genre_scores_gemma":[0.99835277,0.00080043415,0.000068826215,0.000059874998,0.00005091805,0.000011810141,9.004377e-7,0.00000849452,0.0006459907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9996471,0.000018058023,0.00013546157,0.00007665914,0.000050432063,0.000072318406],"domain_scores_gemma":[0.99966544,0.00008998219,0.000085414584,0.00009006489,0.000056642395,0.000012457238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013090107,0.000074665295,0.00017389152,0.00004009745,0.00019948975,0.000014982244,0.000058466787,0.000011159001,0.000077597084],"category_scores_gemma":[0.000014761736,0.00004302303,0.000046498255,0.00001465353,0.00090760074,0.000041868003,0.000045051358,0.000044571756,0.0000020908305],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011739654,0.000043788004,0.00056391285,0.000035715148,0.00017929848,9.785443e-7,0.18651317,4.7978116e-8,0.000049063758,0.8073201,0.0043949336,0.00078159594],"study_design_scores_gemma":[0.0070368,0.00069616747,0.065589435,0.00037784266,0.0004926112,0.000011321718,0.52287465,0.000115524934,0.002031614,0.31042096,0.08937688,0.00097617763],"about_ca_topic_score_codex":0.0002455231,"about_ca_topic_score_gemma":0.0015704,"teacher_disagreement_score":0.49689913,"about_ca_system_score_codex":0.000002470733,"about_ca_system_score_gemma":0.00000308978,"threshold_uncertainty_score":0.33440927},"labels":[],"label_agreement":null},{"id":"W2332978386","doi":"10.1177/0160449x14524721","title":"Book Review: <i>May Day: A Graphic History of Protest</i> , by the Graphic History Collective","year":2013,"lang":"en","type":"article","venue":"Labor Studies Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Visual arts; History; Art history; Media studies; Art; Sociology","score_opus":0.027772026479161268,"score_gpt":0.23020080981860983,"score_spread":0.20242878333944855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332978386","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023188598,0.9704325,0.0000022834136,0.010564077,0.0017514677,0.00073788717,0.00002610682,0.000024257382,0.014142556],"genre_scores_gemma":[0.022075884,0.64377624,0.000030045596,0.04572333,0.00096623256,0.0006799487,0.00000481597,0.000075112664,0.2866684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998217,0.00032566447,0.0005864217,0.00021266917,0.00035816245,0.00030010982],"domain_scores_gemma":[0.9977375,0.00026260756,0.0006127652,0.00027188656,0.0010303418,0.000084881074],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063246704,0.00026415248,0.000573695,0.00017647602,0.0005776108,0.00003796386,0.00034302092,0.000036047768,0.0029034303],"category_scores_gemma":[0.000174417,0.00016094347,0.00028381523,0.00012500238,0.0015174437,0.00029930755,0.000077221244,0.000532352,0.000011752768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011218797,0.00007640122,0.000116599556,0.00013677725,0.0004347921,0.000004000875,0.04671375,8.490568e-8,0.00008063446,0.0068563065,0.9453028,0.00026664147],"study_design_scores_gemma":[0.00035671797,0.00021136926,0.00013284193,0.00050319295,0.00011837193,0.000020233627,0.006066189,0.0000025692377,0.0000075431476,0.0022532733,0.99012566,0.00020201544],"about_ca_topic_score_codex":0.00009151577,"about_ca_topic_score_gemma":0.00023092845,"teacher_disagreement_score":0.32665628,"about_ca_system_score_codex":0.00045601267,"about_ca_system_score_gemma":0.00032544357,"threshold_uncertainty_score":0.9980081},"labels":[],"label_agreement":null},{"id":"W2338403674","doi":"","title":"A Multi-view Interpretation of Sunshine Sketches of a Little Town","year":2015,"lang":"en","type":"article","venue":"校园英语","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Viewpoints; Interpretation (philosophy); Character (mathematics); Aesthetics; History; Literature; Sociology; Epistemology; Media studies; Art; Philosophy; Linguistics; Visual arts; Mathematics","score_opus":0.07944486274744993,"score_gpt":0.274188520284733,"score_spread":0.19474365753728307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338403674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95480424,0.0062848334,0.00047237845,0.00096849917,0.00047521206,0.0002774858,0.00009182229,0.00003567654,0.03658986],"genre_scores_gemma":[0.99727297,0.000019458403,0.00026982793,0.000032495525,0.000040796538,0.0000061915357,0.00000549757,0.000004299874,0.0023484759],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962634,0.000020171403,0.00016845528,0.00006311884,0.000070800736,0.000051088544],"domain_scores_gemma":[0.9996221,0.000038303275,0.00008797726,0.0000956813,0.00013139905,0.000024547498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013432404,0.000054196647,0.00017598257,0.000050121933,0.00001792248,0.000014286381,0.00006652656,0.000013892698,0.0004908036],"category_scores_gemma":[0.000047657733,0.00003929707,0.00007925141,0.000025423962,0.00011157918,0.00006848707,0.00002071759,0.000032640008,0.0000032884948],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018639945,0.00059907866,0.0019596452,0.0002835991,0.0007468793,0.000002203057,0.6431233,0.000027918099,0.0013907797,0.32485712,0.009215427,0.01760765],"study_design_scores_gemma":[0.0062167407,0.0025741044,0.005854723,0.0008095543,0.0012423353,0.0000063244206,0.097791165,0.02022151,0.010434511,0.12512055,0.72854567,0.0011828032],"about_ca_topic_score_codex":0.0003334404,"about_ca_topic_score_gemma":0.0013444098,"teacher_disagreement_score":0.71933025,"about_ca_system_score_codex":0.0000040786717,"about_ca_system_score_gemma":0.000020968419,"threshold_uncertainty_score":0.5373956},"labels":[],"label_agreement":null},{"id":"W2342715588","doi":"","title":"Scott Pilgrim vs. the Multimodal Mash-up: Film as Participatory Narrative","year":2015,"lang":"en","type":"article","venue":"Bangor University Research Portal (Bangor University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Comics; Appropriation; Citizen journalism; Semiotics; Parallels; Pilgrim; Aesthetics; Art; Wright; Participatory culture; Media studies; Sociology; Visual arts; Literature; History; Art history; Computer science; Linguistics; Philosophy; Engineering; World Wide Web","score_opus":0.1450940019696259,"score_gpt":0.3045507687378685,"score_spread":0.1594567667682426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2342715588","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68917614,0.000094064526,0.000016097893,0.0032148897,0.00051191734,0.0007114556,0.0001878351,0.00016159873,0.305926],"genre_scores_gemma":[0.8043543,0.00005505395,0.000018348597,0.00012603431,0.00025708982,0.0000011914434,0.000046004276,0.00002492027,0.19511707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99651664,0.0008161479,0.00020834354,0.0006250187,0.0009331069,0.00090073847],"domain_scores_gemma":[0.99717814,0.00035514627,0.00014622243,0.000631096,0.0010582877,0.00063109124],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001042128,0.00032003495,0.00035889252,0.0009124831,0.0023957768,0.00023116656,0.0012046809,0.00014888892,0.003279042],"category_scores_gemma":[0.00018678086,0.00028720155,0.000277737,0.00077127555,0.0024866115,0.0008705322,0.0006653107,0.00089484535,0.0003935136],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010543691,0.00031739465,0.0015179461,0.000022478727,0.00030612122,0.0012145996,0.16198799,0.00002715089,0.00006704309,0.665611,0.16741478,0.00045910673],"study_design_scores_gemma":[0.0013559905,0.00038896519,0.0005277067,0.000026076406,0.000044792167,0.000006382356,0.3402836,0.00018622601,0.000063013424,0.00087034627,0.6559426,0.0003042604],"about_ca_topic_score_codex":0.0051303897,"about_ca_topic_score_gemma":0.013405822,"teacher_disagreement_score":0.6647407,"about_ca_system_score_codex":0.0002564269,"about_ca_system_score_gemma":0.0007860576,"threshold_uncertainty_score":0.99995804},"labels":[],"label_agreement":null},{"id":"W2344842526","doi":"10.14288/1.0078199","title":"Archie comics, literacy and pre-teen identity : a case study of L1 and L2 elementary students","year":2009,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; Literacy; Identity (music); Mathematics education; Pedagogy; Sociology; Psychology; Visual arts; Linguistics; Art; Literature; Aesthetics; Philosophy","score_opus":0.01038991378779643,"score_gpt":0.21735159950372926,"score_spread":0.20696168571593282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344842526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99876696,0.0002028731,0.0000066821904,0.000038064743,0.00003709763,0.0003416156,0.00015722773,0.00002018179,0.0004292784],"genre_scores_gemma":[0.9990959,0.00012284501,0.000043798176,0.000025314732,0.000020455074,2.4095806e-7,0.0000054954535,0.000006267724,0.0006796887],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993533,0.00004754825,0.00012310955,0.00021433401,0.00015417185,0.00010753574],"domain_scores_gemma":[0.9996005,0.000025636407,0.000112160036,0.00013612803,0.000060918068,0.00006463951],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012230157,0.000041317606,0.00021935948,0.00006777417,0.00029298192,0.00020903868,0.00014897145,0.000019832438,0.00006464286],"category_scores_gemma":[0.000003320251,0.00011893433,0.000037802307,0.000045592,0.00027702338,0.00041573693,0.00015229124,0.000071751565,1.9344867e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000717846,0.0026828144,0.5089906,0.00014785888,0.0003554047,0.0019526927,0.16539074,4.177038e-7,0.000045060835,0.00032056778,0.0024853845,0.3175567],"study_design_scores_gemma":[0.0017382187,0.0005513045,0.9323813,0.000063510866,0.00006468655,0.00009750821,0.062990695,0.000023336292,7.1933826e-8,0.0017716108,0.0002005733,0.00011720893],"about_ca_topic_score_codex":0.29547635,"about_ca_topic_score_gemma":0.7891073,"teacher_disagreement_score":0.493631,"about_ca_system_score_codex":0.0000080229975,"about_ca_system_score_gemma":0.000008841061,"threshold_uncertainty_score":0.70921516},"labels":[],"label_agreement":null},{"id":"W2344898217","doi":"10.5539/ells.v6n2p43","title":"A Visual Asian American Diaspora: Belle Yang’s Hannah is My Name (2004) and Guene Luen Yang’s American Born Chinese (2006)","year":2016,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diaspora; Chinese americans; Narrative; Orientalism; Identity (music); Multiculturalism; Gender studies; Nationalism; Literature; Sociology; History; Ethnic group; Politics; Anthropology; Aesthetics; Art; Political science; Law","score_opus":0.0052266603829269976,"score_gpt":0.24722111002344935,"score_spread":0.24199444964052236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344898217","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93782914,0.05522508,0.0000029618268,0.0027059899,0.0004167136,0.00018450436,0.00045547407,0.00011282661,0.003067321],"genre_scores_gemma":[0.9867787,0.0025952195,0.000056869972,0.00082585175,0.0020574948,0.00003793847,0.000031154697,0.00003769952,0.0075790803],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985249,0.00008367468,0.00027200914,0.00051595154,0.00018687717,0.00041659558],"domain_scores_gemma":[0.9990144,0.0001430059,0.00017850006,0.00025031605,0.00026323952,0.00015053872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001581712,0.00041046148,0.0006192157,0.00020698697,0.0007168071,0.0002825647,0.0001257637,0.00004369045,0.00015747457],"category_scores_gemma":[0.00021343997,0.0002403575,0.00011103293,0.0002043842,0.0013312282,0.0003317636,0.00021813974,0.00021224712,0.0000036752613],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072086346,0.00006425383,0.004288143,0.00004219747,0.00033512153,0.00008137611,0.95045555,1.5107988e-8,0.000095578784,0.002630883,0.010079495,0.03185532],"study_design_scores_gemma":[0.0011943474,0.0007963921,0.007510382,0.0003264891,0.00009273497,0.0000104950905,0.6948601,0.0000026440866,0.000055786062,0.0008237567,0.29356268,0.00076416245],"about_ca_topic_score_codex":0.00044345614,"about_ca_topic_score_gemma":0.0018594691,"teacher_disagreement_score":0.2834832,"about_ca_system_score_codex":0.000019157851,"about_ca_system_score_gemma":0.000016999722,"threshold_uncertainty_score":0.98014945},"labels":[],"label_agreement":null},{"id":"W2345064632","doi":"10.1515/stap-2015-0022","title":"Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors","year":2015,"lang":"en","type":"article","venue":"Studia Anglica Posnaniensia","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Holocaust; Memoir; Psychoanalysis; Holocaust survivors; Psychology; Literature; Art; Philosophy; Theology","score_opus":0.047988416635763025,"score_gpt":0.22487359110283422,"score_spread":0.1768851744670712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2345064632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9616523,0.00041502,0.000009603443,0.014324684,0.00027299026,0.0006356304,0.0001308024,0.000042373624,0.022516599],"genre_scores_gemma":[0.99845296,0.000015298532,0.000058619655,0.0010064385,0.00019402194,0.000033343884,0.0000142831905,0.000028010882,0.00019704085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984276,0.00010687709,0.00044977237,0.00031231903,0.00036370318,0.00033968623],"domain_scores_gemma":[0.99859923,0.00015605016,0.00022047597,0.000442004,0.00048730362,0.00009491387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038071073,0.00024576398,0.00053901854,0.00022855037,0.0002132355,0.00004820668,0.0003012107,0.000055210643,0.000033078344],"category_scores_gemma":[0.00009903249,0.0001567979,0.000084511455,0.00039927833,0.00057555985,0.000112170776,0.000140659,0.00025214683,0.000006951433],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008708655,0.0004948221,0.012584686,0.00011165158,0.00050551863,0.00009703624,0.46724305,0.00020944563,0.0002112408,0.48227102,0.03514082,0.00025984162],"study_design_scores_gemma":[0.008645231,0.0060675447,0.047381736,0.0009343562,0.00041863995,0.000080884056,0.34023345,0.000121559424,0.0035495125,0.002912128,0.587757,0.0018979635],"about_ca_topic_score_codex":0.0015993771,"about_ca_topic_score_gemma":0.032818142,"teacher_disagreement_score":0.5526162,"about_ca_system_score_codex":0.000031546184,"about_ca_system_score_gemma":0.000109765446,"threshold_uncertainty_score":0.9848304},"labels":[],"label_agreement":null},{"id":"W2363470044","doi":"","title":"On Archetypal Criticism & its Application to Research on Modern & Contemporary Chinese Literature","year":2006,"lang":"en","type":"article","venue":"Journal of Northeast Normal University","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Literary criticism; Sociological criticism; Literature; Aesthetics; Sociology; History; Literary science; Philosophy; Art","score_opus":0.03564890961396304,"score_gpt":0.2717890421913756,"score_spread":0.23614013257741256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2363470044","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9388198,0.00008071705,0.00013333675,0.0019015888,0.00013162642,0.00013707342,0.00008340736,0.000008712042,0.05870371],"genre_scores_gemma":[0.9947978,0.000006630069,0.000012936828,0.0001340978,0.00056564267,3.022685e-7,0.000009483202,0.000007641177,0.004465449],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999027,0.000118423835,0.00017623605,0.00012978591,0.0003789046,0.0001696242],"domain_scores_gemma":[0.9988836,0.00013522635,0.0000996121,0.00012745646,0.0006396435,0.000114459595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036160887,0.00010969348,0.00016357173,0.000509022,0.00042899232,0.00008133806,0.00023856793,0.000042067448,0.00007129996],"category_scores_gemma":[0.000018831168,0.00008814002,0.00012257622,0.00016204242,0.00009451384,0.00028173154,0.000042696032,0.0005078084,0.000018386398],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034185515,0.0009379702,0.0046989243,0.00004318374,0.00006991488,0.00032741728,0.02406404,0.00087432866,0.00048146426,0.953957,0.009227059,0.0019001161],"study_design_scores_gemma":[0.0058832974,0.006361392,0.10052983,0.00094318646,0.000051667776,0.0001161757,0.009404618,0.0023372625,0.00023421992,0.1425753,0.730448,0.0011150296],"about_ca_topic_score_codex":0.00009239236,"about_ca_topic_score_gemma":0.00059222773,"teacher_disagreement_score":0.81138176,"about_ca_system_score_codex":0.000060274386,"about_ca_system_score_gemma":0.00006602037,"threshold_uncertainty_score":0.35942456},"labels":[],"label_agreement":null},{"id":"W2393839826","doi":"","title":"On the Text Meanings of the Science Fictions in The Blind Assassin","year":2010,"lang":"en","type":"article","venue":"Mianyang Shifan Xueyuan xuebao","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Literature","score_opus":0.029378667214975108,"score_gpt":0.23701149643296981,"score_spread":0.2076328292179947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2393839826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8503033,0.000021769658,0.0000013808344,0.012065182,0.0006161761,0.00024381897,0.000015650527,0.000012023121,0.1367207],"genre_scores_gemma":[0.995874,0.0000019777533,0.000010291295,0.00081210246,0.00019312782,0.000023615348,7.2654e-7,0.000009975252,0.0030741761],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875396,0.000091270806,0.00021754194,0.00020667657,0.00048403215,0.0002465208],"domain_scores_gemma":[0.9987157,0.000408472,0.00012267006,0.0006034939,0.000120521494,0.00002916425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014037207,0.00013045018,0.00011794269,0.00015566201,0.0012852112,0.00039145866,0.0010232998,0.000036465324,0.0007387076],"category_scores_gemma":[0.00034127195,0.000057538036,0.000113583905,0.00038053872,0.0018035962,0.00015869309,0.00008434481,0.0006035204,0.000025628979],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075390403,0.00007002684,0.00026166378,0.0000025172415,0.000006284403,5.069897e-7,0.042058807,0.0000033262932,0.0019316528,0.94850034,0.006767871,0.00038945818],"study_design_scores_gemma":[0.0014652315,0.0003135549,0.069457784,0.00023089458,0.00007015356,0.000014487876,0.07272634,0.0011170072,0.0048912335,0.18802835,0.66096854,0.0007164332],"about_ca_topic_score_codex":0.00037928898,"about_ca_topic_score_gemma":0.015551067,"teacher_disagreement_score":0.760472,"about_ca_system_score_codex":0.000020895943,"about_ca_system_score_gemma":0.00011571515,"threshold_uncertainty_score":0.98849356},"labels":[],"label_agreement":null},{"id":"W2411583127","doi":"10.1017/s0307883316000274","title":"The Comic Offense: Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle","year":2016,"lang":"en","type":"article","venue":"Theatre Research International","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Comics; History; Art history; Art; Literature","score_opus":0.07769288990669362,"score_gpt":0.32590834233086474,"score_spread":0.24821545242417112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2411583127","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42494205,0.0011322566,0.00001810646,0.0866631,0.0009485901,0.00046166245,0.00023878219,0.000048137652,0.4855473],"genre_scores_gemma":[0.9502886,0.00077233877,0.0000068520785,0.00008257149,0.00065625197,0.000027808199,0.0000062058098,0.0000131120005,0.048146285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987389,0.00015268667,0.0001623089,0.00019554596,0.00046532307,0.00028523817],"domain_scores_gemma":[0.99841285,0.0010474122,0.00003941695,0.00019908701,0.00022608042,0.000075185715],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009547853,0.00009310376,0.00009155334,0.000121253324,0.00075219304,0.00032823603,0.0003861631,0.000022382446,0.0015868363],"category_scores_gemma":[0.00005669294,0.000047401983,0.000046674602,0.000031437572,0.00093998533,0.00013461239,0.00025026547,0.00017741935,0.00012010763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019748152,0.000060388036,0.0009128349,0.0000062441977,0.00013139479,0.000007311416,0.0080640055,1.0564615e-7,0.0011246249,0.8717325,0.046057086,0.07170605],"study_design_scores_gemma":[0.0005190642,0.00008901991,0.00069754675,0.000050001367,0.0000026344362,0.000006360036,0.0022437319,0.000111794594,0.00011760135,0.061169136,0.93490666,0.00008643032],"about_ca_topic_score_codex":0.00026947213,"about_ca_topic_score_gemma":0.0018050325,"teacher_disagreement_score":0.8888496,"about_ca_system_score_codex":0.000049636685,"about_ca_system_score_gemma":0.000050815077,"threshold_uncertainty_score":0.9993259},"labels":[],"label_agreement":null},{"id":"W2432778319","doi":"10.6084/m9.figshare.3438788.v1","title":"The Question Concerning Comics as Technology [Slides]","year":2016,"lang":"en","type":"article","venue":"Figshare","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Computer science; Visual arts; Art; Artificial intelligence","score_opus":0.04166592797272799,"score_gpt":0.26286404975251365,"score_spread":0.22119812177978565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2432778319","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024959184,0.0052446914,0.000010447799,0.040644724,0.0010449865,0.0011067693,0.14652796,0.0020846156,0.77837664],"genre_scores_gemma":[0.9543112,0.0000346558,0.00000750678,0.00016873532,0.00030932776,0.00009796349,0.001020488,0.000026265714,0.044023838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999656,0.000014880248,0.00007597941,0.000086941036,0.000053210417,0.000112980415],"domain_scores_gemma":[0.9995911,0.00013601736,0.000058993995,0.00013218624,0.00006356152,0.00001810174],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000031583408,0.0000603593,0.000056666417,0.000043796892,0.0003234942,0.000085588465,0.00014091075,0.000032120446,0.053647224],"category_scores_gemma":[0.00031165718,0.000031062922,0.000026634136,0.000023179678,0.00005801017,0.000054365326,0.000048796872,0.000055625846,0.000872365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042396487,0.0000052619853,0.00004062073,0.0000046575637,0.000013484148,0.0000019019509,0.00074806943,4.3825573e-8,0.000060074228,0.54495794,0.4425884,0.011575296],"study_design_scores_gemma":[0.00010505244,0.00003052135,0.000019267804,0.00037194756,0.0000016502431,0.0000015693121,0.00059939176,0.000007633384,0.00024158527,0.015212345,0.98334354,0.00006552261],"about_ca_topic_score_codex":0.00001532777,"about_ca_topic_score_gemma":0.00044104987,"teacher_disagreement_score":0.92935205,"about_ca_system_score_codex":0.000010092018,"about_ca_system_score_gemma":0.000016768707,"threshold_uncertainty_score":0.9999056},"labels":[],"label_agreement":null},{"id":"W2434422836","doi":"","title":"Moonshot: The Indigenous Comics Collection, Volume 1 ed. by Hope Nicholson (review)","year":2016,"lang":"en","type":"article","venue":"Marvels & Tales","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Indigenous; History; Art history; Maya; Visual arts; Painting; Art; Conversation; Literature; Sociology; Archaeology; Communication","score_opus":0.013261374948234607,"score_gpt":0.21340058576678034,"score_spread":0.20013921081854574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2434422836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38796613,0.3099426,0.0005653001,0.051736258,0.0034446048,0.004073022,0.0023845772,0.0009689834,0.23891853],"genre_scores_gemma":[0.63386893,0.059155166,0.000026625297,0.0022938082,0.00052822806,0.00015840658,0.000040499002,0.00008890803,0.30383945],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990876,0.00010594528,0.00022624244,0.00019874133,0.00014365127,0.0002378691],"domain_scores_gemma":[0.99931234,0.00014497362,0.00012415634,0.00029060568,0.00007639497,0.000051513576],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002760369,0.00016566647,0.00020893328,0.000054915978,0.00052724313,0.00010878157,0.00026921844,0.000036911893,0.002002066],"category_scores_gemma":[0.000052929812,0.00008805469,0.00010757062,0.00006539064,0.00042127754,0.000110425935,0.00006123897,0.000088943125,0.00012385771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011850363,0.000053922944,0.00075791916,0.000031934564,0.000049636496,0.0000011044443,0.003950331,3.6557807e-8,0.00022030807,0.011028756,0.9771286,0.0067655793],"study_design_scores_gemma":[0.00021777222,0.00006347266,0.0004823273,0.0001615684,0.000025234203,0.0000051239904,0.00063106144,0.0000026228222,0.000057437523,0.0011663274,0.9970056,0.00018148242],"about_ca_topic_score_codex":0.00041896902,"about_ca_topic_score_gemma":0.0026930927,"teacher_disagreement_score":0.25078744,"about_ca_system_score_codex":0.000029110572,"about_ca_system_score_gemma":0.000037596797,"threshold_uncertainty_score":0.99891025},"labels":[],"label_agreement":null},{"id":"W2468700378","doi":"10.3138/jrpc.23.3.289","title":"The Great Mice at Cordoba: De-Mythologizing and Re-Mythologizing Religious Imagery in David Petersen's <i>Mouse Guard</i>","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Guard (computer science); Morality; Narrative; Sociology; Media studies; History; Literature; Art history; Religious studies; Art; Law; Computer science; Philosophy; Political science","score_opus":0.02609975151011207,"score_gpt":0.23584045709826928,"score_spread":0.20974070558815722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2468700378","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9739844,0.02230556,0.0000068334675,0.0011275201,0.00032660394,0.000099693796,0.0000071072386,0.000016421378,0.0021258672],"genre_scores_gemma":[0.90310615,0.08901442,0.0005966635,0.0010601907,0.00030343368,0.00000323666,0.000003613039,0.000021946586,0.0058903624],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989088,0.00014038426,0.00041331677,0.00016249437,0.00013597225,0.00023902493],"domain_scores_gemma":[0.99928033,0.000044351356,0.00034570665,0.00012917307,0.00010745221,0.000092974384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047177158,0.00017966448,0.0002785459,0.00010931101,0.00048651765,0.00019885944,0.00014345653,0.00009920299,0.0000056972904],"category_scores_gemma":[0.00008346217,0.00010510991,0.00012588111,0.000044585177,0.00028372757,0.0001973775,0.00008241596,0.0004315968,0.0000018228222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020455439,0.0001744774,0.03392719,0.00014573097,0.00025457784,0.0022451666,0.4485417,0.00000617362,0.015265859,0.079737924,0.41344884,0.004206808],"study_design_scores_gemma":[0.0010229369,0.00056898844,0.0007312342,0.00019803613,0.00008116511,0.0014524964,0.012339936,0.000016111291,0.00028548765,0.012534425,0.97045404,0.00031514768],"about_ca_topic_score_codex":0.00011191497,"about_ca_topic_score_gemma":0.0012749193,"teacher_disagreement_score":0.5570052,"about_ca_system_score_codex":0.000036029738,"about_ca_system_score_gemma":0.000016213393,"threshold_uncertainty_score":0.42862576},"labels":[],"label_agreement":null},{"id":"W2474231790","doi":"","title":"LibGuides: Newspapers: St. Albert, Alberta","year":2012,"lang":"en","type":"libguides","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; History; Advertising; Media studies; Sociology; Business","score_opus":0.034518017222019186,"score_gpt":0.23813871046239735,"score_spread":0.20362069324037815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474231790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010665434,0.0062562753,0.0000027555534,0.004931802,0.0056280103,0.0003508092,0.00028421133,0.0001343536,0.9823051],"genre_scores_gemma":[0.0021691637,0.0014317548,0.00008805331,0.0031381247,0.010199058,0.000056448145,0.0008259632,0.00014427477,0.9819472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775964,0.000071407965,0.00062699814,0.0005250861,0.0003442965,0.00067258975],"domain_scores_gemma":[0.99813586,0.00050998037,0.0002796166,0.00069000514,0.00015908151,0.00022543689],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018664307,0.00064288697,0.00072278176,0.00031316324,0.0004587816,0.00061509456,0.000620398,0.0003043138,0.10842439],"category_scores_gemma":[0.00008423832,0.0004840606,0.00047400268,0.000057056684,0.00041556425,0.00040723616,0.00020567449,0.0005413743,0.0009771733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062662175,0.000052661613,0.000016401507,0.00005657604,0.00017091971,0.0000015925957,0.012656543,8.755621e-8,8.86959e-7,0.32138857,0.6639976,0.0016518962],"study_design_scores_gemma":[0.00022051377,0.0000699839,0.000005946131,0.0001329833,0.00012289667,0.0000039307147,0.0035890588,0.000006764339,0.0000043480486,0.0061860755,0.98894066,0.0007168459],"about_ca_topic_score_codex":0.017747661,"about_ca_topic_score_gemma":0.11800111,"teacher_disagreement_score":0.32494307,"about_ca_system_score_codex":0.000040703613,"about_ca_system_score_gemma":0.00012804387,"threshold_uncertainty_score":0.9998007},"labels":[],"label_agreement":null},{"id":"W2476372452","doi":"10.1057/978-1-137-53162-9_9","title":"Not by a White Man?","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; University of Calgary","funders":"","keywords":"Comics; White (mutation); Space (punctuation); Art; Aesthetics; Gender studies; Visual arts; Sociology; Art history; Literature; Linguistics; Philosophy","score_opus":0.022852962689361846,"score_gpt":0.21326827502188705,"score_spread":0.1904153123325252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2476372452","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013476486,0.00070793275,0.000008896057,0.00036999042,0.0006648464,0.00039709048,0.0015959197,0.00013555051,0.99598503],"genre_scores_gemma":[0.3371841,0.000109469125,0.000008101354,0.00088852225,0.00091476995,0.000023389588,0.00006555744,0.0001100938,0.66069597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813217,0.000023687418,0.00047051403,0.00059410813,0.00034889855,0.0004306422],"domain_scores_gemma":[0.9986874,0.00008041711,0.00030400534,0.0006127243,0.00014553935,0.00016990937],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011927259,0.00063459924,0.00061159104,0.00025370537,0.00035155867,0.00021650216,0.0003883797,0.00023315458,0.007926452],"category_scores_gemma":[0.0000058358587,0.0004764296,0.000404748,0.0000032276935,0.00060159934,0.000003210077,0.0001498939,0.00034033498,0.0004891812],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040766987,0.0000010285577,0.0000100138395,0.000034484146,0.0001957476,0.00002526216,0.0036155756,7.695641e-9,0.0000777038,0.9804303,0.0077289827,0.007840145],"study_design_scores_gemma":[0.00029501982,0.000080565886,0.000004437561,0.00013195025,0.000049699018,0.0000046314854,0.000057336878,0.0000010075738,0.000041324998,0.41350123,0.5853207,0.0005121064],"about_ca_topic_score_codex":0.00003814392,"about_ca_topic_score_gemma":0.0008240758,"teacher_disagreement_score":0.5775917,"about_ca_system_score_codex":0.000042961754,"about_ca_system_score_gemma":0.00004644257,"threshold_uncertainty_score":0.99976873},"labels":[],"label_agreement":null},{"id":"W2481187331","doi":"10.1057/978-1-137-53162-9_7","title":"By Rob Liefeld?","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; University of Calgary","funders":"","keywords":"Comics; Popular culture; Art; Aesthetics; Visual arts; Literature","score_opus":0.02096565722524843,"score_gpt":0.21022218414434413,"score_spread":0.1892565269190957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2481187331","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000079260615,0.0017904835,0.00000897741,0.00019679921,0.0007858503,0.00034459122,0.0010553949,0.00013901554,0.9955996],"genre_scores_gemma":[0.29501933,0.00020604921,0.00000766051,0.00046575756,0.0012521197,0.000019860205,0.000076894336,0.00011315569,0.7028392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826896,0.00002155218,0.0004485882,0.00054761313,0.00030585937,0.00040742906],"domain_scores_gemma":[0.9987273,0.00010614233,0.00028341683,0.00057719776,0.00013864666,0.00016725731],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001105409,0.00059943803,0.00057910674,0.00022105919,0.00034789142,0.00019508554,0.00038024518,0.00024557358,0.007671433],"category_scores_gemma":[0.0000070636406,0.0004462098,0.00039089474,0.0000029151172,0.0005986033,0.0000029406867,0.00013569009,0.0003380229,0.00048345528],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020332338,9.877573e-7,0.0000047242556,0.000027632106,0.00018137092,0.00001771258,0.0023706183,8.569533e-9,0.000073549556,0.9758561,0.008117662,0.013329285],"study_design_scores_gemma":[0.00019797732,0.000066423105,0.0000012970396,0.000105170475,0.000034993573,0.0000029924797,0.0000364848,5.9190285e-7,0.000035298035,0.47492447,0.5241987,0.00039558235],"about_ca_topic_score_codex":0.0000581546,"about_ca_topic_score_gemma":0.00077819574,"teacher_disagreement_score":0.51608104,"about_ca_system_score_codex":0.00004088774,"about_ca_system_score_gemma":0.000051115276,"threshold_uncertainty_score":0.99979895},"labels":[],"label_agreement":null},{"id":"W2490625402","doi":"10.20361/g2w03v","title":"Slush Mountain by B. R. Lie","year":2016,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Slush; Cobble; Visual arts; Morning; Archaeology; Fantasy; Art; Geography; History; Cartography; Art history; Meteorology; Literature","score_opus":0.006988454986389986,"score_gpt":0.21957123517368893,"score_spread":0.21258278018729895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2490625402","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11379983,0.82350373,0.000025099731,0.03730668,0.0004458938,0.0011968932,0.0016622348,0.00007940642,0.02198021],"genre_scores_gemma":[0.899726,0.082561456,0.000029690547,0.007438965,0.00091009,0.00004451486,0.00015960512,0.000037207134,0.0090925265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905294,0.00012224154,0.00031301813,0.00017263199,0.00017750985,0.00016165742],"domain_scores_gemma":[0.99911743,0.00010331912,0.00019017803,0.00042406007,0.00012880898,0.000036217596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034639786,0.00017222788,0.00030486783,0.000037622267,0.0001506368,0.000087116845,0.00038301028,0.0000364068,0.0011126621],"category_scores_gemma":[0.000045674806,0.00007152451,0.00018824333,0.000085250016,0.0002456475,0.00013448123,0.000054270113,0.00013993462,0.000027849877],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012364807,0.000040202955,0.0001647827,0.0004199182,0.000087248394,6.5526405e-7,0.0027828373,5.409414e-9,0.00015778164,0.6677877,0.31778994,0.010756626],"study_design_scores_gemma":[0.00021578964,0.000044455614,0.0002722575,0.008006207,0.00004323764,0.000008678277,0.00001946579,1.6146836e-7,0.00011584396,0.0070401304,0.98408467,0.00014907817],"about_ca_topic_score_codex":0.000016460599,"about_ca_topic_score_gemma":0.000013237257,"teacher_disagreement_score":0.7859261,"about_ca_system_score_codex":0.0000077040995,"about_ca_system_score_gemma":0.000014922887,"threshold_uncertainty_score":0.99980044},"labels":[],"label_agreement":null},{"id":"W2508124434","doi":"10.16995/cg.86","title":"The Unbearable Blind Spots of Comics Scholarship","year":2016,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Scholarship; Comics; Tokenism; White (mutation); Representation (politics); Span (engineering); Class (philosophy); Sociology; Media studies; Visual arts; Art; Political science; Literature; Epistemology; Anthropology; Law; Engineering; Philosophy","score_opus":0.059679129021423936,"score_gpt":0.26099328658114235,"score_spread":0.2013141575597184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2508124434","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9567149,0.0052279416,0.00032225729,0.010674706,0.0029190008,0.00053198886,0.00015448725,0.00011855496,0.023336148],"genre_scores_gemma":[0.9855797,0.0027327198,0.00026263943,0.0003264723,0.0010187852,0.0000040789746,0.0000017854543,0.00021226394,0.009861519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972461,0.00047894949,0.0010205065,0.00019995497,0.00056716835,0.00048732397],"domain_scores_gemma":[0.9956555,0.0012762343,0.0015652562,0.00083953666,0.0004619013,0.00020158502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003954013,0.00033494722,0.0005742645,0.00036582796,0.0007393534,0.00048997806,0.0018928613,0.00012775091,0.000104005885],"category_scores_gemma":[0.000503505,0.0001703789,0.00038508303,0.00017863457,0.0012979826,0.00046484926,0.00022264416,0.00091907027,0.000014638496],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012890857,0.00020452944,0.008397244,0.000031347103,0.000552387,0.000014088993,0.002530411,0.000015014761,0.002952868,0.93709326,0.043514065,0.0034056786],"study_design_scores_gemma":[0.00930353,0.0006891671,0.0028081385,0.0011506178,0.0003314296,0.00024973878,0.003224081,0.0000800662,0.006055907,0.35318193,0.621951,0.0009744152],"about_ca_topic_score_codex":0.000054504293,"about_ca_topic_score_gemma":0.00070363324,"teacher_disagreement_score":0.58391136,"about_ca_system_score_codex":0.000062887404,"about_ca_system_score_gemma":0.00017454184,"threshold_uncertainty_score":0.694785},"labels":[],"label_agreement":null},{"id":"W2513528835","doi":"10.4000/communication.6471","title":"La naissance de la bande dessinée de langue française","year":2000,"lang":"fr","type":"article","venue":"Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.02054946112509057,"score_gpt":0.2664696394712571,"score_spread":0.24592017834616656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513528835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41233897,0.11867255,0.00007975568,0.0068312567,0.00007101818,0.0001036017,0.00003651055,0.000055420838,0.46181092],"genre_scores_gemma":[0.95789176,0.022251964,0.00052855315,0.00025918664,0.0001513217,0.000023817156,0.000027729724,0.000019946907,0.018845692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864095,0.00081513205,0.0001706013,0.00010968239,0.000066992565,0.00019661662],"domain_scores_gemma":[0.9987366,0.0005303193,0.00006323207,0.0005658679,0.0000394751,0.00006449747],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006225799,0.00012136351,0.00012799224,0.000043871227,0.0007327969,0.00022202215,0.0003800162,0.00013643144,0.007666377],"category_scores_gemma":[0.000029278335,0.00012933658,0.000075851654,0.00004818573,0.0010486323,0.00016369966,0.00004619049,0.00038344573,0.00007718808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004336566,0.0003294992,0.0014770733,0.00006360757,0.000050336625,0.0000074075806,0.07913522,0.00005439663,0.00014466097,0.68638176,0.07234095,0.15997173],"study_design_scores_gemma":[0.00031473325,0.0000204773,0.00731514,0.00022135944,0.000028069113,0.000015372292,0.0013743894,0.00092413014,0.000054286305,0.023528721,0.9660528,0.00015056998],"about_ca_topic_score_codex":0.0042927344,"about_ca_topic_score_gemma":0.0021040947,"teacher_disagreement_score":0.8937118,"about_ca_system_score_codex":0.000044530327,"about_ca_system_score_gemma":0.00006454532,"threshold_uncertainty_score":0.9932408},"labels":[],"label_agreement":null},{"id":"W2515339846","doi":"10.1353/nef.2016.0024","title":"Ouvrir la Littérature-Monde à une BD-Monde?: Quand Paul à Québec parodie Tintin de Bruxelles","year":2016,"lang":"fr","type":"article","venue":"Nouvelles études francophones/Nouvelles etudes francophones","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013839628941515749,"score_gpt":0.22875038005484105,"score_spread":0.2149107511133253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515339846","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5067284,0.3662941,0.0014359005,0.05526884,0.031905208,0.0028267656,0.0031270431,0.0012982758,0.03111546],"genre_scores_gemma":[0.802136,0.090059794,0.0014536456,0.0014405095,0.0064871535,0.00039872088,0.000084838684,0.0006227792,0.09731658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9864269,0.0018316206,0.003158237,0.0031246142,0.0017593683,0.0036992927],"domain_scores_gemma":[0.9888349,0.00485529,0.0015433655,0.0024105643,0.0009861017,0.0013697534],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0024496915,0.0032615324,0.0032571484,0.0010884998,0.0042231367,0.0012934597,0.002554094,0.0020761534,0.013174025],"category_scores_gemma":[0.0006403428,0.0025975287,0.0020639144,0.0017373565,0.005702738,0.0011191854,0.0009169688,0.0026704236,0.0033031825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032133616,0.0054380046,0.008521697,0.0026755088,0.0037035018,0.0011259806,0.20506151,0.00016291473,0.018086862,0.16457659,0.451757,0.13567707],"study_design_scores_gemma":[0.0063047092,0.0009261389,0.004001233,0.0022732865,0.00040548612,0.00014698533,0.08177584,0.00018761019,0.0036986931,0.009089564,0.8875896,0.0036009017],"about_ca_topic_score_codex":0.047278658,"about_ca_topic_score_gemma":0.22456771,"teacher_disagreement_score":0.43583253,"about_ca_system_score_codex":0.000795575,"about_ca_system_score_gemma":0.0039429604,"threshold_uncertainty_score":0.9997433},"labels":[],"label_agreement":null},{"id":"W2518791785","doi":"10.7202/1037346ar","title":"L'Église et les bulles. Les représentations du catholicisme dans la bande dessinée francophone (années 1990-2010)","year":2016,"lang":"fr","type":"article","venue":"Études d histoire religieuse","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; French; Philosophy","score_opus":0.01841937993777971,"score_gpt":0.24604716813213867,"score_spread":0.22762778819435897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518791785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6517206,0.10737445,0.0007295294,0.07845999,0.008412065,0.000790225,0.0014204287,0.00056558265,0.15052712],"genre_scores_gemma":[0.8921703,0.04136299,0.00037819965,0.00035733244,0.0012286701,0.00011059234,0.000044682358,0.00014268026,0.064204514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99688107,0.0004143567,0.0008486423,0.00079981686,0.0004243401,0.00063180184],"domain_scores_gemma":[0.9971734,0.0009192696,0.0004302304,0.00091089087,0.0002964754,0.0002697201],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0004249218,0.0006576583,0.0006739085,0.0003840911,0.002934402,0.00041455342,0.00056504493,0.00038776785,0.00090434623],"category_scores_gemma":[0.00023403043,0.0005218753,0.00048219133,0.00018317037,0.0039297743,0.00050562446,0.00021765458,0.0004997143,0.00014999446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012177429,0.00064631156,0.0015253032,0.00014157653,0.00019183685,0.00017989741,0.07327867,0.000015813288,0.0024694349,0.7966548,0.11353162,0.011242955],"study_design_scores_gemma":[0.0013809281,0.00017435254,0.004652304,0.00093834376,0.00016370324,0.00006595644,0.014702926,0.000018265413,0.0002178495,0.0076350817,0.969239,0.00081127026],"about_ca_topic_score_codex":0.024228018,"about_ca_topic_score_gemma":0.051904336,"teacher_disagreement_score":0.8557074,"about_ca_system_score_codex":0.00027864144,"about_ca_system_score_gemma":0.00044550796,"threshold_uncertainty_score":0.99972326},"labels":[],"label_agreement":null},{"id":"W2521902729","doi":"","title":"Autobiographies et bandes dessinées","year":2004,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02730297330788334,"score_gpt":0.2535564489463029,"score_spread":0.22625347563841958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521902729","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5873977,0.13879816,0.0003688734,0.100817725,0.007112148,0.00063947344,0.00068191893,0.0003445297,0.16383949],"genre_scores_gemma":[0.95513123,0.004131351,0.00056661334,0.0010077785,0.0008909723,0.000026371836,0.000027433454,0.000042777403,0.03817545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865407,0.00006877497,0.00032380357,0.0003266694,0.00018847261,0.00043822697],"domain_scores_gemma":[0.99927634,0.00009677054,0.000117556956,0.00027022057,0.00011542389,0.00012365864],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022917574,0.00030723368,0.00029885795,0.0003152071,0.0008624208,0.00057028676,0.00021158317,0.0001226868,0.0017010046],"category_scores_gemma":[0.000025581941,0.00028060545,0.0002966337,0.00018676285,0.0013501841,0.00039791895,0.000075057804,0.00026863796,0.00016548822],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002094157,0.00028150048,0.0003608285,0.000080953454,0.000104661485,0.00002440313,0.020696007,0.000019242498,0.00006387478,0.9672572,0.007712985,0.0033773903],"study_design_scores_gemma":[0.00080564414,0.00021647598,0.004164455,0.0002491158,0.00007528721,0.000014025301,0.005394524,0.0000069973958,0.00021591055,0.20552205,0.7829452,0.0003902898],"about_ca_topic_score_codex":0.0023341328,"about_ca_topic_score_gemma":0.006927801,"teacher_disagreement_score":0.77523226,"about_ca_system_score_codex":0.000034571432,"about_ca_system_score_gemma":0.00013835085,"threshold_uncertainty_score":0.9999646},"labels":[],"label_agreement":null},{"id":"W2524147866","doi":"10.3138/jrpc.28.1.3328","title":"When Jimmy Blew the Shofar: Midrash and Musical Invective in<i>Superman's Pal Jimmy Olsen</i>","year":2016,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Superman; Invective; Fandom; Comics; Art; Musical; Literature; Trilogy; Midrash; Violin; Art history; Theology; Philosophy; Law; Politics; Judaism","score_opus":0.014231996901727786,"score_gpt":0.2204613414965045,"score_spread":0.2062293445947767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2524147866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97729784,0.0075430814,0.000011209554,0.012124864,0.00038735874,0.0001332765,0.000014190705,0.00000783309,0.0024803516],"genre_scores_gemma":[0.982078,0.011411165,0.00004050875,0.0013888236,0.0006658978,0.0000022080146,0.0000014420148,0.0000106537955,0.0044012647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916816,0.00008736035,0.0003087896,0.00012596397,0.00016896307,0.00014074123],"domain_scores_gemma":[0.99950933,0.000034529887,0.00016002623,0.0000904963,0.00011930421,0.00008632556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023776719,0.00013948794,0.00023118696,0.00008257569,0.00019670173,0.00016001042,0.000112050526,0.00006956459,0.000039240564],"category_scores_gemma":[0.000040740975,0.000060803868,0.00010383068,0.000033209853,0.00023698597,0.0002542518,0.000043172407,0.00028056285,0.0000021310698],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002453036,0.000111075475,0.00813591,0.000037176025,0.00014808108,0.00011528779,0.12510881,3.479767e-7,0.003265153,0.60829514,0.24847376,0.006063941],"study_design_scores_gemma":[0.00093147386,0.00019316515,0.0008855946,0.00017826866,0.000036894864,0.00015738662,0.002819079,0.0000042364327,0.000033305005,0.03803445,0.9565925,0.00013363335],"about_ca_topic_score_codex":0.000056598652,"about_ca_topic_score_gemma":0.00089440116,"teacher_disagreement_score":0.70811874,"about_ca_system_score_codex":0.000013804444,"about_ca_system_score_gemma":0.000018135697,"threshold_uncertainty_score":0.24795097},"labels":[],"label_agreement":null},{"id":"W2525878261","doi":"10.29173/af28183","title":"La « Nouvelle Manga » et autres vicissitudes de la légitimation du manga en France","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007387315729259203,"score_gpt":0.24300103184057664,"score_spread":0.23561371611131743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525878261","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78942436,0.016450865,0.0112540815,0.030719094,0.0071496107,0.0006227513,0.0009851088,0.0001611347,0.14323302],"genre_scores_gemma":[0.90100074,0.00639919,0.00046685102,0.00075333327,0.0029879208,0.00007927023,0.00001287522,0.00006263857,0.08823719],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760365,0.0008638708,0.0003838579,0.00043039848,0.00029068222,0.00042754374],"domain_scores_gemma":[0.99724865,0.00189764,0.00024866173,0.0002749899,0.00020182692,0.00012825645],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008161514,0.00037968063,0.00038560643,0.00019268326,0.00044997674,0.0002713933,0.00034907204,0.0001832253,0.0068716323],"category_scores_gemma":[0.00016079372,0.0002954375,0.00020074549,0.00011566318,0.0010786222,0.0005216481,0.0001282948,0.00035519773,0.000386897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016336235,0.0007649229,0.00451594,0.00020052027,0.00056461996,0.00024389697,0.13997796,0.0000640839,0.0039853337,0.67981625,0.064517714,0.105185375],"study_design_scores_gemma":[0.0020671121,0.00019373576,0.024090592,0.0008500851,0.00003411797,0.000029183668,0.005174663,0.00040145707,0.002614975,0.037945934,0.92608345,0.0005147054],"about_ca_topic_score_codex":0.0030033514,"about_ca_topic_score_gemma":0.0011933803,"teacher_disagreement_score":0.8615657,"about_ca_system_score_codex":0.000118976204,"about_ca_system_score_gemma":0.000105239465,"threshold_uncertainty_score":0.99994975},"labels":[],"label_agreement":null},{"id":"W2527810116","doi":"10.29173/af28182","title":"Le manga est-il nécessairement lié à un contexte de production ?","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015595212056687822,"score_gpt":0.22804675781253347,"score_spread":0.21245154575584566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527810116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8630513,0.023228468,0.0028320036,0.051824134,0.025019864,0.00080592395,0.000578341,0.00011236005,0.032547638],"genre_scores_gemma":[0.8805146,0.005878192,0.0001213881,0.00041738653,0.0060893176,0.00007980574,0.0000079427755,0.000047844052,0.10684352],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801415,0.00021762033,0.0004183824,0.00053824176,0.00028577098,0.00052582147],"domain_scores_gemma":[0.99867487,0.00014074924,0.00028136236,0.0003635556,0.00039172627,0.00014773846],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044558884,0.00033617,0.00035127494,0.00008296059,0.000735072,0.0001275197,0.00027138268,0.00008081454,0.0035114272],"category_scores_gemma":[0.000094298484,0.0002674456,0.00018374667,0.00009362589,0.0009365705,0.0005584815,0.00009375114,0.00018400274,0.0003459625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022739265,0.00088496116,0.0004919984,0.00009881871,0.0006743274,0.000042261956,0.04213354,0.000010781626,0.014926215,0.75074023,0.033641778,0.15612768],"study_design_scores_gemma":[0.0027117454,0.0005054959,0.0030699866,0.0006200802,0.000047117,0.00001490911,0.011026364,0.000055522934,0.06962712,0.0609847,0.8506675,0.0006694863],"about_ca_topic_score_codex":0.016795458,"about_ca_topic_score_gemma":0.013031912,"teacher_disagreement_score":0.8170257,"about_ca_system_score_codex":0.00018503783,"about_ca_system_score_gemma":0.00018524697,"threshold_uncertainty_score":0.99997777},"labels":[],"label_agreement":null},{"id":"W2527814371","doi":"10.22230/src.2016v7n1a267","title":"Taking Parodies Seriously: A Review of Pierre Huard’s La parodie dans la bande dessinée franco-belge (“Parody in French and Belgian Comics”)","year":2016,"lang":"en","type":"review","venue":"Scholarly and Research Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Comics; Art; Literature; Art history","score_opus":0.10675412479464579,"score_gpt":0.38597122182012233,"score_spread":0.27921709702547653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527814371","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017396585,0.96087563,0.0000034790758,0.00054275,0.000038997296,0.0008211455,0.00012191322,0.00002669737,0.037395407],"genre_scores_gemma":[0.009351581,0.9890632,0.00007775665,0.000026220516,0.00005883092,0.00020924865,0.0000787796,0.000053134212,0.0010812479],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.994515,0.0035633987,0.00076086336,0.00039789567,0.0004186871,0.00034414537],"domain_scores_gemma":[0.9963953,0.0016154466,0.00051378127,0.0010246508,0.0003396114,0.00011120968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006158198,0.00032704292,0.0012140041,0.00060816115,0.0007617485,0.0006778855,0.00077682774,0.0002594514,0.00010427444],"category_scores_gemma":[0.0007197741,0.00023144233,0.00016059449,0.00024726934,0.0020070947,0.0006660455,0.000657349,0.0016626074,0.0000042777465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010937348,0.00013094718,0.00030602704,0.037395343,0.00017205463,0.000007790617,0.013915281,8.206663e-9,0.0000028016073,0.12723196,0.002490827,0.818336],"study_design_scores_gemma":[0.0002690931,0.000054208682,0.00032233287,0.12576014,0.00006327964,0.000012143941,0.0009871789,0.0000014645065,3.5737162e-7,0.00336056,0.86892956,0.00023967291],"about_ca_topic_score_codex":0.001139626,"about_ca_topic_score_gemma":0.006553395,"teacher_disagreement_score":0.86643875,"about_ca_system_score_codex":0.0000537281,"about_ca_system_score_gemma":0.00024315323,"threshold_uncertainty_score":0.9437945},"labels":[],"label_agreement":null},{"id":"W2528076303","doi":"10.1080/02703149.2016.1213607","title":"<i>Are You My Mother?</i>Understanding Feminist Therapy with Alison Bechdel","year":2016,"lang":"en","type":"article","venue":"Women & Therapy","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Women's and Gender Studies et Recherches Féministes; University of Ottawa","funders":"","keywords":"Memoir; Sociology; Epistemology; Psychoanalysis; Process (computing); Psychology; Gender studies; Aesthetics; Literature; Art; Computer science; Philosophy","score_opus":0.0743658317638386,"score_gpt":0.2380811130640446,"score_spread":0.16371528130020602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528076303","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9725956,0.0008062416,0.00015333209,0.003308579,0.00028248553,0.00035283843,0.000085003754,0.00015624726,0.022259718],"genre_scores_gemma":[0.9868462,0.0011327108,0.000012891491,0.0018662285,0.00043422007,0.00008751312,0.0000023436407,0.00006089112,0.009557021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987456,0.00006700315,0.00020314996,0.0003248116,0.00023170438,0.00042768457],"domain_scores_gemma":[0.9992023,0.00010585767,0.00020519845,0.00033632366,0.000048543763,0.000101773716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002415548,0.0002812141,0.00030202474,0.00011780246,0.00050112535,0.00025819294,0.00024482593,0.000048921735,0.003259068],"category_scores_gemma":[0.0000034356565,0.00014582364,0.00008838509,0.00006761873,0.00042850355,0.00018511254,0.000016207108,0.000094523166,0.000026515634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031023656,0.00042993075,0.009411038,0.000018266985,0.0007704286,0.000025744122,0.46926463,9.4962155e-7,0.005302285,0.47220132,0.00947718,0.029995868],"study_design_scores_gemma":[0.003785713,0.0010804323,0.00015478888,0.000081592494,0.000004222321,0.0000032484857,0.06110368,0.0000029234889,0.0006511189,0.02163424,0.91105884,0.00043920692],"about_ca_topic_score_codex":0.000041889503,"about_ca_topic_score_gemma":0.00020762863,"teacher_disagreement_score":0.90158165,"about_ca_system_score_codex":0.00013009374,"about_ca_system_score_gemma":0.00003060459,"threshold_uncertainty_score":0.9976521},"labels":[],"label_agreement":null},{"id":"W2528323779","doi":"10.20361/g25320","title":"Twilight: The Graphic Novel by Y. Kim &amp; S. Meyer","year":2016,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"BELLA; Sister; Vampire; Girl; Art history; Art; Fell; Literature; Media studies; Psychology; Sociology; Cartography; Physics","score_opus":0.011679512336747853,"score_gpt":0.2284549891169939,"score_spread":0.21677547678024606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528323779","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06769885,0.8352809,0.000066616245,0.07803199,0.00068565,0.0016125258,0.0016826881,0.00007803554,0.014862732],"genre_scores_gemma":[0.84807533,0.124520354,0.000063034684,0.014230019,0.0013471744,0.000108120366,0.0002167098,0.000066324115,0.011372954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987249,0.00015059633,0.0004085995,0.00023185168,0.0002694452,0.00021464891],"domain_scores_gemma":[0.9985636,0.00018610002,0.0002726568,0.00075573474,0.00018074628,0.0000411984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057706825,0.0002450264,0.00035985422,0.000053069303,0.00032079525,0.00013059858,0.000686748,0.000050131384,0.00085323775],"category_scores_gemma":[0.000061200495,0.000083176725,0.00033473855,0.00017831592,0.00051337475,0.00014723968,0.00008244077,0.00024657394,0.000029007633],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014263957,0.000068523455,0.00014734457,0.00036158858,0.00017195908,2.349853e-7,0.005827215,1.3950166e-8,0.0003277204,0.731999,0.2583191,0.0027630352],"study_design_scores_gemma":[0.00023274112,0.00002462379,0.00053664605,0.0061904658,0.00007610358,0.000013402878,0.000020809519,1.3004994e-7,0.000047802238,0.0049162256,0.9877771,0.00016393937],"about_ca_topic_score_codex":0.000021485726,"about_ca_topic_score_gemma":0.000062194646,"teacher_disagreement_score":0.78037643,"about_ca_system_score_codex":0.000005546399,"about_ca_system_score_gemma":0.000017542054,"threshold_uncertainty_score":0.9342355},"labels":[],"label_agreement":null},{"id":"W2529806307","doi":"10.3138/cras.2016.011","title":"Barack Obama and the Myth of the Superheroic Presidency","year":2016,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Presidency; HERO; Comics; Mythology; Citizenship; Masculinity; Power (physics); Race (biology); Presidential system; Media studies; Sociology; Political science; Literature; Gender studies; History; Law; Art; Politics","score_opus":0.02418334731438063,"score_gpt":0.24828491944522993,"score_spread":0.2241015721308493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529806307","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10641656,0.7493559,4.4696773e-7,0.12382144,0.00024696876,0.000684124,0.00014043154,0.0000055820183,0.019328566],"genre_scores_gemma":[0.7386419,0.25535113,0.0000056207073,0.0040997085,0.000059949187,0.000022671024,1.8269304e-7,0.000005954358,0.0018128937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934876,0.000111612804,0.00023362592,0.00009619299,0.000087770255,0.00012206331],"domain_scores_gemma":[0.9991137,0.00026948925,0.00016968735,0.00023967102,0.00016253855,0.00004495815],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00023353481,0.00008910409,0.00039950482,0.000033975928,0.00018862878,0.000007992587,0.0001738874,0.0000048410416,0.0001298908],"category_scores_gemma":[0.0002787315,0.000032715117,0.00010658851,0.0000695658,0.0039594327,0.000035458146,0.00004631085,0.000037168655,0.0000018712162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017232285,0.000012700106,0.0036798916,0.002163881,0.00064349093,0.0000017040517,0.03843961,2.9761525e-8,0.000016192478,0.6987257,0.16738416,0.088915385],"study_design_scores_gemma":[0.0003669249,0.00009389578,0.007072945,0.005489513,0.00015670118,0.0000026253963,0.01793833,3.613538e-7,0.000016624335,0.0046855817,0.964026,0.00015050484],"about_ca_topic_score_codex":0.020663703,"about_ca_topic_score_gemma":0.1300213,"teacher_disagreement_score":0.7966418,"about_ca_system_score_codex":0.000016702263,"about_ca_system_score_gemma":0.000104587125,"threshold_uncertainty_score":0.9987512},"labels":[],"label_agreement":null},{"id":"W2532799772","doi":"10.4000/belphegor.815","title":"Une boucherie pour rien : la Grande Guerre dans les bandes dessinées de Jacques Tardi","year":2016,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.027001857178020134,"score_gpt":0.2505503091204301,"score_spread":0.22354845194240994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532799772","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7219539,0.015656669,0.0028594395,0.0335074,0.0011756177,0.00034569463,0.00067298685,0.00019088648,0.2236374],"genre_scores_gemma":[0.8837507,0.0020624485,0.00037491127,0.00014062932,0.0011941317,0.000039685256,0.000010857686,0.000055780823,0.11237089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811715,0.00027985297,0.00038393892,0.0004008087,0.00020745586,0.0006108132],"domain_scores_gemma":[0.99868786,0.00047887643,0.00016204415,0.00033447708,0.00014424068,0.00019247703],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003960388,0.00038510218,0.00039821252,0.000111480804,0.0009878844,0.00038458136,0.00031410498,0.00021177896,0.0028850634],"category_scores_gemma":[0.00009466739,0.00027068442,0.00029361344,0.00009121939,0.0015754428,0.00033907886,0.00009569864,0.00020850723,0.0000740803],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012487806,0.00032335348,0.01090138,0.0001266627,0.00024188806,0.00008515405,0.05860015,0.00000188825,0.003646845,0.7716934,0.021624936,0.13262944],"study_design_scores_gemma":[0.0011451525,0.00015318314,0.013764964,0.0004602816,0.00012860523,0.000027730635,0.011243039,0.000034932906,0.001494794,0.094955415,0.8760921,0.0004998127],"about_ca_topic_score_codex":0.00603038,"about_ca_topic_score_gemma":0.015157343,"teacher_disagreement_score":0.85446715,"about_ca_system_score_codex":0.00008080776,"about_ca_system_score_gemma":0.00018804883,"threshold_uncertainty_score":0.99997455},"labels":[],"label_agreement":null},{"id":"W2535496858","doi":"10.4000/belphegor.777","title":"Sérialité et personnages","year":2016,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03785273939032344,"score_gpt":0.25806096619081664,"score_spread":0.2202082268004932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535496858","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2014798,0.042823188,0.00031362448,0.3873719,0.013252971,0.00055614667,0.0015327061,0.00019607985,0.3524736],"genre_scores_gemma":[0.584733,0.001435411,0.00006068172,0.0008016326,0.0019241727,0.000014890675,0.0000040090104,0.000027834392,0.41099834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886006,0.00012594985,0.0002318119,0.00027895413,0.0001558822,0.00034733742],"domain_scores_gemma":[0.9992306,0.00022989404,0.00009031164,0.00025750924,0.00008765436,0.00010398371],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002853692,0.0002095592,0.00021901143,0.00009182981,0.00037987158,0.00022078234,0.00017285401,0.0000851511,0.010538397],"category_scores_gemma":[0.00006211718,0.00013883376,0.0001908603,0.00003980325,0.00057627016,0.0002805322,0.000070227,0.000106582076,0.0006992192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023972181,0.00009170797,0.0001781117,0.000029709596,0.000057964753,0.0000124167445,0.015056358,5.5934805e-8,0.0003636801,0.8822291,0.07886333,0.023093585],"study_design_scores_gemma":[0.0006396994,0.00014503671,0.00076203555,0.00017024254,0.000037928552,0.0000057373995,0.0032575533,0.0000039156016,0.00011484709,0.024825431,0.9697693,0.0002682512],"about_ca_topic_score_codex":0.00058085105,"about_ca_topic_score_gemma":0.0014310788,"teacher_disagreement_score":0.890906,"about_ca_system_score_codex":0.000028953771,"about_ca_system_score_gemma":0.000060709288,"threshold_uncertainty_score":0.9903661},"labels":[],"label_agreement":null},{"id":"W2537673190","doi":"10.4000/belphegor.708","title":"« La porte s’ouvre subitement et… (voir page 12) » : la bande dessinée au seuil du magazine.","year":2016,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024755314989324484,"score_gpt":0.24339049511434327,"score_spread":0.21863518012501879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2537673190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37438828,0.009025696,0.0004998151,0.06853834,0.0034229206,0.0008319228,0.0007095338,0.00018194615,0.54240155],"genre_scores_gemma":[0.7661055,0.0023046415,0.000071756935,0.0005155077,0.0011362967,0.000062704596,0.00001942073,0.000062432984,0.22972178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974485,0.00046989525,0.00060015265,0.00051113986,0.00033741596,0.00063286687],"domain_scores_gemma":[0.9981936,0.0007164077,0.0002732005,0.00045769164,0.00013014892,0.00022894562],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010695464,0.00046659785,0.0005280199,0.00018454243,0.0006509143,0.00042401973,0.0002974264,0.00021339186,0.00571282],"category_scores_gemma":[0.00007784787,0.00032299638,0.0003693582,0.0000670726,0.0009794118,0.00041033226,0.0001841424,0.00029736687,0.00038580026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018664818,0.0006452091,0.0044830437,0.00017263646,0.00027857182,0.0002610772,0.023926875,0.0000012358595,0.0007292133,0.8264338,0.10347115,0.03941058],"study_design_scores_gemma":[0.0028737006,0.0001982491,0.012226502,0.00047899655,0.00013693424,0.000041861404,0.0018480204,0.00003842269,0.00008002416,0.0102539975,0.9712921,0.0005312187],"about_ca_topic_score_codex":0.0004274101,"about_ca_topic_score_gemma":0.0065594693,"teacher_disagreement_score":0.8678209,"about_ca_system_score_codex":0.00013308843,"about_ca_system_score_gemma":0.00030940346,"threshold_uncertainty_score":0.9999222},"labels":[],"label_agreement":null},{"id":"W2537777413","doi":"10.4000/belphegor.810","title":"Before the “Comics”: On the Seriality of Graphic Narratives during the Nineteenth Century","year":2016,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Comic strip; Newspaper; Context (archaeology); Period (music); Literature; Publishing; History; Visual arts; Art; Media studies; Aesthetics; Sociology","score_opus":0.020293775858338376,"score_gpt":0.2115523413600642,"score_spread":0.19125856550172582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2537777413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9604032,0.00022772406,0.00000227728,0.026982464,0.0004918808,0.0003799617,0.00011550155,0.00003988111,0.011357086],"genre_scores_gemma":[0.99349505,0.000061775834,0.000002279898,0.00024194164,0.00045406635,0.00003707611,0.0000012843994,0.000021312828,0.0056852046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908394,0.00016433795,0.00021742047,0.00016233987,0.0001802414,0.00019175051],"domain_scores_gemma":[0.99905705,0.00021058803,0.00017093099,0.00048301514,0.00005363172,0.000024791227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032510568,0.00015176619,0.00014808348,0.0000476715,0.00078013726,0.00007332443,0.00042594262,0.000026701075,0.00077765755],"category_scores_gemma":[0.00004872074,0.0000477274,0.00015117682,0.000065568645,0.00096528325,0.00006582962,0.00008241609,0.000117781885,0.000008500484],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055920264,0.000046799425,0.001037081,0.000010712057,0.00008134941,4.890441e-7,0.06308516,2.4247757e-7,0.0009654116,0.9290922,0.0051520113,0.00047259795],"study_design_scores_gemma":[0.0014538455,0.0005070568,0.057951186,0.00032782368,0.000067012516,0.0000056142812,0.110780664,0.000011454305,0.0027620862,0.103902236,0.7217212,0.0005098504],"about_ca_topic_score_codex":0.00010091138,"about_ca_topic_score_gemma":0.0021978416,"teacher_disagreement_score":0.82519,"about_ca_system_score_codex":0.000009052861,"about_ca_system_score_gemma":0.000014864926,"threshold_uncertainty_score":0.8514805},"labels":[],"label_agreement":null},{"id":"W2542292803","doi":"10.4000/carnets.281","title":"Guerre d’outre-fiction ?","year":2015,"lang":"fr","type":"article","venue":"Carnets","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université TÉLUQ","funders":"","keywords":"Humanities; Art","score_opus":0.06124786834510861,"score_gpt":0.2528803539525082,"score_spread":0.19163248560739957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2542292803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06183223,0.034696985,0.000024736972,0.004585821,0.008920157,0.00014192417,0.00007962334,0.000057164805,0.8896614],"genre_scores_gemma":[0.77052474,0.00031646347,0.000016341968,0.00017980124,0.0022128215,0.0000072894736,0.000025532157,0.000017822082,0.22669922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915916,0.00006390545,0.00018273033,0.00020081321,0.00014946995,0.00024391951],"domain_scores_gemma":[0.9993461,0.000030336478,0.000070014,0.00019862263,0.00017861207,0.0001763237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016753732,0.00015656083,0.00016602232,0.0000801816,0.00022287112,0.00019564925,0.00010321354,0.00008748571,0.0009393028],"category_scores_gemma":[0.000029711566,0.00015404192,0.00010566426,0.00004931528,0.00031398676,0.0001827541,0.000041449093,0.0001781358,0.00029838434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014624758,0.00006293063,0.0002173718,0.000018857896,0.00003727969,0.000014051105,0.027258255,0.00001848515,0.0000064397045,0.725748,0.23281817,0.013785516],"study_design_scores_gemma":[0.0003935949,0.0001448144,0.00019313859,0.000053848307,0.000037181104,0.0000095333,0.01098932,0.00036890965,0.000019224955,0.015136354,0.9724636,0.00019045683],"about_ca_topic_score_codex":0.0016419337,"about_ca_topic_score_gemma":0.0011962478,"teacher_disagreement_score":0.7396454,"about_ca_system_score_codex":0.000056811947,"about_ca_system_score_gemma":0.00007425642,"threshold_uncertainty_score":0.99997395},"labels":[],"label_agreement":null},{"id":"W2548274715","doi":"","title":"Canadian YA Graphic Novel Recommendations","year":2011,"lang":"en","type":"article","venue":"YA Hotline","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.09313426001836533,"score_gpt":0.22103609762473478,"score_spread":0.12790183760636945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548274715","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19187857,0.00045476118,0.00021348383,0.01526316,0.0031184675,0.00039508345,0.0008390328,0.00023325846,0.78760415],"genre_scores_gemma":[0.9884698,0.000054447897,0.00024554372,0.0008576043,0.00029370733,0.000013857594,0.00006977891,0.000017320492,0.009977979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944884,0.000011642507,0.00015309404,0.00013696906,0.000052490905,0.00019694571],"domain_scores_gemma":[0.9995575,0.000019153447,0.00004201254,0.00017024008,0.00008065497,0.00013047173],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009582519,0.00009614116,0.00010074345,0.00022781131,0.00036512574,0.000058186084,0.00012786484,0.000028169557,0.007625033],"category_scores_gemma":[0.000011546407,0.00008577556,0.000064885506,0.00006418013,0.00009703402,0.0001058375,0.000015256811,0.00010757434,0.00007912796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057893194,0.000080701604,0.0006747899,0.000003595836,0.000041245068,0.00000251468,0.026952205,1.7093787e-7,0.000026861004,0.94482243,0.025848428,0.001541266],"study_design_scores_gemma":[0.00023218364,0.000051577623,0.0013136961,0.000011653506,0.000013893766,0.0000016173948,0.0029742587,0.000066169334,0.00002799569,0.014801532,0.9803418,0.0001636071],"about_ca_topic_score_codex":0.116912626,"about_ca_topic_score_gemma":0.8710095,"teacher_disagreement_score":0.9544934,"about_ca_system_score_codex":0.000020542797,"about_ca_system_score_gemma":0.000064928136,"threshold_uncertainty_score":0.99328214},"labels":[],"label_agreement":null},{"id":"W2549644873","doi":"10.1386/stic.7.1.73_1","title":"Sorcerers and supreme chiefs: René Lévesque and Pierre Elliott Trudeau in the Bojoual Le Huron Kébékois series","year":2016,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Opposition (politics); Victory; Comics; Media studies; Sociology; Art history; Incarnation; Art; Law; Humanities; Political science; Theology; Philosophy","score_opus":0.05759163372781625,"score_gpt":0.2741926934132403,"score_spread":0.21660105968542406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2549644873","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9674611,0.006067883,0.000004060773,0.008185993,0.0003076996,0.00023859189,0.000035198602,0.00002724165,0.017672244],"genre_scores_gemma":[0.9869047,0.010719548,0.000028629795,0.0002018024,0.00013785508,0.000021467898,0.000001173184,0.000017119051,0.0019677354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992455,0.00007933796,0.00020179192,0.00020298037,0.00007834533,0.00019200284],"domain_scores_gemma":[0.9994871,0.00025360397,0.00005658311,0.000157875,0.000024375997,0.000020476507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028316153,0.00015039482,0.00023628907,0.00011663214,0.00026693675,0.000070403315,0.00012152911,0.000033048094,0.000011226125],"category_scores_gemma":[0.00005766097,0.000087700435,0.00002674417,0.000050657934,0.0011373794,0.0001523752,0.00012805763,0.000115116476,7.071092e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103123195,0.000050924402,0.009615927,0.00005321007,0.00008142318,0.000010030374,0.23520353,8.4121564e-7,0.00006232148,0.74168223,0.009882135,0.0032542972],"study_design_scores_gemma":[0.0031937177,0.0005445393,0.010658591,0.00038871326,0.00003043268,0.000021377373,0.35959676,0.000036611615,0.00007462697,0.21562426,0.40915287,0.000677497],"about_ca_topic_score_codex":0.0004901531,"about_ca_topic_score_gemma":0.04421943,"teacher_disagreement_score":0.52605796,"about_ca_system_score_codex":0.000021836035,"about_ca_system_score_gemma":0.000016190561,"threshold_uncertainty_score":0.97322106},"labels":[],"label_agreement":null},{"id":"W2553880704","doi":"","title":"Canadian independent publishing : can Indies survive?","year":2006,"lang":"en","type":"article","venue":"YA Hotline","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"West indies; Publishing; Political science; History; Law; Ethnology","score_opus":0.01598369575322683,"score_gpt":0.18457058894184233,"score_spread":0.1685868931886155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2553880704","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76863253,0.0005477521,0.000005562481,0.011912855,0.0010295082,0.00014424157,0.0003709168,0.000094360774,0.21726228],"genre_scores_gemma":[0.980493,0.000011839979,0.000011404132,0.0004490623,0.0009476169,0.000007785609,0.00012914883,0.000016974656,0.017933138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919015,0.000025828298,0.00017973283,0.00016778971,0.00014984685,0.0002866559],"domain_scores_gemma":[0.99953747,0.00003702323,0.00005633562,0.00014554845,0.00011757867,0.00010601725],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018802268,0.00011841282,0.00013629907,0.00025205943,0.00040918833,0.0008327182,0.00016966001,0.000045106975,0.0012215992],"category_scores_gemma":[0.000026289017,0.000104391824,0.00005541911,0.000058115136,0.00009131843,0.00028082653,0.000030438838,0.00018000128,0.000017644812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007569207,0.000050527153,0.024106266,0.00001129209,0.000046054574,0.000032299973,0.019962683,0.0000165908,0.000021072932,0.86763364,0.08597976,0.0021322481],"study_design_scores_gemma":[0.00031893697,0.000029087754,0.019775085,0.000014678216,0.000011049866,0.000002116354,0.0049631116,0.000062260915,0.00003604288,0.031812873,0.9427237,0.0002510612],"about_ca_topic_score_codex":0.7930092,"about_ca_topic_score_gemma":0.9960057,"teacher_disagreement_score":0.85674393,"about_ca_system_score_codex":0.00006292483,"about_ca_system_score_gemma":0.00013755256,"threshold_uncertainty_score":0.9996914},"labels":[],"label_agreement":null},{"id":"W2556533918","doi":"10.1386/stic.7.1.161_7","title":"‘Powers of a squirrel, and also a girl’: Squirrel Girl and alternatives for women in superhero comic-books – an interview with Ryan North","year":2016,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Girl; Adventure; Art; HAMLET (protein complex); Art history; Visual arts; Literature; Media studies; Sociology; Psychology","score_opus":0.0895371851779645,"score_gpt":0.3083975595153682,"score_spread":0.21886037433740368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2556533918","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9954254,0.0021939795,0.000024814797,0.00051417,0.00013849992,0.0004041224,0.000112869784,0.000017329665,0.0011687897],"genre_scores_gemma":[0.9957377,0.0028940905,0.00011817234,0.0001028748,0.00004950025,0.000102615915,0.0000020469452,0.00003014896,0.0009628784],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989629,0.00006984813,0.0003198567,0.00028582185,0.00007751273,0.0002840932],"domain_scores_gemma":[0.9992571,0.0003177996,0.00012233542,0.00016982952,0.0000764263,0.00005650524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034816112,0.00020404508,0.0005134616,0.00020467331,0.00010028404,0.000035518726,0.00013600505,0.00002666291,0.000012052664],"category_scores_gemma":[0.000042117736,0.00013248935,0.00003112573,0.000040679763,0.0013440395,0.00016159737,0.00014710927,0.00007483411,1.5433176e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081506366,0.00031449084,0.15476842,0.0006255493,0.00058930914,0.000011116103,0.71880305,0.0000021720882,0.00011269537,0.10828099,0.0010310549,0.014646124],"study_design_scores_gemma":[0.026974643,0.00855076,0.05674937,0.0043503684,0.00013428605,0.000021167332,0.6564823,0.00058856595,0.00021968246,0.11508554,0.12844597,0.0023973961],"about_ca_topic_score_codex":0.000134604,"about_ca_topic_score_gemma":0.045726404,"teacher_disagreement_score":0.12741491,"about_ca_system_score_codex":0.000049702856,"about_ca_system_score_gemma":0.000020468698,"threshold_uncertainty_score":0.9716866},"labels":[],"label_agreement":null},{"id":"W2557254890","doi":"10.21992/t9ss57","title":"The Use of Translation Notes in Manga Scanlation","year":2016,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Foregrounding; Translation (biology); Linguistics; Computer science; Argument (complex analysis); Comics; Source text; Dynamic and formal equivalence; Comprehension; Field (mathematics); Natural language processing; Artificial intelligence; Machine translation; Philosophy; Mathematics; Medicine","score_opus":0.23629101107345776,"score_gpt":0.30234088123709024,"score_spread":0.06604987016363248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557254890","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96765697,0.017132359,0.00020243191,0.014456211,0.00024416682,0.0001843057,0.000018188444,0.000007678002,0.00009770288],"genre_scores_gemma":[0.9908666,0.008722686,0.00016375436,0.000019531904,0.00009111614,0.0000028162965,0.0000013234136,0.000004036619,0.00012813018],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902254,0.000078902456,0.0005262536,0.00008053701,0.00018078982,0.00011097685],"domain_scores_gemma":[0.99902695,0.00038963978,0.00020171412,0.000038619448,0.00031583896,0.000027249964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019860071,0.000121713376,0.00023703619,0.00006180214,0.0002581806,0.000073965486,0.000061747625,0.000027023003,0.00002147876],"category_scores_gemma":[0.00003209237,0.000047816946,0.0001506545,0.00006163267,0.00037271058,0.0008158488,0.0000023078476,0.00008060935,3.4743022e-7],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00073041377,0.000064916516,0.0030350706,0.00007121423,0.0004449388,0.0000022285878,0.33247784,0.000064630825,0.01857634,0.021938298,0.00018993765,0.62240416],"study_design_scores_gemma":[0.028410688,0.0032504697,0.22264084,0.0045404914,0.0013662162,0.00017391994,0.16422765,0.0011943956,0.009938609,0.043859437,0.517966,0.0024312963],"about_ca_topic_score_codex":0.00004054434,"about_ca_topic_score_gemma":0.004912556,"teacher_disagreement_score":0.6199729,"about_ca_system_score_codex":0.000012566139,"about_ca_system_score_gemma":0.000006907736,"threshold_uncertainty_score":0.27413216},"labels":[],"label_agreement":null},{"id":"W2558159048","doi":"10.21992/t9j91q","title":"La imagen y el texto en Le Photographe: una reflexión sobre fotoperiodismo, cómics y traducción","year":2016,"lang":"es","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07238902311774505,"score_gpt":0.3387083632472353,"score_spread":0.26631934012949027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558159048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8816565,0.08411486,0.000085103886,0.029559502,0.00049444276,0.00043108937,0.00020875182,0.000041007504,0.0034087466],"genre_scores_gemma":[0.9205379,0.07794982,0.00014983868,0.00010075701,0.0004941142,0.000009632201,0.0000059897757,0.000023317854,0.0007286581],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976528,0.0003246019,0.00096619426,0.00031089323,0.00039103412,0.00035446545],"domain_scores_gemma":[0.99848586,0.00023878305,0.00040153193,0.00010964871,0.0005946644,0.0001694986],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00043292728,0.0005181079,0.0008301386,0.0001525953,0.0009001149,0.00050699577,0.00024734056,0.00015799748,0.00014498818],"category_scores_gemma":[0.000026384208,0.00025307958,0.00074321305,0.00012161727,0.0011298249,0.0011843293,0.00001648405,0.00037853868,0.00000422632],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014065369,0.00036396037,0.0008641553,0.0006091735,0.0038530594,0.000055774206,0.5585071,0.000004716288,0.06182484,0.11356181,0.0023307041,0.25661817],"study_design_scores_gemma":[0.011456062,0.0016493084,0.013141916,0.003440363,0.0013846563,0.0005351616,0.19488205,0.0000223769,0.002444523,0.011266432,0.7581335,0.0016436949],"about_ca_topic_score_codex":0.00006336214,"about_ca_topic_score_gemma":0.00040242635,"teacher_disagreement_score":0.75580275,"about_ca_system_score_codex":0.00003719469,"about_ca_system_score_gemma":0.000050490213,"threshold_uncertainty_score":0.99999213},"labels":[],"label_agreement":null},{"id":"W2559468380","doi":"10.7359/792-2016-giau","title":"Bande dessinée et espace urbain montréalais: quelques repères","year":2016,"lang":"fr","type":"book-chapter","venue":"Lingue culture mediazioni","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; ESPACE","score_opus":0.0206154772518757,"score_gpt":0.2439254553037114,"score_spread":0.2233099780518357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559468380","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008668411,0.08147877,0.0002114944,0.021426212,0.006443771,0.0008024874,0.00094412966,0.00030620352,0.8875201],"genre_scores_gemma":[0.047379896,0.023564732,0.0006848444,0.0014701819,0.010212372,0.00007232441,0.00026018816,0.0002192352,0.9161362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966052,0.00019794283,0.00087734655,0.0010161153,0.0005973306,0.000706046],"domain_scores_gemma":[0.9970666,0.00045530772,0.00071704114,0.0007620321,0.0006083301,0.00039068284],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005395515,0.0011241721,0.0011042127,0.00027376303,0.0012673275,0.0006702887,0.00054305815,0.0008768471,0.00340624],"category_scores_gemma":[0.00029620426,0.0007718844,0.00071580935,0.00003585642,0.0017654612,0.0003285522,0.00020225641,0.0012479549,0.00039294115],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007875915,0.00007095939,0.00007237671,0.00015431095,0.00036154315,0.00011489059,0.05268224,0.0000015956347,0.00014062242,0.9164332,0.026879653,0.003009812],"study_design_scores_gemma":[0.0006167041,0.00020117177,0.000048355578,0.0024373713,0.00020806672,0.00002194969,0.0021977648,0.000009595014,0.00012759534,0.16140926,0.83176863,0.0009535088],"about_ca_topic_score_codex":0.0005368464,"about_ca_topic_score_gemma":0.012957921,"teacher_disagreement_score":0.804889,"about_ca_system_score_codex":0.00013575827,"about_ca_system_score_gemma":0.00022225697,"threshold_uncertainty_score":0.9994732},"labels":[],"label_agreement":null},{"id":"W2560265945","doi":"10.1057/978-1-137-55090-3_8","title":"The Case of the Missing Author: Toward an Anatomy of Collaboration in Comics","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Painting; Imitation; Art; Comics; Art history; Visual arts; Exhibition; Value (mathematics); Psychology; Literature; Computer science","score_opus":0.0315123230852211,"score_gpt":0.27506298678845337,"score_spread":0.24355066370323225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560265945","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009287116,0.00065472216,0.00000503131,0.00043259878,0.000422016,0.00054767745,0.00051385263,0.000022616445,0.98811436],"genre_scores_gemma":[0.97088253,0.00004993525,0.000016103095,0.000041836385,0.00015064799,0.000007114875,0.000006631094,0.000053591644,0.028791586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989111,0.00007765312,0.0004903829,0.00020701923,0.00015216968,0.00016168789],"domain_scores_gemma":[0.99858797,0.00014644422,0.0005292338,0.0005077943,0.00018200453,0.00004654209],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027371396,0.00023961643,0.0003509559,0.00016197954,0.00025728313,0.000078599835,0.00028364416,0.00012456535,0.000074755386],"category_scores_gemma":[0.000018393257,0.00013189213,0.00014502241,0.000012681875,0.000823325,0.0000034756033,0.000083798805,0.00017489144,7.8799206e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030883526,0.0000013645581,0.00004559339,0.000037224145,0.000053290794,0.0000237693,0.012261235,1.7443115e-7,0.000060217648,0.97925943,0.00007275021,0.00815408],"study_design_scores_gemma":[0.0003798987,0.00008213625,0.000028428798,0.00028086244,0.00004710786,0.000022946013,0.0025921443,0.000058065925,0.00020426227,0.9344821,0.06157458,0.00024749638],"about_ca_topic_score_codex":0.00043704835,"about_ca_topic_score_gemma":0.030897519,"teacher_disagreement_score":0.9615954,"about_ca_system_score_codex":0.000029185969,"about_ca_system_score_gemma":0.00011155068,"threshold_uncertainty_score":0.98678607},"labels":[],"label_agreement":null},{"id":"W2561348015","doi":"10.7202/1038027ar","title":"Bertoyas dans la jungle. Bande dessinée et édition sauvage","year":2016,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015490596738170131,"score_gpt":0.2254578120043774,"score_spread":0.20996721526620726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2561348015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36029658,0.008121613,0.0009909157,0.06810752,0.0036334465,0.0003686677,0.0011161764,0.00017764009,0.55718744],"genre_scores_gemma":[0.8327057,0.0024270946,0.0000622138,0.0004649631,0.0012261211,0.000018481442,0.000032091346,0.00005003104,0.16301331],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824435,0.00035079505,0.00035778192,0.0003889028,0.00023424774,0.0004239183],"domain_scores_gemma":[0.99872017,0.0005163164,0.00015771794,0.00034282875,0.00011587858,0.00014710362],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036820336,0.00033020254,0.00029867498,0.00013795857,0.0008159714,0.00046354468,0.0002399194,0.0001743609,0.0041019884],"category_scores_gemma":[0.00006842308,0.00023859511,0.00022877986,0.000062307445,0.0011660825,0.00054767216,0.00010436543,0.00020905389,0.00022063442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036331385,0.00031559545,0.0010452353,0.00006177839,0.00009338096,0.000068850386,0.019970901,0.0000013402063,0.00058921264,0.8921371,0.075568326,0.010111935],"study_design_scores_gemma":[0.0008411034,0.0002211682,0.006213181,0.0006609411,0.00006965193,0.00002509827,0.0040120934,0.00004536068,0.00022263192,0.041054603,0.94622207,0.0004121218],"about_ca_topic_score_codex":0.00070771325,"about_ca_topic_score_gemma":0.0046665617,"teacher_disagreement_score":0.87065375,"about_ca_system_score_codex":0.00012309857,"about_ca_system_score_gemma":0.000118395095,"threshold_uncertainty_score":0.9968084},"labels":[],"label_agreement":null},{"id":"W2563618992","doi":"10.1353/vpr.2016.0050","title":"Mocking Men of Power: Comic Art in Birmingham, 1861–1911 by Stephen Roberts and Roger Ward","year":2016,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Scholarship; Miller; Context (archaeology); Scrutiny; Power (physics); History; Art history; Art; Sociology; Literature; Philosophy; Law; Theology; Political science; Archaeology","score_opus":0.008557292290247244,"score_gpt":0.2159096223232561,"score_spread":0.20735233003300887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563618992","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3331677,0.52676266,0.000049784096,0.02499929,0.0015919883,0.0025885224,0.0004733332,0.000162228,0.110204495],"genre_scores_gemma":[0.9271786,0.06831244,0.00002536092,0.0006523063,0.00016568771,0.000050140883,0.000009981918,0.00003293502,0.0035725487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985354,0.0001260969,0.0005932912,0.00029890187,0.00019926939,0.00024703375],"domain_scores_gemma":[0.9992295,0.00013155969,0.00019130927,0.0002720795,0.000063299725,0.00011226997],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043208408,0.00020619163,0.00064391416,0.000097019016,0.00013175077,0.0000791851,0.00017658906,0.00005431427,0.0027283363],"category_scores_gemma":[0.00008866045,0.0001313988,0.00012008985,0.00007289964,0.00031707127,0.00015705169,0.00008205579,0.000100280886,0.000042063846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015019844,0.00080796285,0.021041783,0.0060365913,0.0005186635,0.000057920533,0.08237864,1.240065e-7,0.010783024,0.33298966,0.39748016,0.14775527],"study_design_scores_gemma":[0.0004314056,0.00007238113,0.00030621496,0.003392988,0.000024168678,0.0000032456398,0.00014121736,0.000001860361,0.0000520236,0.0007735514,0.99459743,0.00020349046],"about_ca_topic_score_codex":0.000044701013,"about_ca_topic_score_gemma":0.0002421386,"teacher_disagreement_score":0.5971173,"about_ca_system_score_codex":0.000026317866,"about_ca_system_score_gemma":0.000041308685,"threshold_uncertainty_score":0.9981833},"labels":[],"label_agreement":null},{"id":"W2563827344","doi":"10.3138/cjh.42.2.325","title":"<i>Undercover Surrealism: Georges Bataille and DOCUMENTS</i>, by Dawn Ades and Simon Baker","year":2007,"lang":"en","type":"article","venue":"Journal of History","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Art","score_opus":0.014672229544045975,"score_gpt":0.21053254063275836,"score_spread":0.19586031108871238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563827344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93300354,0.04397961,0.000032413318,0.0009481698,0.0009707216,0.000056601428,0.000017276756,0.000008012011,0.020983672],"genre_scores_gemma":[0.9883189,0.0011609438,0.000036271416,0.00042149387,0.00030802988,3.4684695e-7,0.0000023410041,0.000011544609,0.009740093],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993445,0.000024868214,0.0002657511,0.00008717847,0.00015178423,0.00012590004],"domain_scores_gemma":[0.9994662,0.000099556855,0.00019879235,0.00006346849,0.00007946065,0.00009253571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042630182,0.0000976407,0.00018081417,0.00012806756,0.00014269885,0.00005593989,0.00006153391,0.0000310951,0.0005029873],"category_scores_gemma":[0.000016245389,0.00007720794,0.000051058498,0.000010807128,0.00028605963,0.00032137532,0.000022917253,0.00015594084,0.0000010500038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016231404,0.000118742486,0.0038853441,0.000039746596,0.00012665596,0.00006378397,0.031995982,3.3992086e-7,0.001968584,0.03779703,0.9196207,0.0042207628],"study_design_scores_gemma":[0.00043734064,0.00010828396,0.0014006704,0.000023408345,0.000026313128,0.000021910575,0.0034181825,0.0000014361268,0.000051629784,0.0018777733,0.9925304,0.000102655235],"about_ca_topic_score_codex":0.00014624995,"about_ca_topic_score_gemma":0.0007526985,"teacher_disagreement_score":0.07290968,"about_ca_system_score_codex":0.00006960837,"about_ca_system_score_gemma":0.000028875553,"threshold_uncertainty_score":0.55073583},"labels":[],"label_agreement":null},{"id":"W2567158313","doi":"10.7202/1038031ar","title":"Du blog amateur à Gallimard. La bande dessinée de Pénélope Bagieu reformatée","year":2016,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013279090781618944,"score_gpt":0.21588553304476302,"score_spread":0.20260644226314406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567158313","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61687666,0.009992752,0.00018794066,0.05191822,0.0025223563,0.00031996673,0.00044789538,0.00022010313,0.3175141],"genre_scores_gemma":[0.86458284,0.01259436,0.00018807633,0.00071594527,0.0024336244,0.000036655572,0.000014436098,0.00008195832,0.11935213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765795,0.00030154004,0.00054597994,0.0004219376,0.0002722139,0.0008003976],"domain_scores_gemma":[0.99846184,0.00040618793,0.00021752779,0.00046937834,0.0001833365,0.00026172597],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006596477,0.0004536885,0.00044621955,0.00017645887,0.0010210841,0.0006619008,0.00046012917,0.00024255169,0.004591334],"category_scores_gemma":[0.00006521058,0.00031152976,0.00030126367,0.00008112669,0.0011592429,0.0005867149,0.000218153,0.0002910728,0.00039808458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012729595,0.00039815533,0.0075692576,0.00020379998,0.0002435726,0.00014015839,0.015444045,0.00000287816,0.00037633165,0.8737409,0.08718582,0.014567746],"study_design_scores_gemma":[0.0011587585,0.00021745151,0.006641069,0.00070400635,0.00008275883,0.00009837577,0.0025235994,0.00012710708,0.00021360525,0.016402805,0.97128785,0.00054264517],"about_ca_topic_score_codex":0.0006089521,"about_ca_topic_score_gemma":0.0011551714,"teacher_disagreement_score":0.884102,"about_ca_system_score_codex":0.00018000469,"about_ca_system_score_gemma":0.00020910377,"threshold_uncertainty_score":0.99993366},"labels":[],"label_agreement":null},{"id":"W2580104304","doi":"10.1353/mos.2016.a640854","title":"Ethical Spectatorship in Adrian Tomine’s Shortcomings","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Field (mathematics); Architecture; Sociology; Aesthetics; Art; Art history; Visual arts; Literature","score_opus":0.02567053140156576,"score_gpt":0.2344308033727344,"score_spread":0.20876027197116864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2580104304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9487827,0.00008798957,0.000019930738,0.016096186,0.00043885864,0.00011032005,0.000025798921,0.00005126351,0.034386966],"genre_scores_gemma":[0.99149907,0.000011809364,0.000017029035,0.0006061751,0.00031122827,0.000011225782,0.0000024403857,0.000011045064,0.0075299884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993207,0.000044803783,0.00017062602,0.00017121271,0.00010061288,0.00019206037],"domain_scores_gemma":[0.9996179,0.00013795926,0.000029719422,0.00013984914,0.000022992268,0.000051590796],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020795262,0.000096348675,0.00013683879,0.00010550352,0.00008036166,0.000056582474,0.00011721843,0.00006518273,0.0026310745],"category_scores_gemma":[0.00005673853,0.000060838116,0.000056725465,0.00003579415,0.00017402417,0.00007273118,0.000030272473,0.00018069951,0.00009528007],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032490185,0.00005671182,0.0063225725,0.0000062802974,0.000011519839,0.00001835992,0.020860745,5.675229e-8,0.00071943004,0.95506585,0.012708765,0.004197234],"study_design_scores_gemma":[0.00093650527,0.00013359294,0.004932375,0.00010348541,0.000007639386,0.0000030637027,0.0020043943,0.000023566878,0.00069056044,0.098634176,0.8921998,0.00033082103],"about_ca_topic_score_codex":0.00013708159,"about_ca_topic_score_gemma":0.006995244,"teacher_disagreement_score":0.87949103,"about_ca_system_score_codex":0.000026674903,"about_ca_system_score_gemma":0.000020060404,"threshold_uncertainty_score":0.99828064},"labels":[],"label_agreement":null},{"id":"W2580277503","doi":"10.1080/21504857.2017.1279199","title":"Hellboy’s world: comics and monsters on the margins, by Scott Bukatman","year":2017,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Art; Art history; Literature","score_opus":0.03368015755373017,"score_gpt":0.2373480889966773,"score_spread":0.20366793144294715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2580277503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89279795,0.0013771848,0.00008017136,0.023388851,0.0015887704,0.00032604337,0.00017149236,0.000044603978,0.08022494],"genre_scores_gemma":[0.9908266,0.0009031275,0.00007643712,0.0010707306,0.00032775317,0.0000019464655,0.0000013883968,0.00006281681,0.00672919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894077,0.000051952047,0.00038800132,0.00015065183,0.00024490323,0.00022371122],"domain_scores_gemma":[0.9982677,0.00020637267,0.0008654619,0.0004555825,0.000083245905,0.00012161183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046107135,0.00021937526,0.00034954603,0.0003662257,0.0009073322,0.0006749004,0.00060779543,0.00004707619,0.00007330041],"category_scores_gemma":[0.000051422558,0.00014573187,0.00017894311,0.000048448583,0.0009295454,0.00020145335,0.00009633117,0.0004226839,0.0000018637335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012662131,0.00013101134,0.0038470044,0.000014587074,0.00023244502,0.000012279892,0.0028688349,0.0000010090135,0.00037211712,0.75825757,0.23340167,0.00073484995],"study_design_scores_gemma":[0.0030350997,0.00057754776,0.005122036,0.0006796281,0.00017129342,0.00007193285,0.0071094655,0.00027396443,0.00034241116,0.04496454,0.9368856,0.0007665088],"about_ca_topic_score_codex":0.00017941829,"about_ca_topic_score_gemma":0.0024714072,"teacher_disagreement_score":0.713293,"about_ca_system_score_codex":0.000014549622,"about_ca_system_score_gemma":0.000028979654,"threshold_uncertainty_score":0.6978558},"labels":[],"label_agreement":null},{"id":"W2581938116","doi":"10.4000/rfsic.2672","title":"Interactivité, resémantisation, et plaisirs de la primauté ontologique : les œuvres de fans comme centre du récit","year":2017,"lang":"fr","type":"article","venue":"Revue française des sciences de l’information et de la communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Social Sciences and Humanities Research Council","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05000760657249767,"score_gpt":0.3331314053217638,"score_spread":0.2831237987492661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581938116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68999946,0.0027229749,0.011330216,0.03343178,0.00020491345,0.00040220382,0.0001387803,0.000105609826,0.2616641],"genre_scores_gemma":[0.9813728,0.009503148,0.0075123804,0.0008092163,0.00009070201,0.0000457839,0.00008159822,0.000015725042,0.0005686735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996337,0.0022350557,0.0005624911,0.00019081461,0.00021485685,0.0004598145],"domain_scores_gemma":[0.9956447,0.0022374187,0.0008485485,0.0008609337,0.00027245466,0.00013598171],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0059803636,0.00026205933,0.00028056276,0.00026165292,0.005533489,0.0032396025,0.001523171,0.00028831273,0.00023239301],"category_scores_gemma":[0.0014554615,0.00027020002,0.00015545961,0.000109655084,0.005173266,0.00440498,0.0002949729,0.00076343823,0.000020878424],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032557233,0.00013347737,0.026327495,0.00014977483,0.000031396496,0.000003024086,0.2672689,0.0010414022,0.000054242308,0.690936,0.0018532211,0.012168472],"study_design_scores_gemma":[0.0009537011,0.00013099276,0.17657703,0.0015683782,0.00008444433,0.0002496605,0.027505,0.075584285,0.00032514872,0.10939935,0.60702217,0.0005998218],"about_ca_topic_score_codex":0.023033172,"about_ca_topic_score_gemma":0.021256974,"teacher_disagreement_score":0.60516894,"about_ca_system_score_codex":0.00033271604,"about_ca_system_score_gemma":0.00058941863,"threshold_uncertainty_score":0.999975},"labels":[],"label_agreement":null},{"id":"W2582774505","doi":"10.3138/jrpc.28.2-3.3464","title":"House of Card: <i>Ender's Game</i> and Speculative Fiction as a Vehicle for Religio-Political Values","year":2016,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Futures contract; Politics; Set (abstract data type); Literature; Media studies; History; Sociology; Law; Political science; Computer science; Art; Business","score_opus":0.017173530655431785,"score_gpt":0.2534851856353073,"score_spread":0.23631165497987552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582774505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9892813,0.0057108738,0.00014658933,0.0028280572,0.00030958877,0.00016056118,0.000040019302,0.000013935622,0.001509102],"genre_scores_gemma":[0.9911183,0.0061489735,0.00011691526,0.00023959177,0.00039059613,0.0000015021058,0.0000011774061,0.000012074759,0.001970879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993248,0.000037814036,0.00028193934,0.00009924509,0.00013484548,0.00012133038],"domain_scores_gemma":[0.99933803,0.00003675738,0.00021478334,0.0000641136,0.0002475314,0.00009879237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013703985,0.00010335512,0.00023618779,0.00007148903,0.00010487872,0.000054234675,0.00004602157,0.000061033476,0.000006130277],"category_scores_gemma":[0.0000688801,0.000057067202,0.0001365577,0.000020520167,0.00016023652,0.00015284657,0.000014749548,0.00009101754,5.6752265e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024817605,0.00004328559,0.0006356803,0.00004006815,0.00010546774,0.000006597718,0.014953253,5.327359e-7,0.0023663486,0.9257802,0.05511933,0.0007010916],"study_design_scores_gemma":[0.0014792852,0.0009550324,0.00011745846,0.00024211846,0.00010518459,0.00009332934,0.002846892,0.000012559122,0.0011810055,0.17992052,0.8129017,0.00014496155],"about_ca_topic_score_codex":0.000040180897,"about_ca_topic_score_gemma":0.000027141214,"teacher_disagreement_score":0.75778234,"about_ca_system_score_codex":0.000013217168,"about_ca_system_score_gemma":0.000017230903,"threshold_uncertainty_score":0.2327133},"labels":[],"label_agreement":null},{"id":"W2586283809","doi":"10.29173/cais551","title":"Faster than Books and More Involved than Movies: Understanding the Contemporary Reading Experience of Young Adult Readers of Graphic Novels and Comic Books","year":2013,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Comics; Reading (process); Perception; Art; Visual arts; Literature; Humanities; Psychology; Linguistics; Philosophy","score_opus":0.05090546808024568,"score_gpt":0.24018142552056201,"score_spread":0.18927595744031633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586283809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9836189,0.002840898,0.000016110771,0.0035086444,0.00023801088,0.00074771675,0.00027326806,0.000014546538,0.008741869],"genre_scores_gemma":[0.9970003,0.0010853882,0.000044743017,0.00015084524,0.00007014262,0.000038202837,0.0000027159124,0.000032966884,0.0015747303],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977863,0.000054983597,0.0009191795,0.0003993303,0.00041977377,0.00042044785],"domain_scores_gemma":[0.98652035,0.00039766514,0.001482722,0.0002485997,0.011217244,0.00013341791],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00049541355,0.0004361689,0.0008396194,0.00027019667,0.00042371202,0.0016948135,0.00089383725,0.00018224017,0.000026402018],"category_scores_gemma":[0.0016611515,0.00030505928,0.00022229043,0.00016440728,0.006217292,0.0051771263,0.0005116103,0.00038637067,1.7637674e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014540851,0.00006854549,0.13480835,0.0009226124,0.00023923938,4.645001e-7,0.57344604,2.7223504e-7,0.00854275,0.2810643,0.0005485123,0.00021353413],"study_design_scores_gemma":[0.0010523187,0.00061165285,0.041510355,0.0038250382,0.00018818204,0.00002278859,0.90612084,0.0006133744,0.008799972,0.03496712,0.0017617069,0.00052664004],"about_ca_topic_score_codex":0.0046559456,"about_ca_topic_score_gemma":0.00043420648,"teacher_disagreement_score":0.33267483,"about_ca_system_score_codex":0.00003434454,"about_ca_system_score_gemma":0.00015190478,"threshold_uncertainty_score":0.99994016},"labels":[],"label_agreement":null},{"id":"W2587404929","doi":"10.2307/2696971","title":"Defining Russian Graphic Arts: From Diaghilev to Stalin, 1898-1934. Ed. Alia Rosenfeld. New Brunswick, NJ.: Rutgers University Press and the Jane Voorhees Zimmerli Art Museum, 1999. xv, 219 pp. Notes. Bibliography. Glossary. Index. Illustrations. Plates. $55.00, hard bound.","year":2000,"lang":"en","type":"article","venue":"Slavic Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glossary; Index (typography); The arts; Art history; Bibliography; History; Art; Philosophy; Library science; Visual arts; Computer science; Linguistics","score_opus":0.020054285705931818,"score_gpt":0.2327794951725416,"score_spread":0.21272520946660978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587404929","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03424511,0.85302055,0.000103811035,0.029842965,0.0011316435,0.0036603652,0.0009808872,0.00034324924,0.076671444],"genre_scores_gemma":[0.19975679,0.7922226,0.00016965996,0.00407168,0.00044020833,0.000031015814,0.00034160362,0.000069897476,0.0028965124],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99707055,0.0002976944,0.00078555,0.00079570315,0.00046137517,0.0005891463],"domain_scores_gemma":[0.9979149,0.00043891958,0.00033684084,0.00081765885,0.0001157452,0.00037591488],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000582318,0.00059771404,0.0009824379,0.00081609073,0.0011472506,0.0008522956,0.0005856509,0.00013865178,0.00323816],"category_scores_gemma":[0.000049973147,0.0004598376,0.00054875924,0.0015996626,0.0010125001,0.0006642599,0.00011486296,0.0004978562,0.00016903313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040135687,0.0002563706,0.0043451977,0.00065578887,0.0011334199,0.00006937197,0.012079859,0.00003453899,0.000018410878,0.21199489,0.74579525,0.023215534],"study_design_scores_gemma":[0.0014947432,0.000091027854,0.002405469,0.0017900981,0.00039761292,0.000008352185,0.00046248548,0.000042099167,0.000010851408,0.0030179184,0.9896153,0.0006640328],"about_ca_topic_score_codex":0.016908102,"about_ca_topic_score_gemma":0.0055432725,"teacher_disagreement_score":0.24382004,"about_ca_system_score_codex":0.000025054112,"about_ca_system_score_gemma":0.00020796173,"threshold_uncertainty_score":0.99978536},"labels":[],"label_agreement":null},{"id":"W2587556972","doi":"10.1353/mos.2016.a640848","title":"A View from the Vietnamese Diaspora: Memories of Warfare and Refuge in GB Tran’s Vietnamerica","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diaspora; Memoir; Vietnamese; Vietnam War; Period (music); History; Sociology; Gender studies; Art; Art history; Aesthetics; Philosophy; Archaeology","score_opus":0.01889492210993886,"score_gpt":0.21722307674550712,"score_spread":0.19832815463556824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587556972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98649997,0.0053839735,0.000007097281,0.0068546874,0.00013733908,0.00015237698,0.0002619417,0.00001583121,0.00068678346],"genre_scores_gemma":[0.99812406,0.0009994158,0.000017345314,0.00026840006,0.000096631775,0.000019920251,0.0000071646477,0.000009874374,0.00045719458],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993368,0.00006105674,0.00021430201,0.00016190518,0.00009646845,0.00012946516],"domain_scores_gemma":[0.9995143,0.00014269401,0.00007718779,0.00020452005,0.000032930617,0.000028391067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012334221,0.00011248042,0.00023270074,0.000036843605,0.00011307893,0.00003236185,0.0001305611,0.000023566196,0.0007393547],"category_scores_gemma":[0.000028468927,0.000055082593,0.00005581004,0.000050989085,0.00043758904,0.000099951,0.000037768004,0.00006718807,0.0000060290345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021430984,0.00024626343,0.017185967,0.00009924964,0.00018521796,0.000020533218,0.5095818,4.6504223e-7,0.0020742386,0.30046737,0.008166753,0.16175783],"study_design_scores_gemma":[0.0011700754,0.00016865954,0.019787129,0.00037434418,0.000039107428,0.0000012667551,0.018964307,0.000018207755,0.00028853668,0.046881124,0.9120028,0.00030445607],"about_ca_topic_score_codex":0.0004578652,"about_ca_topic_score_gemma":0.0030782926,"teacher_disagreement_score":0.903836,"about_ca_system_score_codex":0.000009144071,"about_ca_system_score_gemma":0.00001830876,"threshold_uncertainty_score":0.8095415},"labels":[],"label_agreement":null},{"id":"W2593593681","doi":"10.4000/books.ugaeditions.1265","title":"Enseigner la bande dessinée à Toronto : questions de traditions","year":2012,"lang":"fr","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03827253761204537,"score_gpt":0.23911445421759164,"score_spread":0.2008419166055463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593593681","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044238806,0.014055882,0.00066841196,0.0018779195,0.0007723904,0.00022454254,0.0005729195,0.00009619687,0.9812893],"genre_scores_gemma":[0.21347298,0.0076532746,0.0005835139,0.00035162596,0.0022957854,0.000043264998,0.000114777926,0.00007846226,0.7754063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998576,0.000094343945,0.00040575553,0.00030490936,0.00016824702,0.00045073873],"domain_scores_gemma":[0.99876446,0.00034052643,0.00014502397,0.00033788936,0.00012168955,0.00029042858],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024646224,0.0004636165,0.00039603063,0.00009737927,0.0013711087,0.00033426523,0.00018210924,0.0003467978,0.09383527],"category_scores_gemma":[0.000008751605,0.00041930843,0.00040267178,0.000007686309,0.0011812559,0.00039241163,0.00003205679,0.00040208205,0.00021651029],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008206439,0.00013949527,0.000020643076,0.000033503282,0.0001937053,0.0000097997845,0.012767028,0.0000010168648,0.000018217455,0.97029674,0.00820804,0.008303631],"study_design_scores_gemma":[0.00018019522,0.000070882445,0.00042199518,0.00019377767,0.00024600426,0.000038142163,0.0015228515,0.00002985621,0.000003962906,0.15116318,0.84564203,0.00048710135],"about_ca_topic_score_codex":0.0048918575,"about_ca_topic_score_gemma":0.046447735,"teacher_disagreement_score":0.837434,"about_ca_system_score_codex":0.00021076671,"about_ca_system_score_gemma":0.00014443228,"threshold_uncertainty_score":0.99992895},"labels":[],"label_agreement":null},{"id":"W2593895284","doi":"10.1080/08263663.2017.1283781","title":"Federick Luis Aldama and Christopher González, <i>Graphic borders. Latino comic books: past, present and future</i>","year":2017,"lang":"fr","type":"article","venue":"Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Comics; Sociology; History; Gender studies; Art history; Art; Literature","score_opus":0.035741373285080515,"score_gpt":0.2623712450649314,"score_spread":0.22662987177985092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593895284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8511786,0.09423318,0.0000038573007,0.04125857,0.0015412327,0.0004194581,0.0005620088,0.00001700841,0.010786121],"genre_scores_gemma":[0.95279515,0.03880432,0.00043353942,0.0009369946,0.0037859473,0.00002029181,0.000012482332,0.00009793976,0.0031133348],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99636704,0.0003206519,0.001128827,0.00071429583,0.00020218517,0.0012670024],"domain_scores_gemma":[0.99454993,0.00056125433,0.001625159,0.0006098478,0.00091592805,0.0017378604],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.000722481,0.0008762764,0.0017713885,0.00056162546,0.0039283773,0.0014020838,0.0005207946,0.00015754925,0.000051894982],"category_scores_gemma":[0.0002520917,0.0008186655,0.0003226104,0.00021373486,0.010020714,0.00058230123,0.00022913466,0.00078543276,0.0000010733518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020657148,0.00013802548,0.20016643,0.0019249341,0.004731162,0.0016135257,0.35006368,0.000036414276,0.000054234017,0.24903226,0.031985592,0.16004717],"study_design_scores_gemma":[0.0011587434,0.0011468943,0.15211879,0.0007593915,0.00053804246,0.00045878047,0.15597048,0.000099454795,0.0000020786742,0.0023009183,0.6844848,0.0009616274],"about_ca_topic_score_codex":0.13838503,"about_ca_topic_score_gemma":0.7642597,"teacher_disagreement_score":0.6524992,"about_ca_system_score_codex":0.00032294702,"about_ca_system_score_gemma":0.0005116934,"threshold_uncertainty_score":0.99963456},"labels":[],"label_agreement":null},{"id":"W2598793522","doi":"10.17742/image.vos.7-2.12","title":"Time Frames: Graphic Narrative and Historiography in Richard McGuire’s Here","year":2017,"lang":"fr","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historiography; Narrative; History; Literature; Art history; Art; Archaeology","score_opus":0.0352252387778097,"score_gpt":0.37456315731763085,"score_spread":0.33933791853982115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598793522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6637369,0.2433419,0.0000064232877,0.051950864,0.0032998451,0.00028707518,0.00021223893,0.00001722012,0.03714754],"genre_scores_gemma":[0.95841485,0.025023067,0.00054727815,0.00010487539,0.0009444751,0.00001359585,0.0000038769854,0.000026556625,0.014921424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978858,0.00014164021,0.00089987443,0.0003069257,0.00035893742,0.0004067747],"domain_scores_gemma":[0.9880056,0.00021669304,0.0012983445,0.0002925814,0.010057148,0.0001296395],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts","scholarly_communication"],"category_scores_codex":[0.0006148214,0.0004302671,0.00081944256,0.00058860675,0.0039334306,0.006051576,0.00047991,0.000088131965,0.00017992493],"category_scores_gemma":[0.0014143578,0.00033325257,0.00041792847,0.00015655872,0.026754096,0.014279348,0.00019879815,0.0007044715,0.000011003929],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018723286,0.00064369885,0.028730774,0.00042802969,0.0025004025,0.00047836514,0.45830512,0.00000833337,0.00095967785,0.44953355,0.05017889,0.008045905],"study_design_scores_gemma":[0.0039334507,0.00070487696,0.07566978,0.0017836526,0.00043689072,0.00028015525,0.16758348,0.00008036655,0.000088385576,0.15661165,0.59176946,0.0010578735],"about_ca_topic_score_codex":0.00019926316,"about_ca_topic_score_gemma":0.0006041136,"teacher_disagreement_score":0.5415906,"about_ca_system_score_codex":0.00014487523,"about_ca_system_score_gemma":0.00007212718,"threshold_uncertainty_score":0.99991196},"labels":[],"label_agreement":null},{"id":"W2602149964","doi":"","title":"\"The Child's Education to Violence\" Mrs. Eleanor Gray and the Canadian Crusade to Ban Crime Comics","year":2016,"lang":"en","type":"article","venue":"The Journal of Teaching and Learning","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Gray (unit); Parliament; Criminology; Media studies; Law; Political science; The Internet; Organised crime; Sociology; Politics","score_opus":0.008614511129912546,"score_gpt":0.22809964373815259,"score_spread":0.21948513260824004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602149964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92897165,0.0013628775,0.00005448608,0.059093565,0.00030089286,0.000120075274,0.0000016376307,0.000008361462,0.010086429],"genre_scores_gemma":[0.99514043,0.00024468955,0.000038043836,0.00092252006,0.00045757674,0.000001388956,1.1608864e-7,0.000011189098,0.0031840485],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991146,0.00043964048,0.0001575595,0.00005536275,0.00009320149,0.00013967733],"domain_scores_gemma":[0.9991607,0.0004606483,0.00012511232,0.00008572382,0.0000465394,0.000121298515],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002340442,0.00007585894,0.00010629305,0.000096609794,0.0031158505,0.00026726272,0.00017419906,0.000014073323,0.0000150487695],"category_scores_gemma":[0.00035037156,0.000028545937,0.000033130247,0.000018726121,0.00018141078,0.000062761974,0.000028995706,0.0004963798,0.000002097769],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027169273,0.000018510724,0.0022324147,0.000005843928,0.00009450695,8.38168e-7,0.22826296,0.000032910102,0.00013400895,0.3192817,0.00786624,0.44179836],"study_design_scores_gemma":[0.00043658738,0.00021846818,0.007746563,0.00040821347,0.000041139614,0.000055015968,0.030961404,0.000037784393,0.0000075893377,0.005393871,0.9545688,0.00012454289],"about_ca_topic_score_codex":0.0382495,"about_ca_topic_score_gemma":0.094431415,"teacher_disagreement_score":0.9467026,"about_ca_system_score_codex":0.00002203179,"about_ca_system_score_gemma":0.000057743808,"threshold_uncertainty_score":0.99818194},"labels":[],"label_agreement":null},{"id":"W2602478900","doi":"10.3138/ecf.29.3.427","title":"William Beckford’s Comic Book, or Visualizing Orientalism with <i>Vathek</i>","year":2017,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Orientalism; Literature; Novella; Art; Anachronism; Exaggeration; Adventure; Biography; Depiction; Style (visual arts); Fable; History; Art history","score_opus":0.03162470895848171,"score_gpt":0.2578814289411226,"score_spread":0.22625671998264088,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602478900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.818766,0.0048176413,0.00017854702,0.0015242983,0.007985782,0.00110623,0.00024871022,0.00041312477,0.16495965],"genre_scores_gemma":[0.9887607,0.0031376823,0.00005013622,0.0003635123,0.0010878902,0.000039530976,0.00008467088,0.0000441709,0.006431686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873245,0.00003658949,0.00027554913,0.0003654029,0.0002697113,0.00032027415],"domain_scores_gemma":[0.9988899,0.000036304195,0.00033374922,0.0005391723,0.00010316902,0.000097661046],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013215085,0.0002616593,0.00025040214,0.00010945795,0.002435628,0.000769815,0.00029661844,0.00006369522,0.0014781961],"category_scores_gemma":[0.000014503815,0.00017971305,0.000114410985,0.000029080375,0.00038800878,0.0008559197,0.00008257595,0.00020055873,0.00004355925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001134574,0.00070459716,0.0034765187,0.00008739218,0.0003495574,0.000061756684,0.040871695,0.000004438939,0.00072257855,0.7442758,0.20319024,0.0051208315],"study_design_scores_gemma":[0.001102849,0.00031772733,0.0009287267,0.00010832522,0.00005570048,0.000012102937,0.0024679482,0.00009750822,0.00043544944,0.00022567848,0.9939182,0.0003298122],"about_ca_topic_score_codex":0.0002656619,"about_ca_topic_score_gemma":0.0010382655,"teacher_disagreement_score":0.7907279,"about_ca_system_score_codex":0.000060720773,"about_ca_system_score_gemma":0.00003751641,"threshold_uncertainty_score":0.9994346},"labels":[],"label_agreement":null},{"id":"W2602683537","doi":"","title":"Comics and Cognitive Systems : The processing of visual narratives","year":2016,"lang":"en","type":"article","venue":"eScholarship (California Digital Library)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; Narrative; Cognitive science; Cognition; Cognitive psychology; Computer science; Psychology; Art; Artificial intelligence; Neuroscience; Literature","score_opus":0.01798970226287094,"score_gpt":0.21800121681884244,"score_spread":0.2000115145559715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602683537","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9427415,0.0017626623,0.00016158103,0.0013405716,0.00014747944,0.00034009933,0.0025278167,0.00016056412,0.0508177],"genre_scores_gemma":[0.99621934,0.000023622235,0.000010188313,0.00008151031,0.00016529186,0.000016001208,0.00002772581,0.000047608908,0.0034086863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991052,0.00006602224,0.00027609174,0.00020720567,0.00015655544,0.00018889444],"domain_scores_gemma":[0.99926674,0.0003171133,0.00017857131,0.00010066689,0.000056578134,0.00008029977],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000103413295,0.00017643425,0.00021114583,0.000098757424,0.0002491056,0.0009990371,0.00016041684,0.000041405485,0.00015583348],"category_scores_gemma":[0.00008130671,0.00009034108,0.00006378988,0.00007101716,0.0008262799,0.0016235717,0.00011076968,0.00011479498,0.00002874177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059039815,0.0005504577,0.109544754,0.00040504508,0.00041639636,0.000015914919,0.02380771,2.4663194e-7,0.0007925867,0.7884713,0.006724886,0.06868033],"study_design_scores_gemma":[0.0029468045,0.00076008233,0.0036504802,0.0025699688,0.00008790083,0.000025774512,0.05162699,0.0001407201,0.0017744352,0.07573916,0.85942143,0.0012562766],"about_ca_topic_score_codex":0.000004019513,"about_ca_topic_score_gemma":0.000007692185,"teacher_disagreement_score":0.85269654,"about_ca_system_score_codex":0.0000035317867,"about_ca_system_score_gemma":0.00004036964,"threshold_uncertainty_score":0.9633737},"labels":[],"label_agreement":null},{"id":"W2603195945","doi":"","title":"Dispossession: Storyboard, Anaphora, Rhythm and Stage in a New Graphic Adaptation of Anthony Trollope’s 1878-79 Novel 'John Caldigate'.","year":2014,"lang":"en","type":"article","venue":"ChesterRep (University of Chester)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Storyboard; Adaptation (eye); Rhythm; Anaphora (linguistics); Computer science; Artificial intelligence; Linguistics; History; Art; Psychology; Philosophy; Multimedia; Aesthetics; Neuroscience; Resolution (logic)","score_opus":0.02994897858439351,"score_gpt":0.19697990701393236,"score_spread":0.16703092842953884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603195945","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99556196,0.00021099768,0.0014878964,0.00053862296,0.00013167747,0.00017459538,0.000033780645,0.000021145146,0.0018393481],"genre_scores_gemma":[0.9974539,0.00007676477,0.00039555927,0.000033670134,0.00005542749,3.759544e-7,0.000014525509,0.0000126416035,0.0019571309],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9990574,0.00005755519,0.00023744002,0.0002939405,0.00017404452,0.00017963331],"domain_scores_gemma":[0.9991661,0.00009189394,0.0002944256,0.0002591557,0.000078548546,0.0001099041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022272965,0.00017548283,0.00041055752,0.00031874204,0.00014687846,0.00003621043,0.00017932932,0.000076787,0.000114726456],"category_scores_gemma":[0.00001756983,0.00018817412,0.0001182955,0.00013908262,0.0005153105,0.00047104343,0.000089659705,0.00014441632,0.0000013682063],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011780568,0.00084619963,0.0465013,0.0010098942,0.00028151044,0.00004610973,0.7623859,0.00020572632,0.0071092825,0.13237895,0.0006873312,0.04736975],"study_design_scores_gemma":[0.014165864,0.0015053827,0.3630507,0.0013868363,0.000246134,0.000022686952,0.3573537,0.012623788,0.0006415137,0.003815651,0.24357404,0.0016137178],"about_ca_topic_score_codex":0.0019939991,"about_ca_topic_score_gemma":0.01830034,"teacher_disagreement_score":0.4050322,"about_ca_system_score_codex":0.000020374346,"about_ca_system_score_gemma":0.00008156802,"threshold_uncertainty_score":0.9996131},"labels":[],"label_agreement":null},{"id":"W2603823148","doi":"10.21810/strm.v8i2.200","title":"Selling Marvelâ€™s Cinematic Superheroes Through Militarization","year":2016,"lang":"en","type":"article","venue":"Stream Interdisciplinary Journal of Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Comics; Hollywood; Narrative; Militarization; Mainstream; Copycat; Popular culture; Filmography; Entertainment; Aesthetics; Film genre; Sociology; Media studies; Movie theater; Art; Advertising; Visual arts; Literature; Political science; Law; Art history; Politics; Psychology","score_opus":0.02738718307977563,"score_gpt":0.2778672875167812,"score_spread":0.2504801044370056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603823148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94653773,0.0019926096,0.004903881,0.012409247,0.0005775316,0.0001736061,0.0000209506,0.00003244434,0.033352014],"genre_scores_gemma":[0.9970027,0.0006555983,0.00085617544,0.000029709541,0.00023202662,0.0000037162383,0.000007631775,0.000014516476,0.0011979305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988509,0.00015906384,0.0006134981,0.00008658064,0.0001700399,0.000119908014],"domain_scores_gemma":[0.9984933,0.0003066499,0.0004121956,0.0003832428,0.0003655628,0.000039041723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036593757,0.00012606305,0.00023440653,0.00013593423,0.00041382166,0.00007385442,0.00044379337,0.00003297689,0.00070147077],"category_scores_gemma":[0.000040197167,0.00007524179,0.00015266408,0.000049662867,0.00026074247,0.0008341076,0.00019844776,0.00014402177,0.000012948731],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040309873,0.00063533516,0.0019533676,0.0000909818,0.00044771636,0.000007953824,0.3824833,0.00005539077,0.0040157503,0.5649157,0.010593818,0.034397554],"study_design_scores_gemma":[0.002339635,0.0014605704,0.0020518927,0.0032639205,0.00018795121,0.00010261478,0.097794496,0.00041381267,0.0018782184,0.8496291,0.040307775,0.0005700363],"about_ca_topic_score_codex":0.000014030429,"about_ca_topic_score_gemma":0.0002761781,"teacher_disagreement_score":0.28471336,"about_ca_system_score_codex":0.000047182264,"about_ca_system_score_gemma":0.00003184101,"threshold_uncertainty_score":0.7680613},"labels":[],"label_agreement":null},{"id":"W2604046722","doi":"","title":"Graphic Novels: Read the World through Words and Pictures","year":2016,"lang":"en","type":"article","venue":"The Journal of Teaching and Learning","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Argument (complex analysis); Reading (process); Class (philosophy); Literacy; Mathematics education; Computer science; Visual arts; Psychology; Pedagogy; Art; Linguistics; Artificial intelligence; Philosophy","score_opus":0.025586770194942883,"score_gpt":0.25281342377288035,"score_spread":0.22722665357793748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604046722","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9654372,0.00386624,0.00026622592,0.014796842,0.00021970978,0.00003920448,8.9592504e-7,0.00001220945,0.015361514],"genre_scores_gemma":[0.9904636,0.0004883515,0.00005140921,0.00029471554,0.00050625415,3.4172658e-7,6.348058e-8,0.000007748369,0.0081875045],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907225,0.00047010655,0.0001772395,0.000055072862,0.000116295276,0.000109018605],"domain_scores_gemma":[0.9986251,0.001031457,0.00021396439,0.00007478267,0.000029653267,0.000025050014],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0019310524,0.00008657871,0.00012703113,0.0000705975,0.0014284059,0.00014237827,0.00012797963,0.00001300703,0.000086657725],"category_scores_gemma":[0.0001763109,0.000030420906,0.000050325012,0.000022443637,0.00031321275,0.00016883363,0.000040790615,0.0008101871,5.3510473e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015349423,0.000029998913,0.0032360991,0.000014351153,0.00021699465,0.000004326555,0.5178266,0.000023488596,0.0008502031,0.35334513,0.003073353,0.12122594],"study_design_scores_gemma":[0.0005295939,0.00023842655,0.0030384888,0.00032935585,0.00008889383,0.00009476321,0.05309226,0.00003325105,0.000013939297,0.030392854,0.9120096,0.00013856427],"about_ca_topic_score_codex":0.00008283334,"about_ca_topic_score_gemma":0.00029568616,"teacher_disagreement_score":0.90893626,"about_ca_system_score_codex":0.0000041238122,"about_ca_system_score_gemma":0.000008049358,"threshold_uncertainty_score":0.9998716},"labels":[],"label_agreement":null},{"id":"W2605185652","doi":"10.3138/cras.2017.001","title":"Laughing Sam and Krazy Kats: The Black Comic Sensibility","year":2017,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sensibility; Comics; Comic strip; Laughter; Newspaper; Race (biology); George (robot); Art; Literature; History; Art history; Geology; Sociology; Paleontology; Media studies","score_opus":0.06030360766270587,"score_gpt":0.31618709680737017,"score_spread":0.2558834891446643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605185652","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6047714,0.2887331,4.582062e-7,0.05496494,0.00040807077,0.0006872578,0.00021074864,0.000016604332,0.05020743],"genre_scores_gemma":[0.89227486,0.10404571,0.000014797529,0.0030197415,0.000113574315,0.000007528967,0.0000013822463,0.0000069708467,0.00051540683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931836,0.00006284897,0.00021845358,0.00015848939,0.00007198299,0.00016987235],"domain_scores_gemma":[0.99886316,0.00013554399,0.00028184152,0.00047073013,0.00016285255,0.00008584824],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00036126416,0.000119142154,0.00045624818,0.00003782066,0.0010227131,0.000080601356,0.00020533548,0.0000065834415,0.00005386377],"category_scores_gemma":[0.00036126864,0.000073764866,0.00008095789,0.000024007768,0.0045144265,0.00006737302,0.00007333635,0.00009035339,0.000004413321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017439981,0.000041416406,0.018535966,0.007945958,0.0016400605,0.000036713885,0.13827649,4.459134e-7,0.00001657539,0.32658818,0.26647073,0.24043004],"study_design_scores_gemma":[0.000101875616,0.00007021807,0.019480905,0.002115507,0.000109151166,0.0000025941445,0.038535114,0.0000064037076,0.0000023525117,0.0019167074,0.9374594,0.00019974522],"about_ca_topic_score_codex":0.07401882,"about_ca_topic_score_gemma":0.55510443,"teacher_disagreement_score":0.6709887,"about_ca_system_score_codex":0.000031801734,"about_ca_system_score_gemma":0.000081720485,"threshold_uncertainty_score":0.9981947},"labels":[],"label_agreement":null},{"id":"W2605488962","doi":"","title":"Imagining the first French empire: Bande dessinée and the Atlantic","year":2017,"lang":"en","type":"article","venue":"Stirling Online Research Repository (University of Stirling)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Empire; Art; Ancient history; Art history; History","score_opus":0.06694216348160174,"score_gpt":0.29262256952289584,"score_spread":0.22568040604129408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605488962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97667193,0.0014581052,0.000054045693,0.0125471745,0.00033965526,0.00029729836,0.000020323903,0.0000324127,0.008579023],"genre_scores_gemma":[0.99471354,0.00048409018,0.00012287241,0.000023570914,0.00050922664,9.363812e-7,0.0000056891313,0.000012908612,0.0041271434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846953,0.00020485495,0.00018872251,0.0003122814,0.000481902,0.00034271815],"domain_scores_gemma":[0.99768835,0.0008307822,0.00025048832,0.0007053106,0.0004407224,0.00008436696],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0014328519,0.00014909271,0.00027467168,0.000118868986,0.010205284,0.00064717076,0.001020933,0.000051805757,0.00004133073],"category_scores_gemma":[0.00021020896,0.00010020381,0.00013353823,0.00005602574,0.006251843,0.00030735703,0.000566103,0.0006623721,0.0000034470265],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015794116,0.0006922629,0.11355649,0.0007067854,0.0012127957,0.00041876565,0.47910178,0.0001346029,0.0011319804,0.3728691,0.011344134,0.017251872],"study_design_scores_gemma":[0.011633612,0.00068235816,0.22988524,0.0021163726,0.00054702885,0.00010178289,0.2913943,0.062151097,0.00015221447,0.028039606,0.3719529,0.0013434971],"about_ca_topic_score_codex":0.019643115,"about_ca_topic_score_gemma":0.014406785,"teacher_disagreement_score":0.36060876,"about_ca_system_score_codex":0.000028222501,"about_ca_system_score_gemma":0.00014577738,"threshold_uncertainty_score":0.99645257},"labels":[],"label_agreement":null},{"id":"W2606260301","doi":"10.1177/1097184x17703157","title":"The Enemy Is The Centre: The Dilemma of Normative Masculinity in Darwyn Cooke’s <i>DC: The New Frontier</i>","year":2017,"lang":"en","type":"article","venue":"Men and Masculinities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Masculinity; Comics; Sociology; HERO; Gender studies; Narrative; Adventure; Ideology; Aesthetics; Popular culture; Normative; White (mutation); Racism; Frontier; Politics; Literature; Law; History; Media studies; Art; Art history; Political science","score_opus":0.022489960987995987,"score_gpt":0.22858921393348297,"score_spread":0.20609925294548698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606260301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30471584,0.009712158,0.000033898552,0.32141218,0.0018621349,0.0018270302,0.00028727387,0.000046896756,0.3601026],"genre_scores_gemma":[0.9721162,0.0040047555,0.0000074791906,0.00065758085,0.0004208277,0.000029111152,0.0000032924422,0.000011959857,0.022748796],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988224,0.00022654033,0.0002879403,0.00015908846,0.00024444316,0.00025958096],"domain_scores_gemma":[0.9981782,0.0006927726,0.00028086812,0.0007061746,0.0001023084,0.0000396915],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00087219704,0.0001947918,0.0002452899,0.000025770376,0.003416672,0.0010740366,0.00081218174,0.000036322606,0.00019196479],"category_scores_gemma":[0.00012579688,0.00007261885,0.0001667108,0.000025095744,0.0022508013,0.00024864502,0.00025909452,0.00028997913,0.0000053221124],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068378904,0.000023002718,0.0005087051,0.000017079055,0.00017814296,0.0000013405365,0.5063958,0.0000011309467,0.0000040323284,0.41129342,0.07721561,0.004293328],"study_design_scores_gemma":[0.0005749389,0.000035978377,0.002388931,0.000035009463,0.00005074803,0.0000014638144,0.27637294,0.00012097483,0.000091156486,0.037461296,0.68274176,0.00012480626],"about_ca_topic_score_codex":0.0022815191,"about_ca_topic_score_gemma":0.011928344,"teacher_disagreement_score":0.66740036,"about_ca_system_score_codex":0.000012074958,"about_ca_system_score_gemma":0.000085433545,"threshold_uncertainty_score":0.9999629},"labels":[],"label_agreement":null},{"id":"W2606919345","doi":"10.1093/acrefore/9780190264079.013.50","title":"Crime, Justice, and Anglo-American Comics","year":2017,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Criminology and Criminal Justice","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Mary's University","funders":"","keywords":"Comics; Criminology; Mainstream; Political science; Harm; Retributive justice; Law; Economic Justice; Criminal justice; Censorship; Politics; Narrative; Sociology; Art; Literature","score_opus":0.1361420101841104,"score_gpt":0.36457210342177987,"score_spread":0.22843009323766947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606919345","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03452796,0.015868166,0.000012889505,0.00036439727,0.0014638555,0.00041635553,0.00044571073,0.000054127268,0.94684654],"genre_scores_gemma":[0.025882613,0.78561836,0.0003061982,0.00014017831,0.002140872,0.00006506961,0.00013630683,0.00011218375,0.18559821],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99672496,0.00037268814,0.00058159075,0.00081091485,0.0005718328,0.0009380084],"domain_scores_gemma":[0.9965598,0.0011991478,0.0005633275,0.00074407965,0.00061035214,0.00032326905],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.000697585,0.00053492526,0.0011200589,0.00095510745,0.0015265811,0.00026422157,0.0007125281,0.0004099696,0.0002566067],"category_scores_gemma":[0.00086814165,0.00046876073,0.00013159569,0.00004810178,0.00859818,0.00020695908,0.000705148,0.0018046341,0.000007240212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004016949,0.00021191196,0.0000619423,0.009370647,0.00023773055,0.000116869494,0.016751757,8.3796e-8,0.0000013300089,0.5566244,0.1988474,0.21737425],"study_design_scores_gemma":[0.0005246656,0.0010432714,0.00074062066,0.00047906017,0.0034594473,0.000045400975,0.037381206,0.000019933457,0.0000030248457,0.00773726,0.9480524,0.00051368674],"about_ca_topic_score_codex":0.0016822979,"about_ca_topic_score_gemma":0.0008011676,"teacher_disagreement_score":0.76975024,"about_ca_system_score_codex":0.000029984098,"about_ca_system_score_gemma":0.0003929139,"threshold_uncertainty_score":0.9997764},"labels":[],"label_agreement":null},{"id":"W2606940268","doi":"","title":"Appel à communication : \"Immigration, littérature, BD et arts visuels\" (jusqu'au 15 décembre 2016)","year":2016,"lang":"fr","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Immigration; Art; Political science","score_opus":0.02453346273300371,"score_gpt":0.25556063697104603,"score_spread":0.2310271742380423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606940268","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025893454,0.07047216,0.0022761375,0.33639407,0.0029910675,0.00091587775,0.00060969207,0.00024262407,0.5602049],"genre_scores_gemma":[0.40976208,0.0123663945,0.00022248457,0.0014932483,0.0008366421,0.000030322259,0.000103513106,0.000042877673,0.57514244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798656,0.00031471188,0.0005743695,0.0004112266,0.00023944763,0.00047370346],"domain_scores_gemma":[0.9978754,0.00039191876,0.00025613923,0.0008874569,0.00041485473,0.00017424267],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005715769,0.00038293144,0.00035223918,0.00018361295,0.0008967429,0.00049288105,0.00041011162,0.00021733451,0.003784513],"category_scores_gemma":[0.00005595485,0.00026075324,0.00023519923,0.00013429997,0.0008785932,0.0008756979,0.00017139206,0.0002952217,0.0008595725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028998807,0.0001852489,0.00012290313,0.00003654896,0.00007689937,0.0000018386658,0.010656485,6.4169967e-7,0.00019741572,0.67729545,0.29686853,0.014529017],"study_design_scores_gemma":[0.0006666463,0.0001519997,0.0010477488,0.00053475215,0.00005050873,0.000007787701,0.005787469,0.0000668699,0.00025111096,0.05611437,0.93488544,0.00043530518],"about_ca_topic_score_codex":0.00335136,"about_ca_topic_score_gemma":0.02644661,"teacher_disagreement_score":0.6380169,"about_ca_system_score_codex":0.000091168426,"about_ca_system_score_gemma":0.00041611327,"threshold_uncertainty_score":0.99998444},"labels":[],"label_agreement":null},{"id":"W2617712943","doi":"10.22230/cjc.2017v42n2a3238","title":"La Parodie dans la bande dessinée franco-belge : critique ou esthétisme?","year":2017,"lang":"fr","type":"article","venue":"Canadian Journal of Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art","score_opus":0.02754749006641979,"score_gpt":0.27273445299186155,"score_spread":0.24518696292544176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617712943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3043158,0.09312616,0.0004347667,0.096380636,0.0021258239,0.00022432358,0.00024927378,0.000010934327,0.5031323],"genre_scores_gemma":[0.986859,0.006841276,0.00022799788,0.00018352826,0.00037166412,0.0000039736587,0.000008496041,0.000026081152,0.0054779495],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983646,0.0006373639,0.0004872446,0.00010220507,0.0001278338,0.0002807179],"domain_scores_gemma":[0.99714714,0.00032972908,0.00069014245,0.0009880991,0.00038693662,0.00045797596],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001153413,0.00018224547,0.0003001284,0.00021866211,0.0028243128,0.0014679672,0.0012797097,0.00018070173,0.0004395037],"category_scores_gemma":[0.00022956674,0.00018750166,0.00019170543,0.000028222925,0.0021594684,0.00074893277,0.000047437792,0.0008440485,0.000011392591],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012742255,0.00004790817,0.0034235315,0.00003210932,0.00009542958,0.0001204967,0.033504035,0.000008721902,0.000012991408,0.9267142,0.011891751,0.02413609],"study_design_scores_gemma":[0.00048554406,0.00007837143,0.032084394,0.0008529144,0.00007647259,0.0002021361,0.0061937626,0.000067813606,0.000022446338,0.047133844,0.9125972,0.00020512653],"about_ca_topic_score_codex":0.043628,"about_ca_topic_score_gemma":0.61983305,"teacher_disagreement_score":0.9007054,"about_ca_system_score_codex":0.00013309414,"about_ca_system_score_gemma":0.0011967969,"threshold_uncertainty_score":0.9995686},"labels":[],"label_agreement":null},{"id":"W2618153373","doi":"10.4000/books.psn.203","title":"Le récit minimal en bande dessinée","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses Sorbonne Nouvelle eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.026227585792858103,"score_gpt":0.21425927089257496,"score_spread":0.18803168509971685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618153373","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058737076,0.01531904,0.000109587796,0.0014806376,0.002273138,0.0007877218,0.00048132657,0.00015547095,0.9735194],"genre_scores_gemma":[0.53326553,0.0010223901,0.00016732415,0.00016078049,0.0035020297,0.00006494114,0.000088221335,0.00018949373,0.4615393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996526,0.00013897839,0.00096678117,0.0008688488,0.0004858304,0.0010135757],"domain_scores_gemma":[0.99728703,0.000679482,0.0005882481,0.000803054,0.0002503716,0.000391811],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037450524,0.0011103195,0.0010974584,0.00034356886,0.0017017501,0.00052092364,0.0007421168,0.00068103446,0.010870608],"category_scores_gemma":[0.000038831182,0.0011095628,0.000694326,0.000012252382,0.0019289547,0.0002444957,0.0005492498,0.0010352965,0.00045799915],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014363693,0.00017430523,0.000058298578,0.0003585195,0.0005656488,0.000033504326,0.024851026,0.00000273648,0.00047075498,0.95623314,0.0022418262,0.014866608],"study_design_scores_gemma":[0.00089576346,0.00023064193,0.00007617825,0.0005487009,0.000398169,0.000026145206,0.0029662764,0.00005098179,0.0008728536,0.06925744,0.9233345,0.0013423668],"about_ca_topic_score_codex":0.0015912061,"about_ca_topic_score_gemma":0.0031025244,"teacher_disagreement_score":0.9210927,"about_ca_system_score_codex":0.00006633282,"about_ca_system_score_gemma":0.00043196866,"threshold_uncertainty_score":0.9995979},"labels":[],"label_agreement":null},{"id":"W2618935143","doi":"10.4000/belphegor.1005","title":"Windows of Cognition : Contemporary French Comics and the Cultural Middlebrow","year":2017,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Middlebrow; Comics; Salient; Art; Aesthetics; Literature; Sociology; History","score_opus":0.05921080552889718,"score_gpt":0.2607733010935463,"score_spread":0.2015624955646491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618935143","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44611973,0.06799391,0.000022368795,0.031155197,0.0023840787,0.0010899939,0.0010928015,0.000040915438,0.45010102],"genre_scores_gemma":[0.9539188,0.0009863318,0.00003263922,0.00014322049,0.0004744417,0.000014662407,0.000018162946,0.000018922832,0.04439278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992227,0.000085898624,0.00026371152,0.00016206809,0.00011329351,0.00015234888],"domain_scores_gemma":[0.99895966,0.00014088061,0.00039558904,0.00033026966,0.000121874684,0.000051705523],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002491807,0.00016307185,0.00030439472,0.000039896928,0.001182055,0.0003832291,0.00023573643,0.00007396273,0.00020663813],"category_scores_gemma":[0.00006100187,0.00010865585,0.00012443463,0.000012868219,0.0040904284,0.00033667343,0.000119273485,0.0001565353,0.000006576074],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117027004,0.00008340385,0.001153525,0.00011354798,0.0001524209,0.0000044313883,0.017727932,8.5637e-8,0.00006567804,0.94412476,0.03450136,0.0019558272],"study_design_scores_gemma":[0.010040455,0.00029267752,0.013229095,0.0006492269,0.00030846082,0.000022675073,0.017810604,0.0005895745,0.00031944428,0.112507775,0.8436996,0.0005304089],"about_ca_topic_score_codex":0.0056050895,"about_ca_topic_score_gemma":0.00252561,"teacher_disagreement_score":0.831617,"about_ca_system_score_codex":0.0000048129095,"about_ca_system_score_gemma":0.000036926907,"threshold_uncertainty_score":0.99861985},"labels":[],"label_agreement":null},{"id":"W2626166900","doi":"","title":"Images, Speech Balloons, and Artful Representation: Comics as Visual Narratives of Early Career Teachers.","year":2017,"lang":"en","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Comics; Representation (politics); Visual arts; Art; Literature; Political science","score_opus":0.03297151760721808,"score_gpt":0.2520385599512732,"score_spread":0.21906704234405514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626166900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94322556,0.00015903873,0.000031801083,0.0013770334,0.00011398397,0.00014481382,0.000065267166,0.000023827975,0.054858662],"genre_scores_gemma":[0.9789488,0.00006880629,0.00058715034,0.000016644903,0.00008582527,2.2519404e-7,0.000009907731,0.00001221359,0.020270448],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99935555,0.00004571229,0.000114057184,0.00020837253,0.00016174847,0.00011458335],"domain_scores_gemma":[0.9991738,0.00005090142,0.00029840323,0.00028295632,0.00012747463,0.000066438144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000108528424,0.000109619825,0.00025338394,0.00013263665,0.00059863244,0.00009388895,0.00028329174,0.000055197754,0.000466344],"category_scores_gemma":[0.000030061377,0.00012572443,0.000090006855,0.000028214947,0.0010980184,0.00039527798,0.0001824381,0.00010974091,0.0000050289423],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051109353,0.00050129986,0.13667977,0.00012621497,0.0006865089,0.00012281864,0.51252306,0.0000021495432,0.003571584,0.29080647,0.037427034,0.017042017],"study_design_scores_gemma":[0.004697852,0.0012523517,0.27762306,0.00023474809,0.00018258917,0.000013533477,0.5437531,0.00016870233,0.000944289,0.022554513,0.1477346,0.0008406952],"about_ca_topic_score_codex":0.004804903,"about_ca_topic_score_gemma":0.0044165077,"teacher_disagreement_score":0.26825196,"about_ca_system_score_codex":0.0000091012,"about_ca_system_score_gemma":0.0000427751,"threshold_uncertainty_score":0.72636086},"labels":[],"label_agreement":null},{"id":"W2626199637","doi":"","title":"Autopsie d’un film érotique / Canada [Québec], 1999, 52 minutes","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.0038040528814265156,"score_gpt":0.1304373540071647,"score_spread":0.12663330112573817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626199637","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3499702,0.30809626,0.000007806482,0.2621029,0.0010158276,0.00036630515,0.00093817536,0.00010672103,0.07739581],"genre_scores_gemma":[0.08722986,0.015717763,0.00008604781,0.0013512949,0.0005435886,0.0000070670453,0.00005658575,0.000047348567,0.89496046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998201,0.0001171036,0.00027136903,0.0004398926,0.00028562362,0.0006850115],"domain_scores_gemma":[0.9988246,0.00017793909,0.00013719681,0.0004169362,0.000105021274,0.0003382877],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011755731,0.00039887088,0.00040257114,0.0001265231,0.0020146358,0.00009051004,0.00041494129,0.00016901971,0.027819976],"category_scores_gemma":[0.000013149324,0.00045388678,0.00024191948,0.00014617227,0.0003710411,0.00023665946,0.00012237224,0.00036330562,0.00015688944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009311567,0.00011140863,0.00018714517,0.00004686695,0.00028214112,0.002070333,0.0066335676,0.00016897303,0.000019052806,0.13749953,0.79919195,0.05369591],"study_design_scores_gemma":[0.0007467781,0.000112221045,0.0005578368,0.00008764743,0.00014677808,0.00017266597,0.0033735028,0.0011029402,0.000067977235,0.0018398137,0.99126136,0.00053045194],"about_ca_topic_score_codex":0.9935271,"about_ca_topic_score_gemma":0.9997195,"teacher_disagreement_score":0.8175646,"about_ca_system_score_codex":0.0045984765,"about_ca_system_score_gemma":0.00065198296,"threshold_uncertainty_score":0.99979126},"labels":[],"label_agreement":null},{"id":"W2733141885","doi":"10.18274/fnla2194","title":"Haunting Emotions: Visualizing Hamlet's Melancholy for Students in Two Recent Graphic Novel Adaptations","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Psychology; Art; Visual arts; Cognitive psychology; Computer graphics (images); Computer science; Literature","score_opus":0.077032811144916,"score_gpt":0.34390259072108664,"score_spread":0.26686977957617064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733141885","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9697476,0.001682426,0.0072421115,0.016969841,0.0012836003,0.0009812666,0.000121574536,0.000058838214,0.001912746],"genre_scores_gemma":[0.9978737,0.0010063783,0.000322296,0.00016264862,0.00026848674,0.000017754424,0.0000146129805,0.000019492574,0.00031463237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988201,0.00007008256,0.0004917938,0.00012238513,0.00028067318,0.00021494944],"domain_scores_gemma":[0.99887043,0.0003275685,0.00032956456,0.00011555708,0.00030172008,0.000055154418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012750998,0.00012601317,0.00019534928,0.00048364882,0.0007531887,0.00023758473,0.00021660735,0.000026027272,0.000041055784],"category_scores_gemma":[0.0001844698,0.00009188107,0.0001111383,0.00032466464,0.00013601675,0.0002999493,0.00003865091,0.00023894764,0.0000015984073],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026542536,0.000717712,0.009861485,0.00010229039,0.00064598693,0.000009281302,0.4702405,0.0025704745,0.0017267095,0.48985812,0.011811656,0.012190373],"study_design_scores_gemma":[0.007306909,0.00048650947,0.06466447,0.0005541747,0.00035210853,0.00003727256,0.7375712,0.008466552,0.000032464224,0.03751183,0.14233471,0.00068182306],"about_ca_topic_score_codex":0.000085933534,"about_ca_topic_score_gemma":0.0020555623,"teacher_disagreement_score":0.4523463,"about_ca_system_score_codex":0.000029213037,"about_ca_system_score_gemma":0.00006792699,"threshold_uncertainty_score":0.57929945},"labels":[],"label_agreement":null},{"id":"W2737868440","doi":"10.1080/00210862.2017.1338400","title":"Framed Memories: The Politics of Recollection in Mana Neyestani’s <i>An Iranian Metamorphosis</i>","year":2017,"lang":"en","type":"article","venue":"Iranian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Cartoonist; Memoir; Comics; Politics; Narrative; Diaspora; Paradise; Context (archaeology); Literature; History; Sociology; Aesthetics; Art; Gender studies; Political science; Art history; Law","score_opus":0.1095606110956863,"score_gpt":0.3246642556932658,"score_spread":0.2151036445975795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737868440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9550277,0.0027157685,0.000005299565,0.005617031,0.0015316983,0.0004338173,0.00008349855,0.00004190811,0.0345433],"genre_scores_gemma":[0.9937769,0.0005485747,0.000046470606,0.0002504687,0.00038357722,0.00002984799,0.0000019247166,0.000018399567,0.004943825],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989067,0.00008545049,0.00035599194,0.00022000316,0.00018088715,0.00025098506],"domain_scores_gemma":[0.9987896,0.00015179519,0.0002573869,0.00056791666,0.00019395277,0.000039315153],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00036379395,0.0001844313,0.00040005767,0.00012371878,0.0018889693,0.00022694319,0.0003858215,0.000039155882,0.000101906146],"category_scores_gemma":[0.00018289879,0.00012452589,0.00010978732,0.00005495044,0.0010226116,0.00027858402,0.00009869369,0.0001726251,0.0000048880925],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009761545,0.00024111263,0.008092651,0.00013751889,0.0006444746,0.000017761375,0.5526452,0.0000041418034,0.00015897251,0.42847696,0.0069379075,0.0025456662],"study_design_scores_gemma":[0.0021558348,0.00064373465,0.04457375,0.00028714412,0.00029241235,0.000005265753,0.41490418,0.000107219144,0.0007559608,0.1468391,0.38869673,0.0007386761],"about_ca_topic_score_codex":0.0013957843,"about_ca_topic_score_gemma":0.04807043,"teacher_disagreement_score":0.3817588,"about_ca_system_score_codex":0.000037762096,"about_ca_system_score_gemma":0.000026674581,"threshold_uncertainty_score":0.99941045},"labels":[],"label_agreement":null},{"id":"W2737880089","doi":"","title":"A graphic history : The rise of the illustrated novel in Canadian literature","year":2012,"lang":"en","type":"article","venue":"uO Research (University of Ottawa)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Ottawa","keywords":"History; Computer science","score_opus":0.07878548896191259,"score_gpt":0.2415146201924885,"score_spread":0.16272913123057592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737880089","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8679975,0.0010531545,7.832516e-7,0.0044766036,0.00021742118,0.00026765183,0.000111890746,0.000005310856,0.12586968],"genre_scores_gemma":[0.9886274,0.000050828574,0.000006346003,0.000020005315,0.000042371426,3.3850722e-7,0.0000027545054,0.000004083789,0.011245883],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990954,0.00017056415,0.00007407954,0.00008913515,0.0002489284,0.00032193534],"domain_scores_gemma":[0.9992654,0.0000930138,0.00004986442,0.0002460629,0.00023817252,0.00010749469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088071614,0.000060004877,0.00010110047,0.00045640435,0.0003868953,0.00001576207,0.00047638462,0.000047745478,0.0006794577],"category_scores_gemma":[0.000043936336,0.000042397278,0.000083913794,0.0003162594,0.0012632053,0.00018010581,0.000073540825,0.00040799196,0.0000029462701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005370923,0.00008604577,0.035576537,0.000027013262,0.000028282973,0.0000033035412,0.10839697,0.0000013268301,0.00025154013,0.8403443,0.015112468,0.00016683993],"study_design_scores_gemma":[0.00025805843,0.00003174036,0.09319592,0.000048829854,0.000005613067,8.549086e-7,0.022645509,0.000084651634,0.000009154205,0.00063623476,0.88302207,0.00006135576],"about_ca_topic_score_codex":0.11680742,"about_ca_topic_score_gemma":0.8394647,"teacher_disagreement_score":0.8679096,"about_ca_system_score_codex":0.00012756686,"about_ca_system_score_gemma":0.00028087373,"threshold_uncertainty_score":0.88907385},"labels":[],"label_agreement":null},{"id":"W2738715208","doi":"10.3138/jrpc.29.2.4076","title":"Champion of the Oppressed: Redescribing the Jewishness of Superman as Populist Authenticity Politics","year":2017,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Superman; Left-wing politics; Comics; Politics; Populism; HERO; Sociology; Political radicalism; Ideology; Judaism; Gender studies; Identity politics; Identity (music); Jewish identity; Media studies; Religious studies; Literature; Law; Political science; Aesthetics; History; Art history; Theology; Philosophy; Art","score_opus":0.028667636822658063,"score_gpt":0.2607952921087534,"score_spread":0.23212765528609536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738715208","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9926099,0.0021168431,0.0000027754345,0.0025996133,0.00058618677,0.00007707611,0.000020197876,0.000001935376,0.0019854836],"genre_scores_gemma":[0.9948261,0.0014656753,0.00000915915,0.00013392328,0.0002937398,3.5117904e-7,0.0000013680765,0.0000057386615,0.0032639774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992388,0.00006183492,0.00032707423,0.00006219933,0.00021826012,0.000091866736],"domain_scores_gemma":[0.99875647,0.000011049753,0.0006817859,0.000261593,0.00024805916,0.000041026444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024261966,0.00009218177,0.00021229811,0.000033809614,0.00073261955,0.00016844647,0.0003555201,0.00004984043,0.000011603624],"category_scores_gemma":[0.00011120898,0.000042397634,0.00019015437,0.000016383472,0.00035611144,0.00015423447,0.000073789015,0.0002258436,1.9962283e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037546793,0.000061137616,0.004806123,0.00006500136,0.00008532936,0.0000042472234,0.055925805,0.0000014469687,0.0023616946,0.922011,0.0143831065,0.00025754367],"study_design_scores_gemma":[0.0009501837,0.00029034214,0.0044732536,0.0008107895,0.00022981892,0.0001263229,0.011485166,0.00003390537,0.00336641,0.08498308,0.8930417,0.00020904017],"about_ca_topic_score_codex":0.0004105876,"about_ca_topic_score_gemma":0.00028042673,"teacher_disagreement_score":0.8786586,"about_ca_system_score_codex":0.000006298944,"about_ca_system_score_gemma":0.000021253674,"threshold_uncertainty_score":0.5634791},"labels":[],"label_agreement":null},{"id":"W2739264302","doi":"10.4000/communication.7376","title":"Le traitement médiagénique de Batman","year":2017,"lang":"fr","type":"article","venue":"Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics; Philosophy","score_opus":0.052069144114098916,"score_gpt":0.2909063033796861,"score_spread":0.23883715926558718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739264302","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10119127,0.045699466,0.00028347038,0.2245034,0.0006595656,0.00036148875,0.000069975984,0.00004686472,0.6271845],"genre_scores_gemma":[0.9610276,0.00973936,0.00048898614,0.00032089374,0.00022792348,0.000036348956,0.000026290476,0.000015160205,0.028117387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992922,0.00016711463,0.00018901832,0.00011327978,0.00006481665,0.0001736018],"domain_scores_gemma":[0.99805677,0.00007715936,0.00022060226,0.001468662,0.00011881792,0.000058002424],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004032629,0.000106827276,0.00012550941,0.000038211714,0.0032867407,0.0007276896,0.0008170113,0.00006562131,0.00066768104],"category_scores_gemma":[0.000062404935,0.00012021128,0.00008795022,0.000008566493,0.0007806723,0.00033105892,0.00021881839,0.00020632836,0.000038044727],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056571944,0.00014974977,0.00023353778,0.000024195211,0.00003489394,5.997441e-7,0.014590374,0.0000023345306,0.00005361195,0.9365731,0.027443161,0.020888798],"study_design_scores_gemma":[0.00029438984,0.00004142387,0.0077127665,0.00014184909,0.000020905476,0.0000015829536,0.0030801557,0.0005731449,0.00012546906,0.10182162,0.8860466,0.00014013471],"about_ca_topic_score_codex":0.0064267255,"about_ca_topic_score_gemma":0.013251423,"teacher_disagreement_score":0.8598364,"about_ca_system_score_codex":0.000041112966,"about_ca_system_score_gemma":0.000116622825,"threshold_uncertainty_score":0.9980109},"labels":[],"label_agreement":null},{"id":"W2739943502","doi":"10.18740/s4362m","title":"Red Rosa: A Graphic Biography of Rosa Luxembourg","year":2017,"lang":"en","type":"article","venue":"Socialist studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Art; Art history","score_opus":0.09666667997761616,"score_gpt":0.3257765421815427,"score_spread":0.22910986220392657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2739943502","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7451019,0.013594896,0.000004747673,0.0478316,0.0055000517,0.00066359766,0.00086678076,0.00021285831,0.18622352],"genre_scores_gemma":[0.9957003,0.0013984938,0.000019489526,0.00017910235,0.0006363507,0.000026726108,0.0000075098496,0.000014467432,0.0020175746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99911463,0.00003901489,0.00026366912,0.00019838482,0.00017256953,0.0002117532],"domain_scores_gemma":[0.9988977,0.00008768532,0.00035260356,0.00034790876,0.00028143186,0.00003269757],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021806799,0.00016701773,0.00042375346,0.00014930338,0.002693074,0.0001837029,0.0002899705,0.00003973897,0.00010414169],"category_scores_gemma":[0.00016325708,0.00013793765,0.00033937633,0.000048995764,0.0024853845,0.00016089535,0.0001556869,0.000097799624,0.0000028511975],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024655754,0.00007581784,0.013265628,0.000062219784,0.0007274035,0.0000033315794,0.07000643,5.1853384e-8,0.00006116887,0.87192607,0.04320367,0.00064356154],"study_design_scores_gemma":[0.0011182477,0.00018611674,0.031568985,0.00015322556,0.0002059891,4.1027266e-7,0.07226442,0.000002461386,0.0001821839,0.5256026,0.36816445,0.00055091194],"about_ca_topic_score_codex":0.00045841205,"about_ca_topic_score_gemma":0.004572477,"teacher_disagreement_score":0.34632346,"about_ca_system_score_codex":0.000009943745,"about_ca_system_score_gemma":0.000020011834,"threshold_uncertainty_score":0.9986053},"labels":[],"label_agreement":null},{"id":"W2740350149","doi":"","title":"Oksman, Tahneer. “How Come Boys Get to Keep Their Noses?” : Women and Jewish American Identity in Contemporary Graphic Memoirs. New York : Columbia University Press, 2016.","year":2016,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Judaism; Identity (music); Art history; Art; History; Archaeology; Aesthetics","score_opus":0.028846886209356198,"score_gpt":0.23294675078005186,"score_spread":0.20409986457069568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2740350149","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9924498,0.00089172507,0.000039315422,0.0033771505,0.00064969796,0.00047892195,0.00018147622,0.00004467112,0.0018872082],"genre_scores_gemma":[0.9829758,0.0007492722,0.000084012405,0.000081774895,0.00040167678,0.00002124282,0.000004611627,0.000040138504,0.015641488],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9971677,0.0003723786,0.00058909925,0.0005415439,0.00036220383,0.00096704235],"domain_scores_gemma":[0.9979767,0.0002655271,0.00044782044,0.00037163755,0.00013379191,0.000804518],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012973339,0.00038015936,0.0007796142,0.00059606973,0.0008460421,0.0008241744,0.00071618095,0.00008897683,0.0002608315],"category_scores_gemma":[0.00006757024,0.00032953895,0.00014472718,0.00037950187,0.0008086866,0.0015508729,0.0005505183,0.00061063754,0.000006768493],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014520565,0.0008831741,0.32662866,0.00008001158,0.00036858878,0.00083853013,0.6079251,0.000011793583,0.0005134635,0.005768709,0.0424814,0.013048476],"study_design_scores_gemma":[0.009948571,0.0021742228,0.35356265,0.0007447495,0.000024672667,0.00015188061,0.3323505,0.00008729235,0.000011071164,0.06622032,0.2330665,0.0016575668],"about_ca_topic_score_codex":0.0016402,"about_ca_topic_score_gemma":0.017168792,"teacher_disagreement_score":0.27557465,"about_ca_system_score_codex":0.0005586116,"about_ca_system_score_gemma":0.00033724587,"threshold_uncertainty_score":0.99991566},"labels":[],"label_agreement":null},{"id":"W274648763","doi":"","title":"Manifesting Stories: The Progression of Comics from Print to Web to Print","year":2013,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Commons; Comics; Human sexuality; Criticism; Lesbian; Ethnic group; Political science; Gender studies; Sociology; Law","score_opus":0.02632068721910727,"score_gpt":0.2262124315644727,"score_spread":0.19989174434536544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W274648763","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98418856,0.000044316046,0.0007448764,0.0012966676,0.00027005543,0.0005092681,0.000055247776,0.00005314723,0.012837849],"genre_scores_gemma":[0.9948036,0.0000062957156,0.0012829365,0.00007565527,0.000105754334,0.0000018854694,0.0000067894025,0.00001619904,0.0037008699],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991829,0.000049714585,0.00015701927,0.00021244,0.0002154795,0.00018247093],"domain_scores_gemma":[0.9990723,0.00011039805,0.00017871018,0.00032582623,0.00020658661,0.00010619017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015939622,0.00013048176,0.00022421648,0.00013025806,0.00043214578,0.00008884929,0.00040387583,0.000039665632,0.00070012023],"category_scores_gemma":[0.000041520972,0.00011194647,0.000099709396,0.0000961871,0.00030430238,0.00015876084,0.00031477676,0.000114364106,0.000047635545],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000340932,0.00006212406,0.003770417,0.00002282248,0.00006684859,0.0000017906158,0.09521826,0.000019914289,0.00012893637,0.897802,0.002685049,0.0001877678],"study_design_scores_gemma":[0.000319145,0.00017052771,0.0035918772,0.00009395983,0.000029625653,7.9523664e-7,0.11084471,0.00016416062,0.000006242102,0.86153626,0.023052515,0.0001901891],"about_ca_topic_score_codex":0.0053569404,"about_ca_topic_score_gemma":0.010761463,"teacher_disagreement_score":0.036265723,"about_ca_system_score_codex":0.00003064671,"about_ca_system_score_gemma":0.000041182495,"threshold_uncertainty_score":0.8098127},"labels":[],"label_agreement":null},{"id":"W2754824004","doi":"10.3983/twc.2017.01063","title":"Rereading Superman as a trans f/man","year":2017,"lang":"en","type":"article","venue":"Transformative Works and Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Superman; Comics; Fandom; Reinterpretation; Scholarship; Passion; Literature; Narrative; HERO; Art; Reading (process); Aesthetics; Philosophy; Art history; Psychology","score_opus":0.022108293873744276,"score_gpt":0.2674043974193651,"score_spread":0.24529610354562084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754824004","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55236006,0.001064219,0.00010278412,0.004756173,0.0002093681,0.00025887726,0.00006284005,0.00006346168,0.44112223],"genre_scores_gemma":[0.9950941,0.0006110852,0.000014400713,0.00029634178,0.0001612164,0.00001621125,0.000013467451,0.000009716626,0.003783453],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993886,0.000020336642,0.00015561681,0.00014305334,0.00010087458,0.00019151554],"domain_scores_gemma":[0.9996438,0.000018139302,0.000054773674,0.00016022107,0.000047472364,0.00007559863],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00009186685,0.00016172293,0.00018391671,0.000039628856,0.0021475554,0.0009258679,0.00018523031,0.00004606075,0.00085117714],"category_scores_gemma":[0.0000059641843,0.000111073285,0.00009446287,0.000008254817,0.0004900247,0.0007792204,0.000011504809,0.00018575983,0.000015155104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054179596,0.000034724428,0.00011718372,0.00003222843,0.0000819452,0.000004279326,0.49195886,7.9056963e-7,0.00017094269,0.49093255,0.0028398063,0.013772497],"study_design_scores_gemma":[0.0014893475,0.00022400635,0.0032196261,0.0003496192,0.00007871119,0.000013393907,0.09198447,0.00011597146,0.0006206899,0.039736878,0.8615937,0.00057355105],"about_ca_topic_score_codex":0.00021522219,"about_ca_topic_score_gemma":0.0028539777,"teacher_disagreement_score":0.8587539,"about_ca_system_score_codex":0.000005342403,"about_ca_system_score_gemma":0.000007877657,"threshold_uncertainty_score":0.9991515},"labels":[],"label_agreement":null},{"id":"W2754881244","doi":"10.5325/intejperslite.2.1.0087","title":"Marjane Satrapi’s Persepolis through the Lens of Persian Historiography","year":2017,"lang":"en","type":"article","venue":"International Journal of Persian Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Historiography; Lens (geology); Literature; History; Persian; Linguistics; Philosophy; Art; Physics; Optics; Archaeology","score_opus":0.024524127994463,"score_gpt":0.26071636971323425,"score_spread":0.23619224171877126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754881244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37727466,0.021078326,0.000087315464,0.17662482,0.02347477,0.00035348465,0.0010597139,0.000028959828,0.40001795],"genre_scores_gemma":[0.9937327,0.00039790032,0.00012386942,0.00045694332,0.0025699115,8.3754003e-7,0.000008449743,0.000011756563,0.0026976413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988904,0.000053297113,0.0003496337,0.000116400646,0.0004578099,0.0001324585],"domain_scores_gemma":[0.9980573,0.000044876437,0.000733227,0.0002722814,0.0008481683,0.000044111923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021970253,0.00014739353,0.00021295353,0.00024145034,0.00046706793,0.0006888537,0.0010643299,0.00005817572,0.00066925294],"category_scores_gemma":[0.000052853135,0.000093813775,0.00056250684,0.000032003245,0.0005635204,0.00085436733,0.00005712375,0.00039272808,0.0000022293516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017325506,0.00013183079,0.0010875677,0.00001948125,0.0008798431,0.00009462589,0.40989694,0.0000030900683,0.00046877633,0.5440817,0.04170804,0.001454865],"study_design_scores_gemma":[0.0006424673,0.00016933346,0.00327424,0.00026427992,0.000064157524,0.00011094717,0.02151454,0.000006250146,0.00003173168,0.0073049245,0.9664733,0.00014384517],"about_ca_topic_score_codex":0.000104210914,"about_ca_topic_score_gemma":0.0001824165,"teacher_disagreement_score":0.9247652,"about_ca_system_score_codex":0.000042846288,"about_ca_system_score_gemma":0.000053747823,"threshold_uncertainty_score":0.73278505},"labels":[],"label_agreement":null},{"id":"W275710033","doi":"10.7202/1047792ar","title":"PRODUIRE DES PLANCHES POUR APPRENDRE À LIRE LA BD : QUELQUES DIPOSITIFS ET LEURS EFFETS DANS DES CLASSES DE CYCLE 3","year":2018,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.09794025533741899,"score_gpt":0.3205555736186442,"score_spread":0.2226153182812252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W275710033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9105004,0.014415113,0.0033934226,0.0069919955,0.00049914164,0.0009046872,0.0006716954,0.000342357,0.06228117],"genre_scores_gemma":[0.90768343,0.0065169954,0.03370058,0.00042910682,0.0041989824,0.00032573755,0.00014846737,0.00023622322,0.046760496],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99308,0.0038120258,0.00078104576,0.0008938304,0.00023452625,0.0011985764],"domain_scores_gemma":[0.9952331,0.0028119406,0.00037714397,0.0007010059,0.00045718902,0.00041963023],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0025745912,0.0008239671,0.0008419108,0.00026240182,0.0011402112,0.00082320714,0.0006393326,0.0009485361,0.00016977158],"category_scores_gemma":[0.001363864,0.00084987323,0.0004237385,0.0002844088,0.0028964584,0.0008761347,0.00021116043,0.0013547393,0.00005613749],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024536578,0.0015361949,0.049784243,0.0030753668,0.0007167964,0.00013206458,0.62930554,0.00029167195,0.006716475,0.23991981,0.0020011372,0.06627533],"study_design_scores_gemma":[0.0044903453,0.0031180237,0.19876078,0.011899849,0.0011138166,0.00075283874,0.088630565,0.041609954,0.07204292,0.34881938,0.22351013,0.0052513876],"about_ca_topic_score_codex":0.0077945776,"about_ca_topic_score_gemma":0.022265248,"teacher_disagreement_score":0.540675,"about_ca_system_score_codex":0.0011322261,"about_ca_system_score_gemma":0.0012257488,"threshold_uncertainty_score":0.9998171},"labels":[],"label_agreement":null},{"id":"W2758745273","doi":"10.20360/g2p38r","title":"Teaching Multimodal Literacy Through Reading and Writing Graphic Novels","year":2017,"lang":"en","type":"article","venue":"Language and Literacy","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literacy; Reading (process); Variety (cybernetics); Multimodality; Scholarship; Computer science; Mathematics education; Pedagogy; Visual arts; Linguistics; Psychology; Art; World Wide Web; Artificial intelligence; Political science; Philosophy","score_opus":0.01881616042287844,"score_gpt":0.2986057943338244,"score_spread":0.27978963391094597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758745273","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9707865,0.0019838153,0.000031724838,0.000632105,0.00016597961,0.00009880122,0.000037308815,0.00004318489,0.026220554],"genre_scores_gemma":[0.9949221,0.00008637344,0.0007045706,0.00045875448,0.0007531953,0.0000069673347,0.000013794053,0.00001703216,0.0030372113],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919575,0.000037955066,0.00020103225,0.0002661395,0.00008323384,0.00021590057],"domain_scores_gemma":[0.99933505,0.00012984034,0.00013784686,0.00029525146,0.000043433844,0.000058600544],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00020163713,0.00016294529,0.0001936044,0.00007755987,0.0017447738,0.0021300993,0.0001174838,0.000034407494,0.00012378406],"category_scores_gemma":[0.000056871253,0.00013421256,0.000055125893,0.000010312332,0.00021068782,0.0015771305,0.00012703855,0.00024248271,0.0000025592378],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014852852,0.000031617255,0.0054308684,0.00006946728,0.000031737847,0.000058316204,0.66360074,3.1614665e-8,0.00062112237,0.23716779,0.00006127733,0.09291216],"study_design_scores_gemma":[0.0062333136,0.00049532845,0.06638601,0.002688461,0.00021946676,0.00022162282,0.16774756,0.0043086116,0.00044419392,0.075453565,0.6729853,0.0028165525],"about_ca_topic_score_codex":0.0017121992,"about_ca_topic_score_gemma":0.00012380072,"teacher_disagreement_score":0.67292404,"about_ca_system_score_codex":0.0000036576446,"about_ca_system_score_gemma":0.0000047922385,"threshold_uncertainty_score":0.9995548},"labels":[],"label_agreement":null},{"id":"W2760195050","doi":"10.4148/2334-4415.1986","title":"Blair Davis. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers UP, 2016.","year":2017,"lang":"en","type":"article","venue":"Studies in 20th & 21st century literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Computer graphics (images); Art; Computer science; Literature","score_opus":0.038011952112183896,"score_gpt":0.2963627775785307,"score_spread":0.2583508254663468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760195050","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09770402,0.113352455,0.000036313184,0.04374921,0.022235364,0.005170147,0.0029544863,0.0007564415,0.71404153],"genre_scores_gemma":[0.82521033,0.012809014,0.0009827184,0.007283099,0.0056760656,0.00006611794,0.00020484545,0.000222338,0.14754546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758744,0.00008344517,0.0005044659,0.00074799603,0.0003328956,0.00074374524],"domain_scores_gemma":[0.9979307,0.00009663404,0.0002337698,0.0011687506,0.00022318009,0.00034697505],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0003063428,0.0005645109,0.0007369531,0.00038920215,0.001230065,0.001132791,0.0009515043,0.00014138469,0.00026956797],"category_scores_gemma":[0.00020794394,0.00046128698,0.0002227239,0.00016661125,0.00047114445,0.00044827847,0.00075857335,0.0005467825,0.00008538038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022337161,0.00009017099,0.0014962557,0.000082781466,0.00032039377,0.00007421961,0.17082527,0.000003629816,0.00011390981,0.14029248,0.68137306,0.005104488],"study_design_scores_gemma":[0.0011621275,0.00020417577,0.0017662589,0.001138534,0.00004085103,0.0000027215342,0.016075825,0.0000058857017,0.000035440542,0.0025899098,0.9762687,0.00070957677],"about_ca_topic_score_codex":0.0018074351,"about_ca_topic_score_gemma":0.015042128,"teacher_disagreement_score":0.72750634,"about_ca_system_score_codex":0.000078870915,"about_ca_system_score_gemma":0.00012301316,"threshold_uncertainty_score":0.99990416},"labels":[],"label_agreement":null},{"id":"W2761449212","doi":"10.1080/21504857.2017.1383284","title":"On the origin of superheroes: from the Big Bang to <i>Action Comics</i> No. 1","year":2017,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"King's University College; Western University","funders":"","keywords":"Comics; Action (physics); Art; Media studies; History; Aesthetics; Psychology; Literature; Sociology; Physics","score_opus":0.10474048725865802,"score_gpt":0.27994547647381746,"score_spread":0.17520498921515942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761449212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9762986,0.0001565053,0.000150811,0.007764632,0.002371289,0.00019905825,0.00015661183,0.000015776503,0.01288675],"genre_scores_gemma":[0.99623793,0.00028937004,0.00007703532,0.0012669717,0.0010811132,0.0000026542964,0.0000013917236,0.000045141278,0.000998409],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893194,0.00007109418,0.00042891578,0.00011901436,0.0002872617,0.00016177545],"domain_scores_gemma":[0.9977151,0.0005950811,0.0007961336,0.0005926758,0.00023061184,0.00007038011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005231757,0.00016887744,0.00031692232,0.00016036372,0.0006606766,0.0003026779,0.0008578338,0.00004810103,0.00013704009],"category_scores_gemma":[0.00021150529,0.00009098552,0.00025826183,0.000052701078,0.00044528014,0.00012418373,0.000074611424,0.00036412344,0.0000068709764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044028307,0.000245731,0.004973731,0.000012895574,0.00050689274,0.000006158793,0.011416245,0.000013432622,0.0052753016,0.7621403,0.21324065,0.0017283797],"study_design_scores_gemma":[0.0025258283,0.0009566269,0.012342649,0.0009002814,0.00023364532,0.000017626404,0.012183436,0.0002127098,0.0014912629,0.08634492,0.88220084,0.0005901471],"about_ca_topic_score_codex":0.0013775304,"about_ca_topic_score_gemma":0.0058320165,"teacher_disagreement_score":0.6757954,"about_ca_system_score_codex":0.000015457572,"about_ca_system_score_gemma":0.00005176973,"threshold_uncertainty_score":0.50814575},"labels":[],"label_agreement":null},{"id":"W2765962259","doi":"10.3167/eca.2014.070206","title":"Exhibition, Conference and Book Reviews","year":2014,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Comics; Exhibition; Art; Art history; Storytelling; Immigration; Visual arts; Humanities; History; Literature; Narrative","score_opus":0.03824740604715263,"score_gpt":0.21239850511560157,"score_spread":0.17415109906844894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765962259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02210337,0.0012928733,0.00033491218,0.0016929684,0.00025318048,0.00014596016,0.000006724131,0.00005842209,0.9741116],"genre_scores_gemma":[0.90538543,0.00087388686,0.000054009397,0.0034024727,0.0005320651,0.0000035045298,0.00001250545,0.000018331184,0.08971781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936324,0.00018836776,0.00016813891,0.00014376227,0.000041551866,0.00009492667],"domain_scores_gemma":[0.99967456,0.000034985245,0.00006083523,0.00015336466,0.000029971561,0.000046296253],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035901478,0.000089334506,0.00012964143,0.000032800577,0.00021116728,0.00012699411,0.00008117355,0.0000059939666,0.0019023718],"category_scores_gemma":[0.000027219328,0.00007180862,0.00003633429,0.000008569208,0.00019029864,0.00009138056,0.000048550886,0.00007402086,0.00092594983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004088911,0.000012996217,0.000058886755,0.0000138423775,0.0000054143584,0.0000012953851,0.007793638,7.357897e-8,0.00017269103,0.53346497,0.4534686,0.0050034965],"study_design_scores_gemma":[0.00015682304,0.00004022892,0.00032678782,0.00004490775,0.0000051496195,0.0000020341474,0.00014118568,0.000054568573,0.0000104567725,0.003021341,0.99609464,0.000101862155],"about_ca_topic_score_codex":0.0000027814096,"about_ca_topic_score_gemma":0.00005263168,"teacher_disagreement_score":0.88439375,"about_ca_system_score_codex":0.0000028799695,"about_ca_system_score_gemma":0.000003819507,"threshold_uncertainty_score":0.99985194},"labels":[],"label_agreement":null},{"id":"W2767679033","doi":"10.3828/eca.2.1.9","title":"Review Article, Report and Exhibition and Book Reviews","year":2009,"lang":"fr","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Treasure; Art; Art history; Exhibition; Unicorn; Comics; Humanities; Philosophy; Theology; Literature","score_opus":0.031760731442724954,"score_gpt":0.2505377597569659,"score_spread":0.21877702831424095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767679033","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061125564,0.784713,0.000021825126,0.027556948,0.00032253977,0.00043211854,0.000013849868,0.000032599968,0.18079457],"genre_scores_gemma":[0.012495464,0.7965485,0.00009436218,0.020843621,0.00077941426,0.000003620711,0.00002419735,0.000026340724,0.1691845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834365,0.00040187986,0.000607261,0.00034724482,0.00007833052,0.00022166088],"domain_scores_gemma":[0.99922234,0.00004385762,0.00023968304,0.00031030923,0.0000475787,0.00013625638],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011380087,0.00022296439,0.00038380173,0.000048295242,0.00038700455,0.00018177618,0.000072068106,0.000022649323,0.0009513269],"category_scores_gemma":[0.00008319275,0.00020106118,0.00009792785,0.000038116836,0.00036269013,0.00025686447,0.0000621446,0.00020687384,0.00036775603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000848175,0.00006185428,0.000045788227,0.00050358626,0.000016110247,0.00023967879,0.0017510429,4.62501e-8,0.00009149903,0.061125293,0.8883019,0.047854725],"study_design_scores_gemma":[0.00023522961,0.00015146054,0.001539686,0.004285845,0.00008765554,0.000445688,0.000073537696,0.000016456785,0.0000051126885,0.0019403376,0.99097943,0.00023955302],"about_ca_topic_score_codex":0.000007822955,"about_ca_topic_score_gemma":0.000018408693,"teacher_disagreement_score":0.10267755,"about_ca_system_score_codex":0.000013684161,"about_ca_system_score_gemma":0.000012041059,"threshold_uncertainty_score":0.9999619},"labels":[],"label_agreement":null},{"id":"W2767780329","doi":"10.1007/978-3-319-63300-8_9","title":"Paratextual Shakespearings: Comics’ Shakespearean Frame","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Frame (networking); Art; Literature; Computer science; Telecommunications","score_opus":0.06523084359500254,"score_gpt":0.23885215700640922,"score_spread":0.17362131341140669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767780329","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000032036325,0.00045534948,0.0000079517,0.00038162115,0.0007881601,0.0002425036,0.00020590716,0.00023989886,0.9976466],"genre_scores_gemma":[0.014714879,0.00017148179,0.00003120574,0.0003153619,0.001211158,0.000006321502,0.000087428445,0.00017876811,0.9832834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869287,0.000007904097,0.0003242405,0.00046523806,0.00022813975,0.00028161326],"domain_scores_gemma":[0.9985785,0.00004896427,0.00034237112,0.0008049093,0.00009868649,0.00012657304],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000112825735,0.00046887324,0.0005400015,0.00021141759,0.0005788282,0.00083342084,0.00056033814,0.00024164711,0.052877046],"category_scores_gemma":[0.000012425594,0.00040326748,0.00029784153,0.0000020651448,0.0007962903,0.00012729828,0.000171455,0.0004972326,0.001107961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000904041,0.00001105235,0.0000033781448,0.000013517692,0.00012350804,0.000016515334,0.0037835413,6.3897446e-8,0.0000010850242,0.8216369,0.1732476,0.0011537527],"study_design_scores_gemma":[0.00020906169,0.000067361056,0.000003559414,0.00012116287,0.00003619852,0.0000025955403,0.00034179955,0.000013651629,0.0000015488819,0.1386104,0.86010563,0.00048705502],"about_ca_topic_score_codex":0.00046712087,"about_ca_topic_score_gemma":0.009673226,"teacher_disagreement_score":0.686858,"about_ca_system_score_codex":0.00002337522,"about_ca_system_score_gemma":0.000050288047,"threshold_uncertainty_score":0.9998419},"labels":[],"label_agreement":null},{"id":"W2767833774","doi":"10.4000/books.pum.2544","title":"Chapitre 11. Mainmise, Québec-Presse et les revues de bande dessinée","year":2016,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Political science","score_opus":0.014718879675178482,"score_gpt":0.18307213002804493,"score_spread":0.16835325035286644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767833774","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022743186,0.03217022,0.00043507264,0.0071371268,0.0002625602,0.0005148548,0.000928747,0.00019965625,0.93560857],"genre_scores_gemma":[0.11225183,0.008578861,0.00031221085,0.00046925238,0.00070731237,0.000024118719,0.000037414018,0.00017515334,0.87744385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714565,0.00025244444,0.00049937394,0.00077244034,0.0003369407,0.0009931743],"domain_scores_gemma":[0.9973373,0.00067617366,0.00052347855,0.0007128146,0.0002466308,0.0005036247],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035651325,0.00090478844,0.0008103743,0.00034929515,0.0019664143,0.00035158958,0.00083794584,0.00066018436,0.018964607],"category_scores_gemma":[0.00004757416,0.00085257465,0.0006361248,0.000012601241,0.0013229586,0.0002297328,0.00073701545,0.00073146087,0.000097294316],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005002984,0.000067837835,0.0015093918,0.00032988418,0.00058953074,0.0007982815,0.045788474,0.000024544841,0.0006560019,0.91978115,0.014458323,0.015496296],"study_design_scores_gemma":[0.0012531385,0.00017308469,0.0021244164,0.0013267972,0.00060940697,0.0001346475,0.002036254,0.00016633984,0.0004369375,0.05993408,0.93074274,0.001062168],"about_ca_topic_score_codex":0.06771347,"about_ca_topic_score_gemma":0.35384375,"teacher_disagreement_score":0.9162844,"about_ca_system_score_codex":0.00070844725,"about_ca_system_score_gemma":0.00039319159,"threshold_uncertainty_score":0.9993925},"labels":[],"label_agreement":null},{"id":"W2768751464","doi":"10.1080/21504857.2017.1403337","title":"Frank Miller’s <i>Daredevil</i> and the ends of heroism","year":2017,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Comics; Miller; Art; History; Field (mathematics); Media studies; Art history; Visual arts; Literature; Sociology","score_opus":0.022742993402916793,"score_gpt":0.22720475857207173,"score_spread":0.20446176516915493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768751464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91815,0.0051307348,0.00012493231,0.007171761,0.0015847951,0.00020566782,0.000060142444,0.000013243577,0.06755873],"genre_scores_gemma":[0.9960601,0.0027365487,0.000096195654,0.00023267165,0.00035185518,0.0000012376984,3.812553e-7,0.000021031157,0.0005000271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990058,0.000048072325,0.0004899679,0.00009236617,0.00022453455,0.0001392852],"domain_scores_gemma":[0.9980486,0.00020916326,0.0011078933,0.00035389172,0.00021585391,0.00006459886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006558273,0.00014234228,0.0004373049,0.0001737346,0.0005775394,0.00023263795,0.0005117956,0.000038580278,0.00007055972],"category_scores_gemma":[0.00010783542,0.00008616047,0.00026219783,0.000029019098,0.001630051,0.00020157498,0.00009176933,0.00027742848,3.635862e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036712378,0.00009672271,0.0020284378,0.000036244513,0.0003160435,0.000011023768,0.016751908,0.0000012327179,0.00038873902,0.9683712,0.008790046,0.0028412486],"study_design_scores_gemma":[0.023248425,0.0010381347,0.019755928,0.0012162072,0.0007166293,0.0004110996,0.022527516,0.0004660605,0.0007335582,0.32937562,0.59939593,0.0011148689],"about_ca_topic_score_codex":0.00017878458,"about_ca_topic_score_gemma":0.0006268319,"teacher_disagreement_score":0.6389956,"about_ca_system_score_codex":0.000004437098,"about_ca_system_score_gemma":0.000037050537,"threshold_uncertainty_score":0.60059905},"labels":[],"label_agreement":null},{"id":"W2770894309","doi":"10.7202/1041926ar","title":"Iron Man : entre confusion identitaire et addiction à la technologie","year":2017,"lang":"fr","type":"article","venue":"Santé mentale au Québec","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Psychoanalysis; Identity (music); Psychic; Meaning (existential); Psychology; Ambiguity; Comics; Confusion; Drama; Aesthetics; Literature; Philosophy; Art; Psychotherapist","score_opus":0.016818412026990675,"score_gpt":0.2721476019110294,"score_spread":0.2553291898840387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2770894309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80669975,0.007363345,0.000010040314,0.020782191,0.002077598,0.00031614926,0.00026162103,0.00010620838,0.16238308],"genre_scores_gemma":[0.9519704,0.0020564725,0.000015195771,0.00016996998,0.00043971813,0.00002379338,0.000038246573,0.000028213315,0.04525802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998713,0.00009247736,0.0002799779,0.00035251235,0.00020628929,0.00035572302],"domain_scores_gemma":[0.9989155,0.00007585673,0.0002973249,0.0005835468,0.00004749361,0.000080296064],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024841577,0.00026749607,0.00024354733,0.00012085385,0.0028494056,0.0006898547,0.00042269085,0.00016770256,0.0033124874],"category_scores_gemma":[0.000050520914,0.00025678726,0.0001735314,0.000021115633,0.0016106146,0.00057815184,0.00033416075,0.00031866814,0.00023068879],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009680957,0.0006704345,0.015623364,0.00016623976,0.00023553625,0.00014106421,0.042160172,0.0000023217963,0.0018031144,0.58904815,0.03403182,0.31602097],"study_design_scores_gemma":[0.0009451406,0.00025187348,0.021850942,0.00047055335,0.0001254176,0.000021868287,0.030922623,0.00009173405,0.0007833702,0.0031942385,0.9409494,0.0003928452],"about_ca_topic_score_codex":0.19227414,"about_ca_topic_score_gemma":0.5980921,"teacher_disagreement_score":0.9069176,"about_ca_system_score_codex":0.00035407042,"about_ca_system_score_gemma":0.00032544768,"threshold_uncertainty_score":0.99998844},"labels":[],"label_agreement":null},{"id":"W2772607601","doi":"10.4000/belphegor.947","title":"Lund, Martin. Re-Constructing the Man of Steel, Superman 1938–1941, Jewish American History, and the Invention of the Jewish–Comics Connection","year":2017,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Superman; Comics; Judaism; Connection (principal bundle); History; Art history; Art; Literature; Engineering; Archaeology; Structural engineering","score_opus":0.03287324111593077,"score_gpt":0.2331313266415948,"score_spread":0.20025808552566404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772607601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9448165,0.0007823604,0.000004084781,0.0034131124,0.000744043,0.00036258137,0.000024607913,0.000018340197,0.049834315],"genre_scores_gemma":[0.99588406,0.000052945703,0.000015654074,0.00013397704,0.00017579597,0.000013111333,0.000002189446,0.000016775275,0.003705489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918765,0.0001343448,0.000274689,0.00013982566,0.00013854803,0.00012496563],"domain_scores_gemma":[0.9986126,0.000127428,0.0006475764,0.0005191252,0.000072586736,0.000020699841],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00042334385,0.000111194524,0.00021966889,0.00004367402,0.0007749987,0.00009758464,0.0003444641,0.000023292965,0.000096150485],"category_scores_gemma":[0.00010030135,0.000058822472,0.00012944537,0.000024577657,0.0033744099,0.00011171196,0.00014051863,0.00013946716,5.9504777e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099563396,0.000045223,0.025834221,0.00005641625,0.00012257324,3.964096e-7,0.02996441,8.325813e-7,0.0006424127,0.92156965,0.010603187,0.011061114],"study_design_scores_gemma":[0.005141018,0.0003725089,0.06441191,0.00030240882,0.0005006626,0.000027214195,0.09539014,0.001655567,0.0013161228,0.08451656,0.7456894,0.0006764851],"about_ca_topic_score_codex":0.0020498743,"about_ca_topic_score_gemma":0.012566395,"teacher_disagreement_score":0.83705306,"about_ca_system_score_codex":0.000020438534,"about_ca_system_score_gemma":0.000025430869,"threshold_uncertainty_score":0.99933785},"labels":[],"label_agreement":null},{"id":"W2774536142","doi":"10.4000/belphegor.1035","title":"J. Andrew Deman, The Margins of Comics: The Construction of Women, Minorities, and the Geek in Graphic Narrative","year":2017,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Geek; Comics; Narrative; Gender studies; History; Art; Sociology; Literature; Media studies","score_opus":0.018688834236697524,"score_gpt":0.22426208743850273,"score_spread":0.2055732532018052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774536142","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9869125,0.0011738873,0.0000023000052,0.00369916,0.00020300433,0.00032497826,0.0000411094,0.00000552626,0.0076375585],"genre_scores_gemma":[0.99843854,0.00037996747,0.000010768183,0.00008924153,0.00008040526,0.000038902857,0.0000011250497,0.00000840692,0.00095266924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993297,0.0001081691,0.00022313966,0.00010101212,0.00010018457,0.0001378207],"domain_scores_gemma":[0.9990489,0.00024010429,0.0002932312,0.00034274312,0.000057741312,0.000017271532],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00053837895,0.00009589685,0.00022381432,0.00006225911,0.0007182592,0.000097565324,0.00028935357,0.000025518179,0.00007667986],"category_scores_gemma":[0.000055620618,0.000044091594,0.000058289566,0.000030181398,0.004276603,0.000086906315,0.00007728658,0.00012322827,2.3737961e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009161464,0.000019227784,0.0046420735,0.000021180716,0.00005239778,3.80073e-7,0.20867574,2.7189654e-7,0.0000166908,0.7852427,0.0006058393,0.0006319298],"study_design_scores_gemma":[0.004035099,0.00019534967,0.04701489,0.00011875078,0.00006338504,0.000012456229,0.68452096,0.00022217256,0.00015435813,0.20603965,0.057379458,0.00024345878],"about_ca_topic_score_codex":0.0018867888,"about_ca_topic_score_gemma":0.013532697,"teacher_disagreement_score":0.579203,"about_ca_system_score_codex":0.000008433219,"about_ca_system_score_gemma":0.000026355669,"threshold_uncertainty_score":0.9984332},"labels":[],"label_agreement":null},{"id":"W2774958046","doi":"10.26522/vp.v14i2.1646","title":"La bédé exposée au musée : un défi à relever","year":2017,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Exposition (narrative); Humanities; Art history; Literature","score_opus":0.024925342211632975,"score_gpt":0.2433451169966118,"score_spread":0.21841977478497882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774958046","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64593387,0.008749532,0.000029320194,0.08845789,0.004548746,0.00029793545,0.0004551476,0.00007763433,0.2514499],"genre_scores_gemma":[0.7810377,0.0027000252,0.00009488054,0.00022104125,0.00208706,0.000018152188,0.000012317326,0.00004877727,0.21378005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982137,0.00016128154,0.00038478718,0.00044649746,0.00024196121,0.00055177667],"domain_scores_gemma":[0.99808437,0.00031164632,0.00031982022,0.0009746374,0.00012359643,0.00018595689],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004121696,0.00037715075,0.0003341261,0.000121323916,0.0035171579,0.0011999323,0.00066569087,0.0002492352,0.0029559382],"category_scores_gemma":[0.00015057421,0.0003496782,0.00030151868,0.000029118102,0.002218495,0.00046751066,0.00030677172,0.00046151064,0.00035497136],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074567986,0.0002003337,0.00069267966,0.0000704095,0.00018912442,0.00009642979,0.08056794,0.000002790527,0.000027586022,0.87118685,0.023420833,0.023470461],"study_design_scores_gemma":[0.0011467568,0.00012734054,0.0029870102,0.00023250753,0.000085944106,0.000013374985,0.0045872927,0.00012146493,0.00020265742,0.03552317,0.954509,0.00046348973],"about_ca_topic_score_codex":0.005034659,"about_ca_topic_score_gemma":0.008871656,"teacher_disagreement_score":0.93108815,"about_ca_system_score_codex":0.0000468814,"about_ca_system_score_gemma":0.00017756868,"threshold_uncertainty_score":0.9998955},"labels":[],"label_agreement":null},{"id":"W2775135043","doi":"10.3138/jrpc.29.3.3180","title":"When Is a Priest Not a Priest? Religious Visual Literacy in an Era of Identity Politics","year":2017,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Comics; Narrative; Identity (music); Spirituality; Relation (database); Mythology; Religious identity; Context (archaeology); Element (criminal law); Politics; Literacy; Visual literacy; Aesthetics; Sociology; Literature; Visual arts; Art; History; Political science; Social science; Law; Pedagogy; Computer science","score_opus":0.020078050496592465,"score_gpt":0.30599419520438537,"score_spread":0.2859161447077929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775135043","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99495345,0.0026826826,0.0000088545,0.0016412307,0.00032531185,0.000084281986,0.000023211924,0.0000043967757,0.0002765517],"genre_scores_gemma":[0.9914794,0.0060471063,0.00016660904,0.00057035265,0.000495638,8.2200927e-7,0.000004457424,0.000009984944,0.0012256072],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898255,0.00004725288,0.00047388088,0.000117205105,0.00023884496,0.00014028478],"domain_scores_gemma":[0.9986588,0.000008313531,0.00064688333,0.00020137642,0.0003786128,0.00010603841],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022033582,0.00013549185,0.00032357685,0.000108116124,0.00032656422,0.00067550555,0.00024070148,0.00008295277,0.000015221047],"category_scores_gemma":[0.0000786454,0.000097934855,0.00013224401,0.000020980748,0.00020142377,0.0010636715,0.000056032623,0.0003816916,8.9455546e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027066472,0.00032472823,0.040743988,0.00014390852,0.00009399763,0.00011761141,0.47548795,4.88327e-7,0.0006193174,0.4412798,0.039052162,0.0018653797],"study_design_scores_gemma":[0.0015990074,0.0008961961,0.0039076833,0.0006113326,0.00007448993,0.000099340265,0.0030059447,0.00005893462,0.00021083193,0.12062256,0.86861223,0.00030142406],"about_ca_topic_score_codex":0.000437725,"about_ca_topic_score_gemma":0.0010811664,"teacher_disagreement_score":0.8295601,"about_ca_system_score_codex":0.00001529609,"about_ca_system_score_gemma":0.000041975727,"threshold_uncertainty_score":0.65139157},"labels":[],"label_agreement":null},{"id":"W2776704115","doi":"10.21825/aj.v6i2.7766","title":"A Narrative Approach to Authorship: The Work of Evi Tampold from Her Mother/Publisher’s (and Her Own) Perspective","year":2017,"lang":"en","type":"article","venue":"Authorship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Perspective (graphical); Narrative; Point (geometry); Focus (optics); Dimension (graph theory); Visual arts; Work (physics); Sociology; Literature; Art; Engineering","score_opus":0.07032000059716986,"score_gpt":0.27795428483965195,"score_spread":0.2076342842424821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2776704115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76375324,0.0008106349,0.00004360575,0.014089833,0.0007870187,0.0007051039,0.00015974899,0.00006137315,0.21958944],"genre_scores_gemma":[0.969163,0.0000064795877,0.000263225,0.00033723796,0.0004985281,0.00009185003,0.000012044039,0.000039346665,0.029588258],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983289,0.0002630051,0.00029034083,0.00049346493,0.00028462283,0.00033965692],"domain_scores_gemma":[0.9980923,0.00032824875,0.000310682,0.0008478534,0.00024681876,0.00017411982],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006735258,0.00028886044,0.00038525276,0.000114695176,0.0013083104,0.0010999619,0.00073846045,0.00012960167,0.0019360111],"category_scores_gemma":[0.0005389363,0.00018753788,0.00016270377,0.00008281849,0.00094232376,0.00041464716,0.00020871569,0.0004503636,0.000021726786],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104350984,0.000082147904,0.0013726145,0.0000067301526,0.00013626808,8.3945065e-7,0.5592509,9.980079e-7,0.000014181229,0.42058617,0.018045787,0.00039904317],"study_design_scores_gemma":[0.0007790547,0.00020705516,0.07526255,0.00023241993,0.00010952642,0.0000014267987,0.3215682,0.00005898608,0.000049643724,0.4908985,0.1100933,0.00073932885],"about_ca_topic_score_codex":0.004897364,"about_ca_topic_score_gemma":0.003737562,"teacher_disagreement_score":0.23768267,"about_ca_system_score_codex":0.000037037946,"about_ca_system_score_gemma":0.000049848462,"threshold_uncertainty_score":0.99999183},"labels":[],"label_agreement":null},{"id":"W2782243183","doi":"10.1080/14725886.2017.1382103","title":"“Draw yourself out of it”: Miriam Katin’s graphic metamorphosis of trauma","year":2018,"lang":"en","type":"article","venue":"Journal of Modern Jewish Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Holocaust; Memoir; Nazism; Embodied cognition; Psychoanalysis; History; Sociology; Psychology; Media studies; Art history; Politics; Law; Political science; Epistemology; Philosophy","score_opus":0.10230995874953248,"score_gpt":0.3082058152908519,"score_spread":0.20589585654131942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2782243183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9590482,0.026833668,0.000106968444,0.002673718,0.0018799717,0.00014180045,0.000065332366,0.000010932541,0.009239378],"genre_scores_gemma":[0.9969559,0.0012401653,0.0002503529,0.00010569011,0.00071274716,0.0000028004747,6.207658e-7,0.000017133449,0.0007146304],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982043,0.000084225845,0.00095593603,0.0001388731,0.000418446,0.00019821664],"domain_scores_gemma":[0.9968836,0.00019020172,0.0011161608,0.00018827441,0.0015638417,0.000057978137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059070345,0.00020270639,0.0008538806,0.00035534066,0.00022641172,0.000037205384,0.00027777228,0.000041738498,0.00016043372],"category_scores_gemma":[0.00011965642,0.00014423819,0.00045593738,0.00007578347,0.0011663787,0.00023747265,0.00006957671,0.00017942008,0.0000020269586],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004892837,0.0011977674,0.0065498645,0.00039995665,0.009644045,0.000020903191,0.79334944,0.000017624561,0.00465201,0.057722937,0.090006225,0.035949964],"study_design_scores_gemma":[0.007642289,0.00970624,0.013938934,0.0024579065,0.0036144804,0.00005912963,0.21729684,0.00038691223,0.02216537,0.54546046,0.17565519,0.0016162682],"about_ca_topic_score_codex":0.000016246904,"about_ca_topic_score_gemma":0.0010742617,"teacher_disagreement_score":0.5760526,"about_ca_system_score_codex":0.000016504897,"about_ca_system_score_gemma":0.000043472195,"threshold_uncertainty_score":0.58818626},"labels":[],"label_agreement":null},{"id":"W2784901148","doi":"","title":"Sites of similarity, sites of difference: constructing Canada in the graphic narrative","year":2009,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Similarity (geometry); Narrative; Geography; Genealogy; Computer science; History; Art; Literature; Artificial intelligence","score_opus":0.02342419944040618,"score_gpt":0.24143534367541403,"score_spread":0.21801114423500784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784901148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8965322,0.0005121851,1.4298973e-7,0.00015835164,0.00016013124,0.00020882087,0.000088291716,0.0000053963918,0.10233451],"genre_scores_gemma":[0.9968154,0.000057789526,0.000017605638,0.00008618448,0.000057111163,0.0000072650996,0.0003165885,0.000006131944,0.0026359248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998717,0.0000898274,0.00049483735,0.00018394663,0.00036386753,0.00015051944],"domain_scores_gemma":[0.9987622,0.00031801933,0.00040714757,0.00017430096,0.00031890025,0.00001947123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017534419,0.00022050657,0.0004612907,0.00022423743,0.00016121533,0.000051893927,0.00027484403,0.00009866819,0.00047586169],"category_scores_gemma":[0.000061476414,0.0001450907,0.00011280383,0.00012329739,0.00021119445,0.000048566864,0.000011127022,0.0003650822,8.1728835e-8],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052885127,0.00010862989,0.009292178,0.00025263842,0.000116135,0.0000047420394,0.35712448,0.00000144109,0.00087506796,0.6289001,0.0021877065,0.0010839656],"study_design_scores_gemma":[0.00033396564,0.00016544678,0.027526788,0.00029318978,0.000061965424,0.0000012010546,0.92431396,0.000025138368,0.0013030483,0.044655092,0.00095264934,0.0003675514],"about_ca_topic_score_codex":0.24257329,"about_ca_topic_score_gemma":0.9950015,"teacher_disagreement_score":0.75242823,"about_ca_system_score_codex":0.0000128718775,"about_ca_system_score_gemma":0.00032271317,"threshold_uncertainty_score":0.7624705},"labels":[],"label_agreement":null},{"id":"W2785323738","doi":"10.26443/ijwpc.v5i1.143","title":"Introducing graphic medicine: care and comics","year":2018,"lang":"en","type":"article","venue":"International Journal of Whole Person Care","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian Institute of Mining, Metallurgy and Petroleum","funders":"","keywords":"Comics; Manifesto; Scope (computer science); Presentation (obstetrics); Mediation; Dimension (graph theory); Psychology; Sociology; Medicine; Computer science; Law; Social science; Surgery; Artificial intelligence","score_opus":0.019522784159509695,"score_gpt":0.2624074421205583,"score_spread":0.24288465796104858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785323738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90934366,0.008945732,0.00008943917,0.008716967,0.005517586,0.000083228304,0.00009225414,0.000027802893,0.067183316],"genre_scores_gemma":[0.994347,0.00011980949,0.00012398192,0.00029741426,0.004627478,5.432723e-7,0.000008283179,0.000014610771,0.00046090927],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993678,0.000020149102,0.00017830558,0.000096053926,0.00026017617,0.00007753838],"domain_scores_gemma":[0.9986203,0.000029737417,0.00017579872,0.00006402619,0.0010576051,0.000052574727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007993134,0.00008657147,0.00013775691,0.0003015887,0.00012265553,0.00009940035,0.00020079991,0.000022826976,0.0003012441],"category_scores_gemma":[0.00004038566,0.00006679214,0.000066975415,0.000024854853,0.00041447202,0.00013174141,0.000026436901,0.00012734921,0.0000024068192],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001051385,0.000016921458,0.006865261,0.00003576365,0.00027329696,0.00003955427,0.85003823,0.000002883748,0.000896066,0.051919803,0.04467859,0.04512849],"study_design_scores_gemma":[0.0010232249,0.00055376237,0.0006407223,0.0002709179,0.000037482507,0.00006864286,0.61039144,0.000033063672,0.000117453084,0.0006358657,0.38609552,0.00013190124],"about_ca_topic_score_codex":0.00014570789,"about_ca_topic_score_gemma":0.00088819244,"teacher_disagreement_score":0.34141693,"about_ca_system_score_codex":0.000032036416,"about_ca_system_score_gemma":0.00002618033,"threshold_uncertainty_score":0.32984117},"labels":[],"label_agreement":null},{"id":"W2785411967","doi":"","title":"La bande dessinée féministe humoristique au cours des décennies 1970 et 1980 au Québec : l'humour visuel comme outil d'appropriation des représentations","year":2017,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.028074262231792393,"score_gpt":0.2541667352807365,"score_spread":0.22609247304894414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785411967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9375058,0.0059769005,0.0016527154,0.028905442,0.00074103376,0.0004418788,0.00031724075,0.0001266507,0.024332382],"genre_scores_gemma":[0.9835799,0.0021516902,0.0005685726,0.00022377456,0.0005809684,0.000023443472,0.00006924943,0.000086954875,0.012715469],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9968877,0.0006497369,0.0005496335,0.0007128248,0.00037588886,0.0008242548],"domain_scores_gemma":[0.99649805,0.0008995421,0.00078113476,0.0010449324,0.00036039465,0.0004159269],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0007028046,0.00063694915,0.0006705774,0.00036425111,0.012083889,0.0009800314,0.0009438963,0.0002284074,0.0002717129],"category_scores_gemma":[0.00030349585,0.0006793433,0.0004958294,0.000098927994,0.0058036847,0.0013679373,0.0005261772,0.000715831,0.00007113732],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022880286,0.00041165756,0.036486387,0.00016523585,0.0003482689,0.00016046465,0.6554652,0.000048058893,0.0000542095,0.27777603,0.0008876625,0.02796803],"study_design_scores_gemma":[0.0022645826,0.00037786944,0.43871975,0.0005483612,0.0005379269,0.00008444571,0.43409202,0.0011024791,0.0000371008,0.038520545,0.08275918,0.00095573784],"about_ca_topic_score_codex":0.9713118,"about_ca_topic_score_gemma":0.99779445,"teacher_disagreement_score":0.40223336,"about_ca_system_score_codex":0.0013266149,"about_ca_system_score_gemma":0.0033014175,"threshold_uncertainty_score":0.9995658},"labels":[],"label_agreement":null},{"id":"W2792069462","doi":"10.1080/21504857.2018.1437054","title":"The Routledge companion to comics","year":2018,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":119,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Reading (process); Media studies; History; Visual arts; Art; Literature; Sociology; Linguistics; Philosophy","score_opus":0.029445311235469954,"score_gpt":0.25241872413829136,"score_spread":0.2229734129028214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792069462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8410827,0.0011974832,0.0030826807,0.011656245,0.008035966,0.00056797615,0.000089897156,0.00016507131,0.13412195],"genre_scores_gemma":[0.99394435,0.00017702849,0.00035147957,0.0007342058,0.0017627287,0.0000017041436,7.568245e-7,0.00006464186,0.0029631176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884534,0.000054031952,0.0004895644,0.000114114446,0.0002475049,0.0002494574],"domain_scores_gemma":[0.9986048,0.00019106394,0.0004421837,0.00026863106,0.00034604536,0.0001472944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005434885,0.0001654232,0.00028366645,0.00033302006,0.00057242217,0.00027428695,0.0005035833,0.000042604723,0.00007917457],"category_scores_gemma":[0.00006273087,0.00010905679,0.00019284216,0.00016187408,0.00061351195,0.00011028433,0.00007912721,0.00024481857,0.000013391004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013187113,0.000091997965,0.001160247,0.000005082945,0.00014298806,0.0000035652524,0.007965494,0.0000014254147,0.00046388045,0.79033387,0.19866191,0.0010376842],"study_design_scores_gemma":[0.00069585425,0.00046545616,0.0010182165,0.00009585623,0.000038975995,0.00003627399,0.0037268999,0.00014478539,0.00010688501,0.019234657,0.974213,0.00022315515],"about_ca_topic_score_codex":0.00008674476,"about_ca_topic_score_gemma":0.0032573412,"teacher_disagreement_score":0.7755511,"about_ca_system_score_codex":0.000020391435,"about_ca_system_score_gemma":0.000047524696,"threshold_uncertainty_score":0.4447207},"labels":[],"label_agreement":null},{"id":"W2792756038","doi":"10.3138/utq.87.1.110","title":"The Difference between Heroes and Monsters: Marvel Monsters and Their Transition into the Superhero Genre","year":2018,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Monster; Comics; Rhetoric; Archetype; Literature; Art; Narrative; Aesthetics; Ambiguity; Philosophy; Linguistics","score_opus":0.011255605760777037,"score_gpt":0.1769674910253688,"score_spread":0.16571188526459177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792756038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9952323,0.00071247766,0.00024981875,0.0015316843,0.00006903426,0.00011611013,0.000029314588,0.000012957192,0.0020463362],"genre_scores_gemma":[0.9989667,0.0001635521,0.000022740096,0.00002825812,0.00008480684,2.1663713e-7,0.0000024926733,0.0000037681716,0.00072745024],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99955565,0.00006878116,0.00007763265,0.00013034554,0.00006119351,0.000106404346],"domain_scores_gemma":[0.99958295,0.00013292085,0.000045788594,0.00014292156,0.000057122037,0.000038320246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000097937416,0.000097508055,0.00011622314,0.000014102356,0.00093380985,0.00009714289,0.00015736656,0.000026878408,0.00007484015],"category_scores_gemma":[0.0000012752204,0.000058377005,0.000044498032,0.000008105758,0.0012714721,0.00021493947,0.000020933629,0.000050930925,7.6332145e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005990151,0.000012204507,0.00087584107,0.000010085824,0.000085661544,4.5209015e-7,0.8784568,1.3813193e-8,0.00022648257,0.009508965,0.00018662038,0.110577],"study_design_scores_gemma":[0.00056326634,0.0009903423,0.04292972,0.000045294208,0.00005704964,0.0000012365416,0.92830765,0.00020426899,0.00003598557,0.004445401,0.022234168,0.00018563087],"about_ca_topic_score_codex":0.015955307,"about_ca_topic_score_gemma":0.18142532,"teacher_disagreement_score":0.16547002,"about_ca_system_score_codex":0.000016548316,"about_ca_system_score_gemma":0.000008921696,"threshold_uncertainty_score":0.99059755},"labels":[],"label_agreement":null},{"id":"W2792937481","doi":"10.26522/ssj.v11i2.1598","title":"Graphic Narratives, Trauma and Social Justice","year":2018,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Narrative; Embodied cognition; Relevance (law); Traumatic memories; Psychology; Sociology; Social psychology; Aesthetics; Epistemology; Cognitive psychology; Law; Political science; Art; Literature","score_opus":0.08868682538830427,"score_gpt":0.3429613807760496,"score_spread":0.25427455538774535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792937481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6934742,0.0038330301,0.000016091792,0.0068218135,0.006548805,0.00038167796,0.000084522915,0.000118016134,0.2887219],"genre_scores_gemma":[0.9880825,0.00029380576,0.000058170575,0.0009103953,0.008366145,0.000029711418,0.0000037581435,0.000019367899,0.0022361446],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987602,0.00012783906,0.0002858554,0.0003045839,0.00018329635,0.00033817507],"domain_scores_gemma":[0.99930245,0.0001989621,0.000111866015,0.00007309716,0.00028349573,0.000030133535],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00030373118,0.00021542382,0.00036308766,0.00014301421,0.00304089,0.000094661154,0.00013678084,0.00006871905,0.000132808],"category_scores_gemma":[0.0000858434,0.00019708903,0.00007687577,0.00014687747,0.0033911401,0.00017071617,0.00012604827,0.00023325063,0.000011823806],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043700707,0.00004098686,0.000027913738,0.00014986822,0.000096225274,0.0000046363243,0.49277857,2.332029e-8,0.000013046499,0.47341287,0.032183945,0.0012482087],"study_design_scores_gemma":[0.0006294409,0.00014568867,0.0008025307,0.000031634478,0.00026270383,0.0000012364358,0.71562284,0.000006510467,0.0000047747794,0.040424332,0.24178493,0.00028336464],"about_ca_topic_score_codex":0.000028768049,"about_ca_topic_score_gemma":0.0031531933,"teacher_disagreement_score":0.43298855,"about_ca_system_score_codex":0.000037177077,"about_ca_system_score_gemma":0.000023181286,"threshold_uncertainty_score":0.99932104},"labels":[],"label_agreement":null},{"id":"W2793221486","doi":"10.1163/23523085-00401007","title":"The Reinscription of Life, Labour, and Property in David H.T. Wong’s Escape to Gold Mountain","year":2018,"lang":"en","type":"article","venue":"Asian Diasporic Visual Cultures and the Americas","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Appeal; The Imaginary; Indigenous; Scholarship; History; Rhetorical question; Irony; Narrative; Literature; Colonialism; Honour; Sociology; Art; Law; Political science; Psychoanalysis; Archaeology","score_opus":0.013269622562094987,"score_gpt":0.26043578250700206,"score_spread":0.24716615994490707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793221486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98103005,0.0026133712,0.0000064984138,0.006218829,0.00019743369,0.00041927013,0.000010834917,0.000016364123,0.009487355],"genre_scores_gemma":[0.9931353,0.0007674329,0.000012720884,0.0007771366,0.0003268181,0.000028457585,0.0000021623348,0.0000096214335,0.0049403817],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991801,0.000101731806,0.00023079576,0.00018300695,0.00012297175,0.00018142904],"domain_scores_gemma":[0.9995249,0.00006077235,0.000111723246,0.00014881848,0.00008578398,0.00006800288],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031054922,0.00013288822,0.0002207089,0.000053440715,0.0003210173,0.0001371575,0.00013884285,0.00002538157,0.000041805233],"category_scores_gemma":[0.000085011,0.00005399399,0.000042325788,0.00014091523,0.001016433,0.000094555726,0.00008214138,0.00011431961,0.0000039809934],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007158098,0.00009400156,0.0010355668,0.000021318847,0.00007820476,0.0000022329607,0.19434345,8.4939353e-7,0.00021660299,0.72797364,0.0068300143,0.0686883],"study_design_scores_gemma":[0.002495416,0.0016293256,0.11107459,0.000102071535,0.00006139881,0.000009241832,0.2092733,0.00044431942,0.00007860983,0.022636374,0.65167373,0.0005216426],"about_ca_topic_score_codex":0.0033094652,"about_ca_topic_score_gemma":0.0035820717,"teacher_disagreement_score":0.7053373,"about_ca_system_score_codex":0.0000079043275,"about_ca_system_score_gemma":0.000015486452,"threshold_uncertainty_score":0.5002944},"labels":[],"label_agreement":null},{"id":"W2794465974","doi":"10.1177/0961000618763979","title":"Librarians’ perceptions of educational values of comic books: A comparative study between Hong Kong, Taiwan, Japan, Australia and New Zealand","year":2018,"lang":"en","type":"article","venue":"Journal of Librarianship and Information Science","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Hong Kong Polytechnic University; University of Hong Kong; University of Bristol; McGill University; Washington University in St. Louis","keywords":"Comics; Popularity; School library; Reading (process); Sociology; Value (mathematics); Recreation; Library science; Media studies; Pedagogy; Psychology; Political science; Computer science","score_opus":0.09644010727697613,"score_gpt":0.32206365271065673,"score_spread":0.2256235454336806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794465974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99412066,0.000030403251,0.000046041165,0.0013476016,0.00019162567,0.00013371879,0.00003153541,0.0000027783822,0.0040956526],"genre_scores_gemma":[0.9986153,0.000013312879,0.000307103,0.00004964728,0.00029266963,7.079541e-7,0.0000028246275,0.0000020849673,0.00071630185],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.998777,0.00004624512,0.0006761705,0.000074749085,0.00031617866,0.000109706045],"domain_scores_gemma":[0.9985933,0.00013930556,0.00066476275,0.00009359347,0.00037204468,0.00013703301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052567874,0.00009589786,0.00026285765,0.0005285113,0.00030752842,0.00042298238,0.00023668943,0.00002393664,0.00037348559],"category_scores_gemma":[0.000059415943,0.00007229654,0.000041465686,0.00019437853,0.0014154308,0.008996071,0.000054628643,0.000118932396,0.0000024382448],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006611262,0.00007663012,0.406109,0.000021939608,0.000049358074,6.444029e-8,0.40646127,0.0000020724324,0.00016230818,0.18013975,0.0064241756,0.0004873176],"study_design_scores_gemma":[0.0008118188,0.0010507152,0.9056546,0.00009103036,0.000042782525,0.0000061095784,0.07364471,0.000050076942,0.00021792694,0.013878922,0.004435804,0.00011550932],"about_ca_topic_score_codex":0.00006944371,"about_ca_topic_score_gemma":0.00003828932,"teacher_disagreement_score":0.49954557,"about_ca_system_score_codex":0.000007815212,"about_ca_system_score_gemma":0.00035303185,"threshold_uncertainty_score":0.6521934},"labels":[],"label_agreement":null},{"id":"W2799380102","doi":"10.7202/1045064ar","title":"LA BD RENCONTRE LE MUSÉE","year":2018,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.016751908757285543,"score_gpt":0.2573262390072437,"score_spread":0.24057433024995817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799380102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08300132,0.019247482,0.00015101898,0.107991576,0.0031671342,0.00023627792,0.0018662281,0.000120287805,0.78421867],"genre_scores_gemma":[0.6118855,0.0010071751,0.0001608045,0.0006107012,0.001701146,0.000007928755,0.00001054861,0.000026987478,0.38458923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890745,0.00020481733,0.00021435824,0.00026017445,0.000117488155,0.00029568703],"domain_scores_gemma":[0.99917936,0.00021164231,0.000090669426,0.0002646096,0.00017412411,0.00007961811],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000342428,0.00020246064,0.0002092962,0.00010718115,0.0005673397,0.00050226686,0.0001818211,0.000092220376,0.0027474952],"category_scores_gemma":[0.000057641813,0.00018650424,0.00013692275,0.00005833959,0.0017986118,0.00033551437,0.00008972385,0.00024416661,0.00039449456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017006862,0.00013775214,0.0000774542,0.00003574583,0.00006718615,0.000023214901,0.034842614,2.107201e-7,0.00018651201,0.6622974,0.2890045,0.013310376],"study_design_scores_gemma":[0.00041409806,0.00017591486,0.00079907547,0.00012192376,0.000030352347,0.000011423163,0.0066676694,0.000037707243,0.00044106197,0.03518421,0.955874,0.00024256021],"about_ca_topic_score_codex":0.0043073506,"about_ca_topic_score_gemma":0.006684381,"teacher_disagreement_score":0.6668695,"about_ca_system_score_codex":0.00001297815,"about_ca_system_score_gemma":0.00010850409,"threshold_uncertainty_score":0.9981641},"labels":[],"label_agreement":null},{"id":"W2800690242","doi":"10.7202/1045066ar","title":"LES INTÉGRITÉS DE JIMMY BEAULIEU","year":2018,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Art; Humanities","score_opus":0.03356555875265584,"score_gpt":0.3024451190729373,"score_spread":0.2688795603202815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800690242","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38590413,0.03409283,0.0007752612,0.113176346,0.0043556723,0.0003779058,0.0026104774,0.00020479846,0.4585026],"genre_scores_gemma":[0.6960385,0.0018502509,0.0008569206,0.0011029614,0.003257095,0.0000147146375,0.000016068378,0.000044943663,0.29681855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987358,0.00015281362,0.0002501543,0.0002822442,0.00014120762,0.00043778378],"domain_scores_gemma":[0.9991625,0.00015698108,0.00009477317,0.00026019278,0.00021249788,0.000113064394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003822423,0.0002431133,0.00022324623,0.00013995914,0.0012505846,0.00043038625,0.00023435437,0.00010637461,0.0061696116],"category_scores_gemma":[0.000071163384,0.00022895754,0.00015018585,0.00007024537,0.0017856825,0.00030451297,0.00017605275,0.0003177399,0.00032273555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030942858,0.00019417505,0.0007664489,0.00008233396,0.00011096696,0.000022290804,0.05362549,7.74708e-7,0.0006859693,0.7119278,0.19550835,0.03704451],"study_design_scores_gemma":[0.00028574007,0.00027715246,0.0033717167,0.00015076308,0.000047933125,0.00001462685,0.003588381,0.00007192182,0.0013623073,0.026052937,0.96447927,0.00029722534],"about_ca_topic_score_codex":0.006094936,"about_ca_topic_score_gemma":0.0043255114,"teacher_disagreement_score":0.76897097,"about_ca_system_score_codex":0.00003771528,"about_ca_system_score_gemma":0.000084122716,"threshold_uncertainty_score":0.9947389},"labels":[],"label_agreement":null},{"id":"W2802049100","doi":"10.26522/vp.v15i1.1756","title":"Aujourd’hui, la fanfiction : nouveau mode d’expression littéraire, réinterprétation et exploration d’une sexualité alternative","year":2018,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Fandom; Physics","score_opus":0.0263782227062105,"score_gpt":0.28421846626067937,"score_spread":0.2578402435544689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802049100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7395461,0.003154727,0.022776617,0.15842871,0.010468971,0.0011715809,0.0011756357,0.00036927534,0.06290837],"genre_scores_gemma":[0.9312279,0.00077589665,0.0003389774,0.0003795974,0.0036741826,0.00006354702,0.00018842876,0.00006653456,0.063284926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758184,0.0005028531,0.00059791753,0.00055480486,0.0003784622,0.0003841266],"domain_scores_gemma":[0.99834937,0.0003282135,0.00039479253,0.00034642394,0.00044846893,0.000132752],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00044544786,0.00041403534,0.00030456544,0.0002930635,0.0010353656,0.0006218928,0.00022679518,0.00022354454,0.0006605931],"category_scores_gemma":[0.000079927355,0.00039085138,0.00017654034,0.0001794689,0.00084557384,0.0013967186,0.0001164374,0.0003895607,0.00016926942],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002273797,0.00033603588,0.00003326973,0.00006329024,0.00012079505,0.000009955071,0.44611195,0.00051979796,0.0009909138,0.52742267,0.013928005,0.010235976],"study_design_scores_gemma":[0.0008397248,0.00069880736,0.00010515015,0.000546863,0.00007482548,0.000009276502,0.038039103,0.025583401,0.004623358,0.06681735,0.86211187,0.0005502654],"about_ca_topic_score_codex":0.0046663578,"about_ca_topic_score_gemma":0.008944216,"teacher_disagreement_score":0.8481839,"about_ca_system_score_codex":0.00007958369,"about_ca_system_score_gemma":0.00011294064,"threshold_uncertainty_score":0.9998543},"labels":[],"label_agreement":null},{"id":"W2802784531","doi":"10.26522/vp.v15i1.1755","title":"Passé, présent, futur : au-delà des frontières ? Un temps simultané dans le roman graphique From Hell d’Alan Moore","year":2018,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.014075863261163784,"score_gpt":0.21928133317801646,"score_spread":0.20520546991685268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802784531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93660074,0.011889763,0.00046496623,0.014306039,0.0028797477,0.0005459039,0.0021782117,0.00017232995,0.030962272],"genre_scores_gemma":[0.9437359,0.0029970638,0.0007782654,0.00028716814,0.006430203,0.000037061756,0.00021358895,0.00011315863,0.045407582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969789,0.00027087293,0.0006874335,0.00083249237,0.00033370414,0.000896639],"domain_scores_gemma":[0.9980297,0.0003081927,0.0002766276,0.00071299274,0.00031432588,0.0003581477],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00024381632,0.0006872211,0.0006029579,0.00029222982,0.0026354252,0.0005125375,0.0004985482,0.00034534582,0.0018207103],"category_scores_gemma":[0.000058781723,0.00063269935,0.00048199864,0.00021517274,0.0036856623,0.00042600158,0.00022848173,0.0004501189,0.00018291181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021201684,0.00079643325,0.016640352,0.00011868223,0.0008796834,0.00007796337,0.30950156,0.000019853675,0.0006741746,0.6533645,0.015120512,0.0025942852],"study_design_scores_gemma":[0.0012147456,0.0005884404,0.011030837,0.0004313281,0.00024176233,0.000008386033,0.06339478,0.0013113655,0.0031944462,0.081628375,0.8361166,0.00083890953],"about_ca_topic_score_codex":0.048483808,"about_ca_topic_score_gemma":0.13180196,"teacher_disagreement_score":0.8209961,"about_ca_system_score_codex":0.000092406575,"about_ca_system_score_gemma":0.00025368124,"threshold_uncertainty_score":0.99961245},"labels":[],"label_agreement":null},{"id":"W2805407341","doi":"10.22215/etd/2017-12112","title":"Comics and Literature: A Love Story","year":2017,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; Narrative; Literature; Queer; Prestige; Censorship; Pornography; Art; Aesthetics; Sociology; Psychology; Philosophy; Gender studies; Psychoanalysis; Linguistics","score_opus":0.016516243283370386,"score_gpt":0.24116599075891634,"score_spread":0.22464974747554595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805407341","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018645033,0.0045418497,3.4259853e-7,0.00022467895,0.0010729491,0.00011443489,0.0000704692,0.000034676115,0.97529554],"genre_scores_gemma":[0.08531255,0.0005267951,0.000011318068,0.00006325275,0.00036310908,0.000002823377,0.00031673713,0.00003228185,0.91337115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996226,0.000011400742,0.00007329516,0.000153074,0.000060238628,0.00007943091],"domain_scores_gemma":[0.999603,0.000020081894,0.00011346939,0.00017851849,0.00005248256,0.000032473014],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000046887457,0.00014159393,0.0001661342,0.000107140004,0.00022113453,0.0005449971,0.00009754219,0.00008798327,0.0009317394],"category_scores_gemma":[0.000009874306,0.00011378852,0.000053045376,0.0000047076232,0.00009228276,0.000076884855,0.000007907096,0.0002059539,0.000017271179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025077017,0.000015169422,0.0000095199675,0.000098369994,0.000059689053,0.000006787069,0.16629842,3.63838e-9,0.000009832148,0.66801614,0.16251771,0.002943285],"study_design_scores_gemma":[0.00017094753,0.000031391777,0.00011505779,0.00017236367,0.00002434068,0.0000010929338,0.01858426,0.0000063708526,0.0000118196585,0.0109226,0.96973616,0.00022359217],"about_ca_topic_score_codex":0.000098648314,"about_ca_topic_score_gemma":0.014311193,"teacher_disagreement_score":0.80721843,"about_ca_system_score_codex":0.000003762201,"about_ca_system_score_gemma":0.000020376985,"threshold_uncertainty_score":0.9999815},"labels":[],"label_agreement":null},{"id":"W2810928498","doi":"10.1080/21504857.2018.1481121","title":"An interview with comic book writer Jeff Parker","year":2018,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emmanuel Bible College","funders":"","keywords":"Comics; Adventure; Visual arts; Art history; Art; Performance art; Hollywood; Anime; Wonder; Media studies; History; Literature; Sociology; Psychology; Computer science","score_opus":0.031249689909046276,"score_gpt":0.25033528289706636,"score_spread":0.21908559298802008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810928498","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9653857,0.0026869366,0.001894848,0.0032752117,0.001651217,0.0003041606,0.00006398464,0.000079174526,0.024658795],"genre_scores_gemma":[0.99413234,0.000357547,0.000497974,0.0025979257,0.0011565774,0.0000022700988,0.0000026060059,0.000059594324,0.0011931919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986567,0.000102955564,0.00055817014,0.00017126705,0.00025743648,0.00025346238],"domain_scores_gemma":[0.99844205,0.00007756916,0.0005549569,0.00033297334,0.00042971957,0.00016273645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052890764,0.00023185686,0.00043301503,0.00043580326,0.00024825637,0.0002703337,0.0004499252,0.00005674969,0.0009371226],"category_scores_gemma":[0.000011505774,0.00016073277,0.00020169027,0.00011045807,0.00080448494,0.0005095416,0.000037630216,0.00033987884,0.000008852193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018651118,0.0017727707,0.011138833,0.0001659463,0.0018975323,0.00015056242,0.061615776,0.0000063190987,0.0034512854,0.66096336,0.2468079,0.010164615],"study_design_scores_gemma":[0.0021077143,0.0028336784,0.0027607202,0.0005848591,0.00016827525,0.00023188599,0.0036939085,0.00024691332,0.00019049966,0.009768241,0.97688615,0.00052714394],"about_ca_topic_score_codex":0.000029139186,"about_ca_topic_score_gemma":0.0010604078,"teacher_disagreement_score":0.7300783,"about_ca_system_score_codex":0.000018350174,"about_ca_system_score_gemma":0.000065207096,"threshold_uncertainty_score":0.99997616},"labels":[],"label_agreement":null},{"id":"W2810947193","doi":"","title":"Memory Through Manga: Japanese Comic Book Representations of Mass Death in Hiroshima and World War II","year":2018,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; World War II; Art; Literature; History; Archaeology","score_opus":0.029190779237473978,"score_gpt":0.23880034561933244,"score_spread":0.20960956638185846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810947193","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9485847,0.0005672026,0.00006813428,0.0005133693,0.00014795153,0.00016806423,0.00006515883,0.000021990136,0.049863454],"genre_scores_gemma":[0.97451484,0.000099997815,0.00023818028,0.00007927554,0.000088384906,5.0515547e-7,0.000015945217,0.000009978218,0.024952907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991748,0.00006273777,0.00018092418,0.0002466695,0.00015163762,0.00018325243],"domain_scores_gemma":[0.9992732,0.00011093618,0.00017050075,0.00025931647,0.00013759521,0.000048473048],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014759868,0.00013193816,0.00028532348,0.00026747162,0.0005907841,0.000027584774,0.00020651954,0.000042788542,0.00108645],"category_scores_gemma":[0.000017066375,0.00015041548,0.00010061456,0.0001209154,0.0011895532,0.00049367145,0.00014953544,0.00012040986,0.000009794714],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082657214,0.00008291193,0.005324872,0.000039436643,0.00007218565,0.000006470592,0.17393805,0.0000038407134,0.00004715648,0.8177443,0.0026485114,0.000009594235],"study_design_scores_gemma":[0.0008099057,0.00011968633,0.005607757,0.000035216734,0.000043580687,0.0000016406545,0.09199634,0.00006785267,0.000006634968,0.8969198,0.0042353068,0.00015631199],"about_ca_topic_score_codex":0.0042372877,"about_ca_topic_score_gemma":0.03581939,"teacher_disagreement_score":0.0819417,"about_ca_system_score_codex":0.000035755227,"about_ca_system_score_gemma":0.000031709278,"threshold_uncertainty_score":0.99982667},"labels":[],"label_agreement":null},{"id":"W281511674","doi":"","title":"Writing with Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance by Ellen Gruber Garvey (review)","year":2013,"lang":"en","type":"article","venue":"Legacy: A Journal of American Women Writers","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Craft; Narrative; Art; Art history; Spanish Civil War; Femininity; Literature; History; Sociology; Visual arts; Gender studies","score_opus":0.009700887549701291,"score_gpt":0.21040202815410902,"score_spread":0.20070114060440772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W281511674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9189806,0.008940798,0.00008061453,0.06730708,0.00019301039,0.00056375324,0.00008081931,0.000028076409,0.0038252263],"genre_scores_gemma":[0.9684455,0.0025056743,0.00028097114,0.027091332,0.0007046494,0.000067455134,0.0000048584234,0.000048851965,0.0008507138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976712,0.00029965732,0.00067072205,0.0002801885,0.00053906295,0.00053916656],"domain_scores_gemma":[0.9974399,0.0004737181,0.0010095545,0.0004564204,0.0003544368,0.00026594478],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007023914,0.00031488077,0.00065629516,0.000119023985,0.0005779427,0.00056450267,0.0008956591,0.000012641471,0.0010595596],"category_scores_gemma":[0.000070356866,0.0001583927,0.00018727237,0.00033379518,0.0016287543,0.00063623406,0.00009482117,0.0005322907,0.000040647195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020779498,0.00012224948,0.0017146717,0.000032127857,0.0006633079,0.00001966432,0.12197629,0.000014448134,0.0003945689,0.00076144666,0.81116223,0.0629312],"study_design_scores_gemma":[0.00048832095,0.0011787985,0.0026616484,0.0009353255,0.00007464373,0.000023789637,0.15409835,0.000023670407,0.000026116684,0.00029271943,0.8397763,0.0004203565],"about_ca_topic_score_codex":0.0034465992,"about_ca_topic_score_gemma":0.00088837475,"teacher_disagreement_score":0.06251085,"about_ca_system_score_codex":0.00007814423,"about_ca_system_score_gemma":0.00007167098,"threshold_uncertainty_score":0.9998536},"labels":[],"label_agreement":null},{"id":"W2834601072","doi":"10.36510/learnland.v11i2.953","title":"Le Petit Nicolas and the Ontological in Schooling","year":2018,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Personhood; Sociology; Humanities; Epistemology; Art; Philosophy","score_opus":0.012430366365864079,"score_gpt":0.21429706542728352,"score_spread":0.20186669906141944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2834601072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9008759,0.0005338781,0.000008724989,0.003280509,0.00009290356,0.00006264714,4.2565134e-7,0.00003101337,0.09511395],"genre_scores_gemma":[0.9972962,0.0000515525,0.000016763792,0.00012742942,0.00034535307,0.000006446899,9.860235e-7,0.0000045053225,0.002150745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995404,0.00008653613,0.000095383104,0.00011012856,0.00005176211,0.00011579379],"domain_scores_gemma":[0.99970645,0.00016231762,0.000033733268,0.000054530236,0.000025065488,0.00001791145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026560738,0.000059486567,0.00011270307,0.000045033048,0.00042851976,0.00016034278,0.000069130845,0.000021322838,0.00031577382],"category_scores_gemma":[0.00009949262,0.000034675133,0.00002709866,0.00002528532,0.00029623523,0.000057486584,0.00003788922,0.00019855336,0.000016657683],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095973235,0.00001503229,0.020451816,0.000004136337,0.000012439621,0.0000020538016,0.0368212,0.000009398379,0.000013676297,0.9409838,0.00030013573,0.0012903686],"study_design_scores_gemma":[0.0026520318,0.00020170186,0.018427532,0.00006030798,0.000011292411,0.0000071364134,0.020292897,0.0040407833,0.000015588537,0.02604055,0.92803717,0.0002130193],"about_ca_topic_score_codex":0.00036784704,"about_ca_topic_score_gemma":0.010519925,"teacher_disagreement_score":0.927737,"about_ca_system_score_codex":0.0000020713449,"about_ca_system_score_gemma":0.000012907619,"threshold_uncertainty_score":0.5870365},"labels":[],"label_agreement":null},{"id":"W2884078907","doi":"10.1353/vpr.2018.0021","title":"Serials to Graphic Novels: The Evolution of the Victorian Illustrated Book by Catherine J. Golden, and: Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts ed. by Anna Maria Jones and Rebecca N. Mitchell","year":2018,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Palimpsest; Victorian era; Context (archaeology); Scrutiny; Art history; History; Victorian literature; History of the book; Art; Literature; Philosophy","score_opus":0.010080342452765687,"score_gpt":0.22014814526340223,"score_spread":0.21006780281063656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884078907","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.410747,0.45970482,0.000043715925,0.09645569,0.013972457,0.010078285,0.002271135,0.00022589696,0.006501018],"genre_scores_gemma":[0.9477848,0.046685692,0.000008764844,0.0020118386,0.0025874686,0.00018411387,0.000020886064,0.00008351822,0.0006329287],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99522537,0.0010912621,0.0014228058,0.00082281715,0.0007895442,0.0006482191],"domain_scores_gemma":[0.9960951,0.0008116813,0.00088652136,0.0013595645,0.00055172795,0.00029536357],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002246062,0.00076730776,0.0011591192,0.00015564337,0.0019352022,0.0005690336,0.001053611,0.00024196926,0.00055491173],"category_scores_gemma":[0.0005957613,0.00037285115,0.00031962423,0.0008026699,0.002961262,0.00030307617,0.00034511567,0.0005665309,0.000008999126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005856741,0.0006140327,0.004889991,0.0029571184,0.0015367285,0.000004959741,0.13945961,5.6917e-7,0.048002005,0.6835041,0.11671374,0.0017314737],"study_design_scores_gemma":[0.00057429174,0.00052807585,0.0018377983,0.0019871865,0.00029616247,0.000010260361,0.0013226304,0.00000800219,0.00036241172,0.0013327023,0.9912597,0.00048077575],"about_ca_topic_score_codex":0.0006523547,"about_ca_topic_score_gemma":0.002581247,"teacher_disagreement_score":0.87454593,"about_ca_system_score_codex":0.00007189144,"about_ca_system_score_gemma":0.00022097067,"threshold_uncertainty_score":0.9998723},"labels":[],"label_agreement":null},{"id":"W2884327926","doi":"10.1386/stic.9.1.59_1","title":"‘A cross burning darkly, blackening the night’: Reading racialized spectacles of conflict and bondage in Marvel’s early Black Panther comics","year":2018,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Comics; Depiction; White (mutation); Power (physics); Art; Jungle; Fantasy; Black Power; Aesthetics; History; Literature; Politics; Law","score_opus":0.09490032483735505,"score_gpt":0.3544402288429293,"score_spread":0.25953990400557425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884327926","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9636797,0.0013545265,0.0000105377685,0.00019897059,0.00029739426,0.00023499934,0.000029444327,0.0000365493,0.034157887],"genre_scores_gemma":[0.99526536,0.0011267405,0.00012475527,0.00008983359,0.00018614082,0.000007709914,0.0000012688555,0.000048674854,0.0031495343],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998898,0.00010019337,0.0004054474,0.00022466206,0.00011381767,0.00025782277],"domain_scores_gemma":[0.99906176,0.00040830698,0.00021478784,0.00021565337,0.00007605841,0.000023441447],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00059360435,0.00018613924,0.00043570506,0.00019018799,0.0003061333,0.00011855985,0.00019321397,0.000045648314,0.000049317558],"category_scores_gemma":[0.0001285767,0.00013819136,0.000051951414,0.000103303624,0.0034161003,0.00009232733,0.0002419141,0.000198895,0.000001617353],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022984267,0.00006010582,0.14268367,0.0000889797,0.00023032793,0.00001943601,0.6282149,0.0000052132355,0.00018215361,0.22343321,0.004465142,0.00038703112],"study_design_scores_gemma":[0.011561752,0.0010301549,0.08328472,0.0024325429,0.00016097324,0.000023930492,0.5362848,0.0043648235,0.0010907354,0.05791523,0.29967758,0.0021727465],"about_ca_topic_score_codex":0.0011904176,"about_ca_topic_score_gemma":0.014881021,"teacher_disagreement_score":0.29521242,"about_ca_system_score_codex":0.00002632122,"about_ca_system_score_gemma":0.000013875466,"threshold_uncertainty_score":0.999296},"labels":[],"label_agreement":null},{"id":"W2885059672","doi":"10.1080/07053436.2018.1482843","title":"L’olympe sportif d’un dessinateur de BD : Emil Zatopek et Marcel Couchaux","year":2018,"lang":"fr","type":"article","venue":"Loisir et Société / Society and Leisure","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comic strip; Champion; Comics; Mythology; Art; Art history; Literature; History","score_opus":0.02002028005809167,"score_gpt":0.284929080496544,"score_spread":0.26490880043845233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2885059672","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9226037,0.021159014,0.00029335244,0.028616933,0.0016298078,0.0003549844,0.0003758097,0.00012034316,0.024846027],"genre_scores_gemma":[0.93580514,0.01579998,0.00042077282,0.0060806116,0.0019065908,0.000025898275,0.00007108024,0.00008627462,0.039803654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973422,0.00029211334,0.00053300185,0.0006460307,0.00034756507,0.00083903427],"domain_scores_gemma":[0.99841577,0.00027361943,0.0003133579,0.00037439427,0.0003318272,0.00029105306],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013161509,0.0005537716,0.0006437247,0.00004314285,0.0019498187,0.0006921214,0.0003035293,0.00052480336,0.0032788971],"category_scores_gemma":[0.00003172896,0.000533704,0.0006249851,0.00014808436,0.0021606784,0.00048511953,0.00021820945,0.0008958886,0.0000516917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006897102,0.00036538893,0.0047891093,0.00031009043,0.0005482143,0.0000267398,0.18549092,0.0000032346447,0.00016729369,0.73787147,0.050953824,0.01940474],"study_design_scores_gemma":[0.0015086696,0.00032567148,0.008359863,0.00027041417,0.00021083183,0.00003093888,0.07225779,0.0005066595,0.00013834698,0.044160437,0.8714784,0.00075201143],"about_ca_topic_score_codex":0.0009868719,"about_ca_topic_score_gemma":0.0010645429,"teacher_disagreement_score":0.8205246,"about_ca_system_score_codex":0.00009445644,"about_ca_system_score_gemma":0.00034955284,"threshold_uncertainty_score":0.99971145},"labels":[],"label_agreement":null},{"id":"W2886648962","doi":"","title":"La bande dessinée comme vecteur de coopération disciplinaire et éducationnelle","year":2015,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Humanities; Art","score_opus":0.04031684150831906,"score_gpt":0.26290755896914014,"score_spread":0.2225907174608211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886648962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32372648,0.010888357,0.04175426,0.1628928,0.0011668061,0.0005343459,0.00018048889,0.00023383553,0.45862263],"genre_scores_gemma":[0.8940394,0.00093250966,0.0030013456,0.00028988096,0.000118753385,0.000045052595,0.00028063534,0.000048268404,0.101244144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991008,0.007396013,0.00045864517,0.00043555192,0.00030768008,0.00039409797],"domain_scores_gemma":[0.99487764,0.0016232893,0.00033413677,0.0008843894,0.0019626387,0.000317914],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0067924126,0.00029171526,0.00028366013,0.00016450846,0.0010272716,0.0010791327,0.0005558319,0.00018313302,0.00042784662],"category_scores_gemma":[0.0010361025,0.00030978894,0.00015666145,0.00023924666,0.0008574421,0.0004888537,0.0002903628,0.00047058368,0.00008398825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015577582,0.0006944269,0.0013640346,0.000053711403,0.000043207187,0.000003870727,0.15404041,0.000025414112,0.00015351556,0.82042295,0.014556593,0.008626289],"study_design_scores_gemma":[0.0015260981,0.0000035156902,0.006489874,0.0015362041,0.000098140656,0.000041589392,0.015556223,0.012485108,0.0024800885,0.07400736,0.8851008,0.000674989],"about_ca_topic_score_codex":0.00310048,"about_ca_topic_score_gemma":0.021426689,"teacher_disagreement_score":0.8705442,"about_ca_system_score_codex":0.00015088131,"about_ca_system_score_gemma":0.00063271495,"threshold_uncertainty_score":0.99995786},"labels":[],"label_agreement":null},{"id":"W2889245976","doi":"10.29173/af29371","title":"Compte-rendu en série de quatre bandes dessinées de Lewis Trondheim","year":2018,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Humanities","score_opus":0.021677039064861053,"score_gpt":0.26073404130744937,"score_spread":0.23905700224258833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889245976","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8970379,0.024465412,0.0028106943,0.006605345,0.01227209,0.00034944052,0.0005865544,0.00008741402,0.055785157],"genre_scores_gemma":[0.9537713,0.001973021,0.0007107482,0.0009417981,0.015194732,0.000039872906,0.00003587819,0.00007187714,0.02726079],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973562,0.00043003613,0.00048864837,0.00053316925,0.00030365403,0.00088833505],"domain_scores_gemma":[0.998159,0.0005108223,0.00027769615,0.00038042202,0.0004028583,0.0002692033],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051918573,0.000496802,0.0005614542,0.00023197217,0.0010704324,0.0003705259,0.0005073336,0.00017800873,0.013761446],"category_scores_gemma":[0.00010019473,0.00048293552,0.0002833248,0.00020224904,0.0022037367,0.00039673268,0.00014050819,0.0005198438,0.0004995445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004619974,0.0010201521,0.010278491,0.00021324787,0.0014251384,0.00018296657,0.3728654,0.00004265577,0.0029413677,0.34916827,0.21340774,0.047992576],"study_design_scores_gemma":[0.0026475838,0.0011119867,0.010196371,0.00060794206,0.00012796627,0.000038256258,0.022759184,0.0032552844,0.012058493,0.086670496,0.8595471,0.000979347],"about_ca_topic_score_codex":0.012217052,"about_ca_topic_score_gemma":0.010881236,"teacher_disagreement_score":0.6461393,"about_ca_system_score_codex":0.00021750625,"about_ca_system_score_gemma":0.00027054903,"threshold_uncertainty_score":0.99976224},"labels":[],"label_agreement":null},{"id":"W2889473525","doi":"10.33776/candb.v7i0.3192","title":"Controlled Bodies, Mental Wounds: Vulnerability in Mariko and Jillian Tamaki’s Skim","year":2018,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vulnerability (computing); Medicine; Computer science; Computer security","score_opus":0.02007360240298682,"score_gpt":0.2313822120865288,"score_spread":0.21130860968354198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889473525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9428561,0.04716198,2.685111e-8,0.0056625893,0.00044982796,0.00011204757,0.00008647835,0.0000016095303,0.0036693895],"genre_scores_gemma":[0.99355435,0.0029131947,0.000013046453,0.0015850856,0.00036691743,0.0000033136662,0.0000031188256,0.0000041021685,0.0015568481],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991352,0.00005655138,0.0003428252,0.00013507411,0.000110163164,0.00022016944],"domain_scores_gemma":[0.9993108,0.00007358573,0.000113944225,0.00004434533,0.00020087686,0.00025645853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001896755,0.000160367,0.00041907222,0.00017967523,0.00063486624,0.0002056805,0.000056845325,0.000026005348,0.00008294895],"category_scores_gemma":[0.000043431242,0.00010214418,0.000038665425,0.000053132408,0.0006181992,0.00033962654,0.000025068251,0.00015562528,6.7784306e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011590446,0.00007513063,0.05379493,0.00025902974,0.0015431439,0.00045833766,0.6270109,2.0950073e-7,0.00013673246,0.10438217,0.17187431,0.03930605],"study_design_scores_gemma":[0.0030304834,0.0004604476,0.014087809,0.00017070024,0.00006075062,0.00011979948,0.061045434,0.000010460091,0.0000092953105,0.011797847,0.90889245,0.00031449742],"about_ca_topic_score_codex":0.4145027,"about_ca_topic_score_gemma":0.9967967,"teacher_disagreement_score":0.73701817,"about_ca_system_score_codex":0.000076634264,"about_ca_system_score_gemma":0.00021028738,"threshold_uncertainty_score":0.5893962},"labels":[],"label_agreement":null},{"id":"W2889597863","doi":"10.18061/dsq.v38i3.6477","title":"Rethinking Comics and Visuality, from the Audio Daredevil to Philipp Meyer's Life","year":2018,"lang":"en","type":"article","venue":"Disability Studies Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Mainstream; Audio visual; Association (psychology); Visual arts; Art; Aesthetics; Psychology; Literature; Computer science; Multimedia; Philosophy","score_opus":0.09715052301368395,"score_gpt":0.3232110042414205,"score_spread":0.2260604812277366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889597863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97280157,0.0010032911,0.000019633773,0.020742401,0.00065391563,0.0003781701,0.0001739102,0.00012054185,0.0041065887],"genre_scores_gemma":[0.99579746,0.00003269303,0.000052456162,0.0024727515,0.0013535488,0.000034321187,0.000007970283,0.000023354429,0.00022545754],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986096,0.00017340394,0.00034051438,0.00042069098,0.00020586835,0.00024989675],"domain_scores_gemma":[0.9984518,0.00069357594,0.00008986814,0.00050107506,0.00016204429,0.00010158129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005420623,0.00021916587,0.00036218224,0.000021892638,0.001075472,0.00025699713,0.00025569,0.000036241174,0.00018879045],"category_scores_gemma":[0.00021989451,0.00014540496,0.0000887444,0.00006162058,0.0025473984,0.000118610034,0.0001421121,0.00013735298,0.000023334487],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059588405,0.00009506584,0.01371855,0.000024060966,0.00031839035,4.3134935e-7,0.8276933,3.9677815e-8,0.000014203455,0.1183261,0.03441259,0.005337703],"study_design_scores_gemma":[0.0006521652,0.0012208619,0.025297178,0.00012146532,0.000111297,5.937994e-7,0.47752103,0.000051131887,0.000012838169,0.31256393,0.18187685,0.00057065964],"about_ca_topic_score_codex":0.003031724,"about_ca_topic_score_gemma":0.11919205,"teacher_disagreement_score":0.35017225,"about_ca_system_score_codex":0.000036139325,"about_ca_system_score_gemma":0.000017788232,"threshold_uncertainty_score":0.9385995},"labels":[],"label_agreement":null},{"id":"W2890439840","doi":"10.16995/cg.133","title":"The Question Concerning Comics as Technology: Gestell and Grid","year":2018,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Comics; Grid; Materiality (auditing); Narrative; Storytelling; Computer science; Sociology; Key (lock); Aesthetics; Space (punctuation); Visual arts; Art; Literature; Artificial intelligence; Computer security","score_opus":0.03064491735287843,"score_gpt":0.2807204936249538,"score_spread":0.2500755762720754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890439840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95277464,0.0062320377,0.00018848067,0.013293307,0.0027601882,0.00034567583,0.000030578212,0.00020476156,0.024170311],"genre_scores_gemma":[0.98957795,0.002826716,0.00039812678,0.00057794695,0.002563323,0.0000033226884,0.0000020977932,0.00014410107,0.0039064307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859667,0.00022273857,0.00048798212,0.0001502218,0.0002472012,0.00029521502],"domain_scores_gemma":[0.9980156,0.00039632237,0.00077960547,0.00040283866,0.00029861188,0.00010705277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019525578,0.00022254689,0.0003156102,0.00027698808,0.0011146556,0.00061218813,0.0008146866,0.000109823704,0.000027657034],"category_scores_gemma":[0.00026682386,0.00013804421,0.00010028514,0.00012024347,0.002096317,0.00020907329,0.00018943072,0.0008847508,0.0000100008465],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021416796,0.000043432814,0.0052587916,0.000009599476,0.00018981699,0.000008198671,0.0032874944,0.0000027698834,0.00046400755,0.95965165,0.02928006,0.0015900362],"study_design_scores_gemma":[0.0019066437,0.00081445486,0.0003783836,0.00037813693,0.0001699287,0.00058066467,0.007103511,0.00039142434,0.0012010109,0.23492283,0.75167483,0.00047818478],"about_ca_topic_score_codex":0.0000741144,"about_ca_topic_score_gemma":0.0009462672,"teacher_disagreement_score":0.7247288,"about_ca_system_score_codex":0.000035531568,"about_ca_system_score_gemma":0.00007536656,"threshold_uncertainty_score":0.8573143},"labels":[],"label_agreement":null},{"id":"W2890460528","doi":"","title":"Review of The Indian Graphic Novel: Nation, History and Critique by Pramod K. Nayar","year":2018,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.020141191528976702,"score_gpt":0.24081321707424075,"score_spread":0.22067202554526405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890460528","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.633812,0.17950043,0.000021729567,0.09614058,0.004656315,0.0023097761,0.0004386112,0.00012536252,0.08299522],"genre_scores_gemma":[0.9874085,0.0026589215,0.000013796358,0.0079527395,0.00024886377,0.00001858296,0.0000052547502,0.000012198786,0.0016811133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937105,0.000050428152,0.00019685265,0.00013663826,0.00013599265,0.00010905657],"domain_scores_gemma":[0.9993105,0.0000653698,0.00012477393,0.00016183686,0.0003101102,0.000027414431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025413276,0.00009313023,0.0001495859,0.00005609765,0.00021381472,0.000021959853,0.0001478711,0.000034538298,0.0006074564],"category_scores_gemma":[0.00017452853,0.00006624681,0.00006451032,0.000051396637,0.000718629,0.00009406126,0.000046665024,0.000099644756,0.0000048983256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019310333,0.00013044674,0.0004507727,0.0007792404,0.000048080674,4.3453804e-7,0.041813377,5.5766627e-9,0.00079935574,0.48805583,0.46676788,0.001135271],"study_design_scores_gemma":[0.00017294804,0.0001276466,0.00056936056,0.00057880086,0.000017622231,0.000002288697,0.00025500776,0.000001989657,0.00009100852,0.0027706483,0.9953159,0.000096776275],"about_ca_topic_score_codex":0.00038181804,"about_ca_topic_score_gemma":0.002875628,"teacher_disagreement_score":0.528548,"about_ca_system_score_codex":0.00003330952,"about_ca_system_score_gemma":0.000080194994,"threshold_uncertainty_score":0.66512215},"labels":[],"label_agreement":null},{"id":"W2892548778","doi":"10.5430/wjel.v8n2p37","title":"Decoding the Visual Rhetoric: Memory and Trauma in Lynda Barry’s One! Hundred! Demons!","year":2018,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Comics; Rhetoric; Visual rhetoric; Meaning (existential); Literature; Art; Visual arts; Psychology; Psychoanalysis; Philosophy; Linguistics; Psychotherapist","score_opus":0.01841464876176853,"score_gpt":0.25400314330312695,"score_spread":0.23558849454135844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892548778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95323825,0.0030326433,0.000004665583,0.00038276587,0.0012310101,0.00007152567,0.0000040846735,0.00001070073,0.042024374],"genre_scores_gemma":[0.994825,0.000069577276,0.00006198125,0.00019933996,0.0035447087,0.0000014459324,6.1645744e-7,0.000013476972,0.00128387],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990999,0.00008533245,0.00035282102,0.00010291149,0.00017204194,0.00018699042],"domain_scores_gemma":[0.9992272,0.00020360066,0.00018818844,0.000091223155,0.00022021132,0.00006954279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062712637,0.00010518609,0.00022055855,0.00030195134,0.0002464491,0.00019948652,0.00016723441,0.000023005936,0.0006188619],"category_scores_gemma":[0.00022516758,0.00007776873,0.00008600394,0.00010867816,0.0002728527,0.00023450617,0.000041851737,0.0003079261,0.0000024448188],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001614939,0.00021842092,0.0012406391,0.000025723903,0.00014367598,0.00008640315,0.8433096,0.000002304492,0.00036304916,0.043798003,0.005758741,0.10489196],"study_design_scores_gemma":[0.004260794,0.0010230961,0.016176619,0.0006907555,0.00016842128,0.000052055093,0.4753168,0.0002309186,0.0019891544,0.005864413,0.49340886,0.0008181387],"about_ca_topic_score_codex":0.00008837742,"about_ca_topic_score_gemma":0.014065101,"teacher_disagreement_score":0.48765013,"about_ca_system_score_codex":0.000027291657,"about_ca_system_score_gemma":0.000027096032,"threshold_uncertainty_score":0.7848656},"labels":[],"label_agreement":null},{"id":"W2893382358","doi":"","title":"Negotiating Contrary Forms and Feelings of Adolescent Nostalgia in Teacher Education: A Psychoanalytic Study in Memory, Comics, and Visual Response","year":2018,"lang":"en","type":"article","venue":"2018 Conference of the Canadian Society for the Study of Education","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Psychoanalytic theory; Feeling; Psychology; Negotiation; Focus (optics); Psychoanalysis; Narrative; Art; Visual arts; Aesthetics; Sociology; Literature; Social psychology; Social science","score_opus":0.03495184918101443,"score_gpt":0.29220482321669367,"score_spread":0.25725297403567926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893382358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99652827,0.00023343987,0.0000015322362,0.0011714374,0.0002527039,0.0013133672,0.000014875484,0.0000016400126,0.00048274934],"genre_scores_gemma":[0.99896646,0.0000116617775,0.000013130611,0.00007564239,0.00005885615,0.00004313152,0.0000014281936,0.000008884226,0.00082083605],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993369,0.00006662814,0.00027329364,0.00013010637,0.00008477948,0.0001082735],"domain_scores_gemma":[0.99930346,0.000099873,0.00021256834,0.00015712099,0.00018681785,0.00004016383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000590237,0.00008663943,0.00017343974,0.000097644224,0.00021402231,0.000044488283,0.00014612336,0.00002642663,0.000016910713],"category_scores_gemma":[0.0000715007,0.000060690814,0.000046068173,0.00008104222,0.00043151723,0.00006524772,0.000026582617,0.00008371227,5.2183978e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000286796,0.0022524956,0.1919818,0.00009278554,0.00016202452,2.2923068e-8,0.7844345,0.0000013735387,0.00010089581,0.008575731,0.0048038056,0.007307779],"study_design_scores_gemma":[0.0008321155,0.00047592213,0.32635093,0.00012247456,0.000053491043,2.4933564e-7,0.6700492,0.0006308433,0.000009872144,0.0009609779,0.00043136944,0.00008258059],"about_ca_topic_score_codex":0.13383798,"about_ca_topic_score_gemma":0.66511196,"teacher_disagreement_score":0.53127396,"about_ca_system_score_codex":0.000053908807,"about_ca_system_score_gemma":0.00081839296,"threshold_uncertainty_score":0.8719299},"labels":[],"label_agreement":null},{"id":"W2897137928","doi":"10.1080/07053436.2018.1482667","title":"Sports heroes in graphic narratives","year":2018,"lang":"fr","type":"article","venue":"Loisir et Société / Society and Leisure","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Comics; Task (project management); Aesthetics; Computer science; History; Literature; Art; Engineering","score_opus":0.01872959514966998,"score_gpt":0.2783114636033674,"score_spread":0.2595818684536974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897137928","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9308461,0.025960723,0.000019905754,0.018018577,0.0018277562,0.00034017483,0.00011284088,0.000058527534,0.0228154],"genre_scores_gemma":[0.96715444,0.01152078,0.00018290871,0.001166575,0.001719012,0.000023677894,0.00002350274,0.000047152404,0.018161941],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978021,0.00021452382,0.00048472345,0.0005923079,0.00031190016,0.00059446576],"domain_scores_gemma":[0.99898595,0.00019508885,0.0002066226,0.00026992385,0.00018945978,0.00015297747],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074828626,0.00045542495,0.0005906211,0.00008080035,0.001142356,0.0003757396,0.000188482,0.00038925966,0.0021082317],"category_scores_gemma":[0.000015668153,0.0004291494,0.0004738327,0.00022886974,0.0032668663,0.00055475504,0.00011585896,0.0007598716,0.000013959174],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034449495,0.00023091878,0.007818669,0.00016187016,0.000184108,0.000011119534,0.35470596,0.0000014609159,0.000041822546,0.62582797,0.0069762846,0.0040053795],"study_design_scores_gemma":[0.00096976414,0.00027115652,0.01045941,0.00034191035,0.00004190723,0.0000065262566,0.28902715,0.0000841584,0.0000188189,0.05733341,0.64093345,0.00051230664],"about_ca_topic_score_codex":0.00048262166,"about_ca_topic_score_gemma":0.004565469,"teacher_disagreement_score":0.6339572,"about_ca_system_score_codex":0.000044553915,"about_ca_system_score_gemma":0.00012077772,"threshold_uncertainty_score":0.99981606},"labels":[],"label_agreement":null},{"id":"W2897972172","doi":"10.5038/1911-9933.12.2.1486","title":"Cockroaches, Cows and \"Canines of the Hebrew Faith\": Exploring Animal Imagery in Graphic Novels about Genocide","year":2018,"lang":"en","type":"article","venue":"Genocide Studies and Prevention","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genocide; The Holocaust; Context (archaeology); Animal behavior; Psychology; History; Biology; Zoology; Political science","score_opus":0.11458076421292389,"score_gpt":0.28277284093934596,"score_spread":0.16819207672642206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897972172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97506714,0.022364521,0.00003787732,0.00042191223,0.00030888486,0.00025206862,0.000018298448,0.000012776932,0.0015165019],"genre_scores_gemma":[0.99514604,0.0036901587,0.000351699,0.000089827714,0.00027750945,0.000037186368,0.000002100023,0.000010863144,0.00039461692],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99912745,0.00007438616,0.0003009745,0.0002142267,0.00010608776,0.00017686647],"domain_scores_gemma":[0.99951535,0.00006557457,0.00014569424,0.00012633218,0.00012210743,0.0000249166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028908372,0.00014679079,0.0002642828,0.000095887255,0.0004547095,0.00005573409,0.00007733445,0.000024790364,0.00004494954],"category_scores_gemma":[0.000033528326,0.00010298419,0.00007959555,0.00008751307,0.00067166844,0.00019234892,0.00016097586,0.0000917024,7.476019e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035914633,0.000048096437,0.03510907,0.0010170748,0.0011314981,0.0000068077716,0.48869228,0.0000023998782,0.012314555,0.32345843,0.0035945715,0.13426608],"study_design_scores_gemma":[0.0015379785,0.000742136,0.3692775,0.0007668235,0.00018865008,0.000011970954,0.15192306,0.000011392773,0.0015398174,0.45057926,0.022866882,0.00055453996],"about_ca_topic_score_codex":0.00023717486,"about_ca_topic_score_gemma":0.00864602,"teacher_disagreement_score":0.33676922,"about_ca_system_score_codex":0.000010347246,"about_ca_system_score_gemma":0.000014758232,"threshold_uncertainty_score":0.48246822},"labels":[],"label_agreement":null},{"id":"W2899882128","doi":"","title":"Postcolonial Pedagogy and the Impossibility of Teaching: Outside in the (Canadian Literature) Classroom","year":2004,"lang":"en","type":"book-chapter","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Impossibility; Pedagogy; Sociology; Mathematics education; Psychology; Political science; Law","score_opus":0.01905205009947554,"score_gpt":0.24882016382751376,"score_spread":0.22976811372803824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899882128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020457464,0.0014489448,0.0000034233615,0.10697502,0.001171553,0.0016296965,0.0017389094,0.000022936072,0.88496375],"genre_scores_gemma":[0.94233733,0.0002896493,0.000032737535,0.012585164,0.0013336337,0.000125044,0.0011004444,0.000042452626,0.042153556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977968,0.00025322638,0.00071951357,0.00047991087,0.00044564097,0.00030493722],"domain_scores_gemma":[0.9982128,0.0004195395,0.0004295769,0.00055242283,0.0002693694,0.00011628625],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014074029,0.00042020727,0.0005765699,0.00035483247,0.0011708715,0.0008394668,0.0005432108,0.00028942624,0.0025381462],"category_scores_gemma":[0.00009695307,0.00026248404,0.0002665953,0.000036847967,0.0014814282,0.0017945773,0.0000945912,0.0011608063,0.000039265014],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013985166,0.000040546074,0.000014369903,0.00004384125,0.000055341163,0.000024673707,0.013812197,0.0000020924197,0.0000010800088,0.9831347,0.002039446,0.00069189665],"study_design_scores_gemma":[0.0016824598,0.00019054682,0.0018054985,0.00039972636,0.00008726341,0.000026051064,0.0010867545,0.000008034612,0.0000025413858,0.6280361,0.36632854,0.00034649958],"about_ca_topic_score_codex":0.01570154,"about_ca_topic_score_gemma":0.82965934,"teacher_disagreement_score":0.9402916,"about_ca_system_score_codex":0.00015669352,"about_ca_system_score_gemma":0.0005900289,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W2900267714","doi":"10.2196/10682","title":"Testing a Web-Based Interactive Comic Tool to Decrease Obesity Risk Among Minority Preadolescents: Protocol for a Pilot Randomized Control Trial","year":2018,"lang":"en","type":"article","venue":"JMIR Research Protocols","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agency for Healthcare Research and Quality","keywords":"Psychological intervention; Randomized controlled trial; Population; Childhood obesity; Social cognitive theory; Intervention (counseling); Psychology; Comics; Medicine; Applied psychology; Gerontology; Social psychology; Obesity; Nursing; Computer science; Environmental health; Overweight","score_opus":0.19006802148285282,"score_gpt":0.4716094139114408,"score_spread":0.281541392428588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900267714","genre_codex":"protocol","genre_gemma":"protocol","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"protocol","genre_consensus":"protocol","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028918741,2.2584557e-7,0.00019357292,0.00020421467,0.00002538331,0.967789,0.00024395404,0.00013238925,0.0024925044],"genre_scores_gemma":[0.12407397,9.053479e-9,0.00030876527,0.00015036321,0.0012259268,0.87362975,0.0000053796134,0.000039144194,0.0005666993],"study_design_codex":"randomized_trial","study_design_gemma":"randomized_trial","domain_scores_codex":[0.9944067,0.0024555884,0.00080738927,0.0007331405,0.0007077671,0.0008894311],"domain_scores_gemma":[0.992185,0.004004581,0.00040849822,0.00061381207,0.0022886528,0.00049947324],"candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.005564785,0.00037482724,0.00093294575,0.0004670746,0.0015121456,0.0009981067,0.0006226003,0.000088727065,0.0008940658],"category_scores_gemma":[0.008941623,0.00028661021,0.0004269584,0.00023649968,0.0015264242,0.00036565756,0.00017785185,0.0007124144,0.000056950026],"study_design_candidate":"randomized_trial","study_design_consensus":"randomized_trial","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.978145,0.003512765,0.0014281949,0.00043156868,0.00028606443,0.0000039813517,0.0026644985,0.000001051155,0.0001617574,0.0037326775,0.008929931,0.0007024784],"study_design_scores_gemma":[0.901154,0.0121479435,0.0005559209,0.0013519396,0.000057992496,3.5519923e-7,0.00025886303,0.0035170042,0.00035313738,0.0050196596,0.07512523,0.00045794604],"about_ca_topic_score_codex":0.00074032554,"about_ca_topic_score_gemma":0.0016055176,"teacher_disagreement_score":0.095155224,"about_ca_system_score_codex":0.00015459377,"about_ca_system_score_gemma":0.0008379121,"threshold_uncertainty_score":0.99995863},"labels":[],"label_agreement":null},{"id":"W2900279161","doi":"10.1353/llt.2018.0040","title":"Shaping Graphic History: Primary Sources and Closure in Showdown! Making Modern Unions","year":2018,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Scholarship; Situated; Meaning (existential); Comic strip; Closure (psychology); Epistemology; Sociology; Computer science; Literature; Political science; Art; Law; Philosophy; Artificial intelligence","score_opus":0.036919487542989224,"score_gpt":0.21795387281857712,"score_spread":0.1810343852755879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900279161","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9713485,0.0059732026,0.000025282816,0.0007377243,0.0003176875,0.00011510652,0.000021715185,0.00006595043,0.021394778],"genre_scores_gemma":[0.9917767,0.00008946336,0.00005303241,0.0006559919,0.0003640215,0.0000104802675,0.0000070254882,0.000023417855,0.0070198756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990687,0.000065784196,0.00020136079,0.00028335175,0.00012542223,0.0002553904],"domain_scores_gemma":[0.9995826,0.000040421975,0.00007349561,0.00018369383,0.00007141564,0.000048376147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022445731,0.00016006746,0.0002121343,0.00024581296,0.00042207335,0.00016227826,0.00014611897,0.00005610455,0.00040858387],"category_scores_gemma":[0.000009453783,0.00015097826,0.00005453483,0.000068148656,0.0008018639,0.00020821739,0.000050491886,0.00019814052,0.0000062518907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040756964,0.0000952776,0.01237418,0.00007059212,0.00004832533,0.000009106491,0.21210375,0.0000019683039,0.00065964775,0.766235,0.00208754,0.006273872],"study_design_scores_gemma":[0.0010301031,0.00016921398,0.064564474,0.00018291733,0.000021588818,0.0000068256636,0.010908082,0.000496017,0.00002260756,0.04700795,0.87506217,0.0005280638],"about_ca_topic_score_codex":0.0005203276,"about_ca_topic_score_gemma":0.023024525,"teacher_disagreement_score":0.87297463,"about_ca_system_score_codex":0.000038254137,"about_ca_system_score_gemma":0.000088237226,"threshold_uncertainty_score":0.9948027},"labels":[],"label_agreement":null},{"id":"W2900918071","doi":"10.1386/jill.5.2.265_1","title":"What do comics want? Drawing lived experience for critical consciousness","year":2018,"lang":"en","type":"article","venue":"Journal of Illustration","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Performative utterance; Comics; Sociology; Aesthetics; Queer; Transformative learning; Identity (music); Storytelling; Consciousness; Power (physics); Visual arts; Psychology; Narrative; Art; Pedagogy; Gender studies; Literature","score_opus":0.07754448432471836,"score_gpt":0.32453458331059,"score_spread":0.24699009898587163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900918071","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9794664,0.0004640648,0.00921766,0.0033653963,0.0046967673,0.0001797174,0.000008271017,0.000020715224,0.0025810208],"genre_scores_gemma":[0.9970928,0.00008984649,0.0005394278,0.00014296609,0.0016893669,0.000002737361,0.0000010041197,0.000010211994,0.00043167808],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9994037,0.000023066013,0.0002811553,0.00006931808,0.000118255986,0.00010448256],"domain_scores_gemma":[0.99912685,0.00013025186,0.00016592229,0.000061124425,0.00046854452,0.000047288897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020260665,0.00006795564,0.00012892738,0.00008293987,0.0002856485,0.00051822735,0.00008724424,0.00003064831,0.00020219035],"category_scores_gemma":[0.00010292991,0.000054110587,0.0000731514,0.000020637915,0.00045253505,0.00071202667,0.000008551092,0.000073302086,0.0000014567564],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001941409,0.0001084128,0.00015305006,0.000028522427,0.000043287237,0.0000061760356,0.21684656,0.0000031077484,0.003683969,0.7662466,0.00843344,0.004252731],"study_design_scores_gemma":[0.0026522658,0.0028993043,0.00032099607,0.0009640078,0.00011666047,0.00012650974,0.58964485,0.003110278,0.0073470264,0.14380129,0.24838135,0.00063547003],"about_ca_topic_score_codex":0.000006871234,"about_ca_topic_score_gemma":0.0001871675,"teacher_disagreement_score":0.62244534,"about_ca_system_score_codex":0.000012675482,"about_ca_system_score_gemma":0.00004237592,"threshold_uncertainty_score":0.4997278},"labels":[],"label_agreement":null},{"id":"W2902184885","doi":"10.1093/acrefore/9780190201098.013.784","title":"Asian American Graphic Narrative","year":2018,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Mainstream; Narrative; Comic strip; Asian americans; Immigration; History; Context (archaeology); Realm; Asian American studies; Gender studies; Representation (politics); Sociology; Media studies; Literature; Art; Political science; Ethnic group; Anthropology; Politics; Law","score_opus":0.03862447805997732,"score_gpt":0.3225992025728172,"score_spread":0.2839747245128399,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902184885","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044408557,0.01095519,0.000001194631,0.0013340958,0.002106978,0.00072865206,0.0018452045,0.000058785878,0.97852904],"genre_scores_gemma":[0.00984794,0.4046514,0.00013799933,0.00008375686,0.008094067,0.00016977532,0.0015340965,0.00012251404,0.57535845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951482,0.0007093392,0.00073732797,0.0009100376,0.0014841923,0.0010109419],"domain_scores_gemma":[0.99561507,0.0004011562,0.0005047356,0.0009416116,0.002222658,0.00031477434],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00085341133,0.00065018656,0.0010988173,0.001895347,0.00092873664,0.0006790718,0.0011387276,0.0004298256,0.0024845311],"category_scores_gemma":[0.00031255226,0.00048759347,0.00048482663,0.0010481104,0.0039853677,0.00033890194,0.00035299832,0.0032077164,0.00002585612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013734658,0.00017483669,0.00012097051,0.0005432423,0.00027493655,0.000044032968,0.19415161,2.0656193e-8,3.9338903e-7,0.06884542,0.69025004,0.04545713],"study_design_scores_gemma":[0.00025601464,0.0009970615,0.0000972496,0.0018100374,0.000030724215,0.0000033354577,0.024718897,0.0000014223732,0.0000013384307,0.01521738,0.9563836,0.00048294768],"about_ca_topic_score_codex":0.00017537456,"about_ca_topic_score_gemma":0.0024080551,"teacher_disagreement_score":0.40317062,"about_ca_system_score_codex":0.0000744031,"about_ca_system_score_gemma":0.00063582434,"threshold_uncertainty_score":0.9997576},"labels":[],"label_agreement":null},{"id":"W2902211918","doi":"","title":"The Canadian Alternative: Cartoonists, Comics, and Graphic Novels","year":2017,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Computer graphics (images); Art; Computer science; Visual arts; Advertising; Literature; Business","score_opus":0.03950536788138869,"score_gpt":0.24274842062974736,"score_spread":0.20324305274835866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902211918","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060665645,0.00039406313,0.0000035200349,0.012702245,0.0006908825,0.00014811824,0.00005450927,0.000030785905,0.92531025],"genre_scores_gemma":[0.9603358,0.00014909283,0.000008090048,0.00023858507,0.00016693355,0.0000047510707,0.0000013915567,0.000011125603,0.039084215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959093,0.000010749017,0.000073148614,0.0001059263,0.00005913374,0.0001601275],"domain_scores_gemma":[0.99949116,0.00003207102,0.000058038975,0.00028463054,0.000040560055,0.00009353279],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00011903345,0.00007538022,0.00007204024,0.00005035487,0.0044606104,0.0014933152,0.00024348639,0.000016356156,0.00012741392],"category_scores_gemma":[0.000018753855,0.00004704233,0.000029018034,0.000004784726,0.0009440223,0.00009119504,0.000042989806,0.00007286288,0.000005433139],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015496678,0.0000025599918,0.0018987135,0.0000010550211,0.00002203628,0.0000016709197,0.002630392,2.203385e-8,0.0000023090759,0.9835591,0.01080468,0.0010759169],"study_design_scores_gemma":[0.00017765308,0.00001661714,0.003915592,0.0000053982103,0.0000045698953,0.0000012959567,0.0013044644,0.00009376948,0.000014689625,0.041003592,0.95336074,0.00010162531],"about_ca_topic_score_codex":0.5350412,"about_ca_topic_score_gemma":0.9936794,"teacher_disagreement_score":0.942556,"about_ca_system_score_codex":0.000009032392,"about_ca_system_score_gemma":0.000038333776,"threshold_uncertainty_score":0.99954325},"labels":[],"label_agreement":null},{"id":"W2902582223","doi":"10.4324/9781315625638-10","title":"Multimodal Forms: Examining Text, Image, and Visual Literacy in Daniel Handler’s Why We Broke Up and Markus Zusak’s The Book Thief","year":2016,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nomination; Scrutiny; Reading (process); Visual arts; Psychology; Art; Linguistics; Law; Philosophy; Political science","score_opus":0.02009634140391493,"score_gpt":0.2547957006507299,"score_spread":0.23469935924681495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902582223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9029833,0.0044569494,0.00023532826,0.007498855,0.00036534565,0.00049624534,0.000043960885,0.00007176628,0.08384822],"genre_scores_gemma":[0.93889105,0.0010453045,0.000074375836,0.0010093708,0.00015816183,0.00002360674,0.0000020345242,0.00001696815,0.058779117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909776,0.000050900435,0.00023895226,0.00026179114,0.00010688327,0.0002436838],"domain_scores_gemma":[0.99930483,0.00039214478,0.000062254454,0.00013038664,0.000050965882,0.00005942572],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021688404,0.00017939354,0.00018667844,0.00013025373,0.00033034539,0.00044614132,0.000096793,0.000039611252,0.00096783106],"category_scores_gemma":[0.00003174465,0.00008670978,0.00003484689,0.000028561288,0.000441192,0.000734632,0.00012861159,0.00011756322,0.000006612677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042557775,0.00025996362,0.012883367,0.00011610226,0.0001603923,0.000029457206,0.2693737,1.0044541e-7,0.004267481,0.35384294,0.073437706,0.28520322],"study_design_scores_gemma":[0.003241782,0.0003981728,0.014354866,0.0003054365,0.000024802692,0.000017888087,0.018177813,0.0009226969,0.00026077311,0.0137043875,0.9480484,0.0005429737],"about_ca_topic_score_codex":0.0002652992,"about_ca_topic_score_gemma":0.0025403448,"teacher_disagreement_score":0.8746107,"about_ca_system_score_codex":0.000011215907,"about_ca_system_score_gemma":0.000017064676,"threshold_uncertainty_score":0.9999454},"labels":[],"label_agreement":null},{"id":"W2904023073","doi":"10.29173/af28213","title":"BD, manga, manfra, Nouvelle Manga: distinctions au moyen des matériaux de l’énonciation","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Humanities; Art","score_opus":0.021790785798998884,"score_gpt":0.2371819575337171,"score_spread":0.21539117173471822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904023073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87051326,0.0063927895,0.03531418,0.01022615,0.015372776,0.0006414441,0.0018126755,0.00013173497,0.05959498],"genre_scores_gemma":[0.7840848,0.0029635835,0.00068542117,0.00028594473,0.0090789655,0.000121800986,0.000033840017,0.00008238332,0.20266327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763876,0.0002241362,0.0005137601,0.0005372983,0.00031976835,0.000766282],"domain_scores_gemma":[0.99817514,0.00045059927,0.0003280106,0.0003932679,0.00041706095,0.00023593033],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003869151,0.00043607943,0.00042083694,0.00024898385,0.0014133995,0.0001760461,0.00034308995,0.00014538647,0.008982405],"category_scores_gemma":[0.00013450121,0.0003520354,0.00028172528,0.00017867085,0.0012967538,0.00053903565,0.00014476942,0.00027481065,0.0015513749],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004010274,0.001730393,0.016175255,0.0003770672,0.0014501679,0.00025201347,0.15042096,0.000115151575,0.0039483253,0.5673758,0.09733699,0.16041686],"study_design_scores_gemma":[0.0037587169,0.0006259365,0.05123322,0.0010188351,0.0001595903,0.000046036886,0.017591694,0.0008060401,0.0033311048,0.15751314,0.7627174,0.0011982601],"about_ca_topic_score_codex":0.017824132,"about_ca_topic_score_gemma":0.014249132,"teacher_disagreement_score":0.6653804,"about_ca_system_score_codex":0.0006264385,"about_ca_system_score_gemma":0.00020815212,"threshold_uncertainty_score":0.9998932},"labels":[],"label_agreement":null},{"id":"W2904601092","doi":"10.4000/belphegor.1178","title":"L’histoire des Super-héros : Les publications américaines en France, L’âge d’or (1939-1961), de Superman à Flash, Jean-Michel Ferragatti","year":2018,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Superman; Humanities; Philosophy; Art; Art history","score_opus":0.039827929677958396,"score_gpt":0.2725113063392015,"score_spread":0.2326833766612431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904601092","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7259578,0.04498363,0.00057490816,0.07920883,0.0043327156,0.0014642659,0.0017973349,0.0006208407,0.14105967],"genre_scores_gemma":[0.5173358,0.0016554908,0.00061164936,0.0006351723,0.003417634,0.00015366609,0.00008418756,0.00009929962,0.47600713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703395,0.00024288171,0.0006893074,0.0006938266,0.00032062884,0.0010193863],"domain_scores_gemma":[0.99751276,0.00058324484,0.00017628066,0.00074667577,0.0006198463,0.00036116608],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0004291648,0.00057943177,0.00055150775,0.00041444396,0.003820671,0.0006821704,0.00075218885,0.00032107852,0.008295269],"category_scores_gemma":[0.00039003041,0.00051895255,0.00034373708,0.00041588224,0.004039186,0.000737159,0.00020578108,0.0004933453,0.0005591399],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014057201,0.0012059276,0.0090976115,0.00045150658,0.0003689749,0.000034252116,0.09267578,0.000005279008,0.002371253,0.57941455,0.24953783,0.06469648],"study_design_scores_gemma":[0.00072534743,0.00041148695,0.0077753705,0.00019808183,0.00013490216,0.000028109656,0.0075568343,0.0005990847,0.0004702327,0.0057901135,0.9756058,0.0007046797],"about_ca_topic_score_codex":0.0032489647,"about_ca_topic_score_gemma":0.027935516,"teacher_disagreement_score":0.72606796,"about_ca_system_score_codex":0.00018827326,"about_ca_system_score_gemma":0.00031180645,"threshold_uncertainty_score":0.9997262},"labels":[],"label_agreement":null},{"id":"W2904841324","doi":"10.29173/af27228","title":"Le rapport au corps et à la féminité dans la série Plus ou Moins… de Peggy Adam.","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Humanities; Art","score_opus":0.019931799800028783,"score_gpt":0.24934102071118242,"score_spread":0.22940922091115362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904841324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55519116,0.0065561165,0.0060007875,0.01861754,0.012265761,0.0005431733,0.0009100347,0.00011473956,0.39980072],"genre_scores_gemma":[0.87477994,0.0059625157,0.00011232368,0.0008302266,0.0027026075,0.000073950534,0.000020087278,0.000087641994,0.1154307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721426,0.0006202434,0.0005342871,0.000584286,0.00035235094,0.00069457135],"domain_scores_gemma":[0.9975226,0.0011230721,0.0003568676,0.00044806098,0.00027699323,0.0002724163],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081062765,0.00049254106,0.0005765359,0.00020043462,0.0005739351,0.0003552034,0.00046402996,0.00018615968,0.0015244915],"category_scores_gemma":[0.00010756244,0.0004049543,0.00031648192,0.00014968382,0.0019167636,0.0008383714,0.00018039205,0.00042500164,0.0002826354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021429606,0.00048250591,0.0012250417,0.000067514855,0.00048818265,0.0005341525,0.12088193,0.000018519819,0.0013265176,0.8323508,0.018974444,0.023436125],"study_design_scores_gemma":[0.0041337917,0.0003898332,0.006241021,0.00076461764,0.000051148465,0.00010203022,0.039533358,0.00018250395,0.0015963664,0.05642453,0.88982874,0.0007520482],"about_ca_topic_score_codex":0.009206828,"about_ca_topic_score_gemma":0.010158703,"teacher_disagreement_score":0.8708543,"about_ca_system_score_codex":0.00015258549,"about_ca_system_score_gemma":0.0013891836,"threshold_uncertainty_score":0.99984026},"labels":[],"label_agreement":null},{"id":"W2905200721","doi":"10.29173/af27280","title":"Catel Muller et Ulli Lust, entre BD féminine et BD féministe","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Lust; Literature","score_opus":0.02125812613414784,"score_gpt":0.2579201155213017,"score_spread":0.23666198938715383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905200721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35249826,0.035605513,0.0024739204,0.17635214,0.053574506,0.0015602326,0.00544179,0.00025792248,0.37223572],"genre_scores_gemma":[0.66284174,0.009195029,0.00018108367,0.003068184,0.004608913,0.000067858455,0.00004648814,0.00010688798,0.31988385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674284,0.00040782624,0.000733223,0.00082909205,0.0005036518,0.000783386],"domain_scores_gemma":[0.9973579,0.0007964084,0.000458313,0.0005932766,0.0005119972,0.0002821039],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052286946,0.0006858123,0.00073553144,0.00028394017,0.000494099,0.00026435143,0.000507377,0.00017646959,0.021039335],"category_scores_gemma":[0.00012817036,0.0005102189,0.00037768667,0.00019469183,0.0013323822,0.0006053909,0.00025501807,0.00048206662,0.0019917218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003393752,0.00093697204,0.0007977585,0.00013633998,0.0009171774,0.0002603543,0.09152191,0.000014363114,0.0018068858,0.6963173,0.18155621,0.02539534],"study_design_scores_gemma":[0.0037717996,0.0005745425,0.0017666591,0.00079781795,0.000054917742,0.000020818303,0.0058185523,0.000101949314,0.0018089183,0.018056422,0.9664109,0.0008167403],"about_ca_topic_score_codex":0.0029298784,"about_ca_topic_score_gemma":0.0048897914,"teacher_disagreement_score":0.78485465,"about_ca_system_score_codex":0.000116253104,"about_ca_system_score_gemma":0.00017761736,"threshold_uncertainty_score":0.99973494},"labels":[],"label_agreement":null},{"id":"W2905412715","doi":"10.7203/jle.1.12085","title":"Touching Art: The Art Museum as a Picture Book, and the Picture Book as Art","year":2018,"lang":"en","type":"article","venue":"Journal of Literary Education","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Art; Visual arts; Art history","score_opus":0.0067571740949355225,"score_gpt":0.23646599393511827,"score_spread":0.22970881984018277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905412715","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5174911,0.02526938,0.000042967116,0.1562479,0.0064497534,0.00063308195,0.0000118384405,0.00002560259,0.2938284],"genre_scores_gemma":[0.7809501,0.00061215484,0.000047121048,0.03142704,0.007819417,0.000011286682,0.000010314769,0.000019313766,0.17910324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912643,0.00013066342,0.00032993546,0.0001033278,0.00018941244,0.00012024374],"domain_scores_gemma":[0.99901414,0.00017375757,0.00033354678,0.0001873903,0.00022946783,0.000061674546],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038800604,0.00013242831,0.00016930657,0.000112865724,0.00054211495,0.0005888022,0.00018637057,0.000038499307,0.0022076785],"category_scores_gemma":[0.00006302878,0.00006410682,0.00012103336,0.00004044842,0.000327261,0.00063560775,0.000028366647,0.000361014,0.00007936839],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014987492,0.00006635926,0.000088024266,0.000010412597,0.00007114033,0.0000017374592,0.24809591,2.8102335e-7,0.0000324427,0.12049434,0.62892336,0.0020661303],"study_design_scores_gemma":[0.00032073163,0.00017731645,0.00034994015,0.00011598502,0.000042216092,0.00012995186,0.0066117295,0.000012147649,0.000023977751,0.06201964,0.9301168,0.00007961115],"about_ca_topic_score_codex":0.0000036791314,"about_ca_topic_score_gemma":0.000028856253,"teacher_disagreement_score":0.30119342,"about_ca_system_score_codex":0.000016187207,"about_ca_system_score_gemma":0.00018614823,"threshold_uncertainty_score":0.99870443},"labels":[],"label_agreement":null},{"id":"W2905481483","doi":"10.29173/af27263","title":"Y a-t-il des traces de l'identité canadienne dans la BD québécoise?","year":2016,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011910529275666756,"score_gpt":0.2150784158065809,"score_spread":0.20316788653091417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905481483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93099403,0.008601383,0.00091578864,0.0039131576,0.0064369286,0.00020588104,0.0009903891,0.000049057126,0.047893398],"genre_scores_gemma":[0.8729126,0.0053682993,0.00011148466,0.00023264045,0.0030130702,0.000042269847,0.0000049078744,0.000058202007,0.118256524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780124,0.00026328576,0.00041420147,0.0004705914,0.00020812143,0.00084257673],"domain_scores_gemma":[0.9982864,0.00054507935,0.00022136627,0.0003158938,0.00029566028,0.0003355847],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042867722,0.00039638072,0.00040922296,0.00020734077,0.0007088577,0.00022954094,0.0004288566,0.00011537812,0.003982586],"category_scores_gemma":[0.00013864962,0.00030641968,0.00023717961,0.00016052069,0.0025427868,0.0005257132,0.00007888978,0.00023239471,0.0002980153],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011227889,0.00038570797,0.0068179253,0.00011770736,0.0006192004,0.00044562158,0.20929693,0.000010851202,0.0064994567,0.7051747,0.010965204,0.05955443],"study_design_scores_gemma":[0.0016278913,0.00032485335,0.018889321,0.000733096,0.00006477184,0.00006679093,0.02063527,0.00007341778,0.0039851223,0.13003497,0.8229318,0.00063264597],"about_ca_topic_score_codex":0.37940785,"about_ca_topic_score_gemma":0.7960172,"teacher_disagreement_score":0.81196666,"about_ca_system_score_codex":0.00033996234,"about_ca_system_score_gemma":0.00024692106,"threshold_uncertainty_score":0.9999388},"labels":[],"label_agreement":null},{"id":"W2905502725","doi":"10.29173/af23057","title":"Entretien avec Catel Muller","year":2014,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Humanities","score_opus":0.012322633267215432,"score_gpt":0.22016151341529758,"score_spread":0.20783888014808213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905502725","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5322546,0.026115676,0.002731963,0.038924728,0.081342384,0.0008591033,0.0006301949,0.00015896324,0.31698242],"genre_scores_gemma":[0.7693703,0.0014670527,0.00011974622,0.001261664,0.01096245,0.000029248022,0.000028506027,0.00005917021,0.21670188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979897,0.00021418717,0.00042822887,0.0005011246,0.00032169934,0.0005450425],"domain_scores_gemma":[0.9985529,0.00028651248,0.00023473821,0.00039283204,0.00034394985,0.00018905793],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028765612,0.00039808967,0.0004594325,0.0001828557,0.00047859337,0.00022846501,0.00035657414,0.00010767501,0.013448164],"category_scores_gemma":[0.00008619076,0.0003805117,0.00024250658,0.00013642624,0.00096046284,0.00025249342,0.00012217167,0.0003964421,0.002079798],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001028716,0.0004995543,0.0005291633,0.00011160647,0.0004566369,0.000043001066,0.24328354,0.00006915089,0.00022917187,0.57522964,0.1312359,0.04820974],"study_design_scores_gemma":[0.0013101468,0.00029885018,0.001241462,0.00016047084,0.000029110646,0.000006284613,0.003241946,0.0026812262,0.0006907263,0.030853087,0.95901,0.0004766741],"about_ca_topic_score_codex":0.0049519623,"about_ca_topic_score_gemma":0.0018568131,"teacher_disagreement_score":0.8277741,"about_ca_system_score_codex":0.000060634207,"about_ca_system_score_gemma":0.00004464391,"threshold_uncertainty_score":0.9998647},"labels":[],"label_agreement":null},{"id":"W2906061452","doi":"10.4000/narratologie.9085","title":"Les stratégies du chapitre en BD reportage","year":2018,"lang":"fr","type":"article","venue":"Cahiers de narratologie","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","score_opus":0.02529381591587456,"score_gpt":0.2584343782106612,"score_spread":0.2331405622947866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906061452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7864433,0.017039048,0.00017837177,0.023572117,0.006598301,0.00029539753,0.00016544675,0.0002159092,0.1654921],"genre_scores_gemma":[0.9096282,0.0013801687,0.00022158174,0.0005471674,0.0027524359,0.000025526915,0.000019754205,0.00004341137,0.08538175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764675,0.00029443877,0.00054027897,0.0005403073,0.00020150395,0.00077672926],"domain_scores_gemma":[0.99834853,0.0003587759,0.00027786032,0.0005079442,0.000303332,0.00020352553],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006734467,0.00041203728,0.00047916058,0.00020225583,0.001701744,0.00040019932,0.00042483784,0.0006009544,0.004518624],"category_scores_gemma":[0.00055554055,0.000389326,0.00027106144,0.00013809028,0.006129789,0.00027160748,0.00008462874,0.0007826025,0.00012804045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054628545,0.00010979413,0.003395381,0.00008051678,0.00018210604,0.0004130994,0.09314615,0.0000021712196,0.00012276182,0.8303919,0.0655931,0.006508435],"study_design_scores_gemma":[0.0004051858,0.0005386172,0.0023794922,0.00011075104,0.000089197645,0.00016016634,0.07859113,0.00014865548,0.0006298634,0.03525069,0.8811441,0.00055217015],"about_ca_topic_score_codex":0.0009873882,"about_ca_topic_score_gemma":0.0022717726,"teacher_disagreement_score":0.815551,"about_ca_system_score_codex":0.00019382364,"about_ca_system_score_gemma":0.00024583834,"threshold_uncertainty_score":0.9998559},"labels":[],"label_agreement":null},{"id":"W2906484296","doi":"10.1080/09639489.2018.1555521","title":"« Où sont les super-héros français ? Du <i>Comte de Monte-Cristo</i> à <i>Astérix</i> en passant par <i>Mikros &amp; Photonik</i> »","year":2018,"lang":"fr","type":"article","venue":"Modern & Contemporary France","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Superman; Power (physics); Art; Judaism; Censorship; French literature; Humanities; Literature; Art history; Sociology; Philosophy; Theology","score_opus":0.02285642329780811,"score_gpt":0.22539379679923555,"score_spread":0.20253737350142745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906484296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7374664,0.15877075,0.01011062,0.019456362,0.006370844,0.0017581111,0.002789975,0.00046234534,0.06281456],"genre_scores_gemma":[0.9402853,0.00260732,0.00049061724,0.0043324307,0.0049324734,0.00022637552,0.00008518874,0.00021598529,0.04682429],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941157,0.00059103244,0.0013307797,0.0013701951,0.00068523013,0.0019070273],"domain_scores_gemma":[0.99656266,0.00041605072,0.0004973289,0.001294851,0.00055508665,0.0006740244],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012978286,0.0011700123,0.0013213045,0.00022893943,0.002520712,0.00072526885,0.0010825659,0.00051013863,0.0013962478],"category_scores_gemma":[0.00010123471,0.0011765745,0.00078612927,0.00021215426,0.0029594898,0.0010689535,0.0003121618,0.0011145585,0.00043694454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013077472,0.0023686588,0.11220988,0.0007840793,0.0010508645,0.00027487215,0.31727618,0.00010351012,0.011115427,0.037993103,0.49928072,0.016234977],"study_design_scores_gemma":[0.0023885688,0.00051059003,0.0023379156,0.00062624266,0.00009997529,0.00003912751,0.0022862586,0.0044629565,0.0013452886,0.0067231236,0.977775,0.0014050017],"about_ca_topic_score_codex":0.022408457,"about_ca_topic_score_gemma":0.018409587,"teacher_disagreement_score":0.47849423,"about_ca_system_score_codex":0.0001597175,"about_ca_system_score_gemma":0.0005878398,"threshold_uncertainty_score":0.9997539},"labels":[],"label_agreement":null},{"id":"W2909398293","doi":"10.1353/hcy.2019.0010","title":"Picturing Childhood: Youth in Transnational Comics ed. by Mark Heimermann, Brittany Tullis","year":2019,"lang":"en","type":"article","venue":"Journal of the history of childhood and youth/The journal of the history of childhood and youth","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Globe; Scholarship; Reading (process); Media studies; History; Confusion; Sociology; Subtitle; Literature; Art; Psychology; Law; Political science; Psychoanalysis; Linguistics; Philosophy","score_opus":0.009857569784475691,"score_gpt":0.1664514978707297,"score_spread":0.156593928086254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909398293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9322499,0.055892926,0.0000065269332,0.0014074579,0.005916018,0.0003717884,0.0003504436,0.000009265426,0.0037956557],"genre_scores_gemma":[0.9948909,0.0011766144,0.000025535433,0.0005385307,0.0005106543,5.1550404e-7,0.000005606982,0.00006860266,0.0027830119],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963744,0.0004173572,0.001707622,0.0002336474,0.00092717074,0.00033978812],"domain_scores_gemma":[0.9957166,0.00014955367,0.0031837,0.00046884373,0.00030038474,0.0001809167],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014813038,0.00046185157,0.0010817624,0.00046493093,0.0002821202,0.000040759154,0.0011989728,0.00014930121,0.00010650439],"category_scores_gemma":[0.00005922994,0.0002758179,0.00081536744,0.00009985773,0.0011834807,0.00041154292,0.00014661421,0.0012238099,5.350808e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005662609,0.0013513337,0.0038581507,0.00011231929,0.00094298593,0.000002960799,0.9563902,0.00016717786,0.00039477542,0.0035258466,0.03187993,0.00080804667],"study_design_scores_gemma":[0.038477138,0.0051150117,0.24117199,0.007968418,0.008338034,0.0014832446,0.30533627,0.00009541238,0.00048356518,0.011104051,0.37655655,0.00387033],"about_ca_topic_score_codex":0.00014840183,"about_ca_topic_score_gemma":0.00015824365,"teacher_disagreement_score":0.65105397,"about_ca_system_score_codex":0.0003406781,"about_ca_system_score_gemma":0.0006491421,"threshold_uncertainty_score":0.9999694},"labels":[],"label_agreement":null},{"id":"W29140214","doi":"10.3828/eca.1.1.7","title":"News and Reviews","year":2008,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Miami","keywords":"Art","score_opus":0.07136125944618286,"score_gpt":0.21400861695028653,"score_spread":0.14264735750410368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W29140214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23859155,0.001821891,0.000017713743,0.00083172624,0.00025869938,0.000117123214,0.000004764855,0.000046888432,0.75830966],"genre_scores_gemma":[0.8827724,0.0032236548,0.00008729701,0.0017325324,0.0006585438,0.000002410562,0.000007140145,0.000022970435,0.111493066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947375,0.00010628431,0.00015848601,0.00012708128,0.000039524108,0.00009488123],"domain_scores_gemma":[0.99972737,0.000022019558,0.000047299145,0.00014474186,0.0000135172395,0.000045053523],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014332609,0.00008450713,0.00012606576,0.000036129088,0.00030721995,0.00004319704,0.00007958207,0.000004940192,0.00079260615],"category_scores_gemma":[0.000015439731,0.00006594154,0.000047255136,0.000012547154,0.00021079462,0.00006517686,0.000050422965,0.00007464883,0.0010408249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008826011,0.000028879762,0.0013295327,0.00001063551,0.000013240857,0.000033635835,0.032554816,1.3772372e-7,0.0000775734,0.08679135,0.8720712,0.0070801903],"study_design_scores_gemma":[0.00014637191,0.0000285462,0.0014155986,0.000014175452,0.0000034922236,0.000012254054,0.00024216503,0.000006975948,0.0000028141037,0.00037774225,0.99765855,0.00009132978],"about_ca_topic_score_codex":0.000009200886,"about_ca_topic_score_gemma":0.00009361541,"teacher_disagreement_score":0.64681655,"about_ca_system_score_codex":0.0000030890837,"about_ca_system_score_gemma":0.0000047190906,"threshold_uncertainty_score":0.99973696},"labels":[],"label_agreement":null},{"id":"W2921083076","doi":"10.1386/stic.9.2.297_1","title":"Breaking out of panels: Formal expressions of subjectivity in Ellen Forney’s Marbles and Una’s Becoming Unbecoming","year":2018,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Memoir; Comics; Character (mathematics); Art; Foregrounding; Freudian slip; Comic strip; Aesthetics; Visual arts; Psychology; Literature; Psychoanalysis","score_opus":0.14747415851936135,"score_gpt":0.353559380900523,"score_spread":0.20608522238116167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921083076","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9873584,0.00066911796,0.000027719654,0.00010102118,0.0003162088,0.00014944242,0.000027494603,0.0000116758265,0.01133892],"genre_scores_gemma":[0.99894875,0.00045883385,0.00027112797,0.000018756942,0.00010417707,0.000009469488,7.980105e-7,0.000015059033,0.0001730314],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99915314,0.000049126404,0.00036212825,0.00015879233,0.00007426649,0.0002025403],"domain_scores_gemma":[0.9992088,0.00037982195,0.00018188113,0.00014318473,0.00006861548,0.000017713015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039638852,0.00012494894,0.000384336,0.00022591124,0.00016360651,0.0000135491355,0.00010730603,0.000034493118,0.00001621015],"category_scores_gemma":[0.00010314677,0.000109735505,0.000044518838,0.000052406005,0.0008404561,0.00014533226,0.00029777436,0.00010864134,1.8081286e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022387446,0.00025189616,0.08072609,0.0005102595,0.00021450134,0.000005140023,0.6587961,0.0000088421275,0.0018229653,0.25071865,0.0006969241,0.0060247877],"study_design_scores_gemma":[0.0066694566,0.0009264499,0.039354283,0.005695173,0.00010558936,0.00000687795,0.7414466,0.002844775,0.008063612,0.17739613,0.016166184,0.0013248462],"about_ca_topic_score_codex":0.0008505341,"about_ca_topic_score_gemma":0.044929683,"teacher_disagreement_score":0.082650565,"about_ca_system_score_codex":0.000023775452,"about_ca_system_score_gemma":0.00001808899,"threshold_uncertainty_score":0.9724979},"labels":[],"label_agreement":null},{"id":"W2921235620","doi":"10.15122/isbn.978-2-406-06105-2.p.0249","title":"Sea, peace and war in Harold Foster’s early Prince Valiant comic strip (1937-1949), or, the establishment of an iconic symphony of meanings","year":2017,"lang":"fr","type":"article","venue":"Classiques GARNIER","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Comics; History; Art history; Art; Literature","score_opus":0.03609371808423894,"score_gpt":0.27446910806275077,"score_spread":0.23837538997851182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921235620","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.972063,0.006234741,0.0000041035064,0.007024848,0.0006120124,0.0005330267,0.00020663659,0.00001514292,0.013306503],"genre_scores_gemma":[0.9660859,0.0051513813,0.00004290825,0.00017204482,0.00017978522,0.000020886104,0.000007867603,0.000034826237,0.028304389],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979756,0.00028010766,0.0006552824,0.00041793418,0.00026909364,0.0004019878],"domain_scores_gemma":[0.9977356,0.00022705818,0.00079027755,0.0008769664,0.000246688,0.00012338281],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007283421,0.00032226462,0.0005842097,0.00014221238,0.0005477399,0.00043460215,0.0006662377,0.00015623998,0.00025213117],"category_scores_gemma":[0.00009453839,0.00021064868,0.00013639934,0.000045394267,0.0025128962,0.00069025916,0.00034410294,0.0004156701,0.0000030757203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017561003,0.0021221074,0.1531887,0.0016791591,0.00079863484,0.00014918801,0.32915118,0.00002369678,0.0030452004,0.44503006,0.020852074,0.04220387],"study_design_scores_gemma":[0.0043064984,0.0027904497,0.31622484,0.0026590116,0.00029951407,0.000028077011,0.019453384,0.0023855744,0.0046813334,0.010784977,0.6353625,0.001023813],"about_ca_topic_score_codex":0.00534759,"about_ca_topic_score_gemma":0.022216227,"teacher_disagreement_score":0.6145105,"about_ca_system_score_codex":0.000099196346,"about_ca_system_score_gemma":0.00022050203,"threshold_uncertainty_score":0.9956258},"labels":[],"label_agreement":null},{"id":"W2921787200","doi":"10.1386/stic.9.2.315_1","title":"Focalized split panels: Bridging the borders in comics form","year":2018,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Comics; Focalization; Narrative; Bridging (networking); Character (mathematics); Weaving; Space (punctuation); Aesthetics; Function (biology); Art; Visual arts; Psychology; History; Computer science; Literature; Linguistics; Philosophy; Mathematics; Engineering","score_opus":0.11269956873045861,"score_gpt":0.3488145169656652,"score_spread":0.23611494823520657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921787200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74587363,0.003434348,0.000145102,0.0077351807,0.0025716964,0.00096769823,0.00006607601,0.00025566842,0.23895063],"genre_scores_gemma":[0.9945391,0.0011448112,0.00010941052,0.00071164925,0.00044186733,0.00003076654,0.000002489362,0.000047167057,0.0029727546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991285,0.00004551922,0.00027082904,0.00018293483,0.00009435259,0.00027781574],"domain_scores_gemma":[0.9994047,0.00019597675,0.00008800554,0.00024281417,0.000048802733,0.00001966673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034885676,0.00015478248,0.0002755177,0.00015214209,0.00030088847,0.0000635147,0.00023093769,0.000030358351,0.00004209447],"category_scores_gemma":[0.00007463681,0.00011230779,0.00005596365,0.00010761745,0.001322813,0.00006062158,0.00018579638,0.0001668731,0.000005298047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074683914,0.000073072275,0.0052268454,0.000038982118,0.00013367433,0.0000073722617,0.20774126,0.0000036472077,0.000006753372,0.72136533,0.062034942,0.0032934453],"study_design_scores_gemma":[0.0022906177,0.0001481351,0.00089115585,0.00023364507,0.00002454895,0.0000032550472,0.17596994,0.003347361,0.000031071893,0.11813282,0.6984348,0.000492637],"about_ca_topic_score_codex":0.0012595891,"about_ca_topic_score_gemma":0.0701538,"teacher_disagreement_score":0.63639987,"about_ca_system_score_codex":0.00004616264,"about_ca_system_score_gemma":0.00001778787,"threshold_uncertainty_score":0.94681346},"labels":[],"label_agreement":null},{"id":"W2936638248","doi":"","title":"« Je suis fier d’amener ‘mon soleil’ dans la BD universelle. » Entretien avec Barly Baruti","year":2017,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010840338993931836,"score_gpt":0.21837649107595627,"score_spread":0.20753615208202444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936638248","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.456959,0.04944093,0.00049299834,0.021107197,0.04323239,0.0008128442,0.0011419508,0.00019243477,0.42662024],"genre_scores_gemma":[0.7222579,0.009117219,0.0001090733,0.00011173541,0.0020396255,0.000021108548,0.000015570507,0.00005568973,0.26627207],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975958,0.00016705474,0.0004606616,0.00067277346,0.00037688937,0.00072685315],"domain_scores_gemma":[0.99767643,0.0004525531,0.0004378984,0.0010128818,0.00019400052,0.00022623429],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0002967503,0.0005667018,0.00062181905,0.00016739518,0.0034552268,0.0012497919,0.00091003935,0.00026512766,0.009341951],"category_scores_gemma":[0.00007901173,0.0005337926,0.0003861467,0.00007697357,0.0027602226,0.0009880405,0.00024622004,0.000523943,0.0005079702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038723674,0.00065481564,0.010462453,0.00036494152,0.0007849675,0.0005079988,0.43116602,0.00029245942,0.0007920037,0.4225302,0.06842273,0.06363417],"study_design_scores_gemma":[0.0012710657,0.00017238512,0.010134197,0.00028016145,0.000110906105,0.000008693375,0.024924856,0.0010096328,0.0004632631,0.0066483775,0.9542622,0.0007142534],"about_ca_topic_score_codex":0.007014833,"about_ca_topic_score_gemma":0.018493086,"teacher_disagreement_score":0.88583946,"about_ca_system_score_codex":0.00007631744,"about_ca_system_score_gemma":0.00013080743,"threshold_uncertainty_score":0.9999537},"labels":[],"label_agreement":null},{"id":"W2943389855","doi":"10.22215/etd/2015-10901","title":"\"And I think to myself - what a Marvel-ous world\" an examination of Marvel Studios' influence and role in the franchising of contemporary superhero films","year":2015,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Studio; Hollywood; Film industry; Attendance; Face (sociological concept); Movie theater; Art; Engineering; Advertising; Visual arts; Art history; Business; Sociology; Political science; Law; Social science","score_opus":0.028529190079330434,"score_gpt":0.26399514125199697,"score_spread":0.23546595117266653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943389855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9761351,0.0048292005,5.2821264e-7,0.000058233236,0.00013131836,0.00047919777,0.00002374911,0.000008773547,0.018333951],"genre_scores_gemma":[0.99598277,0.00021148793,0.000041881776,0.000101415324,0.000037455775,0.00002214605,0.000106865795,0.000015195138,0.0034807594],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99886227,0.00014669457,0.00040341163,0.00023453165,0.00024957245,0.0001035275],"domain_scores_gemma":[0.999183,0.00015855824,0.00017818899,0.00019013442,0.0002490355,0.000041086398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006812695,0.00019189014,0.0003766193,0.0003638022,0.000102227015,0.00025303563,0.00015881468,0.00006934399,0.00007400248],"category_scores_gemma":[0.000041627416,0.0001337209,0.000035526497,0.00010111324,0.00012219728,0.00070568715,0.000028467664,0.00016564138,4.2395783e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012152906,0.00013805876,0.000712655,0.00018407727,0.000046777655,0.0000021462427,0.9550079,0.0000021177707,0.0002989335,0.030987132,0.0003969989,0.012101663],"study_design_scores_gemma":[0.0006647794,0.00045016585,0.09859536,0.00069989084,0.00003397581,0.0000011679933,0.8902892,0.00007258406,0.00011979363,0.006748024,0.0020180494,0.00030702],"about_ca_topic_score_codex":0.0012686863,"about_ca_topic_score_gemma":0.0398459,"teacher_disagreement_score":0.0978827,"about_ca_system_score_codex":0.0000074199334,"about_ca_system_score_gemma":0.000055022283,"threshold_uncertainty_score":0.9776744},"labels":[],"label_agreement":null},{"id":"W2943594144","doi":"","title":"Drawing Inuit Satiric Resilience: Alootook Ipellie’s Decolonial Comics / Dessiner la résilience satirique des Inuits : les caricatures décoloniales d’Alootook Ipellie","year":2018,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Resilience (materials science); Art; Sociology; Humanities; Literature","score_opus":0.03108409135968094,"score_gpt":0.2955319646192147,"score_spread":0.2644478732595338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943594144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7662961,0.027492017,0.001473026,0.05779966,0.009139434,0.0034125159,0.0018690604,0.0009651317,0.13155305],"genre_scores_gemma":[0.9570107,0.0023904762,0.0013747438,0.0006153709,0.0038667002,0.00019363024,0.000099368175,0.00021627033,0.034232777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99468476,0.0006780716,0.0011895291,0.0013057753,0.0006555045,0.0014863515],"domain_scores_gemma":[0.9955355,0.0015449399,0.0006637497,0.0010807826,0.000635471,0.0005395704],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00078627956,0.0010417711,0.000999106,0.00070229283,0.0045011467,0.0014867275,0.0011654003,0.00064431946,0.0016708035],"category_scores_gemma":[0.0004111233,0.0010268489,0.0004224289,0.0006894277,0.010287629,0.0009307221,0.00053458154,0.0011100671,0.0002357659],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011957574,0.0007148889,0.0069662803,0.0002763384,0.00021432832,0.00006416793,0.086686134,0.000083001694,0.00052534667,0.79211295,0.10361295,0.008624031],"study_design_scores_gemma":[0.0010640519,0.0006002543,0.016389769,0.0012369674,0.00018220114,0.00007810056,0.006430585,0.0006965642,0.0010457621,0.04201904,0.92881435,0.0014423379],"about_ca_topic_score_codex":0.006320098,"about_ca_topic_score_gemma":0.11623459,"teacher_disagreement_score":0.8252014,"about_ca_system_score_codex":0.00031352855,"about_ca_system_score_gemma":0.0011048574,"threshold_uncertainty_score":0.9995498},"labels":[],"label_agreement":null},{"id":"W2943923773","doi":"10.4000/belphegor.1882","title":"La bande dessinée comme forme académique","year":2019,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.042361255226172956,"score_gpt":0.2641405711423628,"score_spread":0.22177931591618982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943923773","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4822306,0.015062015,0.00008057359,0.018639034,0.0033464015,0.00055792264,0.00026956535,0.00008467353,0.4797292],"genre_scores_gemma":[0.7822556,0.00059031637,0.00007407713,0.000842926,0.00069893326,0.000017405282,0.000022997925,0.00003768686,0.21546009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863786,0.00015063645,0.00031509955,0.00029334938,0.00016342894,0.0004396169],"domain_scores_gemma":[0.999029,0.00030627433,0.0001279686,0.00033059678,0.00008077355,0.00012540129],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003519167,0.00027103187,0.00033568274,0.00011584538,0.0003981761,0.00036212214,0.0002609364,0.00022198337,0.008846242],"category_scores_gemma":[0.000017493068,0.0002478013,0.00021656178,0.00006181528,0.00046399306,0.00033651173,0.00011008811,0.00048115983,0.00097442104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004115182,0.0001741992,0.0018280497,0.00017097367,0.00007508229,0.00001560575,0.012590501,0.000002166754,0.000113422866,0.9393122,0.033856954,0.011819665],"study_design_scores_gemma":[0.0007775396,0.00018952288,0.0024091168,0.00019281964,0.00004143044,0.00002019888,0.0038412218,0.00021575183,0.000084895,0.029636836,0.9622371,0.00035356564],"about_ca_topic_score_codex":0.00042966427,"about_ca_topic_score_gemma":0.00088084536,"teacher_disagreement_score":0.92838013,"about_ca_system_score_codex":0.00004503303,"about_ca_system_score_gemma":0.00009658695,"threshold_uncertainty_score":0.99999744},"labels":[],"label_agreement":null},{"id":"W2944762464","doi":"10.26522/tg.v4i0.2129","title":"Agent of Chaos? Or a Reflection of American Society? The Truth Behind Gotham's Greatest Criminal","year":2019,"lang":"en","type":"article","venue":"the general brock university Undergraduate journal of history","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Comics; Hacker; Great Depression; Aside; Terrorism; Personality psychology; Culture of the United States; Law; Criminology; Sociology; History; Psychology; Aesthetics; Literature; Media studies; Political science; Psychoanalysis; Art; Personality; Computer security","score_opus":0.04402280521000725,"score_gpt":0.2236907495153661,"score_spread":0.17966794430535885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944762464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9942825,0.00038577805,0.0000592015,0.0010498228,0.000748421,0.00008355465,0.000009977883,0.0000051483134,0.003375603],"genre_scores_gemma":[0.95906967,0.0004893625,0.00007475739,0.000102782986,0.00019209192,8.379848e-8,0.0000011122218,0.000008657911,0.040061463],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916065,0.00013745321,0.00024636794,0.000090655,0.00024255141,0.00012231318],"domain_scores_gemma":[0.9986391,0.00013406407,0.00077917933,0.00016997225,0.00023747723,0.00004020583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000115026574,0.000113973365,0.00026645476,0.00011876724,0.00022507894,0.000011023994,0.00033172593,0.00002058382,0.00013208286],"category_scores_gemma":[0.000008889597,0.000066275315,0.00032589835,0.000059361926,0.00062666635,0.00014383113,0.00005095329,0.00021808335,0.0000020789198],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0070070317,0.0011897166,0.0022308521,0.00039262374,0.003348672,0.000063673615,0.38047466,0.0016634528,0.09863681,0.16791509,0.33065248,0.0064249374],"study_design_scores_gemma":[0.0024056707,0.00358694,0.0036495654,0.00014460707,0.00087215146,0.00011754102,0.14733787,0.0002638394,0.0010348688,0.003504182,0.83667463,0.00040810712],"about_ca_topic_score_codex":0.000619779,"about_ca_topic_score_gemma":0.001088799,"teacher_disagreement_score":0.50602216,"about_ca_system_score_codex":0.00024081799,"about_ca_system_score_gemma":0.00016572641,"threshold_uncertainty_score":0.2702629},"labels":[],"label_agreement":null},{"id":"W2945660559","doi":"10.1093/oxfordhb/9780190917944.013.1","title":"What Kind of Studies Is Comics Studies?","year":2019,"lang":"en","type":"reference-entry","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; History; Aesthetics; Art; Literature","score_opus":0.17398825058452,"score_gpt":0.33789658893383123,"score_spread":0.16390833834931123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945660559","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016441264,0.3250707,6.476494e-7,0.0011891779,0.010126867,0.00041243347,0.0002729051,0.000058748905,0.66122437],"genre_scores_gemma":[0.0018670809,0.45580176,0.000011507053,0.00028142927,0.0004994147,0.0000088068955,0.00002452073,0.00003529197,0.5414702],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986791,0.00003985504,0.00045584422,0.00033715816,0.0002657502,0.00022226975],"domain_scores_gemma":[0.9984814,0.00026035888,0.00040248042,0.00041191146,0.0004102093,0.00003367604],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012641806,0.00036575063,0.0011297065,0.00026420085,0.00014381598,0.00016145897,0.00026653998,0.00013161813,0.0012971469],"category_scores_gemma":[0.000025224572,0.00025197203,0.000256185,0.0000410712,0.0006382811,0.00018736142,0.0002526171,0.00027101702,0.000047068843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008821304,0.00003926232,0.00001630305,0.0009218814,0.0016246804,0.0000010919406,0.058395784,5.7428213e-8,6.834628e-8,0.14132214,0.7950441,0.0026258188],"study_design_scores_gemma":[0.00024326275,0.00010531517,0.0000014616974,0.0016810498,0.00012040485,3.906573e-7,0.15326113,0.0000019513127,0.0000080441505,0.008974903,0.8353303,0.00027179983],"about_ca_topic_score_codex":0.000107206426,"about_ca_topic_score_gemma":0.002222427,"teacher_disagreement_score":0.13234723,"about_ca_system_score_codex":0.000032980344,"about_ca_system_score_gemma":0.00007322037,"threshold_uncertainty_score":0.99999326},"labels":[],"label_agreement":null},{"id":"W2945974454","doi":"10.24908/iqurcp.11540","title":"For Girls: The Sexual Politics of Girls’ Comics in Post-War Britain","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Adventure; Politics; Gender studies; Race (biology); Variety (cybernetics); Sociology; Face (sociological concept); History; Media studies; Literature; Political science; Social science; Art; Law; Art history","score_opus":0.15010519575937842,"score_gpt":0.3685561864431754,"score_spread":0.21845099068379698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945974454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92758197,0.00017396064,0.00022179681,0.049024485,0.00032513813,0.0015593119,0.00013240831,0.00009809154,0.020882862],"genre_scores_gemma":[0.9941561,0.00012870684,0.00012514928,0.00019500358,0.00081339956,0.00012714631,0.000011511858,0.000054792905,0.0043881913],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9975891,0.00008649216,0.00049250515,0.00042735806,0.00058818655,0.0008163422],"domain_scores_gemma":[0.99617547,0.00043231118,0.00016769563,0.00023930312,0.002854257,0.00013094659],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018230688,0.00022747352,0.00034673826,0.00056631,0.000676036,0.0003411329,0.00073706073,0.00009906154,0.000061291576],"category_scores_gemma":[0.00058041536,0.00017456786,0.00008049623,0.0002949403,0.004422814,0.00031341636,0.00024961997,0.0004728449,0.000011980612],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010723232,0.0001122914,0.0018444781,0.00014432214,0.00005601406,0.0000010404377,0.07112152,9.5599766e-8,0.00088071293,0.9065636,0.01825413,0.0009146026],"study_design_scores_gemma":[0.0016872053,0.002463404,0.00087684457,0.0003400874,0.00002915848,0.0000066022144,0.19501862,0.0021726075,0.001929132,0.7237941,0.07110094,0.0005812726],"about_ca_topic_score_codex":0.003315077,"about_ca_topic_score_gemma":0.003349431,"teacher_disagreement_score":0.18276943,"about_ca_system_score_codex":0.000074352836,"about_ca_system_score_gemma":0.00040259486,"threshold_uncertainty_score":0.9982866},"labels":[],"label_agreement":null},{"id":"W2946103718","doi":"10.4000/comicalites.3431","title":"La représentation muséale de l’auteur de bande dessinée : enjeux d’une dialectique entre l’artiste et l’artisan","year":2019,"lang":"fr","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.027425570114772087,"score_gpt":0.2916841479910281,"score_spread":0.264258577876256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946103718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8857944,0.0036164278,0.00071093754,0.02923737,0.0014856823,0.000466642,0.00019844378,0.00011070058,0.07837941],"genre_scores_gemma":[0.9422017,0.00081871497,0.0003905626,0.0014211461,0.0005638105,0.000034526573,0.000065865795,0.000060225768,0.054443445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705434,0.0010478203,0.00052768615,0.0005070139,0.0002024562,0.0006607061],"domain_scores_gemma":[0.9981634,0.00080721005,0.00019346368,0.0004783514,0.00010293355,0.00025461073],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008958396,0.00034425812,0.00043373552,0.00013143112,0.00036728897,0.00053563586,0.000267476,0.0002868137,0.0042790277],"category_scores_gemma":[0.00012398086,0.00036020458,0.00028715972,0.0001240374,0.0005232422,0.00031946835,0.00011590634,0.00065770955,0.00022101452],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016095929,0.00044060653,0.022523923,0.00027124299,0.00015257184,0.00006907275,0.07066058,0.00008185591,0.0037889902,0.86809653,0.024973022,0.008780651],"study_design_scores_gemma":[0.0016395551,0.00019804442,0.013491646,0.00041031154,0.00012353614,0.00009484049,0.010516186,0.0026788805,0.0013956394,0.08469487,0.8841433,0.00061321666],"about_ca_topic_score_codex":0.0035889724,"about_ca_topic_score_gemma":0.003182279,"teacher_disagreement_score":0.85917026,"about_ca_system_score_codex":0.00017792455,"about_ca_system_score_gemma":0.0003548873,"threshold_uncertainty_score":0.99988496},"labels":[],"label_agreement":null},{"id":"W2946689953","doi":"10.7202/1059798ar","title":"Des écrivains jumeaux","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018565088402760714,"score_gpt":0.22151946836186656,"score_spread":0.20295437995910584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946689953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6021815,0.06748694,0.000008319971,0.004168205,0.003761682,0.00018432098,0.00010603893,0.00003969604,0.32206333],"genre_scores_gemma":[0.7138291,0.0008540873,0.000036761263,0.0006132584,0.00094514166,0.0000045323286,0.0000094087945,0.000020908514,0.2836868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908507,0.00005181654,0.00017797644,0.0002345799,0.00012145951,0.00032908484],"domain_scores_gemma":[0.9994052,0.00008241344,0.00006019911,0.00026427096,0.000097657736,0.000090251175],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000101150006,0.00019563371,0.00021401834,0.000087289605,0.0003421392,0.00027457235,0.00017865664,0.000091823356,0.013103317],"category_scores_gemma":[0.000019390325,0.00017317585,0.00017095105,0.000044816625,0.00075849466,0.00018235517,0.00005670432,0.00021316505,0.000923596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013188219,0.00006594879,0.0013382013,0.00012357633,0.000071533446,0.000008672534,0.032988336,0.000021448406,0.00012939642,0.89672786,0.06525027,0.0032615452],"study_design_scores_gemma":[0.00024722164,0.00010590284,0.002419704,0.00012305731,0.000029565626,0.000005818367,0.009576271,0.00006957194,0.00008892848,0.0681128,0.9189824,0.00023880343],"about_ca_topic_score_codex":0.0009779003,"about_ca_topic_score_gemma":0.0016837852,"teacher_disagreement_score":0.8537321,"about_ca_system_score_codex":0.00003149941,"about_ca_system_score_gemma":0.00005103228,"threshold_uncertainty_score":0.9998543},"labels":[],"label_agreement":null},{"id":"W2947075735","doi":"10.1007/978-3-030-15685-5_20","title":"Excerpts from A Glossary of Non-essential Forms and Genres in English-Canadian Literature","year":2019,"lang":"en","type":"book-chapter","venue":"Studies in global science fiction","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Glossary; Comics; Terminology; Literature; Popular culture; Bridging (networking); Art; History; Linguistics; Philosophy; Computer science","score_opus":0.018395494364667603,"score_gpt":0.262476223169794,"score_spread":0.2440807288051264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947075735","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29044783,0.0055941097,3.4967601e-7,0.000080123675,0.002532162,0.0003045871,0.0006617828,0.000009719331,0.70036936],"genre_scores_gemma":[0.99045396,0.0022074382,0.000011014007,0.000033546465,0.0003288171,0.000004348455,0.00002300557,0.0000054980646,0.0069323657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989357,0.000006361899,0.00025210684,0.0003593519,0.00022794161,0.00021853417],"domain_scores_gemma":[0.9994463,0.000027497701,0.00011524767,0.00014622799,0.00021367993,0.000051084262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019142413,0.00018296299,0.00030531903,0.00032325982,0.00020887709,0.00011985519,0.00017380987,0.00009746164,0.00006385036],"category_scores_gemma":[0.000037187692,0.00014959447,0.000052080177,0.000099562,0.0012686258,0.0003231084,0.00012482914,0.00017949076,0.0000019108015],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058517653,0.00002349762,0.0034035654,0.0001037699,0.000080708975,0.000022678982,0.12023989,0.000008259005,0.000029614588,0.8685941,0.0026241045,0.0048113125],"study_design_scores_gemma":[0.002457159,0.00079004286,0.065900736,0.006944369,0.0001236956,0.000007439186,0.093013614,0.00046397903,0.000021689515,0.39702255,0.43122816,0.0020265586],"about_ca_topic_score_codex":0.00942243,"about_ca_topic_score_gemma":0.3123112,"teacher_disagreement_score":0.7000061,"about_ca_system_score_codex":0.000227842,"about_ca_system_score_gemma":0.00016322764,"threshold_uncertainty_score":0.9971739},"labels":[],"label_agreement":null},{"id":"W2948712614","doi":"10.36510/learnland.v12i1.976","title":"Articulating Ideas and Meaning Through the Use of Comics","year":2019,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Meaning (existential); Comic strip; Sociology; Visual arts; Art; Epistemology; Literature; Philosophy","score_opus":0.03542121999790219,"score_gpt":0.22483571431983798,"score_spread":0.1894144943219358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948712614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97571987,0.00016153524,0.000032727006,0.00026644426,0.00007768808,0.00007680533,0.0000018315329,0.000041342515,0.023621764],"genre_scores_gemma":[0.99591047,0.000023777919,0.00014064027,0.00007257615,0.00006180934,0.0000014554241,0.0000024186218,0.000014582581,0.0037722483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995854,0.000044898246,0.000113677,0.0000902187,0.0000722828,0.00009356193],"domain_scores_gemma":[0.9995347,0.00024621852,0.00009635007,0.000085515916,0.00002570083,0.00001151145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000080987455,0.0000662896,0.00011523284,0.00002587367,0.00017501894,0.00011727866,0.000041655552,0.000015803982,0.00018271571],"category_scores_gemma":[0.000044257373,0.000041424733,0.00003278344,0.000024173392,0.00006898482,0.00011619399,0.000039364902,0.000117271135,0.0000044227318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015935062,0.000011046107,0.06844918,0.000030273235,0.000055577068,6.4373734e-7,0.08382942,0.0021981508,0.00025823238,0.8436529,0.0007837317,0.00071490696],"study_design_scores_gemma":[0.0007732029,0.00019256142,0.0040194415,0.00020126069,0.000049790477,0.0000063583516,0.028142009,0.037638932,0.000091469476,0.014036906,0.9145346,0.00031344043],"about_ca_topic_score_codex":0.00026222598,"about_ca_topic_score_gemma":0.0004053115,"teacher_disagreement_score":0.9137509,"about_ca_system_score_codex":0.0000014283764,"about_ca_system_score_gemma":0.0000037883067,"threshold_uncertainty_score":0.20006089},"labels":[],"label_agreement":null},{"id":"W2948788965","doi":"","title":"Picture this: Using graphic novels to explore social justice issues with young adults","year":2019,"lang":"en","type":"article","venue":"Teacher librarian","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economic Justice; Social justice; Psychology; Visual literacy; Sociology; Pedagogy; Criminology; Political science; Law","score_opus":0.055591994188021236,"score_gpt":0.25655043828239266,"score_spread":0.2009584440943714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948788965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90884894,0.00019180632,0.000031507854,0.0025244,0.0006152378,0.00037612434,0.000020671423,0.00015848177,0.08723282],"genre_scores_gemma":[0.9784307,0.0000039390243,0.00032393853,0.00080658426,0.0016352176,0.000013923777,0.000017633141,0.00005027083,0.018717825],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989182,0.00005465467,0.00018604532,0.00033217162,0.00021120413,0.00029775704],"domain_scores_gemma":[0.99950874,0.000020934578,0.000083721105,0.00023742631,0.000059749233,0.00008944194],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008940238,0.00023532323,0.00025684928,0.0001704363,0.00041770557,0.000398916,0.00024666067,0.00007801509,0.0040518814],"category_scores_gemma":[0.0000072062603,0.00017938578,0.000084021594,0.00012424063,0.00011142951,0.0006060179,0.00007116065,0.0002722324,0.00009196733],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027193857,0.00013885599,0.0042555886,0.00009288171,0.00014757138,0.000009186389,0.67330414,0.0000076292044,0.000283077,0.30808723,0.012796325,0.0006056031],"study_design_scores_gemma":[0.002737483,0.0007337771,0.0071256207,0.0004599944,0.00031105406,0.000011011137,0.3464589,0.0006605292,0.00018182308,0.007885307,0.6318643,0.0015701855],"about_ca_topic_score_codex":0.00019604129,"about_ca_topic_score_gemma":0.0002880142,"teacher_disagreement_score":0.61906797,"about_ca_system_score_codex":0.000013529681,"about_ca_system_score_gemma":0.000045034987,"threshold_uncertainty_score":0.99685854},"labels":[],"label_agreement":null},{"id":"W2949406826","doi":"10.1093/oxfordhb/9780190917944.013.38","title":"Comics Studies as Interdiscipline","year":2019,"lang":"en","type":"reference-entry","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Comics; Publishing; Sociology; Social science; Engineering ethics; Visual arts; Epistemology; Media studies; Art; Literature; Engineering; Philosophy","score_opus":0.08571322643507498,"score_gpt":0.3227743925254266,"score_spread":0.23706116609035163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949406826","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003205709,0.011425638,0.0000032155328,0.0009084854,0.004477104,0.00022722909,0.00021293262,0.00012985656,0.982295],"genre_scores_gemma":[0.0032284716,0.046264507,0.000016883536,0.00033077665,0.0015741915,0.000014598995,0.000177046,0.00006527234,0.94832826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903214,0.000025161282,0.00027678566,0.00029688902,0.0001644103,0.00020461355],"domain_scores_gemma":[0.99924433,0.000109928325,0.00016155781,0.0003194031,0.00012159836,0.000043176966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007307103,0.00030640222,0.0005928351,0.00022383517,0.0001693272,0.00017108822,0.0002577811,0.000110125606,0.0050046574],"category_scores_gemma":[0.000017549079,0.00020904111,0.00018960633,0.000023047016,0.00029678748,0.000056562883,0.00032690767,0.00032761303,0.00047386446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000627471,0.000021307244,0.00000411989,0.000121723744,0.00027466452,0.000001691268,0.009194515,4.601062e-8,2.0877804e-8,0.33458602,0.6537027,0.0020869575],"study_design_scores_gemma":[0.00019093258,0.00009426184,8.098635e-7,0.00038650463,0.000051301493,0.000001228076,0.019323932,0.0000066812036,9.802546e-7,0.020930164,0.9587233,0.00028991277],"about_ca_topic_score_codex":0.0001942033,"about_ca_topic_score_gemma":0.0051663904,"teacher_disagreement_score":0.31365585,"about_ca_system_score_codex":0.0000307034,"about_ca_system_score_gemma":0.000068008885,"threshold_uncertainty_score":0.9959049},"labels":[],"label_agreement":null},{"id":"W2950058778","doi":"10.1353/crc.2019.0016","title":"The New Mutants: Superheroes and the Radical Imagination of American Comics by Ramzi Fawaz","year":2019,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Counterculture; Literature; HERO; Art; Popular culture; Art history; Aesthetics","score_opus":0.006702288431603982,"score_gpt":0.23379426687862218,"score_spread":0.2270919784470182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950058778","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054901864,0.8689939,0.000009339849,0.036394488,0.0003215486,0.0014577112,0.000740046,0.000014343452,0.037166774],"genre_scores_gemma":[0.9501453,0.040499378,0.000030867217,0.0024173246,0.00009108914,0.000011926918,0.000062439016,0.000014613984,0.0067270673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991699,0.00018026434,0.00027753235,0.00012278912,0.00011330902,0.00013619915],"domain_scores_gemma":[0.9990729,0.00023560159,0.00020634796,0.00022457812,0.00015477763,0.00010578964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023673793,0.0001309725,0.00045526557,0.00005547153,0.00014165578,0.000121227175,0.00020219226,0.000018572238,0.00012950099],"category_scores_gemma":[0.000029070687,0.00006691667,0.00009004479,0.00012897822,0.0012996611,0.00008882811,0.000015437045,0.00017314895,0.0000019066331],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002249991,0.0000076032475,0.0001707526,0.00028936742,0.00007237244,3.7429544e-7,0.02201535,8.2279364e-8,0.00002386552,0.7736786,0.2013649,0.0023542247],"study_design_scores_gemma":[0.00040681747,0.000053300555,0.0000896778,0.0013409569,0.000023222032,0.0000020617238,0.0019815585,0.00005147664,0.000021315534,0.0027042031,0.99323577,0.00008966601],"about_ca_topic_score_codex":0.004541165,"about_ca_topic_score_gemma":0.027898673,"teacher_disagreement_score":0.8952434,"about_ca_system_score_codex":0.000014045336,"about_ca_system_score_gemma":0.00012390142,"threshold_uncertainty_score":0.9898396},"labels":[],"label_agreement":null},{"id":"W2952744038","doi":"10.4000/belphegor.1497","title":"Kashtan, Aaron. Between Pen and Pixel : Comics, Materiality and the Book of the Future","year":2019,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Comics; Art; Art history; Visual arts; Literature; Aesthetics","score_opus":0.011905470092458913,"score_gpt":0.2002586358785222,"score_spread":0.1883531657860633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952744038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9790727,0.001815142,7.837372e-7,0.005275479,0.00042585164,0.0003912665,0.00012232848,0.000014858609,0.012881612],"genre_scores_gemma":[0.98661816,0.00011637244,0.000007008153,0.00030041352,0.00037638002,0.0000049361643,0.0000030208398,0.000011618059,0.012562067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952674,0.000064196676,0.00013667712,0.00011025177,0.00007438439,0.000087741406],"domain_scores_gemma":[0.9995814,0.000065784014,0.00009346164,0.00021639024,0.000022910375,0.000020077943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019301832,0.00008517619,0.00018450819,0.000017823082,0.00016945817,0.00008211548,0.00013411956,0.000028525852,0.00035025188],"category_scores_gemma":[0.0000047671506,0.000042041756,0.00004350434,0.000013958421,0.000510984,0.00005562324,0.00011983176,0.00007101569,0.0000027543408],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095286014,0.000017523194,0.02273122,0.00007712641,0.00008004434,1.2535868e-7,0.0259292,4.0132417e-8,0.00027712993,0.9313747,0.018628998,0.00078855205],"study_design_scores_gemma":[0.001493123,0.00004664535,0.050323494,0.000028180015,0.000051697683,0.0000012841206,0.0059231967,0.0000100397965,0.00012107209,0.017206617,0.92465854,0.00013609606],"about_ca_topic_score_codex":0.00023970698,"about_ca_topic_score_gemma":0.000561569,"teacher_disagreement_score":0.9141681,"about_ca_system_score_codex":0.0000026923722,"about_ca_system_score_gemma":0.000010660256,"threshold_uncertainty_score":0.38350126},"labels":[],"label_agreement":null},{"id":"W2956081222","doi":"10.19068/jtel.2018.22.3.03","title":"Ethics of Representation: The Subaltern in Secret Path","year":2018,"lang":"en","type":"article","venue":"The Korean Society for Teaching English Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subaltern; Indigenous; Representation (politics); White (mutation); Sociology; Cynicism; Courage; Gender studies; Aesthetics; Law; History; Political science; Politics; Art","score_opus":0.02809292651119052,"score_gpt":0.2872268668105097,"score_spread":0.2591339402993192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956081222","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9578252,0.001404108,0.00019771773,0.009160437,0.0016815449,0.0008505845,0.00047413976,0.000107372674,0.028298916],"genre_scores_gemma":[0.9941493,0.000036432106,0.00017747252,0.0009824823,0.002552511,0.0000230748,0.00007573603,0.00001742451,0.0019855164],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910164,0.00017898809,0.00021764988,0.00016812087,0.00016923754,0.00016435739],"domain_scores_gemma":[0.9985157,0.00069288013,0.0001252371,0.0003450171,0.00030265393,0.000018472272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015676606,0.00012118733,0.00014550051,0.000021160728,0.00078924664,0.00025619098,0.0003302338,0.000086335625,0.000027108357],"category_scores_gemma":[0.0003273172,0.00006401813,0.00029851432,0.0000773397,0.0006274073,0.00016080057,0.000054652064,0.0009232973,3.6061707e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015916163,0.000017493949,0.00017039865,0.000023698622,0.00003234415,1.2045969e-7,0.65549886,9.110633e-7,0.000020876987,0.3242076,0.019801995,0.00020978792],"study_design_scores_gemma":[0.00079478184,0.00019731109,0.0003502896,0.00031077143,0.000051725576,0.0000016398051,0.28936273,0.0009193372,0.00012455048,0.08557263,0.62206554,0.00024867847],"about_ca_topic_score_codex":0.00009579116,"about_ca_topic_score_gemma":0.00037835207,"teacher_disagreement_score":0.60226357,"about_ca_system_score_codex":0.000013315924,"about_ca_system_score_gemma":0.000025511466,"threshold_uncertainty_score":0.6070327},"labels":[],"label_agreement":null},{"id":"W2956648358","doi":"10.33137/pbsc.v56i1/2.30363","title":"Canadian Comic Books at Library and Archives Canada","year":2019,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Comics; Point (geometry); Collections management; History; Library science; Media studies; Literature; Sociology; Computer science; Art","score_opus":0.0039316083811458446,"score_gpt":0.13903016265080545,"score_spread":0.1350985542696596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956648358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89266866,0.000887438,2.4589657e-8,0.017215826,0.00029754275,0.00016837864,0.0002640226,0.000005397557,0.08849268],"genre_scores_gemma":[0.9891114,0.00044937423,0.000016357633,0.002504184,0.000032742188,0.0000022235668,0.0000055726514,0.000011553417,0.007866555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991375,0.000032854397,0.00019942707,0.00015231711,0.00022683744,0.0002510229],"domain_scores_gemma":[0.9992879,0.00018344352,0.00010518722,0.00021908295,0.000008866327,0.00019552087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000030283853,0.00012464021,0.00021886567,0.00026565813,0.00035169077,0.000030273997,0.00030048878,0.000032540214,0.00058496685],"category_scores_gemma":[0.0000022217348,0.00008895154,0.00019568477,0.00048698968,0.00046014827,0.00006776763,0.00010673238,0.00014300304,3.2237192e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007288956,0.00002511493,0.3591847,0.0002786284,0.0006379119,0.0000020784626,0.006572984,0.000015366337,0.0028812585,0.20738883,0.42240658,0.0005336399],"study_design_scores_gemma":[0.00041965916,0.000044680743,0.13129312,0.00007475385,0.000032685002,0.0000018664206,0.005756233,0.00012362826,0.0005315081,0.0032733027,0.8581743,0.00027422816],"about_ca_topic_score_codex":0.99536586,"about_ca_topic_score_gemma":0.999855,"teacher_disagreement_score":0.43576774,"about_ca_system_score_codex":0.000013828498,"about_ca_system_score_gemma":0.0011458179,"threshold_uncertainty_score":0.6404977},"labels":[],"label_agreement":null},{"id":"W296255324","doi":"","title":"Invaders from the North: How Canada Conquered the Comic Book Universe","year":2007,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":57,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; History; Universe; Literature; Astronomy; Art; Physics","score_opus":0.03672685446642221,"score_gpt":0.19256391826948902,"score_spread":0.1558370638030668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W296255324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8060308,0.08875223,0.0000016009517,0.09135775,0.0021584842,0.00021455565,0.0006414982,0.000005961678,0.0108370865],"genre_scores_gemma":[0.9869149,0.0049627386,0.000003727245,0.0054000854,0.0006786346,6.869818e-7,0.0000036615538,0.000009007125,0.0020265672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991994,0.000058210695,0.00022238003,0.00007376905,0.00019637516,0.00024987367],"domain_scores_gemma":[0.9987981,0.000425703,0.00018628115,0.00009166811,0.00034721187,0.00015104347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027706532,0.000098253586,0.00020540753,0.000102427075,0.001094046,0.0002105584,0.00029141438,0.00001560838,0.00016887122],"category_scores_gemma":[0.00010327643,0.000067930065,0.000080037724,0.00007867817,0.0005612968,0.00013107403,0.000029059802,0.00028092784,7.7537265e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010532464,0.0000034100779,0.0010000643,0.0000019864995,0.00043747923,0.00065140566,0.017443702,0.0000020346083,8.6363536e-7,0.004812584,0.97145194,0.0041839723],"study_design_scores_gemma":[0.00024380154,0.000018210632,0.01428988,0.00005418726,0.000040846182,0.000068208086,0.14896475,6.1641686e-7,0.0000015998116,0.00040674597,0.8358278,0.00008333103],"about_ca_topic_score_codex":0.98318404,"about_ca_topic_score_gemma":0.99998754,"teacher_disagreement_score":0.18088406,"about_ca_system_score_codex":0.00017472914,"about_ca_system_score_gemma":0.0007913239,"threshold_uncertainty_score":0.8414628},"labels":[],"label_agreement":null},{"id":"W2964049095","doi":"10.26877/sasindo.v6i1.3699","title":"STRUKTURALISME MISTIK: TAHAYUL/MITOS/DONGENG DE SAUSSURE (1857-1913) &amp; ROLAND BARTHES (1915-1980)","year":2019,"lang":"id","type":"article","venue":"Sasindo","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Humanities; Art; Philosophy; Theology","score_opus":0.01764857483809034,"score_gpt":0.22703229723621934,"score_spread":0.209383722398129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964049095","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9348876,0.007565243,0.000007454944,0.0024145928,0.002731638,0.0007063419,0.0005983306,0.00009632325,0.05099247],"genre_scores_gemma":[0.8919912,0.00058699324,0.000094660114,0.0005770678,0.0019380614,0.00001964678,0.00013941611,0.00009497971,0.10455795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670815,0.00028639403,0.00067539635,0.00080892636,0.00048038247,0.0010407312],"domain_scores_gemma":[0.9977816,0.000424293,0.00034244533,0.00089521136,0.00022486431,0.00033162965],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045203802,0.0007021389,0.0008215062,0.00027900943,0.0008854815,0.0010422434,0.00057286164,0.00033259648,0.010924153],"category_scores_gemma":[0.000090631474,0.0006115076,0.00048413154,0.00015787028,0.00045855858,0.0003809427,0.00016924122,0.0007426633,0.0017684663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015135534,0.0011148012,0.20912075,0.0012959423,0.0027659966,0.00016011963,0.27095407,0.00006159157,0.014604744,0.38030514,0.10623514,0.0118681295],"study_design_scores_gemma":[0.0018068559,0.000293764,0.025259225,0.00034569012,0.00019950305,0.00003169844,0.006031965,0.00005140847,0.00027205184,0.002918968,0.9617833,0.0010055787],"about_ca_topic_score_codex":0.0009248264,"about_ca_topic_score_gemma":0.0115393335,"teacher_disagreement_score":0.85554814,"about_ca_system_score_codex":0.00009113434,"about_ca_system_score_gemma":0.0002608045,"threshold_uncertainty_score":0.99999475},"labels":[],"label_agreement":null},{"id":"W2964498397","doi":"","title":"Shaping Graphic History","year":2018,"lang":"fr","type":"article","venue":"Labour / Le Travail","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta; Wilfrid Laurier University","funders":"","keywords":"Computer science; Computer graphics (images)","score_opus":0.03767906273595664,"score_gpt":0.22295554622785624,"score_spread":0.1852764834918996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964498397","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5071438,0.1626336,0.00008017697,0.009973219,0.011936291,0.0002807864,0.0001835297,0.00017402116,0.30759454],"genre_scores_gemma":[0.60370004,0.0015419342,0.000055003115,0.0012978109,0.003369299,0.000010077166,0.0000070491487,0.00004396828,0.38997483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837744,0.00012902978,0.0003577942,0.0004048172,0.00020368912,0.0005272054],"domain_scores_gemma":[0.99902785,0.00006088579,0.0001463863,0.000365679,0.00024290667,0.00015626995],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003064522,0.00029477992,0.00031342026,0.00021199316,0.0008046708,0.00017880033,0.0002963139,0.00014028457,0.0159267],"category_scores_gemma":[0.000019840601,0.00031345323,0.00021128307,0.00009948492,0.0025672822,0.0002908695,0.000055038225,0.00033803686,0.0005853248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025504565,0.00015409652,0.00015671368,0.000086238404,0.00009993446,0.0000136608705,0.048420116,2.5923836e-7,0.00022859317,0.86815315,0.07277994,0.009881799],"study_design_scores_gemma":[0.0005206903,0.00025930407,0.0029610621,0.00013797532,0.00003610461,0.000007964636,0.0047647497,0.000085605614,0.000059512065,0.014872242,0.975893,0.0004017672],"about_ca_topic_score_codex":0.005098292,"about_ca_topic_score_gemma":0.01198491,"teacher_disagreement_score":0.90311307,"about_ca_system_score_codex":0.000103489096,"about_ca_system_score_gemma":0.0002252686,"threshold_uncertainty_score":0.99993175},"labels":[],"label_agreement":null},{"id":"W2968831549","doi":"10.29173/cais751","title":"“I’m a Marvel Girl”: Exploration of the Selection Practices of Comic Book Readers","year":2013,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Comics; Art; Selection (genetic algorithm); Art history; Visual arts; Humanities; Literature; Computer science; Artificial intelligence","score_opus":0.047782567941646384,"score_gpt":0.2576669056747543,"score_spread":0.20988433773310794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968831549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9676535,0.0016322031,0.000009680678,0.017493194,0.00047805643,0.0008270552,0.00026134585,0.000014755358,0.011630199],"genre_scores_gemma":[0.99041593,0.001053832,0.000101127785,0.00015065535,0.00017372677,0.000045354605,0.0000037148218,0.000024913277,0.00803075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979879,0.000083149054,0.00086048554,0.00027700106,0.00046697046,0.00032445046],"domain_scores_gemma":[0.9607768,0.00027700682,0.0037162325,0.00020405004,0.034956776,0.0000691015],"candidate_categories":["scholarly_communication"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.00059961254,0.00030240303,0.0005825284,0.00018786933,0.0003023431,0.0014243656,0.0010787578,0.00018042803,0.00027127814],"category_scores_gemma":[0.006094968,0.00021144346,0.00031109143,0.00028547656,0.0018165994,0.015209004,0.00032480422,0.00038838806,0.0000025034162],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039086345,0.0007277553,0.050029643,0.0023093803,0.0006215885,1.7250932e-7,0.4146746,0.000013353374,0.061407484,0.43652603,0.029092716,0.0042063897],"study_design_scores_gemma":[0.002113502,0.0020755567,0.10972618,0.0035226336,0.0009938678,0.000033403798,0.20045279,0.002186192,0.17829502,0.07120824,0.4283569,0.0010357157],"about_ca_topic_score_codex":0.0042336453,"about_ca_topic_score_gemma":0.00034796388,"teacher_disagreement_score":0.3992642,"about_ca_system_score_codex":0.000046349094,"about_ca_system_score_gemma":0.00032151712,"threshold_uncertainty_score":0.9996123},"labels":[],"label_agreement":null},{"id":"W2970101509","doi":"10.20360/langandlit29368","title":"A Silent Production, both of Text and Self: Conceptualizing the Psychic Work of Comics Reading","year":2019,"lang":"en","type":"article","venue":"Language and Literacy","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychic; Reading (process); Comics; Wonder; Psychoanalytic theory; Unconscious mind; Psychology; Visual arts; Psychoanalysis; Aesthetics; Art; Literature; Social psychology; Linguistics","score_opus":0.009238344975078938,"score_gpt":0.23478247787455342,"score_spread":0.22554413289947448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970101509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99168926,0.0036561298,0.0000017222447,0.00018481712,0.00012470048,0.00013435904,0.000008487302,0.000012917683,0.0041876202],"genre_scores_gemma":[0.9957992,0.00012453139,0.000073826,0.000084247,0.000109068096,0.0000023566945,0.0000033111435,0.0000080360805,0.00379541],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996437,0.000026488691,0.00012750064,0.00009427149,0.00004704373,0.00006100592],"domain_scores_gemma":[0.99968547,0.000059551585,0.00008942101,0.00012580276,0.000026231288,0.000013515656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009953627,0.000057887995,0.00011546768,0.000040385145,0.000060405673,0.000042264128,0.000035325877,0.000012281719,0.00010221501],"category_scores_gemma":[0.000008206148,0.0000371074,0.000022002572,0.000034835328,0.00011450838,0.000077277335,0.000021856635,0.000049631057,6.5765227e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023222039,0.000043793167,0.010930201,0.00009626838,0.00004181465,5.969642e-7,0.86155045,3.4369583e-7,0.0006185834,0.12309196,0.0008858547,0.0027169047],"study_design_scores_gemma":[0.0022335402,0.0005482082,0.019165926,0.0015581321,0.00015546323,0.000024786723,0.5153683,0.00020968403,0.001610816,0.006444156,0.4519765,0.00070450356],"about_ca_topic_score_codex":0.00013554233,"about_ca_topic_score_gemma":0.000044493772,"teacher_disagreement_score":0.45109063,"about_ca_system_score_codex":0.0000013361415,"about_ca_system_score_gemma":0.000004267764,"threshold_uncertainty_score":0.15131958},"labels":[],"label_agreement":null},{"id":"W2972316708","doi":"10.4000/cadernosaa.2253","title":"The Duck Pond: An Autoethnographic Comic","year":2019,"lang":"en","type":"article","venue":"Cadernos de arte e antropologia","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; China; Southern china; Southeast asia; Genealogy; History; Geography; Visual arts; Art; Literature; Archaeology; Ethnology","score_opus":0.014184123954139417,"score_gpt":0.23434051447451484,"score_spread":0.22015639052037542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972316708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9817229,0.0007317462,0.000012196433,0.0042521567,0.0009628459,0.0002455975,0.000018076104,0.00012789156,0.011926574],"genre_scores_gemma":[0.99139506,0.00018976154,0.000018072942,0.0009862353,0.00037323788,0.000013693286,0.000010105632,0.000020306597,0.0069935312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988072,0.00013288873,0.00022436184,0.00025874728,0.00013012686,0.00044668603],"domain_scores_gemma":[0.9991023,0.0001973372,0.000101364516,0.0004448629,0.00006333563,0.000090783215],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003105683,0.0001735804,0.00018934536,0.000092890965,0.0008786831,0.00031576955,0.00041451765,0.00007451458,0.001250518],"category_scores_gemma":[0.000026244794,0.00011273175,0.00012894822,0.000058302077,0.0009303984,0.0001943784,0.000055430653,0.00032312807,0.000270152],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052176405,0.00006188529,0.015375781,0.000007526031,0.00007277644,0.000009890536,0.018920492,0.000004550461,0.0014419303,0.9514733,0.011248716,0.0013309628],"study_design_scores_gemma":[0.0015370643,0.0011199688,0.0418523,0.00003082811,0.00006619108,0.00004280012,0.08617071,0.0031283114,0.00037715223,0.10594078,0.7589141,0.00081977795],"about_ca_topic_score_codex":0.0002765957,"about_ca_topic_score_gemma":0.0014479938,"teacher_disagreement_score":0.84553254,"about_ca_system_score_codex":0.000023203842,"about_ca_system_score_gemma":0.000046860387,"threshold_uncertainty_score":0.99966246},"labels":[],"label_agreement":null},{"id":"W2972531871","doi":"10.1080/19388071.2019.1655610","title":"Readers of Comics and the Recursive Nature of Adolescent Emotion: Exploring the Productive Relation of Visual Response and Memory in Teacher Education","year":2019,"lang":"en","type":"article","venue":"Literacy Research and Instruction","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychology; Comics; Value (mathematics); Reading (process); Relation (database); Psychoanalytic theory; Expression (computer science); Picture books; Developmental psychology; Cognitive psychology; Psychoanalysis; Visual arts; Linguistics; Literature; Art","score_opus":0.03586267031457196,"score_gpt":0.3167310809102443,"score_spread":0.28086841059567236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972531871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9971398,0.00082321384,8.3733397e-7,0.00090676383,0.00014605737,0.00040725194,0.0000038735047,0.0000020949713,0.00057007594],"genre_scores_gemma":[0.9988884,0.00040687085,0.00002158436,0.0000065951576,0.000073032825,0.000012239237,0.0000035069693,0.000005162422,0.00058264384],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99918705,0.00032731774,0.00016918028,0.00011657692,0.00013498253,0.00006486498],"domain_scores_gemma":[0.9993918,0.00016951791,0.000105423685,0.00010219987,0.000217328,0.000013711952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008780541,0.000048881033,0.00010543648,0.0002075535,0.00009162019,0.00003055811,0.000037171147,0.00002988964,0.000008021914],"category_scores_gemma":[0.00012832666,0.00003014649,0.000014022549,0.00010339433,0.00073143357,0.0002989888,0.000032357468,0.00028120878,5.634301e-8],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009064683,0.00025701852,0.026926663,0.00043986572,0.000047669702,1.3623816e-7,0.57443553,0.0000027240737,0.0030226565,0.2808054,0.0001663142,0.10483134],"study_design_scores_gemma":[0.0032092105,0.00095021207,0.50729895,0.001072509,0.000017923758,0.000012664497,0.42763606,0.00055296405,0.0036678833,0.052393306,0.0030362776,0.00015205737],"about_ca_topic_score_codex":0.00019889616,"about_ca_topic_score_gemma":0.000045073575,"teacher_disagreement_score":0.48037228,"about_ca_system_score_codex":0.0000118026655,"about_ca_system_score_gemma":0.000033680408,"threshold_uncertainty_score":0.26949975},"labels":[],"label_agreement":null},{"id":"W2972712695","doi":"","title":"Comics in The Cambridge History of Canadian Literature: is sequential art the future of the Canadian literary canon?","year":2017,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Canon; Elitism; Context (archaeology); Phenomenon; Literature; History; History of literature; Cultural history; Commission; Popular culture; Art; Media studies; Sociology; Political science; Law; Economic history; Politics; Philosophy; Epistemology","score_opus":0.02062954175847375,"score_gpt":0.20369081479394446,"score_spread":0.1830612730354707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972712695","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034777522,0.022173302,0.000011672939,0.109590985,0.0025557554,0.0010879135,0.0024270616,0.000025175526,0.8273506],"genre_scores_gemma":[0.9334524,0.0007768013,0.0000719851,0.0008248965,0.00012060228,0.000033578617,0.00029032864,0.000031639964,0.064397745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99668366,0.0021204797,0.000372828,0.00029318786,0.00027030657,0.00025952733],"domain_scores_gemma":[0.9959555,0.0002502444,0.0005349168,0.0023530044,0.0007938571,0.00011243148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023817276,0.00022489492,0.00027109732,0.00043981412,0.0006428804,0.0004516534,0.0022884505,0.00017929256,0.00017193051],"category_scores_gemma":[0.00010191255,0.00014267425,0.0002389066,0.0001502319,0.00095800345,0.00007635223,0.0003200101,0.00083207764,0.0000024028627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038398734,0.000051004543,0.00094593933,0.00007304737,0.00005378788,0.0000034982877,0.2810188,0.0000012656808,0.000017076865,0.52671665,0.18926494,0.0018501532],"study_design_scores_gemma":[0.00014249551,2.8466124e-7,0.002338424,0.0008170105,0.000026860762,0.0000033895399,0.00063888164,0.00022734654,0.0001070936,0.004115496,0.9914191,0.00016364244],"about_ca_topic_score_codex":0.8638111,"about_ca_topic_score_gemma":0.998453,"teacher_disagreement_score":0.8986749,"about_ca_system_score_codex":0.0002778209,"about_ca_system_score_gemma":0.002597529,"threshold_uncertainty_score":0.58180875},"labels":[],"label_agreement":null},{"id":"W2972722128","doi":"10.1353/jeu.2019.0006","title":"Introduction: \"Indigenous Comics and Graphic Novels: An Annotated Bibliography\"","year":2019,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Indigenous; Art history; Reading (process); Newspaper; Art; Literature; Visual arts; History; Media studies; Sociology; Philosophy","score_opus":0.010238963618612297,"score_gpt":0.22759067420357224,"score_spread":0.21735171058495995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972722128","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98709685,0.0012868402,0.0000052983933,0.0008822327,0.0012162192,0.00045921726,0.00008581804,0.00032313127,0.008644401],"genre_scores_gemma":[0.99145484,0.0009135228,0.000043167853,0.00014327998,0.0010216758,0.000029272625,0.00013649439,0.00005795355,0.0061998186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986301,0.000056631638,0.0002635273,0.00049033825,0.00022061143,0.00033878087],"domain_scores_gemma":[0.999115,0.000025956175,0.00014838252,0.00040555763,0.00018165352,0.00012344752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015454115,0.00029352837,0.00034073708,0.001673553,0.00051769486,0.00058877264,0.00021440357,0.000090990725,0.000822891],"category_scores_gemma":[0.0000074431955,0.00023406888,0.00010814223,0.0011406379,0.00025145602,0.00052139146,0.000051846626,0.0002080675,0.000029858831],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018560846,0.0007383044,0.122588195,0.00022779289,0.00040323864,0.000010353409,0.28133857,0.000022980357,0.003920496,0.44662803,0.14335181,0.00058462063],"study_design_scores_gemma":[0.0025378286,0.0008989044,0.14842819,0.000074006646,0.00017191033,0.00015607681,0.0805098,0.00020907882,0.0003360218,0.016261525,0.74856126,0.001855425],"about_ca_topic_score_codex":0.00126107,"about_ca_topic_score_gemma":0.024812244,"teacher_disagreement_score":0.6052094,"about_ca_system_score_codex":0.000005856707,"about_ca_system_score_gemma":0.000017698387,"threshold_uncertainty_score":0.9929824},"labels":[],"label_agreement":null},{"id":"W2978114927","doi":"10.5281/zenodo.3311912","title":"Science fiction: źródła i kontynuacje","year":2019,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Art","score_opus":0.03592753903037492,"score_gpt":0.22624638225420382,"score_spread":0.19031884322382892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2978114927","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11115384,0.000049330647,0.00007423008,0.00074604957,0.00038592156,0.000244632,0.00006386757,0.00038627733,0.88689584],"genre_scores_gemma":[0.9860739,0.000025184185,0.000023461003,0.00013108746,0.0002341518,1.2247197e-8,0.00012342467,0.0003388524,0.01304991],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892884,0.00006339193,0.00014319067,0.000301655,0.00030491376,0.00025800912],"domain_scores_gemma":[0.9989865,0.00001278602,0.000058495407,0.00032467645,0.0005206762,0.00009688609],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049033016,0.00008928589,0.00009176252,0.00033618213,0.0032299426,0.001486075,0.00069724204,0.000018593675,0.062474173],"category_scores_gemma":[0.000102885366,0.000084825355,0.000041295618,0.00031026694,0.0004992671,0.00042073193,0.0004902808,0.00015293146,0.0092084315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002802501,0.00008418354,0.000005489215,0.000021930702,0.000017870816,0.00000218771,0.016771931,0.000010233491,0.0031792214,0.8239679,0.13502623,0.020884851],"study_design_scores_gemma":[0.00022315851,0.00019761268,0.00016235259,0.000012807227,0.000003452058,0.000012409258,0.002756003,0.00020092957,0.00011742403,0.00080707035,0.9953911,0.00011569448],"about_ca_topic_score_codex":0.000015580412,"about_ca_topic_score_gemma":0.0000010308095,"teacher_disagreement_score":0.87492007,"about_ca_system_score_codex":0.000059678703,"about_ca_system_score_gemma":0.0000061157357,"threshold_uncertainty_score":0.99955046},"labels":[],"label_agreement":null},{"id":"W2980140129","doi":"10.30958/ajmmc.5-4-2","title":"Simulation, A-signification and Embodied Semiotics in I, Robot","year":2019,"lang":"en","type":"article","venue":"Athens Journal of Mass Media and Communications","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Semiotics; Semiosis; Semiotics of culture; Sign (mathematics); Meaning (existential); Philosophy; Postmodernism; Literature; Erasure; Aesthetics; Sociology; Linguistics; Epistemology; Art; Computer science","score_opus":0.04830198691110789,"score_gpt":0.26631292988703964,"score_spread":0.21801094297593177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980140129","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9848911,0.0029458923,0.00034117114,0.0057464284,0.0002052943,0.00015000938,0.000007742567,0.0000074771738,0.005704853],"genre_scores_gemma":[0.99750626,0.001492767,0.0007236417,0.000059664268,0.00004814266,0.0000013467403,0.0000042806732,0.000005364617,0.0001585341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99945307,0.00006388673,0.0002862062,0.0000537839,0.00007879758,0.00006425209],"domain_scores_gemma":[0.9985556,0.0007791716,0.00018441428,0.00025608003,0.00018494666,0.00003979661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028265218,0.000059562346,0.00014140237,0.000131037,0.00010951708,0.00006290357,0.00017315123,0.000024325487,0.000052505315],"category_scores_gemma":[0.00007302335,0.000049496077,0.000024834158,0.000038150945,0.00016972408,0.0001447624,0.000040062114,0.00016054985,0.0000022154625],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030346799,0.00015691455,0.030330239,0.000019146939,0.000054731026,9.865121e-7,0.13710564,0.0005313239,0.0005676855,0.8279952,0.000059021706,0.0031487925],"study_design_scores_gemma":[0.003814871,0.00049835036,0.07089091,0.00044659877,0.00015138868,0.000023359078,0.06182331,0.05266329,0.000049154307,0.65785515,0.15114182,0.0006417924],"about_ca_topic_score_codex":0.00000980378,"about_ca_topic_score_gemma":0.00019789938,"teacher_disagreement_score":0.17014001,"about_ca_system_score_codex":0.000008592345,"about_ca_system_score_gemma":0.000019684481,"threshold_uncertainty_score":0.20183913},"labels":[],"label_agreement":null},{"id":"W2982437109","doi":"10.4000/books.editionscnrs.20613","title":"Typologie des bandes dessinées numériques","year":2016,"lang":"fr","type":"book-chapter","venue":"CNRS Éditions eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":45,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Geology; Computer science","score_opus":0.06704827987620647,"score_gpt":0.2543496815356673,"score_spread":0.1873014016594608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982437109","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004561294,0.002735611,0.00042169134,0.001184414,0.0012897514,0.00037975257,0.0016283938,0.00021323467,0.98758584],"genre_scores_gemma":[0.24000949,0.0019061192,0.00038495776,0.00017103994,0.0020558313,0.00008714002,0.000075709395,0.0001069258,0.7552028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980093,0.00008065309,0.0005938906,0.00056523626,0.0002122183,0.0005386774],"domain_scores_gemma":[0.9980864,0.00047535516,0.00031182053,0.0005375106,0.00039226524,0.00019668422],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00017416159,0.00067350065,0.000597475,0.00039752718,0.00674641,0.0005095379,0.0003700229,0.00039788208,0.015124126],"category_scores_gemma":[0.00004130183,0.00053380843,0.0005248121,0.000010044083,0.015429243,0.00022932205,0.00014520723,0.0004502879,0.000523462],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023108147,0.000039085917,0.000033371358,0.000091966634,0.00025625786,0.000034612927,0.0028779467,1.4393157e-7,0.00006130678,0.97060424,0.005575785,0.020402199],"study_design_scores_gemma":[0.00017797528,0.00013330231,0.00003706286,0.00072384666,0.00007232766,0.0000145379245,0.00096709956,0.0000010949313,0.00011321424,0.54783976,0.44948265,0.0004370917],"about_ca_topic_score_codex":0.00008364926,"about_ca_topic_score_gemma":0.0011702895,"teacher_disagreement_score":0.44390687,"about_ca_system_score_codex":0.00012842102,"about_ca_system_score_gemma":0.0001720249,"threshold_uncertainty_score":0.99971133},"labels":[],"label_agreement":null},{"id":"W2982437184","doi":"10.4000/books.editionscnrs.19920","title":"La bande dessinée et le lien social en Afrique","year":2014,"lang":"fr","type":"book-chapter","venue":"CNRS Éditions eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Geography; Humanities","score_opus":0.025054585765683115,"score_gpt":0.23909740531708135,"score_spread":0.21404281955139823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982437184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014624614,0.0002011121,0.0007533151,0.005620461,0.00061536237,0.00031798598,0.0009389226,0.00010025767,0.9899901],"genre_scores_gemma":[0.5848634,0.00009113835,0.000083103994,0.00043661406,0.0017532686,0.00007053572,0.00021228741,0.00008737924,0.41240224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825776,0.0002718059,0.00047305145,0.00044372038,0.00020911414,0.0003445648],"domain_scores_gemma":[0.9986068,0.00051041704,0.000278592,0.0003106503,0.00016702514,0.00012653245],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0004136246,0.0005096275,0.00053508265,0.000293536,0.0050183646,0.00048566557,0.00028978288,0.0005323581,0.003274328],"category_scores_gemma":[0.000018849722,0.0005295237,0.0005105142,0.000008075248,0.004073644,0.00008587738,0.00012707883,0.0009422296,0.00017494963],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013737711,0.0000458362,0.0000014429794,0.00006639861,0.00017331181,0.0000192693,0.011326927,0.0000013842157,0.000024955629,0.97016746,0.011852203,0.0063071],"study_design_scores_gemma":[0.0003366253,0.00006295877,0.00005821243,0.00021033725,0.00008468147,0.000014071956,0.001113433,0.000012499522,0.000012253247,0.34348235,0.6541976,0.000415016],"about_ca_topic_score_codex":0.0002063112,"about_ca_topic_score_gemma":0.0013384103,"teacher_disagreement_score":0.64234537,"about_ca_system_score_codex":0.00006378108,"about_ca_system_score_gemma":0.00026812594,"threshold_uncertainty_score":0.9997156},"labels":[],"label_agreement":null},{"id":"W2982669125","doi":"10.4000/books.editionscnrs.20634","title":"La lecture numérique de bandes dessinées : repères statistiques","year":2016,"lang":"fr","type":"book-chapter","venue":"CNRS Éditions eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","score_opus":0.02166911006314102,"score_gpt":0.24547724252361225,"score_spread":0.22380813246047124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982669125","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028488494,0.0019941628,0.0046738368,0.0019357305,0.0005599236,0.0004082946,0.003559128,0.00018083732,0.9838392],"genre_scores_gemma":[0.4458679,0.001442288,0.000619114,0.00033472574,0.0016639541,0.00012703205,0.0001399723,0.00013999014,0.54966503],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.997963,0.00021845361,0.00056297635,0.00055606454,0.0002168231,0.00048268444],"domain_scores_gemma":[0.9977362,0.0009015514,0.0003521501,0.00049743603,0.00030069266,0.00021194752],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00028225788,0.0006560289,0.00056962535,0.000360827,0.0039194454,0.00055722735,0.00029787896,0.0005286937,0.008081696],"category_scores_gemma":[0.00005784468,0.0005389369,0.00040817322,0.000009514676,0.0062551363,0.00013637569,0.0000929454,0.0007410392,0.00008654736],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030123934,0.000033791093,0.000017487817,0.00012558764,0.00026215528,0.00010065818,0.009356155,0.0000012328043,0.0000957041,0.9642349,0.00769775,0.01804448],"study_design_scores_gemma":[0.00017655965,0.000091013615,0.000049092636,0.00093320315,0.000055815053,0.000046020006,0.0005271615,0.0000049559035,0.00014165812,0.50196785,0.49559164,0.0004150577],"about_ca_topic_score_codex":0.00020105891,"about_ca_topic_score_gemma":0.0031273821,"teacher_disagreement_score":0.48789388,"about_ca_system_score_codex":0.00014491446,"about_ca_system_score_gemma":0.00034595188,"threshold_uncertainty_score":0.9997062},"labels":[],"label_agreement":null},{"id":"W2983357740","doi":"10.5840/cpsem201812","title":"Graphic Notations as Creative Resilience in Redman’s Book (2006)","year":2018,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resilience (materials science); Computer science; Materials science; Composite material","score_opus":0.021663310294200207,"score_gpt":0.23953453540041514,"score_spread":0.21787122510621493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983357740","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007290746,0.0014219644,0.000008307282,0.0006598296,0.0005477292,0.00031085958,0.00019330761,0.000049110608,0.9960798],"genre_scores_gemma":[0.012475225,0.0014412529,0.00005325578,0.00080381345,0.0006648272,0.000008503964,0.00007447476,0.000054942288,0.9844237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986284,0.000025954218,0.00042816313,0.00040490116,0.0002523752,0.0002602392],"domain_scores_gemma":[0.9988582,0.00016267804,0.00023825417,0.000402068,0.00026053097,0.00007827798],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015800397,0.0003305037,0.00038220925,0.00045540993,0.00029977981,0.00013182951,0.00026554498,0.00018357811,0.009477794],"category_scores_gemma":[0.00006720523,0.0003134055,0.00015567677,0.00003229979,0.0010112163,0.00013609312,0.00007516932,0.00045468684,0.00037659876],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015981743,0.000022084216,0.000017012666,0.000020886127,0.000046860874,0.000018567127,0.025095357,0.0000031127981,0.0000020098446,0.9073906,0.067209624,0.00015792083],"study_design_scores_gemma":[0.00014759027,0.00013951902,0.000036702902,0.00030462726,0.00003856488,0.0000021463554,0.0019361462,0.000029900793,0.000006860905,0.2989754,0.69806194,0.0003206258],"about_ca_topic_score_codex":0.00014807956,"about_ca_topic_score_gemma":0.0067271483,"teacher_disagreement_score":0.6308523,"about_ca_system_score_codex":0.000059457325,"about_ca_system_score_gemma":0.00013657885,"threshold_uncertainty_score":0.9999318},"labels":[],"label_agreement":null},{"id":"W2984625996","doi":"10.4000/entrelacs.5677","title":"De la bande dessinée au cinéma : puissances et fragilités des corps chez Alejandro Jodorowsky","year":2019,"lang":"fr","type":"article","venue":"Entrelacs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Humanities; Art","score_opus":0.01565815391203862,"score_gpt":0.2486105335410157,"score_spread":0.23295237962897708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2984625996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6983137,0.019647028,0.00004498591,0.0033358124,0.0018669198,0.00020789336,0.00007895889,0.000044345386,0.27646035],"genre_scores_gemma":[0.8317665,0.0023395577,0.00010399021,0.00039178316,0.0008002167,0.0000130392245,0.000028776525,0.000039172784,0.164517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978269,0.00049762276,0.0003712959,0.00040704716,0.00023559378,0.0006615761],"domain_scores_gemma":[0.9984613,0.0007497581,0.00017004352,0.00033641374,0.000079708574,0.0002027469],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008074854,0.00036298475,0.00040927282,0.00012070549,0.0006276605,0.0005998817,0.00027495474,0.00023159325,0.014027561],"category_scores_gemma":[0.000072012095,0.00033688778,0.0002475643,0.00009210838,0.0015213323,0.00039820425,0.00010042705,0.0005387424,0.00032644434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090865185,0.00034260884,0.07538797,0.00022676727,0.00021699854,0.00005252177,0.10821787,0.000069417336,0.00020929615,0.78788286,0.014206638,0.013096189],"study_design_scores_gemma":[0.0011156966,0.00021489445,0.042843312,0.00045931738,0.00009386033,0.00003804342,0.009076327,0.0003016335,0.00038198652,0.036447715,0.90854627,0.00048091996],"about_ca_topic_score_codex":0.0015919174,"about_ca_topic_score_gemma":0.0028043261,"teacher_disagreement_score":0.8943397,"about_ca_system_score_codex":0.00013590216,"about_ca_system_score_gemma":0.00028448878,"threshold_uncertainty_score":0.9999083},"labels":[],"label_agreement":null},{"id":"W2989789586","doi":"10.7202/1065528ar","title":"LA FANFICTION NUMÉRIQUE : UN ESPACE LETTRÉ DE COMMUNICATION ET DE CRÉATION","year":2019,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","score_opus":0.03317502409146247,"score_gpt":0.29767382385948854,"score_spread":0.2644987997680261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989789586","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8169003,0.010127024,0.021942591,0.037015557,0.00051439,0.0013907948,0.00017882373,0.00024322681,0.11168726],"genre_scores_gemma":[0.899826,0.012535975,0.01713113,0.00068276963,0.00071259553,0.00020441589,0.00015510296,0.000114338756,0.06863769],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921279,0.006112544,0.0005679522,0.00045004164,0.0001539434,0.00058763236],"domain_scores_gemma":[0.99546605,0.0029826935,0.00039481334,0.0007360472,0.00022896085,0.00019141445],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0047538765,0.0004192808,0.00047108447,0.00021351542,0.00036214988,0.00045400008,0.00042056164,0.0009561066,0.00037297045],"category_scores_gemma":[0.0006339489,0.0004909801,0.0002780565,0.00020568896,0.00025625,0.00059276924,0.00011488067,0.0017225401,0.0000725682],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010227713,0.00049238006,0.009636234,0.00063667446,0.00017649925,0.000008121394,0.29331815,0.0029176138,0.0041076923,0.67283756,0.0006921626,0.015074609],"study_design_scores_gemma":[0.0024374533,0.0005674051,0.041106947,0.0020953526,0.000170594,0.00013667157,0.048595596,0.15982965,0.0061325743,0.069533505,0.6676781,0.0017161173],"about_ca_topic_score_codex":0.006466788,"about_ca_topic_score_gemma":0.0029206623,"teacher_disagreement_score":0.666986,"about_ca_system_score_codex":0.001592772,"about_ca_system_score_gemma":0.00095620914,"threshold_uncertainty_score":0.9997542},"labels":[],"label_agreement":null},{"id":"W2990237016","doi":"10.18192/rceh.v43i1.4530","title":"Entrevista a Marika Vila","year":2019,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Art","score_opus":0.011798412179493234,"score_gpt":0.2167771237505022,"score_spread":0.20497871157100897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990237016","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9775406,0.011024329,0.0000070309816,0.0024434791,0.0008562109,0.0011681018,0.0004760146,0.00008409486,0.0064001326],"genre_scores_gemma":[0.9816075,0.0023296445,0.000018518183,0.0010117344,0.000769952,0.000047330584,0.00004548476,0.00010545531,0.01406437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964756,0.0002953374,0.00077497977,0.000883272,0.0003922126,0.0011786431],"domain_scores_gemma":[0.9973656,0.000317873,0.00040653776,0.0011162489,0.00027241642,0.0005213163],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006620715,0.0006754385,0.0010551777,0.00035910122,0.00063309807,0.0015388723,0.0005856615,0.00018012225,0.0052375696],"category_scores_gemma":[0.00013731787,0.0006575757,0.00053058116,0.00019840575,0.00036116035,0.00019726313,0.00020651995,0.0005801081,0.00084549905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007163122,0.00014631059,0.011609647,0.00059979246,0.0003603111,0.0001663748,0.006430776,0.0000030010729,0.00009812219,0.9403485,0.03821234,0.001953171],"study_design_scores_gemma":[0.00085696136,0.0003298405,0.004355554,0.0006880036,0.00025525302,0.00004912853,0.0017132179,0.00026745076,0.0000073536885,0.00016150456,0.99050856,0.0008071776],"about_ca_topic_score_codex":0.0008217564,"about_ca_topic_score_gemma":0.0040782834,"teacher_disagreement_score":0.9522962,"about_ca_system_score_codex":0.00051075575,"about_ca_system_score_gemma":0.0006497968,"threshold_uncertainty_score":0.99993247},"labels":[],"label_agreement":null},{"id":"W2991689472","doi":"10.4000/estampe.467","title":"Le musée imaginaire de Tim","year":2016,"lang":"fr","type":"article","venue":"Nouvelles de l estampe","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"The Imaginary; Art; Media studies; History; Sociology; Aesthetics; Psychoanalysis; Psychology","score_opus":0.010137839604771473,"score_gpt":0.2147952230524629,"score_spread":0.20465738344769144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991689472","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5122082,0.020363823,0.0021786524,0.16741194,0.0027438868,0.0003908338,0.00065588456,0.00020073152,0.29384604],"genre_scores_gemma":[0.88121814,0.004247378,0.00042920536,0.0007819042,0.0010818321,0.000016379237,0.0000039989554,0.000048648795,0.11217254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998515,0.00011590158,0.00026163447,0.00031529536,0.00014184613,0.00065030495],"domain_scores_gemma":[0.99903846,0.00021110865,0.00010404821,0.00032588746,0.00011958204,0.00020093273],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025151175,0.0002608875,0.0002463173,0.00011277465,0.0006004243,0.00022742181,0.00028020534,0.00013485947,0.0031053533],"category_scores_gemma":[0.000055755732,0.00020810022,0.00019852494,0.000058707552,0.0010292969,0.00024635778,0.000095512376,0.00019038329,0.00029273302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035682915,0.0001769954,0.0006287986,0.000058544512,0.000062303596,0.00005045615,0.025565013,0.00000151773,0.0007797927,0.87739736,0.0392928,0.05595075],"study_design_scores_gemma":[0.0007075131,0.0001314093,0.0009739841,0.00028284124,0.000035978053,0.00003070906,0.008044795,0.00011092893,0.00046160293,0.04294896,0.94591296,0.00035829187],"about_ca_topic_score_codex":0.0019649637,"about_ca_topic_score_gemma":0.0044176634,"teacher_disagreement_score":0.9066202,"about_ca_system_score_codex":0.00011578994,"about_ca_system_score_gemma":0.000783628,"threshold_uncertainty_score":0.99780595},"labels":[],"label_agreement":null},{"id":"W2992365732","doi":"10.1353/esc.2017.0057","title":"Canadian Graphic: Picturing Life Narratives ed. by Candida Rifkind and Linda Warley","year":2017,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; White (mutation); Indigenous; Deconstruction (building); Life writing; Sociology; History; Gender studies; Literature; Art","score_opus":0.02342492273176201,"score_gpt":0.23725113209406243,"score_spread":0.21382620936230043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992365732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9583383,0.0113077415,1.4146296e-7,0.0020718656,0.0036139681,0.00018623125,0.00026699863,0.000013284379,0.024201468],"genre_scores_gemma":[0.9966594,0.0014324432,0.000005657037,0.0003933336,0.00065091316,0.000028818034,0.000006982834,0.000016613294,0.0008058616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880916,0.000039062776,0.00024607236,0.0003071769,0.00017499307,0.00042355398],"domain_scores_gemma":[0.99901134,0.00011309765,0.00012472777,0.00030500063,0.00018848253,0.00025734096],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001609025,0.00022899156,0.00034440035,0.0001243521,0.001997081,0.00027902285,0.00029141508,0.00003487686,0.00011976778],"category_scores_gemma":[0.00042799997,0.00020334535,0.000033678654,0.000027430375,0.0005382558,0.00022882935,0.00011498967,0.00027465247,3.494504e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017870585,0.00001554171,0.119362175,0.00007398817,0.00037846126,0.000086286076,0.35741782,0.000004990574,0.000002456825,0.014928319,0.50679535,0.0009167737],"study_design_scores_gemma":[0.00054535177,0.000035352823,0.0057326807,0.00009919978,0.000011950068,6.091907e-7,0.29721388,0.000008927564,0.000013395478,0.0010944435,0.6948465,0.00039769837],"about_ca_topic_score_codex":0.99568087,"about_ca_topic_score_gemma":0.9999781,"teacher_disagreement_score":0.18805121,"about_ca_system_score_codex":0.0003614631,"about_ca_system_score_gemma":0.0010509434,"threshold_uncertainty_score":0.9993022},"labels":[],"label_agreement":null},{"id":"W2995213809","doi":"10.1080/21504857.2019.1700145","title":"Traumatic loss and productive impasse in comics: visual metaphors of depression and melancholia in Jillian and Mariko Tamaki’s <i>This One Summer</i>","year":2019,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Melancholia; Sadness; Psychic; Psychoanalysis; Freudian slip; Interpretation (philosophy); Psychoanalytic theory; Comics; Psychology; Feeling; Grief; Character (mathematics); Consciousness; Art; Literature; Anger; Psychotherapist; Philosophy; Social psychology; Mood","score_opus":0.01951694689854622,"score_gpt":0.2461774939719106,"score_spread":0.2266605470733644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995213809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9957736,0.0028521807,0.000007529052,0.00027119808,0.00015952215,0.00029408012,0.000027992126,0.000008050398,0.00060581655],"genre_scores_gemma":[0.9971873,0.002250644,0.0002705414,0.000065888285,0.000057380654,0.0000029111975,0.0000013947923,0.0000393171,0.00012462628],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986293,0.000095778945,0.0006596022,0.00022257883,0.00019354562,0.00019920709],"domain_scores_gemma":[0.99895155,0.00016006439,0.00055850233,0.00014160715,0.00009413757,0.00009411263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006494676,0.00020592184,0.0006902062,0.0008518229,0.00005364561,0.00007211513,0.000112753376,0.00008224835,0.000028115408],"category_scores_gemma":[0.000041926774,0.00017317248,0.00008471152,0.00016220465,0.00040837334,0.00030090558,0.00007366696,0.00037872355,1.606593e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008769181,0.0008438533,0.9003652,0.00053341663,0.00041156998,0.00002880078,0.055342194,0.0000064651636,0.0061852913,0.03209938,0.00085716386,0.002449754],"study_design_scores_gemma":[0.020231893,0.0026006997,0.88380635,0.0048599625,0.00050208875,0.00032381076,0.04010252,0.002084827,0.0016665754,0.034131132,0.007956714,0.0017334345],"about_ca_topic_score_codex":0.0006293319,"about_ca_topic_score_gemma":0.0045560044,"teacher_disagreement_score":0.019354975,"about_ca_system_score_codex":0.000016234027,"about_ca_system_score_gemma":0.0000323637,"threshold_uncertainty_score":0.7061768},"labels":[],"label_agreement":null},{"id":"W2995466674","doi":"10.4000/resf.3969","title":"Sept rencontres du 9e type entre un médium (la BD) et un genre (la SF)","year":2019,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.008016885575611503,"score_gpt":0.21221315735967983,"score_spread":0.20419627178406832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995466674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5776646,0.04420138,0.000003825096,0.016642911,0.005142228,0.00037731393,0.00021045416,0.000090389716,0.3556669],"genre_scores_gemma":[0.835934,0.006018783,0.000051137682,0.0006125993,0.0020071806,0.0000074849368,0.000055797875,0.000050533705,0.15526249],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805814,0.00042485408,0.00037308762,0.00044053546,0.00024942032,0.00045397098],"domain_scores_gemma":[0.9984872,0.0005528898,0.00018464291,0.00043935332,0.00019431912,0.00014159617],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035064836,0.00037620927,0.00041724407,0.00013832783,0.00045054106,0.0005598205,0.00031230284,0.00022189807,0.011626906],"category_scores_gemma":[0.000052367806,0.00032015514,0.00027822028,0.000115546536,0.0003994907,0.0002671635,0.00015608798,0.00046061075,0.00066123996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001452679,0.00019113056,0.0031084006,0.0001398196,0.0003681892,0.00009397478,0.03460025,0.000014774205,0.00024021333,0.8742367,0.07276396,0.014097289],"study_design_scores_gemma":[0.0008941877,0.0002048135,0.008517309,0.00020144526,0.000089715795,0.000033232584,0.009720822,0.0001423215,0.00014471513,0.010245063,0.969365,0.0004414015],"about_ca_topic_score_codex":0.0005936875,"about_ca_topic_score_gemma":0.0007197637,"teacher_disagreement_score":0.896601,"about_ca_system_score_codex":0.00003507088,"about_ca_system_score_gemma":0.00012000316,"threshold_uncertainty_score":0.9999251},"labels":[],"label_agreement":null},{"id":"W2996102368","doi":"10.4000/resf.3522","title":"La science-fiction au prisme de l’intime : étude des séries Lupus et Aâma de Frederik Peeters (2002-2014)","year":2019,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011621831990692413,"score_gpt":0.24259787199358882,"score_spread":0.2309760400028964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996102368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9102478,0.0064224103,0.000052817442,0.0036962824,0.0031452405,0.0002376454,0.000051683506,0.000073324794,0.076072805],"genre_scores_gemma":[0.97184634,0.0025322682,0.00038143314,0.00023572872,0.00090154354,0.000015048891,0.0000082814895,0.000034869034,0.024044497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997933,0.00021849324,0.0002991849,0.00043036402,0.00031826724,0.0008007319],"domain_scores_gemma":[0.99890417,0.0002112921,0.0001546083,0.00034669842,0.0001780389,0.00020518558],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010490905,0.0002961909,0.00028807804,0.00027769947,0.0012573721,0.0010619101,0.00037602716,0.00015178326,0.0019705857],"category_scores_gemma":[0.00007416634,0.00027062933,0.00018787767,0.00016449759,0.002399398,0.0007579937,0.0001464825,0.0003792676,0.00018082245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001331371,0.00021008916,0.024983201,0.0003001134,0.0001581294,0.00002777399,0.33670786,0.00013851112,0.0061268085,0.5828953,0.03720861,0.011110469],"study_design_scores_gemma":[0.00068633095,0.0004198227,0.063588135,0.00037707214,0.00007629978,0.0001477415,0.061777174,0.001044541,0.00084270537,0.01471547,0.8557206,0.0006041069],"about_ca_topic_score_codex":0.003509542,"about_ca_topic_score_gemma":0.0033262824,"teacher_disagreement_score":0.818512,"about_ca_system_score_codex":0.00038435738,"about_ca_system_score_gemma":0.0005774113,"threshold_uncertainty_score":0.9999751},"labels":[],"label_agreement":null},{"id":"W2996888392","doi":"10.5539/ijel.v10n1p265","title":"Discursive Construction of New Female Identity in Latest Hollywood Blockbuster Movies","year":2019,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Undoing; Sociology; Media studies; Independence (probability theory); Comics; Social media; Femininity; Feminism; Gender studies; Identity (music); Advertising; Aesthetics; Psychology; Art; Political science; Literature; Law","score_opus":0.017108366600230924,"score_gpt":0.26720387893669106,"score_spread":0.25009551233646016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996888392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93711895,0.00016988318,0.000027483022,0.00006954411,0.02052566,0.00005968489,0.000038192535,0.000004509519,0.041986115],"genre_scores_gemma":[0.99304056,0.00006522387,0.00034065303,0.000029446017,0.00575397,2.3438511e-7,0.0000041001667,0.000006805404,0.000758977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908507,0.000018696224,0.00045679338,0.000071007824,0.00029414438,0.00007429126],"domain_scores_gemma":[0.9930902,0.00010234442,0.00042348832,0.00006452097,0.006283916,0.00003553943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016111204,0.0000777904,0.0001866713,0.00024821478,0.000019803872,0.00010051358,0.0002336585,0.000029332114,0.00045192282],"category_scores_gemma":[0.0043407106,0.0000673632,0.000100656274,0.00003889263,0.000104872226,0.00015672558,0.00003978359,0.00017574364,0.0000032410696],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014928848,0.00016314174,0.08739662,0.000024389408,0.00021609086,0.000020120407,0.052776854,0.00030442557,0.00002284702,0.8566818,0.001865667,0.00037871124],"study_design_scores_gemma":[0.004850452,0.0005547695,0.021440174,0.0007891518,0.00011437028,0.00001010473,0.06389681,0.00020733316,0.0009451817,0.13445868,0.77225864,0.00047434497],"about_ca_topic_score_codex":0.00006627061,"about_ca_topic_score_gemma":0.00045200012,"teacher_disagreement_score":0.77039295,"about_ca_system_score_codex":0.000029687175,"about_ca_system_score_gemma":0.000080988466,"threshold_uncertainty_score":0.5196549},"labels":[],"label_agreement":null},{"id":"W30013088","doi":"10.1038/s41598-018-28281-5","title":"Adult Graphic Novel Readers: A Survey in a Montreal Library","year":2005,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Library science; World Wide Web; Visual arts; Art","score_opus":0.04309821380950061,"score_gpt":0.21502018910010284,"score_spread":0.17192197529060224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30013088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7295868,0.00020420348,0.000018068808,0.004578739,0.00013284099,0.00016258692,0.000094858224,0.000104687075,0.26511723],"genre_scores_gemma":[0.98213136,0.00007245276,0.00012855159,0.0010104909,0.00021828501,0.000011130009,0.00003398051,0.0000127812555,0.01638095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9993286,0.000034569795,0.00019880095,0.0001736619,0.00008187641,0.00018247962],"domain_scores_gemma":[0.9996621,0.00008692796,0.000034163288,0.00013711757,0.00003272782,0.000046949397],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009958546,0.00011105671,0.00013971054,0.00021236176,0.000081952974,0.000145212,0.000121473044,0.000031612737,0.0021751707],"category_scores_gemma":[0.000014888604,0.00008780005,0.000058496382,0.00008887987,0.00011762046,0.00042751763,0.000030113795,0.00011142456,0.00003831028],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001011053,0.00045830745,0.04255983,0.000010242009,0.000040284114,0.0000044883723,0.05982299,0.000006181076,0.000022058242,0.84960586,0.04211186,0.0052567963],"study_design_scores_gemma":[0.005213916,0.0003410783,0.64935476,0.0001437572,0.000020633981,0.000007174619,0.037184734,0.003511647,0.00012855565,0.034655314,0.26806933,0.0013690876],"about_ca_topic_score_codex":0.006395412,"about_ca_topic_score_gemma":0.4162048,"teacher_disagreement_score":0.8149505,"about_ca_system_score_codex":0.000004445761,"about_ca_system_score_gemma":0.000017999098,"threshold_uncertainty_score":0.998737},"labels":[],"label_agreement":null},{"id":"W3001784787","doi":"10.3138/cras.2019.002","title":"Full Paper Jacket: Vietnam Book Cover Art","year":2020,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vietnam War; Cover (algebra); History; Spanish Civil War; World War II; Erasure; American literature; Literature; Art history; Art; Archaeology; Engineering; Computer science","score_opus":0.034417523957480815,"score_gpt":0.2588863658565716,"score_spread":0.22446884189909078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001784787","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017678286,0.7377087,9.2801366e-7,0.07802936,0.00026169774,0.00047731944,0.0002125374,0.000025495618,0.18151614],"genre_scores_gemma":[0.1281407,0.65513444,0.00005653499,0.20594303,0.00085114664,0.00009679686,0.000023843038,0.00004568954,0.009707843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899495,0.00007691814,0.00031313483,0.00020955814,0.00014837694,0.00025708164],"domain_scores_gemma":[0.9990532,0.000081920705,0.00014987234,0.00017984869,0.00030617998,0.00022901843],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016286326,0.00015442261,0.00061926135,0.0000765037,0.00024946526,0.000022541217,0.00015915035,0.0000092661285,0.0029963283],"category_scores_gemma":[0.00016368998,0.00012273877,0.00015246395,0.00015542161,0.0012921401,0.000089636065,0.000037706493,0.00012494695,0.00028869708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052037617,0.0000067577976,0.00004229346,0.001058084,0.00018894077,0.000008716078,0.0119365575,1.0943406e-7,0.000005726798,0.0261518,0.9546813,0.0059145135],"study_design_scores_gemma":[0.000057081616,0.00022166462,0.00003925235,0.0009328291,0.000045781915,8.301078e-7,0.009674329,9.608287e-7,0.0000014222752,0.000112067646,0.9887677,0.00014607466],"about_ca_topic_score_codex":0.002611294,"about_ca_topic_score_gemma":0.051884625,"teacher_disagreement_score":0.17180829,"about_ca_system_score_codex":0.000044899887,"about_ca_system_score_gemma":0.00015922717,"threshold_uncertainty_score":0.9979151},"labels":[],"label_agreement":null},{"id":"W3003520549","doi":"10.24193/ekphrasis.22.10","title":"Cinematic Hybridity: Graphic Design and the End Title Sequence","year":2019,"lang":"en","type":"article","venue":"Ekphrasis","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"Robin Hood Foundation","keywords":"Narrative; Filmmaking; Hybridity; Sequence (biology); Relevance (law); Semiotics; Mainstream; Salient; Computer science; Linguistics; Epistemology; Aesthetics; Sociology; Literature; Art; Artificial intelligence; Philosophy; Political science","score_opus":0.03796821042560171,"score_gpt":0.21970685020181044,"score_spread":0.18173863977620874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003520549","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38618737,0.0019841245,0.00027617175,0.005454936,0.0010405415,0.00071112934,0.000018673829,0.000082485574,0.6042446],"genre_scores_gemma":[0.98839897,0.0000759219,0.000051516417,0.00018962119,0.000068145426,0.000006495558,9.5126467e-7,0.0000047562576,0.01120365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997356,0.00003207318,0.00005579313,0.000066874614,0.00005282396,0.00005686825],"domain_scores_gemma":[0.9997303,0.00011962168,0.000022393424,0.00010190342,0.000013405076,0.00001235955],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014543794,0.000044813856,0.00007462126,0.000029922268,0.00008643309,0.00006005661,0.000054874585,0.00000783071,0.0039608898],"category_scores_gemma":[0.000009871806,0.000026053809,0.00002842009,0.000019681902,0.00017675567,0.000034568235,0.0000136081135,0.000044379933,0.00023616434],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009743766,0.000007820036,0.0001026031,0.000018142919,0.000029205707,0.0000010722781,0.0065418105,0.000001351973,0.00004918741,0.97837317,0.012206458,0.0026594556],"study_design_scores_gemma":[0.0013302859,0.00010584847,0.0005980707,0.00008346702,0.00007643302,0.00001305737,0.004228206,0.0032833556,0.00020402641,0.31061774,0.67909235,0.00036714692],"about_ca_topic_score_codex":0.000028113744,"about_ca_topic_score_gemma":0.000024377567,"teacher_disagreement_score":0.6677554,"about_ca_system_score_codex":0.000001990494,"about_ca_system_score_gemma":0.000007684102,"threshold_uncertainty_score":0.9969496},"labels":[],"label_agreement":null},{"id":"W3003541891","doi":"10.26443/ijwpc.v7i1.225","title":"Graphic Medicine as Physician Tool to Understand Their Patient’s Experience of a Medical Condition","year":2020,"lang":"en","type":"article","venue":"International Journal of Whole Person Care","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Conversation; Reading (process); Active listening; Test (biology); Value (mathematics); Psychology; Medical education; Medicine; Converse; Family medicine; Computer science; Psychotherapist; Literature; Art","score_opus":0.044388988620658106,"score_gpt":0.2919431516632425,"score_spread":0.24755416304258437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003541891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96120286,0.0004574562,0.00013200755,0.033449452,0.0008109094,0.00006797175,0.00009151812,0.0000061024534,0.003781721],"genre_scores_gemma":[0.9950452,0.000038074813,0.000010480605,0.003985392,0.0008755044,0.000001410342,0.000011922176,0.000007059087,0.000024995501],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986214,0.000028220842,0.00030240827,0.00009921999,0.00087244465,0.00007628143],"domain_scores_gemma":[0.9988818,0.000047590125,0.00023483226,0.00004944911,0.00066986994,0.00011646064],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000070335016,0.00009330255,0.00019085528,0.00015525345,0.00006188952,0.00004939758,0.00033829428,0.00002721982,0.0009885118],"category_scores_gemma":[0.00010704346,0.000067794615,0.00012521583,0.000054159438,0.00021684976,0.00016866832,0.00003150946,0.00014503405,0.0000039873435],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015533986,0.000036791367,0.00018211441,0.000015924334,0.00013981677,0.000050544582,0.9342844,0.000011034195,0.0016318546,0.041887462,0.0063264403,0.015278283],"study_design_scores_gemma":[0.0008432365,0.0009816987,0.00018063464,0.00035337746,0.000015083453,0.000016197588,0.93211305,0.000070514725,0.00078985543,0.0013099408,0.06321719,0.000109187444],"about_ca_topic_score_codex":0.000061891704,"about_ca_topic_score_gemma":0.000092367314,"teacher_disagreement_score":0.056890756,"about_ca_system_score_codex":0.000033852517,"about_ca_system_score_gemma":0.00006966297,"threshold_uncertainty_score":0.9999247},"labels":[],"label_agreement":null},{"id":"W3004645219","doi":"","title":"Review: Harriet E.H. Earle’s Comics, Trauma, and the New Art of War (2017)","year":2019,"lang":"en","type":"article","venue":"RoundTable","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Art; History; Art history; Visual arts; Literature","score_opus":0.0238249838547432,"score_gpt":0.2288735390807292,"score_spread":0.20504855522598597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004645219","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06503165,0.28358296,0.0001408048,0.024582623,0.0017035457,0.0022970173,0.00012319129,0.00013285417,0.62240535],"genre_scores_gemma":[0.1864076,0.017081589,0.00007011964,0.0018338268,0.0002331149,0.000011233321,0.000013174926,0.000030487441,0.79431885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994563,0.00003506382,0.00017800304,0.00012249454,0.00008261061,0.00012556005],"domain_scores_gemma":[0.99950176,0.00007044818,0.00009929219,0.00025488978,0.000035337212,0.000038251837],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025554435,0.00009163409,0.00027003107,0.000031001004,0.00010205907,0.00010116484,0.00012569905,0.000019268868,0.0012412331],"category_scores_gemma":[0.000012862664,0.000057996265,0.00007018565,0.000026902517,0.00014825723,0.00023848501,0.0000364251,0.00006492921,0.000053075535],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023770364,0.000012595652,0.000115884235,0.0001227315,0.000032642238,1.6330662e-7,0.003516618,2.9647316e-7,0.000014948783,0.4195562,0.5763375,0.0002666387],"study_design_scores_gemma":[0.00083383935,0.00003774182,0.000026900396,0.0002234901,0.00002509456,0.0000018136037,0.00076912733,0.000035231933,0.000021464934,0.009154804,0.98878545,0.00008503918],"about_ca_topic_score_codex":0.0015404068,"about_ca_topic_score_gemma":0.0017913305,"teacher_disagreement_score":0.41244793,"about_ca_system_score_codex":0.000007500372,"about_ca_system_score_gemma":0.000023953906,"threshold_uncertainty_score":0.99967176},"labels":[],"label_agreement":null},{"id":"W3006228167","doi":"10.7202/1066732ar","title":"On rit au NarKomPros : Anatoli Lounatcharski et la théorie du rire soviétique","year":2020,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Laughter; Criticism; Soviet union; Enlightenment; Comics; Art; Context (archaeology); Art criticism; Social criticism; Literature; Sociology; Art history; Philosophy; Political science; History; Politics; Law; Performance art; Epistemology","score_opus":0.013489340455323332,"score_gpt":0.20009070213252542,"score_spread":0.1866013616772021,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006228167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8455708,0.0000799866,0.000018745382,0.03524238,0.00054655905,0.00028882283,0.00023998838,0.00010036369,0.11791233],"genre_scores_gemma":[0.9899515,0.000058495694,0.000017633296,0.003717568,0.0008756048,0.000021076208,0.00005742063,0.00003940162,0.005261308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987769,0.00009567345,0.00024869342,0.0003722966,0.00009878855,0.00040761026],"domain_scores_gemma":[0.9990687,0.00016159946,0.00009907875,0.00023529651,0.00009172722,0.0003435991],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002356128,0.00023002211,0.00030047126,0.000095080875,0.0003752036,0.00014608205,0.00023313909,0.00006797974,0.001002101],"category_scores_gemma":[0.00011585547,0.00021728543,0.00014643303,0.00008607533,0.00016712175,0.00014492437,0.00005488178,0.00034303797,0.00011773239],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004339921,0.000033179414,0.00015396051,0.00004163457,0.000048445843,0.00013051476,0.046165742,0.000016724029,0.000030748863,0.9369815,0.013692805,0.0026613541],"study_design_scores_gemma":[0.0005059081,0.00021358575,0.0001499976,0.00007624124,0.000020451906,0.000015035423,0.004379709,0.0006858123,0.000034018372,0.041271698,0.9523051,0.00034245334],"about_ca_topic_score_codex":0.0028862956,"about_ca_topic_score_gemma":0.112117216,"teacher_disagreement_score":0.9386123,"about_ca_system_score_codex":0.00007643278,"about_ca_system_score_gemma":0.00014329112,"threshold_uncertainty_score":0.9999111},"labels":[],"label_agreement":null},{"id":"W3008712074","doi":"10.16995/cg.178","title":"The Elements of a Life: Lauren Redniss’s Graphic Biography of Marie Curie","year":2020,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Biography; Marie curie; Curie; Art history; Art; Philosophy; Curie temperature; Physics; Condensed matter physics; Business; Ferromagnetism","score_opus":0.05066508764777286,"score_gpt":0.23488947693028095,"score_spread":0.1842243892825081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3008712074","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9594646,0.01349854,0.00012919617,0.018419031,0.0015043796,0.0005257763,0.00026212467,0.000050938223,0.0061453814],"genre_scores_gemma":[0.9958188,0.0026863324,0.00018234894,0.00057987357,0.0005317573,0.0000023161392,0.0000043231107,0.00006496337,0.00012926887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777156,0.0003043921,0.0010926169,0.00013029623,0.00044888048,0.0002522576],"domain_scores_gemma":[0.99676335,0.0005497709,0.0017344854,0.00040334367,0.00036937377,0.00017968615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016400745,0.0002197615,0.0005113643,0.0002782696,0.00037838862,0.00019008802,0.0013223627,0.00006324038,0.000060806033],"category_scores_gemma":[0.00036569856,0.0001336365,0.00047587583,0.00029382686,0.00095351756,0.00017806292,0.00016787779,0.0007027626,0.0000011578398],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014998119,0.00024012252,0.040000618,0.00010808085,0.001557194,0.0000064675687,0.012786347,0.00003087585,0.0016227978,0.887901,0.053096816,0.001149861],"study_design_scores_gemma":[0.007546398,0.0023298275,0.0041055065,0.0005715921,0.000790132,0.00002726634,0.01589217,0.00056441984,0.0028410936,0.2787475,0.6855932,0.0009909204],"about_ca_topic_score_codex":0.000038470218,"about_ca_topic_score_gemma":0.00025269284,"teacher_disagreement_score":0.63249636,"about_ca_system_score_codex":0.00000931667,"about_ca_system_score_gemma":0.00012630186,"threshold_uncertainty_score":0.5449538},"labels":[],"label_agreement":null},{"id":"W3009167131","doi":"10.1080/21504857.2020.1718836","title":"Transnationalism in German comics","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Comics; Transnationalism; German; Art; Linguistics; Literature; Political science; Politics; Philosophy","score_opus":0.050630096323725934,"score_gpt":0.2503785904756974,"score_spread":0.19974849415197143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009167131","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9277238,0.0011150363,0.0011775483,0.030407876,0.0010002459,0.00028968966,0.00014116743,0.000097090066,0.038047545],"genre_scores_gemma":[0.9971762,0.00020221184,0.000293873,0.0016064938,0.0004256782,0.0000010722422,0.0000029058326,0.000050863742,0.0002407362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989705,0.000038191574,0.0005085131,0.00010699378,0.0002249063,0.00015086083],"domain_scores_gemma":[0.9992843,0.00008503723,0.00034152906,0.000087026834,0.000084311214,0.00011778303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021271827,0.0001375837,0.00031553372,0.00040199948,0.00006775085,0.00007839102,0.0002668526,0.000047626436,0.00019775097],"category_scores_gemma":[0.000024016546,0.00012349137,0.00018294489,0.00013877478,0.00018781825,0.00016520666,0.000019780973,0.00031653894,0.0000016510837],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009438454,0.00011321478,0.0011537584,0.000021281341,0.00008031901,0.000027863065,0.018825695,0.000017400382,0.000568651,0.96124995,0.01763217,0.00021528936],"study_design_scores_gemma":[0.0053674383,0.0005176647,0.0028859002,0.00019356566,0.000090725356,0.00007281398,0.0052406685,0.0019053373,0.00016266541,0.07995714,0.9028798,0.0007262844],"about_ca_topic_score_codex":0.00004416157,"about_ca_topic_score_gemma":0.00075941015,"teacher_disagreement_score":0.88524765,"about_ca_system_score_codex":0.000012130469,"about_ca_system_score_gemma":0.000048216803,"threshold_uncertainty_score":0.5035832},"labels":[],"label_agreement":null},{"id":"W3009335319","doi":"10.1080/21504857.2019.1700144","title":"Spirou’s transnational travels: historical memory and comics memory in Flix’s<i>Spirou in Berlin</i>","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Comics; Adventure; German; Entertainment; History; Value (mathematics); Literature; Visual arts; Art history; Art; Archaeology; Computer science","score_opus":0.041827191513266374,"score_gpt":0.21389460748643238,"score_spread":0.172067415973166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009335319","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9649194,0.0021356074,0.00031793097,0.024759172,0.0007621684,0.000299595,0.000060329607,0.000041919273,0.0067039113],"genre_scores_gemma":[0.99685633,0.00040204526,0.00046009987,0.0014060709,0.00040996977,0.0000035915602,0.0000032119801,0.00006756608,0.00039111884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981711,0.0000836484,0.00091789674,0.00023344868,0.00033740164,0.00025652623],"domain_scores_gemma":[0.99897766,0.00020260074,0.00041513363,0.000118689866,0.00008898855,0.00019690585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047528185,0.00025042464,0.00061885617,0.00073142437,0.00008742445,0.00008411985,0.0002876717,0.000112207024,0.00008102838],"category_scores_gemma":[0.000053400337,0.00023663475,0.00020494283,0.00024643436,0.00027941854,0.00024892043,0.000036853446,0.0006681651,4.260883e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011423897,0.0012713183,0.014726094,0.00025070785,0.00030700525,0.00035699256,0.1122585,0.00020328007,0.0033473058,0.84160954,0.020371445,0.0041554337],"study_design_scores_gemma":[0.04591003,0.00404375,0.04696997,0.001137785,0.0005161611,0.00061498873,0.043212853,0.011641242,0.0006729911,0.12757397,0.7130803,0.0046259738],"about_ca_topic_score_codex":0.00015320221,"about_ca_topic_score_gemma":0.0041078664,"teacher_disagreement_score":0.7140356,"about_ca_system_score_codex":0.000096933494,"about_ca_system_score_gemma":0.000101291706,"threshold_uncertainty_score":0.9649685},"labels":[],"label_agreement":null},{"id":"W3009787442","doi":"10.1080/21504857.2019.1629606","title":"A Periphery surrounded by centres: The German-Language comics market, transnational relationships, and graphic novels","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Comics; German; Art; Literature; History; Linguistics; Visual arts; Philosophy","score_opus":0.030011784427594442,"score_gpt":0.2322562050740561,"score_spread":0.20224442064646164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009787442","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92185986,0.006906883,0.0024354383,0.04790546,0.00088348566,0.00066667714,0.0007990248,0.00015082755,0.018392317],"genre_scores_gemma":[0.9963876,0.0006575254,0.00019340952,0.001378729,0.0003480087,0.0000038258795,0.000014387628,0.000078597375,0.0009378941],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825656,0.00018737852,0.0006722927,0.0002148354,0.00040796155,0.0002609629],"domain_scores_gemma":[0.9983172,0.00053559645,0.0005915424,0.0001881877,0.00016100008,0.00020651467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059525785,0.00027424673,0.00040999235,0.00028704657,0.0005145965,0.0003069635,0.0003860442,0.00009646704,0.0002665314],"category_scores_gemma":[0.00008997676,0.00020617511,0.00027230437,0.00025562727,0.0006546812,0.00030152802,0.000045405865,0.0007117417,6.1553504e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033408176,0.00023206386,0.004696503,0.00006712964,0.0005293589,0.000021552258,0.05448239,0.0000054579045,0.0014912502,0.8352054,0.10260882,0.00032601648],"study_design_scores_gemma":[0.009358716,0.00078858394,0.011718331,0.00031030705,0.00067048543,0.00035587244,0.07266378,0.005442128,0.00012303126,0.054926816,0.8418835,0.001758502],"about_ca_topic_score_codex":0.000042154526,"about_ca_topic_score_gemma":0.0007299433,"teacher_disagreement_score":0.78027856,"about_ca_system_score_codex":0.000018110068,"about_ca_system_score_gemma":0.00007720996,"threshold_uncertainty_score":0.84075767},"labels":[],"label_agreement":null},{"id":"W3012558254","doi":"","title":"Bernard Andrès, L’humour des poilus canadiens-français de la Grande Guerre, Québec, PUL, 2018, 171 pages","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.005877463004444259,"score_gpt":0.1541920576766839,"score_spread":0.14831459467223965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012558254","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77095276,0.11368849,0.000026054984,0.024712173,0.00085919944,0.00031565045,0.00042240904,0.00008535119,0.08893793],"genre_scores_gemma":[0.6457331,0.0344847,0.00008566476,0.00025984005,0.00033950352,0.000004675219,0.00002777107,0.000056666067,0.31900808],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782664,0.0002447777,0.00026835682,0.0004907142,0.00025628821,0.0009132191],"domain_scores_gemma":[0.9984414,0.00030069824,0.00020090649,0.00046848794,0.00014704984,0.0004414644],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036232374,0.0004486304,0.0005123965,0.00030729367,0.0017835347,0.00018534169,0.000461032,0.00027021745,0.0029012514],"category_scores_gemma":[0.00003157091,0.00048836146,0.000373097,0.00016027773,0.0009031944,0.00038069073,0.0002232274,0.00044217685,0.0003635759],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045208042,0.00031951757,0.024926998,0.00027052237,0.0008676746,0.0027402546,0.0726562,0.00015822225,0.0004340314,0.332635,0.51463693,0.049902573],"study_design_scores_gemma":[0.0017186041,0.0002402256,0.010269088,0.00017146811,0.0002478763,0.00031249734,0.009582088,0.00035868693,0.000048419428,0.005399814,0.971063,0.00058824365],"about_ca_topic_score_codex":0.79457587,"about_ca_topic_score_gemma":0.9796955,"teacher_disagreement_score":0.45642605,"about_ca_system_score_codex":0.0033419942,"about_ca_system_score_gemma":0.00023793156,"threshold_uncertainty_score":0.9997568},"labels":[],"label_agreement":null},{"id":"W3012942641","doi":"10.4000/belphegor.2102","title":"Baetens, Jan, The Film Photonovel: A Cultural History of Forgotten Adaptations","year":2020,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.07860174503586119,"score_gpt":0.2285886630035796,"score_spread":0.1499869179677184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012942641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5391036,0.007458639,0.00013941327,0.055334885,0.0022229012,0.0011811024,0.0005399878,0.00022896475,0.39379048],"genre_scores_gemma":[0.9826744,0.000031627977,0.00007080248,0.0017144624,0.00026430297,0.000021068388,0.000014958734,0.000010294779,0.015198035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994869,0.000021152151,0.00017243993,0.00011303925,0.000102727725,0.000103745915],"domain_scores_gemma":[0.99958575,0.00005988132,0.000087593,0.00011563874,0.00011009535,0.000041043168],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000048446982,0.000085518215,0.00012342434,0.000024220222,0.00013071949,0.000027492793,0.00015904143,0.000017314305,0.0013532764],"category_scores_gemma":[0.000032463926,0.00005345286,0.000107282045,0.000031857096,0.00025793404,0.00009572335,0.000034213823,0.000090510424,0.00002356312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003386249,0.000042217293,0.0000872165,0.00002067496,0.000077251796,0.0000016375017,0.26597413,0.0000076054052,0.0014746662,0.38482803,0.34652886,0.00092385145],"study_design_scores_gemma":[0.00022034207,0.000077721794,0.00053058815,0.0000063934817,0.000030063506,4.9131893e-7,0.019664902,0.0009794629,0.00005462022,0.00081704056,0.97752655,0.00009180321],"about_ca_topic_score_codex":0.0002358396,"about_ca_topic_score_gemma":0.0004969155,"teacher_disagreement_score":0.6309977,"about_ca_system_score_codex":0.000021413387,"about_ca_system_score_gemma":0.000063896296,"threshold_uncertainty_score":0.99955964},"labels":[],"label_agreement":null},{"id":"W3013198791","doi":"10.7202/1068774ar","title":"Tensions narcissico-identitaires chez Iron Man","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.038723972426819527,"score_gpt":0.23560078795706377,"score_spread":0.19687681553024425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013198791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40142536,0.13699496,0.00002839219,0.36757028,0.0042998265,0.00046651709,0.00045912853,0.00019917202,0.088556364],"genre_scores_gemma":[0.93641704,0.00094509294,0.000037876234,0.007515775,0.0029244735,0.0000093187455,0.00003119692,0.00003947153,0.052079737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876195,0.00007420324,0.00027027298,0.0003531497,0.00019288818,0.00034755282],"domain_scores_gemma":[0.99926287,0.000073411175,0.00009489327,0.00021364099,0.000094432755,0.0002607397],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007120398,0.0002632953,0.00028753353,0.000071270944,0.0006716654,0.00039669382,0.0002443998,0.00011303676,0.00500656],"category_scores_gemma":[0.00007156227,0.00023781693,0.00022804247,0.00007470926,0.00076715974,0.00019403955,0.00012066115,0.0003437629,0.00030603516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024658697,0.00006722002,0.00019827552,0.0001166541,0.00006203303,0.00006972537,0.058846608,0.000022229415,0.0003907146,0.5406093,0.39784205,0.0017504885],"study_design_scores_gemma":[0.00028976178,0.00015260228,0.001600495,0.00009615287,0.00009038089,0.0000063331004,0.015976634,0.00020295828,0.00014265694,0.008534481,0.9725821,0.00032547122],"about_ca_topic_score_codex":0.0006745048,"about_ca_topic_score_gemma":0.0009495397,"teacher_disagreement_score":0.57474,"about_ca_system_score_codex":0.000018947003,"about_ca_system_score_gemma":0.00005508846,"threshold_uncertainty_score":0.995903},"labels":[],"label_agreement":null},{"id":"W3014435270","doi":"10.3390/h9020029","title":"Corinthian Echoes: Gaiman, Kiernan, and The Dreaming as Sadomodernist Gothic Memoir","year":2020,"lang":"en","type":"article","venue":"Humanities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Memoir; Comics; Context (archaeology); Art; Queer; Literature; Art history; Visual arts; History; Sociology; Gender studies","score_opus":0.05154661393204281,"score_gpt":0.2090947468705955,"score_spread":0.1575481329385527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014435270","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31298187,0.0032527717,0.000047135087,0.015883565,0.0007347832,0.00058930437,0.00006276419,0.00028714008,0.66616064],"genre_scores_gemma":[0.980792,0.0002630257,0.0000104586525,0.0047743325,0.0009647423,0.000030206367,0.000007762188,0.000028641156,0.013128818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898344,0.000084296844,0.00025391628,0.00025646968,0.000196048,0.00022585507],"domain_scores_gemma":[0.9993425,0.00020966992,0.000110475725,0.00018484361,0.00008578674,0.000066727356],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018675356,0.00021100041,0.0002773839,0.000055383727,0.0013798024,0.00077634444,0.00024838455,0.00003447962,0.0015027607],"category_scores_gemma":[0.00006831325,0.00014402915,0.00010808108,0.000024945652,0.0018109216,0.00020873033,0.0001235286,0.00027192853,0.00008060847],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060690287,0.000009860171,0.00004425269,0.00003441586,0.000044670836,0.000005414003,0.23502772,7.0478467e-7,0.000011836492,0.7622845,0.0019362593,0.0005396601],"study_design_scores_gemma":[0.0013830874,0.00016296805,0.0001519617,0.000056548208,0.00006304517,0.0000088651905,0.12253462,0.00067486457,0.00006193737,0.101267256,0.773282,0.00035285766],"about_ca_topic_score_codex":0.0006041464,"about_ca_topic_score_gemma":0.002447472,"teacher_disagreement_score":0.77134573,"about_ca_system_score_codex":0.0000124103035,"about_ca_system_score_gemma":0.000026341586,"threshold_uncertainty_score":0.99992025},"labels":[],"label_agreement":null},{"id":"W3015934327","doi":"10.1080/21504857.2020.1748076","title":"Mark Russell Interview","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emmanuel Bible College","funders":"","keywords":"Comics; Wonder; Apocrypha; Art history; Art; History; Visual arts; Literature; Psychology; Social psychology","score_opus":0.07301567518549718,"score_gpt":0.23588714843945874,"score_spread":0.16287147325396156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015934327","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72910994,0.012921854,0.00498623,0.074420504,0.005725911,0.0006602134,0.00020296164,0.00024191248,0.17173047],"genre_scores_gemma":[0.99408203,0.0008425099,0.00032414994,0.0032473207,0.0009517882,8.600663e-7,0.000001271546,0.000039952658,0.00051011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988912,0.000061805455,0.0005517811,0.00011737846,0.00020977753,0.00016808214],"domain_scores_gemma":[0.99894935,0.00009101998,0.00048988475,0.00012667262,0.00017035607,0.00017269903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031304476,0.00016251653,0.00037695144,0.00021207819,0.000115263865,0.00014472994,0.00037064936,0.000039997154,0.00061917683],"category_scores_gemma":[0.000051479903,0.00012851087,0.0003294916,0.00012893509,0.00019965148,0.00018901726,0.00005713617,0.00035031032,0.000011302023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022008366,0.0002469289,0.0012379636,0.00016617612,0.00040735645,0.000072749004,0.03242647,0.0000063968982,0.0012228942,0.81327957,0.144996,0.0057174205],"study_design_scores_gemma":[0.0010587538,0.0005239742,0.0003731388,0.00020766501,0.00010057672,0.00004789672,0.0044497927,0.00015358467,0.00009644217,0.016817005,0.9758607,0.00031047384],"about_ca_topic_score_codex":0.0000132559635,"about_ca_topic_score_gemma":0.00010084167,"teacher_disagreement_score":0.83086467,"about_ca_system_score_codex":0.000009245139,"about_ca_system_score_gemma":0.0000443439,"threshold_uncertainty_score":0.6779552},"labels":[],"label_agreement":null},{"id":"W3017609989","doi":"","title":"Book review. Hardy, Dominic, Gérin, Annie & Carney, Lora S. (Eds.). (2018). Sketches from an Unquiet Country: Canadian Graphic Satire, 1840-1940. Montreal: McGill-Queen’s University Press.","year":2020,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Queen (butterfly); Art history; Art; Media studies; History; Sociology","score_opus":0.14265390555358412,"score_gpt":0.41334859535751883,"score_spread":0.27069468980393474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017609989","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10355373,0.76205707,0.000012441951,0.019543419,0.0027397566,0.0039806613,0.017890394,0.0003570963,0.089865424],"genre_scores_gemma":[0.46095237,0.5148723,0.000026582797,0.019592188,0.0008803003,0.000031007403,0.00042548697,0.00014451363,0.0030752223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963856,0.0005077803,0.00095662504,0.0008465792,0.0006592287,0.0006442229],"domain_scores_gemma":[0.99632055,0.0002529626,0.0009757507,0.00076482346,0.00050589285,0.0011800315],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006367545,0.0006049215,0.0013775793,0.00059115584,0.0011532021,0.0013835331,0.00294599,0.0001541324,0.019019894],"category_scores_gemma":[0.0001522863,0.00058001996,0.00038093072,0.00044698708,0.0006036543,0.003082479,0.0006063392,0.0006657486,0.000018175733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002642559,0.00014863607,0.01004082,0.00022773688,0.000605563,0.00016287286,0.002774359,0.000014337786,0.00016658512,0.0038916443,0.97960234,0.0021008588],"study_design_scores_gemma":[0.0007690146,0.000041472224,0.028707014,0.00070726895,0.00032342714,0.000002137385,0.0008358107,0.000044760847,0.00014840157,0.0015771403,0.9661354,0.00070818496],"about_ca_topic_score_codex":0.4583801,"about_ca_topic_score_gemma":0.11575723,"teacher_disagreement_score":0.35739863,"about_ca_system_score_codex":0.00015387754,"about_ca_system_score_gemma":0.0004212103,"threshold_uncertainty_score":0.99966514},"labels":[],"label_agreement":null},{"id":"W3020958358","doi":"10.29173/af29405","title":"La bande dessinée numérique : le triomphe du linéaire sur le tabulaire","year":2020,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.020995979541328813,"score_gpt":0.21635826081629764,"score_spread":0.19536228127496882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3020958358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6833016,0.053893123,0.0051939064,0.16544987,0.012958509,0.00091351,0.00077924714,0.0002463736,0.0772638],"genre_scores_gemma":[0.9721629,0.0031369473,0.00009578155,0.0019376144,0.008068281,0.000047068817,0.00003804637,0.000097280456,0.014416075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744105,0.00043134415,0.0005923855,0.00067813584,0.00033151123,0.0005255481],"domain_scores_gemma":[0.9982244,0.0004180024,0.00032802494,0.0002978694,0.00040098644,0.00033076486],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030033922,0.0005280901,0.00070754293,0.00012108019,0.000965001,0.00040276648,0.00049428473,0.00020052183,0.0019053137],"category_scores_gemma":[0.00015744747,0.0005322409,0.00038945558,0.0002838869,0.001157815,0.00058676564,0.0001847277,0.000711418,0.0002871487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056372146,0.0015173485,0.0013264663,0.00046832257,0.0010144528,0.00086061313,0.3487723,0.00042593724,0.0013628816,0.4161168,0.18066813,0.046903033],"study_design_scores_gemma":[0.0041016648,0.0003530623,0.0012534298,0.00034050332,0.000021711123,0.000021095999,0.026726376,0.0055286437,0.0022284125,0.008907769,0.94979566,0.0007216713],"about_ca_topic_score_codex":0.0116423955,"about_ca_topic_score_gemma":0.004871986,"teacher_disagreement_score":0.76912755,"about_ca_system_score_codex":0.000062122344,"about_ca_system_score_gemma":0.0005754814,"threshold_uncertainty_score":0.9997129},"labels":[],"label_agreement":null},{"id":"W3022129626","doi":"10.1080/21504857.2020.1754262","title":"Child soldiers in transatlantic graphic narratives of war","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; History; Colonialism; Refugee; Media studies; Sociology; Gender studies; Psychology; Literature; Art","score_opus":0.028620473916711436,"score_gpt":0.21700979670940218,"score_spread":0.18838932279269074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022129626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98315805,0.0021487582,0.00028916285,0.00791495,0.00047434788,0.00020362968,0.000048383154,0.000023675357,0.005739053],"genre_scores_gemma":[0.9978774,0.0010699207,0.00020207511,0.0004716856,0.00030953478,0.0000015448734,0.0000019392533,0.00003913418,0.0000267714],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99825186,0.00008738643,0.00092670013,0.00017607235,0.00031092713,0.00024706917],"domain_scores_gemma":[0.9987593,0.00009146542,0.00068082643,0.00014606518,0.0001675169,0.00015478913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033969144,0.00023545629,0.00067574275,0.0007300222,0.0001265169,0.00004086699,0.00039737724,0.00007290976,0.00012741883],"category_scores_gemma":[0.000047915284,0.00019603746,0.00042237795,0.00037410881,0.00051684945,0.0002558383,0.000026234959,0.0005448168,7.8046725e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011080912,0.00095390424,0.015110358,0.00035681197,0.00096188043,0.00014826783,0.46046773,0.00013975601,0.0066684983,0.5075829,0.005580103,0.00092167256],"study_design_scores_gemma":[0.028575877,0.009108113,0.02810619,0.005241257,0.00084614236,0.0005291706,0.5205211,0.002399338,0.003135021,0.18217517,0.21499301,0.004369593],"about_ca_topic_score_codex":0.000033290144,"about_ca_topic_score_gemma":0.0007912827,"teacher_disagreement_score":0.32540777,"about_ca_system_score_codex":0.0000098849605,"about_ca_system_score_gemma":0.00006613777,"threshold_uncertainty_score":0.79941756},"labels":[],"label_agreement":null},{"id":"W3022320225","doi":"10.29173/af29401","title":"Entre bande dessinée et jeu vidéo: Le Secret de la Licorne d’Hergé","year":2020,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01790310213994789,"score_gpt":0.2449496042159158,"score_spread":0.2270465020759679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022320225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5796794,0.04473941,0.0054713623,0.08398608,0.009296544,0.0007233491,0.0012436039,0.00022292694,0.27463728],"genre_scores_gemma":[0.96531194,0.0041407747,0.0002846903,0.006601454,0.005389642,0.000034155924,0.00004402163,0.00008479306,0.0181085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759334,0.0006071149,0.0004262802,0.0005495482,0.00028727157,0.00053641736],"domain_scores_gemma":[0.9984156,0.00054691813,0.00025402333,0.00024367956,0.00019152742,0.00034824776],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036706316,0.00044082862,0.00051934976,0.000098888035,0.0005089691,0.00045775718,0.0003969989,0.00016131019,0.005865156],"category_scores_gemma":[0.00012886674,0.0004477442,0.00028020728,0.00019965628,0.0010062443,0.0003929306,0.00016544937,0.00073173473,0.00032981372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035640958,0.00069500174,0.0016956107,0.00023702614,0.0007739343,0.00040013823,0.27901646,0.00027785543,0.003155498,0.55708593,0.14360872,0.012697439],"study_design_scores_gemma":[0.0025363814,0.00037590307,0.0018378639,0.000268548,0.0000468651,0.000014968208,0.01623536,0.003153773,0.0027854352,0.023777785,0.9483731,0.00059406296],"about_ca_topic_score_codex":0.0043125553,"about_ca_topic_score_gemma":0.0015079873,"teacher_disagreement_score":0.80476433,"about_ca_system_score_codex":0.00006620169,"about_ca_system_score_gemma":0.0003003451,"threshold_uncertainty_score":0.9997974},"labels":[],"label_agreement":null},{"id":"W3022616533","doi":"10.1080/21504857.2020.1757477","title":"Busting Loose: Ms. Marvel and post-rape trauma in X-Men comics","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Jerome's University","funders":"","keywords":"Narrative; Pornography; Uncanny; Psyche; Comics; Character (mathematics); Literature; Art; Psychoanalysis; Psychology","score_opus":0.035763478361925366,"score_gpt":0.22361218518267606,"score_spread":0.1878487068207507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022616533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97211105,0.0017894702,0.00020279596,0.006770258,0.00031932673,0.00021173252,0.000078723526,0.000052502557,0.01846416],"genre_scores_gemma":[0.99693435,0.0005072485,0.000598238,0.0011706582,0.0004302473,0.00000126766,0.0000027017097,0.000071469825,0.0002838119],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986524,0.0000554112,0.0006500059,0.00017878186,0.00021623749,0.0002471781],"domain_scores_gemma":[0.9988737,0.00016084232,0.0005196645,0.000119953715,0.00014071421,0.00018513786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035742272,0.00021797718,0.0004806213,0.00046870348,0.0001349902,0.00018183439,0.00027091647,0.00007416408,0.000090071604],"category_scores_gemma":[0.00009185448,0.00019298283,0.00015578305,0.00018705614,0.00028765955,0.00023971444,0.0000717542,0.00048266322,9.3100783e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016167763,0.00092333806,0.058060244,0.00044752023,0.00093148666,0.00036153872,0.11684298,0.000106077045,0.0098616965,0.73886377,0.04939382,0.022590756],"study_design_scores_gemma":[0.04303697,0.0075554717,0.15702528,0.0033345714,0.00097466056,0.0012319229,0.13723904,0.027519925,0.0008848363,0.10258346,0.5125456,0.0060682963],"about_ca_topic_score_codex":0.0001819862,"about_ca_topic_score_gemma":0.0010345266,"teacher_disagreement_score":0.6362803,"about_ca_system_score_codex":0.000014919738,"about_ca_system_score_gemma":0.0000473239,"threshold_uncertainty_score":0.78696114},"labels":[],"label_agreement":null},{"id":"W3022963794","doi":"10.29173/af29404","title":"Lectures de la bande dessinée numérique","year":2020,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Humanities; Art","score_opus":0.01651205676842697,"score_gpt":0.24670049115991574,"score_spread":0.23018843439148878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022963794","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53201497,0.097960085,0.017008184,0.08695042,0.014819335,0.0007600476,0.0007600858,0.00023101216,0.24949586],"genre_scores_gemma":[0.9721575,0.0031218338,0.00022638211,0.00487011,0.009481722,0.000026728474,0.000012025115,0.000058660335,0.010045072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822176,0.00041182688,0.00031270427,0.00040574145,0.00021254522,0.00043541726],"domain_scores_gemma":[0.9987532,0.00048725252,0.00016614608,0.00017071587,0.00015611477,0.000266604],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022984933,0.00034425093,0.000392762,0.000081050486,0.00046584563,0.00035658505,0.0003196561,0.00014152571,0.005566713],"category_scores_gemma":[0.00015147273,0.00033062694,0.00021915355,0.00015143432,0.0010921633,0.00021565631,0.0000908524,0.0006236932,0.00022623503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030904685,0.00037491787,0.0014270804,0.00024281701,0.0006566776,0.0003777302,0.37969673,0.0004652418,0.0030763836,0.40983313,0.18664435,0.016895903],"study_design_scores_gemma":[0.0013147894,0.00031748047,0.0014142733,0.00016991881,0.000019921004,0.000015412825,0.009346319,0.002320365,0.004553122,0.050050598,0.93001115,0.00046667238],"about_ca_topic_score_codex":0.0022758294,"about_ca_topic_score_gemma":0.0006081149,"teacher_disagreement_score":0.7433668,"about_ca_system_score_codex":0.000061022667,"about_ca_system_score_gemma":0.00014887514,"threshold_uncertainty_score":0.9999146},"labels":[],"label_agreement":null},{"id":"W3023395955","doi":"10.4000/hommesmigrations.11106","title":"La bande dessinée ","year":2020,"lang":"fr","type":"article","venue":"Hommes & migrations","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cégep de Rivière-du-Loup","funders":"","keywords":"Art; Humanities","score_opus":0.03427369309549294,"score_gpt":0.24978844138360176,"score_spread":0.21551474828810882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023395955","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10015165,0.40692857,0.0016803566,0.33908033,0.0017463423,0.00047545246,0.0011390416,0.00021367359,0.14858456],"genre_scores_gemma":[0.94221497,0.0012959142,0.0001767256,0.0023928892,0.0013855014,0.000022622049,0.00006284214,0.00002496253,0.05242356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990852,0.00012813402,0.00024223376,0.00021689403,0.00010981895,0.00021770936],"domain_scores_gemma":[0.9993684,0.00018661346,0.00007324501,0.00014906366,0.00006546982,0.00015716933],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008084702,0.00017789307,0.00018827186,0.000056368826,0.00069055887,0.00047586998,0.00014030909,0.00008577501,0.0037396522],"category_scores_gemma":[0.00004418367,0.0001731109,0.00016944471,0.000093664334,0.00046673542,0.0002427519,0.000043697004,0.0002622648,0.00024129004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075718885,0.00009354792,0.00024093867,0.000033090015,0.00005653252,0.000009913393,0.054591745,0.000009990613,0.000051542767,0.52533555,0.40591782,0.013651749],"study_design_scores_gemma":[0.00025793264,0.000089605746,0.0005910841,0.000052061492,0.00006952197,0.00000410374,0.014710744,0.0008049624,0.000038587175,0.0058398745,0.9773346,0.0002069258],"about_ca_topic_score_codex":0.0003446601,"about_ca_topic_score_gemma":0.0028773777,"teacher_disagreement_score":0.8420633,"about_ca_system_score_codex":0.000014678615,"about_ca_system_score_gemma":0.00009094346,"threshold_uncertainty_score":0.99717104},"labels":[],"label_agreement":null},{"id":"W3024172226","doi":"10.2196/17260","title":"Design of a Digital Comic Creator (It’s Me) to Facilitate Social Skills Training for Children With Autism Spectrum Disorder: Design Research Approach","year":2020,"lang":"en","type":"article","venue":"JMIR Mental Health","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Autism; Comics; Autism spectrum disorder; Psychology; Social skills; Parent training; Developmental psychology; Medical education; Multimedia; Computer science; Medicine; Artificial intelligence; Intervention (counseling); Psychiatry","score_opus":0.18164215618389826,"score_gpt":0.3420446984437301,"score_spread":0.16040254225983183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024172226","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7301811,0.00047990403,0.09597326,0.14021826,0.00023415757,0.024174837,0.005404057,0.00027505172,0.003059353],"genre_scores_gemma":[0.99681425,0.000013958977,0.0015404285,0.00040683808,0.00014508587,0.00028801145,0.000117058255,0.00003409648,0.0006402831],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99825174,0.00018406809,0.0003410762,0.00036913654,0.00032892503,0.0005250754],"domain_scores_gemma":[0.99938226,0.00015026951,0.000104905004,0.00010665183,0.000031303618,0.00022460485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052801985,0.00019078137,0.0003936123,0.00013314195,0.00087013334,0.00015527189,0.0002094005,0.000033762004,0.00005650936],"category_scores_gemma":[0.000009954904,0.00015663778,0.00008302964,0.00012749214,0.00030004233,0.00015753231,0.00005785463,0.00018712654,0.000006760123],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013206591,0.00054359995,0.00033236272,0.00014724866,0.0001452588,5.3429187e-7,0.9174512,0.000054317155,0.000040430696,0.055556085,0.020194696,0.0042136023],"study_design_scores_gemma":[0.026005488,0.06134029,0.01680822,0.00069870555,0.00008731405,0.00003290025,0.7646792,0.009534905,0.00030475573,0.051291656,0.06586075,0.0033558114],"about_ca_topic_score_codex":0.000169503,"about_ca_topic_score_gemma":0.00012669188,"teacher_disagreement_score":0.26663312,"about_ca_system_score_codex":0.00008870515,"about_ca_system_score_gemma":0.00026099654,"threshold_uncertainty_score":0.669245},"labels":[],"label_agreement":null},{"id":"W3025018430","doi":"10.1080/10572252.2020.1768295","title":"Lapses in Literacy: Cultural Accessibility in Graphic Health Communication","year":2020,"lang":"en","type":"article","venue":"Technical Communication Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Health communication; Comics; Rhetorical question; Health literacy; Relevance (law); Cultural communication; Cultural literacy; Literacy; Sociology; Comic strip; Psychology; Linguistics; Computer science; Health care; Pedagogy; Communication; Political science","score_opus":0.05729070736018068,"score_gpt":0.32702429897110025,"score_spread":0.2697335916109196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3025018430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.890027,0.005553114,0.0000620342,0.089255445,0.000052043724,0.0010096172,0.000042064523,0.00038579907,0.0136128925],"genre_scores_gemma":[0.99709404,0.00047024278,0.0005483308,0.0016010489,0.000025834506,0.00009400634,0.000120342906,0.000012988755,0.000033182336],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9979497,0.00062136154,0.0007753896,0.0002697924,0.00015703318,0.00022669174],"domain_scores_gemma":[0.9983285,0.00025209363,0.00023523653,0.0009795552,0.000109111206,0.00009551526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066375994,0.00016667237,0.00033633359,0.00017032698,0.0002702246,0.00025490456,0.0010299691,0.000067128174,0.00018050501],"category_scores_gemma":[0.00006547912,0.00015138021,0.00009029192,0.00028126646,0.00040774082,0.0007055633,0.00012223364,0.000669762,0.00001613674],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014724887,0.0007452481,0.011424483,0.00009461728,0.000014727044,0.0000014936978,0.33919606,0.0000035811806,0.00022854953,0.6021166,0.0027753268,0.043252084],"study_design_scores_gemma":[0.0056931316,0.0026367053,0.40255168,0.0011635511,0.000025227042,0.000006733238,0.08797558,0.0050423113,0.000041200314,0.29335412,0.19964787,0.001861886],"about_ca_topic_score_codex":0.0010135339,"about_ca_topic_score_gemma":0.020236833,"teacher_disagreement_score":0.3911272,"about_ca_system_score_codex":0.00007189596,"about_ca_system_score_gemma":0.000047918777,"threshold_uncertainty_score":0.99764127},"labels":[],"label_agreement":null},{"id":"W3026340438","doi":"10.1007/978-3-030-37998-8_17","title":"Migrant Detention Comics and the Aesthetic Technologies of Compassion","year":2020,"lang":"en","type":"book-chapter","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Cartoonist; Narrative; Compassion; Media studies; Sociology; Immediacy; Journalism; Refugee; Comic strip; Art; Aesthetics; Gender studies; Visual arts; Literature; Political science; Law; Politics","score_opus":0.06994448506299335,"score_gpt":0.2603253617568744,"score_spread":0.19038087669388104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026340438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021056527,0.31975237,0.00024853265,0.02936123,0.002660732,0.0058750184,0.0015215087,0.0009660732,0.618558],"genre_scores_gemma":[0.9466973,0.049023956,0.00009072184,0.00011431096,0.000049329443,0.00003091172,0.000012012958,0.00008574751,0.0038957333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987289,0.000035319652,0.00052305765,0.000369365,0.00016795324,0.00017543341],"domain_scores_gemma":[0.9989287,0.0002357262,0.0004404731,0.0002804726,0.000083733416,0.000030897136],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00029606742,0.0003904365,0.0009381618,0.00041830406,0.0002546634,0.00005488507,0.00020812645,0.00015072341,0.000006217648],"category_scores_gemma":[0.000032118995,0.0002598375,0.0001760607,0.000051046605,0.0053699473,0.000014539317,0.00034758027,0.0003963199,3.9693546e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008168239,0.0000098247,0.00013837664,0.00016950989,0.00022221291,0.000004701078,0.006529939,1.627581e-7,0.000006213281,0.9897104,0.0009549782,0.0021720007],"study_design_scores_gemma":[0.0019755857,0.0001521354,0.000038860948,0.00081274105,0.00015442568,0.0000106649295,0.008538112,0.00016267326,0.0000050438375,0.92707366,0.060681414,0.00039470685],"about_ca_topic_score_codex":0.00014323983,"about_ca_topic_score_gemma":0.0029395514,"teacher_disagreement_score":0.92564076,"about_ca_system_score_codex":0.000009075961,"about_ca_system_score_gemma":0.000010731304,"threshold_uncertainty_score":0.9999854},"labels":[],"label_agreement":null},{"id":"W3026760728","doi":"10.14325/mississippi/9781496825032.003.0002","title":"The Modern City Streets","year":2019,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Context (archaeology); Art history; History; Art; Visual arts; Literature; Archaeology","score_opus":0.0337254048895888,"score_gpt":0.18072395011777267,"score_spread":0.14699854522818387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026760728","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040171074,0.00051832397,0.00000751987,0.00012003201,0.00026570077,0.0002544353,0.0002710313,0.00003521757,0.99812603],"genre_scores_gemma":[0.025862249,0.00014982634,0.000007595127,0.000017347551,0.000117384676,1.5489084e-7,0.000010364439,0.000023229582,0.97381186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990834,0.000018087057,0.00019498871,0.00027490334,0.0002496043,0.00017904495],"domain_scores_gemma":[0.9987198,0.0001659789,0.00032062054,0.00052554475,0.00018872619,0.00007933665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009351521,0.00026119963,0.00033957371,0.0001022285,0.00051021524,0.00008243591,0.0006089966,0.00015234505,0.00042988732],"category_scores_gemma":[0.000005317883,0.00020938688,0.0002990364,0.0000022375912,0.0006808662,0.000053911972,0.00024302986,0.00032091243,0.0000062080517],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008520193,0.000009288182,0.0000022952481,0.000038728558,0.0002443525,0.000008162148,0.0044916337,0.0000012930628,0.000009388807,0.9779553,0.0073752683,0.00977913],"study_design_scores_gemma":[0.00026573113,0.000049438608,0.0000041202657,0.00012044172,0.00010877933,4.9586924e-7,0.0004797235,0.000048366976,0.00003777136,0.02895882,0.96968806,0.00023822777],"about_ca_topic_score_codex":0.00015109935,"about_ca_topic_score_gemma":0.0005878188,"teacher_disagreement_score":0.9623128,"about_ca_system_score_codex":0.00003066825,"about_ca_system_score_gemma":0.000117638876,"threshold_uncertainty_score":0.8538549},"labels":[],"label_agreement":null},{"id":"W3027376742","doi":"","title":"Two Spying Tales","year":2013,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Espionage; Political science; Law","score_opus":0.012278639475996982,"score_gpt":0.2183243016039073,"score_spread":0.20604566212791034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027376742","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.943011,0.0033022694,0.0002314871,0.0022348424,0.00046415775,0.000114113674,0.0000015690631,0.000039132086,0.050601438],"genre_scores_gemma":[0.98484474,0.000764502,0.000018353381,0.0001372175,0.0009212435,0.0000057505877,0.0000013091454,0.000013543293,0.013293344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99847937,0.000033088385,0.00016847545,0.00009676245,0.000117887175,0.0011044471],"domain_scores_gemma":[0.9996649,0.00002948543,0.000082667924,0.000084076324,0.00008848048,0.000050376828],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037569576,0.00010157417,0.00011120309,0.000095321746,0.00048568484,0.0003155691,0.00015938024,0.000015206786,0.0013796289],"category_scores_gemma":[0.000012498807,0.00007683913,0.000099793615,0.000026214891,0.00010162899,0.00030500162,0.000021078336,0.0008023953,0.00017859777],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031961406,0.000018396353,0.000222955,0.0000011331165,0.00005919875,6.780601e-7,0.0035419206,0.0000012998884,0.00012852097,0.9821455,0.0005429423,0.013334276],"study_design_scores_gemma":[0.00036301342,0.000118662996,0.00011696555,0.000011076506,0.000011461603,0.00007953691,0.029354667,0.000070156515,0.000016474984,0.92546386,0.044247385,0.00014674751],"about_ca_topic_score_codex":0.00046416264,"about_ca_topic_score_gemma":0.0073582535,"teacher_disagreement_score":0.05668163,"about_ca_system_score_codex":0.00010595669,"about_ca_system_score_gemma":0.00029352834,"threshold_uncertainty_score":0.99953324},"labels":[],"label_agreement":null},{"id":"W3027635228","doi":"10.14325/mississippi/9781496825032.003.0005","title":"Architecture, Materiality, and the Tactile City","year":2019,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Architecture; Materiality (auditing); Visual arts; Art; Dominion; Art history; Spectacle; History; Aesthetics; Literature; Archaeology; Law","score_opus":0.024201884602002805,"score_gpt":0.17528586719432074,"score_spread":0.15108398259231792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027635228","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011898014,0.0002611904,0.000008231784,0.00019861231,0.0002479135,0.00035007668,0.0003242229,0.000026170757,0.9973938],"genre_scores_gemma":[0.038265374,0.00009452773,0.000013647068,0.000043538756,0.00013353121,2.3667312e-7,0.000010685823,0.000018257939,0.9614202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923915,0.000048230027,0.00017036025,0.00025012923,0.00016787008,0.00012428752],"domain_scores_gemma":[0.9990679,0.0001429222,0.0002777709,0.00036356796,0.00008886824,0.000058952985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012830245,0.00023638467,0.00044370414,0.0001086537,0.0002715937,0.000090613474,0.00034170243,0.00012474741,0.00082919997],"category_scores_gemma":[0.000005468264,0.00017364744,0.00019547319,0.0000020279792,0.0013123585,0.000037577127,0.00030334672,0.00025819323,0.0000022234478],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003493051,0.0000062350637,0.0000016343565,0.00009467054,0.00020623388,0.00000497794,0.006779513,2.9942163e-7,0.0000111690615,0.98877054,0.0018794212,0.001895988],"study_design_scores_gemma":[0.00085536385,0.000034096927,0.000006495528,0.00009672222,0.00016207936,0.0000020403534,0.00040803503,0.0000036360789,0.00005783398,0.036528803,0.961645,0.00019985872],"about_ca_topic_score_codex":0.0004593327,"about_ca_topic_score_gemma":0.00019640458,"teacher_disagreement_score":0.9597656,"about_ca_system_score_codex":0.000013041434,"about_ca_system_score_gemma":0.00005316302,"threshold_uncertainty_score":0.90791583},"labels":[],"label_agreement":null},{"id":"W3027855342","doi":"10.1080/09639489.2020.1752164","title":"#spirou4rights : a critical perspective on promoting human rights through comics","year":2020,"lang":"en","type":"article","venue":"Modern & Contemporary France","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Exhibition; Comics; Proclamation; Comic strip; Declaration; Politics; Sociology; Context (archaeology); Media studies; White (mutation); Law; Wonder; Human rights; Cartoonist; Visual arts; Aesthetics; Art; Political science; History; Philosophy; Epistemology","score_opus":0.07967806717107485,"score_gpt":0.29263221177317245,"score_spread":0.2129541446020976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027855342","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18506539,0.0025145123,0.0033531655,0.033068113,0.00059378764,0.0010471669,0.00016332579,0.0008345546,0.77336],"genre_scores_gemma":[0.99394244,0.0000019158997,0.00009569206,0.0022595897,0.00078989344,0.00002959495,0.00001045818,0.000055468685,0.0028149614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985843,0.00007877879,0.00030107357,0.0005341925,0.00023358113,0.00026809901],"domain_scores_gemma":[0.9992999,0.00009575555,0.00010648338,0.00024790489,0.00012272039,0.0001272689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000067954046,0.00027636372,0.0003633523,0.000049688093,0.00085989904,0.00018563787,0.00026511983,0.000060441413,0.0002382033],"category_scores_gemma":[0.000025423038,0.00023061906,0.00014697581,0.000053156502,0.0004906064,0.00037371847,0.00005146075,0.00032852113,0.000040409373],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048955186,0.00013991792,0.0000860971,0.000029505436,0.00004349664,0.00003766134,0.13102154,0.0000023369137,0.00018119156,0.86146307,0.0069116126,0.000034628585],"study_design_scores_gemma":[0.0014769568,0.0008379673,0.000056566085,0.00020493453,0.00001859531,0.000001932009,0.0037543783,0.008160469,0.00056843035,0.5585917,0.42562023,0.0007078295],"about_ca_topic_score_codex":0.0009141604,"about_ca_topic_score_gemma":0.0005182352,"teacher_disagreement_score":0.80887705,"about_ca_system_score_codex":0.000023677467,"about_ca_system_score_gemma":0.000028949507,"threshold_uncertainty_score":0.9404372},"labels":[],"label_agreement":null},{"id":"W3027865923","doi":"10.1080/10572252.2020.1768297","title":"Comics and Graphic Storytelling in Technical Communication","year":2020,"lang":"en","type":"article","venue":"Technical Communication Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Comics; Storytelling; Technical communication; Field (mathematics); Computer science; Multimedia; Visual arts; Sociology; Narrative; Engineering; Art; Literature; Artificial intelligence","score_opus":0.03660768365444173,"score_gpt":0.24236122276183455,"score_spread":0.20575353910739283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027865923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58835423,0.022010688,0.004639263,0.119874515,0.00019062571,0.0038149862,0.00012947558,0.0047970233,0.25618917],"genre_scores_gemma":[0.99626327,0.00067819166,0.0021226597,0.00068980915,0.000033007836,0.00005942227,0.00004038887,0.00003797397,0.00007529733],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870723,0.00023842252,0.0004766348,0.00024756914,0.00014619391,0.00018396041],"domain_scores_gemma":[0.9985205,0.00028730993,0.00016370357,0.00085817877,0.00005960358,0.00011069069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040849057,0.00017423618,0.0002821777,0.00017533284,0.00030270097,0.00014635504,0.00073171186,0.00011019146,0.00009657505],"category_scores_gemma":[0.00004271599,0.00017643177,0.0000710767,0.00018263808,0.0007745319,0.00021830629,0.00013632647,0.0006337745,0.000011768672],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005006996,0.0001497559,0.0006212799,0.000023463323,0.000011941518,9.901371e-7,0.01733063,0.000001864096,0.00090766954,0.9726639,0.0030379395,0.005200511],"study_design_scores_gemma":[0.0057250676,0.0028557158,0.015608724,0.0007794577,0.00014476012,0.000037548958,0.049002063,0.009305331,0.00011102953,0.285358,0.6283222,0.002750124],"about_ca_topic_score_codex":0.00023336202,"about_ca_topic_score_gemma":0.005205461,"teacher_disagreement_score":0.68730587,"about_ca_system_score_codex":0.000024914256,"about_ca_system_score_gemma":0.000017102682,"threshold_uncertainty_score":0.7194679},"labels":[],"label_agreement":null},{"id":"W3028122309","doi":"10.14325/mississippi/9781496824455.003.0015","title":"Leaving these Misty Isles","year":2019,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Tribute; Demise; History; Genealogy; Art history; Art; Literature; Political science","score_opus":0.03399732530595106,"score_gpt":0.17711530773144446,"score_spread":0.1431179824254934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3028122309","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006500965,0.00048166327,0.0000060227835,0.00006618599,0.00023852978,0.00023075004,0.0002932337,0.00005163827,0.9979819],"genre_scores_gemma":[0.022686632,0.000100482735,0.000031343436,0.000026930686,0.00015584362,1.3024764e-7,0.000017584263,0.000034961624,0.9769461],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899644,0.000025145448,0.00022010208,0.00034201547,0.00023243568,0.00018388963],"domain_scores_gemma":[0.99880564,0.00011657985,0.0003467288,0.00046454722,0.00017530675,0.0000912192],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008434207,0.0003166043,0.00048720086,0.00022002232,0.0002067433,0.000062455794,0.00049755507,0.00019058824,0.0015717505],"category_scores_gemma":[0.000006755846,0.00031258908,0.00036084664,0.0000029394707,0.0005344946,0.00007634716,0.00021514986,0.00032256983,0.000016429283],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007591666,0.000015607326,0.0000034386094,0.00014076447,0.00025435747,0.000021943313,0.010451576,0.0000010277113,0.000047009307,0.9798783,0.0050906963,0.004019333],"study_design_scores_gemma":[0.00031546905,0.000060387072,0.000004321585,0.00034805358,0.00015401295,0.000001112201,0.0013653337,0.000010378989,0.000099186655,0.0047502946,0.9925422,0.00034924556],"about_ca_topic_score_codex":0.00019837693,"about_ca_topic_score_gemma":0.00018045654,"teacher_disagreement_score":0.9874515,"about_ca_system_score_codex":0.000036548005,"about_ca_system_score_gemma":0.00011119191,"threshold_uncertainty_score":0.99993265},"labels":[],"label_agreement":null},{"id":"W3030049075","doi":"10.7202/1068772ar","title":"L’envers du corps super-héroïque. Les super-pouvoirs et la réalité du délitement","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.027365837636915025,"score_gpt":0.2290282373684041,"score_spread":0.20166239973148908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030049075","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54586047,0.03935095,0.000079473146,0.2874831,0.0026632866,0.0005848959,0.0009721334,0.00017299342,0.1228327],"genre_scores_gemma":[0.9756214,0.005229235,0.000044345983,0.008780742,0.0022330417,0.00003027124,0.00010132566,0.000061022212,0.007898617],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978655,0.0003756736,0.00045998284,0.00051926344,0.00031526748,0.0004643145],"domain_scores_gemma":[0.9988158,0.00033723048,0.000113623704,0.0002771632,0.00015007965,0.000306136],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003333828,0.00045712973,0.00046232744,0.000099262455,0.00067575957,0.0006123459,0.00036102656,0.00019677478,0.0064122938],"category_scores_gemma":[0.00010647487,0.00041667506,0.0003649849,0.00008572938,0.0010272826,0.00028153195,0.00017200936,0.0005066912,0.00013012055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059967202,0.00013492566,0.002152104,0.00015317112,0.00019153248,0.00012761705,0.083918735,0.00007024221,0.00011610539,0.74597126,0.16581917,0.0012851664],"study_design_scores_gemma":[0.0007581432,0.00023079349,0.0014947589,0.00011185374,0.00010944599,0.000018882009,0.029100876,0.00030319052,0.00010485331,0.0056886384,0.96157956,0.00049901375],"about_ca_topic_score_codex":0.0026321698,"about_ca_topic_score_gemma":0.0015943631,"teacher_disagreement_score":0.7957604,"about_ca_system_score_codex":0.000045804223,"about_ca_system_score_gemma":0.00011458367,"threshold_uncertainty_score":0.9998285},"labels":[],"label_agreement":null},{"id":"W3032375042","doi":"10.2307/j.ctv1h0p2zp","title":"L’art de la bande dessinée actuelle au Québec","year":2020,"lang":"fr","type":"book","venue":"Presses de l'Université Laval eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.01285200165014339,"score_gpt":0.1985940344711606,"score_spread":0.18574203282101723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032375042","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013228585,0.003278794,0.0002564936,0.0023606955,0.0003809182,0.00035886612,0.00033622427,0.00016229067,0.97963715],"genre_scores_gemma":[0.26319334,0.0015067087,0.00016739055,0.0005789101,0.0015031784,0.000013718956,0.00010024135,0.00013691405,0.7327996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764645,0.00040334658,0.00034547786,0.0005921311,0.00029833172,0.00071425166],"domain_scores_gemma":[0.99787986,0.00082628883,0.00030682317,0.0004012813,0.0001278717,0.00045788402],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024629023,0.0006542872,0.000674918,0.0002049306,0.0015458828,0.00048037453,0.0007764447,0.00046808046,0.0041454355],"category_scores_gemma":[0.000050950544,0.00070193177,0.00052976556,0.000024656381,0.001573053,0.00015595206,0.00047683198,0.0010461136,0.00020065294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006560561,0.00020703659,0.004429147,0.0010339725,0.0014807235,0.0011206085,0.17163436,0.00005228487,0.0010280306,0.5068172,0.28671652,0.02482405],"study_design_scores_gemma":[0.00086404406,0.00020438901,0.00061817025,0.0003962262,0.00059416675,0.000045265602,0.0063680634,0.00016782524,0.0005912682,0.008240722,0.98117363,0.0007362007],"about_ca_topic_score_codex":0.056962445,"about_ca_topic_score_gemma":0.14711475,"teacher_disagreement_score":0.6944571,"about_ca_system_score_codex":0.0010734395,"about_ca_system_score_gemma":0.004285808,"threshold_uncertainty_score":0.99975395},"labels":[],"label_agreement":null},{"id":"W3032686055","doi":"10.7202/1068776ar","title":"“Deep” Time in Times of Precarity. Comics and Anthropocene Poetics","year":2020,"lang":"en","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocene; Temporality; Comics; Deep time; Poetics; Counterpoint; Literature; Reading (process); Contradiction; Art; Politics; Aesthetics; History; Sociology; Philosophy; Geology; Poetry; Environmental ethics; Epistemology; Political science; Law; Paleontology; Linguistics","score_opus":0.019404428446396657,"score_gpt":0.2163138295858382,"score_spread":0.19690940113944155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032686055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6539245,0.012681475,0.00003833978,0.012981962,0.00028067848,0.00046723205,0.0001653402,0.00014032434,0.31932008],"genre_scores_gemma":[0.9984839,0.00011698,0.000064234824,0.00035881277,0.000091193164,0.0000011846824,0.000005837678,0.0000120763625,0.00086576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999651,0.000016582148,0.000111891604,0.00009667913,0.00004948059,0.00007436685],"domain_scores_gemma":[0.9998114,0.000031819567,0.00004026527,0.000060303515,0.000020226888,0.000035945635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000029634137,0.000069034315,0.00014875157,0.00004258508,0.00003375161,0.000027700682,0.00006029373,0.000025912652,0.0007734285],"category_scores_gemma":[0.000018539911,0.00005960623,0.000023954646,0.000025973164,0.00030389277,0.000032777953,0.000034048182,0.000065270484,0.0000028808672],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000746878,0.00010802051,0.003527453,0.00012578681,0.00006674551,0.000009868934,0.14613572,0.00004329006,0.00064522785,0.78374845,0.06380745,0.0017072835],"study_design_scores_gemma":[0.004758898,0.0012684285,0.008403502,0.00029539858,0.00014764193,0.000008911956,0.04293047,0.031165699,0.005379936,0.14248745,0.76152253,0.0016311187],"about_ca_topic_score_codex":0.00010734362,"about_ca_topic_score_gemma":0.000276185,"teacher_disagreement_score":0.6977151,"about_ca_system_score_codex":0.0000020391583,"about_ca_system_score_gemma":0.000008136445,"threshold_uncertainty_score":0.8468499},"labels":[],"label_agreement":null},{"id":"W3033324407","doi":"10.1353/ink.2020.0009","title":"Comics and Public History: The True Story of the 1934 Chatham Coloured All-Stars","year":2020,"lang":"en","type":"article","venue":"Inks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Windsor; Public history; Narrative; Historiography; Literacy; Media studies; Storytelling; History; Oral history; Visual arts; Sociology; Literature; Art; Pedagogy; Anthropology; Archaeology","score_opus":0.07395340039016321,"score_gpt":0.19831081216368987,"score_spread":0.12435741177352666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033324407","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.891051,0.0032681662,0.0000038412136,0.07093804,0.00076263817,0.00031646492,0.000059616046,0.00005587838,0.033544328],"genre_scores_gemma":[0.99443555,0.00004833488,0.0000040161144,0.003042052,0.0001317922,0.0000059985423,0.0000017676748,0.000012598708,0.00231787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995608,0.00008007905,0.000091152775,0.00009116271,0.00008707524,0.00008976455],"domain_scores_gemma":[0.9996277,0.00007272877,0.00008621929,0.00014641945,0.00002947381,0.000037430145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000116890194,0.00007034858,0.00010675492,0.00002216573,0.00017869905,0.000034403252,0.00019532285,0.000028518883,0.00020822718],"category_scores_gemma":[0.000038808015,0.00004017331,0.000051953117,0.00002071051,0.0005273944,0.000042766664,0.00006876661,0.00021020189,0.0000013726925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016177075,0.000025487163,0.0006857057,0.00001476969,0.00006580178,6.991843e-7,0.14892833,4.691658e-7,0.00023151685,0.5707291,0.27880612,0.00049584016],"study_design_scores_gemma":[0.00018883291,0.00004456689,0.00055675063,0.0000048042316,0.000012300638,4.606873e-7,0.00689049,0.00013688426,0.000012287582,0.0010419141,0.9910522,0.000058502657],"about_ca_topic_score_codex":0.00014012797,"about_ca_topic_score_gemma":0.001846724,"teacher_disagreement_score":0.7122461,"about_ca_system_score_codex":0.000016922164,"about_ca_system_score_gemma":0.00004238824,"threshold_uncertainty_score":0.22799416},"labels":[],"label_agreement":null},{"id":"W3033339259","doi":"","title":"Montreal Comiccon 2015 : le rendez-vous ludique des fans finis de films cultes, téléséries, jeux vidéo et BD!","year":2015,"lang":"fr","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05777748366159034,"score_gpt":0.2805218729990762,"score_spread":0.22274438933748586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033339259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11320305,0.03751962,0.0010197944,0.03850327,0.0020511558,0.0006109417,0.0013662538,0.00028874353,0.80543715],"genre_scores_gemma":[0.60586244,0.0038603304,0.0014359505,0.0014404176,0.0006598693,0.000050615163,0.00017281409,0.000081440274,0.3864361],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975178,0.0003573015,0.00056721386,0.0004970995,0.00027526484,0.0007852856],"domain_scores_gemma":[0.99818885,0.0002503133,0.0001973758,0.00047369883,0.00040873807,0.0004810257],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077416806,0.00049463764,0.00055990386,0.00015686822,0.0007654332,0.00067098724,0.0003816126,0.0002601163,0.0018403413],"category_scores_gemma":[0.00014481756,0.00045592294,0.00026435978,0.00011215518,0.0012979573,0.0005613467,0.00018965894,0.00048959453,0.00012000523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008485574,0.00029202565,0.00055184145,0.000047006375,0.00013816045,0.000035697045,0.05821684,0.000057424753,0.000030318484,0.47039858,0.46798062,0.002166624],"study_design_scores_gemma":[0.0016044088,0.0005115731,0.0007311342,0.00014806843,0.000080706035,0.000045965837,0.04081209,0.0020324173,0.00024303638,0.11646154,0.8366717,0.00065738184],"about_ca_topic_score_codex":0.073933415,"about_ca_topic_score_gemma":0.33752668,"teacher_disagreement_score":0.49265942,"about_ca_system_score_codex":0.00012658727,"about_ca_system_score_gemma":0.0006572358,"threshold_uncertainty_score":0.99978924},"labels":[],"label_agreement":null},{"id":"W3037314892","doi":"10.1525/gp.2020.12554","title":"Drawing Migrants and Carceral Spaces: Tings Chak’s <i>Undocumented</i>","year":2020,"lang":"en","type":"article","venue":"Global Perspectives","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Antithesis; Sociology; Nationalism; Depiction; Media studies; Gender studies; Political science; Law; Art; Visual arts","score_opus":0.02093733274627063,"score_gpt":0.2278391054358609,"score_spread":0.20690177268959026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037314892","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9000111,0.004502413,0.000021074864,0.014905624,0.00022267233,0.00017753981,0.000112587986,0.00014068132,0.07990631],"genre_scores_gemma":[0.9982641,0.00013682645,0.000048011865,0.0006060274,0.0005215109,0.0000047298568,0.0000032493392,0.000009386031,0.00040620734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99914074,0.000030158819,0.00012722741,0.00032934395,0.00014120307,0.00023134837],"domain_scores_gemma":[0.9996312,0.000027980559,0.000055153145,0.00008315977,0.00007158487,0.00013086606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000048876904,0.0001668335,0.00019559765,0.000026183425,0.00035367123,0.0003682988,0.00010946062,0.0000252692,0.0003542792],"category_scores_gemma":[0.000046959234,0.0001466591,0.00008239161,0.00006625502,0.0003708857,0.0002446482,0.00007857903,0.00010600828,0.000020599393],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070267095,0.000041003885,0.003746485,0.000023313341,0.00010071765,0.000012572353,0.33247593,0.0000012661957,0.00014759017,0.65516216,0.00757882,0.000639879],"study_design_scores_gemma":[0.0018766678,0.0005150918,0.008347738,0.00008708946,0.000078240424,0.000015338353,0.574782,0.00043881798,0.000059455797,0.02367969,0.38932347,0.0007964084],"about_ca_topic_score_codex":0.000797417,"about_ca_topic_score_gemma":0.0006622003,"teacher_disagreement_score":0.6314825,"about_ca_system_score_codex":0.000036622572,"about_ca_system_score_gemma":0.00002086894,"threshold_uncertainty_score":0.59805846},"labels":[],"label_agreement":null},{"id":"W3039352207","doi":"10.1353/llt.2020.0025","title":"Jorge J. Santos, Jr. &lt;em&gt;Graphic Memories of the Civil Rights Movement: Reframing History in Comics&lt;/em&gt;","year":2020,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cognitive reframing; Comics; Movement (music); Civil rights; Art; Visual arts; Political science; Art history; Law; Literature; Psychology; Aesthetics; Social psychology","score_opus":0.01647314806333117,"score_gpt":0.19394617207275908,"score_spread":0.1774730240094279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039352207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9516171,0.007015715,0.000012343902,0.0014166121,0.0008265024,0.00038726104,0.0001523828,0.00011377091,0.03845831],"genre_scores_gemma":[0.9825993,0.00022674518,0.000030498328,0.0013738889,0.0003020902,0.00002047907,0.000011807514,0.000051971074,0.0153832035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982324,0.00015337169,0.0005282695,0.00037506764,0.00035354157,0.00035730586],"domain_scores_gemma":[0.99902534,0.00007787753,0.00027943033,0.0004126852,0.00010137158,0.00010327708],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027621922,0.00029436784,0.00046246662,0.00018307447,0.00031952068,0.000090198475,0.00049846136,0.000090625814,0.0012489514],"category_scores_gemma":[0.00003325771,0.00022958817,0.00019867184,0.00020247664,0.000538221,0.00018217572,0.00010706255,0.0003292447,0.000010857589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065998385,0.00020130324,0.0007768772,0.00015802319,0.00011757384,0.000011627845,0.18145065,0.00000658107,0.0051391404,0.7797364,0.031812184,0.0005236535],"study_design_scores_gemma":[0.0014558776,0.00012480745,0.005976854,0.00014949113,0.0000360808,8.575167e-7,0.00955455,0.00016470002,0.0012175264,0.015975224,0.9648863,0.0004577258],"about_ca_topic_score_codex":0.0010415133,"about_ca_topic_score_gemma":0.09244525,"teacher_disagreement_score":0.9330741,"about_ca_system_score_codex":0.000057451256,"about_ca_system_score_gemma":0.00010361443,"threshold_uncertainty_score":0.99966407},"labels":[],"label_agreement":null},{"id":"W3040574603","doi":"10.16995/cg.198","title":"Bleeding Panels, Leaking Forms: Reading the Abject in Emily Carroll’s Through the Woods (2014)","year":2020,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Reading (process); Femininity; Mode (computer interface); Art; Bleed; History; Aesthetics; Literature; Visual arts; Sociology; Gender studies; Philosophy; Linguistics; Computer science","score_opus":0.07786540005419176,"score_gpt":0.27194498381233073,"score_spread":0.19407958375813897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3040574603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91798633,0.004847682,0.00054594094,0.050255492,0.002176142,0.00061765575,0.00003853428,0.000091930946,0.0234403],"genre_scores_gemma":[0.9932036,0.00096052396,0.000080636084,0.0036246243,0.001792281,0.0000053186513,0.0000017404152,0.00009783391,0.0002334399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978349,0.00037005244,0.00077867165,0.00018644986,0.00040739082,0.00042253075],"domain_scores_gemma":[0.9976775,0.0008381192,0.0008422319,0.0004072482,0.00014143145,0.00009343504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026102015,0.00028841064,0.00046157406,0.00013011845,0.00090707344,0.00079278514,0.0016329987,0.00007754644,0.000061344595],"category_scores_gemma":[0.00028597953,0.00014468521,0.0002972319,0.00020903222,0.00047008082,0.00052386295,0.00023114796,0.0018376441,0.0000070207743],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048298234,0.000064551525,0.006431857,0.000043853484,0.00039219475,0.00003622877,0.17564532,0.00076537515,0.00092818146,0.7882858,0.025919612,0.0010040167],"study_design_scores_gemma":[0.005153022,0.0007517245,0.002242546,0.00094819744,0.00047761016,0.0004208982,0.15231057,0.003975938,0.0009782888,0.2582099,0.5732386,0.0012926855],"about_ca_topic_score_codex":0.00016826515,"about_ca_topic_score_gemma":0.00062078156,"teacher_disagreement_score":0.547319,"about_ca_system_score_codex":0.00006820693,"about_ca_system_score_gemma":0.000103733466,"threshold_uncertainty_score":0.7983752},"labels":[],"label_agreement":null},{"id":"W3042713603","doi":"10.1080/21504857.2020.1775668","title":"Indie comics in Alberta: two stories from the field","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Indie film; Mainstream; Visual arts; Media studies; Art; Field (mathematics); Sociology; Art history; Literature; Political science; Law","score_opus":0.036965491889722736,"score_gpt":0.25398668288916665,"score_spread":0.21702119099944392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042713603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9044201,0.001894345,0.0006576256,0.0702401,0.0019380214,0.0002984952,0.00012595847,0.000050713552,0.020374674],"genre_scores_gemma":[0.99235666,0.00032170702,0.00024424502,0.0057813283,0.0010204124,0.0000015342847,0.000002611537,0.000045540513,0.00022596668],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895906,0.00006208322,0.00048328188,0.00012389242,0.00019777539,0.00017388798],"domain_scores_gemma":[0.9982518,0.0009819312,0.00043549764,0.00016372248,0.00007302001,0.00009400761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019548986,0.0001658867,0.0003549861,0.00014945591,0.00013973333,0.00014705278,0.00044864422,0.000051057716,0.00018579974],"category_scores_gemma":[0.00020489503,0.00011545514,0.00018218893,0.00015282982,0.00021863644,0.0001549562,0.00007026672,0.0005183404,0.0000016148127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005521572,0.000235228,0.05157774,0.00002159355,0.00050039735,0.000054227647,0.120156676,0.00017114765,0.00020905335,0.63400614,0.19151866,0.0009969694],"study_design_scores_gemma":[0.0056821182,0.0008712314,0.0028847225,0.0003905661,0.00018571825,0.000022049542,0.03259524,0.0015237394,0.00021473331,0.053707987,0.90108645,0.0008354352],"about_ca_topic_score_codex":0.0043635825,"about_ca_topic_score_gemma":0.041964516,"teacher_disagreement_score":0.7095678,"about_ca_system_score_codex":0.00001186292,"about_ca_system_score_gemma":0.00005617564,"threshold_uncertainty_score":0.97551715},"labels":[],"label_agreement":null},{"id":"W3043010990","doi":"10.1080/23323256.2019.1679027","title":"Football and forlorn hope: an ethnographic comic concerning the Grahamstown Soccer Association from 1975 to 1985","year":2019,"lang":"en","type":"article","venue":"Anthropology Southern Africa","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; Ethnography; Association (psychology); Media studies; Sociology; Football; Anthropology; Visual arts; Kinship; History; Literature; Art; Psychology; Archaeology","score_opus":0.03317979825278607,"score_gpt":0.2505467955007598,"score_spread":0.21736699724797373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043010990","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9848617,0.00070265995,0.000027379709,0.0059421663,0.00076490577,0.00031690195,0.00024382552,0.00007139519,0.0070690806],"genre_scores_gemma":[0.9940831,0.000057572826,0.000026159381,0.0009789881,0.00031445854,0.000020974345,0.000027306272,0.00002776596,0.004463695],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874014,0.00018556445,0.0002286435,0.0003506129,0.00015037939,0.00034466715],"domain_scores_gemma":[0.999051,0.00030662518,0.00017799204,0.00030073168,0.00008646961,0.000077228964],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030276168,0.00019484374,0.0002865557,0.000109261,0.0007718065,0.00017330566,0.0002530548,0.00011729259,0.003000844],"category_scores_gemma":[0.000027333932,0.00013774847,0.00009476221,0.00007843018,0.0007155503,0.000112022804,0.00009970327,0.00027752577,0.00024452695],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015167327,0.00013069129,0.11565924,0.000008225341,0.00045334373,0.0000036139488,0.7770102,0.000005777509,0.00073169416,0.093898766,0.00828876,0.003657987],"study_design_scores_gemma":[0.0013474316,0.00092642644,0.0067067943,0.000033258508,0.00014430816,0.0000018875284,0.37589064,0.0003314904,0.00004644681,0.04067256,0.57324296,0.00065582216],"about_ca_topic_score_codex":0.0051507265,"about_ca_topic_score_gemma":0.01558125,"teacher_disagreement_score":0.56495416,"about_ca_system_score_codex":0.000027001483,"about_ca_system_score_gemma":0.000024530207,"threshold_uncertainty_score":0.99791056},"labels":[],"label_agreement":null},{"id":"W3044645891","doi":"10.14325/mississippi/9781496828118.003.0033","title":"Remasters of American Comics: Sequential Art as New Media in the Transformative Museum Context","year":2020,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Exhibition; Context (archaeology); Art; Visual arts; Narrative; Art history; Metis; Literature; History; Archaeology; Computer science","score_opus":0.04536304723560896,"score_gpt":0.19940521443291756,"score_spread":0.1540421671973086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3044645891","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044175822,0.00010350389,0.00002364186,0.0009423167,0.000089458066,0.00035116152,0.0004057263,0.000024170064,0.99761826],"genre_scores_gemma":[0.24121806,0.00017742599,0.000055131193,0.00034858397,0.00016272854,5.576211e-7,0.00006350926,0.000054661523,0.7579194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899596,0.000067109875,0.0003229395,0.0002166986,0.00026287363,0.00013442435],"domain_scores_gemma":[0.9989151,0.00015485215,0.0004887996,0.00024793734,0.000068723275,0.0001246111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000088904286,0.00025765036,0.0005985394,0.00024518426,0.00008404509,0.000027978309,0.00045849162,0.00008711439,0.00028064055],"category_scores_gemma":[0.0000118207045,0.00022361898,0.00027845206,0.0000112867665,0.0011558519,0.00006492852,0.00007222094,0.00032987693,0.0000031751645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003083151,0.000016804104,0.0000012596624,0.00007272141,0.00023282933,0.000028982427,0.16945155,6.2352996e-7,0.00002501633,0.8095692,0.016356237,0.0039365105],"study_design_scores_gemma":[0.0007800927,0.00016472273,0.0000024318415,0.00026237193,0.00015131493,0.0000015016942,0.04169586,0.000009163559,0.00015720922,0.0035879158,0.9529524,0.00023505041],"about_ca_topic_score_codex":0.0016357263,"about_ca_topic_score_gemma":0.0034989065,"teacher_disagreement_score":0.93659616,"about_ca_system_score_codex":0.000022906699,"about_ca_system_score_gemma":0.00016616975,"threshold_uncertainty_score":0.91189176},"labels":[],"label_agreement":null},{"id":"W3046185986","doi":"10.1080/21504857.2020.1799832","title":"Innocents and incorrigibles: constructing childhood and citizenship in progressive era comics","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Comics; Legitimacy; Citizenship; Period (music); Media studies; Political science; Sociology; Gender studies; Aesthetics; Art; Law; Politics","score_opus":0.027537860744289034,"score_gpt":0.22388207816041533,"score_spread":0.1963442174161263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3046185986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99320287,0.0015350824,0.000029963467,0.0015230294,0.00019313348,0.00017095289,0.00003672114,0.000027146141,0.0032811095],"genre_scores_gemma":[0.99752647,0.00050063396,0.0008788278,0.0007637502,0.00026259842,0.0000013863838,0.0000014691336,0.00004691753,0.000017963552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988919,0.000052752697,0.0005255424,0.0001692746,0.00016427043,0.00019626565],"domain_scores_gemma":[0.99896276,0.00013023535,0.0005634737,0.000078488585,0.00009858769,0.00016644664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002199951,0.00018976796,0.00043073876,0.00041319506,0.00012580161,0.00019455301,0.00015059144,0.000062629806,0.000025151496],"category_scores_gemma":[0.00010236934,0.00016549283,0.00006910234,0.00016696578,0.000529211,0.00014648236,0.00008522449,0.0004803034,1.8573452e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035190536,0.00022189412,0.31698713,0.00020793323,0.00047188642,0.00017303672,0.071296096,0.0000035008488,0.0005293799,0.598889,0.0045090425,0.0063591735],"study_design_scores_gemma":[0.053187307,0.0055421535,0.15024023,0.007895276,0.0008547405,0.0040920177,0.27552122,0.003059847,0.0008147302,0.45187774,0.04143666,0.005478085],"about_ca_topic_score_codex":0.000026120288,"about_ca_topic_score_gemma":0.00015909217,"teacher_disagreement_score":0.20422511,"about_ca_system_score_codex":0.000008953505,"about_ca_system_score_gemma":0.000053959062,"threshold_uncertainty_score":0.6748602},"labels":[],"label_agreement":null},{"id":"W3046947134","doi":"10.7202/1070816ar","title":"Le super-héros et ses possibles : comment lire les comics aujourd’hui?","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Comics; Art; Political science; Literature","score_opus":0.1922817199985329,"score_gpt":0.3307777838754492,"score_spread":0.1384960638769163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3046947134","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053693555,0.036888953,0.0006431144,0.74460536,0.00068991707,0.0007056373,0.0006423901,0.0006392555,0.16149183],"genre_scores_gemma":[0.88848895,0.029676322,0.0037230605,0.014516049,0.0020024017,0.00004610508,0.00012617005,0.00029738294,0.061123576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968675,0.0011515593,0.00059918064,0.0005620402,0.0002458843,0.0005738431],"domain_scores_gemma":[0.99815565,0.0007314398,0.00022395344,0.0003599943,0.00018581604,0.0003431587],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00081220595,0.0005495794,0.00070426974,0.00013797513,0.0007210102,0.00076014904,0.00049046415,0.0004302487,0.00059195893],"category_scores_gemma":[0.00023692915,0.0005528531,0.00038158437,0.00015071311,0.00091487775,0.00041497144,0.00026742913,0.0010687152,0.000043331245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006792177,0.00034844188,0.00075859757,0.0003330102,0.00021616195,0.000019007834,0.095265776,0.000008669238,0.00028238728,0.7284044,0.16939105,0.0049045975],"study_design_scores_gemma":[0.0006312735,0.00052117975,0.00015956326,0.00052027777,0.00008947144,0.000009448306,0.03672224,0.00055846333,0.0025154883,0.022295684,0.93528414,0.00069278583],"about_ca_topic_score_codex":0.017731471,"about_ca_topic_score_gemma":0.013671748,"teacher_disagreement_score":0.83479536,"about_ca_system_score_codex":0.00013583679,"about_ca_system_score_gemma":0.00047322872,"threshold_uncertainty_score":0.9996923},"labels":[],"label_agreement":null},{"id":"W3047000300","doi":"10.7202/1070437ar","title":"“I Have Been Reading Your Adventures for Years!”: Explicit and Implicit Metatextuality in Comic Books","year":2020,"lang":"en","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Character (mathematics); Narrative; Adventure; Reading (process); Relation (database); Computer science; Literature; Aesthetics; Art; Linguistics; Visual arts; Artificial intelligence; Philosophy; Mathematics","score_opus":0.25578354833322847,"score_gpt":0.3591500555215913,"score_spread":0.10336650718836282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047000300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9799259,0.0016522638,0.00032755404,0.0052544414,0.00008179584,0.0007137018,0.00010864866,0.00012734311,0.011808355],"genre_scores_gemma":[0.99588144,0.00029719842,0.00096274435,0.0009848122,0.00028822682,0.00005789568,0.000018693205,0.000030488847,0.0014784825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988957,0.00017161903,0.0003019941,0.00031731845,0.00007642922,0.0002369138],"domain_scores_gemma":[0.999261,0.00037530437,0.000091737704,0.00012588507,0.00005127636,0.000094787094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005642175,0.00017565397,0.0003535649,0.00008609241,0.00010300709,0.00015884908,0.00014604555,0.00009565866,0.000053170763],"category_scores_gemma":[0.00018036128,0.00016272535,0.00010792722,0.0000305513,0.00010001359,0.00015793716,0.00006879798,0.00026254525,0.0000026306564],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023115377,0.00007713272,0.0028015024,0.00020144401,0.00015357409,0.000006727151,0.41802672,0.0000025959453,0.004309893,0.55696905,0.0041571055,0.013063088],"study_design_scores_gemma":[0.0032924465,0.0011980402,0.019729137,0.00037158682,0.00018285005,0.0000070039077,0.097477525,0.0019545343,0.011325499,0.4485589,0.4141647,0.0017377778],"about_ca_topic_score_codex":0.00088227866,"about_ca_topic_score_gemma":0.0027293812,"teacher_disagreement_score":0.4100076,"about_ca_system_score_codex":0.00005040277,"about_ca_system_score_gemma":0.000032484986,"threshold_uncertainty_score":0.6635747},"labels":[],"label_agreement":null},{"id":"W3047019338","doi":"10.7202/1070820ar","title":"Comme des perles dans la nuit : lecture de Batman et réflexivité du détail","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.21088247300949448,"score_gpt":0.34096218193674255,"score_spread":0.13007970892724807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047019338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43011653,0.055645045,0.0049516447,0.21289814,0.0004730864,0.0005708338,0.00035155105,0.0005730878,0.29442006],"genre_scores_gemma":[0.9593702,0.015624797,0.0033775787,0.0054435204,0.0015344179,0.00002874292,0.000040491675,0.000117837,0.014462426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962434,0.0020952572,0.00040510143,0.0004815609,0.00018453575,0.0005901288],"domain_scores_gemma":[0.9977279,0.0013568043,0.0001488325,0.00027996712,0.00015449805,0.00033204124],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0013261589,0.0004933226,0.000539229,0.000083907995,0.00061083667,0.00073037145,0.00045115838,0.00046568766,0.00076197565],"category_scores_gemma":[0.000560312,0.00046318513,0.00036506675,0.00014562538,0.001477025,0.0003939283,0.00017219619,0.0011941041,0.000038518734],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063868785,0.00020404349,0.0038395247,0.00030689305,0.00018860579,0.000050555303,0.36996385,0.000024723038,0.0007955058,0.6051141,0.010529474,0.00891887],"study_design_scores_gemma":[0.00040788203,0.0005059225,0.0030675582,0.00042259903,0.00013259031,0.000044065677,0.022621116,0.0009944902,0.001837468,0.25805414,0.7112527,0.0006594949],"about_ca_topic_score_codex":0.0055907946,"about_ca_topic_score_gemma":0.017054206,"teacher_disagreement_score":0.7007232,"about_ca_system_score_codex":0.00031632913,"about_ca_system_score_gemma":0.00038272777,"threshold_uncertainty_score":0.99978197},"labels":[],"label_agreement":null},{"id":"W3047038653","doi":"10.7202/1070438ar","title":"Généalogie d’une poétique hypermédiale à l’ère des industries culturelles. Le cas de la transposition du récit des origines de Spider-Man","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Comics; Philosophy; Literature","score_opus":0.11963296914731118,"score_gpt":0.3118555807482762,"score_spread":0.192222611600965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047038653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8177726,0.03186,0.00090330286,0.08791279,0.00033842443,0.000451588,0.00031556838,0.00041622098,0.060029447],"genre_scores_gemma":[0.9208819,0.05883845,0.0046976567,0.0017842221,0.0027162882,0.00005871699,0.000092975875,0.000118879805,0.010810905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99685085,0.0012590095,0.00049596356,0.00051228935,0.00016715337,0.0007147138],"domain_scores_gemma":[0.9981987,0.00077386835,0.00015993926,0.00022429087,0.0002851183,0.00035811245],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009082894,0.0005379916,0.0005775033,0.000118093434,0.0010127409,0.0006899994,0.0004222832,0.0008678458,0.0002866624],"category_scores_gemma":[0.00059001916,0.00052446465,0.00032066923,0.00029801234,0.0028322628,0.0006702754,0.00006883977,0.0011712251,0.000015801095],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003065386,0.00071596913,0.011973854,0.00082779943,0.00046223594,0.00026397168,0.42829767,0.000105537896,0.0076278206,0.4932578,0.017682746,0.038478073],"study_design_scores_gemma":[0.0009897663,0.00064395135,0.0068596476,0.00080685236,0.00027929398,0.0001348604,0.034452558,0.00038044734,0.04199414,0.2267021,0.6857113,0.0010450362],"about_ca_topic_score_codex":0.025838275,"about_ca_topic_score_gemma":0.013565801,"teacher_disagreement_score":0.6680286,"about_ca_system_score_codex":0.00044597845,"about_ca_system_score_gemma":0.00079191447,"threshold_uncertainty_score":0.99988145},"labels":[],"label_agreement":null},{"id":"W3047094057","doi":"10.7202/1070819ar","title":"Fenêtres sur cases : la fenêtre comme figure réflexive dans quelques bandes dessinées contemporaines","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.30370626050992144,"score_gpt":0.3466321735582768,"score_spread":0.04292591304835536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047094057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3467566,0.14021596,0.00046785583,0.26584265,0.0013269702,0.0013079356,0.0017909087,0.0010776754,0.24121344],"genre_scores_gemma":[0.9173888,0.012016595,0.0010487525,0.0025933727,0.002378954,0.00005331394,0.00014955776,0.00015925798,0.0642114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99500555,0.0022640496,0.00084338785,0.0008292263,0.0003337083,0.00072409003],"domain_scores_gemma":[0.9944143,0.0037650245,0.0004101141,0.00044010516,0.00052211003,0.00044832373],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00096997764,0.00086478377,0.0010941955,0.00016407481,0.0007957307,0.0011567173,0.00061012164,0.0006698962,0.0016001123],"category_scores_gemma":[0.0013632992,0.0007794084,0.00056626945,0.00022519355,0.001971289,0.0008838389,0.00022742573,0.0012099134,0.00006781778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003991424,0.00059975235,0.008681157,0.0012582508,0.0008142354,0.0005721522,0.33541912,0.000012440326,0.00083183264,0.51195455,0.13070376,0.008753619],"study_design_scores_gemma":[0.0010153463,0.0011179178,0.0022834414,0.0018170294,0.00028838002,0.00007360862,0.051879916,0.0006403563,0.006048408,0.06004594,0.8732906,0.0014990807],"about_ca_topic_score_codex":0.015009961,"about_ca_topic_score_gemma":0.013813872,"teacher_disagreement_score":0.7425868,"about_ca_system_score_codex":0.00022170905,"about_ca_system_score_gemma":0.00047702677,"threshold_uncertainty_score":0.9998802},"labels":[],"label_agreement":null},{"id":"W3047124195","doi":"10.7202/1070435ar","title":"Une naissance excentrique. L’influence de Sterne sur Töpffer, Cham et Doré","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.1365403530867745,"score_gpt":0.3267154725395637,"score_spread":0.19017511945278917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047124195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6521906,0.07239547,0.0013476994,0.22999941,0.00060775207,0.00074060395,0.00027568793,0.00044011723,0.042002637],"genre_scores_gemma":[0.92089635,0.032736234,0.0010759481,0.0073096603,0.0012970333,0.000034908917,0.00002423794,0.000096201584,0.036529407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966553,0.0011033446,0.0005878935,0.00064953975,0.00026342573,0.00074049283],"domain_scores_gemma":[0.9978076,0.0008311144,0.00025827554,0.000368684,0.00033189825,0.00040241322],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011501246,0.00051700906,0.00063047995,0.00008589683,0.00034269216,0.00053664565,0.0005151736,0.00038713886,0.0005006],"category_scores_gemma":[0.00067308475,0.0005176484,0.00030148178,0.00023737822,0.0008301853,0.00050953025,0.00017277288,0.00119252,0.00008620018],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002839375,0.00047265808,0.0037588514,0.00096859795,0.00033102214,0.00012700523,0.25791433,0.00009723435,0.002697465,0.68361425,0.027332412,0.022402225],"study_design_scores_gemma":[0.0008069919,0.0006533259,0.0062632314,0.0010018441,0.000083756095,0.000018445511,0.0046953396,0.0016241461,0.006836493,0.044743363,0.9323494,0.0009236672],"about_ca_topic_score_codex":0.014893398,"about_ca_topic_score_gemma":0.0075207865,"teacher_disagreement_score":0.90501696,"about_ca_system_score_codex":0.0002658233,"about_ca_system_score_gemma":0.0003832185,"threshold_uncertainty_score":0.9997275},"labels":[],"label_agreement":null},{"id":"W3047174469","doi":"10.7202/1070823ar","title":"Regarde, le dessin a bougé. Mark Beyer et le temps de l’autoréflexivité dans Amy + Jordan","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11991039011792867,"score_gpt":0.315463818997519,"score_spread":0.19555342887959035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047174469","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1791278,0.036555465,0.0021014244,0.34541753,0.00090510846,0.000776634,0.00028478118,0.0005425676,0.43428868],"genre_scores_gemma":[0.87342423,0.006388522,0.007675367,0.0055038882,0.001812799,0.00006661867,0.00005396846,0.00018783081,0.104886785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957979,0.0018460739,0.00061735,0.0007045493,0.00025633382,0.0007778252],"domain_scores_gemma":[0.9981122,0.0005900625,0.00026051514,0.00043710825,0.00019193237,0.00040815788],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017299629,0.00055669615,0.00068871037,0.0001250196,0.0007312567,0.00081851694,0.00052425644,0.00047326126,0.00038133794],"category_scores_gemma":[0.00048462235,0.0005730433,0.0004050978,0.0001944032,0.0009292273,0.0006048312,0.00022244758,0.0012628752,0.000058193815],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011699784,0.00038681645,0.000777899,0.00030092834,0.00022742416,0.00004750233,0.09925827,0.00001018409,0.0017823288,0.85030437,0.042060427,0.004726831],"study_design_scores_gemma":[0.0007908826,0.00042668823,0.0017902477,0.0004996312,0.000096503514,0.000018841165,0.022144882,0.0007516076,0.005572012,0.10811756,0.8589586,0.00083252246],"about_ca_topic_score_codex":0.015241584,"about_ca_topic_score_gemma":0.015789818,"teacher_disagreement_score":0.81689817,"about_ca_system_score_codex":0.00028801308,"about_ca_system_score_gemma":0.0012988312,"threshold_uncertainty_score":0.9996721},"labels":[],"label_agreement":null},{"id":"W3047255104","doi":"10.7202/1070817ar","title":"Feintise et travestissement : la BD maquillée","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.20612766056412446,"score_gpt":0.3512150464323312,"score_spread":0.14508738586820674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047255104","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07313264,0.05086076,0.0012939187,0.40599954,0.0012975885,0.00077891594,0.000330255,0.00039963177,0.46590677],"genre_scores_gemma":[0.8101299,0.030328829,0.005833395,0.008086207,0.0024975783,0.000050785897,0.000061323655,0.0001637984,0.1428482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99712473,0.0012625774,0.00046655445,0.0005003048,0.00021532766,0.00043049856],"domain_scores_gemma":[0.9984215,0.00072310737,0.00015230558,0.00025341072,0.0001334765,0.0003162235],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010503113,0.00040354455,0.00046619354,0.00008085953,0.00023972058,0.0005822402,0.0003160243,0.00030607186,0.0020420998],"category_scores_gemma":[0.00033310443,0.00039588302,0.0002771521,0.000114837465,0.0006270968,0.0003190098,0.00014024635,0.0008731652,0.00015559989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048742997,0.00019669287,0.00017143943,0.00027092264,0.00017388094,0.00004927891,0.10530452,0.0000060277575,0.00049520115,0.8319208,0.039581586,0.021780938],"study_design_scores_gemma":[0.00037186098,0.00050260103,0.00096657407,0.00033990736,0.0000924746,0.000009278195,0.0050976165,0.00041571277,0.0013401092,0.046867944,0.9434885,0.00050741795],"about_ca_topic_score_codex":0.0016016829,"about_ca_topic_score_gemma":0.0011420946,"teacher_disagreement_score":0.90390694,"about_ca_system_score_codex":0.00012442326,"about_ca_system_score_gemma":0.00021927706,"threshold_uncertainty_score":0.9998493},"labels":[],"label_agreement":null},{"id":"W3047277366","doi":"10.7202/1070822ar","title":"Pop Art and Nostalgia: The New Lessons of David Vandermeulen’s Ric Remix","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.1732620967460914,"score_gpt":0.3247995980594655,"score_spread":0.15153750131337412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047277366","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06721628,0.10955898,0.0005283639,0.72176754,0.0007453024,0.0007171657,0.00023205031,0.00012925165,0.09910508],"genre_scores_gemma":[0.752818,0.0551224,0.0014244227,0.0029425086,0.0022080832,0.000009507802,0.000031872674,0.000095969546,0.18534724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817514,0.00051335595,0.00043863224,0.00037137826,0.00017903848,0.00032247466],"domain_scores_gemma":[0.9982594,0.00089100935,0.00021731033,0.00028492298,0.00013082415,0.00021652883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064308645,0.0003042114,0.00046937057,0.00006232864,0.00030362036,0.0002110886,0.00028813802,0.0002406953,0.0005036989],"category_scores_gemma":[0.00039364633,0.00022797604,0.00019850007,0.00012979622,0.00093876396,0.00022375307,0.0001670742,0.0006962833,0.000024616229],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007937764,0.00010055509,0.00033849527,0.0003338917,0.00023468984,0.000007651798,0.15003806,0.0000031547818,0.0007786452,0.6867192,0.13909721,0.022269104],"study_design_scores_gemma":[0.0004364444,0.00045201517,0.0013276199,0.00035417563,0.00017703159,0.000011017793,0.010243031,0.00030658307,0.002259378,0.0787143,0.90534484,0.00037357645],"about_ca_topic_score_codex":0.0016202917,"about_ca_topic_score_gemma":0.00157108,"teacher_disagreement_score":0.76624763,"about_ca_system_score_codex":0.000059973874,"about_ca_system_score_gemma":0.00024715313,"threshold_uncertainty_score":0.9296593},"labels":[],"label_agreement":null},{"id":"W3047347388","doi":"10.7202/1070821ar","title":"Politique des mains en vis-à-vis : le dessin comme processus de réflexion","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.20518745279478523,"score_gpt":0.3502173313618188,"score_spread":0.1450298785670336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047347388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36157086,0.0585213,0.009973427,0.35045075,0.00064516946,0.001192219,0.0004395937,0.0008449251,0.21636175],"genre_scores_gemma":[0.9656092,0.010337324,0.006094246,0.0037941746,0.0021491137,0.000050514027,0.000041442847,0.000118563694,0.011805444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9963042,0.0016200013,0.0005299425,0.0005310151,0.00019150786,0.0008233187],"domain_scores_gemma":[0.9979184,0.000876472,0.00020188096,0.00027068992,0.0002867887,0.00044571736],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012280482,0.00049013516,0.00058119587,0.00013127048,0.0007353539,0.0005805862,0.00047766758,0.0005060787,0.0004487312],"category_scores_gemma":[0.00059574057,0.0004979816,0.00029334336,0.00020099366,0.0010891283,0.00058335357,0.00017889967,0.0010521723,0.000045612534],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012147292,0.00030344698,0.0008124749,0.00087815314,0.0001563676,0.00003336345,0.21325141,0.0000070590136,0.0008405884,0.76340735,0.00600412,0.014184167],"study_design_scores_gemma":[0.0007468617,0.00089362013,0.0013469977,0.0009928768,0.00013549221,0.00003212829,0.032723732,0.0020929854,0.013071255,0.5398186,0.40713748,0.0010080168],"about_ca_topic_score_codex":0.013773758,"about_ca_topic_score_gemma":0.006242413,"teacher_disagreement_score":0.6040383,"about_ca_system_score_codex":0.0006359387,"about_ca_system_score_gemma":0.0011021917,"threshold_uncertainty_score":0.99974716},"labels":[],"label_agreement":null},{"id":"W3047612810","doi":"10.7202/1070824ar","title":"La prison comme topique dans la bande dessinée au XXIe siècle : questions d’intertextualité et de réflexivité","year":2020,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.16603777857355073,"score_gpt":0.3682147657380379,"score_spread":0.20217698716448718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047612810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20734455,0.007490831,0.013974179,0.22219987,0.00042462736,0.00057581323,0.00029599736,0.00051286165,0.54718125],"genre_scores_gemma":[0.9752969,0.0032897065,0.0023660972,0.0034730188,0.00084585947,0.000048936447,0.000036602556,0.00008941611,0.014553443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935769,0.004638066,0.00054077734,0.00049735594,0.00017686645,0.0005700567],"domain_scores_gemma":[0.99639624,0.0025675404,0.00019701377,0.000343153,0.00013617305,0.00035989584],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.002190625,0.00045759734,0.0005490026,0.00009597151,0.00051781716,0.00065038487,0.00043162328,0.0005894076,0.0003295992],"category_scores_gemma":[0.0006748362,0.00045309158,0.00034049465,0.00012145966,0.0011647367,0.00042490123,0.00019145766,0.0014661803,0.000035116576],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005588872,0.00031596422,0.0017256186,0.00024381485,0.00014015217,0.000044607164,0.22009833,0.000008822527,0.0008051031,0.7624592,0.00438752,0.009714974],"study_design_scores_gemma":[0.00057537656,0.000535005,0.0076508955,0.001065594,0.00015722323,0.00006249126,0.027512439,0.0016735686,0.0022566584,0.13223766,0.82547665,0.0007964365],"about_ca_topic_score_codex":0.01472103,"about_ca_topic_score_gemma":0.021709928,"teacher_disagreement_score":0.82108915,"about_ca_system_score_codex":0.00056247145,"about_ca_system_score_gemma":0.0010304529,"threshold_uncertainty_score":0.9997921},"labels":[],"label_agreement":null},{"id":"W3048282701","doi":"10.5539/hes.v10n3p101","title":"The CoViBE: An Innovating Self-Paced Elearning to Teach Virtually Bench-Top Practice","year":2020,"lang":"en","type":"article","venue":"Higher Education Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Université de Bordeaux","keywords":"Comics; Session (web analytics); Distance education; Work (physics); Set (abstract data type); Internationalization; Comic strip; Computer science; Product (mathematics); Mathematics education; Sociology; Psychology; Pedagogy; World Wide Web; Engineering; Business","score_opus":0.06957386621854848,"score_gpt":0.35439856653744894,"score_spread":0.28482470031890045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048282701","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6951314,0.004110332,0.000017452223,0.2530073,0.00304832,0.00046686816,0.0000061733913,0.0002759984,0.04393616],"genre_scores_gemma":[0.969966,0.00014467964,0.0010207983,0.016205695,0.001903116,0.000114090755,0.0000078824805,0.00002229961,0.010615448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902934,0.0001272183,0.0002506635,0.00024071684,0.00017877262,0.00017329524],"domain_scores_gemma":[0.9984072,0.00041093526,0.000165668,0.00015992067,0.00078340445,0.00007291434],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00032312056,0.00013782899,0.00015207799,0.000055784916,0.0014176543,0.00035218662,0.00015585503,0.000018142471,0.00013368225],"category_scores_gemma":[0.00026530042,0.000097284814,0.000030719788,0.00019031335,0.00009791258,0.00031239958,0.00008343779,0.00019109414,0.00005049301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002584982,0.00010604363,0.0004015361,0.00001541084,0.00016512434,3.6642842e-7,0.2652151,0.00000450421,0.00012227258,0.6400457,0.09041349,0.003484577],"study_design_scores_gemma":[0.000075554155,0.0001356499,0.00091236335,0.000010597533,0.00002297355,3.7348306e-7,0.19678588,0.0000076527895,0.000010840788,0.0005637255,0.80135757,0.00011684316],"about_ca_topic_score_codex":0.000039726525,"about_ca_topic_score_gemma":0.000068693254,"teacher_disagreement_score":0.71094406,"about_ca_system_score_codex":0.000033271823,"about_ca_system_score_gemma":0.000116784344,"threshold_uncertainty_score":0.99988234},"labels":[],"label_agreement":null},{"id":"W3049090369","doi":"10.1080/21504857.2020.1806891","title":"Reflections in comics: the views of queer artists in producing body image comics and how their work can improve health","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; Dalhousie University","funders":"Institute of Gender and Health; Canadian Institutes of Health Research","keywords":"Queer; Comics; Queer theory; Sociology; Visual arts; Aesthetics; Gender studies; Psychology; Art; Literature","score_opus":0.0644731045963285,"score_gpt":0.2896628033486296,"score_spread":0.2251896987523011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3049090369","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9091874,0.0042796116,0.0006880104,0.08009246,0.0007436812,0.0011318353,0.00021169696,0.000063853506,0.0036014894],"genre_scores_gemma":[0.9967528,0.001367763,0.00051160296,0.00089063344,0.00022795697,0.0000050526246,0.000001688832,0.00007039621,0.00017209708],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986692,0.00015223675,0.0006106601,0.00018644535,0.00014396234,0.00023748902],"domain_scores_gemma":[0.9985982,0.0001408037,0.00085865,0.00020816826,0.00008247041,0.00011170119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007377242,0.00019465089,0.00056445407,0.00043952384,0.00012722531,0.00011914073,0.00024482745,0.000048230777,0.0000062677714],"category_scores_gemma":[0.000080238155,0.00013894489,0.00012651835,0.0003617549,0.00039128357,0.00010546913,0.00006511161,0.00056964025,7.5709785e-8],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012466235,0.0011548346,0.088519596,0.0007307813,0.000654386,0.000054678785,0.45897374,0.00006583012,0.029798059,0.33517998,0.07860873,0.005012757],"study_design_scores_gemma":[0.029777326,0.0075248047,0.08830563,0.007975311,0.00041942485,0.0003922027,0.27394554,0.0051242807,0.00500209,0.09691236,0.4799034,0.004717634],"about_ca_topic_score_codex":0.0008600527,"about_ca_topic_score_gemma":0.035704117,"teacher_disagreement_score":0.40129468,"about_ca_system_score_codex":0.000033942,"about_ca_system_score_gemma":0.00011219268,"threshold_uncertainty_score":0.98189175},"labels":[],"label_agreement":null},{"id":"W3080316870","doi":"10.1007/978-3-030-34888-5_9","title":"Stan Douglas and the Animation of Vancouver’s Urban Past","year":2020,"lang":"en","type":"book-chapter","venue":"Palgrave animation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Animation; Cartography; History; Geography; Computer graphics (images); Computer science","score_opus":0.02412882016359079,"score_gpt":0.20452673516527609,"score_spread":0.18039791500168528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3080316870","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035412004,0.0010517194,0.00016047804,0.0009887569,0.0005066431,0.00058169453,0.0001784264,0.00003991271,0.9961383],"genre_scores_gemma":[0.94618356,0.00040672577,0.00005534368,0.00018063707,0.0010907041,0.000016639113,0.00013371959,0.000041380175,0.05189126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990915,0.000029598024,0.00038028197,0.00019644514,0.00021818423,0.00008397054],"domain_scores_gemma":[0.99908775,0.0001128491,0.00044557088,0.00016172802,0.0001596315,0.00003246805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016641039,0.00020721507,0.0003350244,0.00009797677,0.000205188,0.000116945674,0.0001030328,0.000074962845,0.00044656833],"category_scores_gemma":[0.000017347818,0.00014600685,0.00012499752,0.000013775537,0.00041179324,0.000052845167,0.00004539874,0.00017408407,0.000013850858],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008490067,0.0000027806113,0.0000073024785,0.00008292552,0.00007297233,5.324833e-7,0.020876756,2.5815518e-7,0.00001514317,0.9705447,0.007532152,0.0007795978],"study_design_scores_gemma":[0.00078034156,0.00015973263,0.000067363995,0.00013699284,0.00013425872,6.368749e-7,0.0016409034,0.0005130656,0.000013824196,0.55745816,0.4388616,0.00023311767],"about_ca_topic_score_codex":0.000053560605,"about_ca_topic_score_gemma":0.0015746832,"teacher_disagreement_score":0.94582945,"about_ca_system_score_codex":0.00001660124,"about_ca_system_score_gemma":0.000019802483,"threshold_uncertainty_score":0.59539866},"labels":[],"label_agreement":null},{"id":"W3081408854","doi":"10.36939/ir.202008252119","title":"How Comics Work: A 1BUW Production","year":2019,"lang":"en","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Production (economics); Work (physics); Art; Engineering; Literature; Economics; Mechanical engineering","score_opus":0.03711828827001739,"score_gpt":0.1891176708564795,"score_spread":0.1519993825864621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3081408854","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037482394,0.00037552151,0.000008996208,0.0024347191,0.0020397324,0.00034303352,0.00003293668,0.00014828953,0.9945793],"genre_scores_gemma":[0.0010315512,0.000097254364,0.00002660723,0.00013658116,0.0020440868,0.000009052138,0.00010681317,0.00007318404,0.99647486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934864,0.000010687548,0.000112231195,0.00026522836,0.00012510314,0.0001381355],"domain_scores_gemma":[0.99944663,0.000019866795,0.00012700034,0.00030875928,0.0000693871,0.00002833495],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000058873546,0.00020530913,0.00025468858,0.00016084693,0.000111520174,0.000342913,0.00012749262,0.000100329016,0.0012161116],"category_scores_gemma":[0.0000067955157,0.00016348329,0.00012554045,0.000012794757,0.00017457525,0.00008154153,0.000043027285,0.00022131561,0.00010617267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004485614,0.000007630799,0.0000017399144,0.000021235095,0.000035396173,3.874119e-7,0.0016800476,1.0282236e-7,3.5370545e-7,0.44329613,0.55447745,0.00047501957],"study_design_scores_gemma":[0.00008163182,0.000028561597,7.9202096e-7,0.000080991245,0.00002254653,7.116895e-7,0.0005665765,0.0000024207297,0.0000020028135,0.018776178,0.98020464,0.00023292511],"about_ca_topic_score_codex":0.000022672024,"about_ca_topic_score_gemma":0.0010147763,"teacher_disagreement_score":0.4257272,"about_ca_system_score_codex":0.000029769262,"about_ca_system_score_gemma":0.0000745077,"threshold_uncertainty_score":0.9996969},"labels":[],"label_agreement":null},{"id":"W3081554304","doi":"10.13140/rg.2.2.27678.96326","title":"Chasing Captain Canada: National Identity Challenged Through Superheroes In Canadian Comic Books","year":2020,"lang":"en","type":"dissertation","venue":"University Library (University of Saskatchewan)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Identity (music); Media studies; National identity; Performance art; History; Genealogy; Art; Art history; Political science; Literature; Sociology; Law; Aesthetics; Politics","score_opus":0.016078035124637062,"score_gpt":0.17229347404651232,"score_spread":0.15621543892187525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3081554304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8437366,0.00034592822,0.000003408814,0.004261685,0.0005776606,0.00033537773,0.0014533778,0.00006275295,0.14922324],"genre_scores_gemma":[0.9560976,0.00019415081,0.00008087891,0.0001596509,0.000095224605,6.012948e-8,0.0014566326,0.00002504818,0.04189075],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986214,0.000094948504,0.0001700537,0.0004060816,0.00036127464,0.00034625217],"domain_scores_gemma":[0.9992348,0.000060278453,0.00020244843,0.00015241775,0.00012325861,0.00022678518],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006673463,0.0002768529,0.0004658622,0.0005006693,0.0006553745,0.00006569052,0.00066841766,0.0001898513,0.002108952],"category_scores_gemma":[0.0000073084566,0.00040661104,0.00017402617,0.00018689242,0.00023467907,0.0018673041,0.000092733244,0.00048473457,0.000008890479],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003012348,0.000069711365,0.0014601839,0.00027223935,0.0002973219,0.0005264133,0.8516673,0.000012895163,0.000023411676,0.13469785,0.010487523,0.00018392465],"study_design_scores_gemma":[0.0006212417,0.00003272433,0.002267572,0.00013969808,0.00004923048,6.267077e-7,0.77739125,0.00006194928,0.000017537883,0.0027933782,0.21623497,0.0003898396],"about_ca_topic_score_codex":0.9903086,"about_ca_topic_score_gemma":0.99995804,"teacher_disagreement_score":0.20574744,"about_ca_system_score_codex":0.0004969154,"about_ca_system_score_gemma":0.0064569497,"threshold_uncertainty_score":0.9998386},"labels":[],"label_agreement":null},{"id":"W3083076343","doi":"10.36834/cmej.70721","title":"Modern day superheroes","year":2020,"lang":"en","type":"article","venue":"Canadian Medical Education Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","score_opus":0.023142434922900856,"score_gpt":0.2385542943704628,"score_spread":0.21541185944756194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3083076343","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10293106,0.001997332,0.00011187689,0.765642,0.0047279545,0.0001225608,0.000023907847,0.000032406664,0.12441094],"genre_scores_gemma":[0.9181633,0.00006838383,0.000022192313,0.07608995,0.0039301827,0.000003125511,0.0000066970106,0.000009630729,0.0017065355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992723,0.000047966394,0.00017041013,0.000090517235,0.00024133007,0.00017748289],"domain_scores_gemma":[0.99452424,0.000022253178,0.000034383786,0.000054777785,0.0001393607,0.0052249716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018909914,0.000068133304,0.00008869658,0.00009247888,0.0003718238,0.0002145276,0.0001924851,0.000039599458,0.124289714],"category_scores_gemma":[0.0017332587,0.00005647517,0.00005202439,0.00003662356,0.00013736948,0.00012184407,0.00000636395,0.00035511848,0.000080726764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024673006,0.000025665939,0.00016392293,0.0000054685224,0.000023365072,0.000017617262,0.12296424,7.2003644e-7,0.0000035511382,0.13981389,0.65416753,0.082811594],"study_design_scores_gemma":[0.00010307415,0.000025529007,0.000086333275,0.000020150319,0.000005056299,0.000024877581,0.010348158,0.00041463005,0.0000011602198,0.0051107574,0.9837817,0.000078567304],"about_ca_topic_score_codex":0.0034594028,"about_ca_topic_score_gemma":0.083899535,"teacher_disagreement_score":0.8152322,"about_ca_system_score_codex":0.000042662185,"about_ca_system_score_gemma":0.012469986,"threshold_uncertainty_score":0.9931284},"labels":[],"label_agreement":null},{"id":"W3083946509","doi":"10.1080/03004279.2020.1818268","title":"Elementary students meaning-making of the science comics series by first second","year":2020,"lang":"en","type":"article","venue":"Education 3-13","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Meaning (existential); Semiotics; Reading (process); Variety (cybernetics); Meaning-making; Selection (genetic algorithm); Mathematics education; Visual arts; Psychology; Art; Computer science; Linguistics; Literature; Philosophy; Artificial intelligence","score_opus":0.022961155457269778,"score_gpt":0.2632478300353844,"score_spread":0.2402866745781146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3083946509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95843154,0.0001299452,0.0000024517997,0.0073441733,0.0007565243,0.00016108535,0.000040345927,0.000018894321,0.033115044],"genre_scores_gemma":[0.9954443,0.000007210849,0.000025493147,0.0012700318,0.0001659242,0.0000075649577,0.000004785945,0.00000812709,0.003066535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949205,0.000012552842,0.00012985093,0.00011399766,0.0001707034,0.00008082319],"domain_scores_gemma":[0.9996781,0.000013639285,0.000106860905,0.00011459407,0.000062017636,0.000024792798],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008656253,0.00005887489,0.000067593064,0.00003318058,0.0003972112,0.00012481488,0.00031667802,0.0000074892214,0.0012681503],"category_scores_gemma":[0.000021814081,0.000045394594,0.000026994918,0.000084825195,0.00033497877,0.00016841562,0.000084164654,0.000053333086,0.0000033484177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001214365,0.00017978078,0.025837732,0.000054890017,0.00003453266,5.88153e-8,0.33695912,0.0000032230269,0.0013812201,0.197788,0.43741462,0.00033466192],"study_design_scores_gemma":[0.00019414269,0.00007252134,0.005167817,0.00006103185,0.000015337047,5.535971e-7,0.09764264,0.00003309038,0.0020405927,0.0032535542,0.89135987,0.00015883589],"about_ca_topic_score_codex":0.00009402409,"about_ca_topic_score_gemma":0.0021248423,"teacher_disagreement_score":0.45394525,"about_ca_system_score_codex":0.0000145864315,"about_ca_system_score_gemma":0.00009986528,"threshold_uncertainty_score":0.9996448},"labels":[],"label_agreement":null},{"id":"W3084155963","doi":"10.26855/jhass.2020.07.002","title":"Having a Bad Day: Explorations of Good and Evil in Alan Moore’s The Killing Joke","year":2020,"lang":"en","type":"article","venue":"Journal of Humanities Arts and Social Science","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Joke; Art; Philosophy; Literature","score_opus":0.08083902666395526,"score_gpt":0.2550848168985043,"score_spread":0.17424579023454906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3084155963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9827517,0.00085912045,0.000025045725,0.006556518,0.00016893077,0.00006903174,0.0000076715905,0.0000035372427,0.009558428],"genre_scores_gemma":[0.9989497,0.00020630134,0.00001917268,0.00040480308,0.00034392026,0.0000010386316,1.7758713e-7,0.0000032216353,0.00007167174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992722,0.000037683265,0.00029172865,0.000080522856,0.00019574026,0.00012207708],"domain_scores_gemma":[0.9994689,0.00010329336,0.00021960323,0.000032351087,0.00013851459,0.000037309426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068587216,0.0000644097,0.00017135587,0.00009053759,0.0009738318,0.00026421255,0.00014091152,0.000011608761,0.00004353257],"category_scores_gemma":[0.000052478652,0.00004218587,0.00004267113,0.000058916627,0.0012704813,0.0004932669,0.000055057782,0.00013561845,1.2791288e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004713109,0.000012110419,0.00089550857,0.000007253968,0.0000058820497,0.0000015925909,0.40623045,0.0000016159888,0.00011681832,0.5916317,0.000094060655,0.0009982683],"study_design_scores_gemma":[0.0007544825,0.00054016965,0.013411795,0.00017625421,0.000050175266,0.000010509272,0.7904504,0.0010091276,0.00008477404,0.050971508,0.14224024,0.00030059274],"about_ca_topic_score_codex":0.000055517386,"about_ca_topic_score_gemma":0.0006841842,"teacher_disagreement_score":0.5406602,"about_ca_system_score_codex":0.000010084767,"about_ca_system_score_gemma":0.000060193724,"threshold_uncertainty_score":0.7490025},"labels":[],"label_agreement":null},{"id":"W3088991212","doi":"10.1002/tesj.551","title":"Using social justice graphic novels in the ELL classroom","year":2020,"lang":"en","type":"article","venue":"TESOL Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centennial College","funders":"","keywords":"Journaling file system; Pedagogy; Psychology; Visual arts; Mathematics education; Sociology; Computer science; Art","score_opus":0.1770056262998888,"score_gpt":0.29815028861206677,"score_spread":0.12114466231217796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088991212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9122792,0.0009397906,0.0005458408,0.028785074,0.00096302957,0.00019989198,0.000030036692,0.000031167023,0.056225955],"genre_scores_gemma":[0.99329036,0.000027296399,0.000059611437,0.0037820425,0.0027501546,9.367903e-7,7.706927e-7,0.000008431904,0.000080399004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992377,0.00009472856,0.00021740046,0.00008708901,0.00018089423,0.00018218817],"domain_scores_gemma":[0.999663,0.000080575344,0.000107147214,0.000046471658,0.000057139954,0.00004567289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002721839,0.000092392125,0.00012794838,0.000078588615,0.0006950281,0.0003343805,0.00022285483,0.000025745698,0.00055335707],"category_scores_gemma":[0.000031933854,0.00006131483,0.0001042895,0.00009496699,0.00012166072,0.00014080567,0.000022715823,0.00047566256,0.000010326187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008438103,0.00015880939,0.00094915007,0.000040240244,0.00008089997,0.00011829449,0.42970905,0.000051814317,0.0015013492,0.53218114,0.03321808,0.0019068295],"study_design_scores_gemma":[0.0029903294,0.000439195,0.004220837,0.000097673976,0.00034580939,0.00022389034,0.24339624,0.008444036,0.000036122015,0.07176618,0.66726625,0.0007734145],"about_ca_topic_score_codex":0.000017779259,"about_ca_topic_score_gemma":0.00017267904,"teacher_disagreement_score":0.63404816,"about_ca_system_score_codex":0.0000110212795,"about_ca_system_score_gemma":0.000042327836,"threshold_uncertainty_score":0.60588723},"labels":[],"label_agreement":null},{"id":"W3091198442","doi":"10.4000/essais.1668","title":"Le rôle du design et des mécaniques de jeu dans l’expression vidéoludique de l’histoire : les cas des jeux Soldats Inconnus : Mémoires de la Grande Guerre et Battlefield 1","year":2019,"lang":"fr","type":"article","venue":"Essais","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec; Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.026584615988632626,"score_gpt":0.2635274555419618,"score_spread":0.23694283955332915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091198442","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74982387,0.0081708105,0.02271572,0.006223142,0.0004716756,0.0005198661,0.00020104104,0.0002066145,0.21166724],"genre_scores_gemma":[0.9780688,0.0035796913,0.003745575,0.0005899091,0.000256162,0.00007949234,0.000025773388,0.00008581158,0.013568773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9962933,0.0019114679,0.00041110395,0.00047197661,0.000197577,0.00071454793],"domain_scores_gemma":[0.9975147,0.0014456612,0.00020011209,0.0003988187,0.00021359525,0.00022711081],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017750558,0.000452234,0.00047079683,0.00016092547,0.0016640838,0.0005370961,0.00041877126,0.00037541887,0.0009382796],"category_scores_gemma":[0.0002861918,0.00044201344,0.00025611676,0.00008436383,0.0017975329,0.0005045396,0.00019446574,0.00063319923,0.000014474606],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020520527,0.0005232481,0.03381044,0.00041331365,0.00014390591,0.00012857364,0.14580196,0.00052255514,0.019339442,0.7729018,0.019459303,0.0067502563],"study_design_scores_gemma":[0.0025644165,0.0009529127,0.03211835,0.0030552137,0.00022008315,0.00030240425,0.0638136,0.0017699791,0.06719449,0.45111173,0.37509295,0.0018038813],"about_ca_topic_score_codex":0.031055473,"about_ca_topic_score_gemma":0.03992126,"teacher_disagreement_score":0.35563365,"about_ca_system_score_codex":0.00023106612,"about_ca_system_score_gemma":0.0005525664,"threshold_uncertainty_score":0.999975},"labels":[],"label_agreement":null},{"id":"W3091890081","doi":"10.1558/bsor.36027","title":"Whole New People of the Book","year":2019,"lang":"en","type":"article","venue":"Bulletin for the Study of Religion","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Comics; Islam; Representation (politics); Religious studies; Sociology; Art; Art history; Theology; History; Media studies; Philosophy; Literature; Political science; Law; Politics","score_opus":0.012300889817020773,"score_gpt":0.21024686928031588,"score_spread":0.19794597946329512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091890081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97440434,0.0015687491,0.000008539338,0.009460741,0.000623642,0.001519278,0.00001377189,0.000011085957,0.012389875],"genre_scores_gemma":[0.9451175,0.000058094116,0.0000045152256,0.00013778418,0.00009526834,0.000013232127,7.367508e-7,0.000007741669,0.054565143],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952936,0.000022274122,0.00016252593,0.00008891266,0.00012143344,0.00007549372],"domain_scores_gemma":[0.9993721,0.00015067692,0.00013362577,0.00027218414,0.000061002655,0.000010383388],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013050914,0.0000660417,0.00013701152,0.000021854868,0.0001701593,0.000019069379,0.00023115377,0.000012677266,0.0003227519],"category_scores_gemma":[0.000016013975,0.00003335239,0.00012005099,0.000023083934,0.000057387893,0.0000113932365,0.000062882325,0.000048663853,0.000018210463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013892962,0.00025186618,0.0017975112,0.000036321526,0.000111931666,3.738309e-8,0.08350805,0.00003415232,0.00015258363,0.11343818,0.79996717,0.0005632595],"study_design_scores_gemma":[0.00068059016,0.00043387737,0.0014277378,0.000022850913,0.000035031815,1.6156898e-7,0.011483195,0.000013673252,0.00007615922,0.0023062557,0.98347133,0.00004913541],"about_ca_topic_score_codex":0.001455021,"about_ca_topic_score_gemma":0.0013012907,"teacher_disagreement_score":0.18350416,"about_ca_system_score_codex":0.0000030175097,"about_ca_system_score_gemma":0.000013125936,"threshold_uncertainty_score":0.3533907},"labels":[],"label_agreement":null},{"id":"W3094511176","doi":"10.7202/1068775ar","title":"Érotismes du corps augmenté dans la bande dessinée. Le Déclic, Ghost In The Shell, Druuna","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Burlesque; Art; Humanities; Augment; Shell (structure); Physics; Art history; Philosophy; Materials science; Linguistics","score_opus":0.019961005335783565,"score_gpt":0.21562765313106386,"score_spread":0.19566664779528029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094511176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4750068,0.060765896,0.00011224666,0.21668895,0.0016409744,0.000703289,0.00033356296,0.00006925594,0.24467903],"genre_scores_gemma":[0.9843895,0.0013726387,0.000017019333,0.0057460647,0.0012614501,0.000030016301,0.000027185644,0.000029045123,0.0071270987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984762,0.00034606337,0.00031143313,0.0003196508,0.00020420057,0.00034241728],"domain_scores_gemma":[0.9992304,0.00028196696,0.00010832772,0.00022958379,0.000041867042,0.00010788869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028101113,0.00027808663,0.00029215345,0.00006463947,0.0005785319,0.00058516156,0.00043191828,0.00011864967,0.0008739247],"category_scores_gemma":[0.000055035216,0.00020544569,0.00017577135,0.00009987901,0.0010146927,0.00018733011,0.000086911314,0.00044513025,0.00004603293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033560038,0.00014788771,0.0011244242,0.00006291587,0.000040689043,0.00014052664,0.20376009,0.000050375013,0.00013613212,0.6794283,0.11381797,0.0012571895],"study_design_scores_gemma":[0.000686188,0.000113754635,0.007648594,0.00010432196,0.000047133242,0.000020850022,0.07631787,0.00035369585,0.00010186536,0.016284022,0.8980241,0.00029759243],"about_ca_topic_score_codex":0.0020048474,"about_ca_topic_score_gemma":0.0044207405,"teacher_disagreement_score":0.78420615,"about_ca_system_score_codex":0.00002426408,"about_ca_system_score_gemma":0.00011636604,"threshold_uncertainty_score":0.95688623},"labels":[],"label_agreement":null},{"id":"W3095008526","doi":"10.1371/journal.pntd.0008828","title":"Informing children citizens efficiently to better engage them in the fight against COVID-19 pandemic","year":2020,"lang":"en","type":"article","venue":"PLoS neglected tropical diseases","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg; University of Manitoba; Children's Hospital Research Institute of Manitoba","funders":"","keywords":"Pandemic; Context (archaeology); Public relations; Public health; Mainstream; Global health; Political science; Economic growth; Coronavirus disease 2019 (COVID-19); Disease; Medicine; Infectious disease (medical specialty); Geography; Law; Nursing","score_opus":0.06913901766502527,"score_gpt":0.24716656711719867,"score_spread":0.17802754945217342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095008526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9845606,0.00016201641,0.000029023278,0.0124379005,0.000044440952,0.0006367091,0.00030708386,0.00015109078,0.0016710989],"genre_scores_gemma":[0.9445142,0.000033023927,0.000010805743,0.054747593,0.00044567394,0.0001064196,0.000095266834,0.00001622223,0.00003078987],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986749,0.00016830585,0.000275445,0.00028411832,0.00027652885,0.00032066097],"domain_scores_gemma":[0.99894834,0.00043914298,0.000051048162,0.00019206227,0.000039356786,0.00033007358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000007022338,0.00019854393,0.00023162154,0.000089402536,0.00042636835,0.00023312973,0.00037043405,0.00003688557,0.0008167719],"category_scores_gemma":[0.00065487874,0.00012991347,0.00013260958,0.00021177354,0.00013943874,0.000089617446,0.00008343837,0.0003126093,0.00007127069],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010952764,0.0019192306,0.47107038,0.0002872145,0.00057053857,0.00022884193,0.31189594,0.0002200102,0.0052540093,0.10750538,0.0905883,0.009364869],"study_design_scores_gemma":[0.0025160313,0.00041422856,0.8238954,0.000107788255,0.00016349796,0.0000045110237,0.005312595,0.00082601677,0.000048429698,0.0033803643,0.16252172,0.00080940494],"about_ca_topic_score_codex":0.00002322945,"about_ca_topic_score_gemma":0.0001758998,"teacher_disagreement_score":0.35282502,"about_ca_system_score_codex":0.00003476067,"about_ca_system_score_gemma":0.00007655018,"threshold_uncertainty_score":0.8943079},"labels":[],"label_agreement":null},{"id":"W3104283406","doi":"10.4000/questionsdecommunication.23057","title":"Évelyne Deprêtre et German A. Duarte (dirs), Transmédialité, bande dessinée et adaptation","year":2020,"lang":"fr","type":"article","venue":"Questions de communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Art; Humanities; Linguistics; Philosophy","score_opus":0.064904441591056,"score_gpt":0.3110361011726685,"score_spread":0.24613165958161248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104283406","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05824343,0.06321461,0.025027618,0.81743294,0.0004976217,0.000842505,0.0005962336,0.00036855205,0.033776477],"genre_scores_gemma":[0.969187,0.018217258,0.003959613,0.0038222834,0.00023778195,0.00009135856,0.0006231957,0.00004806219,0.003813408],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975322,0.0012792886,0.00047992152,0.00027135952,0.00017071191,0.00026653838],"domain_scores_gemma":[0.99810827,0.0004689871,0.00021487607,0.000800887,0.00022607952,0.00018090573],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00064168294,0.00024975042,0.0002531596,0.00011521046,0.00095768156,0.00048486414,0.00053963566,0.00015609642,0.0005511286],"category_scores_gemma":[0.00018409941,0.00028466852,0.00016052111,0.00016301757,0.00046262945,0.00067832053,0.00010586193,0.00063161115,0.00008374259],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040790503,0.00021090853,0.0001322531,0.00006716814,0.00006916005,0.0000023962991,0.11072473,0.00047813644,0.00016532536,0.8635816,0.007319682,0.017207837],"study_design_scores_gemma":[0.0007002184,0.00017574776,0.004437394,0.00039390195,0.00017217844,0.000010841229,0.0049964604,0.02575429,0.0000483092,0.066770814,0.8961305,0.0004093335],"about_ca_topic_score_codex":0.0023766821,"about_ca_topic_score_gemma":0.00732858,"teacher_disagreement_score":0.9109436,"about_ca_system_score_codex":0.00008786874,"about_ca_system_score_gemma":0.00023067367,"threshold_uncertainty_score":0.99996054},"labels":[],"label_agreement":null},{"id":"W3105545876","doi":"","title":"Rendez-vous avec le lauréat du Prix du CALQ Artiste de l’année à Laval / Yvon Roy : sa vie en BD","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0068558589680803835,"score_gpt":0.14615959011110977,"score_spread":0.13930373114302938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3105545876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5220336,0.05885326,0.00036111035,0.390576,0.0008102701,0.00042835902,0.00050541485,0.00020957993,0.026222425],"genre_scores_gemma":[0.8760474,0.019705284,0.00020599943,0.0013907077,0.0019668038,0.000008340529,0.00007539999,0.000087518565,0.10051257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978022,0.00026936334,0.00032094098,0.0005677968,0.00029716344,0.0007425252],"domain_scores_gemma":[0.99859923,0.00018418363,0.00023168093,0.00034684184,0.00012549205,0.00051258266],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025529962,0.00043913053,0.000530876,0.00015201689,0.0016986636,0.0001612038,0.00046894752,0.0002464532,0.000946484],"category_scores_gemma":[0.00006504212,0.00050866033,0.00040822878,0.00018568413,0.00040902366,0.00034736737,0.00042676262,0.0005054134,0.0001824757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041452103,0.00026570412,0.0016067922,0.00015389673,0.00043071597,0.004551642,0.089996174,0.00020657355,0.0005742823,0.580215,0.30547622,0.01610851],"study_design_scores_gemma":[0.0014189808,0.0003478516,0.0010917672,0.00008870652,0.00022549772,0.00021741679,0.012819351,0.005007681,0.00016408115,0.002436632,0.975621,0.0005610566],"about_ca_topic_score_codex":0.01852262,"about_ca_topic_score_gemma":0.31031847,"teacher_disagreement_score":0.67014474,"about_ca_system_score_codex":0.0017509856,"about_ca_system_score_gemma":0.00021395522,"threshold_uncertainty_score":0.9999668},"labels":[],"label_agreement":null},{"id":"W3106500465","doi":"10.4000/studifrancesi.8412","title":"Mira Falardeau, Histoire de la bande dessinée au Québec","year":2009,"lang":"fr","type":"article","venue":"Studi Francesi","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01145452223870922,"score_gpt":0.23873236147508095,"score_spread":0.22727783923637174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106500465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28253213,0.22939804,0.00017050555,0.040730752,0.0034631097,0.00028782347,0.000080977625,0.00009879882,0.44323784],"genre_scores_gemma":[0.8729837,0.0012785892,0.00008274863,0.00085457094,0.001527864,0.000013888005,0.0000032452983,0.00002016442,0.123235226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984591,0.00018856967,0.00030800136,0.00032780037,0.00019644425,0.0005201127],"domain_scores_gemma":[0.9992123,0.00019411481,0.00012990326,0.0002495994,0.000086896325,0.00012713784],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033602136,0.0003005293,0.00038468064,0.00008953987,0.001957474,0.00022464918,0.00023865723,0.00012961912,0.0009535224],"category_scores_gemma":[0.000038707647,0.00028127263,0.000222524,0.000078308876,0.0014292967,0.00018321228,0.00003280365,0.00036343932,0.00007694166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084375424,0.00068858766,0.013579158,0.00011162175,0.00020593833,0.00009995976,0.11431386,0.000018882192,0.00010242557,0.5985989,0.09012545,0.18207084],"study_design_scores_gemma":[0.00069127587,0.00023508283,0.04697138,0.00016756066,0.000075475,0.00000816492,0.004902106,0.00004448648,0.000023249011,0.015802464,0.9307256,0.0003532037],"about_ca_topic_score_codex":0.05647328,"about_ca_topic_score_gemma":0.1095792,"teacher_disagreement_score":0.84060013,"about_ca_system_score_codex":0.00031206058,"about_ca_system_score_gemma":0.00052926235,"threshold_uncertainty_score":0.99996394},"labels":[],"label_agreement":null},{"id":"W3106911422","doi":"10.1386/fict_00013_1","title":"Literary form, hierarchies and the meeting of two plots in Patrick Gale’s ‘A Slight Chill’","year":2020,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Foregrounding; Vampire; Plot (graphics); Romance; Value (mathematics); Affordance; Sociology; Categorization; Literature; Art; Aesthetics; History; Epistemology; Psychology; Computer science; Philosophy; Cognitive psychology; Mathematics","score_opus":0.020591288113910113,"score_gpt":0.2682489832950893,"score_spread":0.24765769518117917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106911422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7738553,0.0071588033,0.00005426128,0.008453927,0.00022619501,0.00039415722,0.000021518654,0.000027641896,0.20980817],"genre_scores_gemma":[0.99742746,0.0016981001,0.000032656848,0.0005568883,0.00015397857,0.00001311615,0.0000032608773,0.000006344387,0.000108217784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988591,0.0005901274,0.00024788608,0.00013964229,0.00007440338,0.00008884562],"domain_scores_gemma":[0.99758404,0.002201698,0.000087186236,0.00006949234,0.000031439668,0.000026112251],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014795908,0.000085052125,0.000151276,0.00009261686,0.00017656022,0.00008616415,0.000053507087,0.000021674054,0.000054182572],"category_scores_gemma":[0.0004439834,0.000057919697,0.000028870945,0.000087826564,0.00027188918,0.00048115285,0.000045565754,0.00021766369,3.8916448e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013203764,0.000026812373,0.0015343042,0.00002831497,0.000021376065,0.0000031108646,0.16957879,0.000004322275,0.0000303587,0.82345337,0.00008591187,0.003912932],"study_design_scores_gemma":[0.0029755936,0.0003365492,0.0041778157,0.0001884603,0.00010674831,0.000041219817,0.099383675,0.000889253,0.00015108351,0.58045936,0.31091568,0.00037457733],"about_ca_topic_score_codex":0.00007032914,"about_ca_topic_score_gemma":0.00014977374,"teacher_disagreement_score":0.31082976,"about_ca_system_score_codex":0.0000034094774,"about_ca_system_score_gemma":0.000010360442,"threshold_uncertainty_score":0.23618966},"labels":[],"label_agreement":null},{"id":"W3106965554","doi":"10.3138/seminar.56.3-4.04","title":"Ralf König’s <i>Kondom des Grauens</i> and a Socially Just Ethical Aesthetic","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mainstream; Comics; Narrative; Sociology; Style (visual arts); Indoctrination; Media studies; Aesthetics; Psychology; Gender studies; Art; Political science; Literature; Politics; Ideology; Law","score_opus":0.13588954101208206,"score_gpt":0.3157117910677565,"score_spread":0.17982225005567443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106965554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81105304,0.097350985,0.000037947357,0.08468371,0.00072270544,0.00020277986,0.000016469507,0.000040420113,0.005891965],"genre_scores_gemma":[0.9861022,0.009213923,0.00014831818,0.0031489679,0.0007835278,0.0000026733196,4.6071065e-7,0.000018704854,0.0005812223],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989192,0.000095824376,0.0004205996,0.00013410031,0.00023076711,0.0001995315],"domain_scores_gemma":[0.9989921,0.0001822763,0.00026607726,0.00006295122,0.00035282358,0.00014381205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035894304,0.00017231939,0.00047168368,0.00007087508,0.0005207788,0.00010488251,0.00014686679,0.00005681938,0.000097416734],"category_scores_gemma":[0.00020152346,0.00012632232,0.00018159747,0.000054132695,0.0010033064,0.00012898707,0.0000998399,0.0004976293,0.000005902449],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002523849,0.00007218203,0.00020537566,0.00017377436,0.0005414034,0.00020589543,0.7746641,0.0000015008662,0.000535974,0.14628655,0.06769487,0.009365977],"study_design_scores_gemma":[0.0036757754,0.0030370154,0.0006346075,0.00073675293,0.00073507195,0.0006726293,0.3546567,0.00008818422,0.0001911459,0.11508674,0.51965266,0.0008327059],"about_ca_topic_score_codex":0.000005434474,"about_ca_topic_score_gemma":0.00018611587,"teacher_disagreement_score":0.4519578,"about_ca_system_score_codex":0.000022238628,"about_ca_system_score_gemma":0.00008658074,"threshold_uncertainty_score":0.5151275},"labels":[],"label_agreement":null},{"id":"W3107687629","doi":"10.3138/seminar.56.3-4.02","title":"Framing the Path to Conformity: Comics Strategies and Social Justice in Barbara Yelin’s <i>Irmina</i>","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Framing (construction); Comics; Narrative; Sociology; Media studies; Storytelling; Political science; Aesthetics; Law; Art; History; Literature","score_opus":0.05173108219417704,"score_gpt":0.2917181678421541,"score_spread":0.23998708564797705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107687629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9399706,0.022483187,0.000056342207,0.029003449,0.00075624837,0.00028468666,0.000028204968,0.000026063084,0.00739119],"genre_scores_gemma":[0.99545443,0.00116802,0.000038930415,0.0022808048,0.0008180212,0.0000029713717,3.4398e-7,0.000014349274,0.00022214906],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99920213,0.000044006636,0.00034577577,0.000094655625,0.00015444637,0.00015895464],"domain_scores_gemma":[0.9993747,0.00019483322,0.00020397754,0.000050600993,0.00013016284,0.000045753866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029321422,0.00013249401,0.00033191786,0.000072459574,0.00034236864,0.00016506287,0.00015667398,0.000024598408,0.000015821628],"category_scores_gemma":[0.00005732633,0.000087432585,0.00006862275,0.000055699482,0.0002693115,0.00020052261,0.00011142544,0.00025295914,0.0000019438955],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015104937,0.000037503858,0.00015350767,0.000246172,0.0002471621,0.000073885356,0.7752181,0.000005673045,0.00023271902,0.15542533,0.06603422,0.0021746834],"study_design_scores_gemma":[0.0005787048,0.0004065183,0.00054526184,0.00015584705,0.00015173755,0.000026769,0.83248675,0.00009256078,0.000026100755,0.0030454348,0.1622921,0.00019219809],"about_ca_topic_score_codex":0.000015403893,"about_ca_topic_score_gemma":0.0003325409,"teacher_disagreement_score":0.15237989,"about_ca_system_score_codex":0.000016104304,"about_ca_system_score_gemma":0.000050806048,"threshold_uncertainty_score":0.35653976},"labels":[],"label_agreement":null},{"id":"W3108339099","doi":"10.3138/seminar.56.3-4.07","title":"Truth, Justice … and the Austrian Way? Opposing Political Agendas, Duelling Sovereignties, and Austrian Superheroes","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Comics; Psychological nativism; Politics; Political science; Nationalism; Sovereignty; State (computer science); Law; Media studies; German; Sociology; Literature; Art; History","score_opus":0.09999278909444813,"score_gpt":0.28468921017307747,"score_spread":0.18469642107862932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108339099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84529626,0.10642086,0.000045255656,0.0376748,0.0014814264,0.0003204039,0.000051434807,0.000030968233,0.008678566],"genre_scores_gemma":[0.99210644,0.0054581305,0.0000451407,0.00058723375,0.0014812534,0.0000015066446,6.017367e-7,0.000014083282,0.00030559237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9987832,0.000120739,0.00047421924,0.00015339175,0.00020093283,0.00026751947],"domain_scores_gemma":[0.99848884,0.0008863058,0.00022238822,0.00007839199,0.00017491548,0.00014913025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046555127,0.00018986665,0.0005080431,0.00007108978,0.0006997076,0.00023585274,0.00014028244,0.00003420871,0.00006909573],"category_scores_gemma":[0.00035526705,0.000114901304,0.000118468655,0.000046208574,0.0010360952,0.00020492752,0.00012542255,0.00032265007,0.0000013410677],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004163426,0.000025189005,0.00009086146,0.00020198274,0.00076246186,0.000077090765,0.18214655,0.0000013818769,0.000086922366,0.80895764,0.004774635,0.002458948],"study_design_scores_gemma":[0.0070649823,0.0011753304,0.0004438843,0.0007254962,0.002766492,0.00049840024,0.84330976,0.0004388611,0.00037516787,0.05882193,0.08371605,0.0006636482],"about_ca_topic_score_codex":0.000014157618,"about_ca_topic_score_gemma":0.000017828248,"teacher_disagreement_score":0.7501357,"about_ca_system_score_codex":0.000022234495,"about_ca_system_score_gemma":0.000034979723,"threshold_uncertainty_score":0.53816557},"labels":[],"label_agreement":null},{"id":"W3108500808","doi":"10.3138/seminar.56.3-4.03","title":"Arktische Superhelden: Strukturelle Parodie in Simon Schwartz’ <i>Packeis</i>","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Appropriation; White (mutation); Reading (process); Literature; Close reading; History; Art; Linguistics; Philosophy","score_opus":0.08936141451163544,"score_gpt":0.27992595663024294,"score_spread":0.19056454211860752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108500808","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92784315,0.05358267,0.00000559664,0.012771169,0.0007974091,0.00014592866,0.000020047857,0.000019404755,0.0048146043],"genre_scores_gemma":[0.99330324,0.0039672907,0.000042359363,0.0009419872,0.0010487434,0.000002862054,0.0000011296651,0.000016974074,0.000675418],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998687,0.00007486055,0.00057658844,0.00016294554,0.00025603347,0.00024256037],"domain_scores_gemma":[0.999096,0.00020042603,0.00027347368,0.00010708704,0.00022566102,0.00009735228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030880762,0.00019894497,0.00053084054,0.0001337442,0.00020204528,0.00007467645,0.00023582326,0.00003854898,0.00027775386],"category_scores_gemma":[0.00016078883,0.00014959203,0.0001945015,0.000100879166,0.0002543946,0.0002546241,0.00010650862,0.00041120875,0.000020036465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047477213,0.00026507335,0.004467869,0.00024269121,0.0010488384,0.0005120472,0.6520949,0.000035446694,0.0020324928,0.03238904,0.3015926,0.0048442613],"study_design_scores_gemma":[0.002195733,0.0016252717,0.0006536155,0.00058947987,0.00017930435,0.000051434858,0.24037354,0.00010339357,0.0017760856,0.006132798,0.74573886,0.00058045745],"about_ca_topic_score_codex":0.000010760226,"about_ca_topic_score_gemma":0.00042822954,"teacher_disagreement_score":0.4441463,"about_ca_system_score_codex":0.000029421031,"about_ca_system_score_gemma":0.000048351583,"threshold_uncertainty_score":0.61001855},"labels":[],"label_agreement":null},{"id":"W3109064689","doi":"10.3138/seminar.56.3-4.06","title":"L’usage des stéréotypes nationaux et ethniques et la structuration des dialogues interculturels dans <i>Fußnoten</i> de Nacha Vollenweider et <i>Im Land der Frühaufsteher</i> de Paula Bulling","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Immigration; Sociology; Narrative; Openness to experience; Refugee; Humanities; Gender studies; Art; Political science; Literature; Psychology; Social psychology; Law; Communication","score_opus":0.07938563240580881,"score_gpt":0.3322236107938876,"score_spread":0.2528379783880788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109064689","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9686564,0.019368963,0.0018818766,0.005437504,0.00020117112,0.00016321395,0.000068907466,0.00005422277,0.0041677337],"genre_scores_gemma":[0.98423254,0.010879156,0.0013292967,0.0027991284,0.00044023694,0.000009012743,0.00001064698,0.00003052872,0.00026942574],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983305,0.00050355954,0.0004916179,0.00017786451,0.00024638732,0.00025012545],"domain_scores_gemma":[0.9983479,0.0006219723,0.00035739312,0.00008100392,0.0004932781,0.000098445526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010643178,0.00025615262,0.00042148767,0.00009991482,0.00047297182,0.00025993946,0.00019682253,0.00007213056,0.000044941236],"category_scores_gemma":[0.00034122073,0.0001877699,0.00019425555,0.00006850162,0.00047172073,0.00053695706,0.00009702,0.00044522458,0.00000200705],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016707649,0.00007847163,0.0039217127,0.0001893363,0.0009075431,0.0001002314,0.9502206,0.000155128,0.0072503895,0.02714292,0.0082250275,0.0016416064],"study_design_scores_gemma":[0.004142469,0.0028105704,0.02783661,0.0037554991,0.0013189394,0.0011900709,0.4441642,0.0008554984,0.016554642,0.31755754,0.17769966,0.002114321],"about_ca_topic_score_codex":0.000094777715,"about_ca_topic_score_gemma":0.0026337535,"teacher_disagreement_score":0.50605637,"about_ca_system_score_codex":0.00007757715,"about_ca_system_score_gemma":0.00010533169,"threshold_uncertainty_score":0.7657034},"labels":[],"label_agreement":null},{"id":"W3109571800","doi":"10.3138/seminar.56.3-4.08","title":"Beyond the Personal: The Systemic Critique of German Graphic Medicine","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Commodification; Narrative; Politics; Media studies; Personal narrative; Narrative medicine; Scholarship; Sociology; Dignity; Plot (graphics); Aesthetics; History; Political science; Art; Literature; Law","score_opus":0.05261582675381792,"score_gpt":0.3089979141994979,"score_spread":0.25638208744568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109571800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6850865,0.1938528,0.000011454577,0.11389559,0.0011983986,0.00029016106,0.000022696437,0.000015960703,0.0056264694],"genre_scores_gemma":[0.9893215,0.0068762926,0.0000022498753,0.0019590228,0.0014277388,0.000004487359,4.470214e-7,0.000012590724,0.00039569096],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99863946,0.00015383158,0.0006030224,0.00010178583,0.00034867687,0.00015322838],"domain_scores_gemma":[0.9981238,0.0006074041,0.0005576753,0.00013075056,0.0005302698,0.00005008581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071898045,0.00016316451,0.00048534013,0.00008500268,0.0004447056,0.00002932899,0.00038592715,0.000022120661,0.00013301817],"category_scores_gemma":[0.0001605508,0.000071897826,0.000238829,0.000110197645,0.0011848367,0.00010435636,0.000080091406,0.00032822078,0.000002425822],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079759964,0.000026690417,0.000104509505,0.00020093807,0.0008872971,0.00003319774,0.747348,9.264591e-7,0.0012530821,0.13063212,0.11885813,0.0005753605],"study_design_scores_gemma":[0.0011565571,0.0017024599,0.000529149,0.00123383,0.00075266516,0.0004962313,0.82544154,0.00009282597,0.00026613753,0.023368042,0.14466144,0.00029914812],"about_ca_topic_score_codex":0.0000118434855,"about_ca_topic_score_gemma":0.00005637612,"teacher_disagreement_score":0.304235,"about_ca_system_score_codex":0.000013643709,"about_ca_system_score_gemma":0.000036141868,"threshold_uncertainty_score":0.436558},"labels":[],"label_agreement":null},{"id":"W3109618862","doi":"10.3138/seminar.56.3-4.01","title":"Risking Representation: Abstraction, Affect, and the Documentary Mode in Birgit Weyhe’s <i>Madgermanes</i>","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Representation (politics); Documentary film; Style (visual arts); Mode (computer interface); Affect (linguistics); Recall; Abstraction; Documentary evidence; Colonialism; Visual language; Sociology; Visual arts; History; Aesthetics; Art; Linguistics; Media studies; Epistemology; Computer science; Communication; Law; Philosophy; Political science; Politics","score_opus":0.05611307525543774,"score_gpt":0.320208493058155,"score_spread":0.2640954178027173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109618862","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9364032,0.030455062,0.000009318092,0.02877506,0.00059047906,0.00022121248,0.000007192777,0.000012831918,0.0035256294],"genre_scores_gemma":[0.9916424,0.006606449,0.000015818545,0.00075271504,0.00070274534,0.000005408011,6.925463e-7,0.000008624156,0.0002651475],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990607,0.00009484975,0.000423674,0.0001167522,0.00018443991,0.000119595796],"domain_scores_gemma":[0.9990119,0.00042459083,0.00032578906,0.000074774725,0.00012319858,0.000039790102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035634285,0.00012095233,0.00033499108,0.00008461421,0.00027484194,0.000095266594,0.000119290635,0.00001599063,0.000069843074],"category_scores_gemma":[0.000073471136,0.00007542396,0.00010723283,0.0000695451,0.00036651434,0.00031114297,0.00007056527,0.00025132546,0.000003110205],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011407824,0.00009378602,0.004673773,0.00016288832,0.0010672581,0.00024389953,0.8597979,0.00012096242,0.0003617871,0.04072777,0.08746609,0.00414313],"study_design_scores_gemma":[0.014548191,0.001088151,0.015166144,0.0011363663,0.00082177005,0.00069328374,0.6411665,0.0012218269,0.0010131574,0.068141595,0.25400272,0.0010003009],"about_ca_topic_score_codex":0.00007803234,"about_ca_topic_score_gemma":0.00037737194,"teacher_disagreement_score":0.21863137,"about_ca_system_score_codex":0.000021205633,"about_ca_system_score_gemma":0.00001656871,"threshold_uncertainty_score":0.30756998},"labels":[],"label_agreement":null},{"id":"W3109953758","doi":"10.3138/seminar.56.3-4.05","title":"Illi Anna Heger’s Grammatical Futurity","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Possessive; Pronoun; Comics; Personal pronoun; German; Linguistics; Object pronoun; Reflexive pronoun; Subject pronoun; Psychology; Art; Literature; Philosophy","score_opus":0.16293846956634425,"score_gpt":0.30549111293411346,"score_spread":0.1425526433677692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109953758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88519996,0.05278117,0.00006634127,0.04841646,0.0021378582,0.00021445478,0.000031378382,0.00005209738,0.01110029],"genre_scores_gemma":[0.9947704,0.00168599,0.000069601425,0.00081823504,0.0020996619,0.0000017216993,6.286356e-7,0.000012249771,0.0005415067],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989269,0.000055393808,0.00047213712,0.00011096942,0.00025079958,0.00018381799],"domain_scores_gemma":[0.9990154,0.00015912153,0.00027597012,0.00008498955,0.00034936954,0.000115157476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025666857,0.00015251114,0.00044126436,0.000069650785,0.00027718514,0.00007414318,0.00019144126,0.000024683091,0.00030307024],"category_scores_gemma":[0.00016485588,0.0001069427,0.0002291841,0.00005436905,0.0003380224,0.00018124809,0.00008498138,0.0002645911,0.000024818966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022261868,0.000165401,0.000299056,0.00022409546,0.0012174192,0.00025714366,0.52391154,0.0000022804595,0.00046223422,0.19021742,0.2769734,0.006047413],"study_design_scores_gemma":[0.00102661,0.0014184624,0.0004999132,0.00024986558,0.00024281205,0.00011358974,0.1318162,0.000088362045,0.0003817359,0.025590347,0.8381558,0.00041631074],"about_ca_topic_score_codex":0.0000022795602,"about_ca_topic_score_gemma":0.000035055262,"teacher_disagreement_score":0.5611824,"about_ca_system_score_codex":0.000020189882,"about_ca_system_score_gemma":0.000032165244,"threshold_uncertainty_score":0.43609968},"labels":[],"label_agreement":null},{"id":"W3110504318","doi":"10.1007/978-3-030-56820-7_10","title":"Maternal Life Writing in Contemporary Spanish Graphic Narratives: From Blog to Book","year":2020,"lang":"en","type":"book-chapter","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Narrative; Life writing; History; Literature; Visual arts; Art","score_opus":0.13092849099147286,"score_gpt":0.29125829589785596,"score_spread":0.1603298049063831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110504318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0683921,0.12975463,0.000028418955,0.0074778544,0.0026002165,0.0028323235,0.0032362235,0.0002715059,0.7854067],"genre_scores_gemma":[0.97819245,0.010548171,0.0001303891,0.0035438554,0.0007787856,0.00009335528,0.00007138211,0.00018196483,0.006459653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99681073,0.000077080185,0.0012429939,0.0010597279,0.0003464822,0.00046300387],"domain_scores_gemma":[0.99832994,0.00040516382,0.00046974132,0.0003838867,0.00014982911,0.00026141404],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000386688,0.00087182614,0.0016473016,0.0010928198,0.00033567127,0.00024548083,0.00040404254,0.0002530769,0.00016569559],"category_scores_gemma":[0.00005585624,0.0008435001,0.0002839945,0.00011950631,0.0012989993,0.0000752181,0.0005058755,0.0009342954,0.000009129278],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012980217,0.000025391862,0.005115491,0.00013792199,0.00070921873,0.00015390044,0.050286002,7.1722746e-7,0.000019452078,0.939258,0.004009992,0.00015411476],"study_design_scores_gemma":[0.002254323,0.00037922963,0.0013730399,0.002882628,0.0000719867,0.0000040808536,0.038509645,0.000031383206,0.00000555576,0.78484017,0.1679639,0.0016840626],"about_ca_topic_score_codex":0.0006838207,"about_ca_topic_score_gemma":0.01183059,"teacher_disagreement_score":0.90980035,"about_ca_system_score_codex":0.000040315485,"about_ca_system_score_gemma":0.00008371375,"threshold_uncertainty_score":0.99940157},"labels":[],"label_agreement":null},{"id":"W3110786211","doi":"10.31857/s268667300010631-4","title":"“White Male Rage”: Todd Phillips’ Joker and the Cultural Zeitgeist","year":2020,"lang":"en","type":"article","venue":"USA & Canada Economics – Politics – Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute for Christian Studies","funders":"","keywords":"Zeitgeist; Archetype; White (mutation); Consciousness; Politics; Disenchantment; Comics; Moral panic; Gender studies; Cultural politics; Sociology; Psychoanalysis; Aesthetics; Media studies; History; Art; Political science; Psychology; Literature; Criminology; Law","score_opus":0.017114763957327913,"score_gpt":0.1793297356911382,"score_spread":0.16221497173381028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110786211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7175204,0.0013922468,0.000003486259,0.06198684,0.0010699523,0.00045851566,0.0014296247,0.00003835502,0.21610057],"genre_scores_gemma":[0.9551424,0.00030938073,0.000025538377,0.018591186,0.001621868,0.000013995269,0.000073175856,0.00002455525,0.024197932],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998797,0.00005925823,0.00032897218,0.00032083536,0.00009581544,0.00039812384],"domain_scores_gemma":[0.99919605,0.00007077822,0.00013531736,0.00021911367,0.000103265316,0.0002754866],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009843716,0.00027797656,0.00035001626,0.000022532786,0.000865059,0.00050681573,0.00028415886,0.00006369299,0.0012602533],"category_scores_gemma":[0.000040393188,0.00018423054,0.000116722586,0.000029197437,0.00059066486,0.00017795361,0.000101969374,0.00036523593,0.000014148489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022726192,0.000005954197,0.00041704814,0.000018134973,0.000078159086,0.0000064146543,0.02639402,0.000020640196,0.0000027678898,0.8181158,0.15487604,0.000042351265],"study_design_scores_gemma":[0.00084867096,0.00003322171,0.00016363108,0.000007300056,0.000043892876,0.000013897217,0.013356075,0.00048672204,0.000014814715,0.0052755913,0.979446,0.00031021386],"about_ca_topic_score_codex":0.10325398,"about_ca_topic_score_gemma":0.7442765,"teacher_disagreement_score":0.82456994,"about_ca_system_score_codex":0.00008667163,"about_ca_system_score_gemma":0.00022917132,"threshold_uncertainty_score":0.99965274},"labels":[],"label_agreement":null},{"id":"W3111246513","doi":"10.16995/cg.227","title":"Our Pandemic Year: On the Comics Scholarship to Come","year":2020,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Comics; Scholarship; Diversity (politics); Field (mathematics); Sociology; Pandemic; Media studies; Inclusion (mineral); Visual arts; Coronavirus disease 2019 (COVID-19); Political science; Art; Social science; Literature; Law; Anthropology; Medicine","score_opus":0.1695581272687849,"score_gpt":0.2954407708224484,"score_spread":0.12588264355366352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111246513","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8797157,0.0008306503,0.00027888047,0.09626754,0.0021705988,0.0008473704,0.00019579039,0.00029753585,0.019395988],"genre_scores_gemma":[0.98181665,0.00029131217,0.00022734796,0.013470429,0.002190488,0.0000065728063,0.0000045144825,0.000255176,0.001737522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974128,0.0005252389,0.0007492431,0.0002625941,0.00059155293,0.0004585771],"domain_scores_gemma":[0.99744624,0.00050802063,0.00075466523,0.0006518999,0.00022672981,0.00041246097],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023083333,0.00039199804,0.00058679143,0.00030251616,0.0006039177,0.0007968206,0.0020863395,0.00011691772,0.00010973742],"category_scores_gemma":[0.0005873366,0.0002451302,0.00036039314,0.0002569145,0.00026032832,0.000248342,0.00027977207,0.0020082376,0.00009656027],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008660108,0.00014494624,0.012699688,0.000026168369,0.00038220995,0.00002354784,0.010366745,0.00012746893,0.0008326091,0.71934164,0.25477824,0.00041074454],"study_design_scores_gemma":[0.005612564,0.001934205,0.003133217,0.00072872255,0.0003571562,0.00018047584,0.020207655,0.00041092548,0.0009879178,0.0965589,0.86824536,0.0016429226],"about_ca_topic_score_codex":0.000031775395,"about_ca_topic_score_gemma":0.0002871286,"teacher_disagreement_score":0.6227827,"about_ca_system_score_codex":0.000067886634,"about_ca_system_score_gemma":0.00010936195,"threshold_uncertainty_score":0.99961203},"labels":[],"label_agreement":null},{"id":"W3111985414","doi":"10.26686/ce.v3i1.6647","title":"Possibilities of Graphic Ethnography","year":2020,"lang":"en","type":"article","venue":"Commoning Ethnography","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Central European University; University of Oxford; Wenner-Gren Foundation","keywords":"Ethnography; Politics; Section (typography); History; State (computer science); Capital city; Democracy; Capital (architecture); Closure (psychology); Everyday life; Sociology; Media studies; Visual arts; Art; Geography; Anthropology; Ancient history; Political science; Advertising; Law","score_opus":0.09879247228914058,"score_gpt":0.26598763505833256,"score_spread":0.167195162769192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111985414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94765127,0.003419868,0.00010399544,0.0025494648,0.00046088087,0.00025009998,0.000098729746,0.0002799043,0.045185808],"genre_scores_gemma":[0.9986999,0.00007615531,0.00021485378,0.00065840594,0.000220086,0.000018012603,0.000013802503,0.000029344948,0.00006943427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852383,0.000101656165,0.00047591692,0.000321879,0.00027000898,0.000306725],"domain_scores_gemma":[0.9987532,0.00024770095,0.00030034612,0.00035617748,0.00018627358,0.00015629506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022116769,0.00025233225,0.00041806124,0.00052338076,0.00038001902,0.00011431994,0.00043372443,0.00007212993,0.00041767623],"category_scores_gemma":[0.00008695787,0.00022700589,0.0005637505,0.0005807157,0.0014051935,0.00020931971,0.000101952515,0.0003715476,0.0000068538343],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012944713,0.00018001092,0.04833581,0.00024248142,0.00035865972,0.0000058040137,0.33176407,0.0000114057975,0.0008634443,0.60812116,0.0072831493,0.002704534],"study_design_scores_gemma":[0.0038420944,0.0042534126,0.025735267,0.0011350939,0.000510118,0.0000059843883,0.35691237,0.0013396384,0.0058510485,0.14497125,0.45177498,0.0036687485],"about_ca_topic_score_codex":0.00015934584,"about_ca_topic_score_gemma":0.00025885596,"teacher_disagreement_score":0.46314994,"about_ca_system_score_codex":0.0000026398498,"about_ca_system_score_gemma":0.0000214634,"threshold_uncertainty_score":0.92570317},"labels":[],"label_agreement":null},{"id":"W3112066384","doi":"10.29173/slw8252","title":"\"I'm Conflicted about My Shelf of Censorship\": High School Library Graphic Novel Collection Development in North Carolina, USA","year":2021,"lang":"en","type":"article","venue":"School Libraries Worldwide","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Popularity; School library; Censorship; Criticism; Community college; Library science; Sociology; Psychology; Political science; Medical education; Computer science; Medicine; Social psychology","score_opus":0.01926534453764551,"score_gpt":0.2021018021523972,"score_spread":0.1828364576147517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112066384","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97172576,0.0014021033,0.000017115019,0.0016350168,0.0007611921,0.00038068942,0.00014483834,0.0001320408,0.023801213],"genre_scores_gemma":[0.967236,0.00020317349,0.0016839323,0.00076433044,0.00031905502,0.00007950827,0.0002978015,0.000056756748,0.029359434],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99762857,0.000139398,0.0008955036,0.00052592077,0.00033899787,0.00047162976],"domain_scores_gemma":[0.9986493,0.00022444942,0.00027360677,0.00042599195,0.00016903086,0.00025764425],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012687419,0.0003619967,0.0005724947,0.00075285486,0.0004736861,0.000531999,0.0003522782,0.000107014945,0.006889042],"category_scores_gemma":[0.00018839423,0.00035778215,0.00016213526,0.0010879777,0.00039093528,0.0012281596,0.00021561033,0.00054884586,0.000049158072],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032225245,0.00034693367,0.52343804,0.00014409886,0.00020663044,0.00004062825,0.01286502,0.00004206399,0.00034950252,0.4535114,0.008466297,0.0002671197],"study_design_scores_gemma":[0.0015089569,0.00005939567,0.68148935,0.00016910497,0.000027017397,0.0000045240045,0.0021521163,0.000028548486,0.0044736816,0.0048050955,0.30476773,0.000514497],"about_ca_topic_score_codex":0.00033005257,"about_ca_topic_score_gemma":0.019178318,"teacher_disagreement_score":0.4487063,"about_ca_system_score_codex":0.00004144907,"about_ca_system_score_gemma":0.0011646991,"threshold_uncertainty_score":0.9998874},"labels":[],"label_agreement":null},{"id":"W3112348984","doi":"10.13136/2281-4582/2020.i16.917","title":"The Dark Knight’s Many Stories: Arkham Video Games as Transmedia Pathway","year":2020,"lang":"en","type":"article","venue":"Research Commons (University of Waikato)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Knight; Narrative; Avatar; Video game; Comics; Television series; Action (physics); Agency (philosophy); Media studies; Character (mathematics); Sociology; Fandom; Visual arts; Art; Computer science; Multimedia; Literature; Social science","score_opus":0.08250287255516676,"score_gpt":0.26612389479682064,"score_spread":0.1836210222416539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112348984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6394297,0.0018525764,0.000086296866,0.090392604,0.0002971298,0.00066312903,0.0002667933,0.00011774577,0.26689404],"genre_scores_gemma":[0.9897702,0.00049202365,0.000024479657,0.00006415129,0.00014332411,0.0000012294258,0.00001019748,0.00001327117,0.0094811395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982392,0.0003360971,0.00013887012,0.0002561073,0.0006351214,0.00039460903],"domain_scores_gemma":[0.99814224,0.00082279835,0.000064403306,0.00036277808,0.00037525376,0.00023254743],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006843526,0.00012845412,0.00023674723,0.00016253779,0.0020896562,0.00016392971,0.00087050913,0.000051794377,0.0013910708],"category_scores_gemma":[0.00012070847,0.000109294626,0.00017783059,0.00027688738,0.0018759071,0.00023787093,0.00023478943,0.0005613847,0.0001191106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002496121,0.000076775905,0.00014450324,0.00004165733,0.00012583364,0.000045696277,0.18772517,0.0000010743574,0.00022955654,0.72427475,0.07863902,0.008446322],"study_design_scores_gemma":[0.00040479234,0.00029434904,0.0003274045,0.000027657405,0.000010150559,8.383412e-7,0.14351195,0.00017132558,0.00006142442,0.01079403,0.84427214,0.00012397085],"about_ca_topic_score_codex":0.0014550503,"about_ca_topic_score_gemma":0.012969293,"teacher_disagreement_score":0.7656331,"about_ca_system_score_codex":0.000040417766,"about_ca_system_score_gemma":0.00021268519,"threshold_uncertainty_score":0.9995218},"labels":[],"label_agreement":null},{"id":"W3112704560","doi":"10.4000/belphegor.3387","title":"Comics of the New Europe: Reflections and Intersections, edited by Martha Kuhlman &amp; José Alaniz","year":2020,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Censorship; Slavic languages; Media studies; Sociology; History; Classics; Visual arts; Law; Political science; Art","score_opus":0.04430288159318057,"score_gpt":0.25076681690742186,"score_spread":0.2064639353142413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112704560","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5308129,0.0037174912,0.0016413729,0.1762077,0.0049837264,0.0014640335,0.0010627175,0.00066355587,0.27944645],"genre_scores_gemma":[0.94710314,0.00011560886,0.000127839,0.0014836692,0.0009835782,0.000005160343,0.000023269222,0.000037521135,0.05012022],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995495,0.000033880235,0.0001409909,0.00012370144,0.0000674079,0.00008449199],"domain_scores_gemma":[0.99966943,0.000028424454,0.0000733512,0.00012467579,0.000041208707,0.000062904466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000033632146,0.00008317936,0.000105608226,0.000029550516,0.00021905253,0.000058188827,0.00010663724,0.000020695898,0.0003067388],"category_scores_gemma":[0.000029955097,0.000060786435,0.000046156452,0.00010300139,0.00016277436,0.000051274328,0.000055284116,0.00011531001,0.000007496983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017111515,0.000026521835,0.00038789652,0.000010700648,0.000032200376,1.966782e-7,0.019079857,6.057454e-7,0.002430744,0.024792595,0.95284045,0.00038110896],"study_design_scores_gemma":[0.00022279876,0.000053178774,0.00023900869,0.000011432954,0.000019062152,0.0000017947867,0.0017980116,0.000024591398,0.00018715952,0.0005281707,0.996839,0.00007580933],"about_ca_topic_score_codex":0.000454107,"about_ca_topic_score_gemma":0.0032187446,"teacher_disagreement_score":0.4162902,"about_ca_system_score_codex":0.0000035211697,"about_ca_system_score_gemma":0.000020485235,"threshold_uncertainty_score":0.33585748},"labels":[],"label_agreement":null},{"id":"W3113048047","doi":"10.7557/13.5540","title":"Pimitamon: Conceptualizing a New Canadian North through the Graphic Narratives of Jeff Lemire","year":2020,"lang":"en","type":"article","venue":"Nordlit","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Indigenous; Economic Justice; Narrative; Media studies; Transformative learning; League; Colonialism; Aotearoa; Sociology; Identity (music); Charter; Articulation (sociology); Agency (philosophy); Rhetorical question; Law; Gender studies; Political science; Environmental ethics; Aesthetics; Politics; Art; Social science","score_opus":0.08113496823699376,"score_gpt":0.22896736801611217,"score_spread":0.1478323997791184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113048047","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7830513,0.0030220097,0.000077001074,0.06797922,0.0005320988,0.0005440802,0.00021142894,0.00007891001,0.14450395],"genre_scores_gemma":[0.99553865,0.0000399674,0.00006501711,0.0026663512,0.00047864663,0.000007960631,0.000014920569,0.000015354944,0.0011731398],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910206,0.000057638492,0.00024966372,0.00020311585,0.00015015164,0.0002373599],"domain_scores_gemma":[0.99938583,0.00006213517,0.00010547614,0.00019103741,0.000090749774,0.00016479744],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004887724,0.00015661331,0.00022357912,0.000047741327,0.0004437721,0.00009547176,0.00029222522,0.000031633317,0.0013202408],"category_scores_gemma":[0.000033781987,0.0001089242,0.00013375284,0.00015088634,0.0004959057,0.00017699243,0.00003469541,0.00018567797,0.000016823431],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012322916,0.000008232729,0.0019358705,0.000013653525,0.000059438193,0.0000032364799,0.5512904,0.0000073943706,0.000026943831,0.42749304,0.01861143,0.00053808047],"study_design_scores_gemma":[0.00029791734,0.0001310818,0.00089979416,0.000023772629,0.000017573238,7.658099e-7,0.119344965,0.000031267646,0.00003309181,0.00896459,0.87007046,0.00018474617],"about_ca_topic_score_codex":0.057195745,"about_ca_topic_score_gemma":0.6145097,"teacher_disagreement_score":0.851459,"about_ca_system_score_codex":0.00001192283,"about_ca_system_score_gemma":0.00022127292,"threshold_uncertainty_score":0.99959266},"labels":[],"label_agreement":null},{"id":"W3113888688","doi":"10.1080/21504857.2020.1806894","title":"Editors’ introduction: what happens next? The young Canadians","year":2020,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Scholarship; Publishing; Media studies; Great Rift; History; Sociology; Art history; Art; Literature; Political science; Law","score_opus":0.03334505361387022,"score_gpt":0.21214120679538748,"score_spread":0.17879615318151726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113888688","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26799768,0.0065308893,0.0005812847,0.6463643,0.06410665,0.0005827268,0.00009350125,0.00011579821,0.013627224],"genre_scores_gemma":[0.9467046,0.0012104657,0.00006447816,0.0027813343,0.048645303,0.0000018740085,0.0000026747252,0.000042416472,0.0005468383],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884367,0.000053163556,0.00046243492,0.00014133893,0.00028106707,0.00021831196],"domain_scores_gemma":[0.9988436,0.00009389282,0.00042634664,0.00018863096,0.00025638752,0.00019115127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028402157,0.00016770423,0.00028663783,0.00017808091,0.00040660126,0.0007893153,0.0004151125,0.00004692816,0.00036786956],"category_scores_gemma":[0.00007361026,0.00011471872,0.0002442518,0.00017217446,0.00038419262,0.0007713436,0.000039990016,0.0005001126,0.0000053731196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008307545,0.000065295666,0.00030098416,0.000015418844,0.00027566208,0.000034662466,0.044541482,0.000025922805,0.0004104101,0.30537933,0.64783186,0.0010358964],"study_design_scores_gemma":[0.00036906393,0.0002095433,0.00012352399,0.00004153125,0.000065195214,0.00009257664,0.03371266,0.00012090091,0.00002251861,0.0035285193,0.9615458,0.00016812251],"about_ca_topic_score_codex":0.0005066987,"about_ca_topic_score_gemma":0.007784571,"teacher_disagreement_score":0.67870694,"about_ca_system_score_codex":0.000023527266,"about_ca_system_score_gemma":0.000118598815,"threshold_uncertainty_score":0.7611386},"labels":[],"label_agreement":null},{"id":"W3119436336","doi":"10.1080/21504857.2020.1857285","title":"‘I like to think of my comics adaptations as my own recitations … ’: in conversation with Julian Peters","year":2021,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Poetry; Conversation; Cartoonist; Art; Literature; Art history; History; Visual arts; Philosophy; Linguistics","score_opus":0.027709482781233336,"score_gpt":0.24084503475086272,"score_spread":0.21313555196962938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119436336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97618973,0.0002897611,0.001796007,0.007140217,0.000699392,0.0002856494,0.00010852692,0.000030075182,0.01346064],"genre_scores_gemma":[0.99378395,0.00023367199,0.003975975,0.00079101126,0.00009482158,0.0000034321479,0.000011350488,0.000044436096,0.0010613715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99877745,0.00007077149,0.00057956146,0.00014159229,0.00027074764,0.00015986084],"domain_scores_gemma":[0.99845845,0.00021485183,0.00054267043,0.00019436842,0.00047814223,0.000111549874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026664828,0.00015111214,0.00034836357,0.00077293074,0.00011659845,0.00009570194,0.00018087568,0.000050108858,0.00010921136],"category_scores_gemma":[0.000086959095,0.00013432042,0.00014212039,0.00039010737,0.00018893981,0.00022729656,0.000027553811,0.00025853227,0.0000017839717],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040637064,0.00056217145,0.005537391,0.000043787823,0.00047745946,0.00007069604,0.17258814,0.0006041991,0.002307744,0.802803,0.013729787,0.0008692837],"study_design_scores_gemma":[0.015780358,0.0039704577,0.039164547,0.0032484806,0.00076849497,0.0004572861,0.51717514,0.0021003792,0.0017417397,0.10896572,0.30439106,0.0022363577],"about_ca_topic_score_codex":0.0003389479,"about_ca_topic_score_gemma":0.010816221,"teacher_disagreement_score":0.6938373,"about_ca_system_score_codex":0.000032766624,"about_ca_system_score_gemma":0.0002483021,"threshold_uncertainty_score":0.6035705},"labels":[],"label_agreement":null},{"id":"W3119622762","doi":"10.1007/978-3-031-67043-5_8","title":"The Anxious Underworld of Teacher Education: Reading and Representing the School Dream in Comics Form","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Dream; Reading (process); Psychology; Mathematics education; Pedagogy; Literature; Art; Linguistics; Philosophy; Psychotherapist","score_opus":0.02418921488571768,"score_gpt":0.2457667064048361,"score_spread":0.22157749151911843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119622762","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035172224,0.00378118,8.92319e-7,0.0024108004,0.00028560671,0.00024275927,0.000005552417,0.000025969994,0.99289554],"genre_scores_gemma":[0.074010566,0.0008736618,0.0000070856636,0.000090274036,0.00038159694,0.000010338901,0.000004922741,0.00003759685,0.924584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993435,0.000009067772,0.0002702967,0.00017499954,0.000097655786,0.00010446976],"domain_scores_gemma":[0.9993646,0.00016656217,0.00012654004,0.00027684763,0.000041085306,0.00002436777],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002591405,0.00014582298,0.00016713116,0.00012690465,0.0002535168,0.0002837309,0.00015232111,0.000053093747,0.0004847408],"category_scores_gemma":[0.000015638238,0.00007822362,0.000074560805,0.00001432571,0.00034923022,0.000046043955,0.000087800996,0.00034617606,0.0000067230703],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035266858,0.0000074458353,0.00006996151,0.000022400389,0.000044144872,4.3530474e-7,0.0050494797,7.531765e-8,9.771614e-7,0.96047425,0.031603076,0.0027242391],"study_design_scores_gemma":[0.000036925496,0.000007700564,0.000013579099,0.00015446373,0.00001952037,0.0000018744558,0.0060768975,0.000026780868,0.0000012645855,0.39931443,0.594269,0.00007760213],"about_ca_topic_score_codex":0.0005816976,"about_ca_topic_score_gemma":0.022414723,"teacher_disagreement_score":0.5626659,"about_ca_system_score_codex":0.000020839287,"about_ca_system_score_gemma":0.00006895675,"threshold_uncertainty_score":0.9954237},"labels":[],"label_agreement":null},{"id":"W3120468021","doi":"","title":"Neil the Horse and suppressed comics memory : dolls, funny animals, and entertainment work","year":2021,"lang":"en","type":"book-chapter","venue":"Ghent University Academic Bibliography (Ghent University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Entertainment; Art; Horse; Visual arts; Literature; Biology","score_opus":0.023494745231577966,"score_gpt":0.1722979046441444,"score_spread":0.14880315941256644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3120468021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03278304,0.021795053,0.00010556172,0.0049563684,0.0010933336,0.0016413771,0.0014854433,0.00042360357,0.9357162],"genre_scores_gemma":[0.11733403,0.21565016,0.00006127305,0.0005427221,0.0004474302,7.056448e-7,0.00017896763,0.0001366313,0.6656481],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977395,0.00014488268,0.00028598346,0.00089034654,0.00045036618,0.00048893236],"domain_scores_gemma":[0.998339,0.00022987094,0.00042688526,0.0005073008,0.00015584833,0.0003410948],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00022235268,0.00066195446,0.000642716,0.010465831,0.0011614314,0.00022675643,0.0007804208,0.0005235936,0.00084955763],"category_scores_gemma":[0.0000038338767,0.00065671396,0.0004936646,0.0015070215,0.0018492042,0.00033440362,0.0010024586,0.0013695498,0.0000053074523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041842135,0.000058445607,0.0016475028,0.00010119313,0.0010976223,0.00024630286,0.0053589977,0.0000020164193,0.000018697661,0.89361745,0.09679136,0.00064200466],"study_design_scores_gemma":[0.0013071073,0.00012644561,0.0005116246,0.00035933356,0.00070456526,0.000008000902,0.014188914,0.000008473442,0.000003744173,0.003059048,0.97899824,0.0007245225],"about_ca_topic_score_codex":0.00025751253,"about_ca_topic_score_gemma":0.00043159048,"teacher_disagreement_score":0.89055836,"about_ca_system_score_codex":0.00007064726,"about_ca_system_score_gemma":0.00006699617,"threshold_uncertainty_score":0.99958843},"labels":[],"label_agreement":null},{"id":"W3122014436","doi":"10.14453/ltc.527","title":"Magic and modernity in Tintin au Congo (1930) and the Sierra Leone Special Court","year":2012,"lang":"en","type":"article","venue":"Law/text/culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Sierra leone; Modernity; MAGIC (telescope); Special court; Art; Art history; Sociology; Political science; Ethnology; Law","score_opus":0.019935716972389775,"score_gpt":0.22256921347661274,"score_spread":0.20263349650422297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122014436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76567745,0.0027244766,0.000005683522,0.0028429644,0.000612354,0.00032670205,0.000052510277,0.000027503904,0.22773038],"genre_scores_gemma":[0.9844046,0.00020344227,0.000020558877,0.00060884363,0.002537535,0.000010398634,0.000009042085,0.000012093504,0.012193486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991216,0.000091270995,0.00018610072,0.00018135068,0.00012823853,0.00029142984],"domain_scores_gemma":[0.9995754,0.00006341665,0.000073560295,0.00014892437,0.00005399179,0.000084757965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030561737,0.00018118514,0.0002571095,0.000031271826,0.00041362102,0.00023996104,0.00010714649,0.00007315762,0.0005651317],"category_scores_gemma":[0.000022976894,0.00010684862,0.000056508823,0.000034213215,0.00092622463,0.0002639089,0.00008145628,0.00030276534,0.000017890123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006845713,0.000052895546,0.0018505076,0.000014428477,0.000025620513,0.0000019145066,0.15000229,3.5502296e-7,0.0000408366,0.8368341,0.010414453,0.00069419184],"study_design_scores_gemma":[0.0018593699,0.000057027268,0.010867342,0.000032878128,0.000036697234,0.000012918641,0.01099992,0.00010424687,0.000019422607,0.05355714,0.92217916,0.00027384737],"about_ca_topic_score_codex":0.00077551574,"about_ca_topic_score_gemma":0.014912691,"teacher_disagreement_score":0.91176474,"about_ca_system_score_codex":0.000015582009,"about_ca_system_score_gemma":0.000012715565,"threshold_uncertainty_score":0.83216316},"labels":[],"label_agreement":null},{"id":"W3123274915","doi":"","title":"Through My Eyepiece: Guidebooks","year":2010,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Eyepiece; Geology; Astronomy; Physics; Paleontology","score_opus":0.00888691615226922,"score_gpt":0.18922461607504107,"score_spread":0.18033769992277185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123274915","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98406917,0.00005760646,0.000020929869,0.008397123,0.0015332979,0.000046643032,0.000018558625,0.0000018425542,0.005854829],"genre_scores_gemma":[0.9946328,6.8725484e-7,0.0007592395,0.00033972107,0.0008161324,4.5831044e-7,2.5370028e-7,0.000007192685,0.003443506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991674,0.000019654639,0.0003756055,0.000061282044,0.00022048985,0.00015558928],"domain_scores_gemma":[0.9992516,0.0000722596,0.00036720218,0.00012080092,0.00013008673,0.000058040485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018923751,0.000090824244,0.00021191903,0.0000062017475,0.00021234549,0.00003671951,0.00036391162,0.000030637442,0.00063555106],"category_scores_gemma":[0.000020139889,0.00005595462,0.000395592,0.000011076277,0.00030423913,0.00005242033,0.00005935094,0.00042008035,3.0311904e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005135124,0.00007031694,0.0030265825,0.00001705524,0.00038212424,4.321088e-7,0.007958233,0.00096719776,0.0006106146,0.053593844,0.9319311,0.0013911636],"study_design_scores_gemma":[0.00046690617,0.00006505029,0.0046240063,0.00002411563,0.00003698462,0.0000010745939,0.0026626394,0.000658654,0.0008029305,0.003050556,0.98749155,0.00011554183],"about_ca_topic_score_codex":0.0554629,"about_ca_topic_score_gemma":0.2571912,"teacher_disagreement_score":0.20172831,"about_ca_system_score_codex":0.00005180643,"about_ca_system_score_gemma":0.00058406126,"threshold_uncertainty_score":0.9508269},"labels":[],"label_agreement":null},{"id":"W3123327293","doi":"","title":"Research guides: Graphic Novels: Events around Toronto","year":2015,"lang":"en","type":"libguides","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; History; Computer graphics (images); Geography; Computer science; Art","score_opus":0.1987162973302143,"score_gpt":0.368821853185896,"score_spread":0.1701055558556817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123327293","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00073990773,0.014499675,0.0000034516572,0.0015052541,0.0044631693,0.00055223954,0.00040741437,0.0001440217,0.97768486],"genre_scores_gemma":[0.022169104,0.0037443317,0.00007713125,0.00060953025,0.008594047,0.00012794342,0.0004967151,0.0001359597,0.9640452],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99632627,0.0002596874,0.00066979456,0.0006853612,0.0013220122,0.0007368621],"domain_scores_gemma":[0.99691147,0.000319657,0.00018610973,0.0008281005,0.0015119889,0.00024269678],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020438742,0.0004743399,0.00064359943,0.00048152244,0.000744294,0.0006323786,0.0009781579,0.0003123547,0.01184771],"category_scores_gemma":[0.00014778636,0.00036981143,0.0003113008,0.00011438629,0.00065631553,0.00052521477,0.00035592058,0.0008040016,0.00027883425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014898165,0.000074697375,0.000010944617,0.000057004363,0.00013472028,0.000004763396,0.008803072,1.3288977e-7,8.4882225e-7,0.32119346,0.66914034,0.0005651105],"study_design_scores_gemma":[0.00029158493,0.00020475114,0.000007937869,0.00018520028,0.000026997255,0.0000019955366,0.042095553,0.000011246861,0.0000012846434,0.09432387,0.86242616,0.000423406],"about_ca_topic_score_codex":0.022481384,"about_ca_topic_score_gemma":0.17530479,"teacher_disagreement_score":0.22686957,"about_ca_system_score_codex":0.00026467047,"about_ca_system_score_gemma":0.0004671421,"threshold_uncertainty_score":0.99987537},"labels":[],"label_agreement":null},{"id":"W3127381955","doi":"10.18733/cpi29554","title":"Negotiating Real Space and Real Time in Red Jacket: A Novel","year":2021,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Alberta","keywords":"The Imaginary; Negotiation; Space (punctuation); Set (abstract data type); Realism; Politics; History; Computer science; Art history; Art; Literature; Sociology; Political science; Law; Psychology; Psychoanalysis; Social science","score_opus":0.5139204708229597,"score_gpt":0.4026703593626711,"score_spread":0.11125011146028857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127381955","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9622734,0.0006436006,0.0000012886313,0.0017992787,0.00015887368,0.000065515334,0.000015911359,0.000027602939,0.035014518],"genre_scores_gemma":[0.98103344,0.0013977941,0.00008995428,0.00012497856,0.00070180494,0.0000065738354,0.0000412624,0.0000074368404,0.016596723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992611,0.000041132538,0.0001776456,0.00025415924,0.00008514948,0.0001808308],"domain_scores_gemma":[0.9996539,0.00008174089,0.00004360433,0.00007053272,0.00006932257,0.00008091373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000086288856,0.00013144247,0.00020594413,0.000028274542,0.00021955681,0.00026471156,0.000042573483,0.000057827525,0.000491024],"category_scores_gemma":[0.000034851888,0.00008880952,0.000038617574,0.0000456576,0.00033133064,0.00017044705,0.000087976725,0.00014479346,0.0000052931805],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008404667,0.00014834701,0.003566387,0.000040206807,0.000038277354,0.00006572187,0.25544465,0.000003505347,0.021647535,0.7120559,0.0043686046,0.002536779],"study_design_scores_gemma":[0.0047783405,0.00062491687,0.12404357,0.00035963696,0.00008931619,0.000175493,0.39813098,0.0028377015,0.00028058785,0.019730479,0.44716582,0.001783164],"about_ca_topic_score_codex":0.0004062764,"about_ca_topic_score_gemma":0.0005742168,"teacher_disagreement_score":0.6923255,"about_ca_system_score_codex":0.000007887149,"about_ca_system_score_gemma":0.00001461407,"threshold_uncertainty_score":0.5376369},"labels":[],"label_agreement":null},{"id":"W3128245733","doi":"","title":"Worlds of Vision","year":2021,"lang":"en","type":"article","venue":"ACME: An International Journal for Critical Geographies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Comic strip; Reading (process); Embodied cognition; Materiality (auditing); Situated; Vocabulary; Visual arts; Linguistics; Sociology; Aesthetics; History; Art; Literature; Computer science; Artificial intelligence","score_opus":0.0299052565776883,"score_gpt":0.3445491151780193,"score_spread":0.314643858600331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128245733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9289499,0.0025798907,0.0018359197,0.027229903,0.014720745,0.00019791229,0.00059351843,0.000069244204,0.023822948],"genre_scores_gemma":[0.99576485,0.00042158389,0.0011636765,0.00041213934,0.0011607234,0.000006226298,0.00003358499,0.000012349687,0.0010248829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989652,0.000042245185,0.00034945228,0.00014806027,0.00032912078,0.00016591491],"domain_scores_gemma":[0.9977608,0.00031348062,0.000072597846,0.0001205409,0.0016335306,0.00009908213],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021200614,0.00010221765,0.0001640124,0.00033859647,0.00030449583,0.0004270001,0.00030817103,0.000032576987,0.0014178164],"category_scores_gemma":[0.00036395193,0.0000871076,0.00029220403,0.00007159643,0.00052716123,0.00051575137,0.000057987625,0.00015270429,0.0000025617492],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008072205,0.00022692689,0.00096911436,0.000012442628,0.00013252464,0.000022735669,0.0023568817,0.0000015793895,0.00042539343,0.98915845,0.0022818116,0.004331417],"study_design_scores_gemma":[0.0007068582,0.0004455823,0.0037407354,0.00013721937,0.000054764878,0.000098926976,0.0072948188,0.000110811525,0.00081011787,0.6176501,0.36873108,0.00021899851],"about_ca_topic_score_codex":0.000018198509,"about_ca_topic_score_gemma":0.0002757133,"teacher_disagreement_score":0.3715084,"about_ca_system_score_codex":0.000006953759,"about_ca_system_score_gemma":0.00003601469,"threshold_uncertainty_score":0.999495},"labels":[],"label_agreement":null},{"id":"W3134066373","doi":"10.3917/tdm.035.0054","title":"La bande dessinée durant le Printemps érable (2012), un outil de diffusion et de mobilisation pour une lutte en cours","year":2021,"lang":"fr","type":"article","venue":"Le Temps des médias","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.031886165184415276,"score_gpt":0.2690616915675956,"score_spread":0.2371755263831803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134066373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9280232,0.012646988,0.0036705546,0.017133286,0.00049858965,0.00024582265,0.00009255533,0.00009130609,0.03759767],"genre_scores_gemma":[0.9419184,0.004706564,0.0011854221,0.0007378988,0.00036455155,0.000042159732,0.00004605563,0.00006562187,0.050933335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972353,0.0010773205,0.00043273356,0.0004329472,0.00021701073,0.00060467975],"domain_scores_gemma":[0.99837166,0.00065592024,0.00018425076,0.00038250783,0.00020324701,0.00020243257],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011451778,0.0003393043,0.00038901696,0.00012199852,0.0009450164,0.0005003397,0.00022128198,0.00023276063,0.0011069776],"category_scores_gemma":[0.00015637092,0.000345927,0.00024355811,0.0001429087,0.0006625538,0.00042205796,0.00014290716,0.00050582987,0.000041304596],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010659447,0.0016126467,0.007638692,0.0003999012,0.0002677972,0.00033672326,0.09339594,0.0004167083,0.010684156,0.8607963,0.005268266,0.019076306],"study_design_scores_gemma":[0.0038051037,0.0001988258,0.060466316,0.0012252613,0.00022656494,0.0003288902,0.102483824,0.004005599,0.010887262,0.167666,0.6475895,0.0011168206],"about_ca_topic_score_codex":0.0075293602,"about_ca_topic_score_gemma":0.010055981,"teacher_disagreement_score":0.69313025,"about_ca_system_score_codex":0.00021431912,"about_ca_system_score_gemma":0.0012083246,"threshold_uncertainty_score":0.99989927},"labels":[],"label_agreement":null},{"id":"W3135896681","doi":"","title":"Nelvana of the Northern Lights","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Mammoth; Comics; Shot (pellet); Art history; History; Art; Geography; Archaeology; Political science; Law; Philosophy","score_opus":0.012175223288958266,"score_gpt":0.18239986226298888,"score_spread":0.17022463897403062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135896681","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038209578,0.0019100256,0.000013999547,0.0011414697,0.002755674,0.0005977369,0.00020259469,0.00008476469,0.9894728],"genre_scores_gemma":[0.060837094,0.000087958106,0.000007785811,0.00050803274,0.0021846879,0.00002272562,0.000059886584,0.0001113553,0.9361805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975382,0.0001337204,0.0007500384,0.0005737785,0.0005577025,0.00044653803],"domain_scores_gemma":[0.99739224,0.00020399984,0.00071404234,0.0012373801,0.00032558345,0.00012673858],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030372362,0.00061048113,0.0008555603,0.00020617127,0.00069168507,0.0001944352,0.00092712976,0.0002683995,0.0055523897],"category_scores_gemma":[0.000028822864,0.0004124462,0.00077159546,0.00005968381,0.0009714019,0.00013655957,0.00020104834,0.0006799822,0.0008808255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027154636,0.00009400064,0.000030965202,0.00013933075,0.0002795727,0.000005374389,0.023359723,0.0000031355014,0.000021507058,0.60622257,0.36238968,0.0074269846],"study_design_scores_gemma":[0.00034594076,0.000118014665,0.00015050138,0.00032454627,0.00012465299,0.000003226682,0.0002949365,0.000023454646,0.000020389365,0.09972264,0.89839935,0.0004723161],"about_ca_topic_score_codex":0.00012650453,"about_ca_topic_score_gemma":0.01957235,"teacher_disagreement_score":0.53600967,"about_ca_system_score_codex":0.00006696853,"about_ca_system_score_gemma":0.00030957462,"threshold_uncertainty_score":0.9998971},"labels":[],"label_agreement":null},{"id":"W3137218525","doi":"10.4000/books.pub.34038","title":"Leçon sur la construction d’un récit historique : l’usage du texte et de l’image dans la bande dessinée Les Loxley et la guerre de 1812","year":2016,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.009634642850566932,"score_gpt":0.20715643236295242,"score_spread":0.1975217895123855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137218525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016626596,0.0012930257,0.0056554046,0.0020608625,0.0003244673,0.0004090701,0.00083864125,0.00022815118,0.9725638],"genre_scores_gemma":[0.86280525,0.0053496,0.0013726951,0.00020509587,0.0005373426,0.000020650084,0.000073504954,0.00020517356,0.12943071],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670815,0.0010423975,0.0004831274,0.00073823635,0.0003215946,0.0007064921],"domain_scores_gemma":[0.99637645,0.0018890691,0.0005494103,0.0005344598,0.00033618486,0.00031443126],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00086333224,0.0008771012,0.00071008416,0.00046239755,0.0013054508,0.0006051003,0.00066688174,0.0007978315,0.0011130392],"category_scores_gemma":[0.000103350576,0.000887654,0.0004990227,0.000022582924,0.0033519615,0.0005572327,0.00039033993,0.0010733668,0.00001301244],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029535595,0.0000931059,0.00073374424,0.0002730175,0.000550546,0.00089274975,0.018250966,0.000020456173,0.001235055,0.94411504,0.0018319114,0.031708054],"study_design_scores_gemma":[0.001249425,0.0001397908,0.00058819074,0.0011737213,0.00047022928,0.00038270385,0.0028796173,0.00007942711,0.00028307215,0.13872424,0.85308677,0.00094279024],"about_ca_topic_score_codex":0.0031990882,"about_ca_topic_score_gemma":0.0055434112,"teacher_disagreement_score":0.8512549,"about_ca_system_score_codex":0.0006348603,"about_ca_system_score_gemma":0.001093869,"threshold_uncertainty_score":0.9999947},"labels":[],"label_agreement":null},{"id":"W3139033344","doi":"10.5325/studamerhumor.7.1.0086","title":"Comedy Gold: Humor on the Alaska-Yukon Border, 1886-1896","year":2021,"lang":"en","type":"article","venue":"Studies in American Humor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frontier; Laughter; Comedy; Power (physics); State (computer science); History; Sociology; Aesthetics; Art; Archaeology; Literature","score_opus":0.07947491746316374,"score_gpt":0.344378818700564,"score_spread":0.26490390123740026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139033344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83160007,0.0038048592,0.000001185273,0.013477411,0.0012101408,0.00028410627,0.00006131283,0.000069018744,0.14949188],"genre_scores_gemma":[0.98328674,0.0013298597,0.000037429552,0.003090695,0.00043485622,0.00010595912,0.000007268882,0.000025167032,0.011682009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985982,0.00015532493,0.00030754652,0.0003511556,0.0002316678,0.00035607646],"domain_scores_gemma":[0.99862725,0.0006280499,0.00014697513,0.00040538117,0.00015082894,0.000041516207],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021208303,0.00023827107,0.0004575439,0.00011223481,0.00048877037,0.000101953076,0.00024371163,0.000013040132,0.0009767696],"category_scores_gemma":[0.00023631842,0.00015906295,0.00012924978,0.0002448637,0.0021846336,0.000049557217,0.00018558127,0.0002853655,0.000051746636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059831356,0.00039882233,0.0019934252,0.00004604098,0.00043108859,0.00014772877,0.25047702,0.000009390157,0.00006292685,0.65038323,0.0873963,0.0085941935],"study_design_scores_gemma":[0.00040853524,0.0003016919,0.0023715748,0.00010262261,0.000024869727,0.0000034080508,0.41022635,0.000012771015,0.000114318646,0.005559972,0.58056295,0.0003109059],"about_ca_topic_score_codex":0.00018733599,"about_ca_topic_score_gemma":0.0047439453,"teacher_disagreement_score":0.64482325,"about_ca_system_score_codex":0.000058203543,"about_ca_system_score_gemma":0.000057604335,"threshold_uncertainty_score":0.99993646},"labels":[],"label_agreement":null},{"id":"W3146408711","doi":"10.20361/g20k75","title":"Smile by R. Telgemeier - 2nd review","year":2016,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Front page; Front (military); Psychology; Visual arts; Art; Media studies; Sociology; Engineering","score_opus":0.007576295680234098,"score_gpt":0.22538914185875356,"score_spread":0.21781284617851945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3146408711","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021522196,0.96498847,0.0000040429063,0.01792177,0.00018150326,0.0007731501,0.0006197588,0.000027582277,0.013331475],"genre_scores_gemma":[0.042229347,0.93168324,0.000021751073,0.017497879,0.0005481185,0.00006102868,0.00015301301,0.000030584833,0.0077750445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987239,0.00017728742,0.00046395615,0.00022186353,0.00022479247,0.00018819782],"domain_scores_gemma":[0.9987757,0.00010621614,0.0002820254,0.000603023,0.00018637675,0.000046621575],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053647516,0.00022089713,0.0004959103,0.000034992572,0.00015688395,0.000063991894,0.0004694312,0.000036346493,0.00366042],"category_scores_gemma":[0.0000876426,0.000091175236,0.00028767769,0.00013391665,0.0002629177,0.0001568448,0.00006884157,0.00016994578,0.000043151285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045797,0.000034334058,0.000036331636,0.003479729,0.00008423994,6.1803075e-7,0.00082890224,1.3182728e-9,0.000037229514,0.15428498,0.82619214,0.015016901],"study_design_scores_gemma":[0.00014404653,0.00003345344,0.00013774025,0.06990712,0.000094558374,0.000010805223,0.000005430832,4.511719e-8,0.00003416117,0.001614812,0.92786664,0.00015120367],"about_ca_topic_score_codex":0.000012241892,"about_ca_topic_score_gemma":0.0000072245116,"teacher_disagreement_score":0.15267016,"about_ca_system_score_codex":0.000006873088,"about_ca_system_score_gemma":0.000017390583,"threshold_uncertainty_score":0.9972504},"labels":[],"label_agreement":null},{"id":"W3154783304","doi":"10.18682/cdc.vi125.4550","title":"Introducción: la historieta desbordada y estallada. Un lenguaje mutante","year":2021,"lang":"es","type":"article","venue":"Cuadernos del Centro de Estudios de Diseño y Comunicación","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013202374146357951,"score_gpt":0.23725964817787423,"score_spread":0.2240572740315163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3154783304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8865384,0.08241483,0.00046395347,0.012676326,0.002287732,0.00075053924,0.000735491,0.00031505892,0.013817681],"genre_scores_gemma":[0.977295,0.01524207,0.0005936901,0.0012104501,0.0017294973,0.00006630874,0.00018759606,0.00019749426,0.003477916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99390304,0.0012379927,0.0011649533,0.0012993364,0.000727733,0.0016669324],"domain_scores_gemma":[0.9951201,0.00094730547,0.0005324858,0.0020030995,0.0006957588,0.00070122053],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007370855,0.0010387644,0.001302243,0.00024453513,0.0016287373,0.0015385371,0.0013134785,0.0004154762,0.0017175353],"category_scores_gemma":[0.00069215836,0.0011085366,0.0008701303,0.00037481112,0.0011758535,0.00037963915,0.0009851195,0.001489034,0.00009827757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036235666,0.0023723943,0.035846103,0.00048887334,0.0021286232,0.0029139584,0.040153727,0.0000861436,0.0008052158,0.8883479,0.017382039,0.009112633],"study_design_scores_gemma":[0.002956142,0.00018914377,0.011555941,0.00041201524,0.0009444738,0.00040871458,0.013389001,0.0013742057,0.0005474633,0.00494029,0.96176815,0.0015144618],"about_ca_topic_score_codex":0.00017697351,"about_ca_topic_score_gemma":0.0005687963,"teacher_disagreement_score":0.9443861,"about_ca_system_score_codex":0.000741718,"about_ca_system_score_gemma":0.0012673213,"threshold_uncertainty_score":0.999671},"labels":[],"label_agreement":null},{"id":"W3157349489","doi":"10.24908/iqurcp.7197","title":"Mainstream Superhero Comics and Gendered Representations of Social Control","year":2017,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Mainstream; Context (archaeology); Social control; Sociology; Control (management); Wonder; Media studies; Psychology; Social psychology; Art; Social science; Political science; Literature; History; Law; Computer science","score_opus":0.14889360083746894,"score_gpt":0.37426279259141854,"score_spread":0.2253691917539496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157349489","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.693166,0.000111638925,0.00029297845,0.08158815,0.0003126437,0.00091090566,0.0001470778,0.00012462054,0.22334597],"genre_scores_gemma":[0.9914328,0.0002674439,0.00008688605,0.000031989588,0.00031643585,0.00005213326,0.000006426757,0.000031917865,0.007773962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984339,0.000057525194,0.00028976394,0.00034803423,0.00044371234,0.00042709179],"domain_scores_gemma":[0.9982937,0.00013678962,0.00020829318,0.0002101235,0.0010216295,0.00012948555],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0006825696,0.00016403325,0.00030560067,0.0002655066,0.00175236,0.0010205191,0.00046898733,0.00007752026,0.00012366506],"category_scores_gemma":[0.0002758602,0.00015410027,0.000071105846,0.00005275884,0.0045862882,0.00055365916,0.00022077092,0.00033464108,0.0000061102787],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005839589,0.00006566611,0.005604858,0.00007760592,0.00009118426,0.000002367974,0.03668511,5.607889e-8,0.0009506004,0.94477993,0.010207071,0.00147714],"study_design_scores_gemma":[0.0034169874,0.00042669786,0.012203893,0.00020211303,0.00006055014,0.000008972558,0.10063826,0.0013837651,0.00095632835,0.82936865,0.050743926,0.0005898436],"about_ca_topic_score_codex":0.0019318868,"about_ca_topic_score_gemma":0.0007809624,"teacher_disagreement_score":0.29826677,"about_ca_system_score_codex":0.000028834389,"about_ca_system_score_gemma":0.00013135829,"threshold_uncertainty_score":0.99954724},"labels":[],"label_agreement":null},{"id":"W3161282651","doi":"10.18357/anthropologica6312021337","title":"Things that Art: A Graphic Menagerie of Enchanted Curiosity, by Lochlann Jain","year":2021,"lang":"en","type":"article","venue":"Anthropologica","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Menagerie; Curiosity; Art; Art history; Visual arts; Psychology","score_opus":0.027096641155825878,"score_gpt":0.23850480911025573,"score_spread":0.21140816795442985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161282651","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7078217,0.015104549,0.0005254558,0.026463883,0.0018965179,0.00045063058,0.00036032437,0.00028647337,0.24709044],"genre_scores_gemma":[0.9908765,0.0016883365,0.00004383123,0.00079952576,0.00007428362,0.0000075150483,0.0000617816,0.000010354306,0.006437849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990368,0.000087840985,0.00021586735,0.00026831936,0.00016013777,0.00023105499],"domain_scores_gemma":[0.99939245,0.000099560566,0.00013750303,0.00023561886,0.00008518467,0.000049670805],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011327874,0.00015971361,0.0002953492,0.00007936545,0.0006438435,0.00008076015,0.00017077247,0.00006441889,0.008154116],"category_scores_gemma":[0.000030681626,0.00012102106,0.00014950905,0.00009993626,0.0013534927,0.0001525015,0.000118166594,0.00015383377,0.00002124649],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003414112,0.0004575306,0.0010775911,0.000047682206,0.0001653182,0.00007652122,0.04018065,1.4921636e-7,0.008589635,0.8457885,0.10288026,0.00070201297],"study_design_scores_gemma":[0.0009516552,0.0007285055,0.00037947643,0.00014907299,0.00009220685,0.000028024684,0.13819686,0.000064331354,0.057520933,0.118892506,0.68225163,0.0007447857],"about_ca_topic_score_codex":0.000113199225,"about_ca_topic_score_gemma":0.0002659724,"teacher_disagreement_score":0.726896,"about_ca_system_score_codex":0.0000046514037,"about_ca_system_score_gemma":0.000022914757,"threshold_uncertainty_score":0.99275255},"labels":[],"label_agreement":null},{"id":"W3164967110","doi":"10.16995/cg.4041","title":"Beyond the Two Solitudes: Differences in Fluidity in Franco-Canadian BD and Anglo-Canadian Comics Through the Influence of Manga","year":2021,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Mainstream; Sociology; Media studies; Art; Gender studies; Literature; Political science; Law","score_opus":0.038642354167724983,"score_gpt":0.25068863932900415,"score_spread":0.21204628516127916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3164967110","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9806828,0.0031960302,0.000005193824,0.007765008,0.00042322837,0.0002179755,0.00010824442,0.000007707152,0.0075938404],"genre_scores_gemma":[0.9959491,0.0016169768,0.000080307036,0.0018363405,0.0002377041,0.0000041531803,0.0000032972328,0.00005254479,0.00021959792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99806565,0.00048261942,0.0006374555,0.00016528137,0.00024825524,0.00040076394],"domain_scores_gemma":[0.99820536,0.0005717576,0.00041445091,0.00046399483,0.00017274187,0.00017168724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016009707,0.00022793337,0.00045751192,0.00033608158,0.00043329434,0.00036194967,0.0009975464,0.000083035775,0.000046064077],"category_scores_gemma":[0.00018562975,0.00013650664,0.00012163436,0.0002636999,0.0009384001,0.0002743316,0.00011080845,0.0010615728,0.0000011064363],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008350823,0.00008924768,0.16986127,0.00003287891,0.0001673175,0.00007496125,0.041958082,0.0001998871,0.00019046871,0.7819563,0.0051018973,0.00028417743],"study_design_scores_gemma":[0.0048071994,0.0002489647,0.22287081,0.0009040438,0.00017170854,0.00033628033,0.04134361,0.0005299117,0.00038250157,0.6374434,0.089985356,0.0009761959],"about_ca_topic_score_codex":0.16028953,"about_ca_topic_score_gemma":0.9537536,"teacher_disagreement_score":0.79346406,"about_ca_system_score_codex":0.0000885711,"about_ca_system_score_gemma":0.0004978091,"threshold_uncertainty_score":0.84530216},"labels":[],"label_agreement":null},{"id":"W3167473953","doi":"","title":"Évelyne Deprêtre et German A. Duarte (dirs), Transmédialité, bande dessinée et adaptation","year":2020,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Art; Humanities; Sociology; Philosophy; Linguistics","score_opus":0.06183553184160713,"score_gpt":0.2633243778793497,"score_spread":0.20148884603774259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3167473953","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16577978,0.005295522,0.0011273619,0.7578734,0.0012802735,0.0008994853,0.0018308018,0.00031358158,0.06559981],"genre_scores_gemma":[0.92538905,0.0013038128,0.00030833515,0.0069137607,0.0014486796,0.000017845288,0.00059526745,0.000098475866,0.06392475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693847,0.0006797949,0.00050003116,0.00072353845,0.000440426,0.00071775034],"domain_scores_gemma":[0.9980988,0.00034775416,0.00034668238,0.00037076054,0.0002597355,0.00057626347],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004081666,0.0005901965,0.00060169946,0.0002263903,0.00094273384,0.0008797079,0.00062864757,0.00059805124,0.0030929972],"category_scores_gemma":[0.0001736102,0.0006260662,0.0004350661,0.00045554384,0.00061458524,0.0014881551,0.00012724006,0.001395839,0.00014437252],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036074693,0.00026483287,0.00014028841,0.00016591544,0.00054500456,0.00033314162,0.22572586,0.0004890712,0.0012523994,0.5719122,0.18668921,0.012121275],"study_design_scores_gemma":[0.0033562873,0.00041464056,0.0070985346,0.00032069042,0.0003738578,0.0000401417,0.05123958,0.0025818783,0.00024776594,0.0024086162,0.9309878,0.000930243],"about_ca_topic_score_codex":0.0026568344,"about_ca_topic_score_gemma":0.0038018862,"teacher_disagreement_score":0.7596093,"about_ca_system_score_codex":0.00017116035,"about_ca_system_score_gemma":0.00047107672,"threshold_uncertainty_score":0.99961907},"labels":[],"label_agreement":null},{"id":"W3174455423","doi":"10.33137/wij.v17i2.36857","title":"Haworth, Kevin. The Comics of Rutu Modan: War, Love, and Secrets. Jackson, Mississippi: University Press of Mississippi, 2019.","year":2021,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Art history; Art; History; Archaeology; Literature","score_opus":0.014966097593870784,"score_gpt":0.21539239932756582,"score_spread":0.20042630173369502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174455423","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98010063,0.004443689,0.000029336423,0.0016282375,0.0004239906,0.00017656955,0.00015604252,0.000012088169,0.013029417],"genre_scores_gemma":[0.97516537,0.003346762,0.0003203719,0.000020597981,0.00019997294,0.0000013036531,0.00000906304,0.000036511094,0.020900026],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99820006,0.0002656164,0.00058201334,0.00025871288,0.0002893354,0.00040429208],"domain_scores_gemma":[0.99841964,0.00022679065,0.00052762276,0.000339903,0.00025181705,0.00023424497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000707097,0.00023911915,0.00052631943,0.00022578448,0.00043338296,0.00010046318,0.000413351,0.0000887659,0.000449774],"category_scores_gemma":[0.000050370938,0.00018323421,0.00016741545,0.00014799846,0.0007377862,0.0002896708,0.00035586674,0.00051486766,0.000001147837],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012409432,0.0018208079,0.03774835,0.0005031665,0.00089603465,0.0008794633,0.8584288,0.00040748288,0.0029676456,0.05373564,0.03675379,0.0046178736],"study_design_scores_gemma":[0.009917203,0.0010756081,0.06881904,0.0016092298,0.0002716029,0.0008404641,0.63583064,0.0045326,0.0011551685,0.030113742,0.24436787,0.0014668631],"about_ca_topic_score_codex":0.00010523594,"about_ca_topic_score_gemma":0.00021291716,"teacher_disagreement_score":0.22259818,"about_ca_system_score_codex":0.00007041115,"about_ca_system_score_gemma":0.00022826363,"threshold_uncertainty_score":0.7472074},"labels":[],"label_agreement":null},{"id":"W3175639298","doi":"10.4000/belphegor.3948","title":"La transition numérique de la bande dessinée franco-belge, une mutation impossible ?","year":2021,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01291595430799379,"score_gpt":0.2530905338793449,"score_spread":0.24017457957135108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175639298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.757297,0.033633552,0.011099774,0.023493465,0.0017280204,0.0003583043,0.00043919522,0.00013834864,0.17181236],"genre_scores_gemma":[0.9786866,0.0013762059,0.00043974197,0.0004372238,0.00082005013,0.00003582546,0.00010094561,0.000042527063,0.01806089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982803,0.00056914665,0.00032710293,0.00031181725,0.0001674712,0.00034416383],"domain_scores_gemma":[0.99900997,0.00040830416,0.00010456917,0.00019888711,0.00015901298,0.00011924657],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004629293,0.0002372336,0.00026586084,0.00010555188,0.0006373512,0.0005474219,0.00009694336,0.00026524308,0.0018387935],"category_scores_gemma":[0.00003824982,0.00025252462,0.00021091041,0.00019483862,0.0005542091,0.00030853186,0.00002176363,0.00041105147,0.00003658373],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007281892,0.0005677973,0.00015524981,0.00031451145,0.00013387787,0.0006053179,0.14293651,0.0001355039,0.0026271888,0.8267961,0.0068724635,0.018782659],"study_design_scores_gemma":[0.0018131438,0.00016405768,0.0039534047,0.00046070103,0.000107116306,0.0003508564,0.041279584,0.0016501317,0.004120663,0.11538733,0.83014774,0.0005652904],"about_ca_topic_score_codex":0.0011738949,"about_ca_topic_score_gemma":0.0046134307,"teacher_disagreement_score":0.82327527,"about_ca_system_score_codex":0.00006595262,"about_ca_system_score_gemma":0.00033744474,"threshold_uncertainty_score":0.9999927},"labels":[],"label_agreement":null},{"id":"W3175729003","doi":"","title":"The Character Transformation of Henry Fleming in The Red Badge of Courage","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Courage; Character (mathematics); Transformation (genetics); Naturalism; Literature; Philosophy; Spanish Civil War; Key (lock); History; Epistemology; Art; Theology","score_opus":0.022672206882715474,"score_gpt":0.28335137632416124,"score_spread":0.26067916944144576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175729003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9348828,0.052898087,4.2179025e-7,0.0006420753,0.00017396035,0.000120410026,0.000022969996,0.0000021525384,0.011257108],"genre_scores_gemma":[0.9983895,0.001163933,0.000003597845,0.00009419176,0.0001332212,0.000009354088,0.0000061452624,0.000002161439,0.00019788979],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995893,0.000053900774,0.00016733097,0.00003813129,0.000060127146,0.00009118213],"domain_scores_gemma":[0.99967325,0.00016948463,0.000051074705,0.000074588796,0.000026128435,0.0000054901284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004186686,0.000056347977,0.00011330077,0.000047951213,0.000090180525,0.000024263052,0.000056305133,0.000016663322,0.0000092003565],"category_scores_gemma":[0.00002073157,0.00002642175,0.000027049091,0.00005219839,0.00016340635,0.00014199734,0.000012367068,0.000105992905,8.1717864e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015976144,0.000018381836,0.0005731526,0.000059599057,0.000016919481,9.3060436e-7,0.9005702,3.1407428e-8,0.00015374286,0.09645645,0.0002614059,0.0018731897],"study_design_scores_gemma":[0.0006267458,0.00008005528,0.015611146,0.0005034107,0.000021020856,0.0000039969323,0.87662315,0.000011112813,0.00030844196,0.0031227388,0.102960736,0.00012742868],"about_ca_topic_score_codex":0.00001374542,"about_ca_topic_score_gemma":0.00036481814,"teacher_disagreement_score":0.10269933,"about_ca_system_score_codex":0.000002873384,"about_ca_system_score_gemma":0.00000188343,"threshold_uncertainty_score":0.107744776},"labels":[],"label_agreement":null},{"id":"W3176899872","doi":"10.1007/978-3-030-37998-8","title":"Documenting Trauma in Comics","year":2020,"lang":"en","type":"book","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Comics; Art; History; Literature","score_opus":0.11097799679187668,"score_gpt":0.3032075034474512,"score_spread":0.19222950665557448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176899872","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029058408,0.019578718,0.000011341719,0.0010639746,0.0012793635,0.0009956575,0.00039847384,0.00016728515,0.9735994],"genre_scores_gemma":[0.68870556,0.044367976,0.00038535806,0.0016101903,0.0015590595,0.00018899776,0.00017412563,0.00066530943,0.26234344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977683,0.00006509296,0.0007767374,0.0006898485,0.00022985709,0.00047019662],"domain_scores_gemma":[0.9988319,0.00032399927,0.00038083264,0.00030267282,0.00006318116,0.00009738934],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00040317184,0.0006158866,0.0012170889,0.0009632523,0.0002262234,0.00015978994,0.00030692073,0.0002022392,0.000045389294],"category_scores_gemma":[0.00005030483,0.00059598906,0.00020553001,0.00016097519,0.0013309943,0.00003549104,0.00035724233,0.00076433085,0.0000028571433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000298413,0.00003341689,0.0011047842,0.00036053965,0.00037379775,0.00005713679,0.0320532,7.446142e-7,0.0000025230588,0.94067556,0.024186647,0.0011218166],"study_design_scores_gemma":[0.001952267,0.0001435196,0.00014567055,0.0012383326,0.000085292784,0.000005271761,0.010690469,0.00012599383,0.0000021642113,0.5694402,0.41513616,0.0010346802],"about_ca_topic_score_codex":0.00031633186,"about_ca_topic_score_gemma":0.022726195,"teacher_disagreement_score":0.7112559,"about_ca_system_score_codex":0.00006317322,"about_ca_system_score_gemma":0.000050670067,"threshold_uncertainty_score":0.99964917},"labels":[],"label_agreement":null},{"id":"W3178212663","doi":"","title":"Mundane Intimacies and Everyday Violence in Contemporary Canada Comics","year":2021,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Sociology; Everyday life; Gender studies; Media studies; Visual arts; Art; Aesthetics; Political science; Literature; Law","score_opus":0.02443203192544735,"score_gpt":0.22448065022920893,"score_spread":0.20004861830376158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178212663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64143,0.0049771527,4.0860698e-7,0.00017914928,0.00096124446,0.00016682137,0.0000968616,0.000026719106,0.3521616],"genre_scores_gemma":[0.8802183,0.0006085268,0.000009602979,0.00018521013,0.00006017104,0.000010210652,0.0005126531,0.000023916687,0.11837136],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936163,0.000024413175,0.00020824325,0.00019516713,0.00010533474,0.000105229854],"domain_scores_gemma":[0.9996592,0.000056008244,0.00008405883,0.00010817592,0.000058674457,0.000033885844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005032065,0.00016059932,0.00026602144,0.000107735264,0.00009357717,0.00012823782,0.000080418184,0.000053310745,0.0005210575],"category_scores_gemma":[0.000012941185,0.00014705324,0.000028517605,0.000030889416,0.00007253571,0.00005781197,0.000019515986,0.00017102333,4.2558224e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010926345,0.00010201832,0.0058631487,0.0006155234,0.00018253409,0.00017440555,0.07483292,9.3688124e-7,0.00007595489,0.75063235,0.16248251,0.0049284054],"study_design_scores_gemma":[0.0011571816,0.000083631516,0.009231651,0.002218565,0.000035210738,0.000005303103,0.34094346,0.0001821174,0.00037068166,0.012494873,0.6318483,0.0014290387],"about_ca_topic_score_codex":0.86372274,"about_ca_topic_score_gemma":0.9985854,"teacher_disagreement_score":0.7381375,"about_ca_system_score_codex":0.000022120648,"about_ca_system_score_gemma":0.00047610298,"threshold_uncertainty_score":0.5996657},"labels":[],"label_agreement":null},{"id":"W3182985515","doi":"10.4000/eccs.4774","title":"La bande dessinée québécoise et ses liens avec l’Europe francophone : une histoire artistique et critique encore à établir","year":2021,"lang":"fr","type":"article","venue":"Études canadiennes / Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Art; French; Humanities; Ethnology; History","score_opus":0.018689586068087995,"score_gpt":0.24738899237137618,"score_spread":0.2286994063032882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182985515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5049284,0.19435744,0.000009132887,0.08657249,0.006280803,0.00056587235,0.0045624087,0.00013799604,0.20258546],"genre_scores_gemma":[0.93808603,0.020549063,0.00012405872,0.0076251174,0.000692878,0.000119473865,0.00013669296,0.00014047055,0.032526217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99572957,0.00072679337,0.0007724896,0.0009896215,0.00029408952,0.0014874495],"domain_scores_gemma":[0.9958653,0.00080228905,0.00022981841,0.00064041035,0.0012519178,0.0012102951],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00057123014,0.00085550826,0.0011027552,0.00054292876,0.002354898,0.00046346826,0.00038427144,0.00027674975,0.0007537347],"category_scores_gemma":[0.0006187168,0.00090967026,0.0003131054,0.0007115742,0.0025728953,0.0004769598,0.00017476319,0.0009166789,0.000031864063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002052606,0.00012183722,0.00052597566,0.00038513402,0.00071646844,0.0050654,0.14289254,0.000036479887,0.000038687038,0.79139435,0.0471767,0.011625888],"study_design_scores_gemma":[0.0004442009,0.00015124229,0.0029263964,0.0008386958,0.00014176752,0.00027387362,0.1815788,0.000033428252,0.00003645312,0.004002306,0.8086571,0.0009157224],"about_ca_topic_score_codex":0.8688632,"about_ca_topic_score_gemma":0.99989116,"teacher_disagreement_score":0.7873921,"about_ca_system_score_codex":0.0009873018,"about_ca_system_score_gemma":0.005143183,"threshold_uncertainty_score":0.9993354},"labels":[],"label_agreement":null},{"id":"W3184607756","doi":"","title":"\"A VR Empathy Machine”: Testimony, Recognition, and Affect on Canada Reads 2019","year":2020,"lang":"en","type":"article","venue":"Canadian literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Empathy; Citizenship; Theme (computing); Reading (process); Sociology; Memoir; Law; Aesthetics; Media studies; Political science; Psychology; Social psychology; Art; Computer science","score_opus":0.01949053820475185,"score_gpt":0.1789505577290586,"score_spread":0.15946001952430675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3184607756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71748126,0.01513119,0.0000014052073,0.08972774,0.002000305,0.00085803657,0.02295338,0.00012753661,0.15171917],"genre_scores_gemma":[0.9780476,0.00003900477,0.000012492774,0.016794242,0.0006375014,0.0000072644234,0.00058080786,0.00001998047,0.0038610925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931663,0.00003437071,0.000106742176,0.00023648987,0.000086141205,0.00021964156],"domain_scores_gemma":[0.99922216,0.000052579522,0.000031649084,0.000116511976,0.0000825501,0.00049456145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003922043,0.00016191769,0.00014603951,0.000092142465,0.00029697717,0.00035040177,0.00009122491,0.000050948693,0.0006116669],"category_scores_gemma":[0.00005871499,0.00013955873,0.000033219734,0.00008534123,0.00006255712,0.000095636344,0.000009471335,0.00027671884,0.00001649561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025674673,0.0000072321814,0.0005476634,0.000045225548,0.0000374539,0.00020596765,0.052922443,0.0000010820653,0.000012038108,0.019953636,0.9212557,0.004985892],"study_design_scores_gemma":[0.00020135008,0.00013861779,0.0008838093,0.00009884317,0.000011875361,0.000006989129,0.0008824716,0.000061764986,0.000010347805,0.0015543291,0.99589586,0.00025371808],"about_ca_topic_score_codex":0.7891798,"about_ca_topic_score_gemma":0.99567306,"teacher_disagreement_score":0.26056635,"about_ca_system_score_codex":0.00005077883,"about_ca_system_score_gemma":0.00037697438,"threshold_uncertainty_score":0.6697324},"labels":[],"label_agreement":null},{"id":"W3186179522","doi":"10.7203/eutopias.21.21272","title":"Julie Doucet: del underground al desencanto y la experimentación gráfica","year":2021,"lang":"es","type":"article","venue":"EU-topías Revista de interculturalidad comunicación y estudios europeos","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Art; Cartography; Philosophy; Art history; Geography","score_opus":0.030079048259191617,"score_gpt":0.2899846720612861,"score_spread":0.2599056238020945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186179522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8269991,0.046560206,0.000116598654,0.023215279,0.0014465966,0.0011611102,0.00038856376,0.00041658283,0.09969591],"genre_scores_gemma":[0.96885216,0.00902001,0.00033142208,0.005941737,0.0008024129,0.00009019815,0.00016768981,0.00019533666,0.01459901],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992797,0.0021791202,0.0015929195,0.0014637501,0.00075850467,0.0012086862],"domain_scores_gemma":[0.9954207,0.00072690845,0.0006225827,0.001811318,0.0008849477,0.00053353177],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007510323,0.0012593621,0.0014806656,0.00023219356,0.0015803325,0.007330236,0.0016199242,0.00025904115,0.002482579],"category_scores_gemma":[0.00036280858,0.0010913372,0.0010267253,0.00041466067,0.0013373957,0.00067441264,0.0015347728,0.0014139822,0.00048826615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021867544,0.00084476086,0.0009158308,0.00028621545,0.0016229321,0.0017077454,0.03963769,0.0000072017465,0.011400376,0.8530556,0.088268586,0.0020344001],"study_design_scores_gemma":[0.0015238058,0.00032948243,0.00066661194,0.0013333511,0.0003828614,0.0005929222,0.021191426,0.00011341243,0.0011755285,0.00039529713,0.97088605,0.001409267],"about_ca_topic_score_codex":0.00029102602,"about_ca_topic_score_gemma":0.00032794627,"teacher_disagreement_score":0.8826175,"about_ca_system_score_codex":0.000390897,"about_ca_system_score_gemma":0.00033556827,"threshold_uncertainty_score":0.9997195},"labels":[],"label_agreement":null},{"id":"W3193296368","doi":"10.1080/16549716.2021.1940763","title":"Ngutulu Kagwero (agents of change): study design of a participatory comic pilot study on sexual violence prevention and post-rape clinical care with refugee youth in a humanitarian setting in Uganda","year":2021,"lang":"en","type":"article","venue":"Global Health Action","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Public Health Ontario; United Nations University Institute for Water, Environment, and Health; Women's College Hospital; University of Toronto","funders":"Grand Challenges Canada; Ontario Ministry of Research, Innovation and Science; Canada Research Chairs; National Institute of Mental Health; Canada Foundation for Innovation","keywords":"Sexual violence; Refugee; Psychological intervention; Reproductive health; Medicine; Participatory action research; Health care; Community-based participatory research; Nursing; Psychology; Population; Political science; Sociology; Environmental health","score_opus":0.3321655842513682,"score_gpt":0.43750310177486895,"score_spread":0.10533751752350073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193296368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.998082,0.00026548412,0.000008151326,0.000037838323,0.0002065451,0.0013048372,0.00006846806,0.000009858273,0.000016814525],"genre_scores_gemma":[0.99972725,0.000029749537,0.000014468381,0.000081364575,0.00006848534,0.000048670303,0.000020627258,0.000007033259,0.0000023551647],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99788976,0.0008242056,0.0005932087,0.00029939113,0.00019861326,0.00019484335],"domain_scores_gemma":[0.9992828,0.00005789332,0.0003072995,0.00015891185,0.00013461441,0.000058495058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007503902,0.00012492838,0.00034075973,0.00010293572,0.00013305766,0.000022687303,0.000055883083,0.000025199308,0.000007864004],"category_scores_gemma":[0.00002838918,0.00011359298,0.000018664281,0.00011699451,0.00007362398,0.000116698466,0.00003425404,0.00016639945,3.6596262e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018923993,0.005241994,0.7862158,0.00021132731,0.000047788828,0.00001213799,0.18741646,0.000023369445,0.000008706841,0.00043396873,0.000003416951,0.018492643],"study_design_scores_gemma":[0.0019192602,0.016795138,0.5828101,0.00028566958,0.000026199576,4.9639675e-7,0.39792785,0.000040095314,0.0000021928195,0.00012087238,0.0000024389485,0.00006966331],"about_ca_topic_score_codex":0.006229316,"about_ca_topic_score_gemma":0.18296744,"teacher_disagreement_score":0.21051139,"about_ca_system_score_codex":0.00012699282,"about_ca_system_score_gemma":0.0002103018,"threshold_uncertainty_score":0.9416904},"labels":[],"label_agreement":null},{"id":"W3196589234","doi":"","title":"Getting to Resurgence Through Sourcing Cultural Strength: An Analysis of Robertson’s Will I See and LaPensée’s Deer Woman","year":2021,"lang":"en","type":"article","venue":"Canadian literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Indigenous; Government (linguistics); History; Storytelling; Gender studies; Spirituality; Sociology; Political science; Literature; Narrative; Art; Medicine; Ecology","score_opus":0.015896580875483686,"score_gpt":0.23441531610415847,"score_spread":0.2185187352286748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196589234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99078363,0.0021751197,0.0000038112369,0.0022273236,0.00016905945,0.00006627326,0.00044504623,0.000012905976,0.004116842],"genre_scores_gemma":[0.9943415,0.00003269829,0.00027227736,0.0017909539,0.0002076045,0.000003940874,0.00022466472,0.000011314854,0.0031150542],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907535,0.000055825298,0.00019888743,0.00030397673,0.0001014341,0.00026450033],"domain_scores_gemma":[0.9990978,0.00004009987,0.000056314984,0.00024158401,0.00028441756,0.0002797506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000084882864,0.00014716989,0.00026620654,0.00026014302,0.00033073718,0.00050305173,0.0001037274,0.00008024934,0.0007215627],"category_scores_gemma":[0.000055377688,0.00012898624,0.00010029235,0.00042582417,0.00007293163,0.00042116884,0.000025689284,0.0002068241,6.954268e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013783581,0.00003102901,0.012117709,0.00005368809,0.00058773876,0.00015653984,0.70949477,0.00014783833,0.00078981085,0.26622838,0.008888817,0.001489909],"study_design_scores_gemma":[0.00025992293,0.00008020523,0.023442436,0.00031907496,0.00039323952,0.000014966328,0.055256944,0.0011026291,0.00024651573,0.0017784769,0.91642565,0.00067992567],"about_ca_topic_score_codex":0.019699128,"about_ca_topic_score_gemma":0.76009446,"teacher_disagreement_score":0.90753686,"about_ca_system_score_codex":0.00003777984,"about_ca_system_score_gemma":0.00008992821,"threshold_uncertainty_score":0.9868288},"labels":[],"label_agreement":null},{"id":"W3201465546","doi":"10.29173/slw8223","title":"Graphic Novel Selection and the Application of Intellectual Freedom in New Zealand Secondary School Libraries","year":2021,"lang":"en","type":"article","venue":"School Libraries Worldwide","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intellectual freedom; Censorship; Impartiality; Selection (genetic algorithm); School library; Information literacy; Literacy; Freedom of information; Public relations; Sociology; Psychology; Library science; Pedagogy; Political science; Computer science; Law","score_opus":0.011492626038451895,"score_gpt":0.19799910414192068,"score_spread":0.1865064781034688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3201465546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80887073,0.03243615,0.0046764445,0.049379934,0.0018661887,0.0024792687,0.0002895496,0.00047577513,0.09952598],"genre_scores_gemma":[0.97753835,0.00036038572,0.0011150927,0.00069343933,0.0006549966,0.000051036972,0.00006902901,0.000036142286,0.019481521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987293,0.00011080905,0.0004542467,0.0003212997,0.00016156005,0.00022282205],"domain_scores_gemma":[0.9987323,0.00063909916,0.00015686556,0.00026497425,0.000083420426,0.00012330714],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001985478,0.00020253852,0.0003489162,0.0002947391,0.00031347215,0.0006895076,0.00021211145,0.000064352906,0.0017825768],"category_scores_gemma":[0.00041233437,0.00015447229,0.00010205389,0.0004539609,0.0007366948,0.0010101374,0.00015854395,0.00047830734,0.000010016481],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003946105,0.000060555507,0.013077771,0.000034125405,0.00009273875,0.0000011516311,0.015459842,0.00001931327,0.00035470212,0.9468941,0.021794776,0.0018162782],"study_design_scores_gemma":[0.005134438,0.00010901624,0.022595929,0.00014361479,0.00007223403,0.000016939963,0.013957484,0.0013143796,0.0018145333,0.37803674,0.5762845,0.00052016444],"about_ca_topic_score_codex":0.0008703771,"about_ca_topic_score_gemma":0.01186667,"teacher_disagreement_score":0.5688574,"about_ca_system_score_codex":0.000011341858,"about_ca_system_score_gemma":0.0006499402,"threshold_uncertainty_score":0.99912995},"labels":[],"label_agreement":null},{"id":"W3204201574","doi":"10.29173/iasl8278","title":"Paradigm Shift from Books to Graphic Novels: The Coherence and Aesthetics of Graphic Narratives","year":2021,"lang":"en","type":"article","venue":"IASL Annual Conference Proceedings","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Storytelling; Narrative; Coherence (philosophical gambling strategy); Style (visual arts); Aesthetics; Power (physics); Art; Literature; Visual arts; Computer science","score_opus":0.03138205276283439,"score_gpt":0.23419218404839015,"score_spread":0.20281013128555575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204201574","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.983048,0.0008797748,0.0000507291,0.009749462,0.00016182322,0.00025344355,0.00021129336,0.00004118715,0.0056042797],"genre_scores_gemma":[0.99861956,0.000116689436,0.000093987124,0.0005372898,0.000116748146,0.000041184085,0.000007379219,0.000016525888,0.000450643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986207,0.000028517074,0.0003620911,0.0004338746,0.00027608496,0.00027873332],"domain_scores_gemma":[0.9989232,0.000120314624,0.00017980459,0.00016957069,0.0004776182,0.00012949652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001892059,0.00026202956,0.00035859464,0.00013044605,0.00040833437,0.00045964323,0.00034258227,0.00006618827,0.0002879362],"category_scores_gemma":[0.000070591945,0.00018979861,0.00009809632,0.00018185997,0.0009394243,0.00031081785,0.00016061236,0.00026753644,0.0000051934035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002674307,0.00004171706,0.0021169311,0.000019703686,0.00004175338,0.0000018680704,0.49772865,7.9091784e-8,0.00028721718,0.49893394,0.0003053351,0.0004960537],"study_design_scores_gemma":[0.0003879459,0.00041011922,0.010898718,0.00032872523,0.00005088553,0.000008646891,0.44735447,0.00003261606,0.0012826477,0.49303353,0.045715053,0.0004966617],"about_ca_topic_score_codex":0.00016420954,"about_ca_topic_score_gemma":0.0011196033,"teacher_disagreement_score":0.050374184,"about_ca_system_score_codex":0.0000054106767,"about_ca_system_score_gemma":0.00010405217,"threshold_uncertainty_score":0.77397627},"labels":[],"label_agreement":null},{"id":"W3204338154","doi":"10.32920/ryerson.14650008.v1","title":"Depression and the Devil of Hell's Kitchen: Exploring How Mental Illness Is Depicted in Daredevil Comic Books","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Professional Engineers Ontario; University of Toronto","funders":"","keywords":"Comics; Mainstream; Narrative; Mental illness; Depiction; Depression (economics); Mental health; Psychology; Aesthetics; Literature; Psychiatry; Art; Political science","score_opus":0.05858830892312723,"score_gpt":0.23003680082241004,"score_spread":0.1714484918992828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204338154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.983045,0.004238406,0.000018367571,0.0015053656,0.00070618716,0.0004502514,0.00005341668,0.000024629604,0.009958394],"genre_scores_gemma":[0.9957894,0.0019048341,0.000034841843,0.00015278379,0.00011338037,0.000117780386,0.000042422555,0.000020806707,0.0018237397],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987637,0.00014152689,0.00034469832,0.00038073538,0.00019231655,0.00017701404],"domain_scores_gemma":[0.99915993,0.00014736888,0.00019500694,0.00036605124,0.0000902627,0.00004138856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025354064,0.00025961068,0.0005320917,0.00013913403,0.00024320465,0.00037196663,0.00024646745,0.000088993314,0.00047722008],"category_scores_gemma":[0.000020919177,0.00016995263,0.00015220097,0.000030470319,0.00042830213,0.00013281623,0.0008439629,0.00041578483,3.753956e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037576858,0.00019049442,0.004226408,0.00070854725,0.00044921832,0.000017886568,0.8727422,0.00001177742,0.00060673675,0.101204835,0.0017943736,0.017671775],"study_design_scores_gemma":[0.009331253,0.0001147949,0.0061057936,0.0050450377,0.00032292696,0.000018221155,0.8093673,0.0040877014,0.031313315,0.029862637,0.10192011,0.002510918],"about_ca_topic_score_codex":0.0013391165,"about_ca_topic_score_gemma":0.008908117,"teacher_disagreement_score":0.10012574,"about_ca_system_score_codex":0.000024522134,"about_ca_system_score_gemma":0.00006027856,"threshold_uncertainty_score":0.69304675},"labels":[],"label_agreement":null},{"id":"W3205056147","doi":"10.25071/2564-4661.24","title":"Graphic Reminders: Confronting Colonialism in Canada through Betty: The Helen Betty Osborne Story","year":2021,"lang":"en","type":"article","venue":"Contemporary Kanata Interdisciplinary Approaches To Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Indigenous; Injustice; Colonialism; Narrative; Politics; History; Sociology; Anthropology; Gender studies; Art history; Media studies; Art; Law; Literature; Political science","score_opus":0.2737561901392029,"score_gpt":0.2775230094484587,"score_spread":0.00376681930925582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205056147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49764982,0.06574267,0.000010653878,0.2886272,0.0037403873,0.001800246,0.0011874348,0.000078139135,0.14116344],"genre_scores_gemma":[0.99344134,0.00006248318,0.000047314417,0.0033273054,0.00043168775,0.00020835549,0.00011010903,0.000045186414,0.0023261984],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972215,0.00034015122,0.00063598645,0.00077046046,0.00031017035,0.000721673],"domain_scores_gemma":[0.9982488,0.00038330967,0.0001815703,0.00068299286,0.00021641041,0.00028691126],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005617749,0.00045415477,0.0007416913,0.00027945143,0.0016483702,0.00021019965,0.0006488729,0.0000727071,0.00013107859],"category_scores_gemma":[0.00012638861,0.00037163973,0.00016822436,0.00034600342,0.00066273205,0.00042450373,0.00080144184,0.00066607236,0.0000071906293],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009678855,0.00007628898,0.006760405,0.00016424932,0.0012108523,0.0011686007,0.43716198,0.000033310964,0.000007201744,0.13771571,0.41290918,0.0026954338],"study_design_scores_gemma":[0.00044408411,0.00008427884,0.0035552536,0.000244009,0.000039909675,0.0000148917225,0.66280323,0.00006601986,0.000026443813,0.007149415,0.3249941,0.0005783447],"about_ca_topic_score_codex":0.8888804,"about_ca_topic_score_gemma":0.9997828,"teacher_disagreement_score":0.49579155,"about_ca_system_score_codex":0.0010635962,"about_ca_system_score_gemma":0.003944999,"threshold_uncertainty_score":0.9998736},"labels":[],"label_agreement":null},{"id":"W3207327154","doi":"10.1515/mc-2020-0025","title":"The designing of ocean threat comics by elementary students","year":2021,"lang":"en","type":"article","venue":"Multimodal Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Semiotics; Meaning (existential); Visual literacy; Visual arts; Sign (mathematics); Mathematics education; Literacy; Pedagogy; Sociology; Psychology; Art; Linguistics; Literature","score_opus":0.025319040724706247,"score_gpt":0.2713855552869074,"score_spread":0.24606651456220113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207327154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97784907,0.0050285263,0.00017553713,0.0018346481,0.00011890436,0.0002523082,0.000066441266,0.000054780598,0.0146198],"genre_scores_gemma":[0.9968897,0.00092334626,0.0004577082,0.00008719116,0.00001752763,0.000005515591,0.00010851004,0.000013690011,0.0014967835],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993949,0.00013752638,0.00018213222,0.00007497762,0.00012582904,0.000084641884],"domain_scores_gemma":[0.9991393,0.00019369608,0.00010429464,0.00045352025,0.00009173678,0.000017449054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021882355,0.00006590166,0.000088339584,0.00001918284,0.000515062,0.00010482383,0.00038687297,0.000015625817,0.000069473484],"category_scores_gemma":[0.000015470472,0.00005120529,0.000042338997,0.000028797738,0.00019205644,0.000065834254,0.00016859056,0.000092209084,0.000001703646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014453527,0.0012890471,0.0881309,0.000049974886,0.00065069756,0.0000018503953,0.13036053,0.000028874061,0.010158627,0.603125,0.14404282,0.022017153],"study_design_scores_gemma":[0.0054692775,0.000340965,0.010426193,0.00034716545,0.00020530188,0.0000041501494,0.19895448,0.0066368915,0.027585834,0.055503562,0.6934495,0.0010766926],"about_ca_topic_score_codex":0.0005241968,"about_ca_topic_score_gemma":0.0020194317,"teacher_disagreement_score":0.54940665,"about_ca_system_score_codex":0.000013106388,"about_ca_system_score_gemma":0.000012135322,"threshold_uncertainty_score":0.39614928},"labels":[],"label_agreement":null},{"id":"W3207400527","doi":"10.7202/1083429ar","title":"Henry Clerval Scolding Victor Frankenstein: An autoethnographic poem about graduate students and their daemons","year":2021,"lang":"en","type":"article","venue":"McGill Journal of Education / Revue des sciences de l éducation de McGill","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Craft; Context (archaeology); Face (sociological concept); Art; Autoethnography; Art history; Literature; Sociology; Philosophy; Visual arts; History; Linguistics; Gender studies","score_opus":0.4365611400239814,"score_gpt":0.4155821174380089,"score_spread":0.020979022585972507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207400527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9901328,0.001027349,0.00005847476,0.0018255998,0.0021288188,0.000116971685,0.00004393798,0.000020850497,0.004645202],"genre_scores_gemma":[0.995362,0.0006948756,0.0015592315,0.0010340782,0.00045626497,0.0000115619505,0.0000067747715,0.000017709292,0.00085754524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9981657,0.00032360718,0.0005663571,0.0003076433,0.00031161917,0.00032505812],"domain_scores_gemma":[0.9979301,0.00017047944,0.0005094903,0.00021382194,0.0008942051,0.0002818877],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0015289978,0.00019855966,0.0002759142,0.00050893397,0.0024709532,0.0004865049,0.00044582709,0.000056388802,0.00019481649],"category_scores_gemma":[0.00024338817,0.00017228848,0.00014707557,0.00042227117,0.0007710516,0.0009993789,0.000060158538,0.0002682223,0.0000025929696],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011405104,0.00383561,0.03508497,0.0004436342,0.00042102704,0.00003255832,0.4391173,0.00056932814,0.007376026,0.44859797,0.004799611,0.059607904],"study_design_scores_gemma":[0.0014184301,0.001423161,0.14027607,0.0017672259,0.00027094464,0.0019772917,0.3901623,0.0024567044,0.003554532,0.14229439,0.31302887,0.0013700881],"about_ca_topic_score_codex":0.00010147476,"about_ca_topic_score_gemma":0.0011061333,"teacher_disagreement_score":0.30822927,"about_ca_system_score_codex":0.00019710427,"about_ca_system_score_gemma":0.0004406794,"threshold_uncertainty_score":0.9988277},"labels":[],"label_agreement":null},{"id":"W3207591552","doi":"10.1017/pli.2021.18","title":"Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines","year":2021,"lang":"en","type":"article","venue":"The Cambridge Journal of Postcolonial Literary Inquiry","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Realism; Dialectic; Aesthetics; Materialism; Colonialism; History; Solidarity; Sociology; Philosophy; Epistemology; Political science; Law; Archaeology","score_opus":0.022346719585795788,"score_gpt":0.25433802341098505,"score_spread":0.23199130382518926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207591552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9564349,0.016693896,0.000012280375,0.021394335,0.00385148,0.00019948017,0.00014897995,0.000009016322,0.0012556358],"genre_scores_gemma":[0.9889374,0.0006973154,0.000030182533,0.001573435,0.0059393602,0.0000034289876,0.000017925498,0.000016638762,0.0027843225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798536,0.000579578,0.00079093024,0.00014858034,0.00029490015,0.00020067485],"domain_scores_gemma":[0.9979027,0.0006976109,0.00065037754,0.000303784,0.0003705587,0.00007496917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010428649,0.00020581715,0.000520202,0.00018090065,0.00035639014,0.00045862558,0.0003651758,0.00005343168,0.00004324571],"category_scores_gemma":[0.00014097524,0.00010630918,0.00034531328,0.00019655986,0.0012219191,0.00038461608,0.0001475726,0.0005651128,0.0000010205874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007861987,0.00036308143,0.0007440917,0.00013417847,0.000900006,0.0005338561,0.39266407,0.00001683285,0.0018263123,0.5219357,0.059345003,0.013674848],"study_design_scores_gemma":[0.012634778,0.001005,0.008291112,0.0014859012,0.00072549,0.0016955895,0.0064909225,0.00035452997,0.0014691873,0.07154315,0.8935952,0.0007091221],"about_ca_topic_score_codex":0.00007254489,"about_ca_topic_score_gemma":0.00014825466,"teacher_disagreement_score":0.8342502,"about_ca_system_score_codex":0.000015221009,"about_ca_system_score_gemma":0.00015785983,"threshold_uncertainty_score":0.45022118},"labels":[],"label_agreement":null},{"id":"W3209070324","doi":"10.3389/fcomm.2021.758198","title":"Teaching Science Communication with Comics for Postgraduate Students","year":2021,"lang":"en","type":"article","venue":"Frontiers in Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Comics; Context (archaeology); Storytelling; Science communication; Discipline; Student engagement; Communication skills; Mathematics education; Engineering ethics; Computer science; Science education; Sociology; Psychology; Medical education; Engineering; Social science; Narrative; Art; Medicine; Geography","score_opus":0.02600099629639507,"score_gpt":0.2848205106131395,"score_spread":0.25881951431674444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209070324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7711582,0.013458436,0.019587787,0.022466635,0.0011318624,0.0023324906,0.00011495119,0.00037966666,0.16936998],"genre_scores_gemma":[0.9531921,0.000481173,0.043630086,0.00018776386,0.000019364454,0.000059961843,0.00008718089,0.00002259386,0.0023197872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921286,0.0001301376,0.00018017282,0.00015823207,0.00017095247,0.0001476381],"domain_scores_gemma":[0.9987708,0.0000816499,0.00011540776,0.0008208112,0.00018167474,0.000029672738],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006930745,0.000087619694,0.00013788878,0.00014076562,0.0008021265,0.0002799327,0.00079395884,0.000020682612,0.000006861335],"category_scores_gemma":[0.00004676853,0.00008299375,0.000028462606,0.00011177201,0.0005761666,0.00029262784,0.00019777169,0.00019050718,5.8683577e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010423329,0.0004742843,0.033240538,0.00003614927,0.000070638125,8.2669845e-7,0.07911197,0.0000150677415,0.00015710495,0.8422176,0.018034944,0.026536617],"study_design_scores_gemma":[0.005309764,0.00028446046,0.010558788,0.0008059549,0.00009484549,0.000008380045,0.15068847,0.016312558,0.00077170826,0.17859621,0.6355192,0.0010496579],"about_ca_topic_score_codex":0.00039568372,"about_ca_topic_score_gemma":0.0037588628,"teacher_disagreement_score":0.6636214,"about_ca_system_score_codex":0.00006890487,"about_ca_system_score_gemma":0.00007006216,"threshold_uncertainty_score":0.61693895},"labels":[],"label_agreement":null},{"id":"W3211050365","doi":"10.3138/chr-2020-0047","title":"De-picturing John A. Macdonald: Opportunities and Challenges of Representing Canada’s Past with Graphic History","year":2021,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historiography; Narrative; Statue; Comics; History; Intellectual history; Rigour; Sociology; Representation (politics); Visual arts; Media studies; Aesthetics; Art history; Literature; Art; Epistemology; Law; Politics; Political science; Philosophy","score_opus":0.09443772969632677,"score_gpt":0.20688017454102486,"score_spread":0.11244244484469809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211050365","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010437353,0.8915122,8.495344e-7,0.029888479,0.0002797217,0.00009459589,0.000017918303,0.000009036916,0.07715345],"genre_scores_gemma":[0.26588297,0.7020487,0.000065803295,0.004268499,0.0004034334,0.000038303715,0.000018964747,0.000044796394,0.027228508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907863,0.000071268674,0.0002496866,0.00021144761,0.00015101302,0.00023795002],"domain_scores_gemma":[0.999092,0.00007142056,0.000109699344,0.00021542772,0.00016809774,0.00034338707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016134427,0.00013088249,0.00035353316,0.00010597342,0.00015147969,0.000015657288,0.000096463955,0.000024304247,0.0005985827],"category_scores_gemma":[0.00006940412,0.00011702193,0.000060337523,0.00003786543,0.00009151014,0.000055266468,0.000019353765,0.00012797434,2.6004787e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005736305,0.000024937961,0.0005791435,0.0053875493,0.00013911752,0.0006973401,0.0067209466,3.5819036e-7,0.0000050204153,0.6714768,0.26842132,0.04654175],"study_design_scores_gemma":[0.000056006058,0.00001802158,0.00020236168,0.0009228374,0.000047869078,0.00002528459,0.0007591289,0.0000013274198,9.351078e-7,0.00017864809,0.9976427,0.00014489221],"about_ca_topic_score_codex":0.811122,"about_ca_topic_score_gemma":0.9952051,"teacher_disagreement_score":0.72922134,"about_ca_system_score_codex":0.0017773539,"about_ca_system_score_gemma":0.0022489717,"threshold_uncertainty_score":0.655406},"labels":[],"label_agreement":null},{"id":"W3215183331","doi":"10.3167/eca.2021.140201","title":"Introduction","year":2021,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; The arts; Relevance (law); Notice; Art history; Art; History; Sociology; Media studies; Library science; Humanities; Visual arts; Political science; Law; Literature","score_opus":0.01890527190102665,"score_gpt":0.19044121617316703,"score_spread":0.1715359442721404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215183331","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09744079,0.00015785379,0.000063123945,0.009332838,0.001524382,0.000034166344,0.0000072725475,0.00007853938,0.89136106],"genre_scores_gemma":[0.7472034,0.00003045988,0.00005413961,0.00066489977,0.0039231707,7.811843e-7,0.00003512046,0.00001747198,0.24807055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951106,0.00009727529,0.00010792613,0.00014473726,0.000051956296,0.00008703027],"domain_scores_gemma":[0.9997009,0.000014974976,0.00002803021,0.0001742435,0.000055314275,0.000026531048],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012141849,0.000060293114,0.00006768558,0.000028261013,0.00018344716,0.000111546564,0.000061855,0.0000045332,0.00769754],"category_scores_gemma":[0.000021352993,0.000055727593,0.00004728865,0.0000206768,0.00008033323,0.000064540225,0.00004637153,0.00007843809,0.002224296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042740253,0.000028943497,0.00003959145,0.0000028236286,0.000016291804,0.000022476423,0.0063376795,0.0000018313231,0.0006573275,0.36318216,0.62758607,0.0021205337],"study_design_scores_gemma":[0.00011429344,0.000013813528,0.0003335745,0.0000038481344,0.000004750509,0.00000731986,0.0009601086,0.000017368659,0.00016144883,0.0013339724,0.99697423,0.00007527583],"about_ca_topic_score_codex":0.0000015268917,"about_ca_topic_score_gemma":0.00006297247,"teacher_disagreement_score":0.64976263,"about_ca_system_score_codex":0.0000065936865,"about_ca_system_score_gemma":0.000011057875,"threshold_uncertainty_score":0.99855256},"labels":[],"label_agreement":null},{"id":"W3216601333","doi":"","title":"Comics during the 2012 Quebec student protests : a dissemination and mobilization tool for an ongoing struggle","year":2020,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mobilization; Comics; Political science; Media studies; Public relations; Sociology; Law","score_opus":0.020019705037222564,"score_gpt":0.25334947476135966,"score_spread":0.2333297697241371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216601333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9625304,0.0007353635,0.017313521,0.009354547,0.00022834983,0.002579427,0.00023955775,0.0002579935,0.006760859],"genre_scores_gemma":[0.9839108,0.00015494414,0.0015516934,0.000036112135,0.00007889441,0.00035008264,0.00040012022,0.000052895633,0.013464433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978871,0.0009808986,0.00031979464,0.00044675308,0.00019547979,0.00016997581],"domain_scores_gemma":[0.997553,0.0006137365,0.00035413628,0.0006940658,0.00071312697,0.000071918235],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00139497,0.00021720424,0.0002167164,0.00009513342,0.00072811334,0.0010406732,0.00047208136,0.00008469828,0.00005388677],"category_scores_gemma":[0.00031114186,0.00018803816,0.00008999842,0.000060330192,0.0002399145,0.00021024911,0.00051947276,0.00025528556,0.0000010848646],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028275328,0.00041987462,0.0019196685,0.00045130515,0.00010180002,5.515006e-7,0.29030475,0.000031317446,0.002123364,0.68828803,0.0014348879,0.014896159],"study_design_scores_gemma":[0.0077102454,0.000029028288,0.14231414,0.0159276,0.00089718105,0.000023419052,0.078986794,0.24679704,0.040577184,0.15531619,0.30481988,0.006601294],"about_ca_topic_score_codex":0.0018621422,"about_ca_topic_score_gemma":0.08951561,"teacher_disagreement_score":0.53297186,"about_ca_system_score_codex":0.0000514089,"about_ca_system_score_gemma":0.0000754696,"threshold_uncertainty_score":0.99999636},"labels":[],"label_agreement":null},{"id":"W336484707","doi":"10.4000/belphegor.504","title":"Nicolas Rouvière (dir.), Bande dessinée et enseignement des humanités","year":2014,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art; Humanities","score_opus":0.03321277807210127,"score_gpt":0.25712193766162983,"score_spread":0.22390915958952856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W336484707","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30019504,0.10409786,0.0033933523,0.014872531,0.0067546545,0.0012612145,0.0004014874,0.00032823245,0.5686956],"genre_scores_gemma":[0.8229356,0.00090335705,0.00080142246,0.0015846896,0.0018482187,0.00006624447,0.000048401012,0.00008422139,0.17172788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976778,0.0003183271,0.00052238523,0.00049155456,0.0003209289,0.0006690083],"domain_scores_gemma":[0.9986773,0.0002537172,0.00019792857,0.00046401576,0.00020093712,0.0002061157],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006730443,0.00044340777,0.000448518,0.00017936339,0.0016749965,0.0007468176,0.00032712336,0.00016184567,0.007322885],"category_scores_gemma":[0.00007097402,0.00041855974,0.00028213527,0.00008502707,0.0010400141,0.00036409567,0.00015763765,0.00038802344,0.00032991063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004157262,0.00043678147,0.0004015168,0.00019599879,0.00010542716,0.00001190226,0.023821043,0.000017457598,0.00021822599,0.89279103,0.055256452,0.026702583],"study_design_scores_gemma":[0.00095397537,0.00052272,0.0025822327,0.00027151886,0.00012833052,0.000010644906,0.0042186147,0.00065646047,0.00021721548,0.057037827,0.932845,0.0005554795],"about_ca_topic_score_codex":0.0014909107,"about_ca_topic_score_gemma":0.01808201,"teacher_disagreement_score":0.8775885,"about_ca_system_score_codex":0.000106201354,"about_ca_system_score_gemma":0.00011008361,"threshold_uncertainty_score":0.99983543},"labels":[],"label_agreement":null},{"id":"W338110316","doi":"","title":"Graphic Novels: A Genre Guide to Comic Books, Manga, and More","year":2008,"lang":"en","type":"article","venue":"Partnership The Canadian Journal of Library and Information Practice and Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Art; Literature; Visual arts","score_opus":0.08578501825159207,"score_gpt":0.3233904582790831,"score_spread":0.237605440027491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W338110316","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6060707,0.0047873375,0.0000065688278,0.21679822,0.00016121664,0.00036781895,0.000034593337,0.000009035465,0.17176455],"genre_scores_gemma":[0.9873282,0.002394166,0.00007561067,0.0064622434,0.00021598439,0.0000043851624,0.000004574167,0.000006193085,0.0035086735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905485,0.00017757795,0.00028528264,0.000057531754,0.00021345884,0.00021130813],"domain_scores_gemma":[0.99874437,0.00044992563,0.00012515073,0.0000898293,0.0001748238,0.00041589915],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010253139,0.00007758258,0.000110316774,0.00056275754,0.0015080208,0.0007908422,0.00014339767,0.000035352976,0.00010508473],"category_scores_gemma":[0.00023820586,0.000050353883,0.000026683749,0.00012650616,0.00065802224,0.00815935,0.000040938085,0.0004291314,0.0000048557126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018600837,0.000009811808,0.0013838876,0.000044510667,0.00007479688,0.000043374246,0.17586632,0.000003046977,0.0000043468804,0.7295665,0.09035542,0.0024619761],"study_design_scores_gemma":[0.0002539778,0.00017089675,0.0025263748,0.00003582212,0.0000097299235,0.00035660516,0.045188684,0.000037599493,0.000012147211,0.0014428678,0.9498926,0.00007269705],"about_ca_topic_score_codex":0.0006053099,"about_ca_topic_score_gemma":0.0013782836,"teacher_disagreement_score":0.8595372,"about_ca_system_score_codex":0.0000069659304,"about_ca_system_score_gemma":0.00044237476,"threshold_uncertainty_score":0.99979186},"labels":[],"label_agreement":null},{"id":"W35113927","doi":"10.4000/belphegor.481","title":"Benoît Glaude, « Aire libre », Art libre ? Étude de la narration dans le champ de la bande dessinée franco-belge contemporaine","year":2014,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009411473096593103,"score_gpt":0.2264740221724905,"score_spread":0.2170625490758974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W35113927","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7552783,0.011184376,0.0065099644,0.016236443,0.0011704632,0.000638227,0.0003013275,0.00026829971,0.20841262],"genre_scores_gemma":[0.94398725,0.00051966426,0.00036781796,0.0008884709,0.001922498,0.00007100001,0.00011393899,0.000101668156,0.05202766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969053,0.0011306055,0.0005488765,0.0004950473,0.000274943,0.00064519665],"domain_scores_gemma":[0.9982145,0.0006466979,0.00028965817,0.0004497302,0.0001171346,0.00028230652],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015281768,0.00047516538,0.00053616054,0.0001608609,0.0013475452,0.0007915115,0.00038623757,0.00042078478,0.00065452856],"category_scores_gemma":[0.00013600459,0.0004763829,0.0002931425,0.00014255753,0.0013967261,0.0005760262,0.00011521637,0.0005996646,0.000060111182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000167683,0.00077679026,0.0054288814,0.00028932982,0.00019853814,0.0000612245,0.10063238,0.000055495537,0.0037506854,0.8051753,0.07290267,0.010561002],"study_design_scores_gemma":[0.0021223573,0.00034021103,0.013843302,0.00038238097,0.000051903917,0.000059920887,0.010961491,0.0016883078,0.0010724278,0.028730638,0.9401266,0.00062043656],"about_ca_topic_score_codex":0.0012656798,"about_ca_topic_score_gemma":0.0041198214,"teacher_disagreement_score":0.8672239,"about_ca_system_score_codex":0.00008811023,"about_ca_system_score_gemma":0.00045372648,"threshold_uncertainty_score":0.99995255},"labels":[],"label_agreement":null},{"id":"W38549488","doi":"10.1007/978-3-658-01428-5_9","title":"The Notion of Comics in Iran","year":2015,"lang":"de","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Nobility; Popularity; Politics; Quarter (Canadian coin); History; Literature; Media studies; Art; Visual arts; Sociology; Political science; Law; Archaeology","score_opus":0.09096402068400436,"score_gpt":0.2487097133408808,"score_spread":0.15774569265687644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38549488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048231977,0.0036400964,0.000008613687,0.00070059893,0.0006900996,0.0002533227,0.000085741274,0.0000154665,0.99412376],"genre_scores_gemma":[0.23317184,0.003206344,0.000013200958,0.000056020508,0.00040854386,0.0000037492355,0.000037135902,0.000055245106,0.76304793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990748,0.000023609195,0.0004256765,0.00015806902,0.00017904368,0.00013876532],"domain_scores_gemma":[0.99921864,0.0001218486,0.0002487507,0.00027619876,0.000095887895,0.00003865677],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003339626,0.00020549743,0.0003177306,0.00016378934,0.00016224183,0.00008776539,0.00019391176,0.00012373048,0.0010355497],"category_scores_gemma":[0.000010748013,0.00013347068,0.00013323096,0.000011715196,0.0006024997,0.00003370834,0.000064266445,0.00023721806,0.000050136558],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041370487,0.000021072074,0.00003461775,0.000017093666,0.00006189245,0.0000013519808,0.004616347,0.0000013516444,0.0000022995391,0.9846876,0.0089539,0.0015610536],"study_design_scores_gemma":[0.00032495437,0.000093553135,0.000025683954,0.000104339764,0.00002308485,3.0570317e-7,0.0021088982,0.000102757745,0.0000020898265,0.16623047,0.83082336,0.00016047622],"about_ca_topic_score_codex":0.00073296844,"about_ca_topic_score_gemma":0.025433317,"teacher_disagreement_score":0.8218695,"about_ca_system_score_codex":0.00001953307,"about_ca_system_score_gemma":0.000029861207,"threshold_uncertainty_score":0.99987763},"labels":[],"label_agreement":null},{"id":"W4200018342","doi":"10.3138/utq.90.3.sh.32.fr","title":"<i>Bande dessinée et littérature : intersections, fascinations, divergences</i> par Vittorio Frigerio","year":2021,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.009564185077510785,"score_gpt":0.20226150739271054,"score_spread":0.19269732231519976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200018342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37160707,0.21486528,0.004251065,0.03999231,0.020229127,0.0007916113,0.003023213,0.00023724885,0.34500307],"genre_scores_gemma":[0.8386936,0.007102904,0.0005717956,0.00018450434,0.0005216365,6.2825075e-7,0.00011008202,0.000020108222,0.15279475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986672,0.00025602037,0.00022868587,0.00036302127,0.00021909992,0.0002659643],"domain_scores_gemma":[0.99883026,0.0000839341,0.00020031906,0.00031181113,0.00044229627,0.00013137085],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015877411,0.00022658717,0.00032413224,0.000052826148,0.00094319956,0.0001741267,0.00025980116,0.00016278792,0.008883683],"category_scores_gemma":[0.000009388049,0.00027646014,0.00030981697,0.00006704581,0.00048985396,0.00097185076,0.000058758327,0.00024470355,0.000028217133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109188826,0.00073745975,0.0011757303,0.00017082607,0.00050589273,0.00013411352,0.34801847,0.0000060173484,0.0005514645,0.5441115,0.08070108,0.023778265],"study_design_scores_gemma":[0.0005415052,0.00041342096,0.0036539526,0.00018975277,0.00013282514,0.000007915787,0.19072223,0.000052690895,0.000046384313,0.001814,0.8021432,0.0002821213],"about_ca_topic_score_codex":0.037454322,"about_ca_topic_score_gemma":0.42112383,"teacher_disagreement_score":0.7214421,"about_ca_system_score_codex":0.00021336542,"about_ca_system_score_gemma":0.00025361578,"threshold_uncertainty_score":0.99996877},"labels":[],"label_agreement":null},{"id":"W4200110561","doi":"10.31866/2616-7654.8.2021.247583","title":"Research of Comics in Modern Humanities","year":2021,"lang":"en","type":"article","venue":"Ukrainian Journal on Library and Information Science","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Bachelor; The arts; Popularity; Subject (documents); Media studies; Visual arts; Sociology; Art; History; Library science; Literature; Political science; Law; Archaeology; Computer science","score_opus":0.08432277714446691,"score_gpt":0.29278708833078526,"score_spread":0.20846431118631836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200110561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55667657,0.00010200273,0.000005416674,0.0013811777,0.00013604843,0.00003399161,0.000011340557,0.000008118494,0.44164535],"genre_scores_gemma":[0.99738806,0.00040353497,0.000085823216,0.00074375747,0.000060554492,7.900222e-7,0.0000021200883,0.000003097983,0.0013122548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925286,0.000047448164,0.00024687315,0.000052450392,0.00026720137,0.00013319936],"domain_scores_gemma":[0.99961394,0.00007319712,0.00008695436,0.000076792676,0.0000979185,0.000051216248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005623279,0.00004391606,0.0000810158,0.0007426557,0.00038475482,0.0006191126,0.00015365549,0.0000131504685,0.00027833725],"category_scores_gemma":[0.000045801775,0.000035728997,0.000016765462,0.0002781564,0.0008245869,0.010544744,0.000059001293,0.00021013414,0.0000022882925],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012421953,0.000013103449,0.00013011208,0.000007973712,0.0000015310169,0.0000020484135,0.10634188,0.000008405286,0.000027255966,0.88891083,0.00026907897,0.0042753695],"study_design_scores_gemma":[0.00055464334,0.00024197712,0.0025064838,0.00018278595,0.0000011008037,0.000034936384,0.07659168,0.0019078796,0.0010803613,0.026420334,0.8903424,0.00013540701],"about_ca_topic_score_codex":0.0000012841788,"about_ca_topic_score_gemma":0.0000034760396,"teacher_disagreement_score":0.89007336,"about_ca_system_score_codex":0.00000395129,"about_ca_system_score_gemma":0.0001875952,"threshold_uncertainty_score":0.7644685},"labels":[],"label_agreement":null},{"id":"W4200443916","doi":"10.29173/assert28","title":"Representation and the Need for Asian American Graphic Novels in Today’s Classrooms","year":2021,"lang":"en","type":"article","venue":"Annals of Social Studies Education Research for Teachers","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Asian americans; Representation (politics); Curriculum; Asian studies; Gender studies; History; Sociology; Pedagogy; Political science; Anthropology; China; Ethnic group; Law","score_opus":0.31955283759608855,"score_gpt":0.5022844926710065,"score_spread":0.18273165507491795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200443916","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6913899,0.003877943,0.000015516061,0.2950772,0.00035264026,0.0013370975,0.00005500111,0.000010849242,0.007883832],"genre_scores_gemma":[0.994326,0.0010624732,0.000047320333,0.0003757715,0.00033143864,0.00062839856,0.000022024664,0.000009773566,0.0031968027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99893296,0.00025088282,0.00023105797,0.00018130452,0.00018349048,0.00022031265],"domain_scores_gemma":[0.9977706,0.0009022388,0.00011391498,0.000091931746,0.0010935835,0.00002771784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014765431,0.000073017356,0.00024411651,0.00016635054,0.0007734996,0.00008328881,0.00009271785,0.000021304788,0.000017714052],"category_scores_gemma":[0.0012061428,0.000056533052,0.00012685783,0.00026935633,0.0018406429,0.00008875245,0.00004219189,0.00013051747,2.2447432e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013638,0.00012810371,0.00050573685,0.000041770345,0.00016517313,5.88571e-8,0.34115902,2.0638666e-7,0.000026142856,0.58915615,0.032994386,0.035686843],"study_design_scores_gemma":[0.00060182763,0.00008357288,0.0040731756,0.000018822722,0.000009809869,8.7883166e-8,0.76555705,0.0000074838204,0.00006336191,0.10978043,0.11974192,0.00006243337],"about_ca_topic_score_codex":0.0006621106,"about_ca_topic_score_gemma":0.0044533038,"teacher_disagreement_score":0.47937575,"about_ca_system_score_codex":0.000020833158,"about_ca_system_score_gemma":0.00015762908,"threshold_uncertainty_score":0.67819256},"labels":[],"label_agreement":null},{"id":"W4200484113","doi":"10.29173/jjs56","title":"Child Writing and the Traumatised Body","year":2021,"lang":"en","type":"article","venue":"Journal of Juvenilia Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Politics; Narrative; Psychology; Negotiation; Discipline; Aesthetics; Sociology; Psychoanalysis; History; Gender studies; Social psychology; Literature; Social science; Art; Political science","score_opus":0.03456193257446704,"score_gpt":0.26650409862573154,"score_spread":0.2319421660512645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200484113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8215696,0.106902495,0.000009220284,0.04003892,0.0011213253,0.00009700852,0.000008042562,0.000009453905,0.030243931],"genre_scores_gemma":[0.9944817,0.0037292955,0.00004521171,0.00033363362,0.00053502066,0.0000014784194,1.7883055e-7,0.0000047548097,0.00086872344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99932915,0.00007391692,0.0003280648,0.00005814423,0.00012667447,0.0000840322],"domain_scores_gemma":[0.9991054,0.0002985112,0.00020625134,0.000061911654,0.0003061602,0.000021755402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041365405,0.00007470234,0.00029312444,0.000040278825,0.0005041109,0.00011373068,0.00006303873,0.000009780098,0.00007414274],"category_scores_gemma":[0.00017830195,0.00004038451,0.00012169173,0.000027478976,0.00041566274,0.00010078914,0.000045364188,0.0001615502,7.4978095e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012285761,0.00006523149,0.00046771683,0.00006328491,0.001047084,0.00008651646,0.20315418,0.0000017600836,0.00005724129,0.7775469,0.011784908,0.0056023686],"study_design_scores_gemma":[0.0075462214,0.0002791005,0.0051573263,0.0007969052,0.0004213287,0.00055783044,0.52502954,0.00007536997,0.0003641276,0.12406878,0.33537418,0.00032928432],"about_ca_topic_score_codex":0.0000039278534,"about_ca_topic_score_gemma":0.00017260852,"teacher_disagreement_score":0.6534781,"about_ca_system_score_codex":0.0000068878994,"about_ca_system_score_gemma":0.00001815227,"threshold_uncertainty_score":0.38772643},"labels":[],"label_agreement":null},{"id":"W4200488627","doi":"10.16995/cg.8353","title":"Of Time, Renewal, and Scholarship: Volume 11 (2021) Wrapped","year":2021,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Scholarship; Comics; Order (exchange); Media studies; Sociology; History; Political science; Law; Business","score_opus":0.028871089978143236,"score_gpt":0.23491365251262925,"score_spread":0.206042562534486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200488627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9822564,0.0053668926,0.00006457585,0.0040689353,0.0008871455,0.00013994864,0.000078132005,0.000027959311,0.0071099857],"genre_scores_gemma":[0.98904496,0.0013571813,0.0006719372,0.00034738614,0.0007674202,0.0000015164181,0.000008898226,0.00009958368,0.007701126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980462,0.00038240582,0.0007483515,0.00018738647,0.000362722,0.00027291302],"domain_scores_gemma":[0.99763787,0.0003102449,0.00084682397,0.00048420916,0.00055396615,0.00016686363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017465395,0.00024065305,0.0005659286,0.00028073162,0.00032438248,0.00039077477,0.00061994116,0.000096326934,0.00046592735],"category_scores_gemma":[0.00032911825,0.00018776754,0.00025001445,0.00015943228,0.00055524486,0.00036179708,0.00020837672,0.00073604763,0.000007171809],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007263118,0.0006580489,0.0628371,0.0001748397,0.0010275006,0.00015824943,0.013388305,0.0000652529,0.022840027,0.82731795,0.06838825,0.0024181418],"study_design_scores_gemma":[0.007993605,0.00094231457,0.007535005,0.001013426,0.0008109824,0.0010779483,0.0069357953,0.00062870246,0.013717306,0.3218949,0.6358663,0.0015837095],"about_ca_topic_score_codex":0.00003742205,"about_ca_topic_score_gemma":0.00050985016,"teacher_disagreement_score":0.567478,"about_ca_system_score_codex":0.000026554295,"about_ca_system_score_gemma":0.0001833787,"threshold_uncertainty_score":0.7656938},"labels":[],"label_agreement":null},{"id":"W4205378235","doi":"10.51897/interalia/ruma9891","title":"\"Dynamite Scrupulously Packed\": A Revaluation of Henry Blake Fuller’s Bertram Cope’s Year","year":2022,"lang":"en","type":"article","venue":"interalia a journal of queer studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Comics; Reinterpretation; Comedy; Premise; Literature; Subversion; Romance; Prologue; Criticism; Art; History; Psychoanalysis; Philosophy; Aesthetics; Psychology; Law; Politics","score_opus":0.07733258041838319,"score_gpt":0.31361089449706725,"score_spread":0.23627831407868405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205378235","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9773242,0.007868045,0.00002279644,0.008657672,0.0026503252,0.00020010612,0.00009772818,0.000012682525,0.0031664623],"genre_scores_gemma":[0.99138683,0.00034064817,0.000110232184,0.00027111726,0.00028594927,0.000012408049,0.0000025802406,0.000013852345,0.0075763618],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985849,0.00017191685,0.00057864207,0.00010960042,0.0004154797,0.00013943763],"domain_scores_gemma":[0.99858093,0.00010067797,0.00056679634,0.00012211666,0.0005941867,0.0000353075],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006475658,0.00013693432,0.00041908858,0.00025112715,0.00028420016,0.000052030628,0.00020451768,0.000013769976,0.0013467075],"category_scores_gemma":[0.000083345454,0.00010660103,0.0002545685,0.000067426176,0.00023894243,0.00015891255,0.00014136705,0.0002688372,0.000004450862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067836867,0.00035519095,0.004555892,0.00014263694,0.0024753585,0.00006693515,0.6112462,0.000116108095,0.00038947773,0.095398724,0.2820244,0.002550665],"study_design_scores_gemma":[0.0028019499,0.003757789,0.0031108442,0.0006332604,0.00041743604,0.00012540881,0.28608957,0.00025583277,0.00009469142,0.039475657,0.6626955,0.0005420576],"about_ca_topic_score_codex":0.000045992223,"about_ca_topic_score_gemma":0.00061346346,"teacher_disagreement_score":0.3806711,"about_ca_system_score_codex":0.00007483122,"about_ca_system_score_gemma":0.00005101242,"threshold_uncertainty_score":0.9995662},"labels":[],"label_agreement":null},{"id":"W4205388125","doi":"10.4000/belphegor.4272","title":"Entre exégèse et fantasmagorie : Midi-Minuit fantastique et la naissance d’une cinéphilie alternative (1962-1970)","year":2021,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.025675689752463544,"score_gpt":0.2825004404996556,"score_spread":0.2568247507471921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205388125","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3500719,0.05613429,0.00079039135,0.10110063,0.007760794,0.0011696704,0.005863914,0.0002647678,0.47684363],"genre_scores_gemma":[0.87239504,0.0054574865,0.00035614407,0.0025498853,0.0013234182,0.00007438772,0.00024975883,0.000102286715,0.11749158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963298,0.00077216345,0.0007132251,0.00093178096,0.000486497,0.0007665532],"domain_scores_gemma":[0.99737495,0.00087701355,0.0003496624,0.00064202974,0.0004679817,0.0002883405],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000613397,0.000675125,0.00073318515,0.0001857256,0.0007682371,0.00079096126,0.00043955428,0.00024811944,0.0064060898],"category_scores_gemma":[0.00017786244,0.00069004827,0.00044505345,0.00029632967,0.0010925067,0.0006026224,0.0003498736,0.00095188414,0.00023644607],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008784245,0.000660922,0.00034438245,0.00020251243,0.00034112204,0.0011700543,0.10550393,0.000031063548,0.0006005766,0.86632144,0.017228434,0.0075076995],"study_design_scores_gemma":[0.0014147011,0.00021701834,0.0013875024,0.0005405835,0.00016206066,0.00015909059,0.01563647,0.00024197914,0.002210231,0.041696396,0.93548775,0.00084622414],"about_ca_topic_score_codex":0.0021887666,"about_ca_topic_score_gemma":0.018368445,"teacher_disagreement_score":0.9182593,"about_ca_system_score_codex":0.00012056578,"about_ca_system_score_gemma":0.0008996926,"threshold_uncertainty_score":0.99955505},"labels":[],"label_agreement":null},{"id":"W4205726740","doi":"10.1353/wlt.2016.0166","title":"Dream Fossil","year":2016,"lang":"en","type":"article","venue":"World Literature Today","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Politics; Dream; History; Art history; Publishing; Compendium; Literature; Democracy; Art; Law; Political science; Archaeology; Psychology","score_opus":0.011425645261516551,"score_gpt":0.2047975807554315,"score_spread":0.19337193549391496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205726740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03607469,0.005845229,0.000035373574,0.024767242,0.00268071,0.00024948752,0.00021306386,0.00026092477,0.9298733],"genre_scores_gemma":[0.6699487,0.000022387123,0.000032578784,0.0004152369,0.0009026677,0.000010132892,0.0000047703325,0.0000105162635,0.32865304],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993297,0.000030077208,0.0001436861,0.00019539976,0.00010518324,0.00019594199],"domain_scores_gemma":[0.9994956,0.00008433467,0.000045696353,0.00023280528,0.00007934712,0.00006220892],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008862696,0.00013625657,0.00013135855,0.00016830048,0.00020435815,0.00029413294,0.00014084294,0.000025670373,0.004461812],"category_scores_gemma":[0.000015280171,0.00007232584,0.00009847866,0.000090332185,0.00014811747,0.00022359667,0.000029041905,0.00010480067,0.00012283665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016032232,0.000025927684,0.00015767329,0.0000055934206,0.000018606454,0.000007724123,0.015468679,1.528834e-8,0.0003580334,0.86925745,0.10338336,0.011300883],"study_design_scores_gemma":[0.0002567451,0.000025596715,0.00027467226,0.00014745032,0.0000052959103,0.0000015744905,0.00010693087,7.479109e-7,0.00014789798,0.030530041,0.9683582,0.00014480337],"about_ca_topic_score_codex":0.000007055576,"about_ca_topic_score_gemma":0.0008525319,"teacher_disagreement_score":0.86497486,"about_ca_system_score_codex":0.000012435625,"about_ca_system_score_gemma":0.000012631723,"threshold_uncertainty_score":0.9964482},"labels":[],"label_agreement":null},{"id":"W4205815107","doi":"10.3167/eca.2012.050207","title":"Book Reviews","year":2012,"lang":"fr","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Comics; Art; Movie theater; Legitimacy; Art history; Humanities; Literature; Political science; Law","score_opus":0.04309031336702005,"score_gpt":0.24079134114773845,"score_spread":0.1977010277807184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205815107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010281554,0.40523914,0.000032913744,0.0051686964,0.003649492,0.0001845586,0.000033326356,0.000035178342,0.5846285],"genre_scores_gemma":[0.016637916,0.03294235,0.00006204453,0.008677681,0.006415182,0.0000046600535,0.000021732385,0.00006420251,0.9351742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980982,0.0006636719,0.00044368743,0.00019847759,0.00009948697,0.00049649546],"domain_scores_gemma":[0.99913496,0.000072682706,0.00016777472,0.00038471768,0.000032256692,0.00020763271],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010128362,0.0002551433,0.00030342335,0.00007018316,0.0005128304,0.00016387866,0.00023224179,0.00002760053,0.025178475],"category_scores_gemma":[0.00003556055,0.00023171348,0.00024504543,0.000034926394,0.00044458444,0.00039664708,0.00014288745,0.00028633565,0.032649755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000553233,0.00010250673,0.00013980393,0.000041487063,0.000027344158,0.000005356136,0.010596757,1.5862139e-7,0.000014897,0.20186219,0.7811777,0.006026259],"study_design_scores_gemma":[0.00021617861,0.000053941112,0.00061002624,0.00019365948,0.000048429367,0.000012960815,0.00033636778,0.000011027758,0.000006712276,0.0001941042,0.9980204,0.00029616168],"about_ca_topic_score_codex":0.000014584072,"about_ca_topic_score_gemma":0.00001734093,"teacher_disagreement_score":0.37229678,"about_ca_system_score_codex":0.00003212325,"about_ca_system_score_gemma":0.000013501276,"threshold_uncertainty_score":0.97571266},"labels":[],"label_agreement":null},{"id":"W4205825840","doi":"10.1353/wlt.2014.0121","title":"CO-MIX: A Retrospective of Comics, Graphics, and Scraps by Art Spiegelman","year":2014,"lang":"en","type":"article","venue":"World Literature Today","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Praise; Poetry; Comics; Art; Point (geometry); Literature; Art history; Aesthetics","score_opus":0.005390813620868434,"score_gpt":0.20204727035858955,"score_spread":0.1966564567377211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205825840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13358316,0.010163373,0.00010099424,0.008303725,0.0014139715,0.00087924226,0.0024504394,0.00036777116,0.8427373],"genre_scores_gemma":[0.9134637,0.00009745404,0.000058695354,0.0006747764,0.00029831956,0.00000781563,0.0001276025,0.00003422197,0.08523739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908286,0.000063010055,0.0002366703,0.00027961982,0.00014538252,0.00019242748],"domain_scores_gemma":[0.9993489,0.00006478804,0.00014464436,0.00025984558,0.000100862875,0.00008098041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022780191,0.00020110056,0.00032653156,0.00030583222,0.00018318456,0.00021102568,0.00012975858,0.000052262094,0.00034678177],"category_scores_gemma":[0.00002182098,0.00016660537,0.00009376219,0.0001483217,0.0005090131,0.00013129706,0.000024745674,0.00026698058,0.000003977394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019940246,0.00004041825,0.0025452548,0.000023705841,0.000037099227,8.2689684e-7,0.007922879,2.2208757e-8,0.0002719904,0.6532773,0.335729,0.000131584],"study_design_scores_gemma":[0.00046295807,0.00012033085,0.0012089675,0.0001411462,0.000016649008,0.000001510336,0.00019941023,0.000018431549,0.00030031765,0.030048115,0.9672649,0.00021726753],"about_ca_topic_score_codex":0.000055575136,"about_ca_topic_score_gemma":0.0018646917,"teacher_disagreement_score":0.7798806,"about_ca_system_score_codex":0.000008214945,"about_ca_system_score_gemma":0.0000064951173,"threshold_uncertainty_score":0.679397},"labels":[],"label_agreement":null},{"id":"W4206668276","doi":"10.7202/1076456ar","title":"Mythes déracinés, migrants marginalisés et monstruosité épistémique. Le cas de The X-Files de Chris Carter","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pseudoscience; Humanities; Art; Medicine","score_opus":0.015803709099613848,"score_gpt":0.2443726298258265,"score_spread":0.22856892072621265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206668276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6972357,0.18249139,0.00012624095,0.07948073,0.0010968869,0.00021474772,0.0007453224,0.00005453761,0.038554456],"genre_scores_gemma":[0.944023,0.004997761,0.00016930839,0.004590412,0.0010776,0.00003683677,0.000041517207,0.000044502667,0.045019027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981959,0.0004838233,0.00027411061,0.00033502173,0.0001708737,0.0005402738],"domain_scores_gemma":[0.9988628,0.00030164665,0.00011246187,0.000423441,0.00016458107,0.0001350874],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003909207,0.00031385946,0.0003163597,0.00006903923,0.000840827,0.0006876912,0.00027807328,0.00016166449,0.0010854917],"category_scores_gemma":[0.00007144782,0.00024287446,0.00031011342,0.00008040958,0.0008403423,0.00016426995,0.0000933349,0.00048346707,0.000020873225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032395415,0.00014762179,0.0022997316,0.000111289875,0.00024098998,0.00030505896,0.12898432,0.000055329394,0.0006261519,0.73294765,0.13227041,0.0019790707],"study_design_scores_gemma":[0.0003957692,0.00005087851,0.014581569,0.00022165928,0.00013530753,0.00027484668,0.0416757,0.00014478032,0.003451945,0.06576095,0.8729228,0.0003837889],"about_ca_topic_score_codex":0.017726034,"about_ca_topic_score_gemma":0.038830362,"teacher_disagreement_score":0.7406524,"about_ca_system_score_codex":0.000064623695,"about_ca_system_score_gemma":0.00046482636,"threshold_uncertainty_score":0.9998276},"labels":[],"label_agreement":null},{"id":"W4206767660","doi":"10.7238/dd.v0i9.390805","title":"La Guerra Civil española en el cómic de autoría femenina","year":2021,"lang":"es","type":"article","venue":"Dictatorships & Democracies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015320839980612544,"score_gpt":0.26703844700425466,"score_spread":0.2517176070236421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206767660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90899456,0.009650337,0.000067976915,0.004311724,0.0012651387,0.00022069349,0.00025878235,0.00023472797,0.07499608],"genre_scores_gemma":[0.9821831,0.0019027516,0.000105728555,0.000578358,0.0012232707,0.00004517826,0.00009005285,0.00010418893,0.013767396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959516,0.001192333,0.0006899475,0.0007209759,0.0005109441,0.00093418744],"domain_scores_gemma":[0.99730915,0.0011475468,0.0002885787,0.00064218784,0.00029457425,0.00031796363],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010589502,0.0006421213,0.00070933474,0.00031210616,0.001285141,0.001934058,0.0005130372,0.00035324003,0.0026704744],"category_scores_gemma":[0.000415349,0.0006374448,0.0005005514,0.00023944938,0.0009134316,0.00042158342,0.0003197732,0.0009665608,0.00014224925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004490108,0.0003199891,0.033690322,0.00026001624,0.00044724834,0.00035957576,0.11579097,0.0000050813087,0.0010905777,0.837808,0.007580914,0.0026023649],"study_design_scores_gemma":[0.0007837638,0.00015890863,0.030185383,0.0004712686,0.00030373572,0.000095871386,0.04194497,0.00026412684,0.0010185199,0.04655501,0.87737924,0.00083920965],"about_ca_topic_score_codex":0.00010920114,"about_ca_topic_score_gemma":0.0009394801,"teacher_disagreement_score":0.8697983,"about_ca_system_score_codex":0.00010311238,"about_ca_system_score_gemma":0.00056855014,"threshold_uncertainty_score":0.9996077},"labels":[],"label_agreement":null},{"id":"W4206835613","doi":"10.1353/sfs.2020.0066","title":"New and Graphic Posthumans","year":2020,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Posthumanism; Publishing; Presentation (obstetrics); Art history; History; Media studies; Literature; Art; Sociology; Philosophy; Linguistics; Aesthetics","score_opus":0.10985451929449808,"score_gpt":0.29092727887148756,"score_spread":0.18107275957698948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206835613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8674304,0.008039305,0.00014980152,0.038888466,0.0017271866,0.00024236586,0.000013455308,0.0002214333,0.08328759],"genre_scores_gemma":[0.99773425,0.00047778306,0.00004321347,0.00049010484,0.00024978162,0.0000021763828,2.0643672e-7,0.000002409463,0.0010000657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995037,0.0000061436685,0.00008058202,0.00017660939,0.0001298609,0.00010314734],"domain_scores_gemma":[0.9997409,0.000019016401,0.000028754082,0.000050168153,0.000094317125,0.00006687062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009915535,0.000059922957,0.00008425069,0.000079914236,0.0008681402,0.00014012237,0.00007630789,0.000005445466,0.00010709888],"category_scores_gemma":[0.000043450247,0.000044708013,0.000021288475,0.00013874433,0.00087864493,0.00025163943,0.000059016293,0.00004599822,0.000008996523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007304401,0.0000057360667,0.00067532115,0.000008275458,0.000023438044,6.649404e-7,0.26625267,0.0000010557955,0.0005694297,0.7066404,0.02099683,0.0048188535],"study_design_scores_gemma":[0.00035739286,0.00036206536,0.005164651,0.00002361093,0.000024007275,0.0000022328784,0.19849531,0.00015888667,0.00024966244,0.024465024,0.7704255,0.00027165233],"about_ca_topic_score_codex":0.000021401887,"about_ca_topic_score_gemma":0.00010824025,"teacher_disagreement_score":0.7494287,"about_ca_system_score_codex":0.0000049563896,"about_ca_system_score_gemma":0.000023701166,"threshold_uncertainty_score":0.66771203},"labels":[],"label_agreement":null},{"id":"W4210269981","doi":"10.3167/eca.2012.050104","title":"Automythology","year":2012,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Ethos; Popularity; Publishing; Negotiation; Media studies; Reputation; Sociology; Political science; History; Law","score_opus":0.03545407399212253,"score_gpt":0.21738173325375854,"score_spread":0.181927659261636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210269981","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1810564,0.00018582976,0.00003894068,0.00075614336,0.0010099413,0.00004529241,0.000005534796,0.00009471127,0.8168072],"genre_scores_gemma":[0.93962616,0.000008706709,0.000049620863,0.0008207881,0.0011190217,0.0000012842789,0.0000074404074,0.00001839122,0.058348566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994162,0.000121360965,0.00012215164,0.000087774526,0.000046933725,0.00020559799],"domain_scores_gemma":[0.99969167,0.000033248103,0.000038890437,0.00015668172,0.00001730423,0.00006218752],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027305193,0.00008144178,0.00008832775,0.000051514835,0.00019090473,0.000046768084,0.00011303227,0.000007726789,0.0033253247],"category_scores_gemma":[0.000011533736,0.00006827058,0.000051824663,0.00001293647,0.0001649458,0.000112191454,0.00006226879,0.00009305536,0.004854737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006227602,0.000055551696,0.0017389699,0.0000028645702,0.00001896732,0.0000055440087,0.030182673,3.0730473e-7,0.00010799247,0.6732041,0.29259998,0.0020768137],"study_design_scores_gemma":[0.00012995208,0.000021209937,0.0049595297,0.0000035139697,0.000005443199,0.000006431598,0.0006213306,0.000009610366,0.000011095715,0.00063745806,0.9934967,0.000097691925],"about_ca_topic_score_codex":0.0000026467933,"about_ca_topic_score_gemma":0.000014940422,"teacher_disagreement_score":0.7585698,"about_ca_system_score_codex":0.0000063946004,"about_ca_system_score_gemma":0.0000043977466,"threshold_uncertainty_score":0.9975858},"labels":[],"label_agreement":null},{"id":"W4210360477","doi":"10.1386/cjmc_00048_1","title":"The smartphone aesthetics of mobility in Kate Evans’s Threads and Reinhard Kleist’s An Olympic Dream","year":2021,"lang":"en","type":"article","venue":"Crossings Journal of Migration and Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; Dream; Refugee; Narrative; Representation (politics); Perspective (graphical); Utopia; Media studies; History; Sociology; Visual arts; Aesthetics; Art; Literature; Art history; Political science; Psychology; Law","score_opus":0.017294545699274966,"score_gpt":0.24882594744158693,"score_spread":0.23153140174231196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210360477","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9901893,0.007507622,0.000008336728,0.0017184009,0.00011725491,0.000037766014,0.0000073642414,0.0000023702125,0.0004115761],"genre_scores_gemma":[0.9959666,0.0017379747,0.000051097304,0.00009365465,0.0000822176,7.455009e-7,0.000003175538,0.0000040212244,0.0020604965],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935,0.000058057274,0.0003119554,0.000086369546,0.00011574954,0.000077860066],"domain_scores_gemma":[0.99928254,0.000025083908,0.00021542014,0.00008165987,0.00034841272,0.0000468885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032868882,0.00008023169,0.00016140589,0.00003061163,0.00037053213,0.000460036,0.000054420045,0.000039833594,0.000025699308],"category_scores_gemma":[0.000036233734,0.000047441154,0.000051154686,0.00004563011,0.00047272837,0.00021228893,0.000013733728,0.00015235571,1.2463578e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037097887,0.00055385893,0.018602585,0.000109171095,0.00008940262,0.000033958524,0.8220321,0.000015271124,0.026119832,0.08895321,0.005375684,0.03774395],"study_design_scores_gemma":[0.0032142412,0.0010754513,0.06994099,0.0004744376,0.00011369105,0.000356608,0.14154962,0.0003776689,0.009000651,0.0834037,0.6900481,0.00044486445],"about_ca_topic_score_codex":0.000034829805,"about_ca_topic_score_gemma":0.0060558286,"teacher_disagreement_score":0.6846724,"about_ca_system_score_codex":0.000008642036,"about_ca_system_score_gemma":0.00005892386,"threshold_uncertainty_score":0.44361377},"labels":[],"label_agreement":null},{"id":"W4210362740","doi":"10.16995/cg.8232","title":"A Map of the Current Cultural Climate in Medicine and Healthcare, and How We Can Change It","year":2022,"lang":"en","type":"article","venue":"The Comics Grid Journal of Comics Scholarship","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Comics; Health care; Diversity (politics); Sociology; Health equity; Wonder; Racism; Equity (law); Oppression; Public relations; Political science; Psychology; Gender studies; Social psychology; Law; Anthropology","score_opus":0.16513832390568361,"score_gpt":0.31866444398860727,"score_spread":0.15352612008292366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210362740","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6807086,0.023172934,7.345472e-7,0.29422,0.0013100808,0.0002808031,0.00011798246,0.0000070684764,0.00018181016],"genre_scores_gemma":[0.99119186,0.0073744697,0.000011937418,0.00085887604,0.00040613045,0.000006793932,0.0000021613196,0.000025288624,0.00012247293],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987613,0.0003697286,0.00032808658,0.0000968163,0.0002593049,0.00018473997],"domain_scores_gemma":[0.99892825,0.00016128104,0.0005722726,0.00017953909,0.00008740091,0.00007123119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014564571,0.00013562573,0.00032866292,0.00019361044,0.000420902,0.00008861456,0.00040599465,0.000018434175,0.000022101165],"category_scores_gemma":[0.00003903245,0.00007649515,0.00006961232,0.00007310681,0.00047548887,0.00012062335,0.00029106316,0.0009045284,6.655155e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005296275,0.0001650297,0.041503266,0.00036752556,0.00014941375,0.00001359811,0.1923975,0.000008701987,0.00021540961,0.71031773,0.046856526,0.0074756993],"study_design_scores_gemma":[0.0053938595,0.0010095516,0.013672858,0.0013212964,0.00017021349,0.00030324067,0.063092604,0.00037766324,0.000044103956,0.10194125,0.81215054,0.0005228269],"about_ca_topic_score_codex":0.00016643852,"about_ca_topic_score_gemma":0.003577979,"teacher_disagreement_score":0.765294,"about_ca_system_score_codex":0.00003894598,"about_ca_system_score_gemma":0.000037829843,"threshold_uncertainty_score":0.3929776},"labels":[],"label_agreement":null},{"id":"W4210688125","doi":"10.5206/tba.v1i1.7986","title":"Proof of Life Through Anti-Life","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Miracle; Character (mathematics); Representation (politics); Drama; The Imaginary; Aesthetics; Art; Simulacrum; Literature; Philosophy; Psychoanalysis; Psychology; Law; Political science","score_opus":0.049286587083962205,"score_gpt":0.27819708451240693,"score_spread":0.22891049742844471,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210688125","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9768794,0.0054811505,0.0000712247,0.01233576,0.0005533571,0.00011117024,0.000028750075,0.0000100627185,0.004529106],"genre_scores_gemma":[0.99640936,0.00054198387,0.000052154624,0.001342724,0.0014585308,5.0485727e-7,0.0000037461414,0.000007870063,0.00018311501],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919313,0.00003499865,0.00036699252,0.00008391626,0.00021607094,0.000104880324],"domain_scores_gemma":[0.9992197,0.000042805448,0.0002875223,0.000033674056,0.00022251428,0.00019377562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009795963,0.00011248103,0.0003507736,0.0000339214,0.00010261654,0.00005666027,0.000091709546,0.000042544925,0.0004918704],"category_scores_gemma":[0.00016714222,0.00007023862,0.0001141232,0.000047020414,0.00019777751,0.00024471234,0.000027244472,0.00022061607,0.0000034091438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038279497,0.00029336376,0.0019197247,0.00023354025,0.00038424938,0.000028240343,0.6633972,0.0000041359217,0.0036371257,0.097782925,0.23116086,0.00077582704],"study_design_scores_gemma":[0.0019560424,0.0018399198,0.0009121843,0.00017958399,0.00012821711,0.00001988123,0.052084625,0.00010458681,0.0019856377,0.0038739494,0.93662167,0.00029368012],"about_ca_topic_score_codex":0.0000024673773,"about_ca_topic_score_gemma":0.00001604607,"teacher_disagreement_score":0.70546085,"about_ca_system_score_codex":0.0000022037127,"about_ca_system_score_gemma":0.00006491432,"threshold_uncertainty_score":0.53856355},"labels":[],"label_agreement":null},{"id":"W4211000048","doi":"10.32920/19157798.v1","title":"The Space Between Us: Exploring Colonization And Injustice Through Red: A Haida Manga","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Professional Engineers Ontario","funders":"","keywords":"Indigenous; Comics; Metis; Injustice; Narrative; Identity (music); Mainstream; Sociology; Politics; Media studies; Aesthetics; History; Anthropology; Art; Literature; Political science; Law; Ecology","score_opus":0.11185639385635443,"score_gpt":0.27010531601652116,"score_spread":0.15824892216016673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211000048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74944025,0.0036693064,0.0005469501,0.018404117,0.0049956096,0.0012791159,0.00025205908,0.00030344003,0.22110915],"genre_scores_gemma":[0.9761625,0.002652928,0.00019638539,0.00018887102,0.0011388777,0.00026347584,0.00008938539,0.000035045956,0.019272542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990429,0.00009321622,0.00022116453,0.00029820018,0.0001753425,0.00016916572],"domain_scores_gemma":[0.99915045,0.0003046277,0.00014685596,0.00029469526,0.00007395303,0.000029400719],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00025452513,0.00018247204,0.00020621085,0.000053970325,0.0013801069,0.0006273254,0.00022919032,0.0000466414,0.0007190831],"category_scores_gemma":[0.000046788213,0.00013137676,0.00006323868,0.00003705386,0.00020416373,0.0001537083,0.0008929579,0.00046165087,0.0000027152935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001756967,0.000014709659,0.0018947225,0.00007972504,0.00012854938,0.000002388322,0.07909473,0.000044136174,0.0000014798436,0.90967363,0.007985976,0.0010623713],"study_design_scores_gemma":[0.00013334803,0.00006497658,0.0012925204,0.000043012737,0.000086958455,4.1692897e-7,0.039792664,0.00011231294,0.000011044817,0.067590676,0.89062244,0.00024965112],"about_ca_topic_score_codex":0.0011705206,"about_ca_topic_score_gemma":0.0024987543,"teacher_disagreement_score":0.8826364,"about_ca_system_score_codex":0.00003502683,"about_ca_system_score_gemma":0.000039254548,"threshold_uncertainty_score":0.99991995},"labels":[],"label_agreement":null},{"id":"W4211064856","doi":"10.32920/19157798","title":"The Space Between Us: Exploring Colonization And Injustice Through Red: A Haida Manga","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Comics; Metis; Injustice; Narrative; Mainstream; Identity (music); Sociology; Politics; Historical trauma; Media studies; Aesthetics; History; Anthropology; Literature; Art; Political science; Psychology; Law; Ecology","score_opus":0.11185639385635443,"score_gpt":0.27010531601652116,"score_spread":0.15824892216016673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211064856","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74944025,0.0036693064,0.0005469501,0.018404117,0.0049956096,0.0012791159,0.00025205908,0.00030344003,0.22110915],"genre_scores_gemma":[0.9761625,0.002652928,0.00019638539,0.00018887102,0.0011388777,0.00026347584,0.00008938539,0.000035045956,0.019272542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990429,0.00009321622,0.00022116453,0.00029820018,0.0001753425,0.00016916572],"domain_scores_gemma":[0.99915045,0.0003046277,0.00014685596,0.00029469526,0.00007395303,0.000029400719],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00025452513,0.00018247204,0.00020621085,0.000053970325,0.0013801069,0.0006273254,0.00022919032,0.0000466414,0.0007190831],"category_scores_gemma":[0.000046788213,0.00013137676,0.00006323868,0.00003705386,0.00020416373,0.0001537083,0.0008929579,0.00046165087,0.0000027152935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001756967,0.000014709659,0.0018947225,0.00007972504,0.00012854938,0.000002388322,0.07909473,0.000044136174,0.0000014798436,0.90967363,0.007985976,0.0010623713],"study_design_scores_gemma":[0.00013334803,0.00006497658,0.0012925204,0.000043012737,0.000086958455,4.1692897e-7,0.039792664,0.00011231294,0.000011044817,0.067590676,0.89062244,0.00024965112],"about_ca_topic_score_codex":0.0011705206,"about_ca_topic_score_gemma":0.0024987543,"teacher_disagreement_score":0.8826364,"about_ca_system_score_codex":0.00003502683,"about_ca_system_score_gemma":0.000039254548,"threshold_uncertainty_score":0.99991995},"labels":[],"label_agreement":null},{"id":"W4211160825","doi":"10.1080/00182370.2021.2018330","title":"Mafalda: a social and political history of Latin America’s global comic","year":2021,"lang":"en","type":"article","venue":"Historian","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Latin Americans; Politics; Political science; History; Political economy; Media studies; Economic history; Sociology; Law","score_opus":0.04391934521176963,"score_gpt":0.23096037782470075,"score_spread":0.18704103261293112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211160825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24170229,0.0036759125,0.000021176813,0.0048801634,0.0050332695,0.000095158626,0.00020926303,0.00005649793,0.7443263],"genre_scores_gemma":[0.98217684,0.000008222964,0.000055887886,0.0003195443,0.0006485105,0.000002617143,0.000012789173,0.000006566086,0.016769001],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945915,0.000037600043,0.00014555275,0.00012908435,0.00008923832,0.0001393781],"domain_scores_gemma":[0.9997091,0.000024382885,0.000055269848,0.00008238639,0.000072808514,0.00005601755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003219735,0.00007498211,0.0001781456,0.00002617703,0.000097457996,0.0000137343495,0.00004650572,0.000028895332,0.00070554274],"category_scores_gemma":[0.000019042822,0.000077510645,0.0000644157,0.00002040372,0.00047187463,0.000035868336,0.000031486878,0.00006410975,0.0000064668757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011556796,0.000042688465,0.0003347794,0.00001510477,0.000017010983,0.000006946482,0.018804034,1.1756092e-8,0.00010994899,0.9419551,0.038177107,0.00052571436],"study_design_scores_gemma":[0.00023802392,0.000031441727,0.0015814455,0.0000055570104,0.000017141465,0.000002035497,0.0027977463,0.0000075950807,0.000003426919,0.011006617,0.98421884,0.00009016124],"about_ca_topic_score_codex":0.00081470446,"about_ca_topic_score_gemma":0.0020970353,"teacher_disagreement_score":0.9460417,"about_ca_system_score_codex":0.00038450086,"about_ca_system_score_gemma":0.00018424835,"threshold_uncertainty_score":0.7725198},"labels":[],"label_agreement":null},{"id":"W4211266383","doi":"","title":"La bande dessinée québécoise et ses liens avec l'Europe francophone : une histoire artistique et critique encore à établir","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Art; Humanities","score_opus":0.01253540205699502,"score_gpt":0.22919548119075658,"score_spread":0.21666007913376156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211266383","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30014047,0.020902598,0.034058668,0.14092849,0.0022621884,0.0010468696,0.0009896545,0.00048150352,0.49918956],"genre_scores_gemma":[0.893036,0.013221844,0.0062665446,0.0011280553,0.00013134532,0.00016569623,0.0012759445,0.00015636785,0.08461818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9823792,0.013906765,0.0011143187,0.0013788065,0.0005596839,0.00066122983],"domain_scores_gemma":[0.988869,0.0034846957,0.0008276826,0.0023373023,0.004086538,0.00039475888],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0053843716,0.00085233315,0.00096588297,0.0003407806,0.0018583669,0.002134907,0.0012629562,0.000534068,0.0015855856],"category_scores_gemma":[0.0017381273,0.0009229745,0.0005423902,0.00056191586,0.0021460857,0.0004632534,0.0013269023,0.0020936527,0.000052856576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028132145,0.0012084713,0.00039152277,0.00034469957,0.00014801403,0.000110953944,0.21023975,0.000061124105,0.0012569597,0.76490897,0.0037404145,0.017560959],"study_design_scores_gemma":[0.0010690494,0.0000038391554,0.007024576,0.007909133,0.00013914712,0.00010240305,0.011530469,0.0031369694,0.0055699465,0.015251036,0.9467535,0.0015099262],"about_ca_topic_score_codex":0.027325882,"about_ca_topic_score_gemma":0.28422537,"teacher_disagreement_score":0.9430131,"about_ca_system_score_codex":0.00018753341,"about_ca_system_score_gemma":0.0015995073,"threshold_uncertainty_score":0.9994411},"labels":[],"label_agreement":null},{"id":"W4213292787","doi":"10.3138/jrpc.2021-0010","title":"Superman and the Bible: How the Idea of Superheroes Affects the Reading of Scripture","year":2022,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Superman; Reading (process); Literature; Art; Philosophy; Linguistics; Art history","score_opus":0.014321437927413742,"score_gpt":0.215628819634113,"score_spread":0.20130738170669926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213292787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9404076,0.042127553,0.0000019591835,0.016242996,0.0003613758,0.00015869085,0.00002255242,0.000002817421,0.0006744811],"genre_scores_gemma":[0.98670197,0.010363316,0.0000059818194,0.00057683693,0.00017949374,0.00000216616,0.0000018295585,0.0000056802123,0.0021627378],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992445,0.00021674545,0.00018145145,0.00005811638,0.00022465384,0.00007455149],"domain_scores_gemma":[0.9994514,0.00005794015,0.00025949485,0.00011077077,0.000097059325,0.00002335996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059799745,0.000087514694,0.00021003923,0.000068244146,0.0005933533,0.000113784525,0.0001836225,0.000023431754,0.000017749626],"category_scores_gemma":[0.00003700625,0.000031560587,0.00013124844,0.000090118534,0.00034958415,0.0000905213,0.00006392377,0.00035647172,3.4454374e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001630414,0.000022921886,0.00086637447,0.000039972398,0.00013653334,0.000005120868,0.12591267,0.000005426013,0.0016470884,0.6903545,0.18048106,0.00036528817],"study_design_scores_gemma":[0.0007532628,0.00023451263,0.00018585118,0.0000612576,0.00010249444,0.00014454321,0.039411828,0.000026023083,0.00012137543,0.010520083,0.9483748,0.00006394612],"about_ca_topic_score_codex":0.00007225498,"about_ca_topic_score_gemma":0.00014656178,"teacher_disagreement_score":0.76789373,"about_ca_system_score_codex":0.0000041590774,"about_ca_system_score_gemma":0.000012366178,"threshold_uncertainty_score":0.4563654},"labels":[],"label_agreement":null},{"id":"W4214694615","doi":"10.1353/wlt.2022.0084","title":"Night Bus by Zuo Ma","year":2022,"lang":"en","type":"article","venue":"World Literature Today","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); History; Urbanity; China; Art; Visual arts; Art history; Literature; Archaeology","score_opus":0.006812888212320898,"score_gpt":0.18896232881623745,"score_spread":0.18214944060391655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214694615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.083234526,0.027005918,0.000005930742,0.026020195,0.0056304536,0.00055047375,0.0016954814,0.0003299797,0.85552704],"genre_scores_gemma":[0.59627366,0.000012428435,0.000013290263,0.001683171,0.00044639077,0.000044696433,0.00018326679,0.000015956935,0.40132713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909943,0.00008208925,0.00016711355,0.0002369481,0.00019852734,0.00021588914],"domain_scores_gemma":[0.9995641,0.000041537052,0.000060245045,0.0002324292,0.000044733468,0.000056933924],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001335657,0.00015282996,0.00015491035,0.00018740213,0.0008044596,0.00037917926,0.00022135947,0.000016011569,0.016945057],"category_scores_gemma":[0.0000047163744,0.00012668787,0.00010619649,0.00019302772,0.00008056717,0.00012759039,0.00010103498,0.0004118453,0.00002606113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020178868,0.00005165431,0.00006355558,0.000005750993,0.000019885621,0.000014383452,0.0297103,0.0000013210358,0.00009166425,0.45298934,0.5165898,0.00044213532],"study_design_scores_gemma":[0.0002129002,0.000050815077,0.000025280235,0.000014451304,0.0000073647034,0.000003963046,0.0008295022,0.000019089393,0.000029448684,0.0083571365,0.99026686,0.0001832111],"about_ca_topic_score_codex":0.000021464899,"about_ca_topic_score_gemma":0.0003355841,"teacher_disagreement_score":0.5130391,"about_ca_system_score_codex":0.000026439855,"about_ca_system_score_gemma":0.000014791345,"threshold_uncertainty_score":0.9839536},"labels":[],"label_agreement":null},{"id":"W4220805632","doi":"10.4000/ideas.13029","title":"La place de la bande dessinée non états-unienne dans une revue de bande dessinée états-unienne : The Comics Journal","year":2022,"lang":"fr","type":"article","venue":"IdeAs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Comics; Humanities; Literature","score_opus":0.014531546435738764,"score_gpt":0.2427227745241725,"score_spread":0.22819122808843376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220805632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.875317,0.013006821,0.0026727908,0.021705614,0.0020204638,0.00041924842,0.0003752386,0.00011223324,0.08437059],"genre_scores_gemma":[0.9432093,0.0020568864,0.00046434894,0.0008246661,0.0013614686,0.000060564504,0.000024146872,0.00015342417,0.05184522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957176,0.0018576861,0.0006320933,0.0004218605,0.00038368846,0.0009870842],"domain_scores_gemma":[0.99708354,0.0013975602,0.0004903751,0.00054021075,0.00012206892,0.0003662544],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0034167576,0.00047900007,0.00051948923,0.00026291067,0.005906599,0.0011510227,0.0009218361,0.0001954064,0.0013261077],"category_scores_gemma":[0.00013425751,0.00042306504,0.00037971933,0.0003161911,0.0023205914,0.00027248426,0.0003637227,0.0020690572,0.00001239022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042137972,0.00077289337,0.003375804,0.00016016279,0.000439796,0.0009622508,0.18185517,0.002882748,0.00091239106,0.6880769,0.112745225,0.0073952544],"study_design_scores_gemma":[0.0019000598,0.000327049,0.0034227872,0.00032557294,0.00028159004,0.002160438,0.06751676,0.0064641912,0.000063758474,0.10594642,0.81096154,0.0006298194],"about_ca_topic_score_codex":0.003815029,"about_ca_topic_score_gemma":0.008041346,"teacher_disagreement_score":0.6982163,"about_ca_system_score_codex":0.0005258149,"about_ca_system_score_gemma":0.00068200537,"threshold_uncertainty_score":0.99988586},"labels":[],"label_agreement":null},{"id":"W4220850807","doi":"10.26522/ssj.v16i2.3509","title":"A Conversation with Comics Not Otherwise Specified (CNOS) (Interview)","year":2022,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Conversation; Comics; Sociology; Psychology; Social psychology; Media studies; Art; Communication; Literature","score_opus":0.15974555038306973,"score_gpt":0.32195910250693555,"score_spread":0.16221355212386582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220850807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41511598,0.0048621697,0.000114208044,0.016008098,0.008335992,0.0014616302,0.00045256477,0.0003645404,0.5532848],"genre_scores_gemma":[0.9903794,0.00022234124,0.000029420908,0.000998053,0.00077647076,0.00006836139,0.0000054042093,0.000023448812,0.0074971085],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99930215,0.00010957817,0.00014891068,0.0001455092,0.00015471768,0.0001391578],"domain_scores_gemma":[0.9996623,0.00010589928,0.00009345365,0.00007102988,0.000054719185,0.00001260395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022011163,0.00009986436,0.00019283318,0.00007217618,0.0007569651,0.000025233961,0.00010911567,0.000011118795,0.0004860745],"category_scores_gemma":[0.00001778202,0.000089792964,0.00004154767,0.000083926876,0.00040581403,0.000043167296,0.000118186785,0.00015014241,0.0000043317064],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017045702,0.000076647324,0.00007036328,0.00008296185,0.00013035728,0.000012907143,0.49287805,0.000010252663,0.000006353317,0.43133697,0.07471745,0.0005072229],"study_design_scores_gemma":[0.000782538,0.00011508755,0.00014695908,0.000014452242,0.00008422719,8.3028254e-7,0.65724856,0.00004405051,0.000003480105,0.002194573,0.3392076,0.0001576506],"about_ca_topic_score_codex":0.00011283385,"about_ca_topic_score_gemma":0.004217691,"teacher_disagreement_score":0.57526344,"about_ca_system_score_codex":0.000083362946,"about_ca_system_score_gemma":0.000016608077,"threshold_uncertainty_score":0.582204},"labels":[],"label_agreement":null},{"id":"W4220994585","doi":"10.29173/slw8314","title":"“When the switch happened”","year":2022,"lang":"en","type":"article","venue":"School Libraries Worldwide","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Popularity; Reading (process); Order (exchange); Psychology; Sociology; Pedagogy; Political science; Literature; Social psychology; Business; Art","score_opus":0.018675297964096463,"score_gpt":0.19707499994341313,"score_spread":0.17839970197931665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220994585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07277837,0.004604424,0.00003986924,0.13144323,0.0034048948,0.0007385964,0.00021756254,0.00043258906,0.7863405],"genre_scores_gemma":[0.83761626,0.00001185442,0.000088689565,0.0059843096,0.0007216146,0.0001538567,0.000031291085,0.000029658702,0.15536244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988896,0.00012678826,0.0002240768,0.00022255778,0.00026961346,0.0002673172],"domain_scores_gemma":[0.99922705,0.00018015443,0.00008900529,0.00039996937,0.000026095391,0.00007771172],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023097076,0.00014916857,0.00015089614,0.00011038846,0.002457228,0.0007804291,0.0006149314,0.000011531413,0.047028434],"category_scores_gemma":[0.00004140409,0.00010420002,0.00012116893,0.000107016705,0.0003116633,0.00044608884,0.000465587,0.00043168082,0.00013499908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033301334,0.000021762547,0.0008535264,0.0000026348846,0.000032935768,0.000004106688,0.01264786,0.000008389936,0.0000095923115,0.710203,0.27546403,0.00071887585],"study_design_scores_gemma":[0.00014868796,0.000036798458,0.00044679348,0.0000030605686,0.00000950178,0.000002114403,0.010827635,0.000028022681,0.000023055787,0.2225298,0.765816,0.00012852512],"about_ca_topic_score_codex":0.00018371656,"about_ca_topic_score_gemma":0.00055288017,"teacher_disagreement_score":0.7648379,"about_ca_system_score_codex":0.000020501779,"about_ca_system_score_gemma":0.00011761958,"threshold_uncertainty_score":0.99884146},"labels":[],"label_agreement":null},{"id":"W4221129868","doi":"10.4000/ideas.12145","title":"Au-delà des deux solitudes : les multiples et complexes circulations transnationales dans le monde des BD et des comics au Canada","year":2022,"lang":"fr","type":"article","venue":"IdeAs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.05486594472282874,"score_gpt":0.25890057296899144,"score_spread":0.2040346282461627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221129868","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9475719,0.009177285,0.002013776,0.0053946143,0.00042535772,0.00033658315,0.0040947287,0.000097357995,0.030888397],"genre_scores_gemma":[0.9900305,0.00045280898,0.0010105084,0.00025369038,0.0001818385,0.00009392976,0.0003190938,0.00008182917,0.007575797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99779916,0.00045412325,0.000468755,0.00035973947,0.00038557366,0.0005326755],"domain_scores_gemma":[0.998574,0.000662119,0.00016580829,0.00023620334,0.00020029182,0.00016152965],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00041589953,0.00034897568,0.00035506792,0.0001964021,0.006021662,0.00024231605,0.00034451621,0.000054424738,0.00058467337],"category_scores_gemma":[0.000078642755,0.00039302156,0.00021003545,0.00015434818,0.0024651303,0.00031723874,0.00013204699,0.0003148998,0.0000013021138],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020421554,0.0002781288,0.045879964,0.00014629762,0.00024148785,0.000012781118,0.10960871,0.00985659,0.00032959096,0.831065,0.001859426,0.0007016255],"study_design_scores_gemma":[0.001077163,0.00011994307,0.22653304,0.00017802393,0.00014200418,0.000047245638,0.1620363,0.0034353915,0.00010810516,0.35701385,0.24846575,0.00084317586],"about_ca_topic_score_codex":0.922759,"about_ca_topic_score_gemma":0.9977644,"teacher_disagreement_score":0.47405112,"about_ca_system_score_codex":0.00070848555,"about_ca_system_score_gemma":0.001982389,"threshold_uncertainty_score":0.9998522},"labels":[],"label_agreement":null},{"id":"W4221138699","doi":"","title":"A Conversation with Comics Not Otherwise Specified (CNOS) (Interview)","year":2022,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Conversation; Comics; Psychology; Computer science; Communication; Artificial intelligence","score_opus":0.3769139684445471,"score_gpt":0.492217024644217,"score_spread":0.1153030561996699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221138699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9054566,0.008036183,0.00023135371,0.0018714103,0.0014194301,0.0011171582,0.00041854565,0.000113530434,0.08133578],"genre_scores_gemma":[0.9913071,0.0018546998,0.000041455736,0.0008564313,0.00023082056,0.00006301,0.000021424486,0.00007429558,0.0055507557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811953,0.00028398493,0.000524718,0.00031185607,0.0005188479,0.00024108017],"domain_scores_gemma":[0.9984883,0.00014982201,0.0007230055,0.00035853084,0.00016325066,0.000117088806],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008162827,0.00024366892,0.0005197183,0.000597064,0.00059215253,0.0011091918,0.0015169232,0.000026441086,0.07439382],"category_scores_gemma":[0.000021013642,0.00020794103,0.00015886873,0.0002702208,0.00026159236,0.00083799846,0.00060103607,0.00035323072,0.000009240971],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031681806,0.0015602728,0.080983065,0.00024871965,0.0015524401,0.00014348234,0.06884891,0.00040489476,0.013159405,0.12588222,0.6880263,0.016022097],"study_design_scores_gemma":[0.0023938299,0.000113569855,0.042886302,0.00024409627,0.00014534364,0.000021523938,0.014314882,0.00035708898,0.002587859,0.015013401,0.9209919,0.00093022396],"about_ca_topic_score_codex":0.0015235646,"about_ca_topic_score_gemma":0.0016792971,"teacher_disagreement_score":0.23296556,"about_ca_system_score_codex":0.000073044655,"about_ca_system_score_gemma":0.00007593169,"threshold_uncertainty_score":0.99992776},"labels":[],"label_agreement":null},{"id":"W4225373034","doi":"10.24908/iqurcp15474","title":"Dismantling Ethnic Notions Through Bildungsromane: An Examination of The Bluest Eye","year":2022,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"White (mutation); Narrative; Ideology; Ethnic group; Resistance (ecology); Humanity; Sociology; Hybridity; Gender studies; Aesthetics; Character (mathematics); Literature; Politics; History; Art; Anthropology; Law; Political science","score_opus":0.20423291100167856,"score_gpt":0.3796166381126171,"score_spread":0.17538372711093853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225373034","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96373016,0.0001302096,0.00007584137,0.015376262,0.0004979533,0.0007117263,0.00005038121,0.00008585403,0.0193416],"genre_scores_gemma":[0.99575955,0.00024639652,0.00004087444,0.00007029978,0.00028377213,0.0002177156,0.00002228519,0.000031474396,0.003327607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99695235,0.00031996437,0.00042189378,0.0004733209,0.001250556,0.00058192486],"domain_scores_gemma":[0.99794674,0.00018092852,0.00022321755,0.00029837384,0.0012514637,0.00009926295],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001890074,0.00019710689,0.00024505396,0.0003443926,0.0023435692,0.00037386286,0.00095821085,0.000050165443,0.00037561593],"category_scores_gemma":[0.00020680674,0.00015434662,0.00011606039,0.0006451619,0.0017759323,0.00082956353,0.00066032424,0.0009905838,0.0000067776473],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022077324,0.00020005922,0.0003458306,0.000053730124,0.000032238957,0.0000010725558,0.15629373,0.000007809648,0.0019683978,0.83871245,0.0007254155,0.0016371821],"study_design_scores_gemma":[0.00082453486,0.0012527106,0.0101665445,0.00020927822,0.000050859042,0.000007871042,0.3119671,0.003087446,0.0018971529,0.6111291,0.058778517,0.0006288751],"about_ca_topic_score_codex":0.000837194,"about_ca_topic_score_gemma":0.00040756716,"teacher_disagreement_score":0.22758333,"about_ca_system_score_codex":0.00014524037,"about_ca_system_score_gemma":0.00026873584,"threshold_uncertainty_score":0.99895525},"labels":[],"label_agreement":null},{"id":"W4225748946","doi":"","title":"The ACBD Critics' Prize for Quebec Comics: Construction, Limits and Receptions of a Contradictory Award","year":2021,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Art; Art history; History; Visual arts; Aesthetics; Literature","score_opus":0.016715337121103006,"score_gpt":0.2133799389963428,"score_spread":0.1966646018752398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225748946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5399192,0.013308476,0.06658983,0.14775833,0.0017815598,0.0017617837,0.00092899957,0.0004422471,0.22750956],"genre_scores_gemma":[0.94411665,0.0015373443,0.007697869,0.00013945195,0.000054144835,0.00005806565,0.00008777775,0.00003234368,0.04627638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866635,0.0006834778,0.00024599436,0.00018006116,0.00009206329,0.0001320455],"domain_scores_gemma":[0.99628496,0.0017085307,0.000144506,0.00041254764,0.001394106,0.000055320925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093041436,0.000090943846,0.00014632195,0.000048970815,0.00068736926,0.00022724927,0.0001711232,0.00003645291,0.00007830193],"category_scores_gemma":[0.00069561735,0.000079253754,0.000080065045,0.00006114436,0.0011194961,0.000077219636,0.00005669933,0.00008898868,9.918133e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062737495,0.00006892669,0.00024538697,0.000022778306,0.000041740248,1.9125827e-7,0.020493358,1.5777923e-7,0.0011378644,0.96631134,0.0029589282,0.008713064],"study_design_scores_gemma":[0.0010023714,0.0000012252158,0.0008258657,0.00035362956,0.000053172334,0.0000092259725,0.0136908805,0.00093430403,0.013798609,0.04157111,0.9275379,0.00022166484],"about_ca_topic_score_codex":0.00092461536,"about_ca_topic_score_gemma":0.06753521,"teacher_disagreement_score":0.9247402,"about_ca_system_score_codex":0.00001448817,"about_ca_system_score_gemma":0.00012245047,"threshold_uncertainty_score":0.9494798},"labels":[],"label_agreement":null},{"id":"W4225884196","doi":"10.3138/jrpc.2019-0041","title":"Virgin Comics: Hindu Narrative Themes for a Cosmopolitan Audience","year":2022,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Hinduism; Narrative; Intertextuality; Globalization; Literature; Art; Optimism; History; Aesthetics; Visual arts; Media studies; Sociology; Political science; Religious studies; Philosophy; Law","score_opus":0.02010552125476904,"score_gpt":0.2554834803628164,"score_spread":0.23537795910804732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225884196","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94281846,0.034870777,0.00016320823,0.0075518037,0.0021174282,0.0006719922,0.00028659284,0.000054745953,0.011464979],"genre_scores_gemma":[0.94660044,0.0031999846,0.0003661125,0.001410388,0.0006168158,0.000017745519,0.000014901707,0.00002840928,0.047745198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940926,0.000049181843,0.00021138517,0.00008478073,0.00014122114,0.00010420083],"domain_scores_gemma":[0.99950117,0.000013672851,0.0002695713,0.000059971306,0.00009862409,0.000056975958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017152453,0.00009449233,0.00018588454,0.000089835616,0.0005977137,0.00008179784,0.00011932657,0.000021524582,0.000048291786],"category_scores_gemma":[0.00001962818,0.00006556518,0.00012718476,0.000034259803,0.00008947617,0.00009814414,0.000034249013,0.00020553562,2.2495153e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063911895,0.000035014258,0.00006617785,0.000008456232,0.000043414962,0.0000058432333,0.102518626,0.0000022616225,0.00015266996,0.4312068,0.46567982,0.00021700581],"study_design_scores_gemma":[0.00049907574,0.0004605919,0.0000023303635,0.000019116178,0.0000197212,0.000052117335,0.041032664,0.00002614818,0.000018061437,0.072335325,0.8854454,0.00008943638],"about_ca_topic_score_codex":0.00002233771,"about_ca_topic_score_gemma":0.00009433683,"teacher_disagreement_score":0.4197656,"about_ca_system_score_codex":0.000022248963,"about_ca_system_score_gemma":0.000018531611,"threshold_uncertainty_score":0.4597191},"labels":[],"label_agreement":null},{"id":"W4229517198","doi":"10.7202/1065527ar","title":"FANFICTIONS AUDIOVISUELLES","year":2019,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.044571283073152515,"score_gpt":0.2856026317327781,"score_spread":0.2410313486596256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229517198","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55621034,0.040664375,0.0020073678,0.04138751,0.0047522476,0.002398054,0.000888194,0.00040095733,0.35129097],"genre_scores_gemma":[0.36501545,0.009025462,0.006857073,0.00041680268,0.0036593697,0.00016950555,0.00011385692,0.0001522158,0.6145903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963252,0.0012941187,0.00070951035,0.0006778488,0.00019159267,0.00080170616],"domain_scores_gemma":[0.99684197,0.0016201196,0.00028875767,0.0007342178,0.00023971008,0.0002752038],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014185159,0.0005414776,0.00069779385,0.00027504456,0.00046371875,0.00040545547,0.00043598708,0.00075040926,0.0028182496],"category_scores_gemma":[0.00034413426,0.00059605134,0.00051436306,0.00025190515,0.00039568447,0.00047044296,0.00013000533,0.0013489344,0.000901365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007560241,0.0007176298,0.0063577625,0.0011635947,0.00043553085,0.000023231085,0.08139988,0.00097313285,0.0016120182,0.87454987,0.0064185495,0.026273178],"study_design_scores_gemma":[0.0009177935,0.00046356703,0.0046425806,0.0006146803,0.00014350163,0.00003673964,0.008980447,0.020101335,0.0007566379,0.0150006395,0.9473868,0.0009552898],"about_ca_topic_score_codex":0.0035645189,"about_ca_topic_score_gemma":0.0013711886,"teacher_disagreement_score":0.9409682,"about_ca_system_score_codex":0.00076900836,"about_ca_system_score_gemma":0.0006308814,"threshold_uncertainty_score":0.99987656},"labels":[],"label_agreement":null},{"id":"W4231179606","doi":"10.7202/1070445ar","title":"Pop Art and Nostalgia: The New Lessons of David Vandermeulen’s Ric Remix","year":2017,"lang":"en","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.190913395658991,"score_gpt":0.35366439278255923,"score_spread":0.16275099712356825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231179606","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48289403,0.0049655577,0.00016969888,0.09197606,0.0006492208,0.0005991912,0.000064508014,0.00013661446,0.4185451],"genre_scores_gemma":[0.9431052,0.0017698524,0.00027512125,0.00014232917,0.00029691446,0.0000037118725,0.000004266506,0.000017622848,0.054384977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920243,0.00012838286,0.00019987598,0.00019409576,0.00010687098,0.00016831745],"domain_scores_gemma":[0.9988173,0.00032884092,0.00020192843,0.0005038711,0.00008464985,0.00006336748],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059789664,0.0001463158,0.00023528536,0.000051452454,0.00057353644,0.00030759088,0.0003389964,0.00008558229,0.00014894217],"category_scores_gemma":[0.0003143207,0.00009505384,0.00009138775,0.000015128949,0.00063647464,0.00022092488,0.00013025117,0.00026639426,0.000006975652],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004492599,0.00007279804,0.0017607288,0.00006501478,0.00013215779,0.0000032401567,0.087215036,3.4175142e-7,0.0010623143,0.8339898,0.051652968,0.024000673],"study_design_scores_gemma":[0.0006737767,0.00025555893,0.026795486,0.000276355,0.00010413679,0.000010339678,0.007368158,0.00008253472,0.0053839395,0.3960246,0.56255734,0.0004677532],"about_ca_topic_score_codex":0.0012940045,"about_ca_topic_score_gemma":0.0051156376,"teacher_disagreement_score":0.5109044,"about_ca_system_score_codex":0.000024056495,"about_ca_system_score_gemma":0.00008419688,"threshold_uncertainty_score":0.44112366},"labels":[],"label_agreement":null},{"id":"W4231267898","doi":"10.3138/mous.14.1-06","title":"Allusive Syme","year":2017,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"CLARITY; Variety (cybernetics); Literature; Philosophy; Art; Chemistry; Computer science; Artificial intelligence","score_opus":0.013160477916710238,"score_gpt":0.20665867003414956,"score_spread":0.19349819211743932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231267898","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29125613,0.000120032084,0.000014485393,0.6514924,0.005035855,0.00011827378,0.00007115848,0.0000046855153,0.05188695],"genre_scores_gemma":[0.8744802,0.000009326553,0.00000498857,0.00022743072,0.0003896395,3.220069e-7,1.8929582e-7,0.000004349784,0.12488354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999063,0.000059144517,0.00028948218,0.000041606974,0.00044669668,0.00010007907],"domain_scores_gemma":[0.9977708,0.0001271304,0.0014847332,0.00014795184,0.00042376856,0.000045606495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029070055,0.00005768252,0.00017448873,0.000023820854,0.00053177867,0.000098538825,0.00038247067,0.000025790921,0.000115193296],"category_scores_gemma":[0.00058184145,0.000035846348,0.00013420837,0.000010537939,0.000085313135,0.00012213546,0.00004697118,0.00017221169,3.323965e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025623236,0.000038722683,0.0009552018,0.000006880697,0.00015062481,0.000003451039,0.0022658077,0.000018853143,0.00025230306,0.0849133,0.9107655,0.00060368783],"study_design_scores_gemma":[0.00039525545,0.00006248413,0.003124022,0.000041968575,0.000031790834,0.0000016279943,0.0005638929,0.000055954162,0.0004973682,0.0067082606,0.98845387,0.00006348079],"about_ca_topic_score_codex":0.002923667,"about_ca_topic_score_gemma":0.5738219,"teacher_disagreement_score":0.651265,"about_ca_system_score_codex":0.00021498381,"about_ca_system_score_gemma":0.00042977073,"threshold_uncertainty_score":0.44197294},"labels":[],"label_agreement":null},{"id":"W4231301513","doi":"10.32920/ryerson.14660568.v1","title":"The case for graphic counter-memorials in the comics of Joe Sacco, Art Spiegelman, and Brian Wood and Riccardo Burchielli","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University; Toronto Metropolitan University","funders":"","keywords":"Comics; Memorialization; Narrative; Art; Representation (politics); Visual arts; Politics; Art history; Literature; History; Aesthetics; Law; Political science","score_opus":0.0317477400194571,"score_gpt":0.24917908412367015,"score_spread":0.21743134410421305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231301513","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9687202,0.005632613,0.0001024732,0.0033536132,0.0011734623,0.0015129519,0.00038264145,0.00002545847,0.019096594],"genre_scores_gemma":[0.99468046,0.0027754018,0.00006436329,0.00023242817,0.00039579367,0.00009574819,0.0000349092,0.000029121717,0.0016917671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988326,0.00012585556,0.00042424604,0.00031661114,0.00011423334,0.00018644209],"domain_scores_gemma":[0.9984718,0.00074536784,0.00022008196,0.000422183,0.00010609147,0.000034484707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008915831,0.00023644094,0.00043559822,0.00013517833,0.00037019627,0.00069184566,0.00022338913,0.000100826386,0.00004577171],"category_scores_gemma":[0.00004698344,0.00013715698,0.00015023237,0.00004117789,0.0005861472,0.00004719637,0.00024456467,0.00028918116,1.5688725e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008636378,0.000118502925,0.0004384145,0.0003458575,0.00029229696,0.00007354078,0.049718052,0.0000048120323,0.000031080082,0.9284799,0.018106693,0.0023044646],"study_design_scores_gemma":[0.00336903,0.00040901065,0.0007263256,0.00061302265,0.0004295519,0.00035003846,0.25976503,0.0013483047,0.000101152065,0.24485916,0.48688465,0.0011447073],"about_ca_topic_score_codex":0.0015267526,"about_ca_topic_score_gemma":0.090364315,"teacher_disagreement_score":0.68362075,"about_ca_system_score_codex":0.000005539664,"about_ca_system_score_gemma":0.000040853458,"threshold_uncertainty_score":0.9262342},"labels":[],"label_agreement":null},{"id":"W4232158278","doi":"10.3917/espri.2004.0096","title":"Séries noires","year":2020,"lang":"fr","type":"article","venue":"Esprit","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Humanities; Art; Philosophy; History","score_opus":0.035657096746598,"score_gpt":0.2191993539396052,"score_spread":0.1835422571930072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232158278","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057491567,0.06588624,0.0000687651,0.62516946,0.0028518022,0.0002016596,0.0002799138,0.000115264935,0.24793532],"genre_scores_gemma":[0.8815094,0.001610091,0.00011796006,0.004907017,0.005505745,0.00000795943,0.000010776387,0.000032214837,0.10629879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992448,0.000039597508,0.00018243308,0.00020040832,0.00011429442,0.00021845962],"domain_scores_gemma":[0.9995846,0.0000671078,0.000050729774,0.00011716122,0.000054328448,0.00012602822],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005327456,0.00014868769,0.00018214293,0.00003056551,0.00039087475,0.00030302824,0.00015122573,0.000051693973,0.009107175],"category_scores_gemma":[0.00004303666,0.00014603129,0.00012565828,0.000050909686,0.00047017244,0.00015983185,0.00007319513,0.0001831464,0.00066349265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018745284,0.000034542023,0.00015538592,0.00006417694,0.000046340127,0.000016541111,0.046127588,0.0000018999601,0.000041278097,0.7977704,0.15003093,0.005692206],"study_design_scores_gemma":[0.00020097209,0.00014864425,0.00019155417,0.000041805255,0.000023929495,0.0000011521291,0.004867972,0.00019394266,0.0001240038,0.010225407,0.98379123,0.00018937307],"about_ca_topic_score_codex":0.0002979006,"about_ca_topic_score_gemma":0.00035104802,"teacher_disagreement_score":0.8337603,"about_ca_system_score_codex":0.00000897993,"about_ca_system_score_gemma":0.000035364057,"threshold_uncertainty_score":0.99179864},"labels":[],"label_agreement":null},{"id":"W4232983680","doi":"10.1007/978-0-387-39940-9_2714","title":"Graphic","year":2009,"lang":"en","type":"book-chapter","venue":"Encyclopedia of Database Systems","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Computer science","score_opus":0.02408999172784109,"score_gpt":0.2150864762560766,"score_spread":0.1909964845282355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232983680","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000061419356,0.0074004354,0.0000069903726,0.00006247655,0.0022103502,0.0004421,0.0028464738,0.00006288156,0.9869069],"genre_scores_gemma":[0.004158553,0.0054577836,0.000021515447,0.000038797065,0.002269279,0.000014703378,0.0009327771,0.000062713436,0.98704386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982503,0.000028244136,0.00070592685,0.0003993115,0.00039610837,0.00022010815],"domain_scores_gemma":[0.998352,0.00009543466,0.00053026737,0.00074142974,0.00017898633,0.0001019005],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023376624,0.0004077438,0.00068510853,0.0004239537,0.00015096783,0.00007303514,0.00034206267,0.00013659577,0.0016444454],"category_scores_gemma":[0.0000164432,0.0003550052,0.00026458132,0.00001820759,0.00030297902,0.00017319125,0.000073032694,0.0003464343,0.00012055404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010269084,0.000023955605,0.000004113169,0.0001955905,0.00010281156,0.000020604703,0.002142146,4.73422e-7,0.000002729687,0.934705,0.061137635,0.0016546372],"study_design_scores_gemma":[0.0001793728,0.000099335135,0.0000026792254,0.0006562322,0.00008657736,0.0000046773544,0.00040228263,0.0000065822405,7.6920094e-7,0.008858959,0.9893138,0.00038876754],"about_ca_topic_score_codex":0.00022258109,"about_ca_topic_score_gemma":0.00057674677,"teacher_disagreement_score":0.9281761,"about_ca_system_score_codex":0.000016375207,"about_ca_system_score_gemma":0.00008416669,"threshold_uncertainty_score":0.9998902},"labels":[],"label_agreement":null},{"id":"W4233104568","doi":"10.7202/1070439ar","title":"Le super-héros et ses possibles : comment lire les comics aujourd’hui?","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Comics; Art; Political science","score_opus":0.1911552997024406,"score_gpt":0.36115262050331753,"score_spread":0.16999732080087693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233104568","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11979974,0.027508577,0.0002540882,0.4249489,0.0017518997,0.00074762275,0.000643446,0.00042123374,0.42392448],"genre_scores_gemma":[0.7876594,0.025268672,0.0020286562,0.0015542458,0.0012053425,0.000037963822,0.000051311676,0.00018783254,0.18200655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99717456,0.0008687808,0.0005437361,0.0005368746,0.00024205707,0.00063400855],"domain_scores_gemma":[0.99741983,0.0006246358,0.00044600188,0.001053762,0.00022861152,0.00022712894],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0014783847,0.00055617176,0.0006967434,0.00018116731,0.0028393145,0.0023485804,0.0009286399,0.00050138065,0.00039506325],"category_scores_gemma":[0.000348198,0.0005481742,0.00039240002,0.000038810755,0.0019096334,0.0007486792,0.0004299702,0.0009860934,0.00003204409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004884973,0.00048871245,0.00272678,0.00022713735,0.00023432929,0.000020652502,0.037475694,0.0000020891762,0.00015063345,0.8476115,0.10086434,0.010149315],"study_design_scores_gemma":[0.00071864127,0.0003042335,0.0017179993,0.0010017391,0.00009324534,0.000015768193,0.017078867,0.00018031616,0.0021596656,0.06931171,0.90667576,0.00074207096],"about_ca_topic_score_codex":0.06614454,"about_ca_topic_score_gemma":0.07226668,"teacher_disagreement_score":0.8058114,"about_ca_system_score_codex":0.00017354307,"about_ca_system_score_gemma":0.00047197996,"threshold_uncertainty_score":0.99969697},"labels":[],"label_agreement":null},{"id":"W4234111455","doi":"10.4324/9780203863336-16","title":"The Mocking Meme: Popular Darwinism, Illustrative Graphics, and Editorial Cartooning","year":2010,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Graphics; Art; Visual arts","score_opus":0.020592405307114543,"score_gpt":0.21048261369192997,"score_spread":0.18989020838481543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234111455","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023599126,0.0012169202,0.000005677806,0.0009277361,0.049809396,0.00033798895,0.00008953912,0.00007797745,0.94729877],"genre_scores_gemma":[0.023035498,0.0010761304,0.000037556263,0.00019028404,0.109309584,0.0000182279,0.00006107333,0.000099353914,0.8661723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986749,0.00001932769,0.00034981695,0.00036482298,0.0003416715,0.000249431],"domain_scores_gemma":[0.99893016,0.00019392451,0.00022607,0.00031557464,0.00025123433,0.00008304129],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00031717384,0.00037552568,0.00033987119,0.0001170085,0.0022152313,0.00073324656,0.00022771495,0.000302439,0.000743824],"category_scores_gemma":[0.000028564536,0.00024150757,0.00018393162,0.000007950188,0.0012185154,0.0001242766,0.00012430106,0.0011321295,0.000007803243],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011932704,0.000003210089,0.000002221665,0.0000071077566,0.00012148144,0.0000032024152,0.009934757,3.756062e-8,0.000009993601,0.9666237,0.02266154,0.000620769],"study_design_scores_gemma":[0.00013795908,0.000056525932,0.0000011724904,0.000037852507,0.00004695844,0.0000015291824,0.0014918938,0.0000039776746,0.000006171197,0.24321316,0.7547399,0.0002629221],"about_ca_topic_score_codex":0.000227399,"about_ca_topic_score_gemma":0.012316641,"teacher_disagreement_score":0.7320783,"about_ca_system_score_codex":0.000009945929,"about_ca_system_score_gemma":0.00005842116,"threshold_uncertainty_score":0.99908376},"labels":[],"label_agreement":null},{"id":"W4234234483","doi":"10.7202/1070440ar","title":"Feintise et travestissement : la BD maquillée","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.19064926891228676,"score_gpt":0.40482696741337204,"score_spread":0.21417769850108528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234234483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11696756,0.022898277,0.00027522826,0.100391686,0.0024640583,0.00052739365,0.00021102228,0.00015636222,0.7561084],"genre_scores_gemma":[0.6219813,0.020101795,0.0022859953,0.00047022742,0.0010899559,0.000032447082,0.000017241804,0.00007620468,0.3539448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750394,0.0009083636,0.00041757373,0.00047558607,0.00021198018,0.0004825305],"domain_scores_gemma":[0.9978037,0.0006033525,0.00033950902,0.00089084374,0.00016868056,0.00019390057],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021043785,0.00040902363,0.00046022216,0.00011142994,0.0012021649,0.0022029977,0.00066711777,0.0003638685,0.0012852936],"category_scores_gemma":[0.00052331155,0.00039250831,0.00028741948,0.000023850944,0.0014783981,0.0006334009,0.00024793085,0.00079825777,0.00010761732],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030096186,0.00026660206,0.0007004044,0.00015895421,0.00017579056,0.00005094544,0.031782802,0.0000010560253,0.00021501456,0.90332806,0.017833784,0.04545649],"study_design_scores_gemma":[0.00039524437,0.00024426912,0.014235818,0.0006731962,0.00008937662,0.000015490614,0.0019088531,0.00010224696,0.0010294018,0.15366928,0.8271333,0.0005034955],"about_ca_topic_score_codex":0.007967022,"about_ca_topic_score_gemma":0.008713042,"teacher_disagreement_score":0.8092995,"about_ca_system_score_codex":0.00016747793,"about_ca_system_score_gemma":0.00021950535,"threshold_uncertainty_score":0.99985266},"labels":[],"label_agreement":null},{"id":"W4234960622","doi":"10.1080/21504857.2015.1122651","title":"Frida<sup>2</sup>","year":2016,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Portrait; Storytelling; Narrative; Literature; Art; Painting; Intertextuality; Character (mathematics); Reflexivity; Icon; Art history; Visual arts; Sociology; Computer science; Anthropology","score_opus":0.026016232988638633,"score_gpt":0.22057927155773271,"score_spread":0.19456303856909407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234960622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96254593,0.00086220016,0.0011262203,0.006402472,0.0011956024,0.00014964542,0.00009427777,0.0000635476,0.027560085],"genre_scores_gemma":[0.9946159,0.000494941,0.00023778985,0.00039659662,0.0010185611,0.0000015255935,5.6817055e-7,0.000045700388,0.003188393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868333,0.00004878278,0.00057937467,0.00013967241,0.0002912957,0.00025756925],"domain_scores_gemma":[0.9986163,0.00024029925,0.00049233093,0.00023400623,0.00027366824,0.0001434374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039719237,0.00019358618,0.00037046964,0.0005086353,0.00019058588,0.00012144522,0.00037365462,0.00006100246,0.0007188278],"category_scores_gemma":[0.000077507204,0.00011754403,0.00033679768,0.00010049417,0.00039616917,0.00031681612,0.000049608818,0.00022364847,0.000014076871],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001753921,0.00022961163,0.003232444,0.00001785522,0.00035636884,0.00003774136,0.009715883,0.0000075887615,0.0018111788,0.9227153,0.055671234,0.006029392],"study_design_scores_gemma":[0.0026966985,0.0005160424,0.0008586887,0.00042052244,0.000105193445,0.00013518357,0.0038937675,0.00009301424,0.0002724753,0.09810275,0.89240015,0.00050553225],"about_ca_topic_score_codex":0.000028943297,"about_ca_topic_score_gemma":0.00015136591,"teacher_disagreement_score":0.83672893,"about_ca_system_score_codex":0.000023593586,"about_ca_system_score_gemma":0.000069590125,"threshold_uncertainty_score":0.78706604},"labels":[],"label_agreement":null},{"id":"W4235221694","doi":"10.4324/9781135000356-rem1749-1","title":"Comics","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Comics; Comic strip; Art; Fantasy; Fable; Narrative; Literature; Modernism (music); Absurdism; Subaltern; History","score_opus":0.045846451746639996,"score_gpt":0.20774562283558495,"score_spread":0.16189917108894497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235221694","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000005690837,0.00013513626,0.0000057969055,0.00016030505,0.00045693753,0.000070374044,0.00005366933,0.00011039247,0.9990017],"genre_scores_gemma":[0.00037288084,0.000074180585,0.00003019942,0.00032737854,0.0012498571,0.0000011190657,0.000021373018,0.000061012557,0.997862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999618,0.0000015046817,0.000108090746,0.00012984466,0.00006788049,0.00007469626],"domain_scores_gemma":[0.9996739,0.000013877993,0.00006287409,0.00017481,0.00004524476,0.000029278608],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000027389337,0.00014066923,0.00015352425,0.00009052314,0.0000954446,0.00008047242,0.0000984794,0.000065076405,0.1190011],"category_scores_gemma":[9.684446e-7,0.00011182582,0.00009150338,0.000001183653,0.00034634362,0.000019759715,0.00003728564,0.00008947234,0.000763601],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012303288,0.0000015320513,1.1038438e-7,0.000002612779,0.000023428827,6.954756e-7,0.0013953414,9.020812e-10,9.6037766e-8,0.60390395,0.39450204,0.0001689458],"study_design_scores_gemma":[0.000039791266,0.000026124644,5.3369252e-8,0.000017648923,0.000008873641,3.6223153e-7,0.000109526634,0.0000019212728,6.105926e-7,0.28690302,0.7127744,0.0001176495],"about_ca_topic_score_codex":0.00003808619,"about_ca_topic_score_gemma":0.00310663,"teacher_disagreement_score":0.31827238,"about_ca_system_score_codex":0.000005195221,"about_ca_system_score_gemma":0.000011804687,"threshold_uncertainty_score":0.98148006},"labels":[],"label_agreement":null},{"id":"W4235631818","doi":"10.1386/stic.6.1.85_1","title":"Sound affects: Visualizing music, musicians and (sub)cultural identity in BECK and Scott Pilgrim","year":2015,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Emotive; Sociology; Identity (music); Popular music; Visual arts; Aesthetics; Art; Literature; Anthropology","score_opus":0.19329717403961705,"score_gpt":0.3720227072447677,"score_spread":0.17872553320515067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235631818","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9860258,0.0071611614,0.0000038923135,0.00023299243,0.000589221,0.0001718215,0.0000105125,0.000027585953,0.005776998],"genre_scores_gemma":[0.99796164,0.0013517797,0.000040240215,0.00024719705,0.00020036999,0.000011439778,0.0000021803044,0.000015647842,0.0001695311],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99928,0.000053246342,0.00017485982,0.00020505319,0.00009747455,0.00018940095],"domain_scores_gemma":[0.9996389,0.0001130812,0.000062714185,0.000090441805,0.000053157964,0.000041710256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031512041,0.00014733933,0.00028474053,0.00014304928,0.00017030282,0.00015369049,0.0000727862,0.0000321656,0.0000038032947],"category_scores_gemma":[0.00009696865,0.00012584266,0.00002301013,0.00007680358,0.00069569796,0.00027374603,0.00021949127,0.00013966934,0.0000010775406],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005258264,0.0000887749,0.03884989,0.00012741378,0.000107720225,0.000027430531,0.53802145,0.000004097329,0.00005178263,0.41172695,0.010262658,0.00067923917],"study_design_scores_gemma":[0.0035783364,0.0003347081,0.011118518,0.00045183944,0.000053078882,0.000010335684,0.7795745,0.00036256324,0.00002700403,0.17944683,0.024242831,0.0007994286],"about_ca_topic_score_codex":0.00060379936,"about_ca_topic_score_gemma":0.16202788,"teacher_disagreement_score":0.24155305,"about_ca_system_score_codex":0.000046828427,"about_ca_system_score_gemma":0.000010994057,"threshold_uncertainty_score":0.8532629},"labels":[],"label_agreement":null},{"id":"W4236083394","doi":"10.3167/eca.2014.070106","title":"Book Reviews","year":2014,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Comics; Comic strip; Narrative; Art; Art history; Literature; Visual arts; History","score_opus":0.028179428313090834,"score_gpt":0.20933185167667112,"score_spread":0.18115242336358028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236083394","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002277176,0.0028865684,0.000130383,0.0013137526,0.00048154127,0.00010815944,0.0000032825385,0.00006941814,0.9927297],"genre_scores_gemma":[0.2637537,0.0010658068,0.00008653288,0.02204136,0.0024616001,0.0000065940753,0.00002175983,0.00005732814,0.7105053],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992595,0.00022981525,0.00019454896,0.00014057857,0.000052411167,0.00012317325],"domain_scores_gemma":[0.9995927,0.000037926497,0.00006645137,0.00023849371,0.000018714969,0.00004570234],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044259007,0.00009793216,0.00014197943,0.000039784623,0.00020990246,0.00009357186,0.00015914964,0.0000056678255,0.005345637],"category_scores_gemma":[0.000031246578,0.00007659497,0.000087301705,0.000011867167,0.000120034725,0.00007684757,0.00005174671,0.000089610374,0.006925292],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024661315,0.000011371756,0.000017384524,0.0000051847283,0.0000047914336,0.0000010544238,0.003620484,1.9635199e-7,0.000029985289,0.12903893,0.8633531,0.00391507],"study_design_scores_gemma":[0.0001375876,0.000037615042,0.00011785912,0.000024447329,0.000005309235,0.00000103542,0.0000671322,0.000045924924,0.0000055847445,0.0007556198,0.9986918,0.0001100607],"about_ca_topic_score_codex":0.0000021520366,"about_ca_topic_score_gemma":0.000027248168,"teacher_disagreement_score":0.2822244,"about_ca_system_score_codex":0.0000047978456,"about_ca_system_score_gemma":0.0000033030028,"threshold_uncertainty_score":0.9955636},"labels":[],"label_agreement":null},{"id":"W4236975647","doi":"10.4000/ebc.2326","title":"Areti, Dragas, The Return of the Storyteller in Contemporary Fiction","year":2015,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut Universitaire en Santé Mentale de Québec","funders":"","keywords":"Art; Literature; History; Art history","score_opus":0.10319025877336659,"score_gpt":0.2699079580200617,"score_spread":0.1667176992466951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236975647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43552747,0.14516203,0.000020314561,0.059734397,0.004997158,0.0018941599,0.0003366158,0.00009497962,0.35223287],"genre_scores_gemma":[0.9616185,0.000639454,0.000020544083,0.0006734027,0.000746721,0.000052350824,0.000016589862,0.00004373208,0.036188703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721247,0.0007371753,0.0009093648,0.0003745781,0.0004351006,0.00033133337],"domain_scores_gemma":[0.99773365,0.0003692583,0.0005448868,0.0006442675,0.00059985305,0.00010810812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015116131,0.0003831226,0.0005588857,0.00015427804,0.00035735904,0.00021757571,0.0006408007,0.00018288783,0.00011564312],"category_scores_gemma":[0.0002743207,0.00024519945,0.00033715667,0.00023684998,0.0019025882,0.00046181268,0.00019675854,0.00052999257,0.000004531186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025915104,0.00036091576,0.015972316,0.00014699396,0.00018286647,0.000027770406,0.105315335,0.000009107988,0.00009455808,0.6497341,0.22720736,0.0006895258],"study_design_scores_gemma":[0.0009110107,0.00029470498,0.002967863,0.00086062885,0.000032588763,0.0000145729255,0.049285635,0.0002774793,0.00019411797,0.018028606,0.92677855,0.00035422787],"about_ca_topic_score_codex":0.007954396,"about_ca_topic_score_gemma":0.008680212,"teacher_disagreement_score":0.6995712,"about_ca_system_score_codex":0.00012588206,"about_ca_system_score_gemma":0.00050306704,"threshold_uncertainty_score":0.9998944},"labels":[],"label_agreement":null},{"id":"W4237348766","doi":"10.4000/communication.3963","title":"Pierre SKILLING (2001), Mort aux tyrans ! Tintin, les enfants, la politique","year":2004,"lang":"fr","type":"article","venue":"Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.03817873010365819,"score_gpt":0.3082104031586014,"score_spread":0.2700316730549432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237348766","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20570166,0.19058111,0.0015910749,0.09825776,0.0010522567,0.0006515791,0.0002589913,0.00022844209,0.5016771],"genre_scores_gemma":[0.91780317,0.0625264,0.00081465195,0.0002458111,0.00034834832,0.000027547301,0.00013089796,0.000038458198,0.018064711],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864936,0.00026697118,0.00039383082,0.00021140004,0.0001379664,0.00034049505],"domain_scores_gemma":[0.99838436,0.00023119507,0.00018167071,0.00088072265,0.00022623483,0.00009583388],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050811365,0.00022214271,0.00023540804,0.00013764774,0.0013054623,0.00031309263,0.00055339455,0.00016790994,0.0013141299],"category_scores_gemma":[0.00007688001,0.0002368717,0.00014823819,0.00009387936,0.00085949345,0.0002824188,0.0001646653,0.0005311009,0.00006044632],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008624303,0.00022960104,0.00055034616,0.000050250288,0.00006077025,0.00000235498,0.027770784,0.000062606654,0.00003725338,0.9526885,0.0049986863,0.013540227],"study_design_scores_gemma":[0.0004596971,0.000052883006,0.0025541964,0.00053237216,0.000055481425,0.000011511813,0.007725438,0.0002104483,0.000118465534,0.12640277,0.86158025,0.0002964748],"about_ca_topic_score_codex":0.013529473,"about_ca_topic_score_gemma":0.00991552,"teacher_disagreement_score":0.85658157,"about_ca_system_score_codex":0.00009072219,"about_ca_system_score_gemma":0.00017683972,"threshold_uncertainty_score":0.9999947},"labels":[],"label_agreement":null},{"id":"W4238033299","doi":"10.32920/ryerson.14645352","title":"Visualizing violence: representations of the female body and female trauma in Nina Bunjevac’s Bezimena","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Comics; Agency (philosophy); Power (physics); Identity (music); Paratext; Psychoanalysis; Sexual violence; Psychology; Literature; Gender studies; Sociology; Art; Aesthetics; Criminology; Social science","score_opus":0.0459311861492089,"score_gpt":0.30575958712880286,"score_spread":0.259828400979594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238033299","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95495015,0.0012853147,0.0000127980065,0.00039657767,0.00042086068,0.00034603916,0.000040514158,0.00001687734,0.042530887],"genre_scores_gemma":[0.9961589,0.00041109938,0.00012527248,0.00007327065,0.00009531902,0.00004492052,0.000022132454,0.000014879906,0.0030541904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998714,0.00013326171,0.00042505897,0.00038564974,0.00018148526,0.0001605313],"domain_scores_gemma":[0.99909884,0.0001166713,0.00019547118,0.00043911903,0.00011556595,0.000034314486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002455225,0.0001878993,0.00034056502,0.00014508604,0.00022057141,0.00023047639,0.0002360703,0.00008200227,0.00086479343],"category_scores_gemma":[0.000039188304,0.00013762305,0.00015890738,0.000069585054,0.00033474516,0.000086908396,0.0005652503,0.00035940908,8.924069e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026791462,0.00042884354,0.04897158,0.00052332215,0.00020999761,0.000011290524,0.27196783,0.00007012539,0.0004803078,0.67459685,0.00043585605,0.0022771945],"study_design_scores_gemma":[0.0019666948,0.00021237072,0.25904694,0.005169828,0.0002560375,0.000012237181,0.5726633,0.0022890426,0.0074780695,0.14365564,0.005670664,0.0015791404],"about_ca_topic_score_codex":0.0033738702,"about_ca_topic_score_gemma":0.009879498,"teacher_disagreement_score":0.5309412,"about_ca_system_score_codex":0.000017177681,"about_ca_system_score_gemma":0.00007812006,"threshold_uncertainty_score":0.94688815},"labels":[],"label_agreement":null},{"id":"W4238330951","doi":"10.7588/worllitetoda.93.3.0105","title":"","year":2019,"lang":"","type":"article","venue":"World Literature Today","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Heaven; Poetry; Literature; Storytelling; History; Meaning (existential); Realism; Art; Art history; Philosophy","score_opus":0.006615875063270129,"score_gpt":0.20287636126017344,"score_spread":0.1962604861969033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238330951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7552388,0.06475806,0.0000042960105,0.02584139,0.014947016,0.0028350584,0.00095912465,0.0002642253,0.13515207],"genre_scores_gemma":[0.6648995,0.00057323894,0.000064623455,0.0041650156,0.003444044,0.000055895332,0.00019579407,0.000119605276,0.32648224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917313,0.00070204446,0.0019718977,0.0023387128,0.0011043679,0.0021516872],"domain_scores_gemma":[0.99429494,0.0007846651,0.0008807989,0.002385882,0.0009463046,0.00070738187],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011270002,0.0018832434,0.0019667475,0.0022197303,0.0020581016,0.010044521,0.0014656613,0.00039283492,0.015593411],"category_scores_gemma":[0.000052507778,0.0016059799,0.0015009794,0.0019079422,0.0009085118,0.0027731643,0.0005451263,0.0030525518,0.0004169395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007640285,0.00053497386,0.008005328,0.0005006658,0.000494328,0.00010672665,0.2661418,0.000023645041,0.0007326287,0.71167725,0.0092784865,0.0017401482],"study_design_scores_gemma":[0.003786971,0.00086640107,0.0049557365,0.003858872,0.00017600182,0.00002528442,0.009264137,0.00028283393,0.00019475615,0.027002996,0.9473796,0.0022063998],"about_ca_topic_score_codex":0.00015237276,"about_ca_topic_score_gemma":0.005763801,"teacher_disagreement_score":0.9381011,"about_ca_system_score_codex":0.00014900205,"about_ca_system_score_gemma":0.00019725849,"threshold_uncertainty_score":0.9993912},"labels":[],"label_agreement":null},{"id":"W4238699525","doi":"10.14325/mississippi/9781496828019.003.0014","title":"Seeing Histories, Building Futurities: Multimodal Decolonization and Conciliation in Indigenous Comics from Canada","year":2020,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Decolonization; Conciliation; Comics; Indigenous; History; Political science; Gender studies; Ethnology; Sociology; Mediation; Law; Ecology; Biology","score_opus":0.01407563801196595,"score_gpt":0.16249030105694,"score_spread":0.14841466304497405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238699525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05052524,0.0024314004,0.00009414354,0.00028593795,0.0006938013,0.0008433615,0.0025695714,0.000110288696,0.94244623],"genre_scores_gemma":[0.59918785,0.0001733442,0.0003276182,0.00009308291,0.00021375928,6.553427e-7,0.00017982034,0.00006549127,0.3997584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992706,0.000021611497,0.00019914363,0.0002459943,0.00015400565,0.00010860051],"domain_scores_gemma":[0.9993475,0.000093413044,0.00027449845,0.000120561876,0.00008449897,0.000079547164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000034004694,0.00019416207,0.0003353755,0.00013307673,0.00020129135,0.000033939326,0.00015754865,0.00012826172,0.000054287895],"category_scores_gemma":[0.000010651765,0.00024210609,0.000042694995,0.0000052628516,0.00017796551,0.000057728255,0.00009429039,0.00020095636,5.162757e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001567146,0.00001432976,0.00041248385,0.00019910098,0.00024073891,0.00010131047,0.08899358,0.000017999602,0.000059707196,0.9041765,0.0025434245,0.0030841145],"study_design_scores_gemma":[0.0006473767,0.00003433767,0.00006612137,0.00019965936,0.00008110617,4.0301734e-7,0.0034777806,0.00018458442,0.00006491436,0.0015580781,0.99336386,0.00032175222],"about_ca_topic_score_codex":0.44745672,"about_ca_topic_score_gemma":0.7377139,"teacher_disagreement_score":0.99082047,"about_ca_system_score_codex":0.00025645705,"about_ca_system_score_gemma":0.00034973808,"threshold_uncertainty_score":0.98728},"labels":[],"label_agreement":null},{"id":"W4238902613","doi":"10.4000/communication.2545","title":"Mira FALARDEAU (2008), Histoire de la bande dessinée au Québec","year":2011,"lang":"fr","type":"article","venue":"Communication","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.039225796953230356,"score_gpt":0.24453824626774276,"score_spread":0.2053124493145124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238902613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17768677,0.24858123,0.00029053297,0.017435228,0.0009923838,0.0002796307,0.000051389907,0.00011451325,0.55456835],"genre_scores_gemma":[0.9551833,0.006166783,0.00070694,0.00020605247,0.00015703592,0.000030884254,0.000029197836,0.000028436598,0.03749134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986811,0.0005512263,0.0002730699,0.00015331739,0.00008645474,0.0002548],"domain_scores_gemma":[0.9985001,0.00026445332,0.00016739577,0.00086682563,0.00010923993,0.00009200288],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050072145,0.00017244411,0.00018119777,0.00009088652,0.0016756023,0.00013907746,0.00053735136,0.00013782227,0.0020127033],"category_scores_gemma":[0.000054988843,0.00018001292,0.00011936763,0.00004626911,0.0018523085,0.00022204034,0.00014979084,0.0003577813,0.00007125427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042762622,0.00047161104,0.0072860713,0.00006219319,0.000082794126,0.000003836847,0.2119303,0.0000012868259,0.00006839866,0.6907572,0.04241881,0.04687469],"study_design_scores_gemma":[0.00032693858,0.000062898835,0.019952383,0.00017487173,0.000069429945,0.000009749911,0.0061451714,0.00021200921,0.000065031636,0.027336147,0.9454051,0.00024023147],"about_ca_topic_score_codex":0.25861576,"about_ca_topic_score_gemma":0.22967014,"teacher_disagreement_score":0.90298635,"about_ca_system_score_codex":0.0003953454,"about_ca_system_score_gemma":0.00048517188,"threshold_uncertainty_score":0.9996241},"labels":[],"label_agreement":null},{"id":"W4240150573","doi":"10.32920/ryerson.14648004","title":"Comics' reception as literature and the subjugation of the image","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Michael's Hospital","funders":"","keywords":"Comics; Narrative; Iconography; Literature; Art; Comic strip; History; Visual arts; Aesthetics","score_opus":0.010035444013433936,"score_gpt":0.20820175261703955,"score_spread":0.19816630860360562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240150573","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7323881,0.0029240667,0.000059809383,0.012620532,0.0013485885,0.000709058,0.00008880858,0.00004381947,0.24981724],"genre_scores_gemma":[0.9773688,0.00079967664,0.000058538735,0.00022292246,0.00018785497,0.000014046735,0.00004868096,0.000012075291,0.021287423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99947214,0.000112616864,0.00014608019,0.00013355211,0.000087057495,0.000048573755],"domain_scores_gemma":[0.9993952,0.000060056016,0.00014558597,0.00026797524,0.000121507,0.0000096915255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001758681,0.00009808452,0.00015233943,0.000033673343,0.00015003586,0.00042326457,0.00012836825,0.00006250657,0.00051727344],"category_scores_gemma":[0.000027782457,0.000046103836,0.00011698137,0.000024277131,0.00048031687,0.0000451159,0.0002485287,0.0002640898,6.282479e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022474183,0.000012312994,0.000034825913,0.00006201088,0.000042875603,2.0075097e-7,0.0936649,7.66143e-7,0.00012301383,0.90163755,0.004074481,0.00032458582],"study_design_scores_gemma":[0.0019226621,0.000044781107,0.0014454359,0.0012947661,0.00017866264,0.000008703329,0.05181978,0.0010897643,0.0013384864,0.86868894,0.071664855,0.00050317665],"about_ca_topic_score_codex":0.0005774364,"about_ca_topic_score_gemma":0.0023752148,"teacher_disagreement_score":0.2449807,"about_ca_system_score_codex":0.000004351868,"about_ca_system_score_gemma":0.000023884619,"threshold_uncertainty_score":0.5663782},"labels":[],"label_agreement":null},{"id":"W4240585261","doi":"10.32920/ryerson.14650008","title":"Depression and the Devil of Hell's Kitchen: Exploring How Mental Illness Is Depicted in Daredevil Comic Books","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Professional Engineers Ontario; University of Toronto","funders":"","keywords":"Comics; Mainstream; Narrative; Mental illness; Depiction; Depression (economics); Mental health; Psychology; Aesthetics; Literature; Psychiatry; Art; Political science","score_opus":0.05858830892312723,"score_gpt":0.23003680082241004,"score_spread":0.1714484918992828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240585261","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.983045,0.004238406,0.000018367571,0.0015053656,0.00070618716,0.0004502514,0.00005341668,0.000024629604,0.009958394],"genre_scores_gemma":[0.9957894,0.0019048341,0.000034841843,0.00015278379,0.00011338037,0.000117780386,0.000042422555,0.000020806707,0.0018237397],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987637,0.00014152689,0.00034469832,0.00038073538,0.00019231655,0.00017701404],"domain_scores_gemma":[0.99915993,0.00014736888,0.00019500694,0.00036605124,0.0000902627,0.00004138856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025354064,0.00025961068,0.0005320917,0.00013913403,0.00024320465,0.00037196663,0.00024646745,0.000088993314,0.00047722008],"category_scores_gemma":[0.000020919177,0.00016995263,0.00015220097,0.000030470319,0.00042830213,0.00013281623,0.0008439629,0.00041578483,3.753956e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037576858,0.00019049442,0.004226408,0.00070854725,0.00044921832,0.000017886568,0.8727422,0.00001177742,0.00060673675,0.101204835,0.0017943736,0.017671775],"study_design_scores_gemma":[0.009331253,0.0001147949,0.0061057936,0.0050450377,0.00032292696,0.000018221155,0.8093673,0.0040877014,0.031313315,0.029862637,0.10192011,0.002510918],"about_ca_topic_score_codex":0.0013391165,"about_ca_topic_score_gemma":0.008908117,"teacher_disagreement_score":0.10012574,"about_ca_system_score_codex":0.000024522134,"about_ca_system_score_gemma":0.00006027856,"threshold_uncertainty_score":0.69304675},"labels":[],"label_agreement":null},{"id":"W4240627215","doi":"10.4000/belphegor.255","title":"Fabrice Leroy, Barry Jean Ancelet. Tout Bec Doux: the Complete Cajun Comics of Ken Meaux and Earl Comeaux","year":2013,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Comics; Art; Art history; Literature","score_opus":0.03383931866969936,"score_gpt":0.22399298226247302,"score_spread":0.19015366359277366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240627215","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7671624,0.04648317,0.00015581872,0.09723723,0.0025539764,0.0021437707,0.0015773362,0.00013660165,0.08254969],"genre_scores_gemma":[0.9552252,0.0017417222,0.0001732566,0.00077963114,0.00069083675,0.00004414479,0.000028726377,0.00007321055,0.04124324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981743,0.00016511283,0.00055055413,0.00035854254,0.00026980258,0.00048166135],"domain_scores_gemma":[0.9980983,0.00067720324,0.00031205217,0.00052335614,0.00022716522,0.00016191488],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029257065,0.00035886266,0.0005591069,0.00012863091,0.0007593158,0.00045062264,0.0004249207,0.00012223974,0.002493248],"category_scores_gemma":[0.00005488482,0.00027552404,0.00017944057,0.00011512916,0.0016106421,0.00029215578,0.0002506247,0.00034896517,0.00010710634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005667761,0.0002754139,0.0033109202,0.00035273255,0.00033711316,0.000008192006,0.03392519,0.000011675755,0.000939159,0.6098816,0.33678988,0.014111507],"study_design_scores_gemma":[0.00091713655,0.0002762379,0.0056280224,0.00017153705,0.000116564166,0.000010810946,0.013721379,0.0016906495,0.00008346978,0.010365758,0.9665554,0.00046300955],"about_ca_topic_score_codex":0.03713007,"about_ca_topic_score_gemma":0.015192587,"teacher_disagreement_score":0.62976557,"about_ca_system_score_codex":0.00003111167,"about_ca_system_score_gemma":0.00005522436,"threshold_uncertainty_score":0.9999697},"labels":[],"label_agreement":null},{"id":"W4240658380","doi":"10.1353/hsf.2021.0042","title":"Consequential Art: Comics Culture in Contemporary Spain ed. by Samuel Amago, and Matthew J. Marr","year":2021,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Representation (politics); History; Subject (documents); Literature; Art; Art history; Politics; Law","score_opus":0.02424180683493316,"score_gpt":0.22711691833517156,"score_spread":0.2028751115002384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240658380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4325968,0.06688761,0.00026995846,0.012469983,0.0039168703,0.0021206937,0.004392735,0.0009025363,0.4764428],"genre_scores_gemma":[0.8526785,0.0023297505,0.00034348076,0.0029036298,0.00045280048,0.00005265946,0.0007947343,0.0001550305,0.14028944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759716,0.0002735586,0.0005930956,0.000693565,0.0003002427,0.0005423874],"domain_scores_gemma":[0.99873745,0.00015242379,0.00023563314,0.0004965315,0.00015011773,0.00022783306],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030914834,0.00048319832,0.00068032695,0.00022184521,0.0003736331,0.00044955808,0.00027247408,0.00021186378,0.0033638328],"category_scores_gemma":[0.00006691837,0.00046634398,0.00018166976,0.00015272076,0.0008057325,0.00029343175,0.0001991202,0.0005032903,0.00010216842],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000867494,0.00023841634,0.002362439,0.00010475509,0.00009729999,0.00019107567,0.0075600944,7.748591e-7,0.0050015217,0.13278583,0.85122323,0.00034781022],"study_design_scores_gemma":[0.0017629107,0.00009410529,0.0003636506,0.00019787368,0.000036277834,0.000048544516,0.005434444,0.00012733047,0.00071364286,0.002120246,0.9884394,0.00066156953],"about_ca_topic_score_codex":0.00054551085,"about_ca_topic_score_gemma":0.005135605,"teacher_disagreement_score":0.42008165,"about_ca_system_score_codex":0.00006120351,"about_ca_system_score_gemma":0.00020155148,"threshold_uncertainty_score":0.9997788},"labels":[],"label_agreement":null},{"id":"W4241213179","doi":"10.1386/stic.4.1.199_5","title":"Reviews","year":2013,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Poetics; Art; Art history; Media studies; Sociology; Poetry; Literature","score_opus":0.2182419961646224,"score_gpt":0.34356621778917956,"score_spread":0.12532422162455717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241213179","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14178853,0.050165452,0.000012202503,0.006186968,0.0030580843,0.0011635481,0.000011987784,0.00015138749,0.79746187],"genre_scores_gemma":[0.93778294,0.019985637,0.00036616038,0.0013006519,0.0005748058,0.0002030127,0.000002466957,0.000032323722,0.039752025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959224,0.00002241619,0.00015911239,0.000087083165,0.000032979242,0.00010617228],"domain_scores_gemma":[0.9997475,0.000051118543,0.00004131521,0.00011593786,0.0000305287,0.0000135884075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010142192,0.000072412004,0.00018184651,0.00005852723,0.00008884594,0.000030843516,0.00007963039,0.000009941579,0.00038216604],"category_scores_gemma":[0.000043545442,0.000053607637,0.000036472848,0.000027097398,0.00026773298,0.000057796715,0.0000590032,0.00006152351,0.00010023022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012770719,0.000023221051,0.00085107505,0.000030807652,0.000026117623,8.3936243e-7,0.043138012,2.44738e-7,0.000005361003,0.3761762,0.57565975,0.0040870584],"study_design_scores_gemma":[0.00012888639,0.000017271252,0.000092234186,0.000047934493,0.0000027428632,2.7171674e-7,0.012750086,0.00002355775,0.0000021680378,0.04583808,0.9410057,0.00009108688],"about_ca_topic_score_codex":0.00018592448,"about_ca_topic_score_gemma":0.002858187,"teacher_disagreement_score":0.7959944,"about_ca_system_score_codex":0.000011774012,"about_ca_system_score_gemma":0.0000027032766,"threshold_uncertainty_score":0.418445},"labels":[],"label_agreement":null},{"id":"W4241361894","doi":"10.3167/eca.2017.100110","title":"Book Reviews","year":2017,"lang":"en","type":"article","venue":"European Comic Art","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Witness; Art history; Art; History; Humanities; Classics; Literature; Philosophy; Linguistics","score_opus":0.062425169238671224,"score_gpt":0.2541153678951511,"score_spread":0.19169019865647988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241361894","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003555708,0.0036956095,0.000012623491,0.00240907,0.0006828987,0.00012073101,0.000007328183,0.000041105464,0.98947495],"genre_scores_gemma":[0.25469697,0.0016629786,0.00003329832,0.005474803,0.0015081017,0.0000043563264,0.0000084215735,0.000034256445,0.7365768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999422,0.0000908824,0.0001712355,0.00014260106,0.000050938084,0.00012232654],"domain_scores_gemma":[0.99921733,0.000015323167,0.00014504763,0.0005572058,0.000020535403,0.00004458576],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031756563,0.00009700389,0.00013975723,0.000027389775,0.0009799798,0.0003913365,0.0003780833,0.000005884346,0.0052471994],"category_scores_gemma":[0.000044583754,0.00007626246,0.00009578317,0.000002942912,0.00025392525,0.00017893131,0.00012457308,0.0000946178,0.0056602517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035340965,0.000012131509,0.00007131362,0.000004830449,0.000007760392,0.000007867709,0.0037258537,3.8351928e-8,0.000027062924,0.06296384,0.92981684,0.0033589392],"study_design_scores_gemma":[0.00015346127,0.000021528222,0.00090252765,0.00003366251,0.0000058803475,0.0000011844329,0.00007335025,0.000009015997,0.000006292436,0.00053655717,0.99814767,0.00010886411],"about_ca_topic_score_codex":0.0000065686595,"about_ca_topic_score_gemma":0.0000707134,"teacher_disagreement_score":0.2528981,"about_ca_system_score_codex":0.0000051136717,"about_ca_system_score_gemma":0.000005449429,"threshold_uncertainty_score":0.99566215},"labels":[],"label_agreement":null},{"id":"W4241842555","doi":"10.7202/1070441ar","title":"Reflets des cités : les mondes en miroir (sans tain) de Schuiten et Peeters","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.24138944293972922,"score_gpt":0.4098930763520766,"score_spread":0.1685036334123474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241842555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7740385,0.02435569,0.0003470109,0.050049998,0.0006613108,0.0003878176,0.00019172685,0.0001988995,0.14976907],"genre_scores_gemma":[0.84884715,0.023115646,0.008446038,0.0005721088,0.0010561022,0.00004244383,0.000020929556,0.00010463446,0.11779493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964962,0.0014617575,0.00046551722,0.000555847,0.00022965409,0.0007910121],"domain_scores_gemma":[0.9972685,0.0010004973,0.000352648,0.00086756604,0.00026161553,0.00024918394],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0027189003,0.0005262124,0.00056187523,0.0001993012,0.0022760048,0.0018782769,0.00092165935,0.0005812634,0.00048392112],"category_scores_gemma":[0.0012241966,0.0005006518,0.00039385993,0.000043109918,0.0024469702,0.0009633978,0.00030010234,0.0011059743,0.000031580046],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009862303,0.000293616,0.010871398,0.00042978962,0.00038946152,0.000065222484,0.17761949,0.0000057454554,0.0016921678,0.7026007,0.0073961527,0.098537594],"study_design_scores_gemma":[0.0006701217,0.0005637553,0.04580036,0.0016702856,0.00019533254,0.00003583279,0.021082712,0.0003803979,0.0041219606,0.395733,0.5286151,0.0011311055],"about_ca_topic_score_codex":0.018945485,"about_ca_topic_score_gemma":0.027075747,"teacher_disagreement_score":0.52121896,"about_ca_system_score_codex":0.00048775016,"about_ca_system_score_gemma":0.00028355292,"threshold_uncertainty_score":0.99974453},"labels":[],"label_agreement":null},{"id":"W4242728121","doi":"10.14325/mississippi/9781496815118.001.0001","title":"The Canadian Alternative","year":2017,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Metis; History; Indigenous; Maya; Melting pot; Media studies; Art history; Art; Sociology; Literature; Anthropology; Ethnic group; Archaeology","score_opus":0.03704910200247985,"score_gpt":0.19810043839274247,"score_spread":0.16105133639026262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242728121","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033906243,0.00034576896,7.4147755e-7,0.0002631598,0.00044941474,0.0002079459,0.00041916047,0.000015133676,0.9982648],"genre_scores_gemma":[0.0056132935,0.00009192383,0.0000052030987,0.000020433097,0.00028937333,4.215491e-7,0.000016835324,0.000017840057,0.9939447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991561,0.00004352443,0.0001419831,0.00022163388,0.00020743122,0.00022931807],"domain_scores_gemma":[0.99847335,0.00012266143,0.00039042736,0.0005701149,0.00026142967,0.00018204229],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00012712885,0.00021451121,0.00027607582,0.00015798054,0.002647959,0.00026864678,0.0011267699,0.00013543143,0.00015971037],"category_scores_gemma":[0.000019018225,0.00017369151,0.00021440501,0.0000020653267,0.0014388651,0.000061517756,0.00015150024,0.000339703,0.000005107848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026507258,0.000003986377,0.0000011168031,0.000020494375,0.00024207808,0.000032372096,0.008093569,2.9581534e-7,4.5731622e-7,0.8758616,0.110843435,0.0048740823],"study_design_scores_gemma":[0.00019118148,0.00003005345,0.0000049891382,0.00012546408,0.00008329752,6.089223e-7,0.00059805776,0.000009558645,0.000015663441,0.011434338,0.98730963,0.00019717711],"about_ca_topic_score_codex":0.103737116,"about_ca_topic_score_gemma":0.64634794,"teacher_disagreement_score":0.87646616,"about_ca_system_score_codex":0.00016158694,"about_ca_system_score_gemma":0.000996542,"threshold_uncertainty_score":0.99865043},"labels":[],"label_agreement":null},{"id":"W4243143007","doi":"10.1163/25894439-12340003","title":"The Sign of the Joker","year":2020,"lang":"en","type":"article","venue":"Brill Research Perspectives in Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Queer; Sign (mathematics); Semiotics; Literature; Art; History; Art history; Sociology; Philosophy; Gender studies; Linguistics","score_opus":0.13741825204289973,"score_gpt":0.35068769120704374,"score_spread":0.213269439164144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243143007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41890308,0.05187703,0.000016282236,0.15650101,0.0008108754,0.002914416,0.00017699189,0.00009387295,0.36870643],"genre_scores_gemma":[0.99026567,0.0005868654,0.000008015866,0.00011147889,0.00039500542,0.00001780944,0.000001105835,0.000011334183,0.008602698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983216,0.0004904398,0.00017552818,0.00023042616,0.00049938716,0.0002826114],"domain_scores_gemma":[0.9991664,0.00009789688,0.00004817197,0.00026683425,0.00036397448,0.000056700756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000628829,0.000099307756,0.00013780946,0.000046044308,0.0009332524,0.00017205918,0.0005460857,0.00004174675,0.00014527328],"category_scores_gemma":[0.0010024462,0.00004790804,0.00013944527,0.00026183593,0.0011911554,0.00009377412,0.00020128014,0.0007373495,0.000008914783],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003550698,0.000028998506,0.00029537603,0.000008215809,0.000024124669,0.0000022843728,0.28794205,0.0000024938506,0.000315211,0.68723977,0.023793096,0.00031287433],"study_design_scores_gemma":[0.0002039619,0.00009166014,0.00090664026,0.000029646177,0.0000029876153,8.045398e-7,0.29360506,0.00004376879,0.000114484414,0.027856229,0.6770651,0.00007969009],"about_ca_topic_score_codex":0.00017117272,"about_ca_topic_score_gemma":0.0017432687,"teacher_disagreement_score":0.65938354,"about_ca_system_score_codex":0.000040468956,"about_ca_system_score_gemma":0.000050267532,"threshold_uncertainty_score":0.71779174},"labels":[],"label_agreement":null},{"id":"W4243802811","doi":"10.2307/j.ctv6gqt7f.30","title":"Edmonton’s Local Heroes","year":2018,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02911612163607681,"score_gpt":0.1750554431471579,"score_spread":0.14593932151108108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243802811","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000100290796,0.000313658,0.00018903926,0.000011729385,0.0002336993,0.00016410931,0.000078636855,0.000047897553,0.99886096],"genre_scores_gemma":[0.001793077,0.000082685845,0.000052287007,0.000031124604,0.000218391,1.1966492e-7,0.000020648042,0.000023627039,0.99777806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925166,0.000015598891,0.0001460293,0.0002548395,0.00018822873,0.00014364527],"domain_scores_gemma":[0.99923193,0.000035473313,0.00018438819,0.0002915766,0.000181053,0.00007555603],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005144604,0.00022545323,0.00034249574,0.00011482466,0.0002385753,0.00003064034,0.00031922886,0.00015818802,0.004368056],"category_scores_gemma":[0.0000012131676,0.00023962827,0.00023562399,0.0000010200357,0.001655666,0.000053619453,0.0001758463,0.0002145095,0.000027687107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008573689,0.000009601886,2.388009e-7,0.000045280063,0.00016748474,0.000028614457,0.01660714,1.333105e-7,0.000002790283,0.9652976,0.011709598,0.006045824],"study_design_scores_gemma":[0.00027956654,0.00012477617,0.0000013385444,0.00013366442,0.00010439145,0.0000011880892,0.0007976665,0.00003764477,0.00002055011,0.022846127,0.97540283,0.00025024783],"about_ca_topic_score_codex":0.0014319714,"about_ca_topic_score_gemma":0.009238653,"teacher_disagreement_score":0.96369326,"about_ca_system_score_codex":0.000027164591,"about_ca_system_score_gemma":0.000050584087,"threshold_uncertainty_score":0.9965421},"labels":[],"label_agreement":null},{"id":"W4243897257","doi":"10.14325/mississippi/9781496807311.001.0001","title":"Forging the Past","year":2016,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Ambivalence; Aesthetics; Disappointment; Phenomenon; Comics; Art; History; Literature; Psychology; Psychoanalysis; Epistemology; Philosophy; Social psychology","score_opus":0.023424225046900466,"score_gpt":0.17797118647616333,"score_spread":0.15454696142926286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243897257","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010301802,0.00026192697,0.000020314012,0.0003522815,0.00023896233,0.00020658526,0.00024429613,0.00003918107,0.9985334],"genre_scores_gemma":[0.003137203,0.0000486769,0.000009062156,0.0000353875,0.00047423877,4.3331792e-7,0.00000825909,0.000021854043,0.9962649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991729,0.000047642094,0.0001686747,0.00022820353,0.00019997868,0.0001825926],"domain_scores_gemma":[0.9988997,0.0001848077,0.0002943526,0.0004072005,0.00014663226,0.000067284105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010018897,0.00022421333,0.00030157843,0.00013915183,0.00047518188,0.000056089255,0.0006254005,0.00011099784,0.00048753],"category_scores_gemma":[0.0000056382833,0.00014737861,0.00027042037,0.0000043981763,0.0007956112,0.000059132424,0.00022081276,0.00022466332,0.000005591117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004265167,0.000009427957,0.0000024573314,0.00006498305,0.00018912443,0.000010585525,0.008003653,1.3587015e-7,0.00001064657,0.84934676,0.1357645,0.0065550716],"study_design_scores_gemma":[0.0002801934,0.00003181651,0.0000034533532,0.0002574728,0.00012273248,8.796361e-7,0.0010828454,0.000002333342,0.000027853672,0.006530814,0.9914577,0.00020190887],"about_ca_topic_score_codex":0.000053570788,"about_ca_topic_score_gemma":0.00009273365,"teacher_disagreement_score":0.8556932,"about_ca_system_score_codex":0.000046653997,"about_ca_system_score_gemma":0.00013496174,"threshold_uncertainty_score":0.6009925},"labels":[],"label_agreement":null},{"id":"W4244070115","doi":"10.32920/ryerson.14645352.v1","title":"Visualizing violence: representations of the female body and female trauma in Nina Bunjevac’s Bezimena","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Comics; Paratext; Agency (philosophy); Power (physics); Identity (music); Sexual violence; Psychoanalysis; Politics; Literature; History; Gender studies; Psychology; Sociology; Art; Aesthetics; Criminology; Political science; Law; Social science","score_opus":0.0459311861492089,"score_gpt":0.30575958712880286,"score_spread":0.259828400979594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244070115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95495015,0.0012853147,0.0000127980065,0.00039657767,0.00042086068,0.00034603916,0.000040514158,0.00001687734,0.042530887],"genre_scores_gemma":[0.9961589,0.00041109938,0.00012527248,0.00007327065,0.00009531902,0.00004492052,0.000022132454,0.000014879906,0.0030541904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998714,0.00013326171,0.00042505897,0.00038564974,0.00018148526,0.0001605313],"domain_scores_gemma":[0.99909884,0.0001166713,0.00019547118,0.00043911903,0.00011556595,0.000034314486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002455225,0.0001878993,0.00034056502,0.00014508604,0.00022057141,0.00023047639,0.0002360703,0.00008200227,0.00086479343],"category_scores_gemma":[0.000039188304,0.00013762305,0.00015890738,0.000069585054,0.00033474516,0.000086908396,0.0005652503,0.00035940908,8.924069e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026791462,0.00042884354,0.04897158,0.00052332215,0.00020999761,0.000011290524,0.27196783,0.00007012539,0.0004803078,0.67459685,0.00043585605,0.0022771945],"study_design_scores_gemma":[0.0019666948,0.00021237072,0.25904694,0.005169828,0.0002560375,0.000012237181,0.5726633,0.0022890426,0.0074780695,0.14365564,0.005670664,0.0015791404],"about_ca_topic_score_codex":0.0033738702,"about_ca_topic_score_gemma":0.009879498,"teacher_disagreement_score":0.5309412,"about_ca_system_score_codex":0.000017177681,"about_ca_system_score_gemma":0.00007812006,"threshold_uncertainty_score":0.94688815},"labels":[],"label_agreement":null},{"id":"W4244828447","doi":"10.1386/stic.1.1.179","title":"Reviews","year":2010,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science","score_opus":0.17978435694753558,"score_gpt":0.3646429607217606,"score_spread":0.18485860377422503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244828447","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29942065,0.0131324185,0.000006412368,0.003414427,0.008319727,0.0005223506,0.000021361227,0.00013407842,0.67502856],"genre_scores_gemma":[0.97551304,0.0067362105,0.00041745845,0.0005726702,0.00081650406,0.00004301723,0.0000019578868,0.000024408431,0.015874757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996201,0.000014147376,0.00014471437,0.00009048796,0.000033281798,0.00009726527],"domain_scores_gemma":[0.9997263,0.000055197208,0.00004140186,0.00014079362,0.000022775235,0.0000135119135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001863633,0.0000704375,0.00017052607,0.000060571576,0.000104533785,0.00002064613,0.00009129962,0.00001424454,0.00016185896],"category_scores_gemma":[0.000080256024,0.00005381491,0.000037900325,0.000026259064,0.00037627967,0.000032440574,0.000056938163,0.00014871219,0.000019749925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030384806,0.000024008443,0.000984369,0.000020961286,0.000017701506,0.0000018240105,0.035900753,7.47395e-8,0.00004273415,0.8199303,0.14046215,0.0026120942],"study_design_scores_gemma":[0.000118159965,0.000011260265,0.000043643595,0.000019924253,0.0000028392533,5.097424e-7,0.0043351664,0.000009050122,0.000006495524,0.02546296,0.9699141,0.00007592279],"about_ca_topic_score_codex":0.000044865712,"about_ca_topic_score_gemma":0.020879833,"teacher_disagreement_score":0.8294519,"about_ca_system_score_codex":0.0000047465146,"about_ca_system_score_gemma":0.0000040662603,"threshold_uncertainty_score":0.99698657},"labels":[],"label_agreement":null},{"id":"W4246138244","doi":"10.14325/mississippi/9781496825032.001.0001","title":"Visible Cities, Global Comics","year":2019,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Architecture; Globe; Urbanism; Visual arts; History; Art; Materiality (auditing); Sociology; Media studies; Literature; Geography; Aesthetics; Psychology","score_opus":0.02369383995580238,"score_gpt":0.18870589037234714,"score_spread":0.16501205041654476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246138244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013629698,0.00041408345,0.000016567134,0.000034867244,0.0003778899,0.00028619947,0.0015191135,0.00010678738,0.9971082],"genre_scores_gemma":[0.0013980458,0.00006832158,0.00005542796,0.000039508428,0.00018286175,2.411802e-7,0.00007071127,0.000042434975,0.9981424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989433,0.000040862225,0.00021472997,0.00032753468,0.0002485141,0.0002250371],"domain_scores_gemma":[0.9988471,0.0000624076,0.00036212543,0.00047882323,0.00013641723,0.00011311149],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006493205,0.00031477417,0.0005450602,0.00017431684,0.00018545876,0.00007038316,0.0006032867,0.00022811754,0.0005667838],"category_scores_gemma":[0.0000042866513,0.00034278983,0.0002952063,0.000009247149,0.0006027756,0.00006513145,0.0002663555,0.00023836382,0.000009392184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006079824,0.00001893694,0.000008955052,0.00015893055,0.00021321766,0.000012400301,0.0020331326,9.4174135e-7,0.0000019947975,0.7026999,0.2940657,0.0007250569],"study_design_scores_gemma":[0.00055981113,0.00007707609,0.0000031450636,0.00027040727,0.00014910879,0.0000013405081,0.0011911347,0.000016999238,0.000014729512,0.0050494396,0.9923132,0.0003536131],"about_ca_topic_score_codex":0.00058297184,"about_ca_topic_score_gemma":0.00045193316,"teacher_disagreement_score":0.6982475,"about_ca_system_score_codex":0.00012147131,"about_ca_system_score_gemma":0.00037010646,"threshold_uncertainty_score":0.9999024},"labels":[],"label_agreement":null},{"id":"W4246570596","doi":"10.7202/1070447ar","title":"La prison comme topique dans la bande dessinée au XXIe siècle : questions d’intertextualité et de réflexivité","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Prison; Sociology; Criminology","score_opus":0.1647456585701096,"score_gpt":0.39558184067099095,"score_spread":0.23083618210088136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246570596","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25561437,0.0035968681,0.0038271842,0.06391455,0.0006214853,0.00038323036,0.00018646574,0.00022107523,0.6716348],"genre_scores_gemma":[0.93684113,0.0037946822,0.0018171435,0.00060780864,0.00071420224,0.000054477052,0.000021446336,0.00007855291,0.05607057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946331,0.0035962637,0.0004947339,0.00047661012,0.00017420272,0.0006250883],"domain_scores_gemma":[0.99608815,0.002221439,0.00036870767,0.0009082988,0.000165029,0.00024836743],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0037773622,0.0004626827,0.0005437703,0.00012271901,0.0017883049,0.0017988546,0.0007698804,0.0006792111,0.00022729264],"category_scores_gemma":[0.0009558601,0.00044929114,0.00034856776,0.000035220703,0.0022733486,0.0007271745,0.00029232528,0.0013599363,0.00002693053],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042528914,0.00043941598,0.005617791,0.0001758183,0.0001536599,0.00004851057,0.108365506,0.0000024665692,0.0004680376,0.8629068,0.0025959248,0.01918352],"study_design_scores_gemma":[0.00058575295,0.00029741577,0.057342924,0.0017397923,0.00014710883,0.00008979518,0.012188722,0.0005407981,0.0017734818,0.2990168,0.62551117,0.00076623604],"about_ca_topic_score_codex":0.048787866,"about_ca_topic_score_gemma":0.09505045,"teacher_disagreement_score":0.68122673,"about_ca_system_score_codex":0.00069842924,"about_ca_system_score_gemma":0.0010257901,"threshold_uncertainty_score":0.9997959},"labels":[],"label_agreement":null},{"id":"W4246836664","doi":"10.3138/cras.38.3.429","title":"Marji: Popular Commix Heroine Breathing Life into the Writing of History","year":2008,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Representation (politics); Articulation (sociology); Perspective (graphical); Meaning (existential); Politics; Power (physics); Literature; Point (geometry); History; Aesthetics; Art; Visual arts; Epistemology; Law; Philosophy; Political science","score_opus":0.056795505679354395,"score_gpt":0.2629764975621627,"score_spread":0.20618099188280828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246836664","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10729274,0.8717547,4.9587595e-7,0.009935259,0.00017701507,0.00023353905,0.000026347954,0.000010805813,0.010569111],"genre_scores_gemma":[0.7579447,0.23432615,0.00008273672,0.006757316,0.00016540202,0.000021105247,0.0000049334935,0.000015756095,0.00068189343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908406,0.000091578935,0.00041050464,0.00012212351,0.00012449204,0.00016724106],"domain_scores_gemma":[0.9989961,0.00009454807,0.0003217572,0.00024536584,0.00024222206,0.000100020516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026031942,0.00012994657,0.00061386847,0.0001025327,0.00034933974,0.000004252534,0.00019059285,0.0000075282865,0.00018293274],"category_scores_gemma":[0.00014841474,0.000089749454,0.00014995466,0.00008881573,0.0020701522,0.0000453816,0.000039114006,0.00010294697,0.0000023857322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008424828,0.000047675043,0.006870821,0.0062353117,0.0011095183,0.00006820693,0.38510478,7.2678495e-7,0.000017605737,0.1480299,0.38524413,0.067262895],"study_design_scores_gemma":[0.00006455222,0.00008050014,0.0009981237,0.0016906151,0.00006306403,0.0000062707245,0.05747321,8.72077e-7,0.0000015855471,0.00012498561,0.93936557,0.00013064343],"about_ca_topic_score_codex":0.1990924,"about_ca_topic_score_gemma":0.2723709,"teacher_disagreement_score":0.65065193,"about_ca_system_score_codex":0.00012777737,"about_ca_system_score_gemma":0.00025855485,"threshold_uncertainty_score":0.8062409},"labels":[],"label_agreement":null},{"id":"W4246855620","doi":"10.14325/mississippi/9781496828019.003.0001","title":"“We the North”: Interrogating Indigenous Appropriation as Canadian Identity in Mainstream American Comics","year":2020,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Appropriation; Comics; Indigenous; Mainstream; Gray (unit); Cultural appropriation; Identity (music); Sociology; Gender studies; Political science; Media studies; Anthropology; Art; Aesthetics; Law; Linguistics; Philosophy","score_opus":0.022949231584679104,"score_gpt":0.19586282452303083,"score_spread":0.17291359293835173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246855620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023666145,0.0000967066,0.0000061772485,0.00032732417,0.00010206715,0.00042786938,0.00033237578,0.000039885872,0.97500145],"genre_scores_gemma":[0.524857,0.00012220071,0.000037796028,0.00011440317,0.00012378623,8.364329e-7,0.000055781828,0.00005046464,0.47463775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907666,0.00004362708,0.00023557697,0.00026344962,0.00019076631,0.00018990714],"domain_scores_gemma":[0.99902225,0.000052168092,0.00043779876,0.00026184382,0.00007077869,0.00015516949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007608334,0.00023414718,0.00036619362,0.0003375652,0.0003248152,0.00008191227,0.00049915846,0.000088177076,0.000099259116],"category_scores_gemma":[0.00001209919,0.00022345743,0.00015437798,0.000018699584,0.00057748624,0.00008124058,0.00015022237,0.00040657364,0.0000035446924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051926334,0.000014303697,0.00014873904,0.000066660876,0.00019304731,0.00006312505,0.15616491,0.000004905902,0.000002427047,0.83391434,0.0005772342,0.008798389],"study_design_scores_gemma":[0.00042982755,0.00013367661,0.000097118595,0.0002854438,0.00013654534,0.000002142678,0.043130755,0.000078837926,0.000011147885,0.0061420333,0.9490992,0.00045330348],"about_ca_topic_score_codex":0.19821998,"about_ca_topic_score_gemma":0.8835546,"teacher_disagreement_score":0.9485219,"about_ca_system_score_codex":0.00013520653,"about_ca_system_score_gemma":0.00026066575,"threshold_uncertainty_score":0.911233},"labels":[],"label_agreement":null},{"id":"W4249082662","doi":"10.7202/1070444ar","title":"Politique des mains en vis-à-vis : le dessin comme processus de réflexion","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.20424109280293118,"score_gpt":0.37951780539583846,"score_spread":0.17527671259290728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249082662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48213586,0.028682072,0.002633979,0.098187976,0.0010539951,0.0008272937,0.0002879632,0.00036685218,0.385824],"genre_scores_gemma":[0.9327983,0.011470176,0.0043577044,0.00054593384,0.0016984744,0.000054059667,0.000022147808,0.000097996744,0.0489552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9966857,0.0012283996,0.0004813731,0.0005072413,0.00018844222,0.00090884557],"domain_scores_gemma":[0.9974245,0.0007498172,0.00039779034,0.00077762053,0.0003525003,0.0002977801],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0022149228,0.00049598253,0.00057514966,0.00017143157,0.0028203605,0.0017533755,0.0008942802,0.00058926066,0.00030070386],"category_scores_gemma":[0.0008690987,0.0004936285,0.00030116644,0.000052755804,0.0022462162,0.0010429372,0.0002840074,0.0009708588,0.00003407656],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008531305,0.0004101493,0.0027678462,0.0005835466,0.00016367243,0.000034787405,0.08926025,0.0000016832225,0.00044063435,0.8751175,0.0032071609,0.027927453],"study_design_scores_gemma":[0.00061295263,0.00038063512,0.009959463,0.0013622282,0.00010169521,0.000038346512,0.010968946,0.00049667276,0.008123785,0.75412095,0.21305569,0.0007786203],"about_ca_topic_score_codex":0.05061107,"about_ca_topic_score_gemma":0.032912802,"teacher_disagreement_score":0.45066243,"about_ca_system_score_codex":0.0008062136,"about_ca_system_score_gemma":0.0010979273,"threshold_uncertainty_score":0.9997515},"labels":[],"label_agreement":null},{"id":"W4249291926","doi":"10.1080/08989575.2019.1588530","title":"Correction","year":2018,"lang":"en","type":"article","venue":"a/b Auto/Biography Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Testimonial; Gender studies; Genocide; Selfie; Objectivity (philosophy); Forgetting; Sociology; Aesthetics; History; Art; Psychology; Visual arts; Literature; Political science; Epistemology","score_opus":0.04875352493636395,"score_gpt":0.2759432428749749,"score_spread":0.22718971793861095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249291926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4165531,0.014560442,0.000086667154,0.004429482,0.033313416,0.00056929543,0.00006346878,0.00096299005,0.52946115],"genre_scores_gemma":[0.98915696,0.00058955705,0.00003716208,0.00039611798,0.0013776075,0.000025822388,0.0000036562074,0.00001351848,0.008399588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992005,0.000031201238,0.00018751458,0.0002364134,0.00012380283,0.00022052055],"domain_scores_gemma":[0.9992991,0.00010373331,0.00007844556,0.00018127178,0.00030276476,0.000034676934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012967426,0.00016166837,0.00020570157,0.00031667363,0.000957576,0.00010092186,0.00010839777,0.000026289277,0.0003940271],"category_scores_gemma":[0.000037866117,0.00012573265,0.00019095054,0.0001943979,0.0012812308,0.00013886424,0.000057864505,0.00009249445,0.00009004036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032356762,0.000099607205,0.004237305,0.000016686135,0.0008310286,0.0000033573426,0.111226395,1.3676791e-7,0.00009267829,0.27104315,0.5993713,0.013045987],"study_design_scores_gemma":[0.000229718,0.00035836277,0.0049642855,0.000046680376,0.000056737572,0.000002058152,0.026901877,0.000046638685,0.00020259051,0.021627614,0.9452982,0.0002652167],"about_ca_topic_score_codex":0.0001409446,"about_ca_topic_score_gemma":0.0026819664,"teacher_disagreement_score":0.5726039,"about_ca_system_score_codex":0.000008828867,"about_ca_system_score_gemma":0.000008478058,"threshold_uncertainty_score":0.7364997},"labels":[],"label_agreement":null},{"id":"W4249350123","doi":"10.4000/inmedia.909","title":"Jennifer Guiliano, Indian Spectacle: College Mascots and the Anxiety of Modern America","year":2017,"lang":"en","type":"article","venue":"InMedia","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Anxiety; Psychology; Psychoanalysis; Art; Political science; Psychiatry; Law","score_opus":0.014168907530344157,"score_gpt":0.2179027404497063,"score_spread":0.20373383291936215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249350123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9079549,0.00067314727,0.000004408976,0.00489349,0.00052722235,0.00024278444,0.00022341296,0.000014165208,0.085466504],"genre_scores_gemma":[0.9969798,0.0002734828,0.00002961723,0.00016956667,0.00030437767,0.000010090979,0.0000030567353,0.00000876845,0.0022212716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994568,0.00002650198,0.00014539661,0.0001266314,0.000118326374,0.00012629101],"domain_scores_gemma":[0.9992965,0.00007514572,0.00014715579,0.00038958798,0.00004762172,0.000044018445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011986707,0.00009255932,0.00018501523,0.00003776622,0.0004921998,0.00012885351,0.00026857664,0.000025647647,0.00047660575],"category_scores_gemma":[0.00006757052,0.000058107824,0.000060783022,0.000012841017,0.0016724591,0.000111512454,0.00010338562,0.00009980026,0.0000069989073],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002067747,0.00008753606,0.0109621035,0.000045338224,0.0001651491,0.000014449195,0.26360106,6.022439e-7,0.00017317431,0.66753554,0.020478843,0.036729436],"study_design_scores_gemma":[0.0040983213,0.00014805788,0.06539995,0.00008293285,0.00007405798,0.0000083993245,0.017409483,0.0009333006,0.00029486162,0.25805187,0.6530193,0.0004794726],"about_ca_topic_score_codex":0.00036627328,"about_ca_topic_score_gemma":0.0021285268,"teacher_disagreement_score":0.63254046,"about_ca_system_score_codex":0.000004969673,"about_ca_system_score_gemma":0.000024911698,"threshold_uncertainty_score":0.6162245},"labels":[],"label_agreement":null},{"id":"W4249667941","doi":"10.4000/entrelacs.5615","title":"De la bande dessinée au cinéma : puissances et fragilités des corps chez Alejandro Jodorowsky","year":2019,"lang":"fr","type":"article","venue":"Entrelacs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Art; Humanities","score_opus":0.01565815391203862,"score_gpt":0.2486105335410157,"score_spread":0.23295237962897708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249667941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6983137,0.019647028,0.00004498591,0.0033358124,0.0018669198,0.00020789336,0.00007895889,0.000044345386,0.27646035],"genre_scores_gemma":[0.8317665,0.0023395577,0.00010399021,0.00039178316,0.0008002167,0.0000130392245,0.000028776525,0.000039172784,0.164517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978269,0.00049762276,0.0003712959,0.00040704716,0.00023559378,0.0006615761],"domain_scores_gemma":[0.9984613,0.0007497581,0.00017004352,0.00033641374,0.000079708574,0.0002027469],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008074854,0.00036298475,0.00040927282,0.00012070549,0.0006276605,0.0005998817,0.00027495474,0.00023159325,0.014027561],"category_scores_gemma":[0.000072012095,0.00033688778,0.0002475643,0.00009210838,0.0015213323,0.00039820425,0.00010042705,0.0005387424,0.00032644434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090865185,0.00034260884,0.07538797,0.00022676727,0.00021699854,0.00005252177,0.10821787,0.000069417336,0.00020929615,0.78788286,0.014206638,0.013096189],"study_design_scores_gemma":[0.0011156966,0.00021489445,0.042843312,0.00045931738,0.00009386033,0.00003804342,0.009076327,0.0003016335,0.00038198652,0.036447715,0.90854627,0.00048091996],"about_ca_topic_score_codex":0.0015919174,"about_ca_topic_score_gemma":0.0028043261,"teacher_disagreement_score":0.8943397,"about_ca_system_score_codex":0.00013590216,"about_ca_system_score_gemma":0.00028448878,"threshold_uncertainty_score":0.9999083},"labels":[],"label_agreement":null},{"id":"W4250685920","doi":"10.4324/9781315869568-8","title":"A Graphic Self: Comics as Autobiography in Marjane Satrapi’s Persepolis","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Biography; Art; Self representation; Art history; Literature; Humanities","score_opus":0.016401936121429487,"score_gpt":0.18843105722362644,"score_spread":0.17202912110219695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250685920","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007361789,0.0011470603,8.105652e-7,0.0005627241,0.0004921955,0.0005599589,0.000115393625,0.00033397783,0.9960517],"genre_scores_gemma":[0.032904807,0.0020925927,0.00009828408,0.0007113636,0.00040802336,0.00003693769,0.0000841132,0.00017482688,0.96348906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983925,0.000021066382,0.00048204936,0.0004967805,0.0002413297,0.00036626044],"domain_scores_gemma":[0.9990399,0.00006444241,0.00021525506,0.00045810774,0.00009036466,0.00013196164],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011716684,0.00055832346,0.00061440724,0.0016688263,0.00017904617,0.00028266874,0.00031900144,0.00030212928,0.030231254],"category_scores_gemma":[0.0000027813223,0.00048322647,0.00053226535,0.00004630306,0.0005186548,0.0001243743,0.00008378155,0.0005374324,0.00039939827],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000080259415,0.000044900917,0.000039803064,0.00003739299,0.00020599905,0.000014985092,0.007919708,6.495684e-8,0.0000015820257,0.9167018,0.074666835,0.00035891042],"study_design_scores_gemma":[0.00035910401,0.00010781367,0.000028609948,0.000109652545,0.000051431096,0.000005530498,0.0014256325,0.0000152112425,7.923638e-7,0.17734528,0.819972,0.0005789642],"about_ca_topic_score_codex":0.0030625327,"about_ca_topic_score_gemma":0.018837288,"teacher_disagreement_score":0.7453051,"about_ca_system_score_codex":0.000026627687,"about_ca_system_score_gemma":0.000060181723,"threshold_uncertainty_score":0.99976194},"labels":[],"label_agreement":null},{"id":"W4251141428","doi":"10.1503/cmaj.1040814","title":"Query","year":2005,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Information retrieval; World Wide Web; Data science","score_opus":0.009246428783238772,"score_gpt":0.20097581495212363,"score_spread":0.19172938616888485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251141428","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23082797,0.00066416303,0.000024082277,0.346326,0.0032297145,0.000082895596,0.000042246233,0.000038897342,0.41876402],"genre_scores_gemma":[0.9578626,0.00008251595,0.00002661813,0.019274643,0.009531885,0.0000017607973,0.0000029729815,0.0000081018925,0.013208913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989619,0.00005291122,0.00019918232,0.000058611782,0.00048786955,0.00023949478],"domain_scores_gemma":[0.99893576,0.00006590912,0.000082495026,0.000039463634,0.000189736,0.0006866182],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070150784,0.000055536464,0.00008803603,0.00012364559,0.00043506298,0.00020635211,0.00011997361,0.00008189441,0.03983563],"category_scores_gemma":[0.00028799687,0.00004756409,0.00006773358,0.000028579829,0.000041887397,0.00014157048,0.000004838104,0.00043477927,0.00034561098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014284584,0.00001528811,0.002612204,9.936233e-7,0.000053724874,0.000041068866,0.010441494,0.0000011767255,8.5091557e-7,0.15995197,0.74504805,0.08183174],"study_design_scores_gemma":[0.00017990026,0.0000106253965,0.00063890574,0.000009371812,0.0000036516187,0.000024495053,0.0015696172,0.00008831809,9.71412e-7,0.0011584081,0.99625075,0.00006497444],"about_ca_topic_score_codex":0.002279201,"about_ca_topic_score_gemma":0.46645752,"teacher_disagreement_score":0.7270346,"about_ca_system_score_codex":0.00027945638,"about_ca_system_score_gemma":0.00082132115,"threshold_uncertainty_score":0.9610421},"labels":[],"label_agreement":null},{"id":"W4251308218","doi":"10.1386/dtr.3.2.333_5","title":"Performance Review","year":2017,"lang":"en","type":"article","venue":"Drama Therapy Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Computer science","score_opus":0.08145455771163235,"score_gpt":0.3000963584176292,"score_spread":0.21864180070599687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251308218","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033584943,0.8514614,2.9802894e-7,0.011438518,0.00031089174,0.0004807642,0.000006155988,0.000029798854,0.1329137],"genre_scores_gemma":[0.03778809,0.9455238,0.0000074486416,0.010499486,0.00025838276,0.000057130812,0.0000061313685,0.000012741171,0.0058467956],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992946,0.00004028977,0.00024109066,0.00015976492,0.000117600524,0.0001466885],"domain_scores_gemma":[0.9988889,0.000016569782,0.00022690652,0.00073621835,0.00008987578,0.000041536823],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038633915,0.00013948663,0.00036740903,0.000016334461,0.0007686524,0.0001888405,0.00045435972,0.000013822826,0.0057085515],"category_scores_gemma":[0.000033327928,0.00009344669,0.00016803373,0.000014581105,0.00019223953,0.00023808258,0.000035868597,0.000102051476,0.00022914176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063749853,0.00004840586,0.00022653866,0.0067832256,0.00006910324,0.000002382278,0.0009508691,6.5411667e-9,0.0000071704003,0.07529329,0.09534894,0.8212637],"study_design_scores_gemma":[0.00012287393,0.00005115648,0.00026043144,0.01464166,0.000022967859,0.0000021171095,0.0000075414296,0.0000029223552,0.000004420817,0.00040015584,0.98434466,0.00013910794],"about_ca_topic_score_codex":0.000017317323,"about_ca_topic_score_gemma":0.000024363524,"teacher_disagreement_score":0.8889957,"about_ca_system_score_codex":0.000005523506,"about_ca_system_score_gemma":0.000019116153,"threshold_uncertainty_score":0.99520034},"labels":[],"label_agreement":null},{"id":"W4252868366","doi":"10.1386/post.1.1.121_4","title":"Reviews","year":2010,"lang":"en","type":"article","venue":"The Poster","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Queen (butterfly); Art history; Art; Media studies; Sociology; Biology","score_opus":0.03783096477093162,"score_gpt":0.24026117466571176,"score_spread":0.20243020989478014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252868366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4977065,0.0003683173,0.0000014282095,0.014119378,0.0012985213,0.00017714336,0.0000062872177,0.00002223418,0.4863002],"genre_scores_gemma":[0.96857786,0.000023689543,0.000005879884,0.0016340332,0.0005503901,0.000006895812,0.0000010420746,0.0000038645876,0.029196328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997988,0.000014239613,0.000062165695,0.000041195897,0.000026857579,0.000056763252],"domain_scores_gemma":[0.99978065,0.000021012323,0.000020172849,0.00015321809,0.000013468922,0.000011484404],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012510108,0.000036758764,0.000048320187,0.000011045322,0.00014256267,0.000067766625,0.000096698546,0.0000070866777,0.00365763],"category_scores_gemma":[0.000007918038,0.000017341097,0.00003943901,0.000006746665,0.00010673,0.000034919667,0.000020000445,0.00009730599,0.0003321939],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041769704,0.000011982798,0.00009826965,0.0000034837105,0.0000064876203,3.2840046e-7,0.044373903,4.6776014e-9,0.0010234478,0.90291804,0.043835904,0.0077239787],"study_design_scores_gemma":[0.00003300147,0.000008498342,0.0002135244,0.0000027013784,0.0000035436274,0.0000010427689,0.000206205,0.0000013096982,0.000053707765,0.009592496,0.98985136,0.00003262298],"about_ca_topic_score_codex":0.000021276799,"about_ca_topic_score_gemma":0.0014835197,"teacher_disagreement_score":0.9460154,"about_ca_system_score_codex":5.040152e-7,"about_ca_system_score_gemma":0.0000022470595,"threshold_uncertainty_score":0.9972532},"labels":[],"label_agreement":null},{"id":"W4253693898","doi":"10.1007/978-94-007-0753-5_100605","title":"Comicality","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University; University of Northern British Columbia","funders":"","keywords":"Chemistry","score_opus":0.04205377271131661,"score_gpt":0.20698764994688093,"score_spread":0.16493387723556432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253693898","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011310558,0.00008698607,0.00003100096,0.0005964279,0.00039063962,0.00007256298,0.000037483333,0.000056929373,0.99871665],"genre_scores_gemma":[0.008819777,0.000026836778,0.000010864205,0.00062896195,0.0008140127,0.0000014926062,0.000027870778,0.000021081785,0.9896491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994979,0.000005169564,0.00016454374,0.0001606318,0.0000891131,0.00008264572],"domain_scores_gemma":[0.9995745,0.000049672624,0.00006998066,0.00021272589,0.00005352993,0.000039591276],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000069496185,0.00015509184,0.00022867644,0.000053982276,0.00012047645,0.00009261537,0.00011062136,0.000074397205,0.06441537],"category_scores_gemma":[0.0000028774323,0.00011792238,0.00014861423,9.3775117e-7,0.00026332695,0.000014213503,0.0000393965,0.00016694635,0.00091310666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023366695,0.000002258236,4.6546458e-7,0.000007321896,0.000027653428,5.062617e-7,0.0005319,1.1863724e-8,2.3206407e-7,0.8910782,0.107252,0.0010971176],"study_design_scores_gemma":[0.000042536274,0.00001544376,6.8130083e-7,0.0000123203135,0.000009735853,1.9110148e-7,0.0000199634,0.0000042107486,4.527789e-7,0.33956942,0.6602085,0.000116532836],"about_ca_topic_score_codex":0.000034959598,"about_ca_topic_score_gemma":0.0010077761,"teacher_disagreement_score":0.5529565,"about_ca_system_score_codex":0.0000078222565,"about_ca_system_score_gemma":0.000011203737,"threshold_uncertainty_score":0.9998648},"labels":[],"label_agreement":null},{"id":"W4253921273","doi":"10.3138/cras.38.3.399","title":"Drawn from Memory: Comics Artists and Intergenerational Auto/biography","year":2008,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Comics; Narrative; Masculinity; Politics; Sociology; Art; Art history; Psychoanalysis; Gender studies; Aesthetics; History; Literature; Psychology; Political science; Law","score_opus":0.03853908902776603,"score_gpt":0.2577348865309163,"score_spread":0.21919579750315027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253921273","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41306886,0.5593246,0.0000058440023,0.008495963,0.0004574136,0.0003972784,0.0010968102,0.000046504705,0.017106693],"genre_scores_gemma":[0.8055976,0.18919888,0.00022220134,0.0038223544,0.0001889572,0.000023003486,0.000042003827,0.000018821436,0.00088616693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939036,0.00003566324,0.00021862597,0.00014992789,0.00007663377,0.0001288046],"domain_scores_gemma":[0.9994616,0.000051789328,0.00013652453,0.00012818079,0.000111559755,0.00011038403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000057485326,0.00011874524,0.00041505642,0.00015225787,0.0003240953,0.000017449955,0.00007486195,0.00000761906,0.0002244354],"category_scores_gemma":[0.00003696639,0.000100048295,0.000072317554,0.00009436133,0.0022738392,0.00003867716,0.000023228442,0.000050258717,0.0000029147961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007806917,0.000036554437,0.006577093,0.0007783661,0.0011417933,0.00003820552,0.040361796,1.6776617e-7,0.00004325925,0.09952546,0.8336364,0.017853105],"study_design_scores_gemma":[0.0001422651,0.000095344294,0.0043559102,0.0011817463,0.00006930657,0.0000057934317,0.006923173,0.000004564188,0.000023026922,0.0006534414,0.9862842,0.00026122073],"about_ca_topic_score_codex":0.08216811,"about_ca_topic_score_gemma":0.3909401,"teacher_disagreement_score":0.39252874,"about_ca_system_score_codex":0.00001788273,"about_ca_system_score_gemma":0.00010499406,"threshold_uncertainty_score":0.9239438},"labels":[],"label_agreement":null},{"id":"W4255141851","doi":"10.7202/1070442ar","title":"Fenêtres sur cases : la fenêtre comme figure réflexive dans quelques bandes dessinées contemporaines","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.29480247958698674,"score_gpt":0.3813627689706727,"score_spread":0.08656028938368598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255141851","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44302738,0.070360355,0.00012520845,0.077307075,0.0021506585,0.0009078468,0.0011839974,0.0004758087,0.40446165],"genre_scores_gemma":[0.78921545,0.011760519,0.00066541415,0.0003418622,0.0016518026,0.000050561815,0.00007211722,0.00011642905,0.19612586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955827,0.0017271476,0.0007697021,0.0007952229,0.00032938775,0.0007958404],"domain_scores_gemma":[0.99379647,0.003240255,0.00079301343,0.0012374524,0.00063313235,0.00029968107],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017203953,0.0008744895,0.0010826957,0.00021359175,0.0029943392,0.003451619,0.0011284336,0.0007730098,0.0010914127],"category_scores_gemma":[0.0019762532,0.00077379355,0.0005831964,0.00006161473,0.0039907326,0.0015549535,0.0003628584,0.0011231423,0.000050164614],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028710568,0.0008236218,0.029278355,0.0008666261,0.00087741297,0.0006263482,0.14256454,0.0000031633656,0.00044789285,0.73294425,0.07385264,0.017428046],"study_design_scores_gemma":[0.0012000487,0.0006939055,0.023436906,0.0035793195,0.0003148407,0.00012611265,0.026288405,0.00022649241,0.0054698046,0.18312956,0.7538609,0.001673738],"about_ca_topic_score_codex":0.054204352,"about_ca_topic_score_gemma":0.06968649,"teacher_disagreement_score":0.68000823,"about_ca_system_score_codex":0.00028276315,"about_ca_system_score_gemma":0.0004771734,"threshold_uncertainty_score":0.9998217},"labels":[],"label_agreement":null},{"id":"W4256166748","doi":"10.7202/1070446ar","title":"Regarde, le dessin a bougé. Mark Beyer et le temps de l’autoréflexivité dans Amy + Jordan","year":2017,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.11707886129581446,"score_gpt":0.34653635619454143,"score_spread":0.22945749489872697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256166748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24625276,0.01847684,0.00058590283,0.10537238,0.0014604168,0.00055043295,0.000190156,0.0002435241,0.6268676],"genre_scores_gemma":[0.72676194,0.005438567,0.0042738635,0.0006509367,0.0011167773,0.00005460784,0.000022561095,0.00012037178,0.26156038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962436,0.0014126662,0.0005618033,0.00067303074,0.00025201746,0.00085687434],"domain_scores_gemma":[0.9972666,0.0005065276,0.00050288474,0.0012114182,0.0002352999,0.0002773003],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.003066369,0.00056324573,0.0006818959,0.00016164458,0.002671124,0.0023679624,0.0009609444,0.00054992596,0.000257741],"category_scores_gemma":[0.00069764163,0.00056780374,0.00041476,0.00005295143,0.0018741641,0.0010628811,0.00034521645,0.0011658134,0.000044254528],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008234251,0.0005112807,0.0025117467,0.00019961038,0.00023382185,0.000048174326,0.039380167,0.0000024986139,0.0009471698,0.92383075,0.023168381,0.009084076],"study_design_scores_gemma":[0.0008265766,0.00023671535,0.015485021,0.0008549102,0.000092130496,0.000028221577,0.009622849,0.00023542177,0.0044367346,0.25767705,0.7096848,0.00081954885],"about_ca_topic_score_codex":0.053170446,"about_ca_topic_score_gemma":0.075185545,"teacher_disagreement_score":0.68651646,"about_ca_system_score_codex":0.0003603317,"about_ca_system_score_gemma":0.0012912719,"threshold_uncertainty_score":0.99967736},"labels":[],"label_agreement":null},{"id":"W427820780","doi":"","title":"European comics in English translation : a description sourcebook","year":2002,"lang":"en","type":"book","venue":"McFarland & Co. eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Notice; Literature; Art; Variety (cybernetics); History; Quarter (Canadian coin); Comic strip; Visual arts; Law; Computer science; Political science; Archaeology","score_opus":0.060041320911919535,"score_gpt":0.2060453580028676,"score_spread":0.14600403709094806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W427820780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008414896,0.00048936874,0.000028456154,0.000027950824,0.0004600709,0.00049594964,0.00013797628,0.0002350004,0.99728376],"genre_scores_gemma":[0.03584511,0.00006110656,0.000021205424,0.00016445815,0.0014239576,0.00002097698,0.00021118186,0.00016183122,0.9620902],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851006,0.00012813005,0.00046760152,0.00038301936,0.00021867745,0.0002925227],"domain_scores_gemma":[0.9992789,0.00005905142,0.00021581972,0.00029364065,0.00007381338,0.000078771365],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00027218167,0.00038962145,0.00043196251,0.0004531916,0.00022148022,0.00033502193,0.000222724,0.00015187735,0.0007190004],"category_scores_gemma":[0.000006498038,0.00037662152,0.00019795579,0.000011351631,0.0002557618,0.00007109627,0.00002799516,0.0005122078,0.00006855867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001476453,0.00014017873,0.00017704078,0.00026101762,0.0002090443,0.00007447616,0.36226773,0.0000044792164,0.000037850354,0.24638435,0.3433088,0.046987377],"study_design_scores_gemma":[0.0009212882,0.00009757021,0.000025321193,0.0002541306,0.00004121061,0.0000018451578,0.0006403316,0.00007132569,0.0000018571911,0.007472529,0.99002326,0.00044933532],"about_ca_topic_score_codex":0.00008354839,"about_ca_topic_score_gemma":0.0040130205,"teacher_disagreement_score":0.64671445,"about_ca_system_score_codex":0.00006773511,"about_ca_system_score_gemma":0.000049145507,"threshold_uncertainty_score":0.9998686},"labels":[],"label_agreement":null},{"id":"W4280605926","doi":"10.18357/anthropologica6412022361","title":"Labours of Representation: A Bosnian Workers’ Movement and the Possibilities of Collaborative Graphic Ethnography","year":2022,"lang":"en","type":"article","venue":"Anthropologica","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa; University of Toronto","funders":"","keywords":"Bosnian; Victory; Ethnography; Politics; Sociology; Media studies; Representation (politics); Comics; Anthropology; Visual arts; Political science; Law; Art; Linguistics","score_opus":0.029321524198117167,"score_gpt":0.2771738925521268,"score_spread":0.24785236835400964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4280605926","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9782438,0.0039859423,0.0000037292334,0.0063926447,0.0002598773,0.0003637108,0.00021018264,0.000015414174,0.010524664],"genre_scores_gemma":[0.9985858,0.00053056795,0.000039697126,0.00021011388,0.000029895002,0.000065458284,0.000007515494,0.000004516632,0.0005264061],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9990097,0.00026795617,0.0002776202,0.00015978183,0.0001749869,0.00010991401],"domain_scores_gemma":[0.9991899,0.0002561849,0.00024323986,0.00019405324,0.00009818812,0.000018400922],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028874262,0.00009254273,0.0002518011,0.00012690766,0.0011559667,0.000028220014,0.00014589308,0.000015406726,0.0018439989],"category_scores_gemma":[0.000023122813,0.000057833626,0.00010160034,0.00026752654,0.0054676137,0.000054119173,0.00012831435,0.00011339901,1.4663549e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024148497,0.000092423834,0.008764955,0.000011448969,0.00011304161,8.942038e-7,0.17871167,0.0000051008146,0.0000636961,0.8103352,0.0014346932,0.00022539604],"study_design_scores_gemma":[0.00088132324,0.0005159667,0.0029705868,0.000009929664,0.000026981781,4.966269e-7,0.8668213,0.000012805707,0.0002775909,0.12266529,0.005727097,0.000090638445],"about_ca_topic_score_codex":0.0012336329,"about_ca_topic_score_gemma":0.0004346544,"teacher_disagreement_score":0.68810964,"about_ca_system_score_codex":0.0000035520875,"about_ca_system_score_gemma":0.000025941734,"threshold_uncertainty_score":0.99906844},"labels":[],"label_agreement":null},{"id":"W4281992798","doi":"10.1145/3532106.3533557","title":"PrivacyToon: Concept-driven Storytelling with Creativity Support for Privacy Concepts","year":2022,"lang":"en","type":"article","venue":"Designing Interactive Systems Conference","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Storytelling; Comics; Creativity; Computer science; Ideation; Multimedia; Internet privacy; Exploratory research; Human–computer interaction; Narrative; Psychology; Sociology; Cognitive science; Artificial intelligence","score_opus":0.07082195409791196,"score_gpt":0.29197093585403977,"score_spread":0.2211489817561278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281992798","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38340327,0.0006221466,0.50871813,0.00087083364,0.008794424,0.009015379,0.0018998726,0.0007640197,0.08591191],"genre_scores_gemma":[0.98944104,0.000002285512,0.00050120644,0.000081789316,0.00029155947,0.0008405376,0.00008298085,0.000041617997,0.008716983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804115,0.0003675157,0.00038029242,0.000519341,0.0003274929,0.00036421785],"domain_scores_gemma":[0.9978609,0.00076760666,0.0004702114,0.000310069,0.00049863616,0.000092550275],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036411593,0.00029887163,0.0004810699,0.00016041061,0.001137991,0.00041815726,0.00042833746,0.000030076897,0.0014869276],"category_scores_gemma":[0.00006863559,0.00026299004,0.000120679775,0.00006730153,0.00032127905,0.0004383876,0.000141448,0.00038234092,0.000009092812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001007847,0.00033391736,0.0013538075,0.0001347471,0.00060490443,0.00004859172,0.48771143,0.0018111931,0.0043368614,0.49402708,0.0074169664,0.0012126345],"study_design_scores_gemma":[0.0027195811,0.004253496,0.00012406889,0.0003870097,0.00012951283,0.000065623004,0.16285953,0.018501539,0.0024371163,0.0011656296,0.8061329,0.0012239844],"about_ca_topic_score_codex":0.00024314653,"about_ca_topic_score_gemma":0.000074658514,"teacher_disagreement_score":0.79871595,"about_ca_system_score_codex":0.00018974344,"about_ca_system_score_gemma":0.00026072058,"threshold_uncertainty_score":0.99998224},"labels":[],"label_agreement":null},{"id":"W4282828321","doi":"10.17742/image.pm.13.1.5","title":"Founding Fathers (in a Tailings Pond)","year":2022,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"University of Manitoba","keywords":"Waterfowl; Amateur; Comics; Adventure; Forge; Cornish; Tailings; Archaeology; Visual arts; History; Art; Art history; Literature; Engineering; Ecology","score_opus":0.059272959388363716,"score_gpt":0.3886996597429565,"score_spread":0.32942670035459276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282828321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93201804,0.005925525,0.000018637682,0.010081176,0.0017910114,0.00014447683,0.00003634388,0.000021137406,0.049963675],"genre_scores_gemma":[0.9951468,0.00016266893,0.0003336469,0.00014968969,0.0003167897,0.000016596963,0.0000024127048,0.000010777255,0.003860627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998837,0.000066536915,0.00047414927,0.000120010554,0.00030485808,0.00019743408],"domain_scores_gemma":[0.9960173,0.00012378182,0.00034105088,0.00007562868,0.0034093421,0.000032912325],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000513969,0.00013788667,0.00027224387,0.0003292151,0.0012990453,0.0014199209,0.0002357154,0.000007632597,0.00042958074],"category_scores_gemma":[0.00046413907,0.000103600374,0.0001813637,0.0001581357,0.0021494045,0.0045751515,0.00012715862,0.00035262218,0.0000035693147],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076289114,0.0002060508,0.002809886,0.000031197746,0.0003396303,0.00013038007,0.25031134,0.000120201774,0.0044675805,0.728494,0.011450361,0.0015630983],"study_design_scores_gemma":[0.0019752712,0.00029637502,0.0018074242,0.00006723857,0.00006893061,0.00018838907,0.2687466,0.00009531059,0.00022658925,0.14981344,0.57632554,0.0003888607],"about_ca_topic_score_codex":0.00003531627,"about_ca_topic_score_gemma":0.00012174189,"teacher_disagreement_score":0.5786805,"about_ca_system_score_codex":0.00016385522,"about_ca_system_score_gemma":0.000039286948,"threshold_uncertainty_score":0.9996167},"labels":[],"label_agreement":null},{"id":"W4283753105","doi":"10.1080/17441692.2022.2092178","title":"Mixed-methods findings from the Ngutulu Kagwero (agents of change) participatory comic pilot study on post-rape clinical care and sexual violence prevention with refugee youth in a humanitarian setting in Uganda","year":2022,"lang":"en","type":"article","venue":"Global Public Health","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Public Health Ontario; United Nations University Institute for Water, Environment, and Health; Women's College Hospital; University of Toronto","funders":"Institute of Gender and Health; Canadian Institutes of Health Research; Canada Research Chairs; Grand Challenges Canada; Ontario Ministry of Research and Innovation; Canada Foundation for Innovation","keywords":"Refugee; Sexual violence; Participatory action research; Citizen journalism; Reproductive health; Medicine; Suicide prevention; Poison control; Psychology; Nursing; Political science; Family medicine; Population; Sociology; Environmental health","score_opus":0.3029872288581506,"score_gpt":0.41996648487876603,"score_spread":0.11697925602061543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283753105","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99635786,0.00046254814,0.000004142918,0.0012619311,0.00031222508,0.0009426554,0.0005624497,0.000017398845,0.000078776924],"genre_scores_gemma":[0.99851763,0.000017788154,0.00004747875,0.00112178,0.00009765501,0.00009907973,0.00008391721,0.00001083564,0.0000038241965],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9961235,0.0022022931,0.0006267911,0.0003969679,0.00028243926,0.00036800734],"domain_scores_gemma":[0.9990856,0.00022285209,0.00026435818,0.0002549213,0.000066694905,0.000105548344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030229476,0.00016130276,0.00035783474,0.00011015223,0.00051032327,0.00009359172,0.00024203892,0.000022609182,0.000048724927],"category_scores_gemma":[0.000098517085,0.00012408498,0.000031782947,0.00017487361,0.00017821323,0.0001350443,0.00020166463,0.00039825603,5.3336316e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029931014,0.0014049456,0.6709408,0.000037264457,0.000051813335,0.0000050470244,0.2794144,0.0000027925894,7.152955e-7,0.006381156,0.00010954067,0.041352198],"study_design_scores_gemma":[0.0012446354,0.006740634,0.5622933,0.000074178526,0.000011347777,3.6153793e-7,0.42835063,0.00003146088,8.515711e-8,0.00044030198,0.0007136569,0.0000994212],"about_ca_topic_score_codex":0.020371368,"about_ca_topic_score_gemma":0.1317969,"teacher_disagreement_score":0.14893624,"about_ca_system_score_codex":0.00019255953,"about_ca_system_score_gemma":0.00032394275,"threshold_uncertainty_score":0.98615205},"labels":[],"label_agreement":null},{"id":"W4285044192","doi":"10.22215/etd/2022-15051","title":"\"Racially Charged\": Negotiating Black Politics on the Superhero TV Adaptation, Black Lightning","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Politics; Comics; Thunder; Negotiation; Black women; White (mutation); Black Power; Lightning (connector); Racial politics; Gender studies; Representation (politics); Art; Sociology; Political science; Literature; Law; Geography; Power (physics); Social science; Physics; Meteorology","score_opus":0.03874282644759601,"score_gpt":0.24742251128492485,"score_spread":0.20867968483732885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285044192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3206098,0.00025380493,0.00000840424,0.0022449263,0.0022063977,0.0005777339,0.00012673507,0.000121259836,0.67385095],"genre_scores_gemma":[0.6676988,0.00013034737,0.000015067282,0.0011511061,0.0014232574,0.00006870317,0.0011908492,0.000084447085,0.3282374],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9981502,0.00013777296,0.0004914414,0.00037941063,0.00048361908,0.00035755156],"domain_scores_gemma":[0.99863315,0.00041492365,0.0002986961,0.00032398175,0.00026712747,0.000062132014],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028488462,0.00037143822,0.00032087843,0.00021744762,0.0017032786,0.00068163226,0.00037546013,0.00009936257,0.024256337],"category_scores_gemma":[0.00011885511,0.00026861226,0.00021538565,0.00008535048,0.00016509151,0.00012979895,0.00003706021,0.000679316,0.00013206569],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015877704,0.000041726937,0.000008860203,0.00003055986,0.00007999318,0.0000017672808,0.24138325,0.00010617225,0.000012082988,0.73992485,0.01825976,0.00013511063],"study_design_scores_gemma":[0.000187808,0.00016433604,0.00011781498,0.000085212996,0.00007172218,3.027348e-7,0.5083115,0.0026015951,0.0000540548,0.014911833,0.47299,0.0005037986],"about_ca_topic_score_codex":0.00094533997,"about_ca_topic_score_gemma":0.0052001993,"teacher_disagreement_score":0.725013,"about_ca_system_score_codex":0.000061039995,"about_ca_system_score_gemma":0.00019290856,"threshold_uncertainty_score":0.99997663},"labels":[],"label_agreement":null},{"id":"W4285067745","doi":"10.7202/1089611ar","title":"Le statut de l’ellipse dans quelques séries semi-feuilletonnantes formulaires","year":2021,"lang":"fr","type":"article","venue":"Sens public","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01805685769605424,"score_gpt":0.22298406668602938,"score_spread":0.20492720898997513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285067745","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4269881,0.0661527,0.00035553612,0.1404191,0.0025202704,0.00028058543,0.0009549999,0.0002369113,0.36209184],"genre_scores_gemma":[0.85433185,0.004566393,0.00021929415,0.0010006821,0.0012305126,0.000014288352,0.00013020168,0.000058497088,0.13844828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773777,0.0002495858,0.0004381833,0.0004569328,0.00024854692,0.00086896535],"domain_scores_gemma":[0.99838465,0.00024927783,0.00014956242,0.00048080678,0.00048219252,0.00025349707],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002774318,0.00035645603,0.00040839126,0.0001871942,0.0013977487,0.0014969729,0.00024152154,0.00015957904,0.0014320968],"category_scores_gemma":[0.00019817357,0.00036314936,0.00029179803,0.0001934031,0.001059426,0.00068119384,0.00018289425,0.00037233872,0.00006357457],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010852128,0.00027648706,0.0007915166,0.00013367405,0.00021141933,0.00015686182,0.05037566,0.0000064301607,0.0006355707,0.90347767,0.041063987,0.002859847],"study_design_scores_gemma":[0.00036375088,0.000085072315,0.00037795986,0.00013411825,0.00004229254,0.000072798735,0.06371846,0.00018323975,0.002917982,0.059222843,0.8724534,0.0004281004],"about_ca_topic_score_codex":0.0044999444,"about_ca_topic_score_gemma":0.08860578,"teacher_disagreement_score":0.84425485,"about_ca_system_score_codex":0.00009889736,"about_ca_system_score_gemma":0.002155806,"threshold_uncertainty_score":0.9999023},"labels":[],"label_agreement":null},{"id":"W4285704267","doi":"","title":"La représentation des indigènes dans la bande dessinée latino-américaine. Patoruzú, de Dante Quinterno","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Philosophy","score_opus":0.020884954735105363,"score_gpt":0.24580004432914532,"score_spread":0.22491508959403994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285704267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80781496,0.0025573785,0.03274758,0.0052346196,0.0004484382,0.00037144555,0.00017188136,0.00017081307,0.1504829],"genre_scores_gemma":[0.95148605,0.0038930583,0.008334078,0.00009169421,0.000112388705,0.000098171935,0.0006755275,0.00008780872,0.03522121],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9853202,0.011766924,0.00089531735,0.0010052992,0.0004412262,0.0005710013],"domain_scores_gemma":[0.99201334,0.0033786073,0.00080501795,0.0016092096,0.0019199515,0.00027390337],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.005728295,0.0005819262,0.000611131,0.00027113417,0.0014289875,0.0024126538,0.0010446046,0.00041775405,0.000691298],"category_scores_gemma":[0.0012395474,0.00061959476,0.0004905247,0.00026149294,0.0020031948,0.00039039343,0.0010506122,0.0010377405,0.000023434375],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023810435,0.00079111726,0.023350254,0.0002874093,0.00023740264,0.00005230011,0.43840417,0.00003805585,0.0022650284,0.51710135,0.00047019013,0.016978916],"study_design_scores_gemma":[0.0039370316,0.000009119038,0.23097615,0.025527503,0.00084677234,0.0005011204,0.2443564,0.026139349,0.050366763,0.09737467,0.31587353,0.004091603],"about_ca_topic_score_codex":0.01471173,"about_ca_topic_score_gemma":0.036488708,"teacher_disagreement_score":0.41972667,"about_ca_system_score_codex":0.0002541863,"about_ca_system_score_gemma":0.0005511665,"threshold_uncertainty_score":0.999871},"labels":[],"label_agreement":null},{"id":"W4286412504","doi":"10.3138/jeunesse.12.1.168","title":"Mille Pompons! Fantômette, the Famous, Unknown, Schoolgirl Superhero of France","year":2020,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witch; French; Character (mathematics); Art; Sociology; Literature; Media studies; Humanities","score_opus":0.015133768442877454,"score_gpt":0.2228710986619759,"score_spread":0.20773733021909846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286412504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94380707,0.0069157938,0.000030743948,0.01980256,0.0008018984,0.0005465042,0.00018108904,0.00017204533,0.027742293],"genre_scores_gemma":[0.9922185,0.00021098988,0.000029929695,0.0010668818,0.00064615137,0.000038468734,0.000028057171,0.000028771672,0.0057322667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860144,0.000089116904,0.00037240697,0.0003301418,0.00031709584,0.0002897908],"domain_scores_gemma":[0.99908644,0.00009853934,0.00015963185,0.00032624824,0.00022640012,0.00010276126],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012871406,0.00026682756,0.00038559976,0.000050823925,0.00058286637,0.00021215966,0.00050099916,0.00006836581,0.0010350565],"category_scores_gemma":[0.00010735537,0.00016055386,0.00020909593,0.00019865113,0.0003218935,0.00022577413,0.00010333257,0.00029503045,0.000051967145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109542874,0.00019986597,0.010965243,0.00019503805,0.0002408443,0.000008157,0.35807207,0.0000417738,0.008314208,0.46417385,0.1570668,0.00061258965],"study_design_scores_gemma":[0.0007916171,0.0001681162,0.019979725,0.000064723456,0.0000865378,0.000008698418,0.034902472,0.00016889689,0.0018699898,0.0034243206,0.9379878,0.00054708845],"about_ca_topic_score_codex":0.00060720195,"about_ca_topic_score_gemma":0.008351132,"teacher_disagreement_score":0.780921,"about_ca_system_score_codex":0.00000793191,"about_ca_system_score_gemma":0.000041604508,"threshold_uncertainty_score":0.9998781},"labels":[],"label_agreement":null},{"id":"W4286883435","doi":"","title":"Book review: Willett, Cynthia & Willett, Julie. (2019). Uproarious. How Feminists and Other Subversive Comics Speak Truth. Minneapolis: University of Minnesota Press.","year":2021,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Comics; Sociology; Media studies; Political science; Law","score_opus":0.13925432252606873,"score_gpt":0.41757523483466963,"score_spread":0.2783209123086009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286883435","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027388921,0.9194043,0.000024648249,0.008641255,0.00082253123,0.00088072475,0.0011715569,0.000050169714,0.041615885],"genre_scores_gemma":[0.07409138,0.8811707,0.000146446,0.006294694,0.00042470067,0.000007711024,0.00006624595,0.00014081002,0.03765732],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979274,0.00027295857,0.00052727375,0.0005059125,0.0004275394,0.00033890392],"domain_scores_gemma":[0.99745995,0.00030537834,0.0010288896,0.0005542144,0.00043314372,0.00021841544],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000468698,0.0003707892,0.001067444,0.0003165507,0.00038585585,0.00068432,0.0013003139,0.00010193309,0.013932899],"category_scores_gemma":[0.00013659107,0.0003604181,0.00028035537,0.00021518562,0.00080593594,0.0011787273,0.0008087244,0.00033533774,0.0000043646673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012018663,0.00017965602,0.0044701993,0.00045120274,0.00040458218,0.0000827215,0.003913829,0.0000012597565,0.0007380657,0.00381108,0.98517644,0.00065077766],"study_design_scores_gemma":[0.0007291633,0.00001758012,0.0024271677,0.0013389706,0.00022843319,0.000022451897,0.0015245652,0.000011071505,0.0010176703,0.00074719277,0.99150807,0.0004276627],"about_ca_topic_score_codex":0.0012957217,"about_ca_topic_score_gemma":0.000675487,"teacher_disagreement_score":0.046702463,"about_ca_system_score_codex":0.00003975818,"about_ca_system_score_gemma":0.00014512947,"threshold_uncertainty_score":0.9998848},"labels":[],"label_agreement":null},{"id":"W4287397801","doi":"","title":"Une histoire médiatique de la bande dessinée","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.01385379930399368,"score_gpt":0.223464137634085,"score_spread":0.20961033833009132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287397801","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.238453,0.021414133,0.033407737,0.06342585,0.001112025,0.0005711086,0.00024093415,0.0002627977,0.64111245],"genre_scores_gemma":[0.80758935,0.004989729,0.011079713,0.0002881345,0.0001462774,0.00010518596,0.0005875636,0.000092513415,0.17512155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9864993,0.010952724,0.000731475,0.0008928812,0.0003796394,0.00054394885],"domain_scores_gemma":[0.99218583,0.003109004,0.00063387805,0.0017996529,0.0019780477,0.00029360532],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005518876,0.00054511364,0.0006254114,0.00020895412,0.0021250048,0.0019230684,0.0011008845,0.00049066736,0.0017009566],"category_scores_gemma":[0.00095047086,0.00060650037,0.0005060953,0.00024755133,0.0021462657,0.00022543372,0.0009319221,0.0012797742,0.000029065764],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001130697,0.0007554865,0.0010905502,0.00019245903,0.00015577281,0.000027307655,0.09415917,0.000044930857,0.0008167828,0.87358737,0.0025744934,0.026584353],"study_design_scores_gemma":[0.0011211318,0.0000012112297,0.012779267,0.0051715397,0.00020887447,0.000049709495,0.0074792113,0.008063913,0.0076429104,0.053725757,0.9024585,0.0012979681],"about_ca_topic_score_codex":0.017064616,"about_ca_topic_score_gemma":0.029245084,"teacher_disagreement_score":0.899884,"about_ca_system_score_codex":0.0003196635,"about_ca_system_score_gemma":0.0009078387,"threshold_uncertainty_score":0.9996386},"labels":[],"label_agreement":null},{"id":"W4287602149","doi":"10.5281/zenodo.4257484","title":"PutlockerS!![HD]-WaTcH Joker (2019) Online Full For Free at 123Movie'S clp","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.06650976144621841,"score_gpt":0.23340587276208588,"score_spread":0.16689611131586746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287602149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35118175,0.0016304597,0.006298197,0.18219596,0.0017930149,0.0052001285,0.02278502,0.0047703357,0.42414513],"genre_scores_gemma":[0.94874245,0.0003505925,0.00069520494,0.0038314678,0.0032540332,3.9075837e-7,0.009763233,0.0031550939,0.030207505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984527,0.00014727484,0.00030125692,0.00043853876,0.00028582994,0.00037438094],"domain_scores_gemma":[0.9986329,0.00005106361,0.000119545635,0.00040434356,0.000560796,0.0002313688],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003167327,0.000185763,0.000215822,0.00009919293,0.0030583525,0.0007886145,0.0009328964,0.00005053292,0.031164208],"category_scores_gemma":[0.00053703424,0.00017809615,0.0001225179,0.00015476948,0.0002688933,0.0002167657,0.0011195423,0.0002534018,0.0027716781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021845322,0.0001155929,0.0000022021447,0.00006307446,0.00006901056,0.00000526828,0.0157492,0.0000068436025,0.0013944763,0.06789399,0.90360695,0.01087495],"study_design_scores_gemma":[0.00088895013,0.00048882735,0.00003912658,0.000015459034,0.000021371774,0.000009914322,0.0022427111,0.00052386546,0.00012350414,0.0015479827,0.99387413,0.00022415444],"about_ca_topic_score_codex":0.000028195285,"about_ca_topic_score_gemma":0.00002744609,"teacher_disagreement_score":0.5975607,"about_ca_system_score_codex":0.00006453806,"about_ca_system_score_gemma":0.0000044924614,"threshold_uncertainty_score":0.9982395},"labels":[],"label_agreement":null},{"id":"W4288060460","doi":"10.18357/kula.225","title":"The Marmaduke Problem","year":2022,"lang":"en","type":"article","venue":"KULA knowledge creation dissemination and preservation studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metadata; Comics; World Wide Web; Scholarship; Computer science; Library science; Ephemera; Visual arts; Political science; Art","score_opus":0.0517185841614688,"score_gpt":0.33470130045721064,"score_spread":0.28298271629574184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288060460","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18117386,0.033691622,0.000092724316,0.02539247,0.001464993,0.0012661918,0.00007381279,0.00023971195,0.7566046],"genre_scores_gemma":[0.73100984,0.0009159741,0.000018786204,0.00006377663,0.00014947494,0.00046394914,0.000057423775,0.000009808309,0.26731095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991356,0.00015182138,0.00024517474,0.00016891866,0.00018184644,0.000116635834],"domain_scores_gemma":[0.99870914,0.0006190925,0.00012809888,0.00011977289,0.00039804744,0.000025825228],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00058395363,0.00010649554,0.00011220552,0.000099427954,0.0035630562,0.00021907203,0.00011506003,0.000011322317,0.0003517621],"category_scores_gemma":[0.00015153705,0.00007772578,0.00003958972,0.00012113462,0.00023929832,0.00021391196,0.00017414779,0.00010116876,0.0000056065587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025100535,0.000037673,0.00075480697,0.000023939187,0.00006598509,1.3085254e-7,0.20289838,0.000007025672,0.000036478257,0.7172998,0.062460475,0.016390197],"study_design_scores_gemma":[0.00016229782,0.000039386814,0.001919752,0.000012486761,0.000018414596,8.475289e-7,0.054325607,0.0009585029,0.000025735164,0.020804385,0.92162925,0.000103333965],"about_ca_topic_score_codex":0.00001325833,"about_ca_topic_score_gemma":0.00044641647,"teacher_disagreement_score":0.85916877,"about_ca_system_score_codex":0.000054828983,"about_ca_system_score_gemma":0.000022298665,"threshold_uncertainty_score":0.9977342},"labels":[],"label_agreement":null},{"id":"W4288332976","doi":"","title":"The Publication of American Comic Books in French-Speaking Countries : Studying \"éditions Héritage\" in Quebec","year":2019,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Computer science; Political science; Art; History; Literature","score_opus":0.012426248123051643,"score_gpt":0.21652918131889562,"score_spread":0.20410293319584397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288332976","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81815827,0.0052635525,0.00039315617,0.05638184,0.00035265036,0.00064092,0.00011568871,0.000036755842,0.118657194],"genre_scores_gemma":[0.9358725,0.0012803461,0.00028404946,0.0000822933,0.000021982361,0.000043775904,0.000069623355,0.000019954141,0.062325466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957373,0.0026172157,0.00068803603,0.00034848234,0.0002639983,0.00034496692],"domain_scores_gemma":[0.9946731,0.0026579627,0.00055970496,0.0008796009,0.0011704387,0.000059227103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036860465,0.00019614967,0.00032104558,0.00031720015,0.00063479046,0.0006862892,0.00062421587,0.000062000196,0.0003983974],"category_scores_gemma":[0.0004659313,0.00018609142,0.00011192668,0.00039753687,0.0013711036,0.0003966607,0.0002132973,0.00037398795,0.000025588428],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008149021,0.00030664128,0.018046271,0.000051103507,0.00002922243,7.7072536e-7,0.10057908,0.000011746637,0.00012673144,0.86398363,0.00069578865,0.016160889],"study_design_scores_gemma":[0.0015556603,0.000004439061,0.124527335,0.0030093482,0.000037596175,0.0000030657259,0.040808883,0.007408441,0.001165891,0.013673701,0.8071914,0.0006142537],"about_ca_topic_score_codex":0.16152558,"about_ca_topic_score_gemma":0.7560681,"teacher_disagreement_score":0.8503099,"about_ca_system_score_codex":0.00016389403,"about_ca_system_score_gemma":0.000231762,"threshold_uncertainty_score":0.8440579},"labels":[],"label_agreement":null},{"id":"W4288983176","doi":"10.4000/books.pufr.29200","title":"Introduction. Bande dessinée et intermédialité","year":2019,"lang":"fr","type":"book-chapter","venue":"Presses universitaires François-Rabelais eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01645288511619609,"score_gpt":0.20599524782039452,"score_spread":0.18954236270419844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288983176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025824765,0.009382899,0.00019161211,0.01097703,0.0052781766,0.001034661,0.0008491027,0.000254527,0.9694495],"genre_scores_gemma":[0.22785643,0.0017358281,0.00008891447,0.00045764708,0.003017776,0.000010473365,0.00030112424,0.00020811884,0.7663237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962162,0.00021799057,0.00082344137,0.0013569881,0.0006005719,0.0007848459],"domain_scores_gemma":[0.99670076,0.00052469404,0.00070945296,0.0012081276,0.0005490152,0.00030793558],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028836916,0.0012363517,0.0012234561,0.00081449305,0.0015364995,0.0007180428,0.0010223442,0.0006454117,0.015532689],"category_scores_gemma":[0.00004093488,0.0012903797,0.0008453614,0.00003192989,0.0024896734,0.0006624301,0.00067324156,0.001408044,0.0007486007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032927823,0.00009861849,0.00007784651,0.000421868,0.0012527601,0.0001020473,0.008773502,0.000048797665,0.00020063775,0.9328592,0.040245153,0.015590321],"study_design_scores_gemma":[0.001250355,0.0004088322,0.00009840833,0.00077629514,0.0007302897,0.000028818109,0.0022392655,0.00007116174,0.00017252383,0.03744808,0.9554005,0.0013754651],"about_ca_topic_score_codex":0.0012678641,"about_ca_topic_score_gemma":0.0027965705,"teacher_disagreement_score":0.91515535,"about_ca_system_score_codex":0.00021026752,"about_ca_system_score_gemma":0.00039196154,"threshold_uncertainty_score":0.99976337},"labels":[],"label_agreement":null},{"id":"W4288983243","doi":"10.4000/books.pufr.29140","title":"La bande dessinée à la croisée des médias","year":2019,"lang":"fr","type":"book","venue":"Presses universitaires François-Rabelais eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Doctoral dissertation; Humanities; Political science","score_opus":0.024440658981816358,"score_gpt":0.22137146160559737,"score_spread":0.19693080262378101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288983243","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020036386,0.019070365,0.00014694028,0.0004916345,0.0012787868,0.00094712136,0.00087449607,0.00028933084,0.95686495],"genre_scores_gemma":[0.3493465,0.0021528814,0.00012415159,0.0001151751,0.00067125726,0.000020531967,0.00014794522,0.00021962912,0.64720196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99525285,0.00084797357,0.00077670993,0.0012839802,0.0006955522,0.0011429372],"domain_scores_gemma":[0.9947477,0.0025143337,0.00065908296,0.0011186134,0.00051875634,0.0004415392],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00046257948,0.0014239097,0.0014040192,0.0008662894,0.0025561203,0.001166859,0.0014709762,0.0011591434,0.0038239],"category_scores_gemma":[0.00007058986,0.0014719384,0.0009844427,0.00007733305,0.007463221,0.00068865414,0.00077696587,0.0017587,0.00037611838],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003808829,0.00029546366,0.00080457184,0.0016819224,0.0017592114,0.0006807763,0.026452132,0.00005643092,0.00019752092,0.8778013,0.061522767,0.028367044],"study_design_scores_gemma":[0.0020060916,0.00035172305,0.0006749077,0.0021944132,0.0009998435,0.000052899723,0.005701861,0.00008508717,0.00014729117,0.03239214,0.95372695,0.0016667682],"about_ca_topic_score_codex":0.0015947183,"about_ca_topic_score_gemma":0.0024701764,"teacher_disagreement_score":0.8922042,"about_ca_system_score_codex":0.00036883994,"about_ca_system_score_gemma":0.0010450197,"threshold_uncertainty_score":0.99987},"labels":[],"label_agreement":null},{"id":"W429038484","doi":"","title":"Graphic Drama: Reading Shakespeare in the Comics Medium","year":2014,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Comics; Drama; Reading (process); Art; Literature; Visual arts; Linguistics; Philosophy","score_opus":0.09639869151019535,"score_gpt":0.28239775609223255,"score_spread":0.1859990645820372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W429038484","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9860001,0.0000496688,0.000059783582,0.0011859299,0.0003296733,0.0002291315,0.000021226751,0.00012697418,0.011997482],"genre_scores_gemma":[0.9909332,0.000037542464,0.000005345017,0.0006699943,0.0002581448,0.0000015629071,0.000018987716,0.00004273391,0.008032529],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99833244,0.0003892235,0.00022011483,0.00037565728,0.00029274405,0.0003897968],"domain_scores_gemma":[0.99898005,0.0002089816,0.00014403593,0.00049097335,0.00007213124,0.00010383941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006535219,0.00025693732,0.00027663863,0.0006443194,0.00044950034,0.0005402134,0.0009139214,0.00010131339,0.000071625065],"category_scores_gemma":[0.000036021036,0.00021877605,0.0001364217,0.00027519578,0.0003483573,0.0007196184,0.00015346384,0.0005695477,0.00005273782],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055285273,0.0001137937,0.8686789,0.00003816253,0.000047376874,0.00011005008,0.026408218,0.0000036510723,0.00006224834,0.1042262,0.000026958747,0.00022910314],"study_design_scores_gemma":[0.0024344616,0.0003044868,0.694758,0.00036717908,0.000106464126,0.000033537293,0.028665463,0.000004069576,0.000098021934,0.007817626,0.26444098,0.0009696967],"about_ca_topic_score_codex":0.000031402185,"about_ca_topic_score_gemma":0.032881718,"teacher_disagreement_score":0.264414,"about_ca_system_score_codex":0.000041611398,"about_ca_system_score_gemma":0.000028826744,"threshold_uncertainty_score":0.98476565},"labels":[],"label_agreement":null},{"id":"W4290457996","doi":"10.4000/eccs.5694","title":"Pour un mode de lecture alternatif de/dans Helem de Stanley Wany, ou comment sortir du labyrinthe émotionnel et visuel ? Tressage, surréalisme, et multiculturalisme","year":2022,"lang":"fr","type":"article","venue":"Études canadiennes / Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.028178635187965668,"score_gpt":0.2680090265596326,"score_spread":0.23983039137166692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4290457996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8327238,0.010561966,0.000039116912,0.141261,0.0012967128,0.0006068579,0.009043472,0.00007513604,0.004391937],"genre_scores_gemma":[0.97782934,0.00356418,0.00026197592,0.012447152,0.0005055351,0.0003278233,0.00015457527,0.000102283986,0.004807161],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956813,0.00088979356,0.0006112156,0.0006590314,0.00036219577,0.001796499],"domain_scores_gemma":[0.9974118,0.0005275417,0.0002736362,0.00041477394,0.00037999626,0.0009922722],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009931094,0.00071131263,0.000721056,0.00041742006,0.0034077426,0.00035418157,0.00066810625,0.00011930595,0.0009740142],"category_scores_gemma":[0.00021970001,0.00069773296,0.00032545615,0.00024041082,0.00062123465,0.0002444306,0.00029520522,0.000818668,0.000004160093],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033496268,0.00019435576,0.0032062018,0.00013272648,0.0014383601,0.00062825804,0.29693317,0.006299534,0.000057849276,0.65469813,0.034979988,0.0013979041],"study_design_scores_gemma":[0.0012647297,0.00033207727,0.0064559174,0.00020744078,0.00034367415,0.00020971356,0.41725725,0.004213258,0.000056817746,0.015097975,0.5534216,0.0011395385],"about_ca_topic_score_codex":0.90876514,"about_ca_topic_score_gemma":0.9990044,"teacher_disagreement_score":0.63960016,"about_ca_system_score_codex":0.0054083285,"about_ca_system_score_gemma":0.001666651,"threshold_uncertainty_score":0.9999392},"labels":[],"label_agreement":null},{"id":"W4296510838","doi":"10.4000/belphegor.4809","title":"Fernández Sarasola, Ignacio. El Pueblo contra los Cómics. Historia de las campañas anticómic (de Norteamérica a Europa)","year":2022,"lang":"es","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Fern; Humanities; Geography; Art; Biology; Botany","score_opus":0.01765831040255036,"score_gpt":0.24101586076489817,"score_spread":0.2233575503623478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296510838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95289004,0.010523724,0.00013455229,0.0030780374,0.0036979134,0.0009767263,0.0020035296,0.00024103072,0.026454434],"genre_scores_gemma":[0.97999394,0.0004311699,0.00006767719,0.0012455055,0.0017376554,0.00012297307,0.00008174111,0.00013437968,0.01618494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99627805,0.0005265838,0.00072844076,0.00075635186,0.00058655586,0.0011240056],"domain_scores_gemma":[0.99803597,0.00033477388,0.00041485368,0.0006877484,0.00018864064,0.00033800342],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074700185,0.0005922036,0.00078391965,0.0003974572,0.0024422593,0.000665091,0.00078803446,0.00013128294,0.004177067],"category_scores_gemma":[0.000121220466,0.0006346216,0.00047962548,0.000221397,0.00046737588,0.00019207461,0.00036559431,0.0010372702,0.00011110148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006535549,0.0017503914,0.014691831,0.00032092814,0.000649855,0.00068335223,0.076780535,0.000093127106,0.00860626,0.7393834,0.15434453,0.00204221],"study_design_scores_gemma":[0.0018264871,0.00068233773,0.0054358896,0.00006741557,0.00028779963,0.0000979658,0.008180799,0.0011968525,0.000107296575,0.0063710255,0.97480655,0.00093960867],"about_ca_topic_score_codex":0.0017261159,"about_ca_topic_score_gemma":0.00095135864,"teacher_disagreement_score":0.820462,"about_ca_system_score_codex":0.00064501987,"about_ca_system_score_gemma":0.00072825426,"threshold_uncertainty_score":0.9996105},"labels":[],"label_agreement":null},{"id":"W4298138666","doi":"10.5539/res.v14n4p1","title":"Knowledge as Play: Comics by Japanese Modern Literature","year":2022,"lang":"en","type":"article","venue":"Review of European Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Phenomenon; Postmodernism; Context (archaeology); Cultural phenomenon; Poetics; Reading (process); Publishing; Sociology; Literature; Art; Aesthetics; History; Poetry; Social science; Philosophy; Epistemology; Linguistics; Archaeology","score_opus":0.04685423427248449,"score_gpt":0.29534760058123083,"score_spread":0.24849336630874636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298138666","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002472896,0.71934086,2.4074436e-7,0.00052035216,0.00019567084,0.00016038361,0.00015731934,0.000036228314,0.27711603],"genre_scores_gemma":[0.26069298,0.6360687,0.000014759798,0.0019931246,0.00033622285,0.000039751616,0.00008200408,0.000086821645,0.10068561],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898416,0.00031737922,0.00028561192,0.00017259449,0.00012382181,0.00011642782],"domain_scores_gemma":[0.99941444,0.000066528584,0.00016057136,0.00021653777,0.00011464982,0.000027268501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004269699,0.00014828617,0.00038962803,0.000057393117,0.00036534158,0.000028182592,0.0002113143,0.000004428549,0.0002976835],"category_scores_gemma":[0.000051869196,0.00011374182,0.00013805884,0.00008290495,0.00018413104,0.00005038899,0.00034246477,0.00014670941,0.00002331923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000795552,0.00011897189,0.000007644838,0.002851025,0.0002297888,0.000011695505,0.12588814,2.763635e-7,0.00002836733,0.07248509,0.79485595,0.0035151031],"study_design_scores_gemma":[0.00013708281,0.000104087805,0.0000033955976,0.001920335,0.000042914366,0.0000049727064,0.0063873976,0.0000036422007,0.0000018808086,0.00050423876,0.9907564,0.00013367407],"about_ca_topic_score_codex":0.0000061955716,"about_ca_topic_score_gemma":0.000012968934,"teacher_disagreement_score":0.2582201,"about_ca_system_score_codex":0.0000120522855,"about_ca_system_score_gemma":0.000008853649,"threshold_uncertainty_score":0.4638257},"labels":[],"label_agreement":null},{"id":"W4301344266","doi":"","title":"Radical Diversion: Attractions Politics in the Horror Pseudo-documentary The Hellstrom Chronicle","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Politics; History; Media studies; Art history; Sociology; Political science; Law","score_opus":0.25573295468620666,"score_gpt":0.5098596033923932,"score_spread":0.25412664870618656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301344266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9683987,0.0045561604,0.000014671711,0.006206468,0.0012611756,0.0004398196,0.000096551834,0.00001622336,0.01901024],"genre_scores_gemma":[0.994363,0.002015916,0.000016409916,0.0014635216,0.0011610121,0.00002025505,0.000008653607,0.00001812384,0.00093310623],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816775,0.00030751163,0.00047433333,0.00023950032,0.00047305206,0.00033786744],"domain_scores_gemma":[0.9985591,0.0004583455,0.00030167526,0.0004202601,0.00015930181,0.000101323814],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008917669,0.00019790286,0.00030605172,0.0002836344,0.0014383859,0.0016865977,0.0022226514,0.00004405777,0.029057749],"category_scores_gemma":[0.000056552646,0.00011801243,0.00017378973,0.00026572158,0.0010332756,0.0012931263,0.00049102283,0.00047228232,0.000032446067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022616766,0.0010859475,0.09380159,0.000047847,0.0004344609,0.000064777356,0.045552567,0.000016558033,0.004008756,0.0941203,0.7555286,0.0051123775],"study_design_scores_gemma":[0.00080187735,0.000067026995,0.17378743,0.00019836407,0.00011794228,0.000022672904,0.015698554,0.000113366856,0.0010318165,0.04801368,0.75974727,0.00040002225],"about_ca_topic_score_codex":0.003477587,"about_ca_topic_score_gemma":0.0023079494,"teacher_disagreement_score":0.07998584,"about_ca_system_score_codex":0.00007301517,"about_ca_system_score_gemma":0.00010389536,"threshold_uncertainty_score":0.9998616},"labels":[],"label_agreement":null},{"id":"W4306253391","doi":"10.4000/strenae.9439","title":"Pif Gadget au Québec","year":2022,"lang":"fr","type":"article","venue":"Strenae","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Gadget; Humanities; Art; Computer science; Algorithm","score_opus":0.016257627659629875,"score_gpt":0.21374098659537638,"score_spread":0.1974833589357465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306253391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5415724,0.028900558,0.000004320974,0.047208034,0.0074268538,0.00021713093,0.0014634609,0.0000700819,0.37313718],"genre_scores_gemma":[0.7300958,0.00009770442,0.0000069536723,0.00029882565,0.0010071065,0.000029834977,0.00003239842,0.000017917217,0.26841342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892944,0.00010952,0.00020891885,0.00022991467,0.00019024634,0.00033197066],"domain_scores_gemma":[0.99948436,0.00008199535,0.00008339827,0.00023203081,0.00003493767,0.00008328765],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014493302,0.0001633361,0.00017582187,0.00010037702,0.0020037666,0.0001119975,0.00021284651,0.000025160212,0.032322254],"category_scores_gemma":[0.000011331643,0.00017115494,0.00016221007,0.00006969255,0.00038411314,0.00008377756,0.00020210365,0.00032388396,0.000098050084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024605702,0.00020575321,0.0017435846,0.00003182596,0.00009037926,0.000030222933,0.07076341,0.000031726562,0.000008755735,0.80637044,0.10158712,0.019112179],"study_design_scores_gemma":[0.0002818104,0.00025645716,0.0010515691,0.000014527813,0.000030767413,0.000006779928,0.022036662,0.0000848267,0.000009157431,0.007044984,0.968965,0.00021746164],"about_ca_topic_score_codex":0.24589232,"about_ca_topic_score_gemma":0.39563227,"teacher_disagreement_score":0.8673779,"about_ca_system_score_codex":0.00023845448,"about_ca_system_score_gemma":0.00054992136,"threshold_uncertainty_score":0.9992955},"labels":[],"label_agreement":null},{"id":"W4306317167","doi":"10.1093/crj/clac017","title":"Pygmalion and Medusa as Cixous’ writing women in<i>InSEXts</i>: ‘I Write Woman’","year":2022,"lang":"en","type":"article","venue":"Classical Receptions Journal","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Narrative; Mythology; Literature; Mirroring; Art; Romance; Comics; Creativity; Sociology; Psychology","score_opus":0.021926313450962083,"score_gpt":0.24712367402336122,"score_spread":0.22519736057239914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306317167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9733251,0.0003449703,0.000025529951,0.0063341307,0.00049760594,0.00009039783,0.000030078894,0.0000257398,0.0193265],"genre_scores_gemma":[0.9894201,0.00026942595,0.000056097495,0.00065431895,0.00062840054,0.00004958687,0.0000073536658,0.000017027876,0.00889768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985924,0.00020582194,0.00036201833,0.00018684744,0.0002714608,0.00038149208],"domain_scores_gemma":[0.9993705,0.00014442691,0.000119541335,0.0000966976,0.000064481,0.0002043453],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072815997,0.00012641198,0.00020244853,0.00034341725,0.0016415811,0.0003838521,0.00014730782,0.00002942003,0.008763607],"category_scores_gemma":[0.000069892056,0.00011714324,0.00007221031,0.00012692003,0.00028011022,0.00022692599,0.00013227538,0.00085557275,0.00002208406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023595072,0.00080494466,0.0039228546,0.000023915914,0.00009273177,0.00018476424,0.16075325,0.000045085075,0.00275533,0.7115049,0.048883658,0.070792645],"study_design_scores_gemma":[0.0008719247,0.00045667533,0.002702226,0.00003727747,0.000011204581,0.0003168592,0.062085506,0.0003125313,0.0000053353288,0.0717184,0.8612264,0.00025569974],"about_ca_topic_score_codex":0.0000130061835,"about_ca_topic_score_gemma":0.00017480245,"teacher_disagreement_score":0.8123427,"about_ca_system_score_codex":0.0001761824,"about_ca_system_score_gemma":0.000087237,"threshold_uncertainty_score":0.99965817},"labels":[],"label_agreement":null},{"id":"W4306983710","doi":"10.21039/jpr.4.2.114","title":"Cultural Genocide in Joe Sacco's Paying the Land","year":2022,"lang":"en","type":"article","venue":"Journal of Perpetrator Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Genocide; Narrative; Colonialism; Political science; Criminology; Accountability; Depiction; Historical trauma; Gender studies; Sociology; Geography; Law; Psychology; Art; Visual arts","score_opus":0.15895030631052537,"score_gpt":0.3716369855525715,"score_spread":0.21268667924204615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306983710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98646873,0.0031456097,6.268936e-7,0.0039040816,0.00037932338,0.000091198446,0.000009366329,0.0000027440926,0.0059983274],"genre_scores_gemma":[0.9982576,0.00018222025,0.0000092159235,0.00009427665,0.00066238915,0.0000091785505,6.679876e-7,0.000008211131,0.00077623717],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834734,0.00043165704,0.00028449693,0.00008071434,0.0006096454,0.00024616646],"domain_scores_gemma":[0.9992129,0.000248987,0.00009450725,0.00010428999,0.00028555677,0.000053721928],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028157504,0.00006341347,0.00013504765,0.00030581007,0.000992834,0.00028265422,0.0004074134,0.000010587147,0.0021047867],"category_scores_gemma":[0.000105605046,0.00003634884,0.00009982315,0.00018660039,0.00020691822,0.00017075878,0.00012503033,0.0013019928,0.0000049240584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00073136156,0.000482584,0.0763533,0.000068666144,0.00022481954,0.00062081346,0.45956093,0.00015734305,0.0056743636,0.26804015,0.16164699,0.026438689],"study_design_scores_gemma":[0.00059858884,0.00034950415,0.006470313,0.000021231686,0.000005352358,0.00006195875,0.093761824,0.00005464638,0.000045125555,0.011860465,0.88666713,0.0001038812],"about_ca_topic_score_codex":0.00019784315,"about_ca_topic_score_gemma":0.0011077444,"teacher_disagreement_score":0.7250201,"about_ca_system_score_codex":0.000094529576,"about_ca_system_score_gemma":0.00016366939,"threshold_uncertainty_score":0.99880743},"labels":[],"label_agreement":null},{"id":"W4307167042","doi":"10.21039/jpr.4.2.111","title":"Looking at the Perpetrator in Nina Bunjevac’s Fatherland","year":2022,"lang":"en","type":"article","venue":"Journal of Perpetrator Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fatherland; Narrative; Serbian; Context (archaeology); Portrait; Foregrounding; Terrorism; Memoir; History; Sociology; Art; Literature; Media studies; Visual arts; Art history; Law; Linguistics; Political science; Philosophy","score_opus":0.09089731352309124,"score_gpt":0.3404525095081483,"score_spread":0.24955519598505707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307167042","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9732274,0.0023467552,7.155379e-7,0.0034809795,0.0004926935,0.00015236899,0.000024001301,0.0000047021167,0.020270405],"genre_scores_gemma":[0.99275523,0.000102721744,0.000009009546,0.00013082454,0.0005592519,0.000019299632,0.0000011297561,0.000020775748,0.006401731],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971423,0.00065637333,0.0004552876,0.00015930248,0.0011871743,0.00039954792],"domain_scores_gemma":[0.9987371,0.0004470293,0.00016748325,0.00021965952,0.00033035423,0.00009839629],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0044526285,0.00011657893,0.00022758225,0.0005755617,0.0015692543,0.00026946867,0.0006153333,0.000024159574,0.009643664],"category_scores_gemma":[0.00013669547,0.00007541206,0.00016467294,0.00029174963,0.0003931968,0.00016772513,0.0002700242,0.0014998845,0.00001828461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014624007,0.0013400875,0.05982167,0.00009593759,0.00033576324,0.0012539234,0.38849565,0.00013711154,0.013176335,0.35680974,0.17150307,0.005568325],"study_design_scores_gemma":[0.001025942,0.0009843232,0.0026906622,0.000042824784,0.000010098132,0.00014497174,0.093419954,0.00010534459,0.00016249428,0.007135228,0.8940913,0.00018683697],"about_ca_topic_score_codex":0.0001513761,"about_ca_topic_score_gemma":0.0023114337,"teacher_disagreement_score":0.72258824,"about_ca_system_score_codex":0.00028993096,"about_ca_system_score_gemma":0.0002891263,"threshold_uncertainty_score":0.9997306},"labels":[],"label_agreement":null},{"id":"W4307167885","doi":"10.14201/candb.v11i9-30","title":"Splitting Selves: Crip Time and the Temporalities of Disability in Georgia Webber’s Dumb: Living Without a Voice","year":2022,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporalities; Disability studies; Comics; Temporality; Embodied cognition; Narrative; Identity (music); Sociology; Timeline; Gender studies; Aesthetics; History; Art; Computer science; Literature; Epistemology; Political science","score_opus":0.016408409728283,"score_gpt":0.2102462293706732,"score_spread":0.1938378196423902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307167885","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9566347,0.036022842,8.353949e-9,0.0059402045,0.00013665057,0.000084998755,0.00012379044,0.0000012583117,0.00105552],"genre_scores_gemma":[0.99723625,0.0005794116,0.00000629725,0.00063770666,0.00010897749,0.0000045914426,0.000001982909,0.0000040132068,0.0014207914],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990591,0.0001596817,0.0003680374,0.00010634056,0.00014277778,0.00016408859],"domain_scores_gemma":[0.9992567,0.00029561925,0.000179581,0.000051262225,0.00010358215,0.00011328002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047367948,0.00012338223,0.00036042734,0.00009403,0.0007756387,0.00010744087,0.000082130944,0.000011059576,0.00007369599],"category_scores_gemma":[0.00007008051,0.00007358299,0.00004301944,0.00008411473,0.000819272,0.00025566944,0.00006697236,0.0002024831,1.4828357e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020478005,0.000031578726,0.116995305,0.00025534592,0.0005006941,0.000068109824,0.81457084,0.000004979226,0.000028543085,0.055541355,0.008933959,0.002864533],"study_design_scores_gemma":[0.0016565309,0.00032921095,0.053205,0.00041655675,0.00014282911,0.00024405553,0.5974024,0.00009047603,0.000004878601,0.015441269,0.33062485,0.00044196885],"about_ca_topic_score_codex":0.60509104,"about_ca_topic_score_gemma":0.97026205,"teacher_disagreement_score":0.36517105,"about_ca_system_score_codex":0.00007841828,"about_ca_system_score_gemma":0.00024163398,"threshold_uncertainty_score":0.5965664},"labels":[],"label_agreement":null},{"id":"W4307302175","doi":"","title":"Presse et bande dessinée : une aventure sans fin","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.0175993869417834,"score_gpt":0.22987712850163838,"score_spread":0.212277741559855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307302175","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28465095,0.02875208,0.026719205,0.21680482,0.0021056863,0.001136163,0.00082192407,0.0003276764,0.43868148],"genre_scores_gemma":[0.83424073,0.007904346,0.006174364,0.0004749532,0.0001426258,0.00010681308,0.0015578314,0.00009186174,0.14930645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.990088,0.0070664943,0.00078072445,0.0010471547,0.00048793165,0.0005297253],"domain_scores_gemma":[0.99270964,0.0017581221,0.0006409512,0.002177591,0.0024511393,0.0002625747],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0036498485,0.0006000558,0.0006602172,0.0001979137,0.0013145453,0.0021856006,0.0012033561,0.00039924815,0.003133869],"category_scores_gemma":[0.00064901094,0.00062993704,0.0005494314,0.0002620894,0.0009264861,0.00029668963,0.0013209815,0.00131549,0.00004147924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015136216,0.00090574735,0.00043123457,0.0002315838,0.00020982086,0.000018483794,0.14817762,0.00006408621,0.0005717453,0.8332664,0.0035904949,0.012517673],"study_design_scores_gemma":[0.0009991755,0.0000012606339,0.0054172375,0.006330066,0.00020253361,0.000019683073,0.007814603,0.0046158633,0.00646855,0.036914535,0.93009657,0.0011199572],"about_ca_topic_score_codex":0.008867141,"about_ca_topic_score_gemma":0.08028331,"teacher_disagreement_score":0.92650604,"about_ca_system_score_codex":0.00010525702,"about_ca_system_score_gemma":0.0006007851,"threshold_uncertainty_score":0.99998564},"labels":[],"label_agreement":null},{"id":"W4307306534","doi":"10.1097/acm.0000000000004935","title":"Artist’s Statement: I Miss All Your Beautiful Faces, Portrait #4","year":2022,"lang":"en","type":"article","venue":"Academic Medicine","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University Health Network","funders":"","keywords":"Portrait; Narrative; Visual arts; White (mutation); Face (sociological concept); Coronavirus disease 2019 (COVID-19); Statement (logic); Art; Aesthetics; Psychology; Sociology; Medicine; Literature; Philosophy; Linguistics","score_opus":0.1136780842629358,"score_gpt":0.3145896566857677,"score_spread":0.20091157242283192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307306534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6971432,0.014869905,0.00008460438,0.101445265,0.004168143,0.00094279076,0.00031446348,0.00030155224,0.18073007],"genre_scores_gemma":[0.93353355,0.0004144746,0.0000050863505,0.0051929974,0.00085547345,0.00006420877,0.00015345267,0.000022759255,0.05975799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998292,0.000080876955,0.0005246109,0.0002879544,0.00048248016,0.00033204947],"domain_scores_gemma":[0.99933976,0.00007269347,0.00020894,0.00019838888,0.000042093627,0.00013811227],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00071660476,0.00017804035,0.000277601,0.0001660955,0.0004917756,0.00001569561,0.0003335836,0.000037644484,0.022531383],"category_scores_gemma":[0.00004316177,0.00014458227,0.000049664955,0.000074160555,0.00031324895,0.000098190394,0.00013139746,0.0007485303,0.000029228417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033177246,0.000018259298,0.00029059566,0.000020679261,0.0000896942,0.000028581855,0.15940234,0.0000082408105,0.0007405651,0.42798522,0.40975153,0.0016311116],"study_design_scores_gemma":[0.00066868274,0.00023825816,0.000106644125,0.000022831688,0.000042836717,0.000013229527,0.044830468,0.000092591246,0.000027045146,0.027208803,0.926581,0.00016756356],"about_ca_topic_score_codex":0.00030875008,"about_ca_topic_score_gemma":0.00010158262,"teacher_disagreement_score":0.51682955,"about_ca_system_score_codex":0.00005071052,"about_ca_system_score_gemma":0.000048079364,"threshold_uncertainty_score":0.97836214},"labels":[],"label_agreement":null},{"id":"W4307702854","doi":"10.33137/pbsc.v59i1.37610","title":"L’art de la bande dessinée actuelle au Québec","year":2022,"lang":"fr","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art","score_opus":0.007727571696498967,"score_gpt":0.20277194204663335,"score_spread":0.1950443703501344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307702854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55842596,0.036215957,0.0000102652175,0.21289949,0.0024515078,0.0005058455,0.0013932321,0.000028470122,0.1880693],"genre_scores_gemma":[0.981343,0.0019896023,0.000056770063,0.0016090117,0.00014090438,0.000017660228,0.0000042515535,0.000022420263,0.014816422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979227,0.00037636893,0.00036724418,0.00020711694,0.00069252134,0.00043405744],"domain_scores_gemma":[0.9984622,0.0007066085,0.0002795017,0.0003162982,0.000078864534,0.0001565048],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007814153,0.00020229573,0.00033581658,0.000350985,0.0019142099,0.00005317501,0.0006238821,0.00008617061,0.0027180128],"category_scores_gemma":[0.000031825497,0.00016620697,0.0009961446,0.0021357595,0.0025028726,0.00005494928,0.00029110757,0.00057426194,1.2961269e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005982918,0.00027574596,0.024436757,0.00020749436,0.0007008963,0.0000025152744,0.010602535,0.00019165613,0.00069919816,0.07860164,0.88284105,0.0013806516],"study_design_scores_gemma":[0.0003919714,0.00009076903,0.025213053,0.00005022834,0.00011224486,0.0000073696465,0.012661755,0.00012159186,0.00008969225,0.0031216072,0.9579436,0.00019609618],"about_ca_topic_score_codex":0.96274215,"about_ca_topic_score_gemma":0.9683709,"teacher_disagreement_score":0.422917,"about_ca_system_score_codex":0.0002561687,"about_ca_system_score_gemma":0.0037394718,"threshold_uncertainty_score":0.9993852},"labels":[],"label_agreement":null},{"id":"W4307985715","doi":"10.3983/twc.2022.2323","title":"Framing the Covid-19 pandemic's impacts on fan conventions","year":2022,"lang":"en","type":"article","venue":"Transformative Works and Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Framing (construction); Coronavirus disease 2019 (COVID-19); Pandemic; Comics; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); 2019-20 coronavirus outbreak; Media studies; Political science; Advertising; History; Sociology; Business; Law; Medicine; Virology","score_opus":0.047264650721632315,"score_gpt":0.2884648556172435,"score_spread":0.24120020489561117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307985715","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8044044,0.01093253,0.0014027193,0.03555057,0.0011087952,0.001722595,0.0011734883,0.00033201568,0.1433729],"genre_scores_gemma":[0.99418575,0.00034789558,0.000002554488,0.003918937,0.000084982305,0.00007667192,0.000038196216,0.0000065803147,0.001338443],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993153,0.00010900286,0.0001526643,0.00011296717,0.00015014979,0.00015990554],"domain_scores_gemma":[0.99963546,0.0001214258,0.000054649783,0.000084206076,0.000022498034,0.000081746184],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023064387,0.00012254232,0.00011925604,0.00004795708,0.0029050855,0.00021682725,0.00012387996,0.00001982165,0.002153442],"category_scores_gemma":[0.000011225504,0.000070684044,0.00009279318,0.000045100944,0.00028144743,0.00014616048,0.000022003907,0.0003682875,0.0000037443301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000677307,0.000054806453,0.00020117991,0.000018589399,0.00007531097,0.0000015529163,0.50678897,0.000107728025,0.000030354815,0.47495437,0.015569961,0.0021294514],"study_design_scores_gemma":[0.00047264795,0.00014884307,0.00033020388,0.000014473384,0.000021812593,0.00000959308,0.17273411,0.000060808725,0.000006743204,0.016095752,0.8099683,0.00013673665],"about_ca_topic_score_codex":0.00012023238,"about_ca_topic_score_gemma":0.0015019003,"teacher_disagreement_score":0.7943983,"about_ca_system_score_codex":0.000027483626,"about_ca_system_score_gemma":0.000025027768,"threshold_uncertainty_score":0.99875873},"labels":[],"label_agreement":null},{"id":"W4310030082","doi":"10.26522/vp.v19i2.4131","title":"« menace » des comics en Alberta","year":2022,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.015965610675598083,"score_gpt":0.21898795730030274,"score_spread":0.20302234662470464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310030082","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37024766,0.06423022,0.0000770193,0.1359589,0.00577266,0.0007469587,0.0021557508,0.00021120964,0.4205996],"genre_scores_gemma":[0.21881548,0.0018962048,0.00014554162,0.00041009468,0.0006601458,0.00005074125,0.000040481897,0.00008603104,0.7778953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985994,0.00024178937,0.0002656461,0.00029638174,0.00020710655,0.00038966894],"domain_scores_gemma":[0.9990489,0.00040641153,0.00011502236,0.0002907945,0.00003455088,0.00010434385],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024733495,0.0002436561,0.00022183252,0.0001543743,0.001881586,0.00018595751,0.00033618958,0.00005519396,0.011261959],"category_scores_gemma":[0.000031355703,0.000260923,0.00017029632,0.000110001354,0.00077693,0.00011337363,0.00037278622,0.0003531697,0.00007301642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031504,0.00018997172,0.00019668504,0.000038411064,0.00012132763,0.000013894087,0.122026496,0.00007787018,0.00001910038,0.745415,0.13001096,0.0018588187],"study_design_scores_gemma":[0.0003888251,0.00020365122,0.000041903404,0.00003306036,0.00005309768,0.000016454114,0.029519599,0.00063094584,0.000037704063,0.029044699,0.93971086,0.00031919449],"about_ca_topic_score_codex":0.023087667,"about_ca_topic_score_gemma":0.023967555,"teacher_disagreement_score":0.8096999,"about_ca_system_score_codex":0.00007415216,"about_ca_system_score_gemma":0.000073539355,"threshold_uncertainty_score":0.9999843},"labels":[],"label_agreement":null},{"id":"W4310030090","doi":"10.26522/vp.v19i2.4121","title":"Hors des centres : bande dessinée et comics au Canada","year":2022,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Comics; French; Art; Humanities; Ethnology; History; Literature","score_opus":0.016064489346156886,"score_gpt":0.21323651775542596,"score_spread":0.19717202840926906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310030090","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77185583,0.036715325,0.000045864817,0.08154205,0.005829495,0.00042325177,0.005003687,0.00012485895,0.09845963],"genre_scores_gemma":[0.81888837,0.0014343798,0.00006926437,0.0008702843,0.00054248405,0.0000286781,0.000078912584,0.00007647915,0.17801116],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982823,0.00026553543,0.0002994521,0.00030306654,0.00031613884,0.0005334746],"domain_scores_gemma":[0.99912566,0.00025654316,0.00014709159,0.00025845604,0.000048941412,0.00016331047],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023192469,0.0002807337,0.00024951692,0.0001264921,0.0024346353,0.00020542748,0.00030573405,0.000045272966,0.0043526464],"category_scores_gemma":[0.000026474556,0.00029409374,0.00012652348,0.000106424486,0.00073862047,0.000109929904,0.0002709045,0.0003763213,0.000005038398],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043561966,0.00015674523,0.0029133745,0.000067764304,0.00014095311,0.00006476815,0.050862156,0.00036715897,0.000008113094,0.6998422,0.24371913,0.0018140733],"study_design_scores_gemma":[0.00040709824,0.00010071719,0.00082577305,0.00006523373,0.000049974646,0.000012731539,0.033892337,0.00035172398,0.0000414512,0.0072140456,0.9566766,0.0003623092],"about_ca_topic_score_codex":0.93885314,"about_ca_topic_score_gemma":0.99236584,"teacher_disagreement_score":0.71295744,"about_ca_system_score_codex":0.00030620027,"about_ca_system_score_gemma":0.0014441778,"threshold_uncertainty_score":0.9999511},"labels":[],"label_agreement":null},{"id":"W4310030100","doi":"10.26522/vp.v19i2.4130","title":"rencontre de la bande dessinée américaine et française au Québec : le cas des Éditions Vincent","year":2022,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Art; Humanities","score_opus":0.014816481794756281,"score_gpt":0.24404282291538026,"score_spread":0.22922634112062398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310030100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74366504,0.029684557,0.00037588985,0.19488195,0.0008423972,0.0003155626,0.0017343612,0.000107570886,0.02839267],"genre_scores_gemma":[0.9492643,0.0013993868,0.0001407979,0.00050859223,0.00046319334,0.00011021214,0.000055325992,0.000041322328,0.048016865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805665,0.00059102423,0.00034162353,0.00032477037,0.00021719307,0.00046874696],"domain_scores_gemma":[0.9985725,0.0007581855,0.00014201897,0.00027956857,0.00007886462,0.00016880962],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005453746,0.00027366818,0.00026280747,0.00016903211,0.004814061,0.00027856007,0.00026388754,0.00007678273,0.003616283],"category_scores_gemma":[0.00007545241,0.00028047475,0.0002408672,0.00012865807,0.0016558933,0.00019709565,0.00021553216,0.00052804645,0.000020033343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055322107,0.000668279,0.001636586,0.000046746725,0.0001232227,0.000103458275,0.2705221,0.0004190932,0.000057869143,0.6838202,0.03977725,0.0027699121],"study_design_scores_gemma":[0.00073174754,0.00018476672,0.0036506313,0.00008128265,0.00007481682,0.000046563877,0.038147848,0.00050817867,0.000057137633,0.027335748,0.9288477,0.00033361785],"about_ca_topic_score_codex":0.57217,"about_ca_topic_score_gemma":0.6898476,"teacher_disagreement_score":0.8890704,"about_ca_system_score_codex":0.00052935723,"about_ca_system_score_gemma":0.0019091137,"threshold_uncertainty_score":0.9999647},"labels":[],"label_agreement":null},{"id":"W4310030337","doi":"10.26522/vp.v19i2.4134","title":"Bricoler le paysage urbain canadien : bande dessinée au Québec et dans le Canada hors Québec","year":2022,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Art; Humanities","score_opus":0.009823945175879199,"score_gpt":0.18933077110319294,"score_spread":0.17950682592731373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310030337","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66157395,0.015259405,0.000036753114,0.28289106,0.0019682471,0.0003627369,0.0020875752,0.000054212935,0.03576607],"genre_scores_gemma":[0.72702664,0.00007785223,0.000009061293,0.0013210967,0.0003166725,0.000072630275,0.000053461878,0.000056128065,0.27106646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743664,0.00042818478,0.0004737714,0.00050850457,0.00039893552,0.0007539684],"domain_scores_gemma":[0.9986301,0.00033414713,0.0002065869,0.0004271172,0.00009115969,0.00031085723],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040953432,0.00040262748,0.0003809707,0.00015577744,0.0044155316,0.00023551482,0.000498331,0.000069363145,0.0019236575],"category_scores_gemma":[0.00004918039,0.00043149528,0.0001802059,0.00017634593,0.00065775996,0.00018714418,0.00028930735,0.0005892696,0.000006631134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051416144,0.00028549868,0.004609268,0.000051853236,0.00025214461,0.0002579185,0.22694738,0.00081320055,0.000031310956,0.54283124,0.2219031,0.0019656545],"study_design_scores_gemma":[0.000547937,0.00014424822,0.003012315,0.0000362781,0.000054224198,0.000024131392,0.07830487,0.0004542003,0.00004699624,0.00067389396,0.91616696,0.0005339267],"about_ca_topic_score_codex":0.9999855,"about_ca_topic_score_gemma":0.99999887,"teacher_disagreement_score":0.6942639,"about_ca_system_score_codex":0.001816712,"about_ca_system_score_gemma":0.037590615,"threshold_uncertainty_score":0.9998137},"labels":[],"label_agreement":null},{"id":"W4310103250","doi":"10.29173/af29448","title":"Flattening and Unflattening","year":2022,"lang":"en","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Materiality (auditing); Comic strip; Visualization; Flattening; Aesthetics; Epistemology; Sociology; Art; Literature; Philosophy; Computer science; Engineering; Artificial intelligence","score_opus":0.01823572076971611,"score_gpt":0.21607824880528997,"score_spread":0.19784252803557387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310103250","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96758366,0.0010831554,0.0001306018,0.000791355,0.0029792052,0.0001248559,0.000047789552,0.000051516643,0.027207874],"genre_scores_gemma":[0.9928402,0.000027473254,0.00005876528,0.0006037592,0.00084706943,0.000043446114,0.0000073102374,0.000015148983,0.005556833],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993017,0.00005196101,0.00011791338,0.00020386238,0.00016844124,0.00015614984],"domain_scores_gemma":[0.999658,0.000078297075,0.000075158816,0.00009699647,0.000050758954,0.00004078415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001424745,0.00010581376,0.00013745709,0.00011792547,0.0008814002,0.00006349246,0.00011692,0.000006787685,0.0028135143],"category_scores_gemma":[0.000011330204,0.000102582555,0.000042601438,0.00006812322,0.00015334433,0.00011212613,0.00017133687,0.00020941024,0.0000134122765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018919799,0.00017482966,0.0058000023,0.00003202911,0.00042582708,0.00015165185,0.4613117,0.0003658908,0.0051961225,0.4179929,0.050036397,0.058323484],"study_design_scores_gemma":[0.0012339572,0.00028058628,0.0015032167,0.000020496784,0.000011396029,0.000019698964,0.037034318,0.0020922543,0.0003295317,0.021348018,0.9357386,0.00038788418],"about_ca_topic_score_codex":0.0003863447,"about_ca_topic_score_gemma":0.00020110117,"teacher_disagreement_score":0.88570225,"about_ca_system_score_codex":0.000018362089,"about_ca_system_score_gemma":0.000011646987,"threshold_uncertainty_score":0.9980981},"labels":[],"label_agreement":null},{"id":"W4310104208","doi":"10.29173/af29457","title":"Notules sur Emptiness: un double comic strip","year":2022,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Emptiness; Humanities; Philosophy; Comics; Comic strip; Art; Theology; Literature","score_opus":0.024138189541054556,"score_gpt":0.23040289906616848,"score_spread":0.20626470952511392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310104208","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88321096,0.038603064,0.00014611967,0.008917733,0.038129482,0.0006841585,0.0024679578,0.000094122224,0.027746376],"genre_scores_gemma":[0.9086203,0.0014612244,0.00005041614,0.00090953364,0.004748722,0.0001791596,0.000120822675,0.000080084865,0.08382976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973817,0.00027105835,0.00058242324,0.0006051163,0.0005559063,0.0006038194],"domain_scores_gemma":[0.9984051,0.00028482042,0.0003917359,0.00044100152,0.0003304013,0.00014694266],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041352498,0.000455319,0.0005702712,0.00028314147,0.002049092,0.00024919203,0.0006423234,0.00006108765,0.034351464],"category_scores_gemma":[0.000023576466,0.00049185083,0.00030854874,0.00034412462,0.0006906679,0.0003260433,0.0004860514,0.00080419815,0.00031401071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011695541,0.0025565,0.0023463026,0.00018114966,0.0015079412,0.00040246872,0.13053742,0.001764365,0.00075981347,0.6483745,0.18356888,0.026831098],"study_design_scores_gemma":[0.0050416877,0.00048714931,0.0024387436,0.000071591145,0.00005072701,0.000022515005,0.015505717,0.0011774312,0.00072693574,0.019351307,0.9544452,0.00068103964],"about_ca_topic_score_codex":0.012852433,"about_ca_topic_score_gemma":0.0018896994,"teacher_disagreement_score":0.7708763,"about_ca_system_score_codex":0.00017517876,"about_ca_system_score_gemma":0.00016932008,"threshold_uncertainty_score":0.9997533},"labels":[],"label_agreement":null},{"id":"W4310104945","doi":"10.29173/af29445","title":"Depuis la table à dessin : transmettre la science du côté des auteurs","year":2022,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014107253855495279,"score_gpt":0.23303131249898423,"score_spread":0.21892405864348896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310104945","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8025016,0.03198114,0.0011846416,0.0045676595,0.01612986,0.0004992048,0.001195201,0.000106311556,0.14183438],"genre_scores_gemma":[0.95374584,0.002022862,0.00036949586,0.0004100009,0.001486918,0.00012742962,0.000014934508,0.000060207658,0.04176229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970227,0.00053493015,0.00040074927,0.0006539158,0.0006933325,0.0006943715],"domain_scores_gemma":[0.9983844,0.0005284493,0.00021463353,0.00032447238,0.0003453313,0.0002027222],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012463446,0.0003782849,0.00041376543,0.00042618604,0.0040770043,0.0005964968,0.00085763977,0.000052692132,0.008530218],"category_scores_gemma":[0.000087296125,0.0003904442,0.00019864985,0.0009793917,0.005908848,0.00071346393,0.0003302523,0.0007055937,0.00005642451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002135417,0.0013897842,0.0025115507,0.000149655,0.0003456515,0.00055390864,0.23008552,0.001380617,0.002573661,0.6476151,0.029414577,0.08376647],"study_design_scores_gemma":[0.0014163558,0.000381915,0.003337137,0.00012251231,0.000044648958,0.00008246021,0.023925237,0.0021200515,0.0012253365,0.03428613,0.9325042,0.0005540378],"about_ca_topic_score_codex":0.0075833593,"about_ca_topic_score_gemma":0.0013328856,"teacher_disagreement_score":0.9030896,"about_ca_system_score_codex":0.00020683384,"about_ca_system_score_gemma":0.00044894323,"threshold_uncertainty_score":0.99985474},"labels":[],"label_agreement":null},{"id":"W4311537264","doi":"10.1353/hpn.2022.0106","title":"Lazarillo de Tormes: A Graphic Novel by Enriqueta Zafra","year":2022,"lang":"en","type":"article","venue":"Hispania","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Context (archaeology); Comics; Literature; Art; History; Aesthetics; Archaeology","score_opus":0.01314321523103622,"score_gpt":0.18670966394109317,"score_spread":0.17356644871005694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311537264","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91133064,0.0023971885,0.00017874519,0.003234182,0.0013226264,0.00032956377,0.0006699387,0.00022406319,0.08031302],"genre_scores_gemma":[0.9816088,0.000036705194,0.00003726685,0.0011360886,0.0001759147,0.00007107816,0.00003991556,0.000022774995,0.01687142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916834,0.00004147228,0.00015642135,0.00020394231,0.00017618752,0.00025365088],"domain_scores_gemma":[0.9995928,0.000044115375,0.0000676432,0.00019650545,0.000033010023,0.00006597349],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017752734,0.00012913276,0.00014699694,0.00011304098,0.0007750434,0.000104928775,0.0002272132,0.000021447464,0.0059566647],"category_scores_gemma":[0.0000104534565,0.00012472631,0.000106072475,0.0000748332,0.00012593628,0.0000862642,0.00010776503,0.00022177541,0.00001612269],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027389638,0.00021306793,0.0005621044,0.000010709622,0.00005500167,0.0000061047444,0.041213065,0.0000047771755,0.004876756,0.7876521,0.16494726,0.00043165518],"study_design_scores_gemma":[0.00033380373,0.00012825782,0.00021081806,0.0000039483434,0.0000131559,0.0000076254437,0.006538535,0.00014319879,0.000040867162,0.005094565,0.9872967,0.00018851158],"about_ca_topic_score_codex":0.000475341,"about_ca_topic_score_gemma":0.0010221341,"teacher_disagreement_score":0.8223494,"about_ca_system_score_codex":0.000049845163,"about_ca_system_score_gemma":0.000048856455,"threshold_uncertainty_score":0.994952},"labels":[],"label_agreement":null},{"id":"W4312047202","doi":"10.3828/jrs.2022.26","title":"David B., <i>L’Ascension du haut mal</i> , and the entangled body in pain","year":2022,"lang":"en","type":"article","venue":"Journal of Romance Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Memoir; Narrative; Psychoanalysis; Semiotics; Depiction; Counterculture; Event (particle physics); Philosophy; Art history; Art; Literature; Psychology; Epistemology","score_opus":0.019096915721945457,"score_gpt":0.22523113878579107,"score_spread":0.2061342230638456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312047202","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95794815,0.020740865,0.0000021470141,0.019422434,0.00061934744,0.00010835193,0.000004481943,0.000004390282,0.0011498256],"genre_scores_gemma":[0.9955314,0.0029477496,0.000013007125,0.0007292094,0.00026521977,0.000009405197,2.4947275e-7,0.000005300472,0.00049845944],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911827,0.00024037456,0.00028429314,0.00007205243,0.00018454701,0.0001004835],"domain_scores_gemma":[0.99928075,0.00032717607,0.0002291209,0.00006384868,0.000083558385,0.000015562639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015113374,0.000080859965,0.00026791435,0.00008756375,0.0005867472,0.00004674662,0.0001096328,0.000005864116,0.00006436879],"category_scores_gemma":[0.00010382299,0.000047132184,0.00007761755,0.00004385992,0.0002919393,0.00010599899,0.00013129103,0.00021001797,2.7023006e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013881993,0.00028687489,0.020426538,0.00007167607,0.0006072958,0.000256354,0.5361633,0.00008812597,0.00024529282,0.34835514,0.08829657,0.0038146928],"study_design_scores_gemma":[0.006139085,0.0009084543,0.008598038,0.00018040527,0.00008929506,0.00011440757,0.28930473,0.00044717942,0.000023378325,0.04535014,0.6485862,0.000258656],"about_ca_topic_score_codex":0.000026388081,"about_ca_topic_score_gemma":0.00048552718,"teacher_disagreement_score":0.5602896,"about_ca_system_score_codex":0.000027458633,"about_ca_system_score_gemma":0.0000140401635,"threshold_uncertainty_score":0.45128444},"labels":[],"label_agreement":null},{"id":"W4312935833","doi":"10.7202/1090362ar","title":"L’utilisation de la bande dessinée en salle de classe : un outil de formation interculturelle critique","year":2022,"lang":"fr","type":"article","venue":"La Revue de l'AQEFLS/Revue de l'AQEFLS","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Humanities; Art","score_opus":0.02096903079802261,"score_gpt":0.24592991044992663,"score_spread":0.224960879651904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312935833","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84958893,0.014066496,0.025667831,0.045303453,0.0025914267,0.0018853439,0.0014012291,0.0005725111,0.058922783],"genre_scores_gemma":[0.97061133,0.0018537403,0.0031345335,0.0026183624,0.0024384367,0.0006319179,0.00039010626,0.00020617864,0.018115373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99231714,0.0034001272,0.0012795444,0.0008924432,0.00036911695,0.0017416141],"domain_scores_gemma":[0.9960417,0.0016066411,0.00064982235,0.0008070215,0.00031019363,0.00058458076],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003693357,0.00089002727,0.000915117,0.0005760105,0.0021998773,0.001191577,0.001045322,0.00078008656,0.0025509247],"category_scores_gemma":[0.0005102984,0.0010701407,0.0007368668,0.00039652575,0.000669647,0.0009934342,0.00048287597,0.0023751927,0.000054648084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004757774,0.0012882766,0.0065794694,0.0016792398,0.00039594126,0.0006790607,0.3146049,0.0034974124,0.0070774397,0.61407244,0.037602816,0.012047193],"study_design_scores_gemma":[0.0026347262,0.0005931533,0.006511105,0.0007971454,0.00055626617,0.002026044,0.062492393,0.04455611,0.0026007392,0.13391,0.7417151,0.0016072347],"about_ca_topic_score_codex":0.002063326,"about_ca_topic_score_gemma":0.0048541627,"teacher_disagreement_score":0.7041123,"about_ca_system_score_codex":0.0021591014,"about_ca_system_score_gemma":0.00076518644,"threshold_uncertainty_score":0.9999264},"labels":[],"label_agreement":null},{"id":"W4312981383","doi":"10.7202/1090995ar","title":"Inscriptions des symboles et des icônes du Troisième Reich dans Maus d’Art Spiegelman","year":2022,"lang":"fr","type":"article","venue":"Cygne noir","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.030197618791639857,"score_gpt":0.2361918951110142,"score_spread":0.20599427631937436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312981383","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85959965,0.013998488,0.0003136563,0.011000485,0.0022502197,0.00034203136,0.00083304197,0.00014165047,0.1115208],"genre_scores_gemma":[0.836762,0.0014723638,0.00024558665,0.0004421683,0.00082510646,0.00014235561,0.00012439696,0.00006431465,0.15992168],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978936,0.00032774665,0.00045863443,0.00045289018,0.00030209756,0.00056503614],"domain_scores_gemma":[0.9989368,0.00014412196,0.0001523037,0.0004102039,0.00019272402,0.00016386865],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004571884,0.0003693329,0.000398386,0.00027196828,0.0044234544,0.0004153771,0.0004142066,0.00006954385,0.007047382],"category_scores_gemma":[0.000055174074,0.0003855401,0.0003034057,0.0002405111,0.0019125795,0.00046206595,0.0003518781,0.000510081,0.00013346628],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051463805,0.0006405502,0.004139965,0.00012476053,0.00013854001,0.000068344016,0.12991016,0.00023432887,0.0010412135,0.8238348,0.03631423,0.0035016919],"study_design_scores_gemma":[0.00052983087,0.00051927863,0.009630035,0.00009193535,0.000121576486,0.00008577333,0.046006046,0.0003806917,0.00008799847,0.10451995,0.8375439,0.00048300266],"about_ca_topic_score_codex":0.0018930429,"about_ca_topic_score_gemma":0.01491023,"teacher_disagreement_score":0.80122966,"about_ca_system_score_codex":0.00023895263,"about_ca_system_score_gemma":0.00013407513,"threshold_uncertainty_score":0.99985963},"labels":[],"label_agreement":null},{"id":"W4313043130","doi":"10.1353/vpr.2022.0008","title":"Robert Seymour and Nineteenth-Century Print Culture: Sketches by Seymour and Comic Illustration by Brian Maidment","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Politics; Biography; Ideology; Journalism; Art history; History; Literature; Print culture; Classics; Art; Sociology; Law; Media studies","score_opus":0.009318751895584686,"score_gpt":0.21256817540917608,"score_spread":0.2032494235135914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313043130","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09630535,0.8745418,0.000026262776,0.019598344,0.001335706,0.002440309,0.00094111497,0.00013337778,0.004677746],"genre_scores_gemma":[0.69434345,0.2922961,0.00007373495,0.0047563403,0.0006886999,0.0004903271,0.00057308446,0.000060755163,0.0067174854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983073,0.00019635636,0.0005000265,0.00042495335,0.00030868832,0.00026270267],"domain_scores_gemma":[0.9993084,0.00003676805,0.00020446995,0.00021456365,0.000045983208,0.00018980722],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004187536,0.00027654629,0.00046988102,0.00004382294,0.00093282963,0.00036077935,0.00016711342,0.0000456816,0.002829407],"category_scores_gemma":[0.00003097808,0.00022849976,0.00011035639,0.00006951178,0.0002513921,0.00013785835,0.00017857809,0.0002957725,0.000007815083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012354222,0.00060450257,0.0008727064,0.0027996802,0.0003663468,0.000018424618,0.06984547,6.522752e-7,0.00278228,0.17679875,0.71540856,0.03037911],"study_design_scores_gemma":[0.00080498034,0.00017292688,0.00008475359,0.000253313,0.00006927779,0.000015121117,0.0014265078,0.000018145254,0.000012835575,0.00031904722,0.9965248,0.0002982992],"about_ca_topic_score_codex":0.00009080159,"about_ca_topic_score_gemma":0.000096471755,"teacher_disagreement_score":0.5980381,"about_ca_system_score_codex":0.000059568527,"about_ca_system_score_gemma":0.00004335979,"threshold_uncertainty_score":0.99808216},"labels":[],"label_agreement":null},{"id":"W4313132859","doi":"10.5840/cpsem2020/20217","title":"Interplay in Cinema’s Symbolic Process: Metaphor and Metonymy in the Language of Film","year":2020,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metonymy; Metaphor; Movie theater; Linguistics; Process (computing); Art; Metaphor and metonymy; Computer science; Literature; Philosophy; Programming language","score_opus":0.01974915631259478,"score_gpt":0.25074390780615236,"score_spread":0.23099475149355758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313132859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036660507,0.0067593553,0.0000017547694,0.0021352503,0.00022035927,0.00058510154,0.00025807344,0.000020287467,0.9533593],"genre_scores_gemma":[0.94329304,0.0004179038,0.000017725255,0.00057554373,0.00019605736,0.000005573061,0.00003481554,0.00003151082,0.055427816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992263,0.00002437888,0.0003264389,0.00018260698,0.00013551442,0.00010480193],"domain_scores_gemma":[0.9994783,0.00015325814,0.00014168606,0.00016748936,0.000035927747,0.000023366807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017910142,0.00019131947,0.00041734983,0.00019479179,0.000030877076,0.000046468784,0.0002029271,0.00007776419,0.00030476396],"category_scores_gemma":[0.00004141012,0.00012910836,0.00007474622,0.000025609927,0.0001986581,0.000036650614,0.000052810465,0.0003740005,0.0000032899911],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015182755,0.000020473102,0.00006513119,0.0002268013,0.000058058366,0.000027978345,0.23302388,0.0000021689993,0.000008963249,0.7647214,0.0013986328,0.0004313524],"study_design_scores_gemma":[0.0017980107,0.00065360207,0.0003774582,0.0028025797,0.00045685764,0.000023132769,0.21802248,0.0011384297,0.00017101863,0.3410655,0.43201086,0.0014800669],"about_ca_topic_score_codex":0.000105292536,"about_ca_topic_score_gemma":0.0065003545,"teacher_disagreement_score":0.90663254,"about_ca_system_score_codex":0.000008034562,"about_ca_system_score_gemma":0.000033364468,"threshold_uncertainty_score":0.5264886},"labels":[],"label_agreement":null},{"id":"W4313174665","doi":"10.1007/978-3-030-95243-3","title":"Transnationalism in East and Southeast Asian Comics Art","year":2022,"lang":"en","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Transnationalism; Comics; East Asia; History; Geography; Art; Political science; Literature; Archaeology; Politics; China","score_opus":0.028068250006408616,"score_gpt":0.20127584685254524,"score_spread":0.17320759684613662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313174665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036471865,0.00022170765,0.0000037490229,0.0020627186,0.00017790594,0.00015807468,0.00043174205,0.00003845907,0.99686915],"genre_scores_gemma":[0.0046257097,0.000035523066,0.000011811579,0.00020996979,0.00018738875,0.000017453902,0.00031040763,0.00004320336,0.9945585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938667,0.0000195534,0.0001730072,0.00018641753,0.00013408481,0.00010028348],"domain_scores_gemma":[0.9997772,0.000023028655,0.000054634067,0.00009779259,0.00001347844,0.00003386835],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008627295,0.00015184426,0.0002056457,0.0002636367,0.00013316533,0.00009003549,0.000092363334,0.000050383707,0.02344006],"category_scores_gemma":[0.0000011884031,0.00014334613,0.00006224798,0.0000106664465,0.00018222052,0.00003683806,0.0000329729,0.00024359173,0.00001159662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052072282,0.000016248541,0.000005587591,0.000014924206,0.000020244648,0.0000042915003,0.019955471,2.203092e-7,9.6263605e-8,0.8682988,0.11144321,0.0002356798],"study_design_scores_gemma":[0.00023067584,0.00001979738,0.000011718533,0.000015153665,0.000008161046,0.0000023159828,0.0067840517,0.000019446177,1.9043652e-8,0.08884285,0.90390235,0.00016345599],"about_ca_topic_score_codex":0.000028625363,"about_ca_topic_score_gemma":0.012680862,"teacher_disagreement_score":0.79245913,"about_ca_system_score_codex":0.000023068633,"about_ca_system_score_gemma":0.000070410446,"threshold_uncertainty_score":0.97745264},"labels":[],"label_agreement":null},{"id":"W4313357952","doi":"10.5539/ells.v13n1p15","title":"An Analysis of Narrative Art in Liu Cixin’s Science Fiction","year":2022,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Narrative; Narratology; Narrative art; Style (visual arts); Literature; Narrative structure; Narrative inquiry; Art; Storytelling; Visual arts; Aesthetics; Art history; Contemporary art; Performance art","score_opus":0.008976872773656247,"score_gpt":0.26406542875579025,"score_spread":0.255088555982134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313357952","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9860568,0.007884869,4.3856508e-7,0.00007366261,0.00029438484,0.00007240666,0.0001018449,0.00001746503,0.005498118],"genre_scores_gemma":[0.9986316,0.00010109145,0.000011306876,0.00005564345,0.00013957279,0.000023882827,0.00004405185,0.0000036437111,0.0009892038],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99929136,0.00006909184,0.00015173221,0.00021301182,0.0001608608,0.00011393936],"domain_scores_gemma":[0.99955297,0.000050289542,0.000063889696,0.00012796733,0.00018164009,0.000023219047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035625265,0.00008996462,0.00023177113,0.00064340484,0.00052654993,0.00011472132,0.00009697678,0.0000108381955,0.00021628116],"category_scores_gemma":[0.00007209794,0.00007207913,0.000051423776,0.0006794051,0.00033171548,0.00028933006,0.00007452622,0.0001585197,6.2733186e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001806858,0.000050330844,0.00083714625,0.000008197172,0.0001559386,0.000012703208,0.96551555,0.000037538794,0.00014242693,0.032563336,0.0004504167,0.00020836324],"study_design_scores_gemma":[0.00015445161,0.00014455178,0.0013688966,0.000016273045,0.00006400841,4.6829788e-7,0.98693997,0.0001627026,0.00003266021,0.00021283118,0.010806804,0.00009639382],"about_ca_topic_score_codex":0.000039985545,"about_ca_topic_score_gemma":0.0012041081,"teacher_disagreement_score":0.032350503,"about_ca_system_score_codex":0.000021839833,"about_ca_system_score_gemma":0.000013747602,"threshold_uncertainty_score":0.40498498},"labels":[],"label_agreement":null},{"id":"W4313396243","doi":"10.1080/21504857.2022.2152068","title":"Laurie Halse Andersen’s <i>speak: the graphic novel</i> : creating and resisting aesthetic distancing to discuss the trauma of sexual violence","year":2022,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"York University","keywords":"Distancing; Psychoanalysis; Psychology; Sexual violence; Aesthetics; Art; Coronavirus disease 2019 (COVID-19); Criminology; Medicine","score_opus":0.02481136333135052,"score_gpt":0.2224700751758538,"score_spread":0.1976587118445033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313396243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.991645,0.0014030465,0.00041390318,0.004024524,0.00037581607,0.00025988146,0.000090599286,0.000016569324,0.0017706775],"genre_scores_gemma":[0.99896693,0.00011360683,0.00014828044,0.00038525581,0.00018492987,0.000011269622,0.0000012775181,0.00003992835,0.00014850771],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9980501,0.00016815255,0.0007695064,0.00021537916,0.0005095567,0.00028730504],"domain_scores_gemma":[0.9980521,0.00049304,0.00085323397,0.0003314353,0.00017112435,0.00009905379],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0015650954,0.00022849694,0.00041085156,0.00032256788,0.0016380907,0.00018551189,0.0005654621,0.000027912305,0.00003975572],"category_scores_gemma":[0.00009981698,0.00013449222,0.00017658691,0.0003366093,0.0006438443,0.00014151658,0.00021421508,0.00061452494,1.02166325e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007069631,0.00057783525,0.00904138,0.00014474546,0.0004244748,0.000040044248,0.16420569,0.00039978253,0.008409955,0.8011853,0.0018003694,0.013063475],"study_design_scores_gemma":[0.0051648696,0.0033667658,0.014727784,0.0016729214,0.0009390217,0.0013502312,0.83832407,0.0017884423,0.0004060451,0.06396416,0.06664335,0.0016523625],"about_ca_topic_score_codex":0.00022116306,"about_ca_topic_score_gemma":0.0022286985,"teacher_disagreement_score":0.7372211,"about_ca_system_score_codex":0.000027040809,"about_ca_system_score_gemma":0.000059920567,"threshold_uncertainty_score":0.9996616},"labels":[],"label_agreement":null},{"id":"W4313511098","doi":"","title":"Bande Dessinée et Réalité Mixte, vers de nouveaux espaces de narration","year":2020,"lang":"fr","type":"preprint","venue":"theses.fr (ABES)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03684502218308968,"score_gpt":0.2701630428079599,"score_spread":0.2333180206248702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313511098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.579354,0.0067308075,0.0023578196,0.08064543,0.0032881794,0.0012820195,0.0007799157,0.0004251682,0.32513666],"genre_scores_gemma":[0.9884617,0.003794975,0.0008778794,0.0016970541,0.001579232,0.00012021766,0.00017637978,0.000118486416,0.0031740805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99637616,0.0007750356,0.0006917249,0.0008594814,0.00045960007,0.00083797646],"domain_scores_gemma":[0.99763805,0.00058979687,0.00049091555,0.00067557115,0.00021746897,0.00038820948],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010316062,0.00078378513,0.00085285,0.00022761276,0.0009787517,0.0011658524,0.00074411667,0.00046712565,0.0021520949],"category_scores_gemma":[0.00024889244,0.00076165836,0.00053106993,0.00012585858,0.0010872583,0.00035541353,0.00044926317,0.0012944855,0.00017253442],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014138859,0.00018682066,0.00092863303,0.00027383878,0.0003566276,0.000040468545,0.23900792,0.0004423294,0.0008400721,0.7541004,0.002559896,0.0011216413],"study_design_scores_gemma":[0.00087887846,0.00025719014,0.0017994876,0.00085006154,0.000302785,0.000020533767,0.10702992,0.002681368,0.0010823993,0.16498202,0.71898043,0.0011349218],"about_ca_topic_score_codex":0.02046241,"about_ca_topic_score_gemma":0.015415789,"teacher_disagreement_score":0.71642053,"about_ca_system_score_codex":0.0003313841,"about_ca_system_score_gemma":0.0008032653,"threshold_uncertainty_score":0.999871},"labels":[],"label_agreement":null},{"id":"W4313855339","doi":"10.3138/jrpc.2022-0001","title":"From Cuneiform to Comic: Redrawing Sarah in R. Crumb’s <i>The Book of Genesis Illustrated</i>","year":2023,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Storytelling; Literature; Wife; Art; Hebrew Bible; Philosophy; Biblical studies; Theology","score_opus":0.022434768650827448,"score_gpt":0.2485422912626868,"score_spread":0.22610752261185935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313855339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98519117,0.0097529525,0.0000045426063,0.0037322454,0.00039468802,0.00009695658,0.000028627677,0.000008608231,0.0007902135],"genre_scores_gemma":[0.96700263,0.020482924,0.00007688199,0.0016852805,0.0007708114,0.0000023605496,0.0000141771825,0.000016810594,0.009948123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924296,0.000039627288,0.00037291634,0.00008132821,0.00015198927,0.00011116135],"domain_scores_gemma":[0.99953634,0.000019430734,0.00019523637,0.00008861233,0.000102668375,0.000057695885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022198039,0.00009553677,0.00022810353,0.00013656735,0.00012776109,0.00008496366,0.0001283615,0.000052286243,0.000026479796],"category_scores_gemma":[0.000021176442,0.00005634183,0.00010972458,0.00011690406,0.000059014106,0.00012225835,0.000029314515,0.00019388329,0.0000044449293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019082871,0.000047665722,0.0019387434,0.000031712854,0.00011240081,0.000058001777,0.1460447,0.00008085761,0.005784858,0.04376404,0.7998699,0.0020762896],"study_design_scores_gemma":[0.00035519473,0.000115467876,0.00039036854,0.00015708542,0.000024788425,0.00001145879,0.006704695,0.000028924296,0.00016667647,0.005119652,0.9868387,0.0000869979],"about_ca_topic_score_codex":0.00047452256,"about_ca_topic_score_gemma":0.00088371796,"teacher_disagreement_score":0.18696879,"about_ca_system_score_codex":0.0000112990065,"about_ca_system_score_gemma":0.000017677623,"threshold_uncertainty_score":0.22975531},"labels":[],"label_agreement":null},{"id":"W4315777758","doi":"10.29173/29457","title":"Notules sur Emptiness: un double comic strip","year":2022,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Emptiness; Philosophy; Comic strip; Art; Comics; Theology; Literature","score_opus":0.024138189541054556,"score_gpt":0.23040289906616848,"score_spread":0.20626470952511392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315777758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88321096,0.038603064,0.00014611967,0.008917733,0.038129482,0.0006841585,0.0024679578,0.000094122224,0.027746376],"genre_scores_gemma":[0.9086203,0.0014612244,0.00005041614,0.00090953364,0.004748722,0.0001791596,0.000120822675,0.000080084865,0.08382976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973817,0.00027105835,0.00058242324,0.0006051163,0.0005559063,0.0006038194],"domain_scores_gemma":[0.9984051,0.00028482042,0.0003917359,0.00044100152,0.0003304013,0.00014694266],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041352498,0.000455319,0.0005702712,0.00028314147,0.002049092,0.00024919203,0.0006423234,0.00006108765,0.034351464],"category_scores_gemma":[0.000023576466,0.00049185083,0.00030854874,0.00034412462,0.0006906679,0.0003260433,0.0004860514,0.00080419815,0.00031401071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011695541,0.0025565,0.0023463026,0.00018114966,0.0015079412,0.00040246872,0.13053742,0.001764365,0.00075981347,0.6483745,0.18356888,0.026831098],"study_design_scores_gemma":[0.0050416877,0.00048714931,0.0024387436,0.000071591145,0.00005072701,0.000022515005,0.015505717,0.0011774312,0.00072693574,0.019351307,0.9544452,0.00068103964],"about_ca_topic_score_codex":0.012852433,"about_ca_topic_score_gemma":0.0018896994,"teacher_disagreement_score":0.7708763,"about_ca_system_score_codex":0.00017517876,"about_ca_system_score_gemma":0.00016932008,"threshold_uncertainty_score":0.9997533},"labels":[],"label_agreement":null},{"id":"W4316689666","doi":"10.5944/signa.vol32.2023.32701","title":"ESCRIBIR EL DESEO. METAFICCIÓN Y NARRACIÓN INESTABLE EN EL CINE DE FRANÇOIS OZON","year":2023,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université Laval","keywords":"Art; Humanities","score_opus":0.011533889036514745,"score_gpt":0.28924410098961034,"score_spread":0.2777102119530956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316689666","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95085895,0.01458606,0.0006047254,0.007988472,0.00061157584,0.0012986002,0.00089982554,0.0010012193,0.022150557],"genre_scores_gemma":[0.9811418,0.0051232856,0.0003621383,0.0009278153,0.0020891961,0.00018608847,0.00019750906,0.00030404687,0.0096681155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99227965,0.0022675288,0.0012428951,0.0011473218,0.0008089251,0.0022537075],"domain_scores_gemma":[0.9943719,0.0029223713,0.00055741775,0.0010557952,0.000395627,0.00069691555],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0050147604,0.0011156119,0.0015737887,0.00062327296,0.0016910977,0.0027906362,0.0011071761,0.00081233255,0.0019782593],"category_scores_gemma":[0.0013263738,0.0011155776,0.00095113873,0.0010364143,0.0013394414,0.00050464255,0.00034468298,0.0016797167,0.00040299507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025606685,0.00059737545,0.028230274,0.0012798549,0.0012364045,0.00050059106,0.06412387,0.00010723758,0.029081501,0.82281345,0.048223782,0.0035495893],"study_design_scores_gemma":[0.0022214246,0.00052355963,0.018046975,0.0015896229,0.0012549821,0.00008533831,0.01884528,0.0036226937,0.0014901931,0.05386935,0.89616877,0.002281837],"about_ca_topic_score_codex":0.0009985624,"about_ca_topic_score_gemma":0.00016140817,"teacher_disagreement_score":0.847945,"about_ca_system_score_codex":0.0006852867,"about_ca_system_score_gemma":0.0007956468,"threshold_uncertainty_score":0.9996086},"labels":[],"label_agreement":null},{"id":"W4317731777","doi":"10.25205/2307-1737-2022-2-340-350","title":"“Murzilka” by N. M. Oleynikov","year":2022,"lang":"en","type":"article","venue":"Critique and Semiotics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Character (mathematics); Comics; Literature; Code (set theory); History; Sociology; Art; Politics; Law; Political science; Computer science","score_opus":0.012440206858314267,"score_gpt":0.23752680152638378,"score_spread":0.22508659466806952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317731777","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8325194,0.00761185,0.00011250017,0.014776823,0.0012279191,0.00028978835,0.00070367946,0.0001527707,0.14260526],"genre_scores_gemma":[0.9833291,0.00022663466,0.00002132119,0.0022240735,0.00014982912,0.000012096587,0.000035771645,0.000011996732,0.0139891375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948215,0.000045731467,0.00011404425,0.00013122176,0.000092753915,0.00013407691],"domain_scores_gemma":[0.9997348,0.00006336266,0.000024725658,0.000098627446,0.000031240317,0.00004720159],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012283858,0.00008010873,0.000105881176,0.000041111987,0.0006663738,0.00009612606,0.000086003805,0.000014191052,0.0013415138],"category_scores_gemma":[0.000012863045,0.00007905182,0.000035633217,0.000022861597,0.00013737746,0.000057976005,0.00008653565,0.00017191852,0.0000027558194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006566078,0.000054193802,0.00019572242,0.000014144119,0.00001414553,0.0000070399287,0.014991728,0.0000014358505,0.00018100697,0.7230873,0.26035225,0.0010944695],"study_design_scores_gemma":[0.0001537153,0.000098284254,0.00002440715,0.00000448763,0.000009560062,0.0000066645575,0.0108876405,0.00015609205,0.00007770879,0.025232654,0.96321493,0.00013387448],"about_ca_topic_score_codex":0.000067170855,"about_ca_topic_score_gemma":0.00008224094,"teacher_disagreement_score":0.7028627,"about_ca_system_score_codex":0.000010098648,"about_ca_system_score_gemma":0.000014369003,"threshold_uncertainty_score":0.9995714},"labels":[],"label_agreement":null},{"id":"W4318066500","doi":"10.47421/rfhl143_71-82","title":"Pow Pow, itinéraire d’un éditeur quadricéphale","year":2023,"lang":"fr","type":"article","venue":"Revue française d histoire du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Quadric; Mathematics; Combinatorics","score_opus":0.012880607059734995,"score_gpt":0.19310348689824688,"score_spread":0.1802228798385119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318066500","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20715052,0.2446383,0.000035651385,0.11054759,0.032738004,0.0012326882,0.0026621462,0.0012115594,0.39978355],"genre_scores_gemma":[0.47082162,0.0073144995,0.000046876154,0.0005028114,0.0071249176,0.00009104817,0.00030357015,0.00018619673,0.51360846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673486,0.0002038778,0.0008330868,0.00086524396,0.00037920868,0.0009837111],"domain_scores_gemma":[0.9978356,0.0003353426,0.00035234424,0.00082003523,0.00029792672,0.00035880104],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042153813,0.0006672568,0.00083340745,0.0005737161,0.0037302547,0.00034367424,0.00059241144,0.00034359095,0.010688179],"category_scores_gemma":[0.0001252753,0.00074948475,0.0007214046,0.0006123483,0.0013637186,0.00042512832,0.00020791509,0.0006914941,0.0033620114],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049867962,0.00041892726,0.0004780091,0.0006309444,0.00015433907,0.0007237218,0.058610648,0.000022115479,0.00003926184,0.47890827,0.43511227,0.024851635],"study_design_scores_gemma":[0.00084210327,0.00025554266,0.00087142974,0.0006770457,0.000115045004,0.000085903375,0.006474695,0.0010213898,0.0000116140045,0.0036048053,0.98516583,0.00087461434],"about_ca_topic_score_codex":0.0014838182,"about_ca_topic_score_gemma":0.0013783737,"teacher_disagreement_score":0.55005354,"about_ca_system_score_codex":0.00013688875,"about_ca_system_score_gemma":0.00015222517,"threshold_uncertainty_score":0.9994956},"labels":[],"label_agreement":null},{"id":"W4318195388","doi":"10.3138/ecf.35.1.161","title":"<i>Founded in Fiction: The Uses of Fiction in the Early United States</i> by Thomas Koenigs","year":2023,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Literature; Art","score_opus":0.023974401829922713,"score_gpt":0.22929766923850645,"score_spread":0.20532326740858373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318195388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98400515,0.0010417809,0.000016892225,0.001484909,0.0013709192,0.00052092265,0.00013294468,0.000097778684,0.011328683],"genre_scores_gemma":[0.9928143,0.0055311313,0.0000018895535,0.00018613307,0.00022146916,0.000071985996,0.0004509028,0.000017388658,0.000704825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845827,0.00030580052,0.00042739804,0.00023528679,0.0003151537,0.00025809443],"domain_scores_gemma":[0.9991576,0.00029200385,0.00016546267,0.0002771343,0.00008383172,0.000023943521],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000548964,0.00017428858,0.00017224382,0.0003976634,0.00041240343,0.00017731075,0.00022317335,0.00007074179,0.00018630721],"category_scores_gemma":[0.000022847642,0.00011088222,0.00010074007,0.0007453401,0.00018245704,0.0002777629,0.00003405893,0.0003381312,0.000014284129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031597284,0.00067452254,0.007767844,0.00005596084,0.00009466982,0.000010388627,0.1920945,0.00044868176,0.00061512727,0.14873782,0.6477347,0.0014497888],"study_design_scores_gemma":[0.0007452182,0.0002131683,0.015941886,0.000057649864,0.000022341326,0.0000019411984,0.035284214,0.001365506,0.000107761276,0.0010495243,0.9450317,0.00017908042],"about_ca_topic_score_codex":0.0015182819,"about_ca_topic_score_gemma":0.0012036758,"teacher_disagreement_score":0.29729697,"about_ca_system_score_codex":0.000051689403,"about_ca_system_score_gemma":0.000016907676,"threshold_uncertainty_score":0.45216456},"labels":[],"label_agreement":null},{"id":"W4320338598","doi":"10.1353/nef.2022.0045","title":"L'Art de la bande dessinée actuelle au Québec by Mira Falardeau","year":2022,"lang":"fr","type":"article","venue":"Nouvelles études francophones/Nouvelles etudes francophones","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009104470007727744,"score_gpt":0.2257976435162703,"score_spread":0.21669317350854256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320338598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7387667,0.14946446,0.00058374216,0.011263117,0.033473536,0.002257335,0.0044032144,0.0007809593,0.059006955],"genre_scores_gemma":[0.8662694,0.010453138,0.0006700247,0.0020587107,0.0031112279,0.0008795137,0.00034591812,0.0005476264,0.11566446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.987145,0.0031952895,0.0022738273,0.0023780258,0.0019648874,0.0030429515],"domain_scores_gemma":[0.9923274,0.0034162505,0.0011407458,0.0017080473,0.00038728095,0.0010202598],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.003157505,0.0023706038,0.0024171083,0.000902087,0.0120656025,0.0011218726,0.0025585564,0.00093017006,0.05693027],"category_scores_gemma":[0.00024170819,0.0025569783,0.0016449403,0.0011882457,0.004406473,0.00072406273,0.0014892991,0.00417565,0.0015610512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015040165,0.0057247,0.0075974204,0.0012670414,0.00199585,0.00048037307,0.30957374,0.001032947,0.006039747,0.030573906,0.61783755,0.016372697],"study_design_scores_gemma":[0.003759422,0.00090235035,0.002225249,0.00028683615,0.00028314375,0.0001996003,0.16444568,0.00043596132,0.0010936048,0.0010169367,0.82287306,0.0024781257],"about_ca_topic_score_codex":0.14840958,"about_ca_topic_score_gemma":0.16386378,"teacher_disagreement_score":0.20503554,"about_ca_system_score_codex":0.0023482812,"about_ca_system_score_gemma":0.008409057,"threshold_uncertainty_score":0.99991506},"labels":[],"label_agreement":null},{"id":"W4321369227","doi":"10.1093/alh/ajac163","title":"Serialization, Solipsism, and Swarming: American Politics and the Graphic Novel in the 1970s","year":2023,"lang":"en","type":"article","venue":"American Literary History","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Comics; Politics; Democracy; Zombie; Adventure; Aesthetics; Literature; Law; Sociology; History; Art; Political science; Art history","score_opus":0.021257994382937094,"score_gpt":0.21316910440299472,"score_spread":0.19191111002005762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321369227","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.978184,0.0033794509,0.000021137968,0.007811818,0.0005009851,0.00031153488,0.000051066443,0.00008796174,0.009652067],"genre_scores_gemma":[0.9925668,0.000643733,0.000024794175,0.0046495153,0.00023959455,0.000042543375,0.000019048859,0.000017689088,0.001796267],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990754,0.00016136533,0.00021525043,0.00020910887,0.00012901629,0.00020984212],"domain_scores_gemma":[0.9992217,0.000334409,0.00014253784,0.00022403112,0.000034102322,0.000043225595],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003249123,0.0001402873,0.00023301292,0.00024801597,0.0003278608,0.0000934751,0.0001679255,0.000010906441,0.000027299267],"category_scores_gemma":[0.000033573015,0.000087934815,0.00005069877,0.0002457826,0.0043432675,0.00013005556,0.000053567277,0.00013842652,0.0000024009082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033337154,0.000031841264,0.0017312658,0.000013128888,0.000026227302,0.0000043983487,0.33814934,9.2037374e-7,0.00001864951,0.6466747,0.010846312,0.0024699196],"study_design_scores_gemma":[0.0005277849,0.00009046947,0.008875473,0.000015654026,0.00002055297,0.000006743034,0.02924547,0.00035858311,3.958245e-7,0.0089998245,0.951687,0.0001720918],"about_ca_topic_score_codex":0.002357332,"about_ca_topic_score_gemma":0.0007826712,"teacher_disagreement_score":0.94084066,"about_ca_system_score_codex":0.000026043053,"about_ca_system_score_gemma":0.000041661802,"threshold_uncertainty_score":0.99836636},"labels":[],"label_agreement":null},{"id":"W4321443592","doi":"10.1080/21504857.2023.2181368","title":"“The lunatic, the lover, and the poet”: ambiguous three-way authorship in Neil Gaiman’s<i>Sandman #19</i>, “A Midsummer Night’s Dream”","year":2023,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Dream; Narrative; Literature; Art; Power (physics); Lunatic; Metafiction; Trilogy; Aesthetics; History; Psychology","score_opus":0.032929927401934594,"score_gpt":0.23875668550924345,"score_spread":0.20582675810730885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321443592","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.936271,0.006604565,0.00019843671,0.0435739,0.0031742319,0.0006486116,0.00005037959,0.00006154417,0.009417339],"genre_scores_gemma":[0.9931185,0.0029224628,0.000017318016,0.0010252646,0.0006185033,0.000009667233,0.0000018889313,0.000051130446,0.002235217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978011,0.0002760704,0.0008126745,0.00019697493,0.00047510333,0.00043807217],"domain_scores_gemma":[0.99701804,0.0016702145,0.00061671715,0.0003995702,0.00017215076,0.00012331134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029678273,0.00028142895,0.00047438842,0.0003431465,0.0009983815,0.0006019323,0.00074818835,0.00008784459,0.00004501629],"category_scores_gemma":[0.0002969258,0.00013247956,0.00033293592,0.00040193408,0.0016625238,0.0001897525,0.00015650725,0.000913132,0.000006285088],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072758395,0.00009933973,0.0037391768,0.000024947363,0.000332556,0.000041072097,0.032433793,0.000030798023,0.000053195723,0.93215555,0.02723541,0.0031265912],"study_design_scores_gemma":[0.006990407,0.0003816227,0.020888507,0.0002587215,0.00023544925,0.00017527385,0.021156488,0.002764007,0.000024866495,0.6524491,0.2940701,0.00060551125],"about_ca_topic_score_codex":0.0006972437,"about_ca_topic_score_gemma":0.01766449,"teacher_disagreement_score":0.27970648,"about_ca_system_score_codex":0.000028277604,"about_ca_system_score_gemma":0.00007373108,"threshold_uncertainty_score":0.98572004},"labels":[],"label_agreement":null},{"id":"W4321463593","doi":"10.4324/9781135000356-rem2061-1","title":"McCay, Winsor (c.1867–1934)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Comic strip; Comics; Art; Dream; Visual arts; Art history; Literature; Psychology","score_opus":0.04481526008490502,"score_gpt":0.2109855930236439,"score_spread":0.16617033293873887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463593","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008085027,0.00035744932,0.0000059124914,0.00048009056,0.0010397235,0.00017477178,0.00010750574,0.00010396008,0.9976497],"genre_scores_gemma":[0.002380728,0.00014720685,0.000032279888,0.00064496364,0.0028912441,0.0000051648694,0.000044057317,0.00005842018,0.99379593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990648,0.0000057512048,0.0002593681,0.0003139827,0.00017481865,0.00018127884],"domain_scores_gemma":[0.9992668,0.00004178006,0.00012276536,0.00034400026,0.00015454835,0.00007009845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000076195225,0.00030804984,0.00032484048,0.0001663671,0.00027585184,0.00021458915,0.00021992724,0.00013589313,0.21062782],"category_scores_gemma":[0.000004180665,0.00023850001,0.00023333509,0.00000408618,0.0005419744,0.0000789361,0.000088322595,0.00021650593,0.0024219574],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070545143,0.0000071167324,4.5699022e-7,0.000009853223,0.000072676085,0.0000036306742,0.0040381257,6.8799624e-9,0.0000010371842,0.77377176,0.22132589,0.0007623844],"study_design_scores_gemma":[0.000096858035,0.000088489265,9.572567e-7,0.000046201538,0.000026549584,0.0000012914088,0.00027703447,0.0000027113633,0.000003167828,0.24643514,0.7527518,0.00026978698],"about_ca_topic_score_codex":0.00006815558,"about_ca_topic_score_gemma":0.003330788,"teacher_disagreement_score":0.53142595,"about_ca_system_score_codex":0.000016809125,"about_ca_system_score_gemma":0.000039216917,"threshold_uncertainty_score":0.9983548},"labels":[],"label_agreement":null},{"id":"W4323049534","doi":"10.14321/fourthgenre.25.1.0105","title":"A Craft Essay on Trauma","year":2023,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Craft; Bedroom; Apartment; Visual arts; Reading (process); Creatures; Art; History; Advertising; Art history; Law; Business; Political science","score_opus":0.06734148715672628,"score_gpt":0.26792846703069784,"score_spread":0.20058697987397156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323049534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8683072,0.000057252506,0.0008945635,0.00914716,0.0036670284,0.0006151569,0.000088130786,0.00061986904,0.11660369],"genre_scores_gemma":[0.98551816,0.000051857536,0.000043577533,0.00010872713,0.0005618843,0.0001745748,0.000120522025,0.000018379924,0.013402324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991858,0.00005487538,0.00022218924,0.00020849747,0.00015156764,0.00017707901],"domain_scores_gemma":[0.99959,0.00007424719,0.000051350482,0.00018842699,0.00006313045,0.000032845383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020418831,0.000115212104,0.0001102496,0.0005339535,0.00039915903,0.00014049318,0.00008410666,0.00003989567,0.0005473422],"category_scores_gemma":[0.000030118072,0.000108989836,0.0000651232,0.00028468424,0.00006230234,0.0002751159,0.000014809847,0.0001495595,0.0006273731],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062022096,0.00024713998,0.00031764907,0.000014696136,0.000034652734,0.0000146649545,0.16714868,0.0036433619,0.00019107321,0.76898193,0.037386585,0.021957535],"study_design_scores_gemma":[0.0011137183,0.00043460872,0.0047575515,0.000092638256,0.000018182525,0.0000021570436,0.061874155,0.016408259,0.00029093932,0.044065014,0.87041605,0.000526722],"about_ca_topic_score_codex":0.00005482634,"about_ca_topic_score_gemma":0.0042062355,"teacher_disagreement_score":0.83302945,"about_ca_system_score_codex":0.00004064329,"about_ca_system_score_gemma":0.000028376098,"threshold_uncertainty_score":0.8063822},"labels":[],"label_agreement":null},{"id":"W4324346848","doi":"10.5206/tc.v2i1.15587","title":"L'oeuvre intermédiale de Francis Desharnais","year":2023,"lang":"fr","type":"article","venue":"Transcr(é)ation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.0333510674015856,"score_gpt":0.2551127062144903,"score_spread":0.22176163881290467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4324346848","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88377386,0.007864525,0.00352509,0.024005705,0.0049952227,0.0006078757,0.0006812351,0.00041165468,0.07413486],"genre_scores_gemma":[0.9419946,0.0014793134,0.000057933103,0.00030614118,0.001169555,0.000040765575,0.00013537238,0.000040160707,0.054776177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987217,0.000103534854,0.00032510413,0.00026252554,0.00017828462,0.00040881772],"domain_scores_gemma":[0.99941015,0.00012479069,0.0000793141,0.00019134322,0.000093317074,0.000101104495],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034565543,0.00020804878,0.00021945083,0.00024315204,0.00052707014,0.00024152706,0.00016689042,0.00013272726,0.004454602],"category_scores_gemma":[0.000024829951,0.00022372085,0.00022123494,0.00022615331,0.00028518814,0.0002436712,0.000014032677,0.00023950794,0.00054949743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007164254,0.00014603221,0.000855969,0.00024707936,0.00013542485,0.000023427709,0.16375083,0.00011830109,0.0017324075,0.7056812,0.020297917,0.10693975],"study_design_scores_gemma":[0.000836906,0.00019756374,0.014759527,0.00022431271,0.00010211309,0.0000046164882,0.0048109437,0.0062109604,0.00046424428,0.033519886,0.93847877,0.00039016645],"about_ca_topic_score_codex":0.0017466209,"about_ca_topic_score_gemma":0.003934891,"teacher_disagreement_score":0.9181808,"about_ca_system_score_codex":0.000060311002,"about_ca_system_score_gemma":0.000055737077,"threshold_uncertainty_score":0.9964555},"labels":[],"label_agreement":null},{"id":"W4327746279","doi":"10.5206/tc.v2i1.16321","title":"Introduction – De la bande-dessinée aux films et vice versa","year":2023,"lang":"fr","type":"article","venue":"Transcr(é)ation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"King's University College","funders":"Université Laval","keywords":"Art","score_opus":0.023183170823877296,"score_gpt":0.271645890786267,"score_spread":0.2484627199623897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327746279","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6816267,0.004740157,0.0035260764,0.20705935,0.0071126036,0.0007019447,0.00038010598,0.0006259747,0.09422709],"genre_scores_gemma":[0.94546205,0.0026340287,0.00010661926,0.0003211398,0.0020686202,0.000031219708,0.00028706563,0.000040947176,0.049048305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866086,0.00031328682,0.00026392826,0.00028260468,0.0001886248,0.0002906966],"domain_scores_gemma":[0.99936336,0.00021262557,0.000080593636,0.00017280696,0.0001025211,0.000068097885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077156024,0.0001884081,0.00018062638,0.00021609107,0.00055926613,0.0003476265,0.00010207802,0.00014795686,0.003301455],"category_scores_gemma":[0.000034488203,0.00020098695,0.00013793315,0.00021839284,0.00034740783,0.00046443538,0.000010027824,0.0002901075,0.00024412297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008228723,0.00012986622,0.00010036771,0.00013868428,0.0000878544,0.000006874279,0.06434411,0.000736341,0.0039873407,0.8418134,0.079514086,0.009058798],"study_design_scores_gemma":[0.0007932385,0.00013376791,0.006161101,0.0000903982,0.000107920845,0.0000061339097,0.0071815657,0.0049910955,0.0004967086,0.02317377,0.95659,0.00027430715],"about_ca_topic_score_codex":0.0008411184,"about_ca_topic_score_gemma":0.0010836314,"teacher_disagreement_score":0.8770759,"about_ca_system_score_codex":0.000051959232,"about_ca_system_score_gemma":0.00013395523,"threshold_uncertainty_score":0.9976097},"labels":[],"label_agreement":null},{"id":"W434579605","doi":"","title":"La BD au Québec : Une route semée d’embûches","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.009391956172154452,"score_gpt":0.15138198206474926,"score_spread":0.1419900258925948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W434579605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71077883,0.08255563,0.000035220033,0.10146655,0.0006457605,0.00017191557,0.00019957699,0.000100748795,0.10404575],"genre_scores_gemma":[0.56666857,0.011118571,0.000047806832,0.00018659886,0.00043419623,0.000002889385,0.000017860155,0.000032498658,0.421491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848026,0.0001459794,0.00021996572,0.00037603627,0.00022557957,0.0005521782],"domain_scores_gemma":[0.9988991,0.00021256032,0.00016984282,0.00036246527,0.00010644927,0.00024955248],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00015062299,0.0003429081,0.00038116376,0.00020736293,0.002927336,0.000051026815,0.00032176037,0.00020285547,0.0008612638],"category_scores_gemma":[0.000015984744,0.00037934034,0.00033538035,0.00018155698,0.0010598871,0.00029909378,0.00022507743,0.00036662995,0.00021957044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015717644,0.00024943764,0.00448624,0.00006584543,0.0004120301,0.004025788,0.10826392,0.00006060811,0.000054485638,0.68043,0.1799954,0.021799067],"study_design_scores_gemma":[0.0008865131,0.00013902814,0.0047078445,0.00007803383,0.00014741138,0.0005196841,0.014400553,0.00024492663,0.000025691426,0.002035611,0.97637826,0.00043641255],"about_ca_topic_score_codex":0.73210615,"about_ca_topic_score_gemma":0.97529024,"teacher_disagreement_score":0.7963829,"about_ca_system_score_codex":0.005324102,"about_ca_system_score_gemma":0.00044740675,"threshold_uncertainty_score":0.99986583},"labels":[],"label_agreement":null},{"id":"W4360876912","doi":"10.1017/s0008938922001479","title":"Beyond MAUS: The Legacy of Holocaust Comics Edited by Ole Frahm, Hans-Joachim Hahn, and Markus Streb. Vienna and Cologne: Böhlau Verlag, 2021. Pp. 420. Cloth €55.00. ISBN: 978-3205210658.","year":2023,"lang":"en","type":"article","venue":"Central European History","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; The Holocaust; Art; Art history; Philosophy; Theology; Literature","score_opus":0.014682151268506865,"score_gpt":0.18548387130775268,"score_spread":0.17080172003924582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360876912","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76292896,0.047315042,0.000023019611,0.0027437278,0.0053768465,0.0009311517,0.0010712164,0.00035790182,0.17925213],"genre_scores_gemma":[0.94332385,0.0068218145,0.000027818849,0.000827786,0.0010136662,0.000009224093,0.00022897591,0.00014556079,0.047601286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998272,0.0002829703,0.00037523726,0.00041286732,0.00020290319,0.00045404496],"domain_scores_gemma":[0.99904805,0.00013563651,0.0002151937,0.00035503844,0.00007568029,0.00017040005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003865806,0.00029382374,0.00033988894,0.00012699906,0.0004285195,0.00012573792,0.00029574183,0.000059229787,0.000643599],"category_scores_gemma":[0.000041415577,0.00024132019,0.0000902916,0.00010454189,0.0015091829,0.00019700185,0.00018847166,0.00033274054,0.00003607038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077093515,0.000112043934,0.00053336995,0.000055827295,0.00008187227,0.000034050237,0.0149537325,0.0000020709792,0.0005981911,0.023301823,0.9586393,0.0016106114],"study_design_scores_gemma":[0.0008397937,0.00018394251,0.0044923895,0.000041694413,0.000058554666,0.000004528638,0.0043555195,0.00021016254,0.000022563143,0.0001666956,0.9893273,0.0002968402],"about_ca_topic_score_codex":0.00038239412,"about_ca_topic_score_gemma":0.00049242243,"teacher_disagreement_score":0.18039492,"about_ca_system_score_codex":0.00007838403,"about_ca_system_score_gemma":0.00006305575,"threshold_uncertainty_score":0.9840751},"labels":[],"label_agreement":null},{"id":"W4361986026","doi":"10.55521/10-020-116","title":"Forum: Interpretation of the Canadian Association of Social Workers’ Code of Ethics as Penguin Comic","year":2023,"lang":"en","type":"article","venue":"International Journal of Social Work Values and Ethics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Interpretation (philosophy); Association (psychology); Code (set theory); Ethical code; Sociology; Political science; Law; Psychology; Computer science; Linguistics; Philosophy; Programming language","score_opus":0.051201190131127707,"score_gpt":0.3313314329576156,"score_spread":0.28013024282648785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361986026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8943658,0.00011036353,0.00001490112,0.098287165,0.0022030466,0.000096253025,0.0001498862,0.000005647803,0.0047669355],"genre_scores_gemma":[0.9978903,0.00011243568,0.00001776836,0.00036346895,0.00039498426,8.990031e-7,0.000008205891,0.000009203726,0.0012027146],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982639,0.00025153242,0.00054842094,0.000066225235,0.0007534143,0.0001164971],"domain_scores_gemma":[0.9963404,0.0008546005,0.0010491161,0.00003891797,0.0016835995,0.000033353503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019769329,0.000083644045,0.00024028239,0.00021627845,0.0005127785,0.000073294024,0.00028919024,0.00021718214,0.000108013046],"category_scores_gemma":[0.00088824326,0.00006807625,0.00023566799,0.00014645717,0.00041050455,0.00010573962,0.00005806615,0.00085403083,0.000001195818],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018381112,0.000041692096,0.01713516,0.000044288463,0.0005644539,0.0000018659578,0.5889536,0.000071441194,0.00006845988,0.37948745,0.0123480335,0.0010997202],"study_design_scores_gemma":[0.0023311607,0.00032543894,0.17784409,0.0012463508,0.00034366458,0.000006292086,0.23784852,0.0006214805,0.00038426364,0.50274634,0.07587093,0.00043145116],"about_ca_topic_score_codex":0.0034500929,"about_ca_topic_score_gemma":0.06655065,"teacher_disagreement_score":0.3511051,"about_ca_system_score_codex":0.00012902838,"about_ca_system_score_gemma":0.00053450186,"threshold_uncertainty_score":0.95048237},"labels":[],"label_agreement":null},{"id":"W4367280556","doi":"10.18034/ra.v6i1.323","title":"Reasons Makes Muslim Superhero Ms. Marvel Kamala Khan Awesome Just Like Everyone","year":2018,"lang":"en","type":"article","venue":"ABC Research Alert","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; HERO; Sociology; Mainstream; Politics; Popular culture; Identity (music); Gender studies; Aesthetics; Media studies; Literature; Law; Art; Political science","score_opus":0.1604853802444891,"score_gpt":0.35361937143298594,"score_spread":0.19313399118849683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367280556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83478814,0.0010409977,0.000008023589,0.004890848,0.00082443596,0.00050651433,0.00011884259,0.00012709473,0.15769511],"genre_scores_gemma":[0.89049137,0.00040509016,0.00004450656,0.00031492376,0.0017749398,0.00007015672,0.000027989201,0.000046387056,0.10682463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718994,0.00028403723,0.00029599215,0.0005147852,0.0007771821,0.00093804765],"domain_scores_gemma":[0.997881,0.00038125637,0.00004650678,0.00068327255,0.0007294503,0.00027849464],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011935732,0.00023573174,0.0002844969,0.00045656756,0.0014506988,0.00057782955,0.0005897117,0.00009283604,0.009710291],"category_scores_gemma":[0.00018093782,0.00019501701,0.00015004087,0.00025002245,0.0019899039,0.0003605177,0.00028613154,0.00054416957,0.0010693156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002101773,0.00042553293,0.0055562276,0.000083816725,0.00026809555,0.00008226414,0.102979444,1.7345721e-7,0.0017184541,0.17387612,0.7087299,0.0060697854],"study_design_scores_gemma":[0.0006439383,0.00067712803,0.017291693,0.000100029196,0.000013260847,0.000009156499,0.026875086,0.00007429415,0.00032870236,0.004464215,0.94914097,0.00038151207],"about_ca_topic_score_codex":0.0029612407,"about_ca_topic_score_gemma":0.018739698,"teacher_disagreement_score":0.24041107,"about_ca_system_score_codex":0.000058412166,"about_ca_system_score_gemma":0.00016539815,"threshold_uncertainty_score":0.99984926},"labels":[],"label_agreement":null},{"id":"W4376459916","doi":"10.1515/ang-2023-0006","title":"Playing on the Expectations: Seth’s <i>It’s a Good Life, If You Don’t Weaken</i> (1993–1996) as Graphic Autofiction","year":2023,"lang":"en","type":"article","venue":"Anglia - Zeitschrift für englische Philologie","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Confessional; Subversion; Narrative; Reading (process); Order (exchange); Identity (music); Creatures; Literature; Novella; Pseudonym; Sociology; Aesthetics; Art; Philosophy; History; Politics; Linguistics; Law; Political science","score_opus":0.060905410301965904,"score_gpt":0.2844388736442606,"score_spread":0.22353346334229474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376459916","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5205463,0.0012512436,0.000025130557,0.0520806,0.0046705496,0.0013197408,0.00029041315,0.0019929805,0.41782305],"genre_scores_gemma":[0.990561,0.0005247873,0.000029858671,0.0033388038,0.0016062715,0.00040750188,0.0001739476,0.000083102204,0.0032747462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967857,0.0003557773,0.0006397926,0.0007870355,0.0005647976,0.0008669219],"domain_scores_gemma":[0.9970904,0.0013277478,0.00028498136,0.0008431385,0.00026330474,0.00019041424],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00096391345,0.0005526908,0.00046267698,0.00060652645,0.002222461,0.0004657954,0.0007015405,0.00022507174,0.0010951334],"category_scores_gemma":[0.0011256352,0.0003926221,0.0004045956,0.00067278056,0.00056577363,0.00046698915,0.00022953712,0.0009126719,0.000853395],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088406974,0.00015701725,0.00087752123,0.000025726187,0.00024479983,0.000036003676,0.044129923,0.00007061498,0.00018940745,0.8974811,0.056100555,0.0005989345],"study_design_scores_gemma":[0.0014617934,0.0007513438,0.00272616,0.00019341144,0.00016984963,0.000008157287,0.14141393,0.0009152502,0.00049089716,0.021009844,0.82972825,0.0011311523],"about_ca_topic_score_codex":0.00027384236,"about_ca_topic_score_gemma":0.00048895285,"teacher_disagreement_score":0.8764712,"about_ca_system_score_codex":0.000013951714,"about_ca_system_score_gemma":0.00014297239,"threshold_uncertainty_score":0.99992454},"labels":[],"label_agreement":null},{"id":"W4376613728","doi":"10.37536/reden.2023.4.2159","title":"[Book Review] Gendered Defenders: Marvel's Superheroines in Transmedia Spaces","year":2023,"lang":"en","type":"article","venue":"REDEN. Revista española de estudios norteamericanos/Revista española de estudios norteamericanos","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Sociology; Art history; Media studies; Art","score_opus":0.024166825645537588,"score_gpt":0.25412495255192125,"score_spread":0.22995812690638365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376613728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6597212,0.30019426,0.000699116,0.02131179,0.0012752914,0.007659849,0.0007924883,0.0024344046,0.0059116357],"genre_scores_gemma":[0.77999693,0.19039124,0.00060601236,0.016207755,0.001855779,0.0019497806,0.00038518076,0.0006153104,0.007992],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9870187,0.0017691248,0.0031631321,0.002792864,0.0016760783,0.0035801244],"domain_scores_gemma":[0.9926622,0.0015680415,0.0015057647,0.002443744,0.00066991086,0.0011503734],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0025988468,0.002262517,0.004265838,0.0017024085,0.0013623652,0.0013113281,0.0023041007,0.00035395098,0.0023391729],"category_scores_gemma":[0.0013892025,0.002192704,0.001560622,0.0038816086,0.002575875,0.00095206115,0.0006000227,0.001991972,0.00047896683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050810154,0.0017470933,0.12859036,0.004679698,0.002332955,0.00215304,0.04372011,0.000149515,0.0014742806,0.021662299,0.77311677,0.019865766],"study_design_scores_gemma":[0.0021926584,0.0008364052,0.030164592,0.00284142,0.00089588587,0.00020725395,0.020963741,0.00038669808,0.00004316505,0.00011182011,0.93840116,0.0029552206],"about_ca_topic_score_codex":0.0016063516,"about_ca_topic_score_gemma":0.0017622025,"teacher_disagreement_score":0.16528435,"about_ca_system_score_codex":0.0009786638,"about_ca_system_score_gemma":0.0015911119,"threshold_uncertainty_score":0.9999377},"labels":[],"label_agreement":null},{"id":"W4377226035","doi":"10.1515/9780773556089-007","title":"Heroes, Borders, and Canadian Culture: The Superman Reclamation Project","year":2018,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Superman; Land reclamation; Sociology; Political science; Art; Geography; Art history; Archaeology","score_opus":0.022579554736668672,"score_gpt":0.20321286689887202,"score_spread":0.18063331216220335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377226035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051774157,0.000013118094,7.1743955e-7,0.0005365759,0.00022804934,0.0005741271,0.0009310948,0.00006194127,0.9976026],"genre_scores_gemma":[0.0038115315,0.0003596424,0.000014408425,0.00022521333,0.00026780582,0.0000019056314,0.00011037724,0.000036353722,0.99517274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998986,0.000059354094,0.00015229596,0.00036815577,0.00017304345,0.00026113287],"domain_scores_gemma":[0.9991646,0.00003442871,0.00013518144,0.00034207632,0.00020314187,0.00012061218],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000099996985,0.00032738116,0.0002589084,0.00023233583,0.0016161519,0.0001773227,0.0003078775,0.00020725158,0.0002802104],"category_scores_gemma":[0.000004617114,0.00026206547,0.00012078885,0.0000062236227,0.0006573956,0.00012966845,0.00014153632,0.00037050404,0.000007355669],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022512495,0.0000031003633,6.3614135e-7,0.000028448188,0.00013556996,0.000019680876,0.013162803,6.775153e-8,6.279827e-7,0.9391827,0.046956226,0.00048761218],"study_design_scores_gemma":[0.00024112065,0.00007878151,0.0000019828065,0.000088677116,0.00012245649,0.0000019386948,0.0022963532,0.0000051732695,0.0000073379692,0.004267287,0.9925489,0.0003400338],"about_ca_topic_score_codex":0.11260793,"about_ca_topic_score_gemma":0.022075828,"teacher_disagreement_score":0.94559264,"about_ca_system_score_codex":0.00012125083,"about_ca_system_score_gemma":0.00011738199,"threshold_uncertainty_score":0.99998313},"labels":[],"label_agreement":null},{"id":"W4378070174","doi":"10.7202/1098957ar","title":"Subversive Sixties in Ink: Underground Comix, Censorship, and Translation between the United States and Italy","year":2023,"lang":"en","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Censorship; Comics; Context (archaeology); Dissent; Subversion; Human sexuality; Counterculture; Literature; Politics; Art; History; Media studies; Sociology; Law; Art history; Gender studies; Political science","score_opus":0.12220404731280306,"score_gpt":0.2823689071755471,"score_spread":0.16016485986274404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378070174","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99276626,0.00014492447,0.000021359838,0.0061518303,0.00028014026,0.00020598524,0.000023949126,0.00014478786,0.00026074733],"genre_scores_gemma":[0.9972801,0.0018335067,0.0000057407497,0.000037315247,0.00015750183,0.000014630256,0.00015036814,0.000010688791,0.0005101173],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9992138,0.0001138038,0.00019957754,0.00020508065,0.00009400154,0.00017369764],"domain_scores_gemma":[0.99941117,0.00034681323,0.0000829265,0.00009626692,0.00003648091,0.000026318343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020485709,0.00013101209,0.00014428844,0.00043032336,0.0004101298,0.00016216289,0.000055346358,0.00006572882,0.000026366399],"category_scores_gemma":[0.000021214597,0.000101401034,0.00003051542,0.00018970574,0.00041718205,0.0003632288,0.000016099373,0.00020047551,0.000005398992],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061560795,0.00020970141,0.11657801,0.00034787023,0.0004969375,0.00002656638,0.51981115,0.0007957658,0.0017955299,0.18184616,0.003767851,0.17370883],"study_design_scores_gemma":[0.0018241204,0.00047382884,0.60844123,0.000071619266,0.00012831364,0.00002285442,0.19737987,0.004046769,0.00064260623,0.11976414,0.06658922,0.0006154188],"about_ca_topic_score_codex":0.00086533837,"about_ca_topic_score_gemma":0.0012230141,"teacher_disagreement_score":0.49186322,"about_ca_system_score_codex":0.00004088004,"about_ca_system_score_gemma":0.000009871054,"threshold_uncertainty_score":0.4135014},"labels":[],"label_agreement":null},{"id":"W4378603644","doi":"10.1353/vpr.2022.0033","title":"Making Pictorial Print: Media Literacy and Mass Culture in British Magazines, 1885–1918 by Alison Hedley","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mass media; Literacy; Journalism; Media studies; Modernity; Media literacy; Mass culture; Art; History; Sociology; Literature; Visual arts; Art history; Political science; Anthropology; Law","score_opus":0.020172949644249424,"score_gpt":0.26665996000048575,"score_spread":0.24648701035623632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378603644","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038235977,0.92600757,0.000013471039,0.007891076,0.008312754,0.0018763427,0.0015184232,0.00018871776,0.015955642],"genre_scores_gemma":[0.7470388,0.23309407,0.00025442053,0.006283655,0.0064997463,0.0007458397,0.00067345105,0.00012679321,0.0052832174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979009,0.0002893365,0.0006161856,0.00046022783,0.00040212006,0.00033125316],"domain_scores_gemma":[0.9993041,0.00007705071,0.00018107775,0.00024803117,0.00006615091,0.00012355474],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004964359,0.0002412131,0.0006125028,0.00008236165,0.0005992162,0.0006933306,0.00029832823,0.000055032495,0.006665284],"category_scores_gemma":[0.00013686833,0.00024373378,0.00014109227,0.00018308968,0.00019597572,0.00023521067,0.00019541694,0.0004669618,0.000013845278],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011096575,0.00078945496,0.009028002,0.0064727617,0.00022952416,0.00036198905,0.243291,6.7123744e-7,0.0005122718,0.25886947,0.38175008,0.0985838],"study_design_scores_gemma":[0.00047372596,0.00006864513,0.00025049958,0.0012363854,0.000028461094,0.00001969706,0.00046975288,0.000008349894,8.530482e-7,0.0014922149,0.9956401,0.00031130994],"about_ca_topic_score_codex":0.00010923694,"about_ca_topic_score_gemma":0.00089026755,"teacher_disagreement_score":0.7088028,"about_ca_system_score_codex":0.00006853851,"about_ca_system_score_gemma":0.000057771053,"threshold_uncertainty_score":0.9942428},"labels":[],"label_agreement":null},{"id":"W4378603673","doi":"10.1353/vpr.2022.0037","title":"Cartooning China: \"Punch,\" Power, and Politics in the Victorian Era by Amy Matthewson","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; China; Politics; Power (physics); Historiography; History; Comic strip; Art history; Sociology; Institution; Media studies; Art; Literature; Political science; Law; Social science; Archaeology","score_opus":0.011010816086526695,"score_gpt":0.23490980637706577,"score_spread":0.22389899029053906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378603673","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20059374,0.64774084,0.0000072587404,0.06635656,0.0045648045,0.0025922332,0.00089153316,0.00016540135,0.07708762],"genre_scores_gemma":[0.9740133,0.017547013,0.000012964489,0.0058634253,0.0007061752,0.00024213995,0.00006132055,0.000036677997,0.0015169359],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799854,0.000456153,0.0004733281,0.00031656085,0.00039733978,0.00035805287],"domain_scores_gemma":[0.99925405,0.000118705226,0.00013897776,0.00035324405,0.000033033823,0.000102002945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00086978724,0.00024008595,0.00046758816,0.000085457505,0.0011956771,0.00033457865,0.00038385077,0.000031927208,0.0042816144],"category_scores_gemma":[0.00007093433,0.00016867585,0.00013788069,0.00016295277,0.00025497514,0.00010724359,0.00014688449,0.0005256504,0.000013716563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007866893,0.00016390772,0.0005162943,0.0005179308,0.000040998286,0.000025191981,0.14865941,2.348858e-7,0.00003767795,0.8028165,0.04636051,0.0008534795],"study_design_scores_gemma":[0.00023407723,0.00012605426,0.00038103672,0.00027081007,0.000029106219,0.000014460534,0.0017465061,0.0000047776202,8.914456e-7,0.0016715128,0.9952991,0.00022164869],"about_ca_topic_score_codex":0.00016868762,"about_ca_topic_score_gemma":0.00019669332,"teacher_disagreement_score":0.9489386,"about_ca_system_score_codex":0.000058164354,"about_ca_system_score_gemma":0.000072877105,"threshold_uncertainty_score":0.9966286},"labels":[],"label_agreement":null},{"id":"W4378603679","doi":"10.1353/vpr.2022.0034","title":"Illustration in Fin-de-Siècle Transatlantic Romance Fiction by Kate Holterhoff","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Adventure; Literature; History; Art; Art history","score_opus":0.019507368654634847,"score_gpt":0.23566115930610287,"score_spread":0.21615379065146803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378603679","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55768734,0.31075853,0.00034376708,0.054576825,0.007610169,0.0041597974,0.00097159453,0.00046248006,0.063429505],"genre_scores_gemma":[0.97621673,0.019710602,0.000013100752,0.001376238,0.00044457547,0.00023715763,0.00010659278,0.000019802017,0.0018751903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873704,0.00020608779,0.00038509673,0.00023975923,0.00021419364,0.00021782069],"domain_scores_gemma":[0.99960625,0.000032082746,0.00010067795,0.00017589863,0.00002455731,0.000060551138],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044883593,0.00013850661,0.00029193572,0.00006880402,0.000515959,0.000118921154,0.00016963416,0.000024313671,0.0058237817],"category_scores_gemma":[0.000020813332,0.0001302811,0.000113681424,0.00013380071,0.00010830181,0.00012758531,0.0000247512,0.00024882008,0.000018805711],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015443278,0.0016252692,0.0023308832,0.0051823594,0.00017006716,0.00010088739,0.12511967,0.000061083745,0.0042614946,0.3261071,0.49185646,0.043030288],"study_design_scores_gemma":[0.00023865793,0.00010117955,0.00029533112,0.00030594078,0.000018765975,0.0000044558883,0.00029157955,0.00010474246,0.000008850635,0.00032426495,0.99814105,0.00016515805],"about_ca_topic_score_codex":0.00010702821,"about_ca_topic_score_gemma":0.00032113283,"teacher_disagreement_score":0.50628465,"about_ca_system_score_codex":0.00006843378,"about_ca_system_score_gemma":0.000070115,"threshold_uncertainty_score":0.995085},"labels":[],"label_agreement":null},{"id":"W4379803877","doi":"10.1353/nai.2022.a863588","title":"Sovereign Traces, Volume 1: Not (Just) (An)Other ed. by Gordon Henry Jr. and Elizabeth LaPensée (review)","year":2022,"lang":"en","type":"article","venue":"Native American and Indigenous Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Trickster; Art history; Sovereignty; MAGIC (telescope); History; Art; Literature; Media studies; Sociology; Law; Politics","score_opus":0.03234752074027668,"score_gpt":0.28041200301634245,"score_spread":0.24806448227606576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379803877","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6660022,0.3126388,0.0000036168924,0.0013268006,0.00024350002,0.0006901289,0.000661648,0.00007196968,0.018361345],"genre_scores_gemma":[0.81299186,0.17187814,0.00003153035,0.0060847555,0.00018054224,0.0001686096,0.000028303944,0.000040680392,0.008595572],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984867,0.00022620526,0.00026648233,0.00040488102,0.0002770162,0.00033870686],"domain_scores_gemma":[0.9992456,0.00013652339,0.00024514605,0.0001461003,0.00014657692,0.00008004279],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00035150663,0.00026975543,0.00058224174,0.00010412783,0.002029015,0.00005809749,0.00014354177,0.000014314536,0.0006825188],"category_scores_gemma":[0.00003805936,0.00022422687,0.00006706205,0.00010881159,0.0014775398,0.0001538728,0.00017630833,0.00026763053,0.000005082745],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013107534,0.0006352174,0.0024130845,0.00027644658,0.0010709062,0.000013885224,0.70846003,0.0000020893394,0.00011657596,0.036529694,0.18338822,0.06696278],"study_design_scores_gemma":[0.00037245682,0.0015872058,0.0005934563,0.00006259123,0.00009564603,0.0000065486124,0.35164592,0.00001832321,0.000025926065,0.0009888692,0.64412177,0.00048127776],"about_ca_topic_score_codex":0.0015786107,"about_ca_topic_score_gemma":0.001324481,"teacher_disagreement_score":0.46073356,"about_ca_system_score_codex":0.00006473095,"about_ca_system_score_gemma":0.000044557866,"threshold_uncertainty_score":0.9992702},"labels":[],"label_agreement":null},{"id":"W4380324452","doi":"10.1386/stic_00082_5","title":"Mise en scène, Acting, and Space in Comics, Geraint D’Arcy (2020)","year":2022,"lang":"fr","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; Art; Space (punctuation); Humanities; Physics; Art history; Computer science; Literature; Operating system","score_opus":0.04108948303207358,"score_gpt":0.29765846923020406,"score_spread":0.25656898619813046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380324452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.725824,0.12926461,0.000010317926,0.04383792,0.00631613,0.001087645,0.0006763418,0.00013241783,0.09285063],"genre_scores_gemma":[0.8818591,0.03759253,0.00031944158,0.0005494289,0.0005711074,0.00008963411,0.000011294751,0.00013029654,0.078877114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983417,0.00028174464,0.00039612048,0.00039378664,0.00015683446,0.00042981192],"domain_scores_gemma":[0.9989621,0.0005223913,0.00017414655,0.00025008572,0.000031842803,0.000059431142],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00067471503,0.00028327285,0.00052263844,0.00030186755,0.0006196517,0.00008195611,0.00022044189,0.000057607882,0.0002853206],"category_scores_gemma":[0.00011948981,0.00032270196,0.000076301476,0.00016524126,0.0010691911,0.00007271252,0.00096587045,0.00066458,0.0000023575533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010091078,0.0002985578,0.008477917,0.00023697801,0.00023073316,0.00016858957,0.20983697,0.00009352289,0.000010051077,0.6554348,0.12221315,0.002897804],"study_design_scores_gemma":[0.0012387455,0.00014684701,0.00035390828,0.00015398902,0.000023406821,0.000014324989,0.18465701,0.00066366536,0.000003141652,0.016760614,0.7956229,0.00036148616],"about_ca_topic_score_codex":0.0048221904,"about_ca_topic_score_gemma":0.036349524,"teacher_disagreement_score":0.6734097,"about_ca_system_score_codex":0.00024624687,"about_ca_system_score_gemma":0.000050298273,"threshold_uncertainty_score":0.9999225},"labels":[],"label_agreement":null},{"id":"W4380874388","doi":"10.3138/ctr.137.013","title":"Unruly","year":2009,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Style (visual arts); Visual arts; Computer graphics (images); Jumping; Graphics; Art history; Computer science; Geology","score_opus":0.025394809346312424,"score_gpt":0.23078633985095962,"score_spread":0.2053915305046472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874388","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024562652,0.22494662,5.1595396e-7,0.02684405,0.00016486725,0.00019443111,0.000030114647,0.000023373466,0.7475504],"genre_scores_gemma":[0.78923607,0.12025421,0.000030355985,0.07260957,0.0010119504,0.000018456698,0.000046263864,0.000024491821,0.01676861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995305,0.00002205268,0.000120324185,0.000101899146,0.000046396544,0.00017882368],"domain_scores_gemma":[0.9995682,0.0000102545055,0.000023635857,0.00017397711,0.000031085907,0.00019280273],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009224185,0.0000839585,0.00016235904,0.000066735505,0.0001695154,0.000051857645,0.00011469164,0.000013152395,0.00385814],"category_scores_gemma":[0.000006143524,0.000065206936,0.00008733047,0.000043586537,0.000045478508,0.00005255477,0.000002439552,0.00006473332,0.00018999852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.4670222e-7,0.000004885249,0.000009620759,0.00008346238,0.000008104136,0.000009340882,0.0008501055,2.3386939e-8,6.512254e-7,0.5933762,0.1282928,0.27736443],"study_design_scores_gemma":[0.000031481537,0.000024581046,0.0000425792,0.0005595901,0.000016309745,0.0000030641015,0.00007567412,8.9730327e-7,4.7502215e-7,0.008888077,0.9902658,0.00009148943],"about_ca_topic_score_codex":0.009604833,"about_ca_topic_score_gemma":0.26910105,"teacher_disagreement_score":0.861973,"about_ca_system_score_codex":0.000029644225,"about_ca_system_score_gemma":0.00011896309,"threshold_uncertainty_score":0.9970525},"labels":[],"label_agreement":null},{"id":"W4381126076","doi":"10.58680/rte2022318632","title":"“Swirling a Million Feelings into One”: Working-Through Critical and Affective Responses to the Holocaust through Comics","year":2022,"lang":"en","type":"article","venue":"Research in the Teaching of English","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; The Holocaust; Narrative; Feeling; Critical literacy; Psychology; Identity (music); Representation (politics); Literacy; Citizen journalism; Sociology; Aesthetics; Pedagogy; Visual arts; Social psychology; Politics; Literature; Art","score_opus":0.1711033982148685,"score_gpt":0.39439926537619213,"score_spread":0.22329586716132363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381126076","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9650175,0.0012241323,0.00008551955,0.01128434,0.00038982363,0.0006405906,0.000024347755,0.00004657035,0.02128715],"genre_scores_gemma":[0.9983569,0.0000828231,0.0003128375,0.00037948618,0.00054468715,0.00008261053,0.0000031546585,0.000028571847,0.00020894955],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99584675,0.0026416862,0.00023177333,0.0002800171,0.0006287009,0.00037107212],"domain_scores_gemma":[0.9933327,0.006056359,0.00004621798,0.00035446548,0.00017409597,0.000036204136],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.007497817,0.00012046774,0.00020065188,0.00023725617,0.0021854576,0.00032782007,0.0005879972,0.000029545783,0.00003188439],"category_scores_gemma":[0.0048518535,0.000082883475,0.000058774476,0.00024130521,0.0007667567,0.0001615484,0.00056856626,0.0016103187,8.828237e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002179403,0.00012407225,0.00016375465,0.000022001988,0.000017661163,0.0000051166517,0.53876024,0.000033235403,0.000035896413,0.4570697,0.0029545426,0.0005958205],"study_design_scores_gemma":[0.00043878294,0.00076004263,0.00018839838,0.00022148843,0.000014021603,0.0000034377572,0.52559286,0.00025951426,0.000052020958,0.11806312,0.35420424,0.00020209407],"about_ca_topic_score_codex":0.003542531,"about_ca_topic_score_gemma":0.0012144885,"teacher_disagreement_score":0.3512497,"about_ca_system_score_codex":0.00007081961,"about_ca_system_score_gemma":0.00004841477,"threshold_uncertainty_score":0.99911356},"labels":[],"label_agreement":null},{"id":"W4381294661","doi":"10.3138/utq.92.2.02","title":"Martin Rowson’s <i>Waste Land</i>: From Parody to Pastiche","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Poetry; Modernism (music); Literature; Existentialism; Context (archaeology); Art; Philosophy; Aesthetics; History; Archaeology; Epistemology","score_opus":0.0136122023649348,"score_gpt":0.18734485032957796,"score_spread":0.17373264796464316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381294661","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97283334,0.00007218838,0.00007941416,0.001053846,0.0003710405,0.00012554415,0.00021795488,0.00009696289,0.025149733],"genre_scores_gemma":[0.9844682,0.000011183452,0.00007753877,0.000056823552,0.00020003434,3.275499e-7,0.000033520908,0.0000076073557,0.01514474],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993947,0.00003427717,0.00009952458,0.00017943922,0.00012404277,0.00016799093],"domain_scores_gemma":[0.99954545,0.00006636178,0.00005604852,0.00018190488,0.00006303483,0.00008722084],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073543364,0.00009502605,0.00016642813,0.00004334695,0.00019328455,0.000037213053,0.00020228741,0.000028246646,0.0032895186],"category_scores_gemma":[0.000005187846,0.00010145279,0.00008707018,0.000025119994,0.00007723478,0.00018016461,0.00003300959,0.000043732027,0.00019891573],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002692151,0.000117240095,0.003774913,0.000022328346,0.00019637443,0.00004221126,0.78847647,0.000016633612,0.00091537664,0.036488734,0.15349431,0.016186219],"study_design_scores_gemma":[0.0009680689,0.000853722,0.013152254,0.000055107335,0.000066355125,2.0818115e-7,0.23495576,0.00064065354,0.00002726473,0.002684264,0.7462328,0.00036351616],"about_ca_topic_score_codex":0.05031715,"about_ca_topic_score_gemma":0.2808746,"teacher_disagreement_score":0.5927385,"about_ca_system_score_codex":0.000036170528,"about_ca_system_score_gemma":0.000019215973,"threshold_uncertainty_score":0.9976216},"labels":[],"label_agreement":null},{"id":"W4382248660","doi":"10.1515/9780773554269-005","title":"Reading Allegorical “Miss Canada” in Graphic Satire","year":2018,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Art; Literature; Allegory; Visual arts; Computer graphics (images); History; Computer science; Linguistics; Philosophy","score_opus":0.019530236405202565,"score_gpt":0.18514984488929254,"score_spread":0.16561960848408996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382248660","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008004366,0.0000039849265,0.0000013871264,0.0002413698,0.0004658658,0.00031560005,0.0005449474,0.00007278117,0.998274],"genre_scores_gemma":[0.02535813,0.00010555911,0.000013637892,0.00016680914,0.0002853796,0.0000013321929,0.00004905738,0.00005702577,0.9739631],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827194,0.000058773432,0.00031042553,0.00058805797,0.0003679725,0.0004028013],"domain_scores_gemma":[0.998846,0.00010677449,0.00024225669,0.00044406016,0.00017753645,0.00018339597],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010131299,0.00047752107,0.0005613758,0.00043992448,0.00068611535,0.00007222704,0.0004770377,0.00025440304,0.00064825854],"category_scores_gemma":[0.00000829787,0.0005155864,0.00021267764,0.000011351458,0.0004697178,0.0000869696,0.0002857108,0.0006142087,0.0000055844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064596265,0.000011238176,0.000004831248,0.000044048993,0.00014454933,0.0002769509,0.0019722446,7.756178e-7,5.7868033e-7,0.97241575,0.024773736,0.0002906994],"study_design_scores_gemma":[0.00045486592,0.000069887035,0.000008400459,0.00019965053,0.000079882855,0.0000013336642,0.00080984586,0.000008910182,0.000008731893,0.0068305014,0.990939,0.00058897136],"about_ca_topic_score_codex":0.26673827,"about_ca_topic_score_gemma":0.06767687,"teacher_disagreement_score":0.9661653,"about_ca_system_score_codex":0.0003233373,"about_ca_system_score_gemma":0.00017051672,"threshold_uncertainty_score":0.9997296},"labels":[],"label_agreement":null},{"id":"W4382248686","doi":"10.1515/9780773554269-004","title":"Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure","year":2018,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cousin; Genealogy; History; Archaeology","score_opus":0.018973595271501185,"score_gpt":0.20142219377228332,"score_spread":0.18244859850078213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382248686","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018194191,0.000009674454,0.000023543085,0.0022328878,0.00039782346,0.0007047918,0.0144810565,0.000051618037,0.98191667],"genre_scores_gemma":[0.039807543,0.00006547906,0.000022325594,0.0007180414,0.00035014388,0.0000037445016,0.00009804414,0.00004358126,0.9588911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985504,0.00005991268,0.000268752,0.00042325398,0.00030073815,0.0003969272],"domain_scores_gemma":[0.99807686,0.00010413159,0.00021020009,0.000568698,0.0007068871,0.00033320393],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00012653704,0.00036487,0.0004819387,0.00030131367,0.0016331177,0.00009622945,0.0005614113,0.00023454297,0.000794714],"category_scores_gemma":[0.0000183979,0.00031429264,0.00031210837,0.000014383783,0.00068996364,0.00005369965,0.0002358337,0.00032416597,0.0000230153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000122047204,0.000013059508,8.024966e-7,0.000019895811,0.00026987394,0.00005469054,0.004272774,0.0000038114747,0.0000029793107,0.93618447,0.05889828,0.00015732757],"study_design_scores_gemma":[0.0003519835,0.00015492649,0.0000104819865,0.00008575013,0.00022854528,0.0000011260951,0.0008458753,0.000010445906,0.000031755044,0.0019304715,0.9959684,0.0003802447],"about_ca_topic_score_codex":0.23756607,"about_ca_topic_score_gemma":0.050538886,"teacher_disagreement_score":0.93707013,"about_ca_system_score_codex":0.00033345632,"about_ca_system_score_gemma":0.00029814785,"threshold_uncertainty_score":0.9999309},"labels":[],"label_agreement":null},{"id":"W4382467579","doi":"10.1515/9780773554269-003","title":"Frankenstein's Tory: Graphic Satire in 1840s Montreal, from <i>Le Charivari canadien</i> to <i>Punch in Canada</i>","year":2018,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; History","score_opus":0.012965173516684345,"score_gpt":0.16086041508454954,"score_spread":0.1478952415678652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382467579","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004868468,0.0000142770805,8.576206e-7,0.00045055477,0.0005699454,0.0007127694,0.0039474256,0.000053079006,0.9893826],"genre_scores_gemma":[0.27221373,0.00011259274,0.000018546001,0.00090956985,0.00026730937,0.000007342987,0.00015336566,0.000095426316,0.7262221],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975795,0.00008586228,0.00043324335,0.00088566233,0.00040707018,0.00060863077],"domain_scores_gemma":[0.9984296,0.00012014238,0.00025182276,0.0006886138,0.00017677603,0.00033305545],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010732417,0.0006393253,0.0008387474,0.00067407987,0.0005313237,0.000078201265,0.0007207339,0.0002720995,0.00032541517],"category_scores_gemma":[0.000008352629,0.00073409884,0.00018722325,0.000029463157,0.00031845178,0.0001234356,0.00035411748,0.0006749971,0.0000073526876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015868088,0.000025599504,0.00009574622,0.000042500113,0.00016792274,0.0006872213,0.008367239,0.000009157455,0.000003595261,0.9656023,0.024341242,0.0004988414],"study_design_scores_gemma":[0.00093489146,0.000084649975,0.00016816349,0.00033633,0.000062050385,6.0234515e-7,0.0021001638,0.000012845696,0.000020355943,0.0041610766,0.9913016,0.00081724627],"about_ca_topic_score_codex":0.9963299,"about_ca_topic_score_gemma":0.9925177,"teacher_disagreement_score":0.9669604,"about_ca_system_score_codex":0.00097187876,"about_ca_system_score_gemma":0.0007303493,"threshold_uncertainty_score":0.999511},"labels":[],"label_agreement":null},{"id":"W4383197149","doi":"10.1017/9781009182942","title":"The Rise of the Graphic Novel","year":2023,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Periodization; Graphic design; Style (visual arts); Timeline; Diversification (marketing strategy); Literature; Argument (complex analysis); Representation (politics); Comic strip; Art; History; Visual arts; Politics; Political science","score_opus":0.031377475445231194,"score_gpt":0.18376531613913252,"score_spread":0.15238784069390132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383197149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036073985,0.00025350048,0.0000055170876,0.00009645108,0.0010426826,0.00033937104,0.00069809373,0.000056888555,0.9971468],"genre_scores_gemma":[0.0017695201,0.00015272183,0.0000010748261,0.000020405918,0.00022864174,0.0000011421366,0.000008660321,0.000029354826,0.9977885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991023,0.00005700853,0.00017414725,0.00022862479,0.0002394341,0.00019847915],"domain_scores_gemma":[0.9986471,0.00023495461,0.0002867518,0.0006006717,0.00018563673,0.000044900513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014628506,0.0002166435,0.00024595298,0.00011335158,0.0010171384,0.00009004305,0.00091446686,0.000106962805,0.0000033505319],"category_scores_gemma":[0.000013938211,0.0001415525,0.00039769182,0.000014455652,0.0016003295,0.000036588757,0.00044005425,0.0004100891,0.000003487375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021112432,0.000006720385,0.0000011936776,0.00003150693,0.00013606936,0.0000037538425,0.0011292389,4.1596485e-7,0.000007771656,0.79122204,0.20734265,0.00009752854],"study_design_scores_gemma":[0.00025459856,0.000020932044,0.00002793246,0.00011462709,0.00012782076,7.6720477e-7,0.0009975198,0.000022541428,0.000018652736,0.00022964022,0.9980126,0.00017233679],"about_ca_topic_score_codex":0.00021163072,"about_ca_topic_score_gemma":0.00029872943,"teacher_disagreement_score":0.7909924,"about_ca_system_score_codex":0.00004510634,"about_ca_system_score_gemma":0.00018255263,"threshold_uncertainty_score":0.7823109},"labels":[],"label_agreement":null},{"id":"W4385588167","doi":"10.5040/9781350329782","title":"Human Rights in Graphic Life Narrative","year":2023,"lang":"en","type":"book","venue":"Bloomsbury Publishing Plc eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Human rights; Comics; Refugee; Witness; Narrative; Media studies; Economic Justice; Immigration; Sociology; Gender studies; Political science; Art; Law; Literature","score_opus":0.04178585504052521,"score_gpt":0.23828880595453694,"score_spread":0.19650295091401174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385588167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007431689,0.00042861377,5.1074716e-7,0.00061358785,0.0023057626,0.00076655176,0.00024488862,0.0005684755,0.9876399],"genre_scores_gemma":[0.045589764,0.000007411313,0.0000065630225,0.00047809142,0.002700164,0.00015220854,0.00045539738,0.00015861703,0.9504518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99608064,0.00019443108,0.0011057178,0.0010519291,0.0007730828,0.0007942125],"domain_scores_gemma":[0.99765205,0.00030259593,0.00060407736,0.00079911714,0.00033368784,0.00030848413],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009592835,0.0008384269,0.001088933,0.002169438,0.0015362513,0.00448959,0.001196319,0.00044109832,0.0010663354],"category_scores_gemma":[0.00012891955,0.00077696575,0.0005058215,0.00010776584,0.0009083701,0.0010476357,0.0003628832,0.0023234067,0.00009088804],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010564601,0.000038781192,0.000009762068,0.00007649173,0.00018188573,0.00012380708,0.035307996,0.0000010115822,0.0000022976617,0.674234,0.2899048,0.00010860969],"study_design_scores_gemma":[0.0005734769,0.000082017155,0.000031364343,0.0004821539,0.00004726776,0.0000026061318,0.0017872193,0.000005141767,0.0000015190211,0.36718878,0.6291466,0.0006518653],"about_ca_topic_score_codex":0.0015329119,"about_ca_topic_score_gemma":0.07401804,"teacher_disagreement_score":0.33924177,"about_ca_system_score_codex":0.00015522425,"about_ca_system_score_gemma":0.0004937461,"threshold_uncertainty_score":0.99997824},"labels":[],"label_agreement":null},{"id":"W4385858856","doi":"10.1093/alh/ajad148","title":"Comics and American Cultural Policy","year":2023,"lang":"en","type":"article","venue":"American Literary History","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Comics; Nationalism; Empire; Character (mathematics); History; Literature; Media studies; Art; Political science; Sociology; Law; Ancient history; Politics","score_opus":0.023039651219147642,"score_gpt":0.23940665480745654,"score_spread":0.2163670035883089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385858856","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8364016,0.0018726792,0.0000026676246,0.0030082092,0.0004599575,0.0001268962,0.00009050037,0.0006433136,0.15739423],"genre_scores_gemma":[0.93188804,0.00047492265,0.00008267068,0.0024915398,0.0006152331,0.000016264732,0.000041282496,0.000044394154,0.064345665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933106,0.000042102132,0.00013094471,0.0002013037,0.00008573742,0.00020887384],"domain_scores_gemma":[0.9995476,0.000050924744,0.000116114614,0.00016642893,0.000024667173,0.000094269635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000048157886,0.00013197491,0.0002104733,0.0003338132,0.00014287845,0.000045360484,0.00010617949,0.000008080554,0.00013181627],"category_scores_gemma":[0.000012855172,0.000118161144,0.00005801587,0.0001618057,0.0023299407,0.00014555712,0.00005358531,0.00009274856,0.000037449478],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002308894,0.000027131287,0.0017721335,0.000012075001,0.000035690115,0.000014265795,0.1539624,2.1110525e-7,0.00008560284,0.29080966,0.5009214,0.052336294],"study_design_scores_gemma":[0.00010235386,0.00011553529,0.0021976938,0.000007473767,0.0000052342048,0.0000025953836,0.007644716,0.000058594487,7.9676676e-7,0.0011166009,0.98857725,0.0001711604],"about_ca_topic_score_codex":0.0046541058,"about_ca_topic_score_gemma":0.00044983346,"teacher_disagreement_score":0.48765582,"about_ca_system_score_codex":0.00007133868,"about_ca_system_score_gemma":0.000044742395,"threshold_uncertainty_score":0.85847634},"labels":[],"label_agreement":null},{"id":"W4385876527","doi":"10.30853/phil20230376","title":"Mixanthropic characters and their role in the graphic novel ‘Angel Catbird’ by M. Atwood","year":2023,"lang":"en","type":"article","venue":"Philology Theory & Practice","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Mythology; Originality; Consciousness; Perspective (graphical); Literature; Art; Computer science; History; Sociology; Visual arts; Philosophy; Epistemology; Anthropology","score_opus":0.02321129235649266,"score_gpt":0.24922111462720503,"score_spread":0.22600982227071237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385876527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8857653,0.0035000083,0.000032130858,0.07688269,0.000665426,0.00043214246,0.00010623525,0.00013929178,0.032476753],"genre_scores_gemma":[0.99385625,0.00082287315,0.0000043586524,0.004554672,0.00022239672,0.000058123118,0.000024382254,0.000020686144,0.00043627477],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859214,0.000522507,0.00020947908,0.0002874584,0.000091664486,0.00029673398],"domain_scores_gemma":[0.99721724,0.0022738366,0.00014399018,0.00027968624,0.000048942493,0.00003633165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015004597,0.00018475934,0.00020621899,0.00019401431,0.0004497173,0.00011561037,0.00026815335,0.000063614265,0.000116602],"category_scores_gemma":[0.0002692621,0.00012056056,0.000059675425,0.00016149804,0.00080255925,0.0003821723,0.0000768381,0.00038912255,0.00004558544],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001140409,0.00017615156,0.00024958383,0.000007298529,0.00008923787,0.000008006485,0.082446694,2.3946433e-7,0.00092306477,0.91343766,0.0015263773,0.0010216294],"study_design_scores_gemma":[0.00083441735,0.0002344986,0.004149976,0.000016973245,0.00007083883,0.000051292394,0.14496507,0.000058530997,0.000052629497,0.29785624,0.55138814,0.00032139022],"about_ca_topic_score_codex":0.0001453198,"about_ca_topic_score_gemma":0.0004141722,"teacher_disagreement_score":0.61558145,"about_ca_system_score_codex":0.00000759299,"about_ca_system_score_gemma":0.000019311343,"threshold_uncertainty_score":0.4916317},"labels":[],"label_agreement":null},{"id":"W4386256190","doi":"10.24908/iqurcp16680","title":"Time to Lay the Man to Rest: On Gender, Trauma and Father Figure in Spider-Verse","year":2023,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Spider; Character (mathematics); Sacrifice; Patriarchy; Ideology; Literature; Romance; Narrative; Theme (computing); History; Psychoanalysis; Art; Sociology; Psychology; Gender studies; Politics; Biology; Law; Archaeology","score_opus":0.1852392897389371,"score_gpt":0.3620956090105059,"score_spread":0.1768563192715688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386256190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7867236,0.000021946798,0.000003635804,0.15464358,0.00010218515,0.0010523291,0.00002342637,0.0001198435,0.05730944],"genre_scores_gemma":[0.9708949,0.00010853364,0.000016021617,0.00082499173,0.00029185883,0.00021329646,0.0000068373515,0.00003804546,0.027605524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741197,0.00010138145,0.00030216208,0.00062292995,0.000755214,0.0008063584],"domain_scores_gemma":[0.99862534,0.00033339014,0.000047315345,0.00022919873,0.00048796946,0.00027677696],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017098716,0.00025421276,0.0002744822,0.0009700516,0.00064861693,0.0008592127,0.0005258052,0.000076696764,0.00046811055],"category_scores_gemma":[0.00032252268,0.00018374239,0.000058525224,0.0007301112,0.0007175255,0.00025653638,0.00032626235,0.0006286635,0.0014861026],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020207642,0.000103039674,0.00026736027,0.0000712874,0.00004422122,0.00002639606,0.21417698,0.0000064689116,0.00093561166,0.6242526,0.15236934,0.007544584],"study_design_scores_gemma":[0.00094621896,0.0015348593,0.006943073,0.000541593,0.000012502603,0.000004607632,0.12265847,0.0008401771,0.00047065484,0.24385923,0.6214207,0.0007679338],"about_ca_topic_score_codex":0.0004278742,"about_ca_topic_score_gemma":0.0005951013,"teacher_disagreement_score":0.46905136,"about_ca_system_score_codex":0.00007427957,"about_ca_system_score_gemma":0.00009261429,"threshold_uncertainty_score":0.99929136},"labels":[],"label_agreement":null},{"id":"W4386341795","doi":"10.1515/9780888647351-006","title":"4 Mind the Gaps: Professors, “Coverage,” and the Canadian Literature Curriculum","year":2013,"lang":"en","type":"book-chapter","venue":"University of Alberta Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curriculum; Sociology; Psychology; Mathematics education; Pedagogy","score_opus":0.015894847232354313,"score_gpt":0.1738450811678253,"score_spread":0.15795023393547097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386341795","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010599443,0.0011039877,2.4251946e-7,0.0011092899,0.00019767825,0.00057204673,0.00011578467,0.0000041813746,0.99583685],"genre_scores_gemma":[0.034023024,0.00025803936,0.000003659675,0.00012323524,0.00013502805,8.0197503e-7,0.000027872675,0.000015052137,0.9654133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993006,0.000048934315,0.00012302402,0.0002193443,0.00013951372,0.00016857406],"domain_scores_gemma":[0.99901706,0.00019322598,0.0001893822,0.00034242214,0.000171882,0.00008605192],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009264164,0.00022962551,0.0002784487,0.00009555899,0.00094056124,0.00023067846,0.00040508204,0.000163829,0.0009876254],"category_scores_gemma":[0.000007195768,0.0001402435,0.0001578393,0.0000030680872,0.0014677242,0.00007303725,0.0001342947,0.00045515332,0.000010048259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021727461,0.0000030408514,0.0000024354376,0.00002827411,0.00016177994,0.0000045567995,0.11097012,1.5756888e-7,7.366853e-8,0.8711096,0.01693818,0.0007600797],"study_design_scores_gemma":[0.00045815881,0.000021425016,0.0000045689826,0.00021408644,0.00012640575,0.0000025917977,0.0013873654,0.000019219,8.1797225e-7,0.012861181,0.9847228,0.00018135755],"about_ca_topic_score_codex":0.54244477,"about_ca_topic_score_gemma":0.91461486,"teacher_disagreement_score":0.96778464,"about_ca_system_score_codex":0.00002321305,"about_ca_system_score_gemma":0.000097748256,"threshold_uncertainty_score":0.9999256},"labels":[],"label_agreement":null},{"id":"W4386711726","doi":"10.1386/jfs_00073_5","title":"Ms. Marvel’s America: No Normal, Jessica Baldanzi and Hussein Rashid (eds) (2020)","year":2023,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art; History; Ancient history","score_opus":0.03295508911078071,"score_gpt":0.26712194150412133,"score_spread":0.23416685239334062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386711726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9277658,0.033264253,0.00001117438,0.01985787,0.0018473418,0.00021652636,0.00003182994,0.00005048791,0.016954733],"genre_scores_gemma":[0.91516435,0.07268334,0.000030458079,0.0004894222,0.0014545048,0.000005745127,0.0000011507907,0.00001794433,0.010153099],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897224,0.0001284894,0.0003834735,0.000084267274,0.00022499457,0.00020652455],"domain_scores_gemma":[0.9985297,0.00068233913,0.00031332957,0.000120383724,0.00030345455,0.000050835282],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068668905,0.00015452594,0.00042489514,0.00011785651,0.000683148,0.000100479265,0.00019515154,0.000021901542,0.00021625072],"category_scores_gemma":[0.00018280966,0.000081430655,0.00011985819,0.00010754548,0.00064688845,0.00017221262,0.00015278134,0.00029514174,0.000038025213],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008751541,0.00008265715,0.00065652694,0.000092718554,0.0017533253,0.000081130536,0.17040536,0.000019451212,0.00049005356,0.010071209,0.8051085,0.010363899],"study_design_scores_gemma":[0.0024398228,0.00062504516,0.0034031272,0.00016652717,0.00027145635,0.00005358222,0.068685696,0.00006799603,0.00005456355,0.0072419876,0.9167085,0.00028168352],"about_ca_topic_score_codex":0.00003521189,"about_ca_topic_score_gemma":0.00017961678,"teacher_disagreement_score":0.111600004,"about_ca_system_score_codex":0.000010259425,"about_ca_system_score_gemma":0.000023917515,"threshold_uncertainty_score":0.5254291},"labels":[],"label_agreement":null},{"id":"W4386738792","doi":"10.7202/1104238ar","title":"De Jessie à Muriel, super-héroïnes tchèques face à la normalisation. Sur l’oeuvre transmédiatique du dessinateur tchèque Kája Saudek","year":2023,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018375077337381977,"score_gpt":0.22685860560074372,"score_spread":0.20848352826336175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386738792","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88644844,0.020533385,0.00036592345,0.05176531,0.0023864498,0.0006895631,0.0010460186,0.000617243,0.036147676],"genre_scores_gemma":[0.9042961,0.014319739,0.00009613062,0.00067384745,0.002080487,0.00014464029,0.00019855643,0.00014062441,0.078049906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963213,0.00075271,0.0007701718,0.0006828527,0.0004259387,0.0010470056],"domain_scores_gemma":[0.99762625,0.0009921993,0.00022716698,0.0004883318,0.0003474613,0.00031859934],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000914946,0.0006923268,0.0006622628,0.00040531365,0.0016420041,0.0017088101,0.00059206004,0.00043217256,0.0021924984],"category_scores_gemma":[0.0002078889,0.00067806593,0.0004557797,0.00041133593,0.0009048494,0.001241587,0.00014559891,0.0006659311,0.00021041773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009917019,0.00057420775,0.008784069,0.00066238025,0.0003145068,0.00044077547,0.21617734,0.00056272105,0.00020223965,0.63261384,0.13189264,0.0076761106],"study_design_scores_gemma":[0.0010533645,0.00026857655,0.016702551,0.0005567535,0.00013929026,0.000051397943,0.026165714,0.0042362018,0.00036894248,0.011687291,0.9378226,0.00094735867],"about_ca_topic_score_codex":0.0042793485,"about_ca_topic_score_gemma":0.005487215,"teacher_disagreement_score":0.8059299,"about_ca_system_score_codex":0.00015703555,"about_ca_system_score_gemma":0.00051021564,"threshold_uncertainty_score":0.99965775},"labels":[],"label_agreement":null},{"id":"W4386739045","doi":"10.7202/1104240ar","title":"Bringing Up Mischievous Strips: The Katzenjammer Kids’ Domestication in Spanish and Italian Children’s Comics Magazines","year":2023,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Comic strip; Narrative; Domestication; Iconography; Afterlife; Literature; Scope (computer science); Art; History; Aesthetics; Visual arts; Sociology; Biology","score_opus":0.018182670575477403,"score_gpt":0.2217278340690206,"score_spread":0.2035451634935432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386739045","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9818501,0.0004858922,0.0000058844284,0.005271558,0.00036506,0.00025474318,0.000052169184,0.00015687477,0.011557723],"genre_scores_gemma":[0.98680013,0.00030581208,0.000015043864,0.0002128302,0.0003500646,0.000020157584,0.000034303837,0.00003287824,0.012228776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99924004,0.000052021267,0.00018155284,0.00020244613,0.00010797358,0.00021595912],"domain_scores_gemma":[0.99955064,0.00012693224,0.00006232713,0.00018929815,0.000028498036,0.000042300977],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021221857,0.00013734063,0.00014171025,0.00017268467,0.00038889682,0.00028274895,0.00015580926,0.000043354125,0.00010346941],"category_scores_gemma":[0.00005535247,0.000103199316,0.00004252744,0.0001231144,0.00023859624,0.00010522059,0.00008097159,0.00019254253,0.000025718533],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051547384,0.0001299064,0.111231215,0.00006955856,0.00012161696,0.00002137313,0.08371786,0.000038741913,0.0001667325,0.6379365,0.15753908,0.0089758625],"study_design_scores_gemma":[0.0016226618,0.00013570048,0.5543096,0.0002180626,0.000057830293,0.000030221703,0.0226176,0.003458962,0.000041455824,0.014591683,0.40219754,0.0007186345],"about_ca_topic_score_codex":0.0007658705,"about_ca_topic_score_gemma":0.0039932565,"teacher_disagreement_score":0.62334484,"about_ca_system_score_codex":0.0000132398045,"about_ca_system_score_gemma":0.000016103935,"threshold_uncertainty_score":0.4208346},"labels":[],"label_agreement":null},{"id":"W4386754965","doi":"10.7202/1104232ar","title":"Pep, ou les cousins néerlandais","year":2023,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03307848403508193,"score_gpt":0.24259697017878468,"score_spread":0.20951848614370275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386754965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5866929,0.024416206,0.000025721742,0.08355739,0.00807979,0.00044658914,0.0014528239,0.00054560817,0.29478297],"genre_scores_gemma":[0.6332094,0.0069266185,0.000018113245,0.00027043937,0.0031755625,0.000024075585,0.00008992853,0.00005775451,0.3562281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983853,0.000102063095,0.00033966202,0.0003656568,0.00026708885,0.00054021855],"domain_scores_gemma":[0.9990379,0.00023267696,0.00011136717,0.00032605682,0.0001565007,0.00013548219],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027210749,0.0003083122,0.00032675435,0.00024590397,0.0015163716,0.00053209957,0.00026851913,0.00014476285,0.005098167],"category_scores_gemma":[0.000056104807,0.0002883803,0.0002586995,0.00021449078,0.0007500565,0.0001978046,0.0001459539,0.00028658853,0.0010495709],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023345607,0.00014539053,0.0016679784,0.00011546767,0.000107411164,0.00009141856,0.022429748,0.000020773601,0.000018868914,0.5962457,0.36512405,0.014009865],"study_design_scores_gemma":[0.00040283657,0.00019630586,0.0048944107,0.00017527645,0.000054520275,0.000008722405,0.009145825,0.00088358845,0.000015550944,0.008635949,0.9752177,0.00036932752],"about_ca_topic_score_codex":0.0022162977,"about_ca_topic_score_gemma":0.0055746576,"teacher_disagreement_score":0.61009365,"about_ca_system_score_codex":0.000049323495,"about_ca_system_score_gemma":0.00008266085,"threshold_uncertainty_score":0.99995685},"labels":[],"label_agreement":null},{"id":"W4386766217","doi":"10.26443/arc.v43i.374","title":"The Third Side of the Coin","year":2015,"lang":"en","type":"article","venue":"Arc The Journal of the School of Religious Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Computer science","score_opus":0.04153947449127174,"score_gpt":0.2637066114795937,"score_spread":0.22216713698832194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386766217","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8927581,0.054651756,0.0000018452256,0.034755442,0.0022320373,0.00026196594,0.00001125112,0.000006136127,0.01532148],"genre_scores_gemma":[0.98783726,0.008391761,0.000010270056,0.00033859146,0.0003493249,0.0000017786208,2.9283102e-8,0.000009595674,0.003061418],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99835944,0.00033112246,0.00058275106,0.00005855648,0.0005009969,0.00016712015],"domain_scores_gemma":[0.99687624,0.0007816742,0.0010204054,0.00045435425,0.00082473253,0.000042615407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017102999,0.00013780447,0.0003284421,0.000041632327,0.00079448795,0.000046790592,0.0010681826,0.000020527981,0.0000047801277],"category_scores_gemma":[0.0010408162,0.000042881955,0.00035975786,0.00008868832,0.0013037962,0.00006959102,0.00037561374,0.00038709812,0.000003830499],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044058423,0.0000785813,0.0038153366,0.00003398756,0.001790523,0.0000021439528,0.15974419,0.00024472663,0.0005786728,0.060018767,0.77285653,0.00039597662],"study_design_scores_gemma":[0.0013398322,0.00064507505,0.004698734,0.0005469231,0.0005836319,0.000080104044,0.21610948,0.000014938868,0.0021811065,0.56157357,0.21201336,0.00021324346],"about_ca_topic_score_codex":0.00018172135,"about_ca_topic_score_gemma":0.0014591743,"teacher_disagreement_score":0.56084317,"about_ca_system_score_codex":0.000031731972,"about_ca_system_score_gemma":0.00013831009,"threshold_uncertainty_score":0.6110639},"labels":[],"label_agreement":null},{"id":"W4386984648","doi":"10.1007/978-3-031-39035-7_2","title":"Medical Graphics and Graphic Medicine","year":2023,"lang":"en","type":"book-chapter","venue":"Biomedical visualization","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Outreach; Graphics; Graphic communication; Narrative; Syllabus; Visual communication; Multimedia; Graphic design; Computer science; Visual arts; Psychology; Computer graphics (images); Art; Mathematics education; Political science","score_opus":0.052841047828488426,"score_gpt":0.291519915611694,"score_spread":0.23867886778320557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386984648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032070294,0.005222892,0.0011904786,0.020106606,0.00797037,0.0010811104,0.00036727215,0.0012840081,0.9624566],"genre_scores_gemma":[0.017110892,0.023112398,0.000008209329,0.0030602075,0.0077986433,0.000040287174,0.00297423,0.00030796858,0.94558716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737734,0.000038417027,0.00063494174,0.00048143792,0.001224094,0.0002437505],"domain_scores_gemma":[0.9987209,0.00026742174,0.00023939938,0.0002240658,0.00017914208,0.00036910982],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059329846,0.00037093787,0.0005235422,0.00092921423,0.000335567,0.00007690956,0.0002226428,0.0005295896,0.0073484518],"category_scores_gemma":[0.00025745036,0.00028855813,0.00011746062,0.00009588455,0.002997834,0.00007209788,0.00012970853,0.00038093157,0.00007959963],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008444419,0.000018984721,0.000006566425,0.00010696478,0.00009569318,0.000028389477,0.002703132,4.4136987e-9,0.0000016775931,0.9450096,0.0487599,0.0032606467],"study_design_scores_gemma":[0.00038713458,0.00022210203,0.000020163487,0.00059453124,0.00007546191,0.0000062499444,0.00021836451,0.00026041863,2.116395e-7,0.21667947,0.7812487,0.0002872027],"about_ca_topic_score_codex":0.00006807312,"about_ca_topic_score_gemma":0.0006200546,"teacher_disagreement_score":0.7324888,"about_ca_system_score_codex":0.0000149876205,"about_ca_system_score_gemma":0.00009411203,"threshold_uncertainty_score":0.99995667},"labels":[],"label_agreement":null},{"id":"W4387397817","doi":"10.1353/wal.2023.a904161","title":"The Comic Book Western: New Perspectives on a Global Genre ed. by Christopher Conway and Antoinette Sol (review)","year":2023,"lang":"en","type":"article","venue":"Western American literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Praise; Pleasure; Reading (process); History; Comic strip; Excellence; Literature; Media studies; Art history; Art; Sociology; Philosophy; Psychology; Linguistics; Epistemology","score_opus":0.007164193056120302,"score_gpt":0.2436966160202769,"score_spread":0.2365324229641566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387397817","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23722318,0.7117763,0.000008297376,0.038309883,0.0007627871,0.0011568398,0.0011092239,0.00035123853,0.00930221],"genre_scores_gemma":[0.45136142,0.3621841,0.000020198806,0.036312602,0.0026648298,0.0001510213,0.00028847155,0.00012829382,0.14688906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986611,0.00010754624,0.00024300907,0.0004273716,0.00020974601,0.0003512194],"domain_scores_gemma":[0.9991307,0.000116581636,0.00017754184,0.0003624979,0.000072056224,0.00014062226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011262028,0.00031048956,0.00037414444,0.0000454018,0.00043830677,0.00059833145,0.0002647861,0.000038218128,0.00012254459],"category_scores_gemma":[0.000018264736,0.00020117032,0.00012549148,0.00014596382,0.0007021656,0.00016087812,0.000082501734,0.00028596015,0.00008121558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090562105,0.000035797402,0.0021633,0.000071271505,0.00010647899,0.000026666658,0.030778222,2.8155662e-7,0.00004171454,0.007188326,0.9519111,0.00758631],"study_design_scores_gemma":[0.0003452402,0.00030935445,0.004677058,0.00045883015,0.000026495076,0.000016174043,0.0056336434,0.00000867272,0.0000016207699,0.00014167104,0.9880961,0.00028514446],"about_ca_topic_score_codex":0.00012494739,"about_ca_topic_score_gemma":0.00033818602,"teacher_disagreement_score":0.34959224,"about_ca_system_score_codex":0.000033309727,"about_ca_system_score_gemma":0.00003685897,"threshold_uncertainty_score":0.82034874},"labels":[],"label_agreement":null},{"id":"W4387695164","doi":"10.31222/osf.io/ceda3","title":"Learning from comics versus non-comics material in education: Systematic review and meta-analysis","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Parkwood Institute; Western University","funders":"Technological University Dublin; European Commission","keywords":"Comics; Meta-analysis; Psychology; Mathematics education; Art; Literature; Medicine","score_opus":0.13173756644233037,"score_gpt":0.3038917792477211,"score_spread":0.17215421280539073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387695164","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057344604,0.51311684,0.0006608766,0.02901757,0.020845542,0.029666528,0.0069102743,0.004124064,0.3383137],"genre_scores_gemma":[0.53782517,0.051721063,0.0013847913,0.001874504,0.0011061268,0.0027693664,0.0040433765,0.00063293497,0.39864266],"study_design_codex":"meta_analysis","study_design_gemma":"meta_analysis","domain_scores_codex":[0.99864405,0.00016483717,0.00057103956,0.000378848,0.000119725315,0.00012151262],"domain_scores_gemma":[0.9989298,0.00015737643,0.0003899575,0.00042979384,0.00004905875,0.000044005792],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033152,0.0002701931,0.002172841,0.00039978334,0.000082793245,0.0003623337,0.0002143963,0.0000871499,0.0019649751],"category_scores_gemma":[0.000042407082,0.0002084053,0.0005025688,0.00009501452,0.000076677185,0.00003646289,0.00029996838,0.0002573278,0.000013898183],"study_design_candidate":"meta_analysis","study_design_consensus":"meta_analysis","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007113259,0.0002574574,0.00017152776,0.2915061,0.4257516,0.000010717958,0.03806571,0.00016605893,0.0000021087887,0.18133175,0.06265252,0.000013282193],"study_design_scores_gemma":[0.00047202353,0.00005263257,0.000027940323,0.0048595746,0.9643239,4.1895052e-7,0.016867107,0.0011765925,0.0000027056954,0.008427738,0.0026849578,0.001104448],"about_ca_topic_score_codex":0.0126206735,"about_ca_topic_score_gemma":0.029790912,"teacher_disagreement_score":0.53857225,"about_ca_system_score_codex":0.000021306876,"about_ca_system_score_gemma":0.00005152274,"threshold_uncertainty_score":0.9989474},"labels":[],"label_agreement":null},{"id":"W4387829896","doi":"10.3138/jeunesse-2022-0023","title":"Tisser le conte, l’album et la bande-dessinée : réfléchir les genres graphiques","year":2023,"lang":"fr","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Geography","score_opus":0.02181984268226413,"score_gpt":0.2845625960904349,"score_spread":0.26274275340817077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387829896","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8028365,0.038142778,0.00003537341,0.032494057,0.0036409914,0.00076999865,0.0007733656,0.0009933827,0.12031358],"genre_scores_gemma":[0.8338662,0.008431604,0.000033808737,0.000340377,0.0009633407,0.0001364548,0.00026487795,0.00011141518,0.15585192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99661636,0.00057792733,0.00067222374,0.0007748575,0.00047865306,0.000879999],"domain_scores_gemma":[0.9980855,0.00046287643,0.0003101094,0.0005355067,0.00036813226,0.00023785344],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072726887,0.0007345819,0.0007825963,0.00043804175,0.0019613418,0.0015716699,0.00053942023,0.00041694907,0.000969104],"category_scores_gemma":[0.00012023766,0.00062157435,0.0004999863,0.00049221463,0.0010512138,0.00081000064,0.0002406449,0.00071445067,0.00018437426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063924264,0.000320316,0.00592215,0.0003156511,0.00028644895,0.00007835458,0.07396743,0.000023597444,0.00067148596,0.7525968,0.16355345,0.0022004256],"study_design_scores_gemma":[0.0009930526,0.00014425935,0.08170583,0.0004375933,0.0001475344,0.0000637147,0.04776427,0.00011608844,0.00037942323,0.052613087,0.81460506,0.00103011],"about_ca_topic_score_codex":0.010547508,"about_ca_topic_score_gemma":0.14695744,"teacher_disagreement_score":0.6999837,"about_ca_system_score_codex":0.000034284374,"about_ca_system_score_gemma":0.00019419036,"threshold_uncertainty_score":0.99994415},"labels":[],"label_agreement":null},{"id":"W4388554749","doi":"10.1515/9781552388365-025","title":"Edmonton’s Local Heroes","year":2016,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.025795648800655536,"score_gpt":0.16949672478261182,"score_spread":0.14370107598195628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388554749","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025769763,0.0003834295,0.00032103996,0.000027254917,0.00020396723,0.00015890975,0.00011572654,0.00004696045,0.99871695],"genre_scores_gemma":[0.0023875516,0.00013445788,0.000025793319,0.000026355785,0.00015298714,1.4084002e-7,0.000009228479,0.000023202529,0.9972403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926704,0.000015599575,0.00014382735,0.00024487675,0.00018267856,0.00014596978],"domain_scores_gemma":[0.9992778,0.0000519511,0.0001823559,0.0002776456,0.00013351912,0.000076768265],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000453448,0.00022264461,0.00034203212,0.00011292647,0.00020052509,0.000022892029,0.00030151976,0.00014931936,0.0020682823],"category_scores_gemma":[0.00000117528,0.00020233469,0.00024747252,7.3583266e-7,0.0011738801,0.00005883571,0.00015884193,0.00018444429,0.000020390524],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079187615,0.000007336577,2.8626226e-7,0.000038271974,0.00015368417,0.000033415865,0.005919993,7.92469e-8,0.0000059963413,0.9677339,0.0032834646,0.022744348],"study_design_scores_gemma":[0.00035581618,0.00007384757,0.0000013306648,0.00019937636,0.00008268572,0.0000010767444,0.00030355464,0.000009489156,0.000019495621,0.031208923,0.9674981,0.00024630464],"about_ca_topic_score_codex":0.00069109956,"about_ca_topic_score_gemma":0.004520682,"teacher_disagreement_score":0.9642146,"about_ca_system_score_codex":0.000031288128,"about_ca_system_score_gemma":0.000050436887,"threshold_uncertainty_score":0.99884397},"labels":[],"label_agreement":null},{"id":"W4388580236","doi":"10.59350/p1sy6-vbn16","title":"Open Scholarship Award (2018) Honorable Mention to Editors of The Comics Grid: Journal of Comics Scholarship","year":2018,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Comics; Grid; Sociology; Media studies; Art; Political science; Literature; Law; Geography","score_opus":0.08434047490495208,"score_gpt":0.3016898031467816,"score_spread":0.21734932824182954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388580236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7431123,0.00064684084,0.0005826612,0.008441413,0.07452376,0.003348596,0.001009662,0.00014332664,0.16819143],"genre_scores_gemma":[0.9287504,0.00027091074,0.0034553,0.00086890144,0.01757326,0.000038084578,0.000048934347,0.00027568726,0.04871854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979861,0.00024563278,0.00078421173,0.00029402308,0.000444859,0.00024518778],"domain_scores_gemma":[0.9971857,0.00007680148,0.001185742,0.0007891978,0.0006226954,0.00013984276],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0018786166,0.00029598855,0.0006184841,0.00036703926,0.00032307708,0.0010732097,0.002483745,0.00020627395,0.0006818165],"category_scores_gemma":[0.00017982359,0.00020516895,0.00032457343,0.00009147318,0.00039476922,0.00035116402,0.0023145357,0.00087567046,0.000010317413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017052346,0.0002533087,0.006505401,0.0001449078,0.0004597033,0.0000010443207,0.0064902487,0.000030205054,0.0001438095,0.11567322,0.86986536,0.00026228416],"study_design_scores_gemma":[0.0011353651,0.00036596492,0.0016868,0.0012858553,0.00019294779,0.0000050089425,0.0033091377,0.000024359422,0.0018965033,0.085980915,0.90355325,0.00056387286],"about_ca_topic_score_codex":0.001093697,"about_ca_topic_score_gemma":0.0036557992,"teacher_disagreement_score":0.18563807,"about_ca_system_score_codex":0.00007499666,"about_ca_system_score_gemma":0.00029702086,"threshold_uncertainty_score":0.99996376},"labels":[],"label_agreement":null},{"id":"W4388618094","doi":"10.59350/7xgfg-zbg73","title":"Comics and the Multimodal World. An International Conference","year":2012,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Multimodal transport; Political science; History; Art; Literature; Law","score_opus":0.07599420071188263,"score_gpt":0.2828901836541513,"score_spread":0.20689598294226869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388618094","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05409534,0.00025015615,0.0001907779,0.00411171,0.002293776,0.000349606,0.00014061942,0.00010314352,0.9384649],"genre_scores_gemma":[0.96422625,0.00015333931,0.00020432465,0.00026998523,0.0007151465,0.000021456744,0.0000472615,0.0000149442185,0.034347314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994922,0.000044482276,0.00013019248,0.00015378011,0.000086281536,0.000093020855],"domain_scores_gemma":[0.99955064,0.000050671642,0.00008550615,0.0002082268,0.000062797626,0.00004215194],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001704736,0.00012706587,0.00015457507,0.00007926435,0.00012632164,0.00044446936,0.0002688597,0.00003505221,0.0032911052],"category_scores_gemma":[0.000005555959,0.000075170195,0.000050718147,0.0000056051367,0.0006153542,0.00008933002,0.00035144488,0.00024608773,0.0000047423227],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027803782,0.000025895366,0.00034267493,0.0000053027707,0.000054591288,1.6282787e-7,0.020181993,8.6325895e-7,0.0000011099012,0.9768595,0.0014919486,0.0010081396],"study_design_scores_gemma":[0.0026944578,0.00002349895,0.00223739,0.0000937576,0.00009299384,0.0000031551938,0.01411449,0.038787905,0.000010072497,0.37586558,0.56531113,0.0007655686],"about_ca_topic_score_codex":0.0014147,"about_ca_topic_score_gemma":0.015171559,"teacher_disagreement_score":0.9101309,"about_ca_system_score_codex":0.0000054026887,"about_ca_system_score_gemma":0.000016815635,"threshold_uncertainty_score":0.99762005},"labels":[],"label_agreement":null},{"id":"W4388643736","doi":"10.59350/vhq0d-h0302","title":"Comics versus Art: My Interview with Bart Beaty","year":2012,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Visual arts; Art; Literature","score_opus":0.09548314280699134,"score_gpt":0.25728378384297773,"score_spread":0.1618006410359864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388643736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051772157,0.0013829523,0.00032249236,0.0017200351,0.0025298446,0.0003923643,0.00011467088,0.00023589969,0.98812455],"genre_scores_gemma":[0.7344342,0.0006205197,0.00064734835,0.00084593694,0.0019284834,0.000106792875,0.00029864794,0.00015394829,0.26096416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991208,0.00004455941,0.00020696817,0.00026624088,0.00013214453,0.00022929226],"domain_scores_gemma":[0.99922097,0.00005030625,0.0001286398,0.00043964002,0.000068936475,0.000091494134],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001524756,0.0002823268,0.00035309844,0.00010447592,0.00012522913,0.0002451454,0.0002574836,0.0000885858,0.007217267],"category_scores_gemma":[0.000003753205,0.00019718581,0.00014680423,0.000015916949,0.0002683259,0.00007004094,0.0003628674,0.00038068966,0.00016728623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009207474,0.000102710095,0.00009005646,0.00015931946,0.00033945063,0.0000024919975,0.013977763,0.0000021788937,6.76174e-7,0.78357923,0.20012906,0.0015250094],"study_design_scores_gemma":[0.00052600855,0.000085931555,0.00003882674,0.00017820364,0.000086125016,9.552306e-7,0.0022583036,0.00003908034,0.0000068158665,0.0030445885,0.99337316,0.00036202415],"about_ca_topic_score_codex":0.00018560699,"about_ca_topic_score_gemma":0.008007378,"teacher_disagreement_score":0.79324406,"about_ca_system_score_codex":0.00002082559,"about_ca_system_score_gemma":0.000040749648,"threshold_uncertainty_score":0.99369025},"labels":[],"label_agreement":null},{"id":"W4388701500","doi":"10.7202/1106807ar","title":"Sémio-pragmatique de la bande dessinée et interculturalité : pour une comparaison et un aller-retour entre lectures modèles et empiriques","year":2023,"lang":"fr","type":"article","venue":"Revue de recherches en littératie médiatique multimodale","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.08163047974895492,"score_gpt":0.3577242534983888,"score_spread":0.2760937737494339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388701500","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7037222,0.012960202,0.008175578,0.230868,0.0006215855,0.0014601769,0.0008651929,0.0008715545,0.040455565],"genre_scores_gemma":[0.9161474,0.018697746,0.016549123,0.0040365616,0.0011229285,0.00037190033,0.00054008106,0.00024434173,0.04228989],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9860006,0.010727829,0.0010503122,0.0008604777,0.00029394717,0.0010668404],"domain_scores_gemma":[0.9911955,0.006989656,0.00050970615,0.0006165041,0.00031626684,0.00037239076],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00544376,0.00094760867,0.0011109436,0.0004096007,0.0005226498,0.0011233003,0.00067570934,0.0011772898,0.00040222614],"category_scores_gemma":[0.0014004757,0.00090385496,0.00061982,0.00046136664,0.0006211727,0.0006874114,0.00026587094,0.0025419635,0.00007047374],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014385911,0.00068529276,0.0030928194,0.0010206345,0.00070595095,0.00013028875,0.45724255,0.006217801,0.0035811109,0.5013752,0.0146758435,0.011128635],"study_design_scores_gemma":[0.0030277267,0.00057583686,0.045621242,0.0040377593,0.0003863401,0.00022853479,0.055300172,0.12503023,0.007928985,0.23828506,0.5167365,0.002841586],"about_ca_topic_score_codex":0.0111586405,"about_ca_topic_score_gemma":0.015442552,"teacher_disagreement_score":0.50206065,"about_ca_system_score_codex":0.0007681262,"about_ca_system_score_gemma":0.0014017279,"threshold_uncertainty_score":0.99991363},"labels":[],"label_agreement":null},{"id":"W4388767475","doi":"10.1111/jpcu.13218","title":"Beyond the Icon: Asian American Graphic Narratives. Ed. EleanorTy. Ohio State UP, 208 pp. $99.95 hardcover.","year":2023,"lang":"en","type":"article","venue":"The Journal of Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; State (computer science); Narrative; History; Citation; Library science; Art history; Art; Literature; Computer science","score_opus":0.015473954248422985,"score_gpt":0.23906887806872554,"score_spread":0.22359492382030255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388767475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92252135,0.022883074,0.000032792163,0.036677122,0.0037238086,0.0006169793,0.00021806262,0.000113261915,0.013213552],"genre_scores_gemma":[0.9573198,0.020183153,0.00003558403,0.0019592568,0.0020455641,0.000008082869,0.000031641564,0.00006393496,0.01835298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981797,0.00032905498,0.0004928739,0.00015057785,0.0004926226,0.0003552005],"domain_scores_gemma":[0.9985483,0.000035546855,0.00068132975,0.0003364231,0.00028547656,0.000112893584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008073247,0.0002716366,0.00039287307,0.00010183085,0.0011605069,0.00030289523,0.0006813181,0.00003977317,0.00027823163],"category_scores_gemma":[0.00004171564,0.00012650754,0.00038071565,0.00034077957,0.0008270051,0.00030024405,0.000078116456,0.00079482317,0.000039612303],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011193844,0.00003763132,0.00024037989,0.000009716921,0.0003716291,0.00003335467,0.27005473,0.000023235572,0.0005945373,0.05877726,0.66838276,0.0013628372],"study_design_scores_gemma":[0.0003917129,0.0003460548,0.00050519354,0.000042956926,0.00009503217,0.000057794517,0.18239312,0.000015952834,0.000040568033,0.029404048,0.7864891,0.00021846233],"about_ca_topic_score_codex":0.000060337836,"about_ca_topic_score_gemma":0.0014050956,"teacher_disagreement_score":0.118106365,"about_ca_system_score_codex":0.000024934721,"about_ca_system_score_gemma":0.000058609225,"threshold_uncertainty_score":0.8925798},"labels":[],"label_agreement":null},{"id":"W4388810971","doi":"10.1353/vpr.2023.a912323","title":"Comic Empires: Imperialism in Cartoons, Caricature and Comic Art ed. by Richard Scully and Andrekos Varnava (review)","year":2023,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Empire; Context (archaeology); Politics; Style (visual arts); Colonialism; History; Literature; Art history; Art; Classics; Law; Ancient history; Political science; Archaeology","score_opus":0.010397304453813467,"score_gpt":0.24836084033905786,"score_spread":0.2379635358852444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388810971","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031766687,0.9514416,5.1817966e-7,0.012989083,0.0007273556,0.0011433156,0.00040895262,0.00009917318,0.0014233314],"genre_scores_gemma":[0.024537425,0.9690106,0.0000089818595,0.0044247205,0.00038462834,0.0001582836,0.00019649243,0.000036850422,0.0012420189],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978494,0.00028690972,0.00068889756,0.00052269787,0.00025372734,0.0003983907],"domain_scores_gemma":[0.99900115,0.00014186594,0.00017663048,0.00037936235,0.00007286005,0.00022811406],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007443903,0.00036083808,0.0010646605,0.0001393832,0.0003616822,0.00024444656,0.000230755,0.0001067753,0.0010154017],"category_scores_gemma":[0.00017246876,0.00028564985,0.00018502868,0.00024179777,0.0004365261,0.00014451017,0.00014752267,0.0003586022,0.00012827216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010756264,0.000044871456,0.00050799095,0.0051953555,0.00007346168,0.000018945613,0.0054503684,1.8822597e-8,0.0002169018,0.0089,0.976246,0.0033353488],"study_design_scores_gemma":[0.00045467916,0.00006484389,0.00050192856,0.0057795974,0.00010441529,0.000012524169,0.0001943817,0.000005469574,0.0000018098655,0.00019562102,0.99233496,0.0003497697],"about_ca_topic_score_codex":0.0000926688,"about_ca_topic_score_gemma":0.00033570197,"teacher_disagreement_score":0.017569013,"about_ca_system_score_codex":0.00003255444,"about_ca_system_score_gemma":0.000082028484,"threshold_uncertainty_score":0.9999596},"labels":[],"label_agreement":null},{"id":"W4388837765","doi":"10.26818/9780814215548","title":"Growing Up Graphic: The Comics of Children in Crisis","year":2023,"lang":"en","type":"book","venue":"The Ohio State University Press eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Political science; Art; Literature","score_opus":0.0279687575288883,"score_gpt":0.19583953683206398,"score_spread":0.16787077930317568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388837765","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031802258,0.0001156075,0.00000602141,0.00028426052,0.00032165818,0.00052106776,0.0006733263,0.000099116216,0.9947987],"genre_scores_gemma":[0.0104776975,0.00039031348,0.000001659917,0.0000792964,0.000084118954,0.0000011409259,0.000033341752,0.00005421775,0.9888782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904954,0.00012868334,0.00019761553,0.00021916577,0.0001923907,0.00021257829],"domain_scores_gemma":[0.9990196,0.00019626232,0.00024401648,0.00044837254,0.000060787588,0.000030933952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024085055,0.0002273564,0.00032176162,0.00028159207,0.00037467846,0.00006509435,0.0007918972,0.00007366569,0.000021165419],"category_scores_gemma":[0.000003483303,0.00015696557,0.00020743925,0.000021648351,0.00072541053,0.000075659984,0.00035192564,0.0004526912,0.0000022356808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055225748,0.0000080768805,0.000005066538,0.000026971195,0.00023708063,0.000008161341,0.03913118,0.000010453721,0.0000015908262,0.8930061,0.067254335,0.00025575937],"study_design_scores_gemma":[0.0008053334,0.000058202306,0.000060342245,0.00024680182,0.00022985296,0.0000015165006,0.012230422,0.000040591156,0.000026490465,0.04933924,0.9365297,0.00043151394],"about_ca_topic_score_codex":0.0025855068,"about_ca_topic_score_gemma":0.005001326,"teacher_disagreement_score":0.86927533,"about_ca_system_score_codex":0.000034594534,"about_ca_system_score_gemma":0.00006482135,"threshold_uncertainty_score":0.640087},"labels":[],"label_agreement":null},{"id":"W4389018132","doi":"10.37536/reden.2023.5.2171","title":"Submitting to Loving Authority: Wonder Woman’s DeleuzoGuattarian Ethics","year":2023,"lang":"en","type":"article","venue":"REDEN. Revista española de estudios norteamericanos/Revista española de estudios norteamericanos","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Wonder; Narrative; HERO; Virtue; Aesthetics; Sociology; Psychoanalysis; Philosophy; Literature; Psychology; Art; Epistemology","score_opus":0.04571641231398313,"score_gpt":0.29130735413197917,"score_spread":0.24559094181799604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389018132","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.970328,0.001938189,0.0030117978,0.013241832,0.0012224487,0.0033088317,0.0003736909,0.0022157603,0.004359481],"genre_scores_gemma":[0.977722,0.0017281016,0.0021766284,0.0073709087,0.003017868,0.0010551065,0.00017462419,0.0006113145,0.006143431],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.98513585,0.0021165055,0.0030020836,0.0032271394,0.002208356,0.0043100575],"domain_scores_gemma":[0.989005,0.0030309765,0.0017952768,0.002884419,0.0013151761,0.0019691235],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.005011008,0.0023305647,0.003578109,0.0019984362,0.0040904437,0.0028411534,0.0027449843,0.00056841975,0.0006860827],"category_scores_gemma":[0.0048239757,0.002406875,0.0014318479,0.0045264093,0.002114735,0.0007755607,0.0015542551,0.0038724146,0.0009287995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000791194,0.0019892645,0.31373432,0.0018839795,0.0046148123,0.002556996,0.21656589,0.0009809008,0.0066547915,0.24471964,0.15626103,0.049247164],"study_design_scores_gemma":[0.0018539126,0.001495826,0.05512136,0.0012052293,0.0011591127,0.00024219535,0.06289605,0.0016863197,0.00013984366,0.00040423142,0.8691979,0.00459802],"about_ca_topic_score_codex":0.0038661242,"about_ca_topic_score_gemma":0.0030731794,"teacher_disagreement_score":0.7129369,"about_ca_system_score_codex":0.0015382638,"about_ca_system_score_gemma":0.002495236,"threshold_uncertainty_score":0.9998491},"labels":[],"label_agreement":null},{"id":"W4390075366","doi":"10.7202/1108187ar","title":"Le rapport à la bande dessinée d’enseignantes et enseignants de français au secondaire suisse romand : conceptions et pratiques en interaction","year":2023,"lang":"fr","type":"article","venue":"Nouveaux cahiers de la recherche en éducation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.10360114224993407,"score_gpt":0.36627028891054997,"score_spread":0.2626691466606159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390075366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83207995,0.0013577242,0.0017243405,0.014963902,0.0010666229,0.00044003295,0.00012586034,0.00022965886,0.1480119],"genre_scores_gemma":[0.9432809,0.0037311916,0.0011881453,0.00077895675,0.00046626895,0.00018004012,0.00027596427,0.000081682796,0.05001685],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9892909,0.009014223,0.0005032969,0.000463654,0.00019538222,0.00053253066],"domain_scores_gemma":[0.9907988,0.00819289,0.0002804243,0.00031697497,0.00022033112,0.00019059112],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.008882544,0.00037621596,0.00037264492,0.0003816197,0.00086660957,0.00057279895,0.00023533175,0.0011841472,0.00049776695],"category_scores_gemma":[0.002137418,0.00040522276,0.00022523855,0.00030186897,0.0008590705,0.0007946887,0.000052033534,0.002339296,0.00006468514],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004186993,0.000271736,0.0004457851,0.00012391886,0.00014347554,0.000018041665,0.72726583,0.000044237833,0.0019639481,0.24784216,0.015787747,0.0060512116],"study_design_scores_gemma":[0.0008648114,0.00018254475,0.018592184,0.0005823101,0.0001445803,0.00009700434,0.6054275,0.001253057,0.0017083997,0.044959504,0.32559383,0.00059428765],"about_ca_topic_score_codex":0.0034560817,"about_ca_topic_score_gemma":0.006244948,"teacher_disagreement_score":0.30980608,"about_ca_system_score_codex":0.0011250041,"about_ca_system_score_gemma":0.0059248772,"threshold_uncertainty_score":0.99996233},"labels":[],"label_agreement":null},{"id":"W4390400170","doi":"10.32861/ellr.101.12.15","title":"The Metonymy about Power in The Handmaid's Tale","year":2023,"lang":"en","type":"article","venue":"English Literature and Language Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metonymy; Dystopia; Oppression; Power (physics); Synecdoche; Literature; Linguistics; History; Sociology; Art; Philosophy; Political science; Law; Physics","score_opus":0.008259062598384874,"score_gpt":0.24314433014810513,"score_spread":0.23488526754972025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390400170","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02028855,0.92400044,1.3476773e-7,0.00261852,0.00039739022,0.00038130942,0.000037025115,0.00004336662,0.052233238],"genre_scores_gemma":[0.4714457,0.49597397,0.000007090027,0.008125111,0.0015541014,0.00021377266,0.00014699371,0.000030120083,0.02250312],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992576,0.00014817511,0.00017704992,0.0001354814,0.000114265174,0.00016739934],"domain_scores_gemma":[0.9993747,0.00026350695,0.0000448533,0.00023900667,0.000055290668,0.000022647051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008071464,0.00011371492,0.00016784859,0.000044874872,0.0003123759,0.00054415746,0.00018307383,0.000025403999,0.00019975382],"category_scores_gemma":[0.00017033001,0.000049862956,0.00008923847,0.0002166446,0.00010281469,0.000114801594,0.000033797423,0.00024545265,0.000011378004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058041874,0.000014773921,0.000023837834,0.0003839674,0.000025134093,0.000060852937,0.58679724,2.5008722e-8,0.000002855893,0.28128648,0.11151479,0.01988424],"study_design_scores_gemma":[0.00013151593,0.00001787766,0.00012751762,0.0011105598,0.000013026985,0.000002890564,0.013048211,0.0000012979253,9.010391e-7,0.00078815164,0.98467857,0.00007948834],"about_ca_topic_score_codex":0.000010452703,"about_ca_topic_score_gemma":0.00026264144,"teacher_disagreement_score":0.87316376,"about_ca_system_score_codex":0.0000025792008,"about_ca_system_score_gemma":0.0000073473025,"threshold_uncertainty_score":0.5247323},"labels":[],"label_agreement":null},{"id":"W4390727525","doi":"10.1080/02722011.2023.2273038","title":"<i>Comic Sans</i> and <i>THIS IS SERIOUS</i> : Canadian Comics Visibility and Recognition <b> <i>Comic Sans</i> and <i>THIS IS SERIOUS</i> : Canadian Comics Visibility and Recognition </b>","year":2023,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Comics; Visibility; Visual arts; Media studies; Art; Sociology; Geography; Literature; Meteorology","score_opus":0.04207108354873686,"score_gpt":0.27077995396665916,"score_spread":0.22870887041792232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390727525","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8173002,0.11484259,6.0230326e-7,0.04152853,0.0003455038,0.0025022868,0.011582321,0.00016327515,0.011734674],"genre_scores_gemma":[0.4356522,0.5171451,0.00009770167,0.045597963,0.00016157064,0.00011299876,0.00017272089,0.0001544881,0.00090528897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99675286,0.00036769948,0.0008332827,0.00088034064,0.000243051,0.0009227924],"domain_scores_gemma":[0.9970033,0.00037506438,0.00051740557,0.0006835633,0.0003186213,0.0011020532],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0012923458,0.0006332914,0.0014580042,0.00096622005,0.0013343326,0.00021481817,0.0002850321,0.00010081646,0.00020986765],"category_scores_gemma":[0.00017619373,0.00055723905,0.00017362635,0.00080261216,0.003358919,0.00022669761,0.00014815747,0.00041400196,0.000013847006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008957315,0.000038610044,0.008422063,0.0044614905,0.0010083729,0.00004286979,0.054180585,1.0970634e-7,0.00011064597,0.0011108319,0.76642,0.16411485],"study_design_scores_gemma":[0.0011918588,0.00049033546,0.006423876,0.0034781932,0.00092227757,0.000096176955,0.020625623,0.00007447353,0.00006520276,0.010778513,0.95417255,0.0016809114],"about_ca_topic_score_codex":0.97339207,"about_ca_topic_score_gemma":0.99764526,"teacher_disagreement_score":0.40230247,"about_ca_system_score_codex":0.00026760114,"about_ca_system_score_gemma":0.00067233876,"threshold_uncertainty_score":0.9999658},"labels":[],"label_agreement":null},{"id":"W4390732103","doi":"10.1080/02722011.2023.2257028","title":"Album, <i>comic books</i> , romans graphiques : le fonctionnement en silos des modèles de diffusion au Canada","year":2023,"lang":"fr","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Comics; Art; Humanities; Literature","score_opus":0.03283155882872166,"score_gpt":0.2641259740119244,"score_spread":0.23129441518320273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390732103","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33540055,0.5867927,0.0000034335442,0.06720604,0.0006209888,0.00062802195,0.0007474614,0.000031957785,0.008568819],"genre_scores_gemma":[0.23139694,0.75747174,0.00004724498,0.00447291,0.00038090485,0.000103056256,0.000016820411,0.000032214033,0.006078153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979272,0.00041024978,0.0005143473,0.00025140925,0.00024419784,0.0006526268],"domain_scores_gemma":[0.99835294,0.00044834038,0.00036158785,0.00037047843,0.0002384899,0.00022815283],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0006352887,0.00031582793,0.0008249444,0.00036038883,0.0015465585,0.000036192934,0.00035870427,0.000019069501,0.00006323432],"category_scores_gemma":[0.00012806265,0.00023795878,0.00022304793,0.00061786745,0.0028591286,0.0000720256,0.000116231444,0.00017957466,0.0000065954664],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017845507,0.00006152347,0.0017134948,0.006137069,0.0015346569,0.000043389427,0.042818964,0.000013182393,0.000052293213,0.32726014,0.5672722,0.05307527],"study_design_scores_gemma":[0.00014164293,0.00016049562,0.008835207,0.005051026,0.00027267408,0.0000060771204,0.044461023,0.000019857936,0.000020009695,0.006687288,0.9340473,0.0002974156],"about_ca_topic_score_codex":0.9973667,"about_ca_topic_score_gemma":0.999802,"teacher_disagreement_score":0.3667751,"about_ca_system_score_codex":0.000669612,"about_ca_system_score_gemma":0.002413027,"threshold_uncertainty_score":0.9998545},"labels":[],"label_agreement":null},{"id":"W4390732176","doi":"10.11606/t.8.2023.tde-11012024-174132","title":"Literatura fora de controle: a educação literária como a criatura de Frankenstein","year":2023,"lang":"pt","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Art; Humanities","score_opus":0.016954205784068685,"score_gpt":0.2733008203666675,"score_spread":0.2563466145825988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390732176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8950413,0.020813847,0.00022459251,0.004677723,0.013391162,0.0026812316,0.0018933192,0.0008327072,0.060444154],"genre_scores_gemma":[0.6716869,0.00081284635,0.00009863266,0.0012315634,0.0015199245,0.00021371091,0.0021797838,0.00016506619,0.32209155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964171,0.00028522155,0.000988032,0.00080482644,0.00039471837,0.0011101197],"domain_scores_gemma":[0.997408,0.0005948471,0.0004715506,0.0005810177,0.00060784665,0.00033677203],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060151157,0.0009099555,0.0010851745,0.00071153376,0.0011264144,0.003818812,0.0005590553,0.0006119008,0.0034821157],"category_scores_gemma":[0.00014519812,0.0008043023,0.0007822969,0.0003035607,0.00019455158,0.00029114718,0.00007206055,0.001174538,0.00025436014],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007784474,0.0003107458,0.00018847089,0.0008215942,0.0008450129,0.00011031551,0.39545435,0.0000029974394,0.0011231293,0.5545323,0.036577806,0.009254825],"study_design_scores_gemma":[0.0058249915,0.0010864078,0.0023868158,0.004301003,0.001043993,0.00005236852,0.33548653,0.009976903,0.0003294284,0.06249311,0.5734673,0.0035511558],"about_ca_topic_score_codex":0.0021098726,"about_ca_topic_score_gemma":0.0048090997,"teacher_disagreement_score":0.5368895,"about_ca_system_score_codex":0.00014042933,"about_ca_system_score_gemma":0.0006263466,"threshold_uncertainty_score":0.9994408},"labels":[],"label_agreement":null},{"id":"W4390769690","doi":"10.1080/02722011.2023.2246789","title":"Canada in its Jammies: The Promotional Self-Mockery of Richard Comely’s<i>Captain Canuck</i>","year":2023,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"University of Saskatchewan","keywords":"Comics; Nationalism; HERO; Media studies; Feeling; History; Political science; Sociology; Literature; Law; Art; Politics; Psychology","score_opus":0.04563845392317197,"score_gpt":0.26663429321911775,"score_spread":0.22099583929594577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390769690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4239674,0.35634476,7.982251e-8,0.19464569,0.00063254614,0.0018545605,0.0013470743,0.000041663523,0.021166243],"genre_scores_gemma":[0.829373,0.16499303,0.000004917111,0.0044932966,0.00008758692,0.00010005959,0.000009198867,0.000013926625,0.0009250026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987682,0.00017040457,0.00040816062,0.00012843954,0.00025344215,0.0002713661],"domain_scores_gemma":[0.99877137,0.0003585278,0.0003083178,0.00024770715,0.0002526621,0.00006144286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064179243,0.00014316663,0.00056792283,0.00023501708,0.00026663236,0.00000965018,0.00033543436,0.000005919334,0.00007042877],"category_scores_gemma":[0.00016452186,0.00007985275,0.000091934395,0.0008327738,0.00072073063,0.00003070907,0.000060160648,0.0001187782,0.000004613163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010284729,0.000028838229,0.001182286,0.00276605,0.00086479157,0.000022078713,0.048676103,0.0000070401147,0.0000067735727,0.15088108,0.7877897,0.0077649774],"study_design_scores_gemma":[0.00008408194,0.00005983484,0.006683049,0.0011478944,0.000062961946,0.0000016914869,0.02550473,0.000009828946,0.0000057207526,0.0008883833,0.96541166,0.00014016619],"about_ca_topic_score_codex":0.9332017,"about_ca_topic_score_gemma":0.9980246,"teacher_disagreement_score":0.40540558,"about_ca_system_score_codex":0.000105633255,"about_ca_system_score_gemma":0.0010158196,"threshold_uncertainty_score":0.32563004},"labels":[],"label_agreement":null},{"id":"W4390770307","doi":"10.1080/02722011.2023.2246787","title":"Alter Ego : Le genre superhéroïque dans la BD au Québec (1968-1995) <b>Alter Ego : Le genre superhéroïque dans la BD au Québec (1968-1995)</b> , par Philippe Rioux, Montréal, Les Presses de l’Université de Montréal, 2022, 368 pp., CAN$34.95 (paper), ISBN: 978-2-7606-4630-8","year":2023,"lang":"fr","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Id, ego and super-ego; Humanities; Sociology; Psychology; Art; Psychoanalysis","score_opus":0.014637658633021971,"score_gpt":0.2223580840412691,"score_spread":0.20772042540824714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390770307","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27397364,0.6036678,0.0000060870047,0.10896474,0.00031880356,0.0010145128,0.001888283,0.00010824253,0.010057878],"genre_scores_gemma":[0.24050571,0.73250884,0.000045784782,0.003595623,0.00071191904,0.0002984054,0.000112249705,0.0002046231,0.022016821],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928308,0.0018773956,0.0013601396,0.0011365677,0.00062149495,0.002173578],"domain_scores_gemma":[0.9946638,0.0015372378,0.0007932806,0.0015566397,0.00048757356,0.0009614768],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0014772746,0.0013018181,0.0025527393,0.0005632504,0.004941313,0.00020725395,0.0015505172,0.00020881908,0.00060064276],"category_scores_gemma":[0.00040844412,0.0011062905,0.0010341099,0.0011759724,0.0071059815,0.00039507402,0.00072968286,0.0009450247,0.00008327825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015959893,0.00032988316,0.018552227,0.004458424,0.004007348,0.00094868976,0.28145805,0.00015112617,0.00084009493,0.024037475,0.63497823,0.030078841],"study_design_scores_gemma":[0.0006011046,0.00033254083,0.0145858275,0.0023208177,0.0009812788,0.00015318596,0.14394806,0.000060230042,0.000115108065,0.00034672508,0.8354878,0.001067304],"about_ca_topic_score_codex":0.99785036,"about_ca_topic_score_gemma":0.99969196,"teacher_disagreement_score":0.20050956,"about_ca_system_score_codex":0.0034741994,"about_ca_system_score_gemma":0.010791813,"threshold_uncertainty_score":0.99997336},"labels":[],"label_agreement":null},{"id":"W4390771106","doi":"10.1080/02722011.2023.2269813","title":"Transferts culturels et résistances dans la traduction de bandes dessinées au Canada","year":2023,"lang":"fr","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège de Maisonneuve; University of Regina","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03541621488104266,"score_gpt":0.2927864171816084,"score_spread":0.25737020230056573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390771106","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10783392,0.7179208,0.0000022373893,0.1343666,0.0007723605,0.0003707852,0.00083342986,0.000022572049,0.037877284],"genre_scores_gemma":[0.3788327,0.61576986,0.000009194752,0.0026708962,0.00021190323,0.000038584465,0.00000797894,0.000015398766,0.0024434652],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982929,0.00048167413,0.00037875958,0.00019197047,0.0002090085,0.0004456425],"domain_scores_gemma":[0.9988446,0.00042332843,0.00021405815,0.00021572514,0.00014701039,0.00015524947],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007277169,0.00024104914,0.00069074944,0.00017049651,0.00081587007,0.000043863325,0.0002392119,0.0000172411,0.000046749832],"category_scores_gemma":[0.00011563971,0.00016378165,0.0001771252,0.00070603815,0.00290017,0.0000706159,0.000016023563,0.00016866908,0.0000022263962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013354939,0.000018744002,0.00059946754,0.005123731,0.0010029799,0.00005066133,0.11695811,0.0000143820635,0.000013727497,0.5680442,0.27479568,0.03336499],"study_design_scores_gemma":[0.00005854405,0.00006113152,0.0049416516,0.0048002372,0.00024486784,0.000013998859,0.08592946,0.0000028411978,0.000013779454,0.0029505019,0.90078646,0.00019651944],"about_ca_topic_score_codex":0.98905855,"about_ca_topic_score_gemma":0.9997425,"teacher_disagreement_score":0.6259908,"about_ca_system_score_codex":0.00032627466,"about_ca_system_score_gemma":0.0024181379,"threshold_uncertainty_score":0.9998134},"labels":[],"label_agreement":null},{"id":"W4390771301","doi":"10.1080/02722011.2023.2248827","title":"Graphic Indigeneity: Comics in the Americas and Australasia <b>Graphic Indigeneity: Comics in the Americas and Australasia</b> , edited by Frederick Luis Aldama, Jackson, University Press of Mississippi, 2020, 381 pp., $35.00 (paper), ISBN: 978-1-49682-802-6.","year":2023,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Comics; Media studies; History; Art; Geography; Art history; Archaeology; Sociology; Literature","score_opus":0.034819740011577796,"score_gpt":0.27102097195964553,"score_spread":0.23620123194806775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390771301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8135961,0.15242006,9.754565e-7,0.026041145,0.00015377684,0.0019240617,0.0011606901,0.00006692032,0.00463625],"genre_scores_gemma":[0.5041255,0.49344653,0.0000198722,0.0018716292,0.0000678022,0.000030370182,0.000030836665,0.000043205957,0.00036427221],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714816,0.00075259333,0.00064957957,0.00045078155,0.00038039326,0.0006184688],"domain_scores_gemma":[0.9976638,0.0006615783,0.00073352066,0.000659721,0.00011446058,0.00016689449],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000992205,0.00045198115,0.0012576644,0.00066744274,0.00057379075,0.00008182837,0.000848019,0.000056347482,0.000019653757],"category_scores_gemma":[0.00010707241,0.00029328145,0.0001919792,0.002577874,0.004886697,0.00012700992,0.00015605189,0.00047336295,9.266746e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091978654,0.00021374373,0.041748267,0.00181141,0.0012587442,0.00011834519,0.10266119,0.0000041554586,0.000063676205,0.011584208,0.82656914,0.013875161],"study_design_scores_gemma":[0.0005103985,0.00034149343,0.035570834,0.0010245247,0.00030588455,0.000019327323,0.16338569,0.000020618892,0.0000063176076,0.00038134019,0.7979479,0.00048571278],"about_ca_topic_score_codex":0.21116047,"about_ca_topic_score_gemma":0.301399,"teacher_disagreement_score":0.34102648,"about_ca_system_score_codex":0.000045929824,"about_ca_system_score_gemma":0.0001550188,"threshold_uncertainty_score":0.99995196},"labels":[],"label_agreement":null},{"id":"W4390779783","doi":"10.1080/02722011.2023.2252296","title":"<b> Pasts, Presents, and Futures of Canadian Comics, <i>Canadian Literature</i> no. 249 </b> <b> Pasts, Presents, and Futures of Canadian Comics, <i>Canadian Literature</i> no. 249 </b> (2022), Guest edited by Candida Rifkind and Zachary J.A. Rondinelli, Vancouver, University of British Columbia, 194 pp., CAN $23.95 (paper).","year":2023,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Futures contract; Comics; Media studies; Canadian literature; History; Sociology; Political science; Art; Literature; Law; Business","score_opus":0.008876137716854516,"score_gpt":0.19292465003921663,"score_spread":0.1840485123223621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390779783","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105761975,0.7360398,1.1703559e-7,0.012831673,0.0025936158,0.0030251767,0.12440525,0.00007433658,0.015268027],"genre_scores_gemma":[0.18875766,0.7933787,0.000057832905,0.0046644965,0.00068587315,0.000026676049,0.0012062361,0.00017180637,0.011050698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99632806,0.0003576414,0.00084572844,0.0007614943,0.00040738264,0.0012997262],"domain_scores_gemma":[0.9948566,0.00022523028,0.0007724285,0.00078703003,0.0009762543,0.0023824524],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005882394,0.0005985477,0.0018239625,0.0024271565,0.0011628749,0.0002241357,0.0007661222,0.00017622374,0.0001295114],"category_scores_gemma":[0.00022476676,0.00068374665,0.00021794451,0.0024633817,0.0033947488,0.0002382694,0.0001512367,0.0005388392,0.0000019900126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021253736,0.000017851908,0.008358175,0.0017158707,0.000620161,0.00011200746,0.007912259,4.5431548e-7,0.000021818405,0.0007629236,0.97882986,0.0016273751],"study_design_scores_gemma":[0.0006231582,0.00021176928,0.007886219,0.0034795618,0.00027504907,0.000019485347,0.013671079,0.0000116248575,0.000004587892,0.00013453506,0.9730345,0.00064840505],"about_ca_topic_score_codex":0.99988794,"about_ca_topic_score_gemma":0.9999981,"teacher_disagreement_score":0.12319901,"about_ca_system_score_codex":0.00028261374,"about_ca_system_score_gemma":0.0021258206,"threshold_uncertainty_score":0.99956137},"labels":[],"label_agreement":null},{"id":"W4390779909","doi":"10.1080/02722011.2023.2254641","title":"Beyond the Two Solitudes: Cultural Transfer in the World of Comics and Bande Dessinée","year":2023,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège de Maisonneuve; University of Regina; University of Alberta","funders":"","keywords":"Comics; Art; Art history; Sociology; Anthropology; Media studies; Visual arts; Literature","score_opus":0.06548118785965995,"score_gpt":0.32357243576608863,"score_spread":0.2580912479064287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390779909","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48119816,0.35989642,3.753342e-7,0.0953847,0.00015826925,0.0010564547,0.00019134021,0.000022411767,0.06209186],"genre_scores_gemma":[0.8465195,0.14866863,0.0000034919483,0.004123247,0.000049170514,0.00003311757,0.0000022261474,0.000008318714,0.0005923387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992703,0.0001584402,0.00022772349,0.000080421734,0.00010358801,0.00015952846],"domain_scores_gemma":[0.9992924,0.00035012155,0.00008618983,0.0001897069,0.000055839766,0.00002577899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005474955,0.000100662655,0.0003765057,0.00016087256,0.00023567583,0.000021890643,0.00023717919,0.0000030872,0.000020480822],"category_scores_gemma":[0.000030147294,0.000041045147,0.00007541662,0.00046246487,0.0021153681,0.000026813706,0.000022876266,0.0000885973,8.7424246e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011586427,0.0000140702305,0.0008996637,0.00084714976,0.00036827728,0.0000043274117,0.1745276,9.938839e-7,0.000010641869,0.6590997,0.14579836,0.018417608],"study_design_scores_gemma":[0.00027664052,0.00009808388,0.0071848333,0.001856866,0.00020445298,0.0000037095617,0.2242133,0.0000096350395,0.000008484252,0.0109696,0.7549589,0.00021546207],"about_ca_topic_score_codex":0.04969373,"about_ca_topic_score_gemma":0.8308851,"teacher_disagreement_score":0.78119135,"about_ca_system_score_codex":0.000009151839,"about_ca_system_score_gemma":0.000038656446,"threshold_uncertainty_score":0.95663446},"labels":[],"label_agreement":null},{"id":"W4390780960","doi":"10.1080/02722011.2023.2248829","title":"A Comic’s Life in Documentary Film: Questioning Places and Non-Places <b> Betan, Yaron. 2016. <i>Heroes Manufactured</i> . Toronto: KingSky Productions and Key West Video. 1h 30 mins. </b> <b> Chamberland, Luc. 2014. <i>Seth’s Dominion</i> . Toronto: National Film Board of Canada. 42 mins. </b>","year":2023,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Documentary film; Key (lock); Visual arts; Art; Media studies; History; Art history; Sociology; Literature; Computer science","score_opus":0.014097957365734767,"score_gpt":0.2556159422045927,"score_spread":0.24151798483885795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390780960","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37865603,0.5591382,4.5345794e-7,0.047953967,0.0008796619,0.0016139204,0.002133455,0.00004227339,0.009582067],"genre_scores_gemma":[0.68239284,0.31195962,0.000058034555,0.0029402974,0.00030333316,0.00018211482,0.00007626366,0.000033454202,0.0020540566],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980656,0.00016337578,0.00066186005,0.0003667754,0.00035212285,0.00039025862],"domain_scores_gemma":[0.9983159,0.00043552605,0.00053961086,0.00025685018,0.00026146512,0.00019067747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006626235,0.0003188059,0.00093880604,0.00015064389,0.00052632927,0.00005447894,0.0002191964,0.000024477271,0.00026970345],"category_scores_gemma":[0.00020197096,0.00023529997,0.00008946342,0.00017262403,0.0011946253,0.00027182995,0.00008916296,0.00013788142,0.0000020273792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055529457,0.000026045556,0.0033168644,0.0014647775,0.00052389695,0.0000060339476,0.03326646,0.000014734469,0.000020940894,0.0027712192,0.95682305,0.0017104385],"study_design_scores_gemma":[0.00076318893,0.00024801932,0.028045896,0.004413318,0.00025666828,0.000012507594,0.08349236,0.000030857536,0.00004462675,0.00057854893,0.8814694,0.00064459135],"about_ca_topic_score_codex":0.95395863,"about_ca_topic_score_gemma":0.9985473,"teacher_disagreement_score":0.30373678,"about_ca_system_score_codex":0.00027015695,"about_ca_system_score_gemma":0.0007951554,"threshold_uncertainty_score":0.9595254},"labels":[],"label_agreement":null},{"id":"W4390783632","doi":"10.1080/21504857.2024.2302438","title":"On the distinction between creative and non-creative labour and on making comics in Guy Delisle’s graphic memoirs. From “travelogues” to “ <i>laborlogs</i> ”","year":2024,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Memoir; Context (archaeology); Journalism; Order (exchange); Creative work; Visual arts; History; Anime; Sociology; Art; Literature; Media studies; Linguistics","score_opus":0.026795314347172205,"score_gpt":0.2547963701001678,"score_spread":0.22800105575299562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390783632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9876494,0.0006199345,0.00049820635,0.0041615604,0.0004900408,0.00032597219,0.0005202518,0.000037130183,0.0056975293],"genre_scores_gemma":[0.99750715,0.00057735416,0.0001528851,0.0010196401,0.00042475597,0.0000082375755,0.000008363719,0.00007349036,0.00022809839],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998464,0.000131749,0.0005565878,0.00031608265,0.00028080924,0.00025079318],"domain_scores_gemma":[0.9982671,0.0010213127,0.0003058217,0.00019259095,0.00009578246,0.00011739931],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005865733,0.00032248147,0.000520891,0.0009289767,0.0002805268,0.00037739097,0.00022364591,0.00009650659,0.000044606997],"category_scores_gemma":[0.0001074147,0.00022245468,0.00012832767,0.00037347202,0.00041178425,0.00017096555,0.000074292744,0.00069536275,0.000001308127],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048242946,0.00015307181,0.009685494,0.000049817896,0.0005953592,0.00005836495,0.03626753,0.000019358726,0.0003243706,0.93963814,0.008560016,0.004166073],"study_design_scores_gemma":[0.0049873064,0.004453515,0.39691994,0.007956142,0.0007047032,0.00006950444,0.057844844,0.0013984657,0.0004696688,0.44602466,0.077068664,0.0021025795],"about_ca_topic_score_codex":0.00075925904,"about_ca_topic_score_gemma":0.004258445,"teacher_disagreement_score":0.49361345,"about_ca_system_score_codex":0.000042632855,"about_ca_system_score_gemma":0.000046450783,"threshold_uncertainty_score":0.90714383},"labels":[],"label_agreement":null},{"id":"W4391084662","doi":"10.14325/mississippi/9781496841346.003.0015","title":"Canadian LGBTQ+ Comics","year":2022,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Comics; Transgender; Gender studies; Lesbian; Identity (music); Sociology; History; Art; Aesthetics; Literature","score_opus":0.026768192129591823,"score_gpt":0.16546477187434414,"score_spread":0.1386965797447523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391084662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000045267185,0.00023228824,0.0000010799523,0.00016920934,0.00022833608,0.00019435782,0.0013085552,0.000057590147,0.99776334],"genre_scores_gemma":[0.0040594786,0.000089003064,0.000024341774,0.00005651349,0.00009304119,3.2613175e-7,0.00005685824,0.00005783938,0.9955626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991663,0.000021803697,0.00016319551,0.0002627791,0.00018858738,0.00019729961],"domain_scores_gemma":[0.9990804,0.000040402807,0.00022627917,0.00035231537,0.00007743697,0.00022313159],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000062220905,0.00024481575,0.00035208114,0.00045665426,0.00046289823,0.000037434882,0.00049357105,0.00012572216,0.0076527293],"category_scores_gemma":[0.0000027368367,0.00029066455,0.0002252584,0.000004071613,0.00035552218,0.000041976135,0.00017852892,0.00033228556,0.0000035187486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026132038,0.000006890048,0.000002179738,0.000035411773,0.00017742785,0.00005691973,0.004210892,8.6097975e-7,0.0000019013189,0.9435237,0.05072749,0.0012302056],"study_design_scores_gemma":[0.00024212629,0.000047566613,9.012442e-7,0.000058503367,0.000108433436,0.0000014961588,0.0010728735,0.00000648042,0.0000064212427,0.0037761412,0.99437904,0.00030001547],"about_ca_topic_score_codex":0.112533495,"about_ca_topic_score_gemma":0.19561307,"teacher_disagreement_score":0.94365156,"about_ca_system_score_codex":0.0001389427,"about_ca_system_score_gemma":0.00028362777,"threshold_uncertainty_score":0.9999545},"labels":[],"label_agreement":null},{"id":"W4391447954","doi":"10.1007/s12397-023-09538-2","title":"Bauer, Heike, Andrea Greenbaum, and Sarah Lightman, Eds. Jewish Women in Comics: Bodies and Borders","year":2024,"lang":"en","type":"article","venue":"Contemporary Jewry","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lunenfeld-Tanenbaum Research Institute","funders":"","keywords":"Sociology of religion; Comics; Judaism; Sociology; Jewish studies; Religious studies; Art; Gender studies; Art history; Theology; Anthropology; Philosophy; Literature","score_opus":0.025208934936177842,"score_gpt":0.23570374832926333,"score_spread":0.21049481339308548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391447954","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5977853,0.20449775,0.00000463947,0.0039968556,0.00072190294,0.00045194247,0.00015149386,0.0002904793,0.19209965],"genre_scores_gemma":[0.976823,0.0024919382,0.000012745542,0.00041758097,0.00020455237,0.000036867394,0.00001764236,0.000042533797,0.019953188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989609,0.000049571798,0.0002676054,0.0003552822,0.00009286922,0.00027377004],"domain_scores_gemma":[0.99953216,0.00012313134,0.000045054167,0.00015980305,0.000023526423,0.000116337666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026415678,0.00021698618,0.00032457884,0.0003216929,0.00015550171,0.00039533418,0.000094073584,0.00006045512,0.00011091893],"category_scores_gemma":[0.0000129913315,0.00018980747,0.000044788863,0.000046054207,0.00046139574,0.0003819837,0.000101958954,0.00019138756,0.0000062162294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023641172,0.00019907352,0.049571835,0.0008870302,0.00048626002,0.00043899115,0.27538463,3.5284228e-7,0.00017719094,0.29437646,0.33337492,0.04486682],"study_design_scores_gemma":[0.00070446933,0.00013923555,0.0015960837,0.00022190926,0.00000804061,0.000007863312,0.0079691615,0.00022460207,0.000012056046,0.03504299,0.95374274,0.00033083884],"about_ca_topic_score_codex":0.00050697394,"about_ca_topic_score_gemma":0.003157263,"teacher_disagreement_score":0.6203678,"about_ca_system_score_codex":0.000017666798,"about_ca_system_score_gemma":0.0000650881,"threshold_uncertainty_score":0.7740124},"labels":[],"label_agreement":null},{"id":"W4391488257","doi":"10.1007/978-3-031-47295-4_2","title":"Re/articulated Monstrosity: Mary and Her Creature","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Art; Aesthetics; Art history","score_opus":0.018183123017329935,"score_gpt":0.1954096153669443,"score_spread":0.17722649234961435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391488257","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029484095,0.004773082,6.3892304e-7,0.0015630797,0.00036078697,0.00012524068,0.000090481626,0.00009999131,0.9926919],"genre_scores_gemma":[0.019073777,0.0003136393,0.000016688637,0.00033540928,0.00031302293,0.0000027804329,0.000039475966,0.000037453698,0.97986776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938303,0.0000032226742,0.00014820707,0.00025939173,0.00009741774,0.000108712076],"domain_scores_gemma":[0.99968046,0.000026749485,0.000036698762,0.00015826762,0.00004419692,0.000053630836],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000036462745,0.00022667967,0.00023420907,0.000115170216,0.00013704444,0.00029925597,0.000053071708,0.00014326177,0.01090704],"category_scores_gemma":[0.0000012642632,0.00016326093,0.0001146221,0.0000050562203,0.00024372671,0.000048359117,0.000078200654,0.00032335613,0.00011272988],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007497297,0.0000042377064,0.000003094604,0.000036482063,0.00014283689,0.00003088029,0.0023588783,4.1660794e-8,0.0000030381484,0.94477576,0.05217994,0.00045733032],"study_design_scores_gemma":[0.000056481476,0.000032146687,0.0000048596016,0.000121912075,0.00008037087,0.0000026006167,0.00037221587,0.000019196592,0.0000014465237,0.27939907,0.71973324,0.00017650002],"about_ca_topic_score_codex":0.000050788563,"about_ca_topic_score_gemma":0.0016523851,"teacher_disagreement_score":0.66755325,"about_ca_system_score_codex":0.000008857993,"about_ca_system_score_gemma":0.000012764215,"threshold_uncertainty_score":0.98999715},"labels":[],"label_agreement":null},{"id":"W4391490928","doi":"10.1080/02722011.2023.2248830","title":"Le transfert culturel en train de se faire (ou pas) : Réflexions sur la pratique des jeunes auteurs de bandes dessinées","year":2023,"lang":"fr","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.05260603997051083,"score_gpt":0.3084242169387145,"score_spread":0.2558181769682037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391490928","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075040914,0.68792987,0.000013730056,0.22825198,0.00016555094,0.0005307577,0.0005542634,0.00005600478,0.0074569215],"genre_scores_gemma":[0.25639376,0.73210716,0.00008402239,0.0042036036,0.00017416009,0.0001277076,0.0000115870735,0.000034651413,0.0068633556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745995,0.0010083873,0.00046900255,0.00024879025,0.00015947671,0.000654366],"domain_scores_gemma":[0.99804723,0.00096908613,0.00020948614,0.00028329022,0.00024432666,0.00024658695],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012347029,0.00033772277,0.0009006384,0.00029147384,0.00119843,0.000092122806,0.0003716982,0.000045877587,0.00005537426],"category_scores_gemma":[0.0004006979,0.00024206162,0.0003464903,0.0008449676,0.004548422,0.00014908897,0.00004031857,0.0002884655,0.0000064469937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014843625,0.00005019139,0.00039275366,0.00437085,0.0009780909,0.000042365486,0.17914233,0.000010247092,0.000039475115,0.65221053,0.09520212,0.0675462],"study_design_scores_gemma":[0.00014526234,0.00016194631,0.0038902357,0.0067435224,0.00034716201,0.000030886276,0.11417024,0.000016668911,0.000023888586,0.023386026,0.85075337,0.0003307646],"about_ca_topic_score_codex":0.30692354,"about_ca_topic_score_gemma":0.82758033,"teacher_disagreement_score":0.7555513,"about_ca_system_score_codex":0.00013491783,"about_ca_system_score_gemma":0.0018116918,"threshold_uncertainty_score":0.9981606},"labels":[],"label_agreement":null},{"id":"W4391491728","doi":"10.1080/02722011.2023.2254642","title":"Au-delà des deux solitudes : les transferts culturels dans le monde de la bande dessinée et des comics","year":2023,"lang":"fr","type":"article","venue":"The American Review of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Collège de Maisonneuve; University of Regina; University of Alberta","funders":"","keywords":"Art; Comics; Humanities; Literature","score_opus":0.0631705545266127,"score_gpt":0.3230764788007562,"score_spread":0.2599059242741435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391491728","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19179638,0.7375134,0.000045355147,0.024268249,0.00013523857,0.00044411025,0.0004925098,0.000068778965,0.045235965],"genre_scores_gemma":[0.31204337,0.6814345,0.0001522549,0.00113532,0.000101612284,0.000053049418,0.000008134322,0.000048833972,0.0050229444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764675,0.00084315933,0.00044885368,0.00024084494,0.00016699957,0.0006533654],"domain_scores_gemma":[0.99838114,0.00065199786,0.00022914396,0.00031476855,0.00019415792,0.00022878032],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0012322498,0.00034843676,0.00092132104,0.00030576592,0.0016544607,0.00008494056,0.00038866716,0.000039527426,0.0000372626],"category_scores_gemma":[0.00020378384,0.00024968712,0.000315703,0.0006484471,0.012581553,0.00010529364,0.00006356973,0.00023811148,0.000005744737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017238483,0.000069979775,0.003409877,0.006205268,0.001477572,0.00004333783,0.2598275,0.00002109302,0.00007923698,0.58619523,0.083667636,0.058986027],"study_design_scores_gemma":[0.00023943807,0.00017970565,0.015721526,0.010818719,0.000524403,0.000028641247,0.20311144,0.00001683676,0.000059164,0.03422802,0.7345831,0.00048901606],"about_ca_topic_score_codex":0.52124345,"about_ca_topic_score_gemma":0.85807395,"teacher_disagreement_score":0.65091544,"about_ca_system_score_codex":0.00018917349,"about_ca_system_score_gemma":0.00061188824,"threshold_uncertainty_score":0.9999955},"labels":[],"label_agreement":null},{"id":"W4391504243","doi":"10.1002/9781394261048.ch26","title":"The Blockbuster Superhero","year":2015,"lang":"en","type":"other","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Advertising; Business; Art","score_opus":0.030035308549270136,"score_gpt":0.21291192968132144,"score_spread":0.1828766211320513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391504243","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00000411564,0.0020414856,5.457626e-7,0.00088930654,0.0008982155,0.00009466261,0.0000333902,0.00008817921,0.9959501],"genre_scores_gemma":[0.00015911841,0.00010508539,0.000004561458,0.00020029285,0.0013171339,0.000007450985,0.000011343788,0.00012300615,0.998072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996057,0.0000155674,0.00007492116,0.00009641209,0.000098208635,0.00010920183],"domain_scores_gemma":[0.9996756,0.000024156787,0.000033319142,0.00020283145,0.000034055014,0.000030068322],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007059438,0.00011134948,0.00010283392,0.000044928434,0.00013382583,0.00018905502,0.00015163186,0.000044639713,0.034915607],"category_scores_gemma":[0.0000046104137,0.000054153596,0.00004576868,0.000009498763,0.00021157008,0.000011360633,0.000032181644,0.00008639118,0.0003982684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010184418,0.000003969691,8.4804276e-7,0.0000018003464,0.000029347992,3.8284944e-7,0.0017589324,3.1189111e-9,4.2668102e-8,0.24400643,0.75383615,0.0003610721],"study_design_scores_gemma":[0.000069859925,0.000013101896,2.0251304e-7,0.0000118358785,0.0000075906573,2.7822855e-7,0.0018607782,0.0000020358752,1.6556278e-7,0.003154603,0.994782,0.00009756078],"about_ca_topic_score_codex":0.00039928968,"about_ca_topic_score_gemma":0.051119734,"teacher_disagreement_score":0.24094583,"about_ca_system_score_codex":0.000003963067,"about_ca_system_score_gemma":0.000024481744,"threshold_uncertainty_score":0.96619487},"labels":[],"label_agreement":null},{"id":"W4391616835","doi":"10.32920/25166666.v1","title":"The Iconic Muslim Superhero: Muslim Female Audience Perspectives of Marvel’s Muslim Superheroines","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Islam; Muslim world; Art; Muslim community; Orientalism; Visual arts; History; Literature","score_opus":0.030421124966466873,"score_gpt":0.25024121718250303,"score_spread":0.21982009221603616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391616835","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8960661,0.009489944,0.000010145131,0.005167612,0.0028637636,0.0007968455,0.00024584567,0.00023178392,0.08512796],"genre_scores_gemma":[0.9582477,0.0036818506,0.000040097275,0.00010295586,0.0010014153,0.00014626206,0.000023889099,0.00008329697,0.036672495],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9968172,0.0001879445,0.00084259524,0.001021811,0.00049910916,0.00063136703],"domain_scores_gemma":[0.9973333,0.00061011774,0.0002502338,0.001136738,0.0005481356,0.00012149481],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008293702,0.0006858748,0.00077965076,0.0003265787,0.0008410977,0.0009550297,0.0011172403,0.00021319783,0.0029060754],"category_scores_gemma":[0.00014769901,0.00043209168,0.00077068206,0.00013526682,0.0020125427,0.00013412109,0.0017811165,0.0011397079,0.00009215007],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025726496,0.00012746526,0.0000683726,0.00033446503,0.00044791415,0.000010905923,0.5567337,0.000012318555,0.00011171519,0.43712655,0.0034065158,0.0015943114],"study_design_scores_gemma":[0.00027749615,0.00019919006,0.00036430478,0.00042783943,0.0001501138,0.0000058056166,0.92407185,0.0005779235,0.00012920114,0.05122423,0.021834036,0.00073803565],"about_ca_topic_score_codex":0.0015603325,"about_ca_topic_score_gemma":0.014881786,"teacher_disagreement_score":0.38590232,"about_ca_system_score_codex":0.000106314015,"about_ca_system_score_gemma":0.00036032044,"threshold_uncertainty_score":0.9998131},"labels":[],"label_agreement":null},{"id":"W4391617001","doi":"10.32920/25166666","title":"The Iconic Muslim Superhero: Muslim Female Audience Perspectives of Marvel’s Muslim Superheroines","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Islam; Muslim community; Art; Aesthetics; Muslim world; Literature; Sociology; Philosophy; Theology","score_opus":0.030421124966466873,"score_gpt":0.25024121718250303,"score_spread":0.21982009221603616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391617001","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8960661,0.009489944,0.000010145131,0.005167612,0.0028637636,0.0007968455,0.00024584567,0.00023178392,0.08512796],"genre_scores_gemma":[0.9582477,0.0036818506,0.000040097275,0.00010295586,0.0010014153,0.00014626206,0.000023889099,0.00008329697,0.036672495],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9968172,0.0001879445,0.00084259524,0.001021811,0.00049910916,0.00063136703],"domain_scores_gemma":[0.9973333,0.00061011774,0.0002502338,0.001136738,0.0005481356,0.00012149481],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008293702,0.0006858748,0.00077965076,0.0003265787,0.0008410977,0.0009550297,0.0011172403,0.00021319783,0.0029060754],"category_scores_gemma":[0.00014769901,0.00043209168,0.00077068206,0.00013526682,0.0020125427,0.00013412109,0.0017811165,0.0011397079,0.00009215007],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025726496,0.00012746526,0.0000683726,0.00033446503,0.00044791415,0.000010905923,0.5567337,0.000012318555,0.00011171519,0.43712655,0.0034065158,0.0015943114],"study_design_scores_gemma":[0.00027749615,0.00019919006,0.00036430478,0.00042783943,0.0001501138,0.0000058056166,0.92407185,0.0005779235,0.00012920114,0.05122423,0.021834036,0.00073803565],"about_ca_topic_score_codex":0.0015603325,"about_ca_topic_score_gemma":0.014881786,"teacher_disagreement_score":0.38590232,"about_ca_system_score_codex":0.000106314015,"about_ca_system_score_gemma":0.00036032044,"threshold_uncertainty_score":0.9998131},"labels":[],"label_agreement":null},{"id":"W4391883231","doi":"10.29173/af29501","title":"Expériences locales et littérature graphique mondiale","year":2024,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; French","score_opus":0.015410904251770692,"score_gpt":0.2578043845263965,"score_spread":0.2423934802746258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391883231","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13624601,0.6910031,0.001102386,0.029930526,0.062432863,0.0005889912,0.001963292,0.00025614747,0.07647668],"genre_scores_gemma":[0.85226953,0.05005683,0.000121724384,0.0014810362,0.011222861,0.000091268405,0.00006879485,0.00008161496,0.084606364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978261,0.00022089454,0.0004298118,0.00067102606,0.0003626822,0.000489483],"domain_scores_gemma":[0.9988224,0.0003714837,0.000108926775,0.00029138252,0.00024113247,0.00016471038],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036047897,0.00045858897,0.0004220128,0.0003709419,0.0004519149,0.000898528,0.00036051596,0.00016547172,0.0033234113],"category_scores_gemma":[0.00004212996,0.0003991679,0.00035585047,0.00056437415,0.0015551314,0.00072560477,0.00010515096,0.00080869405,0.0005166887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036495356,0.00016148158,0.000082212755,0.00024754042,0.00037344053,0.0003131739,0.11478638,0.00003832128,0.00018804087,0.8002245,0.05717882,0.026369592],"study_design_scores_gemma":[0.00029202827,0.00028282113,0.00022366994,0.00096786366,0.000033183926,0.00001880696,0.013890814,0.0010130743,0.0006911377,0.11509411,0.8670213,0.00047115074],"about_ca_topic_score_codex":0.0036463316,"about_ca_topic_score_gemma":0.00579959,"teacher_disagreement_score":0.8098425,"about_ca_system_score_codex":0.000051098188,"about_ca_system_score_gemma":0.0001551214,"threshold_uncertainty_score":0.99984604},"labels":[],"label_agreement":null},{"id":"W4391978058","doi":"10.51644/9781771120647-014","title":"“Humour Is No Laughing Matter”: Corporal Punishment in Quebec Comic Strips, 1945–1969","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Corporal punishment; Comic strip; Art; Literature; Punishment (psychology); Psychoanalysis; Psychology; Criminology; Social psychology","score_opus":0.023607603071380018,"score_gpt":0.2033692408188078,"score_spread":0.1797616377474278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391978058","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017968091,0.00019274194,0.00001513391,0.0018558181,0.00097363896,0.0003863055,0.00022242317,0.00006210214,0.99449503],"genre_scores_gemma":[0.06416718,0.00008346095,0.000036026122,0.0023749932,0.00077580055,0.000011989113,0.00015501173,0.00007163743,0.93232393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982625,0.000035137615,0.00062006456,0.00048135905,0.00027138082,0.0003295454],"domain_scores_gemma":[0.99893886,0.00009231915,0.00033534234,0.0004272211,0.00011024695,0.000095989795],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023232501,0.0005060083,0.00067109824,0.00035291433,0.00025999543,0.00048284695,0.00033957808,0.00020275243,0.04957429],"category_scores_gemma":[0.000003738005,0.0004395522,0.0002631892,0.000009820017,0.0002797421,0.0001219648,0.0001457813,0.00068615546,0.0013837334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020484009,0.000021213105,0.00013017342,0.0000521347,0.00006565533,0.0000117573545,0.006143509,3.084974e-7,0.0000037157215,0.7946613,0.19816715,0.00072263763],"study_design_scores_gemma":[0.00046003406,0.000069386944,0.00008287607,0.00025354483,0.00003075321,0.0000016203174,0.00059651677,0.000045994115,0.0000039459906,0.031634226,0.9662439,0.0005771614],"about_ca_topic_score_codex":0.021902567,"about_ca_topic_score_gemma":0.22048646,"teacher_disagreement_score":0.7680768,"about_ca_system_score_codex":0.000118325726,"about_ca_system_score_gemma":0.000081887316,"threshold_uncertainty_score":0.9998056},"labels":[],"label_agreement":null},{"id":"W4392155479","doi":"10.3390/h13020040","title":"Listing the Body: Embodied Experience and Identity in Autobiographical Graphic Illness Narratives","year":2024,"lang":"en","type":"article","venue":"Humanities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Embodied cognition; Narrative; Identity (music); Listing (finance); Psychology; Autobiographical memory; Aesthetics; Social psychology; Cognitive psychology; Literature; Art; Epistemology; Philosophy; Recall","score_opus":0.04112919376919176,"score_gpt":0.2850722800615771,"score_spread":0.2439430862923853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392155479","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94930065,0.005030739,0.00001112372,0.00072416,0.00082083646,0.00019240464,0.000020371477,0.00014673958,0.04375299],"genre_scores_gemma":[0.99731386,0.00027208906,0.000005920379,0.00017115605,0.00033533084,0.00008515759,0.0000050476756,0.000017616534,0.0017938496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988906,0.00009668952,0.0002706987,0.00030332807,0.0001875578,0.0002511248],"domain_scores_gemma":[0.9995196,0.00019043827,0.000041361545,0.00016692234,0.000052124724,0.000029568133],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00030226618,0.00019418386,0.00019408966,0.00038243254,0.0010525738,0.0015171636,0.0002215021,0.00003826713,0.0005078437],"category_scores_gemma":[0.000025960915,0.00013316284,0.00009547686,0.00018005836,0.0018275458,0.0007509069,0.00010336472,0.00029905996,0.0000055810096],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043933196,0.0000130540975,0.0004825366,0.000037081212,0.000018082468,0.00001198648,0.3505429,1.5687777e-7,0.000029607356,0.64849484,0.0001836297,0.00018172861],"study_design_scores_gemma":[0.00019825852,0.0000783613,0.007172498,0.0002884743,0.00001906954,0.000011712573,0.5241347,0.00027958496,0.000018754423,0.30842847,0.15892977,0.0004403357],"about_ca_topic_score_codex":0.00044540426,"about_ca_topic_score_gemma":0.014540601,"teacher_disagreement_score":0.34006634,"about_ca_system_score_codex":0.000012238708,"about_ca_system_score_gemma":0.000022374361,"threshold_uncertainty_score":0.99951935},"labels":[],"label_agreement":null},{"id":"W4392297825","doi":"10.32920/25315630","title":"A Crisis of Innocence: Comic Books and Children’s Culture, 1940-1954","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Innocence; Comics; Literature; Art; Sociology; Political science; Psychology; Psychoanalysis","score_opus":0.01999556232595075,"score_gpt":0.2413773277462826,"score_spread":0.22138176542033183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392297825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8089727,0.011915386,0.000007639884,0.0015704886,0.0012178798,0.0005411284,0.00073099934,0.00014240271,0.17490137],"genre_scores_gemma":[0.98382586,0.0007946269,0.00007310902,0.00026370306,0.00032238432,0.000023343533,0.000048550286,0.00002160378,0.014626792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99899423,0.00002423889,0.0003289233,0.00037564122,0.00013670152,0.00014024999],"domain_scores_gemma":[0.999441,0.000021306036,0.0001195579,0.00026872585,0.00010170461,0.000047686983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000103882965,0.00025042528,0.00038782874,0.00020155821,0.00013034264,0.00030513605,0.00019103852,0.00011916073,0.0007355163],"category_scores_gemma":[0.000006205551,0.00018352592,0.00016030054,0.000022874812,0.00034522812,0.000029852901,0.00073524116,0.00052866666,0.0000105530435],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012061406,0.00003810459,0.0002211821,0.00024346143,0.0002839949,0.0000018316274,0.071020365,8.096624e-7,0.000017115452,0.81871754,0.10886794,0.0005755926],"study_design_scores_gemma":[0.0004720922,0.00017209428,0.0012502028,0.000579511,0.00031185432,0.0000099561585,0.015079565,0.00014360776,0.00035374626,0.8854027,0.0953513,0.0008734196],"about_ca_topic_score_codex":0.0013064656,"about_ca_topic_score_gemma":0.0015178673,"teacher_disagreement_score":0.17485318,"about_ca_system_score_codex":0.000011462371,"about_ca_system_score_gemma":0.00005665309,"threshold_uncertainty_score":0.80533874},"labels":[],"label_agreement":null},{"id":"W4392297837","doi":"10.32920/25315630.v1","title":"A Crisis of Innocence: Comic Books and Children’s Culture, 1940-1954","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Innocence; Comics; Popular culture; Political science; Literature; Media studies; Art; Sociology; Law","score_opus":0.01999556232595075,"score_gpt":0.2413773277462826,"score_spread":0.22138176542033183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392297837","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8089727,0.011915386,0.000007639884,0.0015704886,0.0012178798,0.0005411284,0.00073099934,0.00014240271,0.17490137],"genre_scores_gemma":[0.98382586,0.0007946269,0.00007310902,0.00026370306,0.00032238432,0.000023343533,0.000048550286,0.00002160378,0.014626792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99899423,0.00002423889,0.0003289233,0.00037564122,0.00013670152,0.00014024999],"domain_scores_gemma":[0.999441,0.000021306036,0.0001195579,0.00026872585,0.00010170461,0.000047686983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000103882965,0.00025042528,0.00038782874,0.00020155821,0.00013034264,0.00030513605,0.00019103852,0.00011916073,0.0007355163],"category_scores_gemma":[0.000006205551,0.00018352592,0.00016030054,0.000022874812,0.00034522812,0.000029852901,0.00073524116,0.00052866666,0.0000105530435],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012061406,0.00003810459,0.0002211821,0.00024346143,0.0002839949,0.0000018316274,0.071020365,8.096624e-7,0.000017115452,0.81871754,0.10886794,0.0005755926],"study_design_scores_gemma":[0.0004720922,0.00017209428,0.0012502028,0.000579511,0.00031185432,0.0000099561585,0.015079565,0.00014360776,0.00035374626,0.8854027,0.0953513,0.0008734196],"about_ca_topic_score_codex":0.0013064656,"about_ca_topic_score_gemma":0.0015178673,"teacher_disagreement_score":0.17485318,"about_ca_system_score_codex":0.000011462371,"about_ca_system_score_gemma":0.00005665309,"threshold_uncertainty_score":0.80533874},"labels":[],"label_agreement":null},{"id":"W4392315811","doi":"10.7202/1109496ar","title":"Philippe Rioux. Alter ego : le genre superhéroïque dans la BD au Québec (1968-1995), Montréal, Les Presses de l’Université de Montréal, 2022, coll. « Nouvelles études québécoises », 368 p.","year":2024,"lang":"fr","type":"article","venue":"Mens Revue d histoire intellectuelle et culturelle","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.008828837195490886,"score_gpt":0.19247603787060022,"score_spread":0.18364720067510934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392315811","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08221478,0.7406772,0.00044309953,0.05100045,0.0021684684,0.0008468916,0.0009054161,0.00040456332,0.121339165],"genre_scores_gemma":[0.3499003,0.13406557,0.00016679325,0.00032641724,0.0009923191,0.00013061297,0.0001774105,0.00023321307,0.51400733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954795,0.0007311164,0.00088364707,0.0012295214,0.00040762965,0.0012685716],"domain_scores_gemma":[0.99708503,0.0011585903,0.00023674454,0.00073764264,0.00030394027,0.00047807055],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00062287686,0.001083687,0.0009992594,0.00043571283,0.005149145,0.0006711325,0.0008218591,0.00060319575,0.0065107965],"category_scores_gemma":[0.00021735029,0.0010403112,0.00089677767,0.0003922345,0.0020410889,0.00041492446,0.00055229646,0.001242112,0.00024631317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027269975,0.0006825807,0.00020483421,0.00087819604,0.00079488463,0.0008854867,0.2994965,0.0007561816,0.005399066,0.054768685,0.63129276,0.0045681647],"study_design_scores_gemma":[0.0006267211,0.00040544872,0.000052235715,0.001081186,0.00046931827,0.0005673484,0.0661847,0.003604845,0.0015728523,0.0009249744,0.92338836,0.0011220268],"about_ca_topic_score_codex":0.707216,"about_ca_topic_score_gemma":0.95030016,"teacher_disagreement_score":0.6066116,"about_ca_system_score_codex":0.0038738486,"about_ca_system_score_gemma":0.0026459433,"threshold_uncertainty_score":0.9999501},"labels":[],"label_agreement":null},{"id":"W4392421163","doi":"10.62212/revuepossibles.v46i1.476","title":"En attendant Batman, un amour décolonial pour la terre","year":2022,"lang":"fr","type":"article","venue":"Revue Possibles","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Colonialism; Humanities; Geography; Archaeology","score_opus":0.013717472178206479,"score_gpt":0.22357971279888036,"score_spread":0.20986224062067388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392421163","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6961639,0.04543912,0.00003315459,0.11040838,0.006238576,0.00063253427,0.0029841377,0.0001512683,0.13794892],"genre_scores_gemma":[0.8253447,0.0014935144,0.00017432816,0.0003623056,0.0025367779,0.000093504066,0.00005326778,0.00004928549,0.16989236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979305,0.0005546713,0.0003908316,0.00040444479,0.00027017735,0.00044936556],"domain_scores_gemma":[0.998931,0.0003749743,0.00018503839,0.00029792805,0.000092604416,0.0001184914],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006342993,0.00029586902,0.00037083088,0.00020403598,0.0016144272,0.00034226285,0.0003925961,0.00008209675,0.00929375],"category_scores_gemma":[0.000047460882,0.00031036668,0.00030188911,0.00012434598,0.00032575006,0.00014591281,0.00036392934,0.00059935125,0.00011976662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008357263,0.0005657049,0.0017058172,0.0002515815,0.0002539969,0.00036763473,0.05328982,0.00009901719,0.0002294815,0.8517107,0.06688287,0.024559816],"study_design_scores_gemma":[0.0005937801,0.00023353404,0.0022159982,0.00013498249,0.000106282205,0.00019271667,0.011512718,0.00047429735,0.000038285012,0.02029059,0.9637969,0.00040988918],"about_ca_topic_score_codex":0.001046109,"about_ca_topic_score_gemma":0.0015102966,"teacher_disagreement_score":0.89691406,"about_ca_system_score_codex":0.00015840269,"about_ca_system_score_gemma":0.00021509794,"threshold_uncertainty_score":0.99993485},"labels":[],"label_agreement":null},{"id":"W4392522987","doi":"10.1353/cbq.2024.a918367","title":"We Are the Wicked","year":2024,"lang":"en","type":"article","venue":"The Catholic Biblical quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.031736634474825935,"score_gpt":0.25029119473495853,"score_spread":0.2185545602601326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392522987","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7017016,0.012529786,0.00015485837,0.21227588,0.003510456,0.0008105304,0.00016042918,0.0007402945,0.0681162],"genre_scores_gemma":[0.9853463,0.00007820246,0.000003974791,0.001604024,0.0014906038,0.00006763968,0.000003458127,0.000024469795,0.011381318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886066,0.00011140953,0.00023870067,0.00026444093,0.00023702536,0.00028777262],"domain_scores_gemma":[0.9990254,0.00036572517,0.000046805526,0.00044065682,0.000053975833,0.00006744201],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00031563928,0.00018282242,0.00016476489,0.00034589937,0.0006119998,0.0011425293,0.00044720346,0.00004973837,0.0007792544],"category_scores_gemma":[0.0000054859456,0.00008591126,0.00021298922,0.0005245412,0.00089887925,0.00015319855,0.000030089172,0.0004055496,0.00056016824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010626665,0.0000480018,0.000015023782,0.00002624106,0.00006066419,0.00001277479,0.28349262,1.5598393e-7,0.000059095746,0.6206422,0.057153665,0.03847896],"study_design_scores_gemma":[0.000090667425,0.00013761509,0.00024714094,0.00003914761,0.000028329923,0.000013783678,0.026004903,0.00043052915,0.0000026840637,0.060534604,0.91232747,0.00014312415],"about_ca_topic_score_codex":0.00015825823,"about_ca_topic_score_gemma":0.002388776,"teacher_disagreement_score":0.8551738,"about_ca_system_score_codex":0.000010811298,"about_ca_system_score_gemma":0.000034066237,"threshold_uncertainty_score":0.9998944},"labels":[],"label_agreement":null},{"id":"W4392727060","doi":"10.16995/intransition.11453","title":"Why So Serious? Clowning, the Method, and Performative Adaptations of the Joker","year":2022,"lang":"en","type":"article","venue":"[in]Transition","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; University of Lethbridge","funders":"","keywords":"Performative utterance; Psychology; Aesthetics; Art","score_opus":0.018560709934594202,"score_gpt":0.23183551261535484,"score_spread":0.21327480268076066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392727060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98479795,0.0003145622,0.00069516397,0.0092316205,0.00016451316,0.00028975922,0.00007553261,0.000007719975,0.004423202],"genre_scores_gemma":[0.99881464,0.00003305599,0.00003312793,0.00090514374,0.000027325646,0.000043713946,0.0000070579467,0.0000044826916,0.00013147859],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999316,0.00028819687,0.00014223716,0.00007570045,0.00010203838,0.00007583748],"domain_scores_gemma":[0.999727,0.00010567266,0.000051047442,0.00008291871,0.000025434216,0.000007913064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041370204,0.000055818207,0.000080825914,0.000069794594,0.00075716246,0.000038482238,0.00006844494,0.000010327828,0.00046615602],"category_scores_gemma":[0.0000053179206,0.000035504014,0.000044550463,0.00008180845,0.00014489511,0.0001081038,0.000021279395,0.00022633639,3.39657e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003332957,0.000050752988,0.00013606875,0.000012585882,0.000016239093,6.7129383e-7,0.8407949,0.0022212279,0.00025672483,0.15422359,0.0006875913,0.001566301],"study_design_scores_gemma":[0.0016202647,0.0002976414,0.02661291,0.00009386935,0.000067986344,0.000014328882,0.61946326,0.038426787,0.0002491339,0.09407785,0.21873891,0.0003370755],"about_ca_topic_score_codex":0.00081889785,"about_ca_topic_score_gemma":0.0072964355,"teacher_disagreement_score":0.22133167,"about_ca_system_score_codex":0.000013703769,"about_ca_system_score_gemma":0.000018971614,"threshold_uncertainty_score":0.5823558},"labels":[],"label_agreement":null},{"id":"W4392814259","doi":"10.17159/2617-3255/2023/n37a37","title":"Being (in)formed by indigenous voices: First steps to using graphic narratives to decolonise speculative fiction","year":2023,"lang":"en","type":"article","venue":"Image & Text","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Storytelling; Colonialism; Indigenous; Aesthetics; History; Legend; Embodied cognition; Literature; Visual arts; Art; Epistemology; Philosophy; Archaeology","score_opus":0.02467897915151323,"score_gpt":0.26877193439334135,"score_spread":0.2440929552418281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392814259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9889735,0.000067263696,0.00015932388,0.0009568712,0.0003750775,0.000696126,0.0000776423,0.00011192887,0.008582291],"genre_scores_gemma":[0.9970519,0.000025686357,0.00021471377,0.0002840887,0.00018064406,0.00007510671,0.000029738772,0.000034837954,0.0021032644],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985938,0.000054419474,0.00032070666,0.00037729405,0.00020162253,0.00045217623],"domain_scores_gemma":[0.9993703,0.000106477986,0.000084168416,0.00019807431,0.000109808214,0.00013119206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021776922,0.00022783951,0.00026343242,0.00065486215,0.0008544307,0.0003547148,0.00018779477,0.000046059053,0.00035719614],"category_scores_gemma":[0.00004795528,0.00021728044,0.00009742931,0.000548699,0.0001335373,0.00041000158,0.000091026064,0.00015923921,0.00015247722],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086208725,0.00012834229,0.0024603792,0.00004341883,0.00007190669,0.000044434095,0.97498876,0.00021843266,0.004924489,0.0068967436,0.008390772,0.0017461285],"study_design_scores_gemma":[0.0023039505,0.0013881949,0.04431129,0.0007747124,0.00007070407,0.000010387125,0.38090932,0.0017127625,0.002015735,0.031078484,0.5331166,0.0023078644],"about_ca_topic_score_codex":0.00065764744,"about_ca_topic_score_gemma":0.01753467,"teacher_disagreement_score":0.59407943,"about_ca_system_score_codex":0.000099182624,"about_ca_system_score_gemma":0.000043002365,"threshold_uncertainty_score":0.9784757},"labels":[],"label_agreement":null},{"id":"W4392817663","doi":"10.3983/twc.2024.2505","title":"Analyzing an archive of allyish distributed mentorship in \"Speak\" fan fiction comments and reviews","year":2024,"lang":"en","type":"article","venue":"Transformative Works and Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Mentorship; Fandom; Visual arts; Art; Art history; History; Literature","score_opus":0.026072365922105222,"score_gpt":0.27502604089420063,"score_spread":0.24895367497209542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392817663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9472355,0.03374611,0.00226282,0.0011917758,0.00021678447,0.0007926846,0.00062925933,0.00005861676,0.013866398],"genre_scores_gemma":[0.9947623,0.004885525,0.000022583834,0.000040007402,0.000040629282,0.00001551798,0.00015945676,0.0000045572124,0.00006939716],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993848,0.00008206519,0.000250593,0.00012085076,0.000056148598,0.00010553731],"domain_scores_gemma":[0.9998185,0.000034774137,0.000038865746,0.000046988705,0.000018892157,0.000041991123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020307512,0.000115126255,0.00020059496,0.000081916776,0.00013845158,0.00019488223,0.00004384452,0.000025955156,0.0000823924],"category_scores_gemma":[0.0000035302683,0.00007805215,0.000046842535,0.000051859806,0.00014854263,0.00040599794,0.000007878442,0.00015152626,4.488211e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090629655,0.0001124046,0.001438575,0.00043715516,0.00013249245,0.0000025088484,0.7868409,0.000007498012,0.00033194516,0.17230043,0.0043882197,0.03391722],"study_design_scores_gemma":[0.0020476019,0.00079538685,0.024434688,0.0051436815,0.00024555923,0.0000074989425,0.19315735,0.0039199195,0.00046907706,0.046676174,0.7221543,0.0009487738],"about_ca_topic_score_codex":0.00012991855,"about_ca_topic_score_gemma":0.0024833486,"teacher_disagreement_score":0.71776605,"about_ca_system_score_codex":0.000007732568,"about_ca_system_score_gemma":0.0000040084474,"threshold_uncertainty_score":0.31828743},"labels":[],"label_agreement":null},{"id":"W4392938020","doi":"10.2307/jj.13027250","title":"Indigenous Comics and Graphic Novels","year":2024,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Indigenous; Visual arts; Art; History; Literature; Biology; Ecology","score_opus":0.02170419845771513,"score_gpt":0.17911823491908369,"score_spread":0.15741403646136856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392938020","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009217159,0.0024184578,0.0000053466465,0.00003496537,0.0002228967,0.00027222114,0.00069176825,0.0001166114,0.995316],"genre_scores_gemma":[0.004017088,0.00031697893,0.00003159057,0.000022580714,0.00014014542,3.91276e-7,0.000027048553,0.00005993277,0.9953842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911433,0.000026209575,0.00018247131,0.00032918536,0.00016815485,0.0001796596],"domain_scores_gemma":[0.9992646,0.00006736014,0.00019869859,0.0002781438,0.00007676402,0.000114447575],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00007292827,0.000284193,0.0004308199,0.0004679004,0.00022305238,0.00009347733,0.00031260718,0.00019899201,0.000094107876],"category_scores_gemma":[0.0000028624781,0.0002917208,0.00018769615,0.000010431417,0.00075280096,0.000044875465,0.00023407118,0.00034362453,0.0000022152321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043892545,0.000025667736,0.0000042495394,0.0005106,0.00047470373,0.0000641697,0.030789305,1.7010885e-7,0.000015791093,0.8893306,0.0760816,0.0026592247],"study_design_scores_gemma":[0.00027733494,0.00007070876,0.0000028056295,0.00037487398,0.00026074686,0.0000035701771,0.0011519856,0.000007486168,0.000023497432,0.009071455,0.98845035,0.0003051744],"about_ca_topic_score_codex":0.00036753507,"about_ca_topic_score_gemma":0.00053088577,"teacher_disagreement_score":0.9123688,"about_ca_system_score_codex":0.000037292317,"about_ca_system_score_gemma":0.00016997688,"threshold_uncertainty_score":0.9999535},"labels":[],"label_agreement":null},{"id":"W4393305625","doi":"10.1093/adaptation/apae003","title":"Secret origins: the disavowal of the comics medium within the promotional rhetoric of film trailers","year":2024,"lang":"en","type":"article","venue":"Adaptation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Cambridge; University of Oxford; York University","keywords":"Comics; Rhetoric; Art; Literature; Visual arts; Philosophy; Linguistics","score_opus":0.037378892715780064,"score_gpt":0.2302702480545584,"score_spread":0.19289135533877833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393305625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9583411,0.0011145981,0.0005070931,0.015280145,0.004062378,0.0008289622,0.0003180635,0.00007382752,0.019473825],"genre_scores_gemma":[0.99794894,0.00001655661,0.00001559188,0.000044498804,0.00017991016,0.000014383183,0.000011739806,0.000009958809,0.0017584027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994676,0.00005831929,0.0001660165,0.000072071816,0.00018327642,0.00005269203],"domain_scores_gemma":[0.9995645,0.00015958078,0.0000964229,0.00012132124,0.000049646063,0.000008489314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021942653,0.000060568393,0.00006627788,0.000029279237,0.00015653411,0.000045071738,0.0001496958,0.00001633045,0.0001170695],"category_scores_gemma":[0.000024173467,0.000025892914,0.00007245587,0.000079871956,0.00034901002,0.00006774238,0.000016447848,0.00009760227,0.0000016905568],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005971832,0.000014409247,0.000029569122,0.000019603207,0.00004308282,9.720684e-8,0.10791445,0.00016980068,0.00014029385,0.8888036,0.0025235792,0.0003355501],"study_design_scores_gemma":[0.00082474796,0.00036948945,0.011727149,0.0005160436,0.00029541185,0.000009018707,0.18141913,0.13123754,0.0014800094,0.2821494,0.38955605,0.0004159916],"about_ca_topic_score_codex":0.0002323766,"about_ca_topic_score_gemma":0.003612862,"teacher_disagreement_score":0.60665417,"about_ca_system_score_codex":0.000011145657,"about_ca_system_score_gemma":0.00007596875,"threshold_uncertainty_score":0.20160617},"labels":[],"label_agreement":null},{"id":"W4393898898","doi":"10.18260/1-2--45410","title":"Educational Comics: A novel pedagogy for teaching transferable and humanistic skills in Engineering","year":2024,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto; York University","funders":"","keywords":"Comics; Humanism; Computer science; Psychology; Pedagogy; Engineering ethics; Mathematics education; Engineering; Philosophy; Artificial intelligence","score_opus":0.01592567404184562,"score_gpt":0.2739100936729522,"score_spread":0.2579844196311066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393898898","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65759313,0.0061811465,0.074293576,0.02778404,0.0034981277,0.0019077577,0.0005048529,0.0006649102,0.22757249],"genre_scores_gemma":[0.97516096,0.000009677691,0.0007454443,0.000062160965,0.00023643792,0.000034971934,0.0000105700265,0.000019197474,0.02372059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996641,0.0000031537634,0.00009682953,0.000114595554,0.000027784996,0.00009352424],"domain_scores_gemma":[0.99974245,0.00019088008,0.0000046252694,0.000035549616,0.000007782406,0.000018740868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009591474,0.00006521343,0.00007751072,0.00014191479,0.00008553055,0.00015372588,0.000032138676,0.0000135283735,0.0002526301],"category_scores_gemma":[0.000009340591,0.000057734105,0.000026265727,0.000011087216,0.000035556368,0.0000704848,0.0000057389616,0.00007716358,0.0000010797124],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016566593,0.000037861613,0.000024515655,0.00008209136,0.00001539442,2.1635796e-7,0.021363184,0.000008968772,0.00028476352,0.97663414,0.0012677512,0.00027943586],"study_design_scores_gemma":[0.0009298,0.00012753124,0.0003855779,0.00034360273,0.00003694693,0.000009634699,0.008177052,0.06740246,0.000041593838,0.06949205,0.8525905,0.00046322087],"about_ca_topic_score_codex":0.00023290636,"about_ca_topic_score_gemma":0.002451674,"teacher_disagreement_score":0.9071421,"about_ca_system_score_codex":0.000009382287,"about_ca_system_score_gemma":0.000024920888,"threshold_uncertainty_score":0.27661225},"labels":[],"label_agreement":null},{"id":"W4394753144","doi":"10.29173/mruhr768","title":"Indigenous Resilience in Illustration","year":2024,"lang":"en","type":"article","venue":"Mount Royal Undergraduate Humanities Review (MRUHR)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Narrative; Resistance (ecology); History; Colonialism; Witness; Oppression; Genocide; Aesthetics; Sociology; Literature; Art; Political science; Politics; Law; Archaeology","score_opus":0.03522426407228371,"score_gpt":0.2535241658894576,"score_spread":0.21829990181717387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394753144","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08071719,0.5810184,0.00016854839,0.008520688,0.0034045521,0.0026420448,0.00016923924,0.000751245,0.3226081],"genre_scores_gemma":[0.8901842,0.04500597,0.000022296417,0.0015036557,0.00061844185,0.00018258425,0.00010155588,0.000058466798,0.062322833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788034,0.00014438534,0.00068494567,0.00048132343,0.00036117504,0.0004478192],"domain_scores_gemma":[0.9992844,0.0001258663,0.00010616281,0.0003186577,0.00010696103,0.000057979567],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046230832,0.00034464043,0.00045166185,0.00032052616,0.00047380538,0.0007744808,0.0003092393,0.000053427662,0.0015404692],"category_scores_gemma":[0.000033273478,0.00029185333,0.00019885068,0.0001633163,0.00040065867,0.0003809118,0.00006834413,0.0004013918,0.0002863596],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072920375,0.0000706585,0.00002521271,0.0024003948,0.000045762517,0.00008275787,0.02058991,0.00003274485,0.000009010428,0.95141333,0.016787283,0.008535662],"study_design_scores_gemma":[0.00014640427,0.00014494808,0.00009913797,0.00376684,0.00005609141,0.000008972742,0.002566492,0.00048251855,0.0000074342424,0.038845286,0.95342577,0.0004501361],"about_ca_topic_score_codex":0.0013120465,"about_ca_topic_score_gemma":0.015299047,"teacher_disagreement_score":0.9366385,"about_ca_system_score_codex":0.00023583882,"about_ca_system_score_gemma":0.00013931133,"threshold_uncertainty_score":0.9999534},"labels":[],"label_agreement":null},{"id":"W4395059139","doi":"10.1515/9782760646308-002","title":"Les origines du transfert du genre superhéroïque et des <i>comic books</i> au Québec","year":2022,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Art; Literature","score_opus":0.01626229012589876,"score_gpt":0.17962955617129678,"score_spread":0.16336726604539803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395059139","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2199481,0.01792403,0.00020326968,0.0025317816,0.00037615513,0.00062229513,0.0014450131,0.00022444074,0.7567249],"genre_scores_gemma":[0.73595077,0.012743402,0.00015642888,0.0006342535,0.00085730123,0.00005320002,0.00020173728,0.00026597426,0.24913694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704605,0.00028534536,0.00057597697,0.00081433426,0.00040051335,0.00087780063],"domain_scores_gemma":[0.99804306,0.00054235547,0.00025602244,0.0005671064,0.00022312115,0.0003683252],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027893521,0.0010441708,0.000920169,0.00036808636,0.0051145926,0.0002995739,0.000947349,0.00043851958,0.0111351125],"category_scores_gemma":[0.000019309911,0.0011165444,0.0008856888,0.000021256828,0.0017030842,0.00025029134,0.0006025174,0.0010956625,0.000032578773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077274314,0.00011260045,0.004312342,0.0004067913,0.000982463,0.0011323937,0.093179055,0.00028741904,0.0005658985,0.8681827,0.0038515565,0.02621401],"study_design_scores_gemma":[0.0013202314,0.00037878862,0.0013171687,0.00028352198,0.00072881475,0.00028948524,0.005962436,0.00015361187,0.00020520389,0.0058883545,0.98231214,0.0011602247],"about_ca_topic_score_codex":0.740798,"about_ca_topic_score_gemma":0.93568647,"teacher_disagreement_score":0.9784606,"about_ca_system_score_codex":0.0019023863,"about_ca_system_score_gemma":0.0008249866,"threshold_uncertainty_score":0.99912846},"labels":[],"label_agreement":null},{"id":"W4395957694","doi":"10.1007/978-3-031-51804-1_12","title":"Photography, Intermediality, and Graphic Illness Narratives","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave studies in life writing","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Narrative; Photography; Visual arts; Art; Literature","score_opus":0.07197841934879982,"score_gpt":0.3029635366227803,"score_spread":0.23098511727398047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395957694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009259378,0.07707568,0.0000015319157,0.0008791048,0.0029568495,0.000536826,0.00022599414,0.00014018119,0.90892446],"genre_scores_gemma":[0.95409775,0.013416978,0.00002337354,0.00027338494,0.0020640446,0.00009929514,0.000028171258,0.00010099635,0.029896017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99779415,0.00004246773,0.00079186546,0.0007125154,0.00028177892,0.00037721178],"domain_scores_gemma":[0.9987949,0.00041887275,0.00023784589,0.00024893033,0.00019875917,0.00010067877],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004824376,0.0006174701,0.00095496804,0.0008886715,0.00055029086,0.0002971697,0.0002101734,0.00015447963,0.00022121544],"category_scores_gemma":[0.0000879379,0.00053828576,0.00031332037,0.000061322906,0.0030832987,0.000057348912,0.00047528523,0.00082366087,0.0000133520925],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013145784,0.000006054188,0.00013721813,0.0005815943,0.00062032155,0.00005177488,0.1621796,5.899316e-8,0.0000024576761,0.8347416,0.0005649848,0.0011012249],"study_design_scores_gemma":[0.00024650272,0.000087276174,0.000027951055,0.0027338476,0.000084198015,0.000005748101,0.16269365,0.000006124368,0.0000013608301,0.7436331,0.08981836,0.000661878],"about_ca_topic_score_codex":0.00004169383,"about_ca_topic_score_gemma":0.003122126,"teacher_disagreement_score":0.94483835,"about_ca_system_score_codex":0.00003096835,"about_ca_system_score_gemma":0.000031613476,"threshold_uncertainty_score":0.99970686},"labels":[],"label_agreement":null},{"id":"W4396535410","doi":"10.1002/j.2831-865x.2015.tb00283.x","title":"Aw Yeah! Comics and Popular Culture in the Classroom","year":2015,"lang":"en","type":"article","venue":"Popular Culture Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Popular culture; Sociology; Aesthetics; Art; Media studies; Visual arts; Linguistics; Literature; Philosophy","score_opus":0.07003749072720042,"score_gpt":0.28605454010196946,"score_spread":0.21601704937476904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396535410","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002822481,0.95298827,0.0000089691275,0.006716767,0.0002740844,0.0009637233,0.000051970837,0.00007489326,0.03609887],"genre_scores_gemma":[0.14552052,0.7733812,0.0007674318,0.023163745,0.0018124846,0.00022126405,0.00048424213,0.00015007415,0.054499056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897826,0.00017118923,0.0002656492,0.0002086964,0.00019511147,0.00018110833],"domain_scores_gemma":[0.9994746,0.0000042414954,0.000105073894,0.00027812493,0.00006115214,0.000076841774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004414822,0.00019504689,0.00035848876,0.000035111436,0.00013570402,0.00014471602,0.00024064217,0.000059852075,0.00003473104],"category_scores_gemma":[0.000066973145,0.00010457093,0.00010646013,0.000096636766,0.00011217524,0.00011434346,0.00004661933,0.0002658639,0.000018424184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030877443,0.00004696644,0.00052206055,0.0003822743,0.000022780054,0.0000136093795,0.028246295,8.471451e-8,0.0000026975895,0.61702716,0.3516992,0.0020337922],"study_design_scores_gemma":[0.00022833864,0.000044918557,0.00001614915,0.0007149579,0.00005564237,0.00002003706,0.00413953,0.0000042702113,2.829799e-7,0.008330216,0.9862784,0.00016726162],"about_ca_topic_score_codex":0.00011196029,"about_ca_topic_score_gemma":0.0019955283,"teacher_disagreement_score":0.6345792,"about_ca_system_score_codex":0.00001472629,"about_ca_system_score_gemma":0.0000124828375,"threshold_uncertainty_score":0.42642787},"labels":[],"label_agreement":null},{"id":"W4396616221","doi":"10.1017/can.2024.8","title":"Fear within the Frames: Horror Comics and Moral Danger","year":2023,"lang":"en","type":"article","venue":"Canadian Journal of Philosophy","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Aesthetics; Contemporary philosophy; Philosophy; General interest; Art; Sociology; Psychoanalysis; Psychology; Literature; Epistemology","score_opus":0.05067188155447039,"score_gpt":0.22463498704582324,"score_spread":0.17396310549135285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396616221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88471675,0.0018402413,0.000003830184,0.05469684,0.0019365863,0.00017724874,0.00016189624,0.000031135238,0.05643545],"genre_scores_gemma":[0.9969994,0.000021972986,0.000018818526,0.00080177677,0.0008538667,9.882423e-7,0.0000018756567,0.00001982755,0.0012814762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995278,0.000028939843,0.00016482014,0.00006110216,0.0000821444,0.00013518831],"domain_scores_gemma":[0.99946344,0.00004107283,0.000117689255,0.00009643805,0.00006672542,0.00021462217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002057686,0.000079738755,0.00012636418,0.00025498483,0.00035424484,0.00016492751,0.00015890555,0.000025325542,0.00013340876],"category_scores_gemma":[0.000030981075,0.000052582247,0.00006075218,0.000071939554,0.00043717952,0.000085302134,0.000010678215,0.00020206661,0.000010326047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006880863,0.0000034039936,0.0010078697,0.000007804337,0.000054452517,0.00007255886,0.03234108,0.0000060380844,0.000007834097,0.9104701,0.05578852,0.00023341736],"study_design_scores_gemma":[0.0005016201,0.00022072412,0.0013723128,0.00010303275,0.00004400818,0.000058963957,0.013703808,0.00021230649,0.000010177949,0.64325744,0.34028393,0.00023170374],"about_ca_topic_score_codex":0.0017757221,"about_ca_topic_score_gemma":0.03854045,"teacher_disagreement_score":0.2844954,"about_ca_system_score_codex":0.000012646338,"about_ca_system_score_gemma":0.00015119277,"threshold_uncertainty_score":0.97900367},"labels":[],"label_agreement":null},{"id":"W4397006646","doi":"10.1353/bcc.2024.a927642","title":"Age 16 by Rosena Fung (review)","year":2024,"lang":"en","type":"article","venue":"Bulletin of the Center for Children's Books./Bulletin of the Center for Children's Books","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.010365661847462264,"score_gpt":0.2088446491588834,"score_spread":0.19847898731142113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397006646","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18325135,0.16940029,0.0006102891,0.30128092,0.02910332,0.052676287,0.123205304,0.0016470923,0.13882515],"genre_scores_gemma":[0.75829387,0.004402778,0.00046598946,0.016399026,0.003125363,0.0009381128,0.0024736242,0.0007841002,0.21311714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99534684,0.0002690777,0.0015760565,0.0010675449,0.0007080628,0.0010323975],"domain_scores_gemma":[0.9967373,0.0003588722,0.0008730515,0.0015649578,0.00027727484,0.00018856845],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008633469,0.0009598028,0.0011988579,0.00019397272,0.0009274097,0.0002765879,0.002376646,0.00018829167,0.0017744539],"category_scores_gemma":[0.00014158613,0.00062186935,0.003002063,0.000079241196,0.0012913913,0.00004840996,0.00087178795,0.0006454453,0.000048312606],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023242903,0.00044070446,0.00096790376,0.0009833897,0.0010392433,8.34432e-7,0.0012733011,0.0000019188578,0.00008085793,0.0296085,0.963631,0.0017399716],"study_design_scores_gemma":[0.0026111894,0.00027874327,0.00078665273,0.0040972917,0.00050604664,0.000035084315,0.000112705624,0.0000054622733,0.0019622804,0.0024550543,0.9864474,0.00070208457],"about_ca_topic_score_codex":0.00031186623,"about_ca_topic_score_gemma":0.000094063376,"teacher_disagreement_score":0.5750425,"about_ca_system_score_codex":0.00011730977,"about_ca_system_score_gemma":0.000073512405,"threshold_uncertainty_score":0.99962324},"labels":[],"label_agreement":null},{"id":"W4399192571","doi":"10.1515/9782763747590-003","title":"La BD actuelle au Québec","year":2020,"lang":"fr","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.03512498477910456,"score_gpt":0.2151494328253458,"score_spread":0.18002444804624124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399192571","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006246523,0.0016490612,0.000023359458,0.015136551,0.00068920536,0.00018176893,0.00015590985,0.000067309455,0.9814722],"genre_scores_gemma":[0.22470646,0.00053758523,0.000039985967,0.000738628,0.0014186697,0.00000518615,0.00002776501,0.000058654907,0.7724671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987963,0.000035802288,0.00035907645,0.00039601218,0.00017811297,0.0002347398],"domain_scores_gemma":[0.99904376,0.00029019846,0.00014801123,0.0002593599,0.000079939105,0.00017871925],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000099213095,0.00044267977,0.00047106144,0.00010085091,0.00077183405,0.00022775351,0.00024072872,0.00023140271,0.048922602],"category_scores_gemma":[0.000015166239,0.00037510652,0.00041317148,0.000009437923,0.0011597625,0.00008612194,0.00015045787,0.0005514759,0.0014325446],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021506059,0.000027289718,0.00003447893,0.00007106367,0.00023168957,0.00004127356,0.016323026,2.9358534e-7,0.0000054027087,0.9637027,0.0066499715,0.012891306],"study_design_scores_gemma":[0.00020684207,0.00014831772,0.00004773273,0.00010507008,0.00008871142,0.0000058964474,0.0023007179,0.000026312828,0.00000809506,0.038632102,0.95796883,0.00046134248],"about_ca_topic_score_codex":0.07925358,"about_ca_topic_score_gemma":0.42100614,"teacher_disagreement_score":0.95131886,"about_ca_system_score_codex":0.00011069066,"about_ca_system_score_gemma":0.0005400801,"threshold_uncertainty_score":0.99987006},"labels":[],"label_agreement":null},{"id":"W4399311297","doi":"10.32782/2710-4656/2024.2.1/20","title":"VERBAL AND NON-VERBAL MEANS OF SURPRISE EXPRESSION IN CANADIAN GRAPHIC NOVELS","year":2024,"lang":"en","type":"article","venue":"Scientific notes of V I Vernadsky Taurida National University Series Philology Journalism","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Surprise; Expression (computer science); Psychology; Communication; Computer science","score_opus":0.015597043453335869,"score_gpt":0.2133124843949679,"score_spread":0.19771544094163201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399311297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98766524,0.00053877215,0.000022653381,0.0031877435,0.0013575561,0.00010609157,0.0006748567,0.0000116109695,0.0064354795],"genre_scores_gemma":[0.99868333,0.000106165324,0.00007838513,0.000021777529,0.00008463749,2.930204e-7,0.00002906552,0.0000073404367,0.0009890243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987828,0.00006424625,0.00027873082,0.00028230422,0.00034927618,0.00024262542],"domain_scores_gemma":[0.9990267,0.00018351902,0.00013938885,0.000115170675,0.00039434372,0.00014084952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006294834,0.0001337559,0.00023024257,0.0013188185,0.00041961242,0.00011200548,0.00026008143,0.00008022772,0.0004078463],"category_scores_gemma":[0.000074840005,0.00013438497,0.00010538982,0.00031779584,0.0014352116,0.0006347073,0.000079889236,0.000229157,0.000002348793],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002132124,0.00011978901,0.0072844387,0.00013401825,0.00016206013,0.00019113121,0.05113924,0.00015180741,0.011744692,0.92513037,0.0034446293,0.00028461966],"study_design_scores_gemma":[0.004170955,0.0006810043,0.034760695,0.0014175306,0.0002040301,0.00023579206,0.0293963,0.0021824983,0.009711815,0.2699931,0.6457925,0.0014538026],"about_ca_topic_score_codex":0.012341721,"about_ca_topic_score_gemma":0.2216232,"teacher_disagreement_score":0.65513724,"about_ca_system_score_codex":0.00011310704,"about_ca_system_score_gemma":0.0006275963,"threshold_uncertainty_score":0.99423516},"labels":[],"label_agreement":null},{"id":"W4399405589","doi":"10.1007/978-3-031-52300-7_2","title":"Challenging the “Gloom and Doom” Narrative Begins in the Classroom","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pacific Institute for Climate Solutions","funders":"","keywords":"Gloom; Narrative; History; Literature; Art; Psychology","score_opus":0.03214898732062897,"score_gpt":0.2207013842039333,"score_spread":0.18855239688330433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399405589","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005144621,0.006537801,0.0000017973734,0.015297633,0.0003608699,0.00032773695,0.000037297326,0.00003360046,0.9768888],"genre_scores_gemma":[0.218511,0.001309895,0.000001998874,0.0006965639,0.0006875204,0.000022497297,0.000010131132,0.00003174516,0.77872866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914443,0.000021720169,0.00021777827,0.00027902215,0.00017434596,0.00016268353],"domain_scores_gemma":[0.9993921,0.00023520138,0.00006266829,0.0002533059,0.00003501442,0.000021714428],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025697626,0.00027537995,0.00023846106,0.00014589883,0.00044575933,0.0004487895,0.00023946012,0.000087037726,0.0015632672],"category_scores_gemma":[0.000003894949,0.00012714135,0.00012413315,0.000013310213,0.000461719,0.00006467735,0.00009321951,0.0006574211,0.00003966128],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028853497,0.000004571442,8.344997e-7,0.000016462176,0.00006309699,0.000010728428,0.18824705,2.572225e-7,1.8266041e-7,0.80547774,0.005549423,0.00062674243],"study_design_scores_gemma":[0.000055927365,0.000031409563,0.0000046184327,0.00008763313,0.000022870187,0.000003365758,0.051393595,0.00004209117,1.0102922e-7,0.35545412,0.5927769,0.00012737264],"about_ca_topic_score_codex":0.00011149144,"about_ca_topic_score_gemma":0.012615866,"teacher_disagreement_score":0.58722746,"about_ca_system_score_codex":0.00001606569,"about_ca_system_score_gemma":0.000022279937,"threshold_uncertainty_score":0.9993494},"labels":[],"label_agreement":null},{"id":"W4399500094","doi":"10.1080/21504857.2024.2363459","title":"“Systems that make humans inhumane”: nursing home care, graphic medicine and Susan MacLeod’s <i>Dying for Attention</i>","year":2024,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nursing; Psychology; Medicine","score_opus":0.05824464781547617,"score_gpt":0.288633838320194,"score_spread":0.23038919050471784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399500094","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9054553,0.06854316,0.0024398516,0.0037335872,0.008939012,0.000841614,0.00019732828,0.0001670214,0.009683106],"genre_scores_gemma":[0.9947345,0.0027694094,0.000098507444,0.00015269179,0.0015502246,0.000011311743,0.000015621328,0.00009056152,0.0005771707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981267,0.00006576475,0.0007727635,0.00029497713,0.0003919927,0.00034781592],"domain_scores_gemma":[0.9985263,0.00033146047,0.00045809397,0.00021159941,0.0003173678,0.00015520521],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006610242,0.00032382846,0.000627042,0.0013326377,0.0005752904,0.0005668238,0.00027251677,0.000098093944,0.000041951473],"category_scores_gemma":[0.000018377978,0.00025720682,0.00034088624,0.00020705562,0.00076717266,0.00031889952,0.000033484488,0.00045042997,5.4557887e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013966391,0.00010553473,0.0028883994,0.00082253583,0.0005799883,0.000055150027,0.051827516,0.0000094804145,0.0015506452,0.92516595,0.013633036,0.0032220837],"study_design_scores_gemma":[0.007750581,0.002690119,0.004433927,0.01709777,0.0019004513,0.0009692445,0.18469825,0.0016277909,0.00006963556,0.16974758,0.60691166,0.0021029848],"about_ca_topic_score_codex":0.000069384456,"about_ca_topic_score_gemma":0.00046146102,"teacher_disagreement_score":0.7554184,"about_ca_system_score_codex":0.000049565977,"about_ca_system_score_gemma":0.0000618275,"threshold_uncertainty_score":0.999988},"labels":[],"label_agreement":null},{"id":"W4399726290","doi":"10.3138/chr.105.1.rev19","title":"<i>Through Their Eyes: A Graphic History of Hill 70 and Canada’s First World War</i>. Matthew Barrett and Robert C. Engen","year":2024,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"History; Art","score_opus":0.024257877321940253,"score_gpt":0.19667412604093262,"score_spread":0.17241624871899236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399726290","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021110936,0.94966245,0.0000013533088,0.02209925,0.0012711092,0.0002465932,0.000107368076,0.000020214015,0.026380565],"genre_scores_gemma":[0.2656329,0.61407244,0.000035878013,0.015788227,0.00067136163,0.000115031085,0.000042604002,0.000106934196,0.10353463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886733,0.00006383303,0.00037253427,0.0003161375,0.00011378455,0.0002663845],"domain_scores_gemma":[0.9991504,0.00017303505,0.000066979446,0.00021475981,0.000063550666,0.00033130156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002172547,0.00021682587,0.00050121004,0.00018930566,0.00016352945,0.000025944979,0.00014043847,0.000036490877,0.0009019544],"category_scores_gemma":[0.00005822531,0.00017620335,0.00011438939,0.00010346715,0.00015909235,0.00010540057,0.000023200439,0.00021399574,0.0000026791695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014448154,0.0000052978367,0.000054025895,0.0022031388,0.0000477933,0.000027939454,0.0058370586,3.0976107e-8,0.000001040886,0.0845292,0.9008362,0.0064567714],"study_design_scores_gemma":[0.0000482547,0.000023698494,0.000017410488,0.0016082694,0.00007520003,0.0000069512957,0.000086536784,0.000011088585,2.7861068e-7,0.0012549185,0.996655,0.0002124103],"about_ca_topic_score_codex":0.95644003,"about_ca_topic_score_gemma":0.99909955,"teacher_disagreement_score":0.33559,"about_ca_system_score_codex":0.0031010248,"about_ca_system_score_gemma":0.0013805071,"threshold_uncertainty_score":0.98757684},"labels":[],"label_agreement":null},{"id":"W4399806751","doi":"10.32920/26064067.v1","title":"Incendiary: A Digital Graphic Novel","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Computer graphics (images); Computer science","score_opus":0.03433908921399263,"score_gpt":0.22829532988084203,"score_spread":0.1939562406668494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399806751","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06782268,0.0016285608,0.000059175884,0.0029505612,0.0042151185,0.00032446216,0.001193537,0.00041945695,0.9213864],"genre_scores_gemma":[0.96181625,0.00006152498,0.000026562477,0.00017470974,0.00096484675,0.00003703609,0.00012651976,0.000034687757,0.03675783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989982,0.0000059607814,0.00023907125,0.00040827415,0.00015989675,0.00018854934],"domain_scores_gemma":[0.99946934,0.000040740084,0.000059660764,0.00030536868,0.00006351662,0.00006139599],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007051312,0.00026579393,0.0002559596,0.000307094,0.0001263153,0.0017249451,0.00025933387,0.00009751961,0.0017497697],"category_scores_gemma":[0.000008854856,0.0002030351,0.0003027304,0.000037394864,0.00027028832,0.00007899612,0.0010466839,0.0006531348,0.00019673434],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042980887,0.000057528123,0.000023668159,0.000100182646,0.0001428666,0.000006610561,0.011481946,0.0000014324025,0.000004001759,0.97224706,0.014703308,0.0012270894],"study_design_scores_gemma":[0.00009022293,0.000025155849,0.000018776214,0.00013831176,0.00003348795,0.000001846851,0.0023003449,0.00029193205,0.0000035228563,0.55533355,0.4414194,0.00034343018],"about_ca_topic_score_codex":0.0001790956,"about_ca_topic_score_gemma":0.0009372649,"teacher_disagreement_score":0.8939936,"about_ca_system_score_codex":0.000015693458,"about_ca_system_score_gemma":0.000084375846,"threshold_uncertainty_score":0.9993114},"labels":[],"label_agreement":null},{"id":"W4399806806","doi":"10.32920/26064067","title":"Incendiary: A Digital Graphic Novel","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Computer graphics (images); Computer science","score_opus":0.03433908921399263,"score_gpt":0.22829532988084203,"score_spread":0.1939562406668494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399806806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06782268,0.0016285608,0.000059175884,0.0029505612,0.0042151185,0.00032446216,0.001193537,0.00041945695,0.9213864],"genre_scores_gemma":[0.96181625,0.00006152498,0.000026562477,0.00017470974,0.00096484675,0.00003703609,0.00012651976,0.000034687757,0.03675783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989982,0.0000059607814,0.00023907125,0.00040827415,0.00015989675,0.00018854934],"domain_scores_gemma":[0.99946934,0.000040740084,0.000059660764,0.00030536868,0.00006351662,0.00006139599],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007051312,0.00026579393,0.0002559596,0.000307094,0.0001263153,0.0017249451,0.00025933387,0.00009751961,0.0017497697],"category_scores_gemma":[0.000008854856,0.0002030351,0.0003027304,0.000037394864,0.00027028832,0.00007899612,0.0010466839,0.0006531348,0.00019673434],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042980887,0.000057528123,0.000023668159,0.000100182646,0.0001428666,0.000006610561,0.011481946,0.0000014324025,0.000004001759,0.97224706,0.014703308,0.0012270894],"study_design_scores_gemma":[0.00009022293,0.000025155849,0.000018776214,0.00013831176,0.00003348795,0.000001846851,0.0023003449,0.00029193205,0.0000035228563,0.55533355,0.4414194,0.00034343018],"about_ca_topic_score_codex":0.0001790956,"about_ca_topic_score_gemma":0.0009372649,"teacher_disagreement_score":0.8939936,"about_ca_system_score_codex":0.000015693458,"about_ca_system_score_gemma":0.000084375846,"threshold_uncertainty_score":0.9993114},"labels":[],"label_agreement":null},{"id":"W4399877008","doi":"10.1515/9782760635715-012","title":"<i>Mainmise, Québec-Presse</i> et les revues de bande dessinée","year":2016,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0146729112140102,"score_gpt":0.18354129768295557,"score_spread":0.16886838646894536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399877008","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012176411,0.04824538,0.0009893317,0.005551042,0.00025787007,0.0005052581,0.0011579173,0.00022728574,0.9308895],"genre_scores_gemma":[0.27854192,0.01586538,0.0006583045,0.00087871804,0.0010394328,0.000030905663,0.00006769461,0.0002571561,0.7026605],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969395,0.0003118478,0.0005592322,0.0008099775,0.0003609451,0.0010184932],"domain_scores_gemma":[0.9970853,0.00085365534,0.0005710197,0.0007616124,0.00025377027,0.00047465274],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036022993,0.000977542,0.000877457,0.0003068274,0.002412348,0.00040308028,0.0009528735,0.00080981036,0.005947801],"category_scores_gemma":[0.000049280203,0.00092208595,0.00070374174,0.000013927102,0.0016285459,0.00022487107,0.0007612764,0.0009791452,0.0000808707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007132209,0.00007693802,0.0012609757,0.00041085746,0.00083174475,0.0008533065,0.024192395,0.00004984819,0.0014292712,0.8663827,0.022166833,0.08163191],"study_design_scores_gemma":[0.0012261557,0.00020768735,0.00056453136,0.0014801956,0.00062414445,0.00014338059,0.0017792546,0.000106286665,0.00060409604,0.03903044,0.95314157,0.0010922321],"about_ca_topic_score_codex":0.11279173,"about_ca_topic_score_gemma":0.44842988,"teacher_disagreement_score":0.9309748,"about_ca_system_score_codex":0.0009280131,"about_ca_system_score_gemma":0.00048661476,"threshold_uncertainty_score":0.99932295},"labels":[],"label_agreement":null},{"id":"W4400513609","doi":"10.5117/9789048559220_ch08","title":"The 1960s and America's Haunted Present","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"History; Art","score_opus":0.021083698152767453,"score_gpt":0.21100912685804762,"score_spread":0.18992542870528017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400513609","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010027352,0.007918412,0.0000016663821,0.0041349065,0.00050719175,0.00013586291,0.000046671503,0.000049144553,0.9871961],"genre_scores_gemma":[0.0014821722,0.0021502348,0.0000033422823,0.00016629121,0.0006409898,0.000007335053,0.0000098133205,0.000025907277,0.9955139],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946696,0.0000035541377,0.00014168909,0.00018283191,0.00010435403,0.00010058966],"domain_scores_gemma":[0.9995992,0.00010813939,0.000044791785,0.00017252448,0.00004128362,0.000034042907],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000039207574,0.00016513823,0.00014746127,0.000056374916,0.00031669723,0.00046618897,0.00009646248,0.00003909988,0.0028429616],"category_scores_gemma":[0.0000019828863,0.00008748697,0.00009257458,0.0000036098115,0.0005606802,0.000022874268,0.00010101409,0.00020617708,0.00013324447],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049526193,0.0000016398338,1.1648544e-7,0.000010213715,0.00010055473,0.0000034141262,0.0025892311,2.1956371e-8,2.7684987e-7,0.8969923,0.093996584,0.006300638],"study_design_scores_gemma":[0.000024731693,0.0000277624,5.455332e-7,0.000029404646,0.000025031819,8.9335856e-7,0.00065090123,0.000042118078,3.1537928e-7,0.2527171,0.7463817,0.00009949719],"about_ca_topic_score_codex":0.00013259234,"about_ca_topic_score_gemma":0.0015833564,"teacher_disagreement_score":0.6523851,"about_ca_system_score_codex":0.0000059433564,"about_ca_system_score_gemma":0.000013604165,"threshold_uncertainty_score":0.9980686},"labels":[],"label_agreement":null},{"id":"W4401109289","doi":"10.3138/jeunesse-2023-0048","title":"<i>The LGBTQ+ Comics Reader</i>: A Primer and a Missed Opportunity","year":2024,"lang":"fr","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Primer (cosmetics); Queer; Art; Visual arts; Sociology; Gender studies; Literature; Physics","score_opus":0.025080939360657237,"score_gpt":0.2634688772107394,"score_spread":0.23838793785008217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401109289","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1497067,0.5446733,0.000050364397,0.16574784,0.011732305,0.0015904113,0.0010138209,0.0009617047,0.12452354],"genre_scores_gemma":[0.5215105,0.018327817,0.000045243658,0.00056955474,0.0016197319,0.000079703146,0.000071954004,0.00013511062,0.4576404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804616,0.00015731019,0.00043275958,0.00051943463,0.0002849434,0.0005593627],"domain_scores_gemma":[0.9986777,0.00035001442,0.00012763735,0.00041658082,0.00013632243,0.00029174652],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004035765,0.0004569844,0.00039679473,0.000117248295,0.0017344939,0.0023277004,0.00029134884,0.00020445713,0.00045227175],"category_scores_gemma":[0.00010075614,0.00031314435,0.00020484236,0.00019571197,0.0010736343,0.00030786815,0.00014380395,0.0005148101,0.00004122622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031882566,0.000092601564,0.00020984106,0.00037441304,0.00022673004,0.000055836736,0.06388018,5.7820154e-7,0.0001802506,0.5955541,0.33692393,0.0024696386],"study_design_scores_gemma":[0.00028111896,0.00008029302,0.0008902769,0.0003570384,0.0002055701,0.00016390176,0.020788569,0.00034119113,0.00005211365,0.0154896295,0.96088,0.000470309],"about_ca_topic_score_codex":0.004801205,"about_ca_topic_score_gemma":0.045239452,"teacher_disagreement_score":0.6239561,"about_ca_system_score_codex":0.00003615178,"about_ca_system_score_gemma":0.00019221778,"threshold_uncertainty_score":0.99993205},"labels":[],"label_agreement":null},{"id":"W4401113186","doi":"10.3138/jeunesse-2023-0005","title":"Sideways Listening: Doing Space Sideways to the Norm with Superhero Franchise Kamen Rider","year":2024,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Franchise; Active listening; Norm (philosophy); Space (punctuation); Art; Visual arts; Geometry; Aesthetics; Computer science; Mathematics; Sociology; Political science; Business; Communication; Marketing; Law","score_opus":0.009529444455274488,"score_gpt":0.22725313016327017,"score_spread":0.2177236857079957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401113186","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84131557,0.008597194,0.0001992333,0.027877366,0.0027694157,0.001266151,0.00019993198,0.00081174297,0.116963424],"genre_scores_gemma":[0.9692669,0.00006748922,0.000129196,0.0005271294,0.0010889957,0.00015089822,0.000032137927,0.00006905258,0.02866823],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813044,0.00005912581,0.00031509515,0.0005602045,0.00043954048,0.0004956097],"domain_scores_gemma":[0.9989175,0.000196345,0.00006857381,0.00047691743,0.00018864105,0.00015202326],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024133714,0.00041116896,0.00036339677,0.00016075552,0.0011148601,0.0018273065,0.00040557733,0.000073859446,0.0010402042],"category_scores_gemma":[0.00004033849,0.00022279167,0.00018505695,0.0003021678,0.00018929923,0.00042653753,0.00012787289,0.0004061005,0.00024793766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007461605,0.00007382248,0.0014952245,0.0001385528,0.00021756328,0.000055208948,0.49617186,0.00022087156,0.00040653898,0.38780963,0.112657025,0.00067908305],"study_design_scores_gemma":[0.0003369275,0.00018505694,0.0035831088,0.00029671367,0.00012778776,0.00006142718,0.052444328,0.00022105861,0.0002989045,0.003242711,0.9385392,0.0006627623],"about_ca_topic_score_codex":0.0018485954,"about_ca_topic_score_gemma":0.1419273,"teacher_disagreement_score":0.8258822,"about_ca_system_score_codex":0.00004393079,"about_ca_system_score_gemma":0.00008425824,"threshold_uncertainty_score":0.999873},"labels":[],"label_agreement":null},{"id":"W4401451325","doi":"10.25071/1916-0925.40377","title":"“Easier to Understand but More Difficult to Digest”: Student Experiences with Israeli Yom HaZikaron Cartoons","year":2024,"lang":"en","type":"article","venue":"Canadian Jewish Studies / Études juives canadiennes","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.034049515587180224,"score_gpt":0.257121729511905,"score_spread":0.22307221392472476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401451325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9689666,0.008042265,0.0000030093029,0.009717251,0.0016615324,0.000796023,0.0005202154,0.00012836287,0.0101647535],"genre_scores_gemma":[0.98887265,0.00011266189,0.000032619904,0.001962278,0.00060810946,0.00031104358,0.000020362982,0.000067289766,0.008012973],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997148,0.00004448967,0.00037954847,0.00089381606,0.0003574622,0.0011767207],"domain_scores_gemma":[0.9976151,0.00016207072,0.00004949029,0.0004094525,0.00035733043,0.0014065503],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00013634286,0.0005604759,0.00057533686,0.00075978134,0.0013321715,0.00086909754,0.000498043,0.000059486876,0.00021929413],"category_scores_gemma":[0.0000749214,0.00043415706,0.00013032193,0.0004865256,0.0008196686,0.00030311377,0.0001254367,0.00021644046,0.0000347362],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017830615,0.000025679861,0.0006379833,0.0000690328,0.00067276316,0.0003550639,0.8285504,0.000045978803,0.00002021998,0.14105293,0.027008614,0.0015434986],"study_design_scores_gemma":[0.00014011044,0.0004291726,0.0015826436,0.00027642876,0.00007635383,0.000011879861,0.7700809,0.0000070818373,0.000018618184,0.00016935951,0.22660898,0.00059847295],"about_ca_topic_score_codex":0.13445927,"about_ca_topic_score_gemma":0.994291,"teacher_disagreement_score":0.85983175,"about_ca_system_score_codex":0.0009378241,"about_ca_system_score_gemma":0.00062049436,"threshold_uncertainty_score":0.99996793},"labels":[],"label_agreement":null},{"id":"W4401632293","doi":"10.22215/etd/2024-16073","title":"Reframing Racial Passing in Asian Diaspora Comics","year":2024,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; Diaspora; Cognitive reframing; Fantasy; Aesthetics; Model minority; Narrative; Sociology; Gender studies; History; Literature; Art; Asian americans; Ethnic group; Psychology; Anthropology; Social psychology","score_opus":0.017416104167863943,"score_gpt":0.2604655892165428,"score_spread":0.24304948504867885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401632293","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18770263,0.001004009,0.0000022136903,0.00031701804,0.0027386586,0.00017225569,0.000028769844,0.00014808771,0.80788636],"genre_scores_gemma":[0.7951263,0.00005553937,0.000030428051,0.000053964755,0.00063695747,0.0000144798605,0.0004885686,0.000074908785,0.20351882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99922997,0.000016439793,0.00025534967,0.00023327373,0.00010867281,0.00015629307],"domain_scores_gemma":[0.9997308,0.00002161048,0.000080407655,0.000112914095,0.000025775636,0.000028461394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008667519,0.00018719338,0.00024052392,0.00041451203,0.00011608539,0.00036923643,0.000098155964,0.00011661892,0.0010132567],"category_scores_gemma":[0.000008821625,0.00016494254,0.00009649314,0.000055586785,0.00004743474,0.000072258554,0.000013484435,0.00034265735,0.00003196841],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000215675,0.00002805255,0.00002707903,0.00017556833,0.000033775526,0.000025506177,0.31420776,1.4699202e-7,0.00001596202,0.6672583,0.009105093,0.009101193],"study_design_scores_gemma":[0.00029586285,0.000045906665,0.00043228632,0.0009551123,0.000057347195,7.256081e-7,0.48277128,0.00023986587,0.000048366175,0.05238725,0.46207562,0.0006903704],"about_ca_topic_score_codex":0.0015122973,"about_ca_topic_score_gemma":0.20903575,"teacher_disagreement_score":0.6148711,"about_ca_system_score_codex":0.000025736636,"about_ca_system_score_gemma":0.000052452604,"threshold_uncertainty_score":0.9998999},"labels":[],"label_agreement":null},{"id":"W4401812727","doi":"10.1007/978-3-031-60754-7_4","title":"An Ocean of Silence: Vulnerability in Comics About Migration","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave studies in mediating kinship, representation, and difference.","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Silence; Vulnerability (computing); Comics; History; Oceanography; Art; Geology; Aesthetics; Computer security; Literature; Computer science","score_opus":0.09068728170312029,"score_gpt":0.3452295371561573,"score_spread":0.254542255453037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401812727","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8163016,0.012404023,0.000009466083,0.000331074,0.001669675,0.0009443131,0.0003506192,0.00009882392,0.16789041],"genre_scores_gemma":[0.98270637,0.0064541083,0.000041623167,0.00002667457,0.00036003336,0.000028239227,0.00013297159,0.0000415066,0.010208451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979867,0.00009256674,0.00083066936,0.00057500135,0.00031054846,0.00020453129],"domain_scores_gemma":[0.9984929,0.00058257737,0.00036394614,0.00031437728,0.00018721561,0.00005900553],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00047764095,0.00034638454,0.00070636306,0.0005163456,0.00015588739,0.00008945841,0.00016599815,0.00013992167,0.00006319278],"category_scores_gemma":[0.00028368176,0.00030005025,0.000093512055,0.00006620922,0.0009475092,0.00005058444,0.00008890794,0.00043516385,0.0000014419733],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027479036,0.000031447587,0.08157987,0.0005824407,0.00009498642,0.0000101266105,0.22956748,0.0000076189112,0.000020772868,0.6863789,0.00015131698,0.0015475941],"study_design_scores_gemma":[0.0004845334,0.0001484494,0.019722914,0.0010010208,0.00006997139,0.0000011882737,0.06997911,0.00065758027,0.000027923252,0.90720093,0.0002716198,0.0004347477],"about_ca_topic_score_codex":0.0010448346,"about_ca_topic_score_gemma":0.023868667,"teacher_disagreement_score":0.22082208,"about_ca_system_score_codex":0.000044391847,"about_ca_system_score_gemma":0.000041374275,"threshold_uncertainty_score":0.99994516},"labels":[],"label_agreement":null},{"id":"W4402115118","doi":"10.20897/femenc/14947","title":"Sarah Leavitt’s &lt;i&gt;Tangles&lt;/i&gt;: Teaching Queer Caregiving Memoir on Disability, and Pedagogy as Resistance","year":2024,"lang":"en","type":"article","venue":"Feminist Encounters A Journal of Critical Studies in Culture and Politics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Memoir; Resistance (ecology); Psychology; Art; Theology; Sociology; Psychoanalysis; Pedagogy; Philosophy; Literature","score_opus":0.03417782522738339,"score_gpt":0.35455384035035553,"score_spread":0.32037601512297215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402115118","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5085687,0.18994553,0.000050045623,0.03123673,0.005010186,0.0003348998,0.00030783287,0.00006429779,0.26448178],"genre_scores_gemma":[0.9923141,0.0015071243,0.00007952268,0.00083411444,0.0014487453,0.000004916036,0.000001266107,0.000019414774,0.0037907925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983358,0.00012799105,0.0005555657,0.0002718317,0.00033770286,0.00037110338],"domain_scores_gemma":[0.9982634,0.0011896606,0.00007479479,0.00012531703,0.00019655279,0.00015023742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055376027,0.00026886197,0.0005040227,0.00010578575,0.00054229575,0.0003927919,0.00014538752,0.00008433052,0.000034550227],"category_scores_gemma":[0.0007334603,0.0001896857,0.00013460802,0.00004549771,0.0024272522,0.00020827615,0.00009825771,0.00063250493,0.0000015747765],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004188827,0.00008121031,0.00017767445,0.000449511,0.00010696371,0.00016162277,0.17140807,3.5601457e-7,0.000047982743,0.81531644,0.011988006,0.00022026755],"study_design_scores_gemma":[0.00030759562,0.0005480413,0.00010245806,0.0018086864,0.00012781408,0.00014698895,0.09071621,0.000013552791,0.00001557289,0.09491911,0.81100345,0.00029051886],"about_ca_topic_score_codex":0.000016285197,"about_ca_topic_score_gemma":0.00096608634,"teacher_disagreement_score":0.79901546,"about_ca_system_score_codex":0.0001267642,"about_ca_system_score_gemma":0.000057186164,"threshold_uncertainty_score":0.89433116},"labels":[],"label_agreement":null},{"id":"W4402520329","doi":"10.1353/vpr.2023.a937157","title":"A History of Press Graphics, 1819–1921: The Golden Age of Graphic Journalism by Alexander Roob (review)","year":2023,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Journalism; Graphics; History; Art history; Art; Media studies; Visual arts; Sociology","score_opus":0.045813327584939625,"score_gpt":0.2598357873528099,"score_spread":0.21402245976787027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402520329","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00063030096,0.98240215,0.0000037484742,0.004939604,0.0012700795,0.000792298,0.00017061406,0.000052987903,0.009738219],"genre_scores_gemma":[0.013612006,0.9743147,0.000003899299,0.0023187522,0.0003536703,0.0001087586,0.00006460691,0.000036126297,0.009187507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728346,0.0004036626,0.0011245713,0.00030038657,0.0005799225,0.00030800936],"domain_scores_gemma":[0.9980739,0.00023488671,0.00063581584,0.0006505205,0.0002690585,0.0001358251],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013463729,0.00029163656,0.0010569962,0.00014596217,0.00019199328,0.000042640913,0.0006797639,0.000070776274,0.0038777282],"category_scores_gemma":[0.000257865,0.00018460909,0.0006712295,0.00030050531,0.0011521792,0.00012264986,0.000110564455,0.00034576506,0.000019662953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067176666,0.00008759125,0.000056441277,0.008903483,0.00019936754,0.000008808294,0.0073926346,5.6081422e-8,0.00014504715,0.0853218,0.8965489,0.0013291293],"study_design_scores_gemma":[0.00017165902,0.00006932959,0.00012111054,0.009697635,0.00022281826,0.0000036535373,0.00011537881,0.0000034165216,0.0000047777407,0.00074251316,0.98863745,0.00021024284],"about_ca_topic_score_codex":0.00015349714,"about_ca_topic_score_gemma":0.00019910045,"teacher_disagreement_score":0.092088535,"about_ca_system_score_codex":0.0000339467,"about_ca_system_score_gemma":0.00013119639,"threshold_uncertainty_score":0.9970329},"labels":[],"label_agreement":null},{"id":"W4403118965","doi":"10.3138/chr.105.3.br13","title":"<i>Northern Getaway: Film, Tourism, and the Canadian Vacation</i>. Dominique Brégent-Heald","year":2024,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Tourism; History; Geography; Archaeology; Media studies; Sociology","score_opus":0.02126392137705915,"score_gpt":0.21942893953856252,"score_spread":0.19816501816150336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403118965","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018599285,0.71670926,0.0000044370927,0.18158434,0.0013869593,0.00067477184,0.00009277774,0.00003827637,0.0993232],"genre_scores_gemma":[0.6235264,0.18295394,0.000039840386,0.055488862,0.0028119418,0.0005164672,0.0001069535,0.00012292204,0.1344327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989444,0.00009546375,0.0002833101,0.00024906982,0.00011826765,0.0003094855],"domain_scores_gemma":[0.99883443,0.0001356341,0.000038639948,0.00024809228,0.00009992075,0.000643294],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043852054,0.00015920817,0.00030023904,0.00016863091,0.00069099164,0.00023749113,0.00018758148,0.000050878672,0.0014573317],"category_scores_gemma":[0.00010961138,0.000107262764,0.00014515918,0.00012384487,0.00014418087,0.00007969438,0.000011883126,0.00027548755,0.000104543775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001490863,0.0000024138376,0.000015933989,0.00031904265,0.000031115353,0.000035561283,0.0034285274,7.7215404e-8,8.7340794e-8,0.46531826,0.5054894,0.025358092],"study_design_scores_gemma":[0.000085748274,0.000013195265,0.000018171837,0.00042471822,0.00006181436,0.000009392501,0.000044622335,0.000033118173,8.171919e-8,0.0051752455,0.9939859,0.00014797968],"about_ca_topic_score_codex":0.9462322,"about_ca_topic_score_gemma":0.9991244,"teacher_disagreement_score":0.62334037,"about_ca_system_score_codex":0.0024005785,"about_ca_system_score_gemma":0.0014028068,"threshold_uncertainty_score":0.99945545},"labels":[],"label_agreement":null},{"id":"W4403157917","doi":"10.29173/comp94","title":"Cosplay as armour","year":2024,"lang":"en","type":"article","venue":"COMPASS","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Armour; Art; Materials science; Composite material","score_opus":0.028662323210305266,"score_gpt":0.254619409478537,"score_spread":0.22595708626823174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403157917","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25150266,0.0030675547,0.00007472019,0.0056372187,0.0025006274,0.000106383595,0.000029966188,0.00026505406,0.7368158],"genre_scores_gemma":[0.96778184,0.00001764833,0.000007336155,0.00022419747,0.0005086487,0.000006921432,0.000005751945,0.000008936814,0.031438734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963295,0.000010994699,0.00007924817,0.000111010195,0.00006791939,0.000097859396],"domain_scores_gemma":[0.999794,0.000050092294,0.000009332736,0.00008992704,0.000023982075,0.00003263118],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005363305,0.000065879074,0.00007692297,0.000059570502,0.00013080334,0.0003109687,0.00008311677,0.0000118448015,0.0041537113],"category_scores_gemma":[0.00000402776,0.00005145579,0.000058911002,0.000025902456,0.000085179265,0.00006853957,0.00002211343,0.00008743688,0.0008601805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002487029,0.000010918683,0.000014390395,0.000011114327,0.000021752518,0.000013822969,0.00881288,5.797201e-7,0.000043868884,0.8832926,0.10613706,0.0016384854],"study_design_scores_gemma":[0.000052243442,0.000027911014,0.00007932397,0.0000273405,0.0000069595158,0.000003170652,0.0010233708,0.0005235903,0.000059781167,0.055911053,0.9422064,0.000078852645],"about_ca_topic_score_codex":0.000052912295,"about_ca_topic_score_gemma":0.00019006913,"teacher_disagreement_score":0.83606935,"about_ca_system_score_codex":0.000007814735,"about_ca_system_score_gemma":0.000019669274,"threshold_uncertainty_score":0.99991775},"labels":[],"label_agreement":null},{"id":"W4403172062","doi":"10.14325/mississippi/9781496850492.001.0001","title":"Indigenous Comics and Graphic Novels","year":2024,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Indigenous; Art; Literature; Visual arts; History; Biology; Ecology","score_opus":0.02170419845771513,"score_gpt":0.17911823491908369,"score_spread":0.15741403646136856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403172062","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009217159,0.0024184578,0.0000053466465,0.00003496537,0.0002228967,0.00027222114,0.00069176825,0.0001166114,0.995316],"genre_scores_gemma":[0.004017088,0.00031697893,0.00003159057,0.000022580714,0.00014014542,3.91276e-7,0.000027048553,0.00005993277,0.9953842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911433,0.000026209575,0.00018247131,0.00032918536,0.00016815485,0.0001796596],"domain_scores_gemma":[0.9992646,0.00006736014,0.00019869859,0.0002781438,0.00007676402,0.000114447575],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00007292827,0.000284193,0.0004308199,0.0004679004,0.00022305238,0.00009347733,0.00031260718,0.00019899201,0.000094107876],"category_scores_gemma":[0.0000028624781,0.0002917208,0.00018769615,0.000010431417,0.00075280096,0.000044875465,0.00023407118,0.00034362453,0.0000022152321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043892545,0.000025667736,0.0000042495394,0.0005106,0.00047470373,0.0000641697,0.030789305,1.7010885e-7,0.000015791093,0.8893306,0.0760816,0.0026592247],"study_design_scores_gemma":[0.00027733494,0.00007070876,0.0000028056295,0.00037487398,0.00026074686,0.0000035701771,0.0011519856,0.000007486168,0.000023497432,0.009071455,0.98845035,0.0003051744],"about_ca_topic_score_codex":0.00036753507,"about_ca_topic_score_gemma":0.00053088577,"teacher_disagreement_score":0.9123688,"about_ca_system_score_codex":0.000037292317,"about_ca_system_score_gemma":0.00016997688,"threshold_uncertainty_score":0.9999535},"labels":[],"label_agreement":null},{"id":"W4403193609","doi":"10.14325/mississippi/9781496850034.003.0005","title":"Archiving the Past, Drawing the Present, and Preserving Displaced Histories of Violence in Nonfictional Graphic Novels","year":2024,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Visual arts","score_opus":0.021950404558925184,"score_gpt":0.18917343020722568,"score_spread":0.1672230256483005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403193609","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0096555855,0.002792951,0.00001626032,0.00078563654,0.0002771469,0.0004292079,0.00025463194,0.000025276911,0.9857633],"genre_scores_gemma":[0.35319224,0.00021830985,0.000012797755,0.0000087631315,0.00019639588,0.0000015706796,0.000005465302,0.000023319173,0.64634115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990236,0.000043594326,0.0002611497,0.0002748258,0.00025149065,0.00014530217],"domain_scores_gemma":[0.99884814,0.00044093144,0.0002555262,0.00032198484,0.00009224364,0.00004116487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019181705,0.00022515547,0.00030369702,0.00024630074,0.00035679794,0.00006770553,0.00050922076,0.00007673451,0.00006668943],"category_scores_gemma":[0.000008288474,0.0001567273,0.00017538272,0.0000128786905,0.0011716409,0.00007964083,0.00044178963,0.00042833085,1.4882492e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007637092,0.000012417612,0.00009655083,0.00029569445,0.00018992751,0.00000828909,0.027320683,0.000011674185,0.000058409863,0.9701613,0.00069160707,0.0010770443],"study_design_scores_gemma":[0.000276654,0.000048332502,0.00034103356,0.0018230793,0.0002136985,0.0000028395016,0.0037445454,0.00029044636,0.000037046204,0.034156013,0.95880616,0.00026014523],"about_ca_topic_score_codex":0.0006694874,"about_ca_topic_score_gemma":0.0009153525,"teacher_disagreement_score":0.95811456,"about_ca_system_score_codex":0.000026918702,"about_ca_system_score_gemma":0.00005572209,"threshold_uncertainty_score":0.6391154},"labels":[],"label_agreement":null},{"id":"W4403348290","doi":"10.1007/978-3-031-67043-5_4","title":"Emanata: On the Vast Spillage of Teachers’ Emotions in Comics","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Spillage; Comics; Psychology; Art; Engineering; Literature; Waste management","score_opus":0.05083122612906945,"score_gpt":0.22572596835989545,"score_spread":0.174894742230826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403348290","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005935398,0.00020497314,0.000001245852,0.0024110894,0.00028562103,0.00017851997,0.00014376116,0.000036313722,0.99614495],"genre_scores_gemma":[0.114108816,0.00012274645,0.0000028253717,0.00014573903,0.00017236703,0.0000034306918,0.0000147188,0.000043053133,0.8853863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994549,0.0000068927247,0.00018928453,0.00015918104,0.00010648742,0.000083226674],"domain_scores_gemma":[0.99955195,0.00008382278,0.00007277182,0.00025314544,0.000021618822,0.000016705235],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010709067,0.00016673765,0.00021563849,0.00024643444,0.0000696598,0.00006702379,0.00014847769,0.00006966795,0.005364089],"category_scores_gemma":[0.000004003673,0.00010150121,0.00014722148,0.000010600135,0.00027185553,0.00001824631,0.000055375134,0.00031147487,0.000076412965],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016322668,0.000012146716,0.0000012402242,0.000018249339,0.000051893196,0.0000036089648,0.010210163,4.04234e-7,9.064763e-7,0.9394756,0.05010097,0.00012316238],"study_design_scores_gemma":[0.000056046138,0.000040120965,0.0000073735578,0.00017904927,0.00002115695,3.671075e-7,0.0029206004,0.000012560098,0.0000011227206,0.2612635,0.73537856,0.00011953508],"about_ca_topic_score_codex":0.00017948567,"about_ca_topic_score_gemma":0.0122663565,"teacher_disagreement_score":0.68527764,"about_ca_system_score_codex":0.000015075002,"about_ca_system_score_gemma":0.000014797132,"threshold_uncertainty_score":0.99554515},"labels":[],"label_agreement":null},{"id":"W4403348355","doi":"10.1007/978-3-031-67043-5","title":"The Figure of the Teacher in Comics","year":2024,"lang":"en","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Art; Visual arts; Literature","score_opus":0.019403253704210997,"score_gpt":0.20839181057809514,"score_spread":0.18898855687388413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403348355","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007702215,0.0017309554,1.0900796e-7,0.0017250422,0.00051741145,0.0001389787,0.000032636777,0.000016482558,0.99576133],"genre_scores_gemma":[0.003951844,0.00012883208,7.097326e-7,0.00009092584,0.00025252125,0.000005362461,0.000003839134,0.000026651736,0.9955393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995803,0.000018169912,0.00015415432,0.0000873391,0.000086974,0.000073023264],"domain_scores_gemma":[0.99961615,0.00007355041,0.0000605647,0.00022526168,0.000016973298,0.0000075033936],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010530281,0.000100897916,0.00012650625,0.000045506287,0.00009266947,0.00008101441,0.00024522972,0.000058281472,0.0010933048],"category_scores_gemma":[0.0000054492375,0.000042364783,0.00012513252,0.000013045812,0.00033330737,0.000009741087,0.00007947432,0.00031580628,0.000015478505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.680091e-7,0.0000032434255,0.000004170533,0.000011208136,0.000018167193,2.0990862e-7,0.0035478524,5.5854912e-8,1.266317e-7,0.55040914,0.4458394,0.00016548789],"study_design_scores_gemma":[0.0000328543,0.0000061461847,0.0000060771686,0.0000894431,0.000010045115,1.2014449e-7,0.000976367,0.000014964951,6.682335e-7,0.16296355,0.8358474,0.00005240384],"about_ca_topic_score_codex":0.00014181451,"about_ca_topic_score_gemma":0.024393626,"teacher_disagreement_score":0.39000797,"about_ca_system_score_codex":0.000015201631,"about_ca_system_score_gemma":0.000078464574,"threshold_uncertainty_score":0.9998198},"labels":[],"label_agreement":null},{"id":"W4403348382","doi":"10.1007/978-3-031-67043-5_5","title":"Identity Loss and the Origins of Superheroic Teachers in Comics","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Identity (music); Sociology; Art; History; Psychology; Literature; Aesthetics; Visual arts","score_opus":0.023514818543716308,"score_gpt":0.22884963343652093,"score_spread":0.2053348148928046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403348382","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006040195,0.0021301524,0.0000016986053,0.0006369465,0.00023687542,0.00017455943,0.000058575417,0.00002405136,0.99069697],"genre_scores_gemma":[0.17974223,0.0010383496,0.0000033214214,0.00005815477,0.00011227118,0.0000028274108,0.0000052624814,0.0000307262,0.81900686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994844,0.000008376737,0.0001999664,0.00013924159,0.00009597955,0.000072028924],"domain_scores_gemma":[0.9997009,0.00006915723,0.00005050774,0.00014274211,0.000019728552,0.000016941485],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018012637,0.00013783027,0.00026792075,0.0001436063,0.000046659556,0.00011058711,0.000118142896,0.00006159542,0.001234569],"category_scores_gemma":[0.000002981013,0.00008305709,0.00009739239,0.000007830543,0.00096003443,0.000058905574,0.00007414705,0.00024786795,0.000011030041],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009887486,0.000004834709,0.000034063174,0.000034754354,0.00007270412,0.0000032744088,0.017081868,6.413922e-8,3.6097148e-7,0.9806718,0.0019910971,0.000095255746],"study_design_scores_gemma":[0.0002731531,0.00001108516,0.0000048800475,0.00007526532,0.000029015026,8.918863e-7,0.0013353823,0.000014768543,4.853956e-7,0.48725408,0.51091427,0.00008674721],"about_ca_topic_score_codex":0.002704633,"about_ca_topic_score_gemma":0.06605624,"teacher_disagreement_score":0.5089232,"about_ca_system_score_codex":0.000022332708,"about_ca_system_score_gemma":0.000018189277,"threshold_uncertainty_score":0.99967843},"labels":[],"label_agreement":null},{"id":"W4403348401","doi":"10.1007/978-3-031-67043-5_6","title":"Passing, Covering, and Oscillations of the True and False Self: The Identity Management Strategies of Superheroic Teachers in Comics","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Identity (music); Psychology; Sociology; Art; Aesthetics; Literature","score_opus":0.016780382485483587,"score_gpt":0.21745761721574286,"score_spread":0.20067723473025928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403348401","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053473096,0.0016022073,0.000005726932,0.00033208603,0.00015070155,0.0003140514,0.000069564485,0.00002012185,0.94403243],"genre_scores_gemma":[0.68129563,0.0014063831,0.000015509846,0.000018793507,0.000029995641,0.000003855191,0.0000022816537,0.000021997655,0.31720558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994562,0.000012216039,0.00022027298,0.0001330895,0.00011427899,0.00006390886],"domain_scores_gemma":[0.99966097,0.00004144561,0.000093020826,0.0001727672,0.00001982479,0.000011973333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012867425,0.00013150761,0.00018510781,0.00011210383,0.000103529615,0.0001843234,0.0001122048,0.00004507612,0.00014928654],"category_scores_gemma":[0.00000139083,0.00007508955,0.00006296556,0.000014966033,0.00053168816,0.000090687485,0.00015126102,0.00014668162,3.916598e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015649833,0.0000074838863,0.00017448993,0.00011715191,0.00012237091,5.69606e-7,0.019130563,0.0000026582736,0.0000025443665,0.9798038,0.00047144567,0.00016534471],"study_design_scores_gemma":[0.00030076757,0.000047285583,0.0016864584,0.00044657497,0.00020367187,0.0000017867178,0.040951487,0.0001710139,0.0000030142035,0.63758725,0.31837842,0.00022224484],"about_ca_topic_score_codex":0.00053151196,"about_ca_topic_score_gemma":0.033616677,"teacher_disagreement_score":0.6278225,"about_ca_system_score_codex":0.0000107705,"about_ca_system_score_gemma":0.000017854902,"threshold_uncertainty_score":0.9840173},"labels":[],"label_agreement":null},{"id":"W4403348544","doi":"10.1007/978-3-031-67043-5_1","title":"Finding the Figure of the Teacher in Comics","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Art; Visual arts; Psychology; Computer science; Literature","score_opus":0.04152690073558942,"score_gpt":0.22276963849457992,"score_spread":0.1812427377589905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403348544","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026116296,0.00071620796,2.3611273e-7,0.0018092337,0.00037181357,0.00014580056,0.000037404563,0.000016646209,0.9966415],"genre_scores_gemma":[0.06656579,0.000057393187,0.0000011441829,0.000122918,0.00019686566,0.0000027430322,0.0000027355854,0.00003131571,0.9330191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957407,0.000006636397,0.0001597978,0.00010283111,0.000089096466,0.00006756145],"domain_scores_gemma":[0.99964625,0.000048926042,0.00007054838,0.00021343205,0.000013449189,0.00000741973],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009218881,0.000121532794,0.00014535754,0.00007534494,0.00007630344,0.00005851336,0.00021248293,0.000065073946,0.0051233396],"category_scores_gemma":[0.0000029727846,0.0000544084,0.00014400823,0.000008319197,0.00025540005,0.000012889759,0.000088872635,0.00035180047,0.000019605577],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001302547,0.0000033801432,0.000013883719,0.000016706756,0.000035600213,6.340261e-7,0.0089731235,3.1469304e-7,7.6341684e-7,0.93984896,0.05095585,0.00014950908],"study_design_scores_gemma":[0.00003393255,0.0000058599703,0.000007741289,0.00014501513,0.000016037808,2.7529748e-7,0.0010280597,0.000021723179,0.000001506791,0.23224269,0.76643074,0.00006640763],"about_ca_topic_score_codex":0.00017664183,"about_ca_topic_score_gemma":0.009917185,"teacher_disagreement_score":0.7154749,"about_ca_system_score_codex":0.000009980814,"about_ca_system_score_gemma":0.000017557399,"threshold_uncertainty_score":0.99578613},"labels":[],"label_agreement":null},{"id":"W4403415549","doi":"10.32782/tps2663-4880/2024.35.46","title":"HISTORICAL MEMORY AND TRAUMA IN CANADIAN GRAPHIC NOVELS: AN ANALYSIS OF AUTHOR’S NARRATIVE MEANS","year":2024,"lang":"en","type":"article","venue":"Тrаnscarpathian Philological Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Literature; History; Psychology; Psychoanalysis; Art","score_opus":0.10209778577343996,"score_gpt":0.3045774357583287,"score_spread":0.2024796499848887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403415549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9633489,0.022452569,0.0000036881609,0.005979358,0.0005397508,0.00020085345,0.00009611945,0.000068402886,0.007310352],"genre_scores_gemma":[0.9986117,0.00036534856,0.000021840064,0.000109099194,0.0001601902,0.00003428968,0.000009881338,0.00001157217,0.0006761021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9983026,0.00016609242,0.0004700949,0.0005005727,0.00019125176,0.00036941108],"domain_scores_gemma":[0.99919116,0.00024159295,0.00006520402,0.00017302108,0.00012350923,0.00020548908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058133417,0.00025028043,0.000772544,0.0012523993,0.0003436905,0.0000862858,0.00016178617,0.00010172082,0.0002285507],"category_scores_gemma":[0.00012162331,0.0001795158,0.00023974132,0.0005780066,0.00073657214,0.00017384552,0.000052143663,0.0002909785,0.0000012709457],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029990017,0.00013231924,0.010044839,0.00006496921,0.0015591531,0.0000972128,0.3938377,0.000029646797,0.000025033081,0.59012794,0.0006610355,0.003390162],"study_design_scores_gemma":[0.0010763913,0.0027259188,0.14396195,0.00034358745,0.002635116,0.000014575871,0.46358287,0.0068970155,0.000027721393,0.22334282,0.15347497,0.0019170439],"about_ca_topic_score_codex":0.04759264,"about_ca_topic_score_gemma":0.77380615,"teacher_disagreement_score":0.7262135,"about_ca_system_score_codex":0.00025039926,"about_ca_system_score_gemma":0.00005491124,"threshold_uncertainty_score":0.95874953},"labels":[],"label_agreement":null},{"id":"W4403576069","doi":"10.1145/3643834.3661506","title":"Exploring Using Personalised Comics for Healthcare Communication for Patients Living With Hemodialysis","year":2024,"lang":"en","type":"article","venue":"Designing Interactive Systems Conference","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University; University of Calgary","funders":"","keywords":"Comics; Health care; Hemodialysis; Computer science; Medicine; Artificial intelligence; Internal medicine; Economic growth; Economics","score_opus":0.24833334524553008,"score_gpt":0.3056772595551251,"score_spread":0.05734391430959501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403576069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5247601,0.0012083366,0.46123105,0.00050379126,0.003275964,0.004442352,0.0007443769,0.0005268948,0.003307099],"genre_scores_gemma":[0.9967272,0.000017236029,0.0017983906,0.000019976576,0.00020013546,0.00062934,0.000054291326,0.000057345824,0.0004960413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9990606,0.00012156825,0.00024157613,0.0002724088,0.00011015211,0.00019371265],"domain_scores_gemma":[0.9979867,0.0010970267,0.00016067513,0.00017010001,0.00053991226,0.00004562701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002592177,0.00017179038,0.00025929426,0.00020439978,0.00043541,0.00071180635,0.00014422333,0.000026303414,0.000012112344],"category_scores_gemma":[0.00006924417,0.0001468778,0.000092295566,0.00005509175,0.000083701154,0.0005581103,0.000026204425,0.00011482739,9.545631e-7],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002756906,0.0001342881,0.0018602202,0.0015831656,0.0007349338,0.0000011856587,0.37204278,0.0001524478,0.0007833692,0.6184645,0.0010014131,0.0029659742],"study_design_scores_gemma":[0.001762041,0.0014341024,0.00022087459,0.018505534,0.00038487348,0.0000058577575,0.25790712,0.67734545,0.00040198307,0.0018115012,0.03880627,0.0014143757],"about_ca_topic_score_codex":0.0009941943,"about_ca_topic_score_gemma":0.00060000794,"teacher_disagreement_score":0.67719305,"about_ca_system_score_codex":0.00009947949,"about_ca_system_score_gemma":0.000076991324,"threshold_uncertainty_score":0.6863965},"labels":[],"label_agreement":null},{"id":"W4404019481","doi":"10.2196/58460","title":"Testing a Web-Based Interactive Comic Tool to Decrease Obesity Risk Among Racial and Ethnic Minority Preadolescents: Randomized Controlled Trial","year":2024,"lang":"en","type":"article","venue":"JMIR Formative Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agency for Healthcare Research and Quality","keywords":"Preprint; Comics; Randomized controlled trial; Psychology; Medicine; Computer science; World Wide Web; Internal medicine","score_opus":0.051406307566612824,"score_gpt":0.36571477258337715,"score_spread":0.31430846501676435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404019481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9836916,0.0005022485,0.000054754502,0.00029347863,0.00040699556,0.007987395,0.00016176401,0.00010617049,0.0067956015],"genre_scores_gemma":[0.9967256,0.000027586357,0.000035608176,0.00006252947,0.00043436006,0.0020979475,0.000013836918,0.000019391135,0.00058309926],"study_design_codex":"randomized_trial","study_design_gemma":"randomized_trial","domain_scores_codex":[0.99559385,0.0022504095,0.000653893,0.00040196063,0.00059065927,0.0005092247],"domain_scores_gemma":[0.9914679,0.007233759,0.00016194188,0.0002177569,0.0006059468,0.00031268664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005005687,0.00027856568,0.0011013554,0.0007399906,0.0008568675,0.0009330138,0.00022370309,0.0000819193,0.00047655654],"category_scores_gemma":[0.0039126663,0.00019480534,0.00045040372,0.00030022618,0.00097617303,0.00062400824,0.00019463713,0.0010735444,0.00005222758],"study_design_candidate":"randomized_trial","study_design_consensus":"randomized_trial","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.8533922,0.00067671156,0.00017994535,0.00024026215,0.0012263237,0.00001969497,0.12426554,0.000003278812,0.0000535938,0.013687261,0.002111127,0.0041440665],"study_design_scores_gemma":[0.93811667,0.0011789036,0.0015790382,0.00051640166,0.00045011306,0.0000013010115,0.0070462506,0.041242857,0.00005575409,0.0074118273,0.0019215308,0.00047937914],"about_ca_topic_score_codex":0.0007054498,"about_ca_topic_score_gemma":0.0013227994,"teacher_disagreement_score":0.117219284,"about_ca_system_score_codex":0.00012778072,"about_ca_system_score_gemma":0.00039735323,"threshold_uncertainty_score":0.8997074},"labels":[],"label_agreement":null},{"id":"W4404022241","doi":"10.7202/1113946ar","title":"Audio described comics in the museum","year":2024,"lang":"en","type":"article","venue":"Meta Journal des traducteurs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Art; Audio visual; Visual arts; Computer graphics (images); Multimedia; Computer science; Literature","score_opus":0.0795843070758645,"score_gpt":0.2603113561400137,"score_spread":0.18072704906414921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404022241","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6411442,0.28412136,0.0014110269,0.025258284,0.005809118,0.0005315952,0.000077411234,0.00027437267,0.04137261],"genre_scores_gemma":[0.98729146,0.0075218896,0.00013422134,0.00038795895,0.00072963897,0.000010152213,0.0000022192633,0.000040298237,0.0038821697],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908465,0.00017025776,0.00023901866,0.00012400486,0.00017175128,0.00021029984],"domain_scores_gemma":[0.9996254,0.00012787888,0.00004151194,0.00012884673,0.000029514045,0.00004687144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069739996,0.0001372903,0.00019817603,0.00024876397,0.00027698342,0.0009544341,0.00027958569,0.00002045456,0.00054712367],"category_scores_gemma":[0.000023361794,0.000075572716,0.00024552166,0.00012641736,0.00029338992,0.0002404431,0.000012266783,0.00041987267,0.0000139178155],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014599474,0.000077168115,0.00010306548,0.00003306016,0.0005820119,0.0002063869,0.047511037,0.0000070529986,0.00013802605,0.8942051,0.042491753,0.014630769],"study_design_scores_gemma":[0.00015017834,0.00006347684,0.00038143512,0.000045370292,0.00022771441,0.0002347603,0.0029968042,0.00008859234,0.000018439285,0.12415381,0.87150985,0.00012958981],"about_ca_topic_score_codex":0.00008525706,"about_ca_topic_score_gemma":0.0016841985,"teacher_disagreement_score":0.82901806,"about_ca_system_score_codex":0.000017539494,"about_ca_system_score_gemma":0.000029625733,"threshold_uncertainty_score":0.920363},"labels":[],"label_agreement":null},{"id":"W4404387889","doi":"10.70759/79ayzz58","title":"Online newspaper reading patterns of a university community before and during the COVID-19 pandemic: the case of the University of Venda","year":2023,"lang":"en","type":"article","venue":"Regional journal of information and knowledge management.","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"University of Venda","keywords":"Newspaper; Coronavirus disease 2019 (COVID-19); Pandemic; 2019-20 coronavirus outbreak; Reading (process); Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); History; Media studies; Sociology; Virology; Linguistics; Medicine; Infectious disease (medical specialty); Philosophy","score_opus":0.04232663327808204,"score_gpt":0.2485085292681015,"score_spread":0.20618189599001946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404387889","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99602294,0.00005320042,0.000026190995,0.0012074836,0.000042420037,0.000079567035,0.000047478832,0.0000031294392,0.0025175794],"genre_scores_gemma":[0.99851435,0.0007182923,0.000004408074,0.00006392307,0.000016008597,3.6834123e-8,0.0000034092618,0.0000012681794,0.00067829055],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99955183,0.00013443622,0.0001740029,0.00002058567,0.0000727249,0.000046433295],"domain_scores_gemma":[0.9992882,0.00014524219,0.00033904045,0.000090696856,0.0001113237,0.000025508101],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005166131,0.00004652005,0.00009413108,0.00012751788,0.0005450018,0.000013959082,0.00017302266,0.000013483872,0.000018210281],"category_scores_gemma":[0.000017502734,0.0000261765,0.000063453284,0.00009129218,0.00029307432,0.00018400374,0.00018254636,0.0001330884,2.1318566e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003308786,0.00012128211,0.033403505,0.0012316864,0.0005051366,0.000030140256,0.51916194,0.00010126462,0.000018933672,0.43086743,0.003842558,0.010385246],"study_design_scores_gemma":[0.0013739212,0.00008027862,0.077991985,0.00020791795,0.00011346508,0.00019539525,0.66677207,0.000389992,0.0000028688514,0.0015574737,0.2512465,0.00006814778],"about_ca_topic_score_codex":0.0002885199,"about_ca_topic_score_gemma":0.003678471,"teacher_disagreement_score":0.42930996,"about_ca_system_score_codex":0.000021087515,"about_ca_system_score_gemma":0.000026695168,"threshold_uncertainty_score":0.41917688},"labels":[],"label_agreement":null},{"id":"W4404607020","doi":"10.1093/oso/9780197653715.003.0010","title":"Jean Chrétien, Paul Martin, and the Aftermath of 9/11, 2001–2006","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art history; Art","score_opus":0.017702014675519923,"score_gpt":0.19669692194870655,"score_spread":0.17899490727318662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404607020","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042391522,0.0057771364,0.0000013317876,0.0031863044,0.00038347847,0.00022144661,0.00020546559,0.000033752895,0.9897672],"genre_scores_gemma":[0.02190596,0.0008462709,0.0000046949904,0.0002784048,0.00040757045,0.000007662307,0.000016923988,0.000031250038,0.9765013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922305,0.000008715684,0.0003039125,0.00019673402,0.00013933433,0.00012825591],"domain_scores_gemma":[0.9994337,0.000110999936,0.00011741563,0.00023395187,0.000068491456,0.000035469435],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001601,0.00022155022,0.00033696918,0.00011291395,0.00011612814,0.00015998102,0.00012506399,0.00006822485,0.0064793495],"category_scores_gemma":[0.0000050432236,0.00012055425,0.00017866984,0.000006271152,0.00082509517,0.000042256223,0.000111670975,0.00017921375,0.000045880144],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018911436,0.000004629847,0.000002687352,0.000065639586,0.00006551739,0.000004894157,0.0043268385,4.4864002e-8,6.9828855e-7,0.88506156,0.110076904,0.00037167166],"study_design_scores_gemma":[0.00018374577,0.000025001787,0.0000019228169,0.00009626223,0.00006436124,0.0000019613171,0.00041581853,0.000034555174,0.0000017133306,0.25479907,0.7442489,0.00012667092],"about_ca_topic_score_codex":0.00018225537,"about_ca_topic_score_gemma":0.0052755647,"teacher_disagreement_score":0.634172,"about_ca_system_score_codex":0.000005034282,"about_ca_system_score_gemma":0.000018094108,"threshold_uncertainty_score":0.9944289},"labels":[],"label_agreement":null},{"id":"W4404739040","doi":"10.3138/utq.93.03.76","title":"Joel Deshaye. <i>The American Western in Canadian Literature</i>","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.007382476317779731,"score_gpt":0.19077677373958113,"score_spread":0.1833942974218014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404739040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9107943,0.0033322955,0.000013968007,0.003614827,0.00047914896,0.0001628513,0.00015707218,0.00004357827,0.08140192],"genre_scores_gemma":[0.9945524,0.000083609164,0.00001186509,0.00009061046,0.000080627535,1.5910612e-7,0.0000069531143,0.000005111528,0.0051686717],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953705,0.00003482367,0.00006912054,0.00012676306,0.00006587381,0.0001663855],"domain_scores_gemma":[0.99970293,0.000037169182,0.000028052513,0.0001255799,0.000034636625,0.00007164424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000080892205,0.000075843294,0.00011424381,0.00006810476,0.00014007789,0.0001242443,0.0001856068,0.000015896776,0.00044975057],"category_scores_gemma":[0.0000010469083,0.00006508917,0.00007106511,0.000036356265,0.00024246526,0.000262292,0.000007388816,0.00008703763,0.000013903273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037049293,0.000029247773,0.0019241029,0.000036810074,0.00006502607,0.00013443912,0.75034565,7.6638275e-7,0.0000429444,0.20319556,0.010448557,0.033739865],"study_design_scores_gemma":[0.00013624773,0.00027476758,0.004913378,0.00010075458,0.000015488953,0.000002385792,0.060034245,0.00014347733,0.0000010415698,0.0011425146,0.93310094,0.00013475101],"about_ca_topic_score_codex":0.88899565,"about_ca_topic_score_gemma":0.99804074,"teacher_disagreement_score":0.92265236,"about_ca_system_score_codex":0.00011649702,"about_ca_system_score_gemma":0.00008489159,"threshold_uncertainty_score":0.49244532},"labels":[],"label_agreement":null},{"id":"W4405184920","doi":"10.1080/00085006.2024.2417573","title":"Documenting war in Ukrainian comics: shifting from soldiers to civilians","year":2024,"lang":"en","type":"article","venue":"Canadian Slavonic Papers","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ukrainian; Comics; Political science; History; Law; Linguistics; Philosophy","score_opus":0.012756913346055365,"score_gpt":0.212701703232528,"score_spread":0.19994478988647263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405184920","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5115205,0.0020473294,9.199982e-7,0.00630341,0.0011494564,0.00024915932,0.0002772033,0.00014083435,0.47831118],"genre_scores_gemma":[0.99116814,0.00005355378,0.000046267945,0.0015616687,0.00031637642,0.000019558162,0.000024907133,0.000053108186,0.006756397],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988245,0.000029099254,0.00020917783,0.00033998085,0.00008920183,0.0005080478],"domain_scores_gemma":[0.99935573,0.00008385246,0.000021017931,0.0001857233,0.0000112792495,0.00034238922],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016848723,0.00016430965,0.00017397196,0.00039824488,0.00022758353,0.0002777844,0.0001928619,0.000048203823,0.0022120525],"category_scores_gemma":[0.0000315206,0.00016920682,0.00008373343,0.00013833202,0.00010552926,0.00010373302,0.000024156856,0.00020386963,0.00010661238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008144325,0.000012320747,0.0015918543,0.000043163156,0.00020265912,0.00033143265,0.8093831,0.000028780882,0.00043676907,0.13975972,0.021220893,0.026981147],"study_design_scores_gemma":[0.00014018503,0.000018378652,0.00026760652,0.00020241071,0.000011753618,6.642782e-7,0.02186598,0.0003032266,0.0000075416497,0.0009074033,0.97602063,0.00025422592],"about_ca_topic_score_codex":0.3273976,"about_ca_topic_score_gemma":0.9796471,"teacher_disagreement_score":0.9547997,"about_ca_system_score_codex":0.00023552877,"about_ca_system_score_gemma":0.0002956443,"threshold_uncertainty_score":0.9987001},"labels":[],"label_agreement":null},{"id":"W4405268627","doi":"10.4000/12w73","title":"Chanson Cachée: The Music-comic albums of Geneviève Castrée","year":2024,"lang":"en","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Temporality; Art; Narrative; Literature; Art history; Visual arts; Philosophy","score_opus":0.06318649322919381,"score_gpt":0.24816694085294536,"score_spread":0.18498044762375154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405268627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96846765,0.005625332,0.00008386312,0.0076493626,0.0019637237,0.00029323666,0.00015908544,0.00009789607,0.015659863],"genre_scores_gemma":[0.9962003,0.00006976323,0.000013842075,0.00031193442,0.00051468454,0.000015642867,0.000011184083,0.00002000028,0.0028426528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999158,0.000064810716,0.00026342543,0.00020110128,0.0001286894,0.00018393708],"domain_scores_gemma":[0.9993444,0.0002163171,0.00004441356,0.00030549226,0.000045980723,0.00004337403],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022116445,0.00013588365,0.00019868891,0.000077268276,0.00017537666,0.00015484948,0.0002585957,0.000039952338,0.0016588599],"category_scores_gemma":[0.00001604677,0.00008463134,0.00017210096,0.00006414927,0.00038583495,0.00006760279,0.00007491834,0.00020408598,0.000065714165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015029956,0.000033935168,0.00004540704,0.00006338305,0.000087433575,0.000005769814,0.032493334,0.000003338437,0.0012427103,0.94182235,0.018742125,0.005445189],"study_design_scores_gemma":[0.00024764985,0.0000983984,0.00030662213,0.00012149865,0.0000705117,0.000008964672,0.0052470984,0.003290289,0.0011674555,0.039316025,0.9498769,0.00024855803],"about_ca_topic_score_codex":0.00041752603,"about_ca_topic_score_gemma":0.00058134005,"teacher_disagreement_score":0.9311348,"about_ca_system_score_codex":0.000017003167,"about_ca_system_score_gemma":0.000039107825,"threshold_uncertainty_score":0.99925375},"labels":[],"label_agreement":null},{"id":"W4405278458","doi":"10.4000/12w6w","title":"“Making Noise” with Comics: An Interview with Argentine Author, Artist, Singer, and Song Writer, Isol","year":2024,"lang":"en","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Social Sciences and Humanities Research Council","funders":"","keywords":"Comics; Art; Visual arts; Noise (video); Literature; Speech recognition; Computer science; Image (mathematics); Artificial intelligence","score_opus":0.11334148564286169,"score_gpt":0.3086609069900947,"score_spread":0.195319421347233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405278458","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.964653,0.010245795,0.0037399454,0.005324925,0.0005378114,0.000537469,0.00014378363,0.0006748188,0.0141424425],"genre_scores_gemma":[0.99426943,0.00005514414,0.00058530737,0.00043814786,0.00029040588,0.000019820489,0.000024089339,0.00007224455,0.004245394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892914,0.00008080663,0.00023613412,0.00038006832,0.00012236723,0.00025148844],"domain_scores_gemma":[0.9994512,0.000069754446,0.0000565662,0.00027056772,0.000044432687,0.00010745184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020843242,0.0002265859,0.00028336933,0.00014604379,0.00022162692,0.0007936091,0.00014653448,0.000041385574,0.00044719278],"category_scores_gemma":[0.000005292404,0.00015590255,0.000052583524,0.00007205174,0.0004090247,0.00023079668,0.00006971135,0.00022318456,0.00001078585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020427286,0.00020535314,0.0014031472,0.00045331026,0.00029391036,0.00008875221,0.02883167,0.0000017810156,0.00037121505,0.9415752,0.006178221,0.020393113],"study_design_scores_gemma":[0.0008723982,0.00083066337,0.00044344628,0.0016690221,0.00015640966,0.00007484521,0.0040944424,0.009175323,0.000081478946,0.008895446,0.97300273,0.0007038081],"about_ca_topic_score_codex":0.00006488409,"about_ca_topic_score_gemma":0.0010901439,"teacher_disagreement_score":0.9668245,"about_ca_system_score_codex":0.0000140193015,"about_ca_system_score_gemma":0.00002476173,"threshold_uncertainty_score":0.7652791},"labels":[],"label_agreement":null},{"id":"W4405472862","doi":"10.1353/ink.00017","title":"“Loud, Wonderful, Funny, Passionate Indigenous Voices”: An Interview on Indigenous Comics with Alina Pete (Nehiyaw)","year":2024,"lang":"en","type":"article","venue":"Inks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Indigenous; Art; Gender studies; Visual arts; Art history; Anthropology; Sociology; Literature; Ecology; Biology","score_opus":0.03694160357316184,"score_gpt":0.2568937414304143,"score_spread":0.21995213785725248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405472862","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9515576,0.003511316,0.000088099274,0.00097085926,0.0012379355,0.0005393857,0.00020732406,0.000545092,0.041342437],"genre_scores_gemma":[0.98721355,0.00024147343,0.000054506025,0.0010367132,0.0005430026,0.000039638304,0.000070905466,0.00010620655,0.010694006],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855644,0.00009530723,0.00028658102,0.00042289682,0.0002536557,0.00038512913],"domain_scores_gemma":[0.9992397,0.00008269441,0.00009394893,0.00037802136,0.00006635816,0.00013928371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002570637,0.00029998136,0.0003002149,0.0003015027,0.000478793,0.0005995077,0.00032817165,0.00010077058,0.00070022483],"category_scores_gemma":[0.0000044342996,0.00021425293,0.00010617332,0.00011230257,0.00024953045,0.00021780744,0.000065884364,0.00049475563,0.00014559578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020366098,0.00063042174,0.0005662732,0.0004222448,0.0005904002,0.000496477,0.6887789,0.000027769109,0.00009040905,0.18116012,0.011133026,0.11590034],"study_design_scores_gemma":[0.00063684693,0.0016895672,0.00034783786,0.0008326407,0.00008943455,0.000046783105,0.01316699,0.00034087256,0.00014169776,0.012806244,0.9691109,0.0007901765],"about_ca_topic_score_codex":0.0007542328,"about_ca_topic_score_gemma":0.008866353,"teacher_disagreement_score":0.9579779,"about_ca_system_score_codex":0.00004949808,"about_ca_system_score_gemma":0.00013095138,"threshold_uncertainty_score":0.87369806},"labels":[],"label_agreement":null},{"id":"W4405472957","doi":"10.1353/ink.00021","title":"Framing, Reframing, and Deframing: Disclosure in Indigenous Comics","year":2024,"lang":"en","type":"article","venue":"Inks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognitive reframing; Framing (construction); Comics; Indigenous; Media studies; Sociology; Political science; Social psychology; Psychology; History; Law; Archaeology","score_opus":0.014459552053276353,"score_gpt":0.23874920241319414,"score_spread":0.2242896503599178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405472957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9519343,0.007733628,0.00003509422,0.00050022756,0.00053519424,0.00016140695,0.00003507483,0.00016834849,0.038896747],"genre_scores_gemma":[0.9919401,0.00018861088,0.000041834024,0.00011404637,0.00021504391,0.000009994203,0.000008617877,0.00003332052,0.007448469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938136,0.000019149535,0.0001506589,0.00019481564,0.00007779169,0.00017619255],"domain_scores_gemma":[0.9997487,0.0000638952,0.000023226952,0.000114173825,0.000011372563,0.000038604197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012308196,0.00011399227,0.00013144144,0.00021513642,0.00012193941,0.0003312672,0.00008199869,0.00006810801,0.00012573869],"category_scores_gemma":[0.0000106934385,0.0000968,0.000032962882,0.000057633664,0.00018295868,0.0000989016,0.00004580912,0.0002709764,0.000010321832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007922324,0.000054657132,0.007640464,0.00012719279,0.000046665024,0.00008855986,0.2737579,0.0000010185877,0.000074842195,0.6909192,0.0053037466,0.02197781],"study_design_scores_gemma":[0.00020463124,0.00008714283,0.0017179349,0.00019113644,0.000013346219,0.000009016072,0.0060532,0.00041967267,0.000030594598,0.038853433,0.952161,0.0002589019],"about_ca_topic_score_codex":0.0006989183,"about_ca_topic_score_gemma":0.008401711,"teacher_disagreement_score":0.9468572,"about_ca_system_score_codex":0.000015259951,"about_ca_system_score_gemma":0.0000263915,"threshold_uncertainty_score":0.46883518},"labels":[],"label_agreement":null},{"id":"W4405977451","doi":"10.21608/ejlt.2024.305158.1077","title":"Les caractéristiques distinguées du personnage transfictionnel dans l’œuvre de Ying Chen","year":2025,"lang":"fr","type":"article","venue":"Egyptian Journal of Linguistics and Translation","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.025370565292421182,"score_gpt":0.26366418009426545,"score_spread":0.23829361480184427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405977451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5072075,0.10385326,0.1329035,0.018328073,0.011331195,0.00049893855,0.00045888658,0.00006675027,0.22535186],"genre_scores_gemma":[0.99067396,0.0033952992,0.0020240245,0.00004516607,0.0027209797,0.0000013177768,0.000008242732,0.0000190099,0.0011120148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878013,0.00011462247,0.00059856364,0.00015197617,0.00014083639,0.00021387605],"domain_scores_gemma":[0.9988129,0.00027040095,0.00027411396,0.00007794462,0.00046248527,0.00010213444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054754136,0.00020936703,0.00031470804,0.00023677622,0.0008437814,0.00032632845,0.000111174835,0.000117522206,0.000083855426],"category_scores_gemma":[0.00027313008,0.00020499511,0.00020509446,0.000078968886,0.0003520994,0.00007250543,0.0000064835194,0.0003390048,3.7728023e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013398992,0.00017361355,0.010345734,0.00048890273,0.00034629414,0.000066474895,0.17489912,0.00015551473,0.00021687716,0.7778697,0.0003285659,0.03497522],"study_design_scores_gemma":[0.0027197092,0.00072096055,0.032167174,0.003606955,0.0018955175,0.00011263518,0.059513457,0.019226855,0.00025858424,0.080037445,0.7989543,0.00078641286],"about_ca_topic_score_codex":0.00066091365,"about_ca_topic_score_gemma":0.0009860639,"teacher_disagreement_score":0.7986257,"about_ca_system_score_codex":0.00006467671,"about_ca_system_score_gemma":0.00015098513,"threshold_uncertainty_score":0.8359458},"labels":[],"label_agreement":null},{"id":"W4406126435","doi":"10.5430/wjel.v15n2p368","title":"Analysing the Concept of Holy Grail, Symbols, and Narrative Aspects through a Historical Reading of Dan Brown’s The Da Vinci Code","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Holy Grail; Reading (process); Narrative; Code (set theory); Art; Computer science; Philosophy; Literature; Art history; Programming language; Linguistics; World Wide Web","score_opus":0.017286385086782163,"score_gpt":0.253938102771368,"score_spread":0.23665171768458587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406126435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9328143,0.018348686,0.00005606758,0.0019754672,0.0010097704,0.000154634,0.0000241843,0.00001014726,0.045606714],"genre_scores_gemma":[0.9974319,0.0000712274,0.00004040347,0.00014554779,0.0004542495,0.0000012237974,0.0000012601757,0.000007430756,0.0018467625],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99893755,0.00015330894,0.00047916555,0.000100328965,0.00020769739,0.000121937854],"domain_scores_gemma":[0.9983852,0.00046161376,0.00052152766,0.00018427844,0.0004201135,0.000027291002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044748126,0.00011972807,0.00037927716,0.00017143798,0.00029741778,0.000093451396,0.00026134535,0.000021287857,0.000078056735],"category_scores_gemma":[0.00038376322,0.00006510941,0.00017530542,0.00021060182,0.00043338348,0.00017576435,0.00005706461,0.00032910515,4.2626088e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046750003,0.000045655273,0.00022827974,0.000017590683,0.0002527838,0.000010646523,0.6532411,0.000014134182,0.0007466771,0.33833224,0.0064610285,0.000603111],"study_design_scores_gemma":[0.0011082971,0.00024451796,0.00079990126,0.00058716687,0.00039145764,0.000008308059,0.80219007,0.000050079136,0.0026115538,0.009094233,0.18270561,0.00020878737],"about_ca_topic_score_codex":0.00031534056,"about_ca_topic_score_gemma":0.002269407,"teacher_disagreement_score":0.329238,"about_ca_system_score_codex":0.00006395704,"about_ca_system_score_gemma":0.000064994725,"threshold_uncertainty_score":0.26550847},"labels":[],"label_agreement":null},{"id":"W4406348174","doi":"10.7202/1115191ar","title":"<i>PLANCHES</i>, une revue de BD québécoise : entre dynamisme et précarité, 2014-2024","year":2024,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art","score_opus":0.017334584369486004,"score_gpt":0.27023442918498775,"score_spread":0.25289984481550176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406348174","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042298168,0.26208645,0.0003347479,0.1109071,0.012678762,0.0011936424,0.005514815,0.00055447203,0.56443185],"genre_scores_gemma":[0.7367312,0.024612261,0.00040941066,0.0074352073,0.007882325,0.0002182564,0.0006923835,0.0003695838,0.2216494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99359494,0.00076807186,0.0013827357,0.001734134,0.00042050486,0.002099633],"domain_scores_gemma":[0.99555516,0.0011362259,0.0004121323,0.0013527438,0.00039565127,0.0011480869],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011349275,0.0013842251,0.0015347927,0.0011739937,0.00086449453,0.0019488968,0.0010078816,0.00084288156,0.002491484],"category_scores_gemma":[0.00023722592,0.00140363,0.0015377299,0.0013001149,0.0009549244,0.0009323551,0.00019680441,0.0025512946,0.00023085682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000136361,0.00027674765,0.00039862105,0.0024273105,0.0015388458,0.0025953604,0.06347601,0.00090907485,0.00035142497,0.774167,0.14808495,0.005638307],"study_design_scores_gemma":[0.000521701,0.00031020842,0.000995823,0.0030074904,0.0013600102,0.0005280623,0.007373134,0.008145383,0.000056796212,0.037452213,0.93874365,0.0015055564],"about_ca_topic_score_codex":0.4366524,"about_ca_topic_score_gemma":0.98413354,"teacher_disagreement_score":0.79065865,"about_ca_system_score_codex":0.00075915875,"about_ca_system_score_gemma":0.0018201864,"threshold_uncertainty_score":0.9998908},"labels":[],"label_agreement":null},{"id":"W4406348373","doi":"10.7202/1115188ar","title":"Cartographier l’altérité radicale : <i>Shenzhen</i> (2000) de Guy Delisle","year":2024,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Royal Military College of Canada","funders":"","keywords":"Art; Humanities","score_opus":0.023644359200938533,"score_gpt":0.2800236649913872,"score_spread":0.25637930579044865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406348373","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100009754,0.5289557,0.00035863995,0.03226761,0.0075848103,0.0007140297,0.0025107919,0.00041724404,0.3271814],"genre_scores_gemma":[0.8582626,0.026859585,0.00043825814,0.006507147,0.0076558497,0.00017257186,0.00026434608,0.00026896893,0.09957069],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99478894,0.00054560864,0.0010549239,0.0012523949,0.00037866493,0.0019794481],"domain_scores_gemma":[0.99660593,0.0007082048,0.00022422292,0.0010053874,0.00032483233,0.0011314119],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091466994,0.0009773445,0.0010848572,0.0011954897,0.0010246194,0.0015640523,0.0007752692,0.0006305739,0.0022236367],"category_scores_gemma":[0.00016939836,0.00096056605,0.0014279037,0.0014297116,0.0013822797,0.0007144746,0.00012404092,0.0017275657,0.00010624552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008324469,0.00023269154,0.0003918176,0.0010442184,0.0013394416,0.0015575106,0.050464492,0.0002975755,0.0003831798,0.8072185,0.12038631,0.016601013],"study_design_scores_gemma":[0.0004107576,0.0002352943,0.0005229783,0.0012141352,0.0009887584,0.00030186417,0.004755865,0.0035553914,0.00011119564,0.026413603,0.9604002,0.0010899118],"about_ca_topic_score_codex":0.21539086,"about_ca_topic_score_gemma":0.87873185,"teacher_disagreement_score":0.8400139,"about_ca_system_score_codex":0.00045173487,"about_ca_system_score_gemma":0.0014335376,"threshold_uncertainty_score":0.99947244},"labels":[],"label_agreement":null},{"id":"W4406348394","doi":"10.7202/1115187ar","title":"Vingt-cinq ans de bande dessinée québécoise au <scp>xxi</scp><sup>e</sup> siècle","year":2024,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022776483886543287,"score_gpt":0.2676163408549941,"score_spread":0.2448398569684508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406348394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5428611,0.1377558,0.00043485424,0.011212989,0.0037332254,0.0007704948,0.0018242582,0.00046716898,0.30094013],"genre_scores_gemma":[0.91498846,0.007362883,0.00029099616,0.0033481217,0.00667905,0.00015193608,0.00023382694,0.00030803832,0.06663671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99287033,0.000814039,0.001385301,0.0016949365,0.00050478743,0.0027306322],"domain_scores_gemma":[0.9944685,0.0019475728,0.00039546567,0.0013269311,0.00042003856,0.001441507],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0012289747,0.00142586,0.0015153717,0.0013392214,0.0018165495,0.002095688,0.0011230112,0.00085115863,0.0006914045],"category_scores_gemma":[0.0006205265,0.0014126955,0.0015886807,0.0012913349,0.0015606933,0.001140171,0.00019683487,0.002077373,0.00016738636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006400472,0.0003839395,0.0016921716,0.001974353,0.0018316294,0.0020115164,0.16323861,0.004139659,0.0005805316,0.7701709,0.043823592,0.010089069],"study_design_scores_gemma":[0.0006104004,0.000368895,0.0024267966,0.002277485,0.0013082282,0.00033282983,0.026632393,0.022465238,0.00027608,0.020495316,0.9219267,0.0008796465],"about_ca_topic_score_codex":0.45858568,"about_ca_topic_score_gemma":0.94853926,"teacher_disagreement_score":0.8781031,"about_ca_system_score_codex":0.0010418486,"about_ca_system_score_gemma":0.0026645833,"threshold_uncertainty_score":0.99984914},"labels":[],"label_agreement":null},{"id":"W4406366456","doi":"10.7202/1115195ar","title":"Ce que j’ai compris de la bande dessinée québécoise","year":2024,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Art","score_opus":0.01957385639875854,"score_gpt":0.2869813028838004,"score_spread":0.2674074464850419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406366456","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081740156,0.2933881,0.00082630053,0.02736356,0.0050744396,0.0006451361,0.0016868806,0.00043712795,0.58883834],"genre_scores_gemma":[0.91746706,0.015422041,0.00035279503,0.005864536,0.004476159,0.00011778094,0.00016169001,0.00023132727,0.05590663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99462867,0.0011862366,0.0010204919,0.0012005144,0.00034056872,0.0016235046],"domain_scores_gemma":[0.99595016,0.0015856869,0.00026933217,0.0009471177,0.00031066118,0.0009370201],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011829018,0.0010421717,0.0011610064,0.0009926235,0.001034054,0.0025338745,0.0008115365,0.00074262975,0.0018136977],"category_scores_gemma":[0.00022303536,0.0010201074,0.0011875631,0.0008684733,0.0016329694,0.00081748876,0.00013386208,0.002156726,0.000097061275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105081046,0.0002620662,0.00035721847,0.0012932298,0.001168826,0.0019185948,0.048504595,0.00054626394,0.0006031354,0.87655383,0.056500804,0.01218633],"study_design_scores_gemma":[0.0004465056,0.00019326314,0.0012457278,0.0018658505,0.0008861918,0.0003954992,0.005393967,0.008251192,0.00018137725,0.045497052,0.9345044,0.0011390079],"about_ca_topic_score_codex":0.44246852,"about_ca_topic_score_gemma":0.9351841,"teacher_disagreement_score":0.87800354,"about_ca_system_score_codex":0.0005985333,"about_ca_system_score_gemma":0.0021005142,"threshold_uncertainty_score":0.9992249},"labels":[],"label_agreement":null},{"id":"W4406443317","doi":"10.1016/s0197-2510(12)70014-1","title":"10.1016/s0197-2510(12)70014-1","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.010157997468619624,"score_gpt":0.15742018471241828,"score_spread":0.14726218724379866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406443317","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013181606,0.00008623273,8.299695e-8,0.0006552474,0.000004399762,0.00013571478,0.00003677295,0.00009603592,0.9976674],"genre_scores_gemma":[0.0010407318,6.7988447e-7,0.000012248172,0.000087062115,0.00045900862,0.00001496358,0.00001497865,0.00001991867,0.9983504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992813,0.000025453803,0.00016208833,0.0001891449,0.00012062813,0.0002213853],"domain_scores_gemma":[0.99958384,0.000040274368,0.000026329719,0.00021336897,0.000041519772,0.000094672774],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000091201946,0.00013514924,0.00015656656,0.000066627814,0.0002468086,0.00015824966,0.0001732604,0.000027902517,0.9993489],"category_scores_gemma":[0.000009184635,0.00011836257,0.00008041489,0.000040183837,0.00009398332,0.00010210362,0.000028041146,0.000092679475,0.98124975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050648334,0.000053921813,7.841651e-8,0.000004050174,0.000026186372,0.0000030189026,0.0017442973,0.0000052993823,0.000008271355,0.0008931449,0.71154916,0.2856619],"study_design_scores_gemma":[0.00017451501,0.00014179673,0.000006864275,0.000012480375,0.0000105810495,0.0000014702506,0.000034899953,0.000052797033,0.000009000237,0.00032083015,0.9990535,0.00018130062],"about_ca_topic_score_codex":0.000065646156,"about_ca_topic_score_gemma":0.000017665314,"teacher_disagreement_score":0.2875043,"about_ca_system_score_codex":0.00001108754,"about_ca_system_score_gemma":0.000014988772,"threshold_uncertainty_score":0.48266855},"labels":[],"label_agreement":null},{"id":"W4406746733","doi":"10.1007/s10912-025-09931-y","title":"The Comic Research Abstract: Graphic Medicine as Interdisciplinary Health Research (Example: Intergenerational Storytelling)","year":2025,"lang":"en","type":"article","venue":"Journal of Medical Humanities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Multiple Sclerosis Society of Canada; The Scarborough Hospital; University of Toronto","funders":"Social Sciences and Humanities Research Council","keywords":"Comics; Storytelling; Psychology; Sociology; Visual arts; Art; Literature; Narrative","score_opus":0.3454843303938129,"score_gpt":0.4858647409029504,"score_spread":0.14038041050913752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406746733","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28143612,0.05638046,0.0000845765,0.50989246,0.009673951,0.0006220308,0.000015692143,0.000046328365,0.14184837],"genre_scores_gemma":[0.96924293,0.008128173,0.00000813348,0.0015810524,0.0046016364,0.000017447555,0.000007750053,0.000020250925,0.016392648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940847,0.0008686631,0.0012067194,0.00020180528,0.003101803,0.00053627015],"domain_scores_gemma":[0.99342966,0.0039854734,0.00030713,0.00027678715,0.0017804371,0.00022053997],"candidate_categories":["sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.020589447,0.00016478715,0.00040978947,0.001285236,0.004258781,0.00043423573,0.0012198422,0.00009421836,0.004118935],"category_scores_gemma":[0.0009755393,0.00009741293,0.00016515995,0.00022904137,0.005685373,0.00020464254,0.00040486333,0.0027083897,0.000019869434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009860395,0.00008191754,0.000013207086,0.000042798398,0.00009275551,0.000020864947,0.041627254,6.6885843e-7,0.000007106305,0.62903416,0.32395196,0.0050286753],"study_design_scores_gemma":[0.0004476625,0.00070211996,0.00018796237,0.0008097002,0.0000067225205,0.00002067992,0.1117427,0.000040600065,0.0000061417813,0.22017854,0.665792,0.00006518778],"about_ca_topic_score_codex":0.00062884577,"about_ca_topic_score_gemma":0.009936882,"teacher_disagreement_score":0.6878068,"about_ca_system_score_codex":0.00018408924,"about_ca_system_score_gemma":0.0013242052,"threshold_uncertainty_score":0.9995924},"labels":[],"label_agreement":null},{"id":"W4406989815","doi":"10.7311/0860-5734.33.2.07","title":"The Networked Author: Looking at Contemporary Authorship Through Postdigital Comics","year":2024,"lang":"en","type":"article","venue":"Anglica An International Journal of English Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Strong; University of Westminster; Johns Hopkins University; University of Oxford; Harvard University; Ohio State University; University of Cambridge; Ohio State University Press","keywords":"Comics; Literature; Art; Aesthetics; Visual arts; Media studies; Sociology; History","score_opus":0.09639091568031269,"score_gpt":0.3424961210883996,"score_spread":0.24610520540808692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406989815","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48063138,0.06972007,0.00006550975,0.014121473,0.048019543,0.00031967997,0.00021168169,0.00035323392,0.38655743],"genre_scores_gemma":[0.98556143,0.0010153957,0.00003191088,0.0002423118,0.006539627,0.000004201603,0.000008469819,0.00003101207,0.00656566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987906,0.00007736178,0.00046383898,0.00014292968,0.0003645541,0.00016069427],"domain_scores_gemma":[0.9978512,0.0004883262,0.00023189331,0.00011478975,0.0012585592,0.000055257566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005111303,0.00015473094,0.00021755669,0.00011894687,0.00041138023,0.00074944523,0.0004472567,0.00003430942,0.000043347463],"category_scores_gemma":[0.000420618,0.000096487354,0.00021068635,0.000048910137,0.00046400994,0.00077491027,0.0001494415,0.00026289484,0.000003404062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001298503,0.000042134103,0.0004961015,0.000009027202,0.0014255997,0.00010008753,0.16517018,0.0000069849257,0.0000051508396,0.61908406,0.21229957,0.0012312491],"study_design_scores_gemma":[0.00025416008,0.00017835665,0.00007699314,0.00019195027,0.00003098142,0.000018403738,0.029591534,0.00008169026,0.000018049155,0.031745136,0.93767947,0.00013329698],"about_ca_topic_score_codex":0.000023997442,"about_ca_topic_score_gemma":0.00040020474,"teacher_disagreement_score":0.7253799,"about_ca_system_score_codex":0.00007495801,"about_ca_system_score_gemma":0.000056203942,"threshold_uncertainty_score":0.7226918},"labels":[],"label_agreement":null},{"id":"W4407238362","doi":"10.5430/wjel.v15n4p20","title":"Repression of Obsessive-Compulsive Disorder Through Graphic Narrative in Ian William’s The Bad Doctor (2014)","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Psychological repression; Psychoanalysis; Psychiatry; Psychology; Art; Literature; Genetics; Biology","score_opus":0.008560317155394683,"score_gpt":0.2549600281490748,"score_spread":0.24639971099368013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407238362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.926894,0.010638563,0.000028397584,0.0012520786,0.0023768207,0.00025135675,0.000027965205,0.000013834414,0.058516998],"genre_scores_gemma":[0.9950476,0.00024410187,0.000053987158,0.00021497466,0.00048802322,0.000005230842,0.0000036279584,0.000010477193,0.0039319424],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99868995,0.00018697548,0.00058586884,0.00014915681,0.00021140711,0.00017666328],"domain_scores_gemma":[0.9984441,0.00028691834,0.0004901146,0.0002480655,0.00049911556,0.000031698662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035693264,0.00016236203,0.00038440464,0.00039462798,0.00019738018,0.00008314346,0.00035517645,0.000033328477,0.0006535159],"category_scores_gemma":[0.00036295186,0.00009761929,0.0002250232,0.0002890982,0.00034066013,0.00031870735,0.000067457106,0.00045606145,7.3072414e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015824173,0.00018832005,0.0055188336,0.0000353204,0.00015992558,0.000040587096,0.8464406,0.00007509875,0.00013801754,0.13394722,0.01166549,0.0016323439],"study_design_scores_gemma":[0.0024495265,0.0002040718,0.008455733,0.0012618322,0.000091866954,0.000003397943,0.58990544,0.000026471116,0.00042086776,0.016897608,0.3799722,0.0003109891],"about_ca_topic_score_codex":0.00014061143,"about_ca_topic_score_gemma":0.0055945106,"teacher_disagreement_score":0.3683067,"about_ca_system_score_codex":0.000022939286,"about_ca_system_score_gemma":0.00006667299,"threshold_uncertainty_score":0.7155541},"labels":[],"label_agreement":null},{"id":"W4407676639","doi":"10.3390/h14020035","title":"Woman, Life, Freedom, and the Comics Classroom After Mahsa Amini","year":2025,"lang":"en","type":"article","venue":"Humanities","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Comics; Art; Literature","score_opus":0.017547011694900607,"score_gpt":0.20278426247880627,"score_spread":0.18523725078390565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407676639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1805135,0.0075279702,0.000039029637,0.003938881,0.0012262011,0.000425147,0.00008072822,0.00020382681,0.8060447],"genre_scores_gemma":[0.86964935,0.00022781715,0.000016866927,0.0030906077,0.00038487813,0.00008019073,0.0000048495485,0.00002157225,0.12652387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993031,0.00006005759,0.00020037417,0.0001622902,0.000095345895,0.00017883108],"domain_scores_gemma":[0.99943316,0.00019425782,0.000058505877,0.00023286616,0.000055585002,0.000025640751],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001394944,0.0001604926,0.00022108914,0.00015142791,0.00053978595,0.0004967818,0.0001693444,0.000033968743,0.0008160475],"category_scores_gemma":[0.000025013542,0.00010770222,0.00007895142,0.000028625791,0.0018558052,0.00010393962,0.00012061472,0.00014676507,0.00001207564],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000898064,0.000017597622,0.00041125325,0.000028376879,0.00007404684,0.0000017714939,0.02571171,1.7357418e-7,7.2209275e-7,0.90457594,0.06894914,0.00013944526],"study_design_scores_gemma":[0.0012218932,0.000031490166,0.0014759545,0.000055526314,0.000050869687,9.126188e-7,0.030441731,0.000092667826,0.00000276689,0.08446581,0.8819861,0.00017429597],"about_ca_topic_score_codex":0.00054658914,"about_ca_topic_score_gemma":0.011332313,"teacher_disagreement_score":0.82011014,"about_ca_system_score_codex":0.000008705937,"about_ca_system_score_gemma":0.000024704863,"threshold_uncertainty_score":0.89351475},"labels":[],"label_agreement":null},{"id":"W4408228921","doi":"10.1080/21504857.2024.2441998","title":"Plural identities, genders, and citizenships in Tom Taylor’s and John Timms’ <i>Superman: Son of Kal-El</i> (2021–22)","year":2025,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Superman; Plural; Morita therapy; Art; Art history; Philosophy; Psychology; Psychoanalysis; Linguistics","score_opus":0.01627284446940035,"score_gpt":0.23714976870677457,"score_spread":0.2208769242373742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408228921","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98282766,0.0054533286,0.00007582328,0.0011896703,0.0006322395,0.00014027327,0.0000630708,0.000009567032,0.009608364],"genre_scores_gemma":[0.99579126,0.0027260163,0.000116708725,0.0003131536,0.00016408594,0.0000016971179,0.00000294948,0.000021441407,0.00086269167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99862194,0.00006959023,0.0007061763,0.0001696058,0.00021112747,0.00022155256],"domain_scores_gemma":[0.9990321,0.0002083571,0.00036406546,0.00015239893,0.00016274612,0.00008037835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000471671,0.0002021208,0.0005224189,0.00089548726,0.00015032051,0.00015912007,0.00019608946,0.00008129447,0.00009847038],"category_scores_gemma":[0.00005030592,0.00018168255,0.00014133262,0.00018648026,0.0005148954,0.00025469434,0.00009713326,0.00038788517,2.512669e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004008076,0.00024806656,0.040121105,0.00031736048,0.00048078358,0.00007029573,0.022099128,0.0000065853874,0.004561487,0.908852,0.019499378,0.003343035],"study_design_scores_gemma":[0.01789597,0.0015629567,0.097571574,0.0031739231,0.0008253598,0.000494422,0.07885685,0.001672755,0.0020448603,0.66460896,0.12908462,0.0022077397],"about_ca_topic_score_codex":0.00013414845,"about_ca_topic_score_gemma":0.0012926278,"teacher_disagreement_score":0.24424298,"about_ca_system_score_codex":0.00002130449,"about_ca_system_score_gemma":0.00006605778,"threshold_uncertainty_score":0.74087995},"labels":[],"label_agreement":null},{"id":"W4408291202","doi":"10.4324/9781003373025-28","title":"Identity, Positionality, and Comics Fandom","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fandom; Comics; Identity (music); Sociology; Media studies; Gender studies; Aesthetics; Art; Literature","score_opus":0.027396465167884396,"score_gpt":0.23705656672057138,"score_spread":0.209660101552687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408291202","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018404591,0.00076511304,0.000049508024,0.00084322965,0.0002704681,0.00012934118,0.00025217855,0.00006505723,0.9976067],"genre_scores_gemma":[0.0022488416,0.00045562457,0.0000332682,0.00058775477,0.00024687266,0.0000025805896,0.00007396294,0.000021863641,0.99632925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948335,0.000005050186,0.00015585116,0.00017418282,0.00011004673,0.00007153613],"domain_scores_gemma":[0.99966514,0.00005513765,0.000063633845,0.0001276971,0.000056233777,0.00003216895],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000058762562,0.0001585407,0.00022078321,0.00015425097,0.00017749083,0.0002636438,0.00009394416,0.00007343114,0.004853045],"category_scores_gemma":[0.0000024855815,0.00014063402,0.00009176923,0.00000343716,0.000278673,0.000082100356,0.0001418832,0.00012663205,0.000017243434],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052162095,0.0000053864615,0.000004960443,0.000028083881,0.00008453026,0.0000020057162,0.0004064567,7.493181e-9,3.510945e-7,0.8948485,0.10434268,0.00027180594],"study_design_scores_gemma":[0.00013091844,0.0000096144395,0.00000313389,0.0000513284,0.000026996237,8.727652e-7,0.000049464576,0.000002948631,2.9292067e-7,0.48474887,0.5148739,0.00010167474],"about_ca_topic_score_codex":0.00023626663,"about_ca_topic_score_gemma":0.007230295,"teacher_disagreement_score":0.41053122,"about_ca_system_score_codex":0.000008174775,"about_ca_system_score_gemma":0.000022091055,"threshold_uncertainty_score":0.9960567},"labels":[],"label_agreement":null},{"id":"W4408628130","doi":"10.54103/2037-2426/24812","title":"Doubled Embodiment and the Temporal Experience of Illness in Comics","year":2025,"lang":"en","type":"article","venue":"ENTHYMEMA","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Comics; Psychology; Aesthetics; Sociology; Visual arts; Art; Literature","score_opus":0.012970918789817584,"score_gpt":0.24241856976713602,"score_spread":0.22944765097731845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408628130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93874484,0.00057688454,0.000011781334,0.0010004608,0.00022132961,0.00017317441,0.000004018329,0.000010459805,0.05925707],"genre_scores_gemma":[0.9952923,0.000045699424,0.000008103819,0.000109797125,0.000018012941,0.000023247592,0.0000010311525,0.0000032060952,0.0044985805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965924,0.000025831732,0.00013155406,0.00007509742,0.00004628566,0.00006201898],"domain_scores_gemma":[0.9997842,0.000055560424,0.000038657614,0.00010019815,0.000012575637,0.00000886306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011221037,0.000050689494,0.00011950463,0.00006511693,0.00008119975,0.00003235481,0.00007780071,0.000010953214,0.00010365054],"category_scores_gemma":[0.000007382005,0.000031934742,0.000024118212,0.000036136014,0.00042680107,0.00003120776,0.00004629609,0.00003897648,3.5729826e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046301637,0.00002705864,0.0025343462,0.0000106616035,0.000009955984,4.4454322e-7,0.10555072,7.9568895e-7,0.000021143756,0.89080596,0.0006839945,0.0003086175],"study_design_scores_gemma":[0.014269605,0.00009771832,0.0062191016,0.00041049416,0.000042124317,0.0000014942292,0.3547769,0.0014888581,0.0041193557,0.12811047,0.48990977,0.0005541173],"about_ca_topic_score_codex":0.00089768437,"about_ca_topic_score_gemma":0.0018828841,"teacher_disagreement_score":0.7626955,"about_ca_system_score_codex":0.000004146701,"about_ca_system_score_gemma":0.000009511177,"threshold_uncertainty_score":0.15725663},"labels":[],"label_agreement":null},{"id":"W4408925179","doi":"10.7202/1116786ar","title":"Marys Renné Hertiman et Camille de Singly (dir.), Construire un matrimoine de la bande dessinée. Créations, mobilisations et transmissions des femmes dans le neuvième art, en Europe et en Amérique, Dijon, les presses du réel, 2024, 350 p.","year":2024,"lang":"fr","type":"article","venue":"Recherches féministes","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.044933992963981366,"score_gpt":0.3064700905282608,"score_spread":0.2615360975642794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408925179","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2176319,0.16303441,0.01636852,0.14880161,0.00083919853,0.0012824256,0.0020154023,0.00084820297,0.4491783],"genre_scores_gemma":[0.73106384,0.07223033,0.012625992,0.00057271903,0.0005013849,0.0002467323,0.00045101764,0.00025094775,0.18205702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930123,0.0047501675,0.0007343864,0.00066045613,0.0002313394,0.0006113413],"domain_scores_gemma":[0.9915395,0.0074372464,0.00016298902,0.0004093647,0.00018057565,0.00027036978],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0031056039,0.0006059409,0.0005365634,0.00030789405,0.001247682,0.0015086456,0.00040542096,0.0004579449,0.00083968375],"category_scores_gemma":[0.00094093475,0.00056962104,0.0003455767,0.00035305266,0.002247771,0.0007215994,0.00013927401,0.0012133077,0.000024403493],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007100246,0.00082553574,0.0051609077,0.0009776549,0.00043408087,0.00012887408,0.12923352,0.00033882042,0.0049780314,0.82227063,0.021929117,0.013651795],"study_design_scores_gemma":[0.00064033666,0.00030235978,0.012768171,0.002181584,0.00042035218,0.0002581617,0.026859531,0.0027857448,0.0020014816,0.10883663,0.8420455,0.0009001382],"about_ca_topic_score_codex":0.0056561097,"about_ca_topic_score_gemma":0.010676016,"teacher_disagreement_score":0.8201164,"about_ca_system_score_codex":0.000254138,"about_ca_system_score_gemma":0.0014654747,"threshold_uncertainty_score":0.9996755},"labels":[],"label_agreement":null},{"id":"W4409565669","doi":"10.55917/2154-2171.1071","title":"Movement and Mobility: Representing Trauma Through Graphic Narratives","year":2016,"lang":"en","type":"article","venue":"Asian American Literature Discourses & Pedagogies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); Narrative; Computer graphics (images); Visual arts; Communication; Computer science; Psychology; Art; Aesthetics; Literature","score_opus":0.021601222817734755,"score_gpt":0.28642248167986056,"score_spread":0.2648212588621258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409565669","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91406053,0.0041541536,0.00009851411,0.022941433,0.00046627282,0.00040378195,0.00025523032,0.00020364992,0.057416454],"genre_scores_gemma":[0.9924825,0.0004759281,0.00029089313,0.00043921082,0.00049121043,0.00006819737,0.000019156254,0.00003565651,0.005697251],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99809366,0.0001384101,0.0003731753,0.000663147,0.00026980997,0.0004617677],"domain_scores_gemma":[0.9988551,0.00014528225,0.0002663697,0.0005024231,0.00013296257,0.00009783551],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00014431895,0.00039003376,0.0004561105,0.0001863862,0.00052745064,0.00068958744,0.00025102243,0.00004100888,0.000313428],"category_scores_gemma":[0.000058670637,0.00023714315,0.00019731592,0.00018906908,0.0028006034,0.0009897243,0.00011766776,0.00019875898,0.0000051659213],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007206167,0.00016435928,0.0030407666,0.000038912654,0.0001836741,0.000019629133,0.40682682,1.6709835e-7,0.00059579284,0.5247718,0.00235467,0.061931293],"study_design_scores_gemma":[0.0006275997,0.00047278363,0.008316747,0.00047034636,0.000048135837,0.000010385679,0.6667646,0.0000023972996,0.00032657306,0.11538386,0.206842,0.0007345255],"about_ca_topic_score_codex":0.00015336799,"about_ca_topic_score_gemma":0.00070381135,"teacher_disagreement_score":0.40938798,"about_ca_system_score_codex":0.000018403596,"about_ca_system_score_gemma":0.000033027667,"threshold_uncertainty_score":0.9999132},"labels":[],"label_agreement":null},{"id":"W4410096128","doi":"10.4000/13u2g","title":"La mémoire sonore des magazines de bande dessinée","year":2025,"lang":"fr","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Moiré pattern; Physics; Optics","score_opus":0.02657693256174213,"score_gpt":0.28272606570452996,"score_spread":0.2561491331427878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410096128","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6305348,0.04619769,0.0010638249,0.027285231,0.0018098338,0.00024310325,0.00019350028,0.000116450574,0.2925555],"genre_scores_gemma":[0.8025221,0.0011836672,0.00048862334,0.0007996471,0.0005171004,0.000023620585,0.000016214999,0.000027441529,0.19442156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984631,0.00032540585,0.00035048134,0.0003045691,0.00009105883,0.0004654118],"domain_scores_gemma":[0.9988503,0.00053681043,0.00006880933,0.00030789778,0.00010775939,0.0001284221],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003886585,0.00027303104,0.00034761912,0.00014704627,0.00080848683,0.00053533266,0.00029987248,0.00022004942,0.0013502421],"category_scores_gemma":[0.00010183137,0.00025835857,0.00023642334,0.00011334311,0.0021052805,0.00014923792,0.00014626453,0.00040392784,0.00005834813],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049926013,0.0002037566,0.0053228512,0.00029716513,0.0001321312,0.000020404786,0.006687403,0.000005757654,0.00016957715,0.9028362,0.04523392,0.039040927],"study_design_scores_gemma":[0.0004901777,0.000033409302,0.0071561784,0.00050052884,0.00009042116,0.000008155199,0.0025856402,0.000634787,0.00011745243,0.23011355,0.7580381,0.00023161065],"about_ca_topic_score_codex":0.00042332933,"about_ca_topic_score_gemma":0.0012045882,"teacher_disagreement_score":0.7128042,"about_ca_system_score_codex":0.0001350318,"about_ca_system_score_gemma":0.00023313997,"threshold_uncertainty_score":0.9999869},"labels":[],"label_agreement":null},{"id":"W4410243459","doi":"10.1080/17409292.2025.2488615","title":"Représentation de la jeunesse et de la Deuxième Guerre mondiale dans la BD franco-belge d’après 1970 : un essai de périodisation de la mémoire","year":2025,"lang":"fr","type":"article","venue":"Contemporary French and Francophone Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art","score_opus":0.018721084212638454,"score_gpt":0.28782854259481,"score_spread":0.26910745838217154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410243459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70038784,0.1611121,0.0018335244,0.0026534076,0.0014198727,0.00043253988,0.0002842204,0.00010638355,0.13177009],"genre_scores_gemma":[0.9698004,0.016891185,0.00046378782,0.00048766757,0.0006361257,0.00017983357,0.0000618315,0.00004086864,0.011438293],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958677,0.0022858398,0.0006019481,0.0005468722,0.0001909902,0.0005066153],"domain_scores_gemma":[0.9965503,0.00252541,0.0002780226,0.0003190098,0.0001676061,0.00015961754],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0022676361,0.00049412926,0.00069078745,0.00025826055,0.0013397712,0.000453339,0.000206269,0.0003725608,0.00006938546],"category_scores_gemma":[0.00037698104,0.0004955742,0.0002270926,0.00031524527,0.0028945522,0.00041593815,0.00015441923,0.0006462618,0.0000048162187],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001903406,0.0006505569,0.15821482,0.000840737,0.0010708106,0.00028866154,0.5348118,0.0000663511,0.0011665161,0.25653157,0.039026376,0.0071414695],"study_design_scores_gemma":[0.004484339,0.00023222939,0.24559098,0.0011342618,0.00022048158,0.000058554135,0.2013929,0.00058173883,0.00068930484,0.1952225,0.34959465,0.00079804054],"about_ca_topic_score_codex":0.010493469,"about_ca_topic_score_gemma":0.003437373,"teacher_disagreement_score":0.33341888,"about_ca_system_score_codex":0.00017406343,"about_ca_system_score_gemma":0.0008400342,"threshold_uncertainty_score":0.99996036},"labels":[],"label_agreement":null},{"id":"W4410510905","doi":"10.4000/13yh1","title":"La sélection du Prix BD de la Porte Dorée 2025","year":2025,"lang":"fr","type":"article","venue":"Mondes & Migrations","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.012063102522350147,"score_gpt":0.268663322552435,"score_spread":0.25660022003008487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410510905","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26485378,0.04884665,0.0053605353,0.055767618,0.002849532,0.00060897635,0.00032980271,0.00021009488,0.621173],"genre_scores_gemma":[0.70808065,0.0019095112,0.00013229593,0.00029304787,0.0003488664,0.000053777232,0.00003455365,0.000012271986,0.289135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988684,0.00028195814,0.00028598445,0.00023102046,0.00009525087,0.00023735146],"domain_scores_gemma":[0.9991199,0.00041023927,0.000082013525,0.0002089653,0.00011964514,0.000059255883],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033846308,0.00018759053,0.0001815323,0.00026346525,0.0011098,0.00056748744,0.00012428769,0.00015715894,0.001354776],"category_scores_gemma":[0.00007683381,0.00019282589,0.00018451319,0.00020859447,0.00057267165,0.00020936814,0.000043662745,0.00032431373,0.00003338346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010255758,0.00022473783,0.002060292,0.000037461523,0.000121090365,0.000008353403,0.016866254,0.000053214415,0.00021068673,0.75329846,0.22076187,0.0063473163],"study_design_scores_gemma":[0.0002518408,0.000046179324,0.009849353,0.000106226384,0.000128349,0.000008144553,0.0050026723,0.0010392851,0.00014830932,0.06995728,0.9132956,0.00016671272],"about_ca_topic_score_codex":0.0026184383,"about_ca_topic_score_gemma":0.014906732,"teacher_disagreement_score":0.6925338,"about_ca_system_score_codex":0.00008894183,"about_ca_system_score_gemma":0.00025325816,"threshold_uncertainty_score":0.9995581},"labels":[],"label_agreement":null},{"id":"W4410632534","doi":"10.22215/etd/2024-16368","title":"Embodying the Gaze: Exploring Ali Khan Vali’s Visual Narrative (1862-1900)","year":2024,"lang":"en","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Gaze; Narrative; Visual arts; Psychology; Optometry; Art; Psychoanalysis; Medicine; Literature","score_opus":0.07046470486340778,"score_gpt":0.29484017635029797,"score_spread":0.2243754714868902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410632534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40160707,0.0042415755,0.000008066223,0.0014095401,0.016319333,0.00076755247,0.000051053197,0.00038153384,0.57521427],"genre_scores_gemma":[0.5501299,0.00044382637,0.000009108573,0.00018533097,0.0022319676,0.00031683792,0.00043638214,0.00009840951,0.44614825],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99831563,0.0000791832,0.00043398555,0.00048131272,0.00035890486,0.00033098142],"domain_scores_gemma":[0.9991882,0.0001525762,0.0001563187,0.00025745644,0.00018067537,0.00006480525],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024940562,0.00044754683,0.0003891006,0.00027176112,0.0011059012,0.0010416916,0.00031046112,0.00011010843,0.0043041375],"category_scores_gemma":[0.000026464802,0.00028265783,0.00033662518,0.000103222774,0.00014921812,0.0002842509,0.000054483087,0.0006389565,0.00016773456],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002637302,0.000028326545,0.0000022796073,0.00011571361,0.00024308318,0.000007657396,0.56544024,0.0000015107001,0.000067026274,0.40987498,0.021675272,0.002517507],"study_design_scores_gemma":[0.00010809547,0.00008265633,0.000017871782,0.00039411508,0.00010934753,0.0000010603903,0.61734027,0.00014032381,0.00025084428,0.015410779,0.36572763,0.00041700265],"about_ca_topic_score_codex":0.0006141995,"about_ca_topic_score_gemma":0.021350002,"teacher_disagreement_score":0.3944642,"about_ca_system_score_codex":0.00004173594,"about_ca_system_score_gemma":0.00010329524,"threshold_uncertainty_score":0.99999535},"labels":[],"label_agreement":null},{"id":"W4410705290","doi":"10.29173/cais1907","title":"Personal and Professional Information Behaviours of Comic and Graphic Novel Librarians in Toronto","year":2025,"lang":"en","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Psychology; Visual arts; Library science; Art; Computer science; Literature","score_opus":0.015304100383507917,"score_gpt":0.23339616976962826,"score_spread":0.21809206938612036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410705290","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9887399,0.00024128413,0.000001845814,0.0014548462,0.000106636326,0.0002128112,0.00022914622,0.000007292664,0.009006212],"genre_scores_gemma":[0.99938405,0.000097980344,0.000038616978,0.00011616602,0.000017211074,0.000011912925,0.000004724568,0.000004283887,0.00032503853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9992469,0.000008634058,0.00034628285,0.00011282636,0.00015092353,0.00013442665],"domain_scores_gemma":[0.99460953,0.0000696394,0.0003213378,0.000049875973,0.0049156575,0.000033931283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022681529,0.00012792196,0.00026884692,0.00016552753,0.000106785825,0.0006532622,0.00028710713,0.00006633794,0.00002981449],"category_scores_gemma":[0.0006574029,0.00009677486,0.000056660447,0.00008139319,0.00057582173,0.006234926,0.00021482196,0.00013454654,3.8372935e-8],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014988787,0.00011355403,0.19188406,0.00029520405,0.000045513865,5.956822e-8,0.22702922,9.0047074e-8,0.0021727304,0.5760852,0.000649133,0.0015753374],"study_design_scores_gemma":[0.001879359,0.00031843456,0.8268771,0.0011451654,0.00009382811,0.0000058017126,0.13424394,0.00046748135,0.0022268996,0.016698567,0.015736204,0.000307219],"about_ca_topic_score_codex":0.0012256318,"about_ca_topic_score_gemma":0.0009293874,"teacher_disagreement_score":0.634993,"about_ca_system_score_codex":0.000017081182,"about_ca_system_score_gemma":0.00012438986,"threshold_uncertainty_score":0.62994224},"labels":[],"label_agreement":null},{"id":"W4410705294","doi":"10.29173/cais1891","title":"Common Issues and Uncommon Solutions to Cataloguing Comic Books in Libraries","year":2025,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; World Wide Web; Library science; Computer science; Artificial intelligence","score_opus":0.028072598485351725,"score_gpt":0.25473192394930894,"score_spread":0.2266593254639572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410705294","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9211154,0.009306795,0.0000040192476,0.046414576,0.00031655183,0.00044534812,0.0005935235,0.00002407151,0.021779735],"genre_scores_gemma":[0.9916028,0.00079497776,0.000094858806,0.00062780373,0.00011825231,0.000025366915,0.000006816026,0.00001836389,0.0067107608],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831,0.0000430804,0.00065406534,0.00033029375,0.00020143922,0.00046109545],"domain_scores_gemma":[0.9908205,0.00024074971,0.00039173334,0.00016564157,0.008260211,0.00012112838],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004550079,0.00032021984,0.0006829561,0.000342,0.00043499804,0.0039212587,0.0009973184,0.0001614669,0.000035371417],"category_scores_gemma":[0.0028609612,0.00028237142,0.00014084653,0.0002960694,0.0015524267,0.0047649075,0.0010875112,0.00040705942,0.0000012264475],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014801211,0.00012229758,0.06259208,0.0006569205,0.00009870318,7.9308097e-7,0.20446627,0.0000050044437,0.00080875534,0.71562755,0.012731368,0.002742227],"study_design_scores_gemma":[0.0010114339,0.0005592957,0.0667603,0.0034097638,0.00019375511,0.0000070886776,0.053744484,0.0005767875,0.0048329565,0.10622873,0.76207644,0.0005989952],"about_ca_topic_score_codex":0.004904422,"about_ca_topic_score_gemma":0.0029963676,"teacher_disagreement_score":0.74934506,"about_ca_system_score_codex":0.000044903274,"about_ca_system_score_gemma":0.00022334207,"threshold_uncertainty_score":0.99996287},"labels":[],"label_agreement":null},{"id":"W4410957941","doi":"10.1080/08989575.2025.2494453","title":"Associate Editors in Conversation: Sarah Brophy and Eva C. Karpinski","year":2025,"lang":"en","type":"article","venue":"a/b Auto/Biography Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University; McMaster University","funders":"","keywords":"Conversation; Psychology; Sociology; Communication","score_opus":0.022931026366222098,"score_gpt":0.27063615349740816,"score_spread":0.24770512713118606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410957941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87944317,0.044501435,0.000008340176,0.017130652,0.012764138,0.00076493155,0.00012269293,0.00026816834,0.044996474],"genre_scores_gemma":[0.9952412,0.0020824713,0.000020856482,0.00050251035,0.0006978768,0.000041017334,0.0000062936847,0.000008975726,0.0013987996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898446,0.00006241821,0.00028896832,0.00029292112,0.00013616569,0.00023506668],"domain_scores_gemma":[0.99932116,0.00025481,0.00009442607,0.00014399708,0.00015701739,0.000028591598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022144477,0.00019829132,0.00034847297,0.00066157227,0.0004380378,0.00012879338,0.000104015104,0.000051545536,0.000039600756],"category_scores_gemma":[0.00005811314,0.00017104097,0.0001499034,0.000345749,0.00068076054,0.00015786155,0.00009754882,0.00015254777,0.0000043996965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062090396,0.0002291154,0.14992815,0.00020268619,0.0022648326,0.000016520364,0.15985404,0.0000019257332,0.00004472321,0.46605378,0.2145781,0.006764025],"study_design_scores_gemma":[0.0017869511,0.00018102954,0.14003769,0.0002878694,0.00015747781,4.7753946e-7,0.066064805,0.00005339255,0.000055752404,0.10192738,0.6888901,0.0005571018],"about_ca_topic_score_codex":0.00031684764,"about_ca_topic_score_gemma":0.0021110484,"teacher_disagreement_score":0.47431195,"about_ca_system_score_codex":0.00002495809,"about_ca_system_score_gemma":0.000021541367,"threshold_uncertainty_score":0.6974848},"labels":[],"label_agreement":null},{"id":"W4411396856","doi":"10.53762/5f0sxe63","title":"10.53762/5f0sxe63","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Structuralism (philosophy of science); Code (set theory); Realm; Meaning (existential); Literature; Art; Philosophy; Epistemology; Computer science; History","score_opus":0.009641911005285188,"score_gpt":0.16066042025037092,"score_spread":0.15101850924508572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411396856","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004208103,0.000055658555,4.445866e-8,0.00069303444,0.0000057100397,0.00008726091,0.00002884233,0.00006873438,0.9948526],"genre_scores_gemma":[0.0028659753,4.8322255e-7,0.000008727886,0.00012844059,0.00030153242,0.000009640742,0.000010341448,0.000011931896,0.9966629],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995253,0.000014854728,0.000104651925,0.00012609147,0.000080910904,0.00014818845],"domain_scores_gemma":[0.9997171,0.000023030212,0.000013914417,0.00014902759,0.000031128664,0.00006579356],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000056948702,0.00008725377,0.00010285099,0.00005876688,0.00017181053,0.000108214255,0.000115489915,0.00001652458,0.998588],"category_scores_gemma":[0.0000050004774,0.00007572141,0.00005309009,0.000033781605,0.00006363318,0.00006912972,0.00001617113,0.00005113934,0.94439775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047989182,0.000049429684,1.2617528e-7,0.0000029962007,0.000022466997,0.0000029834728,0.0023178572,0.0000056753074,0.000012065287,0.003379353,0.48745823,0.5067008],"study_design_scores_gemma":[0.00010816429,0.00009341208,0.000007953002,0.0000068237396,0.0000059115264,8.4443656e-7,0.000022424489,0.000035732337,0.0000058585783,0.00026218424,0.99933255,0.00011812381],"about_ca_topic_score_codex":0.00004451858,"about_ca_topic_score_gemma":0.000005948088,"teacher_disagreement_score":0.5118744,"about_ca_system_score_codex":0.0000065725494,"about_ca_system_score_gemma":0.000009143105,"threshold_uncertainty_score":0.30878294},"labels":[],"label_agreement":null},{"id":"W4411463826","doi":"10.36948/ijfmr.2025.v07i03.48139","title":"Retelling the Story of Untold History: A Study on Alexis Wright’s Carpentaria","year":2025,"lang":"en","type":"article","venue":"International Journal For Multidisciplinary Research","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Carpentaria; History; Subaltern; Wright; Glory; Narrative history; Context (archaeology); Literature; Sociology; Law; Art history; Art; Political science; Politics","score_opus":0.25310511564442534,"score_gpt":0.4536812503559108,"score_spread":0.20057613471148544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411463826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95846146,0.0010435956,0.000075224125,0.014558658,0.00685007,0.0009392052,0.00007018845,0.000014064933,0.017987527],"genre_scores_gemma":[0.9716649,0.00005787138,0.000025733487,0.00004862263,0.00067412754,0.0000580687,0.000006274173,0.00001178706,0.027452607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998124,0.00036101628,0.00034208916,0.00020060383,0.0007582609,0.00021404825],"domain_scores_gemma":[0.9970894,0.0013177127,0.00012819926,0.00021018219,0.0012089738,0.000045562214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027924355,0.00011186314,0.00016421302,0.00063845987,0.0011520891,0.00014115109,0.00083196635,0.000028995591,0.00036260826],"category_scores_gemma":[0.00018971221,0.00007204504,0.00018605056,0.00006132853,0.00042601395,0.00013302223,0.0001957651,0.00081724743,0.0000062346408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0028328209,0.0017930939,0.0039028204,0.000031776333,0.0012582222,0.000056443587,0.21101606,0.00012405917,0.0007283201,0.6599588,0.11336637,0.004931261],"study_design_scores_gemma":[0.0025675304,0.0018626405,0.0053752316,0.00032057829,0.000045407447,0.000009221571,0.12266928,0.0016929726,0.00025921033,0.05580681,0.8091802,0.00021092528],"about_ca_topic_score_codex":0.00019232066,"about_ca_topic_score_gemma":0.0011796436,"teacher_disagreement_score":0.69581383,"about_ca_system_score_codex":0.00040967902,"about_ca_system_score_gemma":0.0002575393,"threshold_uncertainty_score":0.8861054},"labels":[],"label_agreement":null},{"id":"W4411928989","doi":"10.4000/1490b","title":"Benoît Glaude, Écouter la bande dessinée","year":2025,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0165855121871335,"score_gpt":0.24971347070113353,"score_spread":0.23312795851400003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411928989","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07507382,0.057403203,0.0005188925,0.043270633,0.0064700106,0.00043772697,0.00034526258,0.00011643988,0.816364],"genre_scores_gemma":[0.45053077,0.0008842352,0.00016253511,0.0012600151,0.00083463197,0.00002649305,0.00001799654,0.000024712515,0.5462586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986749,0.00012286338,0.0003427356,0.0003312794,0.00014286456,0.00038534103],"domain_scores_gemma":[0.9991286,0.00026013338,0.00008748779,0.00032616526,0.00011353598,0.00008411349],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000256776,0.00026715302,0.000308176,0.00020560734,0.0006830284,0.00053268037,0.00025148966,0.00016185005,0.0037234058],"category_scores_gemma":[0.00003058958,0.00025008284,0.00021676991,0.00011609362,0.0007076748,0.00020083558,0.00012579844,0.00030362257,0.00014152183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031500527,0.00019611233,0.0005412432,0.00013053566,0.00012643177,0.000021123946,0.0050348425,0.0000016187978,0.00004542453,0.829232,0.13917226,0.02546693],"study_design_scores_gemma":[0.0006298502,0.00006181096,0.003015285,0.00027146726,0.00010983295,0.0000038966336,0.0016427989,0.00015386948,0.00008558763,0.046607062,0.9471552,0.0002633788],"about_ca_topic_score_codex":0.0005783649,"about_ca_topic_score_gemma":0.0018908055,"teacher_disagreement_score":0.8079829,"about_ca_system_score_codex":0.00004292373,"about_ca_system_score_gemma":0.0001618406,"threshold_uncertainty_score":0.9999951},"labels":[],"label_agreement":null},{"id":"W4412007904","doi":"10.1080/00083968.2025.2507459","title":"Y-a-t-il une bande dessinée africaine ?","year":2025,"lang":"fr","type":"article","venue":"Canadian Journal of African Studies / Revue canadienne des études africaines","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.03392601310862868,"score_gpt":0.24129801931805117,"score_spread":0.20737200620942248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412007904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4265911,0.3703468,0.00010055189,0.104755506,0.012519851,0.00066860963,0.0012439366,0.00004389452,0.08372973],"genre_scores_gemma":[0.93353087,0.0067964294,0.00045283858,0.0006112083,0.0019691447,0.000028142405,0.0000074134155,0.000084572486,0.056519374],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949235,0.0003304901,0.0018384898,0.0006360222,0.00020805164,0.0020634816],"domain_scores_gemma":[0.99234116,0.0010795819,0.001030463,0.00063311553,0.0030141743,0.0019015181],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0013502031,0.00089849957,0.0019019267,0.0022750571,0.0027233125,0.000587182,0.0011571258,0.00023817999,0.00036840118],"category_scores_gemma":[0.0017464914,0.0008502701,0.00078907557,0.0018371434,0.005522976,0.0005714703,0.00012876475,0.0008867137,0.000011400977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011244563,0.00014072086,0.0015277241,0.00105283,0.0035627277,0.0019009243,0.16285399,0.00014338743,0.00004017569,0.76667815,0.048488706,0.013498204],"study_design_scores_gemma":[0.00083104003,0.0006272074,0.0012332933,0.0022874624,0.00078526506,0.0002260065,0.15470274,0.000041510062,0.000009017857,0.0435413,0.79503864,0.0006765278],"about_ca_topic_score_codex":0.08998309,"about_ca_topic_score_gemma":0.92172796,"teacher_disagreement_score":0.8317449,"about_ca_system_score_codex":0.0024911016,"about_ca_system_score_gemma":0.0028772405,"threshold_uncertainty_score":0.99939483},"labels":[],"label_agreement":null},{"id":"W4412047399","doi":"10.29173/af29544","title":"La bande dessinée à l'épreuve de l’IA","year":2025,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Art; Humanities","score_opus":0.020193643752495955,"score_gpt":0.2768794709251222,"score_spread":0.2566858271726263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412047399","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3910947,0.056994207,0.004363341,0.012595676,0.023290569,0.00045039924,0.00039095155,0.000098027296,0.5107221],"genre_scores_gemma":[0.81270057,0.0030460907,0.00017816768,0.0013246266,0.002406429,0.00004507881,0.000011261935,0.00003268431,0.18025509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806535,0.00044658018,0.00038243903,0.00041536026,0.00018704444,0.0005032272],"domain_scores_gemma":[0.99845576,0.0007154755,0.00015610804,0.00031760047,0.000235873,0.000119157216],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051601196,0.00034699816,0.00041408092,0.00027162244,0.0006204139,0.0003282488,0.00036867778,0.00022186789,0.0032281582],"category_scores_gemma":[0.0001200317,0.00034738015,0.00023224516,0.0002345942,0.0011332656,0.00023962813,0.00013467175,0.00078837574,0.00019287877],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012900916,0.00044919958,0.0018296579,0.00019443808,0.0006843423,0.00013501369,0.05981487,0.00005113749,0.00041438197,0.77961093,0.11291248,0.043774545],"study_design_scores_gemma":[0.0014291488,0.00010621652,0.0057388344,0.00067338924,0.000060971466,0.000007943129,0.010142296,0.000869889,0.0015217463,0.09063823,0.88845307,0.00035824213],"about_ca_topic_score_codex":0.0045119547,"about_ca_topic_score_gemma":0.0026298023,"teacher_disagreement_score":0.7755406,"about_ca_system_score_codex":0.00015261897,"about_ca_system_score_gemma":0.00024869994,"threshold_uncertainty_score":0.99989784},"labels":[],"label_agreement":null},{"id":"W4412161297","doi":"10.63332/joph.v5i7.2913","title":"Ink and Flesh: Tattoos as Collaborative Palimpsests of Trauma and Posthuman Literacy","year":2025,"lang":"en","type":"article","venue":"Journal of Posthumanism","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Education and Early Childhood Development","funders":"","keywords":"Posthuman; Flesh; Posthumanism; Aesthetics; Art; Literacy; Visual arts; Sociology; Pedagogy; Chemistry","score_opus":0.00777982552432097,"score_gpt":0.26419539164511224,"score_spread":0.25641556612079125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412161297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9684847,0.0037229855,0.0000072821204,0.0013616808,0.0002859407,0.00014042578,0.000034483633,0.0000063123393,0.025956199],"genre_scores_gemma":[0.9966552,0.00061876874,0.00010075855,0.00038679215,0.00014649937,0.0000015886701,0.0000017577933,0.000010560514,0.0020780582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99898696,0.00008224612,0.00051772525,0.00012285769,0.00016132848,0.00012891163],"domain_scores_gemma":[0.99869394,0.00016896009,0.00041374858,0.000109538145,0.0005473882,0.000066408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028662223,0.00015590702,0.00037308957,0.0005376274,0.00025579502,0.00023208061,0.00013427735,0.00004399123,0.0002824547],"category_scores_gemma":[0.000043195705,0.00011976759,0.00007978153,0.00009589125,0.00043653767,0.00033190695,0.000051450326,0.0001971259,0.0000010594623],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001740108,0.00013238014,0.0007098151,0.00007456966,0.00021572578,0.0000306618,0.12079541,3.3633341e-7,0.0011869336,0.8669037,0.0021694067,0.0076070493],"study_design_scores_gemma":[0.0063797734,0.0054574134,0.03577804,0.001565231,0.0004513656,0.0002796421,0.072896786,0.000047916215,0.003915733,0.5286809,0.34375522,0.0007919689],"about_ca_topic_score_codex":0.000048957045,"about_ca_topic_score_gemma":0.0002699986,"teacher_disagreement_score":0.34158581,"about_ca_system_score_codex":0.000011491044,"about_ca_system_score_gemma":0.00007105165,"threshold_uncertainty_score":0.48839805},"labels":[],"label_agreement":null},{"id":"W4412451088","doi":"10.1016/j.pec.2025.108923","title":"The use of comics to teach empathy and person-centred care","year":2025,"lang":"en","type":"article","venue":"Patient Education and Counseling","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; McGill University Health Centre","funders":"","keywords":"Empathy; Comics; Psychology; Nursing; Social psychology; Medicine; Computer science","score_opus":0.03327533095807819,"score_gpt":0.24145002649355354,"score_spread":0.20817469553547535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412451088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9895544,0.00632161,0.000017366989,0.0010607219,0.00047806074,0.00017879457,0.000013870828,0.000011997215,0.0023631507],"genre_scores_gemma":[0.9971507,0.00034866497,0.00006658812,0.00047921558,0.000028418508,0.000012129428,0.0000060771627,0.000004602653,0.001903612],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99970305,0.000017234028,0.0000907617,0.000083980776,0.000046597357,0.00005836819],"domain_scores_gemma":[0.9996814,0.000066551176,0.000037936672,0.00007442987,0.00011462168,0.000025052852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000020460897,0.00005042033,0.000058047615,0.000060517923,0.0003018223,0.00013177645,0.000028645378,0.000010132047,0.000007811977],"category_scores_gemma":[0.000020911888,0.000037425798,0.000014317973,0.00002890543,0.00006469304,0.00003493178,0.000009862194,0.00003209064,2.7543138e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018844035,0.00005174033,0.0011582326,0.000030348529,0.00001726901,2.284478e-8,0.8175735,0.0000033305123,0.000018962193,0.07752795,0.017681815,0.08591803],"study_design_scores_gemma":[0.000060503433,0.000028925753,0.00013038999,0.00005749083,0.000009975487,1.2007997e-7,0.5200668,0.00018389194,0.000019898342,0.00027807843,0.47911578,0.000048178805],"about_ca_topic_score_codex":0.00023597735,"about_ca_topic_score_gemma":0.00053716404,"teacher_disagreement_score":0.46143395,"about_ca_system_score_codex":0.0000071767286,"about_ca_system_score_gemma":0.00004451424,"threshold_uncertainty_score":0.23214035},"labels":[],"label_agreement":null},{"id":"W4412718214","doi":"10.4000/14flt","title":"Construire un matrimoine de la bande dessinée","year":2024,"lang":"fr","type":"book","venue":"Presses universitaires de Paris Nanterre eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010370486687406822,"score_gpt":0.2194656951222372,"score_spread":0.2090952084348304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412718214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006916285,0.025715321,0.0004743968,0.0016362739,0.0012041394,0.00048679192,0.0013702281,0.00029216358,0.9619044],"genre_scores_gemma":[0.65706575,0.0018457574,0.00016479571,0.00010321725,0.0008498579,0.000012191508,0.00013106025,0.00013011192,0.33969727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970592,0.00041104417,0.0005540953,0.0007836146,0.00032459747,0.00086740457],"domain_scores_gemma":[0.99753416,0.001068592,0.0003648739,0.00053073076,0.00015868299,0.00034299385],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034924518,0.0008714902,0.0008334798,0.0006012458,0.001257811,0.0015368946,0.0007930707,0.0006977738,0.0021404931],"category_scores_gemma":[0.000038740865,0.00087626936,0.0006869807,0.00005026128,0.0034002014,0.00025979913,0.0006349154,0.0013750794,0.00014072174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028474574,0.00014716748,0.0010156626,0.001321375,0.0018735994,0.0021466278,0.01770769,0.000014698594,0.000101736485,0.8202951,0.118579954,0.03651165],"study_design_scores_gemma":[0.00083205185,0.00017582136,0.000062934036,0.0025197722,0.0011338968,0.00024242555,0.0055763572,0.00045694562,0.00022020451,0.09476498,0.89312387,0.0008907787],"about_ca_topic_score_codex":0.00070311583,"about_ca_topic_score_gemma":0.0003419273,"teacher_disagreement_score":0.7745439,"about_ca_system_score_codex":0.0005071381,"about_ca_system_score_gemma":0.0013259063,"threshold_uncertainty_score":0.9994996},"labels":[],"label_agreement":null},{"id":"W4412718740","doi":"10.4000/14flf","title":"D’Yvette Lapointe à Zviane : les femmes dans la création de BD au Québec","year":2024,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Paris Nanterre eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.021809237101656342,"score_gpt":0.21993570839367996,"score_spread":0.19812647129202363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412718740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0206502,0.00942136,0.00079204165,0.006261807,0.00069765985,0.0004308905,0.00081668416,0.0002437153,0.9606857],"genre_scores_gemma":[0.63023555,0.0009993737,0.00002966218,0.000059776557,0.0005165691,0.0000078413605,0.000066472756,0.00009753707,0.36798725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976591,0.00013080881,0.00051576784,0.00072047685,0.00029745378,0.0006764139],"domain_scores_gemma":[0.9981814,0.00056596095,0.00035466687,0.00047612027,0.00017518469,0.0002466667],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023274393,0.00078434485,0.0006459848,0.0005358495,0.001373693,0.00076961814,0.0006222569,0.00048231173,0.0009787402],"category_scores_gemma":[0.000030215533,0.000796703,0.0006532542,0.000024655457,0.0018532688,0.00027144462,0.00046484856,0.0009560685,0.00012394693],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019967573,0.000060774455,0.0016005764,0.0005680036,0.0011616569,0.00069442985,0.06348555,0.000028313496,0.00013022522,0.90419203,0.0055062314,0.022372514],"study_design_scores_gemma":[0.00044934344,0.00021095738,0.000277518,0.0020550827,0.0008848503,0.00010539414,0.014812694,0.0007080672,0.00017333358,0.048209693,0.9312557,0.0008573502],"about_ca_topic_score_codex":0.086148456,"about_ca_topic_score_gemma":0.21909681,"teacher_disagreement_score":0.9257495,"about_ca_system_score_codex":0.0008269394,"about_ca_system_score_gemma":0.00090163865,"threshold_uncertainty_score":0.9999345},"labels":[],"label_agreement":null},{"id":"W4412751079","doi":"10.1145/3698897.3718748","title":"Superman: Harnessing Numeric Power for Cinematic Magic","year":2025,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Abbotsford Veterinary Clinic","funders":"","keywords":"Superman; MAGIC (telescope); Computer science; Power (physics); Computer graphics (images); Art; Art history; Physics; Astronomy","score_opus":0.017429709048731267,"score_gpt":0.25318945188472247,"score_spread":0.23575974283599122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412751079","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0821101,0.00049655937,0.0037698734,0.005669203,0.0011063108,0.00039777043,0.000012692367,0.00010067697,0.9063368],"genre_scores_gemma":[0.880955,0.000003995405,0.00022969404,0.0008991682,0.000067257024,0.00001862292,0.000005385154,0.0000063094067,0.11781459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995796,0.000009007097,0.00013857768,0.000110777386,0.000041194533,0.0001208227],"domain_scores_gemma":[0.99971205,0.00007845687,0.000021581756,0.00011093889,0.000060281884,0.000016682809],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006774647,0.00007917218,0.00012578996,0.000103110266,0.00022471827,0.00017028529,0.00007775882,0.00001367058,0.003511705],"category_scores_gemma":[0.00001229157,0.000058574875,0.000075846336,0.000039021725,0.00007589948,0.00009256542,0.00001914072,0.000037306534,0.000023672534],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006445051,0.000021543969,0.00006063776,0.00004789558,0.000024344714,3.0234347e-7,0.005687933,4.205723e-7,0.00008782177,0.96282965,0.03025648,0.00097654003],"study_design_scores_gemma":[0.00054037204,0.000051903557,0.00037882567,0.00007581793,0.000030174342,5.662497e-7,0.01178539,0.0008941537,0.00010429607,0.13938975,0.8465646,0.00018413091],"about_ca_topic_score_codex":0.00002699638,"about_ca_topic_score_gemma":0.00015487302,"teacher_disagreement_score":0.8234399,"about_ca_system_score_codex":0.0000060793027,"about_ca_system_score_gemma":0.000020518139,"threshold_uncertainty_score":0.9973992},"labels":[],"label_agreement":null},{"id":"W4413271529","doi":"10.51619/stk.v101i2.28013","title":"Judisk-kodade superhjältar","year":2025,"lang":"en","type":"article","venue":"Svensk Teologisk Kvartalskrift","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association of Canadian Universities for Northern Studies","funders":"","keywords":"Comics; Judaism; Normative; Sociology; Aesthetics; Perspective (graphical); Jewish studies; Grounded theory; Media studies; Epistemology; Literature; Art; Qualitative research; Visual arts; History; Social science; Philosophy; Archaeology","score_opus":0.01183511137361924,"score_gpt":0.229064271650449,"score_spread":0.21722916027682976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413271529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50593007,0.002029386,0.00010005714,0.0072101834,0.0020330048,0.00036266254,0.000071467286,0.0003666537,0.48189655],"genre_scores_gemma":[0.9676971,0.00013225715,0.00011244535,0.001146736,0.00030567817,0.00003933087,0.000024293211,0.000015537456,0.030526634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986957,0.00007690815,0.00034326382,0.0003753584,0.00011485242,0.00039392363],"domain_scores_gemma":[0.9991761,0.00016439876,0.000074194024,0.00040969753,0.00011097508,0.000064679145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023962629,0.00023738007,0.00033173952,0.00024684367,0.00053423917,0.00015385836,0.00032238776,0.00009137407,0.0028455465],"category_scores_gemma":[0.00011007058,0.00019747792,0.00019314527,0.00012767635,0.0007071551,0.00016153272,0.00012479755,0.0002567111,0.00023645896],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023119888,0.0000798479,0.003356528,0.000018033586,0.00008736059,0.000010129784,0.004103635,0.000004160164,0.00035528504,0.9501895,0.039646294,0.0021261515],"study_design_scores_gemma":[0.00046339975,0.000095065356,0.0020262625,0.000040026323,0.000044756373,0.0000019770234,0.0029982002,0.00008158043,0.0005865837,0.113985844,0.8793943,0.00028201359],"about_ca_topic_score_codex":0.00040093454,"about_ca_topic_score_gemma":0.0027516645,"teacher_disagreement_score":0.839748,"about_ca_system_score_codex":0.000016842698,"about_ca_system_score_gemma":0.000068009445,"threshold_uncertainty_score":0.998066},"labels":[],"label_agreement":null},{"id":"W4413574759","doi":"10.64628/aam.5qy5cpdvd","title":"After findings at Indian Residential Schools, settler Canadians shouldn’t hide behind the ‘gothic narrative’","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Narrative; Gender studies; History; Sociology; Political science; Geography; Psychology; Art; Literature","score_opus":0.018590715174772895,"score_gpt":0.22889060937556532,"score_spread":0.21029989420079243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413574759","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94386536,0.0013750237,0.0000061751125,0.031985052,0.0025105656,0.0006204268,0.0005015645,0.000069702524,0.019066101],"genre_scores_gemma":[0.8896275,0.00011131758,0.000028879189,0.0024274625,0.0011994984,0.00018833898,0.00025336156,0.00006085307,0.1061028],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99749225,0.00021715304,0.00051568385,0.0007718325,0.00045004426,0.0005530104],"domain_scores_gemma":[0.9984415,0.00010303519,0.00017347104,0.0008353275,0.00022395489,0.00022269001],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003503591,0.00052442733,0.000489815,0.00028836288,0.001334745,0.0019885078,0.00064655935,0.00033116448,0.035919655],"category_scores_gemma":[0.000057461268,0.00037683628,0.00042209306,0.000050655053,0.0004981548,0.00020850913,0.0009408997,0.001716582,0.00009236412],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007322589,0.000052936273,0.0032320912,0.000115138566,0.0005916069,0.0002757113,0.7711093,0.000019969972,0.000031061765,0.021233514,0.20307556,0.00018991277],"study_design_scores_gemma":[0.00099443,0.00012421967,0.020299064,0.0008614854,0.00036940034,0.00004475534,0.37993726,0.000079652906,0.0003618369,0.026513511,0.5677576,0.0026568074],"about_ca_topic_score_codex":0.060323358,"about_ca_topic_score_gemma":0.86313534,"teacher_disagreement_score":0.802812,"about_ca_system_score_codex":0.00025469813,"about_ca_system_score_gemma":0.0007016001,"threshold_uncertainty_score":0.99996537},"labels":[],"label_agreement":null},{"id":"W4414173344","doi":"10.1386/stic_00130_5","title":"Muslim Comics and Warscape Witnessing, Ezra Mirze Santesso (2023)","year":2025,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Comics; Comic strip; Performance art","score_opus":0.0681853191963181,"score_gpt":0.3389015685828489,"score_spread":0.2707162493865308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414173344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58987623,0.02870722,0.0001121995,0.0043824655,0.0036582525,0.000609706,0.00010030663,0.00035073253,0.37220287],"genre_scores_gemma":[0.97196674,0.0044873096,0.00016329877,0.0006311583,0.00013784088,0.000023859995,0.0000045174206,0.000040038645,0.022545237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992021,0.000036921192,0.00023837682,0.00023586395,0.00006890347,0.00021783845],"domain_scores_gemma":[0.9994555,0.00019229128,0.00007662294,0.00019891062,0.000051457155,0.00002523069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016942242,0.0001783507,0.00034085833,0.000255876,0.00030182785,0.00008498702,0.00013963824,0.00004176227,0.000030923053],"category_scores_gemma":[0.0000611635,0.0001602038,0.000044003515,0.00010511882,0.0010176478,0.000057919435,0.0002383483,0.00015099008,0.0000016984138],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034620625,0.00009209117,0.007518251,0.00017399783,0.0002531129,0.000011280747,0.06378343,0.0000021800877,0.000020338817,0.76142627,0.16408807,0.0025963292],"study_design_scores_gemma":[0.002536745,0.00008659505,0.0013371636,0.0008713344,0.00008818667,0.000004123758,0.25743303,0.0014584443,0.000037914284,0.1209839,0.6144412,0.00072136463],"about_ca_topic_score_codex":0.00024678087,"about_ca_topic_score_gemma":0.010048952,"teacher_disagreement_score":0.6404424,"about_ca_system_score_codex":0.000028406163,"about_ca_system_score_gemma":0.000021861697,"threshold_uncertainty_score":0.6532921},"labels":[],"label_agreement":null},{"id":"W4414493481","doi":"10.14325/mississippi/9781496856173.003.0002","title":"“It Runs in the Family”","year":2025,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pity; Balance (ability); Position (finance); Key (lock); Theme (computing); Natural (archaeology)","score_opus":0.035969439352432235,"score_gpt":0.19746499260126132,"score_spread":0.16149555324882908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414493481","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012890466,0.00038201758,0.000003009907,0.0004527267,0.000138116,0.00024437802,0.00022738041,0.000017687917,0.99840575],"genre_scores_gemma":[0.006318025,0.00014864485,0.000013554696,0.00022444139,0.00007704639,4.2862354e-7,0.000015339354,0.000010375656,0.99319214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918777,0.000034454617,0.00020513116,0.0002357372,0.00019652133,0.00014036261],"domain_scores_gemma":[0.9991546,0.00016114411,0.00017088038,0.00038519743,0.00009231533,0.00003584026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012771078,0.0002232991,0.0003313862,0.00028202863,0.00021981323,0.000051080126,0.00065723166,0.00014027937,0.0003215929],"category_scores_gemma":[0.000005801895,0.00018545998,0.00022587512,0.0000063577713,0.0004420678,0.000040564966,0.00014904409,0.00035720816,0.0000022993884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043121185,0.000017420418,0.0000011590436,0.000062870284,0.00009270061,0.000032048883,0.017946,3.9604274e-7,0.00000593407,0.9267532,0.052395523,0.0026496234],"study_design_scores_gemma":[0.00028588081,0.000033689408,0.000010132942,0.00030086323,0.00009651767,3.9432493e-7,0.0046961475,0.0000049483133,0.000007807388,0.0075459303,0.9868341,0.00018355795],"about_ca_topic_score_codex":0.00042477914,"about_ca_topic_score_gemma":0.0011462542,"teacher_disagreement_score":0.9344386,"about_ca_system_score_codex":0.000026084783,"about_ca_system_score_gemma":0.00010265751,"threshold_uncertainty_score":0.7562839},"labels":[],"label_agreement":null},{"id":"W4414509596","doi":"10.14325/mississippi/9781496858344.003.0004","title":"Autobiographical Disclosures","year":2025,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Biography; Narrative; Personal narrative","score_opus":0.02101355978052803,"score_gpt":0.1878003213400923,"score_spread":0.1667867615595643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414509596","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000889692,0.000494079,0.000011185509,0.0001753105,0.0002531659,0.0002100977,0.00053683174,0.000074564596,0.9981558],"genre_scores_gemma":[0.008075762,0.00013614327,0.000041404153,0.000031455642,0.0001222477,3.21616e-7,0.000028034334,0.000019079866,0.99154556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989779,0.000027047954,0.000249276,0.00035076318,0.00021981627,0.00017518703],"domain_scores_gemma":[0.9989489,0.00011306676,0.00024638657,0.0004085687,0.00018000063,0.00010313075],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006965121,0.0003162389,0.0004945209,0.00047649464,0.00030430872,0.000056576373,0.0004960688,0.00023500172,0.0008928922],"category_scores_gemma":[0.0000070679203,0.00031263576,0.00050070975,0.000007274349,0.0009428508,0.000048728336,0.00024009812,0.0003565567,0.0000022645515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007687945,0.000021852664,0.000004536913,0.00011619308,0.00038326316,0.000023438643,0.0021455276,2.3203697e-7,0.000007679307,0.9650349,0.028073164,0.0041123214],"study_design_scores_gemma":[0.00030692844,0.000058043464,0.000008000914,0.00036167802,0.00026079407,5.1164966e-7,0.00037952964,0.000006229789,0.000036254383,0.016625678,0.98165303,0.0003033232],"about_ca_topic_score_codex":0.00018003382,"about_ca_topic_score_gemma":0.0002703898,"teacher_disagreement_score":0.95357984,"about_ca_system_score_codex":0.000022564356,"about_ca_system_score_gemma":0.00010755701,"threshold_uncertainty_score":0.9999326},"labels":[],"label_agreement":null},{"id":"W4414901764","doi":"10.53358/libfecyt/vcom7243","title":"Classrooms Without Borders: Education, Inclusion, and Diversity Through Comics","year":2025,"lang":"en","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Comics; Diversity (politics); Formative assessment; Narrative; The arts; Identity (music); Cultural diversity; Metis","score_opus":0.01983232742389391,"score_gpt":0.2536666972555897,"score_spread":0.2338343698316958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414901764","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006303956,0.001809779,0.00006639239,0.0016828699,0.0006858117,0.00027484694,0.0000882283,0.00010540792,0.99522364],"genre_scores_gemma":[0.0016402511,0.00093461096,0.00013964051,0.0020539917,0.00037132346,0.0000057147163,0.00013081443,0.000026055312,0.9946976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924326,0.000019494511,0.0001791284,0.00028932802,0.00014427248,0.00012453592],"domain_scores_gemma":[0.9993888,0.000055574626,0.0001247064,0.00023976063,0.00014825042,0.000042911903],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000067067886,0.00023567831,0.00030301226,0.00015151962,0.0016089048,0.00013057429,0.00022098597,0.00013130427,0.0016104691],"category_scores_gemma":[0.000009622548,0.00020578217,0.00007654686,0.000019400535,0.00042522326,0.00011631179,0.002027543,0.00021934739,0.0000063919783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043253153,0.000023042774,0.00008804842,0.00004022607,0.00004426849,1.9520172e-7,0.016466714,1.3969131e-8,3.1218995e-8,0.5275983,0.45507368,0.000661141],"study_design_scores_gemma":[0.0001307148,0.00001824741,0.00000586281,0.00010163859,0.000045015906,3.3478878e-7,0.0024579228,0.000003426973,1.5757905e-7,0.31966123,0.6774043,0.00017117782],"about_ca_topic_score_codex":0.0013759439,"about_ca_topic_score_gemma":0.012145223,"teacher_disagreement_score":0.22233059,"about_ca_system_score_codex":0.000048828286,"about_ca_system_score_gemma":0.0005085147,"threshold_uncertainty_score":0.9996909},"labels":[],"label_agreement":null},{"id":"W4415052228","doi":"10.3138/md-68-3-rev5","title":"Julia Jarcho. <i>Throw Yourself Away: Writing and Masochism</i>","year":2025,"lang":"en","type":"article","venue":"Modern Drama","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Argument (complex analysis); Queer; Queer theory; Life writing; Performance art","score_opus":0.016831953537512143,"score_gpt":0.23669990307905875,"score_spread":0.2198679495415466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415052228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73155874,0.0030671214,0.0010436822,0.008733611,0.00063155935,0.00024130296,0.00004599488,0.00015318795,0.25452477],"genre_scores_gemma":[0.9776695,0.00006594133,0.00009627891,0.0009797707,0.00022705148,0.000013077886,0.000006757314,0.000012843987,0.020928795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992625,0.000027961469,0.00017023193,0.00023372872,0.00009405529,0.00021151693],"domain_scores_gemma":[0.99962276,0.00006449323,0.000039960534,0.00017079728,0.000057314064,0.000044658478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011976505,0.0001322651,0.00016777664,0.00010452282,0.00048498542,0.00033610684,0.000111312234,0.000037540332,0.00018757346],"category_scores_gemma":[0.0000138074065,0.00012117813,0.00006060782,0.000036286663,0.00024099817,0.00012475287,0.00008457001,0.00015744011,0.000010513477],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018679366,0.000057999725,0.0012660451,0.00004893494,0.00006353417,0.0000064884935,0.04027615,0.000004016716,0.0003009172,0.91586757,0.009410258,0.03267942],"study_design_scores_gemma":[0.00093113113,0.00006639236,0.0013687687,0.00015364059,0.000051149742,0.0000034006628,0.00740411,0.0062083746,0.00014788455,0.3752684,0.60801405,0.00038267902],"about_ca_topic_score_codex":0.00010843848,"about_ca_topic_score_gemma":0.0004771475,"teacher_disagreement_score":0.5986038,"about_ca_system_score_codex":0.000011912362,"about_ca_system_score_gemma":0.0000279446,"threshold_uncertainty_score":0.49415004},"labels":[],"label_agreement":null},{"id":"W4415228723","doi":"10.4324/9781003366911-26","title":"Canadian Superheroes and the Struggle for National Representation","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; National identity; Popularity; Opposition (politics); Representation (politics); Dominance (genetics); Symbol (formal)","score_opus":0.03358463508016648,"score_gpt":0.2390940357922418,"score_spread":0.20550940071207532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415228723","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020714619,0.0003992973,0.0000050164704,0.0055595217,0.00020878755,0.00031953698,0.0005230724,0.000008461717,0.99295557],"genre_scores_gemma":[0.008063385,0.000049662427,0.000018180455,0.0006550664,0.0002768027,0.000026332553,0.00012348284,0.0000070339515,0.99078006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996281,0.00000499041,0.00010777454,0.000121506935,0.0000742413,0.00006338089],"domain_scores_gemma":[0.99949443,0.00022277345,0.000030485888,0.00006745495,0.0001592019,0.00002563621],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008708082,0.00008664935,0.00011279782,0.00011063131,0.00034340925,0.00015656094,0.000059339098,0.000039433282,0.00379204],"category_scores_gemma":[0.000018139915,0.000054704044,0.0000685571,0.0000029848059,0.0001937806,0.000036300095,0.00001351154,0.000062015504,0.000002437765],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009770803,5.5578386e-7,0.0000011954558,0.0000071245677,0.0000469278,8.299321e-8,0.002094608,5.1370343e-8,6.456085e-8,0.8427769,0.15444429,0.0006184529],"study_design_scores_gemma":[0.0001725096,0.0000050469775,0.0000017477819,0.000008835236,0.0000104690325,1.386663e-7,0.0003658355,0.000038920203,3.9252393e-7,0.40416098,0.5951921,0.00004302865],"about_ca_topic_score_codex":0.017913282,"about_ca_topic_score_gemma":0.82440406,"teacher_disagreement_score":0.8064908,"about_ca_system_score_codex":0.000024893512,"about_ca_system_score_gemma":0.00015870846,"threshold_uncertainty_score":0.99711865},"labels":[],"label_agreement":null},{"id":"W4415622551","doi":"10.7202/1121036ar","title":"Paul, <i>alter ego</i> de Rabagliati… et des Québécoises et Québécois","year":2025,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Narrative","score_opus":0.02854761934809687,"score_gpt":0.3069859062150308,"score_spread":0.27843828686693395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415622551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18253662,0.1812616,0.0014719773,0.06644008,0.004226187,0.0011238188,0.0031762696,0.00036177863,0.5594017],"genre_scores_gemma":[0.86454916,0.027326535,0.0010125817,0.03362681,0.0017328694,0.0002533566,0.00036253905,0.00021690932,0.07091926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931845,0.0014780404,0.0014527689,0.0014239908,0.0003511007,0.0021096086],"domain_scores_gemma":[0.99487334,0.0014630371,0.0006279865,0.0013827856,0.00079826894,0.00085458905],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015127185,0.0013685918,0.0016184718,0.0012394631,0.0014325065,0.0014150691,0.0011595875,0.0006924125,0.0008024073],"category_scores_gemma":[0.0007052723,0.0013740449,0.0013855863,0.0012569515,0.0017057359,0.0010907607,0.00026402817,0.0018468638,0.000045242527],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019871742,0.0005220923,0.0034213928,0.0011056833,0.0015541846,0.0002820303,0.06361505,0.0006420971,0.00050333765,0.86502576,0.055398557,0.007731118],"study_design_scores_gemma":[0.0010402278,0.00029155836,0.004462771,0.0018348853,0.0010664075,0.000070693466,0.0112948865,0.00079347024,0.00023758502,0.09244002,0.885153,0.001314487],"about_ca_topic_score_codex":0.7865526,"about_ca_topic_score_gemma":0.99627686,"teacher_disagreement_score":0.8297545,"about_ca_system_score_codex":0.0007245324,"about_ca_system_score_gemma":0.003228596,"threshold_uncertainty_score":0.9999065},"labels":[],"label_agreement":null},{"id":"W4415622646","doi":"10.7202/1121034ar","title":"Le corpus Ébullition, un outil de patrimonialisation littéraire, culturelle et linguistique","year":2025,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec en Outaouais; Université de Sherbrooke","funders":"","keywords":"Constitution; Orality; Identity (music); Corpus linguistics","score_opus":0.017105510658060853,"score_gpt":0.28537333488001804,"score_spread":0.26826782422195716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415622646","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0733608,0.16338922,0.0019668879,0.06938736,0.0064116474,0.0011810714,0.0021310772,0.0003113705,0.68186057],"genre_scores_gemma":[0.92252713,0.010006322,0.0006377247,0.00881359,0.0029268654,0.00012735894,0.00047272787,0.0000920446,0.05439626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99586326,0.00090328936,0.0010159138,0.00089774496,0.00022708996,0.0010926874],"domain_scores_gemma":[0.9969025,0.00053673843,0.0005013819,0.00078498427,0.0008151162,0.00045923525],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009499273,0.0007387797,0.000914239,0.0006568014,0.0013887129,0.00083358545,0.0005759039,0.00062581745,0.00025312247],"category_scores_gemma":[0.0007102616,0.0007828275,0.0007842362,0.0008158584,0.0007349625,0.00034913473,0.00010908866,0.0011865994,0.000018334924],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001372355,0.00035660312,0.0011170201,0.00048913894,0.0007307848,0.00017981287,0.032305885,0.0007477073,0.00022133999,0.94038707,0.018327674,0.0049997224],"study_design_scores_gemma":[0.0008340276,0.00013963264,0.0030878412,0.0007864371,0.0005021051,0.000039607017,0.0056100464,0.0009781062,0.00038916155,0.16320159,0.82372916,0.00070227945],"about_ca_topic_score_codex":0.39588162,"about_ca_topic_score_gemma":0.9289108,"teacher_disagreement_score":0.84916633,"about_ca_system_score_codex":0.00037516785,"about_ca_system_score_gemma":0.0021580425,"threshold_uncertainty_score":0.99991137},"labels":[],"label_agreement":null},{"id":"W4415622673","doi":"10.7202/1121031ar","title":"Regards sur la bande dessinée au Québec","year":2025,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"","score_opus":0.019374967521575005,"score_gpt":0.2741749871445912,"score_spread":0.2548000196230162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415622673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124272786,0.09558415,0.00015634166,0.03373207,0.0035448652,0.0004188523,0.0005812524,0.00012736539,0.74158233],"genre_scores_gemma":[0.720578,0.0035666241,0.000093545736,0.003336444,0.0016913912,0.00007177836,0.00007229012,0.00007895489,0.27051094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99596035,0.00069163897,0.0009216494,0.00092128734,0.00024363182,0.0012614186],"domain_scores_gemma":[0.9964521,0.0012050763,0.0003706915,0.0009968634,0.00046123055,0.0005140474],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007729558,0.0008072645,0.001103851,0.00086323265,0.0012724869,0.00082551787,0.00074943656,0.0005438541,0.00076929777],"category_scores_gemma":[0.00044869853,0.000792946,0.0009265015,0.0007288389,0.0012662117,0.0005473376,0.0001435061,0.0011596229,0.000028030943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001648738,0.00030523754,0.0034453084,0.00073788606,0.0012146186,0.00036664595,0.027339058,0.00027994404,0.0001139779,0.8851474,0.06498034,0.015904706],"study_design_scores_gemma":[0.000780903,0.00012542181,0.007771567,0.0012775625,0.0007647987,0.000053106778,0.0042504715,0.00077862095,0.00008942131,0.010469296,0.972845,0.0007938079],"about_ca_topic_score_codex":0.91428876,"about_ca_topic_score_gemma":0.9989138,"teacher_disagreement_score":0.9078647,"about_ca_system_score_codex":0.0007881052,"about_ca_system_score_gemma":0.0044353595,"threshold_uncertainty_score":0.9994522},"labels":[],"label_agreement":null},{"id":"W4415953397","doi":"","title":"Bande annonces, cinéma et bande dessinée,","year":2019,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"","score_opus":0.01887483924004495,"score_gpt":0.224956586429424,"score_spread":0.20608174718937905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415953397","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068584145,0.007995471,0.0045101787,0.022513922,0.0010564171,0.0006785398,0.00055054895,0.00016304814,0.95567346],"genre_scores_gemma":[0.095182404,0.0045733317,0.002165608,0.00049846916,0.00019019665,0.000043323464,0.0012680369,0.00011898797,0.8959596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991495,0.0053908867,0.0008692376,0.001011441,0.0005909429,0.00064245524],"domain_scores_gemma":[0.9915352,0.003140848,0.0008474071,0.002023534,0.0021761027,0.0002769345],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005049933,0.0007110512,0.0008037006,0.00037058778,0.0014145884,0.0013865497,0.0013420965,0.00043675682,0.0037370212],"category_scores_gemma":[0.00043441844,0.00072012213,0.00050935417,0.00017079974,0.0015602801,0.00042913397,0.0005805174,0.0010603477,0.00039776525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019661933,0.00040616517,0.0005073281,0.00021261048,0.00017180693,0.0000080748,0.026170207,0.000006614023,0.00011716677,0.93528575,0.022879986,0.0142146405],"study_design_scores_gemma":[0.0008705055,0.0000020606064,0.001094754,0.0033185056,0.00010855792,0.0000129138625,0.0006539692,0.0013138311,0.00063653727,0.01439337,0.97678846,0.00080651394],"about_ca_topic_score_codex":0.001928377,"about_ca_topic_score_gemma":0.017550247,"teacher_disagreement_score":0.9539085,"about_ca_system_score_codex":0.00017930602,"about_ca_system_score_gemma":0.00089952146,"threshold_uncertainty_score":0.99988544},"labels":[],"label_agreement":null},{"id":"W4416201675","doi":"10.1108/978-1-80592-032-820251004","title":"Through the Eyes of a Child: <i>Secret Path</i> and Experiences of Residential Schools","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Genocide; Storytelling; Declaration; Lyrics","score_opus":0.015571894799763864,"score_gpt":0.22344560712089162,"score_spread":0.20787371232112775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416201675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018964094,0.003990463,0.000008222043,0.0009903172,0.00027252646,0.0002097954,0.000084766034,0.000011256208,0.99253625],"genre_scores_gemma":[0.3793,0.0015694418,0.00003638406,0.00039947472,0.00028186163,0.000017899867,0.000013711207,0.000014322114,0.6183669],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922365,0.000013585294,0.00033437574,0.00017918285,0.00016833884,0.000080867154],"domain_scores_gemma":[0.9993885,0.000087667635,0.00021949226,0.00019463115,0.00009725621,0.000012420513],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073322015,0.00016880428,0.0003314856,0.000070717564,0.00020181846,0.00007604377,0.0001950082,0.00006602424,0.0021486613],"category_scores_gemma":[0.000011630881,0.00009947754,0.00013622196,0.000009507514,0.0007845789,0.00008438451,0.00011451414,0.00016700203,9.949731e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015696933,0.000005815749,0.0000014749696,0.000043418433,0.00007825627,5.608904e-7,0.09368073,2.3764374e-8,0.0000033365386,0.88541013,0.020536752,0.00022380675],"study_design_scores_gemma":[0.00019602345,0.00012086714,0.0000039891365,0.0005318578,0.00007190491,0.0000011586396,0.09148505,0.0000017703782,0.00023736549,0.20557798,0.7015739,0.00019810504],"about_ca_topic_score_codex":0.0002956672,"about_ca_topic_score_gemma":0.00083910255,"teacher_disagreement_score":0.6810372,"about_ca_system_score_codex":0.0000023559287,"about_ca_system_score_gemma":0.000045688343,"threshold_uncertainty_score":0.9987635},"labels":[],"label_agreement":null},{"id":"W4416299046","doi":"10.59350/yd45w-fe965","title":"Graphic Refuge: Panel Discussion on Comics and Migration","year":2025,"lang":"","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panel discussion; Comics; Event (particle physics); Conjunction (astronomy); Comic strip; Visual culture","score_opus":0.026108744431140606,"score_gpt":0.24740246215206865,"score_spread":0.22129371772092804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416299046","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6688442,0.0028316632,0.00028765254,0.042951405,0.0022309707,0.0009568785,0.00012773131,0.00022122264,0.28154826],"genre_scores_gemma":[0.84469754,0.0021932572,0.000021343312,0.0008414458,0.00012152129,0.0000111651025,0.00001758305,0.000021713651,0.15207443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988003,0.00008401567,0.00034813271,0.00040284355,0.0001360616,0.00022866375],"domain_scores_gemma":[0.99937713,0.00008681484,0.00010612396,0.00030067447,0.00005410108,0.00007517417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016084182,0.0002804961,0.00028713714,0.0004951782,0.0008129019,0.00046969682,0.000116776166,0.000114636925,0.00046380266],"category_scores_gemma":[0.000017834369,0.00017090021,0.000115641684,0.00015033239,0.00045177893,0.00013027676,0.00008692009,0.00023096372,0.000007717019],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009631575,0.00016262954,0.001111002,0.00006710393,0.000075674994,0.0000013305447,0.0037454807,8.872577e-7,0.00009633055,0.97142756,0.018097186,0.0051185014],"study_design_scores_gemma":[0.0011023812,0.0003981165,0.0032241142,0.00049910985,0.000096651835,8.64637e-7,0.008629502,0.0020092728,0.0001532463,0.084199175,0.89925694,0.0004306482],"about_ca_topic_score_codex":0.0001897205,"about_ca_topic_score_gemma":0.0039534112,"teacher_disagreement_score":0.88722837,"about_ca_system_score_codex":0.000014954889,"about_ca_system_score_gemma":0.000034614783,"threshold_uncertainty_score":0.69691086},"labels":[],"label_agreement":null},{"id":"W4416311452","doi":"10.59350/wbqpd-jq297","title":"Graphic Refuge: Panel Discussion on Comics and Migration","year":2025,"lang":"","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panel discussion; Comics; Event (particle physics); Conjunction (astronomy); Comic strip; Visual culture","score_opus":0.026108744431140606,"score_gpt":0.24740246215206865,"score_spread":0.22129371772092804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416311452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6688442,0.0028316632,0.00028765254,0.042951405,0.0022309707,0.0009568785,0.00012773131,0.00022122264,0.28154826],"genre_scores_gemma":[0.84469754,0.0021932572,0.000021343312,0.0008414458,0.00012152129,0.0000111651025,0.00001758305,0.000021713651,0.15207443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988003,0.00008401567,0.00034813271,0.00040284355,0.0001360616,0.00022866375],"domain_scores_gemma":[0.99937713,0.00008681484,0.00010612396,0.00030067447,0.00005410108,0.00007517417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016084182,0.0002804961,0.00028713714,0.0004951782,0.0008129019,0.00046969682,0.000116776166,0.000114636925,0.00046380266],"category_scores_gemma":[0.000017834369,0.00017090021,0.000115641684,0.00015033239,0.00045177893,0.00013027676,0.00008692009,0.00023096372,0.000007717019],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009631575,0.00016262954,0.001111002,0.00006710393,0.000075674994,0.0000013305447,0.0037454807,8.872577e-7,0.00009633055,0.97142756,0.018097186,0.0051185014],"study_design_scores_gemma":[0.0011023812,0.0003981165,0.0032241142,0.00049910985,0.000096651835,8.64637e-7,0.008629502,0.0020092728,0.0001532463,0.084199175,0.89925694,0.0004306482],"about_ca_topic_score_codex":0.0001897205,"about_ca_topic_score_gemma":0.0039534112,"teacher_disagreement_score":0.88722837,"about_ca_system_score_codex":0.000014954889,"about_ca_system_score_gemma":0.000034614783,"threshold_uncertainty_score":0.69691086},"labels":[],"label_agreement":null},{"id":"W4416574391","doi":"10.4000/1573o","title":"La plasticité et l’intericonicité comme adjuvants de l’épopée","year":2025,"lang":"fr","type":"article","venue":"Projet Épopée","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Context (archaeology); Identity (music); Perspective (graphical); Order (exchange)","score_opus":0.0389636520664674,"score_gpt":0.30648723499961816,"score_spread":0.26752358293315076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416574391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21123971,0.023132758,0.0011395065,0.046696357,0.006473296,0.00093140185,0.0008993292,0.00024116988,0.70924646],"genre_scores_gemma":[0.88043857,0.0020688064,0.00023349216,0.003591399,0.0005500617,0.00007986684,0.000036020963,0.000048510683,0.11295327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764085,0.00052138465,0.0005251875,0.00045053873,0.00018600767,0.00067602395],"domain_scores_gemma":[0.99844426,0.000739184,0.00016656425,0.00036804957,0.00014968083,0.00013227778],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007482141,0.00041349547,0.0005038068,0.0003160159,0.0005804215,0.00061308115,0.00043920113,0.00023375254,0.0013803021],"category_scores_gemma":[0.00016813504,0.00040035008,0.00025244823,0.00018496702,0.0008502643,0.00025373735,0.00027841717,0.0007574479,0.00013246952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108184155,0.00044176224,0.0023611174,0.00029527134,0.00026160976,0.000047425663,0.021259367,0.000008847327,0.000075098214,0.9167407,0.043382473,0.015018122],"study_design_scores_gemma":[0.0010729498,0.00018773253,0.0025131954,0.0008908146,0.00014205632,0.00002249645,0.0045013074,0.0015366188,0.00013062479,0.05414119,0.93444115,0.00041983722],"about_ca_topic_score_codex":0.0013159991,"about_ca_topic_score_gemma":0.0026902722,"teacher_disagreement_score":0.8910587,"about_ca_system_score_codex":0.000111563175,"about_ca_system_score_gemma":0.00034202525,"threshold_uncertainty_score":0.99984485},"labels":[],"label_agreement":null},{"id":"W4417087128","doi":"10.3138/ijcs-2024-0005","title":"Julie Doucet: Traverser les Frontières Influences internationales d’une autrice québécoise majeure","year":2025,"lang":"en","type":"article","venue":"International Journal of Canadian Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Publishing; Poetry; Work (physics); Czech","score_opus":0.03999564378822594,"score_gpt":0.2828001551338176,"score_spread":0.24280451134559167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417087128","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.615282,0.020605294,0.000046843834,0.11907859,0.011073255,0.00019797016,0.0002802348,0.000029609495,0.23340619],"genre_scores_gemma":[0.9881761,0.0021236157,0.00007030997,0.0015195375,0.0007671346,0.000004707712,0.0000036400027,0.000007422273,0.0073275515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988812,0.000033074273,0.00047012858,0.00012033281,0.0003423229,0.00015294166],"domain_scores_gemma":[0.9979468,0.00018120553,0.00026022084,0.00007065031,0.0014543795,0.00008676575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017991188,0.00014648131,0.00025241004,0.0017823214,0.00026553418,0.00020972222,0.0005033854,0.00003317952,0.00031078528],"category_scores_gemma":[0.00017551599,0.000117486976,0.00016775659,0.00014215935,0.00032639535,0.00030152602,0.00004096631,0.00018860059,0.000008519221],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008187191,0.00004990838,0.0070822993,0.000018672858,0.0028044768,0.00014895713,0.035073016,0.00006731358,0.00003319669,0.78373724,0.16095622,0.009946838],"study_design_scores_gemma":[0.0004519242,0.000035330704,0.009917465,0.0002023358,0.000054363347,0.0000131146035,0.02252691,0.0000120744535,0.00003657005,0.018974423,0.9476547,0.00012075538],"about_ca_topic_score_codex":0.08959868,"about_ca_topic_score_gemma":0.83815676,"teacher_disagreement_score":0.7866985,"about_ca_system_score_codex":0.0001680874,"about_ca_system_score_gemma":0.0003454797,"threshold_uncertainty_score":0.91646373},"labels":[],"label_agreement":null},{"id":"W4417377165","doi":"10.3138/mous.21.1.01","title":"Introduction: Breaking New Ground with Comics and the Ancient Mediterranean World","year":2025,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Mediterranean climate","score_opus":0.008604977709825178,"score_gpt":0.19001481214719704,"score_spread":0.18140983443737185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417377165","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025053058,0.00025574633,0.00013920054,0.96446425,0.002219818,0.00011497832,0.000007861625,0.0000051761613,0.0077399286],"genre_scores_gemma":[0.66888964,0.000015899992,0.00002755831,0.0014561485,0.0013312656,7.8236144e-7,4.832214e-7,0.0000079343645,0.32827032],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991898,0.00009414396,0.00025448945,0.000052573032,0.00032557483,0.000083431725],"domain_scores_gemma":[0.9989484,0.00023273203,0.0005356267,0.00007956403,0.00016775665,0.00003592959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004054167,0.00006124501,0.00017581502,0.000059139773,0.00023007531,0.00007151096,0.00013295496,0.000015500995,0.000040813018],"category_scores_gemma":[0.00011722617,0.0000299549,0.000054090982,0.000096412674,0.00014992896,0.00005831275,0.000025001895,0.0001919337,2.5244788e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092734146,0.000010948679,0.00015589216,0.000004587075,0.00010376986,3.750653e-7,0.0015517191,0.00004151656,0.000008666103,0.16557072,0.83201355,0.0004455024],"study_design_scores_gemma":[0.0010349201,0.000025175417,0.00063445873,0.00004500841,0.000055059507,0.0000031292398,0.00087398454,0.00016184001,0.000031423653,0.004302501,0.9927934,0.000039131603],"about_ca_topic_score_codex":0.004412014,"about_ca_topic_score_gemma":0.71825355,"teacher_disagreement_score":0.9630081,"about_ca_system_score_codex":0.00016751306,"about_ca_system_score_gemma":0.0003777313,"threshold_uncertainty_score":0.66696745},"labels":[],"label_agreement":null},{"id":"W4417377344","doi":"10.3138/mous.21.1.02","title":"Circe in Comics: Friend, Foe, Female Empowerment?","year":2025,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wonder; TRACE (psycholinguistics); sort; Position (finance); Civilization","score_opus":0.00811993076453092,"score_gpt":0.20660828421849517,"score_spread":0.19848835345396426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417377344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5487997,0.00029565996,0.00005815832,0.3400337,0.0042656325,0.00025834912,0.00008258243,0.000012646315,0.106193565],"genre_scores_gemma":[0.8418669,0.000009619393,0.000007090285,0.00040866484,0.00007700275,8.0088694e-7,4.1899384e-7,0.0000056014646,0.1576239],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990339,0.00009649096,0.0003973891,0.000053865202,0.0003026986,0.00011560882],"domain_scores_gemma":[0.9990068,0.00017041642,0.0005495592,0.00008375937,0.00015699444,0.000032439188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031883013,0.00006410299,0.0002038703,0.00009911377,0.00010006379,0.00003141555,0.0001991149,0.000032149987,0.0000676834],"category_scores_gemma":[0.00019693095,0.00004597917,0.0000984876,0.000089015586,0.000048375336,0.000056742796,0.0000315888,0.00019307632,1.29625e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033820193,0.00008258517,0.006435229,0.000012221162,0.00009190544,0.0000023120099,0.0023245187,0.000052754633,0.00012876664,0.11677902,0.8737918,0.00026505775],"study_design_scores_gemma":[0.0007356494,0.00003492923,0.0030879101,0.00009156032,0.000019697252,5.310433e-7,0.0022540207,0.00009758511,0.0002842354,0.007032058,0.9862968,0.00006505646],"about_ca_topic_score_codex":0.0039157723,"about_ca_topic_score_gemma":0.6699021,"teacher_disagreement_score":0.6659863,"about_ca_system_score_codex":0.00036453657,"about_ca_system_score_gemma":0.0004704386,"threshold_uncertainty_score":0.59195024},"labels":[],"label_agreement":null},{"id":"W4417377492","doi":"10.3138/mous.21.1.03","title":"Rule 63 Iphigenia(s): Sacrifice, Gender, and Toxicity","year":2025,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"EPIC; Comics; Tragedy (event); Toxicity; Sacrifice","score_opus":0.010714848332268557,"score_gpt":0.20142903347604002,"score_spread":0.19071418514377148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417377492","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6905759,0.0008152383,0.00009319633,0.2587663,0.0038803972,0.00017670364,0.00009838422,0.000010219978,0.045583684],"genre_scores_gemma":[0.92386335,0.000027158903,0.000013361441,0.0007926061,0.000158908,5.726374e-7,3.6116575e-7,0.0000037791026,0.07513991],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999073,0.00009641611,0.00034175548,0.000057929235,0.00032428658,0.00010659566],"domain_scores_gemma":[0.9989256,0.00019909574,0.00047388455,0.00007340755,0.00028197182,0.00004599479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032330604,0.00006827798,0.00019275295,0.000056318364,0.00023680922,0.00004924561,0.00014746879,0.000034468245,0.000060777587],"category_scores_gemma":[0.00021213404,0.00004561549,0.00009442891,0.0000580861,0.000062962725,0.000091474896,0.000033165237,0.00018365427,9.6274505e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003943389,0.00006095847,0.0012422915,0.000020957823,0.0001985798,0.0000014140912,0.0015056826,0.000022127359,0.0009160855,0.19257109,0.8026063,0.0008150874],"study_design_scores_gemma":[0.00044987223,0.00003350375,0.003995152,0.000034212302,0.00005125292,0.0000012402678,0.0009362279,0.000094279836,0.0016675462,0.020777436,0.9718886,0.000070697846],"about_ca_topic_score_codex":0.0010545618,"about_ca_topic_score_gemma":0.12988658,"teacher_disagreement_score":0.25797367,"about_ca_system_score_codex":0.00019655448,"about_ca_system_score_gemma":0.00045975565,"threshold_uncertainty_score":0.88599074},"labels":[],"label_agreement":null},{"id":"W4417377682","doi":"10.3138/mous.21.1.06","title":"Minding the Gaps in Ovid's <i>Amores</i>","year":2025,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elegiac; Reading (process); Scholarship; Poetry","score_opus":0.007669762897201716,"score_gpt":0.200493146530182,"score_spread":0.19282338363298027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417377682","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33960643,0.00028830333,0.000010557188,0.63736635,0.0025553585,0.00013000533,0.000025149535,0.000003060768,0.02001476],"genre_scores_gemma":[0.9158872,0.000011663884,0.000002887272,0.0009963524,0.00014841116,9.755141e-7,2.5389267e-7,0.0000032301823,0.08294903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989453,0.00014494629,0.00038698805,0.000045715246,0.00036165968,0.000115375886],"domain_scores_gemma":[0.9987429,0.0004380717,0.0005257283,0.000083740764,0.00018639171,0.000023175899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005629464,0.000060135637,0.00016705172,0.000067324974,0.00019861775,0.00004789215,0.0002621763,0.000027273509,0.000047929316],"category_scores_gemma":[0.00036871474,0.000032482734,0.00011136493,0.00010605608,0.00006059127,0.000058638532,0.00003387034,0.00026898368,1.0830196e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027946677,0.000040035582,0.003621455,0.000008254211,0.00007820449,0.0000017493813,0.0025170026,0.00011069229,0.00013056345,0.115844645,0.8771685,0.00045098376],"study_design_scores_gemma":[0.0003933214,0.000019989617,0.0034181487,0.000079952835,0.000023190938,6.268178e-7,0.0015562797,0.000097681695,0.00041937566,0.009210772,0.98473567,0.00004502085],"about_ca_topic_score_codex":0.003007269,"about_ca_topic_score_gemma":0.67824924,"teacher_disagreement_score":0.67524195,"about_ca_system_score_codex":0.00035136082,"about_ca_system_score_gemma":0.0005337252,"threshold_uncertainty_score":0.45461112},"labels":[],"label_agreement":null},{"id":"W4417377781","doi":"10.3138/mous.21.1.04","title":"Rendering the Monstrous Feminine: Myth, Feminism, and Gender Flips in Matt Fraction and Christian Ward's <i>ODY-C</i>","year":2025,"lang":"en","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Rendering (computer graphics); Comics; Mythology; Fraction (chemistry); Politics","score_opus":0.010740504999064317,"score_gpt":0.20447768809080047,"score_spread":0.19373718309173615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417377781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7516149,0.0009170667,0.00006339367,0.23695022,0.0012997321,0.00015939941,0.000031590047,0.000006146193,0.008957532],"genre_scores_gemma":[0.98947763,0.00009045619,0.000011482314,0.00059144315,0.00011552465,0.0000014114216,4.0504162e-7,0.000004774243,0.009706892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907845,0.00010749771,0.0003551449,0.000072003786,0.000273497,0.00011340211],"domain_scores_gemma":[0.9990033,0.00031443776,0.00045444723,0.00007289383,0.000118935684,0.00003598667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043218254,0.00007999144,0.00019335697,0.0000680362,0.00024352233,0.00007025696,0.00010819842,0.000041112115,0.000012920061],"category_scores_gemma":[0.00016258309,0.00004901467,0.000051804072,0.00006893622,0.000083540166,0.00007771946,0.000041384323,0.00030001887,3.458244e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017739393,0.00013453966,0.019126292,0.00010217893,0.00046627576,0.000011371012,0.02417739,0.00020600436,0.0008807062,0.08117862,0.86532515,0.008214052],"study_design_scores_gemma":[0.0014588728,0.00008800727,0.032730974,0.00017746104,0.00012437532,0.000017336077,0.02009022,0.0009255449,0.00043703304,0.017773082,0.9259828,0.00019430381],"about_ca_topic_score_codex":0.002421081,"about_ca_topic_score_gemma":0.16348158,"teacher_disagreement_score":0.23786269,"about_ca_system_score_codex":0.0001941308,"about_ca_system_score_gemma":0.00023966457,"threshold_uncertainty_score":0.8517827},"labels":[],"label_agreement":null},{"id":"W4417436319","doi":"10.4000/15btm","title":"Chapitre 2. Être bibliothécaire à Montréal","year":2025,"lang":"fr","type":"book-chapter","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Subject (documents); Domain (mathematical analysis)","score_opus":0.018374267122972594,"score_gpt":0.21172325958380264,"score_spread":0.19334899246083004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417436319","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017471591,0.020272944,0.000025092728,0.0112680895,0.0016402095,0.0003656815,0.00086700916,0.000116728224,0.9652695],"genre_scores_gemma":[0.010208927,0.013138078,0.000064253414,0.0007956323,0.0013218644,0.000013770938,0.00007744249,0.000057709196,0.9743223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807805,0.000019683632,0.0005865443,0.0006149981,0.00028391156,0.0004167878],"domain_scores_gemma":[0.9984804,0.000348807,0.00020659617,0.0005303477,0.00027897378,0.00015486938],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011048571,0.00069383206,0.0006914147,0.0017743706,0.0010897175,0.00051809155,0.0003509322,0.0003853266,0.070539],"category_scores_gemma":[0.00002464377,0.0006037415,0.0006260428,0.00010457046,0.0009412749,0.0001906787,0.00022795521,0.0005830675,0.0007084622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018473473,0.00007465772,0.000055670436,0.00014354105,0.0002556492,0.000054016295,0.0021264893,6.8514964e-7,0.000002447245,0.8907242,0.08938873,0.017155476],"study_design_scores_gemma":[0.00033150447,0.00017744343,0.00006930397,0.0005810751,0.00014152478,0.000006191643,0.001002724,0.00015281023,0.0000060471757,0.08856122,0.9083563,0.000613833],"about_ca_topic_score_codex":0.0048824195,"about_ca_topic_score_gemma":0.023844656,"teacher_disagreement_score":0.8189676,"about_ca_system_score_codex":0.000044262106,"about_ca_system_score_gemma":0.00013208551,"threshold_uncertainty_score":0.9996414},"labels":[],"label_agreement":null},{"id":"W52107072","doi":"10.5325/style.43.4.0472","title":"George, Woody, Gary, and Homer S.: Popular Culture Meets Classical Rhetoric","year":2009,"lang":"en","type":"article","venue":"Style","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Rhetoric; Comedy; Comics; Literature; Aesthetics; Sociology; Art; Linguistics; Psychology; Philosophy","score_opus":0.014672089892413524,"score_gpt":0.22589523240140494,"score_spread":0.2112231425089914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W52107072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7267151,0.005479468,0.000008758746,0.012611033,0.0008738496,0.00028127516,0.000055384546,0.0001578683,0.2538173],"genre_scores_gemma":[0.95824313,0.00014877434,0.000035821624,0.0004008838,0.00047908045,0.0000031286866,0.0000130045655,0.000007474425,0.040668707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994035,0.000022563612,0.00011407683,0.00017815472,0.00010907826,0.00017262317],"domain_scores_gemma":[0.9997239,0.000008881528,0.00003456749,0.00012413156,0.000036630972,0.00007188167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000058152316,0.000118298034,0.00014942342,0.000054054755,0.00026156113,0.00013412337,0.000076363474,0.000048182046,0.00040055456],"category_scores_gemma":[0.000009489488,0.00008827717,0.000058120742,0.00003474521,0.000101949125,0.00010793262,0.000022729657,0.00013947263,0.000020598616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013129884,0.00007700714,0.00014948279,0.0000056198705,0.000021411446,0.000008093372,0.021575842,1.0602731e-7,0.00026957013,0.90290225,0.0714595,0.0035179784],"study_design_scores_gemma":[0.00025732047,0.000152492,0.0013115357,0.000011236907,0.000013422054,0.0000029809094,0.0014958082,0.000021048316,0.000024524941,0.016857574,0.97969896,0.00015312384],"about_ca_topic_score_codex":0.000018707064,"about_ca_topic_score_gemma":0.00021381068,"teacher_disagreement_score":0.9082394,"about_ca_system_score_codex":0.000008058132,"about_ca_system_score_gemma":0.0000075440475,"threshold_uncertainty_score":0.43857914},"labels":[],"label_agreement":null},{"id":"W55843329","doi":"","title":"Getting Students to Write Using Comics.","year":2009,"lang":"en","type":"article","venue":"Teacher librarian","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Mathematics education; Psychology; Multimedia; Pedagogy; Computer science; Sociology; Art; Literature","score_opus":0.056064038625367324,"score_gpt":0.2835848966170371,"score_spread":0.2275208579916698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W55843329","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81812763,0.00010543249,0.00010631026,0.0026212076,0.00022676116,0.0001960663,0.00000874713,0.00023503747,0.17837279],"genre_scores_gemma":[0.97793067,0.0000014124614,0.00073609804,0.00202317,0.0006381328,0.0000018954687,0.000004539105,0.000028856688,0.018635245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992968,0.00003519444,0.00015762247,0.00017628583,0.00013128934,0.00020283654],"domain_scores_gemma":[0.99964947,0.00001156455,0.00004790368,0.00018356142,0.000012151377,0.000095358504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012109179,0.00012045373,0.0001400032,0.0001367177,0.00022332896,0.00044934993,0.00024973755,0.000028805514,0.00081734755],"category_scores_gemma":[0.0000080825685,0.00011213475,0.00005250406,0.000050629413,0.000040944607,0.0002469665,0.00005989666,0.00011809761,0.000028823104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036619695,0.00034609967,0.009425861,0.0000074053014,0.00008105233,0.000012595643,0.12667383,0.000009240018,0.0017586453,0.8101141,0.04077805,0.010756498],"study_design_scores_gemma":[0.0013236876,0.00030470063,0.0191797,0.00014648652,0.000048215483,0.000004608204,0.013289208,0.00093171187,0.00023277765,0.037448853,0.92612475,0.0009653182],"about_ca_topic_score_codex":0.00014269938,"about_ca_topic_score_gemma":0.000094682146,"teacher_disagreement_score":0.8853467,"about_ca_system_score_codex":0.000011091539,"about_ca_system_score_gemma":0.0000131762245,"threshold_uncertainty_score":0.89493823},"labels":[],"label_agreement":null},{"id":"W565555796","doi":"","title":"Narrative Structure in Comics: Making Sense of Fragments","year":2013,"lang":"en","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":161,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Comics; Narrative; Storytelling; Meaning (existential); Literature; Art; Narrative structure; Visual arts; Aesthetics; Psychology","score_opus":0.018239261541071375,"score_gpt":0.22319602691745283,"score_spread":0.20495676537638147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W565555796","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010353392,0.00025304337,0.0000020059795,0.00006832224,0.00033576987,0.0003452723,0.00018921985,0.000029555573,0.9884234],"genre_scores_gemma":[0.11562341,0.00003001299,0.00007096414,0.00014503273,0.0002161266,0.0000052609157,0.000058648187,0.000050138835,0.8838004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991449,0.000028437962,0.00032958368,0.00021016244,0.00014181681,0.00014509656],"domain_scores_gemma":[0.99938196,0.000049983333,0.00026530074,0.00020144122,0.00007773986,0.000023582112],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000042772735,0.00024089387,0.00043549942,0.00031105167,0.00006550794,0.00006202906,0.00011678149,0.00014160252,0.011685664],"category_scores_gemma":[0.0000051840257,0.00019341354,0.000093374474,0.000015994363,0.00026186978,0.000066148175,0.00006406384,0.0002813196,0.000009276169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009201698,0.000015713698,0.000018673552,0.000064434964,0.000086105894,0.0000053802887,0.10928967,0.0000011590943,0.000011402253,0.70615226,0.18413605,0.00020997916],"study_design_scores_gemma":[0.0005713098,0.000090988506,0.000026961925,0.000644886,0.000023894443,0.0000020880964,0.025380248,0.000068789675,0.000019533774,0.2166572,0.7560106,0.00050351646],"about_ca_topic_score_codex":0.0003453364,"about_ca_topic_score_gemma":0.012079187,"teacher_disagreement_score":0.5718745,"about_ca_system_score_codex":0.000037593254,"about_ca_system_score_gemma":0.00007225096,"threshold_uncertainty_score":0.9892178},"labels":[],"label_agreement":null},{"id":"W574255680","doi":"10.29173/slw6871","title":"Shedding New Light on Graphic Novel Collections: A Circulation and Collection Analysis Study in Six Middle School Libraries","year":2014,"lang":"en","type":"article","venue":"School Libraries Worldwide","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Circulation (fluid dynamics); Collection development; Data collection; Library science; Computer science; Sociology; Social science; Engineering","score_opus":0.023170055496311615,"score_gpt":0.21999024842408507,"score_spread":0.19682019292777345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W574255680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92733145,0.00073628157,0.00073969713,0.004323691,0.0008919839,0.0014355562,0.000027265607,0.00036698268,0.06414708],"genre_scores_gemma":[0.98244476,0.000029414308,0.0002906698,0.00037925437,0.0004896933,0.000097951,0.000022321916,0.00003682907,0.01620909],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99792296,0.0001708449,0.0005870503,0.0006008855,0.00034601055,0.00037226116],"domain_scores_gemma":[0.99867857,0.00038744876,0.00020863081,0.00038615413,0.00007131844,0.00026791045],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034639338,0.00033690972,0.0005242905,0.0027139317,0.0014057858,0.002535847,0.00020301066,0.00008252155,0.0011068851],"category_scores_gemma":[0.00045945792,0.0003171614,0.0001735913,0.0026697076,0.00017120817,0.0016281724,0.00009827703,0.00041062606,0.000013452211],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059674605,0.0007609313,0.41069525,0.0000443988,0.0011543169,0.0000047744,0.030075895,0.00085864577,0.00019723541,0.53953224,0.0154523915,0.00062719133],"study_design_scores_gemma":[0.008066373,0.0019219249,0.57828593,0.0004242252,0.0012453351,0.000005552878,0.070777185,0.010584699,0.00033339867,0.19962668,0.12653774,0.0021909513],"about_ca_topic_score_codex":0.0007206649,"about_ca_topic_score_gemma":0.018102836,"teacher_disagreement_score":0.33990553,"about_ca_system_score_codex":0.00005942559,"about_ca_system_score_gemma":0.00021787408,"threshold_uncertainty_score":0.99992806},"labels":[],"label_agreement":null},{"id":"W635276826","doi":"","title":"Stan Lee : conversations","year":2007,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Adventure; Uncanny; Art; Art history; Performance art; Publishing; Popular culture; Mainstream; Media studies; Politics; Literature; Visual arts; Sociology; Law; Political science","score_opus":0.03355682608688781,"score_gpt":0.19605383061463255,"score_spread":0.16249700452774474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W635276826","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017441156,0.00021295431,0.000047669873,0.00005871618,0.00026482582,0.00023434461,0.0004882175,0.0000620353,0.99845684],"genre_scores_gemma":[0.0036002307,0.000040223524,0.000057632427,0.000032807267,0.00020434005,2.158641e-7,0.00005782395,0.000024471468,0.9959822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989823,0.00003540823,0.0002385615,0.00027781897,0.00026220726,0.00020369113],"domain_scores_gemma":[0.9987753,0.00013771387,0.00032722118,0.00036011578,0.00027115346,0.00012850545],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000118965705,0.0002548443,0.0003887472,0.0003644599,0.00033323956,0.00004974825,0.00042305037,0.00019088721,0.0011767771],"category_scores_gemma":[0.000007847753,0.00027811766,0.0002690162,0.0000088075385,0.00083953113,0.000074749034,0.0001359407,0.000316023,0.000006567971],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067662535,0.000027395497,0.0000024399806,0.000097825905,0.0002527228,0.00002844979,0.014193903,6.434901e-7,0.000010886436,0.89726615,0.085813574,0.0022383577],"study_design_scores_gemma":[0.00041292628,0.000060342307,0.0000046941427,0.0001469662,0.00017691606,7.1920533e-7,0.0029029048,0.000007788301,0.00007121243,0.0042118733,0.99171734,0.00028633507],"about_ca_topic_score_codex":0.00022778199,"about_ca_topic_score_gemma":0.00049226655,"teacher_disagreement_score":0.90590376,"about_ca_system_score_codex":0.00009642633,"about_ca_system_score_gemma":0.0002836193,"threshold_uncertainty_score":0.9999671},"labels":[],"label_agreement":null},{"id":"W657304129","doi":"","title":"Histoire de la bande dessinée au Québec","year":2008,"lang":"fr","type":"book","venue":"VLB eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Geography","score_opus":0.02095261049666055,"score_gpt":0.21570169888805357,"score_spread":0.19474908839139302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W657304129","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011215327,0.0068718004,0.000027435959,0.0006016483,0.0012988944,0.00023759773,0.00014040248,0.00008903585,0.9795179],"genre_scores_gemma":[0.10867239,0.00026631544,0.000059172842,0.0003460427,0.00207596,0.000038789698,0.00003027215,0.000098938806,0.8884121],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980173,0.00024120543,0.0004746169,0.00045526327,0.00024565787,0.000565934],"domain_scores_gemma":[0.99845743,0.00049446983,0.0002856144,0.00043878081,0.00010164758,0.00022204776],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0002475789,0.0005718152,0.00060400605,0.0002552602,0.0030143482,0.00023964226,0.00037679277,0.00045324897,0.0008024176],"category_scores_gemma":[0.000028078604,0.00054793974,0.00048137756,0.000011251136,0.0049259407,0.000057569396,0.00010901822,0.0008212627,0.00010499661],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040147534,0.000074730364,0.00030167252,0.00015107245,0.0001866412,0.00021921498,0.049170863,0.000001336103,0.000034099565,0.88033736,0.03973877,0.029744115],"study_design_scores_gemma":[0.00046669046,0.00012625806,0.0003018322,0.00040823876,0.00012370302,0.00009853008,0.00077638123,0.00002469996,0.000025230374,0.01715263,0.97986,0.00063579885],"about_ca_topic_score_codex":0.08602059,"about_ca_topic_score_gemma":0.18107468,"teacher_disagreement_score":0.94012123,"about_ca_system_score_codex":0.00129528,"about_ca_system_score_gemma":0.005219707,"threshold_uncertainty_score":0.9996972},"labels":[],"label_agreement":null},{"id":"W658430636","doi":"","title":"Louis Riel: A Comic-Strip Biography","year":2004,"lang":"en","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Biography; Metis; Charisma; Martyr; Art history; Performance art; Literature; History; Art; Spectacle; Philosophy; Law; Theology; Political science; Computer science; Archaeology","score_opus":0.021147522492685082,"score_gpt":0.19325238385934168,"score_spread":0.1721048613666566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W658430636","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000060650873,0.0012075203,0.00002048906,0.0005520299,0.0008460878,0.00027016512,0.00030700775,0.00016489014,0.9965712],"genre_scores_gemma":[0.0026742597,0.00020915728,0.000028669721,0.0006838223,0.0011531209,0.000013749364,0.00021917185,0.000055412263,0.99496263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988628,0.000014291781,0.00032387525,0.00034902667,0.00019708315,0.00025293804],"domain_scores_gemma":[0.99922276,0.000059392805,0.0001592832,0.000355995,0.00011330038,0.00008926461],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007600688,0.00036987796,0.0004297811,0.0004985013,0.00029385783,0.00038080968,0.00028411744,0.00018030418,0.009769126],"category_scores_gemma":[0.0000040028817,0.0002997247,0.0005033869,0.00003600695,0.0006100628,0.00007024791,0.000067755165,0.00037841636,0.00018754993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007012736,0.000031333646,0.0000038944736,0.000025667983,0.00012874417,0.0000067244314,0.0044203224,2.2753645e-7,4.84465e-7,0.7180733,0.27706933,0.00023292458],"study_design_scores_gemma":[0.00026306114,0.000079919926,0.000004302375,0.0000845232,0.000043834898,0.0000012637321,0.00028999223,0.0000013210955,0.0000020387838,0.22965524,0.7692475,0.00032704597],"about_ca_topic_score_codex":0.00027669812,"about_ca_topic_score_gemma":0.0022107456,"teacher_disagreement_score":0.4921781,"about_ca_system_score_codex":0.00008272884,"about_ca_system_score_gemma":0.00045977609,"threshold_uncertainty_score":0.99994546},"labels":[],"label_agreement":null},{"id":"W68543611","doi":"","title":"Media Literacy Education in the Social Studies: Teacher Perceptions and Curricular Challenges","year":2009,"lang":"en","type":"article","venue":"Teacher education quarterly (Claremont, Calif.)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":45,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curriculum; Media literacy; Literacy; The arts; Government (linguistics); Pedagogy; Sociology; Social studies; Language arts; Political science; Public relations","score_opus":0.04342324987381791,"score_gpt":0.3429124820731039,"score_spread":0.29948923219928597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W68543611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9256405,0.018648164,0.0000105875915,0.04317183,0.0007125103,0.0004925026,0.000010585276,0.000063989435,0.011249278],"genre_scores_gemma":[0.99368966,0.0005265064,0.00005974055,0.001332985,0.0020051976,0.000096081756,0.000058569574,0.000016702896,0.002214567],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984073,0.00037726102,0.00037476243,0.00035771326,0.00023025929,0.000252691],"domain_scores_gemma":[0.9992036,0.00009502043,0.00013554163,0.00027550414,0.00022117936,0.000069136775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000527794,0.00024869453,0.00026320404,0.00024598438,0.00054672814,0.00029813522,0.00021844055,0.00008590423,0.00033579278],"category_scores_gemma":[0.0000467286,0.00018703642,0.00010394385,0.000101797414,0.0002230911,0.00043800776,0.000008292905,0.00037172178,0.000023476528],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005460188,0.0008501193,0.0004657677,0.00001606747,0.000016281829,3.7346769e-7,0.6455028,4.6364306e-8,0.000009527866,0.07294347,0.011330996,0.26885906],"study_design_scores_gemma":[0.0002569388,0.00015188134,0.089724936,0.000073271294,0.000055725868,0.0000067363812,0.76141095,0.00003167477,3.1860503e-7,0.042993993,0.105001494,0.0002920804],"about_ca_topic_score_codex":0.00030326986,"about_ca_topic_score_gemma":0.0017593887,"teacher_disagreement_score":0.26856697,"about_ca_system_score_codex":0.00009213007,"about_ca_system_score_gemma":0.00021727262,"threshold_uncertainty_score":0.76271236},"labels":[],"label_agreement":null},{"id":"W6889772963","doi":"10.26350/000309_000175","title":"MEDICINA CREATIVA: IL RUOLO DEI FUMETTI NEI CORSI DI LAUREA IN MEDICINA","year":2023,"lang":"en","type":"article","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; Hyporeflexia; TSG101; Dysgeusia; Diafiltration; Fusible alloy; Articular cartilage damage","score_opus":0.024599225424262447,"score_gpt":0.2291486521893118,"score_spread":0.20454942676504934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6889772963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6113119,0.00043517622,0.00007886571,0.008046504,0.0011063152,0.0005085961,0.00036781805,0.00028583026,0.37785897],"genre_scores_gemma":[0.8966416,0.00089232024,0.000041944484,0.0005265322,0.00039406464,0.000026688005,0.00029297068,0.000048775983,0.101135075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970133,0.00022010942,0.0004969061,0.0007680142,0.00059336424,0.0009083462],"domain_scores_gemma":[0.99837095,0.00057573005,0.00020292934,0.0004697683,0.0001536685,0.00022696705],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004432528,0.0005109559,0.0007338834,0.0010157571,0.00093781826,0.00009738028,0.0006880101,0.00011535762,0.00091877853],"category_scores_gemma":[0.00006471565,0.00045306227,0.00022507887,0.0005176617,0.0011969449,0.0003322447,0.00060215656,0.00048023905,0.00037097879],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003392148,0.00036335702,0.024332905,0.000112815695,0.00044450344,0.0012585968,0.044301227,0.00009247283,0.00029663456,0.87637883,0.050345488,0.0017339526],"study_design_scores_gemma":[0.0034670406,0.0006372456,0.123430565,0.000332989,0.0002600737,0.00004692219,0.037459295,0.000738587,0.000076457596,0.010927214,0.82148886,0.0011347663],"about_ca_topic_score_codex":0.0004514362,"about_ca_topic_score_gemma":0.0037706452,"teacher_disagreement_score":0.86545163,"about_ca_system_score_codex":0.00015174864,"about_ca_system_score_gemma":0.00014233997,"threshold_uncertainty_score":0.9999945},"labels":[],"label_agreement":null},{"id":"W6893670148","doi":"10.5281/zenodo.4142144","title":"Regarder ]]\"Joker (2019))\" FRANÇAIS FILM-STREAMING VF lpw","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Context (archaeology); Work (physics); Subject (documents)","score_opus":0.038777161517542486,"score_gpt":0.22192593884296927,"score_spread":0.18314877732542678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893670148","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022819523,0.008712354,0.0016710679,0.05613874,0.0011974402,0.0009556852,0.00293875,0.0012033948,0.90436304],"genre_scores_gemma":[0.89869547,0.002042253,0.00018440514,0.0023679994,0.0030832202,9.26886e-8,0.0023139156,0.0033662412,0.08794642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975427,0.00046428153,0.0004097345,0.0006074113,0.00040328674,0.0005726122],"domain_scores_gemma":[0.99831325,0.000058287726,0.00015646058,0.0004192034,0.00067297014,0.00037985065],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045643855,0.00028994642,0.0002904261,0.0001849143,0.0055796714,0.0022719917,0.0008958249,0.00011528115,0.14333725],"category_scores_gemma":[0.00052090955,0.00031290168,0.00016176858,0.0003223079,0.00070705084,0.00043079726,0.0010207336,0.0006766649,0.019489888],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007905668,0.0001488043,0.0000041492617,0.00015353941,0.00013581522,0.000034933208,0.05172835,0.000030006535,0.00032933988,0.14463958,0.7434579,0.059258528],"study_design_scores_gemma":[0.00063080236,0.00038998306,0.00018523978,0.0000937188,0.0000456741,0.000030291845,0.005433225,0.00093489635,0.00007945489,0.0005794374,0.99123824,0.00035902983],"about_ca_topic_score_codex":0.00021915125,"about_ca_topic_score_gemma":0.000005762345,"teacher_disagreement_score":0.87587595,"about_ca_system_score_codex":0.00006840503,"about_ca_system_score_gemma":0.0000074993936,"threshold_uncertainty_score":0.9999323},"labels":[],"label_agreement":null},{"id":"W6893689419","doi":"10.5281/zenodo.4150149","title":"ON~PUTLOCKERZ'S.!! WATCH Joker (2019) ONLINE FREE FULL HD 123MOVIES krh","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pretext; Paraphernalia; Staring; Subject (documents); Scapegoat","score_opus":0.05752628550830923,"score_gpt":0.22843925804586765,"score_spread":0.1709129725375584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893689419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26081643,0.0006099079,0.0013019296,0.09666884,0.000854804,0.0013701923,0.0050452594,0.0030356217,0.630297],"genre_scores_gemma":[0.98256224,0.0001984839,0.00013700573,0.0028915599,0.0012610226,6.714744e-8,0.0022438543,0.0014267312,0.009279052],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984186,0.00020468835,0.00027468725,0.00040819286,0.0003627236,0.0003310898],"domain_scores_gemma":[0.99886495,0.00004965608,0.00009709874,0.00043684198,0.00033721825,0.00021421188],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026454506,0.00018861638,0.00020137076,0.00011874499,0.0024676141,0.0010123078,0.0010011662,0.0000434293,0.041150846],"category_scores_gemma":[0.0006369394,0.00017215247,0.00009160265,0.00018153996,0.00030902613,0.00021001627,0.0008547551,0.00040062342,0.0065880227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012208436,0.00015020127,9.12251e-7,0.000027681901,0.00005412403,0.000011768808,0.018691475,0.0000125035995,0.0004277841,0.19182202,0.7779156,0.010763879],"study_design_scores_gemma":[0.00056201493,0.0005610279,0.000048041846,0.000022265021,0.0000128033935,0.000008351409,0.0029171866,0.00030003669,0.00006306625,0.004070144,0.9912203,0.00021473935],"about_ca_topic_score_codex":0.000033706674,"about_ca_topic_score_gemma":0.000012506099,"teacher_disagreement_score":0.7217458,"about_ca_system_score_codex":0.000036972844,"about_ca_system_score_gemma":0.0000040297004,"threshold_uncertainty_score":0.99883103},"labels":[],"label_agreement":null},{"id":"W6893721285","doi":"10.5281/zenodo.4082878","title":"Ver Joker (2019) Online Pelicula Español Completa HD ucx","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Illusion; Comics; Movie theater; Film festival","score_opus":0.07161495256304728,"score_gpt":0.25032029744694,"score_spread":0.17870534488389272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893721285","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3914766,0.0041662497,0.0017040959,0.07624288,0.0013999015,0.003206427,0.021854358,0.0034418954,0.49650759],"genre_scores_gemma":[0.9838077,0.0005414466,0.00005725174,0.0017903445,0.00154659,3.212922e-8,0.006583932,0.0017888612,0.0038838855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975229,0.00039054628,0.00045987478,0.00062808563,0.00049254834,0.00050607213],"domain_scores_gemma":[0.9980894,0.000050742066,0.00019642495,0.00047641544,0.00081544265,0.00037159314],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037663887,0.00031392588,0.00035974002,0.00021776005,0.0042590867,0.0034655058,0.0011348939,0.00008662034,0.070487626],"category_scores_gemma":[0.00041325158,0.00031243343,0.00017293413,0.00027633712,0.00054816634,0.0003192306,0.0014250004,0.00064095546,0.013753732],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015850646,0.00034878807,0.0000092215205,0.00015915638,0.00019693814,0.0000326392,0.02130542,0.00002241469,0.00095551205,0.28759873,0.6696764,0.019536216],"study_design_scores_gemma":[0.0008015411,0.0004814819,0.00056796294,0.00006798107,0.00005134039,0.000020015459,0.003229442,0.0012607498,0.000036758745,0.0004352765,0.99267155,0.00037587414],"about_ca_topic_score_codex":0.000061373365,"about_ca_topic_score_gemma":0.0000034374104,"teacher_disagreement_score":0.59233105,"about_ca_system_score_codex":0.000061712075,"about_ca_system_score_gemma":0.000007647347,"threshold_uncertainty_score":0.99993277},"labels":[],"label_agreement":null},{"id":"W6899046168","doi":"10.58079/r2d2","title":"Appel à contributions : Faire trembler les fondations (Colloque-anniversaire du Festival BD de Montréal)","year":2021,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Proposition; Perspective (graphical); Subject (documents); Context (archaeology)","score_opus":0.02721960210443487,"score_gpt":0.23137660993965703,"score_spread":0.20415700783522217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899046168","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25276682,0.01836001,0.0011521548,0.6044857,0.0023823143,0.000979781,0.00735977,0.00038596755,0.11212753],"genre_scores_gemma":[0.6579156,0.0018047534,0.00019519948,0.00042846517,0.001591946,0.000021663272,0.00067416107,0.000058786376,0.33730942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970411,0.00052910886,0.00043790287,0.0006756969,0.0003536944,0.0009624778],"domain_scores_gemma":[0.9973169,0.00037036344,0.0003123426,0.00044732649,0.0010363283,0.00051676115],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002861312,0.00055199635,0.0006048494,0.00030110948,0.0036299315,0.0007396498,0.00045671195,0.0007607292,0.005095236],"category_scores_gemma":[0.00044914693,0.00061854365,0.00054618827,0.0006742646,0.0009323825,0.0009611562,0.00024123976,0.001218772,0.00011680904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084912666,0.00048442557,0.001108612,0.000052794025,0.0007364206,0.00095973467,0.020285891,0.00025646575,0.00089667627,0.6087265,0.35894313,0.00746444],"study_design_scores_gemma":[0.0027866114,0.00013429405,0.012986054,0.00036348862,0.0005705975,0.00022752857,0.11371558,0.00079369766,0.00047241803,0.0021240572,0.8650761,0.00074956485],"about_ca_topic_score_codex":0.01662445,"about_ca_topic_score_gemma":0.026886793,"teacher_disagreement_score":0.60660243,"about_ca_system_score_codex":0.001206994,"about_ca_system_score_gemma":0.0012502717,"threshold_uncertainty_score":0.9996266},"labels":[],"label_agreement":null},{"id":"W6899103725","doi":"10.58079/r1pi","title":"Parution : La BD au féminin","year":2016,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quality (philosophy); Measure (data warehouse); Context (archaeology); Relation (database)","score_opus":0.021385834979464734,"score_gpt":0.23521849469019454,"score_spread":0.21383265971072982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899103725","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030012477,0.003374718,0.002240671,0.5050418,0.014849127,0.0010717881,0.004105541,0.00022372507,0.43908015],"genre_scores_gemma":[0.8159017,0.0021223447,0.00016709494,0.006914576,0.005641345,0.0003069217,0.0005098322,0.000072438525,0.16836376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967023,0.00049423444,0.00078739855,0.0007303843,0.0005534388,0.0007322467],"domain_scores_gemma":[0.997595,0.0006584173,0.0004182867,0.0005374256,0.00044733405,0.0003435058],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008633075,0.00052559515,0.00049464195,0.00030205873,0.0015390471,0.0007051748,0.00042465163,0.0003177397,0.035833973],"category_scores_gemma":[0.00015981287,0.00042798015,0.00033311322,0.0001834205,0.0015234926,0.011785437,0.00017171574,0.00030529595,0.0041031437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010134179,0.00036263888,0.00009265509,0.00006151514,0.000113930546,0.000041102106,0.001356898,0.0000023404284,0.0003924527,0.9087354,0.06380186,0.024937846],"study_design_scores_gemma":[0.0017944486,0.00038323217,0.0066328305,0.00085575366,0.00011923723,0.000050093713,0.0013127015,0.00002762935,0.00080060295,0.04608261,0.94124556,0.00069529255],"about_ca_topic_score_codex":0.00061245065,"about_ca_topic_score_gemma":0.009413822,"teacher_disagreement_score":0.87744373,"about_ca_system_score_codex":0.00033489268,"about_ca_system_score_gemma":0.00033730484,"threshold_uncertainty_score":0.9998172},"labels":[],"label_agreement":null},{"id":"W6912452334","doi":"10.5281/zenodo.4144219","title":"Joker (2019) Pelicula Completa — Español Latino Gratis en Línea fdu","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Illusion; Movie theater; Motion picture","score_opus":0.04927839286765706,"score_gpt":0.23663669480593416,"score_spread":0.1873583019382771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912452334","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15102041,0.0020034378,0.0020784554,0.05893363,0.00086634903,0.0026517035,0.0066856383,0.0024879223,0.77327245],"genre_scores_gemma":[0.9895131,0.0005795946,0.000075701035,0.0010566005,0.00095553003,6.409427e-8,0.0020650092,0.0015660996,0.004188278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997022,0.0008130516,0.0004846773,0.000653382,0.0005051139,0.0005218154],"domain_scores_gemma":[0.99818563,0.00008489711,0.0002166665,0.00047832585,0.0006645059,0.00036998288],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051425723,0.00033860083,0.00037664338,0.00022093307,0.004854222,0.0044092103,0.0011603947,0.000100749225,0.085323684],"category_scores_gemma":[0.00048399434,0.00033780263,0.00017701526,0.00029384822,0.00050648063,0.00036020533,0.0014012092,0.00066107116,0.01434367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099119155,0.00016104632,0.000017433054,0.00015916956,0.00017701194,0.000028481332,0.03965364,0.000019155907,0.001360292,0.44137633,0.4929368,0.024011537],"study_design_scores_gemma":[0.0007027794,0.0005015785,0.00086838217,0.000065072796,0.000050888764,0.000023801495,0.0034112006,0.0013699917,0.000069381065,0.00056765735,0.9919657,0.00040358191],"about_ca_topic_score_codex":0.000069201706,"about_ca_topic_score_gemma":0.000002861557,"teacher_disagreement_score":0.8384927,"about_ca_system_score_codex":0.0000664014,"about_ca_system_score_gemma":0.000008096165,"threshold_uncertainty_score":0.9999074},"labels":[],"label_agreement":null},{"id":"W69167169","doi":"10.7771/2380-176x.5813","title":"Notes from Mosier -- \"Riding Shotgun with Tintin and Curious George\"","year":2011,"lang":"en","type":"article","venue":"Against the grain","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"George (robot); Shotgun; Art; Art history; Biology","score_opus":0.03867904332539534,"score_gpt":0.1883169006316637,"score_spread":0.14963785730626836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69167169","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9622595,0.000379622,0.000027057109,0.0012495484,0.00015850065,0.00013534933,0.000033065124,0.000044274348,0.035713125],"genre_scores_gemma":[0.9976258,0.000054452452,0.00010451457,0.0008040205,0.00020871309,0.000012670322,0.000010016503,0.000018017701,0.0011617426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938357,0.000044621258,0.00012279584,0.00018186138,0.0000869542,0.00018018579],"domain_scores_gemma":[0.9995294,0.00012948827,0.0000628909,0.00020114018,0.000034536122,0.0000425192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016528132,0.00013535997,0.00013334437,0.000043176642,0.0004258945,0.000121933626,0.00014537665,0.000023349949,0.00030121574],"category_scores_gemma":[0.000021264865,0.00007727579,0.000041965915,0.000032283875,0.0003521246,0.00009281938,0.00005646552,0.00012743995,0.000014440601],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008453346,0.0000834776,0.0052819327,0.000009311663,0.00025857607,0.000022877846,0.37570253,0.0000010972393,0.0005880763,0.59811807,0.003432797,0.01641673],"study_design_scores_gemma":[0.0022120085,0.0004703022,0.01735873,0.00026710826,0.00019818265,0.000011279795,0.05192098,0.0010628308,0.0020695117,0.2634689,0.65956974,0.0013904006],"about_ca_topic_score_codex":0.0011177966,"about_ca_topic_score_gemma":0.0037492893,"teacher_disagreement_score":0.656137,"about_ca_system_score_codex":0.000004385921,"about_ca_system_score_gemma":0.00001085142,"threshold_uncertainty_score":0.3298101},"labels":[],"label_agreement":null},{"id":"W6917687592","doi":"10.58079/11nch","title":"“Narrative Transfers: From the Literary to the Graphic”Nancy Pedri (Memorial University of Newfoundland, Canada)Laurence Petit (Université Paul-Valéry Montpellier 3, France)","year":2024,"lang":"en","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Government (linguistics); Subject (documents); Clothing","score_opus":0.01612302357819501,"score_gpt":0.19307439699085044,"score_spread":0.17695137341265543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917687592","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8099902,0.003651247,0.00029136537,0.14536454,0.0033057097,0.0011180253,0.003815461,0.00016328797,0.03230016],"genre_scores_gemma":[0.9782169,0.0003719278,0.000024933197,0.00042596814,0.0009416268,0.0000017140316,0.000120276396,0.000022188866,0.019874489],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831617,0.00020917354,0.00019744084,0.00046519525,0.00043830322,0.0003737233],"domain_scores_gemma":[0.99870867,0.0004234236,0.00009831583,0.00039134666,0.000205494,0.00017278237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017649871,0.00030993953,0.00032212993,0.0001466243,0.001207497,0.00027367176,0.000955725,0.00015785865,0.0025176501],"category_scores_gemma":[0.000025934743,0.00022131261,0.00026265977,0.00060802716,0.00046962398,0.0006995186,0.000111278016,0.0007255342,0.000017477538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031181195,0.000055659017,0.0005606136,0.000027399094,0.00066469604,0.00031242653,0.60172075,0.00008746515,0.00029430207,0.111283764,0.28018567,0.0044954265],"study_design_scores_gemma":[0.00075201434,0.00013111431,0.008678578,0.0002244134,0.00017736606,0.0000064149986,0.19684564,0.00015075052,0.0000285028,0.00075419317,0.7919047,0.00034636338],"about_ca_topic_score_codex":0.3897255,"about_ca_topic_score_gemma":0.85821307,"teacher_disagreement_score":0.511719,"about_ca_system_score_codex":0.0001777926,"about_ca_system_score_gemma":0.0006638731,"threshold_uncertainty_score":0.9983942},"labels":[],"label_agreement":null},{"id":"W6917767019","doi":"10.58079/ni8k","title":"La bande dessinée et la Tapisserie de Bayeux [1/2] - Pour une épistémologie de la comparaison","year":2016,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Reduction (mathematics); Photography","score_opus":0.032515388306083554,"score_gpt":0.29708895377824474,"score_spread":0.26457356547216115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917767019","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.110314585,0.0039341147,0.013432052,0.33071688,0.002949012,0.00085346564,0.0025861256,0.00033719823,0.5348765],"genre_scores_gemma":[0.9468786,0.0027881034,0.001264922,0.0101988865,0.0014283403,0.0002603501,0.00031538823,0.00009009694,0.036775313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99491537,0.0025367495,0.0006863619,0.00066038547,0.00039515152,0.0008059922],"domain_scores_gemma":[0.9954566,0.0029700224,0.00040823143,0.00048788855,0.00029097433,0.00038632296],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024566809,0.00058087666,0.00060685584,0.00025183795,0.0011122867,0.0012502769,0.0005672389,0.00050570833,0.013581603],"category_scores_gemma":[0.00031783603,0.000491985,0.00032147983,0.0001842852,0.002149479,0.0056701885,0.0001904934,0.0006229936,0.00067957304],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019439434,0.00064731186,0.0005791119,0.00009674589,0.0001431402,0.00023094016,0.0015601746,0.000026628482,0.0010675963,0.9139032,0.070951164,0.010599628],"study_design_scores_gemma":[0.0022311762,0.00024791659,0.028472628,0.0008813494,0.00011740907,0.00026144748,0.001506378,0.0000870353,0.0010193397,0.16823375,0.79626024,0.0006813248],"about_ca_topic_score_codex":0.00082105625,"about_ca_topic_score_gemma":0.0039651725,"teacher_disagreement_score":0.836564,"about_ca_system_score_codex":0.0003310351,"about_ca_system_score_gemma":0.0008045309,"threshold_uncertainty_score":0.9997865},"labels":[],"label_agreement":null},{"id":"W6917886456","doi":"10.58079/11ykb","title":"Tempête de soleil, par Tomas Bassot (M2) et Charlotte Genser","year":2024,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Power (physics); Field (mathematics); Context (archaeology); Identity (music)","score_opus":0.03603497250474635,"score_gpt":0.2504139888883561,"score_spread":0.21437901638360973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6917886456","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3185167,0.024721298,0.00021231189,0.37570566,0.0062375306,0.0010007268,0.002626436,0.0007676395,0.2702117],"genre_scores_gemma":[0.56454754,0.0017947701,0.0001279955,0.0016578591,0.0031596816,0.000021889253,0.00016071496,0.00011292437,0.42841664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967567,0.00043906344,0.00044776732,0.00080933917,0.0004103018,0.0011368608],"domain_scores_gemma":[0.99827176,0.00037913304,0.00018242696,0.0004534687,0.00022544104,0.00048778002],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007132145,0.00064908894,0.00056018034,0.00049009407,0.001103134,0.0018085267,0.00059014815,0.000731557,0.006173572],"category_scores_gemma":[0.00010058921,0.0006516116,0.0005615113,0.0005364046,0.0008273666,0.0012148196,0.00022269017,0.0017248918,0.00049426855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006488394,0.00010940057,0.00020393888,0.00017363728,0.0006847853,0.00088711124,0.038412727,0.00003986351,0.0012895409,0.56419647,0.38862434,0.0053133206],"study_design_scores_gemma":[0.0009677372,0.00024324619,0.0040003853,0.0008694945,0.00036296836,0.0001658641,0.020923752,0.0011911469,0.0005314171,0.0030255092,0.9668518,0.00086668844],"about_ca_topic_score_codex":0.0036240711,"about_ca_topic_score_gemma":0.0021540888,"teacher_disagreement_score":0.57822746,"about_ca_system_score_codex":0.00051846664,"about_ca_system_score_gemma":0.00074145076,"threshold_uncertainty_score":0.9995935},"labels":[],"label_agreement":null},{"id":"W6927853380","doi":"10.34943/9a4d2de1-23d0-45b2-b78a-6586c1dca886","title":"Oceanic Explorer Conductivity Temperature Depth Deployed 2021-03-27","year":2021,"lang":"en","type":"dataset","venue":"Ocean Networks Canada Society","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conductivity; Temperature measurement; Global Positioning System; Thermal conductivity; Pressure sensor; Turbidity; Mobile device; Software deployment","score_opus":0.01624154583034956,"score_gpt":0.20169676633843386,"score_spread":0.1854552205080843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6927853380","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017556268,0.005476199,0.000001706744,0.00069587195,0.006366954,0.0003654456,0.985076,0.000048687594,0.00021347831],"genre_scores_gemma":[0.00814341,0.0036023245,0.000014749219,0.0031761052,0.0055651856,0.000013305634,0.9761346,0.00009772766,0.0032525868],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969991,0.00018022669,0.0005162459,0.00089723646,0.0006138102,0.0007933717],"domain_scores_gemma":[0.9978985,0.00021826653,0.00033287887,0.000951142,0.0003018297,0.00029737325],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025507167,0.0007743025,0.00088967435,0.000041601008,0.0010168733,0.0006152368,0.0006028996,0.00048635082,0.0017337366],"category_scores_gemma":[0.00003072207,0.0007079361,0.0006494704,0.00019721547,0.00041328746,0.00019259093,0.0002337971,0.0019606322,0.0000021445328],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009660959,0.000066744375,0.00002094285,0.00008836232,0.0006023054,0.00008181189,0.0010666014,0.00006794037,8.256338e-7,0.00053003035,0.99740505,0.000059729657],"study_design_scores_gemma":[0.00034421813,0.000031882428,0.000025007845,0.0001402501,0.00018970908,0.000007768619,0.006029954,0.00013173965,0.0000025401325,0.000084684216,0.9921849,0.0008273972],"about_ca_topic_score_codex":0.15151392,"about_ca_topic_score_gemma":0.91556257,"teacher_disagreement_score":0.76404864,"about_ca_system_score_codex":0.00034174643,"about_ca_system_score_gemma":0.0017744129,"threshold_uncertainty_score":0.99953717},"labels":[],"label_agreement":null},{"id":"W6931187670","doi":"10.5281/zenodo.4116804","title":"[FILMS VOIR] Joker (2019) FILMS STREAMING VF EN GRATUIT ET VOSTFR nbr","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Context (archaeology); Population; Work (physics); Government (linguistics)","score_opus":0.04083317632454262,"score_gpt":0.23985397535811082,"score_spread":0.1990207990335682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6931187670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067540266,0.0074322894,0.002385428,0.08843283,0.002117761,0.0019121061,0.008562176,0.0019538836,0.8196633],"genre_scores_gemma":[0.9006585,0.003764728,0.0004330878,0.003407079,0.0019940927,1.8495452e-7,0.004703982,0.0039746575,0.08106371],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969498,0.000871197,0.0004567362,0.0006512901,0.00045538077,0.0006156029],"domain_scores_gemma":[0.9982629,0.00010927934,0.00019104549,0.0004314684,0.00060403737,0.0004013071],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00075661816,0.0003377927,0.00032645647,0.00021811007,0.004144125,0.0027692355,0.001020552,0.00013005311,0.098196454],"category_scores_gemma":[0.0007207486,0.0003587294,0.00016875364,0.0003681703,0.00059887563,0.00058894797,0.0013153896,0.0008772685,0.011080913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078287645,0.00017026384,0.0000033264462,0.00013157351,0.00013101145,0.000036989695,0.04250558,0.000050217415,0.00095819024,0.30572966,0.61915344,0.031051476],"study_design_scores_gemma":[0.0006877185,0.00055159937,0.00015627072,0.000109977496,0.000048303093,0.000033806507,0.011950553,0.0012062617,0.00015214253,0.0007687711,0.98393035,0.00040424961],"about_ca_topic_score_codex":0.00020189944,"about_ca_topic_score_gemma":0.000011941851,"teacher_disagreement_score":0.8331182,"about_ca_system_score_codex":0.000067791385,"about_ca_system_score_gemma":0.000014125153,"threshold_uncertainty_score":0.99988645},"labels":[],"label_agreement":null},{"id":"W6931222317","doi":"10.5281/zenodo.4100108","title":"TÉLÉCHARGER { Joker (2019) } FILM COMPLET Regarder film en ligne tth","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Context (archaeology); Face (sociological concept); Field (mathematics); Pretext","score_opus":0.04176179309004987,"score_gpt":0.23144235638162183,"score_spread":0.18968056329157196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6931222317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014991165,0.005993739,0.001953413,0.12388319,0.0015351707,0.0014306903,0.006552759,0.0013417784,0.8423181],"genre_scores_gemma":[0.7701579,0.003086508,0.00025865063,0.0059332,0.005927966,2.05875e-7,0.0059439414,0.00470477,0.20398685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99712205,0.0007644282,0.00044377553,0.0006247385,0.00044060918,0.0006043847],"domain_scores_gemma":[0.9981907,0.00008507717,0.00017390096,0.00045395063,0.00069696433,0.00039938925],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006065761,0.0003118717,0.00033865264,0.00018442378,0.004523137,0.002054761,0.0010153262,0.000118386786,0.22920737],"category_scores_gemma":[0.00046239977,0.00032530405,0.00016834696,0.0003082985,0.00064337096,0.00037914512,0.0011749872,0.0007015886,0.025726372],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082662395,0.00014884211,0.000001916601,0.000121192774,0.00012400567,0.00002574314,0.03242554,0.000027838318,0.00033975174,0.16132566,0.79405874,0.0113181295],"study_design_scores_gemma":[0.00071148836,0.00045726384,0.00014300503,0.00007862955,0.00004350258,0.000029544093,0.004024538,0.0020432964,0.000071019684,0.0007530326,0.991259,0.00038569508],"about_ca_topic_score_codex":0.00010175032,"about_ca_topic_score_gemma":0.000004038046,"teacher_disagreement_score":0.7551667,"about_ca_system_score_codex":0.00008868263,"about_ca_system_score_gemma":0.000009688742,"threshold_uncertainty_score":0.9999199},"labels":[],"label_agreement":null},{"id":"W6931511746","doi":"10.5281/zenodo.4618286","title":"Anagrus (Anagrus) bakkendorfi Soyka 1946","year":2021,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Holotype; Type locality; Taxonomy (biology); Type (biology); Nomenclature","score_opus":0.04574385023455006,"score_gpt":0.2245215795358357,"score_spread":0.17877772930128566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6931511746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035192274,0.00043243004,0.00031758618,0.0033113584,0.0004234612,0.0002494341,0.00036064273,0.0006999362,0.95901287],"genre_scores_gemma":[0.97422403,0.00022792479,0.00008363331,0.00047258122,0.0006290453,4.488381e-8,0.0012457934,0.000933125,0.022183793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986182,0.00020892476,0.00021970247,0.00036583058,0.00026764628,0.0003197352],"domain_scores_gemma":[0.99873203,0.000025970994,0.00007333983,0.00040260598,0.0006293161,0.0001367522],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029308887,0.00013939828,0.00015552783,0.00017430811,0.0029977474,0.0015584044,0.00052860373,0.000034694334,0.07759357],"category_scores_gemma":[0.00021715403,0.00014068515,0.00008828198,0.00022711114,0.00026894314,0.00024741137,0.00065747957,0.00022506282,0.0046116896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030422854,0.00016018571,0.0000032356174,0.000039375143,0.000083855935,0.000055825494,0.013597054,0.000007059606,0.0011225183,0.58037096,0.35072854,0.05380093],"study_design_scores_gemma":[0.000352371,0.000088049426,0.00013440117,0.000018590206,0.000012889164,0.000037651076,0.004004224,0.00008990228,0.00024467034,0.0027919018,0.99204654,0.00017881801],"about_ca_topic_score_codex":0.000035643265,"about_ca_topic_score_gemma":0.000015454863,"teacher_disagreement_score":0.9390318,"about_ca_system_score_codex":0.000049123864,"about_ca_system_score_gemma":0.0000058409228,"threshold_uncertainty_score":0.9994781},"labels":[],"label_agreement":null},{"id":"W69381197","doi":"","title":"A year on The Block: a new magazine for the suburbs – and the city","year":2008,"lang":"en","type":"dissertation","venue":"Summit (Simon Fraser University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Block (permutation group theory); City block; Architectural engineering; Advertising; Engineering; Transport engineering; Geography; Civil engineering; Business; Mathematics; Combinatorics","score_opus":0.022873406577288025,"score_gpt":0.20316813590082156,"score_spread":0.18029472932353352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69381197","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6944766,0.0018469207,0.000016817,0.014387285,0.0015943164,0.0026975798,0.00036496567,0.00010705767,0.28450844],"genre_scores_gemma":[0.46460584,0.0013028423,0.0000035901994,0.00036911594,0.0004938317,0.0000061210994,0.000100037425,0.000026560485,0.533092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999251,0.000067797446,0.00011361718,0.00023625504,0.00015934947,0.00017199363],"domain_scores_gemma":[0.99867445,0.000723465,0.00013464395,0.0003129413,0.000109598,0.00004490162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001417684,0.00021710711,0.00021662912,0.00014365607,0.0012905416,0.00014675969,0.00042525525,0.0000855954,0.00045214358],"category_scores_gemma":[0.000042668154,0.00011069255,0.00022152498,0.00011447338,0.00040344385,0.00006350371,0.00003790504,0.00032712633,0.000017181359],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012164764,0.0000359733,0.0010125878,0.00002064525,0.0002746356,0.0000066356115,0.0064910753,0.0000022542556,3.1155028e-7,0.64661145,0.34369782,0.00063013594],"study_design_scores_gemma":[0.0011423386,0.00006313794,0.00029995205,0.000035765963,0.0001578702,4.815811e-9,0.083568044,0.000034041484,0.000011942564,0.0030458563,0.91148406,0.00015698168],"about_ca_topic_score_codex":0.0005264768,"about_ca_topic_score_gemma":0.24193627,"teacher_disagreement_score":0.6435656,"about_ca_system_score_codex":0.000020607302,"about_ca_system_score_gemma":0.00009262741,"threshold_uncertainty_score":0.9925933},"labels":[],"label_agreement":null},{"id":"W6939221656","doi":"10.60692/tzazn-vs382","title":"Comparative genomics of the major parasitic worms","year":2018,"lang":"en","type":"article","venue":"Greater South Information System","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; University of Toronto; McGill University","funders":"Biotechnology and Biological Sciences Research Council; Medical Research Council","keywords":"Comparative genomics; Genomics; Genome; In silico; Gene; Gene family","score_opus":0.05362145266265812,"score_gpt":0.21906944471260884,"score_spread":0.1654479920499507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6939221656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94766873,0.0000025411039,0.0002785551,0.0000559862,0.00064403395,0.00023860774,0.000106358966,0.000031832576,0.050973374],"genre_scores_gemma":[0.99906176,2.3663553e-8,0.000016668091,0.000096258234,0.00018404837,0.000013103292,0.0000031842335,0.0000032863572,0.0006216753],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993142,0.000031562744,0.00036083214,0.000056872024,0.00012659938,0.00010993775],"domain_scores_gemma":[0.99927086,0.000006140082,0.00025580497,0.00022253014,0.00021985832,0.000024800729],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012511312,0.000093770715,0.00016507338,0.00008894882,0.00030065066,0.00012989734,0.00016486397,0.000024577897,0.00012752689],"category_scores_gemma":[0.0000029783848,0.000054006054,0.00007262945,0.00005549531,0.00026113057,0.00027120142,0.000028752871,0.000048569225,0.00025196245],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027162563,0.0000015389201,0.0057602255,0.000056925568,0.000052512452,6.295832e-8,0.9320279,0.0000028799561,0.000003928006,0.061668247,0.00037251116,0.000026103193],"study_design_scores_gemma":[0.0023866927,0.00033052356,0.08023961,0.00046080447,0.00013805396,0.000020608477,0.8563662,0.003766891,0.009059453,0.00033991557,0.046202306,0.00068891025],"about_ca_topic_score_codex":0.00001538811,"about_ca_topic_score_gemma":0.000012582604,"teacher_disagreement_score":0.075661674,"about_ca_system_score_codex":0.00002756897,"about_ca_system_score_gemma":0.000024294766,"threshold_uncertainty_score":0.32385516},"labels":[],"label_agreement":null},{"id":"W6943865374","doi":"10.17613/jxqy-3337","title":"Passing for Human: A Graphic Memoir","year":2019,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Graphic arts; The arts; Exposition (narrative); Representation (politics)","score_opus":0.04339181823886302,"score_gpt":0.23836648560863252,"score_spread":0.1949746673697695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6943865374","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54333866,0.00018483933,0.00009962815,0.0003544531,0.0005726873,0.00034383358,0.000047764614,0.000105334955,0.45495278],"genre_scores_gemma":[0.9211985,7.051094e-7,0.000009500235,0.0000064009664,0.00019182473,0.0000025221614,0.00002943507,0.000021090036,0.078540005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911016,0.000064332344,0.0001526834,0.0002974374,0.00007696205,0.00029840603],"domain_scores_gemma":[0.9991058,0.00017419674,0.000080601916,0.00033820732,0.00020820912,0.000092992304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011475833,0.00019178321,0.0002755065,0.00057606393,0.00090448663,0.00013009882,0.00036073325,0.000064483385,0.0006193447],"category_scores_gemma":[0.000008625186,0.00019856624,0.0002542713,0.00020661001,0.0002724393,0.00025279092,0.00011297258,0.00017023143,0.00009352371],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003487935,0.0001418712,0.0037635842,0.000050093164,0.00006730469,0.0000036710987,0.011539953,8.776018e-7,0.00031439925,0.97829765,0.004918776,0.00086693454],"study_design_scores_gemma":[0.0011412692,0.00017566136,0.0011472601,0.00006883219,0.000048028276,0.000001010977,0.0034361875,0.000052183146,0.000050760817,0.007509848,0.98607224,0.0002967256],"about_ca_topic_score_codex":0.000043342578,"about_ca_topic_score_gemma":0.13041507,"teacher_disagreement_score":0.9811534,"about_ca_system_score_codex":0.000055915887,"about_ca_system_score_gemma":0.00005950762,"threshold_uncertainty_score":0.88545257},"labels":[],"label_agreement":null},{"id":"W6949790251","doi":"10.5281/zenodo.4112690","title":"{Ver} Joker (2019) Pelicula completa EN LAtino Full Movie tgi","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Volunteer work; Work (physics); Subject (documents); Object (grammar)","score_opus":0.05152418944369622,"score_gpt":0.23736312764912623,"score_spread":0.18583893820543002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949790251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22164409,0.0019073401,0.0013731399,0.042144787,0.0007486681,0.0020886022,0.0055477847,0.0021268195,0.7224188],"genre_scores_gemma":[0.99053717,0.00053505355,0.00005857393,0.0009913584,0.0011896335,4.4359833e-8,0.0020688362,0.0014974085,0.0031219006],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719423,0.0007088968,0.0004641099,0.0006298013,0.0004886029,0.0005143791],"domain_scores_gemma":[0.99824643,0.000076179706,0.00020584074,0.00046867592,0.00064020755,0.0003626541],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005215475,0.00031982615,0.00035707589,0.00020738223,0.0043325713,0.0037195198,0.0011635165,0.000095953146,0.07486949],"category_scores_gemma":[0.00043783794,0.00032137928,0.00017665388,0.00025860686,0.0004787494,0.00033576615,0.0015298479,0.00064732996,0.017896583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001843897,0.00019959564,0.000014409195,0.00021547578,0.0001893279,0.00003345129,0.0357649,0.000029065097,0.0024407767,0.3906145,0.5526257,0.01768835],"study_design_scores_gemma":[0.00070736464,0.00054920075,0.00062996487,0.00006351633,0.0000485981,0.000024403167,0.0028140747,0.0012336521,0.00004966175,0.00046904458,0.9930257,0.00038479338],"about_ca_topic_score_codex":0.00004307928,"about_ca_topic_score_gemma":0.0000016968712,"teacher_disagreement_score":0.7688931,"about_ca_system_score_codex":0.0000688002,"about_ca_system_score_gemma":0.000007805016,"threshold_uncertainty_score":0.9999238},"labels":[],"label_agreement":null},{"id":"W6949893585","doi":"10.5281/zenodo.4114927","title":"VER~! Joker (2019) Película Completa HD - Unconciliable wcm","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Illusion; Movie theater; Motion picture","score_opus":0.06549180154672121,"score_gpt":0.23555623201484924,"score_spread":0.17006443046812802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949893585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08081058,0.0027855467,0.0009905788,0.037117995,0.0009491644,0.0016903791,0.0056797992,0.0018940225,0.8680819],"genre_scores_gemma":[0.9853486,0.00051342294,0.000048216214,0.0018754588,0.0011869489,4.590077e-8,0.0024796692,0.0017663212,0.0067813606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99733573,0.0004840874,0.00044985433,0.0006459153,0.00053429394,0.00055012945],"domain_scores_gemma":[0.99804926,0.00005690707,0.0001941694,0.00050579285,0.0008094368,0.00038444312],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005502021,0.0003089614,0.00038257998,0.00019605528,0.0053290664,0.0044027166,0.0012100592,0.00008679546,0.08979905],"category_scores_gemma":[0.00048645856,0.00031665564,0.00016218936,0.00032030497,0.00060516095,0.00038671156,0.001419626,0.0005990466,0.019664794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112604204,0.00013600581,0.0000075516036,0.00015580533,0.00014653889,0.000021359527,0.016582584,0.000025008318,0.00072108,0.29227653,0.6821673,0.007647652],"study_design_scores_gemma":[0.00076753425,0.00050675776,0.00019620548,0.000054170312,0.000048328537,0.000015683981,0.0031303542,0.0007501939,0.00006436086,0.00064226397,0.9934478,0.00037636072],"about_ca_topic_score_codex":0.0000828434,"about_ca_topic_score_gemma":0.0000020371967,"teacher_disagreement_score":0.904538,"about_ca_system_score_codex":0.000087245586,"about_ca_system_score_gemma":0.00001087622,"threshold_uncertainty_score":0.99992853},"labels":[],"label_agreement":null},{"id":"W6949965562","doi":"10.5281/zenodo.4490102","title":"regarder~ Joker (2019) en streaming vf et vostfr qqg","year":2021,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Private life; Exhibition; French","score_opus":0.032754378976283964,"score_gpt":0.24469068378825654,"score_spread":0.21193630481197256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949965562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030142587,0.0093652615,0.0007838243,0.031430654,0.0013543944,0.0004960746,0.0018485886,0.00061356876,0.92396504],"genre_scores_gemma":[0.5712823,0.007865647,0.00036954225,0.0014221818,0.0020716372,9.4034796e-8,0.0051221736,0.003583387,0.408283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970595,0.0011351241,0.00036254612,0.0005518909,0.00037385285,0.0005170418],"domain_scores_gemma":[0.997977,0.00011034261,0.00013542964,0.0005440679,0.0010230631,0.00021008957],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00089950993,0.00024701454,0.00025290615,0.00021593817,0.004443388,0.0028281007,0.0006166881,0.000110979374,0.09621113],"category_scores_gemma":[0.00071204343,0.0002765364,0.00014054305,0.0002770651,0.00047502393,0.00042899756,0.0012385142,0.0006627575,0.007193973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003079185,0.00026081607,0.0000032999617,0.000103950726,0.00013157402,0.00008089097,0.022161515,0.000016465423,0.0006499332,0.506675,0.41367477,0.056210987],"study_design_scores_gemma":[0.00054056104,0.00019447303,0.00031820862,0.00015192007,0.000042219308,0.00012734087,0.00822019,0.00015186059,0.00021977264,0.0025208283,0.98719954,0.00031306874],"about_ca_topic_score_codex":0.00016210579,"about_ca_topic_score_gemma":0.000029685116,"teacher_disagreement_score":0.5735248,"about_ca_system_score_codex":0.00013284065,"about_ca_system_score_gemma":0.000019944957,"threshold_uncertainty_score":0.9999687},"labels":[],"label_agreement":null},{"id":"W6950068599","doi":"10.5281/zenodo.4151181","title":"Ver Joker (2019) pelicula completa en Chille — REPELIS zok","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Illusion; Movie theater; Film festival","score_opus":0.043210609285427165,"score_gpt":0.23203522445682392,"score_spread":0.18882461517139676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950068599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12562667,0.0022233338,0.00069641985,0.047551915,0.0007380709,0.0017354108,0.0048025963,0.0018361532,0.8147894],"genre_scores_gemma":[0.9879036,0.00071039353,0.00003906884,0.0013178457,0.0013601102,4.1142158e-8,0.0024332583,0.0016248116,0.0046108942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973539,0.00064543705,0.00042783408,0.0006407488,0.00045842305,0.00047365064],"domain_scores_gemma":[0.99832374,0.000060046194,0.00017964405,0.0005072208,0.00059735,0.00033199924],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052189035,0.00029230196,0.00033016657,0.00019756265,0.004533535,0.0034911274,0.0010983021,0.00009023246,0.08101219],"category_scores_gemma":[0.0004933802,0.00029056205,0.00017550062,0.00024724044,0.0004571517,0.00032128504,0.0015080145,0.0006098819,0.016270623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011891295,0.00016450076,0.000007928221,0.00012690827,0.00017182765,0.000025086398,0.03661652,0.000017037706,0.0007416003,0.25183493,0.696453,0.013721756],"study_design_scores_gemma":[0.00068519264,0.00041922115,0.00062016316,0.00005820442,0.00004492715,0.000024472982,0.003160337,0.0006623616,0.00005390865,0.0003210615,0.99359375,0.00035639814],"about_ca_topic_score_codex":0.00006018962,"about_ca_topic_score_gemma":0.0000013250236,"teacher_disagreement_score":0.8622769,"about_ca_system_score_codex":0.00006588762,"about_ca_system_score_gemma":0.0000067577566,"threshold_uncertainty_score":0.99995464},"labels":[],"label_agreement":null},{"id":"W6955469197","doi":"10.58079/m8w9","title":"Au sens figuré : esthésie et bande dessinée","year":2013,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Focus (optics); Feature (linguistics); Interpretation (philosophy)","score_opus":0.02289021524356511,"score_gpt":0.2406013520737313,"score_spread":0.21771113683016619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955469197","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043169156,0.0031658737,0.0006445118,0.5358514,0.0119998725,0.0018098596,0.002063432,0.00022467629,0.4010712],"genre_scores_gemma":[0.73110515,0.0018267197,0.00060786615,0.03844024,0.0065464573,0.0007601026,0.0023783979,0.0001334227,0.21820162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996258,0.00045156633,0.0009069196,0.0008050134,0.000631951,0.00094650104],"domain_scores_gemma":[0.99729156,0.0004250916,0.00045067933,0.0006502781,0.0006962929,0.00048609602],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication","insufficient_payload"],"category_scores_codex":[0.000649453,0.000671165,0.0006371187,0.00032984265,0.0020991866,0.0021362354,0.00048841303,0.00032414644,0.08820652],"category_scores_gemma":[0.00011092605,0.0006040897,0.0003592204,0.00020611862,0.001103039,0.017442876,0.00021003823,0.00066265377,0.008995393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031622203,0.00043963175,0.0000836529,0.00010503219,0.00013402103,0.000047175912,0.0029235256,0.000041203923,0.00009631091,0.79175,0.19675693,0.0075909146],"study_design_scores_gemma":[0.0013536798,0.000381028,0.0149386,0.000586316,0.00013829605,0.00008453011,0.0041481536,0.0003668321,0.00031004866,0.04727302,0.9294467,0.0009728261],"about_ca_topic_score_codex":0.0031981564,"about_ca_topic_score_gemma":0.016013414,"teacher_disagreement_score":0.744477,"about_ca_system_score_codex":0.00026670692,"about_ca_system_score_gemma":0.00043128306,"threshold_uncertainty_score":0.99964106},"labels":[],"label_agreement":null},{"id":"W6958655500","doi":"10.6084/m9.figshare.c.5444638","title":"Intention to receive a COVID-19 vaccine: results from a population-based survey in Canada","year":2021,"lang":"en","type":"other","venue":"Figshare","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Logistic regression; Leverage (statistics); Population; Odds; Advisory committee; Health care; Immunization; Vaccination","score_opus":0.087991133536324,"score_gpt":0.26749449648080875,"score_spread":0.17950336294448477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6958655500","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027798867,0.0003095001,2.6849386e-7,0.00054641144,0.0003224296,0.0003574807,0.9570273,0.0000323364,0.04112627],"genre_scores_gemma":[0.03600081,0.0000031809577,0.000008290164,0.0013552054,0.00022366947,0.00010052531,0.84699607,0.00010053992,0.11521173],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989501,0.00012900282,0.00026275424,0.0003547573,0.00015745402,0.00014588499],"domain_scores_gemma":[0.9989808,0.000373745,0.00018172048,0.000256058,0.000088752,0.00011889674],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000052416795,0.00018440274,0.00027291963,0.00022101798,0.000062498475,0.00009716324,0.00015679462,0.000074716714,0.5975132],"category_scores_gemma":[0.0020889787,0.00018191048,0.000053033567,0.00010876104,0.0000017528674,0.00001620101,0.0000409036,0.00015116805,0.00006729879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004028098,0.000011043125,0.0013450745,0.00005731322,0.000022325126,0.000020701213,0.0008274935,0.000014396783,8.661499e-8,0.00003094867,0.99751323,0.0001170911],"study_design_scores_gemma":[0.0004748618,0.0000103683415,0.033928916,0.0020778517,0.0000033708855,7.045009e-8,0.00033018392,0.000044083878,3.4565275e-7,0.000043847172,0.96284676,0.00023932951],"about_ca_topic_score_codex":0.99602866,"about_ca_topic_score_gemma":0.9999631,"teacher_disagreement_score":0.5974459,"about_ca_system_score_codex":0.0003313025,"about_ca_system_score_gemma":0.001251346,"threshold_uncertainty_score":0.74180937},"labels":[],"label_agreement":null},{"id":"W6963056659","doi":"10.17613/066v-3w30","title":"I Know How This Ends: Stories of Dementia Care","year":2020,"lang":"en","type":"book","venue":"Humanities Commons CORE (Modern Language Association / Columbia University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dementia; Feeling; Narrative; Odds; Comics","score_opus":0.02480119476588312,"score_gpt":0.1869773172925832,"score_spread":0.1621761225267001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6963056659","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005008481,0.0034564137,0.000016343105,0.00025564845,0.0008155662,0.0005230003,0.0044512767,0.0002590747,0.9852142],"genre_scores_gemma":[0.139628,0.00019221724,0.000018411523,0.00010902334,0.0005674025,0.0000038080034,0.0015276127,0.00007176916,0.8578818],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980905,0.00015189651,0.00033926454,0.0004559058,0.0005972074,0.00036523546],"domain_scores_gemma":[0.9971781,0.00036179714,0.001083657,0.00044313597,0.00084334,0.00008998201],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010720951,0.00040621273,0.0008166579,0.00043309678,0.0010353496,0.0005778121,0.0006907567,0.00031398635,0.004004031],"category_scores_gemma":[0.000063586034,0.0005986815,0.00048056102,0.00010052076,0.00039868077,0.00037582777,0.00033037018,0.0006421698,0.000019647461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004038528,0.000071659415,0.0005613669,0.00036017137,0.0014625178,0.00010970663,0.4318099,0.0000010414949,0.000016588365,0.2680404,0.29617643,0.0013498769],"study_design_scores_gemma":[0.00057695655,0.00017138943,0.00005118843,0.00017314508,0.0006281875,5.5206954e-7,0.13170567,0.000016403887,0.000004975502,0.0013921288,0.8647396,0.0005398219],"about_ca_topic_score_codex":0.0020501174,"about_ca_topic_score_gemma":0.2712053,"teacher_disagreement_score":0.56856316,"about_ca_system_score_codex":0.0010172629,"about_ca_system_score_gemma":0.00043252122,"threshold_uncertainty_score":0.9996465},"labels":[],"label_agreement":null},{"id":"W6964198878","doi":"10.23138/jeunesse-2024-0032","title":"To be a dandelion : coming-of-age in a Canadian graphic novel","year":2025,"lang":"en","type":"article","venue":"Ghent University Academic Bibliography (Ghent University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dandelion; Product (mathematics); Key (lock); Agency (philosophy)","score_opus":0.03319415355947457,"score_gpt":0.22129751999384356,"score_spread":0.18810336643436898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6964198878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8462986,0.000303236,0.00075912644,0.006486285,0.0006610256,0.00085682777,0.00044722663,0.00011409171,0.14407364],"genre_scores_gemma":[0.99338186,0.0017344803,0.00007261373,0.0005604793,0.000031210075,4.337131e-7,0.00003200365,0.000010889264,0.004176043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982615,0.00009869407,0.00027082785,0.00050706876,0.00025541842,0.00060645473],"domain_scores_gemma":[0.99886054,0.000112178,0.00013445165,0.00031542653,0.00018568493,0.0003917201],"candidate_categories":["metaepi_narrow","bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.00029348308,0.0002794913,0.00039305355,0.07448787,0.0005317383,0.000053457457,0.0008972185,0.0002263703,0.00015049573],"category_scores_gemma":[0.000011950932,0.0003468493,0.0003485967,0.019957254,0.00049548177,0.00045223997,0.00025911143,0.00062578596,0.0000032449873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002389711,0.00015329702,0.092204645,0.000052214044,0.0001993036,0.00009672269,0.008848779,0.00005129785,0.00036284828,0.8809505,0.016680226,0.00016121427],"study_design_scores_gemma":[0.0018230361,0.0001029855,0.017360218,0.00025152147,0.00012728176,7.9932926e-7,0.02545872,0.00006680786,0.00003304082,0.0019053976,0.95244527,0.0004249034],"about_ca_topic_score_codex":0.100632034,"about_ca_topic_score_gemma":0.4555669,"teacher_disagreement_score":0.9357651,"about_ca_system_score_codex":0.00017459135,"about_ca_system_score_gemma":0.00024283557,"threshold_uncertainty_score":0.9998984},"labels":[],"label_agreement":null},{"id":"W6967115669","doi":"10.51644/khea5465","title":"Review of “Four Colour Combat: Canadian Forces in War Comics” by Cord A. Scott","year":2024,"lang":"en","type":"article","venue":"Canadian military history","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Cord; Spanish Civil War; World War II","score_opus":0.021985553349983544,"score_gpt":0.20139983590932353,"score_spread":0.17941428255934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6967115669","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009025846,0.88548756,2.311145e-7,0.0027713198,0.0013237674,0.0003377857,0.0011202075,0.000029004452,0.09990428],"genre_scores_gemma":[0.84086525,0.09202431,0.000030281173,0.016950771,0.0002939786,0.00007127073,0.0005440737,0.00013358679,0.049086455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989294,0.000059747068,0.00031852693,0.00025046375,0.0000856997,0.00035619017],"domain_scores_gemma":[0.99915844,0.00004986961,0.00003006323,0.00024152474,0.000051666764,0.00046846285],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024662647,0.00016793891,0.00031239848,0.00067637645,0.000110677465,0.0000052068112,0.00023670068,0.000058799156,0.004833946],"category_scores_gemma":[0.000029192286,0.00017987948,0.00010763511,0.00009012917,0.00039435324,0.000104643295,0.000010056216,0.00020916847,0.00003112147],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003142469,0.0000060526286,0.00009478026,0.0011218147,0.000025554347,0.000059762304,0.0056018513,2.572903e-7,0.000005612409,0.02482683,0.9675741,0.00068021327],"study_design_scores_gemma":[0.0000897233,0.00006054021,0.000056520075,0.0021198732,0.000017729875,0.0000029283467,0.0010242191,0.000077906865,6.421178e-7,0.00043927817,0.9959102,0.00020038299],"about_ca_topic_score_codex":0.9794284,"about_ca_topic_score_gemma":0.9994674,"teacher_disagreement_score":0.83183944,"about_ca_system_score_codex":0.0012570171,"about_ca_system_score_gemma":0.0019967428,"threshold_uncertainty_score":0.99607575},"labels":[],"label_agreement":null},{"id":"W6968553100","doi":"10.5281/zenodo.4143207","title":"On::::PUtLocKerZ's,,,,! WaTcH Joker (2019) Movie Online free hie","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sign (mathematics); Free speech; Download; Action (physics); Text messaging","score_opus":0.059668914470077834,"score_gpt":0.22845273538939248,"score_spread":0.16878382091931465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968553100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16577,0.00043954188,0.0011442389,0.09420052,0.0007195977,0.0012336553,0.0041742884,0.0026846316,0.7296335],"genre_scores_gemma":[0.98334914,0.00014933871,0.000113550916,0.0034644657,0.0011672085,5.2435613e-8,0.002029368,0.0013885413,0.008338329],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985046,0.00019067175,0.00025243414,0.00040049403,0.00033528288,0.00031655887],"domain_scores_gemma":[0.99882025,0.000041972024,0.00008715802,0.00043717056,0.0003897567,0.00022372448],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024349127,0.000175005,0.00018212643,0.00010776479,0.0023751587,0.0008911003,0.0009990289,0.000041814084,0.05172544],"category_scores_gemma":[0.0005538229,0.00016130063,0.0000868437,0.00018051048,0.0002697473,0.00019500985,0.00082847086,0.00039968517,0.006765704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007700885,0.00014553346,8.361318e-7,0.000023986706,0.000045226625,0.000011812674,0.01261925,0.00001621639,0.00023402435,0.22725044,0.7467662,0.01280945],"study_design_scores_gemma":[0.0005902318,0.0004135854,0.000048592163,0.000019131681,0.000011414797,0.0000063494963,0.0017543036,0.0003605074,0.00006105889,0.004193881,0.9923404,0.00020057052],"about_ca_topic_score_codex":0.000026429983,"about_ca_topic_score_gemma":0.000005001308,"teacher_disagreement_score":0.81757915,"about_ca_system_score_codex":0.000039850696,"about_ca_system_score_gemma":0.0000037492982,"threshold_uncertainty_score":0.9989236},"labels":[],"label_agreement":null},{"id":"W6968791195","doi":"10.5281/zenodo.4115480","title":"123MOVIES WATCH Joker (2019) FULL MOVIE ONLINE FREE ON PUTLOCKER rbn","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sign (mathematics); Free speech; Download; Performance art; Action (physics)","score_opus":0.06455759680851196,"score_gpt":0.2302942528979367,"score_spread":0.16573665608942473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968791195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28203133,0.00057956955,0.00055734196,0.11132689,0.0007182187,0.0012621719,0.003938348,0.002494457,0.5970917],"genre_scores_gemma":[0.9829,0.00023565405,0.00010610426,0.0032522008,0.0013133469,6.8056714e-8,0.0018981739,0.001330088,0.008964319],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984938,0.0001979719,0.00025860095,0.00039557033,0.0003382445,0.0003158461],"domain_scores_gemma":[0.9988513,0.00003449027,0.000090570866,0.00042180964,0.00040288345,0.00019894462],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024660846,0.00018234781,0.00018896887,0.0001129179,0.0022583227,0.0009656271,0.00091059605,0.000055849854,0.042689722],"category_scores_gemma":[0.00044397332,0.00016432369,0.00008798149,0.00016830048,0.00027859106,0.00021174853,0.0008195155,0.0004994589,0.006456984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001354217,0.0001760936,0.000002015162,0.000037141603,0.000055340333,0.000012895398,0.018627124,0.000013375933,0.0008076783,0.13366182,0.830099,0.016372122],"study_design_scores_gemma":[0.00051655964,0.00049869285,0.00007773311,0.000021893802,0.000012353036,0.0000068773716,0.0023155748,0.00022954772,0.00010174948,0.0014832504,0.9945319,0.00020382945],"about_ca_topic_score_codex":0.000024753308,"about_ca_topic_score_gemma":0.000008264239,"teacher_disagreement_score":0.7008687,"about_ca_system_score_codex":0.000035793237,"about_ca_system_score_gemma":0.0000035569656,"threshold_uncertainty_score":0.9990406},"labels":[],"label_agreement":null},{"id":"W6974036882","doi":"10.58079/nckj","title":"Les petits aventuriers du quotidien. Bande dessinée, journal et imaginaires médiatiques (XIXe-XXIe siècles)","year":2016,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Subject (documents); Object (grammar); Focus (optics); Identification (biology)","score_opus":0.02011218613395048,"score_gpt":0.25085736875236625,"score_spread":0.23074518261841576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974036882","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07285516,0.016435808,0.0040620943,0.70478356,0.01614719,0.0011857214,0.0034520319,0.00027353503,0.18080491],"genre_scores_gemma":[0.9155618,0.019047577,0.0005054301,0.012414806,0.0065667485,0.00017056218,0.00033389838,0.00012903866,0.045270145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956947,0.0008174024,0.0010884041,0.00073955616,0.00079358934,0.0008663592],"domain_scores_gemma":[0.99654824,0.00061412225,0.0008243765,0.00047520825,0.0009982642,0.00053981936],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0012911684,0.0007198144,0.0006737165,0.0004705846,0.0030053605,0.0021760354,0.0006493277,0.00027174107,0.035647795],"category_scores_gemma":[0.0002958235,0.0005667742,0.00051560387,0.00016478388,0.0017632204,0.016577154,0.00022098473,0.000655367,0.0009989867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015702391,0.00044692727,0.0006592304,0.00008582738,0.00022124033,0.00013796281,0.0023699992,0.000009772375,0.00017013687,0.85098743,0.12254392,0.022210535],"study_design_scores_gemma":[0.0022760085,0.0005132938,0.02323351,0.001634528,0.00017959528,0.0002513436,0.0022384198,0.00003452997,0.000742102,0.0501556,0.91781133,0.00092974893],"about_ca_topic_score_codex":0.00052922405,"about_ca_topic_score_gemma":0.007158566,"teacher_disagreement_score":0.8427066,"about_ca_system_score_codex":0.0003501019,"about_ca_system_score_gemma":0.00042525318,"threshold_uncertainty_score":0.99977887},"labels":[],"label_agreement":null},{"id":"W6974178517","doi":"10.58079/lyx0","title":"Détruire des livres, \"dont Tintin et Astérix\". Un débat canadien?","year":2021,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Identification (biology); Perspective (graphical); Line (geometry)","score_opus":0.03513086563293008,"score_gpt":0.2373535385398578,"score_spread":0.20222267290692772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974178517","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61825824,0.01798792,0.000055849374,0.10243506,0.0026320487,0.00046151943,0.0015650445,0.00017281454,0.25643152],"genre_scores_gemma":[0.56760037,0.0019611449,0.0004117335,0.0013944374,0.0013756285,0.000012466705,0.00033000612,0.000086178734,0.42682806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99671656,0.0005973771,0.00045023966,0.00075787655,0.00038473154,0.0010932348],"domain_scores_gemma":[0.99764675,0.00030595224,0.00029471496,0.0005154689,0.0006411371,0.0005960002],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042537332,0.0005894924,0.00060078513,0.0002847212,0.0017777025,0.0009598844,0.00053711585,0.00060701073,0.0062130075],"category_scores_gemma":[0.00028425019,0.00063776295,0.0004389487,0.00061258243,0.0011702374,0.00086663646,0.00029922285,0.0013220302,0.00010735923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073497264,0.0004198374,0.0010148068,0.00012118535,0.0007524313,0.0021396452,0.06488344,0.00006577061,0.0005389009,0.70118546,0.20879586,0.020009127],"study_design_scores_gemma":[0.0016987735,0.00023714828,0.018185273,0.0005473465,0.00027526065,0.0003082431,0.08367681,0.00013286184,0.0007894961,0.0036444278,0.88964874,0.0008556233],"about_ca_topic_score_codex":0.03775065,"about_ca_topic_score_gemma":0.15821223,"teacher_disagreement_score":0.69754106,"about_ca_system_score_codex":0.0005843862,"about_ca_system_score_gemma":0.00092619273,"threshold_uncertainty_score":0.9996074},"labels":[],"label_agreement":null},{"id":"W6974299083","doi":"10.58079/r2yn","title":"Appel à contributions : Par-delà les frontières. 2e Colloque international du Festival de BD de Montréal","year":2023,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Subject (documents); Theme (computing)","score_opus":0.025006896711694055,"score_gpt":0.235205327936283,"score_spread":0.21019843122458892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974299083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49935415,0.0037303013,0.0010640243,0.41194925,0.0040440103,0.000943933,0.008782097,0.00059093337,0.06954129],"genre_scores_gemma":[0.8146281,0.0016254857,0.00012626205,0.00037159797,0.002570264,0.000036926704,0.0006537194,0.000055183602,0.17993246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732274,0.00036381354,0.0004055631,0.00051225454,0.00038122074,0.0010144026],"domain_scores_gemma":[0.99809325,0.000414744,0.00027860064,0.0002760606,0.00049350766,0.00044382666],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058173866,0.00045234998,0.00046484708,0.00045227213,0.0020233376,0.00066651945,0.00068967754,0.0006607923,0.0022077],"category_scores_gemma":[0.0005093575,0.00049253105,0.00040926744,0.00051085657,0.00087641185,0.00061028707,0.00027787272,0.0010863801,0.00018788497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016836962,0.00021735509,0.0037935937,0.000026581163,0.0006715315,0.0005501696,0.021204535,0.0006607032,0.0005897069,0.3890031,0.57954425,0.0035701315],"study_design_scores_gemma":[0.002748578,0.00013256336,0.05339139,0.00025340522,0.00022867181,0.00010903284,0.050001938,0.0058958866,0.0001983566,0.003675991,0.8827512,0.0006129658],"about_ca_topic_score_codex":0.025799578,"about_ca_topic_score_gemma":0.012281993,"teacher_disagreement_score":0.41157767,"about_ca_system_score_codex":0.0011298424,"about_ca_system_score_gemma":0.0006036025,"threshold_uncertainty_score":0.99975264},"labels":[],"label_agreement":null},{"id":"W6977100734","doi":"10.6084/m9.figshare.26618809.v1","title":"Additional file 3 of A qualitative study of experiences of institutional objection to medical assistance in dying in Canada: ongoing challenges and catalysts for change","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Qualitative research; Process (computing); Qualitative analysis; MEDLINE; Government (linguistics)","score_opus":0.17176649047008602,"score_gpt":0.32731629090829584,"score_spread":0.15554980043820982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977100734","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09937135,0.00081398326,3.2388602e-8,0.00007028731,0.00003602876,0.0002250042,0.89895636,0.0000023155642,0.00052465027],"genre_scores_gemma":[0.9686186,0.000002647181,0.000005928149,0.0000079828305,0.000037673704,0.0015063867,0.029802108,0.0000022422366,0.000016478663],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99948615,0.000025978117,0.00017324614,0.00010270207,0.00015927163,0.000052667776],"domain_scores_gemma":[0.99895954,0.00088344445,0.000047947397,0.000027779597,0.000060685135,0.000020591597],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000053761993,0.00004404583,0.00012176215,0.0001250158,0.000027462074,0.0000062695935,0.00004155091,0.000012677492,0.2615099],"category_scores_gemma":[0.00062501826,0.000039489652,0.000013260111,0.00005589818,0.000020235153,0.00008325645,0.000021211172,0.000039000926,3.452568e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012707577,0.00004978142,0.0000014617079,0.0002885239,0.00001241209,0.000003036953,0.8740811,6.519097e-7,4.6675638e-7,0.0013963418,0.12231722,0.001836343],"study_design_scores_gemma":[0.00016922128,0.00015494351,0.0023247048,0.006125301,0.0000014830575,5.364526e-7,0.94454026,0.00023959903,0.000010976646,0.00013025555,0.046228603,0.00007411564],"about_ca_topic_score_codex":0.03379866,"about_ca_topic_score_gemma":0.95536023,"teacher_disagreement_score":0.92156154,"about_ca_system_score_codex":0.000040008137,"about_ca_system_score_gemma":0.0003910383,"threshold_uncertainty_score":0.9726353},"labels":[],"label_agreement":null},{"id":"W6982340590","doi":"","title":"I Know How This Ends: Stories of Dementia Care","year":2020,"lang":"en","type":"book","venue":"ChesterRep (University of Chester)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dementia; Feeling; Narrative; Odds; Comics","score_opus":0.02610645217451295,"score_gpt":0.17580754533968915,"score_spread":0.14970109316517619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982340590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011336385,0.0105501255,0.000056324847,0.0026235078,0.0011847408,0.00058296486,0.00090720586,0.00013055936,0.9726282],"genre_scores_gemma":[0.2772809,0.0005249249,0.00014352647,0.00006399784,0.00048155824,6.9510355e-7,0.00035238452,0.00005696188,0.721095],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988742,0.000037985945,0.00020844437,0.00039291213,0.00029638206,0.00019005852],"domain_scores_gemma":[0.99846715,0.0000820444,0.0006153671,0.000416401,0.00031929114,0.00009975251],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000059813392,0.00033560398,0.00074102357,0.00020855814,0.00021765233,0.000060988015,0.0005718577,0.0001993376,0.001299057],"category_scores_gemma":[0.000009023387,0.00039174609,0.00045865442,0.000042933803,0.0009135386,0.0002971162,0.00028215125,0.0003060331,0.00001780148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001222009,0.00006861923,0.00017442429,0.0024353561,0.0011517045,0.00004408856,0.8299721,4.7413775e-7,0.000095501535,0.056714486,0.103826225,0.00539486],"study_design_scores_gemma":[0.00043625108,0.00021494075,0.00009194272,0.00039419968,0.00042243145,0.0000010787378,0.10040162,0.0000037913449,0.00007360032,0.00068926066,0.89692116,0.00034974347],"about_ca_topic_score_codex":0.000081552345,"about_ca_topic_score_gemma":0.0014639173,"teacher_disagreement_score":0.79309493,"about_ca_system_score_codex":0.00007559416,"about_ca_system_score_gemma":0.00026420606,"threshold_uncertainty_score":0.99985343},"labels":[],"label_agreement":null},{"id":"W6985952661","doi":"","title":"Fantastic Covers","year":2008,"lang":"en","type":"article","venue":"The Keep (Eastern Illinois University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Photography; Cover (algebra); Data collection; Cover story","score_opus":0.03306529143655138,"score_gpt":0.1671226944754584,"score_spread":0.13405740303890704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6985952661","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8199812,0.000082583385,0.00020384995,0.0007245888,0.00041678167,0.00012227031,0.000036571408,0.000069239126,0.17836289],"genre_scores_gemma":[0.9097496,0.00012805907,0.0000055833525,0.00017697822,0.00017956224,2.2172301e-7,0.000004703663,0.000008714849,0.08974656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993924,0.000043783286,0.00008676623,0.00015676471,0.00014005137,0.00018025521],"domain_scores_gemma":[0.99949425,0.00009735671,0.000060810336,0.00022200333,0.000069546615,0.000056011002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000053419117,0.00011624393,0.00012152876,0.00014528997,0.00079292373,0.00004213787,0.00033225308,0.000026612795,0.00064730545],"category_scores_gemma":[0.0000066230587,0.00008846455,0.000104262755,0.00008836423,0.00055420183,0.0001570914,0.00008392832,0.0001427976,0.00020445704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013595173,0.00008484903,0.0030434038,0.000010522178,0.00014255763,0.00016650409,0.072888084,0.0000690086,0.00006238069,0.9202885,0.0021779344,0.00093030825],"study_design_scores_gemma":[0.00076431566,0.000104793944,0.00083710515,0.000022625016,0.000059782153,0.000017217188,0.015574666,0.0003533405,0.00004034657,0.003319408,0.97862756,0.0002788456],"about_ca_topic_score_codex":0.0003165717,"about_ca_topic_score_gemma":0.0011096997,"teacher_disagreement_score":0.9764496,"about_ca_system_score_codex":0.000024526093,"about_ca_system_score_gemma":0.00003384502,"threshold_uncertainty_score":0.70875406},"labels":[],"label_agreement":null},{"id":"W6989171662","doi":"","title":"Ambivalence de l’éthylisme : représentations des figures d’auteurs alcoolisés dans la nouvelle bande dessinée francophone","year":2009,"lang":"fr","type":"article","venue":"ORBi (University of Liège)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Ambivalence; French; Identity (music)","score_opus":0.014723015521696775,"score_gpt":0.22998384884016215,"score_spread":0.21526083331846538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989171662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.933729,0.0028244774,0.0020331463,0.007605422,0.000576024,0.00015721926,0.00023419068,0.00005736027,0.05278317],"genre_scores_gemma":[0.93098956,0.0033373977,0.00133718,0.00012985046,0.00019676093,2.6797744e-7,0.000016108157,0.000013463042,0.063979425],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9987421,0.00017469871,0.00018748692,0.00032261375,0.00019696403,0.00037612204],"domain_scores_gemma":[0.9990199,0.00015938669,0.00018906932,0.0003028982,0.00016018655,0.00016853199],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018812576,0.00022122468,0.00031265034,0.00019296851,0.0013690747,0.000105127234,0.00036739465,0.00015228882,0.002366572],"category_scores_gemma":[0.000009753324,0.0002773325,0.00023971361,0.00021947261,0.001750423,0.0004955903,0.000068080124,0.00026622223,0.000035903042],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021552142,0.001003425,0.009019759,0.00026247327,0.00023714422,0.00034814148,0.55401725,0.00020915126,0.0051764594,0.38087657,0.033301566,0.015332528],"study_design_scores_gemma":[0.002051198,0.0006402904,0.48610246,0.00087077776,0.00028762448,0.00005892755,0.35896268,0.0009966944,0.00061792904,0.054622076,0.09394497,0.00084437954],"about_ca_topic_score_codex":0.01148572,"about_ca_topic_score_gemma":0.0059401463,"teacher_disagreement_score":0.4770827,"about_ca_system_score_codex":0.000074906304,"about_ca_system_score_gemma":0.00018863246,"threshold_uncertainty_score":0.9999679},"labels":[],"label_agreement":null},{"id":"W6989311477","doi":"","title":"2011 Arts &amp; Culture Conference","year":2011,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; The arts; Politics; Theme (computing); Terrorism; World War II; Comics; Painting; Genocide","score_opus":0.10776868093602424,"score_gpt":0.21782529362118175,"score_spread":0.11005661268515751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989311477","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7948305,0.00022741433,0.00027188964,0.0003258159,0.00018145604,0.00012474148,0.00015537729,0.000057694062,0.20382513],"genre_scores_gemma":[0.978922,0.00007278383,0.0007119003,0.00005638066,0.00004061401,2.3188447e-7,0.00004774555,0.000008531071,0.02013978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992276,0.000057837548,0.0001233655,0.00022090244,0.00017597016,0.00019432917],"domain_scores_gemma":[0.9989684,0.00002632201,0.00014175994,0.00038635774,0.00035432098,0.00012282426],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010945511,0.00015010034,0.00022958832,0.00018532648,0.0007231108,0.00013919496,0.0005266165,0.00005632969,0.0061144577],"category_scores_gemma":[0.000011410864,0.00015853618,0.00013903575,0.0000735953,0.00052256556,0.0012586717,0.00015844437,0.00035103754,0.00026646547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013276847,0.00039506887,0.109015055,0.000030293018,0.00029362715,0.00003577739,0.17385791,5.4489215e-7,0.000051407023,0.6785709,0.03434024,0.0032763903],"study_design_scores_gemma":[0.00052223605,0.0001588796,0.2013237,0.000030614425,0.00009683667,0.000002539048,0.006600223,0.000011237935,0.0000072506355,0.00791291,0.7830143,0.00031929807],"about_ca_topic_score_codex":0.001878256,"about_ca_topic_score_gemma":0.12116188,"teacher_disagreement_score":0.74867404,"about_ca_system_score_codex":0.000014739681,"about_ca_system_score_gemma":0.000047097434,"threshold_uncertainty_score":0.9947941},"labels":[],"label_agreement":null},{"id":"W6989564689","doi":"","title":"The Avengers Disassembled: Deconstructing Gender &amp; Hegemonic Masculinity in Superhero Culture","year":2015,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Circumstantial evidence; Pretext; Subject (documents); Government (linguistics); Tubulopathy; Ridiculous","score_opus":0.055281594647884916,"score_gpt":0.23833943539832392,"score_spread":0.18305784075043902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989564689","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8715987,0.00093474914,0.000015784886,0.0008861997,0.00064998673,0.00021203968,0.000038355258,0.00007803514,0.12558614],"genre_scores_gemma":[0.9920734,0.00021890784,0.00015561668,0.00008259123,0.00012767506,0.0000018761626,0.000019867297,0.000021521473,0.007298543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984079,0.00035201287,0.00023801155,0.00032348136,0.00025185166,0.0004267513],"domain_scores_gemma":[0.9988147,0.00017532645,0.000104510036,0.00049389666,0.0001949097,0.00021666082],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006453506,0.00023678104,0.00025011008,0.00027936755,0.0013074606,0.0004448809,0.00062330475,0.00009656634,0.00014213749],"category_scores_gemma":[0.00012890577,0.00019327419,0.00017567478,0.00031976166,0.00053249695,0.0007581513,0.00023729174,0.00079552754,0.000045261855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001949785,0.00016682841,0.06045166,0.000016828597,0.00024700613,0.00008463643,0.10034686,0.000045829485,0.000047417507,0.8271393,0.009044879,0.002213786],"study_design_scores_gemma":[0.0009924986,0.000031775606,0.0007235842,0.000024245592,0.000036642155,0.0000069105768,0.086805314,0.000022091543,0.000012880683,0.008680439,0.9023711,0.00029250202],"about_ca_topic_score_codex":0.00029788775,"about_ca_topic_score_gemma":0.042295825,"teacher_disagreement_score":0.8933262,"about_ca_system_score_codex":0.00016294068,"about_ca_system_score_gemma":0.00017525055,"threshold_uncertainty_score":0.9999927},"labels":[],"label_agreement":null},{"id":"W6990576071","doi":"","title":"Drawn to Change : Graphic Histories of Working-Class Struggles","year":2016,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Courage; Cartoonist; Data collection","score_opus":0.055039835951980684,"score_gpt":0.2267791036074766,"score_spread":0.1717392676554959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990576071","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027256808,0.010116025,0.000030785952,0.0050988966,0.007073641,0.0015710606,0.0010704192,0.00029792168,0.97201556],"genre_scores_gemma":[0.11774283,0.00041212392,0.000035000474,0.0007144321,0.0039940015,0.0001872277,0.000120636454,0.00019050474,0.87660325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964649,0.00010955526,0.0009800836,0.0009553751,0.000718575,0.00077151565],"domain_scores_gemma":[0.9971257,0.00029213526,0.00073026994,0.0011197751,0.00041698338,0.00031516427],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000364823,0.00092005864,0.0013318149,0.0009887688,0.0008495458,0.00037503595,0.00083967386,0.00038384358,0.007950034],"category_scores_gemma":[0.000044220193,0.0007676948,0.0006890802,0.00013907724,0.0015557038,0.00032033797,0.00025778587,0.0005602698,0.00047607676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007685381,0.00008277903,0.000028075043,0.00015111486,0.00024307317,0.000017114968,0.060808174,1.0828196e-7,0.000034161414,0.64629877,0.27112728,0.021132506],"study_design_scores_gemma":[0.00045454214,0.00035672737,0.00009989657,0.00087807176,0.00012008516,0.0000033408505,0.001002279,0.0000018299431,0.00001772534,0.06817214,0.92799324,0.0009001359],"about_ca_topic_score_codex":0.000077763085,"about_ca_topic_score_gemma":0.0065965657,"teacher_disagreement_score":0.65686595,"about_ca_system_score_codex":0.00020143854,"about_ca_system_score_gemma":0.0003866922,"threshold_uncertainty_score":0.9994774},"labels":[],"label_agreement":null},{"id":"W6990897920","doi":"","title":"Establishing relations: Photography in wordless comics","year":2015,"lang":"en","type":"article","venue":"Massey Research Online (Massey University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Photography; Comics; Narrative; Process (computing); Feature (linguistics)","score_opus":0.30830100975020297,"score_gpt":0.334993563068512,"score_spread":0.026692553318309054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990897920","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6211152,0.00030049117,0.000115710645,0.0035227465,0.00034692345,0.00054416916,0.0001808804,0.00021962944,0.37365422],"genre_scores_gemma":[0.93589324,0.00018832771,0.0007113816,0.000057498477,0.00029633276,0.0000032683506,0.00012967792,0.000054815057,0.06266544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796814,0.00039500592,0.00021246538,0.000372299,0.0005264885,0.0005256046],"domain_scores_gemma":[0.99846566,0.00038430913,0.00007471825,0.00035250047,0.00045685188,0.00026597618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011002633,0.00016862099,0.00024333503,0.002755149,0.0003961871,0.00032031853,0.00058084505,0.000095366515,0.0002364643],"category_scores_gemma":[0.00026126482,0.00017988693,0.00009685318,0.0013256543,0.0005201332,0.0006858972,0.00029736888,0.00077521015,0.000022408765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016329493,0.0005285169,0.038798433,0.000021831835,0.0000569762,0.00018334815,0.014624635,0.000051831772,0.000048406262,0.9123188,0.032670747,0.0005331754],"study_design_scores_gemma":[0.0014088739,0.00013804206,0.0008463014,0.000092275426,0.000009602363,0.0000014864163,0.07921128,0.00097647787,0.000009627472,0.018578865,0.8984471,0.00028010167],"about_ca_topic_score_codex":0.0044512753,"about_ca_topic_score_gemma":0.06811224,"teacher_disagreement_score":0.89373994,"about_ca_system_score_codex":0.00018341761,"about_ca_system_score_gemma":0.00028374424,"threshold_uncertainty_score":0.9488923},"labels":[],"label_agreement":null},{"id":"W6992810620","doi":"","title":"Michael Keaton to play villain in upcoming Spider-man reboot","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Franchise; Character (mathematics); Reboot; Power (physics); Allegory; Offensive; Hollywood; Movie theater","score_opus":0.01691098543171116,"score_gpt":0.24177534226407976,"score_spread":0.2248643568323686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992810620","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038287404,0.00029649615,0.0012644558,0.0008354479,0.0016747738,0.0011350405,0.001193248,0.0002525485,0.98951924],"genre_scores_gemma":[0.039750144,0.00010646209,0.0004411446,0.0009446514,0.001808306,0.00015677405,0.00017853413,0.00063929864,0.9559747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99606824,0.00034180726,0.00092938804,0.0012901555,0.0003965808,0.00097380596],"domain_scores_gemma":[0.9978911,0.0004955447,0.00044396208,0.00077357044,0.000035845453,0.00035996185],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002813661,0.0009905503,0.0011028275,0.0021397478,0.00006798979,0.0003184642,0.0013423418,0.00015690706,0.04292765],"category_scores_gemma":[0.00007298038,0.00080806576,0.0005016701,0.000060928258,0.00069449714,0.00010195673,0.0009190571,0.0007815065,0.0030577306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021957551,0.00013238293,0.0003006271,0.00008256953,0.0002586263,0.00012089421,0.048607398,7.8704505e-7,0.0001648665,0.11628112,0.8330648,0.0007663455],"study_design_scores_gemma":[0.00094525854,0.0004001341,0.00013137555,0.0031525462,0.000033602682,0.000015498335,0.0007077795,0.00011775503,0.00012156874,0.01092551,0.98241866,0.0010303226],"about_ca_topic_score_codex":0.025461279,"about_ca_topic_score_gemma":0.4677684,"teacher_disagreement_score":0.4423071,"about_ca_system_score_codex":0.00008245174,"about_ca_system_score_gemma":0.00006955942,"threshold_uncertainty_score":0.99943703},"labels":[],"label_agreement":null},{"id":"W6993165891","doi":"","title":"Mäko","year":2011,"lang":"fr","type":"book","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Salon; Period (music); Photography","score_opus":0.054566314612560236,"score_gpt":0.21120293827704845,"score_spread":0.15663662366448822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993165891","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015924686,0.0027340334,0.000022133885,0.0005960425,0.0022476849,0.00018235784,0.00013576625,0.000051606276,0.99387115],"genre_scores_gemma":[0.004109444,0.0009939035,0.000076254546,0.00036857833,0.002062086,0.000009729388,0.00005149168,0.00004282894,0.99228567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895924,0.0000353941,0.0003094608,0.00029864686,0.00012375794,0.00027349096],"domain_scores_gemma":[0.99925673,0.00008423782,0.00013274806,0.0003070809,0.00011914635,0.00010003967],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010385256,0.0003390669,0.00035882098,0.0001470544,0.00054307946,0.00016790372,0.00024672688,0.00019020321,0.138233],"category_scores_gemma":[0.000006252343,0.0002822531,0.0003046969,0.000012662304,0.0011311878,0.00009326637,0.000093191135,0.0003455771,0.0022924016],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073943415,0.00005214662,0.000012472601,0.000051264746,0.00012243474,0.000009709721,0.0064520016,3.0648806e-8,7.1191863e-7,0.851799,0.13793473,0.00355812],"study_design_scores_gemma":[0.00010643864,0.000112911046,0.00002944088,0.00009092566,0.00005505504,0.0000026891234,0.00057480385,0.0000060828997,0.0000042665456,0.19958748,0.79910517,0.0003247404],"about_ca_topic_score_codex":0.0009842075,"about_ca_topic_score_gemma":0.0033748406,"teacher_disagreement_score":0.6611704,"about_ca_system_score_codex":0.00003847894,"about_ca_system_score_gemma":0.00016366036,"threshold_uncertainty_score":0.999963},"labels":[],"label_agreement":null},{"id":"W6994207884","doi":"","title":"Dakwäkãda Warriors","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Allegory; Dance; Indigenous; Character (mathematics); Filmmaking; Film director; Visual language","score_opus":0.018134736401242996,"score_gpt":0.2007719535625345,"score_spread":0.1826372171612915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994207884","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010308446,0.0034809627,0.000014230257,0.00080589065,0.0055740494,0.0008830908,0.0004903647,0.00027544866,0.9874451],"genre_scores_gemma":[0.009051521,0.0004461073,0.000027118132,0.0011080242,0.0035099199,0.00005099806,0.0004557561,0.00023343778,0.98511714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963484,0.00010769337,0.00088284205,0.0011117028,0.0007010053,0.000848347],"domain_scores_gemma":[0.99724406,0.0002675876,0.00055281934,0.0013662294,0.00029129937,0.00027802365],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034837998,0.0010122453,0.0012732773,0.00051518733,0.00075058045,0.0006884783,0.00087159494,0.00047083476,0.039854646],"category_scores_gemma":[0.00003270061,0.0009273822,0.0008430735,0.00007611616,0.0007481403,0.00040181077,0.00024388041,0.0011712497,0.013315023],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029401632,0.00006426637,0.0000053475796,0.000096877644,0.00022668818,0.000028261284,0.013641212,0.000001516857,0.000010404929,0.39601988,0.58357775,0.006298373],"study_design_scores_gemma":[0.00066304026,0.00023746716,0.000038382113,0.0003438796,0.00014885147,0.000009555934,0.00088126265,0.000036698788,0.000006997908,0.06455578,0.931969,0.0011090988],"about_ca_topic_score_codex":0.00010331966,"about_ca_topic_score_gemma":0.001715372,"teacher_disagreement_score":0.3483912,"about_ca_system_score_codex":0.0001623735,"about_ca_system_score_gemma":0.00053546904,"threshold_uncertainty_score":0.9993177},"labels":[],"label_agreement":null},{"id":"W6996284186","doi":"","title":"Répertoire professionnel de la bande dessinée francophone : France, Belgique, Suisse, Québec, 2000-2001 : éditeurs, agences, associations, fanzines, musées...","year":2000,"lang":"fr","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Context (archaeology); Perspective (graphical); Data collection; Government (linguistics)","score_opus":0.013775521434006718,"score_gpt":0.2428775330694493,"score_spread":0.22910201163544258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996284186","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36847067,0.24029827,0.0002144786,0.04686144,0.0046828794,0.001174026,0.0010383573,0.00044652156,0.33681336],"genre_scores_gemma":[0.21195053,0.017581137,0.0004875746,0.0020121848,0.0022949842,0.00011225386,0.00012089965,0.00009205841,0.7653484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960554,0.00076361647,0.00089530734,0.0006825362,0.00048217995,0.0011209127],"domain_scores_gemma":[0.99776244,0.0008055633,0.00030443634,0.0005053724,0.00024402325,0.0003781725],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00096601236,0.00064950704,0.00073046127,0.00025080735,0.0026720965,0.0006125034,0.0005132639,0.0005562139,0.083957516],"category_scores_gemma":[0.00010625569,0.0005770064,0.0003738689,0.0004287064,0.0012033753,0.0006261128,0.000069684014,0.0009360069,0.0004129779],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008379612,0.0014420855,0.022148753,0.00015661214,0.0003150189,0.00009045837,0.044846803,0.00006043545,0.00010018125,0.044775296,0.7569796,0.12900095],"study_design_scores_gemma":[0.0011566123,0.00011905383,0.04051046,0.000432829,0.000077889665,0.00001870661,0.006976614,0.000649572,0.000050470637,0.0073771677,0.9418404,0.0007902311],"about_ca_topic_score_codex":0.1233054,"about_ca_topic_score_gemma":0.16257785,"teacher_disagreement_score":0.42853504,"about_ca_system_score_codex":0.0002913048,"about_ca_system_score_gemma":0.0017066535,"threshold_uncertainty_score":0.9996681},"labels":[],"label_agreement":null},{"id":"W6997483165","doi":"","title":"Vinegar 18 : April Transit","year":2001,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.03002731359685043,"score_gpt":0.2190573919309141,"score_spread":0.18903007833406368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997483165","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000436291,0.004027907,0.00009294484,0.0012995111,0.0026300156,0.000708203,0.00040216235,0.00033142956,0.99007154],"genre_scores_gemma":[0.0061229863,0.001014546,0.000037610564,0.0011606211,0.004638323,0.00005803448,0.00038450593,0.00023005126,0.98635334],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963398,0.00010670429,0.0009319345,0.0010673614,0.00067392393,0.0008802666],"domain_scores_gemma":[0.99770147,0.00018646021,0.00040726067,0.0010790174,0.00030065913,0.00032516243],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003465886,0.0010472923,0.0012061257,0.00051785936,0.0009379156,0.0006326922,0.00075930596,0.0004695129,0.078930914],"category_scores_gemma":[0.00002110537,0.0009869664,0.0008730751,0.0000972778,0.00083195954,0.00036290495,0.00010791596,0.0011294339,0.004040445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006094675,0.00013432304,0.0000021358555,0.00010332719,0.00028310207,0.00010248679,0.014096756,0.0000025337285,0.000020439791,0.2718799,0.70145696,0.011857065],"study_design_scores_gemma":[0.00082968816,0.00024450227,0.00003741564,0.0003016998,0.00019818234,0.000023664938,0.00060763437,0.00004098683,0.000005942003,0.07355348,0.9230442,0.0011125982],"about_ca_topic_score_codex":0.00011155483,"about_ca_topic_score_gemma":0.00340102,"teacher_disagreement_score":0.22158723,"about_ca_system_score_codex":0.000144685,"about_ca_system_score_gemma":0.0003918173,"threshold_uncertainty_score":0.9992581},"labels":[],"label_agreement":null},{"id":"W6997591181","doi":"","title":"Образ канадского национального героя в комиксах времен Второй мировой войны","year":2020,"lang":"ru","type":"article","venue":"Electronic scientific archive of UrFU (Ural Federal University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Comics; Product (mathematics); Government (linguistics)","score_opus":0.02003694155234736,"score_gpt":0.18395252073615956,"score_spread":0.1639155791838122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997591181","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83079165,0.0030798176,0.0008948745,0.013331407,0.0027494945,0.0014054778,0.0013196636,0.00027507503,0.14615256],"genre_scores_gemma":[0.9297678,0.00036737914,0.00011028465,0.00027505847,0.0005675873,0.0000013728828,0.00021490474,0.000055005068,0.0686406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950251,0.0003832609,0.00067772385,0.0014517735,0.00080366555,0.0016584587],"domain_scores_gemma":[0.9975697,0.00026581783,0.0005556191,0.000641998,0.0003610342,0.0006058209],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00039553913,0.00070719584,0.00091124384,0.0008631829,0.003277598,0.00088201684,0.0015477705,0.00015641516,0.0037904761],"category_scores_gemma":[0.00007848115,0.0007393611,0.00085029285,0.0010299673,0.0027527285,0.0008071325,0.00071830343,0.0011204922,0.00022961089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00092319044,0.00035643764,0.00045509028,0.00019468594,0.0006482529,0.00011716709,0.040555753,0.00008949501,0.008082294,0.9115575,0.033872034,0.003148097],"study_design_scores_gemma":[0.0027602555,0.0017920462,0.00044291248,0.00019632708,0.0002831096,0.000010906143,0.021297686,0.0034737356,0.0016982777,0.019826509,0.9469391,0.001279149],"about_ca_topic_score_codex":0.00044599606,"about_ca_topic_score_gemma":0.0033359092,"teacher_disagreement_score":0.91306704,"about_ca_system_score_codex":0.00024592222,"about_ca_system_score_gemma":0.0011202417,"threshold_uncertainty_score":0.9999612},"labels":[],"label_agreement":null},{"id":"W7001066592","doi":"","title":"Il roman graphique quebecchese: proposta di traduzione e commento di \"Symptômes\" di Catherine Ocelot","year":2023,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Divine comedy; Comics; Italian studies; Allegory","score_opus":0.01315063543300275,"score_gpt":0.21371309153987383,"score_spread":0.2005624561068711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001066592","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98955256,0.0020731222,0.000048630212,0.0028845966,0.0001943631,0.0004618021,0.00011913923,0.00013278979,0.004533019],"genre_scores_gemma":[0.96578044,0.0021392712,0.0000073797564,0.000017589766,0.00008324735,0.000004562812,0.0001468542,0.000035983718,0.031784702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982149,0.00016765851,0.0003073696,0.00050094177,0.0002412899,0.0005678188],"domain_scores_gemma":[0.9987307,0.00021406783,0.00029049773,0.0004106449,0.00017314807,0.00018092334],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00018466172,0.000348262,0.00045387837,0.00031623643,0.0021982663,0.00020578128,0.00036959053,0.0001225448,0.00015174932],"category_scores_gemma":[0.00001603789,0.00037400328,0.00027850148,0.00040685912,0.00066157314,0.00040400453,0.000104935156,0.00032850262,0.000008243811],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043038864,0.00079602306,0.008817542,0.00029449354,0.000924427,0.00005768633,0.15105572,0.000044732766,0.01046577,0.8244106,0.0013492221,0.0013533374],"study_design_scores_gemma":[0.0039355718,0.003906213,0.25634938,0.0008343953,0.0012615215,0.0000612583,0.60352844,0.0064122872,0.0019256475,0.019704547,0.099800065,0.0022806437],"about_ca_topic_score_codex":0.0077378056,"about_ca_topic_score_gemma":0.022629792,"teacher_disagreement_score":0.8047061,"about_ca_system_score_codex":0.00010016488,"about_ca_system_score_gemma":0.00024969212,"threshold_uncertainty_score":0.9998712},"labels":[],"label_agreement":null},{"id":"W7001370798","doi":"","title":"La BD documentaire au Québec","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Margin (machine learning); Noise (video); Feature (linguistics)","score_opus":0.005422500260264534,"score_gpt":0.17877786198938558,"score_spread":0.17335536172912105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001370798","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24354108,0.41992006,0.00003875581,0.2114459,0.001908599,0.00017958097,0.00024413406,0.00018119154,0.122540705],"genre_scores_gemma":[0.47288507,0.009798614,0.000017837021,0.00013804923,0.0005525228,0.000003204674,0.000014752103,0.00003141587,0.5165585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998829,0.00010203945,0.0001548326,0.00033816375,0.00016675849,0.0004092277],"domain_scores_gemma":[0.99930924,0.00019094086,0.00005169085,0.00023120783,0.00004216044,0.00017478583],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017047937,0.0002547848,0.00022251742,0.00021659967,0.001313386,0.00021192897,0.00021795827,0.00014090208,0.0027524568],"category_scores_gemma":[0.000006634808,0.00027054572,0.00028825592,0.00012682422,0.00049743144,0.00039763429,0.00019693655,0.0003305094,0.0004796347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033436372,0.00005052926,0.00015228183,0.00011894954,0.00025952433,0.0023169843,0.029017592,0.000008200886,0.000021965054,0.68190014,0.21382782,0.072292596],"study_design_scores_gemma":[0.00031950758,0.00010514737,0.00017391834,0.0002481831,0.00020247688,0.00022198293,0.014245016,0.0005048428,0.0000144092055,0.006455013,0.97720146,0.0003080622],"about_ca_topic_score_codex":0.51831096,"about_ca_topic_score_gemma":0.9520916,"teacher_disagreement_score":0.7633736,"about_ca_system_score_codex":0.008028114,"about_ca_system_score_gemma":0.00035312603,"threshold_uncertainty_score":0.99998677},"labels":[],"label_agreement":null},{"id":"W7008200954","doi":"","title":"BDHQ : bande dessinée et hockey au Québec","year":2023,"lang":"fr","type":"book-chapter","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01629804446242741,"score_gpt":0.17680641589184742,"score_spread":0.16050837142942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008200954","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06415119,0.016487772,0.00007739461,0.0068039694,0.0031469574,0.00048454295,0.0006270939,0.00028813328,0.90793294],"genre_scores_gemma":[0.3119354,0.0017548067,0.000057012323,0.00022429788,0.0007048158,0.000013287634,0.0001358556,0.00007592473,0.6850986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972736,0.000118696815,0.00055566814,0.000790149,0.00065475435,0.00060711504],"domain_scores_gemma":[0.99789137,0.00035068323,0.0004703694,0.0005428006,0.00031423976,0.00043056498],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00029123612,0.00073506293,0.0006516991,0.00052081444,0.017850213,0.00022957346,0.0005157205,0.00046659174,0.0006730932],"category_scores_gemma":[0.00003722587,0.0008030986,0.00071763166,0.00007221723,0.002092078,0.00042399846,0.00046510814,0.0007915585,0.0004645368],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025945585,0.00009519471,0.002062183,0.00010118485,0.0006777092,0.002159946,0.06773728,0.00024035932,0.00015243716,0.9219667,0.0017732108,0.0027743883],"study_design_scores_gemma":[0.00089648634,0.00017786112,0.0059826234,0.0005889037,0.00041801354,0.00035242175,0.01769857,0.00026929844,0.00007596468,0.01001592,0.96256274,0.0009612086],"about_ca_topic_score_codex":0.59260696,"about_ca_topic_score_gemma":0.75772953,"teacher_disagreement_score":0.9607895,"about_ca_system_score_codex":0.0065114154,"about_ca_system_score_gemma":0.0051827966,"threshold_uncertainty_score":0.999442},"labels":[],"label_agreement":null},{"id":"W7008493329","doi":"","title":"Captain Canuck, audience response, and the project of Canadian nationalism","year":2007,"lang":"en","type":"article","venue":"UCL Discovery (University College London)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Multiculturalism; Nationalism; Identity (music); National identity; Narrative; Comic strip","score_opus":0.01502685274849793,"score_gpt":0.18811134183468853,"score_spread":0.1730844890861906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008493329","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94680625,0.0001421393,0.000027327604,0.004199658,0.00015282872,0.00030143774,0.0008996148,0.000008365157,0.047462396],"genre_scores_gemma":[0.94485164,0.00004911218,0.000026280339,0.00018971761,0.00004030158,5.2558306e-7,0.0000061343544,0.0000047866997,0.054831505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929297,0.00010226984,0.00010532346,0.00015442334,0.00015168395,0.00019334478],"domain_scores_gemma":[0.9992274,0.00037924462,0.000079318685,0.00013601354,0.000113953145,0.00006406478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000625488,0.00009412676,0.00014887533,0.0007254964,0.00071391196,0.00004469633,0.00019228608,0.000030366957,0.00011096958],"category_scores_gemma":[0.000055463872,0.00007658447,0.00006982469,0.000329671,0.0008935978,0.0003886812,0.00005951501,0.00009649991,0.0000023211162],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009328708,0.00001327442,0.00024122153,0.0000065803783,0.00003528451,0.000035829908,0.026851151,0.0000015686293,0.000023206045,0.96680474,0.0049981596,0.000056124994],"study_design_scores_gemma":[0.0033522313,0.0001364921,0.029864939,0.00004506493,0.00006284445,0.000014177595,0.16544712,0.0002973334,0.000041858602,0.007874031,0.79251236,0.00035157768],"about_ca_topic_score_codex":0.22818212,"about_ca_topic_score_gemma":0.8569337,"teacher_disagreement_score":0.9589307,"about_ca_system_score_codex":0.00007911588,"about_ca_system_score_gemma":0.00037551014,"threshold_uncertainty_score":0.7769575},"labels":[],"label_agreement":null},{"id":"W7012910196","doi":"","title":"War Bears Vol 1-3","year":2018,"lang":"en","type":"article","venue":"Journal of Bioresource Management","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; World War II; First world war; Spanish Civil War","score_opus":0.015953604844579916,"score_gpt":0.21664738107440146,"score_spread":0.20069377622982154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7012910196","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7778862,0.00065558025,0.0005066252,0.0028238231,0.0027732197,0.00021628587,0.000007746272,0.000031870313,0.21509865],"genre_scores_gemma":[0.9864757,0.00008913474,0.00046790263,0.0005572637,0.0032720612,0.0000012764475,5.4322095e-7,0.000013029993,0.009123097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923044,0.000024383182,0.00028879291,0.00008385199,0.00022941659,0.00014308373],"domain_scores_gemma":[0.99936676,0.000015242654,0.0002179754,0.00012918432,0.00020994926,0.000060868802],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002882523,0.000090030255,0.00014054627,0.00024769251,0.00019349359,0.00008583089,0.00021454,0.000015082574,0.0014103642],"category_scores_gemma":[0.000007586704,0.00006593181,0.00012712163,0.000047904756,0.0002449942,0.00007524749,0.00006865548,0.00009115966,0.00006115158],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024058922,0.0003443504,0.0009491366,0.00006543484,0.0008072339,0.00013786345,0.07499847,0.000011634728,0.00009173574,0.31495437,0.50453407,0.102865085],"study_design_scores_gemma":[0.00037584602,0.00043758875,0.0011270632,0.00004450011,0.000047847054,0.000004599233,0.00700861,0.00005808501,0.000040583396,0.0026363167,0.9881256,0.00009333475],"about_ca_topic_score_codex":0.000012031136,"about_ca_topic_score_gemma":0.000048967326,"teacher_disagreement_score":0.48359153,"about_ca_system_score_codex":0.000017940225,"about_ca_system_score_gemma":0.000005866504,"threshold_uncertainty_score":0.9995025},"labels":[],"label_agreement":null},{"id":"W7014333601","doi":"","title":"Outsider Art and Alternative Comics: Influences and Artistic Dialogues between Two Cultural Fields in Dissent","year":2018,"lang":"en","type":"article","venue":"Open Repository and Bibliography (University of Liège)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Mainstream; Narrative; Dissent; Quarter (Canadian coin); Narrative art","score_opus":0.04557295179261694,"score_gpt":0.2623994974549305,"score_spread":0.21682654566231357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014333601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9796694,0.0002734135,0.000018317474,0.000332065,0.00007329608,0.00013907198,0.000026243246,0.000009750067,0.019458469],"genre_scores_gemma":[0.9981492,0.000685427,0.00010365155,0.000029538203,0.00008714957,4.2717537e-7,0.0000044301555,0.0000037780444,0.0009364062],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994815,0.000055786986,0.00010256963,0.00019696416,0.00006648507,0.00009667887],"domain_scores_gemma":[0.9996388,0.00006948784,0.00009557165,0.000078127225,0.000055826447,0.000062189465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010117495,0.00009425637,0.00019552198,0.0013186672,0.00035773564,0.0002288256,0.00013042365,0.000031010488,0.000029044382],"category_scores_gemma":[3.2769657e-7,0.00008578487,0.000033384207,0.00041104306,0.0012371709,0.0004517914,0.00017453387,0.00007194739,4.8253384e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058839603,0.00002915129,0.9597194,0.000018892117,0.00009253459,0.000013469483,0.02212323,1.0734961e-7,0.00009880985,0.014241857,0.0034371722,0.00016653838],"study_design_scores_gemma":[0.0012790245,0.00050101563,0.95719373,0.00018877012,0.0000903904,0.000007971644,0.026316082,0.000068793845,0.0001423424,0.009987152,0.00389949,0.00032520908],"about_ca_topic_score_codex":0.0090173045,"about_ca_topic_score_gemma":0.0057281484,"teacher_disagreement_score":0.018522063,"about_ca_system_score_codex":0.0000015118728,"about_ca_system_score_gemma":0.0000049204646,"threshold_uncertainty_score":0.9975817},"labels":[],"label_agreement":null},{"id":"W7015760677","doi":"","title":"Tradurre il fumetto quebecchese: proposta di traduzione e commento di Mile End di Michel Hellman","year":2022,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lingua franca; General education; Italian studies","score_opus":0.010560167050401387,"score_gpt":0.20199941540388588,"score_spread":0.1914392483534845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015760677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9828384,0.0067469156,0.000054536984,0.003696196,0.00028092178,0.0005362555,0.00031174844,0.000053406224,0.005481619],"genre_scores_gemma":[0.95875233,0.000533463,0.000012533639,0.000037293546,0.00007848313,0.0000075837575,0.0001546661,0.00003058348,0.04039308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99800014,0.00029477163,0.00031796345,0.0005267883,0.00033581996,0.0005244836],"domain_scores_gemma":[0.99876535,0.00021892351,0.00033883637,0.00039215936,0.00011711643,0.00016758654],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00019410772,0.0003337179,0.00045034595,0.00022457418,0.0043209735,0.00018056096,0.00044750396,0.00007428605,0.0008244284],"category_scores_gemma":[0.000009965338,0.00038741043,0.00029807206,0.00023620515,0.00055072387,0.00036476896,0.00014727759,0.000503126,0.000002446286],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001252761,0.0027608424,0.0049866657,0.00037078318,0.0014455565,0.00007581933,0.35425538,0.0001442815,0.020993695,0.6058846,0.004555975,0.0032736384],"study_design_scores_gemma":[0.0024879205,0.0028194508,0.01974236,0.00014849746,0.0008925818,0.00006491496,0.75946605,0.002600541,0.0013110895,0.0039558997,0.20530555,0.0012051677],"about_ca_topic_score_codex":0.007418601,"about_ca_topic_score_gemma":0.0130474055,"teacher_disagreement_score":0.6019287,"about_ca_system_score_codex":0.0002015112,"about_ca_system_score_gemma":0.00033843322,"threshold_uncertainty_score":0.9998578},"labels":[],"label_agreement":null},{"id":"W7017431871","doi":"","title":"The Art Gallery of Ontario Presents : Colville Comics","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Comics; Exhibition; Photography; Key (lock)","score_opus":0.017589093410530977,"score_gpt":0.20472290302667423,"score_spread":0.18713380961614326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017431871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057021854,0.0010052734,0.000018083167,0.0005386882,0.002076857,0.0007624293,0.0001578559,0.00010633361,0.99476427],"genre_scores_gemma":[0.003957118,0.00028009748,0.000024208459,0.00027262975,0.0010613316,0.00005281206,0.00017506718,0.00017047767,0.9940063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972815,0.00011755741,0.00085983163,0.00057038054,0.0006047576,0.00056598266],"domain_scores_gemma":[0.9972316,0.00042248314,0.00075646286,0.0011523329,0.00026660346,0.00017053777],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000499466,0.00062614924,0.0009147494,0.00021292538,0.0008607186,0.00035786527,0.0008347725,0.0002841287,0.00671539],"category_scores_gemma":[0.00003152402,0.00047927114,0.00054763636,0.00003181055,0.0012019583,0.00013284232,0.00024369603,0.0007846611,0.00076532573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056085504,0.00007589866,0.000023509318,0.00005301661,0.00028295122,0.000004527552,0.011733532,0.0000014729845,0.0000027131266,0.2113499,0.77528995,0.0011264482],"study_design_scores_gemma":[0.00062048214,0.00019796846,0.00011365051,0.00025742696,0.00010081094,0.0000036169806,0.00035265466,0.000035596182,0.000004259288,0.036256492,0.96153706,0.0005199937],"about_ca_topic_score_codex":0.0022180781,"about_ca_topic_score_gemma":0.4181717,"teacher_disagreement_score":0.41595364,"about_ca_system_score_codex":0.00020013006,"about_ca_system_score_gemma":0.00082111906,"threshold_uncertainty_score":0.9997659},"labels":[],"label_agreement":null},{"id":"W7017852715","doi":"","title":"Captain America and the Nationalist Superhero: Metaphors, Narratives, and Geopolitics","year":2012,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Tubulopathy; Gestational period; Liquation; Diafiltration; Articular cartilage damage","score_opus":0.021517255452692355,"score_gpt":0.2092166750508239,"score_spread":0.18769941959813152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017852715","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4121168,0.00012483375,0.000048634203,0.0014442332,0.00022110491,0.00044362873,0.00012203829,0.00006195292,0.5854168],"genre_scores_gemma":[0.97404766,0.02479194,0.00013226521,0.00030790028,0.00021502234,0.0000032974006,0.000019386469,0.000013823747,0.00046870392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914294,0.00018596527,0.00010944462,0.00017710894,0.00012824537,0.00025632064],"domain_scores_gemma":[0.9994262,0.00018808243,0.00007040398,0.00014184094,0.0000961057,0.000077398836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015958268,0.00016256228,0.0001979749,0.0016583194,0.0006557246,0.00013133974,0.00013029657,0.000033492644,0.00011199469],"category_scores_gemma":[0.000032095373,0.000118742566,0.00006607724,0.00053093286,0.0011742094,0.00042307324,0.00011981324,0.0001488011,0.0000028784957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005074578,0.00004460509,0.00027950254,0.000010895023,0.00009671816,0.0000025742702,0.20176247,1.3643186e-7,7.3219655e-7,0.7963891,0.00032775622,0.0010347699],"study_design_scores_gemma":[0.00082188036,0.0000362668,0.00012405959,0.000007821424,0.00005546626,0.0000053830113,0.053478695,0.000042545234,0.000006627882,0.00026325483,0.94499594,0.00016205557],"about_ca_topic_score_codex":0.03253376,"about_ca_topic_score_gemma":0.013863893,"teacher_disagreement_score":0.9446682,"about_ca_system_score_codex":0.00003311551,"about_ca_system_score_gemma":0.00006834332,"threshold_uncertainty_score":0.97390866},"labels":[],"label_agreement":null},{"id":"W7017858375","doi":"","title":"Canadian Graphic: Picturing Life Narratives","year":2016,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Ethnography; Identity (music)","score_opus":0.022361941735828474,"score_gpt":0.1955161533477974,"score_spread":0.17315421161196892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017858375","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1933652,0.0000039684915,0.000056058645,0.0027455608,0.00040226599,0.00027756687,0.00011275,0.0001356534,0.80290097],"genre_scores_gemma":[0.98806334,0.010422785,0.000045994184,0.00020754607,0.00027524534,0.0000023483356,0.0000062827557,0.000023895896,0.0009525526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988527,0.00008683111,0.00014224436,0.0003505041,0.00013887018,0.00042880405],"domain_scores_gemma":[0.9991879,0.0000712748,0.00008148585,0.00027588918,0.00013428481,0.00024915687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000092448194,0.00022652266,0.00020731968,0.010163564,0.00067672855,0.00011840628,0.00035035805,0.00006530531,0.0008387505],"category_scores_gemma":[0.000030385207,0.00017163802,0.00015293545,0.0011456955,0.00028089463,0.000534615,0.000074732154,0.00013266291,0.000044136512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009350115,0.00008592183,0.0018337392,0.000025275354,0.00025535046,0.00013594377,0.19914691,6.9757067e-7,0.000030382827,0.7860696,0.002521529,0.009801157],"study_design_scores_gemma":[0.00059347367,0.000084448904,0.00010660382,0.000049318252,0.000018705634,0.0000017683786,0.015449664,0.000003471253,0.000046371973,0.000074491916,0.98326963,0.0003020402],"about_ca_topic_score_codex":0.4434808,"about_ca_topic_score_gemma":0.9418547,"teacher_disagreement_score":0.9807481,"about_ca_system_score_codex":0.00016173196,"about_ca_system_score_gemma":0.0006101102,"threshold_uncertainty_score":0.918373},"labels":[],"label_agreement":null},{"id":"W7017901708","doi":"","title":"Concaténation en continu : &#13;\\nmanifestations de la métafiction en bande dessinée","year":2012,"lang":"fr","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filter (signal processing); Limiting; Nucleofection; Context (archaeology)","score_opus":0.020816026850391002,"score_gpt":0.28246913015454206,"score_spread":0.26165310330415104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017901708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6850439,0.00072464574,0.00013006091,0.00074986386,0.001683997,0.0005778304,0.00007706593,0.00009091762,0.31092176],"genre_scores_gemma":[0.8039526,0.00088895205,0.000018191577,0.000006556318,0.0017846208,0.000014446471,0.0003116342,0.000065003194,0.192958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99297357,0.004009273,0.00048514118,0.00072148454,0.0007529642,0.0010575845],"domain_scores_gemma":[0.9952834,0.002734473,0.00039216294,0.0004729591,0.00065995473,0.00045704376],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0020368802,0.0004909249,0.00050971867,0.0018604526,0.0038378385,0.00087022374,0.0006718975,0.0007051184,0.0007516358],"category_scores_gemma":[0.00022371935,0.00058668805,0.00037990249,0.0005407473,0.0013819162,0.00097154785,0.00014253773,0.002064585,0.00008384634],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060026575,0.0006074061,0.06805495,0.00036881998,0.00065012963,0.0004409779,0.08757594,0.00005132674,0.010374598,0.82718176,0.00248973,0.0016040921],"study_design_scores_gemma":[0.00136196,0.0004660572,0.4358102,0.00036712046,0.000385269,0.00006327905,0.09733648,0.0004332678,0.003844783,0.00577654,0.45332783,0.00082721084],"about_ca_topic_score_codex":0.057318855,"about_ca_topic_score_gemma":0.11042717,"teacher_disagreement_score":0.82140523,"about_ca_system_score_codex":0.0016895364,"about_ca_system_score_gemma":0.0015769036,"threshold_uncertainty_score":0.99965847},"labels":[],"label_agreement":null},{"id":"W7018088286","doi":"","title":"Controlled Bodies, Mental Wounds: Vulnerability in Mariko and Jillian Tamaki’s Skim","year":2018,"lang":"en","type":"article","venue":"Repositorio Institucional de la Universidad de Huelva","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vulnerability (computing); Reading (process); Articulation (sociology); Reflexivity; Set (abstract data type); Control (management); Hegemony; Mental health; Representation (politics)","score_opus":0.009996842414163876,"score_gpt":0.2478298807321161,"score_spread":0.23783303831795222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018088286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80646235,0.00028771366,0.000022746965,0.00055135845,0.0008124077,0.00023106034,0.000024877485,0.000042522635,0.19156498],"genre_scores_gemma":[0.9946541,0.00007820052,0.00019033151,0.00015282331,0.00084087305,0.000008897921,0.0000094044335,0.000011289579,0.0040540327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880207,0.00019271084,0.0002485607,0.00029814287,0.00018142888,0.00027710272],"domain_scores_gemma":[0.9992701,0.00022834528,0.00009507299,0.0001699786,0.00011419459,0.00012235089],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041921952,0.00018304767,0.00029152646,0.00019246948,0.00063803233,0.00028767894,0.00014836241,0.00011044917,0.00022249384],"category_scores_gemma":[0.000070166716,0.00017150969,0.00009950385,0.00005787245,0.00082643115,0.00026147117,0.00008191827,0.0002587756,0.0000056773897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008809788,0.00020882743,0.020973654,0.000028064704,0.00011812443,0.00012714964,0.036376037,0.000005099699,0.0009267447,0.9371955,0.0027180894,0.0004417717],"study_design_scores_gemma":[0.00754495,0.0003553807,0.028019814,0.00015029521,0.000068356385,0.000111860056,0.007958508,0.00066968246,0.00021788193,0.024079256,0.9303026,0.00052140444],"about_ca_topic_score_codex":0.0010890571,"about_ca_topic_score_gemma":0.0053951526,"teacher_disagreement_score":0.9275845,"about_ca_system_score_codex":0.00030599293,"about_ca_system_score_gemma":0.00019624266,"threshold_uncertainty_score":0.6993962},"labels":[],"label_agreement":null},{"id":"W7018175795","doi":"","title":"Comics that reach a whole new level of wrong","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Code (set theory); Object (grammar)","score_opus":0.03991325059982004,"score_gpt":0.2055802540932919,"score_spread":0.16566700349347185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018175795","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000024005409,0.00094737613,7.1174736e-7,0.00021651523,0.00032051932,0.00022254614,0.0005031099,0.000068113164,0.9976971],"genre_scores_gemma":[0.0007895027,0.00027992565,0.0004236063,0.00012768885,0.00026447728,0.0000040108516,0.00030425555,0.00012270447,0.9976838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989071,0.000038277452,0.00045379665,0.00014546544,0.00027428495,0.00018110653],"domain_scores_gemma":[0.998825,0.00006045754,0.000616185,0.0003195795,0.00010123456,0.00007752231],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010388781,0.00025847202,0.000466337,0.00010631957,0.00005912678,0.00007116273,0.00024281161,0.00018983636,0.48266405],"category_scores_gemma":[0.000029015553,0.00024825011,0.00019450192,0.0000038300873,0.00022194984,1.77617e-7,0.00008122536,0.00018415929,0.0005056421],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002388288,0.000036557034,0.0000023045477,0.0003581554,0.0001083817,0.0000045300226,0.0027285544,0.000006881689,3.801071e-7,0.0032894716,0.99262756,0.00081336516],"study_design_scores_gemma":[0.0004319784,0.00006575898,0.0000035958271,0.0004405452,0.000040131254,0.000009632225,0.0015892491,0.000005529466,0.0000083063105,0.00007116282,0.997082,0.0002520915],"about_ca_topic_score_codex":0.021267395,"about_ca_topic_score_gemma":0.036761835,"teacher_disagreement_score":0.4821584,"about_ca_system_score_codex":0.000014237138,"about_ca_system_score_gemma":0.000051519208,"threshold_uncertainty_score":0.99999696},"labels":[],"label_agreement":null},{"id":"W7018343543","doi":"","title":"Die Erstellung eines Comics der Volksgeschichte Lubuk Emas aus Asahan Nord Sumatra","year":2020,"lang":"de","type":"dissertation","venue":"Digital Repository Universitas Negeri Medan (Universitas Negeri Medan)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Studio; Product (mathematics); Quarter (Canadian coin)","score_opus":0.01502673440413602,"score_gpt":0.2024195314930332,"score_spread":0.1873927970888972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018343543","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47082186,0.021871965,0.0002705979,0.0012111461,0.01326846,0.0030777575,0.0029641432,0.0017801323,0.48473394],"genre_scores_gemma":[0.9199447,0.0016754551,0.00014477113,0.00022965999,0.0017836206,0.000013760434,0.0059788176,0.0006778655,0.06955136],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99125797,0.00044160237,0.0015480515,0.002841725,0.0019211727,0.0019894864],"domain_scores_gemma":[0.99282736,0.0004598826,0.0021262115,0.001722382,0.0010458949,0.001818298],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.000215244,0.0026972597,0.0027174521,0.0020716067,0.003984381,0.002668858,0.0025051027,0.0012322121,0.0016809866],"category_scores_gemma":[0.00012661699,0.0032182545,0.0021694573,0.0010244563,0.0017679448,0.003934952,0.0009274435,0.0020493101,0.00054324046],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010723486,0.0029352717,0.0029821494,0.0054362873,0.0209596,0.025986604,0.4711639,0.00016202418,0.007834006,0.20561448,0.24098046,0.0052217343],"study_design_scores_gemma":[0.0036845729,0.0014186524,0.00037770963,0.0015170979,0.004302698,0.00011796738,0.6055656,0.0008636916,0.0007896144,0.0005481034,0.37649658,0.00431773],"about_ca_topic_score_codex":0.00060976285,"about_ca_topic_score_gemma":0.0013505268,"teacher_disagreement_score":0.44912285,"about_ca_system_score_codex":0.0009474193,"about_ca_system_score_gemma":0.0010531441,"threshold_uncertainty_score":0.99923164},"labels":[],"label_agreement":null},{"id":"W7018978444","doi":"","title":"Essai, rapport, ébauche de programme politique ?. J.-M. Aussant, C. Bolduc, V. Côté, M. Labrecque-Saganash,\\n A. Lanctôt, K. Mayrand, G. Nadeau-Dubois, W. Prosper et A. Vadeboncoeur, Ne\\n renonçons à rien, Montréal, Lux Éditeur, 2017, 224 pages","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Moncton","funders":"","keywords":"Government (linguistics); Work (physics); Context (archaeology); Agency (philosophy); Power (physics)","score_opus":0.02371345029526974,"score_gpt":0.21324158982356256,"score_spread":0.1895281395282928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018978444","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14785157,0.29114383,0.0002580013,0.4171275,0.0033281215,0.0029394054,0.0032393972,0.00067937473,0.1334328],"genre_scores_gemma":[0.23153518,0.1724364,0.0006934311,0.0015416925,0.0019875292,0.00012693813,0.00038246982,0.00027469287,0.59102166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940056,0.00058481056,0.0008353322,0.0014199317,0.000695021,0.0024593014],"domain_scores_gemma":[0.9946613,0.00030692702,0.0012131,0.0021848658,0.00049487967,0.0011389817],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013373435,0.0012570331,0.0013476321,0.0005281333,0.0063025393,0.0012255796,0.001667358,0.0007971613,0.0013782396],"category_scores_gemma":[0.00019107928,0.0013120096,0.00087796134,0.00021936698,0.0018760216,0.0014844628,0.0009816694,0.0014362292,0.00021833996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043763526,0.0007989691,0.0039743804,0.00025028415,0.00076252205,0.0036102545,0.010898736,0.000020695235,0.00018515685,0.31409085,0.6483657,0.016604858],"study_design_scores_gemma":[0.0041224295,0.0005037134,0.005234772,0.0004307921,0.00062212057,0.0005433961,0.006108105,0.000635758,0.00014116768,0.011513628,0.9686411,0.0015030346],"about_ca_topic_score_codex":0.115169704,"about_ca_topic_score_gemma":0.53766984,"teacher_disagreement_score":0.45758885,"about_ca_system_score_codex":0.0025418857,"about_ca_system_score_gemma":0.00058707246,"threshold_uncertainty_score":0.99981123},"labels":[],"label_agreement":null},{"id":"W7019520491","doi":"","title":"Graphic war navy the secret naval drawings and illustrations of World War II","year":2024,"lang":"en","type":"other","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Treasure; Navy; World War II; Adversary; First world war; Spanish Civil War","score_opus":0.01843329975351911,"score_gpt":0.2234415447692384,"score_spread":0.2050082450157193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019520491","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00070039526,0.0068194405,0.000003967311,0.0017154447,0.00057894894,0.00023652246,0.0001830199,0.00010032049,0.98966193],"genre_scores_gemma":[0.055779576,0.00067848514,0.00001839827,0.00014366778,0.00056142017,0.000014671716,0.0000216837,0.00012805912,0.942654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992685,0.000023604114,0.0002153704,0.00022305342,0.00013792835,0.00013158744],"domain_scores_gemma":[0.99955624,0.00004602455,0.000102009166,0.00022781074,0.00003400576,0.000033909007],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010661055,0.00020542885,0.00024229709,0.00035406832,0.0002476443,0.000073767354,0.00014739239,0.000065894375,0.010674265],"category_scores_gemma":[0.000004583839,0.00012028369,0.00014003778,0.00009097828,0.0007341109,0.00003718917,0.00008650287,0.00024562966,0.000022857668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014913851,0.000011033246,0.0000044743188,0.00005322836,0.00010859796,9.1265315e-7,0.013835123,4.0805308e-8,0.0000033826843,0.49709246,0.48876643,0.00012282819],"study_design_scores_gemma":[0.00008083093,0.000046664536,0.0000050123576,0.00017446167,0.00007545545,0.0000013005298,0.0066635534,0.00002100104,0.0000040839764,0.024721626,0.9680422,0.00016378501],"about_ca_topic_score_codex":0.0008389714,"about_ca_topic_score_gemma":0.039969563,"teacher_disagreement_score":0.4792758,"about_ca_system_score_codex":0.000003242626,"about_ca_system_score_gemma":0.000027350357,"threshold_uncertainty_score":0.9902301},"labels":[],"label_agreement":null},{"id":"W7019680321","doi":"","title":"If Peter Pan is a (graphic) novel for girls : a creative process report","year":2023,"lang":"pt","type":"article","venue":"Lume (Universidade Federal do Rio Grande do Sul)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Process (computing); Principal (computer security); Work (physics); Subject (documents)","score_opus":0.02902224693334948,"score_gpt":0.2623245069878302,"score_spread":0.23330226005448074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019680321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92299,0.0007843668,0.00063926075,0.012010027,0.0027035319,0.003471066,0.003350329,0.0005783576,0.053473055],"genre_scores_gemma":[0.83605456,0.0002712088,0.0000414062,0.00039104067,0.00065672677,0.00011606512,0.00039187542,0.00012045523,0.16195665],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957391,0.0000993207,0.00077318755,0.0014378608,0.0006932373,0.0012572755],"domain_scores_gemma":[0.9972353,0.00027414144,0.00064080296,0.0007189359,0.0007524909,0.00037830113],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005342589,0.00087531534,0.0010806106,0.0011741947,0.003276113,0.0020211125,0.0006531184,0.0003809121,0.0022667842],"category_scores_gemma":[0.00008922224,0.00088029524,0.0011402498,0.0009456678,0.0007473287,0.0009764377,0.00022198145,0.0006308046,0.000110974965],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031872229,0.0012433539,0.009846685,0.0017864725,0.0037347474,0.0013062424,0.60826886,0.000033938053,0.0005579443,0.18706067,0.1791314,0.0038424938],"study_design_scores_gemma":[0.014527065,0.001778154,0.026198125,0.0012480344,0.0009161198,0.00017409778,0.24589314,0.0023190184,0.00012271442,0.031666696,0.6717546,0.0034022736],"about_ca_topic_score_codex":0.0008059318,"about_ca_topic_score_gemma":0.0021236162,"teacher_disagreement_score":0.49262318,"about_ca_system_score_codex":0.00011049863,"about_ca_system_score_gemma":0.00029635808,"threshold_uncertainty_score":0.9993648},"labels":[],"label_agreement":null},{"id":"W7026745528","doi":"","title":"The Artists of World War 3 Illustrated put Comics in the Spotlight","year":2011,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Cartoonist; World War II; The arts; Comics; Theme (computing); Politics; Art world","score_opus":0.050802563985038546,"score_gpt":0.198953683738155,"score_spread":0.14815111975311646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026745528","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9133471,0.00026931646,0.000016267824,0.0007759538,0.00009037871,0.00017537943,0.00007520335,0.000021887181,0.08522846],"genre_scores_gemma":[0.9959752,0.00007959729,0.00006833532,0.00003743656,0.000017747547,2.9511625e-7,0.000010520426,0.000009538112,0.0038013326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99920565,0.00015310157,0.00016874238,0.00012698429,0.00017586905,0.00016964166],"domain_scores_gemma":[0.9990878,0.00015612991,0.00018523389,0.0004003497,0.00012961078,0.000040848267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003320944,0.00010873858,0.00018361742,0.00023286448,0.0006186417,0.00007402642,0.0007641413,0.000029352625,0.00017926973],"category_scores_gemma":[0.000015208092,0.0000814478,0.00010085677,0.00027638648,0.0008119273,0.0004446598,0.00010237641,0.00033101215,0.00000794257],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019425034,0.00036750172,0.19693106,0.000019938063,0.00018499802,0.000042138818,0.08411732,0.000004060804,0.000012437097,0.70537716,0.010786425,0.0019626745],"study_design_scores_gemma":[0.000840192,0.00016585934,0.6729531,0.00004970634,0.00007963681,0.0000022240263,0.024861792,0.00013791054,0.000012978655,0.006586716,0.2940756,0.00023428256],"about_ca_topic_score_codex":0.0033822062,"about_ca_topic_score_gemma":0.43261322,"teacher_disagreement_score":0.6987905,"about_ca_system_score_codex":0.000013042705,"about_ca_system_score_gemma":0.000036916426,"threshold_uncertainty_score":0.57774013},"labels":[],"label_agreement":null},{"id":"W7027507582","doi":"","title":"In conversation with Vincent Giard: A decade taking care of a little colossus","year":2022,"lang":"en","type":"article","venue":"UPM Digital Archive (Technical University of Madrid)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colossus computer; Conversation; Publishing; Politics; Point (geometry)","score_opus":0.009459413312958942,"score_gpt":0.1814720867585091,"score_spread":0.17201267344555016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027507582","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95211643,0.000050439918,0.00035175958,0.00046137645,0.000050105038,0.00028506448,0.000638064,0.000029118812,0.04601764],"genre_scores_gemma":[0.99958086,0.0000061607575,0.00011620877,0.000021382235,0.000010890115,8.9791246e-7,0.000042580778,0.000005568173,0.0002154396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993817,0.000033736826,0.00012324515,0.00015911256,0.00018636936,0.00011581493],"domain_scores_gemma":[0.99953806,0.0001098766,0.0001542019,0.000113243725,0.00005040731,0.00003421915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000047410795,0.00007921499,0.00017667958,0.00016910648,0.00014605727,0.000017003327,0.00020980497,0.000014843054,0.0003767735],"category_scores_gemma":[0.000012932596,0.00008189086,0.00008033378,0.000081870225,0.00048501516,0.00016600246,0.0002423912,0.00016673157,0.0000013074172],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002100665,0.0007210072,0.011396216,0.00014076251,0.000112218484,0.00014771166,0.14592119,0.0005627523,0.0007525059,0.83263576,0.0011580412,0.0043511684],"study_design_scores_gemma":[0.0067029735,0.0044770753,0.040926393,0.00029673756,0.0001161842,0.000025449184,0.3999116,0.0006366935,0.00059355586,0.03574396,0.5096142,0.0009551572],"about_ca_topic_score_codex":0.00036719293,"about_ca_topic_score_gemma":0.0021747015,"teacher_disagreement_score":0.7968918,"about_ca_system_score_codex":0.000093086215,"about_ca_system_score_gemma":0.00006188588,"threshold_uncertainty_score":0.41254056},"labels":[],"label_agreement":null},{"id":"W7028624236","doi":"","title":"Governing carbon: China in global climate politics","year":2012,"lang":"en","type":"dissertation","venue":"Sussex Research Online (University of Sussex)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Culham Centre for Fusion Energy; Centro de Desenvolvimento de Materiais Funcionais; Ministry of Foreign Affairs; European Commission; National Development and Reform Commission; Canada Excellence Research Chairs, Government of Canada; U.S. Department of Energy","keywords":"Government (linguistics); Derogation; Context (archaeology); Work (physics); TSG101; Pretext","score_opus":0.05217672478544088,"score_gpt":0.3221180081389378,"score_spread":0.26994128335349693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028624236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86666536,0.0012199152,2.2062234e-7,0.0005590752,0.00041066064,0.00028496902,0.0011765357,0.000030739506,0.12965253],"genre_scores_gemma":[0.97314435,0.0009960341,0.000041919804,0.000005507045,0.0004862067,7.614626e-7,0.0015296728,0.000030757536,0.02376478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.997344,0.00023873837,0.00028018263,0.00041090103,0.0008086002,0.0009175429],"domain_scores_gemma":[0.99859154,0.0001375287,0.0002238081,0.0003637501,0.000489593,0.00019378644],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076033233,0.00028312168,0.0005414492,0.0006403844,0.0005835354,0.00007392773,0.0006418478,0.00025170663,0.00094190537],"category_scores_gemma":[0.00007653142,0.00032823786,0.0001977308,0.0003453647,0.00053104485,0.00026299752,0.00022414273,0.0010765601,0.000023265839],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008825001,0.0014218978,0.043596905,0.001994504,0.00033697017,0.00025052333,0.16047974,0.0000055493333,0.00014907414,0.7841631,0.0022082936,0.0045109508],"study_design_scores_gemma":[0.0017994384,0.0004500148,0.32440108,0.00087673607,0.00011087439,0.000003816522,0.5686068,0.00039277683,0.000012524399,0.016315654,0.08608002,0.0009502474],"about_ca_topic_score_codex":0.027007781,"about_ca_topic_score_gemma":0.24622592,"teacher_disagreement_score":0.7678474,"about_ca_system_score_codex":0.0003496822,"about_ca_system_score_gemma":0.0004190953,"threshold_uncertainty_score":0.9999714},"labels":[],"label_agreement":null},{"id":"W7028984503","doi":"","title":"Improved clustering techniques in wireless sensor networks","year":2012,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cluster analysis; Wireless sensor network; Energy consumption; Latency (audio); Key distribution in wireless sensor networks; Efficient energy use; Fault detection and isolation","score_opus":0.018816216193294783,"score_gpt":0.23139818277975777,"score_spread":0.21258196658646297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028984503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82852477,0.00046001896,6.4456145e-7,0.000017079647,0.0027071172,0.0009832926,0.0004623145,0.0003771614,0.16646759],"genre_scores_gemma":[0.98155993,0.00033344672,0.00013157581,0.00014122567,0.00041785385,0.0002507805,0.00065507524,0.00021719026,0.016292928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968311,0.00022618029,0.00094234507,0.00078461017,0.00033962252,0.00087612437],"domain_scores_gemma":[0.9982138,0.00016664798,0.00055280974,0.0005722072,0.00027909345,0.00021543089],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007089982,0.0007975615,0.00085995253,0.00063233444,0.0010943494,0.0002584054,0.0005238703,0.00064942415,0.0006721144],"category_scores_gemma":[0.000070527705,0.0008037681,0.0003624223,0.00019194996,0.00011946813,0.0007269866,0.00013773449,0.0018332149,0.000031657084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000607097,0.00054405193,0.000105169864,0.0007212613,0.00037480408,0.00006794121,0.001003471,0.00001722468,0.028483309,0.60616446,0.000020152736,0.36189103],"study_design_scores_gemma":[0.0044436757,0.0010793449,0.0032832006,0.0057671927,0.0008617746,0.000059909053,0.022595225,0.0034352674,0.059831124,0.04798753,0.83942175,0.011234037],"about_ca_topic_score_codex":0.0013015484,"about_ca_topic_score_gemma":0.061547663,"teacher_disagreement_score":0.83940154,"about_ca_system_score_codex":0.00029223494,"about_ca_system_score_gemma":0.000026221536,"threshold_uncertainty_score":0.9994413},"labels":[],"label_agreement":null},{"id":"W7029974537","doi":"","title":"Le Province Marittime nell'ambito del contesto canadese: aspetti geografici, storico-culturali ed economici","year":2013,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inventory analysis; Reel; Public work","score_opus":0.004955948114957957,"score_gpt":0.16430821568290394,"score_spread":0.159352267567946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029974537","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9723967,0.0031420654,0.000037182697,0.0025012346,0.00022123221,0.0005492415,0.00004382243,0.000044196553,0.021064376],"genre_scores_gemma":[0.93985444,0.00031177572,0.00003700033,0.000027725557,0.00011526985,0.0000033444587,0.000036213387,0.000019863874,0.059594378],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986059,0.000102786114,0.00027868664,0.00042221879,0.00012206575,0.00046833072],"domain_scores_gemma":[0.99878514,0.00016625946,0.00031831022,0.00029022506,0.00025824108,0.00018180508],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00008629998,0.00027778177,0.0003933768,0.00013295478,0.001953339,0.00030699745,0.00031426558,0.00010636341,0.00044484323],"category_scores_gemma":[0.000013645333,0.0003058937,0.0001971318,0.00008458354,0.00049326866,0.0006924001,0.00006450378,0.00026696484,0.000020811334],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021228146,0.0004780383,0.0028211828,0.00015154533,0.0008343943,0.000019052795,0.03996696,0.00009910842,0.0065826387,0.93681675,0.010007384,0.0020106481],"study_design_scores_gemma":[0.00397529,0.0023631854,0.07397879,0.00039835842,0.00094065326,0.00006897015,0.59218466,0.005830006,0.0011661228,0.012280276,0.30442044,0.0023932753],"about_ca_topic_score_codex":0.13651218,"about_ca_topic_score_gemma":0.08867826,"teacher_disagreement_score":0.92453647,"about_ca_system_score_codex":0.00014126551,"about_ca_system_score_gemma":0.00068383315,"threshold_uncertainty_score":0.9999393},"labels":[],"label_agreement":null},{"id":"W7030307216","doi":"","title":"Mira Falardeau, L’art de la bande dessinée actuelle au Québec, Québec, Presses de l’Université Laval, 2020. 176 pages","year":2020,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Term (time); Field (mathematics)","score_opus":0.00787521244835712,"score_gpt":0.1651333858544482,"score_spread":0.15725817340609108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030307216","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20652369,0.2855226,0.00029859328,0.45970222,0.00035010284,0.000393158,0.00036454195,0.0002466336,0.046598442],"genre_scores_gemma":[0.4914348,0.25628328,0.00031708291,0.0019268726,0.0013078764,0.000011805241,0.0000758686,0.00015372474,0.24848868],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739575,0.00044693268,0.00029233916,0.0006225391,0.00031500033,0.00092746085],"domain_scores_gemma":[0.99790144,0.000582168,0.00027065427,0.00040237466,0.00014094358,0.0007024075],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002906354,0.0005562086,0.00060120027,0.00015665348,0.002467675,0.00023791454,0.00069245376,0.00033615614,0.0052916645],"category_scores_gemma":[0.0000927354,0.0006356383,0.00048253677,0.00019506497,0.00076248136,0.0004611635,0.00050233916,0.0006375642,0.00023888383],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043017566,0.00024471607,0.006068194,0.00021158773,0.000610778,0.0024935643,0.05802258,0.00018455286,0.001171781,0.016781418,0.90396893,0.009811711],"study_design_scores_gemma":[0.0015545705,0.0002572692,0.005032529,0.00014570997,0.00053220295,0.00015239112,0.016269883,0.00083420385,0.0003664884,0.000686789,0.97349733,0.00067062123],"about_ca_topic_score_codex":0.5934008,"about_ca_topic_score_gemma":0.9582354,"teacher_disagreement_score":0.45777535,"about_ca_system_score_codex":0.0056297695,"about_ca_system_score_gemma":0.0014322769,"threshold_uncertainty_score":0.9996095},"labels":[],"label_agreement":null},{"id":"W7032894684","doi":"","title":"Penser cette science vivante qu’est l’archéologie","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"","score_opus":0.03911897816797291,"score_gpt":0.24378845183083359,"score_spread":0.20466947366286067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7032894684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.366545,0.004698189,0.0012718097,0.15091579,0.0018875888,0.0004797703,0.00024981264,0.00047632173,0.47347572],"genre_scores_gemma":[0.820493,0.004047281,0.0010567002,0.00024230512,0.000119936165,0.000028673783,0.00008917719,0.00004396554,0.17387898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99527675,0.002062819,0.00049361034,0.00076901185,0.0005669863,0.0008308319],"domain_scores_gemma":[0.9940817,0.0018189568,0.00027661314,0.0014280566,0.0021240364,0.00027068154],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0074820104,0.00031972618,0.00032349103,0.0005139231,0.0025025713,0.0012330299,0.0013817027,0.00011731813,0.0012936029],"category_scores_gemma":[0.0015962245,0.00032755753,0.0002146183,0.0010747033,0.0040664347,0.0005226057,0.00088193704,0.00046656228,0.00073607394],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008190986,0.00023988671,0.0006254014,0.000057629928,0.000034442583,0.000015300502,0.038058862,0.0000071609984,0.0024503067,0.92560387,0.008708864,0.024190083],"study_design_scores_gemma":[0.0006032725,0.0000021206315,0.007424809,0.0010827784,0.000045211218,0.000014590497,0.0041570435,0.008943997,0.009685564,0.026518898,0.94089377,0.0006279292],"about_ca_topic_score_codex":0.0025537636,"about_ca_topic_score_gemma":0.0068008127,"teacher_disagreement_score":0.93218493,"about_ca_system_score_codex":0.00009911359,"about_ca_system_score_gemma":0.00042785134,"threshold_uncertainty_score":0.9999176},"labels":[],"label_agreement":null},{"id":"W7034134387","doi":"","title":"State legal pluralism: between conflict and dialogue insights from a colombian case","year":2012,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); Legal pluralism; Supreme court; Constitutional court; Legal culture; Pluralism (philosophy); Judicial review; Economic Justice","score_opus":0.008256238734553013,"score_gpt":0.15086190937636298,"score_spread":0.14260567064180998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034134387","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044524074,0.0037911248,0.000002019514,0.0012499397,0.0004637058,0.00028086622,0.007754879,0.00002188563,0.9419115],"genre_scores_gemma":[0.6258228,0.00043563163,0.00004131333,0.0005244417,0.00048608152,0.000007334289,0.00009641609,0.00010219647,0.3724838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856675,0.00006858615,0.00025939074,0.00026577932,0.0005833204,0.00025616147],"domain_scores_gemma":[0.99904996,0.00022632924,0.00023928293,0.00018004062,5.239087e-7,0.00030387184],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000005200636,0.00030124412,0.0004575095,0.000052886393,0.00022651859,0.00009227603,0.00013366497,0.000044303506,0.00056729047],"category_scores_gemma":[0.0000010466472,0.00026614897,0.000032523658,0.00001834167,0.0003078804,0.00021360719,0.00012995627,0.00018824147,6.2827246e-9],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020829652,0.000044076452,0.0056310315,0.00026107545,0.0009868802,0.0014420256,0.009744309,3.695195e-7,0.0001825585,0.81820357,0.15603496,0.00726087],"study_design_scores_gemma":[0.0003391933,0.000044489614,0.0013299049,0.00012275782,0.000059836646,0.000008465241,0.0035517036,0.00001191806,0.00024788154,0.001231356,0.9927024,0.0003500755],"about_ca_topic_score_codex":0.17753184,"about_ca_topic_score_gemma":0.7968417,"teacher_disagreement_score":0.8366675,"about_ca_system_score_codex":0.0000034418817,"about_ca_system_score_gemma":0.00046030773,"threshold_uncertainty_score":0.9999791},"labels":[],"label_agreement":null},{"id":"W7036350106","doi":"","title":"Budget du Québec: la petite révolution fiscale d'un état dépensier","year":2011,"lang":"fr","type":"other","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Term (time); Perspective (graphical); Context (archaeology)","score_opus":0.008388585048220426,"score_gpt":0.19100179810745552,"score_spread":0.18261321305923509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036350106","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011810094,0.052629147,0.051866703,0.03814913,0.002206744,0.0028417204,0.0012344804,0.0014938219,0.83776814],"genre_scores_gemma":[0.06320315,0.00741277,0.008568507,0.0022009632,0.0029236726,0.00069377007,0.00016222007,0.00074545306,0.9140895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99597186,0.00047758946,0.0009260747,0.0009986786,0.00044443732,0.0011813845],"domain_scores_gemma":[0.99689376,0.00035391765,0.0007301355,0.0012590132,0.00026957528,0.00049360783],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007014054,0.0011423943,0.0010677087,0.00075199903,0.0011209872,0.0006571757,0.00088228623,0.0009813948,0.03413744],"category_scores_gemma":[0.0001884936,0.0011243207,0.0007525669,0.00024605394,0.0014303538,0.00033982095,0.00040625452,0.0012277834,0.0006217628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016722061,0.0007511703,0.009672258,0.00017561507,0.00048101175,0.00017727808,0.0072134067,0.000024269477,0.0002668925,0.73358345,0.22314577,0.024341654],"study_design_scores_gemma":[0.0007285329,0.00026994396,0.01387647,0.00041247174,0.00024981238,0.00015860146,0.00052566984,0.0023142898,0.0002540084,0.013158865,0.9667596,0.0012917154],"about_ca_topic_score_codex":0.32250354,"about_ca_topic_score_gemma":0.5246734,"teacher_disagreement_score":0.74361384,"about_ca_system_score_codex":0.0006066643,"about_ca_system_score_gemma":0.0007480439,"threshold_uncertainty_score":0.9991207},"labels":[],"label_agreement":null},{"id":"W7039294894","doi":"","title":"Let’s plan a fantastic 2018","year":2018,"lang":"en","type":"article","venue":"Canadian acoustics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.03394822015060927,"score_gpt":0.2040388168358712,"score_spread":0.1700905966852619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039294894","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4203259,0.00028408898,0.00073540857,0.0028808583,0.0065957312,0.00033967107,0.00139643,0.00012945256,0.5673125],"genre_scores_gemma":[0.9870314,0.000008897882,0.000057662724,0.0014534149,0.0018070277,0.0000034136203,0.000019703364,0.00001625963,0.009602201],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993573,0.000010352225,0.00011472485,0.0001357549,0.00007474521,0.00030711392],"domain_scores_gemma":[0.99939114,0.000032468135,0.000029165109,0.00017154794,0.000098762095,0.00027694073],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000054304113,0.00010400152,0.00010025954,0.00016575288,0.00046686325,0.00015368673,0.00014591237,0.00003493737,0.0037279902],"category_scores_gemma":[0.00003718271,0.000097585886,0.000033500008,0.00003851916,0.00044863237,0.000051791852,0.000013192565,0.00009132208,0.00040779074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000086778155,0.00001563426,0.0002635104,0.000013443878,0.000046627698,0.00004438029,0.02538154,0.0000036062277,0.00041579822,0.42743832,0.5438872,0.002481238],"study_design_scores_gemma":[0.00016544371,0.00013425075,0.0013981563,0.000019671903,0.000029220046,0.000006504849,0.003526938,0.0009609244,0.000008498747,0.0067865723,0.98672265,0.00024118746],"about_ca_topic_score_codex":0.029466534,"about_ca_topic_score_gemma":0.46776074,"teacher_disagreement_score":0.5667055,"about_ca_system_score_codex":0.000058875044,"about_ca_system_score_gemma":0.00024121426,"threshold_uncertainty_score":0.9971827},"labels":[],"label_agreement":null},{"id":"W7039652454","doi":"","title":"A Multidimensional Perspective on Cognitive Functioning Across Sport Classifications in High-Performance Athletes","year":2025,"lang":"en","type":"other","venue":"York University Digital Library (York University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Athletes; Cognition; Perspective (graphical); Profiling (computer programming); Cognitive skill; Working memory; Neuropsychology; Sample (material)","score_opus":0.013776270798547964,"score_gpt":0.18132940086210134,"score_spread":0.16755313006355338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039652454","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03437773,0.00013103343,0.000014174994,0.00023868974,0.00035857467,0.0003780528,0.0038199,0.00037288995,0.96030897],"genre_scores_gemma":[0.27277797,0.00015385557,0.0000344787,0.00007234604,0.00014004047,3.3412442e-7,0.0006633828,0.000069796275,0.7260878],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985656,0.000035114397,0.00014900703,0.0006822278,0.00020361143,0.00036444722],"domain_scores_gemma":[0.9991667,0.00015652234,0.00022266712,0.00026025588,0.000077694625,0.00011612472],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000023124898,0.00040250266,0.0004121001,0.0013968347,0.0006351573,0.00023548682,0.0004090032,0.00022493106,0.0017863002],"category_scores_gemma":[0.000010171058,0.00047404575,0.00019536998,0.0006432518,0.0006750377,0.0010262594,0.00028146003,0.00050186814,0.00017856453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059822,0.00038745767,0.0053958115,0.00004704571,0.0003203158,0.00016398026,0.003868116,0.000020899093,4.165802e-7,0.916416,0.0719203,0.0008614503],"study_design_scores_gemma":[0.0012326094,0.000133695,0.0015066839,0.0009831404,0.000056948207,6.8650183e-7,0.073516354,0.000024442483,0.000003651745,0.00024142931,0.921776,0.00052436104],"about_ca_topic_score_codex":0.00051082793,"about_ca_topic_score_gemma":0.0007526098,"teacher_disagreement_score":0.91617453,"about_ca_system_score_codex":0.00021288921,"about_ca_system_score_gemma":0.0003179456,"threshold_uncertainty_score":0.9997711},"labels":[],"label_agreement":null},{"id":"W7042504350","doi":"","title":"Political cartoon and graphic magazine brings exhibit to Grand Forks galleries","year":2011,"lang":"en","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Politics; Theme (computing); The arts; Terrorism; Comics; World War II; Painting","score_opus":0.04182239685740517,"score_gpt":0.19713866468219682,"score_spread":0.15531626782479163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042504350","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92021656,0.00013548478,0.00006597708,0.0006899444,0.000088306784,0.00015976933,0.00008633717,0.00004150479,0.07851613],"genre_scores_gemma":[0.9979092,0.000022179314,0.0003023788,0.00010482848,0.000035165045,4.057805e-7,0.000010553253,0.0000120301775,0.0016032915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9990018,0.000038183294,0.00013833339,0.00027496528,0.00021056314,0.00033614828],"domain_scores_gemma":[0.99899524,0.000044675096,0.0000683368,0.00030173568,0.00028927161,0.00030076524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016853247,0.00016187978,0.0002670451,0.00051304465,0.00091043964,0.00021279548,0.0003507776,0.00004412007,0.00034353667],"category_scores_gemma":[0.00002546835,0.00018121187,0.000101023295,0.0001925347,0.0011666184,0.0012384228,0.00027814865,0.00027881135,0.000017924307],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017640997,0.00012412597,0.19778694,0.000029137991,0.0001154432,0.000028229533,0.03253453,9.3629225e-8,0.000049115064,0.76680917,0.0011382139,0.001208611],"study_design_scores_gemma":[0.00085396133,0.0004500154,0.87577236,0.000049451362,0.00011723527,0.000006457137,0.0073690806,0.000011564276,0.000022428627,0.010579649,0.10440402,0.0003637639],"about_ca_topic_score_codex":0.0008983286,"about_ca_topic_score_gemma":0.044373706,"teacher_disagreement_score":0.7562295,"about_ca_system_score_codex":0.000021167732,"about_ca_system_score_gemma":0.000045142933,"threshold_uncertainty_score":0.973064},"labels":[],"label_agreement":null},{"id":"W7043039996","doi":"","title":"Sarah Lightman, 37th Annual ODU Literary Festival","year":2014,"lang":"en","type":"article","venue":"ODU Digital Commons (Old Dominion University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Confessional; Biography; Animation; Performance art; Judaism","score_opus":0.011228912697580654,"score_gpt":0.1708246085122913,"score_spread":0.15959569581471067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043039996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3368653,0.000059101432,0.00008584135,0.0012817825,0.00058129814,0.00015678353,0.00041644787,0.00017124593,0.6603822],"genre_scores_gemma":[0.89747834,0.0000101985615,0.000019554922,0.00012822953,0.00035275365,5.56308e-7,0.000087302964,0.000019598985,0.10190347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988894,0.0000783883,0.00019678628,0.00035117162,0.00018444457,0.00029982085],"domain_scores_gemma":[0.99898046,0.00023472695,0.00011316463,0.0003811674,0.000119227676,0.0001712232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010211439,0.00024663165,0.00028699156,0.00043544456,0.00054259406,0.0004808132,0.00041499324,0.000067222674,0.00028936547],"category_scores_gemma":[0.000036765876,0.00024000062,0.00020187313,0.00017866888,0.00038495762,0.0012188976,0.00024474814,0.00021614117,0.00013437569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017573412,0.00021783532,0.001969145,0.000013776111,0.00006676929,0.0000353419,0.008817275,0.0000019444922,0.0000127800895,0.95081896,0.02803727,0.009833163],"study_design_scores_gemma":[0.00089177536,0.00023472476,0.000966925,0.000039808532,0.000019617828,0.000005744968,0.0022434935,0.000051976112,0.000023910208,0.0075807916,0.987604,0.00033718906],"about_ca_topic_score_codex":0.00003637039,"about_ca_topic_score_gemma":0.00028874294,"teacher_disagreement_score":0.9595668,"about_ca_system_score_codex":0.000039547376,"about_ca_system_score_gemma":0.000032877946,"threshold_uncertainty_score":0.97869414},"labels":[],"label_agreement":null},{"id":"W7043932495","doi":"","title":"Valuable Graphic Novels in the Swedish Classroom - Teaching Fundamental Values with Maus, Persepolis and Jannah in Upper Secondary School in Sweden","year":2025,"lang":"sv","type":"article","venue":"KTH Publication Database DiVA (KTH Royal Institute of Technology)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social impact; Canadian literature; Criticism","score_opus":0.0201002198717608,"score_gpt":0.2736778534822972,"score_spread":0.25357763361053637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043932495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.947083,0.0030821655,0.000038416838,0.022433326,0.0004128591,0.0013225029,0.0011261157,0.000082009996,0.024419619],"genre_scores_gemma":[0.99551326,0.00044786793,0.00066470535,0.00074287143,0.00006682499,0.0002597783,0.0006651074,0.000022789141,0.0016168068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705696,0.00017788736,0.0009829336,0.0008388709,0.00035775453,0.00058560295],"domain_scores_gemma":[0.9982424,0.00010572137,0.0003720485,0.0010149985,0.00018595431,0.000078891135],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014180512,0.00044893596,0.0006058915,0.0036677779,0.00055486435,0.0005062727,0.0010187668,0.00026618928,0.00027293942],"category_scores_gemma":[0.00046135424,0.00036193195,0.00008913935,0.001334275,0.0016643462,0.0014912514,0.0005780036,0.0017528711,0.000005089786],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014410134,0.0011113136,0.17942381,0.00032800314,0.00015419692,0.000029630397,0.0046611875,0.000035257784,0.00013088182,0.79844457,0.0114740925,0.0040629823],"study_design_scores_gemma":[0.008860933,0.00056623394,0.21017948,0.0033747926,0.00022619592,0.000031927066,0.096763656,0.004104826,0.00018270394,0.016619544,0.6576556,0.0014341162],"about_ca_topic_score_codex":0.0041928543,"about_ca_topic_score_gemma":0.015253401,"teacher_disagreement_score":0.781825,"about_ca_system_score_codex":0.00015432136,"about_ca_system_score_gemma":0.000513826,"threshold_uncertainty_score":0.9998833},"labels":[],"label_agreement":null},{"id":"W7044025620","doi":"","title":"Vicoli e ruelles rappresentazioni dello spazio urbano nel fumetto tra Italia e Québec = représentations de l'espace urbain dans la bande dessinée entre l'Italie et le Québec = representations of urban space in Italian and Quebecois comics","year":2022,"lang":"fr","type":"other","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Urban space; Space (punctuation); Urban planning; Public space; Urban environment","score_opus":0.010745572566396614,"score_gpt":0.24964510862267875,"score_spread":0.23889953605628214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044025620","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.092397556,0.01176831,0.0009209366,0.026518026,0.00050199113,0.0018777018,0.0018416502,0.00021356721,0.86396027],"genre_scores_gemma":[0.30340555,0.0009345111,0.000728534,0.00027104895,0.00017620211,0.00019603287,0.00031994042,0.00035945335,0.6936087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99563885,0.0010502529,0.0011006545,0.0010787032,0.0004354746,0.00069606386],"domain_scores_gemma":[0.9966841,0.0012129331,0.0007649281,0.0009017244,0.00010507515,0.0003312654],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047362526,0.00084902265,0.0010764003,0.0010445568,0.0008423308,0.00050963205,0.0005465635,0.0003458715,0.017008891],"category_scores_gemma":[0.00017645587,0.0009061964,0.00047144727,0.00041709925,0.002106723,0.00035610062,0.00035442895,0.00071414624,0.0000147694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009838355,0.00088726374,0.060473476,0.00018415914,0.00045517285,0.00007196313,0.13537878,0.00024215553,0.00026172088,0.6286181,0.17321712,0.000111720685],"study_design_scores_gemma":[0.0020410237,0.00014009913,0.012009868,0.00023997456,0.00025968283,0.000042277905,0.2542398,0.00086216256,0.00009741246,0.0020726596,0.7270514,0.000943689],"about_ca_topic_score_codex":0.8386108,"about_ca_topic_score_gemma":0.9859025,"teacher_disagreement_score":0.6265454,"about_ca_system_score_codex":0.0004870525,"about_ca_system_score_gemma":0.0025137956,"threshold_uncertainty_score":0.99933887},"labels":[],"label_agreement":null},{"id":"W7044075277","doi":"","title":"Textyles n°36-37 : La bande dessinée contemporaine","year":2010,"lang":"fr","type":"book","venue":"Open Repository and Bibliography (University of Liège)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Face (sociological concept); Representation (politics); Context (archaeology); Relation (database)","score_opus":0.021442582338752375,"score_gpt":0.21726525324969453,"score_spread":0.19582267091094216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044075277","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0941349,0.0068350416,0.0000358682,0.0013584729,0.000922886,0.0007999155,0.0004999414,0.00004305578,0.89536995],"genre_scores_gemma":[0.6001991,0.013529649,0.0004468543,0.000057679994,0.00037463763,0.000001497055,0.00008636143,0.000038880447,0.38526532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978226,0.0003622017,0.00041489903,0.0007281178,0.00032680307,0.0003453802],"domain_scores_gemma":[0.9974887,0.00046576216,0.00080012734,0.0005498068,0.00039954192,0.00029606285],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006691281,0.00053839514,0.0009696025,0.005974627,0.002702355,0.0010859788,0.0010992478,0.00062736234,0.0009902057],"category_scores_gemma":[5.394376e-7,0.0005789387,0.0006396838,0.0014826569,0.005235801,0.0010360212,0.00074172334,0.00091291784,0.0000066499097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011908135,0.0008644845,0.0881331,0.00090546237,0.002168617,0.00071578915,0.012332816,6.387346e-7,0.0017167943,0.6808756,0.20975663,0.0013392358],"study_design_scores_gemma":[0.0017419544,0.0005340401,0.035350032,0.0010354314,0.00057949504,0.000077620956,0.007119771,0.000014581677,0.000059615973,0.005805527,0.94680107,0.00088088063],"about_ca_topic_score_codex":0.009062412,"about_ca_topic_score_gemma":0.0013375859,"teacher_disagreement_score":0.7370444,"about_ca_system_score_codex":0.000012377424,"about_ca_system_score_gemma":0.0002492931,"threshold_uncertainty_score":0.999951},"labels":[],"label_agreement":null},{"id":"W7066927827","doi":"","title":"Japanilaiset puhuttelumuodot käännösmangassa","year":2013,"lang":"fi","type":"other","venue":"Tampere University Institutional Repository (Tampere University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Power (physics)","score_opus":0.01277493253964792,"score_gpt":0.16333122730412705,"score_spread":0.15055629476447913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066927827","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046203494,0.00052749814,0.0001516371,0.0005503861,0.003239837,0.0010861567,0.0013679258,0.0004114942,0.94646156],"genre_scores_gemma":[0.13019957,0.0009312631,0.00015416586,0.00015300678,0.0014698684,9.256901e-7,0.0004809556,0.00015355955,0.8664567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995155,0.0005242569,0.0005654191,0.0017239802,0.00095041085,0.0010809489],"domain_scores_gemma":[0.99618405,0.00025096993,0.00080563006,0.0011271193,0.0008466943,0.000785524],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.00017818729,0.0013523332,0.0012188704,0.0023399787,0.005812365,0.0005691936,0.0019690008,0.0011005078,0.025023995],"category_scores_gemma":[0.000047034155,0.0015996997,0.0010909908,0.000684311,0.0040348102,0.0013661736,0.00087040453,0.0015047953,0.00262685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030730513,0.0006281716,0.0007235158,0.00025737876,0.0012823215,0.0027513425,0.004560586,0.00008655237,0.00036888933,0.8968281,0.09162826,0.00057757087],"study_design_scores_gemma":[0.0020574175,0.0002431836,0.00060236134,0.000614727,0.00064466405,0.00014540384,0.020857306,0.00015070036,0.000043064938,0.0001387263,0.9727378,0.0017646585],"about_ca_topic_score_codex":0.0054889894,"about_ca_topic_score_gemma":0.002368816,"teacher_disagreement_score":0.89668936,"about_ca_system_score_codex":0.0017616391,"about_ca_system_score_gemma":0.001558231,"threshold_uncertainty_score":0.99992275},"labels":[],"label_agreement":null},{"id":"W7084131088","doi":"10.14325/mississippi/9781496858344.001.0001","title":"Chester Brown","year":2025,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Memoir; Biography; Narrative; Comic strip","score_opus":0.024010313639433317,"score_gpt":0.18374399168477526,"score_spread":0.15973367804534194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084131088","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000074835545,0.00035086137,0.00000966385,0.00010737327,0.00028317783,0.00020797548,0.00032298898,0.00005265791,0.99859047],"genre_scores_gemma":[0.00083705696,0.000045943536,0.000030956016,0.00005454713,0.00017612967,3.7600643e-7,0.000034471068,0.000016118105,0.9988044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990972,0.000039521754,0.00020716873,0.00030157104,0.00018267114,0.00017183275],"domain_scores_gemma":[0.9989915,0.000103872866,0.00024214134,0.00039746627,0.00018346649,0.00008155274],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006411982,0.00026597021,0.00044663413,0.0002858383,0.00023669448,0.000059033155,0.00051278877,0.00019345473,0.0007077463],"category_scores_gemma":[0.0000070392603,0.0002749453,0.00031259807,0.0000070803057,0.00057906046,0.000060429637,0.00023809761,0.00029997443,0.000003804837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065956636,0.00002511943,0.0000015433518,0.0002564636,0.0002827968,0.000018672416,0.0068922634,3.4454553e-7,0.000007728492,0.77255994,0.21578054,0.004108646],"study_design_scores_gemma":[0.00035186447,0.000040394832,0.0000034656832,0.00040467863,0.00019567893,4.2519716e-7,0.00065961643,0.000004409334,0.00007653093,0.0042181183,0.9937832,0.00026164934],"about_ca_topic_score_codex":0.00011361423,"about_ca_topic_score_gemma":0.00014934229,"teacher_disagreement_score":0.7780026,"about_ca_system_score_codex":0.00005859272,"about_ca_system_score_gemma":0.00032529334,"threshold_uncertainty_score":0.99997026},"labels":[],"label_agreement":null},{"id":"W7099079462","doi":"","title":"Holocene climatic change","year":2000,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aggradation; Permafrost; Climate change; Holocene; Natural (archaeology); Global warming; Quaternary; Flood myth","score_opus":0.07268017388239435,"score_gpt":0.2340503266219434,"score_spread":0.16137015273954902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099079462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48519346,0.000102960774,7.3283957e-7,0.0011783686,0.00007553629,0.000057417998,0.000004128688,0.000042963766,0.5133444],"genre_scores_gemma":[0.94075006,0.00007775612,0.000024272518,0.0010740206,0.00030889467,0.000012591806,0.0000031162954,0.0000048001575,0.057744507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971277,0.000007655571,0.00007142607,0.00006879444,0.00004506247,0.000094321804],"domain_scores_gemma":[0.9998592,0.000012029961,0.000009545155,0.00008369998,0.000012292127,0.0000232204],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000036352776,0.000049629296,0.00006261981,0.000028715114,0.0001231681,0.00006212779,0.000052069634,0.0000091012635,0.08604267],"category_scores_gemma":[0.0000010803784,0.000035848974,0.00003392676,0.000014333023,0.00006640617,0.00009239994,0.000005777243,0.000030912583,0.00055385166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069174675,0.000050956907,0.0001490431,0.000007395601,0.000011952655,0.0000021291994,0.036677662,1.121148e-7,0.0000018461998,0.8872106,0.009111254,0.06677012],"study_design_scores_gemma":[0.00023577276,0.00007684071,0.0014540543,0.000011920314,0.0000074842956,0.000001460941,0.002292178,0.00022400469,0.000018012952,0.021358123,0.97416073,0.0001593927],"about_ca_topic_score_codex":0.00011656267,"about_ca_topic_score_gemma":0.00018104495,"teacher_disagreement_score":0.9650495,"about_ca_system_score_codex":0.0000023591308,"about_ca_system_score_gemma":0.0000021612966,"threshold_uncertainty_score":0.91479284},"labels":[],"label_agreement":null},{"id":"W7104184113","doi":"","title":"Bave anthropophage : les baisers profonds de la bande dessinée (1900-2019 : France – Canada – Belgique)","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Field (mathematics); Population; Reflection (computer programming)","score_opus":0.00975151101035103,"score_gpt":0.219935496533456,"score_spread":0.21018398552310497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104184113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55184793,0.029373823,0.004917267,0.12371397,0.0018131941,0.00082174264,0.0009361652,0.00040260842,0.2861733],"genre_scores_gemma":[0.6976249,0.0034878454,0.0010129116,0.00017925154,0.00009438824,0.000041543593,0.00019416823,0.000057522106,0.29730743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99341106,0.004529123,0.00046683353,0.0005467928,0.00039470877,0.0006514595],"domain_scores_gemma":[0.99550223,0.0021064698,0.00029273014,0.0009322309,0.0009131783,0.00025312853],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003947679,0.00035110366,0.0003542736,0.0001970034,0.0018693623,0.00068845076,0.00073570764,0.0002007657,0.001517404],"category_scores_gemma":[0.00057674455,0.0003766058,0.00017970617,0.00044078613,0.001486239,0.00024451438,0.00029417904,0.0005590617,0.00004477468],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016363909,0.00038967642,0.0070765675,0.00023443364,0.0001464242,0.000062445884,0.056380026,0.00003866123,0.0008574002,0.788396,0.08996329,0.056438714],"study_design_scores_gemma":[0.00072050455,0.0000014529065,0.016089322,0.0012500255,0.000052377924,0.000011982857,0.004812276,0.00523307,0.0051584737,0.0071275705,0.958984,0.0005589552],"about_ca_topic_score_codex":0.4619602,"about_ca_topic_score_gemma":0.72316605,"teacher_disagreement_score":0.8690207,"about_ca_system_score_codex":0.00018894799,"about_ca_system_score_gemma":0.0010679687,"threshold_uncertainty_score":0.9998686},"labels":[],"label_agreement":null},{"id":"W7108665546","doi":"10.59350/ak9pe-dxv04","title":"Comic zum Streit um den \"kanadischen DMCA\"","year":2008,"lang":"","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geist; Comics; Appropriation; Context (archaeology)","score_opus":0.040424597916005105,"score_gpt":0.21719008263448508,"score_spread":0.17676548471847997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7108665546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50351685,0.0039883237,0.00007313854,0.0037784323,0.0013968581,0.00042068792,0.00017177117,0.00009352806,0.4865604],"genre_scores_gemma":[0.8222135,0.0010980088,0.00011622361,0.0005998148,0.0008471327,0.000012048992,0.000023274195,0.000038791954,0.17505121],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784136,0.0000904267,0.00059964054,0.0005208942,0.0002906582,0.00065702765],"domain_scores_gemma":[0.9986976,0.00013525579,0.00017134861,0.0005377077,0.00016110053,0.0002970114],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015162166,0.0004460127,0.00052198087,0.0002633404,0.0019447857,0.00034283588,0.00043061678,0.00013786793,0.033015296],"category_scores_gemma":[0.000019672178,0.0003896488,0.00048798785,0.00010121868,0.0010643508,0.00033536518,0.00016940733,0.00039359264,0.00055274594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006157858,0.00026900868,0.0021114345,0.0000376689,0.00044745434,0.00007839383,0.046146672,0.000002303451,0.000063402884,0.86733603,0.08149769,0.0019483699],"study_design_scores_gemma":[0.0012505831,0.0003713677,0.0026334256,0.00006086871,0.00017654823,0.000040090777,0.013546306,0.00069255964,0.00013714642,0.015018254,0.9651627,0.0009101364],"about_ca_topic_score_codex":0.0028377534,"about_ca_topic_score_gemma":0.01200391,"teacher_disagreement_score":0.883665,"about_ca_system_score_codex":0.00005237084,"about_ca_system_score_gemma":0.0002248595,"threshold_uncertainty_score":0.9998555},"labels":[],"label_agreement":null},{"id":"W7113463893","doi":"","title":"La grille de Calgary Cambridge en bande dessinée : préparer la rencontre","year":2016,"lang":"fr","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cultural environment; Context (archaeology); Limiting","score_opus":0.008957209405342535,"score_gpt":0.21862103016044276,"score_spread":0.20966382075510023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113463893","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26155502,0.0064989435,0.0043655075,0.008900504,0.0006789867,0.0005679818,0.00043644916,0.00018387253,0.71681273],"genre_scores_gemma":[0.6909484,0.0029615208,0.0012926604,0.000087543485,0.00014900816,0.00010395096,0.0011265876,0.000094409676,0.30323592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881843,0.009358083,0.00071025686,0.00075531704,0.00040184738,0.0005901939],"domain_scores_gemma":[0.9913693,0.004954504,0.00061002123,0.0011493678,0.0016291083,0.00028770993],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0048821,0.00056494883,0.0005738604,0.00030890826,0.0015126736,0.0009244437,0.0009466458,0.00054140046,0.0011183729],"category_scores_gemma":[0.0010553295,0.00051481265,0.00039959274,0.00017335662,0.0008269219,0.00031091573,0.00022718249,0.00076929526,0.00008353182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068877715,0.00050228724,0.001809357,0.00023166304,0.00018858058,0.0000255537,0.12680577,9.745224e-7,0.0015726115,0.81773275,0.0056603397,0.045401253],"study_design_scores_gemma":[0.0018479512,0.0000028297973,0.02852496,0.0071647265,0.00025877022,0.00004905488,0.010152404,0.001499409,0.008938389,0.010208449,0.9300195,0.0013335705],"about_ca_topic_score_codex":0.007753413,"about_ca_topic_score_gemma":0.033592947,"teacher_disagreement_score":0.92435914,"about_ca_system_score_codex":0.00018455189,"about_ca_system_score_gemma":0.0006602533,"threshold_uncertainty_score":0.9997947},"labels":[],"label_agreement":null},{"id":"W7115181566","doi":"10.4000/15chg","title":"Jorge J. Santos et Patrick S. Lawrence (dir.), Out of the Gutters. Obscenity, Censorship and Transgression in American Comics","year":2025,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Marine transgression; Comics; Censorship; Popular culture","score_opus":0.026365062231697062,"score_gpt":0.27069445918511487,"score_spread":0.2443293969534178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115181566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9843378,0.00086983945,0.000021898715,0.0043932716,0.0002766063,0.00024445058,0.00007893035,0.000026115793,0.009751056],"genre_scores_gemma":[0.9968156,0.00017249204,0.00003407245,0.00052484556,0.000025616993,0.0000065916342,0.0000023629866,0.000009851196,0.002408565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99933225,0.000103451304,0.00019832894,0.0001439665,0.00009196155,0.00013002245],"domain_scores_gemma":[0.9995637,0.00011747268,0.00009737678,0.0001726681,0.000026059797,0.000022723036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001507801,0.00010301941,0.0001981737,0.000120816294,0.00010789502,0.000041827767,0.00015044548,0.000024241308,0.00004475426],"category_scores_gemma":[0.000027890188,0.00007035801,0.000057492907,0.00010765719,0.0004420761,0.00004690822,0.00006548569,0.00014205641,6.406713e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002149746,0.00049396564,0.24957941,0.00030760415,0.00008604844,0.000007314244,0.11682936,0.0000050631925,0.0036287208,0.57662064,0.0275289,0.02469801],"study_design_scores_gemma":[0.0038295293,0.00032993717,0.5779078,0.0011595066,0.00013450983,0.0000024136496,0.027543359,0.00058603956,0.0035457453,0.030358797,0.35372764,0.00087472296],"about_ca_topic_score_codex":0.0012843151,"about_ca_topic_score_gemma":0.022825573,"teacher_disagreement_score":0.54626185,"about_ca_system_score_codex":0.000007923947,"about_ca_system_score_gemma":0.00002740744,"threshold_uncertainty_score":0.9950053},"labels":[],"label_agreement":null},{"id":"W7115894348","doi":"10.1525/jrpc.23.2.258","title":"Review: India’s Immortal Comic Books, by Karline McLain","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Subject (documents); Narrative","score_opus":0.020024607679358982,"score_gpt":0.2360601067620998,"score_spread":0.2160354990827408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115894348","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2008935,0.7840904,0.000016821696,0.0016315149,0.001021869,0.00025886382,0.00006750956,0.00002288852,0.011996643],"genre_scores_gemma":[0.3479074,0.614549,0.00024115948,0.00968311,0.0010263132,0.0000034840516,0.0000511443,0.000033129527,0.026505278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927855,0.000046511523,0.00036313615,0.000084212654,0.00012077444,0.00010684097],"domain_scores_gemma":[0.99938023,0.0000039121546,0.00031189196,0.00008223428,0.00012534646,0.00009636827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020397233,0.00012417449,0.00026945362,0.0000588885,0.0001348099,0.0000547274,0.000109152395,0.000050327897,0.000113412454],"category_scores_gemma":[0.000017953824,0.00007864477,0.00015134954,0.000024060873,0.00008208538,0.00014772416,0.00001710738,0.0002741044,0.0000037421737],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031682448,0.00004674691,0.00022100682,0.000074388874,0.000056406094,0.000021902462,0.012002971,1.859172e-8,0.000110198096,0.060414385,0.926482,0.0005382471],"study_design_scores_gemma":[0.0003308421,0.00021464581,0.000020205467,0.00039571006,0.00006166571,0.0001245689,0.0004910042,0.0000015354678,0.000034016124,0.0029461475,0.9952653,0.00011434809],"about_ca_topic_score_codex":0.00004754423,"about_ca_topic_score_gemma":0.00010626983,"teacher_disagreement_score":0.1695414,"about_ca_system_score_codex":0.000007393615,"about_ca_system_score_gemma":0.000012095046,"threshold_uncertainty_score":0.32070407},"labels":[],"label_agreement":null},{"id":"W7115942418","doi":"10.1525/jrpc.23.1.94","title":"Review: Graven Images: Religion in Comic Books and Graphic Novels, edited by A. David Lewis and Christine Hoff Kraemer","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Karma; Adoration","score_opus":0.019758783640285795,"score_gpt":0.2333313811276195,"score_spread":0.2135725974873337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115942418","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3314483,0.6636926,0.00001531679,0.0024410905,0.00043365482,0.00031187563,0.00005734739,0.000017275994,0.0015825594],"genre_scores_gemma":[0.23044431,0.76469344,0.00012859066,0.0022048086,0.00029441607,0.0000033067688,0.000026243615,0.000019893812,0.002184995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990059,0.00006721363,0.0004832443,0.00017156081,0.00012396864,0.00014809893],"domain_scores_gemma":[0.9992751,0.000010559455,0.00035242614,0.000101229896,0.0001406073,0.00012006702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030591045,0.00019535206,0.00040242492,0.00017187383,0.0001576678,0.000094450515,0.000087817636,0.00008269946,0.000013477765],"category_scores_gemma":[0.0000357191,0.00013364363,0.000089326975,0.00006500269,0.0001802886,0.00020309821,0.00003580475,0.0003799431,6.002912e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012551266,0.00008589553,0.0023328066,0.0003304622,0.00007198348,0.000033603534,0.018504646,3.1013645e-8,0.00096360856,0.023531588,0.9531409,0.00087893574],"study_design_scores_gemma":[0.0009585534,0.0003131911,0.00031210852,0.0012642335,0.00008969085,0.0001734761,0.00056509505,0.000003762634,0.000041401687,0.006283173,0.9897887,0.00020659929],"about_ca_topic_score_codex":0.00028897278,"about_ca_topic_score_gemma":0.00034760067,"teacher_disagreement_score":0.10100398,"about_ca_system_score_codex":0.000007759395,"about_ca_system_score_gemma":0.000010217298,"threshold_uncertainty_score":0.54498285},"labels":[],"label_agreement":null},{"id":"W7116925895","doi":"10.18290/rh257311.8","title":"Old/New Stories – Old/New Genre: Canadian Historio-graphic Ethnofiction Revisited in Pik-Shuen Fung’s Ghost Forest","year":2025,"lang":"","type":"article","venue":"Roczniki Humanistyczne","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conceptualization; Reading (process); Ethnic group; Immigration; Term (time); Narrative","score_opus":0.021300263740100925,"score_gpt":0.24359406871140027,"score_spread":0.22229380497129936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116925895","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4927045,0.15186262,0.00036667762,0.019097917,0.02913622,0.007083372,0.0015744517,0.0009055201,0.29726872],"genre_scores_gemma":[0.6654527,0.0035081764,0.00006318768,0.0015489741,0.0023574543,0.000061486666,0.00033726363,0.00013454881,0.32653618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930666,0.00033096795,0.0020786573,0.0018401219,0.0007692502,0.0019143807],"domain_scores_gemma":[0.99568564,0.00028106637,0.00067943276,0.0016616846,0.0005435179,0.001148651],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0008726145,0.0014116166,0.0016480131,0.0037815408,0.0034790917,0.0017773903,0.001259934,0.000762247,0.004691814],"category_scores_gemma":[0.00023534123,0.0016004938,0.0007315025,0.0016635507,0.00075619516,0.00091940357,0.00028083738,0.0016674759,0.00018372893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022381998,0.00024246391,0.01423375,0.00035925934,0.00042866947,0.00009487671,0.054302193,0.000017379447,0.00010491342,0.8000054,0.12659195,0.0033953318],"study_design_scores_gemma":[0.0026289693,0.00044434422,0.02803034,0.0011630077,0.00038515648,0.00000737425,0.007826767,0.00012286342,0.000028239072,0.030342735,0.9274472,0.001573014],"about_ca_topic_score_codex":0.59035623,"about_ca_topic_score_gemma":0.96492994,"teacher_disagreement_score":0.8008552,"about_ca_system_score_codex":0.0024771916,"about_ca_system_score_gemma":0.0031389866,"threshold_uncertainty_score":0.9998634},"labels":[],"label_agreement":null},{"id":"W7117141391","doi":"10.36939/pawaatamihk/vol2no2/art82","title":"Reading Our Relations in the Past and the Future","year":2025,"lang":"en","type":"article","venue":"Pawaatamihk A Journal of Métis Thinkers","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Descendant; Ancestor; Indigenous; Close reading; Reflexive pronoun","score_opus":0.009137428712986685,"score_gpt":0.23333627149231168,"score_spread":0.224198842779325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117141391","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4506919,0.013284776,0.00024862078,0.4633725,0.003315775,0.00056051987,0.000024999754,0.000019708208,0.0684812],"genre_scores_gemma":[0.9963611,0.0005853586,0.000048240858,0.0010403286,0.0005397562,0.0000033396623,8.807334e-7,0.000004143669,0.001416902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991771,0.0001992365,0.0003000895,0.0000660442,0.00014378318,0.00011374802],"domain_scores_gemma":[0.99930865,0.00029799688,0.00017762123,0.00012051455,0.000076422024,0.00001879998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012727584,0.00008307968,0.00016473056,0.00017212283,0.00046330955,0.00022936307,0.00023920374,0.000027365802,0.000025841324],"category_scores_gemma":[0.00006187287,0.000039427705,0.0000950985,0.00010546915,0.00017041707,0.00017083426,0.000032483935,0.00041507644,0.0000014325437],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064721244,0.000018750994,0.003040255,0.0000067493033,0.0000647962,0.000008655029,0.079674706,0.000007654908,0.0000025911409,0.8841407,0.03145506,0.0015153794],"study_design_scores_gemma":[0.002656628,0.000074335076,0.018909222,0.00020601267,0.00012109442,0.000058064943,0.32797128,0.00017869945,0.0000014226935,0.16381212,0.4858793,0.00013181419],"about_ca_topic_score_codex":0.000056332163,"about_ca_topic_score_gemma":0.0006060918,"teacher_disagreement_score":0.72032857,"about_ca_system_score_codex":0.0000152569555,"about_ca_system_score_gemma":0.000038058308,"threshold_uncertainty_score":0.35634494},"labels":[],"label_agreement":null},{"id":"W7117255652","doi":"10.29173/af29561","title":"Comment Roland Monpierre utilise des techniques créoles pour subvertir la BD franco-belge classique teintée de colonialisme dans La Légion Saint-Georges","year":2025,"lang":"fr","type":"article","venue":"ALTERNATIVE FRANCOPHONE","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Style (visual arts); Narrative; Contradiction; Context (archaeology)","score_opus":0.011169435587254124,"score_gpt":0.2559665134070528,"score_spread":0.24479707781979868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117255652","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83312327,0.026571993,0.009742426,0.042023376,0.0048701814,0.0013331171,0.0009946085,0.00027209512,0.08106893],"genre_scores_gemma":[0.9586063,0.010124005,0.0008791347,0.0026877038,0.0015790153,0.00027719577,0.00004773982,0.000087965855,0.025710957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964541,0.0010338917,0.0007312519,0.000690542,0.0003164048,0.0007737886],"domain_scores_gemma":[0.99723274,0.0012900425,0.00033513433,0.00048412758,0.00044649973,0.0002114442],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00080937956,0.0007030859,0.00080133573,0.00043777595,0.0010693189,0.0004824591,0.00060354377,0.00033793628,0.0006210515],"category_scores_gemma":[0.00017297272,0.0006812387,0.00039123002,0.00034442105,0.0026838544,0.0003695147,0.00027423762,0.00089524966,0.000041396088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006342536,0.0016526703,0.01850851,0.0005256759,0.0010916766,0.00028842647,0.08209191,0.000029897454,0.005894555,0.7507834,0.096938066,0.04156096],"study_design_scores_gemma":[0.0017208807,0.00033909574,0.011363474,0.0016414706,0.00011605073,0.000021462942,0.010955769,0.00081433787,0.019309675,0.12034017,0.83270454,0.00067307596],"about_ca_topic_score_codex":0.019257039,"about_ca_topic_score_gemma":0.018063016,"teacher_disagreement_score":0.7357665,"about_ca_system_score_codex":0.0005675276,"about_ca_system_score_gemma":0.00034630287,"threshold_uncertainty_score":0.9998548},"labels":[],"label_agreement":null},{"id":"W7117990259","doi":"10.1007/978-3-032-09948-8_9","title":"Comics Is as Comics Does","year":2025,"lang":"en","type":"book-chapter","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; Empathy; Power (physics); Value (mathematics); Subject matter","score_opus":0.06031928153076901,"score_gpt":0.2974818578859059,"score_spread":0.2371625763551369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117990259","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030072077,0.01580058,0.000016181912,0.0011969109,0.0015602359,0.000729258,0.0011714976,0.00025754108,0.9789671],"genre_scores_gemma":[0.09600452,0.08318084,0.0001968632,0.0023385496,0.00052435277,0.000059414542,0.000056677418,0.00048815442,0.81715065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977887,0.000029627474,0.00069966353,0.00078185863,0.00025584048,0.0004442846],"domain_scores_gemma":[0.99842536,0.00027288665,0.00044278536,0.00061558344,0.00013308416,0.000110304034],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002837016,0.00081733346,0.0013088427,0.0012577467,0.00038168373,0.00016186335,0.00038250422,0.00032758267,0.0001596589],"category_scores_gemma":[0.000035018063,0.00067504594,0.00030890896,0.000078879115,0.0023855048,0.00002575402,0.000512786,0.0006185135,0.0000050089043],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031613883,0.000022555156,0.00031383178,0.00027157454,0.00088164984,0.000020400103,0.0087794615,7.475378e-8,0.0000016482811,0.9332087,0.055878263,0.00059020385],"study_design_scores_gemma":[0.000730384,0.00006684888,0.0000066402768,0.00088479964,0.000113145106,0.0000033855615,0.002727882,0.00002288839,0.0000029199211,0.532518,0.46229622,0.00062687765],"about_ca_topic_score_codex":0.00077769806,"about_ca_topic_score_gemma":0.01568468,"teacher_disagreement_score":0.40641797,"about_ca_system_score_codex":0.00003654834,"about_ca_system_score_gemma":0.00005178532,"threshold_uncertainty_score":0.9995701},"labels":[],"label_agreement":null},{"id":"W7118002851","doi":"10.1007/978-3-032-09948-8_1","title":"Comics Is … Plural? No, Singular!—No—","year":2025,"lang":"en","type":"book-chapter","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Ambiguity; Comics; Plural; Framing (construction); Assertion; Set (abstract data type); Conceptualization","score_opus":0.06318410232202637,"score_gpt":0.2836019731873498,"score_spread":0.22041787086532344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118002851","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012512543,0.016600516,0.000013702508,0.000652128,0.0022661719,0.0006252263,0.00076163025,0.00014391377,0.97881156],"genre_scores_gemma":[0.028005945,0.05721627,0.00036838016,0.0022410564,0.00094223063,0.0000533932,0.000083011866,0.00030533044,0.91078436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775374,0.000029229148,0.0007293669,0.00076765765,0.00026303699,0.000456999],"domain_scores_gemma":[0.9982661,0.00032244384,0.00039806627,0.0005661713,0.00034903994,0.00009817321],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003023346,0.00079594017,0.0012684356,0.000994447,0.00044237255,0.00017456581,0.0003431508,0.00029927905,0.00026735765],"category_scores_gemma":[0.00006562014,0.00073517894,0.0003417325,0.000070303744,0.0020443453,0.000030273583,0.00046359215,0.00064962957,0.000018999091],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035857975,0.000019589317,0.00012349777,0.00030570588,0.0007903329,0.000018690813,0.0050535137,7.70641e-8,0.000004079084,0.8993525,0.09368242,0.00061376055],"study_design_scores_gemma":[0.00073006237,0.00009745902,0.000007872571,0.0009794238,0.00010919684,0.0000025431607,0.00079589424,0.00005863998,0.000002111702,0.36405835,0.6324877,0.00067072845],"about_ca_topic_score_codex":0.000277643,"about_ca_topic_score_gemma":0.0036022088,"teacher_disagreement_score":0.5388053,"about_ca_system_score_codex":0.00004296988,"about_ca_system_score_gemma":0.000052043066,"threshold_uncertainty_score":0.99950993},"labels":[],"label_agreement":null},{"id":"W7118008416","doi":"10.1007/978-3-032-09948-8_8","title":"Comics Is Best Understood as a Field","year":2025,"lang":"en","type":"book-chapter","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Comics; Metaphor; Field (mathematics); Power (physics); Humility; Value (mathematics); Comic strip","score_opus":0.0930005908427894,"score_gpt":0.31140480047902525,"score_spread":0.21840420963623586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118008416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020532773,0.01639793,0.000018782865,0.0020839276,0.0010146993,0.0004993495,0.0003792486,0.00008650909,0.9793142],"genre_scores_gemma":[0.14276578,0.0742903,0.000110432105,0.0043176226,0.0004543181,0.00005130902,0.000035370816,0.00022554,0.7777493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99827296,0.000019717669,0.0005389593,0.00061783916,0.00020464709,0.00034585252],"domain_scores_gemma":[0.9986133,0.00045821807,0.0002792531,0.00045275578,0.00011625986,0.00008020287],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00019284282,0.00060936966,0.00096182455,0.0009120311,0.000355996,0.00012881898,0.00027848766,0.00028062332,0.00021553593],"category_scores_gemma":[0.00004200808,0.0005776809,0.0002625273,0.000063908745,0.0012486547,0.000022108456,0.00036589114,0.0005830576,0.0000071481736],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030919124,0.000022855858,0.00012065292,0.00019409925,0.0007332779,0.0000193613,0.0082401205,5.749937e-8,6.894504e-7,0.9433112,0.04642367,0.00090309646],"study_design_scores_gemma":[0.0007807983,0.00018048946,0.0000024299816,0.0008489339,0.00012301603,0.000003958047,0.0047163162,0.000011640521,0.0000029579357,0.64139986,0.3514072,0.0005223692],"about_ca_topic_score_codex":0.000649842,"about_ca_topic_score_gemma":0.013737645,"teacher_disagreement_score":0.30498353,"about_ca_system_score_codex":0.000031262767,"about_ca_system_score_gemma":0.00005377669,"threshold_uncertainty_score":0.99966747},"labels":[],"label_agreement":null},{"id":"W7118037518","doi":"10.1007/978-3-032-09948-8_7","title":"Comics Is Dynamic Interplay","year":2025,"lang":"en","type":"book-chapter","venue":"Palgrave studies in comics and graphic novels","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Comics; Sociocultural evolution; Essentialism; Statement (logic); Value (mathematics)","score_opus":0.05065215813028041,"score_gpt":0.3120436622134228,"score_spread":0.2613915040831424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118037518","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022913972,0.021810539,0.00003975788,0.000937344,0.0015626131,0.00058713445,0.0010876202,0.00014064679,0.9736052],"genre_scores_gemma":[0.1854349,0.06320966,0.00017291319,0.001559308,0.00025073404,0.0000521845,0.000068424124,0.0002693912,0.7489825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99811983,0.000022738384,0.00063484855,0.00067049754,0.00019038987,0.0003616816],"domain_scores_gemma":[0.99870735,0.00028310073,0.00033139676,0.00047981064,0.00012342518,0.000074892225],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002471343,0.0006743975,0.0010888755,0.0011769976,0.00029313832,0.0001251114,0.0003179371,0.000243861,0.00015073894],"category_scores_gemma":[0.000024784871,0.0006262613,0.00027578717,0.00006252529,0.0018577554,0.000022536258,0.0004526633,0.0005986549,0.0000040668388],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003313824,0.00001590976,0.00008931304,0.00022897025,0.00076842564,0.000015887423,0.0099515505,8.85516e-8,0.0000016138088,0.956501,0.030857962,0.0015361547],"study_design_scores_gemma":[0.0006972027,0.00008239172,0.0000143344505,0.0011998826,0.00011661614,0.000004094422,0.002545538,0.0001220084,0.0000010693255,0.58465636,0.4098974,0.0006631309],"about_ca_topic_score_codex":0.00018195588,"about_ca_topic_score_gemma":0.013551537,"teacher_disagreement_score":0.37903944,"about_ca_system_score_codex":0.000046294357,"about_ca_system_score_gemma":0.000037646103,"threshold_uncertainty_score":0.9996189},"labels":[],"label_agreement":null},{"id":"W7120183390","doi":"10.15210/interfaces.v20i0.19997","title":"Traduction et bande dessinée à Montréal au XXIe siècle","year":2020,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orality; Tubulopathy; Domain (mathematical analysis)","score_opus":0.03181199084801298,"score_gpt":0.2379944185227444,"score_spread":0.2061824276747314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120183390","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08139693,0.010362088,0.0032173987,0.60146093,0.0056539946,0.0009437748,0.0004924271,0.0005672687,0.29590517],"genre_scores_gemma":[0.9899083,0.0012160691,0.0007313961,0.0013147005,0.003950152,0.00010753722,0.00019578154,0.00009140378,0.0024846946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958387,0.0006397504,0.0009119532,0.00094099424,0.00073362415,0.0009349538],"domain_scores_gemma":[0.9975591,0.0002653716,0.00046344483,0.00045390584,0.0004122267,0.0008459976],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005839615,0.00066545844,0.0006682014,0.00030053087,0.002165029,0.0008230033,0.00053984026,0.00051084964,0.00034171768],"category_scores_gemma":[0.00032207585,0.0006780853,0.00048105008,0.00039080856,0.00014740674,0.0009996798,0.00020963946,0.0010797327,0.000054040873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032747546,0.00062992715,0.00015663377,0.00019585637,0.00027155736,0.00015898641,0.02783353,0.00014027755,0.00082294375,0.95763373,0.007670277,0.004158798],"study_design_scores_gemma":[0.0014472418,0.00025680705,0.002334893,0.00021364646,0.00017370221,0.00039737957,0.00405728,0.0015138253,0.00032818576,0.0025824748,0.98595226,0.00074233545],"about_ca_topic_score_codex":0.000054060747,"about_ca_topic_score_gemma":0.002818901,"teacher_disagreement_score":0.978282,"about_ca_system_score_codex":0.0005859329,"about_ca_system_score_gemma":0.0009471495,"threshold_uncertainty_score":0.99956703},"labels":[],"label_agreement":null},{"id":"W7125894995","doi":"10.1525/jrpc.25.3.436","title":"Review: <i>Authors of the Impossible: The Paranormal and the Sacred</i> , by Jeffrey J. Kripal; <i>Mutants &amp; Mystics: Science Fiction, Superhero Comics, and the Paranormal</i> , by Jeffrey J. Kripal","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paranormal; Ridiculous; Subject (documents); Blame","score_opus":0.00731663365185026,"score_gpt":0.21799929638146343,"score_spread":0.21068266272961317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125894995","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33978826,0.62877065,0.000045525492,0.027241796,0.0011131112,0.0011791568,0.00015083734,0.00001712906,0.0016935163],"genre_scores_gemma":[0.48112538,0.5065661,0.000040882638,0.0054538413,0.0002698923,0.000014884229,0.0000067114893,0.00002229801,0.0065000313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982702,0.0003415373,0.000601946,0.00016836564,0.00038175334,0.00023619611],"domain_scores_gemma":[0.9986092,0.00010911911,0.00057344045,0.00028694095,0.00030876487,0.00011252277],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0015541816,0.00022619187,0.0004231487,0.000039141883,0.0013061464,0.00046684552,0.00046724742,0.00007641175,0.000019515328],"category_scores_gemma":[0.00018446114,0.00008191534,0.00017102565,0.00015515894,0.0030880198,0.00032343392,0.00010573933,0.0005299978,9.534454e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013719809,0.000028647519,0.00082805863,0.00008668039,0.00008101763,4.972441e-7,0.014366609,0.0000016005977,0.0006072409,0.05403994,0.92937875,0.0004437701],"study_design_scores_gemma":[0.0018250517,0.00007229702,0.00006696411,0.0004406373,0.0001706909,0.00019050072,0.0014997562,0.0000848765,0.00007742013,0.0045107524,0.99092007,0.00014098431],"about_ca_topic_score_codex":0.0006903914,"about_ca_topic_score_gemma":0.0003876527,"teacher_disagreement_score":0.14133713,"about_ca_system_score_codex":0.000010292003,"about_ca_system_score_gemma":0.000041724994,"threshold_uncertainty_score":0.99999404},"labels":[],"label_agreement":null},{"id":"W7132949555","doi":"","title":"Reading between the &quot;Frames&quot;: English Language Learners&apos; and non-English Language Learners&apos; Responses to Graphic Novels","year":2011,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Literacy; English language; Social justice; Economic Justice; Language acquisition; Extensive reading; Language assessment","score_opus":0.03856783927088753,"score_gpt":0.32342770819985317,"score_spread":0.28485986892896564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132949555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8898844,0.0015097079,0.0000035668766,0.0003182428,0.0012928771,0.0007264297,0.00016481309,0.0002226505,0.10587728],"genre_scores_gemma":[0.80689925,0.00023977798,0.000045099685,0.00022355358,0.0020851276,0.00007092419,0.00040933245,0.00014069935,0.18988626],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972353,0.00026549894,0.0005117501,0.00082757266,0.00047348227,0.0006863788],"domain_scores_gemma":[0.9975103,0.00065162766,0.0004114703,0.00082280714,0.00034248765,0.00026131966],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007979894,0.0007179736,0.00081368344,0.0007243713,0.0009034797,0.00083616603,0.0006827718,0.00037758143,0.0008917827],"category_scores_gemma":[0.000696888,0.0005681761,0.0003169327,0.00029561907,0.000337332,0.0002833332,0.00014836594,0.0012898848,0.000050443276],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027673363,0.000044398774,0.000678709,0.00013954027,0.0002608659,0.000026804835,0.9796509,6.5749185e-7,0.0004631469,0.0123102795,0.0041321605,0.0020157942],"study_design_scores_gemma":[0.00052954716,0.00029184285,0.0015127078,0.00038815432,0.00026113243,0.0000015933275,0.9164527,0.000004274532,0.00062830915,0.0003371351,0.07873479,0.0008578155],"about_ca_topic_score_codex":0.003657662,"about_ca_topic_score_gemma":0.010341913,"teacher_disagreement_score":0.08400897,"about_ca_system_score_codex":0.000043514723,"about_ca_system_score_gemma":0.00012086517,"threshold_uncertainty_score":0.99967694},"labels":[],"label_agreement":null},{"id":"W7133033752","doi":"","title":"Drawing the lines: Gender, *class, race and nation in Canadian editorial cartoons, 1840–1926","year":2006,"lang":"","type":"dissertation","venue":"TSpace","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Journalism; Representation (politics); Race (biology); Class (philosophy); Print media; Principal (computer security); Ephemeral key; Virtue","score_opus":0.02187329771291102,"score_gpt":0.27948680954504945,"score_spread":0.25761351183213843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133033752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8468689,0.012097649,0.0000044206486,0.003660179,0.0894706,0.0012902123,0.00015177048,0.0000404078,0.04641587],"genre_scores_gemma":[0.9232912,0.0010557659,0.000010668628,0.00010601125,0.048196204,0.00006881943,0.00068703305,0.00006805154,0.02651621],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763966,0.0001627761,0.0005556542,0.00055356696,0.00044363012,0.00064471096],"domain_scores_gemma":[0.99849164,0.00034789584,0.00031611975,0.0003103738,0.00034080975,0.00019315192],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00061137317,0.00050777144,0.00050309225,0.00060032675,0.0016874205,0.0010082296,0.00026413455,0.00043396617,0.00025529182],"category_scores_gemma":[0.00014661837,0.0004360496,0.00014545846,0.0002072939,0.00024852404,0.00022499845,0.000031080956,0.00088854873,0.000011585787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020968608,0.000104788895,0.003105278,0.000298119,0.00017278947,0.000024796103,0.62948674,0.00014699476,0.00014750664,0.15270384,0.21136476,0.0022347032],"study_design_scores_gemma":[0.00077375397,0.00005643459,0.0037849443,0.00022217914,0.00010041656,0.0000017484541,0.12130193,0.0008055926,0.000021137319,0.0028851198,0.86946446,0.00058226613],"about_ca_topic_score_codex":0.7778137,"about_ca_topic_score_gemma":0.9901977,"teacher_disagreement_score":0.6580997,"about_ca_system_score_codex":0.00025249345,"about_ca_system_score_gemma":0.0012587411,"threshold_uncertainty_score":0.99980915},"labels":[],"label_agreement":null},{"id":"W7133096299","doi":"","title":"Cultivating Comic Collections: An Exploration of the Information Worlds of Comic Librarians in Toronto","year":2025,"lang":"","type":"dissertation","venue":"TSpace","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Thematic analysis; Value (mathematics); Work (physics); Comic strip; Qualitative research; Information seeking","score_opus":0.038189321973039744,"score_gpt":0.3129071480087739,"score_spread":0.27471782603573414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133096299","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87296325,0.0006409202,0.00013956575,0.0005125502,0.0017095639,0.0016074216,0.00014518465,0.000027209839,0.12225436],"genre_scores_gemma":[0.9770002,0.0004885966,0.00006183189,0.000046672354,0.00007506314,0.00008893383,0.00044544513,0.000016198866,0.021777067],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99794376,0.00026209655,0.0011387633,0.00020330315,0.00026412276,0.000187952],"domain_scores_gemma":[0.9977021,0.00020614687,0.0012614178,0.00040274707,0.0003952316,0.00003236332],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002969374,0.00030273412,0.00053566485,0.00043947768,0.0006587645,0.000254318,0.00035033084,0.00016907549,0.00067434116],"category_scores_gemma":[0.00012249583,0.0002641565,0.00019483498,0.00051751337,0.00015290451,0.003113842,0.000057154517,0.00032389042,8.844251e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003448029,0.00024133413,0.00037456545,0.00060395227,0.00010388135,9.6346966e-8,0.66058844,0.0004722328,0.000993372,0.333821,0.00094295316,0.0015133853],"study_design_scores_gemma":[0.001276707,0.00033415924,0.0030403885,0.0020354276,0.000105422245,2.5986952e-7,0.9725602,0.004367376,0.00322467,0.005849276,0.006821336,0.000384764],"about_ca_topic_score_codex":0.026549606,"about_ca_topic_score_gemma":0.23642825,"teacher_disagreement_score":0.3279717,"about_ca_system_score_codex":0.00021579361,"about_ca_system_score_gemma":0.0004903544,"threshold_uncertainty_score":0.99998105},"labels":[],"label_agreement":null},{"id":"W7134774042","doi":"","title":"2011 Arts & Culture Conference","year":2011,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; The arts; Politics; Theme (computing); Terrorism; World War II; Genocide; Comics; Painting","score_opus":0.0846303743237376,"score_gpt":0.21291235460472227,"score_spread":0.12828198028098467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134774042","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7693662,0.0022601401,0.00031480897,0.0006663223,0.0005979165,0.00038823922,0.00075978844,0.00006583499,0.22558075],"genre_scores_gemma":[0.97231853,0.0010175458,0.0005233103,0.00007733378,0.00009594633,3.6441128e-7,0.00006693682,0.000023966762,0.025876038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789447,0.00020764169,0.0003653712,0.0005878298,0.00042695337,0.0005177343],"domain_scores_gemma":[0.9972143,0.0000667755,0.00050668657,0.0008768822,0.0009694265,0.00036588713],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026920254,0.00044924434,0.0006674125,0.00046123093,0.0021766075,0.00047666984,0.001338706,0.00021450307,0.0153266275],"category_scores_gemma":[0.00002206751,0.00052097463,0.00044521206,0.00022416229,0.0016781606,0.00305591,0.0005323514,0.0011069729,0.000425148],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004528932,0.0012296279,0.12400787,0.000125652,0.0011001707,0.00019263472,0.2264489,0.0000010680092,0.000037882954,0.61563987,0.023116741,0.007646689],"study_design_scores_gemma":[0.0015260458,0.00094202516,0.4029041,0.00018950006,0.00062469544,0.000007731729,0.027187964,0.00009751593,0.000016329343,0.00868607,0.55687314,0.0009449039],"about_ca_topic_score_codex":0.003965352,"about_ca_topic_score_gemma":0.07948058,"teacher_disagreement_score":0.6069538,"about_ca_system_score_codex":0.00004807513,"about_ca_system_score_gemma":0.00021129349,"threshold_uncertainty_score":0.9997242},"labels":[],"label_agreement":null},{"id":"W7139265377","doi":"","title":"War Bears Vol 1-3","year":2018,"lang":"","type":"article","venue":"Journal of Bioresource Management","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; World War II; First world war; Spanish Civil War","score_opus":0.015179009781012498,"score_gpt":0.22475800082671468,"score_spread":0.20957899104570218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139265377","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7595956,0.009641743,0.0011127179,0.0072729336,0.012953855,0.00087163644,0.000057086352,0.000040480634,0.20845397],"genre_scores_gemma":[0.9652356,0.002018251,0.00058918126,0.0008555955,0.0106377695,0.000002470086,0.0000012893358,0.000047930884,0.02061193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731725,0.00012097538,0.0011182186,0.000274458,0.0006966024,0.0004724864],"domain_scores_gemma":[0.9975394,0.000052132902,0.001046844,0.00038553966,0.0007442235,0.00023185885],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00094606617,0.0003441143,0.0005134519,0.0007886102,0.00072345184,0.0003927582,0.0006514872,0.0000787519,0.0048304438],"category_scores_gemma":[0.000022424232,0.00027925664,0.00052433525,0.0001914485,0.0009832117,0.00019497656,0.00030037944,0.00036854963,0.00018071693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010185867,0.0012762045,0.0010183536,0.00036676647,0.0038204521,0.0005233098,0.10757021,0.000032121887,0.000077503806,0.1978738,0.49717095,0.18925174],"study_design_scores_gemma":[0.0012379953,0.002224397,0.00200652,0.00038502988,0.00040939602,0.000019114832,0.021156583,0.0002822361,0.00005425514,0.0028201756,0.96906894,0.0003353594],"about_ca_topic_score_codex":0.000030059464,"about_ca_topic_score_gemma":0.000059395516,"teacher_disagreement_score":0.471898,"about_ca_system_score_codex":0.00007962114,"about_ca_system_score_gemma":0.000033843506,"threshold_uncertainty_score":0.99996597},"labels":[],"label_agreement":null},{"id":"W7139627932","doi":"","title":"Image of Canadian National Hero in Comics of the Second World War","year":2019,"lang":"ru","type":"article","venue":"Electronic scientific archive of UrFU (Ural Federal University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; HERO; World War II; Focus (optics); National identity","score_opus":0.010149494691617187,"score_gpt":0.1792878457035197,"score_spread":0.1691383510119025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139627932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82058793,0.00016681215,0.0000018912046,0.000540506,0.00039295992,0.0003183146,0.00068541645,0.000004315003,0.17730184],"genre_scores_gemma":[0.8524228,0.000025989304,0.00003288724,0.000018057352,0.000020980733,1.7467846e-7,0.000026435893,0.000011856367,0.14744082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984784,0.00013396601,0.0003036552,0.0003085757,0.00031378106,0.00046160305],"domain_scores_gemma":[0.9990309,0.00011743401,0.0003201147,0.00026098132,0.0001863232,0.00008424957],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028981842,0.00016714158,0.00032456467,0.0021657841,0.0003847847,0.00004950024,0.00062137365,0.000039183855,0.0018530905],"category_scores_gemma":[0.000013033629,0.00015321076,0.00023394305,0.0009953855,0.0013039034,0.0001969852,0.00015072836,0.00031972287,0.0000057656007],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012448078,0.000116527575,0.0053684902,0.000111099864,0.00011961725,0.0000027549652,0.009748632,0.000034730292,0.00949117,0.9649887,0.009824169,0.00006963322],"study_design_scores_gemma":[0.004618451,0.00062303833,0.01697624,0.00077005563,0.000084550884,0.000004835296,0.0277619,0.003716108,0.00908246,0.07440237,0.86100554,0.0009544539],"about_ca_topic_score_codex":0.02686102,"about_ca_topic_score_gemma":0.8756082,"teacher_disagreement_score":0.8905863,"about_ca_system_score_codex":0.00019434995,"about_ca_system_score_gemma":0.001295717,"threshold_uncertainty_score":0.9990594},"labels":[],"label_agreement":null},{"id":"W7139915997","doi":"10.1386/stic_00141_7","title":"Interview with illustrator Barrie Mitchell","year":2025,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Apprenticeship; Performance art; Football","score_opus":0.1062137506683267,"score_gpt":0.32545338980770083,"score_spread":0.21923963913937414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139915997","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17108095,0.023971066,0.00015844785,0.010195601,0.0027549677,0.00066166837,0.000059171456,0.00021110388,0.790907],"genre_scores_gemma":[0.97766566,0.0012196989,0.0001086689,0.0012797139,0.00010382894,0.000030486397,0.0000017122081,0.00001577537,0.01957446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994945,0.000029411845,0.00015827104,0.00013976925,0.000047722857,0.00013034002],"domain_scores_gemma":[0.99965435,0.00008703441,0.00003742788,0.00014825261,0.000058031655,0.000014913035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001263845,0.00011155252,0.00021832614,0.00011201871,0.00012590583,0.000037311398,0.00012011844,0.000017573908,0.000069715934],"category_scores_gemma":[0.000021926951,0.00008161459,0.000035798177,0.000075221506,0.0005171243,0.00003901763,0.00008831754,0.00010683072,0.000003326158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027481805,0.000051553005,0.0015062474,0.00014486545,0.0002484621,0.000009095657,0.027670749,0.000002469452,0.0000033360627,0.88756746,0.08095262,0.0018156471],"study_design_scores_gemma":[0.00062038563,0.00007500593,0.00012747046,0.000412221,0.00002513332,5.909862e-7,0.056562494,0.00003636167,0.00003071207,0.023172297,0.91876113,0.00017617024],"about_ca_topic_score_codex":0.00003172467,"about_ca_topic_score_gemma":0.008944554,"teacher_disagreement_score":0.8643952,"about_ca_system_score_codex":0.000025160734,"about_ca_system_score_gemma":0.00002535773,"threshold_uncertainty_score":0.49912712},"labels":[],"label_agreement":null},{"id":"W7151805259","doi":"10.1353/crc.2023.a987540","title":"The City as Playground: Detection, Crime, and Urban Space in J.B. Djian’s and Olivier Legrand’s The Baker Street Four Graphic Novel Series","year":2023,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Urban space; Series (stratigraphy); Space (punctuation)","score_opus":0.030110693452933213,"score_gpt":0.25006607318427493,"score_spread":0.21995537973134172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151805259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.564874,0.39652097,0.000002513141,0.015506142,0.00059538765,0.0015259094,0.00061372,0.00003164133,0.020329751],"genre_scores_gemma":[0.97081745,0.024747672,0.0000040715695,0.0009074246,0.00012163862,0.000055429544,0.000020267198,0.000009921964,0.0033161421],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895847,0.00015875076,0.00028333723,0.00022082924,0.00012507135,0.00025356282],"domain_scores_gemma":[0.9990954,0.0002216234,0.0001162494,0.00023794452,0.00019661765,0.00013217758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042052811,0.00021013258,0.00036734968,0.0001860432,0.00072380085,0.00036976422,0.0001618765,0.00004751371,0.00004350521],"category_scores_gemma":[0.00005200155,0.00011897364,0.000079931524,0.0003804368,0.00058744027,0.00022902843,0.000030883257,0.00033787923,0.000002004474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036481604,0.000013066348,0.003703002,0.0007529435,0.00011927345,0.000015237126,0.068736374,3.6788535e-7,0.000026323514,0.89750755,0.028394606,0.0006947902],"study_design_scores_gemma":[0.0002517833,0.00008246342,0.039982535,0.0020724975,0.000030420617,0.000018653633,0.007027718,0.000020438629,0.000012695129,0.0062701264,0.9440296,0.0002010634],"about_ca_topic_score_codex":0.003047671,"about_ca_topic_score_gemma":0.53427625,"teacher_disagreement_score":0.915635,"about_ca_system_score_codex":0.000019838095,"about_ca_system_score_gemma":0.00010508531,"threshold_uncertainty_score":0.5566964},"labels":[],"label_agreement":null},{"id":"W7160228422","doi":"","title":"Дослідження коміксу в сучасній гуманітаристиці","year":2021,"lang":"uk","type":"article","venue":"The Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University Series pedagogy","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Popularity; Subject (documents); Politics; Phenomenon; State (computer science)","score_opus":0.0992441711703137,"score_gpt":0.32480072073664523,"score_spread":0.22555654956633153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160228422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73474354,0.007812492,0.00010206556,0.06251113,0.0066923695,0.0008408029,0.0034915642,0.00020192012,0.1836041],"genre_scores_gemma":[0.5423405,0.0006549626,0.00014867258,0.00017626108,0.00069173164,0.0000018252024,0.00030602136,0.000027274387,0.45565274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943973,0.00068840635,0.00085487275,0.0011995401,0.0020776242,0.000782284],"domain_scores_gemma":[0.993927,0.0006577418,0.00064509315,0.00091165106,0.003611568,0.0002469626],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001363847,0.00060374796,0.000855529,0.0005814562,0.0031339817,0.00094815367,0.0017228222,0.00029028874,0.013524657],"category_scores_gemma":[0.000520099,0.0005129901,0.00067507953,0.0008615034,0.0057349904,0.0010201382,0.0011835926,0.00071192364,0.00027352705],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033795924,0.00063747686,0.00043980274,0.00014708312,0.00040297632,0.00012541724,0.039331663,0.00007109008,0.0011569525,0.9309805,0.025587266,0.000781839],"study_design_scores_gemma":[0.00092672853,0.00027642652,0.0016598135,0.00010935332,0.00017958917,0.000042069547,0.09004851,0.0002470277,0.00086225197,0.031172797,0.87387216,0.000603251],"about_ca_topic_score_codex":0.00080746686,"about_ca_topic_score_gemma":0.0062951935,"teacher_disagreement_score":0.8998077,"about_ca_system_score_codex":0.0002137523,"about_ca_system_score_gemma":0.0017346279,"threshold_uncertainty_score":0.9997322},"labels":[],"label_agreement":null},{"id":"W7161948028","doi":"10.82308/5156","title":"Le triptyque delportien comme portrait de la Sad Girl : autothéorie graphique d'une tristesse de corps et d'esprit","year":2025,"lang":"fr","type":"dissertation","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sadness; Happiness; Comics; Portrait; Patriarchy; Lesbian; Girl; Identity (music)","score_opus":0.021478785047172745,"score_gpt":0.28112402804765096,"score_spread":0.2596452430004782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161948028","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14599575,0.0052681696,0.002455518,0.014283034,0.0016717439,0.0011995082,0.00072073017,0.0003333559,0.8280722],"genre_scores_gemma":[0.74305236,0.003184195,0.0004938639,0.0019779317,0.00033973486,0.00023029989,0.0018892931,0.000104744904,0.24872757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99615777,0.00075667247,0.0012507695,0.00072490325,0.00031746284,0.0007924325],"domain_scores_gemma":[0.9970043,0.0010821341,0.00069555204,0.00047448583,0.00044382893,0.00029974896],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014319716,0.0008104357,0.0010578325,0.00073632697,0.0012978713,0.00080363156,0.0005435784,0.0008329463,0.0014593634],"category_scores_gemma":[0.00021057461,0.0008435553,0.00079713797,0.00040208144,0.0006304146,0.0002883383,0.00007470133,0.0014259816,0.000010258358],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002710262,0.0007817205,0.001300547,0.0004960019,0.00045406626,0.00012720384,0.03202078,0.000024022238,0.00022779265,0.9441419,0.017915217,0.0022397141],"study_design_scores_gemma":[0.0019415166,0.00032784356,0.009249998,0.00072085165,0.00038633886,0.000034857036,0.03160042,0.0007716566,0.00055069313,0.22727881,0.72597593,0.0011611012],"about_ca_topic_score_codex":0.039849255,"about_ca_topic_score_gemma":0.14694409,"teacher_disagreement_score":0.7168631,"about_ca_system_score_codex":0.00015281508,"about_ca_system_score_gemma":0.0035472293,"threshold_uncertainty_score":0.9994534},"labels":[],"label_agreement":null},{"id":"W7163344006","doi":"10.1353/crc.2023.a992073","title":"From Fu Manchu to Shang-Chi: The Changing Representations of Chinese and Asian Americans in Marvel Studios’ Shang-Chi and the Legend of the Ten Rings","year":2023,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Legend; Asian americans; China; Chinese literature; East Asia","score_opus":0.022588252297980452,"score_gpt":0.2858497098213539,"score_spread":0.26326145752337343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163344006","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85209435,0.11229257,0.0000028818768,0.02144795,0.00019525991,0.0016153499,0.0016834188,0.0000073122246,0.010660917],"genre_scores_gemma":[0.99427325,0.003481746,0.000018053399,0.001058635,0.00011138956,0.00006376506,0.00003275653,0.0000080426835,0.0009523942],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.998973,0.00022388576,0.00032930978,0.00018242677,0.00012578034,0.0001655835],"domain_scores_gemma":[0.99910414,0.00020077481,0.00019011693,0.00031363475,0.00012395834,0.00006734659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032927503,0.00015224937,0.0004903985,0.00020543029,0.00022885352,0.00006698906,0.00026040155,0.000020485575,0.000066416076],"category_scores_gemma":[0.000048676044,0.000072644834,0.00010069093,0.0006803692,0.00052500615,0.000078115845,0.00009122416,0.0001793539,7.9618906e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029697016,0.000016096212,0.0077702026,0.0007014162,0.00017667642,0.000004679059,0.80330354,0.0000037571615,0.000027987313,0.17848668,0.008440687,0.0010386008],"study_design_scores_gemma":[0.0016020482,0.00014982163,0.6607146,0.014630207,0.00021354377,0.000010078137,0.12874418,0.00046638717,0.00004854629,0.01607151,0.17678241,0.0005666203],"about_ca_topic_score_codex":0.007965104,"about_ca_topic_score_gemma":0.18027456,"teacher_disagreement_score":0.67455935,"about_ca_system_score_codex":0.000012340903,"about_ca_system_score_gemma":0.000052530144,"threshold_uncertainty_score":0.99864095},"labels":[],"label_agreement":null},{"id":"W7164936936","doi":"10.1080/17153379.2024.12558584","title":"Comics and the Origins of Manga: A Revisionist History.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Comics; Narrative","score_opus":0.018480072667070576,"score_gpt":0.20710276499951877,"score_spread":0.1886226923324482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164936936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015586138,0.015774868,0.000034854966,0.0012613744,0.00075606443,0.00014710557,0.000033899334,0.0000750112,0.9803582],"genre_scores_gemma":[0.97644097,0.0005661555,0.00002947385,0.000008283852,0.00009975197,0.000006894055,0.0000027359451,0.0000151084105,0.022830622],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959713,0.000027668075,0.000120748984,0.00011121389,0.00007076828,0.00007248489],"domain_scores_gemma":[0.9996831,0.00010878329,0.000033969776,0.00013550054,0.000017863167,0.000020802152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017486999,0.00007235059,0.00013125381,0.00006050859,0.00009889861,0.000075265954,0.00006714463,0.000014700947,0.000395448],"category_scores_gemma":[0.000008742346,0.000042617736,0.00006597395,0.00002361414,0.0008685993,0.00003956587,0.000025133726,0.00007849457,0.000010378905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013935925,0.0000067956453,0.0000059851254,0.000045755365,0.00002691374,0.0000018978074,0.03606501,8.517463e-8,0.00000633995,0.9167117,0.046451937,0.0006636645],"study_design_scores_gemma":[0.00018308862,0.000018326562,0.0000019582196,0.000058325088,0.000020327128,0.0000023207292,0.07042244,0.00037153577,0.000004020437,0.010686528,0.91817087,0.000060251987],"about_ca_topic_score_codex":0.00022770464,"about_ca_topic_score_gemma":0.00021871788,"teacher_disagreement_score":0.97488236,"about_ca_system_score_codex":0.000032916272,"about_ca_system_score_gemma":0.00002155579,"threshold_uncertainty_score":0.43298784},"labels":[],"label_agreement":null},{"id":"W7164943077","doi":"10.1080/17153379.2018.12557857","title":"Manga Vision: Cultural and Communicative Perspectives. Cultural Studies.","year":2018,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cultural studies; Cultural communication; Cultural diversity; Cultural issues","score_opus":0.06149774556334189,"score_gpt":0.3148904183857227,"score_spread":0.25339267282238076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164943077","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054150365,0.011589116,0.0000030075562,0.0024725662,0.00048488704,0.00022871388,0.000038014685,0.00010684238,0.9309265],"genre_scores_gemma":[0.9898079,0.0017348741,0.000110523084,0.000019637659,0.0005171025,0.00001676288,0.000008401785,0.000012074527,0.0077727214],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991357,0.0000783223,0.0001713871,0.0002747258,0.00012819472,0.00021172638],"domain_scores_gemma":[0.99905694,0.00008950441,0.00008504693,0.00027537215,0.0004238849,0.00006926584],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00014175032,0.00018959994,0.00023858037,0.0000610506,0.0009871072,0.00021903415,0.00017428829,0.000032697633,0.00063636905],"category_scores_gemma":[0.000039888808,0.0001273036,0.000077597695,0.00005863333,0.003055429,0.00032751798,0.00016100353,0.00016806672,0.000072635485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024177316,0.00003710752,0.000037535374,0.0000074100544,0.00011371556,0.0000016227259,0.62150145,2.4467848e-8,0.000046151054,0.35060835,0.026809098,0.0008133616],"study_design_scores_gemma":[0.0002675183,0.00020366872,0.00010096574,0.00003306411,0.00001806387,0.0000048173524,0.8706885,0.000030233332,0.000028279033,0.004213204,0.124225885,0.00018582863],"about_ca_topic_score_codex":0.000040770447,"about_ca_topic_score_gemma":0.0005099209,"teacher_disagreement_score":0.93565756,"about_ca_system_score_codex":0.000038739832,"about_ca_system_score_gemma":0.00000978509,"threshold_uncertainty_score":0.9996577},"labels":[],"label_agreement":null},{"id":"W7164945231","doi":"10.1080/17153379.2021.12559793","title":"Reframing Disability in Manga.","year":2021,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.019424889620622554,"score_gpt":0.22750073534162246,"score_spread":0.2080758457209999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164945231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09245558,0.00036395298,0.000008639926,0.00088333373,0.00042796254,0.00006633924,0.000020827649,0.000037831964,0.90573555],"genre_scores_gemma":[0.99335593,0.000025957212,0.000045479264,0.000008427683,0.000149412,0.000009593408,0.000015111806,0.000007957047,0.0063821035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99933916,0.00005055265,0.00015980806,0.00020482467,0.000085870044,0.00015980151],"domain_scores_gemma":[0.9996213,0.00007100319,0.000027265874,0.00021166171,0.000035012217,0.000033799202],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013762641,0.0000829073,0.00012877243,0.00003084908,0.00012528882,0.000093915776,0.00006265326,0.00002411794,0.0021929129],"category_scores_gemma":[0.000035150053,0.00007547374,0.00006256901,0.000061968974,0.00022712642,0.00009011364,0.00003721847,0.000119986595,0.000039047423],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016117181,0.00024423123,0.008096877,0.000039817216,0.000020912808,0.00004899186,0.121006675,0.0000027587644,0.00017697577,0.86129117,0.0017794151,0.0072760405],"study_design_scores_gemma":[0.00024839022,0.000020252686,0.0015124144,0.000030867166,0.0000049733258,0.0000024546405,0.82855904,0.000091462985,0.00014998953,0.025891628,0.14330043,0.0001880877],"about_ca_topic_score_codex":0.000058543123,"about_ca_topic_score_gemma":0.0038370225,"teacher_disagreement_score":0.90090036,"about_ca_system_score_codex":0.000028762013,"about_ca_system_score_gemma":0.000018676796,"threshold_uncertainty_score":0.9987192},"labels":[],"label_agreement":null},{"id":"W74188466","doi":"","title":"Editors' Closing: Comic Relief","year":2015,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Closing (real estate); Comics; History; Computer science; Political science; Artificial intelligence; Law","score_opus":0.1444603477241226,"score_gpt":0.29956618823611414,"score_spread":0.15510584051199153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W74188466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98634535,0.00012607026,0.000038721286,0.0008725123,0.0035026767,0.00020016082,0.000044118566,0.00021470392,0.008655705],"genre_scores_gemma":[0.9651991,0.000023022623,0.000011402045,0.00034311603,0.0026775058,9.3157405e-7,0.000029171773,0.00004147994,0.031674277],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983087,0.00018623532,0.0002486817,0.00045223878,0.00037879925,0.00042532277],"domain_scores_gemma":[0.99860615,0.00008258675,0.00017344301,0.00047089256,0.00029814153,0.0003687663],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00034979478,0.0003048471,0.0003234872,0.0004677632,0.00045300028,0.0006075927,0.0006606182,0.0001296417,0.00011883919],"category_scores_gemma":[0.000039835133,0.00031725844,0.00016281409,0.00015696317,0.00036679395,0.0014496404,0.00027275467,0.00050672237,0.00041027786],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035133923,0.00036308664,0.9245273,0.000048953894,0.00020341136,0.00032750503,0.03060858,0.000013722884,0.00020455508,0.041981578,0.00092773145,0.00044224542],"study_design_scores_gemma":[0.0023001852,0.00040072633,0.070613414,0.00014759695,0.000107986976,0.000019184416,0.007478549,7.5816735e-7,0.00031522478,0.0038513632,0.91394943,0.00081559934],"about_ca_topic_score_codex":0.000019327119,"about_ca_topic_score_gemma":0.0035002264,"teacher_disagreement_score":0.9130217,"about_ca_system_score_codex":0.00015360568,"about_ca_system_score_gemma":0.00013396873,"threshold_uncertainty_score":0.99992794},"labels":[],"label_agreement":null},{"id":"W761636834","doi":"","title":"Drawing on the Margins of History: English-Language Graphic Narratives in Canada","year":2013,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Linguistics; English language; History; Literature; Visual arts; Art; Philosophy","score_opus":0.011303217338251128,"score_gpt":0.16206489320113368,"score_spread":0.15076167586288255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W761636834","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9875922,0.0003977656,3.3638724e-8,0.00048336573,0.000653549,0.0002294098,0.000055636337,0.000008593356,0.010579431],"genre_scores_gemma":[0.7948056,0.000058347527,0.000005873885,0.000018812112,0.000039650688,8.1795497e-7,0.000087639484,0.000012775651,0.2049705],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999165,0.00008612988,0.00013753955,0.00020640325,0.00023173938,0.00017320369],"domain_scores_gemma":[0.9991942,0.0000838407,0.000287995,0.00023851689,0.00015865914,0.000036794434],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009341375,0.00019530834,0.00036162205,0.0003220907,0.00016572436,0.000014456645,0.00034414008,0.000068278016,0.0023533737],"category_scores_gemma":[0.0000127766325,0.00016742515,0.00012813493,0.000064399195,0.00020646745,0.00012351679,0.00002507384,0.00028655794,0.0000026326622],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005376765,0.00003132303,0.00021021119,0.00009521237,0.00007278096,0.000009845463,0.96173084,0.0000030428898,0.00042915487,0.031954445,0.0053022425,0.00010711831],"study_design_scores_gemma":[0.00022496778,0.000057557707,0.0025113104,0.00021986676,0.000021637537,5.7674885e-8,0.9883118,0.000014986024,0.00014659092,0.00023407447,0.008075905,0.00018121804],"about_ca_topic_score_codex":0.97661394,"about_ca_topic_score_gemma":0.9991697,"teacher_disagreement_score":0.19439107,"about_ca_system_score_codex":0.00022502553,"about_ca_system_score_gemma":0.0004062883,"threshold_uncertainty_score":0.9985586},"labels":[],"label_agreement":null},{"id":"W778785951","doi":"10.4000/belphegor.556","title":"Ann Miller &amp; Bart Beaty (eds), The French Comics Theory Reader","year":2015,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Miller; Comics; Art; History; Literature; Geology","score_opus":0.07309957591202756,"score_gpt":0.2563522796918409,"score_spread":0.18325270377981331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W778785951","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25841618,0.009049766,0.0003230864,0.013643655,0.0032126373,0.000897831,0.0002939041,0.0004607769,0.71370214],"genre_scores_gemma":[0.8161095,0.00006105512,0.00013696343,0.0014996013,0.000983863,0.00003446478,0.000039477956,0.000050240542,0.18108484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991356,0.00009973966,0.00017586791,0.00018529281,0.00017715075,0.00022635187],"domain_scores_gemma":[0.9992067,0.0001237801,0.00006676937,0.000402481,0.00010406987,0.000096169744],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043855348,0.00015612323,0.0001621125,0.00006757572,0.0003254367,0.00014963916,0.00026149568,0.000046957728,0.0011943486],"category_scores_gemma":[0.00004645215,0.00009602216,0.000090400536,0.000049242764,0.00044062024,0.00008595489,0.00007766831,0.00016155493,0.00018758577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018709752,0.00005053484,0.0002510111,0.000004048569,0.00004427981,0.0000015124411,0.04349162,0.000001161083,0.000011238108,0.36467323,0.59046936,0.0009832946],"study_design_scores_gemma":[0.0003355467,0.000037316866,0.00032836222,0.000008407626,0.000020729542,0.0000030713036,0.0059752055,0.000020683947,0.0000118475455,0.053770408,0.939329,0.00015938868],"about_ca_topic_score_codex":0.0004443248,"about_ca_topic_score_gemma":0.003993223,"teacher_disagreement_score":0.5576933,"about_ca_system_score_codex":0.000011519184,"about_ca_system_score_gemma":0.00004499908,"threshold_uncertainty_score":0.99971867},"labels":[],"label_agreement":null},{"id":"W782668969","doi":"10.18743/pub.00040047","title":"Between history and memory: ambivalent longing in the work of Seth","year":2013,"lang":"en","type":"dissertation","venue":"BIROn (Birkbeck, University of London)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anecdote; Narrative; Appropriation; Ambivalence; Art; Aesthetics; Comics; Literature; History; Psychoanalysis; Psychology; Philosophy; Epistemology","score_opus":0.02619500222970599,"score_gpt":0.1865121876655906,"score_spread":0.1603171854358846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W782668969","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97438043,0.0021846362,0.000001936738,0.00016246022,0.00023838722,0.00028052725,0.000035358884,0.000010931427,0.022705326],"genre_scores_gemma":[0.96320117,0.0004406481,0.000023808096,0.000017122089,0.00007478627,6.3808784e-7,0.0001255147,0.000015149364,0.036101144],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9991251,0.00009458317,0.00020407369,0.00021719586,0.00021245626,0.00014655833],"domain_scores_gemma":[0.9991817,0.00013755608,0.00033553087,0.00022244078,0.00008705594,0.000035742105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019187991,0.00018200683,0.0003938011,0.00031997738,0.00013556278,0.000018005301,0.00031561853,0.000109552995,0.0009013455],"category_scores_gemma":[0.000008282097,0.00016723154,0.00013208039,0.000058714424,0.0003381436,0.00012530621,0.000040661165,0.00026081063,0.0000076020833],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004815313,0.00034005576,0.024155246,0.0015275797,0.00043676456,0.00003785101,0.84538203,0.00000784414,0.00018130612,0.07469432,0.035127852,0.017627638],"study_design_scores_gemma":[0.0020796775,0.00033373517,0.3682397,0.0011132058,0.0004694156,9.30986e-7,0.31656572,0.000016127427,0.000084238745,0.0018271836,0.30842882,0.0008412438],"about_ca_topic_score_codex":0.0038275754,"about_ca_topic_score_gemma":0.010284271,"teacher_disagreement_score":0.5288163,"about_ca_system_score_codex":0.000070982445,"about_ca_system_score_gemma":0.00007380216,"threshold_uncertainty_score":0.98691016},"labels":[],"label_agreement":null},{"id":"W796537148","doi":"10.4000/belphegor.549","title":"Christophe Dony, Tanguy Habrand et Gert Meesters (dir.), La bande dessinée en dissidence  : alternative, indépendance, auto-édition / Comics in Dissent : Alternative, Independence, Self-Publishing","year":2015,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Independence (probability theory); Art; Humanities; Dissent; Political science; Literature; Law; Mathematics","score_opus":0.02787558935472911,"score_gpt":0.2751511808256032,"score_spread":0.24727559147087408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W796537148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7830453,0.028840482,0.0031219102,0.032675423,0.009097167,0.002274325,0.001668822,0.00056160387,0.138715],"genre_scores_gemma":[0.9715279,0.0015494343,0.0009884852,0.0004993264,0.00090967456,0.00011382054,0.000116336654,0.00013971889,0.024155358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954076,0.0010071723,0.0009050448,0.00089958555,0.0009849035,0.00079573004],"domain_scores_gemma":[0.9973214,0.0007578403,0.00064301136,0.000516359,0.0003176255,0.00044375195],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0020381846,0.00068421615,0.0007540637,0.0006980568,0.0004454577,0.0023553187,0.0008907508,0.000374083,0.00034394205],"category_scores_gemma":[0.00035147392,0.00066798186,0.00021612139,0.00036300247,0.00089811767,0.0035379408,0.0003999957,0.0013286315,0.00002741577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005063659,0.0017956673,0.01465071,0.00038839364,0.00043226217,0.0009137326,0.14559944,0.00070686056,0.00015750436,0.7340644,0.09406048,0.006724153],"study_design_scores_gemma":[0.008146471,0.00053481467,0.02560626,0.0027147008,0.00019484248,0.00017447326,0.022296146,0.017944314,0.0003239158,0.07262113,0.84726757,0.0021753581],"about_ca_topic_score_codex":0.01382959,"about_ca_topic_score_gemma":0.026186964,"teacher_disagreement_score":0.7532071,"about_ca_system_score_codex":0.0004533982,"about_ca_system_score_gemma":0.00053078914,"threshold_uncertainty_score":0.99957716},"labels":[],"label_agreement":null},{"id":"W79806584","doi":"","title":"2000AD: understanding the 'British invasion' of American comics","year":2010,"lang":"en","type":"book-chapter","venue":"UEA Digital Repository (University of East Anglia)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Narrative; Boom; Journalism; Media studies; History; Visual arts; Art; Political science; Literature; Sociology; Engineering","score_opus":0.030705467839922552,"score_gpt":0.16664722228434167,"score_spread":0.1359417544444191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W79806584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008308924,0.00021981016,0.00006184508,0.00009754339,0.00031737325,0.00014497843,0.00035276965,0.000041291572,0.99045545],"genre_scores_gemma":[0.4751337,0.000055397726,0.00001802624,0.000011569732,0.0001213136,7.059322e-8,0.000023826326,0.00003142871,0.5246047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924517,0.000008733422,0.00017316452,0.00021187997,0.00023598096,0.00012507623],"domain_scores_gemma":[0.99891347,0.00006252771,0.00053898944,0.00029546695,0.00012241905,0.00006712229],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000040143776,0.00017182909,0.00036752873,0.00010896064,0.0006663495,0.00026294368,0.00032526656,0.000091721515,0.00018179031],"category_scores_gemma":[0.000006345463,0.00018787809,0.00029795626,0.000023466513,0.0025713234,0.00020220861,0.00015460972,0.00027369658,0.0000053144913],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010266909,0.000088526074,0.00039928037,0.00008618225,0.00044970037,0.00013822163,0.012672226,0.0000011098418,0.000099917765,0.9634194,0.01935461,0.003188164],"study_design_scores_gemma":[0.00065180945,0.0003943456,0.00017122253,0.0007446815,0.00024602984,0.000060665556,0.09129006,0.00002637581,0.000018699895,0.06223206,0.8433653,0.0007987251],"about_ca_topic_score_codex":0.0012095552,"about_ca_topic_score_gemma":0.009058856,"teacher_disagreement_score":0.90118736,"about_ca_system_score_codex":0.000036756428,"about_ca_system_score_gemma":0.000061983184,"threshold_uncertainty_score":0.9474148},"labels":[],"label_agreement":null},{"id":"W798483154","doi":"10.4000/belphegor.628","title":"Mutation des supports, mutation des publics. La bande dessinée de la presse au livre","year":2015,"lang":"fr","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mutation; Biology; Political science; Genetics; Gene","score_opus":0.03927420610764473,"score_gpt":0.27679623956110533,"score_spread":0.2375220334534606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W798483154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9060319,0.013211642,0.001773298,0.0020743764,0.0009195462,0.00036770504,0.00016612375,0.00012364009,0.07533177],"genre_scores_gemma":[0.9707129,0.000435551,0.0012294297,0.00010121884,0.0008289912,0.000060133545,0.000119017575,0.000052492363,0.02646025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980003,0.0005270496,0.00038740138,0.00031606285,0.00025970046,0.0005094636],"domain_scores_gemma":[0.99841905,0.00045272108,0.00020561063,0.00021814829,0.00039411662,0.00031034416],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0012191766,0.00028816244,0.00025609217,0.00020808003,0.0008674532,0.001129862,0.00018272753,0.00021911875,0.00068000087],"category_scores_gemma":[0.0003618586,0.00028281208,0.00013650609,0.00013193958,0.0018978332,0.0009723903,0.00006387574,0.00027063597,0.00004395831],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013058326,0.00090195664,0.0075108293,0.00044450493,0.00017757242,0.00029848638,0.34191784,0.00016896188,0.00008473991,0.5385735,0.032191314,0.07759974],"study_design_scores_gemma":[0.0018452215,0.00048627812,0.02788756,0.0003535601,0.0002489154,0.00031971993,0.041606206,0.0019242223,0.000483236,0.29340926,0.6307589,0.00067693973],"about_ca_topic_score_codex":0.004410026,"about_ca_topic_score_gemma":0.006844649,"teacher_disagreement_score":0.5985676,"about_ca_system_score_codex":0.00022211908,"about_ca_system_score_gemma":0.0006922486,"threshold_uncertainty_score":0.9999624},"labels":[],"label_agreement":null},{"id":"W800524916","doi":"10.4000/belphegor.624","title":"From Penny Dreadful to Graphic Novel: Alan Moore and Kevin O’Neill’s Genealogy of Comics in The League of Extraordinary Gentlemen","year":2015,"lang":"en","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Reprint; League; Publishing; Performance art; Art; History; Art history; Media studies; Advertising; Genealogy; Visual arts; Literature; Sociology","score_opus":0.07497981744879108,"score_gpt":0.26631579411067685,"score_spread":0.1913359766618858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W800524916","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9921588,0.00059102697,0.000036428064,0.0014418409,0.00013059397,0.0002823233,0.00029635133,0.0000111362915,0.005051532],"genre_scores_gemma":[0.99900603,0.000034621055,0.00021618184,0.00018573338,0.0001391605,0.000015722278,0.000029990639,0.00001841217,0.00035413893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991956,0.000056668974,0.00028819995,0.00017273321,0.00013872988,0.00014806684],"domain_scores_gemma":[0.9994242,0.00009716539,0.00011194365,0.00024404038,0.0000615545,0.00006105032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028199377,0.00012059631,0.00026144227,0.00018475363,0.000048412603,0.000025425928,0.00023103127,0.000039968178,0.000071898445],"category_scores_gemma":[0.000021712529,0.00008869413,0.000051920844,0.000085116466,0.00032435404,0.000050480718,0.00008072699,0.00008657207,0.0000015956949],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029240976,0.0006626407,0.051204346,0.00007813581,0.00017007775,0.000015161754,0.3979292,0.000018569812,0.0040308423,0.5015337,0.041494858,0.0025700952],"study_design_scores_gemma":[0.007858599,0.0024294672,0.12116738,0.0002509053,0.00020960954,0.000025078294,0.41967604,0.0008281471,0.0012095073,0.08847949,0.35662967,0.0012361301],"about_ca_topic_score_codex":0.0068002697,"about_ca_topic_score_gemma":0.019388178,"teacher_disagreement_score":0.4130542,"about_ca_system_score_codex":0.0000061707287,"about_ca_system_score_gemma":0.00003037986,"threshold_uncertainty_score":0.99981356},"labels":[],"label_agreement":null},{"id":"W81413315","doi":"10.7202/1030171ar","title":"Les grandes industries mondiales de la bande dessinée","year":2015,"lang":"fr","type":"article","venue":"Documentation et bibliothèques","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Art; Humanities","score_opus":0.06353153533322564,"score_gpt":0.342412945327757,"score_spread":0.27888140999453137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W81413315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6523632,0.09555903,0.0014001696,0.012923432,0.0015519346,0.00042662243,0.0002663188,0.0002254909,0.23528384],"genre_scores_gemma":[0.9365651,0.019877246,0.00039121255,0.0005081548,0.0006827023,0.00004491155,0.00008185546,0.000039567793,0.04180926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800444,0.0007399915,0.00036614863,0.00025906143,0.0003039774,0.00032638296],"domain_scores_gemma":[0.9986807,0.00052723667,0.00019611658,0.00015864245,0.0002319315,0.00020536184],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010283665,0.0002761844,0.0002618297,0.0015159381,0.00048260446,0.008401097,0.00017633864,0.00019658708,0.0050745183],"category_scores_gemma":[0.00014408206,0.0002654868,0.00010224009,0.0006368475,0.0011906035,0.00475536,0.000055220895,0.00032687522,0.000033286557],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007453786,0.00016261608,0.0122358585,0.00005459622,0.00010669102,0.000010812759,0.0535885,0.00004693238,0.000049026912,0.8345469,0.09004295,0.00908054],"study_design_scores_gemma":[0.0011764965,0.00021203047,0.005752303,0.00018553207,0.00008300031,0.000014729043,0.025508074,0.000045801888,0.001035075,0.1544073,0.81121653,0.00036314444],"about_ca_topic_score_codex":0.009019195,"about_ca_topic_score_gemma":0.0019943777,"teacher_disagreement_score":0.7211736,"about_ca_system_score_codex":0.00013307897,"about_ca_system_score_gemma":0.00037793454,"threshold_uncertainty_score":0.99997973},"labels":[],"label_agreement":null},{"id":"W83624298","doi":"","title":"1000 Graphic Novels for the Bibliothèque Nationale du Québec","year":2005,"lang":"fr","type":"article","venue":"Spectrum Research Repository (Concordia University)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Comic strip; Subject (documents); Narrative; Library science; History; Visual arts; Computer science; Art; Literature","score_opus":0.034880159529721545,"score_gpt":0.2554328226101663,"score_spread":0.22055266308044477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W83624298","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29601195,0.021171276,0.00039589437,0.25328612,0.0028006854,0.0017261785,0.00027521088,0.00011887942,0.4242138],"genre_scores_gemma":[0.66315466,0.0020402109,0.000009897634,0.000073784475,0.0032209142,0.000010422606,0.0000053961203,0.00002929902,0.3314554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973072,0.0004071395,0.00030688322,0.00055311754,0.0005915402,0.00083411875],"domain_scores_gemma":[0.99567395,0.002674553,0.0001481692,0.00053698185,0.00071195554,0.00025435843],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010022153,0.00027963409,0.00028620148,0.0023108618,0.005020275,0.0008629976,0.00096096686,0.00015255818,0.0013201617],"category_scores_gemma":[0.000098432545,0.00025263708,0.00045081082,0.0013519864,0.0028914078,0.0008543572,0.00025396488,0.0007915881,0.000083036866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025947494,0.00026536162,0.005483412,0.000063574276,0.0003877571,0.000057460067,0.0042582136,0.00007188254,0.00022431264,0.92416185,0.06346107,0.0013056514],"study_design_scores_gemma":[0.0008922481,0.00036333522,0.0057024555,0.000059142247,0.000078361525,0.000019924386,0.0046723657,0.0011770942,0.00069472,0.0023618233,0.9836732,0.00030534065],"about_ca_topic_score_codex":0.1995084,"about_ca_topic_score_gemma":0.67085695,"teacher_disagreement_score":0.9218,"about_ca_system_score_codex":0.0007869346,"about_ca_system_score_gemma":0.002597709,"threshold_uncertainty_score":0.9999926},"labels":[],"label_agreement":null},{"id":"W8418278","doi":"","title":"La BD documentaire pour développer les habiletés en lecture","year":2011,"lang":"en","type":"article","venue":"","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Commission Scolaire des Hautes Rivières","funders":"","keywords":"Humanities; Art","score_opus":0.03701115841109991,"score_gpt":0.25285906123928353,"score_spread":0.2158479028281836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W8418278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31031796,0.00017348943,0.00010957377,0.0022790509,0.00019965073,0.00010028604,0.000007247896,0.00008836284,0.68672436],"genre_scores_gemma":[0.9784738,0.000030279134,0.0002530159,0.00033360478,0.00019236427,0.000010202651,0.0000033983285,0.0000124676,0.020690903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994978,0.000049049126,0.00011131435,0.00013748177,0.00007099667,0.00013340444],"domain_scores_gemma":[0.9997237,0.00005574899,0.000026404554,0.00011921146,0.000037668193,0.000037323392],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009309161,0.000113150236,0.00010452082,0.000060929146,0.00021108237,0.000088499655,0.00012064514,0.000045725064,0.02923716],"category_scores_gemma":[0.000008436657,0.00007742567,0.000074016934,0.000017628083,0.00014364223,0.00012500642,0.000039156563,0.00012363314,0.00009677055],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013507827,0.000063233165,0.0028534457,0.0000068910663,0.00004463241,0.0000055332375,0.099162996,1.1789683e-7,0.000083953986,0.8622747,0.025255708,0.010235279],"study_design_scores_gemma":[0.00035973385,0.00008282524,0.005425157,0.000019002002,0.000018080184,0.000006070832,0.027609488,0.000012433045,0.0006522457,0.10990886,0.8556168,0.00028927828],"about_ca_topic_score_codex":0.00061448826,"about_ca_topic_score_gemma":0.0034111585,"teacher_disagreement_score":0.8303611,"about_ca_system_score_codex":0.000009928982,"about_ca_system_score_gemma":0.000020747328,"threshold_uncertainty_score":0.97165024},"labels":[],"label_agreement":null},{"id":"W853077244","doi":"10.4000/belphegor.620","title":"Corto Maltese tra fumetto e letteratura disegnata","year":2015,"lang":"it","type":"article","venue":"Belphégor","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Maltese; Adventure; Art; Publishing; Art history; Literature; History; Philosophy","score_opus":0.05918754746731669,"score_gpt":0.2555677181023434,"score_spread":0.19638017063502672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W853077244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75358474,0.021466888,0.000086964224,0.037118714,0.010714311,0.0016272316,0.0016112189,0.00035453227,0.17343538],"genre_scores_gemma":[0.9348385,0.0001180233,0.000077046585,0.001860526,0.0020361652,0.00003396164,0.00012875462,0.000063026,0.060844023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976925,0.00012730593,0.0005366914,0.00056406506,0.00046353496,0.00061585876],"domain_scores_gemma":[0.99834365,0.000115078314,0.0002027659,0.00063424313,0.0002735117,0.00043077307],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034403076,0.00045929066,0.000505096,0.00022365335,0.0005127126,0.0009934301,0.00048023873,0.00013399003,0.003343456],"category_scores_gemma":[0.000082401326,0.00039562254,0.0002701228,0.00015051693,0.00044315393,0.0004241356,0.00018338018,0.0005176305,0.00064243743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027791673,0.0004803372,0.0015203983,0.00008246213,0.00024327694,0.0002140609,0.041131686,0.000005827117,0.0002567159,0.49042994,0.46115473,0.004202675],"study_design_scores_gemma":[0.0014214765,0.0003913035,0.0017755501,0.000103417195,0.00012145314,0.000015870863,0.0073838737,0.00026446927,0.00005210606,0.006580116,0.981214,0.0006764062],"about_ca_topic_score_codex":0.00062135345,"about_ca_topic_score_gemma":0.0012360148,"teacher_disagreement_score":0.5200592,"about_ca_system_score_codex":0.000064175234,"about_ca_system_score_gemma":0.00018630365,"threshold_uncertainty_score":0.99984956},"labels":[],"label_agreement":null},{"id":"W87022932","doi":"10.24385/lincoln.25162943","title":"Silent witnesses: graphic novels without words","year":2010,"lang":"en","type":"article","venue":"Lincoln Repository (University of Lincoln)","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Woodcut; Narrative; Sketch; Visual arts; Appeal; Graphic design; Art; Computer science; Literature","score_opus":0.009811949371542884,"score_gpt":0.18348579335471055,"score_spread":0.17367384398316765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W87022932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9190122,0.00010511073,0.00014714875,0.00046234214,0.0022416078,0.00033639948,0.000032481017,0.000119544304,0.07754319],"genre_scores_gemma":[0.97971153,0.000027498383,0.00056882924,0.000051902145,0.0006222001,0.000001642457,0.000008589745,0.000021400434,0.018986415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986917,0.000063689135,0.00027028823,0.0003908613,0.00032022607,0.00026327316],"domain_scores_gemma":[0.99856037,0.000110040775,0.0003379133,0.0004973979,0.0003284434,0.0001658518],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00022833134,0.0002291622,0.00039414133,0.00025417312,0.0009674529,0.000106245185,0.0005197274,0.00014880692,0.0006959898],"category_scores_gemma":[0.000016327649,0.0002493557,0.00027584934,0.00016321368,0.0010006891,0.00040199934,0.00015426413,0.0004680225,0.000023842518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008190346,0.0019961968,0.059755012,0.00036986175,0.0007624791,0.00032479307,0.18832609,0.000054874316,0.030456504,0.7070975,0.0050064023,0.005031259],"study_design_scores_gemma":[0.004044622,0.00088854047,0.019670531,0.00031215415,0.00043309532,0.000069247486,0.095291354,0.0017536316,0.0018960714,0.009902448,0.864106,0.0016322974],"about_ca_topic_score_codex":0.0010496465,"about_ca_topic_score_gemma":0.007788548,"teacher_disagreement_score":0.8590996,"about_ca_system_score_codex":0.000026484679,"about_ca_system_score_gemma":0.00016442442,"threshold_uncertainty_score":0.9999959},"labels":[],"label_agreement":null},{"id":"W89876218","doi":"","title":"On the Pun in English Advertisement DU MOT A DOUBLE SENS DANS LA PUBLICITE ANGLAISE","year":2006,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pun; Advertising; Order (exchange); Art; Business; Literature","score_opus":0.010548716785022588,"score_gpt":0.19758556327891447,"score_spread":0.18703684649389188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W89876218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40282214,0.00017344324,0.0000010805056,0.016011445,0.0008082552,0.00019156834,0.00012703196,0.000010706528,0.5798543],"genre_scores_gemma":[0.986873,0.000021338532,0.0000016112464,0.0009210896,0.0011526082,0.00002066657,0.000004708082,0.000009390482,0.010995622],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848676,0.00007739865,0.00019037939,0.0002891693,0.00029341245,0.0006629122],"domain_scores_gemma":[0.9993107,0.000095460746,0.00005964918,0.00014958272,0.00016892761,0.00021570912],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007704225,0.00014798512,0.0001281964,0.00025868954,0.002224823,0.0009428152,0.00041793683,0.0000640737,0.00055892044],"category_scores_gemma":[0.000060011254,0.00012568482,0.00007029288,0.00051522517,0.0023335752,0.00031414803,0.000042066524,0.00022472763,0.000014907343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035616233,0.000038216353,0.0021992752,0.000003208746,0.0000033631345,0.00002811913,0.055110708,0.0000046850637,0.000016516957,0.92450947,0.01761748,0.0004653907],"study_design_scores_gemma":[0.00036229854,0.000034804503,0.011932445,0.000038417766,0.0000073437955,0.0000010997952,0.030593803,0.00013568287,0.000020589045,0.015833704,0.94081,0.00022979945],"about_ca_topic_score_codex":0.3467919,"about_ca_topic_score_gemma":0.8722649,"teacher_disagreement_score":0.9231925,"about_ca_system_score_codex":0.00067809166,"about_ca_system_score_gemma":0.0008156066,"threshold_uncertainty_score":0.99907416},"labels":[],"label_agreement":null}]}